{"meta":{"query_hash":"06948edc5edc","filters":{"topic":"Contemporary Literature and Criticism"},"cohort_total":672,"direct_labels_cover":1,"predictions_cover":672,"exported":672,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/06948edc5edc","api":"https://metacan.xera.ac/api/v1/cohort?topic=Contemporary+Literature+and+Criticism"},"results":[{"id":"W1001503072","doi":"","title":"Forgetting the Boy in the Box: Mad Men’s Don Draper and Lacan’s Mirror Stage","year":2013,"lang":"en","type":"article","venue":"The albatross","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Forgetting; Psychoanalysis; Identity (music); Psychology; Aesthetics; Philosophy; Art; Cognitive psychology","score_opus":0.01834430996945478,"score_gpt":0.22466572723779651,"score_spread":0.20632141726834174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1001503072","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12539421,0.011067413,0.0035000828,0.15799038,0.002207541,0.000026600956,0.000029038323,0.00008480016,0.69969994],"genre_scores_gemma":[0.9253723,0.0013829098,0.00042120856,0.009502066,0.00042089654,0.000014935901,0.0000058228693,0.00006968175,0.06281028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972307,0.0019073107,0.000023830902,0.00018762557,0.00036716845,0.0002833991],"domain_scores_gemma":[0.99845994,0.0008591827,0.00013610363,0.000113078924,0.00023790715,0.00019383983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024800661,0.00040057994,0.00023907951,0.0007377677,0.015831105,0.007662339,0.0009281934,0.0031533495,0.0043018563],"category_scores_gemma":[0.0044102413,0.00022268223,0.00020213041,0.00044719584,0.026172008,0.0044871387,0.0036314842,0.006337948,0.0006722228],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004193121,0.000021378268,0.00047073158,0.00005659647,0.000009090227,0.0010223468,0.20184551,0.00006150699,0.00023694352,0.74956423,0.039569307,0.0071004773],"study_design_scores_gemma":[0.000019068946,0.00004977519,0.00094070466,0.00025778133,0.00002065511,0.001342313,0.17871028,0.00026172423,0.0010408968,0.07445916,0.7428552,0.000042371597],"about_ca_topic_score_codex":0.020137409,"about_ca_topic_score_gemma":0.035272997,"teacher_disagreement_score":0.020137409,"about_ca_system_score_codex":0.005925871,"about_ca_system_score_gemma":0.0014325754,"threshold_uncertainty_score":0.042995334},"labels":[],"label_agreement":null},{"id":"W1029350246","doi":"10.1007/978-94-6209-185-6_5","title":"Arts-Based Research Otherwise","year":2013,"lang":"en","type":"book-chapter","venue":"SensePublishers eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"CLARION; Icon; Posthuman; The arts; Humanism; Epistemology; Aesthetics; Sociology; Philosophy; Art; Visual arts; Computer science; Artificial intelligence","score_opus":0.21794157885665175,"score_gpt":0.3148040288801756,"score_spread":0.09686245002352387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1029350246","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021960577,0.009843192,0.003344289,0.042869583,0.0031114004,0.000030567844,0.000065152904,0.0000621563,0.9384777],"genre_scores_gemma":[0.33388168,0.015862197,0.00433813,0.04734155,0.0063830963,0.00026291682,0.00024647007,0.00020648645,0.5914775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958396,0.001852557,0.00014498556,0.00075615826,0.0011173456,0.00028949184],"domain_scores_gemma":[0.99506015,0.0021902868,0.00022220697,0.0014044952,0.0007499543,0.0003729959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052389908,0.0005604044,0.0005635926,0.0014929076,0.0041319174,0.008894209,0.0014239353,0.004126313,0.039975837],"category_scores_gemma":[0.008411904,0.00018108853,0.0004224263,0.0019245506,0.02909371,0.010852559,0.0055877864,0.0056025935,0.0070383493],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004926749,0.00000977247,0.000042858974,0.00004510202,0.0000014984481,0.000020999987,0.0015420574,0.000020347985,0.000030208448,0.9780728,0.013964464,0.0062448895],"study_design_scores_gemma":[0.0000060113975,0.0000117607915,0.00013555895,0.00047956622,0.0000034671464,0.000074718686,0.003616438,0.00007386981,0.00015997383,0.32403928,0.67139465,0.0000047505114],"about_ca_topic_score_codex":0.001935613,"about_ca_topic_score_gemma":0.0024989508,"teacher_disagreement_score":0.039975837,"about_ca_system_score_codex":0.00420861,"about_ca_system_score_gemma":0.0039040998,"threshold_uncertainty_score":0.13373256},"labels":[],"label_agreement":null},{"id":"W1037176821","doi":"","title":"Human-Machinic Assemblages: Technologies, Bodies, and the Recuperation of Social Reproduction in the Crisis Era","year":2015,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reproduction; Environmental crisis; Political science; Business; Economy; Environmental ethics; Economics; Biology; Ecology","score_opus":0.13143538908052654,"score_gpt":0.3144432904492056,"score_spread":0.18300790136867906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1037176821","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47195855,0.004989082,0.011325714,0.011510795,0.00024992484,0.00009261358,0.000048561073,0.0000820983,0.49974257],"genre_scores_gemma":[0.9861265,0.0009838502,0.0010235406,0.0002060264,0.00006202569,0.000033548058,0.000012993915,0.000028283588,0.011523214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99845576,0.00080382905,0.000046160345,0.0001775071,0.00032349036,0.00019316177],"domain_scores_gemma":[0.9985744,0.0007242151,0.00022028729,0.00019146303,0.00009926247,0.00019027512],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0022941686,0.0002931187,0.00024808646,0.0018535834,0.007811792,0.01110429,0.0006869569,0.0013463919,0.0057700477],"category_scores_gemma":[0.0029630868,0.00025370487,0.00013519269,0.0013904189,0.04347852,0.007958749,0.0065083285,0.0019573728,0.0005668695],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044507677,0.00003402779,0.002689195,0.00007968073,0.000004341921,0.00042998773,0.42454362,0.0001400457,0.00052087946,0.53975546,0.0016525345,0.030105699],"study_design_scores_gemma":[0.000024369809,0.00010527752,0.010551459,0.0005737259,0.00001283081,0.00076621893,0.4725933,0.00057244214,0.0011157237,0.16448888,0.3491646,0.000031027284],"about_ca_topic_score_codex":0.0037973372,"about_ca_topic_score_gemma":0.0056160484,"teacher_disagreement_score":0.9921882,"about_ca_system_score_codex":0.0046431813,"about_ca_system_score_gemma":0.0018285573,"threshold_uncertainty_score":0.033688843},"labels":[],"label_agreement":null},{"id":"W106073611","doi":"","title":"\"Don't let the bastards grind you down\": echoes of Hard Times in The Handmaid's Tale","year":2008,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Literature; Allusion; State (computer science); Philosophy; History; Reading (process); Art; Psychoanalysis; Psychology","score_opus":0.021294392100639162,"score_gpt":0.20658575552284175,"score_spread":0.1852913634222026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W106073611","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054115236,0.008237528,0.0032535389,0.1467428,0.010957085,0.00002612191,0.0001249142,0.00021633109,0.7763264],"genre_scores_gemma":[0.7914905,0.0014083921,0.0007310995,0.022240536,0.0019621388,0.00004051437,0.000047879985,0.00033489242,0.181744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980533,0.00094470027,0.00001981513,0.00017750426,0.00044784826,0.00035682702],"domain_scores_gemma":[0.9976682,0.0012576365,0.00013258994,0.00012540654,0.00036914545,0.0004469818],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016049141,0.00072872895,0.00032052098,0.00096828764,0.022495417,0.009891874,0.001088484,0.0031883323,0.008003725],"category_scores_gemma":[0.006817804,0.00032032147,0.00024419857,0.00060709205,0.023884509,0.005549749,0.0041954233,0.0079579735,0.0011541817],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006776538,0.000020971665,0.00038894775,0.00007102807,0.0000110420515,0.0010156761,0.28849414,0.00008698915,0.00030799684,0.36005446,0.33640504,0.013075942],"study_design_scores_gemma":[0.000010656437,0.000017116976,0.0008583889,0.00025892106,0.000008327386,0.00043147153,0.14851475,0.00015886323,0.00032034534,0.022356171,0.8270298,0.000035142824],"about_ca_topic_score_codex":0.06857427,"about_ca_topic_score_gemma":0.14228064,"teacher_disagreement_score":0.06857427,"about_ca_system_score_codex":0.0078095533,"about_ca_system_score_gemma":0.0026559797,"threshold_uncertainty_score":0.13635027},"labels":[],"label_agreement":null},{"id":"W1185554667","doi":"10.1353/mos.2015.0018","title":"“Modern Death” in Don DeLillo: A Parody of Life?","year":2015,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Socratic method; Philosophy; Absurdism; Literature; Fear of death; Epistemology; Aesthetics; Psychoanalysis; Psychology; Art","score_opus":0.05892287777694342,"score_gpt":0.24038085232601708,"score_spread":0.18145797454907367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1185554667","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09830669,0.010141162,0.006192314,0.2657548,0.0046788775,0.000024732395,0.00004779804,0.00006998425,0.6147836],"genre_scores_gemma":[0.9387717,0.0013904821,0.00050366967,0.018058477,0.00062239636,0.00002478092,0.000016632379,0.000050501032,0.04056137],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978612,0.0012197313,0.00003724171,0.00023323687,0.0003331365,0.00031544192],"domain_scores_gemma":[0.99834454,0.0009246927,0.00014733354,0.00014936585,0.0002460049,0.00018811156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002984812,0.00031137367,0.00030770816,0.00047470108,0.008229751,0.0061865957,0.001252254,0.0038329316,0.0034326743],"category_scores_gemma":[0.009237593,0.00014239397,0.0001849187,0.00029431778,0.030917773,0.005973395,0.004165269,0.005219908,0.00044650474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002940066,0.000007669013,0.0003808451,0.00004140069,0.0000027307913,0.00032797086,0.06445491,0.000056576377,0.00013131551,0.90445894,0.02450612,0.005602168],"study_design_scores_gemma":[0.000011897891,0.00002362949,0.0004688683,0.0002498821,0.0000059904914,0.00072780345,0.08994221,0.00012343371,0.00031248466,0.11771405,0.79038656,0.00003317437],"about_ca_topic_score_codex":0.011502797,"about_ca_topic_score_gemma":0.025610987,"teacher_disagreement_score":0.011502797,"about_ca_system_score_codex":0.005087545,"about_ca_system_score_gemma":0.0017859354,"threshold_uncertainty_score":0.03691286},"labels":[],"label_agreement":null},{"id":"W13913359","doi":"","title":"Zizek and Media Studies: A Reader","year":2014,"lang":"en","type":"article","venue":"New York State journal of medicine","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Movie theater; Sublime; Art; Hegelianism; Art history; Literature; Philosophy; Aesthetics; Politics; Law; Political science","score_opus":0.07624607571350772,"score_gpt":0.27855406689472645,"score_spread":0.20230799118121873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W13913359","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001967435,0.5969606,0.00089335354,0.13729624,0.018278226,0.000054126478,0.00028163733,0.0001516608,0.24411671],"genre_scores_gemma":[0.06216728,0.4687297,0.0016407567,0.051550206,0.04837388,0.00026098487,0.00037111633,0.00022506971,0.36668092],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921966,0.00029885487,0.000033442855,0.0000880907,0.00019977806,0.00016013306],"domain_scores_gemma":[0.99867105,0.0007679167,0.000095924705,0.00008151435,0.00021723336,0.00016633717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010202203,0.0013523161,0.00064027635,0.0036339005,0.004488101,0.009457873,0.0013742298,0.0031221951,0.036219355],"category_scores_gemma":[0.0035101622,0.00042092736,0.00034820684,0.004003528,0.0056749103,0.0084653,0.0032009522,0.0034407417,0.007893657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002131351,0.000044705997,0.0004963218,0.0005866114,0.000005327544,0.00014357705,0.010304737,0.000037533802,0.00024854258,0.12616026,0.82092476,0.041026223],"study_design_scores_gemma":[0.0000022731265,0.0000029392268,0.0003487156,0.00042527012,0.0000018898982,0.00004313799,0.002394725,0.000012987438,0.000024132929,0.0045687216,0.9921725,0.0000027623546],"about_ca_topic_score_codex":0.013681401,"about_ca_topic_score_gemma":0.0191622,"teacher_disagreement_score":0.036219355,"about_ca_system_score_codex":0.0056784283,"about_ca_system_score_gemma":0.002578182,"threshold_uncertainty_score":0.12116581},"labels":[],"label_agreement":null},{"id":"W14021933","doi":"","title":"The Novelist, Theory and Reading","year":2005,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Enthusiasm; Mythology; Literary theory; Literature; Quarter (Canadian coin); Philosophy; Art; Epistemology; History; Art history; Sociology; Aesthetics; Literary criticism; Linguistics","score_opus":0.012710290496431177,"score_gpt":0.2131216477119259,"score_spread":0.20041135721549472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W14021933","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014203767,0.056367133,0.004352014,0.14287227,0.0047229407,0.00003595721,0.000106663865,0.000102532045,0.7772368],"genre_scores_gemma":[0.8412847,0.03672176,0.0024857204,0.017444802,0.007572731,0.00015996504,0.0001609272,0.00021090813,0.093958534],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99590117,0.0029805626,0.000090369096,0.00039024095,0.00041287453,0.00022474266],"domain_scores_gemma":[0.994089,0.003989146,0.00054157915,0.0005344729,0.00044362724,0.000402106],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003930323,0.00052258087,0.0006359948,0.0025680976,0.0075224373,0.017079448,0.0012850655,0.0034851776,0.009300531],"category_scores_gemma":[0.008882136,0.00026810222,0.00030708776,0.002186994,0.05344816,0.011098192,0.0035056968,0.0047734324,0.00172646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015423551,0.000026789015,0.0002377844,0.0001418694,0.0000062444087,0.000163253,0.019875022,0.00007731253,0.000048440128,0.9449955,0.027031956,0.0073803556],"study_design_scores_gemma":[0.000019161454,0.000032364187,0.00036103366,0.0006627461,0.0000065006257,0.00032603918,0.026591696,0.0001310656,0.00012616313,0.5737519,0.3979795,0.000011845447],"about_ca_topic_score_codex":0.0020751879,"about_ca_topic_score_gemma":0.0021077543,"teacher_disagreement_score":0.017079448,"about_ca_system_score_codex":0.0057124686,"about_ca_system_score_gemma":0.0034217888,"threshold_uncertainty_score":0.041447043},"labels":[],"label_agreement":null},{"id":"W147022263","doi":"","title":"Negotiating with the Dead: A Writer on Writing","year":2003,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Negotiation; Art; Political science; Law","score_opus":0.027221728088870172,"score_gpt":0.22167759010669397,"score_spread":0.1944558620178238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W147022263","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04770319,0.03107746,0.0017531852,0.43085563,0.02430805,0.00014193448,0.00020398763,0.00015893922,0.4637976],"genre_scores_gemma":[0.6119157,0.0182575,0.0019250006,0.085289575,0.004544798,0.00014638298,0.00010059825,0.0006399694,0.27718052],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9881274,0.0041012373,0.00025897886,0.0008681106,0.0032075848,0.0034367202],"domain_scores_gemma":[0.98175895,0.0081250295,0.00069370284,0.0005033731,0.0053146896,0.003604346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0085074045,0.0018425278,0.0015466219,0.005703846,0.13853768,0.03492456,0.007096264,0.019116694,0.008993534],"category_scores_gemma":[0.024880055,0.00078876107,0.00072786695,0.010168875,0.06736054,0.008738038,0.008730928,0.028228847,0.0008969774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003343955,0.000019562069,0.00029186378,0.00013287725,0.00000844514,0.00080232124,0.6376184,0.00008138853,0.00014896881,0.1718598,0.17983738,0.00916555],"study_design_scores_gemma":[0.000008005237,0.000009638163,0.00036416395,0.00039996215,0.00001383912,0.0002208588,0.34857738,0.000045185938,0.00013954654,0.0056511154,0.644535,0.00003533316],"about_ca_topic_score_codex":0.9230888,"about_ca_topic_score_gemma":0.9684411,"teacher_disagreement_score":0.9230888,"about_ca_system_score_codex":0.11743106,"about_ca_system_score_gemma":0.17869017,"threshold_uncertainty_score":0.852026},"labels":[],"label_agreement":null},{"id":"W1486498297","doi":"","title":"Misrecognizing history. Complicitous Genres in The Remains of the Day","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Complicity; Dramatization; Literature; Narrative; Regret; Theme (computing); Criticism; Aesthetics; Romance; History; Art; Psychoanalysis; Philosophy; Psychology; Law; Computer science","score_opus":0.05425453765442406,"score_gpt":0.26084277165887176,"score_spread":0.2065882340044477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486498297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5993663,0.015745834,0.008912765,0.0238462,0.003676565,0.00007177785,0.00011638268,0.00014224273,0.34812194],"genre_scores_gemma":[0.9852893,0.0009294102,0.00059795147,0.0007586157,0.0004269285,0.00001480948,0.000028435787,0.00003654568,0.011918015],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980502,0.000990997,0.00010524071,0.00020783678,0.00035359658,0.00029202714],"domain_scores_gemma":[0.9981236,0.00081848993,0.00036745932,0.00024393733,0.0002212981,0.00022521563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014272451,0.00045657394,0.00038326727,0.0013770058,0.010174166,0.0066264444,0.00084552134,0.002192106,0.0013347003],"category_scores_gemma":[0.0039927787,0.00030608047,0.00037048245,0.0011077836,0.025925258,0.0048949867,0.006081997,0.0024951051,0.00019560139],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088174354,0.000021462605,0.002559072,0.0001723202,0.000017541224,0.004213571,0.6281917,0.00011994878,0.0012179025,0.3436809,0.006853761,0.012863712],"study_design_scores_gemma":[0.000017256001,0.00013887005,0.009621129,0.00041879094,0.000059613845,0.0055186776,0.37975773,0.00042198456,0.0018424271,0.06846836,0.53365815,0.00007698437],"about_ca_topic_score_codex":0.0047516716,"about_ca_topic_score_gemma":0.010858461,"teacher_disagreement_score":0.010174166,"about_ca_system_score_codex":0.0038698192,"about_ca_system_score_gemma":0.0012774525,"threshold_uncertainty_score":0.028077602},"labels":[],"label_agreement":null},{"id":"W1489897531","doi":"","title":"Backward Glance at James Joyce: Finnegans Wake's Postmodernist Devices","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; TRACE (psycholinguistics); Literature; Context (archaeology); Wake; History; Philosophy; Art; Art history; Linguistics","score_opus":0.02063917134854857,"score_gpt":0.268832583983111,"score_spread":0.24819341263456243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1489897531","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061006166,0.034026913,0.010805811,0.28800985,0.00516554,0.000055713423,0.00009070631,0.00011428426,0.60072494],"genre_scores_gemma":[0.7710893,0.007051614,0.004943723,0.045856986,0.0016793018,0.00010932016,0.000029617066,0.00016352067,0.16907662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989613,0.00053438725,0.00001795235,0.00010824114,0.00023425123,0.0001438504],"domain_scores_gemma":[0.9987116,0.00083985756,0.000065900465,0.00007079965,0.00019863302,0.00011321168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021231268,0.00037698617,0.00031124428,0.0012503655,0.008529224,0.0060653016,0.00081541535,0.0022668238,0.003970054],"category_scores_gemma":[0.004991824,0.00017578312,0.00019561237,0.00073609914,0.021890672,0.006021886,0.0028254876,0.0052897525,0.0006546077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035548743,0.000018841194,0.00032999518,0.00005479857,0.0000035618427,0.00039357407,0.072507635,0.000065345244,0.00037101115,0.84777915,0.05746081,0.020979831],"study_design_scores_gemma":[0.0000057185985,0.000015139887,0.0004511621,0.00018363983,0.0000026205907,0.0003240507,0.022500582,0.00009272642,0.00041170436,0.1648091,0.81118137,0.000022141507],"about_ca_topic_score_codex":0.010509452,"about_ca_topic_score_gemma":0.02984169,"teacher_disagreement_score":0.010509452,"about_ca_system_score_codex":0.0038864291,"about_ca_system_score_gemma":0.0022079085,"threshold_uncertainty_score":0.028198183},"labels":[],"label_agreement":null},{"id":"W1491719275","doi":"","title":"Dissolving the Reader/Author Binary: Sylvia Molloy's Certificate of Absence , Helena Parente Cunha's Woman Between Mirrors , and Jeanette Winterson's Written on the Body","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); Binary opposition; Movie theater; Literature; Psychoanalysis; Allusion; Art; Art history; Philosophy; Psychology","score_opus":0.14022216598494525,"score_gpt":0.2953068191435825,"score_spread":0.15508465315863723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491719275","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07114818,0.044434305,0.0050995382,0.41895896,0.027901303,0.000082899904,0.00014882942,0.00016331692,0.43206272],"genre_scores_gemma":[0.7468024,0.007224725,0.0017773465,0.03821719,0.0047980077,0.00015979652,0.00006624541,0.0005301336,0.20042415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978745,0.0010863158,0.00003255133,0.00028522735,0.00045292347,0.0002685277],"domain_scores_gemma":[0.9975267,0.0010927387,0.00021963747,0.00010727587,0.0004511248,0.00060253515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019236552,0.0007218523,0.00046181204,0.0013397282,0.014380848,0.0076580476,0.001129601,0.003258049,0.0042818524],"category_scores_gemma":[0.0070065316,0.00039021196,0.00023124591,0.00086132815,0.016349189,0.006417513,0.0062826127,0.0073112138,0.0006867782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007652232,0.000027680418,0.0011170534,0.00009499691,0.000007903392,0.000849604,0.20036373,0.00004455253,0.00029049514,0.5140299,0.26003873,0.02305882],"study_design_scores_gemma":[0.000018325058,0.000022297714,0.0019455389,0.00033980067,0.000008389888,0.00060300133,0.050247815,0.00010916674,0.00028512886,0.013188087,0.9332044,0.00002807733],"about_ca_topic_score_codex":0.08958952,"about_ca_topic_score_gemma":0.20894124,"teacher_disagreement_score":0.08958952,"about_ca_system_score_codex":0.011572093,"about_ca_system_score_gemma":0.005351623,"threshold_uncertainty_score":0.17813611},"labels":[],"label_agreement":null},{"id":"W1493163541","doi":"","title":"February is the Cruelest Month: Neoliberalism and the Economy of Mourning in Lisa Moore’s February","year":2010,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Acadia University","funders":"","keywords":"Neoliberalism (international relations); Globalization; Political economy; Prosperity; Political science; Financialization; Economy; Sociology; Economics; Law; Market economy","score_opus":0.019441842076576503,"score_gpt":0.24233035402857964,"score_spread":0.22288851195200313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493163541","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03813322,0.016092107,0.0008711516,0.5185824,0.0036897596,0.000021874092,0.00009593481,0.0001489228,0.4223646],"genre_scores_gemma":[0.6202373,0.0068203327,0.00057020504,0.046457298,0.0026023723,0.000057231635,0.00004466438,0.00023218305,0.32297844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908364,0.00041463968,0.000016077938,0.00009137763,0.000109453395,0.00028482935],"domain_scores_gemma":[0.9986154,0.0004549544,0.0002024493,0.00008221924,0.00011571882,0.00052927644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013408968,0.0003336415,0.000285702,0.00057427003,0.014632945,0.011139805,0.0008920319,0.0030652215,0.009628181],"category_scores_gemma":[0.003487096,0.0003641411,0.00022766896,0.0006508543,0.016547572,0.004496194,0.0040225987,0.004387826,0.0017122828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011551607,0.00007175204,0.0011048727,0.00008312721,0.000009730235,0.0009226786,0.0514743,0.00023874288,0.00013564069,0.5065305,0.42026967,0.019043624],"study_design_scores_gemma":[0.000010245811,0.000012640309,0.0009955169,0.00017090264,0.0000034475377,0.000113730785,0.014682628,0.00009799701,0.000075618394,0.027665518,0.9561471,0.000024634835],"about_ca_topic_score_codex":0.05553803,"about_ca_topic_score_gemma":0.15270624,"teacher_disagreement_score":0.05553803,"about_ca_system_score_codex":0.012172045,"about_ca_system_score_gemma":0.0047256188,"threshold_uncertainty_score":0.110429525},"labels":[],"label_agreement":null},{"id":"W1499279490","doi":"","title":"The Rock Observed: Art and Surveillance in Michael Winter’s This All Happened","year":2010,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Memoir; Art history; Art; Postmodernism; Id, ego and super-ego; History; Literature; Psychoanalysis; Psychology","score_opus":0.035062383063561305,"score_gpt":0.2568842390861659,"score_spread":0.22182185602260462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499279490","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21451135,0.010986807,0.0021089257,0.14699824,0.0019065407,0.00004891834,0.00013948955,0.00016768239,0.623132],"genre_scores_gemma":[0.8834273,0.0018204056,0.00048700598,0.0058578206,0.00040748014,0.00003700896,0.000027472784,0.00012293205,0.10781258],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997241,0.0013111578,0.000054441945,0.00032147058,0.0005311582,0.0005407863],"domain_scores_gemma":[0.998539,0.0006930255,0.00021472407,0.00015379407,0.00016443711,0.00023511192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020558566,0.00041375606,0.0002985052,0.0007722327,0.020454332,0.009914423,0.0012868157,0.0031262808,0.0047155037],"category_scores_gemma":[0.0040588365,0.00037988796,0.00023204456,0.0008893848,0.027090222,0.004845796,0.0037573376,0.005126437,0.0005817774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051580544,0.00003017871,0.0017056307,0.000068165784,0.000009974248,0.0010572046,0.5506973,0.0001835736,0.00051810587,0.31088933,0.119464695,0.015324268],"study_design_scores_gemma":[0.0000069528633,0.000018330222,0.0021930956,0.00027185978,0.000008172311,0.0005079325,0.2122687,0.00017018603,0.0005890344,0.008744864,0.7751856,0.00003536924],"about_ca_topic_score_codex":0.18002988,"about_ca_topic_score_gemma":0.308616,"teacher_disagreement_score":0.81997013,"about_ca_system_score_codex":0.017016012,"about_ca_system_score_gemma":0.0045618545,"threshold_uncertainty_score":0.35796398},"labels":[],"label_agreement":null},{"id":"W1499909921","doi":"10.22621/cfn.v128i1.1530","title":"\"Owls\" by Marianne Taylor. 2012. [book review]","year":2014,"lang":"en","type":"article","venue":"The Canadian Field-Naturalist","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art","score_opus":0.013112553847942021,"score_gpt":0.20935891740144608,"score_spread":0.19624636355350406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499909921","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014320384,0.8499904,0.00071625895,0.03843305,0.0156292,0.000026986023,0.0006090788,0.00013920794,0.09431266],"genre_scores_gemma":[0.0052169417,0.5390367,0.001151374,0.025255075,0.006524639,0.000081038444,0.00082403567,0.0003387084,0.42157146],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993723,0.000090330876,0.000032528198,0.00007229951,0.0003599193,0.00007263095],"domain_scores_gemma":[0.9988739,0.0003979764,0.00006959417,0.00004438558,0.0005292065,0.000084964326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075705047,0.0011124617,0.00085070555,0.0036463386,0.0025532648,0.0033871718,0.001703375,0.002122343,0.05267137],"category_scores_gemma":[0.0029897501,0.00054325885,0.00049004954,0.0056588915,0.00249138,0.0047453213,0.0015627019,0.0038138274,0.023628375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061723526,0.0000027978008,0.000025254687,0.00029469896,0.0000023116231,0.000014901984,0.00010880251,0.000016887483,0.00001729358,0.0058542113,0.95551753,0.038139097],"study_design_scores_gemma":[0.000001339334,0.0000013801684,0.00017621777,0.00041778162,0.0000023156051,0.000044127268,0.000099289864,0.000008377387,0.000014816178,0.0014438629,0.9977864,0.0000040570085],"about_ca_topic_score_codex":0.1881051,"about_ca_topic_score_gemma":0.39238995,"teacher_disagreement_score":0.1881051,"about_ca_system_score_codex":0.006245744,"about_ca_system_score_gemma":0.008072481,"threshold_uncertainty_score":0.3740204},"labels":[],"label_agreement":null},{"id":"W1501085167","doi":"","title":"Relocating Maternal Subjectivity: Storytelling and Mother-Daughter Voices in Amy Tan's The Joy Luck Club","year":2002,"lang":"en","type":"article","venue":"Thirdspace","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Luck; Sociology; Gender studies; Femininity; Intersubjectivity; Narrative; Daughter; Psychoanalysis; Objectification; Psychoanalytic theory; Club; Aesthetics; Psychology; Literature; Philosophy; Epistemology; Art; Social science","score_opus":0.023738166692052823,"score_gpt":0.20741920624072413,"score_spread":0.18368103954867132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1501085167","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97183764,0.00089225353,0.0009903496,0.0032495935,0.00013339579,0.000029604167,0.000019898322,0.000030074149,0.02281725],"genre_scores_gemma":[0.99464583,0.00037160938,0.00038424597,0.000244442,0.000033501314,0.000032600845,0.000009281215,0.000018764455,0.0042597037],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819547,0.0013306376,0.00003245973,0.00009643024,0.00018984862,0.00015523969],"domain_scores_gemma":[0.9974483,0.0017991877,0.00027982608,0.00007995071,0.0001347239,0.00025811655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020335673,0.00058953906,0.00034350774,0.0007138692,0.0073997034,0.004003437,0.0009866355,0.0012655328,0.0014508885],"category_scores_gemma":[0.0048721684,0.00029847166,0.00016737243,0.00062108523,0.008862844,0.002586129,0.004031725,0.0022573005,0.00018055215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018185034,0.000013854315,0.0014321469,0.000029514125,0.0000026947507,0.0017276267,0.9873648,0.000024212291,0.00083732326,0.005352533,0.0006847015,0.002512438],"study_design_scores_gemma":[0.000003598098,0.000040709296,0.0019226412,0.000073045856,0.000007009109,0.0011274483,0.96359795,0.00013226178,0.0011005078,0.0011814671,0.030798955,0.000014409985],"about_ca_topic_score_codex":0.005173448,"about_ca_topic_score_gemma":0.015275231,"teacher_disagreement_score":0.0073997034,"about_ca_system_score_codex":0.002925701,"about_ca_system_score_gemma":0.001411623,"threshold_uncertainty_score":0.021227479},"labels":[],"label_agreement":null},{"id":"W1503509374","doi":"","title":"Kazuo Ishiguro’s Narratives of the “Other”","year":2015,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Redress; Narrative; Context (archaeology); Gender studies; History; Sociology; Literature; Aesthetics; Psychoanalysis; Psychology; Art","score_opus":0.047917176420433256,"score_gpt":0.2424153404855219,"score_spread":0.19449816406508866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503509374","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56376237,0.010495489,0.005578201,0.0517917,0.002624838,0.0000784666,0.00010350847,0.00009201239,0.36547333],"genre_scores_gemma":[0.9527431,0.002160531,0.0010730566,0.0043520215,0.00023916732,0.00005443626,0.000036038105,0.00006244476,0.03927918],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893206,0.00044896302,0.00004416656,0.00010779337,0.00015545532,0.00031160362],"domain_scores_gemma":[0.99922884,0.00024187387,0.0001024516,0.000059892882,0.00012908345,0.00023784391],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023003127,0.0009733416,0.00050521333,0.0009392071,0.016905759,0.00567898,0.0009588201,0.0021736575,0.00206652],"category_scores_gemma":[0.0016222015,0.00036984376,0.0005175506,0.0011276106,0.02005577,0.004894311,0.005124612,0.004748568,0.00025717067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007849774,0.000026007128,0.0013257521,0.00014330985,0.00001817503,0.001440651,0.90990067,0.000072987576,0.0016171103,0.069651924,0.0105076805,0.0052173017],"study_design_scores_gemma":[0.0000211494,0.00006811287,0.0044131717,0.00027074202,0.00006597572,0.0006448665,0.63268304,0.00020190283,0.001544796,0.014089121,0.34590724,0.000089962516],"about_ca_topic_score_codex":0.024413599,"about_ca_topic_score_gemma":0.059553616,"teacher_disagreement_score":0.024413599,"about_ca_system_score_codex":0.0044398294,"about_ca_system_score_gemma":0.0024601067,"threshold_uncertainty_score":0.048542976},"labels":[],"label_agreement":null},{"id":"W1503581906","doi":"","title":"On the Question of Overlap between the Post-Colonial and the Postmodern","year":2012,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Orientalism; Colonialism; Analogy; Value (mathematics); Point (geometry); Face (sociological concept); Aesthetics; Sociology; Face value; Postmodern theatre; Epistemology; Literature; History; Philosophy; Art; Law; Political science; Social science; Computer science; Mathematics","score_opus":0.010495539765596638,"score_gpt":0.2299517578082514,"score_spread":0.21945621804265475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503581906","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32687098,0.01669177,0.023903431,0.109578595,0.00076622865,0.00007097451,0.00008303381,0.00006303261,0.52197206],"genre_scores_gemma":[0.9918596,0.0011726941,0.0010967973,0.0016825957,0.0002980226,0.000051018287,0.000021471935,0.000034970417,0.0037827096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99081916,0.00581097,0.00016970364,0.0008627472,0.0014095766,0.0009278437],"domain_scores_gemma":[0.9844743,0.011879363,0.00085470336,0.0013364998,0.0008923442,0.0005627244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012155029,0.000361574,0.00070518046,0.0019954084,0.009975938,0.012853047,0.0020016467,0.004679632,0.005958425],"category_scores_gemma":[0.015054807,0.0002712314,0.00038607887,0.0027357058,0.09785149,0.024707293,0.012881882,0.005203327,0.0005027367],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002455022,0.000011741965,0.00029041708,0.000035031473,0.000002978433,0.00010461219,0.09701902,0.000045614113,0.00010261042,0.8976127,0.00048595836,0.0042647123],"study_design_scores_gemma":[0.000021952812,0.0000456739,0.0028372419,0.0005283075,0.000009155344,0.0004144772,0.18895213,0.00027336655,0.00033413587,0.7223619,0.08419745,0.000024222545],"about_ca_topic_score_codex":0.0043518017,"about_ca_topic_score_gemma":0.0040552835,"teacher_disagreement_score":0.012853047,"about_ca_system_score_codex":0.0059949714,"about_ca_system_score_gemma":0.0039785043,"threshold_uncertainty_score":0.064282715},"labels":[],"label_agreement":null},{"id":"W150605932","doi":"10.22329/p.v1i1.35","title":"Meganarratives of Supermodernism: The Spectre of the Public Sphere","year":2006,"lang":"en","type":"article","venue":"PhaenEx","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Transcendental number; Phenomenology (philosophy); Politics; Public sphere; Public space; Epistemology; Sociology; Existentialism; Political philosophy; Political science; Law; Philosophy; Engineering; Architectural engineering","score_opus":0.020892119805960608,"score_gpt":0.1930185234577073,"score_spread":0.17212640365174667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W150605932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056541834,0.005921594,0.027449165,0.1286434,0.00086159795,0.000036847097,0.000035346977,0.00011170847,0.7803985],"genre_scores_gemma":[0.96868235,0.0011945344,0.0012208833,0.0047264015,0.0006404604,0.000064307475,0.0000121520525,0.00010786013,0.02335109],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99406344,0.0039870846,0.00007908337,0.00049239816,0.0010799714,0.00029807157],"domain_scores_gemma":[0.9917086,0.0055656545,0.0004150495,0.0014136203,0.00059283525,0.0003041877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007238083,0.00042657836,0.00040561496,0.001920524,0.009074916,0.013965195,0.0015762533,0.004465511,0.005795588],"category_scores_gemma":[0.008707342,0.00029216506,0.00036566897,0.0015880391,0.097671606,0.013830655,0.0073153405,0.0080007985,0.00067926326],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029820744,0.0000022157114,0.00003912388,0.000006880342,6.4885484e-7,0.000019300554,0.008339753,0.000023501736,0.000020710126,0.98965937,0.00093747495,0.0009479975],"study_design_scores_gemma":[0.0000094053985,0.000009257268,0.00021360909,0.000092919545,0.000002169158,0.000083804545,0.013219364,0.00030681252,0.00014323322,0.90337455,0.08253861,0.0000062315353],"about_ca_topic_score_codex":0.00267355,"about_ca_topic_score_gemma":0.0030168965,"teacher_disagreement_score":0.013965195,"about_ca_system_score_codex":0.007945109,"about_ca_system_score_gemma":0.003815835,"threshold_uncertainty_score":0.057646036},"labels":[],"label_agreement":null},{"id":"W1507841748","doi":"10.1353/mos.2011.a440542","title":"The Literary Text as Talking Cure: A Psychoanalytic Interpretation of Restlessness","year":2011,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalytic theory; Interpretation (philosophy); Psychoanalysis; Meaning (existential); Literature; Psychology; Philosophy; Art; Psychotherapist; Linguistics","score_opus":0.026105418888265824,"score_gpt":0.24032734586484988,"score_spread":0.21422192697658407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507841748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12321681,0.023397828,0.06366196,0.1000238,0.004359194,0.00013483274,0.000099573896,0.0003710962,0.68473494],"genre_scores_gemma":[0.96997327,0.0029692797,0.002715221,0.0031998658,0.00089633407,0.000090149006,0.00003432737,0.00017445484,0.019947039],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961894,0.0027598303,0.00006979823,0.00017260572,0.0005430566,0.00026527324],"domain_scores_gemma":[0.99716836,0.001925241,0.00028091666,0.00018990794,0.00025156842,0.0001840391],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031936548,0.0006887882,0.0006145718,0.002733516,0.006699629,0.008501711,0.0014131032,0.0033228053,0.003472723],"category_scores_gemma":[0.0067652096,0.0002529648,0.0004135167,0.0014497497,0.052726988,0.011082858,0.0070038284,0.005396384,0.0005661538],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017839579,0.000013697569,0.0001026688,0.000082782855,0.0000030581425,0.0002697461,0.1354745,0.000100875506,0.0002993949,0.8557979,0.003538898,0.0042986725],"study_design_scores_gemma":[0.000048295282,0.00010585563,0.0005106525,0.0007065699,0.000020446329,0.0014594918,0.16675186,0.0010224876,0.0009212746,0.52828354,0.3001312,0.000038336613],"about_ca_topic_score_codex":0.0012876734,"about_ca_topic_score_gemma":0.0011658059,"teacher_disagreement_score":0.008501711,"about_ca_system_score_codex":0.002588608,"about_ca_system_score_gemma":0.0016462345,"threshold_uncertainty_score":0.018781781},"labels":[],"label_agreement":null},{"id":"W1508659509","doi":"","title":"Bennett, Cherie and Jeff Gottesfeld. Anne Frank and me. New York: G. P. Putnam’s Sons, 2001.","year":2006,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Law and economics; Environmental ethics; Art history; Philosophy; Art; Sociology","score_opus":0.019446601917833792,"score_gpt":0.2256645124112594,"score_spread":0.2062179104934256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508659509","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032232495,0.9376477,0.00062825845,0.033440374,0.0046129744,0.000016617187,0.00024221354,0.00008288049,0.023006536],"genre_scores_gemma":[0.016637182,0.78304374,0.0032015003,0.009142144,0.0023185853,0.00009319585,0.00030429292,0.0003032769,0.1849562],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991215,0.00024526622,0.000086259846,0.000115167386,0.0003532167,0.000078581616],"domain_scores_gemma":[0.9978669,0.0008872625,0.00016756925,0.00012176944,0.0007068411,0.00024963604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019193671,0.0018090043,0.0012130793,0.0039314483,0.0036582751,0.003474575,0.0013809496,0.0038706833,0.03335105],"category_scores_gemma":[0.0051298263,0.001620016,0.00045370916,0.0046034916,0.0022516246,0.006931827,0.0018453179,0.0041929777,0.021039803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005501389,0.000022693013,0.00027573053,0.00058269093,0.00001003861,0.00015834597,0.0014931782,0.00006363904,0.00016992725,0.008913059,0.8504435,0.13781217],"study_design_scores_gemma":[0.0000053031386,0.000008950509,0.0009866867,0.0010069784,0.000008544856,0.00025281394,0.0012774075,0.000028469385,0.00012395477,0.005318551,0.99096996,0.000012452972],"about_ca_topic_score_codex":0.021139115,"about_ca_topic_score_gemma":0.08890272,"teacher_disagreement_score":0.03335105,"about_ca_system_score_codex":0.0016865188,"about_ca_system_score_gemma":0.002809767,"threshold_uncertainty_score":0.1115703},"labels":[],"label_agreement":null},{"id":"W1510007103","doi":"","title":"Alexa Alfer and Michael J. Noble, eds. Essays on the Fiction of A. S. Byatt: Imagining the Real","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History; Literature","score_opus":0.02666108764635211,"score_gpt":0.2594621804790807,"score_spread":0.2328010928327286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1510007103","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000498597,0.89171135,0.00070037454,0.05434247,0.0065717967,0.000007782684,0.000042395175,0.000027189948,0.046098117],"genre_scores_gemma":[0.012519938,0.92011786,0.00095729856,0.0045936443,0.008740668,0.000026652368,0.000069970825,0.00004916119,0.052924734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990951,0.00033433698,0.000044072694,0.00008957844,0.00035757813,0.00007945904],"domain_scores_gemma":[0.99681205,0.0019440828,0.00022463502,0.00008943838,0.00073297054,0.000196858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002149024,0.0011360083,0.00090460834,0.003870652,0.0033439621,0.005857595,0.001020354,0.0032483945,0.013288235],"category_scores_gemma":[0.0055084643,0.00067277555,0.00047902958,0.003658659,0.004032863,0.008344013,0.001556487,0.0032523938,0.0066198967],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041965024,0.000018869518,0.00016353684,0.0007866814,0.000010667349,0.0001051098,0.0043548113,0.00013432867,0.00013244072,0.042204835,0.8524409,0.09960601],"study_design_scores_gemma":[0.000004107219,0.0000072174603,0.0005219182,0.00089880975,0.000010188603,0.00013761739,0.001372067,0.000037779624,0.00009055534,0.012694435,0.98421764,0.000007720817],"about_ca_topic_score_codex":0.009518088,"about_ca_topic_score_gemma":0.021903602,"teacher_disagreement_score":0.013288235,"about_ca_system_score_codex":0.0024460638,"about_ca_system_score_gemma":0.0027837763,"threshold_uncertainty_score":0.04445356},"labels":[],"label_agreement":null},{"id":"W1511219223","doi":"10.1353/pmc.2009.a403825","title":"Terror, Representation, and Postmodern Lessons in Hitler Studies","year":2009,"lang":"en","type":"article","venue":"Postmodern Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Nazism; The Holocaust; History; Art history; Sociology; White (mutation); Literature; Politics; Law; Art; Political science","score_opus":0.0748420065308146,"score_gpt":0.32808179971867446,"score_spread":0.25323979318785983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511219223","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09703451,0.17855932,0.002819709,0.33221343,0.0030768353,0.00004113095,0.00008750425,0.000072322466,0.38609526],"genre_scores_gemma":[0.92618227,0.025519097,0.00049883575,0.012278641,0.0021320297,0.00006439713,0.00003190803,0.00008752724,0.033205364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99289966,0.005356759,0.00015185458,0.00030029812,0.0007498756,0.0005416259],"domain_scores_gemma":[0.99126107,0.0065250653,0.0005171194,0.00047594565,0.00064004696,0.00058084883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009096411,0.00043331477,0.00035777365,0.0023315682,0.010971399,0.011247822,0.0013004564,0.0034376956,0.006630407],"category_scores_gemma":[0.008764059,0.0002639025,0.00016497858,0.0027251355,0.059489314,0.012260923,0.006346053,0.0055453237,0.00067933707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032150194,0.000027239235,0.0003159079,0.00015353087,0.0000035240557,0.00026822125,0.3076524,0.000035547266,0.00010188664,0.6439813,0.02514259,0.022285692],"study_design_scores_gemma":[0.000012258862,0.00003517501,0.0014421506,0.0008756479,0.0000033634767,0.00044063738,0.1635478,0.000055984547,0.0002342037,0.15289551,0.680431,0.000026209891],"about_ca_topic_score_codex":0.010234816,"about_ca_topic_score_gemma":0.02093245,"teacher_disagreement_score":0.01247507,"about_ca_system_score_codex":0.01247507,"about_ca_system_score_gemma":0.0051816567,"threshold_uncertainty_score":0.09051341},"labels":[],"label_agreement":null},{"id":"W1511806633","doi":"","title":"Victorian Studies and its Publics. Romanticism and Victorianism on the Net, no. 55, 2009","year":2009,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Publics; Economic history; History; Sociology; Art history; Political science; Law","score_opus":0.03409756759043,"score_gpt":0.24471682768735462,"score_spread":0.2106192600969246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511806633","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017670862,0.18296064,0.0003313717,0.12263438,0.0023041144,0.000015243634,0.00014830733,0.000032202064,0.67390287],"genre_scores_gemma":[0.41767386,0.051670182,0.00048117165,0.0140999975,0.0012744425,0.00003360983,0.000090380854,0.0001277701,0.5145486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803513,0.00066570536,0.000086643326,0.00013722261,0.000720657,0.0003546537],"domain_scores_gemma":[0.9985322,0.00051601074,0.00019840575,0.00013270527,0.00036451704,0.00025613737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001862578,0.00028211394,0.00031915127,0.001223771,0.011328634,0.012123053,0.00091049616,0.0038705566,0.014205709],"category_scores_gemma":[0.003968323,0.00041402216,0.0001690082,0.0032849698,0.011646466,0.003751425,0.0030733515,0.0045913155,0.0017762503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002500673,0.000023159864,0.0006358143,0.00030056562,0.0000055370665,0.00015144113,0.041882552,0.00008305922,0.00015058568,0.6300118,0.2916297,0.035100915],"study_design_scores_gemma":[0.0000024408525,0.0000035731991,0.001919895,0.0003757305,0.000002192808,0.000054687836,0.008102512,0.000038244696,0.000043494296,0.0119693475,0.9774811,0.000006743563],"about_ca_topic_score_codex":0.2492082,"about_ca_topic_score_gemma":0.5532035,"teacher_disagreement_score":0.2492082,"about_ca_system_score_codex":0.022555238,"about_ca_system_score_gemma":0.013020122,"threshold_uncertainty_score":0.49551535},"labels":[],"label_agreement":null},{"id":"W1515328493","doi":"","title":"The Doctor's Wife: between Two Worlds: The Crises of Reconciliation and Adjustment in Exile","year":2013,"lang":"en","type":"article","venue":"Research on humanities and social sciences","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"BLISS; Wife; Sympathy; Disappointment; HERO; Uncanny; Dilemma; Psychoanalysis; Character (mathematics); Literature; Remorse; Sociology; Eleventh; Existentialism; Irish; Aesthetics; Gender studies; History; Philosophy; Psychology; Law; Art; Social psychology; Political science","score_opus":0.3497701298653185,"score_gpt":0.4142534020935225,"score_spread":0.06448327222820399,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515328493","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5618211,0.023056919,0.0038935638,0.12538196,0.0021950006,0.00004912643,0.000050097842,0.00008867331,0.28346354],"genre_scores_gemma":[0.98784477,0.0014947408,0.00018070708,0.0022663164,0.00016963172,0.000010941989,0.000005261211,0.000022720922,0.008004996],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944705,0.0043713925,0.000057473688,0.00017779415,0.0004163781,0.00050652324],"domain_scores_gemma":[0.9976502,0.0011419487,0.00034743123,0.00013977804,0.00022442608,0.0004963032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004429715,0.00026173977,0.00035582107,0.00068840856,0.011994397,0.008104318,0.0008360983,0.0020283195,0.0020150996],"category_scores_gemma":[0.00643834,0.00022676817,0.000187624,0.00051650853,0.033127785,0.0038619654,0.0058821673,0.00388013,0.00026257106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084132036,0.000036115238,0.0012772462,0.000073556286,0.000011701553,0.0016601691,0.7990708,0.000076692486,0.00034004834,0.17609179,0.011767116,0.009510644],"study_design_scores_gemma":[0.00002444774,0.0000623726,0.0021241903,0.00017288931,0.000006460731,0.0013253388,0.73735946,0.000115654286,0.00037293555,0.022834918,0.23557417,0.000027210244],"about_ca_topic_score_codex":0.00754094,"about_ca_topic_score_gemma":0.013295309,"teacher_disagreement_score":0.011994397,"about_ca_system_score_codex":0.007166547,"about_ca_system_score_gemma":0.0035799164,"threshold_uncertainty_score":0.051997185},"labels":[],"label_agreement":null},{"id":"W1526059618","doi":"","title":"This Is Not a Character: Resemblance and Similitude in Etgar Keret's Suddenly, a Knock on the Door","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Depiction; Postmodernism; Reading (process); Philosophy; Skepticism; Similitude; Literature; Aesthetics; Epistemology; Sociology; Art; Linguistics; Computer science","score_opus":0.029813043533057863,"score_gpt":0.27850271207853255,"score_spread":0.2486896685454747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526059618","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4707946,0.0122658275,0.007197213,0.026811011,0.0017217491,0.000048286518,0.000055291326,0.00008099305,0.48102498],"genre_scores_gemma":[0.9875547,0.00064368086,0.00027683977,0.0007616046,0.000081216356,0.000007249063,0.000007377769,0.000031973017,0.010635347],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720997,0.0019762237,0.000051956362,0.00020224074,0.00033584554,0.00022378111],"domain_scores_gemma":[0.9982741,0.0011549552,0.00019495084,0.00010537239,0.00014128543,0.00012942373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019500573,0.00038349553,0.00041849678,0.001110905,0.008912142,0.008089501,0.0008084559,0.0023928825,0.0027997845],"category_scores_gemma":[0.005451376,0.00025823948,0.00020964628,0.0010035598,0.026937379,0.0061694947,0.003634987,0.0042392253,0.0003677576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008045171,0.000025322475,0.00082348543,0.000082665596,0.000008259361,0.0014649929,0.51417565,0.00013174748,0.00039374718,0.47159636,0.004744398,0.0064729014],"study_design_scores_gemma":[0.000033411066,0.00011646804,0.0054308013,0.00048799868,0.000024287721,0.003682935,0.48902187,0.00051348674,0.0010990234,0.12047274,0.37905025,0.000066658016],"about_ca_topic_score_codex":0.0044176253,"about_ca_topic_score_gemma":0.006928024,"teacher_disagreement_score":0.008912142,"about_ca_system_score_codex":0.003984697,"about_ca_system_score_gemma":0.000898054,"threshold_uncertainty_score":0.028911173},"labels":[],"label_agreement":null},{"id":"W1528610962","doi":"10.1353/mos.2011.a440549","title":"Public and Private Collections in A. S. Byatt's The Children's Book","year":2011,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Art; Private space; Art history; Sociology; Aesthetics; Space (punctuation); Philosophy; Linguistics","score_opus":0.04290548694629852,"score_gpt":0.19501399878724812,"score_spread":0.1521085118409496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528610962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020170707,0.035299413,0.0010056044,0.040075555,0.0017746985,0.00003603011,0.00014178421,0.00007671842,0.9014194],"genre_scores_gemma":[0.54247975,0.017684486,0.000966542,0.0069839386,0.0010293027,0.00016012158,0.0001205193,0.00029976107,0.43027553],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992155,0.00033986894,0.000022365975,0.00008464296,0.00020728739,0.00013037495],"domain_scores_gemma":[0.99922884,0.00047382808,0.00005870477,0.000065749104,0.00008769838,0.000085203574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010622871,0.0003840998,0.00034974836,0.0010414043,0.0131744975,0.009147835,0.00046043863,0.002008816,0.010562149],"category_scores_gemma":[0.001902455,0.00039760806,0.00020347915,0.0018396799,0.017832505,0.005083863,0.002914734,0.003815132,0.001100679],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017253078,0.000010005629,0.0001857056,0.000057052428,0.0000022286329,0.00012840812,0.038529135,0.00003612176,0.00009531595,0.8613388,0.0906557,0.008944248],"study_design_scores_gemma":[0.0000054374877,0.000007383644,0.00073308253,0.00020795128,0.0000038600647,0.00015601084,0.012158037,0.000018083074,0.00012322668,0.025527868,0.9610525,0.000006522963],"about_ca_topic_score_codex":0.04152628,"about_ca_topic_score_gemma":0.11032127,"teacher_disagreement_score":0.04152628,"about_ca_system_score_codex":0.007895913,"about_ca_system_score_gemma":0.00408994,"threshold_uncertainty_score":0.08256918},"labels":[],"label_agreement":null},{"id":"W1528672633","doi":"10.1353/mon.2011.0003","title":"A Companion to the Works of Hermann Hesse","year":2011,"lang":"de","type":"article","venue":"Monatshefte","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Philosophy","score_opus":0.04540996010201268,"score_gpt":0.22413960954909243,"score_spread":0.17872964944707975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528672633","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001187441,0.17285454,0.0018690319,0.08294887,0.12030111,0.000107151674,0.0012452296,0.00043215597,0.61905444],"genre_scores_gemma":[0.006336995,0.019533914,0.0006760348,0.005990556,0.0060008224,0.000039406572,0.0003483053,0.0003175711,0.96075636],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869686,0.00034963642,0.000065634624,0.00026139754,0.00049324933,0.00013323443],"domain_scores_gemma":[0.9988833,0.00021112864,0.00007825047,0.000120728,0.0004624642,0.0002441719],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012795457,0.0014228047,0.0008461387,0.0016946937,0.003801333,0.005119846,0.0008788296,0.0019271721,0.17444178],"category_scores_gemma":[0.003699909,0.0005701434,0.00039608532,0.0019248805,0.00202745,0.0045132297,0.0038012625,0.0030171114,0.0951887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008561682,0.0000055688124,0.000025429239,0.00006428676,0.0000014064595,0.00003506933,0.0003831298,0.0000151509485,0.00006844347,0.0048985486,0.9778836,0.0166108],"study_design_scores_gemma":[3.499432e-7,8.961699e-7,0.000045890814,0.00004628577,3.0915328e-7,0.00002444496,0.00012368489,0.0000028994455,0.000012233109,0.0002899487,0.9994517,0.0000014696337],"about_ca_topic_score_codex":0.00717485,"about_ca_topic_score_gemma":0.013641698,"teacher_disagreement_score":0.17444178,"about_ca_system_score_codex":0.00372568,"about_ca_system_score_gemma":0.004173402,"threshold_uncertainty_score":0.5835659},"labels":[],"label_agreement":null},{"id":"W1530408767","doi":"","title":"The Postcolonial Subject in a Global Era: the Cultural Imaginary in Alan Duff’s Dreamboat Dad","year":2012,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Individuation; Psychoanalytic theory; Context (archaeology); Constructive; Indigenous; Perspective (graphical); Sociology; Subjectivity; Subject (documents); Globalization; Identity (music); Psychoanalysis; Autonomy; Aesthetics; Gender studies; Epistemology; History; Philosophy; Art; Psychology; Political science; Visual arts; Law","score_opus":0.015969752451273835,"score_gpt":0.2666308848242749,"score_spread":0.250661132373001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1530408767","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19803837,0.032949734,0.0036311655,0.14382228,0.0040457016,0.0000444723,0.000044644872,0.000080352795,0.61734325],"genre_scores_gemma":[0.93998134,0.0034973247,0.0004662377,0.0065153916,0.0005452168,0.000039185063,0.000013317129,0.000072570954,0.048869357],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99853384,0.0009835259,0.000019241394,0.00011780714,0.00015340364,0.00019204609],"domain_scores_gemma":[0.99858665,0.0008901115,0.00009203051,0.000090944355,0.00013551961,0.00020481965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022093586,0.00045088795,0.00027543638,0.0007952698,0.011364377,0.007061789,0.0010633143,0.0026116662,0.0020921454],"category_scores_gemma":[0.002534617,0.00017436851,0.00017528284,0.0007363289,0.039826866,0.00389611,0.0037510386,0.005698983,0.00038384795],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030065714,0.000020351437,0.0004706623,0.000067176305,0.0000036477431,0.0010482299,0.5390613,0.000053989723,0.00021390404,0.42767188,0.023186408,0.008172319],"study_design_scores_gemma":[0.000011423851,0.00003395454,0.0009800119,0.00023612838,0.0000046054874,0.0009934079,0.23028965,0.000087804605,0.00031904993,0.025389548,0.74163836,0.00001599544],"about_ca_topic_score_codex":0.019451767,"about_ca_topic_score_gemma":0.03573931,"teacher_disagreement_score":0.019451767,"about_ca_system_score_codex":0.008351986,"about_ca_system_score_gemma":0.0026201485,"threshold_uncertainty_score":0.060598135},"labels":[],"label_agreement":null},{"id":"W1531918508","doi":"10.1017/cbo9780511635304","title":"Shock, Memory and the Unconscious in Victorian Fiction","year":2009,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":166,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psyche; Consciousness; Unconscious mind; Psychoanalysis; Subject (documents); Relevance (law); Materialism; History; Identity (music); Literature; Narrative; Victorian literature; Psychology; Aesthetics; Epistemology; Art history; Art; Philosophy","score_opus":0.012760964155330266,"score_gpt":0.1717252494516906,"score_spread":0.15896428529636034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1531918508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048242804,0.104634754,0.004844838,0.036139634,0.0035751131,0.000046148973,0.000068701534,0.00011606731,0.802332],"genre_scores_gemma":[0.6167794,0.021896372,0.0013935164,0.0055358144,0.0012697051,0.000033819186,0.000049516853,0.00011128973,0.35293067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996117,0.00015916266,0.000011105671,0.000029513847,0.00012514905,0.00006346983],"domain_scores_gemma":[0.9993561,0.00044627112,0.000043072443,0.000039496335,0.00007204023,0.000042908694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004219752,0.00028036864,0.000215455,0.00084225216,0.0039888513,0.004328326,0.00052064453,0.0015857017,0.0047347844],"category_scores_gemma":[0.0021904337,0.0001764027,0.00015994228,0.0006683337,0.014657035,0.003547742,0.0018916604,0.0030314918,0.00068197947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026017407,0.000016986227,0.0001305073,0.00019704491,0.0000042622546,0.0003476796,0.0700263,0.0001792553,0.00052366615,0.85018355,0.051195946,0.027168889],"study_design_scores_gemma":[0.000005626377,0.000027346856,0.0006489995,0.00034979545,0.000005134853,0.0006775519,0.010675472,0.00023411281,0.00056896976,0.10223382,0.8845557,0.000017369592],"about_ca_topic_score_codex":0.008461531,"about_ca_topic_score_gemma":0.013980135,"teacher_disagreement_score":0.008461531,"about_ca_system_score_codex":0.004485522,"about_ca_system_score_gemma":0.0015726598,"threshold_uncertainty_score":0.03254485},"labels":[],"label_agreement":null},{"id":"W1533517016","doi":"10.1080/10304312.2014.986063","title":"Memory magic: cosmopolitanism and <i>The Magical Life of Long Tack Sam</i>","year":2015,"lang":"en","type":"article","venue":"Continuum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"Flinders University","keywords":"MAGIC (telescope); Cosmopolitanism; Modernity; Vernacular; Literature; Art; Magic realism; Aesthetics; Art history; History; Philosophy; Epistemology; Politics","score_opus":0.03375363794522353,"score_gpt":0.22230274294488278,"score_spread":0.18854910499965927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533517016","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23585263,0.014603364,0.0032047296,0.033051148,0.0006513442,0.000028118904,0.000044383745,0.000075925025,0.7124883],"genre_scores_gemma":[0.97606474,0.0010166699,0.00030247238,0.0007514646,0.00008814628,0.000008863143,0.000007732753,0.000017833083,0.021742089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996019,0.00019042841,0.000008838359,0.000045808676,0.00006708001,0.00008592708],"domain_scores_gemma":[0.99959666,0.00016338573,0.000051661722,0.00006221356,0.00006198963,0.00006409875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008636642,0.00030423424,0.00013641226,0.00088391296,0.008757094,0.005209116,0.00064028736,0.001211018,0.004135189],"category_scores_gemma":[0.0011726761,0.00010793505,0.00012562252,0.00085783895,0.028084002,0.0029275876,0.0019665314,0.0019660925,0.00017542847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003568173,0.000010416747,0.00059639936,0.000075257005,0.000004052347,0.00032350275,0.18079586,0.00005630359,0.00038591248,0.7946141,0.008783612,0.014319006],"study_design_scores_gemma":[0.000026173835,0.00007527464,0.004954819,0.0005430865,0.000018273187,0.0011816863,0.25429136,0.00031107716,0.0015475285,0.13546917,0.6015355,0.0000460164],"about_ca_topic_score_codex":0.060220536,"about_ca_topic_score_gemma":0.11060716,"teacher_disagreement_score":0.060220536,"about_ca_system_score_codex":0.00764149,"about_ca_system_score_gemma":0.003890801,"threshold_uncertainty_score":0.11974001},"labels":[],"label_agreement":null},{"id":"W1533947600","doi":"10.1093/fs/knq084","title":"Deleuze and Literature Deleuze and Literature. Edited by I <scp>an</scp> B <scp>uchanan</scp> and J <scp>ohn</scp> M <scp>arks</scp> . Edinburgh: Edinburgh University Press, 2000. vi + 288 pp. Pb £28.99.","year":2010,"lang":"en","type":"article","venue":"French Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irony; Philosophy; Hegelianism; Criticism; Value (mathematics); Psychoanalysis; Art; Literature; Art history; Epistemology; Psychology","score_opus":0.014206512211178798,"score_gpt":0.21493845525264552,"score_spread":0.20073194304146671,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533947600","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000757191,0.9305832,0.00036627636,0.017321955,0.004241595,0.00000956631,0.00009079967,0.000036136564,0.046593316],"genre_scores_gemma":[0.086164474,0.72031045,0.0016962927,0.007464685,0.009051693,0.000088863446,0.0003731641,0.0002748618,0.17457554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988154,0.00057146896,0.00006720966,0.00012951047,0.00029884253,0.00011756647],"domain_scores_gemma":[0.9980889,0.0011585106,0.00017138608,0.00014697827,0.00028306444,0.00015118178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017097888,0.0014777137,0.00094262895,0.0043132664,0.0036627618,0.008192984,0.0012231708,0.003078832,0.020632254],"category_scores_gemma":[0.0034050434,0.0007317861,0.00049687375,0.0056669894,0.007743074,0.0067394464,0.002883922,0.00334295,0.0062243235],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044022345,0.000026016942,0.00031167507,0.0014971794,0.000028381683,0.0003590963,0.022341592,0.000131343,0.00034175167,0.24365382,0.59998375,0.13128135],"study_design_scores_gemma":[0.0000061592186,0.000009095342,0.00056051376,0.0015052136,0.0000068616555,0.00034341638,0.0039363573,0.000027047685,0.000060290477,0.031247647,0.9622869,0.000010541508],"about_ca_topic_score_codex":0.010152919,"about_ca_topic_score_gemma":0.023323637,"teacher_disagreement_score":0.020632254,"about_ca_system_score_codex":0.0036016228,"about_ca_system_score_gemma":0.0036276283,"threshold_uncertainty_score":0.06902182},"labels":[],"label_agreement":null},{"id":"W1543590792","doi":"","title":"Essays on Caryl Churchill: Contemporary Representations ed. by Sheila Rabillard (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Art; Literature","score_opus":0.012044474782215006,"score_gpt":0.20933392284973604,"score_spread":0.19728944806752102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1543590792","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001137878,0.86314857,0.00011672061,0.11969035,0.010275295,0.000006397241,0.00007877259,0.000009839782,0.0065602623],"genre_scores_gemma":[0.0057744,0.89671135,0.0003024678,0.044951268,0.014979932,0.000054225915,0.00013897782,0.0000735364,0.0370139],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99710613,0.0010521825,0.00012212522,0.00026231314,0.001240813,0.00021652426],"domain_scores_gemma":[0.99084455,0.0051191305,0.0006222499,0.00023856075,0.0023498407,0.0008256678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005710148,0.0014875209,0.0019434552,0.0059775636,0.004183158,0.0073113386,0.0022898254,0.0046632322,0.022227574],"category_scores_gemma":[0.017692,0.0007884026,0.0006984783,0.010448029,0.007633066,0.006906827,0.0034782754,0.0054809586,0.0070571965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070767146,0.0000029895307,0.000035853212,0.00041354418,0.000005812354,0.000023769571,0.00058369956,0.000023684444,0.00001838919,0.0043220804,0.9764979,0.018065244],"study_design_scores_gemma":[0.000004705675,0.0000030282558,0.0004036658,0.0023199287,0.0000063719476,0.000047101723,0.00087691995,0.00000967832,0.000018499628,0.002526629,0.99377257,0.00001091089],"about_ca_topic_score_codex":0.08215039,"about_ca_topic_score_gemma":0.18778403,"teacher_disagreement_score":0.08215039,"about_ca_system_score_codex":0.010827076,"about_ca_system_score_gemma":0.015882166,"threshold_uncertainty_score":0.16334444},"labels":[],"label_agreement":null},{"id":"W1548037477","doi":"","title":"Helene Moglen The Trauma of Gender: a Feminist Theory of the English Novel","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; History; Psychology; Gender studies; Sociology","score_opus":0.0495262154367492,"score_gpt":0.25809408453961646,"score_spread":0.20856786910286726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548037477","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021023491,0.19715115,0.0035285105,0.29751825,0.009506481,0.00004400842,0.000121914614,0.000058906062,0.47104728],"genre_scores_gemma":[0.63525057,0.12015788,0.0015883807,0.044477522,0.009812171,0.00013989412,0.000095076335,0.00030224305,0.18817623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983034,0.0011407774,0.0000340145,0.00012614031,0.00025385045,0.00014182011],"domain_scores_gemma":[0.99655616,0.0028243521,0.00016963988,0.00008964185,0.00023286966,0.00012736279],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020564417,0.00049507775,0.0005139484,0.0024433543,0.005280407,0.007951513,0.0008750712,0.0031714118,0.006222321],"category_scores_gemma":[0.0051174522,0.00024155664,0.00020184768,0.0015702187,0.014552761,0.008776931,0.003007644,0.0042044353,0.0009670284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040042334,0.000028170345,0.0002676457,0.00040353986,0.000009760139,0.00037021894,0.060009398,0.00015793371,0.00015941943,0.7926487,0.12737428,0.018530961],"study_design_scores_gemma":[0.000011707762,0.000018950765,0.0004639087,0.0012186628,0.000009600428,0.00029500265,0.042992175,0.00012181748,0.0002798911,0.115952715,0.8386179,0.000017644372],"about_ca_topic_score_codex":0.004358025,"about_ca_topic_score_gemma":0.006067032,"teacher_disagreement_score":0.007951513,"about_ca_system_score_codex":0.0024835037,"about_ca_system_score_gemma":0.0017937544,"threshold_uncertainty_score":0.02081567},"labels":[],"label_agreement":null},{"id":"W1550901851","doi":"","title":"Phoenix Has No Coat: Historicity, Eschatology, and Sins of Omission in Eudora Welty's \"A Worn Path\"","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depiction; Eudora; Phoenix; Narrative; Action (physics); History; Courage; Philosophy; Literature; Aesthetics; Art history; Art; Theology","score_opus":0.03912169234812785,"score_gpt":0.26133065907887376,"score_spread":0.22220896673074592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1550901851","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31174284,0.01223129,0.0048014265,0.10228925,0.003541287,0.000053171887,0.00007805549,0.00009272006,0.56516993],"genre_scores_gemma":[0.942113,0.0016027032,0.0005399776,0.0048079495,0.0005221703,0.000024712797,0.000014922518,0.00006329306,0.050311394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993197,0.0003912744,0.00000727373,0.000081623155,0.000089239395,0.00011090686],"domain_scores_gemma":[0.9994893,0.00029563968,0.000052289855,0.00003495575,0.0000425576,0.00008527407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014323082,0.00036249505,0.00017668615,0.000412589,0.0107464455,0.005004471,0.0005215615,0.0021480385,0.0029702955],"category_scores_gemma":[0.0018679642,0.0002511554,0.00010068596,0.00036118334,0.02098451,0.003461836,0.0037967185,0.005505205,0.00028397026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090406356,0.000031850406,0.000805644,0.000093445684,0.0000056649496,0.0012686925,0.3495284,0.00012844102,0.00044729369,0.59618014,0.037976403,0.01344367],"study_design_scores_gemma":[0.000017470184,0.00008774099,0.0022466525,0.00049281906,0.000011780752,0.0011215113,0.15986422,0.00032835963,0.00114345,0.048841808,0.78581107,0.00003306919],"about_ca_topic_score_codex":0.0066549177,"about_ca_topic_score_gemma":0.013193071,"teacher_disagreement_score":0.0107464455,"about_ca_system_score_codex":0.0030575506,"about_ca_system_score_gemma":0.0013586883,"threshold_uncertainty_score":0.022184193},"labels":[],"label_agreement":null},{"id":"W1552372638","doi":"","title":"The Double Ending of The Mountain and the Valley: From Aristotle to Dante","year":2001,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conviction; Romance; Reciprocity (cultural anthropology); Literature; State (computer science); History; Psychoanalysis; Art; Philosophy; Psychology; Social psychology; Law; Political science","score_opus":0.02795786392265167,"score_gpt":0.26036294005234945,"score_spread":0.23240507612969777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552372638","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.079000406,0.014926496,0.00403947,0.025748158,0.0016112238,0.000031374988,0.00006429428,0.00009111127,0.8744874],"genre_scores_gemma":[0.9271183,0.003085957,0.0009897288,0.0020570203,0.00022953792,0.000017933164,0.000027883525,0.00009656256,0.066377096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99908054,0.00032470407,0.00001619404,0.00010426707,0.00021470636,0.00025953347],"domain_scores_gemma":[0.999587,0.00015654184,0.000034338063,0.00003558458,0.0000996367,0.00008696727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008871847,0.00049772084,0.00034641722,0.0016806857,0.015511248,0.009593165,0.0006950168,0.001782041,0.0030946042],"category_scores_gemma":[0.0019504433,0.00023880547,0.0001839129,0.0010384574,0.038239043,0.0036441477,0.0028569319,0.003908696,0.00044958023],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003382218,0.000007716157,0.0002631542,0.000059106533,0.0000033516637,0.00038765895,0.18149295,0.0000878363,0.00021355021,0.79543453,0.012871329,0.009145058],"study_design_scores_gemma":[0.000015429014,0.000034011635,0.0015144212,0.00038459257,0.000013352252,0.00082841766,0.19105221,0.00015743537,0.00054268684,0.11717961,0.6882391,0.000038776332],"about_ca_topic_score_codex":0.20806421,"about_ca_topic_score_gemma":0.36605895,"teacher_disagreement_score":0.20806421,"about_ca_system_score_codex":0.019491224,"about_ca_system_score_gemma":0.007184367,"threshold_uncertainty_score":0.41370624},"labels":[],"label_agreement":null},{"id":"W1560012703","doi":"10.3138/topia.16.150","title":"Gathering Arrows: Deleuze’s Return","year":2006,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; History","score_opus":0.04359819689128532,"score_gpt":0.24214244720085,"score_spread":0.19854425030956466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560012703","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045371563,0.3938617,0.016278509,0.32811832,0.011134845,0.000046505047,0.00011963439,0.00013879368,0.24576455],"genre_scores_gemma":[0.47817567,0.25754344,0.012876886,0.081927836,0.010697115,0.00021243583,0.0001853319,0.0009412173,0.15744011],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917087,0.0055923755,0.000247106,0.000805082,0.001224506,0.00042223668],"domain_scores_gemma":[0.99178773,0.0055715474,0.00025873547,0.0007913843,0.0013889095,0.00020183361],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008016152,0.00095888635,0.0008230865,0.0040541184,0.0077657625,0.0088070575,0.0016194083,0.0051359916,0.013722597],"category_scores_gemma":[0.01932242,0.00043091454,0.0006345559,0.003737309,0.033422705,0.018338228,0.00423167,0.008172694,0.0029326405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000096921785,0.000005632217,0.00005176229,0.00013208979,0.0000054233506,0.00008015525,0.00969054,0.0000615725,0.000034093577,0.9176185,0.050340567,0.02197005],"study_design_scores_gemma":[0.0000068765235,0.000006088249,0.00011892615,0.0007547157,0.0000053265717,0.000119959186,0.004276681,0.00004616404,0.00009127685,0.18630098,0.8082596,0.000013439078],"about_ca_topic_score_codex":0.023095397,"about_ca_topic_score_gemma":0.022377193,"teacher_disagreement_score":0.023095397,"about_ca_system_score_codex":0.009115773,"about_ca_system_score_gemma":0.006556838,"threshold_uncertainty_score":0.06613988},"labels":[],"label_agreement":null},{"id":"W1562531963","doi":"","title":"Romancing the \"Mysterious Bonds of Syntax\": Allegory and the Ethics of Desire in Douglas Glover's \"My Romance\" and \"Iglaf and Swan\"","year":2005,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Allegory; Nothing; Narrative; Romance; Existentialism; Literature; Philosophy; Meaning (existential); Premise; Symbol (formal); Aesthetics; Art; Linguistics; Epistemology","score_opus":0.030179673001711416,"score_gpt":0.27013470842221815,"score_spread":0.23995503542050672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562531963","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060421944,0.02617093,0.021607699,0.1786217,0.0011415901,0.000062985244,0.00008666048,0.00012699804,0.71175957],"genre_scores_gemma":[0.9275112,0.0034881087,0.0038142235,0.0107725365,0.00024014161,0.00006052133,0.000025198313,0.00012733991,0.0539607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99553275,0.0028985995,0.00008017719,0.00029599652,0.00074774184,0.00044462824],"domain_scores_gemma":[0.996926,0.0018044774,0.00020513688,0.00022588376,0.0005963778,0.00024219856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004062458,0.0005341791,0.0004492981,0.0017497854,0.014397248,0.01236067,0.0013349296,0.004429627,0.0025897068],"category_scores_gemma":[0.008223589,0.0003478339,0.00030388407,0.0014844277,0.08034722,0.00666932,0.004422915,0.0047631725,0.00032990292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044620097,0.0000025958304,0.000098717544,0.000013239764,9.922533e-7,0.000042589,0.033879675,0.000043776537,0.000042015214,0.95941395,0.0045484207,0.0019095921],"study_design_scores_gemma":[0.000014813324,0.000014478262,0.00058059016,0.00039567915,0.000009995913,0.00024130299,0.059559975,0.0002770748,0.0003654499,0.56515265,0.37334487,0.000043085576],"about_ca_topic_score_codex":0.18008743,"about_ca_topic_score_gemma":0.27085778,"teacher_disagreement_score":0.81991255,"about_ca_system_score_codex":0.021388201,"about_ca_system_score_gemma":0.016476309,"threshold_uncertainty_score":0.35807842},"labels":[],"label_agreement":null},{"id":"W1566367426","doi":"","title":"Beyond the “Talking Cure”: The Practical Joke as Testimony for Intergenerational Trauma in Eden Robinson’s “Queen of the North”","year":2004,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Joke; Queen (butterfly); Vocabulary; Psychoanalysis; Psychology; Syntax; Literature; Aesthetics; Psychotherapist; Philosophy; Art; Linguistics","score_opus":0.03453430240586876,"score_gpt":0.29599194629660547,"score_spread":0.2614576438907367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566367426","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09176925,0.04271283,0.0059418776,0.31697753,0.0073985537,0.00009946934,0.00007088478,0.000120269106,0.53490937],"genre_scores_gemma":[0.8854392,0.0088917175,0.0023745594,0.031535916,0.0013407059,0.000050095292,0.00001773567,0.000117186115,0.07023293],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964311,0.0023941246,0.000049441634,0.00018007055,0.0006192774,0.0003260367],"domain_scores_gemma":[0.9959286,0.0028499532,0.0002389664,0.0001794681,0.00048132654,0.00032168988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003390795,0.00047278075,0.0004327971,0.0012589078,0.020078622,0.0060983854,0.0013362176,0.004760897,0.0028555535],"category_scores_gemma":[0.010096318,0.00025577442,0.0002658341,0.0010699002,0.02903095,0.0051019914,0.003939132,0.006460257,0.0004518965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034477154,0.000020335201,0.000247206,0.00015915098,0.000005697067,0.0019904226,0.6237652,0.00010504199,0.00038537593,0.29892308,0.062038653,0.012325351],"study_design_scores_gemma":[0.000009285851,0.00003118599,0.0005241105,0.00053742557,0.000010794666,0.0020813376,0.32097656,0.00011654315,0.00047598174,0.025451088,0.6497427,0.000043012744],"about_ca_topic_score_codex":0.07914706,"about_ca_topic_score_gemma":0.2161007,"teacher_disagreement_score":0.92085296,"about_ca_system_score_codex":0.010118952,"about_ca_system_score_gemma":0.0076620667,"threshold_uncertainty_score":0.15737277},"labels":[],"label_agreement":null},{"id":"W1566425839","doi":"","title":"Ian D. Copestake, ed. American Postmodernity: Essays on the Recent Fiction of Thomas Pynchon","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernity; History; Philosophy; Art history; Epistemology; Postmodernism","score_opus":0.04061357773389125,"score_gpt":0.2902328937176098,"score_spread":0.24961931598371856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566425839","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000340753,0.91955656,0.0003586002,0.046559818,0.007846548,0.000005650446,0.00003712882,0.000025779083,0.02526904],"genre_scores_gemma":[0.00991293,0.9209254,0.000604249,0.008370982,0.01325665,0.00002907575,0.00006740216,0.00006356702,0.046769768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991881,0.0002647265,0.00003810388,0.00009401086,0.00035945236,0.000055575645],"domain_scores_gemma":[0.99680734,0.0021788627,0.00018818697,0.00006522225,0.0005467126,0.00021368387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016894428,0.0010273604,0.0006537772,0.003865612,0.0029792376,0.0041988892,0.0010541214,0.0026078187,0.008668095],"category_scores_gemma":[0.0049047167,0.00046120913,0.00031508735,0.0047580595,0.003696627,0.0066214968,0.0014475025,0.0036954014,0.0041833883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020028696,0.000009352232,0.00013977877,0.0005519539,0.0000059884146,0.00007153008,0.0022916568,0.00006307471,0.000057413472,0.0120545225,0.91879404,0.065940686],"study_design_scores_gemma":[0.0000024267233,0.000003190382,0.00036823718,0.000866333,0.0000038561493,0.00014651599,0.0007806074,0.000017089193,0.000044226847,0.0050293067,0.9927327,0.0000054269863],"about_ca_topic_score_codex":0.00801825,"about_ca_topic_score_gemma":0.018521601,"teacher_disagreement_score":0.008668095,"about_ca_system_score_codex":0.00195991,"about_ca_system_score_gemma":0.0032640034,"threshold_uncertainty_score":0.02899766},"labels":[],"label_agreement":null},{"id":"W1566444143","doi":"","title":"“Pass the Amo!”: Metonymy and Class in Ian McEwan’s Atonement","year":2012,"lang":"en","type":"article","venue":"The albatross","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atonement; Art; Innocence; Context (archaeology); Depiction; Humanities; Sociology; Literature; Psychology; History; Psychoanalysis; Theology; Philosophy","score_opus":0.022662750355002707,"score_gpt":0.227943360422697,"score_spread":0.2052806100676943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566444143","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08300611,0.012765996,0.009249898,0.08895451,0.003525958,0.000057946127,0.00006847762,0.000096598946,0.80227447],"genre_scores_gemma":[0.92103976,0.00175267,0.0016357438,0.0051000547,0.00073735847,0.0000753058,0.000020039199,0.00013435828,0.06950473],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976584,0.0016671636,0.00004658198,0.0001645053,0.00027140998,0.00019187937],"domain_scores_gemma":[0.9989396,0.00061248854,0.00013929966,0.00008475997,0.00011273787,0.000111028465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019002861,0.0006301197,0.00032827148,0.0012602499,0.010849124,0.006889354,0.0009215815,0.0022964112,0.0030094665],"category_scores_gemma":[0.0029642321,0.00028472443,0.00023221629,0.000907541,0.029998243,0.006330895,0.0037720525,0.005010334,0.0004607139],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003542479,0.000009835927,0.00027685467,0.000040840932,0.0000042785646,0.00033745897,0.14630884,0.00004594953,0.00022760504,0.8262766,0.020166881,0.0062694144],"study_design_scores_gemma":[0.00001326894,0.000031291955,0.0011914775,0.00027414146,0.000010520087,0.0006087387,0.078725345,0.00022328435,0.000500814,0.10718234,0.81120133,0.000037441743],"about_ca_topic_score_codex":0.0090932315,"about_ca_topic_score_gemma":0.01713764,"teacher_disagreement_score":0.010849124,"about_ca_system_score_codex":0.004160511,"about_ca_system_score_gemma":0.0010205018,"threshold_uncertainty_score":0.030186772},"labels":[],"label_agreement":null},{"id":"W1567674681","doi":"","title":"Michael Wood. Children of Silence: On Contemporary Fiction","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Art; History; Art history; Literature; Aesthetics","score_opus":0.025906573094542643,"score_gpt":0.26257171335032037,"score_spread":0.23666514025577773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1567674681","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003825037,0.55500025,0.0005273924,0.27690977,0.012744961,0.0000284224,0.00012809019,0.00004429305,0.15079176],"genre_scores_gemma":[0.13860579,0.4742791,0.0009943737,0.10077759,0.022328706,0.00014270464,0.000234779,0.00028170494,0.26235524],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991041,0.00040375206,0.000030287525,0.0000812072,0.0002733682,0.00010735443],"domain_scores_gemma":[0.99708277,0.0020367182,0.00019019685,0.00007579445,0.00041903448,0.00019557167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011567887,0.0005636678,0.0004348205,0.004488764,0.00485363,0.0038791902,0.0012007791,0.006012882,0.018632043],"category_scores_gemma":[0.0057403482,0.00021956115,0.00018109835,0.004073305,0.005355228,0.0063462267,0.0022191657,0.003615455,0.003117844],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022351216,0.000025410036,0.00024048275,0.0004899555,0.0000063721372,0.00016788596,0.0139686065,0.000032348413,0.000096611,0.07943255,0.8357591,0.069758326],"study_design_scores_gemma":[0.0000046643513,0.000010731297,0.0006557293,0.0009556267,0.000008417575,0.00013389435,0.0071180514,0.0000148173685,0.0001263744,0.0062465644,0.9847195,0.000005656382],"about_ca_topic_score_codex":0.016080867,"about_ca_topic_score_gemma":0.045228366,"teacher_disagreement_score":0.018632043,"about_ca_system_score_codex":0.0027749701,"about_ca_system_score_gemma":0.0016439345,"threshold_uncertainty_score":0.062330425},"labels":[],"label_agreement":null},{"id":"W1568710629","doi":"","title":"A Conversation on Three Recent Works of Fiction","year":2013,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Conversation; History; Sociology; Communication","score_opus":0.041977366712450476,"score_gpt":0.2512675477362166,"score_spread":0.20929018102376615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1568710629","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.070165426,0.021451911,0.0011624411,0.6791491,0.011081977,0.000049716276,0.00020219626,0.00006884244,0.2166684],"genre_scores_gemma":[0.5921445,0.010291071,0.0009185413,0.20414604,0.008921196,0.0001438666,0.00023380935,0.00044725693,0.18275367],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99265504,0.002883848,0.00018801779,0.0006361008,0.0013456753,0.0022913185],"domain_scores_gemma":[0.97629434,0.017320476,0.001169581,0.00082295085,0.0023539036,0.002038815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0078082425,0.00066262606,0.0008451641,0.0044388194,0.056384627,0.020119945,0.0026413063,0.013975685,0.01093625],"category_scores_gemma":[0.020523122,0.0004660208,0.00058744,0.006218855,0.035262514,0.011403385,0.0087679,0.021681475,0.0009491199],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051163322,0.0000196626,0.00064745656,0.00017992356,0.000013906871,0.001053486,0.66983074,0.000042801013,0.00034706687,0.14714192,0.17277543,0.007896456],"study_design_scores_gemma":[0.0000050849203,0.0000057962284,0.0015835698,0.0003441427,0.000011638478,0.00022259545,0.23257022,0.000027377917,0.0001942827,0.0025807503,0.76242447,0.000030020767],"about_ca_topic_score_codex":0.3430978,"about_ca_topic_score_gemma":0.5941189,"teacher_disagreement_score":0.3430978,"about_ca_system_score_codex":0.04984709,"about_ca_system_score_gemma":0.014722117,"threshold_uncertainty_score":0.6822015},"labels":[],"label_agreement":null},{"id":"W1571696928","doi":"10.4000/assr.20674","title":"LYON (David), Postmodernity","year":2000,"lang":"fr","type":"article","venue":"Archives de sciences sociales des religions","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernity; Philosophy; Epistemology; Postmodernism","score_opus":0.07006953595086979,"score_gpt":0.2914638822723693,"score_spread":0.2213943463214995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571696928","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030219299,0.47868773,0.001939287,0.12919147,0.0074965125,0.000023909048,0.00049721246,0.0001464481,0.3789955],"genre_scores_gemma":[0.19971839,0.27197883,0.0026357772,0.040721934,0.011899848,0.0001752192,0.00061250373,0.00038514365,0.47187242],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981285,0.0009930017,0.00007199223,0.00028624808,0.00034477553,0.0001754428],"domain_scores_gemma":[0.99868447,0.00073396653,0.00015446726,0.00010399152,0.00021958559,0.00010358086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014972842,0.0013926531,0.00047814456,0.0032116384,0.0046525765,0.0067788083,0.0009298783,0.004737268,0.016850878],"category_scores_gemma":[0.0027291132,0.00032242204,0.0003996283,0.0039552343,0.008749312,0.008213763,0.0022859874,0.0041203257,0.005446275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033656273,0.000015107528,0.00038570352,0.0002930874,0.000012042613,0.00018981381,0.016129198,0.00009018103,0.00010402585,0.5626109,0.3843523,0.03578392],"study_design_scores_gemma":[0.0000050863955,0.000005276928,0.00054658955,0.000326602,0.0000030536266,0.00014649295,0.0023621556,0.000022165628,0.00006605694,0.029669698,0.9668394,0.0000073928522],"about_ca_topic_score_codex":0.023719775,"about_ca_topic_score_gemma":0.039097518,"teacher_disagreement_score":0.023719775,"about_ca_system_score_codex":0.006286493,"about_ca_system_score_gemma":0.0036857913,"threshold_uncertainty_score":0.056371868},"labels":[],"label_agreement":null},{"id":"W1573583536","doi":"","title":"Bent like a Bow by Nature: A Mother/Daughter Bond","year":2011,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Daughter; Genealogy; Shore; Geology; History; Oceanography; Law; Political science","score_opus":0.020621500169245962,"score_gpt":0.19535167008813017,"score_spread":0.1747301699188842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1573583536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57134706,0.0034296005,0.0026177235,0.058727913,0.00072787085,0.000031180534,0.000049046055,0.00004989987,0.3630197],"genre_scores_gemma":[0.94269246,0.0009246741,0.000319039,0.0024438428,0.000051331994,0.000011979068,0.000009838764,0.000029144374,0.05351759],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897707,0.0004884337,0.000014295722,0.00009327841,0.0002337985,0.00019314804],"domain_scores_gemma":[0.9989931,0.00028581926,0.00015706055,0.000055273795,0.00020202316,0.00030673697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015128879,0.00021954061,0.0002989649,0.00036930628,0.014614296,0.0042565553,0.0007254557,0.0015113509,0.0066864192],"category_scores_gemma":[0.003751653,0.00025153955,0.00009286904,0.00037164896,0.011113646,0.0020838096,0.003635448,0.0030269686,0.00070721866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026635256,0.000021777658,0.004850627,0.000023908979,0.0000068363447,0.0022255643,0.9196297,0.000020262918,0.00050874846,0.049440004,0.010933637,0.0123123415],"study_design_scores_gemma":[0.0000069676585,0.00003165155,0.0043901578,0.00013828164,0.000011904905,0.0013210382,0.7630837,0.000058218327,0.00024197149,0.004459474,0.22624135,0.000015354035],"about_ca_topic_score_codex":0.06925316,"about_ca_topic_score_gemma":0.16590685,"teacher_disagreement_score":0.06925316,"about_ca_system_score_codex":0.006691653,"about_ca_system_score_gemma":0.0047665755,"threshold_uncertainty_score":0.13770008},"labels":[],"label_agreement":null},{"id":"W1574329419","doi":"10.1353/mos.2011.a450735","title":"Animal Transference: A “Mole-like Progression” in C.J. Cherryh","year":2011,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalytic theory; Subject (documents); Psychoanalysis; Focus (optics); Order (exchange); Psychology; Mole; Philosophy; Sociology; Literature; Art; Economics; Physics; Computer science; Medicine; Internal medicine; Library science","score_opus":0.05999331685889934,"score_gpt":0.24579104083150674,"score_spread":0.1857977239726074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574329419","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025987614,0.06892848,0.009189419,0.45987695,0.008550508,0.000074169664,0.00005088829,0.000085083964,0.42725694],"genre_scores_gemma":[0.7296044,0.033686373,0.004727764,0.06761208,0.006561603,0.00013729185,0.000035831832,0.00028761922,0.15734698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978947,0.0014784631,0.0000275714,0.00016573475,0.00032368864,0.00010989168],"domain_scores_gemma":[0.9978727,0.0014775397,0.00012913454,0.00014934708,0.00026413708,0.00010708897],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002920999,0.00035832645,0.0003293159,0.0012170735,0.008257481,0.0062907753,0.001100968,0.0035931652,0.0039249742],"category_scores_gemma":[0.0060309805,0.0002243325,0.00024529838,0.0012069029,0.02276247,0.007845623,0.0028407993,0.0059068874,0.000583722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014833927,0.000009387646,0.00011499017,0.00004093069,0.0000031742234,0.000118949756,0.021707544,0.00007305074,0.00006751638,0.9200444,0.051766995,0.006038086],"study_design_scores_gemma":[0.000012318664,0.000022992488,0.0006878398,0.00033845278,0.000007668231,0.00040667146,0.022086212,0.00035332175,0.0003648548,0.2502272,0.7254659,0.000026529284],"about_ca_topic_score_codex":0.009188049,"about_ca_topic_score_gemma":0.017205704,"teacher_disagreement_score":0.009188049,"about_ca_system_score_codex":0.0033790173,"about_ca_system_score_gemma":0.0024364602,"threshold_uncertainty_score":0.024516582},"labels":[],"label_agreement":null},{"id":"W1575093488","doi":"10.7202/1121180ar","title":"Performing Postfeminism: Escaping Identity Politics?","year":2006,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Complicity; Politics; Sensationalism; Identity (music); Persona; Privilege (computing); Sociology; Humanities; Identity politics; Feminism; Art; Art history; Gender studies; Aesthetics; Media studies; Law; Political science","score_opus":0.08678725291579634,"score_gpt":0.35489833682607563,"score_spread":0.26811108391027927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575093488","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3762207,0.0025992303,0.009609873,0.033802036,0.0014164436,0.000063769294,0.000014657555,0.00012335915,0.57615],"genre_scores_gemma":[0.9715612,0.0003453383,0.0006050567,0.0011239965,0.00016172674,0.000019070492,0.0000042214842,0.00004985819,0.02612948],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9924435,0.0048965467,0.000112303685,0.0003960014,0.0008624927,0.0012891685],"domain_scores_gemma":[0.9962024,0.0017966586,0.00039939475,0.00073604885,0.00032389627,0.0005416619],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007928297,0.0011009192,0.0004965684,0.0016299821,0.017655725,0.016114105,0.0014344595,0.0041641914,0.0059032147],"category_scores_gemma":[0.008770437,0.00029357374,0.00038409268,0.0010426163,0.059138816,0.0058382777,0.009191926,0.0056201,0.0013933935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003614825,0.000050660925,0.0010068159,0.00006844794,0.0000060598245,0.00060936046,0.71055925,0.00006788212,0.00091745454,0.2566913,0.003860188,0.026126454],"study_design_scores_gemma":[0.000035137185,0.00013400785,0.0020002895,0.00041472958,0.000017162607,0.001201717,0.6637927,0.00029327453,0.0025317057,0.079522766,0.25001562,0.000040961826],"about_ca_topic_score_codex":0.003985246,"about_ca_topic_score_gemma":0.009279597,"teacher_disagreement_score":0.017655725,"about_ca_system_score_codex":0.0034574578,"about_ca_system_score_gemma":0.004007818,"threshold_uncertainty_score":0.041929364},"labels":[],"label_agreement":null},{"id":"W1581983364","doi":"","title":"Ronald D. Cohen, (ed.). Alan Lomax: Selected Writings 1934-1997, with introductory essays by Gage Averill, Mathew Barton, Ronald D. Cohen, Ed Kahn, and Andrew Kaye.New York, London: Routledge, 2003.","year":2005,"lang":"en","type":"article","venue":"MUSICultures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Classics; History","score_opus":0.00899498659509593,"score_gpt":0.19122417290588203,"score_spread":0.1822291863107861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1581983364","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001570144,0.95682967,0.00024324085,0.016625714,0.0051445053,0.00000890818,0.00015961437,0.000033272154,0.020798005],"genre_scores_gemma":[0.0057086996,0.92084783,0.0005860623,0.0043611135,0.0064115594,0.000082640894,0.00026117678,0.00007967411,0.061661262],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989864,0.00029290435,0.00007754564,0.0001542678,0.00041976004,0.000069091584],"domain_scores_gemma":[0.9973072,0.0012797465,0.00033016995,0.00008187788,0.00074532145,0.00025571728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002523477,0.0023127561,0.0013659311,0.0058528455,0.0030470423,0.0044169733,0.001981241,0.0024443644,0.02504725],"category_scores_gemma":[0.0072353287,0.00085867516,0.00047978316,0.006173952,0.0032647979,0.0064880634,0.0014802791,0.003009266,0.019918952],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002467896,0.000010336648,0.00009700058,0.0003864878,0.000006998122,0.000052563362,0.00090333464,0.00003951336,0.00004601873,0.0053071426,0.92492527,0.068200596],"study_design_scores_gemma":[0.0000059833433,0.0000040181603,0.0005213562,0.0011474972,0.0000050697904,0.00011847444,0.0005874314,0.000009685665,0.000044002412,0.003671823,0.99387735,0.0000073262486],"about_ca_topic_score_codex":0.021478467,"about_ca_topic_score_gemma":0.03777109,"teacher_disagreement_score":0.02504725,"about_ca_system_score_codex":0.004226728,"about_ca_system_score_gemma":0.005278036,"threshold_uncertainty_score":0.083791375},"labels":[],"label_agreement":null},{"id":"W1585590194","doi":"10.4000/entrelacs.1103","title":"Vox post-mortem, poétiques de la disparition après le 11 septembre 2001","year":2014,"lang":"fr","type":"article","venue":"Entrelacs","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Poetics; Art; Literature; Medicine; Psychoanalysis; Psychology; Poetry","score_opus":0.011734820068361964,"score_gpt":0.22376117094970976,"score_spread":0.2120263508813478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1585590194","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7738695,0.004498186,0.0014296126,0.017882833,0.001878307,0.000056421937,0.00084139546,0.00012385989,0.19941981],"genre_scores_gemma":[0.8012059,0.001459214,0.00041705873,0.0009712343,0.00034757677,0.00003794161,0.00026670765,0.000087250766,0.19520713],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994722,0.00016992092,0.000015291133,0.000092574024,0.00014082226,0.00010922678],"domain_scores_gemma":[0.99905485,0.00030073957,0.00019838545,0.000079013036,0.00022234289,0.0001446839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000776087,0.0003524816,0.00019824391,0.0007876138,0.008338522,0.0033934116,0.00039340003,0.0015191756,0.016741462],"category_scores_gemma":[0.003214768,0.00030391652,0.00012930825,0.00071551505,0.0034163112,0.0015885101,0.001971813,0.0028506373,0.0028515686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004700505,0.0000744223,0.020248499,0.0002771505,0.000024006877,0.007423054,0.8092215,0.00007687932,0.0060400846,0.026179947,0.06925454,0.060709737],"study_design_scores_gemma":[0.000011111663,0.00013864959,0.06736889,0.00028506404,0.000016706725,0.0019910624,0.26484358,0.000051794097,0.0019699747,0.000963033,0.66231966,0.000040474275],"about_ca_topic_score_codex":0.023381673,"about_ca_topic_score_gemma":0.08332171,"teacher_disagreement_score":0.023381673,"about_ca_system_score_codex":0.0023599793,"about_ca_system_score_gemma":0.00082687195,"threshold_uncertainty_score":0.056005716},"labels":[],"label_agreement":null},{"id":"W1586994587","doi":"10.3138/jrpc.27.1.2620","title":"“The Resurrection Days Are Over”: Resurrection from<i>Doctor Who</i>to<i>Torchwood</i>","year":2015,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Apotheosis; Afterlife; Reincarnation; Philosophy; Impossibility; Dystopia; Messiah; Theology; Literature; Psychoanalysis; Law; Art; Psychology","score_opus":0.02595107598184892,"score_gpt":0.2548844197408659,"score_spread":0.22893334375901697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1586994587","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30374554,0.010701282,0.004851077,0.2839363,0.009627873,0.000076727265,0.00008589982,0.00018114527,0.38679412],"genre_scores_gemma":[0.931148,0.0017888382,0.00045197541,0.023059469,0.00053034036,0.000024847603,0.000019540976,0.000115203344,0.042861816],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959474,0.0025293468,0.0000523277,0.00025938565,0.00041817053,0.0007933424],"domain_scores_gemma":[0.9972716,0.0012178543,0.00027721672,0.00014394178,0.0003254378,0.0007640277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031417545,0.0003393754,0.00027824735,0.00042593942,0.016292669,0.005768368,0.0009685419,0.002561073,0.004587758],"category_scores_gemma":[0.005873967,0.00028865787,0.00024249396,0.0003229004,0.023767391,0.0044396184,0.0051011974,0.009980507,0.0009006333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001264644,0.000050094186,0.00075139134,0.000114382005,0.000008433602,0.0016479477,0.60614157,0.000085263724,0.00065086293,0.2660558,0.11170548,0.012662334],"study_design_scores_gemma":[0.000021058602,0.00006340418,0.0010420223,0.00025054213,0.000010092221,0.0018359699,0.34450126,0.00016476246,0.00082269905,0.013559924,0.63767666,0.00005174572],"about_ca_topic_score_codex":0.013208359,"about_ca_topic_score_gemma":0.025938323,"teacher_disagreement_score":0.016292669,"about_ca_system_score_codex":0.005775696,"about_ca_system_score_gemma":0.0044379304,"threshold_uncertainty_score":0.04190576},"labels":[],"label_agreement":null},{"id":"W1587903385","doi":"","title":"Laurence M. Porter and Eugene F. Gray. Gustave Flaubert's \"Madame Bovary.\" A Reference Guide","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gray (unit); Art; Art history; Medicine; Nuclear medicine","score_opus":0.029204550248672283,"score_gpt":0.2896039175271037,"score_spread":0.2603993672784314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587903385","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002818273,0.6480261,0.0012989041,0.1895456,0.029912299,0.00005373067,0.00051555055,0.00039782585,0.12996812],"genre_scores_gemma":[0.0050394475,0.340555,0.001889409,0.04005479,0.008482992,0.00010186159,0.00046817603,0.00038094327,0.6030274],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929357,0.00015532126,0.00004797159,0.00009561358,0.0003448159,0.00006263785],"domain_scores_gemma":[0.9970239,0.0011506241,0.00016667222,0.00009442043,0.001293653,0.0002708698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010467048,0.0013152186,0.00078711257,0.0042416155,0.002685264,0.003606463,0.0015318248,0.003142824,0.08718164],"category_scores_gemma":[0.005232434,0.00059082895,0.00036392317,0.00275275,0.0012271146,0.005820721,0.0018188659,0.003407867,0.063180886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043911978,0.0000032258151,0.000028021119,0.00007931918,9.060928e-7,0.000017084296,0.00012241163,0.000005889593,0.000017864482,0.0017644557,0.9738478,0.024108674],"study_design_scores_gemma":[0.0000017258981,0.0000021896562,0.00011244673,0.0002605785,0.000001145795,0.00006330312,0.00020417765,0.0000058862383,0.000026515836,0.001181355,0.99813735,0.0000032887003],"about_ca_topic_score_codex":0.020498892,"about_ca_topic_score_gemma":0.05538117,"teacher_disagreement_score":0.08718164,"about_ca_system_score_codex":0.0015228927,"about_ca_system_score_gemma":0.0020882306,"threshold_uncertainty_score":0.29165167},"labels":[],"label_agreement":null},{"id":"W1592460612","doi":"","title":"Lifted: An Interview with Lisa Robertson","year":2005,"lang":"en","type":"article","venue":"Chicago Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Reading (process); Conversation; White (mutation); Exhibition; Media studies; Visual arts; Art history; Sociology; Art; History; Linguistics; Philosophy","score_opus":0.04160066556943545,"score_gpt":0.2586880246326024,"score_spread":0.21708735906316692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592460612","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031847946,0.021684187,0.0010258445,0.81373334,0.0095806485,0.00021295964,0.00034746624,0.0002500315,0.121317506],"genre_scores_gemma":[0.22847217,0.016140036,0.0017201597,0.35706964,0.0015338634,0.0005814612,0.0002704609,0.00068836863,0.3935238],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99169946,0.004530475,0.00022810203,0.0007428451,0.0014905004,0.0013086742],"domain_scores_gemma":[0.99169135,0.0030486998,0.00042771208,0.00021829954,0.0017044556,0.0029094033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008278015,0.0011431283,0.0022392673,0.0020531456,0.023561714,0.010233976,0.0027668653,0.00933105,0.036788817],"category_scores_gemma":[0.018566169,0.0014101396,0.00071596215,0.0032026751,0.00769454,0.00953733,0.0063365223,0.014530512,0.013983395],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008499441,0.00015031714,0.0012244274,0.00025544435,0.000014050389,0.00456037,0.14754632,0.000094458184,0.0005025617,0.008326122,0.8244214,0.012819554],"study_design_scores_gemma":[0.000020423224,0.000040265277,0.0009213338,0.00031102757,0.0000069043413,0.0010825765,0.21943848,0.00004543396,0.000093333314,0.0011416309,0.7768379,0.000060629794],"about_ca_topic_score_codex":0.06337301,"about_ca_topic_score_gemma":0.090286024,"teacher_disagreement_score":0.06337301,"about_ca_system_score_codex":0.011143699,"about_ca_system_score_gemma":0.008939556,"threshold_uncertainty_score":0.12600827},"labels":[],"label_agreement":null},{"id":"W1602679101","doi":"10.1353/psg.2010.a408992","title":"Diagnosis, and: Sotto Voce, and: Transposition","year":2010,"lang":"en","type":"article","venue":"Prairie schooner","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rest (music); Subject (documents); KISS (TNC); Art; Psychoanalysis; Philosophy; Art history; Psychology; Physics; Computer science","score_opus":0.013599413062992905,"score_gpt":0.2187920438959046,"score_spread":0.2051926308329117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602679101","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014910442,0.008604636,0.002131169,0.37392652,0.21127641,0.0002046079,0.0011817976,0.0011927215,0.39999115],"genre_scores_gemma":[0.018021818,0.0030384895,0.000800438,0.09995109,0.017822996,0.0001479696,0.0004133792,0.0006786223,0.85912526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925536,0.00013587096,0.000035142217,0.00017285103,0.00024119823,0.00015950396],"domain_scores_gemma":[0.99851066,0.00029242918,0.00007265357,0.00006741077,0.0005919509,0.0004649257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008739142,0.00066418556,0.0004237353,0.0005391555,0.0029839864,0.0028407287,0.00078930956,0.0041921255,0.22941954],"category_scores_gemma":[0.008277518,0.00025363136,0.00030305257,0.00026848054,0.0015894823,0.002678991,0.0021365727,0.0051773842,0.099108934],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009080902,0.0000033906908,0.000074886375,0.000018050165,4.971851e-7,0.00013752567,0.00014672041,0.0000048246525,0.000041882286,0.0020878946,0.98856074,0.008914537],"study_design_scores_gemma":[0.000005114842,0.000005432237,0.00025965617,0.000095642936,0.0000013467147,0.00067895453,0.0005341234,0.000019314039,0.00006498942,0.0009322703,0.99739504,0.000008119514],"about_ca_topic_score_codex":0.013614047,"about_ca_topic_score_gemma":0.018619688,"teacher_disagreement_score":0.22941954,"about_ca_system_score_codex":0.0024902604,"about_ca_system_score_gemma":0.0027543579,"threshold_uncertainty_score":0.76748484},"labels":[],"label_agreement":null},{"id":"W1602909623","doi":"10.2979/vic.2007.49.3.543","title":"<i>Thomas Hardy: The Time-Torn Man</i>, by Claire Tomalin and<i>Thomas Hardy Reappraised: Essays in Honour of Michael Millgate</i>, edited by Keith Wilson","year":2007,"lang":"en","type":"article","venue":"Victorian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; Wife; Biography; Narrative; Classics; Performance art; Art history; History; Art; Philosophy; Theology; Literature","score_opus":0.013697625630125726,"score_gpt":0.2414962630613752,"score_spread":0.22779863743124948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602909623","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019067173,0.5235836,0.0011048996,0.16783355,0.056517046,0.00005454562,0.00026736097,0.00012540666,0.24860689],"genre_scores_gemma":[0.028193595,0.1275593,0.0010165493,0.027825307,0.015337385,0.000082342405,0.0002464271,0.00040128894,0.79933786],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991117,0.0002510973,0.00003570101,0.00016172962,0.00033634968,0.00010340385],"domain_scores_gemma":[0.99900717,0.00028586798,0.000102970684,0.000055110773,0.00027999093,0.00026886075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011599035,0.001265683,0.0004462035,0.0010862879,0.004083198,0.0067494093,0.001176399,0.0021446764,0.03587366],"category_scores_gemma":[0.004064567,0.00044630535,0.0002874457,0.0015157387,0.0045455424,0.0062903995,0.0027585968,0.0038988576,0.014976306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008019378,0.000004637764,0.00004060991,0.000097780096,0.0000016022215,0.00004378129,0.0028403832,0.000010493149,0.00008752355,0.005757874,0.9783366,0.0127708325],"study_design_scores_gemma":[9.963227e-7,0.0000024996386,0.00019202335,0.00025424652,0.0000012166325,0.000069922324,0.0020550461,0.00000605221,0.000033904962,0.00089811464,0.99648166,0.0000043538635],"about_ca_topic_score_codex":0.037625533,"about_ca_topic_score_gemma":0.08510552,"teacher_disagreement_score":0.037625533,"about_ca_system_score_codex":0.005341743,"about_ca_system_score_gemma":0.005549675,"threshold_uncertainty_score":0.1200093},"labels":[],"label_agreement":null},{"id":"W1605438458","doi":"","title":"\"A Weasel Pops In and Out of Old Tunes\": Exchanging Words","year":2006,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Politeness; Absurdity; Outrage; Amusement; Poetry; Unison; Sociology; Euphemism; Mores; Aesthetics; Linguistics; Literature; Psychology; Art; Social psychology; Law; Politics; Political science; Philosophy","score_opus":0.023002661581302698,"score_gpt":0.25141004221237334,"score_spread":0.22840738063107063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605438458","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1379773,0.009334728,0.0091116605,0.088544235,0.0033442418,0.00012708796,0.00013357283,0.00039139367,0.75103575],"genre_scores_gemma":[0.904488,0.0016423276,0.0016682907,0.005072469,0.00025919906,0.00003638062,0.000028442739,0.00023885096,0.08656608],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99484813,0.0026785599,0.00006579464,0.0003178326,0.0010653529,0.0010243107],"domain_scores_gemma":[0.9965293,0.0014617934,0.00021335838,0.00028973547,0.0009011596,0.000604716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004889188,0.0010835299,0.00046034344,0.0023233304,0.03875486,0.013456358,0.0020789187,0.0031506468,0.0046828934],"category_scores_gemma":[0.009340942,0.00041176094,0.0003161631,0.0016231516,0.059880238,0.007078074,0.005098764,0.006504892,0.0009352366],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027884684,0.000009604842,0.000294732,0.000043764925,0.000004106422,0.00037366373,0.74524724,0.000042403815,0.00033943067,0.22162758,0.02361488,0.008374689],"study_design_scores_gemma":[0.000008068414,0.000016850357,0.0005137013,0.00019681838,0.000013162075,0.00029833513,0.507905,0.00010125789,0.0005880197,0.010350471,0.47997677,0.00003162978],"about_ca_topic_score_codex":0.570445,"about_ca_topic_score_gemma":0.6709397,"teacher_disagreement_score":0.429555,"about_ca_system_score_codex":0.032444783,"about_ca_system_score_gemma":0.024473561,"threshold_uncertainty_score":0.8641695},"labels":[],"label_agreement":null},{"id":"W1608047462","doi":"","title":"Through Darkening Spectacles: Memoirs of Diamond Jenness (Jenness and Jenness)","year":2010,"lang":"en","type":"article","venue":"Museum Anthropology Review (Indiana University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Art; Diamond; Visual arts; Art history; Materials science; Metallurgy","score_opus":0.014406991209820284,"score_gpt":0.2220258149428982,"score_spread":0.2076188237330779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1608047462","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047086105,0.16986445,0.0009835018,0.64029896,0.014804982,0.00004359984,0.00018953218,0.0000439875,0.12668487],"genre_scores_gemma":[0.48494855,0.100679845,0.0017859681,0.22730534,0.009148854,0.00030006317,0.00012465124,0.00029256011,0.1754141],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979837,0.0011346801,0.000039775332,0.00016762337,0.000494714,0.00017962026],"domain_scores_gemma":[0.9964185,0.0023001833,0.00018725493,0.00009914192,0.00071510073,0.00027989276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003095047,0.00064247113,0.0004695381,0.0011433772,0.016197938,0.005300077,0.001210355,0.0026650121,0.0021627005],"category_scores_gemma":[0.008140829,0.0002813122,0.00017258275,0.0015694548,0.015916986,0.0042275907,0.003352059,0.006618815,0.00042810908],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025466064,0.000017976972,0.0007196404,0.00027121426,0.000010517353,0.00069147436,0.3974712,0.00005711098,0.00022524287,0.04509336,0.54000896,0.015407919],"study_design_scores_gemma":[0.000004229873,0.000007023754,0.0009957656,0.0006731852,0.0000056998797,0.00032055343,0.15211412,0.000023724508,0.00010195423,0.0047968216,0.8409418,0.0000151029835],"about_ca_topic_score_codex":0.14204767,"about_ca_topic_score_gemma":0.26490086,"teacher_disagreement_score":0.85795236,"about_ca_system_score_codex":0.007562454,"about_ca_system_score_gemma":0.006512329,"threshold_uncertainty_score":0.28244174},"labels":[],"label_agreement":null},{"id":"W1617006225","doi":"","title":"The War at Home: Representing the Iraq War in Ali Smith's \"The Accidental\"","year":2013,"lang":"en","type":"article","venue":"The albatross","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Accidental; Ancient history; Art; History; Physics","score_opus":0.015244117191856785,"score_gpt":0.22317838724127703,"score_spread":0.20793427004942025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1617006225","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16780055,0.011071574,0.0024204345,0.20141122,0.0055186558,0.000025349464,0.00003726645,0.000100428355,0.61161447],"genre_scores_gemma":[0.93881357,0.0021607745,0.00033406,0.015770204,0.0007950213,0.000014841158,0.000009556974,0.000091149945,0.04201087],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959747,0.0024791376,0.000056035482,0.0002184485,0.00058789965,0.0006837244],"domain_scores_gemma":[0.9973226,0.0016125652,0.00027011655,0.00012036568,0.00040419016,0.00027013794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003806817,0.0005882712,0.00045156368,0.0013887818,0.038111914,0.012561552,0.001480088,0.0060423277,0.0049815276],"category_scores_gemma":[0.00599325,0.00024709926,0.00027692356,0.0019092796,0.046069723,0.0046375785,0.005988587,0.01010275,0.0006046339],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029157372,0.0000118826,0.0004246082,0.000061571176,0.0000053983003,0.00046432568,0.5963446,0.00008805587,0.0001811767,0.35564372,0.03942156,0.007323825],"study_design_scores_gemma":[0.0000072331777,0.000028639382,0.0007360669,0.0002716145,0.000010087829,0.0002783447,0.3860075,0.00008253655,0.00032433384,0.023541544,0.5886899,0.000022239486],"about_ca_topic_score_codex":0.10244187,"about_ca_topic_score_gemma":0.16950095,"teacher_disagreement_score":0.10244187,"about_ca_system_score_codex":0.016578525,"about_ca_system_score_gemma":0.0070712105,"threshold_uncertainty_score":0.20369118},"labels":[],"label_agreement":null},{"id":"W1624709489","doi":"","title":"Method and Myth in L. P. Hartley’s The Go-Between","year":2012,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; Narrative; Literature; Faith; Depiction; Order (exchange); Philosophy; Art; History; Epistemology","score_opus":0.04371668193385162,"score_gpt":0.33721619979627954,"score_spread":0.2934995178624279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1624709489","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060447063,0.022007525,0.0110174585,0.14656496,0.0031130826,0.00007490621,0.00005489106,0.00019008969,0.75653005],"genre_scores_gemma":[0.8928121,0.0030657765,0.0020110693,0.011251542,0.0007066965,0.000071179136,0.000012603921,0.0001520849,0.08991695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9973437,0.0018529759,0.000033558565,0.00020055262,0.0003409716,0.00022829791],"domain_scores_gemma":[0.9980432,0.0013602865,0.00015420829,0.00012101292,0.00014201563,0.00017928472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022726096,0.00042996707,0.00021191931,0.0008997516,0.007879085,0.0077288286,0.000726635,0.0023293165,0.003408424],"category_scores_gemma":[0.003824596,0.0002490534,0.00018329525,0.000669636,0.0359607,0.005418084,0.0036340798,0.0057863025,0.00039886258],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013766552,0.00001214015,0.00010618067,0.00003434243,0.0000014459007,0.00018179693,0.090697326,0.000056368197,0.00009933522,0.88108516,0.022490446,0.0052216505],"study_design_scores_gemma":[0.000019387031,0.00003349737,0.00038691246,0.00022502299,0.0000033900358,0.0004186667,0.048969183,0.00018108888,0.00028096052,0.19275661,0.7567059,0.000019448142],"about_ca_topic_score_codex":0.0075985845,"about_ca_topic_score_gemma":0.012690017,"teacher_disagreement_score":0.007879085,"about_ca_system_score_codex":0.0060659195,"about_ca_system_score_gemma":0.0026429861,"threshold_uncertainty_score":0.044011533},"labels":[],"label_agreement":null},{"id":"W1666232048","doi":"","title":"Literary, Cultural, and Disability Studies: A Tripartite Approach to Poststructuralism","year":2009,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psyche; Disability studies; Psychoanalytic theory; Sociology; Deleuze and Guattari; Ideology; Argument (complex analysis); Psychoanalysis; Narrative; Discipline; Event (particle physics); Subject (documents); Cultural studies; Epistemology; Aesthetics; Gender studies; Psychology; Literature; Politics; Philosophy; Social science; Anthropology; Art; Law","score_opus":0.056440011512108715,"score_gpt":0.2640318060917665,"score_spread":0.20759179457965782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1666232048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10390404,0.020913472,0.119895376,0.106735684,0.0014293755,0.00071603473,0.00013095344,0.00018823947,0.64608675],"genre_scores_gemma":[0.9598961,0.0033080173,0.01592179,0.0026579043,0.0003707456,0.0007365454,0.000060179413,0.00016185497,0.016886774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.97808343,0.018457929,0.0003557499,0.00062451564,0.0014613696,0.0010169826],"domain_scores_gemma":[0.98574185,0.009341577,0.00074312056,0.0012781488,0.0013850589,0.0015101867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0151858395,0.0007456882,0.0007015564,0.006762749,0.018221816,0.019134754,0.00257271,0.0036776927,0.0051341723],"category_scores_gemma":[0.007988935,0.00056522264,0.00078297674,0.0056631863,0.06724596,0.018627431,0.014169655,0.0070858127,0.00052652677],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001201747,0.000024482717,0.00021644396,0.00009376918,0.000008683682,0.00010118774,0.12105363,0.00010424994,0.00016904436,0.8677412,0.00237177,0.008103523],"study_design_scores_gemma":[0.000016930864,0.000047951224,0.0013233352,0.00045710133,0.000012659244,0.00022639812,0.16835427,0.0007673118,0.00021758131,0.70848006,0.12006546,0.000030911342],"about_ca_topic_score_codex":0.0052250084,"about_ca_topic_score_gemma":0.0077342284,"teacher_disagreement_score":0.019134754,"about_ca_system_score_codex":0.0163483,"about_ca_system_score_gemma":0.008783861,"threshold_uncertainty_score":0.118615806},"labels":[],"label_agreement":null},{"id":"W168266934","doi":"","title":"Women's Untold Stories: Breaking Silence, Talking Back, Voicing Complexity","year":2001,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":49,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Voice; Silence; Psychology; Art; Linguistics; Aesthetics; Philosophy","score_opus":0.05909351922923719,"score_gpt":0.2553544744052002,"score_spread":0.196260955175963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W168266934","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27153596,0.018545516,0.004264957,0.17222668,0.0036409448,0.00016162195,0.0004466353,0.00032485818,0.5288529],"genre_scores_gemma":[0.9494831,0.0034201131,0.00063328387,0.0067748534,0.00034476802,0.00006977106,0.00007546885,0.00028502516,0.03891369],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98873025,0.0050282376,0.00018491226,0.00056553906,0.002765131,0.0027258596],"domain_scores_gemma":[0.98334694,0.009145917,0.0012188045,0.00093172415,0.0028761278,0.0024805916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0074870307,0.0012354713,0.00091500464,0.0043251235,0.067430735,0.025208931,0.0041123247,0.0067562405,0.008934163],"category_scores_gemma":[0.03137201,0.0006739525,0.00051969534,0.005619592,0.06651127,0.009049528,0.010622526,0.010327885,0.0009446893],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019127534,0.000007507714,0.00041372076,0.000059199014,0.000004588161,0.00023917049,0.9507316,0.000022205855,0.00018999573,0.03079844,0.010902778,0.0066116992],"study_design_scores_gemma":[0.0000054004604,0.000007635092,0.0015019719,0.00030064743,0.000012521386,0.00014461434,0.83683765,0.000037814953,0.00024071414,0.005012879,0.1558754,0.000022773484],"about_ca_topic_score_codex":0.7339975,"about_ca_topic_score_gemma":0.8098759,"teacher_disagreement_score":0.7339975,"about_ca_system_score_codex":0.050665718,"about_ca_system_score_gemma":0.05275472,"threshold_uncertainty_score":0.535138},"labels":[],"label_agreement":null},{"id":"W1686005117","doi":"","title":"Wuthering Heights—the Song of Rebel","year":2010,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Personality; Literature; Moral character; Key (lock); Feminism; Sociology; Aesthetics; Psychology; Art; Psychoanalysis; Social psychology; Gender studies; Computer science; Mathematics","score_opus":0.020723578977299477,"score_gpt":0.28026379392718964,"score_spread":0.25954021494989016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1686005117","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17093629,0.04238527,0.0068925624,0.16725266,0.020195108,0.00006794341,0.00011875165,0.00041361485,0.59173775],"genre_scores_gemma":[0.7491884,0.0042655556,0.0014457676,0.007547234,0.0024892408,0.000028808845,0.000029621347,0.00024685034,0.23475857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943453,0.00029382264,0.000011403317,0.00007009495,0.0001025553,0.000087515815],"domain_scores_gemma":[0.9994804,0.00022411616,0.00008848151,0.000035777524,0.00004820723,0.0001229146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008387032,0.00040056524,0.00020168627,0.00042194396,0.0040771794,0.0027942506,0.00040202102,0.0009927673,0.004663593],"category_scores_gemma":[0.0017834447,0.00017391586,0.0001218099,0.00027389475,0.0052889017,0.0023237306,0.0019134961,0.0033035195,0.0010124737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021156011,0.00006722106,0.00152708,0.00031989376,0.000029416122,0.0013588594,0.1363408,0.00015717554,0.002735993,0.4863837,0.30166945,0.06919896],"study_design_scores_gemma":[0.0000073098654,0.0000501162,0.0009875648,0.00016381178,0.0000049544915,0.00068831455,0.027436191,0.000082713734,0.0007775444,0.01078588,0.9590023,0.000013360388],"about_ca_topic_score_codex":0.0009771051,"about_ca_topic_score_gemma":0.002951065,"teacher_disagreement_score":0.004663593,"about_ca_system_score_codex":0.0010800781,"about_ca_system_score_gemma":0.0005212486,"threshold_uncertainty_score":0.015601277},"labels":[],"label_agreement":null},{"id":"W1702123950","doi":"","title":"Agency and Structure in Harry Lowen's Road to Freedom: A Review Article","year":2001,"lang":"en","type":"review","venue":"Journal of Mennonite studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Sociology; Philosophy; Epistemology","score_opus":0.09360073810979787,"score_gpt":0.3583356887170619,"score_spread":0.26473495060726404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1702123950","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013934748,0.95074236,0.00031564152,0.029136922,0.00091296755,0.000007960937,0.0000053788413,0.0000034896636,0.01748191],"genre_scores_gemma":[0.0411303,0.9374673,0.00035342088,0.008346657,0.0014667565,0.00002582688,0.000011216571,0.000008296532,0.011190337],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978981,0.0009257586,0.00009753703,0.00019502113,0.0007527082,0.00013094934],"domain_scores_gemma":[0.99624544,0.0028395616,0.00032196936,0.000072825576,0.00038978623,0.0001304561],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033606982,0.00035831585,0.0010558099,0.0022931655,0.0026314887,0.008558767,0.0012384098,0.0046784016,0.00457233],"category_scores_gemma":[0.006610177,0.00024557378,0.00025904807,0.00567172,0.011073889,0.0071791895,0.0029032906,0.0026998909,0.00053319737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006965508,0.00008429576,0.0009682404,0.0068443534,0.000052904044,0.0005386505,0.022047605,0.00024596354,0.00022111295,0.37722722,0.10626771,0.4854323],"study_design_scores_gemma":[0.000013319526,0.000026022146,0.001534771,0.007127162,0.000028493763,0.0004770033,0.008151383,0.000031918808,0.0001461176,0.055543084,0.9268999,0.000020881982],"about_ca_topic_score_codex":0.01120648,"about_ca_topic_score_gemma":0.025539685,"teacher_disagreement_score":0.01120648,"about_ca_system_score_codex":0.00350146,"about_ca_system_score_gemma":0.010277586,"threshold_uncertainty_score":0.02540499},"labels":[],"label_agreement":null},{"id":"W177061806","doi":"10.21153/pecl2008vol18no2art1161","title":"Fantasy as Epanalepsis: ‘An Anticipation of Retrospection’","year":2008,"lang":"en","type":"article","venue":"Papers Explorations into Children s Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Fantasy; Sentence; Rhetorical question; Meaning (existential); Literature; Aesthetics; History; Philosophy; Linguistics; Art; Epistemology","score_opus":0.020428400654472347,"score_gpt":0.23945545297051438,"score_spread":0.21902705231604203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W177061806","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05357702,0.16845794,0.023280777,0.26078975,0.02285081,0.00008546198,0.00024519183,0.000282629,0.47043046],"genre_scores_gemma":[0.8658371,0.03988926,0.0037627122,0.03959174,0.008549401,0.0001422307,0.00014570764,0.00034765445,0.041734267],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99503565,0.0035728153,0.00012801634,0.00034255875,0.00062533474,0.0002956882],"domain_scores_gemma":[0.99136275,0.0062384247,0.00062720786,0.0005645046,0.00081312505,0.00039414637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006978862,0.00091615174,0.00045571188,0.0024480694,0.0054180045,0.0148232905,0.0016537107,0.0048274603,0.0030834442],"category_scores_gemma":[0.017820466,0.00036614458,0.0004287382,0.0018076495,0.04024811,0.025235526,0.007958106,0.010128031,0.0009623217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043784607,0.000012064225,0.0002621645,0.00024659556,0.0000068150916,0.0006961169,0.240446,0.000052052856,0.0002541549,0.7243606,0.020289982,0.013329605],"study_design_scores_gemma":[0.000011292418,0.00003840794,0.0004215112,0.00074306584,0.0000063191346,0.001866908,0.107862525,0.00011498456,0.000335338,0.11476922,0.7737928,0.000037680722],"about_ca_topic_score_codex":0.0034938927,"about_ca_topic_score_gemma":0.004125659,"teacher_disagreement_score":0.0148232905,"about_ca_system_score_codex":0.004812351,"about_ca_system_score_gemma":0.0023203383,"threshold_uncertainty_score":0.03690815},"labels":[],"label_agreement":null},{"id":"W183555800","doi":"","title":"Jacob's Angel","year":2001,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.035615277899130805,"score_gpt":0.23466155035503453,"score_spread":0.19904627245590373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W183555800","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014515641,0.0074641197,0.00031296024,0.033921238,0.010546973,0.000030973668,0.00019715108,0.00016153503,0.9459135],"genre_scores_gemma":[0.008416115,0.0011118473,0.00011227401,0.0029732522,0.00035134066,0.000006519078,0.00002926863,0.000050149738,0.98694927],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907124,0.000090186266,0.000015936988,0.00015675978,0.00039055126,0.00027526636],"domain_scores_gemma":[0.99917704,0.000104184895,0.000027645876,0.00005646647,0.00035216118,0.00028239103],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008249395,0.0005877609,0.00038831902,0.0018295497,0.016387561,0.007010218,0.0011989686,0.002957177,0.15225634],"category_scores_gemma":[0.002619918,0.0002763067,0.0003489429,0.0013808038,0.0034883455,0.0019683095,0.0024454205,0.0038354448,0.028465794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012385561,0.00000960607,0.000135098,0.000031826366,0.0000019249533,0.00012769808,0.001765694,0.00002614512,0.000102417456,0.16743559,0.80128014,0.029071596],"study_design_scores_gemma":[0.0000010982064,0.0000010440376,0.000081521626,0.000025539388,7.836838e-7,0.000024022598,0.0005316942,0.0000062722484,0.000026688049,0.0014157204,0.9978834,0.0000022199133],"about_ca_topic_score_codex":0.4133138,"about_ca_topic_score_gemma":0.6679368,"teacher_disagreement_score":0.4133138,"about_ca_system_score_codex":0.013448915,"about_ca_system_score_gemma":0.014607357,"threshold_uncertainty_score":0.8218161},"labels":[],"label_agreement":null},{"id":"W1838660932","doi":"10.29173/cmplct8814","title":"Recursive Readings: Chaos, Curriculum, and Walt Whitman in “Specimen Days”","year":2009,"lang":"en","type":"article","venue":"Complicity An International Journal of Complexity and Education","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"American Educational Research Association","keywords":"Meaning (existential); Reading (process); Vision; Poetry; Contradiction; Repetition (rhetorical device); Literature; Interpretation (philosophy); Set (abstract data type); Reflexive pronoun; Art; Philosophy; Computer science; Linguistics; Epistemology; Theology","score_opus":0.04404136834802252,"score_gpt":0.3049589442701373,"score_spread":0.2609175759221148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1838660932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41834614,0.0045477953,0.032881256,0.04089976,0.00087561074,0.00008807172,0.00007538945,0.0002729386,0.50201297],"genre_scores_gemma":[0.97728115,0.00033475301,0.002266338,0.0011219172,0.00011046493,0.000028913011,0.000017139118,0.000111742746,0.018727638],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99683845,0.0020398987,0.000052596053,0.00033907063,0.00045926595,0.00027062962],"domain_scores_gemma":[0.99758065,0.0015344147,0.00023602923,0.00020009316,0.00021725439,0.00023147173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026471675,0.00042737104,0.00022840082,0.0008911985,0.009315737,0.0063593867,0.00078012137,0.001505595,0.0032009005],"category_scores_gemma":[0.0065311883,0.0003076243,0.00019464474,0.0008215776,0.036749747,0.009321107,0.0045846603,0.0046120454,0.00031666024],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020586345,0.00001699891,0.0005777257,0.000024489313,0.0000023406396,0.0003169278,0.38530922,0.00011697691,0.00024893795,0.59852844,0.005680417,0.00915699],"study_design_scores_gemma":[0.000021735912,0.000064178574,0.0022214323,0.00021306348,0.000008687954,0.0006550161,0.20180187,0.0009258458,0.0016410032,0.34220237,0.450188,0.00005684302],"about_ca_topic_score_codex":0.011342925,"about_ca_topic_score_gemma":0.020352619,"teacher_disagreement_score":0.011342925,"about_ca_system_score_codex":0.006622246,"about_ca_system_score_gemma":0.0029105907,"threshold_uncertainty_score":0.04804796},"labels":[],"label_agreement":null},{"id":"W1849490122","doi":"10.3968/j.css.1923669720110705.240","title":"Peter Ackroyd’s Chatterton : A Lyotardian Study","year":2011,"lang":"de","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metanarrative; Ideology; Emancipation; Humanities; Philosophy; Narrative; Nous; Enlightenment; Ethnology; Politics; Sociology; Epistemology; Political science; Linguistics; Law","score_opus":0.04159917992940463,"score_gpt":0.23604472870335277,"score_spread":0.19444554877394815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1849490122","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4746401,0.030899735,0.003385432,0.056202102,0.0012469759,0.00018405881,0.00010561346,0.0000489141,0.43328708],"genre_scores_gemma":[0.93864566,0.0046118093,0.00065361836,0.0024497677,0.00016991844,0.00007652414,0.000016513086,0.000025018218,0.05335113],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873084,0.00080132566,0.000029200966,0.00013083621,0.0001786248,0.00012922587],"domain_scores_gemma":[0.9984106,0.0009940387,0.00017783453,0.00009518062,0.00011268956,0.00020963926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018343044,0.0002770968,0.0002920793,0.0013161867,0.00984959,0.005318937,0.00092834147,0.0014970603,0.0049558966],"category_scores_gemma":[0.0033324126,0.00024444622,0.00012660043,0.0013632494,0.014081609,0.0055717584,0.0038073072,0.0030825622,0.0005891165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003685107,0.000024356603,0.0011043751,0.00009477355,0.0000022600705,0.0007598167,0.5266032,0.00004225632,0.0003430751,0.44989738,0.010823472,0.010268239],"study_design_scores_gemma":[0.000007636677,0.000035051442,0.0022594996,0.00037209125,0.0000050900203,0.00072575413,0.2676672,0.00015015068,0.00046304121,0.019279923,0.7090115,0.000023042167],"about_ca_topic_score_codex":0.030841574,"about_ca_topic_score_gemma":0.037612468,"teacher_disagreement_score":0.030841574,"about_ca_system_score_codex":0.007961916,"about_ca_system_score_gemma":0.0035608725,"threshold_uncertainty_score":0.06132412},"labels":[],"label_agreement":null},{"id":"W1860814559","doi":"","title":"Ego Eimi: Kerygma or Existential Metaphor? Frye, Bultmann and the Problem of Demythologizing","year":2007,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Id, ego and super-ego; Existentialism; Metaphor; Philosophy; Psychoanalysis; Psychology; Linguistics; Epistemology","score_opus":0.04188217245044026,"score_gpt":0.2858526731864126,"score_spread":0.24397050073597235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1860814559","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031462174,0.12171712,0.007817848,0.4109641,0.0026110138,0.00003812264,0.00008484002,0.00006908657,0.42523572],"genre_scores_gemma":[0.9374089,0.024723472,0.0021363585,0.017878566,0.0011507343,0.000093244955,0.00003209881,0.000114117836,0.01646249],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99439657,0.0038330487,0.00015569304,0.0003797131,0.0006661431,0.00056884903],"domain_scores_gemma":[0.9940446,0.004067808,0.00050013827,0.00038856143,0.00070921,0.00028966038],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00799391,0.0007389364,0.0013661882,0.0041923486,0.013192457,0.011560672,0.0026676038,0.0081168,0.0051875054],"category_scores_gemma":[0.014105555,0.00054654,0.0004066859,0.0060320497,0.0937091,0.024452766,0.0063618277,0.010958554,0.00050145335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008055303,0.0000045407546,0.000054015414,0.0000359224,0.0000020344708,0.000038311722,0.018457629,0.000025040476,0.000016896212,0.9738859,0.005313682,0.0021580085],"study_design_scores_gemma":[0.000022705386,0.0000097776165,0.0005673484,0.00052010437,0.000009760977,0.00018814174,0.07749341,0.00010983268,0.00007394394,0.7661718,0.15480183,0.000031388612],"about_ca_topic_score_codex":0.051371496,"about_ca_topic_score_gemma":0.056459937,"teacher_disagreement_score":0.051371496,"about_ca_system_score_codex":0.0155232735,"about_ca_system_score_gemma":0.012934778,"threshold_uncertainty_score":0.11262971},"labels":[],"label_agreement":null},{"id":"W1863228776","doi":"10.5195/taxreview.2015.35","title":"David Foster Wallace on Tax Policy, How to Be an Adult and Other Mysteries of the Universe","year":2015,"lang":"en","type":"article","venue":"Pittsburgh Tax Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Economics; Law and economics; Tax credit; Neoclassical economics; Keynesian economics; Public economics","score_opus":0.07767671329039667,"score_gpt":0.2777572128805281,"score_spread":0.20008049959013147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1863228776","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005464436,0.38519153,0.00040071463,0.52772135,0.012997062,0.000011422398,0.000044664193,0.000011612147,0.07307515],"genre_scores_gemma":[0.039288014,0.45733467,0.00076342834,0.34710127,0.024205403,0.000081590304,0.00007144292,0.00008595549,0.13106826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99622416,0.0015668431,0.00012645706,0.00035458826,0.0013605182,0.00036743996],"domain_scores_gemma":[0.9942572,0.0032174245,0.0003004533,0.00016009725,0.0016563967,0.00040845224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004091018,0.00051630306,0.00078067614,0.002452103,0.008385039,0.007543035,0.0018528097,0.011618343,0.009688806],"category_scores_gemma":[0.014415196,0.00041283114,0.00038498343,0.0039811013,0.009774571,0.010601488,0.00300471,0.012486118,0.0018931456],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007813291,0.000011397342,0.0000814329,0.00013781892,0.000003939669,0.000038067414,0.00069320557,0.00007207245,0.000015003742,0.28659585,0.697295,0.015048441],"study_design_scores_gemma":[0.000004263559,0.0000038588455,0.00015652376,0.0007021974,0.0000034317682,0.00003629078,0.00073072384,0.00002167958,0.000018162347,0.03626455,0.9620509,0.0000073116225],"about_ca_topic_score_codex":0.046432655,"about_ca_topic_score_gemma":0.06486592,"teacher_disagreement_score":0.046432655,"about_ca_system_score_codex":0.008270303,"about_ca_system_score_gemma":0.015092603,"threshold_uncertainty_score":0.092324734},"labels":[],"label_agreement":null},{"id":"W1866452072","doi":"10.3968/j.css.1923669720100603.016","title":"Postmodernism or Neo-Realism: On Parody in David Lodge’s Campus Novel Small World","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Humanism; Realism; Art; Art history; Comics; Literature; Philosophy; Humanities; Theology","score_opus":0.038656858294366346,"score_gpt":0.25303968322835085,"score_spread":0.2143828249339845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1866452072","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10613481,0.008544802,0.00782237,0.11363096,0.0029186606,0.000053451884,0.00008657938,0.00018080902,0.7606275],"genre_scores_gemma":[0.8288515,0.0013615373,0.001411841,0.0077745365,0.00050547003,0.00005696194,0.000023581744,0.0001358815,0.15987861],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976357,0.001725081,0.000026151814,0.00017925288,0.0002355673,0.00019816449],"domain_scores_gemma":[0.99877554,0.0007624934,0.00008756418,0.000103458806,0.000091658454,0.00017926168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018120877,0.0003692913,0.00022701957,0.00069865567,0.009921475,0.00834217,0.00064937293,0.0020726998,0.0068735816],"category_scores_gemma":[0.0032450364,0.00020631308,0.00021171088,0.00044689904,0.023404244,0.0043096864,0.0042232997,0.0043434687,0.0010283471],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059429716,0.0000261019,0.00034077803,0.000058566067,0.0000036636861,0.0005000197,0.095944986,0.00007423707,0.00046660777,0.8429382,0.04989474,0.009692618],"study_design_scores_gemma":[0.000014738239,0.00003578284,0.0005425764,0.00013005402,0.0000031536001,0.00038851073,0.043565243,0.0001507829,0.0005160206,0.044969555,0.9096509,0.000032642256],"about_ca_topic_score_codex":0.0045213373,"about_ca_topic_score_gemma":0.014893723,"teacher_disagreement_score":0.009921475,"about_ca_system_score_codex":0.0044275685,"about_ca_system_score_gemma":0.0014407529,"threshold_uncertainty_score":0.0321244},"labels":[],"label_agreement":null},{"id":"W1876039949","doi":"","title":"Characters, Settings and Theme in Wuthering Heights","year":2015,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Greatness; Theme (computing); Relation (database); Literature; History; Aesthetics; Sociology; Philosophy; Art; Computer science; World Wide Web; Data mining","score_opus":0.03040931071241053,"score_gpt":0.22046016473421742,"score_spread":0.19005085402180688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1876039949","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20737393,0.005098746,0.010473344,0.045646597,0.0020710866,0.000071050454,0.00004558487,0.00013947453,0.72908026],"genre_scores_gemma":[0.96023786,0.0006005691,0.000981896,0.0010608076,0.0001340683,0.000026304113,0.000007518624,0.00008578611,0.03686524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659437,0.0017586303,0.00004587821,0.00028167645,0.00065033906,0.00066907436],"domain_scores_gemma":[0.99891865,0.00059314456,0.000103298524,0.00008995056,0.00011862924,0.0001764825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002635573,0.00046701034,0.00031588742,0.0014654652,0.015709503,0.008608411,0.0009345212,0.0020123033,0.0038124055],"category_scores_gemma":[0.004509317,0.00037307685,0.0002073397,0.0012185305,0.038054865,0.0066089598,0.006147833,0.0053961817,0.00039802387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001916221,0.000009831563,0.000291438,0.000021558957,0.0000021034043,0.00021452892,0.15961127,0.00006063578,0.00023111208,0.8293782,0.0054665604,0.0046936255],"study_design_scores_gemma":[0.000016139005,0.000046539084,0.001163818,0.0002425858,0.000010560826,0.0004333725,0.1735365,0.00025961996,0.000885744,0.17683685,0.64651597,0.00005231223],"about_ca_topic_score_codex":0.01624223,"about_ca_topic_score_gemma":0.032083984,"teacher_disagreement_score":0.01624223,"about_ca_system_score_codex":0.007178499,"about_ca_system_score_gemma":0.0031871279,"threshold_uncertainty_score":0.05208391},"labels":[],"label_agreement":null},{"id":"W1894591312","doi":"10.25071/1718-4657.36704","title":"CULTIVATED TRAGEDY: ART, AESTHETICS, AND TERRORISM IN DON DELILLO’S FALLING MAN","year":2010,"lang":"en","type":"article","venue":"Intersections conference journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Cruelty; Terrorism; Tragedy (event); Art; The arts; Visual arts; Rapture; History; Aesthetics; Art history; Literature; Sociology; Criminology","score_opus":0.02548277390063186,"score_gpt":0.24179728627146813,"score_spread":0.21631451237083626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1894591312","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1557064,0.015284545,0.0030377836,0.1237266,0.005019415,0.000076389784,0.00007107502,0.00015100143,0.6969268],"genre_scores_gemma":[0.8737638,0.0018814162,0.00078949943,0.0136885205,0.00066802104,0.000047360227,0.000023033199,0.00015197301,0.108986355],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969592,0.0018905358,0.000032892967,0.00017967234,0.0004593286,0.00047833956],"domain_scores_gemma":[0.9990049,0.00049276947,0.00007703435,0.00008065012,0.00011450631,0.0002300821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002125751,0.0008366805,0.00032028087,0.0014795173,0.01943489,0.012102768,0.0012817712,0.003518821,0.0075878804],"category_scores_gemma":[0.00323183,0.00028391505,0.0003586154,0.00079021003,0.030728057,0.003956392,0.007448136,0.005901922,0.00064094464],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101140315,0.00009443584,0.0009900047,0.00011588532,0.000009168966,0.0015802145,0.501045,0.0001577198,0.0003900977,0.34291187,0.12420889,0.0283957],"study_design_scores_gemma":[0.000015859681,0.00003769781,0.00053745694,0.00019570177,0.0000047841854,0.0010915467,0.28543362,0.000108009284,0.0001911605,0.019194419,0.69316274,0.000027047372],"about_ca_topic_score_codex":0.027418451,"about_ca_topic_score_gemma":0.07133421,"teacher_disagreement_score":0.027418451,"about_ca_system_score_codex":0.00872514,"about_ca_system_score_gemma":0.0017122298,"threshold_uncertainty_score":0.06330562},"labels":[],"label_agreement":null},{"id":"W1896507665","doi":"","title":"From Hell or From Nowhere? Non-places in Douglas Coupland’s Novels","year":2015,"lang":"en","type":"article","venue":"VBN Forskningsportal (Aalborg Universitet)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.03999589545739433,"score_gpt":0.22037640452957868,"score_spread":0.18038050907218436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1896507665","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51695806,0.013245349,0.0022763025,0.034861162,0.0015063745,0.000044558696,0.00019706001,0.000076506134,0.43083453],"genre_scores_gemma":[0.9437601,0.0023450274,0.00048039007,0.00097081816,0.00023191277,0.000035615238,0.000044626002,0.00009109348,0.052040454],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832255,0.0010286402,0.000037584476,0.00015447698,0.00022284965,0.00023379669],"domain_scores_gemma":[0.9989159,0.00048751957,0.00020506645,0.00004042394,0.000077660574,0.0002734119],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011115412,0.0005734764,0.00029797692,0.00090798084,0.012437301,0.0076431218,0.0007607768,0.0012929406,0.0043718987],"category_scores_gemma":[0.0026396762,0.00027853454,0.00018860062,0.0009516544,0.009917724,0.0041861343,0.003747355,0.0024143346,0.00058617565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013401665,0.00005080149,0.0011837863,0.00015980956,0.000009078624,0.0025943385,0.73201823,0.000098288714,0.0012496284,0.22996195,0.02347888,0.00906133],"study_design_scores_gemma":[0.0000122139945,0.000047630107,0.003016572,0.00031209615,0.000010461092,0.0015016637,0.35211077,0.00006826102,0.00050800893,0.008621702,0.6337569,0.000033841967],"about_ca_topic_score_codex":0.0295307,"about_ca_topic_score_gemma":0.08386571,"teacher_disagreement_score":0.0295307,"about_ca_system_score_codex":0.006161232,"about_ca_system_score_gemma":0.0016009657,"threshold_uncertainty_score":0.05871761},"labels":[],"label_agreement":null},{"id":"W1927748542","doi":"","title":"Anne Frank in the World. Compiled by the Anne Frank House. New York: Alfred A Knopf, 2001.","year":2006,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; History; Law and economics; Environmental ethics; Philosophy; Sociology","score_opus":0.02498082883975791,"score_gpt":0.2481932358654202,"score_spread":0.22321240702566228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1927748542","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012975398,0.6915097,0.0004790429,0.051355183,0.018868329,0.00005038017,0.0052061914,0.00018316165,0.23105034],"genre_scores_gemma":[0.01422542,0.19351803,0.0007930848,0.006715468,0.0026045798,0.00009219667,0.00208875,0.00031632456,0.77964604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937195,0.00011897874,0.000059464106,0.00007706713,0.00028460682,0.00008797491],"domain_scores_gemma":[0.9990995,0.0001888319,0.00010261415,0.00004959645,0.00044429195,0.0001151899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007748204,0.0011851324,0.0007111365,0.0037400634,0.003229912,0.0036297387,0.0007097418,0.0023750612,0.06268759],"category_scores_gemma":[0.0025891622,0.00083045685,0.00027056635,0.0058057266,0.00086927915,0.0055767614,0.0016251612,0.0020347568,0.028738182],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007801236,0.0000040357577,0.00010455344,0.000113057526,0.0000012160423,0.000028522896,0.00032517448,0.000022323768,0.00001718197,0.0038595416,0.96909493,0.026421553],"study_design_scores_gemma":[7.3723095e-7,0.0000013992934,0.00047515216,0.0002523147,9.549325e-7,0.000029549976,0.0003683653,0.0000053562494,0.000015722802,0.00053937896,0.9983083,0.000002779077],"about_ca_topic_score_codex":0.05890838,"about_ca_topic_score_gemma":0.14530502,"teacher_disagreement_score":0.06268759,"about_ca_system_score_codex":0.0026626987,"about_ca_system_score_gemma":0.0035238739,"threshold_uncertainty_score":0.2097109},"labels":[],"label_agreement":null},{"id":"W1947979371","doi":"10.20361/g2wc75","title":"Dead Time by C. Conlin / Shelter by J. S. Lee","year":2011,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Novella; Surprise; Witness; Macabre; Art; Art history; Literature; Psychoanalysis; Sociology; Psychology; Law; Political science","score_opus":0.011526516207315762,"score_gpt":0.2123601384349982,"score_spread":0.20083362222768245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1947979371","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018666056,0.26360607,0.0019320842,0.08062817,0.03905182,0.00009924369,0.0013462054,0.0013913334,0.61007845],"genre_scores_gemma":[0.0059499554,0.028773444,0.0005974009,0.0064090234,0.0016881091,0.00004697201,0.00026159987,0.0005285869,0.955745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996687,0.00005221746,0.000015708323,0.000087155386,0.0001345998,0.00004166372],"domain_scores_gemma":[0.99939144,0.00010047466,0.000046093664,0.000039019105,0.00023057254,0.00019239148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005094869,0.0012985719,0.00039514928,0.0009712517,0.0027698274,0.0035291775,0.00082853186,0.0018929034,0.23338605],"category_scores_gemma":[0.0015973693,0.00065236684,0.00020476505,0.0008461439,0.0009547417,0.004420995,0.0026159573,0.0029390096,0.12989873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006422901,0.00000343903,0.000033720997,0.000048998536,6.340022e-7,0.00003657379,0.0002754755,0.00000651051,0.00007477229,0.001155774,0.9787637,0.019593976],"study_design_scores_gemma":[8.318308e-7,0.0000022495167,0.00009919745,0.00007369542,6.269487e-7,0.0000616671,0.00033012536,0.0000062093914,0.00004301979,0.00013539664,0.9992449,0.0000021646329],"about_ca_topic_score_codex":0.019325407,"about_ca_topic_score_gemma":0.05496303,"teacher_disagreement_score":0.23338605,"about_ca_system_score_codex":0.0017475954,"about_ca_system_score_gemma":0.0016457238,"threshold_uncertainty_score":0.78075415},"labels":[],"label_agreement":null},{"id":"W1949804687","doi":"10.3138/cras.2014.013","title":"White Rain: 9/11 and American Fiction","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Symbol (formal); White (mutation); Event (particle physics); History; Aesthetics; Literature; Variety (cybernetics); Tragedy (event); Construct (python library); Phrase; Face (sociological concept); FLAGS register; Art; Philosophy; Linguistics; Computer science","score_opus":0.05230813930967464,"score_gpt":0.28248218842160444,"score_spread":0.2301740491119298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1949804687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35585922,0.060834173,0.0009485643,0.10280798,0.00618642,0.000049276056,0.000103042796,0.000060517126,0.47315082],"genre_scores_gemma":[0.9651221,0.011292257,0.0001455964,0.0056080995,0.0011875046,0.000018597028,0.0000296151,0.000034441044,0.016561622],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701947,0.0018716651,0.000076530916,0.00020395288,0.0004797436,0.00034858982],"domain_scores_gemma":[0.99296814,0.0051632593,0.0006380777,0.00028787993,0.0006301107,0.00031263588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048380163,0.00036197618,0.00039091232,0.0021652952,0.011609218,0.009512488,0.00090067706,0.0022471242,0.005864218],"category_scores_gemma":[0.007048431,0.00019315626,0.0001783218,0.0031374684,0.0236078,0.0040267673,0.003678881,0.004464695,0.000463309],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007015892,0.000063093525,0.0022207068,0.00046156533,0.000015786683,0.0010789686,0.7117182,0.00005873682,0.00033743973,0.20531107,0.04891924,0.029745001],"study_design_scores_gemma":[0.000007977707,0.000029690518,0.0055360985,0.0011322676,0.000015254375,0.00044154676,0.28713137,0.000054382937,0.00044816535,0.0070129596,0.69816834,0.000021912176],"about_ca_topic_score_codex":0.014992261,"about_ca_topic_score_gemma":0.02902964,"teacher_disagreement_score":0.014992261,"about_ca_system_score_codex":0.0064021074,"about_ca_system_score_gemma":0.0035084714,"threshold_uncertainty_score":0.046450734},"labels":[],"label_agreement":null},{"id":"W195630120","doi":"","title":"'Loving the hero home on leave?': Elaine Morgan's TV adaption of Testament of Youth","year":2000,"lang":"en","type":"book-chapter","venue":"Anglia Ruskin Research Online (Anglia Ruskin University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HERO; Sociology; Psychology; Art; Advertising; Literature; Business","score_opus":0.09184543539061224,"score_gpt":0.26223997979797775,"score_spread":0.1703945444073655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W195630120","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11878982,0.03709685,0.0016743848,0.16134654,0.01054006,0.000057004072,0.00007865474,0.00016168962,0.67025495],"genre_scores_gemma":[0.7259032,0.008186376,0.0003965771,0.01905947,0.0015345481,0.0000518975,0.00002237181,0.00025569435,0.24458995],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999008,0.0006385176,0.000009714009,0.000063159016,0.0001451848,0.00013542445],"domain_scores_gemma":[0.99916685,0.00047486127,0.00005690263,0.000034748966,0.000101119906,0.0001655199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011888059,0.00045647775,0.00027508338,0.0005356079,0.0103894025,0.005653597,0.00078261766,0.0016074,0.0031831297],"category_scores_gemma":[0.002895426,0.0002007904,0.000114855364,0.00047837157,0.008910849,0.0033195966,0.003123433,0.0046069627,0.0005653598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031636297,0.000036122998,0.00054950797,0.0000893324,0.0000059423287,0.0010238569,0.52735394,0.00006778445,0.00022542836,0.1319513,0.31676045,0.021904662],"study_design_scores_gemma":[0.000004705856,0.000016952194,0.0008897915,0.00026303754,0.0000040324703,0.0003882782,0.23188047,0.000050133698,0.0001930858,0.0053519825,0.7609485,0.000009052878],"about_ca_topic_score_codex":0.020242617,"about_ca_topic_score_gemma":0.051238693,"teacher_disagreement_score":0.020242617,"about_ca_system_score_codex":0.0032848152,"about_ca_system_score_gemma":0.0014214314,"threshold_uncertainty_score":0.040249586},"labels":[],"label_agreement":null},{"id":"W1965057524","doi":"10.3828/jlcds.1.1.3","title":"Icarus, Gods, and the 'Lesson' of Disability","year":2007,"lang":"en","type":"article","venue":"Journal of Literary & Cultural Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Narrative; Theme (computing); Poetry; Presentation (obstetrics); Context (archaeology); Ideal (ethics); Literature; Focus (optics); Art; Aesthetics; History; Philosophy; Epistemology; Computer science; Medicine","score_opus":0.052582342614495736,"score_gpt":0.319443533811039,"score_spread":0.2668611911965433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965057524","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04703175,0.014983666,0.0015975755,0.07661205,0.0022187228,0.000015370848,0.000022312535,0.00005987715,0.8574587],"genre_scores_gemma":[0.91146797,0.005451007,0.000648378,0.0054609138,0.0009312749,0.000028648457,0.000017008131,0.00004831148,0.07594642],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99839145,0.00095572823,0.000028905735,0.000097838805,0.00024815416,0.00027788978],"domain_scores_gemma":[0.99845874,0.00079572137,0.00015798067,0.0001780551,0.00016112914,0.0002484058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021983322,0.0003733268,0.00037530207,0.0011843329,0.009873938,0.0073999767,0.00060534687,0.002069557,0.0035468217],"category_scores_gemma":[0.0045487923,0.00012181652,0.0001997836,0.0008583934,0.0447462,0.004297249,0.00488759,0.0051694866,0.0005048032],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001672413,0.000010648291,0.00024689466,0.00003288273,0.0000014881482,0.00020125623,0.074557476,0.00003472784,0.000054819007,0.8991763,0.017838607,0.00782822],"study_design_scores_gemma":[0.000013182397,0.000022591828,0.0007543178,0.00031783126,0.0000059301788,0.00051160256,0.0678291,0.0000817578,0.00018999849,0.15474044,0.7755186,0.000014689571],"about_ca_topic_score_codex":0.0063513983,"about_ca_topic_score_gemma":0.010174666,"teacher_disagreement_score":0.009873938,"about_ca_system_score_codex":0.0032810674,"about_ca_system_score_gemma":0.0029446362,"threshold_uncertainty_score":0.023805976},"labels":[],"label_agreement":null},{"id":"W1967420633","doi":"10.7202/1012255ar","title":"'[B]eyond that small circle all is foreign to us': Spatial and Social Cohesion in Sarah Scott's Millenium Hall","year":2003,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Cohesion (chemistry); Humanities; Sociology; Physics; Philosophy; Quantum mechanics","score_opus":0.037844738493021245,"score_gpt":0.22928958410462302,"score_spread":0.19144484561160177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967420633","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0694517,0.022886937,0.0007723818,0.6981131,0.0041987724,0.00004273812,0.00008012771,0.000033629713,0.20442058],"genre_scores_gemma":[0.7929407,0.005490606,0.0004891088,0.08098008,0.0012135085,0.00008347499,0.000033965352,0.00006741347,0.11870115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969572,0.0014133292,0.00007366399,0.0002789656,0.00068960915,0.000587144],"domain_scores_gemma":[0.99783534,0.0008802779,0.00031407483,0.000096851014,0.0004061358,0.00046735647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035315375,0.00035362094,0.00042421665,0.0006923461,0.024581969,0.0077686734,0.0013182643,0.0049082814,0.0065545673],"category_scores_gemma":[0.0053505446,0.0002787428,0.00027282827,0.0012111817,0.026542164,0.0056570806,0.007130301,0.0068877395,0.0006557435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066350105,0.000034056433,0.001406876,0.00017772202,0.000011259178,0.00032979838,0.32291424,0.000033047654,0.00034742567,0.33008477,0.3237718,0.020822708],"study_design_scores_gemma":[0.000023710918,0.000035216948,0.0054349033,0.0003371959,0.000014270054,0.00016451861,0.20869343,0.000031867057,0.0003166806,0.022876818,0.7620302,0.000041167048],"about_ca_topic_score_codex":0.14377749,"about_ca_topic_score_gemma":0.31444198,"teacher_disagreement_score":0.14377749,"about_ca_system_score_codex":0.00903773,"about_ca_system_score_gemma":0.007829882,"threshold_uncertainty_score":0.28588122},"labels":[],"label_agreement":null},{"id":"W1969157528","doi":"10.5539/ass.v7n1p71","title":"The Causes of Tess’s Tragedy","year":2010,"lang":"de","type":"article","venue":"Asian Social Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Misfortune; Peasant; Industrialisation; Girl; Sociology; Literature; Philosophy; History; Aesthetics; Law; Political science; Psychology; Art","score_opus":0.01620466682956326,"score_gpt":0.2566828321078565,"score_spread":0.24047816527829322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969157528","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30419287,0.012473219,0.001593951,0.14003234,0.0027805706,0.000030190293,0.00015765343,0.00017275456,0.53856635],"genre_scores_gemma":[0.9601075,0.0014261905,0.00014290721,0.0036644952,0.00032155716,0.000008978673,0.000020037041,0.00006164443,0.03424676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970035,0.0015456004,0.00006714726,0.00025897665,0.00048579797,0.0006390342],"domain_scores_gemma":[0.99675816,0.0012738483,0.00040503012,0.0003038327,0.00074704963,0.00051210274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027813206,0.00038697978,0.00035630984,0.0017206209,0.018666567,0.00637496,0.00087792904,0.0033584118,0.006727264],"category_scores_gemma":[0.0060907397,0.0002601996,0.00031021453,0.0014188044,0.025620962,0.0030920368,0.0047420505,0.0057885554,0.0006026869],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005977426,0.000016113268,0.002364074,0.00014308897,0.000018721938,0.0026307136,0.37078893,0.00023923456,0.00040264428,0.5273995,0.07916569,0.016771568],"study_design_scores_gemma":[0.000010436931,0.00003368225,0.002943674,0.00044785655,0.000012537103,0.0021293594,0.2653384,0.00018630123,0.00058071216,0.03992318,0.6883504,0.000043489952],"about_ca_topic_score_codex":0.03842356,"about_ca_topic_score_gemma":0.053066388,"teacher_disagreement_score":0.03842356,"about_ca_system_score_codex":0.009326287,"about_ca_system_score_gemma":0.003967315,"threshold_uncertainty_score":0.07639986},"labels":[],"label_agreement":null},{"id":"W1970367992","doi":"10.3138/md.45.2.231","title":"Ideology as Behaviour: Identity and Realism in <i>The Drawer Boy</i>","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Subjectivity; Postmodernism; Metaphor; Identity (music); Ideology; Aesthetics; Realism; Politics; Psychoanalysis; Sociology; Action (physics); Gender studies; Literature; Philosophy; Epistemology; Psychology; Art; Law; Political science; Theology","score_opus":0.03374424032382029,"score_gpt":0.2478455512617106,"score_spread":0.2141013109378903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970367992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18143022,0.004848059,0.01083337,0.042026524,0.00049116043,0.000053090524,0.000038019636,0.000049362126,0.7602301],"genre_scores_gemma":[0.9869583,0.0005029379,0.0006322954,0.0009774815,0.00008118047,0.000034219134,0.0000067929964,0.000019727719,0.010787053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993083,0.005502884,0.000059589485,0.00030520625,0.0005279877,0.000521297],"domain_scores_gemma":[0.9984086,0.0009451727,0.00020087726,0.00011147083,0.00012691093,0.00020694113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037528493,0.00043387854,0.00030972576,0.0015486011,0.013313529,0.014289125,0.0012679066,0.004027917,0.0024367245],"category_scores_gemma":[0.0032621906,0.00026821037,0.0002475775,0.0008714371,0.07663439,0.0050400887,0.0054225777,0.004682558,0.00035641994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009734119,0.000010648102,0.0002963876,0.000017302544,0.000001950016,0.000095535346,0.1981948,0.000072916904,0.00010453394,0.7988143,0.001006366,0.0013754934],"study_design_scores_gemma":[0.00004993168,0.00007996406,0.002034869,0.0003565958,0.000016408301,0.00040576927,0.34446487,0.0011490323,0.00053447654,0.43556306,0.21530247,0.000042692456],"about_ca_topic_score_codex":0.017476333,"about_ca_topic_score_gemma":0.011368062,"teacher_disagreement_score":0.017476333,"about_ca_system_score_codex":0.007504356,"about_ca_system_score_gemma":0.0032840427,"threshold_uncertainty_score":0.054448187},"labels":[],"label_agreement":null},{"id":"W1973963151","doi":"10.1353/mos.2014.0010","title":"The “Dark Power of Destiny” in George Orwell’s Nineteen Eighty-Four","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Destiny (ISS module); Narrative; Patriarchy; Power (physics); Psychoanalysis; Literature; Art; Art history; Sociology; Psychology; Gender studies","score_opus":0.014207264429887047,"score_gpt":0.19880366477663386,"score_spread":0.18459640034674682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973963151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5593753,0.002780793,0.0022728501,0.030799113,0.0004164742,0.000039200902,0.00003392148,0.000053907155,0.40422848],"genre_scores_gemma":[0.96779466,0.00035649427,0.00021417631,0.00084167963,0.000022593465,0.00001540542,0.0000057275947,0.000024071476,0.030725159],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986355,0.00068422995,0.000022841194,0.00009326564,0.00019399099,0.00037016787],"domain_scores_gemma":[0.9993394,0.0003094635,0.00008894777,0.000040660663,0.0000700164,0.00015138606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014258709,0.00034142457,0.00029496555,0.0006743174,0.013276268,0.00403325,0.0006975028,0.001339651,0.002976835],"category_scores_gemma":[0.0025979858,0.00021725132,0.00010733565,0.00057938637,0.029223468,0.0026029835,0.005209121,0.004220565,0.00034585575],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000467411,0.00002080507,0.00053931057,0.000034131455,0.0000017212784,0.0007448844,0.44721833,0.00006949283,0.00046069603,0.53680813,0.007112643,0.006943206],"study_design_scores_gemma":[0.0000146802395,0.000053441414,0.001893924,0.0002025474,0.0000060099414,0.0007336212,0.40754792,0.0000906344,0.00061658287,0.057757277,0.5310459,0.000037484802],"about_ca_topic_score_codex":0.016259292,"about_ca_topic_score_gemma":0.035766188,"teacher_disagreement_score":0.016259292,"about_ca_system_score_codex":0.004608111,"about_ca_system_score_gemma":0.0026757163,"threshold_uncertainty_score":0.03343433},"labels":[],"label_agreement":null},{"id":"W1975874518","doi":"10.1503/cmaj.061672","title":"Consumed by circumstances","year":2007,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Consumption (sociology); Statement (logic); Computer science; Art; Law; Political science; Aesthetics","score_opus":0.008919211177084486,"score_gpt":0.2123042571756405,"score_spread":0.203385045998556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975874518","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021090917,0.0063614273,0.00040885498,0.010437083,0.0011144121,0.000022470816,0.00028343362,0.00008721703,0.9791759],"genre_scores_gemma":[0.0388919,0.0086353365,0.0004027546,0.004337554,0.00029490207,0.000025683294,0.00026855187,0.00023319243,0.9469101],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894243,0.00016149294,0.000024189345,0.0001358358,0.00053154025,0.00020445579],"domain_scores_gemma":[0.9994338,0.000058460962,0.00004143361,0.00008069228,0.00025819437,0.0001273655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051908393,0.00049347256,0.0003382842,0.000889723,0.006241469,0.010848239,0.0006272906,0.0012606719,0.11155868],"category_scores_gemma":[0.0023887462,0.00032294285,0.00024625822,0.00224597,0.0049060644,0.0044783605,0.0032851761,0.0020047515,0.026200924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002994677,0.000014997187,0.0009697653,0.000117344,0.00000791039,0.00025287672,0.009369565,0.000057349036,0.00024396792,0.17030042,0.74330354,0.07533229],"study_design_scores_gemma":[6.4744285e-7,0.0000011999829,0.0004558409,0.00009112132,0.0000010627184,0.00004718165,0.0031041524,0.000005897776,0.000026474507,0.002751643,0.99351174,0.0000029710852],"about_ca_topic_score_codex":0.22193451,"about_ca_topic_score_gemma":0.3548167,"teacher_disagreement_score":0.22193451,"about_ca_system_score_codex":0.009065805,"about_ca_system_score_gemma":0.008054989,"threshold_uncertainty_score":0.44128537},"labels":[],"label_agreement":null},{"id":"W1977403457","doi":"10.1068/a33189","title":"Having Arrived, Time to Move on: Coupland's Brentwood as an Experiment with Space and Time","year":2001,"lang":"en","type":"article","venue":"Environment and Planning A Economy and Space","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symbol (formal); Utopia; Sociology; Dystopia; Viewpoints; Aesthetics; Representation (politics); Reading (process); Media studies; History; Politics; Law; Linguistics; Art history; Political science; Visual arts; Art; Philosophy","score_opus":0.009857618181617775,"score_gpt":0.1874561021153651,"score_spread":0.17759848393374733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977403457","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084972925,0.015929054,0.0045868247,0.16569746,0.004291809,0.000065219596,0.00010537184,0.00012112688,0.7242302],"genre_scores_gemma":[0.8239997,0.004048195,0.001456457,0.009830499,0.00048016803,0.000090746515,0.000031841413,0.00018913503,0.15987335],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99770194,0.0012620102,0.000028943157,0.00027546586,0.00048994506,0.00024183386],"domain_scores_gemma":[0.99820995,0.00091874227,0.000092284004,0.00007833484,0.00030546729,0.0003952313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018757835,0.0005228686,0.00030485212,0.00088625745,0.02560381,0.010995682,0.0013230565,0.0025424808,0.0041932645],"category_scores_gemma":[0.0047827833,0.00028808138,0.0001934447,0.0010910331,0.031361766,0.0058372016,0.004619163,0.006297874,0.00041334704],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036742433,0.000023035998,0.00039673108,0.000052854935,0.0000024383232,0.00048292597,0.4708312,0.00008400615,0.00034282304,0.43789297,0.081122965,0.008731393],"study_design_scores_gemma":[0.000011339499,0.000022288512,0.00053121976,0.00017617874,0.0000053014733,0.00017580345,0.18984964,0.000090484464,0.00026526573,0.020605722,0.7882351,0.000031689968],"about_ca_topic_score_codex":0.41837135,"about_ca_topic_score_gemma":0.6237289,"teacher_disagreement_score":0.41837135,"about_ca_system_score_codex":0.019304972,"about_ca_system_score_gemma":0.011061489,"threshold_uncertainty_score":0.83187234},"labels":[],"label_agreement":null},{"id":"W1982291462","doi":"10.1111/russ.10697","title":"Andrei Bitov's <i>Pushkin House</i>: A Critical Analysis of the Late Soviet Hero","year":2013,"lang":"en","type":"article","venue":"The Russian Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Discovery Centre","funders":"","keywords":"HERO; Narrative; Period (music); Order (exchange); Literature; Art; Art history; History; Aesthetics","score_opus":0.02214661370045451,"score_gpt":0.24712867539627192,"score_spread":0.22498206169581741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1982291462","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22396342,0.19319913,0.008990181,0.032285895,0.0027667023,0.0000712618,0.00010934717,0.00007078983,0.5385433],"genre_scores_gemma":[0.95376515,0.022283604,0.00050415343,0.0010963,0.00032912346,0.00003411519,0.000021648357,0.000034368328,0.02193137],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991829,0.0005631388,0.000017831451,0.000054251464,0.00009979779,0.000082062936],"domain_scores_gemma":[0.9995486,0.00030174913,0.00006236906,0.000015192525,0.00004930525,0.00002282202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093104364,0.00037318337,0.0003598145,0.0013648141,0.0041328277,0.0052287574,0.0003601874,0.0010815674,0.0016499261],"category_scores_gemma":[0.0014795694,0.00018681212,0.00014328951,0.0011820039,0.007248974,0.002886136,0.001632862,0.0016805849,0.0003451749],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098641765,0.000017962235,0.001127461,0.0005357388,0.000017945371,0.00063476496,0.10872384,0.00021902964,0.0005885483,0.85240847,0.015915764,0.019711766],"study_design_scores_gemma":[0.000018489773,0.00007355928,0.0036145663,0.0013809402,0.000029571747,0.0009871167,0.0767188,0.00028467432,0.0016645775,0.06634851,0.84885806,0.000021037935],"about_ca_topic_score_codex":0.0031447771,"about_ca_topic_score_gemma":0.004786841,"teacher_disagreement_score":0.0052287574,"about_ca_system_score_codex":0.0033132932,"about_ca_system_score_gemma":0.0015277738,"threshold_uncertainty_score":0.024039686},"labels":[],"label_agreement":null},{"id":"W1987573063","doi":"10.1353/jnt.2006.0001","title":"Playing at Birth: Samuel R. Delany's Dhalgren","year":2005,"lang":"en","type":"article","venue":"Journal of Narrative Theory","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Luck; Context (archaeology); Reading (process); History; Quarter (Canadian coin); Literature; Art; Art history; Aesthetics; Law; Philosophy; Political science; Archaeology; Epistemology","score_opus":0.025312870486559464,"score_gpt":0.24389871530348192,"score_spread":0.21858584481692245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987573063","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09821654,0.03788217,0.003096459,0.3073088,0.009833383,0.00013352436,0.000099529585,0.00013918168,0.5432904],"genre_scores_gemma":[0.6635495,0.007839671,0.0013404315,0.038846213,0.00097452267,0.00012078825,0.000040572555,0.0001884058,0.28709984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968876,0.002242861,0.00005249902,0.000294575,0.00026821432,0.00025414882],"domain_scores_gemma":[0.9982686,0.0010329082,0.00011778169,0.00010233666,0.00021309496,0.00026523636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002801978,0.00064547174,0.000568906,0.00068152667,0.014794759,0.008374673,0.0014933691,0.0032062272,0.0048187836],"category_scores_gemma":[0.0048928154,0.0003208279,0.00017746555,0.00041420554,0.016197909,0.0056730895,0.005315724,0.009629732,0.0014519992],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005422616,0.000055204415,0.00043021195,0.00018887877,0.000006146782,0.0014151325,0.39001846,0.000068555935,0.00046750886,0.49111727,0.09731478,0.018863577],"study_design_scores_gemma":[0.000006965817,0.000032552918,0.0002312191,0.00029452067,0.0000044735443,0.00060890475,0.11299847,0.00007191959,0.00047361458,0.019500334,0.86575806,0.000019040172],"about_ca_topic_score_codex":0.014470215,"about_ca_topic_score_gemma":0.040771496,"teacher_disagreement_score":0.014794759,"about_ca_system_score_codex":0.007891473,"about_ca_system_score_gemma":0.0028843526,"threshold_uncertainty_score":0.057256937},"labels":[],"label_agreement":null},{"id":"W1987578293","doi":"10.7202/1015485ar","title":"(De)Radicalism: Rootlessness and the Subversive Power of Money in Godwin’s Caleb Williams and St. Leon","year":2013,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Political radicalism; Power (physics); Literature; Art; Political science; Law; Politics; Physics","score_opus":0.011124212072167964,"score_gpt":0.20352614913635256,"score_spread":0.1924019370641846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987578293","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19101085,0.014175625,0.0036101528,0.09580969,0.0022115626,0.00005056307,0.000024166535,0.00006864521,0.6930387],"genre_scores_gemma":[0.9222951,0.0011237614,0.0006502515,0.004823941,0.00034167786,0.000034945726,0.000005298231,0.00004322536,0.07068177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990108,0.00048630094,0.000016218628,0.00013170853,0.0001771874,0.00017781372],"domain_scores_gemma":[0.99927086,0.00035680944,0.0000766372,0.00008713483,0.00009587501,0.00011272795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015530644,0.0003403062,0.0002568705,0.0005570862,0.0070876847,0.0052602612,0.00071332516,0.0018353349,0.0018714534],"category_scores_gemma":[0.0035572925,0.00022590195,0.00015783217,0.00026349016,0.029597221,0.0027274198,0.0029456278,0.0046761506,0.00020181017],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018030127,0.000008683087,0.00016363172,0.00001987838,0.0000030506499,0.00020964452,0.030295432,0.000046009856,0.00014473246,0.95244783,0.011443561,0.005199714],"study_design_scores_gemma":[0.00003313783,0.0000463036,0.0010763493,0.00019448984,0.0000102423755,0.00046847068,0.018575443,0.00024864258,0.00062016194,0.4079216,0.5707763,0.000028913668],"about_ca_topic_score_codex":0.009833082,"about_ca_topic_score_gemma":0.016884342,"teacher_disagreement_score":0.009833082,"about_ca_system_score_codex":0.004125966,"about_ca_system_score_gemma":0.0015538046,"threshold_uncertainty_score":0.029936135},"labels":[],"label_agreement":null},{"id":"W1987880048","doi":"10.3828/extr.2002.43.1.08","title":"Inheriting Chaos: Burroughs, Pynchon, Sterling, Rucker","year":2002,"lang":"en","type":"article","venue":"Extrapolation","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"CHAOS (operating system); History; Computer science; Computer security","score_opus":0.06408020557213494,"score_gpt":0.2019398097214219,"score_spread":0.13785960414928694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987880048","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011964422,0.31651828,0.0045943544,0.5213745,0.0065931575,0.000024597235,0.00008545921,0.00008698599,0.1387582],"genre_scores_gemma":[0.5566443,0.23778811,0.004370326,0.077451155,0.017788928,0.00015219396,0.00010843772,0.00045635313,0.10524009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980227,0.0012129957,0.000057972968,0.00018686795,0.00039656987,0.00012304731],"domain_scores_gemma":[0.9926863,0.0050677173,0.0003932996,0.00044175776,0.0011341346,0.00027679765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004097325,0.0006593255,0.00073213415,0.0032019368,0.007176739,0.012584214,0.0012835634,0.005975618,0.010444475],"category_scores_gemma":[0.015261988,0.0003649213,0.0002568788,0.0047452785,0.019795222,0.015812505,0.0061508403,0.0064871386,0.0017689898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026116366,0.000024661906,0.00040152858,0.0002776754,0.000010254263,0.00008603879,0.03378245,0.00009392845,0.000032436543,0.7370288,0.1986809,0.029555198],"study_design_scores_gemma":[0.000018286135,0.000010706382,0.0009651379,0.0014902849,0.000019724343,0.00014317743,0.029998302,0.0001539093,0.00007993106,0.39809856,0.569007,0.0000150028545],"about_ca_topic_score_codex":0.008174097,"about_ca_topic_score_gemma":0.011175185,"teacher_disagreement_score":0.012584214,"about_ca_system_score_codex":0.0035392765,"about_ca_system_score_gemma":0.0047518364,"threshold_uncertainty_score":0.034940183},"labels":[],"label_agreement":null},{"id":"W1990811046","doi":"10.3828/extr.2008.49.2.8","title":"The Pervert's Guide to Geoff Ryman: Desire, Subjectivity and Identity in <i>Lust</i> and <i>Was</i>","year":2008,"lang":"en","type":"article","venue":"Extrapolation","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Lust; Subjectivity; Identity (music); Sociology; Psychoanalysis; Art; Philosophy; Aesthetics; Psychology; Epistemology","score_opus":0.023022836235319987,"score_gpt":0.2600796164944449,"score_spread":0.2370567802591249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990811046","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010180899,0.38347313,0.029640628,0.36583897,0.020909073,0.00022001304,0.00078568084,0.0007687277,0.19734566],"genre_scores_gemma":[0.03699472,0.24428697,0.023361802,0.121546514,0.012576876,0.0014418002,0.00072293007,0.0017197864,0.55734855],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964819,0.0024028085,0.00018329291,0.00019243477,0.0005703492,0.00016924058],"domain_scores_gemma":[0.99333006,0.00506279,0.00019949384,0.0002917171,0.00085328444,0.00026256804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041807806,0.0019483606,0.0014053348,0.004378868,0.005078244,0.0076243305,0.0031647242,0.008310436,0.017356835],"category_scores_gemma":[0.009563526,0.0013421994,0.0007199507,0.0042772377,0.014317805,0.013832313,0.004272243,0.012009013,0.011341486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011584835,0.000030355784,0.00008240218,0.0002603432,0.000004832895,0.00006518823,0.005988533,0.00007468965,0.0000652925,0.21775943,0.7454322,0.030225188],"study_design_scores_gemma":[0.000006979679,0.0000065321115,0.0001462882,0.0010672383,0.0000037982581,0.00011916297,0.003271009,0.00009291722,0.00009135192,0.066060334,0.92911834,0.000016006721],"about_ca_topic_score_codex":0.022588396,"about_ca_topic_score_gemma":0.04499304,"teacher_disagreement_score":0.022588396,"about_ca_system_score_codex":0.0034918464,"about_ca_system_score_gemma":0.0066562546,"threshold_uncertainty_score":0.0580644},"labels":[],"label_agreement":null},{"id":"W1991129017","doi":"10.1080/00111619.2013.783544","title":"Graham Swift's<i>Waterland</i>and the Ideology of Efficiency","year":2014,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Swift; Commodification; Ideology; Dialectic; Empire; Aesthetics; Sociology; History; Political science; Epistemology; Art; Economics; Economy; Philosophy; Archaeology; Law; Computer science","score_opus":0.06124670936024648,"score_gpt":0.30340075843106024,"score_spread":0.24215404907081375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991129017","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029707689,0.023587711,0.016808199,0.20375757,0.0014599864,0.000025621017,0.000050804614,0.000057203582,0.7245453],"genre_scores_gemma":[0.87300545,0.011442796,0.004414284,0.020119308,0.0013571632,0.000057918736,0.000027232181,0.00014588764,0.08942994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891543,0.0004980478,0.000021265821,0.00011944555,0.000312895,0.00013280241],"domain_scores_gemma":[0.9987423,0.00089208595,0.00010291688,0.00008098835,0.0001265805,0.000055229146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001295981,0.00038324995,0.00027981,0.0011233857,0.0040374105,0.004528277,0.0007011617,0.0028718398,0.0032063655],"category_scores_gemma":[0.0024943454,0.00017177126,0.00021988084,0.0013203532,0.02931029,0.006176223,0.0022635283,0.0044850875,0.00052487844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026678597,0.0000031675065,0.00004927619,0.000010674117,6.4628995e-7,0.000022832228,0.001888935,0.000050989358,0.000031795233,0.9883387,0.007450076,0.002150208],"study_design_scores_gemma":[0.0000066543403,0.000009933271,0.00035035715,0.00013539604,0.0000030817948,0.0000742784,0.0020885055,0.00019060916,0.00023825873,0.65951663,0.33737665,0.000009752764],"about_ca_topic_score_codex":0.007665153,"about_ca_topic_score_gemma":0.009691543,"teacher_disagreement_score":0.007665153,"about_ca_system_score_codex":0.006010611,"about_ca_system_score_gemma":0.0028457243,"threshold_uncertainty_score":0.043610215},"labels":[],"label_agreement":null},{"id":"W1993209048","doi":"10.1353/abr.2007.0060","title":"Rants &amp; Raves: letters to the editors","year":2007,"lang":"en","type":"article","venue":"American book review/The American book review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; Art history; History; Philosophy","score_opus":0.019261882862416698,"score_gpt":0.27835684614712525,"score_spread":0.25909496328470855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993209048","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009960606,0.19462128,0.00034017954,0.26721537,0.5299754,0.00016526789,0.00032772575,0.00025888553,0.0069962884],"genre_scores_gemma":[0.0018906691,0.20606528,0.00092301593,0.38034984,0.34655678,0.00075227243,0.0005988677,0.0003129748,0.062550336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9889783,0.002150373,0.0014283335,0.0010517291,0.005560605,0.00083059334],"domain_scores_gemma":[0.93358266,0.011087259,0.0049776635,0.0021653443,0.04087969,0.007307392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0168215,0.0019858398,0.00326904,0.0046835155,0.0024032646,0.01170033,0.0046982137,0.014578206,0.03774707],"category_scores_gemma":[0.059020095,0.0016861133,0.0023421615,0.0041813524,0.0026559012,0.009006462,0.003304374,0.012649772,0.043450568],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010138499,0.0000045011548,0.00001668732,0.00042031892,0.000009512012,0.000024194222,0.000013206738,0.000004822867,0.000021523569,0.000178826,0.99265504,0.006641202],"study_design_scores_gemma":[0.000015274885,0.000010520244,0.00014618783,0.0014886314,0.000017991368,0.00006823567,0.00003756588,0.000009979764,0.00002146107,0.00032303322,0.9978477,0.000013404597],"about_ca_topic_score_codex":0.0035390041,"about_ca_topic_score_gemma":0.0065803705,"teacher_disagreement_score":0.03774707,"about_ca_system_score_codex":0.004976682,"about_ca_system_score_gemma":0.013689601,"threshold_uncertainty_score":0.1262765},"labels":[],"label_agreement":null},{"id":"W1993373800","doi":"10.1353/mos.2014.0030","title":"David Foster Wallace and the Ethical Challenge of Posthumanism","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Posthumanism; Normative; Sociology; Environmental ethics; Psychoanalysis; Aesthetics; Philosophy; Epistemology; Psychology","score_opus":0.02005822281267585,"score_gpt":0.22383058442762016,"score_spread":0.2037723616149443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993373800","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06610764,0.040076647,0.0062112384,0.34389278,0.002951199,0.00003341322,0.00001966781,0.000045971097,0.5406615],"genre_scores_gemma":[0.93506664,0.006063965,0.0014035839,0.017059157,0.000907649,0.000041893883,0.0000070410642,0.000051743587,0.039398268],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951652,0.0035401837,0.000060055896,0.00025073622,0.0006820125,0.00030175704],"domain_scores_gemma":[0.99592304,0.003042307,0.00021875593,0.00020966967,0.0003744056,0.00023168401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044527887,0.00034454282,0.0002749599,0.0011750422,0.009430364,0.0064554075,0.00089515664,0.003944483,0.0018799548],"category_scores_gemma":[0.00671057,0.00026017032,0.00015509236,0.00076629827,0.037724372,0.004195973,0.003829881,0.0058539277,0.00030883146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008892355,0.000007145746,0.00010215803,0.000031123152,0.000002806961,0.000094426956,0.013509208,0.00010422896,0.00008061913,0.96606344,0.01661748,0.0033785533],"study_design_scores_gemma":[0.000014521466,0.000022816732,0.00028408735,0.00032615286,0.0000054244956,0.00033332867,0.019505646,0.0002523289,0.0003566126,0.4825471,0.49633238,0.000019542447],"about_ca_topic_score_codex":0.0044736816,"about_ca_topic_score_gemma":0.0066311136,"teacher_disagreement_score":0.009430364,"about_ca_system_score_codex":0.0050655105,"about_ca_system_score_gemma":0.0024196336,"threshold_uncertainty_score":0.03675306},"labels":[],"label_agreement":null},{"id":"W1994683312","doi":"10.3138/cras.2013.021","title":"Author, Father, President: Paul Auster’s Figures of Invisibility","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deconstruction (building); Solitude; Invisibility; Context (archaeology); Politics; Topos theory; Plot (graphics); George (robot); Literature; The Symbolic; Sociology; Aesthetics; Philosophy; Art; Art history; Psychoanalysis; History; Law; Political science; Psychology","score_opus":0.05130990961610962,"score_gpt":0.30077023831102223,"score_spread":0.2494603286949126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994683312","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009362641,0.09348103,0.0008285241,0.7140756,0.0466411,0.000023309045,0.000059761816,0.00007060417,0.13545734],"genre_scores_gemma":[0.45344347,0.087537475,0.00116223,0.16357096,0.027913122,0.000067867484,0.00005229993,0.0003451203,0.2659075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977627,0.0010826433,0.000056681452,0.00025442507,0.0007135078,0.0001299802],"domain_scores_gemma":[0.99491584,0.002697091,0.00036792314,0.00011571708,0.001299567,0.0006038651],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029659744,0.00033901693,0.00035524284,0.001149051,0.00787446,0.005904124,0.000653524,0.001925235,0.005243523],"category_scores_gemma":[0.009104431,0.0002520115,0.00010767764,0.0008719687,0.0061607556,0.0041524936,0.0013922156,0.008145432,0.0013983573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018633506,0.000014923714,0.00032689984,0.00014632908,0.000005370258,0.0003287822,0.02840253,0.000035988887,0.00016865408,0.06374701,0.891592,0.015212815],"study_design_scores_gemma":[0.0000025506272,0.0000065707777,0.0005500137,0.00028535884,0.000003528816,0.00038094065,0.008822028,0.0000265357,0.00010178335,0.0020882536,0.9877242,0.000008281199],"about_ca_topic_score_codex":0.015895886,"about_ca_topic_score_gemma":0.030394843,"teacher_disagreement_score":0.015895886,"about_ca_system_score_codex":0.004314389,"about_ca_system_score_gemma":0.003989124,"threshold_uncertainty_score":0.031606674},"labels":[],"label_agreement":null},{"id":"W1994928906","doi":"10.1353/mdr.2007.0051","title":"Harold Pinter's Politics: A Silence beyond Echo (review)","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Politics; Opposition (politics); Performance art; Sociology; Literature; Media studies; History; Art; Art history; Aesthetics; Law; Political science","score_opus":0.019295019249037305,"score_gpt":0.24512982107601847,"score_spread":0.22583480182698115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994928906","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000033783857,0.99363,0.000017559041,0.004290823,0.0015842229,0.0000022766394,0.000007760401,0.0000020560506,0.00043153676],"genre_scores_gemma":[0.0011111234,0.9874271,0.000030285955,0.008065676,0.0022913797,0.000012242983,0.000028580933,0.0000041008384,0.0010294745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921346,0.00022492249,0.00009985264,0.000117953896,0.00026535834,0.00007841755],"domain_scores_gemma":[0.99687344,0.0016201881,0.00043212064,0.000047128404,0.0007398506,0.00028726942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014788179,0.00075349107,0.0012835347,0.0015796564,0.00057784136,0.0026448458,0.0013387755,0.0024547763,0.007028579],"category_scores_gemma":[0.0074189105,0.00037016525,0.00049629866,0.0023998728,0.0014114361,0.0031955359,0.0012933791,0.0034194267,0.002680008],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007349543,0.000018964303,0.00021116853,0.018968208,0.00008512531,0.00019419038,0.0004617406,0.000055659828,0.000116162126,0.002335563,0.66941535,0.30806437],"study_design_scores_gemma":[0.000018885905,0.00003422853,0.0008964267,0.024683647,0.000092220966,0.0010157564,0.0005576613,0.000017563201,0.000065330554,0.0008306507,0.9717624,0.000025202986],"about_ca_topic_score_codex":0.003870626,"about_ca_topic_score_gemma":0.00683863,"teacher_disagreement_score":0.007028579,"about_ca_system_score_codex":0.0012010479,"about_ca_system_score_gemma":0.0034961682,"threshold_uncertainty_score":0.02351296},"labels":[],"label_agreement":null},{"id":"W1995851405","doi":"10.1353/vcr.2011.0018","title":"Tracing Traumatic Memory in The Woman in White : Psychic Shock, Victorian Science, and the Narrative Strategy of the Shadow- Bildungsroman","year":2011,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lunatic; Narrative; Psychic; Psychoanalysis; Shadow (psychology); Literature; White (mutation); Power (physics); Art; History; Art history; Psychology; Medicine","score_opus":0.04056721166924974,"score_gpt":0.2518519281664462,"score_spread":0.21128471649719646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995851405","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43752477,0.030682532,0.0074542207,0.14039485,0.0040881843,0.00013605744,0.00020257143,0.00014372311,0.3793731],"genre_scores_gemma":[0.94406366,0.005565406,0.00094183726,0.008761869,0.00052088976,0.00006267181,0.000031520547,0.00012752293,0.039924704],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984041,0.0009344264,0.000036232075,0.00013021033,0.0002298898,0.00026512065],"domain_scores_gemma":[0.9978108,0.0011624093,0.0002534874,0.0001228881,0.00023197135,0.00041849405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031699105,0.0005944672,0.0003354355,0.0015402692,0.017342608,0.01078085,0.0012139977,0.0027074998,0.00453283],"category_scores_gemma":[0.005166854,0.00042825844,0.00023110308,0.0010025315,0.034066077,0.008198864,0.007861127,0.006247911,0.00046667655],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022587941,0.000014715617,0.00034802928,0.00009558077,0.0000048896877,0.0005919159,0.90986985,0.000021169119,0.0003521477,0.06685136,0.014887072,0.0069406372],"study_design_scores_gemma":[0.0000066657317,0.000029315715,0.0010452352,0.00046883992,0.000009428668,0.0007932688,0.7617754,0.000074886295,0.0005176619,0.014709024,0.22054106,0.000029206689],"about_ca_topic_score_codex":0.03684477,"about_ca_topic_score_gemma":0.090859264,"teacher_disagreement_score":0.03684477,"about_ca_system_score_codex":0.0077805654,"about_ca_system_score_gemma":0.0058392966,"threshold_uncertainty_score":0.073260605},"labels":[],"label_agreement":null},{"id":"W1996568139","doi":"10.1353/mos.2012.0040","title":"Purloined Letters in Ian McEwan's Atonement","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atonement; Theology; Art; Philosophy","score_opus":0.021105618814718542,"score_gpt":0.2125018123935377,"score_spread":0.19139619357881915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996568139","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18443684,0.008712169,0.0043467893,0.13429777,0.0038281996,0.00004138264,0.000026789929,0.00011099395,0.664199],"genre_scores_gemma":[0.9157585,0.001179086,0.0004405935,0.009588974,0.00052899914,0.000026233287,0.0000061971314,0.0000734312,0.07239797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956605,0.003008735,0.000050900224,0.00021136786,0.00070598617,0.00036246076],"domain_scores_gemma":[0.99798524,0.0012343084,0.00022807012,0.00013904774,0.0002059772,0.0002073875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00290782,0.00033268292,0.00025686508,0.0005912782,0.014994204,0.007694741,0.00095383206,0.003808742,0.0027084937],"category_scores_gemma":[0.0068744766,0.00019207323,0.00016628865,0.0005587408,0.025371976,0.0048271324,0.005364482,0.0071951845,0.0005635937],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006454435,0.000027558259,0.00021279752,0.000046172703,0.0000034339566,0.0010988252,0.36994097,0.0000871252,0.0004272188,0.59006375,0.03030859,0.0077189356],"study_design_scores_gemma":[0.000013412144,0.000040991323,0.00052865036,0.0002656809,0.000004365296,0.0008515466,0.14184752,0.00015665834,0.00087840925,0.055911444,0.79947215,0.000029234978],"about_ca_topic_score_codex":0.0042828484,"about_ca_topic_score_gemma":0.008347178,"teacher_disagreement_score":0.014994204,"about_ca_system_score_codex":0.0048495596,"about_ca_system_score_gemma":0.001797568,"threshold_uncertainty_score":0.035186112},"labels":[],"label_agreement":null},{"id":"W1996627193","doi":"10.1038/503039c","title":"Russia embraced Wallace's works","year":2013,"lang":"en","type":"letter","venue":"Nature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of King's College","funders":"King's College London; Friedrich-Schiller-Universität Jena","keywords":"Political science; History","score_opus":0.011882171215845705,"score_gpt":0.21327210419564685,"score_spread":0.20138993297980115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996627193","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011912667,0.0028837975,0.0006267601,0.8912618,0.02207568,0.00007819927,0.00010063533,0.000066404464,0.07099408],"genre_scores_gemma":[0.040616695,0.00064779294,0.00033954676,0.85321695,0.006945129,0.00011198757,0.000015269552,0.000061008697,0.098045565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99338347,0.0011833276,0.0005683243,0.0010080736,0.0016097645,0.0022469922],"domain_scores_gemma":[0.99221236,0.0048261215,0.0005397891,0.00033595535,0.0010002365,0.0010855388],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007381783,0.00094379956,0.001864731,0.0011797312,0.02080517,0.016963428,0.0037045486,0.14860214,0.004830137],"category_scores_gemma":[0.024331482,0.0012509885,0.0021745658,0.0008995167,0.009788381,0.006051315,0.009481865,0.084145226,0.0024516818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016608111,0.00011441824,0.001799251,0.00024285383,0.00011185049,0.004020545,0.008884846,0.00040678467,0.0011116263,0.31238607,0.65849787,0.012257788],"study_design_scores_gemma":[0.000103243445,0.00007228046,0.0018701722,0.00052386266,0.00010182404,0.0005017476,0.0034413366,0.000453294,0.0010318601,0.045283917,0.94644994,0.0001666059],"about_ca_topic_score_codex":0.04174874,"about_ca_topic_score_gemma":0.08888478,"teacher_disagreement_score":0.14860214,"about_ca_system_score_codex":0.00747234,"about_ca_system_score_gemma":0.012588445,"threshold_uncertainty_score":0.08301145},"labels":[],"label_agreement":null},{"id":"W1997984078","doi":"10.3138/cras.37.1.083","title":"The Triumph of Death: National Security and Imperial Erasures in Don DeLillo's <i>Underworld</i>","year":2007,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Complicity; Cold war; History; Comics; National security; Distressing; Literature; Law; Sociology; Political science; Art; Politics","score_opus":0.0308019197311567,"score_gpt":0.29600909949011495,"score_spread":0.26520717975895824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1997984078","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087929256,0.068292774,0.0009260893,0.3628146,0.005126417,0.000016527938,0.000040352912,0.000033701173,0.47482023],"genre_scores_gemma":[0.91968167,0.013438331,0.00018939312,0.031136794,0.0017436774,0.000018599872,0.000012838789,0.00005412833,0.03372459],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963379,0.0021521633,0.00006978175,0.0003805036,0.0006487384,0.0004108516],"domain_scores_gemma":[0.9946414,0.0035581598,0.00038333688,0.0002288505,0.0008495184,0.00033861236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0061007733,0.0004049599,0.00052273954,0.0018453468,0.018201303,0.0111769615,0.0013098888,0.005289266,0.002991025],"category_scores_gemma":[0.007378946,0.00024472884,0.0002007368,0.0016935322,0.049087018,0.005741502,0.0044436413,0.007800344,0.0003233104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033562417,0.000015691014,0.00064253755,0.00012372555,0.000006628589,0.00046677195,0.23208801,0.000054078402,0.0000902662,0.690524,0.0657504,0.010204449],"study_design_scores_gemma":[0.000012078962,0.000016644139,0.0010437447,0.00075933395,0.000011681815,0.00029247458,0.1533167,0.00007139986,0.00019027783,0.03791015,0.8063475,0.000028033426],"about_ca_topic_score_codex":0.09453523,"about_ca_topic_score_gemma":0.17886426,"teacher_disagreement_score":0.09453523,"about_ca_system_score_codex":0.017262893,"about_ca_system_score_gemma":0.0061434642,"threshold_uncertainty_score":0.18796992},"labels":[],"label_agreement":null},{"id":"W2001160245","doi":"10.3366/dls.2011.0040","title":"A Criminal Intrigue: An Interview with Jean-Clet Martin","year":2011,"lang":"en","type":"article","venue":"Deleuze Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Hegelianism; Philosophy; Reading (process); Epistemology; Dialectic; Psychoanalysis; Literature; Art; Psychology","score_opus":0.23898525556842076,"score_gpt":0.2895971237502075,"score_spread":0.05061186818178676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001160245","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10001386,0.024545345,0.0007664161,0.8303877,0.0033926044,0.000102779326,0.000084111794,0.000053612006,0.040653624],"genre_scores_gemma":[0.6659602,0.015325754,0.0009879129,0.24545024,0.0019110852,0.0003988633,0.00004642673,0.00016477892,0.06975469],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9947837,0.0035512883,0.000060368555,0.00030820203,0.0007004388,0.00059591833],"domain_scores_gemma":[0.9948742,0.0031069096,0.00037806362,0.00005465306,0.0005178405,0.0010684129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047923736,0.00064756366,0.000781997,0.0013867597,0.026336834,0.007590581,0.0015933986,0.009793772,0.0031868566],"category_scores_gemma":[0.012470641,0.0008785596,0.0003328476,0.0017092737,0.013911927,0.005093384,0.0031332506,0.016473597,0.00048338575],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007700099,0.0001305531,0.0020235234,0.00017526171,0.000010991381,0.0033984608,0.715716,0.00014804272,0.00075193023,0.07709997,0.19293362,0.0075346674],"study_design_scores_gemma":[0.000012635327,0.00005914662,0.0024550795,0.00056270475,0.0000059434856,0.0011989534,0.3709553,0.0001672724,0.00018111659,0.003991752,0.6203458,0.000064257314],"about_ca_topic_score_codex":0.07485177,"about_ca_topic_score_gemma":0.08629351,"teacher_disagreement_score":0.07485177,"about_ca_system_score_codex":0.01276906,"about_ca_system_score_gemma":0.006671642,"threshold_uncertainty_score":0.1488322},"labels":[],"label_agreement":null},{"id":"W2005950716","doi":"10.3366/e2041102209000148","title":"Modernist Fiction and “the accumulation of unrecorded life”","year":2006,"lang":"en","type":"article","venue":"Modernist Cultures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Temporality; Modernism (music); Defamiliarization; Representation (politics); Everyday life; Consciousness; Constitution; Art; Aesthetics; Romance; Character (mathematics); Vagrancy; Literature; Politics; Philosophy; Epistemology; Political science","score_opus":0.047853707898124036,"score_gpt":0.26937690700596295,"score_spread":0.2215231991078389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005950716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030846974,0.018307867,0.010044085,0.088826306,0.0038902883,0.000028618566,0.000106536,0.00011825617,0.84783113],"genre_scores_gemma":[0.8836338,0.0041794786,0.0022105426,0.0102428105,0.0030120888,0.000059143982,0.00006189812,0.0001180491,0.0964822],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815637,0.0010767691,0.000038602764,0.00021079741,0.00034264388,0.00017486338],"domain_scores_gemma":[0.99843675,0.00082845596,0.00014593986,0.00033038476,0.00016840672,0.000090048234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018795531,0.0004894084,0.00030617652,0.0014175464,0.0070830416,0.00574884,0.0009010268,0.003032567,0.0048452965],"category_scores_gemma":[0.004179576,0.00016870486,0.00027554433,0.0010186076,0.06430011,0.0049301963,0.0028451304,0.004698185,0.0006930563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004943197,0.0000024767435,0.00003964362,0.000022011802,0.0000014714789,0.00004636281,0.011973843,0.00003558952,0.00003864798,0.97726977,0.009024408,0.0015408539],"study_design_scores_gemma":[0.0000067995365,0.000015407335,0.00025173477,0.00017850994,0.0000042792294,0.00026883432,0.00949368,0.00016304033,0.00040584584,0.29209912,0.69710183,0.000010910777],"about_ca_topic_score_codex":0.003142352,"about_ca_topic_score_gemma":0.0059703947,"teacher_disagreement_score":0.0070830416,"about_ca_system_score_codex":0.0064152116,"about_ca_system_score_gemma":0.0019983372,"threshold_uncertainty_score":0.046545863},"labels":[],"label_agreement":null},{"id":"W2008695069","doi":"10.3138/jrpc.23.3.263","title":"The Posthumanity of “the Son of Man”: <i>Heroes</i> as Postmodern Apocalypse","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Narrative; Revelation; Literature; Meaning (existential); Context (archaeology); Phenomenon; Philosophy; Intertextuality; Art; History; Aesthetics; Epistemology","score_opus":0.01944043203612814,"score_gpt":0.21953845082288653,"score_spread":0.2000980187867584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008695069","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29066664,0.007125144,0.006618785,0.027503582,0.0009756194,0.000031018542,0.000041797095,0.00013877216,0.6668987],"genre_scores_gemma":[0.99013805,0.00040346204,0.00021454944,0.00051779667,0.00015521742,0.00000733928,0.000004137114,0.00003013639,0.008529257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99700123,0.0022549345,0.000041513453,0.00016829938,0.0003079393,0.00022605661],"domain_scores_gemma":[0.9967097,0.001864116,0.000365961,0.000435388,0.00035653615,0.00026820684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034509792,0.00032896196,0.00029964634,0.00077965914,0.0071309465,0.007283976,0.000787884,0.0019088153,0.003971536],"category_scores_gemma":[0.0038664585,0.0002273839,0.0000974502,0.0005277525,0.047988262,0.0052189548,0.0040482697,0.0044455593,0.00048577334],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003115018,0.000020133464,0.00040073204,0.000056100438,0.0000036054857,0.00032432933,0.2558352,0.00004497457,0.00050126057,0.73366034,0.004979079,0.004143117],"study_design_scores_gemma":[0.000032257816,0.00012758457,0.0020557987,0.0006262147,0.000016493257,0.001452725,0.2102651,0.0006215032,0.0033495277,0.17660037,0.60480887,0.00004354048],"about_ca_topic_score_codex":0.0019423511,"about_ca_topic_score_gemma":0.0033451559,"teacher_disagreement_score":0.007283976,"about_ca_system_score_codex":0.0034561832,"about_ca_system_score_gemma":0.0016526735,"threshold_uncertainty_score":0.025076509},"labels":[],"label_agreement":null},{"id":"W2008891374","doi":"10.3917/sr.037.0029","title":"Situation d'Edward W. Said, critique et théoricien de la littérature","year":2014,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Philosophy; Art; Orientalism; Biography; Art history; Theology","score_opus":0.020898981751812755,"score_gpt":0.37847405638323756,"score_spread":0.3575750746314248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008891374","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014259952,0.32161394,0.004226624,0.3981934,0.015064429,0.000026778293,0.00013267175,0.000059770475,0.24642247],"genre_scores_gemma":[0.42009115,0.21069655,0.003058362,0.07879136,0.01467901,0.00026478808,0.00022837745,0.00025902086,0.2719314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99746287,0.0013584516,0.00008507522,0.0002690269,0.00057643687,0.0002481126],"domain_scores_gemma":[0.9966767,0.0022595748,0.00019324118,0.00016726629,0.00056455337,0.00013867629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031700446,0.000563976,0.0005563606,0.0027018392,0.007401066,0.009159997,0.0012244176,0.0043316935,0.0054897848],"category_scores_gemma":[0.005779597,0.000319832,0.00035338756,0.0023126868,0.013188032,0.0070015043,0.0030184228,0.005669078,0.0013023274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000146995335,0.000021980186,0.00035652588,0.00027725197,0.000009188896,0.00018644605,0.02399432,0.00011203146,0.00014463326,0.7775217,0.18175925,0.015601994],"study_design_scores_gemma":[0.0000022117945,0.0000032514713,0.00019415331,0.00055388774,0.000003706769,0.000108991386,0.007387587,0.00005640815,0.00011036567,0.033896394,0.9576757,0.0000072994194],"about_ca_topic_score_codex":0.021184856,"about_ca_topic_score_gemma":0.023839682,"teacher_disagreement_score":0.021184856,"about_ca_system_score_codex":0.009008331,"about_ca_system_score_gemma":0.006054419,"threshold_uncertainty_score":0.06536031},"labels":[],"label_agreement":null},{"id":"W2009217569","doi":"10.3138/cras.2013.033","title":"The Frame-Breakers: Thomas Pynchon’s Post-human Luddites","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":50,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Creatures; Hegemony; Appropriation; Power (physics); Liminality; Politics; Frame (networking); Sociology; Aesthetics; Psychoanalysis; Philosophy; Political science; Epistemology; Law; History; Psychology; Computer science","score_opus":0.023406451226999747,"score_gpt":0.2708611740472982,"score_spread":0.24745472282029846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009217569","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2827511,0.021786468,0.0017575135,0.12784433,0.0024140028,0.000058840928,0.000065148924,0.000068739355,0.5632538],"genre_scores_gemma":[0.8933172,0.003900898,0.00030374818,0.006766915,0.00020755846,0.00003280843,0.000017591798,0.00007108919,0.09538202],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720794,0.0015369054,0.000034974983,0.00033590043,0.00045739,0.00042690904],"domain_scores_gemma":[0.9987778,0.00064620783,0.0001363676,0.00008541987,0.00015260332,0.0002015636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027663524,0.00028911594,0.00032673843,0.0010534739,0.0145316925,0.0077132364,0.0008715255,0.0027208028,0.0061333897],"category_scores_gemma":[0.002941035,0.00021949709,0.00013335134,0.0010763617,0.023924546,0.0043428275,0.0045157885,0.00563406,0.0004864638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003561208,0.000025159092,0.0004974394,0.0000751536,0.0000048145635,0.00056480913,0.5910892,0.000051854917,0.00029854133,0.35675126,0.032814838,0.017791232],"study_design_scores_gemma":[0.0000064385076,0.00002502337,0.0014811994,0.00026280712,0.0000044344115,0.00021413557,0.18049195,0.00004409238,0.0003950929,0.011128273,0.8059301,0.000016490803],"about_ca_topic_score_codex":0.07479544,"about_ca_topic_score_gemma":0.15296751,"teacher_disagreement_score":0.07479544,"about_ca_system_score_codex":0.013620291,"about_ca_system_score_gemma":0.004982553,"threshold_uncertainty_score":0.14872015},"labels":[],"label_agreement":null},{"id":"W2012149641","doi":"10.1503/cmaj.050362","title":"Sergey Tolstoy and The Doukhobors: The Halifax Quarantine","year":2006,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarantine; Snow; Sky; Art history; Meteorology; History; Archaeology; Geography; Medicine; Pathology","score_opus":0.005070020374010714,"score_gpt":0.17959437765626923,"score_spread":0.1745243572822585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012149641","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12054328,0.03520327,0.00024229674,0.6472543,0.0069293543,0.000024196643,0.000101530255,0.00004183054,0.18966003],"genre_scores_gemma":[0.71680415,0.0095551405,0.00024291684,0.053173758,0.0009771184,0.000027807995,0.000041963085,0.00011390963,0.21906312],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917245,0.00033403555,0.000015468007,0.00009094548,0.00010756737,0.00027959186],"domain_scores_gemma":[0.99873215,0.00033920034,0.00008745323,0.000036176712,0.00018203331,0.0006229242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001280751,0.00039555915,0.00030059973,0.0005099419,0.023656517,0.005389744,0.000609136,0.00283449,0.010459675],"category_scores_gemma":[0.0016508067,0.00023605928,0.00013038568,0.0004144931,0.012915383,0.002099637,0.0035306416,0.0059939907,0.0011318248],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012537478,0.00004609809,0.0059997262,0.00017110228,0.000014978938,0.0021723208,0.25522575,0.00010821833,0.00080138113,0.08864303,0.6217285,0.024963556],"study_design_scores_gemma":[0.000008791257,0.000017324544,0.0051243682,0.00026125312,0.0000032733187,0.0004377625,0.2348848,0.00003229467,0.00019416907,0.0037286114,0.7552885,0.000018733066],"about_ca_topic_score_codex":0.21551953,"about_ca_topic_score_gemma":0.4205292,"teacher_disagreement_score":0.78448045,"about_ca_system_score_codex":0.013601342,"about_ca_system_score_gemma":0.0066373455,"threshold_uncertainty_score":0.42853016},"labels":[],"label_agreement":null},{"id":"W2013340003","doi":"10.1353/mos.2013.0029","title":"To the Side of the Day: Comparison without Comparison in Pynchon (and. . .)","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comparability; Work (physics); Positive economics; Epistemology; History; Aesthetics; Philosophy; Economics; Mathematics; Physics","score_opus":0.025440158744451786,"score_gpt":0.24749029726371738,"score_spread":0.22205013851926558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013340003","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074544996,0.015812533,0.025447141,0.10064736,0.0028615298,0.000061730345,0.000058058908,0.000051425766,0.78051525],"genre_scores_gemma":[0.9648515,0.0026058475,0.0026025658,0.0066853063,0.00068721856,0.00009014991,0.000022773216,0.0000784361,0.022376187],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99258727,0.0052143773,0.00009436162,0.0007261919,0.0009742622,0.00040363273],"domain_scores_gemma":[0.9958274,0.0028371508,0.0002887469,0.00052422856,0.00031753496,0.00020491121],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00762934,0.00033560008,0.0005810515,0.0012625507,0.0116379885,0.0104203345,0.0012384794,0.0025378596,0.0054697567],"category_scores_gemma":[0.012089635,0.00023093085,0.0003546219,0.0020262336,0.05818705,0.018171815,0.0070068836,0.0061721643,0.00038881134],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006903866,0.0000030527635,0.000061346815,0.000014700491,0.0000012106469,0.000024129653,0.008938278,0.000018819668,0.000016611959,0.9873997,0.0014554403,0.00205976],"study_design_scores_gemma":[0.000008477838,0.000020493791,0.00042952958,0.00020174285,0.000005678088,0.0001108629,0.014132392,0.0001162415,0.00014561608,0.86432236,0.1204957,0.000010857371],"about_ca_topic_score_codex":0.0044911276,"about_ca_topic_score_gemma":0.0038216887,"teacher_disagreement_score":0.0116379885,"about_ca_system_score_codex":0.005414108,"about_ca_system_score_gemma":0.003798847,"threshold_uncertainty_score":0.04034829},"labels":[],"label_agreement":null},{"id":"W2017397500","doi":"10.1353/jlt.2014.0003","title":"Suffering and Social Death: Austin Clarke’s The Polished Hoe as Neo-Slave Narrative","year":2014,"lang":"en","type":"article","venue":"Journal of Literature and Trauma Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Subaltern; Psychoanalytic theory; Hegemony; Psychoanalysis; Terminology; Sociology; Politics; History; Psychology; Epistemology; Gender studies; Literature; Law; Philosophy; Political science; Linguistics; Art","score_opus":0.03926382240044637,"score_gpt":0.28091953540101006,"score_spread":0.24165571300056368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017397500","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25358695,0.043217987,0.005938856,0.31837863,0.00478964,0.00012417127,0.00006604914,0.000068545174,0.37382922],"genre_scores_gemma":[0.91890115,0.008804204,0.001294687,0.022650609,0.0004846123,0.00007298266,0.00002575366,0.00006418959,0.04770179],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99616647,0.0027776542,0.00006973901,0.00019018468,0.00035490337,0.00044102815],"domain_scores_gemma":[0.9986124,0.00074325403,0.00012084752,0.00009860974,0.00014371103,0.00028116925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037233462,0.00058891095,0.00042809476,0.0011571997,0.012873997,0.008899878,0.0011515509,0.004513684,0.0026414644],"category_scores_gemma":[0.0046598893,0.00032289638,0.00032657868,0.0007836045,0.041065823,0.008665608,0.012612526,0.007974313,0.00038846603],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031342734,0.00002058681,0.0003670543,0.0000650293,0.0000051705424,0.0012681187,0.55694765,0.00012918482,0.00016117578,0.41517392,0.020030923,0.005799823],"study_design_scores_gemma":[0.000021466933,0.00006524621,0.0006514385,0.0005890444,0.000006057065,0.0017433761,0.43609917,0.00023002879,0.00031722983,0.11830981,0.44192457,0.00004256574],"about_ca_topic_score_codex":0.014054811,"about_ca_topic_score_gemma":0.031646263,"teacher_disagreement_score":0.014054811,"about_ca_system_score_codex":0.0073499335,"about_ca_system_score_gemma":0.0036452818,"threshold_uncertainty_score":0.0533278},"labels":[],"label_agreement":null},{"id":"W2017494467","doi":"10.7202/1025677ar","title":"Romantic Realism/Victorian Romance","year":2013,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Realism; Art; Art history; History; Literature","score_opus":0.014995978364497743,"score_gpt":0.1831704557003224,"score_spread":0.16817447733582466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017494467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011825692,0.00887193,0.0027022916,0.018674012,0.0004787199,0.000015356762,0.000021933234,0.000024603234,0.9573853],"genre_scores_gemma":[0.84536034,0.0025710652,0.001100773,0.0052311504,0.0005026995,0.000063597225,0.00002885884,0.000095061805,0.1450465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947547,0.0031669887,0.000099332676,0.00047128022,0.0009758943,0.0005317831],"domain_scores_gemma":[0.9986174,0.00055155245,0.00014275653,0.0002564701,0.00025267483,0.0001790937],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037888773,0.0004719086,0.0006450117,0.0015859726,0.0113893375,0.010313352,0.0016559409,0.0049357084,0.009705341],"category_scores_gemma":[0.0062024705,0.0003684038,0.00029114014,0.0016660787,0.06253244,0.005653541,0.0061666653,0.009072087,0.0011258986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024397377,0.0000024268581,0.000021537193,0.0000092455475,6.4601494e-7,0.000007519624,0.0018616004,0.000022273387,0.00001128785,0.9958717,0.0012902976,0.000899161],"study_design_scores_gemma":[0.000009219402,0.000010782593,0.0002821772,0.00018383654,0.0000034486877,0.00007622855,0.004554131,0.00023598147,0.0000776326,0.78843796,0.20611724,0.0000112815505],"about_ca_topic_score_codex":0.01707511,"about_ca_topic_score_gemma":0.027258487,"teacher_disagreement_score":0.01707511,"about_ca_system_score_codex":0.009819734,"about_ca_system_score_gemma":0.0058240257,"threshold_uncertainty_score":0.07124746},"labels":[],"label_agreement":null},{"id":"W2018036914","doi":"10.1080/0950236x.2013.858067","title":"How to map the non-place of empire: DeLillo's<i>Cosmopolis</i>","year":2014,"lang":"en","type":"article","venue":"Textual Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Biopower; Sociology; Aesthetics; Governmentality; Identity (music); Empire; Relations of production; Sketch; Assemblage (archaeology); Epistemology; Politics; History; Philosophy; Law; Political science","score_opus":0.021139760438004,"score_gpt":0.2543708223592631,"score_spread":0.23323106192125911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018036914","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036547564,0.0063983556,0.03160921,0.08436755,0.002832269,0.00006605595,0.00011813653,0.00033686397,0.83772403],"genre_scores_gemma":[0.918804,0.0015986147,0.008663034,0.006358029,0.0004261121,0.00012746733,0.00006332099,0.00039619504,0.06356325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825424,0.000999035,0.00003891283,0.0002852469,0.0002476921,0.00017489455],"domain_scores_gemma":[0.9986512,0.0006198905,0.000117941956,0.00027583895,0.00015886089,0.00017632794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016042984,0.00066295045,0.0003495342,0.0011519744,0.006019341,0.013624066,0.0013682637,0.0030208917,0.008129021],"category_scores_gemma":[0.0057077333,0.00029942874,0.0003749999,0.00053325476,0.029863682,0.013914877,0.0045843297,0.0047011673,0.0014731959],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001607595,0.000008033894,0.00014570351,0.000031927884,0.0000022734105,0.00012917863,0.023396997,0.000083834144,0.00015608362,0.96084076,0.0088051865,0.0063839145],"study_design_scores_gemma":[0.000020836575,0.000019801693,0.00019420129,0.00021621105,0.0000061589676,0.00039760358,0.029419947,0.00037834095,0.00044727398,0.30302137,0.6658421,0.00003606574],"about_ca_topic_score_codex":0.014634704,"about_ca_topic_score_gemma":0.018742794,"teacher_disagreement_score":0.014634704,"about_ca_system_score_codex":0.004823952,"about_ca_system_score_gemma":0.0019476458,"threshold_uncertainty_score":0.035000384},"labels":[],"label_agreement":null},{"id":"W2018407685","doi":"10.1017/s1060150304000518","title":"“THE USUAL SAD CATASTROPHE”: FROM THE STREET TO THE PARLOR IN<i>ADAM BEDE</i>","year":2004,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Politics; Literature; Symbol (formal); Girl; Art; Narrative; History; Hyperbole; Criticism; Art history; Philosophy; Metaphor; Law; Psychology","score_opus":0.007837626866638392,"score_gpt":0.20013360589505585,"score_spread":0.19229597902841747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018407685","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11970572,0.017717162,0.0026995435,0.49286398,0.014304885,0.000114417155,0.0002157822,0.00034591428,0.35203263],"genre_scores_gemma":[0.7698278,0.0054427027,0.00094877667,0.07413708,0.0026552496,0.000108043365,0.00014248292,0.00033701223,0.14640084],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981305,0.0011760406,0.000026245254,0.00017232336,0.00019588585,0.00029900263],"domain_scores_gemma":[0.99911827,0.00019011478,0.00010837776,0.000053287513,0.00021503231,0.0003149757],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009396999,0.00078994274,0.00035531292,0.0005307814,0.022345355,0.006131129,0.0011597527,0.0045517622,0.009035863],"category_scores_gemma":[0.0040319534,0.00047710742,0.0003156135,0.00033156044,0.014857688,0.006464041,0.005725296,0.012632953,0.002165183],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006591789,0.00003960938,0.00077385135,0.00013787256,0.000011939781,0.0047285096,0.4075566,0.00005735441,0.000564918,0.07172824,0.50463086,0.009704227],"study_design_scores_gemma":[0.000009172235,0.000031448795,0.00095464656,0.00025973012,0.0000051676457,0.0019878205,0.3677609,0.00006458797,0.00023036722,0.0045911837,0.624081,0.000023988703],"about_ca_topic_score_codex":0.0247529,"about_ca_topic_score_gemma":0.046986263,"teacher_disagreement_score":0.0247529,"about_ca_system_score_codex":0.0043424396,"about_ca_system_score_gemma":0.0021936086,"threshold_uncertainty_score":0.0492177},"labels":[],"label_agreement":null},{"id":"W2020758167","doi":"10.1503/cmaj.101521","title":"Writers bear witness to those living on the edge","year":2011,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Witness; Enhanced Data Rates for GSM Evolution; Work (physics); Front line; Line (geometry); Front (military); Computer science; Art history; History; Artificial intelligence; Engineering; Archaeology; Geometry; Mechanical engineering","score_opus":0.03333676866083246,"score_gpt":0.21759080758923083,"score_spread":0.18425403892839837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020758167","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011394958,0.12134588,0.0005307784,0.6997772,0.042395446,0.00001943394,0.000053298816,0.0001292376,0.12435373],"genre_scores_gemma":[0.37908745,0.08843517,0.001146119,0.23185557,0.04598633,0.00007787765,0.0000897652,0.0006848709,0.25263676],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944606,0.0026203939,0.00017566507,0.00049266,0.0014518626,0.00079880125],"domain_scores_gemma":[0.9824802,0.0074539846,0.0016293759,0.0011488037,0.0040419423,0.003245643],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054354304,0.0009656037,0.0007047629,0.0018539098,0.033374492,0.015116999,0.0014400285,0.007656319,0.0149658155],"category_scores_gemma":[0.018269887,0.0006413913,0.00036036753,0.0024382412,0.029710473,0.011655708,0.011268947,0.016658617,0.003382211],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023884348,0.000012944299,0.00038476315,0.00019375395,0.00001308396,0.0008408105,0.15564568,0.000017535547,0.00017931926,0.030212747,0.79311234,0.019362992],"study_design_scores_gemma":[0.000004054171,0.0000064505575,0.00038035942,0.00050281856,0.000006458215,0.00063575926,0.09888828,0.0000069984953,0.00009236196,0.004315353,0.89514834,0.000012769705],"about_ca_topic_score_codex":0.009327282,"about_ca_topic_score_gemma":0.023393475,"teacher_disagreement_score":0.033374492,"about_ca_system_score_codex":0.0036587513,"about_ca_system_score_gemma":0.006684029,"threshold_uncertainty_score":0.050065577},"labels":[],"label_agreement":null},{"id":"W2023587528","doi":"10.3138/md.44.2.214","title":"The Anti-Romantic Comedies of Dorothy L. Sayers","year":2001,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Literature; Dream; Chivalry; Plot (graphics); History; Art; Psychoanalysis; Psychology","score_opus":0.021464648458194197,"score_gpt":0.22400662704616772,"score_spread":0.20254197858797351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023587528","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027460236,0.032973886,0.0010500492,0.6294747,0.015764287,0.000019397568,0.00013279798,0.00013123507,0.2929934],"genre_scores_gemma":[0.4682059,0.0131274015,0.00062296365,0.19652496,0.007429168,0.00007873019,0.000078246645,0.0002811757,0.3136514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977258,0.0012926086,0.000043684446,0.0002645774,0.00044085615,0.00023243544],"domain_scores_gemma":[0.997401,0.0012314606,0.0002263818,0.00013924466,0.0005273458,0.00047461508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018954842,0.0005202281,0.0003564026,0.000580043,0.0123972865,0.005747532,0.0006428414,0.002445181,0.007598455],"category_scores_gemma":[0.007805113,0.00028483957,0.00024230978,0.00040169444,0.011448051,0.0043521174,0.002922138,0.0069649597,0.0020851516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056272434,0.00002038317,0.00045169302,0.00009544015,0.00000671585,0.0005080997,0.067204684,0.000033965873,0.00037170848,0.15177841,0.76728785,0.012184743],"study_design_scores_gemma":[0.0000043409523,0.000010924275,0.0002616428,0.00011422166,0.0000019563367,0.00032045288,0.029321853,0.000021620473,0.00016676706,0.0047255894,0.96503955,0.000011179742],"about_ca_topic_score_codex":0.011028919,"about_ca_topic_score_gemma":0.021707568,"teacher_disagreement_score":0.0123972865,"about_ca_system_score_codex":0.0029546842,"about_ca_system_score_gemma":0.0020122507,"threshold_uncertainty_score":0.025419354},"labels":[],"label_agreement":null},{"id":"W2026708091","doi":"10.1353/ari.2013.0016","title":"Postcolonial Trauma in David Bergen’s The Time in Between","year":2013,"lang":"en","type":"article","venue":"Ariel","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Orientalism; Narrative; Reflexivity; Cultural studies; Resistance (ecology); Representation (politics); Psychoanalysis; Relation (database); Virtue; Sociology; History; Literature; Epistemology; Psychology; Anthropology; Philosophy; Art; Political science","score_opus":0.016251210284203416,"score_gpt":0.20960329320111748,"score_spread":0.19335208291691405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026708091","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.092346966,0.061154913,0.0028162887,0.4322465,0.010234562,0.000056110162,0.000079633326,0.000082274,0.40098277],"genre_scores_gemma":[0.86022764,0.014320017,0.00061345065,0.034533318,0.0019522769,0.000060007926,0.000030304287,0.00011348453,0.08814939],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978841,0.001274237,0.00004802762,0.00020327188,0.00031816438,0.00027207786],"domain_scores_gemma":[0.99770385,0.0015844863,0.0001948185,0.00009337389,0.00019843598,0.00022509172],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027021142,0.0005856334,0.00044385414,0.0012596282,0.00995803,0.009370287,0.001101206,0.004916698,0.0033867722],"category_scores_gemma":[0.0049274154,0.00030140698,0.00018359821,0.00096139335,0.032793514,0.006192271,0.0044866954,0.0062015746,0.00045058355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004676692,0.00003388154,0.0002833941,0.00011686574,0.0000060706698,0.001137758,0.22230819,0.00009353522,0.00018740784,0.70789444,0.059048846,0.008842892],"study_design_scores_gemma":[0.000017666165,0.00003693396,0.0004553169,0.00042906948,0.0000057955044,0.0008420389,0.13344195,0.00006814134,0.00031968814,0.06432292,0.80003273,0.000027721784],"about_ca_topic_score_codex":0.010690867,"about_ca_topic_score_gemma":0.016962865,"teacher_disagreement_score":0.010690867,"about_ca_system_score_codex":0.0067815636,"about_ca_system_score_gemma":0.0029993528,"threshold_uncertainty_score":0.049203932},"labels":[],"label_agreement":null},{"id":"W2029064122","doi":"10.1353/smr.2012.0008","title":"Political Suicide in Hermann Hesse's Weimar Novels: Reading the Withdrawal from the Political","year":2012,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Spiritualism; Sociology; Argument (complex analysis); History; Literature; Art history; Law; Art; Political science","score_opus":0.05867162065429196,"score_gpt":0.3117840540667827,"score_spread":0.2531124334124908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029064122","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36009473,0.043923978,0.0019912678,0.17590229,0.01238108,0.000050855557,0.00030454062,0.00010981501,0.40524143],"genre_scores_gemma":[0.9506191,0.004633088,0.0003292071,0.0065322877,0.0015681204,0.000025299325,0.000061587714,0.0000926786,0.036138576],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991928,0.00047217176,0.000020429134,0.00006873509,0.00011611681,0.00012973485],"domain_scores_gemma":[0.99872905,0.00086401997,0.00014000502,0.000043263706,0.000098025266,0.00012560887],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013020514,0.0004841626,0.00023317608,0.0010723915,0.0060065105,0.0061259684,0.0005414586,0.0023479527,0.0025511405],"category_scores_gemma":[0.0032955268,0.00022469363,0.00017818889,0.0006082243,0.010024586,0.0031938534,0.0022213608,0.0035195418,0.0005506305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011169803,0.00008075593,0.000990248,0.00021351727,0.000019752006,0.0021278881,0.51813453,0.00028458366,0.0009310899,0.33854815,0.12115437,0.01740341],"study_design_scores_gemma":[0.000011896569,0.000030565898,0.0023610308,0.00035773774,0.000009823898,0.00071458524,0.176905,0.0001303872,0.00069142407,0.028613623,0.79013515,0.000038845305],"about_ca_topic_score_codex":0.005218603,"about_ca_topic_score_gemma":0.013428527,"teacher_disagreement_score":0.0061259684,"about_ca_system_score_codex":0.0036564886,"about_ca_system_score_gemma":0.0009375231,"threshold_uncertainty_score":0.026529849},"labels":[],"label_agreement":null},{"id":"W2030828096","doi":"10.1353/cul.2007.0023","title":"Introduction: Edward Said and After: Toward a New Humanism","year":2007,"lang":"en","type":"article","venue":"Cultural Critique","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanism; Ambivalence; Enthusiasm; Civilization; Aesthetics; Dialectic; Reverence; Admiration; Philosophy; Sociology; Religious studies; Environmental ethics; Psychoanalysis; Literature; Epistemology; Law; Theology; Psychology; Art; Political science","score_opus":0.023218053924360552,"score_gpt":0.2620827926226555,"score_spread":0.23886473869829494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030828096","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009170038,0.16195126,0.0019467775,0.568704,0.11972085,0.000051452353,0.0005633443,0.00020527584,0.14594007],"genre_scores_gemma":[0.035425924,0.11119468,0.0021857354,0.1729403,0.09857309,0.00012426871,0.00080255454,0.0005304258,0.57822305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937433,0.0002274156,0.000027696251,0.00010711785,0.00020629044,0.000057222325],"domain_scores_gemma":[0.99773467,0.0011860543,0.00009082813,0.00008021051,0.00062112807,0.0002870223],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011520929,0.0006741812,0.0004193192,0.0011838395,0.003246604,0.005820564,0.0010550141,0.0033490781,0.058073632],"category_scores_gemma":[0.0041420716,0.00022959818,0.00032967277,0.0012657149,0.0029140466,0.0060857306,0.0021326563,0.0071874354,0.016067285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009471622,0.000004964439,0.000054094566,0.00011169771,0.0000014015014,0.000022349108,0.00067137484,0.000019327343,0.000035164274,0.022312362,0.9671271,0.0096308],"study_design_scores_gemma":[0.0000029459504,0.000004696853,0.00021787245,0.0003505301,0.0000019625909,0.000050476574,0.001439499,0.000024346662,0.00004572694,0.0082762195,0.9895794,0.000006277608],"about_ca_topic_score_codex":0.009183857,"about_ca_topic_score_gemma":0.016147373,"teacher_disagreement_score":0.058073632,"about_ca_system_score_codex":0.0028936274,"about_ca_system_score_gemma":0.0017000969,"threshold_uncertainty_score":0.19427568},"labels":[],"label_agreement":null},{"id":"W2031456743","doi":"10.1353/mos.2014.0016","title":"Idiocy and Aberrancy: Disability, Paul de Man, and Wordsworth’s “Idiot Boy”","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Idiot; Scholarship; Art; Literature; Art history; Psychoanalysis; Philosophy; Psychology; Law; Political science","score_opus":0.010653243088717998,"score_gpt":0.20270199759367055,"score_spread":0.19204875450495257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031456743","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14673975,0.028452927,0.011322262,0.28744704,0.0024710186,0.0000467283,0.00004745814,0.00006417322,0.5234086],"genre_scores_gemma":[0.94438297,0.00537319,0.001644731,0.010293024,0.00042141465,0.00004182608,0.000010798008,0.000041357915,0.037790768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979619,0.0012488896,0.00003922846,0.00015797403,0.00033322573,0.00025877057],"domain_scores_gemma":[0.9985507,0.0008771057,0.00015800683,0.00009196675,0.00016583216,0.0001564634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022197012,0.0003862994,0.0002813723,0.001155969,0.010449562,0.005714102,0.0009201703,0.0029761528,0.002385451],"category_scores_gemma":[0.0034323204,0.00021003083,0.00013198357,0.0009486137,0.03336833,0.006144169,0.0046844627,0.0039790957,0.00030429865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007736189,0.000006262622,0.0002633733,0.000022911432,9.652173e-7,0.00015767255,0.06378023,0.000029171915,0.00006339148,0.9188019,0.01290666,0.00395969],"study_design_scores_gemma":[0.000014174172,0.000027865268,0.0007203001,0.0002570089,0.000005547436,0.0009423283,0.11833843,0.00014614203,0.00032203738,0.31500822,0.56419945,0.00001849666],"about_ca_topic_score_codex":0.013170525,"about_ca_topic_score_gemma":0.023830717,"teacher_disagreement_score":0.013170525,"about_ca_system_score_codex":0.005347875,"about_ca_system_score_gemma":0.00295727,"threshold_uncertainty_score":0.03880173},"labels":[],"label_agreement":null},{"id":"W2035999686","doi":"10.1177/0725513610364234","title":"Review: Bruce Clarke, Posthuman Metamorphosis: Narrative and Systems (New York: Fordham University Press, 2008)","year":2010,"lang":"en","type":"article","venue":"Thesis Eleven","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Posthuman; Narrative; Sociology; Metamorphosis; Narrative identity; Environmental ethics; Art history; Media studies; Art; Philosophy; Aesthetics; Literature","score_opus":0.03449758583682668,"score_gpt":0.2142103659140366,"score_spread":0.17971278007720992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2035999686","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041925137,0.97482884,0.00008109485,0.018309917,0.0058668912,0.000020272493,0.000090569694,0.000008961177,0.0007515828],"genre_scores_gemma":[0.0011585089,0.96414584,0.00016649954,0.022873828,0.0077826353,0.000060055518,0.00013058358,0.000014867917,0.0036670917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986313,0.00034247982,0.00015672721,0.00029264085,0.00045735645,0.00011942274],"domain_scores_gemma":[0.9957611,0.0019702113,0.00031536486,0.00008104115,0.0015524297,0.00031991806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031876066,0.001972348,0.0032567421,0.007438389,0.0015330075,0.005391493,0.0028530213,0.007225026,0.012651326],"category_scores_gemma":[0.008232835,0.00086592074,0.00080392236,0.013490754,0.0027674523,0.0064835683,0.0034221723,0.005526232,0.0074556554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036011115,0.000008877357,0.00007532086,0.009240944,0.000036409554,0.00004792751,0.00024169516,0.000056675108,0.000052966247,0.0012133337,0.9243833,0.06460649],"study_design_scores_gemma":[0.000033607306,0.000014294839,0.00064223073,0.009248726,0.00007626536,0.00023149891,0.00036537863,0.000021064017,0.000046274265,0.0010509805,0.9882433,0.000026429447],"about_ca_topic_score_codex":0.026174009,"about_ca_topic_score_gemma":0.053478286,"teacher_disagreement_score":0.026174009,"about_ca_system_score_codex":0.0045725703,"about_ca_system_score_gemma":0.008916143,"threshold_uncertainty_score":0.05204332},"labels":[],"label_agreement":null},{"id":"W2037890828","doi":"10.1177/001458580604000215","title":"<i>The Mysterious Flame of Queen Loana</i> : A Postmodern Historiographic Illustrated Novel of a Generation","year":2006,"lang":"en","type":"article","venue":"Forum Italicum A Journal of Italian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Postmodernism; Intertextuality; Literature; Narrative; Queen (butterfly); Politics; Art; Hegemony; History; Law","score_opus":0.02883088773143913,"score_gpt":0.2351272177639603,"score_spread":0.20629633003252118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037890828","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38424104,0.008504692,0.005814871,0.05250372,0.0017224171,0.000064685104,0.00018768969,0.00023981257,0.54672104],"genre_scores_gemma":[0.9083156,0.0012913588,0.0006855396,0.002431963,0.0002797571,0.000024746781,0.000030734056,0.00012791576,0.08681233],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997763,0.00009742405,0.0000041096887,0.000024577419,0.000046328107,0.000051303577],"domain_scores_gemma":[0.99975556,0.00008817376,0.000041625037,0.000030177518,0.000028052458,0.000056457473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045892823,0.0002447494,0.0001490818,0.00040301945,0.004896708,0.004238712,0.0004859519,0.0009321469,0.003701361],"category_scores_gemma":[0.0011690336,0.00015607518,0.00017005505,0.0005205793,0.007933411,0.0016098974,0.002018669,0.002402532,0.0005141561],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001035781,0.000028771132,0.0020558792,0.00013079983,0.000008679926,0.0033495822,0.6583575,0.000095444375,0.0019328354,0.22405998,0.09562847,0.014248457],"study_design_scores_gemma":[0.0000083335935,0.000028883376,0.0031999473,0.00014865499,0.0000081998405,0.0018725318,0.12183067,0.00014172561,0.0013255124,0.0063695717,0.8650446,0.000021397573],"about_ca_topic_score_codex":0.012738027,"about_ca_topic_score_gemma":0.024220712,"teacher_disagreement_score":0.012738027,"about_ca_system_score_codex":0.0023946876,"about_ca_system_score_gemma":0.0011757184,"threshold_uncertainty_score":0.025327742},"labels":[],"label_agreement":null},{"id":"W2039858819","doi":"10.3138/cras.2014.s02","title":"Doing the Lady Gaga Dance: Postmodern Transaesthetics and the Art of Spectacle in Don DeLillo’s<i>The Body Artist</i>","year":2014,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Nipissing University","keywords":"Spectacle; Postmodernism; Commodification; Aesthetics; Romance; Art; Dystopia; Subject (documents); Dance; Art history; Literature","score_opus":0.011962998019335744,"score_gpt":0.23903488023958921,"score_spread":0.22707188222025348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039858819","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.181018,0.062951386,0.0018889821,0.1088585,0.0024815516,0.000033775417,0.00003623549,0.00007159454,0.64265996],"genre_scores_gemma":[0.9640756,0.007551796,0.00023192786,0.0046565454,0.0004937862,0.000024635756,0.000007969338,0.000043126318,0.022914529],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99734855,0.001843421,0.0000338666,0.00022207432,0.00033834204,0.00021363971],"domain_scores_gemma":[0.9974468,0.0018105616,0.00018235817,0.00015936384,0.00023581712,0.00016515682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003660695,0.0003411911,0.00032293334,0.0016423543,0.0102964025,0.009094701,0.0010021272,0.00283933,0.004267385],"category_scores_gemma":[0.0031387887,0.00017883143,0.0001487081,0.001151636,0.040441718,0.00428522,0.003991298,0.0046511437,0.0004028864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004865085,0.000059752725,0.0008108186,0.0002844454,0.000008427702,0.0005882963,0.39019936,0.00006973607,0.00038684998,0.5464958,0.032968614,0.028079204],"study_design_scores_gemma":[0.000014065626,0.0000326348,0.0024272592,0.0010660742,0.000008299931,0.0004703929,0.26387268,0.000081015765,0.000368119,0.019431867,0.7122036,0.0000239731],"about_ca_topic_score_codex":0.02230842,"about_ca_topic_score_gemma":0.057961028,"teacher_disagreement_score":0.02230842,"about_ca_system_score_codex":0.0071117664,"about_ca_system_score_gemma":0.003010475,"threshold_uncertainty_score":0.05159974},"labels":[],"label_agreement":null},{"id":"W2042408338","doi":"10.1111/j.1741-4113.2008.00585.x","title":"<i>Beowulf</i> and Poststructuralist Theory","year":2008,"lang":"en","type":"article","venue":"Literature Compass","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Literary theory; Literature; Epistemology; Psychology; Literary criticism; Philosophy; Art","score_opus":0.018063646249194952,"score_gpt":0.19778869097252744,"score_spread":0.17972504472333248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042408338","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12299857,0.01826973,0.021509023,0.14485241,0.0013803344,0.000030573774,0.000041157287,0.00008577473,0.69083244],"genre_scores_gemma":[0.98419225,0.0014599366,0.00072524004,0.002000962,0.00036002925,0.000012386745,0.000011016316,0.000031057945,0.01120709],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963748,0.0026066569,0.00006240144,0.00021677066,0.0004370056,0.00030243257],"domain_scores_gemma":[0.9945651,0.0031705128,0.0006383711,0.00043353855,0.0008492661,0.0003432049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004758595,0.000332034,0.00030354035,0.0018218092,0.006477664,0.007585942,0.00092711643,0.0020638844,0.004400936],"category_scores_gemma":[0.0045004515,0.00014233762,0.00025615684,0.0015128814,0.036696643,0.005410124,0.002540374,0.0034999326,0.0003850385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006502464,0.0000065124746,0.00023681602,0.00002582308,0.0000032639462,0.00004391921,0.01264541,0.000105644256,0.00003486982,0.98195964,0.002486985,0.0024446703],"study_design_scores_gemma":[0.000014174473,0.000031723088,0.0016590985,0.00043839862,0.000011340832,0.0001308064,0.023789858,0.00094977143,0.00036994595,0.71425176,0.25833616,0.00001700309],"about_ca_topic_score_codex":0.008086207,"about_ca_topic_score_gemma":0.007996172,"teacher_disagreement_score":0.009069699,"about_ca_system_score_codex":0.009069699,"about_ca_system_score_gemma":0.0030542864,"threshold_uncertainty_score":0.065805554},"labels":[],"label_agreement":null},{"id":"W2043968111","doi":"10.1353/vcr.2009.0051","title":"The Art of Fiction (review)","year":2009,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sophistication; Narrative; Craft; Rigour; Criticism; Literature; Morality; History; Art; Art history; Reputation; Aesthetics; Philosophy; Sociology; Visual arts","score_opus":0.016066684160072515,"score_gpt":0.24514800613778986,"score_spread":0.22908132197771736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043968111","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007396016,0.9803618,0.00010630496,0.0049934615,0.00837909,0.00004911038,0.00031943462,0.000047041358,0.005669741],"genre_scores_gemma":[0.0013868291,0.9774244,0.00020053415,0.008044069,0.006554379,0.00008129347,0.000685304,0.000031865024,0.005591291],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977877,0.00035868096,0.00039048385,0.0003165146,0.0009602545,0.00018631527],"domain_scores_gemma":[0.992473,0.0027768847,0.0012271162,0.00032464377,0.0026344827,0.0005639491],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022473051,0.0010898623,0.0027024625,0.0049055032,0.0008160916,0.0058640433,0.0028551002,0.0027694693,0.07057326],"category_scores_gemma":[0.01279659,0.00056983833,0.0013833367,0.005577177,0.0014286777,0.003360275,0.001810783,0.0039799954,0.026604597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052276155,0.000025410658,0.00013369162,0.054119334,0.00017102026,0.00015057492,0.00013356138,0.0000795375,0.00023682878,0.0012807294,0.59317386,0.35044315],"study_design_scores_gemma":[0.000019008778,0.000017626699,0.00045937876,0.021974001,0.0001232659,0.00032815826,0.00005980314,0.000015183576,0.00005995206,0.00045088597,0.976478,0.000014828906],"about_ca_topic_score_codex":0.0024521332,"about_ca_topic_score_gemma":0.0029613797,"teacher_disagreement_score":0.07057326,"about_ca_system_score_codex":0.0021826394,"about_ca_system_score_gemma":0.007478581,"threshold_uncertainty_score":0.23609114},"labels":[],"label_agreement":null},{"id":"W2045475165","doi":"10.7771/1481-4374.1822","title":"Barthelme's \"Paraguay,\" the Postmodern, and Neocolonialism","year":2012,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Postmodernism; Neocolonialism; Criticism; Politics; Aesthetics; Sociology; Literature; History; Epistemology; Philosophy; Political science; Art; Law","score_opus":0.0356406147468325,"score_gpt":0.2604560961001794,"score_spread":0.2248154813533469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045475165","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050956286,0.058662433,0.0060405326,0.21200512,0.003910146,0.000034065793,0.00006524662,0.00007553093,0.6682507],"genre_scores_gemma":[0.8558711,0.013555425,0.0017175977,0.021866353,0.0017536143,0.00011867901,0.000026564136,0.000098918616,0.10499166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984836,0.00088997465,0.00002027343,0.00014898344,0.00032035098,0.00013692077],"domain_scores_gemma":[0.9981754,0.0012872566,0.00014459045,0.000107006075,0.00018215526,0.000103630206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013861286,0.00044365198,0.00021625745,0.0012151188,0.0067850333,0.005247999,0.00072073156,0.0028366863,0.0033095744],"category_scores_gemma":[0.0041019763,0.00012053717,0.00010974693,0.001183517,0.028193396,0.004358215,0.0020959766,0.0035899282,0.00038632296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019546726,0.0000076951565,0.00020800685,0.000058116704,0.0000018881187,0.00015062658,0.055050645,0.000036321777,0.00015807072,0.8909891,0.04450482,0.0088152625],"study_design_scores_gemma":[0.000008137965,0.000014077835,0.0009092731,0.00039380183,0.0000027035187,0.00032691407,0.018772988,0.00008850125,0.0002725908,0.15457386,0.8246252,0.000011926892],"about_ca_topic_score_codex":0.0077965213,"about_ca_topic_score_gemma":0.016847655,"teacher_disagreement_score":0.0077965213,"about_ca_system_score_codex":0.0042850818,"about_ca_system_score_gemma":0.00259646,"threshold_uncertainty_score":0.031090617},"labels":[],"label_agreement":null},{"id":"W2047415034","doi":"10.1353/mos.2015.0006","title":"Queer Exuberance: The Politics of Affect in Jeanette Winterson’s Visceral Fiction","year":2015,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Pleasure; Politics; Queer theory; Affect (linguistics); Biopower; Aesthetics; Gender studies; Sociology; Art; Political science; Psychology; Law","score_opus":0.03364911068938403,"score_gpt":0.24488138706924187,"score_spread":0.21123227637985784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047415034","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06938089,0.020204026,0.006457511,0.32262793,0.0034622597,0.000032870328,0.00006633691,0.000102893755,0.57766527],"genre_scores_gemma":[0.89839154,0.0031967124,0.0010640993,0.01708789,0.00093785825,0.000030334519,0.000014645402,0.00010587636,0.07917098],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987984,0.00079248054,0.000015248026,0.00010530263,0.00017173805,0.00011692144],"domain_scores_gemma":[0.9986657,0.0009805883,0.00008475863,0.00006943794,0.00011889455,0.00008054804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014860923,0.00037852259,0.00024271925,0.0007362321,0.007913163,0.006206787,0.0006225434,0.0028937648,0.0021772129],"category_scores_gemma":[0.0035770482,0.00016482198,0.00023920812,0.00049990637,0.031323895,0.00345452,0.0019266026,0.0048126886,0.0002979846],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017102244,0.0000060406383,0.00016665041,0.000022447099,0.000003773245,0.00026045635,0.065469444,0.00017696452,0.00020885866,0.89883685,0.031268388,0.003563039],"study_design_scores_gemma":[0.000015512813,0.000018505772,0.0007785587,0.00023863449,0.000011143068,0.0005690878,0.04529561,0.00044458688,0.00088373706,0.1973767,0.75433785,0.000030127801],"about_ca_topic_score_codex":0.024902385,"about_ca_topic_score_gemma":0.04170727,"teacher_disagreement_score":0.024902385,"about_ca_system_score_codex":0.0069719222,"about_ca_system_score_gemma":0.0016173312,"threshold_uncertainty_score":0.05058509},"labels":[],"label_agreement":null},{"id":"W2053827459","doi":"10.1353/utq.2007.0291","title":"The Voice under the Lamp: An Interview with Michael Redhill","year":2007,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Objectivity (philosophy); Dilemma; Drama; Aesthetics; Postmodernism; Sociology; Character (mathematics); Law; Media studies; Psychology; Literature; Philosophy; Epistemology; Art; Political science","score_opus":0.015904870211471654,"score_gpt":0.20132892363679042,"score_spread":0.18542405342531876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053827459","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23135258,0.013822796,0.001670449,0.62865824,0.0047344305,0.00037659853,0.00017599235,0.00015161854,0.119057305],"genre_scores_gemma":[0.6150394,0.007937376,0.0013728553,0.19384374,0.0013704458,0.00038433215,0.0000976448,0.00046590174,0.17948827],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99521327,0.002607011,0.00010823519,0.00038923128,0.00068011053,0.0010020935],"domain_scores_gemma":[0.9951048,0.0016276116,0.00027925198,0.000072535484,0.00075006235,0.0021657273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004110402,0.0006381469,0.0007828719,0.00080793846,0.030577712,0.007653327,0.0020947033,0.009568053,0.016983327],"category_scores_gemma":[0.01126371,0.0011702173,0.00046262163,0.00094101735,0.009673267,0.0077153933,0.00450899,0.017290354,0.002888893],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006517631,0.00009714725,0.001170462,0.00015639608,0.0000069252205,0.0051564067,0.8932794,0.00004540287,0.0010598397,0.004286518,0.087786414,0.0068899086],"study_design_scores_gemma":[0.0000065587224,0.000037868667,0.0009963769,0.00026044942,0.00000458773,0.0009208373,0.8136602,0.000036657537,0.00018654943,0.00038000316,0.1834841,0.000025776995],"about_ca_topic_score_codex":0.10008277,"about_ca_topic_score_gemma":0.16286819,"teacher_disagreement_score":0.10008277,"about_ca_system_score_codex":0.010130832,"about_ca_system_score_gemma":0.0068168845,"threshold_uncertainty_score":0.19900042},"labels":[],"label_agreement":null},{"id":"W2054279049","doi":"10.1080/21504857.2015.1027942","title":"To read what was never written: the licentiousness of history in Alan Moore and Melinda Gebbie’s<i>Lost Girls</i>","year":2015,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"History; Art history; Art; Psychology; Psychoanalysis; Sociology","score_opus":0.04652585172976227,"score_gpt":0.23231695162679436,"score_spread":0.18579109989703207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054279049","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28571463,0.023535391,0.00402568,0.17327303,0.0027981293,0.00003904942,0.00006878177,0.00013954399,0.5104058],"genre_scores_gemma":[0.93959415,0.0022921935,0.00039962726,0.0061255405,0.00033844536,0.000021284262,0.000015402638,0.000163183,0.05105019],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99719006,0.0018696875,0.000038854003,0.00017232854,0.00043471367,0.00029429336],"domain_scores_gemma":[0.99762976,0.0012745495,0.00028590867,0.00021182833,0.00020220243,0.00039575197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026916964,0.00043043133,0.00036120607,0.00092945935,0.017012687,0.013692344,0.0012025125,0.002915524,0.003480039],"category_scores_gemma":[0.0053290827,0.00046779448,0.00017593807,0.0005538817,0.038839824,0.008062693,0.0062509403,0.0074651856,0.0006620646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003532112,0.000024208044,0.0006099216,0.00006280268,0.0000067988735,0.000928288,0.8040336,0.000042167307,0.00029333148,0.15974455,0.02406315,0.010155821],"study_design_scores_gemma":[0.000011802347,0.000032212924,0.0010385074,0.00037085352,0.00000838751,0.0014304519,0.4081485,0.00007033473,0.00066013756,0.019861467,0.5683391,0.000028223234],"about_ca_topic_score_codex":0.013113932,"about_ca_topic_score_gemma":0.03266969,"teacher_disagreement_score":0.017012687,"about_ca_system_score_codex":0.0070413593,"about_ca_system_score_gemma":0.0021474885,"threshold_uncertainty_score":0.05108893},"labels":[],"label_agreement":null},{"id":"W2056892473","doi":"10.1080/08854301003746882","title":"Terror and the Individual in B.S. Johnson's Last Two Novels","year":2010,"lang":"en","type":"article","venue":"Socialism and Democracy","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Paul University","funders":"","keywords":"Political science; Art; Sociology; Criminology","score_opus":0.018147377794041315,"score_gpt":0.24446878113854226,"score_spread":0.22632140334450093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056892473","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040638592,0.020072525,0.0030344082,0.35337546,0.011017855,0.000029811767,0.00006745574,0.000051952746,0.571712],"genre_scores_gemma":[0.8005155,0.006366908,0.0008612246,0.039681774,0.0044538905,0.0000525816,0.000025028417,0.00010867961,0.1479345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978364,0.0012227447,0.000040258903,0.00018596044,0.00032771187,0.00038693225],"domain_scores_gemma":[0.99818724,0.0012058441,0.000121893696,0.00013055441,0.00014015209,0.0002143498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028773807,0.0004178442,0.00039750632,0.00081222533,0.012941209,0.007542171,0.0007770031,0.005788929,0.0031691],"category_scores_gemma":[0.0037952308,0.00019062405,0.00032089886,0.00077231776,0.025908232,0.0040119067,0.0029672538,0.007123853,0.000570806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022977447,0.000016754355,0.00010553831,0.000028458127,0.000003006114,0.00016105753,0.020420529,0.00008352989,0.000042492473,0.91043097,0.064420804,0.004263926],"study_design_scores_gemma":[0.000011445751,0.00001512334,0.00030768034,0.00017389495,0.0000063703005,0.00021663401,0.01819407,0.00009290641,0.00025313898,0.17525375,0.80545795,0.000017068762],"about_ca_topic_score_codex":0.0076049045,"about_ca_topic_score_gemma":0.016151676,"teacher_disagreement_score":0.012941209,"about_ca_system_score_codex":0.0038155415,"about_ca_system_score_gemma":0.0022803815,"threshold_uncertainty_score":0.027683854},"labels":[],"label_agreement":null},{"id":"W2064364214","doi":"10.3138/cras.2013.019","title":"Hire-a-Glyph: Hermetics and Hermeneutics in Percival Everett’s <i>Glyph</i>","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Glyph (data visualization); Trickster; Hermeneutics; Avatar; Literature; HERO; Meaning (existential); Adventure; Philosophy; Art; Art history; Epistemology; Computer science; Artificial intelligence","score_opus":0.02824656526146788,"score_gpt":0.25979735618070654,"score_spread":0.23155079091923866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064364214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17677684,0.15244548,0.005875938,0.09449234,0.0029290486,0.00010187849,0.000062914565,0.0001113016,0.5672043],"genre_scores_gemma":[0.9539231,0.017604448,0.0011047531,0.0044854186,0.0006724455,0.000059732094,0.000020395633,0.00006296153,0.02206684],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956761,0.0032834455,0.000070952556,0.00022920221,0.00052128505,0.00021894688],"domain_scores_gemma":[0.99583554,0.0031334963,0.00028053744,0.00020833402,0.0003598824,0.00018210354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050526434,0.00029084884,0.0003309109,0.0028133513,0.007987292,0.007664377,0.00075821544,0.0021931818,0.0023339875],"category_scores_gemma":[0.0059337183,0.00020505616,0.00013605502,0.0025540057,0.038011927,0.0043204296,0.0028191684,0.0033629204,0.0002685584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023852526,0.000023288518,0.00060383475,0.0002962136,0.0000056511226,0.0004929683,0.32257453,0.000051641033,0.00025310117,0.6392942,0.016734928,0.019645624],"study_design_scores_gemma":[0.000010130437,0.000023212388,0.0035274348,0.0015041664,0.000008813462,0.0006110986,0.21791293,0.00012781091,0.000536534,0.04119244,0.73452365,0.000021801985],"about_ca_topic_score_codex":0.040862672,"about_ca_topic_score_gemma":0.05668828,"teacher_disagreement_score":0.040862672,"about_ca_system_score_codex":0.009777881,"about_ca_system_score_gemma":0.006351094,"threshold_uncertainty_score":0.081249654},"labels":[],"label_agreement":null},{"id":"W2065646552","doi":"10.2752/175183510x12580391270182","title":"<i>This Wallpaper Isn't Killing Me: Review of David Mabb's</i> Have Nothing in Your Houses That You Do Not Know to Be Useful, or Believe to Be Beautiful","year":2010,"lang":"en","type":"article","venue":"TEXTILE","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Wood Council","funders":"","keywords":"Nothing; Wallpaper; Need to know; Philosophy; Art; Art history; Aesthetics; Epistemology; Computer science; Computer security","score_opus":0.06674366722440439,"score_gpt":0.2896451527916797,"score_spread":0.2229014855672753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065646552","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009570235,0.9408082,0.00006284818,0.05126103,0.0053840536,0.0000020824639,0.000009870002,0.0000037487066,0.0023723692],"genre_scores_gemma":[0.0064621507,0.9062974,0.0003126855,0.06854636,0.013779849,0.000020599802,0.000053813474,0.000042677475,0.004484484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953564,0.0023052092,0.00033811768,0.0003429912,0.0014258159,0.00023142812],"domain_scores_gemma":[0.97946906,0.011948727,0.0017028428,0.000527458,0.0054007573,0.0009511884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009646868,0.0008523206,0.0019887914,0.008142801,0.0031529134,0.010608489,0.0023132851,0.0066866693,0.006083638],"category_scores_gemma":[0.022523012,0.0004886867,0.00050566066,0.012393743,0.011003208,0.008703334,0.0038821637,0.0060784123,0.0026684145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003832163,0.000017470653,0.00020226104,0.0073943813,0.00005434658,0.000054960936,0.002082484,0.000054562923,0.00012447473,0.023100898,0.83909315,0.12778273],"study_design_scores_gemma":[0.000008463593,0.000012869355,0.00077369116,0.01337513,0.00004764548,0.00015686937,0.001769577,0.000013245482,0.000051053103,0.0033268095,0.98044926,0.00001533885],"about_ca_topic_score_codex":0.012449976,"about_ca_topic_score_gemma":0.03921802,"teacher_disagreement_score":0.012449976,"about_ca_system_score_codex":0.004760524,"about_ca_system_score_gemma":0.010749341,"threshold_uncertainty_score":0.05101812},"labels":[],"label_agreement":null},{"id":"W2070821951","doi":"10.7202/1025615ar","title":"In Treatment with George Eliot","year":2014,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Narrative; Psychoanalytic theory; Realism; Psychoanalysis; Power (physics); Transference; Countertransference; Fantasy; Art; Psychology; Literature; Aesthetics; Art history; Physics","score_opus":0.013043191858270785,"score_gpt":0.19743784933377848,"score_spread":0.18439465747550768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070821951","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015238215,0.036974706,0.0032991082,0.5465278,0.038269814,0.00007663666,0.00012623049,0.0003807251,0.35910678],"genre_scores_gemma":[0.061607,0.0067077074,0.001005653,0.08637914,0.0031088185,0.000047910897,0.000042112486,0.0001996872,0.8409019],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992052,0.00025455587,0.000025936728,0.00018817249,0.00021507173,0.00011104834],"domain_scores_gemma":[0.9993006,0.00022222713,0.000054446118,0.000032842683,0.00011594431,0.00027400226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001068348,0.00035693133,0.00029888254,0.0005683968,0.0048813387,0.0025349269,0.0006325497,0.0027290026,0.05202889],"category_scores_gemma":[0.004326522,0.0001609695,0.00023161154,0.00035501106,0.0026407975,0.0023544633,0.002756685,0.005618616,0.011171297],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006938743,0.000069829875,0.00057685573,0.00012805557,0.0000067643778,0.0017340366,0.013209133,0.00009124903,0.0006279525,0.049294434,0.8641627,0.070029505],"study_design_scores_gemma":[0.0000072535126,0.000018899133,0.00025265303,0.00011303439,0.0000020435486,0.00084096333,0.003565799,0.000033489945,0.00014438719,0.0049000992,0.9901136,0.0000076262895],"about_ca_topic_score_codex":0.002450741,"about_ca_topic_score_gemma":0.0073217037,"teacher_disagreement_score":0.05202889,"about_ca_system_score_codex":0.0020671152,"about_ca_system_score_gemma":0.0019283997,"threshold_uncertainty_score":0.17405397},"labels":[],"label_agreement":null},{"id":"W2076774907","doi":"10.3138/md.48.4.758","title":"“Seek for Something New”: Mothers, Change, and Creativity in Tony Kushner’s <i>Angels in America, Homebody/Kabul, </i>and <i>Caroline, or Change</i>","year":2005,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Dialectic; Meaning (existential); Creativity; Subject (documents); Subject matter; Status quo; Psychoanalysis; Literature; Psychology; Sociology; Aesthetics; Art; Social psychology; Philosophy; Epistemology; Political science; Law","score_opus":0.07962694840941995,"score_gpt":0.2785513364724431,"score_spread":0.19892438806302318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076774907","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35337996,0.009374493,0.0034793396,0.093210846,0.0012414264,0.00004640785,0.000022419914,0.00011425616,0.5391308],"genre_scores_gemma":[0.9707663,0.0009553071,0.0004849962,0.0019351668,0.00012990707,0.000023312497,0.000004759363,0.000046861594,0.025653321],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966055,0.002636319,0.000031259133,0.00014138543,0.00028444955,0.00030112214],"domain_scores_gemma":[0.9985061,0.0009570681,0.00015385283,0.00010581807,0.00007286988,0.00020420791],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030904307,0.0003919504,0.00021126041,0.00059894164,0.009621641,0.00760402,0.0009084183,0.0018771072,0.0025882327],"category_scores_gemma":[0.0039629214,0.00020135287,0.00018489719,0.00034651696,0.03204932,0.003938341,0.0048065814,0.0036612446,0.0002925458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048317477,0.00003589335,0.0008922698,0.000047870795,0.0000063701177,0.0007412157,0.6165137,0.00010919615,0.0003574549,0.35503554,0.015611635,0.010600529],"study_design_scores_gemma":[0.000032967167,0.00005706541,0.0015975904,0.00025652887,0.000014192327,0.0010399313,0.4937941,0.00028257468,0.0014980418,0.059281867,0.44211587,0.000029331812],"about_ca_topic_score_codex":0.0035019158,"about_ca_topic_score_gemma":0.0072419695,"teacher_disagreement_score":0.009621641,"about_ca_system_score_codex":0.005128125,"about_ca_system_score_gemma":0.0016479777,"threshold_uncertainty_score":0.037207365},"labels":[],"label_agreement":null},{"id":"W2078136140","doi":"10.7202/1005554ar","title":"“llusions of Absence:” Disappearances, Displacements, and the Limits of Responsibility in The Winter's Tale and The Remains of the Day","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Servant; Subject (documents); Literature; Judaism; Rest (music); Illusion; Art; History; Philosophy; Psychology; Theology","score_opus":0.03923092172340357,"score_gpt":0.27923289678657665,"score_spread":0.24000197506317308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078136140","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39226088,0.0066377074,0.010287043,0.049293917,0.0016826986,0.000035976496,0.00005116349,0.00011554671,0.5396352],"genre_scores_gemma":[0.98071826,0.0004281146,0.00034384674,0.001104695,0.0002771324,0.000020722147,0.000018873094,0.00006999744,0.017018346],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951567,0.0030866521,0.00010882914,0.00040225504,0.00069222506,0.0005533714],"domain_scores_gemma":[0.9962619,0.0018139071,0.0005412938,0.00048771597,0.00040459842,0.0004905409],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003410989,0.0005201312,0.00043193196,0.0010032075,0.013269523,0.009875028,0.0016279939,0.0021824143,0.0024914914],"category_scores_gemma":[0.006631453,0.0003767905,0.00034165624,0.0005687195,0.07011835,0.0104229795,0.0092942985,0.006562048,0.00033105732],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069134374,0.000022295224,0.00089568424,0.000058012858,0.000007720323,0.00041235297,0.3707222,0.000066895016,0.00043956825,0.6164252,0.0056993696,0.0051816376],"study_design_scores_gemma":[0.000048147012,0.00010330371,0.0029426934,0.000364,0.000031827843,0.0009095827,0.38290495,0.00040991767,0.0013404208,0.20036581,0.4105179,0.0000614103],"about_ca_topic_score_codex":0.007220978,"about_ca_topic_score_gemma":0.010993779,"teacher_disagreement_score":0.013269523,"about_ca_system_score_codex":0.0051368275,"about_ca_system_score_gemma":0.0023414218,"threshold_uncertainty_score":0.037270486},"labels":[],"label_agreement":null},{"id":"W2079336868","doi":"10.1177/1532708603259447","title":"True Love Stories","year":2004,"lang":"en","type":"article","venue":"Culture Studies &#x2194 Critical Methodologies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Impossibility; Narrative; Argument (complex analysis); Articulation (sociology); Philosophy; Gambit; sort; Literature; Epistemology; Art; Linguistics; Computer science; Law","score_opus":0.2126860623800564,"score_gpt":0.41416794064410156,"score_spread":0.20148187826404515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079336868","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027573502,0.009305203,0.0046760165,0.05271926,0.0042377086,0.00005105326,0.00044116747,0.00018195609,0.90081424],"genre_scores_gemma":[0.53368574,0.009145496,0.0020501495,0.01654003,0.0020714535,0.00010419612,0.00048101431,0.0003347607,0.4355872],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962204,0.0020472873,0.0000967367,0.0002634388,0.00089590164,0.0004762099],"domain_scores_gemma":[0.9963043,0.001732336,0.00039775463,0.00042752357,0.00046741165,0.00067071087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021041809,0.0005430274,0.00042332348,0.001068431,0.010501867,0.008271844,0.001165847,0.0024136582,0.035951428],"category_scores_gemma":[0.009746928,0.00033852845,0.00035769097,0.0009762676,0.007445067,0.00940328,0.0069601103,0.0049064765,0.00727615],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006271916,0.000037574995,0.00082432287,0.00021575789,0.000016290927,0.0023895595,0.16679457,0.00006801683,0.00032158225,0.54834855,0.25025442,0.030666633],"study_design_scores_gemma":[0.000003567512,0.000014183798,0.00034494055,0.00013746537,0.000003879369,0.0016327625,0.043974806,0.000054289514,0.0001845392,0.02185988,0.9317799,0.000009834645],"about_ca_topic_score_codex":0.001179393,"about_ca_topic_score_gemma":0.0030186581,"teacher_disagreement_score":0.035951428,"about_ca_system_score_codex":0.0021292241,"about_ca_system_score_gemma":0.0008594164,"threshold_uncertainty_score":0.12026954},"labels":[],"label_agreement":null},{"id":"W2081669620","doi":"10.1215/10407391-2005-004","title":"The Longing for the Material","year":2006,"lang":"en","type":"article","venue":"differences","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Culture theory; Critical theory; Cultural studies; The Holocaust; Affect theory; Affect (linguistics); Literary criticism; Politics; Psychoanalysis; Aesthetics; Sociology; Epistemology; Literature; Psychology; Art; Philosophy; Anthropology; Theology; Political science; Law","score_opus":0.022193312328696365,"score_gpt":0.20412866964700463,"score_spread":0.18193535731830826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081669620","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015569219,0.012357661,0.001961798,0.34004802,0.26306665,0.00014009331,0.00083673885,0.0005101974,0.37952194],"genre_scores_gemma":[0.01352375,0.0041689086,0.0012163653,0.043303423,0.034413777,0.00011077292,0.00050812436,0.0007573808,0.90199757],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967759,0.0007557776,0.00015153771,0.00046406238,0.0013620484,0.00049064937],"domain_scores_gemma":[0.9833362,0.0017553187,0.0006136702,0.0023615398,0.0074987723,0.004434543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043543787,0.0007688653,0.0008014361,0.0018238488,0.009977129,0.015043697,0.0018256978,0.0042335913,0.23753902],"category_scores_gemma":[0.023536982,0.00037586386,0.0008369799,0.0012803497,0.004446857,0.012312848,0.0076040775,0.009582565,0.14711052],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035387173,0.000019263558,0.00011435469,0.0000782558,0.0000032420662,0.00013474816,0.00080261426,0.000012195391,0.00017727553,0.033768892,0.9342016,0.030652113],"study_design_scores_gemma":[0.000002082052,0.000006244385,0.000054483848,0.000066174965,9.868018e-7,0.000049142272,0.00043180436,0.0000059226913,0.000029920584,0.0024950425,0.9968548,0.000003348878],"about_ca_topic_score_codex":0.0025263508,"about_ca_topic_score_gemma":0.00572566,"teacher_disagreement_score":0.23753902,"about_ca_system_score_codex":0.0037387721,"about_ca_system_score_gemma":0.006191728,"threshold_uncertainty_score":0.7946472},"labels":[],"label_agreement":null},{"id":"W2083687956","doi":"10.4000/trans.370","title":"La figure du « geek » comme stratégie de lecture Naviguer dans la « pop culture » à l’ère du surplus culturel","year":2010,"lang":"fr","type":"article","venue":"TRANS-","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Iron Ore Company (Canada)","funders":"","keywords":"Geek; Humanities; Art; Philosophy; Linguistics","score_opus":0.014817613722699696,"score_gpt":0.23457309879822985,"score_spread":0.21975548507553017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083687956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14668687,0.003020847,0.02309561,0.03227654,0.0005598337,0.000056895384,0.000031144362,0.00013180281,0.79414046],"genre_scores_gemma":[0.9120157,0.0009516407,0.002864051,0.0009488468,0.00006518552,0.00003649215,0.00001242738,0.00009418575,0.083011575],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958131,0.0031054614,0.000049364622,0.00025933606,0.00037597553,0.00039677447],"domain_scores_gemma":[0.9980288,0.000921218,0.00021506984,0.00022916718,0.00024102167,0.0003646691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003690056,0.00047211762,0.0002034578,0.000912682,0.006520624,0.009163988,0.00095466763,0.0017308736,0.011030859],"category_scores_gemma":[0.003361508,0.00017662991,0.0002679241,0.00083474384,0.017624084,0.0053959517,0.0038086476,0.0030411351,0.0016579861],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038143102,0.000032589825,0.0018841723,0.0001286824,0.000007447086,0.00020783515,0.13874903,0.00031941655,0.00093509007,0.81204283,0.006199257,0.039455466],"study_design_scores_gemma":[0.000021606342,0.000119571305,0.0038436176,0.00036764998,0.000024112236,0.0003636264,0.16922654,0.0010356402,0.0021615503,0.0886939,0.73409504,0.000047054713],"about_ca_topic_score_codex":0.0073001753,"about_ca_topic_score_gemma":0.019344114,"teacher_disagreement_score":0.011030859,"about_ca_system_score_codex":0.005981107,"about_ca_system_score_gemma":0.004184685,"threshold_uncertainty_score":0.043396115},"labels":[],"label_agreement":null},{"id":"W2087105014","doi":"10.1353/ecf.2000.0048","title":"A Question of Beginnings","year":2000,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Watt; nobody; Realism; Presentation (obstetrics); Scholarship; Prime minister; Excellence; Literature; History; Philosophy; Art history; Art; Law; Epistemology; Power (physics); Political science; Politics","score_opus":0.010893268152969527,"score_gpt":0.21003485121433987,"score_spread":0.19914158306137034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087105014","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004750912,0.019949794,0.006583667,0.44454232,0.014701822,0.000038087644,0.00016629416,0.00017116303,0.5090959],"genre_scores_gemma":[0.47974625,0.012032251,0.007729011,0.21838506,0.023203116,0.0002576618,0.0002909762,0.0010436652,0.25731203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99029607,0.0047540776,0.0002956418,0.0018588237,0.0017663827,0.0010289776],"domain_scores_gemma":[0.98895335,0.004680412,0.0005481641,0.0017260608,0.0023916494,0.0017002474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011411117,0.00069100264,0.0010762607,0.0018013683,0.010845808,0.01665711,0.0021750138,0.007458641,0.016473312],"category_scores_gemma":[0.026308794,0.0006283473,0.00071895414,0.0010635802,0.047422696,0.032886762,0.007866924,0.018851079,0.0061345673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000146023,0.000009453406,0.000075831456,0.000027352067,0.0000021136111,0.000029150742,0.0041354178,0.000014404114,0.000039886734,0.9473087,0.043878216,0.0044648964],"study_design_scores_gemma":[0.000011696731,0.000014790313,0.00011700687,0.00025290615,0.000002190515,0.00009351519,0.0047647175,0.00005157012,0.000069998445,0.3783236,0.6162844,0.000013549618],"about_ca_topic_score_codex":0.0043692114,"about_ca_topic_score_gemma":0.0040526306,"teacher_disagreement_score":0.01665711,"about_ca_system_score_codex":0.0072834385,"about_ca_system_score_gemma":0.005939079,"threshold_uncertainty_score":0.06034845},"labels":[],"label_agreement":null},{"id":"W2087171691","doi":"10.5539/ass.v10n4p288","title":"Body Control in American Cyberspace: A Study on Don Delillo’s White Noise","year":2014,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; Cyberspace; Narrative; White (mutation); Aesthetics; Sociology; History; Literature; Media studies; Art; The Internet; Computer science","score_opus":0.010412455218076955,"score_gpt":0.25413855342984715,"score_spread":0.2437260982117702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087171691","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9591499,0.00052233797,0.00031718495,0.005814121,0.00009159876,0.00002002773,0.000014911589,0.0000054393186,0.03406454],"genre_scores_gemma":[0.9886413,0.00057630945,0.00008729904,0.0020300017,0.000028154349,0.000021054844,0.000010993652,0.000011784101,0.008593072],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971831,0.0013547938,0.000054397577,0.00028125456,0.0005152384,0.00061129034],"domain_scores_gemma":[0.99728453,0.0011532614,0.00036903095,0.00015838406,0.00040080305,0.00063409423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028762342,0.0004744159,0.0006015727,0.0015656092,0.018603265,0.007625987,0.0014138483,0.0025357613,0.004594267],"category_scores_gemma":[0.0040739435,0.00052025984,0.00023655541,0.0016415376,0.0155326035,0.0048271413,0.00550597,0.006068818,0.0005555689],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012333246,0.00015570484,0.0045765154,0.00001741223,0.000001791128,0.00034929469,0.9824698,0.000011088839,0.00019872813,0.006883822,0.0014799493,0.0038435797],"study_design_scores_gemma":[0.0000033550937,0.000032616288,0.006415641,0.00005936336,0.0000034820243,0.00016816097,0.9527347,0.000040893916,0.00007766417,0.00056005357,0.039889395,0.000014653525],"about_ca_topic_score_codex":0.06833371,"about_ca_topic_score_gemma":0.11619304,"teacher_disagreement_score":0.06833371,"about_ca_system_score_codex":0.0060703745,"about_ca_system_score_gemma":0.0036264944,"threshold_uncertainty_score":0.13587195},"labels":[],"label_agreement":null},{"id":"W2089475262","doi":"10.4000/erea.2050","title":"Une terreur par l’image","year":2011,"lang":"fr","type":"article","venue":"E-rea","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.03850914454489007,"score_gpt":0.2205541841264229,"score_spread":0.1820450395815328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089475262","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028878232,0.004171369,0.0041846796,0.021581896,0.0014739204,0.000021218482,0.000119125456,0.00015344987,0.9394161],"genre_scores_gemma":[0.43777296,0.0035658765,0.002094529,0.004575232,0.0010577985,0.00004648263,0.00013779929,0.0003838013,0.5503655],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876785,0.00038586042,0.000029658462,0.00020193831,0.0004591611,0.00015567291],"domain_scores_gemma":[0.9992384,0.00018941135,0.00009051286,0.00012721644,0.0002242254,0.00013033043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009308015,0.0005036144,0.0002805681,0.0009700412,0.006399099,0.009534538,0.00046899327,0.0016747,0.030167675],"category_scores_gemma":[0.0025537943,0.00028393616,0.00032896947,0.00088116986,0.013520034,0.0065665822,0.0047925417,0.00429969,0.006687075],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001388161,0.000027752922,0.0013105767,0.00019467558,0.000018638366,0.00083785836,0.12773205,0.00010906571,0.0031562885,0.7156247,0.094222754,0.056626845],"study_design_scores_gemma":[0.000008597084,0.000026628371,0.0011840082,0.00013499192,0.000007912168,0.00057387864,0.019231312,0.00008158662,0.0006057677,0.011609524,0.96651936,0.00001647406],"about_ca_topic_score_codex":0.01228369,"about_ca_topic_score_gemma":0.018870398,"teacher_disagreement_score":0.030167675,"about_ca_system_score_codex":0.003806412,"about_ca_system_score_gemma":0.001914675,"threshold_uncertainty_score":0.100920916},"labels":[],"label_agreement":null},{"id":"W2096406386","doi":"10.5539/ells.v2n2p71","title":"Toward a Problematics of Postcolonialism: The Gay/Minor Science in Bhabha and Deleuze","year":2012,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postcolonialism (international relations); Sociology; Constructive; Narrative; Hybridity; Resistance (ecology); Subject (documents); Perspective (graphical); Epistemology; Linguistics; Gender studies; Philosophy; Anthropology; Art; Computer science; Visual arts","score_opus":0.0294288077257733,"score_gpt":0.27652532599172136,"score_spread":0.24709651826594806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2096406386","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7356174,0.008492106,0.0055874498,0.040845722,0.00046578472,0.000064132866,0.000020652815,0.000047206016,0.20885953],"genre_scores_gemma":[0.99635834,0.00034047168,0.00024652836,0.00058769574,0.00003637195,0.0000103095135,0.0000027684162,0.000010751856,0.0024067883],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9942935,0.004454484,0.00008739648,0.0002709252,0.000443985,0.00044972647],"domain_scores_gemma":[0.99357164,0.00480422,0.0005314968,0.00036151207,0.00035579904,0.0003753542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0064074323,0.00056650577,0.0006140051,0.0022631795,0.020190898,0.010238005,0.0012975686,0.0028191642,0.001656843],"category_scores_gemma":[0.0073868334,0.00037254035,0.00020232168,0.0017551817,0.07727607,0.0054460894,0.00813394,0.0063264756,0.00015946229],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000152313,0.000013164192,0.00030109353,0.000028849017,0.0000025794832,0.00031800754,0.6496734,0.000019507062,0.00026039922,0.34660035,0.0004191295,0.0023482677],"study_design_scores_gemma":[0.00002432418,0.000075458905,0.002527762,0.00030338072,0.000013880677,0.00093628664,0.6746429,0.00023841437,0.0009759136,0.2003532,0.119870685,0.000037750055],"about_ca_topic_score_codex":0.011562825,"about_ca_topic_score_gemma":0.0138482,"teacher_disagreement_score":0.020190898,"about_ca_system_score_codex":0.006440748,"about_ca_system_score_gemma":0.0035272595,"threshold_uncertainty_score":0.046731114},"labels":[],"label_agreement":null},{"id":"W2096744976","doi":"10.5508/jhs.2008.v8.r40","title":"Review of David M. Carr, Writing on the Tablet of the Heart","year":2010,"lang":"en","type":"article","venue":"Journal of Hebrew Scriptures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Carr; Art; Philosophy; Literature; Theology; Biology","score_opus":0.022694669910473583,"score_gpt":0.24513311788202122,"score_spread":0.22243844797154763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2096744976","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010747964,0.8411039,0.000101271646,0.10203839,0.052341837,0.000010114322,0.00009073033,0.000009916386,0.0041963025],"genre_scores_gemma":[0.0022907918,0.8327409,0.00018352867,0.080099754,0.07367168,0.00003320536,0.00016058143,0.00004036676,0.01077918],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99771935,0.0006271418,0.00033111539,0.00026116509,0.00092540256,0.00013576046],"domain_scores_gemma":[0.9811538,0.008542604,0.0009594994,0.00038240006,0.007831098,0.001130587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036757889,0.0010348418,0.0021167486,0.0075071626,0.0020928842,0.005368518,0.002311225,0.004474937,0.010441084],"category_scores_gemma":[0.021524511,0.00063195045,0.0004936871,0.006263791,0.0040093316,0.0067512156,0.0021868297,0.00667918,0.0077883992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001576778,0.0000059697195,0.00004973996,0.0015883276,0.000011151735,0.00005679647,0.00027321285,0.000021069358,0.0000433742,0.0018051992,0.955981,0.0401485],"study_design_scores_gemma":[0.000004462949,0.00000511745,0.00034398166,0.0024085625,0.000008223538,0.00015470179,0.00026825556,0.0000061983073,0.000026452073,0.00040055823,0.9963651,0.000008332211],"about_ca_topic_score_codex":0.011969079,"about_ca_topic_score_gemma":0.029510599,"teacher_disagreement_score":0.011969079,"about_ca_system_score_codex":0.0035351554,"about_ca_system_score_gemma":0.0062669176,"threshold_uncertainty_score":0.034928918},"labels":[],"label_agreement":null},{"id":"W2101001234","doi":"10.5508/jhs.2009.v9.r57","title":"Review of A.R. Angel, Chaos and the Son of Man","year":2010,"lang":"en","type":"article","venue":"Journal of Hebrew Scriptures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"CHAOS (operating system); Philosophy; Computer science; Computer security","score_opus":0.011649714417175246,"score_gpt":0.22573827124630463,"score_spread":0.2140885568291294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101001234","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006869684,0.9749147,0.000043268792,0.017858475,0.0056743827,0.0000023068358,0.000021525968,0.000002287363,0.0014143717],"genre_scores_gemma":[0.0015012395,0.9743502,0.000069408496,0.01140272,0.011258825,0.000007558067,0.000033600652,0.00000693509,0.0013694841],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989737,0.000329064,0.00015589221,0.000113995535,0.00034934768,0.00007799976],"domain_scores_gemma":[0.990396,0.0056313584,0.00053969625,0.000194469,0.002805859,0.00043267704],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030569271,0.00078743213,0.0017319063,0.006058785,0.0011804563,0.002936726,0.0016364915,0.0032879405,0.0054669823],"category_scores_gemma":[0.010408629,0.00047594548,0.00039620695,0.006435434,0.003330856,0.0049130437,0.0014112446,0.0037119954,0.0035074162],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005364054,0.000019467634,0.00021902929,0.007776828,0.00006353396,0.00016360056,0.0007461398,0.00008698851,0.00011801904,0.010507353,0.8091259,0.17111951],"study_design_scores_gemma":[0.000007314906,0.000012714366,0.0007053534,0.004361358,0.000025387792,0.00030599075,0.00034201363,0.000012334226,0.000042219574,0.0016108495,0.9925639,0.000010525432],"about_ca_topic_score_codex":0.0068254736,"about_ca_topic_score_gemma":0.020043124,"teacher_disagreement_score":0.0068254736,"about_ca_system_score_codex":0.0024016895,"about_ca_system_score_gemma":0.0044048554,"threshold_uncertainty_score":0.01828885},"labels":[],"label_agreement":null},{"id":"W2101268612","doi":"10.1111/j.1600-0730.2010.00998.x","title":"“Lost in the meantime”. Tristram Shandy and Deleuzian Stuttering","year":2010,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Teleology; HERO; Literature; Interim; Stuttering; Focus (optics); Aesthetics; Philosophy; Epistemology; History; Art; Linguistics","score_opus":0.014564475406223288,"score_gpt":0.2141318242263574,"score_spread":0.1995673488201341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101268612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15636057,0.023100015,0.015471961,0.16139662,0.00267387,0.000053694926,0.00011206148,0.00022329317,0.64060783],"genre_scores_gemma":[0.95713973,0.0019540456,0.0012944776,0.0055810586,0.00027023262,0.000046392244,0.000016384005,0.000086048916,0.033611722],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983,0.0011149873,0.000034545425,0.00017546692,0.00023298054,0.00014198109],"domain_scores_gemma":[0.9988747,0.0005781271,0.00012667905,0.00017186045,0.0001444469,0.00010418338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019043718,0.0006296653,0.00028334337,0.00090185995,0.0063051623,0.005238362,0.0008952437,0.0018089525,0.0029452788],"category_scores_gemma":[0.0041672573,0.00020856624,0.00027951057,0.00057689927,0.036268223,0.0050143176,0.0040572234,0.004373159,0.00052797364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023221512,0.0000058743476,0.00017317869,0.00003731643,0.000003863761,0.00034650572,0.07210755,0.00009320363,0.00017869266,0.9148743,0.00814162,0.0040146825],"study_design_scores_gemma":[0.000025919006,0.000053921947,0.0006336352,0.0003019414,0.000017864792,0.001308023,0.0843047,0.00047042666,0.0011267237,0.4884413,0.42327747,0.000038124894],"about_ca_topic_score_codex":0.0047223526,"about_ca_topic_score_gemma":0.006942671,"teacher_disagreement_score":0.0063051623,"about_ca_system_score_codex":0.0037822418,"about_ca_system_score_gemma":0.0021713895,"threshold_uncertainty_score":0.027442217},"labels":[],"label_agreement":null},{"id":"W2106158707","doi":"10.7202/1027430ar","title":"Sublime et abjection dans « The Chinese Lobster » de A.S. Byatt","year":2014,"lang":"fr","type":"article","venue":"Arborescences Revue d études françaises","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Sublime; Art; Art history","score_opus":0.011538359556072336,"score_gpt":0.23158856987833204,"score_spread":0.22005021032225972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2106158707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5924164,0.009262952,0.003506033,0.017057369,0.0004153212,0.00005730626,0.00009918031,0.000040988423,0.37714446],"genre_scores_gemma":[0.9705622,0.0007521342,0.0002929181,0.00053098565,0.000038835085,0.000019131321,0.00001348836,0.000014812399,0.02777557],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996451,0.00019472992,0.000008718072,0.00005231183,0.00004434125,0.00005479363],"domain_scores_gemma":[0.99959487,0.00021183024,0.000040309853,0.000041466337,0.0000671292,0.000044525088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083033857,0.00039720195,0.00020713126,0.0005290958,0.0035637566,0.0029403316,0.00022379009,0.000827197,0.002814039],"category_scores_gemma":[0.00069730537,0.00018446612,0.00016553325,0.00063176465,0.014526587,0.0022732595,0.0011754625,0.0014986472,0.00030612195],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007119274,0.000011204374,0.0021192383,0.00009490678,0.0000067601404,0.0005169254,0.32870463,0.00012624566,0.0018926098,0.65580213,0.0037342715,0.006920021],"study_design_scores_gemma":[0.00006307583,0.00016274289,0.032057445,0.0004691085,0.000065167136,0.0010689519,0.26770958,0.001627007,0.006130042,0.12718534,0.5633119,0.00014960743],"about_ca_topic_score_codex":0.06623762,"about_ca_topic_score_gemma":0.07607073,"teacher_disagreement_score":0.06623762,"about_ca_system_score_codex":0.0048496397,"about_ca_system_score_gemma":0.0024060511,"threshold_uncertainty_score":0.13170415},"labels":[],"label_agreement":null},{"id":"W2107486564","doi":"10.21083/irss.v31i0.496","title":"H. Gustav Klaus, &lt;i&gt;James Kelman&lt;/i&gt;","year":2008,"lang":"en","type":"article","venue":"International Review of Scottish Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Politics; Sociology; Class (philosophy); Media studies; Epistemology; Law; Political science; History; Philosophy","score_opus":0.04474234232280561,"score_gpt":0.29177013560602527,"score_spread":0.24702779328321967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2107486564","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056350767,0.10265581,0.0026878745,0.16740932,0.00860185,0.00006281896,0.0003816718,0.00033398924,0.7122316],"genre_scores_gemma":[0.041430324,0.018372348,0.0010186237,0.012365041,0.000985149,0.000036366986,0.000079764606,0.0001953524,0.9255171],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971074,0.000059857113,0.000010461626,0.00007260055,0.000098965065,0.00004742056],"domain_scores_gemma":[0.9995431,0.00018431999,0.00006319639,0.000034390694,0.00009687153,0.000078253106],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041497266,0.00037781385,0.00017628432,0.00046469097,0.002570901,0.0033386345,0.00051366165,0.0018341203,0.05698375],"category_scores_gemma":[0.0015602747,0.00028840016,0.00011961774,0.00081483397,0.0024265712,0.0030054287,0.0010257068,0.0017019082,0.01429794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018305886,0.0000121444555,0.00039120004,0.00011983303,0.0000016657217,0.00012301828,0.0023075468,0.000050438764,0.00019899552,0.069846265,0.8645222,0.062408276],"study_design_scores_gemma":[9.1311557e-7,0.0000029733442,0.0005823647,0.000104035826,7.8924677e-7,0.0000658803,0.0011885787,0.000029552164,0.00006868523,0.0034195564,0.9945326,0.0000040592145],"about_ca_topic_score_codex":0.03052468,"about_ca_topic_score_gemma":0.07385753,"teacher_disagreement_score":0.05698375,"about_ca_system_score_codex":0.0027030024,"about_ca_system_score_gemma":0.002637706,"threshold_uncertainty_score":0.19062966},"labels":[],"label_agreement":null},{"id":"W2110746732","doi":"10.5539/ells.v2n2p56","title":"A Reflection of Ian McEwan’s Life in His Fiction","year":2012,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Maturity (psychological); Reflection (computer programming); Class (philosophy); Sociology; Psychoanalysis; Psychology; History; Aesthetics; Developmental psychology; Art; Philosophy; Epistemology; Computer science","score_opus":0.021428648701516544,"score_gpt":0.2663293866958609,"score_spread":0.2449007379943444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2110746732","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3026836,0.028958302,0.005422644,0.2541516,0.007882906,0.00007606208,0.00010832831,0.00018141457,0.40053517],"genre_scores_gemma":[0.85978866,0.0075460454,0.0019238268,0.021652471,0.0016973695,0.00005929161,0.000039307786,0.0001452454,0.10714767],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99683774,0.0019624862,0.000040561194,0.00021003284,0.0006367557,0.00031251885],"domain_scores_gemma":[0.99608314,0.0025133672,0.00026537245,0.00011389497,0.0005032442,0.00052095857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002214054,0.0006744714,0.00049471285,0.0015512672,0.018450672,0.0060088937,0.0012267196,0.0029485181,0.0026863115],"category_scores_gemma":[0.008227125,0.00029073987,0.00024476432,0.0010794213,0.020515492,0.004657293,0.004184075,0.008335041,0.00060787605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024855493,0.000029446259,0.0004884296,0.000071041904,0.0000065964855,0.0030675572,0.79717124,0.00013451089,0.0007028653,0.11662313,0.07156346,0.010116888],"study_design_scores_gemma":[0.0000020047794,0.000030360156,0.0005271288,0.00023944466,0.000005527229,0.00252637,0.16295302,0.00013678959,0.0005185537,0.0072296727,0.8258046,0.000026547732],"about_ca_topic_score_codex":0.016261572,"about_ca_topic_score_gemma":0.027625183,"teacher_disagreement_score":0.018450672,"about_ca_system_score_codex":0.00751398,"about_ca_system_score_gemma":0.0030814619,"threshold_uncertainty_score":0.054518044},"labels":[],"label_agreement":null},{"id":"W2114265317","doi":"10.1162/001152604772746765","title":"on a writer's endgame","year":2004,"lang":"en","type":"article","venue":"Daedalus","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Chess endgame; Political science; Computer science; Artificial intelligence","score_opus":0.019787342162015414,"score_gpt":0.2133331761382729,"score_spread":0.1935458339762575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114265317","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020187845,0.022477368,0.001346643,0.23709819,0.024635427,0.000044358578,0.00006422354,0.000096584066,0.6940495],"genre_scores_gemma":[0.35795438,0.0055165547,0.000740783,0.053388435,0.006994149,0.00009366388,0.000029615016,0.00017798928,0.5751045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863285,0.0006703719,0.000041744213,0.00013651657,0.00029038472,0.00022807582],"domain_scores_gemma":[0.99876803,0.00069946115,0.00007610655,0.000097962366,0.00024137416,0.000117077776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015868442,0.000451273,0.00045279125,0.0014103994,0.016347189,0.008324509,0.0010730175,0.0052931057,0.007117839],"category_scores_gemma":[0.0043367487,0.00017463374,0.00028775306,0.0007206066,0.009343691,0.0024936846,0.0035338826,0.0066611995,0.0015474167],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042708023,0.000026066786,0.00018177317,0.00008600247,0.0000064164046,0.00031813592,0.019415678,0.00006451813,0.00023931432,0.69406253,0.26752955,0.018027322],"study_design_scores_gemma":[0.0000065641307,0.000016229205,0.00026298992,0.00023408188,0.000006307933,0.00018172755,0.009665649,0.0000677623,0.00026780812,0.020954955,0.96832687,0.000009079353],"about_ca_topic_score_codex":0.0059825643,"about_ca_topic_score_gemma":0.016686354,"teacher_disagreement_score":0.016347189,"about_ca_system_score_codex":0.0038596694,"about_ca_system_score_gemma":0.0019112761,"threshold_uncertainty_score":0.02800399},"labels":[],"label_agreement":null},{"id":"W2116783169","doi":"10.5539/ells.v5n3p1","title":"Days of Peculiar Splendour: Howards End and The Sea, The Sea in the Context of the Poetics of Summer House Fiction","year":2015,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Character (mathematics); Context (archaeology); Existentialism; Politics; Interpretation (philosophy); Literature; Aesthetics; Philosophy; History; Art; Epistemology; Law; Archaeology; Political science","score_opus":0.02376787086984927,"score_gpt":0.24652485125101073,"score_spread":0.22275698038116146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116783169","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36577824,0.016314443,0.0047794436,0.060910624,0.0058306726,0.000036304595,0.00009489167,0.00013344554,0.546122],"genre_scores_gemma":[0.9509432,0.0019106467,0.00052203896,0.0024881454,0.0009945114,0.000018332168,0.000019705547,0.00008738385,0.043016028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896824,0.00065319496,0.000012155226,0.00006651516,0.00014733171,0.00015261392],"domain_scores_gemma":[0.9990476,0.0006270422,0.00007659422,0.000053283842,0.00006686696,0.00012866787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012541303,0.00024158243,0.0002470651,0.0005376511,0.007437695,0.004552657,0.0005426397,0.0011390656,0.0025594912],"category_scores_gemma":[0.0029815673,0.00016640332,0.00014782028,0.0004907224,0.021832192,0.0024987522,0.0027390239,0.002870263,0.00029253855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011221957,0.000026537,0.00065981585,0.00011236649,0.0000072857697,0.0010548786,0.41409475,0.0001375579,0.00052163587,0.5175526,0.05223585,0.013484514],"study_design_scores_gemma":[0.000012323058,0.00004571429,0.0015634063,0.00021260428,0.000007839708,0.00065642793,0.1820604,0.0001255058,0.0007997081,0.030581476,0.78391606,0.00001855196],"about_ca_topic_score_codex":0.0060676276,"about_ca_topic_score_gemma":0.015619891,"teacher_disagreement_score":0.007437695,"about_ca_system_score_codex":0.003156458,"about_ca_system_score_gemma":0.0015059592,"threshold_uncertainty_score":0.022901773},"labels":[],"label_agreement":null},{"id":"W2116932035","doi":"10.1080/02564718.2010.529311","title":"Not Just a Detective Novel: Trauma, Memory and Narrative Form in<i>Miss Smilla's Feeling for Snow</i>","year":2010,"lang":"en","type":"article","venue":"Journal of Literary Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Postmodernism; Subjectivity; Feeling; Identity (music); Colonialism; Power (physics); Psychoanalysis; Teleology; Sociology; Politics; Character (mathematics); Aesthetics; History; Literature; Philosophy; Epistemology; Psychology; Law; Art; Political science; Archaeology","score_opus":0.05727864522202975,"score_gpt":0.2979152792572127,"score_spread":0.24063663403518293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116932035","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6157684,0.009145991,0.0036549978,0.071366996,0.0030350436,0.000058464517,0.00018772754,0.00019609838,0.2965863],"genre_scores_gemma":[0.98021233,0.0009901983,0.00029069078,0.0013651521,0.00035354684,0.000026237252,0.000032018906,0.00006243544,0.01666727],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810755,0.0010778516,0.000048875623,0.00015001296,0.00036129358,0.00025444358],"domain_scores_gemma":[0.99697053,0.0016789095,0.0004985665,0.00019765388,0.00023736137,0.00041696275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019304785,0.00065642945,0.00051970524,0.0009814472,0.014575873,0.00912015,0.0015145541,0.0026515585,0.00558361],"category_scores_gemma":[0.0061954614,0.00034823772,0.0002762793,0.0007444903,0.022401953,0.006338357,0.0073753637,0.0049516615,0.00053129083],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006210689,0.000030188856,0.0005616265,0.00015381824,0.00000971103,0.0027746758,0.9021424,0.00009080506,0.00072195096,0.07002374,0.01706602,0.0063630305],"study_design_scores_gemma":[0.000013727037,0.00007581263,0.0014043923,0.0003698102,0.000010934071,0.004478087,0.6676109,0.00014346497,0.000809927,0.0112105915,0.31382528,0.000047063666],"about_ca_topic_score_codex":0.006365893,"about_ca_topic_score_gemma":0.009018997,"teacher_disagreement_score":0.014575873,"about_ca_system_score_codex":0.004240848,"about_ca_system_score_gemma":0.0018679838,"threshold_uncertainty_score":0.030769706},"labels":[],"label_agreement":null},{"id":"W2126874056","doi":"10.1017/s1060150311000337","title":"SISTER OF THE TYPE: THE FEMINIST COLLECTIVE IN GRANT ALLEN'S<i>THE TYPE-WRITER GIRL</i>","year":2012,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Wonder; Subject (documents); Girl; Paragraph; Sister; Narrative; Literature; History; Art; Sociology; Philosophy; Psychology; Law; Computer science; Political science; Epistemology","score_opus":0.01565439484359732,"score_gpt":0.21665538524407774,"score_spread":0.20100099040048042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126874056","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12605852,0.0091547575,0.0058428124,0.07952316,0.0070831357,0.00009412,0.0002265098,0.0002013621,0.7718157],"genre_scores_gemma":[0.6912657,0.0018243869,0.0011029472,0.008292442,0.0010946102,0.00011081571,0.000054477583,0.00030246555,0.29595214],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983461,0.0008341377,0.000023953582,0.00022447834,0.00034090603,0.00023050143],"domain_scores_gemma":[0.99932516,0.00021512444,0.0000898527,0.000042294552,0.00013238488,0.00019524657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015330273,0.00048258493,0.00039330835,0.0004579941,0.012918138,0.004848167,0.0008198102,0.0017941659,0.010700676],"category_scores_gemma":[0.0030358068,0.00036227997,0.00017812841,0.0004669197,0.0087304,0.004452721,0.004526433,0.0041808304,0.0018998482],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008468043,0.00003281762,0.00092447083,0.00013128726,0.0000055704863,0.0015804186,0.49897185,0.000036504858,0.0011138696,0.32564023,0.15548927,0.015989138],"study_design_scores_gemma":[0.000006833109,0.00002666155,0.00053621264,0.00015574631,0.0000031927425,0.00090607605,0.10447174,0.000036028174,0.00032495693,0.006359129,0.88716125,0.00001228669],"about_ca_topic_score_codex":0.011557442,"about_ca_topic_score_gemma":0.020448389,"teacher_disagreement_score":0.012918138,"about_ca_system_score_codex":0.0037784474,"about_ca_system_score_gemma":0.0017333538,"threshold_uncertainty_score":0.035797298},"labels":[],"label_agreement":null},{"id":"W2130213941","doi":"10.3968/j.css.1923669720070304.006","title":"Silence：True Communication","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Theme (computing); Conversation; Humanities; Key (lock); Art; Sociology; Literature; Communication; Aesthetics; Computer science","score_opus":0.016645326912553254,"score_gpt":0.23054806428624156,"score_spread":0.2139027373736883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2130213941","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07699718,0.041198503,0.018100634,0.17171791,0.00807443,0.00008154406,0.00015415749,0.00025776261,0.6834178],"genre_scores_gemma":[0.9319985,0.0071293116,0.0009397915,0.010156216,0.0019611963,0.000073907635,0.00005179986,0.00012634696,0.047562953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98958033,0.005900913,0.00023683754,0.0009165807,0.0024403105,0.00092503865],"domain_scores_gemma":[0.991197,0.0055616456,0.0009115215,0.00059227436,0.0011870072,0.0005505549],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054059746,0.00063554733,0.0005173183,0.00105478,0.011308367,0.00913323,0.0013714044,0.0038284913,0.007467479],"category_scores_gemma":[0.014934664,0.0003225441,0.0004049207,0.0009995579,0.039129533,0.010940888,0.007282976,0.0060171103,0.0021875084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007552664,0.000011982516,0.00048639628,0.00026812727,0.000012763305,0.00069504546,0.3393598,0.000074045405,0.0007170765,0.61251664,0.019583335,0.0261993],"study_design_scores_gemma":[0.000018562921,0.00006650066,0.0007944303,0.0008875431,0.000020760757,0.0010992197,0.11976305,0.00014879378,0.0011704793,0.1071988,0.76878405,0.000047816524],"about_ca_topic_score_codex":0.008236896,"about_ca_topic_score_gemma":0.0049485727,"teacher_disagreement_score":0.011308367,"about_ca_system_score_codex":0.0068439334,"about_ca_system_score_gemma":0.0036405742,"threshold_uncertainty_score":0.04965651},"labels":[],"label_agreement":null},{"id":"W2130320862","doi":"10.7202/501118ar","title":"Les murmures de la machine : lire à travers le Bruit de fond de Don DeLillo","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01616568436978306,"score_gpt":0.24803188001915188,"score_spread":0.23186619564936883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2130320862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07684754,0.015918238,0.019560333,0.18437736,0.0035783532,0.00003868286,0.000082922474,0.00017357102,0.699423],"genre_scores_gemma":[0.8570435,0.004198005,0.0023254745,0.008828703,0.0014864276,0.000052453295,0.000026447666,0.00028960005,0.12574947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948302,0.0035010187,0.000060690258,0.00040156126,0.00088323135,0.00032322312],"domain_scores_gemma":[0.994871,0.0035257074,0.00030746282,0.00038655574,0.000625812,0.00028347774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038556035,0.0004934721,0.0004352232,0.0014758924,0.008408611,0.010108974,0.0007337717,0.002630274,0.0070040836],"category_scores_gemma":[0.012862088,0.0002121445,0.00026929655,0.0009721238,0.025463862,0.007840999,0.0038839006,0.005281018,0.0010749312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058960068,0.000010860297,0.0005346617,0.000075705284,0.000004528074,0.00020313742,0.093709834,0.00011568562,0.00025264616,0.86555845,0.024522088,0.014953488],"study_design_scores_gemma":[0.00001881224,0.000048836715,0.0010898442,0.0004687902,0.000010542198,0.0003622468,0.063035324,0.00054500054,0.00082551665,0.12842713,0.8051285,0.00003948462],"about_ca_topic_score_codex":0.0108425915,"about_ca_topic_score_gemma":0.016047915,"teacher_disagreement_score":0.0108425915,"about_ca_system_score_codex":0.004988145,"about_ca_system_score_gemma":0.002384321,"threshold_uncertainty_score":0.036191702},"labels":[],"label_agreement":null},{"id":"W2136220696","doi":"","title":"Jane Campbell. A. S. Byatt and the Heliotropic Imagination","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; History; Art; Art history; Psychology","score_opus":0.012387450338860769,"score_gpt":0.2581236320183653,"score_spread":0.24573618167950453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136220696","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00118834,0.64259386,0.0002776066,0.2618179,0.013203738,0.0000061753776,0.000030387835,0.000019809115,0.08086213],"genre_scores_gemma":[0.080042444,0.60259247,0.0008997672,0.085873745,0.018771615,0.000044210465,0.000092895854,0.00010902343,0.21157375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876726,0.0005957146,0.00003774802,0.00010898259,0.0003904004,0.000099890894],"domain_scores_gemma":[0.995497,0.0024623151,0.00033908355,0.00014476632,0.0012286761,0.00032815215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023956627,0.0003623919,0.0005038677,0.002549549,0.0051051774,0.006189724,0.00075508317,0.0035219574,0.01006137],"category_scores_gemma":[0.0061110407,0.00020401533,0.00023458585,0.0026625204,0.005287738,0.0056365393,0.0018530497,0.0041261115,0.0028329918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029086861,0.000010227795,0.00018512509,0.00046258105,0.0000062620675,0.00010623177,0.00292974,0.00005272548,0.00006641838,0.112421736,0.8400478,0.04368208],"study_design_scores_gemma":[0.0000028692423,0.00000568523,0.00028191853,0.00068902905,0.000003106408,0.00009963023,0.0021950437,0.000016516009,0.000043247175,0.009776272,0.98688287,0.000003969002],"about_ca_topic_score_codex":0.009319983,"about_ca_topic_score_gemma":0.023232406,"teacher_disagreement_score":0.01006137,"about_ca_system_score_codex":0.002662124,"about_ca_system_score_gemma":0.0034266945,"threshold_uncertainty_score":0.033658683},"labels":[],"label_agreement":null},{"id":"W2136705571","doi":"","title":"A Postmodernist Reading of Tom Stoppard's Arcadia","year":2010,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Arcadia; Postmodernism; Nothing; Comedy; Literature; Absurdism; Tragedy (event); Deconstruction (building); Philosophy; Narrative; Aesthetics; Metafiction; Skepticism; Art; Epistemology","score_opus":0.020240053017246924,"score_gpt":0.29181251697617405,"score_spread":0.27157246395892715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136705571","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06944005,0.02060011,0.01120748,0.071237616,0.0021465458,0.00006321591,0.00020320859,0.00019918205,0.8249025],"genre_scores_gemma":[0.8994516,0.0034835597,0.0029955579,0.008301313,0.0007063852,0.000104027014,0.00009206197,0.00017174461,0.08469367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99867815,0.00068127207,0.00002995351,0.0001961665,0.00025770825,0.00015663654],"domain_scores_gemma":[0.99904007,0.00054588343,0.000076662036,0.00008398265,0.00016226538,0.000091083675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013442975,0.0005530432,0.00030631258,0.0016129375,0.00825184,0.0051980778,0.0011476283,0.0025587366,0.0065374193],"category_scores_gemma":[0.0022559725,0.00026938846,0.00022561611,0.0014368254,0.016567325,0.004842927,0.0028111194,0.0045466553,0.0009637259],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003551019,0.000016350046,0.00021590451,0.00006693655,0.0000027725594,0.00031528177,0.10297621,0.000064433974,0.0002299153,0.870529,0.020642,0.004905711],"study_design_scores_gemma":[0.000010378522,0.00002702631,0.00083493016,0.00018057492,0.00000530687,0.00062677386,0.030509373,0.00028500304,0.00033946094,0.07824949,0.88891387,0.0000179507],"about_ca_topic_score_codex":0.011625775,"about_ca_topic_score_gemma":0.014110005,"teacher_disagreement_score":0.011625775,"about_ca_system_score_codex":0.0070482306,"about_ca_system_score_gemma":0.0022792816,"threshold_uncertainty_score":0.05113876},"labels":[],"label_agreement":null},{"id":"W2143385066","doi":"","title":"The Quest for Community in American Postmodern Fiction","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Postmodernism; Ideology; Liberalism; Politics; Aesthetics; Sociology; Just society; State (computer science); Classical liberalism; Law; End of history; Environmental ethics; Philosophy; Political science; Epistemology","score_opus":0.04462381048856088,"score_gpt":0.3075422027849374,"score_spread":0.2629183922963765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143385066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07969008,0.023267208,0.008830852,0.11355241,0.0055537773,0.00004691332,0.00008159932,0.0001344441,0.7688427],"genre_scores_gemma":[0.94361436,0.003386802,0.001804225,0.008302966,0.0028489535,0.00008453221,0.000034911227,0.00009980553,0.039823405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782276,0.0015019581,0.00003417014,0.00016305504,0.00023518449,0.0002429754],"domain_scores_gemma":[0.9969131,0.0022273,0.00018275352,0.00021383316,0.00028446596,0.00017848564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002171063,0.0005186687,0.0002943018,0.0017036053,0.013729609,0.007250198,0.0007490494,0.002072329,0.0026584184],"category_scores_gemma":[0.0052889697,0.00018050325,0.00020302607,0.0013833288,0.033576105,0.0065294835,0.0030908699,0.004582417,0.00041024876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001682579,0.000008886852,0.00013356538,0.000031228064,0.0000017014771,0.00009321662,0.07295278,0.000047650006,0.00008559131,0.9036729,0.018459965,0.004495813],"study_design_scores_gemma":[0.000007818477,0.00001982181,0.00042871555,0.0001665709,0.000004720834,0.00021206106,0.027252447,0.00032983025,0.0002435978,0.17595625,0.79536265,0.000015490301],"about_ca_topic_score_codex":0.0050098374,"about_ca_topic_score_gemma":0.010858605,"teacher_disagreement_score":0.013729609,"about_ca_system_score_codex":0.0060367426,"about_ca_system_score_gemma":0.0016808545,"threshold_uncertainty_score":0.043799818},"labels":[],"label_agreement":null},{"id":"W2148185572","doi":"","title":"\"Wallowing in the “Great Dark Lake of Male Rage:\" The Masculine Ecology of Don DeLillo's White Noise","year":2009,"lang":"en","type":"article","venue":"The journal of ecocriticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Masculinity; Subjectivity; White (mutation); Aesthetics; Immediacy; Malaise; Literature; Performative utterance; Sociology; Gender studies; Philosophy; Art; Epistemology","score_opus":0.015812615794151393,"score_gpt":0.22945763219294835,"score_spread":0.21364501639879696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2148185572","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27655786,0.005540008,0.007689097,0.10009285,0.0031779446,0.000052134663,0.00007112357,0.00016529931,0.60665363],"genre_scores_gemma":[0.89643955,0.0009434895,0.00057158916,0.009047429,0.0002968496,0.000025527599,0.000014067233,0.00010321979,0.09255831],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981511,0.0010126785,0.000017620996,0.00022088039,0.00030474376,0.00029293617],"domain_scores_gemma":[0.9992803,0.0002517087,0.00008713747,0.00004477905,0.00014039778,0.00019568537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014273816,0.0004993132,0.00021173651,0.00044019613,0.012103053,0.006455527,0.00068742654,0.0018060843,0.004491588],"category_scores_gemma":[0.002583229,0.00024962396,0.00017560084,0.0002294555,0.019057352,0.0029100704,0.0035925321,0.0032253067,0.0008638223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014735441,0.000058217218,0.0026143142,0.00014133239,0.000011569239,0.0011728349,0.451434,0.000113893366,0.002036494,0.421534,0.09321203,0.027523916],"study_design_scores_gemma":[0.000011489894,0.00006280156,0.0015173894,0.0002273636,0.000010355831,0.00075345853,0.21343443,0.00013329598,0.0010191625,0.01440673,0.76838815,0.00003530355],"about_ca_topic_score_codex":0.018315837,"about_ca_topic_score_gemma":0.047599707,"teacher_disagreement_score":0.018315837,"about_ca_system_score_codex":0.003162652,"about_ca_system_score_gemma":0.0015593991,"threshold_uncertainty_score":0.036418498},"labels":[],"label_agreement":null},{"id":"W2150147348","doi":"10.25071/1918-6215.37457","title":"Affective (Dis)Ability: Ian Brown’s Search for “Inner Life” in The Boy in the Moon","year":2013,"lang":"en","type":"article","venue":"Critical Disability Discourses","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Astrobiology; Art; Psychology; Art history; Psychoanalysis; Physics","score_opus":0.048877509074199126,"score_gpt":0.31960767768006937,"score_spread":0.27073016860587024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2150147348","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35656857,0.01416235,0.002746843,0.17953083,0.0021936845,0.00003491581,0.000043649135,0.000078955505,0.44464016],"genre_scores_gemma":[0.9690175,0.0021502527,0.0003519003,0.0044962056,0.00016362408,0.000012861589,0.000007144789,0.00004577724,0.02375481],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813,0.001136385,0.000023436598,0.0001128831,0.0003260029,0.00027127762],"domain_scores_gemma":[0.99769837,0.0013018221,0.00016195768,0.00006646115,0.0003644517,0.00040693683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018929464,0.00034133685,0.00027955507,0.000804389,0.01757909,0.0042911675,0.00086344,0.0016156313,0.0022548253],"category_scores_gemma":[0.0036385234,0.00017164173,0.00013138562,0.00055683806,0.034291103,0.0033001974,0.0036857005,0.004845214,0.00023323612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017656226,0.000010293935,0.0005422956,0.000053218537,0.0000027004855,0.0005457384,0.84822273,0.000052491934,0.0003374331,0.12928745,0.017242758,0.0036852574],"study_design_scores_gemma":[0.0000036134381,0.000017524253,0.0013875576,0.00018313919,0.0000045842094,0.00058360613,0.7119784,0.00008261984,0.00031630427,0.011312598,0.27411002,0.000020101219],"about_ca_topic_score_codex":0.12566467,"about_ca_topic_score_gemma":0.1957814,"teacher_disagreement_score":0.12566467,"about_ca_system_score_codex":0.009513603,"about_ca_system_score_gemma":0.005177077,"threshold_uncertainty_score":0.24986643},"labels":[],"label_agreement":null},{"id":"W2151744090","doi":"10.1111/j.1741-4113.2011.00787.x","title":"Resistance to Genocide in the Postmodern <i>Beowulf</i>","year":2011,"lang":"en","type":"article","venue":"Literature Compass","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Monster; Postmodernism; Literature; Poetry; HERO; Resistance (ecology); Art; Genocide; Aesthetics; Psychoanalysis; Psychology; Philosophy","score_opus":0.03948426783931002,"score_gpt":0.2211030087266086,"score_spread":0.18161874088729857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2151744090","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54525,0.0031673477,0.0025387085,0.032376755,0.00074141216,0.000035494908,0.000016000671,0.0000472104,0.41582707],"genre_scores_gemma":[0.9814648,0.00030726232,0.00012389684,0.00073053694,0.000103183076,0.000011184625,0.000003264038,0.00001814229,0.01723773],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997883,0.0013643266,0.000045041113,0.00015025724,0.0002472496,0.000310093],"domain_scores_gemma":[0.99648476,0.0022892514,0.00048901024,0.00026658105,0.00022593219,0.00024435687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004627708,0.00030692908,0.00027770936,0.0007166505,0.008627787,0.007297318,0.00076071697,0.0026601283,0.0038429964],"category_scores_gemma":[0.0049708155,0.00018581162,0.00011124139,0.00051379635,0.033997953,0.00255921,0.004348575,0.0039944025,0.0003277833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036676105,0.00002287172,0.0005049137,0.000038378686,0.0000035279627,0.00042803967,0.49430308,0.00006417782,0.00059702474,0.4924579,0.0056081032,0.005935314],"study_design_scores_gemma":[0.000028866065,0.00014576437,0.0035454826,0.00052132364,0.000017008077,0.00081451464,0.30363685,0.00043288653,0.0021386095,0.07497806,0.61370593,0.000034741406],"about_ca_topic_score_codex":0.004056252,"about_ca_topic_score_gemma":0.0061311377,"teacher_disagreement_score":0.008627787,"about_ca_system_score_codex":0.0043168967,"about_ca_system_score_gemma":0.0017731239,"threshold_uncertainty_score":0.031321406},"labels":[],"label_agreement":null},{"id":"W2154167393","doi":"10.26522/br.v10i2.48","title":"“Madness” and Desire: &lt;i&gt;Jane Eyre&lt;/i&gt; and &lt;i&gt;Wittgenstein’s Nephew&lt;/i&gt;","year":2009,"lang":"en","type":"article","venue":"The Brock Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Nephew and niece; Narrative; Character (mathematics); Crutch; Power (physics); Psychoanalysis; Sociology; Art; Literature; Aesthetics; Psychology; History; Philosophy; Linguistics","score_opus":0.025271174934670657,"score_gpt":0.23616087611640643,"score_spread":0.21088970118173578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154167393","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1186272,0.23295033,0.0011917057,0.20427692,0.0024792033,0.000024432327,0.000034056353,0.000031830776,0.44038427],"genre_scores_gemma":[0.8816257,0.040488876,0.00029904055,0.010453929,0.000920975,0.00004010208,0.000022179953,0.000043773933,0.06610546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818027,0.0012475395,0.000033322478,0.00013457816,0.00024358084,0.00016071131],"domain_scores_gemma":[0.99907136,0.0005604097,0.00016070284,0.000033196287,0.00006951472,0.000104790066],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016202272,0.00030140154,0.0003158326,0.0009763332,0.003945619,0.0057247314,0.00059144787,0.0025187526,0.0035586501],"category_scores_gemma":[0.002903282,0.00018033982,0.00012119377,0.0011492271,0.012954163,0.00475603,0.002570006,0.002426809,0.00037135233],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006437443,0.000044119093,0.00087589334,0.00056329306,0.000016919375,0.0012601996,0.24918899,0.00011509839,0.00046060613,0.6361602,0.077280745,0.0339696],"study_design_scores_gemma":[0.000016088507,0.000044239576,0.0036524953,0.001387663,0.000012675154,0.0012809652,0.15557489,0.0000779655,0.00044956972,0.02916591,0.80831134,0.000026332675],"about_ca_topic_score_codex":0.010185212,"about_ca_topic_score_gemma":0.016673975,"teacher_disagreement_score":0.010185212,"about_ca_system_score_codex":0.0033416538,"about_ca_system_score_gemma":0.002034876,"threshold_uncertainty_score":0.02424556},"labels":[],"label_agreement":null},{"id":"W2158370745","doi":"10.5539/ells.v8n1p120","title":"The Effeminized Hero or Authorial Projection: Charlotte Bronte’s The Professor","year":2018,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Art; Feeling; State (computer science); Literature; Aesthetics; Art history; Philosophy","score_opus":0.024217978133055495,"score_gpt":0.2922631935421756,"score_spread":0.26804521540912013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2158370745","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03045867,0.041649904,0.0015207779,0.44185713,0.015980512,0.000042803014,0.000059734397,0.00008644739,0.46834418],"genre_scores_gemma":[0.42948207,0.010683504,0.0008188487,0.098621815,0.005023855,0.00009562357,0.000025852869,0.00019905427,0.45504946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99691343,0.001939533,0.000033463246,0.000293381,0.00044622767,0.0003738398],"domain_scores_gemma":[0.99816126,0.0007180676,0.00013968862,0.00009408224,0.00038625696,0.00050072605],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025268977,0.00048598595,0.00041995264,0.0008928372,0.013308507,0.009760224,0.00095532037,0.0031369792,0.0059648165],"category_scores_gemma":[0.005536202,0.00030530643,0.00018321873,0.000715498,0.015317016,0.0043318598,0.004308013,0.010012777,0.0014597256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064198124,0.000042208936,0.00041804928,0.00009291472,0.000007773179,0.0007127828,0.09477634,0.00004871358,0.00032682315,0.5158367,0.37718803,0.010485521],"study_design_scores_gemma":[0.00000508369,0.000012298326,0.00016219963,0.00014705691,0.0000021396797,0.00029580007,0.015395446,0.000028481218,0.00009017142,0.0050786994,0.9787719,0.000010724202],"about_ca_topic_score_codex":0.026663067,"about_ca_topic_score_gemma":0.057408318,"teacher_disagreement_score":0.026663067,"about_ca_system_score_codex":0.0075024036,"about_ca_system_score_gemma":0.0052133924,"threshold_uncertainty_score":0.054434},"labels":[],"label_agreement":null},{"id":"W2160752408","doi":"10.1353/vcr.2005.0000","title":"Female Gothic Motifs in Mona Caird's The Wing of Azrael","year":2005,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Literature; Narrative; Context (archaeology); Objectivism; Art; Aesthetics; Philosophy; Feminism; History; Art history; Poetry; Sociology; Gender studies; Epistemology; Archaeology","score_opus":0.02758482489918029,"score_gpt":0.24856600277695554,"score_spread":0.22098117787777524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160752408","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15373857,0.010587326,0.00040187853,0.022045214,0.0011062621,0.000034706907,0.00014564878,0.00007192529,0.81186855],"genre_scores_gemma":[0.7899689,0.0012534431,0.00017920898,0.0016365935,0.00026809543,0.000016626054,0.000038468108,0.000056015833,0.20658271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996025,0.00012347692,0.00000463598,0.000047214176,0.00009006846,0.00013204983],"domain_scores_gemma":[0.9998355,0.00003776858,0.000020550073,0.000013147983,0.000030011654,0.00006300381],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004052864,0.00031184842,0.00020300825,0.00059689913,0.010563499,0.0043228013,0.0005983072,0.0009178442,0.010486172],"category_scores_gemma":[0.0006768145,0.00012755407,0.000105228086,0.0006145109,0.00727293,0.0005815241,0.0021842145,0.0017974388,0.0007657916],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002092237,0.0000447959,0.0021495358,0.00017866418,0.000014070593,0.0020103029,0.23844188,0.00017177787,0.0016081186,0.59173584,0.12660879,0.036827043],"study_design_scores_gemma":[0.000009322428,0.000016503887,0.0043059406,0.000100792815,0.0000046461755,0.00030139394,0.02463822,0.000045935554,0.000534639,0.002744213,0.96728545,0.000012853032],"about_ca_topic_score_codex":0.101277724,"about_ca_topic_score_gemma":0.2958529,"teacher_disagreement_score":0.101277724,"about_ca_system_score_codex":0.010982426,"about_ca_system_score_gemma":0.0025052188,"threshold_uncertainty_score":0.20137644},"labels":[],"label_agreement":null},{"id":"W2161424421","doi":"","title":"ENG 3809-001: Punk Britannia? Terror, Violence, and Dystopia in Contemporary British Literature","year":2015,"lang":"en","type":"article","venue":"The Keep (Eastern Illinois University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Punk; History; Media studies; Sociology; Art history; Art; Literature","score_opus":0.03641891628323675,"score_gpt":0.1972491440450476,"score_spread":0.16083022776181083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161424421","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1373353,0.1195902,0.00025839193,0.060362007,0.0054036733,0.000042839245,0.00032628712,0.00008545486,0.67659587],"genre_scores_gemma":[0.68956226,0.036166996,0.00034334633,0.008391254,0.0007304091,0.000044280205,0.00013254114,0.00009948006,0.2645295],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994634,0.00018343415,0.000024572211,0.00005929399,0.00014277082,0.00012656528],"domain_scores_gemma":[0.9991911,0.00041635873,0.00006141588,0.000029228358,0.00015185012,0.00014992195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007020225,0.0002462441,0.00015591751,0.0020439725,0.009992774,0.006492528,0.00055705226,0.0012739629,0.013259762],"category_scores_gemma":[0.0012592443,0.00026129867,0.00007034001,0.002709763,0.005418901,0.0019388213,0.0014316645,0.0013612197,0.0015366422],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013391371,0.0001075296,0.006767726,0.0013286797,0.000014897396,0.0017050046,0.3356097,0.00022637802,0.0018742454,0.16681279,0.38208294,0.10333623],"study_design_scores_gemma":[0.000002121059,0.000013758501,0.00977735,0.00047420294,0.000004163618,0.00027621462,0.07771263,0.000058011086,0.00013785722,0.0013875089,0.9101369,0.000019198766],"about_ca_topic_score_codex":0.2312737,"about_ca_topic_score_gemma":0.45146292,"teacher_disagreement_score":0.2312737,"about_ca_system_score_codex":0.011460869,"about_ca_system_score_gemma":0.0038704993,"threshold_uncertainty_score":0.45985508},"labels":[],"label_agreement":null},{"id":"W2161683946","doi":"","title":"Brenner, Rachel Feldhay. Writing as Resistance: Four Women Confronting the Holocaust - Edith Stein, Simone Weil, Anne Frank, Etty Hillesum. University Park: Pennsylvania State University Press, 1997.","year":2003,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); The Holocaust; State (computer science); Art history; Art; Sociology; Gerontology; Theology; Philosophy; Medicine; Computer science; Biology","score_opus":0.015120285494651999,"score_gpt":0.2073455407237939,"score_spread":0.1922252552291419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161683946","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045707845,0.5747227,0.0014180542,0.34127584,0.009300216,0.000107101,0.00028678504,0.000120718374,0.06819782],"genre_scores_gemma":[0.1477201,0.50734544,0.0036004868,0.11099806,0.006547307,0.0004771114,0.00025134813,0.00048553105,0.22257453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984206,0.00072283135,0.000109917826,0.0001226381,0.00043785237,0.00018605389],"domain_scores_gemma":[0.9929154,0.0039389906,0.0005143834,0.00015402319,0.0017442682,0.00073298346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00293174,0.0013595544,0.0007422956,0.0029362848,0.013659386,0.0067146583,0.0021258309,0.0065674935,0.016583253],"category_scores_gemma":[0.0073337634,0.000866423,0.00040972914,0.0035303277,0.0067112525,0.013780153,0.0033944647,0.00783919,0.006389038],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074882635,0.000045903187,0.0009579212,0.00044319028,0.000013858041,0.00041429026,0.04851315,0.00004412627,0.00023294473,0.026724381,0.84110093,0.0814345],"study_design_scores_gemma":[0.00003030503,0.00002686288,0.0040663937,0.0017438085,0.000023858142,0.00033345565,0.0690225,0.000036478086,0.00038098544,0.025762733,0.89854246,0.00003020632],"about_ca_topic_score_codex":0.052712012,"about_ca_topic_score_gemma":0.12677759,"teacher_disagreement_score":0.052712012,"about_ca_system_score_codex":0.0037029826,"about_ca_system_score_gemma":0.0045158486,"threshold_uncertainty_score":0.10481042},"labels":[],"label_agreement":null},{"id":"W2164053147","doi":"","title":"Deleuze's Hume: Philosophy, Culture and the Scottish Enlightenment (review)","year":2009,"lang":"en","type":"article","venue":"Hume studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Enlightenment; Philosophy; Scottish Enlightenment; Epistemology","score_opus":0.037603183855429746,"score_gpt":0.270368123019849,"score_spread":0.2327649391644193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2164053147","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002268043,0.9730516,0.00012196526,0.013923711,0.00074509176,0.0000052169066,0.0000090755775,0.0000037720479,0.009871441],"genre_scores_gemma":[0.06665857,0.91933435,0.00020465256,0.006984261,0.0009554518,0.000015825419,0.00002714666,0.000007812395,0.005811997],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834085,0.000838408,0.00009238091,0.0000847853,0.00048508297,0.00015851343],"domain_scores_gemma":[0.9963965,0.0025906109,0.0002729047,0.0000886602,0.00047241562,0.00017898055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042594927,0.00049999903,0.0009405973,0.0025965134,0.0021871522,0.0053924494,0.0012924623,0.002875779,0.006317019],"category_scores_gemma":[0.0077043837,0.00016113381,0.00027626587,0.0052891476,0.0117565775,0.0044861566,0.002659181,0.0019845124,0.0005972619],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014324114,0.00006952924,0.0016647327,0.014180787,0.00014804697,0.001119648,0.027277285,0.0001826916,0.00041660215,0.14092232,0.11320219,0.700673],"study_design_scores_gemma":[0.000037598053,0.00007121614,0.006741471,0.016198635,0.000087651664,0.0011797583,0.023250148,0.00002962299,0.0002508236,0.024487715,0.9276263,0.000039098995],"about_ca_topic_score_codex":0.022707084,"about_ca_topic_score_gemma":0.058018647,"teacher_disagreement_score":0.022707084,"about_ca_system_score_codex":0.0030673365,"about_ca_system_score_gemma":0.007874996,"threshold_uncertainty_score":0.045149803},"labels":[],"label_agreement":null},{"id":"W2169488638","doi":"10.3138/jcs.42.2.43","title":"Searching for Our Alma Maters: Women Professors in Canadian Fiction Written by Women","year":2008,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Harassment; Sociology; Narrative; Comics; Plot (graphics); Politics; Gender studies; Feminism; Character (mathematics); Media studies; Literature; Psychology; Art; Social psychology; Law; Political science","score_opus":0.07192432989762296,"score_gpt":0.28417266862266344,"score_spread":0.21224833872504048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2169488638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48482803,0.010074695,0.0015514337,0.08768468,0.0021043713,0.00011946351,0.00031454818,0.00014692497,0.41317582],"genre_scores_gemma":[0.90544575,0.003176101,0.0007016487,0.0066458327,0.00021372002,0.000038827104,0.00006833984,0.00012242176,0.08358736],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997004,0.001014499,0.000048442485,0.00026640625,0.0008171638,0.00084950647],"domain_scores_gemma":[0.9964056,0.0014493929,0.00029800268,0.00013918811,0.0008826459,0.00082521606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029325597,0.00069640455,0.00051419705,0.0029017944,0.059342053,0.013224571,0.001909018,0.0041042073,0.009399177],"category_scores_gemma":[0.010935198,0.00038507997,0.00035871714,0.004264349,0.02277057,0.0035972823,0.0053689103,0.004850655,0.0009855776],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000416943,0.000015567011,0.00148342,0.000055624405,0.0000041607445,0.00088643876,0.9315479,0.000051307365,0.00043629357,0.03312258,0.023104165,0.009250833],"study_design_scores_gemma":[0.00000602324,0.000014980032,0.0020428915,0.00015541875,0.000011468842,0.0002999114,0.5970754,0.00007632457,0.0004588677,0.0014568579,0.39837304,0.000028777944],"about_ca_topic_score_codex":0.93281746,"about_ca_topic_score_gemma":0.9735841,"teacher_disagreement_score":0.10533149,"about_ca_system_score_codex":0.10533149,"about_ca_system_score_gemma":0.06338218,"threshold_uncertainty_score":0.76423705},"labels":[],"label_agreement":null},{"id":"W2171416287","doi":"10.71781/14505","title":"A schizoanalytic reading of paradise lost and the waste land","year":2008,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Paradise; Reading (process); Geography; Art; Waste management; Engineering; Art history; Philosophy; Linguistics","score_opus":0.004169364014939789,"score_gpt":0.14118291897859012,"score_spread":0.13701355496365034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2171416287","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02307737,0.005272799,0.0036710717,0.035499703,0.0025001906,0.000029435418,0.00013483208,0.000045577603,0.92976904],"genre_scores_gemma":[0.7695184,0.0032487048,0.0011511779,0.00432246,0.0012761987,0.000064694155,0.00011268248,0.0002647807,0.22004096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986224,0.000861267,0.000029499573,0.00009797891,0.0002022321,0.00018654994],"domain_scores_gemma":[0.99878603,0.0005488267,0.00008578042,0.0001482608,0.00030158187,0.0001295667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016677846,0.0006681656,0.00041383298,0.0022077248,0.012887238,0.010623714,0.0012224102,0.0023137159,0.010767905],"category_scores_gemma":[0.0031143408,0.0002688189,0.0002921762,0.0029779605,0.028084794,0.007952773,0.0037985803,0.0062195477,0.0010868147],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000146898265,0.000007069057,0.000052437797,0.000019872456,0.0000012795398,0.00008453823,0.056368984,0.00004875329,0.00004365085,0.9206352,0.020511871,0.0022117696],"study_design_scores_gemma":[0.000012929076,0.000013003827,0.0006033683,0.00019691928,0.000005937092,0.0001936494,0.11705946,0.0001991288,0.0001828576,0.20234242,0.6791747,0.000015568026],"about_ca_topic_score_codex":0.035101578,"about_ca_topic_score_gemma":0.07742002,"teacher_disagreement_score":0.035101578,"about_ca_system_score_codex":0.013245912,"about_ca_system_score_gemma":0.0044588065,"threshold_uncertainty_score":0.09610623},"labels":[],"label_agreement":null},{"id":"W21782304","doi":"10.1016/j.socscimed.2011.06.022","title":"READINGS FROM THE NEW BOOK OF NATURE: PHYSICS AND PYNCHON'S \"GRAVITY'S RAINBOW\"","year":2016,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Meaning (existential); Scholarship; Narrative; Bohr model; Epistemology; Literature; Philosophy; Aesthetics; Art; Physics; Law; Quantum mechanics","score_opus":0.01027807634063592,"score_gpt":0.20263944130562264,"score_spread":0.19236136496498674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W21782304","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015499529,0.2936873,0.002507345,0.4749474,0.14208889,0.00003349776,0.0002892013,0.00015656164,0.08473993],"genre_scores_gemma":[0.05192916,0.22469814,0.0037849348,0.2247205,0.20807377,0.000121905556,0.00034361883,0.00048127252,0.28584677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992392,0.00032136266,0.00004244834,0.00011174,0.00024311226,0.000042238516],"domain_scores_gemma":[0.9978289,0.0013558161,0.00011153941,0.00009688476,0.00042457753,0.00018224996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011934612,0.00091828767,0.00057275756,0.0018127736,0.0024382214,0.0030445638,0.0010890181,0.0021831454,0.013201549],"category_scores_gemma":[0.0058430377,0.00030812886,0.0005047924,0.001562234,0.0058616833,0.0043083383,0.0016916809,0.0069509046,0.0039220876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015350597,0.000007952916,0.00021893288,0.0001257215,0.0000058524197,0.00005942567,0.0012031719,0.000033314154,0.000053149677,0.019858265,0.9561781,0.022240758],"study_design_scores_gemma":[0.000003316139,0.000009265921,0.0006684761,0.00029281856,0.000004051357,0.00018059429,0.0007986825,0.000033718818,0.00003077635,0.011801832,0.98616856,0.000007981768],"about_ca_topic_score_codex":0.0075783813,"about_ca_topic_score_gemma":0.014314279,"teacher_disagreement_score":0.013201549,"about_ca_system_score_codex":0.0017811668,"about_ca_system_score_gemma":0.0016072401,"threshold_uncertainty_score":0.044163525},"labels":[],"label_agreement":null},{"id":"W218092831","doi":"","title":"Blasting War. (Report and Essay)","year":2002,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globe; Nationalism; Law; Dystopia; Humanity; Politics; Human rights; Sociology; Media studies; Political science; Political economy","score_opus":0.0490858647334388,"score_gpt":0.24538362165896063,"score_spread":0.19629775692552182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W218092831","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027486624,0.07433237,0.0003279109,0.13040532,0.17569645,0.00031463424,0.003809749,0.0003465997,0.61201835],"genre_scores_gemma":[0.007582533,0.0133774085,0.00018320922,0.023640154,0.015410818,0.00021483116,0.0011281045,0.000108440065,0.93835443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991254,0.00012029382,0.000048247497,0.00012115292,0.00042439118,0.00016050905],"domain_scores_gemma":[0.9989517,0.00019252577,0.00009396567,0.000065652435,0.0004899832,0.00020613773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007489356,0.0007623418,0.00030015872,0.0015952757,0.0034795566,0.0038256901,0.00083545846,0.0029579941,0.08821169],"category_scores_gemma":[0.0038453632,0.00025598862,0.00037786964,0.0011191873,0.0005987661,0.002404319,0.002299747,0.0030053528,0.04751827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054644543,0.0000069254083,0.000039648225,0.000038357088,8.9732237e-7,0.000036953286,0.00012238503,0.0000048337183,0.000031188945,0.0011463676,0.9875737,0.010993239],"study_design_scores_gemma":[0.0000012103028,0.0000040031805,0.00029708457,0.00005850628,5.9092486e-7,0.000027391545,0.00017223049,0.000003256854,0.000024376652,0.00015922321,0.99925035,0.0000017278325],"about_ca_topic_score_codex":0.008409557,"about_ca_topic_score_gemma":0.018467316,"teacher_disagreement_score":0.08821169,"about_ca_system_score_codex":0.0021841167,"about_ca_system_score_gemma":0.0027386893,"threshold_uncertainty_score":0.29509747},"labels":[],"label_agreement":null},{"id":"W2187178558","doi":"10.5539/ells.v5n4p8","title":"Kazuo Ishiguro’s The Remains of the Day: A Historiographical Approach","year":2015,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historiography; Narrative; Objectivity (philosophy); Postmodernism; Literature; History; Narrative history; Aesthetics; Epistemology; Philosophy; Art; Archaeology","score_opus":0.02671993457157069,"score_gpt":0.2351130044083609,"score_spread":0.2083930698367902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2187178558","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43889758,0.052606978,0.028368114,0.045308925,0.0044579958,0.000117352385,0.000176949,0.00015944536,0.42990667],"genre_scores_gemma":[0.96870035,0.005385544,0.0025302658,0.0012722095,0.00046796998,0.0000340194,0.000035240122,0.00003542545,0.02153905],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99951327,0.0002487772,0.000027993927,0.00006104158,0.000056392197,0.00009255064],"domain_scores_gemma":[0.9995116,0.00020915213,0.00006678876,0.0000620699,0.00007495538,0.000075332326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015136019,0.0004194483,0.000326232,0.001209236,0.0058404314,0.0040597925,0.0007075193,0.0012869199,0.0012340001],"category_scores_gemma":[0.0013790125,0.0002055085,0.00024521886,0.0015643566,0.013415235,0.004823817,0.0033848593,0.0016455153,0.00019019631],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008380559,0.000020705904,0.0024840808,0.000420031,0.00001635047,0.0018739508,0.50148195,0.00023078737,0.002043729,0.45715505,0.0103029525,0.023886638],"study_design_scores_gemma":[0.000009736052,0.00009445911,0.006233216,0.00044249048,0.00005433219,0.0010476456,0.2200388,0.00036234854,0.0015950575,0.07941952,0.69063824,0.00006411819],"about_ca_topic_score_codex":0.0034407189,"about_ca_topic_score_gemma":0.0070320806,"teacher_disagreement_score":0.0058404314,"about_ca_system_score_codex":0.0024997792,"about_ca_system_score_gemma":0.0014833694,"threshold_uncertainty_score":0.018137217},"labels":[],"label_agreement":null},{"id":"W2194319332","doi":"10.29173/css332","title":"Bomb Me: trans/acting subject into object, an installation for R.I. Simon and Angela Failler","year":2015,"lang":"en","type":"article","venue":"Canadian Social Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Social studies; Object (grammar); Sociology; Mathematics education; Psychology; Computer science; Artificial intelligence; Library science","score_opus":0.09469473796328914,"score_gpt":0.29508102483204457,"score_spread":0.20038628686875543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194319332","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004985588,0.11943979,0.02660394,0.41015616,0.02209039,0.00013447744,0.00056472217,0.0022334196,0.41379157],"genre_scores_gemma":[0.113908306,0.073548846,0.029234027,0.034202058,0.010637431,0.0003750349,0.00037652935,0.0063418825,0.7313759],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978734,0.0011116242,0.000048748727,0.00016427769,0.000644346,0.00015750456],"domain_scores_gemma":[0.9948874,0.0030034527,0.000098430966,0.00045797208,0.0009970068,0.0005558262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00533061,0.0013784419,0.00074174337,0.0029397083,0.021736482,0.010380014,0.0020761073,0.0049659945,0.02687516],"category_scores_gemma":[0.007739708,0.0007692391,0.0005473154,0.0024773027,0.023017334,0.010389795,0.0040084785,0.007089484,0.0071636196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030290452,0.000017713242,0.00015689958,0.00014173696,0.0000047294106,0.00018276228,0.021988632,0.00015561965,0.0003977212,0.17170943,0.75794023,0.04727431],"study_design_scores_gemma":[0.0000052634705,0.0000050468198,0.00021014635,0.00021344263,0.000003629459,0.00009391856,0.005773169,0.000088188375,0.00020250575,0.013215698,0.98017335,0.000015705025],"about_ca_topic_score_codex":0.21904993,"about_ca_topic_score_gemma":0.46921158,"teacher_disagreement_score":0.21904993,"about_ca_system_score_codex":0.012535626,"about_ca_system_score_gemma":0.011281254,"threshold_uncertainty_score":0.43554986},"labels":[],"label_agreement":null},{"id":"W219691581","doi":"10.1177/014833310405300404","title":"<i>Quo Vadis</i>?: Literary Theory beyond Postmodernism","year":2004,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity Western University","funders":"","keywords":"Postmodernism; Humanism; Philosophy; Literary theory; Epistemology; Metaphysics; Postmodern music; Literary criticism; Sociology; Literature; Aesthetics; Postmodern theatre; Theology; Art; Linguistics","score_opus":0.010081858268761196,"score_gpt":0.20162407735549087,"score_spread":0.19154221908672966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W219691581","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009360334,0.13591379,0.015678748,0.40510282,0.01211859,0.000048093596,0.00010815086,0.00013314016,0.42153636],"genre_scores_gemma":[0.68328065,0.062460057,0.010167891,0.07173947,0.022927757,0.00034273116,0.00018565095,0.00033512153,0.14856067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99538213,0.0032934542,0.000117486605,0.00034515432,0.000597752,0.00026395946],"domain_scores_gemma":[0.99235713,0.0049670544,0.0004783564,0.0007664564,0.0009489368,0.00048204223],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00608713,0.00058159424,0.00072446564,0.0024642316,0.007520166,0.017074127,0.0019675368,0.0045782886,0.008772083],"category_scores_gemma":[0.0063273204,0.00025842935,0.00063735095,0.0023991892,0.0453814,0.017358787,0.0034735613,0.0077301087,0.0028930355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009999681,0.00001340867,0.00021152344,0.00017871834,0.0000069844855,0.00007013685,0.012509185,0.00006877214,0.000060120485,0.9414735,0.035065014,0.010332698],"study_design_scores_gemma":[0.0000074415448,0.00002461472,0.00050149346,0.000963896,0.0000058791948,0.00017490184,0.012328347,0.000399999,0.0001396354,0.6589881,0.32644808,0.000017622579],"about_ca_topic_score_codex":0.0043032314,"about_ca_topic_score_gemma":0.0048104282,"teacher_disagreement_score":0.017074127,"about_ca_system_score_codex":0.0061151055,"about_ca_system_score_gemma":0.005114469,"threshold_uncertainty_score":0.044368446},"labels":[],"label_agreement":null},{"id":"W2203294675","doi":"10.3138/cras.2015.s12","title":"Don DeLillo’s Anagogic Postcards: Thematic Inscriptions Writ Small","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Inscribed figure; Social media; Thematic analysis; Media studies; Sociology; Mass media; Spectacle; Tourism; History; Literature; Aesthetics; Art; Law; Political science; Anthropology; Qualitative research; Philosophy; Archaeology","score_opus":0.1368277200285233,"score_gpt":0.3045272663234216,"score_spread":0.16769954629489828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2203294675","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061796937,0.022155177,0.0070317076,0.0647102,0.009415837,0.00007415568,0.0000979659,0.00016838743,0.8345496],"genre_scores_gemma":[0.8479212,0.008138035,0.0021093988,0.008268248,0.0020176666,0.00011670606,0.00005033021,0.00025565052,0.13112271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801826,0.0010122502,0.000040169816,0.00018996451,0.000523188,0.0002161081],"domain_scores_gemma":[0.997389,0.001707022,0.00012894806,0.00020187025,0.0004092173,0.00016380115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020174973,0.00047294726,0.00032288223,0.0020063883,0.008806617,0.0074960045,0.00079820753,0.0017161621,0.004187184],"category_scores_gemma":[0.0071682096,0.00016640635,0.00019490956,0.0014638765,0.019642595,0.004190806,0.0027426642,0.0033925972,0.0006042695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044162345,0.000014162677,0.00036175133,0.0001446781,0.0000034466675,0.00032435547,0.07914878,0.00005665217,0.0003468361,0.8056446,0.0865805,0.02733019],"study_design_scores_gemma":[0.000003756723,0.000010279869,0.0003864713,0.00018608996,0.000002992314,0.00017441784,0.018302392,0.00006269636,0.00022182261,0.0111117065,0.969529,0.000008357777],"about_ca_topic_score_codex":0.016831446,"about_ca_topic_score_gemma":0.036624067,"teacher_disagreement_score":0.016831446,"about_ca_system_score_codex":0.008627203,"about_ca_system_score_gemma":0.0031274192,"threshold_uncertainty_score":0.06259507},"labels":[],"label_agreement":null},{"id":"W2206841666","doi":"10.1353/mod.2015.0070","title":"Shame, Subjectivity, and Self-Expression in Cora Sandel and Jean Rhys","year":2015,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shame; Subjectivity; Depiction; Expression (computer science); Literature; Trilogy; Psychoanalysis; Aesthetics; Psychology; Philosophy; Art; Social psychology; Epistemology","score_opus":0.05057158277149553,"score_gpt":0.24024734542436507,"score_spread":0.18967576265286953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2206841666","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27080923,0.09879064,0.0026381926,0.24290253,0.005311727,0.00009664732,0.00009047041,0.00015649492,0.3792041],"genre_scores_gemma":[0.90925545,0.011656934,0.00093293685,0.009728636,0.0012575089,0.000059277914,0.000017209053,0.00013219724,0.06695986],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99834037,0.000916544,0.000020196156,0.00015235621,0.0004057489,0.00016482592],"domain_scores_gemma":[0.99856263,0.0008622595,0.00013634237,0.00002803382,0.00018824634,0.00022262259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001617764,0.0004499178,0.00031197388,0.0007106284,0.0085942,0.0050612423,0.0006531728,0.002528789,0.0014810854],"category_scores_gemma":[0.0027211327,0.00018502733,0.00015473901,0.0005621532,0.017955368,0.0016987111,0.0020835092,0.003428869,0.00024828737],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060557257,0.00007454425,0.0011448676,0.0001866487,0.000012168399,0.0024486708,0.7104319,0.00034612187,0.0016539306,0.18765499,0.07535001,0.020635698],"study_design_scores_gemma":[0.00001027924,0.00005158899,0.0030386697,0.00047935848,0.000008317272,0.0016909397,0.189841,0.00027164616,0.000765084,0.019689847,0.7840784,0.00007490223],"about_ca_topic_score_codex":0.08116146,"about_ca_topic_score_gemma":0.11758266,"teacher_disagreement_score":0.08116146,"about_ca_system_score_codex":0.007294427,"about_ca_system_score_gemma":0.0050495807,"threshold_uncertainty_score":0.16137809},"labels":[],"label_agreement":null},{"id":"W2207814876","doi":"","title":"On the Motif of Death in Julian Barnes' the Sense of an Ending","year":2015,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Motif (music); Theme (computing); Sociology; Interpersonal communication; Psychoanalysis; History; Aesthetics; Psychology; Philosophy; Social science","score_opus":0.060362679581801734,"score_gpt":0.25455689579075175,"score_spread":0.19419421620895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2207814876","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1409378,0.013963763,0.0067488793,0.19709253,0.0069279657,0.00003357154,0.000077724726,0.00013113504,0.6340866],"genre_scores_gemma":[0.9542303,0.0013390258,0.00056815246,0.008243313,0.0006203319,0.000017212356,0.00001536782,0.000086176195,0.034880165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977793,0.0013377022,0.000027078731,0.0001307996,0.00041320958,0.00031183052],"domain_scores_gemma":[0.99825686,0.0009103627,0.00021299209,0.000083433486,0.0002776722,0.00025868445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020006886,0.00042695872,0.00033667166,0.000795725,0.012033134,0.007272462,0.0009677376,0.00253823,0.0019152837],"category_scores_gemma":[0.0048108413,0.0002022021,0.000199303,0.00052814075,0.043796696,0.0036458464,0.004113907,0.0065282555,0.00047491744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068071364,0.000011800895,0.00035053524,0.00005728812,0.0000066843713,0.0007206667,0.23279943,0.00011589041,0.00019308999,0.72403514,0.035650738,0.005990669],"study_design_scores_gemma":[0.000024169154,0.000049283168,0.0008063869,0.00030299218,0.000010432245,0.0010615014,0.17204879,0.00021521673,0.00038797755,0.15647145,0.6685741,0.000047754314],"about_ca_topic_score_codex":0.015042473,"about_ca_topic_score_gemma":0.026839467,"teacher_disagreement_score":0.015042473,"about_ca_system_score_codex":0.006417607,"about_ca_system_score_gemma":0.002486454,"threshold_uncertainty_score":0.046563208},"labels":[],"label_agreement":null},{"id":"W2210267502","doi":"10.3138/cras.2015.s13","title":"Terror-Time in Network-Centric Battlespace: DeLillo’s Later Fiction","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Semiotics; Transformative learning; Aesthetics; Politics; Event (particle physics); Literature; Sociology; The Imaginary; Analogy; Epistemology; Art; Psychoanalysis; Philosophy; Psychology; Law","score_opus":0.03971278016636966,"score_gpt":0.2711392766938374,"score_spread":0.23142649652746777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2210267502","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10115753,0.0290623,0.007113087,0.12468143,0.0046334853,0.00006319774,0.00015209516,0.00011390879,0.7330229],"genre_scores_gemma":[0.9258879,0.007775204,0.0010920054,0.00625971,0.0007901967,0.000057699497,0.00003737216,0.000056712164,0.05804322],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99895835,0.00056052324,0.000018048275,0.00011774286,0.00019698107,0.00014832514],"domain_scores_gemma":[0.99830353,0.0011761149,0.00011866886,0.00008472652,0.00018426584,0.00013272879],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010466409,0.0004313226,0.0002160283,0.001303335,0.005473478,0.005865669,0.0008884413,0.0017759376,0.0034309635],"category_scores_gemma":[0.0039469884,0.000106970365,0.00016704031,0.0008752258,0.0150137255,0.003918991,0.0024125148,0.0029543948,0.00042268715],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004347889,0.000022652912,0.000382867,0.00018906931,0.0000037177886,0.000639813,0.122105375,0.00013698114,0.00034887675,0.81229585,0.04692569,0.016905569],"study_design_scores_gemma":[0.000008275074,0.000014145492,0.00046936178,0.0003154837,0.0000046683463,0.0004553694,0.048940655,0.00014124064,0.00031539946,0.021601249,0.9277183,0.000015862577],"about_ca_topic_score_codex":0.02456712,"about_ca_topic_score_gemma":0.04870589,"teacher_disagreement_score":0.02456712,"about_ca_system_score_codex":0.008645273,"about_ca_system_score_gemma":0.0020298876,"threshold_uncertainty_score":0.06272608},"labels":[],"label_agreement":null},{"id":"W2212329493","doi":"10.1093/oxfordhb/9780199566747.013.002","title":"Making Publics and Making Novels","year":2013,"lang":"en","type":"reference-entry","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Public sphere; Watt; Criticism; Politics; Sociology; Making-of; Epistemology; History; Media studies; Political science; Law; Philosophy; Power (physics)","score_opus":0.1060235518693625,"score_gpt":0.2830377849970021,"score_spread":0.1770142331276396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2212329493","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048512537,0.009047362,0.0056926315,0.06325934,0.003666704,0.000049419705,0.0001253844,0.0002522878,0.8693943],"genre_scores_gemma":[0.91757065,0.0039680614,0.0012436205,0.0021389422,0.0024743283,0.000050753722,0.00006145197,0.0002719841,0.07222023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99310017,0.0043418505,0.00019200845,0.0006322873,0.0010807678,0.000652928],"domain_scores_gemma":[0.99245137,0.0042937803,0.0007673425,0.0011294209,0.0007259359,0.00063211314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007234287,0.0006034355,0.0004220128,0.0017666672,0.0139614,0.022466322,0.0012098558,0.002734334,0.010502889],"category_scores_gemma":[0.015216105,0.00038475156,0.00036347102,0.0015925992,0.0382809,0.018290058,0.0069184243,0.004757773,0.0021442987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016934659,0.000019495596,0.00014385841,0.00006306238,0.0000027017654,0.00016552287,0.05063278,0.00008842209,0.00009890451,0.9230343,0.017106427,0.0086276205],"study_design_scores_gemma":[0.000015337713,0.000028298484,0.00032176834,0.00031889413,0.000007224214,0.00022249248,0.047092408,0.00014064727,0.00055738783,0.21271464,0.7385655,0.000015345964],"about_ca_topic_score_codex":0.0013228745,"about_ca_topic_score_gemma":0.0017147281,"teacher_disagreement_score":0.022466322,"about_ca_system_score_codex":0.0059219953,"about_ca_system_score_gemma":0.0035062265,"threshold_uncertainty_score":0.04296726},"labels":[],"label_agreement":null},{"id":"W2215927135","doi":"","title":"Obéissance, je te hais. COSTES, Jean-Philippe. Les Subversifs hollywoodiens – L’esprit critique du cinéma grand public, Montréal, Liber, 2015, 496 p.COSTES, Jean-Philippe. Les Subversifs hollywoodiens – L’esprit critique du cinéma grand public, Montréal, Liber, 2015, 496 p.","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.026567697118291607,"score_gpt":0.23414577470507855,"score_spread":0.20757807758678695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2215927135","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001714152,0.6630675,0.0011903403,0.19407368,0.018760191,0.00003384189,0.0010326229,0.00020564166,0.11992195],"genre_scores_gemma":[0.076692514,0.37403435,0.0023883479,0.040244784,0.01672525,0.00016117789,0.0010589377,0.00075553905,0.4879391],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993112,0.00018072316,0.00002399989,0.00010768711,0.00029476752,0.00008170144],"domain_scores_gemma":[0.99805427,0.0005574976,0.00010015591,0.000059552385,0.0010466437,0.00018187679],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008789364,0.0011920496,0.0004929556,0.00194711,0.0047923573,0.0073355976,0.0014653738,0.0037168658,0.055445395],"category_scores_gemma":[0.003077104,0.0006543642,0.00042149652,0.003277179,0.0028313864,0.005877451,0.0015653318,0.0042459234,0.017394114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024114868,0.00001643292,0.00031015306,0.0003020893,0.000007920255,0.00007705595,0.0040446944,0.000035003373,0.00018480688,0.018018052,0.9483027,0.028676998],"study_design_scores_gemma":[0.000007739657,0.000005346685,0.001980104,0.0003417256,0.000006699342,0.000072098046,0.003334001,0.000030660085,0.00013975077,0.0028807758,0.99119145,0.000009624071],"about_ca_topic_score_codex":0.18326148,"about_ca_topic_score_gemma":0.3269786,"teacher_disagreement_score":0.18326148,"about_ca_system_score_codex":0.006214424,"about_ca_system_score_gemma":0.0041432423,"threshold_uncertainty_score":0.36438954},"labels":[],"label_agreement":null},{"id":"W2216096389","doi":"","title":"Poststructuralism and “The Child”","year":2009,"lang":"fr","type":"article","venue":"Canadian Children's Literature / Littérature canadienne pour la jeunesse","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Sociology","score_opus":0.003516948652224897,"score_gpt":0.17166510707253915,"score_spread":0.16814815842031425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2216096389","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050207946,0.010792096,0.00091664464,0.044041723,0.00048327277,0.0000287009,0.00010461484,0.000037394857,0.89338756],"genre_scores_gemma":[0.92487305,0.0027983466,0.0004958071,0.0036624235,0.00015240813,0.000034370194,0.0000287891,0.00006413425,0.06789062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958633,0.001406377,0.00008083078,0.0003100473,0.0009951108,0.0013443666],"domain_scores_gemma":[0.9959396,0.0015937636,0.00031424442,0.00030213472,0.001271763,0.00057845877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040264307,0.0006166118,0.0004135238,0.00272572,0.03235266,0.013064617,0.0019874081,0.0041334536,0.013563337],"category_scores_gemma":[0.0064240443,0.0002795652,0.00025340778,0.004554734,0.06648802,0.0027718553,0.0043382174,0.0062130666,0.0005554106],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005461083,0.000003917575,0.00024164915,0.000020761654,0.0000018891762,0.00009722801,0.04290636,0.000023572211,0.000038480855,0.9464734,0.007397148,0.0027900347],"study_design_scores_gemma":[0.000017257948,0.000014111032,0.0040066605,0.00046075802,0.000018127566,0.00026611297,0.09631575,0.00007307576,0.00026888392,0.113396324,0.7851357,0.000027243133],"about_ca_topic_score_codex":0.81184787,"about_ca_topic_score_gemma":0.8879866,"teacher_disagreement_score":0.81184787,"about_ca_system_score_codex":0.06832343,"about_ca_system_score_gemma":0.060314678,"threshold_uncertainty_score":0.49572355},"labels":[],"label_agreement":null},{"id":"W2217653681","doi":"","title":"어린 작가의 초상 : 마거릿 로렌스의 『집안의 새』","year":2009,"lang":"ko","type":"article","venue":"새한영어영문학","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Tone (literature); Character (mathematics); Romanticism; Romance; Portrait; Literature; Perspective (graphical); Ideal (ethics); History; Art; Art history; Psychology; Visual arts; Philosophy; Developmental psychology; Epistemology","score_opus":0.01848989522999139,"score_gpt":0.22723114716819487,"score_spread":0.20874125193820348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2217653681","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06413958,0.03875099,0.0021848152,0.092031166,0.005142745,0.000091932845,0.00022705541,0.00022254064,0.79720914],"genre_scores_gemma":[0.4049658,0.0077388766,0.0013565569,0.010060962,0.0005714984,0.0000545447,0.0001067244,0.00020378656,0.57494116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994973,0.000187611,0.000009958544,0.00005949414,0.0001457574,0.000099841665],"domain_scores_gemma":[0.99954045,0.00010073298,0.00004391705,0.000022119151,0.00014680525,0.00014598071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004330567,0.0003599145,0.00018986381,0.00055348093,0.011081218,0.0048251585,0.0006034879,0.0010847864,0.012686809],"category_scores_gemma":[0.0021563987,0.00015812954,0.00013067918,0.00048263624,0.0044689104,0.0014331288,0.0011291293,0.0019357271,0.0028396284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089168636,0.000035312834,0.003106657,0.0002627614,0.000014689951,0.0015077109,0.20637624,0.00010597575,0.0021081553,0.08403347,0.63884294,0.063516915],"study_design_scores_gemma":[0.0000013414962,0.000006572285,0.00091947726,0.00006881318,0.0000018399367,0.0002569048,0.020072345,0.00001347017,0.00026955814,0.000720509,0.9776624,0.000006859698],"about_ca_topic_score_codex":0.13811885,"about_ca_topic_score_gemma":0.3259734,"teacher_disagreement_score":0.13811885,"about_ca_system_score_codex":0.0051235636,"about_ca_system_score_gemma":0.0029119055,"threshold_uncertainty_score":0.27462983},"labels":[],"label_agreement":null},{"id":"W2233521903","doi":"","title":"Stefan Mattessich. Lines of Flight: Discursive Time and Countercultural Desire in the Work of Thomas Pynchon","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Work (physics); Aesthetics; Sociology; Art history; Art; Engineering; Mechanical engineering","score_opus":0.02167785750312549,"score_gpt":0.2596317703976328,"score_spread":0.23795391289450732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2233521903","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054604644,0.5316957,0.0009925924,0.31098053,0.019545153,0.00002218264,0.0002511956,0.000075002696,0.1309772],"genre_scores_gemma":[0.24048705,0.32291678,0.000841369,0.044230074,0.017191023,0.00011027985,0.00019800912,0.00040102453,0.3736244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991316,0.00044393074,0.00002922659,0.000112411886,0.00019535347,0.00008749855],"domain_scores_gemma":[0.9984925,0.0009982028,0.00013924224,0.000042563795,0.0001988062,0.00012867735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009935091,0.000871315,0.00039304484,0.0014555203,0.0041676927,0.003931975,0.00059451733,0.0034966248,0.016603958],"category_scores_gemma":[0.0029282197,0.00028991667,0.00017310024,0.0024985252,0.0037518777,0.004018692,0.0018792266,0.0038746623,0.004872439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009112212,0.000020443016,0.00031161075,0.00062851247,0.000013522181,0.00021387119,0.017669339,0.00014639973,0.00015980739,0.15498416,0.77964765,0.046113614],"study_design_scores_gemma":[0.0000089725745,0.000010729614,0.00092862296,0.00050625595,0.0000062618656,0.0001600382,0.0050389967,0.0000456929,0.00023128682,0.011659622,0.98139083,0.0000125680535],"about_ca_topic_score_codex":0.016617956,"about_ca_topic_score_gemma":0.025168842,"teacher_disagreement_score":0.016617956,"about_ca_system_score_codex":0.002833133,"about_ca_system_score_gemma":0.0015602108,"threshold_uncertainty_score":0.055545747},"labels":[],"label_agreement":null},{"id":"W2237703627","doi":"","title":"Linda Grant: An Interview","year":2015,"lang":"en","type":"article","venue":"Zaguan (University of Zaragoza Repository)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; Psychology; Computer science","score_opus":0.07291928649241507,"score_gpt":0.20639269428737406,"score_spread":0.13347340779495898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2237703627","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07887585,0.021328479,0.0008658693,0.68176085,0.011221762,0.00079028285,0.0010906247,0.00019592704,0.20387039],"genre_scores_gemma":[0.31336027,0.023811622,0.0015729517,0.23252161,0.0035010595,0.003508476,0.00050718954,0.00033370327,0.42088315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.993479,0.0025871478,0.00024640057,0.00067454,0.0021061222,0.00090671424],"domain_scores_gemma":[0.99095964,0.004057414,0.00053688645,0.00013734969,0.0020301961,0.002278548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00521269,0.00060542073,0.0008630994,0.0022821191,0.018044965,0.010146956,0.0015420405,0.0061060237,0.01686021],"category_scores_gemma":[0.018579733,0.00085120666,0.00019406728,0.0032639105,0.0071099205,0.010938045,0.006164401,0.012973744,0.004058339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005183328,0.0002804619,0.0010670708,0.00023057005,0.0000024009764,0.0017154613,0.21578859,0.000040423274,0.00068086473,0.02286186,0.7446603,0.012620156],"study_design_scores_gemma":[0.000007547274,0.000026263479,0.00074484624,0.00026567426,0.0000012755899,0.0003100714,0.20136979,0.000031439777,0.000068295834,0.0011314073,0.7960203,0.000023003257],"about_ca_topic_score_codex":0.026966434,"about_ca_topic_score_gemma":0.046345346,"teacher_disagreement_score":0.026966434,"about_ca_system_score_codex":0.011396125,"about_ca_system_score_gemma":0.017448729,"threshold_uncertainty_score":0.08268505},"labels":[],"label_agreement":null},{"id":"W2242648878","doi":"","title":"Diary of Interrupted Days","year":2009,"lang":"en","type":"book","venue":"Kent Academic Repository (University of Kent)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bridge (graph theory); History; Performance art; Happiness; Art history; Literature; Art; Front (military); Law; Engineering; Political science; Medicine","score_opus":0.01850681087898552,"score_gpt":0.1932226466279734,"score_spread":0.17471583574898789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2242648878","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0100600775,0.046425678,0.0023343717,0.016385477,0.031392228,0.00006155719,0.0015971176,0.0004533451,0.89129025],"genre_scores_gemma":[0.09603466,0.01750843,0.0012195401,0.005147193,0.0048452537,0.000117703676,0.0013956366,0.0008627945,0.87286884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990866,0.00030005525,0.000049002112,0.00009996964,0.00035192465,0.00011251493],"domain_scores_gemma":[0.9986172,0.00044148703,0.000114712115,0.00025913148,0.00030115416,0.0002663024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008494107,0.0005835348,0.00056803826,0.0019215168,0.0047108424,0.0057245037,0.0012746748,0.0013751272,0.035707474],"category_scores_gemma":[0.0037193333,0.00039038685,0.00029560042,0.0022558179,0.0026292857,0.004702988,0.003474433,0.004634614,0.012376594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008467743,0.000022374763,0.00022450996,0.00014907542,0.0000058040723,0.0003476766,0.015126571,0.000060086422,0.00027015395,0.086360194,0.86221004,0.035138823],"study_design_scores_gemma":[0.0000010213255,0.0000030172898,0.00010318717,0.000062127634,5.662198e-7,0.00006400454,0.0008057406,0.000004990303,0.000030611205,0.0005098128,0.99841213,0.0000027067094],"about_ca_topic_score_codex":0.0060281567,"about_ca_topic_score_gemma":0.015901092,"teacher_disagreement_score":0.035707474,"about_ca_system_score_codex":0.0032741276,"about_ca_system_score_gemma":0.0015612124,"threshold_uncertainty_score":0.11945337},"labels":[],"label_agreement":null},{"id":"W2253749917","doi":"","title":"Point Omega de Don DeLillo, traduit de l’américain par Marianne Véron, Arles / Montréal, Actes Sud / Leméac, 2010, 141 p.","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014128579262988668,"score_gpt":0.15650338710993744,"score_spread":0.14237480784694878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253749917","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002943512,0.7355379,0.0011286616,0.13125211,0.006596362,0.00001788477,0.00042787901,0.00012243405,0.12197321],"genre_scores_gemma":[0.17100649,0.2982508,0.002334639,0.030290341,0.007211973,0.00016324283,0.0003211928,0.00069281243,0.4897286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917775,0.00028006063,0.000024128683,0.000111073256,0.000281765,0.00012511572],"domain_scores_gemma":[0.9990767,0.00041439213,0.00008308735,0.000042066684,0.00029224606,0.000091423026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011116094,0.0011716087,0.00063131144,0.0018620302,0.007994023,0.0074810763,0.0012519718,0.003170875,0.016514936],"category_scores_gemma":[0.00313525,0.0005035004,0.00030293298,0.0026695062,0.005902241,0.004280165,0.0016091259,0.0045923376,0.003040787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007119998,0.000014235475,0.0006805483,0.0003412769,0.000013778521,0.00022493722,0.01617525,0.00011098294,0.00025439498,0.13442852,0.8059404,0.041744504],"study_design_scores_gemma":[0.000005988357,0.0000035897895,0.0020041869,0.0004538785,0.000004731667,0.000049453538,0.0034049463,0.000036280115,0.0001285794,0.004414296,0.9894828,0.000011282257],"about_ca_topic_score_codex":0.5202843,"about_ca_topic_score_gemma":0.7696701,"teacher_disagreement_score":0.4797157,"about_ca_system_score_codex":0.013997426,"about_ca_system_score_gemma":0.008271911,"threshold_uncertainty_score":0.9650817},"labels":[],"label_agreement":null},{"id":"W2254885629","doi":"","title":"A New Notion: Two Works by C.L.R. James","year":2014,"lang":"en","type":"article","venue":"Alternate routes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Sociology; Art","score_opus":0.01345604672851075,"score_gpt":0.2247958242643153,"score_spread":0.21133977753580455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2254885629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011376963,0.11857733,0.03055577,0.40898827,0.016068,0.00005032398,0.0000858422,0.00012335663,0.4141742],"genre_scores_gemma":[0.54123867,0.09517685,0.023344921,0.09980513,0.02607813,0.00038409972,0.00012136107,0.0008056563,0.21304522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99397296,0.0034346506,0.00016272068,0.00076988194,0.001259749,0.00040001058],"domain_scores_gemma":[0.98863435,0.0074159554,0.0005110742,0.0013720349,0.0013477063,0.00071895967],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008120671,0.00077743194,0.0008725879,0.0031851365,0.0082764225,0.012088591,0.0016797611,0.0061375336,0.005534999],"category_scores_gemma":[0.013503446,0.0004967237,0.0005520644,0.0032823887,0.055111542,0.022419922,0.007458634,0.013767652,0.0016197383],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012645494,0.000015123391,0.00007480196,0.00006445871,0.0000028189443,0.000058601352,0.0111010745,0.00003521156,0.000053539414,0.9548968,0.024953205,0.008731705],"study_design_scores_gemma":[0.0000104082255,0.000018138928,0.00023602306,0.00038443017,0.000007105975,0.00027156662,0.008897409,0.0001535537,0.00020411488,0.4101774,0.57960385,0.00003597146],"about_ca_topic_score_codex":0.004704412,"about_ca_topic_score_gemma":0.00566577,"teacher_disagreement_score":0.012088591,"about_ca_system_score_codex":0.0057481835,"about_ca_system_score_gemma":0.0036419134,"threshold_uncertainty_score":0.042946696},"labels":[],"label_agreement":null},{"id":"W2255869220","doi":"10.26522/ti.v2i1.774","title":"Untitled #2, for Derek Beaulieu","year":2013,"lang":"en","type":"article","venue":"ti<","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art history; Art; Literature","score_opus":0.02425324278309827,"score_gpt":0.2027356985614778,"score_spread":0.17848245577837954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2255869220","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036316963,0.028600272,0.003256383,0.3833838,0.14303173,0.0001144314,0.0023731643,0.00095967896,0.4346489],"genre_scores_gemma":[0.0116321165,0.002107594,0.00066559954,0.025220474,0.0063001895,0.000061969644,0.00029169492,0.000630559,0.9530898],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992594,0.00018809477,0.000037619957,0.00013541344,0.000293888,0.000085509244],"domain_scores_gemma":[0.99852836,0.00046704014,0.00006645303,0.000099530516,0.0006710092,0.00016768112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071395317,0.0006550327,0.00049928774,0.0010393704,0.0057381415,0.005580155,0.0007662877,0.0027836042,0.12026554],"category_scores_gemma":[0.007844124,0.00031445234,0.0003470307,0.00066543784,0.0016888333,0.0041696937,0.0026720618,0.0058898013,0.050900657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001986917,0.000007481877,0.00010695001,0.00006142917,0.0000020970929,0.00005001425,0.0011048191,0.000014607705,0.0002002515,0.015443351,0.96838087,0.014608271],"study_design_scores_gemma":[0.000002803153,0.0000045403867,0.00030980707,0.000086815526,0.0000016584835,0.00006826893,0.0012977152,0.000043887685,0.00016468519,0.0030193813,0.9949921,0.000008366132],"about_ca_topic_score_codex":0.016935209,"about_ca_topic_score_gemma":0.043654814,"teacher_disagreement_score":0.12026554,"about_ca_system_score_codex":0.0018401281,"about_ca_system_score_gemma":0.0014172326,"threshold_uncertainty_score":0.4023283},"labels":[],"label_agreement":null},{"id":"W2265577953","doi":"10.14288/1.0072936","title":"\"No way to return\" : agentic assemblies, switchback resistance, and spatializing Thomas Pynchon's narrative politics in Vineland","year":2012,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Politics; Resistance (ecology); Sociology; Psychology; Political science; Art; Literature; Law; Biology","score_opus":0.014346660095377243,"score_gpt":0.1879980535339555,"score_spread":0.17365139343857824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2265577953","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28749633,0.0035419015,0.011904816,0.033313446,0.0012771583,0.00005583089,0.00007358125,0.00011912794,0.66221786],"genre_scores_gemma":[0.962649,0.00041927845,0.00082317216,0.0012475678,0.00005194978,0.00003068061,0.000014575687,0.00012732632,0.034636393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968671,0.002061304,0.000045137993,0.0003902512,0.00027693337,0.0003592551],"domain_scores_gemma":[0.99894065,0.0006730869,0.0000905319,0.00009477841,0.0000633493,0.0001375928],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024194093,0.00043148096,0.000304451,0.00041181748,0.010800619,0.009968076,0.0011607303,0.0025920505,0.005280898],"category_scores_gemma":[0.004217558,0.0003594149,0.00023015557,0.00031072157,0.027048238,0.0076630055,0.0055508493,0.004151506,0.0005316629],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043239335,0.000014147898,0.00037761583,0.000039829385,0.000005221829,0.0006177748,0.33930245,0.00022058182,0.0004889003,0.64620024,0.008790887,0.0038991803],"study_design_scores_gemma":[0.000012970259,0.000033574885,0.0006879488,0.00027125503,0.00001031907,0.00065133156,0.3319174,0.0005706174,0.001154172,0.09354803,0.5710933,0.00004913506],"about_ca_topic_score_codex":0.013940935,"about_ca_topic_score_gemma":0.021740675,"teacher_disagreement_score":0.013940935,"about_ca_system_score_codex":0.006811718,"about_ca_system_score_gemma":0.0017009758,"threshold_uncertainty_score":0.04942274},"labels":[],"label_agreement":null},{"id":"W2275533679","doi":"10.5539/ass.v12n3p42","title":"Buddhist Precepts and the Diagnosis of Women’s suffering in Doris Lessing’s The Golden Notebook","year":2016,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Buddhism; Mysticism; Enlightenment; Transcendence (philosophy); Gautama Buddha; Hinduism; Philosophy; Root (linguistics); Dharma; Literature; Aesthetics; Religious studies; Theology; Art","score_opus":0.01731182859056615,"score_gpt":0.24013884921376064,"score_spread":0.22282702062319448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275533679","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07906629,0.109873764,0.0028208827,0.0627037,0.005062639,0.0000740602,0.00013372702,0.00005258069,0.7402124],"genre_scores_gemma":[0.84512496,0.027168829,0.0014628072,0.00772166,0.0017011029,0.00008556285,0.00005702047,0.00007161927,0.11660638],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992218,0.0004390776,0.000019184961,0.00008617707,0.00012371401,0.000109994806],"domain_scores_gemma":[0.9995875,0.0002742281,0.00003905275,0.000021863445,0.000025099836,0.00005221202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093604776,0.0005687027,0.00034374426,0.0008210803,0.0060990737,0.003913773,0.00072834606,0.0012673868,0.0022380892],"category_scores_gemma":[0.001092281,0.00022043962,0.00016573603,0.00070694234,0.022464074,0.0020168773,0.002746897,0.0038013582,0.00029594384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027888696,0.000021825052,0.00033961522,0.00015028109,0.000004419004,0.0006222317,0.1257148,0.0000927,0.00036364055,0.82641184,0.032571696,0.013679127],"study_design_scores_gemma":[0.0000062301983,0.00003293896,0.001209597,0.00039974606,0.0000050504277,0.000661373,0.056090776,0.0000657935,0.0004191443,0.04975804,0.8913373,0.000013933459],"about_ca_topic_score_codex":0.009709109,"about_ca_topic_score_gemma":0.0159515,"teacher_disagreement_score":0.009709109,"about_ca_system_score_codex":0.0055941753,"about_ca_system_score_gemma":0.002105667,"threshold_uncertainty_score":0.040588796},"labels":[],"label_agreement":null},{"id":"W2278688730","doi":"","title":"Cyborg Games: Videogame Blasphemy and Disorientation","year":2015,"lang":"en","type":"article","venue":"Loading...","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Blasphemy; Normative; Mainstream; Aesthetics; Reading (process); Key (lock); Sociology; Psychology; Social psychology; Art; Epistemology; Computer science; Linguistics; Political science; Philosophy; Law; Computer security","score_opus":0.0414260471317968,"score_gpt":0.23755548391141726,"score_spread":0.19612943677962047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2278688730","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08506022,0.0067165713,0.013232861,0.032046232,0.0017838551,0.000051832038,0.000028736076,0.00011167493,0.86096793],"genre_scores_gemma":[0.95493096,0.0023925283,0.0010738076,0.0048456527,0.00035987192,0.0000654219,0.000020991454,0.000113327966,0.03619758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967302,0.0020065848,0.000079247824,0.00030205524,0.0006018709,0.00028011252],"domain_scores_gemma":[0.99807054,0.0011303171,0.00021262176,0.00020596592,0.00021064887,0.00017002133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025514986,0.0009571056,0.00033220276,0.0018734006,0.006577933,0.009175685,0.00090200565,0.0030101303,0.0035030374],"category_scores_gemma":[0.0053813127,0.00029457745,0.00027294768,0.0010343214,0.045642022,0.006874854,0.0061962516,0.006302405,0.0005008872],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013567711,0.0000085600595,0.00026429794,0.000040754505,0.000002863703,0.00013714198,0.06173865,0.00008162534,0.00013602064,0.92615455,0.0050325915,0.0063892924],"study_design_scores_gemma":[0.000020868807,0.000055172342,0.0015792043,0.0007194945,0.00001351502,0.0007836394,0.09817321,0.00046664587,0.00079015695,0.31296316,0.584398,0.00003697263],"about_ca_topic_score_codex":0.0065359822,"about_ca_topic_score_gemma":0.0068961373,"teacher_disagreement_score":0.009175685,"about_ca_system_score_codex":0.005799284,"about_ca_system_score_gemma":0.0018701623,"threshold_uncertainty_score":0.042076886},"labels":[],"label_agreement":null},{"id":"W2279880029","doi":"","title":"How to Create Inhumanity: Kazuo Ishiguro's Never Let Me Go","year":2014,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Indictment; Biopower; Reading (process); Racism; Sociology; Aesthetics; Psychoanalysis; Art history; Art; Philosophy; Literature; Law; Politics; Psychology; Gender studies; Political science","score_opus":0.024150028111306537,"score_gpt":0.23500697189462483,"score_spread":0.2108569437833183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279880029","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.110627234,0.042509448,0.009806068,0.4312948,0.028327692,0.00008784787,0.000061192215,0.0003089651,0.3769767],"genre_scores_gemma":[0.8354044,0.0068361233,0.003657618,0.043729413,0.003637871,0.00011914289,0.000040643474,0.00021448953,0.10636026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980556,0.0008387242,0.000090408226,0.00018829183,0.00037402546,0.00045297178],"domain_scores_gemma":[0.99800116,0.0007225049,0.00018419985,0.00023984263,0.00038043535,0.00047190563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004259258,0.0006275098,0.0006310305,0.0005971885,0.0133895865,0.008268313,0.0010211559,0.0039709043,0.0016642547],"category_scores_gemma":[0.004098187,0.00034365544,0.00056382926,0.00049250125,0.019241326,0.006336261,0.005324914,0.007583361,0.00068269775],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020986763,0.00009640005,0.0019751722,0.0003968219,0.000048877027,0.002539097,0.26279518,0.00022716406,0.0033749617,0.5386554,0.16110143,0.028579654],"study_design_scores_gemma":[0.000030316129,0.000118381126,0.0020323282,0.00038993638,0.000057891833,0.0009214543,0.06839121,0.00024354874,0.0014831132,0.06990931,0.8563174,0.00010505755],"about_ca_topic_score_codex":0.0036004558,"about_ca_topic_score_gemma":0.008153098,"teacher_disagreement_score":0.0133895865,"about_ca_system_score_codex":0.0037877024,"about_ca_system_score_gemma":0.002661958,"threshold_uncertainty_score":0.027481794},"labels":[],"label_agreement":null},{"id":"W2280273900","doi":"10.14288/1.0066752","title":"Subversion, transcendence, and rejection history in the fiction of contemporary Chinese avant-garde writers Su Tong, Yu Hua, and Ge Fei","year":2008,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Subversion; Avant garde; Transcendence (philosophy); Art; Art history; Literature; Philosophy; Humanities; Theology; Political science; Law; Politics","score_opus":0.016946211507685938,"score_gpt":0.1657521409252199,"score_spread":0.14880592941753396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280273900","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9700688,0.0013475501,0.00050465995,0.0006188102,0.000080003614,0.000014253979,0.000008861891,0.00000882511,0.027348153],"genre_scores_gemma":[0.9958139,0.00040699448,0.00010551968,0.00004614168,0.000037168917,0.000008116328,0.000009723649,0.0000066695,0.0035657021],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989619,0.0005052718,0.00003825599,0.00009023361,0.0002602983,0.00014405091],"domain_scores_gemma":[0.99780446,0.0015412914,0.00022580741,0.00011030939,0.00016252932,0.00015563625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017470572,0.000632525,0.00045853644,0.0024421387,0.006389383,0.0045806533,0.0006491291,0.0008391149,0.001659865],"category_scores_gemma":[0.003763904,0.00018575351,0.00029249812,0.0015703106,0.012706038,0.002382423,0.0021284614,0.0015313609,0.0001228175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004639274,0.000017830713,0.004600503,0.00010501912,0.000011970437,0.0013205466,0.95701206,0.00006557785,0.0011180299,0.024899274,0.00050538586,0.010297417],"study_design_scores_gemma":[0.000025161942,0.00025717294,0.048053913,0.0003865169,0.00007743214,0.0034740376,0.82141244,0.00086469034,0.0030344834,0.012129474,0.11019833,0.00008638096],"about_ca_topic_score_codex":0.0045250216,"about_ca_topic_score_gemma":0.008250361,"teacher_disagreement_score":0.006389383,"about_ca_system_score_codex":0.0032722016,"about_ca_system_score_gemma":0.0015790473,"threshold_uncertainty_score":0.023741603},"labels":[],"label_agreement":null},{"id":"W2287634317","doi":"","title":"Emma Wolf’s Short Stories in “The Smart Set.” AMS Studies in Modern Literature, No. 27. Edited by Barbara Cantalupo. New York: AMS Press, 2010","year":2011,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history","score_opus":0.10125656084293816,"score_gpt":0.2909395513236803,"score_spread":0.18968299048074216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2287634317","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013310084,0.2579582,0.0007284211,0.6628516,0.031081872,0.000010352367,0.0001114346,0.000032979362,0.045894112],"genre_scores_gemma":[0.09390622,0.24044505,0.001832494,0.28965503,0.07009744,0.00011693082,0.00019990744,0.0003453597,0.3034017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998723,0.0006729762,0.000049336504,0.00013016016,0.000315786,0.000108887165],"domain_scores_gemma":[0.99805164,0.0012092046,0.00013789524,0.000081581726,0.00028163107,0.00023801046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001624537,0.0010513404,0.00044980313,0.0012313594,0.0036289783,0.0034309945,0.0007980772,0.0039388984,0.007893609],"category_scores_gemma":[0.006708389,0.00033004605,0.00031182286,0.0015238291,0.004815106,0.0076431143,0.0019668029,0.0063511576,0.0028367282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008897181,0.000006864896,0.000079025594,0.000054110256,0.0000028422755,0.000058091653,0.0014246491,0.000014347599,0.000028861941,0.024921147,0.9630655,0.010335597],"study_design_scores_gemma":[0.000002324104,0.000004382259,0.00033226283,0.00020133136,0.0000013829793,0.00012149705,0.0013505294,0.000022449867,0.00006767387,0.011309305,0.98658085,0.0000060584616],"about_ca_topic_score_codex":0.004068793,"about_ca_topic_score_gemma":0.008155249,"teacher_disagreement_score":0.007893609,"about_ca_system_score_codex":0.0013947829,"about_ca_system_score_gemma":0.001044477,"threshold_uncertainty_score":0.026406825},"labels":[],"label_agreement":null},{"id":"W2297073496","doi":"","title":"Detail from \"Whitehorse to Inuvik, #17\" from the series Get There From Here, by Nicole Bauberger","year":2015,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Series (stratigraphy); Economics; History; Neoclassical economics; Geology; Paleontology","score_opus":0.030702750096597637,"score_gpt":0.2120526424184542,"score_spread":0.18134989232185655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297073496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028652924,0.04470732,0.0016333887,0.1514409,0.13460362,0.00014760793,0.0026715999,0.0004392772,0.66149104],"genre_scores_gemma":[0.01484352,0.009453164,0.00041825286,0.022189952,0.0070580444,0.00012800863,0.0007579979,0.0006730105,0.9444781],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921405,0.00022467694,0.000049225142,0.00009518466,0.0002706949,0.0001461616],"domain_scores_gemma":[0.99924845,0.00021896514,0.000031874966,0.00006411347,0.00033052437,0.00010593553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008377563,0.00077618024,0.00038493407,0.0013579961,0.006981522,0.004833016,0.00088078075,0.0022119347,0.07542481],"category_scores_gemma":[0.003867467,0.00038343522,0.00036034296,0.0015934561,0.0015630375,0.004879973,0.0037239385,0.0053207586,0.034516364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009766839,0.000006317773,0.000073856514,0.00006818447,8.680698e-7,0.000031870946,0.0010792357,0.000011628278,0.000087702516,0.008020567,0.9828336,0.007776461],"study_design_scores_gemma":[0.0000014723996,0.000003288225,0.00042189608,0.00012506143,0.0000010474097,0.000031652857,0.0011562576,0.0000060357793,0.00008808197,0.0009154967,0.9972453,0.000004449456],"about_ca_topic_score_codex":0.038142446,"about_ca_topic_score_gemma":0.113952935,"teacher_disagreement_score":0.07542481,"about_ca_system_score_codex":0.0029352533,"about_ca_system_score_gemma":0.00405847,"threshold_uncertainty_score":0.25232118},"labels":[],"label_agreement":null},{"id":"W2298423922","doi":"10.14288/1.0106786","title":"The literary criticism of Matthew Arnold and T.S. Eliot","year":2012,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Criticism; Literary criticism; Philosophy; Art; Literature; Art history","score_opus":0.010383455491377407,"score_gpt":0.16344298514780276,"score_spread":0.15305952965642536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298423922","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10355646,0.0802198,0.0037848682,0.40885141,0.017974205,0.000032609467,0.000056803026,0.00020879622,0.38531506],"genre_scores_gemma":[0.86566883,0.013708113,0.00091909606,0.012580945,0.009286277,0.000031666914,0.000026481692,0.00016316587,0.0976155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969586,0.0013324037,0.00008938416,0.00027363005,0.0012079447,0.00013804984],"domain_scores_gemma":[0.9931685,0.0044662836,0.0005795926,0.00024954104,0.0013117794,0.0002242731],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016054147,0.00036782617,0.00034598913,0.0012799047,0.0044788243,0.004084596,0.00057631836,0.001753216,0.0017096481],"category_scores_gemma":[0.009179883,0.00019609848,0.00017112307,0.0008678781,0.009187463,0.0016238017,0.0017262701,0.0030626627,0.0008171939],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102779486,0.00002633051,0.0016521129,0.00034366242,0.00002006479,0.0012224786,0.06677091,0.00041424044,0.00086627994,0.50231755,0.37282196,0.053441633],"study_design_scores_gemma":[0.000015350322,0.0000479439,0.0017518989,0.0006784805,0.000017860959,0.0009279321,0.010109504,0.0006515202,0.00095019833,0.030499227,0.95431185,0.000038199578],"about_ca_topic_score_codex":0.0028547756,"about_ca_topic_score_gemma":0.0037198544,"teacher_disagreement_score":0.0044788243,"about_ca_system_score_codex":0.0037270873,"about_ca_system_score_gemma":0.0012927196,"threshold_uncertainty_score":0.02704209},"labels":[],"label_agreement":null},{"id":"W2304640673","doi":"10.14288/1.0087433","title":"Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance","year":2009,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Romance; Possession (linguistics); Reading (process); Literature; Art; History; Linguistics; Philosophy","score_opus":0.012816855329293352,"score_gpt":0.1792761849649588,"score_spread":0.16645932963566545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304640673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47112894,0.03680247,0.004825174,0.042962,0.0013815702,0.00008957702,0.000052902236,0.00006602672,0.44269136],"genre_scores_gemma":[0.97010505,0.0053092693,0.00049793936,0.0013071579,0.00018758255,0.00002880213,0.0000143594625,0.00004454626,0.022505272],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99729687,0.0019207848,0.000057326266,0.00018740303,0.00033951105,0.00019809208],"domain_scores_gemma":[0.9933862,0.0052206726,0.00046936073,0.00020102883,0.00044056925,0.00028222686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031662302,0.00044086738,0.00052061526,0.0018335065,0.012099872,0.006958407,0.00075290824,0.0022267173,0.0030110918],"category_scores_gemma":[0.0078398865,0.0003552369,0.00018385188,0.0025145127,0.02873481,0.006375422,0.0028982924,0.004356895,0.00035962655],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020051855,0.000024810965,0.0010278443,0.000118886455,0.0000035268051,0.00046456698,0.7556682,0.000035108802,0.0002279123,0.22559297,0.0072881384,0.0095278835],"study_design_scores_gemma":[0.000011548436,0.00009254848,0.004627872,0.0008149522,0.00001359646,0.00116323,0.5321236,0.00017300129,0.00081654236,0.046741687,0.41339296,0.000028441586],"about_ca_topic_score_codex":0.014091583,"about_ca_topic_score_gemma":0.023563722,"teacher_disagreement_score":0.014091583,"about_ca_system_score_codex":0.0053451667,"about_ca_system_score_gemma":0.0023779462,"threshold_uncertainty_score":0.03878206},"labels":[],"label_agreement":null},{"id":"W2306136289","doi":"10.14288/1.0103831","title":"The representation of history in contemporary Chinese fiction : Han Shaogong, Mo Yan, Su Tong","year":2009,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Representation (politics); History; Literature; Art; Political science; Law; Politics","score_opus":0.020416045511005038,"score_gpt":0.19369984408943242,"score_spread":0.17328379857842738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2306136289","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7167633,0.022605734,0.0017691393,0.017862631,0.0017439502,0.000065181666,0.00017592874,0.00007840037,0.23893577],"genre_scores_gemma":[0.96747524,0.005026866,0.00046433066,0.00047666044,0.00023469198,0.000026643931,0.00004989652,0.00002424861,0.026221467],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977773,0.0000813724,0.000009789428,0.000025762602,0.00006752651,0.000037763624],"domain_scores_gemma":[0.99953246,0.0002247434,0.000051631854,0.000026387901,0.00010481943,0.000059971448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005718801,0.00026391656,0.00017333493,0.0013782694,0.004621253,0.0027960553,0.0002967683,0.00037713765,0.0022526435],"category_scores_gemma":[0.0011457932,0.00011679142,0.00008391278,0.0024709902,0.004062589,0.001012154,0.0007529093,0.00068690814,0.00014458831],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010883315,0.000033514163,0.012697018,0.0006405569,0.000028126156,0.0022178441,0.6450114,0.00057534204,0.004292465,0.18191205,0.04675363,0.105729215],"study_design_scores_gemma":[0.00001092229,0.00007758227,0.058369935,0.0004667868,0.000053562988,0.0010521591,0.1663674,0.001175624,0.002517031,0.008796377,0.76103914,0.000073389834],"about_ca_topic_score_codex":0.054606155,"about_ca_topic_score_gemma":0.10919807,"teacher_disagreement_score":0.054606155,"about_ca_system_score_codex":0.0069303107,"about_ca_system_score_gemma":0.0033929728,"threshold_uncertainty_score":0.108576596},"labels":[],"label_agreement":null},{"id":"W2318482277","doi":"10.1632/pmla.2012.127.1.131","title":"Capitalism, Fiction, and the Inevitable, (Im)Possible, Maddening Importance of the Gift","year":2012,"lang":"en","type":"article","venue":"PMLA/Publications of the Modern Language Association of America","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Capitalism; Subject (documents); Gilded Age; Plot (graphics); Assertion; Obligation; Solidarity; History; Art; Sociology; Art history; Law; Political science","score_opus":0.008446830959905336,"score_gpt":0.21459889049345035,"score_spread":0.206152059533545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318482277","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026826661,0.01951115,0.0051101176,0.22085707,0.00655658,0.000020633966,0.000087417095,0.00012908547,0.72090137],"genre_scores_gemma":[0.8631393,0.004966296,0.0015254887,0.023542056,0.0048168325,0.000046016612,0.000039039453,0.00017009408,0.10175494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998181,0.0009566912,0.000029376366,0.00022579548,0.00032612684,0.00028097836],"domain_scores_gemma":[0.99805105,0.0011001434,0.00016465971,0.0002695871,0.00021490877,0.00019974356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018369247,0.0004738735,0.00026086628,0.0007483731,0.007859097,0.011031795,0.00080962625,0.0022434753,0.0045450847],"category_scores_gemma":[0.006491636,0.00014760549,0.00015892889,0.00057061395,0.037419602,0.007411926,0.0027073221,0.003993936,0.0007181334],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001026831,0.000005036525,0.00006730293,0.000021825485,0.0000013679931,0.00007966235,0.007554857,0.000036230416,0.000060597446,0.956128,0.03225501,0.003779801],"study_design_scores_gemma":[0.0000064006117,0.000011750026,0.00026869812,0.00014665244,0.0000034449472,0.00017798808,0.0075352686,0.00015546635,0.00023817073,0.18800518,0.8034398,0.000011144866],"about_ca_topic_score_codex":0.009253178,"about_ca_topic_score_gemma":0.009874437,"teacher_disagreement_score":0.011031795,"about_ca_system_score_codex":0.005738563,"about_ca_system_score_gemma":0.0030627004,"threshold_uncertainty_score":0.041636348},"labels":[],"label_agreement":null},{"id":"W2319619264","doi":"10.3138/cras.2015.002","title":"Hashtagging Gaddis: #<i>OccupyGaddis</i>’s Residual Adoption of William Gaddis’s <i>J R</i>","year":2016,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cynicism; Negotiation; Political science; Reading (process); Humanities; Sociology; Media studies; Law; Philosophy; Politics","score_opus":0.03296637077619563,"score_gpt":0.2706212672188989,"score_spread":0.23765489644270327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319619264","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08221905,0.018423103,0.0049005253,0.45482555,0.01240847,0.000032382322,0.00009980633,0.000242604,0.42684844],"genre_scores_gemma":[0.79977196,0.009258336,0.0019897788,0.081874885,0.002483473,0.000054363034,0.00005905612,0.00037856572,0.10412957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969592,0.0016475833,0.00009035353,0.00037690724,0.00067566085,0.0002503426],"domain_scores_gemma":[0.9927356,0.0045532,0.00048735284,0.00064915,0.0010586603,0.000515987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003646283,0.00031063272,0.00023671536,0.0014388738,0.009069224,0.010874652,0.0007140488,0.002281966,0.0047456906],"category_scores_gemma":[0.009377105,0.0002380353,0.00016091242,0.0015413968,0.021528061,0.0075921975,0.0035853463,0.0052874247,0.0011889442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000481615,0.000017466093,0.0019218458,0.00015465273,0.0000075804196,0.00035621505,0.16123284,0.00003315282,0.0007303508,0.5970657,0.19130753,0.047124524],"study_design_scores_gemma":[0.0000043617156,0.0000105835,0.00094854727,0.00023207084,0.0000050784934,0.00021752671,0.04638141,0.000047499856,0.0005021676,0.014638886,0.93699604,0.000015839907],"about_ca_topic_score_codex":0.024344632,"about_ca_topic_score_gemma":0.04810356,"teacher_disagreement_score":0.024344632,"about_ca_system_score_codex":0.005290929,"about_ca_system_score_gemma":0.00377743,"threshold_uncertainty_score":0.048405826},"labels":[],"label_agreement":null},{"id":"W2321386394","doi":"10.5840/symposium20048353","title":"Challenging Postmodernism","year":2004,"lang":"en","type":"article","venue":"Symposium","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Philosophy; Epistemology","score_opus":0.019592747647918126,"score_gpt":0.2139050853493358,"score_spread":0.19431233770141768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321386394","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026213402,0.013969022,0.0052933237,0.3356663,0.009811472,0.000034871475,0.00003962849,0.00009507849,0.6088769],"genre_scores_gemma":[0.8203648,0.0032844925,0.0011776271,0.034309953,0.012834345,0.0001238944,0.000028376493,0.00024112318,0.12763539],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99124384,0.0056213746,0.00014272465,0.00075053476,0.0013851876,0.0008563953],"domain_scores_gemma":[0.98796856,0.0084223375,0.00045596142,0.0013621921,0.0011081104,0.0006828993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0131435245,0.0007394651,0.0007844899,0.0034241911,0.020731876,0.02303178,0.0024656327,0.0145408455,0.013776513],"category_scores_gemma":[0.016889796,0.00038789172,0.00043125395,0.0021245324,0.07908389,0.014592784,0.010762882,0.016871896,0.0013790656],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045684233,0.0000070504734,0.000028611716,0.00001767386,0.000001299641,0.000029186218,0.0117121795,0.0000115862695,0.000035735018,0.977762,0.00869236,0.0016978432],"study_design_scores_gemma":[0.000016577236,0.000019435445,0.0002443923,0.0002697826,0.00000551475,0.00010296363,0.016243547,0.00010485582,0.00016818108,0.6672643,0.3155503,0.000010268214],"about_ca_topic_score_codex":0.001962768,"about_ca_topic_score_gemma":0.0043488913,"teacher_disagreement_score":0.02303178,"about_ca_system_score_codex":0.009934073,"about_ca_system_score_gemma":0.004950971,"threshold_uncertainty_score":0.072077036},"labels":[],"label_agreement":null},{"id":"W2321982904","doi":"10.17742/image.tgvc.5-2.7","title":"“MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA","year":2014,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Mirroring; Movie theater; Art; Aesthetics; Media studies; Art history; Sociology; Communication","score_opus":0.058751032463865795,"score_gpt":0.41408739718325605,"score_spread":0.35533636471939023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321982904","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5315597,0.018088985,0.002514763,0.01979377,0.002057992,0.000047654692,0.00006651951,0.0000813482,0.42578927],"genre_scores_gemma":[0.97593737,0.004479579,0.0003619953,0.001820187,0.000578963,0.000019286634,0.000024086943,0.00007299958,0.016705563],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9979025,0.0013259491,0.00003996555,0.00014575261,0.00036213096,0.00022374355],"domain_scores_gemma":[0.9967805,0.002252585,0.00031511864,0.000209122,0.00025195596,0.00019076653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025103444,0.0004471952,0.00022128534,0.0011440396,0.0058043506,0.007355395,0.0008619944,0.0014553658,0.005151479],"category_scores_gemma":[0.0039276783,0.0002301514,0.00023106497,0.0006486724,0.012487118,0.004819307,0.0053851246,0.0029847554,0.00047598087],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017653704,0.000082699116,0.0022469512,0.0004462536,0.000028744798,0.0014606725,0.727969,0.00015092426,0.0024805183,0.19027802,0.020227848,0.05445189],"study_design_scores_gemma":[0.000022256965,0.00014932528,0.010518261,0.0014108336,0.00005580144,0.0015817941,0.29167154,0.00021438175,0.003223152,0.010135161,0.68096066,0.000056848],"about_ca_topic_score_codex":0.0047034877,"about_ca_topic_score_gemma":0.008653258,"teacher_disagreement_score":0.007355395,"about_ca_system_score_codex":0.0038232668,"about_ca_system_score_gemma":0.00093509397,"threshold_uncertainty_score":0.027739882},"labels":[],"label_agreement":null},{"id":"W2322140307","doi":"10.1386/fict.4.1.23_1","title":"American laconic: Nescience and realism in Richard Ford’s ‘Optimists’","year":2014,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Realism; Narrative; Imperfect; Duty; Critical realism (philosophy of perception); Aesthetics; Reflexive pronoun; Epistemology; Philosophy; Literature; Sociology; Art; Linguistics","score_opus":0.018780354260354317,"score_gpt":0.2863823986985085,"score_spread":0.2676020444381542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322140307","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048019473,0.01709391,0.014623566,0.38280857,0.0037191499,0.000049469276,0.00008280603,0.00009114138,0.53351194],"genre_scores_gemma":[0.94376343,0.0019046423,0.0018304124,0.012156984,0.0006653468,0.000042319836,0.000019891546,0.000042683492,0.03957433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958476,0.0031039051,0.000068149515,0.00021917014,0.00052345643,0.00023775948],"domain_scores_gemma":[0.99277556,0.005625451,0.0003088747,0.0003053831,0.0006756476,0.00030901525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048411717,0.00040966645,0.0002840206,0.001497622,0.0062804436,0.007122875,0.0008357399,0.0037934065,0.0039615403],"category_scores_gemma":[0.01013122,0.00020325751,0.00019464121,0.0007398676,0.03785118,0.0051694545,0.0022033355,0.0055843666,0.00041739715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010596404,0.000005429411,0.00005016677,0.000014493722,0.0000011567117,0.000045242487,0.011080991,0.00008227142,0.000026364853,0.97074324,0.016139869,0.0018001462],"study_design_scores_gemma":[0.000013622616,0.000022241715,0.0002314362,0.00017425811,0.0000046047176,0.000117114934,0.014228224,0.00063147175,0.00024758166,0.53731954,0.44699043,0.00001960398],"about_ca_topic_score_codex":0.016669393,"about_ca_topic_score_gemma":0.016693491,"teacher_disagreement_score":0.016669393,"about_ca_system_score_codex":0.010786053,"about_ca_system_score_gemma":0.0027561123,"threshold_uncertainty_score":0.07825869},"labels":[],"label_agreement":null},{"id":"W2323103657","doi":"10.1386/host.2.2.227_1","title":"An ethics of decomposition: Ian McEwan’s early prose","year":2011,"lang":"en","type":"article","venue":"Horror Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Literature; Realism; Aesthetics; Enlightenment; Absurdism; Art; Postmodernism; History; Philosophy; Epistemology","score_opus":0.20059134078684632,"score_gpt":0.3584962320466254,"score_spread":0.15790489125977908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323103657","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0228538,0.044453446,0.010615845,0.20107403,0.0028842113,0.000058939604,0.000056258214,0.00008104637,0.71792233],"genre_scores_gemma":[0.72860575,0.01365027,0.008536186,0.03465351,0.0029537135,0.00028910858,0.000042922064,0.00029015794,0.21097836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946333,0.003721647,0.000057951955,0.00030643897,0.00093167834,0.00034887565],"domain_scores_gemma":[0.997908,0.0013485195,0.0001193524,0.00010590436,0.00034503368,0.00017336383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003985653,0.00078142935,0.00033222968,0.0012774452,0.010708569,0.008112932,0.0013151121,0.0034558284,0.002647121],"category_scores_gemma":[0.0064940387,0.00028539682,0.000192687,0.0010966079,0.030588765,0.008131736,0.00399385,0.00791711,0.00061837264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010293528,0.000009088772,0.000036846333,0.000021730426,0.000001454037,0.00006021872,0.024812974,0.000059698268,0.0000961377,0.94840604,0.02241433,0.004071234],"study_design_scores_gemma":[0.0000053755807,0.00001369328,0.0001874487,0.00022335639,0.0000027499123,0.00017649644,0.009245544,0.00023775142,0.00025685248,0.18463862,0.8049877,0.000024403626],"about_ca_topic_score_codex":0.01556738,"about_ca_topic_score_gemma":0.025171982,"teacher_disagreement_score":0.01556738,"about_ca_system_score_codex":0.008523802,"about_ca_system_score_gemma":0.004056705,"threshold_uncertainty_score":0.061844826},"labels":[],"label_agreement":null},{"id":"W2329084825","doi":"10.1080/0950236x.2014.993524","title":"Neoliberalism and the time of the novel","year":2015,"lang":"en","type":"article","venue":"Textual Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Neoliberalism (international relations); Impossibility; Postmodernism; Sociology; Epistemology; Relation (database); Politics; Aesthetics; Philosophy; Social science; Law; Political science","score_opus":0.03915517592370338,"score_gpt":0.24641554428255258,"score_spread":0.2072603683588492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329084825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05966333,0.012576638,0.0086294515,0.0656168,0.005777435,0.00006738645,0.000117983014,0.00016432627,0.8473867],"genre_scores_gemma":[0.9307917,0.0023661924,0.0017248752,0.0034201765,0.0014377477,0.00007649008,0.000044657478,0.00018963698,0.05994859],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9948027,0.003037226,0.00017492361,0.00060898316,0.00083348743,0.00054270437],"domain_scores_gemma":[0.995456,0.0020561402,0.00063909346,0.0006418126,0.00048823687,0.0007187049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063686073,0.00037001746,0.00047682438,0.0011299143,0.0102305235,0.018165782,0.0014597366,0.0033605418,0.008741805],"category_scores_gemma":[0.009338701,0.00036880965,0.00034376784,0.0008796553,0.042822294,0.019481821,0.0062614586,0.0063577723,0.0014698452],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002757154,0.0000128904685,0.000057474765,0.00003867382,0.0000021973176,0.00015001149,0.025398739,0.000040000752,0.00011294999,0.96752053,0.0038320313,0.0028068617],"study_design_scores_gemma":[0.000025965184,0.000035043224,0.00020058246,0.00029016065,0.000004210401,0.0005578041,0.031268973,0.00014645216,0.00048729897,0.34226054,0.6247,0.000022994667],"about_ca_topic_score_codex":0.000806122,"about_ca_topic_score_gemma":0.0011729699,"teacher_disagreement_score":0.018165782,"about_ca_system_score_codex":0.0077120103,"about_ca_system_score_gemma":0.0031595072,"threshold_uncertainty_score":0.055954814},"labels":[],"label_agreement":null},{"id":"W2331154048","doi":"10.1386/jucs.1.2.235_1","title":"Richard Price’s Lower East Side: Cops, culture and gentrification","year":2014,"lang":"en","type":"article","venue":"Journal of Urban Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Gentrification; Speculation; Sociology; Redevelopment; Ethnic group; Narrative; Aesthetics; Neighbourhood (mathematics); History; Political science; Anthropology; Art; Law; Literature; Economics; Economic growth","score_opus":0.04135654630035918,"score_gpt":0.2566966963819184,"score_spread":0.2153401500815592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331154048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41347194,0.010293581,0.0017531804,0.14025873,0.002200762,0.000021320002,0.000033075434,0.000044352568,0.4319231],"genre_scores_gemma":[0.9777724,0.0009840355,0.00014789103,0.0031985326,0.00021194716,0.0000057093434,0.0000041733733,0.000029092462,0.017646138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986884,0.0008075828,0.000016246237,0.00009789366,0.0002346659,0.00015525757],"domain_scores_gemma":[0.9990171,0.00050869945,0.000102709855,0.00007738453,0.00013763798,0.00015643827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014356032,0.00022506028,0.00024167827,0.00062105176,0.007840573,0.004541345,0.0006569082,0.0015053228,0.003951528],"category_scores_gemma":[0.0029316018,0.0001278012,0.00012090013,0.00044680384,0.02179599,0.0027691624,0.0041329456,0.0030411077,0.00033136486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003555815,0.000026967396,0.0010857036,0.000049000424,0.0000060657985,0.0006798256,0.3099913,0.00012030979,0.0002274911,0.6316418,0.045564376,0.010571568],"study_design_scores_gemma":[0.000009911463,0.000060535207,0.002644783,0.0002997256,0.000007747642,0.0006560953,0.25271967,0.00035436492,0.00067913666,0.05104046,0.6914902,0.00003739156],"about_ca_topic_score_codex":0.012326627,"about_ca_topic_score_gemma":0.019160122,"teacher_disagreement_score":0.012326627,"about_ca_system_score_codex":0.0042135688,"about_ca_system_score_gemma":0.0011578707,"threshold_uncertainty_score":0.030571759},"labels":[],"label_agreement":null},{"id":"W2336192066","doi":"","title":"A Threatened Hero: An Analysis of Jack Gladney in White Noise","year":2016,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psyche; Destiny (ISS module); HERO; White (mutation); Power (physics); Middle class; Psychoanalysis; Sociology; History; Art; Literature; Psychology; Law; Political science; Engineering","score_opus":0.03824630016391501,"score_gpt":0.3119805088193599,"score_spread":0.2737342086554449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336192066","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6625766,0.004234533,0.0020686213,0.036297146,0.0016404971,0.00009689845,0.00007679911,0.00007541488,0.29293355],"genre_scores_gemma":[0.89364403,0.0025838858,0.00066742353,0.0065780245,0.00032955382,0.000058667996,0.000056990662,0.00021940628,0.09586193],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965779,0.0020132046,0.000045320696,0.00020140795,0.0005208984,0.0006412608],"domain_scores_gemma":[0.99759775,0.0009010524,0.0002832958,0.000058370206,0.000378145,0.0007814306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016294532,0.0010526694,0.00062166003,0.0017761261,0.034401305,0.008836811,0.0021853289,0.0042966083,0.008453744],"category_scores_gemma":[0.0048494004,0.00050085003,0.0003224159,0.0015906297,0.011422786,0.0036173898,0.0052724634,0.006113894,0.0015624928],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004619876,0.000038547718,0.0015130932,0.00009118716,0.000008815742,0.0072408547,0.94450724,0.0000638813,0.00033814518,0.01780583,0.022682767,0.0056634066],"study_design_scores_gemma":[0.000001789743,0.00002287328,0.0017093606,0.0001556888,0.0000059692993,0.0009145985,0.9168522,0.000056877027,0.000096179414,0.000707085,0.079462506,0.000014887547],"about_ca_topic_score_codex":0.065837175,"about_ca_topic_score_gemma":0.17795351,"teacher_disagreement_score":0.065837175,"about_ca_system_score_codex":0.0075974483,"about_ca_system_score_gemma":0.0042077405,"threshold_uncertainty_score":0.1309079},"labels":[],"label_agreement":null},{"id":"W2336540748","doi":"10.5840/symposium200711118","title":"Experiencing the Postmetaphysical Self","year":2007,"lang":"en","type":"article","venue":"Symposium","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.012299716594257598,"score_gpt":0.22275533935749656,"score_spread":0.21045562276323895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336540748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10526902,0.021429593,0.004569712,0.24706186,0.008873355,0.000026602045,0.00005252557,0.00011673252,0.6126006],"genre_scores_gemma":[0.92895275,0.003081132,0.00053147116,0.0062235235,0.0016624123,0.00003419225,0.000019784919,0.0000867916,0.059407867],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99791557,0.0014136494,0.00003489775,0.0001255043,0.00029112716,0.00021930084],"domain_scores_gemma":[0.99830973,0.0008791301,0.00015643727,0.0002152102,0.0002167573,0.00022272333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039009193,0.00032751873,0.00028923148,0.00097285485,0.009697146,0.010890672,0.0009684164,0.0040611927,0.007277197],"category_scores_gemma":[0.004311076,0.00015271925,0.00020728575,0.0009658318,0.045643207,0.0075190593,0.0058000404,0.0076632635,0.0005179457],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010784155,0.000012350117,0.00010721974,0.000022366905,0.0000017486849,0.00009812415,0.059984997,0.000023028211,0.00011820115,0.9257901,0.009898843,0.0039322753],"study_design_scores_gemma":[0.00001741185,0.0000333119,0.0011781908,0.00029932358,0.0000059290574,0.0003981158,0.110102564,0.00011607463,0.00032600213,0.3182909,0.5692154,0.000016867938],"about_ca_topic_score_codex":0.0018482518,"about_ca_topic_score_gemma":0.0040036,"teacher_disagreement_score":0.010890672,"about_ca_system_score_codex":0.005081912,"about_ca_system_score_gemma":0.003356159,"threshold_uncertainty_score":0.03687197},"labels":[],"label_agreement":null},{"id":"W234193523","doi":"10.5325/style.45.2.0330","title":"The reader and the space-in-between","year":2011,"lang":"en","type":"article","venue":"Style","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Element (criminal law); Argument (complex analysis); Space (punctuation); Action (physics); CITES; George (robot); Philosophy; Literature; Aesthetics; Sociology; Art; Linguistics; Art history; Law","score_opus":0.042298651425377025,"score_gpt":0.21293685829623243,"score_spread":0.1706382068708554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W234193523","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052874304,0.024837567,0.01720964,0.21357961,0.0037498618,0.000046703244,0.00009093889,0.00023421565,0.6873771],"genre_scores_gemma":[0.9384799,0.002799278,0.0017393696,0.006707809,0.00096552464,0.000051630832,0.000023988412,0.00012433926,0.049108222],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928676,0.00547384,0.000106501655,0.0005066048,0.0005887099,0.00045675164],"domain_scores_gemma":[0.9960962,0.0024877691,0.00034219993,0.00032250033,0.0003407738,0.0004105592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036663988,0.00068382395,0.0003960825,0.0014215615,0.011062061,0.013842015,0.0012553977,0.004855235,0.0062641264],"category_scores_gemma":[0.0049617295,0.00038651784,0.0003624071,0.0012851458,0.05710991,0.013853358,0.006848031,0.0064707296,0.0011674438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000212473,0.000009895708,0.00017365713,0.00004376927,0.0000044812164,0.0002274455,0.115597405,0.000053100197,0.00018840849,0.8656719,0.013371624,0.0046370197],"study_design_scores_gemma":[0.000024388779,0.000029945713,0.00036142534,0.0002651613,0.000007654447,0.00029846767,0.06518428,0.0001208254,0.0003616277,0.26997283,0.66334796,0.000025387177],"about_ca_topic_score_codex":0.006164836,"about_ca_topic_score_gemma":0.007278272,"teacher_disagreement_score":0.013842015,"about_ca_system_score_codex":0.010483604,"about_ca_system_score_gemma":0.0030156705,"threshold_uncertainty_score":0.07606423},"labels":[],"label_agreement":null},{"id":"W237458516","doi":"10.15173/russell.v21i1.1990","title":"Epistemology of Modernism [review of Ann Banfield, &lt;i&gt;The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism&lt;/i&gt;]","year":2001,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Philosophy; Art history; Table (database); Epistemology; Art; Computer science","score_opus":0.03292188158507915,"score_gpt":0.26169016443346915,"score_spread":0.22876828284839001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W237458516","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003701197,0.868399,0.0017417447,0.09215008,0.0071033607,0.000008340497,0.000037891976,0.00001719811,0.030172136],"genre_scores_gemma":[0.057036504,0.81439024,0.0041600727,0.058955643,0.04186394,0.00010591192,0.00013521766,0.00013925484,0.02321315],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967123,0.0018141387,0.00014643384,0.00024015871,0.00095695636,0.00013005355],"domain_scores_gemma":[0.9908048,0.0068412833,0.00034168837,0.0002955768,0.0015027117,0.0002139232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0074642496,0.000769686,0.0014933363,0.005987869,0.00391208,0.0073710014,0.0021730205,0.004945864,0.0056335204],"category_scores_gemma":[0.011330995,0.0006028581,0.0005423933,0.0073407204,0.026820723,0.013283959,0.0026327919,0.009632169,0.0014121225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013802528,0.000021873906,0.00008763332,0.0009324458,0.000022417009,0.000031547694,0.0014706188,0.00015971769,0.00004915315,0.76259613,0.18980372,0.044810813],"study_design_scores_gemma":[0.000008933218,0.000007741274,0.0003385007,0.0024871747,0.00001079817,0.000088850305,0.00080737006,0.00013354073,0.000048662463,0.3595248,0.6365247,0.00001899245],"about_ca_topic_score_codex":0.014043185,"about_ca_topic_score_gemma":0.019207463,"teacher_disagreement_score":0.014043185,"about_ca_system_score_codex":0.0068625,"about_ca_system_score_gemma":0.006573096,"threshold_uncertainty_score":0.049791217},"labels":[],"label_agreement":null},{"id":"W2397003883","doi":"10.16995/pn.9","title":"Useless Lumpens in &lt;i&gt;Gravity’s Rainbow&lt;/i&gt;","year":2011,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Nothing; Narrative; Period (music); Theme (computing); Nazism; Hollywood; Psychoanalysis; History; Literature; Politics; Art history; Art; Aesthetics; Philosophy; Law; Psychology; Political science","score_opus":0.04470101238073679,"score_gpt":0.22485509378704238,"score_spread":0.1801540814063056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2397003883","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008482538,0.006658363,0.0030877965,0.10252614,0.0067438404,0.000045531626,0.00016690599,0.00041914047,0.8718698],"genre_scores_gemma":[0.14172962,0.0022546637,0.0014072559,0.025166593,0.001511979,0.000043241373,0.00010864805,0.000804355,0.8269736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983481,0.00039104535,0.00004191647,0.00036192423,0.00047712756,0.00037990836],"domain_scores_gemma":[0.9993248,0.00012990218,0.000051618077,0.00012177604,0.00012465578,0.000247376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001248538,0.0010125036,0.00039366394,0.00097032305,0.011723964,0.008873465,0.0010997421,0.005430432,0.046830952],"category_scores_gemma":[0.003291651,0.0004192994,0.0005213174,0.00092374417,0.012955847,0.010126731,0.006503407,0.00721837,0.009804154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033457847,0.000023600463,0.0003297557,0.00004987311,0.0000070672136,0.0002956969,0.009398182,0.00007116433,0.00023970482,0.6030799,0.3637469,0.022724653],"study_design_scores_gemma":[0.000003893765,0.000007060199,0.00024587574,0.00004497931,0.000002267774,0.00008167913,0.0018902383,0.000055727312,0.00014242376,0.025971286,0.9715441,0.000010452294],"about_ca_topic_score_codex":0.02197226,"about_ca_topic_score_gemma":0.047946543,"teacher_disagreement_score":0.046830952,"about_ca_system_score_codex":0.0069327164,"about_ca_system_score_gemma":0.0027679382,"threshold_uncertainty_score":0.15666515},"labels":[],"label_agreement":null},{"id":"W2403539952","doi":"10.16995/pn.15","title":"In Fascism’s Footprint: The History of “Creeping” and &lt;i&gt;Vineland’s&lt;/i&gt; Poetics of Betrayal","year":2011,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Betrayal; Subversion; Law; State (computer science); Psychoanalysis; History; Literature; Politics; Philosophy; Psychology; Art; Political science","score_opus":0.04064516114437242,"score_gpt":0.20829909799840668,"score_spread":0.16765393685403426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2403539952","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038905464,0.030647598,0.006159326,0.09554018,0.0055447817,0.000018287521,0.000101492325,0.00017755809,0.8229053],"genre_scores_gemma":[0.85988104,0.0044146776,0.000941642,0.011883321,0.0011008658,0.000045664703,0.000052997704,0.00040521886,0.12127465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954717,0.0029329816,0.00007549078,0.0004555782,0.000577203,0.00048703083],"domain_scores_gemma":[0.99755836,0.0015288497,0.00019350511,0.00032705834,0.00018733207,0.00020491023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030019202,0.00051551894,0.0003415745,0.0007691086,0.013164031,0.011518938,0.0010031501,0.0036511733,0.007891873],"category_scores_gemma":[0.0073815244,0.0003136625,0.00028387093,0.00081471825,0.047016647,0.009097104,0.0043594046,0.006531141,0.0012167825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022183189,0.0000053626927,0.00017779933,0.0000426473,0.000003709722,0.00021027745,0.07089053,0.00005045888,0.0000665192,0.86559236,0.056249015,0.0066891387],"study_design_scores_gemma":[0.0000060924585,0.000011930503,0.00028747247,0.00028992727,0.0000028409702,0.0004378861,0.03326765,0.00010521089,0.00016798485,0.078460924,0.88694537,0.000016726812],"about_ca_topic_score_codex":0.014579495,"about_ca_topic_score_gemma":0.021743013,"teacher_disagreement_score":0.014579495,"about_ca_system_score_codex":0.008846719,"about_ca_system_score_gemma":0.0023412025,"threshold_uncertainty_score":0.064187706},"labels":[],"label_agreement":null},{"id":"W2405104951","doi":"10.1080/21504857.2015.1122649","title":"Twelve cent Archie, by Bart Beaty","year":2016,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Keyano College","funders":"","keywords":"History; Visual arts; Art","score_opus":0.012148935115345079,"score_gpt":0.18790024997947047,"score_spread":0.1757513148641254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2405104951","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013043777,0.2116395,0.0006625639,0.44125125,0.24392988,0.000041587326,0.00022569284,0.0002553146,0.10068978],"genre_scores_gemma":[0.012537095,0.04164913,0.0006726702,0.10109451,0.051902853,0.00006430823,0.00013901855,0.00037406312,0.7915664],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985018,0.00036452073,0.00006556494,0.00028266053,0.0005729807,0.00021244318],"domain_scores_gemma":[0.99656457,0.0008811714,0.0001505034,0.00023321166,0.0012480665,0.0009224087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021275724,0.0011670481,0.00083252083,0.0023156572,0.0090667,0.009900732,0.0012349738,0.0059983362,0.03149032],"category_scores_gemma":[0.009830027,0.0007150699,0.00056393916,0.0010796562,0.0038765082,0.0063311383,0.0047750296,0.011339759,0.018101916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013905228,0.0000067284523,0.000045166726,0.00003756747,0.000002942043,0.00003472217,0.00034705352,0.000011685135,0.00004560314,0.0024118554,0.98792565,0.009117094],"study_design_scores_gemma":[0.000002679029,0.000004729153,0.00016933511,0.00010559596,0.00000181108,0.00005976559,0.00061493943,0.000011278971,0.00003279228,0.0008448067,0.9981469,0.0000054315897],"about_ca_topic_score_codex":0.012182489,"about_ca_topic_score_gemma":0.041153636,"teacher_disagreement_score":0.03149032,"about_ca_system_score_codex":0.0027029766,"about_ca_system_score_gemma":0.0024501919,"threshold_uncertainty_score":0.10534561},"labels":[],"label_agreement":null},{"id":"W2407937683","doi":"10.3138/utq.85.2.03","title":"Fables of Asylum: Malcolm Lowry's <i>Lunar Caustic</i>","year":2016,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Complicity; Narrative; Institution; Humanity; Obligation; Postmodernism; Humanism; Aesthetics; Law; Psychoanalysis; Sociology; Literature; Philosophy; Art; Political science; Psychology","score_opus":0.009538132080035774,"score_gpt":0.1745772469996249,"score_spread":0.1650391149195891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2407937683","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06804854,0.07286641,0.0030343812,0.5393628,0.009233109,0.0000483512,0.00012680858,0.00021570537,0.30706394],"genre_scores_gemma":[0.7480783,0.016771423,0.001465055,0.060224887,0.0018990254,0.00006761018,0.00006794422,0.00024827235,0.17117746],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989913,0.0006325594,0.000013703189,0.000070919516,0.00015828546,0.00013320903],"domain_scores_gemma":[0.9991691,0.000391919,0.00008335171,0.000041503143,0.00016961331,0.0001444801],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012390575,0.00048007935,0.00034203866,0.00077406137,0.010617391,0.0057149767,0.0006703113,0.0021579713,0.004807309],"category_scores_gemma":[0.0030407174,0.0002241074,0.00019044618,0.00063961436,0.00881632,0.0028538161,0.0024292795,0.0067121945,0.00091281725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007348569,0.000030016114,0.00059035775,0.00013844305,0.000008412565,0.0010159939,0.15567864,0.00011944079,0.00055836304,0.23623022,0.5880908,0.017465832],"study_design_scores_gemma":[0.000007764273,0.000024038249,0.00071434915,0.0001987535,0.0000053553276,0.0005103089,0.04705597,0.000089383495,0.00038844455,0.00826875,0.94272304,0.000013897235],"about_ca_topic_score_codex":0.053256843,"about_ca_topic_score_gemma":0.09080888,"teacher_disagreement_score":0.053256843,"about_ca_system_score_codex":0.009420738,"about_ca_system_score_gemma":0.0024442447,"threshold_uncertainty_score":0.10589367},"labels":[],"label_agreement":null},{"id":"W2415977707","doi":"","title":"Lifeworks: Fibre optics","year":2003,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Visual arts; Subject (documents); Art; Art history; Computer science; World Wide Web","score_opus":0.010362865736322386,"score_gpt":0.20218624272280764,"score_spread":0.19182337698648524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2415977707","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011952693,0.013216031,0.004181629,0.00424713,0.004370698,0.00013059992,0.0010160293,0.0018445919,0.96979797],"genre_scores_gemma":[0.004373102,0.004862903,0.0012133982,0.00045404313,0.0006409345,0.000044379285,0.00049949135,0.00034811566,0.98756367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902356,0.00006662296,0.000024679806,0.00017204824,0.00057307264,0.00014001025],"domain_scores_gemma":[0.99929535,0.00007067437,0.00003087476,0.000110757974,0.0003270581,0.00016536258],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00076825713,0.0012061807,0.0004824596,0.0024045785,0.0044730743,0.004816097,0.000881151,0.002705102,0.43278325],"category_scores_gemma":[0.0010512148,0.0006393276,0.0004374945,0.0023235837,0.0011980702,0.0038642515,0.002924989,0.0026919243,0.21132807],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084377214,0.000044945034,0.0002732954,0.0002969486,0.0000055982578,0.00023566096,0.00047370323,0.000118882286,0.0038841348,0.029360106,0.7030377,0.26218474],"study_design_scores_gemma":[0.0000025199586,0.00000933827,0.00022552541,0.00005920086,8.2372105e-7,0.00009797923,0.00005303214,0.0000248628,0.00024486388,0.00096910953,0.9983076,0.00000503993],"about_ca_topic_score_codex":0.0108930655,"about_ca_topic_score_gemma":0.031780463,"teacher_disagreement_score":0.43278325,"about_ca_system_score_codex":0.0032441807,"about_ca_system_score_gemma":0.0015458196,"threshold_uncertainty_score":0.8090658},"labels":[],"label_agreement":null},{"id":"W2427500627","doi":"","title":"Lifeworks: Missing persons","year":2003,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Theme (computing); Soul; Art; Painting; Visual arts; Art history; Character (mathematics); Photography; Bourgeoisie; Printmaking; Politics; Philosophy; Law; Computer science","score_opus":0.012943656294325527,"score_gpt":0.21004919033812444,"score_spread":0.1971055340437989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2427500627","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011909182,0.005671616,0.004961116,0.03424775,0.008436339,0.00010728419,0.00092336914,0.0009510406,0.9327923],"genre_scores_gemma":[0.08566701,0.0040351404,0.0024509286,0.0097677335,0.0013919225,0.00017978379,0.0012306462,0.0010258388,0.894251],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966989,0.0012047543,0.00015550533,0.00039231873,0.000943206,0.0006053152],"domain_scores_gemma":[0.99616796,0.0006595186,0.00028358537,0.0008276928,0.0007070941,0.0013541817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026066804,0.0007363152,0.000587862,0.0015377289,0.015123084,0.013495319,0.0019992096,0.003372182,0.2531495],"category_scores_gemma":[0.0086729145,0.0005343069,0.0005176601,0.0020805171,0.0062595005,0.012780744,0.013490895,0.004090736,0.08763173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058564125,0.00006512436,0.0010035145,0.00022407853,0.000005671579,0.00069423334,0.056168407,0.000037428068,0.00021022704,0.1381218,0.67125165,0.13215925],"study_design_scores_gemma":[0.0000025329227,0.0000070278893,0.00017977119,0.00016114523,0.0000010870624,0.00025723714,0.014275997,0.000008895461,0.000029500387,0.0028814855,0.98219174,0.0000036271026],"about_ca_topic_score_codex":0.004178768,"about_ca_topic_score_gemma":0.008279229,"teacher_disagreement_score":0.2531495,"about_ca_system_score_codex":0.0032355357,"about_ca_system_score_gemma":0.0028075634,"threshold_uncertainty_score":0.84686947},"labels":[],"label_agreement":null},{"id":"W2442777258","doi":"10.3968/8504","title":"Coping With Grim Dystopia: A Re-Reading of The Fire-Dwellers","year":2016,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Narrative; History; Postmodernism; Aesthetics; Coping (psychology); Consciousness; Psychology; Literature; Sociology; Psychoanalysis; Art; Psychotherapist","score_opus":0.020358620305101095,"score_gpt":0.2556148094930313,"score_spread":0.23525618918793018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2442777258","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2653609,0.02946805,0.0049624816,0.24830452,0.010412408,0.00023205973,0.00036258195,0.00032140108,0.4405756],"genre_scores_gemma":[0.9061054,0.006741371,0.0014951414,0.01391142,0.0009934091,0.00006540862,0.000065688735,0.00027421123,0.07034789],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976483,0.000868721,0.000034903976,0.00017983493,0.00067722384,0.0005910773],"domain_scores_gemma":[0.9979272,0.0007544809,0.00014337868,0.0001151577,0.0006033835,0.00045640327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031676001,0.0010650544,0.0008311123,0.0021256893,0.03728113,0.011064764,0.003534393,0.004715309,0.0046449974],"category_scores_gemma":[0.005621774,0.00035816748,0.0004934561,0.0014863833,0.039691057,0.0037483538,0.0040805074,0.010823108,0.00055837934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043155636,0.000028727269,0.00037412866,0.000117953794,0.000008545505,0.0023330708,0.85701424,0.00015621854,0.0005058766,0.07780379,0.053269323,0.008344859],"study_design_scores_gemma":[0.000007766819,0.000015750782,0.0011718285,0.0003576918,0.000008340929,0.00085191906,0.56584066,0.00013093441,0.00037204227,0.005005469,0.4261973,0.00004030262],"about_ca_topic_score_codex":0.7557448,"about_ca_topic_score_gemma":0.88497156,"teacher_disagreement_score":0.7557448,"about_ca_system_score_codex":0.05982593,"about_ca_system_score_gemma":0.037634447,"threshold_uncertainty_score":0.49138725},"labels":[],"label_agreement":null},{"id":"W246039830","doi":"10.1353/esc.2003.0012","title":"“Trust Me”: Responding to the Threat of Writing in Chorus of Mushrooms","year":2003,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Chorus; Performative utterance; Narrative; Facticity; Literature; Philosophy; Contingency; Aesthetics; Sociology; Epistemology; Art","score_opus":0.03535982084024965,"score_gpt":0.2586846787185747,"score_spread":0.22332485787832507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W246039830","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4983908,0.002333697,0.0071744034,0.09317414,0.0016908315,0.00020649201,0.000058446534,0.0005528412,0.3964183],"genre_scores_gemma":[0.9397337,0.0006882385,0.0023106015,0.007165074,0.0002692668,0.00010901141,0.0000380821,0.0001672354,0.049518768],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99415004,0.004048039,0.00010659833,0.00030417647,0.0007190628,0.00067215634],"domain_scores_gemma":[0.9911073,0.0046996702,0.0011625263,0.0004291954,0.00066463486,0.001936804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036417576,0.00077429117,0.00027088457,0.00062366936,0.018633276,0.007571127,0.0013079017,0.0036531375,0.0074044615],"category_scores_gemma":[0.016757874,0.00033290408,0.00028808083,0.00034776266,0.014446937,0.006775275,0.007847197,0.005923691,0.001866021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019401623,0.00019824042,0.002913951,0.00016892437,0.000018529627,0.0029743197,0.8633617,0.00015508899,0.0050306534,0.028458767,0.062663674,0.033862162],"study_design_scores_gemma":[0.000023045004,0.00013808225,0.0037257776,0.00019891944,0.00001274099,0.00075713726,0.72197235,0.00042842573,0.0019723377,0.014825855,0.2558953,0.000050147286],"about_ca_topic_score_codex":0.0071803145,"about_ca_topic_score_gemma":0.017332137,"teacher_disagreement_score":0.018633276,"about_ca_system_score_codex":0.0038158477,"about_ca_system_score_gemma":0.0025840213,"threshold_uncertainty_score":0.027686},"labels":[],"label_agreement":null},{"id":"W2460931130","doi":"","title":"Shattering the Illusion: Self-Preservation, Reality, and Meaning through Images in White Noise and \"Self-Portrait in a Convex Mirror\"","year":2014,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Portrait; Illusion; White (mutation); Meaning (existential); Aesthetics; Postmodernism; Art; Poetry; Ingenuity; Literature; Philosophy; Epistemology; Art history; Psychology; Cognitive psychology","score_opus":0.025271060177291305,"score_gpt":0.25231249106272,"score_spread":0.22704143088542872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2460931130","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33751175,0.0065546525,0.022617642,0.060177084,0.0024804547,0.000052201827,0.000042555697,0.0001970845,0.5703665],"genre_scores_gemma":[0.9758951,0.0005435293,0.0010053734,0.0016048274,0.00021992424,0.000019068693,0.0000070820856,0.00009449042,0.020610616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764997,0.0016761328,0.000028523236,0.00014406121,0.00036034838,0.00014089175],"domain_scores_gemma":[0.9981165,0.0011464909,0.00017307259,0.00022737472,0.00016641688,0.00017009128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025160846,0.0005044747,0.00026459002,0.0007529215,0.0074114143,0.00886305,0.00072852377,0.0017487602,0.002366295],"category_scores_gemma":[0.0059039113,0.00019273239,0.00026308928,0.00038211717,0.037325963,0.0071286676,0.004858346,0.004189905,0.00034185563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008906718,0.000023481645,0.00046554493,0.000075718905,0.000009667446,0.0006288088,0.46336645,0.00017243276,0.0015690841,0.51116174,0.012598144,0.009839947],"study_design_scores_gemma":[0.000047206395,0.00012668049,0.0017034089,0.00038181737,0.000029295581,0.0022699905,0.3565767,0.0013151293,0.0050224983,0.18637799,0.4460811,0.000068125955],"about_ca_topic_score_codex":0.0019302636,"about_ca_topic_score_gemma":0.0023725834,"teacher_disagreement_score":0.00886305,"about_ca_system_score_codex":0.0018802036,"about_ca_system_score_gemma":0.00081787666,"threshold_uncertainty_score":0.013641834},"labels":[],"label_agreement":null},{"id":"W2462376806","doi":"","title":"The Men We Love to Hate","year":2016,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Paraphrase; Jargon; Subject (documents); Style (visual arts); Rhetorical question; Epithet; Psychoanalysis; Philosophy; Literature; Sociology; Psychology; Art; Linguistics; Computer science","score_opus":0.022721314389690703,"score_gpt":0.24882535223519023,"score_spread":0.22610403784549954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2462376806","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024479046,0.020396926,0.00675559,0.19064265,0.017013952,0.000065089574,0.000103087645,0.0002801181,0.74026346],"genre_scores_gemma":[0.42372066,0.0060408185,0.0017263549,0.03474491,0.005136076,0.00007840454,0.00006836192,0.00036542246,0.5281191],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99764097,0.0013615608,0.000038711238,0.00022433478,0.0005422514,0.00019223575],"domain_scores_gemma":[0.9980222,0.0006850208,0.00023016223,0.00020129821,0.00045354856,0.00040771888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001382669,0.00075302407,0.0003601285,0.00057113956,0.009596332,0.005990631,0.00063796295,0.0021746797,0.008813599],"category_scores_gemma":[0.004988377,0.00030114016,0.00027475497,0.00037334298,0.012693614,0.005110625,0.0037042145,0.006703898,0.004519537],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056936093,0.000023481527,0.000841825,0.00014823949,0.000021329748,0.00091325695,0.15041779,0.00008227802,0.00090644596,0.2862874,0.5334709,0.026830217],"study_design_scores_gemma":[0.0000016721682,0.000016039954,0.000380597,0.00008331396,0.0000029598411,0.00059642363,0.019597642,0.000043335596,0.0002947335,0.0052331947,0.9737419,0.000008249687],"about_ca_topic_score_codex":0.0027822675,"about_ca_topic_score_gemma":0.004838604,"teacher_disagreement_score":0.009596332,"about_ca_system_score_codex":0.0018694566,"about_ca_system_score_gemma":0.0009560948,"threshold_uncertainty_score":0.029484391},"labels":[],"label_agreement":null},{"id":"W2463164473","doi":"","title":"“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February","year":2014,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Grief; Tragedy (event); Rhetoric; Resource (disambiguation); Sociology; Psychoanalysis; History; Psychology; Philosophy; Social science; Computer science; Linguistics","score_opus":0.02042282798781499,"score_gpt":0.2451179296101338,"score_spread":0.2246951016223188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2463164473","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22113784,0.007341004,0.001832896,0.35278192,0.0016118705,0.00006246018,0.00005835348,0.00016277832,0.41501096],"genre_scores_gemma":[0.9036275,0.0015582013,0.00044173395,0.025111992,0.00017370745,0.000029686938,0.000010925026,0.00009364391,0.06895264],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764496,0.00097509817,0.000045294215,0.00017998772,0.00046241624,0.0006922257],"domain_scores_gemma":[0.9981293,0.00072382536,0.00020394579,0.00012112012,0.0003509714,0.00047085038],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002539189,0.0003660509,0.00030039746,0.0008888926,0.03664601,0.0073525608,0.0013582258,0.0036238423,0.0026881963],"category_scores_gemma":[0.0062373565,0.00036406404,0.00021197124,0.0008077426,0.036173377,0.0029330936,0.004710424,0.0059193964,0.00042339187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084145344,0.000042568066,0.0013123202,0.00007011143,0.0000088283405,0.001727229,0.5476399,0.00014703703,0.0006695198,0.3320644,0.10156704,0.014666879],"study_design_scores_gemma":[0.000016183301,0.000032654832,0.0021292937,0.00021470255,0.000011161479,0.0006053397,0.23859175,0.00015479806,0.00057755696,0.014786882,0.7428222,0.000057575675],"about_ca_topic_score_codex":0.5227007,"about_ca_topic_score_gemma":0.7301116,"teacher_disagreement_score":0.47729927,"about_ca_system_score_codex":0.0397536,"about_ca_system_score_gemma":0.0144423805,"threshold_uncertainty_score":0.9602204},"labels":[],"label_agreement":null},{"id":"W2470038379","doi":"10.6000/2371-1655.2016.02.09","title":"Literature as Antidote: Reflections on Don DeLillo’s Falling Man","year":2016,"lang":"en","type":"article","venue":"International Journal of Humanities and Social Science Research","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Context (archaeology); Psychoanalysis; Metanarrative; Psychology; Aesthetics; Grief; Uncanny; Sociology; Psychotherapist; Epistemology; Literature; History; Philosophy; Art; Narrative","score_opus":0.18167146989944832,"score_gpt":0.42671647294260256,"score_spread":0.24504500304315424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2470038379","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2476721,0.024833174,0.009402433,0.39840415,0.0178437,0.00010266028,0.000121335404,0.00020711895,0.30141342],"genre_scores_gemma":[0.9273325,0.00393051,0.0012793007,0.027003465,0.0017021308,0.0000786202,0.000032466858,0.00016610345,0.038474984],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99330175,0.0044031236,0.00012656125,0.00045524392,0.0010571891,0.00065612415],"domain_scores_gemma":[0.9942579,0.0038777222,0.0004949136,0.0001993837,0.00071175455,0.00045824374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039069923,0.0009468866,0.0007517128,0.0020076337,0.015890859,0.010700318,0.0026936978,0.0062397304,0.0027615905],"category_scores_gemma":[0.015325447,0.00042585656,0.00039351158,0.0014313004,0.031838894,0.00749289,0.0072893845,0.00944176,0.0004513799],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008106565,0.00004258753,0.00044812378,0.00020400726,0.000008029088,0.0033782362,0.58152837,0.00012576484,0.00048959383,0.3419716,0.0607755,0.0109471455],"study_design_scores_gemma":[0.000011100217,0.00003939781,0.00022436373,0.00031819523,0.000006652275,0.0015714635,0.32717538,0.0001449643,0.00034768565,0.01785816,0.6522711,0.00003157782],"about_ca_topic_score_codex":0.010951094,"about_ca_topic_score_gemma":0.02032658,"teacher_disagreement_score":0.015890859,"about_ca_system_score_codex":0.009587513,"about_ca_system_score_gemma":0.0030544344,"threshold_uncertainty_score":0.069562614},"labels":[],"label_agreement":null},{"id":"W2470923728","doi":"10.1353/esc.2015.0072","title":"Wearing Out Speculative Ambitions","year":2015,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Deconstruction (building); Sociology; Humanism; Faith; Aesthetics; Politics; Neoliberalism (international relations); Feminism; Gender studies; Media studies; Religious studies; Social science; Epistemology; Philosophy; Theology; Political science; Law","score_opus":0.1554132847357667,"score_gpt":0.28618216383803885,"score_spread":0.13076887910227214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2470923728","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00547659,0.013708597,0.0057054614,0.8313881,0.03413354,0.000062259765,0.000052140476,0.0001796358,0.10929363],"genre_scores_gemma":[0.41129425,0.013793111,0.007232102,0.37997746,0.022716288,0.00030216,0.00008700482,0.00093065796,0.16366684],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9777475,0.012954233,0.00068075967,0.001700748,0.005414617,0.001502059],"domain_scores_gemma":[0.9648246,0.015940493,0.0017467324,0.0034165944,0.011380825,0.002690687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015293804,0.0010424729,0.0007347468,0.0016468681,0.021472113,0.017032165,0.0020333177,0.0067695915,0.005603911],"category_scores_gemma":[0.047870167,0.000445232,0.00051539904,0.0011784626,0.051352035,0.013213965,0.007228735,0.018995503,0.002306469],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002509973,0.000020484198,0.00028969304,0.000101504236,0.000008244924,0.00023300109,0.057024308,0.000084731306,0.00049518846,0.54230887,0.38528508,0.014123798],"study_design_scores_gemma":[0.000005088165,0.000009538354,0.00014217374,0.0002902987,0.000005188248,0.00013163299,0.030049093,0.00009162879,0.00023993707,0.07832719,0.8906855,0.000022682008],"about_ca_topic_score_codex":0.021526726,"about_ca_topic_score_gemma":0.025298962,"teacher_disagreement_score":0.021526726,"about_ca_system_score_codex":0.012640889,"about_ca_system_score_gemma":0.01103578,"threshold_uncertainty_score":0.09171653},"labels":[],"label_agreement":null},{"id":"W2472021023","doi":"10.3138/uram.24.1.65","title":"Mystery and the Search for Ultimate Reality and Meaning","year":2001,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Epistemology; Philosophy; Aesthetics; Sociology","score_opus":0.07834774149837231,"score_gpt":0.2906540928185761,"score_spread":0.2123063513202038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2472021023","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069292694,0.025884153,0.039435603,0.15382197,0.0014251054,0.00004544167,0.000053960797,0.000081747756,0.70995927],"genre_scores_gemma":[0.970603,0.00413561,0.002940197,0.0036494546,0.00067959586,0.000085957676,0.00002102947,0.00006480671,0.01782031],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9876479,0.009460188,0.00023680013,0.0007078083,0.0014005005,0.0005469145],"domain_scores_gemma":[0.9863412,0.010000426,0.0009652141,0.0012809375,0.000964541,0.00044768525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01143176,0.0004700551,0.00064577203,0.0024845672,0.008503617,0.014244196,0.0018608689,0.005373264,0.004948014],"category_scores_gemma":[0.014992712,0.00032590033,0.00046788985,0.0018687014,0.101161376,0.019170031,0.008674284,0.0072092176,0.00071496976],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000038455573,0.0000026511339,0.000045573386,0.000017743308,8.185837e-7,0.000020095718,0.008012117,0.000019453677,0.000017556808,0.99020326,0.00045720942,0.0011997415],"study_design_scores_gemma":[0.0000071698023,0.000010614486,0.00016059687,0.0001299875,0.0000020202174,0.00007855163,0.010219312,0.000114458504,0.000070727176,0.9483644,0.040836018,0.0000062090903],"about_ca_topic_score_codex":0.0016384918,"about_ca_topic_score_gemma":0.0026554996,"teacher_disagreement_score":0.014244196,"about_ca_system_score_codex":0.0057252715,"about_ca_system_score_gemma":0.0050157644,"threshold_uncertainty_score":0.060457587},"labels":[],"label_agreement":null},{"id":"W2472621419","doi":"","title":"Unsettling the Bildungsroman by Stella Bolaki","year":2012,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"STELLA (programming language); Art; Literature; Art history","score_opus":0.0166835372634872,"score_gpt":0.2268073190418822,"score_spread":0.210123781778395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2472621419","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044122085,0.12554182,0.003302709,0.2490853,0.020875039,0.000054823748,0.00017878784,0.00017860261,0.55666083],"genre_scores_gemma":[0.74042135,0.022101702,0.00089843676,0.01598291,0.0038012052,0.00009419852,0.00008821663,0.00042210083,0.21618992],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875045,0.0006845897,0.000041032745,0.0001274734,0.00020298497,0.00019345923],"domain_scores_gemma":[0.9989374,0.00067476125,0.0001050164,0.000074277625,0.00011918635,0.00008925751],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023803182,0.0006048849,0.0006412483,0.0018164944,0.006438038,0.008552692,0.00078553637,0.003094322,0.008346238],"category_scores_gemma":[0.004604204,0.00028846835,0.00024528106,0.0013791701,0.013107609,0.006929963,0.006395062,0.005818503,0.002405385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008026238,0.000019792997,0.00019084917,0.00028675984,0.0000064119736,0.00033499545,0.045211237,0.00011281028,0.0003836221,0.8678733,0.074455954,0.011044061],"study_design_scores_gemma":[0.000019065707,0.000015255984,0.00054119073,0.0005713015,0.000010047362,0.00017526145,0.017182376,0.00015741544,0.0003949555,0.07191915,0.9089949,0.000019076691],"about_ca_topic_score_codex":0.0029027383,"about_ca_topic_score_gemma":0.0060177427,"teacher_disagreement_score":0.008552692,"about_ca_system_score_codex":0.005619216,"about_ca_system_score_gemma":0.0018863102,"threshold_uncertainty_score":0.04077041},"labels":[],"label_agreement":null},{"id":"W2474262080","doi":"","title":"Boxes and Bridges: Robert Lepage's Le Confessionnal and La Face cachée de la lune","year":2008,"lang":"fr","type":"article","venue":"The French review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Revelation; Confessional; Counterpoint; Ignorance; Identity (music); Face (sociological concept); Art; Confession (law); Art history; Philosophy; Literature; History; Sociology; Aesthetics; Epistemology; Linguistics; Law; Political science; Archaeology","score_opus":0.02112434056547146,"score_gpt":0.2531797221028003,"score_spread":0.23205538153732885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2474262080","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018868906,0.6977716,0.0003978018,0.11410671,0.0030473524,0.0000136091985,0.000044708806,0.00002276577,0.16572657],"genre_scores_gemma":[0.6098038,0.26964426,0.00047914917,0.029394004,0.0025547554,0.000039866125,0.000055542165,0.00005039459,0.08797824],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773186,0.0014969072,0.000031691565,0.00012160257,0.00040587725,0.00021219476],"domain_scores_gemma":[0.9987047,0.0007416113,0.00013060539,0.00003886914,0.00029259815,0.0000916046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017312627,0.00040383363,0.00039666216,0.0014357325,0.006577877,0.006724276,0.00059985276,0.0028124016,0.0048021055],"category_scores_gemma":[0.0037008212,0.0001583734,0.00022320217,0.0019283189,0.008484437,0.00329851,0.0010380568,0.0022339225,0.00047784022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014804472,0.000027962375,0.0015252947,0.001144938,0.000041682175,0.0016663389,0.15057099,0.00017488949,0.00041540983,0.4388532,0.31304884,0.09238235],"study_design_scores_gemma":[0.00000869675,0.000014153639,0.0019485352,0.0010402221,0.00001225821,0.00039573535,0.03647822,0.000020636146,0.00011486452,0.003901721,0.9560504,0.0000145990525],"about_ca_topic_score_codex":0.36998063,"about_ca_topic_score_gemma":0.42218158,"teacher_disagreement_score":0.36998063,"about_ca_system_score_codex":0.01506125,"about_ca_system_score_gemma":0.0076971874,"threshold_uncertainty_score":0.73565423},"labels":[],"label_agreement":null},{"id":"W2478345046","doi":"","title":"The World Before Us","year":2014,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Globe; Humanity; Guardian; Art history; Possession (linguistics); Art; Performance art; Power (physics); Jealousy; Queen (butterfly); History; Law; Philosophy; Psychology; Political science","score_opus":0.013176969539064146,"score_gpt":0.20242044002167853,"score_spread":0.1892434704826144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2478345046","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022715665,0.046993203,0.0012360011,0.11244399,0.019327711,0.000056119483,0.000526522,0.00031195753,0.81683296],"genre_scores_gemma":[0.041503627,0.027140994,0.0009963379,0.06204035,0.0053633237,0.000087962646,0.00059869554,0.00038340766,0.86188537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981154,0.00061707187,0.000063206724,0.00032132896,0.00040832744,0.00047468606],"domain_scores_gemma":[0.99823534,0.00024207716,0.00011246152,0.00029379604,0.0004695555,0.00064668123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014046197,0.0008239571,0.00071466016,0.0011082746,0.009035407,0.012910132,0.0008237432,0.002810975,0.15290032],"category_scores_gemma":[0.0040052324,0.0002933362,0.00042718917,0.0015141014,0.008018758,0.010213169,0.008321722,0.0074209333,0.06281344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013269689,0.00001808092,0.00031664094,0.000118308344,0.000008899278,0.00021550822,0.007780198,0.000017921779,0.00013066873,0.14469828,0.8053063,0.04137593],"study_design_scores_gemma":[7.224036e-7,0.0000021489996,0.000064031214,0.00008670515,0.0000010933758,0.00006367547,0.0017306352,0.0000019193806,0.000010133239,0.0020062304,0.9960306,0.0000021382098],"about_ca_topic_score_codex":0.01113562,"about_ca_topic_score_gemma":0.021003813,"teacher_disagreement_score":0.15290032,"about_ca_system_score_codex":0.0034373363,"about_ca_system_score_gemma":0.007012928,"threshold_uncertainty_score":0.5115025},"labels":[],"label_agreement":null},{"id":"W2485743866","doi":"","title":"\"My Mother Is a Fish\": All-Encompassing Inadequacy in Faulkner's As I Lay Dying","year":2015,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Assertion; Statement (logic); History; Fish <Actinopterygii>; Confusion; Literature; Philosophy; Art; Epistemology; Psychology; Psychoanalysis; Computer science","score_opus":0.06777193085916827,"score_gpt":0.2984789937051456,"score_spread":0.2307070628459773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2485743866","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1833328,0.03608537,0.004501211,0.41412055,0.009668785,0.00003810188,0.00006178762,0.00020632193,0.35198513],"genre_scores_gemma":[0.9194722,0.0038546307,0.00055902003,0.023492081,0.0014984002,0.000035916502,0.000017023289,0.00020645214,0.050864346],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99464285,0.003819488,0.000108267275,0.00038946068,0.00069463847,0.00034540027],"domain_scores_gemma":[0.99341077,0.0045405896,0.00052476244,0.00032057596,0.0006846608,0.0005187052],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0072652227,0.00039381522,0.0004321684,0.000689375,0.015159598,0.01062813,0.001164438,0.0041932003,0.002629507],"category_scores_gemma":[0.012036971,0.00034505923,0.00021098786,0.00043212448,0.031532586,0.006371037,0.0046979217,0.00888665,0.00070437475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043709555,0.000018634177,0.0004172998,0.000117903095,0.000010011321,0.0011404534,0.5969788,0.00008143281,0.00036137886,0.28656685,0.10330735,0.010956178],"study_design_scores_gemma":[0.000011331815,0.000032743414,0.00070709724,0.00055078405,0.000011673699,0.0012653983,0.2903462,0.00013404457,0.0005708046,0.026594605,0.6797457,0.00002965643],"about_ca_topic_score_codex":0.0064264764,"about_ca_topic_score_gemma":0.011182982,"teacher_disagreement_score":0.015159598,"about_ca_system_score_codex":0.0060941502,"about_ca_system_score_gemma":0.0026459706,"threshold_uncertainty_score":0.044216335},"labels":[],"label_agreement":null},{"id":"W2488691038","doi":"10.1057/9781403973542_7","title":"Monsters and Monstrosity","year":2003,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Uncanny; Sister; Identity (music); History; Art; Literature; Genealogy; Subject (documents); Brother; White (mutation); Art history; Psychoanalysis; Sociology; Anthropology; Aesthetics; Psychology","score_opus":0.022341339686109043,"score_gpt":0.2054391621453383,"score_spread":0.18309782245922926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2488691038","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4683553,0.0052545913,0.004443289,0.014318496,0.0006224421,0.000034341505,0.000092299466,0.00012906177,0.50675017],"genre_scores_gemma":[0.96754783,0.00066467095,0.0002907146,0.0004425185,0.000052132596,0.0000040221275,0.000017144353,0.000031818032,0.03094909],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896514,0.00042078012,0.000023824907,0.00012278986,0.00021349515,0.0002538986],"domain_scores_gemma":[0.9986405,0.00048796277,0.00019907075,0.00023725884,0.00018295446,0.00025226368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013549847,0.00036627462,0.00024007521,0.00076085835,0.009279462,0.0059247804,0.0007041654,0.00095765287,0.006456912],"category_scores_gemma":[0.0037907807,0.0002109484,0.00019796134,0.0007601159,0.024718665,0.0028958954,0.0038659906,0.0019250535,0.0005918502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016038759,0.00002725698,0.007576679,0.000116412564,0.000012440668,0.0010204811,0.36249352,0.00027693147,0.00086200703,0.5862811,0.011214806,0.029957902],"study_design_scores_gemma":[0.000021954387,0.00008988534,0.016999172,0.00039512943,0.000037719892,0.0014322887,0.35409933,0.0009035042,0.0020572145,0.04276112,0.58111995,0.00008270302],"about_ca_topic_score_codex":0.104447104,"about_ca_topic_score_gemma":0.18209504,"teacher_disagreement_score":0.104447104,"about_ca_system_score_codex":0.007818663,"about_ca_system_score_gemma":0.0037818376,"threshold_uncertainty_score":0.20767832},"labels":[],"label_agreement":null},{"id":"W2489823708","doi":"10.17351/ests2016.94","title":"Toward Non-innocent Reassemblies","year":2016,"lang":"en","type":"article","venue":"Engaging Science Technology and Society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Reading (process); Sociology; Psychoanalysis; Criminology; Epistemology; Law; Aesthetics; Political science; Psychology; Philosophy","score_opus":0.021919828134624,"score_gpt":0.23817712836832655,"score_spread":0.21625730023370254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2489823708","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05510332,0.0040755174,0.032365803,0.34695867,0.008846342,0.000080846556,0.000040513107,0.0003855782,0.55214345],"genre_scores_gemma":[0.8822415,0.00090195675,0.0035740677,0.045042906,0.002040583,0.00008087413,0.000024701325,0.0003201432,0.065773375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9774933,0.01507566,0.0004475168,0.0017784961,0.004016041,0.0011890441],"domain_scores_gemma":[0.97273004,0.017692307,0.0016914766,0.0026715146,0.004111259,0.0011033516],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.016861854,0.00059177546,0.00048553126,0.0011937107,0.01258371,0.010381371,0.0023669153,0.01009628,0.006102318],"category_scores_gemma":[0.061766993,0.00031994854,0.0004328664,0.0006556132,0.052644756,0.010921394,0.0077487035,0.016939193,0.0017454231],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031175536,0.00001643357,0.00037655872,0.000075650096,0.00000928432,0.0006144166,0.105504416,0.00008277062,0.0005039177,0.8462285,0.037498347,0.009058558],"study_design_scores_gemma":[0.000012893641,0.000027113036,0.00027592818,0.00028161428,0.000012465628,0.0006348915,0.058097497,0.00041868666,0.0013281608,0.41320455,0.52568173,0.000024570272],"about_ca_topic_score_codex":0.0024350467,"about_ca_topic_score_gemma":0.004253468,"teacher_disagreement_score":0.98741627,"about_ca_system_score_codex":0.0034008324,"about_ca_system_score_gemma":0.0035742873,"threshold_uncertainty_score":0.089175105},"labels":[],"label_agreement":null},{"id":"W2493658490","doi":"10.1017/cbo9780511485503.011","title":"“CUTTING OFF THE COMMUNICATION”: fixations and falls for the walled-in self – Holmes in dialogue with Sterne, Dickens, and Melville","year":2001,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Psychology","score_opus":0.02226546120441329,"score_gpt":0.18559854737264295,"score_spread":0.16333308616822967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2493658490","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052693,0.020366391,0.0046391427,0.30762345,0.004775958,0.00003137971,0.00004162865,0.00014153477,0.60968757],"genre_scores_gemma":[0.8000381,0.0036415285,0.00079742825,0.033184815,0.00086467946,0.0000788195,0.000023066683,0.00031671821,0.16105491],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99455726,0.0039952635,0.000058187423,0.00026406182,0.0006960126,0.00042912632],"domain_scores_gemma":[0.9967804,0.0021753334,0.00017746851,0.00016912361,0.0003691027,0.00032852445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005118226,0.0006825452,0.00046236464,0.0010111275,0.030097889,0.011097758,0.0016849345,0.00620942,0.006540489],"category_scores_gemma":[0.009763958,0.00040301142,0.00026709316,0.0010945227,0.05058854,0.013459517,0.0062723057,0.0123387035,0.0012903499],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022685233,0.000017750437,0.00019250716,0.000050011404,0.000003236151,0.0003209738,0.4415959,0.000039243845,0.00012590637,0.43114465,0.115870975,0.01061615],"study_design_scores_gemma":[0.000011570564,0.0000139930435,0.0005282458,0.00047414008,0.000004920891,0.00025336666,0.4055265,0.00012169773,0.00024636352,0.08670834,0.5060887,0.000022146512],"about_ca_topic_score_codex":0.02736692,"about_ca_topic_score_gemma":0.040083155,"teacher_disagreement_score":0.030097889,"about_ca_system_score_codex":0.00994465,"about_ca_system_score_gemma":0.0037965416,"threshold_uncertainty_score":0.07215381},"labels":[],"label_agreement":null},{"id":"W2494228331","doi":"10.1017/cco9781107284333.015","title":"Contemporary Lesbian Fiction: Into the Twenty-First Century","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Lesbian; Content (measure theory); Sociology; Gender studies; History; Art; World Wide Web; Computer science","score_opus":0.04716236523190919,"score_gpt":0.20136656220742086,"score_spread":0.15420419697551166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2494228331","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01864652,0.1898683,0.0010447098,0.036274962,0.0040661865,0.000017312674,0.000059182097,0.00008502739,0.74993783],"genre_scores_gemma":[0.35382202,0.06513958,0.00087913877,0.00943683,0.002928172,0.00005546962,0.00006562182,0.00017994881,0.56749326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988845,0.0007510743,0.000022302962,0.000060931896,0.0001810886,0.000100136036],"domain_scores_gemma":[0.9993767,0.000322325,0.000047876492,0.000036966216,0.000115430834,0.00010066587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014413786,0.00066730333,0.00044032055,0.0022209403,0.008180858,0.007605891,0.0005518542,0.0021060088,0.01670035],"category_scores_gemma":[0.002235231,0.00018905343,0.00019531904,0.0017012691,0.011794865,0.003482458,0.0022060962,0.003970018,0.0027813946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006017208,0.000037460486,0.0005079453,0.0005017432,0.000006946325,0.00063281535,0.17045037,0.00011464603,0.00038219133,0.6442712,0.11485556,0.06817896],"study_design_scores_gemma":[0.00000337597,0.000018335822,0.00047478912,0.00077702466,0.000003038502,0.0001974683,0.013930057,0.000043227625,0.00013983743,0.011425521,0.97297996,0.0000073676256],"about_ca_topic_score_codex":0.0069384933,"about_ca_topic_score_gemma":0.019096583,"teacher_disagreement_score":0.01670035,"about_ca_system_score_codex":0.006164576,"about_ca_system_score_gemma":0.0024901254,"threshold_uncertainty_score":0.055868268},"labels":[],"label_agreement":null},{"id":"W2494676768","doi":"10.14361/9783839427101-004","title":"Purging the world of the Whore and the horror. Gothic and apocalyptic portrayals of dementia in Canadian fiction","year":2015,"lang":"en","type":"book-chapter","venue":"transcript Verlag eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Dementia; Literature; History; Art history; Medicine","score_opus":0.028442640142114728,"score_gpt":0.20206273499562635,"score_spread":0.17362009485351163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2494676768","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04313043,0.04566619,0.0009224094,0.07414619,0.005189112,0.00007422391,0.00023518385,0.00011169725,0.8305245],"genre_scores_gemma":[0.71712863,0.016286613,0.00081154384,0.010101176,0.0007846431,0.000051358606,0.00007016421,0.000257671,0.2545082],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817026,0.00059280364,0.000032634718,0.00010335489,0.0004984529,0.0006025117],"domain_scores_gemma":[0.9986947,0.0005132335,0.000076523,0.000053827356,0.0004180429,0.00024363644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017929409,0.0012850343,0.0005374797,0.0035032271,0.037245635,0.011965263,0.0016165014,0.0045078536,0.008527253],"category_scores_gemma":[0.0054419767,0.00039045792,0.00032079854,0.0031150647,0.04580669,0.0027441306,0.00425179,0.008345213,0.00090896804],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054389166,0.000018889405,0.00025886582,0.00017675193,0.000007344477,0.0007910842,0.4640986,0.000108901695,0.00029690564,0.434229,0.08520475,0.014754563],"study_design_scores_gemma":[0.000015900738,0.000015254202,0.0015460547,0.000578295,0.000019643987,0.00068531866,0.14189878,0.000085442705,0.00031529783,0.014014172,0.8407803,0.000045658486],"about_ca_topic_score_codex":0.9290543,"about_ca_topic_score_gemma":0.9710811,"teacher_disagreement_score":0.077100135,"about_ca_system_score_codex":0.077100135,"about_ca_system_score_gemma":0.058609206,"threshold_uncertainty_score":0.55940324},"labels":[],"label_agreement":null},{"id":"W2499379678","doi":"10.1007/978-1-137-54955-6","title":"Contemporary World Narrative Fiction and the Spaces of Neoliberalism","year":2016,"lang":"en","type":"book","venue":"Palgrave Macmillan UK eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Neoliberalism (international relations); Narrative; Sociology; Aesthetics; Gender studies; Media studies; Political science; Social science; Literature; Art","score_opus":0.022731471684346503,"score_gpt":0.2202354815906414,"score_spread":0.1975040099062949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2499379678","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021113647,0.009230968,0.0018144412,0.009865007,0.00046917622,0.000015753827,0.000031190946,0.00004018452,0.9574196],"genre_scores_gemma":[0.8567568,0.0059480877,0.0010552366,0.0022812367,0.00043888553,0.000069756396,0.00006111704,0.00015379056,0.13323516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983387,0.0010355661,0.0000310499,0.000113214424,0.00026387838,0.00021756819],"domain_scores_gemma":[0.99860054,0.000910954,0.00007943842,0.00020110392,0.00010709771,0.000100915044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018068238,0.000481495,0.00035400494,0.0021703618,0.012343626,0.016944658,0.0009971547,0.0024090973,0.006886285],"category_scores_gemma":[0.0025684005,0.00023918142,0.00020664914,0.0032683578,0.054396223,0.00806344,0.005755734,0.00422089,0.0006322535],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037493176,0.000003973745,0.00004863562,0.00001913627,8.739854e-7,0.000051360243,0.049245775,0.000033821925,0.000033390035,0.9435441,0.0038149823,0.0032001259],"study_design_scores_gemma":[0.0000055732694,0.0000082044435,0.0003364051,0.0002437983,0.0000032411144,0.00015216389,0.05685578,0.00011651554,0.00017875951,0.25435594,0.68773633,0.0000073497595],"about_ca_topic_score_codex":0.009620722,"about_ca_topic_score_gemma":0.016161658,"teacher_disagreement_score":0.016944658,"about_ca_system_score_codex":0.010292167,"about_ca_system_score_gemma":0.0037532344,"threshold_uncertainty_score":0.07467526},"labels":[],"label_agreement":null},{"id":"W2502482909","doi":"10.1057/9780230227507_5","title":"Collins and London","year":2008,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Regent; White (mutation); Quarter (Canadian coin); Art; Art history; Mile; Vitality; Performance art; Style (visual arts); Natural (archaeology); History; Literature; Geography; Archaeology; Philosophy","score_opus":0.027136887289701116,"score_gpt":0.2060091276540095,"score_spread":0.17887224036430838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2502482909","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00054218614,0.024324626,0.00033090892,0.013665363,0.006428613,0.000038185324,0.0014772144,0.00030277146,0.9528901],"genre_scores_gemma":[0.0036758995,0.005994152,0.00018474039,0.0014220438,0.0003423558,0.000027648723,0.0004011166,0.00020102879,0.987751],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983714,0.00022830201,0.00012675367,0.000480467,0.0005036634,0.0002893874],"domain_scores_gemma":[0.99864894,0.00019305346,0.00010472139,0.00024166067,0.00039854285,0.00041302718],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006077011,0.0010909188,0.0009242486,0.0017588792,0.0046729874,0.0133502735,0.0013360115,0.0036358414,0.48916063],"category_scores_gemma":[0.0029302447,0.00059424114,0.00043713537,0.0033010116,0.0026722143,0.005302599,0.0041248556,0.0033728725,0.31482235],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002983794,0.000008112306,0.00012926065,0.000226321,0.0000035775442,0.00034019406,0.0005398665,0.00006278848,0.00012754326,0.046991114,0.9031185,0.04842277],"study_design_scores_gemma":[9.265019e-7,0.0000012022745,0.000057077843,0.00006716946,2.958238e-7,0.00004541694,0.00012286572,0.0000033500664,0.000012699318,0.00042377252,0.999263,0.0000022602233],"about_ca_topic_score_codex":0.029619627,"about_ca_topic_score_gemma":0.06753424,"teacher_disagreement_score":0.48916063,"about_ca_system_score_codex":0.006208534,"about_ca_system_score_gemma":0.006893995,"threshold_uncertainty_score":0.72865033},"labels":[],"label_agreement":null},{"id":"W2504006432","doi":"10.1057/9781137477422","title":"Doris Lessing’s The Golden Notebook After Fifty","year":2015,"lang":"en","type":"book","venue":"Palgrave Macmillan US eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph; Algoma University","funders":"","keywords":"Doris (gastropod); Art; Art history; Computer graphics (images); Visual arts; Computer science","score_opus":0.028277488112983393,"score_gpt":0.2289692330140174,"score_spread":0.200691744901034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504006432","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013668023,0.06798329,0.0008122383,0.03398027,0.028615559,0.0000339847,0.00047545365,0.00012985233,0.86660254],"genre_scores_gemma":[0.009720259,0.0138483895,0.00040470017,0.005516752,0.0025322689,0.00004192417,0.00016769045,0.00017958196,0.9675885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937856,0.000097619704,0.000022631648,0.000099693,0.00032887163,0.00007269017],"domain_scores_gemma":[0.9994916,0.00020635694,0.000030524683,0.00005290499,0.00013744003,0.000081203376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056594063,0.00065878406,0.00037744842,0.0016011199,0.003381488,0.0042110686,0.00052245037,0.001169903,0.05267759],"category_scores_gemma":[0.0027010387,0.00028444824,0.00025087586,0.0011497911,0.0026243562,0.0032258308,0.0019553646,0.0025909103,0.011931565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000098912815,0.0000059668537,0.000040920528,0.00004922176,9.70506e-7,0.000041894928,0.00056316867,0.000032511856,0.000078320285,0.06948259,0.90204334,0.027651211],"study_design_scores_gemma":[5.2417334e-7,0.000001118231,0.000040762945,0.00006178027,2.916991e-7,0.000018337973,0.000101946396,0.0000040466152,0.000026696714,0.0017381777,0.9980046,0.00000170354],"about_ca_topic_score_codex":0.011809354,"about_ca_topic_score_gemma":0.029185878,"teacher_disagreement_score":0.05267759,"about_ca_system_score_codex":0.0041081477,"about_ca_system_score_gemma":0.0030304773,"threshold_uncertainty_score":0.17622411},"labels":[],"label_agreement":null},{"id":"W2513782790","doi":"10.22230/cjc.2016v41n3a3188","title":"Deleuze and Zen: An Interological Adventure","year":2016,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adventure; Serviceability (structure); Multitude; Involution (esoterism); Epistemology; Sociology; Aesthetics; Philosophy; Art; Engineering; Art history","score_opus":0.03048355738394867,"score_gpt":0.2237160783698413,"score_spread":0.19323252098589264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2513782790","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059943322,0.034997467,0.036309194,0.07496345,0.0020463755,0.000045957044,0.000054533357,0.00009827347,0.7915414],"genre_scores_gemma":[0.96035534,0.0052441563,0.004378553,0.0030670743,0.0004957301,0.00004629585,0.000014228249,0.00007424433,0.026324324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99346197,0.0050962865,0.00007780856,0.0004250045,0.00060649775,0.00033241673],"domain_scores_gemma":[0.9957729,0.0032351555,0.00012406569,0.00046049154,0.00019540622,0.00021203095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046763085,0.00048046003,0.00058413745,0.0017615007,0.008841845,0.009528789,0.0008519101,0.0037908866,0.003999691],"category_scores_gemma":[0.004847583,0.00025943984,0.00043134563,0.0010726909,0.059382476,0.010159382,0.006732788,0.005816989,0.00045705074],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007551316,0.0000036313666,0.00005789025,0.000011004591,0.0000010837531,0.000042400534,0.014544061,0.000025561176,0.00004650827,0.9829338,0.0006406776,0.0016857929],"study_design_scores_gemma":[0.000014302161,0.00002887926,0.00024093274,0.00022933118,0.000006664888,0.00032655388,0.025728896,0.00032254678,0.00030982643,0.73535943,0.23741256,0.000020135532],"about_ca_topic_score_codex":0.005193042,"about_ca_topic_score_gemma":0.007705019,"teacher_disagreement_score":0.009528789,"about_ca_system_score_codex":0.006251,"about_ca_system_score_gemma":0.0026425463,"threshold_uncertainty_score":0.045354366},"labels":[],"label_agreement":null},{"id":"W2514691734","doi":"","title":"Title: The Politics of The Handmaid's Tale","year":2010,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Fantasy; Politics; The Imaginary; Apprehension; Ideal (ethics); Literature; Trilogy; Sci-Fi; Utopia; History; Media studies; Sociology; Art; Aesthetics; Art history; Law; Philosophy; Psychoanalysis; Political science; Psychology; Epistemology","score_opus":0.01101097688630157,"score_gpt":0.20283912067289142,"score_spread":0.19182814378658986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514691734","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005682921,0.015182627,0.00047864282,0.05648464,0.025879778,0.000029193336,0.0001661787,0.0001204784,0.8959756],"genre_scores_gemma":[0.12726504,0.0045541227,0.00023213623,0.014245927,0.004745444,0.0000358674,0.00010057344,0.00022748247,0.8485934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993166,0.00017812072,0.000009516761,0.00008678369,0.00026351187,0.00014544239],"domain_scores_gemma":[0.99929416,0.00030415028,0.000035589015,0.000029526005,0.00016576517,0.00017071556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000430537,0.00045441056,0.00027573065,0.0006397915,0.008428904,0.0077307294,0.00070060464,0.0017744604,0.039289515],"category_scores_gemma":[0.0018891052,0.00018291744,0.00013894595,0.000632148,0.0044505047,0.002652343,0.0020475131,0.0040546,0.0064640045],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002155235,0.000017354469,0.00022433231,0.00008250207,0.00000219305,0.00012812165,0.011872127,0.000028883333,0.0002066193,0.10264448,0.86954945,0.015222438],"study_design_scores_gemma":[0.000001643533,0.000004970974,0.00034247703,0.000094943025,9.1362523e-7,0.00007728523,0.004730582,0.000016304017,0.00006540367,0.0014780652,0.9931839,0.0000035130884],"about_ca_topic_score_codex":0.04100195,"about_ca_topic_score_gemma":0.07825249,"teacher_disagreement_score":0.04100195,"about_ca_system_score_codex":0.005578301,"about_ca_system_score_gemma":0.00292192,"threshold_uncertainty_score":0.13143647},"labels":[],"label_agreement":null},{"id":"W2517010811","doi":"10.5539/ass.v12n9p99","title":"Ian McEwan’s Atonement: A Virilian Reading","year":2016,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atonement; Space (punctuation); Reading (process); Perception; Virtualization; Sociology; Aesthetics; Psychology; Media studies; Computer science; Theology; Philosophy; Epistemology; Law; Linguistics; Political science","score_opus":0.020223149318098023,"score_gpt":0.24958162971776346,"score_spread":0.22935848039966544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517010811","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061729313,0.044035792,0.0023694134,0.518089,0.013815364,0.000018083483,0.00006784202,0.00010060277,0.41533098],"genre_scores_gemma":[0.34482765,0.025374418,0.0026371393,0.13413185,0.012210015,0.00010266505,0.000075497504,0.00039948698,0.48024124],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985909,0.00064042833,0.000023809056,0.00023587787,0.0003562176,0.00015276403],"domain_scores_gemma":[0.99868673,0.0006254384,0.000099299585,0.00009745198,0.0002963953,0.00019459426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015790375,0.00078759354,0.00045860722,0.0013971486,0.007999808,0.0072396663,0.0012989047,0.004303767,0.008536986],"category_scores_gemma":[0.005361974,0.0003153948,0.0003368152,0.0009332978,0.012009234,0.007979573,0.0029008314,0.009358732,0.0025255783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023746461,0.000023584482,0.00010377836,0.000045402183,0.0000032375747,0.00017069707,0.012483794,0.00006389491,0.00015193365,0.5933218,0.38209513,0.011513054],"study_design_scores_gemma":[0.0000036557094,0.000009138076,0.00023164816,0.00021426652,0.000002509034,0.00010577687,0.004169673,0.00008953048,0.00012757677,0.06438713,0.9306476,0.000011432948],"about_ca_topic_score_codex":0.016106311,"about_ca_topic_score_gemma":0.021512397,"teacher_disagreement_score":0.016106311,"about_ca_system_score_codex":0.006415217,"about_ca_system_score_gemma":0.002294009,"threshold_uncertainty_score":0.046545863},"labels":[],"label_agreement":null},{"id":"W2527990609","doi":"10.1353/mos.2016.a630346","title":"Eleanor Catton’s The Rehearsal : Theatrical Fantasy and the Gaze","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fantasy; Gaze; Psychoanalysis; Dynamics (music); Art; Psychology; Aesthetics; Literature","score_opus":0.01081616236107456,"score_gpt":0.1873422765442689,"score_spread":0.17652611418319436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527990609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.112687975,0.0096916845,0.00829983,0.07945864,0.0020352774,0.000037524824,0.000032875072,0.00009372688,0.7876625],"genre_scores_gemma":[0.9008401,0.0020177069,0.00086524023,0.0025583673,0.00028063075,0.000029692952,0.000009411465,0.00008716406,0.09331166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892503,0.000688592,0.000012716677,0.00008416509,0.00018415245,0.0001053203],"domain_scores_gemma":[0.9993523,0.00035633147,0.00005011619,0.00007291717,0.000080213096,0.00008818427],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015988522,0.0003528683,0.00021546158,0.00054843846,0.006163723,0.0066808066,0.0006205119,0.0018439491,0.0043307166],"category_scores_gemma":[0.0029593797,0.00014395878,0.00015911843,0.00042246984,0.022539169,0.0048777615,0.0033961784,0.0036269717,0.0005827975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004650383,0.0000141368455,0.00015858712,0.000046141493,0.0000031500126,0.00030122226,0.11597178,0.00010094697,0.00056340167,0.8536529,0.021145253,0.007996044],"study_design_scores_gemma":[0.000027894592,0.00005264194,0.0007869194,0.0002979677,0.0000072306257,0.0007634603,0.14419273,0.00042637656,0.0011073024,0.15882747,0.6934756,0.00003445337],"about_ca_topic_score_codex":0.0066568158,"about_ca_topic_score_gemma":0.011585141,"teacher_disagreement_score":0.0066808066,"about_ca_system_score_codex":0.0029251806,"about_ca_system_score_gemma":0.0014366343,"threshold_uncertainty_score":0.021223843},"labels":[],"label_agreement":null},{"id":"W2528213327","doi":"","title":"Point Omega de Don DeLillo, traduit de l’américain par Marianne Véron, Arles / Montréal, Actes Sud / Leméac, 2010, 141 p.Point Omega de Don DeLillo, traduit de l’américain par Marianne Véron, Arles / Montréal, Actes Sud / Leméac, 2010, 141 p.","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024413085496954368,"score_gpt":0.21841450604019624,"score_spread":0.19400142054324188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528213327","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001788252,0.6136402,0.00079642626,0.103830986,0.007975561,0.000029157422,0.0007675854,0.00014018713,0.2710316],"genre_scores_gemma":[0.0901925,0.1784866,0.0016563252,0.02590577,0.0062521105,0.00021917657,0.00050704984,0.00060291897,0.69617754],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992085,0.00024568042,0.00003123071,0.00010347078,0.000303055,0.00010817348],"domain_scores_gemma":[0.9991959,0.0003267886,0.00007737166,0.000041280116,0.0002752374,0.00008337604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000856092,0.0012151019,0.00053289504,0.0016575215,0.0069503053,0.006202673,0.0013430575,0.0039475774,0.03538346],"category_scores_gemma":[0.0025619334,0.0005318619,0.0003352763,0.0027224335,0.0040568938,0.004469835,0.0017244533,0.004993866,0.0070222877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034011377,0.000008167488,0.00023208358,0.00020379733,0.000005016453,0.00010655099,0.0048484984,0.00005351174,0.0001543257,0.06327105,0.91280574,0.01827726],"study_design_scores_gemma":[0.0000066302327,0.0000033090723,0.0011926774,0.00031887047,0.000003024336,0.00004574952,0.0017995114,0.000020354886,0.00007144076,0.0029921175,0.99353737,0.000008891731],"about_ca_topic_score_codex":0.40642464,"about_ca_topic_score_gemma":0.68825823,"teacher_disagreement_score":0.40642464,"about_ca_system_score_codex":0.013285771,"about_ca_system_score_gemma":0.0058700307,"threshold_uncertainty_score":0.808118},"labels":[],"label_agreement":null},{"id":"W2529705098","doi":"","title":"\"Only connect\": friendship, belonging, and space in the works of J. M. Barrie, E. M. Forster, and J. R. Ackerley.","year":2015,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Friendship; Space (punctuation); Sociology; Philosophy; Psychology; Social psychology; Linguistics","score_opus":0.028065666952701095,"score_gpt":0.23453618628139639,"score_spread":0.20647051932869528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529705098","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061781216,0.08391639,0.004575221,0.33961472,0.00460716,0.000036356625,0.00006483228,0.00008214011,0.505322],"genre_scores_gemma":[0.922375,0.019448183,0.0010258437,0.012063768,0.0011420858,0.000071261195,0.000021622294,0.000095973846,0.043756194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99540246,0.0037236246,0.00006567184,0.00017635692,0.00042662933,0.0002053033],"domain_scores_gemma":[0.9916437,0.0059452187,0.0005488016,0.00050247705,0.00048892794,0.0008708402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049915733,0.00061788695,0.0006171006,0.0014778114,0.019008538,0.009184252,0.0012913942,0.0039774803,0.0044612205],"category_scores_gemma":[0.0139602795,0.00034893525,0.0003020246,0.001695373,0.040335923,0.012289946,0.0063403305,0.006131364,0.0007770365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045176523,0.000026806385,0.0008886119,0.0001261639,0.0000107430915,0.00024494226,0.37723604,0.00006762198,0.000073068004,0.5048287,0.09564354,0.020808676],"study_design_scores_gemma":[0.000020197034,0.00003592923,0.0033231266,0.0011492756,0.000028876282,0.00063333043,0.3115106,0.00013325785,0.00024154608,0.19224025,0.49064508,0.000038494458],"about_ca_topic_score_codex":0.0074249664,"about_ca_topic_score_gemma":0.019155113,"teacher_disagreement_score":0.019008538,"about_ca_system_score_codex":0.0026214859,"about_ca_system_score_gemma":0.002412827,"threshold_uncertainty_score":0.026398301},"labels":[],"label_agreement":null},{"id":"W2531774590","doi":"","title":"Brazil, Under these Circumstances","year":2008,"lang":"en","type":"article","venue":"Canadian journal of environmental education","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Treasure; Adventure; History; Drama; Sociology; Literature; Media studies; Art; Art history","score_opus":0.017738301881684015,"score_gpt":0.2050953427030209,"score_spread":0.1873570408213369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2531774590","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12964225,0.007687599,0.0054129856,0.049621508,0.002291198,0.00032855346,0.004483089,0.0005667228,0.79996616],"genre_scores_gemma":[0.7665771,0.005592663,0.004467956,0.012861351,0.0006731081,0.00031530586,0.0031294033,0.00028788846,0.20609522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985727,0.00029390096,0.00008644991,0.000292935,0.00035154884,0.00040248266],"domain_scores_gemma":[0.99915373,0.00011266035,0.00018335161,0.0001526433,0.0002360752,0.00016162432],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010690418,0.00048500532,0.00042700514,0.0008003852,0.004521599,0.0036247065,0.0007795503,0.0018740328,0.02824651],"category_scores_gemma":[0.0031861297,0.00027803017,0.00040473277,0.0011805254,0.0023609374,0.0018466815,0.0034344362,0.0017830431,0.0054135174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015039502,0.00008468284,0.021325655,0.0009207656,0.00009528688,0.010208274,0.03950189,0.000354237,0.0059397016,0.63626033,0.18100643,0.104152374],"study_design_scores_gemma":[0.000009735418,0.000020548332,0.008755369,0.00020462846,0.000013324148,0.0019484424,0.011104311,0.00009373364,0.0004254834,0.012951833,0.9644475,0.000025231822],"about_ca_topic_score_codex":0.060847446,"about_ca_topic_score_gemma":0.107323505,"teacher_disagreement_score":0.060847446,"about_ca_system_score_codex":0.0033352391,"about_ca_system_score_gemma":0.0066528153,"threshold_uncertainty_score":0.12098658},"labels":[],"label_agreement":null},{"id":"W2533803691","doi":"10.1016/j.jalz.2016.06.1608","title":"P2‐397: Making an Exit: Personhood Perspectives on the Drive for a Cure","year":2016,"lang":"en","type":"article","venue":"Alzheimer s & Dementia","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Personhood; Postmodernism; Memoir; Narrative; Sociology; Psychology; Dementia; Aesthetics; Meaning (existential); Psychoanalysis; Drama; Medicalization; Epistemology; Psychotherapist; Medicine; Literature; Disease; Philosophy; Art","score_opus":0.06014760274335517,"score_gpt":0.275598411709556,"score_spread":0.21545080896620084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2533803691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.094218366,0.033103578,0.00963873,0.41698113,0.006286502,0.00006766407,0.000066916014,0.000071825394,0.4395652],"genre_scores_gemma":[0.927106,0.0074398424,0.0011403814,0.03511609,0.0010896472,0.000081755104,0.000021451298,0.00008282261,0.027922168],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9954307,0.0035251437,0.00004843842,0.00023660972,0.0003495223,0.0004097172],"domain_scores_gemma":[0.9973803,0.0014865512,0.00020966471,0.00010829236,0.00023065342,0.00058452203],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052184598,0.000630698,0.0004829031,0.0008126244,0.017737154,0.009531133,0.0011698601,0.005440911,0.005856709],"category_scores_gemma":[0.0045274585,0.00022959469,0.00050765835,0.0005773467,0.055010654,0.01560752,0.007156572,0.011759243,0.0010665633],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032883097,0.00003743428,0.00031943095,0.000086107684,0.0000038875132,0.0005081228,0.39959222,0.000048331192,0.0001390631,0.5723512,0.019241689,0.007639708],"study_design_scores_gemma":[0.000020243515,0.000061621504,0.0003918913,0.0005435227,0.0000076271012,0.0013876454,0.3794442,0.00015169561,0.00020981331,0.19610153,0.42165616,0.000024083392],"about_ca_topic_score_codex":0.0028269393,"about_ca_topic_score_gemma":0.002828398,"teacher_disagreement_score":0.017737154,"about_ca_system_score_codex":0.0045284103,"about_ca_system_score_gemma":0.0035219556,"threshold_uncertainty_score":0.032856047},"labels":[],"label_agreement":null},{"id":"W2535756836","doi":"10.1080/00111619.2016.1211602","title":"Mixing Colors, Making Designs: A. S. Byatt’s “Racine and the Tablecloth,” “Rose-Coloured Teacups,” and “Sugar”","year":2016,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Painting; Art; Visual arts; Creativity; Aesthetics; Still life; Biography; Intellect; Art history; Literature; Psychology; Philosophy; Epistemology","score_opus":0.12290103589197086,"score_gpt":0.33062181776689603,"score_spread":0.20772078187492515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2535756836","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21499221,0.038387433,0.013665503,0.18413721,0.002672381,0.0001129562,0.00011084118,0.00017262179,0.5457489],"genre_scores_gemma":[0.87772304,0.0062456396,0.0047008214,0.0075307917,0.00032461042,0.000069877664,0.000035486653,0.00016001031,0.10320974],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841,0.0011492373,0.000020038013,0.00012191009,0.00019109169,0.00010768433],"domain_scores_gemma":[0.9982033,0.0011939011,0.0001191125,0.00009767066,0.00020601727,0.00017998439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017169497,0.00066845864,0.00023350045,0.0007842735,0.012494012,0.005541883,0.0005781036,0.0021314167,0.004391417],"category_scores_gemma":[0.0024990994,0.00031652473,0.0002544687,0.00058148254,0.026213191,0.0053127697,0.0029407246,0.0049116523,0.0006208583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006826124,0.000044474258,0.00055145606,0.0001713595,0.000011425007,0.00050008215,0.38980013,0.00021056253,0.0010196647,0.46339163,0.121201746,0.02302933],"study_design_scores_gemma":[0.000014269384,0.000071838374,0.0008778932,0.0002997924,0.0000124490425,0.00077122287,0.11266869,0.00027408925,0.0015832512,0.040498085,0.8429026,0.000025838],"about_ca_topic_score_codex":0.011344663,"about_ca_topic_score_gemma":0.025751,"teacher_disagreement_score":0.012494012,"about_ca_system_score_codex":0.0043822885,"about_ca_system_score_gemma":0.0016114349,"threshold_uncertainty_score":0.03179586},"labels":[],"label_agreement":null},{"id":"W2548233779","doi":"","title":"Undoing Addiction: The Biopolitics of Social Suffering in Contemporary Canadian Fiction","year":2013,"lang":"en","type":"article","venue":"QSpace (Queen's University Library)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Undoing; Biopower; Sociology; History; Aesthetics; Gender studies; Art; Political science; Psychoanalysis; Psychology; Politics; Law","score_opus":0.014398528037329869,"score_gpt":0.17364658118146273,"score_spread":0.15924805314413287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2548233779","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13016865,0.0069122566,0.0032023524,0.07240209,0.0013070264,0.0000718714,0.00012287078,0.00013907703,0.7856738],"genre_scores_gemma":[0.9499388,0.0015138433,0.0007359349,0.004485141,0.0001532143,0.00002894448,0.00002059294,0.000104665785,0.043018904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99660575,0.0011147235,0.000049779243,0.00022929306,0.0008731111,0.001127412],"domain_scores_gemma":[0.9970299,0.0012792345,0.000165073,0.00022846082,0.00079955516,0.0004977439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033543378,0.0007821647,0.0006442119,0.0031967086,0.05161173,0.015708588,0.002475908,0.005756703,0.009103123],"category_scores_gemma":[0.008491567,0.00028856326,0.0005341605,0.0040031173,0.09575538,0.0050668227,0.0068468247,0.008986579,0.00046702524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002195979,0.000012365253,0.00036629278,0.00006473908,0.000006299372,0.0002999304,0.27549675,0.00014279748,0.00019615433,0.702367,0.012576308,0.0084493235],"study_design_scores_gemma":[0.000015224995,0.00002459817,0.0035414083,0.0004017153,0.000034028642,0.00043848885,0.32678562,0.0005085999,0.00040388803,0.099677764,0.568069,0.000099681885],"about_ca_topic_score_codex":0.91104907,"about_ca_topic_score_gemma":0.9471797,"teacher_disagreement_score":0.08895093,"about_ca_system_score_codex":0.08028081,"about_ca_system_score_gemma":0.06762546,"threshold_uncertainty_score":0.5824808},"labels":[],"label_agreement":null},{"id":"W2548773920","doi":"10.3968/8867","title":"Paradise Pursuit in John Updike's Works","year":2016,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Paradise; Mediocrity principle; Ideal (ethics); Feeling; Aesthetics; Psychoanalysis; Paradise lost; Order (exchange); Philosophy; Literature; Psychology; Art; Social psychology; Epistemology; Theology","score_opus":0.02347209377400731,"score_gpt":0.280195234896612,"score_spread":0.2567231411226047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2548773920","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22554678,0.013488142,0.001860756,0.06501763,0.007907168,0.00003953991,0.000031313415,0.00011933985,0.6859894],"genre_scores_gemma":[0.8740721,0.002855483,0.00038053794,0.006559301,0.0014134157,0.00002089662,0.000012851658,0.00009147013,0.11459394],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831307,0.0007079149,0.00004525087,0.00018432506,0.00041325935,0.00033618533],"domain_scores_gemma":[0.9981711,0.0010044036,0.00019104178,0.00011268917,0.00018917907,0.00033150899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017540358,0.00032397933,0.00033344657,0.00077547156,0.022372326,0.008350276,0.0006906639,0.0023046504,0.002246018],"category_scores_gemma":[0.004082775,0.0003086604,0.0002069751,0.0008558423,0.02204488,0.0030996746,0.0050625536,0.006340201,0.00041558055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007748165,0.000044944198,0.0007698548,0.00011354839,0.000007967233,0.0025804152,0.57205606,0.000101043464,0.0008512301,0.35421276,0.057458445,0.011726359],"study_design_scores_gemma":[0.000006126471,0.00003968827,0.0011051452,0.0001964132,0.0000049560044,0.00094788335,0.18041302,0.000052999487,0.00058980606,0.008448174,0.80816275,0.000033103504],"about_ca_topic_score_codex":0.008127538,"about_ca_topic_score_gemma":0.028455755,"teacher_disagreement_score":0.022372326,"about_ca_system_score_codex":0.0033848223,"about_ca_system_score_gemma":0.0013705884,"threshold_uncertainty_score":0.024558783},"labels":[],"label_agreement":null},{"id":"W2560440004","doi":"10.4000/lisa.9005","title":"The Secret Life of Secret Agents: Alan Bennett and John Schlesinger’s An Englishman Abroad (1983) and A Question of Attribution (1991)","year":2016,"lang":"en","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Peter's Hospital","funders":"","keywords":"Secrecy; Foregrounding; Biography; Reflexivity; Attribution; Art; Speculation; Psychoanalysis; Art history; Sociology; Philosophy; History; Literature; Law; Psychology; Political science; Social psychology","score_opus":0.026071430022467697,"score_gpt":0.25599082463301576,"score_spread":0.22991939461054806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560440004","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029073937,0.088796586,0.001152657,0.6588891,0.0055778734,0.00002854942,0.000034122357,0.000028446935,0.2164187],"genre_scores_gemma":[0.56896794,0.042054847,0.0015231466,0.11737942,0.004007448,0.00008804601,0.000036315,0.0001236261,0.26581928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980908,0.0011717431,0.000039313603,0.00013434493,0.0003325484,0.0002312531],"domain_scores_gemma":[0.9980434,0.001008723,0.00016954086,0.00008678993,0.00026821613,0.00042337604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030306617,0.0004021872,0.00028054725,0.0007199267,0.010799431,0.008247374,0.0007981863,0.004034688,0.0032687432],"category_scores_gemma":[0.0054528243,0.00032448873,0.00014230832,0.000606686,0.016778495,0.0101530105,0.003276891,0.007891626,0.0009833064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043925706,0.000038080714,0.0006611771,0.000091135946,0.000005894606,0.001116907,0.22015284,0.000038895127,0.00031261682,0.48568222,0.27648064,0.015375564],"study_design_scores_gemma":[0.000011006016,0.000013322603,0.0010829874,0.0004227405,0.0000058994337,0.0004176031,0.06207003,0.000049773225,0.00022348418,0.032730103,0.90294933,0.000023799266],"about_ca_topic_score_codex":0.05329002,"about_ca_topic_score_gemma":0.085781254,"teacher_disagreement_score":0.05329002,"about_ca_system_score_codex":0.0084447805,"about_ca_system_score_gemma":0.004214587,"threshold_uncertainty_score":0.105959654},"labels":[],"label_agreement":null},{"id":"W2560707967","doi":"","title":"The Fall of Stein, by R. C. Raack","year":2016,"lang":"en","type":"article","venue":"Journal of History","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.019654797610331565,"score_gpt":0.19066379261107314,"score_spread":0.17100899500074157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560707967","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004976824,0.3021169,0.0029970885,0.51277936,0.040656473,0.00001615906,0.00008413064,0.00014391649,0.13622925],"genre_scores_gemma":[0.1604114,0.2144739,0.0039351457,0.086135276,0.02303305,0.00006669492,0.00013068324,0.00071755383,0.5110963],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984762,0.00057878747,0.00007943678,0.00024209816,0.0005139192,0.000109542605],"domain_scores_gemma":[0.9976255,0.0009943972,0.00017229351,0.00017917006,0.000753069,0.00027559898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025948961,0.0008185024,0.00047752395,0.0018458378,0.0047821365,0.0058824713,0.00062726723,0.0029838246,0.005915139],"category_scores_gemma":[0.01119471,0.00044434902,0.00031950136,0.0014305769,0.010461121,0.009224254,0.0027870212,0.006117018,0.0038155396],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042920023,0.000014475501,0.00045342112,0.00013063385,0.000009152459,0.00013064108,0.004625195,0.00016048619,0.00012340711,0.2565327,0.6838009,0.053976107],"study_design_scores_gemma":[0.000002790575,0.000007170102,0.00037463068,0.00034371897,0.0000032320218,0.00013676462,0.0017579498,0.00008885255,0.000118322896,0.049097396,0.94805676,0.000012387691],"about_ca_topic_score_codex":0.009586154,"about_ca_topic_score_gemma":0.02132631,"teacher_disagreement_score":0.009586154,"about_ca_system_score_codex":0.0031916788,"about_ca_system_score_gemma":0.0043618972,"threshold_uncertainty_score":0.023157358},"labels":[],"label_agreement":null},{"id":"W2575818496","doi":"10.22621/cfn.v117i4.795","title":"\"The North Runner\" by R. D. Lawrence. 2003. [book review]","year":2003,"lang":"en","type":"article","venue":"The Canadian Field-Naturalist","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.015024479168522249,"score_gpt":0.21180906058498664,"score_spread":0.19678458141646438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2575818496","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012008156,0.8929537,0.0005240697,0.03474306,0.007714909,0.000022608361,0.0005017418,0.0001350439,0.06328483],"genre_scores_gemma":[0.0044677756,0.544775,0.00083221967,0.015532572,0.0023239828,0.000054829205,0.000536565,0.00023759325,0.43123946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993825,0.000062525076,0.00003052447,0.000090066074,0.00035132392,0.00008300259],"domain_scores_gemma":[0.9990164,0.00016207114,0.0000730039,0.00003460881,0.0006297773,0.000084183856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006615524,0.0013712053,0.0010239211,0.0033834744,0.0031235684,0.0038073305,0.002106504,0.002799051,0.056185875],"category_scores_gemma":[0.0017617532,0.0007855491,0.00050919945,0.0066173864,0.0024316206,0.0047990074,0.0014998114,0.0041826926,0.031893685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006487797,0.00000243925,0.000031295705,0.00034388856,0.0000024246272,0.000019874424,0.00011352993,0.000022118365,0.000021990843,0.004315518,0.9583431,0.03677728],"study_design_scores_gemma":[0.0000014231628,0.0000013099541,0.00018272763,0.00044397797,0.000002758789,0.000047734175,0.000117548465,0.0000074450722,0.00001867996,0.0010503612,0.9981217,0.0000043552895],"about_ca_topic_score_codex":0.35238194,"about_ca_topic_score_gemma":0.6155049,"teacher_disagreement_score":0.35238194,"about_ca_system_score_codex":0.01030138,"about_ca_system_score_gemma":0.012365375,"threshold_uncertainty_score":0.7006617},"labels":[],"label_agreement":null},{"id":"W2576110710","doi":"10.25071/2369-7326.40260","title":"\"I wanna die just like JFK / I wanna die in the USA\": Libra and DeLillo’s Curation of the Kennedy Archive","year":2016,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Character (mathematics); Art history; Order (exchange); Art; Performance art; Humanities; Cartography; Geography; Mathematics","score_opus":0.045788106365102284,"score_gpt":0.29850359158563666,"score_spread":0.2527154852205344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2576110710","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082393244,0.024299093,0.0030187706,0.28252107,0.0088033145,0.00004888944,0.0001185826,0.00018839473,0.5986086],"genre_scores_gemma":[0.733923,0.0052870503,0.0011582181,0.028667102,0.0014655455,0.00006840463,0.000056162604,0.0004210762,0.2289534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99696034,0.0018941112,0.000054268334,0.00022942714,0.0005235737,0.00033822167],"domain_scores_gemma":[0.9977539,0.00097521674,0.00018093678,0.00022235874,0.00047115787,0.00039641923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033122667,0.00043655618,0.00030425572,0.0008542292,0.017277338,0.008293186,0.0011574853,0.0022945788,0.005647117],"category_scores_gemma":[0.008302946,0.00025363328,0.00019560922,0.00069581345,0.015164298,0.004103063,0.0048445016,0.007171074,0.0011797043],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006378871,0.000021970158,0.00074914057,0.000073912845,0.0000089876285,0.0010203543,0.29002687,0.00005672372,0.00028376334,0.30192846,0.38614845,0.01961757],"study_design_scores_gemma":[0.0000046075456,0.0000088901415,0.00042035265,0.00017737232,0.0000049613154,0.00028295565,0.068542525,0.000039656716,0.00027070407,0.005244261,0.92498994,0.000013712433],"about_ca_topic_score_codex":0.041000538,"about_ca_topic_score_gemma":0.10501563,"teacher_disagreement_score":0.041000538,"about_ca_system_score_codex":0.009227352,"about_ca_system_score_gemma":0.0037865923,"threshold_uncertainty_score":0.081523776},"labels":[],"label_agreement":null},{"id":"W2576178525","doi":"","title":"Thelma Finlayson (1914 - 2016)","year":2017,"lang":"en","type":"article","venue":"Biodiversity Heritage Library (Smithsonian Institution)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science; Geology","score_opus":0.028328369383017197,"score_gpt":0.2019370609799959,"score_spread":0.1736086915969787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2576178525","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020154587,0.244248,0.0007489087,0.06632828,0.11538882,0.000064513864,0.0008232796,0.00019888695,0.5701839],"genre_scores_gemma":[0.01491713,0.023929052,0.0002725997,0.0039886213,0.013534497,0.000028835668,0.0001719204,0.00016817731,0.9429892],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935704,0.00013899383,0.00003932723,0.00016922863,0.00024011466,0.000055249126],"domain_scores_gemma":[0.9991061,0.00023549753,0.00007383015,0.00007702298,0.00038683758,0.0001206801],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011810237,0.0008774782,0.00045411196,0.0041701216,0.0042263307,0.0056856507,0.0008738247,0.003163354,0.08359825],"category_scores_gemma":[0.0035728067,0.00034991064,0.00028418587,0.0036948693,0.0025073732,0.0043636165,0.0029052207,0.0021524327,0.022315884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024143701,0.000011266831,0.00016461551,0.000121982484,0.000003450698,0.0000586058,0.00051258877,0.00004146961,0.0000812832,0.027119605,0.92926574,0.04259523],"study_design_scores_gemma":[0.000001054148,0.000003016611,0.00015360277,0.00013235353,0.0000014247763,0.00003731074,0.00009095865,0.0000075543007,0.000044400196,0.0011416276,0.9983846,0.000002137558],"about_ca_topic_score_codex":0.016366653,"about_ca_topic_score_gemma":0.035201654,"teacher_disagreement_score":0.08359825,"about_ca_system_score_codex":0.006478827,"about_ca_system_score_gemma":0.003545607,"threshold_uncertainty_score":0.27966404},"labels":[],"label_agreement":null},{"id":"W2578253718","doi":"10.5539/ells.v7n1p18","title":"Traumatic Narrative in Virginia Woolf’s Novel Mrs. Dalloway","year":2017,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Fundamental Research Funds for the Central Universities","keywords":"Narrative; Consciousness; Literature; Stream of consciousness (narrative mode); History; Art; Psychoanalysis; Philosophy; Psychology; Epistemology","score_opus":0.02479530143514219,"score_gpt":0.2817687969682928,"score_spread":0.25697349553315063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2578253718","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5577457,0.014242988,0.0011822613,0.15102066,0.004137081,0.000073173236,0.00018002703,0.00009710822,0.2713209],"genre_scores_gemma":[0.9361477,0.0029045613,0.00027267658,0.009003187,0.000648589,0.000043395048,0.00003110836,0.000060488994,0.050888214],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875855,0.00056525803,0.000025663496,0.00014177035,0.00020528125,0.0003034578],"domain_scores_gemma":[0.9981146,0.00081504555,0.00023002949,0.0000812567,0.00025379952,0.0005053176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011962986,0.00043391413,0.00044190537,0.0009969648,0.028758684,0.007271825,0.0013162544,0.0031988414,0.0039022777],"category_scores_gemma":[0.004776541,0.000294895,0.0002661625,0.00074345304,0.0150621915,0.0024537598,0.004009545,0.0052963956,0.00036785775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059890062,0.000059478534,0.0012390092,0.0000789515,0.000016356113,0.009202127,0.7790605,0.00015798307,0.00046823124,0.08863369,0.111511156,0.009512577],"study_design_scores_gemma":[0.000007774183,0.000039689214,0.0021882476,0.0003110623,0.000009163627,0.002843532,0.46397725,0.0000808218,0.00037449293,0.0049274852,0.5252054,0.000035114103],"about_ca_topic_score_codex":0.09483708,"about_ca_topic_score_gemma":0.15524438,"teacher_disagreement_score":0.09483708,"about_ca_system_score_codex":0.012067597,"about_ca_system_score_gemma":0.004436454,"threshold_uncertainty_score":0.18857014},"labels":[],"label_agreement":null},{"id":"W2578405125","doi":"","title":"Just Two Clicks","year":2008,"lang":"en","type":"article","venue":"Griffith review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bedroom; Wife; Dream; Shot (pellet); Daughter; Living room; Quarter (Canadian coin); Art history; Law; Art; History; Advertising; Media studies; Sociology; Psychology; Political science; Engineering; Archaeology","score_opus":0.11738433587667485,"score_gpt":0.29131204740117306,"score_spread":0.1739277115244982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2578405125","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00075024174,0.009677268,0.0013948872,0.03856121,0.03985414,0.00021186052,0.0016044102,0.0022238384,0.905722],"genre_scores_gemma":[0.0030194314,0.0021844546,0.00041883253,0.011199312,0.0035386968,0.00006130511,0.0003847325,0.00040876074,0.9787845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988238,0.0002652821,0.00005164325,0.00013872344,0.0005371767,0.00018331573],"domain_scores_gemma":[0.9958235,0.0008184434,0.00018810382,0.00048768133,0.0017060022,0.0009762378],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010275602,0.0008231053,0.0007783326,0.0023064273,0.004033953,0.007297484,0.0015549154,0.0033581147,0.68374246],"category_scores_gemma":[0.008141592,0.0005254954,0.00083801214,0.0018394251,0.0015320685,0.007523103,0.0047892155,0.0039108316,0.48929685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022908813,0.000013552974,0.0000545439,0.00006716658,0.0000021875665,0.000063411084,0.00015631599,0.0000042752936,0.0001131662,0.003816081,0.96839046,0.027295968],"study_design_scores_gemma":[0.0000038951353,0.000005376778,0.00008455259,0.000043209584,0.0000011945815,0.000047524376,0.00020522437,0.0000048258853,0.00002283021,0.00043417254,0.99914384,0.0000033876331],"about_ca_topic_score_codex":0.007895136,"about_ca_topic_score_gemma":0.013707039,"teacher_disagreement_score":0.68374246,"about_ca_system_score_codex":0.0013562236,"about_ca_system_score_gemma":0.0017888185,"threshold_uncertainty_score":0.45110297},"labels":[],"label_agreement":null},{"id":"W2584789499","doi":"","title":"The Dirty Work of a Telltale: Narrative Ethics in Melville's The Confidence-Man and Billy Budd","year":2011,"lang":"en","type":"article","venue":"Library and Archives Canada (Government of Canada)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Work (physics); History; Literature; Art; Engineering","score_opus":0.013962021761741841,"score_gpt":0.15370578532126392,"score_spread":0.13974376355952206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2584789499","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21627389,0.012011957,0.013333597,0.17947726,0.0023238538,0.00009819609,0.00006237076,0.00016080072,0.57625806],"genre_scores_gemma":[0.96293837,0.0010331174,0.0010071435,0.003165294,0.00019112635,0.000041217772,0.0000074096497,0.00006497521,0.03155136],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931312,0.0057139243,0.00006247527,0.00021868719,0.00053722056,0.00033641866],"domain_scores_gemma":[0.9947917,0.0034726819,0.00038005004,0.00022652093,0.0004878832,0.00064115773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048882556,0.0004065983,0.0003162032,0.0007834301,0.018546173,0.015405323,0.00095049036,0.00293785,0.0021653532],"category_scores_gemma":[0.0105032995,0.00031568087,0.00019198883,0.0006431334,0.039079167,0.0051134476,0.0041903444,0.005027305,0.00042492594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044709413,0.000024713687,0.00037634128,0.000057674388,0.0000056080057,0.00083879934,0.4898461,0.00015125127,0.0002569865,0.4721533,0.028408594,0.007835787],"study_design_scores_gemma":[0.000018769359,0.000036471123,0.0005073431,0.0003412399,0.0000080194095,0.00085747015,0.3383878,0.00042605147,0.0007588969,0.061526693,0.5970901,0.000041171577],"about_ca_topic_score_codex":0.02530918,"about_ca_topic_score_gemma":0.035753913,"teacher_disagreement_score":0.02530918,"about_ca_system_score_codex":0.011230097,"about_ca_system_score_gemma":0.004371527,"threshold_uncertainty_score":0.08148044},"labels":[],"label_agreement":null},{"id":"W2586964993","doi":"10.1007/978-0-230-35795-2_11","title":"Re-Telling Old Tales: Moral Disorder (2006), The Tent (2006)","year":2012,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis; Art","score_opus":0.04087646493736756,"score_gpt":0.21529883564892519,"score_spread":0.17442237071155764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586964993","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019522522,0.03263445,0.0041198647,0.04953938,0.005425579,0.000057172147,0.00011022217,0.0001948152,0.88839597],"genre_scores_gemma":[0.27932078,0.009629865,0.0022271536,0.008574353,0.000758688,0.00006518135,0.00008234887,0.00018101632,0.69916064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994771,0.00018351155,0.000010822345,0.000043792435,0.00019313526,0.00009169511],"domain_scores_gemma":[0.99944454,0.00017329627,0.000033311713,0.00004574498,0.00014414484,0.00015883765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086475286,0.000534353,0.00017274475,0.0010647445,0.00972347,0.004898379,0.00064439146,0.0015911001,0.006421105],"category_scores_gemma":[0.0016863132,0.00013602675,0.00018724476,0.0008312791,0.013450027,0.004665012,0.0019024042,0.004474149,0.0014246263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027574006,0.00003349047,0.00035629873,0.00008213194,0.0000025387553,0.00033031567,0.10105281,0.00010837261,0.00019964087,0.49242884,0.35294878,0.052429162],"study_design_scores_gemma":[0.0000019492823,0.000007795322,0.00036044567,0.00016263706,0.0000014502921,0.00027476603,0.020484323,0.00005292247,0.00013445913,0.020220904,0.95828956,0.000008841736],"about_ca_topic_score_codex":0.049794614,"about_ca_topic_score_gemma":0.11540535,"teacher_disagreement_score":0.049794614,"about_ca_system_score_codex":0.008593038,"about_ca_system_score_gemma":0.006849744,"threshold_uncertainty_score":0.09900957},"labels":[],"label_agreement":null},{"id":"W2587668764","doi":"10.1353/mos.2016.a640857","title":"Recomposing the Self: Joyful Shame in Dorothy Allison’s Bastard Out of Carolina","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shame; Psychoanalysis; Art; Psychology; Social psychology","score_opus":0.023454656070417468,"score_gpt":0.2228921016543943,"score_spread":0.19943744558397683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587668764","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1753528,0.01388049,0.0025600912,0.24504365,0.0047906404,0.000038099075,0.000023606333,0.00006764834,0.558243],"genre_scores_gemma":[0.9071333,0.0030312755,0.0005171625,0.016044738,0.00040336006,0.000027044553,0.000006382816,0.00006938297,0.07276741],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977997,0.001308261,0.00002289384,0.000120603014,0.00046239977,0.0002862526],"domain_scores_gemma":[0.9982583,0.0009741422,0.00012300866,0.000114697796,0.00026568072,0.00026413455],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002117884,0.0003056868,0.00027780788,0.0007017453,0.024661586,0.005876941,0.0008859788,0.0030736087,0.0028666693],"category_scores_gemma":[0.0040135058,0.00018034756,0.00020070234,0.00055300654,0.030360926,0.00351458,0.0044788965,0.0066645136,0.00030218298],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023275661,0.000017443774,0.00034115964,0.00004652951,0.0000044772364,0.0010374966,0.449835,0.00008908495,0.00047086083,0.47712678,0.062709235,0.008298666],"study_design_scores_gemma":[0.0000096997255,0.000023848253,0.0007498428,0.0002918006,0.000007302435,0.0007845824,0.39511397,0.00013960327,0.0005024364,0.043509472,0.55882955,0.000037865626],"about_ca_topic_score_codex":0.046208806,"about_ca_topic_score_gemma":0.09011541,"teacher_disagreement_score":0.046208806,"about_ca_system_score_codex":0.0077398433,"about_ca_system_score_gemma":0.0044632857,"threshold_uncertainty_score":0.091879666},"labels":[],"label_agreement":null},{"id":"W2602460276","doi":"10.31581/jbs-25.1-2.5(2015)","title":"Postsecular Look at the Reading Motif in Bahiyyih Nakhjavani’s The Woman Who Read Too Much","year":2015,"lang":"en","type":"article","venue":"The Journal of Bahá’í Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Motif (music); Reading (process); Literature; Metaphysics; Metaphor; Close reading; Philosophy; Art; Aesthetics; Theology; Linguistics","score_opus":0.08146482159649192,"score_gpt":0.28458726008087215,"score_spread":0.20312243848438022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602460276","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5703392,0.0038534256,0.0043324362,0.013006602,0.0009988741,0.00003678669,0.000089978865,0.00007745354,0.40726525],"genre_scores_gemma":[0.98654664,0.00031988317,0.00037456598,0.0004025522,0.00009241665,0.000008418384,0.000019938527,0.000034758556,0.012200908],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9996464,0.00016704801,0.000009153619,0.000043721313,0.000055115805,0.00007841121],"domain_scores_gemma":[0.9994382,0.00032398873,0.00007810519,0.000035467347,0.000059758735,0.0000643706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006122391,0.00028531902,0.00028524175,0.0007008594,0.005841093,0.0032004626,0.0004333127,0.0012089418,0.0035540254],"category_scores_gemma":[0.0017281577,0.00016467337,0.0001587603,0.00063831813,0.010773489,0.0027757764,0.0021565598,0.002726686,0.0005296476],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010997585,0.000039865496,0.0020034786,0.00012607337,0.000008264014,0.0024043338,0.7429526,0.0000732435,0.0021761227,0.23492445,0.0057416856,0.009439957],"study_design_scores_gemma":[0.000022516735,0.0001808709,0.0142240925,0.0003376697,0.00004064082,0.0034858813,0.6162904,0.0003712154,0.0037109614,0.036283284,0.3249941,0.000058476537],"about_ca_topic_score_codex":0.0023885497,"about_ca_topic_score_gemma":0.008270699,"teacher_disagreement_score":0.005841093,"about_ca_system_score_codex":0.0019483467,"about_ca_system_score_gemma":0.0007997973,"threshold_uncertainty_score":0.014136255},"labels":[],"label_agreement":null},{"id":"W2602636681","doi":"10.3968/9222","title":"Masculinity in Crisis: A Gender Study of Blasted by Sarah Kane","year":2017,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Masculinity; Existentialism; Power (physics); Nihilism; Psychoanalysis; Psychology; Aesthetics; Absoluteness; Sociology; Social psychology; Gender studies; Philosophy; Epistemology","score_opus":0.04836691299760515,"score_gpt":0.32399948752412233,"score_spread":0.2756325745265172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602636681","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95613265,0.0035270706,0.00020151933,0.015360821,0.00036826226,0.000053618314,0.00007340968,0.000007846991,0.024274793],"genre_scores_gemma":[0.9829767,0.0019178074,0.00009615263,0.0037283315,0.00013399636,0.000053561776,0.000023533099,0.000025864547,0.01104409],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670225,0.002032364,0.00007682506,0.00019125905,0.0003794818,0.00061776576],"domain_scores_gemma":[0.9955623,0.00238,0.000608239,0.00015003579,0.0005084404,0.0007909959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043791253,0.00062176277,0.0010228476,0.0019514442,0.018092617,0.007845975,0.0015224513,0.0036078652,0.00932019],"category_scores_gemma":[0.007691275,0.0007644952,0.00034698242,0.0020244082,0.013509107,0.0071389014,0.0062789763,0.00574593,0.0010393818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026629872,0.00006596905,0.0018973395,0.00004021117,0.0000028975437,0.00047675322,0.99052835,0.0000047282815,0.00012617116,0.0031018073,0.0019066901,0.0018224154],"study_design_scores_gemma":[0.000003488833,0.000035036956,0.0027551884,0.00006419826,0.0000017067989,0.00016447486,0.9864565,0.000008252797,0.000033350087,0.00030566467,0.01016565,0.0000064554374],"about_ca_topic_score_codex":0.013686311,"about_ca_topic_score_gemma":0.030308433,"teacher_disagreement_score":0.018092617,"about_ca_system_score_codex":0.0030436795,"about_ca_system_score_gemma":0.0024670297,"threshold_uncertainty_score":0.03117919},"labels":[],"label_agreement":null},{"id":"W2605883662","doi":"10.1017/s0034670516001169","title":"Michael Keren : Politics and Literature at the Turn of the Millennium. (Calgary: University of Calgary Press, 2015. Pp. ix, 255.)","year":2017,"lang":"en","type":"article","venue":"The Review of Politics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Media studies; Political science; Content (measure theory); Sociology; Law","score_opus":0.019509996015508773,"score_gpt":0.23742779742381714,"score_spread":0.21791780140830838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605883662","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00056097226,0.8788907,0.00034597976,0.08807843,0.0029213785,0.000013202199,0.00010175444,0.000032811342,0.029054886],"genre_scores_gemma":[0.042471476,0.8257761,0.0013759244,0.04256614,0.0061446745,0.00010705991,0.0002967512,0.00016671223,0.08109509],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981488,0.00075228506,0.00008645525,0.00014454745,0.00055940705,0.0003085426],"domain_scores_gemma":[0.9972753,0.0012375147,0.0003327273,0.00015236532,0.00061095867,0.00039112597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027300438,0.0013265876,0.0009401189,0.005175704,0.005730801,0.009418073,0.002545962,0.005448779,0.016882325],"category_scores_gemma":[0.005621892,0.0008579518,0.00045827884,0.0063244523,0.009822043,0.0132289715,0.0042389096,0.0067525394,0.005543386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000450643,0.000016367905,0.0003938163,0.00075649476,0.000021709737,0.00019068991,0.0066070263,0.00015139378,0.000099318946,0.08792165,0.8482904,0.055506162],"study_design_scores_gemma":[0.000013954658,0.0000062423437,0.004309818,0.003203237,0.0000166604,0.000120083176,0.0060082637,0.00006752909,0.0001784376,0.06100257,0.92504454,0.000028606102],"about_ca_topic_score_codex":0.12753515,"about_ca_topic_score_gemma":0.25182262,"teacher_disagreement_score":0.12753515,"about_ca_system_score_codex":0.015615067,"about_ca_system_score_gemma":0.0097211795,"threshold_uncertainty_score":0.25358564},"labels":[],"label_agreement":null},{"id":"W2606464562","doi":"10.31542/j.muse.393","title":"Fighting the Fear: Everyday Terror in the American Short Story Collection after 9/11 A Study of Jennifer Egan’s A Visit from the Goon Squad and Elizabeth Strout’s Olive Kitteridge","year":2016,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Symbol (formal); History; Aesthetics; Art; Sociology; Media studies; Philosophy","score_opus":0.015784337251008872,"score_gpt":0.2269792776474398,"score_spread":0.21119494039643094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606464562","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93743235,0.002176552,0.00036101873,0.014351366,0.00053369306,0.00005695191,0.00007064,0.00002940714,0.04498795],"genre_scores_gemma":[0.9805068,0.001789435,0.00019353766,0.0028590672,0.00014780097,0.000096254924,0.000060562077,0.000090170564,0.014256379],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9934994,0.0047473195,0.00011263867,0.00026098394,0.000618756,0.00076101074],"domain_scores_gemma":[0.993284,0.003756908,0.0008919286,0.00030353005,0.0005907828,0.0011729113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045975917,0.0011606788,0.0009310973,0.0013445792,0.041070886,0.012532115,0.002513238,0.0046901423,0.0038183555],"category_scores_gemma":[0.010422341,0.00093891675,0.00044852163,0.0018232065,0.026235208,0.008441503,0.00885609,0.01188455,0.0006836255],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011216677,0.00001849642,0.00039263853,0.00002018511,0.0000021786536,0.00033136684,0.9943861,0.000009058308,0.00007584639,0.001813944,0.002371181,0.0005679113],"study_design_scores_gemma":[0.0000017300019,0.000015730779,0.0008071552,0.00005565314,0.0000026900207,0.00010957714,0.97485787,0.000009331402,0.000057114197,0.00019650137,0.023877457,0.000009219136],"about_ca_topic_score_codex":0.052312262,"about_ca_topic_score_gemma":0.1248193,"teacher_disagreement_score":0.052312262,"about_ca_system_score_codex":0.010986451,"about_ca_system_score_gemma":0.004407049,"threshold_uncertainty_score":0.10401553},"labels":[],"label_agreement":null},{"id":"W2606670549","doi":"10.71781/14623","title":"The shopping channel : simulation, consumption, and the author as cultural critic in Don DeLillo's White Noise","year":2005,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); White noise; Art; Consumption (sociology); Channel (broadcasting); Literature; Art history; Aesthetics; Computer science; Telecommunications","score_opus":0.0584755107066986,"score_gpt":0.33826254361894176,"score_spread":0.27978703291224316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606670549","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073402785,0.015381354,0.016001927,0.37299603,0.0028289694,0.000037833615,0.00007192984,0.00014329876,0.5191359],"genre_scores_gemma":[0.8950375,0.003176012,0.0014947201,0.020000506,0.0007972741,0.00004287847,0.000011838668,0.00020350672,0.079235785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957871,0.0029521738,0.00007443078,0.00032048952,0.0006176826,0.00024819915],"domain_scores_gemma":[0.9874073,0.010094208,0.00034930022,0.00066276774,0.0011580915,0.00032815346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053297123,0.0006127394,0.00047779005,0.0011633133,0.011015269,0.014853905,0.0017350378,0.008057634,0.004167671],"category_scores_gemma":[0.016552415,0.00040552838,0.00030808066,0.0015204693,0.041541353,0.005789843,0.00374623,0.0067865183,0.0004762425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024554121,0.000011884609,0.0002512882,0.000035188463,0.000004531724,0.00016818916,0.054682136,0.0003625576,0.00005901912,0.9194763,0.019366315,0.0055581587],"study_design_scores_gemma":[0.000048015925,0.000031341697,0.0009681278,0.00065178244,0.000034936093,0.0002706668,0.06470916,0.0027304685,0.00065337005,0.36400804,0.5658178,0.000076354176],"about_ca_topic_score_codex":0.09443526,"about_ca_topic_score_gemma":0.11311525,"teacher_disagreement_score":0.09443526,"about_ca_system_score_codex":0.010546976,"about_ca_system_score_gemma":0.0049562803,"threshold_uncertainty_score":0.1877712},"labels":[],"label_agreement":null},{"id":"W2611980694","doi":"","title":"Mediation Through the Dead in White Noise and the Poetry of Robert Lowell","year":2017,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Parallels; Poetry; Postmodernism; Comics; Consciousness; White (mutation); Literature; Confessional; Turning point; Philosophy; Aesthetics; Psychoanalysis; History; Art; Sociology; Law; Epistemology; Psychology; Political science; Period (music); Politics","score_opus":0.019922286175686508,"score_gpt":0.2574583808818882,"score_spread":0.2375360947062017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611980694","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069957346,0.038939606,0.007691062,0.26996183,0.0074992804,0.000031494343,0.000049065904,0.00019569899,0.6056746],"genre_scores_gemma":[0.76287985,0.004520374,0.0012385069,0.023874253,0.001591136,0.000048570357,0.000015830414,0.00029723527,0.20553422],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968957,0.0022446571,0.000037717335,0.00020708481,0.00041862737,0.00019618086],"domain_scores_gemma":[0.99789065,0.0013971509,0.00014642434,0.00009022517,0.00030107828,0.00017448189],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021689858,0.00051107054,0.00027969212,0.00078741414,0.009105708,0.0072742733,0.0008141878,0.0018886845,0.0022858265],"category_scores_gemma":[0.0068729436,0.0001711074,0.00016542926,0.00037030576,0.017651614,0.004120163,0.0021556078,0.0050288886,0.0008220875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009516841,0.000029727596,0.0003502321,0.00010578176,0.00000850838,0.0005083121,0.15797125,0.00015584067,0.0007657407,0.64908147,0.17234413,0.01858386],"study_design_scores_gemma":[0.000009343621,0.000028718305,0.00038796954,0.00031918572,0.000008164056,0.00039159102,0.05247131,0.00022992122,0.0007847618,0.0414434,0.90389663,0.000029002731],"about_ca_topic_score_codex":0.01411319,"about_ca_topic_score_gemma":0.022116816,"teacher_disagreement_score":0.01411319,"about_ca_system_score_codex":0.00404289,"about_ca_system_score_gemma":0.0014823723,"threshold_uncertainty_score":0.029333413},"labels":[],"label_agreement":null},{"id":"W2612244204","doi":"10.3968/9410","title":"The Balance Between Ideal and Reality","year":2017,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Balance (ability); Ideal (ethics); Dilemma; Meaning (existential); Social reality; Sociology; Aesthetics; Meaning of life; Environmental ethics; Epistemology; Social psychology; Psychology; Philosophy; Social science","score_opus":0.04767602259261766,"score_gpt":0.33522956709330176,"score_spread":0.2875535445006841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612244204","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027094798,0.0050292793,0.03730765,0.09621008,0.0013667295,0.000054074226,0.000074800766,0.00012233485,0.8327403],"genre_scores_gemma":[0.96452934,0.0020156468,0.0066177957,0.0042251586,0.0005316478,0.00011936885,0.00006227504,0.00017352538,0.021725321],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9844551,0.009890896,0.0004347647,0.001381823,0.0029181025,0.00091926305],"domain_scores_gemma":[0.9951999,0.002134261,0.00039967752,0.0007773175,0.00084516656,0.00064365997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0110578425,0.00062613864,0.0007014364,0.0021781588,0.007503582,0.017515726,0.0016547857,0.0032966593,0.004807204],"category_scores_gemma":[0.013485647,0.00044351493,0.00044343463,0.0010640672,0.08127037,0.01763697,0.007509938,0.005989453,0.0011760802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008830617,0.000004601287,0.00008146703,0.000017068714,0.0000021764852,0.000025844023,0.0075622625,0.000032872173,0.000066248904,0.9886218,0.0015988551,0.001978023],"study_design_scores_gemma":[0.000015460888,0.000019260555,0.00022469336,0.00014885866,0.000004942549,0.0001374642,0.01472119,0.0001855695,0.000114769144,0.88938373,0.095028624,0.00001535222],"about_ca_topic_score_codex":0.0020154351,"about_ca_topic_score_gemma":0.0016884843,"teacher_disagreement_score":0.017515726,"about_ca_system_score_codex":0.00473221,"about_ca_system_score_gemma":0.004537389,"threshold_uncertainty_score":0.058480144},"labels":[],"label_agreement":null},{"id":"W2612845639","doi":"10.3138/cjfs.19.1.41","title":"Newfangled Computers and Old-Fashioned Romantic Comedy: <i>You’ve Got Mail’s</i> Futuristic Nostalgia","year":2010,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Comedy; Literature","score_opus":0.014830417017238397,"score_gpt":0.2216953751814251,"score_spread":0.2068649581641867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612845639","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18283696,0.0044840258,0.0024718947,0.028936055,0.0005114844,0.000023687837,0.00006530699,0.000082844505,0.78058773],"genre_scores_gemma":[0.8721546,0.0020157506,0.00028021965,0.0014053808,0.00016960397,0.000024299225,0.00002445256,0.00007802047,0.123847775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990441,0.00050923234,0.000016951664,0.00010762282,0.00014622584,0.00017584808],"domain_scores_gemma":[0.99895954,0.0005284704,0.00012490625,0.000103262755,0.00009602895,0.00018778208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094092,0.00035493443,0.00018911852,0.0008625018,0.0074950494,0.013673064,0.0005573364,0.0017126716,0.018822303],"category_scores_gemma":[0.0024632975,0.00022421619,0.00014787384,0.0009026255,0.01881229,0.007555049,0.0038781494,0.0030168118,0.0019840118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008952652,0.00003070784,0.0015653847,0.000091833674,0.0000054348584,0.00061193167,0.20701641,0.00006582287,0.00046360603,0.7555337,0.021932138,0.012593571],"study_design_scores_gemma":[0.000026871707,0.00004168864,0.0037573343,0.00026971134,0.000010312178,0.00053813326,0.1507708,0.00020773354,0.0009292387,0.034476783,0.80894357,0.000027771019],"about_ca_topic_score_codex":0.017237317,"about_ca_topic_score_gemma":0.033450983,"teacher_disagreement_score":0.018822303,"about_ca_system_score_codex":0.006719672,"about_ca_system_score_gemma":0.0015066364,"threshold_uncertainty_score":0.06296688},"labels":[],"label_agreement":null},{"id":"W2613615937","doi":"10.24908/ss.v15i2.6590","title":"Review of Harcourt’s Exposed: Desire and Disobedience in the Digital Age","year":2017,"lang":"en","type":"article","venue":"Surveillance & Society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Civil disobedience; Art; Sociology; Aesthetics; Political science; Law; Politics","score_opus":0.04345364696154676,"score_gpt":0.26241899824164516,"score_spread":0.21896535128009842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613615937","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048017598,0.97113097,0.00014579526,0.019036697,0.0017891126,0.0000034797467,0.000017311972,0.000003638451,0.0073927976],"genre_scores_gemma":[0.017249858,0.96368057,0.00013664382,0.012478535,0.004203635,0.000015273952,0.00003456874,0.000024057706,0.0021768846],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953986,0.0023138497,0.0003755172,0.00048623257,0.001169151,0.00025656717],"domain_scores_gemma":[0.9679437,0.026579438,0.00106954,0.0006931647,0.0032222136,0.000491868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008506254,0.0008010131,0.001643785,0.0065144766,0.0027812186,0.007217191,0.0019582915,0.006073344,0.006289061],"category_scores_gemma":[0.027490731,0.0004947831,0.000550803,0.008494154,0.01599874,0.008427067,0.0030291867,0.005586936,0.0013298786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007171703,0.00004200592,0.00062110304,0.014354126,0.00008480356,0.00033926198,0.020852337,0.00024349654,0.00023275666,0.25208938,0.2850624,0.42600662],"study_design_scores_gemma":[0.00000472985,0.000014612754,0.0008955628,0.016765473,0.000025548925,0.00033987826,0.0051180497,0.000022092772,0.00007575089,0.012264222,0.96445304,0.000021143629],"about_ca_topic_score_codex":0.011393735,"about_ca_topic_score_gemma":0.018073888,"teacher_disagreement_score":0.011393735,"about_ca_system_score_codex":0.0051788334,"about_ca_system_score_gemma":0.008560685,"threshold_uncertainty_score":0.04498589},"labels":[],"label_agreement":null},{"id":"W2613898567","doi":"","title":"A Life That’s Good: Metaphor and Greatness in Eliot and Ishiguro","year":2017,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Greatness; George (robot); Metaphor; Literature; Perspective (graphical); Nazism; Philosophy; Art; Psychoanalysis; Art history; Aesthetics; Psychology; Theology","score_opus":0.05030958559565183,"score_gpt":0.2713299416659595,"score_spread":0.22102035607030765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613898567","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34430996,0.02342499,0.0042906636,0.14562264,0.003320525,0.00006224381,0.00005966329,0.00017924552,0.4787301],"genre_scores_gemma":[0.95909935,0.0015237742,0.0005446676,0.0059586675,0.00044736612,0.000037444628,0.00001316111,0.000073994794,0.032301478],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981232,0.0010963037,0.000038632566,0.00015752655,0.00025639872,0.0003279005],"domain_scores_gemma":[0.9989849,0.00049096777,0.00014975911,0.00007389192,0.00008294664,0.00021746705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033411519,0.000646527,0.00051067956,0.0010601382,0.012321666,0.009497486,0.0012094238,0.0037667896,0.0021118785],"category_scores_gemma":[0.003176239,0.00029241754,0.0003039206,0.0008120554,0.03692786,0.0050992253,0.006375159,0.005148391,0.00030247064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008088282,0.000045329023,0.0008572934,0.00010649309,0.000012427889,0.0017697545,0.6831522,0.000077775265,0.00093502,0.28853166,0.018715905,0.005715311],"study_design_scores_gemma":[0.00003987738,0.000082045764,0.0028770426,0.00041355853,0.000033142536,0.0012409257,0.40964267,0.00031654563,0.001009044,0.045117993,0.53916866,0.000058514583],"about_ca_topic_score_codex":0.005755153,"about_ca_topic_score_gemma":0.010303165,"teacher_disagreement_score":0.012321666,"about_ca_system_score_codex":0.006708993,"about_ca_system_score_gemma":0.0017231576,"threshold_uncertainty_score":0.048677385},"labels":[],"label_agreement":null},{"id":"W2618287705","doi":"10.3968/9540","title":"A Lacanian Reading of Kate’s Self-Discovery in The Summer Before the Dark","year":2017,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sympathy; Reading (process); Dilemma; Order (exchange); Confusion; Literature; Great Rift; Psychoanalysis; Self; Gender studies; Philosophy; History; Psychology; Sociology; Art; Social psychology; Theology; Epistemology","score_opus":0.029463595505574747,"score_gpt":0.3054161027759132,"score_spread":0.27595250727033843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618287705","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24996728,0.0779448,0.005236868,0.21780881,0.0075324317,0.00007902827,0.00011087083,0.00012651007,0.4411934],"genre_scores_gemma":[0.95231473,0.006430132,0.000500788,0.008297978,0.00076832576,0.00003791378,0.000016504424,0.000055130142,0.03157846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772674,0.0016637627,0.000038914975,0.00012660457,0.00023269694,0.00021133556],"domain_scores_gemma":[0.9980034,0.0011938931,0.0002053958,0.000105710336,0.00025624747,0.00023536441],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018975539,0.00061425095,0.00046224744,0.0010282809,0.009754529,0.0053835413,0.00084824767,0.002223646,0.001709565],"category_scores_gemma":[0.0043885056,0.00026240965,0.00026283556,0.0008244162,0.023452245,0.004977322,0.0030895907,0.0059557934,0.00041217686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047229634,0.000024049285,0.00053109933,0.0001375075,0.0000068860313,0.0011303418,0.7269796,0.00005797257,0.0004381589,0.23610204,0.029218381,0.005326792],"study_design_scores_gemma":[0.00000966388,0.000053548905,0.0018510093,0.0006219173,0.000009223563,0.0016721614,0.47820067,0.00015787996,0.0004969968,0.033610795,0.48328257,0.000033550976],"about_ca_topic_score_codex":0.0072490177,"about_ca_topic_score_gemma":0.011471311,"teacher_disagreement_score":0.009754529,"about_ca_system_score_codex":0.004903227,"about_ca_system_score_gemma":0.0020862909,"threshold_uncertainty_score":0.03557557},"labels":[],"label_agreement":null},{"id":"W2618734500","doi":"","title":"Review of David Wilkerson: The Cross, the Switchblade, the man who Believed","year":2015,"lang":"en","type":"article","venue":"Canadian journal of Pentecostal-Charismatic Christianity","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.05433284071928379,"score_gpt":0.2595879519033655,"score_spread":0.20525511118408168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618734500","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006283499,0.8697882,0.000040294166,0.089729294,0.03907662,0.0000062598106,0.000049496113,0.000004300155,0.0012427424],"genre_scores_gemma":[0.0023248454,0.80663174,0.00011263622,0.118938334,0.06503604,0.000030138228,0.00009738811,0.000022833688,0.006806046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99753225,0.00078112714,0.000343076,0.0003431135,0.0008158805,0.00018457636],"domain_scores_gemma":[0.9864891,0.0066353865,0.00067855796,0.00026154827,0.0046781,0.0012573465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004958543,0.0012147386,0.0026306256,0.006473096,0.002804344,0.00618795,0.0027626164,0.008292042,0.007828683],"category_scores_gemma":[0.023499535,0.00060522254,0.00055396487,0.0065369606,0.005216064,0.0059472057,0.0029152497,0.009059321,0.0038311512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017541814,0.000006635491,0.000067255154,0.0017501392,0.000016778902,0.00007753167,0.00043932794,0.000013877457,0.00002084857,0.002434564,0.9683821,0.026773281],"study_design_scores_gemma":[0.000008946018,0.0000052579294,0.0003059605,0.004498549,0.000018889676,0.00021702677,0.0006401082,0.0000057985017,0.000015751744,0.0006962298,0.99357575,0.000011794744],"about_ca_topic_score_codex":0.029286891,"about_ca_topic_score_gemma":0.07799454,"teacher_disagreement_score":0.029286891,"about_ca_system_score_codex":0.0049701054,"about_ca_system_score_gemma":0.011797956,"threshold_uncertainty_score":0.058232844},"labels":[],"label_agreement":null},{"id":"W2619055838","doi":"10.18778/2353-6098.3.06","title":"Roll a Hard Six: Losing Your Noodle in Raymond Federman’s Double or Nothing","year":2015,"lang":"en","type":"article","venue":"Analyses/Rereadings/Theories A Journal Devoted to Literature Film and Theatre","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Nothing; Narrative; Subject (documents); Psyche; The Imaginary; Representation (politics); Psychoanalysis; Construct (python library); Literature; Psychology; Philosophy; Aesthetics; History; Epistemology; Art; Computer science; Politics; Law","score_opus":0.07992562621916635,"score_gpt":0.311599137221831,"score_spread":0.23167351100266467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619055838","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16144855,0.03148056,0.007352481,0.24878687,0.017568134,0.000113798465,0.0001145607,0.00027192483,0.532863],"genre_scores_gemma":[0.74717474,0.0065587843,0.002249533,0.013492212,0.0012753451,0.000063853426,0.000028695784,0.00019827585,0.22895852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988507,0.00077584694,0.000016316255,0.00007373938,0.00017498553,0.00010836589],"domain_scores_gemma":[0.99935514,0.0003460853,0.00007137846,0.00004486101,0.00008401411,0.000098541364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014809987,0.00041282448,0.0002473281,0.00067896815,0.007299671,0.0057184845,0.0006005696,0.0019880591,0.0034402937],"category_scores_gemma":[0.003960219,0.0002149117,0.00016715647,0.000328248,0.010785488,0.0037973498,0.002016766,0.0049304813,0.00058776874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015377822,0.00005788779,0.0005051917,0.00015941392,0.000013368723,0.0018039535,0.21243392,0.00018123037,0.0011964018,0.5257185,0.22911033,0.02866598],"study_design_scores_gemma":[0.000013938711,0.000058144353,0.0006655761,0.00029053056,0.000009913612,0.0009995493,0.08263685,0.00018856172,0.000983662,0.017636416,0.8964891,0.00002782007],"about_ca_topic_score_codex":0.012874808,"about_ca_topic_score_gemma":0.01818601,"teacher_disagreement_score":0.012874808,"about_ca_system_score_codex":0.0040795677,"about_ca_system_score_gemma":0.0011959962,"threshold_uncertainty_score":0.029599428},"labels":[],"label_agreement":null},{"id":"W2621197272","doi":"","title":"Review of Lesa Scholl's Translation, Authorship and the Victorian Professional Woman. Charlotte Brontë, Harriet Martineau and George Eliot (Ashgate, 2011)","year":2013,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"George (robot); Art; Art history; Victorian literature; Literature; Sociology","score_opus":0.019942686153962427,"score_gpt":0.22947960931954914,"score_spread":0.2095369231655867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621197272","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002516683,0.83705676,0.00022116902,0.11473684,0.041116007,0.000007387523,0.00007975817,0.000012391704,0.00651799],"genre_scores_gemma":[0.015377341,0.85580784,0.000376204,0.04996644,0.049549736,0.000060572118,0.00020944976,0.00014661439,0.028505802],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99456906,0.0017620128,0.000522162,0.0004723999,0.0023540389,0.00032038824],"domain_scores_gemma":[0.9601264,0.02275452,0.0017189482,0.0009929482,0.013093187,0.0013139906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008964736,0.0007095112,0.0017364887,0.00813246,0.0041088895,0.0075779115,0.0019054353,0.0042925123,0.009096978],"category_scores_gemma":[0.03773897,0.0006334022,0.00040110078,0.010021411,0.008633996,0.0050947205,0.0031942576,0.006295013,0.0040517454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013300949,0.000007728982,0.00005059598,0.0015075444,0.000009558686,0.00006955176,0.0015336898,0.00004303421,0.000046842208,0.014767387,0.94217414,0.03977662],"study_design_scores_gemma":[0.000003048681,0.000004204132,0.00035848035,0.0035093774,0.0000043626255,0.00011178856,0.0005843649,0.000018570883,0.000027046537,0.0018268876,0.9935422,0.000009557183],"about_ca_topic_score_codex":0.03830283,"about_ca_topic_score_gemma":0.06951173,"teacher_disagreement_score":0.03830283,"about_ca_system_score_codex":0.011122103,"about_ca_system_score_gemma":0.0140432045,"threshold_uncertainty_score":0.08069694},"labels":[],"label_agreement":null},{"id":"W272080607","doi":"10.16995/pn.33","title":"&lt;i&gt;Gravity's Rainbow&lt;/i&gt; as Metaphoric Narrative: Film, Fairy Tale and Fantasy in Pynchon's Germany","year":2008,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Narrative; Literature; Fantasy; Meaning (existential); Doctrine; Explication; Uncanny; Polyphony; Rainbow; Ideology; Philosophy; Aesthetics; Psychoanalysis; Epistemology; Art; Psychology; Law; Theology","score_opus":0.017722220576769414,"score_gpt":0.23160697288590903,"score_spread":0.21388475230913961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W272080607","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16947865,0.018282285,0.002926979,0.057376817,0.0029206052,0.000047073398,0.00012455943,0.0001540608,0.74868894],"genre_scores_gemma":[0.89035964,0.0027928546,0.0005630208,0.0021250786,0.00018422585,0.000024617713,0.000018806237,0.0000869911,0.1038447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993436,0.00036747436,0.000008277955,0.00006207556,0.00009777654,0.00012080725],"domain_scores_gemma":[0.9998454,0.00007291169,0.000018869201,0.000013270775,0.000008731885,0.000040858387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010597657,0.00043445302,0.0001732211,0.00066986546,0.005551291,0.005117163,0.0004821318,0.0017120269,0.0047504837],"category_scores_gemma":[0.001225767,0.00018873176,0.0001441379,0.00087765773,0.016850878,0.0035648711,0.0031218124,0.0022423046,0.0005107117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006396159,0.000022755414,0.00035270117,0.00008204048,0.000008492024,0.0011655189,0.13766943,0.00030863436,0.00059997174,0.7447565,0.09776359,0.017206397],"study_design_scores_gemma":[0.000018699015,0.00004248785,0.0026226908,0.00026124495,0.0000113322385,0.0007301448,0.092324354,0.00044585016,0.000670597,0.054434303,0.84840614,0.000032224834],"about_ca_topic_score_codex":0.012108277,"about_ca_topic_score_gemma":0.02151885,"teacher_disagreement_score":0.012108277,"about_ca_system_score_codex":0.005261037,"about_ca_system_score_gemma":0.0011666312,"threshold_uncertainty_score":0.03817165},"labels":[],"label_agreement":null},{"id":"W2722343250","doi":"10.1353/vcr.2016.0041","title":"\"I Mistook the Faint Shadow\": The Tractarian Ethos in Felicia Skene's Sensational Realism","year":2016,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Realism; Ethos; Faith; Shadow (psychology); Literature; Fantasy; Style (visual arts); Poetry; History; Philosophy; Art; Theology; Psychoanalysis","score_opus":0.02425910029707366,"score_gpt":0.23108318775913006,"score_spread":0.2068240874620564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2722343250","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20549318,0.012762884,0.0055857976,0.17063296,0.0011661003,0.000027067252,0.00004334216,0.000095484924,0.6041932],"genre_scores_gemma":[0.9663214,0.00075737305,0.00026271792,0.009375325,0.00015099085,0.000012443733,0.000006811259,0.000032621756,0.02308021],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981633,0.001185595,0.000026932687,0.00017946096,0.00020630866,0.00023849063],"domain_scores_gemma":[0.99897563,0.00053954346,0.00010868799,0.0000986889,0.00011996042,0.00015752281],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002549874,0.000205418,0.00025945518,0.0005008371,0.0107168015,0.006818838,0.0005898761,0.0038321686,0.0030081247],"category_scores_gemma":[0.0036188078,0.00022705419,0.00021286421,0.00033318886,0.032859575,0.005067304,0.004694467,0.005887375,0.00040538827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055657038,0.00002662814,0.0006063789,0.000037604736,0.0000059242107,0.00055125984,0.14289556,0.00010046347,0.00035514688,0.8143917,0.03267772,0.00829607],"study_design_scores_gemma":[0.000033139946,0.00006303682,0.002890741,0.00048253135,0.0000131795205,0.0013015221,0.13750662,0.0004056488,0.0007400988,0.19433159,0.66216886,0.000063010375],"about_ca_topic_score_codex":0.007507738,"about_ca_topic_score_gemma":0.012137977,"teacher_disagreement_score":0.0107168015,"about_ca_system_score_codex":0.005996548,"about_ca_system_score_gemma":0.0013836622,"threshold_uncertainty_score":0.04350823},"labels":[],"label_agreement":null},{"id":"W2732811852","doi":"","title":"Write the Book of Your Heart: Career, Passion and Publishing in the Romance Writing Community","year":2013,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Romance; Publishing; Literature; Art; Psychology; Social psychology","score_opus":0.035272088700994624,"score_gpt":0.23840951418686449,"score_spread":0.20313742548586985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732811852","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7642515,0.006441321,0.00083460775,0.025394797,0.00064153434,0.00004583503,0.00003711303,0.000037572932,0.20231584],"genre_scores_gemma":[0.9761831,0.001945821,0.00024499447,0.0010389659,0.0001619296,0.000017248392,0.000017151433,0.000042694373,0.02034803],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900303,0.006301642,0.00018921537,0.0005666787,0.0016363024,0.0012758786],"domain_scores_gemma":[0.9843919,0.005529528,0.0021732403,0.00051099533,0.0016495658,0.0057447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007429948,0.00032017645,0.00058035,0.0020080656,0.03123461,0.019444179,0.0014116513,0.001733826,0.0057399645],"category_scores_gemma":[0.018946577,0.0003652892,0.00023609237,0.0022461496,0.023080263,0.009629931,0.00979059,0.0051177433,0.0011379584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021898202,0.000050504656,0.0040860614,0.000043701963,0.0000030129518,0.0007585957,0.95978576,0.000012074713,0.0001030801,0.019201698,0.00454527,0.011388272],"study_design_scores_gemma":[0.0000067880146,0.0000305726,0.0030498446,0.00016934665,0.0000034518487,0.00075941544,0.90564036,0.000055236054,0.00012021537,0.002715966,0.08742959,0.000019230753],"about_ca_topic_score_codex":0.011317515,"about_ca_topic_score_gemma":0.02217108,"teacher_disagreement_score":0.03123461,"about_ca_system_score_codex":0.0046312697,"about_ca_system_score_gemma":0.008737802,"threshold_uncertainty_score":0.039293766},"labels":[],"label_agreement":null},{"id":"W2733943871","doi":"","title":"'Mothers and Daughters Writing' Review of Sheila Munro's Lives of Mothers and Daughters and Carol Shields’ Jane Austen","year":2004,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Courage; Memoir; Biography; Metaphor; Literature; Psychoanalysis; Art; Philosophy; Sociology; Psychology; Theology","score_opus":0.00895241221576907,"score_gpt":0.21816379039591727,"score_spread":0.2092113781801482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733943871","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04234829,0.6043639,0.00013010943,0.26389152,0.014854806,0.000028221746,0.00013103652,0.000037612615,0.07421445],"genre_scores_gemma":[0.3726513,0.46577677,0.0003878599,0.049621634,0.0113794925,0.00020126023,0.00020728023,0.00018878767,0.0995856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718046,0.0016968069,0.0001249439,0.00014644145,0.00057020335,0.00028112537],"domain_scores_gemma":[0.99088025,0.005965582,0.00077689777,0.00021766218,0.0012935196,0.0008661063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041675284,0.00048522497,0.00081214064,0.0017215909,0.008260125,0.0051777307,0.0011805699,0.00203451,0.0059439423],"category_scores_gemma":[0.011811373,0.00035278738,0.0001967251,0.0021796664,0.005649345,0.0031004557,0.0032709048,0.003534927,0.00097619777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004299991,0.00003108347,0.0010849781,0.0012433549,0.000020451631,0.0010781591,0.316407,0.00002328635,0.0001321963,0.018227099,0.6043789,0.057330616],"study_design_scores_gemma":[0.0000043320856,0.000016551321,0.0028258662,0.00209343,0.000010370193,0.00042114983,0.13552572,0.000004829726,0.00006655181,0.0005233582,0.8584991,0.000008681262],"about_ca_topic_score_codex":0.029130979,"about_ca_topic_score_gemma":0.0953787,"teacher_disagreement_score":0.029130979,"about_ca_system_score_codex":0.0062387753,"about_ca_system_score_gemma":0.006909696,"threshold_uncertainty_score":0.05792278},"labels":[],"label_agreement":null},{"id":"W2737709331","doi":"10.5817/cejcs2012-8-7","title":"Neil Bissoondath's imaginary homeland : the search for possible places and space in A Casual Brutality","year":2012,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Canadian Journal of Administrative Sciences; Canadian Journal of Communication (Canada)","funders":"","keywords":"The Imaginary; Homeland; Casual; Police brutality; Space (punctuation); Sociology; Epistemology; Media studies; Political science; Philosophy; Criminology; Psychology; Law; Psychoanalysis; Politics; Linguistics","score_opus":0.07005992538092176,"score_gpt":0.2678975925934205,"score_spread":0.19783766721249874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737709331","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3354871,0.019028012,0.002137945,0.06882217,0.0021248984,0.000063077016,0.000107122985,0.00006344146,0.5721662],"genre_scores_gemma":[0.96016026,0.002332158,0.00026695518,0.0019359085,0.00010831009,0.000015129997,0.00001551023,0.000040575516,0.035125215],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898547,0.00054997095,0.000011338867,0.00006819963,0.00016602765,0.00021899791],"domain_scores_gemma":[0.9992106,0.0003466716,0.00007163045,0.000042628868,0.00014212861,0.00018637502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010185738,0.00043166077,0.00028177418,0.0007058067,0.019147096,0.0073108985,0.00083530194,0.00179068,0.0037921998],"category_scores_gemma":[0.0019403,0.0001931929,0.00013578906,0.0006211045,0.022224298,0.0028284516,0.0029836004,0.0036919902,0.00029204087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069502865,0.000027601598,0.0009672962,0.00007871997,0.000005395342,0.002194589,0.64350194,0.00013024556,0.00042279004,0.30831876,0.035186134,0.0090970695],"study_design_scores_gemma":[0.000011690392,0.000020825119,0.0018173115,0.00024549174,0.000005422003,0.00095846446,0.4425315,0.000111153284,0.00030917462,0.0100566745,0.5439108,0.000021489846],"about_ca_topic_score_codex":0.24756,"about_ca_topic_score_gemma":0.3772798,"teacher_disagreement_score":0.75244,"about_ca_system_score_codex":0.012440494,"about_ca_system_score_gemma":0.005027693,"threshold_uncertainty_score":0.49223804},"labels":[],"label_agreement":null},{"id":"W2738823459","doi":"10.14746/jacs.2016.2.06","title":"Reading Canada and the Postmodernist Culture in Linda Hutcheon’s The Politics of Postmodernism","year":2016,"lang":"en","type":"article","venue":"Pressto (Uniwersytetu Adama Mickiewicza)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Politics; Reading (process); Dilemma; Aesthetics; Sociology; Philosophy; Epistemology; Law; Political science; Linguistics","score_opus":0.011791221179620136,"score_gpt":0.19747875101338797,"score_spread":0.18568752983376782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2738823459","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14847475,0.029602708,0.0017644416,0.25350893,0.0013913724,0.000036636477,0.00012911003,0.000067201574,0.5650248],"genre_scores_gemma":[0.9480138,0.004522013,0.00049518497,0.008629664,0.00021354241,0.000021788721,0.000016815276,0.00007555686,0.038011752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99641234,0.0014830075,0.00004739477,0.00023825897,0.0009762377,0.0008427783],"domain_scores_gemma":[0.99454004,0.003029108,0.00028649537,0.00020165041,0.0013284567,0.0006142754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031542627,0.00045207533,0.0003759531,0.0022026603,0.037492733,0.01562512,0.0016175159,0.0036151095,0.0040551773],"category_scores_gemma":[0.0065794257,0.00030508643,0.00018695058,0.0034652362,0.060936384,0.004726731,0.00423088,0.0055573224,0.00027015005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028616723,0.0000140460525,0.00084145897,0.00004331418,0.0000062993963,0.00031985837,0.2089915,0.00016967779,0.00014936432,0.7433829,0.037229627,0.008823432],"study_design_scores_gemma":[0.000018174973,0.000013390066,0.004489771,0.00062480173,0.000014733316,0.00028154257,0.2572778,0.00044558168,0.0005133346,0.13624491,0.59998107,0.00009480235],"about_ca_topic_score_codex":0.9484201,"about_ca_topic_score_gemma":0.97168636,"teacher_disagreement_score":0.110108696,"about_ca_system_score_codex":0.110108696,"about_ca_system_score_gemma":0.06768269,"threshold_uncertainty_score":0.7988982},"labels":[],"label_agreement":null},{"id":"W2740962138","doi":"","title":"Production Notice: John Heywood’s The Play of the Weather (August 2009)","year":2009,"lang":"en","type":"article","venue":"Early Theatre","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Notice; Art; Performance art; Visual arts; History; Media studies; Advertising; Art history; Political science; Sociology; Law; Business","score_opus":0.012807461186744324,"score_gpt":0.20530380268107434,"score_spread":0.19249634149433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2740962138","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031506664,0.036591057,0.0011285708,0.16634071,0.20009533,0.00009706753,0.0010332376,0.00041490886,0.5911485],"genre_scores_gemma":[0.010376289,0.0026324887,0.00020418916,0.0048120604,0.008059261,0.000021062351,0.00013151258,0.0002463419,0.9735169],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999062,0.00020885839,0.00002548955,0.00012937293,0.00037526913,0.00019905377],"domain_scores_gemma":[0.9988844,0.0002782198,0.000047754707,0.000077777746,0.0003577123,0.00035415578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014183384,0.00083641143,0.00046064737,0.0010379436,0.006461374,0.006988481,0.0009275618,0.0033587248,0.1622173],"category_scores_gemma":[0.0031186992,0.0003383384,0.00033133358,0.0007928016,0.0018198617,0.0027930122,0.0038106672,0.004501278,0.0291512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020050087,0.0000056134695,0.000027396807,0.000032495318,0.0000010429826,0.000034048437,0.00049910665,0.000012291923,0.0001117089,0.005100349,0.98815364,0.0060023256],"study_design_scores_gemma":[0.00000291204,0.0000051331076,0.0002080302,0.000063783176,9.878431e-7,0.000020555823,0.00067053427,0.000009755056,0.000070622074,0.00051921443,0.99842465,0.0000037703148],"about_ca_topic_score_codex":0.020674324,"about_ca_topic_score_gemma":0.06797689,"teacher_disagreement_score":0.1622173,"about_ca_system_score_codex":0.0029721048,"about_ca_system_score_gemma":0.0017175956,"threshold_uncertainty_score":0.54267097},"labels":[],"label_agreement":null},{"id":"W2746553472","doi":"","title":"Navigating the Borders of Characterization in Angela Carter's Short Fiction","year":2010,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Characterization (materials science); Computer science; Materials science; Nanotechnology","score_opus":0.013218297360912378,"score_gpt":0.23569636138117486,"score_spread":0.2224780640202625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2746553472","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20244972,0.008277667,0.015203779,0.059346158,0.002205564,0.000077050296,0.00016035156,0.000119681354,0.71216005],"genre_scores_gemma":[0.9749296,0.0006706048,0.0012350229,0.0011514303,0.00017754723,0.000025329486,0.00003906173,0.00008120956,0.021690113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981178,0.0013012049,0.00003763551,0.00010984824,0.00024695214,0.00018671546],"domain_scores_gemma":[0.9958157,0.0030720688,0.00024438434,0.00019591584,0.00043127817,0.0002405636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013749215,0.000278137,0.0002467847,0.0012995884,0.00880043,0.006963697,0.00059792603,0.0020036337,0.0053254673],"category_scores_gemma":[0.008120617,0.00017361382,0.00013953864,0.0010441849,0.016414339,0.0059635444,0.0039974977,0.0032690368,0.0004118436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055857632,0.000009480338,0.00029723195,0.000077086625,0.000002770381,0.00045979038,0.23580602,0.00013794594,0.0004722551,0.7331273,0.018666016,0.01088832],"study_design_scores_gemma":[0.00001179646,0.000029686353,0.0012157761,0.00036728894,0.000008100919,0.00061448547,0.14306094,0.00059302023,0.001200759,0.090754226,0.76211685,0.000027141448],"about_ca_topic_score_codex":0.011424773,"about_ca_topic_score_gemma":0.02390167,"teacher_disagreement_score":0.011424773,"about_ca_system_score_codex":0.0058420566,"about_ca_system_score_gemma":0.0017378216,"threshold_uncertainty_score":0.042387307},"labels":[],"label_agreement":null},{"id":"W2748657728","doi":"","title":"Eraser Street : Hubris, Humility and Humanity in the Making of a City","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hubris; Humility; Humanity; Aesthetics; Character (mathematics); Sociology; Exhibition; Government (linguistics); History; Visual arts; Political science; Art; Environmental ethics; Media studies; Law; Philosophy","score_opus":0.05515998782858163,"score_gpt":0.2616849630577658,"score_spread":0.20652497522918417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2748657728","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01134507,0.07552161,0.0010177275,0.033075243,0.0027504654,0.000027915972,0.00007567759,0.00014057377,0.8760457],"genre_scores_gemma":[0.35073373,0.0314913,0.00069456577,0.007152543,0.001325475,0.000053029667,0.00005792325,0.0001922681,0.60829914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994287,0.00027872078,0.000009579331,0.000034069802,0.00015716396,0.000091846196],"domain_scores_gemma":[0.9995654,0.00018450404,0.00003047307,0.000033733544,0.00009183178,0.00009389669],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005789067,0.00062446704,0.00024213908,0.0012226735,0.009872605,0.008414174,0.00048180216,0.0018353454,0.008706387],"category_scores_gemma":[0.0011190771,0.000250493,0.00012348745,0.0014412015,0.013393215,0.0031859144,0.0035910783,0.0027531465,0.0020062479],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001723503,0.000013625531,0.00032605595,0.00014998502,0.0000052166065,0.00045554974,0.12653267,0.00011822751,0.00018206729,0.33450216,0.4809503,0.056746908],"study_design_scores_gemma":[0.0000027219155,0.0000044297067,0.0007730459,0.00036353298,0.0000027211395,0.00020769285,0.031546544,0.000029067012,0.00009169525,0.0113889845,0.9555809,0.000008580482],"about_ca_topic_score_codex":0.065122396,"about_ca_topic_score_gemma":0.16135275,"teacher_disagreement_score":0.065122396,"about_ca_system_score_codex":0.004662285,"about_ca_system_score_gemma":0.0040560076,"threshold_uncertainty_score":0.12948668},"labels":[],"label_agreement":null},{"id":"W2761228419","doi":"10.7771/1481-4374.2823","title":"DeLillo's Falling Man and the Trouble with Sympathy in Narratives of Terrorism","year":2016,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Sympathy; Terrorism; Narrative; Rhetoric; Feeling; Sociology; Politics; Political science; Aesthetics; Media studies; Law; Psychology; Social psychology; Philosophy; Literature; Art","score_opus":0.01867516718169327,"score_gpt":0.22592265168546566,"score_spread":0.2072474845037724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761228419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3502706,0.016267827,0.0063491864,0.117156446,0.0016980303,0.000044022177,0.00005447571,0.00007112538,0.5080883],"genre_scores_gemma":[0.9899076,0.0010502309,0.00027049263,0.0035838587,0.0001764987,0.000026699921,0.000008619881,0.00003701343,0.004938933],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9868564,0.0103877485,0.00018015134,0.0006271449,0.0011315953,0.0008169798],"domain_scores_gemma":[0.9918445,0.0061767115,0.0007784351,0.0002916327,0.00040012324,0.0005086128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059049386,0.00073021214,0.00045130248,0.0026083011,0.017642729,0.012712644,0.0017857968,0.0055584107,0.003768975],"category_scores_gemma":[0.013039304,0.00034994815,0.00027143396,0.0016058062,0.07588129,0.012109652,0.009454519,0.0070700427,0.0003168973],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024870616,0.000008941706,0.00046182142,0.00006756552,0.000004941895,0.0005951674,0.8110617,0.000029663734,0.00015475108,0.18113764,0.0036659879,0.0027869423],"study_design_scores_gemma":[0.000017043274,0.000022431994,0.0011268378,0.00047641018,0.0000075011617,0.0008999016,0.81059164,0.000096580756,0.00026294263,0.041571427,0.14490049,0.000026787326],"about_ca_topic_score_codex":0.011380368,"about_ca_topic_score_gemma":0.018971384,"teacher_disagreement_score":0.017642729,"about_ca_system_score_codex":0.0072697704,"about_ca_system_score_gemma":0.0023340497,"threshold_uncertainty_score":0.052746117},"labels":[],"label_agreement":null},{"id":"W276897617","doi":"","title":"The Promise and the Apology: Speech-Acts, Ethics, and Reading in Mavis Gallant's \"The Pegnitz Junction\"","year":2011,"lang":"en","type":"article","venue":"Papers on Language & Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Narrative; Reading (process); Storytelling; Literature; History; Art; Law; Political science","score_opus":0.020089821574217483,"score_gpt":0.2249375306640665,"score_spread":0.204847709089849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W276897617","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3578703,0.020235797,0.0052087344,0.15525067,0.0016988779,0.00014157349,0.00012708806,0.00019156774,0.45927534],"genre_scores_gemma":[0.9525372,0.0011484454,0.0006422292,0.005270324,0.00026798944,0.0000463458,0.000015042691,0.000085951855,0.03998654],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963092,0.0027727005,0.00005257334,0.00026177152,0.00028594933,0.00031771045],"domain_scores_gemma":[0.9974681,0.0018620418,0.0002298976,0.000096012496,0.00012272483,0.00022133549],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034605497,0.0005924321,0.0003353997,0.00074353383,0.015192616,0.012112368,0.0012037393,0.00780233,0.002253296],"category_scores_gemma":[0.0061441455,0.00039684935,0.00022289636,0.00042441746,0.032648593,0.0045696804,0.0040344987,0.0065519908,0.000503073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003950164,0.000021754957,0.00027735482,0.00004769726,0.0000067487235,0.0014412141,0.6734751,0.00010169992,0.00041849742,0.29550862,0.02309008,0.005571708],"study_design_scores_gemma":[0.000020753178,0.000058145917,0.0017515906,0.0003457142,0.000014685532,0.0012754633,0.3635783,0.00031693155,0.0014142279,0.040949497,0.5902117,0.00006301744],"about_ca_topic_score_codex":0.03143892,"about_ca_topic_score_gemma":0.045489334,"teacher_disagreement_score":0.03143892,"about_ca_system_score_codex":0.0071317265,"about_ca_system_score_gemma":0.0020720086,"threshold_uncertainty_score":0.06251186},"labels":[],"label_agreement":null},{"id":"W2768999647","doi":"10.4312/an.50.1-2.95-135","title":"Children Without Childhood: The Emotionality of Orphaned Children and Images of Their Rescuers in Selected Works of English and Canadian Literature","year":2017,"lang":"en","type":"article","venue":"Acta Neophilologica","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Originality; History; Context (archaeology); Politics; Literature; Psychology; Sociology; Gender studies; Psychoanalysis; Law; Art; Social psychology; Political science; Creativity","score_opus":0.009699990158982338,"score_gpt":0.20199814981246708,"score_spread":0.19229815965348473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768999647","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80719167,0.024594698,0.00051996834,0.013608971,0.00079653953,0.000080503894,0.0005024361,0.000057548907,0.15264761],"genre_scores_gemma":[0.96613663,0.010374512,0.00032048262,0.0018392723,0.00007624001,0.00003605756,0.000116679534,0.000083370884,0.021016695],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972356,0.0006216195,0.000064548294,0.00026051197,0.0007706755,0.0010470371],"domain_scores_gemma":[0.99763596,0.0007206787,0.00036827364,0.00007941007,0.00064973265,0.0005459073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020084784,0.0012823017,0.0009896188,0.0035369531,0.043423872,0.009339411,0.002642252,0.0027720989,0.005911635],"category_scores_gemma":[0.004931275,0.0005804639,0.000366523,0.004410649,0.028866362,0.0028851687,0.005781948,0.0046597742,0.00051264476],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012424652,0.0000056911,0.00098124,0.00006796921,0.000003553725,0.00097090047,0.9899324,0.0000179699,0.00015120843,0.004140206,0.002159441,0.0015568943],"study_design_scores_gemma":[0.0000020890404,0.000008341758,0.003622346,0.0002868503,0.00000918355,0.0006764465,0.92552847,0.000013147981,0.00008438258,0.00015928104,0.06958477,0.000024653547],"about_ca_topic_score_codex":0.9671875,"about_ca_topic_score_gemma":0.9843254,"teacher_disagreement_score":0.07108192,"about_ca_system_score_codex":0.07108192,"about_ca_system_score_gemma":0.05287106,"threshold_uncertainty_score":0.5157379},"labels":[],"label_agreement":null},{"id":"W2773926170","doi":"10.1093/ibd/17.supplement1.s6a","title":"A post-hoc analysis","year":2011,"lang":"en","type":"article","venue":"Inflammatory Bowel Diseases","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Robarts Clinical Trials","funders":"","keywords":"Post-hoc analysis; Post hoc; Medicine; Computer science; Internal medicine","score_opus":0.01977090412098324,"score_gpt":0.20803782006768737,"score_spread":0.18826691594670414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773926170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55309963,0.0051015327,0.21031484,0.0049002045,0.03709613,0.045322746,0.058584224,0.008927328,0.076653294],"genre_scores_gemma":[0.63725287,0.0012085353,0.15082183,0.0049467594,0.0023211865,0.105404615,0.012936141,0.0036892723,0.08141884],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9700935,0.012997722,0.0019353264,0.007868622,0.0034365926,0.0036682638],"domain_scores_gemma":[0.96653426,0.023764161,0.0016489718,0.004531873,0.0027306424,0.00079002115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.017155237,0.0032416836,0.006355887,0.0015963688,0.0015636428,0.0025843594,0.002293839,0.003268701,0.08094872],"category_scores_gemma":[0.056704383,0.0008626464,0.004221956,0.0022709505,0.0013359205,0.0027621211,0.0026685735,0.0081704445,0.0070340284],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.22186352,0.016287554,0.059377283,0.013530363,0.036809184,0.0035139231,0.006081174,0.0124520175,0.017901815,0.035175744,0.30209175,0.2749157],"study_design_scores_gemma":[0.031381622,0.14289023,0.22441287,0.0032369955,0.025508517,0.0023485185,0.005948955,0.11367268,0.026558427,0.04704131,0.37606218,0.0009376679],"about_ca_topic_score_codex":0.0022473093,"about_ca_topic_score_gemma":0.0022785356,"teacher_disagreement_score":0.08094872,"about_ca_system_score_codex":0.0017490841,"about_ca_system_score_gemma":0.004257513,"threshold_uncertainty_score":0.2708004},"labels":[],"label_agreement":null},{"id":"W2780159863","doi":"10.4000/ces.8575","title":"Reassessing Genres in Hugh MacLennan’s “The Changed Functions of Fiction and Non-Fiction”","year":2009,"lang":"en","type":"preprint","venue":"Commonwealth Essays and Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Literature; Art; History","score_opus":0.0895654661968234,"score_gpt":0.31233198629033515,"score_spread":0.22276652009351175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780159863","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05932152,0.025635907,0.017008875,0.41223475,0.010531768,0.000050558312,0.00006275173,0.00012895775,0.47502488],"genre_scores_gemma":[0.9025915,0.004399391,0.004393611,0.027013429,0.0058120885,0.00006866998,0.0000390066,0.00031203835,0.055370327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99375194,0.0035427923,0.00014040445,0.0006637805,0.001584582,0.0003165156],"domain_scores_gemma":[0.9855504,0.01072348,0.0005144144,0.0013364762,0.0013983502,0.00047698405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008675933,0.00054385676,0.0004983005,0.0030567267,0.008743119,0.011374683,0.0016302795,0.0044191754,0.0024101003],"category_scores_gemma":[0.020660514,0.0002586221,0.00036142135,0.0015591905,0.07544265,0.01844238,0.0068804696,0.008092406,0.0003537494],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010287479,0.0000069739594,0.00012388051,0.000032328953,0.0000024174492,0.00007322995,0.08268509,0.0000354887,0.00010852928,0.8978435,0.013303247,0.005775163],"study_design_scores_gemma":[0.000015795362,0.00001610106,0.00067222596,0.00028816698,0.0000067580563,0.00022515311,0.031936005,0.00018811798,0.0004722075,0.38663453,0.57951975,0.000025188398],"about_ca_topic_score_codex":0.012919414,"about_ca_topic_score_gemma":0.017733293,"teacher_disagreement_score":0.012919414,"about_ca_system_score_codex":0.007300141,"about_ca_system_score_gemma":0.0024787537,"threshold_uncertainty_score":0.052966475},"labels":[],"label_agreement":null},{"id":"W2786755599","doi":"10.25071/2369-7326.40268","title":"In Search of the \"Telling Detail\": Ian McEwan, Briony Tallis, and the Demands of Authorship","year":2017,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atonement; Depiction; False accusation; Section (typography); Truth telling; Literature; History; Art; Aesthetics; Law; Philosophy; Psychoanalysis; Theology; Psychology; Political science; Computer science","score_opus":0.05088025950698466,"score_gpt":0.3281575670905573,"score_spread":0.27727730758357266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786755599","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053558745,0.056188844,0.000740264,0.87007886,0.0058065136,0.000012633223,0.000020030004,0.00005246448,0.061744414],"genre_scores_gemma":[0.5338011,0.04506852,0.0024166263,0.23087798,0.014709473,0.00017297345,0.000038389033,0.0005092348,0.17240584],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99398345,0.003887514,0.000111126516,0.00034808475,0.0013217648,0.000348053],"domain_scores_gemma":[0.9864223,0.009817859,0.0011259768,0.00041613576,0.0013014185,0.0009163918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0056869285,0.00057019317,0.0004323489,0.0017321521,0.020573517,0.015219035,0.0021210648,0.007817527,0.003954731],"category_scores_gemma":[0.024562392,0.00050694705,0.00018789612,0.0016481936,0.027798498,0.012644948,0.004500928,0.012884145,0.0012944612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038366703,0.000015809052,0.00030151813,0.00013738687,0.000007109089,0.00043651194,0.106557004,0.000043286844,0.00020288398,0.2557023,0.621825,0.014732863],"study_design_scores_gemma":[0.000009821167,0.000010301943,0.0004089477,0.0006104488,0.0000065950157,0.00029473705,0.042954616,0.000057102356,0.0002667648,0.051524088,0.90383244,0.000024107285],"about_ca_topic_score_codex":0.017116576,"about_ca_topic_score_gemma":0.041878134,"teacher_disagreement_score":0.020573517,"about_ca_system_score_codex":0.0066425223,"about_ca_system_score_gemma":0.006080299,"threshold_uncertainty_score":0.048195064},"labels":[],"label_agreement":null},{"id":"W2787335720","doi":"10.3138/cras.2017.028","title":"<i>Bleeding Edge</i>, Neo-Liberalism, and the 9/11 Novel","year":2018,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberalism; Narrative; Literature; Philosophy; Enhanced Data Rates for GSM Evolution; Aesthetics; History; Art; Political science; Law; Computer science; Politics; Artificial intelligence","score_opus":0.04031676620831641,"score_gpt":0.2748744588773463,"score_spread":0.23455769266902987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2787335720","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04908649,0.011584428,0.0034048788,0.19262843,0.0031105822,0.000014773123,0.00006559539,0.000056523793,0.7400482],"genre_scores_gemma":[0.9138899,0.0053570857,0.0010560534,0.019246053,0.0017758291,0.00004491526,0.00002908827,0.000105155355,0.058495928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99712247,0.0016798011,0.00004617835,0.00020833484,0.00053069124,0.0004124818],"domain_scores_gemma":[0.9969388,0.001833051,0.00029367398,0.00028858767,0.000316109,0.0003298202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030237972,0.00024500993,0.00022525928,0.0010452429,0.010539385,0.01448553,0.0010440194,0.002795356,0.0058028596],"category_scores_gemma":[0.004308436,0.00015723043,0.00022545696,0.0014790933,0.040435262,0.0072146906,0.0035415175,0.00716994,0.0007354873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008843031,0.0000075830208,0.00010890207,0.000022561042,0.0000012191383,0.00006375616,0.012709306,0.000027316806,0.000036685375,0.9670078,0.017382732,0.002623214],"study_design_scores_gemma":[0.0000074590102,0.000008704296,0.00042584163,0.00029238945,0.0000039962492,0.00017510178,0.032641713,0.000100628575,0.00023939194,0.22360203,0.74248564,0.000017134376],"about_ca_topic_score_codex":0.014571873,"about_ca_topic_score_gemma":0.02198615,"teacher_disagreement_score":0.014571873,"about_ca_system_score_codex":0.0069233347,"about_ca_system_score_gemma":0.0060663885,"threshold_uncertainty_score":0.05023253},"labels":[],"label_agreement":null},{"id":"W2788109825","doi":"10.5539/ijel.v8n3p239","title":"Intertextual Dialogue in the British Postmodern Novels: On the basis of Peter Ackroyd’s Novels","year":2018,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intertextuality; Postmodernism; Metafiction; Literature; Philosophy; Art","score_opus":0.030919148576676745,"score_gpt":0.2587144195230772,"score_spread":0.22779527094640048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788109825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35802904,0.031448275,0.00599052,0.048334423,0.0036757435,0.00009864371,0.00018001851,0.00016930846,0.552074],"genre_scores_gemma":[0.9648726,0.0035824003,0.00084011164,0.0012515901,0.00064670946,0.000049846218,0.00003762235,0.00008802724,0.028631268],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953294,0.003171013,0.0001051217,0.00025017085,0.00069419504,0.00045012805],"domain_scores_gemma":[0.99431276,0.0039020625,0.0005471012,0.0003603159,0.0005030701,0.00037469037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003951695,0.0006030213,0.0004056494,0.0022888735,0.012489393,0.014368566,0.0012902742,0.0030201052,0.003698359],"category_scores_gemma":[0.006052153,0.0004463126,0.00024558575,0.0019611565,0.028758552,0.0060438686,0.0052279388,0.00361011,0.000639235],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011934259,0.000045845325,0.00035504907,0.00023102007,0.000007422871,0.0019143654,0.6232058,0.00017267955,0.00079071836,0.3509856,0.012164212,0.010007908],"study_design_scores_gemma":[0.00002806072,0.00007515506,0.0028185667,0.00068176794,0.000012560474,0.002010116,0.24142404,0.00036377725,0.0010303981,0.03846325,0.7130247,0.00006755559],"about_ca_topic_score_codex":0.010915735,"about_ca_topic_score_gemma":0.022529641,"teacher_disagreement_score":0.014368566,"about_ca_system_score_codex":0.008328317,"about_ca_system_score_gemma":0.0024010204,"threshold_uncertainty_score":0.060426474},"labels":[],"label_agreement":null},{"id":"W2795177605","doi":"10.15353/cjds.v7i1.405","title":"Review of Berger, The Disarticulate: Language, Disability, and the Narratives of Modernity (2017).","year":2018,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Modernity; Narrative; Assertion; Disability studies; Articulation (sociology); Sociology; Psychoanalysis; Late modernity; Gender studies; The Symbolic; Order (exchange); Aesthetics; Psychology; Epistemology; Linguistics; Philosophy; Anthropology; Law; Political science","score_opus":0.04927535660556927,"score_gpt":0.3049918176316107,"score_spread":0.25571646102604145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2795177605","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016822717,0.98256034,0.000063749365,0.010342063,0.002422939,0.000003537009,0.00003497991,0.000004019926,0.0044001727],"genre_scores_gemma":[0.005029163,0.98007846,0.00012283232,0.0073215254,0.0035748954,0.000016488646,0.00006847911,0.00001677548,0.003771464],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893576,0.00041697943,0.00010377503,0.000100429046,0.00034399854,0.00009910181],"domain_scores_gemma":[0.99530184,0.0029684296,0.00031763082,0.00010689011,0.0010233856,0.0002818877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001950655,0.0011097589,0.0013588273,0.008026488,0.0024246029,0.0051960363,0.0014602934,0.0032779984,0.006882167],"category_scores_gemma":[0.0059952755,0.00044154286,0.00033550826,0.011639081,0.005101703,0.0068317023,0.0027754982,0.0035418875,0.0032269212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042070267,0.000031109816,0.0004789723,0.008773626,0.000043933665,0.00022307591,0.0095853405,0.00010266225,0.00018640379,0.048280586,0.7047455,0.2275068],"study_design_scores_gemma":[0.0000033468339,0.000008275092,0.0012484792,0.011656105,0.000014813371,0.0003063581,0.0025497759,0.000016041868,0.000039357852,0.0026137994,0.9815299,0.00001364211],"about_ca_topic_score_codex":0.022261111,"about_ca_topic_score_gemma":0.049835153,"teacher_disagreement_score":0.022261111,"about_ca_system_score_codex":0.0046767457,"about_ca_system_score_gemma":0.008429315,"threshold_uncertainty_score":0.044263065},"labels":[],"label_agreement":null},{"id":"W2799800832","doi":"10.16995/olh.240","title":"Economies of Reputation: Jonathan Franzen’s Purity and Practices of Disclosure in the Information Age","year":2018,"lang":"en","type":"article","venue":"Open Library of Humanities","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Marxist philosophy; Ideology; Technocracy; Political science; Sociology; Law; Politics","score_opus":0.04895801112149191,"score_gpt":0.2709217266860035,"score_spread":0.2219637155645116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799800832","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07791491,0.022920754,0.0103462925,0.29768872,0.0022352778,0.000032937853,0.000055147735,0.00017183425,0.5886341],"genre_scores_gemma":[0.92116153,0.004733717,0.0019646287,0.012635308,0.0009971367,0.000031277275,0.0000147403925,0.00015257703,0.05830921],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9921077,0.0049611814,0.00018047652,0.0008102787,0.0013134448,0.000626804],"domain_scores_gemma":[0.9810099,0.012960225,0.0017658015,0.0018460457,0.0015754343,0.00084257504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010124025,0.0003533372,0.00038982864,0.0014886624,0.013759691,0.024735529,0.0015683024,0.005885087,0.004291377],"category_scores_gemma":[0.026046094,0.00036295736,0.00027036315,0.0013002142,0.040049404,0.023216762,0.0060888957,0.006161725,0.0011431527],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023268054,0.000016476313,0.00015299964,0.000024230232,0.0000031851175,0.00021184524,0.077300295,0.000104660176,0.00007716002,0.89616966,0.0184745,0.0074417526],"study_design_scores_gemma":[0.000017055074,0.000023656008,0.00031139769,0.00032063265,0.000008638509,0.0005205886,0.038102914,0.00042154005,0.0004969417,0.40065694,0.5590609,0.00005882685],"about_ca_topic_score_codex":0.006526298,"about_ca_topic_score_gemma":0.0054235705,"teacher_disagreement_score":0.024735529,"about_ca_system_score_codex":0.0073492345,"about_ca_system_score_gemma":0.0038573365,"threshold_uncertainty_score":0.0535416},"labels":[],"label_agreement":null},{"id":"W2799876589","doi":"10.2307/25515593","title":"Reflections in Jennifer Johnston's \"This Is Not a Novel\"","year":2005,"lang":"en","type":"article","venue":"The Canadian Journal of Irish Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Psychoanalysis; Psychology","score_opus":0.13215124332547512,"score_gpt":0.3335332939785841,"score_spread":0.201382050653109,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799876589","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022148127,0.00330552,0.00019149308,0.92745584,0.023378378,0.000014179707,0.000031076273,0.000024119392,0.043384634],"genre_scores_gemma":[0.0735028,0.004300705,0.0005004205,0.70593643,0.012350354,0.00009101215,0.000032799795,0.00028113017,0.20300429],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9904141,0.0035534035,0.00030560675,0.0009930995,0.0024827311,0.0022511734],"domain_scores_gemma":[0.9811844,0.0080038635,0.00079635106,0.0005725007,0.0052271467,0.0042157928],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01076663,0.0008463585,0.0009184058,0.0017721774,0.030888824,0.022980604,0.0037950308,0.021073045,0.01005551],"category_scores_gemma":[0.028276106,0.0007001454,0.00066684815,0.0020956784,0.028409801,0.010069598,0.007842398,0.046432633,0.0023162048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015712683,0.000015796764,0.00014002,0.000054044744,0.0000057156954,0.00017867632,0.028921593,0.00001901206,0.00007484288,0.095785916,0.8720514,0.0027372225],"study_design_scores_gemma":[0.000008494191,0.000007105608,0.00042375785,0.00029777637,0.000007850661,0.00007963328,0.06688053,0.0000215124,0.00011482547,0.009182582,0.92293733,0.00003863449],"about_ca_topic_score_codex":0.27995178,"about_ca_topic_score_gemma":0.47514036,"teacher_disagreement_score":0.27995178,"about_ca_system_score_codex":0.022724468,"about_ca_system_score_gemma":0.025250427,"threshold_uncertainty_score":0.55664456},"labels":[],"label_agreement":null},{"id":"W2801217968","doi":"10.1007/978-3-319-77078-9_13","title":"Intimidated Thought: The Novelistic Conditions of Modernism","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Expansive; Modernism (music); Epistemology; Reading (process); Philosophy; Reflection (computer programming); Aesthetics; Linguistics; Computer science","score_opus":0.048597646255066525,"score_gpt":0.23981917198300826,"score_spread":0.19122152572794174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801217968","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023146642,0.006687411,0.007920784,0.02298875,0.001026532,0.000027189924,0.000039462306,0.00006721035,0.93809605],"genre_scores_gemma":[0.93549633,0.0019841904,0.0018557807,0.0024868688,0.0012960023,0.00006942026,0.000027487566,0.0001283446,0.056655686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680376,0.0019426026,0.00006341062,0.0003222927,0.0005416419,0.0003262414],"domain_scores_gemma":[0.99520385,0.002984915,0.00030752228,0.00087378494,0.00038809597,0.00024186182],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041086474,0.00041164496,0.0005102791,0.0014351502,0.006930009,0.013396221,0.0013738268,0.003728906,0.008732731],"category_scores_gemma":[0.008611171,0.00029597178,0.0003521884,0.001168267,0.07390338,0.012409605,0.006032933,0.0074248826,0.0008162133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007351913,0.0000045562606,0.000024041596,0.000011824466,0.0000011264335,0.000018999814,0.0053498195,0.000019256679,0.000023735933,0.99205244,0.001143802,0.0013428779],"study_design_scores_gemma":[0.0000138564155,0.000010749879,0.00012560913,0.000106831576,0.000003366139,0.00010274383,0.0048521874,0.00014102293,0.00010856703,0.91325986,0.081267476,0.000007697809],"about_ca_topic_score_codex":0.0009630215,"about_ca_topic_score_gemma":0.001506006,"teacher_disagreement_score":0.013396221,"about_ca_system_score_codex":0.0045465217,"about_ca_system_score_gemma":0.002468381,"threshold_uncertainty_score":0.032987475},"labels":[],"label_agreement":null},{"id":"W2802301088","doi":"10.1111/lic3.12459","title":"Neo‐Victorian f(r)iction: Critical conversations and fictional narratives","year":2018,"lang":"en","type":"article","venue":"Literature Compass","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Narrative; Globe; Postmodernism; Rigour; Scope (computer science); Victorian literature; Literature; Victorian era; Sociology; Aesthetics; History; Psychology; Psychoanalysis; Media studies; Art; Epistemology; Philosophy; Computer science","score_opus":0.02070159284521773,"score_gpt":0.25535163493601365,"score_spread":0.23465004209079593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802301088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5980168,0.006114307,0.010446265,0.068108365,0.0012501081,0.00011041796,0.000070290356,0.000098023906,0.31578544],"genre_scores_gemma":[0.99044424,0.00055321614,0.00045119732,0.0009694617,0.000083104416,0.00003533511,0.000008893753,0.000051418563,0.00740309],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9808749,0.015363449,0.0002465827,0.000731857,0.0015664418,0.0012167661],"domain_scores_gemma":[0.9716996,0.023939839,0.0014829476,0.0009179471,0.0011264947,0.00083318166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.018179722,0.0007675151,0.00068629836,0.004070942,0.027958829,0.017193582,0.0026211692,0.006583809,0.003317136],"category_scores_gemma":[0.030768957,0.00056351366,0.00036048127,0.0028765628,0.100228705,0.013844483,0.010684378,0.00868315,0.00035395822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011799247,0.000008886778,0.00020813307,0.000038069767,0.0000025162014,0.00029429304,0.8249117,0.00005681913,0.000119109296,0.17127298,0.0014491304,0.001626585],"study_design_scores_gemma":[0.00000806759,0.000017914304,0.0006201436,0.0005211265,0.000006702902,0.00047615994,0.81903446,0.0004719017,0.0004978275,0.051339593,0.12697288,0.000033196757],"about_ca_topic_score_codex":0.013115326,"about_ca_topic_score_gemma":0.013384441,"teacher_disagreement_score":0.027958829,"about_ca_system_score_codex":0.016308215,"about_ca_system_score_gemma":0.004809853,"threshold_uncertainty_score":0.118324935},"labels":[],"label_agreement":null},{"id":"W2803154684","doi":"10.1177/0148333117731582","title":"David Foster Wallace’s Evangelicals: The Other Postsecularism","year":2018,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Secularization; Reading (process); Politics; Context (archaeology); Religious studies; Transformational leadership; Sociology; Theology; Philosophy; Political science; Law; History; Archaeology","score_opus":0.02322434147904145,"score_gpt":0.24352085206546153,"score_spread":0.22029651058642008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803154684","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058497213,0.029505266,0.0021578039,0.3056663,0.0059577995,0.000014770246,0.000050710954,0.000036019755,0.59811413],"genre_scores_gemma":[0.8809383,0.0054541123,0.0006120407,0.020454496,0.0019450242,0.000023294724,0.000026672713,0.000080671074,0.09046546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843985,0.0009807238,0.000026605347,0.00015512228,0.00027763625,0.00011995384],"domain_scores_gemma":[0.99757606,0.0012243432,0.00021288905,0.00023841215,0.00039771793,0.00035070378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001825061,0.0002839735,0.00022314557,0.0010809401,0.006773985,0.0041722013,0.0006272843,0.0019230566,0.0030226777],"category_scores_gemma":[0.0047409995,0.0000954982,0.00013950991,0.0007734298,0.015274807,0.0030891604,0.0024224562,0.0044547343,0.0005292852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028940041,0.000023597659,0.00081073307,0.00007461782,0.0000071814943,0.00021386571,0.035203375,0.00003933624,0.00012943201,0.8542006,0.09621113,0.013057182],"study_design_scores_gemma":[0.000017082511,0.000020038977,0.0011399979,0.0003671228,0.000007370859,0.00032602326,0.02417115,0.000091429945,0.0005037171,0.110473156,0.8628713,0.00001152987],"about_ca_topic_score_codex":0.0032815961,"about_ca_topic_score_gemma":0.00994458,"teacher_disagreement_score":0.006773985,"about_ca_system_score_codex":0.0022985165,"about_ca_system_score_gemma":0.0015454626,"threshold_uncertainty_score":0.016677022},"labels":[],"label_agreement":null},{"id":"W2805922282","doi":"10.28968/cftt.v4i1.29632","title":"To Mourn, To Re-imagine Without Oneself: Death, Dying, and Social Media/tion","year":2018,"lang":"en","type":"article","venue":"Catalyst Feminism Theory Technoscience","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Politics; Body politic; Victory; Sociology; Sovereignty; The Imaginary; Aesthetics; Democracy; Gender studies; Political science; Law; Psychoanalysis; Psychology; Philosophy","score_opus":0.030830152664953543,"score_gpt":0.2660517429926604,"score_spread":0.23522159032770684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805922282","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05376637,0.023709876,0.006258309,0.18444867,0.0048638787,0.000042492924,0.00006876279,0.0001336145,0.7267081],"genre_scores_gemma":[0.9013148,0.011690839,0.0011628143,0.018764978,0.002857059,0.000105810694,0.000035505742,0.0002242513,0.0638439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99675626,0.0023872238,0.00005751582,0.00022161756,0.0004012103,0.00017608688],"domain_scores_gemma":[0.9918509,0.006770788,0.00031379142,0.00042236526,0.00033395982,0.00030826702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042893076,0.00048096772,0.00034356175,0.0025805605,0.009651133,0.017237429,0.0010585231,0.0039876867,0.0057378043],"category_scores_gemma":[0.007720747,0.00022338761,0.00020498814,0.0015193325,0.066842176,0.0118423635,0.0064934166,0.004770735,0.00081957784],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025758032,0.000026921021,0.0005666098,0.00016587577,0.000005641102,0.00031016784,0.16088234,0.00008910186,0.00013244041,0.79905295,0.01930015,0.019442068],"study_design_scores_gemma":[0.0000148907275,0.000035170044,0.00093554653,0.0011745921,0.000011801967,0.0004354174,0.18709257,0.00018697462,0.0004483103,0.16208534,0.6475527,0.000026688016],"about_ca_topic_score_codex":0.003435788,"about_ca_topic_score_gemma":0.004535845,"teacher_disagreement_score":0.017237429,"about_ca_system_score_codex":0.0051155104,"about_ca_system_score_gemma":0.0023268024,"threshold_uncertainty_score":0.037115812},"labels":[],"label_agreement":null},{"id":"W2808755305","doi":"10.1525/ncl.2018.73.1.30","title":"Seeing “No Guiltless Minds”","year":2018,"lang":"en","type":"article","venue":"Nineteenth-Century Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Depiction; Liability; Sociology; Narrative; Identity (music); Inheritance (genetic algorithm); Law; Analogy; Aesthetics; Political science; Epistemology; Literature; Philosophy","score_opus":0.012268420552195335,"score_gpt":0.21686473045570212,"score_spread":0.20459630990350677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808755305","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08002566,0.05660526,0.0045204866,0.33375636,0.0033261008,0.000042124677,0.00013396722,0.000078444566,0.52151155],"genre_scores_gemma":[0.84935653,0.006949558,0.00084536633,0.016102174,0.00040413317,0.000029264087,0.00002264353,0.000054493285,0.12623587],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910563,0.00042105006,0.000015647562,0.00012449326,0.00015264483,0.0001804542],"domain_scores_gemma":[0.9994905,0.00029258104,0.00004297041,0.000029530793,0.00007010002,0.00007426094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014182471,0.00027180766,0.00016611353,0.00036224542,0.0070802527,0.0043782815,0.0005845418,0.0024997639,0.004348117],"category_scores_gemma":[0.002870989,0.00025442237,0.0001386545,0.0002376976,0.02069429,0.004375202,0.002154734,0.0039963643,0.0005423152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024107025,0.0000152209395,0.0004601701,0.000051945044,0.000003704181,0.00035457363,0.10651957,0.00010536166,0.00028311566,0.75680304,0.12364794,0.011731171],"study_design_scores_gemma":[0.0000067325627,0.000010470626,0.00096897787,0.00015834189,0.000004224154,0.00019425077,0.028739635,0.000085108106,0.00031264807,0.07256922,0.8969256,0.000024764042],"about_ca_topic_score_codex":0.06908986,"about_ca_topic_score_gemma":0.13465287,"teacher_disagreement_score":0.06908986,"about_ca_system_score_codex":0.006687509,"about_ca_system_score_gemma":0.0025669583,"threshold_uncertainty_score":0.13737541},"labels":[],"label_agreement":null},{"id":"W2809440750","doi":"10.7939/r3kw5801s","title":"Precarity and the Historicity of the Present: American Literature and Culture from Long Boom to Long Downturn","year":2018,"lang":"en","type":"article","venue":"University of Alberta Library","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Precarity; Historicity (philosophy); Boom; Recession; Austerity; Political science; Sociology; History; Aesthetics; Economics; Gender studies; Keynesian economics; Philosophy; Engineering; Law; Politics","score_opus":0.005428234313484724,"score_gpt":0.15893972341115786,"score_spread":0.15351148909767315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809440750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67329055,0.04576226,0.00039963386,0.058699593,0.0009176987,0.000014247068,0.00003517179,0.00002636633,0.22085442],"genre_scores_gemma":[0.98335624,0.0093558,0.00008387595,0.0021918446,0.00022999915,0.000009644056,0.000012513324,0.000016474516,0.0047436105],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989191,0.0005369455,0.00002806293,0.00009963121,0.00014496836,0.0002712995],"domain_scores_gemma":[0.9985661,0.00076209434,0.00015626954,0.00010090444,0.00018276434,0.00023191284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002348671,0.00029056115,0.00034193727,0.001822476,0.019402403,0.010363691,0.0008257358,0.001656283,0.0022560197],"category_scores_gemma":[0.0026006757,0.00024315563,0.00013482978,0.0029330088,0.028181572,0.006898864,0.0034073924,0.0053773043,0.00019341483],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015636198,0.000022656024,0.0012332638,0.000044110042,0.0000022071622,0.00017623181,0.9061159,0.000018535447,0.00013547375,0.08025409,0.0034598936,0.008522055],"study_design_scores_gemma":[0.0000030632198,0.00002206764,0.007337422,0.00048157634,0.000008747089,0.00016986417,0.78714293,0.000050337327,0.000116385985,0.0128858015,0.19176394,0.000017924873],"about_ca_topic_score_codex":0.035555776,"about_ca_topic_score_gemma":0.058734138,"teacher_disagreement_score":0.035555776,"about_ca_system_score_codex":0.0076524722,"about_ca_system_score_gemma":0.004111706,"threshold_uncertainty_score":0.070697665},"labels":[],"label_agreement":null},{"id":"W2809708265","doi":"10.29173/jjs126","title":"In Search of the Authorial Self","year":2018,"lang":"en","type":"article","venue":"Journal of Juvenilia Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Creativity; Hyperbole; Literature; Poetry; World literature; History; Aesthetics; Art; Psychology; Metaphor; Philosophy; Social psychology; Linguistics","score_opus":0.05505863622771509,"score_gpt":0.3122680006027369,"score_spread":0.25720936437502184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809708265","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0135810785,0.004914099,0.0066075497,0.041578095,0.0046169413,0.000020939782,0.000050862545,0.00022268284,0.9284078],"genre_scores_gemma":[0.6100296,0.0025168026,0.0031246168,0.01061148,0.0029978692,0.000057017547,0.00009801341,0.00043282224,0.37013185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99580437,0.002006491,0.00012527235,0.0006729959,0.0010452139,0.00034567105],"domain_scores_gemma":[0.9925484,0.0020670143,0.00068558886,0.0018722136,0.0017352877,0.0010915396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003660728,0.00041532487,0.00036514437,0.0012588497,0.0075355135,0.015003194,0.001104039,0.0018598913,0.014766325],"category_scores_gemma":[0.011612616,0.00022541227,0.00018240747,0.000894256,0.017889686,0.012016196,0.0057118805,0.004804914,0.0066501372],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001709599,0.000013338912,0.000456515,0.00003312359,0.0000036222302,0.00014852695,0.048990116,0.000018292167,0.0002638694,0.88332623,0.05303138,0.013697823],"study_design_scores_gemma":[0.0000063464645,0.000017868799,0.00018483221,0.00016682553,0.0000035076532,0.00035077435,0.016295552,0.00009086423,0.00020241852,0.08992693,0.89274514,0.000008917813],"about_ca_topic_score_codex":0.0010095105,"about_ca_topic_score_gemma":0.0022274007,"teacher_disagreement_score":0.015003194,"about_ca_system_score_codex":0.002791293,"about_ca_system_score_gemma":0.0036860155,"threshold_uncertainty_score":0.049398303},"labels":[],"label_agreement":null},{"id":"W28582243","doi":"10.2196/rehab.4812","title":"Two or three things I know about Kanai Mieko's transtextuality","year":2007,"lang":"en","type":"article","venue":"JMIR Rehabilitation and Assistive Technologies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02277741245654498,"score_gpt":0.29164072265533747,"score_spread":0.2688633101987925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W28582243","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36427104,0.0073181954,0.037778433,0.10015922,0.0040624626,0.000272642,0.000107814114,0.0005908244,0.48543945],"genre_scores_gemma":[0.9493146,0.0014411128,0.00479214,0.0053803152,0.00035153472,0.00014475564,0.00003631271,0.00012338746,0.03841577],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968845,0.0016753691,0.0001765789,0.00034531433,0.00064805895,0.00027010066],"domain_scores_gemma":[0.99248344,0.0036167875,0.0010754302,0.0012778635,0.0009323299,0.00061408296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005520124,0.00044338303,0.00043847447,0.00087617035,0.008435953,0.0045950217,0.0010231239,0.0020922858,0.005223415],"category_scores_gemma":[0.01232599,0.00032991957,0.0003943415,0.00090636406,0.012127553,0.010637747,0.006300551,0.006202294,0.001285109],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011414991,0.00012807516,0.0072384584,0.0005381321,0.000030349664,0.001055316,0.8333963,0.00008436164,0.0040810136,0.07597478,0.015045999,0.062313102],"study_design_scores_gemma":[0.00003166641,0.00033213326,0.015040946,0.0007964895,0.00013056623,0.0040914053,0.4249412,0.00058597676,0.0033115267,0.037376437,0.5131944,0.0001672811],"about_ca_topic_score_codex":0.0010857722,"about_ca_topic_score_gemma":0.0022159712,"teacher_disagreement_score":0.008435953,"about_ca_system_score_codex":0.0012247728,"about_ca_system_score_gemma":0.0011937306,"threshold_uncertainty_score":0.02919352},"labels":[],"label_agreement":null},{"id":"W2883245556","doi":"10.4000/ejas.13191","title":"Good Work and Good Works: Work and the Postsecular in George Saunders’s CivilWarLand in Bad Decline","year":2018,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Red Deer Polytechnic","funders":"","keywords":"Postmodernism; Power (physics); Christianity; Sociology; Agency (philosophy); Metaphor; Sermon; Aesthetics; Philosophy; Religious studies; Theology; Social science; Epistemology","score_opus":0.021808833520660213,"score_gpt":0.2435748273650887,"score_spread":0.2217659938444285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883245556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86409426,0.0027092346,0.0003013137,0.024465015,0.00029130012,0.000017236649,0.0000324385,0.000017450377,0.10807171],"genre_scores_gemma":[0.9786572,0.0005066446,0.00007529666,0.0014434442,0.0000626565,0.000012902862,0.000014447944,0.000028130673,0.019199276],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979818,0.0012024152,0.000024616551,0.000120813136,0.000180272,0.00049005],"domain_scores_gemma":[0.99772936,0.0012049777,0.00014322333,0.00010882864,0.00014709524,0.00066652213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023132446,0.00053783535,0.00040002968,0.0019533816,0.036371294,0.009325595,0.0012399879,0.0041020443,0.003793356],"category_scores_gemma":[0.003010036,0.00043858693,0.00016044099,0.0012672365,0.05545334,0.004573013,0.00841735,0.006065224,0.00048580763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010682801,0.0000134188895,0.0004958987,0.000012955452,0.0000011761019,0.0003027293,0.97314566,0.000012245077,0.00008503782,0.0220121,0.0021085131,0.0017996405],"study_design_scores_gemma":[0.0000034256022,0.0000151251215,0.0017133526,0.000070036636,0.000001541496,0.00016203821,0.9057834,0.00001745589,0.00009586522,0.0032363806,0.08889469,0.000006590483],"about_ca_topic_score_codex":0.04338441,"about_ca_topic_score_gemma":0.11950325,"teacher_disagreement_score":0.04338441,"about_ca_system_score_codex":0.007891604,"about_ca_system_score_gemma":0.003501375,"threshold_uncertainty_score":0.086263776},"labels":[],"label_agreement":null},{"id":"W2884794045","doi":"10.3138/cjfs.26.2.2017-0006","title":"“It’s Over”: Reflexivity in Don McKellar’s <i>Last Night</i>","year":2017,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08000128351196924,"score_gpt":0.3228779930916806,"score_spread":0.24287670957971136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884794045","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10322095,0.009593994,0.004476219,0.072237335,0.002866414,0.00006992938,0.0001459917,0.0001560915,0.8072331],"genre_scores_gemma":[0.8872177,0.0016985326,0.00075002655,0.007047571,0.0005877013,0.00006962787,0.000049192327,0.00020539617,0.10237425],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968641,0.0020219826,0.00005144778,0.0003444174,0.00029397252,0.0004240849],"domain_scores_gemma":[0.9974999,0.0011995623,0.00025648184,0.00020040658,0.0004240631,0.00041964496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028314,0.00054203096,0.00026727657,0.0011634501,0.0119719105,0.011904321,0.0011553824,0.0025710661,0.0070154294],"category_scores_gemma":[0.0056725675,0.00036097682,0.0002860266,0.0010277824,0.018061558,0.0061535314,0.0043890807,0.006155308,0.0009630926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007352224,0.000023126484,0.0006485188,0.00010484946,0.000008799271,0.0006970901,0.6062224,0.00003870952,0.0007148489,0.32867548,0.053379674,0.009413037],"study_design_scores_gemma":[0.000012994042,0.000023863124,0.0011581442,0.0002836953,0.000010826923,0.00038811864,0.20469813,0.00007629765,0.00053535297,0.016332164,0.77645063,0.000029850791],"about_ca_topic_score_codex":0.024834983,"about_ca_topic_score_gemma":0.03540415,"teacher_disagreement_score":0.024834983,"about_ca_system_score_codex":0.0076554925,"about_ca_system_score_gemma":0.0026477114,"threshold_uncertainty_score":0.055544674},"labels":[],"label_agreement":null},{"id":"W2887100548","doi":"","title":"Alan Hill - Poetry","year":2018,"lang":"en","type":"article","venue":"Canadian literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; Philosophy; History","score_opus":0.011515463932182037,"score_gpt":0.18999548157667098,"score_spread":0.17848001764448895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887100548","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00118426,0.06443342,0.0011556622,0.07840255,0.008430709,0.00002715911,0.0004554474,0.00026366638,0.84564704],"genre_scores_gemma":[0.03020541,0.022671161,0.0010936958,0.004441564,0.0010488036,0.000015916024,0.00018489422,0.00019296106,0.9401456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907815,0.00015526365,0.00002432051,0.00014057675,0.0004421481,0.00015958994],"domain_scores_gemma":[0.99869114,0.00021395953,0.000047117268,0.00007897282,0.0007260918,0.000242729],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093691953,0.0008232739,0.00053633057,0.0028824266,0.011497696,0.007108366,0.0011003049,0.0022507708,0.112169765],"category_scores_gemma":[0.0034107994,0.00029151843,0.00021809229,0.0037830793,0.005065645,0.0041810866,0.0016405126,0.0029656417,0.023953037],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009755493,0.0000089346595,0.00010368603,0.00006714044,0.0000023930336,0.00003358045,0.0009305193,0.000046927267,0.000037047757,0.17399602,0.7882454,0.036518626],"study_design_scores_gemma":[0.0000022577844,0.000001226538,0.00013015876,0.00008556421,0.0000015379729,0.000023097919,0.0006863368,0.00002018186,0.000040354273,0.013997558,0.9850072,0.0000046261216],"about_ca_topic_score_codex":0.43736026,"about_ca_topic_score_gemma":0.65295404,"teacher_disagreement_score":0.43736026,"about_ca_system_score_codex":0.017663153,"about_ca_system_score_gemma":0.015895206,"threshold_uncertainty_score":0.8696291},"labels":[],"label_agreement":null},{"id":"W2887430688","doi":"10.3968/10305","title":"The Unconsoled : The Modern Rogue Trapped in Traumas","year":2018,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Consolation; Shadow (psychology); Narrative; Psychoanalysis; Loneliness; Wife; Psychology; Solitude; Learned helplessness; History; Literature; Social psychology; Psychotherapist; Philosophy; Art; Theology","score_opus":0.030515885380070485,"score_gpt":0.29448382224605973,"score_spread":0.26396793686598924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887430688","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.692888,0.020566229,0.0037437987,0.0547779,0.0020017796,0.000062018975,0.000059899634,0.00013279369,0.22576767],"genre_scores_gemma":[0.9701911,0.003376953,0.0004807713,0.002792762,0.00033145674,0.00002076202,0.000013388538,0.0000799253,0.022712871],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977188,0.0015532029,0.000058833462,0.0001906288,0.0001960532,0.00028253693],"domain_scores_gemma":[0.99889886,0.0004708913,0.0002111988,0.00014873045,0.00010301236,0.00016725628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029024098,0.0005186813,0.00070018246,0.0007580544,0.010904121,0.007995941,0.0009911007,0.002386225,0.0024459055],"category_scores_gemma":[0.003470801,0.00038937645,0.00026565065,0.00044808147,0.03324091,0.005675508,0.0057224412,0.005249426,0.00070801977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056083827,0.000026535792,0.00057374494,0.000114929804,0.000010975545,0.0019834146,0.8629916,0.000055227443,0.0007610732,0.11786474,0.009810439,0.0057512764],"study_design_scores_gemma":[0.000013030801,0.00009038391,0.001369141,0.00039116456,0.000017039445,0.0033500816,0.65460193,0.00009200586,0.00058758067,0.014525775,0.3249306,0.000031251813],"about_ca_topic_score_codex":0.0025832006,"about_ca_topic_score_gemma":0.0047234436,"teacher_disagreement_score":0.010904121,"about_ca_system_score_codex":0.0033612398,"about_ca_system_score_gemma":0.0014553596,"threshold_uncertainty_score":0.024387598},"labels":[],"label_agreement":null},{"id":"W2887995853","doi":"10.5539/ells.v8n3p6","title":"Virginia Woolf Established a Strong Human Relationship Through Effective Characterization in her Novel, “To the Lighthouse”","year":2018,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; Feeling; Aesthetics; Presentation (obstetrics); Maturity (psychological); Consciousness; Reading (process); Appeal; Simple (philosophy); Creativity; Sociology; Psychology; Epistemology; History; Philosophy; Social psychology; Political science; Law; Linguistics","score_opus":0.01811730164234517,"score_gpt":0.2756220020322703,"score_spread":0.2575047003899251,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887995853","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09535352,0.009384164,0.012082881,0.11161102,0.005986868,0.00015002488,0.00028228236,0.00029438955,0.76485485],"genre_scores_gemma":[0.7607047,0.0017925315,0.0035367112,0.0085027255,0.0007353526,0.00007631686,0.00006449966,0.00020650167,0.22438064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978339,0.0010832916,0.00004377092,0.000324805,0.00041427824,0.00029989803],"domain_scores_gemma":[0.99853146,0.00049626856,0.0001661495,0.00010526556,0.00036174429,0.00033901547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001515419,0.00036116908,0.0002826567,0.0006418882,0.010697552,0.008629524,0.00048972125,0.0020647352,0.0073266234],"category_scores_gemma":[0.0039075487,0.0001932596,0.00020687665,0.00030823343,0.011764747,0.0036136156,0.0024677624,0.003958847,0.001456081],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006314384,0.00007135264,0.0013008864,0.00009586579,0.000011962048,0.001293319,0.18520588,0.00012937408,0.0011956586,0.52793795,0.23477505,0.04791962],"study_design_scores_gemma":[0.000003632662,0.000019095585,0.00072970125,0.00007563435,0.0000025940992,0.00047271024,0.016220957,0.000075862125,0.00039785757,0.009169094,0.9728108,0.0000221683],"about_ca_topic_score_codex":0.03062378,"about_ca_topic_score_gemma":0.052856535,"teacher_disagreement_score":0.03062378,"about_ca_system_score_codex":0.0056875357,"about_ca_system_score_gemma":0.0036876707,"threshold_uncertainty_score":0.06089109},"labels":[],"label_agreement":null},{"id":"W2888440617","doi":"10.3968/10388","title":"Parental Crisis in Marsha Norman’s ‘night, Mothe r: a Lacanian-Feministic Reading","year":2018,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; The Symbolic; Patriarchy; Reading (process); Psychoanalysis; Autonomy; Order (exchange); Sociology; Psychology; Literature; Gender studies; Art; Philosophy; Law; Linguistics; Political science","score_opus":0.023122503512397922,"score_gpt":0.29790188532580636,"score_spread":0.27477938181340844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888440617","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17733124,0.033726983,0.0023971659,0.31818676,0.004179669,0.000055659417,0.000055100485,0.000073319316,0.46399406],"genre_scores_gemma":[0.9368821,0.0051649683,0.0004029823,0.01612159,0.0007420041,0.000044530945,0.000013383346,0.00005416333,0.040574245],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982205,0.0012799946,0.000033556527,0.00009930492,0.00018540504,0.00018119808],"domain_scores_gemma":[0.99894017,0.00058176176,0.0001263429,0.00005156481,0.00014694883,0.0001532556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002005721,0.00038301913,0.00032095183,0.0006623896,0.00979336,0.005373511,0.0010541008,0.0023065985,0.002188821],"category_scores_gemma":[0.0032195644,0.00020452369,0.00016483894,0.0005357039,0.020452732,0.0037855369,0.002857573,0.0050895195,0.00024467145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002245832,0.000030943367,0.00061218056,0.00007648879,0.00000350589,0.0012158378,0.5419923,0.000056856763,0.00019485473,0.41662315,0.032519735,0.006651675],"study_design_scores_gemma":[0.0000065431627,0.000023903145,0.0016164472,0.0004209434,0.0000037019427,0.00080910785,0.4451662,0.00012472527,0.00027661538,0.039383262,0.51214993,0.00001861561],"about_ca_topic_score_codex":0.030654581,"about_ca_topic_score_gemma":0.04644446,"teacher_disagreement_score":0.030654581,"about_ca_system_score_codex":0.0070287082,"about_ca_system_score_gemma":0.0030774113,"threshold_uncertainty_score":0.060952306},"labels":[],"label_agreement":null},{"id":"W2890381232","doi":"10.1093/acrefore/9780190201098.013.415","title":"The Contemporary Anglophone Romance Genre","year":2018,"lang":"en","type":"reference-entry","venue":"Oxford Research Encyclopedia of Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Audience measurement; Literature; Publishing; Tone (literature); History; Art; Advertising; Law; Political science; Business","score_opus":0.06259625253914022,"score_gpt":0.3159118971513243,"score_spread":0.25331564461218403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890381232","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09677138,0.015000798,0.00043807286,0.004604487,0.00071478693,0.000024824529,0.00008921175,0.00004502246,0.88231134],"genre_scores_gemma":[0.8316362,0.007707512,0.00034500926,0.0018007479,0.00081634126,0.000038391707,0.00012127196,0.00014618093,0.15738846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876165,0.000587697,0.0000400082,0.00014371044,0.00024249278,0.0002243894],"domain_scores_gemma":[0.9993315,0.00019443654,0.00009561091,0.00006939304,0.00014669354,0.00016242573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010515453,0.0003716502,0.0003145813,0.0013544107,0.0068452135,0.0064579984,0.00067103124,0.0007245071,0.020651747],"category_scores_gemma":[0.0016636961,0.00014841772,0.000114192604,0.0018754855,0.006589032,0.002660909,0.0021902306,0.00175057,0.0050618616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010714561,0.000103273494,0.0033134366,0.00035654625,0.000010203708,0.0018437235,0.30899954,0.00006308793,0.0011389808,0.4830321,0.10855068,0.09248127],"study_design_scores_gemma":[0.000004604844,0.000018088194,0.0037873469,0.0003032395,0.0000027078408,0.00088019576,0.051582612,0.00007436712,0.00015834936,0.003005238,0.94017214,0.000011075666],"about_ca_topic_score_codex":0.0055758655,"about_ca_topic_score_gemma":0.009944711,"teacher_disagreement_score":0.020651747,"about_ca_system_score_codex":0.0028412503,"about_ca_system_score_gemma":0.00069342303,"threshold_uncertainty_score":0.06908703},"labels":[],"label_agreement":null},{"id":"W2892823431","doi":"10.15781/t2vt1h738","title":"Infinite majesty : disabled and athletic métis in David Foster Wallace’s tennis writing","year":2018,"lang":"en","type":"dissertation","venue":"Texas ScholarWorks (Texas Digital Library)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Majesty; Art history; Art; Visual arts; Psychology; Political science; Law","score_opus":0.01476852185997261,"score_gpt":0.22286104921891312,"score_spread":0.20809252735894052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892823431","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13056642,0.041470423,0.009720182,0.20948866,0.0089351805,0.000041742474,0.000116175026,0.00007971772,0.5995815],"genre_scores_gemma":[0.85938144,0.008792841,0.00245271,0.016466592,0.0019298765,0.000058690395,0.00005870333,0.00008424057,0.11077494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982413,0.000933213,0.00007443185,0.00018020319,0.00039035376,0.00018055343],"domain_scores_gemma":[0.9981893,0.0011792596,0.00013651644,0.00005788546,0.0001880059,0.00024905597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015362976,0.00036654327,0.00022670957,0.0017675936,0.006342094,0.005087043,0.00079717685,0.0017283001,0.0017002821],"category_scores_gemma":[0.0055238786,0.00017293279,0.00017982128,0.00095456484,0.013955015,0.0039106496,0.0035646036,0.0037056434,0.0003211826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026558273,0.000020883854,0.00047543127,0.000082208564,0.0000042904144,0.0007378703,0.09701738,0.00011160549,0.00021283944,0.83670497,0.05116478,0.013441205],"study_design_scores_gemma":[0.0000075069333,0.000019582192,0.0004964563,0.00039827297,0.0000050248373,0.00091704476,0.03921711,0.00015679993,0.0002712468,0.07742931,0.8810649,0.000016657052],"about_ca_topic_score_codex":0.0052384064,"about_ca_topic_score_gemma":0.010322236,"teacher_disagreement_score":0.006342094,"about_ca_system_score_codex":0.0033318123,"about_ca_system_score_gemma":0.0017430393,"threshold_uncertainty_score":0.024174094},"labels":[],"label_agreement":null},{"id":"W2895003551","doi":"10.71781/14525","title":"The play of desire : Sinclair Ross's Gay fiction","year":2000,"lang":"en","type":"article","venue":"Library and Archives Canada (Government of Canada)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; History; Epistemology; Philosophy","score_opus":0.005164234617601866,"score_gpt":0.1367214508062519,"score_spread":0.13155721618865002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895003551","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020217812,0.014316535,0.0018993333,0.288444,0.004930397,0.00004194401,0.00005722945,0.000059802886,0.67003286],"genre_scores_gemma":[0.61483306,0.0040769884,0.00082577125,0.082947105,0.0018694039,0.00008976754,0.000024123514,0.00032719443,0.29500648],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970439,0.0016602402,0.000035870202,0.00022697987,0.00043427953,0.0005986731],"domain_scores_gemma":[0.9977654,0.0013580722,0.00010795084,0.000121692734,0.00027913132,0.0003676548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032323063,0.00087935774,0.00072459196,0.0015589969,0.026558734,0.011195875,0.0017178883,0.011220063,0.0046750456],"category_scores_gemma":[0.0061275503,0.0003729748,0.0004424917,0.0011181543,0.046838634,0.0054215,0.005118411,0.018002126,0.0010359406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019715351,0.000011021449,0.000092933326,0.000024926296,0.0000045029174,0.00021696043,0.069854535,0.000057281373,0.000052078696,0.8563046,0.0703041,0.0030573092],"study_design_scores_gemma":[0.000025721578,0.000016420729,0.0003020118,0.00029091202,0.000015208736,0.000404812,0.062959135,0.00014981767,0.0002243706,0.13450147,0.801071,0.00003905113],"about_ca_topic_score_codex":0.29135,"about_ca_topic_score_gemma":0.41313404,"teacher_disagreement_score":0.70865,"about_ca_system_score_codex":0.016378531,"about_ca_system_score_gemma":0.010063284,"threshold_uncertainty_score":0.57930833},"labels":[],"label_agreement":null},{"id":"W2898613610","doi":"10.32396/usurj.v4i1.301","title":"“A Lost Pulse of Feeling”: Reconnecting with the “Hidden Self” in Matthew Arnold’s “Buried Life”","year":2017,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Feeling; Humanity; Reading (process); Lament; Order (exchange); Aesthetics; Isolation (microbiology); Sociology; State (computer science); Poetry; Literature; Epistemology; Philosophy; Computer science; Linguistics; Art; Theology","score_opus":0.05047162167294112,"score_gpt":0.2678486725804874,"score_spread":0.21737705090754628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898613610","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4006308,0.0106376195,0.0152117815,0.13410687,0.0040367953,0.00007123156,0.00004822118,0.00021282597,0.43504387],"genre_scores_gemma":[0.9635827,0.00087592355,0.0009578936,0.0046429774,0.0003380118,0.000022781367,0.0000106471,0.00008651298,0.029482504],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978471,0.0014069964,0.000028750515,0.0001400071,0.00034620147,0.00023095643],"domain_scores_gemma":[0.99870396,0.00067170855,0.00014839458,0.00012018965,0.00016957491,0.00018621836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016077,0.00040550478,0.0002882113,0.0005110723,0.009074458,0.0052097877,0.0008967851,0.0026246333,0.0020527255],"category_scores_gemma":[0.0043631215,0.00025791713,0.00018110234,0.00032119945,0.034570552,0.0049965587,0.004468361,0.0066469284,0.00055021053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005242218,0.000017196038,0.00048240018,0.00007188684,0.0000046218074,0.0012424167,0.5861356,0.000076668286,0.0012772031,0.38560712,0.018122116,0.0069103437],"study_design_scores_gemma":[0.000024373425,0.00007861043,0.0014473804,0.00041953014,0.000015573394,0.002425887,0.48123813,0.00039221693,0.002225132,0.09017549,0.421498,0.00005968611],"about_ca_topic_score_codex":0.007886521,"about_ca_topic_score_gemma":0.013735318,"teacher_disagreement_score":0.009074458,"about_ca_system_score_codex":0.0039036274,"about_ca_system_score_gemma":0.001895036,"threshold_uncertainty_score":0.028322935},"labels":[],"label_agreement":null},{"id":"W2899525700","doi":"10.22148/16.027","title":"Measuring Modernist Novelty","year":2018,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Novelty; Contradiction; Character (mathematics); Literature; Aesthetics; Philosophy; Art; Epistemology; Psychology; Social psychology; Mathematics","score_opus":0.12620595233161896,"score_gpt":0.2681152115589517,"score_spread":0.14190925922733272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899525700","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66063356,0.005671645,0.03945643,0.0063229576,0.00081156497,0.00027255822,0.0019188162,0.00024976642,0.28466263],"genre_scores_gemma":[0.9857291,0.0008941849,0.0058556465,0.00044863773,0.0006404273,0.00013841002,0.0006428017,0.000058912003,0.005591905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9903081,0.0023870862,0.0005580675,0.0016861078,0.004655316,0.00040530387],"domain_scores_gemma":[0.95750636,0.020948686,0.007518621,0.00466439,0.0067815236,0.002580396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009356177,0.00039990997,0.00067530235,0.006615891,0.002380111,0.0063581727,0.0010765053,0.0016895618,0.007825516],"category_scores_gemma":[0.05730585,0.00026835283,0.0006462455,0.0056877295,0.004545605,0.009287816,0.0062658545,0.0021345518,0.0011294123],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005110343,0.0003444897,0.33040506,0.0012686624,0.00072906946,0.0005417106,0.035244834,0.0034830319,0.0032854795,0.3875774,0.013837389,0.2227718],"study_design_scores_gemma":[0.000114349605,0.001025763,0.4486759,0.0005646218,0.0003214853,0.0022024666,0.015701864,0.010287603,0.00507875,0.31828237,0.1974735,0.00027135492],"about_ca_topic_score_codex":0.0006625029,"about_ca_topic_score_gemma":0.00084998517,"teacher_disagreement_score":0.009356177,"about_ca_system_score_codex":0.0033976051,"about_ca_system_score_gemma":0.0009960401,"threshold_uncertainty_score":0.049480736},"labels":[],"label_agreement":null},{"id":"W2899815013","doi":"10.7311/0860-5734.27.3.10","title":"“Like being trapped in a drum”: The Poetics of Resonance in Frances Itani’s Deafening","year":2018,"lang":"en","type":"article","venue":"Anglica An International Journal of English Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Silence; Poetry; Art; Psychoanalysis; Philosophy; Aesthetics; Art history; Literature; Psychology","score_opus":0.03393434479468377,"score_gpt":0.29980987105379736,"score_spread":0.2658755262591136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899815013","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34845665,0.006220019,0.0069306195,0.046350796,0.0024408565,0.00004990562,0.000029333078,0.00016150264,0.58936036],"genre_scores_gemma":[0.9629206,0.00054767926,0.00044400748,0.0017124903,0.0002811138,0.000019602037,0.000004761438,0.0000436234,0.034025986],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905115,0.00051859254,0.00001170889,0.0000794716,0.00012534743,0.00021385895],"domain_scores_gemma":[0.99894315,0.000600399,0.000110246285,0.000071538176,0.000120263045,0.00015434292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020027433,0.000573054,0.0003305171,0.00078828505,0.011718351,0.0046325624,0.0007645072,0.0020618613,0.0031892115],"category_scores_gemma":[0.003984141,0.00019577976,0.00019499769,0.00028053683,0.027283596,0.003659363,0.0035984325,0.003795458,0.0006076318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012703001,0.00003079505,0.0007730421,0.00007958582,0.000004662229,0.0014604044,0.65009487,0.00012055588,0.001342178,0.31751996,0.01472424,0.013722709],"study_design_scores_gemma":[0.00002145896,0.00017960464,0.001990867,0.00034521715,0.000016727978,0.0028199106,0.39001554,0.0003743175,0.0016532807,0.04259378,0.55992377,0.00006540018],"about_ca_topic_score_codex":0.004427329,"about_ca_topic_score_gemma":0.005794667,"teacher_disagreement_score":0.011718351,"about_ca_system_score_codex":0.0028378277,"about_ca_system_score_gemma":0.0010681709,"threshold_uncertainty_score":0.020589948},"labels":[],"label_agreement":null},{"id":"W2900521240","doi":"10.1080/00131857.2018.1462521","title":"What comes after postmodernism?","year":2018,"lang":"en","type":"article","venue":"Educational Philosophy and Theory","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute for Christian Studies; University of Toronto","funders":"","keywords":"Postmodernism; Sociology; Philosophy of education; Epistemology; Philosophy; Psychoanalysis; Aesthetics; Psychology; Higher education; Political science; Law","score_opus":0.019656410245575198,"score_gpt":0.2420796865111841,"score_spread":0.22242327626560893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900521240","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041336518,0.026062248,0.008265679,0.42810264,0.00900859,0.000026912512,0.00006334778,0.00010262952,0.48703143],"genre_scores_gemma":[0.9215592,0.005621831,0.0010863731,0.022881227,0.009384693,0.000062092564,0.00003522878,0.00021367385,0.039155625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9923071,0.00479129,0.00015852091,0.00076176866,0.0010892156,0.00089212204],"domain_scores_gemma":[0.98169315,0.012676621,0.00087036943,0.0020004632,0.001715806,0.0010436636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012313828,0.0006053209,0.00093268533,0.0027078025,0.013056449,0.022250747,0.0021860402,0.0101711415,0.01779522],"category_scores_gemma":[0.020282965,0.00037744068,0.0003876056,0.0029500353,0.0890278,0.032634,0.006873204,0.0124625405,0.0018078439],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006710518,0.000010808657,0.000088060886,0.000032704345,0.000001968793,0.000028173663,0.011527679,0.000010725279,0.000017120228,0.9820419,0.0033019527,0.0029321634],"study_design_scores_gemma":[0.0000106508305,0.000011306113,0.00032388358,0.00028017064,0.000004706805,0.00006780576,0.013546483,0.0000639229,0.00008259586,0.8859867,0.09961182,0.000009966863],"about_ca_topic_score_codex":0.0028755057,"about_ca_topic_score_gemma":0.0036230434,"teacher_disagreement_score":0.022250747,"about_ca_system_score_codex":0.007821829,"about_ca_system_score_gemma":0.00520549,"threshold_uncertainty_score":0.065122545},"labels":[],"label_agreement":null},{"id":"W2903341759","doi":"10.5539/ells.v8n4p104","title":"Annie Proulx—A Writer in Quest","year":2018,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Existentialism; Sociology; Motif (music); Aesthetics; Art; Philosophy; Epistemology","score_opus":0.01571495388267309,"score_gpt":0.26768427599163164,"score_spread":0.25196932210895856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903341759","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.120875396,0.037247982,0.007604344,0.22472197,0.012863634,0.00005266998,0.00007168741,0.00023943708,0.59632283],"genre_scores_gemma":[0.5398032,0.009318578,0.003711453,0.0228448,0.0024818168,0.00009034743,0.000036434518,0.00024141742,0.42147195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988092,0.0006023472,0.00003613419,0.0001549156,0.00029890536,0.00009857445],"domain_scores_gemma":[0.9974164,0.0015858142,0.00018532354,0.00008856867,0.00033148457,0.00039236175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014944766,0.0004046809,0.00032421446,0.00062341976,0.008344707,0.0052914512,0.0005501707,0.0016016961,0.0039796815],"category_scores_gemma":[0.00444207,0.00023979886,0.0001236287,0.00031787617,0.0067191278,0.0045008147,0.0021396545,0.0043506427,0.0010150983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072711,0.000058076286,0.002222043,0.00021120501,0.000008013201,0.0019789068,0.3192223,0.00013503121,0.00082648406,0.36021966,0.2644529,0.05059272],"study_design_scores_gemma":[0.0000024441886,0.000027224189,0.00053777994,0.0002780434,0.000002508963,0.001412266,0.046453424,0.00009936452,0.00037239224,0.0072938404,0.9435076,0.000013153061],"about_ca_topic_score_codex":0.001543933,"about_ca_topic_score_gemma":0.0050809816,"teacher_disagreement_score":0.008344707,"about_ca_system_score_codex":0.0014633908,"about_ca_system_score_gemma":0.0016708362,"threshold_uncertainty_score":0.013313353},"labels":[],"label_agreement":null},{"id":"W2903494698","doi":"10.1017/9781787443921.007","title":"“Landscape–of–the–Heart”: Transgenerational Memory and Relationality in <i>Roy Kiyooka's Mothertalk: Life Stories of</i> Mary Kiyoshi Kiyooka","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transgenerational epigenetics; History; Sociology; Environmental ethics; Art; Art history; Psychoanalysis; Psychology; Philosophy; Biology","score_opus":0.02619828400614928,"score_gpt":0.20753985460064903,"score_spread":0.18134157059449973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903494698","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8015504,0.0053546005,0.0072564217,0.011100923,0.0005188444,0.00005678538,0.00011136746,0.00007688566,0.17397378],"genre_scores_gemma":[0.9877989,0.0010909296,0.00068127766,0.000460551,0.000058799826,0.00003509471,0.000038740713,0.000054196586,0.009781465],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995547,0.00022848151,0.000011057346,0.00006647365,0.000051983454,0.000087285436],"domain_scores_gemma":[0.99931204,0.00029770646,0.000094976545,0.00007176853,0.00006459012,0.00015900817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009773364,0.0004636651,0.00033887234,0.00044464582,0.0063924445,0.004449493,0.0009596802,0.0014044924,0.0028773355],"category_scores_gemma":[0.0017480829,0.00031972624,0.00024338433,0.00061659416,0.01667933,0.005651448,0.0045373742,0.0031699438,0.00030728834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024637202,0.000009921906,0.00080739957,0.00005182748,0.0000037191537,0.0010417632,0.97461843,0.000027118866,0.0015307518,0.018227773,0.0012725639,0.002384155],"study_design_scores_gemma":[0.0000074543973,0.00003909984,0.005868688,0.00014639979,0.000019014169,0.0014752819,0.88347626,0.00009184893,0.0009586727,0.0037157936,0.1041754,0.00002607867],"about_ca_topic_score_codex":0.009635817,"about_ca_topic_score_gemma":0.025738258,"teacher_disagreement_score":0.009635817,"about_ca_system_score_codex":0.0028291617,"about_ca_system_score_gemma":0.0011203906,"threshold_uncertainty_score":0.020527124},"labels":[],"label_agreement":null},{"id":"W2903630642","doi":"10.4324/9781315550497-29","title":"Post Script: Lessons and Implications","year":2016,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.04388982434625556,"score_gpt":0.23896770510783796,"score_spread":0.1950778807615824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903630642","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005353278,0.0020165762,0.0015832433,0.06937498,0.01150521,0.00008353694,0.00037808102,0.00016133218,0.9095437],"genre_scores_gemma":[0.07297132,0.0014190219,0.0008696882,0.01506795,0.0019078726,0.00015232974,0.00024376625,0.0004049254,0.9069632],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873406,0.00053808413,0.000047889986,0.0001467922,0.000346611,0.00018660461],"domain_scores_gemma":[0.99757236,0.0007584459,0.00008922297,0.00030366477,0.0008631811,0.0004130498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019805848,0.00039230366,0.00024438073,0.0006421241,0.005984771,0.009000859,0.0013815266,0.0027053491,0.103317276],"category_scores_gemma":[0.007225953,0.00019299058,0.0001824682,0.0009963941,0.005762492,0.008128391,0.0028404626,0.004319037,0.02673323],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000339316,0.000044094897,0.00025892982,0.00012595956,0.0000013862501,0.00029770227,0.013510015,0.00008370311,0.00016168375,0.49930537,0.44354707,0.042630106],"study_design_scores_gemma":[0.000004263904,0.000009772168,0.00044750684,0.0002825268,0.000001333632,0.000087874236,0.0064985068,0.000043946948,0.00014129108,0.020101253,0.9723742,0.000007510424],"about_ca_topic_score_codex":0.010756553,"about_ca_topic_score_gemma":0.021990148,"teacher_disagreement_score":0.103317276,"about_ca_system_score_codex":0.005991994,"about_ca_system_score_gemma":0.0050312774,"threshold_uncertainty_score":0.3456307},"labels":[],"label_agreement":null},{"id":"W2904548589","doi":"10.6094/behemoth.2018.11.2.990","title":"Forms of veridiction in politics and culture : avowal in today’s jargon of authenticity","year":2018,"lang":"en","type":"article","venue":"FreiDok plus (Universitätsbibliothek Freiburg)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Populism; Jargon; Ignorance; Flourishing; Politics; Existentialism; Sociology; Paternalism; Epistemology; Media studies; Mainstream; Aesthetics; Political science; Law; Philosophy; Social psychology; Psychology; Linguistics","score_opus":0.015199946257544634,"score_gpt":0.21477452591315038,"score_spread":0.19957457965560574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904548589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16700582,0.022440031,0.06288759,0.19301224,0.0021690258,0.00006989052,0.000050619274,0.000192196,0.5521725],"genre_scores_gemma":[0.9916192,0.0010439286,0.0014076548,0.0021002798,0.00038120116,0.000025031773,0.000007784847,0.000060517625,0.0033543513],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9743507,0.01970418,0.00044757203,0.0014285991,0.0030533073,0.0010156883],"domain_scores_gemma":[0.96869475,0.022027977,0.0016192216,0.0050603645,0.0016731613,0.00092448865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02089597,0.00066757755,0.0007738641,0.0028370572,0.013817985,0.021011857,0.0022348992,0.0061798915,0.0023933563],"category_scores_gemma":[0.026551777,0.0005069847,0.00046186792,0.0023520568,0.19164687,0.02563406,0.011823145,0.012274755,0.00034416822],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067358224,0.0000054511274,0.00012862988,0.000023633995,0.0000025441648,0.000040567273,0.050650276,0.000053695418,0.00004376215,0.9457739,0.0006119287,0.0026588447],"study_design_scores_gemma":[0.000013333866,0.00002108444,0.00029884648,0.00025947203,0.0000066406274,0.00017536139,0.048295196,0.0003288936,0.00027597087,0.89138687,0.058915142,0.000023273977],"about_ca_topic_score_codex":0.002419111,"about_ca_topic_score_gemma":0.0022664755,"teacher_disagreement_score":0.021011857,"about_ca_system_score_codex":0.0069824806,"about_ca_system_score_gemma":0.004224669,"threshold_uncertainty_score":0.11050981},"labels":[],"label_agreement":null},{"id":"W2905332820","doi":"10.1353/vcr.2017.0035","title":"\"Another Man from What I Was\": Enchanted Reading and Ethical Selfhood in A Christmas Carol","year":2017,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Mode (computer interface); Literature; History; Art; Aesthetics; Sociology; Philosophy; Computer science; Linguistics","score_opus":0.03167508216014746,"score_gpt":0.2745367890544373,"score_spread":0.24286170689428982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905332820","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15397973,0.027841032,0.0020306257,0.44654307,0.007251357,0.00012021115,0.00007031058,0.00017306676,0.3619906],"genre_scores_gemma":[0.82065034,0.0064652544,0.0005939061,0.048460852,0.0020153425,0.00007922989,0.000029193172,0.00016740033,0.121538565],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975988,0.001613321,0.00002312501,0.00018920952,0.00026021473,0.00031533762],"domain_scores_gemma":[0.9983369,0.0006958618,0.00016062208,0.00004998708,0.00020564791,0.00055088324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015471978,0.0003944987,0.00031189984,0.0006216715,0.018264765,0.006733174,0.00082471827,0.0033675858,0.004594396],"category_scores_gemma":[0.0034207872,0.00023199632,0.00015778461,0.00031132795,0.020821337,0.0047298614,0.0040137325,0.010023568,0.00071142864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000746582,0.0000949776,0.0007880542,0.00014259745,0.000011069249,0.0018325064,0.5939219,0.00004723773,0.00065135123,0.22757903,0.15555604,0.019300574],"study_design_scores_gemma":[0.000011853491,0.000058188067,0.0014202747,0.00027132462,0.000009697863,0.0011794405,0.23169777,0.00010685382,0.0008021905,0.016401907,0.74800384,0.00003662805],"about_ca_topic_score_codex":0.024727551,"about_ca_topic_score_gemma":0.055313643,"teacher_disagreement_score":0.024727551,"about_ca_system_score_codex":0.0071430253,"about_ca_system_score_gemma":0.003621498,"threshold_uncertainty_score":0.051826477},"labels":[],"label_agreement":null},{"id":"W2916887892","doi":"10.26522/ti.v2i1.773","title":"Untitled #1, for Derek Beaulieu","year":2013,"lang":"en","type":"article","venue":"ti<","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.024343281852316576,"score_gpt":0.20274033428901667,"score_spread":0.1783970524367001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2916887892","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039774915,0.034906518,0.0030141985,0.3999087,0.1481499,0.00010696895,0.0024357159,0.0008828837,0.40661758],"genre_scores_gemma":[0.014149058,0.00296046,0.00069626496,0.029617446,0.007391028,0.00006413085,0.00032382034,0.00058471743,0.944213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923074,0.00021303118,0.00003910801,0.00014169204,0.00029285447,0.00008259379],"domain_scores_gemma":[0.9985114,0.00047076496,0.00007647838,0.00009300883,0.00068747456,0.00016079376],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000694334,0.00064344855,0.0005127234,0.00095002964,0.0055484516,0.005136474,0.000735989,0.0025787754,0.1113005],"category_scores_gemma":[0.008147874,0.0002980775,0.00030117057,0.0006912002,0.0016494673,0.004132622,0.002677352,0.005697219,0.04777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020130254,0.000007983958,0.00011821992,0.000070164795,0.0000021701355,0.0000554855,0.0012238112,0.000014139271,0.00019435446,0.016241426,0.9665316,0.015520492],"study_design_scores_gemma":[0.0000026319947,0.0000052868477,0.0003350643,0.000098972865,0.0000016320356,0.00007764174,0.0014075852,0.000043895703,0.00016737622,0.0030530842,0.9947982,0.00000874785],"about_ca_topic_score_codex":0.013810814,"about_ca_topic_score_gemma":0.034677953,"teacher_disagreement_score":0.88869953,"about_ca_system_score_codex":0.001724959,"about_ca_system_score_gemma":0.001308217,"threshold_uncertainty_score":0.37233728},"labels":[],"label_agreement":null},{"id":"W2921074588","doi":"10.7202/1058318ar","title":"Better living through chems: Fallout’s post-apocalyptic pharmacy","year":2019,"lang":"en","type":"article","venue":"Loading","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"History; Speculation; Environmental ethics; Las vegas; Aesthetics; Art; Archaeology; Philosophy; Business; Tourism","score_opus":0.02560510467403385,"score_gpt":0.24369475252365166,"score_spread":0.21808964784961782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921074588","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12721482,0.02727599,0.005861081,0.5754739,0.015425627,0.0001172872,0.00017786412,0.00023835035,0.2482152],"genre_scores_gemma":[0.7547213,0.011042632,0.0026871304,0.13481328,0.0023733773,0.00009513285,0.00012796873,0.00039546748,0.09374372],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777335,0.0011566166,0.00005128108,0.0002574075,0.00032855073,0.00043276424],"domain_scores_gemma":[0.9977157,0.0006452141,0.00016863791,0.00019456013,0.00032949727,0.0009464382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004011926,0.00054028496,0.00052116666,0.00063145254,0.011611353,0.010403414,0.001057629,0.0038780333,0.011129394],"category_scores_gemma":[0.008489954,0.0002655433,0.000327793,0.00052371377,0.0257073,0.012360687,0.008015106,0.014018883,0.001775275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027227562,0.0003822389,0.002298861,0.00017792084,0.000025544274,0.0011969599,0.09667242,0.00016255249,0.0006179917,0.58806074,0.21169351,0.09843895],"study_design_scores_gemma":[0.000045075813,0.00016076071,0.0017724908,0.00032653465,0.0000066529446,0.000418416,0.036238767,0.0002218722,0.00027411486,0.09908949,0.86140406,0.000041703897],"about_ca_topic_score_codex":0.011843222,"about_ca_topic_score_gemma":0.024418868,"teacher_disagreement_score":0.011843222,"about_ca_system_score_codex":0.0054503577,"about_ca_system_score_gemma":0.00467112,"threshold_uncertainty_score":0.039545238},"labels":[],"label_agreement":null},{"id":"W2931065005","doi":"10.1353/esc.2002.0015","title":"Dickens and Heredity: When Like Begets Like by Goldie Morgentaler","year":2002,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Heredity; Nothing; Narrative; Literature; Philosophy; Subject (documents); History; Art; Epistemology; Genetics; Biology","score_opus":0.0372173665493935,"score_gpt":0.2096326680715681,"score_spread":0.1724153015221746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2931065005","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018563753,0.13643347,0.0011425976,0.50149417,0.016037153,0.000031528547,0.00015902225,0.00015290396,0.3259853],"genre_scores_gemma":[0.26492876,0.04271407,0.0015562447,0.118131936,0.0076692454,0.000058089423,0.00014298972,0.0002893351,0.5645093],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999524,0.0001556966,0.000013171052,0.00011791147,0.0001268192,0.000062445375],"domain_scores_gemma":[0.99958533,0.00018474681,0.000040096224,0.000022121369,0.00006645135,0.0001012218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009712975,0.00031562403,0.00020662708,0.00053491845,0.0031781194,0.0031333044,0.00046857723,0.0014111741,0.0054515363],"category_scores_gemma":[0.0017021698,0.00016753752,0.00014121342,0.0003426397,0.00385984,0.0022266305,0.0016167846,0.0023777345,0.0012072651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023804781,0.00002414808,0.00045199244,0.000078131365,0.000005141599,0.0003251682,0.015972137,0.000035302477,0.0003803527,0.13875715,0.80989116,0.03405547],"study_design_scores_gemma":[0.0000012386432,0.000003983944,0.00046919892,0.000050178325,0.00000111581,0.00010283952,0.0020898627,0.000007860394,0.000063640335,0.0026938482,0.9945123,0.0000037846746],"about_ca_topic_score_codex":0.014388671,"about_ca_topic_score_gemma":0.031904884,"teacher_disagreement_score":0.014388671,"about_ca_system_score_codex":0.0035260145,"about_ca_system_score_gemma":0.0012532383,"threshold_uncertainty_score":0.028609872},"labels":[],"label_agreement":null},{"id":"W2931220123","doi":"10.1353/esc.2001.0027","title":"Writing in Exile: Which Sense of Be-Longing?","year":2001,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Homecoming; Homeland; Poetics; Modernity; Literature; Politics; Biography; Anguish; Aesthetics; Psychoanalysis; Immigration; History; Art; Philosophy; Art history; Psychology; Epistemology; Poetry; Law","score_opus":0.046105398392631336,"score_gpt":0.2586093527206895,"score_spread":0.2125039543280582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2931220123","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29044312,0.021986319,0.0042360635,0.26040557,0.0029854295,0.00005922419,0.00011735743,0.00016864405,0.4195982],"genre_scores_gemma":[0.9793291,0.0028865268,0.00043063195,0.004045937,0.0003179763,0.000013326044,0.000019157358,0.000056899415,0.012900344],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99393094,0.0033073493,0.00018493678,0.0003411914,0.0011138325,0.0011217139],"domain_scores_gemma":[0.98847044,0.0030917164,0.0017582065,0.0008142656,0.0032748345,0.0025905233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045123836,0.00043172823,0.00060233835,0.0013989401,0.013569629,0.020514036,0.0015194829,0.0024190443,0.003455822],"category_scores_gemma":[0.017509615,0.00015548608,0.00017816407,0.0020131154,0.03750071,0.009410353,0.005718601,0.0048190304,0.00038432927],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027141896,0.000019490617,0.0035799725,0.00012031785,0.000006377579,0.00063473865,0.85060364,0.000021086465,0.00021934707,0.11442482,0.013793937,0.016549107],"study_design_scores_gemma":[0.0000031151947,0.000012398215,0.0026260656,0.00034951285,0.0000054457255,0.00037900513,0.9048012,0.000042773292,0.000122943,0.009715536,0.08192339,0.000018720051],"about_ca_topic_score_codex":0.0769232,"about_ca_topic_score_gemma":0.12424825,"teacher_disagreement_score":0.9230768,"about_ca_system_score_codex":0.011528786,"about_ca_system_score_gemma":0.009242387,"threshold_uncertainty_score":0.15295088},"labels":[],"label_agreement":null},{"id":"W2933293128","doi":"","title":"Kissileff, Beth. Questioning Return: A Novel. Simsbury, Connecticut: Mandel Vilar Press, 2016.","year":2018,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Art; Psychology","score_opus":0.027392518149699542,"score_gpt":0.26562547910060264,"score_spread":0.2382329609509031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2933293128","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025115586,0.4170917,0.00080518477,0.30836216,0.0089733945,0.000025165684,0.00012127547,0.00006642553,0.26204324],"genre_scores_gemma":[0.15403482,0.16902219,0.0014021016,0.13035785,0.0078043174,0.00018509531,0.00016119656,0.00039341568,0.53663903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986511,0.0006045458,0.000046225683,0.00012808423,0.00038524065,0.00018490906],"domain_scores_gemma":[0.9986915,0.0008019607,0.000111573994,0.000055425782,0.00018262997,0.000157004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001713501,0.0007744462,0.0005236581,0.0018284356,0.0123307975,0.007315157,0.0015327234,0.0092656845,0.0217868],"category_scores_gemma":[0.0037872256,0.0006243766,0.0002853171,0.0026580782,0.014853444,0.009987902,0.0028935669,0.007744668,0.00434973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024772564,0.000010639946,0.000111609574,0.000086908025,0.0000032769135,0.00028481684,0.0107201515,0.00003301338,0.000077558994,0.14400989,0.82662773,0.018009549],"study_design_scores_gemma":[0.000006074483,0.000006073956,0.0004735678,0.00045927946,0.0000027416368,0.00020859124,0.007257282,0.000018343735,0.000093236544,0.020365497,0.9710994,0.000009927804],"about_ca_topic_score_codex":0.033706404,"about_ca_topic_score_gemma":0.096592575,"teacher_disagreement_score":0.033706404,"about_ca_system_score_codex":0.006581333,"about_ca_system_score_gemma":0.0052766493,"threshold_uncertainty_score":0.07288414},"labels":[],"label_agreement":null},{"id":"W2941323835","doi":"10.32855/fcapital.200702.004","title":"All the Rage: Digital Bodies and Deadly Play in the Age of the Suicide Bomber","year":2007,"lang":"en","type":"article","venue":"Fast Capitalism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Medical emergency; Medicine; Suicide prevention; Poison control; Psychology; Neuroscience","score_opus":0.01957582919958765,"score_gpt":0.23211732706888746,"score_spread":0.21254149786929982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941323835","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07635189,0.0705634,0.0021030267,0.5672528,0.016883427,0.00008495192,0.0002749394,0.00045397834,0.26603168],"genre_scores_gemma":[0.62790936,0.04561444,0.0012593853,0.17220291,0.007869661,0.00015952608,0.00022444817,0.0003837937,0.1443765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972154,0.0015641138,0.00007159248,0.00016506657,0.00041467126,0.00056913454],"domain_scores_gemma":[0.99504954,0.0018697708,0.00034388166,0.00032791615,0.0004402976,0.0019685985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031450654,0.0008531295,0.0005870717,0.001746994,0.019526737,0.022114208,0.0014892195,0.008261825,0.016751323],"category_scores_gemma":[0.011560547,0.000549999,0.000563057,0.00097534154,0.021108486,0.022535576,0.015173542,0.0128851645,0.0050829826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108716325,0.00008343324,0.0026556887,0.0002783297,0.000033836815,0.0021649874,0.4058572,0.000034853096,0.00022116644,0.084032446,0.421573,0.082956314],"study_design_scores_gemma":[0.000015135103,0.00004503429,0.00089878857,0.0005105945,0.000014238767,0.0014867539,0.23628697,0.00003657803,0.000088776644,0.01134767,0.74924463,0.000024818217],"about_ca_topic_score_codex":0.0049784817,"about_ca_topic_score_gemma":0.009474613,"teacher_disagreement_score":0.022114208,"about_ca_system_score_codex":0.0036600272,"about_ca_system_score_gemma":0.0033631634,"threshold_uncertainty_score":0.056038737},"labels":[],"label_agreement":null},{"id":"W2942777375","doi":"10.3138/cras.2018.016","title":"Mourning in the Age of Terror: Revisiting Don DeLillo’s Elusive 9/11 Novel <i>Falling Man</i>","year":2019,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"World trade center; Falling (accident); Terrorism; History; Literature; Psychoanalysis; Art history; Art; Philosophy; Psychology","score_opus":0.03556633819096359,"score_gpt":0.2745313490776485,"score_spread":0.2389650108866849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2942777375","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13656779,0.049847234,0.001785869,0.2505675,0.009438721,0.000040785406,0.00007725912,0.000064998305,0.5516099],"genre_scores_gemma":[0.93246025,0.011570213,0.0004257556,0.019563325,0.0019758288,0.00004264527,0.000025201465,0.00010169401,0.03383512],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968837,0.0019371083,0.00004688555,0.00023641202,0.00046793956,0.0004278138],"domain_scores_gemma":[0.99674207,0.001970054,0.0002941819,0.00013726836,0.0005226355,0.00033373284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037462339,0.00046474038,0.00042983246,0.0019640734,0.017205164,0.011062135,0.0017484615,0.0032398615,0.0035137564],"category_scores_gemma":[0.004805258,0.0002585193,0.00019439637,0.0012792642,0.04157263,0.0047479975,0.0040715896,0.007213984,0.0005257013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041931893,0.000039522958,0.00069593784,0.0001858054,0.0000067273754,0.00063367403,0.38116473,0.000055960056,0.00018702532,0.5295374,0.07411853,0.013332713],"study_design_scores_gemma":[0.000008415814,0.000014799415,0.00087288744,0.00045490972,0.000006025155,0.00027199672,0.21901853,0.00004301722,0.00018322942,0.012173383,0.76693296,0.000019726127],"about_ca_topic_score_codex":0.06303931,"about_ca_topic_score_gemma":0.16683123,"teacher_disagreement_score":0.06303931,"about_ca_system_score_codex":0.015427876,"about_ca_system_score_gemma":0.008069985,"threshold_uncertainty_score":0.12534475},"labels":[],"label_agreement":null},{"id":"W2943504483","doi":"10.15353/cjds.v8i2.494","title":"Authentic Representation and Author Identity: Exploring Mental Illness in The Hobbit Fanfiction","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fandom; Mental illness; Context (archaeology); Identity (music); Representation (politics); Psychology; Mental health; Sociology; Politics; Psychoanalysis; Aesthetics; Social psychology; Media studies; Psychiatry; Art; History; Law","score_opus":0.1245585903086594,"score_gpt":0.312109241197028,"score_spread":0.1875506508883686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943504483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7351087,0.0050736424,0.010650584,0.018549519,0.0015568763,0.00007862982,0.000052757954,0.00006766301,0.22886169],"genre_scores_gemma":[0.992434,0.0005353682,0.0005931524,0.000699813,0.0001891509,0.000024410097,0.000014185235,0.000033223354,0.005476529],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99293846,0.00519601,0.000108059074,0.00036404663,0.00089867535,0.00049477955],"domain_scores_gemma":[0.98048407,0.014806101,0.0015869493,0.0010546081,0.0011610596,0.0009071908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008179082,0.000877679,0.0005196453,0.0034056571,0.014501473,0.013993604,0.0014469444,0.003067484,0.0035629072],"category_scores_gemma":[0.01841785,0.00027445544,0.00033349523,0.0013483404,0.03879155,0.0068421797,0.008251888,0.004411487,0.00031256038],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029124847,0.000026701546,0.001275019,0.00007091042,0.000004785945,0.00056101586,0.93405783,0.00003475425,0.00027372854,0.056475453,0.0015827665,0.005607979],"study_design_scores_gemma":[0.000018565726,0.00009325277,0.0036188108,0.000655382,0.00001839581,0.0019133571,0.8278949,0.0003889015,0.000984225,0.025303343,0.13907453,0.000036314414],"about_ca_topic_score_codex":0.00306557,"about_ca_topic_score_gemma":0.003723058,"teacher_disagreement_score":0.014501473,"about_ca_system_score_codex":0.005098144,"about_ca_system_score_gemma":0.0019268079,"threshold_uncertainty_score":0.043255627},"labels":[],"label_agreement":null},{"id":"W2943787307","doi":"10.15353/cjds.v8i2.498","title":"Normalizing Disability: Tagging and Disability Identity Construction through Marvel Cinematic Universe Fanfiction","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Identity (music); Reading disability; Disability studies; Psychology; Intellectual disability; Medicalization; Plot (graphics); Sociology; Reading (process); Gender studies; Linguistics; Aesthetics; Political science; Art; Dyslexia; Philosophy; Psychiatry; Law","score_opus":0.039188622447694055,"score_gpt":0.2634722382164475,"score_spread":0.22428361576875344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943787307","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33651724,0.0052278717,0.033306506,0.018511532,0.0015903987,0.000111810456,0.00013190156,0.00029264324,0.60431004],"genre_scores_gemma":[0.9793635,0.0006477856,0.00236096,0.0005608529,0.00016565772,0.000039628012,0.000034284523,0.000092939736,0.016734317],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.996644,0.0023164167,0.000055272816,0.00024483592,0.00040461315,0.0003348486],"domain_scores_gemma":[0.99514127,0.003018881,0.0003609055,0.0004753476,0.0005291269,0.00047459116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048372704,0.0007374103,0.00040455762,0.0041126194,0.012302576,0.009664925,0.0010685332,0.0017288974,0.005196463],"category_scores_gemma":[0.009282438,0.00019988496,0.00025275024,0.001317242,0.028724307,0.0075226193,0.0067960927,0.0026820211,0.00043751308],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024354662,0.000012238949,0.0010582603,0.00006745921,0.0000028917864,0.0003562028,0.6167378,0.000063397994,0.000439891,0.36269093,0.004631772,0.013914844],"study_design_scores_gemma":[0.000013674791,0.000052324736,0.003481521,0.0007527041,0.000018024304,0.0012989552,0.4115795,0.0007032,0.0011882248,0.078353874,0.50251734,0.000040738847],"about_ca_topic_score_codex":0.0071951402,"about_ca_topic_score_gemma":0.010329694,"teacher_disagreement_score":0.012302576,"about_ca_system_score_codex":0.0061569093,"about_ca_system_score_gemma":0.0019633735,"threshold_uncertainty_score":0.044671714},"labels":[],"label_agreement":null},{"id":"W2944681538","doi":"10.7202/1058067ar","title":"Slippery and Plural: Collaborative Writing in Daphne Marlatt and Betsy Warland’s “Subject to Change” and “Reading and Writing Between the Lines”","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Mount Allison University","funders":"","keywords":"Plural; Subject (documents); Reading (process); Literature; Linguistics; Art; Computer science; Philosophy; World Wide Web","score_opus":0.04067776356951334,"score_gpt":0.2824677399420978,"score_spread":0.24178997637258445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944681538","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12735043,0.027674073,0.008886134,0.30281076,0.004110486,0.00012257509,0.000106066946,0.00014220693,0.52879727],"genre_scores_gemma":[0.95117456,0.002863547,0.002056691,0.007567067,0.000393021,0.00006145508,0.000027271515,0.00011696209,0.035739508],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98299706,0.00950426,0.00052408274,0.0016066093,0.0038475627,0.0015204096],"domain_scores_gemma":[0.9801962,0.012599314,0.001505703,0.0013150345,0.0026044787,0.0017793232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012186909,0.00076899247,0.00059991656,0.0027308993,0.03910316,0.01828059,0.0028274485,0.00762112,0.0034492381],"category_scores_gemma":[0.026955532,0.00040165175,0.00037167265,0.0036784755,0.0871184,0.010733543,0.012016778,0.009581501,0.00044467402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016849068,0.000015580032,0.00025044454,0.000048042126,0.0000040325694,0.00036850336,0.6170568,0.000055833414,0.000121509205,0.35734445,0.016612394,0.008105556],"study_design_scores_gemma":[0.000026093121,0.000016415812,0.001452907,0.0004890972,0.00001584174,0.0005409212,0.40109342,0.00016398406,0.00041600034,0.098360494,0.49737072,0.00005413183],"about_ca_topic_score_codex":0.4162001,"about_ca_topic_score_gemma":0.54354894,"teacher_disagreement_score":0.5837999,"about_ca_system_score_codex":0.04036132,"about_ca_system_score_gemma":0.037454497,"threshold_uncertainty_score":0.82755506},"labels":[],"label_agreement":null},{"id":"W2944748119","doi":"10.11575/prism/36502","title":"Writing on the Walls: Reimagining Eugène Ionesco’s Rhinoceros","year":2019,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhinoceros; Art; Literature; Genealogy; Art history; History; Biology; Zoology","score_opus":0.07366178382867723,"score_gpt":0.3009862171021111,"score_spread":0.22732443327343388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944748119","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26702523,0.013607929,0.006398208,0.061008528,0.014320038,0.00018968848,0.00008945487,0.00023460377,0.63712627],"genre_scores_gemma":[0.81379384,0.003790293,0.002373559,0.0073973974,0.0011203176,0.00008308571,0.000048578688,0.0005205178,0.17087245],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99366534,0.0036440126,0.0001246144,0.0006684561,0.0011717458,0.0007258562],"domain_scores_gemma":[0.9972222,0.0013809473,0.00021668765,0.00033932313,0.00037893906,0.00046180084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0061739055,0.0011387147,0.00070587866,0.0015905397,0.019057361,0.016410396,0.0017281364,0.003375648,0.0060055875],"category_scores_gemma":[0.009361523,0.00036382882,0.00040384903,0.001133941,0.027995424,0.005388285,0.010012937,0.008046654,0.0012603182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060711514,0.000035121782,0.0006592357,0.00014275311,0.000012934032,0.0023630338,0.7860155,0.00029603415,0.00084679434,0.13260742,0.05106631,0.025894161],"study_design_scores_gemma":[0.0000055270298,0.00003153572,0.00050695986,0.0004244694,0.000005660901,0.00059061433,0.3163513,0.00009367235,0.0004600029,0.0051181773,0.6763873,0.000024804802],"about_ca_topic_score_codex":0.009471431,"about_ca_topic_score_gemma":0.026901886,"teacher_disagreement_score":0.019057361,"about_ca_system_score_codex":0.008965549,"about_ca_system_score_gemma":0.0043593966,"threshold_uncertainty_score":0.06504995},"labels":[],"label_agreement":null},{"id":"W2945637036","doi":"10.3917/rfea.159.0010","title":"Miroirs de lecture dans A Collapse of Horses de Brian Evenson","year":2019,"lang":"fr","type":"article","venue":"Revue française d’études américaines","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Praise; Modality (human–computer interaction); Reading (process); Meditation; Existentialism; Philosophy; Dimension (graph theory); Literature; Linguistics; Art; Epistemology; Computer science; Theology; Mathematics","score_opus":0.010396633099792524,"score_gpt":0.21785583216839463,"score_spread":0.2074591990686021,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945637036","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029114762,0.08727887,0.0026957996,0.6184717,0.043857753,0.000022080354,0.00006994759,0.00020638439,0.21828274],"genre_scores_gemma":[0.5888176,0.023817286,0.0015542826,0.047241185,0.013838348,0.000056999652,0.000038741742,0.0005212161,0.32411438],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735874,0.001610598,0.000044788645,0.0002188852,0.0004953903,0.0002715091],"domain_scores_gemma":[0.9982835,0.0009384468,0.00011514577,0.00006423997,0.0003162708,0.00028237273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002281547,0.0004693054,0.00041122903,0.000609347,0.0061160387,0.004704915,0.00058835413,0.0017204988,0.0045385547],"category_scores_gemma":[0.005484414,0.00023279357,0.00022461567,0.00031885016,0.0070725763,0.0026801722,0.0020456014,0.008288344,0.0013710303],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015157025,0.000056305384,0.00062681636,0.00014795539,0.0000133190715,0.0017888686,0.06853841,0.00016877307,0.00085787236,0.3790636,0.5236281,0.02495837],"study_design_scores_gemma":[0.0000061705537,0.000013471534,0.0003394004,0.00013767515,0.0000028590573,0.0004102578,0.009092303,0.00008493818,0.00028514766,0.013509947,0.97610486,0.000012908436],"about_ca_topic_score_codex":0.012694015,"about_ca_topic_score_gemma":0.020038249,"teacher_disagreement_score":0.012694015,"about_ca_system_score_codex":0.00342087,"about_ca_system_score_gemma":0.0017976221,"threshold_uncertainty_score":0.025240242},"labels":[],"label_agreement":null},{"id":"W2946177761","doi":"10.1080/0013838x.2019.1601417","title":"Gothic Misdirections: Troubling the Trauma Fiction Paradigm in Pat Barker’s<i>Double Vision</i>","year":2019,"lang":"en","type":"article","venue":"English Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Interrogation; Cliché; Subject matter; Psychoanalysis; Impulse (physics); Literature; Subject (documents); Aesthetics; Art; History; Psychology","score_opus":0.03637680041023259,"score_gpt":0.2720342788872672,"score_spread":0.23565747847703464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946177761","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08200631,0.023066565,0.02925641,0.4548297,0.0052646636,0.00007532984,0.00004859547,0.00021334813,0.40523914],"genre_scores_gemma":[0.9165749,0.004461445,0.006030198,0.03834442,0.0021688256,0.00012023699,0.000019775283,0.00026560342,0.032014616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99076766,0.007076406,0.00014885938,0.00047998098,0.0011544129,0.00037267213],"domain_scores_gemma":[0.9890898,0.008305108,0.00079680374,0.0006294901,0.0008085192,0.00037029592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0072195698,0.00082213443,0.000559564,0.0031704756,0.015711471,0.013396063,0.0016973078,0.0073767495,0.0032409534],"category_scores_gemma":[0.014311447,0.00040242175,0.00046509842,0.0017531744,0.07014818,0.012216818,0.0089511685,0.013211727,0.0006153226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012423272,0.00001173872,0.00014303633,0.000081474005,0.0000050920135,0.00044351813,0.189328,0.00010240242,0.00013784942,0.7895167,0.014555964,0.005661766],"study_design_scores_gemma":[0.000019330826,0.000035734793,0.0003079887,0.0006725302,0.00001615852,0.0014351648,0.14856727,0.00044977356,0.000774982,0.39547858,0.45220563,0.00003677387],"about_ca_topic_score_codex":0.0029157235,"about_ca_topic_score_gemma":0.004486985,"teacher_disagreement_score":0.015711471,"about_ca_system_score_codex":0.00570051,"about_ca_system_score_gemma":0.0022283378,"threshold_uncertainty_score":0.04136032},"labels":[],"label_agreement":null},{"id":"W2946709684","doi":"10.25145/j.recaesin.2019.78.08","title":"More or Less Human: Resilience, Vulnerability, and Love in Neoliberal Times","year":2019,"lang":"en","type":"article","venue":"Revista Canaria de Estudios Ingleses","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Mount Royal University","funders":"","keywords":"Globality; Vulnerability (computing); Argument (complex analysis); Normative; Context (archaeology); Sociology; Order (exchange); Corporate governance; Epistemology; Environmental ethics; Political science; Globalization; History; Philosophy; Law; Economics","score_opus":0.027570194884726014,"score_gpt":0.2726852035730422,"score_spread":0.2451150086883162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946709684","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3984034,0.010172199,0.0051115383,0.061711043,0.00033148492,0.000020987483,0.00003457563,0.000035898833,0.52417886],"genre_scores_gemma":[0.99488175,0.00065423036,0.00012736529,0.0006531827,0.000038856597,0.000005111713,0.0000030702836,0.0000075311714,0.003628855],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770457,0.0012737786,0.000036557052,0.00021633976,0.00035321852,0.00041554606],"domain_scores_gemma":[0.9984257,0.0007416747,0.00019601315,0.00022133089,0.00011991531,0.00029525632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033365774,0.0002816525,0.0003791358,0.001366492,0.011760406,0.0090410095,0.000765332,0.0022991411,0.0029297473],"category_scores_gemma":[0.003324323,0.00013443502,0.00019769445,0.001214859,0.09986443,0.007642257,0.007510851,0.0029703234,0.00016319824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013860141,0.000008581673,0.00079511834,0.000022103288,0.000003490607,0.00017432617,0.13728681,0.00012975198,0.00007138071,0.85636854,0.0009396831,0.004186311],"study_design_scores_gemma":[0.000010143167,0.00002801657,0.0042323535,0.00028818427,0.000008641707,0.00051578175,0.23197722,0.00034773626,0.00028306883,0.6226559,0.13962124,0.000031741485],"about_ca_topic_score_codex":0.01756763,"about_ca_topic_score_gemma":0.022948748,"teacher_disagreement_score":0.01756763,"about_ca_system_score_codex":0.0112081235,"about_ca_system_score_gemma":0.003219271,"threshold_uncertainty_score":0.08132094},"labels":[],"label_agreement":null},{"id":"W2950908216","doi":"","title":"Masculinity in Collapse: Shell Shock in Virginia Woolf’s \"Mrs. Dalloway\" and Rebecca West’s \"The Return of the Soldier\"","year":2018,"lang":"en","type":"article","venue":"The albatross","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature; Humanities; Art history","score_opus":0.01599448302056406,"score_gpt":0.2266683674113156,"score_spread":0.21067388439075155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950908216","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16717657,0.018559186,0.0007037718,0.56706464,0.006105825,0.000029319544,0.000036978465,0.000055166474,0.24026847],"genre_scores_gemma":[0.8331341,0.004963603,0.00016851064,0.087260254,0.0017127502,0.00002726607,0.00001207414,0.00010616811,0.07261535],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9970464,0.0014557418,0.00006434394,0.00022085446,0.00052898494,0.0006837176],"domain_scores_gemma":[0.9970836,0.0014129168,0.00024520146,0.00008989095,0.00059602625,0.00057245593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003472964,0.0004705839,0.00047152326,0.0010034665,0.046093177,0.008297356,0.0016026275,0.0066418583,0.003991266],"category_scores_gemma":[0.00742838,0.00031317753,0.00028336365,0.00088114844,0.03157189,0.0031756277,0.0059515852,0.014012037,0.00042496502],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045022825,0.000037383088,0.0015360238,0.00006873298,0.000016754346,0.0015953038,0.58768696,0.00009623877,0.0002786323,0.15619145,0.23733717,0.015110337],"study_design_scores_gemma":[0.000008485973,0.000028776809,0.0044731996,0.00039812562,0.000012833261,0.00053936813,0.524063,0.000076551325,0.00032848088,0.010447838,0.45957267,0.000050636823],"about_ca_topic_score_codex":0.25412217,"about_ca_topic_score_gemma":0.4732012,"teacher_disagreement_score":0.25412217,"about_ca_system_score_codex":0.014004765,"about_ca_system_score_gemma":0.010920246,"threshold_uncertainty_score":0.50528604},"labels":[],"label_agreement":null},{"id":"W2951642437","doi":"10.7202/1069870ar","title":"The “sick imagination” of Godwin’s Fleetwood","year":2020,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Face (sociological concept); Narrative; Wife; Aesthetics; Consciousness; Sociology; Psychoanalysis; Literature; Philosophy; Psychology; Art; Epistemology; Theology; Social science","score_opus":0.022550838602432934,"score_gpt":0.20241705242403493,"score_spread":0.179866213821602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2951642437","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21438274,0.018274039,0.018150557,0.15856384,0.004675676,0.00004095234,0.000046035264,0.0001329843,0.58573323],"genre_scores_gemma":[0.9211983,0.001844403,0.0016760178,0.0062794923,0.00037574075,0.000018351537,0.000008450056,0.00008454921,0.06851456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986444,0.0007488868,0.000020750835,0.0001708843,0.0002696131,0.00014543344],"domain_scores_gemma":[0.9988644,0.0005486619,0.00013480274,0.00011036362,0.0001217038,0.00022003836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019000057,0.00033270544,0.00025577465,0.00055931765,0.007996073,0.005237907,0.00054624135,0.0014946643,0.0029094492],"category_scores_gemma":[0.004666939,0.00021909144,0.00016633338,0.0003413466,0.025963224,0.0054602893,0.0035270501,0.004630204,0.0003471422],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003905652,0.000014146735,0.00038706983,0.000054626133,0.000005807963,0.0004997718,0.13286582,0.000066894616,0.00044003123,0.80610496,0.04363078,0.01589103],"study_design_scores_gemma":[0.000009978653,0.00004728586,0.00068465434,0.00023107404,0.0000055798328,0.0012837214,0.08338209,0.00019082463,0.0006745845,0.13975887,0.77370167,0.000029645871],"about_ca_topic_score_codex":0.0066462606,"about_ca_topic_score_gemma":0.014069884,"teacher_disagreement_score":0.007996073,"about_ca_system_score_codex":0.002541747,"about_ca_system_score_gemma":0.0016438813,"threshold_uncertainty_score":0.018441796},"labels":[],"label_agreement":null},{"id":"W2953997235","doi":"","title":"\"War Widow\"; \"Telling the Time by Salvador Dali's Melting Watch\"; and \"Rowan Tree\"","year":2015,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rowan; Tree (set theory); History; Ancient history; Mathematics; Biology; Combinatorics; Botany","score_opus":0.03408517985811479,"score_gpt":0.2421690269094531,"score_spread":0.2080838470513383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953997235","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011986977,0.116163485,0.0003265891,0.42019764,0.012314112,0.000051438503,0.00013476395,0.00007908376,0.43874592],"genre_scores_gemma":[0.2834593,0.08171359,0.00062168296,0.21251573,0.005103197,0.0001729281,0.000112269205,0.00016097871,0.4161404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985964,0.0004950975,0.000040905223,0.0001720226,0.00031894428,0.00037659067],"domain_scores_gemma":[0.99886584,0.0005173901,0.00013138658,0.000060014954,0.00018218934,0.00024320318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019608822,0.0007130298,0.00045901374,0.0014482395,0.024816973,0.00983584,0.0018592151,0.005778997,0.01529914],"category_scores_gemma":[0.0038256499,0.00026520173,0.00025808712,0.0021071376,0.020852365,0.0038531758,0.0054602143,0.0087798145,0.0012376934],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003311769,0.000022072523,0.00060851587,0.0005588504,0.000009886272,0.00024443664,0.05015916,0.000047643247,0.00011736315,0.39873272,0.52608585,0.02338048],"study_design_scores_gemma":[0.000005861831,0.000009550037,0.0018642496,0.00061235816,0.000010012839,0.00006639181,0.044079106,0.000017607,0.00010373266,0.005536507,0.94767547,0.000019124542],"about_ca_topic_score_codex":0.31133905,"about_ca_topic_score_gemma":0.57783633,"teacher_disagreement_score":0.31133905,"about_ca_system_score_codex":0.012833398,"about_ca_system_score_gemma":0.022254685,"threshold_uncertainty_score":0.6190537},"labels":[],"label_agreement":null},{"id":"W2962938214","doi":"10.3968/11086","title":"Bronte, Trollope and Collins’ Heroine Characterizations and Their Views on Victorian Women","year":2019,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conformity; Extension (predicate logic); Literature; White (mutation); Focus (optics); Psychology; Art; Social psychology; Computer science","score_opus":0.020684109376081693,"score_gpt":0.25883993562713636,"score_spread":0.23815582625105466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962938214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26386395,0.022284761,0.0061785486,0.11772654,0.0010106338,0.000053611908,0.000085893626,0.000050538187,0.58874553],"genre_scores_gemma":[0.95166063,0.0033452797,0.00065469474,0.005093298,0.0001541188,0.00004488082,0.000014036269,0.000056275177,0.0389767],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9958312,0.0026506179,0.00009440593,0.00026306402,0.00070543546,0.00045535088],"domain_scores_gemma":[0.995652,0.0025430692,0.00060845015,0.00019385056,0.0005135561,0.000489062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030464402,0.0003635161,0.00031426654,0.0020950832,0.01091851,0.009124563,0.00090076076,0.003088125,0.0027244268],"category_scores_gemma":[0.0068722763,0.00031793013,0.00018892963,0.001589922,0.03001409,0.00565256,0.003602441,0.004038058,0.00035393765],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002859901,0.000013200026,0.0011526034,0.00009609732,0.000005907466,0.00029565784,0.6146495,0.00006196864,0.0003244134,0.36811343,0.009527241,0.0057314984],"study_design_scores_gemma":[0.000009379695,0.00002736639,0.0037954673,0.0005668661,0.0000105026575,0.0007336681,0.45624408,0.00018167164,0.00050364656,0.044494957,0.4933831,0.0000493511],"about_ca_topic_score_codex":0.044195596,"about_ca_topic_score_gemma":0.08216069,"teacher_disagreement_score":0.044195596,"about_ca_system_score_codex":0.008974175,"about_ca_system_score_gemma":0.0037000566,"threshold_uncertainty_score":0.08787668},"labels":[],"label_agreement":null},{"id":"W2966386049","doi":"10.33524/cjar.v19i2.382","title":"…AND LOSE THE NAME OF ACTION","year":2018,"lang":"en","type":"article","venue":"The Canadian Journal of Action Research","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Adventure; Action (physics); Wife; Visual arts; Literature; Anime; Art; History; Media studies; Psychology; Advertising; Sociology; Art history; Law; Philosophy; Linguistics; Political science; Physics","score_opus":0.29730961122195515,"score_gpt":0.392179443306682,"score_spread":0.09486983208472682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966386049","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015561553,0.005388371,0.008599666,0.12709081,0.0064167785,0.000076862816,0.00009431468,0.0004044378,0.83636725],"genre_scores_gemma":[0.54970795,0.0022413249,0.0024451762,0.040642392,0.0011999693,0.00013638083,0.00007516016,0.0004245375,0.4031271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99319977,0.0030696143,0.00013463746,0.000856564,0.0017903587,0.0009490965],"domain_scores_gemma":[0.997359,0.00056993245,0.0002598613,0.00042539346,0.00081549917,0.0005702282],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038543527,0.0007764199,0.0005709303,0.0010384382,0.012579599,0.008459195,0.001232695,0.004155993,0.014090562],"category_scores_gemma":[0.0068925945,0.00034526916,0.0004910373,0.000617912,0.045503013,0.009331036,0.006505261,0.009746776,0.0053374735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037020534,0.000022657601,0.00046479786,0.00007591478,0.000009865869,0.00027482255,0.1271938,0.00003792054,0.00037015963,0.7610138,0.09299268,0.017506618],"study_design_scores_gemma":[0.000008373527,0.000022422826,0.0003767266,0.00015746585,0.0000066941907,0.00031038446,0.044466503,0.00007012365,0.00015626458,0.04510095,0.90930593,0.000018234428],"about_ca_topic_score_codex":0.019903788,"about_ca_topic_score_gemma":0.019016096,"teacher_disagreement_score":0.019903788,"about_ca_system_score_codex":0.0066021574,"about_ca_system_score_gemma":0.0040300083,"threshold_uncertainty_score":0.047902226},"labels":[],"label_agreement":null},{"id":"W2967598258","doi":"10.3138/md.62.3.0998","title":"“We Are a Musical Nation”: <i>Under Milk Wood</i> and the BBC Third Programme","year":2019,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Welsh; Musical; Framing (construction); Embodied cognition; Art; Active listening; Sociology; Visual arts; Media studies; History; Philosophy; Communication","score_opus":0.027344993986500067,"score_gpt":0.21334521630312148,"score_spread":0.18600022231662142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2967598258","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20328544,0.0062650377,0.0036235193,0.06396638,0.0025168369,0.000050064733,0.000049761187,0.0001283159,0.72011465],"genre_scores_gemma":[0.84751993,0.0014340617,0.00083078217,0.007549342,0.00035471827,0.00004056072,0.000029318395,0.00016213849,0.14207919],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845517,0.00068528857,0.0000150253,0.00009713881,0.00023594726,0.00051144225],"domain_scores_gemma":[0.9993568,0.00017011954,0.000046050944,0.0000340604,0.000072542185,0.00032041594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010778655,0.00034768705,0.00016617723,0.0004958941,0.015355058,0.009725283,0.0007101677,0.0019229183,0.008529825],"category_scores_gemma":[0.0018114272,0.00017245839,0.00019612261,0.00044435877,0.01443987,0.002994712,0.004719032,0.004724968,0.0012902631],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013005728,0.00007359443,0.0014537254,0.00010188238,0.000009659705,0.0008058595,0.3899995,0.00016904497,0.0015036785,0.44248754,0.12349607,0.03976933],"study_design_scores_gemma":[0.000007378819,0.000043230673,0.0015003831,0.00014355168,0.000006330596,0.0002557687,0.1967888,0.000101758524,0.0007251125,0.0101470575,0.79025793,0.000022583212],"about_ca_topic_score_codex":0.03466983,"about_ca_topic_score_gemma":0.06080203,"teacher_disagreement_score":0.03466983,"about_ca_system_score_codex":0.005731855,"about_ca_system_score_gemma":0.0031471082,"threshold_uncertainty_score":0.06893605},"labels":[],"label_agreement":null},{"id":"W2970232376","doi":"10.15353/kinema.vi.968","title":"Identical Twins x 3","year":2001,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Illusion; Movie theater; Object (grammar); Gesture; Vision; Perception; Identity (music); Aesthetics; Optical illusion; Art; Psychology; Visual arts; Communication; Sociology; Computer science; Cognitive psychology; Artificial intelligence","score_opus":0.04269171072864106,"score_gpt":0.2886930141534821,"score_spread":0.24600130342484103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970232376","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050746404,0.0006682417,0.00717261,0.0047425083,0.004993907,0.0008435026,0.006292778,0.0011058538,0.9234344],"genre_scores_gemma":[0.06662992,0.00038311392,0.0048199897,0.002049275,0.00017312868,0.00030568635,0.0023333812,0.00037580653,0.9229297],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933916,0.00012324417,0.000048614696,0.0001727253,0.00014716352,0.00016917542],"domain_scores_gemma":[0.9994548,0.000045360808,0.000040629187,0.00012636038,0.00015646534,0.00017639848],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00062706316,0.0007211022,0.0007402164,0.0008549967,0.0030338056,0.0024072556,0.0009785006,0.0013043365,0.566485],"category_scores_gemma":[0.002348938,0.000442501,0.00064035173,0.0008123383,0.00079406006,0.0015273112,0.00419989,0.0016012508,0.21548454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011855261,0.0006668229,0.009813007,0.00032290223,0.00007922453,0.004759966,0.0034328606,0.00012989086,0.0054031126,0.12940213,0.44561812,0.39918643],"study_design_scores_gemma":[0.00006841124,0.00025915273,0.005023103,0.0001153375,0.00003055277,0.0034656385,0.0019861993,0.00009510522,0.00068004784,0.00824271,0.9800076,0.000026232847],"about_ca_topic_score_codex":0.0027470107,"about_ca_topic_score_gemma":0.0031477846,"teacher_disagreement_score":0.566485,"about_ca_system_score_codex":0.0006361494,"about_ca_system_score_gemma":0.0007675802,"threshold_uncertainty_score":0.6183565},"labels":[],"label_agreement":null},{"id":"W2970240636","doi":"10.15353/kinema.vi.981","title":"The Films of Atom Egoyan","year":2002,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Set (abstract data type); Atom (system on chip); Aesthetics; Sociology; Welfare; Political science; Law; Art; Literature; Engineering; Computer science","score_opus":0.0393841642793959,"score_gpt":0.2529271773912967,"score_spread":0.21354301311190083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970240636","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34460294,0.0062297443,0.00056295784,0.016915608,0.0017818126,0.000041381154,0.00022973193,0.00004652604,0.62958926],"genre_scores_gemma":[0.9277764,0.002335991,0.00029182623,0.0010443745,0.00016585362,0.000015171001,0.000056898887,0.00004652507,0.06826693],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922395,0.0003152263,0.00001671553,0.00005906602,0.00015512852,0.00022999983],"domain_scores_gemma":[0.9996481,0.00010978272,0.000036115907,0.000022493246,0.00009538133,0.00008821373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006535299,0.00028307957,0.00025748493,0.0005376355,0.012349063,0.004014949,0.00037997725,0.0008500038,0.004816964],"category_scores_gemma":[0.0014182121,0.00017516305,0.00011140105,0.00084372296,0.005127413,0.0013513486,0.0023816344,0.0023733433,0.00042631858],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034761115,0.000065652835,0.003319959,0.00026764584,0.000017629385,0.0025017394,0.5723777,0.00021345007,0.003747992,0.29519698,0.10002247,0.021921197],"study_design_scores_gemma":[0.000008329038,0.000020537525,0.0058961157,0.00019434965,0.000011926996,0.00046416986,0.15333076,0.00008624394,0.00087298977,0.0032938216,0.83579594,0.000024899326],"about_ca_topic_score_codex":0.11030455,"about_ca_topic_score_gemma":0.2260312,"teacher_disagreement_score":0.11030455,"about_ca_system_score_codex":0.0071014836,"about_ca_system_score_gemma":0.0023264606,"threshold_uncertainty_score":0.219325},"labels":[],"label_agreement":null},{"id":"W2971376454","doi":"10.31542/j.muse.305","title":"The Analogous Writer: Literary Evolution in Modernist Virginia Woolf","year":2016,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Character (mathematics); Literature; Feeling; History of literature; Art; Fiction writing; Philosophy; History; Epistemology","score_opus":0.009132080545509944,"score_gpt":0.2016960298917548,"score_spread":0.19256394934624488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971376454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21271011,0.016883444,0.0019056392,0.109820515,0.003847256,0.00003345885,0.00006564759,0.00011281061,0.6546211],"genre_scores_gemma":[0.83004606,0.0018805537,0.0005413423,0.0064490936,0.00094097754,0.000019763624,0.000017285649,0.00010996363,0.15999493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99796164,0.0009145743,0.000041272124,0.0003599891,0.00033424763,0.0003881873],"domain_scores_gemma":[0.99751747,0.0011141669,0.0002598193,0.0001642106,0.00053256686,0.00041170727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021169106,0.00018720547,0.00029288963,0.0017432601,0.019882275,0.008857945,0.00083029264,0.0027136055,0.005999079],"category_scores_gemma":[0.006459669,0.00022896686,0.00014147218,0.0012056326,0.012907211,0.0039682193,0.003643393,0.0044558994,0.0006185872],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007981921,0.00005424304,0.0019904762,0.000045611487,0.000006707732,0.0012631476,0.3128966,0.00007099133,0.0004206179,0.5589216,0.09315859,0.031091636],"study_design_scores_gemma":[0.0000078044495,0.00002104025,0.0018881622,0.00014606555,0.0000034095608,0.00048591636,0.031709533,0.00009084349,0.00028943963,0.017991828,0.9473421,0.000024013301],"about_ca_topic_score_codex":0.033875614,"about_ca_topic_score_gemma":0.052835792,"teacher_disagreement_score":0.033875614,"about_ca_system_score_codex":0.00932463,"about_ca_system_score_gemma":0.0037961071,"threshold_uncertainty_score":0.067655206},"labels":[],"label_agreement":null},{"id":"W2971491759","doi":"10.1007/978-3-030-26728-5_1","title":"Introduction: The Gothic in Contemporary British Trauma Fiction","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Atonement; Narrative; Psychoanalytic theory; Subject (documents); Literature; Psychoanalysis; History; Art; Aesthetics; Philosophy; Psychology; Theology","score_opus":0.038770802732584334,"score_gpt":0.2096908233706377,"score_spread":0.1709200206380534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971491759","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005968523,0.070261806,0.000876397,0.018204687,0.012825905,0.000042203315,0.00038338726,0.00009906394,0.89133805],"genre_scores_gemma":[0.08536203,0.031850826,0.0006323611,0.004909506,0.004093839,0.000042058316,0.00035324667,0.00027284876,0.87248325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966824,0.000108351,0.000016201742,0.000036881524,0.000102792466,0.00006751544],"domain_scores_gemma":[0.99955195,0.00024812223,0.000020196227,0.00002024042,0.00010874966,0.00005078358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038052446,0.000559584,0.00042621396,0.0024185968,0.005581852,0.0047467784,0.0005862656,0.001679726,0.050412405],"category_scores_gemma":[0.000897094,0.00020365094,0.00017868365,0.0031440014,0.0039669396,0.0018900495,0.001692529,0.0026719347,0.007881471],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045970566,0.000021439038,0.00019875796,0.00094344246,0.0000048164034,0.0004110929,0.03887837,0.00013796649,0.00045316142,0.21805555,0.66266036,0.07818913],"study_design_scores_gemma":[0.0000010397339,0.0000047692665,0.00040866787,0.00030908588,0.00000174861,0.00018775204,0.0032907985,0.000013092832,0.00007197824,0.0030373775,0.9926692,0.000004539686],"about_ca_topic_score_codex":0.029743968,"about_ca_topic_score_gemma":0.07935026,"teacher_disagreement_score":0.050412405,"about_ca_system_score_codex":0.0042574927,"about_ca_system_score_gemma":0.0019807243,"threshold_uncertainty_score":0.16864628},"labels":[],"label_agreement":null},{"id":"W2971556035","doi":"10.1007/978-3-030-26728-5_6","title":"Witness or Spectator? Gothic Interrogations of the Reader-Witness in Kazuo Ishiguro’s Never Let Me Go","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Witness; Narrative; Convention; Psychoanalysis; Art; Literature; Aesthetics; Psychology; Philosophy; Sociology; Linguistics; Social science","score_opus":0.0449813445249719,"score_gpt":0.23565498655759762,"score_spread":0.1906736420326257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971556035","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3484003,0.008785288,0.0067806365,0.07434518,0.0048999675,0.00009962708,0.00015506486,0.00016311275,0.5563708],"genre_scores_gemma":[0.9398837,0.0006354008,0.00055961416,0.0034987512,0.0002928414,0.00003363912,0.000027743954,0.00012331417,0.05494489],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99763644,0.001518905,0.000068658075,0.00019858121,0.00017989814,0.0003974684],"domain_scores_gemma":[0.9982741,0.0009838286,0.00014228754,0.00014574487,0.00017902564,0.00027498638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030919735,0.00083375257,0.0007708318,0.0010871068,0.02796304,0.008626478,0.001171197,0.005799078,0.005896928],"category_scores_gemma":[0.0068091825,0.0006232505,0.00042795303,0.0012352319,0.024941852,0.010279837,0.009164967,0.0087344535,0.0009439182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006479033,0.000017558816,0.00042043976,0.00007888641,0.000010690828,0.0011473885,0.8291436,0.00002551104,0.0005371476,0.15477858,0.010763391,0.0030120206],"study_design_scores_gemma":[0.000015054893,0.000041462263,0.0010934181,0.00027516746,0.000029719844,0.0006353783,0.72931266,0.000083590814,0.0008345695,0.029052528,0.2385837,0.00004278764],"about_ca_topic_score_codex":0.006270428,"about_ca_topic_score_gemma":0.02168251,"teacher_disagreement_score":0.02796304,"about_ca_system_score_codex":0.002821707,"about_ca_system_score_gemma":0.0019168485,"threshold_uncertainty_score":0.020473063},"labels":[],"label_agreement":null},{"id":"W2972100102","doi":"10.1007/978-3-030-26728-5_3","title":"Gothic Collisions: Regarding Trauma in Margaret Drabble’s The Gates of Ivory","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Narrative; Trope (literature); Mode (computer interface); Literature; Art; History","score_opus":0.03299775080826437,"score_gpt":0.21791364989691608,"score_spread":0.18491589908865172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972100102","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027842684,0.030405706,0.0019772444,0.28133222,0.012301421,0.00006814773,0.000047392106,0.000072254275,0.645953],"genre_scores_gemma":[0.48335057,0.009828974,0.001036058,0.11266957,0.002608766,0.00012030517,0.000023730196,0.00036199362,0.39000005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99527365,0.0023010818,0.000099882105,0.00039869145,0.0006109547,0.0013157903],"domain_scores_gemma":[0.997656,0.0013301081,0.00017622145,0.00014241427,0.0002739369,0.00042128062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034372185,0.0009569656,0.0008464508,0.0017418964,0.04544787,0.015216398,0.002682812,0.017687071,0.013291061],"category_scores_gemma":[0.009695635,0.00084433024,0.00053875765,0.001668609,0.054263856,0.008955505,0.018115507,0.024910452,0.0018803942],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022571794,0.000015019087,0.0001691124,0.00007363011,0.000007101724,0.00061937555,0.17077151,0.00008599681,0.00006123309,0.70043737,0.120001554,0.0077354675],"study_design_scores_gemma":[0.000009998384,0.00001852637,0.00023716173,0.000705262,0.000008556672,0.00054834876,0.13282087,0.000031590396,0.00013275407,0.059610758,0.8058411,0.000035071414],"about_ca_topic_score_codex":0.058515064,"about_ca_topic_score_gemma":0.13483049,"teacher_disagreement_score":0.058515064,"about_ca_system_score_codex":0.011326584,"about_ca_system_score_gemma":0.009308992,"threshold_uncertainty_score":0.11634898},"labels":[],"label_agreement":null},{"id":"W297812114","doi":"","title":"Trauma and Narration in David Cronenberg's Spider","year":2011,"lang":"en","type":"article","venue":"PSYART","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; The Symbolic; Psychic; Order (exchange); Representation (politics); Psychoanalysis; Aesthetics; Psychology; Epistemology; Philosophy; Linguistics; Law; Business; Political science","score_opus":0.060780800522072506,"score_gpt":0.22330449817977138,"score_spread":0.16252369765769886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W297812114","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14765547,0.035156753,0.00866056,0.15556283,0.007831128,0.00014085643,0.00019745724,0.00018073892,0.6446142],"genre_scores_gemma":[0.9171718,0.006747107,0.0020750538,0.011699967,0.0009708937,0.000064660875,0.00005607611,0.00015840081,0.06105603],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99672097,0.0021936642,0.000056659654,0.00020154215,0.00052097184,0.00030610472],"domain_scores_gemma":[0.99824846,0.0010157982,0.00016772542,0.00008117869,0.00018826987,0.00029867003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022500684,0.0006224313,0.00035223726,0.0019624617,0.011711142,0.009698931,0.0012953102,0.0043475823,0.0041894056],"category_scores_gemma":[0.00593867,0.00029621145,0.00022922808,0.0014087476,0.022274688,0.007234082,0.008162844,0.0050914492,0.000688466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003491644,0.000038446673,0.0006032278,0.00008456772,0.0000061518485,0.0019555534,0.32484508,0.00013969374,0.00020599473,0.6033004,0.060676843,0.008109197],"study_design_scores_gemma":[0.000014621876,0.000024572797,0.00044062771,0.00027482078,0.0000043722753,0.0021854104,0.13257231,0.00020440893,0.00029978275,0.06649888,0.7974521,0.000028205539],"about_ca_topic_score_codex":0.012142605,"about_ca_topic_score_gemma":0.020893516,"teacher_disagreement_score":0.012142605,"about_ca_system_score_codex":0.009124887,"about_ca_system_score_gemma":0.0032584793,"threshold_uncertainty_score":0.06620604},"labels":[],"label_agreement":null},{"id":"W2981752242","doi":"10.7202/019270ar","title":"Carolyn Lesjak. Working Fictions: A Genealogy of the Victorian Novel. Durham: Duke University Press, 2006. ISBN: 978-0-8223-3835-2. Price: $22.95.","year":2008,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Romance; Identity (music); History; Media studies; Art history; Romanticism; Sociology; Art; Philosophy; Literature; Aesthetics","score_opus":0.026901654807195162,"score_gpt":0.18895080974630046,"score_spread":0.1620491549391053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981752242","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009297901,0.7930783,0.00083254883,0.03456889,0.00440491,0.000036042835,0.0005623351,0.00015682461,0.1654304],"genre_scores_gemma":[0.027438862,0.37461725,0.0019950832,0.0063946196,0.0016497571,0.00007175539,0.0005970536,0.0006152716,0.5866204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992681,0.00017441374,0.000049221984,0.00010593176,0.00030697716,0.00009531899],"domain_scores_gemma":[0.9988481,0.00044163121,0.00012643756,0.000056014687,0.00030907665,0.00021866063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085367996,0.0010895794,0.0007333946,0.0035118253,0.003916302,0.0050700787,0.001386619,0.0025401989,0.06573049],"category_scores_gemma":[0.002414548,0.0007695382,0.000324602,0.0040659746,0.0032884094,0.007712827,0.0019084349,0.0030736187,0.026346184],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023775354,0.00000906194,0.000096323536,0.00046269695,0.0000045398783,0.00013129153,0.0035149243,0.000044852433,0.000095343246,0.014081269,0.91274655,0.06878952],"study_design_scores_gemma":[0.0000018896607,0.0000025394577,0.00039274205,0.00032733093,0.0000017127514,0.00010234156,0.0014836821,0.000016391179,0.00004068188,0.0038253372,0.9937977,0.000007573687],"about_ca_topic_score_codex":0.07856007,"about_ca_topic_score_gemma":0.20975421,"teacher_disagreement_score":0.07856007,"about_ca_system_score_codex":0.00737984,"about_ca_system_score_gemma":0.0037577818,"threshold_uncertainty_score":0.21989036},"labels":[],"label_agreement":null},{"id":"W2991202388","doi":"10.5539/ells.v9n4p12","title":"Portrayal of Mental Illness: Characterization in Ian McEwan’s Short Stories (‘Homemade’, ‘Solid Geometry’, ‘Butterflies’)","year":2019,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mental illness; Character (mathematics); Reading (process); Psychology; Characterization (materials science); Lived experience; Psychoanalysis; Sociology; Aesthetics; Mental health; Art; Psychiatry; Philosophy; Linguistics; Geometry; Physics","score_opus":0.008548976776381535,"score_gpt":0.2438249128748073,"score_spread":0.23527593609842576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991202388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.824909,0.007900179,0.0042914515,0.03599506,0.00063183025,0.00010712276,0.00017977586,0.00006162017,0.12592399],"genre_scores_gemma":[0.98894405,0.0018250442,0.00068752444,0.001136237,0.00010436198,0.000053096544,0.000035935896,0.000032606185,0.007181137],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964784,0.0026969353,0.0000779319,0.00009386649,0.00040223156,0.0002506374],"domain_scores_gemma":[0.9949522,0.003641022,0.0006653848,0.0001342603,0.0002584108,0.00034864352],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020277402,0.0005991423,0.000307038,0.0015850156,0.008668296,0.0056771683,0.00088286534,0.0017849223,0.0019012784],"category_scores_gemma":[0.008224608,0.00028880243,0.00021274491,0.0012862637,0.022448534,0.0042739306,0.0049527306,0.0039323317,0.00021103534],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022916567,0.0000055796713,0.00057894224,0.000048022706,0.000003519988,0.0007139201,0.9723465,0.000057628953,0.00036158034,0.021433456,0.0019895313,0.0024384377],"study_design_scores_gemma":[0.000003156054,0.000034656772,0.0025670056,0.00022119275,0.000005862732,0.0015465972,0.8649916,0.00013316389,0.0006918256,0.004943618,0.124837145,0.000024101908],"about_ca_topic_score_codex":0.012167563,"about_ca_topic_score_gemma":0.019486267,"teacher_disagreement_score":0.012167563,"about_ca_system_score_codex":0.005123486,"about_ca_system_score_gemma":0.0015124694,"threshold_uncertainty_score":0.03717363},"labels":[],"label_agreement":null},{"id":"W2991677472","doi":"","title":"Risky Cosmopolitanism: Risk and Responsibility in Catherine Bush’s The Rules of Engagement","year":2011,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Somali; Cosmopolitanism; Refugee; Arcadia; Sociology; Clan; Ideology; Law; Political science; Criminology; Gender studies; Politics; History","score_opus":0.024317918106713368,"score_gpt":0.23267695994250487,"score_spread":0.20835904183579151,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991677472","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13585813,0.0033416266,0.0068322574,0.066962674,0.0014843162,0.00006652016,0.0000512883,0.00008069991,0.7853225],"genre_scores_gemma":[0.9579631,0.00051661074,0.0009143557,0.0035858764,0.000110977155,0.000048749385,0.000011793594,0.00008006805,0.036768466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99633896,0.002439727,0.00006015781,0.00035379545,0.0004304214,0.0003770395],"domain_scores_gemma":[0.99835277,0.00065217493,0.00022502127,0.00021260197,0.0001943495,0.0003630636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018794601,0.0005185538,0.0002571648,0.0004198766,0.011431054,0.010934992,0.0011269351,0.0031630653,0.0041884524],"category_scores_gemma":[0.0045403405,0.00038480823,0.00028664985,0.00029951523,0.03445431,0.00587885,0.004485699,0.0071586324,0.0008340831],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048693713,0.000027958074,0.00063762406,0.00006164921,0.000006783085,0.00089418463,0.2671321,0.00014898628,0.00043401396,0.7043571,0.020973658,0.0052773096],"study_design_scores_gemma":[0.000014809101,0.00003644517,0.00076701446,0.00029241916,0.000007960733,0.0011238876,0.15770343,0.0002748811,0.0005945855,0.07910352,0.76003635,0.00004460529],"about_ca_topic_score_codex":0.012027495,"about_ca_topic_score_gemma":0.017519165,"teacher_disagreement_score":0.012027495,"about_ca_system_score_codex":0.0042523635,"about_ca_system_score_gemma":0.0021578912,"threshold_uncertainty_score":0.030853152},"labels":[],"label_agreement":null},{"id":"W2992126717","doi":"","title":"“Local Yearnings”: Re-Placing Nostalgia in Don DeLillo’s _Underworld_","year":2010,"lang":"en","type":"article","venue":"The journal of ecocriticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Ecocriticism; Ideology; Power (physics); Aesthetics; Philosophy; Cultural studies; Literature; Dystopia; Sociology; Epistemology; Art; Politics; Anthropology; Law","score_opus":0.015512198621890141,"score_gpt":0.23030193130560914,"score_spread":0.21478973268371898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992126717","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08996758,0.008355195,0.013481396,0.22231469,0.0072537805,0.000061825434,0.000090291185,0.00034933537,0.658126],"genre_scores_gemma":[0.89933485,0.0012574095,0.0016401695,0.013228488,0.00096245634,0.00004757528,0.000025745196,0.00024622824,0.083257005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997629,0.0013849535,0.000041053485,0.00031130403,0.00038446012,0.00024928723],"domain_scores_gemma":[0.9974988,0.0015533669,0.00014127025,0.0002539421,0.00032445882,0.00022810377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025786553,0.00039888461,0.00025725723,0.0009002622,0.009534186,0.008225491,0.0011883582,0.0030949176,0.0040271613],"category_scores_gemma":[0.009272038,0.00022422621,0.00022060635,0.00055911293,0.023170328,0.00637799,0.005396253,0.006934986,0.0006451267],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003311248,0.000015134575,0.0003235717,0.000052878135,0.0000024305318,0.00034048423,0.09454078,0.00012365734,0.0003354833,0.8317876,0.058586944,0.013857929],"study_design_scores_gemma":[0.00000849064,0.00001820041,0.00024442316,0.00018893235,0.0000045102047,0.00024787174,0.038318925,0.00029570126,0.0005795555,0.06834391,0.8917217,0.00002782413],"about_ca_topic_score_codex":0.013131661,"about_ca_topic_score_gemma":0.033254858,"teacher_disagreement_score":0.013131661,"about_ca_system_score_codex":0.005893275,"about_ca_system_score_gemma":0.0026107982,"threshold_uncertainty_score":0.042758882},"labels":[],"label_agreement":null},{"id":"W2995668333","doi":"10.7202/1064855ar","title":"Just Politics: Bill Reading's Impertinent Call","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Rendering (computer graphics); Reading (process); Politics; GRASP; Epistemology; Aesthetics; Media studies; Sociology; Philosophy; Computer science; Literature; Political science; Law; Art; Artificial intelligence","score_opus":0.02224195934110954,"score_gpt":0.232246649584079,"score_spread":0.21000469024296947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995668333","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014301195,0.007480006,0.007218256,0.25320378,0.0034039572,0.000024409765,0.000036356258,0.000103839346,0.71422833],"genre_scores_gemma":[0.76891637,0.0022036396,0.0018478822,0.06656593,0.0013781401,0.000089343805,0.000029875582,0.0003438267,0.15862492],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950897,0.0028022,0.00007334769,0.00044080612,0.00108776,0.00050621637],"domain_scores_gemma":[0.99683505,0.0023227201,0.00012721765,0.00025838672,0.00028433334,0.00017225898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032877063,0.00040018818,0.00046363217,0.0009081781,0.008002843,0.009365361,0.0011427292,0.00623788,0.007721993],"category_scores_gemma":[0.008072011,0.00032257606,0.0002822019,0.00059886766,0.034686185,0.007952032,0.0033729847,0.012462201,0.0013825755],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067613987,0.0000045852207,0.00005184819,0.0000155243,0.0000014934265,0.000059114598,0.011906237,0.000034394438,0.000059327467,0.9575969,0.027772367,0.0024915012],"study_design_scores_gemma":[0.0000088476945,0.000010635191,0.0002597135,0.00024053955,0.00000734968,0.0001268228,0.011287623,0.00015792913,0.00032769007,0.3182474,0.6693043,0.000021133523],"about_ca_topic_score_codex":0.008166698,"about_ca_topic_score_gemma":0.010591325,"teacher_disagreement_score":0.009365361,"about_ca_system_score_codex":0.006096857,"about_ca_system_score_gemma":0.0020922797,"threshold_uncertainty_score":0.044236004},"labels":[],"label_agreement":null},{"id":"W2995761490","doi":"10.7202/1065223ar","title":"\"POST-POSTSTRUCTURALIST\" OR PRELAPSARIAN? CULTURAL STUDIES AND THE NEW HISTORICISM","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historicism; New Historicism; Epistemology; Philosophy; Linguistics","score_opus":0.028841838488225916,"score_gpt":0.25442221132235654,"score_spread":0.22558037283413063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995761490","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06977709,0.023776665,0.020879911,0.14915022,0.0029417295,0.00004770438,0.00009438967,0.00007104625,0.7332612],"genre_scores_gemma":[0.9596375,0.0041751345,0.0020617575,0.0039800466,0.0013025185,0.00004979511,0.000034302393,0.00011104208,0.028647799],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9976802,0.0015995338,0.000044292643,0.00020391528,0.00031498793,0.00015711405],"domain_scores_gemma":[0.99628806,0.0020398,0.0002499511,0.0007349631,0.0004409573,0.00024616445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045954753,0.00028228937,0.00033064064,0.0019052295,0.0046124826,0.009879348,0.0011916636,0.0017714022,0.00580737],"category_scores_gemma":[0.0061108,0.00017608322,0.00021321136,0.0017672982,0.06505145,0.011616492,0.0031249567,0.004426524,0.00032101208],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003967558,0.0000048491424,0.000083040984,0.000013911608,8.286589e-7,0.000012834002,0.005212855,0.000023388966,0.000014561801,0.9909253,0.0016311913,0.0020731685],"study_design_scores_gemma":[0.00001190402,0.000022719641,0.00083820685,0.00021507294,0.0000060773227,0.000085621774,0.02291897,0.00023740566,0.00017035054,0.78055793,0.19492733,0.000008364149],"about_ca_topic_score_codex":0.0037565269,"about_ca_topic_score_gemma":0.009015843,"teacher_disagreement_score":0.009879348,"about_ca_system_score_codex":0.0060502714,"about_ca_system_score_gemma":0.0040162075,"threshold_uncertainty_score":0.043897986},"labels":[],"label_agreement":null},{"id":"W2996428974","doi":"10.7202/1064856ar","title":"In Memoriam, Fast Forward","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporality; Tribute; Postmodernism; Capitalism; Representation (politics); Reflection (computer programming); Art history; Sociology; Philosophy; Epistemology; Art; Politics; Computer science; Law; Political science","score_opus":0.013264512907119465,"score_gpt":0.21958612973785493,"score_spread":0.20632161683073547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996428974","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006779239,0.008300294,0.0014806218,0.45746803,0.46228927,0.000030213007,0.0003489943,0.00025997954,0.06914464],"genre_scores_gemma":[0.018496197,0.0051705544,0.0012160733,0.11965757,0.10180829,0.00008138781,0.0003546056,0.00058006454,0.75263536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832743,0.00037153886,0.00008507818,0.0003554406,0.00065787195,0.00020259814],"domain_scores_gemma":[0.99539256,0.0009668448,0.00019496513,0.0003409466,0.00246473,0.00064002123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021051443,0.0006678922,0.000608706,0.00084145647,0.0048891995,0.007767964,0.0013377584,0.0032703888,0.06500238],"category_scores_gemma":[0.01620764,0.00032030375,0.00058786955,0.0005130419,0.0022793424,0.0055577015,0.0032668544,0.012734225,0.03586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012757636,0.0000046022806,0.000055533772,0.00001874777,0.0000019018078,0.000032207987,0.00022043564,0.000008806828,0.000045741388,0.00863544,0.98440915,0.006554758],"study_design_scores_gemma":[0.0000025101651,0.0000049346763,0.00010299055,0.00005398401,0.0000022476609,0.00003115913,0.00038782693,0.000017800083,0.00007142579,0.0023342364,0.99698585,0.000004966152],"about_ca_topic_score_codex":0.0045084143,"about_ca_topic_score_gemma":0.010093092,"teacher_disagreement_score":0.06500238,"about_ca_system_score_codex":0.0027250305,"about_ca_system_score_gemma":0.0025695674,"threshold_uncertainty_score":0.21745461},"labels":[],"label_agreement":null},{"id":"W2996591786","doi":"10.7202/1064988ar","title":"More Enlightened Than Thou: The Dangers of Idealizing Knowledge in the Disciplines","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Thou; Discipline; Identity (music); Context (archaeology); Sociology; Epistemology; Social science; Philosophy; Theology; Aesthetics; History","score_opus":0.027195232102126314,"score_gpt":0.2675101704892105,"score_spread":0.24031493838708418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996591786","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13313892,0.018109387,0.03629036,0.50961137,0.002841951,0.00004482595,0.000023599392,0.0001185301,0.29982114],"genre_scores_gemma":[0.9831594,0.001765571,0.0020907747,0.009441385,0.00076607993,0.000033347555,0.0000065742925,0.000054353284,0.0026825813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9646559,0.027037589,0.00062490226,0.0016339419,0.0048561776,0.0011915537],"domain_scores_gemma":[0.95779496,0.031145055,0.0025498543,0.004190525,0.0030067672,0.0013128059],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.031991977,0.0005146058,0.00091792986,0.0037543753,0.015987836,0.023591654,0.0022059903,0.0074951984,0.001224662],"category_scores_gemma":[0.040658858,0.00046859332,0.0005360651,0.0021122613,0.20726065,0.023846736,0.013962687,0.0143091995,0.0002967986],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007157426,0.0000070596575,0.000110495355,0.000017246692,0.0000027725173,0.000030273994,0.034383208,0.00009631595,0.000024283632,0.9616875,0.00093354133,0.0027000771],"study_design_scores_gemma":[0.000008255784,0.000010197742,0.0001461975,0.00016222842,0.000003460018,0.000059656824,0.036006197,0.0002818907,0.00010202038,0.93449247,0.028713347,0.000013998968],"about_ca_topic_score_codex":0.005365744,"about_ca_topic_score_gemma":0.003933718,"teacher_disagreement_score":0.031991977,"about_ca_system_score_codex":0.009929432,"about_ca_system_score_gemma":0.008912525,"threshold_uncertainty_score":0.16919178},"labels":[],"label_agreement":null},{"id":"W2996790307","doi":"","title":"The Postmodern Relationship with Nature in Don Delillo’s White Noise","year":2019,"lang":"en","type":"article","venue":"Journal of English Literature and Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Postmodernism; Postmodernity; Consumerism; Aesthetics; Sociology; White (mutation); Environmental ethics; Epistemology; Philosophy; Political science; Law","score_opus":0.014258312587553031,"score_gpt":0.23886731156218166,"score_spread":0.22460899897462863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996790307","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43715766,0.0054014535,0.008514382,0.068660945,0.0018160688,0.000038346316,0.000033894088,0.000058244583,0.478319],"genre_scores_gemma":[0.9678927,0.0006816521,0.0005283486,0.0028813777,0.00018979244,0.000019387668,0.0000060298025,0.000042875814,0.02775788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977088,0.0014493079,0.00003266988,0.0002181789,0.00042097858,0.0001699456],"domain_scores_gemma":[0.99729115,0.0019233014,0.00018944398,0.0001715003,0.00027587105,0.00014882283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002461467,0.00032063984,0.000247671,0.000736999,0.008830578,0.006090795,0.0007349531,0.00220018,0.0021333313],"category_scores_gemma":[0.00494888,0.00020051394,0.00018860817,0.00047159047,0.025825165,0.0036481426,0.0039621796,0.0032222515,0.0002337798],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009550434,0.00003505627,0.0011465177,0.000106665095,0.000006204865,0.00097643974,0.45447966,0.00014563299,0.0011508138,0.5211597,0.010171631,0.010526143],"study_design_scores_gemma":[0.0000148000645,0.000078318255,0.0022896507,0.00031318967,0.000013257106,0.0010495248,0.24652432,0.00042338934,0.0013494197,0.057170317,0.69071615,0.000057705704],"about_ca_topic_score_codex":0.009311648,"about_ca_topic_score_gemma":0.021896295,"teacher_disagreement_score":0.009311648,"about_ca_system_score_codex":0.0048403745,"about_ca_system_score_gemma":0.0012916457,"threshold_uncertainty_score":0.035119534},"labels":[],"label_agreement":null},{"id":"W3000037253","doi":"10.5539/ijel.v10n1p395","title":"Multiplicity of History in Our Lady of Alice Bhatti Through Historiographic Metafiction","year":2020,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Subversion; Metafiction; Intertextuality; Narrative; Literature; Trilogy; History; Sociology; Art; Politics; Law; Political science","score_opus":0.049382013199746826,"score_gpt":0.2652602022175976,"score_spread":0.21587818901785077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000037253","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55451113,0.021331843,0.0063229026,0.03182184,0.0018837523,0.00013365927,0.00021323338,0.00018120818,0.3836004],"genre_scores_gemma":[0.9537561,0.0042949542,0.001730006,0.0010644082,0.00032643607,0.000038039336,0.00004439202,0.00006494585,0.038680818],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991365,0.0004996859,0.00001904508,0.00008170172,0.00017583062,0.00008725915],"domain_scores_gemma":[0.99841297,0.0009524587,0.00019584957,0.00013469905,0.00013645332,0.00016752478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013412877,0.0003609627,0.00031218395,0.0015982199,0.010008835,0.0059646727,0.0005335746,0.0009200567,0.006311481],"category_scores_gemma":[0.0026673668,0.0002446038,0.00017182383,0.0013545526,0.011859607,0.004150875,0.0028413464,0.0028559556,0.0005419256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008088766,0.000030311156,0.001557189,0.00034547516,0.000012351581,0.0025004954,0.7723341,0.00013122629,0.0018223658,0.17982195,0.010588592,0.030775053],"study_design_scores_gemma":[0.000008360121,0.00008967445,0.0063072755,0.000982075,0.00003149599,0.004812129,0.29966214,0.00032102296,0.002334805,0.024684431,0.6607151,0.00005154789],"about_ca_topic_score_codex":0.0046280245,"about_ca_topic_score_gemma":0.013464602,"teacher_disagreement_score":0.010008835,"about_ca_system_score_codex":0.004773444,"about_ca_system_score_gemma":0.0027922543,"threshold_uncertainty_score":0.034633875},"labels":[],"label_agreement":null},{"id":"W3000590439","doi":"10.7202/1066508ar","title":"Care and Wonder in Two Novels by Heather O’Neill","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Wonder; Art; Art history; Psychoanalysis; Sociology; Media studies; Psychology; Social psychology","score_opus":0.01536751361456673,"score_gpt":0.2728330477178921,"score_spread":0.25746553410332534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000590439","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028976563,0.03295485,0.00076474017,0.64913034,0.018448051,0.00007217371,0.000163908,0.000076421486,0.26941296],"genre_scores_gemma":[0.60065836,0.018076574,0.00082833343,0.10687321,0.004523945,0.00009979157,0.000060088452,0.00038904604,0.26849073],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939505,0.001830919,0.00009611048,0.00045181604,0.0014464457,0.0022241776],"domain_scores_gemma":[0.99075586,0.003938234,0.00035363104,0.00029905507,0.0025348265,0.002118424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049491785,0.0010607226,0.0010163946,0.0026023015,0.07260554,0.014994782,0.002748733,0.008372223,0.009612094],"category_scores_gemma":[0.012547094,0.0005862991,0.0004965992,0.0031372237,0.048727933,0.0066269063,0.005719265,0.017734554,0.00093952526],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000714954,0.000033825316,0.00035172148,0.00010633326,0.0000108949125,0.00087410776,0.198399,0.00010889641,0.00015973195,0.33200005,0.45936984,0.008514038],"study_design_scores_gemma":[0.0000099683,0.0000065683676,0.00048554246,0.00024096042,0.0000087693525,0.00020776366,0.110490456,0.000039697075,0.00016551967,0.01279766,0.8754969,0.00005021613],"about_ca_topic_score_codex":0.8985007,"about_ca_topic_score_gemma":0.96153486,"teacher_disagreement_score":0.10149932,"about_ca_system_score_codex":0.09697554,"about_ca_system_score_gemma":0.07158203,"threshold_uncertainty_score":0.70361006},"labels":[],"label_agreement":null},{"id":"W3000731809","doi":"","title":"In search of the missing link: Finding the narrator in Barbara Gowdy's The White Bone","year":2006,"lang":"en","type":"article","venue":"Descant","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); Link (geometry); Computer science; Biology; Genetics; Computer network","score_opus":0.026637472583616272,"score_gpt":0.2343123588301782,"score_spread":0.20767488624656194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000731809","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09848123,0.01993317,0.0113875205,0.53969777,0.014920088,0.00012274052,0.00024231369,0.00033179027,0.31488332],"genre_scores_gemma":[0.7380686,0.0066112787,0.0041007833,0.06549406,0.0025242623,0.00015053136,0.00012954196,0.00093036576,0.18199058],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737597,0.0018947509,0.000043561235,0.00019616666,0.00024797764,0.00024162876],"domain_scores_gemma":[0.99629825,0.0024718312,0.00031207726,0.00010628542,0.00035268784,0.00045872232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002203528,0.0008797542,0.00060745963,0.0015161905,0.01903663,0.008435618,0.0019530868,0.0056001125,0.009475414],"category_scores_gemma":[0.016136097,0.00040383288,0.00022902907,0.001190508,0.01523161,0.008793348,0.0071268217,0.009864045,0.0022499207],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005028923,0.0000280633,0.0005891724,0.00018416274,0.000008831629,0.0032695127,0.68320346,0.00004510034,0.0004614999,0.10620048,0.1922322,0.013727159],"study_design_scores_gemma":[0.000004623494,0.000012852598,0.00022593795,0.00041231935,0.000010309296,0.0012367864,0.50724643,0.00008187161,0.00040780028,0.012539152,0.47780398,0.0000179834],"about_ca_topic_score_codex":0.007747729,"about_ca_topic_score_gemma":0.021332068,"teacher_disagreement_score":0.01903663,"about_ca_system_score_codex":0.0020994253,"about_ca_system_score_gemma":0.0022037064,"threshold_uncertainty_score":0.031698406},"labels":[],"label_agreement":null},{"id":"W3007584750","doi":"10.1017/9781787448858.010","title":"Lost in Allegory: Grief and Chivalry in Kit Pearson's A Perfect, Gentle Knight","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chivalry; Allegory; Knight; Grief; Psychoanalysis; Psychology; Art; Literature; Psychotherapist; Physics","score_opus":0.02372066981209309,"score_gpt":0.18719062910060336,"score_spread":0.16346995928851027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007584750","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38458103,0.013355313,0.0036478383,0.07375793,0.003523394,0.00005066435,0.00014933373,0.0002264249,0.5207081],"genre_scores_gemma":[0.928755,0.0018981983,0.00038315725,0.00495748,0.00015660598,0.00001544972,0.000048046517,0.0001246006,0.06366148],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99802774,0.00085815863,0.000022275162,0.00015574682,0.00040285,0.0005332678],"domain_scores_gemma":[0.99873084,0.0004539875,0.00010200871,0.000069006426,0.0002476077,0.00039647336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015213585,0.00052004465,0.00040848952,0.00058243016,0.027150681,0.008111996,0.0010757928,0.0028197973,0.0041228365],"category_scores_gemma":[0.0036321315,0.00034096025,0.00021119777,0.0006570144,0.028545963,0.0041756597,0.004873678,0.008653933,0.00068853225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038200844,0.000028566177,0.0010514505,0.00003428226,0.0000057040024,0.0019791848,0.8249252,0.00005141182,0.00032869642,0.11785198,0.044044584,0.009660829],"study_design_scores_gemma":[0.000008581702,0.000024586065,0.002646771,0.00015571433,0.0000076826245,0.0014749591,0.6629154,0.000084778134,0.0002487068,0.008286141,0.32411513,0.000031534346],"about_ca_topic_score_codex":0.30914375,"about_ca_topic_score_gemma":0.62847906,"teacher_disagreement_score":0.30914375,"about_ca_system_score_codex":0.016955512,"about_ca_system_score_gemma":0.008145755,"threshold_uncertainty_score":0.61468863},"labels":[],"label_agreement":null},{"id":"W3013281000","doi":"10.22215/etd/2020-13933","title":"\"Go for the Failure\": Modernist Feminist Failure and the Fiction of Vita Sackville-West, Sylvia Townsend Warner, and Jean Rhys","year":2020,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Subversion; Queer; Townsend; Aesthetics; Narrative; Modernism (music); Power (physics); Resistance (ecology); Ideal (ethics); Politics; Feminist theory; Art; Sociology; Gender studies; Feminism; Literature; Law; Political science","score_opus":0.018608938132245855,"score_gpt":0.22718896254981846,"score_spread":0.20858002441757262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3013281000","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12764077,0.023165107,0.006549943,0.33333346,0.0057188626,0.0000732486,0.0001322603,0.00016860705,0.50321776],"genre_scores_gemma":[0.8987837,0.0027613537,0.000846889,0.010768152,0.0009963672,0.00007804434,0.000033498014,0.00018555629,0.08554647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764985,0.0015147838,0.000022690836,0.00014774385,0.00034710654,0.00031773315],"domain_scores_gemma":[0.9970988,0.0021979266,0.00014626616,0.00010697734,0.00021830747,0.00023161978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027207045,0.000766027,0.00045912468,0.0011377117,0.011857908,0.006647505,0.0013111838,0.003289219,0.003685828],"category_scores_gemma":[0.0067576966,0.0002827513,0.0003394689,0.00067203894,0.030383253,0.0048662717,0.0036775689,0.008913195,0.000557795],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006909937,0.000028730636,0.0005455261,0.00011632292,0.000012062187,0.0009642883,0.3589466,0.00042272542,0.0004325281,0.49189827,0.13637166,0.0101921465],"study_design_scores_gemma":[0.000012409557,0.000042459444,0.00074367924,0.00036970284,0.0000079036045,0.0005765677,0.11664074,0.0004192995,0.0008316189,0.03647677,0.8438363,0.00004254728],"about_ca_topic_score_codex":0.022657434,"about_ca_topic_score_gemma":0.03148008,"teacher_disagreement_score":0.022657434,"about_ca_system_score_codex":0.0078036254,"about_ca_system_score_gemma":0.0019910529,"threshold_uncertainty_score":0.056619465},"labels":[],"label_agreement":null},{"id":"W3016658788","doi":"10.4000/lisa.13707","title":"The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers","year":2021,"lang":"en","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Prologue; Narrative; Reading (process); Closure (psychology); Literature; Function (biology); Art; History; Philosophy; Linguistics; Law; Political science; Biology","score_opus":0.011484533020118528,"score_gpt":0.19202188910875434,"score_spread":0.1805373560886358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016658788","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21290244,0.0065311585,0.029697208,0.026486805,0.0022925735,0.00016746989,0.00016655977,0.0001999682,0.7215559],"genre_scores_gemma":[0.94057053,0.0009420017,0.0023694932,0.001088269,0.00022273016,0.0000835964,0.00004463835,0.00019260746,0.054486107],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983176,0.0012636684,0.00002510726,0.0001147903,0.00012957092,0.00014927538],"domain_scores_gemma":[0.9987061,0.0008233912,0.00010299032,0.0001005169,0.00010823434,0.00015880993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020940905,0.00053291634,0.00027340685,0.0009044037,0.0072858003,0.0058463067,0.0006353111,0.001178818,0.0059216027],"category_scores_gemma":[0.005585659,0.00030121853,0.00017313061,0.0006023696,0.026422871,0.0073001166,0.0039488245,0.0032433774,0.00054988],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008918048,0.0000135027885,0.00023441785,0.00005780802,0.0000024760968,0.0006874205,0.30370545,0.000096570104,0.00037227702,0.6802557,0.0074998117,0.006985385],"study_design_scores_gemma":[0.000023660823,0.000060165996,0.0009459678,0.000296246,0.000007962535,0.0009323487,0.24870045,0.00033602348,0.0012039421,0.1391493,0.6083077,0.00003622221],"about_ca_topic_score_codex":0.0058604022,"about_ca_topic_score_gemma":0.008025584,"teacher_disagreement_score":0.0072858003,"about_ca_system_score_codex":0.0037115174,"about_ca_system_score_gemma":0.0018058659,"threshold_uncertainty_score":0.02692908},"labels":[],"label_agreement":null},{"id":"W3017268822","doi":"10.32396/usurj.v6i2.492","title":"“I Say, Can You Hear Me?”","year":2020,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Drama; Active listening; Silence; CLARITY; Radio program; Media studies; Style (visual arts); Aesthetics; Sociology; Literature; Art; History; Visual arts; Communication","score_opus":0.06162615828707782,"score_gpt":0.2631480794651659,"score_spread":0.20152192117808806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3017268822","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019604724,0.030753773,0.004665008,0.13019821,0.009756376,0.00008856902,0.0001472897,0.00016565865,0.8046203],"genre_scores_gemma":[0.3504713,0.020951949,0.0018903717,0.051846147,0.0018299513,0.00014635568,0.00011111199,0.0002071457,0.5725456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981723,0.0010226815,0.000041962638,0.00019943356,0.0002717451,0.00029176802],"domain_scores_gemma":[0.9980628,0.0009574075,0.00010894249,0.00008772863,0.0003966541,0.00038643676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015124435,0.00071505836,0.00031178538,0.0009521673,0.009017953,0.0069768694,0.0009246318,0.0018420473,0.01987168],"category_scores_gemma":[0.004652296,0.0003407888,0.00016651333,0.0009197723,0.010916683,0.0049842084,0.002481397,0.005906285,0.00792692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053288313,0.00003887733,0.0012079226,0.00028574702,0.000011452697,0.0007582697,0.2074987,0.000057630932,0.0006822387,0.25546414,0.48465648,0.04928526],"study_design_scores_gemma":[0.0000022692254,0.000009899723,0.000581714,0.00023985795,0.0000023525724,0.00024195322,0.07533688,0.000031756765,0.00014907784,0.003910564,0.9194833,0.000010402523],"about_ca_topic_score_codex":0.03647294,"about_ca_topic_score_gemma":0.052587006,"teacher_disagreement_score":0.03647294,"about_ca_system_score_codex":0.004148351,"about_ca_system_score_gemma":0.003219629,"threshold_uncertainty_score":0.07252133},"labels":[],"label_agreement":null},{"id":"W3032331955","doi":"10.1080/13504622.2020.1774044","title":"Coves of departure: field notes from the sea of Cortez","year":2020,"lang":"en","type":"article","venue":"Environmental Education Research","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Cove; Memoir; Elegance; Meditation; Reflection (computer programming); Field (mathematics); Natural (archaeology); Art; History; Art history; Sociology; Archaeology; Literature","score_opus":0.07565706255073275,"score_gpt":0.315254392956816,"score_spread":0.23959733040608328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032331955","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13400619,0.04633384,0.0016424707,0.14957769,0.01311445,0.0002599661,0.0029663208,0.000288075,0.65181106],"genre_scores_gemma":[0.30234158,0.011752298,0.0011674048,0.014642651,0.0013536045,0.00014351409,0.0009508732,0.0006488103,0.6669993],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9991647,0.00024817704,0.00002792253,0.0001167637,0.00024260175,0.00019993326],"domain_scores_gemma":[0.9974962,0.000731367,0.00008967012,0.00017225227,0.0009930696,0.0005174622],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018588948,0.0004474609,0.00044692119,0.0017788353,0.018118536,0.0042984593,0.0015135991,0.0015355721,0.024007622],"category_scores_gemma":[0.0047153626,0.0003748133,0.00022081049,0.0028579999,0.0058063185,0.0020152165,0.0033640775,0.0026506232,0.0024113948],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009498549,0.000045507,0.0028650602,0.0002572128,0.000009739759,0.0017951338,0.14096473,0.00009683629,0.0011918668,0.01770641,0.79744226,0.03753027],"study_design_scores_gemma":[0.000001840421,0.000005382359,0.003948907,0.00009819417,0.0000014938306,0.00005247491,0.07724881,0.000005002501,0.00007948011,0.0004122711,0.91813624,0.000009843996],"about_ca_topic_score_codex":0.55796295,"about_ca_topic_score_gemma":0.8126572,"teacher_disagreement_score":0.55796295,"about_ca_system_score_codex":0.008526418,"about_ca_system_score_gemma":0.011481703,"threshold_uncertainty_score":0.88928056},"labels":[],"label_agreement":null},{"id":"W3032726638","doi":"10.7202/1068777ar","title":"Memory Disorders and the Extension of the Postmodern Fictional Boundary. Paul Auster’s Man in the Dark","year":2020,"lang":"en","type":"article","venue":"Captures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernity; Postmodernism; Narrative; Subject (documents); Extension (predicate logic); Amnesia; Psychoanalysis; Psychology; Literature; Aesthetics; Philosophy; Cognitive psychology; Art; Computer science","score_opus":0.017988696228930238,"score_gpt":0.202416611559021,"score_spread":0.18442791533009076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032726638","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.068340786,0.18038687,0.0037161147,0.43655157,0.007506565,0.000034742938,0.000045489167,0.000077277466,0.30334058],"genre_scores_gemma":[0.9012709,0.026211454,0.0012511229,0.03296639,0.0043879985,0.000038267124,0.000015713995,0.000071887305,0.033786297],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851924,0.0009774952,0.000046633464,0.00009694014,0.00023780015,0.000121878904],"domain_scores_gemma":[0.9953264,0.0036472213,0.00035250984,0.000214031,0.00024136921,0.00021843064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003094641,0.00040596115,0.00033402565,0.0017854909,0.0065621603,0.005766162,0.0006565762,0.0036272146,0.001989345],"category_scores_gemma":[0.005754913,0.0002332457,0.00023678895,0.000653923,0.048939653,0.0058563924,0.0040744194,0.0069847796,0.00030499572],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027960976,0.000017380482,0.00022734203,0.00011765141,0.0000053405793,0.00045755698,0.15852132,0.000067303255,0.0002383283,0.79071397,0.032839824,0.016766062],"study_design_scores_gemma":[0.000027853614,0.000059202594,0.0013512409,0.0010472545,0.00000935143,0.0021769907,0.06176675,0.00021591171,0.0005096384,0.27982974,0.6529687,0.00003734562],"about_ca_topic_score_codex":0.00434601,"about_ca_topic_score_gemma":0.008287894,"teacher_disagreement_score":0.0065621603,"about_ca_system_score_codex":0.0037957535,"about_ca_system_score_gemma":0.0015545527,"threshold_uncertainty_score":0.027540267},"labels":[],"label_agreement":null},{"id":"W3035864536","doi":"10.7202/1069409ar","title":"No Master of Himself: Pope and the Response of Wonder","year":2020,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Wonder; Admiration; Aesthetics; Poetics; Expression (computer science); Poetry; Philosophy; Psychoanalysis; Literature; Art; Psychology; Epistemology","score_opus":0.03395848922309962,"score_gpt":0.21662629170469616,"score_spread":0.18266780248159653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035864536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08828407,0.020131227,0.009646781,0.11010605,0.0021278276,0.00005938317,0.000049841376,0.00017625737,0.7694185],"genre_scores_gemma":[0.9270054,0.0037487184,0.0012373633,0.00821859,0.00060575403,0.000054019263,0.000015045035,0.00013558079,0.05897953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997781,0.0014338954,0.000026697478,0.00019215384,0.00033317707,0.00023314808],"domain_scores_gemma":[0.9982907,0.0009124153,0.00013018261,0.00019565123,0.0002588435,0.00021212884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025122485,0.00051606266,0.00036571114,0.0009816029,0.010323816,0.008119392,0.00081264303,0.0020787902,0.002014043],"category_scores_gemma":[0.006067495,0.00024744487,0.00022928845,0.00075266254,0.049472254,0.005231667,0.0047813742,0.005551186,0.0003895004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025092522,0.000012094254,0.0002976892,0.00007497947,0.000008315328,0.00055919186,0.23027194,0.00011443094,0.0002535565,0.74333584,0.017620502,0.00742642],"study_design_scores_gemma":[0.000019251716,0.000036938047,0.00078623963,0.00033078037,0.000013119017,0.0009204038,0.116487846,0.0003006204,0.0008034047,0.2011032,0.679159,0.00003922742],"about_ca_topic_score_codex":0.005810085,"about_ca_topic_score_gemma":0.0058185444,"teacher_disagreement_score":0.010323816,"about_ca_system_score_codex":0.0033252367,"about_ca_system_score_gemma":0.0022932058,"threshold_uncertainty_score":0.02412641},"labels":[],"label_agreement":null},{"id":"W3038521463","doi":"10.71781/14874","title":"A Hauntology of Sheila Watson's The Double Hook","year":2019,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Watson; Hook; Art history; Art; Literature; Philosophy; Computer science; Engineering","score_opus":0.0515303160709923,"score_gpt":0.30015655473030034,"score_spread":0.24862623865930805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038521463","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021638632,0.015048268,0.0055951425,0.02338029,0.0019816572,0.000018013012,0.000034429406,0.000080608625,0.9322229],"genre_scores_gemma":[0.55982506,0.010392415,0.002045314,0.0045302277,0.0011271344,0.000049742644,0.000028922823,0.00021704027,0.42178413],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990584,0.00047566273,0.000018125724,0.00010125039,0.00019695496,0.00014963494],"domain_scores_gemma":[0.9993419,0.00032407526,0.00005277392,0.00008190014,0.000086342254,0.00011293956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009291357,0.00045739964,0.0002418516,0.0009799644,0.004517017,0.0049402067,0.00055578473,0.0012029948,0.010189515],"category_scores_gemma":[0.0024292737,0.00023179511,0.0001758879,0.0009356804,0.014280759,0.0043973126,0.0035747357,0.0027029777,0.001767459],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008579108,0.0000029363694,0.000074376985,0.000016625974,8.7875435e-7,0.000088935885,0.009770156,0.000030164692,0.00007863991,0.9695892,0.01462968,0.005709969],"study_design_scores_gemma":[0.000005880472,0.000013239899,0.00018503428,0.00012656445,0.0000023499704,0.00020890967,0.009926971,0.00013495401,0.00030327146,0.14660552,0.84247756,0.000009705751],"about_ca_topic_score_codex":0.0044851257,"about_ca_topic_score_gemma":0.008044888,"teacher_disagreement_score":0.010189515,"about_ca_system_score_codex":0.0037890808,"about_ca_system_score_gemma":0.0017481662,"threshold_uncertainty_score":0.0340873},"labels":[],"label_agreement":null},{"id":"W3042291842","doi":"10.3968/11705","title":"Trauma and Narrative in The Uninvited","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Focalization; Narrative; Literature; Intertextuality; History; Testimonial; Psychoanalysis; Aesthetics; Psychology; Art","score_opus":0.04255942618894563,"score_gpt":0.28967938810522526,"score_spread":0.24711996191627963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042291842","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3940134,0.03860723,0.0070562195,0.028765107,0.0025194457,0.000044584005,0.000056982004,0.00006718156,0.5288699],"genre_scores_gemma":[0.9825581,0.002818596,0.00033499277,0.0006889711,0.00010531138,0.000011529646,0.000010324922,0.00002089016,0.013451297],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976974,0.0017560476,0.000057832447,0.00015239668,0.0001827517,0.00015356691],"domain_scores_gemma":[0.9980995,0.0010967476,0.00024687225,0.00022100046,0.00014930098,0.00018655683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015742524,0.0003055015,0.00032983246,0.00086592406,0.006113801,0.010750127,0.00082503073,0.0015981018,0.0028257377],"category_scores_gemma":[0.0056436392,0.000221769,0.00020009434,0.0006901507,0.032896888,0.005607898,0.0057396404,0.0026489962,0.00023825825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004084404,0.000017976477,0.0007004582,0.00011461901,0.000007418311,0.0009978064,0.36021206,0.00009297075,0.00032999177,0.6249911,0.003457658,0.009037034],"study_design_scores_gemma":[0.000023628623,0.000122048674,0.0023658003,0.0014405124,0.000025973373,0.0028370998,0.4350079,0.00035785942,0.0009336326,0.14077735,0.4160747,0.00003345486],"about_ca_topic_score_codex":0.0028870816,"about_ca_topic_score_gemma":0.0032689578,"teacher_disagreement_score":0.010750127,"about_ca_system_score_codex":0.0028070014,"about_ca_system_score_gemma":0.0016289877,"threshold_uncertainty_score":0.02036637},"labels":[],"label_agreement":null},{"id":"W3042667467","doi":"","title":"Introduction: Selfhood, Embodiment, Materiality","year":2019,"lang":"en","type":"article","venue":"Symposium","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Aesthetics; Art","score_opus":0.008927964255696695,"score_gpt":0.19966558226454478,"score_spread":0.1907376180088481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042667467","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004015599,0.29891795,0.012542681,0.27590534,0.083040036,0.00009043598,0.00043103134,0.00020443344,0.3248525],"genre_scores_gemma":[0.16278106,0.17622888,0.009820445,0.09456741,0.17738968,0.00035803905,0.00071052316,0.00048521723,0.37765884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990075,0.00039626902,0.00004389585,0.00023475767,0.00023542983,0.00008209253],"domain_scores_gemma":[0.99724895,0.0020428903,0.000087201515,0.000117317184,0.00034363352,0.00015986754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021817042,0.0010447074,0.0007149684,0.0018239703,0.0033949132,0.008943358,0.0017017891,0.0067583816,0.03204311],"category_scores_gemma":[0.0027536887,0.00031157292,0.00068266125,0.002494559,0.010915263,0.0066602887,0.0027700975,0.010558864,0.0049708956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002218464,0.000024062927,0.00015904114,0.00036860825,0.0000057570824,0.00007718827,0.004661345,0.000066676315,0.00020807328,0.79171795,0.18281408,0.019874996],"study_design_scores_gemma":[0.0000082251645,0.000023282497,0.000396127,0.00081040314,0.00000889483,0.00021755294,0.0028646307,0.000096205724,0.000076720105,0.14108627,0.8543987,0.0000131017005],"about_ca_topic_score_codex":0.0026400476,"about_ca_topic_score_gemma":0.002828188,"teacher_disagreement_score":0.03204311,"about_ca_system_score_codex":0.0022773794,"about_ca_system_score_gemma":0.0021047725,"threshold_uncertainty_score":0.10719484},"labels":[],"label_agreement":null},{"id":"W3048853620","doi":"10.7202/1070953ar","title":"Recognition, or the Depressive Pleasure of Reading Surfacing","year":2020,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Pleasure; Reading (process); Psychology; Linguistics; Neuroscience; Philosophy","score_opus":0.11966243326029795,"score_gpt":0.2845826228613754,"score_spread":0.16492018960107746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048853620","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6419309,0.08714674,0.00062581844,0.08620728,0.0016611139,0.00004474796,0.00042430713,0.000069244765,0.18188979],"genre_scores_gemma":[0.9842519,0.0037695572,0.000072781055,0.00349789,0.00027230804,0.000008751324,0.000038404567,0.000008438874,0.008079843],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899,0.0003061699,0.00004632435,0.0000727544,0.00034615106,0.00023849997],"domain_scores_gemma":[0.9978672,0.00062066404,0.0006245514,0.000113324466,0.00026141436,0.0005127347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000927784,0.00019313084,0.00033727355,0.00041375647,0.0013582064,0.0029869159,0.00063350174,0.0016370697,0.0026172788],"category_scores_gemma":[0.0057412162,0.00009498905,0.00020778301,0.00053605915,0.007940026,0.0014927151,0.0015635488,0.001416108,0.0003243307],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00054125395,0.00027744554,0.09272034,0.001249123,0.00017600732,0.003951392,0.50250167,0.00024909177,0.00653838,0.078638375,0.10960616,0.20355077],"study_design_scores_gemma":[0.00009750973,0.00032458297,0.42987823,0.0012710436,0.00011750876,0.0039048574,0.35198084,0.00020947002,0.0010265941,0.02291937,0.18806307,0.00020694592],"about_ca_topic_score_codex":0.03841278,"about_ca_topic_score_gemma":0.059499454,"teacher_disagreement_score":0.03841278,"about_ca_system_score_codex":0.0020223411,"about_ca_system_score_gemma":0.0015249569,"threshold_uncertainty_score":0.076378405},"labels":[],"label_agreement":null},{"id":"W3088642524","doi":"10.1007/978-3-030-52980-2_2","title":"The Disintegration of London in Alan Moore’s Psychogeography","year":2020,"lang":"en","type":"book-chapter","venue":"Literary urban studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lethbridge College","funders":"","keywords":"Idealization; Dialectic; Order (exchange); Art history; Coherence (philosophical gambling strategy); Ideal (ethics); Aesthetics; Art; History; Literature; Philosophy; Epistemology","score_opus":0.035548412041917596,"score_gpt":0.2395813129501192,"score_spread":0.2040329009082016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088642524","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028759936,0.076545365,0.0075008036,0.19879992,0.0029869843,0.000034966306,0.00015058288,0.00008387844,0.6851375],"genre_scores_gemma":[0.7762602,0.013115453,0.0028353836,0.014486289,0.0017246925,0.00010746636,0.00005450614,0.00039900845,0.19101694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973665,0.0019452755,0.000057513284,0.00017611941,0.00022172807,0.00023285972],"domain_scores_gemma":[0.996983,0.0021463651,0.00017594713,0.0002972005,0.00020872151,0.00018883593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021778014,0.00048674765,0.00048882695,0.0022120115,0.0062916963,0.009473137,0.00079625973,0.0036208304,0.007614599],"category_scores_gemma":[0.005100121,0.00046037018,0.00018742336,0.0030175534,0.037616454,0.011756284,0.0052659702,0.0036679269,0.0010471093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008044164,0.000002270935,0.000045300654,0.000018883778,0.0000010443488,0.00003457742,0.016045596,0.00003888797,0.00001773852,0.9678077,0.012968666,0.0030111743],"study_design_scores_gemma":[0.0000070990877,0.0000053737285,0.00021948987,0.00019857785,0.0000023721661,0.00011533518,0.016783714,0.00009461137,0.00008984437,0.37280378,0.60966164,0.00001802321],"about_ca_topic_score_codex":0.021011416,"about_ca_topic_score_gemma":0.04774568,"teacher_disagreement_score":0.021011416,"about_ca_system_score_codex":0.008044987,"about_ca_system_score_gemma":0.0024162037,"threshold_uncertainty_score":0.05837077},"labels":[],"label_agreement":null},{"id":"W3091273609","doi":"10.4000/ces.2207","title":"Fine Red Threads: Dislocation and Identity in Lisa Bird-Wilson’s Just Pretending","year":2020,"lang":"en","type":"article","venue":"Commonwealth Essays and Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"","keywords":"Identity (music); Dislocation; Genealogy; Race (biology); Sociology; Gender studies; Visual arts; History; Art; Aesthetics; Physics; Condensed matter physics","score_opus":0.1386337188897809,"score_gpt":0.3417407361573079,"score_spread":0.20310701726752697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3091273609","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5414879,0.0053784964,0.0030441803,0.079990566,0.0014850241,0.000048450962,0.0001264965,0.0001512115,0.36828774],"genre_scores_gemma":[0.9515786,0.00061303616,0.00038545803,0.002110042,0.000051168354,0.000008662035,0.000018586554,0.00004932596,0.045185085],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819773,0.00057327544,0.000025388055,0.00015423524,0.00051617646,0.0005331974],"domain_scores_gemma":[0.99806434,0.000570236,0.00016247308,0.00011925116,0.00057596,0.0005076217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001448087,0.0004112237,0.0003202091,0.0010369859,0.037640832,0.0072859144,0.001166724,0.0024446468,0.0035054388],"category_scores_gemma":[0.004450604,0.00025171973,0.0001767384,0.0009622441,0.029084863,0.003055743,0.0036778431,0.0046057887,0.00032302112],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047044545,0.000011986792,0.001701616,0.000034038534,0.0000053043555,0.0010637149,0.7884847,0.00012518166,0.00044770207,0.16646269,0.031901307,0.009714781],"study_design_scores_gemma":[0.0000046765945,0.000020052352,0.0028084414,0.00011918875,0.000009501636,0.0005587978,0.4360424,0.00015263763,0.00061626703,0.007625694,0.5520015,0.000040872128],"about_ca_topic_score_codex":0.82482177,"about_ca_topic_score_gemma":0.91765124,"teacher_disagreement_score":0.82482177,"about_ca_system_score_codex":0.037294243,"about_ca_system_score_gemma":0.01622604,"threshold_uncertainty_score":0.35241973},"labels":[],"label_agreement":null},{"id":"W3092571369","doi":"","title":"Back to the Future: Edwardian Comedy and Progressive Politics","year":2018,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Princeton University","keywords":"Comedy; Politics; History; Art; Literature; Political science; Law","score_opus":0.01614817627665355,"score_gpt":0.2937451414233622,"score_spread":0.2775969651467087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092571369","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15169051,0.021046542,0.0015999515,0.032220714,0.0008120747,0.000021925325,0.00003910211,0.000027113309,0.7925421],"genre_scores_gemma":[0.93176776,0.004447935,0.00022612681,0.0021301806,0.00019772889,0.000013088595,0.00001298623,0.000031347852,0.061172847],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884593,0.0005956732,0.000025325444,0.0001332894,0.00013090795,0.00026886197],"domain_scores_gemma":[0.99928206,0.00040621683,0.000058802594,0.00007667213,0.0000735672,0.00010266285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014072252,0.00031063656,0.00023260011,0.0009740448,0.008662749,0.009685728,0.0004706669,0.0015290966,0.0030357793],"category_scores_gemma":[0.0021500795,0.00014085985,0.00018282015,0.0006515628,0.030405588,0.0047871,0.0033437014,0.0029890067,0.00045720828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019415846,0.0000064290193,0.0003339356,0.000039966897,0.000002090358,0.00018986284,0.092593566,0.00004240127,0.000078532255,0.8981703,0.0050020837,0.0035214282],"study_design_scores_gemma":[0.000011557746,0.000032179185,0.0012641603,0.00045667222,0.0000098928895,0.00030690603,0.13855079,0.00010018449,0.0005141366,0.10106801,0.7576667,0.000018731755],"about_ca_topic_score_codex":0.015915068,"about_ca_topic_score_gemma":0.029828213,"teacher_disagreement_score":0.015915068,"about_ca_system_score_codex":0.010921142,"about_ca_system_score_gemma":0.0032177337,"threshold_uncertainty_score":0.07923877},"labels":[],"label_agreement":null},{"id":"W3093175996","doi":"10.3968/11871","title":"Characteristics of Abjection in First Love, Last Rites","year":2020,"lang":"en","type":"article","venue":"Higher education of social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sadness; Absurdity; Cruelty; Identity (music); Hatred; Psychoanalysis; Literature; Psychology; Sexual desire; State (computer science); Sociology; Aesthetics; History; Gender studies; Art; Social psychology; Criminology; Anger; Law; Human sexuality","score_opus":0.02583375679438965,"score_gpt":0.26306478269039574,"score_spread":0.2372310258960061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3093175996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9572151,0.0005693282,0.0006895635,0.0005878346,0.0000826278,0.0000359502,0.000022693692,0.000016095337,0.040780846],"genre_scores_gemma":[0.9967277,0.00018972665,0.00014043035,0.00014614676,0.000022067303,0.000021373315,0.000028856768,0.00001669869,0.0027069496],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99556446,0.0024890532,0.00020104929,0.00020638073,0.0010017334,0.0005373368],"domain_scores_gemma":[0.9924178,0.0027949798,0.0018782073,0.00045866784,0.00093277165,0.0015175823],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018282119,0.00027017298,0.0004348684,0.00139539,0.004908833,0.007265938,0.0005152647,0.00094420696,0.0025099444],"category_scores_gemma":[0.011975567,0.00035303415,0.00026135074,0.0010904107,0.006611035,0.0024393364,0.005202444,0.002574431,0.00043180748],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011701017,0.00014012406,0.06148406,0.00010552202,0.000030515454,0.0022058121,0.8967248,0.00005889602,0.0031486433,0.020408727,0.0025352945,0.013040489],"study_design_scores_gemma":[0.000010541185,0.00013375196,0.1126246,0.00018320157,0.000020208554,0.008637205,0.826998,0.00025051483,0.0006885779,0.0038368339,0.04654619,0.00007044564],"about_ca_topic_score_codex":0.0016973208,"about_ca_topic_score_gemma":0.0023530964,"teacher_disagreement_score":0.007265938,"about_ca_system_score_codex":0.0009932285,"about_ca_system_score_gemma":0.00094707654,"threshold_uncertainty_score":0.009668589},"labels":[],"label_agreement":null},{"id":"W3097371806","doi":"10.3138/md.63.3.br6","title":"Jennifer Wallace, <i>Tragedy since 9/11: Reading a World Out of Joint</i>","year":2020,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Reading (process); Perspective (graphical); Politics; Terrorism; Literature; Mode (computer interface); Refugee; History; Aesthetics; Sociology; Political science; Philosophy; Art; Law; Visual arts; Computer science","score_opus":0.048205060622413795,"score_gpt":0.22846480833279434,"score_spread":0.18025974771038056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097371806","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027263708,0.0984747,0.0029973704,0.6383801,0.020445775,0.00006686452,0.0002404184,0.0000891076,0.21204199],"genre_scores_gemma":[0.41041595,0.11067059,0.00542885,0.1680955,0.011044322,0.00028175625,0.00023707956,0.0005010282,0.29332495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991709,0.00041834495,0.000031358104,0.00007691346,0.0002164357,0.00008608233],"domain_scores_gemma":[0.9986625,0.0008037356,0.00014347448,0.00003251359,0.00020369698,0.00015407252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013546667,0.00058072596,0.00019711716,0.0009533614,0.0063444893,0.004734571,0.0008593615,0.002744889,0.002331798],"category_scores_gemma":[0.0050549908,0.00028759975,0.00017163028,0.0010944789,0.006198789,0.0070680007,0.0019209399,0.006707303,0.00066598755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026685535,0.000028094513,0.0012335507,0.0002886626,0.0000150403175,0.00076773873,0.116092645,0.00009893523,0.00042893406,0.08674712,0.77519834,0.019074192],"study_design_scores_gemma":[0.0000053935605,0.000023772507,0.0026265532,0.0008845127,0.000009483813,0.0007009029,0.08971006,0.00007256967,0.0005723282,0.013293788,0.89207864,0.000021897169],"about_ca_topic_score_codex":0.017447568,"about_ca_topic_score_gemma":0.039299443,"teacher_disagreement_score":0.017447568,"about_ca_system_score_codex":0.0017157577,"about_ca_system_score_gemma":0.0019892938,"threshold_uncertainty_score":0.03469199},"labels":[],"label_agreement":null},{"id":"W3099602504","doi":"10.3968/11844","title":"Abjection and Loss of Identity in Richard Yates’ Revolutionary Road","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Housewife; Mediocrity principle; Wife; Identity (music); Sociology; Consumerism; Gender studies; Aesthetics; Psychoanalysis; Law; Psychology; Philosophy; Political science","score_opus":0.024411759375730282,"score_gpt":0.28941286786644055,"score_spread":0.2650011084907103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3099602504","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20462324,0.014379135,0.005032351,0.1026829,0.0019022329,0.000027902432,0.000021203137,0.00012611714,0.67120486],"genre_scores_gemma":[0.97005177,0.001171427,0.0004114508,0.003543442,0.00023243822,0.000019654452,0.0000049713,0.000048511993,0.024516357],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929007,0.005026648,0.00009080278,0.0004154997,0.0008033821,0.0007630583],"domain_scores_gemma":[0.99837613,0.00076381763,0.00020329647,0.00021088103,0.00025261717,0.0001931705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040421262,0.0004976115,0.00039048732,0.0009925625,0.01764185,0.009659076,0.0010146188,0.003474968,0.001705534],"category_scores_gemma":[0.004478643,0.00028041622,0.0003018176,0.0006155895,0.06486074,0.0048764194,0.007903043,0.007786904,0.00046192564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000149081825,0.00000941375,0.00019812981,0.000015682203,0.0000027868211,0.00032677193,0.23342517,0.000054219687,0.00008745412,0.7564253,0.006878295,0.0025617722],"study_design_scores_gemma":[0.00002277421,0.000047311507,0.0008446838,0.00024389788,0.000012127597,0.0011060167,0.21027839,0.00022678121,0.00040319734,0.15142892,0.6353414,0.00004456674],"about_ca_topic_score_codex":0.015751941,"about_ca_topic_score_gemma":0.0172297,"teacher_disagreement_score":0.01764185,"about_ca_system_score_codex":0.006926282,"about_ca_system_score_gemma":0.00267973,"threshold_uncertainty_score":0.050253928},"labels":[],"label_agreement":null},{"id":"W3099837495","doi":"10.1080/0950236x.2020.1841279","title":"Manufacturing crisis under globalisation: middle-class precarity in Dave Eggers’s <i>A Hologram for the King</i>","year":2020,"lang":"en","type":"article","venue":"Textual Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Postmodernism; Globalization; Middle class; Precarity; Capitalism; Politics; Sociology; Exceptionalism; American exceptionalism; Financial crisis; Political economy; Economics; Economy; Economic history; Political science; Gender studies; Keynesian economics; Market economy; Art; Law; Literature","score_opus":0.11588367822596622,"score_gpt":0.28938307923589435,"score_spread":0.1734994010099281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3099837495","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29154047,0.009887067,0.0031565332,0.16273984,0.0014204171,0.000024251238,0.000055876742,0.000105936364,0.53106964],"genre_scores_gemma":[0.9711273,0.0012652152,0.0003512297,0.0057410137,0.00027859272,0.0000124981325,0.000008981298,0.00005349628,0.021161696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912757,0.00055388786,0.000014331089,0.000073058065,0.00012564572,0.00010559905],"domain_scores_gemma":[0.99915576,0.0005445108,0.00008377799,0.00008199249,0.00006316258,0.00007091022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015197977,0.00026417008,0.00018534447,0.00095619913,0.009238863,0.0055946694,0.00047789715,0.0015634856,0.0030775897],"category_scores_gemma":[0.0018823168,0.00012848034,0.00013050994,0.00092655566,0.030821644,0.005352171,0.0028446515,0.0035104423,0.00029677735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014337911,0.000016024898,0.00034306393,0.00003232411,0.000002145963,0.00029850032,0.34209955,0.000055367505,0.00023798065,0.6311637,0.018924672,0.006812366],"study_design_scores_gemma":[0.000007151768,0.000016603259,0.0011527118,0.00018257099,0.0000047015346,0.00029520213,0.29013726,0.00014683946,0.0006160808,0.092605755,0.6148181,0.000017017284],"about_ca_topic_score_codex":0.0062854355,"about_ca_topic_score_gemma":0.009747502,"teacher_disagreement_score":0.009238863,"about_ca_system_score_codex":0.0034208375,"about_ca_system_score_gemma":0.0014043387,"threshold_uncertainty_score":0.02482009},"labels":[],"label_agreement":null},{"id":"W3107852355","doi":"10.1177/0021989420969964","title":"Multidirectional vulnerabilities: Trauma, bare life, and resistance in June Hutton’s <i>Underground</i>","year":2020,"lang":"en","type":"article","venue":"The Journal of Commonwealth Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Narodowe Centrum Nauki","keywords":"Resistance (ecology); Precarity; Biopower; Sociology; Politics; History; Population; Uncanny; Gender studies; Spanish Civil War; Persecution; Law; Criminology; Psychoanalysis; Political science; Psychology; Demography","score_opus":0.024056837007158608,"score_gpt":0.23481488343569484,"score_spread":0.21075804642853624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107852355","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35074076,0.019645115,0.001909884,0.23096763,0.0046195732,0.00013090174,0.00021820278,0.00008041054,0.3916876],"genre_scores_gemma":[0.9279726,0.004446965,0.0005448192,0.01589396,0.0005751862,0.000052569983,0.000045263474,0.000106818756,0.05036175],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976782,0.00072954484,0.000033738957,0.00018386614,0.00055418175,0.00082036044],"domain_scores_gemma":[0.9987519,0.0003255866,0.00014528647,0.000050122253,0.0001998804,0.0005272836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014983166,0.0007748049,0.00045967227,0.0011990588,0.041817117,0.011203205,0.0015152285,0.0048035574,0.0051875915],"category_scores_gemma":[0.0019308598,0.0004480958,0.00028279712,0.0014755081,0.04427057,0.0045558065,0.0074859955,0.0078160735,0.00047073327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033998247,0.000020626387,0.00097583455,0.0000722338,0.000008077085,0.002194058,0.8154559,0.00008438739,0.00025230908,0.11537314,0.060083076,0.0054464107],"study_design_scores_gemma":[0.0000055075966,0.00001751132,0.0022011572,0.00022979287,0.000005922622,0.0012961538,0.624137,0.00006294437,0.00015051248,0.008928513,0.3629119,0.00005312218],"about_ca_topic_score_codex":0.55856687,"about_ca_topic_score_gemma":0.74033993,"teacher_disagreement_score":0.55856687,"about_ca_system_score_codex":0.03847226,"about_ca_system_score_gemma":0.02096864,"threshold_uncertainty_score":0.88806564},"labels":[],"label_agreement":null},{"id":"W3109354498","doi":"10.3138/seminar.57.1.4","title":"No Light against Entropy: Elfriede Jelinek’s Translation of Thomas Pynchon’s <i>Gravity’s Rainbow</i> and Its Impact on <i>Die Kinder der Toten</i>","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rainbow; Poetry; Agency (philosophy); Art; Literature; Art history; Philosophy; Epistemology; Physics; Optics","score_opus":0.03838076472117147,"score_gpt":0.28565176388989194,"score_spread":0.24727099916872047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109354498","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.110172234,0.059312385,0.009325757,0.2564654,0.008520741,0.000040748124,0.0001758273,0.00018898536,0.5557979],"genre_scores_gemma":[0.9494672,0.0044845436,0.00081273034,0.0074716345,0.0009950513,0.000021382115,0.000021243051,0.00013256526,0.036593758],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855894,0.000773842,0.000042566706,0.00014376215,0.00030270408,0.00017813411],"domain_scores_gemma":[0.99891627,0.00069104496,0.00012166822,0.00006792172,0.00012237503,0.00008062927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012306893,0.00049151777,0.00026139859,0.0010742085,0.003598561,0.0044573867,0.0005393801,0.0020050167,0.0024566574],"category_scores_gemma":[0.00526212,0.00021257195,0.00018169715,0.0007374542,0.018068781,0.0044965995,0.0027596017,0.004373711,0.0005064365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029502204,0.0000073890055,0.0001717734,0.000056376637,0.0000037444047,0.00021367517,0.047898874,0.00012955186,0.00021414233,0.920151,0.025590686,0.0055333],"study_design_scores_gemma":[0.000018074485,0.000029848306,0.0017075646,0.00033623123,0.000009820012,0.00048004236,0.029876376,0.0003705389,0.00066521263,0.23977955,0.72668946,0.000037342532],"about_ca_topic_score_codex":0.005390718,"about_ca_topic_score_gemma":0.00641341,"teacher_disagreement_score":0.005390718,"about_ca_system_score_codex":0.0051119053,"about_ca_system_score_gemma":0.0015090391,"threshold_uncertainty_score":0.037089646},"labels":[],"label_agreement":null},{"id":"W3111065790","doi":"10.21153/psj2020vol6no1art872","title":"Social Media and Modernist Authority: The Hauntology of Facebook","year":2020,"lang":"en","type":"article","venue":"Persona Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Cult; Argument (complex analysis); Genius; Biography; Social media; Sociology; Space (punctuation); Exposition (narrative); Aesthetics; Media studies; Art; Literature; Philosophy; Computer science; World Wide Web","score_opus":0.1955997296214604,"score_gpt":0.3050972368139285,"score_spread":0.10949750719246806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111065790","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14142181,0.008498857,0.0061108666,0.06025269,0.00088139804,0.000022605076,0.000024315554,0.00006991272,0.78271747],"genre_scores_gemma":[0.98809,0.00088309194,0.00025087886,0.0011086675,0.00033627602,0.000014594826,0.0000036507845,0.000023495726,0.0092893075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99554175,0.0031262434,0.00007695003,0.0003312493,0.0006208244,0.000303079],"domain_scores_gemma":[0.99510324,0.0031779208,0.0004312379,0.00069784827,0.00032646352,0.00026328472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036597194,0.00038509705,0.000278914,0.0027447622,0.01093526,0.013028551,0.0009982436,0.0030908743,0.00291524],"category_scores_gemma":[0.005657601,0.00027383392,0.0002317454,0.001169273,0.07275706,0.012885891,0.006530381,0.0036071797,0.0004268519],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008317594,0.000005960052,0.00025174097,0.000014499601,0.0000016401074,0.000056951623,0.05605988,0.000031636202,0.00004745005,0.9393705,0.0014131587,0.0027382048],"study_design_scores_gemma":[0.000018521496,0.00003336786,0.0014322059,0.00034620124,0.00000898663,0.00038519758,0.09628972,0.0006666013,0.00044171905,0.59129804,0.3090512,0.000028333283],"about_ca_topic_score_codex":0.0030575478,"about_ca_topic_score_gemma":0.0036749297,"teacher_disagreement_score":0.013028551,"about_ca_system_score_codex":0.006152324,"about_ca_system_score_gemma":0.0013633156,"threshold_uncertainty_score":0.044638395},"labels":[],"label_agreement":null},{"id":"W3111632394","doi":"10.1080/00048402.2020.1840602","title":"A Critical Introduction to Fictionalism","year":2020,"lang":"en","type":"article","venue":"Australasian Journal of Philosophy","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Metaphysics; Philosophy; Epistemology","score_opus":0.04232082236848308,"score_gpt":0.2628121185387244,"score_spread":0.2204912961702413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111632394","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026014652,0.07851136,0.017475922,0.16848367,0.020965641,0.00009574898,0.00026891072,0.00014884869,0.71144843],"genre_scores_gemma":[0.3433338,0.07672916,0.020475764,0.06730379,0.061836995,0.0006329357,0.0006098091,0.0008587664,0.42821905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99699557,0.001721765,0.000086947206,0.00025979165,0.00068820437,0.00024772476],"domain_scores_gemma":[0.99327326,0.0047492483,0.00022320358,0.00031451965,0.0012002758,0.00023942413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030761345,0.00079346524,0.00041713502,0.0026957442,0.006689511,0.0077716545,0.0010831971,0.0034507103,0.019120194],"category_scores_gemma":[0.010873462,0.00028229124,0.0004138168,0.0015981185,0.01710571,0.007342253,0.0024574613,0.007679206,0.0029076722],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000064199808,0.000006402323,0.000022140473,0.000067013694,0.000001307429,0.00003163897,0.0031090379,0.00006344178,0.00004877238,0.90112495,0.08698362,0.008535235],"study_design_scores_gemma":[0.0000026582886,0.0000074922823,0.000059855298,0.00031842964,0.0000011003435,0.00004835253,0.0010293612,0.000085364016,0.00006646305,0.23348592,0.76488745,0.0000075683265],"about_ca_topic_score_codex":0.0044953595,"about_ca_topic_score_gemma":0.00357242,"teacher_disagreement_score":0.019120194,"about_ca_system_score_codex":0.008404604,"about_ca_system_score_gemma":0.003553242,"threshold_uncertainty_score":0.06396341},"labels":[],"label_agreement":null},{"id":"W3111686890","doi":"","title":"Comment by the end of Chapter 12 of Jacob's Room by Virginia Woolf (The Clock Struck The Quarter to The church clock, however, strikes twelve.)","year":2008,"lang":"en","type":"article","venue":"Publications Pimido","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); History; Archaeology","score_opus":0.02426344426751517,"score_gpt":0.2244617576872551,"score_spread":0.20019831341973993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111686890","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043018154,0.0023623598,0.0001531613,0.9412636,0.040637337,0.000023103748,0.00015739296,0.00006553411,0.0149073955],"genre_scores_gemma":[0.0027151683,0.0009928329,0.000111700414,0.89790297,0.009940323,0.000052886262,0.000058874444,0.00010130208,0.088123985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99743205,0.00046730926,0.00015474626,0.00039375466,0.0010656526,0.0004865684],"domain_scores_gemma":[0.9941572,0.002512712,0.00032584192,0.00019238685,0.0020799055,0.000732016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032753572,0.00074222556,0.0009224139,0.000935959,0.010275675,0.005470961,0.002342417,0.021757612,0.025961602],"category_scores_gemma":[0.020737752,0.00066825224,0.00081389456,0.0010522733,0.00365482,0.0060353554,0.0030295958,0.0341896,0.0136540355],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051976035,0.0000026159755,0.000050763956,0.000013669293,0.0000011636031,0.000030194882,0.00024989087,0.000003981255,0.0000191658,0.001069323,0.9978897,0.00066420925],"study_design_scores_gemma":[0.00000537195,0.0000061906826,0.00071541494,0.00017165301,0.0000051631305,0.000046712503,0.001912401,0.000024334731,0.00012384047,0.001114178,0.9958553,0.0000194483],"about_ca_topic_score_codex":0.10230128,"about_ca_topic_score_gemma":0.20863147,"teacher_disagreement_score":0.10230128,"about_ca_system_score_codex":0.0049821986,"about_ca_system_score_gemma":0.006367238,"threshold_uncertainty_score":0.20341164},"labels":[],"label_agreement":null},{"id":"W3125570769","doi":"","title":"ON THE QUESTION OF THE OVERLAPS BETWEEN THE POST-COLONIAL AND THE POSTMODERN","year":2012,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Orientalism; Colonialism; Analogy; Face (sociological concept); Value (mathematics); Aesthetics; Point (geometry); Face value; Sociology; Post colonialism; Epistemology; Literature; History; Philosophy; Art; Social science; Computer science; Mathematics","score_opus":0.01684381746810385,"score_gpt":0.2287100977636335,"score_spread":0.21186628029552965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3125570769","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21458879,0.023090553,0.019423127,0.13328475,0.0010229565,0.000072239236,0.00008502906,0.00006074435,0.6083718],"genre_scores_gemma":[0.98325896,0.0027693675,0.0015645779,0.003796859,0.0006747448,0.00007757149,0.000025056566,0.00004665593,0.0077862027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9930668,0.0041710236,0.00010812562,0.0006530966,0.0012504722,0.000750484],"domain_scores_gemma":[0.98708135,0.010145303,0.00071813056,0.00086957176,0.00074941834,0.00043620335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010797806,0.00037561386,0.0006286351,0.0017924784,0.009499729,0.012200929,0.0019408413,0.004699947,0.0057913223],"category_scores_gemma":[0.011809275,0.00024374452,0.00033081722,0.0024684009,0.09707529,0.02125869,0.009670591,0.0049408586,0.0005953092],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014920523,0.000009479676,0.00018691903,0.000033443932,0.0000023558778,0.00009202421,0.06533082,0.00004318043,0.00008509988,0.92967016,0.0006944143,0.0038371608],"study_design_scores_gemma":[0.000018306615,0.000038253984,0.0027396795,0.00062890485,0.0000083650175,0.00039320704,0.17996247,0.00024954532,0.00035909552,0.68794304,0.12763377,0.000025366286],"about_ca_topic_score_codex":0.0067971135,"about_ca_topic_score_gemma":0.008249554,"teacher_disagreement_score":0.012200929,"about_ca_system_score_codex":0.006551016,"about_ca_system_score_gemma":0.0044060536,"threshold_uncertainty_score":0.057105005},"labels":[],"label_agreement":null},{"id":"W3129347826","doi":"10.7202/1075878ar","title":"Forming Ecomasculinities through Deep Ecology in Gravity's Rainbow","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deep ecology; Ecology; Dominance (genetics); Conversation; Ecocriticism; Sociology; Environmental ethics; Biology; Philosophy; Communication","score_opus":0.02779592637265378,"score_gpt":0.23357808312142309,"score_spread":0.20578215674876932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3129347826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15741274,0.0028437953,0.025037466,0.02659606,0.00048850774,0.000042133066,0.000015859561,0.00018713302,0.7873762],"genre_scores_gemma":[0.9742488,0.00037406938,0.0020891412,0.0009325653,0.0000843076,0.000024734249,0.0000032546043,0.000056013978,0.022187002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99826044,0.0009216955,0.000028523493,0.00021379262,0.0003811669,0.00019440717],"domain_scores_gemma":[0.99902105,0.00044310722,0.00009706909,0.000190062,0.00010527097,0.00014343501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002579655,0.00033594627,0.0002735526,0.0012270416,0.006833838,0.0058752955,0.0006217634,0.0013676358,0.0039601405],"category_scores_gemma":[0.0024856464,0.00022512273,0.00023538369,0.0005829781,0.065288045,0.005794247,0.009337034,0.003049761,0.0003639509],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006816116,0.000003819635,0.00017971927,0.000008821147,0.0000012058223,0.000056371548,0.013150876,0.00006808142,0.00015214208,0.98192215,0.0007249335,0.0037249727],"study_design_scores_gemma":[0.000012342756,0.00003710489,0.0010793898,0.00006561572,0.00000436948,0.00019494262,0.01363512,0.0003875609,0.0003264413,0.8280916,0.1561491,0.000016318689],"about_ca_topic_score_codex":0.0022139035,"about_ca_topic_score_gemma":0.004291019,"teacher_disagreement_score":0.006833838,"about_ca_system_score_codex":0.003518341,"about_ca_system_score_gemma":0.0019100194,"threshold_uncertainty_score":0.025527477},"labels":[],"label_agreement":null},{"id":"W3130071035","doi":"","title":"Subtraction and Contraction: Deleuze, Immanence, andMatter and Memory","year":2007,"lang":"en","type":"article","venue":"Collapse","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immanence; Contraction (grammar); Subtraction; Philosophy; Arithmetic; Epistemology; Mathematics; Linguistics","score_opus":0.013164601616238744,"score_gpt":0.2184285340527838,"score_spread":0.20526393243654506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3130071035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1574177,0.022493446,0.03951771,0.059423804,0.0007586342,0.000053555985,0.000059685488,0.00013531103,0.7201402],"genre_scores_gemma":[0.98405933,0.001330662,0.001229935,0.0011329703,0.00018807239,0.000020957023,0.000013189198,0.00005849371,0.011966495],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99575436,0.0027318476,0.00010068098,0.0004654667,0.00055298046,0.00039460775],"domain_scores_gemma":[0.9942967,0.0034538333,0.00036545802,0.0011992442,0.0005085559,0.00017620134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0067318277,0.0008069102,0.0007199909,0.0015748251,0.0067623714,0.010221966,0.002713318,0.0038249614,0.007038633],"category_scores_gemma":[0.0122080585,0.00030944005,0.00055945065,0.0016428994,0.09326751,0.010869033,0.00550975,0.0057829297,0.00047134078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013253053,0.0000051442407,0.00008643189,0.000015951327,0.0000025543065,0.000028150356,0.008921935,0.000053517077,0.00005334963,0.98799217,0.00056410814,0.0022633022],"study_design_scores_gemma":[0.000017784347,0.000011846997,0.0002730139,0.00007284167,0.000007847611,0.000109948516,0.00724841,0.00021052403,0.00026382698,0.96446,0.027310958,0.000013060289],"about_ca_topic_score_codex":0.004786516,"about_ca_topic_score_gemma":0.006049681,"teacher_disagreement_score":0.010221966,"about_ca_system_score_codex":0.0048699863,"about_ca_system_score_gemma":0.0036933233,"threshold_uncertainty_score":0.035601735},"labels":[],"label_agreement":null},{"id":"W3132855682","doi":"10.3126/sjah.v2i0.35014","title":"The Politics of ‘Bare Life’ in Sharon Bala’s The Boat People: A Biopolitical Perspective","year":2020,"lang":"en","type":"article","venue":"SCHOLARS Journal of Arts & Humanities","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biopower; Human rights; Politics; Hegemony; Gender studies; Refugee; Sociology; Injustice; Power (physics); Tamil; Citizenship; Political science; Law; Art","score_opus":0.04724567020557455,"score_gpt":0.25842463457592174,"score_spread":0.2111789643703472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3132855682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8627277,0.0020110512,0.0003934356,0.014005154,0.0002500235,0.000024273413,0.000026230977,0.0000110175915,0.12055104],"genre_scores_gemma":[0.98610073,0.0005896224,0.000119044475,0.0013967099,0.000046060428,0.0000148700965,0.0000131999195,0.000011036037,0.011708688],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884194,0.00046109658,0.000010869806,0.00005488872,0.00009345946,0.0005378379],"domain_scores_gemma":[0.99942493,0.000113823204,0.00007218612,0.000023384522,0.00007290266,0.0002927536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010364244,0.00046420813,0.00031943954,0.0011115263,0.037521265,0.006770611,0.0010404057,0.002049644,0.0041010333],"category_scores_gemma":[0.0006872215,0.00025427443,0.00017993739,0.0011015648,0.042392533,0.0035791122,0.0050099683,0.0053754915,0.00035898638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020822948,0.000041046103,0.0020357817,0.00003936298,0.0000034991951,0.0005297641,0.9239182,0.000031504864,0.0005990658,0.06580762,0.003117266,0.0038561714],"study_design_scores_gemma":[0.000003024399,0.000021340667,0.0028573128,0.000068260124,0.0000032148107,0.00015645832,0.94554055,0.00003448004,0.00009512919,0.002419299,0.04878984,0.000011091303],"about_ca_topic_score_codex":0.15908077,"about_ca_topic_score_gemma":0.29905927,"teacher_disagreement_score":0.15908077,"about_ca_system_score_codex":0.009858217,"about_ca_system_score_gemma":0.007627704,"threshold_uncertainty_score":0.31630963},"labels":[],"label_agreement":null},{"id":"W3133083835","doi":"10.18778/0208-6107.36.03","title":"The Fantastic as the Unconcealment of Truth in Debora Vogel’s Work","year":2020,"lang":"en","type":"article","venue":"Acta Universitatis Lodziensis Folia Philosophica Ethica-Aesthetica-Practica","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Poetics; Modernity; Ingenuity; Poetry; Philosophy; Simplicity; Psychic; Praxis; Epistemology; Aesthetics; Literature; Function (biology); Genius; Space (punctuation); Art; Linguistics","score_opus":0.041671724867659556,"score_gpt":0.23915076596785945,"score_spread":0.1974790411001999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133083835","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104599535,0.033943046,0.03264974,0.1281787,0.0049896473,0.00008194391,0.00008062949,0.00017164742,0.69530517],"genre_scores_gemma":[0.9572665,0.0032287582,0.0018355586,0.005576836,0.0007108527,0.00004803706,0.00001427676,0.00007576391,0.031243399],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997074,0.0018850703,0.000069307695,0.0002733568,0.0004712202,0.0002270859],"domain_scores_gemma":[0.9977041,0.001574207,0.0001506837,0.00021932255,0.0001682915,0.00018336692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032288006,0.00045815806,0.0003341862,0.0011821261,0.005338099,0.008417832,0.0006354041,0.0030664022,0.0022148106],"category_scores_gemma":[0.0059916163,0.00029631425,0.0002891501,0.0006451347,0.053543456,0.0077262474,0.004123769,0.0048147333,0.00039107446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000064259625,0.000005997057,0.00005774813,0.000022357315,0.0000013168788,0.00005067989,0.018469533,0.000035428377,0.00007103304,0.97687316,0.0026334678,0.001772972],"study_design_scores_gemma":[0.000013447123,0.000031684678,0.00032407074,0.00022400482,0.0000051372026,0.00046985838,0.020329334,0.00025012577,0.00033316962,0.56405574,0.41393685,0.000026580448],"about_ca_topic_score_codex":0.0017263474,"about_ca_topic_score_gemma":0.0016055347,"teacher_disagreement_score":0.008417832,"about_ca_system_score_codex":0.0037356562,"about_ca_system_score_gemma":0.0014053107,"threshold_uncertainty_score":0.027104259},"labels":[],"label_agreement":null},{"id":"W3133609828","doi":"10.31142/ijtsrd11381","title":"The Depiction of Women’s Pride in Margaret Laurence’s Novel “The Stone Angel”","year":2018,"lang":"en","type":"article","venue":"International Journal of Trend in Scientific Research and Development","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pride; Depiction; Art; Art history; History; Visual arts; Theology; Philosophy","score_opus":0.09536384489442283,"score_gpt":0.34660680428166013,"score_spread":0.2512429593872373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133609828","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14938968,0.0059075993,0.0019150793,0.072891735,0.0029849266,0.000052725114,0.00009848065,0.0001469992,0.7666128],"genre_scores_gemma":[0.82862854,0.0019365983,0.00058519706,0.00708515,0.0006452186,0.000045242698,0.000026410149,0.00010083469,0.16094671],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993248,0.00034762864,0.0000063821963,0.000044938995,0.00015093957,0.00012529532],"domain_scores_gemma":[0.9995402,0.00021557433,0.000046715173,0.000018431463,0.000051360723,0.0001277377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005787616,0.00042274478,0.00019231475,0.0007132055,0.013218879,0.0038484747,0.0008216105,0.0021395627,0.005039216],"category_scores_gemma":[0.0016580723,0.00017616367,0.00017351651,0.00044244027,0.012159793,0.0014926234,0.002289677,0.0033017632,0.00081433676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008359216,0.000031656044,0.0006425764,0.0001175974,0.000008253791,0.0036007978,0.57731295,0.00016605067,0.0013656324,0.26773775,0.13813454,0.010798573],"study_design_scores_gemma":[0.000006016873,0.000030742103,0.0010900305,0.0001934467,0.000005379241,0.0013222741,0.12011666,0.00013578004,0.00075549015,0.003996154,0.87232864,0.000019393425],"about_ca_topic_score_codex":0.050301276,"about_ca_topic_score_gemma":0.14032678,"teacher_disagreement_score":0.050301276,"about_ca_system_score_codex":0.0056249364,"about_ca_system_score_gemma":0.0020756223,"threshold_uncertainty_score":0.10001701},"labels":[],"label_agreement":null},{"id":"W3135600357","doi":"10.5539/ells.v11n1p63","title":"Woman as the Other—Interpretations of the Gender Wars in “A Woman on a Roof” from the Perspective of Existential Feminism","year":2021,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Beijing Language and Culture University","keywords":"Existentialism; Feminism; Perspective (graphical); Transcendence (philosophy); Gender studies; Subject (documents); Power (physics); Prejudice (legal term); Sociology; Aesthetics; Psychoanalysis; Philosophy; Psychology; Art; Epistemology; Social psychology; Visual arts","score_opus":0.018475529358188938,"score_gpt":0.2686968418156142,"score_spread":0.2502213124574253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135600357","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16933389,0.035855416,0.008485825,0.07190532,0.0014674615,0.00004497368,0.00005909401,0.00005297951,0.712795],"genre_scores_gemma":[0.9754057,0.0036661664,0.0005695475,0.0024789483,0.0003140784,0.000036326506,0.000014655444,0.00004562713,0.017468948],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99408746,0.0048417393,0.000055111057,0.00027577562,0.00034051726,0.0003995092],"domain_scores_gemma":[0.9982357,0.0010463848,0.00023260902,0.000093303024,0.00014856795,0.00024343019],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003654455,0.0007676021,0.00041474012,0.0014899515,0.011813694,0.010967679,0.0012304567,0.002594406,0.002923343],"category_scores_gemma":[0.0028226906,0.00030894481,0.00026300477,0.0014772943,0.06328476,0.0095778685,0.0052705207,0.0041257683,0.00040331983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001621908,0.000011318987,0.00022523872,0.000060078375,0.0000028902816,0.00031691117,0.3389682,0.00003241959,0.00013912776,0.654917,0.0027682662,0.002542249],"study_design_scores_gemma":[0.000015345227,0.00003578767,0.0007841467,0.00052345294,0.0000099281015,0.0005653421,0.56931376,0.00017639215,0.00034114483,0.11720707,0.31100863,0.000019044355],"about_ca_topic_score_codex":0.005770004,"about_ca_topic_score_gemma":0.006151001,"teacher_disagreement_score":0.011813694,"about_ca_system_score_codex":0.0067953076,"about_ca_system_score_gemma":0.0021911678,"threshold_uncertainty_score":0.04930359},"labels":[],"label_agreement":null},{"id":"W3135983703","doi":"10.7202/1075888ar","title":"Economides, \"The Ecology of Wonder in Romantic and Postmodern Literature\"","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wonder; Postmodernism; Romance; Ecology; Aesthetics; Sociology; Art; Philosophy; Literature; Epistemology; Biology","score_opus":0.013416375123665364,"score_gpt":0.19698156691854096,"score_spread":0.1835651917948756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135983703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019519538,0.12252454,0.005471395,0.38011363,0.005290977,0.00010043114,0.00043087947,0.00017639669,0.46637222],"genre_scores_gemma":[0.6014644,0.089423046,0.0056663523,0.074352056,0.00560478,0.00069757336,0.00026364168,0.0005147337,0.22201346],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99840826,0.000739674,0.00006968616,0.00020367173,0.00034769851,0.0002310396],"domain_scores_gemma":[0.9963834,0.002779429,0.00018805885,0.00011780797,0.000398113,0.00013317652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021152806,0.00069748255,0.00045827488,0.0024158405,0.008867993,0.009765696,0.0014258852,0.009168769,0.006923475],"category_scores_gemma":[0.010799243,0.00044369465,0.00028178302,0.003830958,0.013607467,0.013779978,0.0028165192,0.006624543,0.0011574891],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027456741,0.000014840787,0.00027138248,0.00006471658,0.0000031802408,0.000079349826,0.009438023,0.000053987555,0.000040079685,0.8972431,0.08651076,0.0062530935],"study_design_scores_gemma":[0.000056567067,0.000011877575,0.0019664154,0.00047819133,0.00001994946,0.0001404495,0.017460564,0.00022733049,0.0004603225,0.37164643,0.6074952,0.00003668578],"about_ca_topic_score_codex":0.029880188,"about_ca_topic_score_gemma":0.054808043,"teacher_disagreement_score":0.029880188,"about_ca_system_score_codex":0.004185196,"about_ca_system_score_gemma":0.0043325303,"threshold_uncertainty_score":0.05941254},"labels":[],"label_agreement":null},{"id":"W3136494222","doi":"10.14361/9783839449219-006","title":"The Solipsism of the Quantified Self: Working Bodies in David Foster Wallace's Body of Work","year":2020,"lang":"en","type":"book-chapter","venue":"American culture studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materialism; Entertainment; Aesthetics; Solipsism; Sexualization; Sociology; Art; Psychology; Epistemology; Gender studies; Visual arts; Philosophy","score_opus":0.050559519792991885,"score_gpt":0.25846267856603405,"score_spread":0.20790315877304216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136494222","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06411057,0.015779892,0.018520856,0.111020215,0.0015076557,0.000026617286,0.000033751727,0.00006949811,0.78893095],"genre_scores_gemma":[0.88923836,0.004610831,0.003434923,0.008396731,0.00066942273,0.00006641572,0.000013871884,0.00011861184,0.09345079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99703205,0.0018123193,0.000054221797,0.0002542174,0.0005534232,0.0002938132],"domain_scores_gemma":[0.99834335,0.0008938381,0.00014936083,0.00013443992,0.00015842692,0.0003205856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030412439,0.00032777266,0.00022820098,0.0015763262,0.010272722,0.010758487,0.00073920516,0.0024041473,0.0032799714],"category_scores_gemma":[0.003435584,0.00025030153,0.0002718302,0.0010359515,0.044879638,0.007286048,0.0073816185,0.00431494,0.00059353875],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042302368,0.000007079417,0.000088632034,0.000009617251,8.4911005e-7,0.000038576425,0.03475194,0.000036925172,0.000044722477,0.95655864,0.0051527075,0.0033061213],"study_design_scores_gemma":[0.000011070334,0.000017284141,0.0003538379,0.00026958543,0.0000033338379,0.0001653011,0.03340773,0.0002059396,0.0002079124,0.4581539,0.5071877,0.00001641229],"about_ca_topic_score_codex":0.005429474,"about_ca_topic_score_gemma":0.007989941,"teacher_disagreement_score":0.010758487,"about_ca_system_score_codex":0.005165462,"about_ca_system_score_gemma":0.0028081387,"threshold_uncertainty_score":0.03747821},"labels":[],"label_agreement":null},{"id":"W3137607960","doi":"10.1093/litthe/frab006","title":"Good Deaths in Wendell Berry’s Short Stories","year":2021,"lang":"en","type":"article","venue":"Literature and Theology","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Affection; Materiality (auditing); Embodied cognition; Aesthetics; Sociology; History; Epistemology; Philosophy","score_opus":0.014075471713303188,"score_gpt":0.22361367296846443,"score_spread":0.20953820125516123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137607960","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29526013,0.01995832,0.006618653,0.2514057,0.0073033245,0.00016796701,0.0003557527,0.0001779314,0.41875228],"genre_scores_gemma":[0.93539906,0.003947541,0.000793005,0.012124307,0.00061876315,0.00007309654,0.0000728049,0.000094811985,0.04687667],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99543375,0.003434213,0.00008623489,0.00014389261,0.00046486594,0.0004370436],"domain_scores_gemma":[0.9929703,0.0048094853,0.0005976954,0.00019208423,0.0006290937,0.0008013729],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002614572,0.00065483956,0.00035503527,0.0010963916,0.010644855,0.005717023,0.0008021134,0.00335374,0.005635786],"category_scores_gemma":[0.01095175,0.00028194214,0.0001590582,0.0009161029,0.018496837,0.006219509,0.004169223,0.0045891125,0.0008680666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089276335,0.000020009236,0.00048679046,0.00017314496,0.0000059247845,0.0018594175,0.5423629,0.0001403258,0.0003433564,0.36178255,0.08469247,0.008043829],"study_design_scores_gemma":[0.0000048793904,0.000024001585,0.00035445043,0.00021640211,0.0000029217863,0.0005049257,0.22537076,0.00007305791,0.00025417408,0.018486543,0.75468665,0.000021173144],"about_ca_topic_score_codex":0.008865487,"about_ca_topic_score_gemma":0.0183354,"teacher_disagreement_score":0.010644855,"about_ca_system_score_codex":0.005773621,"about_ca_system_score_gemma":0.0015003013,"threshold_uncertainty_score":0.04189074},"labels":[],"label_agreement":null},{"id":"W3138624992","doi":"","title":"A Train to Castle Von Aux: Patrick deWitt’s Fiction and the Transnational Paradigm","year":2020,"lang":"en","type":"article","venue":"University of Debrecen Electronic Archive (University of Debrecen)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fable; Romance; Scrutiny; Minor (academic); Literature; History; Art; Art history; Philosophy; Humanities","score_opus":0.013296042552777639,"score_gpt":0.1658803455304689,"score_spread":0.15258430297769127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138624992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08363366,0.022635454,0.008638526,0.17955257,0.0076837,0.000039677612,0.00008816222,0.00010527171,0.6976229],"genre_scores_gemma":[0.79846317,0.0053339563,0.0017385577,0.009765812,0.0014155714,0.000033818855,0.000030353529,0.0001465776,0.18307212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927944,0.00044164504,0.000007729608,0.000063867315,0.00012498928,0.00008230985],"domain_scores_gemma":[0.99930215,0.00044938643,0.00003991709,0.000047007008,0.00007686476,0.00008467679],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006987892,0.00034280666,0.00018432722,0.000641358,0.006506226,0.0045454795,0.0005413502,0.0016867106,0.0031816713],"category_scores_gemma":[0.002427624,0.00014568062,0.0001553933,0.00053467427,0.009814965,0.0026535466,0.0021588812,0.0045640618,0.0006101642],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029963996,0.000021981583,0.00030463,0.00005813688,0.000004736148,0.0010084078,0.09105264,0.00020085064,0.00057080825,0.74657077,0.1443327,0.01584435],"study_design_scores_gemma":[0.0000035132095,0.000014591124,0.0004213906,0.00014792454,0.000002789291,0.0007231002,0.023805948,0.00027101135,0.00047234885,0.037274823,0.93684936,0.00001320191],"about_ca_topic_score_codex":0.014521693,"about_ca_topic_score_gemma":0.03478325,"teacher_disagreement_score":0.014521693,"about_ca_system_score_codex":0.0037948885,"about_ca_system_score_gemma":0.0011074856,"threshold_uncertainty_score":0.028874338},"labels":[],"label_agreement":null},{"id":"W3148901745","doi":"10.3138/ecf.33.3.458","title":"<i>Systems Failure: The Uses of Disorder in English Literature</i> by Andrew Franta","year":2021,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Psychology; Library science; Linguistics; Philosophy; Computer science","score_opus":0.007761226417681971,"score_gpt":0.18979050859249147,"score_spread":0.1820292821748095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3148901745","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013583608,0.09339825,0.0028474305,0.6352096,0.009957185,0.000029628745,0.00008346056,0.00007667586,0.24481414],"genre_scores_gemma":[0.69442403,0.05663149,0.0024330032,0.093899816,0.018257227,0.00017021834,0.00006703893,0.0003536501,0.13376364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975419,0.0016594061,0.00006691203,0.0001715773,0.00032507215,0.00023501023],"domain_scores_gemma":[0.99040294,0.007621886,0.00040923877,0.00029172865,0.00094831584,0.00032595932],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046106377,0.000586698,0.0005565961,0.0020123895,0.01220297,0.008538456,0.0012294515,0.0039750063,0.0037663402],"category_scores_gemma":[0.008071218,0.00027912523,0.00026275613,0.0016640613,0.031950507,0.011228774,0.0037582887,0.007736764,0.00071037107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018250485,0.000013006254,0.00021163092,0.00012864065,0.0000057875513,0.00013103758,0.055979606,0.000067113186,0.0000662967,0.75217354,0.18475279,0.0064523476],"study_design_scores_gemma":[0.000009285047,0.000013273024,0.00047899867,0.0007161748,0.0000072745147,0.00018858933,0.030968035,0.00017615697,0.00014896621,0.11661944,0.85065114,0.000022574899],"about_ca_topic_score_codex":0.016706489,"about_ca_topic_score_gemma":0.02290372,"teacher_disagreement_score":0.016706489,"about_ca_system_score_codex":0.0051744157,"about_ca_system_score_gemma":0.0030924543,"threshold_uncertainty_score":0.037543178},"labels":[],"label_agreement":null},{"id":"W3150913054","doi":"10.18522/2415-8852-2020-2-72-86","title":"POETICS OF THE TITLE OF JOHN BANVILLE’S NOVEL “THE NEWTON LETTER”","year":2020,"lang":"en","type":"article","venue":"Practices & Interpretations A Journal of Philology Teaching and Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Poetics; Plot (graphics); Genius; Literature; Trilogy; Narrative; Philosophy; Novella; Consciousness; Skepticism; Catharsis; Epistemology; Art; Poetry","score_opus":0.09439993795546243,"score_gpt":0.3342304903999335,"score_spread":0.2398305524444711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3150913054","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044535834,0.014299159,0.0070438865,0.13811067,0.01572705,0.00006510259,0.00007928559,0.0001553554,0.77998364],"genre_scores_gemma":[0.7301017,0.0055751074,0.002792231,0.016604917,0.005571862,0.00016490369,0.00004650271,0.0003043818,0.23883836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977441,0.0013801969,0.0000332642,0.00016528579,0.0004930223,0.00018414746],"domain_scores_gemma":[0.998585,0.00077711255,0.000170822,0.00005983985,0.00023170345,0.00017561915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013616113,0.00028601952,0.00020117174,0.00071072386,0.007994757,0.006379069,0.0006206941,0.0023408039,0.004340059],"category_scores_gemma":[0.005339043,0.0001648311,0.00012038324,0.0004720924,0.012650444,0.0027647861,0.00192207,0.0036341092,0.001028863],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006771899,0.000030427253,0.00018213486,0.000100272766,0.0000035799364,0.00051966537,0.06615858,0.000090131405,0.00050071115,0.8229397,0.09828069,0.011126443],"study_design_scores_gemma":[0.0000054373954,0.000011355528,0.0001748004,0.0001240457,0.0000014278974,0.00022395489,0.008039837,0.00007584606,0.000274163,0.020152962,0.9709052,0.000011024023],"about_ca_topic_score_codex":0.005179492,"about_ca_topic_score_gemma":0.0070409225,"teacher_disagreement_score":0.007994757,"about_ca_system_score_codex":0.00465839,"about_ca_system_score_gemma":0.0025514646,"threshold_uncertainty_score":0.03379911},"labels":[],"label_agreement":null},{"id":"W3163473262","doi":"","title":"외상문학에 함축된 치유와 윤리 -돈 드릴로의『추락하는 남자』와 조이 코가와의 『오바상』병치 연구","year":2011,"lang":"ko","type":"article","venue":"영어영문학","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Narrative; Terrorism; Literature; Psychoanalysis; Wife; History; Psychology; Philosophy; Art","score_opus":0.05622362287652328,"score_gpt":0.2166391604574428,"score_spread":0.16041553758091953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3163473262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.095085785,0.024268793,0.0052120374,0.074663565,0.0045766267,0.000091601774,0.0003063318,0.00018188996,0.7956134],"genre_scores_gemma":[0.7629181,0.0096179135,0.001800441,0.010051414,0.0005450912,0.00006964357,0.00019615762,0.000216005,0.21458523],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920017,0.00026998756,0.00001673507,0.00012739768,0.00024108327,0.00014468217],"domain_scores_gemma":[0.9987936,0.00050177675,0.00013538208,0.00007139103,0.00025754957,0.00024025684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079015736,0.00058234244,0.00021626962,0.0009245582,0.011419361,0.005787362,0.0007326102,0.001749572,0.012748159],"category_scores_gemma":[0.0028091725,0.00019772518,0.00020238226,0.00065895804,0.014694849,0.0028345548,0.0029720652,0.0033227375,0.0019700553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014634228,0.00006820895,0.005708027,0.0005288218,0.000017379927,0.0019811885,0.3235399,0.00015688597,0.002717772,0.3473774,0.25066066,0.06709738],"study_design_scores_gemma":[0.0000045674983,0.000022932847,0.0020233092,0.0001697039,0.0000039897823,0.00065913366,0.0593679,0.00004412483,0.0005107832,0.004939725,0.93223435,0.000019550456],"about_ca_topic_score_codex":0.087784424,"about_ca_topic_score_gemma":0.23686184,"teacher_disagreement_score":0.087784424,"about_ca_system_score_codex":0.006886242,"about_ca_system_score_gemma":0.0030663118,"threshold_uncertainty_score":0.1745469},"labels":[],"label_agreement":null},{"id":"W3175680309","doi":"","title":"Resistance/Acceptance of Inferiority, Invisibility and Marginalization in Arundhati Roy’s The God of Small Things & Kazu Ishiguro’s The Remains of the Day","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Greatness; Identity (music); Invisibility; Character (mathematics); Sociology; Philosophy; Aesthetics; Psychology; Social psychology","score_opus":0.0387485825848517,"score_gpt":0.2761071034964399,"score_spread":0.2373585209115882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175680309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8259871,0.0020973058,0.001152605,0.019115184,0.00036009256,0.00002117094,0.000010281518,0.00002569119,0.15123053],"genre_scores_gemma":[0.99668556,0.00013362052,0.00008199683,0.00034816514,0.000024262408,0.0000049964606,0.000001645188,0.000007674398,0.0027120986],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948915,0.0033625253,0.00013994004,0.00031703513,0.0006031458,0.00068575656],"domain_scores_gemma":[0.99751556,0.0010678981,0.00043283193,0.00026694895,0.00029363265,0.00042310797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005012693,0.00039873348,0.00061979436,0.00089035096,0.018575016,0.008711462,0.00093889126,0.0022340808,0.0017387294],"category_scores_gemma":[0.0057977918,0.0003132525,0.00032787802,0.0009737506,0.04821866,0.0042330907,0.00867501,0.0049147694,0.00022455037],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035135185,0.000017538287,0.0010096309,0.000035479643,0.000006056396,0.0008251447,0.8682635,0.00002810828,0.00051782525,0.12544526,0.00090510666,0.0029112524],"study_design_scores_gemma":[0.000015770194,0.00008383211,0.004306727,0.00012844312,0.000022721686,0.000999833,0.84942544,0.000118597134,0.00063169876,0.035391927,0.108829685,0.000045237142],"about_ca_topic_score_codex":0.0068104337,"about_ca_topic_score_gemma":0.0109653985,"teacher_disagreement_score":0.018575016,"about_ca_system_score_codex":0.004216605,"about_ca_system_score_gemma":0.003145097,"threshold_uncertainty_score":0.030593812},"labels":[],"label_agreement":null},{"id":"W318117341","doi":"","title":"Dickensian Resonances in the Contemporary English Novel","year":2011,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Phenomenon; Narrative; History; Literature; Criticism; Exhibition; Politics; Literary criticism; Period (music); Art history; Art; Aesthetics; Philosophy","score_opus":0.0820173549943572,"score_gpt":0.21709401395023112,"score_spread":0.13507665895587392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W318117341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0875537,0.021389626,0.0016732701,0.0407729,0.002316895,0.000019036668,0.000104442086,0.000065505585,0.84610456],"genre_scores_gemma":[0.89396715,0.0038100746,0.000440931,0.0041379826,0.0010534837,0.000026408077,0.000031514894,0.00010045774,0.09643204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998781,0.0006127377,0.000027582837,0.00016179917,0.00020325735,0.00021357166],"domain_scores_gemma":[0.99917716,0.00043829574,0.000089356865,0.00006216207,0.00011900628,0.000114079776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001415217,0.00036461267,0.00025859795,0.00095506565,0.009790836,0.008148124,0.0007011336,0.0019092852,0.005167373],"category_scores_gemma":[0.002303347,0.00023296852,0.00015586088,0.00077051413,0.018881988,0.003965768,0.0031570331,0.0027062395,0.00085715554],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024495546,0.000019215684,0.00022335195,0.000068892215,0.0000029871067,0.00035076155,0.14195687,0.00004809149,0.00027612154,0.8281832,0.02356588,0.005280085],"study_design_scores_gemma":[0.000008038806,0.000013750213,0.0004822341,0.00017344815,0.000003582998,0.00032766128,0.049974915,0.00007928489,0.00022874355,0.036675125,0.91201895,0.000014242326],"about_ca_topic_score_codex":0.011307803,"about_ca_topic_score_gemma":0.020949474,"teacher_disagreement_score":0.011307803,"about_ca_system_score_codex":0.009589301,"about_ca_system_score_gemma":0.0017254985,"threshold_uncertainty_score":0.06957555},"labels":[],"label_agreement":null},{"id":"W3183244157","doi":"","title":"At the centre of my ironic faith, Cassandra Cassandra, Toronto","year":2021,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Faith; History; Philosophy; Theology","score_opus":0.007358236075316407,"score_gpt":0.15425901180610435,"score_spread":0.14690077573078794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183244157","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001979974,0.101503,0.00072308636,0.7645754,0.035869785,0.00002977141,0.00030833637,0.00017396997,0.09483661],"genre_scores_gemma":[0.051695462,0.033462435,0.0007403393,0.06256262,0.009141599,0.00005044957,0.00012236067,0.00029299324,0.84193164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873465,0.00035403616,0.00003213044,0.00022390408,0.0003639507,0.0002913236],"domain_scores_gemma":[0.99733955,0.00047907248,0.000114837734,0.000084922525,0.00092807715,0.0010535893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016461547,0.000748183,0.00061990693,0.0009185055,0.016179357,0.0066241445,0.0012318785,0.0037992299,0.0401307],"category_scores_gemma":[0.004220044,0.00054826203,0.00028842434,0.0013307609,0.005527658,0.0030822044,0.002555555,0.0076833055,0.008339871],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013239425,0.0000050664735,0.00012411052,0.000043553966,0.0000017628056,0.000054162963,0.002401625,0.00002610798,0.000061252176,0.0143115,0.97707534,0.0058821724],"study_design_scores_gemma":[0.0000028156971,0.0000024810197,0.0002899699,0.000088110544,0.000001959011,0.00003318087,0.0032158652,0.000018412344,0.000046093697,0.0010633016,0.9952302,0.000007606872],"about_ca_topic_score_codex":0.4724106,"about_ca_topic_score_gemma":0.727336,"teacher_disagreement_score":0.52758944,"about_ca_system_score_codex":0.019504255,"about_ca_system_score_gemma":0.015913194,"threshold_uncertainty_score":0.9393217},"labels":[],"label_agreement":null},{"id":"W3183324155","doi":"10.5539/ells.v11n3p28","title":"A Study on the Postmodern Narrative Features in Toni Morrison’s Song of Solomon","year":2021,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Fundamental Research Funds for the Central Universities; Ministry of Education of the People's Republic of China","keywords":"Postmodernism; Metafiction; Narrative; Indeterminacy (philosophy); Literature; Aesthetics; History; Sociology; Philosophy; Art; Epistemology","score_opus":0.020605970978205813,"score_gpt":0.27367552985819343,"score_spread":0.2530695588799876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183324155","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9206191,0.0026849061,0.0005860961,0.005207061,0.00017473375,0.000060671297,0.0000408181,0.000015818483,0.07061092],"genre_scores_gemma":[0.9847698,0.001367274,0.00022470557,0.00041909123,0.00008067466,0.000050914754,0.000017635484,0.000024171144,0.01304583],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989649,0.00061426475,0.000024353913,0.00007066393,0.00015824506,0.00016751574],"domain_scores_gemma":[0.9979243,0.0013385946,0.0003148376,0.00006171188,0.00017417589,0.00018625302],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015529025,0.00035138163,0.00022162423,0.001532002,0.009001161,0.0041017127,0.00071629864,0.0009149785,0.0025735814],"category_scores_gemma":[0.0036411327,0.00018826374,0.000106243606,0.0016114579,0.0125611685,0.0029097605,0.002608955,0.0017645134,0.000233549],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014583958,0.00001761009,0.0017611192,0.000057065732,0.0000014543671,0.0005899033,0.9726763,0.00000922456,0.00052468956,0.017319698,0.0014661341,0.0055622733],"study_design_scores_gemma":[0.0000040277055,0.000044558736,0.010759455,0.0002049608,0.0000044641356,0.0006512777,0.8554532,0.00004090035,0.0005052111,0.0013346698,0.13098325,0.000014124906],"about_ca_topic_score_codex":0.01577854,"about_ca_topic_score_gemma":0.051527895,"teacher_disagreement_score":0.01577854,"about_ca_system_score_codex":0.0054835374,"about_ca_system_score_gemma":0.002677963,"threshold_uncertainty_score":0.03978604},"labels":[],"label_agreement":null},{"id":"W3193293991","doi":"10.7202/1080281ar","title":"After Extraction: Idling in the Ruins in Michael Winter’s and Alistair MacLeod’s Neoliberal Fictions","year":2021,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Lakehead University","funders":"","keywords":"Art; Extraction (chemistry); Art history; Chemistry; Chromatography","score_opus":0.03149270239898856,"score_gpt":0.29119307148341217,"score_spread":0.2597003690844236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3193293991","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026229942,0.023437472,0.0018812186,0.4597245,0.007296966,0.000051688763,0.000221092,0.00009309524,0.48106414],"genre_scores_gemma":[0.6257108,0.007791641,0.0012415879,0.11041035,0.0021396182,0.00007205155,0.00012546113,0.00040832287,0.25210017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936691,0.0017179402,0.00014671001,0.0005093932,0.0022444702,0.0017123127],"domain_scores_gemma":[0.9932,0.0031171069,0.00039675023,0.00044996894,0.002278132,0.00055807235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006210859,0.00057389523,0.000625569,0.0022790886,0.03451158,0.012245526,0.0021081122,0.008442605,0.007774435],"category_scores_gemma":[0.020732112,0.00035565894,0.0005082006,0.003057032,0.042860236,0.010012091,0.0061705885,0.011497117,0.0011877284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025052803,0.000008196417,0.00031374162,0.000044884167,0.00000504403,0.00036530467,0.10310351,0.000042758653,0.00011008672,0.6481079,0.23937353,0.00850004],"study_design_scores_gemma":[0.000008784508,0.0000036674533,0.00064621243,0.00022939834,0.000007310189,0.000158718,0.049394753,0.00003779516,0.00024371284,0.033203263,0.9160385,0.000027823842],"about_ca_topic_score_codex":0.626268,"about_ca_topic_score_gemma":0.78375053,"teacher_disagreement_score":0.37373197,"about_ca_system_score_codex":0.049280692,"about_ca_system_score_gemma":0.028403213,"threshold_uncertainty_score":0.75186586},"labels":[],"label_agreement":null},{"id":"W3195052230","doi":"10.82308/44992","title":"The film break : Thomas Pynchon's Gravity's rainbow, Gilles Deleuze's Cinema, and the emergence of a new history","year":2006,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Movie theater; Rainbow; Art history; Art; Philosophy; Psychoanalysis; Physics; Psychology","score_opus":0.01537959565970912,"score_gpt":0.19223405458852336,"score_spread":0.17685445892881424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195052230","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.097421244,0.08901969,0.0064992523,0.34091228,0.005320218,0.000055928904,0.00009401302,0.00011998125,0.4605574],"genre_scores_gemma":[0.9192602,0.017885186,0.0012706178,0.011173074,0.001930744,0.00006163544,0.000022774057,0.00010612865,0.04828953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982139,0.0010488721,0.000026138838,0.00018705212,0.00032931927,0.00019475215],"domain_scores_gemma":[0.9982659,0.0011332813,0.00015926642,0.00011701266,0.000117833726,0.00020675198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019253149,0.0004618528,0.0003652133,0.0013201024,0.0083645545,0.008314525,0.0010059553,0.002969732,0.005894823],"category_scores_gemma":[0.004166169,0.00021995588,0.00024454878,0.0013872543,0.03799739,0.010461096,0.0048734588,0.0059105195,0.00037407654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017240462,0.000010085969,0.00018359491,0.00005861753,0.000003521882,0.00021651694,0.07969419,0.00005802193,0.00011685739,0.8857927,0.02640578,0.007442845],"study_design_scores_gemma":[0.000021053984,0.000040154704,0.0015206058,0.0005259663,0.000010654732,0.00045582396,0.073715575,0.00016590339,0.00031053118,0.21715285,0.7060497,0.00003123684],"about_ca_topic_score_codex":0.014855523,"about_ca_topic_score_gemma":0.01687067,"teacher_disagreement_score":0.014855523,"about_ca_system_score_codex":0.007869697,"about_ca_system_score_gemma":0.0024372428,"threshold_uncertainty_score":0.057098866},"labels":[],"label_agreement":null},{"id":"W3198971261","doi":"10.3138/ecf.34.1.106","title":"<i>Systems Failure: The Uses of Disorder in English Literature</i> by Andrew Franta; and <i>A World of Disorderly Notions: Quixote and the Logic of Exceptionalism</i> by Aaron R. Hanlon","year":2021,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exceptionalism; Philosophy; Law and economics; Art history; History; Sociology; Law; Political science","score_opus":0.0068370298559991185,"score_gpt":0.18927423604425386,"score_spread":0.18243720618825474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3198971261","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016950715,0.07945533,0.0052646026,0.5993248,0.005490356,0.000024638917,0.00007534125,0.0001007812,0.2933134],"genre_scores_gemma":[0.8097402,0.047977127,0.0027373945,0.041134052,0.008719094,0.00010698808,0.000055747223,0.00021719628,0.08931213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824727,0.0011822188,0.000047784724,0.00011920616,0.0002577101,0.00014572805],"domain_scores_gemma":[0.9918962,0.006118743,0.00044415068,0.00035103544,0.00087468885,0.0003152329],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003849303,0.00039015093,0.00039130283,0.0015639502,0.008331932,0.0078674825,0.00096342433,0.002206915,0.0033007795],"category_scores_gemma":[0.0072080093,0.00021522996,0.0002826629,0.0013260659,0.031016953,0.011326007,0.0029670957,0.005438682,0.00055905164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013983552,0.000008165397,0.00023438408,0.00006803528,0.000004540292,0.000084078325,0.021408677,0.00008684519,0.000043552755,0.8749496,0.09709912,0.0059990017],"study_design_scores_gemma":[0.000010435921,0.000014091968,0.0006097579,0.00055814756,0.000008670325,0.00017814776,0.021062123,0.00046349925,0.00017668318,0.43945402,0.537441,0.000023447414],"about_ca_topic_score_codex":0.010176553,"about_ca_topic_score_gemma":0.015403523,"teacher_disagreement_score":0.010176553,"about_ca_system_score_codex":0.0050653666,"about_ca_system_score_gemma":0.002785369,"threshold_uncertainty_score":0.036751986},"labels":[],"label_agreement":null},{"id":"W3200170162","doi":"10.1093/oso/9780192893321.001.0001","title":"Critical Modesty in Contemporary Fiction","year":2021,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; History; Literature","score_opus":0.0706641851664457,"score_gpt":0.26731006208473335,"score_spread":0.19664587691828767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3200170162","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014095835,0.009855572,0.007854708,0.054184537,0.0046595377,0.00006070261,0.000050338247,0.00015366865,0.9090851],"genre_scores_gemma":[0.80388933,0.0066676917,0.0026806863,0.00850046,0.004287407,0.00015795654,0.00009538666,0.0002195868,0.17350146],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780875,0.001442419,0.00003564976,0.00014994587,0.00043363564,0.00012953131],"domain_scores_gemma":[0.9948213,0.003928514,0.00026355017,0.00029794566,0.00052098656,0.00016775788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023748442,0.0005837932,0.0003528427,0.001561564,0.007120394,0.007552207,0.0010563823,0.001908495,0.0066115176],"category_scores_gemma":[0.008226627,0.0001759931,0.00023242406,0.00086374115,0.038536467,0.0061725564,0.0032111974,0.0046579344,0.00091772043],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008167048,0.000007923244,0.000044938562,0.00006196745,0.00000162998,0.00014754446,0.02267097,0.00012669832,0.00008738861,0.93508667,0.03631909,0.0054370095],"study_design_scores_gemma":[0.000005923168,0.000021178914,0.00014024283,0.00038813776,0.000003514073,0.00024434517,0.010961584,0.00032042994,0.00030192602,0.17859252,0.8090066,0.000013594506],"about_ca_topic_score_codex":0.0016976246,"about_ca_topic_score_gemma":0.0018749393,"teacher_disagreement_score":0.007552207,"about_ca_system_score_codex":0.005911226,"about_ca_system_score_gemma":0.0019291826,"threshold_uncertainty_score":0.042889178},"labels":[],"label_agreement":null},{"id":"W3204987911","doi":"10.14321/fourthgenre.23.2.0077","title":"This Is My Body","year":2021,"lang":"en","type":"article","venue":"Fourth Genre Explorations in Nonfiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; Publishing; Table of contents; World Wide Web; Computer science; Library science; Media studies; Art; Sociology; Literature","score_opus":0.039574122170862557,"score_gpt":0.2475848894524518,"score_spread":0.20801076728158924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3204987911","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007200091,0.0028476394,0.00047454395,0.032653917,0.034334347,0.00013093914,0.00114065,0.00076261855,0.9269353],"genre_scores_gemma":[0.0036325334,0.001935148,0.00027299867,0.005099409,0.0043315534,0.000079591235,0.0005372764,0.00054717145,0.98356426],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99563295,0.0007226923,0.00017827378,0.0006643891,0.0020522876,0.0007494206],"domain_scores_gemma":[0.9897556,0.0007844232,0.00041186102,0.0010340641,0.0041801427,0.00383383],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0024207768,0.0010618137,0.000995505,0.002384245,0.0057393117,0.015609506,0.0015849672,0.0044082627,0.7091216],"category_scores_gemma":[0.017131953,0.0005181879,0.000863215,0.0018002087,0.0023132116,0.0080060195,0.008053428,0.0044051874,0.606523],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010232167,0.000015708629,0.0001357201,0.00005792707,0.0000018394564,0.000046383793,0.00028699962,0.000005067349,0.000083046914,0.0036378617,0.9685948,0.027124453],"study_design_scores_gemma":[0.0000014259656,0.0000058371875,0.00010641619,0.000096557276,0.0000010420804,0.00004838546,0.0002492161,0.000004438895,0.000029204706,0.00038425362,0.9990702,0.000002861214],"about_ca_topic_score_codex":0.0037665588,"about_ca_topic_score_gemma":0.0058444696,"teacher_disagreement_score":0.7091216,"about_ca_system_score_codex":0.0034386807,"about_ca_system_score_gemma":0.007019685,"threshold_uncertainty_score":0.41490275},"labels":[],"label_agreement":null},{"id":"W3205659923","doi":"10.1353/ewr.2021.0012","title":"Checklist of Welty Scholarship 2020","year":2021,"lang":"en","type":"article","venue":"Eudora Welty review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eudora; Scholarship; History; Memoir; Politics; Literature; Art history; Classics; Art; Political science; Law","score_opus":0.036087441003690136,"score_gpt":0.271474057570287,"score_spread":0.23538661656659685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205659923","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004567789,0.02049357,0.00918321,0.036123246,0.044824123,0.019412953,0.1799104,0.0051975963,0.6802872],"genre_scores_gemma":[0.031328462,0.02481523,0.04808685,0.031393427,0.009827963,0.07422009,0.254316,0.0034899723,0.52252203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97257835,0.005057863,0.0058745304,0.0009890399,0.012434424,0.0030657777],"domain_scores_gemma":[0.86545897,0.015850829,0.009038277,0.0049113645,0.0929395,0.011801104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.023837063,0.0017764745,0.0025382566,0.044942264,0.008386839,0.013191973,0.005689046,0.0063827964,0.28240877],"category_scores_gemma":[0.122905165,0.0015913404,0.0017500052,0.024913562,0.0022058748,0.014217767,0.011870127,0.004944672,0.12394035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060620045,0.00003041332,0.00047752212,0.0026953176,0.000006506376,0.00010900116,0.0003857002,0.0000474728,0.00011191877,0.0090268245,0.92558223,0.061466355],"study_design_scores_gemma":[0.000026503578,0.000032143304,0.0022045448,0.0024793386,0.000005399554,0.00009850467,0.0006552193,0.000024047971,0.000056970453,0.0022501212,0.9921367,0.000030474432],"about_ca_topic_score_codex":0.011474146,"about_ca_topic_score_gemma":0.013844801,"teacher_disagreement_score":0.28240877,"about_ca_system_score_codex":0.0073950784,"about_ca_system_score_gemma":0.031560704,"threshold_uncertainty_score":0.94475144},"labels":[],"label_agreement":null},{"id":"W3206177625","doi":"10.25071/2564-4661.17","title":"Mash-up, Smash-up: Mixing Genres and Mediums to Rewrite History in Do Not Say We Have Nothing","year":2021,"lang":"en","type":"article","venue":"Contemporary Kanata Interdisciplinary Approaches To Canadian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Postmodernism; Interpretation (philosophy); Reciprocal; Conversation; Literature; Reading (process); Epistemology; Aesthetics; Philosophy; History; Art; Linguistics","score_opus":0.26030290404294365,"score_gpt":0.2923304607327862,"score_spread":0.03202755668984253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206177625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5284503,0.0032202227,0.027074995,0.01115048,0.001325855,0.00019005038,0.00009074478,0.00022875927,0.4282686],"genre_scores_gemma":[0.9610886,0.0005127323,0.006834814,0.00056253315,0.0001136663,0.00006489321,0.00003733105,0.00013590173,0.030649511],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989442,0.0006191542,0.00002486222,0.00013498643,0.0001622778,0.000114482755],"domain_scores_gemma":[0.99850947,0.0008125518,0.000119525976,0.00026774834,0.00010235109,0.00018834333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018617086,0.00038847642,0.00021244794,0.0008601914,0.0055936687,0.006522679,0.00080193876,0.0010678229,0.0056597446],"category_scores_gemma":[0.0042010685,0.00026138738,0.0003201145,0.0005364998,0.0117854485,0.0064640744,0.004603033,0.0020265954,0.000653824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017527014,0.000075069096,0.0024842191,0.00028428374,0.000018291506,0.001355269,0.62107,0.00020581539,0.007951219,0.31308934,0.0063829026,0.046908345],"study_design_scores_gemma":[0.00006172251,0.00033037533,0.004964131,0.0005771784,0.000072904375,0.0023882093,0.38063964,0.0015987424,0.012581774,0.058447592,0.5382579,0.0000798444],"about_ca_topic_score_codex":0.0012085681,"about_ca_topic_score_gemma":0.00505144,"teacher_disagreement_score":0.99879146,"about_ca_system_score_codex":0.0023565958,"about_ca_system_score_gemma":0.00095995044,"threshold_uncertainty_score":0.018933773},"labels":[],"label_agreement":null},{"id":"W3208034895","doi":"10.32920/ryerson.14656668.v1","title":"Age, Gender and Existentialism in the Late-Life Bildungsroman","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Existentialism; Postmodernism; Narrative; Masculinity; Reading (process); Sociology; Psychoanalysis; Gender studies; Literature; Aesthetics; Philosophy; Art; Psychology; Epistemology","score_opus":0.08498094588449893,"score_gpt":0.26190272066851555,"score_spread":0.1769217747840166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208034895","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59253275,0.021220595,0.011077745,0.02262157,0.0009744866,0.00003385593,0.000060570375,0.00007551394,0.35140294],"genre_scores_gemma":[0.99040717,0.0012367266,0.00047764485,0.00032815873,0.00009038982,0.000010332439,0.000005938753,0.0000202216,0.0074234214],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848026,0.0010519744,0.000034415185,0.00012592248,0.00016505746,0.00014231977],"domain_scores_gemma":[0.9977527,0.0015586457,0.00024086173,0.0001469952,0.00011689475,0.00018383007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037261082,0.000386313,0.00029065867,0.0011643348,0.006037026,0.00822979,0.0006084554,0.0012440189,0.0023723387],"category_scores_gemma":[0.004246381,0.00016629674,0.00016614156,0.0007159157,0.039194793,0.0073444354,0.004757586,0.0024555004,0.0002646854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003089284,0.000013346649,0.00084387104,0.000059448103,0.0000028599381,0.00034699638,0.5050033,0.000071427305,0.0003194797,0.48586068,0.0011641777,0.00628359],"study_design_scores_gemma":[0.000011634183,0.000060362097,0.0027936224,0.0005019372,0.000009366498,0.0012964203,0.49477056,0.00021457054,0.0012226602,0.17842375,0.3206644,0.000030735297],"about_ca_topic_score_codex":0.0014607024,"about_ca_topic_score_gemma":0.0026261192,"teacher_disagreement_score":0.00822979,"about_ca_system_score_codex":0.0041463654,"about_ca_system_score_gemma":0.0010314205,"threshold_uncertainty_score":0.030084133},"labels":[],"label_agreement":null},{"id":"W3210309223","doi":"","title":"Recognition, or the Depressive Pleasure of Reading Surfacing","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Pleasure; Reading (process); Psychology; Social psychology; Linguistics; Philosophy; Psychotherapist","score_opus":0.05818169547612957,"score_gpt":0.27453419470084883,"score_spread":0.21635249922471927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210309223","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7797745,0.0029679232,0.000457115,0.01231958,0.00036255285,0.000025219273,0.00012497747,0.00005775266,0.2039104],"genre_scores_gemma":[0.9911733,0.0002988503,0.0000703892,0.0008029838,0.00006334736,0.0000037810582,0.000022655864,0.000010239884,0.0075544547],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982054,0.00038440243,0.000050986837,0.00012708844,0.0007603478,0.00047171285],"domain_scores_gemma":[0.9950171,0.0012277582,0.0011654573,0.0004382933,0.0011003355,0.001051007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012126588,0.00022548277,0.00044896908,0.00087842357,0.0037106322,0.006457274,0.00092598767,0.001981502,0.005181853],"category_scores_gemma":[0.0122306645,0.00013992516,0.00023113172,0.001124728,0.010598739,0.0016805034,0.0017636134,0.0022206043,0.00048692542],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009787704,0.0002743122,0.07894294,0.00053580385,0.00014131604,0.002575302,0.6589128,0.00022306868,0.01459463,0.1062983,0.03234548,0.104177296],"study_design_scores_gemma":[0.0001269138,0.00033730068,0.27566153,0.00046000723,0.00016735919,0.0020367086,0.5767707,0.00038460852,0.0018293887,0.027451979,0.11456289,0.00021062321],"about_ca_topic_score_codex":0.1681401,"about_ca_topic_score_gemma":0.22402783,"teacher_disagreement_score":0.8318599,"about_ca_system_score_codex":0.0051274346,"about_ca_system_score_gemma":0.0064840904,"threshold_uncertainty_score":0.33432287},"labels":[],"label_agreement":null},{"id":"W3211943458","doi":"","title":"“Husband in a Box” (Packaging / Book of the Year, “Foe”)","year":2021,"lang":"en","type":"article","venue":"Student Research Proceedings","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Typeface; Spouse; Interpretation (philosophy); Psychology; Aesthetics; Visual arts; Art; Law; Philosophy; Political science; Linguistics","score_opus":0.11038558763114245,"score_gpt":0.37123195076718885,"score_spread":0.26084636313604637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211943458","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029091542,0.0030671516,0.0034936545,0.003483484,0.007322127,0.000109615925,0.0018279352,0.0016041503,0.97618276],"genre_scores_gemma":[0.020199973,0.0014790435,0.0031397573,0.0019228356,0.000938344,0.000049930622,0.0011735258,0.0012450395,0.96985155],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999033,0.000023010209,0.0000035816136,0.000020701182,0.000035447396,0.000014029874],"domain_scores_gemma":[0.9998486,0.000035130197,0.000010298681,0.000021574255,0.000051101946,0.00003323219],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016685043,0.000486943,0.00017191151,0.00040115757,0.00112361,0.0029312565,0.00035608863,0.0006244938,0.2890123],"category_scores_gemma":[0.00087591243,0.00022273617,0.00018890279,0.00043622067,0.0006065785,0.0025528907,0.0008840953,0.0011481445,0.10309047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023662236,0.000012372488,0.00006596297,0.00007460057,0.0000010672532,0.00009585153,0.000651488,0.00003507265,0.00057674624,0.0124934055,0.95835096,0.027618743],"study_design_scores_gemma":[0.0000018004145,0.000008671512,0.00023463187,0.000029998126,5.796037e-7,0.00012873537,0.0002971469,0.00001985152,0.0001346866,0.00041428275,0.9987264,0.000003128438],"about_ca_topic_score_codex":0.0031130174,"about_ca_topic_score_gemma":0.007127686,"teacher_disagreement_score":0.2890123,"about_ca_system_score_codex":0.00059296447,"about_ca_system_score_gemma":0.00032621674,"threshold_uncertainty_score":0.96684253},"labels":[],"label_agreement":null},{"id":"W3217476440","doi":"","title":"Blood in the Sink: : A Redesign of Foe's Dustjacket","year":2021,"lang":"en","type":"article","venue":"Student Research Proceedings","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Feeling; Sink (geography); Mythology; Aesthetics; Psychology; History; Art; Literature; Social psychology; Geography; Cartography","score_opus":0.21114662072020599,"score_gpt":0.3968858988675374,"score_spread":0.1857392781473314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217476440","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35718745,0.0032913534,0.0439496,0.07690323,0.017846558,0.00036684953,0.00030418448,0.003759505,0.4963913],"genre_scores_gemma":[0.61113465,0.0012540354,0.018995913,0.01006034,0.0013761108,0.0001523029,0.00024996273,0.0029663336,0.35381034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982054,0.0008748846,0.00003890403,0.00022403506,0.00039199193,0.00026482096],"domain_scores_gemma":[0.998487,0.00043629747,0.00010433937,0.00019484111,0.00025813215,0.0005192176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002555972,0.00070166873,0.00029489078,0.0006157981,0.006277897,0.0072456454,0.0015241622,0.0033526472,0.0153803695],"category_scores_gemma":[0.0057939286,0.0003937056,0.00040432342,0.00024115805,0.005746055,0.007978561,0.005222402,0.004087998,0.0025868965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051037275,0.0005669987,0.0014120773,0.00041543116,0.000022111757,0.00442799,0.31817773,0.00047426153,0.011864245,0.19041345,0.35379544,0.117919825],"study_design_scores_gemma":[0.00002543006,0.00015928916,0.00060290936,0.00011979198,0.0000093502285,0.0014188153,0.038783908,0.00037129913,0.0019297469,0.004552162,0.9519933,0.000033942222],"about_ca_topic_score_codex":0.0022603783,"about_ca_topic_score_gemma":0.005811322,"teacher_disagreement_score":0.0153803695,"about_ca_system_score_codex":0.0031821162,"about_ca_system_score_gemma":0.0015148376,"threshold_uncertainty_score":0.051452518},"labels":[],"label_agreement":null},{"id":"W324189248","doi":"","title":"White Rose and the Red by H.D. (writing as Delia Alton) (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rose (mathematics); White (mutation); Art; Horticulture; Biology","score_opus":0.005994831490102093,"score_gpt":0.17731179585993626,"score_spread":0.17131696436983415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W324189248","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004511268,0.94003373,0.000050555278,0.04188323,0.0152322715,0.0000056170597,0.00004126914,0.000007831742,0.002700373],"genre_scores_gemma":[0.002501176,0.9329801,0.00015513295,0.029644134,0.013818234,0.000037058115,0.00010187984,0.000024155604,0.020738188],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979867,0.0005364337,0.00017631768,0.00030103893,0.0008467176,0.00015283769],"domain_scores_gemma":[0.99222094,0.0025451859,0.0007517315,0.00022950271,0.003184311,0.0010684538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038572375,0.0011247353,0.0015493517,0.0034192868,0.0020978844,0.0052404474,0.001833422,0.0037471643,0.021073723],"category_scores_gemma":[0.014505501,0.0006546354,0.00064397795,0.0055714464,0.00366654,0.0043352507,0.0023047207,0.0040806294,0.0101413485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015094032,0.0000026836096,0.000109405155,0.0019363035,0.000020630503,0.0000481709,0.00024223157,0.000017063472,0.00002695664,0.0013639828,0.9511272,0.045090355],"study_design_scores_gemma":[0.000010792298,0.000007796661,0.0008226054,0.0049095196,0.000026848928,0.000113769514,0.0003602416,0.000007167184,0.000029938692,0.0008027325,0.99289775,0.000010790383],"about_ca_topic_score_codex":0.040354405,"about_ca_topic_score_gemma":0.08107339,"teacher_disagreement_score":0.040354405,"about_ca_system_score_codex":0.0041869134,"about_ca_system_score_gemma":0.012557266,"threshold_uncertainty_score":0.080239},"labels":[],"label_agreement":null},{"id":"W32685739","doi":"10.1515/9781552385470-012","title":"Eruptions of Postmodernity: The Postcolonial and the Ecological (1993)","year":2013,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernity; Ecology; Geography; Biology; Art; Literature; Postmodernism","score_opus":0.02612146381571487,"score_gpt":0.18036982734525953,"score_spread":0.15424836352954466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W32685739","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064974025,0.045276444,0.0008668071,0.035910565,0.0006603465,0.000023258595,0.0000939463,0.000032790307,0.85216177],"genre_scores_gemma":[0.8966871,0.012425584,0.00029739353,0.00140868,0.0006256312,0.000023904478,0.00004144054,0.000037702834,0.088452645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992859,0.00026274243,0.000011895313,0.00005920368,0.00023478031,0.00014553449],"domain_scores_gemma":[0.998885,0.0005423604,0.00016229063,0.0001179537,0.00020619533,0.000086201435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00130027,0.00039393498,0.00017035918,0.0014784836,0.006744619,0.0053871935,0.00064249017,0.0013717813,0.0061941403],"category_scores_gemma":[0.002998346,0.00018821763,0.000104609404,0.0029597636,0.025481578,0.0028882872,0.0019230767,0.0022453514,0.00047753053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040004626,0.000020014992,0.0014065651,0.00009957108,0.0000038004302,0.00034847148,0.13381325,0.0001176379,0.0002060687,0.7996011,0.023782576,0.040560894],"study_design_scores_gemma":[0.000012456424,0.000016827733,0.012687288,0.00042259856,0.000005620835,0.00031326784,0.0349795,0.000103207676,0.00032829828,0.05466781,0.89644974,0.000013462737],"about_ca_topic_score_codex":0.118151456,"about_ca_topic_score_gemma":0.28693593,"teacher_disagreement_score":0.118151456,"about_ca_system_score_codex":0.015380304,"about_ca_system_score_gemma":0.00613824,"threshold_uncertainty_score":0.23492748},"labels":[],"label_agreement":null},{"id":"W359090618","doi":"","title":"Uncanny Subjects: Aging in Contemporary Narrative by Amelia DeFalco (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Uncanny; Narrative; Psychoanalysis; History; Art; Literature; Psychology; Aesthetics","score_opus":0.014220895330274022,"score_gpt":0.2030207247565954,"score_spread":0.1887998294263214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W359090618","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013781278,0.97759515,0.000022021084,0.01990747,0.0014374676,0.0000022970712,0.000010554562,0.0000023891546,0.000884738],"genre_scores_gemma":[0.0045031314,0.9774474,0.000099142046,0.012628502,0.0034766472,0.000024145087,0.000028621065,0.000009718215,0.0017826934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984267,0.0007964771,0.00014120924,0.00012854696,0.00036902854,0.0001380626],"domain_scores_gemma":[0.99267983,0.004627446,0.00078113447,0.00015597246,0.0012848618,0.00047068714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004473412,0.00072731706,0.0013742023,0.004181493,0.0021145572,0.0048072585,0.0012355455,0.00368694,0.0050193206],"category_scores_gemma":[0.014328731,0.00045860722,0.00040976002,0.0058678496,0.005477708,0.0049828324,0.00376179,0.0031281507,0.0013309848],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054061085,0.0000152234625,0.0004719253,0.011533224,0.000060252525,0.00023645857,0.0067714937,0.000060958926,0.000083965424,0.008560362,0.75558627,0.21656582],"study_design_scores_gemma":[0.000019657244,0.000018308976,0.0017337046,0.022201246,0.00010393228,0.0006991308,0.005158461,0.000013802768,0.000048294434,0.002329403,0.9676522,0.000021775068],"about_ca_topic_score_codex":0.02670163,"about_ca_topic_score_gemma":0.061696388,"teacher_disagreement_score":0.02670163,"about_ca_system_score_codex":0.003740188,"about_ca_system_score_gemma":0.011721842,"threshold_uncertainty_score":0.05309242},"labels":[],"label_agreement":null},{"id":"W364176749","doi":"","title":"Master Classes: De Oliveira's Belle Toujours and Von Trotta's I Am the Other Woman","year":2007,"lang":"en","type":"article","venue":"Cineaction!","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Admiration; Art; Movie theater; Art history; Subject (documents); Modernity; Humanities; Literature; Philosophy","score_opus":0.026434107461856877,"score_gpt":0.23630005043935454,"score_spread":0.20986594297749767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W364176749","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04042465,0.016309096,0.0020850224,0.1879391,0.044368915,0.00040746282,0.000754803,0.00076622056,0.7069447],"genre_scores_gemma":[0.07115781,0.002868267,0.00056570495,0.008370163,0.0017408645,0.00010844415,0.00013000422,0.00028248786,0.91477615],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990947,0.00011897309,0.000016101778,0.00018075744,0.00029710346,0.0002922639],"domain_scores_gemma":[0.9985337,0.00007865914,0.000058222897,0.000034341945,0.00020753036,0.0010875224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009677823,0.0006857785,0.00050490786,0.000581803,0.008459606,0.0044629024,0.00080278283,0.0018149673,0.07763268],"category_scores_gemma":[0.002925573,0.0004491403,0.000432359,0.00040928664,0.0021202234,0.0027300087,0.0033718196,0.004373877,0.017033871],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027538797,0.000059081656,0.00066345313,0.000093574105,0.000002441123,0.00035722222,0.028103875,0.000027398959,0.0006319361,0.016863454,0.9228818,0.030288124],"study_design_scores_gemma":[0.0000020555533,0.00001526581,0.0007069905,0.000071319184,9.559903e-7,0.00011924993,0.007970463,0.000010524025,0.0000667378,0.00032547733,0.9907065,0.0000045309826],"about_ca_topic_score_codex":0.035177037,"about_ca_topic_score_gemma":0.12022999,"teacher_disagreement_score":0.07763268,"about_ca_system_score_codex":0.0049514547,"about_ca_system_score_gemma":0.005176971,"threshold_uncertainty_score":0.2597072},"labels":[],"label_agreement":null},{"id":"W364567892","doi":"","title":"Where the Body Is a Battleground: Materializing Gender in the Humanities","year":2002,"lang":"en","type":"article","venue":"Resources for feminist research","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Materiality (auditing); Subjectivity; Criticism; Sociology; Argument (complex analysis); Aesthetics; Humanities; Philosophy; Epistemology; Art; Literature","score_opus":0.2032459629436222,"score_gpt":0.3398235185724991,"score_spread":0.13657755562887688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W364567892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07106837,0.14117727,0.017577022,0.111588545,0.0049056252,0.000066567365,0.00009726583,0.000081826336,0.65343755],"genre_scores_gemma":[0.9060537,0.039087478,0.0032277543,0.015528048,0.002500314,0.00013385547,0.00006509878,0.00021852712,0.033185072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9910841,0.006806649,0.00017646156,0.0004724834,0.0009255771,0.0005347723],"domain_scores_gemma":[0.9885748,0.009280114,0.0005955563,0.0005918463,0.0004778805,0.00047979067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008609527,0.0006263607,0.00058817357,0.004131464,0.009603219,0.015688393,0.0014162355,0.002790624,0.008263142],"category_scores_gemma":[0.009510844,0.00029143563,0.00045232105,0.0034284536,0.07602932,0.02610011,0.013642924,0.0047012605,0.00071626785],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026465159,0.000015667532,0.00069566705,0.00033038008,0.000009814248,0.00036285273,0.3077156,0.000049808223,0.00018895706,0.66448957,0.005222648,0.020892575],"study_design_scores_gemma":[0.000012612077,0.000043786462,0.0016704623,0.0028539908,0.000016304952,0.00071799115,0.3677707,0.000070936476,0.00051992235,0.2346662,0.3916331,0.000023934592],"about_ca_topic_score_codex":0.0032892162,"about_ca_topic_score_gemma":0.0046084584,"teacher_disagreement_score":0.015688393,"about_ca_system_score_codex":0.0049391594,"about_ca_system_score_gemma":0.003132369,"threshold_uncertainty_score":0.045532107},"labels":[],"label_agreement":null},{"id":"W382781252","doi":"","title":"New Fiction: Illumination, Participation, Tact (T. Alan Broughton, David Helwig, Hugh Hood, William Maxwell, Kent Thompson)","year":2014,"lang":"en","type":"article","venue":"USF Scholarship Repository (University of San Francisco)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tact; Art history; Art; Psychology","score_opus":0.016038986966651507,"score_gpt":0.20516225633123014,"score_spread":0.18912326936457863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W382781252","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028267223,0.49470496,0.0016871173,0.18311375,0.021710284,0.000031195228,0.0000713001,0.000079586905,0.29577512],"genre_scores_gemma":[0.16999751,0.28984737,0.0019905067,0.03497016,0.039934758,0.00020677295,0.0001378675,0.0003850397,0.46253002],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980159,0.0011028927,0.000055533423,0.00019241274,0.0005351405,0.00009810101],"domain_scores_gemma":[0.9965509,0.002137412,0.00026190892,0.00015679722,0.0004495123,0.00044335876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023331717,0.0005587746,0.0005430771,0.0020663617,0.0051693814,0.008065336,0.0007838185,0.0031009938,0.017756913],"category_scores_gemma":[0.008043084,0.0002983584,0.0003021176,0.0024750412,0.009809395,0.0076375464,0.004156773,0.0034998232,0.0036213398],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023458933,0.000019413728,0.0002488061,0.00050829834,0.000009944739,0.00015631066,0.015331066,0.000059610084,0.00013410747,0.13006395,0.763959,0.089486085],"study_design_scores_gemma":[0.000004906135,0.0000088422685,0.00061701675,0.0006853248,0.0000053093163,0.00021567458,0.0037514004,0.00003233858,0.000058495487,0.01187935,0.982735,0.0000062815147],"about_ca_topic_score_codex":0.0044809547,"about_ca_topic_score_gemma":0.010771634,"teacher_disagreement_score":0.017756913,"about_ca_system_score_codex":0.0034731424,"about_ca_system_score_gemma":0.0018140397,"threshold_uncertainty_score":0.059402764},"labels":[],"label_agreement":null},{"id":"W404126356","doi":"","title":"Gabrielle Roy and Chekhov’s “Strange Alchemy”","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alchemy; Art; Literature; Philosophy; Art history","score_opus":0.06661402794881753,"score_gpt":0.24950995237288973,"score_spread":0.1828959244240722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W404126356","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00634853,0.2477652,0.003059844,0.45703515,0.00860552,0.000035330206,0.00025622058,0.00009406709,0.2768002],"genre_scores_gemma":[0.51855135,0.16808313,0.005354069,0.11505099,0.009395519,0.00011686824,0.00027854944,0.00059049367,0.18257909],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940766,0.0024598527,0.0001610704,0.0005703383,0.0020877642,0.00064435415],"domain_scores_gemma":[0.99311006,0.0031973494,0.00031654772,0.0005818485,0.0023648296,0.00042932876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0058287485,0.00065320265,0.00093626324,0.005303321,0.013133862,0.009409362,0.0020070013,0.0050923987,0.010903089],"category_scores_gemma":[0.016845293,0.0003653299,0.00047265503,0.007951106,0.029409986,0.007996625,0.003985074,0.0071004312,0.001327569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003044534,0.000008112693,0.00016915263,0.00013793426,0.000010209325,0.000046548263,0.003737215,0.00008598733,0.00003761933,0.8194797,0.16690461,0.00935247],"study_design_scores_gemma":[0.000016688715,0.000006079215,0.00064912863,0.00048294337,0.000014336103,0.0000650163,0.003451339,0.00007647813,0.00012825057,0.14460997,0.85047185,0.00002784814],"about_ca_topic_score_codex":0.4598826,"about_ca_topic_score_gemma":0.506142,"teacher_disagreement_score":0.4598826,"about_ca_system_score_codex":0.024814077,"about_ca_system_score_gemma":0.026153008,"threshold_uncertainty_score":0.91441154},"labels":[],"label_agreement":null},{"id":"W4200408692","doi":"10.3138/ecf.34.2.238","title":"<i>Physical Disability in British Romantic Literature</i> by Essaka Joshua","year":2021,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Psychology; Art; Psychoanalysis","score_opus":0.007237825139310432,"score_gpt":0.20515387803721102,"score_spread":0.1979160528979006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200408692","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12360659,0.16467923,0.000304113,0.15005365,0.011975136,0.00003246555,0.00014733401,0.00005659366,0.5491449],"genre_scores_gemma":[0.6828583,0.044577584,0.0002615456,0.015119695,0.0024152522,0.000033630102,0.000064026164,0.0001440152,0.2545259],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992568,0.00031373408,0.000041307445,0.000059575766,0.00012833401,0.00020019802],"domain_scores_gemma":[0.9987374,0.00072278007,0.000085516185,0.00005024428,0.00021878805,0.00018526697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091840315,0.00041090907,0.00043972238,0.0015565642,0.014857227,0.005344493,0.0006137672,0.0017342104,0.0070701097],"category_scores_gemma":[0.002264071,0.00022035513,0.00012236078,0.0021955464,0.008211561,0.0020006867,0.0028331694,0.0040795812,0.0010718129],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008513675,0.000044708275,0.0018510391,0.00070849323,0.000016244481,0.0020207565,0.48798913,0.00011809837,0.0006591132,0.22097751,0.25159714,0.033932645],"study_design_scores_gemma":[0.0000043177783,0.000013131242,0.004013285,0.00063329656,0.0000067118112,0.00039206928,0.090305716,0.000027740574,0.00013907893,0.002359221,0.9020872,0.000018185965],"about_ca_topic_score_codex":0.08920855,"about_ca_topic_score_gemma":0.23575139,"teacher_disagreement_score":0.08920855,"about_ca_system_score_codex":0.005079767,"about_ca_system_score_gemma":0.003154126,"threshold_uncertainty_score":0.1773786},"labels":[],"label_agreement":null},{"id":"W4200635757","doi":"","title":"“What’s in a deck? Words! Words! Words! And more! — McClure’s 1960s Personal Universe Decks”","year":2021,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Deck; Computer science; Universe; Artificial intelligence; Linguistics; Natural language processing; Engineering; Astronomy; Philosophy; Physics; Structural engineering","score_opus":0.01542710906322255,"score_gpt":0.21423495233671838,"score_spread":0.19880784327349582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200635757","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009050983,0.01537024,0.005638931,0.33482167,0.013592568,0.00004506517,0.00010152553,0.000122009704,0.62125695],"genre_scores_gemma":[0.41436917,0.0051265997,0.0030846447,0.06168275,0.0063647716,0.00011532649,0.000062251005,0.0006103681,0.50858414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99510807,0.0030271104,0.00013665715,0.0005258909,0.000771356,0.00043099516],"domain_scores_gemma":[0.99640876,0.0017931968,0.00019561828,0.0003610524,0.00087731174,0.00036403775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038581607,0.00081929046,0.00040623487,0.0024515034,0.011960861,0.013206326,0.0009674315,0.0049645742,0.009693836],"category_scores_gemma":[0.011238726,0.00041125316,0.00034366315,0.0016660611,0.02477441,0.012048953,0.0037816565,0.01076005,0.0038014972],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001579071,0.0000061833075,0.0000966781,0.000029580831,0.0000030899985,0.000082540624,0.03644034,0.000027015665,0.00016255592,0.77946126,0.17251551,0.011159463],"study_design_scores_gemma":[0.000003854242,0.0000064040987,0.00024427782,0.000118439304,0.0000029780092,0.00009876202,0.010748956,0.00006234138,0.00017502307,0.04991098,0.9386099,0.00001824297],"about_ca_topic_score_codex":0.03510009,"about_ca_topic_score_gemma":0.05316276,"teacher_disagreement_score":0.03510009,"about_ca_system_score_codex":0.009849739,"about_ca_system_score_gemma":0.003819293,"threshold_uncertainty_score":0.071465194},"labels":[],"label_agreement":null},{"id":"W4205251505","doi":"10.1353/wlt.2017.0304","title":"Do Not Say We Have Nothing","year":2017,"lang":"en","type":"article","venue":"World Literature Today","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Ideology; Existentialism; Soul; History; The Void; Magnum opus; Criticism; Literature; Aesthetics; Philosophy; Politics; Law; Art; Political science; Theology; Epistemology","score_opus":0.03257780615148737,"score_gpt":0.2618835653077148,"score_spread":0.22930575915622742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205251505","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028621545,0.011154705,0.0068221195,0.39872414,0.04934016,0.0000962174,0.00029701443,0.00073770154,0.52996576],"genre_scores_gemma":[0.076386854,0.006590274,0.0026641642,0.3023836,0.008895083,0.0001754755,0.0003751152,0.0008592543,0.60167015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9906176,0.003673652,0.00031726007,0.0015143825,0.00296163,0.00091545994],"domain_scores_gemma":[0.98715186,0.0031231835,0.0009000148,0.0022690406,0.004011699,0.0025442326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0066248192,0.0010889149,0.00078356086,0.0008069605,0.008286165,0.013471753,0.0016982001,0.0056874845,0.06394819],"category_scores_gemma":[0.02805312,0.00047514788,0.00067251787,0.00065782666,0.01942947,0.013347775,0.008043986,0.017852886,0.06398431],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000414898,0.00004381569,0.0007061796,0.00021506332,0.000044925302,0.00019306557,0.009130438,0.000053818,0.000324591,0.22172518,0.7325345,0.034986872],"study_design_scores_gemma":[0.000005002519,0.000011673778,0.0001231976,0.00014979576,0.000007805069,0.0001273092,0.0021986938,0.00002393598,0.000109502755,0.016347464,0.9808822,0.0000133835165],"about_ca_topic_score_codex":0.005068054,"about_ca_topic_score_gemma":0.0068020243,"teacher_disagreement_score":0.06394819,"about_ca_system_score_codex":0.004253571,"about_ca_system_score_gemma":0.006635796,"threshold_uncertainty_score":0.21392798},"labels":[],"label_agreement":null},{"id":"W4205331894","doi":"10.1353/wlt.2017.0131","title":"Lost Addresses: New and Selected Poems","year":2017,"lang":"en","type":"article","venue":"World Literature Today","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Singing; Art; Dozen; American poetry; Manifesto; Art history; History; Law","score_opus":0.027988189670780365,"score_gpt":0.2499692288131047,"score_spread":0.22198103914232434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205331894","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016536001,0.14649436,0.0032114254,0.023983883,0.05145617,0.00014325709,0.00084088766,0.0004664173,0.75686765],"genre_scores_gemma":[0.09488518,0.06627938,0.002139861,0.0032161009,0.014999601,0.00019138603,0.0009621416,0.00075744145,0.81656885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993092,0.00023073237,0.00003756196,0.000090539914,0.00023496027,0.00009705986],"domain_scores_gemma":[0.999406,0.00020031176,0.000060995866,0.00005944005,0.00012097517,0.00015231637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009148629,0.0009829482,0.00046949158,0.0025491393,0.0059826663,0.0075019277,0.00085577095,0.0012651887,0.03206921],"category_scores_gemma":[0.0026737638,0.00030631054,0.00030205568,0.0027524987,0.0035632118,0.00618169,0.0035858182,0.002866849,0.0113413045],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008407204,0.000079578225,0.0003331344,0.00040156636,0.0000066904145,0.00088874786,0.033951852,0.000070878035,0.0007236454,0.09123419,0.72754693,0.14467868],"study_design_scores_gemma":[0.0000015217248,0.000004860787,0.00017776097,0.0001489619,8.9477896e-7,0.00020338495,0.0030719175,0.0000110908995,0.000042229865,0.0011023874,0.9952317,0.0000032582657],"about_ca_topic_score_codex":0.0017974217,"about_ca_topic_score_gemma":0.0045750607,"teacher_disagreement_score":0.03206921,"about_ca_system_score_codex":0.0018721384,"about_ca_system_score_gemma":0.0009544684,"threshold_uncertainty_score":0.10728216},"labels":[],"label_agreement":null},{"id":"W4206708447","doi":"10.12987/9780300210279","title":"Globetrotter","year":2020,"lang":"de","type":"book","venue":"Yale University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Serbian; Blame; Jealousy; Shame; Scrutiny; Paragraph; Identity (music); History; Painting; Art; Art history; Aesthetics; Law; Psychology; Political science; Philosophy","score_opus":0.02918767745319883,"score_gpt":0.1810400530627508,"score_spread":0.15185237560955198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206708447","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005196102,0.01560411,0.0007201631,0.007616551,0.00339759,0.000024631667,0.0003768918,0.0003220245,0.9667419],"genre_scores_gemma":[0.026275532,0.0032037818,0.00033829242,0.0017346886,0.00030180544,0.000015773754,0.00021016353,0.00031029395,0.9676098],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995777,0.000047534362,0.000010148088,0.0001336834,0.00013828704,0.00009259615],"domain_scores_gemma":[0.9997652,0.000043422366,0.000015572828,0.000042830245,0.00008374727,0.00004916782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003518578,0.0006698412,0.00029347718,0.0013101009,0.0048054704,0.0040910216,0.0006880872,0.001526763,0.09562932],"category_scores_gemma":[0.00086400297,0.00021436099,0.00026679056,0.0012097803,0.0023756826,0.0022009327,0.002766196,0.0020382341,0.021863354],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003266475,0.000016386004,0.00053404906,0.000102760816,0.0000033060176,0.0005001965,0.0060528913,0.000089537476,0.0007536843,0.110958725,0.78482074,0.096135154],"study_design_scores_gemma":[0.0000011939758,0.0000032483956,0.00033219458,0.00005253832,6.4908585e-7,0.00011035491,0.0005289416,0.00001223213,0.000101843914,0.0009322022,0.9979221,0.0000024975006],"about_ca_topic_score_codex":0.042254064,"about_ca_topic_score_gemma":0.11505967,"teacher_disagreement_score":0.09562932,"about_ca_system_score_codex":0.0040213857,"about_ca_system_score_gemma":0.0021195556,"threshold_uncertainty_score":0.31991196},"labels":[],"label_agreement":null},{"id":"W4210306219","doi":"10.32873/uno.dc.jrf.25.02.016","title":"Where is Anne Frank","year":2021,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sociology; Law and economics; Philosophy","score_opus":0.014633280788153265,"score_gpt":0.2276839329893199,"score_spread":0.21305065220116665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210306219","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001026987,0.016934266,0.0016881244,0.36203367,0.13460702,0.00011944127,0.0007073993,0.0010209561,0.48186216],"genre_scores_gemma":[0.0024778463,0.0018112533,0.00028018147,0.026619118,0.0021153889,0.000029419005,0.00006652977,0.00017309203,0.96642715],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99869186,0.00023545534,0.000052627453,0.00024749603,0.0005049984,0.0002675616],"domain_scores_gemma":[0.99700755,0.00032222795,0.00012448635,0.00013254485,0.0011832345,0.0012300536],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001451001,0.0005916108,0.00081832457,0.0012794427,0.0045136325,0.007175863,0.0012884929,0.0049657095,0.3148429],"category_scores_gemma":[0.0074272864,0.0003427627,0.0004745348,0.00053023174,0.0011325679,0.0057391315,0.0041291965,0.004637272,0.2541336],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014641952,0.000015410084,0.000111010704,0.000053183117,0.0000017669087,0.00008438808,0.00020136593,0.000015811505,0.00011831598,0.007042361,0.9585342,0.0338075],"study_design_scores_gemma":[0.0000015509823,0.0000033376532,0.000094975985,0.00008267261,0.0000010321213,0.0000420281,0.00046604816,0.00000962941,0.000036737423,0.00087802246,0.9983784,0.000005623265],"about_ca_topic_score_codex":0.005710955,"about_ca_topic_score_gemma":0.0121916225,"teacher_disagreement_score":0.3148429,"about_ca_system_score_codex":0.0012729106,"about_ca_system_score_gemma":0.003242343,"threshold_uncertainty_score":0.97729343},"labels":[],"label_agreement":null},{"id":"W4210636548","doi":"10.7312/wall15156","title":"Fate, Time, and Language","year":2010,"lang":"en","type":"book","venue":"Columbia University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Linguistics; Philosophy","score_opus":0.011222253544351572,"score_gpt":0.1676241897707887,"score_spread":0.1564019362264371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210636548","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02732751,0.040511865,0.006286498,0.096733294,0.0033381484,0.00002443779,0.00008874392,0.00008672943,0.8256027],"genre_scores_gemma":[0.7848068,0.013029352,0.0019988145,0.012952534,0.0017758922,0.00005506953,0.00009141527,0.00015344431,0.18513674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99828255,0.0009414614,0.000041981486,0.00018910658,0.000311892,0.0002329276],"domain_scores_gemma":[0.9990042,0.0005190562,0.00009602601,0.000084552456,0.00016858909,0.0001276406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017056233,0.00043086178,0.00028571344,0.0010277085,0.0075801504,0.0083941,0.0006365181,0.0014672651,0.005401118],"category_scores_gemma":[0.0031185064,0.00020197166,0.00019935163,0.0008270832,0.0301416,0.008590089,0.0032825011,0.0035101569,0.0009606534],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009317599,0.0000036398887,0.000092190945,0.000012926623,9.703551e-7,0.000052068066,0.012480442,0.00002619056,0.000047234586,0.9732553,0.009397384,0.0046223663],"study_design_scores_gemma":[0.00000795562,0.000013299901,0.00019400532,0.00013079084,0.0000030201572,0.000104974904,0.011309499,0.000059503163,0.00016858641,0.43657762,0.5514192,0.000011521108],"about_ca_topic_score_codex":0.008735538,"about_ca_topic_score_gemma":0.0078063617,"teacher_disagreement_score":0.008735538,"about_ca_system_score_codex":0.006077528,"about_ca_system_score_gemma":0.0038471844,"threshold_uncertainty_score":0.044095755},"labels":[],"label_agreement":null},{"id":"W4210972639","doi":"10.25071/2561-5467.18","title":"Phil Carradice, The Battle of Tsushima (Ian Yeates)","year":2021,"lang":"en","type":"article","venue":"The Northern Mariner / Le marin du nord","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Battle; History; Oceanography; Ancient history; Geology","score_opus":0.017132065308483827,"score_gpt":0.1918599696694663,"score_spread":0.17472790436098248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210972639","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015356565,0.3644741,0.00039882644,0.4582784,0.08110525,0.000022285041,0.00008624646,0.00009026569,0.0940091],"genre_scores_gemma":[0.030216372,0.11056435,0.00066643517,0.116377205,0.026695428,0.000092471906,0.0000728181,0.00021974278,0.7150952],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990403,0.0003578475,0.000033556902,0.00014769728,0.0002736708,0.00014681816],"domain_scores_gemma":[0.9988745,0.0003678547,0.00010372968,0.000049210805,0.00026502603,0.00033967796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022292857,0.00069635944,0.00049304706,0.0011950373,0.008064783,0.0060635307,0.00084535213,0.004598076,0.024019374],"category_scores_gemma":[0.0043480056,0.0003757521,0.0002446796,0.0013266216,0.0038477567,0.004596058,0.0038410018,0.0066500274,0.0071998932],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015684116,0.000007196734,0.000110059635,0.00011016801,0.000003704837,0.00006673073,0.0022316193,0.000025286836,0.00006145408,0.018493032,0.96016616,0.018708805],"study_design_scores_gemma":[0.0000026048879,0.0000037327532,0.00020666957,0.00018269199,0.0000016994583,0.0000613056,0.0025049758,0.0000068246536,0.000023989676,0.0022791538,0.9947221,0.0000041716203],"about_ca_topic_score_codex":0.016180009,"about_ca_topic_score_gemma":0.04579539,"teacher_disagreement_score":0.024019374,"about_ca_system_score_codex":0.0031171371,"about_ca_system_score_gemma":0.0029287725,"threshold_uncertainty_score":0.08035278},"labels":[],"label_agreement":null},{"id":"W4211026043","doi":"10.32920/ryerson.14655729","title":"Hiding in Delight: Transgression, Irony And the Edge of Vice","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Irony; Foregrounding; Capital (architecture); Casual; Marine transgression; Politics; Commodity; Sociology; Advertising; Media studies; Political science; Aesthetics; Law; History; Art; Business; Literature","score_opus":0.025498575238472404,"score_gpt":0.22878552332635288,"score_spread":0.20328694808788048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211026043","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35698155,0.0016796058,0.003231997,0.011748943,0.00047790943,0.00001783716,0.000035843517,0.000106487336,0.6257198],"genre_scores_gemma":[0.95983535,0.000319823,0.0002825151,0.00053028954,0.00009152673,0.0000044484577,0.00000851237,0.000049478902,0.038878027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988777,0.00056236424,0.000010483107,0.00007294645,0.00024831455,0.00022818745],"domain_scores_gemma":[0.9985902,0.0005873457,0.00016186315,0.00015372923,0.00022965959,0.0002771603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013742162,0.00041176841,0.00017644373,0.0011765491,0.00892914,0.008005236,0.00065365044,0.0012368825,0.006318213],"category_scores_gemma":[0.0029616205,0.00019237236,0.00015705482,0.00087630644,0.023001978,0.0031620823,0.0035064695,0.0019677174,0.00053875713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000111345216,0.000039913077,0.004786296,0.000074626136,0.00001041313,0.0014365586,0.293688,0.00020182907,0.0016842233,0.65029407,0.022480417,0.025192361],"study_design_scores_gemma":[0.000018840401,0.00009097325,0.009366782,0.00024117381,0.000027381944,0.0012410277,0.26572788,0.0005218655,0.002052159,0.034401186,0.68625975,0.00005101473],"about_ca_topic_score_codex":0.03750755,"about_ca_topic_score_gemma":0.078498445,"teacher_disagreement_score":0.03750755,"about_ca_system_score_codex":0.005598227,"about_ca_system_score_gemma":0.0022296794,"threshold_uncertainty_score":0.074578404},"labels":[],"label_agreement":null},{"id":"W4211033323","doi":"10.25071/2561-5467.37","title":"Bernie Webber, Lightships, Lighthouses and Lifeboat Stations (Alicia Caporaso)","year":2021,"lang":"en","type":"article","venue":"The Northern Mariner / Le marin du nord","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aeronautics; Art; Archaeology; Geography; Engineering","score_opus":0.020236201198703258,"score_gpt":0.20226361899844256,"score_spread":0.1820274177997393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211033323","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043383744,0.32648376,0.0004384144,0.34282997,0.08974726,0.00004936157,0.00042666093,0.00022154582,0.2354646],"genre_scores_gemma":[0.02865262,0.04954197,0.0003136413,0.026562985,0.015138821,0.000054011074,0.0001382421,0.0002560232,0.87934166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993193,0.00016190953,0.000024201012,0.0001980791,0.00017519205,0.00012133763],"domain_scores_gemma":[0.9988955,0.00031699328,0.00010470749,0.000031460364,0.00034098828,0.00031023007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012590303,0.00083513046,0.00045428346,0.0013039787,0.007356432,0.0037685186,0.0008171693,0.0030266044,0.06603404],"category_scores_gemma":[0.0024668397,0.0003731455,0.00014736824,0.0012600644,0.0012172497,0.0019950827,0.002529997,0.00259363,0.01565818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013066041,0.000010501574,0.00016892058,0.00010417281,0.0000018965516,0.000074819705,0.0011993066,0.000029962195,0.00007968695,0.008055796,0.97152555,0.018736413],"study_design_scores_gemma":[0.0000016832626,0.000002394923,0.0005306409,0.00009333123,0.0000012773825,0.000030682393,0.0009855008,0.000010175507,0.00002898276,0.0003659773,0.9979463,0.000003039994],"about_ca_topic_score_codex":0.046253588,"about_ca_topic_score_gemma":0.09800596,"teacher_disagreement_score":0.06603404,"about_ca_system_score_codex":0.0029045674,"about_ca_system_score_gemma":0.0028674817,"threshold_uncertainty_score":0.2209059},"labels":[],"label_agreement":null},{"id":"W4211075097","doi":"10.32920/ryerson.14655729.v1","title":"Hiding in Delight: Transgression, Irony And the Edge of Vice","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Irony; Foregrounding; Capital (architecture); Politics; Commodity; Casual; Marine transgression; Sociology; Advertising; Political science; Aesthetics; Media studies; Law; History; Business; Art; Literature","score_opus":0.025498575238472404,"score_gpt":0.22878552332635288,"score_spread":0.20328694808788048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211075097","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35698155,0.0016796058,0.003231997,0.011748943,0.00047790943,0.00001783716,0.000035843517,0.000106487336,0.6257198],"genre_scores_gemma":[0.95983535,0.000319823,0.0002825151,0.00053028954,0.00009152673,0.0000044484577,0.00000851237,0.000049478902,0.038878027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988777,0.00056236424,0.000010483107,0.00007294645,0.00024831455,0.00022818745],"domain_scores_gemma":[0.9985902,0.0005873457,0.00016186315,0.00015372923,0.00022965959,0.0002771603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013742162,0.00041176841,0.00017644373,0.0011765491,0.00892914,0.008005236,0.00065365044,0.0012368825,0.006318213],"category_scores_gemma":[0.0029616205,0.00019237236,0.00015705482,0.00087630644,0.023001978,0.0031620823,0.0035064695,0.0019677174,0.00053875713],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000111345216,0.000039913077,0.004786296,0.000074626136,0.00001041313,0.0014365586,0.293688,0.00020182907,0.0016842233,0.65029407,0.022480417,0.025192361],"study_design_scores_gemma":[0.000018840401,0.00009097325,0.009366782,0.00024117381,0.000027381944,0.0012410277,0.26572788,0.0005218655,0.002052159,0.034401186,0.68625975,0.00005101473],"about_ca_topic_score_codex":0.03750755,"about_ca_topic_score_gemma":0.078498445,"teacher_disagreement_score":0.03750755,"about_ca_system_score_codex":0.005598227,"about_ca_system_score_gemma":0.0022296794,"threshold_uncertainty_score":0.074578404},"labels":[],"label_agreement":null},{"id":"W4214889318","doi":"10.33137/q.i..v26i1.9126","title":"The Ends of Mourning: Psychoanalysis, Literature, Film","year":2005,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Psychoanalysis; Literature; Art history; Psychology","score_opus":0.021728215074017093,"score_gpt":0.2527597362825656,"score_spread":0.2310315212085485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214889318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19583586,0.1446853,0.0045295963,0.05659894,0.002072102,0.00013607416,0.00011448796,0.00018088879,0.5958468],"genre_scores_gemma":[0.9271187,0.022889981,0.0008746075,0.0035952523,0.0004794865,0.00013799148,0.000056697296,0.000075248085,0.044772156],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987924,0.0008989687,0.00002004225,0.00007877794,0.00011853759,0.00009120553],"domain_scores_gemma":[0.99878293,0.0008398346,0.00008903653,0.000087938904,0.00007383141,0.00012647164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001446695,0.0005844173,0.00040076728,0.0023155613,0.007925462,0.011384887,0.0009027077,0.0023017686,0.0037712601],"category_scores_gemma":[0.0039787213,0.00024128502,0.00018487108,0.0024504354,0.030200198,0.0053173676,0.0032835277,0.0036423183,0.0005263504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005494499,0.00009971404,0.000984777,0.00035669727,0.000016799695,0.0012327281,0.63827586,0.00008256925,0.0005748833,0.2973647,0.03010451,0.03085183],"study_design_scores_gemma":[0.000021472079,0.00005864978,0.004665401,0.001130729,0.0000135429555,0.0010538568,0.5964764,0.0001469074,0.00027628697,0.06203162,0.33410752,0.000017683806],"about_ca_topic_score_codex":0.0047015506,"about_ca_topic_score_gemma":0.008213018,"teacher_disagreement_score":0.011384887,"about_ca_system_score_codex":0.004084858,"about_ca_system_score_gemma":0.0018455137,"threshold_uncertainty_score":0.029637814},"labels":[],"label_agreement":null},{"id":"W4214929986","doi":"10.5130/csr.v9i1.3597","title":"Introducing Deleuze","year":2013,"lang":"en","type":"article","venue":"Cultural Studies Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Project commissioning; Publishing; Sociology; Art history; Media studies; Art; Psychoanalysis; Philosophy; Aesthetics; Literature; Psychology","score_opus":0.08790028880689013,"score_gpt":0.3058186940377612,"score_spread":0.21791840523087105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214929986","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022746273,0.8624416,0.0030342452,0.055398893,0.0053646173,0.000023186918,0.00003206148,0.00002519981,0.07140556],"genre_scores_gemma":[0.11634236,0.7884881,0.003880217,0.040166453,0.0054612253,0.00010200114,0.00008511273,0.00016257634,0.04531197],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963504,0.0023072462,0.00013430725,0.00029494372,0.0007273451,0.00018565271],"domain_scores_gemma":[0.9969022,0.002065171,0.00015584634,0.00016599521,0.0005902538,0.00012057202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004243017,0.0007652956,0.00073072687,0.0036812746,0.0038759836,0.006383788,0.0010250439,0.0031522857,0.0041524936],"category_scores_gemma":[0.0070151696,0.00031448415,0.00038102502,0.0039290907,0.015158692,0.008801761,0.0034327735,0.005540435,0.0011639871],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026786185,0.000024728886,0.0004232882,0.0011293408,0.000016781016,0.00030085296,0.022104485,0.00015391644,0.0002144302,0.74789894,0.11865589,0.109050706],"study_design_scores_gemma":[0.0000032285807,0.000014424057,0.00038318743,0.0021983148,0.0000064997644,0.0003412563,0.0043744207,0.000038821916,0.000113246875,0.07028319,0.92222863,0.000014763255],"about_ca_topic_score_codex":0.009970354,"about_ca_topic_score_gemma":0.020394111,"teacher_disagreement_score":0.009970354,"about_ca_system_score_codex":0.005274632,"about_ca_system_score_gemma":0.0052437442,"threshold_uncertainty_score":0.038270354},"labels":[],"label_agreement":null},{"id":"W4220981980","doi":"10.1002/9781119431732.ecaf0087","title":"Krauss, Nicole","year":2022,"lang":"en","type":"other","venue":"The Encyclopedia of Contemporary American Fiction 1980–2020","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Conviction; Narrative; Aesthetics; Key (lock); Sociology; Psychoanalysis; Psychology; Art history; History; Literature; Art; Law; Computer science; Political science","score_opus":0.01189734532073575,"score_gpt":0.22081876905547262,"score_spread":0.20892142373473688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220981980","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044950307,0.10912001,0.0013876398,0.16709518,0.029234234,0.000047451187,0.00016233744,0.00027120064,0.68818694],"genre_scores_gemma":[0.045859415,0.023837753,0.0008595898,0.01972233,0.003133223,0.00007542938,0.00008435645,0.00022318549,0.9062047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990127,0.00025139062,0.000027794724,0.0002354133,0.00032789362,0.00014484028],"domain_scores_gemma":[0.9993286,0.00011162783,0.00004114414,0.00005765188,0.00021016606,0.00025085668],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006138009,0.00051726133,0.0003220175,0.0007636237,0.006187009,0.00439408,0.0008249014,0.0016574574,0.033223055],"category_scores_gemma":[0.003376136,0.00026231585,0.00015447308,0.0005466236,0.0025690713,0.0033539108,0.0033401595,0.004259541,0.020212747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015815842,0.00001561302,0.00017832253,0.00009357419,0.0000019677173,0.00014091346,0.004350805,0.00004916869,0.00021013552,0.07233385,0.8772971,0.045312773],"study_design_scores_gemma":[3.8620155e-7,0.0000017374174,0.00007547138,0.00004982624,4.2400492e-7,0.00009009349,0.00080705195,0.00001569658,0.000038075945,0.001633111,0.9972861,0.0000020490352],"about_ca_topic_score_codex":0.0123503655,"about_ca_topic_score_gemma":0.023675175,"teacher_disagreement_score":0.96677697,"about_ca_system_score_codex":0.004089522,"about_ca_system_score_gemma":0.0036473884,"threshold_uncertainty_score":0.11114222},"labels":[],"label_agreement":null},{"id":"W4221016338","doi":"10.3138/cras-2022-006","title":"Detecting Meaninglessness and Meaning in Don DeLillo’s <i>Players</i>","year":2022,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adventure; Postmodernism; Depiction; Meaning (existential); Postmodernity; Aesthetics; Literature; Philosophy; Art; Epistemology; Art history","score_opus":0.0321927259583217,"score_gpt":0.26030009568949597,"score_spread":0.22810736973117426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221016338","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21714553,0.01446015,0.0066862525,0.15373379,0.0028772387,0.00006390717,0.00006605281,0.00012178842,0.60484535],"genre_scores_gemma":[0.97006947,0.00197495,0.00044952802,0.0064291013,0.00031251868,0.00004157155,0.000012172344,0.00007775852,0.020632982],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931772,0.004445873,0.00011361447,0.00060163246,0.0010198852,0.0006417942],"domain_scores_gemma":[0.9934691,0.004491865,0.0005982865,0.00036257677,0.00054765085,0.00053045456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00589988,0.00061732746,0.00047691213,0.0023711359,0.015474816,0.023110978,0.001785365,0.00436395,0.003354357],"category_scores_gemma":[0.010564924,0.00043769807,0.0002571356,0.0014799704,0.05467427,0.012030339,0.008356008,0.0065024486,0.00048184232],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040629624,0.00002242399,0.0007392547,0.00010662788,0.000005884102,0.0006107614,0.49361524,0.000027249047,0.00030110945,0.48070267,0.015893761,0.007934453],"study_design_scores_gemma":[0.000015139196,0.000023439194,0.0006430263,0.0004629112,0.000009793821,0.00071353983,0.44250017,0.00009281049,0.00046136248,0.03602155,0.51902646,0.000029803015],"about_ca_topic_score_codex":0.016332664,"about_ca_topic_score_gemma":0.029293844,"teacher_disagreement_score":0.023110978,"about_ca_system_score_codex":0.008454761,"about_ca_system_score_gemma":0.0034692527,"threshold_uncertainty_score":0.06134385},"labels":[],"label_agreement":null},{"id":"W4221026575","doi":"10.5539/ells.v12n2p46","title":"The Importance of Instapoetry in Light of Dominant Forms with Special Reference to Rupi Kaur’s Milk and Honey","year":2022,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Argument (complex analysis); Sociology; Order (exchange); Marxist philosophy; Aesthetics; Literature; Social science; Philosophy; Law; Art; Political science; Economics; Politics","score_opus":0.009657553913837257,"score_gpt":0.22961235511258457,"score_spread":0.2199548011987473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221026575","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36335364,0.0067946357,0.008362049,0.02240655,0.0008048521,0.000082662125,0.00006215747,0.000117026306,0.59801644],"genre_scores_gemma":[0.99252105,0.00056997227,0.0008399563,0.00033233923,0.000087352,0.000017039156,0.000009200153,0.000051625142,0.0055715106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99341536,0.004009768,0.00020484383,0.0006327277,0.001328232,0.00040903862],"domain_scores_gemma":[0.98795533,0.0074629835,0.0013209141,0.0018450683,0.0011361532,0.00027948222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051936065,0.00041717137,0.0003938907,0.0019694674,0.006514535,0.010650787,0.0011123822,0.000909017,0.0025243545],"category_scores_gemma":[0.019253653,0.0002537634,0.00023118817,0.0022094187,0.034762744,0.0085992925,0.0055377847,0.003921065,0.0004682589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005357831,0.000017613072,0.0010734427,0.00012511408,0.000010733837,0.00046217866,0.2996961,0.00007467398,0.00059380697,0.6750958,0.0027592345,0.020037733],"study_design_scores_gemma":[0.000020963955,0.00014712327,0.011422177,0.0005500613,0.000053075666,0.0033861303,0.3058971,0.0012589985,0.0027407578,0.28178656,0.39261943,0.00011765989],"about_ca_topic_score_codex":0.0026594466,"about_ca_topic_score_gemma":0.003647666,"teacher_disagreement_score":0.010650787,"about_ca_system_score_codex":0.0028913238,"about_ca_system_score_gemma":0.0019685118,"threshold_uncertainty_score":0.027466714},"labels":[],"label_agreement":null},{"id":"W4221082224","doi":"10.5430/wjel.v12n2p134","title":"A Feministic Discourse of Existentialism in Namita Gokhale’s Select Works","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Existentialism; Feminism; Psychoanalysis; Alienation; Sociology; Gender studies; Psychology; Philosophy; Epistemology; Political science; Law","score_opus":0.012355285610330948,"score_gpt":0.24478830860112694,"score_spread":0.232433022990796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221082224","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7361506,0.0047753192,0.0019111042,0.009916126,0.00031362826,0.00006710728,0.00008441713,0.0000369749,0.2467448],"genre_scores_gemma":[0.9896912,0.00065855775,0.0003587195,0.00032520702,0.000022927228,0.000039099294,0.000015757578,0.000017714729,0.008870869],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999003,0.0006498017,0.000026254222,0.000082780134,0.00010805741,0.00013022273],"domain_scores_gemma":[0.9993349,0.0004294471,0.000078703786,0.000052842846,0.000034249675,0.00006990552],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011663624,0.0004995522,0.000294009,0.00074176915,0.012144326,0.005102357,0.0006263204,0.0014108946,0.0030181145],"category_scores_gemma":[0.0014759942,0.00033201976,0.00020212441,0.0010878335,0.015622054,0.0037093705,0.0045367386,0.0021228127,0.00022797784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000263581,0.000020468146,0.0008265207,0.00009604757,0.0000023429754,0.00094824214,0.9087214,0.000033832046,0.0010401822,0.0821698,0.0011793629,0.004935407],"study_design_scores_gemma":[0.000007349825,0.00002250078,0.0039621475,0.0004301984,0.000008004192,0.0006655774,0.7840779,0.000081289414,0.00083768705,0.008980995,0.20090578,0.000020548596],"about_ca_topic_score_codex":0.0053411,"about_ca_topic_score_gemma":0.014741011,"teacher_disagreement_score":0.012144326,"about_ca_system_score_codex":0.0054377923,"about_ca_system_score_gemma":0.0014670206,"threshold_uncertainty_score":0.039454103},"labels":[],"label_agreement":null},{"id":"W4223484554","doi":"10.32873/uno.dc.jrf.26.01.51","title":"Seeing and Interpreting Visions of the Next Age in Interstellar","year":2022,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Vision; Interpretation (philosophy); Representation (politics); Prologue; Literature; Art; Reflexivity; Art history; History; Philosophy; Sociology; Anthropology; Theology; Politics","score_opus":0.01864429529304879,"score_gpt":0.2220958562911662,"score_spread":0.20345156099811743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4223484554","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2087625,0.014151115,0.01557946,0.089532055,0.0028648344,0.00006708407,0.00009738649,0.00017680285,0.6687687],"genre_scores_gemma":[0.9694318,0.0019048988,0.0019351309,0.0036424536,0.00033307326,0.000021656373,0.000030326133,0.00009243485,0.022608308],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779224,0.0016185935,0.00003488615,0.0001406117,0.00026661027,0.00014718268],"domain_scores_gemma":[0.99670863,0.0021050381,0.00025177255,0.00026344453,0.00036043502,0.00031063918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003468788,0.0004060742,0.00017952267,0.0016209749,0.005878588,0.009478578,0.00072300585,0.0019456133,0.0030967],"category_scores_gemma":[0.007487594,0.00017340718,0.00017187069,0.00075533974,0.02376843,0.008931832,0.0042590518,0.0046331338,0.0004234821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027665716,0.000016444896,0.0010332966,0.00007414222,0.0000062675344,0.00049375405,0.52373445,0.00008476333,0.00051629264,0.4359343,0.025468102,0.012610453],"study_design_scores_gemma":[0.000013933049,0.000033224827,0.0015771637,0.00046463698,0.000010617885,0.00076870207,0.40280184,0.00035143134,0.0010929279,0.101046756,0.49181107,0.000027628905],"about_ca_topic_score_codex":0.0054930113,"about_ca_topic_score_gemma":0.014624951,"teacher_disagreement_score":0.009478578,"about_ca_system_score_codex":0.0030868025,"about_ca_system_score_gemma":0.0014736125,"threshold_uncertainty_score":0.022396445},"labels":[],"label_agreement":null},{"id":"W4224107288","doi":"10.4000/ebc.11793","title":"Renaissances, Resurrections and Rewritings: A Neo-Victorian Poetics of Exhumation","year":2022,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nexen (Canada)","funders":"","keywords":"Poetics; Art; Literature; History; Poetry","score_opus":0.02583646849145139,"score_gpt":0.2447052116705268,"score_spread":0.21886874317907543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224107288","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12855057,0.01592439,0.02517958,0.02014866,0.0019628066,0.00007123538,0.000053387343,0.00017264193,0.8079367],"genre_scores_gemma":[0.9034451,0.0017935024,0.002424432,0.0008714215,0.00024990583,0.000041523705,0.000013991366,0.00015736102,0.0910028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99634165,0.0025123165,0.000062887026,0.00026838132,0.0004587384,0.0003560772],"domain_scores_gemma":[0.9986778,0.0006630298,0.00014321312,0.00024221542,0.00016690094,0.000106844105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034121806,0.0005123507,0.0003491449,0.0008511762,0.007807381,0.007315676,0.0012953534,0.0019156311,0.00349965],"category_scores_gemma":[0.0045674103,0.00029674766,0.00028893683,0.000705914,0.034685474,0.007122211,0.0047576535,0.0034534629,0.00057894445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021277612,0.000009836028,0.00010472129,0.000044633427,0.0000026172222,0.00023489218,0.104385585,0.000067572924,0.0002919828,0.8868,0.0021848108,0.0058520897],"study_design_scores_gemma":[0.000019329418,0.000040410025,0.00044146267,0.00022719902,0.000009734564,0.0008773746,0.073766604,0.00041488768,0.0012553304,0.18462783,0.7382851,0.000034706693],"about_ca_topic_score_codex":0.004964529,"about_ca_topic_score_gemma":0.008832035,"teacher_disagreement_score":0.007807381,"about_ca_system_score_codex":0.004194495,"about_ca_system_score_gemma":0.002025663,"threshold_uncertainty_score":0.030433357},"labels":[],"label_agreement":null},{"id":"W4229034501","doi":"10.1177/10778004221093416","title":"Space in Between","year":2022,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Narrative; Power (physics); Poetry; Agency (philosophy); Aesthetics; Space (punctuation); Sociology; Literature; Art; Philosophy; Linguistics; Social science","score_opus":0.17658515151279938,"score_gpt":0.37685847616580653,"score_spread":0.20027332465300715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229034501","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015500677,0.0041291798,0.019568756,0.052066866,0.006810454,0.00011584259,0.00032472797,0.0002994944,0.90118396],"genre_scores_gemma":[0.5170963,0.002932648,0.005290696,0.0138354255,0.002114742,0.00027751498,0.0003044617,0.0008556039,0.45729262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732816,0.0013674786,0.00006663777,0.0005230491,0.00033198897,0.00038281397],"domain_scores_gemma":[0.99742365,0.00077653496,0.00019651027,0.0004627318,0.0004169174,0.00072370423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020477353,0.0006952079,0.00059334014,0.00132927,0.014540675,0.014794837,0.0014157183,0.002741118,0.06630953],"category_scores_gemma":[0.0073560136,0.00037794045,0.0006029676,0.0013160632,0.016254434,0.014699289,0.011824013,0.0073078303,0.013800031],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007364715,0.000023081337,0.00035864473,0.00007556266,0.000009427266,0.0004021897,0.080265224,0.00006914651,0.00031835964,0.84258395,0.05650158,0.019319234],"study_design_scores_gemma":[0.000009668375,0.00002057261,0.0001530629,0.0001684222,0.000005492811,0.00022441274,0.040833026,0.000049473878,0.000111720685,0.06409556,0.8943173,0.000011192709],"about_ca_topic_score_codex":0.002955201,"about_ca_topic_score_gemma":0.0040136925,"teacher_disagreement_score":0.06630953,"about_ca_system_score_codex":0.00276813,"about_ca_system_score_gemma":0.0032487493,"threshold_uncertainty_score":0.22182745},"labels":[],"label_agreement":null},{"id":"W4230040384","doi":"10.1353/crv.2007.0013","title":"TheTriumph of Death: National Security and Imperial Erasures in Don DeLillo's Underworld","year":2007,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Cold war; Ethnology; Complicity; Art; Comics; History; Art history; Literature; Political science; Law","score_opus":0.03934900872647154,"score_gpt":0.304790156481341,"score_spread":0.2654411477548695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230040384","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15742008,0.033996128,0.0010482774,0.18870704,0.0026128027,0.000020056854,0.00008055055,0.000030696072,0.61608434],"genre_scores_gemma":[0.8882445,0.0068947994,0.00019912423,0.01563612,0.0009768448,0.000026968975,0.000031659612,0.00004350005,0.08794647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99817634,0.00084541354,0.000039702503,0.00023706692,0.00025709876,0.0004443403],"domain_scores_gemma":[0.998718,0.00068600365,0.00013939355,0.000099037796,0.00017787439,0.00017966672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002363178,0.00035393678,0.00037960417,0.00084596296,0.013650979,0.008455836,0.00092669256,0.0033797415,0.0038369717],"category_scores_gemma":[0.005019349,0.00022341125,0.00020270265,0.00071891746,0.028083963,0.0064001568,0.0052867,0.0062109646,0.00035970611],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046785008,0.000018213732,0.00093162654,0.00004688631,0.0000036270567,0.00054914516,0.14175184,0.00009460399,0.00006923118,0.79921085,0.047475066,0.009802225],"study_design_scores_gemma":[0.000013346473,0.000020994867,0.0010115347,0.0002776313,0.000004925205,0.00030035092,0.06888067,0.00012879165,0.00019027802,0.06032214,0.8688201,0.000029148983],"about_ca_topic_score_codex":0.045653448,"about_ca_topic_score_gemma":0.093435794,"teacher_disagreement_score":0.045653448,"about_ca_system_score_codex":0.010512526,"about_ca_system_score_gemma":0.0033594398,"threshold_uncertainty_score":0.09077543},"labels":[],"label_agreement":null},{"id":"W4230750472","doi":"10.1090/dol/026/20","title":"Section 20. Three Short Stories in Number Theory","year":2003,"lang":"en","type":"book-chapter","venue":"American Mathematical Society eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Section (typography); History; Geometry; Geology; Computer science; Mathematics; Operating system","score_opus":0.02486671100720999,"score_gpt":0.2391285678128363,"score_spread":0.21426185680562632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230750472","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024379536,0.034821622,0.0071716662,0.05747452,0.012910015,0.000028586664,0.00033749305,0.00015887745,0.88465923],"genre_scores_gemma":[0.072346374,0.024310695,0.0028232213,0.018977506,0.017671652,0.00010665267,0.00036622494,0.0004642338,0.86293334],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993375,0.00025913917,0.00001999811,0.0000526189,0.0002649032,0.00006578926],"domain_scores_gemma":[0.99827707,0.0011159627,0.0000861848,0.00008696818,0.0003093212,0.00012454885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009128798,0.0005705514,0.00033106364,0.0013378806,0.0027715361,0.0045343167,0.0007462718,0.0016025954,0.05454482],"category_scores_gemma":[0.0044725924,0.00017575831,0.00039145863,0.0016541549,0.004007443,0.00565685,0.0013789284,0.0033767072,0.010853147],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025159638,0.000012042382,0.000111397894,0.000089872454,0.000003919366,0.00007445084,0.001152386,0.000087091496,0.00016614264,0.4670065,0.5078105,0.023460597],"study_design_scores_gemma":[0.0000021708424,0.0000061688575,0.00019849108,0.000099802346,0.0000015341946,0.00007855556,0.0004070769,0.000055241435,0.000117708114,0.100742176,0.8982869,0.0000041980743],"about_ca_topic_score_codex":0.002149666,"about_ca_topic_score_gemma":0.0029291988,"teacher_disagreement_score":0.05454482,"about_ca_system_score_codex":0.0023998911,"about_ca_system_score_gemma":0.00068475516,"threshold_uncertainty_score":0.18247062},"labels":[],"label_agreement":null},{"id":"W4230924219","doi":"10.18733/cpi29493","title":"Jonny Appleseed","year":2019,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.6083114864230104,"score_gpt":0.41455074024383676,"score_spread":0.1937607461791736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230924219","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010191834,0.5571029,0.00030784833,0.31546018,0.04498119,0.000017328,0.00011916297,0.000055170458,0.08093709],"genre_scores_gemma":[0.035917874,0.49746424,0.00076160155,0.16267432,0.040266737,0.00008587781,0.00025326203,0.0005976784,0.26197845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872786,0.00039363542,0.000058856247,0.00016786343,0.0005543428,0.00009750582],"domain_scores_gemma":[0.9972941,0.0013472986,0.00019060254,0.000095860356,0.0007382334,0.00033381933],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022205282,0.00053259445,0.0006000069,0.0022017383,0.0043819663,0.006548276,0.0009202241,0.0031137294,0.019142954],"category_scores_gemma":[0.0077688317,0.00034986326,0.00019180914,0.0021443,0.003955997,0.00669224,0.002794596,0.004553731,0.006052454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012009232,0.0000055122705,0.000053741063,0.00029749522,0.0000034629986,0.00008185513,0.0013780587,0.000020941077,0.000060038372,0.014334846,0.96422535,0.019526688],"study_design_scores_gemma":[0.0000015693466,0.0000017321373,0.0001102739,0.000341844,0.0000013223204,0.000050920953,0.0006499007,0.000004159463,0.000022379156,0.0009764407,0.9978364,0.0000030655688],"about_ca_topic_score_codex":0.011045934,"about_ca_topic_score_gemma":0.02901124,"teacher_disagreement_score":0.019142954,"about_ca_system_score_codex":0.00399596,"about_ca_system_score_gemma":0.004332594,"threshold_uncertainty_score":0.06403959},"labels":[],"label_agreement":null},{"id":"W4231483084","doi":"10.32920/ryerson.14656668","title":"Age, Gender and Existentialism in the Late-Life Bildungsroman","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Existentialism; Postmodernism; Narrative; Masculinity; Reading (process); Sociology; Psychoanalysis; Gender studies; Aesthetics; Literature; Art; Philosophy; Psychology; Epistemology","score_opus":0.08498094588449893,"score_gpt":0.26190272066851555,"score_spread":0.1769217747840166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231483084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59253275,0.021220595,0.011077745,0.02262157,0.0009744866,0.00003385593,0.000060570375,0.00007551394,0.35140294],"genre_scores_gemma":[0.99040717,0.0012367266,0.00047764485,0.00032815873,0.00009038982,0.000010332439,0.000005938753,0.0000202216,0.0074234214],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99848026,0.0010519744,0.000034415185,0.00012592248,0.00016505746,0.00014231977],"domain_scores_gemma":[0.9977527,0.0015586457,0.00024086173,0.0001469952,0.00011689475,0.00018383007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037261082,0.000386313,0.00029065867,0.0011643348,0.006037026,0.00822979,0.0006084554,0.0012440189,0.0023723387],"category_scores_gemma":[0.004246381,0.00016629674,0.00016614156,0.0007159157,0.039194793,0.0073444354,0.004757586,0.0024555004,0.0002646854],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003089284,0.000013346649,0.00084387104,0.000059448103,0.0000028599381,0.00034699638,0.5050033,0.000071427305,0.0003194797,0.48586068,0.0011641777,0.00628359],"study_design_scores_gemma":[0.000011634183,0.000060362097,0.0027936224,0.0005019372,0.000009366498,0.0012964203,0.49477056,0.00021457054,0.0012226602,0.17842375,0.3206644,0.000030735297],"about_ca_topic_score_codex":0.0014607024,"about_ca_topic_score_gemma":0.0026261192,"teacher_disagreement_score":0.00822979,"about_ca_system_score_codex":0.0041463654,"about_ca_system_score_gemma":0.0010314205,"threshold_uncertainty_score":0.030084133},"labels":[],"label_agreement":null},{"id":"W4231812126","doi":"10.1163/9789401200844_013","title":"“‘Was You Going Anywheres?’: Wandering Between the Modern and Postmodern in Wise Blood","year":2011,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Postmodernism; Mind-wandering; Art; Psychology; Literature; Neuroscience","score_opus":0.04567914383543424,"score_gpt":0.2063210381380379,"score_spread":0.16064189430260367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231812126","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061341885,0.012654016,0.006654894,0.12068759,0.0037400222,0.00003846952,0.00003485027,0.00010862925,0.79473966],"genre_scores_gemma":[0.7737368,0.0030891888,0.0021056398,0.027692916,0.0017144217,0.0000878858,0.000027628104,0.00037252018,0.19117312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968532,0.0020566802,0.000049754337,0.00022957385,0.00044643908,0.00036439518],"domain_scores_gemma":[0.9973654,0.0017129699,0.00013539365,0.0002159719,0.0002911826,0.00027904817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0056496686,0.00037858033,0.00043294628,0.0011143145,0.0129549205,0.012093974,0.0011655082,0.00434542,0.006924714],"category_scores_gemma":[0.0073851794,0.0003882626,0.00019643722,0.0014396653,0.05611526,0.01450161,0.004550855,0.012238531,0.00094698084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013828667,0.000011866655,0.000094800744,0.000024356737,0.0000015775905,0.00005213959,0.124674335,0.000014848534,0.00006716702,0.8412879,0.026063483,0.007693719],"study_design_scores_gemma":[0.0000115855655,0.000031786,0.0005855516,0.0003741429,0.000006974278,0.00016944071,0.079801135,0.00014544262,0.00033418846,0.27222827,0.64628726,0.000024173074],"about_ca_topic_score_codex":0.007004482,"about_ca_topic_score_gemma":0.016173938,"teacher_disagreement_score":0.0129549205,"about_ca_system_score_codex":0.005431686,"about_ca_system_score_gemma":0.0046076886,"threshold_uncertainty_score":0.039409816},"labels":[],"label_agreement":null},{"id":"W4232634069","doi":"10.16995/pn.103","title":"National Fantasies","year":2001,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Casual; Phenomenon; Worry; Power (physics); History; Media studies; Sociology; Psychology; Psychoanalysis; Anxiety; Epistemology; Philosophy; Law; Political science","score_opus":0.04886908540303936,"score_gpt":0.25584275045662597,"score_spread":0.2069736650535866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232634069","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008908158,0.0046961256,0.0010162464,0.09148178,0.0040837047,0.000012255734,0.00012017339,0.00008650657,0.88959515],"genre_scores_gemma":[0.34529385,0.004950774,0.0013951786,0.06730796,0.0020238857,0.00010240715,0.00024264069,0.00025879388,0.5784246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986058,0.00057261455,0.00002841079,0.00021868767,0.0003102537,0.0002642807],"domain_scores_gemma":[0.9990827,0.0002937279,0.000067348345,0.0001388142,0.00016880054,0.00024869616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016007378,0.000610263,0.0003821815,0.00073693576,0.011210618,0.0072411876,0.0008264899,0.0036836416,0.028732039],"category_scores_gemma":[0.00434483,0.00025113026,0.00038612838,0.0006439562,0.012013659,0.008723182,0.0038671992,0.008367378,0.007556969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001902213,0.00001933359,0.0002950894,0.000030422972,0.0000047599474,0.00023635197,0.020855853,0.000039455197,0.00014789091,0.69134265,0.27746797,0.009541191],"study_design_scores_gemma":[0.0000020471894,0.000005700782,0.00020146684,0.00006881025,0.0000014843492,0.00034649513,0.009747942,0.000057137768,0.00007627685,0.034490887,0.95499337,0.000008403719],"about_ca_topic_score_codex":0.0044567203,"about_ca_topic_score_gemma":0.007937397,"teacher_disagreement_score":0.028732039,"about_ca_system_score_codex":0.00409751,"about_ca_system_score_gemma":0.0011550967,"threshold_uncertainty_score":0.09611821},"labels":[],"label_agreement":null},{"id":"W4234177786","doi":"10.32920/ryerson.14654322","title":"The Commodification of Body Positivity: Constructing a Neoliberal Fat Citizenship","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University; Dalhousie University","funders":"","keywords":"Commodification; Commoditization; Social media; Commercialization; Citizenship; Aesthetics; Sociology; Advertising; Representation (politics); Beauty; Political science; Public relations; Media studies; Business; Art; Law","score_opus":0.040405186682648,"score_gpt":0.2483985466851801,"score_spread":0.2079933600025321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234177786","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3238914,0.0017183615,0.027338145,0.038513873,0.00065522076,0.00009798285,0.000022325412,0.00014441565,0.6076183],"genre_scores_gemma":[0.9843908,0.0002599174,0.0022184188,0.0013052728,0.0001016026,0.00003069349,0.000005759655,0.000073923875,0.011613584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99665064,0.0020114921,0.000061077015,0.0003753239,0.0005953517,0.00030608953],"domain_scores_gemma":[0.9957384,0.0025252057,0.00031763106,0.00077737763,0.0003234809,0.00031790533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007233052,0.00046679424,0.00032903944,0.0020371568,0.006722057,0.00849284,0.0010970619,0.00225026,0.0026261942],"category_scores_gemma":[0.0058561177,0.00035829877,0.0003276121,0.0007894404,0.08652905,0.0075727175,0.009422443,0.004687732,0.0004066047],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026724756,0.000027778298,0.000781007,0.00004664949,0.0000047129097,0.00019251314,0.15624686,0.00006370212,0.00077889086,0.8294391,0.0011379743,0.011254033],"study_design_scores_gemma":[0.00004528874,0.00011188287,0.003443883,0.0005048286,0.000032305034,0.0007303324,0.126888,0.001370719,0.0036209512,0.59414214,0.26906604,0.00004363146],"about_ca_topic_score_codex":0.0020323426,"about_ca_topic_score_gemma":0.0024471846,"teacher_disagreement_score":0.00849284,"about_ca_system_score_codex":0.0045029046,"about_ca_system_score_gemma":0.0023693081,"threshold_uncertainty_score":0.038252473},"labels":[],"label_agreement":null},{"id":"W4234306852","doi":"10.32920/ryerson.14663688.v1","title":"Writing intellectual disability: glimpses into precarious processes or re/making a cultural phenomenon","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; University of Regina; York University","funders":"Administration for Community Living","keywords":"Disability studies; Epistemology; Sociology; Normative; Construct (python library); Modernity; Intellectual disability; Meaning (existential); Late modernity; Identity (music); Subject (documents); Phenomenon; Politics; Psychology; Gender studies; Social science; Aesthetics; Political science","score_opus":0.0838686000041229,"score_gpt":0.30905194417416637,"score_spread":0.2251833441700435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234306852","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43199867,0.014295178,0.08182292,0.09538054,0.0021267743,0.00038335402,0.00009911026,0.00043900317,0.37345448],"genre_scores_gemma":[0.9748769,0.0029499026,0.008997231,0.0026227094,0.0002757293,0.00013514893,0.00002979763,0.00016525036,0.009947223],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98113257,0.014340014,0.000654915,0.000976893,0.0020880848,0.00080759224],"domain_scores_gemma":[0.9784653,0.01564469,0.001355954,0.002637784,0.00097031146,0.00092593464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016308688,0.00089133484,0.0006318496,0.0030713344,0.010568654,0.015493884,0.001645419,0.0027364814,0.0033500844],"category_scores_gemma":[0.027474076,0.00038356686,0.0006588437,0.0017623797,0.08389198,0.023292776,0.015109169,0.0062400345,0.0006298681],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013350841,0.000021586193,0.00043358165,0.00012149028,0.000005323224,0.0006028153,0.83094406,0.00005764531,0.00039793513,0.15251882,0.0012964444,0.013586972],"study_design_scores_gemma":[0.000011102596,0.000042838234,0.0005779628,0.00081397727,0.0000114132645,0.0014410071,0.7036585,0.000300928,0.0010132203,0.1650588,0.12703098,0.000039260893],"about_ca_topic_score_codex":0.0015534208,"about_ca_topic_score_gemma":0.0013485658,"teacher_disagreement_score":0.016308688,"about_ca_system_score_codex":0.003292045,"about_ca_system_score_gemma":0.0038685673,"threshold_uncertainty_score":0.08624959},"labels":[],"label_agreement":null},{"id":"W4234370474","doi":"10.3138/cras-s035-02-01","title":"Introductory Notes. Memory Foretelling the Story: Essays on Fall on Your Knees","year":2005,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Epistemology; The Imaginary; Dialogic; Neutrality; Postmodernism; Sociology; Identity (music); Narrative; Aesthetics; Philosophy; Psychoanalysis; Linguistics; Psychology","score_opus":0.04909065654942545,"score_gpt":0.2792565164214875,"score_spread":0.23016585987206206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234370474","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00978979,0.04878797,0.0012312081,0.20920971,0.05534758,0.00015443184,0.0012117419,0.00025549243,0.67401206],"genre_scores_gemma":[0.13346304,0.02210151,0.0007827195,0.055567387,0.021290788,0.0003126902,0.00087943627,0.00051802787,0.7650844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994204,0.00024260205,0.00002336413,0.00007065558,0.00014088856,0.000102033395],"domain_scores_gemma":[0.99878174,0.0006007834,0.00009610594,0.000056392586,0.00025532817,0.00020967779],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000686229,0.0009178922,0.00039626908,0.0012233013,0.008017494,0.004423499,0.00097233034,0.0028999588,0.06486194],"category_scores_gemma":[0.004961706,0.0002482081,0.0002764097,0.0014539846,0.0035676316,0.00542977,0.0030925558,0.005787982,0.015658371],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003209991,0.000027951728,0.00011511877,0.00011055607,0.0000017210914,0.00033693155,0.02519538,0.000013868803,0.00013260428,0.021310944,0.9380448,0.014678112],"study_design_scores_gemma":[0.0000025871886,0.0000075421312,0.00027001413,0.00026362878,8.639697e-7,0.000103453756,0.018040005,0.000009775725,0.00005606587,0.001750441,0.97949094,0.0000047320623],"about_ca_topic_score_codex":0.010006746,"about_ca_topic_score_gemma":0.018814705,"teacher_disagreement_score":0.06486194,"about_ca_system_score_codex":0.0031285074,"about_ca_system_score_gemma":0.0011304191,"threshold_uncertainty_score":0.21698481},"labels":[],"label_agreement":null},{"id":"W4235502885","doi":"10.1353/crv.0.0054","title":"Future Interior: Subjective (A)voidance in John Updike's \"Rabbit\" Novels","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rabbit (cipher); Literature; Philosophy; Art; History; Computer science","score_opus":0.01662225911614348,"score_gpt":0.26998899701168416,"score_spread":0.2533667378955407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235502885","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13644956,0.012557059,0.0059014605,0.06376562,0.002016635,0.000021370513,0.00005559554,0.00006526144,0.77916753],"genre_scores_gemma":[0.96759003,0.0021838094,0.00043854993,0.003245666,0.00040412054,0.000016228754,0.0000133273015,0.000052045256,0.026056191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982663,0.0010082255,0.000041202125,0.00018497836,0.0003129479,0.00018634154],"domain_scores_gemma":[0.9985153,0.0008387849,0.00016883021,0.00012516807,0.00020428069,0.0001477456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025151633,0.00030217838,0.00026877047,0.0008861594,0.009575123,0.008247065,0.00062426314,0.0018158123,0.002354254],"category_scores_gemma":[0.0034684895,0.0002263066,0.00021429642,0.0009360388,0.03972716,0.0059413817,0.0028029243,0.004687361,0.00022617953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012222523,0.000010134354,0.00023092558,0.0000313219,0.0000018531304,0.00018608183,0.12504512,0.000024708572,0.00010695669,0.8646994,0.0073360256,0.0023153014],"study_design_scores_gemma":[0.000015195701,0.000024238238,0.001789141,0.00040457593,0.000012527472,0.00063137873,0.14692757,0.00015213428,0.0004343017,0.15166585,0.69791263,0.000030476396],"about_ca_topic_score_codex":0.011303753,"about_ca_topic_score_gemma":0.022162069,"teacher_disagreement_score":0.011303753,"about_ca_system_score_codex":0.003908898,"about_ca_system_score_gemma":0.002105124,"threshold_uncertainty_score":0.028361201},"labels":[],"label_agreement":null},{"id":"W4235591998","doi":"10.3138/9781442672154-fm","title":"Frontmatter","year":2000,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.023292821904651154,"score_gpt":0.1787096602273488,"score_spread":0.15541683832269765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235591998","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00045136962,0.001234502,0.0005244323,0.000900665,0.0010147761,0.00002761594,0.00088339543,0.00078578683,0.99417746],"genre_scores_gemma":[0.0012439156,0.00036464553,0.00017553743,0.0002318867,0.00006254612,0.000007342441,0.0003105287,0.00017393021,0.99742955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966514,0.000023815515,0.000013633296,0.0000838183,0.00015998216,0.00005371635],"domain_scores_gemma":[0.99957544,0.000060781294,0.000020888272,0.000062319006,0.00016746874,0.00011315366],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026125283,0.0007097465,0.00056662667,0.0014888325,0.0017972987,0.0041931868,0.0010438389,0.0016287086,0.8736617],"category_scores_gemma":[0.0011352418,0.00032311934,0.000366076,0.0014703185,0.0004953137,0.0026620873,0.0023675528,0.0011971074,0.7504883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041176183,0.000029392793,0.00024069092,0.000144443,0.0000024330457,0.00016741018,0.00022061402,0.00006230655,0.0005155692,0.0122063905,0.7609965,0.22537304],"study_design_scores_gemma":[0.0000022631439,0.000005554576,0.0001801997,0.00003399509,7.2291664e-7,0.00006674782,0.00006383887,0.000026950765,0.00007240682,0.00054696633,0.9989981,0.0000022978363],"about_ca_topic_score_codex":0.0050207116,"about_ca_topic_score_gemma":0.014394927,"teacher_disagreement_score":0.1263383,"about_ca_system_score_codex":0.0010903884,"about_ca_system_score_gemma":0.0007945335,"threshold_uncertainty_score":0.18020624},"labels":[],"label_agreement":null},{"id":"W4235613028","doi":"10.16995/pn.85","title":"Notes","year":2002,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Postmodernism; Reading (process); Criticism; Art; Entertainment; Order (exchange); Rainbow; Literature; Visual arts; Art history; Computer science; Philosophy; Linguistics","score_opus":0.06328790330972998,"score_gpt":0.219123651052195,"score_spread":0.155835747742465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235613028","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008421939,0.002349117,0.00081406516,0.011036556,0.009684976,0.00013295459,0.0024867824,0.0003130764,0.9723403],"genre_scores_gemma":[0.002736485,0.0008280221,0.00024440492,0.0017258218,0.00059450156,0.00005856864,0.000887003,0.00012540184,0.99279976],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992601,0.000075786455,0.00003758499,0.00014879816,0.0003686114,0.00010901443],"domain_scores_gemma":[0.99915445,0.00014167838,0.000039764804,0.00012759454,0.0003964418,0.000140074],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063566124,0.00056280836,0.0004905082,0.0009924879,0.0036015282,0.0037405982,0.0012862453,0.0017903935,0.617381],"category_scores_gemma":[0.0031154081,0.00024624975,0.00046251543,0.0010886426,0.00060266675,0.0020371936,0.0025163935,0.0020873374,0.34232688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029870422,0.00001466643,0.00007632424,0.00006766268,0.0000012844995,0.00008019617,0.00023698542,0.000020155865,0.00014324313,0.011670728,0.95456016,0.033098564],"study_design_scores_gemma":[0.0000017232619,0.0000033642925,0.00011655282,0.00003433084,4.704177e-7,0.0000293949,0.00011967919,0.0000066781236,0.000046765515,0.00058268127,0.9990565,0.0000017623421],"about_ca_topic_score_codex":0.008331787,"about_ca_topic_score_gemma":0.012534929,"teacher_disagreement_score":0.38261902,"about_ca_system_score_codex":0.0021054759,"about_ca_system_score_gemma":0.00202847,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4235636096","doi":"10.5325/studamerhumor.5.2.0285","title":"On Second Thought","year":2019,"lang":"en","type":"article","venue":"Studies in American Humor","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Royal Military College of Canada","funders":"","keywords":"Joke; Seriousness; Aesthetics; Comedy; Amusement; Sociology; Literature; Psychology; Philosophy; Social psychology; Epistemology; Art","score_opus":0.03750564819020004,"score_gpt":0.2998947059715473,"score_spread":0.2623890577813473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235636096","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036708335,0.0347274,0.001016037,0.098017685,0.14228259,0.00006166417,0.00033197773,0.00034941864,0.72284603],"genre_scores_gemma":[0.013552504,0.011886213,0.0007021201,0.020464914,0.06355449,0.00011823668,0.00027867345,0.0004867257,0.8889561],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99646217,0.0010428575,0.00018267658,0.000715694,0.0011716746,0.00042491328],"domain_scores_gemma":[0.99519914,0.0018119616,0.00025637273,0.0007938732,0.0012181653,0.0007205602],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025637518,0.0012712023,0.00092200184,0.0026018992,0.005517295,0.013466972,0.00203467,0.0047482518,0.30112925],"category_scores_gemma":[0.012545806,0.00044743292,0.0008362273,0.0019416256,0.0059514386,0.007023961,0.004828876,0.00694182,0.112483315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010101567,0.0000097741295,0.00003576964,0.000069402784,0.0000025839756,0.000033756223,0.00044649994,0.000012005841,0.000028206936,0.05197303,0.9297933,0.017585607],"study_design_scores_gemma":[0.0000020947407,0.0000020995765,0.00003301726,0.00011550023,7.5292735e-7,0.000017457895,0.00018774143,0.000010001076,0.000009993896,0.003302293,0.9963175,0.0000015447165],"about_ca_topic_score_codex":0.002800208,"about_ca_topic_score_gemma":0.004363755,"teacher_disagreement_score":0.30112925,"about_ca_system_score_codex":0.0052349293,"about_ca_system_score_gemma":0.0043912255,"threshold_uncertainty_score":0.9968543},"labels":[],"label_agreement":null},{"id":"W4238392545","doi":"10.1002/9781444337822.wbetcfv3c013","title":"<scp>C</scp>oupland,<scp>D</scp>ouglas","year":2010,"lang":"en","type":"other","venue":"The Encyclopedia of Twentieth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Meaning (existential); Identity (music); Consumerism; Spirituality; Art; Aesthetics; Literature; Philosophy; Political science; Epistemology; Law","score_opus":0.011001031398329227,"score_gpt":0.2124259027353277,"score_spread":0.20142487133699846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238392545","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019427134,0.0042559835,0.0005369841,0.013076387,0.0023942476,0.00003750201,0.0007130031,0.00024317358,0.9768],"genre_scores_gemma":[0.016362084,0.002120536,0.00039764508,0.0011411562,0.0001426669,0.000018377299,0.00020202973,0.00018286973,0.9794327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996326,0.000036848705,0.000010053759,0.000043918877,0.00020103913,0.000075579075],"domain_scores_gemma":[0.99922967,0.00009408527,0.000029935889,0.000033470056,0.00045578592,0.00015710748],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040246506,0.00035606555,0.00021471365,0.0012763932,0.005453543,0.004055815,0.00061231706,0.00091686216,0.17150551],"category_scores_gemma":[0.0016888799,0.00014717766,0.00013067981,0.0014894606,0.0010560191,0.0014154284,0.0012947922,0.001506558,0.030774172],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002039708,0.000010784462,0.0002917151,0.000076371725,0.0000012425767,0.00011390547,0.0011024701,0.000045783177,0.00024588386,0.021650877,0.9304032,0.046037465],"study_design_scores_gemma":[8.532557e-7,0.0000012975369,0.00045801167,0.000041824867,5.6291873e-7,0.000040051484,0.0008765674,0.000027902825,0.00019289044,0.0006993421,0.9976572,0.00000350201],"about_ca_topic_score_codex":0.24264129,"about_ca_topic_score_gemma":0.5520308,"teacher_disagreement_score":0.8284945,"about_ca_system_score_codex":0.0047607906,"about_ca_system_score_gemma":0.004024624,"threshold_uncertainty_score":0.5737431},"labels":[],"label_agreement":null},{"id":"W4239370884","doi":"10.25145/j.recaesin.2019.78.008","title":"More or Less Human: Resilience, Vulnerability, and Love in Neoliberal Times","year":2019,"lang":"en","type":"article","venue":"Revista Canaria de Estudios Ingleses","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Mount Royal University","funders":"","keywords":"Globality; Vulnerability (computing); Argument (complex analysis); Normative; Context (archaeology); Sociology; Corporate governance; Order (exchange); Epistemology; Environmental ethics; Political science; Globalization; History; Law; Philosophy; Economics","score_opus":0.027570194884726014,"score_gpt":0.2726852035730422,"score_spread":0.2451150086883162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239370884","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3984034,0.010172199,0.0051115383,0.061711043,0.00033148492,0.000020987483,0.00003457563,0.000035898833,0.52417886],"genre_scores_gemma":[0.99488175,0.00065423036,0.00012736529,0.0006531827,0.000038856597,0.000005111713,0.0000030702836,0.0000075311714,0.003628855],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99770457,0.0012737786,0.000036557052,0.00021633976,0.00035321852,0.00041554606],"domain_scores_gemma":[0.9984257,0.0007416747,0.00019601315,0.00022133089,0.00011991531,0.00029525632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033365774,0.0002816525,0.0003791358,0.001366492,0.011760406,0.0090410095,0.000765332,0.0022991411,0.0029297473],"category_scores_gemma":[0.003324323,0.00013443502,0.00019769445,0.001214859,0.09986443,0.007642257,0.007510851,0.0029703234,0.00016319824],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013860141,0.000008581673,0.00079511834,0.000022103288,0.000003490607,0.00017432617,0.13728681,0.00012975198,0.00007138071,0.85636854,0.0009396831,0.004186311],"study_design_scores_gemma":[0.000010143167,0.00002801657,0.0042323535,0.00028818427,0.000008641707,0.00051578175,0.23197722,0.00034773626,0.00028306883,0.6226559,0.13962124,0.000031741485],"about_ca_topic_score_codex":0.01756763,"about_ca_topic_score_gemma":0.022948748,"teacher_disagreement_score":0.01756763,"about_ca_system_score_codex":0.0112081235,"about_ca_system_score_gemma":0.003219271,"threshold_uncertainty_score":0.08132094},"labels":[],"label_agreement":null},{"id":"W4239624157","doi":"10.1097/aln.0000000000002392","title":"Harold Foster’s Laughing Gas or Gags That Get Grins","year":2018,"lang":"en","type":"article","venue":"Anesthesiology","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.07051806169346059,"score_gpt":0.2572214611616731,"score_spread":0.18670339946821252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239624157","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038191539,0.10824337,0.0006864297,0.21121456,0.04805762,0.000033724347,0.00011153234,0.00019901096,0.62763464],"genre_scores_gemma":[0.053315047,0.033761907,0.00045633534,0.050002083,0.008747429,0.000039735198,0.00008658983,0.0002278368,0.85336304],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942183,0.00015479876,0.000014672476,0.00006848856,0.0002451872,0.000095115065],"domain_scores_gemma":[0.99914515,0.000285866,0.000053509048,0.00003262257,0.00027713957,0.00020572451],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009686988,0.0005158291,0.0002262257,0.0013180469,0.0050382307,0.0035494906,0.000520892,0.0017675009,0.045181],"category_scores_gemma":[0.003757846,0.00023847098,0.00022618817,0.0007392439,0.003755426,0.0024489893,0.001754354,0.0030866736,0.013924229],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010965666,0.0000037425043,0.00007843757,0.000033660315,0.0000011621489,0.00012568475,0.0016546508,0.000008685937,0.000064900334,0.011265218,0.97528017,0.0114726415],"study_design_scores_gemma":[0.0000018091548,0.0000041137296,0.00014633639,0.00013507908,8.394837e-7,0.00016388243,0.001439346,0.000005022546,0.000040850868,0.00071414263,0.9973455,0.000003037202],"about_ca_topic_score_codex":0.009361004,"about_ca_topic_score_gemma":0.023146814,"teacher_disagreement_score":0.045181,"about_ca_system_score_codex":0.0023589265,"about_ca_system_score_gemma":0.0011248726,"threshold_uncertainty_score":0.15114552},"labels":[],"label_agreement":null},{"id":"W4239642569","doi":"10.1353/mdr.0.0145","title":"Narrating, Witnessing, and Healing Trauma in Paula Vogel's &lt;i&gt;How I Learned to Drive&lt;/i&gt;","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Art; Psychoanalysis; Aesthetics","score_opus":0.02190553594376189,"score_gpt":0.23988938661818954,"score_spread":0.21798385067442766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239642569","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5002624,0.021679223,0.015719999,0.097810626,0.0031428111,0.0001486139,0.0001126865,0.00021381337,0.36090988],"genre_scores_gemma":[0.95023316,0.0041968073,0.0019758572,0.0030415098,0.00019459322,0.00006285402,0.000024977817,0.00011987179,0.040150285],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984969,0.0009922719,0.000025222726,0.00009941374,0.00022462384,0.00016154196],"domain_scores_gemma":[0.99928856,0.00035393235,0.00008247798,0.000036940575,0.000064232445,0.00017392151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013223164,0.0004184816,0.00025661933,0.0004616162,0.0072100237,0.005198085,0.0007871733,0.001990043,0.0022556593],"category_scores_gemma":[0.0029242355,0.00028019468,0.00024400376,0.00031768988,0.014715065,0.0037045274,0.005056255,0.0041772425,0.0004935695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042760043,0.00006321459,0.001360793,0.0002544006,0.000018695324,0.003502448,0.7670854,0.00040824313,0.0027735275,0.16494085,0.044252615,0.015297183],"study_design_scores_gemma":[0.000009362516,0.000107038024,0.0018431873,0.00065329677,0.000016734495,0.0055420287,0.3880887,0.00042065565,0.0019842328,0.015375254,0.5859113,0.00004829613],"about_ca_topic_score_codex":0.005078023,"about_ca_topic_score_gemma":0.012798505,"teacher_disagreement_score":0.0072100237,"about_ca_system_score_codex":0.0020119625,"about_ca_system_score_gemma":0.0011533194,"threshold_uncertainty_score":0.014597952},"labels":[],"label_agreement":null},{"id":"W4241112453","doi":"10.7588/worllitetoda.93.3.0104a","title":"","year":2019,"lang":"","type":"article","venue":"World Literature Today","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Uncanny; Alien; Art; Fish <Actinopterygii>; Poetry; Literature; Anguish; Abandonment (legal); History; Art history; Sociology; Philosophy","score_opus":0.007831563071321776,"score_gpt":0.2062114900863449,"score_spread":0.19837992701502313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241112453","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044489102,0.37056777,0.0011508109,0.01117685,0.04470395,0.00045847482,0.004772918,0.0009889258,0.56573534],"genre_scores_gemma":[0.0032623606,0.31120506,0.0014497292,0.011693139,0.020977758,0.0003304416,0.008588616,0.00075028103,0.6417427],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986125,0.0001649737,0.00017604287,0.0001891469,0.000723311,0.00013399254],"domain_scores_gemma":[0.99699473,0.000550156,0.00022665481,0.0002898429,0.0014502195,0.0004884097],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00093958713,0.0010557737,0.0020603794,0.004309688,0.00085561606,0.0086933505,0.002480721,0.0028443483,0.5102499],"category_scores_gemma":[0.0065689804,0.00054534833,0.0008668383,0.0048555625,0.0007780089,0.0047655106,0.0022938235,0.0027406344,0.5093609],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002140911,0.000026829975,0.00007850404,0.0028645005,0.000013527329,0.00012621905,0.000053009328,0.000050696122,0.00017071835,0.0022154131,0.79917854,0.19520062],"study_design_scores_gemma":[0.000003646796,0.0000055359947,0.00007984094,0.0008068129,0.0000042882643,0.00013984964,0.000023901875,0.000004814395,0.000020377298,0.00027975813,0.9986279,0.0000032177857],"about_ca_topic_score_codex":0.002681631,"about_ca_topic_score_gemma":0.0032838553,"teacher_disagreement_score":0.4897501,"about_ca_system_score_codex":0.0018074851,"about_ca_system_score_gemma":0.0049589546,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4242575948","doi":"10.3138/9781442679450-fm","title":"Frontmatter","year":2001,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Computer science","score_opus":0.02809383633836267,"score_gpt":0.18517481186861268,"score_spread":0.15708097553025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242575948","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006479398,0.0012705933,0.00047359982,0.0014586267,0.0016226526,0.000016399896,0.00039082012,0.00060717313,0.9935121],"genre_scores_gemma":[0.0030074755,0.00035143315,0.00012966145,0.0004204075,0.00018072649,0.0000049919267,0.00015033549,0.0002074966,0.99554753],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974674,0.00002828636,0.0000084395415,0.000046796307,0.00012448337,0.000045145727],"domain_scores_gemma":[0.99966335,0.000058362686,0.000019896674,0.000058575693,0.000107413,0.00009241389],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021374667,0.00036423764,0.000319843,0.0010800215,0.0017041748,0.004186158,0.0006592957,0.0014302827,0.73134345],"category_scores_gemma":[0.0010131539,0.0002018213,0.00023077874,0.0008860328,0.0005812487,0.0023851322,0.001760701,0.0011936756,0.4931098],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024491212,0.000011692826,0.00013491845,0.000077809826,0.0000013948357,0.00011452356,0.00037350925,0.00001941965,0.0003662177,0.01499507,0.8771085,0.10677254],"study_design_scores_gemma":[0.0000012393618,0.0000037658092,0.0001631676,0.000021422535,3.663396e-7,0.000057980847,0.00006041291,0.000013576756,0.000059816623,0.00056025304,0.9990564,0.0000015639579],"about_ca_topic_score_codex":0.003071142,"about_ca_topic_score_gemma":0.011157426,"teacher_disagreement_score":0.26865655,"about_ca_system_score_codex":0.0009512388,"about_ca_system_score_gemma":0.00044627648,"threshold_uncertainty_score":0.38320595},"labels":[],"label_agreement":null},{"id":"W4243035493","doi":"10.22215/etd/2006-07680","title":"When two worlds collide: Norval Morrisseau and the erotic","year":2006,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.012104104327975845,"score_gpt":0.23119955323739516,"score_spread":0.21909544890941932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243035493","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020820769,0.08955712,0.003411026,0.3910455,0.003986528,0.000021822176,0.000038837843,0.00009035823,0.4910281],"genre_scores_gemma":[0.7281897,0.03254687,0.0023303032,0.03033552,0.0026195557,0.00009643413,0.000031170235,0.0004235749,0.20342673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9945438,0.0037511338,0.0000780225,0.00035009187,0.0008385218,0.00043834347],"domain_scores_gemma":[0.99430895,0.0037593504,0.00040917762,0.00040601697,0.00070136687,0.00041511795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0067510973,0.0006018827,0.00060729176,0.001914039,0.014243868,0.013652334,0.0012157335,0.0062880605,0.0056548817],"category_scores_gemma":[0.013847906,0.0004638762,0.00027097165,0.0021665588,0.047871396,0.021456705,0.007561634,0.0068524205,0.0013540548],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022843446,0.000008805681,0.000206001,0.00003470103,0.000004545746,0.00019090173,0.05264551,0.000062798186,0.00003354962,0.8881271,0.051206313,0.0074569886],"study_design_scores_gemma":[0.000016298256,0.000010499928,0.00031448549,0.00047570086,0.000007318704,0.00022791064,0.05384119,0.00011270092,0.00010516489,0.48584536,0.45901674,0.00002656397],"about_ca_topic_score_codex":0.019377828,"about_ca_topic_score_gemma":0.03411767,"teacher_disagreement_score":0.019377828,"about_ca_system_score_codex":0.0067044315,"about_ca_system_score_gemma":0.00450189,"threshold_uncertainty_score":0.048644304},"labels":[],"label_agreement":null},{"id":"W4244902769","doi":"10.32920/ryerson.14653791.v1","title":"Making my bed : Tracey Emin's hysterical confessions of the abject","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Disgust; Hysteria; Representation (politics); Psychoanalysis; Legitimacy; Aesthetics; Hegemony; Gesture; Art; Literature; Sociology; Psychology; Philosophy; Social psychology; Law; Politics","score_opus":0.09072178024552714,"score_gpt":0.2947926439909061,"score_spread":0.20407086374537897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244902769","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26502788,0.014698327,0.008235007,0.21157026,0.0023571907,0.00006033921,0.000054829346,0.00019252484,0.4978036],"genre_scores_gemma":[0.91165626,0.0024743115,0.00068003964,0.011025145,0.00036984487,0.000036010664,0.000010951455,0.00010629693,0.0736411],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998872,0.0007355086,0.000012727261,0.00008518289,0.00015145098,0.00014304958],"domain_scores_gemma":[0.99914217,0.0005497029,0.000083268336,0.000051778377,0.000074933974,0.00009820695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011420829,0.0004767394,0.0002826629,0.0006733663,0.009944946,0.0050542788,0.00070337194,0.0029758518,0.002887609],"category_scores_gemma":[0.0034424935,0.00019397812,0.00017497542,0.00041493608,0.02167995,0.005589411,0.0036928023,0.006613269,0.00045499226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004279233,0.000031466123,0.00043975285,0.0000465052,0.0000059385065,0.0026351751,0.44668654,0.00013349879,0.0006090593,0.48827434,0.04858421,0.012510738],"study_design_scores_gemma":[0.00001590585,0.000070256974,0.0013580204,0.00034790047,0.000008044979,0.0027972292,0.37018064,0.0004800614,0.0016440863,0.0676982,0.5553669,0.000032740743],"about_ca_topic_score_codex":0.0062319557,"about_ca_topic_score_gemma":0.007898319,"teacher_disagreement_score":0.009944946,"about_ca_system_score_codex":0.0032955583,"about_ca_system_score_gemma":0.0010211208,"threshold_uncertainty_score":0.023911059},"labels":[],"label_agreement":null},{"id":"W4245284629","doi":"10.28968/cftt.v4i1.201","title":"To Mourn, To Re-imagine Without Oneself: Death, Dying, and Social Media/tion","year":2018,"lang":"en","type":"article","venue":"Catalyst Feminism Theory Technoscience","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Politics; Body politic; Victory; Sociology; Sovereignty; The Imaginary; Aesthetics; Democracy; Gender studies; Media studies; Political science; Law; Psychoanalysis; Psychology; Philosophy","score_opus":0.030830152664953543,"score_gpt":0.2660517429926604,"score_spread":0.23522159032770684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245284629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05376637,0.023709876,0.006258309,0.18444867,0.0048638787,0.000042492924,0.00006876279,0.0001336145,0.7267081],"genre_scores_gemma":[0.9013148,0.011690839,0.0011628143,0.018764978,0.002857059,0.000105810694,0.000035505742,0.0002242513,0.0638439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99675626,0.0023872238,0.00005751582,0.00022161756,0.0004012103,0.00017608688],"domain_scores_gemma":[0.9918509,0.006770788,0.00031379142,0.00042236526,0.00033395982,0.00030826702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042893076,0.00048096772,0.00034356175,0.0025805605,0.009651133,0.017237429,0.0010585231,0.0039876867,0.0057378043],"category_scores_gemma":[0.007720747,0.00022338761,0.00020498814,0.0015193325,0.066842176,0.0118423635,0.0064934166,0.004770735,0.00081957784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025758032,0.000026921021,0.0005666098,0.00016587577,0.000005641102,0.00031016784,0.16088234,0.00008910186,0.00013244041,0.79905295,0.01930015,0.019442068],"study_design_scores_gemma":[0.0000148907275,0.000035170044,0.00093554653,0.0011745921,0.000011801967,0.0004354174,0.18709257,0.00018697462,0.0004483103,0.16208534,0.6475527,0.000026688016],"about_ca_topic_score_codex":0.003435788,"about_ca_topic_score_gemma":0.004535845,"teacher_disagreement_score":0.017237429,"about_ca_system_score_codex":0.0051155104,"about_ca_system_score_gemma":0.0023268024,"threshold_uncertainty_score":0.037115812},"labels":[],"label_agreement":null},{"id":"W4245861288","doi":"10.1163/9789087903268_009","title":"A/r/tography: Resonation in Writing","year":2008,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science","score_opus":0.039762788893394074,"score_gpt":0.20934104254101035,"score_spread":0.16957825364761628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245861288","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004612268,0.0066247946,0.006673497,0.009648685,0.002290032,0.000028441018,0.000031605003,0.00017783436,0.9699128],"genre_scores_gemma":[0.26939794,0.004626463,0.0036076887,0.0039489698,0.0021861766,0.00009853635,0.000074593234,0.0010623055,0.71499723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99780077,0.0015066188,0.000054223612,0.000173946,0.0003446541,0.00011966848],"domain_scores_gemma":[0.9973347,0.0017323797,0.00011701573,0.00035281037,0.00029799453,0.00016517907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019665537,0.0008701008,0.00046578282,0.0019848004,0.0068583875,0.013769303,0.001212462,0.0028232317,0.020314721],"category_scores_gemma":[0.00590028,0.00035158405,0.00030368744,0.0020268953,0.018568536,0.009168349,0.0042033037,0.005332625,0.0059584137],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001585172,0.000019110543,0.00006451882,0.000118956064,0.000003542516,0.00012419024,0.058089137,0.000061000545,0.00027956397,0.84795624,0.065408655,0.027859194],"study_design_scores_gemma":[0.000015271857,0.000022573788,0.0001761982,0.0004695693,0.0000068847407,0.0003141267,0.021205183,0.00023661312,0.00054507056,0.13468872,0.8423052,0.000014539401],"about_ca_topic_score_codex":0.0020576057,"about_ca_topic_score_gemma":0.0026429761,"teacher_disagreement_score":0.020314721,"about_ca_system_score_codex":0.002954045,"about_ca_system_score_gemma":0.002399334,"threshold_uncertainty_score":0.06795955},"labels":[],"label_agreement":null},{"id":"W4246174178","doi":"10.32920/ryerson.14654292.v1","title":"Secret trauma in Ann-Marie MacDonald’s Fall on Your Knees: dissociation, art, and healing","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Paragraph; Witness; Fall of man; Art history; Psychoanalysis; Sexual abuse; History; Daughter; Psychology; Art; Law; Medicine; Political science; Poison control","score_opus":0.03932606112110253,"score_gpt":0.25712301909228097,"score_spread":0.21779695797117843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246174178","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2243607,0.020678543,0.002139976,0.26203567,0.00495802,0.00004257072,0.00007203227,0.00010895048,0.48560348],"genre_scores_gemma":[0.91729766,0.00322654,0.00043334303,0.010946554,0.0006712414,0.000028148876,0.000013993165,0.000104353625,0.067278266],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984572,0.00081006356,0.00003050906,0.00011917256,0.0003283711,0.00025473986],"domain_scores_gemma":[0.99866605,0.00068441825,0.0001731745,0.00011193042,0.00010849289,0.00025588702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020546673,0.00045510393,0.00026339272,0.00056265894,0.017561335,0.0075004646,0.0010052444,0.003702045,0.003959388],"category_scores_gemma":[0.0046815844,0.00027508184,0.0001792943,0.0004897238,0.026932104,0.0036857107,0.005402161,0.008017207,0.0005348139],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045044915,0.00003112853,0.0004418924,0.000082080034,0.0000068547706,0.0022206143,0.49265203,0.00011493608,0.0003537476,0.39701638,0.09807943,0.008955805],"study_design_scores_gemma":[0.000009557007,0.00003092321,0.0010364762,0.0004054158,0.0000068405534,0.0019759529,0.2630676,0.00012896092,0.00053351925,0.030098734,0.70268345,0.000022647735],"about_ca_topic_score_codex":0.01990364,"about_ca_topic_score_gemma":0.040389117,"teacher_disagreement_score":0.01990364,"about_ca_system_score_codex":0.008401974,"about_ca_system_score_gemma":0.0028244106,"threshold_uncertainty_score":0.06096089},"labels":[],"label_agreement":null},{"id":"W4247864489","doi":"10.1093/obo/9780199799558-0004","title":"Matthew Arnold","year":2011,"lang":"en","type":"dataset","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Philosophy","score_opus":0.05206607255169264,"score_gpt":0.211089789407575,"score_spread":0.15902371685588235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247864489","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007286176,0.00063466455,0.00045471443,0.00071703,0.00025338482,0.000036468853,0.98539203,0.0031276797,0.008655412],"genre_scores_gemma":[0.0014306251,0.00037910178,0.0008130963,0.00025958096,0.000061873594,0.00009738103,0.982127,0.0005080691,0.014323289],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850756,0.0002775894,0.000105710904,0.0004474242,0.00043187154,0.00022989827],"domain_scores_gemma":[0.997062,0.0006430683,0.00022725367,0.00088284374,0.00079624227,0.00038850147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012083391,0.0026976333,0.0015600957,0.00590558,0.0013349081,0.004065598,0.0017999319,0.0016337803,0.1448134],"category_scores_gemma":[0.00887512,0.0007347668,0.0009973529,0.005496928,0.00046447598,0.0019806563,0.0029840614,0.0018790907,0.34791836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026040063,0.000011831589,0.00042401394,0.00009103275,0.000007813092,0.000006554658,0.000008736473,0.00011910277,0.00003972135,0.00019399125,0.9935726,0.005498516],"study_design_scores_gemma":[0.00007013517,0.000014241025,0.0019271967,0.00017528485,0.000016218379,0.000037750997,0.000077046556,0.0006782565,0.00021450638,0.0011814397,0.99558973,0.000018284392],"about_ca_topic_score_codex":0.016664969,"about_ca_topic_score_gemma":0.027908767,"teacher_disagreement_score":0.1448134,"about_ca_system_score_codex":0.00078210246,"about_ca_system_score_gemma":0.0019691414,"threshold_uncertainty_score":0.4844491},"labels":[],"label_agreement":null},{"id":"W4248402723","doi":"10.16995/pn.46","title":"Notes","year":2008,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Postmodernism; Reading (process); Criticism; Entertainment; Art; Order (exchange); Rainbow; Space (punctuation); Literature; Visual arts; Art history; Computer science; Philosophy; Linguistics","score_opus":0.06209181648753485,"score_gpt":0.22785200481979365,"score_spread":0.1657601883322588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248402723","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008324761,0.0021493935,0.0008187874,0.0112105,0.009582107,0.0001294545,0.0024295063,0.00029890318,0.97254896],"genre_scores_gemma":[0.0029718918,0.0008098838,0.0002550946,0.0018771883,0.00065250805,0.000061416205,0.00087576464,0.00013228935,0.9923639],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992162,0.0000824047,0.00003853254,0.00015692762,0.00039302852,0.000112874535],"domain_scores_gemma":[0.999108,0.0001545254,0.0000404818,0.00013588967,0.0004166379,0.0001444579],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066897355,0.0005560976,0.00048161735,0.000956823,0.0036672507,0.003775336,0.0013201683,0.0018128988,0.61706775],"category_scores_gemma":[0.0032649701,0.0002483056,0.00046251604,0.001051101,0.0006555579,0.0020943347,0.0026046925,0.002187599,0.33980173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002914881,0.000014599688,0.000075163545,0.000068239846,0.0000012528038,0.0000815779,0.0002575551,0.000020035173,0.00014369046,0.013179392,0.9542938,0.03183559],"study_design_scores_gemma":[0.0000016942995,0.0000032990545,0.00011142516,0.000034458993,4.4814857e-7,0.000029879908,0.00012621791,0.000006640267,0.00004661617,0.00060286303,0.99903464,0.0000017623505],"about_ca_topic_score_codex":0.008388342,"about_ca_topic_score_gemma":0.012406182,"teacher_disagreement_score":0.61706775,"about_ca_system_score_codex":0.0021872136,"about_ca_system_score_gemma":0.0021297236,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4248408392","doi":"10.1111/1467-8365.00286","title":"Occluded Front","year":2001,"lang":"en","type":"article","venue":"Art History","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Subjectivity; Front (military); Art; Art history; Psychoanalysis; Philosophy; Psychology; Geography; Epistemology","score_opus":0.03436122953924667,"score_gpt":0.1918359439122821,"score_spread":0.15747471437303542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248408392","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017868097,0.0059409263,0.00041479414,0.003055717,0.007923253,0.000043578115,0.000601378,0.00028986722,0.98155195],"genre_scores_gemma":[0.0005651736,0.001457554,0.00012480568,0.0008943224,0.000989091,0.000009392268,0.00017635453,0.000060094324,0.99572325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978024,0.000019917188,0.000008656753,0.000045441833,0.000118885095,0.000026865688],"domain_scores_gemma":[0.99963534,0.000076571254,0.000017625922,0.000038005568,0.00015865176,0.00007385948],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023581364,0.00064992736,0.0006847744,0.001755597,0.0019886694,0.0048494693,0.0010164415,0.0027003954,0.7404854],"category_scores_gemma":[0.0010068738,0.00034397273,0.0005724955,0.0015570178,0.0007326964,0.0028691466,0.0014692338,0.0020916914,0.6328531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014446686,0.000019733363,0.000057314795,0.00013010143,0.0000016926257,0.00005188237,0.00005626941,0.000027606464,0.00021103614,0.009024075,0.91887134,0.07153454],"study_design_scores_gemma":[0.000002380934,0.0000035560765,0.00011214017,0.00006768799,8.61018e-7,0.000035885794,0.000045328692,0.000011874827,0.00003337694,0.00086159667,0.99882334,0.0000017860455],"about_ca_topic_score_codex":0.0040154867,"about_ca_topic_score_gemma":0.0115717165,"teacher_disagreement_score":0.7404854,"about_ca_system_score_codex":0.0010419864,"about_ca_system_score_gemma":0.00088182034,"threshold_uncertainty_score":0.370166},"labels":[],"label_agreement":null},{"id":"W4248957909","doi":"10.1057/9781137413901.0022","title":"Postmodernism in the United States and Canada","year":2014,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Political science; Art; Literature","score_opus":0.019265691247489183,"score_gpt":0.1973534017284491,"score_spread":0.1780877104809599,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248957909","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15692845,0.0298395,0.00047322543,0.0687585,0.0010906492,0.000043005268,0.0005311635,0.000059858616,0.7422756],"genre_scores_gemma":[0.8137067,0.008829914,0.00029909323,0.0071196253,0.0001913689,0.000035809728,0.0001348695,0.0001248041,0.16955778],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959915,0.00044986277,0.000070564754,0.00030356576,0.0011995528,0.0019850258],"domain_scores_gemma":[0.9959777,0.000742578,0.00017775634,0.0001284505,0.0020538757,0.00091963867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002140633,0.00043344926,0.0005848012,0.0035134829,0.04702248,0.019025378,0.002568304,0.0044873217,0.01369271],"category_scores_gemma":[0.005547686,0.00037095905,0.00037704024,0.009539383,0.023281872,0.0027972534,0.004680005,0.0054801162,0.0005512462],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006029389,0.000046601373,0.003527002,0.00008809397,0.000013793797,0.00037421926,0.0958254,0.00024208418,0.00016556037,0.7967696,0.07597721,0.026910096],"study_design_scores_gemma":[0.000018090808,0.000014751931,0.01883708,0.0006886278,0.000022810897,0.00011851865,0.15374996,0.00029682848,0.00020440138,0.031086791,0.7948996,0.000062524006],"about_ca_topic_score_codex":0.99536324,"about_ca_topic_score_gemma":0.99789643,"teacher_disagreement_score":0.21248785,"about_ca_system_score_codex":0.21248785,"about_ca_system_score_gemma":0.283506,"threshold_uncertainty_score":0.9134025},"labels":[],"label_agreement":null},{"id":"W4249284743","doi":"10.3138/jsp.43.2.238","title":"Literary Societies in Fiction: ‘A Sort of Mild Mania’","year":2011,"lang":"en","type":"article","venue":"Journal of Scholarly Publishing","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resentment; Mania; Sociology; Literature; sort; History; Aesthetics; Epistemology; Philosophy; Psychology; Political science; Social psychology; Law; Art; Computer science; Politics; Mood","score_opus":0.08960005286231502,"score_gpt":0.2273205170315092,"score_spread":0.1377204641691942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249284743","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052394982,0.016798284,0.010599855,0.36670431,0.0089439815,0.000042084906,0.00010998264,0.0003162744,0.54409033],"genre_scores_gemma":[0.9049078,0.0034807473,0.0025232213,0.024873024,0.0065238094,0.00006973897,0.000067736844,0.00024941022,0.057304416],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99335504,0.00441982,0.00017956035,0.00042613974,0.0010910888,0.00052841444],"domain_scores_gemma":[0.994585,0.001954525,0.00085968274,0.0010637605,0.000807494,0.0007295239],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003946008,0.00049033127,0.00042922582,0.002009116,0.010231987,0.011669058,0.0011128294,0.0035722128,0.0067362487],"category_scores_gemma":[0.013767846,0.00025978216,0.00030776067,0.0015672438,0.032349166,0.01327101,0.009096953,0.0063438853,0.0018425761],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025238647,0.000012027446,0.00055998575,0.00009797319,0.000007956156,0.00015378813,0.048659544,0.000070848226,0.00019089623,0.8888243,0.05056553,0.010831993],"study_design_scores_gemma":[0.000012470561,0.000027942975,0.0013239336,0.00016053993,0.000007447819,0.000583031,0.024802554,0.00021701671,0.00023151682,0.16711517,0.80549383,0.00002442896],"about_ca_topic_score_codex":0.001974614,"about_ca_topic_score_gemma":0.0031345005,"teacher_disagreement_score":0.011669058,"about_ca_system_score_codex":0.00294314,"about_ca_system_score_gemma":0.0020019228,"threshold_uncertainty_score":0.022535026},"labels":[],"label_agreement":null},{"id":"W4249963261","doi":"10.26522/brocked.v15i1.67","title":"The Intellectual","year":2005,"lang":"en","type":"article","venue":"Brock Education Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Power (physics); Front (military); Content (measure theory); Provocation test; Psychology; Aesthetics; Sociology; Art; Engineering; Mechanical engineering; Physics","score_opus":0.016633907477302517,"score_gpt":0.24139833008136202,"score_spread":0.22476442260405952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249963261","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014708404,0.0025349248,0.0021148685,0.01537852,0.0031075156,0.0000316622,0.00011928512,0.00023621405,0.97500604],"genre_scores_gemma":[0.03813611,0.0017259681,0.0011016171,0.004833638,0.001571652,0.000050499984,0.00015438927,0.00030279421,0.9521233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757236,0.0006350901,0.000089402514,0.0004443135,0.0010130822,0.00024575932],"domain_scores_gemma":[0.99527043,0.00090314064,0.00023040904,0.0014654401,0.0014572317,0.0006733793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021445581,0.00063238933,0.0004459503,0.0019649102,0.0058664037,0.013898497,0.0010456324,0.0017765496,0.114654705],"category_scores_gemma":[0.01115758,0.000328105,0.00036153334,0.0012320277,0.0077201664,0.00778879,0.004611303,0.004241859,0.048882797],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003323786,0.000020755651,0.00024065789,0.00008170133,0.0000057277457,0.00011927798,0.0038578094,0.000044704,0.00034122195,0.5470244,0.38924617,0.05898432],"study_design_scores_gemma":[0.000003075127,0.000005340073,0.00010648183,0.00006446542,0.0000013667361,0.00008986307,0.0005868356,0.000025660309,0.000106885636,0.01864313,0.98036385,0.000003002434],"about_ca_topic_score_codex":0.0014881111,"about_ca_topic_score_gemma":0.0025282947,"teacher_disagreement_score":0.114654705,"about_ca_system_score_codex":0.0032894493,"about_ca_system_score_gemma":0.0028306541,"threshold_uncertainty_score":0.3835582},"labels":[],"label_agreement":null},{"id":"W4250226393","doi":"10.1515/9783839427101-004","title":"Purging the world of the Whore and the horror. Gothic and apocalyptic portrayals of dementia in Canadian fiction","year":2015,"lang":"en","type":"book-chapter","venue":"transcript Verlag eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Dementia; Literature; Art history; History; Medicine; Pathology","score_opus":0.028442640142114728,"score_gpt":0.20206273499562635,"score_spread":0.17362009485351163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250226393","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04313043,0.04566619,0.0009224094,0.07414619,0.005189112,0.00007422391,0.00023518385,0.00011169725,0.8305245],"genre_scores_gemma":[0.71712863,0.016286613,0.00081154384,0.010101176,0.0007846431,0.000051358606,0.00007016421,0.000257671,0.2545082],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817026,0.00059280364,0.000032634718,0.00010335489,0.0004984529,0.0006025117],"domain_scores_gemma":[0.9986947,0.0005132335,0.000076523,0.000053827356,0.0004180429,0.00024363644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017929409,0.0012850343,0.0005374797,0.0035032271,0.037245635,0.011965263,0.0016165014,0.0045078536,0.008527253],"category_scores_gemma":[0.0054419767,0.00039045792,0.00032079854,0.0031150647,0.04580669,0.0027441306,0.00425179,0.008345213,0.00090896804],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054389166,0.000018889405,0.00025886582,0.00017675193,0.000007344477,0.0007910842,0.4640986,0.000108901695,0.00029690564,0.434229,0.08520475,0.014754563],"study_design_scores_gemma":[0.000015900738,0.000015254202,0.0015460547,0.000578295,0.000019643987,0.00068531866,0.14189878,0.000085442705,0.00031529783,0.014014172,0.8407803,0.000045658486],"about_ca_topic_score_codex":0.9290543,"about_ca_topic_score_gemma":0.9710811,"teacher_disagreement_score":0.077100135,"about_ca_system_score_codex":0.077100135,"about_ca_system_score_gemma":0.058609206,"threshold_uncertainty_score":0.55940324},"labels":[],"label_agreement":null},{"id":"W4251044110","doi":"10.1310/tsr1601-01","title":"Stroke Rehab Down Under: Can Rupert Murdoch, Crocodile Dundee, and an Aboriginal Elder Expect the Same Services and Care?","year":2009,"lang":"en","type":"article","venue":"Topics in Stroke Rehabilitation","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario Stroke Network","funders":"","keywords":"Crocodile; Stroke (engine); Gerontology; Medicine; Engineering","score_opus":0.010154654648889722,"score_gpt":0.2651975727535342,"score_spread":0.2550429181046445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251044110","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19021761,0.010646394,0.00054336106,0.68820554,0.005257579,0.00005553843,0.0000194964,0.000027872862,0.10502658],"genre_scores_gemma":[0.7657813,0.009885252,0.0010513513,0.13958359,0.0015473526,0.00007868922,0.000016110043,0.000046049056,0.082010336],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984731,0.00072789093,0.000045346347,0.000106139814,0.00026805003,0.00037945368],"domain_scores_gemma":[0.99761754,0.00080595515,0.00027619617,0.00012591812,0.0006153259,0.0005591199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004558725,0.0003241508,0.00036722564,0.00057134783,0.02154927,0.0037797166,0.0013064911,0.0038574904,0.002973251],"category_scores_gemma":[0.008752137,0.00024106931,0.00025933844,0.00044082367,0.015940845,0.00277788,0.0027053352,0.008102138,0.00064959546],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057685695,0.00008276107,0.007399218,0.00025353208,0.000017325672,0.0043261554,0.7892345,0.00005493175,0.00055254484,0.054800715,0.08931893,0.05390168],"study_design_scores_gemma":[0.000011606557,0.000080281534,0.008702889,0.00064730906,0.000023988301,0.0014852235,0.76484895,0.00008044801,0.00017036042,0.00468855,0.2192135,0.00004687776],"about_ca_topic_score_codex":0.24276245,"about_ca_topic_score_gemma":0.41694975,"teacher_disagreement_score":0.24276245,"about_ca_system_score_codex":0.005219447,"about_ca_system_score_gemma":0.00907706,"threshold_uncertainty_score":0.4826988},"labels":[],"label_agreement":null},{"id":"W4251234461","doi":"10.2307/j.ctt20q1wmm.11","title":"Barrie Hooper’s Dead","year":2018,"lang":"en","type":"book-chapter","venue":"University of Iowa Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04481687562264759,"score_gpt":0.18297969221409396,"score_spread":0.13816281659144636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251234461","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023802249,0.035322,0.00112218,0.09161904,0.01299169,0.000017031703,0.000082629354,0.00007787007,0.85638726],"genre_scores_gemma":[0.030658165,0.0066681663,0.00026070848,0.012468608,0.0012334466,0.00002174773,0.000025927719,0.00011727842,0.948546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994628,0.0001944606,0.000012193016,0.00009781759,0.00014744865,0.00008526872],"domain_scores_gemma":[0.99947494,0.00021223287,0.000028729142,0.00006225732,0.00014175789,0.00008009841],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008453203,0.00049026,0.00028617933,0.0009427521,0.006062551,0.004936687,0.00065344956,0.0030263932,0.035399754],"category_scores_gemma":[0.0020878094,0.0002567549,0.0001456134,0.00060884113,0.005668508,0.004144647,0.0022939653,0.005087374,0.008845051],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014641481,0.000014801728,0.00007877367,0.000042809064,0.0000017239242,0.00006144515,0.0034480179,0.000035715344,0.00008066435,0.27876514,0.6914397,0.026016569],"study_design_scores_gemma":[0.000001415706,0.0000021625824,0.00006138201,0.00009255493,8.9897173e-7,0.000021224205,0.0010556917,0.000010865932,0.00004190938,0.010576327,0.988133,0.0000026355258],"about_ca_topic_score_codex":0.016414098,"about_ca_topic_score_gemma":0.04724251,"teacher_disagreement_score":0.035399754,"about_ca_system_score_codex":0.0028605761,"about_ca_system_score_gemma":0.0023425918,"threshold_uncertainty_score":0.118424},"labels":[],"label_agreement":null},{"id":"W4251387747","doi":"10.32920/ryerson.14663688","title":"Writing intellectual disability: glimpses into precarious processes or re/making a cultural phenomenon","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; University of Regina; York University","funders":"Administration for Community Living","keywords":"Disability studies; Epistemology; Sociology; Normative; Construct (python library); Modernity; Late modernity; Meaning (existential); Intellectual disability; Phenomenon; Identity (music); Subject (documents); Politics; Psychology; Gender studies; Social science; Aesthetics; Political science; Law","score_opus":0.0838686000041229,"score_gpt":0.30905194417416637,"score_spread":0.2251833441700435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251387747","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43199867,0.014295178,0.08182292,0.09538054,0.0021267743,0.00038335402,0.00009911026,0.00043900317,0.37345448],"genre_scores_gemma":[0.9748769,0.0029499026,0.008997231,0.0026227094,0.0002757293,0.00013514893,0.00002979763,0.00016525036,0.009947223],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98113257,0.014340014,0.000654915,0.000976893,0.0020880848,0.00080759224],"domain_scores_gemma":[0.9784653,0.01564469,0.001355954,0.002637784,0.00097031146,0.00092593464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016308688,0.00089133484,0.0006318496,0.0030713344,0.010568654,0.015493884,0.001645419,0.0027364814,0.0033500844],"category_scores_gemma":[0.027474076,0.00038356686,0.0006588437,0.0017623797,0.08389198,0.023292776,0.015109169,0.0062400345,0.0006298681],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013350841,0.000021586193,0.00043358165,0.00012149028,0.000005323224,0.0006028153,0.83094406,0.00005764531,0.00039793513,0.15251882,0.0012964444,0.013586972],"study_design_scores_gemma":[0.000011102596,0.000042838234,0.0005779628,0.00081397727,0.0000114132645,0.0014410071,0.7036585,0.000300928,0.0010132203,0.1650588,0.12703098,0.000039260893],"about_ca_topic_score_codex":0.0015534208,"about_ca_topic_score_gemma":0.0013485658,"teacher_disagreement_score":0.016308688,"about_ca_system_score_codex":0.003292045,"about_ca_system_score_gemma":0.0038685673,"threshold_uncertainty_score":0.08624959},"labels":[],"label_agreement":null},{"id":"W4252150988","doi":"10.3138/cras-s035-02-05","title":"Intersections of Gender and Ethnic Performativity in Ann-Marie MacDonald’s Fall on Your Knees","year":2005,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performativity; Resistance (ecology); Intersection (aeronautics); Ethnic group; Politics; Sociology; Gender studies; Transgressive; Aesthetics; Philosophy; Anthropology; Political science; Law; Geography; Cartography; Geology","score_opus":0.08187912102028093,"score_gpt":0.31746974959197954,"score_spread":0.2355906285716986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252150988","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32743093,0.009282326,0.00067990005,0.15672697,0.0018031562,0.000019047866,0.000029166687,0.000024075958,0.5040043],"genre_scores_gemma":[0.95669097,0.0015339245,0.00014559481,0.0057472987,0.0002255864,0.000012513056,0.000005201098,0.00003262086,0.035606325],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99610764,0.0023115012,0.000048307906,0.00020557025,0.0006325669,0.0006943755],"domain_scores_gemma":[0.99740547,0.001389119,0.000252188,0.00009241776,0.00040483035,0.0004559568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038954348,0.00036171885,0.0004544734,0.0010619719,0.031072158,0.007995816,0.0010367606,0.00308551,0.004147748],"category_scores_gemma":[0.005227049,0.0002530835,0.0002077238,0.0014258513,0.031275738,0.0029798849,0.004261896,0.00585352,0.0003282555],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027839944,0.000027245083,0.0011544847,0.000045802793,0.000005219539,0.00072915724,0.7626746,0.000036970676,0.00015613614,0.18868439,0.037944164,0.008513964],"study_design_scores_gemma":[0.000007372215,0.000015773625,0.0036848653,0.00023889428,0.000006315287,0.00042627778,0.60292083,0.00005170606,0.0001819637,0.013180778,0.3792616,0.000023672084],"about_ca_topic_score_codex":0.21800776,"about_ca_topic_score_gemma":0.47716987,"teacher_disagreement_score":0.78199226,"about_ca_system_score_codex":0.01312872,"about_ca_system_score_gemma":0.007554831,"threshold_uncertainty_score":0.43347758},"labels":[],"label_agreement":null},{"id":"W4252473846","doi":"10.1515/9781474469258-002","title":"Variety of Purpose in James Hogg’s Manuscript of The Three Perils of Man","year":2012,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; Yale University","keywords":"Variety (cybernetics); Art; History; Computer science; Artificial intelligence","score_opus":0.03769513360158684,"score_gpt":0.18371825126052366,"score_spread":0.14602311765893683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252473846","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004126576,0.110666335,0.0052687824,0.45124304,0.10980469,0.0000643356,0.00022282562,0.00015299623,0.31845045],"genre_scores_gemma":[0.12498749,0.020173157,0.0030699326,0.23001286,0.05110851,0.00015017651,0.00010654939,0.0007278445,0.56966347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976478,0.0012256147,0.00007822938,0.0002510632,0.0005641585,0.00023306673],"domain_scores_gemma":[0.9981102,0.0012764689,0.000093508184,0.00010714347,0.00029824613,0.00011442514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023117883,0.0008292422,0.0005855285,0.0015292896,0.005119467,0.0072461395,0.0012639005,0.0054184105,0.0077130757],"category_scores_gemma":[0.007396738,0.0004295398,0.0004321756,0.0013902958,0.011419873,0.0051280577,0.002303724,0.008444525,0.0025796855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027924683,0.000017555534,0.00009594475,0.000091247704,0.0000087239005,0.00017113693,0.007817814,0.000049634364,0.00011778548,0.45300427,0.52937704,0.009220892],"study_design_scores_gemma":[0.0000044815715,0.000004423906,0.00020464334,0.00016339443,0.0000033029003,0.00008624548,0.0014650865,0.00003465514,0.00009984997,0.03774434,0.96017104,0.000018526345],"about_ca_topic_score_codex":0.009562705,"about_ca_topic_score_gemma":0.031169299,"teacher_disagreement_score":0.009562705,"about_ca_system_score_codex":0.0031910737,"about_ca_system_score_gemma":0.0022886742,"threshold_uncertainty_score":0.02580285},"labels":[],"label_agreement":null},{"id":"W4252560370","doi":"10.1007/978-94-6300-932-4_5","title":"Postmodernity","year":2017,"lang":"en","type":"book-chapter","venue":"SensePublishers eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Postmodernity; Enlightenment; Philosophy; Structuralism (philosophy of science); Epistemology; Postmodernism; Aesthetics; Sociology","score_opus":0.04564975049168181,"score_gpt":0.22018534916385926,"score_spread":0.17453559867217744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252560370","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006519329,0.0071190963,0.0040910994,0.018996626,0.0022240325,0.000018395267,0.00005833729,0.0000775909,0.96089536],"genre_scores_gemma":[0.38674536,0.006286324,0.0017069993,0.007430986,0.0035947592,0.00010281268,0.00010494281,0.0003222289,0.5937056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979912,0.0009657707,0.000042478492,0.00029150263,0.0005272534,0.00018181224],"domain_scores_gemma":[0.9977748,0.0009803268,0.00015063232,0.00053671637,0.00043518207,0.00012241135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002462713,0.0005418946,0.0002649788,0.00090169243,0.0036779128,0.007264844,0.0006844658,0.0017997734,0.026462063],"category_scores_gemma":[0.0040164804,0.00016271671,0.00022920646,0.0009456569,0.018203229,0.0074667474,0.0028793253,0.004523265,0.004724834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007509022,0.0000072357843,0.00009090125,0.000038861916,0.0000014658291,0.00003762174,0.0066527426,0.000018164583,0.000116623494,0.965366,0.01809335,0.009569495],"study_design_scores_gemma":[0.000004429256,0.000013404375,0.00032946188,0.00023914223,0.0000022588947,0.00014948664,0.0024983762,0.000063143416,0.00036368545,0.18784647,0.80848455,0.000005567583],"about_ca_topic_score_codex":0.0014931657,"about_ca_topic_score_gemma":0.002680282,"teacher_disagreement_score":0.026462063,"about_ca_system_score_codex":0.0046607386,"about_ca_system_score_gemma":0.0024326304,"threshold_uncertainty_score":0.08852434},"labels":[],"label_agreement":null},{"id":"W4253768158","doi":"10.32920/ryerson.14653791","title":"Making my bed : Tracey Emin's hysterical confessions of the abject","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Hysteria; Disgust; Representation (politics); Psychoanalysis; Legitimacy; Aesthetics; Hegemony; Art; Sociology; Literature; Psychology; Social psychology; Law; Politics","score_opus":0.09072178024552714,"score_gpt":0.2947926439909061,"score_spread":0.20407086374537897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253768158","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26502788,0.014698327,0.008235007,0.21157026,0.0023571907,0.00006033921,0.000054829346,0.00019252484,0.4978036],"genre_scores_gemma":[0.91165626,0.0024743115,0.00068003964,0.011025145,0.00036984487,0.000036010664,0.000010951455,0.00010629693,0.0736411],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998872,0.0007355086,0.000012727261,0.00008518289,0.00015145098,0.00014304958],"domain_scores_gemma":[0.99914217,0.0005497029,0.000083268336,0.000051778377,0.000074933974,0.00009820695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011420829,0.0004767394,0.0002826629,0.0006733663,0.009944946,0.0050542788,0.00070337194,0.0029758518,0.002887609],"category_scores_gemma":[0.0034424935,0.00019397812,0.00017497542,0.00041493608,0.02167995,0.005589411,0.0036928023,0.006613269,0.00045499226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004279233,0.000031466123,0.00043975285,0.0000465052,0.0000059385065,0.0026351751,0.44668654,0.00013349879,0.0006090593,0.48827434,0.04858421,0.012510738],"study_design_scores_gemma":[0.00001590585,0.000070256974,0.0013580204,0.00034790047,0.000008044979,0.0027972292,0.37018064,0.0004800614,0.0016440863,0.0676982,0.5553669,0.000032740743],"about_ca_topic_score_codex":0.0062319557,"about_ca_topic_score_gemma":0.007898319,"teacher_disagreement_score":0.009944946,"about_ca_system_score_codex":0.0032955583,"about_ca_system_score_gemma":0.0010211208,"threshold_uncertainty_score":0.023911059},"labels":[],"label_agreement":null},{"id":"W4254350233","doi":"10.1353/crv.2013.0000","title":"Terrorism Before the Letter: Benito Cereno and the 9/11 Commission Report","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.020861427254205436,"score_gpt":0.25538774662659464,"score_spread":0.2345263193723892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254350233","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22194725,0.028162397,0.00050217943,0.30851158,0.008055802,0.000042826498,0.00026175182,0.00008507852,0.43243113],"genre_scores_gemma":[0.7617894,0.007925474,0.00021404696,0.02452053,0.0023467927,0.0000503619,0.000108655724,0.000106089035,0.20293866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983424,0.0006472791,0.000025884938,0.0001335588,0.00033955596,0.0005114405],"domain_scores_gemma":[0.9981871,0.0007829447,0.00033693964,0.0000781609,0.000284656,0.000330111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021147272,0.00031544443,0.00019415464,0.0008049856,0.016390612,0.006940429,0.0007886807,0.0044499743,0.0061732116],"category_scores_gemma":[0.0047120494,0.00029429703,0.00012853953,0.00099119,0.0059291436,0.0014347825,0.0027910583,0.0037484486,0.0008339595],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019029618,0.00007088221,0.0070336177,0.00023344989,0.00001323203,0.004825392,0.29768974,0.00022207496,0.0008082587,0.25513884,0.4092767,0.024497524],"study_design_scores_gemma":[0.000006547616,0.000015069738,0.0065750647,0.00032605912,0.0000042501447,0.00033882976,0.060314845,0.000059243765,0.00034633718,0.0018837876,0.9301006,0.000029316716],"about_ca_topic_score_codex":0.15791087,"about_ca_topic_score_gemma":0.27667987,"teacher_disagreement_score":0.15791087,"about_ca_system_score_codex":0.013605021,"about_ca_system_score_gemma":0.006720672,"threshold_uncertainty_score":0.3139835},"labels":[],"label_agreement":null},{"id":"W4254783092","doi":"10.32920/ryerson.14654292","title":"Secret trauma in Ann-Marie MacDonald’s Fall on Your Knees: dissociation, art, and healing","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Paragraph; Witness; Fall of man; Psychoanalysis; History; Sexual abuse; Subject (documents); Fifteenth; Art history; Psychology; Art; Law; Classics; Medicine; Political science; Poison control","score_opus":0.03932606112110253,"score_gpt":0.25712301909228097,"score_spread":0.21779695797117843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254783092","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2243607,0.020678543,0.002139976,0.26203567,0.00495802,0.00004257072,0.00007203227,0.00010895048,0.48560348],"genre_scores_gemma":[0.91729766,0.00322654,0.00043334303,0.010946554,0.0006712414,0.000028148876,0.000013993165,0.000104353625,0.067278266],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984572,0.00081006356,0.00003050906,0.00011917256,0.0003283711,0.00025473986],"domain_scores_gemma":[0.99866605,0.00068441825,0.0001731745,0.00011193042,0.00010849289,0.00025588702],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020546673,0.00045510393,0.00026339272,0.00056265894,0.017561335,0.0075004646,0.0010052444,0.003702045,0.003959388],"category_scores_gemma":[0.0046815844,0.00027508184,0.0001792943,0.0004897238,0.026932104,0.0036857107,0.005402161,0.008017207,0.0005348139],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045044915,0.00003112853,0.0004418924,0.000082080034,0.0000068547706,0.0022206143,0.49265203,0.00011493608,0.0003537476,0.39701638,0.09807943,0.008955805],"study_design_scores_gemma":[0.000009557007,0.00003092321,0.0010364762,0.0004054158,0.0000068405534,0.0019759529,0.2630676,0.00012896092,0.00053351925,0.030098734,0.70268345,0.000022647735],"about_ca_topic_score_codex":0.01990364,"about_ca_topic_score_gemma":0.040389117,"teacher_disagreement_score":0.01990364,"about_ca_system_score_codex":0.008401974,"about_ca_system_score_gemma":0.0028244106,"threshold_uncertainty_score":0.06096089},"labels":[],"label_agreement":null},{"id":"W4254897710","doi":"10.1007/978-3-030-46582-7","title":"Neo-Victorian Madness","year":2020,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Insanity; Righteousness; Normative; Psychoanalysis; Psychology; Mental illness; Sociology; Law; Philosophy; Political science; Mental health; Psychiatry; Theology","score_opus":0.030805708981578358,"score_gpt":0.1854179835896839,"score_spread":0.15461227460810553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254897710","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026915271,0.0050970297,0.0013094151,0.010851856,0.0007543429,0.00001722476,0.00003487803,0.000021584836,0.97922224],"genre_scores_gemma":[0.20426261,0.0026115535,0.0009882856,0.006510718,0.00046293557,0.000084831554,0.00005079552,0.00017859913,0.78484964],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847585,0.000614547,0.000037169884,0.00015901122,0.000428982,0.0002844677],"domain_scores_gemma":[0.99930656,0.00022947852,0.0000495654,0.0001284648,0.00019376844,0.00009206358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017326098,0.00049468904,0.00046269354,0.0011141702,0.0091161,0.007524652,0.0013793678,0.0034835052,0.01539205],"category_scores_gemma":[0.0032733404,0.00032360735,0.00023184752,0.0013045873,0.022348527,0.004191407,0.0039436175,0.007314523,0.0026823578],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031733884,0.0000029762762,0.000020630156,0.000015503258,6.3817726e-7,0.000010858957,0.0029648356,0.000017371254,0.000029199808,0.9798942,0.013819143,0.0032215628],"study_design_scores_gemma":[0.0000038004187,0.000005305266,0.00023255947,0.00016546198,0.0000024295255,0.0000569023,0.002812462,0.00010806184,0.00009571693,0.29042518,0.70608366,0.000008459288],"about_ca_topic_score_codex":0.04348388,"about_ca_topic_score_gemma":0.11254274,"teacher_disagreement_score":0.04348388,"about_ca_system_score_codex":0.012895417,"about_ca_system_score_gemma":0.007241884,"threshold_uncertainty_score":0.09356326},"labels":[],"label_agreement":null},{"id":"W4256754801","doi":"10.1353/mdr.0.0045","title":"\"How Will They Ever Heal . . .?\" Bearing Witness to Abuse and the Importance of Female Community in Sarah Daniels's Beside Herself, Head-Rot Holiday , and The Madness of Esme and Shaz","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Witness; Head (geology); Criminology; History; Psychoanalysis; Art; Psychology; Political science; Law; Geology","score_opus":0.03804690271470263,"score_gpt":0.23849732386144107,"score_spread":0.20045042114673844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256754801","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096341014,0.03669248,0.0024203754,0.544595,0.0070466683,0.00006174059,0.000049743987,0.00008439373,0.31270862],"genre_scores_gemma":[0.87738633,0.009501285,0.0008212715,0.040259227,0.001848618,0.000069256865,0.000020337318,0.00007506693,0.07001871],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99596417,0.0030042927,0.000052537394,0.00016299846,0.0004189084,0.00039707962],"domain_scores_gemma":[0.9968491,0.001939962,0.0003181953,0.0001581506,0.00036500097,0.0003694828],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003697261,0.00052981573,0.0003732156,0.00060658134,0.014750038,0.0070989523,0.0008762142,0.004296831,0.0034050697],"category_scores_gemma":[0.008387188,0.00016436841,0.00024266234,0.00036967563,0.037006993,0.004677172,0.0039576734,0.008215566,0.0006665721],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047727845,0.000036987105,0.0011174252,0.00018907645,0.000014264967,0.0010318913,0.56060666,0.000074136115,0.00044521986,0.26445988,0.1491294,0.02284736],"study_design_scores_gemma":[0.000010025581,0.000044505752,0.00085424766,0.0005730875,0.000007950411,0.00089422555,0.332568,0.000073874005,0.0003439501,0.018010896,0.64659977,0.00001942511],"about_ca_topic_score_codex":0.005468253,"about_ca_topic_score_gemma":0.007174507,"teacher_disagreement_score":0.014750038,"about_ca_system_score_codex":0.00357477,"about_ca_system_score_gemma":0.0020968106,"threshold_uncertainty_score":0.025936902},"labels":[],"label_agreement":null},{"id":"W4280522176","doi":"10.3138/jrpc.2021-0014","title":"The Theology of Attention in <i>The Fault in Our Stars</i>: John Green’s Novel Contribution to “Thinking About Suffering”","year":2022,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Compassion; Doctrine; Philosophy; Theology; Psychoanalysis; Sociology; Psychology","score_opus":0.012820369804259404,"score_gpt":0.24468935818458215,"score_spread":0.23186898838032274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4280522176","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13929696,0.030433903,0.008157889,0.26559705,0.0053932955,0.000039244303,0.000054795884,0.000086892425,0.55094],"genre_scores_gemma":[0.9350171,0.0050258017,0.0010618475,0.016585428,0.0013024939,0.00002638939,0.000012313719,0.00008391203,0.040884756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917185,0.00048339623,0.0000143605785,0.00006620012,0.00013319436,0.00013100263],"domain_scores_gemma":[0.9991522,0.0004744252,0.000088296365,0.000033807435,0.000078383215,0.00017296344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012058526,0.0002927612,0.00019105183,0.00059718825,0.006115708,0.004838597,0.00051278743,0.0017119225,0.0020265905],"category_scores_gemma":[0.0023557441,0.00012166491,0.00016714851,0.00038166015,0.022872342,0.0042930236,0.002982866,0.0041738497,0.00032547585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027201411,0.000018476903,0.00039479302,0.00006897684,0.00000418819,0.0005406201,0.17860427,0.00008320767,0.00030447685,0.77775705,0.033939015,0.008257837],"study_design_scores_gemma":[0.000012012489,0.000034678233,0.0009108967,0.0002481415,0.0000062658287,0.0008606966,0.10872234,0.00014439484,0.0006588082,0.20124193,0.6871382,0.00002169192],"about_ca_topic_score_codex":0.0042990777,"about_ca_topic_score_gemma":0.006844166,"teacher_disagreement_score":0.006115708,"about_ca_system_score_codex":0.003363494,"about_ca_system_score_gemma":0.001594492,"threshold_uncertainty_score":0.02440393},"labels":[],"label_agreement":null},{"id":"W4282000391","doi":"10.28984/ct.v3i1.384","title":"Ecologies of Anxiety","year":2022,"lang":"en","type":"article","venue":"Con Texte","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anxiety; Terrorism; Witness; Event (particle physics); History; Space (punctuation); Psychology; Criminology; Social psychology; Sociology; Political science; Law; Psychiatry; Philosophy; Archaeology","score_opus":0.023031205975928358,"score_gpt":0.2162517491036542,"score_spread":0.19322054312772582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4282000391","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37527323,0.012297171,0.0040922146,0.050869312,0.00047558133,0.000050531333,0.00025004748,0.0001023217,0.55658954],"genre_scores_gemma":[0.99225897,0.0020200645,0.00021684584,0.00160704,0.00014453591,0.000028439103,0.00003436091,0.000018897268,0.0036708433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987941,0.000618267,0.000024143488,0.00014105845,0.00012813581,0.000294255],"domain_scores_gemma":[0.9988581,0.00054088276,0.00020531405,0.00009229806,0.0001066736,0.00019680339],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008267573,0.00034525615,0.00020718103,0.0031243018,0.004708652,0.005632383,0.0006186441,0.001261169,0.0072092456],"category_scores_gemma":[0.0017251513,0.00021587675,0.00021651722,0.0015205316,0.024000851,0.0038697608,0.0056104674,0.0017847337,0.0003743573],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052191557,0.00006294368,0.010350992,0.00020580007,0.000026473112,0.0008350506,0.10743303,0.00032340278,0.00049356674,0.8489093,0.008077749,0.023229415],"study_design_scores_gemma":[0.00006173743,0.00013493493,0.05848524,0.0006605478,0.000041763713,0.0020255388,0.2773657,0.0005289593,0.00037652242,0.29230598,0.3679279,0.000085185624],"about_ca_topic_score_codex":0.0046176263,"about_ca_topic_score_gemma":0.0069337673,"teacher_disagreement_score":0.0072092456,"about_ca_system_score_codex":0.004520947,"about_ca_system_score_gemma":0.0014525848,"threshold_uncertainty_score":0.032801986},"labels":[],"label_agreement":null},{"id":"W4282930005","doi":"10.14321/fourthgenre.24.1.0225","title":"Shaping Loss and Love","year":2022,"lang":"en","type":"article","venue":"Fourth Genre Explorations in Nonfiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Sociology","score_opus":0.05474349945090681,"score_gpt":0.23894553967250262,"score_spread":0.1842020402215958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4282930005","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0738618,0.012998412,0.008649046,0.13150793,0.004035393,0.00006716761,0.0001022079,0.00022209015,0.768556],"genre_scores_gemma":[0.8529333,0.0040270197,0.000952344,0.018723108,0.0007216462,0.00008199293,0.00005544581,0.0002929821,0.12221221],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9877828,0.007193286,0.00017121331,0.0009806541,0.0014965468,0.002375534],"domain_scores_gemma":[0.99367493,0.0013192926,0.0006559592,0.00067372405,0.0010245473,0.0026514537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008278837,0.0007678914,0.0009703264,0.0014864879,0.035554156,0.020606237,0.001680468,0.0030372762,0.016112639],"category_scores_gemma":[0.014970138,0.00045746876,0.0005155715,0.0009118093,0.058139037,0.015737973,0.023474885,0.011718054,0.0042389217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008198217,0.00006172008,0.0023412006,0.00006932356,0.000021553034,0.00062743854,0.37470254,0.00009145581,0.00026401025,0.5025379,0.086901546,0.03229939],"study_design_scores_gemma":[0.000015092776,0.000041538897,0.00096324243,0.0003021451,0.000008454534,0.0005982945,0.2214529,0.00012721137,0.00018144585,0.11211153,0.6641634,0.0000347237],"about_ca_topic_score_codex":0.0055311006,"about_ca_topic_score_gemma":0.007992927,"teacher_disagreement_score":0.035554156,"about_ca_system_score_codex":0.0076107727,"about_ca_system_score_gemma":0.005138119,"threshold_uncertainty_score":0.055220246},"labels":[],"label_agreement":null},{"id":"W4285684681","doi":"10.1007/978-3-031-06201-8_1","title":"Introduction: Stuff and Things: Introducing Neo-Victorian Materialities","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Media studies; Sociology; Visual arts; Art","score_opus":0.015026970175724663,"score_gpt":0.18626683182587925,"score_spread":0.1712398616501546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285684681","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023874743,0.033119716,0.00760962,0.03044703,0.007122303,0.000089150155,0.00025089792,0.00011000022,0.9188638],"genre_scores_gemma":[0.081228435,0.029707167,0.0076828366,0.014451595,0.0047435793,0.0002872256,0.000351682,0.00058423163,0.86096317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994068,0.00022941227,0.000024719691,0.00008097148,0.00018225046,0.000075909855],"domain_scores_gemma":[0.9991264,0.00055576453,0.000034688426,0.00004174362,0.00015305616,0.00008837242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010146763,0.00061160635,0.0004459137,0.0014319113,0.0041115475,0.006120043,0.0010228773,0.0027228296,0.03510495],"category_scores_gemma":[0.002034606,0.0004121778,0.00033366028,0.0018761068,0.0058837705,0.0060547637,0.00262299,0.006537258,0.0072932607],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006790057,0.000015261929,0.000060101887,0.00015959586,0.0000012393319,0.00004208006,0.0060238377,0.00006467021,0.00013010293,0.85070336,0.12757428,0.015218683],"study_design_scores_gemma":[0.0000015235153,0.000004441552,0.00017722219,0.0003516109,0.0000014073976,0.000063551735,0.0013217932,0.000070029484,0.000053061245,0.08875509,0.9091933,0.0000070346],"about_ca_topic_score_codex":0.0125089865,"about_ca_topic_score_gemma":0.029511997,"teacher_disagreement_score":0.03510495,"about_ca_system_score_codex":0.0045036594,"about_ca_system_score_gemma":0.0031591647,"threshold_uncertainty_score":0.11743778},"labels":[],"label_agreement":null},{"id":"W429066863","doi":"10.20381/ruor-5453","title":"Ontologies of Community in Postmodernist American Fiction","year":2012,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; American literature; Literature; Art","score_opus":0.009067234395062747,"score_gpt":0.1717141218908625,"score_spread":0.16264688749579975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W429066863","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34772757,0.007219113,0.0397316,0.018540636,0.0010457305,0.00011158491,0.00011847798,0.00014605332,0.5853592],"genre_scores_gemma":[0.9883404,0.0006261463,0.0027569772,0.00040000436,0.00013106773,0.0000483031,0.00003143298,0.00003061291,0.0076352186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971878,0.0018473491,0.000081166545,0.00023281956,0.00043409935,0.00021669632],"domain_scores_gemma":[0.99668014,0.0021096687,0.00031201204,0.00035197777,0.00033292666,0.00021334102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042271675,0.0002938916,0.00023689057,0.0023706814,0.00767371,0.006714776,0.00070928736,0.001457807,0.0023493269],"category_scores_gemma":[0.00488762,0.00017169346,0.00022610214,0.0016869032,0.031250097,0.008987866,0.0044995435,0.0021345234,0.00016989022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012834898,0.0000092984965,0.000207701,0.000025721833,0.0000013568997,0.00008660859,0.091945715,0.000093589435,0.00016224144,0.9017593,0.0010509887,0.0046446947],"study_design_scores_gemma":[0.000020754253,0.000038071077,0.0013805195,0.00017476759,0.0000079102265,0.0005317151,0.08716154,0.0012546825,0.0006146342,0.4640678,0.44472376,0.000023843912],"about_ca_topic_score_codex":0.0039561735,"about_ca_topic_score_gemma":0.0058281454,"teacher_disagreement_score":0.00767371,"about_ca_system_score_codex":0.0071449736,"about_ca_system_score_gemma":0.0020337463,"threshold_uncertainty_score":0.051840663},"labels":[],"label_agreement":null},{"id":"W4293081198","doi":"10.1525/aft.2005.33.3.18","title":"Representations of the Unreal","year":2005,"lang":"en","type":"article","venue":"Afterimage","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; Computer science; Filter (signal processing); Information retrieval; World Wide Web; Library science","score_opus":0.01674823567940206,"score_gpt":0.23703331001794078,"score_spread":0.22028507433853872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293081198","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025911625,0.02203726,0.0008015685,0.07394806,0.0025898686,0.000009424778,0.0001056962,0.0000530048,0.87454355],"genre_scores_gemma":[0.7416846,0.0072807637,0.0003221308,0.0044754706,0.0011256585,0.000012025961,0.00007126958,0.00007069324,0.24495742],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99945873,0.00025861704,0.000011100213,0.00005427281,0.00013488,0.00008246457],"domain_scores_gemma":[0.9995455,0.00017879404,0.00006642697,0.00004330717,0.00007561272,0.00009028951],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007714939,0.00032736638,0.00017500411,0.00071856444,0.0049698935,0.0059253224,0.0003259522,0.0011996513,0.019993465],"category_scores_gemma":[0.0021239421,0.00012339669,0.000111957146,0.0006671418,0.010654024,0.0030970043,0.001613045,0.002365478,0.0011605583],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024639869,0.000012406387,0.0003225886,0.000044486605,0.0000029449352,0.00015166154,0.026621586,0.00007796823,0.00016511921,0.7685278,0.18572468,0.018324206],"study_design_scores_gemma":[0.000004367647,0.000007785289,0.0008048282,0.00017850751,0.000002261592,0.00012718835,0.013881314,0.000059063637,0.000111873465,0.032213412,0.95260423,0.000005184078],"about_ca_topic_score_codex":0.013791253,"about_ca_topic_score_gemma":0.024302717,"teacher_disagreement_score":0.019993465,"about_ca_system_score_codex":0.0072832312,"about_ca_system_score_gemma":0.0015098074,"threshold_uncertainty_score":0.066884756},"labels":[],"label_agreement":null},{"id":"W4293095651","doi":"10.1525/aft.2001.28.4.18","title":"Home Truths and Other Fictions","year":2001,"lang":"en","type":"article","venue":"Afterimage","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Philosophy; Psychology; Art","score_opus":0.022002319320731874,"score_gpt":0.22203486026459285,"score_spread":0.20003254094386097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293095651","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030983128,0.024353614,0.00038940064,0.09858813,0.0103588,0.000028819608,0.0002544878,0.0000620786,0.83498156],"genre_scores_gemma":[0.54962534,0.011851074,0.00024314913,0.010661802,0.009289258,0.000029949595,0.00022244884,0.00013599632,0.41794103],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918336,0.00033011383,0.000021541693,0.00009507478,0.00021218816,0.00015774801],"domain_scores_gemma":[0.9988288,0.0005958462,0.00015185938,0.00007775911,0.00014926879,0.00019647939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005969353,0.0004085499,0.00026532996,0.0018934095,0.009959347,0.0072197784,0.00044823566,0.0022707,0.025024606],"category_scores_gemma":[0.0039860713,0.00014800546,0.00024148545,0.0016708394,0.008155574,0.00382319,0.0027455324,0.0031721971,0.0021686153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032368032,0.000027003345,0.0005423545,0.00010068992,0.0000062895797,0.00080564263,0.061909895,0.000044529188,0.00014721107,0.2662733,0.64763653,0.022474255],"study_design_scores_gemma":[0.0000029848136,0.000005741441,0.0007194417,0.00013421058,0.0000021927515,0.00025983088,0.018962031,0.000019048095,0.00006938434,0.0048824735,0.9749385,0.000004145019],"about_ca_topic_score_codex":0.010262672,"about_ca_topic_score_gemma":0.019398838,"teacher_disagreement_score":0.025024606,"about_ca_system_score_codex":0.0052198754,"about_ca_system_score_gemma":0.0011256862,"threshold_uncertainty_score":0.08371562},"labels":[],"label_agreement":null},{"id":"W4295791111","doi":"10.32469/10355/91634","title":"The graduate student novel: a new subgenre in university fiction","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Contemplation; Quarter (Canadian coin); Agency (philosophy); Literature; Graduate students; Sociology; Aesthetics; Psychology; Pedagogy; History; Art; Epistemology; Law; Social science; Political science; Philosophy","score_opus":0.04250440029905657,"score_gpt":0.2582332064830711,"score_spread":0.21572880618401452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295791111","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58508533,0.006158311,0.015669543,0.020407168,0.005106656,0.00014164958,0.00013963942,0.00027037546,0.3670213],"genre_scores_gemma":[0.9752957,0.0008361691,0.0019193557,0.0015002098,0.0010209782,0.00005311153,0.00005009955,0.00013082373,0.019193636],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9968592,0.0021237303,0.00005981436,0.00036071558,0.00036553692,0.00023108142],"domain_scores_gemma":[0.9965391,0.0020144477,0.00044716627,0.00040237038,0.00018466695,0.0004123132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017861412,0.00045323904,0.00043628385,0.0012341846,0.0061684833,0.008601163,0.0010361114,0.0021378368,0.0029888223],"category_scores_gemma":[0.004892973,0.00020985887,0.00039479046,0.0006388431,0.014763523,0.005020321,0.005990696,0.0034342224,0.00043802222],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002087337,0.000086783395,0.002793384,0.00027153947,0.000015902324,0.004332382,0.51020545,0.00025409504,0.003131603,0.43311197,0.017301662,0.02828651],"study_design_scores_gemma":[0.000023277056,0.00027558737,0.0040000235,0.00036501285,0.000013728057,0.011145409,0.26424164,0.00059138815,0.0018747618,0.025115699,0.69229996,0.00005341216],"about_ca_topic_score_codex":0.00032335572,"about_ca_topic_score_gemma":0.0008996006,"teacher_disagreement_score":0.008601163,"about_ca_system_score_codex":0.0016639939,"about_ca_system_score_gemma":0.00066843285,"threshold_uncertainty_score":0.012073219},"labels":[],"label_agreement":null},{"id":"W4298855042","doi":"","title":"Vox post-mortem, poétiques de la disparition après le 11 septembre 2001","year":2014,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.013643606187061232,"score_gpt":0.21797966629662846,"score_spread":0.20433606010956723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298855042","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40479657,0.044553082,0.0011377844,0.103679724,0.010020274,0.000082240476,0.0005551875,0.00008045283,0.43509468],"genre_scores_gemma":[0.73930264,0.0045524766,0.00016997334,0.004108039,0.0016064752,0.0000517219,0.00012308301,0.00011197702,0.2499737],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981086,0.00094093615,0.000050397546,0.00019857007,0.00026805696,0.00043337065],"domain_scores_gemma":[0.99797004,0.0012798279,0.00022986856,0.000081816586,0.00022271488,0.00021576654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019329314,0.0004066956,0.00039173447,0.0012294534,0.011885115,0.008534274,0.0006444025,0.00423836,0.011389713],"category_scores_gemma":[0.008144881,0.00037428093,0.00021323576,0.0016163536,0.010368142,0.002917919,0.0030062618,0.007399094,0.0015488347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027939104,0.00004343834,0.0032797144,0.00019780207,0.000014640454,0.0022014866,0.6203456,0.00008472845,0.00084006373,0.2896341,0.06350163,0.019577365],"study_design_scores_gemma":[0.00001586408,0.000054207696,0.011852811,0.0004597436,0.000008985313,0.00054603035,0.11579174,0.000035216915,0.0005649132,0.004334753,0.8663111,0.000024720062],"about_ca_topic_score_codex":0.02443446,"about_ca_topic_score_gemma":0.04649207,"teacher_disagreement_score":0.02443446,"about_ca_system_score_codex":0.006310509,"about_ca_system_score_gemma":0.0023706227,"threshold_uncertainty_score":0.04858446},"labels":[],"label_agreement":null},{"id":"W4299617311","doi":"10.3138/jeunesse.2.2.86","title":"“Please, sir, I want some more . . . . Please, sir . . . I want some more”: Unhooding Richler’s Fang to Find Justice for Oliver Twist and Jacob Two-Two","year":2010,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Magistrate; Economic Justice; Power (physics); Sociology; Oppression; Psychoanalysis; Law; History; Psychology; Politics; Political science","score_opus":0.01718708716024638,"score_gpt":0.2792462398315789,"score_spread":0.26205915267133256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299617311","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20931873,0.024457887,0.0033063758,0.14751305,0.0041028685,0.000065580345,0.00008309096,0.00009719054,0.61105525],"genre_scores_gemma":[0.80514455,0.00291317,0.0006611827,0.012714772,0.0003818042,0.00003760401,0.000020508725,0.00007741152,0.17804897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999154,0.00038260262,0.0000149244415,0.0000846539,0.00019502164,0.00016889053],"domain_scores_gemma":[0.99929523,0.0003320799,0.000057826375,0.000033831726,0.00014399223,0.00013708227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000997179,0.00031696862,0.0001853367,0.0005910128,0.0076833535,0.003560179,0.0004671419,0.0017542496,0.0027398837],"category_scores_gemma":[0.0025809605,0.00015832476,0.00018547846,0.0002843078,0.011961396,0.0026643963,0.0017974244,0.0041732155,0.00055788836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060080874,0.000028196988,0.001022016,0.000097293014,0.0000067138835,0.00083607447,0.39858463,0.00007248789,0.00051641953,0.4668358,0.11517831,0.016762013],"study_design_scores_gemma":[0.000009265765,0.000036773894,0.0016695907,0.00021146581,0.000006607687,0.00051567174,0.13561255,0.00008743121,0.00049535464,0.015571289,0.84575737,0.000026625268],"about_ca_topic_score_codex":0.03310897,"about_ca_topic_score_gemma":0.06845824,"teacher_disagreement_score":0.03310897,"about_ca_system_score_codex":0.0048683803,"about_ca_system_score_gemma":0.0019412764,"threshold_uncertainty_score":0.065832555},"labels":[],"label_agreement":null},{"id":"W4300922585","doi":"10.31096/wua121-box11-nos_336","title":"Erik - Grace and Aunt (Tlance) Winnipeg","year":2019,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aunt; History; Sociology; Art history","score_opus":0.010906240931027674,"score_gpt":0.19313759190259605,"score_spread":0.18223135097156837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300922585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011286373,0.10323525,0.00074506085,0.17311479,0.023241501,0.000036845217,0.00025760932,0.00016608636,0.68791646],"genre_scores_gemma":[0.035928056,0.017960515,0.00034396414,0.0030753063,0.00077629334,0.000014399333,0.00004133514,0.00009568749,0.94176435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959165,0.00008872162,0.000014724161,0.00010457362,0.00011357629,0.00008669904],"domain_scores_gemma":[0.9994388,0.00014626225,0.000050039147,0.00002979017,0.00015222783,0.00018280532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076911703,0.00046806835,0.0003123206,0.0011736115,0.006732702,0.0063643274,0.0005690902,0.0019538687,0.10823513],"category_scores_gemma":[0.0018683074,0.00027189267,0.0001296228,0.0012991441,0.0015157545,0.002746504,0.003755062,0.0017824391,0.01852169],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056756246,0.000038235205,0.0008287445,0.00022063861,0.00000765298,0.00038815459,0.006308085,0.00013110823,0.0004116321,0.16243823,0.69709,0.13208069],"study_design_scores_gemma":[0.000002426341,0.0000044668973,0.00030655184,0.00016342355,0.0000029445036,0.000075357115,0.0021853633,0.000026246953,0.000101119105,0.004262874,0.99286413,0.0000050113968],"about_ca_topic_score_codex":0.029668985,"about_ca_topic_score_gemma":0.09717091,"teacher_disagreement_score":0.10823513,"about_ca_system_score_codex":0.0026073214,"about_ca_system_score_gemma":0.0031730887,"threshold_uncertainty_score":0.36208254},"labels":[],"label_agreement":null},{"id":"W4302211626","doi":"10.4000/cve.12299","title":"To Read or Not to Read Dickens in the Twenty-First Century: What If He Needed to Be Read Twice?,","year":2012,"lang":"en","type":"article","venue":"Cahiers victoriens et édouardiens","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Realism; Adventure; Literature; Modernism (music); Deconstruction (building); Period (music); Philosophy; Space (punctuation); History; Art; Aesthetics; Art history; Linguistics","score_opus":0.037939881256348104,"score_gpt":0.27839890357763486,"score_spread":0.24045902232128674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302211626","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2164074,0.068694964,0.0025572542,0.3943706,0.02568762,0.000034993212,0.0002610599,0.00012957094,0.29185653],"genre_scores_gemma":[0.77955747,0.011126648,0.0008260574,0.028680786,0.0034460921,0.000025392023,0.000102059304,0.00013878384,0.17609678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909306,0.00034197967,0.000026802812,0.00018731688,0.00016414563,0.00018676819],"domain_scores_gemma":[0.9986255,0.0004410913,0.00013158092,0.000053634958,0.00023274378,0.0005154613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012173135,0.0002757743,0.00016279584,0.00042188488,0.0060575535,0.005490993,0.00059315725,0.0017320573,0.005613315],"category_scores_gemma":[0.0035886406,0.00013772803,0.00009720806,0.00032607498,0.0068271873,0.004632686,0.001460719,0.0028996416,0.0010612422],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021528652,0.00008975872,0.0031793795,0.00038502517,0.000024662873,0.0010924678,0.20123562,0.00009180075,0.0015617546,0.39108196,0.33389667,0.06714557],"study_design_scores_gemma":[0.0000072976513,0.000030977342,0.0017327773,0.0001513057,0.000004065905,0.00026918165,0.053367756,0.000031963413,0.00044755233,0.00587353,0.9380641,0.000019579598],"about_ca_topic_score_codex":0.009871318,"about_ca_topic_score_gemma":0.021505447,"teacher_disagreement_score":0.009871318,"about_ca_system_score_codex":0.0032011303,"about_ca_system_score_gemma":0.0019646054,"threshold_uncertainty_score":0.023225904},"labels":[],"label_agreement":null},{"id":"W4302323559","doi":"10.29173/scancan1","title":"A New Ontology for the Female Subject: The Rise of the Flat Character in Stories by Solvej Balle and Kirsten Thorup","year":2005,"lang":"en","type":"article","venue":"Scandinavian-Canadian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Character (mathematics); Literature; Subjectivity; Power (physics); Liminality; Subject (documents); Sociology; Value (mathematics); Philosophy; Aesthetics; Art; Epistemology; Computer science; Mathematics","score_opus":0.03635130666077858,"score_gpt":0.2621332308132397,"score_spread":0.22578192415246112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302323559","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29899803,0.012514872,0.009654742,0.058472503,0.0014959611,0.00006636546,0.00010977498,0.000121923404,0.6185659],"genre_scores_gemma":[0.97929835,0.0010880324,0.0005851525,0.0011017683,0.00008847407,0.000012310186,0.000018089679,0.00006669717,0.017741188],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9947353,0.0033341944,0.00007367315,0.0003071841,0.0008418165,0.00070783956],"domain_scores_gemma":[0.9969367,0.0016449664,0.00023923839,0.00020193635,0.00058287627,0.00039429942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036339178,0.00078355597,0.00042909695,0.0017832401,0.021726664,0.012582614,0.0012977207,0.0029596118,0.0037920123],"category_scores_gemma":[0.005143679,0.0004047235,0.00025295562,0.0013300386,0.060850695,0.0062639723,0.005651995,0.00438335,0.00045563807],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030710624,0.000011554594,0.0006867956,0.0000586025,0.0000053290523,0.00075959414,0.72192603,0.000093160445,0.00034129556,0.2604715,0.008980016,0.0066354186],"study_design_scores_gemma":[0.0000071343948,0.000025662557,0.0016569832,0.0003699414,0.000010215728,0.0007792672,0.580431,0.00018279723,0.0005686005,0.025651818,0.39028037,0.000036212517],"about_ca_topic_score_codex":0.20339866,"about_ca_topic_score_gemma":0.24688067,"teacher_disagreement_score":0.20339866,"about_ca_system_score_codex":0.017688463,"about_ca_system_score_gemma":0.0075299777,"threshold_uncertainty_score":0.4044295},"labels":[],"label_agreement":null},{"id":"W4307168449","doi":"10.14201/candb.v11i167-182","title":"Emergent Critical Strategies Against the Nation- Trap: The Digitization of Literary Apocalyptic Affects and Larissa Lai’s The Tiger Flu","year":2022,"lang":"en","type":"article","venue":"Canada and Beyond A Journal of Canadian Literary and Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Moncton","funders":"","keywords":"Digitization; Tiger; Reading (process); State (computer science); Human sexuality; Literature; Sociology; History; Environmental ethics; Political science; Art; Gender studies; Philosophy; Computer science; Law; Telecommunications; Computer security","score_opus":0.02259431775414233,"score_gpt":0.22362944170461643,"score_spread":0.2010351239504741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307168449","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3670095,0.008651073,0.008263324,0.07062072,0.0009272214,0.00010220204,0.0003847843,0.00032699067,0.5437143],"genre_scores_gemma":[0.9637864,0.0012872242,0.0013838825,0.0017322205,0.000060045677,0.000026821199,0.000036652156,0.000104551975,0.031582113],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979235,0.0007391326,0.000043961478,0.0002417024,0.00059450476,0.00045713907],"domain_scores_gemma":[0.99490607,0.0027118404,0.00023606342,0.0005758965,0.001044052,0.00052611745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034400094,0.00047376464,0.00036809364,0.003099268,0.02675006,0.019190196,0.002165758,0.0024324153,0.0058453395],"category_scores_gemma":[0.008530966,0.00027356096,0.00024091628,0.003598922,0.05627875,0.0056539113,0.005308097,0.003927783,0.0004032412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004178263,0.000015426733,0.0010948648,0.000078013945,0.000008722341,0.0007218714,0.71179265,0.00021440102,0.0007164935,0.25146902,0.01371515,0.020131597],"study_design_scores_gemma":[0.000017380782,0.000016936305,0.001774615,0.00027518757,0.00001993855,0.00040090375,0.43242475,0.0002717127,0.0013595324,0.024858948,0.53853357,0.000046466077],"about_ca_topic_score_codex":0.8581417,"about_ca_topic_score_gemma":0.92975307,"teacher_disagreement_score":0.14185828,"about_ca_system_score_codex":0.078492686,"about_ca_system_score_gemma":0.061702885,"threshold_uncertainty_score":0.569507},"labels":[],"label_agreement":null},{"id":"W4309241925","doi":"10.1017/9781009064545.035","title":"David Foster Wallace’s Ecologies","year":2022,"lang":"de","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Solipsism; Theme (computing); Desert (philosophy); History; Aesthetics; Art; Epistemology; Philosophy; Archaeology; Computer science","score_opus":0.0373490879989674,"score_gpt":0.19679642100080763,"score_spread":0.15944733300184022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309241925","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053874385,0.029293675,0.0011205563,0.04495468,0.0032272988,0.0000127440035,0.000056965288,0.000049644514,0.9158969],"genre_scores_gemma":[0.16324417,0.019282194,0.0011506667,0.011471136,0.0011282747,0.00003702396,0.000052957355,0.00016464127,0.80346894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99960154,0.00015097258,0.000008191701,0.00006110679,0.00012161127,0.000056529905],"domain_scores_gemma":[0.99968255,0.00015083599,0.000026422942,0.000025088175,0.00006389539,0.000051221086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042953077,0.00044126934,0.00014627834,0.001147113,0.004269165,0.0039624865,0.00040335886,0.0009090434,0.008839447],"category_scores_gemma":[0.0013707555,0.00018872673,0.00012445063,0.00076201285,0.00508838,0.0023510777,0.0017349536,0.0027521623,0.0017656485],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001647412,0.000014252975,0.00025532622,0.00007625413,0.000003580446,0.00017798007,0.0091538215,0.0001180984,0.0001616964,0.5791121,0.38312724,0.027783217],"study_design_scores_gemma":[0.0000012335389,0.0000025519043,0.00010848975,0.00009611624,7.2618167e-7,0.00008312616,0.0011206754,0.000021303025,0.00006172447,0.011252902,0.98724943,0.000001758306],"about_ca_topic_score_codex":0.006560233,"about_ca_topic_score_gemma":0.01834168,"teacher_disagreement_score":0.008839447,"about_ca_system_score_codex":0.0028425164,"about_ca_system_score_gemma":0.0020258655,"threshold_uncertainty_score":0.029570937},"labels":[],"label_agreement":null},{"id":"W4309845701","doi":"10.5430/wjel.v13n1p62","title":"The Sense of an Ending: A Postmodern Challenge of Truth","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Interpretation (philosophy); Epistemology; Character (mathematics); Philosophy; Point (geometry); Aesthetics; Mathematics","score_opus":0.015092273098526792,"score_gpt":0.23183013361512836,"score_spread":0.21673786051660157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309845701","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109029345,0.022722486,0.04894803,0.2799491,0.006442684,0.00006706132,0.00017049977,0.00022313627,0.5324477],"genre_scores_gemma":[0.9599465,0.00283491,0.0054865233,0.01169322,0.002079524,0.00006879478,0.000041157597,0.00022402589,0.017625345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9911299,0.005974895,0.00026693006,0.0007903972,0.0013750681,0.00046292465],"domain_scores_gemma":[0.98532385,0.0108265765,0.0007705965,0.0015632948,0.0009033805,0.0006121997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009601868,0.0006965004,0.0006578919,0.0018732356,0.010541313,0.01720243,0.0018101421,0.0063429293,0.0031574804],"category_scores_gemma":[0.01871367,0.00045999425,0.00038591638,0.0012875703,0.09685974,0.026077151,0.008795826,0.011226349,0.00081401673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019733063,0.0000059222566,0.00010685258,0.00003799246,0.0000022778656,0.00014547439,0.09919726,0.000039788276,0.00011910744,0.8945597,0.0028945263,0.0028713506],"study_design_scores_gemma":[0.000011231677,0.000026337277,0.00014540339,0.00036020132,0.0000041385993,0.0005127893,0.045387678,0.000249747,0.0003110126,0.8077506,0.14521769,0.000023173046],"about_ca_topic_score_codex":0.0020141697,"about_ca_topic_score_gemma":0.0028041026,"teacher_disagreement_score":0.01720243,"about_ca_system_score_codex":0.0047594015,"about_ca_system_score_gemma":0.0030698995,"threshold_uncertainty_score":0.050780118},"labels":[],"label_agreement":null},{"id":"W4312170102","doi":"10.4000/sillagescritiques.12939","title":"Privatized Futures, Climate Control, and Resistance in Recent Scottish Dystopian Fiction","year":2022,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Dystopia; Futures contract; State (computer science); Resistance (ecology); History; Brother; Aesthetics; Sociology; Law; Political science; Art; Computer science","score_opus":0.012445375837501787,"score_gpt":0.23079045705226087,"score_spread":0.21834508121475907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312170102","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2341454,0.018798841,0.0036484112,0.24288987,0.0046409303,0.000029925828,0.00009416548,0.00016500195,0.4955874],"genre_scores_gemma":[0.968825,0.0015485224,0.00029593328,0.008379448,0.0006884232,0.000013519455,0.000014759709,0.000044021006,0.02019036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99581015,0.0022461554,0.00008112386,0.00031225444,0.0008382438,0.0007121652],"domain_scores_gemma":[0.9963961,0.002318152,0.00038813276,0.00024195768,0.00035665365,0.0002989477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052703633,0.00062248117,0.00048015532,0.0016778231,0.016223438,0.00852392,0.0011846353,0.00418853,0.004556773],"category_scores_gemma":[0.007802211,0.00024532128,0.00034883432,0.0015061571,0.06214289,0.004646682,0.005754065,0.0050907345,0.0003591757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045267814,0.00002360681,0.0002525792,0.00008210023,0.00000807543,0.0009686225,0.22127949,0.00025080467,0.00031721478,0.7400126,0.031543158,0.005216424],"study_design_scores_gemma":[0.000028047436,0.000049362563,0.0011997902,0.00029536727,0.000012316503,0.00052994955,0.116264865,0.00033595366,0.0006355975,0.12044347,0.76014984,0.000055366607],"about_ca_topic_score_codex":0.023896229,"about_ca_topic_score_gemma":0.044059955,"teacher_disagreement_score":0.023896229,"about_ca_system_score_codex":0.011469213,"about_ca_system_score_gemma":0.00345073,"threshold_uncertainty_score":0.083215356},"labels":[],"label_agreement":null},{"id":"W4312750943","doi":"10.7202/1088409ar","title":"Une exposition sous influences. Amberes au M HKA d’Anvers, d’après le roman éponyme de Roberto Bolaño","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Exposition (narrative); Literature","score_opus":0.01920463952586243,"score_gpt":0.2160616248598079,"score_spread":0.19685698533394547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312750943","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05254618,0.027042463,0.0025446021,0.057228602,0.002567064,0.00001802919,0.00007950096,0.000053424432,0.85792017],"genre_scores_gemma":[0.74220014,0.010483201,0.00076514675,0.007774448,0.0017180106,0.000036425055,0.00004466685,0.00015689808,0.23682106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975616,0.0014545895,0.000046710815,0.00026556518,0.00037449138,0.00029709484],"domain_scores_gemma":[0.99895775,0.0005215916,0.00016152313,0.00013277234,0.00013170844,0.00009471118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017562029,0.0003562633,0.00031648006,0.0011862098,0.007828127,0.0065639606,0.00041863022,0.0013037596,0.010459502],"category_scores_gemma":[0.0028541582,0.00023273031,0.00022398158,0.0016677316,0.0137041975,0.0032159048,0.003271191,0.004331033,0.0013694774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003335151,0.000009811153,0.0008056816,0.00008975354,0.0000051267357,0.00019426389,0.07517084,0.00004816754,0.00038033215,0.88550943,0.027150283,0.010603036],"study_design_scores_gemma":[0.0000048062448,0.000013741425,0.0025564034,0.00028255212,0.000005048438,0.0001875287,0.018256648,0.000057504163,0.00029144427,0.01807057,0.9602633,0.000010498776],"about_ca_topic_score_codex":0.013210397,"about_ca_topic_score_gemma":0.028943034,"teacher_disagreement_score":0.013210397,"about_ca_system_score_codex":0.005677556,"about_ca_system_score_gemma":0.0027711266,"threshold_uncertainty_score":0.041193724},"labels":[],"label_agreement":null},{"id":"W4313342820","doi":"10.1007/978-3-031-11480-9_9","title":"Shields’s Theory of Fiction Writing and the Limitations of Remembrance in The Stone Diaries","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Campion College; University of Regina","funders":"","keywords":"Postmodernism; Literature; Reading (process); Transformative learning; Grief; Art; Aesthetics; History; Sociology; Philosophy; Psychology; Linguistics","score_opus":0.08901018053318187,"score_gpt":0.22514825389900645,"score_spread":0.13613807336582456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313342820","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008120597,0.0036446615,0.018503912,0.015543607,0.0007643652,0.00003922113,0.000049259244,0.000076677665,0.95325774],"genre_scores_gemma":[0.5845798,0.0029002894,0.010433442,0.004717563,0.0011841647,0.00014134134,0.0000829306,0.00026758524,0.39569283],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99547654,0.002801074,0.00015812318,0.0004605161,0.0008484764,0.00025527345],"domain_scores_gemma":[0.99123657,0.0065937294,0.00027260807,0.0007999242,0.0008943698,0.00020282618],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038961323,0.0006030348,0.00050660886,0.0028458594,0.0048904247,0.007864706,0.0014950581,0.004531681,0.010079861],"category_scores_gemma":[0.011893955,0.00044003522,0.00045609436,0.0018477988,0.02997521,0.010570758,0.003057686,0.0057463436,0.0020624353],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043538794,0.0000037658888,0.000031042196,0.00001267192,9.0711444e-7,0.000017451797,0.0032663788,0.000051654733,0.000026358237,0.98872405,0.0042349244,0.0036264188],"study_design_scores_gemma":[0.00001258719,0.000014571072,0.00018677903,0.00012920098,0.0000048091097,0.00015053197,0.001843915,0.00042396958,0.0004629098,0.7423849,0.25437245,0.000013294418],"about_ca_topic_score_codex":0.002936652,"about_ca_topic_score_gemma":0.004403329,"teacher_disagreement_score":0.010079861,"about_ca_system_score_codex":0.0037349851,"about_ca_system_score_gemma":0.0023108951,"threshold_uncertainty_score":0.033720493},"labels":[],"label_agreement":null},{"id":"W4313364507","doi":"10.14746/snp2022.22.12","title":"Postmodern and postcolonial elements in Leonard Cohen`s oeuvre","year":2022,"lang":"en","type":"article","venue":"Scripta Neophilologica Posnaniensia","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Sociology; Persona; Relation (database); Politics; Aesthetics; The Holocaust; Psychoanalysis; Philosophy; Literature; Art; Law; Political science; Theology; Psychology; Humanities","score_opus":0.025351507813962334,"score_gpt":0.22043616453516848,"score_spread":0.19508465672120615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313364507","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1582034,0.044623494,0.007886457,0.16492853,0.006020722,0.000085995234,0.00004289991,0.00017508997,0.6180334],"genre_scores_gemma":[0.9286594,0.0039961613,0.0011225584,0.0058922055,0.00052876805,0.00005402036,0.0000061762266,0.00010435761,0.059636317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959519,0.0019874473,0.00007342105,0.00028373403,0.001154687,0.0005487779],"domain_scores_gemma":[0.99527305,0.0031017326,0.00027898533,0.00020379123,0.0008718487,0.0002707151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036599662,0.0005151191,0.00034134972,0.0014713688,0.013430832,0.00801616,0.0009938276,0.003136872,0.0011966827],"category_scores_gemma":[0.008173935,0.00025320056,0.0001758921,0.0011635261,0.038201526,0.0022591238,0.0031479253,0.0046610082,0.00020659123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002430288,0.000011314421,0.00047029855,0.000064431755,0.000003337501,0.00045130172,0.15256368,0.00008283892,0.00024269031,0.8167855,0.019836636,0.0094637005],"study_design_scores_gemma":[0.0000127080175,0.000026067253,0.0014207041,0.0003653625,0.000010712701,0.0007525992,0.06543592,0.00023738635,0.000704691,0.06767147,0.86331916,0.000043099044],"about_ca_topic_score_codex":0.09244729,"about_ca_topic_score_gemma":0.15500544,"teacher_disagreement_score":0.09244729,"about_ca_system_score_codex":0.01610285,"about_ca_system_score_gemma":0.008752455,"threshold_uncertainty_score":0.18381834},"labels":[],"label_agreement":null},{"id":"W4313645069","doi":"10.5007/2175-7968.2022.e92165","title":"Traduzindo o intraduzível: o universo em expansão de Finnegans Wake","year":2022,"lang":"pt","type":"article","venue":"Cadernos de Tradução","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Wake; Physics; Humanities; Art","score_opus":0.02902047551375243,"score_gpt":0.2282214622263788,"score_spread":0.19920098671262637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313645069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60889506,0.0027139222,0.00065712,0.009094984,0.00011348306,0.000008584252,0.000021143387,0.000012855899,0.37848288],"genre_scores_gemma":[0.9827176,0.00030070578,0.00011687098,0.00041516215,0.000019773732,0.0000037931577,0.0000051299303,0.0000069098473,0.016414143],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992073,0.00026044916,0.000022001894,0.000100190846,0.000104016304,0.00030609113],"domain_scores_gemma":[0.99945825,0.00015991686,0.000080834594,0.000056869794,0.00005764968,0.0001865489],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012934813,0.000116402065,0.00020338313,0.0009486783,0.011262988,0.005632353,0.00037444258,0.0009324427,0.0047176974],"category_scores_gemma":[0.0009828405,0.00017048529,0.00010301358,0.00087982457,0.017184397,0.004399447,0.0055913245,0.0020351142,0.0003107364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005506481,0.00001958164,0.00359688,0.000031932712,0.0000027202223,0.000587795,0.17162137,0.000071093935,0.0008683738,0.8003804,0.0030675961,0.019697158],"study_design_scores_gemma":[0.000021745755,0.000096353535,0.03633552,0.0005959973,0.000012547187,0.0007447605,0.3186826,0.00020085227,0.00088238117,0.1829629,0.45939812,0.000066237786],"about_ca_topic_score_codex":0.014362585,"about_ca_topic_score_gemma":0.055510752,"teacher_disagreement_score":0.014362585,"about_ca_system_score_codex":0.005113215,"about_ca_system_score_gemma":0.0032214443,"threshold_uncertainty_score":0.037099123},"labels":[],"label_agreement":null},{"id":"W4313731365","doi":"10.1353/ari.2023.0005","title":"The Death of an Author","year":2023,"lang":"en","type":"article","venue":"Ariel","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Meaning (existential); Mistake; Welsh; Literary criticism; Epistemology; Literature; New Criticism; Criticism; Philosophy; Sociology; Literary theory; Art; Linguistics; Law","score_opus":0.06436586997642314,"score_gpt":0.27593385903602763,"score_spread":0.2115679890596045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313731365","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06310631,0.029247137,0.0070576738,0.30588025,0.04125837,0.000059840087,0.00013147436,0.00030548248,0.55295354],"genre_scores_gemma":[0.65557265,0.006448139,0.0018752676,0.043968853,0.006534388,0.00005064292,0.00009698468,0.00034318765,0.28510982],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930484,0.003931106,0.00019743473,0.0006946243,0.0015090863,0.0006191972],"domain_scores_gemma":[0.99060994,0.0033130618,0.00087728305,0.0011866125,0.0027825492,0.001230573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004163341,0.0005040637,0.0005666188,0.0008100707,0.010711337,0.008466373,0.0008437262,0.0026757417,0.00561864],"category_scores_gemma":[0.018795174,0.00025547075,0.00030454012,0.0004317669,0.015512748,0.0073097367,0.0048174825,0.0074713714,0.0027451315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014695263,0.000031248775,0.0019665614,0.00019898546,0.000026757722,0.0019010219,0.15394542,0.00011217222,0.00077072234,0.4640991,0.32271826,0.05408286],"study_design_scores_gemma":[0.0000075319517,0.00003630484,0.0005436016,0.00026790673,0.000009636261,0.0016528156,0.025363,0.00012431345,0.0005462866,0.027893495,0.9435306,0.000024577199],"about_ca_topic_score_codex":0.0019428199,"about_ca_topic_score_gemma":0.0027994504,"teacher_disagreement_score":0.010711337,"about_ca_system_score_codex":0.003913444,"about_ca_system_score_gemma":0.0046670805,"threshold_uncertainty_score":0.028394163},"labels":[],"label_agreement":null},{"id":"W4317562087","doi":"10.14325/mississippi/9781496840585.003.0001","title":"Eye That is Language","year":2022,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Meaning (existential); Art; Visual arts; Literature; History; Aesthetics; Philosophy; Epistemology","score_opus":0.032182997080247584,"score_gpt":0.19747290392801176,"score_spread":0.16528990684776418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4317562087","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029816355,0.0078917965,0.0028708803,0.024094045,0.0022091465,0.000017339426,0.000042315223,0.0001002093,0.9597927],"genre_scores_gemma":[0.30004412,0.0077715665,0.0018272806,0.017344281,0.002500157,0.00006370957,0.00010551019,0.00042882352,0.66991454],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983204,0.0006641117,0.00003062556,0.0001654876,0.000486898,0.00033251612],"domain_scores_gemma":[0.998971,0.00048110343,0.00005700971,0.000086885084,0.00028132062,0.0001227572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011298314,0.00059831137,0.00029369383,0.0011661507,0.0063586333,0.007767182,0.00076153985,0.0019218836,0.015368502],"category_scores_gemma":[0.00283047,0.0002151959,0.00035679934,0.00094767136,0.015159883,0.0073772417,0.002954298,0.0045510926,0.004276393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014037817,0.000010667212,0.00014676157,0.0000771851,0.000002906331,0.00016138572,0.03452408,0.000045744568,0.00029968238,0.83227545,0.11113542,0.021306578],"study_design_scores_gemma":[0.000002350926,0.0000059895187,0.000106780775,0.00013923121,0.000001902642,0.0001292013,0.007269653,0.00003927223,0.00015211297,0.04258788,0.9495596,0.0000060930197],"about_ca_topic_score_codex":0.032328732,"about_ca_topic_score_gemma":0.042928606,"teacher_disagreement_score":0.032328732,"about_ca_system_score_codex":0.005883046,"about_ca_system_score_gemma":0.004863841,"threshold_uncertainty_score":0.064281106},"labels":[],"label_agreement":null},{"id":"W4320170159","doi":"10.32920/21950387.v1","title":"Editorial: Post-Truth?","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Misrepresentation; Politics; Deconstruction (building); Conflation; Post truth; Epistemology; Public sphere; Sociology; Philosophy; Aesthetics; Law; Political science","score_opus":0.04612052531478035,"score_gpt":0.25526047514326594,"score_spread":0.2091399498284856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320170159","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000052725765,0.004686755,0.000061013525,0.06075012,0.9268376,0.00003245188,0.000074530886,0.00007016341,0.007434597],"genre_scores_gemma":[0.0018576017,0.0056058695,0.00008829171,0.049934108,0.8967297,0.000045755667,0.00006621427,0.000076372,0.045596156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992597,0.0008501202,0.00048689646,0.0009810734,0.004252016,0.00083286525],"domain_scores_gemma":[0.9863094,0.0036875599,0.000711495,0.00077412906,0.0063639656,0.0021534387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005356839,0.002814206,0.0020570552,0.0037497233,0.005362777,0.010152689,0.004496674,0.015033587,0.050069876],"category_scores_gemma":[0.030049136,0.00086351397,0.0020396488,0.0019373934,0.006782267,0.005365975,0.0018773287,0.014503981,0.021947093],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016045573,0.000005132196,0.000022019467,0.00013409359,0.000004137027,0.000080612874,0.000023842847,0.000015327783,0.00003102611,0.0005218379,0.9966008,0.002545115],"study_design_scores_gemma":[0.000015900452,0.000009434939,0.00025478576,0.00027840678,0.000009985726,0.000114934286,0.000091723305,0.00004338644,0.00005482798,0.00061900134,0.9984962,0.000011386202],"about_ca_topic_score_codex":0.02686399,"about_ca_topic_score_gemma":0.03877851,"teacher_disagreement_score":0.050069876,"about_ca_system_score_codex":0.009481964,"about_ca_system_score_gemma":0.010502294,"threshold_uncertainty_score":0.16750038},"labels":[],"label_agreement":null},{"id":"W4320170162","doi":"10.32920/21950387","title":"Editorial: Post-Truth?","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Misrepresentation; Deconstruction (building); Politics; Conflation; Epistemology; Public sphere; Philosophy; Post truth; Sociology; Aesthetics; Law; Political science","score_opus":0.04612052531478035,"score_gpt":0.25526047514326594,"score_spread":0.2091399498284856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320170162","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000052725765,0.004686755,0.000061013525,0.06075012,0.9268376,0.00003245188,0.000074530886,0.00007016341,0.007434597],"genre_scores_gemma":[0.0018576017,0.0056058695,0.00008829171,0.049934108,0.8967297,0.000045755667,0.00006621427,0.000076372,0.045596156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992597,0.0008501202,0.00048689646,0.0009810734,0.004252016,0.00083286525],"domain_scores_gemma":[0.9863094,0.0036875599,0.000711495,0.00077412906,0.0063639656,0.0021534387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005356839,0.002814206,0.0020570552,0.0037497233,0.005362777,0.010152689,0.004496674,0.015033587,0.050069876],"category_scores_gemma":[0.030049136,0.00086351397,0.0020396488,0.0019373934,0.006782267,0.005365975,0.0018773287,0.014503981,0.021947093],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016045573,0.000005132196,0.000022019467,0.00013409359,0.000004137027,0.000080612874,0.000023842847,0.000015327783,0.00003102611,0.0005218379,0.9966008,0.002545115],"study_design_scores_gemma":[0.000015900452,0.000009434939,0.00025478576,0.00027840678,0.000009985726,0.000114934286,0.000091723305,0.00004338644,0.00005482798,0.00061900134,0.9984962,0.000011386202],"about_ca_topic_score_codex":0.02686399,"about_ca_topic_score_gemma":0.03877851,"teacher_disagreement_score":0.050069876,"about_ca_system_score_codex":0.009481964,"about_ca_system_score_gemma":0.010502294,"threshold_uncertainty_score":0.16750038},"labels":[],"label_agreement":null},{"id":"W4320492120","doi":"10.5539/ells.v13n1p21","title":"Narcissistic Pastiche: Towards Exploring the Concept of “Cras es noster” Through Nostalgic Postmodernism in John Green’s The Fault in Our Stars","year":2023,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Postmodern theatre; Aesthetics; Sociology; Interpretation (philosophy); Narrative; Literature; Art; Philosophy; Linguistics","score_opus":0.04185041769725722,"score_gpt":0.2805159343698283,"score_spread":0.23866551667257108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320492120","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48680267,0.009444783,0.015582878,0.04942607,0.0019168728,0.00006386145,0.000040218496,0.00011605776,0.43660653],"genre_scores_gemma":[0.9764191,0.0009789569,0.0013937348,0.0014527442,0.00016723917,0.000013996555,0.0000071260474,0.000059531354,0.019507486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860257,0.00090172683,0.000022463957,0.00012803856,0.00025214898,0.000093103496],"domain_scores_gemma":[0.99819857,0.0010131589,0.00020677195,0.00016256358,0.00019871737,0.00022020459],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024073012,0.0002922531,0.00021539461,0.0007243542,0.0057358346,0.0065086214,0.00054880267,0.0012197939,0.0013198163],"category_scores_gemma":[0.0025698633,0.0001399013,0.00014192535,0.0005340936,0.035098366,0.0044821952,0.0031137662,0.0033411311,0.00024356379],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022868135,0.000020833073,0.00058917544,0.00005641084,0.0000027866238,0.0004011237,0.36844423,0.000076829005,0.00066800154,0.62003493,0.003204367,0.0064783385],"study_design_scores_gemma":[0.0000144245205,0.00008704751,0.0017304936,0.00027824685,0.000007835814,0.0013321844,0.25450113,0.0006941757,0.0013617814,0.18546258,0.5544963,0.000033968186],"about_ca_topic_score_codex":0.0026728027,"about_ca_topic_score_gemma":0.006229732,"teacher_disagreement_score":0.0065086214,"about_ca_system_score_codex":0.003420938,"about_ca_system_score_gemma":0.0025791433,"threshold_uncertainty_score":0.024820745},"labels":[],"label_agreement":null},{"id":"W4321360945","doi":"10.1353/crc.2021.0037","title":"The Moral of the Stories; Or, Fraught Politics in Contemporary Literary Criticism","year":2021,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literary criticism; Criticism; Depiction; Politics; Sociology; Literature; History; Aesthetics; Law; Political science; Art","score_opus":0.07165557742965402,"score_gpt":0.29904715876270827,"score_spread":0.22739158133305426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321360945","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051186774,0.3731542,0.000571007,0.20132168,0.0043010334,0.000043230208,0.0004010363,0.000059222562,0.41502988],"genre_scores_gemma":[0.45142782,0.34281027,0.0023363256,0.043103267,0.0058242413,0.00017334477,0.0004911695,0.0004760941,0.15335746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98170435,0.0064993612,0.0005299461,0.0009220133,0.008247238,0.0020971252],"domain_scores_gemma":[0.9804975,0.007987641,0.0011205039,0.0008792386,0.00824747,0.0012677141],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011574334,0.0011459095,0.0016937959,0.018386645,0.030940464,0.03289047,0.0035186652,0.00773054,0.021560512],"category_scores_gemma":[0.02854263,0.0006514548,0.00041947336,0.03787694,0.08873188,0.01390168,0.0046787285,0.007900449,0.001833086],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022817856,0.0000196219,0.00036703228,0.0008776654,0.000013330993,0.00013152728,0.03000083,0.00009368998,0.0000745276,0.7771131,0.16589394,0.025391903],"study_design_scores_gemma":[0.000014440831,0.0000061186224,0.0023117263,0.0029335069,0.000019884794,0.00011430966,0.039713275,0.000052022424,0.00006453448,0.058201205,0.89653164,0.00003737039],"about_ca_topic_score_codex":0.91456056,"about_ca_topic_score_gemma":0.930953,"teacher_disagreement_score":0.91456056,"about_ca_system_score_codex":0.13799362,"about_ca_system_score_gemma":0.17988923,"threshold_uncertainty_score":0.9998052},"labels":[],"label_agreement":null},{"id":"W4323529333","doi":"10.1093/escrit/cgad007","title":"Kisses and Comedy in <i>Astrophil and Stella</i>","year":2022,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"KISS (TNC); STELLA (programming language); Sonnet; Sander; Art history; Literature; Art","score_opus":0.015823510153269577,"score_gpt":0.2100002760095277,"score_spread":0.19417676585625812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323529333","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11853868,0.11253173,0.0011161399,0.2558516,0.023100967,0.000030580177,0.00042468598,0.0002499651,0.4881557],"genre_scores_gemma":[0.73751247,0.025362685,0.0006301636,0.045054708,0.012310854,0.000039794304,0.00033645396,0.00045689405,0.17829604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991032,0.0003800768,0.000032977976,0.00014456167,0.00020960289,0.00012960167],"domain_scores_gemma":[0.9988668,0.00046305434,0.00016262248,0.000074034615,0.00012260379,0.00031089553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007321572,0.00037098152,0.0003715953,0.0006772507,0.008356205,0.007239975,0.0005511687,0.0022639183,0.009342848],"category_scores_gemma":[0.0030312396,0.00027654416,0.00022070901,0.0008041763,0.0065737213,0.0047018365,0.0033361746,0.0034964154,0.0018133095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020252423,0.000031107542,0.0049729366,0.00043749614,0.000048193633,0.0020733576,0.20852761,0.000055323973,0.0009821188,0.16796465,0.56460905,0.05009559],"study_design_scores_gemma":[0.0000054338543,0.000023013645,0.0047206683,0.00029759368,0.000008927952,0.001035229,0.04237131,0.000030125602,0.00029237397,0.0039329147,0.94725436,0.00002808829],"about_ca_topic_score_codex":0.01701914,"about_ca_topic_score_gemma":0.051388185,"teacher_disagreement_score":0.01701914,"about_ca_system_score_codex":0.0035613277,"about_ca_system_score_gemma":0.0010368318,"threshold_uncertainty_score":0.03384018},"labels":[],"label_agreement":null},{"id":"W4323789532","doi":"10.33137/ic.v30i.39474","title":"Imaginary Friends, or How My Family Turned Me into a Writer","year":2022,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Psychology; Art; Visual arts; Psychoanalysis","score_opus":0.024158601619882574,"score_gpt":0.21583009143282034,"score_spread":0.19167148981293777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323789532","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03859689,0.009532623,0.002971233,0.07403666,0.010927617,0.000062512234,0.00009543156,0.00029063597,0.8634863],"genre_scores_gemma":[0.44626257,0.0031337948,0.0007576154,0.018279878,0.0024863447,0.00006410701,0.00004117241,0.00030817176,0.5286664],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99722856,0.0017361785,0.000054035943,0.000342871,0.00034424482,0.0002939715],"domain_scores_gemma":[0.9967276,0.0009860368,0.00045679833,0.00039176262,0.0005686395,0.00086919736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020074244,0.00081037846,0.00039095795,0.00095410243,0.017388387,0.008848112,0.00086789165,0.001606902,0.026971884],"category_scores_gemma":[0.00783824,0.00021399402,0.0002925313,0.00069069513,0.015637644,0.006389883,0.0032918262,0.004070857,0.010159396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005472646,0.00007345032,0.0022141275,0.0001825855,0.000020742584,0.0013005085,0.45166978,0.000041168983,0.00052030134,0.192217,0.32268733,0.029018283],"study_design_scores_gemma":[0.00000560819,0.000021919981,0.0005094104,0.00021367297,0.0000063411144,0.0006907362,0.12021984,0.000033915254,0.00013047575,0.0048214467,0.873332,0.000014608011],"about_ca_topic_score_codex":0.003857723,"about_ca_topic_score_gemma":0.0068787728,"teacher_disagreement_score":0.026971884,"about_ca_system_score_codex":0.0030523892,"about_ca_system_score_gemma":0.0016239138,"threshold_uncertainty_score":0.09022993},"labels":[],"label_agreement":null},{"id":"W4323916","doi":"10.1139/m71-065","title":"Grotesque maternity: reading \"happiness\" and its eugenics in Doris Lessing's The Fifth Child (1988)","year":2014,"lang":"en","type":"article","venue":"Canadian Journal of Microbiology","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Happiness; Narrative; Eugenics; Criticism; Sociology; Relation (database); Reading (process); Gender studies; Psychology; Aesthetics; Law; Literature; Political science; Art; Social psychology","score_opus":0.013856661673376946,"score_gpt":0.1880825145160188,"score_spread":0.17422585284264183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323916","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16243857,0.12710083,0.0016013697,0.27057225,0.0060606883,0.000044263958,0.0001435667,0.000051935265,0.43198657],"genre_scores_gemma":[0.8892717,0.020173509,0.00054520945,0.020618213,0.001158416,0.000056792465,0.00003452046,0.000063488005,0.068078175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877197,0.0007687458,0.0000250845,0.000082868864,0.00016121472,0.00019008876],"domain_scores_gemma":[0.99917644,0.00053597725,0.00010861916,0.000028106455,0.00006650739,0.00008430116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001725525,0.0003860864,0.00025472674,0.0007845063,0.0063685807,0.0036077367,0.000546799,0.0020943715,0.0018276584],"category_scores_gemma":[0.002314404,0.00020414435,0.00011962287,0.00058216514,0.013804184,0.0017040839,0.0025475333,0.003826228,0.00029305246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054901375,0.000022667778,0.0011589925,0.000158617,0.0000049156024,0.0007072719,0.4514678,0.000060119368,0.00031958384,0.4563533,0.07280427,0.01688747],"study_design_scores_gemma":[0.0000052224955,0.000023080009,0.0021891596,0.00037935143,0.00000396999,0.0003369719,0.085396335,0.000023011436,0.00026627918,0.010118808,0.9012472,0.000010620657],"about_ca_topic_score_codex":0.033688657,"about_ca_topic_score_gemma":0.062406752,"teacher_disagreement_score":0.033688657,"about_ca_system_score_codex":0.007833103,"about_ca_system_score_gemma":0.0017135532,"threshold_uncertainty_score":0.06698513},"labels":[],"label_agreement":null},{"id":"W4327882457","doi":"10.1353/mos.2021.0029","title":"“To float, to hide, to disappear”: The Hacker in The Circle","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hacker; Float (project management); Representation (politics); Reading (process); Literature; Computer science; Computer security; Art; Philosophy; Engineering; Linguistics; Law; Political science; Politics","score_opus":0.024364858144730453,"score_gpt":0.24015075760104151,"score_spread":0.21578589945631105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327882457","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060853116,0.013463685,0.01694594,0.3253346,0.00395416,0.00004559562,0.000029492869,0.00019903244,0.5791742],"genre_scores_gemma":[0.90749127,0.004593907,0.0018712401,0.022614418,0.0011841566,0.00006471799,0.000013133432,0.00024622754,0.06192085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99488246,0.0035683054,0.00007277638,0.0003485569,0.0007421223,0.00038583204],"domain_scores_gemma":[0.9934156,0.0045083323,0.00039903857,0.000667112,0.0006396578,0.00037023448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053409985,0.00045384,0.00038785845,0.0014883393,0.01670536,0.012666703,0.0012589266,0.0069003575,0.0053368304],"category_scores_gemma":[0.013121494,0.00037350244,0.00030656296,0.0015461544,0.088155806,0.019466337,0.0071211695,0.008238782,0.0010056257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010030819,0.000007430402,0.00016043968,0.000026241763,0.0000020997222,0.00013125062,0.15118809,0.00006986534,0.00008870492,0.81870383,0.023022277,0.006589797],"study_design_scores_gemma":[0.000011987231,0.000028095317,0.00039885618,0.00043985032,0.0000071656477,0.00033108873,0.16780114,0.00028968102,0.0003786238,0.2249771,0.6053082,0.000028111504],"about_ca_topic_score_codex":0.008951464,"about_ca_topic_score_gemma":0.0075383247,"teacher_disagreement_score":0.01670536,"about_ca_system_score_codex":0.0048808735,"about_ca_system_score_gemma":0.0032721937,"threshold_uncertainty_score":0.035413384},"labels":[],"label_agreement":null},{"id":"W4365797025","doi":"10.1007/978-3-319-97134-6_66-1","title":"Pulp Fiction as Philosophy: Bad Faith, Authenticity, and the Path of the Righteous Man","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Faith; Pulp (tooth); Aesthetics; Path (computing); Philosophy; Sociology; Epistemology; Medicine; Computer science; Dentistry","score_opus":0.023530073314982202,"score_gpt":0.20355247587798228,"score_spread":0.1800224025630001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365797025","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008363043,0.01968638,0.0040977956,0.04902281,0.001560341,0.000025979789,0.000023531791,0.000046467412,0.9171737],"genre_scores_gemma":[0.74695295,0.0070123067,0.002107679,0.010801516,0.0018630142,0.0000612576,0.00002875366,0.00014913711,0.2310234],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99635786,0.0023787385,0.000059010006,0.00026691542,0.00068806263,0.0002493567],"domain_scores_gemma":[0.9955355,0.0032568139,0.00019474504,0.00042788763,0.00035668002,0.00022838374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003970621,0.00042693532,0.00059319765,0.0014327604,0.010988186,0.016211037,0.0009814631,0.0050051305,0.006530102],"category_scores_gemma":[0.008812859,0.0002780609,0.00021906763,0.001503366,0.067276835,0.008815379,0.0044196537,0.0083840955,0.0010631897],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000331897,0.0000048991124,0.000019324214,0.000014263315,6.381026e-7,0.000017615934,0.0065029706,0.000022762018,0.000012881739,0.98382646,0.007003354,0.0025715812],"study_design_scores_gemma":[0.0000073232222,0.000013020601,0.00013538644,0.0001766941,0.0000029847613,0.000094059076,0.00828117,0.00013404491,0.00014373104,0.72422105,0.26678312,0.000007488127],"about_ca_topic_score_codex":0.003562071,"about_ca_topic_score_gemma":0.0057966677,"teacher_disagreement_score":0.016211037,"about_ca_system_score_codex":0.004878965,"about_ca_system_score_gemma":0.0055158697,"threshold_uncertainty_score":0.035399556},"labels":[],"label_agreement":null},{"id":"W4366782186","doi":"10.29173/jjs221s","title":"Review of We Are the Light: A Novel by Matthew Quick","year":2023,"lang":"en","type":"article","venue":"Journal of Jungian Scholarly Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.07442312852326793,"score_gpt":0.29961931175871254,"score_spread":0.2251961832354446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366782186","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038937223,0.47979462,0.00039609976,0.2850406,0.12518935,0.000036391044,0.00024137588,0.00011306027,0.1052949],"genre_scores_gemma":[0.09616839,0.3699078,0.00065557647,0.116021775,0.17902458,0.00015898545,0.00042322717,0.00043482968,0.23720478],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989176,0.00039342587,0.00006472929,0.00014580713,0.00034594862,0.00013250958],"domain_scores_gemma":[0.9979101,0.0008172379,0.0002884856,0.0000766394,0.00053899805,0.0003685108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008839243,0.0004364642,0.00046405973,0.001222748,0.003335369,0.005536225,0.0010434192,0.0023093545,0.015951335],"category_scores_gemma":[0.006911663,0.00026421138,0.00023678174,0.000919466,0.0029755929,0.0031388197,0.0017349387,0.0039025557,0.006175822],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013961887,0.000009658617,0.00007890554,0.0003777409,0.000004508902,0.00041193224,0.001856024,0.000021108719,0.000085546824,0.008073156,0.96607065,0.022996843],"study_design_scores_gemma":[0.0000015744299,0.0000034063094,0.00018176861,0.000417883,0.0000013931445,0.00032515294,0.00079942995,0.000005570363,0.000019180758,0.0003581548,0.99788207,0.000004400846],"about_ca_topic_score_codex":0.0048855958,"about_ca_topic_score_gemma":0.010966412,"teacher_disagreement_score":0.015951335,"about_ca_system_score_codex":0.0034268606,"about_ca_system_score_gemma":0.0025822634,"threshold_uncertainty_score":0.05336255},"labels":[],"label_agreement":null},{"id":"W4366809491","doi":"10.1353/rss.2012.0005","title":"A Bibliography of Constance Malleson","year":2012,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Classics; Art history; History; Sociology; Law; Political science","score_opus":0.04633652361344707,"score_gpt":0.26806772664350864,"score_spread":0.22173120303006158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366809491","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00059993984,0.15340392,0.00078999455,0.026244514,0.011614449,0.00006176663,0.0022611963,0.00060529285,0.804419],"genre_scores_gemma":[0.006190375,0.048030082,0.00058463553,0.0063289795,0.0022826453,0.00005075414,0.00095051643,0.0006233276,0.93495864],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869627,0.00019420178,0.00007243633,0.0002515515,0.00064228754,0.00014334149],"domain_scores_gemma":[0.9987925,0.000313466,0.00007175024,0.00012568948,0.0005067258,0.00018969245],"candidate_categories":["bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.0009176334,0.0011890585,0.0008077729,0.0066426448,0.004427577,0.0045014364,0.00135535,0.0015947842,0.14923063],"category_scores_gemma":[0.003666897,0.0006428595,0.0002959179,0.009942551,0.0021125297,0.0045542154,0.0025751058,0.002284834,0.080849074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068196605,0.0000027270435,0.000033546392,0.00008033505,6.0103423e-7,0.000033572058,0.0005190302,0.000009409704,0.00002635526,0.0041198833,0.9743506,0.020817084],"study_design_scores_gemma":[4.0266409e-7,5.6588715e-7,0.000075314994,0.00010567779,3.6463948e-7,0.000025883459,0.000096568954,0.0000016773703,0.000011899324,0.00020316479,0.99947697,0.0000014878999],"about_ca_topic_score_codex":0.077259846,"about_ca_topic_score_gemma":0.16141163,"teacher_disagreement_score":0.99335736,"about_ca_system_score_codex":0.007188236,"about_ca_system_score_gemma":0.005994278,"threshold_uncertainty_score":0.4992262},"labels":[],"label_agreement":null},{"id":"W4366809592","doi":"10.1353/rss.2012.0014","title":"A Bibliography of Patricia Russell","year":2012,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Testimonial; Wife; Classics; History; Library science; Art history; Law; Political science; Computer science","score_opus":0.04274732832741932,"score_gpt":0.26615794656732017,"score_spread":0.22341061823990085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366809592","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004182819,0.19769515,0.001414823,0.019606564,0.014852269,0.0000696357,0.0019136777,0.0009079874,0.7631216],"genre_scores_gemma":[0.0052256933,0.09525835,0.0018765747,0.0065972954,0.0050514378,0.00008854539,0.001863243,0.00089968735,0.8831392],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839574,0.00028500942,0.00011206458,0.00024961925,0.0008292559,0.00012832068],"domain_scores_gemma":[0.9983342,0.00039738035,0.00011037911,0.00015236573,0.000805246,0.00020054895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011834393,0.0013949556,0.00087260036,0.007699971,0.003025875,0.004987215,0.0013263595,0.0014586735,0.14064674],"category_scores_gemma":[0.004854454,0.00067538215,0.00036874448,0.010477744,0.0012186848,0.0041484437,0.0019992571,0.002341589,0.10267693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049881346,0.000003551303,0.000026444219,0.000098228295,8.8856103e-7,0.000029573555,0.00027650432,0.000016421076,0.00002797003,0.0029160744,0.96240073,0.034198705],"study_design_scores_gemma":[3.7134174e-7,7.9014336e-7,0.000066933564,0.00011887027,4.4658856e-7,0.00003982388,0.00006727678,0.0000031559741,0.00001025348,0.00021303905,0.9994773,0.0000016036539],"about_ca_topic_score_codex":0.017362341,"about_ca_topic_score_gemma":0.0339264,"teacher_disagreement_score":0.14064674,"about_ca_system_score_codex":0.0038403796,"about_ca_system_score_gemma":0.0037174642,"threshold_uncertainty_score":0.47051024},"labels":[],"label_agreement":null},{"id":"W4366810089","doi":"10.1353/rss.2001.0018","title":"Epistemology of Modernism","year":2001,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Consciousness; Literature; Art; Art history; Set (abstract data type); Philosophy; History; Computer science; Epistemology","score_opus":0.05632072228252539,"score_gpt":0.27442015918812823,"score_spread":0.21809943690560285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366810089","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030643975,0.33776563,0.019860586,0.11693551,0.004773076,0.00004469506,0.00014509457,0.000113679314,0.51729745],"genre_scores_gemma":[0.55400425,0.27042726,0.016830903,0.02946159,0.02779033,0.00044303638,0.00038968894,0.00036331493,0.10028965],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945943,0.003556597,0.00017610655,0.0004156198,0.0009901852,0.00026730448],"domain_scores_gemma":[0.996119,0.0026322403,0.00016863158,0.00052317703,0.0004123729,0.00014460144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047787023,0.0007861647,0.00075363286,0.0032686125,0.0038219008,0.00611308,0.0012277237,0.003129681,0.008184402],"category_scores_gemma":[0.0052743517,0.00041836197,0.00074715953,0.00202027,0.030625358,0.00976653,0.002801786,0.006193671,0.0017650435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031019379,0.0000091488755,0.00006475319,0.00010703687,0.000005214861,0.000021513735,0.0012878756,0.00006692341,0.00002573556,0.9742911,0.01563293,0.008484778],"study_design_scores_gemma":[0.0000046141054,0.0000059343993,0.00012660131,0.0004134229,0.0000018395524,0.00006485919,0.0007526476,0.00011903804,0.00002981263,0.76328427,0.23519208,0.000004879419],"about_ca_topic_score_codex":0.0024109213,"about_ca_topic_score_gemma":0.0017218736,"teacher_disagreement_score":0.008293277,"about_ca_system_score_codex":0.008293277,"about_ca_system_score_gemma":0.004523181,"threshold_uncertainty_score":0.0601722},"labels":[],"label_agreement":null},{"id":"W4366810092","doi":"10.1353/rss.2008.0012","title":"Recent Acquisitions","year":2008,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"TypeScript; Listing (finance); Ledger; Library science; The Internet; Art history; Classics; Art; Computer science; World Wide Web; Business; Accounting","score_opus":0.06685683756968856,"score_gpt":0.2676315466889016,"score_spread":0.20077470911921302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366810092","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005414452,0.0010769546,0.000405774,0.0022543613,0.008554535,0.00022146312,0.015025837,0.0033238009,0.96859586],"genre_scores_gemma":[0.0010084679,0.00047106392,0.00013741608,0.00049125816,0.00074501475,0.00005711608,0.0051631853,0.00083858334,0.99108785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873275,0.000109479675,0.00007158289,0.00021035707,0.0006725106,0.00020330239],"domain_scores_gemma":[0.9967669,0.00018070298,0.00013662895,0.0004350436,0.0018004578,0.00068028935],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001202634,0.0014134801,0.0009216825,0.003279552,0.0028670332,0.00928282,0.0018164478,0.0018432419,0.8700016],"category_scores_gemma":[0.005622683,0.00075467635,0.0008577298,0.0040339814,0.0005033622,0.004372409,0.0030733135,0.0022601257,0.8585169],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025879583,0.00000965934,0.000045943816,0.000042192878,0.0000010762539,0.000016804628,0.0000248042,0.0000054461148,0.00005412896,0.00047483857,0.98231065,0.016988674],"study_design_scores_gemma":[0.0000053299063,0.0000088363295,0.00032555286,0.00003448722,7.972296e-7,0.000021055153,0.00004117971,0.000008270013,0.000037918402,0.000116051,0.9993963,0.0000041235257],"about_ca_topic_score_codex":0.006698839,"about_ca_topic_score_gemma":0.01263792,"teacher_disagreement_score":0.8700016,"about_ca_system_score_codex":0.002032119,"about_ca_system_score_gemma":0.0014272844,"threshold_uncertainty_score":0.18542695},"labels":[],"label_agreement":null},{"id":"W4367158830","doi":"10.7202/1081391ar","title":"On Crossing Borders And Boundaries: A Parallax View Of The Postmodern Experience","year":2021,"lang":"en","type":"article","venue":"Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Parallax; Postmodernism; Aesthetics; Postmodern theatre; Art; Computer vision; Computer science; Literature","score_opus":0.021336942778854368,"score_gpt":0.26317226556806883,"score_spread":0.24183532278921446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367158830","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13949715,0.012059121,0.011902519,0.09953816,0.0011298939,0.000056187168,0.00005462278,0.000076562836,0.7356857],"genre_scores_gemma":[0.9709692,0.0016127592,0.0008364387,0.0038383696,0.00047944463,0.00006822141,0.000013530626,0.00009196177,0.02209013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898982,0.0077458504,0.0001400105,0.0005068454,0.00091911724,0.0007900262],"domain_scores_gemma":[0.987084,0.009680256,0.00068117323,0.0010027989,0.0008445,0.00070726994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011454599,0.0007743199,0.000764958,0.0033790814,0.024048414,0.024324022,0.0033062634,0.007013247,0.008426306],"category_scores_gemma":[0.015649538,0.00037734318,0.00040130122,0.0037461482,0.14527741,0.020247236,0.011161425,0.012622322,0.00055682426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008383267,0.000008688461,0.00006211724,0.000021018108,0.0000011393487,0.000072394556,0.18148427,0.000036357233,0.00005027002,0.81538904,0.0013509898,0.0015153792],"study_design_scores_gemma":[0.000023662174,0.000036682122,0.0005003076,0.0004724868,0.000005956001,0.00032656215,0.28614914,0.00031645267,0.0001993548,0.5454374,0.16650769,0.00002437837],"about_ca_topic_score_codex":0.006640629,"about_ca_topic_score_gemma":0.007748641,"teacher_disagreement_score":0.024324022,"about_ca_system_score_codex":0.009770848,"about_ca_system_score_gemma":0.006382249,"threshold_uncertainty_score":0.07089287},"labels":[],"label_agreement":null},{"id":"W4367850140","doi":"10.3138/topia-2022-0039","title":"(A)Drift: A Method and Theory of Black Temporality in <i>Map</i>","year":2023,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporality; Narrative; Normative; Aesthetics; Sociology; Black swan theory; Epistemology; Art; Literature; Philosophy","score_opus":0.08317443917382877,"score_gpt":0.3094864192052283,"score_spread":0.22631198003139952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367850140","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06285382,0.008103833,0.15597855,0.06757679,0.0036993073,0.00019644454,0.0003109721,0.00033294957,0.7009473],"genre_scores_gemma":[0.84930456,0.0035129695,0.032658108,0.0075391806,0.0011906371,0.00044869943,0.00012287642,0.00047680657,0.104746155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974366,0.0016311066,0.000044774846,0.00026337733,0.0003593979,0.00026464503],"domain_scores_gemma":[0.9981652,0.0009304418,0.00020109372,0.00021627272,0.00030460622,0.00018243383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003816196,0.00071029796,0.00032236948,0.0022172504,0.006932654,0.0070059085,0.001469373,0.0025571357,0.008415321],"category_scores_gemma":[0.0058432533,0.00026891992,0.00067747926,0.002086689,0.019259604,0.01080309,0.004624096,0.004182419,0.0012389933],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001926477,0.000007900667,0.00034741376,0.000044523877,0.000002408044,0.000064679996,0.053782802,0.000090322166,0.0001025186,0.9309907,0.007307275,0.0072402316],"study_design_scores_gemma":[0.000011683488,0.00003590999,0.0010172208,0.0003579062,0.000013385888,0.0002850792,0.049056426,0.0011273404,0.00068861427,0.437826,0.50954944,0.0000310765],"about_ca_topic_score_codex":0.011619689,"about_ca_topic_score_gemma":0.013311049,"teacher_disagreement_score":0.011619689,"about_ca_system_score_codex":0.0059806644,"about_ca_system_score_gemma":0.0026118413,"threshold_uncertainty_score":0.043393016},"labels":[],"label_agreement":null},{"id":"W4376111887","doi":"10.1017/9781009296540.010","title":"Coda","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Obsolescence; Coda; Narrative; Temporality; Literature; Aesthetics; Identity (music); History; Mediation; Art; Sociology; Epistemology; Philosophy; Social science","score_opus":0.045229258982599906,"score_gpt":0.1879259772370625,"score_spread":0.1426967182544626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376111887","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00091095513,0.0014494981,0.0030715636,0.005838568,0.0023444649,0.000068827714,0.00032697126,0.00030116428,0.985688],"genre_scores_gemma":[0.01852129,0.0012451366,0.0028064374,0.0029678023,0.00060255046,0.0001545644,0.0005366436,0.0006556032,0.9725099],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982101,0.00033935785,0.000120079356,0.0004321237,0.00070829527,0.00019017777],"domain_scores_gemma":[0.99752873,0.0006239615,0.00009558025,0.0006570316,0.00088378834,0.00021091616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017968768,0.0005970357,0.00042740323,0.002045142,0.0052437517,0.010337744,0.0016046085,0.0024490862,0.12965214],"category_scores_gemma":[0.0058982694,0.00037213627,0.00055888464,0.0015742584,0.0036079476,0.005120925,0.0038924834,0.0035015962,0.053885978],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049489907,0.00002115441,0.00021529463,0.0002155396,0.0000037832722,0.00024385795,0.0035402523,0.000073234034,0.0003922723,0.4809929,0.45121133,0.06304088],"study_design_scores_gemma":[0.000001096616,0.000002122582,0.000047006848,0.00005112896,6.4863315e-7,0.00007357938,0.0002466525,0.000019328789,0.000072692055,0.003276088,0.99620724,0.0000023268135],"about_ca_topic_score_codex":0.00844466,"about_ca_topic_score_gemma":0.014463287,"teacher_disagreement_score":0.12965214,"about_ca_system_score_codex":0.00580486,"about_ca_system_score_gemma":0.003965604,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4376149019","doi":"10.1093/alh/ajad057","title":"Michael Naas, <i>Don DeLillo, American Original: Drugs, Weapons, Erotica, and Other Literary Contraband</i>","year":2023,"lang":"en","type":"article","venue":"American Literary History","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Literature; Philosophy; History; Art","score_opus":0.014245249508176329,"score_gpt":0.21962898401781808,"score_spread":0.20538373450964176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376149019","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014775943,0.23375912,0.00056324166,0.4818186,0.14553636,0.00004757326,0.00028504457,0.0000854247,0.13642712],"genre_scores_gemma":[0.046029005,0.16175327,0.00070912036,0.21123801,0.13300279,0.00019961021,0.00029989655,0.00031483412,0.44645342],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903107,0.00031586835,0.000048863498,0.00013608202,0.00039429736,0.00007379878],"domain_scores_gemma":[0.9976373,0.0013241171,0.00015367939,0.00007527759,0.00065521704,0.0001544889],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013536266,0.0013138246,0.0006428341,0.0028201365,0.008592153,0.007175044,0.0015485612,0.0046377145,0.008553311],"category_scores_gemma":[0.0050587864,0.0004456509,0.0004198514,0.002880466,0.0049970136,0.0046795765,0.0016613766,0.009288496,0.003202153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000774339,0.0000060700877,0.000062411746,0.00009118797,0.000003602419,0.000041467323,0.0011640212,0.000013511203,0.000040878425,0.020171408,0.97456837,0.0038293246],"study_design_scores_gemma":[0.000004694805,0.0000039146994,0.00053175323,0.00029252883,0.000004701422,0.00009087486,0.0022760616,0.000025322744,0.000057817095,0.0044240584,0.99227893,0.000009395078],"about_ca_topic_score_codex":0.032217517,"about_ca_topic_score_gemma":0.09118036,"teacher_disagreement_score":0.032217517,"about_ca_system_score_codex":0.004157608,"about_ca_system_score_gemma":0.0027139129,"threshold_uncertainty_score":0.06405997},"labels":[],"label_agreement":null},{"id":"W4376890508","doi":"","title":"« “An Inbred and Obstreperous Dialect”: the Riddle of Infinite Jest’s Québécois French by David Foster Wallace »","year":2023,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Computer science; Cognitive science","score_opus":0.0248240563087722,"score_gpt":0.21831044683994957,"score_spread":0.1934863905311774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376890508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09104723,0.05270804,0.005218432,0.19585125,0.003973259,0.000034589277,0.0003419649,0.00018029961,0.6506449],"genre_scores_gemma":[0.8614325,0.004052967,0.0010915695,0.006147972,0.00050048076,0.000021086122,0.000051126888,0.00018542015,0.1265169],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986547,0.0007803024,0.0000172948,0.00013819625,0.00017193751,0.00023761748],"domain_scores_gemma":[0.99871707,0.0006987601,0.000062951825,0.00006555431,0.0003191374,0.00013643657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00163797,0.00058299,0.00042002753,0.0011843364,0.015529492,0.0069062677,0.00083702855,0.002338025,0.0072834278],"category_scores_gemma":[0.0030419247,0.00030166487,0.00020292793,0.0013608108,0.01704463,0.003042434,0.0013468073,0.004580569,0.0005719698],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054844877,0.000007412593,0.0004939835,0.000051551484,0.000009097373,0.0002593847,0.07747295,0.00013892312,0.00027581933,0.8529896,0.057020567,0.011225785],"study_design_scores_gemma":[0.000014235932,0.000015905158,0.0030563527,0.00023735041,0.000015068167,0.00037670278,0.033258032,0.00041662314,0.00038853017,0.05707731,0.90508145,0.000062476734],"about_ca_topic_score_codex":0.77623075,"about_ca_topic_score_gemma":0.8635525,"teacher_disagreement_score":0.22376925,"about_ca_system_score_codex":0.021992885,"about_ca_system_score_gemma":0.009445721,"threshold_uncertainty_score":0.4501741},"labels":[],"label_agreement":null},{"id":"W4378603661","doi":"10.1353/vpr.2022.0031","title":"Spoiler Alert: The Sensation Novel and Victorian Criticism","year":2022,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Sensation; Literature; History; The Internet; Aesthetics; Psychology; Art; Computer science; Cognitive psychology; World Wide Web","score_opus":0.024217585762189037,"score_gpt":0.23152711761669958,"score_spread":0.20730953185451054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378603661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02948774,0.353371,0.0016774976,0.22793032,0.013834332,0.000039924376,0.00009366446,0.00008460692,0.37348083],"genre_scores_gemma":[0.66748285,0.117615335,0.0010981535,0.060242146,0.008595978,0.00008292977,0.00010919507,0.00026216052,0.14451125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995129,0.0023168605,0.00016209105,0.0003791123,0.0015636056,0.0004493791],"domain_scores_gemma":[0.99321705,0.0040224013,0.0006167332,0.00047897917,0.0010967917,0.00056808407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005378126,0.00029470134,0.00048536187,0.0029678238,0.007009214,0.014085489,0.0012677285,0.0043725627,0.006488263],"category_scores_gemma":[0.013987559,0.00037247414,0.0003426895,0.0035648781,0.01970748,0.005330956,0.004423285,0.00537565,0.0009724189],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006696865,0.000028789293,0.000488671,0.002020074,0.000022005415,0.0010287375,0.08690883,0.00010791193,0.0005409477,0.62846476,0.2157142,0.064608224],"study_design_scores_gemma":[0.000004987799,0.000012589483,0.0010290339,0.0022446585,0.000009005092,0.0004553679,0.015222921,0.00006008329,0.00016894286,0.017164262,0.9636142,0.000013859318],"about_ca_topic_score_codex":0.017253026,"about_ca_topic_score_gemma":0.038016167,"teacher_disagreement_score":0.017253026,"about_ca_system_score_codex":0.012988004,"about_ca_system_score_gemma":0.011922058,"threshold_uncertainty_score":0.094235},"labels":[],"label_agreement":null},{"id":"W4379409580","doi":"10.1353/chl.2023.a898396","title":"\"[A] commotion in the firmament\": The Thermodynamics of Neverland","year":2023,"lang":"en","type":"article","venue":"Children's literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Immortality; Fantasy; Philosophy; Epistemology; Thermodynamics; Literature; Physics; Art; Theology","score_opus":0.012845498933366794,"score_gpt":0.21239250602652965,"score_spread":0.19954700709316286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379409580","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04261477,0.015434951,0.005361016,0.12661846,0.0027467343,0.000021828493,0.00008072158,0.00008265065,0.8070389],"genre_scores_gemma":[0.8938164,0.004908637,0.0008873592,0.014504141,0.00060051924,0.000041716507,0.00002562253,0.00016567376,0.085049994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983011,0.0010604444,0.000024478626,0.00014602485,0.00029387255,0.00017413482],"domain_scores_gemma":[0.99838436,0.00090167206,0.00014022415,0.00018118444,0.00020077794,0.000191814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019874915,0.0003785233,0.00025991196,0.00056327495,0.012810446,0.0057830866,0.00078538636,0.0027102733,0.005284657],"category_scores_gemma":[0.005357027,0.00023416306,0.00020376495,0.00053327,0.04556483,0.0077963294,0.0043094265,0.0060135066,0.00076922035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008490755,0.000002821107,0.00008332991,0.000016474192,0.000001657776,0.000090807196,0.028209485,0.000031513908,0.000050118517,0.953521,0.015896259,0.0020879689],"study_design_scores_gemma":[0.000010228367,0.000015975103,0.00039744593,0.0002461009,0.0000063068464,0.00034243622,0.033764157,0.00012058992,0.00035718197,0.29204857,0.6726669,0.000024028996],"about_ca_topic_score_codex":0.010247383,"about_ca_topic_score_gemma":0.015312407,"teacher_disagreement_score":0.012810446,"about_ca_system_score_codex":0.0037324666,"about_ca_system_score_gemma":0.0024396947,"threshold_uncertainty_score":0.027081132},"labels":[],"label_agreement":null},{"id":"W4379427172","doi":"10.1353/see.2004.0071","title":"The Art of Compromise: The Life and Work of Leonid Leonov by Boris s&gt; Thomson Leonid Leonov (review)","year":2004,"lang":"en","type":"article","venue":"The Slavonic and East European Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Compromise; Nothing; Art; Art history; Psychoanalysis; Aesthetics; Literature; History; Psychology; Philosophy; Sociology; Epistemology; Social science","score_opus":0.0176635320543868,"score_gpt":0.2105647271677993,"score_spread":0.1929011951134125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379427172","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000042842592,0.99479693,0.000011761034,0.003499256,0.0005112702,0.0000013717097,0.0000031472885,0.0000014445095,0.001131939],"genre_scores_gemma":[0.0013680196,0.9925566,0.0000374731,0.002878969,0.0010963907,0.000010715132,0.000013019109,0.000004174226,0.0020345512],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999087,0.0003472825,0.000069125235,0.0000853306,0.00030063337,0.00011066605],"domain_scores_gemma":[0.9991072,0.000497501,0.00012692418,0.000029269026,0.00013714159,0.00010197477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001568445,0.00094713975,0.0014786806,0.0020503746,0.001416939,0.00443379,0.0010645777,0.0037243261,0.004024955],"category_scores_gemma":[0.0035849018,0.0005143542,0.0004058623,0.0027096316,0.0033225273,0.0037818484,0.002770851,0.004394802,0.002147031],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004463467,0.000029534202,0.00034043897,0.0061550546,0.000064850785,0.00024241985,0.002000517,0.00010098515,0.00008746765,0.014170201,0.55294424,0.4238196],"study_design_scores_gemma":[0.000005429137,0.000013344912,0.0005678749,0.008550756,0.000014346414,0.00032835337,0.0005918399,0.000010209792,0.00001699471,0.0010588652,0.98883563,0.000006369444],"about_ca_topic_score_codex":0.01137307,"about_ca_topic_score_gemma":0.013824607,"teacher_disagreement_score":0.01137307,"about_ca_system_score_codex":0.0034265318,"about_ca_system_score_gemma":0.0059818015,"threshold_uncertainty_score":0.024861395},"labels":[],"label_agreement":null},{"id":"W4379616890","doi":"10.1353/mos.2020.0000","title":"Anthropocentric Ableism and Virginia Woolf’s Flush","year":2020,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ableism; Anthropocentrism; Meaning (existential); Aesthetics; Sociology; Eugenics; Philosophy; Environmental ethics; Epistemology; Law; Gender studies; Political science","score_opus":0.022051999833147748,"score_gpt":0.20417606186534695,"score_spread":0.18212406203219922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379616890","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10551813,0.006717795,0.0055485214,0.10830947,0.0010870183,0.000024658388,0.000034945144,0.00006635111,0.7726931],"genre_scores_gemma":[0.9488206,0.0007350132,0.00049922423,0.0074521657,0.00019616005,0.000017865368,0.000007617885,0.00004088067,0.04223059],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978677,0.0011416798,0.000027606357,0.0002486919,0.00036059789,0.00035379498],"domain_scores_gemma":[0.99861515,0.00093386346,0.00007333191,0.0001337526,0.00012962386,0.00011428646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002367911,0.00024556232,0.0002746112,0.001099309,0.012651189,0.0073181596,0.00063872465,0.0035157942,0.0032407132],"category_scores_gemma":[0.0038036848,0.00018635277,0.00021246253,0.00047612493,0.03730587,0.0039076842,0.0035957391,0.004432004,0.0002753749],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000084047915,0.0000056695185,0.00012846092,0.000008150446,0.0000016391853,0.00011994984,0.026236294,0.000046059486,0.00007892322,0.95772564,0.0122591015,0.003381649],"study_design_scores_gemma":[0.000014162027,0.000028046508,0.000817772,0.00020014608,0.0000060537864,0.00038618187,0.032737203,0.00031080339,0.00039283422,0.34992757,0.61514705,0.00003217361],"about_ca_topic_score_codex":0.030988332,"about_ca_topic_score_gemma":0.044868305,"teacher_disagreement_score":0.030988332,"about_ca_system_score_codex":0.00536821,"about_ca_system_score_gemma":0.0024955333,"threshold_uncertainty_score":0.061615944},"labels":[],"label_agreement":null},{"id":"W4379625097","doi":"10.1353/mlr.2004.a826688","title":"The Woman and the Hour: Harriet Martineau and Victorian Ideologies by Caroline Roberts (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Ideology; Metaphor; Literature; Meaning (existential); Philosophy; Aesthetics; History; Psychoanalysis; Sociology; Art; Epistemology; Politics; Law; Psychology; Theology","score_opus":0.006537707857009184,"score_gpt":0.2203248699668429,"score_spread":0.2137871621098337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379625097","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000024034793,0.9946179,0.000009009824,0.0035936371,0.0008682013,9.81197e-7,0.0000028651257,7.703656e-7,0.00088272203],"genre_scores_gemma":[0.0014049994,0.98922926,0.000036347894,0.0057180845,0.0018543368,0.000009554925,0.000011446266,0.0000052021214,0.0017307693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857426,0.00056244276,0.00009359895,0.00014206005,0.000441152,0.00018654573],"domain_scores_gemma":[0.998168,0.0009816741,0.00024703995,0.00004380479,0.00031322523,0.00024629376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026446837,0.00082810916,0.0012481218,0.0026225033,0.0017359853,0.0041196174,0.0014595551,0.0039520212,0.0048887962],"category_scores_gemma":[0.005751307,0.0005649097,0.0005077295,0.0030602016,0.005288084,0.004232536,0.0027521923,0.006497749,0.0025772622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006838801,0.00003536492,0.00024181553,0.011334904,0.00006298276,0.00020846837,0.0027980837,0.00008990532,0.00010337395,0.02964155,0.58487904,0.37053624],"study_design_scores_gemma":[0.000005782194,0.000012179177,0.0005554467,0.014367566,0.000012983697,0.00028724186,0.00088943075,0.000007894184,0.0000129585105,0.0015586463,0.9822792,0.000010679282],"about_ca_topic_score_codex":0.030381348,"about_ca_topic_score_gemma":0.053970076,"teacher_disagreement_score":0.030381348,"about_ca_system_score_codex":0.006903433,"about_ca_system_score_gemma":0.010310047,"threshold_uncertainty_score":0.06040901},"labels":[],"label_agreement":null},{"id":"W4380481888","doi":"10.6000/1929-4409.2020.09.250","title":"The Dilemma of Maternity between Need and Duty: A Feminist Reading of Doris Lessing's the Fifth Child","year":2022,"lang":"en","type":"article","venue":"International Journal of Criminology and Sociology","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Deanship of Scientific Research, Prince Sattam bin Abdulaziz University; Prince Sattam bin Abdulaziz University","keywords":"Dilemma; Duty; Reading (process); Context (archaeology); Sociology; Feminism; Obligation; Doris (gastropod); Gender studies; Psychoanalysis; Law; Philosophy; Psychology; History; Epistemology; Political science; Art history","score_opus":0.051765290492724145,"score_gpt":0.2825023105110645,"score_spread":0.23073702001834034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380481888","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22667721,0.034390856,0.004171398,0.14031343,0.00215225,0.00009612087,0.00015462542,0.00004620761,0.59199786],"genre_scores_gemma":[0.9408619,0.005489139,0.0013405399,0.009526216,0.00041567118,0.000066247405,0.00003242823,0.000031298547,0.042236514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823976,0.0010256148,0.00004315649,0.00015349117,0.00027749987,0.00026040175],"domain_scores_gemma":[0.99897623,0.0005915117,0.00014457927,0.00002781792,0.000105420564,0.00015446922],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019422355,0.00043188114,0.0003657216,0.0009691598,0.007674491,0.0047495635,0.0008463185,0.0023324124,0.0022749493],"category_scores_gemma":[0.0020957403,0.00020633411,0.00021917126,0.0004840442,0.018603818,0.0023537804,0.0035108041,0.0040315455,0.00022153422],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030317442,0.00003713692,0.0012737435,0.00011482281,0.0000039148113,0.0017806746,0.36157715,0.00007939183,0.0006067833,0.6105713,0.015904352,0.008020291],"study_design_scores_gemma":[0.000010302284,0.00007219177,0.0030415514,0.0007124049,0.000007610887,0.002500252,0.257272,0.00015942488,0.0007761524,0.031847883,0.703569,0.00003114675],"about_ca_topic_score_codex":0.01479239,"about_ca_topic_score_gemma":0.02539787,"teacher_disagreement_score":0.01479239,"about_ca_system_score_codex":0.0075994623,"about_ca_system_score_gemma":0.0023811213,"threshold_uncertainty_score":0.05513817},"labels":[],"label_agreement":null},{"id":"W43814244","doi":"","title":"Under the maple tree","year":2009,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Brother; Narrative; Portrait; Genealogy; Art history; Set (abstract data type); Tree of life (biology); Sociology; Art; History; Literature; Computer science; Anthropology","score_opus":0.036230753963279835,"score_gpt":0.265567880598252,"score_spread":0.22933712663497213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W43814244","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050834683,0.0011329146,0.0016602427,0.0107621895,0.0011624274,0.000039195613,0.00038772754,0.00033308959,0.9794388],"genre_scores_gemma":[0.08462982,0.00086552487,0.0013671098,0.0020345638,0.00015764816,0.000026869806,0.00016055799,0.00024295332,0.91051495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995295,0.000062021354,0.0000052939477,0.00009224602,0.0001511618,0.00015983358],"domain_scores_gemma":[0.99952006,0.00004219257,0.000016502374,0.00004855131,0.00018276823,0.00019000449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030899871,0.0004018971,0.00028186096,0.001061971,0.02041404,0.007464433,0.0009497938,0.0013105377,0.09317645],"category_scores_gemma":[0.0014987241,0.00020360938,0.00018627603,0.001243343,0.006731474,0.0023734288,0.002685761,0.0021154317,0.014634959],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048934522,0.000014486028,0.0007154928,0.000046384477,0.00000379102,0.00051729707,0.01975155,0.0001567581,0.00029628858,0.40605268,0.5159258,0.056470565],"study_design_scores_gemma":[0.0000011873299,0.000002154747,0.00027931502,0.000020966154,8.683535e-7,0.00005207198,0.0033721318,0.000033472206,0.00003336868,0.0024299535,0.9937702,0.000004300636],"about_ca_topic_score_codex":0.6940661,"about_ca_topic_score_gemma":0.87363034,"teacher_disagreement_score":0.6940661,"about_ca_system_score_codex":0.013550053,"about_ca_system_score_gemma":0.01335178,"threshold_uncertainty_score":0.6154712},"labels":[],"label_agreement":null},{"id":"W4381708243","doi":"10.5281/zenodo.7429988","title":"The Mystery of History: To Say Nothing of the Dog as Neo-Victorian Fiction","year":2023,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Nothing; Art; Literature; Art history; History; Philosophy; Epistemology","score_opus":0.04292409844922361,"score_gpt":0.22767865551185784,"score_spread":0.18475455706263422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381708243","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12809238,0.024414137,0.012722143,0.10102076,0.0031567195,0.000036263034,0.0000717416,0.00007091458,0.730415],"genre_scores_gemma":[0.95385087,0.0025215375,0.00082380994,0.0031047047,0.00037976584,0.000017200178,0.00001590937,0.000087670946,0.039198525],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976593,0.0014593905,0.000042741623,0.0001811152,0.000449882,0.00020760862],"domain_scores_gemma":[0.9978562,0.0013336608,0.00017334623,0.00021696714,0.00025389018,0.00016602481],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028456294,0.00026707025,0.00026933788,0.0010469601,0.008557538,0.0095311655,0.0010030919,0.0024481344,0.0032819347],"category_scores_gemma":[0.0057430677,0.00024002211,0.00016112244,0.0010110278,0.039079208,0.007804246,0.0035454922,0.004560318,0.00045890437],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014592133,0.0000067305955,0.00013647965,0.00005250065,0.0000034662294,0.00013401629,0.12620842,0.00009114441,0.00016343217,0.8624683,0.0055408874,0.0051801093],"study_design_scores_gemma":[0.0000067867845,0.000015140095,0.0005560543,0.00030976778,0.0000056399913,0.00027712897,0.08383,0.0002567976,0.0004287812,0.24698806,0.6673063,0.000019633158],"about_ca_topic_score_codex":0.015855722,"about_ca_topic_score_gemma":0.027471386,"teacher_disagreement_score":0.015855722,"about_ca_system_score_codex":0.008984834,"about_ca_system_score_gemma":0.0040156716,"threshold_uncertainty_score":0.06518984},"labels":[],"label_agreement":null},{"id":"W4382365230","doi":"10.1386/fict_00078_7","title":"Resocialization and regeneration in Ernest Cline’s ‘The Omnibot Incident’","year":2023,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Cline (biology); Swift; Character (mathematics); History; Scholarship; Literature; Grief; Aesthetics; Sociology; Art; Psychology; Law; Political science","score_opus":0.03941034625496132,"score_gpt":0.3179480604442122,"score_spread":0.2785377141892509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382365230","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24027751,0.011026502,0.00525716,0.26632485,0.0049886676,0.00010931614,0.00003969686,0.00012212856,0.47185415],"genre_scores_gemma":[0.90431064,0.0021016437,0.0010257446,0.023001855,0.00054184813,0.00009654459,0.000014996054,0.00012677761,0.06878002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945368,0.003364527,0.000078822864,0.00036699398,0.0008362536,0.00081654015],"domain_scores_gemma":[0.9956937,0.0023438374,0.00042093082,0.00025265882,0.0005069586,0.0007819735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047703027,0.0004085834,0.00040313974,0.0011475196,0.02868843,0.011700617,0.0015126906,0.0059587127,0.003826379],"category_scores_gemma":[0.011752207,0.00031670852,0.00022596311,0.000767627,0.05179589,0.006158094,0.009026919,0.01209058,0.0005883087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003576608,0.000056779278,0.00053762906,0.00006780597,0.0000058712944,0.0016511009,0.4205039,0.00014931013,0.00027493993,0.48419395,0.080764994,0.011757998],"study_design_scores_gemma":[0.000007818419,0.000029479994,0.0009374179,0.00024545914,0.000003509954,0.0007818695,0.28277662,0.00015913164,0.0004071719,0.037196252,0.67741275,0.000042599782],"about_ca_topic_score_codex":0.015594419,"about_ca_topic_score_gemma":0.043741368,"teacher_disagreement_score":0.02868843,"about_ca_system_score_codex":0.0075021973,"about_ca_system_score_gemma":0.0052033076,"threshold_uncertainty_score":0.05443251},"labels":[],"label_agreement":null},{"id":"W4383874039","doi":"10.33137/rr.v45i4.41389","title":"Bennett, Kristen Abbot, project dir. and gen. ed. The Kit Marlowe Project. Other","year":2023,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.028639789030770534,"score_gpt":0.24958406464796776,"score_spread":0.22094427561719723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383874039","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006696975,0.09213823,0.00251141,0.1911165,0.02010022,0.00026170214,0.004325911,0.0011759768,0.68770033],"genre_scores_gemma":[0.0035533984,0.0131961135,0.0009485588,0.0051512276,0.0007225486,0.00012758138,0.00082747237,0.00062787096,0.9748452],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695265,0.0007757912,0.00007928986,0.00034950313,0.0015687832,0.00027396134],"domain_scores_gemma":[0.99524873,0.00050196453,0.00021588444,0.00020087746,0.0025378463,0.001294662],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0033092129,0.001219608,0.0007895736,0.001766918,0.0048517324,0.006644904,0.0017367267,0.0038431021,0.38982287],"category_scores_gemma":[0.006636823,0.0007469705,0.00035307455,0.0027004646,0.0012551659,0.0071718283,0.003685259,0.0049121557,0.2930556],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007993215,0.0000048969073,0.000024089197,0.000049951548,4.8363796e-7,0.0000086188575,0.000082861094,0.000006843698,0.000021686512,0.002041395,0.98429096,0.013460327],"study_design_scores_gemma":[0.0000029274981,0.0000031024604,0.00013191582,0.000058085294,7.898387e-7,0.000018912013,0.00023691873,0.0000069088037,0.000026530286,0.0006607735,0.99884987,0.0000032552568],"about_ca_topic_score_codex":0.024881724,"about_ca_topic_score_gemma":0.05748544,"teacher_disagreement_score":0.38982287,"about_ca_system_score_codex":0.0037195398,"about_ca_system_score_gemma":0.0061553717,"threshold_uncertainty_score":0.8703436},"labels":[],"label_agreement":null},{"id":"W4385150276","doi":"10.1353/nhr.2023.a902639","title":"Walking to Haworth, Mother’s Brown Shoes","year":2023,"lang":"en","type":"article","venue":"New hibernia review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Porch; Biography; Wife; Clothing; Stairs; History; Memoir; Bedroom; Tower; Art history; Art; Visual arts; Archaeology; Law","score_opus":0.04798241613807121,"score_gpt":0.27428924562637874,"score_spread":0.22630682948830755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385150276","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024346706,0.0042042998,0.0010786256,0.027892781,0.015430492,0.00012433833,0.001189933,0.00060706114,0.9251257],"genre_scores_gemma":[0.018859033,0.0015580235,0.0005357375,0.0043979427,0.00029419232,0.000032419703,0.00030870424,0.00016260405,0.9738513],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997576,0.000031309348,0.000005661478,0.000050733706,0.000056579833,0.00009809684],"domain_scores_gemma":[0.9994603,0.000017472708,0.000015900952,0.000016138161,0.00014221024,0.0003479992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027820413,0.00055298046,0.00025787065,0.0002820311,0.005920581,0.0025641248,0.0005665076,0.0010692959,0.26801673],"category_scores_gemma":[0.00087258825,0.0004122063,0.00020651717,0.0003155034,0.00064550404,0.001804358,0.0023022965,0.0023101137,0.06848802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001955733,0.000035144993,0.0008530877,0.000041669457,0.0000023085024,0.00063947024,0.002983242,0.0000109993725,0.00027625705,0.001085579,0.9672414,0.02681115],"study_design_scores_gemma":[0.0000038049773,0.000016827056,0.0022656675,0.000111153626,0.0000020883047,0.00031711566,0.007922783,0.000013428372,0.00009571347,0.00012891872,0.9891143,0.000008179787],"about_ca_topic_score_codex":0.064265035,"about_ca_topic_score_gemma":0.22888635,"teacher_disagreement_score":0.26801673,"about_ca_system_score_codex":0.0013529017,"about_ca_system_score_gemma":0.0019842375,"threshold_uncertainty_score":0.89660525},"labels":[],"label_agreement":null},{"id":"W4385284128","doi":"10.1017/9781009038157.016","title":"T. S. Eliot to 1990","year":2023,"lang":"ceb","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Literature; Art; Art history; History","score_opus":0.04065124828697085,"score_gpt":0.2049365242209526,"score_spread":0.16428527593398173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385284128","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050543416,0.17579745,0.0011664937,0.11947351,0.02688482,0.000045715497,0.00026797506,0.00011275399,0.67119694],"genre_scores_gemma":[0.046044067,0.0360704,0.00042618066,0.022104202,0.004719519,0.000048370053,0.00016022583,0.0001923273,0.89023453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994598,0.00011350608,0.000021024525,0.00011521232,0.00017887609,0.00011162438],"domain_scores_gemma":[0.999471,0.00014941521,0.00004396407,0.00002769975,0.0002356114,0.00007236121],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006395272,0.00056622474,0.00027081385,0.00141816,0.003013571,0.0032797144,0.00043225428,0.0023212172,0.03142982],"category_scores_gemma":[0.0027495567,0.00020025657,0.00019729034,0.0014988233,0.0019764267,0.0028045706,0.0015297259,0.002408363,0.009926849],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045269477,0.000016885682,0.00016557258,0.00016236625,0.0000019295817,0.00015884286,0.002914842,0.00004455013,0.0002366835,0.11732495,0.83437485,0.044553224],"study_design_scores_gemma":[0.0000011033352,0.0000031254708,0.00008861186,0.000106042986,5.507679e-7,0.00002828885,0.00019046242,0.000005423121,0.00007845487,0.0013823565,0.9981142,0.0000013684336],"about_ca_topic_score_codex":0.011850016,"about_ca_topic_score_gemma":0.024204839,"teacher_disagreement_score":0.03142982,"about_ca_system_score_codex":0.0050967126,"about_ca_system_score_gemma":0.0026005732,"threshold_uncertainty_score":0.10514325},"labels":[],"label_agreement":null},{"id":"W4385397669","doi":"10.18733/cpi29694","title":"Whispers Through My Soul","year":2023,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Soul; Art; Art history; Visual arts; Philosophy; Theology","score_opus":0.7325569642850713,"score_gpt":0.4510035039199825,"score_spread":0.2815534603650888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385397669","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019208124,0.008610868,0.013503929,0.08651534,0.013365505,0.000059198734,0.00011042358,0.0007437403,0.8578829],"genre_scores_gemma":[0.20175554,0.0029043956,0.0035760452,0.01998113,0.0023760437,0.00006468366,0.00004929281,0.00092959043,0.7683633],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991604,0.00039709124,0.000010747015,0.00009539456,0.00023981914,0.00009662246],"domain_scores_gemma":[0.99867576,0.00042038452,0.00007931382,0.00017210978,0.00033485642,0.0003175816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010878247,0.00046631857,0.00025398342,0.0007684083,0.0073963315,0.0065967585,0.00056368933,0.0021506872,0.01812942],"category_scores_gemma":[0.005325904,0.0002715274,0.00031469465,0.00054924854,0.010877678,0.0053514075,0.0035660758,0.005778008,0.007973041],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008161134,0.000031056807,0.0005641132,0.0000992773,0.000014472662,0.0009535207,0.12576798,0.00011082187,0.0025751381,0.17119311,0.6548414,0.043767527],"study_design_scores_gemma":[0.00000733831,0.000028948889,0.0004922907,0.00019655809,0.0000041262924,0.00056481845,0.031194665,0.00016767527,0.0004277114,0.015202435,0.951694,0.000019441148],"about_ca_topic_score_codex":0.0037031693,"about_ca_topic_score_gemma":0.0075169215,"teacher_disagreement_score":0.01812942,"about_ca_system_score_codex":0.0007876051,"about_ca_system_score_gemma":0.0008895747,"threshold_uncertainty_score":0.06064892},"labels":[],"label_agreement":null},{"id":"W4385415801","doi":"10.4324/9781003321453-12","title":"Biomedical Neoliberalism in Canadian Literature","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Neoliberalism (international relations); Sociology; Social science","score_opus":0.026899355491906304,"score_gpt":0.21454894402541036,"score_spread":0.18764958853350405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385415801","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006326268,0.053976554,0.00069909496,0.13141781,0.0027053086,0.0000311705,0.00013369655,0.000049310736,0.8046608],"genre_scores_gemma":[0.47241905,0.06260464,0.0021184215,0.04019479,0.0021926383,0.000087026485,0.00013763807,0.00021531427,0.4200305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963238,0.0007087758,0.000081377606,0.00029166188,0.0016573753,0.00093712634],"domain_scores_gemma":[0.9961965,0.0011731777,0.00012867406,0.00017634282,0.0017620842,0.0005631444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042674397,0.0006095236,0.0005258181,0.0050965967,0.03082106,0.016432833,0.0026666068,0.0056827026,0.01982165],"category_scores_gemma":[0.00751928,0.0003497042,0.00033131748,0.009974906,0.038003303,0.0039361417,0.0035941813,0.006763012,0.0010431424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005877318,0.0000045487095,0.0000635536,0.00005422865,0.0000018926305,0.000040944986,0.006800824,0.000060869465,0.000025866833,0.92902994,0.056417603,0.0074937707],"study_design_scores_gemma":[0.000009331714,0.000003803086,0.000652269,0.00045029487,0.000008396993,0.000055868997,0.009058938,0.00011617611,0.00008212641,0.1019649,0.8875785,0.000019339876],"about_ca_topic_score_codex":0.95870703,"about_ca_topic_score_gemma":0.98084086,"teacher_disagreement_score":0.18869843,"about_ca_system_score_codex":0.18869843,"about_ca_system_score_gemma":0.20098297,"threshold_uncertainty_score":0.94099486},"labels":[],"label_agreement":null},{"id":"W4385590497","doi":"10.1353/mos.2021.a903586","title":"The Differing Shame Cultures of Tony Williams's Nutcase and Grettir's Saga","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shame; Psychoanalysis; Social life; Sociology; Literature; Psychology; Art; Social science; Social psychology","score_opus":0.017441368667113127,"score_gpt":0.22121192875656617,"score_spread":0.20377056008945305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385590497","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040078666,0.012544938,0.0037826386,0.46188694,0.005651099,0.000026712209,0.00004296469,0.00007530348,0.47591072],"genre_scores_gemma":[0.867288,0.0050528497,0.0009732686,0.04912309,0.0020436912,0.0000744582,0.000018347557,0.00017286249,0.0752535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99640584,0.002115943,0.000053910786,0.00039482035,0.0007308777,0.00029859817],"domain_scores_gemma":[0.9960443,0.0027042257,0.00024701608,0.0003213982,0.00047364683,0.00020948992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003956198,0.00041290105,0.00044011622,0.00087241916,0.009527988,0.009933778,0.0014130742,0.0048153824,0.005624211],"category_scores_gemma":[0.008344009,0.000254224,0.00021617438,0.00084915507,0.039704204,0.008046521,0.0048717777,0.0067700073,0.00090774125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018596387,0.000013129242,0.0001227048,0.000028625092,0.00000268185,0.00009703361,0.04387273,0.00003147199,0.00010538023,0.90311176,0.049011692,0.0035841323],"study_design_scores_gemma":[0.000017239567,0.000029432802,0.00072529196,0.0004584318,0.000010103237,0.00030742688,0.07298416,0.00020730506,0.00041924726,0.2441955,0.6806104,0.000035437213],"about_ca_topic_score_codex":0.009893227,"about_ca_topic_score_gemma":0.011355011,"teacher_disagreement_score":0.009933778,"about_ca_system_score_codex":0.0046645403,"about_ca_system_score_gemma":0.0020050108,"threshold_uncertainty_score":0.033843756},"labels":[],"label_agreement":null},{"id":"W4386120032","doi":"10.3406/ranam.2013.1449","title":"Contesting home and native land : Tessa McWatt’s Out of My Skin and Drew Hayden Taylor’s “A Blurry Image on the Six O’clock News”","year":2013,"lang":"en","type":"article","venue":"Recherches anglaises et nord-américaines","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Representation (politics); Object (grammar); Media studies; Field (mathematics); Sociology; History; Visual arts; Art history; Art; Law; Political science; Politics; Computer science; Artificial intelligence","score_opus":0.11292255880295003,"score_gpt":0.30061122470735924,"score_spread":0.1876886659044092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386120032","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19674297,0.023645137,0.0015188376,0.21888079,0.0061185113,0.000039747083,0.000089364265,0.00009105802,0.55287355],"genre_scores_gemma":[0.92543954,0.0041841334,0.000327874,0.00874872,0.0007882921,0.000019004317,0.000021529126,0.000090716414,0.06038022],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984926,0.000800727,0.0000203049,0.00012971493,0.00030888472,0.00024767214],"domain_scores_gemma":[0.9982784,0.00093236874,0.000114174836,0.000072513816,0.0003327197,0.00026986538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013430415,0.0005030624,0.0003857678,0.0012101267,0.021285847,0.008620534,0.0007331249,0.0023911814,0.0026899432],"category_scores_gemma":[0.003910655,0.00021229143,0.00020218572,0.001054251,0.025307242,0.004421532,0.0021415846,0.0049753557,0.0003827682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004536806,0.00002277365,0.0005878263,0.000076571494,0.000007773093,0.0011410986,0.7078851,0.00007213375,0.00043502316,0.18815994,0.093519025,0.008047316],"study_design_scores_gemma":[0.0000059356476,0.000017432902,0.0009798412,0.0002720438,0.000008699703,0.0005935705,0.43965065,0.000089063215,0.0004581806,0.007058356,0.55084604,0.000020188932],"about_ca_topic_score_codex":0.24696116,"about_ca_topic_score_gemma":0.38276517,"teacher_disagreement_score":0.7530388,"about_ca_system_score_codex":0.016786018,"about_ca_system_score_gemma":0.005765823,"threshold_uncertainty_score":0.49104738},"labels":[],"label_agreement":null},{"id":"W4386221159","doi":"10.5539/ells.v13n3p71","title":"Beyond Veracity: The Pursuit of Postmodern Truth in Julian Barnes’s Flaubert’s Parrot","year":2023,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Philosophy; Epistemology; Phenomenon; Power (physics); Physics","score_opus":0.016919761567719044,"score_gpt":0.2522802474795917,"score_spread":0.23536048591187267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386221159","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07976871,0.016828816,0.009078758,0.40168372,0.003944643,0.00003792708,0.000044110875,0.00012577698,0.48848748],"genre_scores_gemma":[0.86929876,0.0019234775,0.0017881191,0.02404003,0.0011269699,0.00004286587,0.000009940411,0.000160279,0.10160965],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725,0.00185233,0.000037640606,0.00023322145,0.00036476873,0.00026200243],"domain_scores_gemma":[0.99698585,0.0021256597,0.00017734586,0.00015969647,0.00038073634,0.00017063385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029129703,0.0003518974,0.00030169162,0.0007338522,0.010348575,0.0075652134,0.00089250033,0.0042433636,0.0024133413],"category_scores_gemma":[0.007028222,0.00025401855,0.00020108813,0.000577344,0.029943457,0.0053548934,0.0033635919,0.0053652935,0.0005665789],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030208523,0.000010787722,0.0001792629,0.000022014361,0.0000028040242,0.00034158933,0.06290527,0.000102054946,0.00014594624,0.8981599,0.03264023,0.0054599307],"study_design_scores_gemma":[0.00001768008,0.000029922172,0.00043316904,0.0002366787,0.00000685965,0.00040206802,0.029625872,0.0004757091,0.00054805656,0.31241667,0.65577126,0.000036085148],"about_ca_topic_score_codex":0.019951805,"about_ca_topic_score_gemma":0.039920393,"teacher_disagreement_score":0.019951805,"about_ca_system_score_codex":0.0073853964,"about_ca_system_score_gemma":0.0024403888,"threshold_uncertainty_score":0.053585112},"labels":[],"label_agreement":null},{"id":"W4386510999","doi":"10.1515/9781772125078","title":"Writing Beyond the End Times? / Écrire au-delà de la fin des temps ?","year":2019,"lang":"fr","type":"book","venue":"University of Alberta Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fin; Humanities; Art; Engineering; Mechanical engineering","score_opus":0.016966359438520952,"score_gpt":0.2000837939003077,"score_spread":0.18311743446178674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386510999","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024562355,0.017769204,0.002430444,0.14519057,0.0077142683,0.00002945756,0.00013658487,0.00021926052,0.80194795],"genre_scores_gemma":[0.48552766,0.005031055,0.0009769534,0.016052103,0.0021488457,0.000035469853,0.00010314252,0.0004973696,0.4896274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701536,0.0011840994,0.00004939576,0.000275915,0.00077325094,0.0007018783],"domain_scores_gemma":[0.99625623,0.00073626975,0.00027157005,0.0003349776,0.001743304,0.0006575908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003367579,0.0008134391,0.00047519343,0.0014024555,0.024858644,0.015377452,0.0013408574,0.0025411812,0.013740989],"category_scores_gemma":[0.0062863,0.00023199899,0.00033925506,0.0012347597,0.025135545,0.006958337,0.0029598442,0.005907679,0.0035989934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054016593,0.000018016171,0.00091177353,0.00010879202,0.000011848378,0.0005505968,0.22186463,0.000092747134,0.00040788896,0.47245008,0.27597243,0.027557233],"study_design_scores_gemma":[0.0000031889447,0.000006441667,0.0007060269,0.0002897145,0.0000054087236,0.000106067324,0.058344603,0.00005008603,0.0002036913,0.008348031,0.93192065,0.000016140046],"about_ca_topic_score_codex":0.38397676,"about_ca_topic_score_gemma":0.49906868,"teacher_disagreement_score":0.38397676,"about_ca_system_score_codex":0.026680972,"about_ca_system_score_gemma":0.017490307,"threshold_uncertainty_score":0.7634835},"labels":[],"label_agreement":null},{"id":"W4386906706","doi":"10.17576/3l-2023-2903-03","title":"Ecological Crises of the Capitalocene: A Study on Colleen Murphy’s The Breathing Hole","year":2023,"lang":"en","type":"article","venue":"3L The Southeast Asian Journal of English Language Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecology; Breathing; Geography; Medicine; Biology; Psychiatry","score_opus":0.037785288443885026,"score_gpt":0.2762381418499451,"score_spread":0.2384528534060601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386906706","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73321515,0.0110340975,0.0010575477,0.09103125,0.0011266161,0.00017485204,0.00008328279,0.00005845722,0.16221887],"genre_scores_gemma":[0.9565847,0.004113095,0.00041517953,0.0060985982,0.00028073837,0.00010780101,0.000026242455,0.000056910496,0.032316722],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787545,0.00092718215,0.000032814045,0.00018217505,0.0003762725,0.0006060514],"domain_scores_gemma":[0.9970379,0.0013742341,0.0003286488,0.000072531395,0.0002444881,0.0009421969],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023108744,0.00069779,0.0004663688,0.0023756295,0.034193415,0.010282423,0.0024288786,0.0042971736,0.004464093],"category_scores_gemma":[0.0064429357,0.000503373,0.00020521067,0.0023080716,0.023536857,0.0060871593,0.0069448412,0.0059279324,0.0003554205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000098696055,0.00002494115,0.0005518012,0.000041137635,0.0000012472061,0.0011563365,0.96571976,0.000024901603,0.00017442966,0.020596217,0.008046302,0.003653101],"study_design_scores_gemma":[0.000002576371,0.000022731245,0.001859377,0.00023772813,0.0000019296458,0.00036619502,0.81703484,0.00005787425,0.000088272864,0.0022772353,0.17803217,0.0000190039],"about_ca_topic_score_codex":0.2892782,"about_ca_topic_score_gemma":0.47088537,"teacher_disagreement_score":0.2892782,"about_ca_system_score_codex":0.01832987,"about_ca_system_score_gemma":0.011990046,"threshold_uncertainty_score":0.5751889},"labels":[],"label_agreement":null},{"id":"W4387444249","doi":"10.1017/9781009387446.004","title":"Black Box Subjectivity","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Cybernetics; Subjectivity; Perception; Variety (cybernetics); Psychology; Epistemology; Cognitive science; Blindness; Philosophy; Computer science; Artificial intelligence","score_opus":0.038974778581784456,"score_gpt":0.1921136682226189,"score_spread":0.15313888964083444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387444249","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030842857,0.009000791,0.011012341,0.0068107066,0.0021732585,0.000057707937,0.00006476013,0.000098957826,0.9676972],"genre_scores_gemma":[0.25499713,0.01185869,0.007424642,0.010442928,0.005118107,0.00046669942,0.00023977381,0.0006172885,0.7088347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845016,0.00073016505,0.00003468899,0.0002575536,0.00038954616,0.00013787771],"domain_scores_gemma":[0.9987393,0.0007336632,0.00006626587,0.000201261,0.00018976648,0.00006968314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015955886,0.00075553695,0.00044760335,0.0016048194,0.0038279295,0.006497082,0.0010364688,0.0016427274,0.027397878],"category_scores_gemma":[0.0027023673,0.00024939654,0.00046124344,0.0013169948,0.015737494,0.0067498917,0.0034669817,0.0034477715,0.0050054826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005094503,0.0000066491125,0.00004824384,0.000035686302,0.0000011262015,0.0000278279,0.004277177,0.000038764203,0.00007556628,0.97413075,0.012870351,0.008482706],"study_design_scores_gemma":[0.0000029678222,0.000009249858,0.000119899545,0.00022248917,0.0000017698741,0.00008830196,0.0018202175,0.00011853489,0.00013406436,0.2195874,0.7778908,0.0000043264],"about_ca_topic_score_codex":0.0021630349,"about_ca_topic_score_gemma":0.0018582455,"teacher_disagreement_score":0.027397878,"about_ca_system_score_codex":0.0033681344,"about_ca_system_score_gemma":0.0017674656,"threshold_uncertainty_score":0.091655016},"labels":[],"label_agreement":null},{"id":"W4387582470","doi":"10.5539/ells.v13n4p1","title":"“Feminism Passed Her By”: A Feminist Critique on Penelope Lively’s Moon Tiger and The Photograph","year":2023,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tiger; Argument (complex analysis); Hegemony; Feminism; Consciousness; Full moon; Plot (graphics); Art history; Art; Literature; Sociology; History; Philosophy; Gender studies; Epistemology; Law; Political science; Computer science; Astronomy","score_opus":0.012346040205807813,"score_gpt":0.2543988941067955,"score_spread":0.24205285390098769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387582470","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050100457,0.012519138,0.0023015395,0.1492314,0.0022486458,0.000024434821,0.000042740405,0.00004210929,0.78348947],"genre_scores_gemma":[0.88847333,0.002457376,0.0005473335,0.0106476005,0.0010001645,0.000041783238,0.000013841168,0.00007731809,0.096741386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9977435,0.0015860414,0.00001781011,0.00016867944,0.00028509527,0.00019884133],"domain_scores_gemma":[0.9982504,0.001294055,0.00010015859,0.0000767291,0.00017191084,0.00010665253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022330564,0.00036933954,0.0002881418,0.001002787,0.01374218,0.006847415,0.00093661743,0.003282139,0.0061512687],"category_scores_gemma":[0.0035946683,0.00019921447,0.00019695972,0.0007679716,0.035102863,0.003236277,0.0019780651,0.00467279,0.000494003],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027957332,0.000013414384,0.00018346246,0.0000591009,0.0000031669795,0.0004026649,0.13289976,0.000074834184,0.00017361215,0.8134355,0.046162408,0.006564078],"study_design_scores_gemma":[0.0000117486525,0.00001996395,0.00077794987,0.0003635702,0.000006953243,0.00029481147,0.12022293,0.00011629381,0.00059554214,0.04387641,0.83369935,0.000014554266],"about_ca_topic_score_codex":0.037928686,"about_ca_topic_score_gemma":0.06918727,"teacher_disagreement_score":0.037928686,"about_ca_system_score_codex":0.010219834,"about_ca_system_score_gemma":0.003070438,"threshold_uncertainty_score":0.07541585},"labels":[],"label_agreement":null},{"id":"W4387987874","doi":"10.4000/books.pulm.23155","title":"An Interview with Sarah Schulman","year":2022,"lang":"en","type":"book-chapter","venue":"Presses universitaires de la Méditerranée eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Psychology; History","score_opus":0.021300059638562387,"score_gpt":0.21107380956869756,"score_spread":0.18977374993013518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387987874","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04464658,0.021024527,0.00094228965,0.67232203,0.008656219,0.00029702278,0.00044065656,0.00012531385,0.2515453],"genre_scores_gemma":[0.15440309,0.011210047,0.00088988757,0.221363,0.0014911477,0.0007361146,0.00023717867,0.00014042176,0.6095292],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977448,0.0011570145,0.000060854134,0.00021769108,0.00042112792,0.00039851098],"domain_scores_gemma":[0.9969663,0.0014411593,0.00026210106,0.00006541663,0.00067333406,0.0005916241],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034532328,0.0005163495,0.0005940894,0.0012478473,0.010556174,0.0036724058,0.0010525616,0.003881894,0.027980054],"category_scores_gemma":[0.008295407,0.00055010145,0.00024492398,0.0015326805,0.0030083463,0.004854141,0.0024759301,0.009461657,0.0056381943],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004047856,0.000100323465,0.00095951377,0.00015091492,0.000005134418,0.0012841648,0.1303316,0.000044854085,0.00045902116,0.014651526,0.83175695,0.02021562],"study_design_scores_gemma":[0.0000062192667,0.000021462783,0.0010372853,0.00025859437,0.0000021571284,0.00026337552,0.13180618,0.00003994189,0.000106118,0.0007818517,0.8656634,0.000013433091],"about_ca_topic_score_codex":0.025855804,"about_ca_topic_score_gemma":0.06103144,"teacher_disagreement_score":0.027980054,"about_ca_system_score_codex":0.005851164,"about_ca_system_score_gemma":0.005734228,"threshold_uncertainty_score":0.0936026},"labels":[],"label_agreement":null},{"id":"W4388146889","doi":"10.1515/9781773851440","title":"Disappearing in Reverse","year":2020,"lang":"en","type":"book","venue":"University of Calgary Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Geography","score_opus":0.03480412406784309,"score_gpt":0.17484321210340042,"score_spread":0.14003908803555734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388146889","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016000627,0.0053613433,0.0011761723,0.012945172,0.0043319603,0.00003329751,0.00007154923,0.0001207812,0.95995903],"genre_scores_gemma":[0.10895625,0.0024789965,0.00043094717,0.0061427215,0.00033577997,0.000023566485,0.00008866908,0.00019968303,0.8813434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922407,0.0002320599,0.000021291955,0.000112419286,0.00023482535,0.00017531641],"domain_scores_gemma":[0.9995433,0.00010955472,0.000034147943,0.00008078105,0.000115167015,0.00011700061],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006755843,0.00062294974,0.00037269935,0.00071497075,0.010075414,0.005875705,0.00081317784,0.0018624212,0.025325578],"category_scores_gemma":[0.0015119389,0.00024614928,0.00041756564,0.00040710482,0.009589129,0.005038293,0.0047913864,0.007239509,0.0074960394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006831392,0.000047330097,0.0011250995,0.0001600474,0.000006375332,0.0027552024,0.18710609,0.00009176071,0.0011137679,0.4310458,0.31284118,0.06363912],"study_design_scores_gemma":[0.0000032897628,0.00001732599,0.00034974454,0.00013182043,0.0000030986266,0.0008641855,0.025878891,0.000032170006,0.00021920608,0.0050525945,0.96743876,0.000009003851],"about_ca_topic_score_codex":0.02189936,"about_ca_topic_score_gemma":0.042018518,"teacher_disagreement_score":0.025325578,"about_ca_system_score_codex":0.0027831395,"about_ca_system_score_gemma":0.0024921917,"threshold_uncertainty_score":0.08472246},"labels":[],"label_agreement":null},{"id":"W4388373170","doi":"10.5070/t814262479","title":"Mental Illness as Cultural Narrative: Dementia, Im/migrant Experience and InterAmerican Entanglements in David Chariandy’s Soucouyant","year":2023,"lang":"en","type":"article","venue":"Journal of Transnational American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Dementia; Context (archaeology); Dignity; Immigration; Sociology; Colonialism; Identity (music); Meaning (existential); Gender studies; History; Psychology; Aesthetics; Political science; Medicine; Psychotherapist; Art; Literature; Law","score_opus":0.03880887712682646,"score_gpt":0.3356579877160132,"score_spread":0.2968491105891867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388373170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.668451,0.031172423,0.0012884452,0.17349103,0.0037105079,0.00004759527,0.00004245279,0.000061289276,0.12173529],"genre_scores_gemma":[0.9790633,0.004346489,0.00025964185,0.0096114455,0.000397591,0.00002477684,0.000008212014,0.000025569389,0.0062629683],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718165,0.0019740446,0.0000469056,0.00014232376,0.0002378946,0.00041716444],"domain_scores_gemma":[0.9978677,0.001049152,0.00022882098,0.000077628225,0.0002296826,0.0005469101],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004073272,0.0007673849,0.00059921795,0.001651037,0.033621993,0.009572022,0.0013388386,0.0033607953,0.0014851452],"category_scores_gemma":[0.0040352996,0.0003401662,0.00033018892,0.0015885162,0.041423272,0.0053125834,0.007848355,0.007958734,0.00016282954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015200628,0.000017118531,0.000368311,0.000027459153,0.0000033236718,0.00086351717,0.9618617,0.000016479413,0.00009025974,0.02874951,0.005803592,0.0021834134],"study_design_scores_gemma":[0.0000067595524,0.00002069982,0.0005151482,0.0001768871,0.000006705702,0.0016447667,0.8768364,0.000034408076,0.00013248244,0.005294229,0.11531313,0.000018382098],"about_ca_topic_score_codex":0.058765724,"about_ca_topic_score_gemma":0.076387495,"teacher_disagreement_score":0.058765724,"about_ca_system_score_codex":0.010233165,"about_ca_system_score_gemma":0.0073224115,"threshold_uncertainty_score":0.11684734},"labels":[],"label_agreement":null},{"id":"W4389155131","doi":"10.1017/9781108560740.011","title":"Prostheses","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Cognitive reframing; Flannery; Narrative; Storytelling; Aesthetics; Order (exchange); Literature; Sociology; Art; Psychology; Philosophy; Social psychology","score_opus":0.04969942491631525,"score_gpt":0.1917865124254763,"score_spread":0.14208708750916105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389155131","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034875758,0.033587392,0.006980755,0.00648762,0.0073060663,0.00009988851,0.0006332474,0.0005209003,0.9408965],"genre_scores_gemma":[0.028622488,0.023056215,0.005252989,0.004380034,0.0011432165,0.00014494632,0.0008892352,0.00039828932,0.9361127],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907255,0.000108693355,0.00007489446,0.00014293619,0.0005211051,0.00007985683],"domain_scores_gemma":[0.9996464,0.00010213495,0.000026896749,0.000056857236,0.00011940308,0.000048285914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006370655,0.00095725886,0.00055825216,0.0011535293,0.0018174034,0.0036644796,0.0010926214,0.0021803011,0.1897405],"category_scores_gemma":[0.0020012257,0.0002533242,0.00079180085,0.0010987232,0.0015068651,0.0023002767,0.0022727803,0.0017418815,0.08992809],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016435656,0.0001020661,0.00063073443,0.0011588862,0.000015619404,0.0013733743,0.0017209526,0.00022356743,0.0019031641,0.09471056,0.309914,0.5880828],"study_design_scores_gemma":[0.0000038670064,0.000027515473,0.00026965514,0.00022865373,0.0000033675435,0.0015173457,0.00016645911,0.000033509954,0.0002443908,0.0032860371,0.99421376,0.000005571512],"about_ca_topic_score_codex":0.00083650544,"about_ca_topic_score_gemma":0.001826587,"teacher_disagreement_score":0.1897405,"about_ca_system_score_codex":0.0009591327,"about_ca_system_score_gemma":0.0010823858,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4389155250","doi":"10.1017/9781108560740.019","title":"Waves and Rays","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Telecommunications; Media studies; Sociology; History; Engineering; Aesthetics; Art; Literature","score_opus":0.03803848525574559,"score_gpt":0.18276650213148343,"score_spread":0.14472801687573783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389155250","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008168127,0.02333642,0.0071803536,0.012008773,0.0036195877,0.00003575537,0.000055114564,0.00010381781,0.9454921],"genre_scores_gemma":[0.32856697,0.024724524,0.00441137,0.010055049,0.0046695084,0.00014596173,0.00010485233,0.0004950694,0.6268267],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829024,0.0007595398,0.000044926994,0.00021304673,0.0005075526,0.00018464352],"domain_scores_gemma":[0.9992824,0.00034907676,0.000064561595,0.00012393975,0.00010888584,0.00007115578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010336712,0.0008202033,0.00039882035,0.0012127992,0.0046789725,0.0076541416,0.00077190466,0.0021014041,0.0157158],"category_scores_gemma":[0.0025189538,0.00031862894,0.0004054576,0.00076998567,0.019646777,0.009051269,0.0042903363,0.0040047374,0.004272245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025076011,0.000008745166,0.000096834105,0.00007107821,0.0000035283697,0.00007772777,0.01085234,0.000057668694,0.0002833511,0.96249026,0.0132789565,0.0127544245],"study_design_scores_gemma":[0.0000069669345,0.000029132978,0.00015054559,0.00019714139,0.0000038066842,0.00018868751,0.0054494315,0.0000483419,0.00028815508,0.09842571,0.8952035,0.00000855756],"about_ca_topic_score_codex":0.0015274821,"about_ca_topic_score_gemma":0.001967723,"teacher_disagreement_score":0.0157158,"about_ca_system_score_codex":0.0020570476,"about_ca_system_score_gemma":0.0011711809,"threshold_uncertainty_score":0.052574635},"labels":[],"label_agreement":null},{"id":"W4389675729","doi":"10.1353/tyr.2023.a914438","title":"Introduction: New writing from Windham-Campbell Prize recipients","year":2023,"lang":"en","type":"article","venue":"The Yale Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Poetry; Power (physics); Politics; Irish; Performance art; Media studies; Colonialism; Art history; History; Art; Literature; Law; Sociology; Political science; Philosophy","score_opus":0.05346475422601455,"score_gpt":0.26023284770856375,"score_spread":0.2067680934825492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389675729","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002128619,0.10635466,0.00045752927,0.17287722,0.61049455,0.0003882188,0.0021296304,0.00037782182,0.106707506],"genre_scores_gemma":[0.002834497,0.10673236,0.00084854086,0.1514817,0.32203642,0.00081822433,0.0025726175,0.0009453428,0.41173038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9893854,0.0015063616,0.001040939,0.001002651,0.00616178,0.000902911],"domain_scores_gemma":[0.9595914,0.005063055,0.0026716047,0.002110048,0.024512941,0.006050808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01120703,0.0018536319,0.0018543915,0.007678475,0.003832034,0.0140953,0.003364538,0.0052435603,0.1604109],"category_scores_gemma":[0.04317521,0.0009811074,0.0010405366,0.006596027,0.0020581333,0.006913568,0.006036011,0.00874739,0.124560036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000327901,0.0000025150994,0.000007825824,0.000091657894,7.287297e-7,0.000008944413,0.000017534638,0.0000026343992,0.0000116235815,0.00024827555,0.9942486,0.0053563504],"study_design_scores_gemma":[0.000002557218,0.0000031337247,0.000116972624,0.00040233583,0.0000015158096,0.00001665945,0.000034595578,0.0000016701947,0.0000110097435,0.00012741229,0.99927753,0.00000462757],"about_ca_topic_score_codex":0.011884196,"about_ca_topic_score_gemma":0.019039331,"teacher_disagreement_score":0.1604109,"about_ca_system_score_codex":0.007003636,"about_ca_system_score_gemma":0.014090874,"threshold_uncertainty_score":0.5366279},"labels":[],"label_agreement":null},{"id":"W4389746133","doi":"10.1007/978-3-031-48177-2_7","title":"Withdrawal: Re-figuring Sense for the Future Through José Saramago’s Seeing and Ruth Ozeki’s A Tale for the Time Being","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Zombie; Capitalism; Democracy; Fallacy; Optimism; Sociology; History; Political science; Psychology; Law; Philosophy; Epistemology; Social psychology","score_opus":0.029450168720983376,"score_gpt":0.23055441662802373,"score_spread":0.20110424790704035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389746133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021894453,0.008699802,0.00792002,0.14077823,0.008149398,0.00005078746,0.00003943114,0.00018322997,0.81228465],"genre_scores_gemma":[0.5898441,0.0040327073,0.002758323,0.018190276,0.0014097738,0.00010763294,0.000055263474,0.0008126785,0.3827893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755836,0.001279638,0.00005582639,0.00021101595,0.00055663264,0.00033859527],"domain_scores_gemma":[0.99834013,0.0006464552,0.00010305769,0.00022775558,0.00031295224,0.0003695266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032661404,0.0006479841,0.00053201907,0.0006255905,0.010993432,0.012009166,0.0015014239,0.0036321261,0.01071164],"category_scores_gemma":[0.0065152817,0.00026274685,0.00046865182,0.000552152,0.03321903,0.014830297,0.009356977,0.012417106,0.0025113656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044909,0.000028291031,0.00014320984,0.00007429253,0.00000691363,0.00031527923,0.10841246,0.000062804116,0.000510032,0.7854928,0.08628925,0.018619781],"study_design_scores_gemma":[0.000020861951,0.000022542266,0.0003024282,0.00022378183,0.0000098097435,0.00024295526,0.07771196,0.000114838076,0.0003086202,0.18097985,0.7400263,0.000036138226],"about_ca_topic_score_codex":0.006500145,"about_ca_topic_score_gemma":0.016182149,"teacher_disagreement_score":0.012009166,"about_ca_system_score_codex":0.0043697776,"about_ca_system_score_gemma":0.005545468,"threshold_uncertainty_score":0.035834014},"labels":[],"label_agreement":null},{"id":"W4389951188","doi":"10.1353/rss.2023.a914941","title":"Recent Acquisitions, 2022–23","year":2023,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology; Computer science","score_opus":0.05195066217842744,"score_gpt":0.28105494729038655,"score_spread":0.2291042851119591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389951188","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024669445,0.0045556184,0.00033028118,0.011742206,0.02619236,0.0002199954,0.005778826,0.0006291927,0.9480846],"genre_scores_gemma":[0.00426064,0.0012501765,0.00013426424,0.0051313597,0.0018495512,0.00019038624,0.0025992591,0.000258581,0.98432577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751353,0.00014497284,0.00010677595,0.000285125,0.0012113275,0.0007382634],"domain_scores_gemma":[0.9965946,0.000110954425,0.00013742711,0.00019230554,0.0016546745,0.0013099712],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018450621,0.0010332862,0.00046928352,0.0019013814,0.0038837385,0.011559457,0.0016058343,0.004163424,0.3752968],"category_scores_gemma":[0.0061563696,0.00054186437,0.0004965897,0.002545961,0.00069814787,0.0051017925,0.00409881,0.004219042,0.31199306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002252912,0.000021538028,0.0001549925,0.000045921726,0.0000012636348,0.000072047755,0.000045168017,0.000010004848,0.00010813751,0.0025554234,0.97771764,0.019245256],"study_design_scores_gemma":[0.0000031198545,0.00001103883,0.0008987533,0.000030905387,6.4000085e-7,0.000041839874,0.000067441215,0.000008147087,0.000038025228,0.00020998032,0.9986854,0.0000047085578],"about_ca_topic_score_codex":0.019027362,"about_ca_topic_score_gemma":0.0402214,"teacher_disagreement_score":0.3752968,"about_ca_system_score_codex":0.0034570338,"about_ca_system_score_gemma":0.0063244286,"threshold_uncertainty_score":0.8910633},"labels":[],"label_agreement":null},{"id":"W4390112336","doi":"10.5430/wjel.v14n2p16","title":"(Un)reliable Narrative in Ian McEwan’s Atonement","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Deanship of Scientific Research, Prince Sattam bin Abdulaziz University; Prince Sattam bin Abdulaziz University","keywords":"Narrative; Atonement; Confessional; Metafiction; Literature; History; Art; Philosophy; Theology; Law; Politics; Political science","score_opus":0.012294482625846334,"score_gpt":0.23515033954367623,"score_spread":0.2228558569178299,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390112336","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28017956,0.016793786,0.0075284475,0.14573137,0.0043451395,0.00015226734,0.00017284915,0.00016624833,0.5449304],"genre_scores_gemma":[0.92817307,0.0028783677,0.001792957,0.007891227,0.0004981979,0.00010468143,0.000041430016,0.00011727275,0.0585028],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99771714,0.001461402,0.00004859304,0.00016000072,0.00042136267,0.00019145361],"domain_scores_gemma":[0.9971704,0.0013881202,0.00039788388,0.00018691985,0.0004366398,0.0004201017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002960085,0.0004010484,0.00028992165,0.00085384067,0.011630757,0.00661775,0.0013052231,0.0021119637,0.0036179654],"category_scores_gemma":[0.008501236,0.00023251539,0.00012213102,0.00090673723,0.015210361,0.0052223178,0.0046935426,0.004853528,0.0006736321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048545047,0.000017256676,0.0006146433,0.0001151216,0.000004421002,0.002243673,0.7701368,0.000062197454,0.0006079885,0.17477995,0.040565554,0.010803861],"study_design_scores_gemma":[0.000005729241,0.000028708451,0.0010140608,0.00055210554,0.000009001729,0.0018325966,0.30313453,0.00012315183,0.0006848188,0.01292247,0.67966557,0.000027226328],"about_ca_topic_score_codex":0.0149652595,"about_ca_topic_score_gemma":0.030080196,"teacher_disagreement_score":0.0149652595,"about_ca_system_score_codex":0.004543829,"about_ca_system_score_gemma":0.0032467598,"threshold_uncertainty_score":0.032967925},"labels":[],"label_agreement":null},{"id":"W4390391773","doi":"","title":"Mimesis: Beyond Opsis in the Star Trek Universe","year":2018,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Star trek; Astronomy; Star (game theory); Universe; Astrobiology; Astrophysics; Physics; Art; Literature","score_opus":0.25033454511169767,"score_gpt":0.4956086106808051,"score_spread":0.2452740655691074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390391773","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51392925,0.002048783,0.019657116,0.0058966987,0.0003108542,0.00010200554,0.000062649255,0.00017025026,0.45782232],"genre_scores_gemma":[0.98595285,0.0003762984,0.0019711456,0.00021847316,0.00003969906,0.000029865058,0.000016408896,0.00005936041,0.011335926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99715364,0.0019448826,0.000049894654,0.00023163251,0.00031328463,0.0003065979],"domain_scores_gemma":[0.99872917,0.0008088837,0.00010724571,0.00016231438,0.00006370881,0.00012863276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016534256,0.00051257195,0.00047803062,0.001444108,0.009869198,0.0070577976,0.0009768775,0.002077323,0.0055806846],"category_scores_gemma":[0.0042600487,0.00026634478,0.00039911625,0.0012575022,0.020271739,0.008383216,0.006849488,0.002536911,0.0007276221],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093623436,0.00004947296,0.001363743,0.00013959274,0.000009301218,0.0048490763,0.41409007,0.00026994877,0.001415163,0.5601303,0.0023003102,0.015289366],"study_design_scores_gemma":[0.000027368587,0.00015796488,0.0024283442,0.00031056817,0.000025589834,0.008802386,0.42392054,0.0014450216,0.0032062735,0.091132306,0.46849233,0.000051343322],"about_ca_topic_score_codex":0.00195268,"about_ca_topic_score_gemma":0.002741732,"teacher_disagreement_score":0.009869198,"about_ca_system_score_codex":0.002572391,"about_ca_system_score_gemma":0.0010427668,"threshold_uncertainty_score":0.018669307},"labels":[],"label_agreement":null},{"id":"W4390484156","doi":"10.25071/1916-4467.40820","title":"Surprising Taxonomies: A Book Review of Lauren Berlant and Kathleen Stewart’s The Hundreds","year":2023,"lang":"en","type":"review","venue":"Journal of the Canadian Association for Curriculum Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Scholarship; Creativity; Materialism; Sociology; Economic shortage; Poetry; Epistemology; Psychoanalysis; Aesthetics; Psychology; Art; Literature; Philosophy; Social psychology; Linguistics; Law; Political science","score_opus":0.08715828440093505,"score_gpt":0.3227759640788723,"score_spread":0.2356176796779373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390484156","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001024709,0.9713917,0.00034135536,0.012744929,0.007179234,0.000021395104,0.00004589447,0.00001686971,0.008156163],"genre_scores_gemma":[0.0010470919,0.9715465,0.00083737634,0.010138353,0.0040006177,0.000079411235,0.00009266591,0.000048776903,0.012209109],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789727,0.0004964898,0.0001754952,0.00017231627,0.0011961702,0.000062266256],"domain_scores_gemma":[0.99325186,0.0037575373,0.00036433613,0.00012626952,0.0022474425,0.00025249727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030131813,0.00060918625,0.0014703093,0.0060739424,0.0015012845,0.004584338,0.00083177706,0.0014817436,0.0076504666],"category_scores_gemma":[0.01088296,0.0006341596,0.0004700195,0.009818858,0.002936455,0.0055736317,0.001486306,0.0047319406,0.003967232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016934444,0.000018927081,0.000091986236,0.005023143,0.000027138129,0.000082856845,0.0009435015,0.00007980151,0.00016618618,0.015836522,0.77812475,0.1995882],"study_design_scores_gemma":[0.000002085471,0.000006708827,0.00018514544,0.003674478,0.000008206511,0.00011973341,0.00023842054,0.0000071963536,0.00001886793,0.0011726269,0.99455994,0.000006511068],"about_ca_topic_score_codex":0.013219003,"about_ca_topic_score_gemma":0.041861847,"teacher_disagreement_score":0.013219003,"about_ca_system_score_codex":0.0036100105,"about_ca_system_score_gemma":0.009056111,"threshold_uncertainty_score":0.026284099},"labels":[],"label_agreement":null},{"id":"W4390757083","doi":"10.34216/1998-0817-2023-29-3-152-158","title":"THE THEME OF TOTAL SURVEILLANCE IN THE FIELD OF DIGITAL TECHNOLOGIES IN THE NOVEL “THE CIRCLE” BY DAVE EGGERS","year":2023,"lang":"en","type":"article","venue":"Vestnik of Kostroma State University","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Dystopia; Transparency (behavior); Theme (computing); Representation (politics); Power (physics); Politics; Sociology; Aesthetics; Literature; Law; History; Computer science; Philosophy; Political science; Art; World Wide Web","score_opus":0.011719849205570508,"score_gpt":0.20067880370616448,"score_spread":0.18895895450059397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390757083","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050380778,0.04942828,0.009344154,0.19916236,0.014912583,0.00006698159,0.0001486328,0.00026568928,0.6762906],"genre_scores_gemma":[0.769121,0.013910665,0.0025517389,0.013771304,0.00376882,0.00009943931,0.00005943668,0.0003012196,0.19641636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977469,0.0013053273,0.000041630326,0.00027771224,0.0004526542,0.00017569546],"domain_scores_gemma":[0.99859136,0.0008934695,0.00012794546,0.0001163905,0.00013296852,0.00013782017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001310893,0.0004214933,0.00020956235,0.00076888653,0.0035953447,0.0072796675,0.00048745598,0.0019036677,0.003712745],"category_scores_gemma":[0.003992756,0.00015842021,0.00019416872,0.0006557748,0.013380909,0.0044964454,0.0024157786,0.0030378278,0.00087456225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051109255,0.000018134699,0.00015212783,0.00015524549,0.000006220464,0.00043497884,0.039192904,0.00018819635,0.0006475849,0.7766745,0.16129953,0.021179518],"study_design_scores_gemma":[0.0000032557202,0.000013861145,0.00017998084,0.00016679864,0.000002281076,0.0004174703,0.0062979767,0.00012571675,0.00046882554,0.026371866,0.9659395,0.000012399801],"about_ca_topic_score_codex":0.0025697018,"about_ca_topic_score_gemma":0.0025073183,"teacher_disagreement_score":0.0072796675,"about_ca_system_score_codex":0.002901059,"about_ca_system_score_gemma":0.0017059621,"threshold_uncertainty_score":0.021048784},"labels":[],"label_agreement":null},{"id":"W4390762608","doi":"10.1353/crc.2022.a917035","title":"Free Indirect: The Novel in a Postfictional Age by Timothy Bewes (review)","year":2022,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Reading (process); Construct (python library); New Criticism; Key (lock); Opposition (politics); Politics; Sociology; Epistemology; Philosophy; History; Literature; Literary criticism; Computer science; Law; Art; Literary theory; Political science; Linguistics","score_opus":0.028782549175398183,"score_gpt":0.24981843102124596,"score_spread":0.22103588184584777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390762608","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000055041346,0.97490454,0.00007285128,0.011794949,0.009834178,0.000007921975,0.000025911719,0.000009436107,0.0032952107],"genre_scores_gemma":[0.001528707,0.9618748,0.00014134395,0.01548564,0.009503883,0.00004656381,0.00009753062,0.00002476986,0.011296844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988193,0.00032843722,0.00007873028,0.00011997036,0.0005502587,0.00010335308],"domain_scores_gemma":[0.99738103,0.00093313114,0.0003493873,0.000063626336,0.000925534,0.00034721228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018787134,0.00081854564,0.0012114686,0.0015423562,0.001060752,0.005395381,0.0014118414,0.0026239667,0.012133377],"category_scores_gemma":[0.005850249,0.0004516317,0.00066145783,0.0029072934,0.002225818,0.004525172,0.0014503897,0.005356577,0.0072645075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024428362,0.000010226223,0.000033901295,0.0040196637,0.00003053615,0.000070113994,0.0001984519,0.000034575503,0.0001041393,0.0028179823,0.92202336,0.070632584],"study_design_scores_gemma":[0.000005618089,0.000011320973,0.00018565827,0.0034118257,0.000015083729,0.00019619355,0.00019976684,0.0000065121826,0.000026925656,0.00054023374,0.9953916,0.00000925258],"about_ca_topic_score_codex":0.0029955148,"about_ca_topic_score_gemma":0.004927266,"teacher_disagreement_score":0.012133377,"about_ca_system_score_codex":0.0023249735,"about_ca_system_score_gemma":0.0046860506,"threshold_uncertainty_score":0.040590227},"labels":[],"label_agreement":null},{"id":"W4391044634","doi":"10.1007/978-3-031-32160-3","title":"The Palgrave Handbook of Neo-Victorianism","year":2024,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"History","score_opus":0.016559084938633388,"score_gpt":0.2053130324130054,"score_spread":0.188753947474372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391044634","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011675054,0.06877075,0.0017972601,0.005490526,0.0009597585,0.000038659604,0.00036530395,0.00007316314,0.92133707],"genre_scores_gemma":[0.027238488,0.04190592,0.0019849862,0.001980044,0.00029629975,0.00012585524,0.00043476032,0.00031045137,0.92572325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991027,0.00024879462,0.00004481099,0.000082770544,0.00043493876,0.000085956024],"domain_scores_gemma":[0.9996012,0.0001803348,0.000020649819,0.00005469928,0.00010902429,0.000034159497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000779391,0.0003789441,0.00033709483,0.0017848638,0.0026675265,0.0036888812,0.0007004233,0.0010232794,0.02787894],"category_scores_gemma":[0.0020609912,0.00038235896,0.00014237782,0.0037033819,0.0041038287,0.0031079252,0.0015889314,0.0023713636,0.008601203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009576215,0.000017804872,0.0001121494,0.00033337242,0.0000025095235,0.000056498895,0.0059156693,0.00013878098,0.00018456484,0.5022453,0.3642184,0.12676525],"study_design_scores_gemma":[4.290779e-7,0.0000016219723,0.00013826718,0.00020659911,3.0649173e-7,0.00003103697,0.00034521386,0.000016003605,0.000018601811,0.012908653,0.98633134,0.0000019197996],"about_ca_topic_score_codex":0.033361394,"about_ca_topic_score_gemma":0.073165804,"teacher_disagreement_score":0.033361394,"about_ca_system_score_codex":0.0065949624,"about_ca_system_score_gemma":0.005760096,"threshold_uncertainty_score":0.09326434},"labels":[],"label_agreement":null},{"id":"W4391044807","doi":"10.1007/978-3-031-32160-3_1","title":"Introduction","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Scholarship; Key (lock); Engineering ethics; Political science; Computer science; Engineering; Law; Computer security","score_opus":0.020401059706912226,"score_gpt":0.19717026784790628,"score_spread":0.17676920814099406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391044807","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036487493,0.0011739059,0.0022390117,0.0041425414,0.004673598,0.00014275646,0.0022835108,0.00060761126,0.98437226],"genre_scores_gemma":[0.0013444836,0.00070668047,0.0008472543,0.001409307,0.00069676456,0.00008358448,0.0014692615,0.00017785585,0.9932647],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990646,0.00012394856,0.000031058975,0.00017857735,0.0004973731,0.000104398445],"domain_scores_gemma":[0.9986846,0.00019239355,0.00004403258,0.00017852234,0.00063943263,0.00026102987],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009404814,0.0007215088,0.0004590422,0.0016995012,0.0018385507,0.0048576593,0.0016082918,0.0018977238,0.65145946],"category_scores_gemma":[0.0032511158,0.00026161925,0.00048166074,0.001417861,0.0007825184,0.0025309331,0.0026161813,0.0019198249,0.5253333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023597599,0.000035474935,0.00012250384,0.00012300184,0.0000016114241,0.00004329316,0.00017151116,0.00006742703,0.00022763113,0.037455846,0.84882987,0.11289819],"study_design_scores_gemma":[0.0000017151523,0.0000042872084,0.0000797004,0.000051213756,5.9614274e-7,0.000016947119,0.000053775668,0.000011067643,0.000040592775,0.0029013478,0.9968369,0.0000017525787],"about_ca_topic_score_codex":0.0037761794,"about_ca_topic_score_gemma":0.005399103,"teacher_disagreement_score":0.34854054,"about_ca_system_score_codex":0.0017118369,"about_ca_system_score_gemma":0.0028673292,"threshold_uncertainty_score":0.49715078},"labels":[],"label_agreement":null},{"id":"W4391686411","doi":"10.1080/17510694.2024.2308506","title":"A retrospective: navigating and representing the lockdown in Jason Farries’ <i>Homesick</i>","year":2024,"lang":"en","type":"article","venue":"Creative Industries Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"History","score_opus":0.025135244691834174,"score_gpt":0.269829099283628,"score_spread":0.24469385459179385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391686411","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5129315,0.01437892,0.003391819,0.1511147,0.007135386,0.00027687786,0.00043133204,0.00029713754,0.31004232],"genre_scores_gemma":[0.8438069,0.0064429287,0.0014045446,0.020873273,0.0010137847,0.0002066086,0.00015534936,0.0004849285,0.12561159],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966761,0.0021776806,0.00005505395,0.00027286934,0.0003857477,0.0004325347],"domain_scores_gemma":[0.9962537,0.0019693708,0.00038629514,0.00012581759,0.000497595,0.0007671652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038564643,0.0008448275,0.000476107,0.0014841033,0.025373092,0.008737071,0.0014994808,0.0038555483,0.009363048],"category_scores_gemma":[0.012843454,0.0007777913,0.00028883823,0.0012088451,0.01662189,0.008627432,0.005895527,0.010859286,0.0017791002],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001790193,0.000020028685,0.0004118803,0.00006944556,0.0000027192018,0.000886663,0.9492194,0.000020916905,0.00033059236,0.008464371,0.037442595,0.003113409],"study_design_scores_gemma":[0.0000025959646,0.000022442144,0.000636924,0.00025133204,0.000003964959,0.0005033191,0.7293355,0.000028677752,0.00021212292,0.0005098094,0.2684767,0.000016636679],"about_ca_topic_score_codex":0.030783167,"about_ca_topic_score_gemma":0.079393856,"teacher_disagreement_score":0.030783167,"about_ca_system_score_codex":0.0063268202,"about_ca_system_score_gemma":0.0026473878,"threshold_uncertainty_score":0.06120801},"labels":[],"label_agreement":null},{"id":"W4391720397","doi":"10.1007/978-3-031-17299-1_2223","title":"Postmodernism","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Postmodernism; Philosophy; Epistemology","score_opus":0.06740540562614333,"score_gpt":0.21831367484017083,"score_spread":0.1509082692140275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391720397","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004096271,0.0034237737,0.0023531544,0.016351802,0.0010846541,0.000018646288,0.000029676385,0.000032158743,0.9726098],"genre_scores_gemma":[0.35295436,0.002534152,0.0012888359,0.010720252,0.0028546227,0.00014068777,0.000051648352,0.0001976439,0.6292578],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9968701,0.001642958,0.000055151282,0.00038773124,0.0007247643,0.00031933835],"domain_scores_gemma":[0.99744,0.0013372,0.00012345503,0.0005721812,0.00039215403,0.00013506819],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035419564,0.000630217,0.00054649444,0.0015937294,0.0075750975,0.011634145,0.0013310303,0.00487193,0.025918927],"category_scores_gemma":[0.005467542,0.00030437755,0.00023710095,0.0014864348,0.042508338,0.00873426,0.004318465,0.007314675,0.0043083173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025745298,0.000004935501,0.000015642656,0.000009104437,4.866814e-7,0.000009632879,0.0026249401,0.000009286299,0.00001877509,0.98879737,0.006838351,0.0016688437],"study_design_scores_gemma":[0.000008378118,0.000010955226,0.00015250953,0.00014206518,0.000002262658,0.00007589103,0.002813308,0.000081748454,0.00012814744,0.5439975,0.45258155,0.0000056128315],"about_ca_topic_score_codex":0.0030259008,"about_ca_topic_score_gemma":0.006404267,"teacher_disagreement_score":0.025918927,"about_ca_system_score_codex":0.006682886,"about_ca_system_score_gemma":0.0035389368,"threshold_uncertainty_score":0.08670747},"labels":[],"label_agreement":null},{"id":"W4391826047","doi":"","title":"“ ‘A classic with a 21st century twist’: 1 The Road and the Cannibalistic Junkspace of Techno-capitalism”","year":2022,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Capitalism; Twist; Computer science; Economics; Political science; Mathematics; Law; Geometry","score_opus":0.00859102603731997,"score_gpt":0.1838005518171456,"score_spread":0.17520952577982563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391826047","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005823284,0.038585354,0.0037298223,0.30209094,0.019022139,0.000031901098,0.00012838206,0.00013552,0.6304527],"genre_scores_gemma":[0.4298861,0.018888075,0.0037508097,0.0862529,0.026449852,0.00014674822,0.00012912932,0.00073045125,0.4337659],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968971,0.001746691,0.00006736277,0.00033743534,0.0006480201,0.00030330443],"domain_scores_gemma":[0.9966474,0.0019939896,0.00019016131,0.00043492837,0.0004751021,0.00025834772],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034717561,0.00089541427,0.00056043,0.0026192402,0.008958794,0.016393134,0.0015785047,0.0056745447,0.014506864],"category_scores_gemma":[0.008560107,0.00034682298,0.00044451555,0.0038311202,0.039780032,0.016537046,0.0048312624,0.009255443,0.0024737688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010326901,0.0000048614247,0.000028842887,0.000032650376,0.000001470107,0.000023321356,0.005513291,0.000029866096,0.0000262763,0.92699504,0.06466226,0.0026717626],"study_design_scores_gemma":[0.000008282021,0.000007733184,0.000103951614,0.00013180275,0.0000026869993,0.00007137945,0.003128389,0.00008171193,0.000077857345,0.24263448,0.75374055,0.000011077982],"about_ca_topic_score_codex":0.007712415,"about_ca_topic_score_gemma":0.014900832,"teacher_disagreement_score":0.016393134,"about_ca_system_score_codex":0.008563519,"about_ca_system_score_gemma":0.005366724,"threshold_uncertainty_score":0.062132955},"labels":[],"label_agreement":null},{"id":"W4391866853","doi":"10.3138/tric.24.1.186","title":"Who Is The Stranger?: The Role of The Monstrous in Judith Thompsons <i>Capture Me</i>","year":2003,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis","score_opus":0.026922483056925118,"score_gpt":0.25793916548902074,"score_spread":0.2310166824320956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391866853","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51296264,0.016228206,0.0021821272,0.10087218,0.0016217437,0.00005331983,0.000049613165,0.000071452494,0.3659587],"genre_scores_gemma":[0.9693058,0.0015027488,0.00013452946,0.0027855872,0.00010793563,0.000010003489,0.0000075824487,0.00004050992,0.026105378],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99660134,0.0016901237,0.000050613486,0.00028650873,0.00059456535,0.0007767354],"domain_scores_gemma":[0.99764204,0.0010444614,0.00028830415,0.00011200658,0.0003317576,0.000581452],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002301287,0.00039568456,0.00039609705,0.0009606818,0.0421881,0.009043638,0.0013284682,0.0028605775,0.0027361456],"category_scores_gemma":[0.004791755,0.000308666,0.0001919696,0.0014588637,0.049179327,0.002609877,0.005183513,0.004246317,0.000302449],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001841262,0.000007753189,0.0013716454,0.000034685898,0.000004010676,0.00040928274,0.88953906,0.00003414928,0.00019204129,0.09401113,0.009298992,0.0050788186],"study_design_scores_gemma":[0.000005461067,0.00001823184,0.0038595044,0.00021636201,0.000013083062,0.00041402507,0.7647762,0.00007309621,0.00029600636,0.007777561,0.2225218,0.000028706243],"about_ca_topic_score_codex":0.6316794,"about_ca_topic_score_gemma":0.78742325,"teacher_disagreement_score":0.6316794,"about_ca_system_score_codex":0.038532462,"about_ca_system_score_gemma":0.017441038,"threshold_uncertainty_score":0.7409794},"labels":[],"label_agreement":null},{"id":"W4392125267","doi":"10.5430/wjel.v14n3p156","title":"The Father as a Dominant Figure in John McGahern’s The Dark","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Great Rift; Physics; Astronomy","score_opus":0.008749896216817607,"score_gpt":0.23556783897854086,"score_spread":0.22681794276172326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392125267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45366627,0.020722324,0.003668712,0.12549995,0.0073813903,0.000055666667,0.000045403147,0.00010053042,0.38885972],"genre_scores_gemma":[0.93396235,0.0029926107,0.0007667679,0.008769672,0.0005214312,0.000017735822,0.000009049988,0.00008583573,0.052874655],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979207,0.001337914,0.000026997648,0.00016367354,0.00030348642,0.0002472936],"domain_scores_gemma":[0.9988362,0.0005284137,0.00017179434,0.000049163747,0.00010435268,0.0003100957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017744724,0.000361873,0.00031690457,0.0005190297,0.01047465,0.005430102,0.0007502338,0.0016105114,0.0022076827],"category_scores_gemma":[0.0027511886,0.00033267532,0.00014098723,0.0003362576,0.019831227,0.0025295997,0.0033284319,0.0042064465,0.00043543524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011398267,0.000052379524,0.001550502,0.00016761576,0.000011923321,0.0063683293,0.5407926,0.00015653722,0.0012672159,0.3864507,0.05199739,0.011070841],"study_design_scores_gemma":[0.000014526143,0.00007402221,0.001427196,0.0003890552,0.000012649186,0.005103615,0.2412973,0.0001938436,0.00091835903,0.020431615,0.7300908,0.000047121026],"about_ca_topic_score_codex":0.010392169,"about_ca_topic_score_gemma":0.025029132,"teacher_disagreement_score":0.01047465,"about_ca_system_score_codex":0.004165979,"about_ca_system_score_gemma":0.0024363108,"threshold_uncertainty_score":0.03022641},"labels":[],"label_agreement":null},{"id":"W4392662090","doi":"10.3828/bjcs.2024.3","title":"‘I need readers to trust that this <i>can</i> happen’: relational realism in Catherine Bush’s and Doreen Vanderstoop’s climate crisis novels","year":2024,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Realism; History; Literature; Political science; Psychology; Art","score_opus":0.05703631736500182,"score_gpt":0.247220943148399,"score_spread":0.1901846257833972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392662090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.115037695,0.012451448,0.0063162674,0.3199543,0.005008988,0.00008023576,0.00009137913,0.00017839507,0.5408813],"genre_scores_gemma":[0.9353836,0.0024026965,0.0012189582,0.01221773,0.00066619884,0.000056909117,0.0000230687,0.00019894856,0.04783179],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958912,0.002440138,0.000056511617,0.00029514733,0.00068002724,0.0006369118],"domain_scores_gemma":[0.99658585,0.0019371215,0.00029549125,0.0002273584,0.00044041337,0.0005138403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004416852,0.00049788743,0.00041775857,0.0008945278,0.020562936,0.0135926055,0.0019238237,0.00420212,0.005323369],"category_scores_gemma":[0.007853039,0.00037518475,0.0003264641,0.00086010253,0.052130267,0.008330475,0.005400022,0.008685333,0.00066197687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030934963,0.000021283628,0.00018049989,0.00008168424,0.000006174744,0.00063766015,0.5296942,0.000107111,0.00034424572,0.42628968,0.037908513,0.004698033],"study_design_scores_gemma":[0.000012521032,0.000015812691,0.0003954968,0.00021013172,0.0000076062256,0.0004390235,0.3100696,0.00015101742,0.00041804372,0.035456818,0.6527856,0.00003839153],"about_ca_topic_score_codex":0.10133491,"about_ca_topic_score_gemma":0.13789502,"teacher_disagreement_score":0.8986651,"about_ca_system_score_codex":0.016259009,"about_ca_system_score_gemma":0.00710378,"threshold_uncertainty_score":0.2014901},"labels":[],"label_agreement":null},{"id":"W4392778768","doi":"10.1007/978-3-031-47831-4_9","title":"Archaeologies of Nonentity in Aki Kaurismäki’s The Other Side of Hope","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave studies in literature, culture and human rights","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Medicine; History; Psychoanalysis; Psychology","score_opus":0.04238669971933137,"score_gpt":0.2860444461107937,"score_spread":0.24365774639146234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392778768","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27298248,0.0146177085,0.0031978532,0.02629595,0.0012755009,0.000051540246,0.00011835026,0.00008055669,0.6813801],"genre_scores_gemma":[0.9005642,0.0019141366,0.0008040717,0.0010069045,0.000090356894,0.000026497777,0.00003096746,0.0000480793,0.09551469],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997123,0.00008441146,0.000012851911,0.000041075553,0.000044058725,0.000105222716],"domain_scores_gemma":[0.9997584,0.00006644726,0.00003847848,0.00003306784,0.000028153525,0.00007543262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067776244,0.0002257859,0.00026354796,0.0006146055,0.009149244,0.0033911334,0.0004957731,0.00101203,0.0054043415],"category_scores_gemma":[0.0009428707,0.00028444093,0.00014871563,0.00091295206,0.010353142,0.0032019808,0.004586062,0.0026773098,0.0005770381],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007811569,0.00002714989,0.0010066741,0.00013012487,0.000005978071,0.0011271368,0.24601738,0.00004637139,0.0008378669,0.7248857,0.012536927,0.013300522],"study_design_scores_gemma":[0.000012985531,0.000030389736,0.004529103,0.00024282488,0.000019535762,0.0007868742,0.16403669,0.00007432528,0.0005934797,0.064640075,0.7649984,0.00003536646],"about_ca_topic_score_codex":0.0044767326,"about_ca_topic_score_gemma":0.027445817,"teacher_disagreement_score":0.009149244,"about_ca_system_score_codex":0.0017624728,"about_ca_system_score_gemma":0.0021022714,"threshold_uncertainty_score":0.01807934},"labels":[],"label_agreement":null},{"id":"W4392988767","doi":"10.5040/9798216034889.ch-069","title":"Number 69: Morgan Stanley (2004)","year":2014,"lang":"en","type":"other","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics","score_opus":0.0139255053589587,"score_gpt":0.21798382912318723,"score_spread":0.20405832376422853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392988767","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036811925,0.010882149,0.0061302586,0.0060774935,0.002665269,0.00012686277,0.0036861475,0.0021707495,0.96789294],"genre_scores_gemma":[0.0019006659,0.003958773,0.0019158736,0.0009184877,0.00020764781,0.00007260554,0.00088205014,0.0006392479,0.9895047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894494,0.00011607228,0.000081126156,0.00018575916,0.0005966755,0.000075399126],"domain_scores_gemma":[0.9969709,0.0005982788,0.00014431369,0.00047787983,0.0015152914,0.00029335564],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014559923,0.0013122776,0.00073911675,0.002120406,0.0020692055,0.006120692,0.001293742,0.0022035134,0.41720825],"category_scores_gemma":[0.005199007,0.0012364031,0.00047286635,0.0027785536,0.0010124795,0.004450137,0.0014273939,0.0037139868,0.42774612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001735806,0.00001592783,0.00010640688,0.0000696279,0.0000037868804,0.000047556612,0.00007502175,0.00017697252,0.00014072764,0.011910711,0.9059793,0.08145663],"study_design_scores_gemma":[0.000003711687,0.000004813125,0.00038228443,0.000114883405,0.0000025512363,0.000039112576,0.000057390094,0.00006395627,0.000057114587,0.0033400918,0.9959281,0.0000060083617],"about_ca_topic_score_codex":0.030525971,"about_ca_topic_score_gemma":0.08352644,"teacher_disagreement_score":0.58279175,"about_ca_system_score_codex":0.0026003344,"about_ca_system_score_gemma":0.0044273017,"threshold_uncertainty_score":0.83128166},"labels":[],"label_agreement":null},{"id":"W4393108267","doi":"","title":"Does Canadian Literature Need an Ethic of Discomfort? A Few Preliminary (and Cautious) Steps","year":2021,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Psychology","score_opus":0.010958832175566343,"score_gpt":0.20470095053946952,"score_spread":0.19374211836390318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393108267","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059221606,0.005562077,0.0032152385,0.9409914,0.0027350662,0.0001363531,0.00015070332,0.0000871897,0.04119988],"genre_scores_gemma":[0.4117345,0.013163637,0.033186555,0.4752067,0.0051176664,0.0006867194,0.0003949527,0.00034720785,0.06016213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98650473,0.005314353,0.0009879653,0.0011276087,0.0036196043,0.002445656],"domain_scores_gemma":[0.9217434,0.030762171,0.0031219202,0.0031422884,0.033860583,0.0073695728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.022777893,0.0012059824,0.0012126231,0.0033253424,0.026430294,0.023574963,0.004870426,0.01621204,0.024763426],"category_scores_gemma":[0.06366452,0.00058482296,0.000903907,0.002993529,0.039384227,0.025484897,0.006739647,0.023341283,0.003289904],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018075747,0.00013699169,0.0034990145,0.0010677851,0.000056589644,0.0008296241,0.03851604,0.00020646893,0.0016845709,0.65355307,0.25398633,0.046282697],"study_design_scores_gemma":[0.00007950989,0.000058103757,0.006415159,0.003644619,0.0000936599,0.000510211,0.22369075,0.00059463264,0.0009908437,0.3156116,0.44798726,0.00032359737],"about_ca_topic_score_codex":0.3787468,"about_ca_topic_score_gemma":0.5600084,"teacher_disagreement_score":0.6212532,"about_ca_system_score_codex":0.027601851,"about_ca_system_score_gemma":0.075491175,"threshold_uncertainty_score":0.75308454},"labels":[],"label_agreement":null},{"id":"W4393300712","doi":"","title":"\"'Truth in Framing': Medusa's Defeat or the Triumph of the 'Framed' Self in A.S. Byatt's 'Medusa's Ankles'\"","year":2005,"lang":"en","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Framing (construction); Art; Psychoanalysis; Philosophy; Psychology; History; Archaeology","score_opus":0.016392460919277402,"score_gpt":0.20298465517626516,"score_spread":0.18659219425698775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393300712","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01787954,0.016635928,0.0044535436,0.087503955,0.003682201,0.000022239246,0.000042859465,0.00006705912,0.86971265],"genre_scores_gemma":[0.8297201,0.003960585,0.0012447159,0.012657946,0.0019203412,0.00005819232,0.00004105422,0.00014118347,0.15025584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99739695,0.0017921136,0.00003717865,0.00014765498,0.0004021388,0.000223964],"domain_scores_gemma":[0.9980324,0.0012474434,0.00013896787,0.00015357729,0.00029073562,0.00013688371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031656646,0.0005501977,0.00043400866,0.0010990482,0.007683066,0.009563689,0.0007911217,0.0031266657,0.004887789],"category_scores_gemma":[0.006303555,0.00028918704,0.0002590004,0.0010054201,0.03552022,0.0073967236,0.0027818878,0.0057670507,0.0007300889],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009874821,0.000005228188,0.000051549658,0.000030451418,0.0000013222814,0.000033456272,0.046138387,0.000023260725,0.000048662667,0.92294383,0.026879912,0.0038339267],"study_design_scores_gemma":[0.000022276428,0.000027033126,0.0007389519,0.00071198493,0.000012816283,0.00017431998,0.04415077,0.00025768057,0.00035787112,0.3720045,0.5815205,0.000021151773],"about_ca_topic_score_codex":0.011342004,"about_ca_topic_score_gemma":0.016955312,"teacher_disagreement_score":0.011342004,"about_ca_system_score_codex":0.0055178916,"about_ca_system_score_gemma":0.0031347254,"threshold_uncertainty_score":0.040035248},"labels":[],"label_agreement":null},{"id":"W4393317913","doi":"10.4000/etudesecossaises.4872","title":"The Satire of Gerontophobic Ableism in Muriel Spark’s Memento Mori: A “Salutary Scar”","year":2024,"lang":"en","type":"article","venue":"Études écossaises","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Ableism; Art; SPARK (programming language); Literature; Art history; Performance art; Sociology; Computer science; Gender studies","score_opus":0.02428924291408677,"score_gpt":0.23863373540645075,"score_spread":0.21434449249236398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393317913","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.404594,0.011444007,0.0029755912,0.27651754,0.0058636023,0.000047317702,0.00007089815,0.00011480326,0.29837224],"genre_scores_gemma":[0.96758455,0.0009586218,0.00023479463,0.013174643,0.00063429197,0.000018538558,0.000007640565,0.000048974965,0.017337827],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678373,0.0020141678,0.000054248525,0.00023427376,0.00047106214,0.00044254473],"domain_scores_gemma":[0.997184,0.0016772659,0.00029997175,0.00017289605,0.00024710965,0.00041878474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045200004,0.0004772202,0.0004509851,0.00065490097,0.015508458,0.0065311817,0.000992851,0.0044223084,0.0020464463],"category_scores_gemma":[0.006430512,0.00030637244,0.00031764986,0.00032725715,0.048505466,0.004808924,0.0072080093,0.007660631,0.0003518256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007664412,0.000025203783,0.000568186,0.00011923645,0.000010651883,0.0013680327,0.6978781,0.000048997626,0.0006442702,0.26335496,0.03011573,0.0057899086],"study_design_scores_gemma":[0.000025305024,0.00008928537,0.0016985281,0.00038263015,0.0000118995285,0.001454127,0.3776295,0.00016663817,0.00090564665,0.04111558,0.57645994,0.00006097572],"about_ca_topic_score_codex":0.005333849,"about_ca_topic_score_gemma":0.010936255,"teacher_disagreement_score":0.015508458,"about_ca_system_score_codex":0.0051580714,"about_ca_system_score_gemma":0.0018254572,"threshold_uncertainty_score":0.037424564},"labels":[],"label_agreement":null},{"id":"W4394752968","doi":"10.29173/mruhr771","title":"One Territory, Two Worlds","year":2024,"lang":"en","type":"article","venue":"Mount Royal Undergraduate Humanities Review (MRUHR)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.04023633480489546,"score_gpt":0.26095758822266624,"score_spread":0.22072125341777077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394752968","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0304607,0.008457236,0.008987223,0.03532381,0.0011098982,0.00006891518,0.0001025293,0.00011345387,0.91537637],"genre_scores_gemma":[0.8309736,0.006672559,0.0037818938,0.0073892944,0.00047204658,0.00015000835,0.000105453,0.00020564867,0.15024951],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974164,0.0012842099,0.000068605106,0.00040907945,0.0003382344,0.00048345022],"domain_scores_gemma":[0.9990206,0.00023748612,0.00007279155,0.00027401224,0.00011127789,0.00028387553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019584154,0.0004727215,0.0007443314,0.0013440017,0.010388883,0.012275038,0.00096899696,0.002819663,0.020185804],"category_scores_gemma":[0.0024688905,0.00043497432,0.0004213951,0.0016245532,0.032617055,0.01619576,0.01443023,0.004134237,0.0026298962],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016206192,0.000012138849,0.00033199412,0.000063667045,0.0000112700345,0.00023676145,0.027826007,0.000068238034,0.00019868715,0.9482918,0.011091184,0.01185217],"study_design_scores_gemma":[0.000014486372,0.000034765548,0.0008292229,0.0004208724,0.000018480896,0.00052900356,0.07217387,0.00014783836,0.00013305433,0.17053819,0.7551379,0.000022226961],"about_ca_topic_score_codex":0.0069594146,"about_ca_topic_score_gemma":0.009047861,"teacher_disagreement_score":0.020185804,"about_ca_system_score_codex":0.0035223123,"about_ca_system_score_gemma":0.004065148,"threshold_uncertainty_score":0.06752825},"labels":[],"label_agreement":null},{"id":"W4394940758","doi":"10.33137/ic.v37i1.42109","title":"Letting Silence Speak: Licia Canton’s The Pink House and Other Stories","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Silence; Art; Visual arts; Aesthetics","score_opus":0.03499819443865008,"score_gpt":0.22879395379321102,"score_spread":0.19379575935456095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394940758","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16478197,0.037358437,0.0015341989,0.29275352,0.013954447,0.000098961136,0.00010252109,0.00021082355,0.4892051],"genre_scores_gemma":[0.83738273,0.008719333,0.000345929,0.02928722,0.0033646126,0.00011479113,0.00004775004,0.00019425254,0.1205433],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99609995,0.002512743,0.00004968399,0.00017449365,0.0005314739,0.0006317231],"domain_scores_gemma":[0.9952825,0.0025062745,0.00034285279,0.00023166774,0.00065781723,0.0009788539],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032762245,0.00090560445,0.00043251354,0.0015866645,0.017005688,0.008477423,0.0014097448,0.0035196634,0.0037280328],"category_scores_gemma":[0.008017642,0.0003081362,0.0002691361,0.0012938412,0.019030578,0.004228404,0.0045192237,0.005895798,0.00083982793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006076312,0.00003265394,0.00058825855,0.00015209908,0.000011981891,0.002987891,0.64460945,0.00006797927,0.00042562318,0.08451541,0.2538621,0.012685786],"study_design_scores_gemma":[0.00000906966,0.000034245062,0.0014042035,0.000446771,0.000011118825,0.0010681722,0.22913586,0.00007877149,0.0004937027,0.004065789,0.7632212,0.000031130745],"about_ca_topic_score_codex":0.04579347,"about_ca_topic_score_gemma":0.066809334,"teacher_disagreement_score":0.9542065,"about_ca_system_score_codex":0.011076369,"about_ca_system_score_gemma":0.003499612,"threshold_uncertainty_score":0.09105384},"labels":[],"label_agreement":null},{"id":"W4395040321","doi":"10.1353/vcr.2023.a925226","title":"After Darwin: Literature, Theory, and Criticism in the Twenty-First Century by Devin Griffiths and Deanna Kreisel (review)","year":2023,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Darwin (ADL); Criticism; Engineering; Art; Literature; Software engineering","score_opus":0.011932430587760234,"score_gpt":0.24247762105735327,"score_spread":0.23054519046959304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395040321","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000053165186,0.9745507,0.00007015903,0.018777242,0.005411996,0.0000062697413,0.00001334842,0.0000038027613,0.0011133093],"genre_scores_gemma":[0.0020788892,0.9647835,0.00021609697,0.019314386,0.009652095,0.000037753216,0.000072082184,0.000017891856,0.0038274473],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946831,0.0021590097,0.00041538643,0.0005873968,0.001861293,0.00029392578],"domain_scores_gemma":[0.9852115,0.008899718,0.0011033732,0.0002480882,0.003639981,0.0008973142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0069387765,0.0012279646,0.00197356,0.006165175,0.002381631,0.008658127,0.0019231582,0.004246143,0.0068434887],"category_scores_gemma":[0.017708508,0.0007205163,0.0010759691,0.007959333,0.007847182,0.011037655,0.0036732575,0.008902401,0.0038648117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034784207,0.000025474703,0.00035859484,0.0093517415,0.00007217883,0.00016874442,0.0036257664,0.00013757472,0.00010724625,0.017053377,0.8345175,0.13454713],"study_design_scores_gemma":[0.000009198217,0.000016554864,0.0008487071,0.020801073,0.000027274893,0.00030232492,0.0018078085,0.000023725443,0.000039941177,0.010148335,0.9659395,0.0000354618],"about_ca_topic_score_codex":0.008368606,"about_ca_topic_score_gemma":0.009866938,"teacher_disagreement_score":0.008658127,"about_ca_system_score_codex":0.006072509,"about_ca_system_score_gemma":0.01572498,"threshold_uncertainty_score":0.044059336},"labels":[],"label_agreement":null},{"id":"W4395099476","doi":"10.3138/utq.92.4.01","title":"Symptomatic Elegies: Ideology and Melancholy in Dennis Lee and Eli Mandel","year":2023,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Ideology; Literature; History; Philosophy; Art; Political science; Law; Politics","score_opus":0.010015122735679699,"score_gpt":0.19021240455404972,"score_spread":0.18019728181837003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395099476","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17344524,0.03134213,0.0012943958,0.27276835,0.002621379,0.000033803608,0.000036303143,0.00007038051,0.5183881],"genre_scores_gemma":[0.9625923,0.003727466,0.00027177983,0.0104001155,0.00040536418,0.000021823123,0.00000669657,0.0000390248,0.022535225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976672,0.0012793957,0.00004146843,0.000157279,0.0005131684,0.00034149684],"domain_scores_gemma":[0.9980743,0.0011585997,0.00018176012,0.000093841874,0.00027765136,0.00021369936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032948456,0.00040719856,0.00035310886,0.0018445748,0.022199046,0.00750604,0.0009008341,0.0029689032,0.0018855266],"category_scores_gemma":[0.004745357,0.00024924154,0.00018739479,0.0012976087,0.051506918,0.0046406253,0.004436517,0.0054091364,0.0002799111],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023305956,0.000031097774,0.0005636195,0.000039223232,0.000005493985,0.00046771596,0.30471322,0.00004697774,0.00015379058,0.66186285,0.02646129,0.0056313835],"study_design_scores_gemma":[0.000029150864,0.000035459943,0.001943341,0.00048728066,0.000012304773,0.0005116085,0.32610458,0.00018740124,0.000418944,0.1034153,0.56680834,0.000046214354],"about_ca_topic_score_codex":0.079600215,"about_ca_topic_score_gemma":0.13370109,"teacher_disagreement_score":0.079600215,"about_ca_system_score_codex":0.018022597,"about_ca_system_score_gemma":0.007988799,"threshold_uncertainty_score":0.15827376},"labels":[],"label_agreement":null},{"id":"W4395448015","doi":"10.18778/8331-397-9.05","title":"“Alternative Selves” and Authority in the Fiction of Jane Urquhart","year":2024,"lang":"en","type":"book-chapter","venue":"Wydawnictwo Uniwersytetu Łódzkiego eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.03325684065389252,"score_gpt":0.2358275731728213,"score_spread":0.20257073251892876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395448015","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12583004,0.016061705,0.0050552823,0.17049597,0.0036326507,0.00011322112,0.000096260206,0.00016463021,0.6785502],"genre_scores_gemma":[0.86482084,0.002605506,0.0012714465,0.011716371,0.00056674774,0.00007566689,0.00003395036,0.00013799513,0.11877155],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99665785,0.002098709,0.000026102123,0.00018231718,0.0006344728,0.00040050515],"domain_scores_gemma":[0.99869627,0.00070953666,0.00006233044,0.000056925153,0.00025660393,0.0002183888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013296993,0.00060121244,0.00035065683,0.0008880829,0.01548685,0.0046545267,0.0012217253,0.002691311,0.0032360523],"category_scores_gemma":[0.0054141977,0.00022384962,0.00026917487,0.0006111285,0.018843336,0.0025431316,0.0026949842,0.0049828584,0.00064992334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008794406,0.00003471255,0.0005758437,0.00009626544,0.000008418233,0.0017538053,0.47069442,0.00022276868,0.00058435433,0.4129686,0.101390444,0.01158233],"study_design_scores_gemma":[0.0000065413647,0.000021232278,0.0005756445,0.00014218787,0.000004636797,0.0007138389,0.10474408,0.00018148197,0.0003385087,0.010247554,0.8829935,0.000030768555],"about_ca_topic_score_codex":0.18357867,"about_ca_topic_score_gemma":0.29496336,"teacher_disagreement_score":0.18357867,"about_ca_system_score_codex":0.013092184,"about_ca_system_score_gemma":0.0043964107,"threshold_uncertainty_score":0.36502028},"labels":[],"label_agreement":null},{"id":"W4395482147","doi":"10.1515/9782760641723-014","title":"Les machines de texte dans <i>Infinite</i> Jest de David Foster Wallace","year":2020,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.016440989046445094,"score_gpt":0.1856800590125782,"score_spread":0.1692390699661331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395482147","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018286286,0.010654699,0.05339809,0.018860279,0.0007969707,0.000026276253,0.00024931118,0.0006183742,0.8971097],"genre_scores_gemma":[0.55152357,0.0043420848,0.016141843,0.001661184,0.00063179433,0.000069064605,0.0002708898,0.0005542196,0.42480528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993537,0.00027199773,0.000021745433,0.00010750248,0.00017737012,0.00006761151],"domain_scores_gemma":[0.9990976,0.00044282197,0.00005946451,0.00015624258,0.00018162679,0.00006236566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007314835,0.00033627005,0.00020581068,0.0011449252,0.0029394834,0.0052449233,0.0005585119,0.00071847433,0.006952333],"category_scores_gemma":[0.002281943,0.00029431918,0.00019753767,0.00085031166,0.01081626,0.006527189,0.0012515421,0.001829219,0.001922361],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073221136,0.0000014768208,0.00005342838,0.0000139226395,8.487635e-7,0.000018219744,0.0035774957,0.00010684193,0.00020289292,0.9782019,0.010295806,0.00751975],"study_design_scores_gemma":[0.000006711269,0.000008945487,0.00052676303,0.0001357923,0.0000054538245,0.000109246495,0.0020609596,0.0011297517,0.00070401176,0.3056009,0.68969685,0.000014601582],"about_ca_topic_score_codex":0.022420255,"about_ca_topic_score_gemma":0.030277196,"teacher_disagreement_score":0.022420255,"about_ca_system_score_codex":0.0063781226,"about_ca_system_score_gemma":0.0020563556,"threshold_uncertainty_score":0.046276808},"labels":[],"label_agreement":null},{"id":"W4396212597","doi":"10.1215/00982601-11118304","title":"Realism Reconsidered: New Approaches in Novel Studies","year":2024,"lang":"en","type":"article","venue":"Eighteenth-Century Life","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Realism; Epistemology; Philosophy; Computer science; Cognitive science; Psychology","score_opus":0.22463922283002336,"score_gpt":0.29215441537699044,"score_spread":0.06751519254696708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396212597","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03543062,0.063462146,0.031214807,0.1934099,0.0046095857,0.00012336909,0.00012766807,0.00014607959,0.6714758],"genre_scores_gemma":[0.9400925,0.010562456,0.007987197,0.011494407,0.0032711043,0.00032286887,0.00006547561,0.0001874074,0.026016565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9720144,0.02301049,0.00037707077,0.0018339094,0.0015812211,0.0011829559],"domain_scores_gemma":[0.9742726,0.019839803,0.0011817497,0.0023462663,0.0009714089,0.0013881283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02296334,0.0010475821,0.0012950969,0.005851952,0.017782755,0.024057874,0.004776675,0.0096204635,0.010756494],"category_scores_gemma":[0.015998852,0.0006751856,0.0010061878,0.003095509,0.15286337,0.033286404,0.013044331,0.013354885,0.0010448657],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007009846,0.000010253314,0.000042937685,0.000039615396,0.000002677378,0.000050101196,0.024360321,0.000039673887,0.00002198468,0.9720694,0.0017223258,0.0016337208],"study_design_scores_gemma":[0.000026585485,0.00001844676,0.000103421764,0.00033225617,0.00000520291,0.00015158814,0.03717693,0.00031413086,0.00012331964,0.8117622,0.14996612,0.000019806346],"about_ca_topic_score_codex":0.0042463792,"about_ca_topic_score_gemma":0.0054318593,"teacher_disagreement_score":0.024057874,"about_ca_system_score_codex":0.023194581,"about_ca_system_score_gemma":0.0069021415,"threshold_uncertainty_score":0.16828924},"labels":[],"label_agreement":null},{"id":"W4396536710","doi":"10.1515/9782763719757-001","title":"Remerciements","year":2015,"lang":"fr","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.12130311779206439,"score_gpt":0.2650488423437703,"score_spread":0.14374572455170592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396536710","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008473216,0.026657352,0.014101958,0.2175854,0.15501176,0.0011343536,0.011205677,0.002677488,0.56315285],"genre_scores_gemma":[0.043927804,0.009489315,0.00988335,0.015804231,0.012342047,0.0007867319,0.0042376877,0.0026644066,0.9008644],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9717837,0.005932151,0.0013170154,0.0032793162,0.015956525,0.0017311585],"domain_scores_gemma":[0.90141815,0.0071036974,0.002618562,0.010641863,0.06646746,0.011750296],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.015395331,0.0017490683,0.0021534304,0.0042776703,0.005912806,0.0127671,0.0032713183,0.0023948858,0.16957384],"category_scores_gemma":[0.09562301,0.00060237624,0.0010504003,0.003477674,0.0033562914,0.0075526964,0.00717643,0.007775241,0.111866914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057865913,0.000044464377,0.0005870658,0.000257245,0.00001491471,0.00028406593,0.0050265146,0.000093158545,0.0005884405,0.034548756,0.89242655,0.06607101],"study_design_scores_gemma":[0.0000031561158,0.000010619869,0.00031036933,0.00024385641,0.0000037420016,0.00013033165,0.0011539507,0.000032251563,0.000106315885,0.0020178067,0.9959777,0.000009864071],"about_ca_topic_score_codex":0.00816101,"about_ca_topic_score_gemma":0.013335321,"teacher_disagreement_score":0.83042616,"about_ca_system_score_codex":0.012326193,"about_ca_system_score_gemma":0.021699192,"threshold_uncertainty_score":0.567281},"labels":[],"label_agreement":null},{"id":"W4396909245","doi":"10.7202/1111119ar","title":"Les approximations de la situation déictique. Les transcréations d’Anne Hébert","year":2024,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University; King's University College","funders":"","keywords":"Humanities; Art","score_opus":0.03245766210975037,"score_gpt":0.28565267746992884,"score_spread":0.25319501536017847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396909245","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19608831,0.006847485,0.025663448,0.034834955,0.0012654819,0.00007732077,0.00014133677,0.00017268292,0.734909],"genre_scores_gemma":[0.94679904,0.001213318,0.0015800521,0.0007802469,0.00010670006,0.00003267309,0.000026355443,0.00008065989,0.049380966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99556786,0.0031094747,0.00007308771,0.00033175558,0.0005712026,0.0003465431],"domain_scores_gemma":[0.9974361,0.0013563304,0.00031232912,0.00031388126,0.00036882597,0.00021246329],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027978108,0.00056835945,0.0002891766,0.0010404959,0.0077229943,0.0075646336,0.0007663388,0.0023556084,0.005241954],"category_scores_gemma":[0.0066309064,0.00036697838,0.00028793723,0.00076632015,0.0289659,0.005090633,0.0041854843,0.0049359687,0.0007313142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003452564,0.000005422115,0.00029732438,0.00005818892,0.000004410335,0.00048506612,0.21955495,0.00018484608,0.0005301035,0.771518,0.0031912965,0.0041358294],"study_design_scores_gemma":[0.000017539884,0.00005152693,0.0023701168,0.0005019566,0.00002175407,0.0014311734,0.2263057,0.00082347856,0.0013799588,0.11836045,0.64868355,0.000052762036],"about_ca_topic_score_codex":0.020293083,"about_ca_topic_score_gemma":0.020545462,"teacher_disagreement_score":0.020293083,"about_ca_system_score_codex":0.006564535,"about_ca_system_score_gemma":0.0031909342,"threshold_uncertainty_score":0.047629297},"labels":[],"label_agreement":null},{"id":"W4399370074","doi":"10.3138/ctr.197.016","title":"Freedom in the Invitation: Lilith &amp; C<sup>ie</sup>’s <i>Invisible</i>","year":2024,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Theology; Philosophy","score_opus":0.03258224872998691,"score_gpt":0.2480147677685661,"score_spread":0.21543251903857918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399370074","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053609256,0.5088035,0.0009266246,0.068810605,0.00502548,0.00007981922,0.0002552294,0.00009496555,0.4106429],"genre_scores_gemma":[0.23888585,0.5519671,0.0015914654,0.024465052,0.0020981187,0.00028334474,0.0005301574,0.00037923473,0.17979974],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99408877,0.0016852727,0.0001705204,0.00050269783,0.0027288834,0.0008238734],"domain_scores_gemma":[0.9942116,0.002836206,0.00040636284,0.00026405667,0.0016672718,0.0006143203],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059950855,0.0007664319,0.00078351004,0.003556152,0.009320992,0.012493546,0.0030292114,0.0034191164,0.016049247],"category_scores_gemma":[0.011991058,0.00038677253,0.000386399,0.0074101547,0.019844718,0.0053208745,0.0047406643,0.0048046494,0.0026722169],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021679673,0.000050254854,0.0006684993,0.0069305114,0.000028870383,0.00086121954,0.08387536,0.00014407892,0.00056112977,0.22459866,0.4122966,0.2697681],"study_design_scores_gemma":[0.0000055220844,0.0000085438205,0.0008814577,0.0018649794,0.000007471009,0.000087957626,0.009655868,0.000009754316,0.00009506434,0.0009127843,0.98645616,0.000014455401],"about_ca_topic_score_codex":0.73169655,"about_ca_topic_score_gemma":0.7700092,"teacher_disagreement_score":0.73169655,"about_ca_system_score_codex":0.053075444,"about_ca_system_score_gemma":0.07086171,"threshold_uncertainty_score":0.539767},"labels":[],"label_agreement":null},{"id":"W4399438035","doi":"10.1080/0895769x.2024.2364274","title":"The Big Bang: Physics and Metaphysics in Michael Symmons Roberts’ “Last Words”","year":2024,"lang":"en","type":"article","venue":"ANQ A Quarterly Journal of Short Articles Notes and Reviews","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Metaphysics; Epistemology; Philosophy","score_opus":0.039208735853388244,"score_gpt":0.2536187420671161,"score_spread":0.21441000621372786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399438035","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022827124,0.35088885,0.0020028276,0.5472613,0.012922022,0.000008856344,0.00003439979,0.000041190087,0.08455785],"genre_scores_gemma":[0.29641327,0.24945037,0.0036962577,0.25546393,0.058651943,0.000110629306,0.00007098347,0.0003196894,0.1358229],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974515,0.001462407,0.000059225786,0.00019198123,0.0007066614,0.00012826192],"domain_scores_gemma":[0.9970746,0.0020547244,0.0001451828,0.00013155084,0.00041266915,0.0001813562],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029188164,0.00054164825,0.0005355944,0.0016508838,0.0040237354,0.005085754,0.0011195713,0.0046638544,0.0036745477],"category_scores_gemma":[0.006494986,0.00042213386,0.00036358507,0.0013658524,0.01350922,0.0073777027,0.0019656182,0.007044701,0.0011188233],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029701701,0.000012284457,0.000064526845,0.00019767975,0.0000077025325,0.000121773955,0.0032558085,0.00011398886,0.00014636069,0.70338047,0.28185165,0.010818062],"study_design_scores_gemma":[0.00001111883,0.000015134634,0.00032049665,0.0007592234,0.0000047164567,0.00011512719,0.0017463064,0.00016827522,0.00021214467,0.27650866,0.7201201,0.000018713641],"about_ca_topic_score_codex":0.008917433,"about_ca_topic_score_gemma":0.009926802,"teacher_disagreement_score":0.008917433,"about_ca_system_score_codex":0.0043376633,"about_ca_system_score_gemma":0.0037591797,"threshold_uncertainty_score":0.031472147},"labels":[],"label_agreement":null},{"id":"W4399827454","doi":"10.1111/oli.12460","title":"Potential sites of transgression in Michael Crummey's <i>The Innocents</i>: Questioning theoretical and ethical boundaries","year":2024,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Marine transgression; Psychoanalysis; Philosophy; Sociology; Psychology; Geology; Paleontology","score_opus":0.008402403410794672,"score_gpt":0.24063717799092008,"score_spread":0.2322347745801254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399827454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35510135,0.010062873,0.0026095572,0.14219849,0.0010514902,0.00006804247,0.00004458357,0.00007383412,0.48878983],"genre_scores_gemma":[0.9808708,0.00077097974,0.00032661436,0.0026197552,0.00012813183,0.000016861728,0.000004362724,0.000028801564,0.015233558],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99601763,0.0021908332,0.00006517158,0.00032965877,0.000652379,0.0007444081],"domain_scores_gemma":[0.9936027,0.0043988116,0.0004707313,0.00032291515,0.0006960043,0.00050884235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047878684,0.0004948062,0.0006322956,0.001593447,0.028509913,0.015101005,0.0018987211,0.0065108454,0.0028287033],"category_scores_gemma":[0.008688019,0.00038368022,0.00019278366,0.0012895537,0.067174904,0.0040337844,0.005903615,0.009313642,0.00022569398],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024590276,0.0000106678,0.00046355612,0.000033522796,0.000003526715,0.00075089425,0.4606968,0.00005172047,0.00019546495,0.5266343,0.0080106165,0.0031243789],"study_design_scores_gemma":[0.000018133213,0.000034859542,0.0015255347,0.000638991,0.00001732975,0.0009333743,0.5376124,0.0002409774,0.0010523177,0.07365237,0.384209,0.000064792905],"about_ca_topic_score_codex":0.19699995,"about_ca_topic_score_gemma":0.32044262,"teacher_disagreement_score":0.19699995,"about_ca_system_score_codex":0.020522928,"about_ca_system_score_gemma":0.009879217,"threshold_uncertainty_score":0.3917066},"labels":[],"label_agreement":null},{"id":"W4401039897","doi":"10.70042/eroth/07020005","title":"Irreversible Situation and the Articulation of Disorder in Things Fall Apart","year":2023,"lang":"en","type":"article","venue":"Erothanatos.","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"La Cité Collégiale","funders":"","keywords":"Articulation (sociology); Psychology; Psychoanalysis; Cognitive psychology; Political science; Politics; Law","score_opus":0.016568392071506288,"score_gpt":0.2166899266820986,"score_spread":0.20012153461059232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401039897","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4044731,0.0022220053,0.009293746,0.024712289,0.0011489746,0.00008046101,0.00006335944,0.000101905265,0.5579041],"genre_scores_gemma":[0.99168396,0.00019012611,0.0003909108,0.00048186615,0.00005101237,0.000019560735,0.000012645932,0.000035154804,0.0071346713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966151,0.0017537512,0.00011043332,0.0003398173,0.00046133663,0.0007194917],"domain_scores_gemma":[0.9984321,0.0005176959,0.0002677207,0.0003163583,0.00019035564,0.00027587733],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026348813,0.00058978045,0.00053277315,0.0015726808,0.01902041,0.00852818,0.0012856966,0.0033059102,0.0031009153],"category_scores_gemma":[0.0035104924,0.00043386902,0.0004753527,0.0012684176,0.08345803,0.00775844,0.012285825,0.0063397833,0.00037670683],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042145813,0.00001579371,0.0005834522,0.00003616468,0.000008141668,0.0010181867,0.30415684,0.0001329437,0.00057757803,0.68951094,0.0016440845,0.0022738045],"study_design_scores_gemma":[0.00003633279,0.000045949673,0.0019133313,0.00022144776,0.000031509,0.0011455145,0.50776654,0.0005515736,0.0008488381,0.29886422,0.18850896,0.00006584046],"about_ca_topic_score_codex":0.008295073,"about_ca_topic_score_gemma":0.01160895,"teacher_disagreement_score":0.01902041,"about_ca_system_score_codex":0.0077259587,"about_ca_system_score_gemma":0.0035175318,"threshold_uncertainty_score":0.056055963},"labels":[],"label_agreement":null},{"id":"W4401632792","doi":"10.1525/ncl.2024.79.2.134","title":"Review: <i>British Literature and the Life of Institutions: Speculative States</i>, by Benjamin Kohlmann","year":2024,"lang":"en","type":"article","venue":"Nineteenth-Century Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"History; Psychoanalysis; Economic history; Psychology","score_opus":0.010430063973531495,"score_gpt":0.22911112873578818,"score_spread":0.21868106476225668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401632792","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000734809,0.96934885,0.000018394787,0.02233793,0.006487129,0.0000027568833,0.00004358414,0.0000031335749,0.0016847622],"genre_scores_gemma":[0.0026698292,0.96629,0.00005253862,0.019102454,0.008902409,0.000011566447,0.000058655576,0.000007929294,0.0029047253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987477,0.00032409266,0.00013489902,0.00019110911,0.00046425947,0.00013798485],"domain_scores_gemma":[0.9938745,0.0036045415,0.00045884243,0.00012589931,0.0015848092,0.0003513728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023473653,0.0011304966,0.0023386125,0.0051974193,0.0021279086,0.006355938,0.0014435325,0.003888325,0.009186747],"category_scores_gemma":[0.009134818,0.00047143648,0.0004595109,0.014775597,0.0057685436,0.0057689017,0.0020401913,0.0040137763,0.0023021847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038730774,0.000006429313,0.0000866719,0.008403694,0.000032345746,0.000033318258,0.0003396311,0.000039791412,0.000048770667,0.007007608,0.91776663,0.066196516],"study_design_scores_gemma":[0.000012288856,0.000009503521,0.0010143496,0.014110955,0.000053434294,0.00011262417,0.0007460328,0.000017275544,0.000024423769,0.0028804773,0.9810038,0.000014801169],"about_ca_topic_score_codex":0.044806834,"about_ca_topic_score_gemma":0.10120544,"teacher_disagreement_score":0.044806834,"about_ca_system_score_codex":0.0064540133,"about_ca_system_score_gemma":0.010284651,"threshold_uncertainty_score":0.089092076},"labels":[],"label_agreement":null},{"id":"W4401726544","doi":"10.1007/978-3-031-24685-2_66","title":"Pulp Fiction as Philosophy: Bad Faith, Authenticity, and the Path of the Righteous Man","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Faith; Pulp (tooth); Aesthetics; Path (computing); Philosophy; Literature; Art; Theology; Computer science; Medicine; Dentistry","score_opus":0.015818290133756643,"score_gpt":0.19947653020653205,"score_spread":0.18365824007277542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401726544","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008255358,0.019673517,0.004132212,0.04905101,0.0015482634,0.00002558567,0.000023604527,0.000046763445,0.91724366],"genre_scores_gemma":[0.74151206,0.006987291,0.002145064,0.0110762995,0.0018542651,0.00006231307,0.000029517198,0.00015168359,0.23618157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99635196,0.0023843148,0.00005827269,0.00026960287,0.00068468554,0.00025103524],"domain_scores_gemma":[0.99562633,0.003190925,0.00019179705,0.00042018245,0.0003443308,0.00022641866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003923105,0.00042438428,0.0005866248,0.0014116109,0.010895815,0.015958328,0.0009934348,0.0050175707,0.006685247],"category_scores_gemma":[0.008775417,0.00027682088,0.00021918798,0.0014923455,0.06688383,0.008972135,0.0044078655,0.0084386775,0.0010833539],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033452588,0.0000048936577,0.000019379226,0.000014298286,6.3130574e-7,0.000017766442,0.0064920885,0.000022467242,0.000012919816,0.98372966,0.007086832,0.0025956146],"study_design_scores_gemma":[0.000007215671,0.000013146223,0.0001365751,0.00017534166,0.0000029383698,0.00009468016,0.008211698,0.00013182046,0.00014617058,0.723008,0.26806495,0.0000074238133],"about_ca_topic_score_codex":0.0035004767,"about_ca_topic_score_gemma":0.0057648416,"teacher_disagreement_score":0.015958328,"about_ca_system_score_codex":0.0047961525,"about_ca_system_score_gemma":0.005442405,"threshold_uncertainty_score":0.034798622},"labels":[],"label_agreement":null},{"id":"W4401853792","doi":"10.24908/jcri.v11i1.17829","title":"No One’s Witness: A Monstrous Poetics by Syd Zolf. Reviewed by Eden Elliott","year":2024,"lang":"en","type":"article","venue":"Journal of Critical Race Inquiry","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Witness; Philosophy; Literature; Art; Art history; Poetry; Linguistics","score_opus":0.038515406837360155,"score_gpt":0.30746491354640815,"score_spread":0.268949506709048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401853792","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009647231,0.8651617,0.00005333818,0.109582946,0.022615282,0.0000033461185,0.0000123014615,0.0000027443116,0.0024718542],"genre_scores_gemma":[0.008380807,0.8689765,0.00015887059,0.07632939,0.034956668,0.000028121836,0.00004040175,0.000026366022,0.011102983],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976265,0.0010448325,0.00018399727,0.0002549307,0.00075076934,0.00013906285],"domain_scores_gemma":[0.9883201,0.0074600917,0.0007277611,0.00020007095,0.0025695537,0.0007223594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004680194,0.00090598245,0.0011239755,0.0031990602,0.003237634,0.0055683246,0.0014790313,0.0054236553,0.00547393],"category_scores_gemma":[0.018254725,0.00054575264,0.00044189993,0.003265248,0.008292912,0.010130665,0.0032220786,0.00909345,0.0021875666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002337561,0.000006558675,0.000098298035,0.0011879689,0.000009345657,0.00008914845,0.0015779915,0.000028401828,0.00003653206,0.017638743,0.9433643,0.03593931],"study_design_scores_gemma":[0.000006982356,0.00001009331,0.00045549616,0.0039537735,0.000006818074,0.00027502517,0.0020505353,0.0000177682,0.0000224796,0.0065358668,0.98665226,0.000012900162],"about_ca_topic_score_codex":0.013982745,"about_ca_topic_score_gemma":0.025980165,"teacher_disagreement_score":0.013982745,"about_ca_system_score_codex":0.0038487636,"about_ca_system_score_gemma":0.0069221836,"threshold_uncertainty_score":0.027924836},"labels":[],"label_agreement":null},{"id":"W4402368167","doi":"10.4324/9781003340843-5","title":"Sociocriticism","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.032355179954390585,"score_gpt":0.21897924113816525,"score_spread":0.18662406118377467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402368167","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0067947623,0.024318079,0.0061636334,0.054868642,0.0036945245,0.000050824812,0.000034372573,0.00007445067,0.90400064],"genre_scores_gemma":[0.48201963,0.018593688,0.003525478,0.03180529,0.0067879423,0.0003264711,0.00011944044,0.0003318853,0.4564902],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9936021,0.0043229964,0.00013547942,0.00064092595,0.0010195813,0.0002788723],"domain_scores_gemma":[0.99621767,0.0020626825,0.00027586258,0.0005509797,0.00061886787,0.00027391553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048920447,0.0010294915,0.0005965261,0.002375123,0.0065390174,0.009657306,0.0011557251,0.003768087,0.011644112],"category_scores_gemma":[0.0042207716,0.0001885314,0.00040377895,0.0021688514,0.051006537,0.007433947,0.007107703,0.0077737654,0.0028745953],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048645156,0.000013962594,0.00008108679,0.000058765883,0.000001697304,0.000077333345,0.012901381,0.00003218226,0.00008872411,0.9708745,0.01014181,0.0057237027],"study_design_scores_gemma":[0.0000053495583,0.000019377561,0.00011831634,0.0002663433,0.0000022225415,0.00028039815,0.0064756963,0.0000830664,0.00016339195,0.1881282,0.8044534,0.0000042318898],"about_ca_topic_score_codex":0.0017479123,"about_ca_topic_score_gemma":0.002507261,"teacher_disagreement_score":0.011644112,"about_ca_system_score_codex":0.0075612725,"about_ca_system_score_gemma":0.004621689,"threshold_uncertainty_score":0.05486107},"labels":[],"label_agreement":null},{"id":"W4402568303","doi":"10.1386/ts_00034_1","title":"A surreal science: Guy Maddin’s Foley of the unconscious in Brand Upon the Brain! and Footsteps","year":2024,"lang":"en","type":"article","venue":"The Soundtrack","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Unconscious mind; Foley; Art; Psychoanalysis; Psychology; Art history; Medicine; Surgery","score_opus":0.016347905991435735,"score_gpt":0.24118363909780727,"score_spread":0.22483573310637153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402568303","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3470202,0.03416588,0.002493862,0.16045654,0.0038149373,0.00005556829,0.00020287053,0.0004089446,0.45138124],"genre_scores_gemma":[0.93331313,0.0030827702,0.0007099326,0.011527482,0.00037332607,0.000013386154,0.0000372038,0.00013461539,0.050808214],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983923,0.00075649435,0.000020574751,0.00013780846,0.00029736097,0.0003955294],"domain_scores_gemma":[0.9993437,0.00024636008,0.0000721457,0.0000577431,0.00009489336,0.00018508373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087407656,0.00050498365,0.00026330183,0.0007975188,0.013651866,0.010294717,0.0007511718,0.0028000362,0.0052323495],"category_scores_gemma":[0.0022595827,0.00023412151,0.00020058411,0.00067226664,0.017831167,0.00366315,0.0038692148,0.0053431145,0.0008442123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000132014,0.000038685368,0.0010895923,0.0001406377,0.000011658791,0.0018912063,0.7295626,0.000069630274,0.0013802734,0.16079244,0.07907382,0.025817413],"study_design_scores_gemma":[0.000016283077,0.000058172194,0.0026127435,0.00023881916,0.000011561395,0.0014703753,0.31889036,0.00009345758,0.00072260614,0.009681946,0.66615176,0.00005193939],"about_ca_topic_score_codex":0.10732647,"about_ca_topic_score_gemma":0.23546188,"teacher_disagreement_score":0.10732647,"about_ca_system_score_codex":0.010740602,"about_ca_system_score_gemma":0.0027028222,"threshold_uncertainty_score":0.21340352},"labels":[],"label_agreement":null},{"id":"W4402684826","doi":"10.69975/2074-0832-2024-61-3-146-155","title":"Stylistic and Narrative Innovations in Norman McLaren’s Works","year":2024,"lang":"en","type":"article","venue":"Journal of Film Arts and Film Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Art; History; Linguistics; Literature; Philosophy","score_opus":0.050150224145494735,"score_gpt":0.2939885218336461,"score_spread":0.24383829768815135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402684826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04903474,0.01884455,0.014842514,0.09311191,0.0025282467,0.000111931964,0.00009077079,0.00015440116,0.8212809],"genre_scores_gemma":[0.8852853,0.0053762333,0.007836232,0.009776476,0.0009789672,0.00017920983,0.000043280277,0.00022767713,0.090296715],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939465,0.0039227447,0.00010871587,0.00044623602,0.0012398862,0.0003359858],"domain_scores_gemma":[0.99626774,0.002527012,0.00025314416,0.00023069425,0.0004905002,0.0002310201],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004596913,0.0005091053,0.0002886433,0.0019749196,0.014711905,0.010792353,0.0016444465,0.0031497634,0.0030812465],"category_scores_gemma":[0.008099378,0.00029836778,0.00016859423,0.0014121318,0.04651772,0.0055723474,0.004682269,0.005381596,0.00045681835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007376353,0.000006151043,0.00004311628,0.00002520951,7.888223e-7,0.0000999587,0.05866286,0.00006879305,0.000084689884,0.9308563,0.0075236517,0.0026211732],"study_design_scores_gemma":[0.0000061077444,0.000011105905,0.00021936733,0.0003308181,0.0000030427425,0.00023851007,0.03530258,0.00035859414,0.0003427827,0.16247147,0.80069065,0.000024959849],"about_ca_topic_score_codex":0.047607657,"about_ca_topic_score_gemma":0.09516464,"teacher_disagreement_score":0.047607657,"about_ca_system_score_codex":0.018511072,"about_ca_system_score_gemma":0.007072182,"threshold_uncertainty_score":0.13430786},"labels":[],"label_agreement":null},{"id":"W4402886870","doi":"10.1075/fillm.19.01bal","title":"Risk and responsibility in Kamila Shamsie’s <i>Burnt Shadows</i>","year":2024,"lang":"en","type":"book-chapter","venue":"FILLM studies in languages and literatures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Forensic engineering; Engineering; Psychology; History","score_opus":0.022779144836219536,"score_gpt":0.29277776714454895,"score_spread":0.26999862230832944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402886870","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041006073,0.016705832,0.0056307083,0.25375968,0.0048663034,0.00003724126,0.000034152672,0.00010521058,0.6778547],"genre_scores_gemma":[0.7350323,0.003381298,0.0014816959,0.019563137,0.0010175329,0.000042212367,0.000012020132,0.00017252538,0.23929724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984548,0.00075488485,0.000049842165,0.00010581909,0.0004250595,0.00020951341],"domain_scores_gemma":[0.99872845,0.0006919668,0.00010954687,0.00009595502,0.000245687,0.0001283009],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029609376,0.00047387576,0.00038034384,0.00063958357,0.012827987,0.006600284,0.0008250492,0.003915493,0.005355462],"category_scores_gemma":[0.004398845,0.00032314216,0.00028082717,0.00058117445,0.022689508,0.00542023,0.004088328,0.007644054,0.0010781675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008755182,0.000014160533,0.00008018885,0.000026145548,0.0000019156814,0.00015805075,0.03463363,0.00006608301,0.0000836952,0.93376064,0.02689533,0.0042713364],"study_design_scores_gemma":[0.000011283171,0.000016390886,0.0003662898,0.00023606082,0.000006800818,0.00036312875,0.034935374,0.0002795075,0.0003530005,0.4240089,0.539397,0.000026383092],"about_ca_topic_score_codex":0.0039117234,"about_ca_topic_score_gemma":0.0075364406,"teacher_disagreement_score":0.012827987,"about_ca_system_score_codex":0.004868205,"about_ca_system_score_gemma":0.0044080117,"threshold_uncertainty_score":0.035321474},"labels":[],"label_agreement":null},{"id":"W4403187018","doi":"10.1080/0895769x.2024.2411210","title":"David Foster Wallace’s ‘Incarnations of Burned Children’ as Transgressive Pragmatism","year":2024,"lang":"en","type":"article","venue":"ANQ A Quarterly Journal of Short Articles Notes and Reviews","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Columbia College","funders":"","keywords":"Transgressive; Pragmatism; Psychoanalysis; Sociology; History; Aesthetics; Art; Psychology; Philosophy; Epistemology; Geology; Paleontology","score_opus":0.027755119297383165,"score_gpt":0.2754919969355016,"score_spread":0.2477368776381184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403187018","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010591133,0.052713465,0.0075422963,0.5545865,0.008588878,0.000035506866,0.00009432303,0.00007168345,0.3657762],"genre_scores_gemma":[0.57882494,0.028108137,0.006905496,0.19110622,0.006273259,0.00017733505,0.00007874825,0.0003495664,0.18817629],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9942374,0.0038310357,0.00012269185,0.00044866276,0.0010848045,0.00027529712],"domain_scores_gemma":[0.9953949,0.0031254527,0.00032779697,0.00028080802,0.00060746865,0.0002636164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035371399,0.00068496855,0.0003246342,0.0013891734,0.0054025683,0.0074385046,0.0013398558,0.0061585405,0.0042934273],"category_scores_gemma":[0.012327633,0.0002469954,0.00028951754,0.0012320926,0.024008036,0.007883481,0.0038391908,0.010453823,0.00086213165],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001065542,0.0000067543424,0.00012802189,0.000067745634,0.0000035153867,0.00007563232,0.01717059,0.00004370051,0.000055800385,0.88540196,0.09246993,0.0045656194],"study_design_scores_gemma":[0.000011215332,0.00001098277,0.00039566224,0.0005573047,0.0000053241815,0.00021386573,0.011321895,0.00010434302,0.00035025497,0.18769641,0.79931206,0.000020797675],"about_ca_topic_score_codex":0.0126941465,"about_ca_topic_score_gemma":0.031501926,"teacher_disagreement_score":0.0126941465,"about_ca_system_score_codex":0.004432229,"about_ca_system_score_gemma":0.0041819303,"threshold_uncertainty_score":0.032158256},"labels":[],"label_agreement":null},{"id":"W4403647257","doi":"10.1080/09518398.2024.2416714","title":"A progressive habitus versus teacher authority in Herndon’s <i>The Way it Spozed To Be</i>","year":2024,"lang":"en","type":"article","venue":"International Journal of Qualitative Studies in Education","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Habitus; Sociology; Pedagogy; Psychology; Gender studies; Social science; Cultural capital","score_opus":0.22980711662799297,"score_gpt":0.5041577371234937,"score_spread":0.2743506204955007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403647257","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3578547,0.0037203757,0.027428042,0.04519766,0.00085087435,0.00012011283,0.00014675652,0.00015882058,0.5645227],"genre_scores_gemma":[0.9872607,0.0002889057,0.0011301044,0.00073812297,0.00003189891,0.00004225484,0.000010119935,0.000036154648,0.01046174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9941216,0.0044472907,0.00012369492,0.0003836386,0.00054334383,0.000380378],"domain_scores_gemma":[0.9940309,0.004316497,0.00051871326,0.0004921081,0.00035432205,0.00028753083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047089825,0.00031936617,0.00039967155,0.00096013653,0.008193713,0.007552214,0.0011768821,0.0024876464,0.0032239917],"category_scores_gemma":[0.0107873455,0.00025863815,0.00021533793,0.001123245,0.03538956,0.005905921,0.0045442563,0.0037653348,0.00029942874],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033217806,0.000012595367,0.00084896915,0.000072290524,0.0000018506037,0.00029220985,0.47718856,0.00006162556,0.00035079778,0.51400894,0.0022693544,0.004859514],"study_design_scores_gemma":[0.000016030916,0.00005699922,0.0028610514,0.000768136,0.0000118272665,0.0009981028,0.50177026,0.00042640578,0.0014576047,0.13888635,0.3526899,0.000057373065],"about_ca_topic_score_codex":0.0150367385,"about_ca_topic_score_gemma":0.02238952,"teacher_disagreement_score":0.0150367385,"about_ca_system_score_codex":0.007955888,"about_ca_system_score_gemma":0.0034875183,"threshold_uncertainty_score":0.057724297},"labels":[],"label_agreement":null},{"id":"W4404250418","doi":"10.1080/00111619.2024.2427048","title":"‘Ofer eall wifa cyn’: Cultivating Female Agency in David Foster Wallace’s <i>Infinite Jest</i> and Cynewulf’s <i>Juliana</i>","year":2024,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Agency (philosophy); Sociology; Philosophy; Epistemology","score_opus":0.13088711155616745,"score_gpt":0.34720963008667577,"score_spread":0.21632251853050832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404250418","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4124846,0.005944504,0.0038366583,0.07080494,0.0010429978,0.000037327256,0.00003224517,0.00004672694,0.50577],"genre_scores_gemma":[0.96035373,0.0005817711,0.00047669158,0.0022976554,0.00010266318,0.000024405139,0.000008452315,0.000048409587,0.03610618],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784005,0.0014105944,0.000024033588,0.0001758713,0.0002931198,0.00025635166],"domain_scores_gemma":[0.99856406,0.00078114244,0.00014535782,0.00007104424,0.00017251332,0.00026597152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019312422,0.00034124232,0.00024682752,0.0008696445,0.009692266,0.006383828,0.00076065795,0.0016440949,0.0019428002],"category_scores_gemma":[0.0037541117,0.00021641444,0.00018770737,0.00037599145,0.020113023,0.002718131,0.0040543824,0.0033066815,0.0003676078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027083324,0.00002110817,0.0006297293,0.000040635256,0.0000052139867,0.0005649354,0.68923855,0.0000465595,0.00068996346,0.29092643,0.011450033,0.00635974],"study_design_scores_gemma":[0.000013068541,0.000047385478,0.0017034225,0.00031355093,0.000009972684,0.0007114824,0.37274078,0.00025201822,0.0010752935,0.029410245,0.59369004,0.000032794083],"about_ca_topic_score_codex":0.011365224,"about_ca_topic_score_gemma":0.02548423,"teacher_disagreement_score":0.011365224,"about_ca_system_score_codex":0.005428091,"about_ca_system_score_gemma":0.0021733916,"threshold_uncertainty_score":0.03938371},"labels":[],"label_agreement":null},{"id":"W4404471680","doi":"10.69975/2074-0832-2024-60-2-121-134","title":"Stylistic and narrative innovations in Norman McLaren’s works","year":2024,"lang":"en","type":"article","venue":"Journal of Film Arts and Film Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Art; History; Sociology; Linguistics; Literature; Philosophy","score_opus":0.050150224145494735,"score_gpt":0.2939885218336461,"score_spread":0.24383829768815135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404471680","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049265936,0.019005546,0.014233252,0.08944463,0.002509587,0.00010920393,0.00009073506,0.00015259974,0.8251885],"genre_scores_gemma":[0.8854983,0.0053663687,0.007517921,0.009438528,0.0009640426,0.00017321543,0.000043177464,0.00022393758,0.09077438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942597,0.003708646,0.00010230168,0.00042886048,0.0011774015,0.00032305197],"domain_scores_gemma":[0.99647933,0.0023682544,0.0002447924,0.00021763735,0.0004660893,0.00022388111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004349197,0.0005046045,0.0002799111,0.0019209352,0.014314164,0.01066396,0.001603728,0.003057436,0.0030740541],"category_scores_gemma":[0.007692152,0.00029239635,0.00016614266,0.0013695557,0.0452137,0.005360799,0.0045813886,0.0052826367,0.0004603829],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007677736,0.000006319968,0.000044350087,0.000025844864,8.157703e-7,0.00010451041,0.059568692,0.000069869166,0.00008875707,0.9294765,0.00789414,0.0027125366],"study_design_scores_gemma":[0.000005923428,0.000011254582,0.00022110119,0.00032653136,0.000003039646,0.00024017273,0.034378037,0.00035146094,0.00034131197,0.15449509,0.80960166,0.000024413586],"about_ca_topic_score_codex":0.04707425,"about_ca_topic_score_gemma":0.09281267,"teacher_disagreement_score":0.04707425,"about_ca_system_score_codex":0.018151037,"about_ca_system_score_gemma":0.006907426,"threshold_uncertainty_score":0.13169563},"labels":[],"label_agreement":null},{"id":"W4405394484","doi":"","title":"Plot Counter Plot: Genetics and Generic Strain in the Modernist Novel of Formation","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Plot (graphics); Strain (injury); Mathematics; Biology; Statistics","score_opus":0.3596576481059738,"score_gpt":0.48962086153089956,"score_spread":0.12996321342492578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405394484","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13276798,0.0074925027,0.009913877,0.0675213,0.0035253624,0.00003488583,0.000096156364,0.0002698416,0.7783782],"genre_scores_gemma":[0.9681055,0.0010088196,0.0010351762,0.0026904114,0.0006275012,0.000029122342,0.0000244591,0.00016011135,0.026318932],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980282,0.0013197667,0.000029431509,0.00021656581,0.0002494417,0.00015659553],"domain_scores_gemma":[0.99823016,0.001004476,0.00022881723,0.00024168791,0.0001386611,0.00015620819],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020789811,0.00037122206,0.00031961105,0.0013886688,0.0074473927,0.009398822,0.0008800627,0.0022130958,0.0058222613],"category_scores_gemma":[0.0047415257,0.00019121659,0.00021689369,0.0012961995,0.05293261,0.0069164727,0.0039554974,0.003449748,0.000678765],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021385475,0.000008443382,0.0002709351,0.000026078977,0.0000019898798,0.0001338558,0.03268791,0.000045057597,0.00009937902,0.9588841,0.0046494245,0.003171458],"study_design_scores_gemma":[0.000034505905,0.000053922682,0.0010870188,0.00019206539,0.000011041684,0.00095133187,0.052735116,0.00030907043,0.00041047242,0.47944564,0.4647498,0.000020035843],"about_ca_topic_score_codex":0.0011153203,"about_ca_topic_score_gemma":0.0018793815,"teacher_disagreement_score":0.009398822,"about_ca_system_score_codex":0.0047494737,"about_ca_system_score_gemma":0.001389438,"threshold_uncertainty_score":0.03446001},"labels":[],"label_agreement":null},{"id":"W4405640639","doi":"10.1080/17400309.2024.2421684","title":"‘The All-American Smile:’ the deconstruction of Robert Redford’s star persona in David Lowery’s <i>The Old Man &amp; the Gun</i>","year":2024,"lang":"en","type":"article","venue":"New Review of Film and Television Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Deconstruction (building); Persona; Art; Star (game theory); Art history; Literature; Humanities; Physics; Astrophysics; Engineering","score_opus":0.03581712195485663,"score_gpt":0.31006336154292835,"score_spread":0.2742462395880717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405640639","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3290603,0.0061028968,0.004038948,0.037524424,0.0016409355,0.00002501863,0.000055447686,0.00012122005,0.6214309],"genre_scores_gemma":[0.94542325,0.00095153996,0.00050276227,0.0028314046,0.00020218885,0.0000138198,0.000015798218,0.00010868083,0.04995064],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981207,0.0012805607,0.00001679984,0.0001297402,0.00019651318,0.00025564825],"domain_scores_gemma":[0.99936014,0.0002672988,0.00006421885,0.00005209452,0.00009168859,0.00016446643],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013156346,0.00047881796,0.00022944239,0.00060755224,0.011949793,0.006356751,0.00054447376,0.0017553262,0.005155034],"category_scores_gemma":[0.0018816179,0.00022148206,0.00017002814,0.00040580583,0.01772504,0.0041539157,0.0028787313,0.00462811,0.0009513009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040905237,0.000030692343,0.0010904203,0.000046140005,0.0000046323307,0.00059321406,0.6619534,0.000042222986,0.0006995521,0.28972468,0.03349911,0.012275105],"study_design_scores_gemma":[0.0000059987306,0.00003193213,0.0026059016,0.00018590632,0.0000066093803,0.0006390597,0.30357724,0.0001321488,0.0005372174,0.009387712,0.68286324,0.000027149053],"about_ca_topic_score_codex":0.033454616,"about_ca_topic_score_gemma":0.06802577,"teacher_disagreement_score":0.033454616,"about_ca_system_score_codex":0.004056225,"about_ca_system_score_gemma":0.0012997636,"threshold_uncertainty_score":0.0665198},"labels":[],"label_agreement":null},{"id":"W4406610743","doi":"10.7202/1115602ar","title":"“Not Longer than Mine”: Anxious Unbelonging in Margaret Laurence’s The Diviners","year":2023,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"History; Geology","score_opus":0.04245680705620218,"score_gpt":0.2751804389882041,"score_spread":0.2327236319320019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406610743","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06863274,0.032261606,0.0006972718,0.59271187,0.006796965,0.000042894742,0.00008321653,0.00006762889,0.29870594],"genre_scores_gemma":[0.7102696,0.008956109,0.00051998754,0.089182355,0.0011754778,0.00004338454,0.000028810045,0.00017967769,0.18964455],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99296826,0.002271933,0.00012412989,0.00057623157,0.0022478423,0.0018115535],"domain_scores_gemma":[0.9941247,0.0015547691,0.0005516752,0.00017948129,0.0018713478,0.001717997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050281035,0.000597028,0.00062777684,0.0011645401,0.06639205,0.008815029,0.0023506505,0.007505287,0.006463952],"category_scores_gemma":[0.01069049,0.0004394582,0.00039232147,0.0015565456,0.04012771,0.0050763534,0.0059798425,0.012939838,0.0010073627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037618902,0.000022553859,0.0011011084,0.00013483442,0.00001183624,0.0011067049,0.46514952,0.000076570104,0.00038885174,0.17023945,0.34967253,0.012058373],"study_design_scores_gemma":[0.0000061777855,0.000012984494,0.0023686653,0.00037796548,0.000010974825,0.0004146007,0.20408893,0.00003510544,0.00017130258,0.006106267,0.78634614,0.000060888124],"about_ca_topic_score_codex":0.8526533,"about_ca_topic_score_gemma":0.9447167,"teacher_disagreement_score":0.14734668,"about_ca_system_score_codex":0.07761045,"about_ca_system_score_gemma":0.047874495,"threshold_uncertainty_score":0.5631058},"labels":[],"label_agreement":null},{"id":"W4406970290","doi":"10.3138/utq.93.04.08","title":"Breaking Down Walls in Post-Pandemic Transnational Fables: Kazuo Ishiguro’s <i>Klara and the Sun</i> and Mohsin Hamid’s <i>The Last White Man</i>","year":2024,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); History; Pandemic; Art history; Literature; Art; Coronavirus disease 2019 (COVID-19); Medicine; Chemistry","score_opus":0.006670789759699673,"score_gpt":0.17790735193998955,"score_spread":0.17123656218028988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406970290","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5253864,0.0106968675,0.010668581,0.095678985,0.01207224,0.000104178784,0.00011252784,0.00038739076,0.3448928],"genre_scores_gemma":[0.9285089,0.0017451071,0.0024191125,0.007490832,0.0007426557,0.000079301564,0.000055777473,0.00025009032,0.05870819],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990139,0.00044214368,0.000024804745,0.00011277551,0.00009686791,0.0003095132],"domain_scores_gemma":[0.9986124,0.0005224324,0.00018493735,0.000105998224,0.00013232138,0.00044174268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027017544,0.0008896264,0.0004876386,0.00063524966,0.02241547,0.010362272,0.0010774266,0.0036600013,0.0044420576],"category_scores_gemma":[0.003276075,0.00038822077,0.00056528725,0.0005564563,0.015608479,0.0073797074,0.008652314,0.0059668464,0.0007719252],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012790496,0.000057723733,0.001132205,0.00015813534,0.000010963816,0.0026524228,0.8252804,0.00011704946,0.001950235,0.12221721,0.035503026,0.010792681],"study_design_scores_gemma":[0.000026606956,0.000084095765,0.0016749157,0.0003075519,0.000024639867,0.00078763365,0.55106676,0.00022393459,0.0017298706,0.01832152,0.42568213,0.00007033598],"about_ca_topic_score_codex":0.0034193553,"about_ca_topic_score_gemma":0.011154176,"teacher_disagreement_score":0.02241547,"about_ca_system_score_codex":0.003955137,"about_ca_system_score_gemma":0.0028455118,"threshold_uncertainty_score":0.028696716},"labels":[],"label_agreement":null},{"id":"W4407589223","doi":"10.71106/nygj4507","title":"The Supermarket: Consumerism, Simulation, and the Fear of Death in Don DeLillo's White Noise","year":2020,"lang":"en","type":"article","venue":"Language Literature and Interdisciplinary Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Consumerism; White (mutation); White noise; Noise (video); Advertising; Psychology; Art; Psychoanalysis; Computer science; Telecommunications; Artificial intelligence; Business; Political science; Law","score_opus":0.021505208120251487,"score_gpt":0.29133807580413634,"score_spread":0.26983286768388487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407589223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5180516,0.0039743735,0.011492928,0.06270774,0.0014680058,0.00006432902,0.00005726307,0.000092193564,0.40209153],"genre_scores_gemma":[0.97780734,0.0004885769,0.0004598548,0.0020106235,0.00010436793,0.000021535854,0.0000077131945,0.000033056695,0.019067034],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982474,0.0011524422,0.000028074483,0.00014746413,0.00023157695,0.00019312736],"domain_scores_gemma":[0.9986035,0.00088005245,0.00014508519,0.00008212093,0.00012407592,0.00016516633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020238073,0.00055040856,0.00027960623,0.00064243627,0.009834618,0.0073447796,0.0011558766,0.0034182018,0.0038711687],"category_scores_gemma":[0.0030600545,0.00021570905,0.0003604625,0.00024865314,0.025870478,0.004819904,0.004920523,0.0042975387,0.00034220272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001273541,0.000077914396,0.00061777694,0.00009516375,0.000007744004,0.0018952927,0.37640116,0.00037700287,0.000947125,0.60327774,0.010818204,0.0053575556],"study_design_scores_gemma":[0.000050666316,0.00013634218,0.00083537225,0.00025348915,0.000015083622,0.0017933294,0.35996294,0.00089868857,0.0015924957,0.072948664,0.56144375,0.000069278016],"about_ca_topic_score_codex":0.008342142,"about_ca_topic_score_gemma":0.013456363,"teacher_disagreement_score":0.009834618,"about_ca_system_score_codex":0.005757565,"about_ca_system_score_gemma":0.0014190678,"threshold_uncertainty_score":0.041774273},"labels":[],"label_agreement":null},{"id":"W4408157998","doi":"10.18357/anthropologica66220242725","title":"In Response to “In Praise of Makeshift Finishing” by Daniel Tubb: Writing in Puzzle-Pieces","year":2025,"lang":"en","type":"article","venue":"Anthropologica","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Praise; Psychology; Art; Literature","score_opus":0.018017357776381398,"score_gpt":0.3013036884844116,"score_spread":0.28328633070803017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408157998","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013090493,0.0050740126,0.00027133548,0.95957243,0.028173009,0.000022064687,0.000046998757,0.000061778876,0.005469353],"genre_scores_gemma":[0.031022022,0.006806252,0.0009819003,0.87507653,0.022904536,0.00021348367,0.000088036315,0.00037996433,0.06252738],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937319,0.0032717756,0.00028605977,0.00074491545,0.0012795455,0.00068579393],"domain_scores_gemma":[0.98634815,0.007694983,0.00082577,0.00032305406,0.0019285869,0.0028794154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004363455,0.0015923104,0.0009480959,0.00090695795,0.014067753,0.0076251784,0.002967203,0.018399585,0.011814027],"category_scores_gemma":[0.03424902,0.00078218407,0.0005474044,0.0012183145,0.010086525,0.0069152378,0.006397283,0.032099646,0.004979996],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021416305,0.00001456001,0.00013237023,0.0000693453,0.000004369207,0.00027611724,0.008018492,0.00002259533,0.0001002997,0.0016832271,0.9866866,0.0029705863],"study_design_scores_gemma":[0.000010884789,0.000020146446,0.0005123927,0.0004245722,0.000004638316,0.0006241909,0.024089249,0.00008505097,0.0002193605,0.0016100428,0.9723674,0.00003207811],"about_ca_topic_score_codex":0.020188479,"about_ca_topic_score_gemma":0.05202749,"teacher_disagreement_score":0.020188479,"about_ca_system_score_codex":0.0044549014,"about_ca_system_score_gemma":0.004881158,"threshold_uncertainty_score":0.04014194},"labels":[],"label_agreement":null},{"id":"W4408538547","doi":"10.1080/18125441.2025.2458557","title":"In-Between: Representation, Liminality, and the Multiverse in <i>Charlie Jade</i>","year":2025,"lang":"en","type":"article","venue":"Scrutiny2","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Liminality; JADE (particle detector); Representation (politics); Epistemology; Theoretical physics; Art; Philosophy; Aesthetics; Physics; Political science; Quantum mechanics; Law","score_opus":0.025378264971572636,"score_gpt":0.2768051264225652,"score_spread":0.2514268614509926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408538547","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3962136,0.0023884538,0.0029496944,0.01092522,0.00024739292,0.00005971291,0.000024855466,0.00005063141,0.58714044],"genre_scores_gemma":[0.98250335,0.00015690702,0.00020500338,0.00024685505,0.000021022674,0.000012063928,0.0000045496513,0.0000308363,0.01681945],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997079,0.001805072,0.000037453054,0.0002566092,0.0003264046,0.00049544347],"domain_scores_gemma":[0.9976165,0.0013682166,0.00023905408,0.0002497186,0.00017865893,0.00034791682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029524628,0.0006301116,0.00028458278,0.0018285809,0.026952768,0.014631302,0.0014232179,0.002505742,0.004897944],"category_scores_gemma":[0.0047796955,0.00039914632,0.0001783842,0.0013370559,0.06208124,0.0045205196,0.0073730843,0.0050398707,0.0003874488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036923237,0.00001197078,0.00045975338,0.000031831245,0.0000037754764,0.0006890282,0.6731187,0.00004754725,0.0004975926,0.31883216,0.0021258062,0.004144935],"study_design_scores_gemma":[0.000022357603,0.000043422722,0.002611915,0.00029130196,0.000021974236,0.00096424436,0.6296785,0.00021628552,0.0020090935,0.027050154,0.33705246,0.00003827199],"about_ca_topic_score_codex":0.07439055,"about_ca_topic_score_gemma":0.10569649,"teacher_disagreement_score":0.07439055,"about_ca_system_score_codex":0.014873972,"about_ca_system_score_gemma":0.004717632,"threshold_uncertainty_score":0.14791512},"labels":[],"label_agreement":null},{"id":"W4409239794","doi":"10.1515/cat-2025-0004","title":"The Recovery of Self in Emotional Authenticity: Kazuo Ishiguro’s <i>Klara and the Sun</i>","year":2024,"lang":"en","type":"article","venue":"Culture as Text","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Physics; Psychology; Astrophysics; Philosophy","score_opus":0.010120781926643658,"score_gpt":0.21770434286850662,"score_spread":0.20758356094186298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409239794","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5132966,0.019066043,0.019679604,0.12432257,0.015043981,0.00010160906,0.00006668072,0.0003489534,0.3080739],"genre_scores_gemma":[0.97265446,0.0014463146,0.0017550213,0.0035413005,0.0006890883,0.000035475638,0.000014714154,0.000076620214,0.019786978],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899954,0.00050397695,0.00003578774,0.000107421954,0.00014039999,0.0002128759],"domain_scores_gemma":[0.9990478,0.00021878321,0.0001711858,0.00009104208,0.00015861569,0.00031261102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015815452,0.00046612392,0.00053491053,0.0003201661,0.008048279,0.0052893986,0.00085946993,0.0019247166,0.0014365906],"category_scores_gemma":[0.0019685137,0.00023478904,0.0003956157,0.00019606258,0.015837347,0.004430521,0.005512407,0.005027972,0.00041761206],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021400746,0.00015230148,0.0013853165,0.0003931066,0.000034025794,0.0055609904,0.67894894,0.00023887707,0.008715087,0.23553705,0.04654125,0.02227909],"study_design_scores_gemma":[0.000038675393,0.00026873068,0.0031586187,0.00040598953,0.00006395935,0.0038851101,0.3293235,0.0008952062,0.004980649,0.052875124,0.6039477,0.0001568081],"about_ca_topic_score_codex":0.0010075407,"about_ca_topic_score_gemma":0.0024805642,"teacher_disagreement_score":0.008048279,"about_ca_system_score_codex":0.0020081087,"about_ca_system_score_gemma":0.001308154,"threshold_uncertainty_score":0.014569938},"labels":[],"label_agreement":null},{"id":"W4409478864","doi":"10.53103/cjlls.v4i6.193","title":"Novel Captivated Me by Jeon Dani: from Trauma to Feminism","year":2024,"lang":"en","type":"article","venue":"Canadian Journal of Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feminism; Gender studies; Art; Sociology","score_opus":0.02055225762387429,"score_gpt":0.24920695759149458,"score_spread":0.22865469996762028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409478864","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6665724,0.01825104,0.0030546729,0.04582168,0.006685095,0.000097421005,0.00015513442,0.00008325505,0.25927937],"genre_scores_gemma":[0.9725084,0.0038521977,0.0007492266,0.0018528792,0.00040183184,0.000034251145,0.000029882245,0.00005650507,0.020514933],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998678,0.0006707994,0.000048372553,0.00012796243,0.00033307457,0.00014170026],"domain_scores_gemma":[0.99825245,0.0008138377,0.0003556104,0.00014541823,0.0002301126,0.00020249504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016058718,0.00041276077,0.0004774072,0.0008713565,0.008969054,0.005451435,0.000553358,0.0010341543,0.002440318],"category_scores_gemma":[0.003652183,0.00024936398,0.00028467152,0.0009466539,0.011803361,0.0030273139,0.0033873855,0.0043932023,0.00038163646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023213156,0.00012828267,0.0047283536,0.000873266,0.000044404056,0.01008348,0.7034905,0.00031270427,0.004453219,0.18647361,0.03955283,0.04962714],"study_design_scores_gemma":[0.000012269886,0.00009443825,0.008401875,0.00095020956,0.000034816985,0.0060267607,0.4103934,0.00025900485,0.0039456952,0.011925373,0.5578877,0.00006848777],"about_ca_topic_score_codex":0.0023933905,"about_ca_topic_score_gemma":0.006692113,"teacher_disagreement_score":0.008969054,"about_ca_system_score_codex":0.00452961,"about_ca_system_score_gemma":0.002331301,"threshold_uncertainty_score":0.03286475},"labels":[],"label_agreement":null},{"id":"W4409817789","doi":"10.21983/p3.0317.1.00","title":"Siting Futurity","year":2021,"lang":"en","type":"book","venue":"Punctum Books","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Environmental science","score_opus":0.027443942258637402,"score_gpt":0.20185368135255613,"score_spread":0.17440973909391871,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409817789","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06886649,0.0049235825,0.043717697,0.038477592,0.0049153515,0.00007872347,0.00012972785,0.00076701323,0.83812386],"genre_scores_gemma":[0.86689705,0.0010673163,0.0062710303,0.0047501805,0.0006077813,0.000078102865,0.0001309331,0.00066886307,0.11952873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99629766,0.0019687524,0.00009984461,0.00046135462,0.0004992571,0.00067304715],"domain_scores_gemma":[0.99843127,0.00049603375,0.00013474071,0.00033309739,0.00019107062,0.0004138437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026683537,0.00094343,0.00045212038,0.0011490132,0.009402813,0.0111899655,0.0012739733,0.0049241106,0.025836686],"category_scores_gemma":[0.0068562767,0.0003522792,0.00075965934,0.0006681758,0.020512933,0.011198277,0.011302164,0.0063907546,0.005932624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054969598,0.000023390636,0.0006910772,0.00014561362,0.000018602457,0.0005202467,0.06671382,0.00030261016,0.0010685457,0.8390678,0.050332252,0.04106108],"study_design_scores_gemma":[0.0000124046055,0.00006369164,0.0006418937,0.00036628311,0.000016570839,0.00076327875,0.0367848,0.0005181638,0.00094585103,0.17538942,0.78445685,0.000040877603],"about_ca_topic_score_codex":0.00118529,"about_ca_topic_score_gemma":0.0021435246,"teacher_disagreement_score":0.025836686,"about_ca_system_score_codex":0.003718877,"about_ca_system_score_gemma":0.0016646945,"threshold_uncertainty_score":0.08643228},"labels":[],"label_agreement":null},{"id":"W4409977365","doi":"10.21983/p3.0016.1.15","title":"Mad Speculation and Absolute Inhumanism","year":2012,"lang":"en","type":"book-chapter","venue":"Punctum Books","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Speculation; Absolute (philosophy); Philosophy; Economics; Epistemology","score_opus":0.036834877193574145,"score_gpt":0.19369944070978606,"score_spread":0.15686456351621192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409977365","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030164178,0.024437336,0.01773318,0.22646949,0.0023341302,0.000025939355,0.00014223567,0.00017306059,0.69852036],"genre_scores_gemma":[0.92656374,0.0031695273,0.0031705822,0.015087731,0.0015883442,0.000047772428,0.00006185832,0.0001225752,0.050187744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9970487,0.0017868767,0.000054505777,0.00037972306,0.00043534732,0.0002947912],"domain_scores_gemma":[0.99738425,0.0015353583,0.0002074024,0.00040099397,0.0003055032,0.0001666347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003098661,0.0004645747,0.00047170848,0.0011472699,0.0059436043,0.007281301,0.0012147208,0.003482208,0.010790104],"category_scores_gemma":[0.006846666,0.00027302603,0.0004931218,0.00081847113,0.037571833,0.007935914,0.0048074843,0.006871639,0.001301108],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003979292,0.0000030077692,0.000040468192,0.000010950941,0.0000013069123,0.000019680234,0.0014493854,0.00002995276,0.000022965229,0.9943453,0.0029955076,0.001077621],"study_design_scores_gemma":[0.000005295406,0.000004720777,0.000067921224,0.000060854058,0.000002306954,0.000033244745,0.0009782667,0.00014453838,0.00007005008,0.92994964,0.06867776,0.0000053828917],"about_ca_topic_score_codex":0.002848586,"about_ca_topic_score_gemma":0.0030587937,"teacher_disagreement_score":0.010790104,"about_ca_system_score_codex":0.0056789424,"about_ca_system_score_gemma":0.0025631653,"threshold_uncertainty_score":0.041203737},"labels":[],"label_agreement":null},{"id":"W4412440291","doi":"10.58564/ma.v15i39.1842","title":"Re-writing History in Jane Urquhart’s The Whirlpool","year":2025,"lang":"en","type":"article","venue":"مداد الآداب","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Art; Calculus (dental); Art history; Mathematics education; Mathematics","score_opus":0.02858604245846518,"score_gpt":0.22496386586996095,"score_spread":0.19637782341149576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412440291","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20852008,0.028665187,0.0035616576,0.14768352,0.0062584644,0.0000691814,0.00015154376,0.00018369475,0.60490674],"genre_scores_gemma":[0.9017409,0.0043428233,0.00090649375,0.0046548806,0.0004778782,0.000016962056,0.000030330268,0.00014742254,0.087682255],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977502,0.0011372142,0.000046105033,0.00018549521,0.0004863225,0.0003945809],"domain_scores_gemma":[0.9973463,0.0011792986,0.00016589313,0.0001737201,0.0007082188,0.00042652583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00282226,0.00038700894,0.00031489215,0.0009950622,0.020658381,0.009049558,0.0010367972,0.0018639384,0.003973134],"category_scores_gemma":[0.0051690503,0.00027263662,0.00014503888,0.0012006367,0.022924574,0.0034584207,0.0029621234,0.0038290243,0.00039369418],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054846285,0.000015750753,0.00041067612,0.000098163684,0.0000075907656,0.001443278,0.6707155,0.00012788898,0.0005875229,0.2217539,0.0865492,0.018235717],"study_design_scores_gemma":[0.000005608814,0.000013144391,0.0005692999,0.00024416926,0.0000048059396,0.0003689628,0.15220813,0.000066061795,0.0004624316,0.0070232684,0.8390127,0.000021433958],"about_ca_topic_score_codex":0.43257186,"about_ca_topic_score_gemma":0.65312314,"teacher_disagreement_score":0.43257186,"about_ca_system_score_codex":0.020257058,"about_ca_system_score_gemma":0.016015511,"threshold_uncertainty_score":0.860108},"labels":[],"label_agreement":null},{"id":"W4412901740","doi":"10.1353/mos.2023.a966650","title":"Forms of Covid: Fiction After March 2020","year":2023,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); 2019-20 coronavirus outbreak; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); Pandemic; Virology; Geology; Geography; Medicine; Outbreak; Infectious disease (medical specialty)","score_opus":0.021359612028851435,"score_gpt":0.23829740407293604,"score_spread":0.2169377920440846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412901740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104203895,0.015903002,0.0024546562,0.1499441,0.017899446,0.000054822598,0.000192998,0.00015771487,0.70918936],"genre_scores_gemma":[0.8965096,0.0022208563,0.00063734845,0.012370214,0.0023698919,0.000045183828,0.00008725389,0.0001226868,0.08563701],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981565,0.0008852452,0.00004487139,0.00014840224,0.00042364516,0.00034143176],"domain_scores_gemma":[0.99765706,0.001611059,0.0001266497,0.00014301545,0.00026682136,0.00019529856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024478994,0.0005234054,0.00037540423,0.0011023617,0.018676689,0.008755608,0.0010207561,0.0045867106,0.0054401164],"category_scores_gemma":[0.009530972,0.00023287836,0.0003090264,0.0012976892,0.014487143,0.0032119453,0.0048146215,0.007986007,0.0008933575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009039863,0.000023330414,0.00044203087,0.00013410422,0.00000839529,0.0017419417,0.20600277,0.00020297528,0.00040935108,0.5984053,0.1744795,0.018059919],"study_design_scores_gemma":[0.000008251172,0.000024423973,0.00054724555,0.000360345,0.000005189502,0.0006670138,0.046602767,0.00018953874,0.00056756113,0.017485451,0.9335189,0.000023256316],"about_ca_topic_score_codex":0.009447439,"about_ca_topic_score_gemma":0.016082747,"teacher_disagreement_score":0.018676689,"about_ca_system_score_codex":0.007935287,"about_ca_system_score_gemma":0.002129059,"threshold_uncertainty_score":0.05757481},"labels":[],"label_agreement":null},{"id":"W4412929084","doi":"10.1093/9780198956303.003.0001","title":"Introduction","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Philosophy","score_opus":0.01610486203191567,"score_gpt":0.19440781476636615,"score_spread":0.1783029527344505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412929084","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012449871,0.0044144983,0.0029320344,0.011662187,0.0074865012,0.00011423746,0.002335096,0.00042995665,0.9693804],"genre_scores_gemma":[0.024297342,0.0053599845,0.0026248638,0.004528412,0.0038399014,0.0001950115,0.0035813723,0.0003868854,0.95518625],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887997,0.00018514505,0.000056078265,0.0002920824,0.00046286482,0.00012388936],"domain_scores_gemma":[0.99882156,0.0002303927,0.000057572423,0.00016083237,0.0005536517,0.00017592899],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008159019,0.0007528132,0.0004564412,0.001336819,0.0022354277,0.0058398475,0.0015724674,0.0025206122,0.37308556],"category_scores_gemma":[0.0030866794,0.00022932056,0.0004411642,0.0011252551,0.0011980343,0.0033504777,0.002768558,0.0024547018,0.17264481],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051784864,0.00005153587,0.00038079818,0.00035654014,0.000004428142,0.00021260587,0.0014004995,0.00019397307,0.00043713054,0.21188605,0.66977936,0.11524539],"study_design_scores_gemma":[0.0000015225296,0.0000068674663,0.00014571831,0.00012749317,6.4771905e-7,0.00006320507,0.00017022247,0.00002137691,0.000054352586,0.0053867754,0.9940189,0.0000027765734],"about_ca_topic_score_codex":0.0023823744,"about_ca_topic_score_gemma":0.0018505007,"teacher_disagreement_score":0.62691444,"about_ca_system_score_codex":0.0024963454,"about_ca_system_score_gemma":0.001894016,"threshold_uncertainty_score":0.8942174},"labels":[],"label_agreement":null},{"id":"W4413523681","doi":"10.64628/aam.77gaf454m","title":"Barbie: 5 ways to be more like Allan than Ken","year":2023,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art; Art history; Sociology","score_opus":0.06324481859548883,"score_gpt":0.251569299499605,"score_spread":0.18832448090411616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413523681","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007638606,0.015354579,0.004515089,0.28124845,0.009459017,0.00003950299,0.000049215694,0.00021424348,0.6814813],"genre_scores_gemma":[0.2485557,0.004145594,0.003553931,0.090596944,0.0013487462,0.00013559537,0.000037130783,0.000928228,0.6506981],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99316376,0.003881888,0.00013311028,0.00061698136,0.001018597,0.0011856989],"domain_scores_gemma":[0.9962173,0.0011711649,0.00022175473,0.00058983034,0.001052335,0.0007476968],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047591277,0.0008283799,0.0010127312,0.0015665755,0.033950612,0.017497864,0.0018049929,0.010839978,0.02507421],"category_scores_gemma":[0.0084146885,0.0005998925,0.00056170276,0.0012336317,0.023996346,0.014072039,0.007618434,0.019269688,0.006490323],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027343409,0.000014315879,0.00010792963,0.00006171701,0.00000797406,0.00007426226,0.019781912,0.00003794964,0.00013696865,0.8689744,0.10380903,0.0069661685],"study_design_scores_gemma":[0.00000815317,0.000012012235,0.00018144085,0.00025357187,0.000011928136,0.000095355,0.01615506,0.0000490837,0.00017773082,0.10153888,0.8814878,0.000029038285],"about_ca_topic_score_codex":0.04222183,"about_ca_topic_score_gemma":0.1010206,"teacher_disagreement_score":0.04222183,"about_ca_system_score_codex":0.013861653,"about_ca_system_score_gemma":0.010246281,"threshold_uncertainty_score":0.10057384},"labels":[],"label_agreement":null},{"id":"W4413932199","doi":"10.5430/wjel.v16n1p364","title":"The Intersection of Medicine and Mortality: Analyzing the Human Experience in Margaret Edson’s “Wit”","year":2025,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Anna University","keywords":"Intersection (aeronautics); Computer science; Sociology; Geography; Cartography","score_opus":0.02245257875494551,"score_gpt":0.29374108390770465,"score_spread":0.27128850515275915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413932199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79219514,0.010457153,0.0052246116,0.07349756,0.001491596,0.000077828445,0.000109155284,0.000099418954,0.11684749],"genre_scores_gemma":[0.98070496,0.0019262343,0.0006683021,0.0036759898,0.00024721687,0.000038625556,0.000027554835,0.000078425335,0.012632668],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9931891,0.0052955127,0.000061134,0.00021693614,0.00060651574,0.00063083414],"domain_scores_gemma":[0.99488896,0.0035710623,0.0005342503,0.00013688387,0.00018622438,0.0006825974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050150217,0.0006320739,0.0006215074,0.0017424328,0.01630699,0.010691992,0.0016129093,0.003561336,0.0039107515],"category_scores_gemma":[0.009382006,0.0005011674,0.00033047047,0.0013535318,0.049162753,0.008353298,0.0092956815,0.0066219545,0.00048003427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026766504,0.000015332396,0.00037510638,0.000049817343,0.0000044307344,0.00086963485,0.97069585,0.0000534641,0.00023627383,0.020573469,0.004404673,0.0026951905],"study_design_scores_gemma":[0.0000037349694,0.000034108507,0.00080168416,0.00017728934,0.00000435134,0.0007804191,0.89106834,0.000067637586,0.0002216421,0.004913314,0.10190294,0.000024563547],"about_ca_topic_score_codex":0.008480102,"about_ca_topic_score_gemma":0.018472098,"teacher_disagreement_score":0.01630699,"about_ca_system_score_codex":0.006258531,"about_ca_system_score_gemma":0.0025368857,"threshold_uncertainty_score":0.045409024},"labels":[],"label_agreement":null},{"id":"W4414105315","doi":"10.1017/9781009604987.014","title":"On Exiting from the Body","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Key (lock); Set (abstract data type); Context (archaeology); Relation (database); Information system","score_opus":0.025195397665598498,"score_gpt":0.18589921468257714,"score_spread":0.16070381701697864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414105315","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057400955,0.009437937,0.0011642248,0.021915438,0.027258772,0.00009819359,0.0012061138,0.0005028885,0.9378425],"genre_scores_gemma":[0.0022744534,0.0028246355,0.00021092607,0.003182082,0.0022456443,0.000035512705,0.0005963676,0.0002733142,0.988357],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99914134,0.0001465064,0.000041397117,0.00009862866,0.00045011783,0.00012190961],"domain_scores_gemma":[0.99851817,0.0002728124,0.000044342363,0.00016011896,0.00083501294,0.00016950813],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010793421,0.00051696907,0.0005152998,0.0017407599,0.0022563406,0.006096912,0.0010157214,0.0020897435,0.40659162],"category_scores_gemma":[0.0044909893,0.00024386236,0.00042391187,0.0015809557,0.0011311145,0.005089696,0.0021274923,0.0026601332,0.25181258],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008403945,0.000005034196,0.000021540374,0.00005664859,4.5536046e-7,0.00003209387,0.00014216214,0.000012920583,0.00006390168,0.014068236,0.95605963,0.029528989],"study_design_scores_gemma":[6.9677577e-7,0.0000025437316,0.000051747793,0.000094751565,4.1371712e-7,0.00001386761,0.00008022846,0.000004422162,0.00002511615,0.0011279407,0.9985967,0.0000015481926],"about_ca_topic_score_codex":0.005947195,"about_ca_topic_score_gemma":0.0074406597,"teacher_disagreement_score":0.40659162,"about_ca_system_score_codex":0.002350255,"about_ca_system_score_gemma":0.002451437,"threshold_uncertainty_score":0.84642506},"labels":[],"label_agreement":null},{"id":"W4414215512","doi":"10.51584/ijrias.2025.100800082","title":"Dialectics of Postmodern Rudiments in George Bowering’s Caprice","year":2025,"lang":"en","type":"article","venue":"International Journal of Research and Innovation in Applied Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Postmodernism; Narrative; Deconstruction (building); Mythology; Dialectic","score_opus":0.055906037551512335,"score_gpt":0.38357478338340195,"score_spread":0.3276687458318896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414215512","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14830293,0.0107660135,0.012084952,0.11677136,0.0016891569,0.00012216739,0.00011295976,0.0002180199,0.7099325],"genre_scores_gemma":[0.9436619,0.001326598,0.0028210136,0.006806629,0.00015955752,0.000048715272,0.000018455212,0.00012736293,0.045029804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938835,0.0030171492,0.000082302366,0.000504532,0.0014748417,0.0010377173],"domain_scores_gemma":[0.9941953,0.0034944494,0.00024474662,0.00031833514,0.0012660577,0.00048117235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008114888,0.00058138336,0.00033099705,0.0022547846,0.026200257,0.011547156,0.0014721173,0.0032433032,0.0019651495],"category_scores_gemma":[0.009685219,0.00044966422,0.0002219814,0.0022974855,0.06685998,0.0042874366,0.004546412,0.0059302035,0.00030388235],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013505698,0.000008882816,0.00023961921,0.000024857723,0.0000024268966,0.00020969156,0.261891,0.00009423099,0.00016488462,0.72074485,0.012085073,0.0045210323],"study_design_scores_gemma":[0.000008649863,0.000014621632,0.00084094156,0.00021894027,0.000007956431,0.00044418417,0.1298894,0.00038321907,0.00062220806,0.11166184,0.75584275,0.00006532906],"about_ca_topic_score_codex":0.5819166,"about_ca_topic_score_gemma":0.6573574,"teacher_disagreement_score":0.5819166,"about_ca_system_score_codex":0.039423205,"about_ca_system_score_gemma":0.025561139,"threshold_uncertainty_score":0.8410912},"labels":[],"label_agreement":null},{"id":"W4414793654","doi":"10.1057/s41282-025-00586-1","title":"Proliferating in the dark: the traumatic form of content moderation in Mary South’s “You Will Never Be Forgotten”","year":2025,"lang":"en","type":"article","venue":"Psychoanalysis Culture & Society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Content (measure theory); Dystopia; Moderation; Digital content; Reading (process); Content analysis; The Internet","score_opus":0.04345549453916473,"score_gpt":0.2670250818274519,"score_spread":0.22356958728828716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414793654","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68897897,0.001356863,0.01075649,0.11326807,0.0022374354,0.00011893581,0.00008627378,0.00032909238,0.18286784],"genre_scores_gemma":[0.9815575,0.00015794698,0.0012470863,0.0053508705,0.00018953529,0.000048825746,0.000020975713,0.00027983947,0.011147541],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9899086,0.006893166,0.00016794997,0.0006833104,0.0015640848,0.0007829345],"domain_scores_gemma":[0.9783449,0.012104131,0.0026380832,0.0023702672,0.0023201231,0.0022224907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010213888,0.0006152678,0.0005248982,0.0014544548,0.027286494,0.010355771,0.0018336262,0.005520501,0.0071017053],"category_scores_gemma":[0.042880338,0.00084181933,0.00041132057,0.001005322,0.032653283,0.010539807,0.013694148,0.012056476,0.001175538],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005174891,0.000031315303,0.0016302551,0.000051497434,0.000013078571,0.0009909384,0.9480261,0.000024061967,0.0013101837,0.034071505,0.008542163,0.005257076],"study_design_scores_gemma":[0.000021749998,0.00006802786,0.0030613006,0.00031092984,0.00003444057,0.0015702666,0.8042803,0.00021587832,0.0019339364,0.033783786,0.15464756,0.00007187977],"about_ca_topic_score_codex":0.005296305,"about_ca_topic_score_gemma":0.00945718,"teacher_disagreement_score":0.027286494,"about_ca_system_score_codex":0.0037970124,"about_ca_system_score_gemma":0.0038893414,"threshold_uncertainty_score":0.05401683},"labels":[],"label_agreement":null},{"id":"W4414833950","doi":"10.29173/alr2853","title":"Preface: Vavilov at 5: Looking Ahead while Looking Back","year":2025,"lang":"en","type":"article","venue":"Alberta Law Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.023934700106687072,"score_gpt":0.25779077298627556,"score_spread":0.23385607287958848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833950","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003375348,0.09292037,0.0007927296,0.36929917,0.42400378,0.00009624421,0.0005975822,0.00033600265,0.111616656],"genre_scores_gemma":[0.011651009,0.04179065,0.0009850599,0.20707816,0.14134713,0.00013261492,0.00079655054,0.0005388343,0.5956801],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945991,0.0007031899,0.00023130256,0.00049936085,0.0033029667,0.0006640547],"domain_scores_gemma":[0.9826574,0.0030378543,0.00055521773,0.0005296495,0.011356473,0.0018633753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047513987,0.00082228414,0.0011847148,0.004453983,0.008209294,0.00986677,0.0023682253,0.0090127,0.04511109],"category_scores_gemma":[0.02005543,0.0006316427,0.0008314443,0.0030311316,0.0031232045,0.005506545,0.0020769995,0.012928807,0.03253843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026932096,0.0000021290905,0.000018861358,0.000028417993,8.8975906e-7,0.000009870883,0.00003207724,0.0000076135425,0.000016135618,0.0029109742,0.9942609,0.0027094074],"study_design_scores_gemma":[0.0000016325871,0.000004580084,0.00024660878,0.00019444076,0.0000031517325,0.000019858582,0.00010539087,0.000015790933,0.000024396371,0.0016776114,0.9976972,0.000009516419],"about_ca_topic_score_codex":0.17054467,"about_ca_topic_score_gemma":0.23848204,"teacher_disagreement_score":0.8294553,"about_ca_system_score_codex":0.01619573,"about_ca_system_score_gemma":0.020631792,"threshold_uncertainty_score":0.339104},"labels":[],"label_agreement":null},{"id":"W4415406144","doi":"10.5430/wjel.v16n2p191","title":"Marginalization of Disability as Alterity in George R. R. Martin's A Song of Ice and Fire","year":2025,"lang":"","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Universiti Kebangsaan Malaysia","keywords":"Alterity; George (robot); EPIC; Narrative; Fantasy; Inclusion (mineral); Politics","score_opus":0.00696557836892547,"score_gpt":0.24740337442520613,"score_spread":0.24043779605628066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415406144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54706585,0.015986096,0.0026779624,0.10951019,0.001944786,0.000029053555,0.000031852112,0.000096851,0.3226573],"genre_scores_gemma":[0.9800213,0.0013385594,0.0001684384,0.002254488,0.00016974249,0.000010767199,0.00000374224,0.000026308526,0.016006632],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982973,0.0012263085,0.000021986509,0.00007299714,0.0001963018,0.00018509175],"domain_scores_gemma":[0.9982121,0.0013564783,0.00012507445,0.00008025036,0.000082029896,0.00014410239],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020205854,0.00025842863,0.00026551442,0.00066524,0.006920712,0.003950102,0.00055457896,0.0015929639,0.001313767],"category_scores_gemma":[0.0039052295,0.00014211278,0.00012884152,0.0003622841,0.017264098,0.0021886867,0.0027594862,0.0024507188,0.00018420527],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004909832,0.0000147917435,0.0006781137,0.00009430191,0.0000048858396,0.0012143182,0.5556507,0.00010544808,0.0007553559,0.40818992,0.02110847,0.012134593],"study_design_scores_gemma":[0.000010909997,0.000085899184,0.0028481816,0.00035014708,0.0000108909535,0.0014946754,0.24929656,0.00015457932,0.0008705517,0.022560751,0.7222788,0.000038031296],"about_ca_topic_score_codex":0.009279465,"about_ca_topic_score_gemma":0.01895696,"teacher_disagreement_score":0.009279465,"about_ca_system_score_codex":0.0037116762,"about_ca_system_score_gemma":0.0013127669,"threshold_uncertainty_score":0.026930153},"labels":[],"label_agreement":null},{"id":"W4416873076","doi":"10.1080/01956051.2025.2582386","title":"Liam Calvert on the Journeys in <i>A Night Like This</i>","year":2025,"lang":"en","type":"article","venue":"Journal of Popular Film and Television","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Feature (linguistics); Period (music); Gloom; Government (linguistics)","score_opus":0.01403309074294779,"score_gpt":0.23061759388838468,"score_spread":0.2165845031454369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416873076","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06301524,0.03225368,0.0018096254,0.20759402,0.0047697905,0.00007846374,0.00011843447,0.00019827932,0.6901625],"genre_scores_gemma":[0.5536487,0.007509957,0.0011345283,0.03558011,0.00088932854,0.00006135026,0.000056925248,0.00027425255,0.40084484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991567,0.00049456296,0.000011575279,0.000077634715,0.0001402577,0.0001192398],"domain_scores_gemma":[0.99921954,0.00026447568,0.000078885714,0.00004217622,0.000121986835,0.00027301707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006057829,0.00037939072,0.0001986371,0.00060343096,0.011019114,0.006724706,0.0006405285,0.0027297894,0.010535571],"category_scores_gemma":[0.0025476145,0.00021738786,0.00015935043,0.00051937666,0.006083807,0.003584016,0.0026164202,0.005496357,0.0022024466],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045474328,0.00003412307,0.0010452076,0.00015365526,0.0000075437774,0.0011103165,0.27697015,0.000054606466,0.00054191984,0.1243431,0.5669258,0.028768044],"study_design_scores_gemma":[0.000003182944,0.0000139979165,0.00093812414,0.00022996421,0.000002778422,0.00029430768,0.07704048,0.000037465154,0.00020290978,0.002712152,0.9185144,0.000010184128],"about_ca_topic_score_codex":0.024428697,"about_ca_topic_score_gemma":0.07614093,"teacher_disagreement_score":0.024428697,"about_ca_system_score_codex":0.0034768458,"about_ca_system_score_gemma":0.0014027294,"threshold_uncertainty_score":0.048573017},"labels":[],"label_agreement":null},{"id":"W4417311358","doi":"10.5539/elt.v19n1p44","title":"Interpretation of the Novel 1984 by Freud’ s Personality Structure Theory","year":2025,"lang":"","type":"article","venue":"English Language Teaching","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Freudian slip; Interpretation (philosophy); Id, ego and super-ego; Psychic; Psychoanalytic theory; Tragedy (event); Personality; Oppression; Reading (process)","score_opus":0.004596081251298502,"score_gpt":0.22741955118637666,"score_spread":0.22282346993507815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417311358","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060327124,0.016810376,0.038616356,0.122649714,0.007263818,0.00005000296,0.00019213464,0.0001387176,0.75395167],"genre_scores_gemma":[0.9257071,0.0052209753,0.007991676,0.010992822,0.0032809475,0.00011473353,0.000073699266,0.000069848844,0.046548292],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983821,0.0010216992,0.0000315026,0.0001468582,0.00029430733,0.00012353768],"domain_scores_gemma":[0.99912184,0.00050040096,0.00009518096,0.0000897267,0.00012927239,0.00006360865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001829266,0.0004425989,0.00027210714,0.0020591395,0.0034343908,0.003840958,0.0005791967,0.0016452295,0.002773535],"category_scores_gemma":[0.00259085,0.00012253721,0.00035105168,0.000940756,0.018838637,0.002661466,0.0017961996,0.002671781,0.00037872724],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065110858,0.000004059194,0.00006912251,0.000011142857,0.0000021383862,0.000060381735,0.0039902586,0.00011404454,0.00003222113,0.9856829,0.0060296487,0.003997551],"study_design_scores_gemma":[0.000009656435,0.000016957078,0.0005841289,0.0001325989,0.0000044201865,0.00030486973,0.0037678338,0.0004330359,0.00008791619,0.72001475,0.27462953,0.000014258566],"about_ca_topic_score_codex":0.0023496533,"about_ca_topic_score_gemma":0.0024048884,"teacher_disagreement_score":0.003840958,"about_ca_system_score_codex":0.0036913834,"about_ca_system_score_gemma":0.0014607642,"threshold_uncertainty_score":0.02678305},"labels":[],"label_agreement":null},{"id":"W5223848","doi":"","title":"Sit Down, Stand Up","year":2013,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Novella; Comedy; Romance; Action (physics); Performance art; Immigration; Factory (object-oriented programming); Media studies; Sociology; Art; Gender studies; Engineering; Visual arts; Political science; Art history; Literature; Law","score_opus":0.019568386389363212,"score_gpt":0.23068883910305885,"score_spread":0.21112045271369564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W5223848","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08540877,0.005732945,0.0036790324,0.0644404,0.014525816,0.00021810613,0.000592328,0.0007703838,0.8246323],"genre_scores_gemma":[0.30846456,0.001596195,0.0013918045,0.013732077,0.0011519175,0.000104311395,0.00031167662,0.0005158677,0.6727316],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921286,0.00019930818,0.000008461946,0.00009351137,0.0001817796,0.00030408494],"domain_scores_gemma":[0.9993216,0.00007366454,0.00003858982,0.00003263866,0.0001186917,0.00041492734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045560006,0.0009170784,0.00034644577,0.00048001116,0.016781077,0.0059126914,0.0010303858,0.0023192754,0.034742814],"category_scores_gemma":[0.0016248983,0.00040484394,0.0004301085,0.00028761264,0.007641595,0.0025410543,0.0037524246,0.005892334,0.009285679],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018081277,0.00011885253,0.0014304175,0.00028440362,0.000022937198,0.0030011607,0.216764,0.000104929415,0.002817401,0.034735076,0.71130556,0.029234473],"study_design_scores_gemma":[0.000006727615,0.000053546682,0.0012295782,0.0000895044,0.000008671849,0.0006132706,0.07893002,0.000029035275,0.00044792163,0.0005752064,0.9179908,0.000025712741],"about_ca_topic_score_codex":0.05163658,"about_ca_topic_score_gemma":0.13032612,"teacher_disagreement_score":0.05163658,"about_ca_system_score_codex":0.0032093879,"about_ca_system_score_gemma":0.00221472,"threshold_uncertainty_score":0.116226256},"labels":[],"label_agreement":null},{"id":"W575403533","doi":"10.2307/1209069","title":"Evanescence, Language, and Dread: Reading Don DeLillo","year":2003,"lang":"en","type":"article","venue":"Contemporary Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Reading (process); Philosophy; Linguistics; Psychology; Literature; Art","score_opus":0.01738418821223425,"score_gpt":0.22725497258631389,"score_spread":0.20987078437407963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W575403533","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029235477,0.06762235,0.003796127,0.5548262,0.0077680126,0.00005476655,0.00006957691,0.00007490377,0.33655265],"genre_scores_gemma":[0.76891583,0.033374496,0.0020662989,0.074694045,0.005411714,0.00015681001,0.00005062012,0.0003057003,0.11502456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976574,0.0015946128,0.000041082934,0.00024805355,0.00028209444,0.00017673148],"domain_scores_gemma":[0.9944112,0.0041526896,0.00022642738,0.00019543419,0.0007076116,0.0003067474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004615755,0.00074992294,0.000698093,0.0019812994,0.013200884,0.009929484,0.0018156162,0.0056219846,0.004092403],"category_scores_gemma":[0.011012911,0.00033160252,0.00023734341,0.0012530629,0.026898935,0.009266012,0.0048556733,0.007721741,0.0005457589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005233006,0.000032872376,0.0005163385,0.00020548314,0.0000078205285,0.00035946342,0.19043323,0.00015415609,0.00014610997,0.61610985,0.17369266,0.018289734],"study_design_scores_gemma":[0.000023074837,0.000020555386,0.0007362694,0.0010785573,0.000016266202,0.00028753013,0.17164175,0.00015101975,0.00019581577,0.13384561,0.6919677,0.000035765057],"about_ca_topic_score_codex":0.045831647,"about_ca_topic_score_gemma":0.093491025,"teacher_disagreement_score":0.045831647,"about_ca_system_score_codex":0.0060002785,"about_ca_system_score_gemma":0.0034933102,"threshold_uncertainty_score":0.09112978},"labels":[],"label_agreement":null},{"id":"W585862836","doi":"10.22230/cjc.2000v25n3a1168","title":"Phantom Communities: The Simulacrum and the Limits of Postmodernism","year":2000,"lang":"en","type":"book","venue":"Canadian Journal of Communication","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Simulacrum; Postmodernism; Art; Aesthetics; Literature","score_opus":0.03831683720641995,"score_gpt":0.23201776265190296,"score_spread":0.193700925445483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W585862836","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055960998,0.0071798214,0.024676897,0.06707156,0.0011724951,0.000065039545,0.00004906756,0.00014868785,0.8436755],"genre_scores_gemma":[0.9522187,0.0009778836,0.0025984063,0.0019396648,0.0003814585,0.00007590879,0.000016411917,0.00012790303,0.041663747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99346787,0.00439115,0.00009877313,0.00045016457,0.0010715595,0.0005205354],"domain_scores_gemma":[0.9896638,0.006627144,0.00045195152,0.0016860958,0.0010331372,0.00053783704],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009074136,0.0006627233,0.00058302196,0.0021256173,0.014877738,0.015743883,0.0019091326,0.004806303,0.008443623],"category_scores_gemma":[0.016065808,0.00041454405,0.00030476841,0.0015402721,0.113727875,0.019191286,0.009587839,0.0066928,0.0008104325],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051509346,0.0000039052907,0.000027670838,0.000008639199,5.9493027e-7,0.00002007236,0.016773516,0.000025326697,0.000024306742,0.9795592,0.0014119808,0.0021396016],"study_design_scores_gemma":[0.000017243583,0.000012449878,0.00012940202,0.00010428759,0.0000029795563,0.00009561062,0.016112708,0.00027319376,0.00011734239,0.87902844,0.10409696,0.000009406915],"about_ca_topic_score_codex":0.010979753,"about_ca_topic_score_gemma":0.016666869,"teacher_disagreement_score":0.015743883,"about_ca_system_score_codex":0.009928935,"about_ca_system_score_gemma":0.009723621,"threshold_uncertainty_score":0.07203984},"labels":[],"label_agreement":null},{"id":"W589638357","doi":"","title":"Imagined Nations: Reflections on Media in Canadian Fiction","year":2003,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Political science; Art; Sociology","score_opus":0.042321785272901306,"score_gpt":0.2590900279908837,"score_spread":0.2167682427179824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W589638357","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09129462,0.021251153,0.0012012903,0.11628635,0.0023169194,0.00005829452,0.00040444318,0.00008615463,0.76710075],"genre_scores_gemma":[0.86882734,0.011691588,0.0010398405,0.008386888,0.0005897396,0.00005582347,0.00013241224,0.00019355315,0.109082855],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976961,0.00066691317,0.000034998517,0.00018846974,0.0008175665,0.0005960325],"domain_scores_gemma":[0.997092,0.0016717195,0.00014094946,0.00010567798,0.000698719,0.00029088993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022339022,0.0008513871,0.000358817,0.0039137714,0.042133335,0.019073615,0.002315915,0.0044479175,0.010340427],"category_scores_gemma":[0.0070023267,0.00039851552,0.00035987142,0.0059168353,0.03490589,0.0069296015,0.0046244846,0.0060034706,0.0005755106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003979611,0.000010907326,0.00042035495,0.00013353686,0.0000050686494,0.00090336095,0.4720883,0.00021515356,0.0003248183,0.42759034,0.0848683,0.013400018],"study_design_scores_gemma":[0.0000069324547,0.0000064427013,0.0015194399,0.00030192564,0.000009482548,0.00029566203,0.287874,0.00014426371,0.00038521536,0.010630672,0.6987851,0.000040828392],"about_ca_topic_score_codex":0.95548826,"about_ca_topic_score_gemma":0.9769934,"teacher_disagreement_score":0.1052357,"about_ca_system_score_codex":0.1052357,"about_ca_system_score_gemma":0.049245927,"threshold_uncertainty_score":0.76354206},"labels":[],"label_agreement":null},{"id":"W631021079","doi":"10.2307/25515405","title":"John Banville: Exploring Fictions","year":2001,"lang":"en","type":"article","venue":"The Canadian Journal of Irish Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Psychoanalysis; Art; Psychology","score_opus":0.21987349050324662,"score_gpt":0.28110689442947007,"score_spread":0.06123340392622345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W631021079","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0076550143,0.029653206,0.0007054117,0.1104003,0.0096138995,0.00004572055,0.00011108002,0.00006226005,0.84175307],"genre_scores_gemma":[0.21005948,0.019283548,0.0012224171,0.03294832,0.0034810773,0.0000965172,0.00012453407,0.0003967771,0.73238724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99691236,0.0012096973,0.00006258373,0.00025930634,0.0008241812,0.0007318687],"domain_scores_gemma":[0.9974349,0.0011549162,0.000118184944,0.00011923417,0.000695247,0.00047754563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029948088,0.00083075126,0.00058070215,0.0051306807,0.0305506,0.016194893,0.0026395896,0.0063166716,0.027261881],"category_scores_gemma":[0.0066494476,0.00036808645,0.00038465016,0.00492494,0.025093613,0.007837828,0.0047808206,0.009150329,0.0035407348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002713437,0.000025241989,0.00019004103,0.000112624795,0.0000060358,0.00033383694,0.058851592,0.000056266956,0.00010423414,0.49765742,0.42967653,0.012959028],"study_design_scores_gemma":[0.0000034767506,0.000002714284,0.00023389423,0.00016752226,0.0000025722547,0.000052686886,0.022222968,0.000021922062,0.000066628956,0.009471402,0.9677443,0.000010019925],"about_ca_topic_score_codex":0.37073472,"about_ca_topic_score_gemma":0.54146475,"teacher_disagreement_score":0.37073472,"about_ca_system_score_codex":0.029062675,"about_ca_system_score_gemma":0.015411197,"threshold_uncertainty_score":0.73715365},"labels":[],"label_agreement":null},{"id":"W633108328","doi":"10.71781/14491","title":"Virginia Woolf and the poetics of trauma narrative","year":2008,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Narrative; Literature; Art; Psychoanalysis; History; Psychology; Poetry","score_opus":0.03542298764843046,"score_gpt":0.28297669372490253,"score_spread":0.24755370607647206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W633108328","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016110843,0.15454233,0.0018774786,0.33153415,0.004157534,0.00004372122,0.00009152207,0.000055490615,0.4915869],"genre_scores_gemma":[0.56313777,0.08169867,0.0013017673,0.022185186,0.0031355037,0.000115556715,0.000057890906,0.00013390592,0.32823372],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869245,0.0007806779,0.000026226895,0.00009523719,0.00023890122,0.00016651976],"domain_scores_gemma":[0.99742186,0.0017181248,0.00015841314,0.000104512845,0.00037267318,0.00022449094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019942315,0.00042252682,0.0004298544,0.00180254,0.014104719,0.009938676,0.0009146537,0.0035203763,0.008668214],"category_scores_gemma":[0.0051334025,0.00028043575,0.00019823901,0.0015772262,0.020653736,0.006455573,0.0026566337,0.0038468975,0.00066750625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015233091,0.000018178393,0.00025373505,0.00009344313,0.000004584258,0.00024386222,0.060096186,0.00008648887,0.00006622357,0.7579954,0.15863533,0.022491308],"study_design_scores_gemma":[0.000008210067,0.00001119719,0.0008835354,0.0005438646,0.0000044661842,0.00021173032,0.046475798,0.000062226936,0.00010019724,0.10982752,0.8418551,0.000016070422],"about_ca_topic_score_codex":0.1426752,"about_ca_topic_score_gemma":0.24247102,"teacher_disagreement_score":0.1426752,"about_ca_system_score_codex":0.011675054,"about_ca_system_score_gemma":0.008192748,"threshold_uncertainty_score":0.2836895},"labels":[],"label_agreement":null},{"id":"W644396666","doi":"","title":"White rose and the red","year":2010,"lang":"en","type":"book","venue":"University Press of Florida eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Biography; White (mutation); Art; Literature; Modernism (music); SWORD; Wife; Art history; Painting; Theme (computing); Reading (process); History; Philosophy; Theology","score_opus":0.011354650053428596,"score_gpt":0.1568716742773123,"score_spread":0.1455170242238837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W644396666","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02012384,0.016997907,0.001180979,0.08227192,0.006929444,0.00001939634,0.000058465284,0.00009638203,0.8723217],"genre_scores_gemma":[0.25906846,0.006544232,0.0009404212,0.019158669,0.0017516027,0.000029211717,0.000040565657,0.00024617146,0.7122206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780494,0.0009900624,0.000031211384,0.00035886816,0.00048247117,0.00033247314],"domain_scores_gemma":[0.99883324,0.0003392316,0.00010189024,0.0001661094,0.00026567103,0.00029391737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002190862,0.00053300196,0.0003087543,0.0007612798,0.0128124785,0.0102286115,0.0006278241,0.0015728336,0.018997258],"category_scores_gemma":[0.0031837015,0.00028228425,0.0002556408,0.0007244063,0.008325398,0.004989106,0.0043440396,0.0042845975,0.0034613947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078280646,0.000041264142,0.00050158147,0.000085293046,0.0000090031535,0.0004935717,0.046023734,0.000033634,0.00057104696,0.574085,0.3171724,0.060905118],"study_design_scores_gemma":[0.0000023228338,0.000010763201,0.0002645082,0.00007228749,0.0000025198158,0.00010112033,0.008474024,0.000015662383,0.0002057738,0.007705388,0.9831382,0.000007459811],"about_ca_topic_score_codex":0.014986234,"about_ca_topic_score_gemma":0.041465882,"teacher_disagreement_score":0.018997258,"about_ca_system_score_codex":0.003316761,"about_ca_system_score_gemma":0.0024620572,"threshold_uncertainty_score":0.06355214},"labels":[],"label_agreement":null},{"id":"W69097422","doi":"","title":"Speed and becoming in the urban public sphere","year":2004,"lang":"en","type":"dissertation","venue":"Durham e-Theses (Durham University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Subjectivity; Subject (documents); Political subjectivity; Normative; Public sphere; Argument (complex analysis); Sociology; Public space; Political science; Aesthetics; Law and economics; Environmental ethics; Epistemology; Law; Engineering; Philosophy","score_opus":0.03318103427333766,"score_gpt":0.2086160419708622,"score_spread":0.17543500769752454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W69097422","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16370286,0.002555735,0.004889237,0.028514264,0.00033647084,0.00004105462,0.00006306696,0.00009730523,0.7998],"genre_scores_gemma":[0.98519206,0.00067814806,0.00033714052,0.00041624028,0.00009433403,0.00001518653,0.000020589134,0.000030015952,0.013216381],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944214,0.0033134117,0.00014167176,0.00039403705,0.0007770976,0.0009524278],"domain_scores_gemma":[0.9970573,0.0011349212,0.0005317868,0.00029876662,0.0003342608,0.00064297015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029184767,0.00041921588,0.00033108855,0.0021121607,0.013096134,0.01817426,0.00083589874,0.0023545597,0.012269628],"category_scores_gemma":[0.004131499,0.00029981264,0.00041199828,0.002264642,0.037851457,0.015042064,0.010262363,0.0031694,0.0010930622],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015347285,0.000014417029,0.0011406844,0.00003081537,0.0000035658861,0.00010153698,0.054947644,0.00016713115,0.00007053122,0.9350887,0.0027254832,0.005694212],"study_design_scores_gemma":[0.00002089531,0.00005185165,0.004082153,0.00025328904,0.00002220062,0.00036582205,0.19467278,0.0005558347,0.00035813282,0.3305785,0.4689937,0.00004474511],"about_ca_topic_score_codex":0.008935759,"about_ca_topic_score_gemma":0.007862705,"teacher_disagreement_score":0.01817426,"about_ca_system_score_codex":0.010034922,"about_ca_system_score_gemma":0.0039319266,"threshold_uncertainty_score":0.0728088},"labels":[],"label_agreement":null},{"id":"W6911226573","doi":"10.5281/zenodo.10704484","title":"MULTICULTURALISM IN THE ANALOGICAL NOVELS: A PALE VIEW OF HILLS AND A TALE OF TIME BEING","year":2024,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Depiction; Multiculturalism; Period (music); Politics; Order (exchange)","score_opus":0.03595203469931205,"score_gpt":0.23594281266157685,"score_spread":0.1999907779622648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6911226573","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43602356,0.006266674,0.004478065,0.027218,0.002861267,0.000089410205,0.0001053992,0.000091326205,0.5228663],"genre_scores_gemma":[0.9843052,0.00093118654,0.0005818246,0.00079766964,0.0004304798,0.000029187157,0.000022798979,0.00002823181,0.012873416],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988741,0.0006871688,0.000028396862,0.00009671147,0.00017521706,0.00013846648],"domain_scores_gemma":[0.9983791,0.0009441934,0.00020628027,0.00013869052,0.00011956314,0.00021216561],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016422552,0.00056752714,0.00037047136,0.0016132747,0.0077240425,0.0065243407,0.00084173994,0.0012124088,0.003400781],"category_scores_gemma":[0.0026846037,0.00023641606,0.00021842358,0.001120887,0.01885398,0.0056564393,0.0046319533,0.002559826,0.00016502957],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009057241,0.00007447783,0.0008269063,0.00022416041,0.000013138296,0.0015777216,0.6239484,0.00020396954,0.0009965812,0.3538431,0.009986405,0.0082145855],"study_design_scores_gemma":[0.00003013448,0.000091390575,0.0037458898,0.00042994987,0.000027684855,0.0012387293,0.5755605,0.00061748765,0.0010974805,0.058777746,0.35833654,0.000046473502],"about_ca_topic_score_codex":0.002925566,"about_ca_topic_score_gemma":0.0056178863,"teacher_disagreement_score":0.0077240425,"about_ca_system_score_codex":0.0036513053,"about_ca_system_score_gemma":0.0009389705,"threshold_uncertainty_score":0.026492178},"labels":[],"label_agreement":null},{"id":"W6923490612","doi":"10.1371/journal.pone.0290988.s001","title":"S1 Appendix -","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meditation; General partnership; Usability; Quality of life (healthcare); Perception; Transcendental meditation; Alternative medicine","score_opus":0.0531813363062851,"score_gpt":0.24536409690074398,"score_spread":0.19218276059445888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923490612","genre_codex":"dataset","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008936194,0.0004632733,0.0032922237,0.0019800512,0.0014223761,0.003309307,0.88596463,0.0017571172,0.10091734],"genre_scores_gemma":[0.009837093,0.0017664962,0.016278971,0.007225983,0.0005355579,0.015010381,0.653942,0.0027717436,0.29263183],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977798,0.0006068365,0.00038944243,0.00039022407,0.000664099,0.00016963741],"domain_scores_gemma":[0.9687882,0.017241254,0.0010551029,0.0022851597,0.009705886,0.0009244421],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0041322624,0.000889882,0.0011647309,0.0038790575,0.0019015751,0.0021672382,0.00258411,0.0017277375,0.9048836],"category_scores_gemma":[0.046971098,0.0008421856,0.0007157118,0.0054968963,0.0005795584,0.0025749821,0.0020456938,0.002225713,0.5211684],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085598374,0.00004818887,0.00028656897,0.0007346413,0.0000046138985,0.000035016685,0.000074068346,0.000093845534,0.000045689663,0.0009574463,0.98069066,0.016943675],"study_design_scores_gemma":[0.00013155623,0.00005883609,0.0015563171,0.0010032946,0.000009746792,0.00009883062,0.00039331472,0.00014496768,0.00013696184,0.0037556258,0.99268746,0.000023076675],"about_ca_topic_score_codex":0.0126399845,"about_ca_topic_score_gemma":0.014920424,"teacher_disagreement_score":0.09511638,"about_ca_system_score_codex":0.0022566894,"about_ca_system_score_gemma":0.005665611,"threshold_uncertainty_score":0.13567191},"labels":[],"label_agreement":null},{"id":"W6923549849","doi":"10.14277/10.30687/el/2420-823x/2021/08/004","title":"Memories of the Limbaugh Administration","year":2022,"lang":"en","type":"article","venue":"Università Ca’ Foscari Venezia","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Politics; Administration (probate law); Focus (optics); Period (music); Radio program","score_opus":0.012790287900987091,"score_gpt":0.18043110003706295,"score_spread":0.16764081213607585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923549849","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2228867,0.016761303,0.0007516105,0.10566242,0.005108635,0.000025570263,0.00020876779,0.00012146105,0.64847356],"genre_scores_gemma":[0.7256976,0.004269354,0.000073630414,0.008148769,0.0008991201,0.000017405115,0.00004965676,0.000076827346,0.2607677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992028,0.00036551157,0.000012190052,0.00006629327,0.00014679233,0.00020655798],"domain_scores_gemma":[0.99938524,0.00023483277,0.00009329046,0.000057852438,0.00006719325,0.00016163988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073655415,0.00027642763,0.00016450953,0.00048804528,0.01198366,0.0059744855,0.0005174214,0.0012508032,0.012559831],"category_scores_gemma":[0.0032687057,0.00020658669,0.00010834526,0.00081627007,0.0067226165,0.0023184316,0.003795842,0.004446606,0.0022719696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017209523,0.00005309059,0.0030562775,0.00009224974,0.000014701011,0.003397785,0.28214327,0.00015629795,0.0007676274,0.199314,0.4682281,0.042604443],"study_design_scores_gemma":[0.0000030604062,0.00001311066,0.0013704952,0.00010221197,0.0000023160346,0.00023140322,0.051029842,0.000023391032,0.00022326809,0.0029117954,0.94407845,0.000010585821],"about_ca_topic_score_codex":0.030840453,"about_ca_topic_score_gemma":0.067777306,"teacher_disagreement_score":0.030840453,"about_ca_system_score_codex":0.004490418,"about_ca_system_score_gemma":0.002311434,"threshold_uncertainty_score":0.061321914},"labels":[],"label_agreement":null},{"id":"W6957846948","doi":"10.60692/ybqzf-jsk60","title":"Dermatological changes in a prospective cohort of acutely ill, hospitalised Malawian children, stratified according to nutritional status","year":2024,"lang":"en","type":"article","venue":"Greater South Information System","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"SickKids Foundation; Hospital for Sick Children","funders":"","keywords":"Prospective cohort study; Malnutrition; Wasting; Cohort; Cohort study; Population; Etiology; Referral","score_opus":0.024283256966491574,"score_gpt":0.21478894778876165,"score_spread":0.19050569082227006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6957846948","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9993099,0.000109428285,0.000017048938,0.000028462347,0.0000019859606,0.000020239997,0.00030428593,0.0000012728026,0.00020740408],"genre_scores_gemma":[0.9994221,0.00012031324,0.000047487592,0.000034643832,0.0000049789332,0.000018524932,0.00024176683,8.812947e-7,0.00010921599],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996151,0.00005908565,0.000040900588,0.000082743056,0.00005772629,0.00014452377],"domain_scores_gemma":[0.99919814,0.00008573278,0.0004297534,0.000035543133,0.00007177103,0.00017898146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002921475,0.00034988628,0.0003439319,0.0010858512,0.000934098,0.00084956613,0.00032749656,0.00047379517,0.0019641155],"category_scores_gemma":[0.0012115886,0.0005177564,0.00029898714,0.0012425748,0.0007448636,0.0007967364,0.0007487116,0.0006842923,0.00027358157],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025665215,0.000017913755,0.9991627,0.000010991578,0.0000058823302,0.00017238478,0.00019726295,0.000008818868,0.00012958342,0.0000058031524,0.000036300677,0.0002267092],"study_design_scores_gemma":[0.0000014811048,0.00007767784,0.9988674,0.0000075715534,0.000003922339,0.00043823404,0.0005057103,0.00001759947,0.00001522837,0.0000040698915,0.000059679223,0.0000015272111],"about_ca_topic_score_codex":0.015729504,"about_ca_topic_score_gemma":0.019863764,"teacher_disagreement_score":0.015729504,"about_ca_system_score_codex":0.0005588103,"about_ca_system_score_gemma":0.0004506703,"threshold_uncertainty_score":0.031275928},"labels":[],"label_agreement":null},{"id":"W6979936806","doi":"","title":"\"An Anguish Become Thing\": Narrative as Performance in David Foster Wallace's &lt;i&gt;Infinite Jest&lt;/i&gt;","year":2000,"lang":"en","type":"article","venue":"ScholarWorks (Central Washington University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anguish; Narrative; Set (abstract data type); Addiction; Narrative inquiry; Action (physics)","score_opus":0.011141041634598068,"score_gpt":0.2014425916463451,"score_spread":0.19030155001174703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6979936806","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.083293624,0.006677641,0.0043357364,0.05362212,0.0013794436,0.000032615215,0.000051246872,0.00007379972,0.8505338],"genre_scores_gemma":[0.88203305,0.0015467189,0.00084508606,0.004472652,0.00033123157,0.000054156182,0.00003125478,0.00010122698,0.11058466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996863,0.0021589203,0.000030522344,0.00018400732,0.00046526003,0.00029832407],"domain_scores_gemma":[0.99877065,0.0005250048,0.0001194639,0.00006820324,0.00017291355,0.0003438264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018824412,0.0005999737,0.00026214583,0.0012512673,0.014097354,0.009850182,0.0012095689,0.002868008,0.0034329859],"category_scores_gemma":[0.004147256,0.00017205303,0.00015712732,0.0008524806,0.03865455,0.004616859,0.005022334,0.004792981,0.0005370567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017252058,0.00002125896,0.00023277687,0.000036418853,0.000002616327,0.00029881933,0.30281642,0.00010261732,0.00020783505,0.6566639,0.033508055,0.0060920953],"study_design_scores_gemma":[0.000009787299,0.000028875646,0.0006819876,0.00039802835,0.0000053047743,0.00037747328,0.22546381,0.00027067124,0.00042218884,0.057927903,0.71438897,0.000025031819],"about_ca_topic_score_codex":0.024749458,"about_ca_topic_score_gemma":0.034802917,"teacher_disagreement_score":0.024749458,"about_ca_system_score_codex":0.008158992,"about_ca_system_score_gemma":0.0036586402,"threshold_uncertainty_score":0.059197962},"labels":[],"label_agreement":null},{"id":"W6980376820","doi":"","title":"Call Help Desk Number...1-844-234-9752 netgear customer service phone number wireless router","year":2016,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Core router; Router; One-armed router; Phone; Link state packet","score_opus":0.014854062721334037,"score_gpt":0.24294975630575633,"score_spread":0.22809569358442228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980376820","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00077491667,0.00018467785,0.0012475358,0.0008663142,0.001045947,0.00023578749,0.002776449,0.008227736,0.9846406],"genre_scores_gemma":[0.0013201999,0.00013386045,0.00034494812,0.00031879675,0.00012327205,0.000059925733,0.0009085581,0.0009055923,0.99588484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995401,0.00003612341,0.000018732217,0.00010119878,0.00020766327,0.00009626425],"domain_scores_gemma":[0.9977818,0.00016909231,0.00006658668,0.00019768477,0.00083117187,0.00095357327],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003725542,0.001344909,0.0010546121,0.0012671406,0.0016249585,0.003458521,0.0012031707,0.0015897478,0.9479513],"category_scores_gemma":[0.0024004858,0.00066263427,0.0004951207,0.0008792773,0.00026520147,0.0019958683,0.0018881964,0.0013952524,0.93841654],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002582076,0.000029674991,0.00010559588,0.000029478899,9.782764e-7,0.0000330849,0.000015100047,0.000017807874,0.0003131852,0.00026572056,0.9803285,0.018835057],"study_design_scores_gemma":[0.00002376719,0.00004576508,0.00068253954,0.000053247888,0.000005182039,0.0001436624,0.000095800235,0.00017023113,0.00032282542,0.00015223418,0.99829346,0.000011282995],"about_ca_topic_score_codex":0.0024914688,"about_ca_topic_score_gemma":0.0037978836,"teacher_disagreement_score":0.052048683,"about_ca_system_score_codex":0.0006630904,"about_ca_system_score_gemma":0.00085192634,"threshold_uncertainty_score":0.07424104},"labels":[],"label_agreement":null},{"id":"W6980526738","doi":"","title":"Challenging concepts of normalcy: The rhetoric of destabilisation in contemporary narratives by Barbara Gowdy and Jeanette Winterson","year":2012,"lang":"en","type":"article","venue":"Unipub UB Graz (Universität Graz)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Rhetoric; Destabilisation; Rhetorical question; Metis; Postcolonialism (international relations)","score_opus":0.033118953829227776,"score_gpt":0.22763653855008228,"score_spread":0.1945175847208545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980526738","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08600215,0.03561747,0.010177769,0.5735051,0.0036894039,0.000080100435,0.00011269061,0.00015805318,0.2906573],"genre_scores_gemma":[0.9409271,0.008414141,0.0022280493,0.015225481,0.0015062183,0.00014124958,0.00004690753,0.00062590576,0.030884923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9868326,0.010827196,0.00016268408,0.00060848374,0.000921488,0.0006476099],"domain_scores_gemma":[0.96194017,0.033078894,0.0013688446,0.0008836577,0.0018864628,0.00084199244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013664501,0.0011283595,0.0009957815,0.0033999325,0.017504193,0.018536638,0.0023148837,0.00769367,0.005739064],"category_scores_gemma":[0.02924474,0.0008905949,0.0003206741,0.002850915,0.065637425,0.022494925,0.009664021,0.013918253,0.0008946728],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048211954,0.000018656485,0.0002859717,0.00012767997,0.000010359031,0.0002792385,0.45857483,0.00017939729,0.00019385832,0.49348503,0.040767703,0.006028967],"study_design_scores_gemma":[0.000031255724,0.000020836611,0.0006281545,0.0011742855,0.000018041701,0.00038470962,0.3136029,0.0005871556,0.0004968908,0.22763538,0.45535147,0.00006884866],"about_ca_topic_score_codex":0.015154365,"about_ca_topic_score_gemma":0.022918414,"teacher_disagreement_score":0.018536638,"about_ca_system_score_codex":0.010496591,"about_ca_system_score_gemma":0.004290446,"threshold_uncertainty_score":0.076158404},"labels":[],"label_agreement":null},{"id":"W6980715950","doi":"","title":"Constitutional Law Experts Examine 2012 Supreme Court of Canada Decisions","year":2013,"lang":"en","type":"article","venue":"eYLS (Yale Law School)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Supreme court; Charter; Appeal; Constitutional law; Adjudication; Proportionality (law); Right to counsel; Legislation; Human rights","score_opus":0.024058921275419365,"score_gpt":0.22117264126674765,"score_spread":0.1971137199913283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980715950","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027843688,0.016703261,0.0011351056,0.18986377,0.00654655,0.0009480641,0.012183662,0.00044541483,0.7443304],"genre_scores_gemma":[0.13488439,0.007890177,0.0019044257,0.074368276,0.0014452522,0.0003259679,0.004435631,0.0002060108,0.7745398],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9849043,0.00045314702,0.0003383031,0.001202403,0.007746439,0.0053554033],"domain_scores_gemma":[0.98234487,0.0019704734,0.00048752196,0.0003886177,0.012122925,0.0026857078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005180359,0.0007165864,0.00069697615,0.0058567226,0.022976922,0.009869314,0.002743212,0.010248665,0.030901397],"category_scores_gemma":[0.018198367,0.0011716768,0.00087246316,0.0071204784,0.0040926132,0.0019329744,0.0021146284,0.007225064,0.0045280494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000026403917,0.000029188865,0.0015800896,0.00010204408,0.000012948628,0.00041091576,0.0016425215,0.00025309148,0.00059102784,0.026198268,0.948554,0.020599484],"study_design_scores_gemma":[0.0000115138955,0.0000053862223,0.008601436,0.0001443492,0.000011501768,0.00003371755,0.0015529944,0.00013602695,0.0002967021,0.0011947658,0.9879689,0.000042646356],"about_ca_topic_score_codex":0.9871956,"about_ca_topic_score_gemma":0.99543387,"teacher_disagreement_score":0.8507155,"about_ca_system_score_codex":0.14928447,"about_ca_system_score_gemma":0.2533318,"threshold_uncertainty_score":0.9867094},"labels":[],"label_agreement":null},{"id":"W6983083901","doi":"","title":"\"Laughter in the Dark\": Belief and Literature in a Secular Age","year":2022,"lang":"en","type":"article","venue":"Scholarship @ Claremont (The Claremont Colleges)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Ridiculous; Absolute (philosophy); Omnipresence; Atheism; Secularism; Fatalism; Key (lock); Verisimilitude","score_opus":0.022541351734861773,"score_gpt":0.22836422892754363,"score_spread":0.20582287719268186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983083901","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26695478,0.092090495,0.0041850912,0.23488091,0.002873755,0.000022228269,0.00006520056,0.00010821055,0.3988194],"genre_scores_gemma":[0.9801516,0.0058070365,0.0003567303,0.0050515933,0.00056048686,0.000010958572,0.000012468668,0.00004454127,0.008004585],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953312,0.0033279234,0.00007688015,0.00025189144,0.00060342596,0.0004085643],"domain_scores_gemma":[0.99279755,0.0040996345,0.0006593848,0.0006397709,0.0009670871,0.00083672267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005411797,0.00033814943,0.00037704041,0.0021097711,0.012004862,0.015956225,0.0012149273,0.0035266562,0.0029122808],"category_scores_gemma":[0.010406527,0.00026297744,0.00022966912,0.002210772,0.062007632,0.012541607,0.0065445555,0.007746291,0.0005315122],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000180942,0.0000213964,0.00077564793,0.00005409189,0.0000046453447,0.00024078367,0.50761944,0.00003116449,0.00010701507,0.47249836,0.010223184,0.0084062],"study_design_scores_gemma":[0.000024126472,0.000054998727,0.0022437167,0.0011312084,0.000013067154,0.00054607866,0.47712648,0.00029971136,0.0003358257,0.19783457,0.32035312,0.000037062342],"about_ca_topic_score_codex":0.010568833,"about_ca_topic_score_gemma":0.012570445,"teacher_disagreement_score":0.015956225,"about_ca_system_score_codex":0.008600455,"about_ca_system_score_gemma":0.004343815,"threshold_uncertainty_score":0.062400997},"labels":[],"label_agreement":null},{"id":"W6984880465","doi":"","title":"Northern Canada","year":2007,"lang":"en","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.014970524636630646,"score_gpt":0.15667679562058598,"score_spread":0.14170627098395533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6984880465","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016931479,0.0019843047,0.00037374042,0.0023586885,0.00058013387,0.00006035087,0.009391866,0.00046512042,0.98309267],"genre_scores_gemma":[0.0032969527,0.0006562788,0.00026108927,0.00031885374,0.000017488504,0.000013395251,0.001245225,0.00010755778,0.9940832],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911755,0.000038887545,0.000019074563,0.00017665136,0.00039980284,0.00024805413],"domain_scores_gemma":[0.99821836,0.00011904026,0.000050586073,0.0001153868,0.001198959,0.00029759514],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003739731,0.0009267922,0.0007267531,0.0020950465,0.007941979,0.006400745,0.0012530079,0.0013616807,0.6225635],"category_scores_gemma":[0.0015758594,0.0005343645,0.000487472,0.0038687862,0.001075277,0.001387639,0.0016318759,0.0014097415,0.23618667],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011136916,0.000034525638,0.0017555135,0.0002865443,0.000016450202,0.00034221678,0.00035335936,0.00026312418,0.0004985801,0.026757918,0.8693598,0.10022067],"study_design_scores_gemma":[0.000008743963,0.0000040272685,0.0015400058,0.00007696234,0.0000044239328,0.00004043052,0.00037763908,0.00008641348,0.00013594644,0.00076897256,0.99694747,0.000008924955],"about_ca_topic_score_codex":0.91869223,"about_ca_topic_score_gemma":0.97387064,"teacher_disagreement_score":0.6225635,"about_ca_system_score_codex":0.024759917,"about_ca_system_score_gemma":0.03983894,"threshold_uncertainty_score":0.5383674},"labels":[],"label_agreement":null},{"id":"W6986722036","doi":"","title":"Queen's prof helps write story of Twin Towers' collapse","year":2002,"lang":"en","type":"article","venue":"NPARC","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mistake; Derogation; Government (linguistics)","score_opus":0.02314751314965603,"score_gpt":0.20608483233251473,"score_spread":0.18293731918285872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986722036","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020731239,0.0037782798,0.0015070129,0.5191998,0.025409037,0.00004623551,0.00020166472,0.0002787406,0.42884797],"genre_scores_gemma":[0.27326694,0.0017521803,0.00064483,0.077898115,0.0046230177,0.000047091457,0.00007634285,0.0006114844,0.64107996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979651,0.00066674885,0.000049591283,0.00019475151,0.00062153046,0.0005022854],"domain_scores_gemma":[0.9973605,0.00086084,0.00017545198,0.00020714622,0.00066897593,0.00072700845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018147368,0.0006330259,0.00060437317,0.0011177218,0.034315817,0.008774906,0.0016984062,0.010021075,0.026616478],"category_scores_gemma":[0.011864653,0.00057430536,0.00061701745,0.00075951207,0.014770877,0.0059290454,0.006714922,0.025013791,0.0054629366],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004465702,0.000012261067,0.0002588967,0.000041552772,0.000009547718,0.0017359289,0.05160375,0.00007340956,0.00010860305,0.062631786,0.87858164,0.004897991],"study_design_scores_gemma":[0.000007045369,0.000014244095,0.00059470144,0.0001307,0.000008703721,0.00060590653,0.050065897,0.00008285746,0.00018419916,0.0057131485,0.9425685,0.000024124281],"about_ca_topic_score_codex":0.06802003,"about_ca_topic_score_gemma":0.14780688,"teacher_disagreement_score":0.06802003,"about_ca_system_score_codex":0.006208828,"about_ca_system_score_gemma":0.004934535,"threshold_uncertainty_score":0.13524824},"labels":[],"label_agreement":null},{"id":"W6989328187","doi":"","title":"Articulations in Translation at the Intersection of World Literature and Popular Culture: Film and TV Adaptations of Ishiguro's <i>Never Let Me Go</i>","year":2017,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Liquation; Dysgeusia; Diafiltration; Emperipolesis; Fusible alloy; Triacetin","score_opus":0.02935791462006984,"score_gpt":0.22282435163628544,"score_spread":0.1934664370162156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989328187","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33822334,0.02122317,0.0026120197,0.0781728,0.002701385,0.00010099476,0.00024189346,0.00008566001,0.5566387],"genre_scores_gemma":[0.9792782,0.0042199325,0.00096512045,0.0021986107,0.0004662847,0.00005817566,0.000074210366,0.00012254022,0.012616882],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9908613,0.0059887934,0.0004759804,0.00047871453,0.0014939464,0.0007011642],"domain_scores_gemma":[0.98123986,0.012425977,0.0012166164,0.0017868391,0.0026177985,0.00071283604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011102212,0.00056888,0.0005755446,0.0072270273,0.012160165,0.015404267,0.001440222,0.0028091683,0.006693948],"category_scores_gemma":[0.024278117,0.00043271293,0.00040925544,0.011322831,0.035519287,0.009422233,0.008915301,0.0039054595,0.0005893439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051046845,0.000029975085,0.0019247341,0.00032632973,0.000014175347,0.00053902157,0.8522041,0.00003146174,0.0006595582,0.11051871,0.0068741967,0.026826676],"study_design_scores_gemma":[0.00002442059,0.000046417994,0.018213922,0.0018463865,0.00006882757,0.0003945695,0.784095,0.0001202832,0.001145696,0.021541985,0.17245306,0.000049429706],"about_ca_topic_score_codex":0.03577229,"about_ca_topic_score_gemma":0.0686007,"teacher_disagreement_score":0.03577229,"about_ca_system_score_codex":0.011007091,"about_ca_system_score_gemma":0.009904692,"threshold_uncertainty_score":0.079862356},"labels":[],"label_agreement":null},{"id":"W6992439932","doi":"","title":"Literaturtheorie und Wissenschaftsbetrieb im britischen Universitätsroman. Campus novels von David Lodge, Malcolm Bradbury und A.S. Byatt","year":2001,"lang":"de","type":"book","venue":"University of Regensburg Publication Server (University of Regensburg)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Harvard University","keywords":"Television series; Quarter (Canadian coin)","score_opus":0.012978215707593251,"score_gpt":0.20222166666088243,"score_spread":0.18924345095328918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992439932","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029460812,0.12929797,0.0004905416,0.067896806,0.0034240573,0.000028801818,0.00032550402,0.00010201175,0.7689736],"genre_scores_gemma":[0.3583209,0.031807967,0.00042295072,0.003994121,0.0010192757,0.000068075955,0.00020084823,0.00016146028,0.6040044],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99884486,0.00049668696,0.000047219266,0.00014921995,0.0003002016,0.00016180227],"domain_scores_gemma":[0.9987684,0.00047280805,0.00022377011,0.00010658085,0.00020810062,0.00022034542],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0014399436,0.0005282404,0.00024369548,0.0025138955,0.009273558,0.010900471,0.0010111333,0.0020989198,0.020368172],"category_scores_gemma":[0.002049407,0.00040401923,0.00019767841,0.007317145,0.019197978,0.004392981,0.0030975272,0.0025341639,0.002897154],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054674452,0.000040596326,0.0013222495,0.00031140936,0.000011127255,0.00045462846,0.06612703,0.00023058616,0.0005319047,0.7073485,0.19517305,0.02839423],"study_design_scores_gemma":[0.0000082597235,0.000007288499,0.004988092,0.0003256645,0.000007352448,0.0001530659,0.014849387,0.00007783472,0.00016489557,0.015352942,0.96404624,0.000018927423],"about_ca_topic_score_codex":0.11707342,"about_ca_topic_score_gemma":0.28504214,"teacher_disagreement_score":0.9907265,"about_ca_system_score_codex":0.026199173,"about_ca_system_score_gemma":0.009955097,"threshold_uncertainty_score":0.23278397},"labels":[],"label_agreement":null},{"id":"W6993144195","doi":"","title":"Smithy Abroad 2","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Adventure; Quarter (Canadian coin); Dozen; Everyday life; George (robot); Gloom; First world war; World War II","score_opus":0.12252384609792914,"score_gpt":0.3617000786563389,"score_spread":0.23917623255840975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993144195","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006225256,0.0016858535,0.00015321781,0.0031537681,0.0030334035,0.000019877567,0.0007426082,0.0002799287,0.9903088],"genre_scores_gemma":[0.0016489392,0.00054468523,0.000059505604,0.0006209485,0.00018219814,0.0000074807026,0.00021687282,0.000107984146,0.9966114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994611,0.000060257935,0.00002471936,0.00015322825,0.00018431596,0.00011637052],"domain_scores_gemma":[0.99941874,0.000056367615,0.0000401778,0.000073702766,0.00012275967,0.00028830464],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036873552,0.0008141889,0.00030541647,0.000983933,0.0025622537,0.006480451,0.0006997285,0.0022859385,0.76415676],"category_scores_gemma":[0.001596729,0.000366621,0.00032637012,0.0012425646,0.00084833376,0.0038897237,0.0037759105,0.002603542,0.50070846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002246745,0.000025346404,0.00023988719,0.00009040733,0.0000022018303,0.0002671996,0.00031081762,0.000028432414,0.0002760292,0.024109127,0.9140014,0.06062664],"study_design_scores_gemma":[8.713774e-7,0.0000026522935,0.00009365702,0.000021561422,2.2101865e-7,0.000050238774,0.00006065642,0.000003866668,0.000027148892,0.0002392889,0.9994987,0.0000011122639],"about_ca_topic_score_codex":0.0058409716,"about_ca_topic_score_gemma":0.012570167,"teacher_disagreement_score":0.76415676,"about_ca_system_score_codex":0.0016346774,"about_ca_system_score_gemma":0.0022651507,"threshold_uncertainty_score":0.33640176},"labels":[],"label_agreement":null},{"id":"W6997023621","doi":"","title":"Twayne companion to contemporary literature in English from the editors of \"The Hollins critic\"","year":2003,"lang":"en","type":"article","venue":"Hollins Digital Commons (Hollins University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Style (visual arts); Literary criticism; History of literature; Subject (documents); Biography; Portrait; Writing style; Excellence","score_opus":0.021889180413449234,"score_gpt":0.18701020685122346,"score_spread":0.16512102643777424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997023621","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071662366,0.10622089,0.0031559134,0.17945471,0.23488416,0.00010276801,0.00054716406,0.00075264054,0.4677156],"genre_scores_gemma":[0.029415216,0.01718772,0.001011074,0.014970134,0.032674946,0.00008898767,0.0002968947,0.0006577355,0.9036973],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989969,0.00029733087,0.00005163102,0.00014709374,0.00039439934,0.00011254817],"domain_scores_gemma":[0.99693894,0.0007587313,0.00023475107,0.00018109217,0.0013743795,0.0005120398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015501841,0.00049025234,0.00048761445,0.0019170721,0.0043955552,0.005066638,0.0007853257,0.0010189979,0.043795757],"category_scores_gemma":[0.005697414,0.0002789345,0.00018692917,0.0015734514,0.0015379216,0.0027498493,0.002071981,0.0029563284,0.011726522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009103501,0.000008704351,0.00007927576,0.000065707056,0.000001244939,0.00006503042,0.001294214,0.000010986952,0.00012272793,0.004889309,0.97923607,0.0142176645],"study_design_scores_gemma":[0.0000010622902,0.0000024144442,0.00015225403,0.000069001246,8.330508e-7,0.000040800365,0.0004007394,0.000012280623,0.000041852647,0.00031788828,0.9989588,0.0000020564594],"about_ca_topic_score_codex":0.0074784965,"about_ca_topic_score_gemma":0.01948814,"teacher_disagreement_score":0.043795757,"about_ca_system_score_codex":0.0032336803,"about_ca_system_score_gemma":0.0030979586,"threshold_uncertainty_score":0.14651144},"labels":[],"label_agreement":null},{"id":"W6998742477","doi":"","title":"Behaving This Way is All I Have Left","year":2012,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Wife; Accident (philosophy); Bond; Subject (documents); Event (particle physics)","score_opus":0.04738167723461064,"score_gpt":0.28091441878540535,"score_spread":0.2335327415507947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998742477","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08353615,0.00853281,0.0058829607,0.08719989,0.00549226,0.000058628815,0.00006257292,0.00023334914,0.8090014],"genre_scores_gemma":[0.81473494,0.0020099143,0.0009810166,0.011364656,0.00048682315,0.000065068045,0.000040500927,0.00021844101,0.1700986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9973459,0.0015315461,0.00003658394,0.00022602093,0.0004915516,0.00036836552],"domain_scores_gemma":[0.99888486,0.00038114353,0.00013832978,0.00011174097,0.00021351015,0.0002703612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018728568,0.00056475465,0.00041259886,0.00046136414,0.014086801,0.0073101306,0.00075490185,0.0020824545,0.0043726107],"category_scores_gemma":[0.00272544,0.00023556441,0.000315938,0.00029162128,0.025642827,0.004291689,0.0038447932,0.0057729343,0.0017468501],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051121464,0.000054786986,0.0007524315,0.00010630118,0.000011474244,0.0006575019,0.31311873,0.00007957514,0.0006124326,0.574061,0.09493217,0.015562572],"study_design_scores_gemma":[0.000008648394,0.00004825794,0.0008924107,0.00032055538,0.0000150445385,0.0006180611,0.15124546,0.00011684913,0.00070365623,0.03398484,0.8120191,0.000027165941],"about_ca_topic_score_codex":0.005804147,"about_ca_topic_score_gemma":0.009277927,"teacher_disagreement_score":0.014086801,"about_ca_system_score_codex":0.004325974,"about_ca_system_score_gemma":0.002539573,"threshold_uncertainty_score":0.03138727},"labels":[],"label_agreement":null},{"id":"W7001613815","doi":"","title":"La résilience des monarchies arabes : Une approche basée sur l’adaptation","year":2015,"lang":"fr","type":"other","venue":"uO Research (University of Ottawa)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monarchy; Face (sociological concept); Mythology","score_opus":0.16929757066036688,"score_gpt":0.2738224397349885,"score_spread":0.1045248690746216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001613815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.122275956,0.08759032,0.19615549,0.21442994,0.0044256197,0.000661124,0.0013823389,0.0005033861,0.3725758],"genre_scores_gemma":[0.9034118,0.03159401,0.038336724,0.004115035,0.0008905466,0.0004909061,0.0003915684,0.000082833736,0.020686524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9966652,0.001961861,0.00014162764,0.00043529403,0.000488463,0.00030764416],"domain_scores_gemma":[0.9945998,0.0026894275,0.00048904226,0.0003989274,0.0015200629,0.00030273595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008617006,0.0013714945,0.0012139336,0.006158462,0.004472308,0.009092638,0.0034486759,0.0029672256,0.007024144],"category_scores_gemma":[0.011135541,0.00053052267,0.0018135424,0.0067610806,0.010529807,0.0093729785,0.006053082,0.0039108945,0.00082337274],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015753657,0.00012767268,0.028576225,0.0012935252,0.00035179217,0.00071374775,0.04530071,0.013932719,0.00050743803,0.6114644,0.017546661,0.2800276],"study_design_scores_gemma":[0.000049265167,0.000187845,0.04069704,0.0053284047,0.00041811776,0.00052255974,0.07634852,0.018572666,0.00072602666,0.56185436,0.2950272,0.00026798228],"about_ca_topic_score_codex":0.069591045,"about_ca_topic_score_gemma":0.10052351,"teacher_disagreement_score":0.069591045,"about_ca_system_score_codex":0.013373268,"about_ca_system_score_gemma":0.011860272,"threshold_uncertainty_score":0.13837194},"labels":[],"label_agreement":null},{"id":"W7006521057","doi":"","title":"These Lines Are Liabilities","year":2018,"lang":"en","type":"article","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Ohio State University","keywords":"Nothing; Probate; Impeachment; Grief; Daughter; Politics; Cognitive reframing; Quarter (Canadian coin); Disappointment","score_opus":0.013633253737121341,"score_gpt":0.19684305783356373,"score_spread":0.18320980409644239,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006521057","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033836702,0.00419382,0.0034947488,0.21320055,0.012084148,0.00006618628,0.00019665011,0.00029794066,0.76308215],"genre_scores_gemma":[0.14019318,0.0041233646,0.0025768436,0.16783799,0.00676371,0.00028364628,0.00032763157,0.00073827285,0.6771553],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99374795,0.0022852449,0.00018645765,0.001248961,0.0014973009,0.0010340858],"domain_scores_gemma":[0.99396354,0.0015265858,0.00055397284,0.0011029675,0.00161905,0.0012339505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042268364,0.0009233733,0.00065486075,0.0009373164,0.010953093,0.014814505,0.0023316592,0.0093693705,0.09799563],"category_scores_gemma":[0.019046003,0.00047691553,0.0005573446,0.0006989361,0.01680412,0.0138302,0.01082322,0.015280489,0.039319243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030441859,0.000029650362,0.00039271492,0.000048372036,0.00000854732,0.0003795684,0.008319973,0.000044624496,0.000120445366,0.57483506,0.39237615,0.023414435],"study_design_scores_gemma":[0.0000045072775,0.000006696222,0.000071839735,0.00011287135,0.0000034239758,0.00020798821,0.0031504727,0.000029689621,0.000058238267,0.03910981,0.95723647,0.000007829439],"about_ca_topic_score_codex":0.0037171904,"about_ca_topic_score_gemma":0.00466038,"teacher_disagreement_score":0.09799563,"about_ca_system_score_codex":0.0038058462,"about_ca_system_score_gemma":0.004763505,"threshold_uncertainty_score":0.32782805},"labels":[],"label_agreement":null},{"id":"W7011220911","doi":"","title":"The Man Called McGinnice","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Artillery; Character (mathematics); Quarter (Canadian coin); First world war; Period (music)","score_opus":0.13705059502717504,"score_gpt":0.3433311918537827,"score_spread":0.20628059682660765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011220911","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008877973,0.010517948,0.0005306042,0.10150625,0.017044416,0.00007442725,0.0005189686,0.0006000278,0.8603294],"genre_scores_gemma":[0.023099408,0.001574191,0.0002042548,0.022656795,0.00066212454,0.000024777382,0.0001117267,0.00019861956,0.951468],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993199,0.00007607261,0.000016572225,0.0002138761,0.00018143935,0.00019216521],"domain_scores_gemma":[0.9993795,0.000048918453,0.000034128123,0.00004374175,0.00011358381,0.00038018808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056112726,0.0007484782,0.00030673455,0.00067954493,0.0062276544,0.0033355705,0.0010656914,0.0014071743,0.2054272],"category_scores_gemma":[0.0022366238,0.00029341955,0.0001923364,0.00048245175,0.0017585141,0.0025472606,0.0040045856,0.003160362,0.04217796],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024623627,0.000011897378,0.00043330682,0.00003162436,0.0000018776084,0.00047318317,0.0013928903,0.000008413348,0.00020846057,0.0069709644,0.9543185,0.036124162],"study_design_scores_gemma":[0.0000013782708,0.000006473784,0.00044480647,0.00002751344,6.958408e-7,0.0002456,0.0006649867,0.000005173578,0.000037663303,0.0001982646,0.9983625,0.000005041909],"about_ca_topic_score_codex":0.053468112,"about_ca_topic_score_gemma":0.15283859,"teacher_disagreement_score":0.2054272,"about_ca_system_score_codex":0.003342208,"about_ca_system_score_gemma":0.002254629,"threshold_uncertainty_score":0.6872225},"labels":[],"label_agreement":null},{"id":"W7024315993","doi":"","title":"Relational Possibilities in Forster’s The Longest Journey and Howards End","year":2024,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Queer; Friendship; Mainstream; Narrative; Invocation; Shame; Inheritance (genetic algorithm); Bequest","score_opus":0.36676219543971816,"score_gpt":0.5129418093867963,"score_spread":0.14617961394707818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024315993","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21534047,0.010736243,0.0032624963,0.051016223,0.0007866772,0.000042085092,0.00013007267,0.00013678486,0.71854895],"genre_scores_gemma":[0.91257346,0.0016557482,0.0005199862,0.0030085812,0.00016115319,0.000029847382,0.000027792974,0.00007928,0.08194422],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99853206,0.0007355024,0.000023865186,0.00013897779,0.00022311993,0.00034656766],"domain_scores_gemma":[0.99908614,0.00047239746,0.00008898113,0.00007265837,0.000083050494,0.00019677756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001308063,0.0003034857,0.00025949153,0.0007326831,0.011380664,0.006796772,0.0007833007,0.002087582,0.005965529],"category_scores_gemma":[0.0025236737,0.00022946557,0.000206725,0.00062868965,0.02328815,0.0070808493,0.005007632,0.0033533417,0.0006703508],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028620749,0.000016639262,0.00032450512,0.000037923604,0.0000034321242,0.00060222537,0.37970564,0.000029485653,0.0001771273,0.5959801,0.017148893,0.0059453836],"study_design_scores_gemma":[0.0000063901407,0.000020471569,0.00074327335,0.00013886364,0.000005935036,0.00048648225,0.2279189,0.000053356882,0.00037234311,0.035012938,0.73522204,0.000019029609],"about_ca_topic_score_codex":0.020202197,"about_ca_topic_score_gemma":0.033730127,"teacher_disagreement_score":0.020202197,"about_ca_system_score_codex":0.006326421,"about_ca_system_score_gemma":0.0022965393,"threshold_uncertainty_score":0.045901597},"labels":[],"label_agreement":null},{"id":"W7024425485","doi":"","title":"The Secret of the Moat Farm","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Quarter (Canadian coin); World War II; First world war; Front (military); Period (music)","score_opus":0.08891958113128684,"score_gpt":0.3080488097714211,"score_spread":0.21912922864013423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024425485","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01608799,0.022822935,0.00052261073,0.10857407,0.0137904715,0.000053365035,0.00054423645,0.00032265935,0.8372817],"genre_scores_gemma":[0.051989768,0.0025226923,0.00018012285,0.008754647,0.00055268186,0.000011011985,0.0001080549,0.00012081187,0.93576014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988532,0.0001568947,0.00002974235,0.00017777618,0.00040115966,0.00038121798],"domain_scores_gemma":[0.9987709,0.00014090863,0.00012134717,0.0001050603,0.00035118294,0.00051056244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007463792,0.00041328184,0.00022997965,0.0005856033,0.010336724,0.00772146,0.00051748997,0.0032116629,0.10207682],"category_scores_gemma":[0.0032205,0.0004065171,0.00017683717,0.0006358981,0.00294658,0.0038410274,0.004090744,0.0038850596,0.019227514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041522584,0.000011841704,0.0008537218,0.00006530737,0.0000038297494,0.00057456875,0.005022863,0.000017565946,0.00029787348,0.03737951,0.92396945,0.03176192],"study_design_scores_gemma":[9.424279e-7,0.0000045037064,0.0006029233,0.000029330435,6.235642e-7,0.000143214,0.0010026981,0.0000058247124,0.000052961044,0.00031898564,0.99783474,0.000003312939],"about_ca_topic_score_codex":0.05601829,"about_ca_topic_score_gemma":0.11860606,"teacher_disagreement_score":0.10207682,"about_ca_system_score_codex":0.004189437,"about_ca_system_score_gemma":0.005103064,"threshold_uncertainty_score":0.34148103},"labels":[],"label_agreement":null},{"id":"W7024723081","doi":"","title":"“Second to the Right, and Straight on Till Morning”: Audiences, Progression and the Rhetoric of the Portal-Quest Fantasy in J. M. Barrie’s &lt;i&gt;Peter and Wendy&lt;/i&gt;","year":2018,"lang":"en","type":"article","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Fantasy; Narrative","score_opus":0.006446391770427799,"score_gpt":0.1945642588401338,"score_spread":0.188117867069706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024723081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026635593,0.0031774212,0.0053662593,0.06834431,0.0011495528,0.000022387268,0.000040658673,0.000101711994,0.8951622],"genre_scores_gemma":[0.9291461,0.00096414454,0.0011509822,0.0044644517,0.0005532763,0.000048361762,0.000020720683,0.00024833126,0.06340363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99622345,0.0029881427,0.00004911555,0.00022016493,0.00032498574,0.00019398678],"domain_scores_gemma":[0.995974,0.0029295792,0.00021419844,0.00027095873,0.00031447923,0.00029671597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005232514,0.0005561967,0.00034255834,0.001446142,0.013785041,0.012993134,0.0011581492,0.003991446,0.0108933225],"category_scores_gemma":[0.0098004835,0.00032243098,0.00025967963,0.0012910025,0.0332749,0.013844769,0.005436199,0.007174375,0.001356493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018680581,0.000008420398,0.00011328277,0.000022309976,0.0000012186812,0.00007293231,0.084456645,0.000026561933,0.000050976807,0.8987647,0.013403321,0.0030608627],"study_design_scores_gemma":[0.000036214686,0.000032685926,0.00050826464,0.00039868822,0.000008914905,0.00025189258,0.13750324,0.00039389645,0.00041726278,0.33470744,0.525716,0.000025480407],"about_ca_topic_score_codex":0.005762465,"about_ca_topic_score_gemma":0.009411429,"teacher_disagreement_score":0.013785041,"about_ca_system_score_codex":0.004174837,"about_ca_system_score_gemma":0.0018699318,"threshold_uncertainty_score":0.036441743},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W7025623275","doi":"","title":"What Violently Elects Us: Filiation, Ethics, and War in the Contemporary British Novel","year":2012,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Jackman Humanities Institute, University of Toronto","keywords":"Trope (literature); Analogy; Inheritance (genetic algorithm); Theme (computing); Temporality; Representation (politics)","score_opus":0.03097138729321018,"score_gpt":0.2455706827906097,"score_spread":0.21459929549739953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025623275","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7043465,0.009900701,0.0011979068,0.027447509,0.0010098647,0.00002417227,0.00003292235,0.000038115202,0.25600228],"genre_scores_gemma":[0.98951215,0.0010001544,0.000096188356,0.00058488204,0.000083559054,0.000006763215,0.000005250346,0.000019401094,0.008691676],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9971385,0.0014504881,0.000082131315,0.00016661955,0.00045050692,0.00071170204],"domain_scores_gemma":[0.9981571,0.0008624334,0.0002628933,0.00009214502,0.00024490262,0.000380616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023533436,0.00026624883,0.00027624558,0.0009337328,0.017576735,0.011166058,0.0006903302,0.0019591006,0.0024419483],"category_scores_gemma":[0.0043917485,0.00027419702,0.000102583144,0.0010124814,0.02937905,0.0036865813,0.003464523,0.0031089967,0.00032903536],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000711061,0.00003579492,0.001848832,0.0001006475,0.000007225393,0.0010867195,0.79348814,0.0001046824,0.00080657407,0.18332206,0.0064943694,0.012633883],"study_design_scores_gemma":[0.000009517734,0.000040580406,0.00438347,0.00024342464,0.000007384879,0.0007353528,0.7126548,0.00012168673,0.00047641824,0.018439805,0.26284188,0.00004564488],"about_ca_topic_score_codex":0.040538244,"about_ca_topic_score_gemma":0.07355465,"teacher_disagreement_score":0.040538244,"about_ca_system_score_codex":0.011746024,"about_ca_system_score_gemma":0.003631757,"threshold_uncertainty_score":0.085223734},"labels":[],"label_agreement":null},{"id":"W7028330115","doi":"","title":"An examination of voice in contemporary Canadian fiction &#13;\\nand Ballistics : a novel&#13;\\n","year":2015,"lang":"en","type":"dissertation","venue":"UEA Digital Repository (University of East Anglia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Term (time); Work (physics); Ballistics; Period (music)","score_opus":0.0287513129086138,"score_gpt":0.20966899104068695,"score_spread":0.18091767813207316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028330115","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27042618,0.005346842,0.003528377,0.036352653,0.0015898154,0.00010331287,0.00018576236,0.00011684174,0.6823501],"genre_scores_gemma":[0.9568859,0.0013312411,0.0007392544,0.0015023928,0.00016789095,0.000029056007,0.000040499548,0.00006145574,0.039242286],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732614,0.00096796756,0.00004536056,0.00025518468,0.0007979128,0.00060735765],"domain_scores_gemma":[0.99685466,0.0017142068,0.0002099429,0.00013678073,0.00073841214,0.00034592708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023491157,0.00042946034,0.00033391867,0.0023403605,0.032077447,0.011433593,0.0014472854,0.0023327786,0.0048260014],"category_scores_gemma":[0.0061807465,0.00026597784,0.00025205835,0.0024388838,0.033046734,0.0025918076,0.0038094078,0.0034799334,0.0004392842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024323659,0.000014289067,0.00066804927,0.00008441037,0.0000031096477,0.0007214667,0.75839305,0.000083892504,0.0005279891,0.2133077,0.012705773,0.013465983],"study_design_scores_gemma":[0.0000047551744,0.000019951456,0.0038187245,0.00029043274,0.000008771966,0.0004761269,0.43396154,0.0002885214,0.00066305837,0.008845473,0.5515798,0.00004290589],"about_ca_topic_score_codex":0.70003974,"about_ca_topic_score_gemma":0.809477,"teacher_disagreement_score":0.29996026,"about_ca_system_score_codex":0.05422107,"about_ca_system_score_gemma":0.024148714,"threshold_uncertainty_score":0.6034535},"labels":[],"label_agreement":null},{"id":"W7030716623","doi":"","title":"Jam for the Enemy","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Newspaper; German; Quarter (Canadian coin); Adversary; George (robot); Plan (archaeology); Performance art; World War II","score_opus":0.2388849977359641,"score_gpt":0.371799396962328,"score_spread":0.1329143992263639,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030716623","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0142522175,0.0076111015,0.0010139453,0.053970613,0.013564924,0.000078637386,0.00038477537,0.00038099175,0.9087427],"genre_scores_gemma":[0.041755922,0.0022507661,0.00043076676,0.009836743,0.00082308205,0.00003087441,0.00016151967,0.00021542888,0.9444949],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992612,0.00013924662,0.000022716304,0.00012751353,0.00017164189,0.00027759236],"domain_scores_gemma":[0.99935967,0.00004801999,0.00005482371,0.000037103753,0.000101203674,0.00039916587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051507883,0.00085462036,0.00035207323,0.0008955435,0.009704475,0.0045137396,0.00059052074,0.0013563947,0.13068835],"category_scores_gemma":[0.0025283848,0.00044315236,0.00033280218,0.0004737936,0.0020495532,0.0038382679,0.005811741,0.004090942,0.04063706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035472207,0.000026611275,0.0007384546,0.00010885367,0.0000065694194,0.00049988256,0.009237287,0.000013098084,0.00031636306,0.026058026,0.9151071,0.047852438],"study_design_scores_gemma":[0.0000019977074,0.000009400138,0.0004518213,0.000056934387,0.0000016489945,0.00022874032,0.0028085904,0.0000060343664,0.00005892335,0.0006089968,0.9957633,0.0000037032526],"about_ca_topic_score_codex":0.0075450456,"about_ca_topic_score_gemma":0.026946519,"teacher_disagreement_score":0.13068835,"about_ca_system_score_codex":0.0017025087,"about_ca_system_score_gemma":0.0021194406,"threshold_uncertainty_score":0.43719608},"labels":[],"label_agreement":null},{"id":"W7033377550","doi":"","title":"The Power of Words: Disrupting Genre in the Neo-Slave Narrative","year":2024,"lang":"en","type":"dissertation","venue":"Duo Research Archive (University of Oslo)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Trickster; Power (physics); Multitude; Relativism","score_opus":0.03580928433095309,"score_gpt":0.2916839718197031,"score_spread":0.25587468748875003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033377550","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7800505,0.0019932995,0.011412716,0.010046481,0.0005185417,0.00008552132,0.000057499157,0.000071340604,0.1957641],"genre_scores_gemma":[0.9915376,0.00036560572,0.00096512964,0.00037831045,0.00007699598,0.00005110017,0.000014192792,0.000048281843,0.006562956],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99377245,0.004708369,0.00013590007,0.00030945125,0.00072377495,0.0003500925],"domain_scores_gemma":[0.99259335,0.004820793,0.0009696242,0.000625732,0.00049285864,0.0004977043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052480367,0.00047285963,0.0004131698,0.001231339,0.008517112,0.01299007,0.0012397588,0.0015067769,0.002378419],"category_scores_gemma":[0.01011178,0.00034031415,0.00027162477,0.00093615794,0.03064545,0.011313851,0.009684881,0.002599308,0.0003417947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000685888,0.00003964005,0.001386442,0.00007952822,0.000005287674,0.00050770846,0.80389446,0.00009448453,0.0010950424,0.18349445,0.001649654,0.007684674],"study_design_scores_gemma":[0.00004501488,0.00012991816,0.0029853035,0.00040888754,0.000019837671,0.0009714112,0.7236314,0.0010180122,0.0029166916,0.06490354,0.20292057,0.000049400947],"about_ca_topic_score_codex":0.0024121604,"about_ca_topic_score_gemma":0.003648711,"teacher_disagreement_score":0.01299007,"about_ca_system_score_codex":0.004560595,"about_ca_system_score_gemma":0.001813817,"threshold_uncertainty_score":0.03308958},"labels":[],"label_agreement":null},{"id":"W7035702444","doi":"","title":"Acknowledgement of people who reviewed submissions to the Canadian Journal of Surgery in 2008","year":2009,"lang":"en","type":"article","venue":"PubMed Central","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Acknowledgement; Alternative medicine; MEDLINE","score_opus":0.039955718113267084,"score_gpt":0.2256382658378536,"score_spread":0.1856825477245865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7035702444","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":"evaluation","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":"evaluation","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035113555,0.019170538,0.0023351419,0.37912017,0.5611072,0.00062557025,0.0017017334,0.0006272512,0.031800967],"genre_scores_gemma":[0.06244249,0.017771717,0.008934872,0.29096246,0.21233454,0.001976213,0.003263209,0.0024089578,0.39990544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.95123816,0.007103293,0.0069223284,0.0018987459,0.029554665,0.0032829277],"domain_scores_gemma":[0.42720318,0.039066166,0.023262393,0.0072095785,0.482428,0.020830607],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.03609507,0.0009467514,0.0019099233,0.008939446,0.0067829415,0.007723645,0.0029960845,0.006043591,0.045130383],"category_scores_gemma":[0.2705929,0.0007515032,0.0009139734,0.007415225,0.003326947,0.0042447723,0.005982972,0.007304129,0.020244095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006152921,0.000008063805,0.0004835921,0.000374347,0.0000132297155,0.00030629558,0.002317902,0.000008897763,0.00045575493,0.00065566186,0.98232687,0.012987827],"study_design_scores_gemma":[0.000014579198,0.000010471362,0.0015873918,0.00048663095,0.000025723892,0.00048073274,0.0029661206,0.000043312903,0.00022289225,0.00042345386,0.99369437,0.000044229262],"about_ca_topic_score_codex":0.03016757,"about_ca_topic_score_gemma":0.06604876,"teacher_disagreement_score":0.9639049,"about_ca_system_score_codex":0.0107587455,"about_ca_system_score_gemma":0.030083358,"threshold_uncertainty_score":0.19089127},"labels":[],"label_agreement":null},{"id":"W7042474928","doi":"","title":"1800-4923958##Outlook 365 phone number","year":2016,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Phone; Service (business); Mobile phone; Toll; Phone call","score_opus":0.015478354379819004,"score_gpt":0.24217491203321134,"score_spread":0.22669655765339233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042474928","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025513372,0.006364832,0.00053294754,0.0033877015,0.00784953,0.00007589415,0.003788904,0.0011569293,0.97658813],"genre_scores_gemma":[0.00068118883,0.0033421465,0.00022915896,0.00062760577,0.0004380818,0.000020529484,0.0012352312,0.0003320576,0.99309397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913174,0.000042388278,0.00003591413,0.00015372652,0.00054225617,0.000093909504],"domain_scores_gemma":[0.99627256,0.0002300319,0.00010729825,0.00016518058,0.0026005185,0.00062447274],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006606678,0.0009853542,0.0008145874,0.0017428311,0.0020262194,0.007297159,0.0011192776,0.0020774405,0.8232093],"category_scores_gemma":[0.0029575357,0.0004594353,0.00048487334,0.0027913395,0.0005331491,0.003225014,0.0014761053,0.0021999257,0.7975679],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014821607,0.000008715882,0.000058773858,0.0001448529,0.0000021692774,0.000033596072,0.000026274094,0.000019635627,0.00032015608,0.001173507,0.9507789,0.047418453],"study_design_scores_gemma":[0.0000021705905,0.0000024567457,0.00011887221,0.000059363112,0.0000015142848,0.000018077571,0.000032720392,0.000007899299,0.00006548696,0.000086527245,0.99960226,0.0000026881803],"about_ca_topic_score_codex":0.05726098,"about_ca_topic_score_gemma":0.09812799,"teacher_disagreement_score":0.17679071,"about_ca_system_score_codex":0.0041666045,"about_ca_system_score_gemma":0.007646482,"threshold_uncertainty_score":0.25217044},"labels":[],"label_agreement":null},{"id":"W7044045703","doi":"","title":"Орфей vs Нарцис (трансформація міфів у \"Видінні Орфея\" Галини Пагутяк та \"Магові\" Дж. Фаулза","year":2020,"lang":"uk","type":"article","venue":"Electronic Institutional Repository of the National Aviation University of Ukraine (National Aviation University, Ukraine)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Poetics; Japanese literature; Comparative literature; Metis","score_opus":0.0178062930874373,"score_gpt":0.1897201455081296,"score_spread":0.1719138524206923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044045703","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00723903,0.020715708,0.008187952,0.04022071,0.002799808,0.00006937119,0.000319742,0.00015677023,0.9202909],"genre_scores_gemma":[0.32660297,0.01813926,0.0096919555,0.017494077,0.0026873373,0.00031747983,0.00039586434,0.0007465609,0.62392443],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961104,0.0014644588,0.00017272145,0.00069245044,0.0010735177,0.00048647032],"domain_scores_gemma":[0.99808216,0.0007098504,0.00021573911,0.00024866284,0.00052649,0.00021717566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025385297,0.0007592642,0.00038688423,0.0013157643,0.0047891885,0.012264913,0.0010162712,0.0030608329,0.031270448],"category_scores_gemma":[0.0042145373,0.000420081,0.00057979126,0.001593158,0.011628061,0.008427202,0.0040394105,0.0049187234,0.013455732],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039444334,0.000026086485,0.0006723579,0.00013734745,0.000009541198,0.00011471959,0.0061898055,0.0000836488,0.0002779996,0.89442784,0.06713065,0.030890506],"study_design_scores_gemma":[0.0000123861555,0.000026124595,0.0015826884,0.00027491985,0.000013724273,0.00018356327,0.004088722,0.00014165245,0.00054113945,0.11345857,0.8796501,0.000026489575],"about_ca_topic_score_codex":0.018492464,"about_ca_topic_score_gemma":0.027935896,"teacher_disagreement_score":0.031270448,"about_ca_system_score_codex":0.0070736986,"about_ca_system_score_gemma":0.0051056524,"threshold_uncertainty_score":0.104610085},"labels":[],"label_agreement":null},{"id":"W7065945302","doi":"","title":"Founding Violence in the Future: A Mnemonic Reading of Ridley Scott’s <i>Alien</i>","year":2023,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Mnemonic; Narrative; Key (lock); Action (physics); Theme (computing); Context (archaeology)","score_opus":0.02627101719920343,"score_gpt":0.22456937645521077,"score_spread":0.19829835925600733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7065945302","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027373191,0.11406811,0.0017770693,0.5860855,0.005534897,0.000055165998,0.00019477002,0.000033853994,0.26487732],"genre_scores_gemma":[0.7656034,0.08557055,0.0017082887,0.09569606,0.0044802492,0.0001283452,0.00015971097,0.0001780249,0.04647544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959008,0.0024538764,0.00016054476,0.00026339974,0.00073317473,0.0004881726],"domain_scores_gemma":[0.99361765,0.0039804233,0.00050034147,0.00022170825,0.0010833897,0.0005965012],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008058777,0.0007460478,0.0007495718,0.006805362,0.017938493,0.011921125,0.0030359584,0.0063713966,0.005242752],"category_scores_gemma":[0.009915055,0.00038820156,0.00034187356,0.007406427,0.060765576,0.011641017,0.006909294,0.00763897,0.00042932123],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010397949,0.000017798526,0.0006712503,0.0002903596,0.000008496924,0.00033005988,0.26285198,0.00006468674,0.000045907753,0.6339381,0.09008475,0.011686176],"study_design_scores_gemma":[0.0000079289275,0.000013759207,0.002146924,0.0022435223,0.000012476988,0.0004106446,0.2956458,0.000063731604,0.00006807688,0.084922396,0.61443543,0.000029312325],"about_ca_topic_score_codex":0.27377215,"about_ca_topic_score_gemma":0.43925554,"teacher_disagreement_score":0.27377215,"about_ca_system_score_codex":0.025474574,"about_ca_system_score_gemma":0.021263383,"threshold_uncertainty_score":0.54435724},"labels":[],"label_agreement":null},{"id":"W7071083251","doi":"","title":"Reading Beyond Irony: Exploring the Post-secular “End” of Postmodernism in David Foster Wallace","year":2019,"lang":"en","type":"dissertation","venue":"QSpace (Queen's University Library)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Subject (documents); Ridiculous; Context (archaeology); Circumstantial evidence; Karma; Cognitive reframing","score_opus":0.013529142383273381,"score_gpt":0.18655534880743863,"score_spread":0.17302620642416525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071083251","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3154099,0.01894072,0.013072525,0.14789633,0.0018073492,0.000069763926,0.000051766085,0.000074759024,0.5026768],"genre_scores_gemma":[0.96868056,0.0023916368,0.0016113756,0.0064639817,0.000369998,0.00005410411,0.000015355865,0.00008055003,0.020332485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99354583,0.0049683824,0.000061642895,0.00030015557,0.00064187567,0.00048218074],"domain_scores_gemma":[0.990855,0.0070994017,0.0005057899,0.00028053194,0.0007430734,0.00051619794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007791894,0.00046295894,0.00043555064,0.0026969367,0.014103486,0.010373564,0.0018230363,0.0035485174,0.0025473575],"category_scores_gemma":[0.010435264,0.0003844196,0.00027490171,0.0014802396,0.04869462,0.0077844867,0.0070195487,0.007165027,0.00038085142],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002473399,0.000030089248,0.0007630853,0.000066348635,0.000004508533,0.00041057394,0.41070223,0.00009476454,0.00016716671,0.5728422,0.009366157,0.005528094],"study_design_scores_gemma":[0.000026442693,0.000045473185,0.001254299,0.0009346456,0.000013080511,0.00056508137,0.36989865,0.0005346301,0.000565466,0.26311788,0.36300793,0.000036440284],"about_ca_topic_score_codex":0.008729261,"about_ca_topic_score_gemma":0.016891783,"teacher_disagreement_score":0.014103486,"about_ca_system_score_codex":0.009328886,"about_ca_system_score_gemma":0.0037221964,"threshold_uncertainty_score":0.06768614},"labels":[],"label_agreement":null},{"id":"W7094444388","doi":"","title":"Hall_2021_A-Stubborn-Fury.pdf","year":2021,"lang":"en","type":"other","venue":"OAPEN (The OAPEN Foundation)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Humanism; Population; Modernism (music); White (mutation); State (computer science); Class (philosophy)","score_opus":0.027438857248354823,"score_gpt":0.23764238166828502,"score_spread":0.2102035244199302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094444388","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009157717,0.0010219612,0.00049803464,0.0029078487,0.00330409,0.00007538383,0.011454857,0.0043589557,0.9754632],"genre_scores_gemma":[0.0035539023,0.00048161738,0.00024463786,0.00089143426,0.00032911997,0.00003994045,0.0026152653,0.0013662853,0.9904779],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999705,0.000026491814,0.000011939885,0.000043170978,0.00013714399,0.000076158336],"domain_scores_gemma":[0.9987142,0.00024243131,0.000057677567,0.00019959855,0.00034280235,0.00044335928],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00052923756,0.0006267059,0.00042739243,0.0013646407,0.0017544391,0.006592641,0.00088028784,0.0018589904,0.9052702],"category_scores_gemma":[0.0020100905,0.00045462244,0.00045014193,0.0010119963,0.0006425376,0.0033226395,0.0033132525,0.0014764813,0.80362564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004108985,0.000023748298,0.00012587722,0.000071940725,0.0000014345472,0.0000731121,0.000062147454,0.000025323414,0.00016496476,0.0024312506,0.94178766,0.055191405],"study_design_scores_gemma":[0.0000057710627,0.000007046613,0.00025642713,0.000047951526,4.974158e-7,0.000032867618,0.0000736384,0.00001785307,0.00013267343,0.0002895426,0.9991309,0.0000048273973],"about_ca_topic_score_codex":0.0047250516,"about_ca_topic_score_gemma":0.008024005,"teacher_disagreement_score":0.09472978,"about_ca_system_score_codex":0.0013934048,"about_ca_system_score_gemma":0.0008472836,"threshold_uncertainty_score":0.13512045},"labels":[],"label_agreement":null},{"id":"W7096062960","doi":"","title":"Severity Mapping in","year":2008,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"National park; Tussock; Firefighting; Witch; Mosaic","score_opus":0.058049663052046556,"score_gpt":0.20651174655519153,"score_spread":0.14846208350314496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096062960","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91501975,0.00023270708,0.0065810545,0.00033547598,0.00006593807,0.00018962142,0.018959485,0.00066537515,0.05795074],"genre_scores_gemma":[0.9498913,0.0001291364,0.0061926506,0.000119577635,0.000013611306,0.00008753554,0.013204596,0.00013577318,0.030225907],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974257,0.00001942667,0.000015034232,0.000086954606,0.00006727332,0.000068793044],"domain_scores_gemma":[0.9994741,0.000021731363,0.00006648591,0.00004430598,0.00031904108,0.00007429287],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024134527,0.00033754294,0.00019081552,0.0022845468,0.0006757166,0.0011267795,0.00034737395,0.00016964886,0.012278219],"category_scores_gemma":[0.00066809624,0.00013784863,0.000252558,0.0019526492,0.00017464772,0.0003349977,0.00077280076,0.00037165196,0.0030539802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032928927,0.0001522751,0.85250634,0.00008334602,0.000075643344,0.0003096877,0.0013722233,0.002100622,0.011153718,0.001604781,0.01922703,0.11108502],"study_design_scores_gemma":[0.000009273275,0.000027980175,0.9790895,0.000025345547,0.000021628992,0.00008379835,0.0020485849,0.00218564,0.0013953239,0.00027949305,0.014821895,0.000011402103],"about_ca_topic_score_codex":0.1680023,"about_ca_topic_score_gemma":0.40412977,"teacher_disagreement_score":0.9877218,"about_ca_system_score_codex":0.0011591034,"about_ca_system_score_gemma":0.0010912508,"threshold_uncertainty_score":0.33404887},"labels":[],"label_agreement":null},{"id":"W7100722185","doi":"","title":"Canada’s New Social Risks: Directions for a New Social","year":2004,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social relation; Field (mathematics); Social life; Focus (optics)","score_opus":0.07015787689726403,"score_gpt":0.27065167369589094,"score_spread":0.2004937967986269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100722185","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008507598,0.01740917,0.0014340773,0.85751057,0.017433818,0.00027496417,0.0034064935,0.0005817271,0.10109846],"genre_scores_gemma":[0.03703732,0.0632963,0.01885856,0.47671533,0.011350425,0.000965899,0.0069984514,0.00094785757,0.3838299],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9824504,0.0019332869,0.00059793866,0.0009936542,0.010253733,0.0037709684],"domain_scores_gemma":[0.92817634,0.009778936,0.0017366274,0.0022505305,0.03467886,0.023378761],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01862534,0.002031307,0.0021726524,0.0049582208,0.017993294,0.031535096,0.00678736,0.020055268,0.08194936],"category_scores_gemma":[0.057870284,0.0011289954,0.0028759404,0.0053543295,0.009127699,0.013786617,0.007609973,0.022660978,0.0155793615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019856627,0.000019404642,0.0005220384,0.0002664407,0.000015162098,0.00006213584,0.00025604517,0.000166952,0.00004996261,0.036104146,0.94482577,0.017692033],"study_design_scores_gemma":[0.000014961613,0.000010539808,0.0010478541,0.00091022,0.0000143168545,0.0000197569,0.001080185,0.00015736223,0.000052818636,0.0067729275,0.9898747,0.00004429193],"about_ca_topic_score_codex":0.9234505,"about_ca_topic_score_gemma":0.9494531,"teacher_disagreement_score":0.10498742,"about_ca_system_score_codex":0.10498742,"about_ca_system_score_gemma":0.48479226,"threshold_uncertainty_score":0.7617406},"labels":[],"label_agreement":null},{"id":"W7115165923","doi":"10.4000/15ch6","title":"Mona Lisa Smiles: Copies and Originals in Vera Caspary’s Laura (1942) and Rian Johnson’s Glass Onion (2022)","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Context (archaeology); The Internet; Politics; Frame (networking); Popular culture","score_opus":0.017650601860656853,"score_gpt":0.2563155330932439,"score_spread":0.23866493123258703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115165923","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27033603,0.009914125,0.0013410823,0.033331133,0.0028457888,0.000034031917,0.000038401588,0.00009497924,0.6820644],"genre_scores_gemma":[0.94371116,0.0007829827,0.00016144152,0.0012085452,0.00038126844,0.000011339655,0.000009783583,0.000070973765,0.053662546],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99759704,0.0013719554,0.00003750819,0.0002318027,0.0004493797,0.0003123527],"domain_scores_gemma":[0.9981487,0.0011404601,0.00018747116,0.00021480561,0.00013382,0.00017465938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020622087,0.00048813553,0.0002947165,0.0013058673,0.011971827,0.010649682,0.00082719745,0.00263134,0.00427934],"category_scores_gemma":[0.006073082,0.00028943035,0.0002014585,0.00077610696,0.034719903,0.00404473,0.0053089308,0.0044368436,0.00060498784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001034382,0.000025504465,0.0006261641,0.00006137043,0.000007295391,0.0015888818,0.507713,0.000102025646,0.0006610927,0.44827205,0.025537513,0.015301688],"study_design_scores_gemma":[0.000020510057,0.00011284211,0.0026242083,0.00034124084,0.000015846103,0.0015230302,0.24259192,0.00017166884,0.0014176281,0.025066165,0.72606105,0.000053893476],"about_ca_topic_score_codex":0.011322073,"about_ca_topic_score_gemma":0.02251642,"teacher_disagreement_score":0.011971827,"about_ca_system_score_codex":0.005915643,"about_ca_system_score_gemma":0.0015425774,"threshold_uncertainty_score":0.042921185},"labels":[],"label_agreement":null},{"id":"W7117327028","doi":"10.1111/jacc.70053","title":"“If This Is Their Idea of Christmas, I've Gotta Be Here for New Year's”: Carnival in John <scp>McTiernan</scp> 's <i>Die Hard</i> (1988)","year":2025,"lang":"en","type":"article","venue":"The Journal of American Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University College of the North","funders":"","keywords":"Information privacy; Ethical issues; Confidentiality","score_opus":0.016934127746518483,"score_gpt":0.24272482714346036,"score_spread":0.22579069939694188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117327028","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046496492,0.023301717,0.0019685482,0.56850857,0.009906501,0.00005578731,0.00021814939,0.00009241435,0.34945172],"genre_scores_gemma":[0.63146925,0.009141142,0.0010434589,0.09127575,0.001777488,0.00012031857,0.00010851865,0.0003203142,0.26474383],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984397,0.000914547,0.00002769406,0.00011127207,0.00030513608,0.00020158205],"domain_scores_gemma":[0.9983032,0.00065253477,0.00017171052,0.00010916021,0.00036520342,0.00039818906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025723602,0.0005019349,0.0003298466,0.0005956747,0.016338916,0.005983667,0.0008051582,0.0028325403,0.009758593],"category_scores_gemma":[0.0063684084,0.00034435958,0.00024136507,0.00087450555,0.012540166,0.0057361997,0.0026501894,0.010879567,0.0015620837],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064996086,0.000021856296,0.0011497546,0.0000963129,0.000011572442,0.00021128415,0.20385079,0.000029593262,0.0001797477,0.17360029,0.6082884,0.012495376],"study_design_scores_gemma":[0.0000067149685,0.00001276223,0.0024880741,0.0002647079,0.0000071058384,0.00017247489,0.16191883,0.000029172666,0.0003049513,0.008957891,0.82581246,0.000024926969],"about_ca_topic_score_codex":0.06744639,"about_ca_topic_score_gemma":0.19220778,"teacher_disagreement_score":0.06744639,"about_ca_system_score_codex":0.004599772,"about_ca_system_score_gemma":0.0037009425,"threshold_uncertainty_score":0.13410759},"labels":[],"label_agreement":null},{"id":"W7120485099","doi":"","title":"Certomen Vigorosum","year":2016,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Subject (documents); Narrative; Field (mathematics); Period (music); Context (archaeology)","score_opus":0.027117355216112363,"score_gpt":0.24082292736541575,"score_spread":0.21370557214930339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120485099","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021505293,0.005198347,0.0035908758,0.031444702,0.009558073,0.00010826578,0.00032356457,0.0007191418,0.9275518],"genre_scores_gemma":[0.1364784,0.0030497655,0.0021444177,0.011420921,0.0019187236,0.00007639236,0.0003086311,0.00068794907,0.84391487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943787,0.00010839558,0.000019124618,0.00012692357,0.0001760122,0.00013161676],"domain_scores_gemma":[0.99955744,0.00006849576,0.000036229918,0.00006543514,0.00011396288,0.00015845086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056777336,0.00072781317,0.00029592775,0.00079090346,0.0062324726,0.006044883,0.0008853919,0.0017542545,0.061950874],"category_scores_gemma":[0.0019465236,0.00020541779,0.0003162249,0.0005390895,0.0032269764,0.005590985,0.005926969,0.0037191247,0.020187248],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017479595,0.0000647847,0.001984255,0.00032754024,0.000014412568,0.0020297698,0.044245336,0.00008552893,0.0030421687,0.2000505,0.5748405,0.17314047],"study_design_scores_gemma":[0.0000025766226,0.000010509887,0.0003472236,0.000057736124,0.0000031389911,0.00032558176,0.004190222,0.000023009907,0.00022968264,0.003885491,0.9909195,0.000005364778],"about_ca_topic_score_codex":0.0033239378,"about_ca_topic_score_gemma":0.011532753,"teacher_disagreement_score":0.061950874,"about_ca_system_score_codex":0.0019282501,"about_ca_system_score_gemma":0.0018296038,"threshold_uncertainty_score":0.2072463},"labels":[],"label_agreement":null},{"id":"W7125017956","doi":"10.7202/1122229ar","title":"Gerald Murnane’s Transnational Reception","year":2025,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Highbrow; Prestige; Cult; Taste; Period (music); Foregrounding","score_opus":0.014632118154517846,"score_gpt":0.2310039838069156,"score_spread":0.21637186565239777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125017956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057960954,0.037583932,0.001498375,0.20067334,0.008803269,0.00001683035,0.00007305251,0.00014740543,0.6932429],"genre_scores_gemma":[0.5446699,0.008270363,0.0005928237,0.014912256,0.0016155327,0.000015970712,0.00004122892,0.00023252002,0.42964938],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849,0.0008059775,0.000027316044,0.00022301862,0.00030582413,0.00014800427],"domain_scores_gemma":[0.9985732,0.00056070316,0.00011427926,0.00013099982,0.0003024057,0.0003184606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015026933,0.00046082857,0.0002310339,0.0009529092,0.007714196,0.0070664175,0.0004896417,0.0014902559,0.010219227],"category_scores_gemma":[0.004676535,0.00013841013,0.00014447351,0.0006129476,0.0064837676,0.004448504,0.0033902521,0.0032317946,0.0025112831],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076084165,0.000042016465,0.0017237432,0.00012263884,0.000014493662,0.0013755492,0.19087432,0.00006489992,0.00079209654,0.25796422,0.47747678,0.06947327],"study_design_scores_gemma":[0.0000022547304,0.000010417936,0.000594311,0.00012169126,0.000002199985,0.00035441967,0.021865098,0.000028049404,0.00022434421,0.0069059827,0.96988374,0.000007450449],"about_ca_topic_score_codex":0.008398669,"about_ca_topic_score_gemma":0.025332453,"teacher_disagreement_score":0.010219227,"about_ca_system_score_codex":0.00410617,"about_ca_system_score_gemma":0.0010983198,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7130909617","doi":"","title":"Political novel of alternative history. The aspect of poetics and genealogical perspectives.","year":2025,"lang":"en","type":"dissertation","venue":"DSpace BSMU","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Politics; Identity (music); Character (mathematics); Slavic languages; Historiography; Interpretation (philosophy); Middle Ages","score_opus":0.03810877179136189,"score_gpt":0.26042798176165394,"score_spread":0.22231920997029203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130909617","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06200045,0.028618919,0.0038064267,0.02107383,0.0037786618,0.00003176534,0.00015650589,0.00006664237,0.8804668],"genre_scores_gemma":[0.9160618,0.0043274993,0.0008537058,0.0011161885,0.0013592701,0.0000308022,0.000074677686,0.000064027816,0.07611207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99926513,0.00043239092,0.000021069583,0.00008443432,0.00013279647,0.0000641546],"domain_scores_gemma":[0.999191,0.00045860387,0.00011178619,0.00009241638,0.000061223815,0.0000850487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066562236,0.00023923615,0.00015159023,0.0013157261,0.003741535,0.0056980434,0.00035120232,0.00085386744,0.0051467647],"category_scores_gemma":[0.0020280173,0.00009865138,0.00012422891,0.00093017204,0.01704058,0.0027844368,0.0018471183,0.0019199508,0.00048522727],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014552169,0.0000057480647,0.00024779973,0.00006818458,0.000002418822,0.00021313099,0.025134468,0.00005194898,0.00012522993,0.95290285,0.010918542,0.010315064],"study_design_scores_gemma":[0.000004778091,0.000021796324,0.0013473056,0.00019297081,0.0000037573907,0.0006409052,0.01417137,0.00012087394,0.00023170632,0.07765926,0.9055996,0.000005712625],"about_ca_topic_score_codex":0.0008619398,"about_ca_topic_score_gemma":0.0019773536,"teacher_disagreement_score":0.0056980434,"about_ca_system_score_codex":0.0024772473,"about_ca_system_score_gemma":0.0009768849,"threshold_uncertainty_score":0.017973721},"labels":[],"label_agreement":null},{"id":"W7133020515","doi":"","title":"From the horse&apos;s mouth, critical issues of post-publication authorial influence","year":2001,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Postmodernism; Criticism; Proposition; Reading (process); Discretion; Critical reading; Comprehension; Close reading","score_opus":0.0375803073258728,"score_gpt":0.3658172564987,"score_spread":0.3282369491728272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133020515","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11864874,0.053171854,0.034412585,0.430112,0.0083169155,0.00015231395,0.00012330642,0.00021164774,0.3548506],"genre_scores_gemma":[0.948215,0.009141366,0.0043837917,0.009281967,0.0028881684,0.00009764408,0.000029684492,0.00025085435,0.025711522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9713675,0.019043567,0.0009917882,0.001946023,0.0054342784,0.0012168655],"domain_scores_gemma":[0.8983842,0.08328387,0.00407909,0.0059364215,0.0064809583,0.0018353657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.031720266,0.000507253,0.0006087178,0.0025547077,0.013580796,0.030733364,0.0019299871,0.0056794137,0.0061905044],"category_scores_gemma":[0.080742836,0.0004845206,0.0004223748,0.0027108444,0.055528242,0.032149084,0.007621556,0.009552945,0.0010908138],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046577123,0.00002018345,0.00061469397,0.000202499,0.00001196197,0.00028860715,0.19765118,0.00008838211,0.00045846967,0.77075917,0.008886116,0.020972194],"study_design_scores_gemma":[0.00002269655,0.000055223165,0.0009032146,0.0013491515,0.000020162352,0.0003466917,0.15848011,0.00023762189,0.0017279738,0.48551512,0.35129467,0.000047327765],"about_ca_topic_score_codex":0.0033236677,"about_ca_topic_score_gemma":0.004791959,"teacher_disagreement_score":0.031720266,"about_ca_system_score_codex":0.011969058,"about_ca_system_score_gemma":0.010824451,"threshold_uncertainty_score":0.16775483},"labels":[],"label_agreement":null},{"id":"W7134672533","doi":"","title":"\"An Anguish Become Thing\": Narrative as Performance in David Foster Wallace's <i>Infinite Jest</i>","year":2000,"lang":"","type":"article","venue":"ScholarWorks (Central Washington University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anguish; Narrative; Set (abstract data type); Addiction; Narrative inquiry; Action (physics)","score_opus":0.010492564724366089,"score_gpt":0.20764957837096365,"score_spread":0.19715701364659757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134672533","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.103197016,0.008021111,0.005246237,0.074949116,0.0016721281,0.000037815036,0.000045578116,0.00007927041,0.8067517],"genre_scores_gemma":[0.91937166,0.0014979271,0.000778176,0.0053593563,0.00035663563,0.000047873364,0.00002452119,0.000086911044,0.07247695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958996,0.0029494092,0.00004062254,0.00021097893,0.0005511422,0.00034832014],"domain_scores_gemma":[0.998412,0.0007324735,0.00015679265,0.00008452362,0.00021549227,0.00039863604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023271602,0.00059698423,0.00026237385,0.0015166829,0.016260518,0.011337979,0.001328648,0.0031845265,0.0026921597],"category_scores_gemma":[0.0044549815,0.0002011614,0.00017951548,0.00090208167,0.045564122,0.004990306,0.0058932584,0.0056285174,0.00042945833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017009426,0.000018635628,0.00023162918,0.000036035064,0.0000032283037,0.0002868573,0.30140245,0.000109267894,0.00019059076,0.66549534,0.027358541,0.004850403],"study_design_scores_gemma":[0.000011771464,0.00003263633,0.0006976724,0.0004112418,0.0000068282625,0.00046268565,0.27045417,0.00028410682,0.0004306388,0.06634876,0.6608301,0.000029418436],"about_ca_topic_score_codex":0.02502748,"about_ca_topic_score_gemma":0.035972804,"teacher_disagreement_score":0.02502748,"about_ca_system_score_codex":0.008835438,"about_ca_system_score_gemma":0.0035865337,"threshold_uncertainty_score":0.06410587},"labels":[],"label_agreement":null},{"id":"W7136054357","doi":"10.13140/rg.2.2.32069.10726","title":"Narcissism and Identity Crisis in Canadian Fiction","year":2022,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.017108085229018556,"score_gpt":0.2269741172035043,"score_spread":0.20986603197448575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7136054357","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3690655,0.004997612,0.0007518954,0.04767158,0.000831824,0.000032804688,0.00009050421,0.000031681648,0.57652664],"genre_scores_gemma":[0.9811832,0.0006213634,0.00012300783,0.000952248,0.000053778444,0.000004523538,0.000012700376,0.000016167249,0.01703312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99739873,0.0006880088,0.000055981112,0.00023865477,0.00078718277,0.00083138864],"domain_scores_gemma":[0.9954336,0.0021038577,0.00030526682,0.00021697275,0.0014311266,0.0005091317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023953666,0.00045874406,0.0004414351,0.003343949,0.042597644,0.012513547,0.0016672522,0.004725538,0.008572451],"category_scores_gemma":[0.012173919,0.00019961908,0.0002772559,0.0041620857,0.039998915,0.0028409625,0.003681703,0.0072623026,0.0003856213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072983355,0.000021283122,0.0015180025,0.00006317478,0.000008601932,0.00096902135,0.31875467,0.00016819879,0.00021878339,0.6476163,0.018012756,0.01257614],"study_design_scores_gemma":[0.000034737383,0.000024908546,0.010742455,0.00043469106,0.000034997076,0.00077598036,0.47009903,0.00060798007,0.00078972237,0.06413697,0.4522292,0.000089324625],"about_ca_topic_score_codex":0.9217505,"about_ca_topic_score_gemma":0.9488185,"teacher_disagreement_score":0.09767678,"about_ca_system_score_codex":0.09767678,"about_ca_system_score_gemma":0.057853337,"threshold_uncertainty_score":0.7086979},"labels":[],"label_agreement":null},{"id":"W7139118515","doi":"10.14288/canlit.vi262.197702","title":"Review of Bronwen Wallace: Essays on Her Works, by Wanda Campbell, ed.","year":2022,"lang":"en","type":"article","venue":"Open Collections","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Ridiculous; Work (physics)","score_opus":0.019333735826326914,"score_gpt":0.24959389570384913,"score_spread":0.2302601598775222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139118515","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000105476385,0.93530464,0.00008441838,0.043636974,0.014425084,0.0000037500909,0.00005386082,0.000008059195,0.006377666],"genre_scores_gemma":[0.0031560897,0.92201006,0.00017964421,0.024259778,0.026672512,0.000030994695,0.00013853764,0.00006402651,0.023488354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790764,0.0007017611,0.00014368139,0.00020766306,0.00089930114,0.00013987705],"domain_scores_gemma":[0.9898956,0.0050261044,0.0006096542,0.00026986218,0.003556012,0.0006428353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039436645,0.0014634772,0.0018733506,0.007339932,0.0027261998,0.0062712724,0.0020426812,0.0033666622,0.017757911],"category_scores_gemma":[0.017239505,0.0006388961,0.00055601867,0.012755253,0.004871667,0.007065852,0.002953218,0.0044587813,0.011335248],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010506165,0.000005735094,0.000043050964,0.0008563165,0.00000700842,0.000037484242,0.00040613263,0.000022625638,0.000031541964,0.003404039,0.96270967,0.032465924],"study_design_scores_gemma":[0.0000022568354,0.0000024995907,0.00026881066,0.0023478528,0.000005236242,0.00008385758,0.00044737777,0.0000052440087,0.000020831483,0.0011555467,0.99565506,0.0000053794984],"about_ca_topic_score_codex":0.012674553,"about_ca_topic_score_gemma":0.030935979,"teacher_disagreement_score":0.017757911,"about_ca_system_score_codex":0.004095942,"about_ca_system_score_gemma":0.007336316,"threshold_uncertainty_score":0.05940616},"labels":[],"label_agreement":null},{"id":"W7139250739","doi":"","title":"Diary of Interrupted Days","year":2009,"lang":"","type":"book","venue":"Kent Academic Repository (University of Kent)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bridge (graph theory); Biography; World War II; Performance art; Happiness; Front (military); Government (linguistics)","score_opus":0.01837756128128883,"score_gpt":0.20175371654416638,"score_spread":0.18337615526287754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139250739","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024699572,0.04491687,0.0018967434,0.014356714,0.02055127,0.00010189224,0.005230548,0.0005393257,0.88770705],"genre_scores_gemma":[0.21212418,0.025682399,0.0015877206,0.005232513,0.0044467705,0.00022769187,0.0056580673,0.0011068201,0.7439338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990777,0.0002966219,0.00006121232,0.00010806889,0.0003418362,0.000114530594],"domain_scores_gemma":[0.9984029,0.0004509302,0.0001576212,0.00031135362,0.00034341784,0.0003338862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008590594,0.0005582011,0.0007204507,0.0024448424,0.005888726,0.0062138997,0.0011957142,0.0013606702,0.03732145],"category_scores_gemma":[0.004153989,0.00045462066,0.00030324966,0.004099988,0.002380889,0.0042071054,0.003803701,0.0043729013,0.013405539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015087533,0.00004604888,0.0006371509,0.0002996428,0.00001049587,0.00072655705,0.04008108,0.000086826854,0.00040926092,0.08454095,0.817493,0.055518225],"study_design_scores_gemma":[0.0000013588204,0.000004764005,0.0003203527,0.000077433215,9.668728e-7,0.00008234482,0.001905514,0.000006211283,0.000032567306,0.00042847576,0.9971359,0.0000040562313],"about_ca_topic_score_codex":0.0062014065,"about_ca_topic_score_gemma":0.0171325,"teacher_disagreement_score":0.03732145,"about_ca_system_score_codex":0.0033590982,"about_ca_system_score_gemma":0.00143395,"threshold_uncertainty_score":0.12485266},"labels":[],"label_agreement":null},{"id":"W7140537791","doi":"10.1353/vpr.2025.a985898","title":"Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy by Waiyee Loh (review)","year":2025,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Empire; Narrative; Production (economics)","score_opus":0.012594494436774295,"score_gpt":0.28278357823316375,"score_spread":0.27018908379638945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140537791","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00074954744,0.96642625,0.00007784522,0.022785997,0.002048716,0.0000054629454,0.000012214038,0.0000031817615,0.007890844],"genre_scores_gemma":[0.014519669,0.9654543,0.00023049646,0.008546127,0.0016812762,0.00002376059,0.000027795691,0.000014880573,0.009501739],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987419,0.00045720366,0.00008878249,0.00008828755,0.00048391498,0.00013997931],"domain_scores_gemma":[0.9973827,0.0016362087,0.0002391752,0.000050320323,0.00051244313,0.00017910697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035289978,0.00045948324,0.00065181125,0.003273608,0.0023425438,0.008209841,0.0007116375,0.0017569521,0.0037637092],"category_scores_gemma":[0.0050912076,0.00031784558,0.00027378797,0.0071499823,0.005067335,0.0050450433,0.0035926737,0.003103421,0.0006281362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007130996,0.00003711707,0.00068963395,0.016753571,0.00009353861,0.00039487903,0.020814752,0.00018751441,0.0004431489,0.09302122,0.49031988,0.37717348],"study_design_scores_gemma":[0.000004765341,0.0000069513603,0.0017338581,0.01164568,0.000036809713,0.00019485453,0.007441151,0.000028789598,0.00007423891,0.004930024,0.97388035,0.000022469525],"about_ca_topic_score_codex":0.036471464,"about_ca_topic_score_gemma":0.0862753,"teacher_disagreement_score":0.036471464,"about_ca_system_score_codex":0.0049388614,"about_ca_system_score_gemma":0.017309502,"threshold_uncertainty_score":0.07251835},"labels":[],"label_agreement":null},{"id":"W7147269056","doi":"10.1080/23322551.2026.2627163","title":"Scenario Machine: Aesthetics of Absence in Lawrence Abu Hamdan’s <i>45th Parallel</i> .","year":2025,"lang":"en","type":"article","venue":"Theatre & Performance Design","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Clothing; Face (sociological concept); Narrative; Photography","score_opus":0.020811934890722746,"score_gpt":0.22392301036655984,"score_spread":0.2031110754758371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7147269056","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1062413,0.0036749113,0.006300101,0.022567792,0.0016724425,0.000054093474,0.00012661847,0.0002168453,0.8591458],"genre_scores_gemma":[0.8997247,0.0008470168,0.0019380386,0.0013016377,0.00012663826,0.000055929348,0.0000633904,0.00012558496,0.095817074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842715,0.0010969434,0.000012527565,0.00008157974,0.0001858742,0.00019591101],"domain_scores_gemma":[0.99957985,0.000170379,0.000031644402,0.0000375543,0.000054383843,0.00012618663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010526859,0.0006014681,0.00019459351,0.000574009,0.011960383,0.006760799,0.0007746089,0.0011880284,0.010115952],"category_scores_gemma":[0.0018541146,0.00018516465,0.00018520685,0.0003655278,0.014220767,0.0021518683,0.0038658145,0.0024311,0.0009536685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001693178,0.000026656095,0.0007803437,0.00015346987,0.0000066544217,0.0015414981,0.3770456,0.0004146042,0.0024115825,0.50557816,0.0887525,0.02311965],"study_design_scores_gemma":[0.000006862513,0.000038613733,0.0013391823,0.0002457264,0.0000050231597,0.00074895343,0.15023477,0.00033315737,0.00076820236,0.0078027784,0.83844554,0.0000312147],"about_ca_topic_score_codex":0.046830896,"about_ca_topic_score_gemma":0.1010812,"teacher_disagreement_score":0.046830896,"about_ca_system_score_codex":0.005419618,"about_ca_system_score_gemma":0.0021161102,"threshold_uncertainty_score":0.09311664},"labels":[],"label_agreement":null},{"id":"W7161790675","doi":"10.82308/35480","title":"Between a rock and a soft place : postmodern-regionalism in Canadian and American fiction","year":2003,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Regionalism (politics); Post-industrial society; Politics; Reading (process); Postmodern music; Literary criticism; Narrative","score_opus":0.014456288733194059,"score_gpt":0.2310146844354475,"score_spread":0.21655839570225344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161790675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43285447,0.0064132586,0.0035522683,0.025812635,0.0009002387,0.000049495968,0.00018953615,0.00013721058,0.5300909],"genre_scores_gemma":[0.9797489,0.0009314143,0.00080949534,0.00059475703,0.000059092803,0.000011176044,0.000030179319,0.000048584963,0.017766371],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984162,0.00046071768,0.000027998798,0.00021244017,0.00050103327,0.00038163978],"domain_scores_gemma":[0.99798113,0.00077308156,0.00011789407,0.0001203967,0.0007245263,0.00028296935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019522457,0.00047925772,0.00031621676,0.0029820646,0.029215297,0.009453635,0.0015473431,0.00161485,0.0052143494],"category_scores_gemma":[0.004668921,0.00019636191,0.0003280506,0.0032459248,0.023384864,0.0025100352,0.003127932,0.002807573,0.0002652212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007226453,0.000017833107,0.0026635367,0.00012603206,0.000008371555,0.0009491378,0.6343719,0.00030666986,0.0006353426,0.32342225,0.013268063,0.024158522],"study_design_scores_gemma":[0.000008056495,0.000020160178,0.010465474,0.0002985689,0.000029732648,0.00059108925,0.30441675,0.0006385371,0.000666432,0.013409518,0.6693887,0.000066954184],"about_ca_topic_score_codex":0.94202495,"about_ca_topic_score_gemma":0.9774688,"teacher_disagreement_score":0.08839195,"about_ca_system_score_codex":0.08839195,"about_ca_system_score_gemma":0.041789304,"threshold_uncertainty_score":0.6413315},"labels":[],"label_agreement":null},{"id":"W7165729728","doi":"10.1353/vcr.2025.a993452","title":"Daniel Deronda 's Future: Reading the Novel in 2026","year":2025,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Close reading","score_opus":0.017763677978712044,"score_gpt":0.25519941595074586,"score_spread":0.23743573797203382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165729728","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017458155,0.30991536,0.0005319559,0.5544309,0.035461113,0.0000127,0.000054273834,0.000018546185,0.09782926],"genre_scores_gemma":[0.16650946,0.18709007,0.0010684654,0.38873014,0.034724962,0.00009817586,0.00009731055,0.00025458322,0.22142681],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9949243,0.0025160913,0.00017725957,0.00037427474,0.0013140409,0.000694027],"domain_scores_gemma":[0.9958366,0.0022400683,0.0003255924,0.00022190604,0.0009521455,0.00042354842],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005865341,0.0005462135,0.0009058366,0.0018954093,0.009260232,0.012815651,0.0019546454,0.011029767,0.007497044],"category_scores_gemma":[0.013633284,0.000402234,0.000399743,0.0020331843,0.018724238,0.008228468,0.0050734356,0.012148451,0.0017846089],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032310105,0.0000105095505,0.00008768745,0.0005255245,0.000010949047,0.00022210019,0.01236762,0.00004564601,0.00009484982,0.42292008,0.54559803,0.018084716],"study_design_scores_gemma":[0.0000040542873,0.0000039612305,0.00015308113,0.0010556414,0.0000036916606,0.00009089734,0.0034826852,0.000012714949,0.000044501252,0.02090381,0.9742353,0.000009675126],"about_ca_topic_score_codex":0.056115385,"about_ca_topic_score_gemma":0.12591858,"teacher_disagreement_score":0.056115385,"about_ca_system_score_codex":0.012237562,"about_ca_system_score_gemma":0.013440244,"threshold_uncertainty_score":0.11157751},"labels":[],"label_agreement":null},{"id":"W793061245","doi":"10.3138/utq.15014","title":"Happily Ever After? How <i>Loving</i> Ends","year":2015,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mores; Phrase; Criticism; Closure (psychology); Context (archaeology); Reading (process); Close reading; Aesthetics; Mode (computer interface); Literature; Sociology; Philosophy; Epistemology; Politics; History; Art; Linguistics; Law","score_opus":0.016923638490285504,"score_gpt":0.17638359042027643,"score_spread":0.15945995192999093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W793061245","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08126244,0.011739479,0.009494617,0.11577906,0.003885324,0.00002775167,0.00007907977,0.00020358941,0.77752864],"genre_scores_gemma":[0.9194066,0.002109384,0.0010594648,0.008284243,0.00045645123,0.000017501403,0.00002641857,0.00024923915,0.068390496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99717015,0.0018333776,0.00004010304,0.00018395907,0.00040595295,0.00036656222],"domain_scores_gemma":[0.9985708,0.00052186934,0.0001710783,0.00012888065,0.0002572722,0.0003501023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022490667,0.00039875516,0.00030530468,0.0008889413,0.014251999,0.011703567,0.00066401967,0.0019013119,0.0034279255],"category_scores_gemma":[0.0037085037,0.00017983156,0.0002573176,0.00071664754,0.027475879,0.005927908,0.0038100483,0.005536861,0.0011156236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004500678,0.000018270339,0.0005835112,0.00006022894,0.000009633624,0.0003413658,0.19978032,0.00006588538,0.00038679305,0.73843896,0.047181584,0.013088443],"study_design_scores_gemma":[0.000008872572,0.00003198337,0.0007373757,0.00022379914,0.000008714431,0.0004036757,0.12694287,0.00011336257,0.0004910599,0.13597591,0.7350297,0.000032663524],"about_ca_topic_score_codex":0.009155626,"about_ca_topic_score_gemma":0.017634407,"teacher_disagreement_score":0.014251999,"about_ca_system_score_codex":0.005163115,"about_ca_system_score_gemma":0.0026063418,"threshold_uncertainty_score":0.03746122},"labels":[],"label_agreement":null},{"id":"W793515542","doi":"","title":"Reading Political Hope: Temporal And Historical Modelling In Contemporary Canadian Fiction","year":2009,"lang":"en","type":"dissertation","venue":"MacSphere (McMaster University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Politics; History; Literature; Political science; Art; Law","score_opus":0.03466908549009322,"score_gpt":0.20255218513489787,"score_spread":0.16788309964480463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W793515542","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25028893,0.004535718,0.01146573,0.022330102,0.00050533016,0.00008066451,0.00043193472,0.00017040416,0.7101912],"genre_scores_gemma":[0.9778015,0.0012584329,0.0017306986,0.00030656395,0.00004891858,0.000025117237,0.00008652651,0.000060870174,0.018681316],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99873453,0.00046764113,0.000023095723,0.000116817675,0.00036467056,0.0002932072],"domain_scores_gemma":[0.9974897,0.001450012,0.00019388596,0.00013954192,0.0005356228,0.00019123408],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025106359,0.00047106232,0.0002421511,0.003838286,0.01856806,0.010781933,0.0014648853,0.0012537948,0.005860397],"category_scores_gemma":[0.0064075324,0.00024760133,0.00029458728,0.0043478734,0.024179399,0.004805352,0.002781491,0.002348813,0.00026221134],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002584729,0.000010858951,0.0015722347,0.000053250387,0.0000047177023,0.0004251589,0.37264675,0.00063181994,0.00014938884,0.6049214,0.0065176077,0.013041004],"study_design_scores_gemma":[0.0000081350845,0.000011149394,0.0044552754,0.00029420678,0.000022779059,0.00024366235,0.44005573,0.0022202567,0.00034425728,0.06929244,0.48299867,0.000053463475],"about_ca_topic_score_codex":0.90115917,"about_ca_topic_score_gemma":0.9304932,"teacher_disagreement_score":0.09884083,"about_ca_system_score_codex":0.07941787,"about_ca_system_score_gemma":0.033149175,"threshold_uncertainty_score":0.5762197},"labels":[],"label_agreement":null},{"id":"W79559063","doi":"","title":"\"Bring(ing) Them Back from the Inside Out\": Coming Home through Story in Richard Wagamese's Keeper'n Me","year":2004,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Genealogy; History","score_opus":0.04568461458460101,"score_gpt":0.2237997861915673,"score_spread":0.17811517160696627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W79559063","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03012703,0.008544337,0.0018728916,0.6431546,0.008085728,0.00008110317,0.00013931502,0.00016388007,0.30783108],"genre_scores_gemma":[0.39669585,0.005388174,0.0018537913,0.1658842,0.001556039,0.00012647954,0.00007114428,0.000809106,0.42761526],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99351394,0.002546169,0.00007792038,0.0004163938,0.0014339825,0.002011482],"domain_scores_gemma":[0.9938746,0.0019544177,0.0002821979,0.00015909734,0.0017891616,0.0019404753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045884307,0.0011989407,0.0008778475,0.0015966865,0.090996854,0.018814934,0.0037705745,0.0142687615,0.013325531],"category_scores_gemma":[0.01531762,0.00074726314,0.00078323943,0.0026374226,0.042552575,0.009941748,0.008678845,0.02832205,0.0022754245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032432625,0.000025591999,0.0003970783,0.000055353314,0.000009816794,0.00081945607,0.5058647,0.00006381604,0.00024208285,0.08937758,0.39632285,0.0067893104],"study_design_scores_gemma":[0.000006651335,0.000008589066,0.00054081006,0.00019766687,0.000013043226,0.0002045929,0.385757,0.00004283052,0.00022061008,0.0059963777,0.60697186,0.000039945247],"about_ca_topic_score_codex":0.88644403,"about_ca_topic_score_gemma":0.9441944,"teacher_disagreement_score":0.11355597,"about_ca_system_score_codex":0.045768153,"about_ca_system_score_gemma":0.044825546,"threshold_uncertainty_score":0.3320728},"labels":[],"label_agreement":null},{"id":"W811016133","doi":"","title":"Sally Ito. Alert to Glory","year":2013,"lang":"en","type":"article","venue":"Canadian ethnic studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Glory; Seriousness; Poetry; Wonder; Philosophy; Contemplation; Literature; Repetition (rhetorical device); State (computer science); Denial; Art; Psychology; Theology; Psychoanalysis; Computer science; Epistemology","score_opus":0.1626429885043985,"score_gpt":0.31968851821081895,"score_spread":0.15704552970642044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W811016133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009934017,0.05477738,0.00078952895,0.0063826027,0.00237925,0.000055140506,0.0013128958,0.0011361272,0.9321736],"genre_scores_gemma":[0.0016296448,0.010650151,0.00028276475,0.0008248169,0.00008394394,0.000012654774,0.0004068179,0.00045605743,0.9856533],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984026,0.0000119214055,0.0000060367975,0.000028429911,0.00007641536,0.00003686582],"domain_scores_gemma":[0.9998198,0.00002355771,0.000011065131,0.000015870004,0.00005543202,0.000074300144],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018374778,0.001158142,0.00045657912,0.00087632483,0.0012057057,0.0026813287,0.00088776933,0.0012472032,0.514033],"category_scores_gemma":[0.00058689824,0.0006309953,0.00021688374,0.0016804177,0.0005174793,0.0028248671,0.0019776716,0.0012158777,0.43828478],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012230806,0.000007783795,0.00005746062,0.00011243593,8.896432e-7,0.00005501457,0.00017561683,0.00002812094,0.00018157119,0.0015082692,0.8950935,0.10276698],"study_design_scores_gemma":[0.0000017508198,0.00000249429,0.0002666023,0.00008145121,6.633079e-7,0.00005292378,0.00015670991,0.000011095681,0.00003095959,0.00021455606,0.99917835,0.0000023841435],"about_ca_topic_score_codex":0.05297583,"about_ca_topic_score_gemma":0.1936851,"teacher_disagreement_score":0.94702417,"about_ca_system_score_codex":0.0015901884,"about_ca_system_score_gemma":0.0017974809,"threshold_uncertainty_score":0.69317293},"labels":[],"label_agreement":null},{"id":"W820649339","doi":"10.71781/14252","title":"Recollecting Work : Labour and Class in Contemporary North American Historical Fiction","year":2014,"lang":"en","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Strong; Social Sciences and Humanities Research Council of Canada; McGill University","keywords":"Class (philosophy); Work (physics); History; Gender studies; Visual arts; Art; Sociology; Engineering; Philosophy; Epistemology; Mechanical engineering","score_opus":0.010793060169551685,"score_gpt":0.17028872652597757,"score_spread":0.15949566635642587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W820649339","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41887465,0.013002046,0.0010136188,0.022527972,0.0009379225,0.000032897075,0.000059973623,0.00003896838,0.54351205],"genre_scores_gemma":[0.91794294,0.0037281532,0.0002748742,0.0012439738,0.0002682398,0.00003818338,0.000025155063,0.000046493882,0.0764319],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989793,0.00051363907,0.000023814704,0.000082764585,0.00014441242,0.00025600093],"domain_scores_gemma":[0.99890506,0.00069208187,0.00013381874,0.00006892999,0.000075502176,0.00012462174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015108385,0.00042830745,0.00030996886,0.001669758,0.016523527,0.0065895845,0.0008607161,0.001358548,0.006499095],"category_scores_gemma":[0.001971889,0.0001874929,0.00016177363,0.0022303043,0.019807013,0.0033372336,0.003307994,0.0026757556,0.00050931645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018247005,0.000017545277,0.0012756168,0.0000473007,0.0000017764786,0.00029820786,0.87379396,0.00002341427,0.00011191053,0.108416215,0.006410725,0.009584976],"study_design_scores_gemma":[0.0000035279886,0.000014809102,0.0072003887,0.00020887428,0.0000047649633,0.00018477866,0.49496147,0.00007161906,0.00016503417,0.0060759196,0.4910979,0.0000108760105],"about_ca_topic_score_codex":0.045784835,"about_ca_topic_score_gemma":0.13122897,"teacher_disagreement_score":0.045784835,"about_ca_system_score_codex":0.0077238316,"about_ca_system_score_gemma":0.0025327276,"threshold_uncertainty_score":0.09103668},"labels":[],"label_agreement":null},{"id":"W83618399","doi":"","title":"J.M. Barrie's Mary rose revisited","year":2007,"lang":"en","type":"article","venue":"外国語学会誌","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rose (mathematics); Art; Mathematics; Geometry","score_opus":0.017831234376196384,"score_gpt":0.22799186227032978,"score_spread":0.2101606278941334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W83618399","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032333576,0.028753733,0.00066928624,0.80497897,0.005134408,0.000008917592,0.000022969432,0.00002696259,0.15717137],"genre_scores_gemma":[0.20154178,0.025558587,0.0010622244,0.47911304,0.010522833,0.000069484915,0.0000308993,0.00021279688,0.28188846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99803156,0.0008640005,0.000050447077,0.00029840958,0.00047844189,0.00027720636],"domain_scores_gemma":[0.99509746,0.0034277204,0.0001713164,0.00020855597,0.0007753758,0.00031962985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004119269,0.00039953235,0.00055180554,0.0011696445,0.013623475,0.008817784,0.0014709941,0.014329842,0.012128364],"category_scores_gemma":[0.013522337,0.00030104225,0.0004268458,0.0010335556,0.0154190995,0.009399509,0.0038580804,0.012568268,0.0023447936],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018658055,0.000010009201,0.0001780669,0.000074743126,0.000004971471,0.00019162324,0.006382263,0.000047008045,0.00008817321,0.6070718,0.37704927,0.008883354],"study_design_scores_gemma":[0.000012898585,0.000009190472,0.00038543146,0.00045135908,0.0000070473457,0.00014944914,0.009853861,0.00006897076,0.00019956361,0.15355527,0.83528775,0.00001924284],"about_ca_topic_score_codex":0.017781364,"about_ca_topic_score_gemma":0.03850177,"teacher_disagreement_score":0.017781364,"about_ca_system_score_codex":0.004166377,"about_ca_system_score_gemma":0.0032578257,"threshold_uncertainty_score":0.04057336},"labels":[],"label_agreement":null},{"id":"W892925920","doi":"10.20361/g2xg7h","title":"Before We Go by A. Bright","year":2013,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Grandparent; Adventure; Sister; Plot (graphics); History; Art history; Art; Psychoanalysis; Genealogy; Psychology; Law; Political science","score_opus":0.006373427418957131,"score_gpt":0.2111403795937661,"score_spread":0.20476695217480897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W892925920","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001489642,0.060508087,0.0012271096,0.088630475,0.031051783,0.00012487658,0.001918641,0.0034499904,0.8115993],"genre_scores_gemma":[0.0024174997,0.009066942,0.00044993457,0.015994607,0.0009626017,0.00004010905,0.00034117285,0.0005296661,0.9701975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995876,0.000068252455,0.00001634554,0.00008243368,0.00016874063,0.000076639415],"domain_scores_gemma":[0.99899787,0.00012431767,0.000048500493,0.000053949476,0.00035821673,0.0004172259],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049378496,0.0008129796,0.0004377392,0.00094037555,0.0029366184,0.0053994968,0.0008481175,0.0022392652,0.5134412],"category_scores_gemma":[0.0023276694,0.0005211175,0.0002809346,0.000734145,0.0006546726,0.005110152,0.0027507544,0.003774343,0.4780108],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052375985,0.000007535182,0.000029440525,0.000030332658,5.4178696e-7,0.00003052261,0.000093254734,0.000002994951,0.000037386315,0.00031031715,0.98010993,0.01934253],"study_design_scores_gemma":[0.0000015227304,0.000003474841,0.00015832274,0.000063405394,5.820992e-7,0.00007643841,0.00032710267,0.000005133684,0.000023220893,0.00016894212,0.9991685,0.000003315666],"about_ca_topic_score_codex":0.006897571,"about_ca_topic_score_gemma":0.01866316,"teacher_disagreement_score":0.5134412,"about_ca_system_score_codex":0.00084493536,"about_ca_system_score_gemma":0.001436809,"threshold_uncertainty_score":0.69401705},"labels":[],"label_agreement":null},{"id":"W923915045","doi":"10.31542/j.muse.114","title":"Reality is Just a Dream: The Significance of the Uncanny in Christopher Nolan’s Inception","year":2014,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Uncanny; Dream; Uncanny valley; Psychoanalytic theory; Interpretation (philosophy); Psychoanalysis; Order (exchange); Window (computing); Art; Aesthetics; Psychology; History; Philosophy; Epistemology; Computer science; Psychotherapist","score_opus":0.024436706892608573,"score_gpt":0.22860312983551984,"score_spread":0.20416642294291126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W923915045","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14457661,0.012651128,0.006507857,0.36270326,0.0046450617,0.000054555047,0.00003823021,0.000091001464,0.4687322],"genre_scores_gemma":[0.9416145,0.0019294893,0.0007132302,0.022041094,0.0004216812,0.000038207694,0.000007382119,0.000067346526,0.03316704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945227,0.0035421553,0.00007142696,0.0003714808,0.000968593,0.00052365114],"domain_scores_gemma":[0.9942958,0.0040982612,0.00035841644,0.00021022075,0.0006306824,0.00040664827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046789814,0.00044020262,0.00035376914,0.00073805783,0.014716122,0.007390211,0.001752617,0.0046307705,0.0016551731],"category_scores_gemma":[0.013438531,0.00042455606,0.00023131515,0.00050946744,0.057312433,0.007815097,0.0053250124,0.015798286,0.00027973903],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039592553,0.00002260479,0.0004106894,0.000074019925,0.0000056986773,0.0010065611,0.2281569,0.00011703431,0.0003168294,0.72563076,0.037180677,0.007038663],"study_design_scores_gemma":[0.00002473002,0.000060145525,0.0011333312,0.0006161392,0.000017451941,0.0014875807,0.18526489,0.00054331275,0.0013092683,0.15836087,0.6510798,0.00010252654],"about_ca_topic_score_codex":0.034107417,"about_ca_topic_score_gemma":0.034578614,"teacher_disagreement_score":0.034107417,"about_ca_system_score_codex":0.010557953,"about_ca_system_score_gemma":0.0056179743,"threshold_uncertainty_score":0.07660365},"labels":[],"label_agreement":null},{"id":"W95147036","doi":"","title":"The Politics of the Handmaid's Tale","year":2009,"lang":"en","type":"article","venue":"The Midwest quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Fantasy; Politics; The Imaginary; Utopia; Literature; Ideal (ethics); Sociology; History; Media studies; Aesthetics; Art; Art history; Law; Psychoanalysis; Psychology; Political science","score_opus":0.011108158844168036,"score_gpt":0.20804510862651968,"score_spread":0.19693694978235163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W95147036","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019780621,0.0050622458,0.0007529845,0.08028633,0.0041757897,0.000023362092,0.00006528297,0.000096936106,0.8897565],"genre_scores_gemma":[0.46700034,0.0013258806,0.0004113345,0.023266157,0.00064465986,0.000033994536,0.000038857426,0.00014825974,0.50713056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981232,0.0006180002,0.000018591238,0.0002259819,0.0004855974,0.0005286893],"domain_scores_gemma":[0.9987638,0.00050850987,0.000050711173,0.000058023434,0.0002380068,0.00038102048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001092485,0.00044242488,0.00024770998,0.00063749135,0.028898077,0.010918202,0.00085302704,0.003084871,0.019021364],"category_scores_gemma":[0.0030182623,0.00024851214,0.00018554888,0.0004931937,0.015424604,0.0032892395,0.003427626,0.006859635,0.002156003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041771065,0.000025160554,0.0006788781,0.000051275663,0.0000063809484,0.00049323414,0.098246835,0.00007722153,0.0004442758,0.45491722,0.42103368,0.02398402],"study_design_scores_gemma":[0.0000032812798,0.0000073669003,0.00049776235,0.00006302731,0.0000018179973,0.00012016608,0.031530753,0.00003809476,0.00014323262,0.0066886833,0.96089524,0.0000105823665],"about_ca_topic_score_codex":0.15647198,"about_ca_topic_score_gemma":0.2642355,"teacher_disagreement_score":0.15647198,"about_ca_system_score_codex":0.013572775,"about_ca_system_score_gemma":0.005983642,"threshold_uncertainty_score":0.31112242},"labels":[],"label_agreement":null},{"id":"W96413580","doi":"10.25071/1718-4657.36720","title":"Time's Arrow as Postmodern Apocalypse: Temporal Ruptures, Perpetual Crisis and the Cultural Imagination","year":2009,"lang":"en","type":"article","venue":"Intersections conference journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Postmodernism; Narrative; Temporality; Realm; Literature; Aesthetics; History; Consciousness; Anachronism; Arrow; The Holocaust; Philosophy; Art; Politics; Epistemology; Law; Theology","score_opus":0.016114678100854308,"score_gpt":0.25158108291705905,"score_spread":0.23546640481620473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W96413580","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19391106,0.02744205,0.022930615,0.088874884,0.004534842,0.000055694618,0.0001036353,0.0001659477,0.66198134],"genre_scores_gemma":[0.97297835,0.0025794709,0.0013649097,0.0017254717,0.0008672953,0.000037032045,0.000015462434,0.00007396693,0.020358063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985864,0.0009633066,0.000028948049,0.000116645504,0.00018311998,0.00012160103],"domain_scores_gemma":[0.9980032,0.0013219828,0.00020052854,0.00016017348,0.0001580502,0.00015605178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027508838,0.0005456166,0.00023385606,0.0010749333,0.006081703,0.009251328,0.0008720472,0.0024678586,0.002481971],"category_scores_gemma":[0.004596487,0.00023377045,0.00018162405,0.00081920065,0.03034538,0.010879598,0.0028803756,0.0039032102,0.0003712019],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017747667,0.000007477254,0.00009148432,0.000018844014,0.0000013402628,0.00014854895,0.057779606,0.00004977034,0.000115492716,0.9348455,0.004410827,0.0025133453],"study_design_scores_gemma":[0.000021551561,0.000042598986,0.0004569862,0.00023256206,0.000005654894,0.0006413068,0.094642974,0.00063826947,0.0007478109,0.46766436,0.43487594,0.000029928628],"about_ca_topic_score_codex":0.0022495922,"about_ca_topic_score_gemma":0.0029521724,"teacher_disagreement_score":0.009251328,"about_ca_system_score_codex":0.004091902,"about_ca_system_score_gemma":0.0016999729,"threshold_uncertainty_score":0.029688954},"labels":[],"label_agreement":null},{"id":"W96599397","doi":"","title":"Introducing drift, a special issue of continent","year":2012,"lang":"en","type":"article","venue":"Continent","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Geology","score_opus":0.01506658503248724,"score_gpt":0.22252996804094247,"score_spread":0.20746338300845524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W96599397","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024502145,0.022758001,0.00047227184,0.13170077,0.8341932,0.000029268078,0.00014590895,0.00013574178,0.0103198625],"genre_scores_gemma":[0.0026777028,0.016898327,0.00049224996,0.05193393,0.8666898,0.000079351215,0.00027015444,0.00028308542,0.06067541],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968792,0.0006937949,0.00037058475,0.00047188895,0.001236407,0.00034814363],"domain_scores_gemma":[0.989702,0.003681971,0.0008788561,0.00043752353,0.0029878442,0.0023117661],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050183064,0.0021601266,0.0015801121,0.0038500035,0.004795108,0.012105169,0.0020429534,0.005201284,0.037472676],"category_scores_gemma":[0.011793548,0.00074678904,0.0015355678,0.002295544,0.003061875,0.008720419,0.004597897,0.008649483,0.01419428],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001250478,0.00000857409,0.00011280457,0.0001088267,0.0000043447603,0.00007034224,0.00011402646,0.000017159035,0.000052856423,0.0012104847,0.9868348,0.011453183],"study_design_scores_gemma":[0.0000025224695,0.000009056048,0.00021783571,0.0001249964,0.000002830987,0.000080410886,0.00016120281,0.000014990424,0.00001885904,0.00051712105,0.99884486,0.0000054058187],"about_ca_topic_score_codex":0.0025895946,"about_ca_topic_score_gemma":0.0057868487,"teacher_disagreement_score":0.037472676,"about_ca_system_score_codex":0.0028931221,"about_ca_system_score_gemma":0.004500048,"threshold_uncertainty_score":0.12535858},"labels":[],"label_agreement":null}]}