{"meta":{"query_hash":"06948edc5edc","filters":{"topic":"Contemporary Literature and Criticism"},"cohort_total":672,"direct_labels_cover":1,"predictions_cover":672,"exported":672,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/06948edc5edc","api":"https://metacan.xera.ac/api/v1/cohort?topic=Contemporary+Literature+and+Criticism"},"results":[{"id":"W1001503072","doi":"","title":"Forgetting the Boy in the Box: Mad Men’s Don Draper and Lacan’s Mirror Stage","year":2013,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Forgetting; Psychoanalysis; Identity (music); Psychology; Aesthetics; Philosophy; Art; Cognitive psychology","score_opus":0.01834430996945478,"score_gpt":0.22466572723779651,"score_spread":0.20632141726834174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1001503072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7515519,0.0032154827,0.000008167445,0.040681858,0.0005098356,0.0011697137,0.00007257109,0.000069065885,0.20272139],"genre_scores_gemma":[0.9524366,0.00000929464,0.000007897412,0.006153455,0.00039298818,0.00015704824,0.000009108031,0.000018269975,0.040815327],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889225,0.00014888149,0.00023939878,0.0001935825,0.00019895099,0.00032692455],"domain_scores_gemma":[0.99926007,0.00021882045,0.00006151231,0.0003757826,0.00005117459,0.00003263064],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00047842757,0.0001724649,0.00014601693,0.00003192705,0.0006932522,0.0010536344,0.0003647274,0.000043427724,0.00050214725],"category_scores_gemma":[0.000012766673,0.000076516015,0.00007636075,0.000038975588,0.00018499019,0.00036785577,0.00007620057,0.00032102916,0.000049182865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003997558,0.000095093266,0.0016065948,0.00007697018,0.000053501913,0.000024453051,0.4573453,2.5829758e-7,0.00041075406,0.42062858,0.11414767,0.005570843],"study_design_scores_gemma":[0.0003420913,0.000051936553,0.0029386666,0.00002230313,0.000018711786,0.000006199251,0.0957107,0.00008791428,0.000020453506,0.0057247784,0.8949212,0.00015505003],"about_ca_topic_score_codex":0.0024167227,"about_ca_topic_score_gemma":0.009895887,"teacher_disagreement_score":0.7807735,"about_ca_system_score_codex":0.000014028941,"about_ca_system_score_gemma":0.000017491138,"threshold_uncertainty_score":0.9999834},"labels":[],"label_agreement":null},{"id":"W1029350246","doi":"10.1007/978-94-6209-185-6_5","title":"Arts-Based Research Otherwise","year":2013,"lang":"en","type":"book-chapter","venue":"SensePublishers eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"CLARION; Icon; Posthuman; The arts; Humanism; Epistemology; Aesthetics; Sociology; Philosophy; Art; Visual arts; Computer science; Artificial intelligence","score_opus":0.21794157885665175,"score_gpt":0.3148040288801756,"score_spread":0.09686245002352387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1029350246","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026836771,0.0006690894,0.0000024153617,0.0016373066,0.0012660201,0.00069809676,0.000115932766,0.00026369604,0.9953206],"genre_scores_gemma":[0.00779382,0.0000014076891,0.000057416808,0.002516394,0.0029212371,0.000051157924,0.0001566914,0.00020026613,0.9863016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971311,0.00007840222,0.0005237239,0.00069972436,0.0009155367,0.0006514816],"domain_scores_gemma":[0.99726,0.0002616121,0.00014850117,0.0009732448,0.0010918359,0.00026483755],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000635927,0.000543345,0.00053645344,0.00067158137,0.00053409033,0.003206446,0.0004795089,0.00045557538,0.039368425],"category_scores_gemma":[0.000036004498,0.00047957533,0.0003621352,0.000010648424,0.0011233886,0.00038907642,0.00009930276,0.0015402281,0.0017215941],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016502338,0.000008936765,6.215593e-8,0.00004298364,0.000048358528,0.00007371533,0.0030043982,2.9340312e-8,0.0000039557576,0.5698596,0.42218775,0.0047536627],"study_design_scores_gemma":[0.0002862841,0.00011739969,1.1677981e-7,0.0002723653,0.00003105963,0.0000034063655,0.0003803637,0.0000073157153,0.00001411176,0.14362238,0.85479265,0.0004725624],"about_ca_topic_score_codex":0.00018016933,"about_ca_topic_score_gemma":0.00069809967,"teacher_disagreement_score":0.43260488,"about_ca_system_score_codex":0.00009687372,"about_ca_system_score_gemma":0.00044975005,"threshold_uncertainty_score":0.9997656},"labels":[],"label_agreement":null},{"id":"W1037176821","doi":"","title":"Human-Machinic Assemblages: Technologies, Bodies, and the Recuperation of Social Reproduction in the Crisis Era","year":2015,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reproduction; Environmental crisis; Political science; Business; Economy; Environmental ethics; Economics; Biology; Ecology","score_opus":0.13143538908052654,"score_gpt":0.3144432904492056,"score_spread":0.18300790136867906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1037176821","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98777705,0.000777675,0.0000079596375,0.006597519,0.00018371273,0.00031026374,0.000010599127,0.000085890264,0.004249325],"genre_scores_gemma":[0.99613726,0.000026504164,0.000002361018,0.00032061525,0.00017837706,0.000003328083,0.000019422747,0.000011656556,0.0033004987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99847907,0.0005021622,0.00026050836,0.0003202376,0.0002584322,0.00017957714],"domain_scores_gemma":[0.9991925,0.00007851318,0.00014349358,0.00039178296,0.0001684695,0.000025284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011505268,0.000168591,0.00024828772,0.0002450628,0.00046008712,0.00041250634,0.00044634574,0.000111449095,0.000008541773],"category_scores_gemma":[0.0000786646,0.00011591424,0.000075374315,0.000107564825,0.00043938807,0.0012435602,0.000139233,0.00054988783,0.0000062272907],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005753158,0.00030656529,0.103016816,0.00013660517,0.00014318686,0.0001326345,0.44216442,0.000001985312,0.00016340397,0.4513355,0.00026297072,0.0017606053],"study_design_scores_gemma":[0.009563918,0.0007789974,0.1859666,0.00033599176,0.00048223697,0.00007387156,0.5207891,0.0000010065451,0.0008198181,0.035212297,0.24483944,0.0011367192],"about_ca_topic_score_codex":0.00003913521,"about_ca_topic_score_gemma":0.0071232384,"teacher_disagreement_score":0.4161232,"about_ca_system_score_codex":0.00005013435,"about_ca_system_score_gemma":0.000042277774,"threshold_uncertainty_score":0.47268456},"labels":[],"label_agreement":null},{"id":"W106073611","doi":"","title":"\"Don't let the bastards grind you down\": echoes of Hard Times in The Handmaid's Tale","year":2008,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Literature; Allusion; State (computer science); Philosophy; History; Reading (process); Art; Psychoanalysis; Psychology","score_opus":0.021294392100639162,"score_gpt":0.20658575552284175,"score_spread":0.1852913634222026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W106073611","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7700928,0.005188418,0.000011333676,0.0097627295,0.00051488745,0.0005665201,0.0002555026,0.000053375865,0.21355444],"genre_scores_gemma":[0.98944837,0.00006260864,0.000007774659,0.0023584298,0.00041028293,0.000037841444,0.000049297225,0.000013255194,0.0076121143],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987886,0.00013985092,0.00033999202,0.0001855562,0.00030947343,0.00023654677],"domain_scores_gemma":[0.9992385,0.00014382922,0.00007857798,0.0004240368,0.00008404667,0.000031032814],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031283865,0.00016986305,0.00023249144,0.00007169287,0.0002998423,0.000113332004,0.00036545476,0.000040768184,0.0012460813],"category_scores_gemma":[0.000011870287,0.00009040612,0.00014642677,0.00006586091,0.00046802955,0.00026954827,0.000012234947,0.00023987393,0.00005568292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008596002,0.00029363472,0.0010220867,0.0001323578,0.0000715514,0.00016184332,0.5873177,2.751322e-7,0.00010631576,0.20298229,0.20354615,0.0042798407],"study_design_scores_gemma":[0.0010696101,0.00075029896,0.005005361,0.00027090433,0.000052337335,0.00005815967,0.04149703,0.000015815169,0.000099427365,0.004533752,0.9463516,0.0002957428],"about_ca_topic_score_codex":0.0003560478,"about_ca_topic_score_gemma":0.0009955369,"teacher_disagreement_score":0.7428054,"about_ca_system_score_codex":0.0000071910886,"about_ca_system_score_gemma":0.000040277882,"threshold_uncertainty_score":0.9996669},"labels":[],"label_agreement":null},{"id":"W1185554667","doi":"10.1353/mos.2015.0018","title":"“Modern Death” in Don DeLillo: A Parody of Life?","year":2015,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Socratic method; Philosophy; Absurdism; Literature; Fear of death; Epistemology; Aesthetics; Psychoanalysis; Psychology; Art","score_opus":0.05892287777694342,"score_gpt":0.24038085232601708,"score_spread":0.18145797454907367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1185554667","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74567515,0.0041335924,0.00002409864,0.0006538846,0.00035515206,0.00012774828,0.000042511507,0.00004045435,0.24894738],"genre_scores_gemma":[0.99265313,0.0000032798484,0.000019885741,0.00054855197,0.00021287218,0.000009916562,0.000025712232,0.000009330694,0.0065173036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993986,0.000031465435,0.00020587083,0.000114703915,0.00011954035,0.0001298205],"domain_scores_gemma":[0.9996528,0.000020557662,0.000032852775,0.00015213068,0.00007065119,0.000070989314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001234452,0.000081999824,0.00016155424,0.00006585105,0.000025048432,0.00004748678,0.00009062251,0.00003128837,0.00021794125],"category_scores_gemma":[0.00003087479,0.00006880596,0.0000403243,0.000026154597,0.00004294873,0.000161559,0.000023728067,0.00008121252,0.000026002133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015956626,0.00034426583,0.015150285,0.00009673978,0.00004104668,0.00006558921,0.14738569,0.000009688695,0.000119375676,0.7700092,0.06163812,0.0049804333],"study_design_scores_gemma":[0.0008735372,0.000126226,0.0005270678,0.00006217952,0.000011661405,0.0000015999692,0.0022035358,0.00024890207,0.000077845194,0.026877174,0.96881753,0.00017275431],"about_ca_topic_score_codex":0.00048475835,"about_ca_topic_score_gemma":0.0015429383,"teacher_disagreement_score":0.9071794,"about_ca_system_score_codex":0.00001217767,"about_ca_system_score_gemma":0.00005362525,"threshold_uncertainty_score":0.28058258},"labels":[],"label_agreement":null},{"id":"W13913359","doi":"","title":"Zizek and Media Studies: A Reader","year":2014,"lang":"en","type":"article","venue":"New York State journal of medicine","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Movie theater; Sublime; Art; Hegelianism; Art history; Literature; Philosophy; Aesthetics; Politics; Law; Political science","score_opus":0.07624607571350772,"score_gpt":0.27855406689472645,"score_spread":0.20230799118121873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W13913359","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19194171,0.30319518,0.0010787462,0.23408297,0.018549176,0.00045144247,0.00002845228,0.00011861966,0.2505537],"genre_scores_gemma":[0.96837705,0.00106585,0.00019297295,0.004879862,0.010095223,7.020072e-7,0.0000027210651,0.000019757068,0.015365875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989223,0.0000661326,0.0004759391,0.00009012644,0.00029994376,0.00014559769],"domain_scores_gemma":[0.99886286,0.00040071883,0.00021609612,0.000096488344,0.00023423633,0.00018960422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061467435,0.00012702764,0.0004175033,0.00013195252,0.000083051775,0.00004185137,0.000098336255,0.000021878554,0.00045163935],"category_scores_gemma":[0.00032476443,0.000074745156,0.000042605603,0.000032281452,0.00034125763,0.00018037096,0.00001557547,0.00023272148,0.0000056015965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001267284,0.000020082172,0.00003727332,0.00007347616,0.00014363074,0.00005282933,0.29005954,2.2008314e-7,0.000048565427,0.07202381,0.59134585,0.046068024],"study_design_scores_gemma":[0.002067231,0.00065279333,0.00007591074,0.0006245807,0.00008685443,0.00008270318,0.019202983,0.00000425328,0.000009399604,0.031144919,0.94596285,0.00008551078],"about_ca_topic_score_codex":0.000034486413,"about_ca_topic_score_gemma":0.00011846846,"teacher_disagreement_score":0.7764353,"about_ca_system_score_codex":0.000010854651,"about_ca_system_score_gemma":0.000040378236,"threshold_uncertainty_score":0.49451342},"labels":[],"label_agreement":null},{"id":"W14021933","doi":"","title":"The Novelist, Theory and Reading","year":2005,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Enthusiasm; Mythology; Literary theory; Literature; Quarter (Canadian coin); Philosophy; Art; Epistemology; History; Art history; Sociology; Aesthetics; Literary criticism; Linguistics","score_opus":0.012710290496431177,"score_gpt":0.2131216477119259,"score_spread":0.20041135721549472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W14021933","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0065185823,0.0017084146,0.000034141074,0.004739277,0.00011271126,0.000035862136,0.000002453291,0.00003783369,0.98681074],"genre_scores_gemma":[0.76017505,0.00001154379,0.000015512886,0.001910403,0.00054301915,0.0000023411637,8.921027e-7,0.000003255906,0.237338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973637,0.000020078594,0.0000677198,0.000058954505,0.000038272017,0.00007861385],"domain_scores_gemma":[0.99971324,0.00016116307,0.000008746033,0.00007784438,0.00001987987,0.000019122952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020233008,0.00004255225,0.00003631668,0.000010220527,0.00033827435,0.0003090348,0.000045098957,0.000008956975,0.00067642116],"category_scores_gemma":[0.0000128029915,0.000022348122,0.000015867541,0.000004767633,0.00010260472,0.00015519331,0.000015304178,0.000046303365,0.00003394802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000726919,0.0000037749269,0.0000028371778,0.0000012043595,0.0000044934554,5.399499e-7,0.008242903,5.723839e-9,0.000009616246,0.95796794,0.01318149,0.020577943],"study_design_scores_gemma":[0.00005548054,0.000008321502,0.000014459188,0.000004276934,0.0000033006395,0.0000018845765,0.002391059,0.000009322519,0.000030825595,0.025955953,0.9714845,0.000040649054],"about_ca_topic_score_codex":0.000007643223,"about_ca_topic_score_gemma":0.0002830352,"teacher_disagreement_score":0.958303,"about_ca_system_score_codex":0.0000025427746,"about_ca_system_score_gemma":0.0000038646517,"threshold_uncertainty_score":0.7406337},"labels":[],"label_agreement":null},{"id":"W147022263","doi":"","title":"Negotiating with the Dead: A Writer on Writing","year":2003,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Negotiation; Art; Political science; Law","score_opus":0.027221728088870172,"score_gpt":0.22167759010669397,"score_spread":0.1944558620178238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W147022263","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47583315,0.0019191438,9.890128e-7,0.002009233,0.00032780846,0.00018617144,0.000032581105,0.000037921876,0.519653],"genre_scores_gemma":[0.97599137,0.0000042865936,0.000008661615,0.008567144,0.00035769006,0.000088302215,0.0000024184687,0.0000183146,0.014961836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907553,0.00005670033,0.00012805367,0.00017470495,0.00011373777,0.000451249],"domain_scores_gemma":[0.9993818,0.00015569122,0.000033780452,0.00017418827,0.00012334147,0.00013120456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017346264,0.00015851916,0.00016710773,0.000088989764,0.0010506884,0.0003481461,0.00009512877,0.00001845877,0.0003077166],"category_scores_gemma":[0.000051375202,0.00009487273,0.00002882608,0.000050594033,0.00020117132,0.00012930104,0.000008922764,0.00016477097,0.000038397204],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004386992,0.000006167845,0.000091075126,0.000016635131,0.00009793844,0.0000538387,0.12289554,0.0000016573391,5.990663e-7,0.8710028,0.005650451,0.00017889135],"study_design_scores_gemma":[0.0001602848,0.00010665932,0.00001702975,0.00005698472,0.000011870233,0.000004382716,0.35501972,0.000001700678,0.0000024304459,0.001963402,0.64250183,0.00015373017],"about_ca_topic_score_codex":0.00023630794,"about_ca_topic_score_gemma":0.028710937,"teacher_disagreement_score":0.8690394,"about_ca_system_score_codex":0.000121948106,"about_ca_system_score_gemma":0.00010008845,"threshold_uncertainty_score":0.98901254},"labels":[],"label_agreement":null},{"id":"W1486498297","doi":"","title":"Misrecognizing history. Complicitous Genres in The Remains of the Day","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Complicity; Dramatization; Literature; Narrative; Regret; Theme (computing); Criticism; Aesthetics; Romance; History; Art; Psychoanalysis; Philosophy; Psychology; Law; Computer science","score_opus":0.05425453765442406,"score_gpt":0.26084277165887176,"score_spread":0.2065882340044477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486498297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050857966,0.1348441,0.000042610747,0.036140364,0.0026739163,0.0004634074,0.00003972681,0.000025858812,0.8206842],"genre_scores_gemma":[0.97569895,0.0024152477,0.0000128136035,0.011921998,0.0008501175,0.000026958329,0.000017773196,0.000005642347,0.00905051],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929744,0.00011195849,0.0002738097,0.000080955775,0.0001820204,0.00005383491],"domain_scores_gemma":[0.99958223,0.00008503763,0.00009344751,0.00013675005,0.000094866096,0.000007659019],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035056315,0.00006036537,0.00009806211,0.00003336352,0.000051466886,0.0000263851,0.00026339132,0.00001250441,0.0016221129],"category_scores_gemma":[0.000056443463,0.000033855005,0.000100145706,0.000024048846,0.000050992363,0.00013100036,0.000018084513,0.00010824011,0.000023426544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042094202,0.00009860937,0.00013698055,0.00018958669,0.000028130014,0.0000022206805,0.010592244,0.0000033565823,0.000037672362,0.67296475,0.28840426,0.027537994],"study_design_scores_gemma":[0.00005808791,0.0000054215466,0.00036405018,0.0008158814,0.0000119154,0.0000066484367,0.00019222108,0.000048400685,0.000005728456,0.00015817455,0.9982939,0.000039622988],"about_ca_topic_score_codex":0.00004063165,"about_ca_topic_score_gemma":0.00046969557,"teacher_disagreement_score":0.9706131,"about_ca_system_score_codex":0.00005904326,"about_ca_system_score_gemma":0.000016533742,"threshold_uncertainty_score":0.9992905},"labels":[],"label_agreement":null},{"id":"W1489897531","doi":"","title":"Backward Glance at James Joyce: Finnegans Wake's Postmodernist Devices","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; TRACE (psycholinguistics); Literature; Context (archaeology); Wake; History; Philosophy; Art; Art history; Linguistics","score_opus":0.02063917134854857,"score_gpt":0.268832583983111,"score_spread":0.24819341263456243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1489897531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59746265,0.24539311,8.0380704e-7,0.003789987,0.0007575945,0.0003405333,0.00011685226,0.00009166319,0.15204678],"genre_scores_gemma":[0.94804996,0.0005111794,0.000072613,0.004619301,0.0008942696,0.00006616284,0.00008055954,0.000019793564,0.045686144],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988739,0.000059159833,0.0002670036,0.00034031508,0.00013928577,0.00032033457],"domain_scores_gemma":[0.9993881,0.00012897508,0.000055191296,0.00023542544,0.00013159493,0.000060690745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000097525706,0.00026495033,0.00035032892,0.000095299605,0.00030455098,0.00046894336,0.00013768076,0.00007618947,0.0007625779],"category_scores_gemma":[0.000038355603,0.00018853182,0.000067652596,0.00007024523,0.00032182605,0.0005834886,0.00013558709,0.00026169218,0.00007208025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046711073,0.0000631101,0.0014228866,0.0005088054,0.00013459162,0.00028111791,0.8271828,1.1463076e-7,0.00013948992,0.081476,0.0821443,0.0066000265],"study_design_scores_gemma":[0.00059570424,0.00011176865,0.0011149324,0.00069685123,0.000026987587,0.000031708336,0.047844302,0.000008678893,0.00006935811,0.0028514783,0.946213,0.00043521982],"about_ca_topic_score_codex":0.000117776486,"about_ca_topic_score_gemma":0.0023805655,"teacher_disagreement_score":0.8640687,"about_ca_system_score_codex":0.000024843353,"about_ca_system_score_gemma":0.00000799453,"threshold_uncertainty_score":0.83496934},"labels":[],"label_agreement":null},{"id":"W1491719275","doi":"","title":"Dissolving the Reader/Author Binary: Sylvia Molloy's Certificate of Absence , Helena Parente Cunha's Woman Between Mirrors , and Jeanette Winterson's Written on the Body","year":2002,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); Binary opposition; Movie theater; Literature; Psychoanalysis; Allusion; Art; Art history; Philosophy; Psychology","score_opus":0.14022216598494525,"score_gpt":0.2953068191435825,"score_spread":0.15508465315863723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491719275","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17630453,0.12218391,0.00009018056,0.55950797,0.003625787,0.0023406185,0.0006884751,0.00025171568,0.13500679],"genre_scores_gemma":[0.98056227,0.0046763513,0.0000038269013,0.003108187,0.00032034336,0.000048990554,0.00004688325,0.000015134531,0.011217993],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987472,0.00013322914,0.00042094695,0.00024176722,0.0003135889,0.00014321068],"domain_scores_gemma":[0.99908185,0.00025776494,0.00020540456,0.00027369912,0.0001395108,0.000041783962],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003087273,0.00017296,0.00022797093,0.00006450764,0.0002555982,0.00017002298,0.0003360396,0.000030122479,0.001778421],"category_scores_gemma":[0.00008314121,0.000098539684,0.0001379037,0.000057750643,0.00018460448,0.00023245081,0.000050864008,0.00023503572,0.00006307706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074875396,0.00030986892,0.0032762515,0.0013611361,0.0007654603,0.00004662167,0.020747561,0.0000013845687,0.0006547449,0.4120227,0.5363106,0.024428774],"study_design_scores_gemma":[0.00009167133,0.000077437224,0.0017482236,0.002795492,0.00007097334,0.00000846982,0.00054677814,0.00023687008,0.000037684815,0.0002529325,0.9939949,0.00013859782],"about_ca_topic_score_codex":0.000046760175,"about_ca_topic_score_gemma":0.000013020907,"teacher_disagreement_score":0.80425775,"about_ca_system_score_codex":0.000021466696,"about_ca_system_score_gemma":0.0000046919276,"threshold_uncertainty_score":0.99913406},"labels":[],"label_agreement":null},{"id":"W1493163541","doi":"","title":"February is the Cruelest Month: Neoliberalism and the Economy of Mourning in Lisa Moore’s February","year":2010,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Acadia University","funders":"","keywords":"Neoliberalism (international relations); Globalization; Political economy; Prosperity; Political science; Financialization; Economy; Sociology; Economics; Law; Market economy","score_opus":0.019441842076576503,"score_gpt":0.24233035402857964,"score_spread":0.22288851195200313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493163541","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9037314,0.024343468,4.3494367e-7,0.028217085,0.00040901633,0.0002589268,0.000023615581,0.00001902408,0.042997047],"genre_scores_gemma":[0.9911132,0.0005706836,0.000011189783,0.004205211,0.00057041075,0.000034187,0.000003799118,0.000011806979,0.003479536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916685,0.00006555993,0.00029169794,0.00020223526,0.000085447384,0.00018821433],"domain_scores_gemma":[0.9991548,0.00045546313,0.000089444766,0.0001934513,0.00007113722,0.000035694764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031067958,0.00018615459,0.00036196483,0.0000587552,0.00048411707,0.00025181865,0.00013094713,0.00004487717,0.00009435068],"category_scores_gemma":[0.000030262261,0.000092798145,0.000064259686,0.000036377758,0.0010924499,0.0002815334,0.00011301945,0.00033667096,0.0000015061885],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009327648,0.000034739238,0.009108648,0.00008702739,0.00014575345,0.000009680108,0.22261074,1.4657208e-7,0.000013941515,0.757509,0.005377323,0.005009752],"study_design_scores_gemma":[0.0073890015,0.00025320865,0.1448597,0.00037060093,0.0002594873,0.000056626315,0.093319885,0.00024660074,0.00003234158,0.18342035,0.5690389,0.00075327134],"about_ca_topic_score_codex":0.007384133,"about_ca_topic_score_gemma":0.049845684,"teacher_disagreement_score":0.57408863,"about_ca_system_score_codex":0.000005886392,"about_ca_system_score_gemma":0.000017382592,"threshold_uncertainty_score":0.9992258},"labels":[],"label_agreement":null},{"id":"W1499279490","doi":"","title":"The Rock Observed: Art and Surveillance in Michael Winter’s This All Happened","year":2010,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Memoir; Art history; Art; Postmodernism; Id, ego and super-ego; History; Literature; Psychoanalysis; Psychology","score_opus":0.035062383063561305,"score_gpt":0.2568842390861659,"score_spread":0.22182185602260462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499279490","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9258056,0.023340547,7.706089e-7,0.011005484,0.0013719024,0.00021041965,0.000030078036,0.000051337083,0.038183812],"genre_scores_gemma":[0.96289206,0.0011806658,0.00000799203,0.0010064505,0.00041282238,0.000019137608,0.0000075837784,0.000011429522,0.034461845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916637,0.000052222065,0.00021512342,0.00023467703,0.00009624407,0.00023537122],"domain_scores_gemma":[0.99932826,0.00034870577,0.00004485444,0.00015849806,0.00007015947,0.000049554666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002801333,0.00017745096,0.0002563519,0.00003836123,0.0005439884,0.0003791625,0.00010021386,0.00004153475,0.00008760526],"category_scores_gemma":[0.000063328975,0.000106218424,0.000035873352,0.000025074929,0.00025768072,0.00020373223,0.00009280256,0.00028532426,0.000017242035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028848145,0.00014676145,0.12285719,0.00025170494,0.00048359635,0.00008868267,0.15758877,2.018379e-7,0.00043766724,0.62599564,0.0739707,0.017890604],"study_design_scores_gemma":[0.0005766249,0.00007366909,0.015613974,0.000040214767,0.000010573605,0.000009379245,0.004985324,0.000026680698,0.0000026561684,0.0030439845,0.97543615,0.00018075186],"about_ca_topic_score_codex":0.0003831469,"about_ca_topic_score_gemma":0.2522315,"teacher_disagreement_score":0.9014655,"about_ca_system_score_codex":0.0000072424423,"about_ca_system_score_gemma":0.0000103539605,"threshold_uncertainty_score":0.76141334},"labels":[],"label_agreement":null},{"id":"W1499909921","doi":"10.22621/cfn.v128i1.1530","title":"\"Owls\" by Marianne Taylor. 2012. [book review]","year":2014,"lang":"en","type":"article","venue":"The Canadian Field-Naturalist","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art","score_opus":0.013112553847942021,"score_gpt":0.20935891740144608,"score_spread":0.19624636355350406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499909921","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003594331,0.08375996,0.0000029488026,0.19493763,0.001134967,0.00026507993,0.00015159204,0.00004438504,0.7196675],"genre_scores_gemma":[0.16468567,0.00035241447,0.000004098016,0.3444135,0.001208134,0.000025659148,0.00021541807,0.000021932401,0.4890732],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889696,0.000116834635,0.00022956115,0.00022850747,0.00015115508,0.00037697953],"domain_scores_gemma":[0.99889475,0.00015028907,0.00005553881,0.0005384121,0.000110725334,0.00025031142],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002950136,0.00018866191,0.00022211805,0.000052376046,0.0006720419,0.00037642667,0.00044882653,0.00009207002,0.030587187],"category_scores_gemma":[0.000102104874,0.0001287596,0.00011139388,0.000040659183,0.00014234234,0.00032602137,0.000026730568,0.00042402977,0.0008071749],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030545425,0.000003039617,0.0000010165295,0.000046452576,0.000012952477,0.0000065846957,0.00080234,1.013442e-8,0.000002137865,0.23804606,0.7589514,0.0021249044],"study_design_scores_gemma":[0.000106491716,0.000024025416,0.000004524228,0.00014516618,0.000036576523,0.000008676745,0.000066822475,0.000009378058,0.000017432787,0.0015023723,0.9978751,0.0002034587],"about_ca_topic_score_codex":0.06940868,"about_ca_topic_score_gemma":0.5534783,"teacher_disagreement_score":0.4840696,"about_ca_system_score_codex":0.00005322165,"about_ca_system_score_gemma":0.00007343472,"threshold_uncertainty_score":0.9999708},"labels":[],"label_agreement":null},{"id":"W1501085167","doi":"","title":"Relocating Maternal Subjectivity: Storytelling and Mother-Daughter Voices in Amy Tan's The Joy Luck Club","year":2002,"lang":"en","type":"article","venue":"Thirdspace","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Luck; Sociology; Gender studies; Femininity; Intersubjectivity; Narrative; Daughter; Psychoanalysis; Objectification; Psychoanalytic theory; Club; Aesthetics; Psychology; Literature; Philosophy; Epistemology; Art; Social science","score_opus":0.023738166692052823,"score_gpt":0.20741920624072413,"score_spread":0.18368103954867132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1501085167","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8431362,0.006054093,0.00002780121,0.004891006,0.00034723344,0.00018410086,0.000008751395,0.000079827616,0.14527102],"genre_scores_gemma":[0.9668847,0.00006298547,0.00003405111,0.00086330273,0.0005697038,0.000011009772,9.748718e-7,0.000022198943,0.0315511],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991442,0.00009665136,0.00016752598,0.0002086931,0.00015148688,0.000231474],"domain_scores_gemma":[0.9995348,0.00013489337,0.00006195963,0.00019619311,0.00003435955,0.00003780327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002703386,0.00015154194,0.00016279239,0.00006699103,0.0002788355,0.0003731553,0.00013406333,0.000044257347,0.0005349108],"category_scores_gemma":[0.00001621987,0.00010497414,0.000037924892,0.000039643786,0.000159501,0.0003554953,0.000042073585,0.00028374852,0.000047617763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008819472,0.00018351761,0.012566309,0.00021579886,0.00008653251,0.00013766221,0.5874501,0.000013990648,0.00052276475,0.3678677,0.012257042,0.018610395],"study_design_scores_gemma":[0.0008549836,0.000118250435,0.0035940462,0.00045725593,0.00004268664,0.000037163012,0.019651642,0.0032501682,0.0005642221,0.0065108617,0.96431553,0.0006031811],"about_ca_topic_score_codex":0.00062265736,"about_ca_topic_score_gemma":0.0036882765,"teacher_disagreement_score":0.9520585,"about_ca_system_score_codex":0.00001820804,"about_ca_system_score_gemma":0.000006266582,"threshold_uncertainty_score":0.58568984},"labels":[],"label_agreement":null},{"id":"W1503509374","doi":"","title":"Kazuo Ishiguro’s Narratives of the “Other”","year":2015,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Redress; Narrative; Context (archaeology); Gender studies; History; Sociology; Literature; Aesthetics; Psychoanalysis; Psychology; Art","score_opus":0.047917176420433256,"score_gpt":0.2424153404855219,"score_spread":0.19449816406508866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503509374","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030768659,0.00009735417,4.0786034e-7,0.004643051,0.0005499728,0.00005825934,0.000071176284,0.0000066689763,0.9638044],"genre_scores_gemma":[0.9896065,5.7858216e-8,0.0000028922134,0.0016864527,0.0003805404,0.0000019878928,4.6658982e-7,0.0000029085456,0.008318198],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999459,0.000019542818,0.00007440613,0.00009022294,0.00018341368,0.00017339193],"domain_scores_gemma":[0.9995598,0.000008371165,0.00002799369,0.00008844607,0.00016331751,0.00015202492],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020824521,0.00004480577,0.000058912654,0.000043084034,0.00050535623,0.00014022077,0.00032770343,0.000015887032,0.00023011383],"category_scores_gemma":[0.000059139333,0.000030941057,0.000031426254,0.00012001216,0.0013467877,0.00024473615,0.000017028662,0.000056312834,0.0000107664855],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.5617617e-7,0.0000033911967,0.00031326007,0.0000011522702,9.112891e-7,7.627408e-7,0.16688105,4.821611e-9,0.000045643334,0.8209189,0.011507433,0.0003270165],"study_design_scores_gemma":[0.00004715433,0.00001341382,0.00024794767,0.000006303932,0.0000014344348,2.8282287e-7,0.049253326,7.8953843e-7,0.00006746802,0.0064114295,0.94389886,0.00005162149],"about_ca_topic_score_codex":0.007906254,"about_ca_topic_score_gemma":0.13131234,"teacher_disagreement_score":0.9588378,"about_ca_system_score_codex":0.000065688866,"about_ca_system_score_gemma":0.0007844933,"threshold_uncertainty_score":0.9987002},"labels":[],"label_agreement":null},{"id":"W1503581906","doi":"","title":"On the Question of Overlap between the Post-Colonial and the Postmodern","year":2012,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Orientalism; Colonialism; Analogy; Value (mathematics); Point (geometry); Face (sociological concept); Aesthetics; Sociology; Face value; Postmodern theatre; Epistemology; Literature; History; Philosophy; Art; Law; Political science; Social science; Computer science; Mathematics","score_opus":0.010495539765596638,"score_gpt":0.2299517578082514,"score_spread":0.21945621804265475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503581906","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94566995,0.00922256,0.0000422547,0.03074542,0.0003150087,0.0002131593,0.000011617128,0.000010006177,0.013770015],"genre_scores_gemma":[0.99552745,0.00015870822,4.6363428e-7,0.0010709438,0.001650391,0.0000046315954,0.0000024515616,0.0000094978395,0.0015754695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986561,0.00027279078,0.00018373468,0.00005960009,0.00019102411,0.00063676224],"domain_scores_gemma":[0.9992039,0.00044096448,0.0001093527,0.00013551903,0.00008335913,0.000026867856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00217375,0.000099116216,0.00012304776,0.00002537212,0.00059632544,0.00014341674,0.0001924412,0.000030298082,0.00006352782],"category_scores_gemma":[0.000063898195,0.00003823039,0.000091666836,0.000019361736,0.00029664804,0.00020510079,0.000024679774,0.0010461124,0.0000072333987],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012436444,0.000017662443,0.00038037213,0.0000017952984,0.00007946134,1.5412968e-7,0.016713444,8.997088e-8,0.000008067832,0.98029375,0.00014941207,0.002231398],"study_design_scores_gemma":[0.0009845404,0.0005358974,0.0031988109,0.00004274164,0.00015934512,0.000094088085,0.00771617,0.000012471734,0.000024400306,0.93509054,0.052006286,0.00013471846],"about_ca_topic_score_codex":0.00014841626,"about_ca_topic_score_gemma":0.0005776921,"teacher_disagreement_score":0.05185687,"about_ca_system_score_codex":0.00004636556,"about_ca_system_score_gemma":0.00017002255,"threshold_uncertainty_score":0.45865133},"labels":[],"label_agreement":null},{"id":"W150605932","doi":"10.22329/p.v1i1.35","title":"Meganarratives of Supermodernism: The Spectre of the Public Sphere","year":2006,"lang":"en","type":"article","venue":"PhaenEx","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Transcendental number; Phenomenology (philosophy); Politics; Public sphere; Public space; Epistemology; Sociology; Existentialism; Political philosophy; Political science; Law; Philosophy; Engineering; Architectural engineering","score_opus":0.020892119805960608,"score_gpt":0.1930185234577073,"score_spread":0.17212640365174667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W150605932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34497994,0.0037110543,0.000011616858,0.007883397,0.00031254,0.0001557778,0.000055417193,0.000019000461,0.64287126],"genre_scores_gemma":[0.9831313,0.0000027251783,0.0000050974118,0.00017942466,0.00034867687,0.0000048684597,0.00000566699,0.000007749964,0.016314518],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994148,0.00005835266,0.00018807745,0.0000855232,0.00014686087,0.00010636544],"domain_scores_gemma":[0.9995304,0.000050338702,0.00006733013,0.00024926921,0.00009109558,0.000011562302],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007574967,0.000081559745,0.00012451984,0.000016592887,0.000155762,0.00006551444,0.00024140059,0.000017832524,0.0013042933],"category_scores_gemma":[0.0000092437285,0.000039798233,0.00010823631,0.000036160116,0.00032914808,0.0001651721,0.000035182107,0.000079373494,0.000003968055],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048687575,0.00005665032,0.00031794253,0.000017875407,0.000022488848,0.0000011072325,0.013508987,4.183738e-7,0.0006805653,0.97746986,0.007554664,0.00036455135],"study_design_scores_gemma":[0.00033674506,0.00005612998,0.0017597863,0.00004983902,0.00004491834,0.0000049679284,0.009300495,0.000049426544,0.010909126,0.08400289,0.89333606,0.00014963896],"about_ca_topic_score_codex":0.00020293168,"about_ca_topic_score_gemma":0.002868496,"teacher_disagreement_score":0.893467,"about_ca_system_score_codex":0.000004294049,"about_ca_system_score_gemma":0.000035054298,"threshold_uncertainty_score":0.99960864},"labels":[],"label_agreement":null},{"id":"W1507841748","doi":"10.1353/mos.2011.a440542","title":"The Literary Text as Talking Cure: A Psychoanalytic Interpretation of Restlessness","year":2011,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalytic theory; Interpretation (philosophy); Psychoanalysis; Meaning (existential); Literature; Psychology; Philosophy; Art; Psychotherapist; Linguistics","score_opus":0.026105418888265824,"score_gpt":0.24032734586484988,"score_spread":0.21422192697658407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507841748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12234753,0.0075231125,0.000109470275,0.0007213589,0.0011914775,0.00024226708,0.000030148745,0.00007573375,0.86775887],"genre_scores_gemma":[0.9869352,0.000015373369,0.000013642974,0.0003197652,0.00016240132,0.000014868212,0.00001459262,0.000011820343,0.012512365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993434,0.000049493414,0.00024138919,0.00012534142,0.00011626264,0.00012411614],"domain_scores_gemma":[0.99950165,0.00007015207,0.000080608625,0.00023576715,0.00008371602,0.000028101835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013046646,0.00009343827,0.00011771075,0.0000525584,0.00017465587,0.00013344406,0.00018075223,0.000026156195,0.0006239394],"category_scores_gemma":[0.000016773965,0.000061712286,0.00007900397,0.000045091525,0.00014673693,0.00027090873,0.00002439279,0.00010537084,0.000051994062],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105762054,0.000056801164,0.00012997728,0.000040484134,0.00004801245,0.000011934559,0.16336739,7.2196706e-8,0.00002606992,0.8020141,0.0047360132,0.02946335],"study_design_scores_gemma":[0.00033804457,0.0002074968,0.00043850736,0.00032899968,0.000065084205,0.00000824925,0.006320183,0.00034306798,0.00029408533,0.17935996,0.81205744,0.00023888802],"about_ca_topic_score_codex":0.00007849089,"about_ca_topic_score_gemma":0.00020949391,"teacher_disagreement_score":0.86458766,"about_ca_system_score_codex":0.0000064906653,"about_ca_system_score_gemma":0.000019794574,"threshold_uncertainty_score":0.68316984},"labels":[],"label_agreement":null},{"id":"W1508659509","doi":"","title":"Bennett, Cherie and Jeff Gottesfeld. Anne Frank and me. New York: G. P. Putnam’s Sons, 2001.","year":2006,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Law and economics; Environmental ethics; Art history; Philosophy; Art; Sociology","score_opus":0.019446601917833792,"score_gpt":0.2256645124112594,"score_spread":0.2062179104934256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508659509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9501635,0.025844637,0.000032774024,0.004490762,0.0011736886,0.000286463,0.00006265215,0.00006387792,0.017881662],"genre_scores_gemma":[0.9661874,0.0003774164,0.0005007166,0.00023573679,0.003703036,0.000023818375,0.000026459204,0.00005577849,0.028889626],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974674,0.00012821176,0.0007324022,0.0004182887,0.00030027173,0.0009534334],"domain_scores_gemma":[0.9988494,0.000115749535,0.00019979043,0.00023293518,0.0000880108,0.00051412237],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00080682477,0.000403353,0.00052435294,0.00032262068,0.0009163148,0.0010365435,0.00025068733,0.00014633634,0.00095007406],"category_scores_gemma":[0.000024532443,0.00034716938,0.00009918821,0.00009919137,0.00029922585,0.0010124544,0.00013907668,0.000862577,0.000018412744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010375166,0.0013017543,0.027458524,0.000292488,0.00027699533,0.0032446538,0.39957398,0.00003792071,0.001335853,0.041659877,0.5017435,0.022036942],"study_design_scores_gemma":[0.009277256,0.0013663992,0.032763977,0.0007252091,0.000111240006,0.0022761452,0.06811114,0.0008096687,0.000064694184,0.100406796,0.7822422,0.0018452873],"about_ca_topic_score_codex":0.00021253045,"about_ca_topic_score_gemma":0.00050458126,"teacher_disagreement_score":0.33146283,"about_ca_system_score_codex":0.000106364874,"about_ca_system_score_gemma":0.00015579387,"threshold_uncertainty_score":0.99996316},"labels":[],"label_agreement":null},{"id":"W1510007103","doi":"","title":"Alexa Alfer and Michael J. Noble, eds. Essays on the Fiction of A. S. Byatt: Imagining the Real","year":2004,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History; Literature","score_opus":0.02666108764635211,"score_gpt":0.2594621804790807,"score_spread":0.2328010928327286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1510007103","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047620214,0.04498998,0.000120741424,0.07500043,0.0019684923,0.00049625523,0.00009160209,0.00005723293,0.87251323],"genre_scores_gemma":[0.9625463,0.026027197,0.0000124782055,0.006211158,0.0005665643,0.00004935164,0.000050469996,0.000011312156,0.004525195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992771,0.000042162792,0.00027089575,0.00013061013,0.00020847478,0.0000707335],"domain_scores_gemma":[0.99947155,0.00008803794,0.00011024895,0.00014512741,0.00016814536,0.000016887592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025533373,0.00009803912,0.00012023382,0.000038716254,0.00017203686,0.0000975239,0.00014242814,0.000018830811,0.00080021954],"category_scores_gemma":[0.000035321198,0.000054258362,0.00008218077,0.00003199291,0.00011120256,0.00019475714,0.00002562646,0.00014653117,0.000024718362],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008190603,0.000034054276,0.000022264398,0.000089903784,0.000043739594,0.0000012764629,0.0019038747,0.0000035829619,0.00002318005,0.9713805,0.02103014,0.0054593496],"study_design_scores_gemma":[0.00015323918,0.00003721175,0.00018926358,0.0013351507,0.00003510413,0.0000101891255,0.00033064315,0.000033053504,0.0000338923,0.0031620988,0.99460995,0.00007020642],"about_ca_topic_score_codex":0.00014926304,"about_ca_topic_score_gemma":0.000045656438,"teacher_disagreement_score":0.9735798,"about_ca_system_score_codex":0.000019695046,"about_ca_system_score_gemma":0.000016375483,"threshold_uncertainty_score":0.8761843},"labels":[],"label_agreement":null},{"id":"W1511219223","doi":"10.1353/pmc.2009.a403825","title":"Terror, Representation, and Postmodern Lessons in Hitler Studies","year":2009,"lang":"en","type":"article","venue":"Postmodern Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Nazism; The Holocaust; History; Art history; Sociology; White (mutation); Literature; Politics; Law; Art; Political science","score_opus":0.0748420065308146,"score_gpt":0.32808179971867446,"score_spread":0.25323979318785983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511219223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66493106,0.05066579,0.00003629866,0.0846075,0.0009202078,0.00081221445,0.00016091352,0.00032108655,0.19754492],"genre_scores_gemma":[0.97632205,0.000117941716,0.00005262796,0.003016485,0.00033797778,0.000010529523,0.0000423658,0.000010911594,0.020089077],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990818,0.00004200382,0.0002212105,0.00030499857,0.0001426268,0.00020737563],"domain_scores_gemma":[0.9995633,0.00002023953,0.000044142926,0.00018271129,0.0001365446,0.000053084317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006833902,0.00016457126,0.00023301516,0.000053636093,0.00019083028,0.00027239567,0.00009721184,0.000063905325,0.00011386253],"category_scores_gemma":[0.000031544852,0.0001348288,0.000053310574,0.000039353337,0.00009925041,0.00044556175,0.000029816028,0.00019557915,0.000016651853],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051196985,0.00018772035,0.00051039376,0.000040581912,0.00006179038,0.00012553125,0.7569834,0.0000017232468,0.00049977674,0.2104396,0.02111303,0.009985285],"study_design_scores_gemma":[0.0015795719,0.00040213013,0.0054176543,0.0002909851,0.000082595354,0.00008887876,0.05564001,0.00017682322,0.00010308998,0.2177511,0.7176673,0.0007998999],"about_ca_topic_score_codex":0.00007853126,"about_ca_topic_score_gemma":0.002698072,"teacher_disagreement_score":0.70134336,"about_ca_system_score_codex":0.000015815778,"about_ca_system_score_gemma":0.00001213363,"threshold_uncertainty_score":0.5498159},"labels":[],"label_agreement":null},{"id":"W1511806633","doi":"","title":"Victorian Studies and its Publics. Romanticism and Victorianism on the Net, no. 55, 2009","year":2009,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Publics; Economic history; History; Sociology; Art history; Political science; Law","score_opus":0.03409756759043,"score_gpt":0.24471682768735462,"score_spread":0.2106192600969246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1511806633","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5852782,0.031127846,0.000015415739,0.08553617,0.018058782,0.0031639591,0.00036529312,0.0006764416,0.2757779],"genre_scores_gemma":[0.9720404,0.0012875383,0.000016257001,0.00989224,0.0058902553,0.00004160608,0.000022404152,0.000061713305,0.010747581],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678195,0.00028532735,0.000673888,0.0008393321,0.00062434055,0.000795176],"domain_scores_gemma":[0.9974315,0.001014877,0.0002372857,0.00072426157,0.00031155185,0.0002805044],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0008392533,0.0007928795,0.0007700845,0.00019303992,0.0018366465,0.0015872011,0.0005003691,0.0002313197,0.00037265744],"category_scores_gemma":[0.00026151285,0.00045729039,0.00013930316,0.00013646882,0.00043253915,0.00062213937,0.00018248982,0.0007285978,0.000142246],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010828793,0.00011385044,0.000011458565,0.000047201833,0.00017373293,0.00005298431,0.025565278,1.4281851e-7,0.00030903603,0.9342995,0.03890604,0.00041243975],"study_design_scores_gemma":[0.0011536949,0.0011773128,0.0009919684,0.00038323097,0.00020467762,0.000030545114,0.0024666777,0.00012968238,0.00023314085,0.069971085,0.92249686,0.0007611579],"about_ca_topic_score_codex":0.00002960441,"about_ca_topic_score_gemma":0.00009500164,"teacher_disagreement_score":0.8835908,"about_ca_system_score_codex":0.000031518546,"about_ca_system_score_gemma":0.000044896824,"threshold_uncertainty_score":0.99978787},"labels":[],"label_agreement":null},{"id":"W1515328493","doi":"","title":"The Doctor's Wife: between Two Worlds: The Crises of Reconciliation and Adjustment in Exile","year":2013,"lang":"en","type":"article","venue":"Research on humanities and social sciences","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"BLISS; Wife; Sympathy; Disappointment; HERO; Uncanny; Dilemma; Psychoanalysis; Character (mathematics); Literature; Remorse; Sociology; Eleventh; Existentialism; Irish; Aesthetics; Gender studies; History; Philosophy; Psychology; Law; Art; Social psychology; Political science","score_opus":0.3497701298653185,"score_gpt":0.4142534020935225,"score_spread":0.06448327222820399,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515328493","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8542272,0.0032345343,1.094216e-7,0.006304213,0.00011711998,0.00034047512,0.000015632644,0.000008103335,0.1357526],"genre_scores_gemma":[0.99268025,0.00024623814,0.0000011003334,0.00022725867,0.0005616468,0.000051540275,0.0000016260764,0.0000028247543,0.0062275017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987779,0.0002520343,0.00017218343,0.00013648138,0.00041422236,0.00024717633],"domain_scores_gemma":[0.99884623,0.00089449354,0.000037773396,0.00006330654,0.00014183133,0.00001635055],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0013503523,0.00006669655,0.000106964806,0.00008584499,0.0022443829,0.0007837249,0.00018930639,0.000017781127,0.00022390574],"category_scores_gemma":[0.00003722857,0.00003434208,0.00002286831,0.00006789124,0.0026352003,0.0003347076,0.000067603614,0.00017100286,0.0000044085455],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048065,0.000011288611,0.00039845283,0.000012640917,0.0000054429,2.7043976e-7,0.053007983,5.8206e-8,0.0000034424727,0.9292077,0.0041514556,0.013196494],"study_design_scores_gemma":[0.00034047876,0.0005180351,0.030832395,0.000088844536,0.0000073100673,3.0843188e-7,0.29479074,0.000028175255,0.000027874723,0.12785295,0.5453562,0.00015669668],"about_ca_topic_score_codex":0.002706207,"about_ca_topic_score_gemma":0.0071208314,"teacher_disagreement_score":0.8013547,"about_ca_system_score_codex":0.00001974009,"about_ca_system_score_gemma":0.00004577314,"threshold_uncertainty_score":0.99905455},"labels":[],"label_agreement":null},{"id":"W1526059618","doi":"","title":"This Is Not a Character: Resemblance and Similitude in Etgar Keret's Suddenly, a Knock on the Door","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Depiction; Postmodernism; Reading (process); Philosophy; Skepticism; Similitude; Literature; Aesthetics; Epistemology; Sociology; Art; Linguistics; Computer science","score_opus":0.029813043533057863,"score_gpt":0.27850271207853255,"score_spread":0.2486896685454747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526059618","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8588149,0.06362488,3.4946584e-8,0.010841778,0.0002715108,0.00042018303,0.000092923,0.00002737917,0.06590642],"genre_scores_gemma":[0.96808565,0.00096855895,0.000007890354,0.011481372,0.0005550558,0.00011200391,0.000013126255,0.000014272854,0.018762102],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989145,0.000081032675,0.00025443334,0.00033420528,0.00013996828,0.0002758901],"domain_scores_gemma":[0.99925625,0.00031970462,0.00004274337,0.00026637147,0.00007520647,0.00003969229],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022465207,0.0002343581,0.0003202834,0.00012625937,0.00018338794,0.00041420112,0.000125338,0.000076030636,0.00054441945],"category_scores_gemma":[0.0000858887,0.00013658585,0.000045637404,0.00009234551,0.00026866404,0.0003534711,0.00010689133,0.00046425516,0.000023481356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007842114,0.000059841084,0.0005628934,0.00019990945,0.00005743176,0.0001666449,0.8169891,7.412717e-9,0.00016990547,0.11950802,0.05984388,0.0023638955],"study_design_scores_gemma":[0.0018666066,0.00046585192,0.008723449,0.0032893254,0.0000392577,0.000029645838,0.08767609,0.00002785609,0.00033987936,0.008830459,0.887806,0.0009055756],"about_ca_topic_score_codex":0.0001623093,"about_ca_topic_score_gemma":0.0008121672,"teacher_disagreement_score":0.8279621,"about_ca_system_score_codex":0.000013468135,"about_ca_system_score_gemma":0.0000075529642,"threshold_uncertainty_score":0.5961011},"labels":[],"label_agreement":null},{"id":"W1528610962","doi":"10.1353/mos.2011.a440549","title":"Public and Private Collections in A. S. Byatt's The Children's Book","year":2011,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Art; Private space; Art history; Sociology; Aesthetics; Space (punctuation); Philosophy; Linguistics","score_opus":0.04290548694629852,"score_gpt":0.19501399878724812,"score_spread":0.1521085118409496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528610962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18791607,0.0042926692,0.0000066838097,0.0037601986,0.00032587154,0.0003653113,0.000046389676,0.00008518994,0.8032016],"genre_scores_gemma":[0.9596495,0.00002214459,0.000006889597,0.0015217764,0.00013306741,0.000029547105,0.000012165801,0.000007676831,0.038617246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995723,0.000031956955,0.00010555165,0.00010844452,0.000050885646,0.00013087857],"domain_scores_gemma":[0.9997834,0.000018696144,0.000018166575,0.00013083336,0.000019781517,0.000029153398],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000071875926,0.00007146345,0.00007337873,0.00007008553,0.00031373717,0.00022010038,0.00008419653,0.000020978225,0.0014102174],"category_scores_gemma":[0.00000839785,0.00004761508,0.000023514318,0.000056843295,0.00013448036,0.00026190703,0.000029910114,0.00011573813,0.000018054907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006415926,0.000059257134,0.0020176277,0.0000042318043,0.000017967652,0.000005221323,0.026358113,8.473684e-9,0.000004446881,0.9103747,0.060534865,0.000617168],"study_design_scores_gemma":[0.00020822887,0.000039133636,0.0049154223,0.000010573859,0.0000076996575,0.000007623102,0.00041109772,0.000003398262,0.000025137433,0.010300801,0.9839801,0.00009078059],"about_ca_topic_score_codex":0.00016347735,"about_ca_topic_score_gemma":0.0010260774,"teacher_disagreement_score":0.9234452,"about_ca_system_score_codex":0.000006641253,"about_ca_system_score_gemma":0.0000142573435,"threshold_uncertainty_score":0.9995026},"labels":[],"label_agreement":null},{"id":"W1528672633","doi":"10.1353/mon.2011.0003","title":"A Companion to the Works of Hermann Hesse","year":2011,"lang":"de","type":"article","venue":"Monatshefte","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Philosophy","score_opus":0.04540996010201268,"score_gpt":0.22413960954909243,"score_spread":0.17872964944707975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528672633","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29727012,0.11265751,0.00020738717,0.010001315,0.008700484,0.001605832,0.00040217597,0.00016317389,0.568992],"genre_scores_gemma":[0.9843804,0.00009133337,0.000039789633,0.002042215,0.0011777178,0.00002391411,0.000024205683,0.000029339424,0.012191073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986468,0.00011167541,0.0004384964,0.00025665874,0.00024133352,0.0003050131],"domain_scores_gemma":[0.9990234,0.000063192485,0.00011546847,0.00051808654,0.00017020162,0.000109651155],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024043141,0.0002346671,0.00031482326,0.0000926022,0.00027038268,0.00019467599,0.00041812425,0.00008837417,0.0025887722],"category_scores_gemma":[0.000013574593,0.00016160139,0.0001499938,0.00009091996,0.00018583673,0.00023052824,0.00013014101,0.00030185567,0.0006979614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029736132,0.00044829104,0.0002691545,0.00017087883,0.00028205733,0.00008455049,0.27774522,0.0000020835903,0.000050656483,0.59779954,0.09753132,0.025318922],"study_design_scores_gemma":[0.00027225548,0.0002081402,0.0015257609,0.0003909081,0.000120663215,0.0000018474791,0.004390654,0.00006888978,0.00020969154,0.0026151624,0.9899577,0.00023833035],"about_ca_topic_score_codex":0.0004390978,"about_ca_topic_score_gemma":0.00042794456,"teacher_disagreement_score":0.8924264,"about_ca_system_score_codex":0.000013452539,"about_ca_system_score_gemma":0.000031819476,"threshold_uncertainty_score":0.998323},"labels":[],"label_agreement":null},{"id":"W1530408767","doi":"","title":"The Postcolonial Subject in a Global Era: the Cultural Imaginary in Alan Duff’s Dreamboat Dad","year":2012,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Individuation; Psychoanalytic theory; Context (archaeology); Constructive; Indigenous; Perspective (graphical); Sociology; Subjectivity; Subject (documents); Globalization; Identity (music); Psychoanalysis; Autonomy; Aesthetics; Gender studies; Epistemology; History; Philosophy; Art; Psychology; Political science; Visual arts; Law","score_opus":0.015969752451273835,"score_gpt":0.2666308848242749,"score_spread":0.250661132373001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1530408767","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8357127,0.004477188,2.4565588e-7,0.028662594,0.0019831255,0.0006286286,0.00009816373,0.000059503716,0.1283779],"genre_scores_gemma":[0.9931132,0.000029876399,0.0000069210455,0.0019782777,0.0018633072,0.00010000163,0.000032006497,0.000018842784,0.0028575296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794245,0.0003056784,0.0004211437,0.00025629782,0.00027141866,0.00080299156],"domain_scores_gemma":[0.999131,0.0002790232,0.000083465406,0.000324434,0.000086931985,0.000095138894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005765837,0.00028613224,0.00027625376,0.000054693843,0.0006143076,0.0005594544,0.0004724834,0.00008955898,0.00023139792],"category_scores_gemma":[0.00008809386,0.00015973677,0.0001413395,0.00016341466,0.00046454588,0.00080719043,0.00015664053,0.0005117951,0.0001747321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00081842486,0.0004817849,0.05975029,0.000021332491,0.000056950077,0.00014033925,0.112207696,6.4353844e-7,0.00010620197,0.79789996,0.020906128,0.0076102414],"study_design_scores_gemma":[0.0014079062,0.00027522346,0.19622664,0.00006799711,0.00003536265,0.00008101841,0.005365036,0.000027763663,0.000029278104,0.005229747,0.79079986,0.00045416257],"about_ca_topic_score_codex":0.002602052,"about_ca_topic_score_gemma":0.028654166,"teacher_disagreement_score":0.79267025,"about_ca_system_score_codex":0.00016395345,"about_ca_system_score_gemma":0.00009941129,"threshold_uncertainty_score":0.98907036},"labels":[],"label_agreement":null},{"id":"W1531918508","doi":"10.1017/cbo9780511635304","title":"Shock, Memory and the Unconscious in Victorian Fiction","year":2009,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":166,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psyche; Consciousness; Unconscious mind; Psychoanalysis; Subject (documents); Relevance (law); Materialism; History; Identity (music); Literature; Narrative; Victorian literature; Psychology; Aesthetics; Epistemology; Art history; Art; Philosophy","score_opus":0.012760964155330266,"score_gpt":0.1717252494516906,"score_spread":0.15896428529636034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1531918508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012284648,0.0011500923,0.0000030483016,0.00011283629,0.00045772022,0.00039854355,0.000089479916,0.000065206565,0.9976002],"genre_scores_gemma":[0.01335091,0.000049648173,0.0000016370849,0.00032977018,0.0007598217,0.0000011632311,0.000057202982,0.000016308188,0.9854335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991049,0.000112335096,0.00016495945,0.0002932131,0.00014451265,0.00018005409],"domain_scores_gemma":[0.9993638,0.00011708442,0.000091950606,0.0002847922,0.00008198825,0.000060429473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001373515,0.00024297234,0.0003343072,0.00014983202,0.00028824533,0.00019118476,0.00023512561,0.00016900375,0.000009175164],"category_scores_gemma":[0.000006224102,0.00020565509,0.000117390504,0.000004933018,0.00051940925,0.0001409,0.00009394041,0.0004940445,0.0000028061513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001319354,0.0000066002262,2.1052318e-7,0.00003466937,0.000029824014,0.00013382231,0.0046894248,1.0488684e-7,3.1798294e-7,0.7571722,0.23739173,0.00040911447],"study_design_scores_gemma":[0.0013622754,0.000033259912,0.000004046191,0.00015212841,0.000104547966,0.000007009454,0.00059774995,0.000013328046,0.0000027653064,0.00010243348,0.99738836,0.00023206485],"about_ca_topic_score_codex":0.00019773365,"about_ca_topic_score_gemma":0.0001947687,"teacher_disagreement_score":0.75999665,"about_ca_system_score_codex":0.00011445466,"about_ca_system_score_gemma":0.00011996614,"threshold_uncertainty_score":0.8386371},"labels":[],"label_agreement":null},{"id":"W1533517016","doi":"10.1080/10304312.2014.986063","title":"Memory magic: cosmopolitanism and <i>The Magical Life of Long Tack Sam</i>","year":2015,"lang":"en","type":"article","venue":"Continuum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"Flinders University","keywords":"MAGIC (telescope); Cosmopolitanism; Modernity; Vernacular; Literature; Art; Magic realism; Aesthetics; Art history; History; Philosophy; Epistemology; Politics","score_opus":0.03375363794522353,"score_gpt":0.22230274294488278,"score_spread":0.18854910499965927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533517016","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13517773,0.011663191,0.0000432905,0.005908615,0.0010292174,0.00032728497,0.00004753345,0.000061183586,0.8457419],"genre_scores_gemma":[0.9414809,0.000010266057,0.000015764745,0.002646894,0.0007729006,0.000007133172,0.00000974718,0.000012979143,0.055043463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991135,0.000095568896,0.00028224013,0.00015874184,0.00016939221,0.00018053086],"domain_scores_gemma":[0.9992375,0.00012933738,0.000074854164,0.00022554297,0.00018894975,0.00014384506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036532685,0.00013044973,0.00029266172,0.00003275719,0.00007981077,0.00016937949,0.00015009804,0.00004227104,0.00034365777],"category_scores_gemma":[0.00010597684,0.00008350258,0.00008086588,0.000021342556,0.00081995386,0.00019696796,0.00007294957,0.00014572089,0.000044075983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018050699,0.00004873265,0.00017312943,0.00004129548,0.00003771054,0.000033562166,0.024666395,1.6702666e-8,0.000015911102,0.78876156,0.18487233,0.0011688345],"study_design_scores_gemma":[0.0037463203,0.00011025767,0.00029941835,0.000059490358,0.00007707629,0.000019194962,0.0073181684,0.000014998272,0.00020638444,0.040451556,0.94746643,0.00023071659],"about_ca_topic_score_codex":0.00007760715,"about_ca_topic_score_gemma":0.00024519995,"teacher_disagreement_score":0.8063031,"about_ca_system_score_codex":0.0000065743643,"about_ca_system_score_gemma":0.00004386535,"threshold_uncertainty_score":0.37628114},"labels":[],"label_agreement":null},{"id":"W1533947600","doi":"10.1093/fs/knq084","title":"Deleuze and Literature Deleuze and Literature. Edited by I <scp>an</scp> B <scp>uchanan</scp> and J <scp>ohn</scp> M <scp>arks</scp> . Edinburgh: Edinburgh University Press, 2000. vi + 288 pp. Pb £28.99.","year":2010,"lang":"en","type":"article","venue":"French Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irony; Philosophy; Hegelianism; Criticism; Value (mathematics); Psychoanalysis; Art; Literature; Art history; Epistemology; Psychology","score_opus":0.014206512211178798,"score_gpt":0.21493845525264552,"score_spread":0.20073194304146671,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533947600","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5666041,0.35125658,0.000047047502,0.00065225817,0.00559003,0.0016819757,0.0037773976,0.00073692587,0.06965374],"genre_scores_gemma":[0.5425636,0.051925447,0.00091053545,0.0028731595,0.016457886,0.0002662866,0.0026890163,0.00039655165,0.3819175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9926295,0.00036902245,0.0012161206,0.002460072,0.0011631683,0.0021620935],"domain_scores_gemma":[0.99125606,0.0039193127,0.0006710585,0.0012461828,0.0017552006,0.0011522138],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0009948415,0.0020121827,0.0020344842,0.0007112858,0.0027488112,0.0033437808,0.0009739655,0.0011838672,0.00005111853],"category_scores_gemma":[0.002095083,0.0017864591,0.00039940156,0.00074727857,0.0021858753,0.003681718,0.0011181023,0.0028160566,0.0000094718225],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009176736,0.0003806147,0.0012456797,0.00043018907,0.00088898663,0.00054271467,0.11480915,9.702012e-7,0.00111432,0.011896165,0.86781067,0.00087139837],"study_design_scores_gemma":[0.0023939735,0.0007942877,0.0006991731,0.0008618957,0.00063223706,0.00016486151,0.027784165,0.00015425327,0.00057297247,0.0028172801,0.9628238,0.00030106626],"about_ca_topic_score_codex":0.00033331284,"about_ca_topic_score_gemma":0.0010093434,"teacher_disagreement_score":0.31226376,"about_ca_system_score_codex":0.0001155249,"about_ca_system_score_gemma":0.00019298015,"threshold_uncertainty_score":0.9994845},"labels":[],"label_agreement":null},{"id":"W1543590792","doi":"","title":"Essays on Caryl Churchill: Contemporary Representations ed. by Sheila Rabillard (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Art; Literature","score_opus":0.012044474782215006,"score_gpt":0.20933392284973604,"score_spread":0.19728944806752102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1543590792","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008263301,0.0393482,0.000010766968,0.0016388699,0.00018167628,0.00030319858,0.00025742827,0.000076471675,0.9499201],"genre_scores_gemma":[0.8960116,0.0024159164,0.000022195347,0.0013113718,0.00013849224,0.0000019826878,0.00022642767,0.000017467772,0.09985454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990944,0.000096837124,0.0002072951,0.0002671789,0.00017774857,0.0001564938],"domain_scores_gemma":[0.99933463,0.0000564184,0.000072666684,0.0003620764,0.00009434242,0.00007987124],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008941736,0.00016005119,0.0002954489,0.000025530018,0.0002566312,0.00003777616,0.0002555719,0.000049368267,0.020563731],"category_scores_gemma":[0.0000027050842,0.00016654664,0.00018137609,0.000015957203,0.00021374859,0.00055851263,0.000009205497,0.00010128074,0.0001129819],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009746819,0.00016693812,0.00002354042,0.00009855771,0.000080708814,0.000027348915,0.020352714,1.6197897e-7,0.000023005865,0.05400941,0.9081812,0.01693894],"study_design_scores_gemma":[0.0005897952,0.0004062065,0.00011722666,0.00030260885,0.00004916562,0.0000013569359,0.008313669,0.0000061639116,0.0000057013144,0.00027345528,0.9897541,0.0001805824],"about_ca_topic_score_codex":0.008061199,"about_ca_topic_score_gemma":0.0029621255,"teacher_disagreement_score":0.8877483,"about_ca_system_score_codex":0.000052321244,"about_ca_system_score_gemma":0.000042649266,"threshold_uncertainty_score":0.9985442},"labels":[],"label_agreement":null},{"id":"W1548037477","doi":"","title":"Helene Moglen The Trauma of Gender: a Feminist Theory of the English Novel","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; History; Psychology; Gender studies; Sociology","score_opus":0.0495262154367492,"score_gpt":0.25809408453961646,"score_spread":0.20856786910286726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548037477","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029680775,0.04958005,0.000099377074,0.0015188588,0.0025191503,0.0003665415,0.00018722613,0.000019138015,0.9427416],"genre_scores_gemma":[0.98982525,0.0013330894,0.000010347215,0.0016468178,0.00024345741,0.000021850625,0.000009124333,0.000006451193,0.006903619],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922353,0.00009246969,0.0003308588,0.00008784246,0.00021078713,0.000054533106],"domain_scores_gemma":[0.9992478,0.00010673097,0.00015870377,0.00018818391,0.0002871094,0.000011485139],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037917108,0.00007419229,0.00013322567,0.000022434448,0.00008020976,0.000029999926,0.00023429563,0.000017848826,0.0018787426],"category_scores_gemma":[0.0001571572,0.000039973624,0.00017562312,0.000037097503,0.00011923044,0.00008336082,0.000018212275,0.00009412964,0.0000037657894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051874486,0.000059132642,0.000028991688,0.00017319668,0.00005443304,1.5290787e-7,0.004771318,4.2913877e-7,0.0000263671,0.98666894,0.005931357,0.002280476],"study_design_scores_gemma":[0.000113144626,0.000013016269,0.000112947455,0.000606937,0.00004136946,0.000005096489,0.00090325344,0.0000030023098,0.00021653385,0.0028542646,0.99508595,0.000044489272],"about_ca_topic_score_codex":0.0000051287193,"about_ca_topic_score_gemma":0.000008097917,"teacher_disagreement_score":0.9891546,"about_ca_system_score_codex":0.0000103678785,"about_ca_system_score_gemma":0.000023001816,"threshold_uncertainty_score":0.9990337},"labels":[],"label_agreement":null},{"id":"W1550901851","doi":"","title":"Phoenix Has No Coat: Historicity, Eschatology, and Sins of Omission in Eudora Welty's \"A Worn Path\"","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depiction; Eudora; Phoenix; Narrative; Action (physics); History; Courage; Philosophy; Literature; Aesthetics; Art history; Art; Theology","score_opus":0.03912169234812785,"score_gpt":0.26133065907887376,"score_spread":0.22220896673074592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1550901851","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07284419,0.27202356,0.00025660687,0.027923886,0.011280979,0.001112355,0.00018410379,0.00015713053,0.6142172],"genre_scores_gemma":[0.96696866,0.018794116,0.00001836727,0.0013374782,0.0003317585,0.000019066332,0.00006189408,0.000008797242,0.012459852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991811,0.00004809801,0.00037940746,0.00015874078,0.00015002873,0.00008264091],"domain_scores_gemma":[0.99950975,0.00004398387,0.0001163592,0.00009683931,0.00019869795,0.000034374454],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015713542,0.0001012292,0.00022568631,0.00010624091,0.00006781937,0.000053030224,0.00010128747,0.000037234364,0.0023861488],"category_scores_gemma":[0.000052302308,0.00008742556,0.00006774645,0.00004304106,0.00010096227,0.00024330175,0.000032837383,0.00012119301,0.000037900794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021675542,0.0005980118,0.0041506817,0.001538974,0.00009845975,0.0001315029,0.008129109,0.0000011510233,0.00035608275,0.664493,0.2744507,0.045835562],"study_design_scores_gemma":[0.00022802931,0.000037526603,0.00027245344,0.001637427,0.0000147594,0.000024120221,0.000065041444,0.000046270157,0.000007998485,0.00034149614,0.99724096,0.000083930885],"about_ca_topic_score_codex":0.00013258663,"about_ca_topic_score_gemma":0.00015792102,"teacher_disagreement_score":0.89412445,"about_ca_system_score_codex":0.000043674852,"about_ca_system_score_gemma":0.000021750859,"threshold_uncertainty_score":0.9985258},"labels":[],"label_agreement":null},{"id":"W1552372638","doi":"","title":"The Double Ending of The Mountain and the Valley: From Aristotle to Dante","year":2001,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conviction; Romance; Reciprocity (cultural anthropology); Literature; State (computer science); History; Psychoanalysis; Art; Philosophy; Psychology; Social psychology; Law; Political science","score_opus":0.02795786392265167,"score_gpt":0.26036294005234945,"score_spread":0.23240507612969777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552372638","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21717031,0.20952426,8.68754e-7,0.09423096,0.0043535703,0.0013264962,0.0008063916,0.000028581077,0.4725586],"genre_scores_gemma":[0.9850146,0.00036308638,0.0000048036377,0.0029085926,0.00047436453,0.000037505164,0.000006553336,0.0000101036685,0.011180358],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912536,0.00008827422,0.00021213101,0.00016707128,0.000121534315,0.0002856515],"domain_scores_gemma":[0.9991993,0.0002693887,0.000042570304,0.00031981108,0.00010069151,0.000068262976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032653415,0.00013685947,0.00019672065,0.000062523,0.00085571286,0.0003348221,0.0002920404,0.000039461116,0.00002873511],"category_scores_gemma":[0.000078795696,0.000060887513,0.000061262515,0.00013336688,0.00055130955,0.00011041932,0.00009047407,0.00028098215,0.0000015921552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008818996,0.0000039182264,0.0006329169,0.000011605873,0.00007019049,0.000024681838,0.21735463,5.309871e-7,0.0000039169886,0.756289,0.025105419,0.00041498567],"study_design_scores_gemma":[0.0004784118,0.000012753557,0.00043521338,0.00022309828,0.000015786674,0.00000402683,0.017632695,0.0000058798423,0.0000054314573,0.015986167,0.96511513,0.00008542357],"about_ca_topic_score_codex":0.06715186,"about_ca_topic_score_gemma":0.87256604,"teacher_disagreement_score":0.9400097,"about_ca_system_score_codex":0.00006996094,"about_ca_system_score_gemma":0.000066738896,"threshold_uncertainty_score":0.93906003},"labels":[],"label_agreement":null},{"id":"W1560012703","doi":"10.3138/topia.16.150","title":"Gathering Arrows: Deleuze’s Return","year":2006,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; History","score_opus":0.04359819689128532,"score_gpt":0.24214244720085,"score_spread":0.19854425030956466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560012703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67320645,0.048154227,0.0000021962178,0.006161296,0.001922576,0.00008281807,0.00002331224,0.000018593246,0.27042854],"genre_scores_gemma":[0.97169995,0.0000348599,0.000037635786,0.0004048451,0.0023053202,0.0000013976722,0.0000022335946,0.0000074564937,0.025506295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992471,0.00002338928,0.00031949027,0.00007216196,0.00011266597,0.00022521857],"domain_scores_gemma":[0.9992608,0.000023213282,0.00011026387,0.00006177181,0.00042070655,0.00012328388],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000098730314,0.00012310287,0.0002354995,0.00007766124,0.00036646292,0.0002288273,0.00012487185,0.000024254117,0.00039691373],"category_scores_gemma":[0.00003170757,0.000080977916,0.00012216887,0.000028194501,0.0001821863,0.00039224778,0.000007193512,0.00015682932,0.000011406304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015463682,0.0000126175455,0.0010956045,0.000047711466,0.00024365161,0.00050975586,0.094917744,0.0000047577278,0.00010322761,0.7176134,0.1835039,0.0019321913],"study_design_scores_gemma":[0.00017911747,0.00006412575,0.00035426053,0.00011034598,0.0000330405,0.00006237806,0.016006889,8.532472e-7,0.00006108009,0.005854927,0.9771409,0.00013206225],"about_ca_topic_score_codex":0.0069053494,"about_ca_topic_score_gemma":0.2884499,"teacher_disagreement_score":0.79363704,"about_ca_system_score_codex":0.00007200622,"about_ca_system_score_gemma":0.00009587021,"threshold_uncertainty_score":0.99970776},"labels":[],"label_agreement":null},{"id":"W1562531963","doi":"","title":"Romancing the \"Mysterious Bonds of Syntax\": Allegory and the Ethics of Desire in Douglas Glover's \"My Romance\" and \"Iglaf and Swan\"","year":2005,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Allegory; Nothing; Narrative; Romance; Existentialism; Literature; Philosophy; Meaning (existential); Premise; Symbol (formal); Aesthetics; Art; Linguistics; Epistemology","score_opus":0.030179673001711416,"score_gpt":0.27013470842221815,"score_spread":0.23995503542050672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562531963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54636174,0.39538172,2.634726e-7,0.020709528,0.00041221472,0.00048433343,0.00020112084,0.00000818997,0.03644089],"genre_scores_gemma":[0.99501383,0.0015136257,0.000027175261,0.0021614984,0.00028908285,0.000018985209,0.0000049074206,0.000011357653,0.00095955323],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988755,0.00016820435,0.00034971593,0.00021187076,0.00013045808,0.00026424107],"domain_scores_gemma":[0.99908406,0.00044895674,0.00008389021,0.00020724232,0.00010966235,0.00006619422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006795853,0.0001871506,0.0003923328,0.00014690803,0.00026891733,0.00015282296,0.0001263496,0.00011228688,0.000011859871],"category_scores_gemma":[0.00012399285,0.00011274114,0.00003212223,0.000095808056,0.0012744112,0.00024769505,0.00007776887,0.0005514497,1.4551748e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007893157,0.000009801012,0.0010953726,0.00040459787,0.00007744756,0.00005029202,0.52680653,0.0000011503271,0.00000496151,0.46766973,0.0022372112,0.0015639737],"study_design_scores_gemma":[0.0030672804,0.00020279476,0.0071151378,0.0034897455,0.00009429047,0.00009697836,0.10703792,0.000118495554,0.000022708064,0.019303573,0.858956,0.0004951263],"about_ca_topic_score_codex":0.012942928,"about_ca_topic_score_gemma":0.7309209,"teacher_disagreement_score":0.8567187,"about_ca_system_score_codex":0.000037579528,"about_ca_system_score_gemma":0.00010521888,"threshold_uncertainty_score":0.99363},"labels":[],"label_agreement":null},{"id":"W1566367426","doi":"","title":"Beyond the “Talking Cure”: The Practical Joke as Testimony for Intergenerational Trauma in Eden Robinson’s “Queen of the North”","year":2004,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Joke; Queen (butterfly); Vocabulary; Psychoanalysis; Psychology; Syntax; Literature; Aesthetics; Psychotherapist; Philosophy; Art; Linguistics","score_opus":0.03453430240586876,"score_gpt":0.29599194629660547,"score_spread":0.2614576438907367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566367426","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32908356,0.034004662,0.0000055813593,0.49300084,0.0071710525,0.0032955615,0.001943239,0.000039000373,0.1314565],"genre_scores_gemma":[0.98924226,0.00003636945,0.000052923257,0.0064158496,0.0010263405,0.00015643108,0.000046274457,0.000016805738,0.0030067766],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987791,0.00009691831,0.00035880666,0.0002253366,0.00018223104,0.0003576107],"domain_scores_gemma":[0.9989665,0.00032482116,0.00007913837,0.00029251666,0.00027468524,0.00006230341],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031441444,0.00019672421,0.0002209702,0.0001168344,0.0005777266,0.00027277056,0.00033174377,0.000074124175,0.000054934935],"category_scores_gemma":[0.00037084118,0.000099033656,0.00011425189,0.00022561134,0.0004343191,0.00028771968,0.000056632558,0.0005419398,0.0000018522587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024496167,0.000036240537,0.00082441367,0.000049782935,0.00007791966,0.000034378758,0.18330687,0.0000476616,0.00000242101,0.77664906,0.038653187,0.0002935808],"study_design_scores_gemma":[0.0005802752,0.00009900934,0.0025460313,0.00045866764,0.000036984173,0.000021374279,0.012692526,0.000021540574,0.000029518847,0.038567953,0.9447291,0.00021702245],"about_ca_topic_score_codex":0.015674347,"about_ca_topic_score_gemma":0.8759311,"teacher_disagreement_score":0.9060759,"about_ca_system_score_codex":0.00019812369,"about_ca_system_score_gemma":0.00046978894,"threshold_uncertainty_score":0.99088037},"labels":[],"label_agreement":null},{"id":"W1566425839","doi":"","title":"Ian D. Copestake, ed. American Postmodernity: Essays on the Recent Fiction of Thomas Pynchon","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernity; History; Philosophy; Art history; Epistemology; Postmodernism","score_opus":0.04061357773389125,"score_gpt":0.2902328937176098,"score_spread":0.24961931598371856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566425839","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023072443,0.01100282,0.00037770616,0.021510074,0.0020710437,0.0004155032,0.00008858503,0.00006710061,0.96215993],"genre_scores_gemma":[0.95720786,0.019623166,0.000026057005,0.011642736,0.0011327519,0.000032834607,0.0001747577,0.000021082644,0.010138744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988517,0.00007571302,0.00042981262,0.00016982117,0.00035530835,0.000117609794],"domain_scores_gemma":[0.9989961,0.00013587228,0.0002359002,0.00020139372,0.00039271766,0.00003800783],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000537317,0.00012722662,0.00018796437,0.000080667574,0.00013962472,0.00007840829,0.00018809405,0.000022098522,0.003711777],"category_scores_gemma":[0.000099601304,0.000087049826,0.00012644818,0.000071969764,0.00011436712,0.00017185832,0.000020181216,0.0001863949,0.00006765614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007173832,0.00016693577,0.00007360872,0.00012993668,0.00008165052,0.000006324867,0.001406864,0.0000011117178,0.000041588013,0.6080154,0.29967648,0.09032836],"study_design_scores_gemma":[0.00008421269,0.00009965114,0.00026768167,0.00087949267,0.000027393578,0.000006155499,0.000397061,0.0000215586,0.00007151716,0.0003793132,0.99767464,0.00009134171],"about_ca_topic_score_codex":0.000053979675,"about_ca_topic_score_gemma":0.000107653716,"teacher_disagreement_score":0.9549006,"about_ca_system_score_codex":0.000053081072,"about_ca_system_score_gemma":0.000019921348,"threshold_uncertainty_score":0.99719894},"labels":[],"label_agreement":null},{"id":"W1566444143","doi":"","title":"“Pass the Amo!”: Metonymy and Class in Ian McEwan’s Atonement","year":2012,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atonement; Art; Innocence; Context (archaeology); Depiction; Humanities; Sociology; Literature; Psychology; History; Psychoanalysis; Theology; Philosophy","score_opus":0.022662750355002707,"score_gpt":0.227943360422697,"score_spread":0.2052806100676943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566444143","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66728944,0.013120451,0.00004060349,0.015374161,0.002119843,0.0007720594,0.00008789168,0.00009163371,0.3011039],"genre_scores_gemma":[0.97698903,0.0000133586655,0.000005494373,0.0024980546,0.0011245409,0.000056411533,0.000009205302,0.000017157809,0.019286746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989238,0.000109284694,0.00023532745,0.00016124276,0.00017583251,0.00039452335],"domain_scores_gemma":[0.99941874,0.00009473676,0.000052079067,0.00032586692,0.000037043603,0.00007154382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048021335,0.00016723397,0.00016800336,0.00004062934,0.00045686768,0.000465429,0.00021740048,0.000042349442,0.0004218473],"category_scores_gemma":[0.0000055285705,0.0000903605,0.00007433582,0.000042792173,0.00030081184,0.0004295579,0.0000898674,0.00025002257,0.000051319683],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002939459,0.00009854051,0.003615915,0.000026673242,0.000049496804,0.0000073241654,0.124665424,3.6021208e-7,0.000046526922,0.8454156,0.022681424,0.003363306],"study_design_scores_gemma":[0.0003349416,0.00003622595,0.0038575425,0.00002048494,0.000028969358,0.000006711486,0.012424312,0.000028513734,0.000026913955,0.0025393344,0.9805422,0.00015385362],"about_ca_topic_score_codex":0.0002590383,"about_ca_topic_score_gemma":0.0053186095,"teacher_disagreement_score":0.95786077,"about_ca_system_score_codex":0.000021788659,"about_ca_system_score_gemma":0.000017972214,"threshold_uncertainty_score":0.46189323},"labels":[],"label_agreement":null},{"id":"W1567674681","doi":"","title":"Michael Wood. Children of Silence: On Contemporary Fiction","year":2000,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Art; History; Art history; Literature; Aesthetics","score_opus":0.025906573094542643,"score_gpt":0.26257171335032037,"score_spread":0.23666514025577773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1567674681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022484072,0.03601915,0.000010693642,0.0028873447,0.0011484618,0.00038865907,0.00022956132,0.00008280916,0.9367492],"genre_scores_gemma":[0.95991504,0.008111177,0.0000075457647,0.0028906553,0.0007227179,0.000032106014,0.00031076124,0.000011866392,0.027998134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899876,0.00004652015,0.00042167734,0.00018749299,0.00026702904,0.00007854895],"domain_scores_gemma":[0.99949646,0.000034952594,0.00011468407,0.00016083398,0.00015996458,0.000033130622],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013144656,0.00012491488,0.00019962029,0.0000793348,0.00007780521,0.000051440253,0.00016391015,0.000033330176,0.020212138],"category_scores_gemma":[0.000017873394,0.00010670157,0.00015479559,0.000039909977,0.000059286765,0.00031098447,0.000009593071,0.00012814482,0.0002365734],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119760996,0.00039915272,0.00023964838,0.00039722837,0.0002188565,0.0000079430565,0.0023525846,0.000006563126,0.000051577663,0.2951788,0.6157411,0.08528679],"study_design_scores_gemma":[0.00020363869,0.000088711975,0.00039403563,0.0019314514,0.000019615753,0.00000911958,0.000060684535,0.000019764297,0.00006141509,0.00023315272,0.9968675,0.00011095682],"about_ca_topic_score_codex":0.00005214694,"about_ca_topic_score_gemma":0.0000034700126,"teacher_disagreement_score":0.937431,"about_ca_system_score_codex":0.000019971585,"about_ca_system_score_gemma":0.00002204929,"threshold_uncertainty_score":0.9806835},"labels":[],"label_agreement":null},{"id":"W1568710629","doi":"","title":"A Conversation on Three Recent Works of Fiction","year":2013,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Conversation; History; Sociology; Communication","score_opus":0.041977366712450476,"score_gpt":0.2512675477362166,"score_spread":0.20929018102376615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1568710629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8871381,0.010674653,0.000013800465,0.00557253,0.0009706154,0.00033558984,0.000012635371,0.00005910617,0.09522292],"genre_scores_gemma":[0.99658144,0.0007758643,0.000011411445,0.00042599902,0.00031266207,0.000022008171,0.000007985786,0.0000056816716,0.0018569662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995339,0.00001601298,0.0001478101,0.00011982673,0.000090147405,0.00009230902],"domain_scores_gemma":[0.99962044,0.00007964606,0.00004909704,0.00007975768,0.00014670323,0.000024374345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000049750288,0.00009533862,0.00016353563,0.000047704816,0.00015030823,0.00010508686,0.000029769317,0.000025274241,0.00046094207],"category_scores_gemma":[0.000016970373,0.000066039065,0.000027820231,0.00002360283,0.0001340028,0.00024227929,0.000016640368,0.000067981666,0.00001670137],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120195786,0.00015837213,0.0057468237,0.00019259122,0.0003324614,0.000003880412,0.11866574,7.3675193e-7,0.000053955795,0.5584994,0.030361127,0.28586474],"study_design_scores_gemma":[0.0020426211,0.00095405604,0.030186627,0.00064752303,0.00011123647,0.0000033445583,0.04991195,0.00010782088,0.000055470355,0.028034305,0.88750196,0.00044308457],"about_ca_topic_score_codex":0.0004120365,"about_ca_topic_score_gemma":0.0023226421,"teacher_disagreement_score":0.85714084,"about_ca_system_score_codex":0.000013340253,"about_ca_system_score_gemma":0.0000057140355,"threshold_uncertainty_score":0.50469923},"labels":[],"label_agreement":null},{"id":"W1571696928","doi":"10.4000/assr.20674","title":"LYON (David), Postmodernity","year":2000,"lang":"fr","type":"article","venue":"Archives de sciences sociales des religions","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernity; Philosophy; Epistemology; Postmodernism","score_opus":0.07006953595086979,"score_gpt":0.2914638822723693,"score_spread":0.2213943463214995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571696928","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18689206,0.042585123,0.00009204612,0.009113063,0.000537763,0.00016177082,0.00040853317,0.00010055325,0.76010907],"genre_scores_gemma":[0.8239447,0.0052375305,0.0010324359,0.0016640866,0.0013185322,0.000014919766,0.00002095992,0.000019274128,0.1667476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975786,0.00040608106,0.00037048792,0.00047364697,0.0002883059,0.000882829],"domain_scores_gemma":[0.9989524,0.00043476713,0.00007198781,0.00023392554,0.000042100524,0.00026481636],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00028233402,0.0002950253,0.00027818084,0.00009561174,0.003793497,0.00089064304,0.00057188724,0.000111883506,0.0034241043],"category_scores_gemma":[0.00004576114,0.00028952176,0.00033652168,0.00022492885,0.014893292,0.0004724163,0.000078452016,0.00033198288,0.00039782957],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022657023,0.00018110574,0.00064260536,0.000060302227,0.000038070826,0.000034717203,0.05578807,0.000019222136,0.000016481958,0.8818017,0.0077413204,0.053653717],"study_design_scores_gemma":[0.00013303438,0.0001701361,0.0011067899,0.00019603778,0.000049819977,0.000036999925,0.0018175922,0.00021982384,0.000006436235,0.4649983,0.5310135,0.00025152878],"about_ca_topic_score_codex":0.0029822334,"about_ca_topic_score_gemma":0.0027948797,"teacher_disagreement_score":0.6370526,"about_ca_system_score_codex":0.00012580228,"about_ca_system_score_gemma":0.0008960057,"threshold_uncertainty_score":0.9999557},"labels":[],"label_agreement":null},{"id":"W1573583536","doi":"","title":"Bent like a Bow by Nature: A Mother/Daughter Bond","year":2011,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Daughter; Genealogy; Shore; Geology; History; Oceanography; Law; Political science","score_opus":0.020621500169245962,"score_gpt":0.19535167008813017,"score_spread":0.1747301699188842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1573583536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09881646,0.004149728,0.000012304418,0.0034717133,0.0013453247,0.00030854347,0.000115179995,0.00013899527,0.89164174],"genre_scores_gemma":[0.9170372,0.0000064423907,0.000025988147,0.01096022,0.00050294155,0.000027553251,0.000015150443,0.000026808755,0.0713977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921924,0.000040322644,0.00016670846,0.00018628115,0.00014403349,0.00024343647],"domain_scores_gemma":[0.99948,0.000030046245,0.00003944665,0.00036544554,0.000035496552,0.000049536808],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010795758,0.00016702806,0.0001377559,0.000032562908,0.00019243783,0.00017075153,0.0002689994,0.00007076889,0.007115461],"category_scores_gemma":[0.0000028880972,0.00009543159,0.000116369876,0.000019310377,0.00016337943,0.0002151722,0.00004600609,0.00030673234,0.0003280065],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009414675,0.000121844954,0.000042614352,0.000016270258,0.00008883774,0.00002005953,0.09647353,2.718607e-9,0.00017132232,0.4795216,0.42199796,0.0014518157],"study_design_scores_gemma":[0.000242928,0.00008346839,0.00008711744,0.000021018013,0.00003154392,0.0000063823763,0.00076827366,0.0000032629923,0.0005018369,0.011034925,0.9870506,0.00016867094],"about_ca_topic_score_codex":0.0000601653,"about_ca_topic_score_gemma":0.00015138256,"teacher_disagreement_score":0.8202441,"about_ca_system_score_codex":0.000007786813,"about_ca_system_score_gemma":0.000009687551,"threshold_uncertainty_score":0.9937922},"labels":[],"label_agreement":null},{"id":"W1574329419","doi":"10.1353/mos.2011.a450735","title":"Animal Transference: A “Mole-like Progression” in C.J. Cherryh","year":2011,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalytic theory; Subject (documents); Psychoanalysis; Focus (optics); Order (exchange); Psychology; Mole; Philosophy; Sociology; Literature; Art; Economics; Physics; Computer science; Medicine; Internal medicine; Library science","score_opus":0.05999331685889934,"score_gpt":0.24579104083150674,"score_spread":0.1857977239726074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574329419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45490983,0.0014564227,0.000008915299,0.00044880447,0.00041926428,0.00026729636,0.000040273764,0.00011932124,0.54232985],"genre_scores_gemma":[0.99202925,0.0000040622526,0.000048255217,0.00042247056,0.0001722655,0.00004469036,0.000019039198,0.000013327726,0.007246657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992856,0.00003228563,0.0001841634,0.00018096708,0.00010793478,0.0002090417],"domain_scores_gemma":[0.999752,0.000010043847,0.000017333625,0.00013754977,0.00003210101,0.000050979957],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000085741915,0.00012011793,0.00013384764,0.00006926254,0.00007902458,0.00007696005,0.00013070334,0.00004820238,0.0040233503],"category_scores_gemma":[0.0000033562867,0.00009563618,0.00005267937,0.000037139416,0.000093376824,0.00024132544,0.000015157947,0.00016272992,0.00008288477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015966644,0.00042606785,0.0025273834,0.000067356574,0.000020427973,0.00022149431,0.24072899,1.47907455e-8,0.00029190865,0.7362656,0.007877864,0.011413235],"study_design_scores_gemma":[0.0010485185,0.00047748093,0.006152494,0.00025423916,0.000022889417,0.000009175367,0.0048614396,0.00003705833,0.00068682834,0.011107508,0.9748674,0.00047493592],"about_ca_topic_score_codex":0.00012302697,"about_ca_topic_score_gemma":0.0007257078,"teacher_disagreement_score":0.9669896,"about_ca_system_score_codex":0.000009303919,"about_ca_system_score_gemma":0.00002750335,"threshold_uncertainty_score":0.9968871},"labels":[],"label_agreement":null},{"id":"W1575093488","doi":"10.7202/1121180ar","title":"Performing Postfeminism: Escaping Identity Politics?","year":2006,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Complicity; Politics; Sensationalism; Identity (music); Persona; Privilege (computing); Sociology; Humanities; Identity politics; Feminism; Art; Art history; Gender studies; Aesthetics; Media studies; Law; Political science","score_opus":0.08678725291579634,"score_gpt":0.35489833682607563,"score_spread":0.26811108391027927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575093488","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05981359,0.021897057,0.00019055349,0.0030551003,0.0060876757,0.0003423842,0.00012041409,0.00025158274,0.9082416],"genre_scores_gemma":[0.9858647,0.000102801314,0.00014799103,0.0020924478,0.007976416,0.000028771174,0.000043984262,0.000029123883,0.0037137454],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976878,0.00012547926,0.00056363497,0.0004384593,0.00044017576,0.0007444582],"domain_scores_gemma":[0.99898416,0.00032015768,0.000056286084,0.00014364364,0.00042139352,0.00007438773],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00027535635,0.0003327823,0.00048928044,0.00007817395,0.001594744,0.0004147385,0.0002473535,0.00015038492,0.00021006183],"category_scores_gemma":[0.0003643382,0.0002912914,0.00018325314,0.00012043272,0.00090010493,0.0008849641,0.00018323144,0.0005009733,0.00005882333],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008954349,0.000115922005,0.00015377188,0.0005018018,0.000055170007,0.00019598535,0.08082499,1.9744137e-7,0.00004161838,0.89107585,0.026899701,0.0001260081],"study_design_scores_gemma":[0.0008600561,0.00009200621,0.0014881031,0.00028774998,0.0007964743,0.000055372057,0.23454638,0.000023989514,0.000049542974,0.15387173,0.6069306,0.0009980083],"about_ca_topic_score_codex":0.00028996725,"about_ca_topic_score_gemma":0.0007468596,"teacher_disagreement_score":0.92605114,"about_ca_system_score_codex":0.00012015619,"about_ca_system_score_gemma":0.000030529274,"threshold_uncertainty_score":0.9999539},"labels":[],"label_agreement":null},{"id":"W1581983364","doi":"","title":"Ronald D. Cohen, (ed.). Alan Lomax: Selected Writings 1934-1997, with introductory essays by Gage Averill, Mathew Barton, Ronald D. Cohen, Ed Kahn, and Andrew Kaye.New York, London: Routledge, 2003.","year":2005,"lang":"en","type":"article","venue":"MUSICultures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Classics; History","score_opus":0.00899498659509593,"score_gpt":0.19122417290588203,"score_spread":0.1822291863107861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1581983364","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43278053,0.25461367,0.0002635811,0.028463656,0.0031637044,0.004184111,0.00350546,0.0026337719,0.2703915],"genre_scores_gemma":[0.88925886,0.00034402768,0.0007520875,0.008613251,0.008652226,0.0000924504,0.001875807,0.000172684,0.09023858],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99689084,0.00017733009,0.0006363127,0.0009293103,0.0005699602,0.0007962422],"domain_scores_gemma":[0.9980914,0.000116706244,0.00022987512,0.00046769067,0.00069256814,0.00040177762],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026125662,0.0007563814,0.0007519296,0.00012536098,0.00070432527,0.0011603539,0.00036168555,0.00022630877,0.004083471],"category_scores_gemma":[0.00009106172,0.0005626908,0.000113853086,0.00024473172,0.000501676,0.00087919255,0.000100092315,0.00067370967,0.00015025774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019461103,0.0002149986,0.00011688392,0.00011802223,0.0001981412,0.000049143913,0.01804607,0.0000012974135,0.0019408385,0.02951289,0.9483912,0.0012158859],"study_design_scores_gemma":[0.0018492783,0.00027660883,0.00036499958,0.00023781984,0.00018639017,0.000104886865,0.0017458976,0.000030672487,0.0014036929,0.00024006053,0.9926551,0.000904595],"about_ca_topic_score_codex":0.00032247097,"about_ca_topic_score_gemma":0.002295536,"teacher_disagreement_score":0.45647833,"about_ca_system_score_codex":0.000070436035,"about_ca_system_score_gemma":0.00016663199,"threshold_uncertainty_score":0.99987656},"labels":[],"label_agreement":null},{"id":"W1585590194","doi":"10.4000/entrelacs.1103","title":"Vox post-mortem, poétiques de la disparition après le 11 septembre 2001","year":2014,"lang":"fr","type":"article","venue":"Entrelacs","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Poetics; Art; Literature; Medicine; Psychoanalysis; Psychology; Poetry","score_opus":0.011734820068361964,"score_gpt":0.22376117094970976,"score_spread":0.2120263508813478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1585590194","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10342022,0.025090868,0.00044555197,0.022774361,0.0022518828,0.00028231085,0.00033866763,0.0002179228,0.8451782],"genre_scores_gemma":[0.7067829,0.00020157546,0.00008204095,0.0025732196,0.0023036795,0.000015344403,0.0001920616,0.00004058721,0.28780863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798864,0.00054465147,0.00036668027,0.00033458974,0.00019762419,0.00056780584],"domain_scores_gemma":[0.998925,0.00030143018,0.00009750572,0.00031447748,0.000143705,0.00021793986],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047396033,0.00030894432,0.00030634776,0.000091117654,0.00048589322,0.00079398614,0.00018993142,0.00027438923,0.0032009585],"category_scores_gemma":[0.000087892346,0.00031580296,0.00022203961,0.000046720226,0.00041422746,0.00063523895,0.0000573944,0.00040390526,0.00037335712],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023347004,0.00033179062,0.0006529173,0.0001793015,0.00004764973,0.00006861276,0.0078102145,0.0000017517796,0.000076353135,0.7653055,0.22183089,0.0036716477],"study_design_scores_gemma":[0.00062492385,0.00015197587,0.0015335575,0.0004214995,0.00009879413,0.000048604295,0.0017391267,0.0002547958,0.00019175619,0.013448259,0.98110723,0.00037948476],"about_ca_topic_score_codex":0.0025463677,"about_ca_topic_score_gemma":0.002206509,"teacher_disagreement_score":0.75927633,"about_ca_system_score_codex":0.000063475934,"about_ca_system_score_gemma":0.00013524253,"threshold_uncertainty_score":0.9999294},"labels":[],"label_agreement":null},{"id":"W1586994587","doi":"10.3138/jrpc.27.1.2620","title":"“The Resurrection Days Are Over”: Resurrection from<i>Doctor Who</i>to<i>Torchwood</i>","year":2015,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Apotheosis; Afterlife; Reincarnation; Philosophy; Impossibility; Dystopia; Messiah; Theology; Literature; Psychoanalysis; Law; Art; Psychology","score_opus":0.02595107598184892,"score_gpt":0.2548844197408659,"score_spread":0.22893334375901697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1586994587","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75117546,0.098846674,0.00016343094,0.014248193,0.030057786,0.0007567138,0.00022659548,0.00017930144,0.10434582],"genre_scores_gemma":[0.833155,0.0070967376,0.00011251529,0.0045049284,0.011150027,0.0000075060443,0.000047628706,0.000046393776,0.14387928],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987697,0.00014150013,0.00041781395,0.00014752948,0.00036529126,0.00015816119],"domain_scores_gemma":[0.9988265,0.000025857398,0.0002909425,0.00015278693,0.0004679221,0.00023600404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043641945,0.00015899961,0.00024401299,0.000074774616,0.0003820102,0.000587227,0.00013198786,0.00009688248,0.0000103086895],"category_scores_gemma":[0.00015439652,0.00009575786,0.00013335433,0.00007000869,0.000050921844,0.00044288224,0.000025326382,0.0004090938,0.000012785293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033608353,0.000028214572,0.00042114736,0.000007895118,0.000043509066,0.00003056813,0.017101198,0.000001023797,0.00010754709,0.13779414,0.8429223,0.001206376],"study_design_scores_gemma":[0.00054299034,0.00033973384,0.00007584074,0.00020348173,0.00004625971,0.000047389654,0.0017761587,0.000005783783,0.00006761532,0.00795406,0.9888054,0.0001352444],"about_ca_topic_score_codex":0.00013690595,"about_ca_topic_score_gemma":0.0006027429,"teacher_disagreement_score":0.14588314,"about_ca_system_score_codex":0.000043662403,"about_ca_system_score_gemma":0.0000326267,"threshold_uncertainty_score":0.56626433},"labels":[],"label_agreement":null},{"id":"W1587903385","doi":"","title":"Laurence M. Porter and Eugene F. Gray. Gustave Flaubert's \"Madame Bovary.\" A Reference Guide","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gray (unit); Art; Art history; Medicine; Nuclear medicine","score_opus":0.029204550248672283,"score_gpt":0.2896039175271037,"score_spread":0.2603993672784314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587903385","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014839618,0.0752832,0.00087102427,0.005887246,0.0017656477,0.00033212072,0.0000874043,0.00011041652,0.91417897],"genre_scores_gemma":[0.82905215,0.026395254,0.00025190404,0.016767547,0.0017146158,0.000040631563,0.0003986221,0.000028464608,0.12535082],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988849,0.000025061905,0.00044701083,0.00023909763,0.00025982613,0.00014409692],"domain_scores_gemma":[0.99929684,0.000053982894,0.000111821806,0.00015795424,0.00031179277,0.0000676043],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003729104,0.0001420255,0.0001804495,0.0000851191,0.000107346226,0.00014570125,0.00015151472,0.000037237915,0.0050800163],"category_scores_gemma":[0.000052401374,0.00011743181,0.00007071943,0.000037890095,0.000070352035,0.00037641916,0.000039751645,0.00015041047,0.00009377125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022685534,0.000057176032,0.00015152055,0.00029403807,0.00007212513,0.000060151295,0.001106858,1.02013246e-7,0.00006225583,0.72420794,0.23127878,0.0426864],"study_design_scores_gemma":[0.000112954476,0.000030927717,0.00034000108,0.0009231914,0.000028197352,0.000046746325,0.0000976902,0.000010901249,0.000019706637,0.0008165249,0.9974364,0.00013675832],"about_ca_topic_score_codex":0.000105646635,"about_ca_topic_score_gemma":0.0003566096,"teacher_disagreement_score":0.8275682,"about_ca_system_score_codex":0.000030028299,"about_ca_system_score_gemma":0.000020947573,"threshold_uncertainty_score":0.99582946},"labels":[],"label_agreement":null},{"id":"W1592460612","doi":"","title":"Lifted: An Interview with Lisa Robertson","year":2005,"lang":"en","type":"article","venue":"Chicago Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Reading (process); Conversation; White (mutation); Exhibition; Media studies; Visual arts; Art history; Sociology; Art; History; Linguistics; Philosophy","score_opus":0.04160066556943545,"score_gpt":0.2586880246326024,"score_spread":0.21708735906316692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1592460612","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006125215,0.55674505,0.000021249054,0.020054787,0.0001577908,0.0004226051,0.000017287164,0.00014171623,0.42182696],"genre_scores_gemma":[0.5023304,0.116567925,0.00093264616,0.24358176,0.0076083825,0.00035565603,0.00050202955,0.00018081638,0.12794036],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904954,0.000102663274,0.00029117064,0.0002383924,0.00013588252,0.00018237079],"domain_scores_gemma":[0.99932563,0.000020024017,0.00006641712,0.00039551608,0.00008514073,0.00010725907],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023125504,0.00018408339,0.0003506673,0.000031638585,0.00012119244,0.00017329413,0.00020713621,0.000027232525,0.013216787],"category_scores_gemma":[0.000010819898,0.00011722923,0.00010032274,0.000043758377,0.00008339189,0.00053620053,0.000026762486,0.00018078911,0.00025314072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009797807,0.00019456322,0.000010197358,0.002942723,0.000050276434,0.00002311874,0.0066863713,6.672679e-8,0.0000027832054,0.40266573,0.1250966,0.46231776],"study_design_scores_gemma":[0.00012498998,0.0001336425,0.000009491997,0.005540817,0.00007349438,0.000016995677,0.000086483786,0.0000045192396,0.0000057823045,0.00012990134,0.9936837,0.00019018317],"about_ca_topic_score_codex":0.000009982852,"about_ca_topic_score_gemma":0.00063571444,"teacher_disagreement_score":0.8685871,"about_ca_system_score_codex":0.000011416465,"about_ca_system_score_gemma":0.000022584203,"threshold_uncertainty_score":0.98768526},"labels":[],"label_agreement":null},{"id":"W1602679101","doi":"10.1353/psg.2010.a408992","title":"Diagnosis, and: Sotto Voce, and: Transposition","year":2010,"lang":"en","type":"article","venue":"Prairie schooner","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rest (music); Subject (documents); KISS (TNC); Art; Psychoanalysis; Philosophy; Art history; Psychology; Physics; Computer science","score_opus":0.013599413062992905,"score_gpt":0.2187920438959046,"score_spread":0.2051926308329117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602679101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9024708,0.002752078,0.000020439198,0.018903375,0.00082522153,0.00022522337,0.00008239239,0.00014344504,0.074576996],"genre_scores_gemma":[0.9926473,0.000037480768,0.00009344702,0.0018604847,0.0006611905,0.000048672286,0.000025302497,0.000013303643,0.0046128393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944663,0.000019395135,0.00012692338,0.00018252885,0.000086717926,0.00013781694],"domain_scores_gemma":[0.99967444,0.00004638438,0.000021938615,0.00011574133,0.000049633687,0.00009188056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009688219,0.000111169415,0.00011245548,0.000052759693,0.00022054672,0.00029041193,0.000049278573,0.000052934487,0.0006846886],"category_scores_gemma":[0.000017961518,0.00009134837,0.000031141368,0.00001541171,0.00017788996,0.00051685754,0.000014942525,0.00026638908,0.000031478834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024690424,0.00007184717,0.0030906952,0.00004516395,0.00002328773,0.000015990672,0.013190541,1.31724525e-8,0.0008799567,0.9417064,0.01906673,0.02188464],"study_design_scores_gemma":[0.00030675728,0.00005142084,0.0056458507,0.000026950875,0.000028533568,0.000008864127,0.00035473658,0.0000071354275,0.00028118386,0.010719466,0.9823971,0.00017199956],"about_ca_topic_score_codex":0.000041843774,"about_ca_topic_score_gemma":0.0011509394,"teacher_disagreement_score":0.9633304,"about_ca_system_score_codex":0.000001806787,"about_ca_system_score_gemma":0.000010639771,"threshold_uncertainty_score":0.749686},"labels":[],"label_agreement":null},{"id":"W1602909623","doi":"10.2979/vic.2007.49.3.543","title":"<i>Thomas Hardy: The Time-Torn Man</i>, by Claire Tomalin and<i>Thomas Hardy Reappraised: Essays in Honour of Michael Millgate</i>, edited by Keith Wilson","year":2007,"lang":"en","type":"article","venue":"Victorian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; Wife; Biography; Narrative; Classics; Performance art; Art history; History; Art; Philosophy; Theology; Literature","score_opus":0.013697625630125726,"score_gpt":0.2414962630613752,"score_spread":0.22779863743124948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602909623","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52398205,0.18741149,0.00004925699,0.014035488,0.008263176,0.002041564,0.0019176003,0.0005022912,0.2617971],"genre_scores_gemma":[0.9711453,0.0007171769,0.000056394354,0.0010762124,0.0022568894,0.000053335218,0.00012946977,0.00006659725,0.024498632],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976336,0.00018004312,0.00073165563,0.00050366344,0.0004006133,0.0005504533],"domain_scores_gemma":[0.99858505,0.00042241206,0.00022512743,0.00038439466,0.00027084383,0.00011216447],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009335265,0.00045154468,0.0007173314,0.00015534283,0.0005140215,0.00016640691,0.00029294912,0.00014391563,0.00006598112],"category_scores_gemma":[0.000087484324,0.00032069464,0.00013712046,0.00017068969,0.00060177344,0.00036553308,0.00015455,0.00039797006,0.000016788092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040270417,0.0003522553,0.0022050687,0.00028585954,0.00042292255,0.00009898291,0.20531398,1.3344015e-7,0.004089291,0.040546905,0.7453072,0.00097469066],"study_design_scores_gemma":[0.0010960744,0.00022825858,0.00028456363,0.0002412034,0.000088633074,0.000007752199,0.01619542,0.0000066420494,0.0011159203,0.0005597411,0.9797803,0.00039546465],"about_ca_topic_score_codex":0.0001158554,"about_ca_topic_score_gemma":0.0013061938,"teacher_disagreement_score":0.44716325,"about_ca_system_score_codex":0.000044503722,"about_ca_system_score_gemma":0.000033039036,"threshold_uncertainty_score":0.99992454},"labels":[],"label_agreement":null},{"id":"W1605438458","doi":"","title":"\"A Weasel Pops In and Out of Old Tunes\": Exchanging Words","year":2006,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Politeness; Absurdity; Outrage; Amusement; Poetry; Unison; Sociology; Euphemism; Mores; Aesthetics; Linguistics; Literature; Psychology; Art; Social psychology; Law; Politics; Political science; Philosophy","score_opus":0.023002661581302698,"score_gpt":0.25141004221237334,"score_spread":0.22840738063107063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605438458","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4583009,0.23165625,4.1492746e-7,0.0052502393,0.0025216276,0.00047597897,0.0007611268,0.000037130834,0.30099633],"genre_scores_gemma":[0.98384625,0.000101705824,0.000016535476,0.0007246166,0.0005572022,0.000018771643,0.000040917654,0.000013191704,0.014680809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990032,0.00003842286,0.00027988135,0.0002165715,0.00009118583,0.00037078574],"domain_scores_gemma":[0.9996015,0.000053799125,0.00003643486,0.00014359031,0.000087098975,0.00007759548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001714379,0.0001686016,0.0002909544,0.00049371214,0.000105374194,0.00012042523,0.000083384155,0.00006983205,0.000052711843],"category_scores_gemma":[0.000030891828,0.00015123039,0.000040943847,0.00013980638,0.0002004013,0.00023510777,0.000027564218,0.00022460244,0.0000014714487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018091467,0.000031555617,0.009082518,0.00034796452,0.000034185126,0.000525111,0.36803168,9.869627e-7,0.000011601691,0.6003911,0.020511013,0.0010141797],"study_design_scores_gemma":[0.0005859743,0.000043432814,0.0028679236,0.0014271676,0.000010933817,0.0000064834235,0.021510698,0.000011949118,0.000009877782,0.0141796395,0.9590234,0.0003224828],"about_ca_topic_score_codex":0.060335364,"about_ca_topic_score_gemma":0.9224377,"teacher_disagreement_score":0.93851244,"about_ca_system_score_codex":0.00008207383,"about_ca_system_score_gemma":0.000060837214,"threshold_uncertainty_score":0.94592196},"labels":[],"label_agreement":null},{"id":"W1608047462","doi":"","title":"Through Darkening Spectacles: Memoirs of Diamond Jenness (Jenness and Jenness)","year":2010,"lang":"en","type":"article","venue":"Museum Anthropology Review (Indiana University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Art; Diamond; Visual arts; Art history; Materials science; Metallurgy","score_opus":0.014406991209820284,"score_gpt":0.2220258149428982,"score_spread":0.2076188237330779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1608047462","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4761828,0.091439724,0.00023620615,0.024969574,0.0059534423,0.0016985965,0.000515606,0.00036337244,0.3986407],"genre_scores_gemma":[0.9823847,0.014019386,0.000104653394,0.00064616074,0.00030433285,0.0000020559532,0.000042890253,0.000029936922,0.002465892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985177,0.000145188,0.00035713072,0.0004575864,0.00013418664,0.0003882335],"domain_scores_gemma":[0.99893314,0.00014527427,0.00022183679,0.00041779026,0.00017409248,0.00010785847],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019650729,0.00030190244,0.0007361156,0.00024913202,0.0005649164,0.000055474982,0.00038580675,0.00014459678,0.003297916],"category_scores_gemma":[0.000049929047,0.0002856408,0.00018476693,0.0002155682,0.0024216017,0.0007488884,0.00015795653,0.0004349496,0.000026544245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042171752,0.00017166468,0.0009700143,0.0020349724,0.0001767015,0.0004924347,0.026195442,4.6786383e-8,0.0002853478,0.9614795,0.0050431644,0.0031085568],"study_design_scores_gemma":[0.00054638257,0.00012449514,0.00016275249,0.00085727294,0.00025271974,0.000053772317,0.0132916905,0.0000023817017,0.00019011914,0.0007589751,0.98335606,0.00040336812],"about_ca_topic_score_codex":0.00064091635,"about_ca_topic_score_gemma":0.0061345133,"teacher_disagreement_score":0.9783129,"about_ca_system_score_codex":0.000018994344,"about_ca_system_score_gemma":0.00007436509,"threshold_uncertainty_score":0.9999596},"labels":[],"label_agreement":null},{"id":"W1617006225","doi":"","title":"The War at Home: Representing the Iraq War in Ali Smith's \"The Accidental\"","year":2013,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Accidental; Ancient history; Art; History; Physics","score_opus":0.015244117191856785,"score_gpt":0.22317838724127703,"score_spread":0.20793427004942025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1617006225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8341428,0.017968055,0.0000052146247,0.030604217,0.0021866,0.0012040084,0.000029722722,0.00011322703,0.11374614],"genre_scores_gemma":[0.916061,0.00008998421,0.0000016310628,0.0021473633,0.0013392419,0.00016771512,0.000008294618,0.000030733958,0.08015407],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981528,0.00025462627,0.0004225539,0.00029286608,0.00034737756,0.0005297684],"domain_scores_gemma":[0.99808925,0.00065537327,0.00012925874,0.00097448006,0.00010365373,0.000047991845],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00073704415,0.00023190257,0.0001899168,0.000030496964,0.0025716033,0.0009686674,0.0010037312,0.00005656266,0.00076551473],"category_scores_gemma":[0.000035449048,0.00009276163,0.00020093653,0.00008842798,0.00062830606,0.00040348415,0.00038689713,0.00046057836,0.0005132637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086312764,0.0001088826,0.008190102,0.000043193708,0.00018764158,0.000048072514,0.23750353,0.000006242461,0.00020547185,0.13980155,0.60158795,0.0122310715],"study_design_scores_gemma":[0.00032496414,0.000027485796,0.0063816276,0.00003812027,0.000027397433,0.000018997547,0.026505828,0.0001634265,0.000062107276,0.009338893,0.9569132,0.00019795565],"about_ca_topic_score_codex":0.0016751618,"about_ca_topic_score_gemma":0.010017676,"teacher_disagreement_score":0.35532525,"about_ca_system_score_codex":0.000044487733,"about_ca_system_score_gemma":0.000027389819,"threshold_uncertainty_score":0.9987269},"labels":[],"label_agreement":null},{"id":"W1624709489","doi":"","title":"Method and Myth in L. P. Hartley’s The Go-Between","year":2012,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; Narrative; Literature; Faith; Depiction; Order (exchange); Philosophy; Art; History; Epistemology","score_opus":0.04371668193385162,"score_gpt":0.33721619979627954,"score_spread":0.2934995178624279,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1624709489","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1862468,0.69355017,0.0000068432,0.00489663,0.00058654236,0.00032328954,0.000093422364,0.00003729333,0.11425901],"genre_scores_gemma":[0.99011344,0.0004036537,0.00010303911,0.0018121016,0.0015198177,0.00002500729,0.00001509727,0.0000098841865,0.0059979693],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992154,0.0001297356,0.0001795896,0.00015527288,0.000074550175,0.00024540286],"domain_scores_gemma":[0.9995103,0.00026931762,0.000026946165,0.00013052387,0.000025436113,0.000037484737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047583604,0.00014844739,0.00024183543,0.00008973057,0.00013443065,0.00016169087,0.0000648949,0.000047516092,0.00003873914],"category_scores_gemma":[0.000037167298,0.00008566808,0.000027445865,0.00007360363,0.00019093491,0.00036784832,0.000084382875,0.00029574224,0.0000025431966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011181414,0.000015521933,0.0031552832,0.000098993114,0.00003787926,0.000033568405,0.79410064,1.2981342e-8,0.0000094538555,0.18501818,0.0047852793,0.012734002],"study_design_scores_gemma":[0.00048129036,0.000045792513,0.005746284,0.00036546303,0.000032073633,0.000016054553,0.06268168,0.0000014965989,0.000024420626,0.0049451706,0.92543215,0.00022811074],"about_ca_topic_score_codex":0.00003235121,"about_ca_topic_score_gemma":0.00028329782,"teacher_disagreement_score":0.9206469,"about_ca_system_score_codex":0.000008639346,"about_ca_system_score_gemma":0.00000370524,"threshold_uncertainty_score":0.34934428},"labels":[],"label_agreement":null},{"id":"W1666232048","doi":"","title":"Literary, Cultural, and Disability Studies: A Tripartite Approach to Poststructuralism","year":2009,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psyche; Disability studies; Psychoanalytic theory; Sociology; Deleuze and Guattari; Ideology; Argument (complex analysis); Psychoanalysis; Narrative; Discipline; Event (particle physics); Subject (documents); Cultural studies; Epistemology; Aesthetics; Gender studies; Psychology; Literature; Politics; Philosophy; Social science; Anthropology; Art; Law","score_opus":0.056440011512108715,"score_gpt":0.2640318060917665,"score_spread":0.20759179457965782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1666232048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30505338,0.000070545226,0.000008600805,0.0014371888,0.00020775553,0.00063970813,0.00008756029,0.0001948767,0.6923004],"genre_scores_gemma":[0.99296385,0.004556566,0.00027064516,0.0013140693,0.0003363262,0.0000030361114,0.000042229374,0.00001139936,0.0005018696],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987073,0.00010921241,0.00020120891,0.0005010101,0.00016022053,0.0003210654],"domain_scores_gemma":[0.9992627,0.000052533276,0.00005456857,0.0003112564,0.00018741979,0.00013151755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009428979,0.00027742138,0.0003391681,0.0014361693,0.00037219282,0.00031632272,0.00023559354,0.000060486404,0.000031124157],"category_scores_gemma":[0.000030107207,0.00022712245,0.00011702222,0.0009984986,0.00026446383,0.0010960178,0.00010834356,0.00018631593,0.0000077329705],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024806062,0.00028318615,0.000052548396,0.0001069154,0.00012180046,0.00006316529,0.53079784,3.7440125e-7,0.000008002735,0.4430765,0.0038283453,0.021413246],"study_design_scores_gemma":[0.0006015902,0.00025223513,0.00009502842,0.000054050153,0.00006237676,0.000011296634,0.019816255,0.000014460086,0.00001775031,0.00006676592,0.9786881,0.0003200987],"about_ca_topic_score_codex":0.0027113515,"about_ca_topic_score_gemma":0.0017594867,"teacher_disagreement_score":0.9748598,"about_ca_system_score_codex":0.0001025558,"about_ca_system_score_gemma":0.000039906834,"threshold_uncertainty_score":0.92617846},"labels":[],"label_agreement":null},{"id":"W168266934","doi":"","title":"Women's Untold Stories: Breaking Silence, Talking Back, Voicing Complexity","year":2001,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":49,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Voice; Silence; Psychology; Art; Linguistics; Aesthetics; Philosophy","score_opus":0.05909351922923719,"score_gpt":0.2553544744052002,"score_spread":0.196260955175963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W168266934","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74253315,0.001243032,0.000001254205,0.00042939693,0.0019087018,0.00019007348,0.0001062775,0.00008465626,0.25350347],"genre_scores_gemma":[0.9566212,0.00002098207,0.000015680896,0.00532372,0.0010734259,0.00007116136,0.000008629474,0.000036410365,0.036828738],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977881,0.000058673057,0.00035820517,0.0004202037,0.00024300006,0.0011318716],"domain_scores_gemma":[0.99876297,0.000078199024,0.00010041106,0.00034038455,0.00026041156,0.00045762083],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001970948,0.00034437704,0.0005046663,0.00028681176,0.0013590567,0.0003428606,0.000289518,0.000062678075,0.0042459248],"category_scores_gemma":[0.00008043744,0.0003303568,0.00009610279,0.00019680678,0.0005415209,0.0005271401,0.0001018719,0.00026273867,0.000111418056],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001820435,0.000030371093,0.0014804148,0.00017617647,0.00025100962,0.00018445138,0.5190166,0.0000013596183,0.000015145444,0.4738459,0.0042059966,0.0007743115],"study_design_scores_gemma":[0.00027418073,0.00006107566,0.00016893575,0.00022532423,0.000012486332,0.000010145842,0.32647946,0.000004998306,0.0000051714815,0.011685167,0.66067207,0.00040099444],"about_ca_topic_score_codex":0.0026442665,"about_ca_topic_score_gemma":0.1109122,"teacher_disagreement_score":0.65646607,"about_ca_system_score_codex":0.0013568023,"about_ca_system_score_gemma":0.0002480132,"threshold_uncertainty_score":0.99994105},"labels":[],"label_agreement":null},{"id":"W1686005117","doi":"","title":"Wuthering Heights—the Song of Rebel","year":2010,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Personality; Literature; Moral character; Key (lock); Feminism; Sociology; Aesthetics; Psychology; Art; Psychoanalysis; Social psychology; Gender studies; Computer science; Mathematics","score_opus":0.020723578977299477,"score_gpt":0.28026379392718964,"score_spread":0.25954021494989016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1686005117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8004209,0.078628995,5.98937e-7,0.00086316396,0.0010559845,0.00014050648,0.000041640884,0.0000269785,0.11882123],"genre_scores_gemma":[0.993214,0.000112747766,0.000039688457,0.00040146135,0.00074201205,0.000011098692,0.000006786154,0.000008123518,0.0054640654],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945873,0.000027060865,0.00017362578,0.00013342597,0.000075817356,0.00013132175],"domain_scores_gemma":[0.9995926,0.000105892424,0.00003770782,0.0001833796,0.00006236991,0.000018026843],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016955046,0.000112616784,0.00018062361,0.000057432448,0.00013917827,0.00009632522,0.000097733966,0.00004087323,0.0000910364],"category_scores_gemma":[0.000042203064,0.000063213265,0.000042128107,0.00005326121,0.00035021,0.0001598079,0.000057319965,0.000331694,0.0000013414898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015527388,0.000016770306,0.00008432654,0.00009830126,0.00003407296,0.000045315264,0.564691,1.6675285e-8,0.0004983318,0.43116197,0.0012089029,0.0021454708],"study_design_scores_gemma":[0.00066620595,0.0001359309,0.00042432465,0.0007087309,0.00004110312,0.0000340682,0.14259347,0.000008437935,0.00054815057,0.012282626,0.8422186,0.00033835505],"about_ca_topic_score_codex":0.000025572905,"about_ca_topic_score_gemma":0.0014862606,"teacher_disagreement_score":0.8410097,"about_ca_system_score_codex":0.0000023469197,"about_ca_system_score_gemma":0.0000052946875,"threshold_uncertainty_score":0.2577762},"labels":[],"label_agreement":null},{"id":"W1702123950","doi":"","title":"Agency and Structure in Harry Lowen's Road to Freedom: A Review Article","year":2001,"lang":"en","type":"review","venue":"Journal of Mennonite studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Sociology; Philosophy; Epistemology","score_opus":0.09360073810979787,"score_gpt":0.3583356887170619,"score_spread":0.26473495060726404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1702123950","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008064536,0.99370867,2.8887678e-7,0.0004016992,0.00073037395,0.00039299286,0.000049080623,0.000006436531,0.004629841],"genre_scores_gemma":[0.000105884385,0.9950146,0.000045094584,0.00069370493,0.0012132499,0.000012003288,0.0000032139023,0.000024851737,0.0028873894],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.997988,0.00016777498,0.0011609738,0.00019218764,0.00025373703,0.00023734705],"domain_scores_gemma":[0.9988086,0.00010650714,0.0004899166,0.00017680516,0.00031538124,0.00010279392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045955688,0.00035532535,0.0020793353,0.0003257299,0.00012024437,0.00013206813,0.00020279139,0.000067378554,0.00031703277],"category_scores_gemma":[0.000047090296,0.0002249827,0.00029794822,0.00016893428,0.00010380555,0.00023694808,0.00010321471,0.0005424701,0.000011899645],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000107112555,0.000036711972,0.000002311607,0.023008378,0.0004948744,0.0005119487,0.010971971,4.0528615e-8,1.835223e-7,0.002984977,0.014447011,0.94753087],"study_design_scores_gemma":[0.00016934563,0.00013793516,0.000004697648,0.08069349,0.00064014975,0.00014335019,0.00067332666,5.3946508e-8,1.16819185e-8,0.0006621837,0.91666317,0.00021229907],"about_ca_topic_score_codex":0.000006018872,"about_ca_topic_score_gemma":0.00013200784,"teacher_disagreement_score":0.94731855,"about_ca_system_score_codex":0.00005946874,"about_ca_system_score_gemma":0.00008374972,"threshold_uncertainty_score":0.9174528},"labels":[],"label_agreement":null},{"id":"W177061806","doi":"10.21153/pecl2008vol18no2art1161","title":"Fantasy as Epanalepsis: ‘An Anticipation of Retrospection’","year":2008,"lang":"en","type":"article","venue":"Papers Explorations into Children s Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Fantasy; Sentence; Rhetorical question; Meaning (existential); Literature; Aesthetics; History; Philosophy; Linguistics; Art; Epistemology","score_opus":0.020428400654472347,"score_gpt":0.23945545297051438,"score_spread":0.21902705231604203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W177061806","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78302616,0.0030423808,0.00005008824,0.0012299079,0.00079001585,0.0004932536,0.0002647882,0.00027126906,0.21083212],"genre_scores_gemma":[0.99158233,0.00012892921,0.00031329037,0.0005910689,0.0010257732,0.000053234082,0.0015331712,0.000030326099,0.004741878],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857914,0.00009442017,0.00045102753,0.00036296484,0.00031162755,0.00020083458],"domain_scores_gemma":[0.9988688,0.000028257786,0.00013975201,0.00045219657,0.0004060535,0.000104923274],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009950749,0.00024447206,0.0002754083,0.000271955,0.0007744467,0.00027710857,0.00020474299,0.000114064154,0.00094114104],"category_scores_gemma":[0.000051824194,0.00021541755,0.00016045474,0.00024115399,0.0002551579,0.0017177623,0.000025649817,0.0002920876,0.000077097255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005807589,0.00027770008,0.0017556519,0.000024711224,0.000116144496,0.000020828442,0.2542028,0.0000056536232,0.0010444986,0.73855305,0.003279083,0.0006618033],"study_design_scores_gemma":[0.005186639,0.004227444,0.041538276,0.0016436992,0.0008065593,0.0010640414,0.03564391,0.00027616016,0.0106622735,0.07568004,0.81899786,0.004273114],"about_ca_topic_score_codex":0.00007567866,"about_ca_topic_score_gemma":0.0002936639,"teacher_disagreement_score":0.81571877,"about_ca_system_score_codex":0.00002830558,"about_ca_system_score_gemma":0.00006391202,"threshold_uncertainty_score":0.9999721},"labels":[],"label_agreement":null},{"id":"W183555800","doi":"","title":"Jacob's Angel","year":2001,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.035615277899130805,"score_gpt":0.23466155035503453,"score_spread":0.19904627245590373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W183555800","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38693795,0.0037050177,2.6985245e-7,0.0017274686,0.00088555616,0.00010242787,0.000061751656,0.00006071822,0.6065188],"genre_scores_gemma":[0.9013905,0.0000522347,0.000003487057,0.005790593,0.00087870396,0.000054239044,0.00000810905,0.000013932488,0.091808185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912316,0.000017929107,0.0001371277,0.0001726701,0.0000861977,0.00046290428],"domain_scores_gemma":[0.99939847,0.00003439953,0.000020541858,0.00016049719,0.00013010026,0.00025598195],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007990945,0.00014162766,0.00019486084,0.00015474252,0.00049310207,0.0001457311,0.00011006359,0.000025272593,0.0022370294],"category_scores_gemma":[0.000029235724,0.0001229704,0.00004450603,0.000050931707,0.00019475492,0.00019714622,0.000019766698,0.00009280974,0.00023273553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000079566535,0.000014169128,0.00025116024,0.000025316662,0.00016023213,0.00032519977,0.17187321,7.897752e-8,0.000002560187,0.7730626,0.052512255,0.0017652586],"study_design_scores_gemma":[0.000121832585,0.000044165412,0.000029803385,0.000018368506,0.000008215632,0.000004784788,0.115735896,8.302742e-7,0.0000011868441,0.011928144,0.8719553,0.00015152832],"about_ca_topic_score_codex":0.00077752915,"about_ca_topic_score_gemma":0.1402156,"teacher_disagreement_score":0.819443,"about_ca_system_score_codex":0.00017682098,"about_ca_system_score_gemma":0.000092388815,"threshold_uncertainty_score":0.99867505},"labels":[],"label_agreement":null},{"id":"W1838660932","doi":"10.29173/cmplct8814","title":"Recursive Readings: Chaos, Curriculum, and Walt Whitman in “Specimen Days”","year":2009,"lang":"en","type":"article","venue":"Complicity An International Journal of Complexity and Education","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"American Educational Research Association","keywords":"Meaning (existential); Reading (process); Vision; Poetry; Contradiction; Repetition (rhetorical device); Literature; Interpretation (philosophy); Set (abstract data type); Reflexive pronoun; Art; Philosophy; Computer science; Linguistics; Epistemology; Theology","score_opus":0.04404136834802252,"score_gpt":0.3049589442701373,"score_spread":0.2609175759221148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1838660932","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9662938,0.0006323686,0.00008078396,0.0056731575,0.0007986678,0.00008939182,0.000015297983,0.000009453377,0.026407065],"genre_scores_gemma":[0.99653363,0.00010775452,0.0003430001,0.0015280586,0.0011278426,0.0000014210397,0.00004210879,0.0000041639964,0.0003120363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991725,0.000057199828,0.0003485872,0.00013174691,0.00018690973,0.00010304354],"domain_scores_gemma":[0.99914724,0.000030773634,0.0001924175,0.000073824485,0.00045744784,0.000098298755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002103756,0.00010533175,0.00018077125,0.00023778033,0.00012279779,0.00033380173,0.00020313213,0.00003154067,0.00013703732],"category_scores_gemma":[0.000030866275,0.00009797477,0.000035952347,0.000031098054,0.00013624498,0.0010371502,0.000021674365,0.00020344016,0.0000019692175],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058739457,0.0004131904,0.0016071468,0.000007467382,0.000016998863,0.000004262303,0.017060393,3.6043437e-7,0.000055133274,0.96749115,0.0017220945,0.01156309],"study_design_scores_gemma":[0.0010280705,0.0007971612,0.11258773,0.00051757076,0.000029614705,0.0002814658,0.012422038,0.00022911912,0.00009269841,0.70483273,0.16681637,0.00036545453],"about_ca_topic_score_codex":0.00015464636,"about_ca_topic_score_gemma":0.0002458392,"teacher_disagreement_score":0.26265842,"about_ca_system_score_codex":0.00005105558,"about_ca_system_score_gemma":0.000059564678,"threshold_uncertainty_score":0.39952952},"labels":[],"label_agreement":null},{"id":"W1849490122","doi":"10.3968/j.css.1923669720110705.240","title":"Peter Ackroyd’s Chatterton : A Lyotardian Study","year":2011,"lang":"de","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metanarrative; Ideology; Emancipation; Humanities; Philosophy; Narrative; Nous; Enlightenment; Ethnology; Politics; Sociology; Epistemology; Political science; Linguistics; Law","score_opus":0.04159917992940463,"score_gpt":0.23604472870335277,"score_spread":0.19444554877394815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1849490122","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.088306695,0.0008066683,7.0694955e-7,0.000777594,0.0037924885,0.0005122738,0.00019898675,0.00003617957,0.9055684],"genre_scores_gemma":[0.9835458,0.000003900141,0.000004568051,0.0038164377,0.0028483002,0.000024506195,0.0000065437575,0.000023623468,0.009726356],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99743456,0.00009511626,0.00030376634,0.00061555055,0.00045751227,0.0010934839],"domain_scores_gemma":[0.9983935,0.000014938052,0.00007337899,0.00034038525,0.0002703857,0.0009074653],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005925946,0.0002807053,0.00028942598,0.00040028951,0.0027686234,0.0011502919,0.0008303148,0.00009313339,0.005105921],"category_scores_gemma":[0.00002881044,0.00027924642,0.00013862373,0.00033475118,0.001629149,0.00084023445,0.00008411884,0.00031083034,0.001004601],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001577214,0.00018757262,0.008679905,0.000019584866,0.00006887357,0.0005529077,0.6154156,1.1302509e-9,0.000007793095,0.35414553,0.01591935,0.0049871104],"study_design_scores_gemma":[0.00028012772,0.0002510413,0.016439518,0.000033685195,0.00009241295,0.0000011181158,0.058205515,0.0000019066212,0.000008477111,0.0006639798,0.9235264,0.00049583433],"about_ca_topic_score_codex":0.06602306,"about_ca_topic_score_gemma":0.31732678,"teacher_disagreement_score":0.907607,"about_ca_system_score_codex":0.00033817865,"about_ca_system_score_gemma":0.0012338973,"threshold_uncertainty_score":0.99996597},"labels":[],"label_agreement":null},{"id":"W1860814559","doi":"","title":"Ego Eimi: Kerygma or Existential Metaphor? Frye, Bultmann and the Problem of Demythologizing","year":2007,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Id, ego and super-ego; Existentialism; Metaphor; Philosophy; Psychoanalysis; Psychology; Linguistics; Epistemology","score_opus":0.04188217245044026,"score_gpt":0.2858526731864126,"score_spread":0.24397050073597235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1860814559","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0065868977,0.7061677,0.00004983482,0.002280154,0.00028590983,0.0012561878,0.0003791301,0.000019460413,0.2829747],"genre_scores_gemma":[0.97885686,0.003497369,0.00077423523,0.006555296,0.00045008404,0.000028617042,0.00013220066,0.000019219458,0.009686114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983374,0.00019440803,0.0007306625,0.00023873238,0.00018397979,0.0003148501],"domain_scores_gemma":[0.9984052,0.0002958626,0.00027483466,0.0002753158,0.00055781414,0.00019093131],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001147901,0.00025138285,0.00082455226,0.00019254911,0.00020684296,0.00014793738,0.0002544262,0.0000831751,0.00037975676],"category_scores_gemma":[0.000035235927,0.0001390002,0.00020321042,0.00020561427,0.0007290266,0.00025401844,0.000030709296,0.0003539534,0.0000039549946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018142372,0.00002057482,0.000027373357,0.003111217,0.00014011964,0.000066983324,0.04565414,4.4421284e-8,0.000017458467,0.92572916,0.022518756,0.0025327432],"study_design_scores_gemma":[0.0005456564,0.0000963434,0.000117953576,0.0066599636,0.00014170322,0.00003996202,0.002162635,0.000002232177,0.000104025596,0.0019681982,0.987972,0.00018928316],"about_ca_topic_score_codex":0.00056450506,"about_ca_topic_score_gemma":0.039069097,"teacher_disagreement_score":0.97226995,"about_ca_system_score_codex":0.000020845184,"about_ca_system_score_gemma":0.00013975566,"threshold_uncertainty_score":0.9784654},"labels":[],"label_agreement":null},{"id":"W1863228776","doi":"10.5195/taxreview.2015.35","title":"David Foster Wallace on Tax Policy, How to Be an Adult and Other Mysteries of the Universe","year":2015,"lang":"en","type":"article","venue":"Pittsburgh Tax Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Economics; Law and economics; Tax credit; Neoclassical economics; Keynesian economics; Public economics","score_opus":0.07767671329039667,"score_gpt":0.2777572128805281,"score_spread":0.20008049959013147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1863228776","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05854445,0.09962376,0.000028605928,0.5190829,0.0013388087,0.0036039834,0.00064379285,0.00014865375,0.31698504],"genre_scores_gemma":[0.8009299,0.0015874911,0.000030049247,0.1177711,0.0009831857,0.000061362305,0.000009432226,0.000054079046,0.07857341],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912506,0.00013359204,0.00019226805,0.00019625749,0.00019755468,0.00015524155],"domain_scores_gemma":[0.999126,0.00002738891,0.000097985314,0.00044041785,0.00017944266,0.0001287324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001870847,0.00016788844,0.00031230514,0.00004907676,0.00008703835,0.00012645718,0.00021085946,0.00003067791,0.00015639198],"category_scores_gemma":[0.00009211831,0.00010190124,0.00008375847,0.00006296161,0.00010755495,0.00025570518,0.000115003124,0.000090236696,0.000008273306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006316803,0.000089899426,0.00009008388,0.001346854,0.000043045362,0.0000108540025,0.06099628,7.3745895e-8,0.000032755608,0.6657872,0.2623296,0.00921016],"study_design_scores_gemma":[0.00018787045,0.00019885434,0.00001811071,0.0018090374,0.000041775285,0.0000055358905,0.0018526308,3.9892913e-7,0.000021713835,0.0013796281,0.99434775,0.00013672202],"about_ca_topic_score_codex":0.0002241249,"about_ca_topic_score_gemma":0.00053091027,"teacher_disagreement_score":0.74238545,"about_ca_system_score_codex":0.000025487529,"about_ca_system_score_gemma":0.000052278898,"threshold_uncertainty_score":0.4155412},"labels":[],"label_agreement":null},{"id":"W1866452072","doi":"10.3968/j.css.1923669720100603.016","title":"Postmodernism or Neo-Realism: On Parody in David Lodge’s Campus Novel Small World","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Humanism; Realism; Art; Art history; Comics; Literature; Philosophy; Humanities; Theology","score_opus":0.038656858294366346,"score_gpt":0.25303968322835085,"score_spread":0.2143828249339845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1866452072","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13298343,0.000022847968,0.0000018951341,0.004833959,0.0018176845,0.00019436289,0.00019787092,0.00003287309,0.8599151],"genre_scores_gemma":[0.96420383,3.4432048e-7,0.000019617866,0.007349255,0.0010928882,0.000012959224,0.000016573795,0.000011508639,0.027293026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867064,0.000015419446,0.00017355099,0.0003377348,0.00022180012,0.0005808307],"domain_scores_gemma":[0.99923843,0.00004283153,0.000039185787,0.00018788566,0.000107870415,0.00038377088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031498625,0.00014172417,0.00014993214,0.00033995425,0.00082940125,0.0005515442,0.00046569653,0.000060830334,0.00071522547],"category_scores_gemma":[0.00006793707,0.000121648394,0.0000434558,0.00024606704,0.00083793636,0.00031954987,0.000026408543,0.00039725317,0.00005922314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010624598,0.00002861942,0.0002531425,0.000004220638,0.000001914085,0.00007241831,0.030319205,6.645218e-8,0.00026222074,0.95970505,0.0046489933,0.0046935407],"study_design_scores_gemma":[0.00022315928,0.00003365414,0.0014396284,0.000018757859,0.0000039054094,0.0000030489277,0.001489048,0.000018698332,0.000026716409,0.0018432421,0.99466527,0.00023488436],"about_ca_topic_score_codex":0.05374473,"about_ca_topic_score_gemma":0.9575807,"teacher_disagreement_score":0.9900163,"about_ca_system_score_codex":0.0001401679,"about_ca_system_score_gemma":0.0009746355,"threshold_uncertainty_score":0.9525565},"labels":[],"label_agreement":null},{"id":"W1876039949","doi":"","title":"Characters, Settings and Theme in Wuthering Heights","year":2015,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Greatness; Theme (computing); Relation (database); Literature; History; Aesthetics; Sociology; Philosophy; Art; Computer science; World Wide Web; Data mining","score_opus":0.03040931071241053,"score_gpt":0.22046016473421742,"score_spread":0.19005085402180688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1876039949","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37496197,0.00015030026,2.2218666e-7,0.002280728,0.00023415918,0.000054116317,0.000011909216,0.000011583112,0.622295],"genre_scores_gemma":[0.9965615,4.826076e-7,0.000003885404,0.0015787159,0.00032279253,0.0000023731181,0.0000014711302,0.000003102565,0.0015256245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948275,0.000009260246,0.000062978834,0.00012216315,0.000097530254,0.00022530086],"domain_scores_gemma":[0.9996753,0.0000059753497,0.000012883269,0.000040649466,0.0000475298,0.00021767487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023284063,0.00004777086,0.00005922057,0.00009269422,0.00029892757,0.00028481305,0.000110565685,0.000016726935,0.000046380635],"category_scores_gemma":[0.000017505448,0.000043375316,0.0000089066825,0.00007168849,0.00038487825,0.00038734014,0.000014132031,0.00006377729,0.000009464238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011559787,0.0000024966816,0.00071100495,0.0000027391425,7.5224e-7,0.000021325377,0.1606969,2.1970046e-9,0.00003348853,0.8347425,0.0010957824,0.0026918568],"study_design_scores_gemma":[0.00012910529,0.00001325952,0.0014357956,0.000018700723,0.0000014628691,0.0000015993619,0.025897667,0.000009503224,0.0000136529525,0.004548988,0.96779734,0.00013293975],"about_ca_topic_score_codex":0.008778258,"about_ca_topic_score_gemma":0.09074334,"teacher_disagreement_score":0.96670157,"about_ca_system_score_codex":0.00008615796,"about_ca_system_score_gemma":0.00023412713,"threshold_uncertainty_score":0.99782234},"labels":[],"label_agreement":null},{"id":"W1894591312","doi":"10.25071/1718-4657.36704","title":"CULTIVATED TRAGEDY: ART, AESTHETICS, AND TERRORISM IN DON DELILLO’S FALLING MAN","year":2010,"lang":"en","type":"article","venue":"Intersections conference journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Cruelty; Terrorism; Tragedy (event); Art; The arts; Visual arts; Rapture; History; Aesthetics; Art history; Literature; Sociology; Criminology","score_opus":0.02548277390063186,"score_gpt":0.24179728627146813,"score_spread":0.21631451237083626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1894591312","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94165075,0.00006441983,0.0003390061,0.0018455746,0.0017522391,0.00008099115,0.000008916792,0.000038137066,0.054219954],"genre_scores_gemma":[0.99451345,0.00002348871,0.000081518585,0.00023445953,0.00045014566,0.0000061121455,0.000005761442,0.000011969871,0.0046730787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991668,0.000047959187,0.00032367633,0.00015540574,0.000104670435,0.0002015309],"domain_scores_gemma":[0.99951273,0.000025459613,0.00007431065,0.00010692323,0.00017763782,0.00010292067],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019021194,0.00014039477,0.00015388746,0.00026241917,0.0003126165,0.00070741033,0.00011852066,0.00007031304,0.0016567452],"category_scores_gemma":[0.000023491028,0.00011839365,0.00006384863,0.000035110297,0.00017568856,0.000482507,0.000020998557,0.0011093593,0.000020209267],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022185485,0.0006994947,0.0065778736,0.000059307476,0.00017809516,0.00069776375,0.37715623,0.000005281818,0.018538335,0.5068129,0.017396785,0.07165608],"study_design_scores_gemma":[0.001742343,0.00042405835,0.002242765,0.00054604944,0.000056510053,0.002433845,0.059862908,0.0011238756,0.00062492455,0.01759923,0.9126386,0.00070490397],"about_ca_topic_score_codex":0.00014004282,"about_ca_topic_score_gemma":0.014864606,"teacher_disagreement_score":0.8952418,"about_ca_system_score_codex":0.000017811599,"about_ca_system_score_gemma":0.000043568238,"threshold_uncertainty_score":0.9992559},"labels":[],"label_agreement":null},{"id":"W1896507665","doi":"","title":"From Hell or From Nowhere? Non-places in Douglas Coupland’s Novels","year":2015,"lang":"en","type":"article","venue":"VBN Forskningsportal (Aalborg Universitet)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.03999589545739433,"score_gpt":0.22037640452957868,"score_spread":0.18038050907218436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1896507665","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8119387,0.00053438405,0.000018987106,0.00022370364,0.0010538497,0.00021515548,0.0007074798,0.00009989935,0.18520786],"genre_scores_gemma":[0.9287272,0.000012343956,0.00011891803,0.0004673213,0.0011784338,0.0000029592184,0.0008797138,0.000035254347,0.06857787],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984908,0.000021552923,0.00033899356,0.00045386853,0.0003192882,0.00037547454],"domain_scores_gemma":[0.9990315,0.000102524835,0.0001358799,0.00031095932,0.00015353317,0.0002655913],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010525213,0.00031311755,0.0004364969,0.00023712043,0.00013998429,0.0002340509,0.000293233,0.00014770552,0.0042696046],"category_scores_gemma":[0.000018497414,0.00027251252,0.000121837555,0.00013541292,0.00015739205,0.0009513617,0.00009468052,0.0003008472,0.00029188668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007325554,0.0014628374,0.0739003,0.00013373118,0.00093895185,0.012523449,0.4833657,0.000056334102,0.00069603336,0.124452986,0.29355568,0.0015884397],"study_design_scores_gemma":[0.003213724,0.00024625185,0.0010949417,0.00024279894,0.00010295461,0.000004749446,0.03898035,0.00027261773,0.00022492037,0.001232063,0.9538624,0.000522214],"about_ca_topic_score_codex":0.010112732,"about_ca_topic_score_gemma":0.010756978,"teacher_disagreement_score":0.66030675,"about_ca_system_score_codex":0.00009766783,"about_ca_system_score_gemma":0.00022760608,"threshold_uncertainty_score":0.9999727},"labels":[],"label_agreement":null},{"id":"W1927748542","doi":"","title":"Anne Frank in the World. Compiled by the Anne Frank House. New York: Alfred A Knopf, 2001.","year":2006,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; History; Law and economics; Environmental ethics; Philosophy; Sociology","score_opus":0.02498082883975791,"score_gpt":0.2481932358654202,"score_spread":0.22321240702566228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1927748542","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89595735,0.026303519,0.000040203628,0.015527378,0.0020390952,0.00095723197,0.00019774723,0.00012702752,0.058850456],"genre_scores_gemma":[0.9576745,0.0000641726,0.00008418256,0.0009539156,0.0034420101,0.000086561806,0.00005926723,0.00007679351,0.03755859],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958606,0.0005973485,0.0011708962,0.00042045527,0.00064423156,0.0013065117],"domain_scores_gemma":[0.9982839,0.00047914908,0.00032210353,0.00055279344,0.00010910853,0.00025290335],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00211629,0.0004997969,0.0006124836,0.00047622435,0.001394788,0.0013547938,0.0011712488,0.00012475361,0.0019283706],"category_scores_gemma":[0.000032963297,0.0003030549,0.000244219,0.00043160014,0.00042290305,0.0008182306,0.00014417493,0.0018074062,0.00008888405],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039691903,0.00089922757,0.003463723,0.000024712232,0.00005883907,0.00072403473,0.18498316,0.000061864186,0.00013903218,0.009829326,0.7983755,0.0010436971],"study_design_scores_gemma":[0.0062214243,0.00051630597,0.016655503,0.00040189968,0.000049490067,0.0004957648,0.057214428,0.00045570414,0.000013651793,0.031445634,0.8856899,0.00084029295],"about_ca_topic_score_codex":0.0006172089,"about_ca_topic_score_gemma":0.004238497,"teacher_disagreement_score":0.12776873,"about_ca_system_score_codex":0.00019167837,"about_ca_system_score_gemma":0.00018141116,"threshold_uncertainty_score":0.9999422},"labels":[],"label_agreement":null},{"id":"W1947979371","doi":"10.20361/g2wc75","title":"Dead Time by C. Conlin / Shelter by J. S. Lee","year":2011,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Novella; Surprise; Witness; Macabre; Art; Art history; Literature; Psychoanalysis; Sociology; Psychology; Law; Political science","score_opus":0.011526516207315762,"score_gpt":0.2123601384349982,"score_spread":0.20083362222768245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1947979371","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008773119,0.8154744,0.000008753694,0.0028052772,0.00030748267,0.0010035528,0.0025904167,0.00010255647,0.16893445],"genre_scores_gemma":[0.8121721,0.022656068,0.0003106115,0.07559079,0.0023923705,0.00017488495,0.0073580556,0.00020974044,0.07913539],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998383,0.00020773296,0.0005714504,0.00029818868,0.000263161,0.00027650228],"domain_scores_gemma":[0.99880326,0.000058989408,0.00022409724,0.000634829,0.000203021,0.00007580092],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003760002,0.00032893824,0.000545203,0.00004240023,0.00016324723,0.00017280816,0.00061126193,0.00009445833,0.005034045],"category_scores_gemma":[0.000026084403,0.00019145808,0.00028148305,0.00010089188,0.000263686,0.0003578166,0.000070321454,0.00040846394,0.00018342379],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028743732,0.0001371741,0.000030470552,0.00085434585,0.000137845,0.0000048453344,0.008152385,1.0176814e-9,0.00011381948,0.1203469,0.86731833,0.0028751146],"study_design_scores_gemma":[0.0002402815,0.0000856707,0.00004595532,0.005445977,0.00013546084,0.0000273154,0.00001770209,6.277816e-7,0.00043091178,0.0010242121,0.99227154,0.0002743705],"about_ca_topic_score_codex":0.000032569013,"about_ca_topic_score_gemma":0.0000037982672,"teacher_disagreement_score":0.80339897,"about_ca_system_score_codex":0.000007199868,"about_ca_system_score_gemma":0.000021102564,"threshold_uncertainty_score":0.9958755},"labels":[],"label_agreement":null},{"id":"W1949804687","doi":"10.3138/cras.2014.013","title":"White Rain: 9/11 and American Fiction","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Symbol (formal); White (mutation); Event (particle physics); History; Aesthetics; Literature; Variety (cybernetics); Tragedy (event); Construct (python library); Phrase; Face (sociological concept); FLAGS register; Art; Philosophy; Linguistics; Computer science","score_opus":0.05230813930967464,"score_gpt":0.28248218842160444,"score_spread":0.2301740491119298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1949804687","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037382033,0.65153337,0.0000033324015,0.029928526,0.00066367525,0.0005639301,0.00023132507,0.00006466808,0.27962917],"genre_scores_gemma":[0.9520986,0.027969114,0.0001056008,0.015183914,0.00040199482,0.000040655235,0.00002169046,0.000020347023,0.0041580815],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991921,0.00006498256,0.00026212112,0.00016895223,0.00011415022,0.00019767701],"domain_scores_gemma":[0.99904966,0.000037076312,0.00015733029,0.00016945999,0.00032882023,0.00025765592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019039556,0.0001405336,0.0005476268,0.00011050535,0.00011547213,0.00003223647,0.00007764018,0.0000065582894,0.000061782725],"category_scores_gemma":[0.00012405879,0.00011383786,0.00006152779,0.00012596406,0.0012187025,0.00011362228,0.000022515796,0.0000640357,0.0000075731873],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008879651,0.000018661201,0.0037713638,0.002139957,0.00022836686,0.00004261154,0.043364637,6.6602965e-8,4.755021e-7,0.079125814,0.7956507,0.07564843],"study_design_scores_gemma":[0.00006669469,0.00015402927,0.00039135796,0.0010569509,0.000056112844,0.0000052814353,0.031044759,6.3655295e-7,4.4885508e-7,0.00007465905,0.96701634,0.00013275244],"about_ca_topic_score_codex":0.03596298,"about_ca_topic_score_gemma":0.17307702,"teacher_disagreement_score":0.91471654,"about_ca_system_score_codex":0.000057080055,"about_ca_system_score_gemma":0.00014828982,"threshold_uncertainty_score":0.9704566},"labels":[],"label_agreement":null},{"id":"W195630120","doi":"","title":"'Loving the hero home on leave?': Elaine Morgan's TV adaption of Testament of Youth","year":2000,"lang":"en","type":"book-chapter","venue":"Anglia Ruskin Research Online (Anglia Ruskin University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HERO; Sociology; Psychology; Art; Advertising; Literature; Business","score_opus":0.09184543539061224,"score_gpt":0.26223997979797775,"score_spread":0.1703945444073655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W195630120","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014957417,0.0014579094,0.0000043255836,0.0012002342,0.00036371098,0.00095296005,0.0035063818,0.00009278307,0.97746426],"genre_scores_gemma":[0.3754081,0.0008727714,0.000035913185,0.0001250508,0.00095368386,0.000001913182,0.0006736964,0.000103094164,0.62182575],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961624,0.00028266959,0.0006854832,0.0007319875,0.0014728217,0.00066464173],"domain_scores_gemma":[0.99677724,0.00053108524,0.00040152174,0.00109942,0.0009942128,0.00019652951],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006948545,0.0005928076,0.0008542891,0.0016508008,0.00055556727,0.000118965436,0.0011883392,0.00039175653,0.0040907008],"category_scores_gemma":[0.000061093466,0.0005060146,0.0005158814,0.00024276435,0.0014358546,0.0003259827,0.00036150953,0.0016687881,0.00008487164],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00090067287,0.00046544298,0.000011982651,0.00021645532,0.00032122954,0.00049131975,0.012954942,0.0000094832485,0.00003996083,0.97128177,0.0075878925,0.0057188338],"study_design_scores_gemma":[0.0011150958,0.001378292,0.000035955298,0.0015652857,0.0002249943,0.000003976084,0.009936449,0.00002643343,0.00010780809,0.010914378,0.97410035,0.0005909602],"about_ca_topic_score_codex":0.00083707273,"about_ca_topic_score_gemma":0.0015898267,"teacher_disagreement_score":0.9665125,"about_ca_system_score_codex":0.00032665159,"about_ca_system_score_gemma":0.00037615004,"threshold_uncertainty_score":0.99973917},"labels":[],"label_agreement":null},{"id":"W1965057524","doi":"10.3828/jlcds.1.1.3","title":"Icarus, Gods, and the 'Lesson' of Disability","year":2007,"lang":"en","type":"article","venue":"Journal of Literary & Cultural Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Narrative; Theme (computing); Poetry; Presentation (obstetrics); Context (archaeology); Ideal (ethics); Literature; Focus (optics); Art; Aesthetics; History; Philosophy; Epistemology; Computer science; Medicine","score_opus":0.052582342614495736,"score_gpt":0.319443533811039,"score_spread":0.2668611911965433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965057524","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94466704,0.03887648,0.0000018729315,0.009197729,0.0006228364,0.00021390404,0.000047256704,0.000012874247,0.0063599776],"genre_scores_gemma":[0.9976377,0.000295648,0.000063312866,0.00038194258,0.0010024711,0.000003150455,0.0000034917834,0.0000072757693,0.0006050455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785584,0.00023394694,0.0011515284,0.00018461171,0.00034948665,0.00022457467],"domain_scores_gemma":[0.99751574,0.001108599,0.00040302152,0.00025692408,0.0006306796,0.000085046086],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0017842201,0.00022605216,0.00072655577,0.000022671036,0.00030514065,0.00015340533,0.00023529673,0.000042699146,0.00009023729],"category_scores_gemma":[0.00043714722,0.0001055169,0.00038022464,0.00006937012,0.005303282,0.00096485764,0.00012234852,0.0003236041,9.787813e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016471174,0.0005426141,0.035974775,0.00055552914,0.00073314115,0.000016609498,0.46160096,1.8222225e-7,0.00006647646,0.47917867,0.0045696087,0.015114325],"study_design_scores_gemma":[0.005021817,0.000905307,0.14326139,0.0008244311,0.0006588895,0.00014201728,0.28248256,0.0000057730213,0.00027376332,0.12472784,0.44103107,0.0006651351],"about_ca_topic_score_codex":0.00003460725,"about_ca_topic_score_gemma":0.00022975549,"teacher_disagreement_score":0.43646148,"about_ca_system_score_codex":0.00006222518,"about_ca_system_score_gemma":0.0000127094445,"threshold_uncertainty_score":0.99740374},"labels":[],"label_agreement":null},{"id":"W1967420633","doi":"10.7202/1012255ar","title":"'[B]eyond that small circle all is foreign to us': Spatial and Social Cohesion in Sarah Scott's Millenium Hall","year":2003,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Cohesion (chemistry); Humanities; Sociology; Physics; Philosophy; Quantum mechanics","score_opus":0.037844738493021245,"score_gpt":0.22928958410462302,"score_spread":0.19144484561160177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967420633","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93275,0.029968768,0.0000070509827,0.01164139,0.0009584843,0.0027746663,0.0010373028,0.00012684302,0.020735536],"genre_scores_gemma":[0.9852004,0.00092644664,0.0002390835,0.011656009,0.00067098014,0.00021790786,0.00013019801,0.00006124359,0.00089775183],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997791,0.000037605976,0.00037973525,0.0006361924,0.00027296398,0.00088253035],"domain_scores_gemma":[0.998845,0.00016446666,0.00012459682,0.00012028206,0.0005083649,0.00023729421],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003695452,0.0004167231,0.00051269523,0.00009576187,0.0016074879,0.0005697638,0.00027888996,0.00019344737,0.00009325891],"category_scores_gemma":[0.00006625154,0.00035624683,0.00025613577,0.00017809593,0.0003039681,0.0003070357,0.00006411551,0.00034721705,0.0000066625403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014038711,0.00008593831,0.009539111,0.0002091471,0.0011522598,0.0000055542882,0.42725047,5.8284147e-8,0.00022631929,0.09094652,0.4692799,0.0011643581],"study_design_scores_gemma":[0.0012919236,0.00017309956,0.0027885472,0.000129686,0.0001848589,0.0000024838378,0.054152228,0.000017511707,0.00047372785,0.0032829193,0.9369138,0.00058922096],"about_ca_topic_score_codex":0.022963049,"about_ca_topic_score_gemma":0.3114743,"teacher_disagreement_score":0.4676339,"about_ca_system_score_codex":0.00038622264,"about_ca_system_score_gemma":0.00020963198,"threshold_uncertainty_score":0.99988896},"labels":[],"label_agreement":null},{"id":"W1969157528","doi":"10.5539/ass.v7n1p71","title":"The Causes of Tess’s Tragedy","year":2010,"lang":"de","type":"article","venue":"Asian Social Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Misfortune; Peasant; Industrialisation; Girl; Sociology; Literature; Philosophy; History; Aesthetics; Law; Political science; Psychology; Art","score_opus":0.01620466682956326,"score_gpt":0.2566828321078565,"score_spread":0.24047816527829322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969157528","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022467101,0.0014053431,0.000001936059,0.0060746633,0.0047382074,0.00015970095,0.00006553812,0.000024074392,0.96506345],"genre_scores_gemma":[0.9901936,0.000017739647,0.000007249796,0.00025350205,0.002694594,0.000005100561,0.0000017175812,0.000008097663,0.0068183737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858475,0.00004376752,0.0002674835,0.00023304459,0.00047607376,0.00039488624],"domain_scores_gemma":[0.99920493,0.00010177179,0.000121769,0.00023697437,0.0002468476,0.00008772259],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00072668906,0.00013036125,0.00016136884,0.00005111075,0.0032923988,0.00091790396,0.00069382414,0.00006915747,0.00036684412],"category_scores_gemma":[0.00012102998,0.00008870464,0.00010870428,0.00020508839,0.005555212,0.00044256123,0.00007982084,0.00041036907,0.000055347784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055555947,0.000038934213,0.000029022183,0.000009420264,0.000010237778,0.000004300032,0.051890943,4.457425e-10,0.0016617108,0.89983034,0.0028203663,0.043699153],"study_design_scores_gemma":[0.00011386081,0.00005595754,0.0044459766,0.000018799617,0.0000340844,9.267158e-7,0.014004627,0.0000011501007,0.00078409846,0.012355329,0.96803176,0.00015344666],"about_ca_topic_score_codex":0.00007884742,"about_ca_topic_score_gemma":0.00065577566,"teacher_disagreement_score":0.9677265,"about_ca_system_score_codex":0.000012354888,"about_ca_system_score_gemma":0.00033041375,"threshold_uncertainty_score":0.99800515},"labels":[],"label_agreement":null},{"id":"W1970367992","doi":"10.3138/md.45.2.231","title":"Ideology as Behaviour: Identity and Realism in <i>The Drawer Boy</i>","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Subjectivity; Postmodernism; Metaphor; Identity (music); Ideology; Aesthetics; Realism; Politics; Psychoanalysis; Sociology; Action (physics); Gender studies; Literature; Philosophy; Epistemology; Psychology; Art; Law; Political science; Theology","score_opus":0.03374424032382029,"score_gpt":0.2478455512617106,"score_spread":0.2141013109378903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970367992","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6954475,0.0033849948,0.00003709168,0.009829587,0.00031370253,0.00019189998,0.000023791388,0.000051202074,0.29072022],"genre_scores_gemma":[0.97747624,0.000022426735,0.0000065084105,0.0054867035,0.00027483524,0.000020051893,0.000011179654,0.0000109527455,0.016691096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920666,0.00007671052,0.00018168712,0.00019472069,0.00014385322,0.00019635458],"domain_scores_gemma":[0.999637,0.00003976906,0.00002951027,0.00022417527,0.000033662596,0.000035848418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000155111,0.00011446898,0.00013987155,0.00006061374,0.0001826061,0.00040306308,0.00017243379,0.000058691814,0.0008306852],"category_scores_gemma":[0.00001352985,0.00008622004,0.00004424833,0.000025931038,0.00014643882,0.00048170754,0.000042887277,0.00020237967,0.00007550147],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008636733,0.00011039567,0.0010410909,0.0000119647875,0.0000075891076,0.00019442868,0.13163261,1.4957502e-7,0.000018039424,0.8473157,0.017088694,0.002570673],"study_design_scores_gemma":[0.0009907621,0.0001634962,0.0028699106,0.00004725932,0.00005287219,0.00012622659,0.0051390477,0.00048624756,0.00001778811,0.33030564,0.6593958,0.00040492474],"about_ca_topic_score_codex":0.0007600107,"about_ca_topic_score_gemma":0.00403644,"teacher_disagreement_score":0.6423071,"about_ca_system_score_codex":0.0000075428447,"about_ca_system_score_gemma":0.000004849766,"threshold_uncertainty_score":0.909542},"labels":[],"label_agreement":null},{"id":"W1973963151","doi":"10.1353/mos.2014.0010","title":"The “Dark Power of Destiny” in George Orwell’s Nineteen Eighty-Four","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Destiny (ISS module); Narrative; Patriarchy; Power (physics); Psychoanalysis; Literature; Art; Art history; Sociology; Psychology; Gender studies","score_opus":0.014207264429887047,"score_gpt":0.19880366477663386,"score_spread":0.18459640034674682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973963151","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2880962,0.0011966787,0.000018255374,0.0019659423,0.0005956204,0.00016223501,0.000028359507,0.00004365081,0.7078931],"genre_scores_gemma":[0.971716,0.0000044904104,0.0000147117225,0.00041511655,0.00019621324,0.000008533974,0.00001040829,0.000011725475,0.027622795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992671,0.00007372357,0.00022933315,0.00012172048,0.000120838384,0.00018726106],"domain_scores_gemma":[0.9994526,0.00017405904,0.000049628175,0.00023754628,0.000054384836,0.000031802803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028299427,0.00010018279,0.00014343862,0.000045687764,0.00013854836,0.0000959218,0.00017038148,0.000030561998,0.0004843779],"category_scores_gemma":[0.000046045785,0.000064280015,0.000053766493,0.000036004214,0.00012803683,0.00010675494,0.000030337558,0.00012700945,0.00005116281],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026212749,0.00004262864,0.0011737867,0.000019942754,0.000013730192,0.000009762106,0.011634422,6.9786546e-7,0.00007129035,0.9373687,0.04688232,0.0027565067],"study_design_scores_gemma":[0.00023251981,0.0000722259,0.0011737327,0.00003835763,0.0000062851545,0.0000015803207,0.00044101107,0.00003716523,0.00007740644,0.013455228,0.98436654,0.00009794414],"about_ca_topic_score_codex":0.000115988754,"about_ca_topic_score_gemma":0.0007797532,"teacher_disagreement_score":0.9374842,"about_ca_system_score_codex":0.000007378291,"about_ca_system_score_gemma":0.000016590571,"threshold_uncertainty_score":0.53035986},"labels":[],"label_agreement":null},{"id":"W1975874518","doi":"10.1503/cmaj.061672","title":"Consumed by circumstances","year":2007,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Consumption (sociology); Statement (logic); Computer science; Art; Law; Political science; Aesthetics","score_opus":0.008919211177084486,"score_gpt":0.2123042571756405,"score_spread":0.203385045998556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975874518","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040267423,0.0037413926,0.00012217212,0.04987741,0.004794106,0.00012518438,0.0001304385,0.00004642474,0.9008955],"genre_scores_gemma":[0.9581572,0.000015691625,0.0000075274074,0.02253259,0.0034290846,0.0000018726176,0.000015880822,0.000008559937,0.015831634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850595,0.000047726902,0.0002996924,0.000079783174,0.000693584,0.00037326507],"domain_scores_gemma":[0.99844027,0.00015079399,0.00009356249,0.000044919587,0.00027487092,0.0009955885],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014148634,0.0000742233,0.00011542064,0.00009708317,0.00039908892,0.00029912262,0.00013727281,0.00013316592,0.019850442],"category_scores_gemma":[0.0003596544,0.00006560138,0.00005788781,0.000036673733,0.00006332391,0.00020406555,0.0000033820677,0.00052937365,0.00015321044],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002977376,0.000012353541,0.0013058708,0.0000026156893,0.00004640383,0.0002996528,0.0037391982,3.9772154e-9,0.0000060790053,0.09562109,0.8716999,0.027263831],"study_design_scores_gemma":[0.0002555362,0.000013906977,0.0002547766,0.000021379787,0.000006666096,0.000039457544,0.0021291384,0.0000017637237,0.0000071696486,0.0009676935,0.9962154,0.00008709622],"about_ca_topic_score_codex":0.0017690896,"about_ca_topic_score_gemma":0.1735651,"teacher_disagreement_score":0.9178897,"about_ca_system_score_codex":0.00025434693,"about_ca_system_score_gemma":0.0006809218,"threshold_uncertainty_score":0.98104554},"labels":[],"label_agreement":null},{"id":"W1977403457","doi":"10.1068/a33189","title":"Having Arrived, Time to Move on: Coupland's Brentwood as an Experiment with Space and Time","year":2001,"lang":"en","type":"article","venue":"Environment and Planning A Economy and Space","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symbol (formal); Utopia; Sociology; Dystopia; Viewpoints; Aesthetics; Representation (politics); Reading (process); Media studies; History; Politics; Law; Linguistics; Art history; Political science; Visual arts; Art; Philosophy","score_opus":0.009857618181617775,"score_gpt":0.1874561021153651,"score_spread":0.17759848393374733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977403457","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8613952,0.0013009125,0.00001626447,0.0015580253,0.00002519822,0.00020248303,0.00001618285,0.000029238678,0.1354565],"genre_scores_gemma":[0.95534223,0.000040224102,0.00010536861,0.00093529787,0.00022500112,0.000020854086,0.000034119552,0.000017383603,0.043279544],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992576,0.000022449602,0.00010877882,0.0003458458,0.00006432827,0.00020098998],"domain_scores_gemma":[0.9995805,0.000049111193,0.000038722897,0.000131217,0.0000042958127,0.00019617924],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008567394,0.00020796878,0.00020454376,0.00005522698,0.00028382,0.00032210952,0.000042571035,0.00004019362,0.0014638243],"category_scores_gemma":[0.0000015057255,0.00017306441,0.00001543509,0.000008002171,0.0000994579,0.00027733683,0.00003573323,0.00010131277,0.00013108471],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004573718,0.0011578116,0.034223687,0.00016121488,0.0008263666,0.0016730954,0.6068089,0.0005107475,0.0015133717,0.29228193,0.036879838,0.019389315],"study_design_scores_gemma":[0.0008395511,0.0010843464,0.0010245868,0.00013047298,0.00003229475,0.000055967168,0.0051628374,0.000502991,0.00011439309,0.00035210187,0.99026537,0.0004351109],"about_ca_topic_score_codex":0.000026967959,"about_ca_topic_score_gemma":0.0000038628154,"teacher_disagreement_score":0.95338553,"about_ca_system_score_codex":0.0000124705675,"about_ca_system_score_gemma":0.0000055761825,"threshold_uncertainty_score":0.99944896},"labels":[],"label_agreement":null},{"id":"W1982291462","doi":"10.1111/russ.10697","title":"Andrei Bitov's <i>Pushkin House</i>: A Critical Analysis of the Late Soviet Hero","year":2013,"lang":"en","type":"article","venue":"The Russian Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Discovery Centre","funders":"","keywords":"HERO; Narrative; Period (music); Order (exchange); Literature; Art; Art history; History; Aesthetics","score_opus":0.02214661370045451,"score_gpt":0.24712867539627192,"score_spread":0.22498206169581741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1982291462","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007793918,0.41872105,0.00001920012,0.13226917,0.0006732226,0.0014533065,0.00013007049,0.00015831065,0.43878174],"genre_scores_gemma":[0.9737214,0.005205741,0.000010130565,0.0121168075,0.0002172779,0.00006659236,0.000006688116,0.00002371143,0.008631676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987603,0.00025006884,0.0004238214,0.00014530722,0.00021117994,0.00020934775],"domain_scores_gemma":[0.99896926,0.00015019784,0.00010160666,0.0006677095,0.00005559489,0.000055626973],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003030015,0.00016109303,0.0005012642,0.000048314756,0.00023751892,0.0001676832,0.00041546562,0.00003108618,0.0066267163],"category_scores_gemma":[0.000046277073,0.00007219907,0.00049210864,0.0002519361,0.00034975156,0.00018204727,0.00007567422,0.00018911908,0.00017654226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028352142,0.000055707835,0.0000497517,0.0007967365,0.0003487707,0.0000025788777,0.0037779806,1.9996406e-7,0.000010545415,0.9599509,0.030872686,0.0041312627],"study_design_scores_gemma":[0.00010677624,0.000035199966,0.00085853774,0.002046447,0.0023163045,0.000003725685,0.00028129722,0.000045676337,0.000022359949,0.008333871,0.9857441,0.00020565926],"about_ca_topic_score_codex":0.00010260628,"about_ca_topic_score_gemma":0.00015424707,"teacher_disagreement_score":0.9659275,"about_ca_system_score_codex":0.0000047095946,"about_ca_system_score_gemma":0.000024941735,"threshold_uncertainty_score":0.99428135},"labels":[],"label_agreement":null},{"id":"W1987573063","doi":"10.1353/jnt.2006.0001","title":"Playing at Birth: Samuel R. Delany's Dhalgren","year":2005,"lang":"en","type":"article","venue":"Journal of Narrative Theory","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Luck; Context (archaeology); Reading (process); History; Quarter (Canadian coin); Literature; Art; Art history; Aesthetics; Law; Philosophy; Political science; Archaeology; Epistemology","score_opus":0.025312870486559464,"score_gpt":0.24389871530348192,"score_spread":0.21858584481692245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987573063","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62271166,0.006929064,0.00014603489,0.0027414572,0.0008327961,0.000090401285,0.000032640528,0.000026521799,0.3664894],"genre_scores_gemma":[0.9669681,0.000020696361,0.00010888736,0.0011288745,0.0025981348,0.0000013672629,0.0000030727429,0.000015641399,0.029155185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989327,0.00018311014,0.0004121154,0.00009192462,0.0002122035,0.00016795257],"domain_scores_gemma":[0.99906343,0.00021278596,0.00026931035,0.00010661189,0.00025790723,0.000089967165],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059056113,0.00014151778,0.00025488474,0.00014403037,0.00038133134,0.00012077757,0.00017351226,0.00004050724,0.0060537485],"category_scores_gemma":[0.000054631473,0.00009927794,0.00017073103,0.000027399505,0.00016440095,0.0006085484,0.000033243665,0.0002831398,0.00008878878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050574145,0.00008841569,0.00006731044,0.000014088427,0.00015148081,0.00009503734,0.28243667,0.0000029128714,0.00084587076,0.6714134,0.039159298,0.005219754],"study_design_scores_gemma":[0.0009992075,0.0003667454,0.00020286505,0.0001450511,0.000047061356,0.00019263224,0.030862153,0.000012667578,0.00045085666,0.030096877,0.93638575,0.00023815782],"about_ca_topic_score_codex":0.0000014750501,"about_ca_topic_score_gemma":0.00007208063,"teacher_disagreement_score":0.89722645,"about_ca_system_score_codex":0.00007521151,"about_ca_system_score_gemma":0.00004913634,"threshold_uncertainty_score":0.99485487},"labels":[],"label_agreement":null},{"id":"W1987578293","doi":"10.7202/1015485ar","title":"(De)Radicalism: Rootlessness and the Subversive Power of Money in Godwin’s Caleb Williams and St. Leon","year":2013,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Political radicalism; Power (physics); Literature; Art; Political science; Law; Politics; Physics","score_opus":0.011124212072167964,"score_gpt":0.20352614913635256,"score_spread":0.1924019370641846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987578293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9267694,0.055455025,9.1773575e-7,0.01258926,0.0002757418,0.0014509722,0.0005569581,0.000030829997,0.0028709366],"genre_scores_gemma":[0.9941384,0.0027671817,0.000041042313,0.0020331726,0.00021200115,0.00020861704,0.00004699766,0.00002536407,0.00052720227],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986758,0.00003567136,0.00031379546,0.00031615712,0.00018185952,0.00047671766],"domain_scores_gemma":[0.99869746,0.00038772693,0.00012646684,0.00010380698,0.000530465,0.00015404572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033747667,0.00025801605,0.00043982067,0.000044580796,0.00083479844,0.00036484058,0.00022979385,0.00011284983,0.000071202005],"category_scores_gemma":[0.000103531056,0.00015787642,0.00014269773,0.00014360093,0.0012168258,0.0003663088,0.00006684784,0.00029053923,0.0000010044117],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011560109,0.000037983747,0.0075100823,0.0001524042,0.001102149,0.0000016595504,0.5260726,6.021891e-8,0.00005671223,0.2221404,0.24229777,0.00051254185],"study_design_scores_gemma":[0.004122534,0.00018889285,0.0092493,0.0003595916,0.00038158588,0.0000046123646,0.3750056,0.00022002819,0.00007288957,0.01779222,0.59197325,0.0006295068],"about_ca_topic_score_codex":0.043395933,"about_ca_topic_score_gemma":0.08144485,"teacher_disagreement_score":0.34967545,"about_ca_system_score_codex":0.00015618581,"about_ca_system_score_gemma":0.00012599348,"threshold_uncertainty_score":0.9629742},"labels":[],"label_agreement":null},{"id":"W1987880048","doi":"10.3828/extr.2002.43.1.08","title":"Inheriting Chaos: Burroughs, Pynchon, Sterling, Rucker","year":2002,"lang":"en","type":"article","venue":"Extrapolation","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"CHAOS (operating system); History; Computer science; Computer security","score_opus":0.06408020557213494,"score_gpt":0.2019398097214219,"score_spread":0.13785960414928694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987880048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10334274,0.006090568,0.000526937,0.002126943,0.0012844233,0.00025922872,0.00002610883,0.00031757713,0.8860255],"genre_scores_gemma":[0.97318655,0.000012642329,0.000094480514,0.0006265143,0.001694649,0.000010462942,0.00003354351,0.000018272798,0.024322856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925774,0.000031563417,0.00023041716,0.00016904432,0.0001372224,0.00017402477],"domain_scores_gemma":[0.99965984,0.000027233109,0.0000585152,0.000142655,0.000069936155,0.000041851286],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008686345,0.000115604926,0.00010478483,0.000069836984,0.0002526634,0.000293455,0.00007017494,0.000044171415,0.0058732824],"category_scores_gemma":[0.000012923916,0.00011001089,0.00005963011,0.000035166515,0.00005234608,0.0006478723,0.000011178106,0.00012846838,0.0002016275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009387109,0.00009127747,0.0003962347,0.000039896633,0.00002481845,0.000014831468,0.098934874,9.410422e-7,0.00045257722,0.83661556,0.019105608,0.044313964],"study_design_scores_gemma":[0.00026366735,0.000044323442,0.00021188834,0.000055953493,0.000011206921,0.000003803704,0.0014055169,0.0016793592,0.000054995766,0.0029536304,0.9931253,0.00019033338],"about_ca_topic_score_codex":0.000030609983,"about_ca_topic_score_gemma":0.00008752445,"teacher_disagreement_score":0.9740197,"about_ca_system_score_codex":0.000012829905,"about_ca_system_score_gemma":0.0000035746434,"threshold_uncertainty_score":0.99503547},"labels":[],"label_agreement":null},{"id":"W1990811046","doi":"10.3828/extr.2008.49.2.8","title":"The Pervert's Guide to Geoff Ryman: Desire, Subjectivity and Identity in <i>Lust</i> and <i>Was</i>","year":2008,"lang":"en","type":"article","venue":"Extrapolation","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Lust; Subjectivity; Identity (music); Sociology; Psychoanalysis; Art; Philosophy; Aesthetics; Psychology; Epistemology","score_opus":0.023022836235319987,"score_gpt":0.2600796164944449,"score_spread":0.2370567802591249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990811046","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93917257,0.002921631,0.00020197418,0.0011975463,0.00022331855,0.0002476519,0.000011077436,0.00003504273,0.05598921],"genre_scores_gemma":[0.9942642,0.00010740009,0.000035016146,0.0005459427,0.00022593107,0.0000122815345,0.00000563311,0.000007962129,0.004795619],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931747,0.00006225101,0.00017637832,0.00017146886,0.00012206711,0.00015038115],"domain_scores_gemma":[0.9996511,0.000102922175,0.000029283996,0.000117864096,0.000049532995,0.00004931562],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002789923,0.00009540479,0.000102070466,0.000058748945,0.00057598663,0.00025068285,0.00005819359,0.000031968157,0.000026214933],"category_scores_gemma":[0.000035485602,0.00007477716,0.000023751927,0.00005409976,0.00012341418,0.0008332218,0.000034956814,0.00009982961,0.000005157023],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082430815,0.000064339765,0.01578835,0.00003021542,0.000015137984,0.000029973784,0.03906431,0.0000010344405,0.00039701886,0.92488396,0.008442225,0.011200997],"study_design_scores_gemma":[0.00074459316,0.000121934485,0.21525203,0.000055752644,0.000016033406,0.000039030172,0.0022744525,0.0002547764,0.00014443723,0.019398859,0.76136535,0.00033276746],"about_ca_topic_score_codex":0.0005500165,"about_ca_topic_score_gemma":0.010797907,"teacher_disagreement_score":0.9054851,"about_ca_system_score_codex":0.000015988016,"about_ca_system_score_gemma":0.000017557859,"threshold_uncertainty_score":0.60254854},"labels":[],"label_agreement":null},{"id":"W1991129017","doi":"10.1080/00111619.2013.783544","title":"Graham Swift's<i>Waterland</i>and the Ideology of Efficiency","year":2014,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Swift; Commodification; Ideology; Dialectic; Empire; Aesthetics; Sociology; History; Political science; Epistemology; Art; Economics; Economy; Philosophy; Archaeology; Law; Computer science","score_opus":0.06124670936024648,"score_gpt":0.30340075843106024,"score_spread":0.24215404907081375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991129017","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31857964,0.05060377,0.00048923003,0.012555076,0.003917871,0.0010991795,0.000040398707,0.00016235962,0.61255246],"genre_scores_gemma":[0.9964154,0.00026535464,0.000010571462,0.00090886414,0.00039273917,0.00007607723,0.000009714426,0.000011852957,0.0019094266],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998617,0.0003526476,0.00050368026,0.00023945147,0.00011685197,0.00017039347],"domain_scores_gemma":[0.9988457,0.00062344794,0.00010745039,0.00020959557,0.00018910621,0.000024685045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009595281,0.00016709535,0.0004333692,0.00012122042,0.00024845355,0.000046553865,0.00012696374,0.000056238343,0.000024462213],"category_scores_gemma":[0.0002375549,0.00010871591,0.00008250248,0.000055120723,0.0016256168,0.00027456522,0.00007554174,0.00020161785,0.000002442542],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018644771,0.000047295034,0.0006693059,0.0001613594,0.000053070533,0.0000063218927,0.06784289,7.1657433e-7,0.000018870116,0.9246168,0.005697256,0.0006996381],"study_design_scores_gemma":[0.00631366,0.0007614,0.0006379235,0.0006327405,0.00008202404,0.000027932014,0.04364616,0.0005276751,0.00027921426,0.13051997,0.8160433,0.0005280052],"about_ca_topic_score_codex":0.00023319025,"about_ca_topic_score_gemma":0.000498044,"teacher_disagreement_score":0.810346,"about_ca_system_score_codex":0.00001220002,"about_ca_system_score_gemma":0.000020765436,"threshold_uncertainty_score":0.5989653},"labels":[],"label_agreement":null},{"id":"W1993209048","doi":"10.1353/abr.2007.0060","title":"Rants &amp; Raves: letters to the editors","year":2007,"lang":"en","type":"article","venue":"American book review/˜The œAmerican book review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; Art history; History; Philosophy","score_opus":0.019261882862416698,"score_gpt":0.27835684614712525,"score_spread":0.25909496328470855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993209048","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00002803554,0.83037895,0.00024262538,0.13874647,0.001160344,0.0025633378,0.000050300518,0.00014937118,0.026680557],"genre_scores_gemma":[0.00015885282,0.40371653,0.000059387647,0.57156646,0.0051554693,0.00025461605,0.0000350254,0.00007463248,0.018979033],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949573,0.00072470115,0.0015543737,0.00081417576,0.0008843325,0.0010650643],"domain_scores_gemma":[0.9954911,0.00071230397,0.0011018945,0.0020074784,0.00026993742,0.0004173153],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0023423648,0.00078250834,0.0019866787,0.00013366691,0.0007678042,0.00024146067,0.0014996756,0.000023209226,0.0032946812],"category_scores_gemma":[0.00025351136,0.00043699058,0.0008756889,0.00067350885,0.002437368,0.000417078,0.00021497384,0.0006762179,0.0024498897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020085514,0.000039059174,0.0000048912325,0.0011950402,0.000103398816,0.000021567674,0.0014270861,8.910392e-8,0.000009086429,0.0012765632,0.9058704,0.09003274],"study_design_scores_gemma":[0.00010718585,0.0001753152,0.000037438578,0.009757494,0.00042708157,0.000040398274,0.00032832456,2.7094967e-7,0.000002535336,0.000010613634,0.9884885,0.00062485883],"about_ca_topic_score_codex":0.00046005586,"about_ca_topic_score_gemma":0.0001933149,"teacher_disagreement_score":0.43281996,"about_ca_system_score_codex":0.00011064247,"about_ca_system_score_gemma":0.000108086664,"threshold_uncertainty_score":0.9998082},"labels":[],"label_agreement":null},{"id":"W1993373800","doi":"10.1353/mos.2014.0030","title":"David Foster Wallace and the Ethical Challenge of Posthumanism","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Posthumanism; Normative; Sociology; Environmental ethics; Psychoanalysis; Aesthetics; Philosophy; Epistemology; Psychology","score_opus":0.02005822281267585,"score_gpt":0.22383058442762016,"score_spread":0.2037723616149443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993373800","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047945227,0.003995649,0.00003700746,0.10315496,0.0004491306,0.00030023314,0.000029045568,0.00005847981,0.84403026],"genre_scores_gemma":[0.98197436,0.0000149750595,0.000006893461,0.0043471833,0.0002979188,0.000007854852,0.0000068051672,0.000008835508,0.013335179],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999426,0.000109624656,0.00014523974,0.00011135272,0.000107382795,0.00010036386],"domain_scores_gemma":[0.9995274,0.00018313031,0.000034143904,0.00018401841,0.00004539293,0.000025900801],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031485225,0.00008187336,0.0001532209,0.000019618956,0.00012962587,0.00008408953,0.00010218787,0.00006028146,0.00047867114],"category_scores_gemma":[0.000023271543,0.000047492256,0.000049733142,0.000007528179,0.00028564577,0.00006295444,0.000048861468,0.00022133744,0.000016613101],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020033196,0.000013693353,0.0000046693035,0.000025777503,0.000011242771,0.0000010300485,0.052166488,1.3959556e-8,0.000010355532,0.94113445,0.0049101035,0.0017021699],"study_design_scores_gemma":[0.0007673506,0.00008658952,0.00003087104,0.00003053095,0.00001985929,0.0000019546499,0.0006212686,0.000045927336,0.000024221037,0.05376166,0.94453275,0.00007702716],"about_ca_topic_score_codex":0.000038506296,"about_ca_topic_score_gemma":0.00020934228,"teacher_disagreement_score":0.93962264,"about_ca_system_score_codex":0.0000031722418,"about_ca_system_score_gemma":0.000005714356,"threshold_uncertainty_score":0.52411133},"labels":[],"label_agreement":null},{"id":"W1994683312","doi":"10.3138/cras.2013.021","title":"Author, Father, President: Paul Auster’s Figures of Invisibility","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deconstruction (building); Solitude; Invisibility; Context (archaeology); Politics; Topos theory; Plot (graphics); George (robot); Literature; The Symbolic; Sociology; Aesthetics; Philosophy; Art; Art history; Psychoanalysis; History; Law; Political science; Psychology","score_opus":0.05130990961610962,"score_gpt":0.30077023831102223,"score_spread":0.2494603286949126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994683312","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04968665,0.824683,9.987566e-7,0.013872657,0.00037463586,0.0010735203,0.00035455968,0.00003062444,0.10992337],"genre_scores_gemma":[0.96921736,0.01430785,0.00005020829,0.005558991,0.00015701525,0.00008889009,0.00001638396,0.000016253949,0.010587067],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878436,0.000102399485,0.00053218537,0.00019650374,0.00015340575,0.00023115752],"domain_scores_gemma":[0.99861276,0.00010756408,0.0002478216,0.0003646273,0.0005125313,0.00015471743],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001913986,0.00016819549,0.00072429265,0.000100500176,0.000099599696,0.00002779655,0.00019722761,0.000015263784,0.0014367623],"category_scores_gemma":[0.00021533728,0.00012674018,0.00015832743,0.00009235651,0.00092146994,0.00016684961,0.000036602614,0.00008894845,0.000033187607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004232098,0.000046959452,0.00077364786,0.012964993,0.00042001015,0.000013759316,0.025464376,4.819159e-8,0.000013495866,0.050830413,0.8654666,0.04400147],"study_design_scores_gemma":[0.00007089253,0.00015990958,0.0016557035,0.0047100834,0.00009480819,0.0000014584396,0.011163182,5.715151e-7,0.000025015823,0.0013225992,0.9806037,0.00019206379],"about_ca_topic_score_codex":0.068888605,"about_ca_topic_score_gemma":0.09841854,"teacher_disagreement_score":0.9195307,"about_ca_system_score_codex":0.000041493407,"about_ca_system_score_gemma":0.0001336797,"threshold_uncertainty_score":0.9994761},"labels":[],"label_agreement":null},{"id":"W1994928906","doi":"10.1353/mdr.2007.0051","title":"Harold Pinter's Politics: A Silence beyond Echo (review)","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Politics; Opposition (politics); Performance art; Sociology; Literature; Media studies; History; Art; Art history; Aesthetics; Law; Political science","score_opus":0.019295019249037305,"score_gpt":0.24512982107601847,"score_spread":0.22583480182698115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994928906","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016268285,0.05549074,0.0015622083,0.0025619876,0.0008530691,0.00036718728,0.00009012421,0.00023995031,0.9225665],"genre_scores_gemma":[0.93228143,0.00015916525,0.00005670503,0.0145157,0.0010285621,0.000013291362,0.000028830478,0.000026948863,0.051889345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874157,0.000024198585,0.0003385479,0.00026634228,0.00022071092,0.00040862832],"domain_scores_gemma":[0.9992675,0.0000625174,0.00005675157,0.00034635465,0.00013539169,0.00013149474],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023441685,0.00019110976,0.00024054325,0.0000767793,0.00018903293,0.00017221959,0.00024054729,0.000049975166,0.0018443905],"category_scores_gemma":[0.000025821357,0.00016570016,0.00013631563,0.000027067274,0.00013352919,0.00032695988,0.000053917804,0.0002111776,0.00026149247],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001967572,0.00015656021,0.0000465729,0.00046420528,0.000049077746,0.00015440956,0.042177368,1.9002016e-7,0.00015378896,0.86858016,0.06401393,0.024184085],"study_design_scores_gemma":[0.00025229968,0.00008167202,0.000039002767,0.0006626096,0.000040619663,0.000013954742,0.0009193402,0.000116883144,0.00024681925,0.041980717,0.9553418,0.00030425473],"about_ca_topic_score_codex":0.00006375443,"about_ca_topic_score_gemma":0.00015751085,"teacher_disagreement_score":0.9160132,"about_ca_system_score_codex":0.000026826403,"about_ca_system_score_gemma":0.000027514456,"threshold_uncertainty_score":0.9990681},"labels":[],"label_agreement":null},{"id":"W1995851405","doi":"10.1353/vcr.2011.0018","title":"Tracing Traumatic Memory in The Woman in White : Psychic Shock, Victorian Science, and the Narrative Strategy of the Shadow- Bildungsroman","year":2011,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lunatic; Narrative; Psychic; Psychoanalysis; Shadow (psychology); Literature; White (mutation); Power (physics); Art; History; Art history; Psychology; Medicine","score_opus":0.04056721166924974,"score_gpt":0.2518519281664462,"score_spread":0.21128471649719646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995851405","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24068174,0.10137556,0.0000017329602,0.009182059,0.0023156325,0.0039663906,0.000024825618,0.00003829093,0.6424138],"genre_scores_gemma":[0.997097,0.0005987831,0.0000053729586,0.0016034393,0.00024930088,0.00009521487,0.0000014274955,0.000011947672,0.00033751337],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978489,0.00054976094,0.00064649805,0.00027463562,0.00041115063,0.00026902737],"domain_scores_gemma":[0.998978,0.0001225141,0.0001874492,0.00054461765,0.00012466316,0.00004275376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002655825,0.00021599658,0.00045694836,0.0001303052,0.00037105815,0.00017775185,0.00075177226,0.000039200917,0.00033272232],"category_scores_gemma":[0.00009437464,0.00009379603,0.00011419634,0.0005441853,0.00100135,0.00043425517,0.00005093114,0.0003660954,0.0000032554747],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019317036,0.0000700218,0.00017598314,0.0006821654,0.000012173886,0.0000045673073,0.5487399,5.916737e-8,0.000005205621,0.44868496,0.00026651716,0.0013391209],"study_design_scores_gemma":[0.005122243,0.0005630545,0.04569313,0.028337812,0.00042683852,0.00007001513,0.20343637,0.0000790933,0.000046798534,0.05896819,0.6559603,0.0012961496],"about_ca_topic_score_codex":0.00013586124,"about_ca_topic_score_gemma":0.006153082,"teacher_disagreement_score":0.75641525,"about_ca_system_score_codex":0.000028034614,"about_ca_system_score_gemma":0.00013981368,"threshold_uncertainty_score":0.38248911},"labels":[],"label_agreement":null},{"id":"W1996568139","doi":"10.1353/mos.2012.0040","title":"Purloined Letters in Ian McEwan's Atonement","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atonement; Theology; Art; Philosophy","score_opus":0.021105618814718542,"score_gpt":0.2125018123935377,"score_spread":0.19139619357881915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996568139","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7152883,0.0021294446,0.000024065188,0.008893259,0.0014919016,0.000251081,0.000037626352,0.00009530861,0.271789],"genre_scores_gemma":[0.98511106,0.0000014141768,0.000020852232,0.0035072807,0.000698888,0.000021529091,0.00003833034,0.000010697843,0.010589977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993706,0.000026100382,0.00014733046,0.00009552533,0.00009969993,0.0002607566],"domain_scores_gemma":[0.99976665,0.0000114837785,0.000020024734,0.00013237164,0.000011006341,0.00005846289],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000111321264,0.000093340605,0.00010456351,0.0000685252,0.00007575648,0.00011992631,0.00007404579,0.000018613668,0.0018796948],"category_scores_gemma":[0.0000040132904,0.00008080297,0.0000423996,0.000025256615,0.000045841167,0.00047972446,0.00002130638,0.000089050925,0.00013056172],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001958562,0.00021087393,0.0051391707,0.000037766982,0.000022368407,0.00002918725,0.07468321,3.441097e-7,0.00072536233,0.7957273,0.12094973,0.002455117],"study_design_scores_gemma":[0.00026547385,0.000017359804,0.00097302085,0.000022708778,0.0000061681835,0.0000012973271,0.0014597253,0.0000027787878,0.00013571186,0.0002909809,0.9966987,0.00012608287],"about_ca_topic_score_codex":0.00009326554,"about_ca_topic_score_gemma":0.00039056398,"teacher_disagreement_score":0.87574893,"about_ca_system_score_codex":0.000018489485,"about_ca_system_score_gemma":0.000006646679,"threshold_uncertainty_score":0.99903274},"labels":[],"label_agreement":null},{"id":"W1996627193","doi":"10.1038/503039c","title":"Russia embraced Wallace's works","year":2013,"lang":"en","type":"letter","venue":"Nature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of King's College","funders":"King's College London; Friedrich-Schiller-Universität Jena","keywords":"Political science; History","score_opus":0.011882171215845705,"score_gpt":0.21327210419564685,"score_spread":0.20138993297980115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996627193","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041084513,0.01216451,4.876739e-7,0.5878458,0.0029544085,0.00022639155,0.00008568192,0.0001467559,0.3965349],"genre_scores_gemma":[0.0060334746,0.00002349937,0.000015138311,0.5649877,0.021115242,0.000034072407,0.0007855144,0.00005984026,0.4069455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831593,0.00006996073,0.00028009745,0.0004701403,0.0004147215,0.00044912385],"domain_scores_gemma":[0.99895585,0.00009913788,0.00012265034,0.00057108863,0.00019188685,0.00005939131],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.00006425699,0.00046474126,0.00045002744,0.00016441665,0.00022423992,0.0014101523,0.00048534686,0.006252714,0.012346733],"category_scores_gemma":[0.000019984112,0.0003522181,0.00027677644,0.000039778628,0.000093976356,0.00045198784,0.0000692623,0.018700402,0.0010546743],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000574238,0.000010843713,4.095176e-7,0.00009249818,0.00007056261,0.00030280757,0.0027248634,1.0675752e-8,0.0000015151991,0.044685964,0.9507331,0.0013716398],"study_design_scores_gemma":[0.00018184657,0.00002594491,0.000002323923,0.00031951803,0.000054639175,0.0000085401125,0.000105476225,0.000002575049,0.0000024974404,0.0038484314,0.994979,0.0004691652],"about_ca_topic_score_codex":0.000027892835,"about_ca_topic_score_gemma":0.00007096534,"teacher_disagreement_score":0.0442459,"about_ca_system_score_codex":0.00005030571,"about_ca_system_score_gemma":0.000059191498,"threshold_uncertainty_score":0.999893},"labels":[],"label_agreement":null},{"id":"W1997984078","doi":"10.3138/cras.37.1.083","title":"The Triumph of Death: National Security and Imperial Erasures in Don DeLillo's <i>Underworld</i>","year":2007,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Complicity; Cold war; History; Comics; National security; Distressing; Literature; Law; Sociology; Political science; Art; Politics","score_opus":0.0308019197311567,"score_gpt":0.29600909949011495,"score_spread":0.26520717975895824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1997984078","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08871939,0.7997183,5.804785e-7,0.0049799643,0.0003255918,0.00039556675,0.00017174227,0.000008126641,0.10568073],"genre_scores_gemma":[0.9585774,0.03811823,0.000011871592,0.002942957,0.00016485596,0.000010182817,0.00000522724,0.000005830949,0.00016346732],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990686,0.000060401344,0.0004097532,0.00011512439,0.00015799678,0.0001880785],"domain_scores_gemma":[0.9990421,0.00030576022,0.00013898542,0.00009607274,0.00034321423,0.00007389515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007214283,0.000105958214,0.00039325905,0.000097135126,0.00015164386,0.000019534988,0.000092616734,0.000010927124,0.00002850933],"category_scores_gemma":[0.00022990369,0.0000718242,0.00006527535,0.00009655088,0.00074601744,0.00006393107,0.000019523333,0.00008093969,4.7294847e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059923415,0.00003876459,0.0025868167,0.0026088974,0.00029134224,0.00003058036,0.029909087,6.716485e-8,0.000013936784,0.8834127,0.043733146,0.037314724],"study_design_scores_gemma":[0.00017380656,0.00008484072,0.0014801383,0.0012191327,0.000032540425,0.0000032238604,0.009490064,4.1284972e-7,0.000014046351,0.0031908322,0.98419076,0.00012022749],"about_ca_topic_score_codex":0.024009245,"about_ca_topic_score_gemma":0.5404958,"teacher_disagreement_score":0.9404576,"about_ca_system_score_codex":0.000057422483,"about_ca_system_score_gemma":0.00017648292,"threshold_uncertainty_score":0.98248994},"labels":[],"label_agreement":null},{"id":"W2001160245","doi":"10.3366/dls.2011.0040","title":"A Criminal Intrigue: An Interview with Jean-Clet Martin","year":2011,"lang":"en","type":"article","venue":"Deleuze Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Hegelianism; Philosophy; Reading (process); Epistemology; Dialectic; Psychoanalysis; Literature; Art; Psychology","score_opus":0.23898525556842076,"score_gpt":0.2895971237502075,"score_spread":0.05061186818178676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001160245","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42512056,0.02723758,0.00016849092,0.0021937613,0.001215091,0.00055552623,0.00006690784,0.0004585422,0.54298353],"genre_scores_gemma":[0.9896907,0.00009075848,0.00021380332,0.0016661299,0.0004993961,0.00004903661,0.000011731583,0.000021761856,0.0077566574],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999085,0.000073080795,0.00023376895,0.00024054898,0.0001281403,0.00023943548],"domain_scores_gemma":[0.9993794,0.000035549892,0.000056959176,0.00023154865,0.00023462765,0.00006191145],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016343268,0.00019696988,0.00028253993,0.00007016481,0.00025804737,0.00010208823,0.00015338763,0.000022076842,0.0011981411],"category_scores_gemma":[0.00001906234,0.00013058446,0.0000603404,0.000033505105,0.00032025902,0.00042543793,0.00006700593,0.00013012826,0.000081973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016417797,0.00022156173,0.00019423671,0.00022579472,0.0003280528,0.00019390283,0.34090802,3.6312e-8,0.000004338769,0.61582893,0.017407786,0.024523173],"study_design_scores_gemma":[0.0005818735,0.0013883647,0.00027121176,0.0003026313,0.00024348813,0.00001789354,0.099187315,0.000014969568,0.00011657014,0.00727596,0.89012086,0.0004788342],"about_ca_topic_score_codex":0.00008538234,"about_ca_topic_score_gemma":0.002567206,"teacher_disagreement_score":0.8727131,"about_ca_system_score_codex":0.000011889879,"about_ca_system_score_gemma":0.00001507346,"threshold_uncertainty_score":0.9997149},"labels":[],"label_agreement":null},{"id":"W2005950716","doi":"10.3366/e2041102209000148","title":"Modernist Fiction and “the accumulation of unrecorded life”","year":2006,"lang":"en","type":"article","venue":"Modernist Cultures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Temporality; Modernism (music); Defamiliarization; Representation (politics); Everyday life; Consciousness; Constitution; Art; Aesthetics; Romance; Character (mathematics); Vagrancy; Literature; Politics; Philosophy; Epistemology; Political science","score_opus":0.047853707898124036,"score_gpt":0.26937690700596295,"score_spread":0.2215231991078389,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005950716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21638528,0.006237266,0.0024194191,0.003928808,0.0006644296,0.0005856249,0.00012728809,0.000170395,0.7694815],"genre_scores_gemma":[0.98237246,0.000009345829,0.0000358146,0.000278371,0.0005265671,0.000015960883,0.00007312083,0.0000096446865,0.016678711],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934137,0.00004856838,0.00023369749,0.00014297733,0.00013371465,0.00009968452],"domain_scores_gemma":[0.9996166,0.000043819477,0.00008659154,0.00013120782,0.00009858348,0.000023162638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000091080045,0.00011377296,0.0001638001,0.000029228711,0.00033705533,0.00025304963,0.000074004456,0.00004172416,0.00014445379],"category_scores_gemma":[0.000015709711,0.000070737726,0.000069601025,0.000014249495,0.00030294657,0.00020250386,0.000019841875,0.000087233886,0.000003902701],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016041819,0.00004870775,0.000086914406,0.00003683045,0.000023397377,0.000001037786,0.01568746,0.000103886705,0.00017496312,0.96653575,0.016636245,0.00050441513],"study_design_scores_gemma":[0.0027756412,0.000070642294,0.0016739595,0.00006183463,0.00012450338,0.000005937672,0.0024330758,0.020234276,0.00038251566,0.12699775,0.84487486,0.00036502184],"about_ca_topic_score_codex":0.00097447896,"about_ca_topic_score_gemma":0.0011059163,"teacher_disagreement_score":0.839538,"about_ca_system_score_codex":0.0000071541576,"about_ca_system_score_gemma":0.000011319582,"threshold_uncertainty_score":0.28846005},"labels":[],"label_agreement":null},{"id":"W2008695069","doi":"10.3138/jrpc.23.3.263","title":"The Posthumanity of “the Son of Man”: <i>Heroes</i> as Postmodern Apocalypse","year":2011,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Narrative; Revelation; Literature; Meaning (existential); Context (archaeology); Phenomenon; Philosophy; Intertextuality; Art; History; Aesthetics; Epistemology","score_opus":0.01944043203612814,"score_gpt":0.21953845082288653,"score_spread":0.2000980187867584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008695069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9390373,0.025404138,0.0000059856907,0.0010947534,0.00082661805,0.00015848679,0.000021306538,0.000007506396,0.033443876],"genre_scores_gemma":[0.9871423,0.0017229305,0.000021135154,0.0007703654,0.00022533328,5.195095e-7,0.0000015375008,0.000008773738,0.01010707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909997,0.000086078326,0.00041446753,0.000066399174,0.00023322634,0.000099838115],"domain_scores_gemma":[0.99903286,0.000011562014,0.00040897704,0.00016979332,0.0003266159,0.000050168175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022270823,0.00010974738,0.00020905303,0.000028678032,0.00022883099,0.000063072264,0.00023111133,0.00006616527,0.000033350178],"category_scores_gemma":[0.000030060695,0.000049761322,0.0002194552,0.00002795324,0.00018387641,0.00017351386,0.000035268346,0.00028502484,0.0000016616807],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030878696,0.00013104346,0.0003607361,0.000072046045,0.00011499067,0.0000213421,0.10639946,9.6469584e-8,0.0011492128,0.8358462,0.054430995,0.001165099],"study_design_scores_gemma":[0.0003296959,0.00035569153,0.000083110106,0.00019304284,0.00008715421,0.00011098442,0.0023172302,0.0000011926846,0.0009965207,0.024161581,0.9712865,0.000077325145],"about_ca_topic_score_codex":0.00010942647,"about_ca_topic_score_gemma":0.00025190666,"teacher_disagreement_score":0.91685545,"about_ca_system_score_codex":0.00000552764,"about_ca_system_score_gemma":0.000023536395,"threshold_uncertainty_score":0.2029208},"labels":[],"label_agreement":null},{"id":"W2008891374","doi":"10.3917/sr.037.0029","title":"Situation d'Edward W. Said, critique et théoricien de la littérature","year":2014,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Philosophy; Art; Orientalism; Biography; Art history; Theology","score_opus":0.020898981751812755,"score_gpt":0.37847405638323756,"score_spread":0.3575750746314248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008891374","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064028827,0.01424418,0.0069671543,0.06535132,0.003858799,0.000417013,0.00030783992,0.0002242728,0.9022265],"genre_scores_gemma":[0.8468183,0.0011233161,0.00087127334,0.008460665,0.0035581165,0.0000917807,0.00041181216,0.00006245729,0.13860223],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972979,0.001130281,0.00044361196,0.00042324868,0.00027879834,0.00042619838],"domain_scores_gemma":[0.9981514,0.00083538785,0.00013332779,0.00040261357,0.00031441235,0.0001628648],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00081553386,0.00029189856,0.00029229058,0.00011447306,0.00084499887,0.0010726779,0.00019166077,0.00033022196,0.0022029043],"category_scores_gemma":[0.0002801956,0.0003087356,0.0002931864,0.00015719543,0.00049679325,0.0007948104,0.0000506617,0.0006951619,0.00016484522],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011121272,0.00020543074,0.00009093802,0.00009610395,0.00006515581,0.000017294438,0.063719645,0.000012324485,0.00024251426,0.86133647,0.066974744,0.007228277],"study_design_scores_gemma":[0.0004927272,0.00008965167,0.0007561115,0.0001563334,0.00014072703,0.000027947499,0.017975412,0.00023704897,0.00011177507,0.18089588,0.79880023,0.00031612435],"about_ca_topic_score_codex":0.00045572262,"about_ca_topic_score_gemma":0.00026282683,"teacher_disagreement_score":0.8404155,"about_ca_system_score_codex":0.000100342135,"about_ca_system_score_gemma":0.00023097954,"threshold_uncertainty_score":0.9999643},"labels":[],"label_agreement":null},{"id":"W2009217569","doi":"10.3138/cras.2013.033","title":"The Frame-Breakers: Thomas Pynchon’s Post-human Luddites","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":50,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Creatures; Hegemony; Appropriation; Power (physics); Liminality; Politics; Frame (networking); Sociology; Aesthetics; Psychoanalysis; Philosophy; Political science; Epistemology; Law; History; Psychology; Computer science","score_opus":0.023406451226999747,"score_gpt":0.2708611740472982,"score_spread":0.24745472282029846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009217569","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007793151,0.73878795,2.0146433e-7,0.038503688,0.00045366192,0.0007103551,0.00014186715,0.00004255412,0.21356657],"genre_scores_gemma":[0.86722547,0.066017255,0.000051462113,0.04172094,0.00092560996,0.0003613171,0.000052125066,0.00004801096,0.023597794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987593,0.00009299642,0.00042543732,0.00019594799,0.00016060998,0.00036568733],"domain_scores_gemma":[0.99827087,0.00023143044,0.00019363796,0.00039435204,0.00071981177,0.00018991868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018392842,0.00020817756,0.00053963996,0.0000795855,0.00069724506,0.00015113008,0.00029756973,0.00001492859,0.00063967495],"category_scores_gemma":[0.00021865312,0.00012668906,0.00017730339,0.00009921641,0.0014960471,0.00019819893,0.000040126037,0.00014917114,0.000116391886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012226674,0.000011528732,0.00011674271,0.0008422387,0.00026526814,0.000010515734,0.009028097,5.325332e-9,0.000007976395,0.18255997,0.77599895,0.031157458],"study_design_scores_gemma":[0.000042429227,0.00012067366,0.00044807245,0.0013964254,0.000057494366,0.0000026646212,0.022963952,1.571173e-7,0.0000027413005,0.0006778474,0.9741216,0.00016598709],"about_ca_topic_score_codex":0.062375437,"about_ca_topic_score_gemma":0.23469196,"teacher_disagreement_score":0.85943234,"about_ca_system_score_codex":0.00005765832,"about_ca_system_score_gemma":0.00013805527,"threshold_uncertainty_score":0.9438683},"labels":[],"label_agreement":null},{"id":"W2012149641","doi":"10.1503/cmaj.050362","title":"Sergey Tolstoy and The Doukhobors: The Halifax Quarantine","year":2006,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarantine; Snow; Sky; Art history; Meteorology; History; Archaeology; Geography; Medicine; Pathology","score_opus":0.005070020374010714,"score_gpt":0.17959437765626923,"score_spread":0.1745243572822585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012149641","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07725592,0.004344104,0.000018973313,0.6104527,0.002153088,0.00019471654,0.00007376723,0.000026278243,0.30548045],"genre_scores_gemma":[0.960019,0.000027632357,0.000002304365,0.022348974,0.0059825554,0.0000045397883,0.00000861511,0.000007020906,0.011599375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986809,0.00019491964,0.00027253455,0.00007252305,0.00053530704,0.00024382191],"domain_scores_gemma":[0.99913305,0.00026548494,0.00010049894,0.000071864546,0.00019462535,0.00023447433],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014338257,0.00008074444,0.0001273508,0.000045314784,0.00093921646,0.00062044006,0.00016950705,0.00008329617,0.0033323818],"category_scores_gemma":[0.00024604943,0.000040686387,0.00007329605,0.00003813208,0.00018439892,0.00014191012,0.000008645324,0.0005574042,0.000038454844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067853266,0.0000057482926,0.0009698848,0.000002027488,0.000030681604,0.000053551576,0.004316348,1.5400796e-7,1.6598422e-7,0.5581955,0.43473092,0.0016882935],"study_design_scores_gemma":[0.0007053997,0.000008555227,0.0015309299,0.00002150553,0.000019373885,0.00007481484,0.0017009294,0.000059162365,3.0495562e-7,0.005667377,0.9901492,0.00006247392],"about_ca_topic_score_codex":0.016664008,"about_ca_topic_score_gemma":0.3062837,"teacher_disagreement_score":0.8827631,"about_ca_system_score_codex":0.000067098,"about_ca_system_score_gemma":0.00038097423,"threshold_uncertainty_score":0.9975787},"labels":[],"label_agreement":null},{"id":"W2013340003","doi":"10.1353/mos.2013.0029","title":"To the Side of the Day: Comparison without Comparison in Pynchon (and. . .)","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comparability; Work (physics); Positive economics; Epistemology; History; Aesthetics; Philosophy; Economics; Mathematics; Physics","score_opus":0.025440158744451786,"score_gpt":0.24749029726371738,"score_spread":0.22205013851926558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013340003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93083584,0.0015520904,0.000019749794,0.0079180915,0.00041196457,0.00053851854,0.000018109997,0.000022922426,0.05868272],"genre_scores_gemma":[0.9941677,0.0000011569416,0.000012086784,0.0012619373,0.0001369048,0.000034303437,0.000004710257,0.000008223757,0.0043729898],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927753,0.00009844617,0.00024940984,0.00011613618,0.00012378243,0.0001347148],"domain_scores_gemma":[0.99954766,0.00008020911,0.00005204248,0.00024736323,0.000041374697,0.000031354753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001593189,0.00009315292,0.00019175786,0.000032749133,0.00012340066,0.00013743939,0.00019180232,0.000024079616,0.0002185914],"category_scores_gemma":[0.000022479175,0.000048665104,0.000038033857,0.000046740384,0.000106538995,0.00011421119,0.0000721145,0.0001608559,0.00004858852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028067609,0.00022272462,0.15941755,0.000066213295,0.00003769185,0.000001377153,0.32132626,0.000029270295,0.00044022084,0.3111734,0.19120628,0.016050955],"study_design_scores_gemma":[0.0002632524,0.000062002786,0.035748515,0.00012207478,0.000015040595,7.291208e-7,0.0087784715,0.001024393,0.0004278377,0.0021489183,0.95127213,0.00013664378],"about_ca_topic_score_codex":0.0010338374,"about_ca_topic_score_gemma":0.00754019,"teacher_disagreement_score":0.76006585,"about_ca_system_score_codex":0.000008229722,"about_ca_system_score_gemma":0.000011454342,"threshold_uncertainty_score":0.4207603},"labels":[],"label_agreement":null},{"id":"W2017397500","doi":"10.1353/jlt.2014.0003","title":"Suffering and Social Death: Austin Clarke’s The Polished Hoe as Neo-Slave Narrative","year":2014,"lang":"en","type":"article","venue":"Journal of Literature and Trauma Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Subaltern; Psychoanalytic theory; Hegemony; Psychoanalysis; Terminology; Sociology; Politics; History; Psychology; Epistemology; Gender studies; Literature; Law; Philosophy; Political science; Linguistics; Art","score_opus":0.03926382240044637,"score_gpt":0.28091953540101006,"score_spread":0.24165571300056368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017397500","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9073642,0.0540045,0.0000098902365,0.013663204,0.00081489555,0.00012875059,0.000017261464,0.000017487404,0.023979828],"genre_scores_gemma":[0.9929656,0.0002823783,0.0000325829,0.001606561,0.0023921796,0.0000036280348,0.0000028536642,0.0000122893125,0.0027019542],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989666,0.00014026182,0.00036738248,0.00014528423,0.00018893364,0.00019153864],"domain_scores_gemma":[0.9990037,0.0002670316,0.00019307398,0.00007623411,0.00040556755,0.000054377426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003905498,0.00021569601,0.00042798885,0.00009798628,0.0008732944,0.000749699,0.00010155643,0.00006602096,0.000024167031],"category_scores_gemma":[0.000057212714,0.00011826865,0.00012009392,0.000040996518,0.00029062488,0.0005039001,0.000049484024,0.0004821594,7.709936e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001228273,0.000026791182,0.00012573958,0.000082858576,0.00033107874,0.000052468393,0.6480605,3.3393608e-8,0.00004236328,0.34287372,0.0055139307,0.002767661],"study_design_scores_gemma":[0.0015601729,0.00086787855,0.0028405664,0.00061803573,0.00028105965,0.00037504162,0.12311836,0.0000059391036,0.000059220878,0.050511234,0.81941736,0.00034510717],"about_ca_topic_score_codex":0.000006340358,"about_ca_topic_score_gemma":0.00005724401,"teacher_disagreement_score":0.81390345,"about_ca_system_score_codex":0.0000110585115,"about_ca_system_score_gemma":0.000014762071,"threshold_uncertainty_score":0.72293645},"labels":[],"label_agreement":null},{"id":"W2017494467","doi":"10.7202/1025677ar","title":"Romantic Realism/Victorian Romance","year":2013,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Realism; Art; Art history; History; Literature","score_opus":0.014995978364497743,"score_gpt":0.1831704557003224,"score_spread":0.16817447733582466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017494467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38656417,0.0011273586,0.000038942733,0.019467156,0.007685064,0.001234961,0.00007684916,0.00041500074,0.58339053],"genre_scores_gemma":[0.97639996,0.000040889678,0.00002405675,0.003512125,0.003512733,0.00007863587,0.000025152285,0.00004462831,0.016361838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982885,0.000112316084,0.000376622,0.00042252848,0.00033085936,0.00046913966],"domain_scores_gemma":[0.9987514,0.00028315015,0.00010673182,0.00058911846,0.00010935867,0.00016022187],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022234676,0.00035199826,0.0003301874,0.000089781046,0.0007085227,0.0009727348,0.00037559928,0.00009932631,0.0030789573],"category_scores_gemma":[0.000037934657,0.00022392618,0.00010491828,0.00006414183,0.0002659497,0.00048999,0.0000827127,0.00031332468,0.0007087054],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000130505305,0.00005665453,0.00002698721,0.000020524261,0.00004034456,0.000016656059,0.0125267925,8.762491e-8,0.00023816175,0.94395137,0.042790815,0.0003185758],"study_design_scores_gemma":[0.00043780555,0.00025168015,0.0012087493,0.00011399546,0.000049031634,0.000011829916,0.001095538,0.00012353368,0.00014370558,0.06177358,0.934402,0.00038857106],"about_ca_topic_score_codex":0.00029376498,"about_ca_topic_score_gemma":0.00012216727,"teacher_disagreement_score":0.89161116,"about_ca_system_score_codex":0.000015809086,"about_ca_system_score_gemma":0.000020876583,"threshold_uncertainty_score":0.99783236},"labels":[],"label_agreement":null},{"id":"W2018036914","doi":"10.1080/0950236x.2013.858067","title":"How to map the non-place of empire: DeLillo's<i>Cosmopolis</i>","year":2014,"lang":"en","type":"article","venue":"Textual Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Biopower; Sociology; Aesthetics; Governmentality; Identity (music); Empire; Relations of production; Sketch; Assemblage (archaeology); Epistemology; Politics; History; Philosophy; Law; Political science","score_opus":0.021139760438004,"score_gpt":0.2543708223592631,"score_spread":0.23323106192125911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018036914","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0093001835,0.0005816373,0.0007153534,0.10840211,0.000826777,0.00040655336,0.000057633762,0.00007743477,0.8796323],"genre_scores_gemma":[0.92744905,0.0000040945542,0.00018313984,0.0177519,0.0011798843,0.00001772904,0.000010239509,0.000020352922,0.05338364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889857,0.00017294676,0.00021932725,0.00020598971,0.00027419117,0.00022895217],"domain_scores_gemma":[0.9981283,0.0009238778,0.00013546039,0.00044387532,0.0002839807,0.00008453015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061279803,0.00015668188,0.00019201903,0.00004898591,0.0002583902,0.0004472096,0.00031006054,0.000042761512,0.00030768625],"category_scores_gemma":[0.0006517163,0.00010476081,0.000076691984,0.000053108113,0.00014286774,0.0008690408,0.00008325259,0.00024098105,0.00024650342],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009418713,0.000084612955,0.0000028291618,0.000031005406,0.000034645866,0.000004905302,0.029323447,6.211811e-7,0.00016058107,0.6828504,0.28403115,0.0033816122],"study_design_scores_gemma":[0.0002162166,0.00020327435,0.000010533289,0.000028509388,0.000057540743,0.000007846051,0.01301718,0.0000260177,0.0002633064,0.0009477519,0.9850732,0.00014860633],"about_ca_topic_score_codex":0.00027835227,"about_ca_topic_score_gemma":0.0003723927,"teacher_disagreement_score":0.9181488,"about_ca_system_score_codex":0.000011661989,"about_ca_system_score_gemma":0.00003461526,"threshold_uncertainty_score":0.43124524},"labels":[],"label_agreement":null},{"id":"W2018407685","doi":"10.1017/s1060150304000518","title":"“THE USUAL SAD CATASTROPHE”: FROM THE STREET TO THE PARLOR IN<i>ADAM BEDE</i>","year":2004,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Politics; Literature; Symbol (formal); Girl; Art; Narrative; History; Hyperbole; Criticism; Art history; Philosophy; Metaphor; Law; Psychology","score_opus":0.007837626866638392,"score_gpt":0.20013360589505585,"score_spread":0.19229597902841747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018407685","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3417239,0.22683626,0.000053399774,0.30017388,0.020620925,0.004109282,0.009205192,0.00043074216,0.09684645],"genre_scores_gemma":[0.971492,0.00012561315,0.000032949738,0.009458434,0.00833147,0.00007310148,0.000347623,0.000024075442,0.0101147415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986305,0.00009967666,0.0002862538,0.00035405715,0.00026546782,0.00036402256],"domain_scores_gemma":[0.9990991,0.00010785509,0.00005767556,0.0004969396,0.00012510856,0.000113351],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00016884043,0.00030284905,0.000203401,0.000022892753,0.0011196682,0.0022069395,0.00049230066,0.00012566063,0.00006351384],"category_scores_gemma":[0.00003617343,0.0001239272,0.00010167851,0.00016293203,0.0001572687,0.00035851027,0.00008670532,0.00067310873,0.000024791343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008500483,0.000046859346,0.00011717827,0.00000926103,0.000056883542,0.00005439459,0.39310005,0.0000016522081,0.00007122984,0.4610806,0.14445189,0.0009249977],"study_design_scores_gemma":[0.0004748651,0.000101721176,0.0003587251,0.000174392,0.000028605986,0.00000601053,0.008227103,4.84832e-7,0.000030998595,0.007917053,0.9824858,0.00019425001],"about_ca_topic_score_codex":0.0002427901,"about_ca_topic_score_gemma":0.024460917,"teacher_disagreement_score":0.8380339,"about_ca_system_score_codex":0.000028745051,"about_ca_system_score_gemma":0.000043231663,"threshold_uncertainty_score":0.9988289},"labels":[],"label_agreement":null},{"id":"W2020758167","doi":"10.1503/cmaj.101521","title":"Writers bear witness to those living on the edge","year":2011,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Witness; Enhanced Data Rates for GSM Evolution; Work (physics); Front line; Line (geometry); Front (military); Computer science; Art history; History; Artificial intelligence; Engineering; Archaeology; Geometry; Mechanical engineering","score_opus":0.03333676866083246,"score_gpt":0.21759080758923083,"score_spread":0.18425403892839837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020758167","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11228936,0.00023260126,0.000035795445,0.1051054,0.0037695852,0.00019188934,0.00006260015,0.000035009616,0.77827775],"genre_scores_gemma":[0.9283878,0.0000048944153,0.000007614946,0.059439182,0.002962927,0.0000061570195,0.0000017281166,0.000011046882,0.00917861],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867964,0.00014535646,0.00021827413,0.00009371127,0.0005516316,0.00031136125],"domain_scores_gemma":[0.9986141,0.00021112665,0.000065397304,0.000090655754,0.00020617731,0.0008125594],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001110157,0.0000890093,0.0001064825,0.00011398023,0.00058359496,0.00029927577,0.00024891255,0.000091337366,0.023787102],"category_scores_gemma":[0.00074147666,0.00005990712,0.000071663686,0.00004951919,0.00004785247,0.0001520222,0.000011470046,0.00059567683,0.00039592327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005177438,0.000027537902,0.00093683886,0.0000027356389,0.000053137574,0.00018884435,0.08132241,3.956901e-8,6.6212425e-7,0.45273763,0.4552503,0.009474688],"study_design_scores_gemma":[0.00007984768,0.00005825094,0.0018938747,0.00016088423,0.000008808624,0.000017673012,0.005640221,0.000005533287,0.0000022973388,0.0012962034,0.99073476,0.00010162815],"about_ca_topic_score_codex":0.0017412739,"about_ca_topic_score_gemma":0.049519345,"teacher_disagreement_score":0.81609845,"about_ca_system_score_codex":0.00018029989,"about_ca_system_score_gemma":0.00048454368,"threshold_uncertainty_score":0.97710526},"labels":[],"label_agreement":null},{"id":"W2023587528","doi":"10.3138/md.44.2.214","title":"The Anti-Romantic Comedies of Dorothy L. Sayers","year":2001,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Literature; Dream; Chivalry; Plot (graphics); History; Art; Psychoanalysis; Psychology","score_opus":0.021464648458194197,"score_gpt":0.22400662704616772,"score_spread":0.20254197858797351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023587528","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61833704,0.0048205084,0.00012738694,0.0041667293,0.00071827427,0.00018327926,0.000019340618,0.00008036303,0.37154707],"genre_scores_gemma":[0.977918,0.00006479613,0.000007813191,0.00034190033,0.00029721184,0.0000074016866,0.0000058140417,0.000012290552,0.021344727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993128,0.00002830223,0.00020139883,0.00011494708,0.00015851077,0.00018402458],"domain_scores_gemma":[0.99950516,0.000093977214,0.00004982111,0.00023742967,0.00008189834,0.00003168962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000100448604,0.00010163394,0.00015362685,0.000037063965,0.00031577944,0.00019528445,0.00017999441,0.000026529877,0.00023097389],"category_scores_gemma":[0.000014390046,0.00006456285,0.00008127586,0.000023413484,0.00030370438,0.00016042567,0.000033784272,0.000091910835,0.000028903203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052233187,0.00010278073,0.00090087415,0.00004764823,0.000094631025,0.00004640548,0.061012592,0.0000024235449,0.00034555423,0.9046643,0.012739631,0.019990955],"study_design_scores_gemma":[0.00030884956,0.00006558109,0.0006292355,0.000048614434,0.000023636525,0.0000071638106,0.0027498105,0.00045002936,0.0001255345,0.03266741,0.96278167,0.00014245952],"about_ca_topic_score_codex":0.0000632707,"about_ca_topic_score_gemma":0.0003266184,"teacher_disagreement_score":0.95004207,"about_ca_system_score_codex":0.0000056719045,"about_ca_system_score_gemma":0.0000141769915,"threshold_uncertainty_score":0.26327968},"labels":[],"label_agreement":null},{"id":"W2026708091","doi":"10.1353/ari.2013.0016","title":"Postcolonial Trauma in David Bergen’s The Time in Between","year":2013,"lang":"en","type":"article","venue":"Ariel","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Orientalism; Narrative; Reflexivity; Cultural studies; Resistance (ecology); Representation (politics); Psychoanalysis; Relation (database); Virtue; Sociology; History; Literature; Epistemology; Psychology; Anthropology; Philosophy; Art; Political science","score_opus":0.016251210284203416,"score_gpt":0.20960329320111748,"score_spread":0.19335208291691405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026708091","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77515495,0.0001863713,3.2776356e-7,0.010018432,0.00014130966,0.0002160468,0.00001488159,0.000018892651,0.21424879],"genre_scores_gemma":[0.97717226,7.936123e-7,0.000004595196,0.0012320841,0.00041389902,0.000039714672,0.0000208451,0.000008226734,0.021107562],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993955,0.00004536574,0.00019042252,0.000116327465,0.000076439195,0.00017597096],"domain_scores_gemma":[0.9996924,0.00009596003,0.000019737583,0.00014315578,0.000022682167,0.000026093796],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000110837274,0.000083806124,0.00012201514,0.000054446587,0.00008096059,0.00017053104,0.00014915354,0.000039780916,0.003128683],"category_scores_gemma":[0.000011952797,0.00005689988,0.00003704843,0.000033458633,0.00007746505,0.000279638,0.000028892244,0.00017548559,0.00052795175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030904892,0.00020244118,0.017319763,0.000020412992,0.000038889826,0.000048912636,0.25399166,9.3929464e-7,0.00010789286,0.63334703,0.07164647,0.0232447],"study_design_scores_gemma":[0.0005657607,0.00009290633,0.08961819,0.000037514248,0.000010165199,0.0000011590549,0.0014047856,0.000056613702,0.000044741122,0.024432318,0.88352686,0.00020897559],"about_ca_topic_score_codex":0.0020252191,"about_ca_topic_score_gemma":0.0031810938,"teacher_disagreement_score":0.8118804,"about_ca_system_score_codex":0.000012310575,"about_ca_system_score_gemma":0.000017450922,"threshold_uncertainty_score":0.9977826},"labels":[],"label_agreement":null},{"id":"W2029064122","doi":"10.1353/smr.2012.0008","title":"Political Suicide in Hermann Hesse's Weimar Novels: Reading the Withdrawal from the Political","year":2012,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Spiritualism; Sociology; Argument (complex analysis); History; Literature; Art history; Law; Art; Political science","score_opus":0.05867162065429196,"score_gpt":0.3117840540667827,"score_spread":0.2531124334124908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029064122","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67312884,0.14202203,0.00001497801,0.07121936,0.0036996822,0.00034305672,0.000091650545,0.00003706433,0.109443314],"genre_scores_gemma":[0.98902124,0.00006770504,0.000015970949,0.00472411,0.005176434,0.000006063179,0.0000025200593,0.000019763835,0.00096619036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979618,0.00019878332,0.00062220276,0.00011845684,0.00039123095,0.0007074902],"domain_scores_gemma":[0.99779224,0.0014652595,0.000166338,0.00022364232,0.00021381273,0.0001386985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007674826,0.00021779239,0.00043114598,0.00007168487,0.0003763014,0.00016458092,0.00038261068,0.00004814471,0.00013771745],"category_scores_gemma":[0.0002276702,0.00010826244,0.00018958023,0.00005896048,0.0005989194,0.0005211276,0.00013688265,0.0006022383,0.000026288886],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006374161,0.00010428448,0.0029405134,0.00001766624,0.00024331674,0.00007932559,0.0550025,4.0801073e-8,0.000053591837,0.92529434,0.01593479,0.00026586177],"study_design_scores_gemma":[0.0014059515,0.00045222012,0.015190857,0.0015171452,0.0005567871,0.00058737316,0.39800084,0.000011392733,0.0005746332,0.058302898,0.52281284,0.0005870977],"about_ca_topic_score_codex":0.00014955414,"about_ca_topic_score_gemma":0.00024922573,"teacher_disagreement_score":0.86699146,"about_ca_system_score_codex":0.00011323327,"about_ca_system_score_gemma":0.00005968745,"threshold_uncertainty_score":0.4414814},"labels":[],"label_agreement":null},{"id":"W2030828096","doi":"10.1353/cul.2007.0023","title":"Introduction: Edward Said and After: Toward a New Humanism","year":2007,"lang":"en","type":"article","venue":"Cultural Critique","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanism; Ambivalence; Enthusiasm; Civilization; Aesthetics; Dialectic; Reverence; Admiration; Philosophy; Sociology; Religious studies; Environmental ethics; Psychoanalysis; Literature; Epistemology; Law; Theology; Psychology; Art; Political science","score_opus":0.023218053924360552,"score_gpt":0.2620827926226555,"score_spread":0.23886473869829494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030828096","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46938986,0.016689572,0.0004935694,0.06551222,0.004585004,0.0006688961,0.00007208142,0.0006446654,0.44194415],"genre_scores_gemma":[0.9461918,0.000038043763,0.00014696695,0.0024920893,0.010896471,0.000010340395,0.000031599462,0.000014686652,0.040178016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999094,0.00002345252,0.0002331311,0.00027260373,0.00011924423,0.00025757062],"domain_scores_gemma":[0.9995143,0.000022338982,0.000026679718,0.00013831972,0.00014975,0.00014860157],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001371474,0.0001784201,0.00017317574,0.000051772036,0.0001983584,0.00045031903,0.000083224084,0.000066551605,0.0023134348],"category_scores_gemma":[0.000024988343,0.00013940857,0.00007358476,0.000027494807,0.00017812134,0.00072740193,0.000036850393,0.00021491197,0.00006001092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057859652,0.000021676467,0.00003305346,0.000047769634,0.000017136039,0.00007183284,0.046841558,9.332487e-9,0.00026764898,0.83442116,0.11467051,0.0035497944],"study_design_scores_gemma":[0.00022946368,0.0000945917,0.00050419057,0.000033833217,0.000020272997,0.00006434727,0.008271866,3.7083373e-7,0.00052642677,0.00764296,0.9823804,0.00023126007],"about_ca_topic_score_codex":0.0001470249,"about_ca_topic_score_gemma":0.0010275313,"teacher_disagreement_score":0.86770993,"about_ca_system_score_codex":0.000020413145,"about_ca_system_score_gemma":0.000018239716,"threshold_uncertainty_score":0.9985986},"labels":[],"label_agreement":null},{"id":"W2031456743","doi":"10.1353/mos.2014.0016","title":"Idiocy and Aberrancy: Disability, Paul de Man, and Wordsworth’s “Idiot Boy”","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Idiot; Scholarship; Art; Literature; Art history; Psychoanalysis; Philosophy; Psychology; Law; Political science","score_opus":0.010653243088717998,"score_gpt":0.20270199759367055,"score_spread":0.19204875450495257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031456743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9022086,0.004488835,0.00003746895,0.005541833,0.00032074118,0.0001730603,0.00004714096,0.00010433166,0.08707798],"genre_scores_gemma":[0.99058974,0.000026869784,0.00003620703,0.0013308575,0.0005700489,0.000013608645,0.000020291418,0.000014932122,0.007397468],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926263,0.00006169843,0.00015401353,0.00022527791,0.00008694699,0.00020944013],"domain_scores_gemma":[0.99960047,0.00005992195,0.00002487702,0.00019538439,0.000022656513,0.0000966863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019939723,0.00013504818,0.00017704701,0.000021903976,0.00020294073,0.00027571368,0.00006673357,0.00004373533,0.00024109795],"category_scores_gemma":[0.000021402186,0.00011352443,0.000036369864,0.000017047298,0.00022014896,0.00019447628,0.000050080722,0.00012292208,0.000011974408],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067835615,0.0001776654,0.028162882,0.00036861142,0.00006711406,0.000028534863,0.04356704,2.0815008e-7,0.00011137428,0.79578173,0.05773629,0.07393073],"study_design_scores_gemma":[0.0003726922,0.000092454364,0.006499298,0.000055002198,0.000027717942,0.000012188558,0.00060162705,0.00007210566,0.000029095767,0.03034521,0.96168804,0.00020454766],"about_ca_topic_score_codex":0.00010472433,"about_ca_topic_score_gemma":0.0010369645,"teacher_disagreement_score":0.90395176,"about_ca_system_score_codex":0.0000104797255,"about_ca_system_score_gemma":0.00000941459,"threshold_uncertainty_score":0.4629392},"labels":[],"label_agreement":null},{"id":"W2035999686","doi":"10.1177/0725513610364234","title":"Review: Bruce Clarke, Posthuman Metamorphosis: Narrative and Systems (New York: Fordham University Press, 2008)","year":2010,"lang":"en","type":"article","venue":"Thesis Eleven","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Posthuman; Narrative; Sociology; Metamorphosis; Narrative identity; Environmental ethics; Art history; Media studies; Art; Philosophy; Aesthetics; Literature","score_opus":0.03449758583682668,"score_gpt":0.2142103659140366,"score_spread":0.17971278007720992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2035999686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14400688,0.4150102,0.000019466443,0.006893803,0.0016242026,0.002030348,0.0004016079,0.00042659586,0.4295869],"genre_scores_gemma":[0.85436505,0.0016312683,0.000047548976,0.0009861346,0.00063257926,0.000008800219,0.000028127539,0.000028027665,0.14227244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906135,0.0001310404,0.00020225564,0.00025344238,0.00013565173,0.0002162457],"domain_scores_gemma":[0.9992723,0.00008404767,0.000104287974,0.00032274195,0.00009598196,0.00012068308],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027386734,0.00019318625,0.00033892653,0.00005159594,0.00034251667,0.00018266182,0.00023773737,0.00006805096,0.00057738944],"category_scores_gemma":[0.000026875307,0.00016050355,0.00009502895,0.000032654043,0.0001457512,0.0003941903,0.000051774765,0.00025941312,0.000019375808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006203688,0.00006207772,0.00001571964,0.00044133587,0.00018915623,0.000028602291,0.04031248,4.5851838e-8,0.0004913437,0.416802,0.53853035,0.0030648292],"study_design_scores_gemma":[0.00023041735,0.000055053835,0.000058245572,0.00048285536,0.00015314201,0.000013397262,0.005077336,0.0000069843077,0.000083791834,0.00035847677,0.9932611,0.00021917775],"about_ca_topic_score_codex":0.00091759703,"about_ca_topic_score_gemma":0.00076969346,"teacher_disagreement_score":0.7103582,"about_ca_system_score_codex":0.000011005452,"about_ca_system_score_gemma":0.00004596589,"threshold_uncertainty_score":0.6545145},"labels":[],"label_agreement":null},{"id":"W2037890828","doi":"10.1177/001458580604000215","title":"<i>The Mysterious Flame of Queen Loana</i> : A Postmodern Historiographic Illustrated Novel of a Generation","year":2006,"lang":"en","type":"article","venue":"Forum Italicum A Journal of Italian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Postmodernism; Intertextuality; Literature; Narrative; Queen (butterfly); Politics; Art; Hegemony; History; Law","score_opus":0.02883088773143913,"score_gpt":0.2351272177639603,"score_spread":0.20629633003252118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037890828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8912512,0.07759787,0.0001795275,0.007498156,0.0031242562,0.00044806517,0.0003184451,0.000032594442,0.019549893],"genre_scores_gemma":[0.9940287,0.000094606796,0.000048229507,0.00011542358,0.0007040324,0.000005396955,0.000009831401,0.000018561068,0.0049752393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814224,0.00005185292,0.0010801456,0.00012117816,0.00036568314,0.00023891596],"domain_scores_gemma":[0.99768406,0.00008188512,0.0008281955,0.00018023052,0.0011848302,0.000040804374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029370227,0.0002046245,0.0005209977,0.00020152685,0.0002843181,0.00009877386,0.00020735011,0.00004903257,0.000013525748],"category_scores_gemma":[0.00004025711,0.00013393912,0.00034639315,0.000110945475,0.0004963685,0.0004013604,0.00004102652,0.00013694234,8.0680735e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007394251,0.0010673547,0.0016111925,0.0006122449,0.0033521445,0.00018608476,0.08775141,0.000039983715,0.043276653,0.6337781,0.22554058,0.0020448158],"study_design_scores_gemma":[0.0025488916,0.0025191507,0.00050444924,0.0008021842,0.0005546746,0.0002008765,0.04788094,0.00006516888,0.002760615,0.006477681,0.93507034,0.0006150523],"about_ca_topic_score_codex":0.00022767135,"about_ca_topic_score_gemma":0.0021659485,"teacher_disagreement_score":0.70952976,"about_ca_system_score_codex":0.00004185255,"about_ca_system_score_gemma":0.00006416055,"threshold_uncertainty_score":0.5461879},"labels":[],"label_agreement":null},{"id":"W2039858819","doi":"10.3138/cras.2014.s02","title":"Doing the Lady Gaga Dance: Postmodern Transaesthetics and the Art of Spectacle in Don DeLillo’s<i>The Body Artist</i>","year":2014,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Nipissing University","keywords":"Spectacle; Postmodernism; Commodification; Aesthetics; Romance; Art; Dystopia; Subject (documents); Dance; Art history; Literature","score_opus":0.011962998019335744,"score_gpt":0.23903488023958921,"score_spread":0.22707188222025348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039858819","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0404311,0.75658536,0.000019767482,0.09105035,0.0002594406,0.0011190677,0.00010526449,0.0000143984735,0.11041526],"genre_scores_gemma":[0.94865227,0.03921692,0.000017685254,0.011500588,0.00010313184,0.000032062857,0.0000026900218,0.000010739057,0.00046389786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989392,0.00022510176,0.00037946773,0.00013245906,0.00012980854,0.00019396534],"domain_scores_gemma":[0.9990582,0.00029753268,0.00015741293,0.00030128058,0.00013802187,0.000047571226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006397243,0.00013512338,0.0005191236,0.000037741218,0.00023131087,0.0000332023,0.00020234002,0.00000918191,0.0000290053],"category_scores_gemma":[0.000085986365,0.00006339525,0.00009698091,0.00009765935,0.0021636283,0.00005100427,0.000020785568,0.00014485781,0.0000023299256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056803543,0.000042657466,0.0007093561,0.0030343765,0.00029506563,0.000018332725,0.1562727,0.0000015165559,0.000011503289,0.6901973,0.037955604,0.111404814],"study_design_scores_gemma":[0.00019901928,0.00007929603,0.00027842386,0.0015195752,0.00008800914,0.000006285598,0.009369658,0.000011037044,0.0000035396968,0.0006960598,0.987657,0.00009210246],"about_ca_topic_score_codex":0.010302829,"about_ca_topic_score_gemma":0.19340333,"teacher_disagreement_score":0.94970137,"about_ca_system_score_codex":0.000018125555,"about_ca_system_score_gemma":0.000058073223,"threshold_uncertainty_score":0.99628764},"labels":[],"label_agreement":null},{"id":"W2042408338","doi":"10.1111/j.1741-4113.2008.00585.x","title":"<i>Beowulf</i> and Poststructuralist Theory","year":2008,"lang":"en","type":"article","venue":"Literature Compass","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Literary theory; Literature; Epistemology; Psychology; Literary criticism; Philosophy; Art","score_opus":0.018063646249194952,"score_gpt":0.19778869097252744,"score_spread":0.17972504472333248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042408338","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37381276,0.031059874,0.000054714186,0.0041988147,0.002294334,0.00034603552,0.00036355402,0.00039019604,0.5874797],"genre_scores_gemma":[0.9677001,0.000030460014,0.00007026908,0.0036263138,0.0010419847,0.00000864544,0.00011782564,0.000018659415,0.027385723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910057,0.00008151605,0.00019872656,0.00026158322,0.00013844464,0.00021915602],"domain_scores_gemma":[0.9994021,0.000084738,0.00004247495,0.00024676175,0.0001229436,0.000100956735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007896767,0.00020964051,0.00022292447,0.00007817072,0.00045767892,0.00045428405,0.00014344841,0.00006278784,0.00051361346],"category_scores_gemma":[0.00001323937,0.00015765824,0.00007645177,0.000052490534,0.00033838788,0.0004867162,0.000047323956,0.00027828332,0.000024292423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006072815,0.000017915474,0.000090973495,0.00003016487,0.000021423422,0.00015121087,0.048320923,4.3670592e-8,0.00005922488,0.92499965,0.025823845,0.00042391443],"study_design_scores_gemma":[0.0003512596,0.00006907449,0.0006330311,0.0000843821,0.000014120369,0.0002915578,0.00049337704,0.0000069153502,0.000064411695,0.025618792,0.9721176,0.00025546862],"about_ca_topic_score_codex":0.000006537147,"about_ca_topic_score_gemma":0.00002087837,"teacher_disagreement_score":0.9462938,"about_ca_system_score_codex":0.0000074373083,"about_ca_system_score_gemma":0.000013859177,"threshold_uncertainty_score":0.6429117},"labels":[],"label_agreement":null},{"id":"W2043968111","doi":"10.1353/vcr.2009.0051","title":"The Art of Fiction (review)","year":2009,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sophistication; Narrative; Craft; Rigour; Criticism; Literature; Morality; History; Art; Art history; Reputation; Aesthetics; Philosophy; Sociology; Visual arts","score_opus":0.016066684160072515,"score_gpt":0.24514800613778986,"score_spread":0.22908132197771736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043968111","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000043138175,0.6728458,0.0000030595143,0.010762843,0.00051640975,0.00022657322,0.0000057668194,0.000020165646,0.3156151],"genre_scores_gemma":[0.03058538,0.9320451,0.00000988609,0.015224372,0.0013191496,0.00002316119,0.000029733756,0.000008820604,0.020754384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929935,0.00006043885,0.0003215969,0.00009021162,0.00012916051,0.00009924907],"domain_scores_gemma":[0.9994488,0.000041844833,0.00010631981,0.0002613597,0.00011326946,0.00002843262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029890906,0.00008673327,0.00024609567,0.000012210272,0.00011746543,0.00003298138,0.00012722022,0.000010126344,0.0006098959],"category_scores_gemma":[0.00004407447,0.000049677088,0.00013335329,0.000049252507,0.00005156462,0.00010161066,0.000006482476,0.00007693391,0.00011686132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001547682,0.000014141973,6.32264e-7,0.0010762118,0.000007188242,9.478653e-7,0.00024180014,8.0300744e-10,0.00000242755,0.48086846,0.47406915,0.043717485],"study_design_scores_gemma":[0.000033898436,0.00006349187,0.000015369811,0.0072204936,0.00004974277,0.0000014344419,0.000013103534,1.505768e-7,0.000003755284,0.00066759164,0.9918709,0.000060071],"about_ca_topic_score_codex":0.0000012364675,"about_ca_topic_score_gemma":0.00001873712,"teacher_disagreement_score":0.51780176,"about_ca_system_score_codex":0.000005986022,"about_ca_system_score_gemma":0.000014208246,"threshold_uncertainty_score":0.6677932},"labels":[],"label_agreement":null},{"id":"W2045475165","doi":"10.7771/1481-4374.1822","title":"Barthelme's \"Paraguay,\" the Postmodern, and Neocolonialism","year":2012,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Postmodernism; Neocolonialism; Criticism; Politics; Aesthetics; Sociology; Literature; History; Epistemology; Philosophy; Political science; Art; Law","score_opus":0.0356406147468325,"score_gpt":0.2604560961001794,"score_spread":0.2248154813533469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045475165","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39687908,0.21810742,0.00001829001,0.01042059,0.0013840231,0.0010518491,0.0002799423,0.00016955414,0.37168926],"genre_scores_gemma":[0.9670244,0.000088305664,0.00003358852,0.005038539,0.002235667,0.000048981754,0.00008735168,0.000013234907,0.025429923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998869,0.00014707397,0.0002127803,0.00026635296,0.00015335137,0.0003514121],"domain_scores_gemma":[0.99930763,0.00007526484,0.00006881629,0.00022415134,0.00015970979,0.00016440984],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00014975165,0.00031721,0.00031503863,0.000039843682,0.0007527296,0.0010493621,0.00014042128,0.00012259425,0.00021399373],"category_scores_gemma":[0.000008151823,0.0001721985,0.00007945426,0.00005267575,0.00042226093,0.0009078143,0.00005507784,0.0004961372,0.000026961541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033626417,0.000036683363,0.000114985996,0.000020256955,0.00003911129,0.0000048536267,0.42201197,3.525293e-8,0.0001455086,0.53457445,0.04277882,0.0002397103],"study_design_scores_gemma":[0.00032914692,0.0000982588,0.00041913107,0.000089208195,0.000050703457,0.00007089025,0.006300544,0.00001279788,0.00010915208,0.00879822,0.98345494,0.0002670086],"about_ca_topic_score_codex":0.0000056051344,"about_ca_topic_score_gemma":0.000050073053,"teacher_disagreement_score":0.9406761,"about_ca_system_score_codex":0.0000065950535,"about_ca_system_score_gemma":0.000011824814,"threshold_uncertainty_score":0.99998766},"labels":[],"label_agreement":null},{"id":"W2047415034","doi":"10.1353/mos.2015.0006","title":"Queer Exuberance: The Politics of Affect in Jeanette Winterson’s Visceral Fiction","year":2015,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Pleasure; Politics; Queer theory; Affect (linguistics); Biopower; Aesthetics; Gender studies; Sociology; Art; Political science; Psychology; Law","score_opus":0.03364911068938403,"score_gpt":0.24488138706924187,"score_spread":0.21123227637985784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047415034","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69960934,0.00209873,0.00002792086,0.0035922811,0.0014365223,0.0002821507,0.000073455245,0.000055073047,0.29282454],"genre_scores_gemma":[0.9794618,0.0000019410745,0.00000496573,0.000751197,0.00050205877,0.000009365541,0.000019053787,0.000008660034,0.019240975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994283,0.00006168641,0.00015599384,0.000093199094,0.00012174085,0.00013907847],"domain_scores_gemma":[0.9996969,0.00003993421,0.00003250895,0.00014561941,0.000052720232,0.00003231901],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015259499,0.00008206464,0.000117131975,0.000046387177,0.00005593521,0.00006762573,0.000092008144,0.000026013178,0.0002501422],"category_scores_gemma":[0.000014883083,0.00005557248,0.000047330384,0.000028109795,0.00009374919,0.00015098312,0.000016310434,0.00012327883,0.000019650226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005613707,0.000087948414,0.0015094696,0.00005296598,0.000027141408,0.000021764425,0.14697024,0.000011764873,0.000081321756,0.5667681,0.28375557,0.00065759703],"study_design_scores_gemma":[0.0006600726,0.00017057439,0.00083536294,0.00009235374,0.000017297998,0.0000051674338,0.0061048795,0.00030278257,0.00021426611,0.0063325143,0.98511696,0.00014775632],"about_ca_topic_score_codex":0.00040622527,"about_ca_topic_score_gemma":0.0005184267,"teacher_disagreement_score":0.7013614,"about_ca_system_score_codex":0.000026070662,"about_ca_system_score_gemma":0.000024078632,"threshold_uncertainty_score":0.2738882},"labels":[],"label_agreement":null},{"id":"W2053827459","doi":"10.1353/utq.2007.0291","title":"The Voice under the Lamp: An Interview with Michael Redhill","year":2007,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Objectivity (philosophy); Dilemma; Drama; Aesthetics; Postmodernism; Sociology; Character (mathematics); Law; Media studies; Psychology; Literature; Philosophy; Epistemology; Art; Political science","score_opus":0.015904870211471654,"score_gpt":0.20132892363679042,"score_spread":0.18542405342531876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053827459","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22789434,0.0082420455,0.0021471651,0.009227899,0.0007717137,0.000548012,0.00005920165,0.00014029056,0.75096935],"genre_scores_gemma":[0.9757583,0.000014798187,0.000034229706,0.00042765532,0.00016308273,1.180377e-7,0.0000069575167,0.000006749126,0.02358808],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941355,0.00007209061,0.000100209225,0.00012385682,0.00012985524,0.00016044588],"domain_scores_gemma":[0.9993656,0.000093488976,0.00006602136,0.00029977714,0.0001270757,0.00004802676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000300185,0.000094424875,0.000102541635,0.000010115897,0.00053350994,0.00008753405,0.00034922542,0.000026779931,0.0004228318],"category_scores_gemma":[7.950473e-7,0.000054982538,0.0000632965,0.000009908136,0.00033449213,0.0005125202,0.000014528667,0.00008454445,0.000011967752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018226057,0.00008243365,0.000018613428,0.000018253699,0.000096879645,0.00002246765,0.28498963,1.2811655e-7,0.000024738218,0.67980516,0.006217798,0.028541619],"study_design_scores_gemma":[0.00024679993,0.00049915543,0.0007823201,0.000031432173,0.00003345632,0.0000029051275,0.24838541,0.000006550886,0.0000030066142,0.00060466246,0.7493201,0.00008421366],"about_ca_topic_score_codex":0.007020007,"about_ca_topic_score_gemma":0.41910237,"teacher_disagreement_score":0.747864,"about_ca_system_score_codex":0.000036757538,"about_ca_system_score_gemma":0.000020331241,"threshold_uncertainty_score":0.9995923},"labels":[],"label_agreement":null},{"id":"W2054279049","doi":"10.1080/21504857.2015.1027942","title":"To read what was never written: the licentiousness of history in Alan Moore and Melinda Gebbie’s<i>Lost Girls</i>","year":2015,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"History; Art history; Art; Psychology; Psychoanalysis; Sociology","score_opus":0.04652585172976227,"score_gpt":0.23231695162679436,"score_spread":0.18579109989703207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054279049","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93525565,0.02547518,0.000031904226,0.013362581,0.0026204598,0.0002953318,0.00003485937,0.000015237421,0.022908775],"genre_scores_gemma":[0.9926157,0.00033509947,0.00006879149,0.0041498495,0.00046552595,0.0000017642378,0.0000023103364,0.000026499396,0.0023344383],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883056,0.000070905066,0.0005442859,0.00011331808,0.00027953665,0.00016138732],"domain_scores_gemma":[0.9989463,0.00009609608,0.0002955752,0.00020030072,0.00032788084,0.00013383171],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000580374,0.00014651679,0.00035112147,0.00029679138,0.000047783476,0.0001440896,0.0002554471,0.00006193748,0.00007392948],"category_scores_gemma":[0.00004015702,0.00010208153,0.00011027219,0.00007904515,0.0002774746,0.00078849104,0.000053739866,0.00033391154,0.0000019472966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00089353696,0.0005935186,0.0065845647,0.00015376418,0.0002680537,0.00019184286,0.15246218,0.0000073648607,0.00071418093,0.642026,0.19172214,0.0043828418],"study_design_scores_gemma":[0.001366135,0.00025539222,0.00103732,0.0005239714,0.00006750197,0.00007659772,0.017126942,0.000015570404,0.000036772897,0.0050591254,0.9742345,0.00020013822],"about_ca_topic_score_codex":0.00016646899,"about_ca_topic_score_gemma":0.0016495591,"teacher_disagreement_score":0.78251237,"about_ca_system_score_codex":0.000045402223,"about_ca_system_score_gemma":0.00011107963,"threshold_uncertainty_score":0.4162764},"labels":[],"label_agreement":null},{"id":"W2056892473","doi":"10.1080/08854301003746882","title":"Terror and the Individual in B.S. Johnson's Last Two Novels","year":2010,"lang":"en","type":"article","venue":"Socialism and Democracy","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Paul University","funders":"","keywords":"Political science; Art; Sociology; Criminology","score_opus":0.018147377794041315,"score_gpt":0.24446878113854226,"score_spread":0.22632140334450093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056892473","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85669434,0.001358117,0.000002503717,0.020651752,0.000885062,0.00025678994,0.00008193976,0.00004171639,0.120027766],"genre_scores_gemma":[0.9935637,0.000021175027,0.000023785247,0.002982916,0.0011134411,0.0000134825805,0.000013091971,0.000010118042,0.002258262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993462,0.00005480976,0.00016211462,0.00015569157,0.00011068552,0.00017049925],"domain_scores_gemma":[0.999645,0.0001333474,0.00004188114,0.000101571815,0.00003128659,0.000046888603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033091707,0.00011382107,0.00017537274,0.000051787094,0.00044816398,0.0004645584,0.000097947,0.00005141918,0.00020211171],"category_scores_gemma":[0.000041885814,0.00007492665,0.00003946877,0.00002773546,0.0006292743,0.0003074388,0.00006809888,0.00031422527,0.0000063155812],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023485682,0.00002030054,0.0004970106,0.000008863881,0.000011931866,0.000008081962,0.082198665,3.062056e-9,0.000017687793,0.908183,0.0033110217,0.005719961],"study_design_scores_gemma":[0.0037927695,0.00002458221,0.006349607,0.000024835452,0.000044501194,0.000012736514,0.0072253398,0.000011476674,0.000011770972,0.26206726,0.7201866,0.0002485039],"about_ca_topic_score_codex":0.00025200227,"about_ca_topic_score_gemma":0.0050627207,"teacher_disagreement_score":0.7168756,"about_ca_system_score_codex":0.0000021714068,"about_ca_system_score_gemma":0.000025876854,"threshold_uncertainty_score":0.4479747},"labels":[],"label_agreement":null},{"id":"W2064364214","doi":"10.3138/cras.2013.019","title":"Hire-a-Glyph: Hermetics and Hermeneutics in Percival Everett’s <i>Glyph</i>","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Glyph (data visualization); Trickster; Hermeneutics; Avatar; Literature; HERO; Meaning (existential); Adventure; Philosophy; Art; Art history; Epistemology; Computer science; Artificial intelligence","score_opus":0.02824656526146788,"score_gpt":0.25979735618070654,"score_spread":0.23155079091923866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064364214","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18275483,0.61173975,1.6835712e-7,0.018144207,0.00042806088,0.0009620673,0.00014223465,0.00003238799,0.1857963],"genre_scores_gemma":[0.9156295,0.06547584,0.00006870221,0.016068367,0.0001433186,0.00006074769,0.00000915448,0.000019804635,0.002524543],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889123,0.000071292,0.00040349184,0.00020702998,0.000120810044,0.00030614427],"domain_scores_gemma":[0.99917066,0.00008168747,0.0001098535,0.00021318368,0.0002464542,0.00017816773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013379676,0.00019229043,0.00066432933,0.00012316568,0.000111698944,0.000047457546,0.0001227803,0.00001741783,0.0003460548],"category_scores_gemma":[0.000071589966,0.00015903926,0.00007278121,0.000111217196,0.0008812112,0.00015481714,0.00003920086,0.00013129029,0.000023595221],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012196132,0.00011703379,0.006809137,0.01712026,0.00059882517,0.00022033133,0.11260867,2.0705514e-7,0.000026324304,0.20775744,0.36674747,0.2879821],"study_design_scores_gemma":[0.00015118094,0.00014263549,0.0032820771,0.0039434666,0.000080009,0.000008783845,0.026212327,0.0000026787477,0.0000033477274,0.0008949761,0.9649608,0.0003176947],"about_ca_topic_score_codex":0.027363705,"about_ca_topic_score_gemma":0.12105821,"teacher_disagreement_score":0.7328747,"about_ca_system_score_codex":0.00006902544,"about_ca_system_score_gemma":0.00013259248,"threshold_uncertainty_score":0.97911316},"labels":[],"label_agreement":null},{"id":"W2065646552","doi":"10.2752/175183510x12580391270182","title":"<i>This Wallpaper Isn't Killing Me: Review of David Mabb's</i> Have Nothing in Your Houses That You Do Not Know to Be Useful, or Believe to Be Beautiful","year":2010,"lang":"en","type":"article","venue":"TEXTILE","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Wood Council","funders":"","keywords":"Nothing; Wallpaper; Need to know; Philosophy; Art; Art history; Aesthetics; Epistemology; Computer science; Computer security","score_opus":0.06674366722440439,"score_gpt":0.2896451527916797,"score_spread":0.2229014855672753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065646552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41709805,0.028696751,0.00003743028,0.10373737,0.004953507,0.0044702613,0.0021859473,0.00064150855,0.43817917],"genre_scores_gemma":[0.7963556,0.0007864647,0.00067124574,0.09792395,0.0010180097,0.00017555147,0.000092336195,0.00013562037,0.10284123],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978325,0.000060889393,0.00065739127,0.00051863276,0.00045713034,0.00047349263],"domain_scores_gemma":[0.99859077,0.00018526292,0.00013441248,0.00067181437,0.0002134289,0.00020432413],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005178328,0.00035974025,0.0006624622,0.00020723318,0.00020136057,0.0002918248,0.00047664222,0.0001275796,0.014235903],"category_scores_gemma":[0.00018633128,0.00028757175,0.00018352295,0.0001246278,0.00009653559,0.0005514627,0.00019499405,0.0005224143,0.00015820314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004092247,0.00072437344,0.0002824916,0.004609478,0.00013982705,0.00025749972,0.60188156,0.0000029386622,0.0098173525,0.054577302,0.29985705,0.027440898],"study_design_scores_gemma":[0.0003154399,0.0001502203,0.000050196755,0.0030045223,0.000054997767,0.000008931646,0.0023185026,0.000007591512,0.0024896986,0.000060481958,0.99112564,0.00041376235],"about_ca_topic_score_codex":0.00045481135,"about_ca_topic_score_gemma":0.0042469804,"teacher_disagreement_score":0.6912686,"about_ca_system_score_codex":0.000033093103,"about_ca_system_score_gemma":0.000089128494,"threshold_uncertainty_score":0.9999576},"labels":[],"label_agreement":null},{"id":"W2070821951","doi":"10.7202/1025615ar","title":"In Treatment with George Eliot","year":2014,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Narrative; Psychoanalytic theory; Realism; Psychoanalysis; Power (physics); Transference; Countertransference; Fantasy; Art; Psychology; Literature; Aesthetics; Art history; Physics","score_opus":0.013043191858270785,"score_gpt":0.19743784933377848,"score_spread":0.18439465747550768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070821951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5259122,0.0004160274,0.000029606445,0.009345238,0.0013183405,0.00045531016,0.000029031216,0.00007940615,0.4624148],"genre_scores_gemma":[0.98384607,0.000021809485,0.00000880011,0.0020413608,0.0010568993,0.000022876187,0.000007064278,0.000016251744,0.012978896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992573,0.00006670155,0.00014660174,0.00020207005,0.000120059485,0.0002072598],"domain_scores_gemma":[0.99949837,0.00016266113,0.000034038952,0.00023508274,0.000019750294,0.00005008829],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013375033,0.00017539969,0.00018956656,0.000059967595,0.00019604444,0.00020299983,0.00009435029,0.000035646866,0.0004721595],"category_scores_gemma":[0.000005626524,0.000090306195,0.000031095216,0.00002874922,0.00009687275,0.00013288471,0.0000150619035,0.000097913464,0.000052078467],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053087006,0.00007766371,0.00004713906,0.000006279863,0.000016917636,0.000018811957,0.01165979,1.3547933e-7,0.00004616065,0.985499,0.0019775191,0.0005974981],"study_design_scores_gemma":[0.0008189804,0.0009407216,0.0002857796,0.000057106085,0.0000232184,0.000005507535,0.00048175026,0.000074262425,0.00016609037,0.01395902,0.9830244,0.00016316547],"about_ca_topic_score_codex":0.00014724483,"about_ca_topic_score_gemma":0.0005618408,"teacher_disagreement_score":0.98104686,"about_ca_system_score_codex":0.000012017684,"about_ca_system_score_gemma":0.000010899357,"threshold_uncertainty_score":0.51698154},"labels":[],"label_agreement":null},{"id":"W2076774907","doi":"10.3138/md.48.4.758","title":"“Seek for Something New”: Mothers, Change, and Creativity in Tony Kushner’s <i>Angels in America, Homebody/Kabul, </i>and <i>Caroline, or Change</i>","year":2005,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Dialectic; Meaning (existential); Creativity; Subject (documents); Subject matter; Status quo; Psychoanalysis; Literature; Psychology; Sociology; Aesthetics; Art; Social psychology; Philosophy; Epistemology; Political science; Law","score_opus":0.07962694840941995,"score_gpt":0.2785513364724431,"score_spread":0.19892438806302318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076774907","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95222855,0.015036741,0.0005692794,0.013442011,0.00024789348,0.0017851141,0.00017670437,0.00013449856,0.01637919],"genre_scores_gemma":[0.9823799,0.00020043673,0.0005976709,0.0054753674,0.0012833213,0.00027099127,0.000026119518,0.000045485525,0.009720691],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998718,0.000057448895,0.0002942052,0.00040050663,0.00013415616,0.00039563826],"domain_scores_gemma":[0.9994106,0.0001768443,0.0000714912,0.00018446698,0.000038466413,0.000118104195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020937811,0.0002590723,0.00041636673,0.00022758632,0.00013238456,0.00028150034,0.00011424241,0.000096858465,0.0001179783],"category_scores_gemma":[0.000030543266,0.00022021761,0.00005470037,0.000072814066,0.00011234258,0.0008946288,0.000052264368,0.00022141055,0.0000036429215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000539014,0.00028396636,0.001715016,0.00018694605,0.000037179438,0.00004629388,0.53114676,0.0000029541213,0.00043727751,0.022097478,0.0014402792,0.44206682],"study_design_scores_gemma":[0.0044696582,0.00045817395,0.0020556883,0.0004088008,0.00005248526,0.000012006255,0.0061411117,0.010014729,0.00027591278,0.014741429,0.9604928,0.0008772427],"about_ca_topic_score_codex":0.0012973069,"about_ca_topic_score_gemma":0.017460993,"teacher_disagreement_score":0.9590525,"about_ca_system_score_codex":0.00003095909,"about_ca_system_score_gemma":0.000030417816,"threshold_uncertainty_score":0.97436434},"labels":[],"label_agreement":null},{"id":"W2078136140","doi":"10.7202/1005554ar","title":"“llusions of Absence:” Disappearances, Displacements, and the Limits of Responsibility in The Winter's Tale and The Remains of the Day","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Servant; Subject (documents); Literature; Judaism; Rest (music); Illusion; Art; History; Philosophy; Psychology; Theology","score_opus":0.03923092172340357,"score_gpt":0.27923289678657665,"score_spread":0.24000197506317308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078136140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71886754,0.0063599884,0.00022745672,0.0036865703,0.00025928277,0.0015219871,0.00022158584,0.000062397514,0.2687932],"genre_scores_gemma":[0.99626684,0.00029780454,0.00014166464,0.0007530316,0.00004458769,0.00009949055,0.0000047004755,0.000018376359,0.0023735063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9970943,0.0014550675,0.000712245,0.00026149128,0.0002665695,0.00021036043],"domain_scores_gemma":[0.99750817,0.0012358279,0.00032092427,0.000721944,0.00018383557,0.00002931196],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0028707946,0.00024493484,0.00045210047,0.00008873522,0.00048957375,0.00009791631,0.00063204695,0.000067296285,0.000045525907],"category_scores_gemma":[0.00051456236,0.00010768749,0.00020864938,0.0001077818,0.012285306,0.00036359284,0.00025988673,0.00032286346,1.6996088e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009455991,0.00015052372,0.0019178651,0.00018673245,0.000049789236,0.000005463939,0.2067154,6.0293864e-8,0.00037986308,0.7812131,0.00046093794,0.007974623],"study_design_scores_gemma":[0.0045168647,0.0012550339,0.038782407,0.0077753616,0.00043619398,0.00011385988,0.05079122,0.000050016515,0.016049257,0.6525787,0.22668655,0.0009645271],"about_ca_topic_score_codex":0.0012133564,"about_ca_topic_score_gemma":0.008895071,"teacher_disagreement_score":0.2773993,"about_ca_system_score_codex":0.000031081094,"about_ca_system_score_gemma":0.000043387616,"threshold_uncertainty_score":0.9904027},"labels":[],"label_agreement":null},{"id":"W2079336868","doi":"10.1177/1532708603259447","title":"True Love Stories","year":2004,"lang":"en","type":"article","venue":"Culture Studies &#x2194 Critical Methodologies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Impossibility; Narrative; Argument (complex analysis); Articulation (sociology); Philosophy; Gambit; sort; Literature; Epistemology; Art; Linguistics; Computer science; Law","score_opus":0.2126860623800564,"score_gpt":0.41416794064410156,"score_spread":0.20148187826404515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079336868","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0057942723,0.15596402,0.0069779423,0.0811267,0.015151625,0.0008367327,0.0002997353,0.0014580239,0.73239094],"genre_scores_gemma":[0.8891104,0.0009000117,0.06426056,0.0070416494,0.005883242,0.000116003255,0.000029539417,0.00008050844,0.032578085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977005,0.0003470014,0.00047691612,0.0005445127,0.00031332544,0.0006177405],"domain_scores_gemma":[0.99703354,0.0016827838,0.000058424186,0.0003873153,0.0007151206,0.00012282771],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00057826244,0.0004457789,0.00077517395,0.00008420912,0.0006117474,0.0003429053,0.000336249,0.00015811343,0.00040292024],"category_scores_gemma":[0.007897694,0.00030127165,0.00026714578,0.000096130236,0.0025050312,0.0006404902,0.00022579837,0.00050753844,0.000235821],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004535311,0.0000551235,0.0000039059532,0.00015832271,0.00016376765,0.000072892435,0.14282164,0.0000011314952,0.00013931867,0.8378084,0.017745102,0.0009850571],"study_design_scores_gemma":[0.0003107997,0.00026975706,0.00001437348,0.00011614935,0.000101578706,0.000012170071,0.15962598,1.3399449e-7,0.00076131517,0.39775398,0.44069645,0.00033730292],"about_ca_topic_score_codex":0.000018075138,"about_ca_topic_score_gemma":0.00016313294,"teacher_disagreement_score":0.88331616,"about_ca_system_score_codex":0.000084605526,"about_ca_system_score_gemma":0.000045988163,"threshold_uncertainty_score":0.9999439},"labels":[],"label_agreement":null},{"id":"W2081669620","doi":"10.1215/10407391-2005-004","title":"The Longing for the Material","year":2006,"lang":"en","type":"article","venue":"differences","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Culture theory; Critical theory; Cultural studies; The Holocaust; Affect theory; Affect (linguistics); Literary criticism; Politics; Psychoanalysis; Aesthetics; Sociology; Epistemology; Literature; Psychology; Art; Philosophy; Anthropology; Theology; Political science; Law","score_opus":0.022193312328696365,"score_gpt":0.20412866964700463,"score_spread":0.18193535731830826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081669620","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68463075,0.005285832,0.00028828392,0.014347062,0.007044101,0.0006901733,0.00021920739,0.00014932979,0.2873453],"genre_scores_gemma":[0.9777101,0.000004208447,0.0000030011674,0.00014525013,0.001842397,0.000046691708,0.000010323504,0.00000385564,0.020234155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966466,0.000012144338,0.000087835055,0.000062387306,0.000059176447,0.00011377439],"domain_scores_gemma":[0.99959934,0.00025914263,0.000020445459,0.000086203,0.000028284303,0.000006611979],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006889084,0.00005563101,0.00005091325,0.0000073488527,0.0007811834,0.000726456,0.00013916825,0.0000102643435,0.00021082911],"category_scores_gemma":[0.0000053909225,0.000022369544,0.000041681742,0.000006332227,0.00012442165,0.00006160118,0.000011437707,0.000029791649,0.0000059449058],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010988216,0.0000057731577,0.00007677651,0.0000037981395,0.0000068346517,3.4548557e-7,0.0021964994,3.2665262e-8,0.000013483161,0.9851865,0.009732426,0.002766533],"study_design_scores_gemma":[0.00007317704,0.00002218031,0.0012180241,0.000008162457,0.000011773884,3.7463397e-7,0.0018152662,0.000056092438,0.0000836417,0.049851518,0.94680226,0.000057555924],"about_ca_topic_score_codex":0.00013984354,"about_ca_topic_score_gemma":0.0011481205,"teacher_disagreement_score":0.93706983,"about_ca_system_score_codex":0.000002150943,"about_ca_system_score_gemma":0.0000058467954,"threshold_uncertainty_score":0.7005232},"labels":[],"label_agreement":null},{"id":"W2083687956","doi":"10.4000/trans.370","title":"La figure du « geek » comme stratégie de lecture Naviguer dans la « pop culture » à l’ère du surplus culturel","year":2010,"lang":"fr","type":"article","venue":"TRANS-","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Iron Ore Company (Canada)","funders":"","keywords":"Geek; Humanities; Art; Philosophy; Linguistics","score_opus":0.014817613722699696,"score_gpt":0.23457309879822985,"score_spread":0.21975548507553017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083687956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.103317015,0.030383967,0.0006762731,0.044576146,0.0035953673,0.0006240337,0.0024411338,0.00034218634,0.8140439],"genre_scores_gemma":[0.90196615,0.0006641503,0.00012315947,0.0025240215,0.004146029,0.00003225069,0.0004304329,0.00009313037,0.09002065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975566,0.00035034766,0.00046548096,0.0005266334,0.00033463904,0.00076626096],"domain_scores_gemma":[0.998666,0.00020328606,0.00009049815,0.00047591559,0.00022448957,0.00033983472],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038616484,0.00067328854,0.0005604338,0.000064365704,0.0008527412,0.0010142706,0.0005292403,0.0010803668,0.004120438],"category_scores_gemma":[0.000029467548,0.00056113274,0.00048631788,0.00010877096,0.00094690477,0.0006007173,0.000026438254,0.00274405,0.00009490416],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080276026,0.00048031565,0.0002677255,0.0003505448,0.00018006073,0.0011047282,0.20164695,0.0000061039514,0.0025372745,0.6911531,0.09997796,0.0022149724],"study_design_scores_gemma":[0.0012690373,0.00016113833,0.00065504585,0.00033739678,0.0003240965,0.00054606714,0.0068675107,0.000042802134,0.000334385,0.0073540807,0.9813817,0.00072671607],"about_ca_topic_score_codex":0.00079186016,"about_ca_topic_score_gemma":0.008741892,"teacher_disagreement_score":0.88140374,"about_ca_system_score_codex":0.000046498746,"about_ca_system_score_gemma":0.0002011533,"threshold_uncertainty_score":0.99968404},"labels":[],"label_agreement":null},{"id":"W2087105014","doi":"10.1353/ecf.2000.0048","title":"A Question of Beginnings","year":2000,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Watt; nobody; Realism; Presentation (obstetrics); Scholarship; Prime minister; Excellence; Literature; History; Philosophy; Art history; Art; Law; Epistemology; Power (physics); Political science; Politics","score_opus":0.010893268152969527,"score_gpt":0.21003485121433987,"score_spread":0.19914158306137034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087105014","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2584146,0.0056493822,0.000026858534,0.0004572914,0.0011162431,0.00019087028,0.00004115434,0.0001559595,0.73394763],"genre_scores_gemma":[0.9891863,0.0005823739,0.000031418997,0.00016376232,0.0006908773,0.000010842741,0.00009354711,0.000012344239,0.009228522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927425,0.000039609524,0.00023533757,0.0001586992,0.00015803186,0.0001340898],"domain_scores_gemma":[0.9996643,0.000016838005,0.000057937395,0.00014677054,0.00007583143,0.000038311628],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008620245,0.00010891933,0.00012903912,0.000077342454,0.00014411578,0.00007262204,0.00006906468,0.000045950383,0.009595798],"category_scores_gemma":[0.000003918135,0.00009673064,0.00008547747,0.000041479645,0.00010474098,0.00040442814,0.0000066518305,0.00010355861,0.00010932079],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108338856,0.00022036831,0.00009845725,0.00004331921,0.00003097534,0.0000054928573,0.013131001,0.0000015992013,0.0002316571,0.90053636,0.052383617,0.033208787],"study_design_scores_gemma":[0.00025923946,0.000104469036,0.00025326316,0.00007095617,0.000023865554,0.0000031723562,0.00034146092,0.000051699288,0.00026386825,0.0004860692,0.99803036,0.00011154789],"about_ca_topic_score_codex":0.00007159797,"about_ca_topic_score_gemma":0.000013708988,"teacher_disagreement_score":0.94564676,"about_ca_system_score_codex":0.00001763503,"about_ca_system_score_gemma":0.000011144288,"threshold_uncertainty_score":0.9913096},"labels":[],"label_agreement":null},{"id":"W2087171691","doi":"10.5539/ass.v10n4p288","title":"Body Control in American Cyberspace: A Study on Don Delillo’s White Noise","year":2014,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dystopia; Cyberspace; Narrative; White (mutation); Aesthetics; Sociology; History; Literature; Media studies; Art; The Internet; Computer science","score_opus":0.010412455218076955,"score_gpt":0.25413855342984715,"score_spread":0.2437260982117702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087171691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1957928,0.000008511183,0.000023157216,0.0046025417,0.0002789224,0.00027051795,0.000008516781,0.000046237976,0.7989688],"genre_scores_gemma":[0.99541295,1.7714873e-7,0.0000045882202,0.0023728483,0.00054326025,0.00002286096,9.792334e-7,0.000008236004,0.0016340828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9986877,0.00010816363,0.00016182644,0.00031721816,0.00038549092,0.0003396133],"domain_scores_gemma":[0.99957234,0.000033936954,0.00006585852,0.00015899877,0.00008458265,0.0000842908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005431267,0.00012492538,0.00020681806,0.00014299549,0.000563618,0.00038068194,0.00029199768,0.000018030722,0.00008914235],"category_scores_gemma":[0.000051078507,0.0001059817,0.000048733524,0.0002349897,0.0008497911,0.00034106712,0.000030104844,0.00016263149,0.00003801605],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005653059,0.0004358832,0.0069032647,0.00000343112,0.000009123283,0.000021613949,0.30893782,1.14103806e-7,0.00020004433,0.6405166,0.0019892806,0.040926304],"study_design_scores_gemma":[0.0028920218,0.0019706998,0.3930155,0.00005227209,0.0000363174,0.0000013462366,0.23993741,0.00008555732,0.000018497532,0.0037851583,0.35748646,0.00071874703],"about_ca_topic_score_codex":0.00034912897,"about_ca_topic_score_gemma":0.0018591594,"teacher_disagreement_score":0.79962015,"about_ca_system_score_codex":0.000055516775,"about_ca_system_score_gemma":0.000054756863,"threshold_uncertainty_score":0.43349513},"labels":[],"label_agreement":null},{"id":"W2089475262","doi":"10.4000/erea.2050","title":"Une terreur par l’image","year":2011,"lang":"fr","type":"article","venue":"E-rea","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.03850914454489007,"score_gpt":0.2205541841264229,"score_spread":0.1820450395815328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089475262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009582504,0.01542926,0.00002792503,0.0062220832,0.003221166,0.00015188394,0.00018813153,0.00009063632,0.9650864],"genre_scores_gemma":[0.55769306,0.00007563154,0.00016446594,0.0012001197,0.0018916284,0.000012145552,0.00003523484,0.000032689662,0.438895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988051,0.000064139596,0.00030979278,0.0002838638,0.00014042304,0.00039668693],"domain_scores_gemma":[0.9993046,0.000029452016,0.000063787396,0.00037169448,0.000091967784,0.00013853192],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011754132,0.00025321133,0.00024798373,0.00006163614,0.00033617232,0.00028161684,0.00021213602,0.00011252467,0.023780117],"category_scores_gemma":[0.000012236543,0.0002346581,0.00016899734,0.00005195111,0.0004539865,0.00060438487,0.000057087982,0.00027826865,0.0030623965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030297615,0.0002474578,0.00004866579,0.000088857625,0.000057000034,0.00030814586,0.05182507,4.4201247e-9,0.00006930191,0.72265947,0.2203908,0.0042749317],"study_design_scores_gemma":[0.0003070798,0.00017667358,0.0006854599,0.00016009287,0.00007610953,0.0000198337,0.0017447851,0.00000591809,0.000407101,0.015863184,0.98024875,0.00030503032],"about_ca_topic_score_codex":0.0025337676,"about_ca_topic_score_gemma":0.00078751746,"teacher_disagreement_score":0.75985795,"about_ca_system_score_codex":0.000015640291,"about_ca_system_score_gemma":0.000037009086,"threshold_uncertainty_score":0.99771386},"labels":[],"label_agreement":null},{"id":"W2096406386","doi":"10.5539/ells.v2n2p71","title":"Toward a Problematics of Postcolonialism: The Gay/Minor Science in Bhabha and Deleuze","year":2012,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postcolonialism (international relations); Sociology; Constructive; Narrative; Hybridity; Resistance (ecology); Subject (documents); Perspective (graphical); Epistemology; Linguistics; Gender studies; Philosophy; Anthropology; Art; Computer science; Visual arts","score_opus":0.0294288077257733,"score_gpt":0.27652532599172136,"score_spread":0.24709651826594806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2096406386","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8672898,0.115867324,4.4032487e-7,0.00050491275,0.0005209039,0.00022110707,0.00003956891,0.000020147038,0.015535812],"genre_scores_gemma":[0.9976067,0.00020777354,0.00007264725,0.00030857758,0.00083215564,0.000022850541,0.0000052036894,0.000007540437,0.00093657937],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99917376,0.000052265525,0.00022097389,0.00015026603,0.00015160523,0.0002511066],"domain_scores_gemma":[0.9993673,0.00016157227,0.00005841105,0.0001426983,0.00022290838,0.000047125217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051093544,0.00014466423,0.00024398371,0.00011374878,0.00021281837,0.00024505405,0.000110055356,0.000035055193,0.000018032895],"category_scores_gemma":[0.00031601684,0.00008297921,0.000029305515,0.00013515155,0.000731373,0.00062507135,0.00011496998,0.00018809637,3.475477e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010110908,0.000022880819,0.00032048867,0.00018718587,0.000018905363,0.000011511079,0.8082169,2.8304894e-8,0.00004063583,0.19024916,0.00047903453,0.0004431503],"study_design_scores_gemma":[0.0006823003,0.00017901529,0.000922797,0.00088689703,0.00008117491,0.00002763361,0.9059162,0.000009320364,0.00026033062,0.0027248296,0.08795704,0.00035246636],"about_ca_topic_score_codex":0.000025470226,"about_ca_topic_score_gemma":0.00011514563,"teacher_disagreement_score":0.18752433,"about_ca_system_score_codex":0.000011618127,"about_ca_system_score_gemma":0.000020464919,"threshold_uncertainty_score":0.33837938},"labels":[],"label_agreement":null},{"id":"W2096744976","doi":"10.5508/jhs.2008.v8.r40","title":"Review of David M. Carr, Writing on the Tablet of the Heart","year":2010,"lang":"en","type":"article","venue":"Journal of Hebrew Scriptures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Carr; Art; Philosophy; Literature; Theology; Biology","score_opus":0.022694669910473583,"score_gpt":0.24513311788202122,"score_spread":0.22243844797154763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2096744976","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16196561,0.6529027,0.0000015738954,0.050484095,0.004973137,0.00041925567,0.000103618644,0.0000115756775,0.12913838],"genre_scores_gemma":[0.8776327,0.00036743688,0.000027597518,0.12010239,0.0011661885,0.0000017003614,9.791775e-7,0.000011315183,0.00068973],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987871,0.00011853369,0.0005848348,0.00006455092,0.00032870655,0.000116239775],"domain_scores_gemma":[0.99870616,0.00016363863,0.00041850226,0.00028740815,0.00038946597,0.000034801033],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008200984,0.00010553678,0.00031736575,0.000045508747,0.00014910368,0.00006886374,0.000370988,0.000033779423,0.0011449356],"category_scores_gemma":[0.0002359074,0.0000468798,0.00029708527,0.00004530946,0.00020325073,0.00017139537,0.000035862282,0.000593472,0.0000024116796],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020673093,0.00004918934,0.00007131101,0.00055796246,0.00003523162,0.000003399055,0.0024985976,1.0383573e-7,0.0036409008,0.16221638,0.83056694,0.00033928236],"study_design_scores_gemma":[0.00011418719,0.00009975956,0.00031456255,0.0041062804,0.00005219247,0.000046348247,0.000815272,5.420033e-7,0.0020446703,0.0018873878,0.99046475,0.000054036536],"about_ca_topic_score_codex":0.000033399072,"about_ca_topic_score_gemma":0.00006929352,"teacher_disagreement_score":0.71566707,"about_ca_system_score_codex":0.000004471508,"about_ca_system_score_gemma":0.00007147211,"threshold_uncertainty_score":0.99976814},"labels":[],"label_agreement":null},{"id":"W2101001234","doi":"10.5508/jhs.2009.v9.r57","title":"Review of A.R. Angel, Chaos and the Son of Man","year":2010,"lang":"en","type":"article","venue":"Journal of Hebrew Scriptures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"CHAOS (operating system); Philosophy; Computer science; Computer security","score_opus":0.011649714417175246,"score_gpt":0.22573827124630463,"score_spread":0.2140885568291294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101001234","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043555673,0.91660476,0.0000022384622,0.005763956,0.0010929761,0.0001495727,0.000022154896,0.0000039924075,0.032804664],"genre_scores_gemma":[0.9321594,0.006867998,0.000083154555,0.058809713,0.0012881919,0.000002072477,0.0000020163711,0.000012505704,0.0007749024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991591,0.000063378706,0.00046722978,0.000051963496,0.00018021246,0.000078095276],"domain_scores_gemma":[0.99907607,0.00007113181,0.00037764804,0.0001426571,0.00029416196,0.000038357135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005865744,0.00008531156,0.0003616142,0.000060437345,0.00005987157,0.000046203826,0.00017131226,0.00002973153,0.0006543907],"category_scores_gemma":[0.00008929974,0.00004323265,0.0001594771,0.000021371248,0.00034580927,0.00020467059,0.000023636128,0.0002975005,9.139066e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010940565,0.000052949166,0.000039233204,0.0017554009,0.00007456895,0.000010061464,0.008342238,9.002927e-9,0.001149227,0.25309086,0.7313174,0.004058643],"study_design_scores_gemma":[0.0005162551,0.00010799552,0.00015804617,0.0020575575,0.000090096,0.00006548488,0.0005848821,9.58637e-7,0.00036513148,0.0048989584,0.99110425,0.000050380222],"about_ca_topic_score_codex":0.000027780605,"about_ca_topic_score_gemma":0.00014480135,"teacher_disagreement_score":0.90973675,"about_ca_system_score_codex":0.0000016195188,"about_ca_system_score_gemma":0.000028629067,"threshold_uncertainty_score":0.71651196},"labels":[],"label_agreement":null},{"id":"W2101268612","doi":"10.1111/j.1600-0730.2010.00998.x","title":"“Lost in the meantime”. Tristram Shandy and Deleuzian Stuttering","year":2010,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Teleology; HERO; Literature; Interim; Stuttering; Focus (optics); Aesthetics; Philosophy; Epistemology; History; Art; Linguistics","score_opus":0.014564475406223288,"score_gpt":0.2141318242263574,"score_spread":0.1995673488201341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101268612","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.782389,0.00032558717,0.000003863342,0.006388245,0.0004931185,0.00017183066,0.000028367383,0.000028934208,0.21017107],"genre_scores_gemma":[0.9910947,0.000004070806,0.000028331995,0.002878212,0.0007605003,0.0000144604055,0.000014729631,0.0000125733295,0.0051923916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920386,0.0000443529,0.00020187588,0.00019599346,0.00012401852,0.00022987448],"domain_scores_gemma":[0.9995921,0.00007029548,0.000029789038,0.00024063808,0.000025647952,0.0000415083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023213051,0.00013814904,0.00014272748,0.00007190828,0.00018516982,0.0006545172,0.00019138675,0.000044926026,0.0008483396],"category_scores_gemma":[0.000013504505,0.00009292997,0.00004502358,0.00003496177,0.00012597365,0.000341789,0.000037126574,0.0003593869,0.000043830787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006303657,0.00022044664,0.00440171,0.000094790106,0.0000379825,0.00026955636,0.15728295,4.6128847e-8,0.0020497658,0.7860622,0.019596994,0.029920561],"study_design_scores_gemma":[0.00039343105,0.00006212378,0.003021742,0.0000339587,0.000011332231,0.000029518129,0.0019683384,0.0000216135,0.00012606077,0.0033881236,0.9907678,0.00017597794],"about_ca_topic_score_codex":0.00010321061,"about_ca_topic_score_gemma":0.0018856869,"teacher_disagreement_score":0.9711708,"about_ca_system_score_codex":0.000003286445,"about_ca_system_score_gemma":0.000011135404,"threshold_uncertainty_score":0.92887235},"labels":[],"label_agreement":null},{"id":"W2106158707","doi":"10.7202/1027430ar","title":"Sublime et abjection dans « The Chinese Lobster » de A.S. Byatt","year":2014,"lang":"fr","type":"article","venue":"Arborescences Revue d études françaises","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Sublime; Art; Art history","score_opus":0.011538359556072336,"score_gpt":0.23158856987833204,"score_spread":0.22005021032225972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2106158707","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2166625,0.03171645,0.0004115842,0.038068652,0.0059078475,0.000547209,0.00016296799,0.00020088772,0.7063219],"genre_scores_gemma":[0.96953535,0.00046119024,0.00007437803,0.0037802167,0.0040058983,0.00005637192,0.00004373257,0.00005307994,0.0219898],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977377,0.00041586085,0.00050195016,0.00047538462,0.00027756428,0.000591536],"domain_scores_gemma":[0.99823314,0.00070123974,0.00016581682,0.0005772355,0.00016823738,0.00015433146],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00068092265,0.00044550677,0.0004026977,0.00010936084,0.0010354451,0.0010385311,0.00059100706,0.00018177122,0.00084199803],"category_scores_gemma":[0.00020049843,0.00030932022,0.00029779377,0.00019616265,0.0011498851,0.000906545,0.00009682296,0.00056965783,0.00016578878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048731876,0.00024308905,0.012636043,0.00029171963,0.00009576269,0.00003003696,0.044439103,0.000016909347,0.00010346391,0.93481123,0.003929126,0.0033547783],"study_design_scores_gemma":[0.0003667991,0.0002740649,0.024271397,0.0005876449,0.00014307341,0.00005190514,0.0027353605,0.00096185977,0.00007756209,0.005895571,0.96415746,0.00047727508],"about_ca_topic_score_codex":0.0027885316,"about_ca_topic_score_gemma":0.014163295,"teacher_disagreement_score":0.9602284,"about_ca_system_score_codex":0.000046458736,"about_ca_system_score_gemma":0.00009973159,"threshold_uncertainty_score":0.9999985},"labels":[],"label_agreement":null},{"id":"W2107486564","doi":"10.21083/irss.v31i0.496","title":"H. Gustav Klaus, &lt;i&gt;James Kelman&lt;/i&gt;","year":2008,"lang":"en","type":"article","venue":"International Review of Scottish Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Politics; Sociology; Class (philosophy); Media studies; Epistemology; Law; Political science; History; Philosophy","score_opus":0.04474234232280561,"score_gpt":0.29177013560602527,"score_spread":0.24702779328321967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2107486564","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005795898,0.6449817,0.000006287904,0.005673044,0.0016528408,0.00026553386,0.00014730052,0.000057995105,0.34141943],"genre_scores_gemma":[0.60401565,0.3343393,0.00013443253,0.004543043,0.001407751,0.000071761264,0.00008118036,0.000026045684,0.055380885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981467,0.000054968317,0.0007137308,0.00028582936,0.0005774858,0.00022124975],"domain_scores_gemma":[0.9982243,0.00018097354,0.00024491493,0.00023720185,0.0010569484,0.00005565969],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028703694,0.0002396117,0.00058971724,0.00011971379,0.00023550479,0.000053733304,0.00038773604,0.000031722182,0.0016901749],"category_scores_gemma":[0.00039126223,0.00019376016,0.00027373494,0.000059143695,0.00054100784,0.0004657037,0.00015926025,0.00012142716,0.00013293845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010758538,0.00008792653,0.00007485928,0.001406478,0.00042145787,0.000060475122,0.005098102,7.968255e-8,0.00005528023,0.45909473,0.5295333,0.0041565164],"study_design_scores_gemma":[0.00022226543,0.000065450084,0.00028712556,0.0065995366,0.00006485343,0.000031215426,0.00035797808,0.000001572162,0.000041865187,0.0018756296,0.99024975,0.00020273925],"about_ca_topic_score_codex":0.0000117850195,"about_ca_topic_score_gemma":0.000107682376,"teacher_disagreement_score":0.59821975,"about_ca_system_score_codex":0.00004947477,"about_ca_system_score_gemma":0.00005613183,"threshold_uncertainty_score":0.9992224},"labels":[],"label_agreement":null},{"id":"W2110746732","doi":"10.5539/ells.v2n2p56","title":"A Reflection of Ian McEwan’s Life in His Fiction","year":2012,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Maturity (psychological); Reflection (computer programming); Class (philosophy); Sociology; Psychoanalysis; Psychology; History; Aesthetics; Developmental psychology; Art; Philosophy; Epistemology; Computer science","score_opus":0.021428648701516544,"score_gpt":0.2663293866958609,"score_spread":0.2449007379943444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2110746732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7276914,0.1876828,0.0000015063958,0.00020603066,0.0013806773,0.00012550653,0.000043850072,0.000058415568,0.082809776],"genre_scores_gemma":[0.99224883,0.00020086521,0.00002348086,0.00021321703,0.0022520365,0.00001800968,0.000030820618,0.000009772864,0.0050029806],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993215,0.000058170463,0.00021977065,0.00012975508,0.0000913773,0.00017941107],"domain_scores_gemma":[0.99960285,0.000046522633,0.00005338769,0.00010596943,0.00014250842,0.000048739228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018337237,0.00013225255,0.00023553644,0.00015283143,0.00010251801,0.000113515256,0.000036710397,0.000055138473,0.0000681253],"category_scores_gemma":[0.00017644565,0.00010186134,0.000048657355,0.00008786219,0.00008324193,0.00086996437,0.000027293947,0.00018504035,8.6727977e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029935352,0.000052932297,0.0008260076,0.00012328218,0.00004833611,0.000009808541,0.9275271,3.9405446e-8,0.000060680297,0.06505035,0.0053933794,0.0008781096],"study_design_scores_gemma":[0.0005265548,0.00011359648,0.00065293384,0.00044752972,0.000041577146,0.0000044590684,0.5814718,0.0000011833835,0.00017106699,0.00024912003,0.41609174,0.0002284401],"about_ca_topic_score_codex":0.000028721135,"about_ca_topic_score_gemma":0.00021185544,"teacher_disagreement_score":0.41069835,"about_ca_system_score_codex":0.0000135097525,"about_ca_system_score_gemma":0.0000064272067,"threshold_uncertainty_score":0.4153785},"labels":[],"label_agreement":null},{"id":"W2114265317","doi":"10.1162/001152604772746765","title":"on a writer's endgame","year":2004,"lang":"en","type":"article","venue":"Daedalus","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Chess endgame; Political science; Computer science; Artificial intelligence","score_opus":0.019787342162015414,"score_gpt":0.2133331761382729,"score_spread":0.1935458339762575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114265317","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076604314,0.00037324973,0.000030562038,0.0020544638,0.00076495414,0.00010223342,0.000055884426,0.00012717707,0.9198872],"genre_scores_gemma":[0.981001,0.0000013935431,0.00002311594,0.0038450477,0.0006474267,0.000010380639,0.000029288616,0.0000118078115,0.014430496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994728,0.000008804072,0.000110821646,0.00014250595,0.00011499737,0.00015008323],"domain_scores_gemma":[0.9996945,0.000019617171,0.000018097615,0.00018836335,0.000031311352,0.000048104102],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004365237,0.000097425655,0.00009572634,0.00005552237,0.0001233924,0.00018876512,0.00010148618,0.00002564608,0.0015742375],"category_scores_gemma":[0.000008716958,0.00007935185,0.00006095,0.00001683697,0.00006375502,0.0001505957,0.000015555752,0.000111368725,0.00064534787],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015947458,0.00005882483,0.000001575324,0.0000061287674,0.000008645424,0.000054669985,0.01180258,0.0000011975844,0.00001665935,0.9811392,0.0054810382,0.0014135357],"study_design_scores_gemma":[0.00051235425,0.00017289675,0.000026125952,0.000045841658,0.0000071070863,0.0000051302827,0.0004779868,0.0000023284615,0.00011994855,0.09313634,0.9053597,0.00013428004],"about_ca_topic_score_codex":0.000054183958,"about_ca_topic_score_gemma":0.00012949672,"teacher_disagreement_score":0.90545666,"about_ca_system_score_codex":0.000017964232,"about_ca_system_score_gemma":0.00001992078,"threshold_uncertainty_score":0.99933845},"labels":[],"label_agreement":null},{"id":"W2116783169","doi":"10.5539/ells.v5n3p1","title":"Days of Peculiar Splendour: Howards End and The Sea, The Sea in the Context of the Poetics of Summer House Fiction","year":2015,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Character (mathematics); Context (archaeology); Existentialism; Politics; Interpretation (philosophy); Literature; Aesthetics; Philosophy; History; Art; Epistemology; Law; Archaeology; Political science","score_opus":0.02376787086984927,"score_gpt":0.24652485125101073,"score_spread":0.22275698038116146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116783169","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8101022,0.16661365,7.1209433e-7,0.0028714903,0.00055310637,0.0004448088,0.00039576774,0.000015583075,0.019002637],"genre_scores_gemma":[0.99777716,0.00048445092,0.0000033141837,0.0005032327,0.00048969575,0.000016552573,0.000010394018,0.000010117955,0.0007050536],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988809,0.00035794268,0.0002755331,0.00012624678,0.00023731079,0.00012205612],"domain_scores_gemma":[0.9987284,0.00048143245,0.0001307409,0.00029606197,0.00034590217,0.000017487917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007694975,0.00015258096,0.0003060716,0.00003907961,0.00016398511,0.00011492299,0.00019642057,0.000045492092,0.000008948953],"category_scores_gemma":[0.00036957706,0.000056931756,0.0000921069,0.000096398864,0.00092021096,0.00015107308,0.00009840601,0.00027660927,9.79032e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090393754,0.000031958087,0.0005672331,0.00009201315,0.00009816789,0.00000705133,0.8774771,1.9360478e-7,0.000007782549,0.11113811,0.010027702,0.0004622919],"study_design_scores_gemma":[0.001320234,0.00010402666,0.0004304893,0.00026432425,0.00012487423,0.000006467375,0.8636035,0.000005328592,0.0002936327,0.000723269,0.1330253,0.00009856595],"about_ca_topic_score_codex":0.0001573542,"about_ca_topic_score_gemma":0.00069296715,"teacher_disagreement_score":0.18767494,"about_ca_system_score_codex":0.0000047993612,"about_ca_system_score_gemma":0.00001830537,"threshold_uncertainty_score":0.33905557},"labels":[],"label_agreement":null},{"id":"W2116932035","doi":"10.1080/02564718.2010.529311","title":"Not Just a Detective Novel: Trauma, Memory and Narrative Form in<i>Miss Smilla's Feeling for Snow</i>","year":2010,"lang":"en","type":"article","venue":"Journal of Literary Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Postmodernism; Subjectivity; Feeling; Identity (music); Colonialism; Power (physics); Psychoanalysis; Teleology; Sociology; Politics; Character (mathematics); Aesthetics; History; Literature; Philosophy; Epistemology; Psychology; Law; Art; Political science; Archaeology","score_opus":0.05727864522202975,"score_gpt":0.2979152792572127,"score_spread":0.24063663403518293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116932035","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97736,0.013215361,0.000026409622,0.0024186606,0.001662747,0.0002799014,0.00007887363,0.0000139386975,0.004944099],"genre_scores_gemma":[0.9953857,0.00007228067,0.0006015101,0.0009435975,0.0015880564,0.000018054638,0.0000021979502,0.00001848331,0.0013700839],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988294,0.000025973446,0.00059259014,0.00017094123,0.0001643877,0.00021666546],"domain_scores_gemma":[0.9984841,0.0005183048,0.00025216004,0.00009547872,0.0005786473,0.00007131738],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000449019,0.00020794584,0.00049887766,0.00022186316,0.00035755427,0.00020002772,0.000119311655,0.00005532443,0.000029634419],"category_scores_gemma":[0.00019741211,0.00015106819,0.00015622532,0.000043767217,0.00021540262,0.0009337812,0.00004441194,0.0004491279,4.824781e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005735577,0.00012743464,0.00013647812,0.00017748801,0.0003394241,0.00006003312,0.9508796,3.5674586e-7,0.001075703,0.023646876,0.0019229777,0.021060087],"study_design_scores_gemma":[0.008663096,0.0028009587,0.0023871372,0.001924812,0.0003350559,0.0004215051,0.38175276,0.0001195964,0.0043476806,0.07444525,0.5217075,0.0010946684],"about_ca_topic_score_codex":0.000004571314,"about_ca_topic_score_gemma":0.00046240713,"teacher_disagreement_score":0.56912684,"about_ca_system_score_codex":0.000021394198,"about_ca_system_score_gemma":0.000038651946,"threshold_uncertainty_score":0.6160382},"labels":[],"label_agreement":null},{"id":"W2126874056","doi":"10.1017/s1060150311000337","title":"SISTER OF THE TYPE: THE FEMINIST COLLECTIVE IN GRANT ALLEN'S<i>THE TYPE-WRITER GIRL</i>","year":2012,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Wonder; Subject (documents); Girl; Paragraph; Sister; Narrative; Literature; History; Art; Sociology; Philosophy; Psychology; Law; Computer science; Political science; Epistemology","score_opus":0.01565439484359732,"score_gpt":0.21665538524407774,"score_spread":0.20100099040048042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2126874056","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16721159,0.116748914,0.0000012390736,0.018581716,0.014569194,0.0019263035,0.000551244,0.00008582668,0.68032396],"genre_scores_gemma":[0.93124074,0.000042703585,0.0000048047295,0.003934897,0.0023880773,0.00001760416,0.000024367702,0.000015415266,0.062331386],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989529,0.000162117,0.00024414225,0.00017995067,0.00019794503,0.00026292723],"domain_scores_gemma":[0.9992257,0.00007464373,0.00008383827,0.00036932938,0.00019454907,0.000051957944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021570208,0.00021891687,0.0002090686,0.000031299976,0.0004358576,0.00041932947,0.0002913679,0.00013795935,0.00014103886],"category_scores_gemma":[0.000031064363,0.00008682446,0.00010981274,0.0002179312,0.00025770388,0.00026967196,0.00006858301,0.00052692817,0.0000070762126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010549326,0.00006711742,0.0014290296,0.000054712487,0.000058803664,0.000003977189,0.65608,5.5006105e-8,0.00023527855,0.24456508,0.09732564,0.0000747676],"study_design_scores_gemma":[0.00026235433,0.000066214794,0.0012548317,0.00016561591,0.00004548754,0.000016067213,0.0040063704,8.8704616e-7,0.000076663506,0.0023053605,0.9916605,0.00013969117],"about_ca_topic_score_codex":0.000009024339,"about_ca_topic_score_gemma":0.00023142748,"teacher_disagreement_score":0.8943348,"about_ca_system_score_codex":0.00002151058,"about_ca_system_score_gemma":0.00004333623,"threshold_uncertainty_score":0.40436038},"labels":[],"label_agreement":null},{"id":"W2130213941","doi":"10.3968/j.css.1923669720070304.006","title":"Silence：True Communication","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Theme (computing); Conversation; Humanities; Key (lock); Art; Sociology; Literature; Communication; Aesthetics; Computer science","score_opus":0.016645326912553254,"score_gpt":0.23054806428624156,"score_spread":0.2139027373736883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2130213941","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.072601676,0.000042008207,5.116635e-7,0.0018597381,0.0005301191,0.000046743593,0.00002232979,0.000019695399,0.92487717],"genre_scores_gemma":[0.9935034,5.5644216e-7,0.000017644508,0.0016892691,0.00045265284,0.0000048967286,0.0000051492616,0.0000029402477,0.0043235277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948055,0.000009733846,0.00006694301,0.00010688615,0.00011803345,0.00021786147],"domain_scores_gemma":[0.9995146,0.000012658689,0.000017067794,0.00015234965,0.00012401774,0.00017933422],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021240475,0.000045538116,0.000046319743,0.00008068097,0.0014695899,0.0004209958,0.00039330588,0.00002608173,0.0012471519],"category_scores_gemma":[0.00003287732,0.00004403429,0.000020972406,0.00008822982,0.0012137982,0.00043618373,0.000017796801,0.00016560582,0.00007121224],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.1606061e-7,0.0000021586147,0.00010506602,7.5747585e-7,4.4800515e-7,0.000001339675,0.021089723,6.427276e-10,0.00023607555,0.97022986,0.005204259,0.0031300983],"study_design_scores_gemma":[0.000029066952,0.0000043735304,0.0004482868,0.0000029327098,0.0000015787218,6.5352407e-7,0.005703752,0.0000043323075,0.0000420905,0.0054728226,0.9882126,0.000077510915],"about_ca_topic_score_codex":0.014177886,"about_ca_topic_score_gemma":0.32984832,"teacher_disagreement_score":0.9830083,"about_ca_system_score_codex":0.000035885823,"about_ca_system_score_gemma":0.00034340983,"threshold_uncertainty_score":0.99983037},"labels":[],"label_agreement":null},{"id":"W2130320862","doi":"10.7202/501118ar","title":"Les murmures de la machine : lire à travers le Bruit de fond de Don DeLillo","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.01616568436978306,"score_gpt":0.24803188001915188,"score_spread":0.23186619564936883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2130320862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2889866,0.17013472,0.00021573674,0.028648572,0.00047424162,0.0003321569,0.0005913418,0.00028898026,0.5103277],"genre_scores_gemma":[0.90286493,0.00089699024,0.00082337117,0.0028468615,0.0031080001,0.000034073128,0.00005426343,0.000078353245,0.08929314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975695,0.0004093884,0.0004621987,0.00041892205,0.0002514508,0.0008885184],"domain_scores_gemma":[0.9987573,0.00039716324,0.00010183159,0.00034442742,0.00009070954,0.00030854187],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005984841,0.0004566672,0.00040065756,0.00014770207,0.0008063373,0.0008493774,0.0004103874,0.00035600204,0.0021964374],"category_scores_gemma":[0.000085258966,0.0004532455,0.00034054715,0.000073551615,0.0007357128,0.000561721,0.000088637644,0.0005959907,0.000030795472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094425675,0.00043720685,0.00084031466,0.0002774683,0.00017474864,0.00020645841,0.03583323,0.00004818599,0.00032467901,0.8317865,0.025396105,0.104580656],"study_design_scores_gemma":[0.0008154168,0.00017334372,0.002612451,0.00044484792,0.00014570252,0.00014731505,0.0045951987,0.0005672311,0.00059864094,0.0064596003,0.9829219,0.00051835005],"about_ca_topic_score_codex":0.01677321,"about_ca_topic_score_gemma":0.027088596,"teacher_disagreement_score":0.9575258,"about_ca_system_score_codex":0.0002814797,"about_ca_system_score_gemma":0.00051341753,"threshold_uncertainty_score":0.9997919},"labels":[],"label_agreement":null},{"id":"W2136220696","doi":"","title":"Jane Campbell. A. S. Byatt and the Heliotropic Imagination","year":2007,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; History; Art; Art history; Psychology","score_opus":0.012387450338860769,"score_gpt":0.2581236320183653,"score_spread":0.24573618167950453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136220696","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013918079,0.21136262,0.0011519163,0.049505867,0.0031520312,0.0005779753,0.000026302105,0.00008175164,0.7327497],"genre_scores_gemma":[0.9353888,0.02226379,0.000027245751,0.012064984,0.0014438365,0.000030740863,0.00008230588,0.000010268983,0.028687999],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993737,0.000032887176,0.00023939178,0.00010926486,0.00017155708,0.00007324168],"domain_scores_gemma":[0.9995414,0.00008517154,0.00007045595,0.00008672555,0.0001934927,0.000022726805],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041938547,0.000074006275,0.00010669596,0.000050778966,0.00012489455,0.00013597624,0.000093627146,0.000013905617,0.0014697656],"category_scores_gemma":[0.000051291885,0.00004694542,0.000059390863,0.000026781281,0.000121165685,0.00024557815,0.00001970767,0.00009771876,0.00005964227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016869892,0.000013768965,0.000023493827,0.00009530005,0.000024220568,0.000003453473,0.0009671092,4.497361e-8,0.0000074436366,0.95048654,0.0216696,0.026692178],"study_design_scores_gemma":[0.0003011313,0.00000874147,0.00019812702,0.00034622187,0.000023637589,0.000017557526,0.00011276797,0.000025581883,0.000008684454,0.001918861,0.9969823,0.000056426055],"about_ca_topic_score_codex":0.000035211073,"about_ca_topic_score_gemma":0.000057488105,"teacher_disagreement_score":0.97531265,"about_ca_system_score_codex":0.000018170645,"about_ca_system_score_gemma":0.000006825703,"threshold_uncertainty_score":0.99944305},"labels":[],"label_agreement":null},{"id":"W2136705571","doi":"","title":"A Postmodernist Reading of Tom Stoppard's Arcadia","year":2010,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Arcadia; Postmodernism; Nothing; Comedy; Literature; Absurdism; Tragedy (event); Deconstruction (building); Philosophy; Narrative; Aesthetics; Metafiction; Skepticism; Art; Epistemology","score_opus":0.020240053017246924,"score_gpt":0.29181251697617405,"score_spread":0.27157246395892715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136705571","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81242937,0.033309896,6.3848654e-7,0.00038570727,0.0008483175,0.00012863553,0.00011074336,0.00003128057,0.15275538],"genre_scores_gemma":[0.99232906,0.000096980046,0.00009026717,0.00046646304,0.00063216774,0.000011144197,0.000024975687,0.000010714771,0.006338231],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993172,0.000027366872,0.00021133246,0.00018761992,0.00009037134,0.00016607893],"domain_scores_gemma":[0.9995575,0.00009485935,0.000046091795,0.00018003186,0.000086130836,0.000035400135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015209778,0.00014198995,0.00026434453,0.000115811294,0.00010352275,0.00011456987,0.00008604915,0.000058015958,0.00009196838],"category_scores_gemma":[0.000063380096,0.00010540048,0.000049579266,0.000051915726,0.00031965345,0.00021902633,0.000055064,0.00035191298,0.0000017899724],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028959184,0.00003024516,0.00041932525,0.00016485603,0.000040279945,0.000119157936,0.5316471,1.571778e-8,0.0010542296,0.46286255,0.0015862489,0.0020470275],"study_design_scores_gemma":[0.0017510938,0.00038351014,0.0019504243,0.0017389801,0.000097806864,0.00010378654,0.13335893,0.00002030183,0.001076704,0.023008209,0.8356038,0.00090647006],"about_ca_topic_score_codex":0.000036362773,"about_ca_topic_score_gemma":0.0008943245,"teacher_disagreement_score":0.8340175,"about_ca_system_score_codex":0.0000043857867,"about_ca_system_score_gemma":0.000009083239,"threshold_uncertainty_score":0.4298107},"labels":[],"label_agreement":null},{"id":"W2143385066","doi":"","title":"The Quest for Community in American Postmodern Fiction","year":2003,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Postmodernism; Ideology; Liberalism; Politics; Aesthetics; Sociology; Just society; State (computer science); Classical liberalism; Law; End of history; Environmental ethics; Philosophy; Political science; Epistemology","score_opus":0.04462381048856088,"score_gpt":0.3075422027849374,"score_spread":0.2629183922963765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143385066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070248344,0.053620357,0.00096088374,0.021594774,0.0051302933,0.001323441,0.00015113493,0.00012369556,0.9100706],"genre_scores_gemma":[0.98163426,0.0069115767,0.000025879192,0.0034977226,0.0002752425,0.00017894381,0.000102326,0.000010538791,0.007363499],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930674,0.000168099,0.0002530929,0.00008267026,0.00010466171,0.00008471174],"domain_scores_gemma":[0.9993836,0.00020129548,0.00008394827,0.00013384428,0.00017996212,0.000017342296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004945786,0.000073483454,0.00010802322,0.000035112058,0.000311812,0.00013085226,0.00013359082,0.000011706404,0.0002115656],"category_scores_gemma":[0.00016186776,0.000053197207,0.000080530706,0.000032441178,0.00007087365,0.00017323166,0.000008940744,0.0001637722,0.000014475322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012801114,0.000070051065,0.00007353217,0.00009125473,0.000022255312,5.7329686e-7,0.0016624347,0.0000011773523,0.0000038076248,0.9482153,0.032708768,0.017138023],"study_design_scores_gemma":[0.000103995524,0.000040109753,0.0001170679,0.00033807143,0.00000863435,0.0000038175435,0.0004782852,0.000055284334,0.0000036165543,0.002025409,0.9967697,0.000055994078],"about_ca_topic_score_codex":0.00016239811,"about_ca_topic_score_gemma":0.0010757222,"teacher_disagreement_score":0.97460943,"about_ca_system_score_codex":0.000042952044,"about_ca_system_score_gemma":0.000016633277,"threshold_uncertainty_score":0.23982373},"labels":[],"label_agreement":null},{"id":"W2148185572","doi":"","title":"\"Wallowing in the “Great Dark Lake of Male Rage:\" The Masculine Ecology of Don DeLillo's White Noise","year":2009,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Masculinity; Subjectivity; White (mutation); Aesthetics; Immediacy; Malaise; Literature; Performative utterance; Sociology; Gender studies; Philosophy; Art; Epistemology","score_opus":0.015812615794151393,"score_gpt":0.22945763219294835,"score_spread":0.21364501639879696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2148185572","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8811495,0.0043977546,0.00008697165,0.024366708,0.0009356495,0.0004021488,0.000059614114,0.000009586121,0.08859208],"genre_scores_gemma":[0.9931436,0.000078602,0.000038789018,0.0042883665,0.0005682827,0.0000028884574,0.0000048176385,0.000012475384,0.0018621421],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979662,0.00035580897,0.00093954185,0.00011132138,0.0003418346,0.0002853239],"domain_scores_gemma":[0.9984329,0.0005230676,0.00028597933,0.00037285767,0.0003424267,0.000042784115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014829572,0.00018722167,0.00045139622,0.00015257605,0.00020359049,0.00008784121,0.00071280857,0.000062933264,0.00073756656],"category_scores_gemma":[0.000061872204,0.00009214003,0.0002922869,0.00009924355,0.00030305953,0.000283722,0.000037837883,0.00049872795,0.0000038412563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015792999,0.0022616703,0.006802371,0.000411036,0.0006628823,0.0017830376,0.46231255,0.00035439618,0.0031639305,0.4309314,0.07510587,0.014631574],"study_design_scores_gemma":[0.007103058,0.0042168517,0.037946872,0.0014592628,0.0013280099,0.0023922457,0.080801524,0.00047632647,0.0005764534,0.095851906,0.7668679,0.0009795903],"about_ca_topic_score_codex":0.00003496723,"about_ca_topic_score_gemma":0.0030700753,"teacher_disagreement_score":0.69176203,"about_ca_system_score_codex":0.000013880567,"about_ca_system_score_gemma":0.000060716735,"threshold_uncertainty_score":0.80758363},"labels":[],"label_agreement":null},{"id":"W2150147348","doi":"10.25071/1918-6215.37457","title":"Affective (Dis)Ability: Ian Brown’s Search for “Inner Life” in The Boy in the Moon","year":2013,"lang":"en","type":"article","venue":"Critical Disability Discourses","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Astrobiology; Art; Psychology; Art history; Psychoanalysis; Physics","score_opus":0.048877509074199126,"score_gpt":0.31960767768006937,"score_spread":0.27073016860587024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2150147348","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7698087,0.0004749673,0.000037079637,0.19177891,0.00031991355,0.0024005398,0.00022016675,0.00003911902,0.034920603],"genre_scores_gemma":[0.99426895,0.0000015016587,0.000010586713,0.0036355094,0.00068689464,0.0011212393,0.000041687264,0.000018288158,0.00021534515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99728507,0.0007991099,0.00044686,0.00048426347,0.0003762777,0.00060841435],"domain_scores_gemma":[0.9964401,0.0026020366,0.000017832746,0.0006806009,0.00015464085,0.00010475632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012144358,0.00025466087,0.0003356155,0.000047239613,0.00034821138,0.00093096547,0.00057236216,0.000085035455,0.0008846131],"category_scores_gemma":[0.0014047109,0.00013643823,0.00022568188,0.00010934257,0.0019358741,0.000830126,0.00006353513,0.0004996529,0.00006262925],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052180698,0.0015464957,0.0074466798,0.00024591302,0.000010385333,0.00000431029,0.06990142,9.035969e-7,0.00001129456,0.9122747,0.0065985927,0.0019070806],"study_design_scores_gemma":[0.0008810226,0.00048837514,0.10115636,0.000160516,0.00006882747,0.000004437286,0.5737522,0.0002925598,0.000020304662,0.3038832,0.01876821,0.0005239831],"about_ca_topic_score_codex":0.00129148,"about_ca_topic_score_gemma":0.0067332434,"teacher_disagreement_score":0.6083916,"about_ca_system_score_codex":0.00005929836,"about_ca_system_score_gemma":0.00006285367,"threshold_uncertainty_score":0.96858925},"labels":[],"label_agreement":null},{"id":"W2151744090","doi":"10.1111/j.1741-4113.2011.00787.x","title":"Resistance to Genocide in the Postmodern <i>Beowulf</i>","year":2011,"lang":"en","type":"article","venue":"Literature Compass","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Monster; Postmodernism; Literature; Poetry; HERO; Resistance (ecology); Art; Genocide; Aesthetics; Psychoanalysis; Psychology; Philosophy","score_opus":0.03948426783931002,"score_gpt":0.2211030087266086,"score_spread":0.18161874088729857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2151744090","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032994978,0.006687981,0.00009744193,0.0068730763,0.00089126796,0.00050662266,0.00013306394,0.000102396145,0.95171314],"genre_scores_gemma":[0.96800315,0.0000036680049,0.00033917063,0.015603147,0.0006497309,0.000056776127,0.00004130129,0.000018302739,0.015284755],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988164,0.00012404271,0.0002702647,0.00028117266,0.00020377971,0.00030438093],"domain_scores_gemma":[0.99924445,0.0000640561,0.000039060767,0.00046962596,0.000113406444,0.00006936945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021883601,0.00020034504,0.00020018198,0.00010824353,0.00018419034,0.00053812336,0.0005045744,0.00005708622,0.0003438355],"category_scores_gemma":[0.000014407131,0.00013207248,0.00008738345,0.00014927603,0.00006760373,0.0003382377,0.000041925505,0.00036005187,0.00009320197],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010218485,0.000043249478,0.000051053576,0.000021261774,0.0000073595475,0.00012830978,0.34066007,5.9589393e-8,0.00002211387,0.62006366,0.03872177,0.00017892648],"study_design_scores_gemma":[0.00020138008,0.00006403408,0.00089741463,0.00016357431,0.000007953013,0.0000076417955,0.0018015966,0.0000016454967,0.00003885573,0.027851004,0.96876234,0.00020256637],"about_ca_topic_score_codex":0.000030404593,"about_ca_topic_score_gemma":0.0020620357,"teacher_disagreement_score":0.9364284,"about_ca_system_score_codex":0.00001395007,"about_ca_system_score_gemma":0.000016159309,"threshold_uncertainty_score":0.53857595},"labels":[],"label_agreement":null},{"id":"W2154167393","doi":"10.26522/br.v10i2.48","title":"“Madness” and Desire: &lt;i&gt;Jane Eyre&lt;/i&gt; and &lt;i&gt;Wittgenstein’s Nephew&lt;/i&gt;","year":2009,"lang":"en","type":"article","venue":"The Brock Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Nephew and niece; Narrative; Character (mathematics); Crutch; Power (physics); Psychoanalysis; Sociology; Art; Literature; Aesthetics; Psychology; History; Philosophy; Linguistics","score_opus":0.025271174934670657,"score_gpt":0.23616087611640643,"score_spread":0.21088970118173578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154167393","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013768322,0.8357285,0.000024042247,0.005564,0.00053263525,0.0014208514,0.00008989078,0.00023492117,0.1426368],"genre_scores_gemma":[0.69645566,0.17690215,0.00012321328,0.019257443,0.0021701942,0.00014266215,0.00013367638,0.00013208309,0.10468294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964515,0.0004091355,0.0010219518,0.0007840316,0.0005506247,0.000782785],"domain_scores_gemma":[0.9977488,0.0002697888,0.00031407506,0.0010607744,0.00026881136,0.00033775283],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061252125,0.0007661035,0.0012621959,0.00012376835,0.001005957,0.0006380839,0.000606041,0.00017393826,0.000975148],"category_scores_gemma":[0.000110243076,0.0005306227,0.00033319634,0.00019686848,0.0004623129,0.0006902557,0.00020434563,0.00039318422,0.00024117102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000751639,0.00019571814,0.0000057225507,0.0023927356,0.00015606728,0.00009851776,0.004829469,2.4235982e-7,0.0045627323,0.73067343,0.17545383,0.08155639],"study_design_scores_gemma":[0.0006589483,0.00030838783,0.0003250795,0.003541088,0.0004764324,0.00017265332,0.000073037234,0.0000120352615,0.00003941766,0.009229106,0.9844538,0.00071004237],"about_ca_topic_score_codex":0.000005164292,"about_ca_topic_score_gemma":0.00022875679,"teacher_disagreement_score":0.80899996,"about_ca_system_score_codex":0.000043725868,"about_ca_system_score_gemma":0.00009987103,"threshold_uncertainty_score":0.9999381},"labels":[],"label_agreement":null},{"id":"W2158370745","doi":"10.5539/ells.v8n1p120","title":"The Effeminized Hero or Authorial Projection: Charlotte Bronte’s The Professor","year":2018,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Art; Feeling; State (computer science); Literature; Aesthetics; Art history; Philosophy","score_opus":0.024217978133055495,"score_gpt":0.2922631935421756,"score_spread":0.26804521540912013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2158370745","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4309711,0.29238427,0.000004510987,0.019589646,0.037137665,0.002719929,0.00031260628,0.00078407506,0.2160962],"genre_scores_gemma":[0.8210066,0.00027366824,0.000014676368,0.00088222686,0.027357731,0.0001689735,0.0000191084,0.00002410323,0.15025291],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878347,0.00019178807,0.000253771,0.0002788832,0.00019170764,0.0003003993],"domain_scores_gemma":[0.99862915,0.00043936676,0.00007871632,0.00030840657,0.00050343137,0.000040907198],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00046683766,0.00024829275,0.0002520499,0.000037638885,0.002132609,0.001126584,0.00019998562,0.00007069937,0.000112219765],"category_scores_gemma":[0.00050702126,0.00010019461,0.00008269757,0.00010051022,0.00072899996,0.00033888614,0.000113610055,0.00038264127,0.000008404054],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002900178,0.000016849222,0.000004097729,0.00004569371,0.00016667471,0.00003547932,0.80681825,7.3779527e-10,0.000009254205,0.09930848,0.08950179,0.0038034276],"study_design_scores_gemma":[0.0004417494,0.0002046355,0.000008929231,0.00016042979,0.000042699212,0.0000081265525,0.28143898,0.0000011712008,0.00004682721,0.0003895074,0.71712345,0.0001335033],"about_ca_topic_score_codex":0.000011218876,"about_ca_topic_score_gemma":0.00096165354,"teacher_disagreement_score":0.62762165,"about_ca_system_score_codex":0.00001158884,"about_ca_system_score_gemma":0.00002642073,"threshold_uncertainty_score":0.99991035},"labels":[],"label_agreement":null},{"id":"W2160752408","doi":"10.1353/vcr.2005.0000","title":"Female Gothic Motifs in Mona Caird's The Wing of Azrael","year":2005,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Literature; Narrative; Context (archaeology); Objectivism; Art; Aesthetics; Philosophy; Feminism; History; Art history; Poetry; Sociology; Gender studies; Epistemology; Archaeology","score_opus":0.02758482489918029,"score_gpt":0.24856600277695554,"score_spread":0.22098117787777524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160752408","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00885221,0.6763906,0.0000056043764,0.010517946,0.0009453808,0.0006440116,0.000027048733,0.000047906608,0.30256927],"genre_scores_gemma":[0.9850127,0.005866991,0.000017112334,0.0028557046,0.0012813192,0.000025561456,0.0000072466155,0.000014192163,0.004919163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909973,0.00008801014,0.00038670516,0.00013538671,0.0001416399,0.00014850507],"domain_scores_gemma":[0.9994771,0.0000663413,0.00007641626,0.00028774748,0.00006178222,0.000030623414],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036638198,0.00011643541,0.00028779556,0.000038805807,0.0000763796,0.000054004515,0.00019410945,0.000027502256,0.001222271],"category_scores_gemma":[0.000037971502,0.00007403558,0.000114427865,0.00007010896,0.00006765179,0.00021026508,0.00002716018,0.00016210519,0.00008897818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051917973,0.00008902616,0.0002494632,0.0021143854,0.000028482582,0.000011238953,0.04122888,5.477986e-7,0.00002106873,0.9177138,0.00784355,0.030694367],"study_design_scores_gemma":[0.000100660574,0.000017050157,0.00013964651,0.002423931,0.000025385762,0.0000015556959,0.00027524465,0.000004476976,0.000009961586,0.00030308607,0.99661106,0.00008792275],"about_ca_topic_score_codex":0.00006169145,"about_ca_topic_score_gemma":0.0008147533,"teacher_disagreement_score":0.9887675,"about_ca_system_score_codex":0.000018225308,"about_ca_system_score_gemma":0.000032418346,"threshold_uncertainty_score":0.9996908},"labels":[],"label_agreement":null},{"id":"W2161424421","doi":"","title":"ENG 3809-001: Punk Britannia? Terror, Violence, and Dystopia in Contemporary British Literature","year":2015,"lang":"en","type":"article","venue":"The Keep (Eastern Illinois University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Punk; History; Media studies; Sociology; Art history; Art; Literature","score_opus":0.03641891628323675,"score_gpt":0.1972491440450476,"score_spread":0.16083022776181083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161424421","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7206991,0.015579697,0.000023854473,0.0016890749,0.0007404011,0.00046616173,0.00021837019,0.00014653266,0.26043683],"genre_scores_gemma":[0.9317465,0.00014494357,0.00001047127,0.000665419,0.00037092276,0.0000016133705,0.00006414558,0.000020325504,0.0669757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869704,0.000181129,0.00023722905,0.00036518555,0.00021506942,0.00030436274],"domain_scores_gemma":[0.9992022,0.000051445335,0.000082491686,0.00030019195,0.00018423444,0.00017941918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021618033,0.00023082671,0.00029503932,0.00025478817,0.00024183578,0.0005787154,0.00040156784,0.000110981804,0.000082024766],"category_scores_gemma":[0.00001506279,0.00021533649,0.00007701741,0.00017656524,0.00034740125,0.0009325792,0.00016491955,0.00039905374,0.000036633555],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008509797,0.0006631991,0.012444793,0.00032154215,0.00024681137,0.008712194,0.30954838,0.000005018527,0.000043988835,0.6014119,0.013117612,0.052633606],"study_design_scores_gemma":[0.0024676719,0.00016528279,0.0005419139,0.0015009454,0.000039400995,0.000089352354,0.017864894,0.00013714802,0.0000067298733,0.0064733326,0.9702294,0.00048394903],"about_ca_topic_score_codex":0.0012014591,"about_ca_topic_score_gemma":0.0035265235,"teacher_disagreement_score":0.9571118,"about_ca_system_score_codex":0.00004702078,"about_ca_system_score_gemma":0.000067640496,"threshold_uncertainty_score":0.8781167},"labels":[],"label_agreement":null},{"id":"W2161683946","doi":"","title":"Brenner, Rachel Feldhay. Writing as Resistance: Four Women Confronting the Holocaust - Edith Stein, Simone Weil, Anne Frank, Etty Hillesum. University Park: Pennsylvania State University Press, 1997.","year":2003,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); The Holocaust; State (computer science); Art history; Art; Sociology; Gerontology; Theology; Philosophy; Medicine; Computer science; Biology","score_opus":0.015120285494651999,"score_gpt":0.2073455407237939,"score_spread":0.1922252552291419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161683946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9425297,0.002377569,0.000080669495,0.0011607306,0.0012945815,0.00048017033,0.00034706318,0.000098329954,0.0516312],"genre_scores_gemma":[0.92949545,0.00054055994,0.00015174694,0.000117352014,0.0008676699,0.0000060552716,0.000027878541,0.000054142824,0.068739116],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955153,0.0009989826,0.0007575778,0.0006209172,0.00060780375,0.0014994548],"domain_scores_gemma":[0.9975722,0.0004151685,0.00057448505,0.0005155193,0.00039042984,0.0005322152],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0028001943,0.0005326784,0.0006789116,0.0003034191,0.003425056,0.0008170257,0.0008642435,0.00017118521,0.00073343934],"category_scores_gemma":[0.0001124337,0.00046197584,0.0002115496,0.00022765434,0.00056455977,0.0018243488,0.00033448936,0.0018393926,0.000022775868],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0051746853,0.0016981001,0.009324837,0.00047684778,0.0009593957,0.018204924,0.78274345,0.00029087008,0.00020185225,0.08489239,0.09397087,0.0020617568],"study_design_scores_gemma":[0.0043125288,0.0003207474,0.0029122303,0.00035558548,0.000057880487,0.00021282866,0.33993238,0.000104833685,0.000015264612,0.002775439,0.64824873,0.00075157214],"about_ca_topic_score_codex":0.00011777988,"about_ca_topic_score_gemma":0.0004131593,"teacher_disagreement_score":0.55427784,"about_ca_system_score_codex":0.0008076956,"about_ca_system_score_gemma":0.0003984287,"threshold_uncertainty_score":0.9997832},"labels":[],"label_agreement":null},{"id":"W2164053147","doi":"","title":"Deleuze's Hume: Philosophy, Culture and the Scottish Enlightenment (review)","year":2009,"lang":"en","type":"article","venue":"Hume studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Enlightenment; Philosophy; Scottish Enlightenment; Epistemology","score_opus":0.037603183855429746,"score_gpt":0.270368123019849,"score_spread":0.2327649391644193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2164053147","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000606049,0.6711537,6.608363e-7,0.023922479,0.00025579962,0.0003251162,0.000014273534,0.00005307704,0.30366883],"genre_scores_gemma":[0.85837364,0.08330642,0.000027904722,0.027047794,0.001663587,0.00006193333,0.000012325415,0.000011760059,0.02949462],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911886,0.00006428245,0.00024326694,0.00020893813,0.00018342552,0.00018119626],"domain_scores_gemma":[0.9995243,0.00004956573,0.000056860987,0.00019665695,0.00013751606,0.000035121877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019070404,0.00019542033,0.00037458166,0.000021785283,0.000575706,0.00011680641,0.00012429987,0.000022766983,0.00015944074],"category_scores_gemma":[0.000035347937,0.00010249063,0.00010822488,0.000026158825,0.00049241993,0.00018237051,0.000056066972,0.00014783752,0.00002733517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017360153,0.0000254451,0.0000030860542,0.0001418652,0.00010585776,0.000015365325,0.02896709,6.656427e-9,0.0000024083486,0.76599413,0.20029849,0.0044289147],"study_design_scores_gemma":[0.00057893165,0.000111573456,0.000037128168,0.000683828,0.00012579822,0.0000096222275,0.003126367,5.715956e-7,0.000008387708,0.061929055,0.93322194,0.00016682572],"about_ca_topic_score_codex":0.0000057778034,"about_ca_topic_score_gemma":0.000043473494,"teacher_disagreement_score":0.8577676,"about_ca_system_score_codex":0.00001092178,"about_ca_system_score_gemma":0.0000069731745,"threshold_uncertainty_score":0.44279233},"labels":[],"label_agreement":null},{"id":"W2169488638","doi":"10.3138/jcs.42.2.43","title":"Searching for Our Alma Maters: Women Professors in Canadian Fiction Written by Women","year":2008,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Harassment; Sociology; Narrative; Comics; Plot (graphics); Politics; Gender studies; Feminism; Character (mathematics); Media studies; Literature; Psychology; Art; Social psychology; Law; Political science","score_opus":0.07192432989762296,"score_gpt":0.28417266862266344,"score_spread":0.21224833872504048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2169488638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96153444,0.003077454,3.112451e-7,0.011491233,0.0008729607,0.00022140711,0.00016407845,0.000006656036,0.022631472],"genre_scores_gemma":[0.9863022,0.00018107648,0.000014157787,0.0014152722,0.00060750736,0.000041881416,0.000005018,0.000016292899,0.011416592],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868125,0.000048859718,0.00036290401,0.00010092223,0.0001452864,0.0006607572],"domain_scores_gemma":[0.99901193,0.000039243212,0.0000956687,0.000070485,0.00027041847,0.00051225984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048656386,0.00012806144,0.00031654656,0.0010763177,0.0004961285,0.00009399628,0.0001283924,0.00003936131,0.000048887974],"category_scores_gemma":[0.00006773233,0.00010972903,0.00005777629,0.000091535796,0.000060638875,0.00041265122,0.000008307431,0.00021756857,0.000003234046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000718094,0.000026029653,0.0017749957,0.000098217206,0.0003144862,0.00042347942,0.5939168,0.000002205896,0.000015870175,0.011869079,0.39025813,0.0012289453],"study_design_scores_gemma":[0.00038986892,0.00017382276,0.0005413444,0.00008407631,0.000006296692,0.000029935918,0.17166013,0.0000022232143,0.0000054611533,0.000519419,0.8264694,0.000117987576],"about_ca_topic_score_codex":0.41906247,"about_ca_topic_score_gemma":0.96091133,"teacher_disagreement_score":0.54184884,"about_ca_system_score_codex":0.0010638676,"about_ca_system_score_gemma":0.0007611155,"threshold_uncertainty_score":0.584806},"labels":[],"label_agreement":null},{"id":"W2171416287","doi":"10.71781/14505","title":"A schizoanalytic reading of paradise lost and the waste land","year":2008,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Paradise; Reading (process); Geography; Art; Waste management; Engineering; Art history; Philosophy; Linguistics","score_opus":0.004169364014939789,"score_gpt":0.14118291897859012,"score_spread":0.13701355496365034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2171416287","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12869798,0.004585342,4.8885227e-7,0.0013390459,0.0002893522,0.00020442385,0.00039988206,0.0000037690074,0.8644797],"genre_scores_gemma":[0.88311476,0.00047931212,0.000009430097,0.00038797027,0.00014094838,0.000005088195,0.0000652517,0.000018027076,0.115779184],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984905,0.00005402182,0.00033894254,0.00018329569,0.00077165186,0.00016154895],"domain_scores_gemma":[0.99923587,0.00027502608,0.00022416405,0.00016268002,0.000001322505,0.00010092667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000010651292,0.00020551795,0.00040224966,0.00003089594,0.00022859167,0.000050958468,0.00014808252,0.000027536766,0.00006843953],"category_scores_gemma":[0.000003249278,0.00014628838,0.00004836524,0.000021960543,0.00021965778,0.00023338509,0.000033700857,0.00017524103,1.8172598e-9],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013322098,0.000014833724,0.0006750342,0.00065297575,0.0002028829,0.000068616355,0.005960511,0.0000015383752,0.0000764584,0.98822874,0.0016897134,0.0010964725],"study_design_scores_gemma":[0.0082167685,0.00052547076,0.01278204,0.0061571468,0.0013539075,0.00007334199,0.19743913,0.0032190776,0.018991837,0.038794953,0.70974565,0.0027007028],"about_ca_topic_score_codex":0.004346625,"about_ca_topic_score_gemma":0.11418686,"teacher_disagreement_score":0.9494338,"about_ca_system_score_codex":0.0000018919968,"about_ca_system_score_gemma":0.00071266387,"threshold_uncertainty_score":0.90197694},"labels":[],"label_agreement":null},{"id":"W21782304","doi":"10.1016/j.socscimed.2011.06.022","title":"READINGS FROM THE NEW BOOK OF NATURE: PHYSICS AND PYNCHON'S \"GRAVITY'S RAINBOW\"","year":2016,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Meaning (existential); Scholarship; Narrative; Bohr model; Epistemology; Literature; Philosophy; Aesthetics; Art; Physics; Law; Quantum mechanics","score_opus":0.01027807634063592,"score_gpt":0.20263944130562264,"score_spread":0.19236136496498674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W21782304","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04241889,0.02202673,0.00068225095,0.08368025,0.0013497695,0.00050332054,0.0005076369,0.00019857753,0.8486326],"genre_scores_gemma":[0.8649866,0.000034336375,0.000027810653,0.00444352,0.0010912131,0.0000019027399,0.0000071909412,0.000009296035,0.12939811],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950856,0.000020243811,0.000121822195,0.00014069416,0.00010287672,0.00010582356],"domain_scores_gemma":[0.9994469,0.00023151241,0.0000411637,0.00018606633,0.000050208924,0.000044135864],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000054850225,0.00009908774,0.00013023728,0.000011204469,0.00009301694,0.000101527265,0.0001173788,0.000048594848,0.001474674],"category_scores_gemma":[0.000017612383,0.000044573015,0.000054023436,0.00001333259,0.00018161879,0.00031517117,0.00003939604,0.00010710166,0.000012674878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011590627,0.000008985003,0.000060344795,0.0000028516229,0.000021048654,0.0000011356242,0.0072099855,6.0552335e-10,0.00054060615,0.7801708,0.20449114,0.0074815163],"study_design_scores_gemma":[0.00027440817,0.000027001155,0.00012399632,0.00005644863,0.000018155277,4.1881086e-7,0.00036355195,4.4838805e-7,0.0015271151,0.08765499,0.9098723,0.00008117193],"about_ca_topic_score_codex":0.00026977717,"about_ca_topic_score_gemma":0.00026867897,"teacher_disagreement_score":0.82256776,"about_ca_system_score_codex":0.0000037933498,"about_ca_system_score_gemma":0.000021686305,"threshold_uncertainty_score":0.9994381},"labels":[],"label_agreement":null},{"id":"W218092831","doi":"","title":"Blasting War. (Report and Essay)","year":2002,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globe; Nationalism; Law; Dystopia; Humanity; Politics; Human rights; Sociology; Media studies; Political science; Political economy","score_opus":0.0490858647334388,"score_gpt":0.24538362165896063,"score_spread":0.19629775692552182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W218092831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78375965,0.012002659,0.0012064192,0.0033065672,0.00018753854,0.00022257575,0.000025041561,0.00037097407,0.19891858],"genre_scores_gemma":[0.9953729,0.00013527529,0.00008780131,0.00029443135,0.00009288278,0.0000184426,0.00000514811,0.000007307673,0.0039858054],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932635,0.00001476553,0.00017583689,0.0002451009,0.000062794636,0.00017513405],"domain_scores_gemma":[0.9997299,0.00004344365,0.000011952019,0.000111043046,0.000063812186,0.00003986867],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006430043,0.0001473492,0.00024202696,0.00004149285,0.00040255408,0.000059882026,0.00006505964,0.00010229835,0.00030274846],"category_scores_gemma":[0.0000029602681,0.000123567,0.00006190496,0.00004966622,0.00086906593,0.0001690275,0.000021510454,0.00026373827,0.000006532606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046969108,0.000084084604,0.00074911455,0.00003762268,0.00012455067,0.000059583257,0.23819502,1.03148615e-7,0.00033889516,0.75127435,0.007293506,0.0018384521],"study_design_scores_gemma":[0.0021208976,0.00046445525,0.0007299351,0.00013903348,0.00016919938,0.00041497956,0.09448684,0.002126655,0.0016513433,0.027022218,0.8697153,0.0009591397],"about_ca_topic_score_codex":0.0000040646896,"about_ca_topic_score_gemma":0.000030503252,"teacher_disagreement_score":0.8624218,"about_ca_system_score_codex":0.000006695873,"about_ca_system_score_gemma":0.00000633009,"threshold_uncertainty_score":0.50389165},"labels":[],"label_agreement":null},{"id":"W2187178558","doi":"10.5539/ells.v5n4p8","title":"Kazuo Ishiguro’s The Remains of the Day: A Historiographical Approach","year":2015,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historiography; Narrative; Objectivity (philosophy); Postmodernism; Literature; History; Narrative history; Aesthetics; Epistemology; Philosophy; Art; Archaeology","score_opus":0.02671993457157069,"score_gpt":0.2351130044083609,"score_spread":0.2083930698367902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2187178558","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19346762,0.3952273,0.000005071268,0.0034288818,0.0034394308,0.0005563845,0.000318419,0.00014030875,0.40341657],"genre_scores_gemma":[0.98677987,0.000091286754,0.000021610433,0.00065118284,0.0021380032,0.000024444304,0.000019304201,0.000013097518,0.01026118],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900544,0.00017804376,0.00021336338,0.00020213722,0.00023150322,0.0001695284],"domain_scores_gemma":[0.99893814,0.00022550696,0.000072267445,0.00034747223,0.00036499865,0.00005162391],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004935691,0.00017851617,0.00025435133,0.000055644614,0.00030246115,0.00022198808,0.00021853509,0.000057777987,0.000013252389],"category_scores_gemma":[0.0006714516,0.00008202101,0.00013168639,0.00014910904,0.0005441517,0.00021199301,0.00012870855,0.0003521863,4.945832e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009134828,0.000037288173,0.000118018994,0.000045340785,0.00007004931,0.000012711143,0.7425062,4.295896e-8,0.000004001024,0.21253447,0.044458836,0.00020391219],"study_design_scores_gemma":[0.00026252432,0.000055019238,0.000053161893,0.00011527414,0.000059725942,0.0000062596555,0.33097216,0.0000025355816,0.000013864023,0.0013712603,0.666967,0.0001212323],"about_ca_topic_score_codex":0.0000122737,"about_ca_topic_score_gemma":0.00011993514,"teacher_disagreement_score":0.79331225,"about_ca_system_score_codex":0.000010948215,"about_ca_system_score_gemma":0.000020713675,"threshold_uncertainty_score":0.33447197},"labels":[],"label_agreement":null},{"id":"W2194319332","doi":"10.29173/css332","title":"Bomb Me: trans/acting subject into object, an installation for R.I. Simon and Angela Failler","year":2015,"lang":"en","type":"article","venue":"Canadian Social Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Social studies; Object (grammar); Sociology; Mathematics education; Psychology; Computer science; Artificial intelligence; Library science","score_opus":0.09469473796328914,"score_gpt":0.29508102483204457,"score_spread":0.20038628686875543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194319332","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6861425,0.020352826,0.00005339792,0.011891682,0.001826311,0.001086523,0.00036713487,0.00016182664,0.27811778],"genre_scores_gemma":[0.9959952,0.000015616988,0.000022231323,0.00072188745,0.0012812398,0.000034858498,0.00004217166,0.000016808706,0.0018699556],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935657,0.0000367518,0.00013863754,0.0001654039,0.000081920785,0.00022072857],"domain_scores_gemma":[0.9994858,0.00004356389,0.000031669722,0.000049834045,0.00022385163,0.0001652854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017130066,0.00012342626,0.00019460045,0.000077731784,0.0009231377,0.00019216104,0.000047312926,0.000051838917,0.000020448892],"category_scores_gemma":[0.0000431201,0.00011727652,0.00004490143,0.000031743704,0.00017183527,0.00037905658,0.000008457879,0.00007378323,0.000001470573],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002272568,0.000010202604,0.0004137353,0.000061673054,0.00012391261,0.000008282845,0.8111177,1.0992433e-7,0.000007698635,0.13805579,0.021691523,0.028486643],"study_design_scores_gemma":[0.00032634902,0.0000975876,0.0001568967,0.000014293179,0.000033306285,2.635601e-7,0.19391476,0.000006807832,0.000005802718,0.0051475544,0.80013436,0.00016199876],"about_ca_topic_score_codex":0.02050166,"about_ca_topic_score_gemma":0.85715055,"teacher_disagreement_score":0.8366489,"about_ca_system_score_codex":0.00012285962,"about_ca_system_score_gemma":0.00012596606,"threshold_uncertainty_score":0.9860209},"labels":[],"label_agreement":null},{"id":"W219691581","doi":"10.1177/014833310405300404","title":"<i>Quo Vadis</i>?: Literary Theory beyond Postmodernism","year":2004,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity Western University","funders":"","keywords":"Postmodernism; Humanism; Philosophy; Literary theory; Epistemology; Metaphysics; Postmodern music; Literary criticism; Sociology; Literature; Aesthetics; Postmodern theatre; Theology; Art; Linguistics","score_opus":0.010081858268761196,"score_gpt":0.20162407735549087,"score_spread":0.19154221908672966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W219691581","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04309721,0.13276939,0.0005633992,0.0054924306,0.0041197296,0.0008517291,0.0020926583,0.00094396225,0.8100695],"genre_scores_gemma":[0.95624155,0.000080790465,0.00023960226,0.01094337,0.0034108877,0.00003587947,0.0009987751,0.00007834223,0.027970783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978086,0.0001493957,0.0004877851,0.00062268606,0.0003596791,0.0005718777],"domain_scores_gemma":[0.99845004,0.00010516516,0.00011999073,0.000717589,0.00033349238,0.0002737093],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029659853,0.00052874,0.00044290588,0.00020502103,0.0007096184,0.0019091808,0.00048796067,0.00025067865,0.0017182502],"category_scores_gemma":[0.000057859044,0.00044514993,0.00032828999,0.00015227559,0.00034588412,0.0013855533,0.00010765473,0.0009710539,0.00033289692],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100766556,0.00020615096,0.000008330109,0.0001356962,0.00006499588,0.00041249828,0.09757978,6.2341485e-7,0.0001579751,0.8800246,0.018772883,0.0025357094],"study_design_scores_gemma":[0.00068504305,0.0001185386,0.00006866439,0.00035856673,0.000048575945,0.000072433555,0.0005100162,0.000001943985,0.00016576762,0.3537713,0.643751,0.00044813647],"about_ca_topic_score_codex":0.000023892053,"about_ca_topic_score_gemma":0.00008052477,"teacher_disagreement_score":0.91314435,"about_ca_system_score_codex":0.00005993469,"about_ca_system_score_gemma":0.0001242169,"threshold_uncertainty_score":0.9998},"labels":[],"label_agreement":null},{"id":"W2203294675","doi":"10.3138/cras.2015.s12","title":"Don DeLillo’s Anagogic Postcards: Thematic Inscriptions Writ Small","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Inscribed figure; Social media; Thematic analysis; Media studies; Sociology; Mass media; Spectacle; Tourism; History; Literature; Aesthetics; Art; Law; Political science; Anthropology; Qualitative research; Philosophy; Archaeology","score_opus":0.1368277200285233,"score_gpt":0.3045272663234216,"score_spread":0.16769954629489828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2203294675","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010967554,0.720071,0.0000025803195,0.0108158225,0.0004578752,0.00047284472,0.00020424458,0.00004368847,0.25696436],"genre_scores_gemma":[0.9068417,0.051197894,0.00027579674,0.03280598,0.00053577183,0.00012995588,0.00006293472,0.000039167353,0.008110793],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989115,0.00008631311,0.00041284537,0.00018105624,0.00014673974,0.00026151887],"domain_scores_gemma":[0.998585,0.000052145904,0.00015545877,0.00030413127,0.00062236015,0.00028094696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025836538,0.00018398315,0.0006748596,0.00015528827,0.00015228815,0.000043614647,0.00018678111,0.000012942931,0.00017422481],"category_scores_gemma":[0.0002520792,0.00014017022,0.00014734342,0.00014803537,0.00061940565,0.00011687348,0.000032154378,0.000098090364,0.00004677853],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008386682,0.00006647374,0.0002569228,0.007713192,0.0006896414,0.00011545245,0.06634408,2.1512705e-7,0.000002726897,0.38090318,0.48878166,0.055118058],"study_design_scores_gemma":[0.00008463696,0.00014942398,0.00004131945,0.0034695626,0.00013369945,0.000007195768,0.05128779,7.3545084e-7,8.806557e-7,0.00073582435,0.9439104,0.00017853576],"about_ca_topic_score_codex":0.030984757,"about_ca_topic_score_gemma":0.24232833,"teacher_disagreement_score":0.89587414,"about_ca_system_score_codex":0.000104799125,"about_ca_system_score_gemma":0.00029098513,"threshold_uncertainty_score":0.975468},"labels":[],"label_agreement":null},{"id":"W2206841666","doi":"10.1353/mod.2015.0070","title":"Shame, Subjectivity, and Self-Expression in Cora Sandel and Jean Rhys","year":2015,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shame; Subjectivity; Depiction; Expression (computer science); Literature; Trilogy; Psychoanalysis; Aesthetics; Psychology; Philosophy; Art; Social psychology; Epistemology","score_opus":0.05057158277149553,"score_gpt":0.24024734542436507,"score_spread":0.18967576265286953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2206841666","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9363691,0.0020963761,0.0008563749,0.00069821515,0.00021707152,0.00031205232,0.000058509562,0.00017439768,0.05921787],"genre_scores_gemma":[0.99634665,0.000049397826,0.00016212283,0.00049771235,0.00023033467,0.000024036544,0.000022601218,0.000030110097,0.0026370247],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985601,0.0001553777,0.0002672315,0.0004423786,0.00025998498,0.00031496107],"domain_scores_gemma":[0.9992138,0.000118191034,0.000067394976,0.00026511433,0.000106899715,0.00022859006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038350947,0.00026778455,0.00034253206,0.00013091003,0.00024815052,0.0004230576,0.00012304731,0.000118326876,0.00007628325],"category_scores_gemma":[0.000047617985,0.00023709766,0.000043096014,0.00002685712,0.00018792527,0.0007539042,0.00019132576,0.00035675033,0.000013003411],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009827333,0.0032927277,0.04320869,0.00070719037,0.00015698338,0.0004193043,0.6696606,0.000063447624,0.0023380788,0.250879,0.011649905,0.01664134],"study_design_scores_gemma":[0.012508548,0.0012906818,0.017397268,0.0006674396,0.00019008602,0.00012260387,0.0143926,0.08530264,0.0019193551,0.42383954,0.43900043,0.0033688203],"about_ca_topic_score_codex":0.00047587755,"about_ca_topic_score_gemma":0.0035501393,"teacher_disagreement_score":0.655268,"about_ca_system_score_codex":0.00003929571,"about_ca_system_score_gemma":0.00006697338,"threshold_uncertainty_score":0.96685624},"labels":[],"label_agreement":null},{"id":"W2207814876","doi":"","title":"On the Motif of Death in Julian Barnes' the Sense of an Ending","year":2015,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Motif (music); Theme (computing); Sociology; Interpersonal communication; Psychoanalysis; History; Aesthetics; Psychology; Philosophy; Social science","score_opus":0.060362679581801734,"score_gpt":0.25455689579075175,"score_spread":0.19419421620895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2207814876","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5245019,0.000027640932,1.9338465e-7,0.0013447498,0.00014111075,0.000060719267,0.000022696231,0.0000021916094,0.47389874],"genre_scores_gemma":[0.99823,1.6997622e-7,0.0000014306623,0.0010690838,0.00013620539,0.0000019510328,8.798005e-7,0.0000024469882,0.0005578326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994286,0.000049194383,0.00009582265,0.000085371685,0.0001728292,0.00016821544],"domain_scores_gemma":[0.999622,0.000045389716,0.000030654668,0.00010815986,0.00008559159,0.00010824563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061275874,0.000043490312,0.00006697029,0.00007375378,0.00030110774,0.00008181132,0.00022981303,0.000015522803,0.00007614863],"category_scores_gemma":[0.00008278869,0.000025732805,0.000020417976,0.00012263189,0.0006505034,0.0001624267,0.000010899252,0.0000767203,0.0000023547095],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016691143,0.0000046823698,0.00014820867,0.0000010690284,6.8575514e-7,0.000004877603,0.07881719,1.6430509e-7,0.000015568547,0.91991794,0.00056528434,0.0005226701],"study_design_scores_gemma":[0.00049635867,0.00030564403,0.009287935,0.000121072975,0.000017295155,0.0000045908323,0.24909852,0.0002693757,0.00069768884,0.08368165,0.6556312,0.00038866117],"about_ca_topic_score_codex":0.031383764,"about_ca_topic_score_gemma":0.143438,"teacher_disagreement_score":0.8362363,"about_ca_system_score_codex":0.00006310529,"about_ca_system_score_gemma":0.00036020626,"threshold_uncertainty_score":0.97506636},"labels":[],"label_agreement":null},{"id":"W2210267502","doi":"10.3138/cras.2015.s13","title":"Terror-Time in Network-Centric Battlespace: DeLillo’s Later Fiction","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Semiotics; Transformative learning; Aesthetics; Politics; Event (particle physics); Literature; Sociology; The Imaginary; Analogy; Epistemology; Art; Psychoanalysis; Philosophy; Psychology; Law","score_opus":0.03971278016636966,"score_gpt":0.2711392766938374,"score_spread":0.23142649652746777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2210267502","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010842973,0.77589464,8.3769095e-7,0.013714604,0.0007665569,0.00052545255,0.00009112192,0.000038189984,0.19812565],"genre_scores_gemma":[0.9399713,0.032423705,0.0000802838,0.015639441,0.00084366737,0.000066721994,0.000058416113,0.00003405036,0.010882384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989884,0.000094155665,0.00033836177,0.0001655469,0.000118890806,0.00029464232],"domain_scores_gemma":[0.99924886,0.00003768145,0.00011600834,0.00017441431,0.00024277694,0.0001802747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027277687,0.00014786207,0.0005396196,0.00014261878,0.00007392238,0.000024623074,0.000102854734,0.00001439107,0.00023777239],"category_scores_gemma":[0.00009805752,0.000119484925,0.00007748681,0.0001839036,0.0003155708,0.00012255833,0.000023532664,0.00009717853,0.000057874393],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009661609,0.000021108883,0.0011204287,0.0009887124,0.0001275575,0.00007190812,0.015792597,0.0000020245259,5.2165814e-7,0.008431331,0.95446444,0.0189697],"study_design_scores_gemma":[0.00009934831,0.00008160242,0.00018634857,0.0021035112,0.00003996033,0.0000031809432,0.0048482087,0.0000047234867,4.995968e-7,0.00007628948,0.9924104,0.00014588435],"about_ca_topic_score_codex":0.009564027,"about_ca_topic_score_gemma":0.10575974,"teacher_disagreement_score":0.92912835,"about_ca_system_score_codex":0.00013259349,"about_ca_system_score_gemma":0.00017333162,"threshold_uncertainty_score":0.9970314},"labels":[],"label_agreement":null},{"id":"W2212329493","doi":"10.1093/oxfordhb/9780199566747.013.002","title":"Making Publics and Making Novels","year":2013,"lang":"en","type":"reference-entry","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Public sphere; Watt; Criticism; Politics; Sociology; Making-of; Epistemology; History; Media studies; Political science; Law; Philosophy; Power (physics)","score_opus":0.1060235518693625,"score_gpt":0.2830377849970021,"score_spread":0.1770142331276396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2212329493","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000061363775,0.013063279,0.00003530212,0.0007670486,0.0017871895,0.0002176312,0.00014190898,0.00012890762,0.9837974],"genre_scores_gemma":[0.093080916,0.0012156332,0.00012863634,0.0028438943,0.0038648667,0.000031155585,0.0002005746,0.000053017273,0.8985813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871266,0.000029432225,0.00033445275,0.0003694833,0.00023069695,0.00032327214],"domain_scores_gemma":[0.9993032,0.00007744256,0.000120209275,0.0002707096,0.00017130563,0.000057106463],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008346156,0.00033870185,0.0004099625,0.0001948833,0.0002641541,0.0024855607,0.00020481477,0.00023483184,0.013686199],"category_scores_gemma":[0.00001887338,0.00025762248,0.000100675934,0.000024018445,0.00012933237,0.0005636296,0.00015850812,0.0005186442,0.00013545339],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014628363,0.00001173924,0.0000033345495,0.00020332933,0.00003545483,0.000007930713,0.0029714045,1.4793593e-9,2.706966e-8,0.5653983,0.39693716,0.034429893],"study_design_scores_gemma":[0.00011112263,0.000026364236,0.0000064250926,0.00081048725,0.000041698066,0.00000919306,0.001177421,0.000010439449,2.2487603e-7,0.0060696765,0.9913777,0.00035921295],"about_ca_topic_score_codex":0.000059851216,"about_ca_topic_score_gemma":0.00037153423,"teacher_disagreement_score":0.5944406,"about_ca_system_score_codex":0.000021367381,"about_ca_system_score_gemma":0.00007657667,"threshold_uncertainty_score":0.9999876},"labels":[],"label_agreement":null},{"id":"W2215927135","doi":"","title":"Obéissance, je te hais. COSTES, Jean-Philippe. Les Subversifs hollywoodiens – L’esprit critique du cinéma grand public, Montréal, Liber, 2015, 496 p.COSTES, Jean-Philippe. Les Subversifs hollywoodiens – L’esprit critique du cinéma grand public, Montréal, Liber, 2015, 496 p.","year":2015,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.026567697118291607,"score_gpt":0.23414577470507855,"score_spread":0.20757807758678695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2215927135","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009051095,0.61873513,0.00016703013,0.2875626,0.00652091,0.0029156334,0.005910037,0.0015478486,0.06758973],"genre_scores_gemma":[0.52450424,0.20575076,0.00049453625,0.007887907,0.01074015,0.000737291,0.0031855195,0.0011843573,0.24551526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9799945,0.0023117722,0.0043924125,0.0045767217,0.0030251634,0.005699463],"domain_scores_gemma":[0.9806651,0.0036518925,0.0015960016,0.003972168,0.005820095,0.004294754],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0036272174,0.004479258,0.0046761557,0.0024297864,0.0055144657,0.008102259,0.003699454,0.0028582742,0.005236834],"category_scores_gemma":[0.0036321264,0.004666476,0.0025077509,0.0014461926,0.0047404882,0.007620146,0.0018611035,0.004263755,0.001089616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011312768,0.0026459657,0.0014356894,0.0010165987,0.0011011182,0.001976178,0.011140341,0.000018900368,0.00007014401,0.21453382,0.754977,0.0099529745],"study_design_scores_gemma":[0.012887154,0.0020623957,0.0002706618,0.0019878135,0.0012556801,0.0005270553,0.018787792,0.00033403176,0.00032508603,0.0051363027,0.9514749,0.004951096],"about_ca_topic_score_codex":0.023946105,"about_ca_topic_score_gemma":0.09789084,"teacher_disagreement_score":0.5154531,"about_ca_system_score_codex":0.0007881485,"about_ca_system_score_gemma":0.0015946513,"threshold_uncertainty_score":0.99968815},"labels":[],"label_agreement":null},{"id":"W2216096389","doi":"","title":"Poststructuralism and “The Child”","year":2009,"lang":"fr","type":"article","venue":"Canadian Children's Literature / Littérature canadienne pour la jeunesse","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Sociology","score_opus":0.003516948652224897,"score_gpt":0.17166510707253915,"score_spread":0.16814815842031425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2216096389","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025893984,0.33404383,0.0000018763229,0.5610475,0.002959558,0.0010488186,0.0050012865,0.0001065793,0.0698966],"genre_scores_gemma":[0.9029394,0.0018103605,0.00007478744,0.031615525,0.008969138,0.00003507191,0.0014580349,0.00013377712,0.052963942],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939983,0.0008407386,0.00092262536,0.0014115191,0.00035322364,0.0024736112],"domain_scores_gemma":[0.99452806,0.00032159782,0.00028990032,0.0013029764,0.0007554946,0.0028019936],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00085417595,0.0014554148,0.0011957795,0.000751171,0.0024750722,0.0049027745,0.0010049731,0.0012426112,0.0005050635],"category_scores_gemma":[0.0003062747,0.0011249651,0.00055527024,0.0008330648,0.0019121364,0.0012731184,0.000072610455,0.0032910665,0.000044646553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001457363,0.000041956,0.000055789133,0.00010996513,0.00024912224,0.001281388,0.036650717,9.623475e-7,0.0000031765114,0.9209716,0.03139275,0.009096879],"study_design_scores_gemma":[0.0031028776,0.00011673974,0.004282976,0.0016397664,0.00033461011,0.0047231717,0.0013162901,0.000023757331,0.000009773721,0.034518395,0.9485733,0.0013583424],"about_ca_topic_score_codex":0.106983334,"about_ca_topic_score_gemma":0.6437591,"teacher_disagreement_score":0.91718054,"about_ca_system_score_codex":0.00041445333,"about_ca_system_score_gemma":0.00093632314,"threshold_uncertainty_score":0.9998196},"labels":[],"label_agreement":null},{"id":"W2217653681","doi":"","title":"어린 작가의 초상 : 마거릿 로렌스의 『집안의 새』","year":2009,"lang":"ko","type":"article","venue":"새한영어영문학","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Tone (literature); Character (mathematics); Romanticism; Romance; Portrait; Literature; Perspective (graphical); Ideal (ethics); History; Art; Art history; Psychology; Visual arts; Philosophy; Developmental psychology; Epistemology","score_opus":0.01848989522999139,"score_gpt":0.22723114716819487,"score_spread":0.20874125193820348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2217653681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04135986,0.015171668,0.000022660282,0.014456383,0.0024842657,0.0003633377,0.00020300398,0.00022681584,0.925712],"genre_scores_gemma":[0.80955285,0.00010032051,0.000027133121,0.008184287,0.0033984808,0.0000069145945,0.00007583435,0.000030646428,0.17862356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978556,0.000097291486,0.0005399421,0.00050915906,0.00035443553,0.0006435682],"domain_scores_gemma":[0.99880946,0.00007817383,0.00011371737,0.0006080445,0.00016732518,0.00022330233],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020198592,0.00043751343,0.0004753774,0.00015385421,0.0005944804,0.0010577191,0.0003301247,0.00019856091,0.008601595],"category_scores_gemma":[0.000026473666,0.00040026996,0.00031152862,0.00009203,0.0001802676,0.00062116183,0.000054354252,0.0004962171,0.0014896217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006122373,0.00029528668,0.00006442769,0.000058874866,0.000058336595,0.00022790184,0.019874647,2.696211e-7,0.000088272864,0.81697136,0.14167963,0.020619754],"study_design_scores_gemma":[0.0006506205,0.00047108077,0.0010745801,0.00022280024,0.00009447903,0.000015914924,0.0016827378,0.000035230045,0.00011404677,0.019779626,0.9753153,0.00054363156],"about_ca_topic_score_codex":0.00008456388,"about_ca_topic_score_gemma":0.00014385377,"teacher_disagreement_score":0.8336356,"about_ca_system_score_codex":0.00003927401,"about_ca_system_score_gemma":0.000095784926,"threshold_uncertainty_score":0.99997926},"labels":[],"label_agreement":null},{"id":"W2233521903","doi":"","title":"Stefan Mattessich. Lines of Flight: Discursive Time and Countercultural Desire in the Work of Thomas Pynchon","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Work (physics); Aesthetics; Sociology; Art history; Art; Engineering; Mechanical engineering","score_opus":0.02167785750312549,"score_gpt":0.2596317703976328,"score_spread":0.23795391289450732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2233521903","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22117187,0.32161474,0.000034127763,0.067014374,0.0016200393,0.0014565347,0.00041065575,0.000058846697,0.3866188],"genre_scores_gemma":[0.98941034,0.0030120597,0.000024831485,0.0012221255,0.00039286754,0.000016089523,0.00006720633,0.0000047467647,0.005849736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936867,0.000047635807,0.00030202608,0.00008280067,0.00015167987,0.000047162383],"domain_scores_gemma":[0.9996016,0.000057097837,0.000112319896,0.00007585309,0.00014333482,0.000009799979],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014194478,0.000072282455,0.00015266318,0.00003892006,0.000030182417,0.000040923893,0.000118832286,0.000016218175,0.0005628731],"category_scores_gemma":[0.000017106338,0.00004202249,0.000060419872,0.000036074554,0.00006622607,0.00024941892,0.000014003554,0.00006603129,0.0000105739155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009777124,0.00041532575,0.0010131272,0.0014772865,0.00018600326,0.000009894946,0.050207596,0.000007889632,0.00019047907,0.76369053,0.1154784,0.067225724],"study_design_scores_gemma":[0.0001348947,0.000026187998,0.0009963068,0.0031811253,0.00003183055,0.0000075381176,0.0005429076,0.00004037584,0.00003680313,0.0002634856,0.99467057,0.00006798603],"about_ca_topic_score_codex":0.000009395893,"about_ca_topic_score_gemma":0.000036464484,"teacher_disagreement_score":0.8791922,"about_ca_system_score_codex":0.000009515937,"about_ca_system_score_gemma":0.000006136793,"threshold_uncertainty_score":0.61630654},"labels":[],"label_agreement":null},{"id":"W2237703627","doi":"","title":"Linda Grant: An Interview","year":2015,"lang":"en","type":"article","venue":"Zaguan (University of Zaragoza Repository)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; Psychology; Computer science","score_opus":0.07291928649241507,"score_gpt":0.20639269428737406,"score_spread":0.13347340779495898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2237703627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55039775,0.0011504536,0.00022137573,0.000537015,0.0011552742,0.00014725653,0.000020723033,0.00014167315,0.44622847],"genre_scores_gemma":[0.9706783,0.000004448265,0.00012170614,0.00011188541,0.00029098656,1.293294e-7,0.0000149658335,0.000010493476,0.028767062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918956,0.00010908626,0.0001421194,0.0002155648,0.00019535345,0.00014833262],"domain_scores_gemma":[0.9991338,0.000015937563,0.0001000318,0.0003193505,0.00025377216,0.0001770701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015942365,0.00012337705,0.00022590398,0.00010424692,0.00025046917,0.000086101565,0.00031118066,0.00005714838,0.0003371505],"category_scores_gemma":[0.000005415516,0.00013351125,0.0001232774,0.00004435116,0.00025566193,0.0007172783,0.000064427186,0.00012902991,0.000047032885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033961845,0.00072227546,0.00085491827,0.00024166873,0.00022520698,0.0011388586,0.44269025,0.000002647713,0.000621265,0.49428812,0.04456918,0.014305989],"study_design_scores_gemma":[0.0010468664,0.0006158444,0.00047930938,0.00014852903,0.00010107699,0.00003564045,0.05007106,0.00015318599,0.00029110687,0.0013557433,0.94535345,0.00034819817],"about_ca_topic_score_codex":0.0006633802,"about_ca_topic_score_gemma":0.0005072373,"teacher_disagreement_score":0.90078425,"about_ca_system_score_codex":0.000026567006,"about_ca_system_score_gemma":0.00006784123,"threshold_uncertainty_score":0.5444431},"labels":[],"label_agreement":null},{"id":"W2242648878","doi":"","title":"Diary of Interrupted Days","year":2009,"lang":"en","type":"book","venue":"Kent Academic Repository (University of Kent)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bridge (graph theory); History; Performance art; Happiness; Art history; Literature; Art; Front (military); Law; Engineering; Political science; Medicine","score_opus":0.01850681087898552,"score_gpt":0.1932226466279734,"score_spread":0.17471583574898789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2242648878","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039165695,0.0052707843,0.000015127604,0.00019831686,0.00071115023,0.0002684837,0.00008194634,0.000072430084,0.9894652],"genre_scores_gemma":[0.12454234,0.00025266813,0.000017959099,0.000109684726,0.00066088536,2.18644e-7,0.00017022136,0.00002221061,0.8742238],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984776,0.00009473175,0.00045205402,0.00036833805,0.0004000452,0.0002072553],"domain_scores_gemma":[0.9985663,0.000095254174,0.0006246852,0.0003925674,0.00021303778,0.00010809639],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00016714826,0.00029849194,0.000642255,0.00025535215,0.00020748553,0.000024973913,0.00070090685,0.00048247245,0.0006966452],"category_scores_gemma":[0.000008736632,0.00034492847,0.0004216917,0.00002967173,0.00054459483,0.00038532302,0.00012745844,0.00094134524,0.000024824616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018744639,0.00011103994,0.000089203204,0.0005498421,0.0003805068,0.00025169912,0.045063317,6.7059835e-7,0.00044573692,0.20288956,0.7475599,0.0024710894],"study_design_scores_gemma":[0.00042623142,0.00017937103,0.0001004954,0.0013454779,0.00031331895,0.000013056404,0.002253619,0.000011691198,0.00012365583,0.0035470824,0.99133587,0.000350142],"about_ca_topic_score_codex":0.00006787098,"about_ca_topic_score_gemma":0.00002725195,"teacher_disagreement_score":0.24377596,"about_ca_system_score_codex":0.00013437531,"about_ca_system_score_gemma":0.0002455376,"threshold_uncertainty_score":0.9999003},"labels":[],"label_agreement":null},{"id":"W2253749917","doi":"","title":"Point Omega de Don DeLillo, traduit de l’américain par Marianne Véron, Arles / Montréal, Actes Sud / Leméac, 2010, 141 p.","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014128579262988668,"score_gpt":0.15650338710993744,"score_spread":0.14237480784694878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253749917","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40942484,0.42945763,0.0007118503,0.06206928,0.0018589204,0.00079522416,0.0014241559,0.00042816665,0.09382991],"genre_scores_gemma":[0.68482345,0.034001436,0.0012972343,0.0017706249,0.0012814187,0.000029857745,0.00015151198,0.00016048616,0.27648398],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996273,0.00046406293,0.00059257925,0.00076797075,0.0003583206,0.0015440673],"domain_scores_gemma":[0.9974924,0.00027287067,0.00039569722,0.00081383367,0.00027160198,0.000753626],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067924545,0.0007673129,0.0007765315,0.0003783194,0.0019634974,0.00031800114,0.0007329026,0.00048202783,0.0032143902],"category_scores_gemma":[0.0000838427,0.00084066205,0.0006117125,0.00019619305,0.00053689367,0.0013359517,0.00030836565,0.00084534753,0.0002799802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00072059775,0.00065512495,0.0019688907,0.00018704271,0.000612655,0.006348622,0.043132447,0.000013653036,0.00030114772,0.4683648,0.4647047,0.012990308],"study_design_scores_gemma":[0.0016697608,0.00047961794,0.0028652963,0.00026133787,0.00070350355,0.00056953204,0.013625049,0.00047114084,0.00046800417,0.022644047,0.9552923,0.00095041975],"about_ca_topic_score_codex":0.13163908,"about_ca_topic_score_gemma":0.38703427,"teacher_disagreement_score":0.4905876,"about_ca_system_score_codex":0.0032889792,"about_ca_system_score_gemma":0.00019379379,"threshold_uncertainty_score":0.99940443},"labels":[],"label_agreement":null},{"id":"W2254885629","doi":"","title":"A New Notion: Two Works by C.L.R. James","year":2014,"lang":"en","type":"article","venue":"Alternate routes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Sociology; Art","score_opus":0.01345604672851075,"score_gpt":0.2247958242643153,"score_spread":0.21133977753580455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2254885629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03296182,0.0067707165,0.003908713,0.009582074,0.0026581695,0.00018730822,0.000037750193,0.00034927615,0.94354415],"genre_scores_gemma":[0.9151131,0.000019885656,0.00012165817,0.002982309,0.0025315424,0.0000063071966,0.00004172985,0.000019263834,0.07916423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999242,0.000033595268,0.00017869857,0.0002032656,0.0001361913,0.00020626235],"domain_scores_gemma":[0.99953604,0.000067105,0.000047833924,0.00020798377,0.00004545006,0.00009559233],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008106802,0.00014739852,0.000156106,0.000040251572,0.00014171837,0.0005966223,0.00018962065,0.000027199063,0.0015008092],"category_scores_gemma":[0.000011647929,0.0001224451,0.00007726105,0.00001978346,0.00004751188,0.0004679852,0.00003548891,0.00012949081,0.0002969591],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014565547,0.000025774765,0.00011645133,0.000008674148,0.00003519448,0.0000060553684,0.0064315456,8.4027556e-7,0.000060366277,0.7438769,0.17906073,0.07036294],"study_design_scores_gemma":[0.0004964119,0.00005499854,0.000013094356,0.00007525171,0.000016377058,0.0000032450005,0.00023257274,0.00012076852,0.00027340977,0.017653624,0.98087925,0.00018099073],"about_ca_topic_score_codex":0.0007793829,"about_ca_topic_score_gemma":0.00017719025,"teacher_disagreement_score":0.88215125,"about_ca_system_score_codex":0.00000815619,"about_ca_system_score_gemma":0.000011716905,"threshold_uncertainty_score":0.99941194},"labels":[],"label_agreement":null},{"id":"W2255869220","doi":"10.26522/ti.v2i1.774","title":"Untitled #2, for Derek Beaulieu","year":2013,"lang":"en","type":"article","venue":"ti<","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art history; Art; Literature","score_opus":0.02425324278309827,"score_gpt":0.2027356985614778,"score_spread":0.17848245577837954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2255869220","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041686937,0.00062853,0.00009671559,0.0022639506,0.00050576415,0.0003841016,0.000032810105,0.00009563839,0.9543055],"genre_scores_gemma":[0.85088986,8.011686e-7,0.000086757274,0.0014170917,0.00058767135,0.000063767075,0.00002622009,0.000008799081,0.14691903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996917,0.0000048324973,0.000080038226,0.000076778335,0.000040287872,0.000106333755],"domain_scores_gemma":[0.99977565,0.00002995271,0.000013257632,0.00008880624,0.00006436425,0.000027965572],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000024844794,0.000054565357,0.000068706984,0.000021395868,0.00016614869,0.00012562875,0.000056294233,0.00001662601,0.018666264],"category_scores_gemma":[0.00000663456,0.00004284175,0.000044646567,0.0000066880793,0.000032975247,0.00015173553,0.0000132204095,0.000033050732,0.0011578773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003140333,0.00001729708,0.000008797504,0.000016147966,0.000008318965,7.292686e-7,0.006267362,1.4766817e-8,0.00004970609,0.76016283,0.23144063,0.0020250273],"study_design_scores_gemma":[0.00017317054,0.000033106848,0.000024856354,0.000007897059,0.0000064178817,4.1251224e-7,0.000450245,0.000026238373,0.00007057679,0.022117132,0.97702116,0.00006877068],"about_ca_topic_score_codex":0.00006903152,"about_ca_topic_score_gemma":0.00010185667,"teacher_disagreement_score":0.8092029,"about_ca_system_score_codex":0.0000030848764,"about_ca_system_score_gemma":0.000007687951,"threshold_uncertainty_score":0.99961984},"labels":[],"label_agreement":null},{"id":"W2265577953","doi":"10.14288/1.0072936","title":"\"No way to return\" : agentic assemblies, switchback resistance, and spatializing Thomas Pynchon's narrative politics in Vineland","year":2012,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Politics; Resistance (ecology); Sociology; Psychology; Political science; Art; Literature; Law; Biology","score_opus":0.014346660095377243,"score_gpt":0.1879980535339555,"score_spread":0.17365139343857824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2265577953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8987441,0.0010437749,0.000019327781,0.00025689564,0.0003234409,0.0002189677,0.00013415726,0.00003329126,0.099226065],"genre_scores_gemma":[0.9594333,0.000039379833,0.00014469202,0.00017772637,0.00024765768,6.4272575e-7,0.00002583074,0.000014497387,0.039916255],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99898845,0.00007470876,0.0001591056,0.0002530106,0.00017755607,0.00034719554],"domain_scores_gemma":[0.9993228,0.00005588138,0.00007386368,0.0001814907,0.00018128057,0.0001847168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018260177,0.000068858324,0.00028463677,0.00008578826,0.00033824393,0.0002764577,0.00015004074,0.000071812625,0.0002971794],"category_scores_gemma":[0.00003660061,0.00019080497,0.00006168411,0.00010056273,0.00019532624,0.0007706114,0.00009727136,0.00015376831,0.000014052096],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019057069,0.0009848924,0.087133646,0.0013267564,0.00030229168,0.00090617576,0.52392465,5.0992224e-7,0.0005273958,0.018551275,0.31648833,0.04966349],"study_design_scores_gemma":[0.00092330354,0.00009141617,0.630288,0.00054353685,0.000040767587,0.000012411174,0.034309994,0.000008493329,9.543612e-7,0.0010263317,0.33239964,0.00035516603],"about_ca_topic_score_codex":0.025157455,"about_ca_topic_score_gemma":0.530573,"teacher_disagreement_score":0.54315436,"about_ca_system_score_codex":0.00005383106,"about_ca_system_score_gemma":0.00003245151,"threshold_uncertainty_score":0.9813341},"labels":[],"label_agreement":null},{"id":"W2275533679","doi":"10.5539/ass.v12n3p42","title":"Buddhist Precepts and the Diagnosis of Women’s suffering in Doris Lessing’s The Golden Notebook","year":2016,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Buddhism; Mysticism; Enlightenment; Transcendence (philosophy); Gautama Buddha; Hinduism; Philosophy; Root (linguistics); Dharma; Literature; Aesthetics; Religious studies; Theology; Art","score_opus":0.01731182859056615,"score_gpt":0.24013884921376064,"score_spread":0.22282702062319448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275533679","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3945424,0.00031831276,0.000004375097,0.013447318,0.0002885263,0.00018929367,0.000010548907,0.000014495219,0.59118474],"genre_scores_gemma":[0.99724376,0.000011778614,0.0000020569046,0.00028067455,0.00024756126,0.00005784576,9.842567e-8,0.0000035824091,0.0021526199],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925035,0.000059628936,0.00013695101,0.00013678601,0.00018883575,0.00022742125],"domain_scores_gemma":[0.9996279,0.00014572237,0.0000512637,0.00010038889,0.00004344198,0.00003129119],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00072194,0.00006493741,0.00011731383,0.00003581657,0.0005496734,0.00021536091,0.00027286683,0.000017897824,0.00015736626],"category_scores_gemma":[0.00007053687,0.000028531713,0.000029867007,0.000071953866,0.003017778,0.00031460167,0.00007716161,0.0000631256,0.0000030912831],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001193583,0.000010139733,0.0004283943,0.000004678696,0.0000023589396,8.1307786e-7,0.26818234,1.0597594e-9,0.000066634915,0.65256655,0.00022061024,0.07850557],"study_design_scores_gemma":[0.002765966,0.00013899374,0.060957287,0.00038967427,0.000028843091,0.0000032605385,0.13997312,0.000005013776,0.0010840556,0.11641796,0.6777098,0.0005260023],"about_ca_topic_score_codex":0.00019356351,"about_ca_topic_score_gemma":0.0005274099,"teacher_disagreement_score":0.6774892,"about_ca_system_score_codex":0.00006926048,"about_ca_system_score_gemma":0.00005522633,"threshold_uncertainty_score":0.9996954},"labels":[],"label_agreement":null},{"id":"W2278688730","doi":"","title":"Cyborg Games: Videogame Blasphemy and Disorientation","year":2015,"lang":"en","type":"article","venue":"Loading...","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Blasphemy; Normative; Mainstream; Aesthetics; Reading (process); Key (lock); Sociology; Psychology; Social psychology; Art; Epistemology; Computer science; Linguistics; Political science; Philosophy; Law; Computer security","score_opus":0.0414260471317968,"score_gpt":0.23755548391141726,"score_spread":0.19612943677962047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2278688730","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38759735,0.0022000673,0.00007131399,0.0012814144,0.0008481231,0.00014985498,0.000024191362,0.00013010828,0.60769755],"genre_scores_gemma":[0.98044986,0.000005180213,0.00004221565,0.000707498,0.00047960077,0.000009489686,0.0000195483,0.000010646415,0.018275978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994708,0.000018466608,0.00012674766,0.00014684259,0.00011325894,0.00012392996],"domain_scores_gemma":[0.9996711,0.000027205424,0.00003101782,0.00010161282,0.00007259639,0.00009645267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008351949,0.00009043537,0.00010391113,0.0000425299,0.00008329709,0.00023183599,0.000052956515,0.000025117974,0.0002875815],"category_scores_gemma":[0.000027080909,0.00007758928,0.000025744966,0.000023052247,0.00010322613,0.00040099164,0.000022937807,0.0000677091,0.00007982556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028768796,0.00003805125,0.0005203351,0.000022360515,0.000017667086,0.000013387384,0.09992768,1.8972034e-7,0.00008525659,0.8602529,0.03534613,0.0037472756],"study_design_scores_gemma":[0.0004243297,0.00009495839,0.00010708189,0.000029693489,0.000016959591,0.0000046375962,0.010055556,0.000040230803,0.00018106327,0.013709968,0.97519684,0.00013867381],"about_ca_topic_score_codex":0.000061073915,"about_ca_topic_score_gemma":0.00014444909,"teacher_disagreement_score":0.9398507,"about_ca_system_score_codex":0.00001197531,"about_ca_system_score_gemma":0.000017317156,"threshold_uncertainty_score":0.3163999},"labels":[],"label_agreement":null},{"id":"W2279880029","doi":"","title":"How to Create Inhumanity: Kazuo Ishiguro's Never Let Me Go","year":2014,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Indictment; Biopower; Reading (process); Racism; Sociology; Aesthetics; Psychoanalysis; Art history; Art; Philosophy; Literature; Law; Politics; Psychology; Gender studies; Political science","score_opus":0.024150028111306537,"score_gpt":0.23500697189462483,"score_spread":0.2108569437833183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279880029","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.483161,0.004596077,0.004807731,0.16714975,0.009974042,0.0009845473,0.0005462345,0.00044753813,0.32833308],"genre_scores_gemma":[0.9369478,0.000027548529,0.00059581146,0.016240539,0.0039958917,0.0000065659347,0.0000465611,0.00008556011,0.04205371],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670666,0.0004739922,0.00092698087,0.0004490194,0.00076799374,0.0006753623],"domain_scores_gemma":[0.9973149,0.0002900859,0.0003200371,0.000563829,0.00083851884,0.0006726356],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00073631556,0.00052235014,0.0007912322,0.00066185487,0.0005168817,0.0028359857,0.00071197096,0.00012831291,0.00050180434],"category_scores_gemma":[0.00016942777,0.0004504185,0.00041752256,0.00015256675,0.00026217388,0.005754709,0.00010316161,0.0007181179,0.000096779564],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026018938,0.00036339095,0.00005640866,0.00013586794,0.00018046187,0.00050344213,0.029044056,0.0000019748245,0.00075668195,0.8949331,0.06848794,0.005276486],"study_design_scores_gemma":[0.0012005339,0.0015550968,0.0000779069,0.00032000913,0.00014165294,0.00018189741,0.0020341591,0.000054501914,0.0003090055,0.1062092,0.8873811,0.00053496746],"about_ca_topic_score_codex":0.000025144012,"about_ca_topic_score_gemma":0.00012518204,"teacher_disagreement_score":0.81889313,"about_ca_system_score_codex":0.0000769918,"about_ca_system_score_gemma":0.00009994968,"threshold_uncertainty_score":0.9997948},"labels":[],"label_agreement":null},{"id":"W2280273900","doi":"10.14288/1.0066752","title":"Subversion, transcendence, and rejection history in the fiction of contemporary Chinese avant-garde writers Su Tong, Yu Hua, and Ge Fei","year":2008,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Subversion; Avant garde; Transcendence (philosophy); Art; Art history; Literature; Philosophy; Humanities; Theology; Political science; Law; Politics","score_opus":0.016946211507685938,"score_gpt":0.1657521409252199,"score_spread":0.14880592941753396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280273900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9705079,0.0033995833,0.000008032589,0.0001769716,0.00018631689,0.0001811722,0.000076662254,0.000020839187,0.025442477],"genre_scores_gemma":[0.99568206,0.00033123238,0.00000805557,0.000115804665,0.00004384459,4.7979375e-7,0.0000240837,0.0000063404486,0.0037881094],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99928653,0.00008492013,0.00014468312,0.0002173674,0.000159998,0.000106482046],"domain_scores_gemma":[0.9996067,0.000051204606,0.00008374362,0.0001268002,0.000090589725,0.000040937924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016775928,0.000051187486,0.00021146475,0.00007948311,0.00025462772,0.000047467693,0.00011146521,0.00006399139,0.000117938296],"category_scores_gemma":[0.000007593191,0.0001109768,0.000069029345,0.000029839453,0.0006069798,0.0006055419,0.000021766884,0.0001432664,8.7969494e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040063882,0.0008608832,0.20681123,0.0007656741,0.00014871285,0.0013650915,0.5290543,8.525433e-7,0.0008315094,0.0005570586,0.2174349,0.041769177],"study_design_scores_gemma":[0.0011877439,0.00016273433,0.9450562,0.00013550598,0.000023012914,0.000110895635,0.016946808,0.000029905696,3.230715e-7,0.0001909043,0.03600399,0.00015195907],"about_ca_topic_score_codex":0.046499915,"about_ca_topic_score_gemma":0.19452502,"teacher_disagreement_score":0.738245,"about_ca_system_score_codex":0.000034381257,"about_ca_system_score_gemma":0.000050768707,"threshold_uncertainty_score":0.95984954},"labels":[],"label_agreement":null},{"id":"W2287634317","doi":"","title":"Emma Wolf’s Short Stories in “The Smart Set.” AMS Studies in Modern Literature, No. 27. Edited by Barbara Cantalupo. New York: AMS Press, 2010","year":2011,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history","score_opus":0.10125656084293816,"score_gpt":0.2909395513236803,"score_spread":0.18968299048074216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2287634317","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9269767,0.03612824,0.000009338816,0.0008418616,0.010210054,0.0008678671,0.00022646529,0.000073297735,0.024666196],"genre_scores_gemma":[0.9638361,0.0008338253,0.00011514316,0.0002730608,0.003022895,0.00015403885,0.00009385478,0.00007365867,0.031597458],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99564195,0.00046554333,0.0013369502,0.00060095993,0.0006746171,0.0012799605],"domain_scores_gemma":[0.99838793,0.00020267154,0.00024290259,0.00053294597,0.00028710117,0.00034646157],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0017726235,0.00065658055,0.0008630142,0.0005486168,0.00063593744,0.0008932884,0.00094750343,0.00024261902,0.00029942908],"category_scores_gemma":[0.00010762924,0.00047597947,0.000191338,0.0002993434,0.00051029405,0.0019372439,0.00029133487,0.0022766367,0.00002656129],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062825315,0.0005959127,0.008363224,0.00009013769,0.0001115082,0.0017667626,0.8447939,0.000006504293,0.000047369722,0.0014848991,0.14134523,0.0007662474],"study_design_scores_gemma":[0.007732099,0.0021054924,0.016869012,0.0037592978,0.00012454634,0.001166309,0.45330793,0.0007259197,0.000066865025,0.040707435,0.47064438,0.0027906932],"about_ca_topic_score_codex":0.0006226216,"about_ca_topic_score_gemma":0.0035374064,"teacher_disagreement_score":0.39148602,"about_ca_system_score_codex":0.00039122425,"about_ca_system_score_gemma":0.00024201615,"threshold_uncertainty_score":0.9997692},"labels":[],"label_agreement":null},{"id":"W2297073496","doi":"","title":"Detail from \"Whitehorse to Inuvik, #17\" from the series Get There From Here, by Nicole Bauberger","year":2015,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Series (stratigraphy); Economics; History; Neoclassical economics; Geology; Paleontology","score_opus":0.030702750096597637,"score_gpt":0.2120526424184542,"score_spread":0.18134989232185655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297073496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64358574,0.0069144596,0.00005062168,0.011708264,0.0011257016,0.00031819206,0.0033153067,0.00019470062,0.332787],"genre_scores_gemma":[0.8217701,0.00001173597,0.00014254516,0.011946519,0.0018902019,0.00004816494,0.0007063586,0.000041770516,0.16344264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984863,0.00013183185,0.00035024993,0.00041579685,0.00031725544,0.00029859392],"domain_scores_gemma":[0.9986867,0.00022648984,0.000058240985,0.0006416848,0.00015976577,0.00022713799],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012388939,0.00030361285,0.00031899044,0.000025109483,0.00026438804,0.0009516365,0.0004725683,0.00010246037,0.020159546],"category_scores_gemma":[0.000038676702,0.00018573379,0.00012066471,0.00004527816,0.00014651167,0.00064151787,0.00015252308,0.00025317565,0.0010033374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011659204,0.00007778184,0.00187831,0.0000013543842,0.00012729141,0.000021232678,0.05151068,4.469634e-7,0.00016783844,0.03047959,0.9146048,0.0010141167],"study_design_scores_gemma":[0.00040206153,0.000076597535,0.00036682884,0.000039555085,0.000048000456,4.519572e-7,0.026466658,0.000010605754,0.0003254515,0.020090692,0.9518613,0.00031175165],"about_ca_topic_score_codex":0.030958533,"about_ca_topic_score_gemma":0.0802586,"teacher_disagreement_score":0.17818433,"about_ca_system_score_codex":0.000024091827,"about_ca_system_score_gemma":0.000063294894,"threshold_uncertainty_score":0.9997745},"labels":[],"label_agreement":null},{"id":"W2298423922","doi":"10.14288/1.0106786","title":"The literary criticism of Matthew Arnold and T.S. Eliot","year":2012,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Criticism; Literary criticism; Philosophy; Art; Literature; Art history","score_opus":0.010383455491377407,"score_gpt":0.16344298514780276,"score_spread":0.15305952965642536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298423922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93732756,0.010985189,0.000012643003,0.00034979364,0.00029277845,0.00012715446,0.00021821396,0.000030639563,0.050656024],"genre_scores_gemma":[0.988729,0.00018312213,0.000036358368,0.00013798304,0.00013219009,3.539186e-7,0.000008018653,0.0000089643,0.010764028],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9993446,0.00004645517,0.00012844919,0.00012907833,0.0001394238,0.00021202315],"domain_scores_gemma":[0.9994157,0.00010349029,0.00007010208,0.00018957532,0.00013638199,0.00008475642],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017581646,0.000039160706,0.00018137651,0.000026828662,0.0003904482,0.00019763967,0.00017837054,0.0000447626,0.0003056198],"category_scores_gemma":[0.000011949273,0.00009452606,0.000083684936,0.00004050611,0.0006212947,0.00058811356,0.00008599192,0.00010320318,0.0000080378895],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042832155,0.00039376528,0.007745657,0.00054523087,0.00017053989,0.00008511499,0.044840563,2.636147e-8,0.00022232938,0.03688038,0.049822226,0.8592513],"study_design_scores_gemma":[0.0007931919,0.0001239321,0.5866519,0.0004555365,0.00008747792,0.00006561015,0.015090997,0.000010506349,0.000003936554,0.009107152,0.38731465,0.00029511206],"about_ca_topic_score_codex":0.007162336,"about_ca_topic_score_gemma":0.03987326,"teacher_disagreement_score":0.8589562,"about_ca_system_score_codex":0.0000073856118,"about_ca_system_score_gemma":0.000018055396,"threshold_uncertainty_score":0.9994491},"labels":[],"label_agreement":null},{"id":"W2304640673","doi":"10.14288/1.0087433","title":"Reading Widdershins: a study of romance and A.S. Byatt’s Possession: a romance","year":2009,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Romance; Possession (linguistics); Reading (process); Literature; Art; History; Linguistics; Philosophy","score_opus":0.012816855329293352,"score_gpt":0.1792761849649588,"score_spread":0.16645932963566545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2304640673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9782913,0.0005851746,0.000008633113,0.00017337376,0.00009428323,0.00021563741,0.00004298732,0.00004213746,0.020546474],"genre_scores_gemma":[0.99650806,0.000035513534,0.00004747147,0.00009661787,0.000059179445,2.954123e-7,0.0000057123093,0.000006404548,0.0032407579],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9992146,0.00004126191,0.00014327388,0.0002756062,0.00017684286,0.00014842063],"domain_scores_gemma":[0.999453,0.000026021426,0.0001150708,0.00020067749,0.0001417467,0.000063448286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009871103,0.000048487866,0.00027925536,0.0000429161,0.0002860632,0.00016522499,0.00018150233,0.00004221438,0.0001243469],"category_scores_gemma":[0.000009173144,0.00014218932,0.000056062752,0.0000711004,0.00020190573,0.0006568443,0.00004668444,0.000106633226,0.000001794845],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016518589,0.0032947343,0.0155850025,0.00047794267,0.0002410443,0.0015275859,0.18786588,0.0000012968588,0.0005071883,0.0044368417,0.023009915,0.76288736],"study_design_scores_gemma":[0.0015843802,0.00087669014,0.92505676,0.00055910484,0.00006330188,0.000032593518,0.06621699,0.000027164442,6.466044e-7,0.0014446784,0.003903987,0.00023373433],"about_ca_topic_score_codex":0.018235011,"about_ca_topic_score_gemma":0.13179448,"teacher_disagreement_score":0.90947175,"about_ca_system_score_codex":0.000011302304,"about_ca_system_score_gemma":0.000022976183,"threshold_uncertainty_score":0.98830265},"labels":[],"label_agreement":null},{"id":"W2306136289","doi":"10.14288/1.0103831","title":"The representation of history in contemporary Chinese fiction : Han Shaogong, Mo Yan, Su Tong","year":2009,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Representation (politics); History; Literature; Art; Political science; Law; Politics","score_opus":0.020416045511005038,"score_gpt":0.19369984408943242,"score_spread":0.17328379857842738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2306136289","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9141628,0.0028479632,0.000011502064,0.0002824586,0.00024956648,0.00018912712,0.000042302756,0.00003386468,0.08218038],"genre_scores_gemma":[0.98991054,0.00004903917,0.000007835192,0.00007691093,0.00007355044,4.484369e-7,0.000033324905,0.0000057594934,0.009842561],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9992518,0.000072028284,0.00018884447,0.00019908292,0.0001662009,0.00012206994],"domain_scores_gemma":[0.99945325,0.000058069865,0.00013840092,0.00018289768,0.00012868864,0.000038702146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001544289,0.000042175874,0.00020509976,0.000055407447,0.00020057426,0.000099390694,0.00019079316,0.000051414234,0.00011954869],"category_scores_gemma":[0.000022411532,0.00010065953,0.00011204281,0.00007778504,0.00027309955,0.00063396397,0.000027005734,0.000121693905,0.0000024526728],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029415658,0.00089558715,0.038315445,0.00017259561,0.00012367297,0.0004244166,0.070484474,0.0000052747855,0.0010487206,0.006783018,0.2052632,0.6761894],"study_design_scores_gemma":[0.00079622114,0.0001286216,0.9399858,0.000135552,0.000012812825,0.0000068013806,0.008583128,0.000088153945,7.3578263e-7,0.0018658644,0.048262354,0.0001339409],"about_ca_topic_score_codex":0.059747394,"about_ca_topic_score_gemma":0.252532,"teacher_disagreement_score":0.9016704,"about_ca_system_score_codex":0.00006674914,"about_ca_system_score_gemma":0.000057361518,"threshold_uncertainty_score":0.94651383},"labels":[],"label_agreement":null},{"id":"W2318482277","doi":"10.1632/pmla.2012.127.1.131","title":"Capitalism, Fiction, and the Inevitable, (Im)Possible, Maddening Importance of the Gift","year":2012,"lang":"en","type":"article","venue":"PMLA/Publications of the Modern Language Association of America","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Capitalism; Subject (documents); Gilded Age; Plot (graphics); Assertion; Obligation; Solidarity; History; Art; Sociology; Art history; Law; Political science","score_opus":0.008446830959905336,"score_gpt":0.21459889049345035,"score_spread":0.206152059533545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318482277","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.664527,0.018594408,0.00068076013,0.07401103,0.0010228553,0.0014378835,0.00083251705,0.00011423039,0.2387793],"genre_scores_gemma":[0.9834133,0.000025458761,0.000095577605,0.0005656481,0.00016449485,0.000034678862,0.000019738405,0.00001162998,0.015669508],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884427,0.0001669647,0.00041429058,0.00010377581,0.00031168124,0.00015900085],"domain_scores_gemma":[0.99792665,0.00029609987,0.00086923345,0.00051055633,0.0003709455,0.000026493333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046963387,0.00010185792,0.00022280795,0.00005888824,0.00029695238,0.0000650154,0.00036941236,0.00004089146,0.00015763135],"category_scores_gemma":[0.00047888394,0.000055504977,0.00014951,0.00019365235,0.0003621323,0.00042140947,0.00011168137,0.00013888117,0.0000011826713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004168096,0.0003332628,0.07421379,0.00010976199,0.00041108875,5.7598676e-8,0.3494151,0.00002084866,0.0009444982,0.5182775,0.05415054,0.002081862],"study_design_scores_gemma":[0.0055178697,0.00015751472,0.31022182,0.00045132756,0.0015737677,0.000016322558,0.09588119,0.0040783775,0.0053398195,0.037322305,0.5381825,0.0012571751],"about_ca_topic_score_codex":0.0003431641,"about_ca_topic_score_gemma":0.00009316509,"teacher_disagreement_score":0.48403198,"about_ca_system_score_codex":0.000032932716,"about_ca_system_score_gemma":0.000043228614,"threshold_uncertainty_score":0.22839476},"labels":[],"label_agreement":null},{"id":"W2319619264","doi":"10.3138/cras.2015.002","title":"Hashtagging Gaddis: #<i>OccupyGaddis</i>’s Residual Adoption of William Gaddis’s <i>J R</i>","year":2016,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cynicism; Negotiation; Political science; Reading (process); Humanities; Sociology; Media studies; Law; Philosophy; Politics","score_opus":0.03296637077619563,"score_gpt":0.2706212672188989,"score_spread":0.23765489644270327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319619264","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0122734625,0.81802815,0.000013165581,0.016432527,0.00089909014,0.0008998939,0.002878944,0.00008792063,0.14848685],"genre_scores_gemma":[0.8789854,0.1082557,0.00011886596,0.007061328,0.0005318763,0.00007227067,0.000045553257,0.00003756347,0.004891456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984428,0.00009871363,0.00063628965,0.00026015835,0.00022230406,0.0003397321],"domain_scores_gemma":[0.998398,0.00020245755,0.00037060815,0.00036564824,0.0004876416,0.0001756478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025513422,0.00023093194,0.0008429061,0.00017272454,0.00015366299,0.00001780782,0.00020967789,0.000019241545,0.00048687233],"category_scores_gemma":[0.0002888809,0.00015170031,0.00018851858,0.00013787174,0.0013460966,0.00022903449,0.00003897033,0.000077031866,0.000029546396],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003113845,0.000059736903,0.00072877127,0.007362745,0.0006342895,0.000048875856,0.011278244,4.374805e-8,0.00012810835,0.13086416,0.66320056,0.18566333],"study_design_scores_gemma":[0.0001315865,0.00016755711,0.00035530629,0.016101543,0.00013285066,0.0000032960666,0.004734739,6.156608e-8,0.00004977754,0.00016736599,0.97792774,0.00022815075],"about_ca_topic_score_codex":0.0038707643,"about_ca_topic_score_gemma":0.047218714,"teacher_disagreement_score":0.8667119,"about_ca_system_score_codex":0.00008079322,"about_ca_system_score_gemma":0.00023784813,"threshold_uncertainty_score":0.97016704},"labels":[],"label_agreement":null},{"id":"W2321386394","doi":"10.5840/symposium20048353","title":"Challenging Postmodernism","year":2004,"lang":"en","type":"article","venue":"Symposium","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Philosophy; Epistemology","score_opus":0.019592747647918126,"score_gpt":0.2139050853493358,"score_spread":0.19431233770141768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321386394","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018412272,0.0008245605,0.00013013887,0.00981236,0.0009431433,0.0000980116,0.000013063476,0.00017341376,0.96959305],"genre_scores_gemma":[0.9832532,0.00000977033,0.000025607906,0.0012032829,0.0009505352,0.0000086933815,0.000012978144,0.000015690031,0.014520233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994553,0.000008545605,0.00011570776,0.00014298697,0.00010090912,0.00017658317],"domain_scores_gemma":[0.9997301,0.000009214123,0.000018763021,0.0001506995,0.000042446587,0.00004874286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000044762026,0.00009859207,0.000092821574,0.00004688169,0.0002050412,0.0001611185,0.00009529024,0.000027745373,0.00052242295],"category_scores_gemma":[0.000002020567,0.00008606596,0.00006209031,0.000011160823,0.00005757411,0.00024981602,0.000021423939,0.00009744739,0.00031427687],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045877664,0.000032959597,0.0000019229753,0.000012009136,0.000010092378,0.000023287292,0.03153581,0.0000057191214,0.00045770968,0.96723753,0.00047887833,0.00019951547],"study_design_scores_gemma":[0.0005120669,0.00008910888,0.000013503754,0.00005752823,0.000014543974,0.000012175036,0.001718905,0.0000119812175,0.00065149926,0.049796265,0.9468892,0.00023321602],"about_ca_topic_score_codex":0.000045687513,"about_ca_topic_score_gemma":0.000068344205,"teacher_disagreement_score":0.96484095,"about_ca_system_score_codex":0.000016495525,"about_ca_system_score_gemma":0.000020086873,"threshold_uncertainty_score":0.5720165},"labels":[],"label_agreement":null},{"id":"W2321982904","doi":"10.17742/image.tgvc.5-2.7","title":"“MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA","year":2014,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hollywood; Mirroring; Movie theater; Art; Aesthetics; Media studies; Art history; Sociology; Communication","score_opus":0.058751032463865795,"score_gpt":0.41408739718325605,"score_spread":0.35533636471939023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321982904","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7602457,0.0028934213,0.00003655956,0.011208349,0.0008511448,0.00015960068,0.00005960386,0.00002612582,0.22451952],"genre_scores_gemma":[0.99592733,0.00003174616,0.00011296255,0.0001851153,0.0007905018,0.0000047329813,0.0000030345252,0.000012247419,0.002932305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875426,0.000078908546,0.0005678666,0.00011166957,0.00029351734,0.00019378836],"domain_scores_gemma":[0.9918984,0.00020300789,0.00042272246,0.00017741148,0.0072531686,0.000045286637],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00040828314,0.00020277099,0.00037471057,0.0001364565,0.00057889346,0.0013870005,0.0002779672,0.000018618135,0.00012270009],"category_scores_gemma":[0.0008462618,0.000097097814,0.00038592875,0.00007828468,0.0024374612,0.0058759097,0.000051446354,0.000250047,0.000008744891],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009644486,0.00027443373,0.0017022099,0.00008355011,0.0006528162,0.000030089412,0.083123066,0.000027699798,0.0050829523,0.8786647,0.027260615,0.0030014494],"study_design_scores_gemma":[0.008105907,0.0043822518,0.069879696,0.0018902116,0.0008575348,0.000594836,0.0896086,0.00018719053,0.011100642,0.1361848,0.67557573,0.0016325733],"about_ca_topic_score_codex":0.00002996461,"about_ca_topic_score_gemma":0.00003753878,"teacher_disagreement_score":0.74247986,"about_ca_system_score_codex":0.000044315842,"about_ca_system_score_gemma":0.000029630699,"threshold_uncertainty_score":0.99964964},"labels":[],"label_agreement":null},{"id":"W2322140307","doi":"10.1386/fict.4.1.23_1","title":"American laconic: Nescience and realism in Richard Ford’s ‘Optimists’","year":2014,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Realism; Narrative; Imperfect; Duty; Critical realism (philosophy of perception); Aesthetics; Reflexive pronoun; Epistemology; Philosophy; Literature; Sociology; Art; Linguistics","score_opus":0.018780354260354317,"score_gpt":0.2863823986985085,"score_spread":0.2676020444381542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322140307","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14621103,0.0009204457,0.0004404532,0.0028366302,0.00047732086,0.00018564708,0.000009963157,0.000048432838,0.8488701],"genre_scores_gemma":[0.99593776,0.00015413432,0.00007318057,0.0015749711,0.00016836952,0.000016938324,0.0000055064697,0.0000064949386,0.00206266],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998927,0.00045677347,0.0001787027,0.00021775112,0.000080546444,0.00013922004],"domain_scores_gemma":[0.9987001,0.0010516929,0.000049781193,0.0001162398,0.000038431503,0.00004379922],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019052264,0.00009291319,0.00013077923,0.000101037665,0.00015384812,0.00018758094,0.00005320012,0.00002832196,0.00008374968],"category_scores_gemma":[0.00037574707,0.00008293986,0.000014882748,0.00006826591,0.00028464437,0.00086144265,0.000025021804,0.00019512413,0.0000020793127],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026898397,0.00003764329,0.00026052925,0.000013278939,0.00000434353,0.000008465073,0.020976428,0.000001688985,0.000028322629,0.9613624,0.00035874825,0.01667915],"study_design_scores_gemma":[0.00021489424,0.00016870655,0.0013349444,0.000038350667,0.000017738921,0.000046208672,0.01869065,0.00019232393,0.000012647444,0.023982575,0.9551281,0.00017289456],"about_ca_topic_score_codex":0.00019474859,"about_ca_topic_score_gemma":0.0003892005,"teacher_disagreement_score":0.9547693,"about_ca_system_score_codex":0.0000107121095,"about_ca_system_score_gemma":0.000011757742,"threshold_uncertainty_score":0.33821893},"labels":[],"label_agreement":null},{"id":"W2323103657","doi":"10.1386/host.2.2.227_1","title":"An ethics of decomposition: Ian McEwan’s early prose","year":2011,"lang":"en","type":"article","venue":"Horror Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Literature; Realism; Aesthetics; Enlightenment; Absurdism; Art; Postmodernism; History; Philosophy; Epistemology","score_opus":0.20059134078684632,"score_gpt":0.3584962320466254,"score_spread":0.15790489125977908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323103657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73561317,0.008254151,0.000033293894,0.0012442814,0.0011179763,0.0003151583,0.00009052351,0.00015321866,0.2531782],"genre_scores_gemma":[0.9950883,0.000029601833,0.00021121546,0.00037751728,0.0003062325,0.000024606914,0.000007097066,0.000011988646,0.0039434545],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928296,0.00006647345,0.00021903294,0.00015542233,0.00013642629,0.0001396898],"domain_scores_gemma":[0.999332,0.00004008015,0.00006111821,0.00020186396,0.00032491525,0.000039992527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016740894,0.00012217966,0.00021691596,0.000056435667,0.00028889696,0.000063392996,0.00011664701,0.000044404205,0.00021351398],"category_scores_gemma":[0.000020515676,0.00009654966,0.00006395753,0.00002387991,0.00033338406,0.00046320312,0.000033455097,0.00017561456,0.000017654334],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034513665,0.000111196416,0.00035592835,0.00006737586,0.00006769524,0.000009748392,0.50624,1.0924301e-8,0.00005620843,0.49186966,0.00084716186,0.0003404876],"study_design_scores_gemma":[0.0018587428,0.0056838696,0.022976944,0.00096644444,0.0005104417,0.000019713481,0.37179086,0.0000073499914,0.0081737,0.110146694,0.4762428,0.0016224277],"about_ca_topic_score_codex":0.000076755336,"about_ca_topic_score_gemma":0.00076221913,"teacher_disagreement_score":0.47539565,"about_ca_system_score_codex":0.000007073739,"about_ca_system_score_gemma":0.000019076175,"threshold_uncertainty_score":0.39371806},"labels":[],"label_agreement":null},{"id":"W2329084825","doi":"10.1080/0950236x.2014.993524","title":"Neoliberalism and the time of the novel","year":2015,"lang":"en","type":"article","venue":"Textual Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Neoliberalism (international relations); Impossibility; Postmodernism; Sociology; Epistemology; Relation (database); Politics; Aesthetics; Philosophy; Social science; Law; Political science","score_opus":0.03915517592370338,"score_gpt":0.24641554428255258,"score_spread":0.2072603683588492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329084825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009480054,0.0012327756,0.000009234101,0.053147353,0.00025327515,0.00017648432,0.00002083184,0.00002143972,0.9356586],"genre_scores_gemma":[0.9314662,0.0000033932831,0.000040581162,0.012047389,0.00040246372,0.000004673101,0.0000021136893,0.0000074176132,0.05602572],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999432,0.000120079894,0.00013448803,0.00007769539,0.00015772405,0.00007795961],"domain_scores_gemma":[0.9989766,0.0005506506,0.000089905196,0.00020019531,0.00015248374,0.000030176781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048802228,0.00006618361,0.0000999989,0.000011329491,0.00012235706,0.00013621322,0.00014014967,0.000019799894,0.00017324569],"category_scores_gemma":[0.00043815482,0.000031129097,0.000035969242,0.000022970056,0.00043010997,0.00046686144,0.0000759232,0.00014434296,0.00004429989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010629422,0.00003218487,5.2586046e-7,0.000003338172,0.000020257263,9.526013e-7,0.066658445,1.16951426e-7,0.000015972835,0.9055956,0.027249396,0.00031693542],"study_design_scores_gemma":[0.0008729804,0.000029301718,0.000010847711,0.000011367869,0.000058956048,0.000025841025,0.009057138,0.000056351488,0.000017680588,0.008501278,0.981305,0.000053279222],"about_ca_topic_score_codex":0.00029865775,"about_ca_topic_score_gemma":0.000037227484,"teacher_disagreement_score":0.9540556,"about_ca_system_score_codex":0.0000037677894,"about_ca_system_score_gemma":0.000035182515,"threshold_uncertainty_score":0.18969187},"labels":[],"label_agreement":null},{"id":"W2331154048","doi":"10.1386/jucs.1.2.235_1","title":"Richard Price’s Lower East Side: Cops, culture and gentrification","year":2014,"lang":"en","type":"article","venue":"Journal of Urban Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Gentrification; Speculation; Sociology; Redevelopment; Ethnic group; Narrative; Aesthetics; Neighbourhood (mathematics); History; Political science; Anthropology; Art; Law; Literature; Economics; Economic growth","score_opus":0.04135654630035918,"score_gpt":0.2566966963819184,"score_spread":0.2153401500815592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331154048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5534813,0.28004014,0.00005590656,0.015338067,0.0053789234,0.00043866667,0.00004587514,0.00009235328,0.1451288],"genre_scores_gemma":[0.97733253,0.0006539781,0.00006664764,0.000577806,0.002456445,0.0000023827072,0.0000031858633,0.0000070404712,0.018899992],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915564,0.00005009236,0.00035106545,0.00010672137,0.0002007344,0.00013572465],"domain_scores_gemma":[0.99884415,0.00003866852,0.00024897503,0.00007017659,0.0007303426,0.0000676828],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018090734,0.00014633551,0.00029450058,0.00004109071,0.00029981355,0.00023111606,0.000094037714,0.00003361116,0.000058774483],"category_scores_gemma":[0.000114537426,0.0000817155,0.00010328489,0.000030534015,0.00016138202,0.0005386144,0.000027532034,0.00018548734,0.000011030148],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009900562,0.000102589445,0.00055169186,0.000110597444,0.00047240782,0.000037206246,0.21403246,4.2299183e-7,0.00059402705,0.17925063,0.6018069,0.002942085],"study_design_scores_gemma":[0.00039631038,0.00023663578,0.00072132243,0.00010777291,0.00008047852,0.00003786781,0.019020535,0.0000030979672,0.000032460233,0.0009784932,0.9782528,0.00013221236],"about_ca_topic_score_codex":0.000002566376,"about_ca_topic_score_gemma":0.000016513826,"teacher_disagreement_score":0.42385125,"about_ca_system_score_codex":0.000025415384,"about_ca_system_score_gemma":0.000008185845,"threshold_uncertainty_score":0.33322614},"labels":[],"label_agreement":null},{"id":"W2336192066","doi":"","title":"A Threatened Hero: An Analysis of Jack Gladney in White Noise","year":2016,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psyche; Destiny (ISS module); HERO; White (mutation); Power (physics); Middle class; Psychoanalysis; Sociology; History; Art; Literature; Psychology; Law; Political science; Engineering","score_opus":0.03824630016391501,"score_gpt":0.3119805088193599,"score_spread":0.2737342086554449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336192066","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.965862,0.000554412,0.0000070291244,0.0010332257,0.00004104205,0.00010397472,0.0000774706,0.00004498216,0.0322759],"genre_scores_gemma":[0.99386644,0.00005546984,0.000045931945,0.00015183404,0.00003788912,0.00001914979,0.00026210412,0.000008102854,0.005553091],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99911785,0.00011502681,0.0003574129,0.00016117336,0.00011270051,0.0001358511],"domain_scores_gemma":[0.99864435,0.000057972906,0.00011943116,0.00072466326,0.00040902957,0.000044575278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019369465,0.00011864718,0.000247432,0.00013444251,0.00018254564,0.00030700825,0.00038956816,0.00005212335,0.00063074514],"category_scores_gemma":[0.000035376535,0.000071384304,0.00012214606,0.00015436234,0.00042355197,0.0015020679,0.000068452064,0.00008418228,0.000015551957],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003386764,0.0004943365,0.13529472,0.000050764127,0.00047405073,0.0000041635203,0.14041944,0.000019013665,0.010381499,0.6905985,0.00054741255,0.021377422],"study_design_scores_gemma":[0.005205855,0.00054612674,0.628396,0.00079611747,0.0010344485,0.0000042697657,0.021142172,0.0016005514,0.00337548,0.015493282,0.32084927,0.0015564248],"about_ca_topic_score_codex":0.00031811878,"about_ca_topic_score_gemma":0.0053850324,"teacher_disagreement_score":0.6751052,"about_ca_system_score_codex":0.000034562498,"about_ca_system_score_gemma":0.0000125642455,"threshold_uncertainty_score":0.6906217},"labels":[],"label_agreement":null},{"id":"W2336540748","doi":"10.5840/symposium200711118","title":"Experiencing the Postmetaphysical Self","year":2007,"lang":"en","type":"article","venue":"Symposium","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.012299716594257598,"score_gpt":0.22275533935749656,"score_spread":0.21045562276323895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336540748","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16883138,0.0003772081,0.000041327152,0.0024102076,0.0009372,0.000118363074,0.000004291948,0.00013886798,0.82714117],"genre_scores_gemma":[0.9873605,0.0000014638933,0.000020612015,0.0018759859,0.0016620348,0.000006985399,0.000004320229,0.000010584829,0.009057506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993777,0.000020182233,0.00013857479,0.000122935,0.00013540787,0.00020519804],"domain_scores_gemma":[0.9996136,0.000076886216,0.000022960889,0.00019052731,0.000052809104,0.00004324608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018545389,0.00009098392,0.00008263414,0.000029635716,0.00031349508,0.00018487488,0.00013975546,0.000021467806,0.0003737315],"category_scores_gemma":[0.000003657516,0.000054754946,0.00007904262,0.000028723867,0.00009525072,0.00019119366,0.000028007393,0.00011670032,0.00011336219],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009004845,0.000039088074,0.0000137971865,0.0000044830153,0.000014834389,0.000014443397,0.15035205,4.1678017e-8,0.0012103055,0.84417945,0.0038444689,0.00031804905],"study_design_scores_gemma":[0.00009989256,0.000050955405,0.00006779759,0.000007506645,0.000015037519,0.00000535375,0.009920303,0.000009234546,0.001545265,0.0013957116,0.9867749,0.00010800089],"about_ca_topic_score_codex":0.000026297894,"about_ca_topic_score_gemma":0.00008139944,"teacher_disagreement_score":0.9829305,"about_ca_system_score_codex":0.000010549415,"about_ca_system_score_gemma":0.000013242824,"threshold_uncertainty_score":0.4092098},"labels":[],"label_agreement":null},{"id":"W234193523","doi":"10.5325/style.45.2.0330","title":"The reader and the space-in-between","year":2011,"lang":"en","type":"article","venue":"Style","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Element (criminal law); Argument (complex analysis); Space (punctuation); Action (physics); CITES; George (robot); Philosophy; Literature; Aesthetics; Sociology; Art; Linguistics; Art history; Law","score_opus":0.042298651425377025,"score_gpt":0.21293685829623243,"score_spread":0.1706382068708554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W234193523","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025603402,0.0020425667,0.0000012542051,0.0035550026,0.00018831731,0.00010206239,0.000005205897,0.000014660755,0.9684875],"genre_scores_gemma":[0.95272374,0.00001730773,0.0000032493067,0.00029095262,0.0003210888,0.000009209748,0.0000010588649,0.0000044599183,0.04662891],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996683,0.000041145227,0.00007986836,0.00006514555,0.000047200116,0.00009834157],"domain_scores_gemma":[0.99970686,0.00012269162,0.000015204541,0.00012474343,0.000015540536,0.000014968962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018620904,0.000048801026,0.00006670623,0.000011942187,0.0002174995,0.000116045885,0.00007969753,0.000013425066,0.00023189408],"category_scores_gemma":[0.000010202574,0.000021702297,0.000022635388,0.000010979431,0.00029618206,0.00007748361,0.000022908549,0.00008755413,0.000022560418],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001757428,0.0000036119438,0.0004087775,0.0000022815286,0.000007639133,0.000002116089,0.065408565,5.046613e-10,3.0530506e-7,0.9285248,0.0038524244,0.0017719049],"study_design_scores_gemma":[0.0003447612,0.000015809715,0.002373802,0.000009845722,0.000008688213,5.9146134e-7,0.007987329,0.0000017809085,0.000013341486,0.025785657,0.96341044,0.000047984893],"about_ca_topic_score_codex":0.00016197852,"about_ca_topic_score_gemma":0.0008976791,"teacher_disagreement_score":0.959558,"about_ca_system_score_codex":0.0000018632059,"about_ca_system_score_gemma":0.0000052857145,"threshold_uncertainty_score":0.25390777},"labels":[],"label_agreement":null},{"id":"W237458516","doi":"10.15173/russell.v21i1.1990","title":"Epistemology of Modernism [review of Ann Banfield, &lt;i&gt;The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism&lt;/i&gt;]","year":2001,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Philosophy; Art history; Table (database); Epistemology; Art; Computer science","score_opus":0.03292188158507915,"score_gpt":0.26169016443346915,"score_spread":0.22876828284839001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W237458516","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08411163,0.85286963,0.00046432513,0.015088493,0.0010513451,0.000978403,0.000095239346,0.000018462344,0.045322467],"genre_scores_gemma":[0.7582772,0.23468737,0.00004208189,0.0009973891,0.0004165898,0.000011968313,0.0000036814579,0.000033090877,0.005530629],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99523634,0.0011112002,0.002235767,0.00028707317,0.0006203424,0.0005092738],"domain_scores_gemma":[0.9938302,0.002719022,0.0017521635,0.00064600224,0.0009534026,0.00009921987],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0033158332,0.0005192725,0.002147378,0.00017725986,0.00062654796,0.00005207086,0.0008976566,0.0001667595,0.0003077158],"category_scores_gemma":[0.000174032,0.00024101211,0.0005629886,0.00018407869,0.0030203997,0.0002973617,0.00017324399,0.00060048705,0.0000045705874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006485621,0.0014894732,0.00026961908,0.013605544,0.008839727,0.00021862678,0.23195904,0.00012767492,0.007889893,0.66367286,0.05926589,0.0061760508],"study_design_scores_gemma":[0.010891625,0.002476934,0.00036100438,0.009947236,0.00661295,0.0023855593,0.012204296,0.0006121732,0.003456706,0.08636959,0.8635136,0.0011683531],"about_ca_topic_score_codex":0.00008727827,"about_ca_topic_score_gemma":0.00036270535,"teacher_disagreement_score":0.8042477,"about_ca_system_score_codex":0.000021118514,"about_ca_system_score_gemma":0.00013316648,"threshold_uncertainty_score":0.9996928},"labels":[],"label_agreement":null},{"id":"W2397003883","doi":"10.16995/pn.9","title":"Useless Lumpens in &lt;i&gt;Gravity’s Rainbow&lt;/i&gt;","year":2011,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Nothing; Narrative; Period (music); Theme (computing); Nazism; Hollywood; Psychoanalysis; History; Literature; Politics; Art history; Art; Aesthetics; Philosophy; Law; Psychology; Political science","score_opus":0.04470101238073679,"score_gpt":0.22485509378704238,"score_spread":0.1801540814063056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2397003883","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39447576,0.003029032,0.000032576732,0.00092427206,0.0013445918,0.00040753407,0.00010850192,0.00025091166,0.5994268],"genre_scores_gemma":[0.9846065,0.000025131989,0.00011578029,0.00084248016,0.0006400815,0.000039319075,0.000041995077,0.0000394017,0.013649295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851525,0.000086630534,0.0003832136,0.0003664917,0.00021444219,0.00043396544],"domain_scores_gemma":[0.99914944,0.0001674158,0.00007581312,0.00037630438,0.000113460956,0.0001175661],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024083463,0.00026737835,0.00033654537,0.00021129544,0.00019176681,0.0002287393,0.00028722125,0.000102764585,0.0043369937],"category_scores_gemma":[0.00007819109,0.00024048702,0.00013581358,0.00008409029,0.00021244521,0.0004964066,0.0000707083,0.0002342349,0.00032792747],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058686728,0.00027371946,0.0008266407,0.00005435213,0.00003479129,0.00010777692,0.08259272,1.8385664e-7,0.0026784767,0.9017876,0.006849015,0.0047360556],"study_design_scores_gemma":[0.0007628903,0.00012577555,0.0046195053,0.00013928539,0.000034069973,0.0000059507524,0.00057086564,0.00002883505,0.0014252643,0.020890938,0.9708633,0.0005333605],"about_ca_topic_score_codex":0.00016568434,"about_ca_topic_score_gemma":0.005133458,"teacher_disagreement_score":0.96401423,"about_ca_system_score_codex":0.000025032954,"about_ca_system_score_gemma":0.00004303593,"threshold_uncertainty_score":0.99657315},"labels":[],"label_agreement":null},{"id":"W2403539952","doi":"10.16995/pn.15","title":"In Fascism’s Footprint: The History of “Creeping” and &lt;i&gt;Vineland’s&lt;/i&gt; Poetics of Betrayal","year":2011,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Betrayal; Subversion; Law; State (computer science); Psychoanalysis; History; Literature; Politics; Philosophy; Psychology; Art; Political science","score_opus":0.04064516114437242,"score_gpt":0.20829909799840668,"score_spread":0.16765393685403426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2403539952","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6308119,0.020251,0.00005291455,0.00081216474,0.0014334811,0.0003086653,0.000057877696,0.000039392817,0.3462326],"genre_scores_gemma":[0.9946289,0.000074776275,0.000078017,0.00021242775,0.00018860832,0.000008324377,0.0000045412407,0.000015875119,0.004788551],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904805,0.000057175916,0.0003771813,0.00017658384,0.00016350049,0.000177514],"domain_scores_gemma":[0.99924374,0.00021517821,0.00012239614,0.00027070646,0.000104386076,0.000043574557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023619692,0.00014762825,0.00027439668,0.00012873196,0.000050944287,0.000020872329,0.0001932653,0.000062737265,0.000506685],"category_scores_gemma":[0.000075826436,0.00010882413,0.000082789,0.00003430595,0.0004963609,0.00013328719,0.000064273416,0.00014383788,0.0000042136835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008056969,0.0001765706,0.0012231868,0.00014741586,0.000044488894,0.000012075902,0.1468963,2.4981662e-7,0.0041024806,0.8406708,0.0026480425,0.0039977813],"study_design_scores_gemma":[0.00089946436,0.00036901384,0.012601643,0.0002204292,0.00007986246,0.000005737189,0.0009535078,0.000052900512,0.0022576822,0.016965253,0.9652435,0.00035095998],"about_ca_topic_score_codex":0.00017097627,"about_ca_topic_score_gemma":0.001236071,"teacher_disagreement_score":0.9625955,"about_ca_system_score_codex":0.000024200244,"about_ca_system_score_gemma":0.00004505457,"threshold_uncertainty_score":0.55478454},"labels":[],"label_agreement":null},{"id":"W2405104951","doi":"10.1080/21504857.2015.1122649","title":"Twelve cent Archie, by Bart Beaty","year":2016,"lang":"en","type":"article","venue":"Journal of Graphic Novels & Comics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Keyano College","funders":"","keywords":"History; Visual arts; Art","score_opus":0.012148935115345079,"score_gpt":0.18790024997947047,"score_spread":0.1757513148641254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2405104951","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6368067,0.00919681,0.0034173706,0.026340669,0.006021528,0.00041921673,0.0008756244,0.00015324759,0.31676883],"genre_scores_gemma":[0.9914179,0.00019560517,0.000095584335,0.0010208508,0.0008638483,0.0000011444001,0.0000026550504,0.000031099622,0.0063713323],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894446,0.000037781145,0.00045542233,0.00010836996,0.00024573508,0.00020821934],"domain_scores_gemma":[0.99914926,0.00012773728,0.00025277966,0.00016972379,0.00016360755,0.00013690068],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022558018,0.0001486217,0.00027041553,0.00019268264,0.0001106415,0.000120410965,0.00023903145,0.000045663055,0.00039560706],"category_scores_gemma":[0.000027122225,0.000090157606,0.00022585856,0.000040751293,0.00020274462,0.00032306684,0.00002906012,0.00020396935,0.000008890563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014524191,0.0002337103,0.00076528685,0.000019565347,0.00016977548,0.000047801397,0.0036071057,4.5298815e-8,0.004568759,0.7269797,0.25945687,0.00400616],"study_design_scores_gemma":[0.0009180502,0.0001640778,0.00018442055,0.0002334975,0.000040571424,0.000051632254,0.00039307616,0.0000011124475,0.00034862672,0.0142617,0.98323137,0.0001718528],"about_ca_topic_score_codex":0.000012743836,"about_ca_topic_score_gemma":0.00007596983,"teacher_disagreement_score":0.7237745,"about_ca_system_score_codex":0.000017070844,"about_ca_system_score_gemma":0.000042681135,"threshold_uncertainty_score":0.43316197},"labels":[],"label_agreement":null},{"id":"W2407937683","doi":"10.3138/utq.85.2.03","title":"Fables of Asylum: Malcolm Lowry's <i>Lunar Caustic</i>","year":2016,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Complicity; Narrative; Institution; Humanity; Obligation; Postmodernism; Humanism; Aesthetics; Law; Psychoanalysis; Sociology; Literature; Philosophy; Art; Political science; Psychology","score_opus":0.009538132080035774,"score_gpt":0.1745772469996249,"score_spread":0.1650391149195891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2407937683","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15026304,0.0014704851,0.0011758235,0.0009825618,0.00067227794,0.00027526487,0.00080457306,0.00009159571,0.8442644],"genre_scores_gemma":[0.93750846,0.000015820804,0.00013065067,0.00004044101,0.000103743485,1.2025323e-7,0.000006766342,0.000006455067,0.062187556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939734,0.00003410857,0.00014125036,0.0001477794,0.00013579984,0.00014373875],"domain_scores_gemma":[0.9994036,0.00005915078,0.00009320958,0.00021815972,0.00016897493,0.00005688623],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000061521714,0.00010170255,0.00020747705,0.000027059443,0.00009646298,0.000016355092,0.00020152156,0.000044414348,0.009204747],"category_scores_gemma":[0.000002939489,0.00008471098,0.000102665355,0.0000073557508,0.00025815718,0.0006050693,0.00001613964,0.00002935369,0.000044943463],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002575861,0.00022451946,0.00021277719,0.00013953462,0.00014583535,0.000054330463,0.104573466,5.8284492e-8,0.0031002916,0.78850603,0.07251941,0.030266192],"study_design_scores_gemma":[0.0011080528,0.00088185753,0.0004163911,0.00019157164,0.00008942611,0.0000019379597,0.029599492,0.0000043642294,0.00020354927,0.0015604926,0.96571386,0.00022898563],"about_ca_topic_score_codex":0.0062597413,"about_ca_topic_score_gemma":0.02775058,"teacher_disagreement_score":0.8931945,"about_ca_system_score_codex":0.00004001874,"about_ca_system_score_gemma":0.00003431523,"threshold_uncertainty_score":0.99170095},"labels":[],"label_agreement":null},{"id":"W2415977707","doi":"","title":"Lifeworks: Fibre optics","year":2003,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Visual arts; Subject (documents); Art; Art history; Computer science; World Wide Web","score_opus":0.010362865736322386,"score_gpt":0.20218624272280764,"score_spread":0.19182337698648524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2415977707","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010264845,0.0010134571,0.000049398226,0.031155143,0.0038919188,0.00006585911,0.000033686283,0.00002828572,0.9534974],"genre_scores_gemma":[0.935543,0.000033879714,0.000060075698,0.029635398,0.0055310545,0.000002644289,0.000008615442,0.000015632639,0.029169707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861676,0.0001181075,0.00026156692,0.000079750316,0.0006018788,0.00032195938],"domain_scores_gemma":[0.99849796,0.00009876574,0.000077089855,0.000063148604,0.00029840888,0.0009646408],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007697556,0.00008257888,0.000120927245,0.000092441776,0.00043036547,0.00044735085,0.00012165487,0.00016946194,0.026380965],"category_scores_gemma":[0.00093491114,0.00007262667,0.000079230565,0.00004065065,0.000036980815,0.00020820857,0.0000033787755,0.00068595936,0.00025294014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.6523244e-7,0.000012551267,0.0006492798,0.0000028119691,0.000040132265,0.00023971671,0.0034575863,1.918788e-7,1.6739027e-7,0.63991153,0.35270664,0.0029785354],"study_design_scores_gemma":[0.00021516507,0.000019916486,0.00007728906,0.00003580547,0.000009383733,0.0000819947,0.0016932087,0.000013288852,0.0000012455247,0.0032102377,0.9945475,0.00009496218],"about_ca_topic_score_codex":0.00021591823,"about_ca_topic_score_gemma":0.023838142,"teacher_disagreement_score":0.9252781,"about_ca_system_score_codex":0.00018658627,"about_ca_system_score_gemma":0.0013018019,"threshold_uncertainty_score":0.99397427},"labels":[],"label_agreement":null},{"id":"W2427500627","doi":"","title":"Lifeworks: Missing persons","year":2003,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Sculpture; Theme (computing); Soul; Art; Painting; Visual arts; Art history; Character (mathematics); Photography; Bourgeoisie; Printmaking; Politics; Philosophy; Law; Computer science","score_opus":0.012943656294325527,"score_gpt":0.21004919033812444,"score_spread":0.1971055340437989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2427500627","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007953826,0.001485587,0.00006652066,0.055729568,0.0032228876,0.00005405626,0.000025098607,0.000027591232,0.93143487],"genre_scores_gemma":[0.9407396,0.000011260874,0.00004785081,0.03104009,0.0041867853,0.0000018726591,0.0000048827405,0.000013326394,0.023954337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986867,0.00014076683,0.00022131235,0.00008091122,0.00054813107,0.00032218677],"domain_scores_gemma":[0.9985732,0.000096376105,0.00007124194,0.0000521861,0.0001962097,0.0010107764],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008350727,0.000077754645,0.000112819645,0.00010278563,0.000628563,0.0005219887,0.000100917954,0.00014184213,0.032922413],"category_scores_gemma":[0.00094938144,0.00006900565,0.000083616265,0.00003835984,0.000038237584,0.00020937623,0.0000023186496,0.0006704203,0.00015907311],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010285744,0.000014860666,0.001268663,0.0000033079393,0.000054486,0.00032889596,0.011541862,7.466169e-8,5.437656e-7,0.36534342,0.6119814,0.009461485],"study_design_scores_gemma":[0.00019576887,0.000012309426,0.00008730666,0.00004406538,0.000010094131,0.00009447501,0.0031965598,0.000010728308,0.0000010031106,0.0016973156,0.9945603,0.000090077294],"about_ca_topic_score_codex":0.0004409899,"about_ca_topic_score_gemma":0.027835177,"teacher_disagreement_score":0.93278575,"about_ca_system_score_codex":0.00023412645,"about_ca_system_score_gemma":0.0014159359,"threshold_uncertainty_score":0.9899043},"labels":[],"label_agreement":null},{"id":"W2442777258","doi":"10.3968/8504","title":"Coping With Grim Dystopia: A Re-Reading of The Fire-Dwellers","year":2016,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Narrative; History; Postmodernism; Aesthetics; Coping (psychology); Consciousness; Psychology; Literature; Sociology; Psychoanalysis; Art; Psychotherapist","score_opus":0.020358620305101095,"score_gpt":0.2556148094930313,"score_spread":0.23525618918793018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2442777258","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7531892,0.10140808,0.0000046741284,0.0057821,0.000962534,0.00038866434,0.0001406169,0.00005193084,0.13807221],"genre_scores_gemma":[0.98611754,0.00018666472,0.000017850833,0.0007634045,0.0002982564,0.000012296125,0.0000017924968,0.000009036696,0.012593183],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937534,0.00004526693,0.00016764573,0.00016391683,0.000098104385,0.00014970139],"domain_scores_gemma":[0.99954754,0.00013259196,0.000054832963,0.00018394925,0.0000624843,0.00001857575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010004405,0.00013041668,0.00021333895,0.000045801113,0.00013827311,0.00005640447,0.000093255636,0.0000339819,0.000055565775],"category_scores_gemma":[0.00003619444,0.00005426295,0.000041749146,0.00006918217,0.0003656312,0.00019669125,0.00006223978,0.000117525735,7.2621106e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006566765,0.000024316842,0.0006639643,0.00029468117,0.00010830855,0.00009307112,0.7094645,6.219342e-8,0.0002711702,0.27853414,0.006837794,0.003642332],"study_design_scores_gemma":[0.0031838026,0.00048496842,0.0010908728,0.013836908,0.00012827184,0.000055568325,0.14322147,0.0000024778624,0.0014836908,0.005855913,0.82987297,0.0007831142],"about_ca_topic_score_codex":0.000016832026,"about_ca_topic_score_gemma":0.0004521279,"teacher_disagreement_score":0.8230351,"about_ca_system_score_codex":0.000012496796,"about_ca_system_score_gemma":0.000009425815,"threshold_uncertainty_score":0.22127788},"labels":[],"label_agreement":null},{"id":"W246039830","doi":"10.1353/esc.2003.0012","title":"“Trust Me”: Responding to the Threat of Writing in Chorus of Mushrooms","year":2003,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Chorus; Performative utterance; Narrative; Facticity; Literature; Philosophy; Contingency; Aesthetics; Sociology; Epistemology; Art","score_opus":0.03535982084024965,"score_gpt":0.2586846787185747,"score_spread":0.22332485787832507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W246039830","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7732546,0.008284036,3.4008582e-7,0.00028673452,0.0012325285,0.00017859714,0.000043525644,0.0000053061513,0.21671437],"genre_scores_gemma":[0.99816304,0.000039901464,0.0000113262895,0.0002632201,0.0001745111,0.000020287442,0.0000012157255,0.000007936903,0.0013185799],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901754,0.00008651972,0.0003848422,0.00013304659,0.00018319949,0.00019485477],"domain_scores_gemma":[0.99922687,0.000367989,0.00005570503,0.00017289653,0.00015402249,0.000022528196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042298957,0.00010230167,0.00027326168,0.00015726496,0.000092753384,0.000015836176,0.00013460428,0.000014926724,0.00008066119],"category_scores_gemma":[0.00057553203,0.000075829514,0.000028832026,0.00020317007,0.000095048665,0.0000859124,0.000046703783,0.00014399792,1.9263746e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039208964,0.000033766275,0.013148659,0.0001631885,0.000079990736,0.000076773795,0.40998122,0.00006164729,0.000016657392,0.55278707,0.022645202,0.0009666196],"study_design_scores_gemma":[0.0003594881,0.0000439994,0.0007430914,0.00039329415,0.000010499019,7.030394e-7,0.45847702,0.000004388609,0.00039574638,0.0005792685,0.5388422,0.00015028035],"about_ca_topic_score_codex":0.24703747,"about_ca_topic_score_gemma":0.9666447,"teacher_disagreement_score":0.71960723,"about_ca_system_score_codex":0.00016160008,"about_ca_system_score_gemma":0.0001877032,"threshold_uncertainty_score":0.7579766},"labels":[],"label_agreement":null},{"id":"W2460931130","doi":"","title":"Shattering the Illusion: Self-Preservation, Reality, and Meaning through Images in White Noise and \"Self-Portrait in a Convex Mirror\"","year":2014,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Portrait; Illusion; White (mutation); Meaning (existential); Aesthetics; Postmodernism; Art; Poetry; Ingenuity; Literature; Philosophy; Epistemology; Art history; Psychology; Cognitive psychology","score_opus":0.025271060177291305,"score_gpt":0.25231249106272,"score_spread":0.22704143088542872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2460931130","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9086194,0.003148292,0.00017316072,0.04393338,0.0006051085,0.0003351878,0.000045797544,0.000073379226,0.04306627],"genre_scores_gemma":[0.9943289,0.0002989589,0.0008309134,0.0034976315,0.0003525067,0.0000055146556,0.000010017002,0.000030305022,0.00064522616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977044,0.00041995142,0.00088837574,0.00029602123,0.00035242387,0.00033882863],"domain_scores_gemma":[0.9988273,0.00032750884,0.00023268237,0.00024915306,0.00023265464,0.00013069756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00106214,0.000279824,0.00047312368,0.0002454312,0.0002889251,0.0007923313,0.00026632161,0.00007916617,0.00006304385],"category_scores_gemma":[0.00006413211,0.00021327476,0.000084681844,0.00011508437,0.00022290109,0.0036912567,0.000118742086,0.00052260474,0.0000013438056],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020357291,0.0005196784,0.010368088,0.00056343264,0.00010920944,0.00068888214,0.3567937,0.0000028492057,0.00051777926,0.6267371,0.0019198477,0.00157582],"study_design_scores_gemma":[0.0054931296,0.0011560532,0.021994587,0.0020043033,0.0001983215,0.00081292004,0.015146267,0.0019708863,0.00009808816,0.58778864,0.36233523,0.0010015867],"about_ca_topic_score_codex":0.00012982161,"about_ca_topic_score_gemma":0.00066701125,"teacher_disagreement_score":0.3604154,"about_ca_system_score_codex":0.000037210855,"about_ca_system_score_gemma":0.000053450956,"threshold_uncertainty_score":0.8697092},"labels":[],"label_agreement":null},{"id":"W2462376806","doi":"","title":"The Men We Love to Hate","year":2016,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Paraphrase; Jargon; Subject (documents); Style (visual arts); Rhetorical question; Epithet; Psychoanalysis; Philosophy; Literature; Sociology; Psychology; Art; Linguistics; Computer science","score_opus":0.022721314389690703,"score_gpt":0.24882535223519023,"score_spread":0.22610403784549954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2462376806","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06581957,0.012321139,0.0014876069,0.54249096,0.0065967063,0.000616812,0.00030097214,0.00012799108,0.37023824],"genre_scores_gemma":[0.90423214,0.00029967056,0.00015736592,0.003380944,0.002083408,0.0000030214642,0.0000026993878,0.000043307715,0.089797415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766845,0.00024737685,0.000812647,0.00024514078,0.00052521186,0.00050120545],"domain_scores_gemma":[0.99789,0.0005392489,0.00021395888,0.00040703424,0.0005475419,0.0004022432],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005708536,0.00029257557,0.0003674359,0.00025271391,0.0004036642,0.0009820078,0.00061404065,0.00005927439,0.00050391],"category_scores_gemma":[0.00008553742,0.00015285482,0.00026922734,0.000083959436,0.0002873796,0.002141662,0.000070302485,0.00027295772,0.000278338],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034323253,0.00013517395,0.000018418788,0.000030351906,0.00013919233,0.00037108533,0.032960884,2.2792791e-7,0.000937545,0.81849504,0.122617,0.02395188],"study_design_scores_gemma":[0.0007802716,0.00070147024,0.000019292009,0.00037309327,0.000046971305,0.00010520364,0.0021526658,0.000006228495,0.0003296808,0.18323031,0.8120242,0.00023064931],"about_ca_topic_score_codex":0.000008868197,"about_ca_topic_score_gemma":0.00005497954,"teacher_disagreement_score":0.8384126,"about_ca_system_score_codex":0.00006416463,"about_ca_system_score_gemma":0.00010931741,"threshold_uncertainty_score":0.9469524},"labels":[],"label_agreement":null},{"id":"W2463164473","doi":"","title":"“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February","year":2014,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Grief; Tragedy (event); Rhetoric; Resource (disambiguation); Sociology; Psychoanalysis; History; Psychology; Philosophy; Social science; Computer science; Linguistics","score_opus":0.02042282798781499,"score_gpt":0.2451179296101338,"score_spread":0.2246951016223188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2463164473","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3365408,0.17123139,7.748376e-7,0.025449984,0.004012124,0.00075186783,0.00087196287,0.00015035339,0.46099076],"genre_scores_gemma":[0.97635347,0.00015285269,0.00003325242,0.008214789,0.0011866173,0.000044439796,0.00007886027,0.000039588565,0.013896133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979816,0.00015922486,0.00043838986,0.00046581306,0.000216443,0.00073850004],"domain_scores_gemma":[0.9989746,0.00012217762,0.000098034536,0.00036637927,0.00015382416,0.0002849598],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004960639,0.00035142928,0.00049102196,0.0005255645,0.00039782235,0.0005437374,0.00028421116,0.00016645093,0.00031853945],"category_scores_gemma":[0.00026693207,0.00030470837,0.000101412574,0.00021390048,0.00022834394,0.0007126628,0.00006432753,0.0008287448,0.000010650188],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000722465,0.000040684492,0.012759212,0.00040580877,0.000093412156,0.0012516784,0.3927161,0.0000038146172,0.000007891459,0.44061217,0.1511298,0.00090716087],"study_design_scores_gemma":[0.0005398705,0.00006842657,0.005182365,0.0020380176,0.000013231227,0.0000061255755,0.025873704,0.000033355696,0.0000022542508,0.006739848,0.9590825,0.00042030367],"about_ca_topic_score_codex":0.0914658,"about_ca_topic_score_gemma":0.9095071,"teacher_disagreement_score":0.81804127,"about_ca_system_score_codex":0.00034619484,"about_ca_system_score_gemma":0.00015513189,"threshold_uncertainty_score":0.9999405},"labels":[],"label_agreement":null},{"id":"W2470038379","doi":"10.6000/2371-1655.2016.02.09","title":"Literature as Antidote: Reflections on Don DeLillo’s Falling Man","year":2016,"lang":"en","type":"article","venue":"International Journal of Humanities and Social Science Research","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Context (archaeology); Psychoanalysis; Metanarrative; Psychology; Aesthetics; Grief; Uncanny; Sociology; Psychotherapist; Epistemology; Literature; History; Philosophy; Art; Narrative","score_opus":0.18167146989944832,"score_gpt":0.42671647294260256,"score_spread":0.24504500304315424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2470038379","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45148662,0.000638822,0.000013548597,0.017361918,0.0018723258,0.000092468654,0.000056592296,0.000018217828,0.5284595],"genre_scores_gemma":[0.98353016,0.0002170736,0.0000125890465,0.0008002046,0.0029640663,0.000002140699,0.0000015787101,0.0000072396783,0.012464941],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788153,0.000085134954,0.00026117562,0.00015402473,0.001348554,0.00026955688],"domain_scores_gemma":[0.9971406,0.00017434721,0.00008996669,0.00006014651,0.0024786002,0.000056359102],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0012582836,0.000087409775,0.0001188975,0.0006556034,0.0013433587,0.0017018779,0.00050898216,0.000037223876,0.00057413045],"category_scores_gemma":[0.00013519096,0.000054050095,0.00008100094,0.00008800716,0.0013328132,0.001157089,0.00008988238,0.00034812777,0.000017808483],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099511315,0.00004582806,0.000016268592,0.0000048113625,0.000024925112,0.00007692517,0.040076066,3.559686e-8,0.0014315852,0.9479859,0.0026508826,0.0075872615],"study_design_scores_gemma":[0.00043668834,0.0005741629,0.00016690922,0.00038273053,0.0000052311702,0.00006994777,0.020283269,0.0000014265237,0.00041302142,0.054507032,0.9230338,0.00012578296],"about_ca_topic_score_codex":0.00004878358,"about_ca_topic_score_gemma":0.00013330505,"teacher_disagreement_score":0.9203829,"about_ca_system_score_codex":0.00013220357,"about_ca_system_score_gemma":0.0001666544,"threshold_uncertainty_score":0.9999567},"labels":[],"label_agreement":null},{"id":"W2470923728","doi":"10.1353/esc.2015.0072","title":"Wearing Out Speculative Ambitions","year":2015,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Deconstruction (building); Sociology; Humanism; Faith; Aesthetics; Politics; Neoliberalism (international relations); Feminism; Gender studies; Media studies; Religious studies; Social science; Epistemology; Philosophy; Theology; Political science; Law","score_opus":0.1554132847357667,"score_gpt":0.28618216383803885,"score_spread":0.13076887910227214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2470923728","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08082979,0.003858834,0.0000013604158,0.00062901294,0.005606325,0.00011083047,0.00005117962,0.000035294197,0.9088774],"genre_scores_gemma":[0.9890094,0.000010060567,0.000014446008,0.00053210894,0.0010413845,0.00001879601,0.000007853264,0.000007652626,0.009358311],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934185,0.00002844852,0.00016326849,0.00013024842,0.00016464014,0.00017157517],"domain_scores_gemma":[0.99947244,0.00007906292,0.000023807132,0.0001089572,0.0002573433,0.000058383222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008659131,0.00009603406,0.00016484794,0.00003816275,0.000111560934,0.000046800084,0.00007424475,0.000010415231,0.00012088133],"category_scores_gemma":[0.00018199137,0.00008641042,0.000021265065,0.00002860931,0.00010204014,0.00017277179,0.000054635402,0.00013485743,0.000005091405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068009854,0.000015761332,0.0009721336,0.000019612471,0.00006957157,0.00016942738,0.38376158,0.00000896015,2.1591262e-7,0.25424904,0.36048967,0.00023723114],"study_design_scores_gemma":[0.00022390648,0.00001409166,0.00009712719,0.000050838433,0.0000063683497,3.2885623e-7,0.22268276,0.000006001165,0.0000058061255,0.0025390799,0.7742598,0.000113879876],"about_ca_topic_score_codex":0.5191083,"about_ca_topic_score_gemma":0.9957572,"teacher_disagreement_score":0.9081796,"about_ca_system_score_codex":0.00040019103,"about_ca_system_score_gemma":0.00035242195,"threshold_uncertainty_score":0.48409402},"labels":[],"label_agreement":null},{"id":"W2472021023","doi":"10.3138/uram.24.1.65","title":"Mystery and the Search for Ultimate Reality and Meaning","year":2001,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Epistemology; Philosophy; Aesthetics; Sociology","score_opus":0.07834774149837231,"score_gpt":0.2906540928185761,"score_spread":0.2123063513202038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2472021023","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28480312,0.0044721556,0.001402372,0.01121271,0.0005570003,0.0018175207,0.00046454676,0.0003458665,0.6949247],"genre_scores_gemma":[0.9964596,0.0005032869,0.00018290844,0.0006971009,0.00036646082,0.000036290003,0.000058766775,0.000022878945,0.0016727089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985544,0.00016623687,0.00035889776,0.0003751363,0.00016786263,0.00037748224],"domain_scores_gemma":[0.99893725,0.00050763966,0.00008217156,0.00022519128,0.00012669842,0.000121071156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014576219,0.00022388248,0.0003811661,0.000056967026,0.0010611842,0.0007144892,0.000095231284,0.00007041487,0.000040984207],"category_scores_gemma":[0.00006824377,0.00015299353,0.000068097725,0.000033551813,0.00053520245,0.0004414655,0.00010107335,0.00020726214,0.0000016408753],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036864195,0.000022464239,0.0002485696,0.00036293254,0.000060927166,0.00001387234,0.07055622,0.0000014181447,0.00008458286,0.91662693,0.00050648424,0.0111469785],"study_design_scores_gemma":[0.013405156,0.0004559423,0.002089435,0.0014882842,0.00060848304,0.00047881863,0.05032439,0.030536633,0.000527961,0.18508324,0.7132685,0.0017331205],"about_ca_topic_score_codex":0.0011475687,"about_ca_topic_score_gemma":0.0009288322,"teacher_disagreement_score":0.73154366,"about_ca_system_score_codex":0.000013940856,"about_ca_system_score_gemma":0.000018719411,"threshold_uncertainty_score":0.81618786},"labels":[],"label_agreement":null},{"id":"W2472621419","doi":"","title":"Unsettling the Bildungsroman by Stella Bolaki","year":2012,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"STELLA (programming language); Art; Literature; Art history","score_opus":0.0166835372634872,"score_gpt":0.2268073190418822,"score_spread":0.210123781778395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2472621419","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49860552,0.009989732,0.000011704779,0.0143739125,0.0029630386,0.00041965293,0.00013933728,0.00018541372,0.4733117],"genre_scores_gemma":[0.97035545,0.00000737509,0.000008072341,0.003477239,0.0023851139,0.000018023395,0.00003231852,0.000021874688,0.023694543],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907136,0.00006846989,0.00019216651,0.00013271028,0.00015903378,0.00037628436],"domain_scores_gemma":[0.99947196,0.0001232049,0.000048779453,0.00022128216,0.000046301393,0.000088455876],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023028246,0.00014820976,0.00013654033,0.00003183995,0.00050811056,0.00030150032,0.00020613303,0.00004814809,0.0017414445],"category_scores_gemma":[0.000019210138,0.00009497257,0.000087270724,0.00003529851,0.0001637029,0.00037184946,0.000049011345,0.0001931417,0.00040939575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006216128,0.00016307848,0.0006310765,0.000018867162,0.000051568226,0.0000053764347,0.07156442,8.255929e-8,0.0005319741,0.7130727,0.20877522,0.005123441],"study_design_scores_gemma":[0.00016365718,0.00006274145,0.00035176252,0.000013318732,0.000025373234,0.0000060004636,0.0010248752,0.000004884125,0.00021754889,0.00059782475,0.9973791,0.00015291359],"about_ca_topic_score_codex":0.00010097057,"about_ca_topic_score_gemma":0.00013511964,"teacher_disagreement_score":0.7886039,"about_ca_system_score_codex":0.00001559476,"about_ca_system_score_gemma":0.000016408434,"threshold_uncertainty_score":0.9991711},"labels":[],"label_agreement":null},{"id":"W2474262080","doi":"","title":"Boxes and Bridges: Robert Lepage's Le Confessionnal and La Face cachée de la lune","year":2008,"lang":"fr","type":"article","venue":"˜The œFrench review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Revelation; Confessional; Counterpoint; Ignorance; Identity (music); Face (sociological concept); Art; Confession (law); Art history; Philosophy; Literature; History; Sociology; Aesthetics; Epistemology; Linguistics; Law; Political science; Archaeology","score_opus":0.02112434056547146,"score_gpt":0.2531797221028003,"score_spread":0.23205538153732885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2474262080","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027511427,0.8629812,0.00005602533,0.020131234,0.0002311437,0.0003221577,0.00007153981,0.00002650899,0.11342905],"genre_scores_gemma":[0.60924137,0.2521707,0.000026766074,0.0031391564,0.0004107216,0.000029412067,0.000017100523,0.000020534833,0.13494425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818003,0.00070014247,0.0003708266,0.00029053565,0.0001542708,0.00030420456],"domain_scores_gemma":[0.9989806,0.00041819332,0.000102948885,0.00027570766,0.00007319426,0.00014939946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000687766,0.00028004043,0.00048933586,0.000030376501,0.00078862894,0.00029868784,0.00015903146,0.000117874275,0.00038680888],"category_scores_gemma":[0.00003689836,0.0001978824,0.00012210294,0.000046809655,0.0012478087,0.00027994814,0.00009377547,0.00042254155,0.000023486857],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062615354,0.00017453355,0.00042269114,0.0056114527,0.00009664444,0.0003739525,0.014254006,1.4394891e-7,0.000011094496,0.5101735,0.43673435,0.032141346],"study_design_scores_gemma":[0.0003118014,0.000056785262,0.0024528687,0.006178336,0.00015030142,0.0009697877,0.0003460105,0.00003363654,0.0000029709754,0.0011040411,0.9881431,0.00025035453],"about_ca_topic_score_codex":0.0012626154,"about_ca_topic_score_gemma":0.00090923865,"teacher_disagreement_score":0.61081046,"about_ca_system_score_codex":0.000014998372,"about_ca_system_score_gemma":0.00017887777,"threshold_uncertainty_score":0.80694103},"labels":[],"label_agreement":null},{"id":"W2478345046","doi":"","title":"The World Before Us","year":2014,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Globe; Humanity; Guardian; Art history; Possession (linguistics); Art; Performance art; Power (physics); Jealousy; Queen (butterfly); History; Law; Philosophy; Psychology; Political science","score_opus":0.013176969539064146,"score_gpt":0.20242044002167853,"score_spread":0.1892434704826144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2478345046","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000011885036,0.0014291797,0.0000012566375,0.0015635989,0.0012862763,0.00012408581,0.000027051208,0.00008410183,0.9954833],"genre_scores_gemma":[0.0010783331,0.0000035002818,0.0000023562266,0.0033740168,0.005306684,0.000012397216,0.000105394916,0.000031457992,0.99008584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931026,0.000016600394,0.0001993741,0.00015605312,0.00014971633,0.00016799611],"domain_scores_gemma":[0.9993798,0.00010687627,0.00005588398,0.00033874027,0.00007861666,0.000040043193],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000096685115,0.00018968464,0.00018557411,0.000053751013,0.00047930318,0.0006281997,0.00024368796,0.000060955794,0.0065801935],"category_scores_gemma":[0.0000036129827,0.00009953102,0.0001536506,0.0000054558723,0.00021371813,0.00006977783,0.00004277455,0.00030105797,0.000699479],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001521303,0.0000015244135,1.8957462e-7,0.000009183212,0.000015343072,0.0000023989817,0.0008391178,9.164093e-10,4.021094e-9,0.5218059,0.4752882,0.0020366511],"study_design_scores_gemma":[0.00004347738,0.000026970289,6.201975e-7,0.00005823454,0.000021057263,7.037093e-7,0.000049102044,8.103639e-7,2.0482123e-7,0.1427497,0.85693127,0.0001178692],"about_ca_topic_score_codex":0.000011596388,"about_ca_topic_score_gemma":0.032975413,"teacher_disagreement_score":0.38164306,"about_ca_system_score_codex":0.000019070056,"about_ca_system_score_gemma":0.00007226185,"threshold_uncertainty_score":0.9943279},"labels":[],"label_agreement":null},{"id":"W2485743866","doi":"","title":"\"My Mother Is a Fish\": All-Encompassing Inadequacy in Faulkner's As I Lay Dying","year":2015,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Assertion; Statement (logic); History; Fish <Actinopterygii>; Confusion; Literature; Philosophy; Art; Epistemology; Psychology; Psychoanalysis; Computer science","score_opus":0.06777193085916827,"score_gpt":0.2984789937051456,"score_spread":0.2307070628459773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2485743866","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72375774,0.005406454,0.00034795108,0.054843385,0.0032183516,0.00036429675,0.00009497488,0.00012433392,0.2118425],"genre_scores_gemma":[0.97461444,0.000031888718,0.00039155973,0.01613754,0.001303805,0.0000046449704,0.000020630065,0.00006507013,0.0074304147],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968967,0.00035927116,0.0011056841,0.00034288072,0.00071840937,0.00057706493],"domain_scores_gemma":[0.998186,0.0001744449,0.00031649644,0.00034058935,0.00049686816,0.0004856122],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007516587,0.00039988538,0.00063837995,0.0006984907,0.0001977317,0.0012205587,0.00048595044,0.00012341855,0.0005816813],"category_scores_gemma":[0.00007665366,0.00035271613,0.00025085942,0.00015914605,0.00022878779,0.00399279,0.000067154775,0.0007648292,0.000051719726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00072550884,0.0012262317,0.00047524695,0.00023031137,0.000335156,0.004844939,0.44885826,0.000018225855,0.0005303951,0.44790518,0.08729997,0.0075505623],"study_design_scores_gemma":[0.0030141154,0.001020193,0.00004591425,0.0007768772,0.00009389438,0.00047151884,0.0143765565,0.0003617662,0.00021468631,0.19691752,0.78212523,0.00058170204],"about_ca_topic_score_codex":0.00014654204,"about_ca_topic_score_gemma":0.00015428958,"teacher_disagreement_score":0.6948253,"about_ca_system_score_codex":0.00015155929,"about_ca_system_score_gemma":0.00029694714,"threshold_uncertainty_score":0.9998925},"labels":[],"label_agreement":null},{"id":"W2488691038","doi":"10.1057/9781403973542_7","title":"Monsters and Monstrosity","year":2003,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monster; Uncanny; Sister; Identity (music); History; Art; Literature; Genealogy; Subject (documents); Brother; White (mutation); Art history; Psychoanalysis; Sociology; Anthropology; Aesthetics; Psychology","score_opus":0.022341339686109043,"score_gpt":0.2054391621453383,"score_spread":0.18309782245922926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2488691038","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00028312695,0.0034704285,0.0000044331846,0.000088154804,0.00052237895,0.00032386146,0.0003238241,0.00009831243,0.9948855],"genre_scores_gemma":[0.61446583,0.000043229677,0.00002667668,0.0015840215,0.00045293916,0.000010465676,0.00006390545,0.00006900673,0.38328394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998611,0.000026088972,0.00035781343,0.0004756577,0.0002232418,0.00030621173],"domain_scores_gemma":[0.9991406,0.000048693575,0.00013347041,0.00041133,0.00009552414,0.00017035799],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008814053,0.0005099559,0.00050781964,0.00016311581,0.00029152175,0.00031471052,0.00015318178,0.00021992654,0.00095464435],"category_scores_gemma":[0.0000043789682,0.00046388182,0.00020572876,0.0000023797606,0.0005456561,0.0000052663336,0.00007760493,0.00040533842,0.000058840807],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016011749,7.59321e-7,0.0000164632,0.00006649959,0.00009710828,0.000070846334,0.0030346003,6.9116015e-9,0.0000073599235,0.9914336,0.0010478854,0.004208815],"study_design_scores_gemma":[0.00022934073,0.000067070236,0.000007876301,0.00013703955,0.00009570002,0.000029805231,0.00011671464,0.0000012073386,0.000014411638,0.37221006,0.6266318,0.00045897468],"about_ca_topic_score_codex":0.000037275815,"about_ca_topic_score_gemma":0.0002733731,"teacher_disagreement_score":0.62558395,"about_ca_system_score_codex":0.000023861598,"about_ca_system_score_gemma":0.000029208979,"threshold_uncertainty_score":0.99995863},"labels":[],"label_agreement":null},{"id":"W2489823708","doi":"10.17351/ests2016.94","title":"Toward Non-innocent Reassemblies","year":2016,"lang":"en","type":"article","venue":"Engaging Science Technology and Society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Reading (process); Sociology; Psychoanalysis; Criminology; Epistemology; Law; Aesthetics; Political science; Psychology; Philosophy","score_opus":0.021919828134624,"score_gpt":0.23817712836832655,"score_spread":0.21625730023370254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2489823708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.848928,0.0008953197,0.00089145463,0.03305079,0.0007233349,0.00013796879,0.000010464665,0.00053892384,0.11482376],"genre_scores_gemma":[0.9947949,0.000047238274,0.00026136055,0.00061497587,0.000111548405,0.0000093357685,3.234825e-7,0.000004830259,0.0041554677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999209,0.000008779104,0.00010767777,0.00027118973,0.00012920013,0.0002741766],"domain_scores_gemma":[0.9996118,0.000045709552,0.00002846444,0.00017837988,0.000092787835,0.000042889795],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004700711,0.000094104194,0.000105337545,0.0001854421,0.0010616925,0.00013896266,0.00024457916,0.000059927683,0.00007422978],"category_scores_gemma":[0.00005335715,0.000058195,0.00004214326,0.00023987528,0.0030925057,0.00050673104,0.000109385976,0.00017760709,0.000014254412],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.512412e-7,0.00001127504,0.00046326147,0.0000069842827,0.000005932133,0.0000026004977,0.02522304,4.9929905e-9,0.0044169016,0.95674473,0.0017036535,0.011420673],"study_design_scores_gemma":[0.0007916396,0.00015087181,0.0011900807,0.00024612783,0.000023145554,0.00003405525,0.081371106,0.00006439414,0.015052212,0.12150451,0.7790065,0.0005653877],"about_ca_topic_score_codex":0.0000035574885,"about_ca_topic_score_gemma":0.0000027757521,"teacher_disagreement_score":0.83524024,"about_ca_system_score_codex":0.000021513113,"about_ca_system_score_gemma":0.000056907935,"threshold_uncertainty_score":0.9996205},"labels":[],"label_agreement":null},{"id":"W2493658490","doi":"10.1017/cbo9780511485503.011","title":"“CUTTING OFF THE COMMUNICATION”: fixations and falls for the walled-in self – Holmes in dialogue with Sterne, Dickens, and Melville","year":2001,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Psychology","score_opus":0.02226546120441329,"score_gpt":0.18559854737264295,"score_spread":0.16333308616822967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2493658490","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021028144,0.0036934426,0.000015408104,0.0003715552,0.00004006724,0.00078569463,0.00024561642,0.00003053984,0.9927149],"genre_scores_gemma":[0.18011682,0.000786826,0.00001810597,0.00020439476,0.00008248545,0.0000083736,0.00006350922,0.000021122938,0.81869835],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993618,0.000051564755,0.00014796406,0.00021013543,0.00008890331,0.00013964907],"domain_scores_gemma":[0.9989248,0.0005186205,0.0001044144,0.000333627,0.000086160944,0.000032372525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014627702,0.0001890363,0.00021666838,0.00009450257,0.0004916016,0.00019012361,0.00026641952,0.000085338346,0.0000038402163],"category_scores_gemma":[0.000006180843,0.00012796697,0.000045681496,0.000004644568,0.00037832014,0.00013216883,0.00016552782,0.0003065455,3.0322258e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047534246,0.000008918805,0.00003025544,0.00003966033,0.00006630152,0.000020622807,0.0135857845,3.727389e-7,1.6445432e-7,0.9824854,0.0025589475,0.0011560369],"study_design_scores_gemma":[0.0006908555,0.000036328616,0.00011464013,0.00024624795,0.00011342997,0.0000059264758,0.003291825,0.00009403678,7.621463e-7,0.000105201216,0.99512345,0.00017729745],"about_ca_topic_score_codex":0.0005686842,"about_ca_topic_score_gemma":0.002978319,"teacher_disagreement_score":0.9925645,"about_ca_system_score_codex":0.000028708964,"about_ca_system_score_gemma":0.000034281533,"threshold_uncertainty_score":0.52183414},"labels":[],"label_agreement":null},{"id":"W2494228331","doi":"10.1017/cco9781107284333.015","title":"Contemporary Lesbian Fiction: Into the Twenty-First Century","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Lesbian; Content (measure theory); Sociology; Gender studies; History; Art; World Wide Web; Computer science","score_opus":0.04716236523190919,"score_gpt":0.20136656220742086,"score_spread":0.15420419697551166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2494228331","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000016956148,0.0057531134,0.000008513256,0.00036796607,0.0015673403,0.00049756304,0.00043658074,0.0001942818,0.9911577],"genre_scores_gemma":[0.028722461,0.000094406605,0.0000032773212,0.0003838908,0.0015008203,0.0000018806433,0.00025952214,0.00005767471,0.9689761],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985712,0.000058277976,0.00027413358,0.00047834194,0.0003676415,0.0002503803],"domain_scores_gemma":[0.9984332,0.00007424799,0.00021641508,0.00069917995,0.00037962451,0.00019737889],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00014981386,0.0004612537,0.00042199402,0.00015031894,0.00087982824,0.0003265773,0.0006431398,0.0002646676,0.000095556185],"category_scores_gemma":[0.0000056696717,0.00039771947,0.00031704968,0.0000045169527,0.00071236317,0.00028235867,0.00032504424,0.000714934,0.000053793254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060284932,0.0000075603643,2.2535528e-7,0.00004373774,0.000099715,0.0001816781,0.004887964,6.520009e-8,2.377521e-7,0.5562662,0.4381781,0.00027424435],"study_design_scores_gemma":[0.00050310686,0.00007316551,5.536947e-7,0.00023466023,0.00015470249,0.000008465581,0.002339911,0.0000045172474,0.0000032163512,0.00008451619,0.99613106,0.0004621312],"about_ca_topic_score_codex":0.0005626685,"about_ca_topic_score_gemma":0.00009208724,"teacher_disagreement_score":0.55795294,"about_ca_system_score_codex":0.00015741891,"about_ca_system_score_gemma":0.00019692084,"threshold_uncertainty_score":0.9998475},"labels":[],"label_agreement":null},{"id":"W2494676768","doi":"10.14361/9783839427101-004","title":"Purging the world of the Whore and the horror. Gothic and apocalyptic portrayals of dementia in Canadian fiction","year":2015,"lang":"en","type":"book-chapter","venue":"transcript Verlag eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Dementia; Literature; History; Art history; Medicine","score_opus":0.028442640142114728,"score_gpt":0.20206273499562635,"score_spread":0.17362009485351163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2494676768","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002384178,0.012692996,8.1587086e-7,0.0011226574,0.0003461267,0.0005847913,0.0001266069,0.000008144447,0.98273367],"genre_scores_gemma":[0.7583836,0.000027627213,9.032091e-7,0.0003200378,0.000090702466,0.000011150874,0.0000067403894,0.000020766374,0.24113847],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891853,0.000066939945,0.00042156054,0.00018307098,0.00021712482,0.0001927821],"domain_scores_gemma":[0.99932444,0.00008410069,0.00013249731,0.00030002816,0.00009041586,0.000068524336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051225163,0.00022335678,0.00036587907,0.00014804018,0.00020432778,0.000096338874,0.00020405855,0.0000982738,0.00019675834],"category_scores_gemma":[0.000006325492,0.00011744836,0.00012931575,0.000011648914,0.0009943362,0.00006199243,0.000018699102,0.0004209442,5.733592e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051115236,0.0000034473917,0.000031997024,0.00012655185,0.0001017185,0.0000048812108,0.031168379,2.1787712e-7,0.000016883556,0.9656911,0.0017268199,0.001076923],"study_design_scores_gemma":[0.000807832,0.000041684536,0.00011613729,0.00067269505,0.00042478842,0.0000065004574,0.0013058916,0.000019912834,0.000021381711,0.0330097,0.9633875,0.00018597643],"about_ca_topic_score_codex":0.01959994,"about_ca_topic_score_gemma":0.61004335,"teacher_disagreement_score":0.9616607,"about_ca_system_score_codex":0.00002217285,"about_ca_system_score_gemma":0.00016953667,"threshold_uncertainty_score":0.98692864},"labels":[],"label_agreement":null},{"id":"W2499379678","doi":"10.1007/978-1-137-54955-6","title":"Contemporary World Narrative Fiction and the Spaces of Neoliberalism","year":2016,"lang":"en","type":"book","venue":"Palgrave Macmillan UK eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Neoliberalism (international relations); Narrative; Sociology; Aesthetics; Gender studies; Media studies; Political science; Social science; Literature; Art","score_opus":0.022731471684346503,"score_gpt":0.2202354815906414,"score_spread":0.1975040099062949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2499379678","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000114852504,0.01121268,0.0000032158027,0.0010800872,0.0006203814,0.0006638532,0.0003711545,0.000058935715,0.98587483],"genre_scores_gemma":[0.6101996,0.000028562492,0.000004177609,0.0006614956,0.0010077307,0.0000334095,0.00004470945,0.000035349527,0.387985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99838835,0.00018200999,0.0005491271,0.00037518804,0.00027596456,0.00022934997],"domain_scores_gemma":[0.99849945,0.00048306832,0.0004115457,0.00036732503,0.00016961791,0.00006899041],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00028095228,0.00045213758,0.0007403956,0.00024337524,0.00035680653,0.00022269478,0.00023535054,0.00014522011,0.00075226213],"category_scores_gemma":[0.000013056146,0.00025479158,0.00026940688,0.000010682942,0.0021191356,0.000003435137,0.00010747904,0.00031552557,0.00001493447],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020517306,4.014572e-7,0.0000026842756,0.000100362115,0.00021683208,0.000016779904,0.046542212,6.1305583e-9,0.0000056168114,0.9327502,0.019495806,0.0006639301],"study_design_scores_gemma":[0.0011298297,0.000083860585,0.0000028830345,0.00053074106,0.00007064273,0.0000061080123,0.0015089903,0.0000012158395,0.000027979464,0.71068066,0.28567508,0.00028204036],"about_ca_topic_score_codex":0.0001404218,"about_ca_topic_score_gemma":0.00033469422,"teacher_disagreement_score":0.6100847,"about_ca_system_score_codex":0.000024736783,"about_ca_system_score_gemma":0.00017042043,"threshold_uncertainty_score":0.9999904},"labels":[],"label_agreement":null},{"id":"W2502482909","doi":"10.1057/9780230227507_5","title":"Collins and London","year":2008,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Regent; White (mutation); Quarter (Canadian coin); Art; Art history; Mile; Vitality; Performance art; Style (visual arts); Natural (archaeology); History; Literature; Geography; Archaeology; Philosophy","score_opus":0.027136887289701116,"score_gpt":0.2060091276540095,"score_spread":0.17887224036430838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2502482909","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011885951,0.011035499,0.0000020129637,0.00007880422,0.00052431354,0.00036401133,0.00039978846,0.000111387264,0.9873653],"genre_scores_gemma":[0.71359193,0.00032592312,0.000013503577,0.0005921614,0.0011541554,0.000012438287,0.00009775364,0.00007148739,0.28414065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858046,0.000016127138,0.00039348967,0.000461294,0.0002577522,0.00029090027],"domain_scores_gemma":[0.99909675,0.00007250967,0.00013849046,0.00040057144,0.00013443608,0.00015721645],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005990064,0.000504664,0.0005420281,0.00019160243,0.0003410003,0.00021402448,0.00017279302,0.00023535582,0.0018779719],"category_scores_gemma":[0.000005022759,0.00045028073,0.00020756188,0.0000028746042,0.00051413436,0.0000011348282,0.00009430292,0.0003716592,0.00016405842],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002614693,2.7470264e-7,0.0000033949793,0.00006243833,0.0000937213,0.00027618042,0.007469218,5.267476e-9,0.0000037601567,0.9860762,0.0011696226,0.004819056],"study_design_scores_gemma":[0.00023992754,0.00008578981,0.0000046941236,0.00013421825,0.000053167732,0.00004637845,0.00006209444,0.000001163607,0.000008520617,0.4285961,0.5703817,0.000386216],"about_ca_topic_score_codex":0.00004382144,"about_ca_topic_score_gemma":0.00065602106,"teacher_disagreement_score":0.7134731,"about_ca_system_score_codex":0.00002249381,"about_ca_system_score_gemma":0.000057225763,"threshold_uncertainty_score":0.9997949},"labels":[],"label_agreement":null},{"id":"W2504006432","doi":"10.1057/9781137477422","title":"Doris Lessing’s The Golden Notebook After Fifty","year":2015,"lang":"en","type":"book","venue":"Palgrave Macmillan US eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph; Algoma University","funders":"","keywords":"Doris (gastropod); Art; Art history; Computer graphics (images); Visual arts; Computer science","score_opus":0.028277488112983393,"score_gpt":0.2289692330140174,"score_spread":0.200691744901034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504006432","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008789526,0.009003034,0.0000031184316,0.0002647343,0.0017436715,0.00069453684,0.000679633,0.0001958391,0.9873275],"genre_scores_gemma":[0.37555143,0.000010945029,0.000008781369,0.0023248093,0.0045564915,0.0001190412,0.00020364093,0.00011675956,0.6171081],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972539,0.00014401833,0.00064429344,0.0006621997,0.00068212993,0.00061348017],"domain_scores_gemma":[0.9978047,0.00015160831,0.00026789203,0.0011478708,0.0003940187,0.0002338982],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036019704,0.00080552045,0.00074608566,0.00018177823,0.00043520884,0.0009697477,0.0007256225,0.00038662713,0.002225818],"category_scores_gemma":[0.00001927854,0.0005357508,0.00048723063,0.0000106672205,0.0007925192,0.00001032318,0.00026831168,0.00094724935,0.00065342744],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000963205,0.0000029217483,0.000005644913,0.00014877485,0.00020850795,0.00032479453,0.03487396,3.9224528e-8,0.0000015966986,0.86039007,0.096682824,0.007264561],"study_design_scores_gemma":[0.00025628426,0.00006552967,0.0000075642342,0.00024148799,0.00015232732,0.000017223567,0.00024645275,0.0000028323236,0.000004499153,0.34295872,0.65553194,0.0005151228],"about_ca_topic_score_codex":0.00012929707,"about_ca_topic_score_gemma":0.001649475,"teacher_disagreement_score":0.55884916,"about_ca_system_score_codex":0.0001538177,"about_ca_system_score_gemma":0.0005134146,"threshold_uncertainty_score":0.9997094},"labels":[],"label_agreement":null},{"id":"W2513782790","doi":"10.22230/cjc.2016v41n3a3188","title":"Deleuze and Zen: An Interological Adventure","year":2016,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adventure; Serviceability (structure); Multitude; Involution (esoterism); Epistemology; Sociology; Aesthetics; Philosophy; Art; Engineering; Art history","score_opus":0.03048355738394867,"score_gpt":0.2237160783698413,"score_spread":0.19323252098589264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2513782790","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8938154,0.0112624625,0.00013095382,0.029497072,0.00035673138,0.000081174636,0.00003131238,0.000011847777,0.06481307],"genre_scores_gemma":[0.9982043,0.000060228707,0.00006211549,0.00078976806,0.00015699568,6.9076805e-7,0.0000032293665,0.0000043030655,0.0007183897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995929,0.00008768669,0.0001623214,0.00003767606,0.000039489398,0.000079900936],"domain_scores_gemma":[0.99936664,0.00004432969,0.00007271392,0.00017575815,0.00014674095,0.00019379551],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016641188,0.00004755252,0.0000817842,0.00007830301,0.00014135425,0.00011193501,0.00020949103,0.000030461972,0.00052283256],"category_scores_gemma":[0.000031219024,0.000028953837,0.00002741778,0.000009305404,0.0001674689,0.00044097228,0.000008999792,0.00010975986,0.0000036915796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025207279,0.00001627216,0.0010018239,0.0000037151606,0.000022267894,0.000021189142,0.016019056,6.465656e-8,0.00008427783,0.91661036,0.00806042,0.058135338],"study_design_scores_gemma":[0.0002383796,0.00019100144,0.0018270073,0.00010013686,0.000011389381,0.000055302906,0.0011848797,0.0000027536564,0.000012314082,0.01413854,0.982177,0.000061260085],"about_ca_topic_score_codex":0.00027037074,"about_ca_topic_score_gemma":0.045947663,"teacher_disagreement_score":0.9741166,"about_ca_system_score_codex":0.00001992389,"about_ca_system_score_gemma":0.00008262036,"threshold_uncertainty_score":0.9714613},"labels":[],"label_agreement":null},{"id":"W2514691734","doi":"","title":"Title: The Politics of The Handmaid's Tale","year":2010,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Fantasy; Politics; The Imaginary; Apprehension; Ideal (ethics); Literature; Trilogy; Sci-Fi; Utopia; History; Media studies; Sociology; Art; Aesthetics; Art history; Law; Philosophy; Psychoanalysis; Political science; Psychology; Epistemology","score_opus":0.01101097688630157,"score_gpt":0.20283912067289142,"score_spread":0.19182814378658986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514691734","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005577452,0.00012494055,9.397341e-7,0.0012917714,0.00080289994,0.00002860529,0.000006901303,0.000007625781,0.9921589],"genre_scores_gemma":[0.63180476,6.126919e-7,0.000002601464,0.00022582387,0.00022598878,7.0974863e-7,4.1259153e-7,0.0000015903129,0.3677375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983954,0.0000046602545,0.00004725513,0.000022761527,0.00004087566,0.000044921206],"domain_scores_gemma":[0.99980706,0.000028060376,0.000009890807,0.00011981929,0.000027267899,0.00000791899],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000030635823,0.000022052169,0.000022603039,0.0000038519815,0.00014949248,0.000049883784,0.000080461694,0.000010145115,0.004257601],"category_scores_gemma":[0.000008522896,0.000009188113,0.00002816363,0.000005399796,0.000128486,0.000022160362,0.000014227458,0.00006421455,0.00006546897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.0420054e-7,0.000003109072,0.0000053834588,0.0000011554947,0.000001960127,8.353068e-8,0.00079964823,4.374742e-10,0.000044203724,0.89366025,0.10507806,0.00040587265],"study_design_scores_gemma":[0.000031581094,0.0000034267,0.000022621649,0.0000017771572,0.0000023901196,4.73897e-7,0.0002579269,0.0000032755656,0.00040960393,0.012915834,0.9863352,0.000015862805],"about_ca_topic_score_codex":0.000016482043,"about_ca_topic_score_gemma":0.000303658,"teacher_disagreement_score":0.8812572,"about_ca_system_score_codex":5.61755e-7,"about_ca_system_score_gemma":0.000011192689,"threshold_uncertainty_score":0.99665266},"labels":[],"label_agreement":null},{"id":"W2517010811","doi":"10.5539/ass.v12n9p99","title":"Ian McEwan’s Atonement: A Virilian Reading","year":2016,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atonement; Space (punctuation); Reading (process); Perception; Virtualization; Sociology; Aesthetics; Psychology; Media studies; Computer science; Theology; Philosophy; Epistemology; Law; Linguistics; Political science","score_opus":0.020223149318098023,"score_gpt":0.24958162971776346,"score_spread":0.22935848039966544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517010811","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027887505,0.000028802255,0.000054935004,0.009350163,0.00048752953,0.000076237346,0.000018720722,0.00006740772,0.9871275],"genre_scores_gemma":[0.96849567,8.0467805e-7,0.000017221571,0.0008329605,0.000954083,0.0000076078886,8.971389e-7,0.000006755127,0.029683989],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989524,0.000020650503,0.00013831144,0.000248746,0.00030088378,0.00033903442],"domain_scores_gemma":[0.99964195,0.000012462328,0.000041118394,0.0001251238,0.00008450806,0.0000948206],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027167323,0.00009173431,0.00009842692,0.00007723141,0.0011220162,0.00048699407,0.00029612743,0.00002426571,0.0016773733],"category_scores_gemma":[0.000027365822,0.000061487604,0.000055747576,0.000105993684,0.0010867248,0.001248523,0.000053285843,0.000054654876,0.00015815542],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029856265,0.000011812326,0.000023254592,0.000002237939,0.0000025418285,0.000005636467,0.036701802,5.0186556e-11,0.0012119001,0.8596647,0.00494621,0.09742694],"study_design_scores_gemma":[0.00019395995,0.000038276707,0.0009750719,0.000043574597,0.0000061400074,0.0000014526137,0.009762413,2.5298482e-7,0.00044783615,0.018104196,0.970248,0.00017883755],"about_ca_topic_score_codex":0.000026016118,"about_ca_topic_score_gemma":0.000121957826,"teacher_disagreement_score":0.96570694,"about_ca_system_score_codex":0.000049265218,"about_ca_system_score_gemma":0.00008290441,"threshold_uncertainty_score":0.9992352},"labels":[],"label_agreement":null},{"id":"W2527990609","doi":"10.1353/mos.2016.a630346","title":"Eleanor Catton’s The Rehearsal : Theatrical Fantasy and the Gaze","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fantasy; Gaze; Psychoanalysis; Dynamics (music); Art; Psychology; Aesthetics; Literature","score_opus":0.01081616236107456,"score_gpt":0.1873422765442689,"score_spread":0.17652611418319436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527990609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17813924,0.016013116,0.0000717085,0.24833019,0.001488768,0.0009046214,0.00021879812,0.00021303388,0.5546205],"genre_scores_gemma":[0.960598,0.000044104814,0.0000021669482,0.0021845645,0.0007219092,0.000022172222,0.0000028919271,0.000009921124,0.036414273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999351,0.00010153608,0.00013134303,0.00013449766,0.00011683301,0.00016475203],"domain_scores_gemma":[0.9993126,0.00036148936,0.000023197079,0.00023956808,0.00002986492,0.000033300126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002141851,0.00009714502,0.00011553855,0.000017588034,0.00034151343,0.00018910563,0.00015279697,0.000024786463,0.00062087935],"category_scores_gemma":[0.000025203655,0.000032023607,0.00006239669,0.000019314779,0.0005256395,0.000114725735,0.000047496684,0.00010698323,0.000079831974],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006330611,0.000012014399,0.0000606351,0.0000042176516,0.000017892291,0.0000057953603,0.011895735,6.1887353e-9,0.000027311386,0.927021,0.05145008,0.00944198],"study_design_scores_gemma":[0.0006794491,0.000033979057,0.00018972882,0.00001921764,0.000023006465,0.000010666033,0.0006709788,0.000005849545,0.000025059324,0.012468258,0.9857979,0.0000759522],"about_ca_topic_score_codex":0.00007160818,"about_ca_topic_score_gemma":0.00019855569,"teacher_disagreement_score":0.93434775,"about_ca_system_score_codex":0.0000075871912,"about_ca_system_score_gemma":0.00001619686,"threshold_uncertainty_score":0.67981935},"labels":[],"label_agreement":null},{"id":"W2528213327","doi":"","title":"Point Omega de Don DeLillo, traduit de l’américain par Marianne Véron, Arles / Montréal, Actes Sud / Leméac, 2010, 141 p.Point Omega de Don DeLillo, traduit de l’américain par Marianne Véron, Arles / Montréal, Actes Sud / Leméac, 2010, 141 p.","year":2011,"lang":"fr","type":"article","venue":"Images","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024413085496954368,"score_gpt":0.21841450604019624,"score_spread":0.19400142054324188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528213327","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47985798,0.3979727,0.0047733546,0.07380188,0.005513319,0.004165917,0.009772081,0.0018593079,0.022283439],"genre_scores_gemma":[0.8593344,0.07196848,0.008115155,0.004045787,0.004747366,0.0008264749,0.00082840753,0.00086229615,0.04927165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9837622,0.0028627801,0.0036856742,0.0027841753,0.0012589266,0.0056462614],"domain_scores_gemma":[0.9895781,0.0023253227,0.0018979032,0.002743047,0.0011440056,0.0023115934],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0049321894,0.0031926616,0.0032307145,0.0011830776,0.003198994,0.004210634,0.002476143,0.0016971236,0.0034032483],"category_scores_gemma":[0.0018127789,0.0030804977,0.001962294,0.00061144773,0.0024245144,0.0052080294,0.0006561981,0.0033717768,0.00041701423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025571887,0.0044946806,0.017528702,0.0014979447,0.0024638916,0.0036266772,0.08133464,0.00009369751,0.0066503384,0.03053867,0.817389,0.031824563],"study_design_scores_gemma":[0.005989841,0.0021476492,0.031579975,0.001918257,0.0026430446,0.0011683725,0.024249753,0.0015895369,0.018146576,0.049759936,0.8556239,0.0051831324],"about_ca_topic_score_codex":0.10694897,"about_ca_topic_score_gemma":0.06869792,"teacher_disagreement_score":0.3794764,"about_ca_system_score_codex":0.0012864376,"about_ca_system_score_gemma":0.0011354779,"threshold_uncertainty_score":0.99959886},"labels":[],"label_agreement":null},{"id":"W2529705098","doi":"","title":"\"Only connect\": friendship, belonging, and space in the works of J. M. Barrie, E. M. Forster, and J. R. Ackerley.","year":2015,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Friendship; Space (punctuation); Sociology; Philosophy; Psychology; Social psychology; Linguistics","score_opus":0.028065666952701095,"score_gpt":0.23453618628139639,"score_spread":0.20647051932869528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529705098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5166208,0.0077963634,0.00002944058,0.004246593,0.00016444488,0.00019721012,0.000013944841,0.000024285144,0.47090688],"genre_scores_gemma":[0.9953809,0.000024114557,0.000037758644,0.00092253427,0.00011974783,0.0000059619592,0.0000059066924,0.000007379631,0.0034957228],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993907,0.000049782648,0.00016655459,0.00013811066,0.00011368427,0.00014116599],"domain_scores_gemma":[0.9995735,0.00012620533,0.00003365208,0.00014725594,0.000057991358,0.0000613835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030591452,0.00010574323,0.00015727067,0.00006354185,0.00006949532,0.00023672012,0.0000896977,0.00003976228,0.00015588972],"category_scores_gemma":[0.000035454006,0.00006578644,0.00002200753,0.00003516946,0.00018806779,0.00034453187,0.000040802646,0.000121094134,0.0000021476123],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024966725,0.000022045706,0.001352652,0.00001969178,0.000007796122,0.000010405254,0.072674684,4.537957e-8,0.0000023538578,0.91825736,0.0063342196,0.0012937811],"study_design_scores_gemma":[0.0014302664,0.00028117644,0.001197874,0.00016911447,0.00002708227,0.00003280735,0.081248075,0.000090959715,0.000036496593,0.042624727,0.8725945,0.00026694333],"about_ca_topic_score_codex":0.00012929538,"about_ca_topic_score_gemma":0.003134825,"teacher_disagreement_score":0.87563264,"about_ca_system_score_codex":0.000003458991,"about_ca_system_score_gemma":0.000025029352,"threshold_uncertainty_score":0.2682693},"labels":[],"label_agreement":null},{"id":"W2531774590","doi":"","title":"Brazil, Under these Circumstances","year":2008,"lang":"en","type":"article","venue":"Canadian journal of environmental education","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Treasure; Adventure; History; Drama; Sociology; Literature; Media studies; Art; Art history","score_opus":0.017738301881684015,"score_gpt":0.2050953427030209,"score_spread":0.1873570408213369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2531774590","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90666866,0.0059238924,0.000006853269,0.001731065,0.001577033,0.00005370355,0.000027172664,0.0000026417758,0.084008984],"genre_scores_gemma":[0.9888541,0.000036396297,0.000020601643,0.0015979639,0.0007969483,0.000001264287,0.000009428311,0.000008099964,0.008675169],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999557,0.000019259945,0.0001697171,0.000057411555,0.000087323504,0.00010925243],"domain_scores_gemma":[0.9996027,0.000012166457,0.000078775854,0.00007278986,0.000016089007,0.00021751282],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000047572332,0.00006544863,0.000078049365,0.0001107465,0.00018979241,0.000058204198,0.00009310675,0.000020146806,0.0044071646],"category_scores_gemma":[0.0000056214,0.000058365556,0.000053778906,0.00001302603,0.00020999141,0.00039894,0.0000019635136,0.000099736506,0.000038747574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003647289,0.0005119079,0.01538341,0.000030237083,0.00015449354,0.00023566998,0.315324,0.000012195897,0.00093503407,0.46078807,0.16474883,0.041839685],"study_design_scores_gemma":[0.00011317757,0.00006358938,0.016424742,0.000028669658,0.000013179757,0.00018711483,0.013178406,5.011472e-7,0.000041949785,0.003147561,0.9667005,0.00010061531],"about_ca_topic_score_codex":0.0005193493,"about_ca_topic_score_gemma":0.005161564,"teacher_disagreement_score":0.80195165,"about_ca_system_score_codex":0.000110716115,"about_ca_system_score_gemma":0.00058339146,"threshold_uncertainty_score":0.99650294},"labels":[],"label_agreement":null},{"id":"W2533803691","doi":"10.1016/j.jalz.2016.06.1608","title":"P2‐397: Making an Exit: Personhood Perspectives on the Drive for a Cure","year":2016,"lang":"en","type":"article","venue":"Alzheimer s & Dementia","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Personhood; Postmodernism; Memoir; Narrative; Sociology; Psychology; Dementia; Aesthetics; Meaning (existential); Psychoanalysis; Drama; Medicalization; Epistemology; Psychotherapist; Medicine; Literature; Disease; Philosophy; Art","score_opus":0.06014760274335517,"score_gpt":0.275598411709556,"score_spread":0.21545080896620084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2533803691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059094194,0.23566037,0.0013583596,0.07178244,0.0038949565,0.003975063,0.000969301,0.0007136414,0.6225517],"genre_scores_gemma":[0.9964519,0.000024603245,0.00009958197,0.0015802792,0.0011389412,0.00012286723,0.0000106074685,0.000031250496,0.00053994433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989981,0.00006391219,0.00016582933,0.00033422388,0.0001584154,0.00027951552],"domain_scores_gemma":[0.99929285,0.00013328952,0.00006592294,0.00032995435,0.00013143725,0.000046568457],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015861595,0.0001906958,0.00013950432,0.00008329932,0.0005308658,0.00028851247,0.00024361798,0.00003925659,0.0024065042],"category_scores_gemma":[0.000014892866,0.00010193224,0.00014482642,0.000030151576,0.00016938453,0.0004363686,0.000033327007,0.000088669214,0.000075503245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004475491,0.000090104535,0.000014587674,0.0000018946461,0.0018219514,0.0000034081975,0.07710545,1.9003897e-8,0.00012977695,0.8887445,0.023993177,0.008050425],"study_design_scores_gemma":[0.00054327544,0.00041142886,0.00007460126,0.00008803566,0.002241211,0.0000020517286,0.0523696,0.000013380668,0.0005601529,0.011890788,0.9314921,0.00031338714],"about_ca_topic_score_codex":0.000011254893,"about_ca_topic_score_gemma":0.00019181508,"teacher_disagreement_score":0.9373577,"about_ca_system_score_codex":0.00000356256,"about_ca_system_score_gemma":0.000020662523,"threshold_uncertainty_score":0.9985054},"labels":[],"label_agreement":null},{"id":"W2535756836","doi":"10.1080/00111619.2016.1211602","title":"Mixing Colors, Making Designs: A. S. Byatt’s “Racine and the Tablecloth,” “Rose-Coloured Teacups,” and “Sugar”","year":2016,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Painting; Art; Visual arts; Creativity; Aesthetics; Still life; Biography; Intellect; Art history; Literature; Psychology; Philosophy; Epistemology","score_opus":0.12290103589197086,"score_gpt":0.33062181776689603,"score_spread":0.20772078187492515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2535756836","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27489346,0.38671756,0.0011287339,0.07433941,0.005576833,0.004432137,0.00026525438,0.0007217474,0.25192487],"genre_scores_gemma":[0.99064875,0.0018088245,0.000050130035,0.0015535627,0.0005793477,0.0002332453,0.0000070699375,0.00003080611,0.00508828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981971,0.00036013464,0.00054245314,0.00043803125,0.00016145222,0.00030085017],"domain_scores_gemma":[0.99831647,0.0010754579,0.00013324714,0.00022264099,0.00020499923,0.00004717445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010272025,0.00030035674,0.00051108556,0.00015852849,0.0007241535,0.00022557267,0.00011987792,0.00009263934,0.00004909366],"category_scores_gemma":[0.0003758865,0.00017612694,0.00006638404,0.00007035147,0.0014274949,0.0009158737,0.00013322594,0.00025144866,0.0000030724048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014163948,0.00009766345,0.0017813069,0.0003909234,0.00032827462,0.00014098767,0.10633128,1.6644168e-7,0.00055182254,0.7976884,0.08583365,0.0054391064],"study_design_scores_gemma":[0.009371485,0.0006790416,0.0007049219,0.003179424,0.00014529012,0.00008956391,0.078814924,0.000084715066,0.00027540067,0.05045008,0.85527605,0.00092912343],"about_ca_topic_score_codex":0.00008454163,"about_ca_topic_score_gemma":0.0004517165,"teacher_disagreement_score":0.7694424,"about_ca_system_score_codex":0.000059701604,"about_ca_system_score_gemma":0.000045805842,"threshold_uncertainty_score":0.7182248},"labels":[],"label_agreement":null},{"id":"W2548233779","doi":"","title":"Undoing Addiction: The Biopolitics of Social Suffering in Contemporary Canadian Fiction","year":2013,"lang":"en","type":"article","venue":"QSpace (Queen's University Library)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Undoing; Biopower; Sociology; History; Aesthetics; Gender studies; Art; Political science; Psychoanalysis; Psychology; Politics; Law","score_opus":0.014398528037329869,"score_gpt":0.17364658118146273,"score_spread":0.15924805314413287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2548233779","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13506567,0.00010384077,0.000009191689,0.08180369,0.00041684014,0.000371508,0.00013756142,0.00012092183,0.7819708],"genre_scores_gemma":[0.9324171,0.0000065211557,0.0000150963315,0.00039727555,0.00023045443,0.00000121972,0.00004438313,0.000013352582,0.066874616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928504,0.000090158144,0.0001417592,0.00015034244,0.000102420636,0.00023029672],"domain_scores_gemma":[0.99958956,0.000060781007,0.00006315449,0.00013872709,0.00005166121,0.000096100826],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000031391908,0.00012365506,0.00015723509,0.000277321,0.0003954935,0.00015813913,0.00019294825,0.000071577204,0.0017593128],"category_scores_gemma":[0.000004715969,0.00011352853,0.00008248669,0.00012928867,0.00020379601,0.0017058357,0.00005463998,0.00021428373,0.000023625347],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017338098,0.000026153177,0.002056328,0.000023180866,0.00003215104,0.000034777946,0.016727239,0.0000012039835,0.0000020574455,0.64396906,0.33702546,0.00008503602],"study_design_scores_gemma":[0.00028182092,0.00003923616,0.0047443425,0.00004804323,0.000012662463,1.9851767e-7,0.024852006,0.000012820367,0.00007327746,0.0007722333,0.96900815,0.00015518535],"about_ca_topic_score_codex":0.28670123,"about_ca_topic_score_gemma":0.019106807,"teacher_disagreement_score":0.7973514,"about_ca_system_score_codex":0.00006528755,"about_ca_system_score_gemma":0.00022270161,"threshold_uncertainty_score":0.9991532},"labels":[],"label_agreement":null},{"id":"W2548773920","doi":"10.3968/8867","title":"Paradise Pursuit in John Updike's Works","year":2016,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Paradise; Mediocrity principle; Ideal (ethics); Feeling; Aesthetics; Psychoanalysis; Paradise lost; Order (exchange); Philosophy; Literature; Psychology; Art; Social psychology; Epistemology; Theology","score_opus":0.02347209377400731,"score_gpt":0.280195234896612,"score_spread":0.2567231411226047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2548773920","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4142565,0.42585155,0.0000022101942,0.004255496,0.0011680841,0.00032041245,0.00010398953,0.000077715435,0.15396403],"genre_scores_gemma":[0.98229563,0.0012875443,0.000018428964,0.0011090275,0.00067434704,0.000040412302,0.000011259665,0.000013293039,0.014550063],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903667,0.00006156901,0.00024438556,0.00027442514,0.000108068925,0.0002749048],"domain_scores_gemma":[0.9995429,0.00015381406,0.0000323064,0.0001873457,0.00004094893,0.00004266977],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001876017,0.00018890644,0.00028529952,0.0001805833,0.00008189769,0.00022036867,0.000113112415,0.000068848494,0.00018683416],"category_scores_gemma":[0.000060638376,0.00010981002,0.00004738568,0.000094985255,0.0002557268,0.00050598255,0.00007262735,0.00020482606,0.000009285843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009266573,0.000070411086,0.0008864669,0.00012953054,0.000049676575,0.0009444525,0.61730516,2.8266422e-8,0.00008750154,0.3371428,0.011304732,0.031986598],"study_design_scores_gemma":[0.002530107,0.00016338997,0.002099966,0.0055913497,0.000026431837,0.00002808549,0.057867616,0.0000016560364,0.000046004396,0.019405013,0.91159177,0.0006486108],"about_ca_topic_score_codex":0.000016564356,"about_ca_topic_score_gemma":0.0013613286,"teacher_disagreement_score":0.90028703,"about_ca_system_score_codex":0.000026154588,"about_ca_system_score_gemma":0.000007991972,"threshold_uncertainty_score":0.44779226},"labels":[],"label_agreement":null},{"id":"W2560440004","doi":"10.4000/lisa.9005","title":"The Secret Life of Secret Agents: Alan Bennett and John Schlesinger’s An Englishman Abroad (1983) and A Question of Attribution (1991)","year":2016,"lang":"en","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Peter's Hospital","funders":"","keywords":"Secrecy; Foregrounding; Biography; Reflexivity; Attribution; Art; Speculation; Psychoanalysis; Art history; Sociology; Philosophy; History; Literature; Law; Psychology; Political science; Social psychology","score_opus":0.026071430022467697,"score_gpt":0.25599082463301576,"score_spread":0.22991939461054806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560440004","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98259133,0.008356202,0.00017707796,0.0031035726,0.0009930637,0.00022544162,0.00018599235,0.00002886778,0.004338465],"genre_scores_gemma":[0.9934124,0.0015139534,0.00005626794,0.00017119579,0.0022322931,0.0000042427314,0.000034117747,0.000021238218,0.0025543296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983526,0.00029787244,0.0006393167,0.00020375344,0.00024121541,0.00026524952],"domain_scores_gemma":[0.998477,0.00019399516,0.00043770214,0.00024138756,0.00042187856,0.00022804142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010264661,0.0001991309,0.0003365691,0.00012845141,0.00054679945,0.00048794187,0.00018914875,0.000103996674,0.00028101535],"category_scores_gemma":[0.00022537359,0.00012186323,0.00009817002,0.00004614666,0.0003844673,0.0011065532,0.00005614877,0.00030226164,0.0000015107216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009409028,0.00044600523,0.012426226,0.0006783575,0.0005641111,0.00011485141,0.14889793,0.0000014775674,0.0055202497,0.7215949,0.03497123,0.07384375],"study_design_scores_gemma":[0.0018999721,0.0011366927,0.0065485286,0.0017793167,0.00018660005,0.00044748664,0.0057464805,0.00008949761,0.0003963876,0.007805569,0.9735518,0.00041167924],"about_ca_topic_score_codex":0.00004260833,"about_ca_topic_score_gemma":0.0001488077,"teacher_disagreement_score":0.9385806,"about_ca_system_score_codex":0.000033873104,"about_ca_system_score_gemma":0.00005672921,"threshold_uncertainty_score":0.49694383},"labels":[],"label_agreement":null},{"id":"W2560707967","doi":"","title":"The Fall of Stein, by R. C. Raack","year":2016,"lang":"en","type":"article","venue":"Journal of History","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Political science","score_opus":0.019654797610331565,"score_gpt":0.19066379261107314,"score_spread":0.17100899500074157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560707967","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11258953,0.20536913,0.00008695122,0.009110066,0.0068260063,0.000106486084,0.00004185789,0.000017073697,0.6658529],"genre_scores_gemma":[0.848135,0.00010509282,0.000005515981,0.00032144279,0.0005168413,4.2490666e-7,1.9826265e-7,0.000006286465,0.15090917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994227,0.000036501693,0.00028469876,0.000034337703,0.00015000986,0.00007171668],"domain_scores_gemma":[0.99935126,0.00011048106,0.00022186064,0.00009512473,0.00018797448,0.000033275035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021240588,0.00005044989,0.00011653643,0.000033654233,0.000061798324,0.000014775537,0.00014866635,0.000016613105,0.00050510233],"category_scores_gemma":[0.00002615487,0.000022811424,0.00010307143,0.0000043756627,0.00020016446,0.00020022888,0.000008575851,0.00007655733,0.000009802962],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046136767,0.000028389604,0.000011947859,0.000006755004,0.000027585356,0.000011593459,0.005632833,4.2473687e-9,0.0019149715,0.10276393,0.8847811,0.004774711],"study_design_scores_gemma":[0.0002520081,0.00013150646,0.000015409552,0.000053094824,0.000012624095,0.0000086739965,0.00039759267,6.4895815e-8,0.00014793726,0.0009364386,0.9980074,0.00003722443],"about_ca_topic_score_codex":0.0000074373493,"about_ca_topic_score_gemma":0.000048649184,"teacher_disagreement_score":0.7355455,"about_ca_system_score_codex":0.000065736094,"about_ca_system_score_gemma":0.00006183733,"threshold_uncertainty_score":0.55305165},"labels":[],"label_agreement":null},{"id":"W2575818496","doi":"10.22621/cfn.v117i4.795","title":"\"The North Runner\" by R. D. Lawrence. 2003. [book review]","year":2003,"lang":"en","type":"article","venue":"The Canadian Field-Naturalist","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.015024479168522249,"score_gpt":0.21180906058498664,"score_spread":0.19678458141646438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2575818496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012919832,0.20597382,4.2016902e-7,0.08766714,0.0014600555,0.00038129452,0.00016089398,0.000033637556,0.70419353],"genre_scores_gemma":[0.1237221,0.0026239546,0.0000030402018,0.2279073,0.00046146393,0.00004490922,0.0001250405,0.00002104001,0.6450912],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988757,0.00012597471,0.00023258843,0.00019545993,0.0001556655,0.0004146359],"domain_scores_gemma":[0.9988638,0.00012905397,0.000055438966,0.000523168,0.00022205136,0.00020644462],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002594651,0.00017437112,0.00016190861,0.000027723912,0.0016391099,0.00050223066,0.0004527613,0.000060202423,0.008542398],"category_scores_gemma":[0.00020974157,0.000099343815,0.00007622528,0.000102984544,0.00022416658,0.00018782412,0.0000131598445,0.00044747395,0.00034898295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015955925,0.0000021463936,0.000006536669,0.000016350183,0.000011658027,0.000010195132,0.0006192637,1.1912335e-8,2.5770524e-7,0.30289224,0.6959962,0.00044352136],"study_design_scores_gemma":[0.000068767826,0.000014373873,0.0000072594653,0.00008310552,0.000025765577,0.000010108295,0.00016887228,0.0000012961596,0.000012217403,0.00054534577,0.99889684,0.00016604338],"about_ca_topic_score_codex":0.049333643,"about_ca_topic_score_gemma":0.8492002,"teacher_disagreement_score":0.7998665,"about_ca_system_score_codex":0.000057680223,"about_ca_system_score_gemma":0.0002774481,"threshold_uncertainty_score":0.9996606},"labels":[],"label_agreement":null},{"id":"W2576110710","doi":"10.25071/2369-7326.40260","title":"\"I wanna die just like JFK / I wanna die in the USA\": Libra and DeLillo’s Curation of the Kennedy Archive","year":2016,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Character (mathematics); Art history; Order (exchange); Art; Performance art; Humanities; Cartography; Geography; Mathematics","score_opus":0.045788106365102284,"score_gpt":0.29850359158563666,"score_spread":0.2527154852205344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2576110710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8791584,0.059037942,0.000087734625,0.04622977,0.0014676984,0.00031531995,0.000083316896,0.0000076051924,0.013612259],"genre_scores_gemma":[0.9945001,0.0024257842,0.000030870906,0.00046441407,0.000704855,0.000007744097,7.825249e-7,0.000010688376,0.0018547333],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987311,0.00016180253,0.00056802225,0.00015016754,0.00020494143,0.0001839714],"domain_scores_gemma":[0.9989242,0.0003964566,0.00029556354,0.0001660359,0.0001761169,0.000041620708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040776125,0.00018786709,0.0003625404,0.00009931468,0.00044608474,0.00011534032,0.00024504916,0.000029177145,0.000023552502],"category_scores_gemma":[0.000048779188,0.00007334565,0.0001514913,0.000039686543,0.000590464,0.00069097045,0.00045975193,0.00022493246,0.0000010507977],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011499998,0.00038499275,0.004051036,0.00043246563,0.0007545881,0.00027345849,0.75702596,8.356849e-7,0.00044928378,0.16798978,0.032257725,0.035229914],"study_design_scores_gemma":[0.0036475474,0.0033318377,0.036617305,0.006117072,0.0004817918,0.00043664,0.27930734,0.000037238726,0.0003013199,0.16851214,0.50047874,0.000731019],"about_ca_topic_score_codex":0.000008885803,"about_ca_topic_score_gemma":0.0015481483,"teacher_disagreement_score":0.4777186,"about_ca_system_score_codex":0.000013930614,"about_ca_system_score_gemma":0.000022111413,"threshold_uncertainty_score":0.34309682},"labels":[],"label_agreement":null},{"id":"W2576178525","doi":"","title":"Thelma Finlayson (1914 - 2016)","year":2017,"lang":"en","type":"article","venue":"Biodiversity Heritage Library (Smithsonian Institution)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science; Geology","score_opus":0.028328369383017197,"score_gpt":0.2019370609799959,"score_spread":0.1736086915969787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2576178525","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17860423,0.0007216471,0.000026369293,0.010245942,0.0026737936,0.0003207429,0.0011740424,0.0004701731,0.80576307],"genre_scores_gemma":[0.95469767,0.00005534485,0.00013650872,0.002319664,0.0010057489,0.000006591612,0.000028376095,0.000012952842,0.041737173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874216,0.00004783483,0.00022298846,0.00040778227,0.00022127917,0.00035796053],"domain_scores_gemma":[0.9987766,0.000022401911,0.000156026,0.0008039472,0.000051132873,0.00018989238],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000070843394,0.00027389944,0.0002590013,0.00011544853,0.0039709797,0.0022912961,0.0009056502,0.00012046231,0.004121007],"category_scores_gemma":[0.000026471374,0.00025472886,0.00020005603,0.000028714576,0.0009901412,0.006948529,0.00036265742,0.00026124192,0.0020195425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010097071,0.00014786869,0.11260181,0.00006585991,0.000074896634,0.00039339613,0.007306806,2.4193494e-7,0.000003747498,0.7370959,0.14000002,0.0022085153],"study_design_scores_gemma":[0.0006364566,0.000079297984,0.050450377,0.000095654344,0.000035199286,0.0000070047768,0.001010953,0.000008724252,0.000099806966,0.0008847483,0.94630086,0.00039092006],"about_ca_topic_score_codex":0.00024276129,"about_ca_topic_score_gemma":0.00012111243,"teacher_disagreement_score":0.8063008,"about_ca_system_score_codex":0.00002520369,"about_ca_system_score_gemma":0.00012350413,"threshold_uncertainty_score":0.9999905},"labels":[],"label_agreement":null},{"id":"W2578253718","doi":"10.5539/ells.v7n1p18","title":"Traumatic Narrative in Virginia Woolf’s Novel Mrs. Dalloway","year":2017,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Fundamental Research Funds for the Central Universities","keywords":"Narrative; Consciousness; Literature; Stream of consciousness (narrative mode); History; Art; Psychoanalysis; Philosophy; Psychology; Epistemology","score_opus":0.02479530143514219,"score_gpt":0.2817687969682928,"score_spread":0.25697349553315063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2578253718","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7986871,0.059889626,0.000001464022,0.0008946351,0.0011696488,0.0002489672,0.000121974685,0.0000816024,0.13890497],"genre_scores_gemma":[0.98282015,0.00013896218,0.00005719958,0.0003569956,0.0016586216,0.000043166925,0.000035775432,0.000019391531,0.014869716],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989422,0.000043170356,0.0002702538,0.0003268621,0.00014212084,0.0002753965],"domain_scores_gemma":[0.9991955,0.00007974124,0.000104362385,0.00037017796,0.00019010573,0.000060085993],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00022190661,0.00027133932,0.00041547613,0.000118865544,0.0007662091,0.0012590693,0.0002166819,0.000074760486,0.000112755886],"category_scores_gemma":[0.0003120398,0.00020000491,0.000076764576,0.000033477292,0.0003450058,0.001029048,0.00011022192,0.0003714879,0.0000034979219],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023877106,0.000053938827,0.00008113804,0.000105865685,0.000069022186,0.000196061,0.90589595,4.623376e-8,0.000030917334,0.08919808,0.0022071064,0.0021380049],"study_design_scores_gemma":[0.0011781952,0.000097675475,0.0010483485,0.00091844343,0.00003305065,0.000006154129,0.80483603,0.000008044402,0.000021041988,0.0007855945,0.19068508,0.00038234083],"about_ca_topic_score_codex":0.000043840446,"about_ca_topic_score_gemma":0.0017471162,"teacher_disagreement_score":0.18847798,"about_ca_system_score_codex":0.000014749043,"about_ca_system_score_gemma":0.000012684796,"threshold_uncertainty_score":0.99977773},"labels":[],"label_agreement":null},{"id":"W2578405125","doi":"","title":"Just Two Clicks","year":2008,"lang":"en","type":"article","venue":"Griffith review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bedroom; Wife; Dream; Shot (pellet); Daughter; Living room; Quarter (Canadian coin); Art history; Law; Art; History; Advertising; Media studies; Sociology; Psychology; Political science; Engineering; Archaeology","score_opus":0.11738433587667485,"score_gpt":0.29131204740117306,"score_spread":0.1739277115244982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2578405125","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013916215,0.34895313,0.0000054205593,0.0026319092,0.00050022884,0.00026388807,0.00001949767,0.00010328517,0.64613104],"genre_scores_gemma":[0.69419616,0.086151354,0.000099178134,0.04800493,0.0034760537,0.0001087191,0.000108779444,0.000051195322,0.16780363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992003,0.000046378504,0.00026958782,0.00016996285,0.00013613164,0.00017767677],"domain_scores_gemma":[0.9995027,0.00002571393,0.000051650066,0.00026675587,0.0000849534,0.000068221685],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011381351,0.00013446884,0.00028758319,0.000028013006,0.00024135794,0.000045240933,0.00013903617,0.000017814034,0.0047994754],"category_scores_gemma":[0.000018624727,0.00009743191,0.00013639632,0.000039817263,0.00011751316,0.0001976855,0.000023746767,0.00014215756,0.00086535915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031834306,0.00004704126,0.00004205691,0.00095978717,0.000019396652,0.000095730495,0.0040683625,1.0357848e-8,0.0000017982466,0.5804142,0.39967537,0.0146730775],"study_design_scores_gemma":[0.00015061314,0.000026263886,0.000043858214,0.0011396025,0.00003492965,0.000047626567,0.000057516438,5.355747e-7,0.0000025625475,0.00024600743,0.99811023,0.00014022193],"about_ca_topic_score_codex":0.000024077834,"about_ca_topic_score_gemma":0.000066331195,"teacher_disagreement_score":0.6928045,"about_ca_system_score_codex":0.0000070301585,"about_ca_system_score_gemma":0.000030127896,"threshold_uncertainty_score":0.99991256},"labels":[],"label_agreement":null},{"id":"W2584789499","doi":"","title":"The Dirty Work of a Telltale: Narrative Ethics in Melville's The Confidence-Man and Billy Budd","year":2011,"lang":"en","type":"article","venue":"Library and Archives Canada (Government of Canada)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Work (physics); History; Literature; Art; Engineering","score_opus":0.013962021761741841,"score_gpt":0.15370578532126392,"score_spread":0.13974376355952206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2584789499","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19224529,0.0035726104,0.0000028248037,0.012934934,0.0002495852,0.00023943049,0.000102259466,0.000005405802,0.7906476],"genre_scores_gemma":[0.98851067,0.00021958613,0.000020585398,0.0015085866,0.0000451731,0.000007743632,0.0000015806799,0.000008055401,0.009678008],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987023,0.000108440894,0.00025954103,0.00013528627,0.00062579947,0.00016865415],"domain_scores_gemma":[0.998755,0.0008988577,0.0001088611,0.00016167121,0.000001918354,0.00007370381],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000041128515,0.00012549559,0.00016881803,0.000013094661,0.00038616132,0.00004819814,0.00019762597,0.000021123313,0.00008797683],"category_scores_gemma":[0.000011424921,0.000071429524,0.000020276242,0.000035448247,0.000559014,0.00024858708,0.0000874462,0.00024771286,1.3639014e-9],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022405635,0.000012700693,0.0018503718,0.000042554977,0.000036457535,0.000022257347,0.049091347,2.2055113e-7,0.00012992077,0.9454755,0.0008076113,0.0023069913],"study_design_scores_gemma":[0.00061351917,0.00024449528,0.028422441,0.00054859533,0.00003878248,0.0000067117753,0.33175996,0.00004706167,0.013253902,0.041621886,0.5830098,0.00043284326],"about_ca_topic_score_codex":0.005945614,"about_ca_topic_score_gemma":0.2808958,"teacher_disagreement_score":0.9038536,"about_ca_system_score_codex":0.0000018366311,"about_ca_system_score_gemma":0.0005405516,"threshold_uncertainty_score":0.89880294},"labels":[],"label_agreement":null},{"id":"W2586964993","doi":"10.1007/978-0-230-35795-2_11","title":"Re-Telling Old Tales: Moral Disorder (2006), The Tent (2006)","year":2012,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis; Art","score_opus":0.04087646493736756,"score_gpt":0.21529883564892519,"score_spread":0.17442237071155764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586964993","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000024749346,0.025349295,0.000025520756,0.00161752,0.0012582645,0.00036654354,0.00022120868,0.00013866748,0.9709982],"genre_scores_gemma":[0.04330538,0.00030777854,0.000020525775,0.0033347134,0.0042754156,0.000021029668,0.00022602423,0.000091768685,0.94841737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984123,0.00001945044,0.00046013252,0.0003515882,0.00034133947,0.00041519705],"domain_scores_gemma":[0.9989177,0.00009847787,0.00013575659,0.00059628586,0.00014757969,0.00010419736],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017317141,0.0004912657,0.00040583994,0.00009738474,0.0004439689,0.000506801,0.00034220557,0.00021275108,0.032380152],"category_scores_gemma":[0.0000050463004,0.00028904693,0.0003334421,0.000008069461,0.00034658605,0.00030684692,0.00010189053,0.00059693,0.0009949459],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010041252,0.00003110064,0.000008880904,0.0000457375,0.00008676609,0.000014407762,0.007471376,2.2246809e-7,3.5368893e-7,0.93115866,0.057116877,0.0040555727],"study_design_scores_gemma":[0.00012670126,0.00004687693,0.000001741466,0.00015196191,0.00012869996,0.0000034860589,0.0013248667,0.000006841804,0.000002232756,0.026869966,0.9708844,0.00045224183],"about_ca_topic_score_codex":0.00017310167,"about_ca_topic_score_gemma":0.0017370757,"teacher_disagreement_score":0.9137675,"about_ca_system_score_codex":0.000023309027,"about_ca_system_score_gemma":0.000034191915,"threshold_uncertainty_score":0.9999562},"labels":[],"label_agreement":null},{"id":"W2587668764","doi":"10.1353/mos.2016.a640857","title":"Recomposing the Self: Joyful Shame in Dorothy Allison’s Bastard Out of Carolina","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shame; Psychoanalysis; Art; Psychology; Social psychology","score_opus":0.023454656070417468,"score_gpt":0.2228921016543943,"score_spread":0.19943744558397683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587668764","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7731254,0.002805656,0.00003853891,0.0149293,0.0016859829,0.0004895294,0.00020170822,0.00012920029,0.20659468],"genre_scores_gemma":[0.9917236,0.00001877397,0.000030817195,0.00056067144,0.0003768024,0.000013788807,0.000006337126,0.000013674237,0.007255567],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992218,0.000070704984,0.0002542364,0.00015065941,0.00012065337,0.00018191451],"domain_scores_gemma":[0.99951786,0.00011310664,0.000054918153,0.0002327971,0.000052790554,0.000028546008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019314981,0.00011003138,0.00017223069,0.000054795033,0.00008380725,0.000064558604,0.000168301,0.00003386618,0.0007013463],"category_scores_gemma":[0.000012315748,0.000058456655,0.00007488159,0.00002326277,0.0000951079,0.00020722438,0.000035924706,0.00009558245,0.000044828004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001967397,0.0003914879,0.007565149,0.00018917338,0.00015102184,0.00007765567,0.4415087,0.0000012724937,0.0037137838,0.45053795,0.05679288,0.038874164],"study_design_scores_gemma":[0.0004033529,0.00006647765,0.00051363185,0.00015624372,0.000013174961,0.0000013164803,0.0010987361,0.000011771928,0.00044098633,0.003238215,0.99393225,0.00012382244],"about_ca_topic_score_codex":0.000111364156,"about_ca_topic_score_gemma":0.001951248,"teacher_disagreement_score":0.9371394,"about_ca_system_score_codex":0.000025644618,"about_ca_system_score_gemma":0.00002966442,"threshold_uncertainty_score":0.767925},"labels":[],"label_agreement":null},{"id":"W2602460276","doi":"10.31581/jbs-25.1-2.5(2015)","title":"Postsecular Look at the Reading Motif in Bahiyyih Nakhjavani’s The Woman Who Read Too Much","year":2015,"lang":"en","type":"article","venue":"The Journal of Bahá’í Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Motif (music); Reading (process); Literature; Metaphysics; Metaphor; Close reading; Philosophy; Art; Aesthetics; Theology; Linguistics","score_opus":0.08146482159649192,"score_gpt":0.28458726008087215,"score_spread":0.20312243848438022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602460276","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7505107,0.09014359,0.0000071002246,0.054451738,0.0014735243,0.0003469287,0.000015690006,0.00002227087,0.103028476],"genre_scores_gemma":[0.96757275,0.00086786953,0.0000068430263,0.0033122557,0.0011571907,0.0000052943574,0.0000011014596,0.000020702835,0.027056009],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982511,0.0003482979,0.0005547198,0.0001101368,0.00045384836,0.00028190893],"domain_scores_gemma":[0.9982519,0.00057608326,0.00028062068,0.0003568135,0.00047726347,0.000057284644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022521901,0.00020959583,0.00039060062,0.00008125947,0.0007224207,0.00018897078,0.00052597065,0.00003341911,0.00011029255],"category_scores_gemma":[0.0002544709,0.0000837319,0.00014910377,0.000075970886,0.00054982764,0.00034271312,0.00023851027,0.00047204972,0.00002909179],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035063137,0.00007064669,0.00032788186,0.00003388932,0.0005343769,0.00015664173,0.5751803,0.000016353566,0.000064988366,0.08194391,0.34014872,0.0011716774],"study_design_scores_gemma":[0.0007249699,0.0003416741,0.0004688225,0.00031738044,0.00019542914,0.0001940276,0.23949105,0.000020493302,0.00013381307,0.013793083,0.7441231,0.0001961516],"about_ca_topic_score_codex":0.000088565444,"about_ca_topic_score_gemma":0.0012628786,"teacher_disagreement_score":0.4039744,"about_ca_system_score_codex":0.00011151587,"about_ca_system_score_gemma":0.00005554168,"threshold_uncertainty_score":0.5556349},"labels":[],"label_agreement":null},{"id":"W2602636681","doi":"10.3968/9222","title":"Masculinity in Crisis: A Gender Study of Blasted by Sarah Kane","year":2017,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Masculinity; Existentialism; Power (physics); Nihilism; Psychoanalysis; Psychology; Aesthetics; Absoluteness; Sociology; Social psychology; Gender studies; Philosophy; Epistemology","score_opus":0.04836691299760515,"score_gpt":0.32399948752412233,"score_spread":0.2756325745265172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602636681","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9090494,0.06416658,1.768241e-7,0.0002472709,0.00031032608,0.00027035017,0.00008660224,0.000014442851,0.025854854],"genre_scores_gemma":[0.99712056,0.00018600558,0.000007448707,0.00028569356,0.00023615832,0.000029874396,0.000016569677,0.000010375855,0.0021073052],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99900824,0.00008884567,0.00031707587,0.00026805274,0.00013149362,0.00018629788],"domain_scores_gemma":[0.99935377,0.000055690234,0.00009754317,0.0003831502,0.000080360616,0.000029461871],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023523727,0.00018175688,0.00040623226,0.00012264997,0.00020939423,0.00023048528,0.00017477325,0.000056220786,0.000047384532],"category_scores_gemma":[0.00007318235,0.00013563641,0.00004271025,0.000043124986,0.00018788452,0.00044383743,0.00013134394,0.00027423282,0.0000010613678],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082235536,0.0004162525,0.0025244465,0.00022135921,0.000121750614,0.0003104881,0.9778288,5.5966833e-8,0.000041222014,0.0103456015,0.0075701,0.0005376762],"study_design_scores_gemma":[0.004142391,0.00056461146,0.0069894874,0.00070989307,0.000076144446,0.000008001428,0.94242394,0.000004429959,0.000057296023,0.0025631464,0.041993722,0.00046691354],"about_ca_topic_score_codex":0.00029648741,"about_ca_topic_score_gemma":0.004380628,"teacher_disagreement_score":0.088071175,"about_ca_system_score_codex":0.000009652865,"about_ca_system_score_gemma":0.0000063934895,"threshold_uncertainty_score":0.5531092},"labels":[],"label_agreement":null},{"id":"W2605883662","doi":"10.1017/s0034670516001169","title":"Michael Keren : Politics and Literature at the Turn of the Millennium. (Calgary: University of Calgary Press, 2015. Pp. ix, 255.)","year":2017,"lang":"en","type":"article","venue":"The Review of Politics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Media studies; Political science; Content (measure theory); Sociology; Law","score_opus":0.019509996015508773,"score_gpt":0.23742779742381714,"score_spread":0.21791780140830838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605883662","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026352668,0.8479284,0.0000026597509,0.012142346,0.00045193685,0.0008252646,0.0010303421,0.0000140301745,0.11125232],"genre_scores_gemma":[0.71674037,0.21784122,0.000045363828,0.0030963,0.0006475394,0.000004220471,0.000061831495,0.00004423693,0.061518926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987809,0.00022286944,0.00035799568,0.00015043424,0.00024644568,0.00024135358],"domain_scores_gemma":[0.99774426,0.00018089937,0.00044097347,0.0012647288,0.00030536184,0.00006375393],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033007492,0.00018998279,0.00045099578,0.000016136033,0.0006822791,0.000062423,0.0008517901,0.000070430935,0.0001333336],"category_scores_gemma":[0.000103246304,0.000093974195,0.00024830952,0.00002479951,0.0016899256,0.00014398574,0.00048840663,0.00025883643,0.000002518154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001302592,0.00005012615,0.0001789756,0.0050489004,0.0001228085,0.000005064198,0.012748587,3.2043864e-8,0.000019371146,0.92081857,0.060525987,0.00046854376],"study_design_scores_gemma":[0.00025715964,0.00004830829,0.0011602109,0.0054742084,0.0003919331,0.000016286409,0.0006066339,0.000012731917,0.00016006954,0.0043831165,0.9873543,0.00013508534],"about_ca_topic_score_codex":0.001092929,"about_ca_topic_score_gemma":0.00025944225,"teacher_disagreement_score":0.92682827,"about_ca_system_score_codex":0.000017460245,"about_ca_system_score_gemma":0.00007604637,"threshold_uncertainty_score":0.62266016},"labels":[],"label_agreement":null},{"id":"W2606464562","doi":"10.31542/j.muse.393","title":"Fighting the Fear: Everyday Terror in the American Short Story Collection after 9/11 A Study of Jennifer Egan’s A Visit from the Goon Squad and Elizabeth Strout’s Olive Kitteridge","year":2016,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Symbol (formal); History; Aesthetics; Art; Sociology; Media studies; Philosophy","score_opus":0.015784337251008872,"score_gpt":0.2269792776474398,"score_spread":0.21119494039643094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606464562","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9940651,0.00017668476,0.000019041576,0.003727078,0.00014787304,0.00039359258,0.000068638314,0.000011319006,0.0013906506],"genre_scores_gemma":[0.9970168,0.000024104525,0.0000029200346,0.00056524883,0.0002836338,0.0000034457935,0.0000014381496,0.000008968788,0.0020934797],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99836844,0.00064562645,0.00019390388,0.00021177623,0.00038163882,0.00019858364],"domain_scores_gemma":[0.9992418,0.00026406723,0.00013952232,0.00023201735,0.00008212172,0.000040443832],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047915042,0.0001632889,0.00022061175,0.000096177304,0.0006905271,0.00021496146,0.0004084607,0.000021405482,0.00017655433],"category_scores_gemma":[0.0000101678015,0.00007674405,0.0000847959,0.0000908569,0.0002698706,0.0002636439,0.00015129786,0.0002938591,0.0000023001367],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006183317,0.00048053535,0.35081857,0.000007047229,0.00026056598,0.00020483174,0.6398505,7.726915e-7,0.00012219984,0.0008114426,0.005221481,0.0016037344],"study_design_scores_gemma":[0.00089293893,0.00040754676,0.5466693,0.00008845527,0.000125197,0.000006299501,0.40154484,0.0000048613274,0.0000053814456,0.000018000375,0.050112434,0.00012474922],"about_ca_topic_score_codex":0.0013993861,"about_ca_topic_score_gemma":0.02581049,"teacher_disagreement_score":0.23830564,"about_ca_system_score_codex":0.000089002635,"about_ca_system_score_gemma":0.00003196769,"threshold_uncertainty_score":0.99196595},"labels":[],"label_agreement":null},{"id":"W2606670549","doi":"10.71781/14623","title":"The shopping channel : simulation, consumption, and the author as cultural critic in Don DeLillo's White Noise","year":2005,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); White noise; Art; Consumption (sociology); Channel (broadcasting); Literature; Art history; Aesthetics; Computer science; Telecommunications","score_opus":0.0584755107066986,"score_gpt":0.33826254361894176,"score_spread":0.27978703291224316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606670549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5073827,0.01369316,0.000002262743,0.0079164235,0.0015275591,0.002293653,0.00010315522,0.0000085266165,0.46707258],"genre_scores_gemma":[0.8308927,0.00010056749,0.000008185637,0.00029258907,0.00046320097,0.00008085024,0.00043342813,0.000018033854,0.16771047],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987275,0.0001381372,0.00044450717,0.0002986908,0.00017742,0.00021373897],"domain_scores_gemma":[0.99905694,0.0002921883,0.00013091012,0.0002170815,0.00025719404,0.000045679215],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045921517,0.00023875842,0.00027439947,0.00006681085,0.00089443586,0.0026178176,0.0003379983,0.00011390249,0.0020129555],"category_scores_gemma":[0.00010989023,0.0001356518,0.0000711785,0.000035135683,0.00021108541,0.0005926274,0.000049535334,0.0003285552,0.00008745695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014321727,0.000103740575,0.00012272593,0.00015721597,0.00017303915,0.00003682296,0.7432116,0.00012383968,0.0000138078985,0.17285727,0.0052021877,0.07656555],"study_design_scores_gemma":[0.0013130548,0.000028180648,0.0004643283,0.00053584774,0.000111958165,0.000004878579,0.07201714,0.0013947297,0.000008377951,0.0016130958,0.92215174,0.00035668307],"about_ca_topic_score_codex":0.00014549292,"about_ca_topic_score_gemma":0.026422111,"teacher_disagreement_score":0.9169495,"about_ca_system_score_codex":0.000022402872,"about_ca_system_score_gemma":0.00006851482,"threshold_uncertainty_score":0.99889934},"labels":[],"label_agreement":null},{"id":"W2611980694","doi":"","title":"Mediation Through the Dead in White Noise and the Poetry of Robert Lowell","year":2017,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Parallels; Poetry; Postmodernism; Comics; Consciousness; White (mutation); Literature; Confessional; Turning point; Philosophy; Aesthetics; Psychoanalysis; History; Art; Sociology; Law; Epistemology; Psychology; Political science; Period (music); Politics","score_opus":0.019922286175686508,"score_gpt":0.2574583808818882,"score_spread":0.2375360947062017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611980694","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7284028,0.017288093,0.00030135715,0.11489153,0.0030521874,0.0005662107,0.000110104746,0.000025075204,0.13536268],"genre_scores_gemma":[0.99423116,0.00031118703,0.00009827631,0.0019372241,0.0007956699,0.0000031870773,0.0000066504626,0.000019567682,0.0025970591],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981872,0.0003011574,0.00074589934,0.00016146981,0.00037276815,0.00023153482],"domain_scores_gemma":[0.998272,0.00038623204,0.00050655246,0.00047330154,0.00028679112,0.00007514286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007627095,0.00020364697,0.00041666828,0.00010459363,0.0005561882,0.00079549383,0.0005784463,0.00006413294,0.00008981785],"category_scores_gemma":[0.00013930837,0.000113949005,0.00017772023,0.000039801234,0.0009517244,0.0026308673,0.000078065954,0.00045392956,0.000002735803],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005869496,0.00018536639,0.0013606168,0.000110804,0.000096982076,0.00016007588,0.12318086,0.0000032678233,0.00006112714,0.8688994,0.0031421476,0.0022124264],"study_design_scores_gemma":[0.008334133,0.0007071833,0.005387415,0.0009341882,0.00025900258,0.00025775496,0.013491908,0.0005094267,0.00017681405,0.73843366,0.23102269,0.0004858548],"about_ca_topic_score_codex":0.00011502025,"about_ca_topic_score_gemma":0.00035089755,"teacher_disagreement_score":0.2658284,"about_ca_system_score_codex":0.000018932213,"about_ca_system_score_gemma":0.000068964066,"threshold_uncertainty_score":0.7670965},"labels":[],"label_agreement":null},{"id":"W2612244204","doi":"10.3968/9410","title":"The Balance Between Ideal and Reality","year":2017,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Balance (ability); Ideal (ethics); Dilemma; Meaning (existential); Social reality; Sociology; Aesthetics; Meaning of life; Environmental ethics; Epistemology; Social psychology; Psychology; Philosophy; Social science","score_opus":0.04767602259261766,"score_gpt":0.33522956709330176,"score_spread":0.2875535445006841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612244204","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42495596,0.33956707,6.738012e-7,0.008120328,0.00083013775,0.0002401059,0.00019341244,0.000041666437,0.22605067],"genre_scores_gemma":[0.9899033,0.0011770331,0.000007956066,0.00034826394,0.0010797022,0.000012133981,0.000010819344,0.0000060142106,0.00745482],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993853,0.000043539767,0.00014771539,0.0001806015,0.00007390204,0.00016892022],"domain_scores_gemma":[0.9993941,0.00017151717,0.000056167435,0.00030025793,0.000046801426,0.000031160554],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027917555,0.000121423924,0.00019277955,0.000022632743,0.0011556773,0.0008890134,0.00013859248,0.000036963775,0.0000063848292],"category_scores_gemma":[0.00011336997,0.000069756374,0.000024971925,0.000011848029,0.00068249804,0.00029535653,0.0001385516,0.00020865197,8.876903e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002781272,0.000008390687,0.00592907,0.00013548038,0.0000785611,0.00012803952,0.3976228,2.4123792e-9,0.00000697164,0.5692653,0.010356332,0.016441232],"study_design_scores_gemma":[0.00054242834,0.00006573532,0.025176328,0.0004660192,0.000027721719,0.000008715702,0.026864331,0.0000020452142,0.000010532752,0.023985561,0.92261404,0.00023651992],"about_ca_topic_score_codex":0.00007181241,"about_ca_topic_score_gemma":0.0012040456,"teacher_disagreement_score":0.91225773,"about_ca_system_score_codex":0.000005235718,"about_ca_system_score_gemma":0.0000044390026,"threshold_uncertainty_score":0.8888652},"labels":[],"label_agreement":null},{"id":"W2612845639","doi":"10.3138/cjfs.19.1.41","title":"Newfangled Computers and Old-Fashioned Romantic Comedy: <i>You’ve Got Mail’s</i> Futuristic Nostalgia","year":2010,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Comedy; Literature","score_opus":0.014830417017238397,"score_gpt":0.2216953751814251,"score_spread":0.2068649581641867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612845639","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61739635,0.282351,0.0000348787,0.0445641,0.03593881,0.00042329574,0.0009065134,0.000026319563,0.018358715],"genre_scores_gemma":[0.9739468,0.0008982955,0.0001892449,0.0021168455,0.0032584106,0.0000030409724,0.00001376384,0.000041438103,0.019532122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801326,0.000109573266,0.00075605756,0.00025622998,0.00022538535,0.0006394761],"domain_scores_gemma":[0.99748427,0.00033596397,0.00032960848,0.00023923753,0.00068835705,0.00092255854],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00036738944,0.00040613816,0.0007917882,0.0003897341,0.0011107237,0.00068254804,0.00029264318,0.00015639792,0.0005188581],"category_scores_gemma":[0.0001845499,0.00036636446,0.00022663535,0.000098215685,0.0014317711,0.0005233636,0.000050413506,0.0009554715,0.000028816812],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007594307,0.00009443486,0.0022463803,0.0007652644,0.0017804072,0.005485351,0.11477939,0.000002664523,0.000096863645,0.42650878,0.4377066,0.010457942],"study_design_scores_gemma":[0.0013286693,0.0005674591,0.0038388188,0.0010129913,0.00051231467,0.00078864634,0.017492952,0.00004331586,0.000011280668,0.0030449736,0.9708361,0.00052245666],"about_ca_topic_score_codex":0.0030120455,"about_ca_topic_score_gemma":0.1403803,"teacher_disagreement_score":0.5331296,"about_ca_system_score_codex":0.00008845056,"about_ca_system_score_gemma":0.0005643781,"threshold_uncertainty_score":0.9998788},"labels":[],"label_agreement":null},{"id":"W2613615937","doi":"10.24908/ss.v15i2.6590","title":"Review of Harcourt’s Exposed: Desire and Disobedience in the Digital Age","year":2017,"lang":"en","type":"article","venue":"Surveillance & Society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Civil disobedience; Art; Sociology; Aesthetics; Political science; Law; Politics","score_opus":0.04345364696154676,"score_gpt":0.26241899824164516,"score_spread":0.21896535128009842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613615937","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23759505,0.2762221,0.000012722085,0.008417975,0.0006845817,0.0008720797,0.00049106596,0.000059153666,0.47564527],"genre_scores_gemma":[0.98972946,0.007847204,0.000007775453,0.0015968567,0.0001580149,0.000010475111,0.000014984832,0.0000053989147,0.00062984234],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939173,0.000033855675,0.00017698186,0.000139389,0.00012556127,0.00013249897],"domain_scores_gemma":[0.9994038,0.00008298112,0.000097075164,0.00034978703,0.000046032506,0.000020361233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043860907,0.00009159316,0.00018946535,0.0000050332633,0.00027977527,0.00039881747,0.00029039662,0.000021182183,0.00004996672],"category_scores_gemma":[0.000083082785,0.000058259673,0.00010620128,0.000013077544,0.0004439027,0.00033356197,0.000056544293,0.00011199432,0.0000023138098],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030347686,0.00028279153,0.043230724,0.0084249815,0.000081013335,0.000078130244,0.25351354,3.9480916e-8,0.00004909676,0.48404148,0.13368155,0.0765863],"study_design_scores_gemma":[0.00029684743,0.000051807467,0.030607514,0.0018911635,0.0000062234144,0.0000037788207,0.005768279,0.000005623793,0.0000043073032,0.002685782,0.95848703,0.0001916098],"about_ca_topic_score_codex":0.00003202621,"about_ca_topic_score_gemma":0.00020918984,"teacher_disagreement_score":0.8248055,"about_ca_system_score_codex":0.000005328132,"about_ca_system_score_gemma":0.000015802018,"threshold_uncertainty_score":0.3845806},"labels":[],"label_agreement":null},{"id":"W2613898567","doi":"","title":"A Life That’s Good: Metaphor and Greatness in Eliot and Ishiguro","year":2017,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Greatness; George (robot); Metaphor; Literature; Perspective (graphical); Nazism; Philosophy; Art; Psychoanalysis; Art history; Aesthetics; Psychology; Theology","score_opus":0.05030958559565183,"score_gpt":0.2713299416659595,"score_spread":0.22102035607030765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613898567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91479045,0.013684328,0.000031255026,0.023165904,0.0014449453,0.00020865125,0.00009609289,0.00003068787,0.046547677],"genre_scores_gemma":[0.9923806,0.00037890373,0.0001611605,0.0024215553,0.0007197415,0.00000335608,0.000006615027,0.00003353225,0.0038945368],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982261,0.00017900103,0.0006128831,0.0002988664,0.00033335085,0.00034977615],"domain_scores_gemma":[0.998441,0.00017543661,0.0003278922,0.00038672454,0.00020597527,0.00046301095],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00052536913,0.00030469228,0.0005957602,0.00040236916,0.000576867,0.0022768332,0.00038124938,0.000091267546,0.00011623069],"category_scores_gemma":[0.00016479126,0.00025480267,0.00012902395,0.000035756275,0.00050912524,0.0040265415,0.00010269756,0.00047428816,0.0000030760161],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005034074,0.00042002663,0.0059391633,0.00036765827,0.00026071537,0.0025005857,0.05868755,2.5610183e-7,0.000182858,0.9161571,0.0058969045,0.009083772],"study_design_scores_gemma":[0.007658716,0.0018857761,0.017081333,0.0016449998,0.00043895983,0.0011440056,0.011290047,0.0002169751,0.00024224134,0.33074588,0.6263564,0.0012946364],"about_ca_topic_score_codex":0.000093217626,"about_ca_topic_score_gemma":0.00024523723,"teacher_disagreement_score":0.62045956,"about_ca_system_score_codex":0.00001991334,"about_ca_system_score_gemma":0.00010786139,"threshold_uncertainty_score":0.9999904},"labels":[],"label_agreement":null},{"id":"W2618287705","doi":"10.3968/9540","title":"A Lacanian Reading of Kate’s Self-Discovery in The Summer Before the Dark","year":2017,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sympathy; Reading (process); Dilemma; Order (exchange); Confusion; Literature; Great Rift; Psychoanalysis; Self; Gender studies; Philosophy; History; Psychology; Sociology; Art; Social psychology; Theology; Epistemology","score_opus":0.029463595505574747,"score_gpt":0.3054161027759132,"score_spread":0.27595250727033843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618287705","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.735187,0.039999302,1.2395921e-7,0.003205648,0.00044498773,0.0002719016,0.0000678037,0.000014314818,0.2208089],"genre_scores_gemma":[0.99430346,0.00013641588,0.000009173427,0.0010998166,0.00046911102,0.000024071847,0.000011456018,0.00000773914,0.00393873],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992843,0.00008282847,0.0001960029,0.00015790462,0.00011142068,0.00016749908],"domain_scores_gemma":[0.9993792,0.000095433104,0.00008002671,0.00039991766,0.000034224584,0.000011176695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039146576,0.00013704228,0.00021605977,0.00005158196,0.0003918596,0.0005054897,0.00028779678,0.000039641636,0.000012802117],"category_scores_gemma":[0.000069614776,0.00006520276,0.00005036226,0.000041470863,0.0003571657,0.0004879905,0.000118500844,0.00028256926,6.671467e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015881304,0.000027834405,0.0029213969,0.000100046105,0.00004017749,0.00013595365,0.7980338,2.0828223e-8,0.000004474188,0.19309041,0.004974875,0.0006551342],"study_design_scores_gemma":[0.0012321508,0.00023007432,0.01717084,0.0018740473,0.000096467316,0.000036822865,0.47534817,0.000006441594,0.000025584206,0.018612871,0.484991,0.00037551092],"about_ca_topic_score_codex":0.00020524937,"about_ca_topic_score_gemma":0.008859344,"teacher_disagreement_score":0.48001614,"about_ca_system_score_codex":0.000008961532,"about_ca_system_score_gemma":0.0000070617807,"threshold_uncertainty_score":0.4943722},"labels":[],"label_agreement":null},{"id":"W2618734500","doi":"","title":"Review of David Wilkerson: The Cross, the Switchblade, the man who Believed","year":2015,"lang":"en","type":"article","venue":"Canadian journal of Pentecostal-Charismatic Christianity","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.05433284071928379,"score_gpt":0.2595879519033655,"score_spread":0.20525511118408168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618734500","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0582339,0.74147373,0.0002444388,0.09906516,0.0048892437,0.0020419883,0.00065858534,0.000027741919,0.09336519],"genre_scores_gemma":[0.98289436,0.0016493282,0.0000119892575,0.010907605,0.0008871782,0.000012523183,0.000014788356,0.00002752118,0.0035946989],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978546,0.00029313023,0.0009435292,0.00013552354,0.000432121,0.00034107786],"domain_scores_gemma":[0.9971502,0.00022624523,0.00070227514,0.00061477494,0.00088740286,0.0004191071],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002212918,0.00023405437,0.0004445826,0.00007642943,0.0007958204,0.000515253,0.0010048338,0.000051163424,0.0014905552],"category_scores_gemma":[0.00056718924,0.000109664645,0.000297131,0.0001198464,0.00080957636,0.0003561472,0.000048157814,0.00074461085,0.00003432843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023027236,0.000034067067,0.00017134093,0.00078157027,0.00015333964,0.00011519417,0.04823859,8.73517e-7,0.0000018320474,0.020150159,0.9291759,0.0011540707],"study_design_scores_gemma":[0.00036293783,0.00013447963,0.0005224805,0.0027854207,0.00017046834,0.00021722306,0.007606172,0.000026546259,0.0000110222845,0.0036666319,0.98434305,0.00015354987],"about_ca_topic_score_codex":0.009113756,"about_ca_topic_score_gemma":0.041498177,"teacher_disagreement_score":0.92466044,"about_ca_system_score_codex":0.00009973613,"about_ca_system_score_gemma":0.0011628987,"threshold_uncertainty_score":0.9994222},"labels":[],"label_agreement":null},{"id":"W2619055838","doi":"10.18778/2353-6098.3.06","title":"Roll a Hard Six: Losing Your Noodle in Raymond Federman’s Double or Nothing","year":2015,"lang":"en","type":"article","venue":"Analyses/Rereadings/Theories A Journal Devoted to Literature Film and Theatre","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Nothing; Narrative; Subject (documents); Psyche; The Imaginary; Representation (politics); Psychoanalysis; Construct (python library); Literature; Psychology; Philosophy; Aesthetics; History; Epistemology; Art; Computer science; Politics; Law","score_opus":0.07992562621916635,"score_gpt":0.311599137221831,"score_spread":0.23167351100266467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619055838","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48724264,0.04018172,0.0008521102,0.017650584,0.004232826,0.0014551705,0.00058871554,0.0004279514,0.4473683],"genre_scores_gemma":[0.97201705,0.00007850624,0.00045879922,0.0038119548,0.001973063,0.000019578676,0.000095611125,0.00007449888,0.021470917],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704254,0.00019890426,0.0008891436,0.00059976324,0.0004878038,0.00078186614],"domain_scores_gemma":[0.9979391,0.00016362972,0.00024591657,0.00037203237,0.00059377094,0.0006855579],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00077534275,0.00062923756,0.0008723212,0.0008635754,0.00086090283,0.0051628854,0.00039831398,0.00024364764,0.00048849254],"category_scores_gemma":[0.00011560073,0.0004376564,0.00027117215,0.00059218274,0.00016378105,0.0020243332,0.0001368739,0.0011623147,0.000036670834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0053807106,0.00037031094,0.0014304278,0.00024398607,0.0007298005,0.003414936,0.66447204,0.000089044996,0.00071242347,0.29035494,0.028854981,0.003946374],"study_design_scores_gemma":[0.005395779,0.00082846323,0.00011073415,0.0025746475,0.0003742985,0.0015794619,0.042099815,0.00034264088,0.00056873495,0.041036658,0.9037424,0.0013464132],"about_ca_topic_score_codex":0.00027542535,"about_ca_topic_score_gemma":0.00086729776,"teacher_disagreement_score":0.87488735,"about_ca_system_score_codex":0.00011334594,"about_ca_system_score_gemma":0.00019393643,"threshold_uncertainty_score":0.99980754},"labels":[],"label_agreement":null},{"id":"W2621197272","doi":"","title":"Review of Lesa Scholl's Translation, Authorship and the Victorian Professional Woman. Charlotte Brontë, Harriet Martineau and George Eliot (Ashgate, 2011)","year":2013,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"George (robot); Art; Art history; Victorian literature; Literature; Sociology","score_opus":0.019942686153962427,"score_gpt":0.22947960931954914,"score_spread":0.2095369231655867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621197272","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056701656,0.42737833,0.000881975,0.2748982,0.0018656657,0.0041448944,0.0007145287,0.00029135466,0.2331234],"genre_scores_gemma":[0.8750321,0.023600424,0.001982407,0.002548218,0.00032133888,0.00041946708,0.0011922605,0.000087378656,0.094816394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945945,0.003664593,0.0007054359,0.00048704777,0.00031237406,0.00023600674],"domain_scores_gemma":[0.9959109,0.00085290195,0.000485626,0.0009913333,0.0016163997,0.00014284122],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004999727,0.0003109316,0.00051888,0.00010298362,0.0005075776,0.0005535585,0.0005241261,0.00017730956,0.0012623676],"category_scores_gemma":[0.00038615195,0.00022826724,0.00015762674,0.00005709622,0.0007137246,0.0003094313,0.000441441,0.0006988296,0.000016516477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042470205,0.00015610771,0.00019583794,0.0042536505,0.000101181155,0.000001196615,0.09854811,7.278017e-8,0.00008869095,0.8716697,0.018288616,0.00665437],"study_design_scores_gemma":[0.0010507859,8.94007e-7,0.0012764914,0.021123774,0.00013396636,0.0000056739236,0.00026594958,0.0003885515,0.00032408896,0.020155437,0.9548673,0.00040709457],"about_ca_topic_score_codex":0.0006384186,"about_ca_topic_score_gemma":0.0011360833,"teacher_disagreement_score":0.9365787,"about_ca_system_score_codex":0.000016089458,"about_ca_system_score_gemma":0.00013595539,"threshold_uncertainty_score":0.9996506},"labels":[],"label_agreement":null},{"id":"W272080607","doi":"10.16995/pn.33","title":"&lt;i&gt;Gravity's Rainbow&lt;/i&gt; as Metaphoric Narrative: Film, Fairy Tale and Fantasy in Pynchon's Germany","year":2008,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Narrative; Literature; Fantasy; Meaning (existential); Doctrine; Explication; Uncanny; Polyphony; Rainbow; Ideology; Philosophy; Aesthetics; Psychoanalysis; Epistemology; Art; Psychology; Law; Theology","score_opus":0.017722220576769414,"score_gpt":0.23160697288590903,"score_spread":0.21388475230913961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W272080607","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84869766,0.014103512,0.000011167373,0.001843763,0.0008170682,0.0005058835,0.00013861555,0.0001960901,0.13368621],"genre_scores_gemma":[0.9749564,0.00031284898,0.000085318236,0.0010397866,0.00071453524,0.000075683616,0.000094964635,0.00005185475,0.022668585],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777496,0.00016559215,0.0005218928,0.0006051263,0.00038223524,0.0005501809],"domain_scores_gemma":[0.99876827,0.00036292017,0.00012888218,0.000401285,0.00014557564,0.00019304099],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027112442,0.00044941736,0.00058148865,0.00036249493,0.0006404427,0.0003053543,0.00026179798,0.00014884635,0.0021901086],"category_scores_gemma":[0.00014472767,0.0004026519,0.00018329904,0.00018356118,0.00055696606,0.00088841,0.00011398028,0.00038600632,0.0001544002],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023582036,0.00061849237,0.0007593336,0.00021708863,0.00023045561,0.0011244247,0.5107136,0.0000045456068,0.01675821,0.41513807,0.04858562,0.0056143454],"study_design_scores_gemma":[0.0013581412,0.00025203865,0.0038547087,0.00012970407,0.000054362816,0.000090872156,0.0029839266,0.000074444615,0.0010203121,0.007552198,0.98185146,0.000777809],"about_ca_topic_score_codex":0.00009713476,"about_ca_topic_score_gemma":0.0012024029,"teacher_disagreement_score":0.93326586,"about_ca_system_score_codex":0.000040507926,"about_ca_system_score_gemma":0.00008512042,"threshold_uncertainty_score":0.9998425},"labels":[],"label_agreement":null},{"id":"W2722343250","doi":"10.1353/vcr.2016.0041","title":"\"I Mistook the Faint Shadow\": The Tractarian Ethos in Felicia Skene's Sensational Realism","year":2016,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Realism; Ethos; Faith; Shadow (psychology); Literature; Fantasy; Style (visual arts); Poetry; History; Philosophy; Art; Theology; Psychoanalysis","score_opus":0.02425910029707366,"score_gpt":0.23108318775913006,"score_spread":0.2068240874620564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2722343250","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011404329,0.13993315,0.000047034795,0.46646085,0.0033021371,0.0018018703,0.00025611592,0.00011538145,0.386943],"genre_scores_gemma":[0.91915137,0.009935356,0.000019061295,0.04035673,0.005870577,0.00022796194,0.000050964256,0.000043806518,0.024344178],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986098,0.00029674429,0.00042503345,0.00021318095,0.00023865877,0.00021657342],"domain_scores_gemma":[0.99893194,0.00036569335,0.00010116635,0.00044788272,0.00010549883,0.000047805795],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00081924646,0.0001735977,0.00025109563,0.000032689004,0.0002527245,0.00015200172,0.00031786866,0.00004534855,0.0022338212],"category_scores_gemma":[0.000119674565,0.00006994104,0.00015257152,0.00006186833,0.00014816187,0.00019721793,0.000031397907,0.00019757761,0.00016922908],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056671756,0.000023001507,0.000013119521,0.00014695709,0.000017889928,0.000012478237,0.012115891,1.1912777e-8,0.000029838713,0.9141507,0.058792915,0.014691522],"study_design_scores_gemma":[0.00015846062,0.000017181608,0.00020025345,0.0014062797,0.000030678355,0.000006006221,0.00021010036,6.077753e-7,0.0000042270613,0.009007272,0.98882914,0.00012981924],"about_ca_topic_score_codex":0.00016301859,"about_ca_topic_score_gemma":0.0016917958,"teacher_disagreement_score":0.9300362,"about_ca_system_score_codex":0.00004588896,"about_ca_system_score_gemma":0.00006834577,"threshold_uncertainty_score":0.99867827},"labels":[],"label_agreement":null},{"id":"W2732811852","doi":"","title":"Write the Book of Your Heart: Career, Passion and Publishing in the Romance Writing Community","year":2013,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Romance; Publishing; Literature; Art; Psychology; Social psychology","score_opus":0.035272088700994624,"score_gpt":0.23840951418686449,"score_spread":0.20313742548586985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732811852","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5255345,0.011240061,9.610358e-7,0.0029757128,0.00015438139,0.0002552451,0.00003681694,0.000013755121,0.45978853],"genre_scores_gemma":[0.98100626,0.00024560656,0.0000138244295,0.00017665939,0.00008204271,8.387232e-7,0.00011328464,0.000008459499,0.018353026],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990797,0.00028551143,0.00013052864,0.00011640903,0.0002524675,0.00013535892],"domain_scores_gemma":[0.9990273,0.00019075393,0.00019167454,0.00031247787,0.00025130482,0.000026501593],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051305076,0.00013485453,0.0002560028,0.000038358707,0.00057546387,0.00023283208,0.00046693734,0.00011056131,0.0020923517],"category_scores_gemma":[0.000030084366,0.000104818086,0.00008902334,0.000019745567,0.00016072893,0.0020060488,0.00007053567,0.0005158642,0.0000012024766],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006386222,0.000066595734,0.00015570532,0.00037182396,0.000036736565,0.000003894491,0.9084097,1.4490494e-7,0.00008376937,0.064598426,0.018215915,0.007993441],"study_design_scores_gemma":[0.00027317987,0.000083996274,0.09442356,0.0005657919,0.00004742259,0.0000011369478,0.8249208,0.000023226285,0.0000082206025,0.00018863058,0.07931984,0.00014422843],"about_ca_topic_score_codex":0.31889609,"about_ca_topic_score_gemma":0.4438205,"teacher_disagreement_score":0.45547172,"about_ca_system_score_codex":0.00003600331,"about_ca_system_score_gemma":0.00004627259,"threshold_uncertainty_score":0.9988199},"labels":[],"label_agreement":null},{"id":"W2733943871","doi":"","title":"'Mothers and Daughters Writing' Review of Sheila Munro's Lives of Mothers and Daughters and Carol Shields’ Jane Austen","year":2004,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Courage; Memoir; Biography; Metaphor; Literature; Psychoanalysis; Art; Philosophy; Sociology; Psychology; Theology","score_opus":0.00895241221576907,"score_gpt":0.21816379039591727,"score_spread":0.2092113781801482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733943871","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56930184,0.40903705,0.00006007328,0.003298999,0.00013184572,0.00032716125,0.000021826369,0.000017778822,0.017803429],"genre_scores_gemma":[0.94744605,0.050589394,0.000033431268,0.00063326483,0.00012716523,0.000003227494,0.0000032322491,0.000022087337,0.0011421796],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985423,0.000066010456,0.00044076142,0.00019154693,0.0001557487,0.0006036532],"domain_scores_gemma":[0.9994603,0.000056679266,0.00019866865,0.00012960764,0.000081302634,0.00007346156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006554449,0.00019053266,0.0004017371,0.00012518592,0.00015409134,0.0000902287,0.000118738164,0.000050434337,0.000054760636],"category_scores_gemma":[0.00002068778,0.00015448281,0.00008734714,0.000043902048,0.0003982635,0.00030286837,0.000031680076,0.0005779632,3.3993672e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013965456,0.00010152443,0.000748677,0.0024459106,0.00063121464,0.000019960988,0.045570854,9.154147e-7,0.0007086863,0.9325105,0.0002940587,0.016828042],"study_design_scores_gemma":[0.013251466,0.0059587248,0.0013142632,0.039209705,0.0020118086,0.0032188373,0.3862574,0.000030899486,0.0010653402,0.41781184,0.12752713,0.0023425655],"about_ca_topic_score_codex":0.00014155818,"about_ca_topic_score_gemma":0.0004283856,"teacher_disagreement_score":0.5146986,"about_ca_system_score_codex":0.00005798556,"about_ca_system_score_gemma":0.000235079,"threshold_uncertainty_score":0.6299626},"labels":[],"label_agreement":null},{"id":"W2737709331","doi":"10.5817/cejcs2012-8-7","title":"Neil Bissoondath's imaginary homeland : the search for possible places and space in A Casual Brutality","year":2012,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Canadian Journal of Administrative Sciences; Canadian Journal of Communication (Canada)","funders":"","keywords":"The Imaginary; Homeland; Casual; Police brutality; Space (punctuation); Sociology; Epistemology; Media studies; Political science; Philosophy; Criminology; Psychology; Law; Psychoanalysis; Politics; Linguistics","score_opus":0.07005992538092176,"score_gpt":0.2678975925934205,"score_spread":0.19783766721249874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737709331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8551039,0.050753232,0.0000020691396,0.031165438,0.0008281657,0.00021630227,0.0001040343,0.0000049597156,0.06182189],"genre_scores_gemma":[0.99641913,0.0003913748,0.000009817298,0.0006070326,0.0009938077,9.792484e-7,0.0000012714268,0.000012202374,0.0015643879],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891084,0.0002784443,0.0002245303,0.00006452557,0.00011271388,0.00040895795],"domain_scores_gemma":[0.99937403,0.00015675776,0.000068466696,0.00009114713,0.00012876757,0.00018080372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012218242,0.0001084234,0.00017852186,0.00015123836,0.00041512775,0.00018865208,0.00016937726,0.0000071714344,0.000027275484],"category_scores_gemma":[0.000048003985,0.00005530058,0.000056382618,0.000063147454,0.00036053057,0.0003116808,0.000037782247,0.00020680332,0.0000022954398],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037225464,0.000066445464,0.01099992,0.00011665592,0.0004324107,0.00034730125,0.71794105,0.0000025323009,0.00002674309,0.1700852,0.09071073,0.008898765],"study_design_scores_gemma":[0.0006999668,0.0002253766,0.04509294,0.00011873616,0.00007085801,0.00014477385,0.07822598,0.0000036706865,0.000017303077,0.0004470557,0.8748058,0.00014755604],"about_ca_topic_score_codex":0.0027060118,"about_ca_topic_score_gemma":0.042912163,"teacher_disagreement_score":0.78409505,"about_ca_system_score_codex":0.00004028723,"about_ca_system_score_gemma":0.00009522998,"threshold_uncertainty_score":0.9745522},"labels":[],"label_agreement":null},{"id":"W2738823459","doi":"10.14746/jacs.2016.2.06","title":"Reading Canada and the Postmodernist Culture in Linda Hutcheon’s The Politics of Postmodernism","year":2016,"lang":"en","type":"article","venue":"Pressto (Uniwersytetu Adama Mickiewicza)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Politics; Reading (process); Dilemma; Aesthetics; Sociology; Philosophy; Epistemology; Law; Political science; Linguistics","score_opus":0.011791221179620136,"score_gpt":0.19747875101338797,"score_spread":0.18568752983376782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2738823459","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63519686,0.039446052,0.00014977559,0.097337894,0.0022522272,0.0021612595,0.0017517844,0.00014052454,0.22156362],"genre_scores_gemma":[0.9699037,0.00012446348,0.000016409942,0.002018135,0.00034336286,0.000028351476,0.000014275485,0.000028935017,0.027522368],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983073,0.00021010487,0.0004304211,0.00030350563,0.00034233616,0.00040633167],"domain_scores_gemma":[0.9985472,0.0005052394,0.00016649665,0.00050699443,0.00018416572,0.000089904206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036390804,0.00026551305,0.00038143597,0.00006173338,0.00043121047,0.00017021169,0.00047855827,0.00008161453,0.00015800254],"category_scores_gemma":[0.00011150253,0.00012606694,0.00009588647,0.00004791533,0.00086589437,0.00032913155,0.0001521469,0.0003086849,0.0000024206286],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112141955,0.000033833767,0.00037761344,0.00006388007,0.00007636575,0.000022715261,0.06638768,7.282075e-7,0.00027701212,0.92134374,0.00923621,0.002068099],"study_design_scores_gemma":[0.0031727464,0.00008957265,0.0010573269,0.00046571088,0.00013246799,0.000040777188,0.012444373,0.00020392824,0.0005465333,0.03603294,0.94530463,0.0005089795],"about_ca_topic_score_codex":0.17313233,"about_ca_topic_score_gemma":0.45670047,"teacher_disagreement_score":0.9360684,"about_ca_system_score_codex":0.000067321125,"about_ca_system_score_gemma":0.00023694838,"threshold_uncertainty_score":0.83237386},"labels":[],"label_agreement":null},{"id":"W2740962138","doi":"","title":"Production Notice: John Heywood’s The Play of the Weather (August 2009)","year":2009,"lang":"en","type":"article","venue":"Early Theatre","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Notice; Art; Performance art; Visual arts; History; Media studies; Advertising; Art history; Political science; Sociology; Law; Business","score_opus":0.012807461186744324,"score_gpt":0.20530380268107434,"score_spread":0.19249634149433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2740962138","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29100937,0.0018127074,0.0000022349723,0.020006888,0.0013521722,0.00039458793,0.00003783151,0.00006112009,0.6853231],"genre_scores_gemma":[0.9340177,0.0000047993235,0.0000045729194,0.0008496057,0.0014082192,0.000004866611,0.00000251907,0.0000104507835,0.06369724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992471,0.00007581288,0.00018024148,0.0001494332,0.00019236916,0.00015507129],"domain_scores_gemma":[0.99938786,0.000029464563,0.00006385667,0.00042589416,0.000071213115,0.000021699434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001504303,0.00012046134,0.00012022309,0.000027716604,0.00030736823,0.0001377994,0.00025076294,0.000038564904,0.00072417804],"category_scores_gemma":[0.000010651975,0.00005784065,0.00011812329,0.000054825978,0.00015621993,0.0002308619,0.000020246944,0.00020420244,0.00004183226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010270091,0.00030529042,0.0006607374,0.000028873426,0.00008980438,0.0000065964637,0.15342537,0.0000063365246,0.001126364,0.6373802,0.18634482,0.020522926],"study_design_scores_gemma":[0.00021536014,0.0001685312,0.0068487558,0.00009686025,0.00006102417,0.0000069820308,0.002617294,0.00000349739,0.0010652015,0.008489767,0.9802689,0.00015782323],"about_ca_topic_score_codex":0.000113178474,"about_ca_topic_score_gemma":0.00017038827,"teacher_disagreement_score":0.7939241,"about_ca_system_score_codex":0.000007324338,"about_ca_system_score_gemma":0.000023562865,"threshold_uncertainty_score":0.79292417},"labels":[],"label_agreement":null},{"id":"W2746553472","doi":"","title":"Navigating the Borders of Characterization in Angela Carter's Short Fiction","year":2010,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Characterization (materials science); Computer science; Materials science; Nanotechnology","score_opus":0.013218297360912378,"score_gpt":0.23569636138117486,"score_spread":0.2224780640202625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2746553472","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.793745,0.0021977096,0.0057348767,0.031373184,0.0014064434,0.0009056098,0.00057123194,0.000096369055,0.16396956],"genre_scores_gemma":[0.98816407,0.00036445598,0.00062864315,0.00013174595,0.00014169636,0.000076511365,0.0019313378,0.000039279083,0.0085222395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950786,0.0030033474,0.00079740776,0.00050207425,0.0003255698,0.0002929614],"domain_scores_gemma":[0.9959226,0.0007848999,0.00042560557,0.0012259482,0.0015631559,0.000077792625],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0034163224,0.00031742122,0.00037566628,0.00008212983,0.0005527008,0.00057401694,0.00070293917,0.00032190295,0.00035117325],"category_scores_gemma":[0.00032173214,0.00029288736,0.00020744927,0.00017390367,0.0005780101,0.00033381273,0.00035410814,0.0016778236,0.000007729385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001484383,0.00044161745,0.0023924636,0.00022944696,0.000055764885,0.0000043985387,0.14376639,0.0000065543118,0.008150714,0.76518,0.00016623749,0.079591565],"study_design_scores_gemma":[0.00078785623,0.000002545415,0.037064973,0.01250698,0.00017643103,0.000019364585,0.005959343,0.014480844,0.025571877,0.0042679342,0.8981127,0.0010491344],"about_ca_topic_score_codex":0.0037151256,"about_ca_topic_score_gemma":0.014059028,"teacher_disagreement_score":0.8979465,"about_ca_system_score_codex":0.000057995196,"about_ca_system_score_gemma":0.00015956338,"threshold_uncertainty_score":0.9999523},"labels":[],"label_agreement":null},{"id":"W2748657728","doi":"","title":"Eraser Street : Hubris, Humility and Humanity in the Making of a City","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hubris; Humility; Humanity; Aesthetics; Character (mathematics); Sociology; Exhibition; Government (linguistics); History; Visual arts; Political science; Art; Environmental ethics; Media studies; Law; Philosophy","score_opus":0.05515998782858163,"score_gpt":0.2616849630577658,"score_spread":0.20652497522918417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2748657728","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011236166,0.009214956,0.00000464556,0.0005261564,0.00058419904,0.00081971596,0.0006777313,0.000069364854,0.9768671],"genre_scores_gemma":[0.6954826,0.000037000635,0.000013586869,0.0015471897,0.0012350266,0.000039989423,0.0002625856,0.00005718621,0.3013248],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969666,0.00033360953,0.00089082896,0.0006754702,0.00065908884,0.00047439104],"domain_scores_gemma":[0.9980779,0.00021166855,0.00035422543,0.00094623916,0.0003287601,0.00008119912],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013096067,0.00060541386,0.00092516607,0.00023089109,0.00037150917,0.00038964197,0.00058736774,0.00031451695,0.002385765],"category_scores_gemma":[0.00006665741,0.00047275738,0.0002564993,0.000059155147,0.00076974987,0.0004827006,0.00018500375,0.001105582,0.00005968953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010262192,0.00029474366,0.0001639009,0.00047700855,0.000115913535,0.00013341951,0.08170456,1.861261e-7,0.0000038108317,0.3960791,0.51720387,0.0037209024],"study_design_scores_gemma":[0.0006155159,0.00019648294,0.0009821474,0.00055079884,0.00011886472,0.000007952598,0.0029412925,0.000006503419,0.0000020344692,0.06631546,0.927758,0.00050495047],"about_ca_topic_score_codex":0.00021842514,"about_ca_topic_score_gemma":0.017515019,"teacher_disagreement_score":0.6842464,"about_ca_system_score_codex":0.00009200776,"about_ca_system_score_gemma":0.00031052998,"threshold_uncertainty_score":0.9997724},"labels":[],"label_agreement":null},{"id":"W2761228419","doi":"10.7771/1481-4374.2823","title":"DeLillo's Falling Man and the Trouble with Sympathy in Narratives of Terrorism","year":2016,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Sympathy; Terrorism; Narrative; Rhetoric; Feeling; Sociology; Politics; Political science; Aesthetics; Media studies; Law; Psychology; Social psychology; Philosophy; Literature; Art","score_opus":0.01867516718169327,"score_gpt":0.22592265168546566,"score_spread":0.2072474845037724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761228419","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8869323,0.03525711,0.000040185107,0.006924446,0.00015267341,0.0005792263,0.00011116644,0.00003548332,0.06996742],"genre_scores_gemma":[0.9904024,0.000107331834,0.00006693121,0.0005644763,0.00021498087,0.000036474972,0.000017912615,0.00000919978,0.0085802935],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899733,0.00014002784,0.00026583317,0.00028448488,0.00013016068,0.000182184],"domain_scores_gemma":[0.99942905,0.00007688794,0.00010117982,0.00016370355,0.0001755519,0.00005360459],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012929756,0.00024964177,0.00043071288,0.00006735778,0.00020162742,0.00027209762,0.00011401456,0.0000779035,0.00004681817],"category_scores_gemma":[0.000005329403,0.0000979488,0.000054216835,0.0000846655,0.00077237404,0.00054665026,0.000026934222,0.00024367092,0.0000011988383],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039656844,0.00003395702,0.00023800369,0.00003919669,0.000049226976,0.0000122111305,0.5757539,1.04762115e-7,0.00047753644,0.4207305,0.0019896023,0.0002792007],"study_design_scores_gemma":[0.010190291,0.0008755715,0.0008814507,0.0031667429,0.00008574921,0.00006982468,0.15365028,0.000024536514,0.0009974195,0.067237854,0.76204747,0.00077279756],"about_ca_topic_score_codex":0.0000071463896,"about_ca_topic_score_gemma":0.0003671435,"teacher_disagreement_score":0.76005787,"about_ca_system_score_codex":0.0000067133055,"about_ca_system_score_gemma":0.000014859554,"threshold_uncertainty_score":0.39942363},"labels":[],"label_agreement":null},{"id":"W276897617","doi":"","title":"The Promise and the Apology: Speech-Acts, Ethics, and Reading in Mavis Gallant's \"The Pegnitz Junction\"","year":2011,"lang":"en","type":"article","venue":"Papers on Language & Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Narrative; Reading (process); Storytelling; Literature; History; Art; Law; Political science","score_opus":0.020089821574217483,"score_gpt":0.2249375306640665,"score_spread":0.204847709089849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W276897617","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21885815,0.06737368,4.9736445e-7,0.031119399,0.001169204,0.0011360035,0.00008178342,0.00011802908,0.68014324],"genre_scores_gemma":[0.9699018,0.00047189894,0.000016198823,0.006087928,0.0004869186,0.000044299944,0.000021673046,0.000018835419,0.022950456],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877864,0.00039383175,0.00019275132,0.00024881275,0.00014669131,0.00023928088],"domain_scores_gemma":[0.99891573,0.00061064406,0.000060706057,0.00031012064,0.000055891003,0.000046934372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007871307,0.00019737132,0.00017663612,0.00005095063,0.0008395731,0.0007112135,0.00018316394,0.00012979568,0.00017203116],"category_scores_gemma":[0.00017410074,0.00008470698,0.000057366353,0.00006201364,0.0006592546,0.00015673469,0.00004985296,0.0011927622,0.000006153189],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031150095,0.000019375506,0.000113704475,0.000035842353,0.000035744662,0.00009623441,0.5299157,8.516937e-9,0.00007116589,0.464341,0.0014568657,0.0036028535],"study_design_scores_gemma":[0.0014573021,0.00013331334,0.0018050609,0.00035099642,0.00006841133,0.00011551845,0.079766065,0.000008139906,0.000063728054,0.0053321854,0.9106043,0.00029500274],"about_ca_topic_score_codex":0.0002014258,"about_ca_topic_score_gemma":0.0021767835,"teacher_disagreement_score":0.9091474,"about_ca_system_score_codex":0.000009934676,"about_ca_system_score_gemma":0.0000188055,"threshold_uncertainty_score":0.6858249},"labels":[],"label_agreement":null},{"id":"W2768999647","doi":"10.4312/an.50.1-2.95-135","title":"Children Without Childhood: The Emotionality of Orphaned Children and Images of Their Rescuers in Selected Works of English and Canadian Literature","year":2017,"lang":"en","type":"article","venue":"Acta Neophilologica","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Originality; History; Context (archaeology); Politics; Literature; Psychology; Sociology; Gender studies; Psychoanalysis; Law; Art; Social psychology; Political science; Creativity","score_opus":0.009699990158982338,"score_gpt":0.20199814981246708,"score_spread":0.19229815965348473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768999647","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9883839,0.002373279,5.662204e-8,0.0012522034,0.000074715,0.00031386557,0.00055991847,0.000010372795,0.007031703],"genre_scores_gemma":[0.99918,0.00017530822,0.000014749826,0.00014647904,0.00026574975,0.000004565088,0.00010884367,0.000008953053,0.000095317395],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999079,0.00011162328,0.00029527882,0.00022815379,0.00010143381,0.00018450704],"domain_scores_gemma":[0.9989051,0.000094422816,0.0002244333,0.0004003362,0.00030932168,0.00006634207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024590484,0.00016855508,0.00035346116,0.0001100924,0.0002737769,0.00016285443,0.00032023474,0.0001152674,0.00005809207],"category_scores_gemma":[0.00030515244,0.00010323286,0.000051612802,0.000057121295,0.0007372556,0.00030711896,0.00008114762,0.00027359277,9.366541e-8],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003051561,0.0003600606,0.7519328,0.00010705565,0.0004940498,0.0000108095255,0.1878508,5.2908865e-7,0.00045625836,0.050813682,0.002383914,0.005284917],"study_design_scores_gemma":[0.0005163374,0.00011759169,0.9950772,0.0002207843,0.00002091975,0.0000069675834,0.00046139746,8.188407e-7,0.00016388633,0.0028675108,0.00042929873,0.000117305884],"about_ca_topic_score_codex":0.008222503,"about_ca_topic_score_gemma":0.016010577,"teacher_disagreement_score":0.24314441,"about_ca_system_score_codex":0.0000063598,"about_ca_system_score_gemma":0.00006135551,"threshold_uncertainty_score":0.99838185},"labels":[],"label_agreement":null},{"id":"W2773926170","doi":"10.1093/ibd/17.supplement1.s6a","title":"A post-hoc analysis","year":2011,"lang":"en","type":"article","venue":"Inflammatory Bowel Diseases","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Robarts Clinical Trials","funders":"","keywords":"Post-hoc analysis; Post hoc; Medicine; Computer science; Internal medicine","score_opus":0.01977090412098324,"score_gpt":0.20803782006768737,"score_spread":0.18826691594670414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773926170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68130535,0.002465681,0.000010763472,0.00011739111,0.0004346612,0.00017373214,0.00046515625,0.00033817644,0.3146891],"genre_scores_gemma":[0.9900928,0.000006176541,0.000014246126,0.000902752,0.0004263642,0.00003641161,0.00007969244,0.000017813229,0.00842373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907166,0.000047121623,0.0002589505,0.00023027464,0.00017030357,0.0002216741],"domain_scores_gemma":[0.99922717,0.00002976061,0.000063066946,0.00034462553,0.00016508679,0.00017028014],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000048293434,0.00017308876,0.0001919034,0.00023851157,0.00020865301,0.00017401668,0.00019501247,0.000033587385,0.0114551205],"category_scores_gemma":[0.00001732139,0.00014754495,0.00033165334,0.000059762417,0.00018790591,0.0005066024,0.00004079738,0.00007530189,0.000314009],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003960837,0.00026173395,0.019163933,0.00007831313,0.0009698003,0.0005289035,0.048696015,4.527503e-7,0.000012930222,0.92311406,0.0052397056,0.0015380965],"study_design_scores_gemma":[0.0009005874,0.00034625546,0.2216568,0.00006804501,0.0028766945,0.000003745309,0.009600138,0.000063422034,0.00004969329,0.0141653,0.74917233,0.0010969986],"about_ca_topic_score_codex":0.000050982737,"about_ca_topic_score_gemma":0.00049332646,"teacher_disagreement_score":0.9089487,"about_ca_system_score_codex":0.00001115237,"about_ca_system_score_gemma":0.000048777325,"threshold_uncertainty_score":0.98944855},"labels":[],"label_agreement":null},{"id":"W2780159863","doi":"10.4000/ces.8575","title":"Reassessing Genres in Hugh MacLennan’s “The Changed Functions of Fiction and Non-Fiction”","year":2009,"lang":"en","type":"preprint","venue":"Commonwealth Essays and Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Literature; Art; History","score_opus":0.0895654661968234,"score_gpt":0.31233198629033515,"score_spread":0.22276652009351175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780159863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44273958,0.3474674,0.000117315736,0.021310994,0.0042209215,0.001583074,0.00035624288,0.00014449478,0.18205997],"genre_scores_gemma":[0.9899104,0.00795849,0.000019713007,0.00032910935,0.00055893575,0.00008732885,0.00003476893,0.000013202813,0.001088012],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879223,0.00012535053,0.00045231928,0.00030151705,0.00013137207,0.00019722401],"domain_scores_gemma":[0.99916494,0.00016227667,0.0002112764,0.00024521284,0.00017573926,0.000040542465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040894552,0.00024483298,0.00053093745,0.0001636789,0.0007380428,0.000190965,0.00009371837,0.00010068406,0.000013430653],"category_scores_gemma":[0.000029033803,0.00017487175,0.000065581495,0.000043922446,0.00033136315,0.00014066177,0.00023859748,0.00048217148,4.4572974e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002911147,0.00052807305,0.0093820905,0.005194734,0.0007314075,0.00003814878,0.4315558,0.000017113403,0.000028501636,0.35136774,0.1114389,0.08942635],"study_design_scores_gemma":[0.0027173327,0.0009781029,0.09436359,0.007996418,0.00080900756,0.00003076931,0.27018145,0.0012205992,0.000028189259,0.067964025,0.5519628,0.0017477099],"about_ca_topic_score_codex":0.00041843075,"about_ca_topic_score_gemma":0.0033795573,"teacher_disagreement_score":0.5471709,"about_ca_system_score_codex":0.00003056138,"about_ca_system_score_gemma":0.00003880696,"threshold_uncertainty_score":0.7131063},"labels":[],"label_agreement":null},{"id":"W2786755599","doi":"10.25071/2369-7326.40268","title":"In Search of the \"Telling Detail\": Ian McEwan, Briony Tallis, and the Demands of Authorship","year":2017,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atonement; Depiction; False accusation; Section (typography); Truth telling; Literature; History; Art; Aesthetics; Law; Philosophy; Psychoanalysis; Theology; Psychology; Political science; Computer science","score_opus":0.05088025950698466,"score_gpt":0.3281575670905573,"score_spread":0.27727730758357266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786755599","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92889357,0.04611561,0.000019195988,0.017300362,0.00065952836,0.00015076481,0.000010864131,0.0000017338767,0.006848363],"genre_scores_gemma":[0.9961452,0.0008297462,0.000030596242,0.00007679636,0.00041999068,0.000002229772,1.6205549e-7,0.000007754505,0.0024875512],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99881905,0.00014376489,0.00058519014,0.00010662243,0.00019790212,0.00014744044],"domain_scores_gemma":[0.99879164,0.00023950251,0.00045302598,0.00022341964,0.00025526297,0.00003716599],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011774427,0.00013357427,0.0004807373,0.00007988554,0.00075642444,0.00018195418,0.00034994673,0.000033764572,0.000015717324],"category_scores_gemma":[0.00008969448,0.000062255625,0.00016795682,0.000028490978,0.0014803933,0.0004907988,0.0006985372,0.0003281589,1.541717e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015084619,0.00014314296,0.008581367,0.00069906353,0.00072287885,0.000087872504,0.4944061,0.0000040891628,0.00011401225,0.48809934,0.0013641214,0.0042695506],"study_design_scores_gemma":[0.012981132,0.002509839,0.063898414,0.012852474,0.0010618366,0.0006993578,0.4344523,0.00038944944,0.0022074215,0.4037872,0.06419862,0.0009619848],"about_ca_topic_score_codex":0.000019455436,"about_ca_topic_score_gemma":0.0008528638,"teacher_disagreement_score":0.084312156,"about_ca_system_score_codex":0.000009365415,"about_ca_system_score_gemma":0.000024753655,"threshold_uncertainty_score":0.5817882},"labels":[],"label_agreement":null},{"id":"W2787335720","doi":"10.3138/cras.2017.028","title":"<i>Bleeding Edge</i>, Neo-Liberalism, and the 9/11 Novel","year":2018,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberalism; Narrative; Literature; Philosophy; Enhanced Data Rates for GSM Evolution; Aesthetics; History; Art; Political science; Law; Computer science; Politics; Artificial intelligence","score_opus":0.04031676620831641,"score_gpt":0.2748744588773463,"score_spread":0.23455769266902987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2787335720","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00878724,0.70755196,0.0000030682447,0.047800843,0.000774227,0.00054525275,0.00013748812,0.000030045197,0.23436987],"genre_scores_gemma":[0.87595475,0.043734755,0.00009886405,0.07261457,0.001592821,0.00005713586,0.000007906076,0.0000249759,0.0059142406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991952,0.00005482876,0.0002814033,0.00015809825,0.00009521397,0.00021524093],"domain_scores_gemma":[0.9990818,0.00015254015,0.00012988837,0.00019557646,0.00033148786,0.00010874453],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00033467272,0.00014129186,0.00052476826,0.000058810623,0.0004243501,0.00005440386,0.00013995844,0.000008601237,0.0001371109],"category_scores_gemma":[0.00015517621,0.00008492182,0.00008505391,0.0000942644,0.0036005506,0.000104463536,0.00004074428,0.00008614671,0.000008549443],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008861844,0.0000073192264,0.0000770488,0.001349569,0.00020923611,0.000005828923,0.040942825,2.6572815e-9,0.0000022750246,0.74913937,0.19235212,0.015905552],"study_design_scores_gemma":[0.00018211492,0.00005494411,0.000056277746,0.0019435963,0.00009376454,0.0000061975215,0.010031926,7.987306e-7,0.00000257652,0.00029690308,0.9872183,0.00011255455],"about_ca_topic_score_codex":0.024838326,"about_ca_topic_score_gemma":0.13746957,"teacher_disagreement_score":0.8671675,"about_ca_system_score_codex":0.000022596096,"about_ca_system_score_gemma":0.000084606014,"threshold_uncertainty_score":0.99911106},"labels":[],"label_agreement":null},{"id":"W2788109825","doi":"10.5539/ijel.v8n3p239","title":"Intertextual Dialogue in the British Postmodern Novels: On the basis of Peter Ackroyd’s Novels","year":2018,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intertextuality; Postmodernism; Metafiction; Literature; Philosophy; Art","score_opus":0.030919148576676745,"score_gpt":0.2587144195230772,"score_spread":0.22779527094640048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788109825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18009873,0.0003144357,0.000111504785,0.0009074995,0.027411077,0.000170008,0.00038855494,0.000013783178,0.7905844],"genre_scores_gemma":[0.97019094,0.000013186307,0.000038212376,0.0030546603,0.0263775,0.0000018725415,0.000009942348,0.000013073021,0.000300602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853235,0.00008914401,0.0006047324,0.000101680074,0.0005392451,0.00013285737],"domain_scores_gemma":[0.9889111,0.00071175914,0.00029088501,0.00014683831,0.009909167,0.000030230403],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0005949845,0.000120078446,0.00018809954,0.00010834006,0.00011302458,0.0006582445,0.00079542556,0.000043706754,0.00043635943],"category_scores_gemma":[0.015156052,0.000075927186,0.000155936,0.000035929217,0.00029639012,0.000100252706,0.000055343953,0.00038657885,0.0000074908444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026729904,0.00055366004,0.0004343206,0.000013302913,0.000260643,0.00019253019,0.099402696,0.000003413252,0.0000122886995,0.8339399,0.062720165,0.0021997453],"study_design_scores_gemma":[0.00057075464,0.00038487712,0.00060828205,0.00035997736,0.000032296288,0.0000131166325,0.0035327296,0.000040326304,0.00014060455,0.0073658293,0.9868333,0.00011791892],"about_ca_topic_score_codex":0.00009376498,"about_ca_topic_score_gemma":0.0012548005,"teacher_disagreement_score":0.9241131,"about_ca_system_score_codex":0.000029508476,"about_ca_system_score_gemma":0.00006508025,"threshold_uncertainty_score":0.9931397},"labels":[],"label_agreement":null},{"id":"W2795177605","doi":"10.15353/cjds.v7i1.405","title":"Review of Berger, The Disarticulate: Language, Disability, and the Narratives of Modernity (2017).","year":2018,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Modernity; Narrative; Assertion; Disability studies; Articulation (sociology); Sociology; Psychoanalysis; Late modernity; Gender studies; The Symbolic; Order (exchange); Aesthetics; Psychology; Epistemology; Linguistics; Philosophy; Anthropology; Law; Political science","score_opus":0.04927535660556927,"score_gpt":0.3049918176316107,"score_spread":0.25571646102604145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2795177605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7042615,0.25842115,0.0000014292658,0.031420644,0.00037919328,0.0002872263,0.00009449596,0.0000025986083,0.0051317792],"genre_scores_gemma":[0.9978771,0.0009891326,0.0000074624027,0.00063725817,0.00033364777,0.000004836196,0.0000010205491,0.000005023297,0.00014452222],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99865913,0.0003259895,0.0006099817,0.000103891376,0.0001492983,0.00015167802],"domain_scores_gemma":[0.9982997,0.0004179969,0.00026510097,0.00031756336,0.0005997324,0.000099899946],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012174849,0.00012563121,0.00050916016,0.000016350754,0.0003644892,0.000040349547,0.00022525896,0.000019218429,0.0002189291],"category_scores_gemma":[0.00089695153,0.00005776685,0.0001879657,0.00005011943,0.012693068,0.00018785177,0.00004102916,0.00015364711,7.473683e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019280316,0.0001488985,0.016420554,0.00409561,0.0008305963,0.0000052494274,0.78395253,2.788865e-7,0.0000099555655,0.16697831,0.023681676,0.0036835019],"study_design_scores_gemma":[0.0022625169,0.00094533537,0.034250204,0.010130826,0.0010136781,0.000062973595,0.657665,0.000014484749,0.00014901694,0.10186698,0.19107479,0.0005641546],"about_ca_topic_score_codex":0.0018369567,"about_ca_topic_score_gemma":0.11757553,"teacher_disagreement_score":0.29361564,"about_ca_system_score_codex":0.00003937995,"about_ca_system_score_gemma":0.00010498094,"threshold_uncertainty_score":0.9899938},"labels":[],"label_agreement":null},{"id":"W2799800832","doi":"10.16995/olh.240","title":"Economies of Reputation: Jonathan Franzen’s Purity and Practices of Disclosure in the Information Age","year":2018,"lang":"en","type":"article","venue":"Open Library of Humanities","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Marxist philosophy; Ideology; Technocracy; Political science; Sociology; Law; Politics","score_opus":0.04895801112149191,"score_gpt":0.2709217266860035,"score_spread":0.2219637155645116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799800832","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5131367,0.00046393526,3.0679465e-7,0.0007354488,0.00007096517,0.00020275642,0.0000993451,0.0000054915813,0.48528507],"genre_scores_gemma":[0.9970032,0.000033130626,0.000065398235,0.00039948366,0.00014669025,0.000013086031,0.000071031136,0.0000050217773,0.0022629825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925554,0.000084454325,0.00041927685,0.00007414121,0.0000985413,0.00006806024],"domain_scores_gemma":[0.9991532,0.00015361827,0.00046136064,0.00016325651,0.00005956293,0.000009018272],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021868409,0.00008416177,0.00021064981,0.00010399344,0.00012201249,0.00047661655,0.00032409778,0.000026813694,0.001235592],"category_scores_gemma":[0.000023206783,0.00006005924,0.000032858425,0.000025862544,0.0006424944,0.008516971,0.00011673649,0.00007352764,0.0000018809859],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006650149,0.000041920386,0.0008161528,0.00017238349,0.000017488857,0.0000013833852,0.22149664,5.8893296e-8,0.0000039010397,0.77371687,0.0031104758,0.0005562129],"study_design_scores_gemma":[0.0005993769,0.0006393128,0.013568479,0.000260223,0.000032553187,0.0000043380546,0.17605805,0.00000978533,0.00077180495,0.08981163,0.71807003,0.00017441124],"about_ca_topic_score_codex":0.00036107237,"about_ca_topic_score_gemma":0.00095700833,"teacher_disagreement_score":0.71495956,"about_ca_system_score_codex":0.0000015871008,"about_ca_system_score_gemma":0.00003458622,"threshold_uncertainty_score":0.9996774},"labels":[],"label_agreement":null},{"id":"W2799876589","doi":"10.2307/25515593","title":"Reflections in Jennifer Johnston's \"This Is Not a Novel\"","year":2005,"lang":"en","type":"article","venue":"The Canadian Journal of Irish Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Psychoanalysis; Psychology","score_opus":0.13215124332547512,"score_gpt":0.3335332939785841,"score_spread":0.201382050653109,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799876589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08275594,0.030819526,0.0000054667416,0.21570617,0.0019709573,0.00019102177,0.000099012235,0.0000147781975,0.6684371],"genre_scores_gemma":[0.9687225,0.0000931956,0.000050434046,0.008739521,0.0014897232,0.0000033072972,4.1898943e-7,0.000009556446,0.020891316],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999193,0.00003357405,0.00033852612,0.00007655831,0.00013189275,0.00022644979],"domain_scores_gemma":[0.99923736,0.00007814902,0.000102018996,0.000115802446,0.00034806604,0.00011862438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033175392,0.00011055442,0.00022311274,0.00025901842,0.00060242583,0.0001902321,0.00018403587,0.000028340633,0.00081939134],"category_scores_gemma":[0.00008132869,0.00007224596,0.000103836275,0.00007352853,0.00030958757,0.00029724606,0.00001210504,0.00034137498,0.000027704795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019489184,0.000024573179,0.00009124957,0.000011031624,0.00019752063,0.00007142127,0.2580905,0.0000041878134,0.000018818555,0.04765457,0.6919571,0.0018595298],"study_design_scores_gemma":[0.0002643131,0.000058906262,0.00024508804,0.00008935552,0.000035126377,0.000048831633,0.00959636,0.0000024799945,0.00003396828,0.0006306563,0.9889016,0.00009329573],"about_ca_topic_score_codex":0.005673437,"about_ca_topic_score_gemma":0.6540505,"teacher_disagreement_score":0.8859666,"about_ca_system_score_codex":0.00015759248,"about_ca_system_score_gemma":0.00031856433,"threshold_uncertainty_score":0.897176},"labels":[],"label_agreement":null},{"id":"W2801217968","doi":"10.1007/978-3-319-77078-9_13","title":"Intimidated Thought: The Novelistic Conditions of Modernism","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Expansive; Modernism (music); Epistemology; Reading (process); Philosophy; Reflection (computer programming); Aesthetics; Linguistics; Computer science","score_opus":0.048597646255066525,"score_gpt":0.23981917198300826,"score_spread":0.19122152572794174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801217968","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012213856,0.00041836183,0.00012713246,0.00056900515,0.0005243062,0.00019945826,0.0008689539,0.000060139555,0.99722046],"genre_scores_gemma":[0.07175301,0.0000118588305,0.000024651628,0.0010783212,0.0011075358,0.000007520259,0.00037801726,0.000034904962,0.92560416],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991789,0.000010480291,0.00033546382,0.00018681656,0.00017239228,0.00011597925],"domain_scores_gemma":[0.99903375,0.00009016127,0.00013256613,0.00039785347,0.00031364468,0.000031998887],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006764811,0.00022199977,0.00027402278,0.000078948564,0.0002119482,0.0001383418,0.00023406681,0.00011715306,0.06635541],"category_scores_gemma":[0.000007856484,0.00013486521,0.00016344004,0.0000047268272,0.0007098144,0.00010657983,0.000058841782,0.00023294253,0.00045330112],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051931033,0.000011267664,2.4789987e-8,0.000026033476,0.000080275575,0.0000034481147,0.004482604,5.7827634e-8,0.0000047391386,0.8795349,0.11578709,0.00006438958],"study_design_scores_gemma":[0.00007624539,0.00003986017,2.7930042e-7,0.00011097126,0.00009106554,0.000002497192,0.00018959588,0.000026405003,0.000013335782,0.22922006,0.77008784,0.00014184065],"about_ca_topic_score_codex":0.00002298311,"about_ca_topic_score_gemma":0.00035157922,"teacher_disagreement_score":0.65430075,"about_ca_system_score_codex":0.000007966585,"about_ca_system_score_gemma":0.000047391637,"threshold_uncertainty_score":0.9344981},"labels":[],"label_agreement":null},{"id":"W2802301088","doi":"10.1111/lic3.12459","title":"Neo‐Victorian f(r)iction: Critical conversations and fictional narratives","year":2018,"lang":"en","type":"article","venue":"Literature Compass","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Narrative; Globe; Postmodernism; Rigour; Scope (computer science); Victorian literature; Literature; Victorian era; Sociology; Aesthetics; History; Psychology; Psychoanalysis; Media studies; Art; Epistemology; Philosophy; Computer science","score_opus":0.02070159284521773,"score_gpt":0.25535163493601365,"score_spread":0.23465004209079593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802301088","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03609779,0.0059092655,0.0009758725,0.04840796,0.014078363,0.00042226005,0.00064873934,0.0005079979,0.8929517],"genre_scores_gemma":[0.9825047,0.0000036650388,0.00028530182,0.0015301273,0.0068246336,0.000018755307,0.00012067857,0.000013620853,0.008698503],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990777,0.00007181141,0.00020997565,0.0002802337,0.00016167173,0.00019861794],"domain_scores_gemma":[0.9991199,0.00011940066,0.00003116302,0.00017856217,0.00043340164,0.00011758402],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007495523,0.00017766767,0.00016942204,0.000101092075,0.00073251,0.0009608487,0.00009279644,0.000079115634,0.0024331242],"category_scores_gemma":[0.000031119598,0.0001522615,0.00006151036,0.00007523466,0.0005949177,0.0007220006,0.000032198106,0.00024973653,0.0000617435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037571775,0.00003792653,0.00006063379,0.00002125485,0.000023869514,0.000010200233,0.10106818,1.64706e-8,0.000042783315,0.87404,0.024590144,0.000067407025],"study_design_scores_gemma":[0.00026088377,0.00018135742,0.0003534568,0.00010027547,0.000014389539,0.000029250823,0.0026059148,0.000055217362,0.000026984408,0.024338221,0.9718496,0.00018442258],"about_ca_topic_score_codex":0.0000037488683,"about_ca_topic_score_gemma":0.00007259743,"teacher_disagreement_score":0.9472595,"about_ca_system_score_codex":0.00001429725,"about_ca_system_score_gemma":0.000026157311,"threshold_uncertainty_score":0.9984788},"labels":[],"label_agreement":null},{"id":"W2803154684","doi":"10.1177/0148333117731582","title":"David Foster Wallace’s Evangelicals: The Other Postsecularism","year":2018,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Secularization; Reading (process); Politics; Context (archaeology); Religious studies; Transformational leadership; Sociology; Theology; Philosophy; Political science; Law; History; Archaeology","score_opus":0.02322434147904145,"score_gpt":0.24352085206546153,"score_spread":0.22029651058642008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803154684","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030688459,0.045615926,0.00011274807,0.044645008,0.0044047716,0.0010597031,0.00091633963,0.0005009121,0.8720561],"genre_scores_gemma":[0.8753627,0.000015494687,0.000050269773,0.024831027,0.008701963,0.00003633065,0.00012899544,0.000059422397,0.090813816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983487,0.00017111211,0.00032487075,0.00042519628,0.0003090474,0.00042105184],"domain_scores_gemma":[0.99841267,0.00011279008,0.00008669909,0.000769918,0.0004890141,0.00012892661],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002971121,0.00034234684,0.00026364153,0.000080790465,0.0007595042,0.0017061988,0.0005081816,0.00018669196,0.0042874734],"category_scores_gemma":[0.00007480615,0.00020881496,0.00021315184,0.000119440294,0.0004459394,0.0005150195,0.00012256984,0.00065210456,0.0007784675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084357955,0.00010252934,0.000021788734,0.00005586254,0.000086243046,0.00006535296,0.11378541,1.27045094e-8,0.00024395723,0.23075435,0.6523337,0.002466446],"study_design_scores_gemma":[0.0002982309,0.0001436851,0.00008406036,0.00018827018,0.000048489826,0.000029657478,0.0007553783,0.000013673036,0.00016424559,0.005513776,0.99245983,0.00030069405],"about_ca_topic_score_codex":0.00009053702,"about_ca_topic_score_gemma":0.0007841665,"teacher_disagreement_score":0.8446742,"about_ca_system_score_codex":0.00003526709,"about_ca_system_score_gemma":0.00004401391,"threshold_uncertainty_score":0.9999995},"labels":[],"label_agreement":null},{"id":"W2805922282","doi":"10.28968/cftt.v4i1.29632","title":"To Mourn, To Re-imagine Without Oneself: Death, Dying, and Social Media/tion","year":2018,"lang":"en","type":"article","venue":"Catalyst Feminism Theory Technoscience","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Politics; Body politic; Victory; Sociology; Sovereignty; The Imaginary; Aesthetics; Democracy; Gender studies; Political science; Law; Psychoanalysis; Psychology; Philosophy","score_opus":0.030830152664953543,"score_gpt":0.2660517429926604,"score_spread":0.23522159032770684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805922282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6116884,0.00037159282,0.0072965412,0.008079205,0.0022163133,0.00095853256,0.00016645016,0.0008978135,0.36832517],"genre_scores_gemma":[0.9910341,0.000001306988,0.00028688918,0.0027753597,0.00086692866,0.00005049177,0.000015923251,0.000022302547,0.0049466887],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848026,0.000036950776,0.00026095106,0.00052830623,0.00031735588,0.00037615432],"domain_scores_gemma":[0.99911684,0.000090503345,0.000063375286,0.0003614837,0.00019685153,0.00017094289],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007641535,0.00021844589,0.00023888484,0.00029764164,0.00093197636,0.0004067076,0.0004931133,0.00007039547,0.00021879697],"category_scores_gemma":[0.00016521431,0.00018698485,0.000044023902,0.00021141132,0.0009154981,0.00041822816,0.00022672467,0.00016260869,0.00016276067],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039802188,0.00003534284,0.00003695492,0.0000141666105,0.0000055324704,0.000011021957,0.1598177,1.783781e-8,0.0062145283,0.8226976,0.0022450604,0.008882311],"study_design_scores_gemma":[0.00071099383,0.0006965284,0.00033901702,0.00024025075,0.000107371714,0.00005861331,0.06996351,0.000043987988,0.03854367,0.18179628,0.70609,0.0014098205],"about_ca_topic_score_codex":0.000016888887,"about_ca_topic_score_gemma":0.00013985066,"teacher_disagreement_score":0.7038449,"about_ca_system_score_codex":0.00003405168,"about_ca_system_score_gemma":0.000044583616,"threshold_uncertainty_score":0.7625021},"labels":[],"label_agreement":null},{"id":"W2808755305","doi":"10.1525/ncl.2018.73.1.30","title":"Seeing “No Guiltless Minds”","year":2018,"lang":"en","type":"article","venue":"Nineteenth-Century Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Depiction; Liability; Sociology; Narrative; Identity (music); Inheritance (genetic algorithm); Law; Analogy; Aesthetics; Political science; Epistemology; Literature; Philosophy","score_opus":0.012268420552195335,"score_gpt":0.21686473045570212,"score_spread":0.20459630990350677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808755305","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039187867,0.022156117,0.000014828639,0.0010544258,0.008950712,0.00044243882,0.00038224098,0.0003926987,0.92741865],"genre_scores_gemma":[0.9156809,0.00008489412,0.00023190866,0.0034708714,0.013259117,0.00002781447,0.00047309833,0.00006189599,0.0667095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794096,0.000093584036,0.00043915864,0.00056899706,0.0003651971,0.0005921139],"domain_scores_gemma":[0.9982667,0.000058547634,0.00011489181,0.0006406592,0.000724189,0.00019498917],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016169818,0.00042803952,0.00034800163,0.00019486294,0.000528499,0.0013105599,0.00046017938,0.00020034914,0.006663191],"category_scores_gemma":[0.000056466724,0.00034716976,0.00021504734,0.00015849705,0.00034396636,0.00084110757,0.0001226935,0.00051298155,0.0010092971],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016694327,0.00017746487,0.0001383723,0.00013949205,0.00010638545,0.00015076112,0.059469543,7.440962e-8,0.00068591745,0.5365636,0.3961239,0.006277566],"study_design_scores_gemma":[0.000570846,0.0002264298,0.00006181284,0.00039300753,0.000034717486,0.00001995918,0.0007345978,0.00003507206,0.00023000651,0.00061663904,0.9966333,0.00044361883],"about_ca_topic_score_codex":0.000010665291,"about_ca_topic_score_gemma":0.00005201666,"teacher_disagreement_score":0.87649304,"about_ca_system_score_codex":0.000031893127,"about_ca_system_score_gemma":0.000039535855,"threshold_uncertainty_score":0.999898},"labels":[],"label_agreement":null},{"id":"W2809440750","doi":"10.7939/r3kw5801s","title":"Precarity and the Historicity of the Present: American Literature and Culture from Long Boom to Long Downturn","year":2018,"lang":"en","type":"article","venue":"University of Alberta Library","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Precarity; Historicity (philosophy); Boom; Recession; Austerity; Political science; Sociology; History; Aesthetics; Economics; Gender studies; Keynesian economics; Philosophy; Engineering; Law; Politics","score_opus":0.005428234313484724,"score_gpt":0.15893972341115786,"score_spread":0.15351148909767315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809440750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9001054,0.0029770818,0.000008313882,0.008699103,0.00019557338,0.00026153328,0.0000962826,0.000015522624,0.087641165],"genre_scores_gemma":[0.9617581,0.000052991825,0.000051797208,0.00047752375,0.00025749992,1.6598928e-7,0.000019334904,0.0000057496677,0.03737685],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943745,0.00009665527,0.00009322206,0.000176493,0.000102094375,0.00009405661],"domain_scores_gemma":[0.9994069,0.00014701941,0.00008606867,0.000248111,0.00005385592,0.000058080677],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003090745,0.00010662126,0.00019872964,0.000034461398,0.00030261435,0.00009518691,0.00027121985,0.000041202595,0.00027665717],"category_scores_gemma":[0.000012844514,0.00006521569,0.00007176298,0.00007746116,0.0011848372,0.0005905716,0.00027555943,0.00014619355,0.0000012171851],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006374139,0.00005422333,0.02700715,0.00006535671,0.00013802579,0.000007677242,0.8087345,1.119399e-7,0.000017935894,0.099391185,0.06266119,0.0012852775],"study_design_scores_gemma":[0.00087975065,0.00015418603,0.044450678,0.0002429486,0.00011666224,0.0000027488852,0.0045900717,0.000023657482,0.00024136346,0.0036901021,0.9454176,0.00019026405],"about_ca_topic_score_codex":0.0051685595,"about_ca_topic_score_gemma":0.0050827265,"teacher_disagreement_score":0.88275635,"about_ca_system_score_codex":0.000005008174,"about_ca_system_score_gemma":0.000019426825,"threshold_uncertainty_score":0.781335},"labels":[],"label_agreement":null},{"id":"W2809708265","doi":"10.29173/jjs126","title":"In Search of the Authorial Self","year":2018,"lang":"en","type":"article","venue":"Journal of Juvenilia Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Creativity; Hyperbole; Literature; Poetry; World literature; History; Aesthetics; Art; Psychology; Metaphor; Philosophy; Social psychology; Linguistics","score_opus":0.05505863622771509,"score_gpt":0.3122680006027369,"score_spread":0.25720936437502184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809708265","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9363206,0.0056894706,0.0000012936017,0.0073961546,0.0070162304,0.000106090425,0.000008142884,0.000005909561,0.043456115],"genre_scores_gemma":[0.9933149,0.000040204515,0.0000336706,0.00019440918,0.002935427,6.7179e-7,4.3924928e-8,0.00000436182,0.003476284],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991648,0.00007847682,0.00038158338,0.000050630086,0.00022184738,0.00010264237],"domain_scores_gemma":[0.9991434,0.0000892219,0.00013441025,0.00009071449,0.0005244826,0.000017729533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043898507,0.000066142915,0.00023771032,0.000078133926,0.00012100952,0.00002735624,0.00016513723,0.000019339168,0.00012217536],"category_scores_gemma":[0.00008144034,0.000035985293,0.00011165264,0.00005048418,0.00029920627,0.00019780932,0.00006043806,0.00017496287,0.000004189099],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022106197,0.00021652976,0.0011470931,0.00010879061,0.0003585543,0.00004792226,0.49042276,3.7954646e-7,0.00032218537,0.39948416,0.106981725,0.0006888404],"study_design_scores_gemma":[0.0009925956,0.00067536085,0.0011194583,0.0003443376,0.00007144743,0.000023467053,0.028038956,0.0000044856893,0.0018426101,0.0156539,0.95112467,0.00010872079],"about_ca_topic_score_codex":0.000011610624,"about_ca_topic_score_gemma":0.0002700184,"teacher_disagreement_score":0.8441429,"about_ca_system_score_codex":0.000021562093,"about_ca_system_score_gemma":0.00006006342,"threshold_uncertainty_score":0.14674377},"labels":[],"label_agreement":null},{"id":"W28582243","doi":"10.2196/rehab.4812","title":"Two or three things I know about Kanai Mieko's transtextuality","year":2007,"lang":"en","type":"article","venue":"JMIR Rehabilitation and Assistive Technologies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02277741245654498,"score_gpt":0.29164072265533747,"score_spread":0.2688633101987925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W28582243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6634418,0.007094089,0.0032128308,0.030062271,0.0007238096,0.0023662387,0.00017268778,0.0042470163,0.2886793],"genre_scores_gemma":[0.9961461,0.00001502329,0.0012924282,0.0003221424,0.00008357674,0.00010022512,0.000013817277,0.000014711033,0.002011989],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874204,0.00003738997,0.00038644377,0.00037941802,0.00018338677,0.000271309],"domain_scores_gemma":[0.9986359,0.00075273716,0.0000959421,0.00027112555,0.00020265888,0.00004165866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004868869,0.00021815907,0.00026793964,0.00022046776,0.00037335302,0.00021675866,0.00016637109,0.0001217791,0.00021832736],"category_scores_gemma":[0.00034618788,0.00015534279,0.00009852573,0.000118937765,0.0011683886,0.0006031799,0.000049695165,0.00027860794,0.0000151669055],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014313217,0.00010569413,0.0018740587,0.000099087585,0.000024421368,0.00001019268,0.014261778,2.4190383e-8,0.00008495156,0.8164777,0.0012069283,0.16571201],"study_design_scores_gemma":[0.0012782227,0.00096083904,0.05240942,0.00038419318,0.000039517985,0.000007086541,0.14474238,0.000020779878,0.0002731111,0.094294146,0.7050016,0.0005887029],"about_ca_topic_score_codex":0.000055410725,"about_ca_topic_score_gemma":0.0018449188,"teacher_disagreement_score":0.7221836,"about_ca_system_score_codex":0.000037867812,"about_ca_system_score_gemma":0.000026988693,"threshold_uncertainty_score":0.63346946},"labels":[],"label_agreement":null},{"id":"W2883245556","doi":"10.4000/ejas.13191","title":"Good Work and Good Works: Work and the Postsecular in George Saunders’s CivilWarLand in Bad Decline","year":2018,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Red Deer Polytechnic","funders":"","keywords":"Postmodernism; Power (physics); Christianity; Sociology; Agency (philosophy); Metaphor; Sermon; Aesthetics; Philosophy; Religious studies; Theology; Social science; Epistemology","score_opus":0.021808833520660213,"score_gpt":0.2435748273650887,"score_spread":0.2217659938444285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883245556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93013716,0.031177888,0.000016652459,0.011911483,0.00029375893,0.00011817096,0.0000026565554,0.0000092208875,0.02633301],"genre_scores_gemma":[0.99594593,0.0011009758,0.00006858203,0.0016723168,0.0007026971,0.0000011632344,4.7166242e-7,0.000019639116,0.00048825255],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998417,0.0005341702,0.0005172422,0.00015696624,0.00015915473,0.00021547606],"domain_scores_gemma":[0.9990935,0.000326194,0.00025846818,0.00012484602,0.00013738636,0.0000596413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012276036,0.00017694266,0.00047920708,0.00014632221,0.00017597675,0.00022054266,0.00015195133,0.000008855875,0.000017691325],"category_scores_gemma":[0.00012427244,0.00010607154,0.00006420097,0.00017207999,0.0018443592,0.00020028985,0.00016286402,0.00032462104,0.000003383026],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004125429,0.00034835938,0.21158516,0.00007433935,0.0011381246,0.0020174135,0.6074399,0.0000019766203,0.0000071596587,0.057373557,0.01235813,0.10353048],"study_design_scores_gemma":[0.00871798,0.0018475861,0.26673982,0.002424712,0.00020214489,0.0000924295,0.16982108,0.0000031248107,0.000003928712,0.0027743033,0.54670143,0.000671478],"about_ca_topic_score_codex":0.000017567385,"about_ca_topic_score_gemma":0.0005293968,"teacher_disagreement_score":0.5343433,"about_ca_system_score_codex":0.000015059259,"about_ca_system_score_gemma":0.0000140229085,"threshold_uncertainty_score":0.67956185},"labels":[],"label_agreement":null},{"id":"W2884794045","doi":"10.3138/cjfs.26.2.2017-0006","title":"“It’s Over”: Reflexivity in Don McKellar’s <i>Last Night</i>","year":2017,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08000128351196924,"score_gpt":0.3228779930916806,"score_spread":0.24287670957971136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884794045","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11060414,0.4002301,0.0000017344677,0.08896194,0.016419865,0.00020209252,0.0005570737,0.0000059509575,0.3830171],"genre_scores_gemma":[0.9197883,0.00450941,0.000023079634,0.0026813862,0.0029111432,0.000002709365,0.0000028029715,0.000027051818,0.07005414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811196,0.00012451099,0.0007274575,0.00020803901,0.00022256101,0.00060548284],"domain_scores_gemma":[0.9979004,0.00013153694,0.0005234162,0.00041686228,0.0005125588,0.0005151711],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00064438506,0.00030836725,0.00070195884,0.00033031835,0.0018107303,0.0009900413,0.00054359855,0.00013720458,0.00080931507],"category_scores_gemma":[0.00039044666,0.00027900515,0.0002594355,0.000038480004,0.0012312873,0.0011195809,0.00005777997,0.00071658724,0.000028512224],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054728338,0.000067640205,0.009313412,0.0003720131,0.00047334362,0.005618469,0.08926707,0.000003075219,0.0000054804113,0.1584491,0.7313761,0.004999537],"study_design_scores_gemma":[0.0007157567,0.00025039184,0.005000884,0.0021240788,0.000096744814,0.00008226143,0.0121466145,0.0000029688263,0.000015137843,0.0036234562,0.9756506,0.00029108854],"about_ca_topic_score_codex":0.016679209,"about_ca_topic_score_gemma":0.86530596,"teacher_disagreement_score":0.84862673,"about_ca_system_score_codex":0.0002703815,"about_ca_system_score_gemma":0.0009627462,"threshold_uncertainty_score":0.9999662},"labels":[],"label_agreement":null},{"id":"W2887100548","doi":"","title":"Alan Hill - Poetry","year":2018,"lang":"en","type":"article","venue":"Canadian literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; Philosophy; History","score_opus":0.011515463932182037,"score_gpt":0.18999548157667098,"score_spread":0.17848001764448895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887100548","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010567102,0.003480841,0.000001690468,0.0048286114,0.0021694012,0.00012486771,0.0006320692,0.000086331595,0.97810906],"genre_scores_gemma":[0.88480705,0.000002179876,0.000019541378,0.014231465,0.005420609,0.0000061629,0.00023397815,0.00002184917,0.09525717],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990924,0.000038822,0.00015392894,0.0002386432,0.000096309464,0.00037987498],"domain_scores_gemma":[0.9989922,0.000016766158,0.00002404571,0.00030256953,0.00023338025,0.00043101012],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009250493,0.0001656629,0.0001317159,0.00021847646,0.0004006702,0.00085061096,0.00019400132,0.0001122748,0.0056609577],"category_scores_gemma":[0.000024374433,0.00014240584,0.000074562,0.00009142999,0.00020201948,0.00039340323,0.000011921171,0.00026310078,0.00046878122],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004260049,0.000005069344,0.00005608997,0.000011166804,0.000012552198,0.00010424435,0.02970926,2.692306e-9,0.000011695433,0.6548261,0.31397644,0.0012831241],"study_design_scores_gemma":[0.00011393298,0.000057338948,0.000107538304,0.000091926486,0.000007812587,0.000018875297,0.00051307393,0.000005735903,0.000022935134,0.0038352753,0.9950276,0.00019798061],"about_ca_topic_score_codex":0.004157348,"about_ca_topic_score_gemma":0.23158813,"teacher_disagreement_score":0.8828519,"about_ca_system_score_codex":0.000046293288,"about_ca_system_score_gemma":0.00015510591,"threshold_uncertainty_score":0.995248},"labels":[],"label_agreement":null},{"id":"W2887430688","doi":"10.3968/10305","title":"The Unconsoled : The Modern Rogue Trapped in Traumas","year":2018,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Consolation; Shadow (psychology); Narrative; Psychoanalysis; Loneliness; Wife; Psychology; Solitude; Learned helplessness; History; Literature; Social psychology; Psychotherapist; Philosophy; Art; Theology","score_opus":0.030515885380070485,"score_gpt":0.29448382224605973,"score_spread":0.26396793686598924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887430688","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41194513,0.3680704,0.0000017943645,0.0062347753,0.0012882052,0.0004805333,0.00005737511,0.0000537592,0.21186802],"genre_scores_gemma":[0.9857347,0.0004336853,0.0000056101603,0.0014184789,0.0010319031,0.000044587043,0.000008295471,0.000010264301,0.011312488],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910635,0.00011479777,0.0002279046,0.00019964282,0.00010069063,0.00025062697],"domain_scores_gemma":[0.99938256,0.00026254254,0.00003222754,0.0002321951,0.000069137626,0.000021321579],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034095062,0.00016149886,0.00019186117,0.00006132549,0.00044676306,0.00033287174,0.00016101034,0.00004528636,0.000032203745],"category_scores_gemma":[0.000052760803,0.00007628081,0.000046925063,0.000101480575,0.0007675791,0.00017684442,0.00005763906,0.00030682838,0.0000034668765],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059274185,0.000022215132,0.00005341843,0.000028489641,0.00004125445,0.00007197123,0.81914467,4.2688164e-8,0.000017838123,0.16476646,0.006154413,0.0096399775],"study_design_scores_gemma":[0.0010244027,0.0001743662,0.00042898132,0.00049952214,0.000025198262,0.000017422008,0.15830256,0.000062801824,0.00004378219,0.0401924,0.7989356,0.0002929391],"about_ca_topic_score_codex":0.000044022687,"about_ca_topic_score_gemma":0.01411321,"teacher_disagreement_score":0.79278123,"about_ca_system_score_codex":0.000011569156,"about_ca_system_score_gemma":0.000011046903,"threshold_uncertainty_score":0.7875503},"labels":[],"label_agreement":null},{"id":"W2887995853","doi":"10.5539/ells.v8n3p6","title":"Virginia Woolf Established a Strong Human Relationship Through Effective Characterization in her Novel, “To the Lighthouse”","year":2018,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; Feeling; Aesthetics; Presentation (obstetrics); Maturity (psychological); Consciousness; Reading (process); Appeal; Simple (philosophy); Creativity; Sociology; Psychology; Epistemology; History; Philosophy; Social psychology; Political science; Law; Linguistics","score_opus":0.01811730164234517,"score_gpt":0.2756220020322703,"score_spread":0.2575047003899251,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887995853","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9543154,0.007494166,0.00004223215,0.0010403761,0.0011256397,0.00068595866,0.00020888125,0.0001293975,0.034957897],"genre_scores_gemma":[0.98857343,0.000011535858,0.00004927299,0.0008918503,0.0046586655,0.00012627861,0.00015452976,0.000024960407,0.0055094846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891555,0.00012575145,0.00024882183,0.00032750732,0.00013775335,0.0002446199],"domain_scores_gemma":[0.9991683,0.00018556644,0.00006150978,0.00024137765,0.00030521347,0.0000380684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026968878,0.00023158708,0.00026051176,0.00012242947,0.0006141782,0.00071025535,0.000121460886,0.000060515642,0.000066507724],"category_scores_gemma":[0.00026908054,0.00014932276,0.00004756914,0.00021053702,0.00019445913,0.00090032216,0.00008719999,0.00033497048,0.000007640215],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003227919,0.000036532365,0.00041806893,0.000031567753,0.000046780067,0.000020869127,0.8270577,1.05517636e-7,0.00025910808,0.16998526,0.0017583029,0.00035340973],"study_design_scores_gemma":[0.0015810822,0.0004426482,0.012376379,0.0010616088,0.00008104649,0.0000068199784,0.27862042,0.0000061235264,0.00024626372,0.0011327749,0.70384526,0.000599541],"about_ca_topic_score_codex":0.000026403797,"about_ca_topic_score_gemma":0.0015219176,"teacher_disagreement_score":0.702087,"about_ca_system_score_codex":0.000021990989,"about_ca_system_score_gemma":0.0000074848476,"threshold_uncertainty_score":0.6849008},"labels":[],"label_agreement":null},{"id":"W2888440617","doi":"10.3968/10388","title":"Parental Crisis in Marsha Norman’s ‘night, Mothe r: a Lacanian-Feministic Reading","year":2018,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; The Symbolic; Patriarchy; Reading (process); Psychoanalysis; Autonomy; Order (exchange); Sociology; Psychology; Literature; Gender studies; Art; Philosophy; Law; Linguistics; Political science","score_opus":0.023122503512397922,"score_gpt":0.29790188532580636,"score_spread":0.27477938181340844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2888440617","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5727733,0.06623559,0.0000012729193,0.0008817284,0.0013666897,0.00032993374,0.00022153446,0.00008329373,0.35810667],"genre_scores_gemma":[0.99041283,0.00015089069,0.000038349546,0.002274087,0.0012701903,0.000029760187,0.00003017793,0.00001655126,0.005777167],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894303,0.00006102872,0.00028712474,0.00030031832,0.00011468786,0.00029379997],"domain_scores_gemma":[0.9995789,0.000085820604,0.000041558007,0.00018605986,0.00006485367,0.00004281824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019259627,0.00021261002,0.00030992768,0.000207385,0.00017491975,0.00022810836,0.00011005707,0.00006677966,0.0002152212],"category_scores_gemma":[0.00004535421,0.00015894818,0.00004640164,0.00012249015,0.00028662055,0.00031050784,0.00009001453,0.00027079016,0.000013576488],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006794968,0.00005267854,0.0011340842,0.00016893283,0.000046491572,0.00050260534,0.8554203,1.4491596e-8,0.000028008573,0.12527515,0.016315784,0.0009880019],"study_design_scores_gemma":[0.0013979424,0.0004138294,0.0014715263,0.0019326244,0.0000542925,0.00006785699,0.34302422,0.00002561949,0.000075866665,0.0072790054,0.643529,0.0007282419],"about_ca_topic_score_codex":0.00009347907,"about_ca_topic_score_gemma":0.0035106593,"teacher_disagreement_score":0.6272132,"about_ca_system_score_codex":0.00003328161,"about_ca_system_score_gemma":0.000009593198,"threshold_uncertainty_score":0.64817184},"labels":[],"label_agreement":null},{"id":"W2890381232","doi":"10.1093/acrefore/9780190201098.013.415","title":"The Contemporary Anglophone Romance Genre","year":2018,"lang":"en","type":"reference-entry","venue":"Oxford Research Encyclopedia of Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Audience measurement; Literature; Publishing; Tone (literature); History; Art; Advertising; Law; Political science; Business","score_opus":0.06259625253914022,"score_gpt":0.3159118971513243,"score_spread":0.25331564461218403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890381232","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002747796,0.22835858,9.0423373e-7,0.001242532,0.0042562257,0.0008070684,0.0019718348,0.000070542636,0.76301754],"genre_scores_gemma":[0.0040506674,0.26299047,0.00003745792,0.0001743445,0.012238581,0.00018077869,0.0017061953,0.00010541881,0.7185161],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941157,0.000789041,0.0010871676,0.0009254907,0.0019190572,0.0011635167],"domain_scores_gemma":[0.99386346,0.00114317,0.00039857664,0.0015817174,0.0027104109,0.00030263863],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00159012,0.000725674,0.0009357184,0.0005462919,0.0015665772,0.0017624397,0.0018445804,0.00079981633,0.00096659723],"category_scores_gemma":[0.00043331657,0.00044936154,0.0004724229,0.00059937197,0.0020308888,0.0007096358,0.00053320726,0.0036712524,0.00010148991],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021591844,0.00010792826,0.000018698473,0.00089671445,0.00016654881,0.0001798713,0.01743198,5.704421e-9,4.3427005e-7,0.08344045,0.8705078,0.027033655],"study_design_scores_gemma":[0.00039354086,0.00047367785,0.000025235848,0.0034044955,0.000026819096,0.000009792031,0.0018350686,0.0000014388752,0.000004795918,0.0073488425,0.98599404,0.00048227416],"about_ca_topic_score_codex":0.00006766771,"about_ca_topic_score_gemma":0.00036082155,"teacher_disagreement_score":0.11548623,"about_ca_system_score_codex":0.000087445624,"about_ca_system_score_gemma":0.0011731003,"threshold_uncertainty_score":0.99994665},"labels":[],"label_agreement":null},{"id":"W2892823431","doi":"10.15781/t2vt1h738","title":"Infinite majesty : disabled and athletic métis in David Foster Wallace’s tennis writing","year":2018,"lang":"en","type":"dissertation","venue":"Texas ScholarWorks (Texas Digital Library)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Majesty; Art history; Art; Visual arts; Psychology; Political science; Law","score_opus":0.01476852185997261,"score_gpt":0.22286104921891312,"score_spread":0.20809252735894052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892823431","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3662565,0.004306104,9.593593e-7,0.0010179849,0.0008223821,0.0006585698,0.00056481676,0.00032257685,0.6260501],"genre_scores_gemma":[0.71299547,0.00009047043,0.000067307636,0.0011007348,0.0012469932,0.00003910773,0.0055679274,0.00022152536,0.2786705],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962468,0.00011052101,0.0011583957,0.0010797866,0.0004838766,0.00092062366],"domain_scores_gemma":[0.9982814,0.00027625854,0.00033299308,0.000660959,0.00013672534,0.00031161506],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021622705,0.00092663255,0.0009194258,0.00058992713,0.00037574267,0.009685033,0.0006200603,0.00061600213,0.004238346],"category_scores_gemma":[0.00010629629,0.0008604057,0.00027455093,0.00025480226,0.00026209574,0.008796667,0.00032278543,0.0015651629,0.0005732441],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024795183,0.001799502,0.1607767,0.004416856,0.00094542216,0.0017328375,0.045364957,9.138264e-7,0.000019984554,0.36752176,0.32358798,0.091353536],"study_design_scores_gemma":[0.0012658284,0.00029699385,0.012135902,0.003249817,0.00010833182,0.000016805145,0.0012381085,0.000029280965,0.000037764392,0.0137199,0.9663635,0.0015377513],"about_ca_topic_score_codex":0.000027136686,"about_ca_topic_score_gemma":0.00037561404,"teacher_disagreement_score":0.64277554,"about_ca_system_score_codex":0.000052957887,"about_ca_system_score_gemma":0.00015169286,"threshold_uncertainty_score":0.99938464},"labels":[],"label_agreement":null},{"id":"W2895003551","doi":"10.71781/14525","title":"The play of desire : Sinclair Ross's Gay fiction","year":2000,"lang":"en","type":"article","venue":"Library and Archives Canada (Government of Canada)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; History; Epistemology; Philosophy","score_opus":0.005164234617601866,"score_gpt":0.1367214508062519,"score_spread":0.13155721618865002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895003551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06503551,0.0012523975,0.000002477684,0.0025950198,0.00016951421,0.00009097199,0.00018100686,0.000007677594,0.93066543],"genre_scores_gemma":[0.92120075,0.00010643315,0.000018695768,0.0006395989,0.000116783856,0.0000036891827,0.0000063643556,0.0000089400355,0.07789876],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882406,0.000038956943,0.00022933238,0.000114985094,0.00062859384,0.00016405142],"domain_scores_gemma":[0.99951774,0.00019063857,0.000067628105,0.0001425538,7.2939457e-7,0.00008072691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00000924224,0.00010910492,0.00013607758,0.000008385984,0.00038821876,0.000053019558,0.00013885378,0.000012429973,0.00038901987],"category_scores_gemma":[9.889023e-7,0.00007898927,0.00002868125,0.000017894228,0.00015748292,0.00032323267,0.000026530462,0.00008361742,3.486637e-9],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029588572,0.000019693181,0.00038197322,0.000044519325,0.000051952982,0.000020543263,0.0012401587,0.0000047789163,0.000546923,0.95348644,0.0073249214,0.036582194],"study_design_scores_gemma":[0.00019581935,0.00008165234,0.0028225053,0.000073423995,0.000015633132,0.0000025702318,0.0033385304,0.00022329357,0.0074673262,0.003059647,0.982589,0.00013058799],"about_ca_topic_score_codex":0.0018073095,"about_ca_topic_score_gemma":0.042929225,"teacher_disagreement_score":0.9752641,"about_ca_system_score_codex":0.0000021800672,"about_ca_system_score_gemma":0.00037674684,"threshold_uncertainty_score":0.9745348},"labels":[],"label_agreement":null},{"id":"W2898613610","doi":"10.32396/usurj.v4i1.301","title":"“A Lost Pulse of Feeling”: Reconnecting with the “Hidden Self” in Matthew Arnold’s “Buried Life”","year":2017,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Feeling; Humanity; Reading (process); Lament; Order (exchange); Aesthetics; Isolation (microbiology); Sociology; State (computer science); Poetry; Literature; Epistemology; Philosophy; Computer science; Linguistics; Art; Theology","score_opus":0.05047162167294112,"score_gpt":0.2678486725804874,"score_spread":0.21737705090754628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898613610","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86448973,0.0004180341,0.000035259265,0.041734483,0.00013538764,0.00028003773,0.00002825972,0.00001719423,0.09286161],"genre_scores_gemma":[0.9906432,0.00012429518,0.00014258327,0.00003622221,0.0002544501,2.0358958e-7,0.0000024019168,0.000017136274,0.008779481],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99797624,0.00039610136,0.00028462737,0.00021734119,0.0006753362,0.00045036973],"domain_scores_gemma":[0.9977879,0.00039362302,0.00038014085,0.00048660339,0.00077472936,0.00017703802],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0020844159,0.000157911,0.00034942885,0.00034265066,0.0017832784,0.00046299316,0.0009900733,0.0000676001,0.00035301593],"category_scores_gemma":[0.000118240816,0.00011849139,0.00013586563,0.00009401276,0.0010385661,0.0007427825,0.00019940006,0.0010825181,0.000015845199],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025249047,0.0009890731,0.012035352,0.000637048,0.0012561852,0.0017710469,0.8266935,0.00002800485,0.00082953315,0.1294945,0.013762077,0.009978791],"study_design_scores_gemma":[0.00535973,0.0010692014,0.0052876263,0.0018294102,0.00014691247,0.00013764518,0.84706986,0.00015315766,0.00063175696,0.032089666,0.10560669,0.000618365],"about_ca_topic_score_codex":0.003338091,"about_ca_topic_score_gemma":0.026683886,"teacher_disagreement_score":0.12615348,"about_ca_system_score_codex":0.00007898547,"about_ca_system_score_gemma":0.000679763,"threshold_uncertainty_score":0.99951625},"labels":[],"label_agreement":null},{"id":"W2899525700","doi":"10.22148/16.027","title":"Measuring Modernist Novelty","year":2018,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Novelty; Contradiction; Character (mathematics); Literature; Aesthetics; Philosophy; Art; Epistemology; Psychology; Social psychology; Mathematics","score_opus":0.12620595233161896,"score_gpt":0.2681152115589517,"score_spread":0.14190925922733272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899525700","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.405646,0.0014144086,0.0005739941,0.0043010977,0.0024264483,0.00007460293,0.000023415128,0.000036090965,0.58550394],"genre_scores_gemma":[0.98127794,0.000008824765,0.00013485733,0.0005000383,0.004170364,1.4054821e-7,0.0000015156455,0.0000063178422,0.013899978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919283,0.000017079949,0.00035011614,0.00006184572,0.0002512314,0.000126875],"domain_scores_gemma":[0.99868214,0.000016765169,0.00018414835,0.00007802386,0.00096249103,0.00007641307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014654465,0.00009587327,0.00018805319,0.00005890926,0.000191109,0.00031566873,0.00015537483,0.000025872698,0.0005560174],"category_scores_gemma":[0.00003753502,0.000058102392,0.00016139918,0.000030038065,0.00016959316,0.0005385805,0.000018365983,0.00017031336,0.000037329428],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021719588,0.00024518397,0.00025018275,0.00006827377,0.0005407706,0.00017857603,0.113763206,0.000017296927,0.0018023567,0.76244766,0.115290694,0.0051786206],"study_design_scores_gemma":[0.00037853865,0.0002809291,0.00009226045,0.00010386629,0.00010964445,0.00009565157,0.004582976,0.00046145095,0.00057833974,0.0047021154,0.9884481,0.00016614498],"about_ca_topic_score_codex":0.0000089662,"about_ca_topic_score_gemma":0.00012098609,"teacher_disagreement_score":0.8731574,"about_ca_system_score_codex":0.000025347506,"about_ca_system_score_gemma":0.000029725248,"threshold_uncertainty_score":0.60880005},"labels":[],"label_agreement":null},{"id":"W2899815013","doi":"10.7311/0860-5734.27.3.10","title":"“Like being trapped in a drum”: The Poetics of Resonance in Frances Itani’s Deafening","year":2018,"lang":"en","type":"article","venue":"Anglica An International Journal of English Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Silence; Poetry; Art; Psychoanalysis; Philosophy; Aesthetics; Art history; Literature; Psychology","score_opus":0.03393434479468377,"score_gpt":0.29980987105379736,"score_spread":0.2658755262591136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899815013","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95575786,0.0059885406,0.000007921849,0.0010180963,0.0026032964,0.000071416005,0.0000140485945,0.0000077678205,0.034531087],"genre_scores_gemma":[0.9962348,0.000370903,0.000071742055,0.0004957513,0.002623241,0.0000035580852,0.0000011950771,0.000007590056,0.00019125767],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988328,0.0000738271,0.0005538537,0.00010232985,0.00030895582,0.00012820552],"domain_scores_gemma":[0.9976245,0.00023465666,0.00021902281,0.000089310735,0.001811591,0.000020930558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044389765,0.00010203134,0.0002433461,0.00020003489,0.00008025512,0.00009064306,0.00037772645,0.000025070744,0.000039422983],"category_scores_gemma":[0.00046712926,0.00006968211,0.00007922188,0.000071141236,0.00033418857,0.00065374,0.000047965936,0.0002042278,5.5141305e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026393245,0.00018868588,0.011236039,0.00001757026,0.00019468841,0.00009295522,0.6478502,0.0000033442639,0.00003904938,0.33346087,0.0013403773,0.0053122505],"study_design_scores_gemma":[0.0019826023,0.0008781956,0.017034309,0.0014470813,0.000036294736,0.0000126811055,0.16842598,0.000053273485,0.00044693987,0.02051028,0.78888535,0.00028702637],"about_ca_topic_score_codex":0.00003499007,"about_ca_topic_score_gemma":0.0016753192,"teacher_disagreement_score":0.78754497,"about_ca_system_score_codex":0.000028279484,"about_ca_system_score_gemma":0.00003132432,"threshold_uncertainty_score":0.2841554},"labels":[],"label_agreement":null},{"id":"W2900521240","doi":"10.1080/00131857.2018.1462521","title":"What comes after postmodernism?","year":2018,"lang":"en","type":"article","venue":"Educational Philosophy and Theory","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute for Christian Studies; University of Toronto","funders":"","keywords":"Postmodernism; Sociology; Philosophy of education; Epistemology; Philosophy; Psychoanalysis; Aesthetics; Psychology; Higher education; Political science; Law","score_opus":0.019656410245575198,"score_gpt":0.2420796865111841,"score_spread":0.22242327626560893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900521240","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08803486,0.012892498,0.0000083022915,0.042377092,0.004072819,0.00013124748,0.000046747868,0.00004074786,0.8523957],"genre_scores_gemma":[0.96691084,0.00002844582,0.000014566452,0.0072476557,0.00674529,0.000023441902,0.000029625524,0.000009426367,0.01899073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999524,0.000042894884,0.000102640886,0.00014978072,0.00008331604,0.00009736373],"domain_scores_gemma":[0.99958426,0.00011743237,0.000021858032,0.00011849895,0.00010427323,0.000053655058],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000101739715,0.00009401758,0.0000769297,0.000050947398,0.00023990622,0.000313792,0.0000647313,0.000024759442,0.0061120098],"category_scores_gemma":[0.000010163414,0.00007745941,0.00003677675,0.000012581587,0.00048102127,0.0007075524,0.00002255779,0.00006958307,0.00021097949],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006433962,0.000058060752,0.00003519878,0.000014843237,0.00001915044,9.86689e-7,0.026571302,1.9907147e-9,0.0000016969333,0.97063345,0.0015739836,0.0010269659],"study_design_scores_gemma":[0.0000759958,0.000043191976,0.0003419717,0.000040051033,0.000008583503,0.0000036257622,0.0009871916,6.12957e-7,0.0000072628523,0.7720453,0.2263598,0.00008640541],"about_ca_topic_score_codex":0.0000019593856,"about_ca_topic_score_gemma":0.000008941708,"teacher_disagreement_score":0.878876,"about_ca_system_score_codex":0.000005398844,"about_ca_system_score_gemma":0.000032487667,"threshold_uncertainty_score":0.9947965},"labels":[],"label_agreement":null},{"id":"W2903341759","doi":"10.5539/ells.v8n4p104","title":"Annie Proulx—A Writer in Quest","year":2018,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Existentialism; Sociology; Motif (music); Aesthetics; Art; Philosophy; Epistemology","score_opus":0.01571495388267309,"score_gpt":0.26768427599163164,"score_spread":0.25196932210895856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903341759","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63143927,0.11043506,5.900407e-7,0.00067039946,0.0014322649,0.00022956078,0.00008707196,0.00014342286,0.25556237],"genre_scores_gemma":[0.97678393,0.00012514365,0.000042699518,0.0009827773,0.0055960077,0.000029615669,0.00003964192,0.000016631451,0.01638355],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990734,0.00005860305,0.00021689982,0.00029145004,0.000107726584,0.00025192706],"domain_scores_gemma":[0.99936587,0.00006232035,0.00003333907,0.00018873638,0.00030322655,0.000046489648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001716845,0.00020538173,0.00026471564,0.00014369619,0.00020163764,0.00046163137,0.000091694055,0.00006301916,0.00017747286],"category_scores_gemma":[0.00013616445,0.00014879665,0.00004554778,0.00009196061,0.0003334742,0.0005581429,0.00006911509,0.00025116614,0.000010430826],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024891384,0.00003251672,0.00018053538,0.00007155476,0.00003935211,0.00019273606,0.8653929,2.7540865e-9,0.000015373233,0.119972736,0.012401308,0.0016760854],"study_design_scores_gemma":[0.00046296453,0.00017337363,0.00013207633,0.0005090637,0.000017586459,0.000006487855,0.22672133,0.0000015073315,0.000079218735,0.0012280373,0.77039987,0.00026848583],"about_ca_topic_score_codex":0.00001574759,"about_ca_topic_score_gemma":0.0007699484,"teacher_disagreement_score":0.7579985,"about_ca_system_score_codex":0.000010431169,"about_ca_system_score_gemma":0.000008438394,"threshold_uncertainty_score":0.6067751},"labels":[],"label_agreement":null},{"id":"W2903494698","doi":"10.1017/9781787443921.007","title":"“Landscape–of–the–Heart”: Transgenerational Memory and Relationality in <i>Roy Kiyooka's Mothertalk: Life Stories of</i> Mary Kiyoshi Kiyooka","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transgenerational epigenetics; History; Sociology; Environmental ethics; Art; Art history; Psychoanalysis; Psychology; Philosophy; Biology","score_opus":0.02619828400614928,"score_gpt":0.20753985460064903,"score_spread":0.18134157059449973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903494698","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014551049,0.0043057706,0.000009241877,0.0012239238,0.0006218535,0.0003395956,0.00049242063,0.000023818593,0.9784323],"genre_scores_gemma":[0.55249083,0.000030372728,0.000047882535,0.0010263135,0.0006230782,0.000010142157,0.00010979058,0.000038673814,0.4456229],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983747,0.000055338554,0.00071225525,0.00032128076,0.0003906042,0.00014584267],"domain_scores_gemma":[0.9990043,0.00017029842,0.00020096754,0.00032079103,0.0002353404,0.000068299436],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024475515,0.00031253017,0.00052089145,0.00014648544,0.000120842684,0.00006723076,0.00016771977,0.00023524193,0.0069147106],"category_scores_gemma":[0.00002005445,0.00023770957,0.00021269794,0.000019323254,0.00072713586,0.00024092615,0.000049481398,0.00030446134,0.00000974269],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006563192,0.000031982094,0.00011449494,0.00016578066,0.00007616426,0.0000023949367,0.008104328,0.0000011658057,0.00011388592,0.97733724,0.013887586,0.000099317054],"study_design_scores_gemma":[0.0010997186,0.00017054715,0.00058753154,0.00074554345,0.00014828224,0.000008714966,0.0010175526,0.000019675716,0.00081642595,0.16912362,0.82552433,0.00073805137],"about_ca_topic_score_codex":0.000057168916,"about_ca_topic_score_gemma":0.0017271856,"teacher_disagreement_score":0.81163675,"about_ca_system_score_codex":0.000014109935,"about_ca_system_score_gemma":0.00021326859,"threshold_uncertainty_score":0.9939931},"labels":[],"label_agreement":null},{"id":"W2903630642","doi":"10.4324/9781315550497-29","title":"Post Script: Lessons and Implications","year":2016,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.04388982434625556,"score_gpt":0.23896770510783796,"score_spread":0.1950778807615824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903630642","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000027332514,0.0022097519,0.000009507798,0.019559527,0.00023295758,0.00011566182,0.0008448232,0.00007462212,0.9769504],"genre_scores_gemma":[0.021800796,0.000082127954,0.0000073034084,0.0026289306,0.00083806674,0.000008295312,0.000069491885,0.000030387519,0.9745346],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994385,0.0000026717703,0.00016192454,0.00022237314,0.00006382667,0.00011066344],"domain_scores_gemma":[0.99946326,0.00003731372,0.000043188593,0.0002476789,0.00014425469,0.000064306645],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00002816466,0.00018038998,0.00017534122,0.00007936737,0.00020519769,0.00022838906,0.000089184934,0.00009239094,0.011208896],"category_scores_gemma":[0.0000028445556,0.00012148223,0.000074539275,0.0000013646147,0.00020044984,0.00015521656,0.00004616692,0.000120065866,0.0003283328],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020677662,0.0000035772462,2.7426603e-7,0.0000124990365,0.000025993206,0.0000027705282,0.0010328842,4.147824e-11,0.000013919736,0.9515304,0.038416464,0.0089591695],"study_design_scores_gemma":[0.0000594352,0.000021501097,0.000004709056,0.00007241867,0.000025758854,0.000004869623,0.000055681245,2.3152428e-8,0.0000012010252,0.22383249,0.77576876,0.00015316848],"about_ca_topic_score_codex":0.000010943475,"about_ca_topic_score_gemma":0.0004552639,"teacher_disagreement_score":0.7373523,"about_ca_system_score_codex":0.000008294967,"about_ca_system_score_gemma":0.000029240404,"threshold_uncertainty_score":0.989695},"labels":[],"label_agreement":null},{"id":"W2904548589","doi":"10.6094/behemoth.2018.11.2.990","title":"Forms of veridiction in politics and culture : avowal in today’s jargon of authenticity","year":2018,"lang":"en","type":"article","venue":"FreiDok plus (Universitätsbibliothek Freiburg)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Populism; Jargon; Ignorance; Flourishing; Politics; Existentialism; Sociology; Paternalism; Epistemology; Media studies; Mainstream; Aesthetics; Political science; Law; Philosophy; Social psychology; Psychology; Linguistics","score_opus":0.015199946257544634,"score_gpt":0.21477452591315038,"score_spread":0.19957457965560574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904548589","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89505464,0.00055148656,0.00012711828,0.0002898552,0.00027665394,0.00019746184,0.0001747615,0.000024686362,0.10330334],"genre_scores_gemma":[0.99407935,0.000060131806,0.00007324538,0.000116384166,0.00016292556,0.0000014193203,0.000031051124,0.000012621158,0.005462856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896985,0.000052391224,0.0003020954,0.0002265565,0.00018914246,0.00025996706],"domain_scores_gemma":[0.99938226,0.000043302567,0.00012582769,0.00021966328,0.0001627045,0.00006622836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017997454,0.00016147827,0.00033977965,0.0017386371,0.000105858235,0.0000512737,0.00018940926,0.00011201909,0.00064636255],"category_scores_gemma":[0.00001932205,0.00015264859,0.00006915146,0.0006268273,0.00046900386,0.0011439194,0.00008647037,0.00019027005,0.0000054251436],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001589233,0.00015177883,0.0027219083,0.00018066524,0.000041249623,0.000031439828,0.14043191,0.0000016434889,0.00094662106,0.851818,0.0031649966,0.0003508646],"study_design_scores_gemma":[0.012599305,0.003093573,0.02691512,0.0022389046,0.00027991505,0.000041423224,0.111660324,0.0033545832,0.008121042,0.21668999,0.6132772,0.0017286056],"about_ca_topic_score_codex":0.0015445354,"about_ca_topic_score_gemma":0.004523025,"teacher_disagreement_score":0.635128,"about_ca_system_score_codex":0.000066202,"about_ca_system_score_gemma":0.00006859745,"threshold_uncertainty_score":0.70772165},"labels":[],"label_agreement":null},{"id":"W2905332820","doi":"10.1353/vcr.2017.0035","title":"\"Another Man from What I Was\": Enchanted Reading and Ethical Selfhood in A Christmas Carol","year":2017,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Mode (computer interface); Literature; History; Art; Aesthetics; Sociology; Philosophy; Computer science; Linguistics","score_opus":0.03167508216014746,"score_gpt":0.2745367890544373,"score_spread":0.24286170689428982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905332820","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014724008,0.8144103,0.000010943185,0.0398631,0.0037336145,0.0011536042,0.00010371037,0.000128426,0.12587228],"genre_scores_gemma":[0.93804157,0.04856493,0.000026556383,0.009306076,0.0017102647,0.000047617443,0.000032668115,0.0000303324,0.0022399703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998958,0.00010739024,0.00030939488,0.00028929737,0.00014271063,0.00019320384],"domain_scores_gemma":[0.9992139,0.00006848715,0.00011087808,0.00048764586,0.000051096402,0.0000680046],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000293578,0.00017921453,0.00043156432,0.00004177419,0.00028189336,0.00094996364,0.00021983268,0.00011622862,0.0009771646],"category_scores_gemma":[0.00008480407,0.0001417779,0.00007802085,0.000017441438,0.0001041376,0.00049953564,0.000065699045,0.0003875921,0.000055829656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004045656,0.000104912986,0.0007411748,0.0035229258,0.00015234594,0.0003606755,0.108868435,4.6176902e-9,0.00022632498,0.8219509,0.018772794,0.04525901],"study_design_scores_gemma":[0.00029561124,0.000028444145,0.00025107813,0.009509359,0.000047074227,0.000002226462,0.00030854682,0.000003172879,0.000011558223,0.0019719496,0.9873835,0.0001874719],"about_ca_topic_score_codex":0.00024368618,"about_ca_topic_score_gemma":0.0011469731,"teacher_disagreement_score":0.9686107,"about_ca_system_score_codex":0.000016016404,"about_ca_system_score_gemma":0.000023085755,"threshold_uncertainty_score":0.9999361},"labels":[],"label_agreement":null},{"id":"W2916887892","doi":"10.26522/ti.v2i1.773","title":"Untitled #1, for Derek Beaulieu","year":2013,"lang":"en","type":"article","venue":"ti<","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.024343281852316576,"score_gpt":0.20274033428901667,"score_spread":0.1783970524367001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2916887892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03837415,0.000636481,0.00010907155,0.0023803976,0.0005117468,0.00038332606,0.000033575096,0.000096024596,0.95747524],"genre_scores_gemma":[0.84417236,8.261248e-7,0.0000816479,0.001405389,0.0005642712,0.00006277572,0.000025818867,0.00000875087,0.15367818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969053,0.0000048555835,0.00008107654,0.00007713425,0.000039976247,0.00010642563],"domain_scores_gemma":[0.99977297,0.000030229987,0.000013363637,0.00008874905,0.0000668789,0.000027813803],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002480253,0.000055063632,0.00006935616,0.000021704967,0.00016366412,0.0001252074,0.00005714235,0.000016323851,0.01808322],"category_scores_gemma":[0.000007047127,0.00004311782,0.000045987454,0.000006663889,0.000033683114,0.00015214554,0.000013449593,0.000033279088,0.0011177815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033811523,0.000016920223,0.000008683991,0.000016289552,0.0000085479805,7.476569e-7,0.006420666,1.3720506e-8,0.000052738167,0.7510863,0.24050009,0.0018856564],"study_design_scores_gemma":[0.00016829834,0.000033891123,0.000022244441,0.000008700485,0.0000063325,4.4446114e-7,0.0005045111,0.000027958231,0.00007242287,0.020321105,0.9787656,0.000068464375],"about_ca_topic_score_codex":0.000069455775,"about_ca_topic_score_gemma":0.00011664791,"teacher_disagreement_score":0.8057982,"about_ca_system_score_codex":0.0000031324748,"about_ca_system_score_gemma":0.000007577544,"threshold_uncertainty_score":0.99965996},"labels":[],"label_agreement":null},{"id":"W2921074588","doi":"10.7202/1058318ar","title":"Better living through chems: Fallout’s post-apocalyptic pharmacy","year":2019,"lang":"en","type":"article","venue":"Loading","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"History; Speculation; Environmental ethics; Las vegas; Aesthetics; Art; Archaeology; Philosophy; Business; Tourism","score_opus":0.02560510467403385,"score_gpt":0.24369475252365166,"score_spread":0.21808964784961782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921074588","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4904627,0.0006834999,0.000014993997,0.001279155,0.0010511206,0.00014114083,0.000010281453,0.00011894509,0.50623816],"genre_scores_gemma":[0.9604194,0.0000056330705,0.000052997246,0.0075105308,0.0010983589,0.000009410731,0.000013693942,0.000028659138,0.03086131],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990695,0.000026777681,0.00021165168,0.0002452221,0.0001502597,0.00029656023],"domain_scores_gemma":[0.9995096,0.000111960515,0.00004498231,0.00020522809,0.000080383805,0.000047859045],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000072307965,0.00016686584,0.00019067734,0.00005056745,0.00016752613,0.00041812673,0.00016282726,0.000029576768,0.009455435],"category_scores_gemma":[0.000017932574,0.00014626037,0.00011291566,0.000029532104,0.000054890817,0.0009475472,0.00005861894,0.0002105181,0.001455643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030699153,0.00013071255,0.0039779614,0.00025849836,0.00015564881,0.000062142535,0.20975606,6.636187e-7,0.016135657,0.74980694,0.014479833,0.0052051935],"study_design_scores_gemma":[0.00032670863,0.0000475181,0.000100649006,0.0002508434,0.000032603337,0.000006822294,0.0032897193,0.00009809832,0.00088811276,0.0015961893,0.9930495,0.00031324802],"about_ca_topic_score_codex":0.0001285484,"about_ca_topic_score_gemma":0.000039326016,"teacher_disagreement_score":0.9785696,"about_ca_system_score_codex":0.000021884493,"about_ca_system_score_gemma":0.00001822804,"threshold_uncertainty_score":0.9993218},"labels":[],"label_agreement":null},{"id":"W2931065005","doi":"10.1353/esc.2002.0015","title":"Dickens and Heredity: When Like Begets Like by Goldie Morgentaler","year":2002,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Heredity; Nothing; Narrative; Literature; Philosophy; Subject (documents); History; Art; Epistemology; Genetics; Biology","score_opus":0.0372173665493935,"score_gpt":0.2096326680715681,"score_spread":0.1724153015221746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2931065005","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38012546,0.21360797,3.4787928e-7,0.0028432198,0.014468489,0.00043257003,0.00069906743,0.00011319429,0.38770968],"genre_scores_gemma":[0.97140014,0.00067387044,0.0000059574577,0.0025522916,0.0009190438,0.000029067869,0.000017349495,0.000018413792,0.024383856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989309,0.00003359429,0.0002455413,0.00026729936,0.0002181818,0.0003045106],"domain_scores_gemma":[0.9994693,0.00012340285,0.000038444563,0.00017097959,0.000109886154,0.00008798524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006600644,0.00019662133,0.00028542624,0.00004033996,0.00023409918,0.000078335026,0.0001121667,0.000029382025,0.0008434533],"category_scores_gemma":[0.0000489934,0.0001767779,0.000029606657,0.000028851464,0.0002235279,0.0002240198,0.00010206103,0.00020459927,0.000003149394],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002916639,0.00002426778,0.0010979775,0.00004423862,0.00007406147,0.00011903594,0.0833079,1.1847904e-7,5.6490046e-7,0.0019736749,0.91255724,0.00079799414],"study_design_scores_gemma":[0.00031392835,0.000029128561,0.00008390297,0.000058401412,0.000016038479,0.0000018637458,0.037955668,0.00000920919,0.000003923987,0.00023815461,0.96107703,0.00021273844],"about_ca_topic_score_codex":0.3004402,"about_ca_topic_score_gemma":0.9617187,"teacher_disagreement_score":0.6612785,"about_ca_system_score_codex":0.00018503296,"about_ca_system_score_gemma":0.000048067785,"threshold_uncertainty_score":0.9235222},"labels":[],"label_agreement":null},{"id":"W2931220123","doi":"10.1353/esc.2001.0027","title":"Writing in Exile: Which Sense of Be-Longing?","year":2001,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Homecoming; Homeland; Poetics; Modernity; Literature; Politics; Biography; Anguish; Aesthetics; Psychoanalysis; Immigration; History; Art; Philosophy; Art history; Psychology; Epistemology; Poetry; Law","score_opus":0.046105398392631336,"score_gpt":0.2586093527206895,"score_spread":0.2125039543280582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2931220123","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7632919,0.004657471,1.2497975e-7,0.00046207636,0.0011891158,0.00008717547,0.00003460226,0.000013335389,0.2302642],"genre_scores_gemma":[0.99762464,0.0001190574,0.000008176787,0.00055815757,0.00047850944,0.000013622219,0.0000062982945,0.000009919052,0.0011816312],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989892,0.000043888518,0.0003778788,0.00016190342,0.00017801783,0.00024910446],"domain_scores_gemma":[0.9992593,0.00027007944,0.000048741596,0.00013822649,0.00025520218,0.000028436218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019974986,0.00011961561,0.00028402626,0.00009267571,0.000077698765,0.000025346524,0.00007683732,0.00001946824,0.00015962953],"category_scores_gemma":[0.00028473805,0.00011499894,0.000022369813,0.00012849059,0.000077642515,0.00014999654,0.000053339012,0.00018765003,2.477481e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000698513,0.00012542716,0.08007895,0.0004715669,0.00016841698,0.0025908502,0.5894958,0.000059359943,0.000006694482,0.20198436,0.12213837,0.002810368],"study_design_scores_gemma":[0.00061447045,0.000032130138,0.0014151196,0.0004190906,0.000010331223,0.0000048013985,0.3220467,0.00003551742,0.000026298978,0.00047769517,0.6746534,0.00026445935],"about_ca_topic_score_codex":0.57803303,"about_ca_topic_score_gemma":0.996953,"teacher_disagreement_score":0.55251503,"about_ca_system_score_codex":0.00018968641,"about_ca_system_score_gemma":0.00023198347,"threshold_uncertainty_score":0.46895206},"labels":[],"label_agreement":null},{"id":"W2933293128","doi":"","title":"Kissileff, Beth. Questioning Return: A Novel. Simsbury, Connecticut: Mandel Vilar Press, 2016.","year":2018,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Art; Psychology","score_opus":0.027392518149699542,"score_gpt":0.26562547910060264,"score_spread":0.2382329609509031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2933293128","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8498504,0.0045952443,0.000549181,0.0033522951,0.007754316,0.00069461117,0.000142784,0.000221067,0.1328401],"genre_scores_gemma":[0.973755,0.00009697011,0.0005239793,0.00026397343,0.006570377,0.00005741747,0.000021397738,0.00006901362,0.018641865],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670523,0.00021707157,0.0010037863,0.0004987557,0.0004961249,0.0010790428],"domain_scores_gemma":[0.99803275,0.0002122944,0.00037127297,0.000420743,0.00048599645,0.00047696396],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016329085,0.00044734878,0.00056114834,0.00037005794,0.0016962193,0.0013038047,0.0005590651,0.00018240389,0.002267869],"category_scores_gemma":[0.00016474712,0.00037676794,0.00018912162,0.000115757095,0.00063227804,0.0016741464,0.00026942804,0.001248028,0.00009645783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015338738,0.0017719904,0.0030093081,0.00022571893,0.00039196806,0.0024141152,0.8233775,0.000032773863,0.0018293785,0.10603455,0.0559343,0.003444534],"study_design_scores_gemma":[0.0074953903,0.0027486442,0.002919742,0.0021025029,0.00011657296,0.0026237345,0.053495634,0.0026664776,0.00034917062,0.052655008,0.87097925,0.0018478896],"about_ca_topic_score_codex":0.00006694941,"about_ca_topic_score_gemma":0.00018232492,"teacher_disagreement_score":0.81504494,"about_ca_system_score_codex":0.00031961163,"about_ca_system_score_gemma":0.0002666854,"threshold_uncertainty_score":0.99986845},"labels":[],"label_agreement":null},{"id":"W2941323835","doi":"10.32855/fcapital.200702.004","title":"All the Rage: Digital Bodies and Deadly Play in the Age of the Suicide Bomber","year":2007,"lang":"en","type":"article","venue":"Fast Capitalism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Medical emergency; Medicine; Suicide prevention; Poison control; Psychology; Neuroscience","score_opus":0.01957582919958765,"score_gpt":0.23211732706888746,"score_spread":0.21254149786929982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941323835","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8038878,0.002096633,0.0000038661456,0.0034320978,0.00030314506,0.00023187308,0.00008938759,0.000013970941,0.18994127],"genre_scores_gemma":[0.9881103,0.000006511148,0.000001674358,0.0029734538,0.0002885667,0.0000074914947,0.0000207883,0.000009963785,0.00858127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992208,0.000044458084,0.00022469327,0.000119745244,0.00018915105,0.00020117768],"domain_scores_gemma":[0.9994072,0.00022432873,0.00004974072,0.0002637239,0.00003642267,0.000018597433],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031310215,0.00012494138,0.0001269138,0.000033211898,0.00016776689,0.00034945438,0.00026680887,0.00003509371,0.00007497743],"category_scores_gemma":[0.000028516091,0.000054554384,0.00007839167,0.000020977785,0.0004235194,0.00025743298,0.0000743581,0.00019457252,0.000006787472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020810263,0.0000526537,0.0013427859,0.000019661817,0.00003097274,0.0000752097,0.42523986,1.8959453e-7,0.000061568506,0.5612245,0.01102291,0.0009088438],"study_design_scores_gemma":[0.00038847732,0.00004564143,0.030526768,0.00006333963,0.000031381882,0.000028918075,0.038539592,0.0000021582207,0.00011285425,0.012940817,0.9171504,0.00016965106],"about_ca_topic_score_codex":0.00027538158,"about_ca_topic_score_gemma":0.004397064,"teacher_disagreement_score":0.9061275,"about_ca_system_score_codex":0.0000061942183,"about_ca_system_score_gemma":0.000011006826,"threshold_uncertainty_score":0.33697966},"labels":[],"label_agreement":null},{"id":"W2942777375","doi":"10.3138/cras.2018.016","title":"Mourning in the Age of Terror: Revisiting Don DeLillo’s Elusive 9/11 Novel <i>Falling Man</i>","year":2019,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"World trade center; Falling (accident); Terrorism; History; Literature; Psychoanalysis; Art history; Art; Philosophy; Psychology","score_opus":0.03556633819096359,"score_gpt":0.2745313490776485,"score_spread":0.2389650108866849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2942777375","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37085587,0.53742707,0.0000041871367,0.009001591,0.00033406378,0.0010743134,0.00017601825,0.000017341643,0.08110954],"genre_scores_gemma":[0.9771278,0.009904519,0.000086477616,0.012369878,0.00018564722,0.000020190111,0.00001896855,0.000014043549,0.00027251177],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877656,0.00008596117,0.0005398164,0.00017905838,0.00016652432,0.00025205695],"domain_scores_gemma":[0.99905694,0.00015070048,0.00029694499,0.00025988198,0.00018967593,0.000045886824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047201902,0.0001570849,0.0007157441,0.00013494364,0.00008950998,0.000028269233,0.00024725197,0.000012172094,0.00007798067],"category_scores_gemma":[0.000116208415,0.00011228606,0.00014303355,0.00015540376,0.00032717575,0.00011241668,0.000034411318,0.00014762943,0.0000047855046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032577875,0.00012397007,0.017742367,0.04883675,0.00091288646,0.000598815,0.5354651,0.000009322524,0.00064483436,0.26036844,0.026244909,0.10901998],"study_design_scores_gemma":[0.00016189677,0.00008363284,0.0011765953,0.017890636,0.00008084991,0.0000062690315,0.09845132,0.000002278179,0.000005072297,0.000043525994,0.8818823,0.00021562265],"about_ca_topic_score_codex":0.023001492,"about_ca_topic_score_gemma":0.10798526,"teacher_disagreement_score":0.8556374,"about_ca_system_score_codex":0.000049963717,"about_ca_system_score_gemma":0.000088867775,"threshold_uncertainty_score":0.9835044},"labels":[],"label_agreement":null},{"id":"W2943504483","doi":"10.15353/cjds.v8i2.494","title":"Authentic Representation and Author Identity: Exploring Mental Illness in The Hobbit Fanfiction","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fandom; Mental illness; Context (archaeology); Identity (music); Representation (politics); Psychology; Mental health; Sociology; Politics; Psychoanalysis; Aesthetics; Social psychology; Media studies; Psychiatry; Art; History; Law","score_opus":0.1245585903086594,"score_gpt":0.312109241197028,"score_spread":0.1875506508883686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943504483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9888569,0.00243508,8.5324467e-7,0.0050955024,0.0015557031,0.00015414377,0.0000147888495,0.0000027053836,0.0018843366],"genre_scores_gemma":[0.99926984,0.000030720315,0.0000022640563,0.00012658164,0.00023358397,0.000007909863,0.000002241181,0.000004141534,0.00032271462],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992568,0.00010242119,0.0002746886,0.000101517864,0.00013827316,0.00012633162],"domain_scores_gemma":[0.9995591,0.000102773476,0.00007054359,0.00011131668,0.000093985815,0.00006229115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050059595,0.00007654793,0.00016886379,0.00008017496,0.00024960755,0.00023849556,0.00010133995,0.000014119752,0.00009939947],"category_scores_gemma":[0.00010321363,0.000052883795,0.000059351514,0.00005245951,0.00029541375,0.0010498577,0.000012073641,0.00013571425,0.0000041362],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021136782,0.000036156714,0.10107102,0.00009900932,0.00009328508,0.00002791632,0.7546467,0.0000010669683,0.000009500887,0.13889618,0.0013494114,0.0037485901],"study_design_scores_gemma":[0.00043903684,0.00013394721,0.073893204,0.00018066097,0.00005735593,0.000033080596,0.8415303,0.000008446877,0.000013197464,0.016843246,0.066714786,0.00015272353],"about_ca_topic_score_codex":0.002199873,"about_ca_topic_score_gemma":0.14897774,"teacher_disagreement_score":0.14677787,"about_ca_system_score_codex":0.00010452958,"about_ca_system_score_gemma":0.00004046724,"threshold_uncertainty_score":0.86655116},"labels":[],"label_agreement":null},{"id":"W2943787307","doi":"10.15353/cjds.v8i2.498","title":"Normalizing Disability: Tagging and Disability Identity Construction through Marvel Cinematic Universe Fanfiction","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Identity (music); Reading disability; Disability studies; Psychology; Intellectual disability; Medicalization; Plot (graphics); Sociology; Reading (process); Gender studies; Linguistics; Aesthetics; Political science; Art; Dyslexia; Philosophy; Psychiatry; Law","score_opus":0.039188622447694055,"score_gpt":0.2634722382164475,"score_spread":0.22428361576875344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943787307","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98261595,0.0021367765,0.000022304037,0.0043358477,0.0018015994,0.00030584156,0.00009240195,0.000018855231,0.008670449],"genre_scores_gemma":[0.999078,0.00005598113,0.00009902951,0.00018847395,0.00041616452,0.0000032563169,0.000004655062,0.000012150122,0.00014229375],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99833155,0.0001810288,0.0006847831,0.00027321713,0.00022328731,0.00030613213],"domain_scores_gemma":[0.99861926,0.00027134147,0.00024472558,0.0003039044,0.00033752702,0.00022321948],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006629175,0.00022705436,0.00054770225,0.000044219858,0.0005598012,0.00028885485,0.00015384077,0.000055935114,0.0005493309],"category_scores_gemma":[0.00031343978,0.00019224476,0.00018943976,0.00009069522,0.0031320294,0.0025595431,0.000057109697,0.00029931706,0.0000065820714],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006617864,0.00012868154,0.4972607,0.001193316,0.00037157442,0.000016581364,0.07846418,0.0000070077504,0.000013098194,0.4159685,0.0007243436,0.005785865],"study_design_scores_gemma":[0.0018727639,0.00053904275,0.12029491,0.0010400086,0.00054550526,0.0001653414,0.667675,0.000050818315,0.000027435835,0.106409624,0.100483045,0.0008964861],"about_ca_topic_score_codex":0.0057698325,"about_ca_topic_score_gemma":0.15436918,"teacher_disagreement_score":0.58921087,"about_ca_system_score_codex":0.00055093877,"about_ca_system_score_gemma":0.0001171685,"threshold_uncertainty_score":0.99958086},"labels":[],"label_agreement":null},{"id":"W2944681538","doi":"10.7202/1058067ar","title":"Slippery and Plural: Collaborative Writing in Daphne Marlatt and Betsy Warland’s “Subject to Change” and “Reading and Writing Between the Lines”","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Mount Allison University","funders":"","keywords":"Plural; Subject (documents); Reading (process); Literature; Linguistics; Art; Computer science; Philosophy; World Wide Web","score_opus":0.04067776356951334,"score_gpt":0.2824677399420978,"score_spread":0.24178997637258445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944681538","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89370215,0.09003731,4.072539e-8,0.009639509,0.00020930951,0.0006065121,0.00036901463,0.000013605504,0.005422572],"genre_scores_gemma":[0.99497694,0.00082087755,0.00002791646,0.0027205243,0.0007963361,0.00005474571,0.000029260284,0.000021238,0.0005521701],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986545,0.00009643748,0.00029728113,0.00040472866,0.000096190124,0.00045086746],"domain_scores_gemma":[0.99910456,0.0004085503,0.0000441407,0.00013298183,0.00012344224,0.00018634152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045873277,0.00025864888,0.00041986635,0.0003519643,0.00039555415,0.0007044329,0.00007403714,0.000096555246,0.000009307168],"category_scores_gemma":[0.00007735204,0.00019471768,0.000016707363,0.00022274583,0.00023093271,0.00051855954,0.00011808136,0.0004044124,7.138896e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031747124,0.0000059618237,0.32927045,0.0005167677,0.000091342605,0.0001729281,0.627324,1.2196404e-7,0.000015200266,0.031741556,0.0017676301,0.009062343],"study_design_scores_gemma":[0.0021471353,0.0004184082,0.22060551,0.0076821223,0.000084411135,0.00008060382,0.25633684,0.000069544534,0.000010936696,0.0030809941,0.5081945,0.0012889875],"about_ca_topic_score_codex":0.0064222245,"about_ca_topic_score_gemma":0.30100444,"teacher_disagreement_score":0.5064269,"about_ca_system_score_codex":0.000056454744,"about_ca_system_score_gemma":0.000044634533,"threshold_uncertainty_score":0.9708525},"labels":[],"label_agreement":null},{"id":"W2944748119","doi":"10.11575/prism/36502","title":"Writing on the Walls: Reimagining Eugène Ionesco’s Rhinoceros","year":2019,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhinoceros; Art; Literature; Genealogy; Art history; History; Biology; Zoology","score_opus":0.07366178382867723,"score_gpt":0.3009862171021111,"score_spread":0.22732443327343388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944748119","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053925212,0.00048498175,2.4391676e-7,0.0015765755,0.0016628717,0.00059940125,0.000094475465,0.000004421934,0.9416518],"genre_scores_gemma":[0.5292599,0.000005805178,0.00002065287,0.00052082667,0.0007122515,0.000031294676,0.0008831357,0.000034855297,0.46853128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871325,0.00007025959,0.00035273354,0.0003950876,0.00024178009,0.00022685666],"domain_scores_gemma":[0.9990329,0.00019174197,0.0001866867,0.00041183294,0.00013931398,0.000037529902],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033431905,0.0002753418,0.00030967375,0.000073767675,0.00046002524,0.0024382924,0.00065314193,0.00010639796,0.021595027],"category_scores_gemma":[0.000034122102,0.00016635246,0.000113921145,0.000028155606,0.000040928175,0.00041151987,0.000060684983,0.00063035096,0.0023694194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029296515,0.00016021982,0.000018943763,0.00016527977,0.00022039509,0.00008087923,0.28678265,4.3813665e-7,0.00019584566,0.46911314,0.05493237,0.18803689],"study_design_scores_gemma":[0.0002197311,0.00007101739,0.000021371055,0.0010900125,0.0000565258,0.0000015971731,0.040001802,0.000014795886,0.00034362523,0.0005599033,0.95730233,0.00031730474],"about_ca_topic_score_codex":0.00010625401,"about_ca_topic_score_gemma":0.0006345033,"teacher_disagreement_score":0.9023699,"about_ca_system_score_codex":0.000020257958,"about_ca_system_score_gemma":0.00012365996,"threshold_uncertainty_score":0.99859726},"labels":[],"label_agreement":null},{"id":"W2945637036","doi":"10.3917/rfea.159.0010","title":"Miroirs de lecture dans A Collapse of Horses de Brian Evenson","year":2019,"lang":"fr","type":"article","venue":"Revue française d’études américaines","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Praise; Modality (human–computer interaction); Reading (process); Meditation; Existentialism; Philosophy; Dimension (graph theory); Literature; Linguistics; Art; Epistemology; Computer science; Theology; Mathematics","score_opus":0.010396633099792524,"score_gpt":0.21785583216839463,"score_spread":0.2074591990686021,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945637036","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7764661,0.06739844,0.00012992481,0.011965793,0.0020170205,0.00093123695,0.0007590404,0.00012977935,0.14020269],"genre_scores_gemma":[0.92132574,0.0007234702,0.0003331419,0.00063137844,0.0018594636,0.000035428267,0.000052140294,0.0000894676,0.07494977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975645,0.0002397919,0.0006790297,0.0005107013,0.00025468817,0.00075127784],"domain_scores_gemma":[0.9982001,0.0003694651,0.00026152356,0.000625663,0.00029743215,0.00024578255],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035021128,0.0004991389,0.000852154,0.0001983876,0.0002806247,0.00023465557,0.00044842312,0.00035783843,0.0017550801],"category_scores_gemma":[0.0001320545,0.0004957835,0.0004846733,0.00021842941,0.0004062975,0.00035437138,0.00008764403,0.0004454368,0.00012760419],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031587709,0.00093183597,0.007054742,0.0043423907,0.0004267448,0.0003552748,0.13423501,0.00019178144,0.0053523816,0.82497114,0.018676246,0.0031465618],"study_design_scores_gemma":[0.0009000087,0.00048493405,0.001720843,0.0018617535,0.00026288227,0.00014020022,0.0046194075,0.0005281377,0.000605035,0.0015723767,0.986701,0.00060341245],"about_ca_topic_score_codex":0.0027285002,"about_ca_topic_score_gemma":0.0048921034,"teacher_disagreement_score":0.9680248,"about_ca_system_score_codex":0.00012427052,"about_ca_system_score_gemma":0.00036331208,"threshold_uncertainty_score":0.99974936},"labels":[],"label_agreement":null},{"id":"W2946177761","doi":"10.1080/0013838x.2019.1601417","title":"Gothic Misdirections: Troubling the Trauma Fiction Paradigm in Pat Barker’s<i>Double Vision</i>","year":2019,"lang":"en","type":"article","venue":"English Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Interrogation; Cliché; Subject matter; Psychoanalysis; Impulse (physics); Literature; Subject (documents); Aesthetics; Art; History; Psychology","score_opus":0.03637680041023259,"score_gpt":0.2720342788872672,"score_spread":0.23565747847703464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946177761","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32067332,0.040010966,0.000003787082,0.0037943902,0.0074813333,0.00075924443,0.000022454304,0.0002848291,0.6269697],"genre_scores_gemma":[0.9798116,0.00025665233,0.0000050619033,0.0006241545,0.0011557018,0.000085346124,0.000009426704,0.00001629803,0.018035766],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989692,0.00007781574,0.0002954243,0.00025807606,0.0001721718,0.00022732464],"domain_scores_gemma":[0.9992203,0.000310083,0.00005332075,0.00024035494,0.00015170567,0.000024194347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036808374,0.0001693998,0.00025219488,0.0000934173,0.0004286292,0.00027484156,0.00012871763,0.000044155473,0.00027560006],"category_scores_gemma":[0.00006451681,0.00011268847,0.0001031757,0.000097333956,0.00012499021,0.00057248416,0.000041892883,0.0002937823,0.00004799185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014085944,0.00016971797,0.0010537836,0.0001339686,0.00019671208,0.000010098609,0.4703985,0.000037828257,0.000010613337,0.45195884,0.07106738,0.004821736],"study_design_scores_gemma":[0.0007700384,0.00008770007,0.00042399435,0.00015433654,0.000022311819,8.1256644e-7,0.043184936,0.000044508623,0.000029540835,0.002667551,0.95244485,0.00016940829],"about_ca_topic_score_codex":0.00006399885,"about_ca_topic_score_gemma":0.00070428866,"teacher_disagreement_score":0.88137746,"about_ca_system_score_codex":0.000042823936,"about_ca_system_score_gemma":0.000014937972,"threshold_uncertainty_score":0.45953023},"labels":[],"label_agreement":null},{"id":"W2946709684","doi":"10.25145/j.recaesin.2019.78.08","title":"More or Less Human: Resilience, Vulnerability, and Love in Neoliberal Times","year":2019,"lang":"en","type":"article","venue":"Revista Canaria de Estudios Ingleses","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Mount Royal University","funders":"","keywords":"Globality; Vulnerability (computing); Argument (complex analysis); Normative; Context (archaeology); Sociology; Order (exchange); Corporate governance; Epistemology; Environmental ethics; Political science; Globalization; History; Philosophy; Law; Economics","score_opus":0.027570194884726014,"score_gpt":0.2726852035730422,"score_spread":0.2451150086883162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946709684","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9393337,0.0023002787,0.0000018309687,0.0012394158,0.00014864103,0.0003718607,0.000028118673,0.0000384163,0.056537755],"genre_scores_gemma":[0.97123307,0.000023687564,0.000034433528,0.0008526656,0.00032831606,0.000013661506,0.0000104168,0.000022150041,0.02748162],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986346,0.00011537758,0.00035458012,0.00037699955,0.00018231207,0.00033616656],"domain_scores_gemma":[0.9992363,0.00020633184,0.00007026988,0.00031980488,0.00007983516,0.00008746355],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000299469,0.0002196927,0.00041705102,0.00013209859,0.00014186963,0.00045531872,0.00020182377,0.0000634047,0.0009308058],"category_scores_gemma":[0.000088185516,0.00017153783,0.000057797766,0.00009137173,0.00025742163,0.00033249278,0.0001132481,0.0002615724,0.000025651685],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007499953,0.00010109214,0.031010402,0.00034801778,0.000035583147,0.00012814271,0.031538095,0.0000033703875,0.00007758337,0.92891026,0.0068915077,0.00088092755],"study_design_scores_gemma":[0.0024219546,0.0007838804,0.02090491,0.0017939339,0.00011545568,0.00009898013,0.036768805,0.00022026594,0.000080794314,0.010692194,0.92471653,0.0014022703],"about_ca_topic_score_codex":0.0008376934,"about_ca_topic_score_gemma":0.0042071897,"teacher_disagreement_score":0.9182181,"about_ca_system_score_codex":0.00007768603,"about_ca_system_score_gemma":0.00013388017,"threshold_uncertainty_score":0.9999825},"labels":[],"label_agreement":null},{"id":"W2950908216","doi":"","title":"Masculinity in Collapse: Shell Shock in Virginia Woolf’s \"Mrs. Dalloway\" and Rebecca West’s \"The Return of the Soldier\"","year":2018,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature; Humanities; Art history","score_opus":0.01599448302056406,"score_gpt":0.2266683674113156,"score_spread":0.21067388439075155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950908216","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9182246,0.0016610393,0.0000021835958,0.0058585214,0.001033701,0.00052324636,0.000071838454,0.000024115521,0.07260077],"genre_scores_gemma":[0.98451066,0.000025120698,0.0000068565228,0.0016952946,0.0007500812,0.000027906177,0.0000048195234,0.00002060779,0.012958646],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844676,0.0002340097,0.00045556022,0.0002770941,0.0002461527,0.00034039916],"domain_scores_gemma":[0.99888694,0.00020532901,0.00011649084,0.000636318,0.000110020985,0.000044869863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074193947,0.00020814432,0.00028808496,0.000059393245,0.00041422297,0.00024265885,0.0005345795,0.000092283924,0.00031526265],"category_scores_gemma":[0.000038524333,0.00010926168,0.00011433398,0.00014562553,0.0010351266,0.00020564985,0.00019760907,0.00043617538,0.000021422838],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006965281,0.00047559539,0.031159434,0.000249742,0.00015369557,0.00005726152,0.5747007,0.0000030530757,0.0009996275,0.32192662,0.06561648,0.0039612227],"study_design_scores_gemma":[0.0014590907,0.00023757272,0.03543473,0.0002265937,0.000048987207,0.000014151662,0.01155493,0.00024738745,0.00021029162,0.01685432,0.9333606,0.0003513935],"about_ca_topic_score_codex":0.0008279518,"about_ca_topic_score_gemma":0.083249114,"teacher_disagreement_score":0.8677441,"about_ca_system_score_codex":0.00003175194,"about_ca_system_score_gemma":0.00008456244,"threshold_uncertainty_score":0.9334792},"labels":[],"label_agreement":null},{"id":"W2951642437","doi":"10.7202/1069870ar","title":"The “sick imagination” of Godwin’s Fleetwood","year":2020,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Face (sociological concept); Narrative; Wife; Aesthetics; Consciousness; Sociology; Psychoanalysis; Literature; Philosophy; Psychology; Art; Epistemology; Theology; Social science","score_opus":0.022550838602432934,"score_gpt":0.20241705242403493,"score_spread":0.179866213821602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2951642437","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109550424,0.0061736456,0.00012749768,0.17299163,0.005190506,0.0010362337,0.00020411245,0.00023396459,0.704492],"genre_scores_gemma":[0.9921048,0.000052057138,0.0000068000213,0.0033578645,0.0015928699,0.000009061602,0.000007579285,0.000014740999,0.0028542061],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991609,0.00007100886,0.0002339391,0.00016380733,0.00020124986,0.00016912784],"domain_scores_gemma":[0.9992514,0.00031283183,0.00007927161,0.00021696826,0.00007809808,0.00006140832],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018066385,0.00014066751,0.00016142103,0.000017460809,0.00047574603,0.00027626904,0.00024572996,0.00002945564,0.00028530683],"category_scores_gemma":[0.00004509471,0.00007337475,0.000064215674,0.00003824343,0.0002373618,0.00013500983,0.000051555955,0.00015844428,0.000041985426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002832573,0.000019753123,0.000010009187,0.000013661067,0.000030685656,0.0000036053195,0.020454973,1.0690669e-7,0.00013343099,0.9528631,0.025840031,0.00060234044],"study_design_scores_gemma":[0.00029533554,0.00020992542,0.00016431735,0.000028352955,0.000036949146,0.0000013842856,0.0018941974,0.00016268108,0.00034869142,0.025828838,0.97090936,0.00011996631],"about_ca_topic_score_codex":0.000017933287,"about_ca_topic_score_gemma":0.000029124427,"teacher_disagreement_score":0.9450693,"about_ca_system_score_codex":0.0000036373874,"about_ca_system_score_gemma":0.00001713047,"threshold_uncertainty_score":0.3659102},"labels":[],"label_agreement":null},{"id":"W2953997235","doi":"","title":"\"War Widow\"; \"Telling the Time by Salvador Dali's Melting Watch\"; and \"Rowan Tree\"","year":2015,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rowan; Tree (set theory); History; Ancient history; Mathematics; Biology; Combinatorics; Botany","score_opus":0.03408517985811479,"score_gpt":0.2421690269094531,"score_spread":0.2080838470513383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953997235","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021444436,0.7965245,0.000016067139,0.016883982,0.00029713882,0.00059937866,0.000072431874,0.00015146997,0.18331058],"genre_scores_gemma":[0.46805435,0.19962363,0.00043586502,0.09786287,0.0076193265,0.00033711575,0.000948178,0.00040203976,0.22471662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870247,0.00015382329,0.00038520523,0.0002618024,0.00023052855,0.00026614894],"domain_scores_gemma":[0.99920493,0.00011327221,0.00010424549,0.00033610742,0.00010842749,0.0001330141],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007584468,0.00022193448,0.0004234633,0.000018570881,0.0002759759,0.00023617673,0.00022715483,0.000038724145,0.000473183],"category_scores_gemma":[0.00007475282,0.00013586786,0.00010544962,0.00005412494,0.00015575855,0.00028950753,0.00007704966,0.00020328723,0.00024312301],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012732118,0.00007818405,0.000022939057,0.0017095854,0.00009478206,0.000039524675,0.033907074,9.417092e-8,0.000090100955,0.037866928,0.7842168,0.14196123],"study_design_scores_gemma":[0.0001606527,0.000045036275,8.473426e-7,0.0013370352,0.000111456466,0.00001732989,0.0004446981,0.000024450288,0.000026274129,0.000611871,0.9970207,0.00019963144],"about_ca_topic_score_codex":0.000051435272,"about_ca_topic_score_gemma":0.000055253087,"teacher_disagreement_score":0.5969009,"about_ca_system_score_codex":0.000012027153,"about_ca_system_score_gemma":0.00003572878,"threshold_uncertainty_score":0.554053},"labels":[],"label_agreement":null},{"id":"W2962938214","doi":"10.3968/11086","title":"Bronte, Trollope and Collins’ Heroine Characterizations and Their Views on Victorian Women","year":2019,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conformity; Extension (predicate logic); Literature; White (mutation); Focus (optics); Psychology; Art; Social psychology; Computer science","score_opus":0.020684109376081693,"score_gpt":0.25883993562713636,"score_spread":0.23815582625105466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962938214","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89990073,0.058967896,3.0591755e-7,0.0007795473,0.0004934865,0.00030493256,0.00016937831,0.000028666815,0.03935508],"genre_scores_gemma":[0.9792319,0.0010114237,0.000007914864,0.0019217293,0.0005061726,0.000039102415,0.000048788617,0.000014150436,0.017218817],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992573,0.000051918458,0.00018467693,0.00026057675,0.000057244866,0.00018823335],"domain_scores_gemma":[0.9996273,0.00009322033,0.000038683917,0.00014601013,0.00004433812,0.00005042784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011880443,0.00020018962,0.00034007194,0.0001016392,0.00014683182,0.00025861445,0.000046235284,0.000050550945,0.00008874345],"category_scores_gemma":[0.00001873933,0.00013063826,0.000022752518,0.00006037564,0.00012992584,0.000272783,0.00005590273,0.00018154757,0.0000030433407],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008339703,0.000042852822,0.00032931945,0.0002230137,0.000074090894,0.00003501239,0.9036935,2.7925907e-8,0.0004003263,0.092435755,0.00094699493,0.0017356939],"study_design_scores_gemma":[0.00095083244,0.00031619566,0.00085738715,0.0005100475,0.000008500523,0.000010307913,0.054993626,0.000005946995,0.000019211797,0.00075387245,0.9413429,0.0002311809],"about_ca_topic_score_codex":0.0000043819873,"about_ca_topic_score_gemma":0.00018607052,"teacher_disagreement_score":0.9403959,"about_ca_system_score_codex":0.000013628569,"about_ca_system_score_gemma":0.0000058507885,"threshold_uncertainty_score":0.53272736},"labels":[],"label_agreement":null},{"id":"W2966386049","doi":"10.33524/cjar.v19i2.382","title":"…AND LOSE THE NAME OF ACTION","year":2018,"lang":"en","type":"article","venue":"The Canadian Journal of Action Research","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Adventure; Action (physics); Wife; Visual arts; Literature; Anime; Art; History; Media studies; Psychology; Advertising; Sociology; Art history; Law; Philosophy; Linguistics; Political science; Physics","score_opus":0.29730961122195515,"score_gpt":0.392179443306682,"score_spread":0.09486983208472682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966386049","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8655145,0.0016201767,0.0000060295592,0.030679135,0.0010332746,0.00014134287,0.000013809785,0.0000029197233,0.100988775],"genre_scores_gemma":[0.98953134,0.000028325187,0.0000020446323,0.00017057256,0.0014486219,9.2839844e-7,3.9661907e-7,0.0000047951903,0.008812947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992139,0.00020016471,0.00015141477,0.000042195115,0.00024181888,0.00015051915],"domain_scores_gemma":[0.9987918,0.00014281394,0.000065603825,0.000116555086,0.0007654331,0.00011778737],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012766159,0.000039869148,0.000069073816,0.00017894091,0.00088550936,0.00025340117,0.00016890309,0.000024563782,0.0013689918],"category_scores_gemma":[0.00008777679,0.000020849066,0.000036914378,0.00005768874,0.0008958106,0.00022322674,0.000008973491,0.0004174288,0.0000168983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027092898,0.00003223816,0.00034324962,0.000056690973,0.00016698633,0.000043624506,0.12578979,7.5640764e-7,0.0010336324,0.6382348,0.17388007,0.060147226],"study_design_scores_gemma":[0.00011708775,0.00025479824,0.0008248824,0.000040985,0.000009921204,0.00005629779,0.011265815,0.000011224517,0.0006845859,0.00791254,0.9787911,0.00003075266],"about_ca_topic_score_codex":0.011316473,"about_ca_topic_score_gemma":0.26820934,"teacher_disagreement_score":0.804911,"about_ca_system_score_codex":0.000047907746,"about_ca_system_score_gemma":0.00043152686,"threshold_uncertainty_score":0.9995439},"labels":[],"label_agreement":null},{"id":"W2967598258","doi":"10.3138/md.62.3.0998","title":"“We Are a Musical Nation”: <i>Under Milk Wood</i> and the BBC Third Programme","year":2019,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Welsh; Musical; Framing (construction); Embodied cognition; Art; Active listening; Sociology; Visual arts; Media studies; History; Philosophy; Communication","score_opus":0.027344993986500067,"score_gpt":0.21334521630312148,"score_spread":0.18600022231662142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2967598258","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57904035,0.0056354934,0.00023369653,0.05751039,0.0009851734,0.00115167,0.00004481399,0.00024415614,0.35515425],"genre_scores_gemma":[0.950155,0.000009071059,0.000019216935,0.0046778247,0.0005072832,0.000043552758,0.000012542618,0.000017441813,0.04455807],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910533,0.000059652095,0.00017043264,0.00023490451,0.00020364508,0.00022603848],"domain_scores_gemma":[0.9994505,0.00011345617,0.000050906896,0.0002479546,0.000082276456,0.000054912405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014903175,0.00014549537,0.0001972248,0.000035845944,0.00022178167,0.0006457204,0.00013821555,0.000056746703,0.0002954087],"category_scores_gemma":[0.000012800665,0.000089158675,0.00008766974,0.000023480592,0.00023367339,0.00025179927,0.00006196521,0.00020782625,0.00009422666],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006824643,0.00006274763,0.00004783376,0.000036872476,0.00003481441,0.000005439089,0.071236506,8.609217e-7,0.000013498238,0.92001706,0.0039837006,0.0044924337],"study_design_scores_gemma":[0.0019864773,0.000060180304,0.00008315858,0.00007674757,0.000035213954,0.00000918829,0.0066563585,0.0020671985,0.000010175137,0.14859512,0.84019285,0.00022733437],"about_ca_topic_score_codex":0.000045619283,"about_ca_topic_score_gemma":0.00037691186,"teacher_disagreement_score":0.8362091,"about_ca_system_score_codex":0.000010342175,"about_ca_system_score_gemma":0.000021625166,"threshold_uncertainty_score":0.6226697},"labels":[],"label_agreement":null},{"id":"W2970232376","doi":"10.15353/kinema.vi.968","title":"Identical Twins x 3","year":2001,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Illusion; Movie theater; Object (grammar); Gesture; Vision; Perception; Identity (music); Aesthetics; Optical illusion; Art; Psychology; Visual arts; Communication; Sociology; Computer science; Cognitive psychology; Artificial intelligence","score_opus":0.04269171072864106,"score_gpt":0.2886930141534821,"score_spread":0.24600130342484103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970232376","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8418701,0.010069741,0.0019176019,0.011742419,0.011587232,0.00057485467,0.00019815564,0.0001601749,0.121879674],"genre_scores_gemma":[0.97774684,0.00012796225,0.00010249686,0.0010988102,0.0055307983,0.000011536384,0.000019068413,0.00002039993,0.015342084],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902016,0.000026883334,0.00032657306,0.00014931816,0.00019051826,0.00028655093],"domain_scores_gemma":[0.99930745,0.00018283588,0.000069984635,0.00007877819,0.0001443617,0.00021659979],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023710288,0.00014930735,0.00022942854,0.000106366715,0.00043378648,0.0005047825,0.00010449363,0.000049369635,0.0017002424],"category_scores_gemma":[0.00016449371,0.000111576475,0.0001455194,0.000030095889,0.00014217908,0.00036992357,0.0000247184,0.00021193169,0.000028045184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027014758,0.00021304982,0.00041530762,0.00008014078,0.00012730225,0.0005488421,0.034425635,3.3101253e-7,0.00020916678,0.7910334,0.15529002,0.01738667],"study_design_scores_gemma":[0.00091908075,0.00024865652,0.00032201345,0.00008318897,0.000058718066,0.00053966884,0.0022126238,0.00006635079,0.000024841553,0.015519713,0.9798232,0.00018198793],"about_ca_topic_score_codex":0.0000042926,"about_ca_topic_score_gemma":0.00007957936,"teacher_disagreement_score":0.8245331,"about_ca_system_score_codex":0.000008478771,"about_ca_system_score_gemma":0.000029634986,"threshold_uncertainty_score":0.9992123},"labels":[],"label_agreement":null},{"id":"W2970240636","doi":"10.15353/kinema.vi.981","title":"The Films of Atom Egoyan","year":2002,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Set (abstract data type); Atom (system on chip); Aesthetics; Sociology; Welfare; Political science; Law; Art; Literature; Engineering; Computer science","score_opus":0.0393841642793959,"score_gpt":0.2529271773912967,"score_spread":0.21354301311190083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970240636","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68024474,0.09221056,0.00038644823,0.01766383,0.014727698,0.0011265263,0.00067033886,0.00012366284,0.1928462],"genre_scores_gemma":[0.9812821,0.0003600962,0.00007683519,0.000311676,0.0015294196,0.0000108279255,0.000006350201,0.000015456786,0.01640723],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915105,0.000031341773,0.00032617553,0.00009954899,0.00017684886,0.00021502895],"domain_scores_gemma":[0.9991076,0.0004040019,0.00012724112,0.000098629964,0.00015536368,0.00010719165],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023205638,0.000120470446,0.00019932675,0.00005508467,0.00059940654,0.00026348094,0.00013539454,0.00003630458,0.0012184002],"category_scores_gemma":[0.00010429987,0.00007035918,0.00014074767,0.000026321668,0.00022506644,0.0001837259,0.000021440708,0.00016801206,0.000008161553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008903556,0.00010477147,0.00007264655,0.00007812021,0.00011644614,0.000034140405,0.042814422,3.3598073e-7,0.00017220927,0.5797841,0.3500233,0.026710449],"study_design_scores_gemma":[0.0006235185,0.00025772987,0.0000740288,0.00008016596,0.000040683946,0.00007710638,0.0034443245,0.00016430696,0.00011473674,0.004894637,0.9901141,0.000114685645],"about_ca_topic_score_codex":0.0000033836843,"about_ca_topic_score_gemma":0.000050058992,"teacher_disagreement_score":0.64009076,"about_ca_system_score_codex":0.0000034019947,"about_ca_system_score_gemma":0.00001165194,"threshold_uncertainty_score":0.99969465},"labels":[],"label_agreement":null},{"id":"W2971376454","doi":"10.31542/j.muse.305","title":"The Analogous Writer: Literary Evolution in Modernist Virginia Woolf","year":2016,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Character (mathematics); Literature; Feeling; History of literature; Art; Fiction writing; Philosophy; History; Epistemology","score_opus":0.009132080545509944,"score_gpt":0.2016960298917548,"score_spread":0.19256394934624488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971376454","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7747148,0.0018866038,0.0006841569,0.009362594,0.0009837588,0.00025813674,0.00012811065,0.00008640781,0.21189542],"genre_scores_gemma":[0.94355786,0.00006880503,0.0000073179494,0.00015291687,0.0003145773,4.7214073e-7,0.0000025861962,0.000007586824,0.05588789],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989689,0.00013242425,0.00018568577,0.00018266357,0.00025889225,0.00027140538],"domain_scores_gemma":[0.9994818,0.00008826811,0.000072254006,0.00018853295,0.00008639271,0.000082733684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022601744,0.00013261015,0.00013357896,0.00016008914,0.0007661515,0.0003563939,0.00039576273,0.00003717671,0.00040614023],"category_scores_gemma":[0.000006660769,0.00008331327,0.00010162197,0.000053739375,0.0002000399,0.00054006523,0.000107803324,0.00020702068,0.000049251637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045137023,0.00028899548,0.0401919,0.000013993065,0.00015017236,0.0010551312,0.054217067,0.0000017170981,0.00019588826,0.86798537,0.010204068,0.025244359],"study_design_scores_gemma":[0.001253231,0.0001069295,0.039146986,0.00011436435,0.00002270162,0.000021521077,0.0082351975,0.000024484114,0.0000046587666,0.0051912363,0.9456751,0.0002036128],"about_ca_topic_score_codex":0.00005889186,"about_ca_topic_score_gemma":0.002277138,"teacher_disagreement_score":0.935471,"about_ca_system_score_codex":0.00020577208,"about_ca_system_score_gemma":0.000047482827,"threshold_uncertainty_score":0.5892695},"labels":[],"label_agreement":null},{"id":"W2971491759","doi":"10.1007/978-3-030-26728-5_1","title":"Introduction: The Gothic in Contemporary British Trauma Fiction","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Atonement; Narrative; Psychoanalytic theory; Subject (documents); Literature; Psychoanalysis; History; Art; Aesthetics; Philosophy; Psychology; Theology","score_opus":0.038770802732584334,"score_gpt":0.2096908233706377,"score_spread":0.1709200206380534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971491759","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000030719886,0.0064325314,0.0000043267405,0.0058728093,0.0027311277,0.00044608503,0.000075096854,0.00009378479,0.98431355],"genre_scores_gemma":[0.11989841,0.000059647064,0.0000018590658,0.0015200708,0.00670273,0.000012321085,0.00020704234,0.00004512313,0.8715528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987457,0.00002971693,0.0004481856,0.0003981913,0.00021990553,0.0001583389],"domain_scores_gemma":[0.99929607,0.000060013565,0.00010711175,0.00039423173,0.00011096302,0.000031619602],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020374755,0.0002611354,0.0003507301,0.0001128279,0.00016731837,0.0005846239,0.0001938934,0.00020896578,0.026067765],"category_scores_gemma":[0.000005980572,0.00021398376,0.00018312744,0.000010599257,0.00021248538,0.00036650218,0.00003631949,0.00071656937,0.00053124945],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011765759,0.0000105252875,0.0000012587918,0.000029610155,0.000023937848,0.000024098523,0.0019358118,8.9531376e-8,1.6411593e-7,0.6214737,0.37381834,0.0026706366],"study_design_scores_gemma":[0.00024579713,0.00006620808,0.000013887234,0.00018515495,0.000017361639,0.000029951045,0.00059056206,0.0000047412022,8.7656963e-7,0.018337544,0.98023367,0.00027427592],"about_ca_topic_score_codex":0.00032768943,"about_ca_topic_score_gemma":0.0041294442,"teacher_disagreement_score":0.6064153,"about_ca_system_score_codex":0.00003774233,"about_ca_system_score_gemma":0.00008400535,"threshold_uncertainty_score":0.9748225},"labels":[],"label_agreement":null},{"id":"W2971556035","doi":"10.1007/978-3-030-26728-5_6","title":"Witness or Spectator? Gothic Interrogations of the Reader-Witness in Kazuo Ishiguro’s Never Let Me Go","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Witness; Narrative; Convention; Psychoanalysis; Art; Literature; Aesthetics; Psychology; Philosophy; Sociology; Linguistics; Social science","score_opus":0.0449813445249719,"score_gpt":0.23565498655759762,"score_spread":0.1906736420326257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971556035","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057769293,0.00053862383,0.000012236865,0.0023550997,0.0014985559,0.00055372546,0.0002773331,0.00005302186,0.9941337],"genre_scores_gemma":[0.30108437,0.000011548373,0.0000051158236,0.0011863823,0.00042097893,0.000010586483,0.000064893684,0.000052838244,0.6971633],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831986,0.000045463854,0.00065761333,0.00040024554,0.00034110976,0.00023573043],"domain_scores_gemma":[0.99863297,0.00013946171,0.0002418641,0.0007220267,0.00021594577,0.000047720223],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014493625,0.0004107362,0.0006022893,0.00020380771,0.00011524101,0.00017918028,0.0005433767,0.00025614406,0.015479904],"category_scores_gemma":[0.000020603766,0.00025038552,0.00026546628,0.00003152386,0.00054760475,0.00048716227,0.00015569195,0.0006681124,0.00023027437],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040793162,0.000036716483,0.000023064058,0.00016949973,0.00006865982,0.000016998236,0.016940348,2.8325402e-7,0.0000046108835,0.972697,0.009872373,0.00012964537],"study_design_scores_gemma":[0.00045220734,0.000081502934,0.00006176198,0.0010926515,0.00008521404,0.00000965357,0.00285451,0.000007834498,0.0000332361,0.05635354,0.9385373,0.00043059047],"about_ca_topic_score_codex":0.00016781125,"about_ca_topic_score_gemma":0.013037708,"teacher_disagreement_score":0.9286649,"about_ca_system_score_codex":0.000055306697,"about_ca_system_score_gemma":0.00025311872,"threshold_uncertainty_score":0.9999948},"labels":[],"label_agreement":null},{"id":"W2972100102","doi":"10.1007/978-3-030-26728-5_3","title":"Gothic Collisions: Regarding Trauma in Margaret Drabble’s The Gates of Ivory","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Narrative; Trope (literature); Mode (computer interface); Literature; Art; History","score_opus":0.03299775080826437,"score_gpt":0.21791364989691608,"score_spread":0.18491589908865172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972100102","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024245851,0.0060011526,0.000001230622,0.0011455672,0.00053505716,0.00041347696,0.00011061651,0.00003291088,0.99151754],"genre_scores_gemma":[0.22663721,0.00009664229,0.000005794638,0.0006926834,0.00030465962,0.0000073892274,0.00004287136,0.000037397793,0.7721753],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987583,0.00003201118,0.00051476125,0.00026970945,0.00024659355,0.00017858017],"domain_scores_gemma":[0.99890995,0.00032161167,0.00014950131,0.00045316925,0.00013578878,0.000029969811],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002773088,0.00028177156,0.0004914674,0.00018810599,0.00011454761,0.00017064407,0.00030218603,0.00020145475,0.008245192],"category_scores_gemma":[0.00001606828,0.00017506724,0.00022841246,0.000011587503,0.00024352365,0.00018306077,0.00007128472,0.0004988327,0.00012585349],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022068269,0.000012520191,0.000009964504,0.0001185438,0.000047452842,0.000013832984,0.007926397,2.4421917e-7,0.0000018069305,0.97258985,0.018628856,0.00062844995],"study_design_scores_gemma":[0.00024459744,0.00006692598,0.000009298088,0.0010065046,0.000039286184,0.0000026821367,0.001643495,0.000008504596,0.000015013456,0.055923928,0.94080514,0.0002346532],"about_ca_topic_score_codex":0.00011070674,"about_ca_topic_score_gemma":0.0023652664,"teacher_disagreement_score":0.92217624,"about_ca_system_score_codex":0.00002479104,"about_ca_system_score_gemma":0.000082013554,"threshold_uncertainty_score":0.9926614},"labels":[],"label_agreement":null},{"id":"W297812114","doi":"","title":"Trauma and Narration in David Cronenberg's Spider","year":2011,"lang":"en","type":"article","venue":"PSYART","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; The Symbolic; Psychic; Order (exchange); Representation (politics); Psychoanalysis; Aesthetics; Psychology; Epistemology; Philosophy; Linguistics; Law; Business; Political science","score_opus":0.060780800522072506,"score_gpt":0.22330449817977138,"score_spread":0.16252369765769886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W297812114","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47194672,0.0007346345,0.000004007853,0.0006426465,0.00026219542,0.00007849627,0.000004583722,0.00002788954,0.5262988],"genre_scores_gemma":[0.98826236,0.0000031574223,0.000036287685,0.0006876004,0.00019808527,0.000010278219,0.0000071598333,0.000006605707,0.010788489],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996081,0.000016953816,0.00012065634,0.000110946996,0.00004683533,0.0000964921],"domain_scores_gemma":[0.99984777,0.000009152713,0.000015350935,0.00008090676,0.000019275414,0.00002753002],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000069148264,0.000065052875,0.00007809299,0.000047416393,0.00006437091,0.00007025601,0.00003504721,0.00002436205,0.0018239568],"category_scores_gemma":[0.0000040485766,0.000056493893,0.000018177496,0.000013201589,0.000064166066,0.00029556244,0.000008824131,0.00006527948,0.000037182937],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002920713,0.00010958923,0.0011025361,0.000019496732,0.0000074528184,0.00002063524,0.20263533,2.15917e-8,0.00003338999,0.78286195,0.00755228,0.005628099],"study_design_scores_gemma":[0.00050366094,0.00014805398,0.009177705,0.000046758123,0.000009667792,0.0000068405607,0.004162963,0.000025002377,0.00022632667,0.036658727,0.9488265,0.00020781814],"about_ca_topic_score_codex":0.00015763528,"about_ca_topic_score_gemma":0.0017492324,"teacher_disagreement_score":0.9412742,"about_ca_system_score_codex":0.0000039799706,"about_ca_system_score_gemma":0.000004765047,"threshold_uncertainty_score":0.9990885},"labels":[],"label_agreement":null},{"id":"W2981752242","doi":"10.7202/019270ar","title":"Carolyn Lesjak. Working Fictions: A Genealogy of the Victorian Novel. Durham: Duke University Press, 2006. ISBN: 978-0-8223-3835-2. Price: $22.95.","year":2008,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Romance; Identity (music); History; Media studies; Art history; Romanticism; Sociology; Art; Philosophy; Literature; Aesthetics","score_opus":0.026901654807195162,"score_gpt":0.18895080974630046,"score_spread":0.1620491549391053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981752242","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25550577,0.00819122,0.00025704695,0.009333015,0.0154740615,0.0021250555,0.0009003947,0.00038310082,0.70783037],"genre_scores_gemma":[0.9773031,0.00042191707,0.000028891653,0.00058939855,0.002013533,0.0000073458173,0.000018726485,0.000032569314,0.01958451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829614,0.00016307861,0.0003784651,0.00039780478,0.00036674936,0.00039777884],"domain_scores_gemma":[0.99862576,0.00028297637,0.0002212736,0.0006334459,0.00013482083,0.00010173291],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00021568868,0.0003260964,0.00037862873,0.00007658903,0.001351055,0.0001365847,0.00051861984,0.00016156991,0.00028073209],"category_scores_gemma":[0.000032972584,0.00021494126,0.00018438349,0.00013693931,0.0004796651,0.00023414612,0.00017367379,0.00041924661,0.000014216901],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000892446,0.00016500641,0.00022821543,0.000031545398,0.000115937175,0.000033939577,0.020017363,0.0000032724713,0.00059559767,0.954796,0.023888705,0.000035178844],"study_design_scores_gemma":[0.0007570823,0.00012178662,0.0017257248,0.000118092925,0.00010016217,0.000035071516,0.0008143231,0.00007080511,0.00024848845,0.00077264337,0.9949738,0.00026206207],"about_ca_topic_score_codex":0.00028540273,"about_ca_topic_score_gemma":0.00020898707,"teacher_disagreement_score":0.9710851,"about_ca_system_score_codex":0.00003698841,"about_ca_system_score_gemma":0.00009546676,"threshold_uncertainty_score":0.99994904},"labels":[],"label_agreement":null},{"id":"W2991202388","doi":"10.5539/ells.v9n4p12","title":"Portrayal of Mental Illness: Characterization in Ian McEwan’s Short Stories (‘Homemade’, ‘Solid Geometry’, ‘Butterflies’)","year":2019,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mental illness; Character (mathematics); Reading (process); Psychology; Characterization (materials science); Lived experience; Psychoanalysis; Sociology; Aesthetics; Mental health; Art; Psychiatry; Philosophy; Linguistics; Geometry; Physics","score_opus":0.008548976776381535,"score_gpt":0.2438249128748073,"score_spread":0.23527593609842576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991202388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96498793,0.021481816,5.260833e-7,0.00018425699,0.0016338775,0.00028325437,0.00050773984,0.00006983249,0.010850763],"genre_scores_gemma":[0.9882293,0.0002600026,0.000012038333,0.000200364,0.0010355846,0.000023963037,0.00061336625,0.000021648997,0.00960377],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987844,0.000054320953,0.00039051694,0.00031370777,0.00020549772,0.0002515244],"domain_scores_gemma":[0.99939305,0.000047228696,0.000078704856,0.00020745488,0.00022845509,0.000045104603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018036061,0.00026371583,0.00050160865,0.00026311338,0.00012932626,0.00029113,0.00010508657,0.000083701474,0.00017468494],"category_scores_gemma":[0.000059932077,0.00020890357,0.00007851643,0.00014860096,0.00016192459,0.0010642138,0.00007802781,0.0002560929,0.0000022185618],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005916076,0.00006465016,0.0040783114,0.00030207544,0.00011337598,0.000071869195,0.9670104,6.9889424e-8,0.00093982375,0.025444435,0.00039124518,0.0015246005],"study_design_scores_gemma":[0.0008921532,0.00028229362,0.0035389,0.001115058,0.000050921288,0.000011037195,0.79110116,0.0000045742854,0.0011764965,0.00015064332,0.2010663,0.0006104624],"about_ca_topic_score_codex":0.00001113844,"about_ca_topic_score_gemma":0.00013819475,"teacher_disagreement_score":0.20067506,"about_ca_system_score_codex":0.000021885695,"about_ca_system_score_gemma":0.000013297057,"threshold_uncertainty_score":0.85188407},"labels":[],"label_agreement":null},{"id":"W2991677472","doi":"","title":"Risky Cosmopolitanism: Risk and Responsibility in Catherine Bush’s The Rules of Engagement","year":2011,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Somali; Cosmopolitanism; Refugee; Arcadia; Sociology; Clan; Ideology; Law; Political science; Criminology; Gender studies; Politics; History","score_opus":0.024317918106713368,"score_gpt":0.23267695994250487,"score_spread":0.20835904183579151,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991677472","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7639993,0.00054032326,0.000014555196,0.000101807906,0.00006334501,0.00014147807,0.00010577144,0.00001911796,0.23501432],"genre_scores_gemma":[0.9975401,0.000092858914,0.00012682418,0.000109035536,0.00005891731,0.000004673944,0.000006773602,0.000009781509,0.0020509958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988989,0.000506864,0.00015499623,0.00017056182,0.000097729884,0.00017091735],"domain_scores_gemma":[0.9992268,0.00033583702,0.00007867267,0.0002650378,0.000045885026,0.00004777543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008309447,0.000113813,0.00016999157,0.00010813959,0.00018626936,0.000051394854,0.00016624386,0.000052710602,0.0006456739],"category_scores_gemma":[0.00005816516,0.000089717476,0.000057011137,0.000042791562,0.0004919478,0.00018687164,0.00007958494,0.00023812652,0.0000069775638],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016761092,0.00010478595,0.0050129076,0.000020932805,0.000027615395,0.00003937333,0.1468998,1.4380775e-7,0.000034836965,0.84521264,0.00048308764,0.0019962369],"study_design_scores_gemma":[0.0018603036,0.0003405263,0.257977,0.00008340539,0.00011790401,0.000007636138,0.054057777,0.00006717168,0.0002781989,0.2052854,0.47952178,0.00040288837],"about_ca_topic_score_codex":0.0036949886,"about_ca_topic_score_gemma":0.002184006,"teacher_disagreement_score":0.63992727,"about_ca_system_score_codex":0.000032626212,"about_ca_system_score_gemma":0.000041958974,"threshold_uncertainty_score":0.70696765},"labels":[],"label_agreement":null},{"id":"W2992126717","doi":"","title":"“Local Yearnings”: Re-Placing Nostalgia in Don DeLillo’s _Underworld_","year":2010,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Ecocriticism; Ideology; Power (physics); Aesthetics; Philosophy; Cultural studies; Literature; Dystopia; Sociology; Epistemology; Art; Politics; Anthropology; Law","score_opus":0.015512198621890141,"score_gpt":0.23030193130560914,"score_spread":0.21478973268371898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992126717","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7771918,0.001333271,0.0006361659,0.005668095,0.003736432,0.00020867049,0.000017343842,0.00004015311,0.21116804],"genre_scores_gemma":[0.9928984,0.000013165462,0.000081950406,0.001607035,0.0010697161,0.0000022635932,0.000003202231,0.000028282488,0.00429596],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984224,0.00010923749,0.00067996234,0.00013555698,0.0003036519,0.00034918866],"domain_scores_gemma":[0.9988396,0.00035311244,0.00017601562,0.00023674655,0.00027870125,0.0001158146],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008499379,0.00018928609,0.00031172606,0.00024145524,0.00024929913,0.0002508266,0.00036615937,0.00007641134,0.0016251608],"category_scores_gemma":[0.000063045976,0.00013475724,0.00015448555,0.00006899399,0.00030346127,0.0004904067,0.00005117635,0.0012199568,0.000044187505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048460215,0.00056306383,0.0008563234,0.00016624179,0.00016972687,0.0014908615,0.18157008,0.00006359349,0.00667824,0.7547745,0.039174657,0.014008088],"study_design_scores_gemma":[0.0016511147,0.0003763428,0.00076962996,0.00036786744,0.000111599715,0.00050873874,0.029221363,0.00040503268,0.0005680064,0.031565554,0.93396413,0.00049059564],"about_ca_topic_score_codex":0.00014504045,"about_ca_topic_score_gemma":0.009448966,"teacher_disagreement_score":0.8947895,"about_ca_system_score_codex":0.000028274522,"about_ca_system_score_gemma":0.000080868245,"threshold_uncertainty_score":0.9992875},"labels":[],"label_agreement":null},{"id":"W2995668333","doi":"10.7202/1064855ar","title":"Just Politics: Bill Reading's Impertinent Call","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Rendering (computer graphics); Reading (process); Politics; GRASP; Epistemology; Aesthetics; Media studies; Sociology; Philosophy; Computer science; Literature; Political science; Law; Art; Artificial intelligence","score_opus":0.02224195934110954,"score_gpt":0.232246649584079,"score_spread":0.21000469024296947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995668333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5976199,0.0007802323,3.6489737e-7,0.0023312785,0.00091150653,0.000115844814,0.000046702724,0.00008616738,0.398108],"genre_scores_gemma":[0.8294421,0.000008172755,0.000013376798,0.00089934055,0.0003905114,0.0000035083335,0.000021449758,0.000014766761,0.1692068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991929,0.000025527397,0.00018788685,0.00019401744,0.0001390457,0.00026064253],"domain_scores_gemma":[0.9995349,0.00005296585,0.00003648025,0.00022347097,0.00008433622,0.00006784985],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008808342,0.00013199676,0.00016536706,0.000049349954,0.00011875185,0.00022723869,0.0001290375,0.000037325033,0.0034185858],"category_scores_gemma":[0.000010645863,0.000086614695,0.000071818096,0.00001952999,0.00011205089,0.00025070683,0.00003463537,0.00010805133,0.0010217318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012463131,0.00005366851,0.0016775354,0.00007051623,0.000037078353,0.000013770075,0.029911866,0.000001868485,0.00042481054,0.9302069,0.037285473,0.00030404044],"study_design_scores_gemma":[0.0001892167,0.00007671349,0.00018238295,0.00004579825,0.0000129318505,0.0000019088284,0.0044390536,0.00004154572,0.00036491765,0.0020304543,0.99243176,0.00018329229],"about_ca_topic_score_codex":0.0009443438,"about_ca_topic_score_gemma":0.00023386702,"teacher_disagreement_score":0.9551463,"about_ca_system_score_codex":0.000015870384,"about_ca_system_score_gemma":0.00002601585,"threshold_uncertainty_score":0.9997561},"labels":[],"label_agreement":null},{"id":"W2995761490","doi":"10.7202/1065223ar","title":"\"POST-POSTSTRUCTURALIST\" OR PRELAPSARIAN? CULTURAL STUDIES AND THE NEW HISTORICISM","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historicism; New Historicism; Epistemology; Philosophy; Linguistics","score_opus":0.028841838488225916,"score_gpt":0.25442221132235654,"score_spread":0.22558037283413063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995761490","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83107686,0.06881729,3.279461e-7,0.016002012,0.0038360013,0.00051295164,0.00003564482,0.00010734727,0.07961159],"genre_scores_gemma":[0.7292811,0.00011169842,0.000022897075,0.0009578874,0.0003430555,0.0000041220287,0.0000071441627,0.000008124856,0.26926395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992641,0.00006104236,0.00018579663,0.00019194884,0.00013763864,0.00015942848],"domain_scores_gemma":[0.9993696,0.0002063727,0.000059857062,0.00018004797,0.00014236274,0.000041717878],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011360467,0.00016086773,0.0002612791,0.00002313589,0.00025712256,0.00031346641,0.00013862285,0.000031503358,0.00088761724],"category_scores_gemma":[0.00005338112,0.00007124606,0.000059665046,0.000023953224,0.00033117432,0.0004494094,0.00006338742,0.00012621953,0.00006498355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032853297,0.000005525032,0.000060917067,0.000077826044,0.00014452795,0.000007642222,0.23729108,8.5896295e-7,0.00008022901,0.7105204,0.05039038,0.0010920832],"study_design_scores_gemma":[0.0012302182,0.000111753354,0.00011525197,0.000055568195,0.00005542758,0.0000109648,0.032024197,0.00001037671,0.000038697217,0.008027673,0.95812786,0.00019200887],"about_ca_topic_score_codex":0.00042287426,"about_ca_topic_score_gemma":0.0010047377,"teacher_disagreement_score":0.9077375,"about_ca_system_score_codex":0.000018223163,"about_ca_system_score_gemma":0.000032060725,"threshold_uncertainty_score":0.97187865},"labels":[],"label_agreement":null},{"id":"W2996428974","doi":"10.7202/1064856ar","title":"In Memoriam, Fast Forward","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporality; Tribute; Postmodernism; Capitalism; Representation (politics); Reflection (computer programming); Art history; Sociology; Philosophy; Epistemology; Art; Politics; Computer science; Law; Political science","score_opus":0.013264512907119465,"score_gpt":0.21958612973785493,"score_spread":0.20632161683073547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996428974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5134425,0.0004916537,3.3591868e-7,0.0007274836,0.0020624183,0.0000837553,0.000012166889,0.000023582503,0.48315606],"genre_scores_gemma":[0.89699906,0.0000034755326,0.000010653162,0.00050668826,0.0003989832,0.0000032771325,0.0000063404264,0.0000071698446,0.102064334],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995205,0.000017752205,0.00011785872,0.00012218663,0.00008662006,0.00013513057],"domain_scores_gemma":[0.9997828,0.00003123378,0.000018045504,0.00012047807,0.000025689287,0.000021766999],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008016236,0.000074760035,0.00011931639,0.00004572326,0.000034743534,0.00012080019,0.000084909705,0.000023171873,0.0057341186],"category_scores_gemma":[0.0000037540271,0.000060591785,0.000035540765,0.000021710672,0.000031955617,0.0003812697,0.000018439216,0.00008117895,0.0007789898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026404583,0.000049265804,0.002186124,0.00005163534,0.000015108066,0.000026918491,0.042706516,0.000004655477,0.00012706073,0.9229822,0.031362664,0.0004614354],"study_design_scores_gemma":[0.00022285407,0.000035603516,0.00018030817,0.000023677338,0.0000023741406,6.243618e-7,0.0032814913,0.000026851176,0.00010100696,0.0048537557,0.99116975,0.00010173158],"about_ca_topic_score_codex":0.00010263703,"about_ca_topic_score_gemma":0.0007782439,"teacher_disagreement_score":0.95980704,"about_ca_system_score_codex":0.0000068083536,"about_ca_system_score_gemma":0.000012359928,"threshold_uncertainty_score":0.99999905},"labels":[],"label_agreement":null},{"id":"W2996591786","doi":"10.7202/1064988ar","title":"More Enlightened Than Thou: The Dangers of Idealizing Knowledge in the Disciplines","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Thou; Discipline; Identity (music); Context (archaeology); Sociology; Epistemology; Social science; Philosophy; Theology; Aesthetics; History","score_opus":0.027195232102126314,"score_gpt":0.2675101704892105,"score_spread":0.24031493838708418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996591786","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8257422,0.004652463,2.9052498e-7,0.0024662816,0.00034897332,0.00018237751,0.00002013948,0.000014281002,0.166573],"genre_scores_gemma":[0.992154,0.000015071652,0.000004989961,0.0002049136,0.00017974609,0.00000921335,0.000009826968,0.000008431505,0.0074138013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993304,0.000098434364,0.00018460251,0.000119622266,0.00012817002,0.00013878358],"domain_scores_gemma":[0.9993938,0.00023583777,0.0000519232,0.000258413,0.000048348633,0.000011656643],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033154647,0.00010158588,0.00014714827,0.000036711343,0.00012331756,0.00012735592,0.00030466993,0.000024027277,0.0001616496],"category_scores_gemma":[0.000008081319,0.000045747587,0.000069046604,0.000059159553,0.00015201254,0.0001752931,0.000043985983,0.00011002046,0.000026065136],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023171384,0.00006285339,0.005728965,0.00008414096,0.0000262743,0.0000034020682,0.45486626,0.000005764523,0.0004275829,0.5356116,0.0026493557,0.0005105794],"study_design_scores_gemma":[0.00046983053,0.000109876775,0.013019527,0.00026355125,0.000036783433,0.0000019843696,0.27305508,0.00018270925,0.00075068447,0.008735997,0.7030896,0.00028440243],"about_ca_topic_score_codex":0.00017146458,"about_ca_topic_score_gemma":0.002387488,"teacher_disagreement_score":0.7004402,"about_ca_system_score_codex":0.0000041141034,"about_ca_system_score_gemma":0.000018753835,"threshold_uncertainty_score":0.18655324},"labels":[],"label_agreement":null},{"id":"W2996790307","doi":"","title":"The Postmodern Relationship with Nature in Don Delillo’s White Noise","year":2019,"lang":"en","type":"article","venue":"Journal of English Literature and Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Postmodernism; Postmodernity; Consumerism; Aesthetics; Sociology; White (mutation); Environmental ethics; Epistemology; Philosophy; Political science; Law","score_opus":0.014258312587553031,"score_gpt":0.23886731156218166,"score_spread":0.22460899897462863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996790307","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8050932,0.16370022,1.721663e-7,0.0024864445,0.0014654065,0.00015511276,0.000012797633,0.000012834891,0.027073774],"genre_scores_gemma":[0.98919713,0.0008950408,0.000023657913,0.0006252241,0.0014534018,0.000003634534,0.0000066860584,0.000009458209,0.007785733],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902207,0.00007098372,0.00035932637,0.00013668653,0.00022997685,0.00018094725],"domain_scores_gemma":[0.99765134,0.00020227797,0.00017914394,0.000109521876,0.0018104152,0.000047327307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025909697,0.00018809497,0.00029718678,0.00006969508,0.0003136852,0.00071953743,0.00013009265,0.00009493713,0.000014879617],"category_scores_gemma":[0.00023065766,0.0000814055,0.000088105575,0.00009650855,0.00013305098,0.0011276084,0.000032040225,0.0009453792,0.0000011634222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057879,0.00005154554,0.026800936,0.00012719733,0.00028181748,0.00009495582,0.7537302,0.0000050415824,0.000015417656,0.20067969,0.016979253,0.0006551634],"study_design_scores_gemma":[0.0010545274,0.00041661458,0.0067902803,0.0010324417,0.000060893468,0.00004904529,0.08058537,0.0000027252543,0.000005474345,0.003552868,0.9062207,0.00022908309],"about_ca_topic_score_codex":0.0000016260188,"about_ca_topic_score_gemma":0.0002731987,"teacher_disagreement_score":0.8892414,"about_ca_system_score_codex":0.00002168482,"about_ca_system_score_gemma":0.000017176202,"threshold_uncertainty_score":0.6938516},"labels":[],"label_agreement":null},{"id":"W3000037253","doi":"10.5539/ijel.v10n1p395","title":"Multiplicity of History in Our Lady of Alice Bhatti Through Historiographic Metafiction","year":2020,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Subversion; Metafiction; Intertextuality; Narrative; Literature; Trilogy; History; Sociology; Art; Politics; Law; Political science","score_opus":0.049382013199746826,"score_gpt":0.2652602022175976,"score_spread":0.21587818901785077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000037253","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1066996,0.016396193,0.00065234664,0.0008374646,0.09903639,0.00032169433,0.00039843022,0.000066420915,0.7755915],"genre_scores_gemma":[0.98949367,0.000060933395,0.00037469435,0.00041081992,0.0094973,7.0767976e-7,0.000008899987,0.0000109661105,0.00014198484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986222,0.000049316495,0.0007635308,0.0000912443,0.0003972272,0.00007650721],"domain_scores_gemma":[0.9894692,0.00009537002,0.0005807901,0.000071334434,0.00973854,0.000044790693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020026357,0.00010031731,0.00028999877,0.00019371328,0.000014342875,0.000020143385,0.0002839344,0.000046110414,0.00009994976],"category_scores_gemma":[0.0075156675,0.000095791416,0.00018694908,0.00004360204,0.00006625488,0.00014557503,0.000028313309,0.00026581748,4.529331e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004882156,0.0005422041,0.002743803,0.00013042823,0.0004337076,0.00008881177,0.14239612,0.00008592275,0.00029464316,0.80716914,0.045401618,0.0002253558],"study_design_scores_gemma":[0.00065557135,0.00015578046,0.0001698582,0.00010085724,0.000054832788,6.063307e-7,0.0028912215,0.000045212393,0.00030085165,0.00089255976,0.99464756,0.00008507607],"about_ca_topic_score_codex":0.00012791409,"about_ca_topic_score_gemma":0.00008528666,"teacher_disagreement_score":0.9492459,"about_ca_system_score_codex":0.00009516983,"about_ca_system_score_gemma":0.000087678636,"threshold_uncertainty_score":0.89974993},"labels":[],"label_agreement":null},{"id":"W3000590439","doi":"10.7202/1066508ar","title":"Care and Wonder in Two Novels by Heather O’Neill","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Wonder; Art; Art history; Psychoanalysis; Sociology; Media studies; Psychology; Social psychology","score_opus":0.01536751361456673,"score_gpt":0.2728330477178921,"score_spread":0.25746553410332534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000590439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31087622,0.30762443,3.2674087e-8,0.0025534427,0.0012753139,0.00044327902,0.00073318527,0.000021353333,0.37647274],"genre_scores_gemma":[0.9798007,0.00013138264,0.000009646374,0.0037103705,0.00024701015,0.00002273078,0.00007026503,0.000019024772,0.015988845],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897677,0.00003687672,0.00019045715,0.00030194552,0.00008666714,0.00040728992],"domain_scores_gemma":[0.9995308,0.00004487293,0.000019383526,0.00018631786,0.00009706926,0.00012155457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000866076,0.00019726124,0.00027120573,0.00019577629,0.000097843484,0.00022076504,0.00009679381,0.00006154111,0.00023833937],"category_scores_gemma":[0.000012323493,0.00016755747,0.00003545108,0.00010574795,0.00012777557,0.00029789994,0.000029685225,0.00032753372,0.000014691969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018224522,0.00002433526,0.025737839,0.00030975352,0.00006614968,0.00021921292,0.66655207,5.47889e-7,0.0000144828155,0.23634295,0.069000214,0.0017142054],"study_design_scores_gemma":[0.0006242956,0.000044447548,0.00047849063,0.00045149692,0.000005388747,0.000004443383,0.029182205,0.000002192029,0.000003412997,0.0012228892,0.967747,0.00023377416],"about_ca_topic_score_codex":0.031533986,"about_ca_topic_score_gemma":0.8300984,"teacher_disagreement_score":0.8987467,"about_ca_system_score_codex":0.00013473212,"about_ca_system_score_gemma":0.00008616755,"threshold_uncertainty_score":0.9749151},"labels":[],"label_agreement":null},{"id":"W3000731809","doi":"","title":"In search of the missing link: Finding the narrator in Barbara Gowdy's The White Bone","year":2006,"lang":"en","type":"article","venue":"Descant","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); Link (geometry); Computer science; Biology; Genetics; Computer network","score_opus":0.026637472583616272,"score_gpt":0.2343123588301782,"score_spread":0.20767488624656194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000731809","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87535965,0.0024507772,0.000003886583,0.045992147,0.00041486474,0.00032490116,0.000022951306,0.000011853001,0.075418994],"genre_scores_gemma":[0.99277484,0.0000023485306,0.0000051418656,0.0009645246,0.00042789793,0.000010459019,0.000002422152,0.000009733447,0.0058026295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990998,0.00014282666,0.0002652242,0.0001140523,0.00017577485,0.00020230931],"domain_scores_gemma":[0.99955314,0.00009423292,0.000042989417,0.00026049901,0.00003576329,0.000013357141],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004656487,0.00009220532,0.00012607039,0.00005690778,0.00024422866,0.00017828814,0.00024056828,0.00003150046,0.00022748437],"category_scores_gemma":[0.000016987757,0.000042098294,0.00006594611,0.00010785243,0.00019631351,0.0001261226,0.000054914562,0.00029495513,0.000004218911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057325164,0.00013715727,0.009599642,0.0000803754,0.000018082399,0.000074758325,0.24131994,0.0000806216,0.0018842254,0.72580874,0.017702665,0.0032364437],"study_design_scores_gemma":[0.0011499976,0.000076114535,0.051238783,0.00085939374,0.000030044326,0.00002277905,0.03060195,0.0016945878,0.0020272168,0.017980034,0.8938878,0.00043130136],"about_ca_topic_score_codex":0.00077135477,"about_ca_topic_score_gemma":0.005304629,"teacher_disagreement_score":0.8761851,"about_ca_system_score_codex":0.000023760631,"about_ca_system_score_gemma":0.000057211884,"threshold_uncertainty_score":0.29601076},"labels":[],"label_agreement":null},{"id":"W3007584750","doi":"10.1017/9781787448858.010","title":"Lost in Allegory: Grief and Chivalry in Kit Pearson's A Perfect, Gentle Knight","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chivalry; Allegory; Knight; Grief; Psychoanalysis; Psychology; Art; Literature; Psychotherapist; Physics","score_opus":0.02372066981209309,"score_gpt":0.18719062910060336,"score_spread":0.16346995928851027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007584750","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025920768,0.004831541,6.748739e-7,0.0022104413,0.00020754126,0.00028232465,0.00008364055,0.000037457845,0.9920872],"genre_scores_gemma":[0.14236408,0.00016710171,0.000008888906,0.0019875392,0.0007312478,0.000007992699,0.0001003055,0.000050303333,0.85458255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886674,0.000021812304,0.00031584167,0.00043268525,0.00016180874,0.00020110785],"domain_scores_gemma":[0.99959606,0.00004773397,0.00005120654,0.00018580785,0.00002837948,0.00009083707],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007763899,0.00033532348,0.0004641749,0.00021612196,0.000058692807,0.00023952468,0.0001288808,0.00015089278,0.01612731],"category_scores_gemma":[0.0000060993007,0.00029118845,0.0001040961,0.0000105516365,0.0001334295,0.00019351067,0.00009881901,0.0005778012,0.00032486097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030343694,0.00002108868,0.00001443471,0.00010192923,0.000024220442,0.00037097934,0.011886219,1.7517365e-8,0.0000019805589,0.95531213,0.03161093,0.0006257363],"study_design_scores_gemma":[0.0004304528,0.00009470843,0.000030087385,0.00023705103,0.000018255729,0.0000066440543,0.00056610844,0.000012409617,0.000001249244,0.023088664,0.9751511,0.0003632605],"about_ca_topic_score_codex":0.00011222793,"about_ca_topic_score_gemma":0.004857513,"teacher_disagreement_score":0.94354016,"about_ca_system_score_codex":0.000018903756,"about_ca_system_score_gemma":0.00004988167,"threshold_uncertainty_score":0.99995404},"labels":[],"label_agreement":null},{"id":"W3013281000","doi":"10.22215/etd/2020-13933","title":"\"Go for the Failure\": Modernist Feminist Failure and the Fiction of Vita Sackville-West, Sylvia Townsend Warner, and Jean Rhys","year":2020,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Subversion; Queer; Townsend; Aesthetics; Narrative; Modernism (music); Power (physics); Resistance (ecology); Ideal (ethics); Politics; Feminist theory; Art; Sociology; Gender studies; Feminism; Literature; Law; Political science","score_opus":0.018608938132245855,"score_gpt":0.22718896254981846,"score_spread":0.20858002441757262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3013281000","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008963411,0.0439784,0.00044105662,0.050001256,0.0027996455,0.005295222,0.0017584871,0.00026669516,0.8864958],"genre_scores_gemma":[0.91718656,0.00026897245,0.000045915633,0.000677632,0.00076910335,0.00013978944,0.000864188,0.000045334258,0.080002524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987946,0.000055805693,0.00041141186,0.0003585221,0.00020307436,0.00017657156],"domain_scores_gemma":[0.99865705,0.000646408,0.00020068076,0.00027264218,0.00016533477,0.00005786411],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001786909,0.00033126387,0.0004580016,0.000054401182,0.00068441656,0.0006712038,0.00019551547,0.00015541163,0.00036152365],"category_scores_gemma":[0.000058495654,0.00017745965,0.00019310767,0.000029791017,0.00037069476,0.00016472027,0.00003378302,0.00030903585,0.00000346453],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045770366,0.00002534298,0.0000037918792,0.0005203559,0.00021238199,0.0000024853152,0.06945287,3.5409053e-7,0.000036310725,0.81510305,0.11236506,0.0018203153],"study_design_scores_gemma":[0.00102263,0.00012792685,0.000014828535,0.00013390608,0.0003392638,0.0000049094524,0.06766545,0.000627804,0.000074424526,0.0038754293,0.92585135,0.0002620965],"about_ca_topic_score_codex":0.00021855361,"about_ca_topic_score_gemma":0.0058234115,"teacher_disagreement_score":0.90822315,"about_ca_system_score_codex":0.000007232668,"about_ca_system_score_gemma":0.00004532582,"threshold_uncertainty_score":0.72365946},"labels":[],"label_agreement":null},{"id":"W3016658788","doi":"10.4000/lisa.13707","title":"The Beginning of the End: the Prologue and Epilogues of Hungry Hill and The Glass-Blowers","year":2021,"lang":"en","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Prologue; Narrative; Reading (process); Closure (psychology); Literature; Function (biology); Art; History; Philosophy; Linguistics; Law; Political science; Biology","score_opus":0.011484533020118528,"score_gpt":0.19202188910875434,"score_spread":0.1805373560886358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016658788","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62253433,0.14340913,0.00002311896,0.15167066,0.004115125,0.0007585183,0.00009706682,0.000025086396,0.07736697],"genre_scores_gemma":[0.988543,0.0013779391,0.000015616484,0.001066819,0.0013010707,0.0000071838185,0.000002405403,0.000013163423,0.007672818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984681,0.00050978473,0.00046704625,0.00013117243,0.00021801393,0.00020587165],"domain_scores_gemma":[0.9980764,0.0009729318,0.00034044302,0.00032546837,0.00023697001,0.000047779515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014131693,0.00014678373,0.00027589838,0.000027362677,0.0011971402,0.0005635385,0.00035936278,0.00005176009,0.00011098333],"category_scores_gemma":[0.00028970497,0.000057341083,0.00018835512,0.00005550666,0.001436771,0.00023719574,0.00015982894,0.0006406892,5.833269e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021740161,0.00006781829,0.0013767206,0.00014735459,0.00038719602,0.00006521051,0.16147839,0.0000029746773,0.00024731978,0.81190807,0.014613863,0.009487684],"study_design_scores_gemma":[0.0011556381,0.00013103095,0.0011841846,0.00046611388,0.0002246105,0.0011343517,0.0297602,0.000073505624,0.00026156355,0.019129122,0.9463217,0.00015794889],"about_ca_topic_score_codex":0.000025642381,"about_ca_topic_score_gemma":0.00017949638,"teacher_disagreement_score":0.93170786,"about_ca_system_score_codex":0.0000093301705,"about_ca_system_score_gemma":0.00007673066,"threshold_uncertainty_score":0.9207555},"labels":[],"label_agreement":null},{"id":"W3017268822","doi":"10.32396/usurj.v6i2.492","title":"“I Say, Can You Hear Me?”","year":2020,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Drama; Active listening; Silence; CLARITY; Radio program; Media studies; Style (visual arts); Aesthetics; Sociology; Literature; Art; History; Visual arts; Communication","score_opus":0.06162615828707782,"score_gpt":0.2631480794651659,"score_spread":0.20152192117808806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3017268822","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13674486,0.0023540445,0.00077352853,0.5311031,0.0006404769,0.000614879,0.0003201256,0.00018956799,0.32725948],"genre_scores_gemma":[0.97870106,0.00014178065,0.00014668971,0.00042929448,0.00059891836,9.755524e-8,0.000013298995,0.00001898596,0.019949894],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997719,0.00039423158,0.00024399038,0.00025890287,0.0008711046,0.0005127518],"domain_scores_gemma":[0.9982662,0.00013672501,0.00010540949,0.00018827466,0.000758804,0.00054458244],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007113469,0.00016128662,0.00030916053,0.0002532628,0.0010664526,0.00028926236,0.0005588707,0.00006709623,0.0013876683],"category_scores_gemma":[0.00005476485,0.00016227261,0.00022043672,0.00018660394,0.0007728676,0.00046933658,0.0001681874,0.0011058954,0.000078311874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067323475,0.00027907675,0.0003340158,0.00021862258,0.00046967602,0.0016086682,0.6248515,0.000008080182,0.0016445249,0.19287543,0.17035764,0.006679492],"study_design_scores_gemma":[0.0010973426,0.0005626864,0.000041895004,0.00011389598,0.000035752313,0.000036607616,0.23484859,0.00010297532,0.0002073571,0.017293701,0.74541694,0.00024225876],"about_ca_topic_score_codex":0.0012992244,"about_ca_topic_score_gemma":0.004152847,"teacher_disagreement_score":0.8419562,"about_ca_system_score_codex":0.000089692134,"about_ca_system_score_gemma":0.0006337347,"threshold_uncertainty_score":0.9995252},"labels":[],"label_agreement":null},{"id":"W3032331955","doi":"10.1080/13504622.2020.1774044","title":"Coves of departure: field notes from the sea of Cortez","year":2020,"lang":"en","type":"article","venue":"Environmental Education Research","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Cove; Memoir; Elegance; Meditation; Reflection (computer programming); Field (mathematics); Natural (archaeology); Art; History; Art history; Sociology; Archaeology; Literature","score_opus":0.07565706255073275,"score_gpt":0.315254392956816,"score_spread":0.23959733040608328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032331955","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94571626,0.0032257487,0.0000100130765,0.021904612,0.00019583777,0.00024322397,0.00022501007,0.000006702369,0.028472617],"genre_scores_gemma":[0.99700785,0.00003438985,0.000019939132,0.001448345,0.00041178355,0.000013669087,0.00009882922,0.000005881215,0.00095933635],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992889,0.0000999276,0.00014818614,0.00011035874,0.00026609152,0.00008649492],"domain_scores_gemma":[0.9991824,0.0005688432,0.000034893765,0.00014985584,0.000019137025,0.0000448523],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011335754,0.000050387072,0.0000809284,0.000018778968,0.00010324009,0.000035318033,0.00016730693,0.00002296065,0.0056224153],"category_scores_gemma":[0.00009268183,0.000036115624,0.000040368184,0.000027655904,0.0002641494,0.00009054547,0.0000530263,0.00016486825,0.000044926783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035642812,0.001515368,0.06940834,0.00015895069,0.00017135643,0.0000040275017,0.32333508,0.0000019030426,0.026392896,0.21101019,0.3209294,0.04671605],"study_design_scores_gemma":[0.00023536717,0.00036844355,0.016596362,0.00005450179,0.000018694642,4.010584e-7,0.042620104,0.0000303795,0.039154854,0.003252727,0.8975445,0.00012366899],"about_ca_topic_score_codex":0.0003731866,"about_ca_topic_score_gemma":0.000051632636,"teacher_disagreement_score":0.5766151,"about_ca_system_score_codex":0.000008514664,"about_ca_system_score_gemma":0.00005713034,"threshold_uncertainty_score":0.9952866},"labels":[],"label_agreement":null},{"id":"W3032726638","doi":"10.7202/1068777ar","title":"Memory Disorders and the Extension of the Postmodern Fictional Boundary. Paul Auster’s Man in the Dark","year":2020,"lang":"en","type":"article","venue":"Captures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernity; Postmodernism; Narrative; Subject (documents); Extension (predicate logic); Amnesia; Psychoanalysis; Psychology; Literature; Aesthetics; Philosophy; Cognitive psychology; Art; Computer science","score_opus":0.017988696228930238,"score_gpt":0.202416611559021,"score_spread":0.18442791533009076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032726638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63377345,0.019453436,0.000010899887,0.19895512,0.000763806,0.0007381688,0.00010750069,0.000032421016,0.14616522],"genre_scores_gemma":[0.9852907,0.000021463678,0.00000119725,0.013509712,0.00027150867,0.000009630093,0.000008457154,0.0000060761495,0.0008812499],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999394,0.00011929681,0.00013382823,0.000116828145,0.00015209451,0.000083928964],"domain_scores_gemma":[0.9996346,0.000120013436,0.000037990565,0.00016457721,0.000026917874,0.000015873844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013352114,0.00008514856,0.000102521124,0.0000103301,0.00024810742,0.00013988027,0.00018533954,0.000024857445,0.00010194274],"category_scores_gemma":[0.000029683699,0.000035303652,0.00006789566,0.000024895726,0.00049024855,0.000088959176,0.000049892762,0.00018740245,0.0000013035983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028199638,0.000049477694,0.00018797888,0.00006564802,0.00003567942,0.000009183046,0.4684805,0.000008178904,0.00006532556,0.43482408,0.093579076,0.0024128715],"study_design_scores_gemma":[0.00095624285,0.00005382171,0.006078514,0.000046333946,0.00003965292,0.00000911496,0.026992932,0.00015887509,0.0000142101235,0.041070346,0.9244597,0.000120283126],"about_ca_topic_score_codex":0.00009837903,"about_ca_topic_score_gemma":0.00087770453,"teacher_disagreement_score":0.8308806,"about_ca_system_score_codex":0.0000025801796,"about_ca_system_score_gemma":0.000018177658,"threshold_uncertainty_score":0.19082667},"labels":[],"label_agreement":null},{"id":"W3035864536","doi":"10.7202/1069409ar","title":"No Master of Himself: Pope and the Response of Wonder","year":2020,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Wonder; Admiration; Aesthetics; Poetics; Expression (computer science); Poetry; Philosophy; Psychoanalysis; Literature; Art; Psychology; Epistemology","score_opus":0.03395848922309962,"score_gpt":0.21662629170469616,"score_spread":0.18266780248159653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035864536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8067865,0.10035617,0.0000034395337,0.0682361,0.00092504587,0.00300603,0.002169162,0.000108519576,0.018409044],"genre_scores_gemma":[0.9911235,0.0010706617,0.0001223652,0.005854955,0.0005671226,0.00007408894,0.000033649903,0.000029359126,0.0011243136],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873626,0.00004901099,0.00039064718,0.00027894558,0.00021491038,0.00033023566],"domain_scores_gemma":[0.9979755,0.00056861236,0.000195584,0.00010793744,0.001022582,0.00012977216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044094727,0.00023400743,0.00045702455,0.000025428964,0.00071059214,0.00015664162,0.0002954948,0.00007564334,0.00009936461],"category_scores_gemma":[0.00029621657,0.00013596276,0.00026653757,0.00015676468,0.0009819637,0.00020994795,0.00007563715,0.00021488869,0.0000026208854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018118282,0.00002167235,0.0007720426,0.0002350495,0.0019499036,6.4916844e-7,0.43780524,3.110153e-8,0.0004194292,0.12699215,0.42983484,0.00015714638],"study_design_scores_gemma":[0.0021373425,0.0002531345,0.00048542293,0.0001240741,0.00035420893,8.2606806e-7,0.07180461,0.000067331566,0.0002689912,0.0010871427,0.92316514,0.0002517492],"about_ca_topic_score_codex":0.0030469014,"about_ca_topic_score_gemma":0.0054442203,"teacher_disagreement_score":0.4933303,"about_ca_system_score_codex":0.000057435467,"about_ca_system_score_gemma":0.00016256172,"threshold_uncertainty_score":0.5544401},"labels":[],"label_agreement":null},{"id":"W3038521463","doi":"10.71781/14874","title":"A Hauntology of Sheila Watson's The Double Hook","year":2019,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Watson; Hook; Art history; Art; Literature; Philosophy; Computer science; Engineering","score_opus":0.0515303160709923,"score_gpt":0.30015655473030034,"score_spread":0.24862623865930805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038521463","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07595062,0.0016639509,2.4967173e-7,0.00040829467,0.0014041474,0.00054377125,0.00005173393,9.3249696e-7,0.9199763],"genre_scores_gemma":[0.4614983,0.000004978464,0.000008914568,0.000095075484,0.00012857033,0.000023469549,0.0005199681,0.000013010983,0.53770775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926084,0.00003136878,0.00025808843,0.00021803542,0.00010089254,0.00013079574],"domain_scores_gemma":[0.99931633,0.00005088326,0.00014801703,0.00034078365,0.00012756436,0.000016441843],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013417815,0.000157674,0.0003332654,0.000060164522,0.00012520539,0.0004315696,0.0005861239,0.00012637729,0.0127322925],"category_scores_gemma":[0.00000419771,0.0001007647,0.00009963627,0.000021017171,0.00007996322,0.00018354213,0.000050606915,0.00022077818,0.00045968502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084394414,0.00014859138,0.000021539487,0.00020969157,0.00032639402,0.00001953012,0.23244242,2.2058579e-7,0.00017276405,0.6752278,0.054137442,0.036449645],"study_design_scores_gemma":[0.00039270526,0.00005261605,0.000026784046,0.00015692462,0.00008588361,9.0953347e-7,0.016569275,0.0000016417703,0.0007738708,0.0007762217,0.98103714,0.00012601267],"about_ca_topic_score_codex":0.00021650693,"about_ca_topic_score_gemma":0.005311002,"teacher_disagreement_score":0.92689973,"about_ca_system_score_codex":0.000007224064,"about_ca_system_score_gemma":0.00013916144,"threshold_uncertainty_score":0.9881702},"labels":[],"label_agreement":null},{"id":"W3042291842","doi":"10.3968/11705","title":"Trauma and Narrative in The Uninvited","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Focalization; Narrative; Literature; Intertextuality; History; Testimonial; Psychoanalysis; Aesthetics; Psychology; Art","score_opus":0.04255942618894563,"score_gpt":0.28967938810522526,"score_spread":0.24711996191627963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042291842","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.773511,0.16543594,2.715823e-7,0.013369259,0.00012914932,0.00022212205,0.00004411441,0.000022286822,0.047265884],"genre_scores_gemma":[0.9894865,0.00019330833,0.000010580679,0.009278282,0.00038302082,0.000017420076,0.000017583465,0.0000054882557,0.0006078009],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993981,0.00009545599,0.00013988481,0.0001753871,0.00006832487,0.00012283264],"domain_scores_gemma":[0.9997434,0.000115231924,0.000019126996,0.00007269244,0.000025415118,0.000024102786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000119296696,0.00012312781,0.00018316736,0.00005268632,0.00012705734,0.000179071,0.000067283276,0.00003200833,0.000029297931],"category_scores_gemma":[0.00004686149,0.00007179573,0.000020006537,0.00010425097,0.00022409795,0.00020067331,0.000035800902,0.0002624738,6.453431e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024748451,0.000012149646,0.000086631524,0.00007395717,0.000015450507,0.00024133193,0.8885916,2.1498265e-8,0.000011427364,0.106410615,0.0032831302,0.0012489711],"study_design_scores_gemma":[0.0006273386,0.0001502681,0.00047950156,0.00025189383,0.0000109703715,0.00001191126,0.7941026,0.000009494867,0.000009474659,0.0022666394,0.20192127,0.00015864856],"about_ca_topic_score_codex":0.000014582646,"about_ca_topic_score_gemma":0.0005695597,"teacher_disagreement_score":0.21597554,"about_ca_system_score_codex":0.0000036071003,"about_ca_system_score_gemma":0.0000028561008,"threshold_uncertainty_score":0.2927745},"labels":[],"label_agreement":null},{"id":"W3042667467","doi":"","title":"Introduction: Selfhood, Embodiment, Materiality","year":2019,"lang":"en","type":"article","venue":"Symposium","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Aesthetics; Art","score_opus":0.008927964255696695,"score_gpt":0.19966558226454478,"score_spread":0.1907376180088481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042667467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13543569,0.00012694388,0.0000023640378,0.01128829,0.0077536944,0.00021711973,0.00003818748,0.00015321713,0.8449845],"genre_scores_gemma":[0.8304278,0.000002210678,0.0000105138715,0.0006807527,0.0051406245,0.000010258237,0.00005356869,0.000012004469,0.16366225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929655,0.000036146877,0.0001684769,0.00022263861,0.00011269592,0.00016349558],"domain_scores_gemma":[0.99956375,0.000008165291,0.000035416873,0.00028832472,0.0000640766,0.00004025108],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010379421,0.000110733665,0.00013730185,0.000036598223,0.000106256666,0.0002944058,0.0000995695,0.000031486747,0.023459839],"category_scores_gemma":[0.0000016819148,0.00009424142,0.00005741446,0.000018293005,0.000046494002,0.00033967063,0.00003212991,0.0000767261,0.0027727264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026817317,0.000046648744,0.00009195146,0.00004505457,0.000024024559,0.0000027719493,0.007159269,2.319111e-7,0.0042950036,0.89678735,0.09146586,0.00005502058],"study_design_scores_gemma":[0.000211723,0.000065294524,0.000031599364,0.000008687181,0.000012332046,0.0000040936566,0.0005969677,0.0000027199617,0.0015692264,0.0018784795,0.99548453,0.00013432399],"about_ca_topic_score_codex":0.000026578258,"about_ca_topic_score_gemma":0.000013500345,"teacher_disagreement_score":0.9040187,"about_ca_system_score_codex":0.000015901453,"about_ca_system_score_gemma":0.000015766018,"threshold_uncertainty_score":0.9980037},"labels":[],"label_agreement":null},{"id":"W3048853620","doi":"10.7202/1070953ar","title":"Recognition, or the Depressive Pleasure of Reading Surfacing","year":2020,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Pleasure; Reading (process); Psychology; Linguistics; Neuroscience; Philosophy","score_opus":0.11966243326029795,"score_gpt":0.2845826228613754,"score_spread":0.16492018960107746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048853620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16275652,0.18426357,0.000003720945,0.13189365,0.005344212,0.002174516,0.0059560407,0.0001967025,0.50741106],"genre_scores_gemma":[0.9914155,0.00012531177,0.000019603589,0.005385452,0.0007484848,0.000020543699,0.000050756815,0.000014705293,0.0022196553],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990287,0.00008187855,0.00027213807,0.00020872129,0.00011908064,0.0002895204],"domain_scores_gemma":[0.99917233,0.00016891403,0.000062319436,0.0001488849,0.00031212336,0.00013543817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014825034,0.00015635429,0.00025831905,0.00009747858,0.0002916116,0.0001538746,0.000173138,0.000057375728,0.00024981637],"category_scores_gemma":[0.00037779365,0.00008552243,0.000062983374,0.00019899402,0.00022632745,0.00025624086,0.00002996485,0.00034311367,0.000007385276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008569885,0.000010824163,0.00078512594,0.00038618108,0.00018540447,0.000438449,0.8393808,0.0000024280437,0.000017121003,0.05424955,0.101818345,0.002640081],"study_design_scores_gemma":[0.00032526403,0.000076831144,0.000091622016,0.00095712324,0.000032039465,0.0000099188055,0.040136904,0.000012520136,0.000064414424,0.0021987362,0.9558843,0.00021035617],"about_ca_topic_score_codex":0.008482895,"about_ca_topic_score_gemma":0.45216656,"teacher_disagreement_score":0.85406595,"about_ca_system_score_codex":0.00004790821,"about_ca_system_score_gemma":0.0001547971,"threshold_uncertainty_score":0.9981197},"labels":[],"label_agreement":null},{"id":"W3088642524","doi":"10.1007/978-3-030-52980-2_2","title":"The Disintegration of London in Alan Moore’s Psychogeography","year":2020,"lang":"en","type":"book-chapter","venue":"Literary urban studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lethbridge College","funders":"","keywords":"Idealization; Dialectic; Order (exchange); Art history; Coherence (philosophical gambling strategy); Ideal (ethics); Aesthetics; Art; History; Literature; Philosophy; Epistemology","score_opus":0.035548412041917596,"score_gpt":0.2395813129501192,"score_spread":0.2040329009082016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088642524","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013526322,0.19953278,8.530981e-7,0.0020625063,0.0008865989,0.0003138819,0.000286413,0.000045651333,0.79673606],"genre_scores_gemma":[0.20068547,0.003529808,0.00001553977,0.0011836257,0.0018328448,0.00005607384,0.00029531668,0.00006925843,0.79233205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985452,0.00003631562,0.0006548142,0.00034279516,0.00024381078,0.00017705832],"domain_scores_gemma":[0.9990224,0.00021246432,0.00022047322,0.0003313693,0.00017400469,0.00003925478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010707156,0.0003740475,0.00058014586,0.00017967104,0.00021803753,0.00018656014,0.0002372936,0.00009086712,0.00012298238],"category_scores_gemma":[0.000016536349,0.00023855726,0.00030038995,0.000031024534,0.00051169307,0.00023381345,0.00007878579,0.0004054157,0.000019441739],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000775022,0.000016748176,0.00013487466,0.00012626735,0.00028138468,0.000024563828,0.050021563,9.711314e-9,9.2617915e-7,0.878535,0.06707195,0.0037092129],"study_design_scores_gemma":[0.00018341975,0.00012853976,0.000043164757,0.00060818,0.0000522488,7.685876e-7,0.00092738867,0.0000013426819,0.0000018783926,0.16101722,0.83682793,0.00020793978],"about_ca_topic_score_codex":0.000010158555,"about_ca_topic_score_gemma":0.00036560022,"teacher_disagreement_score":0.76975596,"about_ca_system_score_codex":0.000015331127,"about_ca_system_score_gemma":0.000019149193,"threshold_uncertainty_score":0.9728083},"labels":[],"label_agreement":null},{"id":"W3091273609","doi":"10.4000/ces.2207","title":"Fine Red Threads: Dislocation and Identity in Lisa Bird-Wilson’s Just Pretending","year":2020,"lang":"en","type":"article","venue":"Commonwealth Essays and Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"","keywords":"Identity (music); Dislocation; Genealogy; Race (biology); Sociology; Gender studies; Visual arts; History; Art; Aesthetics; Physics; Condensed matter physics","score_opus":0.1386337188897809,"score_gpt":0.3417407361573079,"score_spread":0.20310701726752697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3091273609","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74351805,0.14573519,0.000058641752,0.06765656,0.00078375527,0.00075883523,0.00007769304,0.00027843093,0.041132808],"genre_scores_gemma":[0.99670607,0.0016127302,0.000015642565,0.0009762527,0.00031944716,0.000030019759,0.000008278396,0.000013508615,0.00031803583],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991631,0.000055560937,0.00027029242,0.00023210453,0.000103724204,0.0001752408],"domain_scores_gemma":[0.9995975,0.00010898567,0.000062771855,0.00009071818,0.000064413645,0.00007563947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018480582,0.00014411211,0.0003094807,0.000055923036,0.0003841275,0.00019359463,0.000069870766,0.000029696603,0.000028232314],"category_scores_gemma":[0.00007878873,0.00011638557,0.00002429628,0.00006210317,0.00017913218,0.000515711,0.00012630125,0.00015068447,0.0000027889423],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054009153,0.000040644212,0.020111918,0.0007028158,0.000053391977,0.000017500204,0.19660781,2.492648e-7,0.000012403196,0.7701649,0.006905987,0.005328347],"study_design_scores_gemma":[0.0062559866,0.001697872,0.12275805,0.00249822,0.0003718979,0.000017084232,0.32025737,0.0018036233,0.00005796024,0.09913909,0.44303465,0.00210818],"about_ca_topic_score_codex":0.00013562125,"about_ca_topic_score_gemma":0.008972422,"teacher_disagreement_score":0.6710258,"about_ca_system_score_codex":0.000015171809,"about_ca_system_score_gemma":0.000011243067,"threshold_uncertainty_score":0.50068223},"labels":[],"label_agreement":null},{"id":"W3092571369","doi":"","title":"Back to the Future: Edwardian Comedy and Progressive Politics","year":2018,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Princeton University","keywords":"Comedy; Politics; History; Art; Literature; Political science; Law","score_opus":0.01614817627665355,"score_gpt":0.2937451414233622,"score_spread":0.2775969651467087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092571369","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038544055,0.01155709,0.0000010479649,0.012565159,0.004526821,0.0007050487,0.000103174156,0.000046881323,0.93195075],"genre_scores_gemma":[0.16607979,0.00004142842,0.000055781242,0.0033023078,0.01502194,0.000069719514,0.00078336475,0.00005976688,0.8145859],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921423,0.000035288802,0.00014054615,0.0002243815,0.00015644972,0.00022909415],"domain_scores_gemma":[0.9993402,0.000027137994,0.000067156674,0.00026892227,0.00019114805,0.00010544272],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006195227,0.00021729158,0.00021030515,0.00006261101,0.00035524543,0.00048217046,0.00016631531,0.000103571474,0.0025085055],"category_scores_gemma":[0.000008265642,0.0001430183,0.00006415727,0.000029086073,0.00009571844,0.00007450401,0.00002389256,0.00021715522,0.00045167128],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026434496,0.000017467371,0.000003584916,0.00012669226,0.000050988427,0.000009169948,0.32211047,3.6206178e-9,0.0000014681907,0.40984687,0.26595718,0.001849667],"study_design_scores_gemma":[0.000085443375,0.00009550825,0.000075275,0.000133187,0.00004649053,0.000002672214,0.07076559,6.200662e-7,0.00002394978,0.0008946499,0.92768925,0.00018733807],"about_ca_topic_score_codex":0.00007294545,"about_ca_topic_score_gemma":0.0030731538,"teacher_disagreement_score":0.6617321,"about_ca_system_score_codex":0.000012034364,"about_ca_system_score_gemma":0.00005657557,"threshold_uncertainty_score":0.9984033},"labels":[],"label_agreement":null},{"id":"W3093175996","doi":"10.3968/11871","title":"Characteristics of Abjection in First Love, Last Rites","year":2020,"lang":"en","type":"article","venue":"Higher education of social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sadness; Absurdity; Cruelty; Identity (music); Hatred; Psychoanalysis; Literature; Psychology; Sexual desire; State (computer science); Sociology; Aesthetics; History; Gender studies; Art; Social psychology; Criminology; Anger; Law; Human sexuality","score_opus":0.02583375679438965,"score_gpt":0.26306478269039574,"score_spread":0.2372310258960061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3093175996","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38813415,0.00011309653,0.0000019350496,0.003796157,0.0012075622,0.00009152845,0.00002035624,0.00001115493,0.60662407],"genre_scores_gemma":[0.995493,0.000002391079,0.000011575745,0.00039906634,0.0005513216,0.0000020039217,0.0000044237895,0.0000024339051,0.0035338078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995295,0.000008748857,0.00016283702,0.000093754476,0.00013574114,0.00006944796],"domain_scores_gemma":[0.9996758,0.000017731207,0.00008271166,0.00003678725,0.00015967473,0.000027281581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007033233,0.00004015467,0.00008657915,0.000055568064,0.00007848976,0.000045526485,0.00010185623,0.000015771167,0.0009126694],"category_scores_gemma":[0.000020463689,0.0000390443,0.000021414693,0.00016069756,0.00033485363,0.00027450785,0.000014054482,0.000044535842,0.000012856362],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065778236,0.00009894655,0.0025405514,0.000048018646,0.0000010505236,9.2678555e-8,0.08119381,2.3547502e-8,0.0007068887,0.91309404,0.0018631902,0.00044680975],"study_design_scores_gemma":[0.00010842278,0.00005830108,0.37677306,0.000049690487,0.0000056511385,9.339505e-8,0.0042613978,0.0000033530916,0.0005635759,0.0012148088,0.6168702,0.00009144044],"about_ca_topic_score_codex":0.000050791277,"about_ca_topic_score_gemma":0.000014833104,"teacher_disagreement_score":0.91187924,"about_ca_system_score_codex":0.000015955082,"about_ca_system_score_gemma":0.00012630635,"threshold_uncertainty_score":0.99930894},"labels":[],"label_agreement":null},{"id":"W3097371806","doi":"10.3138/md.63.3.br6","title":"Jennifer Wallace, <i>Tragedy since 9/11: Reading a World Out of Joint</i>","year":2020,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Reading (process); Perspective (graphical); Politics; Terrorism; Literature; Mode (computer interface); Refugee; History; Aesthetics; Sociology; Political science; Philosophy; Art; Law; Visual arts; Computer science","score_opus":0.048205060622413795,"score_gpt":0.22846480833279434,"score_spread":0.18025974771038056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097371806","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.093238965,0.0021473872,0.0015523852,0.033869106,0.0009772797,0.00050365843,0.00016839629,0.00038718065,0.8671557],"genre_scores_gemma":[0.9442444,0.0000030544913,0.00008826464,0.0038976884,0.0006942956,0.000008007301,0.000018284622,0.000029579516,0.051016454],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989043,0.0000407316,0.00033970625,0.00027204453,0.00020980439,0.00023339638],"domain_scores_gemma":[0.99943715,0.00004469749,0.000079737016,0.00022452138,0.00009989367,0.00011402255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000088327266,0.00017765776,0.00030398165,0.000068286856,0.0001255977,0.00021210461,0.00017277406,0.00003865732,0.0005837269],"category_scores_gemma":[0.000026284248,0.00015909447,0.00013578123,0.000045530844,0.00008974832,0.00030767705,0.00006233941,0.0001956856,0.000076584285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000105487,0.00015209912,0.00015651202,0.00028658775,0.00008210367,0.00011953114,0.25382417,0.0000069375374,0.0055837883,0.6558762,0.07756819,0.006238341],"study_design_scores_gemma":[0.00046008936,0.00007194261,0.000029380308,0.00012900167,0.000038154358,0.0000013696344,0.00083431887,0.0012562774,0.0015757688,0.0065846504,0.9887354,0.00028368048],"about_ca_topic_score_codex":0.000049195132,"about_ca_topic_score_gemma":0.00072592986,"teacher_disagreement_score":0.91116714,"about_ca_system_score_codex":0.000016825505,"about_ca_system_score_gemma":0.00003058134,"threshold_uncertainty_score":0.6487684},"labels":[],"label_agreement":null},{"id":"W3099602504","doi":"10.3968/11844","title":"Abjection and Loss of Identity in Richard Yates’ Revolutionary Road","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Housewife; Mediocrity principle; Wife; Identity (music); Sociology; Consumerism; Gender studies; Aesthetics; Psychoanalysis; Law; Psychology; Philosophy; Political science","score_opus":0.024411759375730282,"score_gpt":0.28941286786644055,"score_spread":0.2650011084907103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3099602504","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71906376,0.26819202,0.0000012599128,0.00088185625,0.00022592122,0.0001191939,0.00006193007,0.000016972253,0.011437055],"genre_scores_gemma":[0.99702704,0.0013130141,0.000022511942,0.0006644497,0.00034435902,0.000008404443,0.000019092999,0.0000054244933,0.00059570913],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993913,0.00004622287,0.00020307649,0.00017872345,0.00007668764,0.00010395673],"domain_scores_gemma":[0.9997843,0.000039473423,0.000036502493,0.00006378653,0.00004953908,0.000026425645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010885703,0.00010487744,0.00022553833,0.000087536304,0.000058545098,0.000043049247,0.00004243073,0.000040031995,0.000030170428],"category_scores_gemma":[0.000059654973,0.000085026884,0.000026082582,0.00011916545,0.00017714649,0.00045768262,0.00006494038,0.00017498461,8.437363e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008690231,0.000040926476,0.005581957,0.0006836333,0.000042658197,0.00024488554,0.87987334,1.542294e-7,0.00011789897,0.109936416,0.0021215947,0.0012696213],"study_design_scores_gemma":[0.0067334543,0.0013886829,0.08672303,0.0065065543,0.00017703144,0.0001281517,0.579683,0.00017215745,0.00024293165,0.041571204,0.274885,0.0017888169],"about_ca_topic_score_codex":0.00006314847,"about_ca_topic_score_gemma":0.0007094653,"teacher_disagreement_score":0.30019036,"about_ca_system_score_codex":0.000008305976,"about_ca_system_score_gemma":0.0000050743342,"threshold_uncertainty_score":0.34672958},"labels":[],"label_agreement":null},{"id":"W3099837495","doi":"10.1080/0950236x.2020.1841279","title":"Manufacturing crisis under globalisation: middle-class precarity in Dave Eggers’s <i>A Hologram for the King</i>","year":2020,"lang":"en","type":"article","venue":"Textual Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Postmodernism; Globalization; Middle class; Precarity; Capitalism; Politics; Sociology; Exceptionalism; American exceptionalism; Financial crisis; Political economy; Economics; Economy; Economic history; Political science; Gender studies; Keynesian economics; Market economy; Art; Law; Literature","score_opus":0.11588367822596622,"score_gpt":0.28938307923589435,"score_spread":0.1734994010099281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3099837495","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011452707,0.0030208102,0.0024011016,0.39758456,0.0013815253,0.0017403654,0.00024317502,0.00033600716,0.58183974],"genre_scores_gemma":[0.94671935,0.00001576408,0.00013695195,0.05101349,0.0011060522,0.000058385936,0.000034534387,0.000017953826,0.0008975229],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879974,0.00014209271,0.00028654753,0.00030882747,0.0002048922,0.00025788113],"domain_scores_gemma":[0.99815524,0.0013148903,0.00012202125,0.00022598749,0.00011240058,0.00006949358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038256502,0.00017134867,0.00017909773,0.000029179915,0.00033280582,0.0005458394,0.0002452619,0.000060049446,0.0003879663],"category_scores_gemma":[0.00033360545,0.00012918116,0.00009996056,0.00005148377,0.000109973924,0.0010213683,0.000070556984,0.00035124968,0.000049310518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000539605,0.00020143962,0.000018726165,0.00010325703,0.0001559676,0.000038754504,0.09984885,0.000046049397,0.000013261889,0.79514974,0.098641254,0.0052431123],"study_design_scores_gemma":[0.0005150507,0.00011757306,0.000066579996,0.000017402666,0.00010231352,0.000007115183,0.056435823,0.00020607724,0.00007682209,0.0025432808,0.93973386,0.0001780846],"about_ca_topic_score_codex":0.00049296784,"about_ca_topic_score_gemma":0.00079290103,"teacher_disagreement_score":0.9352666,"about_ca_system_score_codex":0.0000342146,"about_ca_system_score_gemma":0.000038535625,"threshold_uncertainty_score":0.5267855},"labels":[],"label_agreement":null},{"id":"W3107852355","doi":"10.1177/0021989420969964","title":"Multidirectional vulnerabilities: Trauma, bare life, and resistance in June Hutton’s <i>Underground</i>","year":2020,"lang":"en","type":"article","venue":"The Journal of Commonwealth Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Narodowe Centrum Nauki","keywords":"Resistance (ecology); Precarity; Biopower; Sociology; Politics; History; Population; Uncanny; Gender studies; Spanish Civil War; Persecution; Law; Criminology; Psychoanalysis; Political science; Psychology; Demography","score_opus":0.024056837007158608,"score_gpt":0.23481488343569484,"score_spread":0.21075804642853624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107852355","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4288241,0.22713304,0.000112293164,0.24931118,0.0029705684,0.0007139012,0.00034862486,0.000095341136,0.09049095],"genre_scores_gemma":[0.98529166,0.00031081564,0.00015421672,0.01018613,0.0017061171,0.0000038474873,0.000011161504,0.00002077748,0.0023152716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981622,0.00042221375,0.0007167183,0.00014444902,0.00031679252,0.00023759912],"domain_scores_gemma":[0.9986157,0.0004972639,0.00019843917,0.00017146402,0.00029243212,0.00022470555],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006702497,0.00021187555,0.00040976788,0.00010276789,0.00033534915,0.00038371322,0.0002883369,0.000080475154,0.00016941312],"category_scores_gemma":[0.00014000795,0.00013699359,0.00010520779,0.00014529933,0.00019440934,0.00073331076,0.000038778566,0.0011356185,0.0000024203139],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016925477,0.00015007347,0.00037357878,0.000554852,0.000083568775,0.0001004624,0.4034809,0.00000752127,0.000048920825,0.49343327,0.099605866,0.00046845686],"study_design_scores_gemma":[0.00130075,0.00024760768,0.00071081624,0.00059681345,0.000031518222,0.000055441422,0.009807554,0.000032082982,0.000014680322,0.015863933,0.971127,0.00021183504],"about_ca_topic_score_codex":0.00001775327,"about_ca_topic_score_gemma":0.001237191,"teacher_disagreement_score":0.8715211,"about_ca_system_score_codex":0.000035281286,"about_ca_system_score_gemma":0.000111507485,"threshold_uncertainty_score":0.5586437},"labels":[],"label_agreement":null},{"id":"W3109354498","doi":"10.3138/seminar.57.1.4","title":"No Light against Entropy: Elfriede Jelinek’s Translation of Thomas Pynchon’s <i>Gravity’s Rainbow</i> and Its Impact on <i>Die Kinder der Toten</i>","year":2020,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rainbow; Poetry; Agency (philosophy); Art; Literature; Art history; Philosophy; Epistemology; Physics; Optics","score_opus":0.03838076472117147,"score_gpt":0.28565176388989194,"score_spread":0.24727099916872047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109354498","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54210466,0.35282797,0.000032066415,0.034271836,0.0022126029,0.000833561,0.00027792962,0.00008296276,0.06735638],"genre_scores_gemma":[0.9916188,0.0025464757,0.00002698024,0.002857664,0.0015695135,0.000002930122,0.00000568918,0.000026348966,0.0013456059],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984514,0.000113712405,0.0006833267,0.00019124402,0.00032069246,0.00023960667],"domain_scores_gemma":[0.99855894,0.00025412062,0.0003861483,0.000107268526,0.0005567257,0.00013681993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032034746,0.00028852138,0.0006554699,0.000106750995,0.00019638606,0.00008970927,0.00014741925,0.000059383252,0.00008377949],"category_scores_gemma":[0.00011112775,0.00019536442,0.00029950266,0.000052758834,0.00010556018,0.0004016338,0.000040768806,0.00032379874,0.000009934551],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0039781397,0.00073030865,0.0002185216,0.0014635534,0.0047036405,0.0010271729,0.60752505,0.000023393884,0.0640688,0.033058107,0.2691691,0.014034228],"study_design_scores_gemma":[0.0031628914,0.003059387,0.00023872234,0.001370752,0.00068602455,0.000053698353,0.010219341,0.00014450747,0.007297959,0.0019439297,0.9711779,0.0006449214],"about_ca_topic_score_codex":0.000001943999,"about_ca_topic_score_gemma":0.000010952528,"teacher_disagreement_score":0.7020088,"about_ca_system_score_codex":0.000031174273,"about_ca_system_score_gemma":0.000055530603,"threshold_uncertainty_score":0.796673},"labels":[],"label_agreement":null},{"id":"W3111065790","doi":"10.21153/psj2020vol6no1art872","title":"Social Media and Modernist Authority: The Hauntology of Facebook","year":2020,"lang":"en","type":"article","venue":"Persona Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Cult; Argument (complex analysis); Genius; Biography; Social media; Sociology; Space (punctuation); Exposition (narrative); Aesthetics; Media studies; Art; Literature; Philosophy; Computer science; World Wide Web","score_opus":0.1955997296214604,"score_gpt":0.3050972368139285,"score_spread":0.10949750719246806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111065790","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17731702,0.07015236,0.000015443828,0.31848845,0.0010044044,0.0006913651,0.0003703959,0.00017194213,0.43178862],"genre_scores_gemma":[0.99692816,0.000068590954,0.0000052124437,0.0013162027,0.0006560259,0.000016670398,0.0000029064063,0.0000051726142,0.0010010395],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995655,0.000036484507,0.00010921288,0.000110846464,0.00008445782,0.00009353233],"domain_scores_gemma":[0.99968123,0.00015801517,0.000032554235,0.00003760171,0.00006999606,0.000020623549],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00005632515,0.00008248973,0.00020585071,0.000011252287,0.00036985363,0.000037678426,0.00006341404,0.000019161305,0.00012472489],"category_scores_gemma":[0.000056283923,0.00005199484,0.00004504721,0.000010597153,0.0006615096,0.000057586225,0.000059720947,0.000090575115,0.0000065598197],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013090029,0.0000047832264,0.000028681305,0.000041065243,0.0000682089,0.000002649297,0.5391,7.863499e-9,0.000010864084,0.44509068,0.014673569,0.0009663909],"study_design_scores_gemma":[0.00032220205,0.00007702942,0.00022432023,0.000015421683,0.000094705014,0.0000012697128,0.2467022,0.000054891276,0.00003577435,0.02031434,0.73201424,0.00014359283],"about_ca_topic_score_codex":0.000013902854,"about_ca_topic_score_gemma":0.00027589244,"teacher_disagreement_score":0.81961113,"about_ca_system_score_codex":0.0000033573233,"about_ca_system_score_gemma":0.000008925475,"threshold_uncertainty_score":0.28446525},"labels":[],"label_agreement":null},{"id":"W3111632394","doi":"10.1080/00048402.2020.1840602","title":"A Critical Introduction to Fictionalism","year":2020,"lang":"en","type":"article","venue":"Australasian Journal of Philosophy","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Metaphysics; Philosophy; Epistemology","score_opus":0.04232082236848308,"score_gpt":0.2628121185387244,"score_spread":0.2204912961702413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111632394","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012252024,0.00023227981,0.00035765936,0.90854347,0.0025233843,0.0001044989,0.000039593473,0.00003818573,0.07590892],"genre_scores_gemma":[0.9613506,0.0000010447035,0.00027282536,0.005086905,0.032864265,0.0000012680779,0.0000031796612,0.000011907774,0.00040795564],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991048,0.000037648013,0.0003684159,0.00012654673,0.0002285655,0.00013401484],"domain_scores_gemma":[0.9992127,0.000032150765,0.00007140241,0.00007822771,0.00032606113,0.0002794531],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009242708,0.00010818938,0.00018710321,0.00009955843,0.00010095441,0.00017146509,0.00014640123,0.000030462334,0.002139717],"category_scores_gemma":[0.00015285746,0.0000926121,0.00014065143,0.000059821323,0.000094438554,0.00057032076,0.000015008892,0.00027942596,0.00011191815],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008212188,0.000043087057,0.000009567878,0.000023818531,0.000030509442,0.000083627376,0.01141562,0.000002769399,0.00020983025,0.8762997,0.111397296,0.000402044],"study_design_scores_gemma":[0.00025585725,0.0007821087,0.00004613061,0.000045586192,0.000041482082,0.000100495636,0.0008676905,0.0000028308598,0.00016315129,0.05448422,0.94308233,0.00012811244],"about_ca_topic_score_codex":7.3986354e-7,"about_ca_topic_score_gemma":7.9096316e-7,"teacher_disagreement_score":0.94909865,"about_ca_system_score_codex":0.000012711853,"about_ca_system_score_gemma":0.000030355617,"threshold_uncertainty_score":0.99877244},"labels":[],"label_agreement":null},{"id":"W3111686890","doi":"","title":"Comment by the end of Chapter 12 of Jacob's Room by Virginia Woolf (The Clock Struck The Quarter to The church clock, however, strikes twelve.)","year":2008,"lang":"en","type":"article","venue":"Publications Pimido","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); History; Archaeology","score_opus":0.02426344426751517,"score_gpt":0.2244617576872551,"score_spread":0.20019831341973993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111686890","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043096986,0.008432928,0.00043580224,0.8175915,0.0006006329,0.0016950355,0.0016744991,0.000093492046,0.12637913],"genre_scores_gemma":[0.9792277,0.00007683244,0.000009546455,0.008297047,0.00029425777,0.00022079736,0.00012418728,0.000018669738,0.01173097],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985357,0.0001542455,0.0004493547,0.00022663048,0.00038620853,0.0002478685],"domain_scores_gemma":[0.9980452,0.00049455126,0.00014845643,0.0010000253,0.0002445745,0.00006717072],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004042459,0.00018983734,0.00018915965,0.00006683511,0.0009756,0.00029987548,0.0009482283,0.00004756427,0.0019448197],"category_scores_gemma":[0.000037993184,0.0000854216,0.00014868271,0.00013889653,0.0005261624,0.00037020384,0.00009340545,0.00028507118,0.00002641946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008437167,0.000067310786,0.000065178974,0.0000052090754,0.00005626711,9.071267e-8,0.020693306,8.784171e-7,0.000053292355,0.45842245,0.5190961,0.0015314987],"study_design_scores_gemma":[0.0001555664,0.00007201392,0.00089161505,0.000013455847,0.0000365219,0.0000044378526,0.004111663,0.00006126256,0.00016000003,0.0006278672,0.99375194,0.00011367782],"about_ca_topic_score_codex":0.0002807532,"about_ca_topic_score_gemma":0.00022891902,"teacher_disagreement_score":0.9361307,"about_ca_system_score_codex":0.00001765513,"about_ca_system_score_gemma":0.000059737467,"threshold_uncertainty_score":0.9989675},"labels":[],"label_agreement":null},{"id":"W3125570769","doi":"","title":"ON THE QUESTION OF THE OVERLAPS BETWEEN THE POST-COLONIAL AND THE POSTMODERN","year":2012,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Orientalism; Colonialism; Analogy; Face (sociological concept); Value (mathematics); Aesthetics; Point (geometry); Face value; Sociology; Post colonialism; Epistemology; Literature; History; Philosophy; Art; Social science; Computer science; Mathematics","score_opus":0.01684381746810385,"score_gpt":0.2287100977636335,"score_spread":0.21186628029552965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3125570769","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7520623,0.0007924511,0.0000039164106,0.06062767,0.0004348801,0.00040332117,0.000038951617,0.000017139873,0.18561934],"genre_scores_gemma":[0.98680866,0.000003566868,7.438945e-7,0.005609376,0.0007925826,0.00001195465,0.0000031749344,0.0000065803297,0.006763373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992767,0.00023242307,0.00013595389,0.000066337634,0.00016058913,0.00012797443],"domain_scores_gemma":[0.9989108,0.0006898802,0.00005321658,0.00026755405,0.00006104708,0.000017536286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053598394,0.000088870045,0.00009721663,0.00000977904,0.0005045968,0.00014045996,0.00020305433,0.000028357917,0.00032175673],"category_scores_gemma":[0.00005727738,0.000025353318,0.00007775349,0.000017144768,0.00047991602,0.0001418038,0.00006252188,0.00017697799,0.0000109195025],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043650074,0.000014953442,0.00055366254,0.000003253984,0.00002191806,5.797307e-8,0.039181955,3.791262e-8,0.0000088434745,0.9569773,0.0026996115,0.0004947742],"study_design_scores_gemma":[0.0012958841,0.00026760684,0.07143252,0.00010580307,0.0002509885,0.000007646806,0.0068325787,0.00005395156,0.0003251316,0.15611643,0.76303387,0.0002776016],"about_ca_topic_score_codex":0.0004445345,"about_ca_topic_score_gemma":0.00038453832,"teacher_disagreement_score":0.8008609,"about_ca_system_score_codex":0.0000045732245,"about_ca_system_score_gemma":0.0000129137425,"threshold_uncertainty_score":0.38810018},"labels":[],"label_agreement":null},{"id":"W3129347826","doi":"10.7202/1075878ar","title":"Forming Ecomasculinities through Deep Ecology in Gravity's Rainbow","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deep ecology; Ecology; Dominance (genetics); Conversation; Ecocriticism; Sociology; Environmental ethics; Biology; Philosophy; Communication","score_opus":0.02779592637265378,"score_gpt":0.23357808312142309,"score_spread":0.20578215674876932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3129347826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51792353,0.0018221025,0.00001885361,0.009654166,0.0013349798,0.00018867289,0.000019592479,0.0000730107,0.46896505],"genre_scores_gemma":[0.97891146,0.000020664524,0.00005913311,0.005369543,0.0005466629,0.000028047625,0.000023005818,0.000014651854,0.015026806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991418,0.000117961856,0.00022554777,0.00016478972,0.000089097186,0.00026080877],"domain_scores_gemma":[0.9994564,0.00018920565,0.00003257424,0.00025215055,0.000050045015,0.000019640236],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001498093,0.00012608255,0.00019307352,0.00003507286,0.00021976553,0.00018368794,0.000152938,0.00004289955,0.0024593356],"category_scores_gemma":[0.000022425616,0.00008581632,0.0001111061,0.00003478094,0.00016734753,0.00032797593,0.0000697335,0.0002056845,0.0000938942],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019959025,0.000052208055,0.0002802497,0.000024243565,0.000032425447,0.00014555326,0.11933458,5.4405507e-7,0.000021753056,0.87740624,0.0011140855,0.0015681833],"study_design_scores_gemma":[0.00058509974,0.000055764038,0.00076724496,0.000038422193,0.00002577237,0.000037696744,0.016887149,0.000028133607,0.00027502512,0.15903245,0.82205606,0.00021118816],"about_ca_topic_score_codex":0.000050019604,"about_ca_topic_score_gemma":0.0076956227,"teacher_disagreement_score":0.820942,"about_ca_system_score_codex":0.000015590862,"about_ca_system_score_gemma":0.000033018794,"threshold_uncertainty_score":0.99845254},"labels":[],"label_agreement":null},{"id":"W3130071035","doi":"","title":"Subtraction and Contraction: Deleuze, Immanence, andMatter and Memory","year":2007,"lang":"en","type":"article","venue":"Collapse","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immanence; Contraction (grammar); Subtraction; Philosophy; Arithmetic; Epistemology; Mathematics; Linguistics","score_opus":0.013164601616238744,"score_gpt":0.2184285340527838,"score_spread":0.20526393243654506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3130071035","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68166393,0.0025224988,0.00004682625,0.0009701441,0.00066857314,0.00016349826,0.000010815745,0.000056361627,0.3138973],"genre_scores_gemma":[0.97384936,0.000047110254,0.000019067016,0.0009942082,0.0006298478,0.000004124317,0.0000074436894,0.000008385713,0.02444044],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994653,0.000014563366,0.00014939782,0.00015188869,0.00007901591,0.00013985211],"domain_scores_gemma":[0.99965626,0.000081998514,0.000036641013,0.000084681575,0.000069293725,0.00007112508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019008302,0.00009341486,0.00010873424,0.000069454676,0.0002623188,0.00023077222,0.000026157157,0.0000422848,0.00040020555],"category_scores_gemma":[0.0000071055897,0.00008237745,0.000019287956,0.00002241939,0.00013068959,0.00047774852,0.000009696647,0.00009552941,0.000015187467],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068623904,0.00021081984,0.0028445935,0.00022286554,0.00011100129,0.00042730093,0.045479756,1.7753408e-7,0.0025426988,0.8103122,0.08149347,0.055668887],"study_design_scores_gemma":[0.00050762447,0.000068207206,0.004120577,0.000025603438,0.00002406957,0.00007344504,0.0029873936,0.000010532191,0.00033217826,0.001163181,0.9905337,0.00015348487],"about_ca_topic_score_codex":0.0000643098,"about_ca_topic_score_gemma":0.0010842418,"teacher_disagreement_score":0.9090402,"about_ca_system_score_codex":0.000008414804,"about_ca_system_score_gemma":0.000012534682,"threshold_uncertainty_score":0.43819702},"labels":[],"label_agreement":null},{"id":"W3132855682","doi":"10.3126/sjah.v2i0.35014","title":"The Politics of ‘Bare Life’ in Sharon Bala’s The Boat People: A Biopolitical Perspective","year":2020,"lang":"en","type":"article","venue":"SCHOLARS Journal of Arts & Humanities","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biopower; Human rights; Politics; Hegemony; Gender studies; Refugee; Sociology; Injustice; Power (physics); Tamil; Citizenship; Political science; Law; Art","score_opus":0.04724567020557455,"score_gpt":0.25842463457592174,"score_spread":0.2111789643703472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3132855682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74089503,0.024038032,0.000005917085,0.050419606,0.0011467163,0.000354101,0.00015887704,0.000031853408,0.18294987],"genre_scores_gemma":[0.99294436,0.00008831733,0.000007742726,0.0035191728,0.001785581,0.0000039784613,0.0000022878949,0.000022715292,0.0016258636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99806565,0.00020250681,0.00075238466,0.00014105985,0.00048410898,0.0003542808],"domain_scores_gemma":[0.9982156,0.00038739323,0.00021228744,0.00019803295,0.0008468684,0.00013978784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005102981,0.00020419071,0.00038830176,0.00012052025,0.0007715138,0.0008204837,0.0005339699,0.000048857484,0.00057246233],"category_scores_gemma":[0.00054847554,0.000118365424,0.00024800719,0.00006592351,0.00080382015,0.00088243274,0.00009033874,0.00089067954,0.000011324104],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006410675,0.000045802804,0.00020609317,0.000028547469,0.000065250126,0.000028868753,0.18799232,7.1717557e-7,0.00001998957,0.80696666,0.0045505064,0.00003112697],"study_design_scores_gemma":[0.0007412463,0.0006024756,0.0015751966,0.00023298332,0.00010386507,0.00004412386,0.5127061,0.000013969988,0.00012251954,0.055114537,0.42851284,0.00023010801],"about_ca_topic_score_codex":0.00011146038,"about_ca_topic_score_gemma":0.0010631409,"teacher_disagreement_score":0.75185215,"about_ca_system_score_codex":0.00007064816,"about_ca_system_score_gemma":0.00024659646,"threshold_uncertainty_score":0.7911943},"labels":[],"label_agreement":null},{"id":"W3133083835","doi":"10.18778/0208-6107.36.03","title":"The Fantastic as the Unconcealment of Truth in Debora Vogel’s Work","year":2020,"lang":"en","type":"article","venue":"Acta Universitatis Lodziensis Folia Philosophica Ethica-Aesthetica-Practica","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Poetics; Modernity; Ingenuity; Poetry; Philosophy; Simplicity; Psychic; Praxis; Epistemology; Aesthetics; Literature; Function (biology); Genius; Space (punctuation); Art; Linguistics","score_opus":0.041671724867659556,"score_gpt":0.23915076596785945,"score_spread":0.1974790411001999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133083835","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051395897,0.00109695,0.000020031868,0.7765799,0.0005950797,0.00064923667,0.000090858885,0.00011439502,0.16945761],"genre_scores_gemma":[0.99004143,0.00021914273,0.00012425681,0.008645003,0.00031684153,0.000018408038,0.000028700108,0.00005634398,0.00054985017],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99610144,0.0008615147,0.0008009701,0.00069198257,0.0008841097,0.00065996055],"domain_scores_gemma":[0.99349374,0.0043455204,0.0004492533,0.0008834702,0.0005021749,0.0003258719],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00077256985,0.00048357816,0.00062047516,0.00015055068,0.0008732318,0.00038754393,0.0011213439,0.00023910422,0.00071273086],"category_scores_gemma":[0.0013652229,0.0003278015,0.00031297433,0.0005170062,0.0020092034,0.0006415137,0.0003000803,0.001625071,0.00018814814],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000704592,0.00014821222,0.000035621404,0.000033532044,0.00017747523,0.00024410541,0.0443101,0.00000361262,0.000037002388,0.94766575,0.005093306,0.0015467047],"study_design_scores_gemma":[0.0015067148,0.0010386772,0.00020552715,0.00024775683,0.00054083,0.000042545213,0.01896193,0.00012533243,0.000084111576,0.1398394,0.8367207,0.00068646285],"about_ca_topic_score_codex":0.00015932426,"about_ca_topic_score_gemma":0.00015486634,"teacher_disagreement_score":0.93864554,"about_ca_system_score_codex":0.00009065476,"about_ca_system_score_gemma":0.0002945513,"threshold_uncertainty_score":0.9999174},"labels":[],"label_agreement":null},{"id":"W3133609828","doi":"10.31142/ijtsrd11381","title":"The Depiction of Women’s Pride in Margaret Laurence’s Novel “The Stone Angel”","year":2018,"lang":"en","type":"article","venue":"International Journal of Trend in Scientific Research and Development","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pride; Depiction; Art; Art history; History; Visual arts; Theology; Philosophy","score_opus":0.09536384489442283,"score_gpt":0.34660680428166013,"score_spread":0.2512429593872373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133609828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9899144,0.0006007304,0.00002297542,0.003270184,0.0015734002,0.00007487019,0.000010327051,0.0000015137003,0.004531577],"genre_scores_gemma":[0.9960029,0.00002855363,0.000084658015,0.000035502668,0.00023739404,0.000008997517,0.0000036235883,0.0000026269572,0.003595729],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834573,0.000067127025,0.00044261236,0.000106239735,0.00082262425,0.00021567263],"domain_scores_gemma":[0.9987866,0.00019750887,0.00010389473,0.00008334667,0.00077727577,0.00005137315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038328914,0.00005327878,0.000089150046,0.00045298488,0.00026856043,0.0005312944,0.00040014426,0.00001662421,0.00019777523],"category_scores_gemma":[0.00015184544,0.000029251345,0.00001882824,0.00012044204,0.0007647564,0.00027193644,0.00009005121,0.00021341819,0.0000039121733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014113642,0.0010263592,0.0116348555,0.00003568849,0.00024284923,0.00010895117,0.522825,0.0000030032097,0.0027094071,0.24863045,0.053061858,0.15831022],"study_design_scores_gemma":[0.0005236939,0.00012762463,0.012164936,0.00013409418,6.342608e-7,0.000017253582,0.012420461,0.000025855355,0.0008613308,0.0028827516,0.97079337,0.00004798312],"about_ca_topic_score_codex":0.000034901892,"about_ca_topic_score_gemma":0.0072870473,"teacher_disagreement_score":0.9177315,"about_ca_system_score_codex":0.00017193958,"about_ca_system_score_gemma":0.00023989571,"threshold_uncertainty_score":0.5123284},"labels":[],"label_agreement":null},{"id":"W3135600357","doi":"10.5539/ells.v11n1p63","title":"Woman as the Other—Interpretations of the Gender Wars in “A Woman on a Roof” from the Perspective of Existential Feminism","year":2021,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Beijing Language and Culture University","keywords":"Existentialism; Feminism; Perspective (graphical); Transcendence (philosophy); Gender studies; Subject (documents); Power (physics); Prejudice (legal term); Sociology; Aesthetics; Psychoanalysis; Philosophy; Psychology; Art; Epistemology; Social psychology; Visual arts","score_opus":0.018475529358188938,"score_gpt":0.2686968418156142,"score_spread":0.2502213124574253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135600357","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71855897,0.10734944,5.0164624e-7,0.0028315457,0.00067953515,0.0002232376,0.00036686234,0.000016060818,0.16997388],"genre_scores_gemma":[0.9934696,0.000069117596,0.00000542775,0.0017956091,0.00066028396,0.000021134592,0.000014364274,0.00001063535,0.003953802],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990989,0.00020183774,0.00021578713,0.0001988547,0.00016450432,0.000120133875],"domain_scores_gemma":[0.99890184,0.00039596783,0.00007972754,0.00031627278,0.00029159305,0.000014585298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012534646,0.00014842532,0.00022346861,0.00003195629,0.0002364199,0.00015243464,0.00017044625,0.000040147566,0.00012244639],"category_scores_gemma":[0.00025914842,0.000068164554,0.0001326316,0.00010042387,0.00033436198,0.00010981255,0.00009584043,0.00029472692,5.867286e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029554303,0.000040070732,0.000052172003,0.000016926602,0.00016015192,0.000023784136,0.71426415,2.2777975e-7,0.000039970775,0.2836497,0.0016297991,0.000093459224],"study_design_scores_gemma":[0.00033413104,0.000060714596,0.00053835876,0.00043334469,0.00006673931,0.0000027884485,0.946878,0.0000015664361,0.00039751333,0.007352399,0.04383737,0.00009706013],"about_ca_topic_score_codex":0.00018371483,"about_ca_topic_score_gemma":0.001995458,"teacher_disagreement_score":0.2762973,"about_ca_system_score_codex":0.00001202062,"about_ca_system_score_gemma":0.000025185574,"threshold_uncertainty_score":0.277967},"labels":[],"label_agreement":null},{"id":"W3135983703","doi":"10.7202/1075888ar","title":"Economides, \"The Ecology of Wonder in Romantic and Postmodern Literature\"","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wonder; Postmodernism; Romance; Ecology; Aesthetics; Sociology; Art; Philosophy; Literature; Epistemology; Biology","score_opus":0.013416375123665364,"score_gpt":0.19698156691854096,"score_spread":0.1835651917948756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135983703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9532566,0.004698676,7.3880227e-7,0.008281717,0.00025764928,0.00009268646,0.000018086528,0.000008545504,0.033385303],"genre_scores_gemma":[0.9895386,0.000032196047,0.00000672698,0.002791909,0.00016948987,0.000007809345,0.000009201482,0.000008059916,0.00743598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994272,0.000094036855,0.00018213147,0.00012514235,0.000041191382,0.00013029284],"domain_scores_gemma":[0.99952734,0.00016120549,0.000033356035,0.00022299237,0.000039531453,0.000015551681],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013448937,0.00008555117,0.00014764702,0.000033093474,0.00008517434,0.00014489543,0.00010700825,0.00003333892,0.000606278],"category_scores_gemma":[0.0000118276885,0.000047059693,0.000048330716,0.000025184283,0.00017939768,0.00013068195,0.000054109736,0.00015137266,0.000011267668],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005975778,0.0000613604,0.0013609156,0.000058598096,0.000059068487,0.000072174735,0.118831016,5.3017976e-7,0.00019447965,0.8761545,0.0015705305,0.0015770709],"study_design_scores_gemma":[0.001668549,0.00026474736,0.035064682,0.00027092133,0.000105253675,0.000215206,0.006968689,0.00027178277,0.0007172593,0.17934304,0.7746437,0.00046612023],"about_ca_topic_score_codex":0.000023716726,"about_ca_topic_score_gemma":0.0018031391,"teacher_disagreement_score":0.7730732,"about_ca_system_score_codex":0.000004882094,"about_ca_system_score_gemma":0.000022502647,"threshold_uncertainty_score":0.6638319},"labels":[],"label_agreement":null},{"id":"W3136494222","doi":"10.14361/9783839449219-006","title":"The Solipsism of the Quantified Self: Working Bodies in David Foster Wallace's Body of Work","year":2020,"lang":"en","type":"book-chapter","venue":"American culture studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materialism; Entertainment; Aesthetics; Solipsism; Sexualization; Sociology; Art; Psychology; Epistemology; Gender studies; Visual arts; Philosophy","score_opus":0.050559519792991885,"score_gpt":0.25846267856603405,"score_spread":0.20790315877304216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136494222","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00041077056,0.06507574,3.1353105e-7,0.0129976375,0.0011447731,0.00058804004,0.00007519145,0.000058960788,0.9196486],"genre_scores_gemma":[0.66346973,0.0025631574,0.000023010705,0.0011754569,0.0007662847,0.000032168966,0.000008865539,0.000050000675,0.3319113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998362,0.00007379652,0.0006517517,0.00033246804,0.00034323143,0.00023676403],"domain_scores_gemma":[0.998361,0.0002859755,0.00063435244,0.00043582876,0.00025401972,0.00002886011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014364887,0.00041731886,0.00095375214,0.000052568885,0.00038926242,0.000090719,0.00044831663,0.00007421493,0.000028160925],"category_scores_gemma":[0.0000577766,0.00020825214,0.00037377625,0.00005112637,0.0015980456,0.00006260479,0.00033971196,0.0005365109,0.000006299349],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101387806,0.000027744787,0.00010629576,0.0001673521,0.0012780034,0.000011633221,0.29511508,2.2252581e-7,0.000012181706,0.62897766,0.072097406,0.002105004],"study_design_scores_gemma":[0.00014196889,0.000109027154,0.000050832048,0.0010221341,0.00020366494,6.3992775e-7,0.023160836,3.2449245e-7,0.000016949534,0.0060593593,0.9689748,0.000259435],"about_ca_topic_score_codex":0.00004129419,"about_ca_topic_score_gemma":0.0015859781,"teacher_disagreement_score":0.8968774,"about_ca_system_score_codex":0.00003913203,"about_ca_system_score_gemma":0.00004113085,"threshold_uncertainty_score":0.84922755},"labels":[],"label_agreement":null},{"id":"W3137607960","doi":"10.1093/litthe/frab006","title":"Good Deaths in Wendell Berry’s Short Stories","year":2021,"lang":"en","type":"article","venue":"Literature and Theology","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Affection; Materiality (auditing); Embodied cognition; Aesthetics; Sociology; History; Epistemology; Philosophy","score_opus":0.014075471713303188,"score_gpt":0.22361367296846443,"score_spread":0.20953820125516123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137607960","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12443422,0.044349205,0.000012828734,0.0023215627,0.0012000775,0.00010190906,0.000076242184,0.000056277084,0.82744765],"genre_scores_gemma":[0.952203,0.00013386185,0.00005710989,0.0019208794,0.0006235362,0.000012965971,0.0001263509,0.000012152418,0.044910166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991059,0.0001006497,0.00019908274,0.0002923752,0.000067843575,0.000234178],"domain_scores_gemma":[0.99954504,0.000088187764,0.000017839375,0.00019855794,0.00009798191,0.00005242179],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000096379685,0.00016151127,0.0002481573,0.00008603905,0.0001141187,0.00025182334,0.0000788376,0.00012756781,0.00067932956],"category_scores_gemma":[0.000018580828,0.0001327483,0.000055292385,0.000066939334,0.00014807761,0.0002778579,0.00006035091,0.0003117301,0.00000855125],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024867855,0.000050352293,0.0008216489,0.000031026833,0.000021689044,0.0005141028,0.052770544,7.122511e-8,0.00004809687,0.9429617,0.0012256574,0.001530272],"study_design_scores_gemma":[0.00026328536,0.00006975246,0.00032378075,0.000075646225,0.00001589237,0.00012100602,0.0012685258,0.0000058711985,0.00011608527,0.14066209,0.85690016,0.00017793277],"about_ca_topic_score_codex":0.000013282616,"about_ca_topic_score_gemma":0.0011226817,"teacher_disagreement_score":0.85567445,"about_ca_system_score_codex":0.0000069468792,"about_ca_system_score_gemma":0.000030005069,"threshold_uncertainty_score":0.7438183},"labels":[],"label_agreement":null},{"id":"W3138624992","doi":"","title":"A Train to Castle Von Aux: Patrick deWitt’s Fiction and the Transnational Paradigm","year":2020,"lang":"en","type":"article","venue":"University of Debrecen Electronic Archive (University of Debrecen)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fable; Romance; Scrutiny; Minor (academic); Literature; History; Art; Art history; Philosophy; Humanities","score_opus":0.013296042552777639,"score_gpt":0.1658803455304689,"score_spread":0.15258430297769127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138624992","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50508934,0.002435447,0.090952694,0.25302994,0.00036266434,0.0026719796,0.0015813196,0.00031185895,0.14356476],"genre_scores_gemma":[0.9977551,0.000102187616,0.0002598387,0.0004351162,0.000050913528,9.7673535e-8,0.00006694594,0.0000095322775,0.0013202612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989192,0.00016262004,0.00012557671,0.00029432357,0.00021587338,0.00028240954],"domain_scores_gemma":[0.9993107,0.00019078125,0.000107454915,0.00013555137,0.00010629773,0.00014921483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014080107,0.00015795993,0.0003161595,0.00014504296,0.0005155017,0.000020980673,0.00035632672,0.00005171003,0.00085714285],"category_scores_gemma":[0.000013991628,0.00016619045,0.00017755851,0.00014311948,0.00057260913,0.00034599213,0.00008340763,0.00026040137,0.000010981378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016531654,0.00007391678,0.000051383737,0.00005115927,0.00017037033,0.000014816133,0.14779429,0.00001714371,0.00015275976,0.837533,0.0064704106,0.0060175867],"study_design_scores_gemma":[0.0049641207,0.0007871174,0.001019243,0.000037002854,0.0003286686,0.000013554315,0.041180342,0.0043684333,0.000031948388,0.0150805935,0.931796,0.00039295],"about_ca_topic_score_codex":0.00067897124,"about_ca_topic_score_gemma":0.005215323,"teacher_disagreement_score":0.92532563,"about_ca_system_score_codex":0.00004496572,"about_ca_system_score_gemma":0.00019917224,"threshold_uncertainty_score":0.9385113},"labels":[],"label_agreement":null},{"id":"W3148901745","doi":"10.3138/ecf.33.3.458","title":"<i>Systems Failure: The Uses of Disorder in English Literature</i> by Andrew Franta","year":2021,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Psychology; Library science; Linguistics; Philosophy; Computer science","score_opus":0.007761226417681971,"score_gpt":0.18979050859249147,"score_spread":0.1820292821748095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3148901745","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26436514,0.56331944,0.00006573606,0.0019993528,0.010788457,0.00092959095,0.0011362982,0.00022866584,0.15716733],"genre_scores_gemma":[0.99210334,0.0034297076,0.0000047904336,0.0002629847,0.0008868278,0.000034155553,0.00047617793,0.00002042616,0.002781604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986903,0.00016690744,0.00040429243,0.00027473894,0.00024934454,0.00021440623],"domain_scores_gemma":[0.99918884,0.00009487687,0.00010170884,0.00030385467,0.00027161153,0.000039097544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014210537,0.00018522155,0.00023977573,0.00007098607,0.00018876237,0.00043018803,0.00014228001,0.000096136726,0.00045445142],"category_scores_gemma":[0.000029304321,0.00013142431,0.00011716511,0.00017020099,0.00009302416,0.0005415367,0.000037017362,0.00029871636,0.000006958421],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077046905,0.0006598638,0.0017098394,0.00024302739,0.00009093461,0.00003831716,0.07637232,0.0000039797756,0.000867567,0.40037116,0.51839846,0.0011674906],"study_design_scores_gemma":[0.00052571896,0.000040539588,0.000092532246,0.0002112186,0.000023967801,0.000004873048,0.007185115,0.000025099338,0.0004561439,0.00007059137,0.99120843,0.00015578076],"about_ca_topic_score_codex":0.00008082162,"about_ca_topic_score_gemma":0.00025989878,"teacher_disagreement_score":0.7277382,"about_ca_system_score_codex":0.000019372386,"about_ca_system_score_gemma":0.000028106493,"threshold_uncertainty_score":0.53593284},"labels":[],"label_agreement":null},{"id":"W3150913054","doi":"10.18522/2415-8852-2020-2-72-86","title":"POETICS OF THE TITLE OF JOHN BANVILLE’S NOVEL “THE NEWTON LETTER”","year":2020,"lang":"en","type":"article","venue":"Practices & Interpretations A Journal of Philology Teaching and Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Poetics; Plot (graphics); Genius; Literature; Trilogy; Narrative; Philosophy; Novella; Consciousness; Skepticism; Catharsis; Epistemology; Art; Poetry","score_opus":0.09439993795546243,"score_gpt":0.3342304903999335,"score_spread":0.2398305524444711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3150913054","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24012192,0.047459006,0.00028443683,0.5308916,0.0020271414,0.00020521831,0.000036979018,0.000015724594,0.178958],"genre_scores_gemma":[0.9971252,0.00008115624,0.00010505492,0.0017427182,0.00023637117,7.368764e-7,3.9127372e-7,0.0000025203642,0.00070585357],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995063,0.000102684295,0.00023498635,0.000042185227,0.000071727896,0.000042141342],"domain_scores_gemma":[0.9989728,0.00027891452,0.0005175135,0.000053101885,0.00016559305,0.000012075817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017712425,0.0000538293,0.00014235803,0.000016105392,0.0001917621,0.000030576477,0.00013700516,0.000013633712,0.00006142017],"category_scores_gemma":[0.0007114972,0.000024830411,0.000069376474,0.000016424005,0.00024643456,0.00019615545,0.00005458298,0.00029407503,9.5257474e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007819353,0.000073687406,0.00013228579,0.000077768535,0.0007568702,0.000003054187,0.5081142,0.0000052274218,0.0010905201,0.41179833,0.0748413,0.0030285302],"study_design_scores_gemma":[0.0002777936,0.0002618907,0.00008629502,0.00014167104,0.00033711578,0.000059387472,0.0716037,0.00008719051,0.00007468441,0.0019406028,0.9250561,0.00007357659],"about_ca_topic_score_codex":0.000012796295,"about_ca_topic_score_gemma":0.00002052467,"teacher_disagreement_score":0.8502148,"about_ca_system_score_codex":0.0000030638848,"about_ca_system_score_gemma":0.000010027887,"threshold_uncertainty_score":0.14748983},"labels":[],"label_agreement":null},{"id":"W3163473262","doi":"","title":"외상문학에 함축된 치유와 윤리 -돈 드릴로의『추락하는 남자』와 조이 코가와의 『오바상』병치 연구","year":2011,"lang":"ko","type":"article","venue":"영어영문학","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Narrative; Terrorism; Literature; Psychoanalysis; Wife; History; Psychology; Philosophy; Art","score_opus":0.05622362287652328,"score_gpt":0.2166391604574428,"score_spread":0.16041553758091953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3163473262","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08686797,0.012313882,0.000025455633,0.0015646445,0.0045755464,0.0005569714,0.00038906548,0.00028335297,0.8934231],"genre_scores_gemma":[0.804898,0.00013445212,0.00006529392,0.0025382626,0.0030381747,0.000036041918,0.00012100708,0.00008589938,0.18908285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970265,0.00016854535,0.0007681211,0.0007260326,0.0004398213,0.0008710044],"domain_scores_gemma":[0.9981756,0.00010277137,0.00019528007,0.0009263393,0.00027306433,0.0003269039],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031935418,0.0006258169,0.0006524769,0.00021389755,0.0007331217,0.00075865444,0.0006085566,0.0003154288,0.027979901],"category_scores_gemma":[0.000037785474,0.00056955393,0.00043589223,0.00011628016,0.00044704814,0.00086742523,0.00020376116,0.0006740474,0.0029340792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002555896,0.00056475523,0.00084767956,0.0002513233,0.00024804493,0.00043938603,0.09107552,5.5936802e-8,0.00008911826,0.807402,0.094407685,0.004418836],"study_design_scores_gemma":[0.0012231854,0.00045565542,0.0014688135,0.00032614835,0.00021060252,0.000026722139,0.004737599,0.000016969676,0.000426553,0.012141824,0.97811645,0.00084947876],"about_ca_topic_score_codex":0.00070065877,"about_ca_topic_score_gemma":0.00067295734,"teacher_disagreement_score":0.8837088,"about_ca_system_score_codex":0.00004823407,"about_ca_system_score_gemma":0.00014245609,"threshold_uncertainty_score":0.9996756},"labels":[],"label_agreement":null},{"id":"W3175680309","doi":"","title":"Resistance/Acceptance of Inferiority, Invisibility and Marginalization in Arundhati Roy’s The God of Small Things & Kazu Ishiguro’s The Remains of the Day","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Greatness; Identity (music); Invisibility; Character (mathematics); Sociology; Philosophy; Aesthetics; Psychology; Social psychology","score_opus":0.0387485825848517,"score_gpt":0.2761071034964399,"score_spread":0.2373585209115882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175680309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85179925,0.11689157,0.0000035890234,0.0020220052,0.00026979152,0.00038371555,0.000073107134,0.000006608339,0.028550383],"genre_scores_gemma":[0.9971084,0.0002931576,0.000024659741,0.00046861067,0.00010086126,0.00001033632,0.0000056580384,0.0000060708053,0.0019822572],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989271,0.00028259424,0.0003650322,0.00015922863,0.00015425187,0.00011179023],"domain_scores_gemma":[0.9990428,0.0002679786,0.00016112311,0.00032433783,0.00018890748,0.000014862568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010159834,0.00012601,0.000284375,0.00004850201,0.000093006674,0.00006544979,0.00018867703,0.000046856945,0.000008454909],"category_scores_gemma":[0.00034658803,0.00005972554,0.000042456144,0.00017249107,0.0007333398,0.00022721733,0.00014892044,0.00022606296,4.1167844e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006180146,0.000037646798,0.008436463,0.00036855432,0.000028411348,0.0000049537507,0.7186862,4.526069e-7,0.00004278086,0.2712937,0.0007585907,0.0002804542],"study_design_scores_gemma":[0.003240989,0.00041758915,0.12747133,0.0069558714,0.00020351248,0.0000111680765,0.58817804,0.00006329252,0.0008905184,0.11052285,0.16134165,0.00070321443],"about_ca_topic_score_codex":0.00011678158,"about_ca_topic_score_gemma":0.011505419,"teacher_disagreement_score":0.16077083,"about_ca_system_score_codex":0.000013443041,"about_ca_system_score_gemma":0.000025062353,"threshold_uncertainty_score":0.6420294},"labels":[],"label_agreement":null},{"id":"W318117341","doi":"","title":"Dickensian Resonances in the Contemporary English Novel","year":2011,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Phenomenon; Narrative; History; Literature; Criticism; Exhibition; Politics; Literary criticism; Period (music); Art history; Art; Aesthetics; Philosophy","score_opus":0.0820173549943572,"score_gpt":0.21709401395023112,"score_spread":0.13507665895587392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W318117341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16170363,0.0015282594,0.000015836622,0.000679948,0.001001842,0.0003052568,0.00007895766,0.000110915265,0.83457536],"genre_scores_gemma":[0.9950109,0.0000022071554,0.00002924125,0.0022895683,0.00086403487,0.000046947174,0.00003741846,0.000019281732,0.0017003659],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987338,0.00010408726,0.0003694957,0.0002736171,0.00023026697,0.00028872842],"domain_scores_gemma":[0.99927586,0.000096821714,0.00007372364,0.00039121328,0.00010806338,0.000054302378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003465335,0.00020124958,0.00022308908,0.00011663642,0.00019492755,0.00023047141,0.00038260428,0.00005866167,0.00042383137],"category_scores_gemma":[0.000018202729,0.00013495545,0.00010806507,0.00007376327,0.00031520918,0.00056561804,0.000010616647,0.00028746165,0.000063192594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003090362,0.00015878839,0.0003424701,0.000010257811,0.000010223344,0.000072711475,0.5069773,2.6463278e-9,0.000004800409,0.48079333,0.009833113,0.0017660648],"study_design_scores_gemma":[0.0007252563,0.00057550496,0.0030474288,0.00007619241,0.00001043109,0.000007687731,0.13710693,0.000008502245,0.000012273532,0.007673846,0.85046136,0.00029457666],"about_ca_topic_score_codex":0.0005478126,"about_ca_topic_score_gemma":0.0018538522,"teacher_disagreement_score":0.84062827,"about_ca_system_score_codex":0.000008547941,"about_ca_system_score_gemma":0.00004361127,"threshold_uncertainty_score":0.55033237},"labels":[],"label_agreement":null},{"id":"W3183244157","doi":"","title":"At the centre of my ironic faith, Cassandra Cassandra, Toronto","year":2021,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Faith; History; Philosophy; Theology","score_opus":0.007358236075316407,"score_gpt":0.15425901180610435,"score_spread":0.14690077573078794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183244157","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30553702,0.19211572,0.000009842861,0.028730584,0.0006238528,0.00022730872,0.00031152842,0.00008195322,0.47236216],"genre_scores_gemma":[0.63494235,0.00079863274,0.000008552095,0.0003636312,0.00017611911,0.0000014954362,0.00005526883,0.000014632889,0.36363932],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990289,0.000080684564,0.00016261694,0.00023508392,0.00020867767,0.00028400114],"domain_scores_gemma":[0.9991868,0.00008944547,0.00008735783,0.00039588552,0.00015229924,0.00008822434],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000077699966,0.00016673966,0.00023007633,0.000024849618,0.00066795683,0.000050649607,0.0001939513,0.00006819913,0.0066140513],"category_scores_gemma":[0.000010188499,0.00013603168,0.00019134817,0.000041152623,0.00015080128,0.00027314146,0.0002244867,0.00011640362,0.00005963393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011540525,0.00009717643,0.00018251008,0.00005898229,0.00019424132,0.0021860043,0.043788817,0.000004246688,0.0006030705,0.5895412,0.35774764,0.005480722],"study_design_scores_gemma":[0.00056595105,0.000035110763,0.00009752438,0.00003464214,0.00010132377,0.00012102162,0.021015763,0.000020884367,0.0004125541,0.0005087181,0.9769241,0.00016238936],"about_ca_topic_score_codex":0.0052640145,"about_ca_topic_score_gemma":0.69168645,"teacher_disagreement_score":0.68642247,"about_ca_system_score_codex":0.0015467157,"about_ca_system_score_gemma":0.000056999354,"threshold_uncertainty_score":0.99429405},"labels":[],"label_agreement":null},{"id":"W3183324155","doi":"10.5539/ells.v11n3p28","title":"A Study on the Postmodern Narrative Features in Toni Morrison’s Song of Solomon","year":2021,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Fundamental Research Funds for the Central Universities; Ministry of Education of the People's Republic of China","keywords":"Postmodernism; Metafiction; Narrative; Indeterminacy (philosophy); Literature; Aesthetics; History; Sociology; Philosophy; Art; Epistemology","score_opus":0.020605970978205813,"score_gpt":0.27367552985819343,"score_spread":0.2530695588799876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183324155","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.898566,0.0721945,1.1533349e-7,0.0009793643,0.00039445848,0.00024865317,0.000064625456,0.000027872129,0.027524378],"genre_scores_gemma":[0.99353874,0.00008768319,0.0000059560534,0.00055215537,0.00062458427,0.000043682347,0.000023319946,0.000013227,0.005110636],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99890065,0.00021546832,0.00023780685,0.0002866041,0.0001766373,0.00018284222],"domain_scores_gemma":[0.9990608,0.0002840987,0.000059351474,0.00024383099,0.00032582178,0.000026093237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020685705,0.00021458884,0.00036032684,0.000081405,0.00023436171,0.000260845,0.000098195655,0.00005030791,0.00007101455],"category_scores_gemma":[0.00030323115,0.00012692381,0.00007377471,0.00010903397,0.00013950242,0.00021115152,0.00008714192,0.00040642082,6.3643176e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058723374,0.00018657325,0.00024841208,0.00003841259,0.00015058999,0.00058884075,0.94893616,1.4338788e-7,0.000042402175,0.04730702,0.002118078,0.00032462284],"study_design_scores_gemma":[0.00044221754,0.00030077112,0.00054078567,0.00033968722,0.000029390201,0.000005324773,0.99099094,5.3141713e-7,0.00025556405,0.00058627134,0.0063578314,0.00015067376],"about_ca_topic_score_codex":0.00002512144,"about_ca_topic_score_gemma":0.0016151096,"teacher_disagreement_score":0.09497272,"about_ca_system_score_codex":0.000010658063,"about_ca_system_score_gemma":0.000017940523,"threshold_uncertainty_score":0.5175803},"labels":[],"label_agreement":null},{"id":"W3193293991","doi":"10.7202/1080281ar","title":"After Extraction: Idling in the Ruins in Michael Winter’s and Alistair MacLeod’s Neoliberal Fictions","year":2021,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Lakehead University","funders":"","keywords":"Art; Extraction (chemistry); Art history; Chemistry; Chromatography","score_opus":0.03149270239898856,"score_gpt":0.29119307148341217,"score_spread":0.2597003690844236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3193293991","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6643421,0.17909996,3.9799946e-7,0.03620743,0.0028435262,0.00046516448,0.0006130588,0.00002973833,0.11639861],"genre_scores_gemma":[0.9838295,0.00025358007,0.000013945852,0.0067245946,0.00060248916,0.00008500801,0.000050826846,0.0000120895265,0.008427995],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988452,0.00014257692,0.00027233624,0.00027726562,0.0000926367,0.00036998672],"domain_scores_gemma":[0.9994932,0.00011823182,0.000022059348,0.00019424442,0.0000965577,0.00007572389],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020771695,0.00017442388,0.00021069068,0.0002914064,0.00020389627,0.00043116475,0.00009394525,0.00007870625,0.00017372471],"category_scores_gemma":[0.000051410105,0.00014036283,0.000050069724,0.00022211886,0.00015925353,0.00040922395,0.000030285255,0.0006567451,0.0000028054783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033787284,0.00005531377,0.0073402943,0.00014273457,0.00004477675,0.0058055115,0.806451,0.0000016960278,0.0000046853797,0.15671031,0.022935543,0.00047435518],"study_design_scores_gemma":[0.00036371165,0.00002253735,0.007876541,0.0006943528,0.0000104278015,0.00010006571,0.065711096,0.000014319811,0.0000016637639,0.004912028,0.92007923,0.00021401168],"about_ca_topic_score_codex":0.018609546,"about_ca_topic_score_gemma":0.96510184,"teacher_disagreement_score":0.9464923,"about_ca_system_score_codex":0.00013971304,"about_ca_system_score_gemma":0.00012315475,"threshold_uncertainty_score":0.9879256},"labels":[],"label_agreement":null},{"id":"W3195052230","doi":"10.82308/44992","title":"The film break : Thomas Pynchon's Gravity's rainbow, Gilles Deleuze's Cinema, and the emergence of a new history","year":2006,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Movie theater; Rainbow; Art history; Art; Philosophy; Psychoanalysis; Physics; Psychology","score_opus":0.01537959565970912,"score_gpt":0.19223405458852336,"score_spread":0.17685445892881424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195052230","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2070912,0.021934163,7.1607957e-7,0.0014374187,0.0017081744,0.000791889,0.0004329596,0.00018892493,0.7664145],"genre_scores_gemma":[0.9135609,0.00019472513,0.000052471587,0.0007332554,0.00029770483,0.00004752728,0.000025332884,0.000053566437,0.08503451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973593,0.00037589026,0.0007508385,0.0005051053,0.0004979309,0.00051094004],"domain_scores_gemma":[0.9979304,0.0005967172,0.00031133494,0.0007171883,0.0002863552,0.00015796785],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00097162265,0.00042872265,0.00050325564,0.00011457362,0.0018015238,0.00013645098,0.0006106951,0.00012883161,0.0006188597],"category_scores_gemma":[0.00021644896,0.00026640916,0.00031939,0.00011322473,0.00097784,0.0006581532,0.0002001202,0.0005974833,0.000024654693],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017022264,0.000062285355,0.00001835025,0.000043278433,0.00007182496,0.000019010586,0.00029993738,0.0000018299534,0.0006173082,0.98252326,0.00475768,0.011414997],"study_design_scores_gemma":[0.0011855005,0.00007216539,0.00017838998,0.000073665615,0.000094525305,0.000021904314,0.0009206281,0.000014850275,0.0005056681,0.11167704,0.8849303,0.00032535044],"about_ca_topic_score_codex":0.0034068557,"about_ca_topic_score_gemma":0.009250763,"teacher_disagreement_score":0.8801726,"about_ca_system_score_codex":0.000083634586,"about_ca_system_score_gemma":0.000057252695,"threshold_uncertainty_score":0.99997884},"labels":[],"label_agreement":null},{"id":"W3198971261","doi":"10.3138/ecf.34.1.106","title":"<i>Systems Failure: The Uses of Disorder in English Literature</i> by Andrew Franta; and <i>A World of Disorderly Notions: Quixote and the Logic of Exceptionalism</i> by Aaron R. Hanlon","year":2021,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exceptionalism; Philosophy; Law and economics; Art history; History; Sociology; Law; Political science","score_opus":0.0068370298559991185,"score_gpt":0.18927423604425386,"score_spread":0.18243720618825474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3198971261","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3539642,0.63109255,0.000109608154,0.0029952347,0.0013758866,0.00091030117,0.0015824642,0.00003959987,0.007930175],"genre_scores_gemma":[0.986404,0.011779202,0.000008000999,0.00018186789,0.00017450402,0.000038435315,0.0003737301,0.000013813905,0.0010264231],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998531,0.00027450052,0.00054120785,0.00025115244,0.0002538716,0.00014828469],"domain_scores_gemma":[0.9989688,0.0002791937,0.00023089953,0.00023078303,0.0002623286,0.000028031043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002615474,0.00018668,0.00035081082,0.00008301577,0.00017584344,0.00017530863,0.00010733588,0.00007700932,0.00010454736],"category_scores_gemma":[0.000035770638,0.00011464567,0.00009463509,0.00019419652,0.00047411086,0.0004167285,0.000046394223,0.00023055592,3.109372e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000509683,0.0009523887,0.0040077297,0.00085132715,0.0001886371,0.000003902357,0.084200166,0.000006111461,0.0030763948,0.75811356,0.14644629,0.0016438034],"study_design_scores_gemma":[0.0026288903,0.00012466754,0.0005921425,0.0005667827,0.000099740086,0.0000055478995,0.009121562,0.00006380686,0.0005592475,0.001117575,0.9849018,0.00021825767],"about_ca_topic_score_codex":0.00020126194,"about_ca_topic_score_gemma":0.0006216947,"teacher_disagreement_score":0.8384555,"about_ca_system_score_codex":0.000008826263,"about_ca_system_score_gemma":0.000017440761,"threshold_uncertainty_score":0.46751148},"labels":[],"label_agreement":null},{"id":"W3200170162","doi":"10.1093/oso/9780192893321.001.0001","title":"Critical Modesty in Contemporary Fiction","year":2021,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; History; Literature","score_opus":0.0706641851664457,"score_gpt":0.26731006208473335,"score_spread":0.19664587691828767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3200170162","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00000831977,0.006656704,0.000022535378,0.0009184587,0.0011001267,0.00014860867,0.00010700226,0.0000972953,0.9909409],"genre_scores_gemma":[0.05492831,0.000016253145,0.000024087976,0.0020116959,0.0015899146,0.000021897622,0.0006261405,0.000039715345,0.94074196],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987482,0.00005394378,0.00042142122,0.00037394834,0.00020743089,0.00019509043],"domain_scores_gemma":[0.99925905,0.00016673676,0.000037460064,0.00027591834,0.00019175245,0.0000690767],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001091797,0.0002682211,0.00042010122,0.00016529356,0.000092425464,0.00042096514,0.000116757205,0.00023988746,0.009406702],"category_scores_gemma":[0.000036299487,0.0002458641,0.00016971456,0.00001497998,0.00017144861,0.00041403834,0.00005126948,0.0005728226,0.000106545434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073882597,0.00003722295,0.0000010242512,0.00007846255,0.000010715584,0.00021201413,0.0019721899,3.318501e-8,5.5379655e-7,0.613574,0.38391376,0.00019259745],"study_design_scores_gemma":[0.00016972478,0.00003937346,0.0000015537472,0.00039878424,0.00001360762,0.0000056060126,0.00057722116,0.000026769876,0.000002907928,0.040150627,0.9583259,0.00028788846],"about_ca_topic_score_codex":0.00004992821,"about_ca_topic_score_gemma":0.00047786496,"teacher_disagreement_score":0.57441217,"about_ca_system_score_codex":0.00006993046,"about_ca_system_score_gemma":0.0004781032,"threshold_uncertainty_score":0.99999934},"labels":[],"label_agreement":null},{"id":"W3204987911","doi":"10.14321/fourthgenre.23.2.0077","title":"This Is My Body","year":2021,"lang":"en","type":"article","venue":"Fourth Genre Explorations in Nonfiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; Publishing; Table of contents; World Wide Web; Computer science; Library science; Media studies; Art; Sociology; Literature","score_opus":0.039574122170862557,"score_gpt":0.2475848894524518,"score_spread":0.20801076728158924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3204987911","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029385397,0.0015884438,0.0017951786,0.010156999,0.0037165214,0.00030065337,0.00012618149,0.00022480707,0.9527058],"genre_scores_gemma":[0.90812314,0.000055125573,0.00024221875,0.001360406,0.0011602081,0.000086069,0.00029491802,0.000019006975,0.088658944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991019,0.00006363173,0.00027350395,0.00024420713,0.00015566003,0.00016110645],"domain_scores_gemma":[0.9994027,0.000032260486,0.000042163312,0.0002611081,0.00022229795,0.000039450504],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009851752,0.00012008697,0.00012655933,0.00014149115,0.00029827823,0.00030388244,0.000069615155,0.00005710226,0.008796473],"category_scores_gemma":[0.000025881194,0.00012373734,0.00007590811,0.00013034786,0.000042525775,0.000778248,0.000022724647,0.00018018654,0.0005918597],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015200716,0.00020951476,0.000110038345,0.000021144131,0.000028527265,0.00006093447,0.1017532,0.000009367341,0.00033989508,0.79248667,0.101758905,0.0032065888],"study_design_scores_gemma":[0.0002555354,0.00003694961,0.00007372507,0.00003800624,0.000014883621,0.0000070457763,0.008410538,0.00050491624,0.0007053189,0.0032191,0.9865666,0.00016739876],"about_ca_topic_score_codex":0.000041771465,"about_ca_topic_score_gemma":0.0009491324,"teacher_disagreement_score":0.88480765,"about_ca_system_score_codex":0.00003277734,"about_ca_system_score_gemma":0.000074582524,"threshold_uncertainty_score":0.9921096},"labels":[],"label_agreement":null},{"id":"W3205659923","doi":"10.1353/ewr.2021.0012","title":"Checklist of Welty Scholarship 2020","year":2021,"lang":"en","type":"article","venue":"Eudora Welty review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eudora; Scholarship; History; Memoir; Politics; Literature; Art history; Classics; Art; Political science; Law","score_opus":0.036087441003690136,"score_gpt":0.271474057570287,"score_spread":0.23538661656659685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205659923","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020627256,0.57104015,0.0000034562192,0.008618285,0.0005386512,0.00021945877,0.0001049035,0.00005335858,0.41735902],"genre_scores_gemma":[0.8219328,0.058035012,0.00023196303,0.021475043,0.001876933,0.0000562999,0.00042987143,0.00006260914,0.09589948],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998672,0.00015929322,0.0004952298,0.00025561973,0.00022995645,0.00018791888],"domain_scores_gemma":[0.99893695,0.000049314865,0.00012248753,0.0004646751,0.000339845,0.000086712986],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037354737,0.00017169197,0.0004986484,0.00002191637,0.000121704805,0.00013810021,0.00020245802,0.000041084164,0.012882205],"category_scores_gemma":[0.00016681587,0.00014445218,0.00026421068,0.00010933145,0.000111671645,0.00035386728,0.00006832049,0.0002482396,0.0003241672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001060381,0.0001996646,0.00020843973,0.008478535,0.00009773883,0.0002032986,0.0022816039,2.2653035e-8,0.0001313926,0.7375146,0.22731958,0.02355449],"study_design_scores_gemma":[0.00014672411,0.00002715639,0.00016400553,0.003821191,0.000086120264,0.00001794579,0.00013383178,4.2146243e-7,0.000242368,0.0015174729,0.99367404,0.00016870594],"about_ca_topic_score_codex":0.0000116725805,"about_ca_topic_score_gemma":0.00009312144,"teacher_disagreement_score":0.81987005,"about_ca_system_score_codex":0.0000120173445,"about_ca_system_score_gemma":0.000096450465,"threshold_uncertainty_score":0.9880202},"labels":[],"label_agreement":null},{"id":"W3206177625","doi":"10.25071/2564-4661.17","title":"Mash-up, Smash-up: Mixing Genres and Mediums to Rewrite History in Do Not Say We Have Nothing","year":2021,"lang":"en","type":"article","venue":"Contemporary Kanata Interdisciplinary Approaches To Canadian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Postmodernism; Interpretation (philosophy); Reciprocal; Conversation; Literature; Reading (process); Epistemology; Aesthetics; Philosophy; History; Art; Linguistics","score_opus":0.26030290404294365,"score_gpt":0.2923304607327862,"score_spread":0.03202755668984253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206177625","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09225879,0.2209118,0.00005437829,0.21518974,0.0073635345,0.00222426,0.0009009107,0.00025147726,0.4608451],"genre_scores_gemma":[0.94736505,0.0000724277,0.00021467995,0.01078668,0.00084191427,0.00027136825,0.000119066244,0.00008938212,0.04023946],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99623126,0.00024754662,0.00097392336,0.0013131972,0.00036824553,0.00086582813],"domain_scores_gemma":[0.99765885,0.00030948516,0.00013173702,0.0007740451,0.00025585,0.00087003456],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00071173644,0.000671724,0.0010565589,0.001050842,0.0007148298,0.0004346618,0.00052801386,0.00016063188,0.00027020002],"category_scores_gemma":[0.0002052106,0.0006632566,0.00019899625,0.00019781671,0.0004568209,0.0010212858,0.0011378868,0.0006311749,0.0000489326],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018778519,0.000059254904,0.0004326587,0.0004216581,0.00037389205,0.0017797848,0.68875796,0.000003990932,0.000044974335,0.075147755,0.22563708,0.0071532317],"study_design_scores_gemma":[0.0005649544,0.00015103286,0.00028643096,0.0009749861,0.000040361174,0.000037179747,0.31763425,0.000050858725,0.00008272969,0.00093785714,0.6785077,0.0007316915],"about_ca_topic_score_codex":0.0069509503,"about_ca_topic_score_gemma":0.38243353,"teacher_disagreement_score":0.85510623,"about_ca_system_score_codex":0.00093332515,"about_ca_system_score_gemma":0.00069398986,"threshold_uncertainty_score":0.99966186},"labels":[],"label_agreement":null},{"id":"W3208034895","doi":"10.32920/ryerson.14656668.v1","title":"Age, Gender and Existentialism in the Late-Life Bildungsroman","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Existentialism; Postmodernism; Narrative; Masculinity; Reading (process); Sociology; Psychoanalysis; Gender studies; Literature; Aesthetics; Philosophy; Art; Psychology; Epistemology","score_opus":0.08498094588449893,"score_gpt":0.26190272066851555,"score_spread":0.1769217747840166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208034895","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2547281,0.0063340957,0.000009431852,0.0017310408,0.0009503801,0.00027164508,0.000027648515,0.000049094648,0.73589855],"genre_scores_gemma":[0.9667586,0.00006887643,0.000026331825,0.0056456765,0.000640968,0.00003921061,0.00018754482,0.000016512147,0.026616273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989516,0.00013205208,0.0002804241,0.00028851637,0.00017584104,0.00017154335],"domain_scores_gemma":[0.9994492,0.000052461633,0.000045257937,0.00035431256,0.000052638068,0.000046142355],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002174222,0.00021210559,0.00027051588,0.00008476667,0.00012488385,0.001684565,0.00023012144,0.00012655999,0.0016152279],"category_scores_gemma":[0.000012610484,0.00013536532,0.00011491623,0.00001998429,0.00013496913,0.00012639961,0.00029190732,0.0005188518,0.000006362692],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041236876,0.00005762843,0.00002720909,0.00013841917,0.000052558265,0.00026668608,0.16118805,4.6969032e-7,0.0000038583976,0.83004564,0.0079900315,0.00022532708],"study_design_scores_gemma":[0.0005468333,0.00003525375,0.003074819,0.00025517336,0.00012695217,0.000015478894,0.07843514,0.000055160577,0.0000074014297,0.048981864,0.867817,0.00064895593],"about_ca_topic_score_codex":0.0005457479,"about_ca_topic_score_gemma":0.0020521625,"teacher_disagreement_score":0.8598269,"about_ca_system_score_codex":0.000006451388,"about_ca_system_score_gemma":0.000053930056,"threshold_uncertainty_score":0.9993518},"labels":[],"label_agreement":null},{"id":"W3210309223","doi":"","title":"Recognition, or the Depressive Pleasure of Reading Surfacing","year":2019,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Pleasure; Reading (process); Psychology; Social psychology; Linguistics; Philosophy; Psychotherapist","score_opus":0.05818169547612957,"score_gpt":0.27453419470084883,"score_spread":0.21635249922471927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210309223","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43648565,0.064558804,3.337576e-7,0.008121865,0.0052449363,0.0012690463,0.0017333829,0.000059436836,0.48252657],"genre_scores_gemma":[0.9802735,0.00010375207,0.000012740978,0.0012914509,0.0003728368,0.000020434743,0.00005094345,0.000014718276,0.017859612],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899936,0.000079086916,0.00026472317,0.00020849808,0.00012629663,0.0003220243],"domain_scores_gemma":[0.9990535,0.0002141388,0.00006711658,0.0002468732,0.00034328224,0.00007511483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023863775,0.00015821008,0.00026644842,0.00017913818,0.00022068711,0.00015090876,0.00016926398,0.000066688895,0.0005042179],"category_scores_gemma":[0.00015326221,0.00008472011,0.00006442994,0.00016273443,0.00017687792,0.00029734994,0.00002734049,0.00032299763,0.000020717329],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001193979,0.00002761576,0.0063679507,0.0007001242,0.00033486076,0.0003313927,0.7566703,0.0000043945056,0.00003603447,0.16022412,0.07129501,0.0038888026],"study_design_scores_gemma":[0.0004283032,0.000074859265,0.00034798475,0.0019644815,0.000027531627,0.000018112853,0.03771845,0.0000069627486,0.00005863508,0.0044508255,0.9546516,0.00025223248],"about_ca_topic_score_codex":0.014298852,"about_ca_topic_score_gemma":0.58255905,"teacher_disagreement_score":0.88335663,"about_ca_system_score_codex":0.00007540464,"about_ca_system_score_gemma":0.00015852466,"threshold_uncertainty_score":0.99226505},"labels":[],"label_agreement":null},{"id":"W3211943458","doi":"","title":"“Husband in a Box” (Packaging / Book of the Year, “Foe”)","year":2021,"lang":"en","type":"article","venue":"Student Research Proceedings","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Typeface; Spouse; Interpretation (philosophy); Psychology; Aesthetics; Visual arts; Art; Law; Philosophy; Political science; Linguistics","score_opus":0.11038558763114245,"score_gpt":0.37123195076718885,"score_spread":0.26084636313604637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211943458","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41126588,0.0017561897,1.2471415e-7,0.002371326,0.00012500615,0.00023951205,0.00000570184,0.000013312582,0.584223],"genre_scores_gemma":[0.9176503,0.0000396009,0.0000054518364,0.00020952395,0.00024972868,0.000035051766,0.0000014918597,0.000010786791,0.08179811],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984825,0.000039569983,0.00022056786,0.00021935422,0.0007129453,0.00032503475],"domain_scores_gemma":[0.9991115,0.00006038227,0.000031950498,0.00013130075,0.0006201932,0.00004467028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006720311,0.000086445456,0.00015933314,0.00012547305,0.00020753536,0.00035585262,0.00032444883,0.0000298383,0.0007815336],"category_scores_gemma":[0.000110189765,0.000060419054,0.00006952331,0.00019689376,0.00025408503,0.00030160378,0.0003252662,0.0004388684,0.000016304777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002550875,0.00023527774,0.022879627,0.00020892771,0.000033809283,0.000030822095,0.15536942,3.2796276e-8,0.0012724124,0.7875648,0.031900834,0.0004785124],"study_design_scores_gemma":[0.00064478023,0.00008328316,0.008082819,0.00050630403,0.000007896834,0.0000028545812,0.08249445,0.0000028214756,0.0034131464,0.0071271905,0.89749616,0.0001382876],"about_ca_topic_score_codex":0.000049215614,"about_ca_topic_score_gemma":0.00039198424,"teacher_disagreement_score":0.86559534,"about_ca_system_score_codex":0.000038180562,"about_ca_system_score_gemma":0.00010006396,"threshold_uncertainty_score":0.8557245},"labels":[],"label_agreement":null},{"id":"W3217476440","doi":"","title":"Blood in the Sink: : A Redesign of Foe's Dustjacket","year":2021,"lang":"en","type":"article","venue":"Student Research Proceedings","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Feeling; Sink (geography); Mythology; Aesthetics; Psychology; History; Art; Literature; Social psychology; Geography; Cartography","score_opus":0.21114662072020599,"score_gpt":0.3968858988675374,"score_spread":0.1857392781473314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217476440","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53157014,0.0010681604,1.10153046e-7,0.0030841955,0.00006974339,0.00029984268,0.000004904008,0.000013913443,0.46388897],"genre_scores_gemma":[0.97998565,0.000051086405,0.00001421231,0.00024079268,0.00039453479,0.000061581544,0.0000055890855,0.000010508764,0.019236019],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980832,0.000092220194,0.00026972563,0.00024744478,0.00094039086,0.00036703568],"domain_scores_gemma":[0.99843585,0.000182057,0.00003370864,0.0001503674,0.0011550465,0.000042942364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017604119,0.00010079666,0.00017356811,0.00016218687,0.00023386428,0.00053864974,0.00045812892,0.000040318882,0.0005683334],"category_scores_gemma":[0.00023105147,0.00006891382,0.000058737318,0.00032263726,0.00026781828,0.0002643837,0.00016713295,0.0005004632,0.000013711723],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000314291,0.000543126,0.0013460334,0.00012591279,0.000037616217,0.00012388699,0.19397067,1.1451794e-8,0.0018429027,0.7771675,0.024368545,0.0004423721],"study_design_scores_gemma":[0.0010874082,0.00075687753,0.002609234,0.00039985194,0.000033226253,0.000027467226,0.29197758,0.0000031345537,0.003535633,0.02666083,0.67268455,0.00022420284],"about_ca_topic_score_codex":0.000046981906,"about_ca_topic_score_gemma":0.00018727129,"teacher_disagreement_score":0.7505067,"about_ca_system_score_codex":0.000015681495,"about_ca_system_score_gemma":0.00011459319,"threshold_uncertainty_score":0.62228525},"labels":[],"label_agreement":null},{"id":"W324189248","doi":"","title":"White Rose and the Red by H.D. (writing as Delia Alton) (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rose (mathematics); White (mutation); Art; Horticulture; Biology","score_opus":0.005994831490102093,"score_gpt":0.17731179585993626,"score_spread":0.17131696436983415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W324189248","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055733643,0.093049854,0.000039925442,0.014583196,0.00023551134,0.0008220767,0.000073804265,0.00008596247,0.835376],"genre_scores_gemma":[0.9548737,0.0008607936,0.00004262565,0.0012694654,0.000086175205,0.0000010031304,0.000020913192,0.000007029589,0.04283831],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943143,0.00007312275,0.00013090252,0.0001352361,0.00010525162,0.00012407874],"domain_scores_gemma":[0.9995267,0.000049202434,0.000073023446,0.00016947351,0.0001267128,0.000054926884],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000117779324,0.00009736066,0.00019440046,0.000008520022,0.000236215,0.000068525565,0.0001622591,0.000026981572,0.0062591066],"category_scores_gemma":[0.0000035047128,0.000077593526,0.00007768573,0.000006198635,0.00025724876,0.00070204097,0.000019019908,0.00006637865,0.00003997397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010177802,0.00006392589,0.000057051915,0.0002523247,0.00008808396,0.000012108822,0.14536215,1.1837618e-8,0.0000437128,0.21623802,0.6028147,0.03496614],"study_design_scores_gemma":[0.0014432576,0.00031829474,0.00033718752,0.00035726378,0.000094949915,0.0000053218478,0.06038232,0.000047095706,0.0000027936146,0.0015406291,0.93525904,0.00021184645],"about_ca_topic_score_codex":0.015620177,"about_ca_topic_score_gemma":0.005882267,"teacher_disagreement_score":0.89914006,"about_ca_system_score_codex":0.000017260074,"about_ca_system_score_gemma":0.0000112391635,"threshold_uncertainty_score":0.9946493},"labels":[],"label_agreement":null},{"id":"W32685739","doi":"10.1515/9781552385470-012","title":"Eruptions of Postmodernity: The Postcolonial and the Ecological (1993)","year":2013,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernity; Ecology; Geography; Biology; Art; Literature; Postmodernism","score_opus":0.02612146381571487,"score_gpt":0.18036982734525953,"score_spread":0.15424836352954466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W32685739","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006117473,0.0008047854,0.000011533672,0.0003115815,0.000116952615,0.00045926828,0.00011412532,0.000018272516,0.99755174],"genre_scores_gemma":[0.058575787,0.00006465902,0.000019630308,0.0002393409,0.000118888485,8.036227e-7,0.000018377019,0.0000109294015,0.9409516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934995,0.00006643706,0.0001672618,0.00015517556,0.00015859978,0.000102599064],"domain_scores_gemma":[0.9991209,0.00024385369,0.000168534,0.0002632782,0.00016632928,0.000037109032],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010800735,0.00016210819,0.0003271318,0.000040040824,0.0003427097,0.000046838886,0.00030762478,0.00014768346,0.00094358437],"category_scores_gemma":[0.000005681712,0.000099499026,0.00018822133,0.0000011822859,0.0022477282,0.00006701236,0.00022467918,0.0003370966,0.000006003568],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017027064,0.00001261352,4.168524e-7,0.000035000863,0.00012645176,0.000011551534,0.011478079,5.710914e-8,0.0000020066498,0.9848702,0.0016378874,0.0016554979],"study_design_scores_gemma":[0.0006532688,0.000105494866,0.000022179469,0.000064520435,0.00026670718,0.0000049052987,0.00030492112,0.000036878755,0.0000024747874,0.027624836,0.9707912,0.00012260358],"about_ca_topic_score_codex":0.0009857956,"about_ca_topic_score_gemma":0.0010666052,"teacher_disagreement_score":0.96915334,"about_ca_system_score_codex":0.000007937634,"about_ca_system_score_gemma":0.00003810829,"threshold_uncertainty_score":0.99996966},"labels":[],"label_agreement":null},{"id":"W359090618","doi":"","title":"Uncanny Subjects: Aging in Contemporary Narrative by Amelia DeFalco (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Uncanny; Narrative; Psychoanalysis; History; Art; Literature; Psychology; Aesthetics","score_opus":0.014220895330274022,"score_gpt":0.2030207247565954,"score_spread":0.1887998294263214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W359090618","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.094656706,0.11735774,0.000051388863,0.0027456959,0.00036093095,0.000992935,0.00015831088,0.00011207989,0.7835642],"genre_scores_gemma":[0.9773923,0.00025964133,0.00003483511,0.0005908479,0.00006698282,0.0000015381837,0.000048010636,0.000009335817,0.021596504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991293,0.00010360377,0.00021400925,0.00021988121,0.00014361105,0.00018961124],"domain_scores_gemma":[0.9994427,0.000042742526,0.000110258734,0.00016728004,0.00015800078,0.00007903352],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010026549,0.00015795007,0.00031807777,0.000036128535,0.0001282556,0.000042488526,0.00023114443,0.000044146855,0.0093055405],"category_scores_gemma":[0.0000037143197,0.0001661378,0.000105938416,0.000017309343,0.00017260843,0.0013824886,0.000016962793,0.000109140514,0.00006779262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003797299,0.0001712364,0.00020593574,0.00029724446,0.0000691793,0.000033556087,0.40807664,2.80667e-8,0.00027183298,0.022140611,0.55481714,0.013878601],"study_design_scores_gemma":[0.00091400126,0.00048553332,0.00042671865,0.0007556365,0.000022899554,0.0000013441843,0.21862708,0.00001721431,0.000012422893,0.00047307735,0.77793646,0.00032763934],"about_ca_topic_score_codex":0.0662521,"about_ca_topic_score_gemma":0.03691532,"teacher_disagreement_score":0.8827356,"about_ca_system_score_codex":0.000088714725,"about_ca_system_score_gemma":0.00004783935,"threshold_uncertainty_score":0.9916001},"labels":[],"label_agreement":null},{"id":"W364176749","doi":"","title":"Master Classes: De Oliveira's Belle Toujours and Von Trotta's I Am the Other Woman","year":2007,"lang":"en","type":"article","venue":"Cineaction!","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Admiration; Art; Movie theater; Art history; Subject (documents); Modernity; Humanities; Literature; Philosophy","score_opus":0.026434107461856877,"score_gpt":0.23630005043935454,"score_spread":0.20986594297749767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W364176749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49214727,0.0008667184,0.00033407958,0.0052696564,0.0005056418,0.00018943322,0.000012107729,0.00009246406,0.50058264],"genre_scores_gemma":[0.93971944,0.000006835168,0.00001351837,0.003222301,0.0013250181,0.0000072783428,0.0000067853407,0.000013554233,0.055685263],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941725,0.000027330278,0.00013239637,0.00012508432,0.0000885037,0.0002094475],"domain_scores_gemma":[0.99964374,0.00007492945,0.00003800938,0.00014579583,0.000043185773,0.000054330918],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022256606,0.00010238113,0.000091134,0.00007159417,0.000549075,0.00016673813,0.00007153603,0.0000380535,0.0011923558],"category_scores_gemma":[0.0000072350713,0.00006870049,0.000045012413,0.000035897723,0.00011025747,0.0002403895,0.000026138567,0.00015659767,0.000035975205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017004616,0.00014305784,0.0028903761,0.00006741659,0.00010984128,0.0000678408,0.18721741,8.1641934e-7,0.0010928905,0.6433341,0.14400886,0.02089733],"study_design_scores_gemma":[0.000276949,0.000046509987,0.0023253919,0.00001794384,0.000017866521,0.000016745269,0.014708581,0.000016706292,0.00014892052,0.0009007605,0.98142797,0.00009567814],"about_ca_topic_score_codex":0.0001024823,"about_ca_topic_score_gemma":0.0007773903,"teacher_disagreement_score":0.8374191,"about_ca_system_score_codex":0.000018217897,"about_ca_system_score_gemma":0.00001381935,"threshold_uncertainty_score":0.9997207},"labels":[],"label_agreement":null},{"id":"W364567892","doi":"","title":"Where the Body Is a Battleground: Materializing Gender in the Humanities","year":2002,"lang":"en","type":"article","venue":"Resources for feminist research","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Materiality (auditing); Subjectivity; Criticism; Sociology; Argument (complex analysis); Aesthetics; Humanities; Philosophy; Epistemology; Art; Literature","score_opus":0.2032459629436222,"score_gpt":0.3398235185724991,"score_spread":0.13657755562887688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W364567892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104865134,0.0076732077,0.000001482097,0.0092052985,0.00029858993,0.00088814297,0.00018354156,0.000046219164,0.8768384],"genre_scores_gemma":[0.919952,0.000041193172,0.0000041903713,0.002417749,0.0015689589,0.0002907072,0.000011964764,0.000028977114,0.07568426],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789536,0.0003512291,0.0002931729,0.00027258505,0.0006109634,0.00057667133],"domain_scores_gemma":[0.99843407,0.0008502617,0.00003956324,0.00047533808,0.0001720944,0.000028693068],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016240868,0.00016158278,0.00017182624,0.00015261187,0.0020465443,0.0033127046,0.0007705674,0.00006205889,0.0034782086],"category_scores_gemma":[0.000060111128,0.00008899394,0.00011599072,0.000095036026,0.0008958454,0.000168804,0.000100665886,0.00043555012,0.00011085003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033069027,0.00006049267,0.000035566718,0.000117290125,0.000018506178,0.000015499689,0.42793065,3.1542033e-8,0.000018678602,0.39738822,0.17411886,0.0002631046],"study_design_scores_gemma":[0.00023285375,0.00012079431,0.000039222872,0.000059505826,0.000008031594,0.00000949416,0.09344176,0.000051302562,0.00001752586,0.0049486994,0.90095615,0.00011465293],"about_ca_topic_score_codex":0.0002913425,"about_ca_topic_score_gemma":0.00073238893,"teacher_disagreement_score":0.8150869,"about_ca_system_score_codex":0.000032314947,"about_ca_system_score_gemma":0.000018125915,"threshold_uncertainty_score":0.9992527},"labels":[],"label_agreement":null},{"id":"W382781252","doi":"","title":"New Fiction: Illumination, Participation, Tact (T. Alan Broughton, David Helwig, Hugh Hood, William Maxwell, Kent Thompson)","year":2014,"lang":"en","type":"article","venue":"USF Scholarship Repository (University of San Francisco)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tact; Art history; Art; Psychology","score_opus":0.016038986966651507,"score_gpt":0.20516225633123014,"score_spread":0.18912326936457863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W382781252","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6529446,0.0019605544,0.0049652974,0.0021636505,0.0034382695,0.00066334073,0.00006771448,0.00040379626,0.33339277],"genre_scores_gemma":[0.96056646,0.000013498677,0.0005184065,0.0002962041,0.0010403896,0.000001391255,0.00011880551,0.000026720852,0.03741811],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806017,0.00023453483,0.0003736851,0.00048296314,0.0005140108,0.00033461224],"domain_scores_gemma":[0.9983512,0.00009618642,0.00028895572,0.0005603171,0.0004426741,0.0002606563],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003575978,0.00027662906,0.00037081304,0.00016344232,0.0010689646,0.00030709957,0.0004466177,0.00015799582,0.0014873287],"category_scores_gemma":[0.000045906225,0.0003159123,0.0002035737,0.00014826,0.0002656886,0.0021635212,0.00007778485,0.0003957953,0.00007841344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084985123,0.0014334638,0.04626772,0.00078181026,0.00083240954,0.00034650488,0.2622508,0.00006974817,0.0091519505,0.41486442,0.22214691,0.041004382],"study_design_scores_gemma":[0.0011298469,0.00032384126,0.035286907,0.00020935871,0.0001713109,0.000015739757,0.0043177917,0.00006834875,0.0016494015,0.0015013319,0.95483243,0.0004936711],"about_ca_topic_score_codex":0.00023719575,"about_ca_topic_score_gemma":0.00048087706,"teacher_disagreement_score":0.73268557,"about_ca_system_score_codex":0.00007507198,"about_ca_system_score_gemma":0.0000924223,"threshold_uncertainty_score":0.9999293},"labels":[],"label_agreement":null},{"id":"W404126356","doi":"","title":"Gabrielle Roy and Chekhov’s “Strange Alchemy”","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alchemy; Art; Literature; Philosophy; Art history","score_opus":0.06661402794881753,"score_gpt":0.24950995237288973,"score_spread":0.1828959244240722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W404126356","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036753614,0.4174859,0.0000016290577,0.0006927395,0.00018172771,0.00031456235,0.0003684636,0.000015624424,0.577264],"genre_scores_gemma":[0.97864795,0.0050144647,0.00010724172,0.0057533286,0.00026531523,0.000027373882,0.00015511991,0.000014205569,0.010015015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905586,0.000074342286,0.00031782602,0.0002227824,0.00009879718,0.00023036823],"domain_scores_gemma":[0.9990768,0.00003235351,0.000086174696,0.0002484968,0.00027744504,0.0002787237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012422797,0.00021189734,0.00047285494,0.00011462308,0.0001289365,0.00009962365,0.00016435108,0.00005856058,0.0031924124],"category_scores_gemma":[0.000012586571,0.00017008623,0.00011014992,0.00008982707,0.00021427909,0.00031518977,0.000014310383,0.00022212969,0.000022737135],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010342654,0.00002482171,0.000052337033,0.0031230813,0.000055277716,0.00004561247,0.09482005,1.9374018e-9,0.000010277185,0.81840056,0.082605876,0.000851775],"study_design_scores_gemma":[0.00013572707,0.00007269385,0.00023753784,0.0072081457,0.00004285176,0.00001388556,0.00069997396,0.0000012779699,0.00011009225,0.0015102942,0.98975897,0.00020854612],"about_ca_topic_score_codex":0.0012999325,"about_ca_topic_score_gemma":0.023713496,"teacher_disagreement_score":0.97497255,"about_ca_system_score_codex":0.000016252845,"about_ca_system_score_gemma":0.00014049442,"threshold_uncertainty_score":0.9977188},"labels":[],"label_agreement":null},{"id":"W4200408692","doi":"10.3138/ecf.34.2.238","title":"<i>Physical Disability in British Romantic Literature</i> by Essaka Joshua","year":2021,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Psychology; Art; Psychoanalysis","score_opus":0.007237825139310432,"score_gpt":0.20515387803721102,"score_spread":0.1979160528979006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200408692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90866184,0.025977543,0.00001407586,0.0007602269,0.002168475,0.00025372024,0.00034649234,0.00015729385,0.061660323],"genre_scores_gemma":[0.99311787,0.0007419125,0.000011585682,0.00041162575,0.0011390516,0.00003459775,0.0010277343,0.000026690175,0.0034889532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983176,0.00015966671,0.00036337605,0.00053227943,0.00028475744,0.00034230688],"domain_scores_gemma":[0.9993236,0.00006689716,0.000058970105,0.00032424362,0.00012998068,0.00009632129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001090003,0.00021479842,0.0003016279,0.000039230225,0.00024555455,0.0008931109,0.00012580806,0.00009850543,0.00084483315],"category_scores_gemma":[0.000025664349,0.00023948537,0.00019105124,0.00016126415,0.0001639495,0.00082426245,0.00005365638,0.00041327596,0.000043505886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016130628,0.008442291,0.0095242765,0.00058837776,0.00016030305,0.0010514779,0.04109112,0.0000022637573,0.003598409,0.48723194,0.41741666,0.03073158],"study_design_scores_gemma":[0.00086750503,0.00007846367,0.0023344748,0.00032214262,0.00003756596,0.000036441706,0.0014236438,0.00012695121,0.00049107487,0.0011223647,0.99274206,0.00041732882],"about_ca_topic_score_codex":0.00014470541,"about_ca_topic_score_gemma":0.0010328287,"teacher_disagreement_score":0.57532537,"about_ca_system_score_codex":0.000077122655,"about_ca_system_score_gemma":0.000026866179,"threshold_uncertainty_score":0.976593},"labels":[],"label_agreement":null},{"id":"W4200635757","doi":"","title":"“What’s in a deck? Words! Words! Words! And more! — McClure’s 1960s Personal Universe Decks”","year":2021,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Deck; Computer science; Universe; Artificial intelligence; Linguistics; Natural language processing; Engineering; Astronomy; Philosophy; Physics; Structural engineering","score_opus":0.01542710906322255,"score_gpt":0.21423495233671838,"score_spread":0.19880784327349582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200635757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63637465,0.013145122,0.0010224599,0.044067502,0.0009065871,0.00039665907,0.000085453816,0.0002129611,0.3037886],"genre_scores_gemma":[0.9136646,0.0005136468,0.00100546,0.0007489865,0.00006876977,0.000020470638,0.00017606243,0.000029083847,0.08377292],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971168,0.0013677374,0.00035319975,0.00052231556,0.00028921824,0.00035073122],"domain_scores_gemma":[0.9977453,0.00059750024,0.00011547338,0.0006503184,0.00071725517,0.00017420296],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012401664,0.00024430754,0.0002858338,0.00018461606,0.00040741268,0.0011042482,0.00033456951,0.00009941243,0.0014199278],"category_scores_gemma":[0.00028548966,0.00025440363,0.00012329764,0.00025398584,0.00038083366,0.0008073357,0.0003346579,0.00036433488,0.000036154022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027214213,0.0003872381,0.0012180568,0.000056662393,0.000042247924,0.000121124,0.33338416,3.1358505e-7,0.0002836967,0.6413038,0.0024744822,0.020701028],"study_design_scores_gemma":[0.0017302795,0.000001228759,0.0022094087,0.002136271,0.000056546265,0.000051352596,0.060587138,0.0012130584,0.0017384277,0.0067482847,0.9228307,0.0006972754],"about_ca_topic_score_codex":0.00046429413,"about_ca_topic_score_gemma":0.021648597,"teacher_disagreement_score":0.9203563,"about_ca_system_score_codex":0.00006141755,"about_ca_system_score_gemma":0.00020063805,"threshold_uncertainty_score":0.9999908},"labels":[],"label_agreement":null},{"id":"W4205251505","doi":"10.1353/wlt.2017.0304","title":"Do Not Say We Have Nothing","year":2017,"lang":"en","type":"article","venue":"World Literature Today","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Ideology; Existentialism; Soul; History; The Void; Magnum opus; Criticism; Literature; Aesthetics; Philosophy; Politics; Law; Art; Political science; Theology; Epistemology","score_opus":0.03257780615148737,"score_gpt":0.2618835653077148,"score_spread":0.22930575915622742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205251505","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019076728,0.006637308,0.000008682185,0.039320152,0.003017379,0.00024663957,0.00019182847,0.00017608426,0.94849426],"genre_scores_gemma":[0.6333828,0.000015666845,0.00008662884,0.0046661813,0.0029196711,0.000017043558,0.00004115514,0.0000298764,0.35884097],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844277,0.00005557076,0.00033324212,0.0004604209,0.00029417741,0.00041383735],"domain_scores_gemma":[0.9982922,0.00009077932,0.00017713403,0.001121722,0.00017811863,0.00014001231],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002490699,0.000336532,0.00033944097,0.00021229108,0.0015182714,0.00663218,0.00064738624,0.000095791496,0.002831517],"category_scores_gemma":[0.000060881466,0.00026329872,0.00022142088,0.00003451997,0.00023558686,0.0014452108,0.00014253886,0.0006490151,0.00019965185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050243438,0.00004366564,0.0000686878,0.000061738036,0.00003829824,0.00018109112,0.11082797,9.5901996e-8,0.00010490946,0.8125033,0.06966937,0.0064506503],"study_design_scores_gemma":[0.0003907348,0.00003003788,0.00016082088,0.0006889346,0.000026317326,0.000008175441,0.00046018223,0.000009791832,0.00023010491,0.0061410894,0.99148643,0.00036737503],"about_ca_topic_score_codex":0.000030318108,"about_ca_topic_score_gemma":0.00068172143,"teacher_disagreement_score":0.92181706,"about_ca_system_score_codex":0.000023803133,"about_ca_system_score_gemma":0.00002758637,"threshold_uncertainty_score":0.99998194},"labels":[],"label_agreement":null},{"id":"W4205331894","doi":"10.1353/wlt.2017.0131","title":"Lost Addresses: New and Selected Poems","year":2017,"lang":"en","type":"article","venue":"World Literature Today","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Singing; Art; Dozen; American poetry; Manifesto; Art history; History; Law","score_opus":0.027988189670780365,"score_gpt":0.2499692288131047,"score_spread":0.22198103914232434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205331894","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008058885,0.014218555,0.0000060289876,0.010531397,0.0015377739,0.00027615603,0.00015315994,0.00014711753,0.9650709],"genre_scores_gemma":[0.6088637,0.00001867708,0.000057680114,0.00118565,0.0020808245,0.0000045971733,0.000065768734,0.000020119403,0.38770297],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989364,0.000036088673,0.00021626115,0.00035073413,0.00015948861,0.0003010276],"domain_scores_gemma":[0.9988604,0.000054299715,0.00010983527,0.00060514506,0.00018538185,0.00018493777],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008840749,0.00025761145,0.00026173578,0.00014806463,0.00081566593,0.004139227,0.00032984134,0.000070093,0.001978039],"category_scores_gemma":[0.000067923116,0.0002031198,0.00006812557,0.00006531928,0.00019164632,0.0010361028,0.000091675254,0.00038504731,0.00009994322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051539915,0.000035970028,0.00026191937,0.00005451702,0.000046664238,0.00010013171,0.028330589,1.7015703e-8,0.00011365469,0.7034421,0.26273027,0.0048326007],"study_design_scores_gemma":[0.00047724013,0.000045103174,0.0015261198,0.00035438064,0.000027303062,0.000012516335,0.00011942362,0.00000382852,0.000086592634,0.005583092,0.9914854,0.00027897168],"about_ca_topic_score_codex":0.00008190112,"about_ca_topic_score_gemma":0.002224715,"teacher_disagreement_score":0.7287551,"about_ca_system_score_codex":0.000010118421,"about_ca_system_score_gemma":0.00005318226,"threshold_uncertainty_score":0.99893427},"labels":[],"label_agreement":null},{"id":"W4206708447","doi":"10.12987/9780300210279","title":"Globetrotter","year":2020,"lang":"de","type":"book","venue":"Yale University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Serbian; Blame; Jealousy; Shame; Scrutiny; Paragraph; Identity (music); History; Painting; Art; Art history; Aesthetics; Law; Psychology; Political science; Philosophy","score_opus":0.02918767745319883,"score_gpt":0.1810400530627508,"score_spread":0.15185237560955198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206708447","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003038228,0.0012993595,0.000040186103,0.0003515339,0.0012470151,0.00050706096,0.001560284,0.00020064856,0.99476355],"genre_scores_gemma":[0.0049551423,0.000057577614,0.00002623927,0.0014892496,0.003172253,0.000001179533,0.00044719447,0.00006444174,0.98978674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792093,0.0001611686,0.0003097505,0.0007502889,0.0003856661,0.00047221722],"domain_scores_gemma":[0.9985992,0.000093724244,0.0002087357,0.0005706838,0.00021052037,0.00031716796],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006229878,0.0006116947,0.00068545307,0.00015726704,0.0006915481,0.0005473137,0.0008014345,0.0004244957,0.0012765315],"category_scores_gemma":[0.0000064718733,0.00070106034,0.0005107867,0.000009104672,0.00058880873,0.0002453025,0.0005115731,0.0009847297,0.00047758734],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014844368,0.000027857803,0.0000011851087,0.0002979966,0.00032063285,0.0010974826,0.007782131,8.776106e-8,0.0000031333075,0.7112063,0.2785492,0.0005655361],"study_design_scores_gemma":[0.0008264702,0.00017343163,0.0000016113435,0.0003791823,0.0006131084,0.000003863872,0.00070302445,0.000016367474,0.00002092794,0.00043058343,0.9960793,0.0007520978],"about_ca_topic_score_codex":0.00020723976,"about_ca_topic_score_gemma":0.000048525384,"teacher_disagreement_score":0.71753013,"about_ca_system_score_codex":0.00015017437,"about_ca_system_score_gemma":0.00026343952,"threshold_uncertainty_score":0.9996364},"labels":[],"label_agreement":null},{"id":"W4210306219","doi":"10.32873/uno.dc.jrf.25.02.016","title":"Where is Anne Frank","year":2021,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sociology; Law and economics; Philosophy","score_opus":0.014633280788153265,"score_gpt":0.2276839329893199,"score_spread":0.21305065220116665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210306219","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13280103,0.19802141,0.000117052485,0.033298615,0.0045122537,0.000087863766,0.00006371181,0.000043344648,0.6310547],"genre_scores_gemma":[0.8863858,0.0024042227,0.00016718356,0.007073751,0.0028529598,8.4272455e-7,0.000006850138,0.000019521181,0.1010889],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921525,0.000033494227,0.00033963393,0.00008214176,0.00021505904,0.000114438204],"domain_scores_gemma":[0.99912727,0.0000365394,0.00014487952,0.00012610054,0.0004917821,0.000073422256],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010544078,0.00008860811,0.00019653141,0.00006475583,0.00010155381,0.0002401842,0.00009909759,0.0000438357,0.0032125341],"category_scores_gemma":[0.000022422579,0.00006879845,0.00020240895,0.000036475078,0.00003671425,0.00034269545,0.000016857566,0.00023509235,0.00006513807],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026362392,0.00004856911,0.000043714062,0.000029159204,0.00004236685,0.00043730493,0.007853905,3.9136063e-7,0.00016475313,0.08483123,0.90541553,0.0011066982],"study_design_scores_gemma":[0.0003377252,0.00011431382,0.0000239533,0.00020442158,0.000029189601,0.00016685328,0.0011494256,0.0000056404524,0.00048691418,0.0042859865,0.99311024,0.00008534863],"about_ca_topic_score_codex":0.000013988224,"about_ca_topic_score_gemma":0.000055964265,"teacher_disagreement_score":0.75358474,"about_ca_system_score_codex":0.000010262518,"about_ca_system_score_gemma":0.000076925426,"threshold_uncertainty_score":0.99769866},"labels":[],"label_agreement":null},{"id":"W4210636548","doi":"10.7312/wall15156","title":"Fate, Time, and Language","year":2010,"lang":"en","type":"book","venue":"Columbia University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Linguistics; Philosophy","score_opus":0.011222253544351572,"score_gpt":0.1676241897707887,"score_spread":0.1564019362264371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210636548","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005257456,0.0003392072,4.2077957e-7,0.000013743764,0.00028069442,0.00025295204,0.00060003443,0.000133037,0.9978542],"genre_scores_gemma":[0.0010170282,0.0000069215434,0.000011226973,0.00013327753,0.000517016,6.520415e-7,0.00016270623,0.000029748036,0.99812144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926114,0.00003113316,0.00010595138,0.0003026505,0.0001239724,0.00017518106],"domain_scores_gemma":[0.999373,0.000049615795,0.00007960739,0.00030218626,0.000091945,0.00010364882],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004769113,0.0001836248,0.0002810247,0.00006571464,0.00033018825,0.0004912133,0.0002493978,0.00026012646,0.0010031475],"category_scores_gemma":[0.0000035270305,0.00025853442,0.00009538038,0.0000021234775,0.000403571,0.00013149441,0.00019188898,0.0005448127,0.000026524805],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022624135,0.000013951388,4.8412704e-7,0.00010817422,0.00008786878,0.0003518443,0.013104699,3.847881e-9,0.00003120333,0.51548487,0.46797156,0.002822721],"study_design_scores_gemma":[0.0002928055,0.00003753917,0.0000017885613,0.000098093726,0.00011664096,0.0000048920456,0.00023939603,0.0000031686745,0.0000051072425,0.00045120367,0.9984505,0.00029882343],"about_ca_topic_score_codex":0.0013291368,"about_ca_topic_score_gemma":0.00869978,"teacher_disagreement_score":0.53047895,"about_ca_system_score_codex":0.00002873969,"about_ca_system_score_gemma":0.000099615325,"threshold_uncertainty_score":0.9999867},"labels":[],"label_agreement":null},{"id":"W4210972639","doi":"10.25071/2561-5467.18","title":"Phil Carradice, The Battle of Tsushima (Ian Yeates)","year":2021,"lang":"en","type":"article","venue":"The Northern Mariner / Le marin du nord","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Battle; History; Oceanography; Ancient history; Geology","score_opus":0.017132065308483827,"score_gpt":0.1918599696694663,"score_spread":0.17472790436098248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210972639","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46917823,0.0007968896,0.000007488424,0.01087251,0.00088176766,0.00015083034,0.000039582876,0.000056867248,0.51801586],"genre_scores_gemma":[0.8494836,0.000018236215,0.000008104664,0.00083957356,0.0010080703,0.000021014397,0.000052075386,0.000033444092,0.14853586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878466,0.00015652012,0.0003174392,0.00023907426,0.00024361581,0.00025866771],"domain_scores_gemma":[0.9986066,0.00027954346,0.00009803028,0.00072004687,0.00024614413,0.000049620394],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025428637,0.00020375282,0.00024649734,0.000037201517,0.00039498127,0.00022739836,0.00050643255,0.000045536337,0.002113387],"category_scores_gemma":[0.000068838795,0.00011836537,0.00018720522,0.00009294885,0.00035374615,0.00013943113,0.000310136,0.00027288636,0.00009347087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023806453,0.0006097924,0.08290224,0.00020084268,0.0006639938,0.00025409582,0.09958529,0.00002407687,0.00030073492,0.575331,0.028058324,0.2118316],"study_design_scores_gemma":[0.0003903892,0.00003874762,0.0043585645,0.000021159256,0.00005795753,0.000021942355,0.0038409794,0.00003559001,0.00014821623,0.0046558287,0.98623836,0.00019229412],"about_ca_topic_score_codex":0.0032306714,"about_ca_topic_score_gemma":0.03476758,"teacher_disagreement_score":0.95818,"about_ca_system_score_codex":0.000016398522,"about_ca_system_score_gemma":0.00013395517,"threshold_uncertainty_score":0.9987988},"labels":[],"label_agreement":null},{"id":"W4211026043","doi":"10.32920/ryerson.14655729","title":"Hiding in Delight: Transgression, Irony And the Edge of Vice","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Irony; Foregrounding; Capital (architecture); Casual; Marine transgression; Politics; Commodity; Sociology; Advertising; Media studies; Political science; Aesthetics; Law; History; Art; Business; Literature","score_opus":0.025498575238472404,"score_gpt":0.22878552332635288,"score_spread":0.20328694808788048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211026043","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3120311,0.037899654,0.00011691612,0.007508666,0.0010429124,0.00047180004,0.00004204407,0.000038276903,0.64084864],"genre_scores_gemma":[0.992816,0.00015588499,0.000038985072,0.0005522476,0.00020801651,0.000020353064,0.000025238622,0.000009531484,0.0061737797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919957,0.00009369271,0.00031091375,0.00019944245,0.00010103591,0.00009536561],"domain_scores_gemma":[0.9995193,0.00011382245,0.000057496367,0.00021058375,0.000077707824,0.000021109227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020155146,0.0001363359,0.0003127405,0.000061629304,0.00007175071,0.00021315101,0.00013212126,0.00008069698,0.0008438949],"category_scores_gemma":[0.000011099213,0.000078046476,0.00009036094,0.000016154037,0.00018020209,0.000089617315,0.00014418237,0.00031979714,8.4678226e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005078434,0.000038697668,0.00002685504,0.00035598,0.000032702486,0.000024640474,0.18135494,0.0000010910024,0.000025302606,0.8158393,0.001040348,0.0012093562],"study_design_scores_gemma":[0.0062156646,0.000081008984,0.0006021107,0.007734581,0.0003562476,0.000025449506,0.12636228,0.0011247197,0.0024855263,0.09058622,0.76297337,0.0014528328],"about_ca_topic_score_codex":0.00041871128,"about_ca_topic_score_gemma":0.0026425896,"teacher_disagreement_score":0.761933,"about_ca_system_score_codex":0.0000053182534,"about_ca_system_score_gemma":0.000042487445,"threshold_uncertainty_score":0.92400575},"labels":[],"label_agreement":null},{"id":"W4211033323","doi":"10.25071/2561-5467.37","title":"Bernie Webber, Lightships, Lighthouses and Lifeboat Stations (Alicia Caporaso)","year":2021,"lang":"en","type":"article","venue":"The Northern Mariner / Le marin du nord","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aeronautics; Art; Archaeology; Geography; Engineering","score_opus":0.020236201198703258,"score_gpt":0.20226361899844256,"score_spread":0.1820274177997393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211033323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65926003,0.001604541,0.000026871992,0.011078444,0.00059990905,0.00023611377,0.00008752634,0.00017984696,0.3269267],"genre_scores_gemma":[0.76291513,0.00009059286,0.00004926837,0.0018035985,0.0011853406,0.00004266445,0.0001350797,0.000054147393,0.23372419],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854475,0.00017559418,0.0003537139,0.00036961155,0.00023416473,0.00032213362],"domain_scores_gemma":[0.99875015,0.0002446278,0.00009755333,0.00051686267,0.0002808071,0.00010999076],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002004513,0.00028196632,0.00028484012,0.00006608423,0.00076396094,0.0006653745,0.0002653861,0.00006255445,0.0011024036],"category_scores_gemma":[0.000059120273,0.00019984013,0.000117080184,0.00008738435,0.00027210556,0.00032868134,0.0003202794,0.00029876153,0.00013001595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011645088,0.0005158775,0.084843785,0.00013811568,0.0004068968,0.00038354698,0.06323012,0.0000050707213,0.00012074861,0.75835854,0.0253675,0.06651334],"study_design_scores_gemma":[0.00043288327,0.000041399355,0.0049843527,0.00002443521,0.0000815768,0.000034729124,0.002521155,0.000025689375,0.00010670297,0.014681209,0.9767455,0.00032036685],"about_ca_topic_score_codex":0.0038700388,"about_ca_topic_score_gemma":0.10210371,"teacher_disagreement_score":0.951378,"about_ca_system_score_codex":0.000020993208,"about_ca_system_score_gemma":0.00014735103,"threshold_uncertainty_score":0.9998107},"labels":[],"label_agreement":null},{"id":"W4211075097","doi":"10.32920/ryerson.14655729.v1","title":"Hiding in Delight: Transgression, Irony And the Edge of Vice","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Irony; Foregrounding; Capital (architecture); Politics; Commodity; Casual; Marine transgression; Sociology; Advertising; Political science; Aesthetics; Media studies; Law; History; Business; Art; Literature","score_opus":0.025498575238472404,"score_gpt":0.22878552332635288,"score_spread":0.20328694808788048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211075097","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3120311,0.037899654,0.00011691612,0.007508666,0.0010429124,0.00047180004,0.00004204407,0.000038276903,0.64084864],"genre_scores_gemma":[0.992816,0.00015588499,0.000038985072,0.0005522476,0.00020801651,0.000020353064,0.000025238622,0.000009531484,0.0061737797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919957,0.00009369271,0.00031091375,0.00019944245,0.00010103591,0.00009536561],"domain_scores_gemma":[0.9995193,0.00011382245,0.000057496367,0.00021058375,0.000077707824,0.000021109227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020155146,0.0001363359,0.0003127405,0.000061629304,0.00007175071,0.00021315101,0.00013212126,0.00008069698,0.0008438949],"category_scores_gemma":[0.000011099213,0.000078046476,0.00009036094,0.000016154037,0.00018020209,0.000089617315,0.00014418237,0.00031979714,8.4678226e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005078434,0.000038697668,0.00002685504,0.00035598,0.000032702486,0.000024640474,0.18135494,0.0000010910024,0.000025302606,0.8158393,0.001040348,0.0012093562],"study_design_scores_gemma":[0.0062156646,0.000081008984,0.0006021107,0.007734581,0.0003562476,0.000025449506,0.12636228,0.0011247197,0.0024855263,0.09058622,0.76297337,0.0014528328],"about_ca_topic_score_codex":0.00041871128,"about_ca_topic_score_gemma":0.0026425896,"teacher_disagreement_score":0.761933,"about_ca_system_score_codex":0.0000053182534,"about_ca_system_score_gemma":0.000042487445,"threshold_uncertainty_score":0.92400575},"labels":[],"label_agreement":null},{"id":"W4214889318","doi":"10.33137/q.i..v26i1.9126","title":"The Ends of Mourning: Psychoanalysis, Literature, Film","year":2005,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Psychoanalysis; Literature; Art history; Psychology","score_opus":0.021728215074017093,"score_gpt":0.2527597362825656,"score_spread":0.2310315212085485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214889318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002010805,0.008396482,0.000114629634,0.004488293,0.000472308,0.00012340465,0.00017748433,0.00007740038,0.9841392],"genre_scores_gemma":[0.891674,0.000040656498,0.00013188292,0.00051392865,0.0010840978,0.000009906623,0.00005477489,0.00001949928,0.10647128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872714,0.00006733906,0.00043699957,0.00021943907,0.0002753706,0.00027373442],"domain_scores_gemma":[0.9989903,0.00019234825,0.00012607532,0.0004101326,0.00019665972,0.00008448692],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020571097,0.00018492475,0.00022764971,0.00007523709,0.000456709,0.00054821535,0.00032428835,0.00005738425,0.0049227094],"category_scores_gemma":[0.000077073535,0.00012132578,0.00019863104,0.000077783414,0.00029788504,0.00024470632,0.000029377765,0.00023069773,0.00028922374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028324805,0.000075902964,0.000017697603,0.000024899153,0.000094488,0.000011541078,0.011788527,0.0000010598227,0.000047771555,0.9342558,0.048590895,0.005063098],"study_design_scores_gemma":[0.0001109262,0.00006917956,0.000029837867,0.000060681927,0.00006383888,0.000010200141,0.001634767,0.00023629582,0.00011461669,0.004310028,0.99319947,0.00016018846],"about_ca_topic_score_codex":0.000012651099,"about_ca_topic_score_gemma":0.00015926706,"teacher_disagreement_score":0.94460857,"about_ca_system_score_codex":0.0000141434475,"about_ca_system_score_gemma":0.000026687356,"threshold_uncertainty_score":0.99598694},"labels":[],"label_agreement":null},{"id":"W4214929986","doi":"10.5130/csr.v9i1.3597","title":"Introducing Deleuze","year":2013,"lang":"en","type":"article","venue":"Cultural Studies Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Project commissioning; Publishing; Sociology; Art history; Media studies; Art; Psychoanalysis; Philosophy; Aesthetics; Literature; Psychology","score_opus":0.08790028880689013,"score_gpt":0.3058186940377612,"score_spread":0.21791840523087105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4214929986","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012587423,0.80979216,5.344561e-7,0.011880306,0.00049656566,0.00034704484,0.0000028817053,0.000065111475,0.17615665],"genre_scores_gemma":[0.3916582,0.4212907,0.00023011204,0.044506494,0.005547765,0.00066831923,0.0000655772,0.00003710005,0.13599578],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929017,0.00003527025,0.00024972594,0.00016681326,0.00009236604,0.00016564153],"domain_scores_gemma":[0.99937993,0.000029127783,0.000047436966,0.00014201936,0.00036432807,0.000037173875],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000075697804,0.00013793189,0.00032768166,0.000010536007,0.00026366542,0.00014403545,0.00010207059,0.000011169293,0.0046049366],"category_scores_gemma":[0.00009753616,0.0000761805,0.000106490676,0.000031703046,0.0001231077,0.0004616557,0.000056394252,0.00009155019,0.001063892],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.2681194e-7,0.00000951093,0.0000037963905,0.0012920471,0.00008038329,0.000002379517,0.008736131,1.0830364e-8,0.0000071093787,0.13865505,0.7988624,0.052350778],"study_design_scores_gemma":[0.00004925052,0.000019241923,0.000013340023,0.0011989889,0.000043060147,0.0000034710802,0.0029418485,5.1945244e-7,0.0000037804973,0.0007488935,0.9948507,0.0001269221],"about_ca_topic_score_codex":0.000034376637,"about_ca_topic_score_gemma":0.00004595476,"teacher_disagreement_score":0.39039943,"about_ca_system_score_codex":0.000017293205,"about_ca_system_score_gemma":0.0000039100423,"threshold_uncertainty_score":0.9997139},"labels":[],"label_agreement":null},{"id":"W4220981980","doi":"10.1002/9781119431732.ecaf0087","title":"Krauss, Nicole","year":2022,"lang":"en","type":"other","venue":"The Encyclopedia of Contemporary American Fiction 1980–2020","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Conviction; Narrative; Aesthetics; Key (lock); Sociology; Psychoanalysis; Psychology; Art history; History; Literature; Art; Law; Computer science; Political science","score_opus":0.01189734532073575,"score_gpt":0.22081876905547262,"score_spread":0.20892142373473688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220981980","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007731006,0.008305301,0.000009992498,0.0021522911,0.0025990512,0.00075515435,0.00093639427,0.00042794712,0.98473656],"genre_scores_gemma":[0.080217935,0.0013555601,0.000020609388,0.0014783433,0.003969851,0.00019308896,0.0006333414,0.00043268845,0.9116986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745107,0.00037697825,0.0007315744,0.000546371,0.0005717642,0.00032226194],"domain_scores_gemma":[0.99769634,0.00018348714,0.0010040479,0.0009240149,0.00007302546,0.00011908592],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027064417,0.0005274201,0.0008676578,0.00023506994,0.0003345359,0.00009660435,0.00075757876,0.00009548412,0.043067534],"category_scores_gemma":[0.000035199224,0.00041017425,0.00037267586,0.0002677447,0.0010311664,0.00025171312,0.00020561904,0.0007293358,0.0001558655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000760828,0.00011626603,0.00007466035,0.00006945482,0.00020863612,0.00003871515,0.0065238774,4.7489152e-7,0.0000014606021,0.05454426,0.93593097,0.0024151348],"study_design_scores_gemma":[0.00032292993,0.0003305486,0.000027149412,0.00007911013,0.00009034451,0.000007969711,0.0066765975,0.000004912751,0.0000011902856,0.00020313122,0.99179864,0.00045749728],"about_ca_topic_score_codex":0.0019815508,"about_ca_topic_score_gemma":0.00044440807,"teacher_disagreement_score":0.08014063,"about_ca_system_score_codex":0.000044174478,"about_ca_system_score_gemma":0.0002714594,"threshold_uncertainty_score":0.999835},"labels":[],"label_agreement":null},{"id":"W4221016338","doi":"10.3138/cras-2022-006","title":"Detecting Meaninglessness and Meaning in Don DeLillo’s <i>Players</i>","year":2022,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adventure; Postmodernism; Depiction; Meaning (existential); Postmodernity; Aesthetics; Literature; Philosophy; Art; Epistemology; Art history","score_opus":0.0321927259583217,"score_gpt":0.26030009568949597,"score_spread":0.22810736973117426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221016338","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.114585385,0.74369174,0.0000010032402,0.0032647587,0.0004704985,0.000489644,0.00013569552,0.000033830416,0.13732745],"genre_scores_gemma":[0.9850765,0.008615152,0.000025754558,0.005856897,0.00006950126,0.000061670224,0.000005345384,0.000013448836,0.00027577058],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990318,0.00010863011,0.00031612781,0.00018827988,0.00012971782,0.0002254736],"domain_scores_gemma":[0.99946105,0.000096624855,0.0001357659,0.00012551932,0.00009794372,0.00008308725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000353901,0.00012772017,0.0005028326,0.00017032668,0.00038005537,0.000023570125,0.00011046672,0.0000052608016,0.00015038782],"category_scores_gemma":[0.00009914776,0.000120028126,0.00005317946,0.00015858343,0.00027970804,0.0000893515,0.0000763713,0.00016726555,7.3166353e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028657281,0.00005187431,0.0046160547,0.00996382,0.00042278087,0.0005182938,0.27387974,0.000003375521,0.000030436964,0.37371594,0.019618383,0.31715065],"study_design_scores_gemma":[0.00012238372,0.00012834267,0.00007061363,0.002147796,0.000047520007,0.00001469982,0.1292752,0.0000041296307,0.000004690229,0.0002374528,0.8677375,0.00020967716],"about_ca_topic_score_codex":0.035649214,"about_ca_topic_score_gemma":0.32772085,"teacher_disagreement_score":0.8704911,"about_ca_system_score_codex":0.00010635775,"about_ca_system_score_gemma":0.00009664574,"threshold_uncertainty_score":0.9707725},"labels":[],"label_agreement":null},{"id":"W4221026575","doi":"10.5539/ells.v12n2p46","title":"The Importance of Instapoetry in Light of Dominant Forms with Special Reference to Rupi Kaur’s Milk and Honey","year":2022,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Argument (complex analysis); Sociology; Order (exchange); Marxist philosophy; Aesthetics; Literature; Social science; Philosophy; Law; Art; Political science; Economics; Politics","score_opus":0.009657553913837257,"score_gpt":0.22961235511258457,"score_spread":0.2199548011987473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221026575","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8716424,0.06534053,9.305061e-8,0.00042774164,0.0001860887,0.00019128498,0.00016060674,0.000007940088,0.062043317],"genre_scores_gemma":[0.9959347,0.0002495927,0.000015734397,0.0001936447,0.00039493313,0.000040671173,0.00001605228,0.000008534476,0.0031461061],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991988,0.000044636872,0.00025552406,0.00018542816,0.00016200874,0.00015359104],"domain_scores_gemma":[0.99948925,0.00010071951,0.00008266809,0.00016276234,0.00013418651,0.000030396142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021237551,0.00013925902,0.00028644898,0.000088820445,0.00027228182,0.00008542107,0.00010049262,0.000021728236,0.000034382545],"category_scores_gemma":[0.000068655965,0.000077594224,0.000026196387,0.00011868164,0.00015505611,0.00017582094,0.00014774338,0.00023140502,7.4826644e-8],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023584296,0.00003112288,0.0007301039,0.00009847885,0.000047997095,0.00008661214,0.7287447,9.274311e-8,0.00007906792,0.26737925,0.0019111667,0.00065557467],"study_design_scores_gemma":[0.0005207505,0.00036475077,0.0003631815,0.00022791854,0.000017332068,0.000005959537,0.47153294,1.9768828e-7,0.00019933618,0.0005938778,0.5260339,0.00013989203],"about_ca_topic_score_codex":0.000015473575,"about_ca_topic_score_gemma":0.0020146966,"teacher_disagreement_score":0.5241227,"about_ca_system_score_codex":0.000009954273,"about_ca_system_score_gemma":0.000015740352,"threshold_uncertainty_score":0.31642008},"labels":[],"label_agreement":null},{"id":"W4221082224","doi":"10.5430/wjel.v12n2p134","title":"A Feministic Discourse of Existentialism in Namita Gokhale’s Select Works","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Existentialism; Feminism; Psychoanalysis; Alienation; Sociology; Gender studies; Psychology; Philosophy; Epistemology; Political science; Law","score_opus":0.012355285610330948,"score_gpt":0.24478830860112694,"score_spread":0.232433022990796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221082224","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67590517,0.01727309,0.000006894552,0.0003647464,0.003400553,0.000163705,0.00011046961,0.000022849325,0.30275252],"genre_scores_gemma":[0.9876038,0.000008884799,0.00003311867,0.00019896377,0.00138588,0.0000057735137,0.0000145445365,0.00001801699,0.0107310265],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987002,0.00013696543,0.0005483271,0.00010619187,0.0003196365,0.00018866951],"domain_scores_gemma":[0.99918836,0.000121670215,0.000284412,0.0001559695,0.0001919155,0.000057680565],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048095314,0.00012042726,0.00032588822,0.00040798073,0.00010499768,0.00010486142,0.00028100732,0.00001685715,0.0026964562],"category_scores_gemma":[0.00014035594,0.0001062647,0.00017967919,0.00016182965,0.00009495306,0.0002750386,0.000067715315,0.00056672003,9.551811e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030306214,0.0006043616,0.0004203906,0.000083118655,0.00013366956,0.001722111,0.7392333,0.000035281362,0.000137289,0.23385121,0.016626345,0.0068498566],"study_design_scores_gemma":[0.002363327,0.00050147116,0.00025807583,0.00060081616,0.00014495646,0.000059771297,0.33591434,0.0000256334,0.0000861651,0.0013487441,0.65833086,0.00036581038],"about_ca_topic_score_codex":0.000045966768,"about_ca_topic_score_gemma":0.0009313446,"teacher_disagreement_score":0.6417045,"about_ca_system_score_codex":0.000046231762,"about_ca_system_score_gemma":0.000069143825,"threshold_uncertainty_score":0.9982152},"labels":[],"label_agreement":null},{"id":"W4223484554","doi":"10.32873/uno.dc.jrf.26.01.51","title":"Seeing and Interpreting Visions of the Next Age in Interstellar","year":2022,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Vision; Interpretation (philosophy); Representation (politics); Prologue; Literature; Art; Reflexivity; Art history; History; Philosophy; Sociology; Anthropology; Theology; Politics","score_opus":0.01864429529304879,"score_gpt":0.2220958562911662,"score_spread":0.20345156099811743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4223484554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95941454,0.0047208364,0.000009772106,0.0017282319,0.0007764595,0.00006403046,0.00000568231,0.0000037317623,0.033276726],"genre_scores_gemma":[0.998114,0.00006478211,0.000017699227,0.00060028286,0.00009054379,7.4323026e-7,5.4376534e-7,0.0000056159465,0.0011057957],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992945,0.000079756144,0.00035012697,0.000052347714,0.00015393125,0.000069299436],"domain_scores_gemma":[0.9995746,0.00008000711,0.00020042049,0.00007748272,0.000045920227,0.00002155711],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029238954,0.000054758544,0.00014221083,0.00011622588,0.00013016078,0.000078321515,0.0001457624,0.00001260447,0.00013892412],"category_scores_gemma":[0.00003659536,0.000036856243,0.00009786053,0.000044624016,0.000052456966,0.00016714357,0.0001255525,0.0003277669,3.2764424e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050575123,0.00031313827,0.0051709246,0.00018411888,0.00014546239,0.0007279256,0.5277303,0.0001890743,0.0052851485,0.3105515,0.13847876,0.010717943],"study_design_scores_gemma":[0.0004731057,0.00034571774,0.00019746413,0.00062751997,0.000027213631,0.00014384683,0.02452311,0.00022250286,0.00014499917,0.004586311,0.9686087,0.00009955851],"about_ca_topic_score_codex":0.000034347035,"about_ca_topic_score_gemma":0.00007421636,"teacher_disagreement_score":0.8301299,"about_ca_system_score_codex":0.000019569388,"about_ca_system_score_gemma":0.000021847949,"threshold_uncertainty_score":0.15211217},"labels":[],"label_agreement":null},{"id":"W4224107288","doi":"10.4000/ebc.11793","title":"Renaissances, Resurrections and Rewritings: A Neo-Victorian Poetics of Exhumation","year":2022,"lang":"fr","type":"article","venue":"Études britanniques contemporaines","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nexen (Canada)","funders":"","keywords":"Poetics; Art; Literature; History; Poetry","score_opus":0.02583646849145139,"score_gpt":0.2447052116705268,"score_spread":0.21886874317907543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224107288","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042025033,0.24657327,0.000051493193,0.02308802,0.0042165527,0.0010927283,0.0021792378,0.00028101905,0.68049264],"genre_scores_gemma":[0.9511912,0.0007784624,0.00025966828,0.00053920015,0.001343451,0.000139084,0.00017869267,0.000059502483,0.045510776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99722207,0.0004893122,0.0009891844,0.0004945774,0.0004340313,0.00037082768],"domain_scores_gemma":[0.99819934,0.0003086423,0.00045260537,0.00037641486,0.00052805286,0.00013495723],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008431028,0.00036816817,0.00059413,0.00027574683,0.0011942124,0.00036316802,0.00026358454,0.00011195168,0.0010503386],"category_scores_gemma":[0.00015251408,0.00043097363,0.00019826731,0.00020106921,0.0007594063,0.00074537506,0.00023278227,0.00049021945,0.0000025429636],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012885206,0.00030009108,0.0002746165,0.00055564597,0.00013229871,0.00006678908,0.045370545,0.0000014164804,0.0001638484,0.9210131,0.029179294,0.0028135134],"study_design_scores_gemma":[0.0005759939,0.0007506271,0.0001516093,0.0006753463,0.00009799191,0.00009706123,0.021861413,0.000076550234,0.00009540988,0.011167859,0.9640171,0.0004330706],"about_ca_topic_score_codex":0.0014620892,"about_ca_topic_score_gemma":0.00063201063,"teacher_disagreement_score":0.93483776,"about_ca_system_score_codex":0.00010586589,"about_ca_system_score_gemma":0.000175725,"threshold_uncertainty_score":0.99986285},"labels":[],"label_agreement":null},{"id":"W4229034501","doi":"10.1177/10778004221093416","title":"Space in Between","year":2022,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Narrative; Power (physics); Poetry; Agency (philosophy); Aesthetics; Space (punctuation); Sociology; Literature; Art; Philosophy; Linguistics; Social science","score_opus":0.17658515151279938,"score_gpt":0.37685847616580653,"score_spread":0.20027332465300715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229034501","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.704861,0.0009939754,0.000058676804,0.0050729965,0.00088649,0.00021918488,0.00021851873,0.00007870501,0.28761044],"genre_scores_gemma":[0.9829488,5.334958e-7,0.000028045304,0.0008629685,0.0005902087,0.00006746836,0.00006661338,0.000012036354,0.01542332],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987095,0.00055484945,0.00021349886,0.00016948393,0.00018670634,0.00016596602],"domain_scores_gemma":[0.99941814,0.00035290417,0.000044216886,0.000120315555,0.00003291632,0.0000315308],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006201962,0.00009159021,0.00016061809,0.00013459155,0.00023569478,0.00005920848,0.00012882342,0.000013178487,0.0035738586],"category_scores_gemma":[0.000030645195,0.00009082176,0.000050501687,0.00006908279,0.0001848616,0.00020481327,0.00007855096,0.00025158035,0.00005718194],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000842596,0.000022354794,0.000074293326,0.0000058619808,0.0000068901268,0.000011321849,0.4965229,3.2159994e-7,0.000005041404,0.4951794,0.007954816,0.00020835306],"study_design_scores_gemma":[0.0002047857,0.000105350424,0.00016516709,0.000007901876,0.0000034586083,3.9210286e-7,0.39272174,0.0000012965751,0.000011758954,0.040958315,0.565708,0.00011182831],"about_ca_topic_score_codex":0.00010998346,"about_ca_topic_score_gemma":0.000095355776,"teacher_disagreement_score":0.5577532,"about_ca_system_score_codex":0.00004434584,"about_ca_system_score_gemma":0.000027260274,"threshold_uncertainty_score":0.997337},"labels":[],"label_agreement":null},{"id":"W4230040384","doi":"10.1353/crv.2007.0013","title":"TheTriumph of Death: National Security and Imperial Erasures in Don DeLillo's Underworld","year":2007,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Cold war; Ethnology; Complicity; Art; Comics; History; Art history; Literature; Political science; Law","score_opus":0.03934900872647154,"score_gpt":0.304790156481341,"score_spread":0.2654411477548695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230040384","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20798711,0.62526757,8.8055424e-7,0.0022902745,0.00027550972,0.0003704606,0.00025371558,0.000010227859,0.16354422],"genre_scores_gemma":[0.97895825,0.018468147,0.000020781674,0.002286534,0.00014626549,0.000005935112,0.000007891652,0.0000061929068,0.00009998616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991369,0.000042184995,0.00037559777,0.00012609828,0.00014976165,0.00016944452],"domain_scores_gemma":[0.99923474,0.00015279611,0.00012364863,0.000083065344,0.00032548694,0.00008029564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045997108,0.00010890855,0.00045294542,0.00019422395,0.00006510513,0.0000118017115,0.00007058277,0.000012092432,0.00008498658],"category_scores_gemma":[0.00017232317,0.00008874036,0.00006103804,0.00011260175,0.0005158634,0.00007348645,0.000018120309,0.00007302657,6.102229e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004490704,0.000063482534,0.006096492,0.005127374,0.00031881995,0.000052458436,0.040846504,1.12046656e-7,0.00002092136,0.90489554,0.018618282,0.023915121],"study_design_scores_gemma":[0.00036530022,0.00020665569,0.005855917,0.0044960678,0.00007193847,0.0000071649697,0.019075569,8.517607e-7,0.000042204712,0.0070246486,0.96254873,0.00030493454],"about_ca_topic_score_codex":0.030579917,"about_ca_topic_score_gemma":0.4598366,"teacher_disagreement_score":0.94393045,"about_ca_system_score_codex":0.00006587325,"about_ca_system_score_gemma":0.00016078286,"threshold_uncertainty_score":0.97587556},"labels":[],"label_agreement":null},{"id":"W4230750472","doi":"10.1090/dol/026/20","title":"Section 20. Three Short Stories in Number Theory","year":2003,"lang":"en","type":"book-chapter","venue":"American Mathematical Society eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Section (typography); History; Geometry; Geology; Computer science; Mathematics; Operating system","score_opus":0.02486671100720999,"score_gpt":0.2391285678128363,"score_spread":0.21426185680562632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230750472","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001007117,0.0001295537,0.00029425547,0.00014124479,0.0002793694,0.00033660335,0.00017491537,0.000115186245,0.99842817],"genre_scores_gemma":[0.009326229,0.000008615721,0.0004848959,0.0021741968,0.0010587675,0.00008270312,0.00008386324,0.000120511,0.98666024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983411,0.000039583338,0.0005181132,0.00040782415,0.00035092776,0.00034244425],"domain_scores_gemma":[0.99891686,0.0003553766,0.00014055443,0.0003878142,0.0000965811,0.00010282811],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027810285,0.0004615497,0.0007378406,0.000035060377,0.00020315907,0.00019510098,0.0001809775,0.0002021415,0.015042922],"category_scores_gemma":[0.00001979663,0.00039449465,0.0005446596,0.000011869103,0.0014340893,0.00009156187,0.000057253957,0.0007740386,0.00020895692],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010714103,0.000029139168,0.000002431581,0.000101025485,0.00013181122,0.000012910426,0.017002745,1.9149555e-8,0.0000010918993,0.93944085,0.03973395,0.0035333305],"study_design_scores_gemma":[0.000057196317,0.000040377166,5.4377523e-7,0.00015999297,0.000053728425,0.000006489784,0.0018582954,0.0000038115152,0.0000010630896,0.44704336,0.5504842,0.0002909403],"about_ca_topic_score_codex":0.00001977219,"about_ca_topic_score_gemma":0.00032531546,"teacher_disagreement_score":0.51075023,"about_ca_system_score_codex":0.0001081837,"about_ca_system_score_gemma":0.000058373713,"threshold_uncertainty_score":0.9998507},"labels":[],"label_agreement":null},{"id":"W4230924219","doi":"10.18733/cpi29493","title":"Jonny Appleseed","year":2019,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.6083114864230104,"score_gpt":0.41455074024383676,"score_spread":0.1937607461791736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230924219","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74280685,0.0014811239,0.000002031001,0.00089262996,0.0005678955,0.00011420968,0.000010821974,0.00006400004,0.25406045],"genre_scores_gemma":[0.90273863,0.000022146673,0.000009498928,0.0012430989,0.001289622,0.0000067988135,0.00003861896,0.000005220372,0.09464639],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937856,0.000022525392,0.00013666665,0.00019542966,0.00010138376,0.00016543512],"domain_scores_gemma":[0.9997121,0.000031506966,0.000021948386,0.000094392155,0.00005744431,0.00008261524],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004977595,0.00012333378,0.0001590112,0.000018233302,0.00014048922,0.00027440986,0.00007902424,0.00005030127,0.0053385077],"category_scores_gemma":[0.000006349876,0.00007123195,0.00006311579,0.000016991306,0.00021746052,0.0003252386,0.000044988796,0.00014043326,0.0004384818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026522575,0.000028597342,0.00025778427,0.00003333762,0.000013214571,0.0000085636375,0.060604148,5.7994253e-8,0.000493304,0.9246075,0.011760992,0.002165957],"study_design_scores_gemma":[0.00024953712,0.000091946364,0.0004536676,0.000021200722,0.000008631655,0.000008799205,0.02039084,0.000008324924,0.00002608608,0.0026541736,0.975919,0.00016775841],"about_ca_topic_score_codex":0.000014862652,"about_ca_topic_score_gemma":0.000013997466,"teacher_disagreement_score":0.96415806,"about_ca_system_score_codex":0.0000037919945,"about_ca_system_score_gemma":0.0000054104494,"threshold_uncertainty_score":0.9955707},"labels":[],"label_agreement":null},{"id":"W4231483084","doi":"10.32920/ryerson.14656668","title":"Age, Gender and Existentialism in the Late-Life Bildungsroman","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Existentialism; Postmodernism; Narrative; Masculinity; Reading (process); Sociology; Psychoanalysis; Gender studies; Aesthetics; Literature; Art; Philosophy; Psychology; Epistemology","score_opus":0.08498094588449893,"score_gpt":0.26190272066851555,"score_spread":0.1769217747840166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231483084","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2547281,0.0063340957,0.000009431852,0.0017310408,0.0009503801,0.00027164508,0.000027648515,0.000049094648,0.73589855],"genre_scores_gemma":[0.9667586,0.00006887643,0.000026331825,0.0056456765,0.000640968,0.00003921061,0.00018754482,0.000016512147,0.026616273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989516,0.00013205208,0.0002804241,0.00028851637,0.00017584104,0.00017154335],"domain_scores_gemma":[0.9994492,0.000052461633,0.000045257937,0.00035431256,0.000052638068,0.000046142355],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002174222,0.00021210559,0.00027051588,0.00008476667,0.00012488385,0.001684565,0.00023012144,0.00012655999,0.0016152279],"category_scores_gemma":[0.000012610484,0.00013536532,0.00011491623,0.00001998429,0.00013496913,0.00012639961,0.00029190732,0.0005188518,0.000006362692],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041236876,0.00005762843,0.00002720909,0.00013841917,0.000052558265,0.00026668608,0.16118805,4.6969032e-7,0.0000038583976,0.83004564,0.0079900315,0.00022532708],"study_design_scores_gemma":[0.0005468333,0.00003525375,0.003074819,0.00025517336,0.00012695217,0.000015478894,0.07843514,0.000055160577,0.0000074014297,0.048981864,0.867817,0.00064895593],"about_ca_topic_score_codex":0.0005457479,"about_ca_topic_score_gemma":0.0020521625,"teacher_disagreement_score":0.8598269,"about_ca_system_score_codex":0.000006451388,"about_ca_system_score_gemma":0.000053930056,"threshold_uncertainty_score":0.9993518},"labels":[],"label_agreement":null},{"id":"W4231812126","doi":"10.1163/9789401200844_013","title":"“‘Was You Going Anywheres?’: Wandering Between the Modern and Postmodern in Wise Blood","year":2011,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Postmodernism; Mind-wandering; Art; Psychology; Literature; Neuroscience","score_opus":0.04567914383543424,"score_gpt":0.2063210381380379,"score_spread":0.16064189430260367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231812126","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026211448,0.0070444704,0.000019534787,0.00037657158,0.00014268822,0.00027963932,0.00007053458,0.00007352157,0.9893719],"genre_scores_gemma":[0.43072742,0.000067291854,0.000008701829,0.00029366103,0.00062668324,0.0000059304302,0.000026381013,0.000049651942,0.56819427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998759,0.000018923776,0.0003903271,0.00039022721,0.00017617246,0.00026535167],"domain_scores_gemma":[0.99933654,0.00008522936,0.000091828035,0.00035638377,0.00005693687,0.00007310066],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001488506,0.00038332684,0.0004267517,0.00012706914,0.00021698765,0.0003597987,0.0002238635,0.00019273315,0.0022752425],"category_scores_gemma":[0.0000040626583,0.00026162883,0.000115455776,0.000005510963,0.00022433208,0.00027229855,0.00014926083,0.0005603906,0.00004959094],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018381255,0.000015523228,0.00011582894,0.000082674036,0.000133193,0.00006564345,0.042235322,5.2853466e-8,0.0000029152545,0.9468457,0.0006832823,0.009801495],"study_design_scores_gemma":[0.00045581488,0.000089780515,0.00004352134,0.0004350117,0.0001908948,0.000011155504,0.00024338212,0.00002385968,0.0000066897132,0.3569713,0.6410093,0.0005193461],"about_ca_topic_score_codex":0.00021952712,"about_ca_topic_score_gemma":0.0024758112,"teacher_disagreement_score":0.64032596,"about_ca_system_score_codex":0.0000107653195,"about_ca_system_score_gemma":0.00003298324,"threshold_uncertainty_score":0.9999836},"labels":[],"label_agreement":null},{"id":"W4232634069","doi":"10.16995/pn.103","title":"National Fantasies","year":2001,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Casual; Phenomenon; Worry; Power (physics); History; Media studies; Sociology; Psychology; Psychoanalysis; Anxiety; Epistemology; Philosophy; Law; Political science","score_opus":0.04886908540303936,"score_gpt":0.25584275045662597,"score_spread":0.2069736650535866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232634069","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050414607,0.0009393825,0.00004521979,0.0036744075,0.0005429405,0.00006323199,0.00003619258,0.000120458826,0.94416356],"genre_scores_gemma":[0.9815143,0.000012566542,0.00003363504,0.0015520563,0.0012327925,0.000008443529,0.000030583677,0.000007914993,0.015607736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995045,0.000012272803,0.00010620002,0.000105866086,0.00015542384,0.00011572562],"domain_scores_gemma":[0.99967355,0.00010136679,0.000019121322,0.000068941496,0.0001080506,0.0000289647],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006094595,0.00007499826,0.000074255826,0.00005408719,0.00015542045,0.00018941313,0.00007085681,0.000019157651,0.003761674],"category_scores_gemma":[0.000050080638,0.00006233655,0.00004602198,0.000021915423,0.000071452894,0.00026517658,0.000013813071,0.00006512153,0.00030420875],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010944797,0.000034834273,0.00035227457,0.0000058923456,0.00001177676,0.000011975185,0.0075046103,3.3404683e-7,0.000056460292,0.9737804,0.0143642835,0.0038662064],"study_design_scores_gemma":[0.00011892322,0.000020386027,0.00028947362,0.000012558591,0.0000043144805,0.000005797591,0.00033714174,0.000019775756,0.00010199789,0.025291657,0.9737009,0.000097082084],"about_ca_topic_score_codex":0.000032372132,"about_ca_topic_score_gemma":0.00023938624,"teacher_disagreement_score":0.95933664,"about_ca_system_score_codex":0.000007875379,"about_ca_system_score_gemma":0.000017395427,"threshold_uncertainty_score":0.99714905},"labels":[],"label_agreement":null},{"id":"W4234177786","doi":"10.32920/ryerson.14654322","title":"The Commodification of Body Positivity: Constructing a Neoliberal Fat Citizenship","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University; Dalhousie University","funders":"","keywords":"Commodification; Commoditization; Social media; Commercialization; Citizenship; Aesthetics; Sociology; Advertising; Representation (politics); Beauty; Political science; Public relations; Media studies; Business; Art; Law","score_opus":0.040405186682648,"score_gpt":0.2483985466851801,"score_spread":0.2079933600025321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234177786","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24364343,0.0022160274,0.0001761766,0.0025952577,0.0015649936,0.0003380643,0.000119789234,0.00009295081,0.74925333],"genre_scores_gemma":[0.9858826,0.000017174492,0.000107986925,0.00039982816,0.00066251017,0.00002597031,0.00021211551,0.000016899028,0.012674915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987943,0.00017420789,0.0004147607,0.00025145605,0.00019016411,0.00017511711],"domain_scores_gemma":[0.99859124,0.00034710992,0.00019834073,0.00048338616,0.00034221623,0.00003771961],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021009299,0.00019125621,0.00031112533,0.000045788787,0.00030733226,0.0009924342,0.00023303533,0.00010475004,0.0003672328],"category_scores_gemma":[0.000037562524,0.00013634795,0.00019836075,0.000018933335,0.00036623594,0.00008480267,0.00027143484,0.0004902663,0.0000031949457],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014070422,0.000019758798,0.00003693414,0.00010933932,0.00011060789,0.000008729174,0.01754071,2.5951326e-7,0.00015620246,0.97687536,0.0019673505,0.0031606993],"study_design_scores_gemma":[0.0017345173,0.00022220815,0.0005225353,0.003012266,0.0007198773,0.00010443444,0.15346394,0.0010517231,0.013575501,0.6270412,0.19615409,0.0023976918],"about_ca_topic_score_codex":0.0002656136,"about_ca_topic_score_gemma":0.0004695252,"teacher_disagreement_score":0.7422392,"about_ca_system_score_codex":0.00001656701,"about_ca_system_score_gemma":0.00007974314,"threshold_uncertainty_score":0.9570066},"labels":[],"label_agreement":null},{"id":"W4234306852","doi":"10.32920/ryerson.14663688.v1","title":"Writing intellectual disability: glimpses into precarious processes or re/making a cultural phenomenon","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; University of Regina; York University","funders":"Administration for Community Living","keywords":"Disability studies; Epistemology; Sociology; Normative; Construct (python library); Modernity; Intellectual disability; Meaning (existential); Late modernity; Identity (music); Subject (documents); Phenomenon; Politics; Psychology; Gender studies; Social science; Aesthetics; Political science","score_opus":0.0838686000041229,"score_gpt":0.30905194417416637,"score_spread":0.2251833441700435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234306852","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38827166,0.021499278,0.00033873445,0.002687117,0.0027303018,0.0014663948,0.00013983181,0.0010936193,0.58177304],"genre_scores_gemma":[0.9814506,0.000084106876,0.00083061005,0.0009057129,0.002661328,0.00019686618,0.0003003888,0.00006264073,0.013507735],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99726194,0.00013964847,0.00080898986,0.000966631,0.00036567563,0.0004571157],"domain_scores_gemma":[0.99780244,0.00062470284,0.00018267284,0.0005722404,0.0007195722,0.00009839067],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021239869,0.00059879146,0.0007404687,0.0000833507,0.0005550653,0.004044033,0.00048458512,0.00023252053,0.010003063],"category_scores_gemma":[0.00083825237,0.00042639545,0.0002532983,0.00010007555,0.00048436783,0.0006939221,0.0010636551,0.0009287941,0.000017501332],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019647756,0.000394473,0.000058590114,0.0057472703,0.00032716358,0.00011283197,0.9363778,0.000003463692,0.00002733634,0.03246041,0.005408441,0.018885693],"study_design_scores_gemma":[0.0004867469,0.00036170727,0.000008858101,0.0046685743,0.0003049189,0.000030193765,0.36248344,0.00024132445,0.00038648705,0.011370065,0.61780834,0.0018493658],"about_ca_topic_score_codex":0.0005790408,"about_ca_topic_score_gemma":0.021116564,"teacher_disagreement_score":0.6123999,"about_ca_system_score_codex":0.00015542537,"about_ca_system_score_gemma":0.00045984148,"threshold_uncertainty_score":0.9998188},"labels":[],"label_agreement":null},{"id":"W4234370474","doi":"10.3138/cras-s035-02-01","title":"Introductory Notes. Memory Foretelling the Story: Essays on Fall on Your Knees","year":2005,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Epistemology; The Imaginary; Dialogic; Neutrality; Postmodernism; Sociology; Identity (music); Narrative; Aesthetics; Philosophy; Psychoanalysis; Linguistics; Psychology","score_opus":0.04909065654942545,"score_gpt":0.2792565164214875,"score_spread":0.23016585987206206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234370474","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010199817,0.7162163,9.0816576e-7,0.06908404,0.00075427094,0.00059811166,0.00014882591,0.000043423093,0.20295428],"genre_scores_gemma":[0.9171799,0.03131465,0.00002541433,0.04563624,0.0020391315,0.000051311985,0.000013127921,0.000029346755,0.0037109149],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998867,0.00014165565,0.0002870078,0.00023614486,0.00018716826,0.00028104676],"domain_scores_gemma":[0.9988201,0.0003133327,0.00015776783,0.00039283297,0.00019974467,0.00011617469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004000146,0.00021752268,0.00054336793,0.000121277706,0.00038889438,0.00003350534,0.00022678754,0.0000134897555,0.00017938082],"category_scores_gemma":[0.0002765557,0.00013814734,0.00015613281,0.000080178506,0.00084346434,0.000083248,0.000019346904,0.00024224412,0.00006208215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013951904,0.00003386226,0.000021919901,0.0012737096,0.00031950852,0.000020661573,0.028295076,0.000003996023,0.000001532303,0.19773309,0.2877676,0.4845151],"study_design_scores_gemma":[0.000057663325,0.00017361497,0.000043306045,0.0020238427,0.00006906703,0.0000012287624,0.007527998,0.0000013679286,0.00000891517,0.000114077826,0.98981124,0.00016770141],"about_ca_topic_score_codex":0.002739713,"about_ca_topic_score_gemma":0.071583,"teacher_disagreement_score":0.90698004,"about_ca_system_score_codex":0.00012978527,"about_ca_system_score_gemma":0.0001352352,"threshold_uncertainty_score":0.94535816},"labels":[],"label_agreement":null},{"id":"W4235502885","doi":"10.1353/crv.0.0054","title":"Future Interior: Subjective (A)voidance in John Updike's \"Rabbit\" Novels","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rabbit (cipher); Literature; Philosophy; Art; History; Computer science","score_opus":0.01662225911614348,"score_gpt":0.26998899701168416,"score_spread":0.2533667378955407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235502885","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15705265,0.54584813,9.3664664e-7,0.020353246,0.0029555056,0.0009037488,0.0004718005,0.00004871011,0.27236524],"genre_scores_gemma":[0.96411353,0.022357365,0.000069997026,0.011312097,0.000869255,0.000065585475,0.000011804032,0.000020966108,0.0011793746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887276,0.000055357123,0.0004060347,0.00024672283,0.00011607301,0.00030304556],"domain_scores_gemma":[0.99903584,0.00006658331,0.00016281028,0.0002906566,0.00030753762,0.00013655689],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020394758,0.00020846927,0.0007238463,0.00018645964,0.00012027496,0.00003497623,0.00021476217,0.000023242348,0.00035352304],"category_scores_gemma":[0.00011371319,0.000170241,0.0001284138,0.00018065576,0.0008473059,0.00017148835,0.000033176395,0.00033376476,0.000021635678],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003497288,0.000083449435,0.0031419348,0.007696563,0.00050445425,0.00030935407,0.101660736,3.2399793e-8,0.00020633437,0.5406609,0.1277798,0.21792148],"study_design_scores_gemma":[0.00009333269,0.00007669795,0.0015152582,0.0023619018,0.00002697952,0.000006486444,0.015474795,1.8051573e-7,0.000019356918,0.00017531322,0.9800474,0.00020228],"about_ca_topic_score_codex":0.018354502,"about_ca_topic_score_gemma":0.6933862,"teacher_disagreement_score":0.8522676,"about_ca_system_score_codex":0.00006227716,"about_ca_system_score_gemma":0.00021217814,"threshold_uncertainty_score":0.98818237},"labels":[],"label_agreement":null},{"id":"W4235591998","doi":"10.3138/9781442672154-fm","title":"Frontmatter","year":2000,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.023292821904651154,"score_gpt":0.1787096602273488,"score_spread":0.15541683832269765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235591998","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000032911244,0.0035680803,0.0000030409124,0.000023166976,0.00021806586,0.00015127825,0.0003036792,0.000055902387,0.9956735],"genre_scores_gemma":[0.0008849788,0.000048970167,0.00002389659,0.0001305209,0.0003305967,1.2198637e-7,0.000045789413,0.000024792502,0.99851036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993298,0.000011717907,0.00014018931,0.00022917606,0.00015898774,0.00013012985],"domain_scores_gemma":[0.99941593,0.000018667091,0.00010457351,0.00031767774,0.00008164715,0.0000614928],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000024917934,0.00021854113,0.000323739,0.000017722541,0.00013287667,0.00004650015,0.0002874917,0.00015341013,0.0760184],"category_scores_gemma":[3.4707537e-7,0.00024408937,0.00021936749,6.230077e-8,0.0002727557,0.00017009609,0.000070361144,0.0001486784,0.00013063822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006467584,0.000007822007,4.4759126e-8,0.000042128657,0.00010774638,0.000045304743,0.025626197,2.9244823e-8,9.583887e-7,0.80159783,0.16632104,0.0061862147],"study_design_scores_gemma":[0.0002470832,0.000053459888,4.8832095e-7,0.00016947162,0.00012686563,0.0000010677845,0.000111082445,0.0000010623554,0.0000037841662,0.0030757156,0.9959606,0.0002493502],"about_ca_topic_score_codex":0.025665201,"about_ca_topic_score_gemma":0.035463106,"teacher_disagreement_score":0.82963955,"about_ca_system_score_codex":0.000048792546,"about_ca_system_score_gemma":0.000027923525,"threshold_uncertainty_score":0.9953676},"labels":[],"label_agreement":null},{"id":"W4235613028","doi":"10.16995/pn.85","title":"Notes","year":2002,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Postmodernism; Reading (process); Criticism; Art; Entertainment; Order (exchange); Rainbow; Literature; Visual arts; Art history; Computer science; Philosophy; Linguistics","score_opus":0.06328790330972998,"score_gpt":0.219123651052195,"score_spread":0.155835747742465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235613028","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04551154,0.005726901,0.000079886944,0.010760694,0.0011882661,0.00015027473,0.000047652517,0.00031806025,0.9362167],"genre_scores_gemma":[0.98240507,0.000016768176,0.000055702894,0.0016551787,0.0011833652,0.000009576031,0.000009544601,0.000014988436,0.014649813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993851,0.000018520283,0.00014348283,0.00015662034,0.00011445677,0.00018180764],"domain_scores_gemma":[0.99949443,0.00019349757,0.000026252015,0.0001794298,0.000053900767,0.000052471598],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004422001,0.00011423986,0.000120040044,0.00005507413,0.00018253621,0.00025418054,0.000105797226,0.000030950392,0.014195831],"category_scores_gemma":[0.00007451685,0.00009427232,0.00007356149,0.00002480778,0.000093255854,0.00027194183,0.000020164232,0.00010576994,0.0011170018],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061926517,0.0001142162,0.00030712687,0.000026876312,0.000024123727,0.000026301344,0.035139244,3.0910536e-7,0.00020361296,0.9043286,0.02670698,0.033116415],"study_design_scores_gemma":[0.00016681253,0.00004609112,0.00006800025,0.000024174204,0.000011576675,0.000002471074,0.00021083586,0.00010401643,0.0004922794,0.005253126,0.9934504,0.0001702093],"about_ca_topic_score_codex":0.000054639746,"about_ca_topic_score_gemma":0.0001698908,"teacher_disagreement_score":0.9667434,"about_ca_system_score_codex":0.000005753746,"about_ca_system_score_gemma":0.0000027701487,"threshold_uncertainty_score":0.99966073},"labels":[],"label_agreement":null},{"id":"W4235636096","doi":"10.5325/studamerhumor.5.2.0285","title":"On Second Thought","year":2019,"lang":"en","type":"article","venue":"Studies in American Humor","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Royal Military College of Canada","funders":"","keywords":"Joke; Seriousness; Aesthetics; Comedy; Amusement; Sociology; Literature; Psychology; Philosophy; Social psychology; Epistemology; Art","score_opus":0.03750564819020004,"score_gpt":0.2998947059715473,"score_spread":0.2623890577813473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235636096","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42501032,0.0011949345,1.3968179e-7,0.00037360535,0.0007869214,0.00011469045,0.000017893646,0.00003217007,0.57246935],"genre_scores_gemma":[0.91657084,0.000019495892,0.000016347807,0.0030289416,0.0003409446,0.000023933173,0.0000033334777,0.000012505746,0.07998366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929017,0.00003521678,0.00016505351,0.00020797987,0.00010537023,0.0001962021],"domain_scores_gemma":[0.9995234,0.00016265507,0.000050588784,0.0002001495,0.00004066323,0.000022565408],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007546737,0.00012838312,0.00028641606,0.0000861875,0.00008107837,0.000043611322,0.000104740044,0.000008179137,0.002792692],"category_scores_gemma":[0.000024867035,0.00009896515,0.00005430272,0.000055366487,0.00045933714,0.00009168177,0.000045670564,0.00013995412,0.00039908433],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033646953,0.00005512576,0.00031599068,0.000043119227,0.00005560156,0.000033767818,0.0788407,3.4822492e-7,0.000011139717,0.88507533,0.033654947,0.0018802788],"study_design_scores_gemma":[0.0002840146,0.00034587458,0.0002912701,0.00007850173,0.0000051429797,0.0000010290801,0.05508282,0.0000020892212,0.0000260605,0.004173931,0.9395365,0.00017274439],"about_ca_topic_score_codex":0.00002047704,"about_ca_topic_score_gemma":0.00049323693,"teacher_disagreement_score":0.9058816,"about_ca_system_score_codex":0.00002909533,"about_ca_system_score_gemma":0.000010642419,"threshold_uncertainty_score":0.9981189},"labels":[],"label_agreement":null},{"id":"W4238392545","doi":"10.1002/9781444337822.wbetcfv3c013","title":"<scp>C</scp>oupland,<scp>D</scp>ouglas","year":2010,"lang":"en","type":"other","venue":"The Encyclopedia of Twentieth-Century Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Meaning (existential); Identity (music); Consumerism; Spirituality; Art; Aesthetics; Literature; Philosophy; Political science; Epistemology; Law","score_opus":0.011001031398329227,"score_gpt":0.2124259027353277,"score_spread":0.20142487133699846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238392545","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018241397,0.01600041,0.00002380971,0.000105841005,0.024741368,0.00083148514,0.0005803907,0.00040465346,0.9554879],"genre_scores_gemma":[0.0056331716,0.008456001,0.00004062484,0.00033262384,0.00991745,0.00008718753,0.00082287623,0.00046233015,0.97424775],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971826,0.00014320537,0.000736013,0.00062942744,0.0006822821,0.00062646344],"domain_scores_gemma":[0.99725807,0.0005534498,0.0007795337,0.0010387549,0.00021711586,0.00015305974],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038496937,0.0007175874,0.0007380384,0.00042902937,0.00039186762,0.00029372025,0.0007316783,0.00069170544,0.0026645185],"category_scores_gemma":[0.00026734508,0.00053621357,0.00048941607,0.000134524,0.00046868253,0.00031436884,0.0001730361,0.0013725281,0.00039315273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065585286,0.00020662599,0.00004313892,0.00024097881,0.00021598597,0.000011793029,0.017241925,3.0986718e-7,0.000029075189,0.026966617,0.953623,0.0014139648],"study_design_scores_gemma":[0.00052762753,0.00012208853,0.00004865019,0.00030910276,0.00032249463,0.000009579828,0.0038315307,0.0000070516558,0.000029565681,0.0007518848,0.99390006,0.00014038745],"about_ca_topic_score_codex":0.00038195448,"about_ca_topic_score_gemma":0.00070708536,"teacher_disagreement_score":0.04027701,"about_ca_system_score_codex":0.00003297636,"about_ca_system_score_gemma":0.000097651246,"threshold_uncertainty_score":0.99970895},"labels":[],"label_agreement":null},{"id":"W4239370884","doi":"10.25145/j.recaesin.2019.78.008","title":"More or Less Human: Resilience, Vulnerability, and Love in Neoliberal Times","year":2019,"lang":"en","type":"article","venue":"Revista Canaria de Estudios Ingleses","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Mount Royal University","funders":"","keywords":"Globality; Vulnerability (computing); Argument (complex analysis); Normative; Context (archaeology); Sociology; Corporate governance; Order (exchange); Epistemology; Environmental ethics; Political science; Globalization; History; Law; Philosophy; Economics","score_opus":0.027570194884726014,"score_gpt":0.2726852035730422,"score_spread":0.2451150086883162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239370884","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9393337,0.0023002787,0.0000018309687,0.0012394158,0.00014864103,0.0003718607,0.000028118673,0.0000384163,0.056537755],"genre_scores_gemma":[0.97123307,0.000023687564,0.000034433528,0.0008526656,0.00032831606,0.000013661506,0.0000104168,0.000022150041,0.02748162],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986346,0.00011537758,0.00035458012,0.00037699955,0.00018231207,0.00033616656],"domain_scores_gemma":[0.9992363,0.00020633184,0.00007026988,0.00031980488,0.00007983516,0.00008746355],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000299469,0.0002196927,0.00041705102,0.00013209859,0.00014186963,0.00045531872,0.00020182377,0.0000634047,0.0009308058],"category_scores_gemma":[0.000088185516,0.00017153783,0.000057797766,0.00009137173,0.00025742163,0.00033249278,0.0001132481,0.0002615724,0.000025651685],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007499953,0.00010109214,0.031010402,0.00034801778,0.000035583147,0.00012814271,0.031538095,0.0000033703875,0.00007758337,0.92891026,0.0068915077,0.00088092755],"study_design_scores_gemma":[0.0024219546,0.0007838804,0.02090491,0.0017939339,0.00011545568,0.00009898013,0.036768805,0.00022026594,0.000080794314,0.010692194,0.92471653,0.0014022703],"about_ca_topic_score_codex":0.0008376934,"about_ca_topic_score_gemma":0.0042071897,"teacher_disagreement_score":0.9182181,"about_ca_system_score_codex":0.00007768603,"about_ca_system_score_gemma":0.00013388017,"threshold_uncertainty_score":0.9999825},"labels":[],"label_agreement":null},{"id":"W4239624157","doi":"10.1097/aln.0000000000002392","title":"Harold Foster’s Laughing Gas or Gags That Get Grins","year":2018,"lang":"en","type":"article","venue":"Anesthesiology","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.07051806169346059,"score_gpt":0.2572214611616731,"score_spread":0.18670339946821252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239624157","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8508459,0.0006364225,0.00000775426,0.0030413494,0.00086566433,0.00016771464,0.00001364149,0.00017147427,0.1442501],"genre_scores_gemma":[0.96386397,0.000015293901,0.000035789526,0.011543823,0.0020178028,0.000017572742,0.000025902293,0.000022388545,0.022457486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902904,0.000094527684,0.00019120621,0.00027202323,0.00008253239,0.00033065362],"domain_scores_gemma":[0.9993819,0.00013455118,0.000056575358,0.00028515822,0.000076581186,0.00006523049],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013727322,0.00017197304,0.00024886586,0.000078173754,0.00031030216,0.00013562397,0.00021747696,0.00009394534,0.004735481],"category_scores_gemma":[0.000023504497,0.0001180697,0.00007555269,0.000022904436,0.00037426638,0.0002678377,0.000050731862,0.00014560547,0.0006146278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005019199,0.0001624248,0.00603213,0.00006637143,0.0000818687,0.0008283107,0.0922667,6.664503e-8,0.00026477396,0.6945276,0.19298448,0.012283313],"study_design_scores_gemma":[0.00024289112,0.0006178332,0.0011164363,0.00003259402,0.000017041379,0.000097234406,0.0014749203,0.0000067000365,0.00029623578,0.0055514215,0.99035835,0.0001883257],"about_ca_topic_score_codex":0.000090176145,"about_ca_topic_score_gemma":0.0013286897,"teacher_disagreement_score":0.7973739,"about_ca_system_score_codex":0.000008503575,"about_ca_system_score_gemma":0.00003196854,"threshold_uncertainty_score":0.99617434},"labels":[],"label_agreement":null},{"id":"W4239642569","doi":"10.1353/mdr.0.0145","title":"Narrating, Witnessing, and Healing Trauma in Paula Vogel's &lt;i&gt;How I Learned to Drive&lt;/i&gt;","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Art; Psychoanalysis; Aesthetics","score_opus":0.02190553594376189,"score_gpt":0.23988938661818954,"score_spread":0.21798385067442766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239642569","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94664866,0.00082684954,0.00024284338,0.0057463795,0.00057680457,0.00028339587,0.000021810316,0.00012458234,0.045528695],"genre_scores_gemma":[0.973174,0.0000032836085,0.00031620872,0.0009683974,0.0007245693,0.000037693,0.000026877453,0.000049166578,0.024699831],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843603,0.00007001302,0.00031426462,0.00049,0.00024767613,0.00044198305],"domain_scores_gemma":[0.99921775,0.00006336406,0.00007465975,0.00034525045,0.00011023605,0.00018874777],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0002800164,0.0002854268,0.00034922778,0.0001886264,0.00042522803,0.0010841124,0.00020315831,0.00014002052,0.00029171296],"category_scores_gemma":[0.00005859128,0.00026432305,0.00007792406,0.000060233546,0.00019217796,0.0005142274,0.00007625861,0.00043532375,0.00001930055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119117176,0.0002810863,0.000480034,0.00014749906,0.000047199872,0.00018967527,0.3431689,0.000016409582,0.09221542,0.46733427,0.0058557265,0.09014464],"study_design_scores_gemma":[0.0015517697,0.0002729018,0.0008093427,0.00031455897,0.000026244199,0.00003319012,0.0027056185,0.0050083515,0.0010974694,0.021256316,0.9660337,0.00089054584],"about_ca_topic_score_codex":0.00004667566,"about_ca_topic_score_gemma":0.010748014,"teacher_disagreement_score":0.96017796,"about_ca_system_score_codex":0.000018577255,"about_ca_system_score_gemma":0.000043993892,"threshold_uncertainty_score":0.9999809},"labels":[],"label_agreement":null},{"id":"W4241112453","doi":"10.7588/worllitetoda.93.3.0104a","title":"","year":2019,"lang":"","type":"article","venue":"World Literature Today","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Uncanny; Alien; Art; Fish <Actinopterygii>; Poetry; Literature; Anguish; Abandonment (legal); History; Art history; Sociology; Philosophy","score_opus":0.007831563071321776,"score_gpt":0.2062114900863449,"score_spread":0.19837992701502313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241112453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2308306,0.15950221,0.000008697245,0.028293082,0.02231622,0.0041924864,0.0018701741,0.0006694808,0.552317],"genre_scores_gemma":[0.5619593,0.0001484696,0.0000793596,0.01452009,0.0069231996,0.00009871661,0.0007034223,0.00021082755,0.41535658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98616916,0.0012334718,0.0033637316,0.003722658,0.0019774644,0.003533491],"domain_scores_gemma":[0.9910218,0.0010201351,0.0009663679,0.004008003,0.0016793696,0.0013043087],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0015250955,0.003139918,0.003085483,0.0025702973,0.0021026453,0.019755505,0.0022828924,0.0008266315,0.023262937],"category_scores_gemma":[0.00008248632,0.0027895668,0.0021845377,0.0023291209,0.00089723355,0.008545851,0.0007357726,0.005184748,0.001645458],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013798674,0.00090944517,0.0022357188,0.0016392015,0.00059928204,0.00090082345,0.2103946,0.00000595065,0.00056910113,0.7568436,0.022226209,0.0022961725],"study_design_scores_gemma":[0.005368518,0.0011998549,0.001200553,0.009804831,0.00039986355,0.000111064226,0.0062449533,0.000121164005,0.00033896416,0.01139942,0.9603123,0.0034985188],"about_ca_topic_score_codex":0.0001063856,"about_ca_topic_score_gemma":0.0020940765,"teacher_disagreement_score":0.9380861,"about_ca_system_score_codex":0.00027528126,"about_ca_system_score_gemma":0.00037309327,"threshold_uncertainty_score":0.99919647},"labels":[],"label_agreement":null},{"id":"W4242575948","doi":"10.3138/9781442679450-fm","title":"Frontmatter","year":2001,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Computer science","score_opus":0.02809383633836267,"score_gpt":0.18517481186861268,"score_spread":0.15708097553025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242575948","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000024059618,0.003515621,0.000012622176,0.00003009774,0.00030758927,0.00015455927,0.00020556293,0.000057182184,0.99571437],"genre_scores_gemma":[0.00066744233,0.000044075357,0.00002436731,0.00012463005,0.00039865522,1.23378e-7,0.00004098039,0.000025280977,0.99867445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993139,0.000011371365,0.00014147504,0.00023030152,0.00016593262,0.00013702588],"domain_scores_gemma":[0.9993309,0.00002078214,0.00013368322,0.00032259777,0.00012754292,0.000064523905],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000030448211,0.00022104371,0.00032934418,0.000018657383,0.00013493176,0.00004672588,0.00029207472,0.00015613536,0.040219527],"category_scores_gemma":[6.469883e-7,0.0002464556,0.00021765879,7.667864e-8,0.0002668375,0.00017442039,0.00010661306,0.00015130165,0.000084027844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042372794,0.0000076119236,1.2505282e-7,0.000045603738,0.00010528256,0.000068653004,0.020055218,1.8938241e-8,0.0000011731306,0.7711233,0.2055144,0.003036278],"study_design_scores_gemma":[0.00025910288,0.000054652803,5.667961e-7,0.00016909075,0.0001304368,0.0000017500903,0.00019186815,0.0000011835997,0.0000031107177,0.0020288704,0.9969072,0.00025217043],"about_ca_topic_score_codex":0.027813122,"about_ca_topic_score_gemma":0.05023045,"teacher_disagreement_score":0.7913928,"about_ca_system_score_codex":0.00006063285,"about_ca_system_score_gemma":0.000026465259,"threshold_uncertainty_score":0.99999875},"labels":[],"label_agreement":null},{"id":"W4243035493","doi":"10.22215/etd/2006-07680","title":"When two worlds collide: Norval Morrisseau and the erotic","year":2006,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Canadian Heritage","funders":"","keywords":"Art; Humanities","score_opus":0.012104104327975845,"score_gpt":0.23119955323739516,"score_spread":0.21909544890941932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243035493","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016451703,0.0041848146,0.0000021908186,0.0010720227,0.0011474832,0.0004581596,0.00004087556,0.00007289348,0.97656983],"genre_scores_gemma":[0.38947165,0.000009284004,0.000011426944,0.00062944245,0.0008848484,0.00004988528,0.0006668323,0.000023730383,0.6082529],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898964,0.00006266725,0.00030843416,0.00024725066,0.00020364657,0.00018837805],"domain_scores_gemma":[0.999369,0.0001387553,0.00008922867,0.00022171738,0.00013946966,0.000041780146],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014191668,0.0002626871,0.0003388822,0.000087507084,0.00037719423,0.00087317784,0.00016201149,0.00007802085,0.0025048847],"category_scores_gemma":[0.000011444968,0.0001569844,0.00012775236,0.000021802402,0.00017750496,0.00017327064,0.000015711776,0.00029385864,0.000048808153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001020545,0.000027207085,0.000009173078,0.00007820798,0.000047601712,0.000012410068,0.025455097,1.07159096e-7,0.0000016305917,0.8621822,0.11135098,0.0007333189],"study_design_scores_gemma":[0.0014618597,0.000032701046,0.00012855638,0.00014960443,0.00021323618,0.0000034362654,0.008456822,0.000047275338,0.00002287961,0.047850955,0.9412613,0.0003713609],"about_ca_topic_score_codex":0.0018566587,"about_ca_topic_score_gemma":0.05362316,"teacher_disagreement_score":0.82991034,"about_ca_system_score_codex":0.000010837446,"about_ca_system_score_gemma":0.000049978888,"threshold_uncertainty_score":0.99840695},"labels":[],"label_agreement":null},{"id":"W4244902769","doi":"10.32920/ryerson.14653791.v1","title":"Making my bed : Tracey Emin's hysterical confessions of the abject","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Disgust; Hysteria; Representation (politics); Psychoanalysis; Legitimacy; Aesthetics; Hegemony; Gesture; Art; Literature; Sociology; Psychology; Philosophy; Social psychology; Law; Politics","score_opus":0.09072178024552714,"score_gpt":0.2947926439909061,"score_spread":0.20407086374537897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244902769","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096295856,0.0015645028,0.00006787285,0.0030888577,0.002908808,0.00036941588,0.00013963052,0.00007454341,0.8954905],"genre_scores_gemma":[0.96315694,0.0000040979703,0.000059662314,0.0011293519,0.00045384438,0.00002598539,0.000044685596,0.000018297202,0.03510712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988093,0.00012689506,0.00039439485,0.00028797286,0.00021764667,0.00016381516],"domain_scores_gemma":[0.9989982,0.00009978275,0.00014658528,0.00055025594,0.0001726899,0.000032463395],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010571655,0.00021095734,0.00039507897,0.000044188982,0.00018602112,0.00036542144,0.00034938057,0.00014090969,0.0051590074],"category_scores_gemma":[0.000028656546,0.0001277194,0.00036213582,0.000023531775,0.00018579644,0.00009499542,0.000572536,0.0005805824,0.0000051366414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020356252,0.00019805745,0.000093542774,0.0005273697,0.00017553882,0.000041598814,0.11906604,0.000001346516,0.00028419227,0.8656572,0.012276516,0.0016582442],"study_design_scores_gemma":[0.0005535613,0.000068650996,0.00075638015,0.0046132607,0.00032188927,0.000017415381,0.064201914,0.0001368845,0.0014280027,0.007900591,0.91910774,0.00089374685],"about_ca_topic_score_codex":0.00009273808,"about_ca_topic_score_gemma":0.00071851595,"teacher_disagreement_score":0.9068312,"about_ca_system_score_codex":0.00001406774,"about_ca_system_score_gemma":0.00017728296,"threshold_uncertainty_score":0.9957504},"labels":[],"label_agreement":null},{"id":"W4245284629","doi":"10.28968/cftt.v4i1.201","title":"To Mourn, To Re-imagine Without Oneself: Death, Dying, and Social Media/tion","year":2018,"lang":"en","type":"article","venue":"Catalyst Feminism Theory Technoscience","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Politics; Body politic; Victory; Sociology; Sovereignty; The Imaginary; Aesthetics; Democracy; Gender studies; Media studies; Political science; Law; Psychoanalysis; Psychology; Philosophy","score_opus":0.030830152664953543,"score_gpt":0.2660517429926604,"score_spread":0.23522159032770684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245284629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6116884,0.00037159282,0.0072965412,0.008079205,0.0022163133,0.00095853256,0.00016645016,0.0008978135,0.36832517],"genre_scores_gemma":[0.9910341,0.000001306988,0.00028688918,0.0027753597,0.00086692866,0.00005049177,0.000015923251,0.000022302547,0.0049466887],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848026,0.000036950776,0.00026095106,0.00052830623,0.00031735588,0.00037615432],"domain_scores_gemma":[0.99911684,0.000090503345,0.000063375286,0.0003614837,0.00019685153,0.00017094289],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007641535,0.00021844589,0.00023888484,0.00029764164,0.00093197636,0.0004067076,0.0004931133,0.00007039547,0.00021879697],"category_scores_gemma":[0.00016521431,0.00018698485,0.000044023902,0.00021141132,0.0009154981,0.00041822816,0.00022672467,0.00016260869,0.00016276067],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039802188,0.00003534284,0.00003695492,0.0000141666105,0.0000055324704,0.000011021957,0.1598177,1.783781e-8,0.0062145283,0.8226976,0.0022450604,0.008882311],"study_design_scores_gemma":[0.00071099383,0.0006965284,0.00033901702,0.00024025075,0.000107371714,0.00005861331,0.06996351,0.000043987988,0.03854367,0.18179628,0.70609,0.0014098205],"about_ca_topic_score_codex":0.000016888887,"about_ca_topic_score_gemma":0.00013985066,"teacher_disagreement_score":0.7038449,"about_ca_system_score_codex":0.00003405168,"about_ca_system_score_gemma":0.000044583616,"threshold_uncertainty_score":0.7625021},"labels":[],"label_agreement":null},{"id":"W4245861288","doi":"10.1163/9789087903268_009","title":"A/r/tography: Resonation in Writing","year":2008,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science","score_opus":0.039762788893394074,"score_gpt":0.20934104254101035,"score_spread":0.16957825364761628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245861288","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035469417,0.0035434286,0.0000017102338,0.0003036042,0.00021109683,0.00012218702,0.00003869503,0.00007249765,0.99567133],"genre_scores_gemma":[0.06370827,0.00016956755,0.000021773583,0.0008129412,0.00091832253,0.0000058823975,0.00015790622,0.000030845702,0.9341745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991971,0.000006983041,0.00030465593,0.00020750739,0.0001587709,0.00012493208],"domain_scores_gemma":[0.99965566,0.000040695588,0.000054636843,0.0001432087,0.00007789081,0.000027923534],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006345839,0.00018292453,0.00020390093,0.00031431386,0.00010289659,0.0001116814,0.0000827786,0.00011935057,0.0058773826],"category_scores_gemma":[0.0000028171062,0.00016877898,0.00012635117,0.000006662161,0.00009869874,0.00016949417,0.000019940695,0.00029230252,0.00010455321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046099594,0.000006783228,0.000003913242,0.000017513117,0.000010296623,0.000073197705,0.0050594583,1.2938859e-8,2.1101116e-7,0.9573444,0.033047814,0.0044317925],"study_design_scores_gemma":[0.00011892343,0.00002246936,0.000007892935,0.00018668654,0.0000066462376,0.0000040709187,0.00018030457,0.0000025908441,7.1334404e-7,0.026945887,0.9723176,0.00020624316],"about_ca_topic_score_codex":0.00006493772,"about_ca_topic_score_gemma":0.0017041048,"teacher_disagreement_score":0.9392698,"about_ca_system_score_codex":0.000014907294,"about_ca_system_score_gemma":0.000022425385,"threshold_uncertainty_score":0.99503136},"labels":[],"label_agreement":null},{"id":"W4246174178","doi":"10.32920/ryerson.14654292.v1","title":"Secret trauma in Ann-Marie MacDonald’s Fall on Your Knees: dissociation, art, and healing","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Paragraph; Witness; Fall of man; Art history; Psychoanalysis; Sexual abuse; History; Daughter; Psychology; Art; Law; Medicine; Political science; Poison control","score_opus":0.03932606112110253,"score_gpt":0.25712301909228097,"score_spread":0.21779695797117843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246174178","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2762076,0.005185379,0.00009566233,0.008682306,0.0014355261,0.0005688661,0.00040828434,0.00016563371,0.7072507],"genre_scores_gemma":[0.9454216,0.00009030855,0.000056453275,0.002699879,0.0007677498,0.000041008032,0.001057134,0.000029378225,0.049836524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849415,0.00011819707,0.0004358297,0.00048627853,0.00022179664,0.00024374218],"domain_scores_gemma":[0.9992585,0.00018890903,0.00009770511,0.0002572809,0.00011673086,0.000080844264],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000272228,0.00029352756,0.00043008043,0.00015124654,0.00016417951,0.0010471388,0.00012330269,0.00019596778,0.0015213704],"category_scores_gemma":[0.00006152882,0.00026820102,0.00012869254,0.000026509662,0.000064001266,0.0001908538,0.00015214807,0.00065337913,0.000013206444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072817784,0.00036164376,0.0012245827,0.00066283194,0.00019069694,0.00022684492,0.1902517,0.00003033516,0.0000043126206,0.77432925,0.023052258,0.009592735],"study_design_scores_gemma":[0.0009614561,0.0001487104,0.0022999716,0.0016751998,0.000075785145,0.0000037471052,0.03020346,0.000850376,0.000031729905,0.035003807,0.927623,0.0011227846],"about_ca_topic_score_codex":0.00077337096,"about_ca_topic_score_gemma":0.014945321,"teacher_disagreement_score":0.9045707,"about_ca_system_score_codex":0.000052565425,"about_ca_system_score_gemma":0.000081247774,"threshold_uncertainty_score":0.99998987},"labels":[],"label_agreement":null},{"id":"W4247864489","doi":"10.1093/obo/9780199799558-0004","title":"Matthew Arnold","year":2011,"lang":"en","type":"dataset","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Philosophy","score_opus":0.05206607255169264,"score_gpt":0.211089789407575,"score_spread":0.15902371685588235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247864489","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.4312303e-7,0.00039779325,2.0700885e-7,0.0000760631,0.00079089747,0.000056249275,0.6076014,0.000037579957,0.39103955],"genre_scores_gemma":[0.000025626414,0.00002380034,0.000003148129,0.0023810512,0.001262466,0.000012929286,0.81768215,0.000010904722,0.17859794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932647,0.000017553211,0.00019057827,0.0001958451,0.000105665415,0.00016390902],"domain_scores_gemma":[0.99940646,0.000018553195,0.00004936222,0.0004266073,0.000048786984,0.000050245977],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000046071727,0.00020427535,0.00022230759,0.000089218454,0.000099032644,0.00025851754,0.00027258284,0.00010951058,0.14031582],"category_scores_gemma":[0.000003912801,0.00014905418,0.00010692845,0.000008545709,0.00009050602,0.00012930029,0.000055307413,0.00025476015,0.0048674555],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031971758,0.000031795218,2.1791156e-8,0.000054631957,0.000022465432,0.000025337735,0.0006558013,1.2118695e-10,2.0854209e-8,0.23596549,0.7631606,0.000080657184],"study_design_scores_gemma":[0.000058892052,0.000035005458,1.3549084e-7,0.000052158775,0.000042428765,0.0000026562914,0.00017911238,2.517561e-8,0.0000010682828,0.002604327,0.9968023,0.00022194178],"about_ca_topic_score_codex":0.0005912412,"about_ca_topic_score_gemma":0.0019726595,"teacher_disagreement_score":0.23364167,"about_ca_system_score_codex":0.0000047374097,"about_ca_system_score_gemma":0.000024952315,"threshold_uncertainty_score":0.99590737},"labels":[],"label_agreement":null},{"id":"W4248402723","doi":"10.16995/pn.46","title":"Notes","year":2008,"lang":"en","type":"article","venue":"Pynchon Notes","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Postmodernism; Reading (process); Criticism; Entertainment; Art; Order (exchange); Rainbow; Space (punctuation); Literature; Visual arts; Art history; Computer science; Philosophy; Linguistics","score_opus":0.06209181648753485,"score_gpt":0.22785200481979365,"score_spread":0.1657601883322588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248402723","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36738145,0.003333277,0.00015982639,0.00588679,0.0013802468,0.00018342024,0.000055692388,0.0003875105,0.6212318],"genre_scores_gemma":[0.98897713,0.00001882173,0.000083241524,0.001383959,0.0012011905,0.000009538223,0.000019431736,0.000014955722,0.008291702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993813,0.000018238463,0.00014576226,0.00015532099,0.00012395004,0.00017543572],"domain_scores_gemma":[0.99948555,0.00019167566,0.000026726357,0.00017301858,0.000069470145,0.000053556887],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000043491626,0.00011395388,0.0001299319,0.00005527494,0.00031309438,0.00009688058,0.000102713544,0.000030582756,0.0024710177],"category_scores_gemma":[0.00007420487,0.00009370474,0.00007730021,0.000024292083,0.00016465665,0.00026549192,0.000021956299,0.000105710664,0.00045225176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024455345,0.00011837953,0.0017843107,0.000027449623,0.000031828928,0.00011298174,0.05759693,5.2333877e-7,0.0004072174,0.91477114,0.01809419,0.0070305755],"study_design_scores_gemma":[0.00020928404,0.000055183125,0.0006309066,0.00002147211,0.000009321631,0.0000147610535,0.00021832259,0.000014272628,0.0012958032,0.0049602054,0.9923735,0.00019692058],"about_ca_topic_score_codex":0.000114897426,"about_ca_topic_score_gemma":0.00017524128,"teacher_disagreement_score":0.97427934,"about_ca_system_score_codex":0.0000059219833,"about_ca_system_score_gemma":0.000018131565,"threshold_uncertainty_score":0.99844086},"labels":[],"label_agreement":null},{"id":"W4248408392","doi":"10.1111/1467-8365.00286","title":"Occluded Front","year":2001,"lang":"en","type":"article","venue":"Art History","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Subjectivity; Front (military); Art; Art history; Psychoanalysis; Philosophy; Psychology; Geography; Epistemology","score_opus":0.03436122953924667,"score_gpt":0.1918359439122821,"score_spread":0.15747471437303542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248408392","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00521315,0.004496203,0.000012049615,0.00059756055,0.0015312033,0.000032711185,0.0000026009038,0.000102477665,0.988012],"genre_scores_gemma":[0.43871412,0.0000074965374,0.000011970298,0.0025615147,0.0005592134,0.000005830964,0.000012789147,0.000007714153,0.55811936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954206,0.00001682211,0.000110928064,0.000119010685,0.00008553589,0.0001256519],"domain_scores_gemma":[0.99971634,0.0000146034845,0.00002085075,0.0001647385,0.000036693742,0.000046749406],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005019759,0.00007660579,0.00009071768,0.000046732144,0.00009973463,0.000026594911,0.000079181154,0.000020842072,0.022973012],"category_scores_gemma":[0.000005321644,0.00007025606,0.000057974645,0.0000048654206,0.00010296599,0.0002081793,0.000012673095,0.0000786861,0.0028229337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009304269,0.000030283936,0.000025114243,0.000003167716,0.0000062318277,0.0000423064,0.01831923,1.9784936e-8,0.000033225562,0.26821232,0.7125537,0.00076510286],"study_design_scores_gemma":[0.00013865298,0.000028121302,0.000038270373,0.000008400333,0.000007079405,0.0000048212237,0.00034382168,0.000004559566,0.0000032083458,0.0007129318,0.9986089,0.00010126308],"about_ca_topic_score_codex":0.000029978171,"about_ca_topic_score_gemma":0.0004817588,"teacher_disagreement_score":0.43350095,"about_ca_system_score_codex":0.000080617516,"about_ca_system_score_gemma":0.000027403954,"threshold_uncertainty_score":0.9979535},"labels":[],"label_agreement":null},{"id":"W4248957909","doi":"10.1057/9781137413901.0022","title":"Postmodernism in the United States and Canada","year":2014,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Political science; Art; Literature","score_opus":0.019265691247489183,"score_gpt":0.1973534017284491,"score_spread":0.1780877104809599,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248957909","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00111181,0.00092701457,0.0000023117086,0.00061552995,0.00024289718,0.00027461242,0.00028677986,0.000025347357,0.9965137],"genre_scores_gemma":[0.8476323,0.000042235595,0.000001972717,0.006630539,0.0004523172,0.000011637617,0.0004488652,0.00004299564,0.14473717],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887294,0.00004975719,0.00029903388,0.00027518946,0.00026145735,0.00024161473],"domain_scores_gemma":[0.9992463,0.0001860381,0.000092054055,0.00033167386,0.000078123245,0.00006579227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000142958,0.00034338437,0.00032294774,0.00014810225,0.00017171836,0.00022522596,0.00023712867,0.00010268824,0.00025567983],"category_scores_gemma":[0.000005417175,0.00023607007,0.00006054453,0.0000029778168,0.00021450325,0.0000018299163,0.000050823754,0.0004003498,0.0000089370205],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010934467,3.2544364e-7,0.000005967176,0.000049126833,0.00003142888,0.00011292691,0.012582461,9.374906e-8,3.2612658e-7,0.98377,0.0016274446,0.0018089496],"study_design_scores_gemma":[0.0001442088,0.00003738993,0.0000144566075,0.00009003329,0.000026108552,0.000010818345,0.0005922549,0.00001701707,6.909964e-7,0.33499667,0.66383046,0.0002398895],"about_ca_topic_score_codex":0.3194904,"about_ca_topic_score_gemma":0.9198843,"teacher_disagreement_score":0.85177654,"about_ca_system_score_codex":0.000026701266,"about_ca_system_score_gemma":0.00009241755,"threshold_uncertainty_score":0.96266586},"labels":[],"label_agreement":null},{"id":"W4249284743","doi":"10.3138/jsp.43.2.238","title":"Literary Societies in Fiction: ‘A Sort of Mild Mania’","year":2011,"lang":"en","type":"article","venue":"Journal of Scholarly Publishing","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Resentment; Mania; Sociology; Literature; sort; History; Aesthetics; Epistemology; Philosophy; Psychology; Political science; Social psychology; Law; Art; Computer science; Politics; Mood","score_opus":0.08960005286231502,"score_gpt":0.2273205170315092,"score_spread":0.1377204641691942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249284743","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34602976,0.010440666,0.000027278535,0.0024718037,0.0017196386,0.00008279812,0.000023605682,0.000020597321,0.6391839],"genre_scores_gemma":[0.9933403,0.000044448672,0.00046471527,0.0009656804,0.0011423856,0.0000013118521,0.000003867696,0.000013498803,0.004023792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984568,0.000079893536,0.0007603353,0.0001035796,0.00043262544,0.00016679369],"domain_scores_gemma":[0.9983807,0.000057251185,0.000391751,0.00013686574,0.0009545812,0.0000788215],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.0013193723,0.00011404166,0.00027106417,0.0004085076,0.00010745974,0.006808901,0.00042310404,0.000103275386,0.0010185202],"category_scores_gemma":[0.00019717563,0.000094233816,0.00018485237,0.00009836983,0.000084779305,0.07705852,0.000056658955,0.0011321178,0.0000023210564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001846474,0.000341161,0.010804229,0.00014244464,0.00012960807,0.00018217941,0.32281607,2.6181914e-7,0.00020881482,0.52670646,0.13441275,0.004071387],"study_design_scores_gemma":[0.0014691263,0.00048183269,0.018305246,0.0010430947,0.00006322751,0.0000926386,0.03952559,0.0000053986714,0.0003441674,0.08561985,0.85272425,0.0003255732],"about_ca_topic_score_codex":0.000047004072,"about_ca_topic_score_gemma":0.000033365966,"teacher_disagreement_score":0.7183115,"about_ca_system_score_codex":0.000032248005,"about_ca_system_score_gemma":0.00009456454,"threshold_uncertainty_score":0.9998947},"labels":[],"label_agreement":null},{"id":"W4249963261","doi":"10.26522/brocked.v15i1.67","title":"The Intellectual","year":2005,"lang":"en","type":"article","venue":"Brock Education Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Power (physics); Front (military); Content (measure theory); Provocation test; Psychology; Aesthetics; Sociology; Art; Engineering; Mechanical engineering; Physics","score_opus":0.016633907477302517,"score_gpt":0.24139833008136202,"score_spread":0.22476442260405952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249963261","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044002004,0.018440796,0.00015376385,0.040704183,0.00721676,0.00012935257,0.000002952716,0.00005259102,0.8892976],"genre_scores_gemma":[0.79121923,0.00006987439,0.000038616337,0.0023848715,0.007572065,0.000004634951,0.0000019903287,0.0000059715917,0.19870272],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995574,0.000031617936,0.00016140062,0.00004805673,0.00009505733,0.00010649145],"domain_scores_gemma":[0.9995377,0.00009050671,0.00004393549,0.00007676106,0.00017292374,0.00007816488],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000063976964,0.000053176947,0.000040220413,0.000037511676,0.00088775036,0.0007410314,0.00012447062,0.000012083017,0.0033358505],"category_scores_gemma":[0.0001072869,0.000032498876,0.00004747725,0.000016238051,0.000045421475,0.00027341442,0.000008414089,0.00017994878,0.00027927835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062648005,0.000039697763,0.0000035298267,8.590201e-7,0.000007216434,1.642536e-7,0.02267196,1.925923e-7,0.0000062826925,0.16796756,0.68759465,0.12170162],"study_design_scores_gemma":[0.000052143776,0.000019287017,0.000019726778,0.00001168845,0.000004869312,0.00007289624,0.011501844,0.0000043079785,0.000019036128,0.003572779,0.98467374,0.000047707337],"about_ca_topic_score_codex":0.000001691469,"about_ca_topic_score_gemma":0.00007538278,"teacher_disagreement_score":0.74721724,"about_ca_system_score_codex":0.000021970036,"about_ca_system_score_gemma":0.0002497169,"threshold_uncertainty_score":0.9975752},"labels":[],"label_agreement":null},{"id":"W4250226393","doi":"10.1515/9783839427101-004","title":"Purging the world of the Whore and the horror. Gothic and apocalyptic portrayals of dementia in Canadian fiction","year":2015,"lang":"en","type":"book-chapter","venue":"transcript Verlag eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Dementia; Literature; Art history; History; Medicine; Pathology","score_opus":0.028442640142114728,"score_gpt":0.20206273499562635,"score_spread":0.17362009485351163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250226393","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002384178,0.012692996,8.1587086e-7,0.0011226574,0.0003461267,0.0005847913,0.0001266069,0.000008144447,0.98273367],"genre_scores_gemma":[0.7583836,0.000027627213,9.032091e-7,0.0003200378,0.000090702466,0.000011150874,0.0000067403894,0.000020766374,0.24113847],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891853,0.000066939945,0.00042156054,0.00018307098,0.00021712482,0.0001927821],"domain_scores_gemma":[0.99932444,0.00008410069,0.00013249731,0.00030002816,0.00009041586,0.000068524336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051225163,0.00022335678,0.00036587907,0.00014804018,0.00020432778,0.000096338874,0.00020405855,0.0000982738,0.00019675834],"category_scores_gemma":[0.000006325492,0.00011744836,0.00012931575,0.000011648914,0.0009943362,0.00006199243,0.000018699102,0.0004209442,5.733592e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051115236,0.0000034473917,0.000031997024,0.00012655185,0.0001017185,0.0000048812108,0.031168379,2.1787712e-7,0.000016883556,0.9656911,0.0017268199,0.001076923],"study_design_scores_gemma":[0.000807832,0.000041684536,0.00011613729,0.00067269505,0.00042478842,0.0000065004574,0.0013058916,0.000019912834,0.000021381711,0.0330097,0.9633875,0.00018597643],"about_ca_topic_score_codex":0.01959994,"about_ca_topic_score_gemma":0.61004335,"teacher_disagreement_score":0.9616607,"about_ca_system_score_codex":0.00002217285,"about_ca_system_score_gemma":0.00016953667,"threshold_uncertainty_score":0.98692864},"labels":[],"label_agreement":null},{"id":"W4251044110","doi":"10.1310/tsr1601-01","title":"Stroke Rehab Down Under: Can Rupert Murdoch, Crocodile Dundee, and an Aboriginal Elder Expect the Same Services and Care?","year":2009,"lang":"en","type":"article","venue":"Topics in Stroke Rehabilitation","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario Stroke Network","funders":"","keywords":"Crocodile; Stroke (engine); Gerontology; Medicine; Engineering","score_opus":0.010154654648889722,"score_gpt":0.2651975727535342,"score_spread":0.2550429181046445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251044110","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9687923,0.0031712167,0.0000046291148,0.0032456878,0.00018286736,0.00033034536,0.000055372744,0.00004440523,0.024173142],"genre_scores_gemma":[0.99684775,0.000061007875,0.00032051772,0.00068163185,0.00046093314,0.000029489454,0.00002874564,0.000009075267,0.0015608775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.998975,0.000103525716,0.00026676312,0.00028875392,0.0001707511,0.00019521109],"domain_scores_gemma":[0.99941856,0.0001276588,0.000049532093,0.00024881068,0.000096314776,0.000059108927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013055622,0.00016549796,0.00019096742,0.000106026506,0.00025355784,0.0002877788,0.00010323177,0.00007390917,0.00008339544],"category_scores_gemma":[0.000009790829,0.00012632491,0.00004388836,0.00003538088,0.0001992675,0.00052420027,0.000015356114,0.0002080797,8.592755e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043529806,0.00007234323,0.004303613,0.00009210702,0.000010546627,0.00000357724,0.31401357,0.0000020165962,0.00012464375,0.66920924,0.00006599512,0.012058837],"study_design_scores_gemma":[0.0020349151,0.0028635883,0.15914862,0.00028300693,0.00008362212,0.000011506824,0.42441857,0.00011397154,0.00013238651,0.080757424,0.32939148,0.00076090795],"about_ca_topic_score_codex":0.0010417654,"about_ca_topic_score_gemma":0.0092935525,"teacher_disagreement_score":0.5884518,"about_ca_system_score_codex":0.00003812519,"about_ca_system_score_gemma":0.000033109718,"threshold_uncertainty_score":0.518602},"labels":[],"label_agreement":null},{"id":"W4251234461","doi":"10.2307/j.ctt20q1wmm.11","title":"Barrie Hooper’s Dead","year":2018,"lang":"en","type":"book-chapter","venue":"University of Iowa Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04481687562264759,"score_gpt":0.18297969221409396,"score_spread":0.13816281659144636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251234461","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000054713964,0.0005972623,0.000012481627,0.000032331453,0.00032315284,0.00016427957,0.00034138167,0.000067122746,0.99840724],"genre_scores_gemma":[0.0099637965,0.000019597086,0.00003305943,0.00012771905,0.00053418084,1.0824546e-7,0.000047752987,0.000027669284,0.98924613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999235,0.000015016146,0.00014957694,0.00026484518,0.00018427892,0.00015130706],"domain_scores_gemma":[0.9991402,0.000030096227,0.00013534956,0.00035102773,0.00025818014,0.000085124986],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000049923266,0.0002351485,0.00033135418,0.00010239311,0.00022145204,0.000062263825,0.00035932395,0.00018314448,0.007452683],"category_scores_gemma":[0.00000255251,0.00025486064,0.00020680185,9.188834e-7,0.00069401436,0.000100742276,0.00015478794,0.00023005117,0.00009494193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048418042,0.000006365253,9.9269215e-8,0.000070782335,0.000108326596,0.0000715415,0.02016857,1.7219863e-8,0.0000032316605,0.91339344,0.064897105,0.001232106],"study_design_scores_gemma":[0.00025261578,0.00009505922,2.422492e-7,0.00025795633,0.00013496802,0.0000017240613,0.00045633962,0.000001497494,0.000037571423,0.008775814,0.98971635,0.00026983343],"about_ca_topic_score_codex":0.00026465478,"about_ca_topic_score_gemma":0.001180028,"teacher_disagreement_score":0.9248193,"about_ca_system_score_codex":0.00001969354,"about_ca_system_score_gemma":0.00006407576,"threshold_uncertainty_score":0.99999034},"labels":[],"label_agreement":null},{"id":"W4251387747","doi":"10.32920/ryerson.14663688","title":"Writing intellectual disability: glimpses into precarious processes or re/making a cultural phenomenon","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; University of Regina; York University","funders":"Administration for Community Living","keywords":"Disability studies; Epistemology; Sociology; Normative; Construct (python library); Modernity; Late modernity; Meaning (existential); Intellectual disability; Phenomenon; Identity (music); Subject (documents); Politics; Psychology; Gender studies; Social science; Aesthetics; Political science; Law","score_opus":0.0838686000041229,"score_gpt":0.30905194417416637,"score_spread":0.2251833441700435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251387747","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38827166,0.021499278,0.00033873445,0.002687117,0.0027303018,0.0014663948,0.00013983181,0.0010936193,0.58177304],"genre_scores_gemma":[0.9814506,0.000084106876,0.00083061005,0.0009057129,0.002661328,0.00019686618,0.0003003888,0.00006264073,0.013507735],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99726194,0.00013964847,0.00080898986,0.000966631,0.00036567563,0.0004571157],"domain_scores_gemma":[0.99780244,0.00062470284,0.00018267284,0.0005722404,0.0007195722,0.00009839067],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021239869,0.00059879146,0.0007404687,0.0000833507,0.0005550653,0.004044033,0.00048458512,0.00023252053,0.010003063],"category_scores_gemma":[0.00083825237,0.00042639545,0.0002532983,0.00010007555,0.00048436783,0.0006939221,0.0010636551,0.0009287941,0.000017501332],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019647756,0.000394473,0.000058590114,0.0057472703,0.00032716358,0.00011283197,0.9363778,0.000003463692,0.00002733634,0.03246041,0.005408441,0.018885693],"study_design_scores_gemma":[0.0004867469,0.00036170727,0.000008858101,0.0046685743,0.0003049189,0.000030193765,0.36248344,0.00024132445,0.00038648705,0.011370065,0.61780834,0.0018493658],"about_ca_topic_score_codex":0.0005790408,"about_ca_topic_score_gemma":0.021116564,"teacher_disagreement_score":0.6123999,"about_ca_system_score_codex":0.00015542537,"about_ca_system_score_gemma":0.00045984148,"threshold_uncertainty_score":0.9998188},"labels":[],"label_agreement":null},{"id":"W4252150988","doi":"10.3138/cras-s035-02-05","title":"Intersections of Gender and Ethnic Performativity in Ann-Marie MacDonald’s Fall on Your Knees","year":2005,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performativity; Resistance (ecology); Intersection (aeronautics); Ethnic group; Politics; Sociology; Gender studies; Transgressive; Aesthetics; Philosophy; Anthropology; Political science; Law; Geography; Cartography; Geology","score_opus":0.08187912102028093,"score_gpt":0.31746974959197954,"score_spread":0.2355906285716986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252150988","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20601043,0.6388608,0.0000015019906,0.0057899333,0.00019092034,0.00042497856,0.00028117967,0.000015187919,0.14842506],"genre_scores_gemma":[0.9637584,0.031761307,0.000021544052,0.003885845,0.00008004201,0.00001782288,0.000005401219,0.0000062706895,0.00046337335],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992838,0.00006862287,0.00030370848,0.00011586914,0.00007925256,0.00014876205],"domain_scores_gemma":[0.9994626,0.00011271334,0.000109260975,0.0001237511,0.00011749,0.00007420033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018996374,0.000116170435,0.00044664158,0.00016967683,0.0000731371,0.000009403046,0.00006457377,0.0000107001215,0.00013239165],"category_scores_gemma":[0.000107292064,0.00009385245,0.00006775356,0.000089517176,0.0005204178,0.00012179718,0.000020297579,0.000117874755,0.0000039815104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035082947,0.00017881033,0.003778455,0.012064239,0.00066878926,0.000031651314,0.22897099,0.0000025846775,0.000006944705,0.14003202,0.05691252,0.5573179],"study_design_scores_gemma":[0.00016533982,0.0002481303,0.008149486,0.004261611,0.00007410442,0.0000037513964,0.046304386,0.000010080042,0.0000069408206,0.00016021775,0.94038796,0.000228005],"about_ca_topic_score_codex":0.013309468,"about_ca_topic_score_gemma":0.32505277,"teacher_disagreement_score":0.8834754,"about_ca_system_score_codex":0.000055932287,"about_ca_system_score_gemma":0.000073649564,"threshold_uncertainty_score":0.993261},"labels":[],"label_agreement":null},{"id":"W4252473846","doi":"10.1515/9781474469258-002","title":"Variety of Purpose in James Hogg’s Manuscript of The Three Perils of Man","year":2012,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; Yale University","keywords":"Variety (cybernetics); Art; History; Computer science; Artificial intelligence","score_opus":0.03769513360158684,"score_gpt":0.18371825126052366,"score_spread":0.14602311765893683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252473846","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012582825,0.0012890118,0.0000055647024,0.000036517147,0.0006245959,0.00036430036,0.000372345,0.000013873965,0.9960355],"genre_scores_gemma":[0.28220636,0.0000296563,0.000008879363,0.000028088223,0.00022893508,5.5091675e-7,0.000010328587,0.000015719632,0.7174715],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989449,0.000026667543,0.00034734223,0.00020461086,0.00029720797,0.0001793088],"domain_scores_gemma":[0.9988151,0.000058971047,0.00036960063,0.0005041019,0.0002032696,0.000048910457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013116721,0.0002508278,0.00054927,0.00016310431,0.00008101912,0.000019026951,0.00053387845,0.0002118571,0.0008215907],"category_scores_gemma":[0.0000045919505,0.00021165077,0.00032446333,0.000005663003,0.00074296154,0.00016138433,0.00030443392,0.0003613551,3.0719872e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103737526,0.0000391978,0.0000346988,0.00017696166,0.000119923265,0.000012713614,0.02072417,1.9250885e-7,0.000048163092,0.9694281,0.008266312,0.0010457935],"study_design_scores_gemma":[0.00039332052,0.00006175157,0.000035927827,0.00053798367,0.0001961912,0.0000012166537,0.00093904015,0.0000020190666,0.00039056464,0.005149983,0.9920885,0.00020348233],"about_ca_topic_score_codex":0.0006807215,"about_ca_topic_score_gemma":0.00044656708,"teacher_disagreement_score":0.9838222,"about_ca_system_score_codex":0.000029749006,"about_ca_system_score_gemma":0.00006459162,"threshold_uncertainty_score":0.89958423},"labels":[],"label_agreement":null},{"id":"W4252560370","doi":"10.1007/978-94-6300-932-4_5","title":"Postmodernity","year":2017,"lang":"en","type":"book-chapter","venue":"SensePublishers eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Postmodernity; Enlightenment; Philosophy; Structuralism (philosophy of science); Epistemology; Postmodernism; Aesthetics; Sociology","score_opus":0.04564975049168181,"score_gpt":0.22018534916385926,"score_spread":0.17453559867217744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252560370","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000013186759,0.00055478327,0.0000012394671,0.0005488155,0.0024854657,0.00027544404,0.00025022248,0.00022891528,0.99564195],"genre_scores_gemma":[0.017783573,0.000002489718,0.0000104371475,0.0015702476,0.0032744107,0.0000064515693,0.00019346198,0.00012205843,0.9770369],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984027,0.000018180797,0.000360523,0.0005085356,0.0003724218,0.0003376334],"domain_scores_gemma":[0.9980502,0.000047907262,0.00028767815,0.0010934283,0.00034955158,0.00017124439],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016065213,0.0005084497,0.0005152549,0.00018007185,0.0007217798,0.0032673264,0.0005108023,0.0003618581,0.00560805],"category_scores_gemma":[0.000025733732,0.00046766436,0.00038467126,7.119707e-7,0.00067219813,0.0004978983,0.00013506199,0.0008316482,0.00038481044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001761447,0.000004835284,1.3896754e-7,0.000036379657,0.000099710436,0.00015594452,0.0057924166,3.9341947e-9,0.0000010030235,0.7744425,0.20924188,0.010207584],"study_design_scores_gemma":[0.00018190677,0.00005075611,4.0563114e-7,0.0001497658,0.00007635393,0.000013094442,0.00009636958,0.0000010108095,0.0000027468848,0.16423456,0.8347261,0.00046690032],"about_ca_topic_score_codex":0.00008677835,"about_ca_topic_score_gemma":0.0010431241,"teacher_disagreement_score":0.6254842,"about_ca_system_score_codex":0.000040164392,"about_ca_system_score_gemma":0.00016236589,"threshold_uncertainty_score":0.9997775},"labels":[],"label_agreement":null},{"id":"W4253768158","doi":"10.32920/ryerson.14653791","title":"Making my bed : Tracey Emin's hysterical confessions of the abject","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Hysteria; Disgust; Representation (politics); Psychoanalysis; Legitimacy; Aesthetics; Hegemony; Art; Sociology; Literature; Psychology; Social psychology; Law; Politics","score_opus":0.09072178024552714,"score_gpt":0.2947926439909061,"score_spread":0.20407086374537897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253768158","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096295856,0.0015645028,0.00006787285,0.0030888577,0.002908808,0.00036941588,0.00013963052,0.00007454341,0.8954905],"genre_scores_gemma":[0.96315694,0.0000040979703,0.000059662314,0.0011293519,0.00045384438,0.00002598539,0.000044685596,0.000018297202,0.03510712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988093,0.00012689506,0.00039439485,0.00028797286,0.00021764667,0.00016381516],"domain_scores_gemma":[0.9989982,0.00009978275,0.00014658528,0.00055025594,0.0001726899,0.000032463395],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010571655,0.00021095734,0.00039507897,0.000044188982,0.00018602112,0.00036542144,0.00034938057,0.00014090969,0.0051590074],"category_scores_gemma":[0.000028656546,0.0001277194,0.00036213582,0.000023531775,0.00018579644,0.00009499542,0.000572536,0.0005805824,0.0000051366414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020356252,0.00019805745,0.000093542774,0.0005273697,0.00017553882,0.000041598814,0.11906604,0.000001346516,0.00028419227,0.8656572,0.012276516,0.0016582442],"study_design_scores_gemma":[0.0005535613,0.000068650996,0.00075638015,0.0046132607,0.00032188927,0.000017415381,0.064201914,0.0001368845,0.0014280027,0.007900591,0.91910774,0.00089374685],"about_ca_topic_score_codex":0.00009273808,"about_ca_topic_score_gemma":0.00071851595,"teacher_disagreement_score":0.9068312,"about_ca_system_score_codex":0.00001406774,"about_ca_system_score_gemma":0.00017728296,"threshold_uncertainty_score":0.9957504},"labels":[],"label_agreement":null},{"id":"W4254350233","doi":"10.1353/crv.2013.0000","title":"Terrorism Before the Letter: Benito Cereno and the 9/11 Commission Report","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.020861427254205436,"score_gpt":0.25538774662659464,"score_spread":0.2345263193723892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254350233","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014696845,0.48166153,6.7609074e-7,0.39419568,0.00051963056,0.001197142,0.000054739157,0.000024001129,0.10764975],"genre_scores_gemma":[0.94216233,0.009905379,0.0000141103155,0.037333336,0.0006673989,0.00015599375,0.000013216125,0.000015608972,0.009732606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990831,0.00010939098,0.0003572661,0.00014256159,0.00012180933,0.00018588852],"domain_scores_gemma":[0.99903756,0.00010243067,0.0001951825,0.0003553404,0.00021272361,0.000096754535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002732868,0.00014585581,0.00047011624,0.00003805197,0.00045408914,0.000071128554,0.00017763783,0.000009823625,0.00023958184],"category_scores_gemma":[0.00011963478,0.00006472073,0.00010128588,0.000058703474,0.0019685545,0.00009965237,0.000050592946,0.00011785051,0.000009799069],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020664368,0.0000060940897,0.00047190738,0.0009652925,0.00017477214,0.000041762298,0.03770637,4.3683923e-9,3.7931048e-7,0.068344675,0.85098475,0.041301914],"study_design_scores_gemma":[0.00008295866,0.00003456552,0.00074917177,0.0012119716,0.000074707816,0.000024232846,0.014585407,4.4699274e-7,4.471273e-7,0.00061286543,0.98254645,0.000076771474],"about_ca_topic_score_codex":0.077667944,"about_ca_topic_score_gemma":0.16118446,"teacher_disagreement_score":0.9274655,"about_ca_system_score_codex":0.0000213442,"about_ca_system_score_gemma":0.000051796946,"threshold_uncertainty_score":0.92847395},"labels":[],"label_agreement":null},{"id":"W4254783092","doi":"10.32920/ryerson.14654292","title":"Secret trauma in Ann-Marie MacDonald’s Fall on Your Knees: dissociation, art, and healing","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Paragraph; Witness; Fall of man; Psychoanalysis; History; Sexual abuse; Subject (documents); Fifteenth; Art history; Psychology; Art; Law; Classics; Medicine; Political science; Poison control","score_opus":0.03932606112110253,"score_gpt":0.25712301909228097,"score_spread":0.21779695797117843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254783092","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2762076,0.005185379,0.00009566233,0.008682306,0.0014355261,0.0005688661,0.00040828434,0.00016563371,0.7072507],"genre_scores_gemma":[0.9454216,0.00009030855,0.000056453275,0.002699879,0.0007677498,0.000041008032,0.001057134,0.000029378225,0.049836524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849415,0.00011819707,0.0004358297,0.00048627853,0.00022179664,0.00024374218],"domain_scores_gemma":[0.9992585,0.00018890903,0.00009770511,0.0002572809,0.00011673086,0.000080844264],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000272228,0.00029352756,0.00043008043,0.00015124654,0.00016417951,0.0010471388,0.00012330269,0.00019596778,0.0015213704],"category_scores_gemma":[0.00006152882,0.00026820102,0.00012869254,0.000026509662,0.000064001266,0.0001908538,0.00015214807,0.00065337913,0.000013206444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072817784,0.00036164376,0.0012245827,0.00066283194,0.00019069694,0.00022684492,0.1902517,0.00003033516,0.0000043126206,0.77432925,0.023052258,0.009592735],"study_design_scores_gemma":[0.0009614561,0.0001487104,0.0022999716,0.0016751998,0.000075785145,0.0000037471052,0.03020346,0.000850376,0.000031729905,0.035003807,0.927623,0.0011227846],"about_ca_topic_score_codex":0.00077337096,"about_ca_topic_score_gemma":0.014945321,"teacher_disagreement_score":0.9045707,"about_ca_system_score_codex":0.000052565425,"about_ca_system_score_gemma":0.000081247774,"threshold_uncertainty_score":0.99998987},"labels":[],"label_agreement":null},{"id":"W4254897710","doi":"10.1007/978-3-030-46582-7","title":"Neo-Victorian Madness","year":2020,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Insanity; Righteousness; Normative; Psychoanalysis; Psychology; Mental illness; Sociology; Law; Philosophy; Political science; Mental health; Psychiatry; Theology","score_opus":0.030805708981578358,"score_gpt":0.1854179835896839,"score_spread":0.15461227460810553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254897710","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[3.75994e-7,0.0010259558,0.0000060584784,0.0019197495,0.0027072618,0.00014427738,0.0001456466,0.0002085736,0.9938421],"genre_scores_gemma":[0.0012113679,0.0000070680208,0.000009386019,0.004484154,0.011591798,0.000009096455,0.0004708558,0.00005235866,0.9821639],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991352,0.000013516577,0.00023297597,0.00027674754,0.00018344907,0.0001581303],"domain_scores_gemma":[0.9994872,0.00003456582,0.00005366436,0.0002318273,0.000089487796,0.000103260114],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028977218,0.00026335774,0.00032536732,0.000057031022,0.00012377938,0.0004429003,0.00021782795,0.0001388026,0.029306788],"category_scores_gemma":[0.0000047862113,0.00021485776,0.00017094647,0.0000074737395,0.00009263921,0.00015149634,0.000055208184,0.00035111117,0.001682043],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040687987,0.0000042565644,4.7085035e-8,0.000048364094,0.000024576197,0.00004406356,0.0067727757,1.1605412e-9,1.0878783e-7,0.5496121,0.44327602,0.00021362543],"study_design_scores_gemma":[0.00013792096,0.00004481172,9.6958196e-8,0.00007759342,0.00004097814,0.0000014842562,0.00018429536,9.757817e-7,0.000001041719,0.04334287,0.95588565,0.00028230425],"about_ca_topic_score_codex":0.000009085412,"about_ca_topic_score_gemma":0.00022768271,"teacher_disagreement_score":0.5126096,"about_ca_system_score_codex":0.000027072343,"about_ca_system_score_gemma":0.00017797283,"threshold_uncertainty_score":0.99909526},"labels":[],"label_agreement":null},{"id":"W4256754801","doi":"10.1353/mdr.0.0045","title":"\"How Will They Ever Heal . . .?\" Bearing Witness to Abuse and the Importance of Female Community in Sarah Daniels's Beside Herself, Head-Rot Holiday , and The Madness of Esme and Shaz","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Witness; Head (geology); Criminology; History; Psychoanalysis; Art; Psychology; Political science; Law; Geology","score_opus":0.03804690271470263,"score_gpt":0.23849732386144107,"score_spread":0.20045042114673844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256754801","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9917264,0.0028707476,0.00003805602,0.0020822359,0.000043820968,0.00043018057,0.000031551583,0.00001212669,0.0027648963],"genre_scores_gemma":[0.99774903,0.00007699604,0.000022482722,0.0006703608,0.000058452242,0.000027268587,0.000004298595,0.00001678529,0.0013743031],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99892473,0.00026472282,0.00029107434,0.0001738079,0.00016009709,0.00018559516],"domain_scores_gemma":[0.9990734,0.00031761412,0.00009634409,0.0003777178,0.000081724684,0.00005319462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051161606,0.00017071392,0.0004242225,0.000053781703,0.0003932939,0.00014719766,0.00019261202,0.000050539104,0.0000074642444],"category_scores_gemma":[0.000033141685,0.00010163256,0.000046348414,0.000036757938,0.0011275185,0.00037506345,0.00012851442,0.00030403712,1.4363226e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008103584,0.000119978555,0.027610956,0.0001841328,0.00005812932,0.000020308613,0.80778867,0.000010351507,0.00009404239,0.1626274,0.000047658308,0.0006279851],"study_design_scores_gemma":[0.053155575,0.0012651611,0.26276496,0.0028087848,0.0004684229,0.0005399099,0.32032922,0.007745018,0.0014241056,0.31988364,0.026892478,0.0027227066],"about_ca_topic_score_codex":0.002469477,"about_ca_topic_score_gemma":0.012591962,"teacher_disagreement_score":0.48745948,"about_ca_system_score_codex":0.000008474327,"about_ca_system_score_gemma":0.000021733837,"threshold_uncertainty_score":0.70266104},"labels":[],"label_agreement":null},{"id":"W4280522176","doi":"10.3138/jrpc.2021-0014","title":"The Theology of Attention in <i>The Fault in Our Stars</i>: John Green’s Novel Contribution to “Thinking About Suffering”","year":2022,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Compassion; Doctrine; Philosophy; Theology; Psychoanalysis; Sociology; Psychology","score_opus":0.012820369804259404,"score_gpt":0.24468935818458215,"score_spread":0.23186898838032274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4280522176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97676593,0.010082008,0.000047917132,0.011436786,0.0006457965,0.00023118814,0.00003071302,0.0000044877647,0.00075514516],"genre_scores_gemma":[0.99618983,0.0005239741,0.000012352508,0.001614592,0.00020766858,0.000006316331,0.0000119027,0.0000045148786,0.0014288307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989709,0.00017493266,0.0003991936,0.00007556186,0.00024539971,0.00013397411],"domain_scores_gemma":[0.9995465,0.000019583862,0.00020111685,0.00008101365,0.00012740938,0.000024320805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095192343,0.000083275365,0.00017669739,0.00009753968,0.0002764219,0.000096657706,0.00018294154,0.000038330356,0.0000040484056],"category_scores_gemma":[0.000039259146,0.000045790002,0.00008658961,0.00007419227,0.000024716343,0.00013044704,0.000040912335,0.00048031256,3.1641167e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025720964,0.000094229836,0.0012906708,0.000019393372,0.000021828047,0.00005128259,0.051989812,0.000016805865,0.0011650652,0.9326392,0.011998621,0.00045587783],"study_design_scores_gemma":[0.0007586338,0.00029211107,0.0011181136,0.00009270716,0.000018728486,0.00012307812,0.01111358,0.000011937817,0.000009679377,0.008755751,0.9776332,0.000072523355],"about_ca_topic_score_codex":0.00017370147,"about_ca_topic_score_gemma":0.0018980373,"teacher_disagreement_score":0.9656345,"about_ca_system_score_codex":0.000028167655,"about_ca_system_score_gemma":0.000017292296,"threshold_uncertainty_score":0.21260418},"labels":[],"label_agreement":null},{"id":"W4282000391","doi":"10.28984/ct.v3i1.384","title":"Ecologies of Anxiety","year":2022,"lang":"en","type":"article","venue":"Con Texte","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anxiety; Terrorism; Witness; Event (particle physics); History; Space (punctuation); Psychology; Criminology; Social psychology; Sociology; Political science; Law; Psychiatry; Philosophy; Archaeology","score_opus":0.023031205975928358,"score_gpt":0.2162517491036542,"score_spread":0.19322054312772582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4282000391","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18076433,0.0018789025,0.000004215771,0.0008324061,0.0008606079,0.00011146652,0.00013154154,0.000073551164,0.81534296],"genre_scores_gemma":[0.9626523,0.0000056894382,0.0000062153413,0.0006454531,0.000096566175,0.000018047822,0.00001343305,0.000004522378,0.036557753],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963844,0.00002958247,0.00010533919,0.000077280914,0.00007445594,0.00007488319],"domain_scores_gemma":[0.9997833,0.000029647032,0.000033181095,0.000110928384,0.000030549276,0.000012407181],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007938416,0.00004519587,0.00008641246,0.000029542114,0.00018365998,0.000028124068,0.00010245629,0.000007762321,0.0106164],"category_scores_gemma":[0.000007655627,0.00004068068,0.000048726022,0.000015789241,0.0000634233,0.00007318081,0.00007246843,0.000079718404,0.000014982089],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012165535,0.000035847115,0.00013113486,0.0000129899545,0.000010612688,0.000004395497,0.013674779,6.7258037e-7,0.00011198602,0.944711,0.035520446,0.0057739257],"study_design_scores_gemma":[0.0001125445,0.00008582561,0.00015121754,0.0000023718305,0.0000056056156,0.0000014561182,0.0041772267,0.000008188664,0.00015453766,0.0052247485,0.99002236,0.000053909058],"about_ca_topic_score_codex":0.000014799783,"about_ca_topic_score_gemma":0.000029701778,"teacher_disagreement_score":0.9545019,"about_ca_system_score_codex":0.000007062268,"about_ca_system_score_gemma":0.000017822611,"threshold_uncertainty_score":0.990288},"labels":[],"label_agreement":null},{"id":"W4282930005","doi":"10.14321/fourthgenre.24.1.0225","title":"Shaping Loss and Love","year":2022,"lang":"en","type":"article","venue":"Fourth Genre Explorations in Nonfiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Sociology","score_opus":0.05474349945090681,"score_gpt":0.23894553967250262,"score_spread":0.1842020402215958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4282930005","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.585338,0.0032867957,0.003304173,0.012232701,0.005242995,0.0009775831,0.00021882805,0.00027377662,0.38912514],"genre_scores_gemma":[0.99313456,0.000016977647,0.00006855503,0.00038219494,0.00041380103,0.000080195845,0.00007869588,0.0000115691255,0.0058134776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932873,0.00006532836,0.000185424,0.0001730869,0.00012904665,0.00011840573],"domain_scores_gemma":[0.9997504,0.000028358261,0.000038701022,0.00011556794,0.000041254956,0.00002573009],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015149197,0.0000832442,0.00008549442,0.00018017055,0.00042928848,0.00015321435,0.000057979214,0.000016766171,0.001618249],"category_scores_gemma":[0.000008985724,0.00009106716,0.0000283773,0.00007899023,0.00003545326,0.00051149545,0.000048137594,0.00019030506,0.000044118937],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033947726,0.00011201468,0.0002731332,0.000015726242,0.000014174133,0.000029594983,0.16322309,0.00026425914,0.00009581722,0.82707715,0.0052218735,0.003639249],"study_design_scores_gemma":[0.00040739673,0.00013163808,0.00020863496,0.000016660184,0.000011675419,0.000018684432,0.057942662,0.002079389,0.000022970366,0.008379829,0.9305728,0.0002076481],"about_ca_topic_score_codex":0.000035635487,"about_ca_topic_score_gemma":0.0005105103,"teacher_disagreement_score":0.92535096,"about_ca_system_score_codex":0.000039518363,"about_ca_system_score_gemma":0.000022861135,"threshold_uncertainty_score":0.9992944},"labels":[],"label_agreement":null},{"id":"W4285684681","doi":"10.1007/978-3-031-06201-8_1","title":"Introduction: Stuff and Things: Introducing Neo-Victorian Materialities","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Media studies; Sociology; Visual arts; Art","score_opus":0.015026970175724663,"score_gpt":0.18626683182587925,"score_spread":0.1712398616501546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285684681","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000031245014,0.002532059,0.0000023031544,0.008253913,0.008948096,0.00020999736,0.0001342277,0.00020449665,0.97968364],"genre_scores_gemma":[0.003214416,0.0001236939,0.000033524506,0.0013197701,0.034256272,0.000019345336,0.00032527707,0.00007135995,0.9606363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853957,0.000028345503,0.00039874675,0.0005617507,0.0002678682,0.00020371568],"domain_scores_gemma":[0.9992568,0.000036845922,0.00011875439,0.00041421672,0.00010785551,0.00006553421],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021114704,0.00037048463,0.00043443686,0.00017350184,0.00056931766,0.0009455529,0.00015272148,0.000105278385,0.15757158],"category_scores_gemma":[0.000010590075,0.0003323677,0.00009916343,0.000006290455,0.00021169453,0.0006767289,0.00019175495,0.0004443771,0.00007936092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022963739,0.00000786596,9.061567e-8,0.00008178791,0.00007992872,0.000018881838,0.02736271,3.7225917e-8,0.000003572403,0.8621581,0.109782524,0.0004815149],"study_design_scores_gemma":[0.00015498186,0.00010440934,1.2210832e-7,0.00004037492,0.00007018282,0.000022972996,0.0022866,7.02515e-7,0.000005038604,0.04701747,0.9499196,0.00037759249],"about_ca_topic_score_codex":0.000093189876,"about_ca_topic_score_gemma":0.00010750862,"teacher_disagreement_score":0.840137,"about_ca_system_score_codex":0.000048151724,"about_ca_system_score_gemma":0.000040802286,"threshold_uncertainty_score":0.99991286},"labels":[],"label_agreement":null},{"id":"W429066863","doi":"10.20381/ruor-5453","title":"Ontologies of Community in Postmodernist American Fiction","year":2012,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; American literature; Literature; Art","score_opus":0.009067234395062747,"score_gpt":0.1717141218908625,"score_spread":0.16264688749579975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W429066863","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3529451,0.0007238369,3.7778392e-7,0.00043046018,0.00029715843,0.00008700216,0.0003228789,0.000005176646,0.64518803],"genre_scores_gemma":[0.9666623,0.00006618794,0.000018317041,0.00029063463,0.00007113949,0.0000073013402,0.00021741255,0.000015995449,0.032650743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998649,0.0001130001,0.0003392311,0.00009810957,0.00061739207,0.00018326066],"domain_scores_gemma":[0.99928117,0.00020272486,0.00026582752,0.00017527858,0.0000011948187,0.00007378066],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000011625331,0.00018493875,0.00037002924,0.000039469258,0.00016280335,0.000025788682,0.00017957934,0.000028064098,0.00007625145],"category_scores_gemma":[0.0000023833759,0.00017715545,0.000034478693,0.000023642091,0.00014081353,0.0003194634,0.00003686889,0.00031799806,1.1061586e-9],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001622753,0.00021581943,0.010851971,0.0016282116,0.00017778602,0.000031819152,0.032018747,0.0000029397274,0.002469881,0.9217554,0.0038682905,0.025356423],"study_design_scores_gemma":[0.00057047384,0.00036734005,0.29416853,0.0008567663,0.00010823885,0.0000030498738,0.3235839,0.000058535206,0.015278044,0.00437636,0.35981503,0.0008137282],"about_ca_topic_score_codex":0.045214117,"about_ca_topic_score_gemma":0.83378285,"teacher_disagreement_score":0.917379,"about_ca_system_score_codex":0.0000049427726,"about_ca_system_score_gemma":0.0005765663,"threshold_uncertainty_score":0.9611439},"labels":[],"label_agreement":null},{"id":"W4293081198","doi":"10.1525/aft.2005.33.3.18","title":"Representations of the Unreal","year":2005,"lang":"en","type":"article","venue":"Afterimage","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; Computer science; Filter (signal processing); Information retrieval; World Wide Web; Library science","score_opus":0.01674823567940206,"score_gpt":0.23703331001794078,"score_spread":0.22028507433853872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293081198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12315323,0.00022470357,0.000011140485,0.0034688562,0.00025098023,0.000074276686,0.000041863248,0.000020849695,0.8727541],"genre_scores_gemma":[0.96314234,9.611405e-7,0.000049466544,0.00077946746,0.0003516975,0.000006116814,0.0000036666495,0.000004089565,0.035662204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997026,0.000016960983,0.000101177044,0.000058945774,0.00006260437,0.000057736775],"domain_scores_gemma":[0.99973226,0.000018691871,0.00002364282,0.00017928358,0.00003396565,0.000012150099],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000028745997,0.000038154456,0.00004896179,0.000014197535,0.00007158347,0.000044993492,0.00008847602,0.000008348176,0.0014812746],"category_scores_gemma":[0.0000074895975,0.00002455985,0.000051006555,0.000014861434,0.00010660889,0.00017019405,0.000026866834,0.000039314396,0.00003073969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010296331,0.000060663533,0.00024145209,0.000012532273,0.000012755545,0.0000023773414,0.03155165,3.0159808e-7,0.001476523,0.92195576,0.04054675,0.0041289385],"study_design_scores_gemma":[0.000106877975,0.000011680432,0.0022194863,0.000014661568,0.000009382478,0.0000013561782,0.0007565662,0.000006614618,0.0018780457,0.0015137509,0.9934351,0.00004648076],"about_ca_topic_score_codex":0.000044924214,"about_ca_topic_score_gemma":0.00029804738,"teacher_disagreement_score":0.95288837,"about_ca_system_score_codex":0.0000032449525,"about_ca_system_score_gemma":0.000009121653,"threshold_uncertainty_score":0.9994315},"labels":[],"label_agreement":null},{"id":"W4293095651","doi":"10.1525/aft.2001.28.4.18","title":"Home Truths and Other Fictions","year":2001,"lang":"en","type":"article","venue":"Afterimage","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychoanalysis; Philosophy; Psychology; Art","score_opus":0.022002319320731874,"score_gpt":0.22203486026459285,"score_spread":0.20003254094386097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4293095651","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26058447,0.0009144958,0.000051902367,0.0007704664,0.00030421736,0.00006420878,0.000055728502,0.000088440196,0.7371661],"genre_scores_gemma":[0.9672253,0.000008677631,0.000029084395,0.001823324,0.00043112296,0.000011163302,0.000004430179,0.0000103914745,0.0304565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996636,0.00001124522,0.000078694786,0.00010363293,0.00004226044,0.00010056645],"domain_scores_gemma":[0.9998072,0.000014765114,0.000011223072,0.00011421032,0.000017161803,0.000035478326],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000027894956,0.000067561086,0.00007002533,0.000035964043,0.000118518874,0.00021731011,0.000040205487,0.000015932248,0.0039438005],"category_scores_gemma":[0.0000020249915,0.000056902194,0.000026754795,0.000013829177,0.00008553825,0.00020328036,0.000011633721,0.00004769862,0.000088459274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049438182,0.00010182557,0.0017780075,0.000024399405,0.000031117856,0.00011646959,0.035356216,2.655154e-8,0.0009006139,0.92563015,0.028974824,0.0070368974],"study_design_scores_gemma":[0.00013799893,0.000033611195,0.0007945332,0.00001045825,0.0000074172735,0.00001216059,0.00070038275,0.0000050009226,0.000015827118,0.0022255073,0.99596965,0.000087451386],"about_ca_topic_score_codex":0.00003828087,"about_ca_topic_score_gemma":0.0000883204,"teacher_disagreement_score":0.9669948,"about_ca_system_score_codex":0.0000030350072,"about_ca_system_score_gemma":0.00000383715,"threshold_uncertainty_score":0.9969667},"labels":[],"label_agreement":null},{"id":"W4295791111","doi":"10.32469/10355/91634","title":"The graduate student novel: a new subgenre in university fiction","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Contemplation; Quarter (Canadian coin); Agency (philosophy); Literature; Graduate students; Sociology; Aesthetics; Psychology; Pedagogy; History; Art; Epistemology; Law; Social science; Political science; Philosophy","score_opus":0.04250440029905657,"score_gpt":0.2582332064830711,"score_spread":0.21572880618401452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295791111","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063469455,0.0008999564,0.0000021513583,0.000670778,0.00243299,0.00028733708,0.00003860341,0.00006227952,0.9321365],"genre_scores_gemma":[0.33831745,0.00005734317,0.000001355408,0.000077372926,0.00020681057,0.0000031350985,0.00053133955,0.000010419427,0.66079473],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930876,0.00003442641,0.00014695675,0.00017277394,0.00021389645,0.0001231772],"domain_scores_gemma":[0.99967617,0.000047188092,0.000057250207,0.00013984779,0.000050373066,0.000029186765],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009745125,0.00012654821,0.00011926446,0.000097449585,0.00048180713,0.00022555796,0.00019942783,0.000040183342,0.0022977453],"category_scores_gemma":[0.000003876402,0.000097337994,0.00008545581,0.000047948957,0.000016878184,0.00013387598,0.000024069837,0.00033132895,0.000012107104],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096195756,0.00006398681,0.0000108939585,0.000016263502,0.00003503914,0.000022278295,0.116351716,5.0642745e-7,0.0000031760032,0.8246638,0.056635704,0.0021004402],"study_design_scores_gemma":[0.0002041299,0.000032281954,0.0007293406,0.0000178872,0.00002053873,3.6122827e-7,0.16889855,0.0000031725478,0.0000021675553,0.00040975527,0.82957137,0.000110460285],"about_ca_topic_score_codex":0.0021891268,"about_ca_topic_score_gemma":0.100265354,"teacher_disagreement_score":0.82425404,"about_ca_system_score_codex":0.0000655245,"about_ca_system_score_gemma":0.00010357501,"threshold_uncertainty_score":0.9986143},"labels":[],"label_agreement":null},{"id":"W4298855042","doi":"","title":"Vox post-mortem, poétiques de la disparition après le 11 septembre 2001","year":2014,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","score_opus":0.013643606187061232,"score_gpt":0.21797966629662846,"score_spread":0.20433606010956723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298855042","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081145115,0.011199686,0.013729698,0.067388006,0.0005732323,0.00036366496,0.00029279868,0.0002973469,0.8250105],"genre_scores_gemma":[0.77117914,0.00043153012,0.0023467054,0.0010912091,0.00025495447,0.00003680843,0.00052948156,0.000055799777,0.22407435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98996264,0.0080373185,0.00054935773,0.0005490075,0.00030850855,0.00059314206],"domain_scores_gemma":[0.9948101,0.0017614769,0.000255527,0.0011059501,0.0017664812,0.00030046926],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005144049,0.00036363877,0.0003726649,0.00015955743,0.0010497113,0.0016176675,0.0006384079,0.0002906979,0.0011694791],"category_scores_gemma":[0.00082411617,0.0004000006,0.00027321425,0.00015302573,0.0008416331,0.0007432325,0.00021984564,0.00050078414,0.00012021042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012578871,0.00076259027,0.00066805305,0.00020621085,0.000045964058,0.000012531192,0.020105468,0.000001269659,0.00079108006,0.9334851,0.029297091,0.014612068],"study_design_scores_gemma":[0.0006645957,0.0000023961168,0.0025055474,0.0018332603,0.00007109379,0.000038989558,0.0011158526,0.0025114622,0.0043486864,0.013959743,0.97247297,0.00047539562],"about_ca_topic_score_codex":0.009373656,"about_ca_topic_score_gemma":0.015850075,"teacher_disagreement_score":0.9431759,"about_ca_system_score_codex":0.00009189524,"about_ca_system_score_gemma":0.00028518014,"threshold_uncertainty_score":0.9998452},"labels":[],"label_agreement":null},{"id":"W4299617311","doi":"10.3138/jeunesse.2.2.86","title":"“Please, sir, I want some more . . . . Please, sir . . . I want some more”: Unhooding Richler’s Fang to Find Justice for Oliver Twist and Jacob Two-Two","year":2010,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Magistrate; Economic Justice; Power (physics); Sociology; Oppression; Psychoanalysis; Law; History; Psychology; Politics; Political science","score_opus":0.01718708716024638,"score_gpt":0.2792462398315789,"score_spread":0.26205915267133256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4299617311","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9778529,0.0029805952,0.000045391385,0.006540561,0.003601385,0.0017010865,0.0016868787,0.00038685475,0.005204381],"genre_scores_gemma":[0.969537,0.000053304277,0.00035056204,0.003087619,0.0050561833,0.00034027302,0.00056503894,0.00012822534,0.020881759],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963571,0.000077635494,0.0008028377,0.0010745742,0.00061279314,0.0010750995],"domain_scores_gemma":[0.9975576,0.00030996115,0.00026338417,0.00072103366,0.0005897697,0.0005582999],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00034597042,0.0008399901,0.00086670305,0.0002824176,0.0015796969,0.0015377238,0.0005739493,0.00022770073,0.00047942114],"category_scores_gemma":[0.00030434987,0.0006672232,0.00029408265,0.00019645657,0.00034529465,0.0016395582,0.0002696016,0.0007493747,0.000081727056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003914683,0.00052945205,0.0004205958,0.0010637252,0.0002681807,0.00016109298,0.25152,0.00003435064,0.019729055,0.64306855,0.08165994,0.0011535594],"study_design_scores_gemma":[0.009984973,0.0007893135,0.010837518,0.000963146,0.0024855374,0.00035184063,0.15770786,0.0016552173,0.0055994946,0.028501116,0.77561516,0.0055088517],"about_ca_topic_score_codex":0.0009653651,"about_ca_topic_score_gemma":0.0116787,"teacher_disagreement_score":0.6939552,"about_ca_system_score_codex":0.000057527763,"about_ca_system_score_gemma":0.00014080788,"threshold_uncertainty_score":0.9997201},"labels":[],"label_agreement":null},{"id":"W4300922585","doi":"10.31096/wua121-box11-nos_336","title":"Erik - Grace and Aunt (Tlance) Winnipeg","year":2019,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aunt; History; Sociology; Art history","score_opus":0.010906240931027674,"score_gpt":0.19313759190259605,"score_spread":0.18223135097156837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300922585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2368891,0.00084039394,0.000005114396,0.0011157478,0.00033350944,0.00008654515,0.0000065776244,0.000054867076,0.76066816],"genre_scores_gemma":[0.7693476,0.0000049240903,0.000020042728,0.0015030402,0.00018748091,0.0000022589993,0.0000058994033,0.000005460959,0.22892328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961233,0.000008900882,0.0000853656,0.00012422139,0.0000627348,0.00010644424],"domain_scores_gemma":[0.9997835,0.000021098553,0.000013178133,0.00012110034,0.000027563472,0.000033532975],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000414487,0.000072593415,0.00009667728,0.000024844692,0.00006603061,0.00018541602,0.00004715732,0.000018700537,0.006441661],"category_scores_gemma":[0.00000202817,0.00005325771,0.000024577459,0.000009125991,0.000048199945,0.0002458079,0.0000222042,0.00006162627,0.00029867876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007731168,0.000012157954,0.000499585,0.000019103945,0.0000073140795,0.0000035855167,0.0072397273,1.6258983e-8,0.000074056195,0.97689205,0.014097834,0.0011468622],"study_design_scores_gemma":[0.0001752883,0.000051418363,0.0005745379,0.000015254469,0.0000040959126,0.0000025259083,0.0014956926,0.000016652306,0.000042941967,0.004012082,0.9935083,0.000101256235],"about_ca_topic_score_codex":0.000053168576,"about_ca_topic_score_gemma":0.00014825168,"teacher_disagreement_score":0.9794104,"about_ca_system_score_codex":0.0000028707154,"about_ca_system_score_gemma":0.0000070569804,"threshold_uncertainty_score":0.9944666},"labels":[],"label_agreement":null},{"id":"W4302211626","doi":"10.4000/cve.12299","title":"To Read or Not to Read Dickens in the Twenty-First Century: What If He Needed to Be Read Twice?,","year":2012,"lang":"en","type":"article","venue":"Cahiers victoriens et édouardiens","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Realism; Adventure; Literature; Modernism (music); Deconstruction (building); Period (music); Philosophy; Space (punctuation); History; Art; Aesthetics; Art history; Linguistics","score_opus":0.037939881256348104,"score_gpt":0.27839890357763486,"score_spread":0.24045902232128674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302211626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5689759,0.0013581136,0.00011416301,0.18007585,0.015995592,0.0040001147,0.0009872069,0.0004911847,0.22800188],"genre_scores_gemma":[0.8812402,0.00010330938,0.0001690599,0.08815658,0.0028069215,0.00026692386,0.00014742643,0.00010152961,0.027008051],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960462,0.00029307563,0.0006890002,0.00073955057,0.00074380636,0.0014884075],"domain_scores_gemma":[0.9969982,0.00047477186,0.00010943554,0.0012359949,0.00031549422,0.00086610456],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011702596,0.00061993155,0.0006747424,0.00046552077,0.0007728658,0.0012588005,0.0007478369,0.00023171824,0.0009643889],"category_scores_gemma":[0.00043361305,0.00043784262,0.00024906915,0.0005969233,0.0004139643,0.0014021454,0.00021072873,0.00072085945,0.0004251434],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051076314,0.00022169611,0.00004819154,0.000035372155,0.00006178599,0.000093739196,0.7090449,0.0000022727431,0.000047359365,0.18612546,0.102876365,0.0009321137],"study_design_scores_gemma":[0.00045298325,0.0004411628,0.00020293605,0.00019838438,0.00006684659,0.000017200233,0.23530316,9.73621e-7,0.000060682545,0.00006801147,0.7626657,0.00052194006],"about_ca_topic_score_codex":0.0006416559,"about_ca_topic_score_gemma":0.007327633,"teacher_disagreement_score":0.6597893,"about_ca_system_score_codex":0.00026760102,"about_ca_system_score_gemma":0.00008765406,"threshold_uncertainty_score":0.99994886},"labels":[],"label_agreement":null},{"id":"W4302323559","doi":"10.29173/scancan1","title":"A New Ontology for the Female Subject: The Rise of the Flat Character in Stories by Solvej Balle and Kirsten Thorup","year":2005,"lang":"en","type":"article","venue":"Scandinavian-Canadian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Character (mathematics); Literature; Subjectivity; Power (physics); Liminality; Subject (documents); Sociology; Value (mathematics); Philosophy; Aesthetics; Art; Epistemology; Computer science; Mathematics","score_opus":0.03635130666077858,"score_gpt":0.2621332308132397,"score_spread":0.22578192415246112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302323559","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38980156,0.37954593,0.000011678157,0.16768114,0.0026043071,0.0028342928,0.00077350665,0.000040404804,0.056707185],"genre_scores_gemma":[0.9638581,0.0002935671,0.0000086785485,0.0013532345,0.00062274915,0.000080563674,0.0000035512444,0.000013563279,0.03376597],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990409,0.00006411189,0.00024443778,0.00019380212,0.00010445689,0.0003522728],"domain_scores_gemma":[0.999226,0.00026463252,0.00007617834,0.00026620753,0.00008987726,0.00007712975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025738945,0.00017686453,0.00028045932,0.000060960407,0.00082685676,0.000116816744,0.00027085163,0.000048514004,0.00007942792],"category_scores_gemma":[0.000051678922,0.00008634801,0.00009264479,0.000061009847,0.0005588053,0.00017158918,0.00005875154,0.00016812464,0.000003811596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011446291,0.000027104918,0.021467943,0.00008557054,0.00043825776,0.0000061824226,0.4094331,4.0747426e-7,0.000031104668,0.2774165,0.27516997,0.015809385],"study_design_scores_gemma":[0.00044141896,0.00006445848,0.007576613,0.00007472918,0.00007248734,0.0000038058727,0.03240041,0.0000071343643,0.000033009917,0.0013974383,0.9577865,0.00014197428],"about_ca_topic_score_codex":0.032611664,"about_ca_topic_score_gemma":0.90191174,"teacher_disagreement_score":0.86930007,"about_ca_system_score_codex":0.00006988228,"about_ca_system_score_gemma":0.000107096756,"threshold_uncertainty_score":0.9738303},"labels":[],"label_agreement":null},{"id":"W4307168449","doi":"10.14201/candb.v11i167-182","title":"Emergent Critical Strategies Against the Nation- Trap: The Digitization of Literary Apocalyptic Affects and Larissa Lai’s The Tiger Flu","year":2022,"lang":"en","type":"article","venue":"Canada and Beyond A Journal of Canadian Literary and Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Moncton","funders":"","keywords":"Digitization; Tiger; Reading (process); State (computer science); Human sexuality; Literature; Sociology; History; Environmental ethics; Political science; Art; Gender studies; Philosophy; Computer science; Law; Telecommunications; Computer security","score_opus":0.02259431775414233,"score_gpt":0.22362944170461643,"score_spread":0.2010351239504741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307168449","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73727596,0.20402221,4.520681e-7,0.05106862,0.0007025134,0.00018409586,0.00022393749,0.00000350401,0.0065187225],"genre_scores_gemma":[0.99279106,0.0010492048,0.0000017957065,0.0049013495,0.00030361238,0.000010620913,0.000013589372,0.0000052694204,0.0009235261],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906826,0.000147699,0.00028129955,0.00010002512,0.00023368602,0.00016901622],"domain_scores_gemma":[0.99922496,0.0002793205,0.000097119264,0.000071926566,0.00021089589,0.00011579365],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00021569247,0.00013769562,0.00019946143,0.000075084194,0.001615051,0.00039896366,0.00012971195,0.000016067263,0.00006474771],"category_scores_gemma":[0.000042639214,0.00006236506,0.00005021521,0.00010584458,0.0004533067,0.0005100107,0.000041322968,0.00025844097,3.6618076e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000592157,0.000026107042,0.00039585828,0.00017539943,0.00048298156,0.00015986932,0.2676767,0.0000039400325,0.000045486697,0.5938326,0.11969699,0.017444832],"study_design_scores_gemma":[0.00021362088,0.00016669341,0.0011254863,0.00007394034,0.000100433856,0.0001117424,0.10241763,0.000016619417,0.000009500176,0.011066541,0.88455766,0.00014012166],"about_ca_topic_score_codex":0.019768111,"about_ca_topic_score_gemma":0.511382,"teacher_disagreement_score":0.7648607,"about_ca_system_score_codex":0.000029554863,"about_ca_system_score_gemma":0.00028598518,"threshold_uncertainty_score":0.9996847},"labels":[],"label_agreement":null},{"id":"W4309241925","doi":"10.1017/9781009064545.035","title":"David Foster Wallace’s Ecologies","year":2022,"lang":"de","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Solipsism; Theme (computing); Desert (philosophy); History; Aesthetics; Art; Epistemology; Philosophy; Archaeology; Computer science","score_opus":0.0373490879989674,"score_gpt":0.19679642100080763,"score_spread":0.15944733300184022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309241925","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027575198,0.002793297,0.000008211367,0.00046657582,0.0025028603,0.00082278886,0.0031151015,0.00026942004,0.989746],"genre_scores_gemma":[0.014972891,0.00038897325,0.000011600313,0.00093590247,0.0010282983,0.000004872265,0.00060195976,0.00010496029,0.9819505],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99723417,0.0001710941,0.00045600746,0.0010018587,0.0004946982,0.0006421795],"domain_scores_gemma":[0.997926,0.00022753987,0.00035075925,0.0009860246,0.00026421045,0.00024548356],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017354065,0.0008518124,0.00086579873,0.00036084373,0.0016051058,0.00053766696,0.0010631758,0.00043083442,0.0020639864],"category_scores_gemma":[0.000011085671,0.0009858576,0.00068580615,0.000007206113,0.00062083,0.00041463893,0.0015918654,0.0013662613,0.00017177845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028116014,0.000039084447,0.0000016348314,0.00019357662,0.00048339687,0.001981092,0.0028984454,4.3397048e-7,0.0000051472935,0.8314891,0.16189608,0.0007308867],"study_design_scores_gemma":[0.0009702171,0.00034209347,0.000004222127,0.00018478527,0.0007902981,0.00001958022,0.0016754189,0.0000075531766,0.000032326367,0.000047699796,0.99483263,0.0010931463],"about_ca_topic_score_codex":0.0003291495,"about_ca_topic_score_gemma":0.0000431266,"teacher_disagreement_score":0.8329366,"about_ca_system_score_codex":0.0004466395,"about_ca_system_score_gemma":0.00018844218,"threshold_uncertainty_score":0.99969465},"labels":[],"label_agreement":null},{"id":"W4309845701","doi":"10.5430/wjel.v13n1p62","title":"The Sense of an Ending: A Postmodern Challenge of Truth","year":2022,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Interpretation (philosophy); Epistemology; Character (mathematics); Philosophy; Point (geometry); Aesthetics; Mathematics","score_opus":0.015092273098526792,"score_gpt":0.23183013361512836,"score_spread":0.21673786051660157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309845701","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7044381,0.013832076,0.000001401559,0.0003641792,0.0020892622,0.00009542975,0.00012018382,0.000015001721,0.27904436],"genre_scores_gemma":[0.99585587,0.000016417747,0.000017326844,0.00008613686,0.0011909931,0.0000017804754,0.000005220133,0.000013472383,0.0028127918],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989107,0.00014883773,0.00042903968,0.000071449824,0.0003124482,0.00012749841],"domain_scores_gemma":[0.9989056,0.00021019569,0.0003451993,0.00019147573,0.00029754304,0.000050007922],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058294635,0.0000867778,0.00022427662,0.00015939392,0.00019251723,0.000054438664,0.00022394702,0.000010948472,0.0007631295],"category_scores_gemma":[0.00012915961,0.0000597332,0.00015973266,0.00005514602,0.000093907816,0.0002165013,0.000053578053,0.00031598847,2.0877243e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024879177,0.00020973818,0.0000076045562,0.000030503506,0.000085802196,0.00022304685,0.5323869,0.0000061597893,0.00015880051,0.46111193,0.0009381928,0.0045925165],"study_design_scores_gemma":[0.00070308126,0.0006555355,0.000018009017,0.000057348352,0.000055291734,0.00002331568,0.17038344,0.000021522817,0.0002734978,0.001959458,0.8257369,0.00011264557],"about_ca_topic_score_codex":0.000019478732,"about_ca_topic_score_gemma":0.00025662477,"teacher_disagreement_score":0.82479864,"about_ca_system_score_codex":0.000014883366,"about_ca_system_score_gemma":0.0000389903,"threshold_uncertainty_score":0.83557326},"labels":[],"label_agreement":null},{"id":"W4312170102","doi":"10.4000/sillagescritiques.12939","title":"Privatized Futures, Climate Control, and Resistance in Recent Scottish Dystopian Fiction","year":2022,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Dystopia; Futures contract; State (computer science); Resistance (ecology); History; Brother; Aesthetics; Sociology; Law; Political science; Art; Computer science","score_opus":0.012445375837501787,"score_gpt":0.23079045705226087,"score_spread":0.21834508121475907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312170102","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3800963,0.049122185,0.000009949214,0.02128745,0.0015782504,0.0009408809,0.00069863093,0.0004075971,0.54585874],"genre_scores_gemma":[0.99313736,0.0009132244,0.00008137258,0.002442319,0.000337454,0.00010430104,0.00006364858,0.000018754767,0.0029015373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879885,0.0002375121,0.00027870052,0.00026531983,0.00017314064,0.0002464903],"domain_scores_gemma":[0.9995935,0.00007787407,0.000051992643,0.00016255576,0.00007024484,0.00004384616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003228728,0.0001384682,0.00021897168,0.0001161781,0.00056598504,0.00025083384,0.000102990794,0.000033963515,0.0008368912],"category_scores_gemma":[0.00003326972,0.00013977835,0.0000387925,0.00004952346,0.00010033812,0.00029354516,0.000063020445,0.00024654903,0.0000014644124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022039401,0.00006679638,0.000359841,0.00010570369,0.000013482659,0.00009753161,0.027272234,1.3844743e-7,0.00015356383,0.94804984,0.020942101,0.0027183986],"study_design_scores_gemma":[0.0008164202,0.00009699981,0.0011809348,0.000067566514,0.000010508559,0.0000053483714,0.0061616683,0.0000041147873,0.000041301748,0.016187811,0.9752329,0.00019445452],"about_ca_topic_score_codex":0.00007922831,"about_ca_topic_score_gemma":0.0034612636,"teacher_disagreement_score":0.95429075,"about_ca_system_score_codex":0.000048668113,"about_ca_system_score_gemma":0.00002036089,"threshold_uncertainty_score":0.9163372},"labels":[],"label_agreement":null},{"id":"W4312750943","doi":"10.7202/1088409ar","title":"Une exposition sous influences. Amberes au M HKA d’Anvers, d’après le roman éponyme de Roberto Bolaño","year":2022,"lang":"fr","type":"article","venue":"Captures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Exposition (narrative); Literature","score_opus":0.01920463952586243,"score_gpt":0.2160616248598079,"score_spread":0.19685698533394547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312750943","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4693531,0.14254689,0.00007082117,0.027939525,0.0051079635,0.0006049282,0.0011714596,0.00026594562,0.35293937],"genre_scores_gemma":[0.8890176,0.00008706805,0.00004268574,0.004774729,0.0022032086,0.00010454097,0.00024543452,0.000055284214,0.10346949],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975481,0.00036404052,0.00048759062,0.00048311832,0.00040624803,0.0007109062],"domain_scores_gemma":[0.99899745,0.00011197842,0.00016794814,0.0004128676,0.00009411006,0.00021562638],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000293219,0.00039572222,0.00037325916,0.00016276067,0.0020702768,0.0005878251,0.00039462335,0.00015628788,0.003669244],"category_scores_gemma":[0.000026109321,0.00042908645,0.00028001078,0.00013675836,0.00050746463,0.0006668236,0.00020576702,0.0007227892,0.0000634303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011609725,0.00029433402,0.00018059766,0.00015622195,0.00012935267,0.00053314306,0.078809075,0.00027135763,0.00066079805,0.7117918,0.20583946,0.0012177296],"study_design_scores_gemma":[0.00063901785,0.0003030616,0.00094318285,0.00011792415,0.00013225852,0.00013602921,0.020117069,0.000120057666,0.00031409436,0.017747499,0.95889616,0.0005336624],"about_ca_topic_score_codex":0.033179652,"about_ca_topic_score_gemma":0.006604701,"teacher_disagreement_score":0.7530567,"about_ca_system_score_codex":0.0003035981,"about_ca_system_score_gemma":0.0004516609,"threshold_uncertainty_score":0.9998161},"labels":[],"label_agreement":null},{"id":"W4313342820","doi":"10.1007/978-3-031-11480-9_9","title":"Shields’s Theory of Fiction Writing and the Limitations of Remembrance in The Stone Diaries","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Campion College; University of Regina","funders":"","keywords":"Postmodernism; Literature; Reading (process); Transformative learning; Grief; Art; Aesthetics; History; Sociology; Philosophy; Psychology; Linguistics","score_opus":0.08901018053318187,"score_gpt":0.22514825389900645,"score_spread":0.13613807336582456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313342820","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022503204,0.0023612976,0.000015841915,0.0016488115,0.00012970663,0.00020459773,0.000048230526,0.000015322474,0.99535114],"genre_scores_gemma":[0.6096093,0.0005446969,0.0000037656632,0.0002772957,0.00014895484,0.000011277629,0.000017301552,0.000010443154,0.38937694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993535,0.00005808291,0.00030755668,0.000096219606,0.00012446634,0.00006015521],"domain_scores_gemma":[0.997746,0.001896054,0.00011025976,0.00016591036,0.00007569831,0.0000060649877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056605565,0.00009993055,0.00020342285,0.000073481155,0.0001194488,0.000067828936,0.000104051716,0.000058805846,0.00014588602],"category_scores_gemma":[0.000061779734,0.00005300425,0.00007432652,0.000010099083,0.000628119,0.00009596937,0.000025616971,0.0002099248,0.0000024714234],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003632096,0.000005153797,8.401139e-7,0.00005200121,0.000024815003,0.0000013901906,0.055676334,2.1336554e-7,0.0000011855618,0.9407108,0.0008274578,0.0026634769],"study_design_scores_gemma":[0.0003673562,0.000044706605,0.00004458967,0.00033800356,0.00007532509,0.0000014183098,0.030145565,0.000011408917,0.000006617192,0.725179,0.24367383,0.00011217909],"about_ca_topic_score_codex":0.000048457707,"about_ca_topic_score_gemma":0.0016219232,"teacher_disagreement_score":0.6093843,"about_ca_system_score_codex":0.0000021439935,"about_ca_system_score_gemma":0.000015339145,"threshold_uncertainty_score":0.23143306},"labels":[],"label_agreement":null},{"id":"W4313364507","doi":"10.14746/snp2022.22.12","title":"Postmodern and postcolonial elements in Leonard Cohen`s oeuvre","year":2022,"lang":"en","type":"article","venue":"Scripta Neophilologica Posnaniensia","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Sociology; Persona; Relation (database); Politics; Aesthetics; The Holocaust; Psychoanalysis; Philosophy; Literature; Art; Law; Political science; Theology; Psychology; Humanities","score_opus":0.025351507813962334,"score_gpt":0.22043616453516848,"score_spread":0.19508465672120615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313364507","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93623185,0.0020628052,7.9155313e-7,0.0075042387,0.0021771265,0.00047815894,0.00023528188,0.00011970783,0.051190007],"genre_scores_gemma":[0.98543906,0.000013870463,0.00005714588,0.0070023956,0.00029850623,0.00007347057,0.00009621354,0.00002354057,0.006995784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980818,0.00021429328,0.00042817416,0.00050307036,0.00030599933,0.00046664436],"domain_scores_gemma":[0.9994453,0.000031464413,0.00009622142,0.00026677654,0.00006565915,0.00009458732],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033503273,0.0002521364,0.00032934416,0.00018972711,0.00073291885,0.00018250747,0.00027952116,0.00005614488,0.002497378],"category_scores_gemma":[0.000028428763,0.00022967231,0.00008051694,0.0000900927,0.0002121952,0.00026104692,0.00035111082,0.0004846663,0.000027881075],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058278185,0.00048811594,0.004509444,0.00003487486,0.000060041493,0.0011346947,0.10059581,0.0000014214639,0.00091715663,0.86210173,0.026233029,0.0033408962],"study_design_scores_gemma":[0.0011070361,0.0010395648,0.008525604,0.0000151175345,0.000018307263,0.00011173611,0.005753501,0.00008010802,0.0000054330317,0.026383743,0.95655686,0.00040297044],"about_ca_topic_score_codex":0.0001710284,"about_ca_topic_score_gemma":0.0004650542,"teacher_disagreement_score":0.93032384,"about_ca_system_score_codex":0.000058981164,"about_ca_system_score_gemma":0.0000444072,"threshold_uncertainty_score":0.99841446},"labels":[],"label_agreement":null},{"id":"W4313645069","doi":"10.5007/2175-7968.2022.e92165","title":"Traduzindo o intraduzível: o universo em expansão de Finnegans Wake","year":2022,"lang":"pt","type":"article","venue":"Cadernos de Tradução","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Wake; Physics; Humanities; Art","score_opus":0.02902047551375243,"score_gpt":0.2282214622263788,"score_spread":0.19920098671262637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313645069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8099317,0.02698919,0.0010117913,0.03584412,0.0052380306,0.0018196333,0.0048236456,0.00093843776,0.11340347],"genre_scores_gemma":[0.90633655,0.000161742,0.000030458355,0.005726593,0.0014118052,0.00009700857,0.0001971098,0.0001439155,0.0858948],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99583024,0.00062147435,0.0007264332,0.0008168104,0.0006438034,0.0013612402],"domain_scores_gemma":[0.99825567,0.000273315,0.00020744588,0.00067450904,0.00008923245,0.0004998572],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052118144,0.00067864265,0.0006839697,0.0003583007,0.0018840426,0.00070101133,0.0009978155,0.00025023427,0.011673174],"category_scores_gemma":[0.000029911154,0.0007840192,0.0005608649,0.00026200977,0.0003044005,0.00052996224,0.00015930108,0.0020497318,0.000108037646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029008146,0.0007540441,0.00021911558,0.00030485194,0.00035832188,0.002213982,0.47438395,0.000038431423,0.00044424477,0.3932547,0.121377595,0.0063607083],"study_design_scores_gemma":[0.001862951,0.00063525053,0.00042133292,0.00012355483,0.000324323,0.00034169454,0.13385816,0.00069753034,0.00036259493,0.0029234195,0.8574579,0.0009913268],"about_ca_topic_score_codex":0.00018837214,"about_ca_topic_score_gemma":0.00043570076,"teacher_disagreement_score":0.7360803,"about_ca_system_score_codex":0.00059107476,"about_ca_system_score_gemma":0.0006850467,"threshold_uncertainty_score":0.99946105},"labels":[],"label_agreement":null},{"id":"W4313731365","doi":"10.1353/ari.2023.0005","title":"The Death of an Author","year":2023,"lang":"en","type":"article","venue":"Ariel","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Meaning (existential); Mistake; Welsh; Literary criticism; Epistemology; Literature; New Criticism; Criticism; Philosophy; Sociology; Literary theory; Art; Linguistics; Law","score_opus":0.06436586997642314,"score_gpt":0.27593385903602763,"score_spread":0.2115679890596045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313731365","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19939066,0.00029297592,0.0000047876383,0.0029174045,0.00065220066,0.0000768836,0.000027417409,0.000111845766,0.79652584],"genre_scores_gemma":[0.9263903,0.0000022764375,0.0000049105147,0.00018994331,0.00021011214,0.000004876822,0.000012441475,0.0000045747,0.07318055],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996989,0.000016243454,0.000083811654,0.000055047432,0.00006241603,0.000083631676],"domain_scores_gemma":[0.99972665,0.00006572459,0.000015503289,0.00013920029,0.000033230812,0.000019683299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011239028,0.000035682275,0.000045917124,0.000018475144,0.00020958982,0.000096049385,0.00009026855,0.000012363146,0.00014483398],"category_scores_gemma":[0.00001437276,0.000021603193,0.000027831742,0.000017047714,0.00006252709,0.00010541942,0.00001679723,0.00004313409,0.000059551658],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049241216,0.000007407364,0.000025665619,0.0000029776006,0.000005833904,0.0000041776725,0.011524561,6.165824e-8,0.000018187364,0.97760993,0.007953149,0.002843145],"study_design_scores_gemma":[0.000051124884,0.00004000222,0.00048923213,0.0000052270557,0.0000043828813,3.669855e-7,0.0024995634,0.000068800306,0.00007886124,0.06541078,0.9313169,0.000034771594],"about_ca_topic_score_codex":0.00006812282,"about_ca_topic_score_gemma":0.00014507257,"teacher_disagreement_score":0.92336375,"about_ca_system_score_codex":0.0000011823843,"about_ca_system_score_gemma":0.0000127655985,"threshold_uncertainty_score":0.16120167},"labels":[],"label_agreement":null},{"id":"W4317562087","doi":"10.14325/mississippi/9781496840585.003.0001","title":"Eye That is Language","year":2022,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Meaning (existential); Art; Visual arts; Literature; History; Aesthetics; Philosophy; Epistemology","score_opus":0.032182997080247584,"score_gpt":0.19747290392801176,"score_spread":0.16528990684776418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4317562087","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009888105,0.0017942778,0.0000015238039,0.0001645933,0.00025073855,0.0001799164,0.0011880782,0.000079549216,0.99624246],"genre_scores_gemma":[0.016718714,0.00003050295,0.000014096529,0.0002616478,0.00019626804,4.2549206e-7,0.0000873726,0.000037811562,0.98265314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897146,0.00002777107,0.00017217717,0.00032842698,0.00032857523,0.00017157408],"domain_scores_gemma":[0.99910474,0.000045186593,0.0002065524,0.00046234956,0.00007932681,0.0001018324],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000059711656,0.00028860767,0.00040087546,0.0001861699,0.00030011134,0.00006468715,0.00048686637,0.00014535671,0.020741856],"category_scores_gemma":[0.000002037965,0.00031277438,0.00032843024,0.0000027646233,0.00026428272,0.00013400747,0.00028458788,0.00041429832,0.0000119124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006489485,0.000015993495,6.680763e-7,0.00013410879,0.00021872757,0.00026266224,0.031796698,3.8065522e-8,0.0000119833485,0.9301872,0.0340543,0.0032526678],"study_design_scores_gemma":[0.00028459282,0.000056249006,6.364449e-7,0.00013817927,0.00027538076,0.0000016181297,0.0028736575,9.840841e-7,0.00016764925,0.0010080447,0.9948702,0.00032280112],"about_ca_topic_score_codex":0.00018218475,"about_ca_topic_score_gemma":0.00003905853,"teacher_disagreement_score":0.9608159,"about_ca_system_score_codex":0.00004316513,"about_ca_system_score_gemma":0.00006748772,"threshold_uncertainty_score":0.9999324},"labels":[],"label_agreement":null},{"id":"W4320170159","doi":"10.32920/21950387.v1","title":"Editorial: Post-Truth?","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Misrepresentation; Politics; Deconstruction (building); Conflation; Post truth; Epistemology; Public sphere; Sociology; Philosophy; Aesthetics; Law; Political science","score_opus":0.04612052531478035,"score_gpt":0.25526047514326594,"score_spread":0.2091399498284856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320170159","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029853883,0.00044320486,0.0000035454357,0.0020940988,0.5044456,0.00015157096,0.00028692457,0.0006048728,0.49167165],"genre_scores_gemma":[0.08225504,0.000026777252,0.000017426728,0.0008322378,0.5857499,0.000059161153,0.0006584599,0.000062126026,0.33033884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988949,0.00002990412,0.00026416915,0.00035029813,0.00026044843,0.00020029322],"domain_scores_gemma":[0.9990356,0.000115327224,0.000055895915,0.00041211882,0.0003178488,0.000063197374],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013442434,0.00022763832,0.0002577994,0.00011497012,0.00012818871,0.000837776,0.0002816193,0.00020498803,0.0036511556],"category_scores_gemma":[0.000057761234,0.00018503018,0.0001931032,0.000011488916,0.00007825263,0.00011554664,0.00040847092,0.0005695331,0.0012371019],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049663727,0.000011416977,5.3977664e-7,0.00004330383,0.000026127165,0.000006592976,0.0052338657,1.2026926e-7,8.0704126e-7,0.433891,0.56049675,0.00028452414],"study_design_scores_gemma":[0.0000764096,0.000027181317,0.000003858882,0.000079670746,0.000024492185,2.3408275e-7,0.0013266809,0.00000500338,0.0000037621198,0.048228785,0.94998395,0.00023993902],"about_ca_topic_score_codex":0.00038253004,"about_ca_topic_score_gemma":0.0008344475,"teacher_disagreement_score":0.38948724,"about_ca_system_score_codex":0.000014751993,"about_ca_system_score_gemma":0.00009204334,"threshold_uncertainty_score":0.99954057},"labels":[],"label_agreement":null},{"id":"W4320170162","doi":"10.32920/21950387","title":"Editorial: Post-Truth?","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Misrepresentation; Deconstruction (building); Politics; Conflation; Epistemology; Public sphere; Philosophy; Post truth; Sociology; Aesthetics; Law; Political science","score_opus":0.04612052531478035,"score_gpt":0.25526047514326594,"score_spread":0.2091399498284856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320170162","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029853883,0.00044320486,0.0000035454357,0.0020940988,0.5044456,0.00015157096,0.00028692457,0.0006048728,0.49167165],"genre_scores_gemma":[0.08225504,0.000026777252,0.000017426728,0.0008322378,0.5857499,0.000059161153,0.0006584599,0.000062126026,0.33033884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988949,0.00002990412,0.00026416915,0.00035029813,0.00026044843,0.00020029322],"domain_scores_gemma":[0.9990356,0.000115327224,0.000055895915,0.00041211882,0.0003178488,0.000063197374],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013442434,0.00022763832,0.0002577994,0.00011497012,0.00012818871,0.000837776,0.0002816193,0.00020498803,0.0036511556],"category_scores_gemma":[0.000057761234,0.00018503018,0.0001931032,0.000011488916,0.00007825263,0.00011554664,0.00040847092,0.0005695331,0.0012371019],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049663727,0.000011416977,5.3977664e-7,0.00004330383,0.000026127165,0.000006592976,0.0052338657,1.2026926e-7,8.0704126e-7,0.433891,0.56049675,0.00028452414],"study_design_scores_gemma":[0.0000764096,0.000027181317,0.000003858882,0.000079670746,0.000024492185,2.3408275e-7,0.0013266809,0.00000500338,0.0000037621198,0.048228785,0.94998395,0.00023993902],"about_ca_topic_score_codex":0.00038253004,"about_ca_topic_score_gemma":0.0008344475,"teacher_disagreement_score":0.38948724,"about_ca_system_score_codex":0.000014751993,"about_ca_system_score_gemma":0.00009204334,"threshold_uncertainty_score":0.99954057},"labels":[],"label_agreement":null},{"id":"W4320492120","doi":"10.5539/ells.v13n1p21","title":"Narcissistic Pastiche: Towards Exploring the Concept of “Cras es noster” Through Nostalgic Postmodernism in John Green’s The Fault in Our Stars","year":2023,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Postmodern theatre; Aesthetics; Sociology; Interpretation (philosophy); Narrative; Literature; Art; Philosophy; Linguistics","score_opus":0.04185041769725722,"score_gpt":0.2805159343698283,"score_spread":0.23866551667257108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320492120","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9335928,0.057583537,0.0000011784618,0.0032449376,0.00091444823,0.00033547054,0.00022153862,0.00006938259,0.004036702],"genre_scores_gemma":[0.9951887,0.0005245009,0.0000067617766,0.0004711312,0.00092153193,0.00010275661,0.000057430418,0.000021638032,0.0027055203],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99855137,0.00016818626,0.00038807953,0.00029191808,0.00024005547,0.00036041072],"domain_scores_gemma":[0.9990726,0.00036622197,0.00007284353,0.00027124662,0.00019064886,0.00002642534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003450803,0.00026549026,0.00039681955,0.00013245775,0.00025008756,0.000258517,0.00022423646,0.000055060063,0.000013972912],"category_scores_gemma":[0.00034393984,0.0001447593,0.000087160915,0.00025107144,0.00023789145,0.00049756706,0.00018665506,0.00050934026,0.0000017912463],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040221166,0.000026680646,0.000120134995,0.00012307779,0.000072082235,0.00025464548,0.9484662,0.0000032780486,0.000019371117,0.047219805,0.0014148166,0.0022397204],"study_design_scores_gemma":[0.0005765078,0.00010669569,0.0014524161,0.0006210573,0.000038072903,0.0000042276047,0.9662852,0.000015571195,0.00009072132,0.0019331042,0.028643059,0.00023334743],"about_ca_topic_score_codex":0.0002473566,"about_ca_topic_score_gemma":0.0018539245,"teacher_disagreement_score":0.061595924,"about_ca_system_score_codex":0.000017471268,"about_ca_system_score_gemma":0.000022968372,"threshold_uncertainty_score":0.5903113},"labels":[],"label_agreement":null},{"id":"W4321360945","doi":"10.1353/crc.2021.0037","title":"The Moral of the Stories; Or, Fraught Politics in Contemporary Literary Criticism","year":2021,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literary criticism; Criticism; Depiction; Politics; Sociology; Literature; History; Aesthetics; Law; Political science; Art","score_opus":0.07165557742965402,"score_gpt":0.29904715876270827,"score_spread":0.22739158133305426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321360945","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056879274,0.77104914,6.469867e-7,0.0110505195,0.0010374249,0.00055157585,0.0014366843,0.000009047647,0.20917706],"genre_scores_gemma":[0.94732803,0.0022379984,0.00002357418,0.010900586,0.0003796306,0.00003659838,0.00015821407,0.000017763812,0.03891762],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777627,0.00053091027,0.0008257849,0.00024867145,0.00027436376,0.00034402395],"domain_scores_gemma":[0.9975928,0.00034863048,0.00019779136,0.00068655406,0.0009982396,0.00017594825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028919394,0.00026675707,0.0007058592,0.00009702536,0.0003130636,0.00023676356,0.0004882625,0.000085261105,0.0005091349],"category_scores_gemma":[0.0001279678,0.00014641609,0.00025993166,0.00036543809,0.0005413713,0.0003561971,0.00005764537,0.0005477444,0.000004434646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014772763,0.000035362573,0.00017496342,0.0021682177,0.000045200984,0.000116081814,0.039860938,4.8677563e-8,0.0000069838134,0.86597365,0.091421716,0.00018203897],"study_design_scores_gemma":[0.00022427761,0.00004285025,0.00026442745,0.0127659105,0.000022770442,0.000020129413,0.002369926,0.0000035379499,0.00018801726,0.00900897,0.97491384,0.00017536737],"about_ca_topic_score_codex":0.00083337765,"about_ca_topic_score_gemma":0.05657539,"teacher_disagreement_score":0.9416401,"about_ca_system_score_codex":0.000064179185,"about_ca_system_score_gemma":0.0015512545,"threshold_uncertainty_score":0.96063966},"labels":[],"label_agreement":null},{"id":"W4323529333","doi":"10.1093/escrit/cgad007","title":"Kisses and Comedy in <i>Astrophil and Stella</i>","year":2022,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"KISS (TNC); STELLA (programming language); Sonnet; Sander; Art history; Literature; Art","score_opus":0.015823510153269577,"score_gpt":0.2100002760095277,"score_spread":0.19417676585625812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323529333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7902824,0.007301537,0.000002531707,0.0036647317,0.0005004484,0.00021034264,0.00009750416,0.000040437255,0.19790006],"genre_scores_gemma":[0.9944551,0.000033016953,0.000025672614,0.0016998054,0.00013221169,0.00005180974,0.000013564235,0.000016040329,0.0035727893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999013,0.00010790605,0.0002498717,0.00024450014,0.00015184894,0.0002328878],"domain_scores_gemma":[0.99961686,0.00016388975,0.00001975919,0.00012627001,0.000021821648,0.000051377832],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002455977,0.0001301903,0.00021078996,0.0001846837,0.00022523609,0.00015762441,0.00009797123,0.00002354664,0.0007636695],"category_scores_gemma":[0.000020566984,0.00013529943,0.000020041894,0.000056818655,0.00020744833,0.00021151267,0.00014952676,0.0003296833,0.000002386791],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035667214,0.00014805156,0.002220632,0.00008766217,0.0000055172904,0.00035159846,0.030738292,0.0000018960627,0.000057776004,0.96215135,0.0018308178,0.0023707126],"study_design_scores_gemma":[0.001600567,0.00026311848,0.0018736535,0.0001037387,0.000012807154,0.000069624424,0.022079308,0.00011007273,0.000030904946,0.08748254,0.8859651,0.00040856513],"about_ca_topic_score_codex":0.0001826251,"about_ca_topic_score_gemma":0.00088014535,"teacher_disagreement_score":0.8841343,"about_ca_system_score_codex":0.000020867601,"about_ca_system_score_gemma":0.000017350096,"threshold_uncertainty_score":0.8361646},"labels":[],"label_agreement":null},{"id":"W4323789532","doi":"10.33137/ic.v30i.39474","title":"Imaginary Friends, or How My Family Turned Me into a Writer","year":2022,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Psychology; Art; Visual arts; Psychoanalysis","score_opus":0.024158601619882574,"score_gpt":0.21583009143282034,"score_spread":0.19167148981293777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323789532","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06520137,0.0082129,0.00000714706,0.060145676,0.0036823228,0.000582766,0.0022605227,0.00024140517,0.8596659],"genre_scores_gemma":[0.82939744,0.0000016902915,0.000027678167,0.010086111,0.0006160492,0.00007775961,0.00016458597,0.000033858127,0.15959485],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998763,0.00007309416,0.00018055063,0.00032521828,0.0002559831,0.00040215434],"domain_scores_gemma":[0.9992185,0.000032328633,0.00004525138,0.00036207153,0.00006676689,0.00027506292],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000107319844,0.00020351744,0.00020878465,0.00022456757,0.00071717845,0.00055520266,0.00034104878,0.000029088189,0.01003724],"category_scores_gemma":[0.000010546644,0.0001856222,0.000110861576,0.00010541511,0.00014901102,0.00047803114,0.00007799554,0.00027594418,0.000060786206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049745064,0.000038760212,0.000042443535,0.0000309836,0.00007047387,0.00156143,0.04732078,2.3024117e-7,0.000073447096,0.24633321,0.7025498,0.0019286894],"study_design_scores_gemma":[0.00028145555,0.00016110325,0.000083706946,0.000013668279,0.000027519545,0.000032120555,0.018672496,0.000023567733,0.000005844413,0.0035158275,0.9768874,0.00029527294],"about_ca_topic_score_codex":0.012127199,"about_ca_topic_score_gemma":0.070579775,"teacher_disagreement_score":0.76419604,"about_ca_system_score_codex":0.00017660795,"about_ca_system_score_gemma":0.0003018183,"threshold_uncertainty_score":0.9944511},"labels":[],"label_agreement":null},{"id":"W4323916","doi":"10.1139/m71-065","title":"Grotesque maternity: reading \"happiness\" and its eugenics in Doris Lessing's The Fifth Child (1988)","year":2014,"lang":"en","type":"article","venue":"Canadian Journal of Microbiology","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Happiness; Narrative; Eugenics; Criticism; Sociology; Relation (database); Reading (process); Gender studies; Psychology; Aesthetics; Law; Literature; Political science; Art; Social psychology","score_opus":0.013856661673376946,"score_gpt":0.1880825145160188,"score_spread":0.17422585284264183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323916","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96901906,0.0058717704,0.0000071683285,0.007672306,0.0010472835,0.00008747813,0.00006129189,0.0000046265814,0.016229047],"genre_scores_gemma":[0.99658984,0.00002243061,0.000008713057,0.002039075,0.00060815865,9.963944e-7,0.000007392656,0.00001012447,0.00071327674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999221,0.00013608979,0.00028565136,0.000097881944,0.000020563963,0.00023878425],"domain_scores_gemma":[0.9994981,0.00006577338,0.00011653791,0.00008865402,0.00010273286,0.00012817429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003760778,0.00011038942,0.00021966793,0.00018516553,0.00025532593,0.0001597662,0.00018759223,0.00007235263,0.00024787054],"category_scores_gemma":[0.000055284443,0.00007490356,0.000046384925,0.000030922154,0.00016237597,0.00013019296,0.000013687938,0.0003336069,0.000009497587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005780511,0.000030963958,0.0032988833,0.00012709739,0.00014185593,0.00044047672,0.08062231,0.000004883517,0.004192501,0.89600456,0.010089543,0.004989141],"study_design_scores_gemma":[0.00032543615,0.00007904526,0.00035973723,0.00016947046,0.000017233724,0.00067617727,0.00077386235,0.0000130585,0.00014947835,0.0024239845,0.99488795,0.00012454786],"about_ca_topic_score_codex":0.0015063832,"about_ca_topic_score_gemma":0.06651169,"teacher_disagreement_score":0.98479843,"about_ca_system_score_codex":0.000032331733,"about_ca_system_score_gemma":0.00013773669,"threshold_uncertainty_score":0.950522},"labels":[],"label_agreement":null},{"id":"W4327882457","doi":"10.1353/mos.2021.0029","title":"“To float, to hide, to disappear”: The Hacker in The Circle","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hacker; Float (project management); Representation (politics); Reading (process); Literature; Computer science; Computer security; Art; Philosophy; Engineering; Linguistics; Law; Political science; Politics","score_opus":0.024364858144730453,"score_gpt":0.24015075760104151,"score_spread":0.21578589945631105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327882457","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41846928,0.0013651669,0.00007307961,0.19963686,0.0011530694,0.00077914924,0.00013388818,0.00006816982,0.37832135],"genre_scores_gemma":[0.9303723,9.692733e-7,0.000016514461,0.04466077,0.0005467198,0.00007372728,0.00001474727,0.000011435915,0.024302803],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914074,0.00010509035,0.00014680348,0.00019201188,0.00020411315,0.00021123602],"domain_scores_gemma":[0.99939543,0.000071747396,0.000008629407,0.0003942093,0.00006535384,0.00006461049],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025836186,0.00009142675,0.00010621025,0.00003858125,0.00019879932,0.00042322555,0.00025578323,0.000018395662,0.00078678346],"category_scores_gemma":[0.000060170474,0.00005651689,0.000053423453,0.00013416626,0.000026311627,0.000086737906,0.000085380445,0.00013057346,0.00075950194],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015521431,0.0000884581,0.000104360115,0.000011819778,0.000017251072,0.000116428,0.24247186,0.00000537891,0.00021953345,0.24704856,0.49914032,0.010760517],"study_design_scores_gemma":[0.0000792754,0.00003796667,0.0015370196,0.000036357073,0.000007903698,0.0000029540558,0.008495892,0.0000028601062,0.000097832184,0.0022252663,0.98737645,0.000100223835],"about_ca_topic_score_codex":0.0001557492,"about_ca_topic_score_gemma":0.0076905913,"teacher_disagreement_score":0.51190305,"about_ca_system_score_codex":0.000014935414,"about_ca_system_score_gemma":0.00003065379,"threshold_uncertainty_score":0.9762114},"labels":[],"label_agreement":null},{"id":"W4365797025","doi":"10.1007/978-3-319-97134-6_66-1","title":"Pulp Fiction as Philosophy: Bad Faith, Authenticity, and the Path of the Righteous Man","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Faith; Pulp (tooth); Aesthetics; Path (computing); Philosophy; Sociology; Epistemology; Medicine; Computer science; Dentistry","score_opus":0.023530073314982202,"score_gpt":0.20355247587798228,"score_spread":0.1800224025630001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365797025","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018835485,0.0006155216,0.0000014471877,0.0034353875,0.0008548296,0.00037428015,0.000121305806,0.00006695951,0.9943419],"genre_scores_gemma":[0.32196504,0.000051508647,8.012927e-7,0.00063640677,0.0006350044,0.000007531997,0.000021033484,0.000027864038,0.6766548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990558,0.00003260197,0.00030309107,0.00022282584,0.00026569597,0.00011999045],"domain_scores_gemma":[0.99925053,0.00011435451,0.00013847966,0.0003730505,0.00009394962,0.000029614583],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014063141,0.00023922876,0.0003032689,0.00006321666,0.0003833248,0.00019692951,0.0002188929,0.00011889419,0.0023971787],"category_scores_gemma":[0.000007894527,0.000111464964,0.00023663249,0.000008585363,0.0006203567,0.000087363,0.00013739486,0.0003191155,0.000081551014],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030695206,0.000007659835,5.870629e-7,0.000054471704,0.00008805863,0.000009666483,0.010979573,1.8009791e-8,6.478529e-7,0.9794186,0.0091019375,0.00030809513],"study_design_scores_gemma":[0.00021585221,0.000034423345,0.000003373533,0.00015985005,0.00009817358,0.0000057224306,0.00022854394,0.000006798749,0.0000037864108,0.5254947,0.473641,0.0001077699],"about_ca_topic_score_codex":0.00019346502,"about_ca_topic_score_gemma":0.00046589295,"teacher_disagreement_score":0.46453905,"about_ca_system_score_codex":0.000007957687,"about_ca_system_score_gemma":0.000024365874,"threshold_uncertainty_score":0.9985148},"labels":[],"label_agreement":null},{"id":"W4366782186","doi":"10.29173/jjs221s","title":"Review of We Are the Light: A Novel by Matthew Quick","year":2023,"lang":"en","type":"article","venue":"Journal of Jungian Scholarly Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.07442312852326793,"score_gpt":0.29961931175871254,"score_spread":0.2251961832354446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366782186","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037384557,0.85691905,0.0000033629572,0.12506934,0.001102576,0.00016110296,0.00008288753,0.00002203204,0.0129011795],"genre_scores_gemma":[0.49351528,0.3971491,0.00009404356,0.025669629,0.003850795,0.00002298167,0.000009401967,0.00008825203,0.07960051],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855113,0.00008313082,0.00070247066,0.00009986039,0.00038958827,0.00017381349],"domain_scores_gemma":[0.9979938,0.000156502,0.0005641342,0.00019985877,0.0010338246,0.000051855473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010774897,0.00015442433,0.00053610594,0.00013139469,0.00026347223,0.0002690344,0.00034668582,0.000029340297,0.00010510194],"category_scores_gemma":[0.00036598326,0.000083234525,0.0002791081,0.00017505133,0.00014764462,0.0010597021,0.000089910434,0.00042796112,0.000044059092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018723773,0.000060630322,0.00007047698,0.0021797377,0.00047033737,0.000028599912,0.029446483,4.322872e-8,0.00026487114,0.021564594,0.9451196,0.0007758763],"study_design_scores_gemma":[0.00023891553,0.00012217529,0.000092113056,0.01102392,0.00014234692,0.000022177677,0.027591586,2.103022e-7,0.000039456565,0.0008408129,0.9597885,0.00009779479],"about_ca_topic_score_codex":0.0000023625155,"about_ca_topic_score_gemma":0.000017522018,"teacher_disagreement_score":0.48977685,"about_ca_system_score_codex":0.000019847574,"about_ca_system_score_gemma":0.000039057024,"threshold_uncertainty_score":0.33942053},"labels":[],"label_agreement":null},{"id":"W4366809491","doi":"10.1353/rss.2012.0005","title":"A Bibliography of Constance Malleson","year":2012,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Classics; Art history; History; Sociology; Law; Political science","score_opus":0.04633652361344707,"score_gpt":0.26806772664350864,"score_spread":0.22173120303006158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366809491","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3375843,0.5037323,0.000074280084,0.0029756047,0.002489365,0.0002720389,0.00003619077,0.000024500552,0.15281144],"genre_scores_gemma":[0.9255189,0.07243193,0.000052870382,0.0002890244,0.0009211556,0.000001601241,5.5366513e-7,0.000014275241,0.00076972344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850595,0.00014458844,0.0006711703,0.00006943854,0.00031967016,0.00028919172],"domain_scores_gemma":[0.99838734,0.00049468625,0.00043466236,0.00017202558,0.00043039932,0.00008088135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010091086,0.00019553115,0.0005139685,0.0018552333,0.0002924004,0.000052275696,0.00025037606,0.00003887065,0.0002198234],"category_scores_gemma":[0.000022766635,0.00010178185,0.0003069981,0.00091115484,0.0006559172,0.0005165199,0.000030006247,0.00025634363,0.000008268936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008637677,0.00076344435,0.004304492,0.0004962826,0.0028050565,0.000024262237,0.19037952,0.000003857077,0.0013592672,0.2626157,0.535428,0.00095635356],"study_design_scores_gemma":[0.0012445437,0.00043177092,0.0009963554,0.0004941683,0.00071605336,0.0001076238,0.03407806,0.0000015853929,0.0025886912,0.0055630235,0.9534902,0.00028789914],"about_ca_topic_score_codex":0.000017789458,"about_ca_topic_score_gemma":0.000046413476,"teacher_disagreement_score":0.58793455,"about_ca_system_score_codex":0.0000035961536,"about_ca_system_score_gemma":0.000013738446,"threshold_uncertainty_score":0.41505435},"labels":[],"label_agreement":null},{"id":"W4366809592","doi":"10.1353/rss.2012.0014","title":"A Bibliography of Patricia Russell","year":2012,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Testimonial; Wife; Classics; History; Library science; Art history; Law; Political science; Computer science","score_opus":0.04274732832741932,"score_gpt":0.26615794656732017,"score_spread":0.22341061823990085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366809592","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46849477,0.40454146,0.00008279161,0.0025866798,0.0038357032,0.00042951194,0.000056422887,0.00004559857,0.11992707],"genre_scores_gemma":[0.9223355,0.0743749,0.000059187798,0.00036409055,0.0018527451,0.0000028416318,0.0000015162136,0.000028431656,0.0009807663],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760616,0.000240959,0.0010557066,0.000114347036,0.0005161354,0.0004666964],"domain_scores_gemma":[0.9975981,0.0007575256,0.0006723638,0.00027798102,0.00055363646,0.00014037665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015369682,0.00032148432,0.00077099097,0.0034790311,0.000450211,0.000083090985,0.00041634694,0.000071376126,0.00031511643],"category_scores_gemma":[0.00003837494,0.00017035352,0.0005468624,0.0018107322,0.000550426,0.0007064269,0.000057643043,0.00041430086,0.000020900781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011285694,0.0015322826,0.0058851615,0.0007019943,0.004062238,0.000039710372,0.22851814,0.000009642083,0.001641117,0.10058986,0.6541634,0.0017278624],"study_design_scores_gemma":[0.0016424907,0.000738569,0.001545966,0.00041585762,0.0015069447,0.00012935683,0.03043777,0.0000035618136,0.003475616,0.0065873396,0.9530444,0.00047211658],"about_ca_topic_score_codex":0.000051749263,"about_ca_topic_score_gemma":0.00005107164,"teacher_disagreement_score":0.45384076,"about_ca_system_score_codex":0.0000066510825,"about_ca_system_score_gemma":0.000022177826,"threshold_uncertainty_score":0.6946815},"labels":[],"label_agreement":null},{"id":"W4366810089","doi":"10.1353/rss.2001.0018","title":"Epistemology of Modernism","year":2001,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Consciousness; Literature; Art; Art history; Set (abstract data type); Philosophy; History; Computer science; Epistemology","score_opus":0.05632072228252539,"score_gpt":0.27442015918812823,"score_spread":0.21809943690560285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366810089","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6452053,0.15269177,0.00034295226,0.010878317,0.0026303567,0.000311179,0.00002091491,0.000030756848,0.18788843],"genre_scores_gemma":[0.98020667,0.008021798,0.000037443653,0.00039115804,0.0007955292,0.0000013752772,7.6567176e-7,0.000016047998,0.010529186],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984805,0.00017513667,0.000761104,0.00009366007,0.00026301888,0.00022657112],"domain_scores_gemma":[0.99841875,0.00050295284,0.0004184653,0.00019318749,0.00041380883,0.000052864565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000730014,0.0001918222,0.0005900056,0.00011494259,0.0003151805,0.00003756688,0.00030470267,0.00004875802,0.00027922294],"category_scores_gemma":[0.00003576498,0.00010058319,0.0002448143,0.0000545742,0.000544497,0.00022518996,0.000036523743,0.00027429705,0.000012892752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020648849,0.0007622631,0.00058874337,0.0004796066,0.0034313505,0.000358663,0.4284018,0.00006465027,0.0025074265,0.5086362,0.047516398,0.0051880674],"study_design_scores_gemma":[0.0019046493,0.0010026578,0.00023342075,0.00039146302,0.0007938546,0.0007339302,0.027250614,0.00003248046,0.0017278115,0.051774412,0.9138023,0.00035236208],"about_ca_topic_score_codex":0.000028533224,"about_ca_topic_score_gemma":0.00014647028,"teacher_disagreement_score":0.8662859,"about_ca_system_score_codex":0.000013787718,"about_ca_system_score_gemma":0.000034906367,"threshold_uncertainty_score":0.41016632},"labels":[],"label_agreement":null},{"id":"W4366810092","doi":"10.1353/rss.2008.0012","title":"Recent Acquisitions","year":2008,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"TypeScript; Listing (finance); Ledger; Library science; The Internet; Art history; Classics; Art; Computer science; World Wide Web; Business; Accounting","score_opus":0.06685683756968856,"score_gpt":0.2676315466889016,"score_spread":0.20077470911921302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366810092","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38566458,0.3611637,0.000066373774,0.027265808,0.0041369004,0.0003836743,0.00003876908,0.000070243506,0.22120993],"genre_scores_gemma":[0.9230358,0.063581176,0.000034268414,0.0012189485,0.0016293264,0.0000024907083,0.0000017376464,0.00001759248,0.01047868],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986246,0.00013994562,0.00058594695,0.0000949875,0.00031831246,0.00023615941],"domain_scores_gemma":[0.99859035,0.00038414713,0.00024282801,0.0001846402,0.00052332174,0.00007470856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049719826,0.00019525371,0.00040544677,0.000102064194,0.00111928,0.000058669037,0.00026136776,0.00003525363,0.0007372722],"category_scores_gemma":[0.000038887105,0.000101492755,0.00021077409,0.00007817182,0.00053889345,0.00032111636,0.00003248638,0.00031139763,0.00005052111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00061982474,0.00053399446,0.00009912815,0.000095437885,0.0018048316,0.00036934877,0.41448444,0.000017966477,0.00039712412,0.12951928,0.44743183,0.004626782],"study_design_scores_gemma":[0.0006465617,0.0002611773,0.00011309825,0.00010616927,0.00023865834,0.0004275091,0.011894526,0.0000023278224,0.00042025823,0.004281288,0.9814428,0.0001656009],"about_ca_topic_score_codex":0.000007920627,"about_ca_topic_score_gemma":0.00006627035,"teacher_disagreement_score":0.5373712,"about_ca_system_score_codex":0.000023718769,"about_ca_system_score_gemma":0.000053949552,"threshold_uncertainty_score":0.860871},"labels":[],"label_agreement":null},{"id":"W4367158830","doi":"10.7202/1081391ar","title":"On Crossing Borders And Boundaries: A Parallax View Of The Postmodern Experience","year":2021,"lang":"en","type":"article","venue":"Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Parallax; Postmodernism; Aesthetics; Postmodern theatre; Art; Computer vision; Computer science; Literature","score_opus":0.021336942778854368,"score_gpt":0.26317226556806883,"score_spread":0.24183532278921446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367158830","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73758787,0.032325197,0.000011870826,0.00480033,0.00083265535,0.00016571695,0.00006301464,0.000030123098,0.22418325],"genre_scores_gemma":[0.9792239,0.000017286491,0.000012653911,0.0022756748,0.00008854609,0.0000024199169,0.0000045318816,0.000004648091,0.018370342],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995902,0.000023127926,0.00009420321,0.000119093434,0.000090545436,0.00008280663],"domain_scores_gemma":[0.99970436,0.000013409122,0.000027900262,0.0001443009,0.00008975848,0.000020246676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00001977145,0.00007498327,0.00009737894,0.0000052912283,0.00045647944,0.00082269136,0.00006707029,0.000024172856,0.00032684527],"category_scores_gemma":[0.000025517891,0.00004341078,0.000046579986,0.00002372712,0.0005487374,0.00012662575,0.000030111947,0.00009502241,0.0000030880353],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008542778,0.000021660362,0.000025161711,0.000043645916,0.000010026811,0.000008770454,0.49268335,1.3898978e-7,0.0003618739,0.50202304,0.0039155,0.00089830067],"study_design_scores_gemma":[0.000111298694,0.000020660375,0.000050982853,0.00014254493,0.00000706938,0.000007171239,0.014611366,0.000003862123,0.00041790894,0.0064304494,0.97813016,0.00006652152],"about_ca_topic_score_codex":0.000015094316,"about_ca_topic_score_gemma":0.00020495165,"teacher_disagreement_score":0.9742147,"about_ca_system_score_codex":0.000003989029,"about_ca_system_score_gemma":0.00006513686,"threshold_uncertainty_score":0.79332316},"labels":[],"label_agreement":null},{"id":"W4367850140","doi":"10.3138/topia-2022-0039","title":"(A)Drift: A Method and Theory of Black Temporality in <i>Map</i>","year":2023,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporality; Narrative; Normative; Aesthetics; Sociology; Black swan theory; Epistemology; Art; Literature; Philosophy","score_opus":0.08317443917382877,"score_gpt":0.3094864192052283,"score_spread":0.22631198003139952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367850140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94132507,0.018847147,0.0000051419265,0.009896869,0.00076396274,0.00014807678,0.00007170051,0.000012887025,0.028929168],"genre_scores_gemma":[0.9913469,0.00012022958,0.00004544134,0.00030281427,0.0002562707,0.0000013899803,0.0000021926537,0.000004772389,0.007919965],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918145,0.00011723965,0.00036017256,0.00007756352,0.00009487703,0.00016870927],"domain_scores_gemma":[0.9993575,0.00011998165,0.000116825,0.000058693335,0.00023648287,0.000110519606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005806802,0.0000996895,0.00032538222,0.00014882717,0.00011695376,0.00006175808,0.000091462585,0.000025899135,0.00009048067],"category_scores_gemma":[0.000096119795,0.00006561012,0.000074807904,0.00007118372,0.0003323278,0.0002610616,0.00001651618,0.000142362,0.000003630998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030923704,0.000008026269,0.0017277023,0.00013739652,0.00017730563,0.00019516426,0.29916206,0.000004043128,0.00002827406,0.66813356,0.027773337,0.0026221902],"study_design_scores_gemma":[0.00065795815,0.00018543225,0.0053900885,0.0004022687,0.00006630924,0.000020455402,0.14570712,0.0000052171517,0.00008844044,0.0844572,0.762794,0.00022547864],"about_ca_topic_score_codex":0.0023339454,"about_ca_topic_score_gemma":0.08507736,"teacher_disagreement_score":0.7350207,"about_ca_system_score_codex":0.000025366498,"about_ca_system_score_gemma":0.00009144722,"threshold_uncertainty_score":0.9316176},"labels":[],"label_agreement":null},{"id":"W4376111887","doi":"10.1017/9781009296540.010","title":"Coda","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Obsolescence; Coda; Narrative; Temporality; Literature; Aesthetics; Identity (music); History; Mediation; Art; Sociology; Epistemology; Philosophy; Social science","score_opus":0.045229258982599906,"score_gpt":0.1879259772370625,"score_spread":0.1426967182544626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376111887","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000074346813,0.00016944355,0.000007243605,0.000040430088,0.00093044183,0.00021874443,0.0009809369,0.00036862647,0.9972767],"genre_scores_gemma":[0.0010958101,0.000029779714,0.000002704684,0.00019400088,0.00081110134,5.8069196e-7,0.00018323629,0.000066942535,0.9976158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990459,0.000016576965,0.00015556294,0.00036060697,0.00020195195,0.00021940716],"domain_scores_gemma":[0.9991789,0.000059584527,0.00009869843,0.0003913224,0.00016011066,0.00011138471],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000051061827,0.00030487555,0.0003239996,0.00018403516,0.00029354636,0.00017267003,0.00033916015,0.00019323028,0.00008680224],"category_scores_gemma":[0.0000025282625,0.00034140708,0.0002414243,0.0000021525893,0.0003147684,0.000116484676,0.00020141219,0.00041107665,0.00021885592],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022534983,0.0000030101849,3.523582e-8,0.000052666233,0.000085961154,0.00051294424,0.00063235825,2.0507805e-8,8.8759884e-7,0.75640273,0.24193396,0.0003529154],"study_design_scores_gemma":[0.00024246807,0.00003726767,3.8438566e-7,0.00017238568,0.00013718625,0.0000034255852,0.00019945446,0.000003455517,0.0000059428244,0.00015809323,0.9986606,0.00037932585],"about_ca_topic_score_codex":0.000100171426,"about_ca_topic_score_gemma":0.000029476472,"teacher_disagreement_score":0.7567266,"about_ca_system_score_codex":0.00004867924,"about_ca_system_score_gemma":0.000058478272,"threshold_uncertainty_score":0.9999038},"labels":[],"label_agreement":null},{"id":"W4376149019","doi":"10.1093/alh/ajad057","title":"Michael Naas, <i>Don DeLillo, American Original: Drugs, Weapons, Erotica, and Other Literary Contraband</i>","year":2023,"lang":"en","type":"article","venue":"American Literary History","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Literature; Philosophy; History; Art","score_opus":0.014245249508176329,"score_gpt":0.21962898401781808,"score_spread":0.20538373450964176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376149019","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6706478,0.06352546,0.000029400151,0.005157276,0.0032047394,0.00091894285,0.0011211509,0.0019816528,0.2534136],"genre_scores_gemma":[0.8942949,0.0003450094,0.0001865852,0.029599663,0.0015720536,0.00012612052,0.00025014547,0.00016011944,0.073465414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99730426,0.00026316705,0.0005891204,0.0007663954,0.0003718178,0.0007052619],"domain_scores_gemma":[0.99834204,0.00030909217,0.00028114227,0.00060768466,0.00011721253,0.00034282194],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028316522,0.00051527156,0.0007378078,0.00045654568,0.00033334273,0.00022876542,0.00034250927,0.000053152406,0.0011365187],"category_scores_gemma":[0.00002664788,0.0004873483,0.00021382664,0.0002752672,0.0024521388,0.00075142435,0.00010270449,0.00044414037,0.00023048204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037313174,0.00021563706,0.0025120862,0.00015803483,0.00023323328,0.0003350951,0.22132778,1.7289247e-7,0.00019330355,0.17896281,0.49394488,0.10174384],"study_design_scores_gemma":[0.0004949962,0.0003654942,0.0003711307,0.0001243841,0.000057893725,0.000018349194,0.0030818814,0.00005268427,0.000008722567,0.0013197524,0.9934723,0.00063243735],"about_ca_topic_score_codex":0.0013560086,"about_ca_topic_score_gemma":0.00013302184,"teacher_disagreement_score":0.4995274,"about_ca_system_score_codex":0.00015848553,"about_ca_system_score_gemma":0.00015484398,"threshold_uncertainty_score":0.9997766},"labels":[],"label_agreement":null},{"id":"W4376890508","doi":"","title":"« “An Inbred and Obstreperous Dialect”: the Riddle of Infinite Jest’s Québécois French by David Foster Wallace »","year":2023,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Computer science; Cognitive science","score_opus":0.0248240563087722,"score_gpt":0.21831044683994957,"score_spread":0.1934863905311774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376890508","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7605675,0.015755221,0.0017316283,0.06134547,0.0014393002,0.0015695657,0.002872431,0.00065484084,0.15406406],"genre_scores_gemma":[0.9471048,0.00033148308,0.00029073746,0.0003630581,0.00007733733,0.00008010758,0.0009314442,0.00005008703,0.050770953],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962093,0.002133404,0.0005342817,0.00055580144,0.0003091409,0.0002580604],"domain_scores_gemma":[0.99545425,0.0013163993,0.00034371746,0.0016894481,0.0010812494,0.00011494764],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0018187904,0.00030655655,0.00037127387,0.00012254986,0.0004150209,0.0006772585,0.0008999651,0.00017400565,0.00019849291],"category_scores_gemma":[0.00036370364,0.0002524086,0.00014529008,0.00009415409,0.00043253085,0.00020678595,0.0007487172,0.000562646,0.000015682424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025070065,0.00066456175,0.0012694623,0.00044720594,0.0002333221,0.000010464566,0.7221611,0.000004547813,0.0014367397,0.21024299,0.036406547,0.02709796],"study_design_scores_gemma":[0.001038119,0.00000593451,0.0023600964,0.0029173198,0.00022604575,0.000009537392,0.005568857,0.0019243524,0.007776433,0.023772826,0.9532428,0.0011576737],"about_ca_topic_score_codex":0.021937773,"about_ca_topic_score_gemma":0.09617123,"teacher_disagreement_score":0.91683626,"about_ca_system_score_codex":0.00003776186,"about_ca_system_score_gemma":0.00016960375,"threshold_uncertainty_score":0.9999928},"labels":[],"label_agreement":null},{"id":"W4378603661","doi":"10.1353/vpr.2022.0031","title":"Spoiler Alert: The Sensation Novel and Victorian Criticism","year":2022,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Sensation; Literature; History; The Internet; Aesthetics; Psychology; Art; Computer science; Cognitive psychology; World Wide Web","score_opus":0.024217585762189037,"score_gpt":0.23152711761669958,"score_spread":0.20730953185451054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378603661","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006369368,0.5574165,0.0000855654,0.1386946,0.012169979,0.0028721988,0.001043881,0.00041041544,0.2809375],"genre_scores_gemma":[0.93546164,0.0051788646,0.00003882982,0.037043836,0.0044144364,0.0004432346,0.0001409592,0.000060117134,0.01721809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982793,0.00021993472,0.00046598236,0.00032777066,0.00043673895,0.00027030605],"domain_scores_gemma":[0.99914265,0.0001381546,0.000096626536,0.0003965776,0.00010585114,0.00012016713],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00062725024,0.00022169194,0.00037564003,0.000051703835,0.0013938623,0.00040607655,0.00025956598,0.000033324908,0.011420468],"category_scores_gemma":[0.00009131337,0.0001542343,0.00014434165,0.00010067013,0.00024814747,0.0002211145,0.00015341496,0.00037804546,0.00005922484],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011637903,0.00009896633,0.000018336248,0.00083520514,0.000044389933,0.000024150826,0.026093662,6.331095e-8,0.00009276445,0.936433,0.0335619,0.0027858822],"study_design_scores_gemma":[0.00022310931,0.000067679415,0.00004681745,0.00034588797,0.00007305117,0.00003970181,0.0005430914,0.000009293295,0.000002728015,0.00071177987,0.997719,0.00021789856],"about_ca_topic_score_codex":0.000020122323,"about_ca_topic_score_gemma":0.000061855426,"teacher_disagreement_score":0.96415704,"about_ca_system_score_codex":0.00003813892,"about_ca_system_score_gemma":0.00007071639,"threshold_uncertainty_score":0.9999062},"labels":[],"label_agreement":null},{"id":"W4379409580","doi":"10.1353/chl.2023.a898396","title":"\"[A] commotion in the firmament\": The Thermodynamics of Neverland","year":2023,"lang":"en","type":"article","venue":"Children's literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Immortality; Fantasy; Philosophy; Epistemology; Thermodynamics; Literature; Physics; Art; Theology","score_opus":0.012845498933366794,"score_gpt":0.21239250602652965,"score_spread":0.19954700709316286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379409580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9241523,0.0025268116,0.0000027053118,0.009405753,0.0004843253,0.00049540104,0.00035055983,0.000073709605,0.06250842],"genre_scores_gemma":[0.99510086,0.000038183043,0.0000015170764,0.0014177434,0.0004922003,0.000019179784,0.00052773685,0.000012191965,0.0023904203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991392,0.00013782279,0.00021319678,0.00014260689,0.00018981863,0.00017735685],"domain_scores_gemma":[0.9993861,0.00012643679,0.000059251557,0.00035678135,0.000055389282,0.000016074124],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003002522,0.0001378003,0.00013890176,0.00009365798,0.00020850473,0.00036419663,0.00036225436,0.00006063751,0.00008723347],"category_scores_gemma":[0.00001389035,0.0000678205,0.00009975056,0.00023902427,0.00013349198,0.00022376572,0.000038816972,0.0003647324,0.000015869979],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002192786,0.000068543544,0.0015566183,0.000031499905,0.000031161544,0.000015718939,0.17705566,0.0000046841196,0.000016808091,0.7990654,0.020909829,0.001222152],"study_design_scores_gemma":[0.0019520947,0.00029996727,0.20725408,0.0009336241,0.00010078894,0.0000673087,0.01620969,0.0012379275,0.000037635342,0.064632386,0.7065792,0.00069530675],"about_ca_topic_score_codex":0.000022984636,"about_ca_topic_score_gemma":0.00013428318,"teacher_disagreement_score":0.734433,"about_ca_system_score_codex":0.0000065629947,"about_ca_system_score_gemma":0.0000116016,"threshold_uncertainty_score":0.35119563},"labels":[],"label_agreement":null},{"id":"W4379427172","doi":"10.1353/see.2004.0071","title":"The Art of Compromise: The Life and Work of Leonid Leonov by Boris s&gt; Thomson Leonid Leonov (review)","year":2004,"lang":"en","type":"article","venue":"The Slavonic and East European Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Compromise; Nothing; Art; Art history; Psychoanalysis; Aesthetics; Literature; History; Psychology; Philosophy; Sociology; Epistemology; Social science","score_opus":0.0176635320543868,"score_gpt":0.2105647271677993,"score_spread":0.1929011951134125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379427172","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016280384,0.89866203,0.000009165112,0.02392971,0.00014526567,0.0007153834,0.000042331947,0.000022735112,0.07484535],"genre_scores_gemma":[0.39024374,0.5971778,0.000009086999,0.005057402,0.0002401711,0.000020592439,0.00001954585,0.00003480703,0.00719688],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799246,0.00052475557,0.0007306342,0.00025297346,0.00023183251,0.00026735087],"domain_scores_gemma":[0.99864066,0.00015688625,0.0003454834,0.00065727753,0.000113198344,0.000086475666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016179073,0.0002820768,0.0005955293,0.000016418793,0.0005509328,0.000112339076,0.00049409334,0.000021587748,0.0001685666],"category_scores_gemma":[0.00007794587,0.00012675165,0.00019883383,0.00010173756,0.0009109326,0.00013045948,0.00014480816,0.00031027728,0.000058619753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011185415,0.00021233402,0.00005171983,0.009896142,0.0004570695,0.000013283672,0.009665042,7.292212e-7,0.000051178937,0.39866516,0.3707897,0.21008578],"study_design_scores_gemma":[0.00032897538,0.0001048985,0.00015464026,0.008177829,0.0002802667,0.0000141192495,0.00036298597,8.173528e-7,0.0000052657388,0.0003079167,0.9900992,0.00016312233],"about_ca_topic_score_codex":0.000014946912,"about_ca_topic_score_gemma":0.00003176778,"teacher_disagreement_score":0.6193094,"about_ca_system_score_codex":0.0000071082195,"about_ca_system_score_gemma":0.00005243572,"threshold_uncertainty_score":0.5168782},"labels":[],"label_agreement":null},{"id":"W4379616890","doi":"10.1353/mos.2020.0000","title":"Anthropocentric Ableism and Virginia Woolf’s Flush","year":2020,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ableism; Anthropocentrism; Meaning (existential); Aesthetics; Sociology; Eugenics; Philosophy; Environmental ethics; Epistemology; Law; Gender studies; Political science","score_opus":0.022051999833147748,"score_gpt":0.20417606186534695,"score_spread":0.18212406203219922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379616890","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.339768,0.023317087,0.00013082619,0.04823139,0.0016144727,0.00051953807,0.0002462596,0.00056375784,0.58560866],"genre_scores_gemma":[0.98741704,0.00003072263,0.000021558586,0.005830941,0.0007647011,0.000004854032,0.0000290491,0.000014215854,0.005886924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994058,0.000020738747,0.00013085273,0.00018704557,0.00009378228,0.0001617727],"domain_scores_gemma":[0.9997238,0.000022830067,0.000022617354,0.000091889975,0.000029777684,0.00010907114],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003455744,0.00010935274,0.00013966337,0.000029027553,0.00018120874,0.00023052694,0.00007512791,0.000028311948,0.0022765875],"category_scores_gemma":[0.000012692431,0.000093760944,0.000035865807,0.00003813041,0.00012091109,0.00022257227,0.00003975066,0.00011474996,0.00016502946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037550926,0.00005659437,0.00035887677,0.00010511203,0.00004221363,0.0001788847,0.052778333,3.1811487e-7,0.00012236527,0.691122,0.244591,0.01060677],"study_design_scores_gemma":[0.00028557586,0.000078667195,0.00009064143,0.000011881825,0.000013032868,0.000003936599,0.0010728562,0.00013773219,0.000060681927,0.0012017682,0.99690944,0.00013380838],"about_ca_topic_score_codex":0.000025040172,"about_ca_topic_score_gemma":0.000021995602,"teacher_disagreement_score":0.75231844,"about_ca_system_score_codex":0.0000050352373,"about_ca_system_score_gemma":0.000014568657,"threshold_uncertainty_score":0.9986355},"labels":[],"label_agreement":null},{"id":"W4379625097","doi":"10.1353/mlr.2004.a826688","title":"The Woman and the Hour: Harriet Martineau and Victorian Ideologies by Caroline Roberts (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Ideology; Metaphor; Literature; Meaning (existential); Philosophy; Aesthetics; History; Psychoanalysis; Sociology; Art; Epistemology; Politics; Law; Psychology; Theology","score_opus":0.006537707857009184,"score_gpt":0.2203248699668429,"score_spread":0.2137871621098337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379625097","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00097471767,0.9270541,0.000012825542,0.059907984,0.000114350376,0.0006663156,0.00002418874,0.00004453962,0.01120094],"genre_scores_gemma":[0.27612966,0.69078225,0.000007454733,0.02656919,0.0004439586,0.00012721737,0.000025969252,0.000023152397,0.0058911573],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989189,0.00022465496,0.0003098509,0.00018000502,0.00015142959,0.00021519717],"domain_scores_gemma":[0.99911565,0.0002205728,0.000104153696,0.00046791817,0.000046130594,0.000045578035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008292816,0.00019945148,0.00038311403,0.000007857792,0.0005210183,0.00018353322,0.00027638077,0.00002361074,0.000101358826],"category_scores_gemma":[0.000115556606,0.00007541348,0.00010131816,0.000029960313,0.00051834004,0.00011945416,0.00011435601,0.00019964647,0.000009212348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009309838,0.00006019,0.0000119146835,0.0068321293,0.00028842103,0.00007511467,0.11134192,3.6755372e-7,0.00003780706,0.5495385,0.16177125,0.16994928],"study_design_scores_gemma":[0.00040797895,0.00002358839,0.0000072134294,0.0028496974,0.0001881831,0.000040945775,0.0004092139,0.000008199694,0.0000056427775,0.0075906683,0.9883318,0.0001368741],"about_ca_topic_score_codex":0.0001664649,"about_ca_topic_score_gemma":0.0008227362,"teacher_disagreement_score":0.82656056,"about_ca_system_score_codex":0.000008395596,"about_ca_system_score_gemma":0.000016617467,"threshold_uncertainty_score":0.4007304},"labels":[],"label_agreement":null},{"id":"W4380481888","doi":"10.6000/1929-4409.2020.09.250","title":"The Dilemma of Maternity between Need and Duty: A Feminist Reading of Doris Lessing's the Fifth Child","year":2022,"lang":"en","type":"article","venue":"International Journal of Criminology and Sociology","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Deanship of Scientific Research, Prince Sattam bin Abdulaziz University; Prince Sattam bin Abdulaziz University","keywords":"Dilemma; Duty; Reading (process); Context (archaeology); Sociology; Feminism; Obligation; Doris (gastropod); Gender studies; Psychoanalysis; Law; Philosophy; Psychology; History; Epistemology; Political science; Art history","score_opus":0.051765290492724145,"score_gpt":0.2825023105110645,"score_spread":0.23073702001834034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380481888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98552907,0.0016616449,0.0000049851456,0.008485825,0.0006997789,0.000032507178,0.000060870618,0.0000024282895,0.0035228662],"genre_scores_gemma":[0.99891365,0.00007907777,0.000007282925,0.0004083336,0.0004059722,0.0000023760458,0.0000049077817,0.0000040058108,0.00017438213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999122,0.00022268582,0.00037771603,0.00006553746,0.00012225828,0.00008977111],"domain_scores_gemma":[0.9987775,0.0005933233,0.00037479543,0.00006196597,0.00017447883,0.000017941544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047621652,0.0000677033,0.00021015828,0.00006992074,0.00044248917,0.000034461136,0.00027776585,0.00004322778,0.000107029875],"category_scores_gemma":[0.000060132534,0.00004012821,0.00006691934,0.0000039434244,0.0012286103,0.00006528198,0.00013442784,0.00035985681,1.8538856e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016430549,0.000026671687,0.007001434,0.00000912625,0.00028157764,0.000019590665,0.058189902,4.0317028e-7,0.000042945747,0.9315213,0.0003411588,0.0024015892],"study_design_scores_gemma":[0.0015421441,0.0011071131,0.055641845,0.00007440992,0.00025376648,0.0008881353,0.038550965,0.000013512313,0.00017778519,0.44558105,0.45598844,0.00018082747],"about_ca_topic_score_codex":0.000051880852,"about_ca_topic_score_gemma":0.0000062005115,"teacher_disagreement_score":0.48594025,"about_ca_system_score_codex":0.0000108069835,"about_ca_system_score_gemma":0.000032935288,"threshold_uncertainty_score":0.45268658},"labels":[],"label_agreement":null},{"id":"W43814244","doi":"","title":"Under the maple tree","year":2009,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Brother; Narrative; Portrait; Genealogy; Art history; Set (abstract data type); Tree of life (biology); Sociology; Art; History; Literature; Computer science; Anthropology","score_opus":0.036230753963279835,"score_gpt":0.265567880598252,"score_spread":0.22933712663497213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W43814244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12983373,0.0008739432,0.0000013418455,0.0018803363,0.0014260546,0.00039084768,0.000019492765,0.00010559726,0.8654687],"genre_scores_gemma":[0.5314133,0.00003489827,5.086989e-7,0.000051001687,0.0012123364,0.000002106453,0.00012782945,0.000023729091,0.4671343],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972813,0.0004930213,0.00025116917,0.00055986433,0.0007585679,0.000656079],"domain_scores_gemma":[0.9983772,0.00024964337,0.00011852988,0.0007181913,0.0003591432,0.00017731103],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00035911554,0.0003186269,0.00033814285,0.0007108023,0.002022531,0.00086794957,0.0009936849,0.00023338046,0.0005794022],"category_scores_gemma":[0.00001629675,0.00026067966,0.0003157305,0.0002865017,0.00043791728,0.00041082216,0.00007348194,0.0015463063,0.00013412049],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036947633,0.0001067085,0.000055624805,0.00007434277,0.00017775704,0.00086017814,0.009752912,3.8120666e-7,0.00018124895,0.9416623,0.04509676,0.0016623174],"study_design_scores_gemma":[0.0003116507,0.00027548135,0.0034069677,0.000116852054,0.00007734623,0.00000857336,0.04174452,0.0000045667384,0.00074447785,0.008562438,0.9444074,0.00033974697],"about_ca_topic_score_codex":0.007990336,"about_ca_topic_score_gemma":0.1965675,"teacher_disagreement_score":0.93309987,"about_ca_system_score_codex":0.00026625395,"about_ca_system_score_gemma":0.0006371938,"threshold_uncertainty_score":0.99998456},"labels":[],"label_agreement":null},{"id":"W4381708243","doi":"10.5281/zenodo.7429988","title":"The Mystery of History: To Say Nothing of the Dog as Neo-Victorian Fiction","year":2023,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Nothing; Art; Literature; Art history; History; Philosophy; Epistemology","score_opus":0.04292409844922361,"score_gpt":0.22767865551185784,"score_spread":0.18475455706263422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381708243","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048013285,0.00025018133,0.000049162976,0.007027687,0.0014899151,0.00049509027,0.00013820038,0.00039557487,0.9421409],"genre_scores_gemma":[0.9687564,0.000012118178,0.0000030923136,0.00030398794,0.00031554897,5.4184646e-8,0.00008600905,0.00027082337,0.030252002],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990654,0.00016937341,0.00020787053,0.00013879052,0.00026477073,0.00015381984],"domain_scores_gemma":[0.9991277,0.00004409793,0.000083669904,0.0003342666,0.00036474795,0.00004554157],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004504193,0.00007014496,0.000087852386,0.000102305916,0.0012804642,0.0002723181,0.0005616996,0.000022915607,0.0034947998],"category_scores_gemma":[0.00028145913,0.00004817273,0.000057798392,0.00016534531,0.000159968,0.00015312101,0.00039571634,0.00012944803,0.00095135253],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046199064,0.000032065833,0.0000016344446,0.00006172324,0.000032402582,0.0000025553522,0.11330371,0.0000054688685,0.0040476695,0.37418607,0.4996053,0.008675209],"study_design_scores_gemma":[0.00010143712,0.00009581925,0.00014627198,0.00004565509,0.000007517665,0.0000033575022,0.0023580708,0.000024140767,0.00024777924,0.00026737532,0.996648,0.000054544613],"about_ca_topic_score_codex":0.000035900768,"about_ca_topic_score_gemma":0.0000029049843,"teacher_disagreement_score":0.9207431,"about_ca_system_score_codex":0.00006656691,"about_ca_system_score_gemma":0.000005621958,"threshold_uncertainty_score":0.99982655},"labels":[],"label_agreement":null},{"id":"W4382365230","doi":"10.1386/fict_00078_7","title":"Resocialization and regeneration in Ernest Cline’s ‘The Omnibot Incident’","year":2023,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Cline (biology); Swift; Character (mathematics); History; Scholarship; Literature; Grief; Aesthetics; Sociology; Art; Psychology; Law; Political science","score_opus":0.03941034625496132,"score_gpt":0.3179480604442122,"score_spread":0.2785377141892509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382365230","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6408277,0.0033275336,0.00026710486,0.014831983,0.0017674011,0.00066245184,0.000024959927,0.00016600937,0.33812487],"genre_scores_gemma":[0.9931851,0.00042162684,0.0000048308107,0.00079051097,0.00042678244,0.000029692857,0.000052866402,0.000007407548,0.0050811986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887335,0.00060989027,0.00020086167,0.0001432919,0.000085213775,0.00008738107],"domain_scores_gemma":[0.9989206,0.00089158665,0.000041626034,0.00008079484,0.0000485467,0.000016805692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023716798,0.00006765779,0.00007366516,0.000110719055,0.00025301386,0.00021478649,0.00003267049,0.000047024707,0.00007109661],"category_scores_gemma":[0.00054484827,0.000055096723,0.000011891732,0.000114189286,0.0000846596,0.00079563126,0.000020926831,0.0001547422,0.0000054282787],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020733099,0.000021307118,0.00064057874,0.000011775581,0.000005355608,0.000013031148,0.03477224,0.000008595839,0.000047877475,0.9581763,0.0019325225,0.0041630636],"study_design_scores_gemma":[0.00026451529,0.00006022824,0.0054605687,0.000048436792,0.000029386065,0.000023527235,0.030908398,0.00039272706,0.000038517417,0.056535047,0.90609384,0.00014479364],"about_ca_topic_score_codex":0.0000817456,"about_ca_topic_score_gemma":0.0011029036,"teacher_disagreement_score":0.90416133,"about_ca_system_score_codex":0.0000122538295,"about_ca_system_score_gemma":0.000014242577,"threshold_uncertainty_score":0.22467792},"labels":[],"label_agreement":null},{"id":"W4383874039","doi":"10.33137/rr.v45i4.41389","title":"Bennett, Kristen Abbot, project dir. and gen. ed. The Kit Marlowe Project. Other","year":2023,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.028639789030770534,"score_gpt":0.24958406464796776,"score_spread":0.22094427561719723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383874039","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31823614,0.025667312,0.000031584517,0.007688492,0.0007755115,0.0019017298,0.0002000461,0.0005611528,0.64493805],"genre_scores_gemma":[0.978429,0.00064773654,0.000015164778,0.00065283186,0.00057050854,0.00008154826,0.000078512574,0.000018146104,0.01950651],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999336,0.00003779927,0.00018965015,0.0001399987,0.00012206738,0.00017449673],"domain_scores_gemma":[0.9996966,0.000025065068,0.00006426213,0.00014904312,0.000043822027,0.000021176176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021658593,0.00011963282,0.000116879615,0.00008951613,0.00044550883,0.0003006877,0.00007133271,0.000044960125,0.000039157298],"category_scores_gemma":[0.000007695222,0.000064131505,0.00003359764,0.00007654237,0.00014032035,0.00060516834,0.000038652546,0.0001118148,0.00002841572],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010139056,0.00004906726,0.0003728237,0.00062466867,0.00010368347,0.000015395084,0.12945272,8.3158943e-7,0.00022922884,0.2883543,0.53464967,0.04604623],"study_design_scores_gemma":[0.00020562178,0.00005724474,0.000619997,0.0000920815,0.00001514525,0.000011197783,0.0039405455,0.00023712307,0.000029510014,0.00072342955,0.99394274,0.00012534855],"about_ca_topic_score_codex":0.00017997126,"about_ca_topic_score_gemma":0.00022382077,"teacher_disagreement_score":0.6601929,"about_ca_system_score_codex":0.000008113662,"about_ca_system_score_gemma":0.000017492006,"threshold_uncertainty_score":0.34265387},"labels":[],"label_agreement":null},{"id":"W4385150276","doi":"10.1353/nhr.2023.a902639","title":"Walking to Haworth, Mother’s Brown Shoes","year":2023,"lang":"en","type":"article","venue":"New hibernia review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Porch; Biography; Wife; Clothing; Stairs; History; Memoir; Bedroom; Tower; Art history; Art; Visual arts; Archaeology; Law","score_opus":0.04798241613807121,"score_gpt":0.27428924562637874,"score_spread":0.22630682948830755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385150276","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021955674,0.22722852,0.000024402165,0.045283467,0.0013987481,0.0010316796,0.0000640376,0.0008041983,0.72196937],"genre_scores_gemma":[0.08825942,0.024408624,0.000184359,0.080337584,0.0047222027,0.0001509917,0.0001495822,0.00013464257,0.8016526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989049,0.00004726751,0.000310978,0.0002587403,0.00020448708,0.00027365272],"domain_scores_gemma":[0.99936575,0.000051948617,0.000045910143,0.00032604657,0.000056380875,0.00015396839],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020948017,0.00017624655,0.00033607017,0.00008416146,0.00014840771,0.000189709,0.00021321833,0.000029114464,0.007477799],"category_scores_gemma":[0.000043275177,0.00013791931,0.00015515904,0.00014193772,0.00002561601,0.0001885566,0.000059948165,0.00012498072,0.005364285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000038341086,0.000010461568,0.000012072453,0.0006059872,0.000019297742,0.000028564544,0.0049657724,1.0625336e-7,0.000015375994,0.13001771,0.6924264,0.17189446],"study_design_scores_gemma":[0.000101127436,0.000033063938,0.000039134444,0.0025290565,0.00003689233,0.0000033865872,0.00008513473,0.0000018349782,0.0000070141064,0.0018171446,0.99516654,0.0001796881],"about_ca_topic_score_codex":0.000055283894,"about_ca_topic_score_gemma":0.00048343456,"teacher_disagreement_score":0.30274016,"about_ca_system_score_codex":0.000013839199,"about_ca_system_score_gemma":0.0000435662,"threshold_uncertainty_score":0.99541014},"labels":[],"label_agreement":null},{"id":"W4385284128","doi":"10.1017/9781009038157.016","title":"T. S. Eliot to 1990","year":2023,"lang":"ceb","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Literature; Art; Art history; History","score_opus":0.04065124828697085,"score_gpt":0.2049365242209526,"score_spread":0.16428527593398173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385284128","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027885012,0.00029944113,0.00004081205,0.00024595155,0.00203538,0.00083800446,0.0028941003,0.0004087134,0.9929587],"genre_scores_gemma":[0.01815479,0.0001032139,0.00001432763,0.000848405,0.0015481944,0.0000013482855,0.00023718587,0.00014920496,0.97894335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99736905,0.00007155569,0.0004246815,0.0009892362,0.0004822718,0.0006632028],"domain_scores_gemma":[0.9978205,0.00015451023,0.00019108535,0.0009245394,0.00038773086,0.00052161096],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015788511,0.0007962456,0.00080299797,0.0005995479,0.00089291413,0.0005569405,0.00086553313,0.0004660528,0.00014472274],"category_scores_gemma":[0.000014486544,0.00094057387,0.00056338107,0.000015436592,0.0004439651,0.00023123623,0.0007916552,0.0008626807,0.0009824885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017555461,0.00001758351,3.9261593e-7,0.00018752491,0.00027643607,0.0016028511,0.0022669474,3.2473852e-7,0.000015780164,0.8226705,0.17173305,0.0010530183],"study_design_scores_gemma":[0.0005913483,0.00020761341,0.000008583472,0.0007680358,0.0004057018,0.000010071461,0.0009965943,0.000009476581,0.000055919714,0.000035714223,0.99586767,0.0010432695],"about_ca_topic_score_codex":0.00076373486,"about_ca_topic_score_gemma":0.00007154188,"teacher_disagreement_score":0.82413465,"about_ca_system_score_codex":0.00014293531,"about_ca_system_score_gemma":0.0001294567,"threshold_uncertainty_score":0.9997954},"labels":[],"label_agreement":null},{"id":"W4385397669","doi":"10.18733/cpi29694","title":"Whispers Through My Soul","year":2023,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sculpture; Soul; Art; Art history; Visual arts; Philosophy; Theology","score_opus":0.7325569642850713,"score_gpt":0.4510035039199825,"score_spread":0.2815534603650888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385397669","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72619265,0.0018814639,0.0000036918984,0.0046170102,0.0009594609,0.00010895081,0.000028654727,0.00032559628,0.26588252],"genre_scores_gemma":[0.91086626,0.00014579111,0.000010050056,0.0019219621,0.0021415895,0.000013010036,0.00009363196,0.000008021423,0.08479968],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992387,0.00002851879,0.00015513986,0.00022270546,0.00012333995,0.00023159129],"domain_scores_gemma":[0.99970806,0.000044601027,0.000020986165,0.00009159593,0.000058514044,0.00007625197],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000597721,0.00014233115,0.00015956201,0.000022895072,0.00034227787,0.00031474888,0.00008788747,0.000059339265,0.0019011134],"category_scores_gemma":[0.000016045482,0.00008440549,0.000080729435,0.000051979387,0.0004273154,0.0004705337,0.00006137835,0.00015257645,0.00043904854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015340554,0.000016629876,0.00003953631,0.000024380168,0.000013396351,0.0000371367,0.20585233,1.4078033e-7,0.00014714042,0.6884355,0.103836246,0.0015822089],"study_design_scores_gemma":[0.00017484263,0.00006232682,0.00016874785,0.000021375232,0.000011695969,0.0000071634736,0.06177041,0.000008187246,0.000021657856,0.008010883,0.92957336,0.00016932804],"about_ca_topic_score_codex":0.000024451936,"about_ca_topic_score_gemma":0.00003025519,"teacher_disagreement_score":0.8257371,"about_ca_system_score_codex":0.0000044680523,"about_ca_system_score_gemma":0.000006654822,"threshold_uncertainty_score":0.9990113},"labels":[],"label_agreement":null},{"id":"W4385415801","doi":"10.4324/9781003321453-12","title":"Biomedical Neoliberalism in Canadian Literature","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Neoliberalism (international relations); Sociology; Social science","score_opus":0.026899355491906304,"score_gpt":0.21454894402541036,"score_spread":0.18764958853350405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385415801","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000058835612,0.0014434303,1.1215481e-7,0.0075144893,0.0016018944,0.00016935109,0.0006519817,0.00013014155,0.9884827],"genre_scores_gemma":[0.004064736,0.00006160654,0.0000053019803,0.006118821,0.0021527277,0.000010401684,0.0014592623,0.00007951021,0.9860476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986637,0.000010314391,0.00034339415,0.0003419767,0.00021619003,0.000424396],"domain_scores_gemma":[0.9992239,0.000042856525,0.000035759593,0.0002702932,0.00008372329,0.00034349324],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011126933,0.00032219765,0.00034769633,0.0008559223,0.00010150855,0.00046753514,0.00021122576,0.00042022808,0.011204996],"category_scores_gemma":[0.000008440101,0.00026895167,0.00015018399,0.000026537733,0.00016795078,0.0001591772,0.00003673712,0.00071066956,0.0012320656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024264584,0.000003596099,4.2082763e-7,0.000035473284,0.000019691659,0.0010968974,0.008767645,4.5472697e-9,9.135099e-8,0.82235247,0.1669789,0.00074236654],"study_design_scores_gemma":[0.00011102587,0.000023321738,0.0000015559564,0.00049318676,0.0000099709,0.0000066551756,0.00008891338,0.000002766999,7.5305444e-8,0.15716581,0.8418194,0.00027732397],"about_ca_topic_score_codex":0.077628,"about_ca_topic_score_gemma":0.8555067,"teacher_disagreement_score":0.77787876,"about_ca_system_score_codex":0.0000758948,"about_ca_system_score_gemma":0.00029072154,"threshold_uncertainty_score":0.9999763},"labels":[],"label_agreement":null},{"id":"W4385590497","doi":"10.1353/mos.2021.a903586","title":"The Differing Shame Cultures of Tony Williams's Nutcase and Grettir's Saga","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shame; Psychoanalysis; Social life; Sociology; Literature; Psychology; Art; Social science; Social psychology","score_opus":0.017441368667113127,"score_gpt":0.22121192875656617,"score_spread":0.20377056008945305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385590497","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8401868,0.033489354,0.00000731069,0.0063343258,0.00071710866,0.00015005458,0.00012637323,0.00006205119,0.11892663],"genre_scores_gemma":[0.97048426,0.00009082731,0.000009891737,0.00062166183,0.00025716025,0.000006617471,0.000019927267,0.000008308313,0.028501373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994875,0.0000299659,0.00014290676,0.00012272541,0.00009405228,0.0001228171],"domain_scores_gemma":[0.9996374,0.00007024552,0.000029738816,0.00016336267,0.000064608226,0.000034592398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000054393568,0.0000875652,0.00012103257,0.000011968375,0.00025571213,0.00022576873,0.000067182,0.000024122308,0.00025285772],"category_scores_gemma":[0.000021825055,0.00005480395,0.00005206588,0.00002051076,0.00014245718,0.000114681934,0.000048195725,0.00009046303,0.0000035561598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002688577,0.00006340835,0.0004701405,0.00010976286,0.0000799912,0.00015917026,0.038341556,2.6136874e-7,0.0016360935,0.9123927,0.03697776,0.0097423],"study_design_scores_gemma":[0.00016906734,0.000029702423,0.00035552954,0.000055721997,0.000018242026,0.000013360101,0.002972272,0.000013257673,0.0014132985,0.0040901825,0.9907735,0.00009587486],"about_ca_topic_score_codex":0.000028448962,"about_ca_topic_score_gemma":0.00039933878,"teacher_disagreement_score":0.95379573,"about_ca_system_score_codex":0.000004471417,"about_ca_system_score_gemma":0.000013414968,"threshold_uncertainty_score":0.27686146},"labels":[],"label_agreement":null},{"id":"W4386120032","doi":"10.3406/ranam.2013.1449","title":"Contesting home and native land : Tessa McWatt’s Out of My Skin and Drew Hayden Taylor’s “A Blurry Image on the Six O’clock News”","year":2013,"lang":"en","type":"article","venue":"Recherches anglaises et nord-américaines","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Representation (politics); Object (grammar); Media studies; Field (mathematics); Sociology; History; Visual arts; Art history; Art; Law; Political science; Politics; Computer science; Artificial intelligence","score_opus":0.11292255880295003,"score_gpt":0.30061122470735924,"score_spread":0.1876886659044092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386120032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85522085,0.0030511792,0.000029507159,0.01588562,0.00024170984,0.00073706615,0.00011067794,0.00011372907,0.12460965],"genre_scores_gemma":[0.99082327,0.00014681715,0.0002814025,0.0016790879,0.0004239562,0.000082215854,0.000020954396,0.000042155658,0.0065001464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983607,0.00034967772,0.00039733006,0.0003788294,0.00020925626,0.00030419586],"domain_scores_gemma":[0.9960101,0.0030467834,0.00018153622,0.00028684188,0.0003662584,0.000108461805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005283089,0.00033840165,0.0004588008,0.00011762781,0.00037253523,0.000431669,0.00020781772,0.00011700285,0.00020324251],"category_scores_gemma":[0.0007633797,0.00021625691,0.00010199927,0.00008667542,0.00054896803,0.00055410987,0.00017374134,0.00041411305,0.000016245835],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002216044,0.0005812789,0.02178006,0.0008343756,0.00047515918,0.000060000923,0.36302778,0.000001976017,0.002156922,0.551283,0.023845127,0.03573271],"study_design_scores_gemma":[0.0070758173,0.003404586,0.054460064,0.0032094908,0.00060179224,0.00008881889,0.15245458,0.0024088812,0.0032248064,0.12884578,0.6398716,0.0043537878],"about_ca_topic_score_codex":0.0013471784,"about_ca_topic_score_gemma":0.0017535189,"teacher_disagreement_score":0.61602646,"about_ca_system_score_codex":0.000025300786,"about_ca_system_score_gemma":0.000046469122,"threshold_uncertainty_score":0.8818701},"labels":[],"label_agreement":null},{"id":"W4386221159","doi":"10.5539/ells.v13n3p71","title":"Beyond Veracity: The Pursuit of Postmodern Truth in Julian Barnes’s Flaubert’s Parrot","year":2023,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Philosophy; Epistemology; Phenomenon; Power (physics); Physics","score_opus":0.016919761567719044,"score_gpt":0.2522802474795917,"score_spread":0.23536048591187267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386221159","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86224276,0.07472913,1.9592551e-7,0.002404256,0.0014336937,0.00028210224,0.0002270372,0.00012623475,0.05855462],"genre_scores_gemma":[0.9880377,0.00031853854,0.000004292968,0.00071224297,0.0012227569,0.000040922674,0.000092566166,0.000018944234,0.009552037],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988298,0.00010046993,0.00029316143,0.00026678178,0.00023828661,0.00027149954],"domain_scores_gemma":[0.99913454,0.00032457183,0.000059093883,0.00024981104,0.00019143248,0.000040555457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038926702,0.00021882248,0.0003539871,0.00016193945,0.00022459582,0.00037564329,0.00020700006,0.00006518093,0.00007666203],"category_scores_gemma":[0.0002796104,0.00013605217,0.00008950641,0.00020850178,0.00024435564,0.00035940288,0.00013387226,0.00032351384,0.000006028229],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033047698,0.000022692908,0.00010631957,0.00010421799,0.00008309187,0.00016398427,0.8637807,3.3380533e-7,0.000020616762,0.12570195,0.0079063475,0.0020767455],"study_design_scores_gemma":[0.00078201696,0.00013433826,0.00060151174,0.00049201655,0.000058252233,0.0000060334987,0.53371567,0.000016508395,0.00009667912,0.007931583,0.45582342,0.0003420025],"about_ca_topic_score_codex":0.00003218765,"about_ca_topic_score_gemma":0.00048360246,"teacher_disagreement_score":0.44791707,"about_ca_system_score_codex":0.000008345138,"about_ca_system_score_gemma":0.000012233506,"threshold_uncertainty_score":0.5548047},"labels":[],"label_agreement":null},{"id":"W4386510999","doi":"10.1515/9781772125078","title":"Writing Beyond the End Times? / Écrire au-delà de la fin des temps ?","year":2019,"lang":"fr","type":"book","venue":"University of Alberta Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fin; Humanities; Art; Engineering; Mechanical engineering","score_opus":0.016966359438520952,"score_gpt":0.2000837939003077,"score_spread":0.18311743446178674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386510999","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007158629,0.0018075859,0.000018390658,0.00025029294,0.00027242585,0.00040965978,0.000315275,0.0000260809,0.9897417],"genre_scores_gemma":[0.17395782,0.00006983427,0.00006127981,0.00017997464,0.00044691423,6.672574e-7,0.00008255156,0.0000406792,0.82516026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980635,0.00042947344,0.00031780472,0.00042440597,0.0002699351,0.00049487635],"domain_scores_gemma":[0.9967322,0.00206525,0.00029256137,0.0005775871,0.00019773461,0.00013471796],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00034534145,0.00044856197,0.0005527987,0.00011320104,0.0013060966,0.00024985324,0.00082550826,0.00043579176,0.0013624588],"category_scores_gemma":[0.00002884657,0.00042686026,0.00041200308,0.000008950148,0.003524844,0.0002696101,0.00036429212,0.0007626705,0.000049009624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008239943,0.000049697395,0.00004818607,0.00062637473,0.00031325888,0.00007202988,0.14051378,0.0000034776788,0.0000125456345,0.8399526,0.015219932,0.0031057333],"study_design_scores_gemma":[0.0005997925,0.00011645034,0.00003808189,0.0011913734,0.00048137768,0.000026236828,0.008670961,0.00006628422,0.000057603476,0.0047858167,0.9835128,0.00045323212],"about_ca_topic_score_codex":0.04307643,"about_ca_topic_score_gemma":0.015960453,"teacher_disagreement_score":0.96829283,"about_ca_system_score_codex":0.00017512254,"about_ca_system_score_gemma":0.00060088694,"threshold_uncertainty_score":0.99999404},"labels":[],"label_agreement":null},{"id":"W4386906706","doi":"10.17576/3l-2023-2903-03","title":"Ecological Crises of the Capitalocene: A Study on Colleen Murphy’s The Breathing Hole","year":2023,"lang":"en","type":"article","venue":"3L The Southeast Asian Journal of English Language Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ecology; Breathing; Geography; Medicine; Biology; Psychiatry","score_opus":0.037785288443885026,"score_gpt":0.2762381418499451,"score_spread":0.2384528534060601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386906706","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9375091,0.003462172,3.2777942e-7,0.004042866,0.002028861,0.0004207528,0.0000878964,0.000039662104,0.052408315],"genre_scores_gemma":[0.9947174,0.000012028452,0.0000016760662,0.00023904802,0.0020800142,0.000014093523,7.954755e-7,0.000017860646,0.0029170578],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983014,0.0004355641,0.0004698959,0.00013000562,0.00043001605,0.00023313753],"domain_scores_gemma":[0.99837416,0.00039134003,0.00029835344,0.00034440443,0.0005543283,0.000037412887],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010107969,0.0001950985,0.00039085955,0.00008854082,0.00079392194,0.00016535613,0.0006212094,0.00003060195,0.000085777756],"category_scores_gemma":[0.0010290195,0.00007420217,0.00031725908,0.00016317652,0.00049196294,0.00012582743,0.0001782338,0.00047731624,0.000009452069],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059657195,0.00019584883,0.0003170815,0.000018799823,0.0004691641,0.000104457875,0.9807303,0.000010011736,0.000004405745,0.010487201,0.00724152,0.00036157362],"study_design_scores_gemma":[0.00050027645,0.00048280618,0.0023581022,0.00015022879,0.00016281514,0.000007443102,0.9864379,0.0000015275268,0.000017151458,0.0006269723,0.009160428,0.00009435482],"about_ca_topic_score_codex":0.000010717013,"about_ca_topic_score_gemma":0.00014494157,"teacher_disagreement_score":0.05720828,"about_ca_system_score_codex":0.00001722455,"about_ca_system_score_gemma":0.000042470565,"threshold_uncertainty_score":0.6106286},"labels":[],"label_agreement":null},{"id":"W4387444249","doi":"10.1017/9781009387446.004","title":"Black Box Subjectivity","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Cybernetics; Subjectivity; Perception; Variety (cybernetics); Psychology; Epistemology; Cognitive science; Blindness; Philosophy; Computer science; Artificial intelligence","score_opus":0.038974778581784456,"score_gpt":0.1921136682226189,"score_spread":0.15313888964083444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387444249","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000068141744,0.00010081456,0.000013374805,0.00004960938,0.0007940782,0.00030158486,0.0010097608,0.0004191328,0.9972435],"genre_scores_gemma":[0.0068160635,0.00002806895,0.0000026803998,0.00014670525,0.00088258757,6.2628857e-7,0.00013973382,0.000078215155,0.99190533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878806,0.000032080054,0.00017402497,0.00048140474,0.00024382945,0.00028060368],"domain_scores_gemma":[0.9989695,0.00008909883,0.00012561289,0.00049514096,0.0001886031,0.00013205557],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0000832593,0.00038497016,0.00041599938,0.0002048145,0.00032431897,0.00020818289,0.00036646813,0.00024776356,0.00006825866],"category_scores_gemma":[0.0000056871436,0.00043524778,0.00032006853,0.0000033702338,0.0005487617,0.00017792136,0.00025659392,0.00055654405,0.00021812676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043162807,0.0000069686566,1.5501995e-7,0.00008608411,0.000118455944,0.0005257331,0.0012263946,5.241175e-8,0.0000022170332,0.8205894,0.17712684,0.0002745075],"study_design_scores_gemma":[0.00029452695,0.000050229122,0.0000018487141,0.0001817316,0.00016990093,0.0000030482124,0.00027610877,0.0000055647483,0.00002371896,0.00024708742,0.9982686,0.00047761496],"about_ca_topic_score_codex":0.00019465495,"about_ca_topic_score_gemma":0.000084375315,"teacher_disagreement_score":0.8211418,"about_ca_system_score_codex":0.00007903823,"about_ca_system_score_gemma":0.00008073224,"threshold_uncertainty_score":0.9998099},"labels":[],"label_agreement":null},{"id":"W4387582470","doi":"10.5539/ells.v13n4p1","title":"“Feminism Passed Her By”: A Feminist Critique on Penelope Lively’s Moon Tiger and The Photograph","year":2023,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tiger; Argument (complex analysis); Hegemony; Feminism; Consciousness; Full moon; Plot (graphics); Art history; Art; Literature; Sociology; History; Philosophy; Gender studies; Epistemology; Law; Political science; Computer science; Astronomy","score_opus":0.012346040205807813,"score_gpt":0.2543988941067955,"score_spread":0.24205285390098769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387582470","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5506498,0.16284512,4.996799e-7,0.005417074,0.0014724474,0.00072840456,0.0005702493,0.00047037005,0.27784604],"genre_scores_gemma":[0.95885587,0.0016565929,0.0000058605415,0.0036115097,0.0012861802,0.00013496193,0.00010924919,0.000029130502,0.034310658],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872553,0.00017273433,0.00023923378,0.00038243958,0.00018372717,0.00029634862],"domain_scores_gemma":[0.9988398,0.00063651585,0.000052772033,0.00023548561,0.00016641757,0.000069029775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004469417,0.00030942407,0.00038535456,0.00012453827,0.0006279197,0.0008707693,0.00012111353,0.000087902816,0.00010677349],"category_scores_gemma":[0.00021644546,0.0001819593,0.000102408245,0.00014640647,0.00058058137,0.00021790984,0.00010094983,0.0003952754,0.000010869825],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012306064,0.000025157022,0.00001917721,0.00010170061,0.00014248237,0.00016105031,0.73566717,8.527096e-9,0.00002851897,0.14492503,0.11802442,0.00078221376],"study_design_scores_gemma":[0.001090976,0.00010250377,0.000039685336,0.0003857264,0.00005115162,0.0000054705724,0.3364972,0.0000021816563,0.000070469694,0.00092759164,0.6605559,0.00027117686],"about_ca_topic_score_codex":0.000016660115,"about_ca_topic_score_gemma":0.00007133055,"teacher_disagreement_score":0.54253143,"about_ca_system_score_codex":0.0000055205323,"about_ca_system_score_gemma":0.000008552342,"threshold_uncertainty_score":0.8396849},"labels":[],"label_agreement":null},{"id":"W4387987874","doi":"10.4000/books.pulm.23155","title":"An Interview with Sarah Schulman","year":2022,"lang":"en","type":"book-chapter","venue":"Presses universitaires de la Méditerranée eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Psychology; History","score_opus":0.021300059638562387,"score_gpt":0.21107380956869756,"score_spread":0.18977374993013518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387987874","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001445829,0.0031740316,0.00003271823,0.000431156,0.00028090063,0.00032965365,0.00033147197,0.00029354147,0.99498194],"genre_scores_gemma":[0.36937085,0.00006633018,0.000044350356,0.00089708896,0.0006121149,0.000015541002,0.0003607344,0.00013300666,0.6285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831855,0.00017923205,0.00026434826,0.00055228564,0.00035003148,0.0003355416],"domain_scores_gemma":[0.998705,0.00013240999,0.00018552807,0.0006753042,0.000120375706,0.00018136998],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016921178,0.00053430995,0.0004829187,0.0003322604,0.00060022227,0.00055709627,0.0007568162,0.00018864166,0.0224414],"category_scores_gemma":[0.0000024603598,0.00049976364,0.00023445005,0.000008672834,0.0006497299,0.00056086114,0.00022140035,0.00083597284,0.000028655133],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016338428,0.000041960342,0.0000024246403,0.00021438027,0.00030010604,0.0011335369,0.01207816,0.0000012571786,0.000006757418,0.9479562,0.01647981,0.021621991],"study_design_scores_gemma":[0.0004893038,0.00047829293,0.00000287638,0.0004944516,0.00033080124,0.000063015665,0.0010821956,0.000010281798,0.000007797963,0.037728723,0.9586907,0.00062156003],"about_ca_topic_score_codex":0.000072984265,"about_ca_topic_score_gemma":0.00029462678,"teacher_disagreement_score":0.9422109,"about_ca_system_score_codex":0.00010989663,"about_ca_system_score_gemma":0.00016098801,"threshold_uncertainty_score":0.9997454},"labels":[],"label_agreement":null},{"id":"W4388146889","doi":"10.1515/9781773851440","title":"Disappearing in Reverse","year":2020,"lang":"en","type":"book","venue":"University of Calgary Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Geography","score_opus":0.03480412406784309,"score_gpt":0.17484321210340042,"score_spread":0.14003908803555734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388146889","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000016219263,0.00041604752,0.000015428275,0.000029560722,0.00014748755,0.00018326171,0.00005899548,0.00004255628,0.99909043],"genre_scores_gemma":[0.0012002453,0.000015049787,0.000032318138,0.00014889818,0.00016726079,1.6730414e-7,0.000065615415,0.00001765518,0.99835277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992928,0.000034034838,0.00015486739,0.00023500057,0.00015213403,0.00013118044],"domain_scores_gemma":[0.9995624,0.000032578955,0.000095084644,0.00019615302,0.000048210233,0.000065564986],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000040672287,0.00017057829,0.00034103304,0.000093506525,0.00007492139,0.000033750573,0.0002746291,0.0001272376,0.0003578128],"category_scores_gemma":[0.000003335783,0.0002037371,0.00014910928,0.000002808602,0.00025833258,0.00010268913,0.00016638494,0.00038908768,0.000014202267],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007797352,0.000011721727,9.284402e-7,0.00024164822,0.000043870314,0.00035466818,0.026994651,1.03731416e-7,0.0000024306187,0.9383392,0.032083284,0.0018495474],"study_design_scores_gemma":[0.00035529092,0.000039300772,0.0000017540477,0.00040610717,0.00005836767,8.0581697e-7,0.0004128793,0.00002156061,0.000004717636,0.0021054153,0.99639463,0.00019916488],"about_ca_topic_score_codex":0.0007683274,"about_ca_topic_score_gemma":0.0018790701,"teacher_disagreement_score":0.96431136,"about_ca_system_score_codex":0.000040246276,"about_ca_system_score_gemma":0.00010658969,"threshold_uncertainty_score":0.8308158},"labels":[],"label_agreement":null},{"id":"W4388373170","doi":"10.5070/t814262479","title":"Mental Illness as Cultural Narrative: Dementia, Im/migrant Experience and InterAmerican Entanglements in David Chariandy’s Soucouyant","year":2023,"lang":"en","type":"article","venue":"Journal of Transnational American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Dementia; Context (archaeology); Dignity; Immigration; Sociology; Colonialism; Identity (music); Meaning (existential); Gender studies; History; Psychology; Aesthetics; Political science; Medicine; Psychotherapist; Art; Literature; Law","score_opus":0.03880887712682646,"score_gpt":0.3356579877160132,"score_spread":0.2968491105891867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388373170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98518604,0.0014258609,0.000009804959,0.011922573,0.00051191123,0.00011374856,0.000052604733,0.000013583317,0.0007638851],"genre_scores_gemma":[0.9984646,0.0002837402,0.000065002874,0.0006037499,0.00016436473,0.000024465278,0.000014371384,0.000008328245,0.0003713839],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998742,0.00006003932,0.0005005783,0.0001549992,0.00035780916,0.00018461182],"domain_scores_gemma":[0.99937207,0.000072537296,0.00022714511,0.00004564441,0.00022493968,0.00005765228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018490346,0.00015693574,0.0003623841,0.00022527236,0.0002884692,0.00010016324,0.00012737364,0.000009585765,0.00015661067],"category_scores_gemma":[0.000023286597,0.00011578218,0.00009183993,0.0001549936,0.0007288322,0.00052973913,0.000033121836,0.00014218045,0.0000019973168],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012460216,0.000103863575,0.0022322224,0.000018675768,0.00044834055,0.000089529865,0.9097106,0.0000015295457,0.00037706204,0.08265399,0.0013276476,0.0029119346],"study_design_scores_gemma":[0.0011183965,0.0005245406,0.0089846095,0.000107086526,0.000050072114,0.000047262984,0.8770437,0.000025655008,0.000101622216,0.0026457082,0.10908668,0.0002646712],"about_ca_topic_score_codex":0.000057996698,"about_ca_topic_score_gemma":0.00021603092,"teacher_disagreement_score":0.10775903,"about_ca_system_score_codex":0.000043361244,"about_ca_system_score_gemma":0.000028491442,"threshold_uncertainty_score":0.47214603},"labels":[],"label_agreement":null},{"id":"W4389155131","doi":"10.1017/9781108560740.011","title":"Prostheses","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Cognitive reframing; Flannery; Narrative; Storytelling; Aesthetics; Order (exchange); Literature; Sociology; Art; Psychology; Philosophy; Social psychology","score_opus":0.04969942491631525,"score_gpt":0.1917865124254763,"score_spread":0.14208708750916105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389155131","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011332184,0.00018152989,0.0000030543713,0.000052580213,0.0006288319,0.00029824526,0.00076219696,0.0003917423,0.9976705],"genre_scores_gemma":[0.0013486731,0.000027258437,0.000003038619,0.0001582193,0.00072714285,0.0000010013423,0.00013133908,0.00006954814,0.9975338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990509,0.000017027189,0.00015084793,0.00036244118,0.00020000614,0.00021874889],"domain_scores_gemma":[0.99920195,0.000060889004,0.0000989817,0.00037653834,0.00016284303,0.0000987761],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000051029638,0.00030686054,0.0003165727,0.00017021298,0.00029433306,0.00019560207,0.00032364603,0.00017859603,0.00006197721],"category_scores_gemma":[0.0000045191236,0.00032693121,0.00022901894,0.0000020219497,0.00033542537,0.00012987222,0.00019036792,0.0003730838,0.00017122284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028616465,0.0000039378083,6.1221144e-8,0.000071591414,0.00008248505,0.0004842403,0.0008810342,1.3813534e-8,0.0000010930956,0.8160797,0.18186745,0.0004997949],"study_design_scores_gemma":[0.0001918656,0.000046493347,4.6905677e-7,0.00023476522,0.0001225332,0.0000037836312,0.00022101702,0.0000019137194,0.0000136753215,0.00017382814,0.99861795,0.00037172262],"about_ca_topic_score_codex":0.00007848916,"about_ca_topic_score_gemma":0.000022825263,"teacher_disagreement_score":0.81675047,"about_ca_system_score_codex":0.000042244734,"about_ca_system_score_gemma":0.0000615401,"threshold_uncertainty_score":0.9999183},"labels":[],"label_agreement":null},{"id":"W4389155250","doi":"10.1017/9781108560740.019","title":"Waves and Rays","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Telecommunications; Media studies; Sociology; History; Engineering; Aesthetics; Art; Literature","score_opus":0.03803848525574559,"score_gpt":0.18276650213148343,"score_spread":0.14472801687573783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389155250","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041374173,0.0003685499,0.0000038794606,0.000048386963,0.0004380757,0.00018341052,0.000585187,0.00021164144,0.9981195],"genre_scores_gemma":[0.0022054089,0.00007989129,0.000003910904,0.00013377242,0.00049666926,4.0158386e-7,0.00008642814,0.000046459216,0.99694705],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922514,0.000014747993,0.00012240332,0.00032895122,0.00013554477,0.00017323176],"domain_scores_gemma":[0.99941164,0.000060383238,0.000071711285,0.00025979124,0.000095302836,0.000101191246],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000045817917,0.00026187106,0.0002853694,0.00014673064,0.0002810055,0.00017863787,0.00018097591,0.00015637654,0.000030684143],"category_scores_gemma":[0.000002935728,0.00028145517,0.00012611349,0.0000014529893,0.00037309213,0.00011782716,0.00020526897,0.00030433302,0.000036401485],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023373557,0.000002281695,8.939774e-8,0.00007911997,0.000080890066,0.00035663656,0.0012209871,6.980856e-9,0.0000017801773,0.90352297,0.09402474,0.00068714184],"study_design_scores_gemma":[0.00024157722,0.00003618862,0.0000012790462,0.00018193686,0.0001270795,0.0000049152254,0.0002984193,0.000003813848,0.000007618785,0.00025055482,0.9985301,0.00031653052],"about_ca_topic_score_codex":0.000069491354,"about_ca_topic_score_gemma":0.000020574666,"teacher_disagreement_score":0.9045054,"about_ca_system_score_codex":0.000022651746,"about_ca_system_score_gemma":0.000031677944,"threshold_uncertainty_score":0.99996376},"labels":[],"label_agreement":null},{"id":"W4389675729","doi":"10.1353/tyr.2023.a914438","title":"Introduction: New writing from Windham-Campbell Prize recipients","year":2023,"lang":"en","type":"article","venue":"The Yale Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Poetry; Power (physics); Politics; Irish; Performance art; Media studies; Colonialism; Art history; History; Art; Literature; Law; Sociology; Political science; Philosophy","score_opus":0.05346475422601455,"score_gpt":0.26023284770856375,"score_spread":0.2067680934825492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389675729","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00538685,0.52976066,0.000010879773,0.12709938,0.0041992594,0.0011274948,0.00008615418,0.00056797435,0.33176136],"genre_scores_gemma":[0.08520126,0.09630642,0.000101666854,0.02223658,0.055464987,0.0001339199,0.00069798477,0.00011241319,0.7397448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900347,0.00010273714,0.00031350623,0.00021717334,0.00017262103,0.00019047446],"domain_scores_gemma":[0.99928796,0.0001014351,0.00007535301,0.00042546174,0.000054339944,0.00005545327],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038234823,0.00012960218,0.0002527817,0.000027400669,0.00027409734,0.00015426196,0.00023285976,0.000021497826,0.007362496],"category_scores_gemma":[0.000061230494,0.000083803556,0.000121629404,0.00011820884,0.00007008749,0.00019507726,0.00006891594,0.0001734499,0.0034153995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004202247,0.000012696714,0.000010282925,0.0002974387,0.000034489185,0.000007899748,0.0039211432,7.00674e-8,0.000009729107,0.109494716,0.8237941,0.062413186],"study_design_scores_gemma":[0.000092486596,0.000014467145,0.000045872963,0.0014646199,0.00006555274,0.0000032410678,0.00021929838,0.0000021667247,0.000006693047,0.0034286077,0.99454683,0.0001101426],"about_ca_topic_score_codex":0.000060411217,"about_ca_topic_score_gemma":0.000036964946,"teacher_disagreement_score":0.43345422,"about_ca_system_score_codex":0.000010595785,"about_ca_system_score_gemma":0.000028699504,"threshold_uncertainty_score":0.9973605},"labels":[],"label_agreement":null},{"id":"W4389746133","doi":"10.1007/978-3-031-48177-2_7","title":"Withdrawal: Re-figuring Sense for the Future Through José Saramago’s Seeing and Ruth Ozeki’s A Tale for the Time Being","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Zombie; Capitalism; Democracy; Fallacy; Optimism; Sociology; History; Political science; Psychology; Law; Philosophy; Epistemology; Social psychology","score_opus":0.029450168720983376,"score_gpt":0.23055441662802373,"score_spread":0.20110424790704035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389746133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026500524,0.012043011,0.00043051672,0.009487595,0.0015882354,0.002173329,0.0005317021,0.0002939514,0.97342515],"genre_scores_gemma":[0.007560608,0.0003624279,0.00012105361,0.0027511977,0.0069418573,0.00016015777,0.0001464654,0.00017949934,0.9817767],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855894,0.000014433135,0.000383453,0.00045724932,0.00021968452,0.0003662569],"domain_scores_gemma":[0.9978649,0.0012694888,0.00014830886,0.00048501923,0.00018559574,0.00004668582],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00031886855,0.0004664258,0.00043499382,0.000068385874,0.0015834102,0.0010193818,0.00023167525,0.00020664769,0.0005838509],"category_scores_gemma":[0.000021470514,0.00025406032,0.00034471,0.000014666867,0.00026074244,0.0003093889,0.00012259619,0.00042485908,0.000035467227],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063015024,0.0000048317715,1.6125828e-7,0.00018417332,0.00027912227,0.000016030339,0.023811128,6.177705e-7,0.0000037062493,0.91241586,0.059996717,0.0032246124],"study_design_scores_gemma":[0.00037238657,0.00008958391,7.0669165e-7,0.00032268805,0.00030347667,0.000011818678,0.0048385197,0.00032215766,0.00000679784,0.08824412,0.90512013,0.0003676423],"about_ca_topic_score_codex":0.000054233533,"about_ca_topic_score_gemma":0.0010558317,"teacher_disagreement_score":0.8451234,"about_ca_system_score_codex":0.000020816504,"about_ca_system_score_gemma":0.000047391488,"threshold_uncertainty_score":0.9999912},"labels":[],"label_agreement":null},{"id":"W4389951188","doi":"10.1353/rss.2023.a914941","title":"Recent Acquisitions, 2022–23","year":2023,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology; Computer science","score_opus":0.05195066217842744,"score_gpt":0.28105494729038655,"score_spread":0.2291042851119591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389951188","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32339585,0.42675894,0.00003229964,0.08231094,0.01008401,0.0007212073,0.00012159304,0.00026639807,0.15630877],"genre_scores_gemma":[0.8477011,0.11533663,0.000014533186,0.0014607033,0.0025603473,0.0000067522715,0.000011139657,0.000034330016,0.032874495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983306,0.00018356039,0.00064834027,0.00012236602,0.0003992803,0.00031585674],"domain_scores_gemma":[0.9984299,0.000574649,0.00025110113,0.00021436978,0.00045154104,0.000078457495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011714301,0.00021885244,0.00043554977,0.0001958936,0.00083300075,0.00014098771,0.000314775,0.000044160268,0.00069088826],"category_scores_gemma":[0.000060796432,0.00011797908,0.00022601061,0.00020810905,0.0003100925,0.0003143972,0.000058684407,0.00034812742,0.00024754085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035341847,0.00016747018,0.000037036752,0.00012217666,0.0012206509,0.00017786236,0.13154653,0.00001699524,0.00045112698,0.09005924,0.7679898,0.007857656],"study_design_scores_gemma":[0.00058517867,0.00021697099,0.00009845888,0.0001677164,0.0002644967,0.000061821556,0.02498512,0.000008243672,0.0003598056,0.011007702,0.96206635,0.00017813942],"about_ca_topic_score_codex":0.0000057633983,"about_ca_topic_score_gemma":0.00009102733,"teacher_disagreement_score":0.5243052,"about_ca_system_score_codex":0.00002588049,"about_ca_system_score_gemma":0.000045242803,"threshold_uncertainty_score":0.7564742},"labels":[],"label_agreement":null},{"id":"W4390112336","doi":"10.5430/wjel.v14n2p16","title":"(Un)reliable Narrative in Ian McEwan’s Atonement","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Deanship of Scientific Research, Prince Sattam bin Abdulaziz University; Prince Sattam bin Abdulaziz University","keywords":"Narrative; Atonement; Confessional; Metafiction; Literature; History; Art; Philosophy; Theology; Law; Politics; Political science","score_opus":0.012294482625846334,"score_gpt":0.23515033954367623,"score_spread":0.2228558569178299,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390112336","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5454957,0.0038487348,0.0000018791378,0.0015042664,0.0028630877,0.00013489179,0.000023871602,0.00006789234,0.4460597],"genre_scores_gemma":[0.9566171,0.000013504617,0.000033933196,0.00045432683,0.0019617768,0.0000040705872,0.0000111253885,0.000015074981,0.040889055],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990261,0.000046448025,0.00039057966,0.00009871436,0.00022049499,0.0002176646],"domain_scores_gemma":[0.9993875,0.000048127193,0.00012780033,0.00011774654,0.00024722182,0.0000715882],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041557412,0.00011445856,0.00023149008,0.00048131534,0.00009808503,0.00020761485,0.00016410805,0.000021605296,0.0028886045],"category_scores_gemma":[0.00010233594,0.0000928143,0.00011095697,0.0002032024,0.000048721522,0.000556461,0.000030715055,0.0003078192,0.000023088782],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041843887,0.00007678717,0.00019301263,0.000022793793,0.000046128804,0.0008414702,0.83688104,0.000005932743,0.000051713356,0.09562039,0.06458094,0.0016379326],"study_design_scores_gemma":[0.0006688485,0.00007607637,0.0001505219,0.00017640159,0.000012811701,0.0000026891007,0.25201428,0.00000484563,0.00015896342,0.0007854751,0.7458284,0.000120670724],"about_ca_topic_score_codex":0.0000341934,"about_ca_topic_score_gemma":0.0016835142,"teacher_disagreement_score":0.6812475,"about_ca_system_score_codex":0.000028011798,"about_ca_system_score_gemma":0.000036242178,"threshold_uncertainty_score":0.9980229},"labels":[],"label_agreement":null},{"id":"W4390391773","doi":"","title":"Mimesis: Beyond Opsis in the Star Trek Universe","year":2018,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Star trek; Astronomy; Star (game theory); Universe; Astrobiology; Astrophysics; Physics; Art; Literature","score_opus":0.25033454511169767,"score_gpt":0.4956086106808051,"score_spread":0.2452740655691074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390391773","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56821406,0.014812138,0.000005849663,0.001251944,0.0008577105,0.0004193056,0.00011646871,0.000029138453,0.41429338],"genre_scores_gemma":[0.99081534,0.00094739883,0.000025508449,0.0021797933,0.0008457731,0.00001862067,0.000015132609,0.000029762627,0.0051226662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979571,0.00033442362,0.00059321965,0.00030861932,0.00046991633,0.0003366928],"domain_scores_gemma":[0.99854267,0.00026707776,0.0002996275,0.00046871984,0.0003090147,0.00011287877],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009570371,0.00026035245,0.00047496418,0.0004864487,0.0004671429,0.0025218097,0.0022857306,0.00006439055,0.036209423],"category_scores_gemma":[0.00006327069,0.00018434932,0.00017455,0.00033799667,0.0004228518,0.0030763005,0.00039919122,0.00035360715,0.000053938544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005947555,0.0008725979,0.014973633,0.00012259824,0.00037987038,0.0004156095,0.10398727,0.0000015463952,0.003337211,0.1384461,0.7169931,0.019875709],"study_design_scores_gemma":[0.00068171404,0.00003393597,0.021597903,0.00032809723,0.00009956403,0.000009162564,0.011439732,0.000011787935,0.0008941301,0.02890586,0.9355829,0.0004152558],"about_ca_topic_score_codex":0.001090473,"about_ca_topic_score_gemma":0.0017483195,"teacher_disagreement_score":0.42260128,"about_ca_system_score_codex":0.000039011673,"about_ca_system_score_gemma":0.00010148669,"threshold_uncertainty_score":0.99851364},"labels":[],"label_agreement":null},{"id":"W4390484156","doi":"10.25071/1916-4467.40820","title":"Surprising Taxonomies: A Book Review of Lauren Berlant and Kathleen Stewart’s The Hundreds","year":2023,"lang":"en","type":"review","venue":"Journal of the Canadian Association for Curriculum Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Scholarship; Creativity; Materialism; Sociology; Economic shortage; Poetry; Epistemology; Psychoanalysis; Aesthetics; Psychology; Art; Literature; Philosophy; Social psychology; Linguistics; Law; Political science","score_opus":0.08715828440093505,"score_gpt":0.3227759640788723,"score_spread":0.2356176796779373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390484156","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000014206727,0.9899698,8.724323e-8,0.0053654024,0.0014665653,0.0007527824,0.0004914351,0.000005180675,0.001947366],"genre_scores_gemma":[0.0000146590155,0.97990733,0.0000031840304,0.0013220685,0.00093210913,0.000043209497,0.000013007337,0.000024251874,0.017740166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980531,0.00025610114,0.0010419351,0.0001168488,0.00029917128,0.00023286139],"domain_scores_gemma":[0.995956,0.0006893031,0.002263349,0.0001679317,0.0008438625,0.00007954574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016758449,0.00023206917,0.0014541129,0.00016955394,0.0006597233,0.00016499838,0.0003360982,0.000093605,0.000023333903],"category_scores_gemma":[0.0010834192,0.000117613665,0.00082404533,0.00011189489,0.000108586915,0.00016650734,0.00005894265,0.00036363103,0.0000030313047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.235893e-7,0.0000085370375,0.000011616587,0.022284037,0.0018746938,0.000003418999,0.004653344,3.0710286e-8,1.8297713e-9,0.008687047,0.952691,0.0097855395],"study_design_scores_gemma":[0.00008792869,0.000034353216,0.000002258183,0.057833467,0.0018796836,0.000008866745,0.0012990724,1.8129256e-7,1.4532587e-8,0.00029782913,0.9384338,0.00012254681],"about_ca_topic_score_codex":0.0020805837,"about_ca_topic_score_gemma":0.13699612,"teacher_disagreement_score":0.13491555,"about_ca_system_score_codex":0.000680827,"about_ca_system_score_gemma":0.0006527867,"threshold_uncertainty_score":0.87875146},"labels":[],"label_agreement":null},{"id":"W4390757083","doi":"10.34216/1998-0817-2023-29-3-152-158","title":"THE THEME OF TOTAL SURVEILLANCE IN THE FIELD OF DIGITAL TECHNOLOGIES IN THE NOVEL “THE CIRCLE” BY DAVE EGGERS","year":2023,"lang":"en","type":"article","venue":"Vestnik of Kostroma State University","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Dystopia; Transparency (behavior); Theme (computing); Representation (politics); Power (physics); Politics; Sociology; Aesthetics; Literature; Law; History; Computer science; Philosophy; Political science; Art; World Wide Web","score_opus":0.011719849205570508,"score_gpt":0.20067880370616448,"score_spread":0.18895895450059397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390757083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.974289,0.00013978333,0.0000056633908,0.0078454325,0.00006285167,0.0001834365,0.00046051174,0.000020407719,0.016992895],"genre_scores_gemma":[0.9990183,0.000041626197,0.0000014249051,0.00004677084,0.000008585621,8.0379505e-7,0.000014358434,0.0000032620699,0.0008648588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9993347,0.00006698999,0.00017135593,0.00010092503,0.00017511057,0.00015090774],"domain_scores_gemma":[0.9985603,0.0009904134,0.00010147172,0.0002937421,0.000047739293,0.000006349258],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029714324,0.00008030207,0.0001355095,0.00007053742,0.00014007109,0.00004961278,0.00054509024,0.000026282385,0.00000579524],"category_scores_gemma":[0.000078283505,0.00004273041,0.000065638604,0.00020817656,0.00053928245,0.00017007445,0.00009586739,0.00017790296,0.0000010140114],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008122787,0.00071706733,0.01610061,0.00019968215,0.00025100601,0.00017063318,0.3316059,0.000028374838,0.0024014846,0.56632215,0.06750874,0.013882034],"study_design_scores_gemma":[0.001509693,0.0008453488,0.03695946,0.00013657445,0.000027510861,0.000007949534,0.76636267,0.000098784694,0.0009227212,0.009090488,0.18372189,0.00031691024],"about_ca_topic_score_codex":0.00029543566,"about_ca_topic_score_gemma":0.00073941273,"teacher_disagreement_score":0.55723166,"about_ca_system_score_codex":0.000008175035,"about_ca_system_score_gemma":0.000024825536,"threshold_uncertainty_score":0.19870086},"labels":[],"label_agreement":null},{"id":"W4390762608","doi":"10.1353/crc.2022.a917035","title":"Free Indirect: The Novel in a Postfictional Age by Timothy Bewes (review)","year":2022,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Reading (process); Construct (python library); New Criticism; Key (lock); Opposition (politics); Politics; Sociology; Epistemology; Philosophy; History; Literature; Literary criticism; Computer science; Law; Art; Literary theory; Political science; Linguistics","score_opus":0.028782549175398183,"score_gpt":0.24981843102124596,"score_spread":0.22103588184584777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390762608","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004274745,0.85091394,6.757664e-7,0.012952516,0.00032410998,0.00077658624,0.00695826,0.000011336442,0.12763512],"genre_scores_gemma":[0.65183693,0.057443887,0.000063142084,0.23140718,0.00090049003,0.0012576263,0.007248208,0.00007082796,0.04977168],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984358,0.0002716588,0.00049409305,0.00024794636,0.00029340392,0.00025712783],"domain_scores_gemma":[0.99901575,0.00010512259,0.00014941003,0.0004142705,0.00018683638,0.00012862995],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040822092,0.00022583894,0.00058225216,0.00015290639,0.0003498926,0.00009576015,0.00057677337,0.000029461673,0.0042314027],"category_scores_gemma":[0.000035052224,0.00016335883,0.00017986483,0.00033328618,0.00015368022,0.00020054441,0.00006410182,0.00064203655,0.000007386168],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056231474,0.000047142534,0.00001057235,0.0017168534,0.00003414822,0.00003068919,0.012239063,1.8005775e-7,0.000009671676,0.20347923,0.78221244,0.00021441033],"study_design_scores_gemma":[0.00018639803,0.0000620932,0.00009996413,0.008382025,0.00003225888,0.000019654213,0.00044599632,0.0000026268413,0.0000044245944,0.0005316438,0.99005383,0.00017909953],"about_ca_topic_score_codex":0.0012076175,"about_ca_topic_score_gemma":0.027807476,"teacher_disagreement_score":0.79347,"about_ca_system_score_codex":0.00009704396,"about_ca_system_score_gemma":0.00025435453,"threshold_uncertainty_score":0.9966789},"labels":[],"label_agreement":null},{"id":"W4391044634","doi":"10.1007/978-3-031-32160-3","title":"The Palgrave Handbook of Neo-Victorianism","year":2024,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"History","score_opus":0.016559084938633388,"score_gpt":0.2053130324130054,"score_spread":0.188753947474372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391044634","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.3592898e-7,0.041847482,0.000006810673,0.00049319013,0.0034476153,0.0001821722,0.000137687,0.00007505487,0.95380974],"genre_scores_gemma":[0.00119672,0.0002192994,0.0000068990307,0.00036804483,0.003919025,0.000014304223,0.00008543485,0.00004501191,0.9941453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902135,0.000018287736,0.0003572939,0.00020602313,0.00023105413,0.00016601551],"domain_scores_gemma":[0.99921006,0.00017771193,0.000076873956,0.00035358497,0.00014120649,0.000040561208],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010961904,0.00023838099,0.000282105,0.00006355316,0.00019888245,0.0005106238,0.00025446934,0.00013280795,0.0033116427],"category_scores_gemma":[0.000005735112,0.00013201509,0.0002666964,0.000008118035,0.0003041897,0.000035550867,0.000070498885,0.0003590925,0.00045027497],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039481015,0.0000019006129,1.2914011e-8,0.0000713545,0.00007213451,0.000012487972,0.0049533187,1.6646956e-9,9.710825e-7,0.587711,0.40639985,0.0007730318],"study_design_scores_gemma":[0.000043168315,0.000041362822,2.7687895e-8,0.0003553332,0.00006437599,0.0000012775705,0.0002124436,9.903505e-7,0.000010481936,0.32480028,0.6743549,0.000115366216],"about_ca_topic_score_codex":0.000017834549,"about_ca_topic_score_gemma":0.0005941246,"teacher_disagreement_score":0.26795503,"about_ca_system_score_codex":0.000023111117,"about_ca_system_score_gemma":0.0002151728,"threshold_uncertainty_score":0.9975995},"labels":[],"label_agreement":null},{"id":"W4391044807","doi":"10.1007/978-3-031-32160-3_1","title":"Introduction","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Scholarship; Key (lock); Engineering ethics; Political science; Computer science; Engineering; Law; Computer security","score_opus":0.020401059706912226,"score_gpt":0.19717026784790628,"score_spread":0.17676920814099406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391044807","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[1.7581618e-7,0.0032060114,0.0000014847785,0.0059454455,0.003475846,0.00006467749,0.000039977844,0.00018254814,0.98708385],"genre_scores_gemma":[0.00070764386,0.000018214845,0.0000035588046,0.0004929229,0.022378502,0.0000026542016,0.000121568875,0.00003575066,0.9762392],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995024,0.0000010838662,0.00013628798,0.00020448802,0.000088927256,0.00006680423],"domain_scores_gemma":[0.9997435,0.000006818115,0.00001750636,0.00015848613,0.000051119274,0.00002253574],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000027571396,0.00014746828,0.00013079745,0.00008807834,0.000052604977,0.00030058756,0.0000506046,0.00007331682,0.111185424],"category_scores_gemma":[8.32722e-7,0.000112691174,0.0001082237,0.0000015993036,0.00006958196,0.00009380612,0.000021837222,0.00023320323,0.00685991],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011517512,0.0000010694091,8.882907e-10,0.000025453985,0.000022907536,0.000011160396,0.0008655636,1.5601027e-9,2.1801955e-7,0.57988244,0.41830534,0.0008846925],"study_design_scores_gemma":[0.00001162941,0.000015844338,3.154221e-9,0.000034756114,0.000032132644,0.0000027873245,0.000045193265,4.6227524e-7,0.0000010562751,0.32391524,0.67584133,0.00009959079],"about_ca_topic_score_codex":0.0000042247843,"about_ca_topic_score_gemma":0.00010716315,"teacher_disagreement_score":0.257536,"about_ca_system_score_codex":0.000011581617,"about_ca_system_score_gemma":0.0000118568905,"threshold_uncertainty_score":0.99391335},"labels":[],"label_agreement":null},{"id":"W4391686411","doi":"10.1080/17510694.2024.2308506","title":"A retrospective: navigating and representing the lockdown in Jason Farries’ <i>Homesick</i>","year":2024,"lang":"en","type":"article","venue":"Creative Industries Journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"History","score_opus":0.025135244691834174,"score_gpt":0.269829099283628,"score_spread":0.24469385459179385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391686411","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7115394,0.019128524,0.000030321577,0.010099651,0.00085458264,0.00023130428,0.00005049837,0.000087595734,0.25797814],"genre_scores_gemma":[0.9888609,0.00006481692,0.000006588885,0.00022221172,0.0014698282,0.0000080372965,0.0000053864037,0.000018512323,0.009343716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988913,0.00012814793,0.00032108393,0.00021098962,0.00019975005,0.00024876036],"domain_scores_gemma":[0.9994444,0.0001778644,0.000077510835,0.000112611924,0.00012433184,0.000063254854],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005505641,0.00016259952,0.00019972218,0.00008086121,0.0007686969,0.0023102725,0.00013089864,0.00006632885,0.0008152723],"category_scores_gemma":[0.00020895613,0.000103112645,0.000052038795,0.0001508456,0.0005022951,0.00077867263,0.00005233593,0.0016444016,0.000006976193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005542117,0.000037795133,0.012639123,0.000050637682,0.00017023752,0.00076394965,0.27834335,0.0000014753807,0.000093281786,0.6103925,0.035847142,0.061605077],"study_design_scores_gemma":[0.0004571972,0.00015882697,0.0035028523,0.0019006926,0.00005939338,0.00050726073,0.11765383,0.00011262703,0.000341238,0.022463186,0.8525092,0.00033372713],"about_ca_topic_score_codex":0.00011344774,"about_ca_topic_score_gemma":0.00008111107,"teacher_disagreement_score":0.816662,"about_ca_system_score_codex":0.00006693739,"about_ca_system_score_gemma":0.00009106867,"threshold_uncertainty_score":0.9987254},"labels":[],"label_agreement":null},{"id":"W4391720397","doi":"10.1007/978-3-031-17299-1_2223","title":"Postmodernism","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Postmodernism; Philosophy; Epistemology","score_opus":0.06740540562614333,"score_gpt":0.21831367484017083,"score_spread":0.1509082692140275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391720397","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[4.955457e-7,0.0004234336,0.000002932619,0.0008940119,0.0011712018,0.000101352736,0.00013676916,0.00036690035,0.9969029],"genre_scores_gemma":[0.001531235,0.000023656321,0.000004745712,0.0016214552,0.0019697833,0.000004277268,0.0001815822,0.00007852039,0.99458474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931693,0.000002677269,0.00018480854,0.0002115703,0.00015637223,0.00012761503],"domain_scores_gemma":[0.9995756,0.000035386394,0.000038289858,0.00022840057,0.00007632157,0.000045993216],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003801352,0.00020870357,0.00021125891,0.000095381845,0.00011240755,0.0002260475,0.0001214354,0.00012158855,0.029145392],"category_scores_gemma":[0.000002083285,0.00017052959,0.00015926971,0.0000015919769,0.00009293484,0.00009156828,0.00004698917,0.00023631497,0.007494971],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022334982,0.000002109449,1.39211735e-8,0.000016820877,0.000033347118,0.0000559435,0.0022558677,3.413115e-9,1.844451e-7,0.8424742,0.15346698,0.0016922527],"study_design_scores_gemma":[0.000037221584,0.00002040773,8.492529e-8,0.000052247437,0.000018222647,0.0000012496097,0.00004923338,0.0000011150674,3.921003e-7,0.313733,0.68592626,0.00016055755],"about_ca_topic_score_codex":0.000015356212,"about_ca_topic_score_gemma":0.0003989397,"teacher_disagreement_score":0.53245926,"about_ca_system_score_codex":0.0000074002855,"about_ca_system_score_gemma":0.000024892217,"threshold_uncertainty_score":0.9932778},"labels":[],"label_agreement":null},{"id":"W4391826047","doi":"","title":"“ ‘A classic with a 21st century twist’: 1 The Road and the Cannibalistic Junkspace of Techno-capitalism”","year":2022,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Capitalism; Twist; Computer science; Economics; Political science; Mathematics; Law; Geometry","score_opus":0.00859102603731997,"score_gpt":0.1838005518171456,"score_spread":0.17520952577982563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391826047","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.146184,0.014976491,0.00051154953,0.13744442,0.00032735342,0.001048392,0.00028537272,0.00018609801,0.6990363],"genre_scores_gemma":[0.977197,0.00009752519,0.0001133644,0.00040600105,0.000022730208,0.0000877381,0.000054749664,0.000015943297,0.022004928],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973685,0.0017259481,0.00022224072,0.00022052147,0.0002968772,0.00016590251],"domain_scores_gemma":[0.9978198,0.0006942586,0.00017843691,0.00078017457,0.00048402467,0.00004333231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001876213,0.00013356746,0.00017471841,0.000059250535,0.0010131097,0.00028930703,0.00053840736,0.000022619834,0.00035286738],"category_scores_gemma":[0.00015228518,0.00007917081,0.00006845218,0.00014476448,0.0010604804,0.00011141516,0.0002928187,0.00029547946,0.0000023101973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002946644,0.00008661153,0.000044711385,0.000018625125,0.000029257448,0.000001978412,0.07908629,8.157183e-7,0.00004134847,0.9155383,0.0014130591,0.003709518],"study_design_scores_gemma":[0.0012267361,0.0000025643603,0.00031477798,0.00020184118,0.00008155928,0.000029315675,0.027277645,0.0007446032,0.00041081742,0.0067634354,0.96272403,0.0002226536],"about_ca_topic_score_codex":0.0017486933,"about_ca_topic_score_gemma":0.0047213784,"teacher_disagreement_score":0.961311,"about_ca_system_score_codex":0.000023513221,"about_ca_system_score_gemma":0.00007857476,"threshold_uncertainty_score":0.7792123},"labels":[],"label_agreement":null},{"id":"W4391866853","doi":"10.3138/tric.24.1.186","title":"Who Is The Stranger?: The Role of The Monstrous in Judith Thompsons <i>Capture Me</i>","year":2003,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis","score_opus":0.026922483056925118,"score_gpt":0.25793916548902074,"score_spread":0.2310166824320956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391866853","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031713467,0.12631848,2.2990176e-7,0.09563518,0.0006138086,0.00083062926,0.0007274952,0.000004002042,0.7441567],"genre_scores_gemma":[0.9877632,0.0006374635,0.000002082345,0.0010938763,0.00028558576,0.000046879195,0.0000028826457,0.000026340085,0.010141658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954424,0.0019056383,0.00042041636,0.00029119247,0.0010490674,0.0008912658],"domain_scores_gemma":[0.997639,0.0011642318,0.000062300845,0.0008916449,0.00014066363,0.000102162485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017469752,0.00023683165,0.00031263326,0.00008833313,0.0006887497,0.00021829094,0.0009581985,0.000096682474,0.0006041307],"category_scores_gemma":[0.000022600814,0.00011801892,0.00012644325,0.00048775054,0.0011078732,0.00014373101,0.000118245196,0.0018139309,0.000004624862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066258865,0.0001601436,0.004811643,0.00015617356,0.00009690877,0.0001294418,0.035159882,0.000030621737,0.000047756625,0.80363244,0.123114005,0.03259471],"study_design_scores_gemma":[0.00024730945,0.000030810737,0.00023621194,0.00045234998,0.000015475473,0.000015690603,0.0624488,0.000071089795,0.00032850588,0.020032987,0.91599226,0.00012850025],"about_ca_topic_score_codex":0.9445217,"about_ca_topic_score_gemma":0.99482715,"teacher_disagreement_score":0.95604974,"about_ca_system_score_codex":0.0004066091,"about_ca_system_score_gemma":0.0037390275,"threshold_uncertainty_score":0.7880728},"labels":[],"label_agreement":null},{"id":"W4392125267","doi":"10.5430/wjel.v14n3p156","title":"The Father as a Dominant Figure in John McGahern’s The Dark","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Great Rift; Physics; Astronomy","score_opus":0.008749896216817607,"score_gpt":0.23556783897854086,"score_spread":0.22681794276172326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392125267","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06742039,0.09511629,0.0000017632865,0.006187947,0.0045526023,0.00014611863,0.000022136672,0.000027751252,0.826525],"genre_scores_gemma":[0.9067652,0.00007252668,0.0000035959633,0.0006612767,0.003698515,0.0000045829447,0.0000015333386,0.000016993152,0.088775754],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907994,0.00009517737,0.00033513698,0.000088068824,0.00021914409,0.00018255887],"domain_scores_gemma":[0.99921435,0.00035802438,0.000072702984,0.00017440204,0.00014071316,0.00003981125],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006791978,0.000114925184,0.00015055669,0.00012207644,0.00017686073,0.00077779545,0.000304752,0.000022071228,0.0010604225],"category_scores_gemma":[0.00019574213,0.00005143944,0.00016720397,0.00009835467,0.00010729238,0.00028265757,0.000028747561,0.00057151815,0.000027582038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006353427,0.00003415408,0.000016386133,0.000024627028,0.000070787355,0.0010598031,0.42403603,8.905188e-7,0.00004090806,0.42178792,0.1423362,0.01052877],"study_design_scores_gemma":[0.00018589375,0.000041845844,0.000022697637,0.0002973375,0.00002443575,0.000015685871,0.043463767,0.0000052821965,0.000037953156,0.002178052,0.953653,0.00007406136],"about_ca_topic_score_codex":0.00005929178,"about_ca_topic_score_gemma":0.0032359872,"teacher_disagreement_score":0.8393448,"about_ca_system_score_codex":0.000027109358,"about_ca_system_score_gemma":0.000058786067,"threshold_uncertainty_score":0.9998527},"labels":[],"label_agreement":null},{"id":"W4392662090","doi":"10.3828/bjcs.2024.3","title":"‘I need readers to trust that this <i>can</i> happen’: relational realism in Catherine Bush’s and Doreen Vanderstoop’s climate crisis novels","year":2024,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Realism; History; Literature; Political science; Psychology; Art","score_opus":0.05703631736500182,"score_gpt":0.247220943148399,"score_spread":0.1901846257833972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392662090","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28735775,0.28787595,0.000022495342,0.19256023,0.0041981144,0.0007795172,0.0027425126,0.000096763026,0.22436665],"genre_scores_gemma":[0.9881367,0.0040060007,0.0000791289,0.0038343472,0.00059205975,0.0000073506158,0.000012627601,0.00002675872,0.003305041],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988011,0.0000411794,0.00041880505,0.00018635373,0.00022862469,0.0003239049],"domain_scores_gemma":[0.999308,0.0000993768,0.00006535251,0.00007355155,0.00019940776,0.00025435063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040764187,0.00015300255,0.0003576316,0.0007360199,0.00026805428,0.00050129276,0.00010506561,0.00004960345,0.00023338792],"category_scores_gemma":[0.00005581903,0.000157796,0.000090247515,0.00015867996,0.00013818628,0.0004534632,0.00003105988,0.00030490384,0.0000053908907],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058540212,0.000025811396,0.0006378179,0.00021730705,0.0004765766,0.0052567064,0.16986394,0.0000041220455,0.000007405264,0.1575338,0.65372837,0.012189611],"study_design_scores_gemma":[0.00049272104,0.00010192969,0.0024867873,0.001301106,0.000086388514,0.0008445962,0.0703846,0.000004951124,0.0000041215617,0.0033129142,0.9207106,0.0002692598],"about_ca_topic_score_codex":0.07073029,"about_ca_topic_score_gemma":0.80583996,"teacher_disagreement_score":0.7351096,"about_ca_system_score_codex":0.00014324929,"about_ca_system_score_gemma":0.0001753368,"threshold_uncertainty_score":0.9354578},"labels":[],"label_agreement":null},{"id":"W4392778768","doi":"10.1007/978-3-031-47831-4_9","title":"Archaeologies of Nonentity in Aki Kaurismäki’s The Other Side of Hope","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave studies in literature, culture and human rights","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Medicine; History; Psychoanalysis; Psychology","score_opus":0.04238669971933137,"score_gpt":0.2860444461107937,"score_spread":0.24365774639146234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392778768","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021201055,0.18674687,2.117068e-7,0.00019199366,0.0007115005,0.0004968598,0.00045798373,0.000029509802,0.809245],"genre_scores_gemma":[0.6430738,0.0009029135,0.000015273874,0.00013683329,0.00076392945,0.00003207289,0.00008584368,0.000034257177,0.3549551],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99795157,0.000060047663,0.0008792003,0.0005313546,0.00029777474,0.00028004643],"domain_scores_gemma":[0.9988259,0.00013736173,0.00026990235,0.0004281211,0.00030409876,0.00003458238],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00026782387,0.0005868062,0.0010869373,0.00040545608,0.0002611915,0.00014825196,0.00032416033,0.0003135674,0.00013232276],"category_scores_gemma":[0.000010838815,0.00031465807,0.0002883258,0.000055708537,0.0023244875,0.000102533624,0.00026325785,0.0010391838,0.0000057494412],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031277792,0.000020481153,0.00001261721,0.0009430471,0.00032626936,0.00012427091,0.18102588,7.9006426e-8,0.0000072132752,0.81527823,0.0021796813,0.000050934093],"study_design_scores_gemma":[0.0002064015,0.00010542038,0.000025841404,0.0029819168,0.00009066218,0.000004450906,0.0011855545,2.0172247e-7,0.000022494167,0.55167663,0.44347188,0.00022855197],"about_ca_topic_score_codex":0.00021291625,"about_ca_topic_score_gemma":0.022622537,"teacher_disagreement_score":0.64095366,"about_ca_system_score_codex":0.000027394924,"about_ca_system_score_gemma":0.000014286917,"threshold_uncertainty_score":0.99993056},"labels":[],"label_agreement":null},{"id":"W4392988767","doi":"10.5040/9798216034889.ch-069","title":"Number 69: Morgan Stanley (2004)","year":2014,"lang":"en","type":"other","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics","score_opus":0.0139255053589587,"score_gpt":0.21798382912318723,"score_spread":0.20405832376422853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392988767","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000015942178,0.00096294045,0.000050144634,0.0003216303,0.0012055886,0.00012288704,0.00009051943,0.00041289913,0.9968318],"genre_scores_gemma":[0.0052497094,0.000010254254,0.000037140286,0.0023550254,0.004467249,0.000009232952,0.0001232545,0.0003559418,0.9873922],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992156,0.000025138754,0.00016256649,0.00023996766,0.00015395296,0.0002027497],"domain_scores_gemma":[0.9994759,0.000016475124,0.00005993801,0.0003403514,0.000038276994,0.00006908612],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000048526803,0.0002462038,0.00028208792,0.00007894691,0.00006378418,0.00026193293,0.0001609445,0.00014087143,0.49877754],"category_scores_gemma":[0.0000046184246,0.00018784107,0.00009332444,0.000013468478,0.00009830551,0.000057634406,0.000027368684,0.00016894013,0.008439908],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010707906,0.000012174444,0.0000026618427,0.000029369026,0.000024669223,0.000006331888,0.0007883521,7.8172485e-10,1.5924614e-7,0.44509247,0.5537467,0.00029603412],"study_design_scores_gemma":[0.00013623416,0.000014022366,4.7703327e-7,0.000104392435,0.000024905712,0.0000017300137,0.0002542972,8.795253e-7,0.0000017972826,0.0017419531,0.99743676,0.00028255093],"about_ca_topic_score_codex":0.0003399216,"about_ca_topic_score_gemma":0.0025848388,"teacher_disagreement_score":0.4903376,"about_ca_system_score_codex":0.000009669327,"about_ca_system_score_gemma":0.000028322713,"threshold_uncertainty_score":0.99233216},"labels":[],"label_agreement":null},{"id":"W4393108267","doi":"","title":"Does Canadian Literature Need an Ethic of Discomfort? A Few Preliminary (and Cautious) Steps","year":2021,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Psychology","score_opus":0.010958832175566343,"score_gpt":0.20470095053946952,"score_spread":0.19374211836390318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393108267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57119095,0.011426387,0.0005490964,0.05139579,0.00061924354,0.00046844588,0.0006698887,0.00017337169,0.36350682],"genre_scores_gemma":[0.95980334,0.00012067783,0.0007033695,0.00043852717,0.00004416414,0.000012486042,0.00046714683,0.00001836041,0.03839195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976708,0.0013551497,0.00027612844,0.00031363015,0.00016602459,0.000218253],"domain_scores_gemma":[0.9977261,0.00032513283,0.000095601514,0.00072465953,0.00091804203,0.0002104674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009583756,0.00015491675,0.00020191623,0.00012618295,0.00042490312,0.00060957356,0.00026046706,0.00010032657,0.00038037903],"category_scores_gemma":[0.0001799616,0.00011889215,0.0000775244,0.00013015176,0.0002646769,0.00041439975,0.00010479453,0.00028282226,0.0000025160546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000935144,0.000139138,0.00047191387,0.00010546507,0.000027830609,0.000028646069,0.15393478,2.1306651e-7,0.0003394806,0.8379683,0.0005927138,0.0063822097],"study_design_scores_gemma":[0.0013081182,0.0000066930875,0.0043675015,0.004562657,0.00013461121,0.00006581503,0.018174788,0.0012429656,0.016403006,0.024470998,0.9283493,0.0009135484],"about_ca_topic_score_codex":0.015693849,"about_ca_topic_score_gemma":0.40864867,"teacher_disagreement_score":0.9277566,"about_ca_system_score_codex":0.000022829145,"about_ca_system_score_gemma":0.0002561168,"threshold_uncertainty_score":0.99086076},"labels":[],"label_agreement":null},{"id":"W4393300712","doi":"","title":"\"'Truth in Framing': Medusa's Defeat or the Triumph of the 'Framed' Self in A.S. Byatt's 'Medusa's Ankles'\"","year":2005,"lang":"en","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Framing (construction); Art; Psychoanalysis; Philosophy; Psychology; History; Archaeology","score_opus":0.016392460919277402,"score_gpt":0.20298465517626516,"score_spread":0.18659219425698775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393300712","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034428278,0.0038298138,0.00005092381,0.015778333,0.00039548601,0.00067563157,0.00013978589,0.00007733319,0.97560984],"genre_scores_gemma":[0.48691204,0.00039068193,0.0002925718,0.00052764144,0.000118555174,0.000039091472,0.00008743893,0.000060311628,0.51157165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99655575,0.0013522566,0.0007978007,0.00048208676,0.0004798405,0.00033226848],"domain_scores_gemma":[0.99512815,0.0020156344,0.0004424518,0.0015982891,0.00073916954,0.00007627056],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025553675,0.00038935154,0.00050108135,0.00025208437,0.0003035207,0.00033769416,0.001350387,0.00029456796,0.0014773234],"category_scores_gemma":[0.00047601518,0.00023046893,0.00025844286,0.00012380329,0.0006139378,0.00020671247,0.00038763316,0.0009976195,0.000029476512],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019307467,0.00018849477,0.000079139325,0.000070892944,0.0000295162,0.0000079973815,0.057337537,8.816151e-7,0.000009627491,0.93140477,0.0015514536,0.009300398],"study_design_scores_gemma":[0.00067096576,0.0000012268223,0.00035608883,0.0023685647,0.00005806853,0.000009018732,0.0008666066,0.0001774946,0.00045417593,0.014515827,0.98013836,0.00038362222],"about_ca_topic_score_codex":0.00056348776,"about_ca_topic_score_gemma":0.029336438,"teacher_disagreement_score":0.9785869,"about_ca_system_score_codex":0.0001070118,"about_ca_system_score_gemma":0.000312233,"threshold_uncertainty_score":0.9994355},"labels":[],"label_agreement":null},{"id":"W4393317913","doi":"10.4000/etudesecossaises.4872","title":"The Satire of Gerontophobic Ableism in Muriel Spark’s Memento Mori: A “Salutary Scar”","year":2024,"lang":"en","type":"article","venue":"Études écossaises","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Ableism; Art; SPARK (programming language); Literature; Art history; Performance art; Sociology; Computer science; Gender studies","score_opus":0.02428924291408677,"score_gpt":0.23863373540645075,"score_spread":0.21434449249236398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393317913","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3459562,0.08237879,0.000003393309,0.0035093743,0.002026138,0.00060919457,0.00011059323,0.00020065057,0.56520563],"genre_scores_gemma":[0.9848202,0.00022930308,0.000012265553,0.0003026803,0.000466002,0.00009019878,0.000013266248,0.000023549368,0.014042574],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988549,0.000047109996,0.00037987757,0.00023560546,0.00022417874,0.0002583289],"domain_scores_gemma":[0.99936235,0.00023103956,0.000040344366,0.0002692943,0.00005427698,0.000042698004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002565442,0.00017657001,0.00021253216,0.00010982328,0.0001892922,0.00041485747,0.00023713362,0.000041997453,0.00044965086],"category_scores_gemma":[0.000018973025,0.00011786302,0.00012513713,0.000078281606,0.00023025375,0.00030316002,0.00006517305,0.00016927891,0.0000243778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033229913,0.0000630338,0.00011118432,0.00017365465,0.000071929935,0.00007019038,0.014589233,0.0000019385145,0.000079279416,0.9624721,0.012070629,0.010263594],"study_design_scores_gemma":[0.00018391211,0.000072207135,0.0005511554,0.0002834224,0.000033661272,0.000003326439,0.004027194,0.000113680355,0.00013138713,0.0073437286,0.9870875,0.00016881297],"about_ca_topic_score_codex":0.0007928376,"about_ca_topic_score_gemma":0.008242918,"teacher_disagreement_score":0.9750169,"about_ca_system_score_codex":0.000038830196,"about_ca_system_score_gemma":0.00008321039,"threshold_uncertainty_score":0.49233615},"labels":[],"label_agreement":null},{"id":"W4394752968","doi":"10.29173/mruhr771","title":"One Territory, Two Worlds","year":2024,"lang":"en","type":"article","venue":"Mount Royal Undergraduate Humanities Review (MRUHR)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.04023633480489546,"score_gpt":0.26095758822266624,"score_spread":0.22072125341777077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394752968","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003441764,0.34624386,0.000055554283,0.0090464,0.002847749,0.0006705197,0.00014746645,0.0007461855,0.6398981],"genre_scores_gemma":[0.5518018,0.009003301,0.0000559619,0.01144275,0.005326629,0.00028389128,0.00040370136,0.00016622098,0.42151573],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969597,0.00020107793,0.0008985897,0.0006888146,0.00060292316,0.0006488912],"domain_scores_gemma":[0.9987962,0.00015721009,0.00010897847,0.00061159144,0.00018537587,0.00014062304],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040426463,0.00057322584,0.00078215805,0.00026323088,0.0006520375,0.0020338814,0.0004809025,0.000064889435,0.0075736744],"category_scores_gemma":[0.000021430486,0.0005142213,0.0004943643,0.00009748707,0.00047247324,0.0006890148,0.00013969112,0.0006255175,0.0016864019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006906501,0.00008456743,0.0000013161405,0.0037663388,0.00015947458,0.000118043776,0.0030398874,5.9760316e-7,0.000005373781,0.82705563,0.15772313,0.008038756],"study_design_scores_gemma":[0.00023185184,0.0001262502,0.000004956926,0.0076462068,0.0003040153,0.000012841391,0.00045205437,0.00009709996,0.000009512616,0.030207472,0.96026826,0.0006395005],"about_ca_topic_score_codex":0.0005999901,"about_ca_topic_score_gemma":0.00291744,"teacher_disagreement_score":0.80254513,"about_ca_system_score_codex":0.00023293057,"about_ca_system_score_gemma":0.000120833654,"threshold_uncertainty_score":0.99973094},"labels":[],"label_agreement":null},{"id":"W4394940758","doi":"10.33137/ic.v37i1.42109","title":"Letting Silence Speak: Licia Canton’s The Pink House and Other Stories","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Silence; Art; Visual arts; Aesthetics","score_opus":0.03499819443865008,"score_gpt":0.22879395379321102,"score_spread":0.19379575935456095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394940758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49039006,0.004818932,0.0000013414427,0.025655894,0.0019442451,0.0003909344,0.0006367261,0.00047649158,0.4756854],"genre_scores_gemma":[0.9517929,0.000006099203,0.000002249829,0.0055086915,0.0009372114,0.000012185096,0.0000057548264,0.000031832627,0.041703068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992538,0.000028448052,0.00013060668,0.00017360853,0.00011436497,0.0002991859],"domain_scores_gemma":[0.99953973,0.00006582887,0.000030296602,0.00020880393,0.000031874348,0.00012344166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012588115,0.000121575096,0.000110197645,0.00008235082,0.00046715903,0.00041085432,0.00014885858,0.000029121273,0.00045738817],"category_scores_gemma":[0.00002996366,0.000091043614,0.000036011683,0.00007662564,0.00020579009,0.00015361875,0.000023021947,0.00011471648,0.00011089161],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031313762,0.0000037150617,0.00052143785,0.000026612077,0.000031895343,0.00012786404,0.123624325,4.6706842e-7,0.000019942943,0.5929082,0.28007358,0.0026587865],"study_design_scores_gemma":[0.00006261091,0.000017466085,0.00058382476,0.000039070568,0.000011297743,0.000004263727,0.0148527175,0.000021037156,0.00001254498,0.0009586333,0.98329633,0.00014021086],"about_ca_topic_score_codex":0.0713968,"about_ca_topic_score_gemma":0.4661822,"teacher_disagreement_score":0.70322275,"about_ca_system_score_codex":0.00003460957,"about_ca_system_score_gemma":0.00008342873,"threshold_uncertainty_score":0.93478686},"labels":[],"label_agreement":null},{"id":"W4395040321","doi":"10.1353/vcr.2023.a925226","title":"After Darwin: Literature, Theory, and Criticism in the Twenty-First Century by Devin Griffiths and Deanna Kreisel (review)","year":2023,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Darwin (ADL); Criticism; Engineering; Art; Literature; Software engineering","score_opus":0.011932430587760234,"score_gpt":0.24247762105735327,"score_spread":0.23054519046959304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395040321","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071618665,0.9704843,0.0000011418382,0.0102440845,0.00057838403,0.0008647615,0.00022812065,0.00006501998,0.016817968],"genre_scores_gemma":[0.101915285,0.86234677,0.0000055472397,0.031968474,0.0007735337,0.00029417462,0.00016793837,0.00003638536,0.0024919107],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998009,0.0004894336,0.0004955926,0.0003999897,0.00024735712,0.00035859318],"domain_scores_gemma":[0.99896485,0.00035629972,0.000075926306,0.00040783404,0.00008859622,0.00010649723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013881676,0.00032089555,0.00055244024,0.00009246857,0.00020911943,0.00037783824,0.00024181251,0.00005335338,0.00051237637],"category_scores_gemma":[0.00014582122,0.00020085966,0.00011705327,0.0002700454,0.00019688215,0.00035172843,0.00008571876,0.00033516268,0.00007012749],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035067405,0.00009120154,0.00013869545,0.025871487,0.000052067062,0.0002671225,0.025425164,1.3279386e-9,0.000002151309,0.55241567,0.3710434,0.024657976],"study_design_scores_gemma":[0.00019219157,0.000046593996,0.00025680783,0.020541798,0.00009866281,0.000019920486,0.00029338538,3.1215825e-7,5.08855e-7,0.0023224968,0.97597307,0.00025426768],"about_ca_topic_score_codex":0.0000050461877,"about_ca_topic_score_gemma":0.00011019874,"teacher_disagreement_score":0.6049296,"about_ca_system_score_codex":0.000010980063,"about_ca_system_score_gemma":0.00001676371,"threshold_uncertainty_score":0.8190819},"labels":[],"label_agreement":null},{"id":"W4395099476","doi":"10.3138/utq.92.4.01","title":"Symptomatic Elegies: Ideology and Melancholy in Dennis Lee and Eli Mandel","year":2023,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Ideology; Literature; History; Philosophy; Art; Political science; Law; Politics","score_opus":0.010015122735679699,"score_gpt":0.19021240455404972,"score_spread":0.18019728181837003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395099476","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95143795,0.0014781789,0.0000126225395,0.00048338663,0.000111721296,0.00009402823,0.000019715199,0.000051720795,0.046310656],"genre_scores_gemma":[0.9935382,0.00007064697,0.000027332844,0.000059090067,0.0000357168,2.427675e-7,0.00000826417,0.0000043397213,0.006256175],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995373,0.00003331359,0.000096532,0.00014331989,0.000060381797,0.00012916955],"domain_scores_gemma":[0.9997411,0.000059408394,0.00003312756,0.000098810655,0.000028198067,0.0000393515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007467139,0.00007955962,0.00017002471,0.000057674188,0.00009919719,0.000035904282,0.000079009886,0.000041124003,0.0003763902],"category_scores_gemma":[0.000002456682,0.00008575196,0.000026254022,0.00001287289,0.00017691294,0.0004502512,0.000021692967,0.00004876171,0.000010204316],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082047525,0.000056241453,0.0034163585,0.00021232833,0.000074946416,0.00019439313,0.612598,1.6525e-7,0.0001397075,0.3579206,0.007024413,0.018280843],"study_design_scores_gemma":[0.004584769,0.002020709,0.10899505,0.00037910152,0.0001328078,0.00002349765,0.5692103,0.000993745,0.0000075760313,0.018252062,0.29465002,0.0007503622],"about_ca_topic_score_codex":0.0057866247,"about_ca_topic_score_gemma":0.059782337,"teacher_disagreement_score":0.3396685,"about_ca_system_score_codex":0.000019321968,"about_ca_system_score_gemma":0.000011250226,"threshold_uncertainty_score":0.95737416},"labels":[],"label_agreement":null},{"id":"W4395448015","doi":"10.18778/8331-397-9.05","title":"“Alternative Selves” and Authority in the Fiction of Jane Urquhart","year":2024,"lang":"en","type":"book-chapter","venue":"Wydawnictwo Uniwersytetu Łódzkiego eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Sociology","score_opus":0.03325684065389252,"score_gpt":0.2358275731728213,"score_spread":0.20257073251892876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395448015","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00062014203,0.0038428686,0.0000045290544,0.00039624664,0.0012008604,0.0005709018,0.00035449414,0.00007653753,0.9929334],"genre_scores_gemma":[0.35203907,0.00006361745,0.0000072492967,0.00031795292,0.0009254021,0.00002226099,0.00007358356,0.00005753186,0.6464933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979731,0.00007045478,0.0006816405,0.00054204435,0.0004375883,0.0002951697],"domain_scores_gemma":[0.99878573,0.00024215985,0.00022015242,0.0005185324,0.00015622565,0.000077170276],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004645243,0.00051730004,0.0006101072,0.00039578218,0.00018782337,0.0003465283,0.00037807567,0.00026302156,0.00061109674],"category_scores_gemma":[0.000013367576,0.0003846893,0.0002572839,0.000018354656,0.00062434044,0.00015864173,0.00013122428,0.0011081209,0.00004674781],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044046126,0.000021242487,0.0000017802304,0.00020365238,0.00012703228,0.00012824388,0.05195728,2.0981717e-7,0.0000065544145,0.9387817,0.007434822,0.0012934717],"study_design_scores_gemma":[0.00027474939,0.00017127409,0.0000037768957,0.00059728633,0.00016083571,0.000020955544,0.0018548795,0.000028671804,0.000017116658,0.21272907,0.7838173,0.00032410817],"about_ca_topic_score_codex":0.0002031747,"about_ca_topic_score_gemma":0.001101503,"teacher_disagreement_score":0.77638245,"about_ca_system_score_codex":0.00005278173,"about_ca_system_score_gemma":0.00008503562,"threshold_uncertainty_score":0.9998605},"labels":[],"label_agreement":null},{"id":"W4395482147","doi":"10.1515/9782760641723-014","title":"Les machines de texte dans <i>Infinite</i> Jest de David Foster Wallace","year":2020,"lang":"fr","type":"book-chapter","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.016440989046445094,"score_gpt":0.1856800590125782,"score_spread":0.1692390699661331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395482147","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064539313,0.026922375,0.00084242877,0.004411058,0.00025137395,0.0005187687,0.0015870746,0.00028909853,0.9587239],"genre_scores_gemma":[0.41815385,0.0011619588,0.0007700892,0.004068528,0.001653133,0.000022918512,0.00033895258,0.00027050113,0.57356006],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99693066,0.00024969014,0.0005791614,0.00084095,0.00037767418,0.0010218829],"domain_scores_gemma":[0.9977384,0.0004501951,0.0003381817,0.00066322956,0.0001867478,0.0006232032],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018535061,0.0010680696,0.00086669665,0.00019259164,0.0017366778,0.00063554925,0.00096635567,0.0008108764,0.0032045366],"category_scores_gemma":[0.000031648087,0.0011465794,0.0006869647,0.000019454084,0.0006618977,0.00027175553,0.0008078726,0.0013428403,0.00014187096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010294132,0.000095361116,0.0012875425,0.0010085007,0.00084062316,0.006857679,0.08349007,0.00007272302,0.0021035287,0.8225278,0.023059985,0.057626754],"study_design_scores_gemma":[0.0010785277,0.00031037384,0.00028272715,0.0009002464,0.0010444592,0.00039764334,0.0024606613,0.00053522305,0.0005295913,0.011777009,0.97952676,0.0011567993],"about_ca_topic_score_codex":0.02735344,"about_ca_topic_score_gemma":0.077421024,"teacher_disagreement_score":0.95646673,"about_ca_system_score_codex":0.0010956553,"about_ca_system_score_gemma":0.00023668724,"threshold_uncertainty_score":0.9995629},"labels":[],"label_agreement":null},{"id":"W4396212597","doi":"10.1215/00982601-11118304","title":"Realism Reconsidered: New Approaches in Novel Studies","year":2024,"lang":"en","type":"article","venue":"Eighteenth-Century Life","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Realism; Epistemology; Philosophy; Computer science; Cognitive science; Psychology","score_opus":0.22463922283002336,"score_gpt":0.29215441537699044,"score_spread":0.06751519254696708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396212597","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021475807,0.5790067,0.00005000319,0.017365763,0.009350105,0.0006772775,0.00019848415,0.000625067,0.37125084],"genre_scores_gemma":[0.9735191,0.0026054485,0.0001269044,0.0018119364,0.0037895648,0.00004225579,0.00008548658,0.000053054213,0.017966239],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983652,0.00004020718,0.00050083746,0.00048767703,0.00023600519,0.00037005823],"domain_scores_gemma":[0.999261,0.0001959149,0.000045560573,0.00029075006,0.000038413444,0.00016836614],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002262032,0.0002920447,0.00038087188,0.00026148348,0.00014512904,0.0005402809,0.00017871459,0.00008328064,0.0010013272],"category_scores_gemma":[0.000064107764,0.00023188182,0.00015562837,0.000109504654,0.0001622526,0.0006200084,0.000082968756,0.00035782694,0.00018953813],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024751163,0.000083427214,0.000023182869,0.00014139658,0.00013443107,0.00007427713,0.053376485,4.636311e-7,0.000008545041,0.77213144,0.1711784,0.0028231703],"study_design_scores_gemma":[0.00042594213,0.00004354723,0.000031380474,0.00041368435,0.000043560703,0.000011902265,0.008040071,0.0000641793,0.00002234832,0.007568672,0.9830218,0.00031289257],"about_ca_topic_score_codex":0.00013156937,"about_ca_topic_score_gemma":0.00053850655,"teacher_disagreement_score":0.9520433,"about_ca_system_score_codex":0.0000717233,"about_ca_system_score_gemma":0.0002496019,"threshold_uncertainty_score":0.9999119},"labels":[],"label_agreement":null},{"id":"W4396536710","doi":"10.1515/9782763719757-001","title":"Remerciements","year":2015,"lang":"fr","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental science","score_opus":0.12130311779206439,"score_gpt":0.2650488423437703,"score_spread":0.14374572455170592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396536710","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011872994,0.015465862,0.000012685603,0.0024396863,0.0026734066,0.00024136962,0.00028372,0.00007788494,0.9787935],"genre_scores_gemma":[0.02072632,0.00014337829,0.000065496664,0.0015000531,0.0030877127,0.0000058859123,0.0002190101,0.00006473917,0.97418743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984531,0.00002052002,0.00046567078,0.0003771751,0.00039069113,0.00029288422],"domain_scores_gemma":[0.9988427,0.0000346162,0.00010326732,0.0004032934,0.0004050854,0.00021101274],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018575393,0.00044500706,0.00041703394,0.00010848186,0.00031232464,0.00035291145,0.0002232622,0.00025307122,0.11233926],"category_scores_gemma":[0.000008152977,0.00039050056,0.00023255675,0.000005673354,0.00046337885,0.0002921285,0.00010250263,0.00038059463,0.005448069],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001320527,0.000029179491,0.0000019976549,0.00006054208,0.000104201834,0.00008184138,0.001248763,3.0851883e-8,7.9723196e-7,0.8385943,0.15423393,0.0056311693],"study_design_scores_gemma":[0.0002451646,0.00015063865,0.0000011696466,0.0002874258,0.00011659182,0.0000073458023,0.00026670026,0.0000032331045,0.0000017622488,0.10311665,0.8953628,0.00044050653],"about_ca_topic_score_codex":0.00019578195,"about_ca_topic_score_gemma":0.00042942353,"teacher_disagreement_score":0.74112886,"about_ca_system_score_codex":0.00006332001,"about_ca_system_score_gemma":0.00009093649,"threshold_uncertainty_score":0.9998547},"labels":[],"label_agreement":null},{"id":"W4396909245","doi":"10.7202/1111119ar","title":"Les approximations de la situation déictique. Les transcréations d’Anne Hébert","year":2024,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University; King's University College","funders":"","keywords":"Humanities; Art","score_opus":0.03245766210975037,"score_gpt":0.28565267746992884,"score_spread":0.25319501536017847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396909245","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035359498,0.15021725,0.010569874,0.021665065,0.0014881958,0.0009312619,0.0006707757,0.0012751488,0.7778229],"genre_scores_gemma":[0.96330726,0.0053598727,0.0011325851,0.0003445976,0.0022071323,0.0003015743,0.00041221114,0.0001443727,0.026790394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695677,0.00062214397,0.000864664,0.0006892336,0.00026511704,0.00060207007],"domain_scores_gemma":[0.9980126,0.00087032875,0.000092697854,0.00047578843,0.00031744648,0.00023111948],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00078440586,0.0005997978,0.00053372816,0.00086492393,0.0010853551,0.0020302772,0.00034162853,0.000564997,0.0015561249],"category_scores_gemma":[0.00008038762,0.0006320874,0.00068526424,0.00052585965,0.0010214525,0.0013192414,0.000042736236,0.000989122,0.000059245456],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018988965,0.00037224012,0.00027714748,0.0022532104,0.00039698006,0.00013008146,0.04246042,0.000018493358,0.00041947293,0.9261326,0.010334362,0.01718601],"study_design_scores_gemma":[0.0002361613,0.00015806587,0.0009911236,0.003118597,0.00053009065,0.00016788355,0.0038055296,0.0017476213,0.00034788367,0.02024861,0.9679801,0.0006683738],"about_ca_topic_score_codex":0.0015365984,"about_ca_topic_score_gemma":0.0021948072,"teacher_disagreement_score":0.9576457,"about_ca_system_score_codex":0.00014242256,"about_ca_system_score_gemma":0.00020620954,"threshold_uncertainty_score":0.99961305},"labels":[],"label_agreement":null},{"id":"W4399370074","doi":"10.3138/ctr.197.016","title":"Freedom in the Invitation: Lilith &amp; C<sup>ie</sup>’s <i>Invisible</i>","year":2024,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Theology; Philosophy","score_opus":0.03258224872998691,"score_gpt":0.2480147677685661,"score_spread":0.21543251903857918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399370074","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016077553,0.538238,0.0000016435432,0.036046863,0.00025887962,0.00042213377,0.00015424534,0.000039086513,0.42467842],"genre_scores_gemma":[0.7105497,0.0638136,0.00008009846,0.18319546,0.0050161965,0.0005049389,0.0008959909,0.0001400893,0.03580394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987554,0.00018361081,0.00032498495,0.00026664845,0.00015856522,0.00031079905],"domain_scores_gemma":[0.9991916,0.00015032299,0.000018661392,0.00043638336,0.000045724693,0.00015735385],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005302765,0.00019093079,0.00026781004,0.00015358813,0.00017578776,0.000502805,0.00030963702,0.000044580498,0.0023036087],"category_scores_gemma":[0.000021366883,0.00012321309,0.00015634952,0.00021465801,0.00010630857,0.00029812675,0.000011480971,0.0003005573,0.00069030287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010986528,0.000009608578,0.00001543764,0.0017896309,0.000023713443,0.00015226187,0.01706723,8.382954e-7,1.1965295e-7,0.5182216,0.43012044,0.032597993],"study_design_scores_gemma":[0.000048973317,0.000020595777,0.0000045153565,0.0041797194,0.00005585617,0.000027590666,0.0007592032,0.000023401928,6.153849e-8,0.0033248835,0.99139434,0.00016086843],"about_ca_topic_score_codex":0.02386716,"about_ca_topic_score_gemma":0.52755857,"teacher_disagreement_score":0.7103889,"about_ca_system_score_codex":0.00007275906,"about_ca_system_score_gemma":0.0003183703,"threshold_uncertainty_score":0.9986084},"labels":[],"label_agreement":null},{"id":"W4399438035","doi":"10.1080/0895769x.2024.2364274","title":"The Big Bang: Physics and Metaphysics in Michael Symmons Roberts’ “Last Words”","year":2024,"lang":"en","type":"article","venue":"ANQ A Quarterly Journal of Short Articles Notes and Reviews","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Metaphysics; Epistemology; Philosophy","score_opus":0.039208735853388244,"score_gpt":0.2536187420671161,"score_spread":0.21441000621372786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399438035","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6085185,0.3858674,0.00022671392,0.0034022308,0.00065535103,0.00024285227,0.000007639896,0.000014625908,0.0010646876],"genre_scores_gemma":[0.9924951,0.0061883363,0.00004577089,0.00022316212,0.00085905293,0.0000065004556,0.0000010360352,0.000013702172,0.0001673438],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988309,0.00011527496,0.0005943566,0.00014003126,0.0001239757,0.00019542979],"domain_scores_gemma":[0.9993639,0.00029367197,0.000078326906,0.00012289343,0.00005853754,0.00008266112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006296691,0.00016288462,0.00036287212,0.00006208609,0.00021608957,0.0006938914,0.00009699889,0.000026248761,0.000011649074],"category_scores_gemma":[0.000015605267,0.000087566135,0.00016964208,0.00008700246,0.0001950468,0.00046334398,0.00001579345,0.00029023943,0.000005336039],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016995233,0.000051273528,0.00035900445,0.00011795823,0.00006833497,0.0000524148,0.042997472,1.7936907e-7,0.00046618984,0.088669844,0.0007630481,0.86643726],"study_design_scores_gemma":[0.00033855246,0.0010561988,0.0006747739,0.0022520812,0.00031261193,0.00016230498,0.009131798,0.0005288129,0.00015084168,0.047303688,0.93768626,0.0004020786],"about_ca_topic_score_codex":0.000018569068,"about_ca_topic_score_gemma":0.00090625504,"teacher_disagreement_score":0.9369232,"about_ca_system_score_codex":0.0000074023715,"about_ca_system_score_gemma":0.000023344322,"threshold_uncertainty_score":0.669121},"labels":[],"label_agreement":null},{"id":"W4399827454","doi":"10.1111/oli.12460","title":"Potential sites of transgression in Michael Crummey's <i>The Innocents</i>: Questioning theoretical and ethical boundaries","year":2024,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Marine transgression; Psychoanalysis; Philosophy; Sociology; Psychology; Geology; Paleontology","score_opus":0.008402403410794672,"score_gpt":0.24063717799092008,"score_spread":0.2322347745801254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399827454","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8898669,0.011297198,0.00024148116,0.07552606,0.0015730091,0.00025679066,0.0001033776,0.000105965875,0.021029217],"genre_scores_gemma":[0.99686676,0.00003153295,0.000027639895,0.0018169257,0.00041493413,0.000009658868,0.00002515719,0.000012675068,0.0007947202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895734,0.00016619517,0.00029300965,0.0002082574,0.00018996028,0.00018524859],"domain_scores_gemma":[0.99960935,0.00016094426,0.000021639382,0.00012023443,0.00005079269,0.000037017715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003802122,0.00013140096,0.0001721817,0.00009547508,0.00029020145,0.0009261431,0.000100851576,0.00012209378,0.00062582444],"category_scores_gemma":[0.00003632054,0.000085473344,0.000063987965,0.000059313796,0.0012471782,0.00019751908,0.000043404507,0.00070745713,0.0000072904354],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005029741,0.000021619378,0.0002588006,0.0001308956,0.000014522849,0.000047959737,0.04165259,1.307502e-7,0.0006233535,0.9522677,0.0025493356,0.0023827704],"study_design_scores_gemma":[0.00052240683,0.00017193623,0.0009916058,0.0015745872,0.0000709144,0.000047209134,0.0031029228,0.0008929325,0.0013493143,0.21882841,0.77210474,0.00034302394],"about_ca_topic_score_codex":0.00005829898,"about_ca_topic_score_gemma":0.00012920977,"teacher_disagreement_score":0.7695554,"about_ca_system_score_codex":0.000007193284,"about_ca_system_score_gemma":0.000045793095,"threshold_uncertainty_score":0.8930819},"labels":[],"label_agreement":null},{"id":"W4401039897","doi":"10.70042/eroth/07020005","title":"Irreversible Situation and the Articulation of Disorder in Things Fall Apart","year":2023,"lang":"en","type":"article","venue":"Erothanatos.","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"La Cité Collégiale","funders":"","keywords":"Articulation (sociology); Psychology; Psychoanalysis; Cognitive psychology; Political science; Politics; Law","score_opus":0.016568392071506288,"score_gpt":0.2166899266820986,"score_spread":0.20012153461059232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401039897","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9441054,0.0005724756,0.000027093303,0.004162403,0.00017093938,0.00026517358,0.0000049410523,0.000042429983,0.050649166],"genre_scores_gemma":[0.9962838,0.000015168595,0.000005004573,0.00033621554,0.0000506969,0.000014714365,0.000015791198,0.000004684799,0.0032738927],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958193,0.00003610464,0.00013394235,0.000079004145,0.00009200235,0.000077020304],"domain_scores_gemma":[0.99977106,0.00007873614,0.000032362714,0.00007779998,0.000028992294,0.000011024062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002296025,0.00004933922,0.00009008478,0.00007842457,0.000070676775,0.00005095705,0.000041241037,0.0000185666,0.00009419811],"category_scores_gemma":[0.000025889703,0.000033557793,0.000026315454,0.00007255693,0.00010987921,0.0002798475,0.00002036031,0.00005697188,0.000018662993],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028091341,0.000014910901,0.0013467036,0.000028091961,0.000009216863,0.0000016842163,0.08044314,0.0000059161925,0.0000252244,0.91549003,0.001607014,0.0009999924],"study_design_scores_gemma":[0.0073475908,0.00013525803,0.029333176,0.00034075702,0.000091375674,0.0000033516174,0.047214534,0.019084675,0.00041840292,0.25898388,0.6364852,0.00056174304],"about_ca_topic_score_codex":0.0003400194,"about_ca_topic_score_gemma":0.0012844619,"teacher_disagreement_score":0.6565061,"about_ca_system_score_codex":0.0000035375542,"about_ca_system_score_gemma":0.000006978278,"threshold_uncertainty_score":0.13684471},"labels":[],"label_agreement":null},{"id":"W4401632792","doi":"10.1525/ncl.2024.79.2.134","title":"Review: <i>British Literature and the Life of Institutions: Speculative States</i>, by Benjamin Kohlmann","year":2024,"lang":"en","type":"article","venue":"Nineteenth-Century Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"History; Psychoanalysis; Economic history; Psychology","score_opus":0.010430063973531495,"score_gpt":0.22911112873578818,"score_spread":0.21868106476225668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401632792","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014496506,0.9559591,0.000014069772,0.0059638075,0.0015591059,0.0008206558,0.0034579372,0.00014011067,0.030635597],"genre_scores_gemma":[0.55873305,0.39324787,0.0000758937,0.019700235,0.0024943845,0.00017647797,0.005513947,0.00008869928,0.01996942],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977602,0.000235412,0.0006949846,0.00057904155,0.0003680052,0.00036236338],"domain_scores_gemma":[0.9986744,0.00022550568,0.00013113809,0.00042522012,0.0003770539,0.000166673],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00037451775,0.00042549553,0.0006043389,0.00013497793,0.00032788605,0.0022232316,0.00030729943,0.00017010076,0.0005428094],"category_scores_gemma":[0.00011765099,0.000292587,0.00030304876,0.0003889279,0.0007945408,0.0011193285,0.00011147854,0.0009182688,0.000014641929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006452831,0.000061531224,0.0000029765572,0.0023947877,0.00017549777,0.00009520268,0.027848829,2.9533606e-7,0.000018019458,0.43318683,0.5338611,0.0022904093],"study_design_scores_gemma":[0.0008496673,0.00007582224,0.0000076076394,0.017799603,0.00020494252,0.000072972376,0.00055102207,0.000055507633,0.00001175715,0.0026815217,0.9773651,0.00032450305],"about_ca_topic_score_codex":0.00003862899,"about_ca_topic_score_gemma":0.000051450876,"teacher_disagreement_score":0.5627112,"about_ca_system_score_codex":0.000020646437,"about_ca_system_score_gemma":0.00008250637,"threshold_uncertainty_score":0.9999526},"labels":[],"label_agreement":null},{"id":"W4401726544","doi":"10.1007/978-3-031-24685-2_66","title":"Pulp Fiction as Philosophy: Bad Faith, Authenticity, and the Path of the Righteous Man","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Faith; Pulp (tooth); Aesthetics; Path (computing); Philosophy; Literature; Art; Theology; Computer science; Medicine; Dentistry","score_opus":0.015818290133756643,"score_gpt":0.19947653020653205,"score_spread":0.18365824007277542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401726544","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014923539,0.0035531977,0.0000011558543,0.004345542,0.0010112633,0.00035037094,0.00012520853,0.000050532184,0.9904135],"genre_scores_gemma":[0.38860768,0.000044606244,7.588896e-7,0.0006087102,0.00069033017,0.000005771921,0.000013315192,0.000022043265,0.6100068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910057,0.000020992149,0.00029342965,0.00023725218,0.00024078351,0.000106950094],"domain_scores_gemma":[0.99938357,0.000070977476,0.00009589446,0.00034410576,0.00007715027,0.000028329316],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000111586225,0.0002502506,0.0002866478,0.00006161353,0.00028243512,0.00029762016,0.00019514718,0.00011587368,0.0037461955],"category_scores_gemma":[0.0000036045626,0.000111183166,0.00026006936,0.000006994573,0.0006223726,0.000086502405,0.00013614283,0.00038414125,0.00008120811],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027030443,0.00000781116,2.2230007e-7,0.000102185106,0.00011318848,0.000012973202,0.012795891,1.0871853e-8,7.5004044e-7,0.9778149,0.008868037,0.00025697864],"study_design_scores_gemma":[0.000118666496,0.000028362496,5.145339e-7,0.0002045943,0.00013335631,0.000009484905,0.0001591161,0.00000707668,0.0000038301223,0.49300373,0.50624436,0.00008689847],"about_ca_topic_score_codex":0.0001382757,"about_ca_topic_score_gemma":0.00028171574,"teacher_disagreement_score":0.49737632,"about_ca_system_score_codex":0.000009846078,"about_ca_system_score_gemma":0.000023990562,"threshold_uncertainty_score":0.9971645},"labels":[],"label_agreement":null},{"id":"W4401853792","doi":"10.24908/jcri.v11i1.17829","title":"No One’s Witness: A Monstrous Poetics by Syd Zolf. Reviewed by Eden Elliott","year":2024,"lang":"en","type":"article","venue":"Journal of Critical Race Inquiry","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Witness; Philosophy; Literature; Art; Art history; Poetry; Linguistics","score_opus":0.038515406837360155,"score_gpt":0.30746491354640815,"score_spread":0.268949506709048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401853792","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017756721,0.6180518,0.0064425785,0.119839326,0.020590778,0.0006286375,0.0004508157,0.0003075158,0.21593177],"genre_scores_gemma":[0.9464321,0.001196113,0.0002972946,0.003772199,0.0072130268,0.000008900737,0.00002004798,0.00006776893,0.040992554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976561,0.00015426247,0.000943523,0.00024109583,0.00060823036,0.0003968007],"domain_scores_gemma":[0.99803466,0.00067929045,0.00010027294,0.0002196878,0.00067248655,0.00029362668],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005709258,0.00026635898,0.00058213755,0.00013789067,0.00016988024,0.0010328956,0.0003176694,0.00012904938,0.00218119],"category_scores_gemma":[0.0006232341,0.0002117053,0.00032388375,0.0000794718,0.0008461615,0.0010308383,0.00005189316,0.0008714198,0.00023691799],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007062962,0.00032869534,0.0000019494555,0.00060938695,0.00009843581,0.000430635,0.005804294,9.6291004e-8,0.0010171013,0.4188303,0.5693138,0.0034946403],"study_design_scores_gemma":[0.0002540862,0.00048388288,6.794901e-7,0.0016470528,0.00022785143,0.0001450416,0.0017814137,0.000043798103,0.000191085,0.007902627,0.9870543,0.00026817422],"about_ca_topic_score_codex":0.000003842499,"about_ca_topic_score_gemma":0.0000027787346,"teacher_disagreement_score":0.92867535,"about_ca_system_score_codex":0.000055406068,"about_ca_system_score_gemma":0.00012873257,"threshold_uncertainty_score":0.99873096},"labels":[],"label_agreement":null},{"id":"W4402368167","doi":"10.4324/9781003340843-5","title":"Sociocriticism","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.032355179954390585,"score_gpt":0.21897924113816525,"score_spread":0.18662406118377467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402368167","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.865538e-7,0.0089108,0.0000018626926,0.0023694625,0.0019982557,0.00010501917,0.00016421101,0.00029582408,0.98615426],"genre_scores_gemma":[0.0041623176,0.00003162149,0.0000066656207,0.0022915408,0.0037641022,0.0000061475225,0.00010650545,0.00008190316,0.9895492],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991694,0.000002035126,0.00023300863,0.00027545678,0.00016867681,0.00015140136],"domain_scores_gemma":[0.99958897,0.000034123554,0.000021783517,0.00021781318,0.00008224178,0.000055093362],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000040270246,0.00027133158,0.00025330347,0.000112265974,0.00010480983,0.00048587352,0.00012209223,0.00014578579,0.07363848],"category_scores_gemma":[0.0000014354349,0.00021612285,0.00025931493,0.0000019269607,0.00019123354,0.00010766394,0.000052408068,0.0004177935,0.008902932],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011458656,0.0000027116698,3.014693e-9,0.00007249583,0.000053906533,0.000106976244,0.0027143457,7.729303e-10,1.7613628e-7,0.744164,0.2521634,0.0007208458],"study_design_scores_gemma":[0.00002093669,0.00001656228,3.917628e-9,0.00013102281,0.00005228092,0.0000029747023,0.00010038696,6.011084e-7,5.778244e-7,0.45306963,0.5464445,0.00016056195],"about_ca_topic_score_codex":0.000007975942,"about_ca_topic_score_gemma":0.00012433543,"teacher_disagreement_score":0.29428104,"about_ca_system_score_codex":0.00001878123,"about_ca_system_score_gemma":0.000032366097,"threshold_uncertainty_score":0.99186873},"labels":[],"label_agreement":null},{"id":"W4402568303","doi":"10.1386/ts_00034_1","title":"A surreal science: Guy Maddin’s Foley of the unconscious in Brand Upon the Brain! and Footsteps","year":2024,"lang":"en","type":"article","venue":"The Soundtrack","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Unconscious mind; Foley; Art; Psychoanalysis; Psychology; Art history; Medicine; Surgery","score_opus":0.016347905991435735,"score_gpt":0.24118363909780727,"score_spread":0.22483573310637153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402568303","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8404193,0.005036898,0.0000018207021,0.037051868,0.0012983652,0.00038318612,0.00006580127,0.00003711542,0.11570563],"genre_scores_gemma":[0.9877837,0.000017451248,9.052794e-7,0.001271528,0.00028951012,0.0000109877265,0.0000015214662,0.000010110696,0.010614289],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999071,0.00009245403,0.0001992512,0.00018345792,0.00024773585,0.00020607517],"domain_scores_gemma":[0.99916315,0.00040220513,0.00003274851,0.00031975124,0.000050962222,0.000031167016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087894907,0.00011271693,0.00012235781,0.000063738,0.00047238945,0.000811268,0.0004019721,0.000027522416,0.00013382317],"category_scores_gemma":[0.000053692085,0.000047687605,0.00007666974,0.00016328442,0.001267067,0.0002940091,0.00010237075,0.00026239737,0.000009541437],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021908108,0.000022210157,0.00017636637,0.000060273065,0.000021082931,0.000005109995,0.10409468,7.032104e-7,0.00019697803,0.8801632,0.013278241,0.0019592352],"study_design_scores_gemma":[0.00044717063,0.00008183567,0.0015848135,0.00034785655,0.000051145507,0.000029688103,0.016739296,0.00018568138,0.00021119842,0.1434514,0.83667517,0.00019476909],"about_ca_topic_score_codex":0.00026110126,"about_ca_topic_score_gemma":0.0055087204,"teacher_disagreement_score":0.8233969,"about_ca_system_score_codex":0.000018728633,"about_ca_system_score_gemma":0.00015333002,"threshold_uncertainty_score":0.78230757},"labels":[],"label_agreement":null},{"id":"W4402684826","doi":"10.69975/2074-0832-2024-61-3-146-155","title":"Stylistic and Narrative Innovations in Norman McLaren’s Works","year":2024,"lang":"en","type":"article","venue":"Journal of Film Arts and Film Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Art; History; Linguistics; Literature; Philosophy","score_opus":0.050150224145494735,"score_gpt":0.2939885218336461,"score_spread":0.24383829768815135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402684826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68406725,0.24362977,0.00003385836,0.010358744,0.0018224333,0.00020315254,0.00006793486,0.00003598021,0.05978086],"genre_scores_gemma":[0.9956823,0.0009897557,0.000030947238,0.00044639566,0.0003723792,0.00000426021,0.0000019272786,0.0000071162235,0.0024648923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999327,0.000020131733,0.00034914946,0.000097110074,0.00009792239,0.000108704866],"domain_scores_gemma":[0.99953145,0.0001415014,0.000064291904,0.000042218337,0.00018624481,0.0000342758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020129356,0.00010988258,0.00024086416,0.00022667473,0.00022701637,0.00034966116,0.000035903016,0.00002600977,0.00010823104],"category_scores_gemma":[0.00005193421,0.000074969845,0.00003565555,0.000060172213,0.00019323204,0.00056767196,0.000033124572,0.0002605025,0.0000012889045],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034290282,0.000047215417,0.00049912214,0.0001905714,0.000248167,0.00030675658,0.39001793,0.000001674707,0.000012012359,0.5512046,0.05026558,0.007172057],"study_design_scores_gemma":[0.00040814833,0.000299662,0.0015618375,0.0015109881,0.00006542715,0.00007323513,0.124139786,0.00014718148,0.000004686965,0.011265704,0.8603279,0.00019543261],"about_ca_topic_score_codex":0.000008450489,"about_ca_topic_score_gemma":0.00041467417,"teacher_disagreement_score":0.81006235,"about_ca_system_score_codex":0.000013516406,"about_ca_system_score_gemma":0.000022607646,"threshold_uncertainty_score":0.33717906},"labels":[],"label_agreement":null},{"id":"W4402886870","doi":"10.1075/fillm.19.01bal","title":"Risk and responsibility in Kamila Shamsie’s <i>Burnt Shadows</i>","year":2024,"lang":"en","type":"book-chapter","venue":"FILLM studies in languages and literatures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Forensic engineering; Engineering; Psychology; History","score_opus":0.022779144836219536,"score_gpt":0.29277776714454895,"score_spread":0.26999862230832944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402886870","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047374675,0.45921493,4.4087084e-8,0.00036329843,0.0005719347,0.0002862918,0.001120122,0.000052468316,0.53365344],"genre_scores_gemma":[0.25010103,0.011028864,0.000025515195,0.0009783694,0.0011757951,0.000045519348,0.00013643026,0.000066769964,0.73644173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815327,0.000064110725,0.00054550986,0.0007498285,0.00018392995,0.0003033755],"domain_scores_gemma":[0.99902105,0.0003939376,0.000099448545,0.00033616638,0.0000839106,0.000065472974],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00040888568,0.0005370213,0.0007791443,0.00040077278,0.0001666823,0.00047196972,0.00012260863,0.00026941433,0.00026105656],"category_scores_gemma":[0.00009838524,0.00040240266,0.00012088293,0.000033739016,0.0006308516,0.00019177946,0.00029430288,0.0011241402,0.000008309502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001164988,0.000020294425,0.00009777121,0.0008015268,0.00014506483,0.0010155257,0.15635821,1.10909745e-7,0.0000016361546,0.8209144,0.017365176,0.0031638022],"study_design_scores_gemma":[0.0003224812,0.00011702093,0.0002142431,0.0024742088,0.000067803434,0.000020501207,0.0066695213,0.0000032860275,9.69441e-7,0.088537544,0.9011001,0.00047232865],"about_ca_topic_score_codex":0.0001177419,"about_ca_topic_score_gemma":0.0034434611,"teacher_disagreement_score":0.88373494,"about_ca_system_score_codex":0.000045366603,"about_ca_system_score_gemma":0.000024362786,"threshold_uncertainty_score":0.99984276},"labels":[],"label_agreement":null},{"id":"W4403187018","doi":"10.1080/0895769x.2024.2411210","title":"David Foster Wallace’s ‘Incarnations of Burned Children’ as Transgressive Pragmatism","year":2024,"lang":"en","type":"article","venue":"ANQ A Quarterly Journal of Short Articles Notes and Reviews","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Columbia College","funders":"","keywords":"Transgressive; Pragmatism; Psychoanalysis; Sociology; History; Aesthetics; Art; Psychology; Philosophy; Epistemology; Geology; Paleontology","score_opus":0.027755119297383165,"score_gpt":0.2754919969355016,"score_spread":0.2477368776381184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403187018","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78840953,0.2017916,0.00020455124,0.0059531764,0.0003867635,0.00036571044,0.000029348892,0.00001874235,0.0028405667],"genre_scores_gemma":[0.996195,0.0024696966,0.0001242681,0.00032522436,0.0004553806,0.000006386874,0.000004845728,0.0000149842235,0.00040422336],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998527,0.00009735661,0.00087894144,0.00014184216,0.00019867881,0.00015621616],"domain_scores_gemma":[0.9993294,0.00012672189,0.00015731619,0.00013089283,0.000154395,0.00010131136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004142879,0.00016632017,0.00044864492,0.00014953145,0.00010931507,0.0003136843,0.00012195073,0.0000410484,0.00034269414],"category_scores_gemma":[0.000020491987,0.0001053251,0.00028371532,0.00006424163,0.000116859774,0.0007090171,0.000009036505,0.00020015641,0.00001554765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059141657,0.000196265,0.00043823692,0.0004485339,0.0003525745,0.00013105391,0.17086416,3.4347738e-7,0.0035590874,0.09831755,0.003440066,0.722193],"study_design_scores_gemma":[0.0016630242,0.006801788,0.0027425378,0.012166387,0.0018802306,0.002003836,0.009071379,0.00033223786,0.0030595162,0.05494653,0.9042001,0.0011324375],"about_ca_topic_score_codex":0.000021644302,"about_ca_topic_score_gemma":0.00010189055,"teacher_disagreement_score":0.90076005,"about_ca_system_score_codex":0.000010058311,"about_ca_system_score_gemma":0.000036386486,"threshold_uncertainty_score":0.42950332},"labels":[],"label_agreement":null},{"id":"W4403647257","doi":"10.1080/09518398.2024.2416714","title":"A progressive habitus versus teacher authority in Herndon’s <i>The Way it Spozed To Be</i>","year":2024,"lang":"en","type":"article","venue":"International Journal of Qualitative Studies in Education","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Habitus; Sociology; Pedagogy; Psychology; Gender studies; Social science; Cultural capital","score_opus":0.22980711662799297,"score_gpt":0.5041577371234937,"score_spread":0.2743506204955007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403647257","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67896247,0.043274444,0.00003144637,0.19687718,0.030710528,0.0004936264,0.00004987285,0.00002216596,0.04957826],"genre_scores_gemma":[0.9925118,0.000087971006,0.00013701098,0.0012098842,0.001976205,0.00007024354,0.0000056256877,0.000010042529,0.0039912057],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99842626,0.00035902008,0.00055849616,0.00014428845,0.0003891968,0.00012275508],"domain_scores_gemma":[0.9980466,0.0008680373,0.00013776917,0.000069772126,0.0008425575,0.000035287936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012940391,0.0001229508,0.00019607687,0.00032968432,0.00006370803,0.00021271076,0.00026205296,0.00002519024,0.00017584817],"category_scores_gemma":[0.00068696646,0.000084049476,0.00009281621,0.00010228047,0.00020013817,0.0004127175,0.000049448783,0.00034566224,0.0000136198],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002847906,0.00020158016,0.00003460993,0.000025438152,0.00022177126,0.000059395992,0.7479373,0.0000016257081,0.000006482065,0.20371668,0.03861087,0.008899444],"study_design_scores_gemma":[0.0004486645,0.00016535394,0.00016505824,0.00086425163,0.000020412203,0.000013676734,0.58811665,0.0000065816157,0.000014047702,0.017646048,0.39243603,0.000103216116],"about_ca_topic_score_codex":0.00011118654,"about_ca_topic_score_gemma":0.0016853474,"teacher_disagreement_score":0.35382515,"about_ca_system_score_codex":0.0003861097,"about_ca_system_score_gemma":0.00021110567,"threshold_uncertainty_score":0.3427438},"labels":[],"label_agreement":null},{"id":"W4404250418","doi":"10.1080/00111619.2024.2427048","title":"‘Ofer eall wifa cyn’: Cultivating Female Agency in David Foster Wallace’s <i>Infinite Jest</i> and Cynewulf’s <i>Juliana</i>","year":2024,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Agency (philosophy); Sociology; Philosophy; Epistemology","score_opus":0.13088711155616745,"score_gpt":0.34720963008667577,"score_spread":0.21632251853050832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404250418","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24287432,0.1788857,0.00008603026,0.014654033,0.0054127825,0.0015030043,0.00021411115,0.00057498313,0.555795],"genre_scores_gemma":[0.98181593,0.0013024735,0.00005639289,0.0023173965,0.00090573356,0.000224499,0.00007249185,0.00005849343,0.013246587],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975356,0.00022666788,0.00087142276,0.00072002795,0.00022676388,0.00041951513],"domain_scores_gemma":[0.9989488,0.0004519647,0.00007712456,0.00027257612,0.00017026372,0.00007926837],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00067889225,0.0004225338,0.000546847,0.00040642958,0.00029251564,0.0004415851,0.00014622809,0.00014573438,0.000095269024],"category_scores_gemma":[0.00013992836,0.00039288597,0.00012491675,0.00020845073,0.00032993144,0.001647785,0.00016052043,0.0006388963,0.00002051898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027201636,0.00031288597,0.005632982,0.0033137086,0.0003506017,0.002043927,0.5750046,0.000005422199,0.00074078416,0.19023077,0.21210901,0.009983293],"study_design_scores_gemma":[0.0011421328,0.00029965816,0.00036485426,0.0038041251,0.000041889434,0.000030592342,0.041602656,0.00026714784,0.00018065401,0.0077090887,0.94378775,0.00076942967],"about_ca_topic_score_codex":0.00036839166,"about_ca_topic_score_gemma":0.002051265,"teacher_disagreement_score":0.7389416,"about_ca_system_score_codex":0.0001483432,"about_ca_system_score_gemma":0.00009181362,"threshold_uncertainty_score":0.9998523},"labels":[],"label_agreement":null},{"id":"W4404471680","doi":"10.69975/2074-0832-2024-60-2-121-134","title":"Stylistic and narrative innovations in Norman McLaren’s works","year":2024,"lang":"en","type":"article","venue":"Journal of Film Arts and Film Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Art; History; Sociology; Linguistics; Literature; Philosophy","score_opus":0.050150224145494735,"score_gpt":0.2939885218336461,"score_spread":0.24383829768815135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404471680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68406725,0.24362977,0.00003385836,0.010358744,0.0018224333,0.00020315254,0.00006793486,0.00003598021,0.05978086],"genre_scores_gemma":[0.9956823,0.0009897557,0.000030947238,0.00044639566,0.0003723792,0.00000426021,0.0000019272786,0.0000071162235,0.0024648923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999327,0.000020131733,0.00034914946,0.000097110074,0.00009792239,0.000108704866],"domain_scores_gemma":[0.99953145,0.0001415014,0.000064291904,0.000042218337,0.00018624481,0.0000342758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020129356,0.00010988258,0.00024086416,0.00022667473,0.00022701637,0.00034966116,0.000035903016,0.00002600977,0.00010823104],"category_scores_gemma":[0.00005193421,0.000074969845,0.00003565555,0.000060172213,0.00019323204,0.00056767196,0.000033124572,0.0002605025,0.0000012889045],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034290282,0.000047215417,0.00049912214,0.0001905714,0.000248167,0.00030675658,0.39001793,0.000001674707,0.000012012359,0.5512046,0.05026558,0.007172057],"study_design_scores_gemma":[0.00040814833,0.000299662,0.0015618375,0.0015109881,0.00006542715,0.00007323513,0.124139786,0.00014718148,0.000004686965,0.011265704,0.8603279,0.00019543261],"about_ca_topic_score_codex":0.000008450489,"about_ca_topic_score_gemma":0.00041467417,"teacher_disagreement_score":0.81006235,"about_ca_system_score_codex":0.000013516406,"about_ca_system_score_gemma":0.000022607646,"threshold_uncertainty_score":0.33717906},"labels":[],"label_agreement":null},{"id":"W4405394484","doi":"","title":"Plot Counter Plot: Genetics and Generic Strain in the Modernist Novel of Formation","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Plot (graphics); Strain (injury); Mathematics; Biology; Statistics","score_opus":0.3596576481059738,"score_gpt":0.48962086153089956,"score_spread":0.12996321342492578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405394484","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9583998,0.016084345,0.0010733311,0.0008515666,0.00030154313,0.00047015282,0.0004811141,0.000014788385,0.022323415],"genre_scores_gemma":[0.9970058,0.0016002433,0.00003808052,0.0005771162,0.000199422,0.000018880528,0.00000983458,0.000020120991,0.0005304946],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858016,0.00010594544,0.0006071832,0.00016760844,0.00035537005,0.00018376429],"domain_scores_gemma":[0.99900097,0.00017648854,0.00033681834,0.00024313164,0.00018803705,0.000054545137],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061002164,0.00017084435,0.00033601053,0.0002665892,0.00014806454,0.0009923932,0.0008680983,0.000045795245,0.0017072576],"category_scores_gemma":[0.000032190608,0.0001002284,0.00007223006,0.00008650617,0.00020912013,0.0019966243,0.00017263729,0.00013673879,0.0000024364697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010589248,0.002228421,0.06365806,0.0011447333,0.00059139385,0.00010249649,0.14419506,0.00006590337,0.3686467,0.18274625,0.08420523,0.1513568],"study_design_scores_gemma":[0.0042810966,0.00013655314,0.25037575,0.0024845456,0.00023246424,0.00006762623,0.0062535508,0.00084155984,0.011058352,0.053660646,0.6692748,0.0013330438],"about_ca_topic_score_codex":0.00014932921,"about_ca_topic_score_gemma":0.00044638893,"teacher_disagreement_score":0.5850696,"about_ca_system_score_codex":0.0000224359,"about_ca_system_score_gemma":0.000041291776,"threshold_uncertainty_score":0.9992053},"labels":[],"label_agreement":null},{"id":"W4405640639","doi":"10.1080/17400309.2024.2421684","title":"‘The All-American Smile:’ the deconstruction of Robert Redford’s star persona in David Lowery’s <i>The Old Man &amp; the Gun</i>","year":2024,"lang":"en","type":"article","venue":"New Review of Film and Television Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Deconstruction (building); Persona; Art; Star (game theory); Art history; Literature; Humanities; Physics; Astrophysics; Engineering","score_opus":0.03581712195485663,"score_gpt":0.31006336154292835,"score_spread":0.2742462395880717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405640639","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016570056,0.9367079,0.0000024491312,0.03772696,0.00057597226,0.000523396,0.000031339845,0.000018636187,0.007843293],"genre_scores_gemma":[0.31428075,0.6654754,0.000033652792,0.0056152106,0.0005631353,0.00005688154,0.000011190481,0.000022056503,0.013941698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986714,0.00016591322,0.000541313,0.00020478609,0.00024801405,0.00016855505],"domain_scores_gemma":[0.9985106,0.00081223546,0.00015786038,0.00036707358,0.00012608926,0.000026163923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000838269,0.00018151883,0.00042076665,0.000036937574,0.0004161886,0.00013824542,0.00024535417,0.000018472905,0.000107390966],"category_scores_gemma":[0.00013026447,0.00006713066,0.0001812186,0.00014086104,0.0009208046,0.00013284509,0.00011336453,0.00022793643,0.0000059533854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025873882,0.000020812175,0.00007214289,0.0021405565,0.00025021977,0.0000039032384,0.03147124,1.7247432e-7,0.000009928766,0.10087255,0.44210523,0.42302737],"study_design_scores_gemma":[0.00008500434,0.000072577044,0.00011617894,0.004187014,0.00012238682,0.000011738668,0.007108148,0.0000059483536,0.000005753658,0.0012797697,0.98692095,0.00008450339],"about_ca_topic_score_codex":0.00030747012,"about_ca_topic_score_gemma":0.0013617582,"teacher_disagreement_score":0.5448157,"about_ca_system_score_codex":0.000012440405,"about_ca_system_score_gemma":0.000042237316,"threshold_uncertainty_score":0.3392743},"labels":[],"label_agreement":null},{"id":"W4406610743","doi":"10.7202/1115602ar","title":"“Not Longer than Mine”: Anxious Unbelonging in Margaret Laurence’s The Diviners","year":2023,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"History; Geology","score_opus":0.04245680705620218,"score_gpt":0.2751804389882041,"score_spread":0.2327236319320019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406610743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56079656,0.08547408,1.6629642e-7,0.11886216,0.0076152277,0.0012722348,0.0013205664,0.00028428968,0.2243747],"genre_scores_gemma":[0.97645634,0.000247824,0.0000033702104,0.003560441,0.00076862663,0.000080559854,0.00013010479,0.000025647161,0.018727098],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983037,0.00009871321,0.00030004678,0.0003480346,0.00019161108,0.0007578909],"domain_scores_gemma":[0.99920607,0.00018369034,0.000035975027,0.00032550638,0.00011520423,0.00013354102],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043378962,0.00026274318,0.0002974447,0.00062366267,0.00036916803,0.00040174148,0.00031794456,0.00009368967,0.00012257775],"category_scores_gemma":[0.00013734489,0.00018382035,0.00008113515,0.0006272226,0.0003022187,0.00030131088,0.00007323325,0.00054662407,0.00003507786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019207688,0.000013885601,0.0109167015,0.00011349664,0.000080711674,0.001988982,0.4858619,0.0000074283075,0.000002781492,0.2679479,0.23185761,0.0011893784],"study_design_scores_gemma":[0.0003073335,0.000032848846,0.0069520534,0.000670765,0.000011187099,0.000009827826,0.031520892,0.000038339844,0.000002009774,0.0029087048,0.9572164,0.00032966022],"about_ca_topic_score_codex":0.033228423,"about_ca_topic_score_gemma":0.9584339,"teacher_disagreement_score":0.9252055,"about_ca_system_score_codex":0.00016616656,"about_ca_system_score_gemma":0.00014043073,"threshold_uncertainty_score":0.9732094},"labels":[],"label_agreement":null},{"id":"W4406970290","doi":"10.3138/utq.93.04.08","title":"Breaking Down Walls in Post-Pandemic Transnational Fables: Kazuo Ishiguro’s <i>Klara and the Sun</i> and Mohsin Hamid’s <i>The Last White Man</i>","year":2024,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); History; Pandemic; Art history; Literature; Art; Coronavirus disease 2019 (COVID-19); Medicine; Chemistry","score_opus":0.006670789759699673,"score_gpt":0.17790735193998955,"score_spread":0.17123656218028988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406970290","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76216567,0.020089611,0.0002269253,0.030024586,0.00072194403,0.00086947414,0.000922137,0.00015470198,0.18482493],"genre_scores_gemma":[0.9913303,0.000050195413,0.0000161066,0.00041546673,0.00008676008,6.900783e-7,0.000027113754,0.000007928573,0.00806542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992551,0.00009334386,0.0001465923,0.00020591263,0.00015090509,0.0001481196],"domain_scores_gemma":[0.999561,0.0001756844,0.00003468502,0.00012519343,0.000067565394,0.000035862195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024467474,0.0001295483,0.00017623269,0.000039903138,0.00024346446,0.0002636175,0.0001687384,0.000049259786,0.00062933064],"category_scores_gemma":[0.0000018330326,0.00009290746,0.00006878789,0.000019316607,0.00045188205,0.0008023115,0.000019054598,0.00015251698,0.0000025061545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016835645,0.000030079698,0.0002232047,0.00008711022,0.000069368216,0.000029285511,0.348497,4.6573405e-7,0.000065713255,0.64094377,0.003720504,0.0061651734],"study_design_scores_gemma":[0.0027887588,0.00035712728,0.006654331,0.00023863828,0.00017306305,0.000045554774,0.112769395,0.0006178071,0.0000025859836,0.004735587,0.8712587,0.00035846434],"about_ca_topic_score_codex":0.004428421,"about_ca_topic_score_gemma":0.16832717,"teacher_disagreement_score":0.86753815,"about_ca_system_score_codex":0.000038943017,"about_ca_system_score_gemma":0.000044242548,"threshold_uncertainty_score":0.84684867},"labels":[],"label_agreement":null},{"id":"W4407589223","doi":"10.71106/nygj4507","title":"The Supermarket: Consumerism, Simulation, and the Fear of Death in Don DeLillo's White Noise","year":2020,"lang":"en","type":"article","venue":"Language Literature and Interdisciplinary Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Consumerism; White (mutation); White noise; Noise (video); Advertising; Psychology; Art; Psychoanalysis; Computer science; Telecommunications; Artificial intelligence; Business; Political science; Law","score_opus":0.021505208120251487,"score_gpt":0.29133807580413634,"score_spread":0.26983286768388487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407589223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6314064,0.31803033,0.000008690193,0.027041048,0.0002911122,0.00047468676,0.00012076048,0.000037797647,0.022589155],"genre_scores_gemma":[0.9957838,0.00063669076,0.000011269318,0.0014401787,0.00030472106,0.000020269326,0.000016466314,0.000011278715,0.0017753108],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990644,0.00013801847,0.00032518353,0.00021147955,0.000104740684,0.00015616439],"domain_scores_gemma":[0.9991547,0.00046435918,0.00006666667,0.00015571338,0.00011879431,0.000039776063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002203384,0.00018284975,0.00032234556,0.000040828207,0.0004484011,0.00027040794,0.00012140299,0.000038806527,0.00003223238],"category_scores_gemma":[0.000074082476,0.00008810494,0.000070481256,0.00007048195,0.0006010284,0.00027317047,0.0003458999,0.00023788399,7.869457e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00063593907,0.000016613185,0.0011868705,0.00016974461,0.00013658546,0.000048715745,0.9547221,0.000003273762,0.000015460155,0.038552802,0.0027443515,0.0017675308],"study_design_scores_gemma":[0.0059662196,0.00075402134,0.008262226,0.0017926813,0.00028967988,0.000039558723,0.74354255,0.006819585,0.000053512704,0.013705622,0.21792248,0.000851865],"about_ca_topic_score_codex":0.0000093134295,"about_ca_topic_score_gemma":0.0002633491,"teacher_disagreement_score":0.36437738,"about_ca_system_score_codex":0.0000048378192,"about_ca_system_score_gemma":0.000006276838,"threshold_uncertainty_score":0.3592815},"labels":[],"label_agreement":null},{"id":"W4408157998","doi":"10.18357/anthropologica66220242725","title":"In Response to “In Praise of Makeshift Finishing” by Daniel Tubb: Writing in Puzzle-Pieces","year":2025,"lang":"en","type":"article","venue":"Anthropologica","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Praise; Psychology; Art; Literature","score_opus":0.018017357776381398,"score_gpt":0.3013036884844116,"score_spread":0.28328633070803017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408157998","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8115909,0.0025052875,0.0000052493137,0.03760846,0.0003528719,0.00029010142,0.00007596387,0.000029817604,0.14754133],"genre_scores_gemma":[0.9890793,0.000033367764,0.000044248558,0.002067898,0.000055348857,0.00003375185,0.0000105567005,0.000006809023,0.008668699],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986279,0.00021234089,0.000501837,0.00028328525,0.00009625681,0.000278366],"domain_scores_gemma":[0.9992002,0.00049984496,0.000050825263,0.00019177911,0.000028013113,0.00002929982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005111557,0.00014035612,0.0003095403,0.00032438256,0.0001441271,0.00009954889,0.00021860628,0.00008507376,0.00077390636],"category_scores_gemma":[0.00032135306,0.00012347064,0.000045124114,0.0001977232,0.00027163004,0.00026089678,0.000082370454,0.00023189286,0.000009651403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015832629,0.00097427756,0.018088587,0.00014445062,0.0000179598,0.0005129525,0.08667704,0.000002532601,0.002656724,0.7684958,0.11810952,0.0027369352],"study_design_scores_gemma":[0.0009781966,0.00037054557,0.0068228426,0.00055149157,0.0000056942154,0.0000016236108,0.050365694,0.00001216003,0.0011442356,0.00449242,0.93498164,0.0002734694],"about_ca_topic_score_codex":0.00089104834,"about_ca_topic_score_gemma":0.0104004815,"teacher_disagreement_score":0.8168721,"about_ca_system_score_codex":0.000020826465,"about_ca_system_score_gemma":0.000032609038,"threshold_uncertainty_score":0.8473732},"labels":[],"label_agreement":null},{"id":"W4408538547","doi":"10.1080/18125441.2025.2458557","title":"In-Between: Representation, Liminality, and the Multiverse in <i>Charlie Jade</i>","year":2025,"lang":"en","type":"article","venue":"Scrutiny2","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Liminality; JADE (particle detector); Representation (politics); Epistemology; Theoretical physics; Art; Philosophy; Aesthetics; Physics; Political science; Quantum mechanics; Law","score_opus":0.025378264971572636,"score_gpt":0.2768051264225652,"score_spread":0.2514268614509926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408538547","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22799733,0.0029564884,0.00001799487,0.03470372,0.0006482065,0.00061084144,0.000035185094,0.000040996052,0.73298925],"genre_scores_gemma":[0.9830606,0.000015975116,0.000008430851,0.0024400633,0.00017167644,0.000018825367,0.0000075210705,0.000003625589,0.014273284],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930346,0.00011694053,0.00021538603,0.00016592347,0.00007268652,0.0001256077],"domain_scores_gemma":[0.99952465,0.00024558135,0.000027914326,0.00014933567,0.000035714587,0.00001677474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029454305,0.000080176156,0.00015728288,0.00008941908,0.00010581429,0.0001353647,0.00009583687,0.000028769307,0.00021981874],"category_scores_gemma":[0.00005451293,0.000057106103,0.000030715768,0.00006113708,0.0002850462,0.00021771039,0.00006199955,0.00016253049,0.000018305042],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000876779,0.000031713913,0.010409401,0.000028125458,0.000013368885,0.00001838692,0.04476195,2.3696873e-7,0.0000033415702,0.93389,0.008765075,0.0019907118],"study_design_scores_gemma":[0.0048342785,0.000025425434,0.01923193,0.00019923765,0.000032330037,0.000001130594,0.031375296,0.000053143613,0.0000986592,0.0739402,0.8699974,0.0002109933],"about_ca_topic_score_codex":0.0005640713,"about_ca_topic_score_gemma":0.0012665603,"teacher_disagreement_score":0.8612323,"about_ca_system_score_codex":0.000010736028,"about_ca_system_score_gemma":0.000021377296,"threshold_uncertainty_score":0.24068612},"labels":[],"label_agreement":null},{"id":"W4409239794","doi":"10.1515/cat-2025-0004","title":"The Recovery of Self in Emotional Authenticity: Kazuo Ishiguro’s <i>Klara and the Sun</i>","year":2024,"lang":"en","type":"article","venue":"Culture as Text","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Physics; Psychology; Astrophysics; Philosophy","score_opus":0.010120781926643658,"score_gpt":0.21770434286850662,"score_spread":0.20758356094186298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409239794","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.101087414,0.059728466,0.0000065568934,0.020122532,0.0019018326,0.0005093859,0.00011880965,0.00011947105,0.81640553],"genre_scores_gemma":[0.9397361,0.00022785117,0.0000051572583,0.000993092,0.0004574436,0.000014742105,0.000014109897,0.000009396399,0.05854209],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992998,0.00007889087,0.00020203993,0.00014879841,0.00014453752,0.00012588278],"domain_scores_gemma":[0.9995346,0.00021492448,0.000028753715,0.00014264867,0.000056659363,0.00002237777],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002821306,0.00010667828,0.000133628,0.000029133082,0.00021392427,0.0005549016,0.00013344368,0.000044630746,0.0002601802],"category_scores_gemma":[0.000035126457,0.000049559698,0.00009217168,0.000052442327,0.00029786053,0.00023356032,0.000039370025,0.00023037376,0.000039986207],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030527364,0.000021236689,0.0000079011725,0.00004297862,0.000044599466,0.000010095136,0.07085638,8.586335e-8,0.000014563923,0.89096785,0.036076196,0.0019275814],"study_design_scores_gemma":[0.00026100135,0.00003693541,0.000077673096,0.00013071405,0.000030651234,0.000011800232,0.004001683,0.000034137247,0.000025943293,0.0670107,0.9283058,0.00007296392],"about_ca_topic_score_codex":0.00004295401,"about_ca_topic_score_gemma":0.00028780955,"teacher_disagreement_score":0.8922296,"about_ca_system_score_codex":0.00000905758,"about_ca_system_score_gemma":0.00003489884,"threshold_uncertainty_score":0.5350929},"labels":[],"label_agreement":null},{"id":"W4409478864","doi":"10.53103/cjlls.v4i6.193","title":"Novel Captivated Me by Jeon Dani: from Trauma to Feminism","year":2024,"lang":"en","type":"article","venue":"Canadian Journal of Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feminism; Gender studies; Art; Sociology","score_opus":0.02055225762387429,"score_gpt":0.24920695759149458,"score_spread":0.22865469996762028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409478864","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38492593,0.58497393,0.000030882286,0.0056762295,0.0021027173,0.00012499983,0.0020039072,0.000028788025,0.020132624],"genre_scores_gemma":[0.98731947,0.00007245925,0.00007225686,0.0016606051,0.0017014212,0.0000029367623,0.00005488018,0.000020453463,0.009095524],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916774,0.000025835512,0.00028796506,0.0001767355,0.00011366877,0.00022808423],"domain_scores_gemma":[0.9992382,0.00009418747,0.000042281965,0.000097401055,0.00019199571,0.00033596513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001237984,0.00019307676,0.0003052808,0.0002550143,0.00020572905,0.0009379894,0.00011874174,0.00005962113,0.00024352147],"category_scores_gemma":[0.000047225705,0.00013690833,0.0000908259,0.00009391753,0.000109110755,0.00036516855,0.000013066659,0.0003288054,0.0000070023507],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016055415,0.000008333106,0.0000070516257,0.000062040235,0.00033472592,0.0018757754,0.8348614,5.4088733e-8,0.0019783932,0.024527173,0.13163546,0.0046935296],"study_design_scores_gemma":[0.00024951462,0.00016314535,0.000017667886,0.001268486,0.00008531184,0.00011035065,0.11673663,0.0000016493428,0.00034475868,0.0006441032,0.8801618,0.00021653269],"about_ca_topic_score_codex":0.001179321,"about_ca_topic_score_gemma":0.012804805,"teacher_disagreement_score":0.7485264,"about_ca_system_score_codex":0.00003575986,"about_ca_system_score_gemma":0.00009426694,"threshold_uncertainty_score":0.9045053},"labels":[],"label_agreement":null},{"id":"W4409817789","doi":"10.21983/p3.0317.1.00","title":"Siting Futurity","year":2021,"lang":"en","type":"book","venue":"Punctum Books","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Environmental science","score_opus":0.027443942258637402,"score_gpt":0.20185368135255613,"score_spread":0.17440973909391871,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409817789","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001965407,0.0070942296,0.000005569634,0.000353597,0.00194816,0.0001554413,0.00016436217,0.00015829416,0.9901007],"genre_scores_gemma":[0.0035650304,0.000011063,0.000014499706,0.0023892343,0.009115981,0.000018519697,0.0006827217,0.000068869456,0.9841341],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986212,0.000037409387,0.00034860437,0.00041320082,0.0002815657,0.000298005],"domain_scores_gemma":[0.9990697,0.00008942262,0.00012022714,0.0004153624,0.0002089613,0.00009632226],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000119686934,0.00039056435,0.00048317466,0.00008355691,0.00031582025,0.0006788798,0.00020206426,0.0001957152,0.008256324],"category_scores_gemma":[0.000017953209,0.00033731214,0.00034558604,0.0000065269223,0.00016012271,0.00015506826,0.00011735413,0.00068696786,0.00027657728],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036698598,0.000011792905,3.0634627e-7,0.00013454257,0.000055064815,0.00019042502,0.005851761,6.6916397e-9,0.0000017292907,0.7013895,0.28990757,0.00245362],"study_design_scores_gemma":[0.0001132855,0.000024330264,8.0767944e-7,0.00033447362,0.000082424536,0.000010214775,0.00035454988,0.0000015862372,0.000012042855,0.038332574,0.9603515,0.00038219927],"about_ca_topic_score_codex":0.000016535258,"about_ca_topic_score_gemma":0.00035707347,"teacher_disagreement_score":0.67044395,"about_ca_system_score_codex":0.00006759121,"about_ca_system_score_gemma":0.00036812405,"threshold_uncertainty_score":0.9999079},"labels":[],"label_agreement":null},{"id":"W4409977365","doi":"10.21983/p3.0016.1.15","title":"Mad Speculation and Absolute Inhumanism","year":2012,"lang":"en","type":"book-chapter","venue":"Punctum Books","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Speculation; Absolute (philosophy); Philosophy; Economics; Epistemology","score_opus":0.036834877193574145,"score_gpt":0.19369944070978606,"score_spread":0.15686456351621192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409977365","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007159936,0.00909412,0.000009342042,0.00017954869,0.0008107219,0.00022628272,0.00007773873,0.000095072704,0.98943555],"genre_scores_gemma":[0.078326456,0.00005010839,0.000014551905,0.0007759806,0.003002444,0.000008832899,0.00015192536,0.000066926164,0.9176028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899113,0.00000877621,0.00029352633,0.00027872526,0.00019950676,0.00022833991],"domain_scores_gemma":[0.9993963,0.000029823348,0.000120741664,0.000269302,0.000080720536,0.00010309611],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000092954964,0.00035959948,0.00032535408,0.00011425598,0.00022615377,0.00032163132,0.000092043934,0.00017390282,0.00595231],"category_scores_gemma":[0.0000027781678,0.00030301392,0.00013422097,0.0000017481079,0.00020862851,0.0002564812,0.00007496303,0.00033417874,0.00035792173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007830127,0.0000061844917,9.55389e-7,0.000061160325,0.00005087911,0.000018086026,0.00501546,4.571153e-9,0.0000043990326,0.978829,0.008340047,0.007665985],"study_design_scores_gemma":[0.00012429072,0.000030773186,0.00002551154,0.000110052555,0.00009752778,0.000008792449,0.000035009067,0.0000016393374,0.0000029823611,0.14730062,0.85195166,0.00031116433],"about_ca_topic_score_codex":0.000020205916,"about_ca_topic_score_gemma":0.0001898849,"teacher_disagreement_score":0.8436116,"about_ca_system_score_codex":0.000025333533,"about_ca_system_score_gemma":0.000023197063,"threshold_uncertainty_score":0.9999422},"labels":[],"label_agreement":null},{"id":"W4412440291","doi":"10.58564/ma.v15i39.1842","title":"Re-writing History in Jane Urquhart’s The Whirlpool","year":2025,"lang":"en","type":"article","venue":"مداد الآداب","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Art; Calculus (dental); Art history; Mathematics education; Mathematics","score_opus":0.02858604245846518,"score_gpt":0.22496386586996095,"score_spread":0.19637782341149576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412440291","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020070532,0.009950053,0.00000687993,0.0079328455,0.0011956538,0.00017960221,0.00000741986,0.00006922896,0.9605878],"genre_scores_gemma":[0.85689366,0.000010288574,0.0000071517443,0.007435296,0.00043773046,0.000029275341,0.000010299089,0.000009033712,0.13516729],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916834,0.000066397646,0.00026076523,0.00018471305,0.0001118031,0.00020800177],"domain_scores_gemma":[0.9994738,0.0001387777,0.000034553468,0.00027264538,0.000056222918,0.000023986679],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026093028,0.00011836417,0.00014990158,0.00010946531,0.00016711226,0.00012888358,0.00020399693,0.00004137306,0.0023335505],"category_scores_gemma":[0.000041453208,0.00008723216,0.000070650254,0.000045088465,0.00013403165,0.00019847837,0.000049388622,0.00025639223,0.00007604568],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013244885,0.000038006357,0.00020136214,0.00003308245,0.000012375332,0.000022809512,0.024954662,2.6231928e-7,0.000030987976,0.72204757,0.24961142,0.0030342068],"study_design_scores_gemma":[0.00023594704,0.000017064718,0.00044953672,0.00011850725,0.000012357934,6.2610445e-7,0.00820664,0.000034031393,0.000020817486,0.0043462794,0.98645276,0.00010543283],"about_ca_topic_score_codex":0.00019226683,"about_ca_topic_score_gemma":0.0022712557,"teacher_disagreement_score":0.8368231,"about_ca_system_score_codex":0.00008500008,"about_ca_system_score_gemma":0.00008054123,"threshold_uncertainty_score":0.9985784},"labels":[],"label_agreement":null},{"id":"W4412901740","doi":"10.1353/mos.2023.a966650","title":"Forms of Covid: Fiction After March 2020","year":2023,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); 2019-20 coronavirus outbreak; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); Pandemic; Virology; Geology; Geography; Medicine; Outbreak; Infectious disease (medical specialty)","score_opus":0.021359612028851435,"score_gpt":0.23829740407293604,"score_spread":0.2169377920440846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412901740","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63100743,0.0010775982,0.000027753762,0.0040619583,0.0011280222,0.00029202667,0.00045600554,0.0002861382,0.3616631],"genre_scores_gemma":[0.96616095,0.000009663967,0.0000030590986,0.0003368679,0.00026334808,0.000027199614,0.00012955637,0.000008158497,0.03306122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995632,0.000012120453,0.00012537606,0.00009196775,0.000097087795,0.000110251276],"domain_scores_gemma":[0.99978423,0.00002385812,0.0000191815,0.00011147118,0.000032265143,0.000028975486],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007403252,0.000057427915,0.00008439256,0.000056743298,0.000062417785,0.00004869251,0.000052960764,0.000022717231,0.0023432074],"category_scores_gemma":[0.0000066158054,0.000045729037,0.000051853527,0.000053058237,0.000049119957,0.00014314844,0.000023740404,0.000058085767,0.00018351563],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013403755,0.0000672966,0.00077844213,0.00026236393,0.00004659131,0.00009677765,0.050199013,0.0000014343046,0.00023915057,0.37858364,0.56443775,0.005153521],"study_design_scores_gemma":[0.00013015435,0.000052845786,0.00057035004,0.000019293568,0.000007318335,9.542626e-7,0.0012207155,0.00003927451,0.00006706014,0.0057158964,0.99211055,0.00006556271],"about_ca_topic_score_codex":0.000025615087,"about_ca_topic_score_gemma":0.00012793695,"teacher_disagreement_score":0.42767283,"about_ca_system_score_codex":0.000006419556,"about_ca_system_score_gemma":0.000013597872,"threshold_uncertainty_score":0.9985688},"labels":[],"label_agreement":null},{"id":"W4412929084","doi":"10.1093/9780198956303.003.0001","title":"Introduction","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Philosophy","score_opus":0.01610486203191567,"score_gpt":0.19440781476636615,"score_spread":0.1783029527344505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412929084","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[7.875012e-8,0.00096754584,0.000009445506,0.0050053936,0.0019512615,0.00007696145,0.000033727643,0.00009754925,0.99185807],"genre_scores_gemma":[0.0002464179,0.00001671673,0.0000099887875,0.0011858472,0.008998143,0.000002677357,0.00014497584,0.000012246098,0.989383],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954075,0.000002418073,0.00014152887,0.00017712713,0.00007371654,0.00006444404],"domain_scores_gemma":[0.9996692,0.000012436896,0.0000272127,0.00018816037,0.00008584374,0.000017140002],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000026863745,0.0001364898,0.00014881746,0.00009423018,0.00008304499,0.00014809018,0.0000631635,0.000077384946,0.0790802],"category_scores_gemma":[0.0000026689197,0.00011276041,0.00009201333,0.000001710056,0.00006301841,0.00008698329,0.00002185517,0.00017434396,0.0005725266],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018695742,0.0000015827342,4.2283386e-9,0.000014695976,0.00001624642,0.0000021860724,0.00032777205,1.1869359e-9,9.806627e-8,0.5325161,0.46403813,0.0030812966],"study_design_scores_gemma":[0.0000317539,0.000014672989,1.8485418e-8,0.000039206647,0.000028340997,6.770914e-7,0.00003783448,3.6532924e-7,0.0000017510669,0.111694545,0.8880395,0.00011128526],"about_ca_topic_score_codex":0.0000061869273,"about_ca_topic_score_gemma":0.0001278946,"teacher_disagreement_score":0.42400143,"about_ca_system_score_codex":0.000011205699,"about_ca_system_score_gemma":0.000025425154,"threshold_uncertainty_score":0.92176163},"labels":[],"label_agreement":null},{"id":"W4413523681","doi":"10.64628/aam.77gaf454m","title":"Barbie: 5 ways to be more like Allan than Ken","year":2023,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art; Art history; Sociology","score_opus":0.06324481859548883,"score_gpt":0.251569299499605,"score_spread":0.18832448090411616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413523681","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04627543,0.00008381582,0.000023011295,0.022855109,0.0006853229,0.0001784504,0.00007326318,0.0005369758,0.9292886],"genre_scores_gemma":[0.7382321,0.0000034016202,0.000031041975,0.020621216,0.0006593228,0.000022840408,0.00008997787,0.000019254583,0.24032086],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992776,0.000008585994,0.00013384069,0.00018929652,0.00015397006,0.00023669247],"domain_scores_gemma":[0.9995747,0.000033946886,0.000010634403,0.00022041169,0.000053029373,0.000107280684],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007544084,0.000117606905,0.00012367751,0.00010412635,0.00017322438,0.0002670274,0.00015211223,0.00003057027,0.0041609574],"category_scores_gemma":[0.000007998969,0.0000900895,0.00006953845,0.00006376819,0.000039136405,0.00014981756,0.000071691145,0.00007900353,0.0010851362],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060207853,0.000010291315,0.000025035202,0.00000858757,0.0000118703865,0.000029269948,0.032053534,1.679779e-7,0.000035364512,0.48714134,0.48041585,0.0002626759],"study_design_scores_gemma":[0.00010702154,0.00005724937,0.00020643511,0.000013598868,0.000006794139,0.0000011019481,0.0060543343,0.000024424244,0.000051516126,0.002135246,0.9911916,0.00015065743],"about_ca_topic_score_codex":0.00015936531,"about_ca_topic_score_gemma":0.0015495511,"teacher_disagreement_score":0.69195664,"about_ca_system_score_codex":0.0000064580454,"about_ca_system_score_gemma":0.000015178693,"threshold_uncertainty_score":0.9996926},"labels":[],"label_agreement":null},{"id":"W4413932199","doi":"10.5430/wjel.v16n1p364","title":"The Intersection of Medicine and Mortality: Analyzing the Human Experience in Margaret Edson’s “Wit”","year":2025,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Anna University","keywords":"Intersection (aeronautics); Computer science; Sociology; Geography; Cartography","score_opus":0.02245257875494551,"score_gpt":0.29374108390770465,"score_spread":0.27128850515275915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413932199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8658196,0.010242392,0.000007155382,0.0011034843,0.0010033838,0.000063164676,0.0000022519234,0.000005464809,0.121753134],"genre_scores_gemma":[0.99623275,0.000030304209,0.0000022884021,0.00024841016,0.00074860366,0.0000020428647,8.9875743e-7,0.0000034679783,0.0027312476],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99928826,0.000077251534,0.00037430823,0.000060879418,0.00011301355,0.000086313565],"domain_scores_gemma":[0.99936265,0.00016942262,0.00014891701,0.00012411454,0.00017625529,0.000018664678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005561535,0.00006899754,0.00016445163,0.00014821083,0.00015155485,0.000089920846,0.00015846928,0.000012703683,0.00013629785],"category_scores_gemma":[0.00022568365,0.000035013676,0.000049468075,0.00010194381,0.00029199728,0.00017623957,0.000030285599,0.00023622467,5.697071e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032053304,0.00002290175,0.004622939,0.000029646735,0.0000648874,0.00003096145,0.58613354,3.7171498e-7,0.00023590616,0.39960626,0.004883662,0.0043368633],"study_design_scores_gemma":[0.0009308653,0.00011755398,0.0068543954,0.0011060709,0.00008890305,0.0000043633945,0.55793303,0.000011372658,0.00025108678,0.005174979,0.42741907,0.00010829973],"about_ca_topic_score_codex":0.0001793082,"about_ca_topic_score_gemma":0.008269959,"teacher_disagreement_score":0.4225354,"about_ca_system_score_codex":0.000018347342,"about_ca_system_score_gemma":0.000014340604,"threshold_uncertainty_score":0.46148312},"labels":[],"label_agreement":null},{"id":"W4414105315","doi":"10.1017/9781009604987.014","title":"On Exiting from the Body","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Key (lock); Set (abstract data type); Context (archaeology); Relation (database); Information system","score_opus":0.025195397665598498,"score_gpt":0.18589921468257714,"score_spread":0.16070381701697864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414105315","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004762768,0.00041141207,0.000012887495,0.00015321675,0.0006342583,0.00024490646,0.001521866,0.00010997182,0.99686384],"genre_scores_gemma":[0.0073635634,0.000012847367,0.0000027041142,0.0012731629,0.0008519579,6.265258e-7,0.0001924229,0.000023309369,0.9902794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911326,0.000035946683,0.00014621584,0.00035568586,0.00017852978,0.00017036087],"domain_scores_gemma":[0.9988961,0.00034023722,0.00010273875,0.0004958093,0.000111492845,0.000053608514],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000049718234,0.0002919566,0.0002687979,0.000073564384,0.00052410417,0.00023312302,0.0004594025,0.00015104738,0.000107013424],"category_scores_gemma":[0.000008985756,0.000247252,0.00022516999,0.0000016588459,0.00025983146,0.00007444427,0.000198672,0.0005562783,0.00002866248],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041974585,0.0000039940273,6.360707e-8,0.000015516162,0.00009969806,0.000122043624,0.00072093925,2.0750793e-8,7.8470737e-7,0.7179559,0.28051051,0.00052857475],"study_design_scores_gemma":[0.00024841548,0.000030164249,9.160984e-7,0.0005078713,0.00018273167,5.552533e-7,0.0002907262,0.0000057281127,0.000013770093,0.000565542,0.9978938,0.00025977977],"about_ca_topic_score_codex":0.00036697646,"about_ca_topic_score_gemma":0.000031179297,"teacher_disagreement_score":0.71739036,"about_ca_system_score_codex":0.000052143725,"about_ca_system_score_gemma":0.000064588414,"threshold_uncertainty_score":0.999998},"labels":[],"label_agreement":null},{"id":"W4414215512","doi":"10.51584/ijrias.2025.100800082","title":"Dialectics of Postmodern Rudiments in George Bowering’s Caprice","year":2025,"lang":"en","type":"article","venue":"International Journal of Research and Innovation in Applied Science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Postmodernism; Narrative; Deconstruction (building); Mythology; Dialectic","score_opus":0.055906037551512335,"score_gpt":0.38357478338340195,"score_spread":0.3276687458318896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414215512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85068965,0.00014753315,0.00017190352,0.001616128,0.00048569532,0.000086859785,0.0000041709704,0.0000019821953,0.14679608],"genre_scores_gemma":[0.9988997,0.000022573116,0.00010740135,0.0001706224,0.000064252345,0.0000029135535,0.0000011353367,0.0000016811074,0.00072971795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986362,0.000016184946,0.00047345125,0.00009666791,0.0006474844,0.00013001042],"domain_scores_gemma":[0.9981746,0.00010102987,0.00011316476,0.000053820844,0.0015389163,0.000018436382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020066074,0.000042399723,0.00009206929,0.0027320834,0.00006532372,0.0001705405,0.00033965378,0.000017643073,0.000035977635],"category_scores_gemma":[0.0002380592,0.000037113925,0.00000925868,0.00097404467,0.0004913852,0.00035598536,0.00008837106,0.00026330812,6.474828e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106099906,0.000091008114,0.0018256247,0.000011196869,0.000006671327,0.000008584172,0.00439245,0.000002697701,0.01251767,0.97783864,0.00017237145,0.003026997],"study_design_scores_gemma":[0.004536804,0.0005523574,0.031225864,0.00128826,0.000005145595,0.00002605021,0.013240952,0.0011284801,0.03057259,0.7343751,0.1827259,0.0003224618],"about_ca_topic_score_codex":0.000044657543,"about_ca_topic_score_gemma":0.000054573477,"teacher_disagreement_score":0.2434635,"about_ca_system_score_codex":0.00008286059,"about_ca_system_score_gemma":0.00028038284,"threshold_uncertainty_score":0.24378097},"labels":[],"label_agreement":null},{"id":"W4414793654","doi":"10.1057/s41282-025-00586-1","title":"Proliferating in the dark: the traumatic form of content moderation in Mary South’s “You Will Never Be Forgotten”","year":2025,"lang":"en","type":"article","venue":"Psychoanalysis Culture & Society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Content (measure theory); Dystopia; Moderation; Digital content; Reading (process); Content analysis; The Internet","score_opus":0.04345549453916473,"score_gpt":0.2670250818274519,"score_spread":0.22356958728828716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414793654","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73585546,0.007867922,0.001568027,0.07545837,0.00059324544,0.0029217578,0.00015944969,0.00008710509,0.17548865],"genre_scores_gemma":[0.9862628,0.00003073508,0.00010544056,0.009029993,0.00013923155,0.00011326975,0.00006710252,0.0000082722845,0.0042431466],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99848086,0.00014817718,0.0006120693,0.0002497317,0.00029299693,0.00021614868],"domain_scores_gemma":[0.999251,0.00008727025,0.00014403074,0.00035048908,0.00014976061,0.00001743712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006916848,0.00019628325,0.00033899085,0.000055719614,0.0003300366,0.0002853799,0.0003081086,0.00008536932,0.000069766844],"category_scores_gemma":[0.00002864392,0.00010018952,0.00045660467,0.00028524923,0.00012630754,0.0005488726,0.000024601155,0.00038282303,8.6785093e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028596138,0.00019358855,0.0010817099,0.00011749086,0.0002958811,0.0000014574182,0.8257443,0.000024963841,0.00015296221,0.1450819,0.026464086,0.0008130797],"study_design_scores_gemma":[0.0018495072,0.0000875934,0.0035275007,0.00039769814,0.0006296002,0.000003184052,0.85536945,0.011235724,0.000044377048,0.032475796,0.093932725,0.00044681886],"about_ca_topic_score_codex":0.00016383658,"about_ca_topic_score_gemma":0.0034156619,"teacher_disagreement_score":0.25040734,"about_ca_system_score_codex":0.000040827286,"about_ca_system_score_gemma":0.000032825832,"threshold_uncertainty_score":0.408561},"labels":[],"label_agreement":null},{"id":"W4414833950","doi":"10.29173/alr2853","title":"Preface: Vavilov at 5: Looking Ahead while Looking Back","year":2025,"lang":"en","type":"article","venue":"Alberta Law Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.023934700106687072,"score_gpt":0.25779077298627556,"score_spread":0.23385607287958848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414833950","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034569824,0.18730126,0.0000029688588,0.004104983,0.0005480449,0.00042298203,0.000010732987,0.000035888075,0.80722743],"genre_scores_gemma":[0.34839785,0.0070515685,0.000028697663,0.04748248,0.0005430871,0.00009556904,0.00013499965,0.00004632929,0.5962194],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985794,0.000094146526,0.00048802776,0.0003675072,0.00015384503,0.00031709982],"domain_scores_gemma":[0.9989989,0.0002227248,0.00009219741,0.0005177068,0.00010017115,0.0000683358],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018909175,0.00025642052,0.00049455377,0.00003803058,0.00039955563,0.00023477663,0.00026898866,0.000056678713,0.012036279],"category_scores_gemma":[0.000034001823,0.00020991474,0.00022377337,0.000078276316,0.00013514585,0.0003743497,0.00014886967,0.00019088855,0.0013441021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052409323,0.000032581753,0.000035744917,0.0026740956,0.00005410931,0.0000055443893,0.0011573283,4.1348898e-8,0.0000064855153,0.8957547,0.09734596,0.002928143],"study_design_scores_gemma":[0.00017953698,0.000022758088,0.000005384101,0.009944595,0.00014344272,0.0000046077357,0.0000312001,0.0000028696895,0.00004137998,0.001352472,0.9880403,0.0002314503],"about_ca_topic_score_codex":0.0008850225,"about_ca_topic_score_gemma":0.012325813,"teacher_disagreement_score":0.89440227,"about_ca_system_score_codex":0.000044948196,"about_ca_system_score_gemma":0.000036286852,"threshold_uncertainty_score":0.99943346},"labels":[],"label_agreement":null},{"id":"W4415406144","doi":"10.5430/wjel.v16n2p191","title":"Marginalization of Disability as Alterity in George R. R. Martin's A Song of Ice and Fire","year":2025,"lang":"","type":"article","venue":"World Journal of English Language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Universiti Kebangsaan Malaysia","keywords":"Alterity; George (robot); EPIC; Narrative; Fantasy; Inclusion (mineral); Politics","score_opus":0.00696557836892547,"score_gpt":0.24740337442520613,"score_spread":0.24043779605628066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415406144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9131602,0.029628672,0.0000062900344,0.0004844218,0.0008029193,0.00017435853,0.000065929635,0.0000047493218,0.055672433],"genre_scores_gemma":[0.9945771,0.00021511906,0.000029481951,0.00013479305,0.00051379896,0.0000016515419,0.0000074769573,0.000010633051,0.004509938],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978827,0.00025680487,0.0012310841,0.00017712118,0.0002475435,0.00020474535],"domain_scores_gemma":[0.9981598,0.00029857902,0.0005911425,0.00023443201,0.0006427316,0.00007331574],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009053831,0.00019796645,0.0006597531,0.00027073344,0.00007497553,0.00011910097,0.00019041053,0.00007020881,0.0010681279],"category_scores_gemma":[0.0008368366,0.00018067818,0.00019035298,0.0002640432,0.00041983183,0.00057932286,0.000088878915,0.0004070669,2.7114447e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024553004,0.0021340558,0.07343266,0.004781177,0.0003869752,0.0003064511,0.4936766,0.000014665258,0.0004265206,0.39097223,0.0027786638,0.028634708],"study_design_scores_gemma":[0.010250101,0.0019531216,0.052564938,0.018662572,0.0011507072,0.00002444056,0.2724034,0.000565395,0.0037262964,0.013404198,0.6240755,0.0012193894],"about_ca_topic_score_codex":0.0003584733,"about_ca_topic_score_gemma":0.0019047203,"teacher_disagreement_score":0.62129676,"about_ca_system_score_codex":0.00005092595,"about_ca_system_score_gemma":0.000108414,"threshold_uncertainty_score":0.999845},"labels":[],"label_agreement":null},{"id":"W4416873076","doi":"10.1080/01956051.2025.2582386","title":"Liam Calvert on the Journeys in <i>A Night Like This</i>","year":2025,"lang":"en","type":"article","venue":"Journal of Popular Film and Television","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Feature (linguistics); Period (music); Gloom; Government (linguistics)","score_opus":0.01403309074294779,"score_gpt":0.23061759388838468,"score_spread":0.2165845031454369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416873076","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70092195,0.021025203,0.000045169665,0.032665085,0.0035914406,0.00031735224,0.000018705303,0.000021832648,0.24139324],"genre_scores_gemma":[0.97819465,0.0002141905,0.000014167286,0.0039831465,0.00038713645,0.0000010361794,0.0000017599199,0.000006503991,0.017197434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991083,0.000093502735,0.00039164582,0.00009156932,0.00019116257,0.00012383236],"domain_scores_gemma":[0.99953735,0.00008440974,0.000113680384,0.00012559781,0.00009542888,0.00004353848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046363482,0.0001107859,0.00021485581,0.0001834432,0.00019374493,0.00022633228,0.00014748087,0.000049749226,0.0003636028],"category_scores_gemma":[0.00006377817,0.00005943645,0.00011530289,0.00005790799,0.000056136756,0.00022607867,0.000030528685,0.0004091881,0.000006986917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001386016,0.00017088377,0.0007884032,0.00004668987,0.00004559382,0.00018356483,0.00880794,0.0000010201325,0.00009769121,0.7165679,0.25885406,0.014297686],"study_design_scores_gemma":[0.00042178223,0.0001834291,0.00045297985,0.00061343546,0.000022527072,0.000017360964,0.0010582812,0.00003563239,0.00006400837,0.00798594,0.9890676,0.000076984325],"about_ca_topic_score_codex":0.000018226194,"about_ca_topic_score_gemma":0.000067380715,"teacher_disagreement_score":0.7302136,"about_ca_system_score_codex":0.00001738444,"about_ca_system_score_gemma":0.000036088466,"threshold_uncertainty_score":0.39811957},"labels":[],"label_agreement":null},{"id":"W4417311358","doi":"10.5539/elt.v19n1p44","title":"Interpretation of the Novel 1984 by Freud’ s Personality Structure Theory","year":2025,"lang":"","type":"article","venue":"English Language Teaching","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Freudian slip; Interpretation (philosophy); Id, ego and super-ego; Psychic; Psychoanalytic theory; Tragedy (event); Personality; Oppression; Reading (process)","score_opus":0.004596081251298502,"score_gpt":0.22741955118637666,"score_spread":0.22282346993507815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417311358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6659146,0.017655563,0.0013783012,0.00048326224,0.003610997,0.0004001124,0.0016502598,0.00007966871,0.30882722],"genre_scores_gemma":[0.97164774,0.0000028807704,0.0000422621,0.001398542,0.00082468014,0.000005436234,0.00009816593,0.000023068822,0.025957195],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99793595,0.0006340585,0.00051629293,0.00036520572,0.00027818992,0.00027028422],"domain_scores_gemma":[0.99863213,0.0004412999,0.00021586295,0.0005554173,0.00011239103,0.000042867883],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008144635,0.00030947896,0.00036281112,0.000094646115,0.00062900665,0.0004389409,0.00053903257,0.00015936623,0.0012545119],"category_scores_gemma":[0.00084513985,0.00022416165,0.00029287496,0.000079889,0.00030247937,0.00045842532,0.00018556135,0.0012827097,9.4803465e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045947116,0.00008504125,0.00005134887,0.00018396777,0.00012495779,0.0000013205755,0.5305686,0.0000012913066,0.0019848107,0.4584964,0.0023957763,0.006060585],"study_design_scores_gemma":[0.0014793319,0.00009345513,0.00019940198,0.0023621432,0.000566346,0.0000025477907,0.7432278,0.0006950338,0.0037413975,0.010169185,0.23677556,0.0006878175],"about_ca_topic_score_codex":0.00035311986,"about_ca_topic_score_gemma":0.000289809,"teacher_disagreement_score":0.44832718,"about_ca_system_score_codex":0.000059178063,"about_ca_system_score_gemma":0.00008535785,"threshold_uncertainty_score":0.99965847},"labels":[],"label_agreement":null},{"id":"W5223848","doi":"","title":"Sit Down, Stand Up","year":2013,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Novella; Comedy; Romance; Action (physics); Performance art; Immigration; Factory (object-oriented programming); Media studies; Sociology; Art; Gender studies; Engineering; Visual arts; Political science; Art history; Literature; Law","score_opus":0.019568386389363212,"score_gpt":0.23068883910305885,"score_spread":0.21112045271369564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W5223848","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011748407,0.0029325394,0.0000010503809,0.00011545153,0.0029178637,0.00018628383,0.000050269464,0.0000922534,0.9819559],"genre_scores_gemma":[0.20137972,0.00001827864,0.0000044820436,0.00031238268,0.0008657087,0.000027276528,0.0012269143,0.000022297105,0.79614294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928063,0.000012897945,0.00021058743,0.00019467217,0.00015068681,0.00015055363],"domain_scores_gemma":[0.99950266,0.000021660422,0.000055398938,0.0001778212,0.00019291358,0.00004952969],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000031821754,0.00019654223,0.00021009061,0.00008002095,0.00015232603,0.0006157541,0.00011596518,0.00011293258,0.056210447],"category_scores_gemma":[0.0000049890236,0.00014827341,0.00010150762,0.000011147267,0.000025753625,0.0002684079,0.00000658734,0.00019425809,0.0010486547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011966943,0.000012220724,4.6148392e-7,0.00009218104,0.000029275849,0.0000039978904,0.027984317,1.8884363e-9,0.0000124468115,0.6543614,0.31556445,0.0019272848],"study_design_scores_gemma":[0.00011634281,0.000031697877,0.000013505316,0.00008820739,0.00003170448,3.7033848e-7,0.014253083,0.0000011723296,0.00009710678,0.0044744946,0.98066807,0.00022424081],"about_ca_topic_score_codex":0.00017934591,"about_ca_topic_score_gemma":0.0019788798,"teacher_disagreement_score":0.6651036,"about_ca_system_score_codex":0.000009267231,"about_ca_system_score_gemma":0.000048909053,"threshold_uncertainty_score":0.99972916},"labels":[],"label_agreement":null},{"id":"W575403533","doi":"10.2307/1209069","title":"Evanescence, Language, and Dread: Reading Don DeLillo","year":2003,"lang":"en","type":"article","venue":"Contemporary Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Reading (process); Philosophy; Linguistics; Psychology; Literature; Art","score_opus":0.01738418821223425,"score_gpt":0.22725497258631389,"score_spread":0.20987078437407963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W575403533","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07514327,0.07240392,0.00002161339,0.00076641137,0.0012108893,0.00042199856,0.00016161146,0.0002744842,0.8495958],"genre_scores_gemma":[0.94262093,0.000047284953,0.00011295301,0.0020843635,0.00061154953,0.00002359068,0.00017924348,0.00004095485,0.054279104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984403,0.00016144883,0.00037113755,0.00048427001,0.00021122853,0.00033158116],"domain_scores_gemma":[0.9990558,0.00009592704,0.00009299353,0.00039766,0.00017268854,0.00018494246],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00028225515,0.00035198845,0.00035102424,0.00019813809,0.00034163348,0.0010627289,0.00016473286,0.00015049214,0.0005153099],"category_scores_gemma":[0.00008085766,0.00028763537,0.00011275779,0.00012997843,0.00019142113,0.0011864251,0.000036439276,0.0004373744,0.000033653047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046032867,0.000058278052,0.00064659497,0.00013702689,0.0000436785,0.00040654684,0.08267833,3.4811208e-8,0.00039375218,0.8745629,0.03997928,0.001047526],"study_design_scores_gemma":[0.0006028382,0.00008992009,0.000045205554,0.00041630247,0.000018372324,0.0000939021,0.0070196865,0.0000071579607,0.00030030165,0.0034998206,0.98749024,0.0004162612],"about_ca_topic_score_codex":0.00002330555,"about_ca_topic_score_gemma":0.000028768525,"teacher_disagreement_score":0.94751096,"about_ca_system_score_codex":0.000014994976,"about_ca_system_score_gemma":0.00006588058,"threshold_uncertainty_score":0.99997425},"labels":[],"label_agreement":null},{"id":"W585862836","doi":"10.22230/cjc.2000v25n3a1168","title":"Phantom Communities: The Simulacrum and the Limits of Postmodernism","year":2000,"lang":"en","type":"book","venue":"Canadian Journal of Communication","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Simulacrum; Postmodernism; Art; Aesthetics; Literature","score_opus":0.03831683720641995,"score_gpt":0.23201776265190296,"score_spread":0.193700925445483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W585862836","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009601786,0.07609173,0.0000024821124,0.0091747185,0.00019122545,0.00022850436,0.00019822463,0.0000036032488,0.91314936],"genre_scores_gemma":[0.81996834,0.0017629322,0.0000049201703,0.0015283952,0.0002814034,0.00000270291,0.00006525761,0.000022197353,0.17636384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987302,0.00040683855,0.00053542806,0.000041886185,0.00015565692,0.00012999534],"domain_scores_gemma":[0.99742603,0.00082176493,0.0004866736,0.00076350407,0.00039607086,0.000105934814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006484367,0.00015826103,0.00035816897,0.00015669012,0.0006901951,0.0003075627,0.0010936417,0.00009555346,0.0006212419],"category_scores_gemma":[0.00002367542,0.00009197832,0.00016092036,0.000015560005,0.0016897606,0.0002022256,0.00002770821,0.0008488197,0.0000030511121],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067724875,0.000008126755,0.000002552375,0.00003097743,0.00016139113,0.0000048949214,0.16887304,0.000004226093,1.3614437e-7,0.7822116,0.043394823,0.005240536],"study_design_scores_gemma":[0.00048028334,0.000056077228,0.000008120135,0.0005492417,0.00013656126,0.000035568308,0.0045319684,0.00003986358,6.592455e-7,0.053713053,0.9403536,0.00009504518],"about_ca_topic_score_codex":0.0041914503,"about_ca_topic_score_gemma":0.09991184,"teacher_disagreement_score":0.8969587,"about_ca_system_score_codex":0.000046665362,"about_ca_system_score_gemma":0.0009990562,"threshold_uncertainty_score":0.9165124},"labels":[],"label_agreement":null},{"id":"W589638357","doi":"","title":"Imagined Nations: Reflections on Media in Canadian Fiction","year":2003,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Political science; Art; Sociology","score_opus":0.042321785272901306,"score_gpt":0.2590900279908837,"score_spread":0.2167682427179824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W589638357","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000014149946,0.0004123249,0.0000012591537,0.001258528,0.0015774539,0.000178823,0.00015853565,0.000051543386,0.9963601],"genre_scores_gemma":[0.008903581,0.000023966215,0.000010738451,0.0026156143,0.00086863706,0.0000367331,0.0006684927,0.000026125263,0.9868461],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921244,0.0000250013,0.00022157795,0.00020995685,0.00012244238,0.00020859469],"domain_scores_gemma":[0.99949867,0.00007987363,0.00003208515,0.0001703788,0.00010860969,0.00011039989],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000828132,0.00017337788,0.0001600937,0.001037139,0.00023153625,0.00020648676,0.00007397258,0.00012871673,0.0091205025],"category_scores_gemma":[0.00003917959,0.00016294922,0.00006694129,0.000043514916,0.00005355318,0.00015968828,0.0000036137353,0.0003613761,0.00025119918],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001298351,0.0000086482405,3.2169473e-7,0.000006019853,0.000006339776,0.0000107327005,0.0029955958,1.00981154e-7,6.401973e-8,0.6121405,0.3847393,0.00009111272],"study_design_scores_gemma":[0.000106148575,0.000023670707,0.0000025263607,0.000098304205,0.000011303197,0.0000018579753,0.00032029257,0.0000022156185,5.891979e-7,0.029383084,0.9698753,0.00017472563],"about_ca_topic_score_codex":0.03603397,"about_ca_topic_score_gemma":0.9767707,"teacher_disagreement_score":0.9407367,"about_ca_system_score_codex":0.00040575812,"about_ca_system_score_gemma":0.00090388744,"threshold_uncertainty_score":0.9917853},"labels":[],"label_agreement":null},{"id":"W631021079","doi":"10.2307/25515405","title":"John Banville: Exploring Fictions","year":2001,"lang":"en","type":"article","venue":"The Canadian Journal of Irish Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Psychoanalysis; Art; Psychology","score_opus":0.21987349050324662,"score_gpt":0.28110689442947007,"score_spread":0.06123340392622345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W631021079","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20761135,0.07432681,0.000007895191,0.04467106,0.0056937593,0.00013264017,0.00003391649,0.000021980726,0.6675006],"genre_scores_gemma":[0.986992,0.0004882973,0.000007866275,0.00089122955,0.0018919248,0.0000046897862,5.3615156e-7,0.000008493395,0.00971496],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935955,0.00003705185,0.00024664574,0.000053447293,0.00010988068,0.00019342356],"domain_scores_gemma":[0.99922305,0.0000857128,0.00008265229,0.000105897954,0.000368516,0.00013416646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002329815,0.000089694906,0.00016854335,0.00013740701,0.0011252156,0.00021942718,0.00016632058,0.000013296342,0.0005179884],"category_scores_gemma":[0.00009026595,0.00005551672,0.00009687068,0.00005117083,0.00027915838,0.00035058352,0.000010476651,0.00021399402,0.000018104087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001229676,0.000010743987,0.00045619794,0.000010606515,0.00036879905,0.00038637363,0.15491462,0.0000061346223,0.0000018316994,0.10405213,0.7360145,0.0037657663],"study_design_scores_gemma":[0.00011032502,0.000055416436,0.00031699525,0.000073048206,0.000044436707,0.00008737628,0.037124526,7.32133e-7,0.0000036368995,0.0017900312,0.9603234,0.00007008763],"about_ca_topic_score_codex":0.0021111062,"about_ca_topic_score_gemma":0.19348164,"teacher_disagreement_score":0.7793807,"about_ca_system_score_codex":0.00006183819,"about_ca_system_score_gemma":0.00016580327,"threshold_uncertainty_score":0.8654362},"labels":[],"label_agreement":null},{"id":"W633108328","doi":"10.71781/14491","title":"Virginia Woolf and the poetics of trauma narrative","year":2008,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Narrative; Literature; Art; Psychoanalysis; History; Psychology; Poetry","score_opus":0.03542298764843046,"score_gpt":0.28297669372490253,"score_spread":0.24755370607647206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W633108328","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30523524,0.0018921581,1.2239413e-7,0.00023646008,0.00030902852,0.00035122066,0.000086573826,6.19179e-7,0.6918886],"genre_scores_gemma":[0.715164,0.000059105714,0.00003172842,0.000055964472,0.00017614024,0.000016645508,0.0003439673,0.000012427246,0.28414005],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932534,0.000056112145,0.00025262253,0.00016589892,0.00011616382,0.000083858606],"domain_scores_gemma":[0.9994729,0.00008288513,0.00014375894,0.0001573669,0.00011942546,0.000023648294],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010983794,0.00014858755,0.0003169442,0.00003991437,0.00023418522,0.0002987853,0.00023929811,0.000075917305,0.0035694644],"category_scores_gemma":[0.000013718563,0.00009431161,0.00006533336,0.000017276263,0.0002633927,0.00016946459,0.00002452543,0.00017638422,0.000020520702],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035981584,0.000037846996,0.0000010673483,0.000028598262,0.000080779166,0.000011222638,0.8953338,2.1775863e-8,0.000008970744,0.0719616,0.0030071524,0.029169088],"study_design_scores_gemma":[0.00087054947,0.00007904745,0.000049057802,0.00017623219,0.000074911455,0.0000035797511,0.13763936,0.000002943317,0.00029739866,0.0009842485,0.8596634,0.00015922291],"about_ca_topic_score_codex":0.000093944094,"about_ca_topic_score_gemma":0.0024519267,"teacher_disagreement_score":0.8566563,"about_ca_system_score_codex":0.000003587798,"about_ca_system_score_gemma":0.00005715721,"threshold_uncertainty_score":0.9973414},"labels":[],"label_agreement":null},{"id":"W644396666","doi":"","title":"White rose and the red","year":2010,"lang":"en","type":"book","venue":"University Press of Florida eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Biography; White (mutation); Art; Literature; Modernism (music); SWORD; Wife; Art history; Painting; Theme (computing); Reading (process); History; Philosophy; Theology","score_opus":0.011354650053428596,"score_gpt":0.1568716742773123,"score_spread":0.1455170242238837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W644396666","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011139693,0.00043460817,0.0000023617768,0.00018755338,0.00058092235,0.000252662,0.00021773775,0.00003640225,0.99817634],"genre_scores_gemma":[0.010891065,0.000018892317,0.000010618894,0.00009021676,0.00065151893,5.622238e-7,0.00003156439,0.00001575691,0.98828983],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993462,0.000042495172,0.0001411131,0.0001986315,0.00015212728,0.0001194472],"domain_scores_gemma":[0.9992122,0.00010307004,0.00013482172,0.00035420162,0.00014589394,0.000049812363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010581544,0.00018765178,0.0003277071,0.0000786699,0.00024894715,0.0001069904,0.0003278918,0.00016655192,0.00017306746],"category_scores_gemma":[0.0000058958935,0.00014441353,0.00014684052,0.0000027889776,0.0010454009,0.00010789564,0.00018023685,0.00049937156,0.0000019181482],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021776104,0.0000039697857,8.1863885e-7,0.000076185446,0.00007931563,0.000024641397,0.013703595,2.2964372e-8,0.0000016614686,0.9048937,0.08061834,0.0003800061],"study_design_scores_gemma":[0.00092962134,0.000022668852,0.0000021159883,0.00009791226,0.00017432458,0.0000018908823,0.0004936437,0.0000034299069,0.000012549125,0.0049724476,0.99312836,0.0001610583],"about_ca_topic_score_codex":0.00007313423,"about_ca_topic_score_gemma":0.0002701,"teacher_disagreement_score":0.91251,"about_ca_system_score_codex":0.000012375663,"about_ca_system_score_gemma":0.00007647836,"threshold_uncertainty_score":0.5889013},"labels":[],"label_agreement":null},{"id":"W69097422","doi":"","title":"Speed and becoming in the urban public sphere","year":2004,"lang":"en","type":"dissertation","venue":"Durham e-Theses (Durham University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Subjectivity; Subject (documents); Political subjectivity; Normative; Public sphere; Argument (complex analysis); Sociology; Public space; Political science; Aesthetics; Law and economics; Environmental ethics; Epistemology; Law; Engineering; Philosophy","score_opus":0.03318103427333766,"score_gpt":0.2086160419708622,"score_spread":0.17543500769752454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W69097422","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2988686,0.0014319316,8.8341255e-7,0.0008519819,0.00052315264,0.0003847529,0.000067169036,0.000075269905,0.6977963],"genre_scores_gemma":[0.84094125,0.00008322432,0.000007379382,0.00032306247,0.00043125977,0.0000016052421,0.00043640196,0.000034465742,0.15774137],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984938,0.00013267042,0.00026399785,0.00045333357,0.0002731555,0.00038302463],"domain_scores_gemma":[0.99912393,0.00015600472,0.0001554349,0.00034462332,0.0001291733,0.00009080419],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016096872,0.00038756526,0.0004007042,0.0005367315,0.00051960844,0.00070947676,0.0005412571,0.0002245728,0.001054192],"category_scores_gemma":[0.00003893742,0.000331057,0.00017226186,0.0002111303,0.00018275292,0.000741449,0.00005063315,0.0006090188,0.000034179575],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010049069,0.00015381604,0.00021854887,0.00021913284,0.00007950234,0.00059299514,0.12928542,3.4326712e-7,0.000013259905,0.8658517,0.0022009858,0.0012837803],"study_design_scores_gemma":[0.0007001088,0.00007920749,0.0005518245,0.00034013294,0.00009204433,0.000009292777,0.16122094,0.000003459821,0.000012203046,0.0023139934,0.83423465,0.00044211524],"about_ca_topic_score_codex":0.0006606551,"about_ca_topic_score_gemma":0.024035642,"teacher_disagreement_score":0.8635377,"about_ca_system_score_codex":0.00010496831,"about_ca_system_score_gemma":0.00020794809,"threshold_uncertainty_score":0.99991417},"labels":[],"label_agreement":null},{"id":"W6911226573","doi":"10.5281/zenodo.10704484","title":"MULTICULTURALISM IN THE ANALOGICAL NOVELS: A PALE VIEW OF HILLS AND A TALE OF TIME BEING","year":2024,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Depiction; Multiculturalism; Period (music); Politics; Order (exchange)","score_opus":0.03595203469931205,"score_gpt":0.23594281266157685,"score_spread":0.1999907779622648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6911226573","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3648997,0.0037778064,0.000048483096,0.0032508797,0.000101362115,0.00063974294,0.00058975944,0.00024250346,0.62644976],"genre_scores_gemma":[0.99848974,0.000049438535,0.000012640216,0.00010346251,0.00006985794,2.6338837e-8,0.00019895472,0.00009533908,0.0009805559],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993215,0.0001375197,0.00017634813,0.0001313408,0.00013608736,0.000097188844],"domain_scores_gemma":[0.99966127,0.00004426735,0.00002582722,0.000111049565,0.0001342952,0.000023292756],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032909634,0.000060643688,0.00010378249,0.00008513688,0.0002568756,0.0004085988,0.00021787034,0.000019162542,0.0046243034],"category_scores_gemma":[0.00008239375,0.000039778977,0.00003235986,0.00011499572,0.00018603349,0.00017703572,0.00014662981,0.000113617185,0.00016114357],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031277792,0.00017549875,0.000001939969,0.00049311726,0.00005151141,0.00005092851,0.18911764,0.0000011909425,0.0049763266,0.7244853,0.03574205,0.044873275],"study_design_scores_gemma":[0.00013580917,0.000108813154,0.000088320194,0.00015595101,0.000010385405,0.00002506825,0.0019504844,0.00020425912,0.00006951392,0.0007414293,0.9964529,0.000057037214],"about_ca_topic_score_codex":0.000023428238,"about_ca_topic_score_gemma":0.000002163943,"teacher_disagreement_score":0.9607109,"about_ca_system_score_codex":0.000008120649,"about_ca_system_score_gemma":0.0000011337881,"threshold_uncertainty_score":0.9962856},"labels":[],"label_agreement":null},{"id":"W6923490612","doi":"10.1371/journal.pone.0290988.s001","title":"S1 Appendix -","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meditation; General partnership; Usability; Quality of life (healthcare); Perception; Transcendental meditation; Alternative medicine","score_opus":0.0531813363062851,"score_gpt":0.24536409690074398,"score_spread":0.19218276059445888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923490612","genre_codex":"other","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025970827,0.0045535117,1.3251078e-7,0.0004370769,0.00034535912,0.000063967214,0.28706816,0.00026383813,0.707242],"genre_scores_gemma":[0.21856648,7.263902e-7,0.0000027207916,0.00092508906,0.002108125,0.00006800835,0.6643236,0.000022239175,0.11398298],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963105,0.0000064408005,0.000071179646,0.00011834742,0.00007004886,0.000102910504],"domain_scores_gemma":[0.9998084,0.000035736393,0.0000056658896,0.00009433033,0.00002531993,0.00003060582],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000009012584,0.00006804199,0.000054815348,0.0000409012,0.00007510762,0.00059863116,0.000078585326,0.000021005219,0.9760755],"category_scores_gemma":[0.000021329011,0.000054374737,0.00005818415,0.000019021641,0.0000050856393,0.0002621082,0.00002454409,0.000095661315,0.5613492],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.8967936e-7,0.0000036145566,6.4683704e-8,0.0001041788,0.000006758295,0.00006608001,0.0035012786,1.0983322e-8,0.0000010789606,0.18044771,0.813925,0.0019435817],"study_design_scores_gemma":[0.00002269995,0.000012699024,3.693928e-7,0.0008626256,0.0000032044793,0.0000038911226,0.00017280625,0.000031893233,0.000025167466,0.0012626963,0.99752,0.000081929174],"about_ca_topic_score_codex":0.0000027572128,"about_ca_topic_score_gemma":0.000025721472,"teacher_disagreement_score":0.59325904,"about_ca_system_score_codex":0.0000054392335,"about_ca_system_score_gemma":0.000020349065,"threshold_uncertainty_score":0.5772614},"labels":[],"label_agreement":null},{"id":"W6923549849","doi":"10.14277/10.30687/el/2420-823x/2021/08/004","title":"Memories of the Limbaugh Administration","year":2022,"lang":"en","type":"article","venue":"Università Ca’ Foscari Venezia","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Politics; Administration (probate law); Focus (optics); Period (music); Radio program","score_opus":0.012790287900987091,"score_gpt":0.18043110003706295,"score_spread":0.16764081213607585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923549849","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2456961,0.00045440538,0.0000048536535,0.0027395904,0.0014630792,0.00017416143,0.0003591968,0.000038939903,0.7490697],"genre_scores_gemma":[0.95395327,0.0000012561279,0.0000064619326,0.00022333648,0.00012633552,0.000002106276,0.00003870633,0.0000058492546,0.045642674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994384,0.0000640551,0.0001051226,0.0001101776,0.00018613896,0.00009611491],"domain_scores_gemma":[0.999625,0.000026212565,0.00006457348,0.00020366164,0.000058463225,0.000022059854],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006180806,0.00007358738,0.00009325594,0.00004785123,0.00059733493,0.000039765655,0.00023235625,0.000016244245,0.0028272897],"category_scores_gemma":[0.0000048342035,0.00006246899,0.00008473295,0.00005861442,0.00013015766,0.00015794467,0.0001242505,0.00013041198,0.000004736506],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048586044,0.000049974242,0.00006024023,0.000011930578,0.000026856913,0.00001583605,0.01667083,0.0000045451657,0.000125601,0.9666616,0.016127056,0.00019699083],"study_design_scores_gemma":[0.00018061949,0.00016866413,0.00011963433,0.000007923812,0.000042724103,0.000005286876,0.018052695,0.000016021768,0.00054062135,0.0016932759,0.97908956,0.00008296646],"about_ca_topic_score_codex":0.00007473756,"about_ca_topic_score_gemma":0.0003146172,"teacher_disagreement_score":0.96496826,"about_ca_system_score_codex":0.000046524827,"about_ca_system_score_gemma":0.000095956355,"threshold_uncertainty_score":0.99808425},"labels":[],"label_agreement":null},{"id":"W6957846948","doi":"10.60692/ybqzf-jsk60","title":"Dermatological changes in a prospective cohort of acutely ill, hospitalised Malawian children, stratified according to nutritional status","year":2024,"lang":"en","type":"article","venue":"Greater South Information System","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"SickKids Foundation; Hospital for Sick Children","funders":"","keywords":"Prospective cohort study; Malnutrition; Wasting; Cohort; Cohort study; Population; Etiology; Referral","score_opus":0.024283256966491574,"score_gpt":0.21478894778876165,"score_spread":0.19050569082227006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6957846948","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9700186,0.00003989203,0.00019970923,0.0002569954,0.00038170523,0.0009622358,0.0009914865,0.00016914349,0.026980203],"genre_scores_gemma":[0.999035,2.3672926e-7,0.000043831573,0.00024159928,0.00016078533,0.00020960461,0.00014475756,0.000008600674,0.00015560408],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988295,0.000036196758,0.00050190307,0.00016323166,0.00024035007,0.00022882935],"domain_scores_gemma":[0.9995076,0.000011551351,0.00007797538,0.00013345835,0.0001968098,0.000072570656],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014219135,0.00016646142,0.00027242047,0.00039216652,0.00008638978,0.0005490819,0.00009923631,0.00006864161,0.00010004683],"category_scores_gemma":[0.000009829368,0.00013051456,0.00006670794,0.00013282098,0.000047448557,0.00090094755,0.000033185126,0.00011408942,0.0001014692],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000971138,0.000009852666,0.42533526,0.0006201103,0.00011177311,0.000024190722,0.34513435,0.0000022313234,0.0000023213313,0.22807473,0.00035504362,0.00023304798],"study_design_scores_gemma":[0.0024517751,0.00043044044,0.7596004,0.0032877321,0.00012386807,0.00014528565,0.22290458,0.00079623295,0.0009752089,0.0001839847,0.008041286,0.0010592048],"about_ca_topic_score_codex":0.000022321336,"about_ca_topic_score_gemma":0.000010239285,"teacher_disagreement_score":0.33426514,"about_ca_system_score_codex":0.00007169637,"about_ca_system_score_gemma":0.000038740975,"threshold_uncertainty_score":0.53222287},"labels":[],"label_agreement":null},{"id":"W6979936806","doi":"","title":"\"An Anguish Become Thing\": Narrative as Performance in David Foster Wallace's &lt;i&gt;Infinite Jest&lt;/i&gt;","year":2000,"lang":"en","type":"article","venue":"ScholarWorks (Central Washington University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anguish; Narrative; Set (abstract data type); Addiction; Narrative inquiry; Action (physics)","score_opus":0.011141041634598068,"score_gpt":0.2014425916463451,"score_spread":0.19030155001174703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6979936806","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72007984,0.0004507573,0.000003275406,0.0009489863,0.0005342754,0.0002788373,0.000036106565,0.00017467747,0.27749324],"genre_scores_gemma":[0.9089315,0.00015770212,0.000055774304,0.0011884721,0.00050950743,0.0000018897395,0.00013019855,0.000046070567,0.088978864],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973182,0.00028901632,0.0003979008,0.0006837856,0.0004151579,0.0008959141],"domain_scores_gemma":[0.99871546,0.00008631407,0.00011778828,0.00053881167,0.0001765673,0.00036507632],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033183506,0.00045341378,0.0004316359,0.00048107016,0.00096075144,0.0011414518,0.00081571325,0.00025903652,0.007777818],"category_scores_gemma":[0.000031494925,0.00047673157,0.00020160456,0.00035478256,0.0002282972,0.005140962,0.000106735926,0.0010876203,0.00022722027],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016026678,0.00096583104,0.0042584697,0.00013526916,0.00022909178,0.0016054047,0.6149519,0.0003928093,0.0010197166,0.3484683,0.008208615,0.018161928],"study_design_scores_gemma":[0.0015119459,0.00032455497,0.0024437485,0.00036891192,0.000051653646,0.00001076139,0.005482829,0.00027491935,0.00009710653,0.00043009935,0.9883146,0.0006888218],"about_ca_topic_score_codex":0.0000613856,"about_ca_topic_score_gemma":0.00227692,"teacher_disagreement_score":0.98010606,"about_ca_system_score_codex":0.0002975596,"about_ca_system_score_gemma":0.00012931711,"threshold_uncertainty_score":0.99989545},"labels":[],"label_agreement":null},{"id":"W6980376820","doi":"","title":"Call Help Desk Number...1-844-234-9752 netgear customer service phone number wireless router","year":2016,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Core router; Router; One-armed router; Phone; Link state packet","score_opus":0.014854062721334037,"score_gpt":0.24294975630575633,"score_spread":0.22809569358442228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980376820","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000624376,0.00001218387,0.00012899259,0.0007516929,0.0021785127,0.0011451031,0.00042263806,0.000692693,0.9940438],"genre_scores_gemma":[0.021636752,0.00013176995,0.0001684734,0.0021227533,0.0030153585,0.0003572891,0.0002014535,0.00084231194,0.9715238],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99364257,0.00060984056,0.0010058006,0.002902108,0.00079680566,0.0010428877],"domain_scores_gemma":[0.9939406,0.00029024345,0.0005643828,0.0043618483,0.0003905461,0.00045237472],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012813407,0.0011343978,0.0012261224,0.00024752447,0.00034338297,0.0007475738,0.0018307461,0.00085220544,0.9702496],"category_scores_gemma":[0.000111989226,0.0010312024,0.0005333998,0.00012857636,0.0004402186,0.00055104645,0.0013761241,0.0010860551,0.98003685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012226615,0.0003622841,0.0006891931,0.00048822907,0.00057826034,0.00015008879,0.009007486,5.813666e-7,0.00009933471,0.056098297,0.92711264,0.005291365],"study_design_scores_gemma":[0.0010164924,6.856662e-7,0.000054851647,0.00090903323,0.00019989205,0.000058189486,0.0003126812,0.000012192295,0.00018811366,0.0018078722,0.99418217,0.0012578487],"about_ca_topic_score_codex":0.0029805694,"about_ca_topic_score_gemma":0.003848417,"teacher_disagreement_score":0.06706953,"about_ca_system_score_codex":0.00021102646,"about_ca_system_score_gemma":0.00026097315,"threshold_uncertainty_score":0.9992138},"labels":[],"label_agreement":null},{"id":"W6980526738","doi":"","title":"Challenging concepts of normalcy: The rhetoric of destabilisation in contemporary narratives by Barbara Gowdy and Jeanette Winterson","year":2012,"lang":"en","type":"article","venue":"Unipub UB Graz (Universität Graz)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Rhetoric; Destabilisation; Rhetorical question; Metis; Postcolonialism (international relations)","score_opus":0.033118953829227776,"score_gpt":0.22763653855008228,"score_spread":0.1945175847208545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980526738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.927786,0.010809317,0.000091304006,0.0014726036,0.00034341213,0.00033945177,0.000102201666,0.00003077547,0.05902494],"genre_scores_gemma":[0.99805987,0.000041666823,0.000013392706,0.00010511046,0.0000915541,0.0000027996493,0.000045934084,0.000012972748,0.001626708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99904186,0.00015092423,0.00025196554,0.00016435668,0.00016453651,0.00022633396],"domain_scores_gemma":[0.99933,0.00015509527,0.00016373536,0.00018567797,0.00009574007,0.00006973914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028321505,0.00017087298,0.00027647265,0.00019892244,0.00017804583,0.000028421295,0.00017344812,0.000060192793,0.00016860053],"category_scores_gemma":[0.000013231065,0.00014185449,0.00007654389,0.00011455017,0.0004283759,0.0019724076,0.000058538644,0.00017449979,0.000001746547],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008895907,0.00013974932,0.0036390326,0.000107551125,0.00007154512,0.0000059364797,0.4166502,7.8875775e-7,0.00093759,0.5749044,0.002756517,0.00069773063],"study_design_scores_gemma":[0.0032086256,0.00067051995,0.0052782367,0.0005476406,0.000118128904,0.000011677037,0.6503215,0.00029946593,0.00095047057,0.0042744745,0.33348975,0.00082954165],"about_ca_topic_score_codex":0.00021934358,"about_ca_topic_score_gemma":0.00024730194,"teacher_disagreement_score":0.5706299,"about_ca_system_score_codex":0.000035712303,"about_ca_system_score_gemma":0.000027133447,"threshold_uncertainty_score":0.5784658},"labels":[],"label_agreement":null},{"id":"W6980715950","doi":"","title":"Constitutional Law Experts Examine 2012 Supreme Court of Canada Decisions","year":2013,"lang":"en","type":"article","venue":"eYLS (Yale Law School)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Supreme court; Charter; Appeal; Constitutional law; Adjudication; Proportionality (law); Right to counsel; Legislation; Human rights","score_opus":0.024058921275419365,"score_gpt":0.22117264126674765,"score_spread":0.1971137199913283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980715950","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05016208,0.0027095666,0.00004312398,0.0021124901,0.0013931581,0.0003364346,0.0003805397,0.00005754302,0.94280505],"genre_scores_gemma":[0.96054995,0.0000055573855,0.000097143085,0.0039923987,0.00061300676,0.000042973275,0.00007666163,0.000010631157,0.034611683],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986814,0.00004383923,0.00038382708,0.00021951714,0.00037003643,0.0003013476],"domain_scores_gemma":[0.99884796,0.0001960353,0.0000676882,0.00032670386,0.00032566144,0.00023596085],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000098006545,0.00018006582,0.00025897543,0.000025789994,0.00039290584,0.00019155612,0.00021490487,0.000055141092,0.02460654],"category_scores_gemma":[0.000045121782,0.00015119843,0.00007854466,0.00002952384,0.00071398955,0.0008172692,0.0000537522,0.00015041398,0.000120349505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006554456,0.000046384586,0.000051384322,0.000008666574,0.000024000248,0.0000136473745,0.00042609076,8.3281066e-7,0.00013441373,0.7892747,0.20992659,0.00008677336],"study_design_scores_gemma":[0.0003462159,0.00003525553,0.00013197913,0.00007917455,0.000011464188,0.000008531751,0.00065778295,0.000008035045,0.00023446254,0.0073261964,0.9909646,0.00019631642],"about_ca_topic_score_codex":0.31853956,"about_ca_topic_score_gemma":0.80333406,"teacher_disagreement_score":0.9103879,"about_ca_system_score_codex":0.00005061064,"about_ca_system_score_gemma":0.00026708402,"threshold_uncertainty_score":0.9762851},"labels":[],"label_agreement":null},{"id":"W6983083901","doi":"","title":"\"Laughter in the Dark\": Belief and Literature in a Secular Age","year":2022,"lang":"en","type":"article","venue":"Scholarship @ Claremont (The Claremont Colleges)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Ridiculous; Absolute (philosophy); Omnipresence; Atheism; Secularism; Fatalism; Key (lock); Verisimilitude","score_opus":0.022541351734861773,"score_gpt":0.22836422892754363,"score_spread":0.20582287719268186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983083901","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86015433,0.030810574,0.0000025050613,0.0363039,0.001171469,0.002527524,0.0004445811,0.00011803632,0.068467066],"genre_scores_gemma":[0.97989076,0.00007262587,0.000028129038,0.012622959,0.00043559176,0.00041666688,0.00016795455,0.000057656394,0.0063076383],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99523354,0.0017088426,0.00070927653,0.0007341968,0.0008955521,0.00071859715],"domain_scores_gemma":[0.9982693,0.00035852045,0.00014233818,0.0009827265,0.00013477738,0.000112311],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0029509964,0.0004937648,0.0005146499,0.00043834778,0.0015189761,0.0017678834,0.0011932257,0.0001733364,0.0004914095],"category_scores_gemma":[0.00014910073,0.00032714746,0.00022848666,0.00063988456,0.00028738484,0.0009622004,0.0004323671,0.0032037501,0.000015010293],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006441955,0.0008048274,0.0041107167,0.00017981823,0.00011104509,0.0089190435,0.38442564,0.000019405248,0.00024009234,0.5708086,0.0267364,0.0030001993],"study_design_scores_gemma":[0.0021115448,0.0002843064,0.008775222,0.00027193673,0.000054999633,0.00028006634,0.035254393,0.00006455434,0.00001420409,0.03855846,0.91365534,0.0006749596],"about_ca_topic_score_codex":0.00016264463,"about_ca_topic_score_gemma":0.008967224,"teacher_disagreement_score":0.88691896,"about_ca_system_score_codex":0.00018267882,"about_ca_system_score_gemma":0.00010821088,"threshold_uncertainty_score":0.99991804},"labels":[],"label_agreement":null},{"id":"W6984880465","doi":"","title":"Northern Canada","year":2007,"lang":"en","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.014970524636630646,"score_gpt":0.15667679562058598,"score_spread":0.14170627098395533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6984880465","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8099017,0.000097687145,0.0006499454,0.00025473314,0.0005582888,0.00017627348,0.0018246846,0.00008665426,0.18645],"genre_scores_gemma":[0.989936,0.0000017778423,0.000056280973,0.000043393735,0.00019593177,1.8630143e-8,0.00015365524,0.000021442185,0.009591509],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99831045,0.000027729811,0.0002491941,0.00038497377,0.00056149723,0.0004661695],"domain_scores_gemma":[0.99827474,0.00011771038,0.00029063376,0.0004915694,0.00053517474,0.00029017095],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00016473365,0.0002999703,0.00052368606,0.00029518164,0.00071545166,0.00007419839,0.0007935195,0.00012021519,0.00057438365],"category_scores_gemma":[0.000021111986,0.0003949884,0.0003159924,0.00021699491,0.0008202726,0.00095459085,0.0002880224,0.00033327838,0.000050483144],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002848716,0.00042570525,0.09951649,0.0005262002,0.0012708165,0.0021697653,0.663997,0.000048943963,0.000064307074,0.21027015,0.012149025,0.0067129186],"study_design_scores_gemma":[0.002438661,0.0002825762,0.01181945,0.00019029775,0.00024958316,0.0000065834297,0.5580068,0.000051773957,0.000058019992,0.0004609135,0.42548332,0.0009520153],"about_ca_topic_score_codex":0.066757314,"about_ca_topic_score_gemma":0.57900256,"teacher_disagreement_score":0.51224524,"about_ca_system_score_codex":0.00015518855,"about_ca_system_score_gemma":0.0004088433,"threshold_uncertainty_score":0.9998502},"labels":[],"label_agreement":null},{"id":"W6986722036","doi":"","title":"Queen's prof helps write story of Twin Towers' collapse","year":2002,"lang":"en","type":"article","venue":"NPARC","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mistake; Derogation; Government (linguistics)","score_opus":0.02314751314965603,"score_gpt":0.20608483233251473,"score_spread":0.18293731918285872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986722036","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03703669,0.0009249478,0.0000042494453,0.0042189476,0.00045663872,0.00019281529,0.00006456472,0.000062085266,0.95703906],"genre_scores_gemma":[0.8129123,0.000012490527,0.000038183483,0.00055658125,0.00036220314,0.000012447137,0.0000065832073,0.0000112497855,0.18608795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992845,0.000062480634,0.00018232828,0.00014453607,0.00016477877,0.00016136875],"domain_scores_gemma":[0.9995256,0.00005582193,0.000050128696,0.00020754745,0.00010821784,0.000052705152],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011467982,0.00010830675,0.00017677792,0.00007327293,0.00013923482,0.000065176406,0.00011756437,0.000039283685,0.014634839],"category_scores_gemma":[0.000020705202,0.00009558454,0.00008081995,0.00003140396,0.00014605239,0.00020519824,0.000023829134,0.00016447819,0.000103575425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018334109,0.00016353429,0.0000459281,0.00008105423,0.000032955166,0.000023307963,0.0479259,8.706131e-8,0.0011455467,0.5742366,0.37176257,0.004564185],"study_design_scores_gemma":[0.00029696675,0.00010981838,0.000022325521,0.000052787884,0.000014601086,0.0000012523789,0.0024025412,0.000021898071,0.000559303,0.0029042305,0.99348813,0.00012616024],"about_ca_topic_score_codex":0.000013240363,"about_ca_topic_score_gemma":0.00002745257,"teacher_disagreement_score":0.7758756,"about_ca_system_score_codex":0.00001266423,"about_ca_system_score_gemma":0.000014058477,"threshold_uncertainty_score":0.9862659},"labels":[],"label_agreement":null},{"id":"W6989328187","doi":"","title":"Articulations in Translation at the Intersection of World Literature and Popular Culture: Film and TV Adaptations of Ishiguro's <i>Never Let Me Go</i>","year":2017,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Liquation; Dysgeusia; Diafiltration; Emperipolesis; Fusible alloy; Triacetin","score_opus":0.02935791462006984,"score_gpt":0.22282435163628544,"score_spread":0.1934664370162156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989328187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5455511,0.00020439045,0.000091524285,0.0013399702,0.00021917903,0.00062051904,0.0002712286,0.000030960386,0.45167112],"genre_scores_gemma":[0.99605936,0.002396667,0.000061562234,0.00005332754,0.000046628487,0.000001760612,0.00004931449,0.0000069276593,0.0013244555],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994266,0.0000686684,0.0001536672,0.00016560643,0.00009071059,0.000094763374],"domain_scores_gemma":[0.9995024,0.000034879642,0.0001272079,0.00020987015,0.00010299908,0.000022651617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007847646,0.00010850982,0.00014645483,0.0010694892,0.00036688533,0.00013537813,0.00010488219,0.00004780321,0.000031462558],"category_scores_gemma":[0.000017274233,0.00008653123,0.000058577163,0.00037723716,0.0002303872,0.0010294038,0.000051342966,0.0001352564,4.5129485e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025643525,0.00015494192,0.0017975054,0.00014793227,0.00010802919,0.000032322256,0.49615344,0.000012044722,0.00024075604,0.4922998,0.0008746065,0.007922189],"study_design_scores_gemma":[0.0006454538,0.00006048989,0.0014106547,0.00017340916,0.0000779619,0.00000354599,0.003092451,0.00028224674,0.00012716798,0.00006995797,0.9939462,0.000110466455],"about_ca_topic_score_codex":0.0047209,"about_ca_topic_score_gemma":0.1447528,"teacher_disagreement_score":0.9930716,"about_ca_system_score_codex":0.000024666877,"about_ca_system_score_gemma":0.000028614048,"threshold_uncertainty_score":0.87085325},"labels":[],"label_agreement":null},{"id":"W6992439932","doi":"","title":"Literaturtheorie und Wissenschaftsbetrieb im britischen Universitätsroman. Campus novels von David Lodge, Malcolm Bradbury und A.S. Byatt","year":2001,"lang":"de","type":"book","venue":"University of Regensburg Publication Server (University of Regensburg)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Harvard University","keywords":"Television series; Quarter (Canadian coin)","score_opus":0.012978215707593251,"score_gpt":0.20222166666088243,"score_spread":0.18924345095328918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992439932","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06645288,0.12226093,0.004594309,0.020252226,0.004574599,0.0067673502,0.018525561,0.0013713716,0.75520074],"genre_scores_gemma":[0.103735715,0.0062164376,0.0007500512,0.000308213,0.00077902694,3.7585167e-7,0.007534505,0.00018631961,0.88048935],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927564,0.0006583466,0.001095762,0.002312616,0.001707473,0.0014693537],"domain_scores_gemma":[0.9879476,0.00052709435,0.00284371,0.0027183092,0.0049875076,0.0009757849],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0009911874,0.0015419205,0.00249778,0.002538794,0.0022566195,0.0004538527,0.0031402772,0.0019158192,0.00805144],"category_scores_gemma":[0.000084005806,0.0022772271,0.0018382145,0.0013799163,0.0032499724,0.0042083804,0.0013161862,0.0018860084,0.00041337224],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0026908086,0.0012561206,0.00066167954,0.0021136345,0.006970398,0.0023476528,0.028959533,0.000014845623,0.00039489887,0.695738,0.25069144,0.008160977],"study_design_scores_gemma":[0.004128518,0.00051157986,0.0005405333,0.0016016458,0.003693941,0.00006524186,0.014653541,0.0000612961,0.00010907725,0.002173807,0.9704634,0.0019974092],"about_ca_topic_score_codex":0.002801415,"about_ca_topic_score_gemma":0.0013591496,"teacher_disagreement_score":0.719772,"about_ca_system_score_codex":0.0010085792,"about_ca_system_score_gemma":0.0017741701,"threshold_uncertainty_score":0.9997329},"labels":[],"label_agreement":null},{"id":"W6993144195","doi":"","title":"Smithy Abroad 2","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Adventure; Quarter (Canadian coin); Dozen; Everyday life; George (robot); Gloom; First world war; World War II","score_opus":0.12252384609792914,"score_gpt":0.3617000786563389,"score_spread":0.23917623255840975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993144195","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2589049,0.0022156357,0.0000011806155,0.011511589,0.0010268567,0.00078209635,0.00031346284,0.0012346909,0.7240096],"genre_scores_gemma":[0.7651252,0.00031704447,0.000049623053,0.0011602346,0.0015874832,0.0002677502,0.0005241066,0.00013086731,0.23083764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99447125,0.0007479812,0.00082205987,0.0009994009,0.0011397105,0.001819601],"domain_scores_gemma":[0.9973452,0.001028736,0.00008144117,0.0009724865,0.00017143015,0.00040067683],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014514957,0.00046483622,0.00057442876,0.002141303,0.00071221206,0.0011345332,0.0012597254,0.0002505229,0.018511105],"category_scores_gemma":[0.00023125875,0.00041588562,0.00024470474,0.0016028159,0.0009620587,0.0031300557,0.0007686973,0.0015262892,0.009735516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013991304,0.00023799937,0.0016847664,0.00012305735,0.000045294822,0.0010356825,0.019279934,0.0000024941849,0.0001676444,0.46145585,0.5093597,0.006467684],"study_design_scores_gemma":[0.0008597891,0.00029358268,0.0015858576,0.00017343854,0.000006763649,0.000011994754,0.005353105,0.00021274571,0.0004440285,0.032356855,0.9581833,0.00051853387],"about_ca_topic_score_codex":0.00021398538,"about_ca_topic_score_gemma":0.00029073234,"teacher_disagreement_score":0.50622034,"about_ca_system_score_codex":0.00005947652,"about_ca_system_score_gemma":0.00029752456,"threshold_uncertainty_score":0.99990237},"labels":[],"label_agreement":null},{"id":"W6997023621","doi":"","title":"Twayne companion to contemporary literature in English from the editors of \"The Hollins critic\"","year":2003,"lang":"en","type":"article","venue":"Hollins Digital Commons (Hollins University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Style (visual arts); Literary criticism; History of literature; Subject (documents); Biography; Portrait; Writing style; Excellence","score_opus":0.021889180413449234,"score_gpt":0.18701020685122346,"score_spread":0.16512102643777424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6997023621","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52281755,0.00080951536,0.000047428017,0.002298081,0.0037952203,0.0007421978,0.003304413,0.00013331739,0.46605226],"genre_scores_gemma":[0.9889127,0.000010830537,0.000021279931,0.00063164317,0.0015234927,0.0000031358968,0.00018922366,0.000035863104,0.008671802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792916,0.00029337645,0.0005068857,0.000469593,0.00040632492,0.00039467655],"domain_scores_gemma":[0.9977186,0.0005791262,0.00015188496,0.0008671805,0.00050220685,0.00018100675],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00019690339,0.00038917465,0.000497792,0.00038379832,0.00049594726,0.0007483636,0.0009999346,0.00016799559,0.00010890428],"category_scores_gemma":[0.00027169794,0.00028743767,0.00035979625,0.00091792224,0.00047421656,0.0013953847,0.00021851806,0.00072132936,0.0000242105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022606077,0.0010445091,0.019840911,0.000051564708,0.00015499054,0.0002546663,0.08803456,0.000039325954,0.00004391754,0.81122464,0.07886182,0.0002230508],"study_design_scores_gemma":[0.0010909972,0.000118564625,0.0013647303,0.0003976507,0.00003636298,0.0000018334774,0.01422832,0.000008373507,0.00014528602,0.0013660551,0.9808776,0.00036422026],"about_ca_topic_score_codex":0.0002092392,"about_ca_topic_score_gemma":0.0013154804,"teacher_disagreement_score":0.9020158,"about_ca_system_score_codex":0.00008300332,"about_ca_system_score_gemma":0.00018748482,"threshold_uncertainty_score":0.9999578},"labels":[],"label_agreement":null},{"id":"W6998742477","doi":"","title":"Behaving This Way is All I Have Left","year":2012,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Wife; Accident (philosophy); Bond; Subject (documents); Event (particle physics)","score_opus":0.04738167723461064,"score_gpt":0.28091441878540535,"score_spread":0.2335327415507947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998742477","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25858498,0.0011407597,4.3916577e-7,0.00037887358,0.002064192,0.000362974,0.00006351333,0.00011620908,0.73728806],"genre_scores_gemma":[0.5254381,0.000040312,0.0000012101082,0.00003464227,0.0013876191,0.0000020388704,0.00021088166,0.00004731767,0.47283792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99648726,0.00040225917,0.00035540745,0.000747546,0.00093384937,0.0010736592],"domain_scores_gemma":[0.99795765,0.00019131288,0.00017987326,0.0007475355,0.0005082944,0.00041532703],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000423257,0.00045344056,0.00050444814,0.0012438772,0.0014799322,0.0007858012,0.00086415355,0.000418233,0.006519896],"category_scores_gemma":[0.000023532322,0.00048698255,0.00041504888,0.00013174496,0.00038216793,0.0010103948,0.00015922158,0.0018706406,0.00034040117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010686287,0.0006833856,0.010817789,0.0009551614,0.0012951689,0.0029256407,0.29854658,1.3059896e-7,0.0033445498,0.4795778,0.19813526,0.0026498758],"study_design_scores_gemma":[0.00031667462,0.00020006941,0.0055469587,0.00021118423,0.00018013947,0.000014329972,0.021086581,0.0000024652788,0.0035044234,0.0005302601,0.9678329,0.0005740143],"about_ca_topic_score_codex":0.021104595,"about_ca_topic_score_gemma":0.076953344,"teacher_disagreement_score":0.76969767,"about_ca_system_score_codex":0.0004437909,"about_ca_system_score_gemma":0.0005226331,"threshold_uncertainty_score":0.99982},"labels":[],"label_agreement":null},{"id":"W7001613815","doi":"","title":"La résilience des monarchies arabes : Une approche basée sur l’adaptation","year":2015,"lang":"fr","type":"other","venue":"uO Research (University of Ottawa)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Monarchy; Face (sociological concept); Mythology","score_opus":0.16929757066036688,"score_gpt":0.2738224397349885,"score_spread":0.1045248690746216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001613815","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007878744,0.0029351825,0.00021138423,0.0018046163,0.00013778821,0.00038636022,0.0003404982,0.000050382783,0.98625505],"genre_scores_gemma":[0.15579644,0.0004945401,0.0006075451,0.0000127771655,0.00027017578,0.0000014263742,0.0001229622,0.000057784426,0.84263635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99698216,0.00076802494,0.00020076078,0.0004957776,0.0009834454,0.0005698546],"domain_scores_gemma":[0.9974771,0.0005577396,0.0001290367,0.00041229412,0.0011574102,0.00026638398],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011450533,0.00028964932,0.0004517799,0.00077626004,0.00092954707,0.000205896,0.0007833336,0.00030677105,0.0059150853],"category_scores_gemma":[0.00018220943,0.00032251267,0.00016673288,0.00038959013,0.0052727074,0.0006382139,0.00026335855,0.0009009183,0.00031794448],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002944829,0.00027958085,0.0002605471,0.0007957794,0.0001251431,0.0002350217,0.10128751,0.0000068910363,0.00004471406,0.74287784,0.13620456,0.01785298],"study_design_scores_gemma":[0.00045848143,0.00030052237,0.00057353097,0.00057606614,0.000042022257,0.00000704337,0.09644951,0.0003621981,0.000008535432,0.011108632,0.88983744,0.00027600056],"about_ca_topic_score_codex":0.0031884285,"about_ca_topic_score_gemma":0.030017002,"teacher_disagreement_score":0.7536329,"about_ca_system_score_codex":0.00012702978,"about_ca_system_score_gemma":0.00056680094,"threshold_uncertainty_score":0.9999227},"labels":[],"label_agreement":null},{"id":"W7006521057","doi":"","title":"These Lines Are Liabilities","year":2018,"lang":"en","type":"article","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Ohio State University","keywords":"Nothing; Probate; Impeachment; Grief; Daughter; Politics; Cognitive reframing; Quarter (Canadian coin); Disappointment","score_opus":0.013633253737121341,"score_gpt":0.19684305783356373,"score_spread":0.18320980409644239,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006521057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0055611297,0.0005882178,0.000037987043,0.0026274114,0.0013022623,0.00019735709,0.00013375314,0.00023876141,0.9893131],"genre_scores_gemma":[0.96611786,0.00021781359,0.000105277104,0.014473529,0.006261613,0.00002176158,0.00038806043,0.000017907438,0.012396152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889106,0.000059074606,0.00045484822,0.00014733546,0.0001256568,0.00032205236],"domain_scores_gemma":[0.99936455,0.000071411436,0.00014543334,0.0002329117,0.00007289037,0.00011282598],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000966462,0.0002143376,0.00021114569,0.00009946952,0.0003735564,0.00091551815,0.00017240677,0.000083450606,0.00316372],"category_scores_gemma":[0.000009747416,0.00016864014,0.0000814938,0.00007114562,0.00030871504,0.014023523,0.00011588126,0.00018043598,0.00014143705],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007092645,0.000021788961,0.00019163697,0.00006342766,0.000019867439,0.0000011942461,0.010504274,0.0000010618382,2.3210264e-7,0.93544644,0.050711755,0.00296742],"study_design_scores_gemma":[0.00034550246,0.00010731999,0.00040234168,0.00018202077,0.000009138627,0.000005490434,0.00035930003,0.0003347953,0.00002064641,0.006876951,0.9911381,0.00021840881],"about_ca_topic_score_codex":9.323328e-8,"about_ca_topic_score_gemma":0.0000053439894,"teacher_disagreement_score":0.97691697,"about_ca_system_score_codex":0.0000031690531,"about_ca_system_score_gemma":0.00002182999,"threshold_uncertainty_score":0.9997668},"labels":[],"label_agreement":null},{"id":"W7011220911","doi":"","title":"The Man Called McGinnice","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Artillery; Character (mathematics); Quarter (Canadian coin); First world war; Period (music)","score_opus":0.13705059502717504,"score_gpt":0.3433311918537827,"score_spread":0.20628059682660765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011220911","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19262259,0.004420391,8.5094763e-7,0.048213366,0.0013766622,0.001204607,0.00019234106,0.0011292626,0.75083995],"genre_scores_gemma":[0.73112065,0.0007195111,0.000018492243,0.0011990723,0.0012828663,0.00035213257,0.0002250646,0.00010934163,0.2649729],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944649,0.0010221512,0.0007933926,0.00080640696,0.0011079086,0.0018052604],"domain_scores_gemma":[0.9958166,0.0025073604,0.00008606342,0.0010935715,0.00018012966,0.00031630433],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0021473337,0.00040793058,0.00044242895,0.0009560044,0.0018575075,0.0015770477,0.0016507223,0.00019726562,0.0040043127],"category_scores_gemma":[0.0003339161,0.000288901,0.00022496202,0.0012563133,0.001291255,0.0020122044,0.0008541283,0.0015811872,0.0040640035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015800589,0.00011410724,0.0003670307,0.000055342498,0.000045850065,0.0005242828,0.010507483,0.000001556828,0.00008667294,0.5857079,0.3966294,0.005802363],"study_design_scores_gemma":[0.00071388605,0.00020084441,0.00080793945,0.00010088468,0.0000062805166,0.00000996034,0.006913098,0.00026998366,0.00022258937,0.0317313,0.9586526,0.0003706065],"about_ca_topic_score_codex":0.00020780264,"about_ca_topic_score_gemma":0.00084523496,"teacher_disagreement_score":0.5620232,"about_ca_system_score_codex":0.000055469114,"about_ca_system_score_gemma":0.00026794543,"threshold_uncertainty_score":0.9999563},"labels":[],"label_agreement":null},{"id":"W7024315993","doi":"","title":"Relational Possibilities in Forster’s The Longest Journey and Howards End","year":2024,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Queer; Friendship; Mainstream; Narrative; Invocation; Shame; Inheritance (genetic algorithm); Bequest","score_opus":0.36676219543971816,"score_gpt":0.5129418093867963,"score_spread":0.14617961394707818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024315993","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7225806,0.14723033,0.000022968039,0.003426273,0.0015626759,0.00043202846,0.00018687008,0.000045282024,0.12451296],"genre_scores_gemma":[0.9842546,0.0017364864,0.000012833581,0.0005313374,0.00073903205,0.00002795189,0.000016721167,0.000031055963,0.01264996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981575,0.00019408682,0.0006485218,0.00030884746,0.0004376023,0.0002534291],"domain_scores_gemma":[0.9987253,0.00060491316,0.0001551154,0.00025046407,0.00015941866,0.00010477701],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001191691,0.00023281791,0.0003862397,0.0005454852,0.00032681326,0.0055520628,0.0008109972,0.00006675271,0.015004468],"category_scores_gemma":[0.000102686645,0.00015578956,0.00013475043,0.00019027427,0.00036230567,0.0037042825,0.0003522541,0.0005496008,0.000010960777],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002616075,0.00025213425,0.06185119,0.00057587924,0.0004141428,0.0003714801,0.08429676,0.000015513446,0.00079256203,0.64453465,0.17867117,0.027962917],"study_design_scores_gemma":[0.0004680048,0.00002708,0.15913191,0.0016899046,0.00009660274,0.0000695262,0.00434018,0.00013712062,0.00023439048,0.21873042,0.6145628,0.0005120456],"about_ca_topic_score_codex":0.00068411964,"about_ca_topic_score_gemma":0.0012050705,"teacher_disagreement_score":0.43589166,"about_ca_system_score_codex":0.000046327925,"about_ca_system_score_gemma":0.00014333353,"threshold_uncertainty_score":0.9954803},"labels":[],"label_agreement":null},{"id":"W7024425485","doi":"","title":"The Secret of the Moat Farm","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Quarter (Canadian coin); World War II; First world war; Front (military); Period (music)","score_opus":0.08891958113128684,"score_gpt":0.3080488097714211,"score_spread":0.21912922864013423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024425485","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4261924,0.0035674565,5.273653e-7,0.028056152,0.0014491868,0.0011640629,0.0002922719,0.00035727705,0.53892064],"genre_scores_gemma":[0.86070234,0.00038922153,0.000006911372,0.0005205539,0.00065429404,0.00015583682,0.00007202101,0.00006669288,0.1374321],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99553096,0.0010038739,0.0007331821,0.00051805924,0.0010776,0.0011362976],"domain_scores_gemma":[0.99642044,0.0019533338,0.00012170064,0.0011790356,0.00017537638,0.000150097],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016948882,0.00030227422,0.00037236296,0.00049161765,0.0011893732,0.0006545843,0.0019271575,0.00015094552,0.0015886668],"category_scores_gemma":[0.0003279848,0.00017111038,0.00027088722,0.00127103,0.001748334,0.0009201121,0.0010690377,0.0012282694,0.00043029565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012467065,0.00011662389,0.0018372393,0.00009168263,0.00005228866,0.00007864098,0.017383613,0.000003351665,0.00036847766,0.82477003,0.14870624,0.006467153],"study_design_scores_gemma":[0.0004856969,0.00015014228,0.0022219638,0.00015152564,0.0000072735097,0.00000531926,0.007891912,0.00018342597,0.0017357545,0.049753454,0.9371766,0.00023695196],"about_ca_topic_score_codex":0.00019599865,"about_ca_topic_score_gemma":0.00079049234,"teacher_disagreement_score":0.7884703,"about_ca_system_score_codex":0.000033089524,"about_ca_system_score_gemma":0.00029814878,"threshold_uncertainty_score":0.999324},"labels":[],"label_agreement":null},{"id":"W7024723081","doi":"","title":"“Second to the Right, and Straight on Till Morning”: Audiences, Progression and the Rhetoric of the Portal-Quest Fantasy in J. M. Barrie’s &lt;i&gt;Peter and Wendy&lt;/i&gt;","year":2018,"lang":"en","type":"article","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Fantasy; Narrative","score_opus":0.006446391770427799,"score_gpt":0.1945642588401338,"score_spread":0.188117867069706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024723081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015106777,0.0016244723,0.000004239903,0.0018397897,0.0005263213,0.0005325366,0.000098945675,0.00002485946,0.9802421],"genre_scores_gemma":[0.9931673,0.00045242437,0.000023601204,0.0038779774,0.00065869594,0.00003138742,0.000057133635,0.000010335667,0.0017211437],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987638,0.00014062443,0.00047747642,0.00018578465,0.0001721599,0.00026013903],"domain_scores_gemma":[0.9993159,0.00012436368,0.00020023393,0.00023226126,0.00003522081,0.00009201673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029820594,0.00021597436,0.00023168072,0.00008233471,0.0005586104,0.0004908295,0.0001914707,0.000074499905,0.0005302518],"category_scores_gemma":[0.000010381449,0.00010214878,0.000043858752,0.00010621256,0.00062556576,0.0029378165,0.00019846497,0.00022385025,0.0000036833937],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015979841,0.000014511362,0.000029886178,0.00004585762,0.000016712533,0.0000012403765,0.00975801,0.0000011402199,0.0000026967862,0.97918534,0.007613133,0.0031716984],"study_design_scores_gemma":[0.00080043677,0.00017849078,0.0063888915,0.0003610085,0.000014256044,0.000016070451,0.000013091473,0.00033954298,0.00003063224,0.0014454201,0.99026304,0.00014912276],"about_ca_topic_score_codex":9.074481e-9,"about_ca_topic_score_gemma":0.00006180414,"teacher_disagreement_score":0.9826499,"about_ca_system_score_codex":0.0000031744164,"about_ca_system_score_gemma":0.000022397606,"threshold_uncertainty_score":0.5805886},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W7025623275","doi":"","title":"What Violently Elects Us: Filiation, Ethics, and War in the Contemporary British Novel","year":2012,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Jackman Humanities Institute, University of Toronto","keywords":"Trope (literature); Analogy; Inheritance (genetic algorithm); Theme (computing); Temporality; Representation (politics)","score_opus":0.03097138729321018,"score_gpt":0.2455706827906097,"score_spread":0.21459929549739953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025623275","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24687894,0.08119591,0.0000067615133,0.00237139,0.0015048974,0.00059640274,0.00013392925,0.00004703517,0.66726476],"genre_scores_gemma":[0.9600243,0.0019413374,0.000016200967,0.0003224646,0.0001936342,9.343458e-7,0.0005658789,0.0000150602455,0.036920212],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990163,0.00012935243,0.00013852006,0.00023085297,0.00030606572,0.00017892425],"domain_scores_gemma":[0.9990973,0.00013767729,0.00018169102,0.00019242898,0.0003404421,0.000050495648],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004158233,0.00017649485,0.00029499573,0.000044727207,0.00043409606,0.0001853096,0.0002614276,0.00024954352,0.0042264014],"category_scores_gemma":[0.000036828744,0.00020009428,0.00009599742,0.000019868796,0.00017908942,0.0020200312,0.000027200678,0.00050071144,0.000005263337],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012899037,0.00017538034,0.00017926568,0.00040095777,0.0000807083,0.000023393091,0.9462363,5.1546632e-8,0.000056617253,0.037184164,0.011258278,0.0042758584],"study_design_scores_gemma":[0.0007819051,0.0001132516,0.10292018,0.0011581404,0.000096282805,0.000004145602,0.7422496,0.0000072898115,0.0000073364117,0.00025721372,0.15204318,0.00036144914],"about_ca_topic_score_codex":0.24848737,"about_ca_topic_score_gemma":0.81240594,"teacher_disagreement_score":0.7131453,"about_ca_system_score_codex":0.00007807131,"about_ca_system_score_gemma":0.00018136177,"threshold_uncertainty_score":0.9966839},"labels":[],"label_agreement":null},{"id":"W7028330115","doi":"","title":"An examination of voice in contemporary Canadian fiction &#13;\\nand Ballistics : a novel&#13;\\n","year":2015,"lang":"en","type":"dissertation","venue":"UEA Digital Repository (University of East Anglia)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Term (time); Work (physics); Ballistics; Period (music)","score_opus":0.0287513129086138,"score_gpt":0.20966899104068695,"score_spread":0.18091767813207316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028330115","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5010629,0.0004503394,0.0000049099804,0.000013172625,0.0005529216,0.00017237292,0.00045959282,0.000021784614,0.49726197],"genre_scores_gemma":[0.9594838,0.0000028614422,0.0000072948837,0.000009230561,0.00017420649,6.609246e-7,0.002391271,0.000022187702,0.03790847],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99884254,0.00004205393,0.00030772475,0.0003049608,0.0003294932,0.00017320582],"domain_scores_gemma":[0.99842334,0.000029083492,0.00033283033,0.00025393482,0.00076670473,0.00019412479],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00010631997,0.00022398632,0.00037903187,0.00044009194,0.000164876,0.00018022282,0.00026086756,0.00023096705,0.000035442023],"category_scores_gemma":[0.00002723246,0.00028859606,0.000120912744,0.000103236875,0.0001461771,0.001477774,0.000016437481,0.00021210601,0.0000047363014],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027782025,0.0038094516,0.018213948,0.0033891974,0.0008206244,0.0020906501,0.82546985,0.00005216501,0.0021970486,0.06452128,0.04282682,0.03383077],"study_design_scores_gemma":[0.003490958,0.001608868,0.13657679,0.0024145618,0.00033801873,0.000028565819,0.55722344,0.00069983077,0.00015000899,0.0009943133,0.29466072,0.0018139349],"about_ca_topic_score_codex":0.05512994,"about_ca_topic_score_gemma":0.38901302,"teacher_disagreement_score":0.4593535,"about_ca_system_score_codex":0.00013133568,"about_ca_system_score_gemma":0.0005689645,"threshold_uncertainty_score":0.9999566},"labels":[],"label_agreement":null},{"id":"W7030716623","doi":"","title":"Jam for the Enemy","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Newspaper; German; Quarter (Canadian coin); Adversary; George (robot); Plan (archaeology); Performance art; World War II","score_opus":0.2388849977359641,"score_gpt":0.371799396962328,"score_spread":0.1329143992263639,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030716623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12745291,0.012052752,0.000028027478,0.096142866,0.0032824008,0.004970795,0.0011406124,0.0019034081,0.75302625],"genre_scores_gemma":[0.80435884,0.00048583647,0.000058562848,0.0016359464,0.002423095,0.0011577735,0.0003728136,0.00012454033,0.18938257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959864,0.00044692124,0.0006324754,0.0007231054,0.0007593167,0.001451797],"domain_scores_gemma":[0.994761,0.0039280583,0.00006985659,0.000855367,0.00017498518,0.00021076026],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018454923,0.0003542577,0.0004113911,0.00094292004,0.0011445786,0.001067714,0.0013419036,0.00017701936,0.004661849],"category_scores_gemma":[0.0003363243,0.0002475104,0.00027242827,0.0009521228,0.00087992725,0.0017730574,0.00053579593,0.00096936326,0.0013255842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015326333,0.00011352804,0.00024461985,0.00009723312,0.000051382674,0.00010159252,0.012062355,0.0000043655114,0.00009523514,0.57289314,0.40425795,0.0099253245],"study_design_scores_gemma":[0.00079935015,0.00025031125,0.0004840136,0.00009260807,0.0000111169375,0.000005511875,0.006582365,0.0007276505,0.00043633577,0.041076936,0.9492113,0.00032250406],"about_ca_topic_score_codex":0.00012658145,"about_ca_topic_score_gemma":0.0002789524,"teacher_disagreement_score":0.67690593,"about_ca_system_score_codex":0.000037245907,"about_ca_system_score_gemma":0.00025101085,"threshold_uncertainty_score":0.99999774},"labels":[],"label_agreement":null},{"id":"W7033377550","doi":"","title":"The Power of Words: Disrupting Genre in the Neo-Slave Narrative","year":2024,"lang":"en","type":"dissertation","venue":"Duo Research Archive (University of Oslo)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Trickster; Power (physics); Multitude; Relativism","score_opus":0.03580928433095309,"score_gpt":0.2916839718197031,"score_spread":0.25587468748875003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033377550","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33105063,0.004653531,0.000012193608,0.0025656454,0.00042871945,0.0008412542,0.00042951075,0.000019767574,0.6599987],"genre_scores_gemma":[0.93810034,0.00017469117,0.000019563682,0.000020279715,0.00012321258,0.000003344514,0.00037481257,0.000017782111,0.061165985],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99786097,0.0006106473,0.00020839194,0.00028436462,0.0006960454,0.0003395571],"domain_scores_gemma":[0.99793977,0.0012065062,0.00011356884,0.00035449417,0.00033906536,0.00004658902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010868926,0.00016540542,0.00027039202,0.00042287767,0.0008981503,0.00017867604,0.00084538286,0.00007376644,0.00044366746],"category_scores_gemma":[0.00011468343,0.00011513533,0.00021893463,0.00020509415,0.0008180166,0.00019918199,0.00013512833,0.0012229613,0.00002888548],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024746245,0.000045914563,0.000006970132,0.00018910102,0.00008617523,0.000121839505,0.73360866,1.2353475e-7,0.000095565,0.2561534,0.007816971,0.0016278247],"study_design_scores_gemma":[0.00015834469,0.0001724661,0.00050695334,0.00050372264,0.000020613108,0.0000010237402,0.8154348,0.00004288006,0.000006264419,0.024837876,0.15820937,0.00010569594],"about_ca_topic_score_codex":0.0011018346,"about_ca_topic_score_gemma":0.043726962,"teacher_disagreement_score":0.6070497,"about_ca_system_score_codex":0.000029850802,"about_ca_system_score_gemma":0.00022323507,"threshold_uncertainty_score":0.9737225},"labels":[],"label_agreement":null},{"id":"W7035702444","doi":"","title":"Acknowledgement of people who reviewed submissions to the Canadian Journal of Surgery in 2008","year":2009,"lang":"en","type":"article","venue":"PubMed Central","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Acknowledgement; Alternative medicine; MEDLINE","score_opus":0.039955718113267084,"score_gpt":0.2256382658378536,"score_spread":0.1856825477245865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7035702444","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7847076,0.027568573,0.000013522201,0.04870511,0.0062980005,0.001262865,0.0001275609,0.000014795116,0.13130194],"genre_scores_gemma":[0.9959926,0.00006123265,0.0000045998604,0.00085367233,0.00070713303,0.000008636418,0.0000050773347,0.0000041496087,0.0023628776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988507,0.00006526023,0.00037814994,0.00006898289,0.00013124748,0.000505655],"domain_scores_gemma":[0.9992674,0.000047425914,0.00007727413,0.00012675709,0.00014731291,0.00033384992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060889754,0.00007578344,0.00024722944,0.00015441992,0.00011523544,0.00009640478,0.00015685517,0.000021781594,0.0005829287],"category_scores_gemma":[0.00022772215,0.000050565846,0.000109297616,0.0000959336,0.00003470104,0.00012770544,0.0000067950814,0.00012495383,0.000004723508],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044372886,0.00016631282,0.029170176,0.00007792156,0.000038221482,0.00005113875,0.12805651,0.000005199973,0.0000040248037,0.1039333,0.69865394,0.039798886],"study_design_scores_gemma":[0.00009067205,0.000015923393,0.257531,0.00013041156,0.000011972384,0.0000024398346,0.0005792422,0.000001470705,0.000018379007,0.00031524105,0.74124336,0.000059880498],"about_ca_topic_score_codex":0.0018540102,"about_ca_topic_score_gemma":0.3079303,"teacher_disagreement_score":0.3060763,"about_ca_system_score_codex":0.00007151089,"about_ca_system_score_gemma":0.0004271099,"threshold_uncertainty_score":0.70469815},"labels":[],"label_agreement":null},{"id":"W7042474928","doi":"","title":"1800-4923958##Outlook 365 phone number","year":2016,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Phone; Service (business); Mobile phone; Toll; Phone call","score_opus":0.015478354379819004,"score_gpt":0.24217491203321134,"score_spread":0.22669655765339233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042474928","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005831504,0.000022431128,0.0001046387,0.0005464678,0.0022391889,0.00092338497,0.00036326735,0.0006639321,0.9950784],"genre_scores_gemma":[0.004541944,0.00014329249,0.00012997948,0.000749086,0.0028893296,0.00028195357,0.00012594854,0.00063922716,0.99049926],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950837,0.00042369612,0.0007530596,0.0024473416,0.0005725684,0.000719665],"domain_scores_gemma":[0.9946634,0.00026533692,0.00043955122,0.0041484013,0.00017183891,0.00031144582],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012389635,0.00079976325,0.00091386074,0.0002825039,0.00026364447,0.0005485837,0.0013879562,0.0005480031,0.990941],"category_scores_gemma":[0.0003041784,0.00071118,0.0004893247,0.000056045687,0.0005556132,0.00032344408,0.0009707253,0.0007480344,0.9798002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051292947,0.0002161995,0.00014529124,0.00019324735,0.0003469248,0.00009281604,0.0043340414,9.580342e-8,0.00004956189,0.13195476,0.8556769,0.0069388514],"study_design_scores_gemma":[0.0006929048,6.786647e-7,0.000023862476,0.00063918787,0.00012625726,0.000025068399,0.00020942182,0.0000016861413,0.00014686657,0.0073669213,0.9899116,0.0008555327],"about_ca_topic_score_codex":0.0005818909,"about_ca_topic_score_gemma":0.0009862708,"teacher_disagreement_score":0.1342347,"about_ca_system_score_codex":0.00012787177,"about_ca_system_score_gemma":0.00018578113,"threshold_uncertainty_score":0.99953395},"labels":[],"label_agreement":null},{"id":"W7044045703","doi":"","title":"Орфей vs Нарцис (трансформація міфів у \"Видінні Орфея\" Галини Пагутяк та \"Магові\" Дж. Фаулза","year":2020,"lang":"uk","type":"article","venue":"Electronic Institutional Repository of the National Aviation University of Ukraine (National Aviation University, Ukraine)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Poetics; Japanese literature; Comparative literature; Metis","score_opus":0.0178062930874373,"score_gpt":0.1897201455081296,"score_spread":0.1719138524206923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044045703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1743672,0.0037074967,0.008159334,0.12967318,0.004252232,0.0042655827,0.00760137,0.00058551517,0.6673881],"genre_scores_gemma":[0.97021216,0.00016778013,0.0001946294,0.0013785729,0.0014313768,0.0000013219351,0.0010178891,0.000035504137,0.02556079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99348694,0.0005840179,0.0010266419,0.0009506299,0.0033285504,0.0006232216],"domain_scores_gemma":[0.9920543,0.00053255924,0.0015976145,0.00031319394,0.00521056,0.0002917599],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008289763,0.0006386587,0.0007434871,0.0007430858,0.003021799,0.00014107932,0.0014230551,0.00044768103,0.0010175818],"category_scores_gemma":[0.0005285511,0.00072680804,0.0008987403,0.0010470047,0.0014901619,0.001948203,0.00046776916,0.0009864268,0.00009311068],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010155531,0.0006040763,0.0005189257,0.00023212103,0.00075316976,0.000025569485,0.0076059275,0.0028382468,0.001653313,0.9735984,0.01105312,0.00010156503],"study_design_scores_gemma":[0.0070920205,0.00082592125,0.015556948,0.00046986397,0.00078903046,0.00008450743,0.0027131275,0.010428815,0.0011964987,0.017060004,0.94237834,0.0014049169],"about_ca_topic_score_codex":0.00045842954,"about_ca_topic_score_gemma":0.00033885863,"teacher_disagreement_score":0.9565384,"about_ca_system_score_codex":0.0022662615,"about_ca_system_score_gemma":0.0058171647,"threshold_uncertainty_score":0.99989563},"labels":[],"label_agreement":null},{"id":"W7065945302","doi":"","title":"Founding Violence in the Future: A Mnemonic Reading of Ridley Scott’s <i>Alien</i>","year":2023,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Mnemonic; Narrative; Key (lock); Action (physics); Theme (computing); Context (archaeology)","score_opus":0.02627101719920343,"score_gpt":0.22456937645521077,"score_spread":0.19829835925600733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7065945302","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23818652,0.000017362772,0.000012273377,0.00053976936,0.0007504093,0.000421688,0.000048302845,0.0001500558,0.7598736],"genre_scores_gemma":[0.98659295,0.012415733,0.000017030834,0.00025019213,0.00048480846,0.000003447633,0.000026532867,0.000015937992,0.00019339212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883467,0.00015299559,0.00019615737,0.00026967094,0.00022610535,0.00032038463],"domain_scores_gemma":[0.9993407,0.00015006468,0.00008820489,0.00031581192,0.00007557252,0.000029612138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033717314,0.00016826381,0.00021315039,0.0048821378,0.00025473168,0.00012447716,0.00048542686,0.000057309375,0.000045256667],"category_scores_gemma":[0.000019125713,0.00013844356,0.000123636,0.0031401534,0.00013979286,0.0005597158,0.00010774159,0.00024841313,0.00002784321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009752568,0.00011746706,0.0005606353,0.000146432,0.000041888197,0.0004729442,0.21615249,0.0000022052577,0.000012097298,0.7720636,0.0016470233,0.008685687],"study_design_scores_gemma":[0.00041957668,0.000078613564,0.00008155378,0.00026802058,0.00003180281,0.0000049635337,0.030432446,0.0000508196,0.000042759926,0.000057934543,0.96836233,0.00016918314],"about_ca_topic_score_codex":0.010685828,"about_ca_topic_score_gemma":0.027124958,"teacher_disagreement_score":0.9667153,"about_ca_system_score_codex":0.00005696221,"about_ca_system_score_gemma":0.00013565434,"threshold_uncertainty_score":0.9959021},"labels":[],"label_agreement":null},{"id":"W7071083251","doi":"","title":"Reading Beyond Irony: Exploring the Post-secular “End” of Postmodernism in David Foster Wallace","year":2019,"lang":"en","type":"dissertation","venue":"QSpace (Queen's University Library)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Subject (documents); Ridiculous; Context (archaeology); Circumstantial evidence; Karma; Cognitive reframing","score_opus":0.013529142383273381,"score_gpt":0.18655534880743863,"score_spread":0.17302620642416525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071083251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5646875,0.0003835856,0.000003439381,0.037551757,0.0016392444,0.0008712306,0.00044671414,0.00015969807,0.39425686],"genre_scores_gemma":[0.53356695,0.00009628584,0.000027606786,0.0003714779,0.00015230657,0.0000025584543,0.0011614896,0.00005960498,0.4645617],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983751,0.0001642719,0.00028553422,0.00048441935,0.00033198926,0.00035864345],"domain_scores_gemma":[0.99886185,0.00015637156,0.0002358182,0.0005553492,0.0001088473,0.000081777056],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000685862,0.00040515012,0.00050878146,0.00048068454,0.0002377676,0.00024579765,0.0006345527,0.00020546015,0.0011456866],"category_scores_gemma":[0.0000112936,0.00036648283,0.00027982204,0.00011900899,0.0000966159,0.0026229892,0.00016815949,0.00065700815,0.000038579583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011180609,0.00021085612,0.0011208846,0.0011421364,0.00031698833,0.0005271853,0.37441322,0.000008833043,0.00007723072,0.5589812,0.060744416,0.0013389922],"study_design_scores_gemma":[0.0008649186,0.00026070265,0.0020855158,0.0010666027,0.00020809784,7.309207e-7,0.08004697,0.0000067137125,0.0010433027,0.0015056996,0.9120096,0.0009011795],"about_ca_topic_score_codex":0.0036644184,"about_ca_topic_score_gemma":0.0008849795,"teacher_disagreement_score":0.85126513,"about_ca_system_score_codex":0.000075328426,"about_ca_system_score_gemma":0.00020245934,"threshold_uncertainty_score":0.9998787},"labels":[],"label_agreement":null},{"id":"W7094444388","doi":"","title":"Hall_2021_A-Stubborn-Fury.pdf","year":2021,"lang":"en","type":"other","venue":"OAPEN (The OAPEN Foundation)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Humanism; Population; Modernism (music); White (mutation); State (computer science); Class (philosophy)","score_opus":0.027438857248354823,"score_gpt":0.23764238166828502,"score_spread":0.2102035244199302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094444388","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000059143013,0.00010851458,0.000044086097,0.002904341,0.0028707834,0.00052206684,1.3000427e-7,0.00017862655,0.9933655],"genre_scores_gemma":[0.002828262,0.00009879221,0.00008360197,0.002661791,0.0047072466,0.00013010197,0.00231418,0.00038799323,0.98678803],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799126,0.0001722226,0.00043143236,0.0005800534,0.00044938936,0.00037561255],"domain_scores_gemma":[0.9984655,0.00012677941,0.00026088452,0.00089114404,0.00015903983,0.0000966995],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021070834,0.0004796704,0.00050254766,0.00017233056,0.0005032408,0.0016305385,0.000646662,0.00017152274,0.9852941],"category_scores_gemma":[0.00003867291,0.00036641152,0.00027535637,0.00010563829,0.0003042427,0.00025223926,0.00018809804,0.00048120637,0.7952348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000079534575,0.00007015262,0.0000058196542,0.00009385852,0.00025029783,0.000049769642,0.0020002404,6.998099e-8,0.00000415266,0.29991344,0.056785744,0.6408185],"study_design_scores_gemma":[0.00027924267,0.00003097739,0.000014713417,0.00032835163,0.00013512775,0.000012474143,0.00085741404,0.0000039826123,0.000006219187,0.0019496703,0.9959058,0.00047598238],"about_ca_topic_score_codex":0.0004947456,"about_ca_topic_score_gemma":0.0052121407,"teacher_disagreement_score":0.9391201,"about_ca_system_score_codex":0.000051320625,"about_ca_system_score_gemma":0.00020546762,"threshold_uncertainty_score":0.99987876},"labels":[],"label_agreement":null},{"id":"W7096062960","doi":"","title":"Severity Mapping in","year":2008,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"National park; Tussock; Firefighting; Witch; Mosaic","score_opus":0.058049663052046556,"score_gpt":0.20651174655519153,"score_spread":0.14846208350314496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096062960","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23929173,0.0001248976,0.000010016889,0.00042672953,0.000110905734,0.00002890339,0.0000015894608,0.00003363703,0.7599716],"genre_scores_gemma":[0.9370559,0.000003039492,0.000034885106,0.0010817818,0.00016750072,0.0000027959395,0.0000029308276,0.0000026661744,0.061648525],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997182,0.000008976297,0.000083503815,0.00006609249,0.00004307669,0.00008014465],"domain_scores_gemma":[0.9998914,0.0000110007895,0.0000060790408,0.000060679147,0.000015027508,0.000015833026],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003125664,0.000039979936,0.000058947753,0.000042398915,0.000075861564,0.000026633425,0.000037428068,0.000011607384,0.0025248842],"category_scores_gemma":[0.0000030647639,0.000032874006,0.000021021027,0.000015316446,0.000044559696,0.00017037598,0.0000100814605,0.000056033117,0.00007728003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022795282,0.000035695677,0.0018889962,0.0000068669156,0.0000027242463,0.00008903352,0.05978207,3.0673043e-8,0.00001068978,0.92070526,0.016760923,0.0007154545],"study_design_scores_gemma":[0.000120316225,0.000006136226,0.0026672482,0.000009042646,4.0269308e-7,0.0000068494314,0.001811946,0.00001630088,0.0000165359,0.0025670219,0.9927084,0.000069802365],"about_ca_topic_score_codex":0.00011923984,"about_ca_topic_score_gemma":0.00041021354,"teacher_disagreement_score":0.9759475,"about_ca_system_score_codex":0.0000045815073,"about_ca_system_score_gemma":0.000008886374,"threshold_uncertainty_score":0.9983869},"labels":[],"label_agreement":null},{"id":"W7100722185","doi":"","title":"Canada’s New Social Risks: Directions for a New Social","year":2004,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social relation; Field (mathematics); Social life; Focus (optics)","score_opus":0.07015787689726403,"score_gpt":0.27065167369589094,"score_spread":0.2004937967986269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100722185","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016123294,0.0005008975,0.0009474103,0.08575081,0.0017316894,0.00034484733,0.00023015657,0.0001741271,0.90870774],"genre_scores_gemma":[0.65814674,0.000001269242,0.000104270206,0.004150206,0.008007505,0.0000119722845,0.000038167615,0.00001536089,0.3295245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994069,0.0000073683973,0.00014476854,0.00013333038,0.00010811758,0.00019956313],"domain_scores_gemma":[0.9997557,0.00002175041,0.00002687283,0.000049312515,0.00006551193,0.000080880214],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000027326823,0.00010511255,0.00013319377,0.000029563773,0.00079146406,0.00020485789,0.000075549004,0.000038400125,0.0015635412],"category_scores_gemma":[0.000009881213,0.00009381001,0.000105824234,0.000021333377,0.000035390192,0.00016488532,0.000011306838,0.00008087193,0.000008666602],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007864387,0.000011510596,6.701634e-7,0.0000034393763,0.000016689148,0.0000012363824,0.010242552,7.294273e-8,0.000002491516,0.52399355,0.46277782,0.0029420985],"study_design_scores_gemma":[0.0006223825,0.000025753736,0.00006258293,0.000004748341,0.000026729664,7.294636e-7,0.0019234852,6.094013e-7,0.000019889563,0.036115825,0.9610644,0.00013285635],"about_ca_topic_score_codex":0.8496419,"about_ca_topic_score_gemma":0.9856982,"teacher_disagreement_score":0.65653443,"about_ca_system_score_codex":0.000080554404,"about_ca_system_score_gemma":0.001934631,"threshold_uncertainty_score":0.9993492},"labels":[],"label_agreement":null},{"id":"W7115165923","doi":"10.4000/15ch6","title":"Mona Lisa Smiles: Copies and Originals in Vera Caspary’s Laura (1942) and Rian Johnson’s Glass Onion (2022)","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Context (archaeology); The Internet; Politics; Frame (networking); Popular culture","score_opus":0.017650601860656853,"score_gpt":0.2563155330932439,"score_spread":0.23866493123258703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115165923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60123575,0.2898221,0.000016896622,0.018913526,0.0035442484,0.0012786537,0.00073093665,0.00014226214,0.08431565],"genre_scores_gemma":[0.89917666,0.0036467062,0.000018727613,0.0019567984,0.00041339183,0.000058148118,0.000067120905,0.000031158677,0.09463128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979087,0.00015758355,0.000590591,0.00062348717,0.00022257394,0.0004970269],"domain_scores_gemma":[0.99898976,0.00027134345,0.00010744411,0.0003398558,0.00011636767,0.0001751986],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00032595193,0.0004441882,0.0006294151,0.00041489303,0.00050980214,0.0009950758,0.00017663286,0.0002185825,0.0006753284],"category_scores_gemma":[0.00007229075,0.00041934595,0.00008663753,0.00016786203,0.00032586878,0.0005909223,0.00016920398,0.00046651842,0.000026175625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040985408,0.00037963988,0.008241725,0.0016793312,0.00021514962,0.00039728053,0.05929617,4.5286063e-7,0.00010221085,0.6345109,0.2828287,0.011938585],"study_design_scores_gemma":[0.0016592116,0.00022640845,0.0062303636,0.0011331318,0.00011852087,0.000017472385,0.008154818,0.00011292724,0.000049641738,0.002425213,0.97940594,0.00046634668],"about_ca_topic_score_codex":0.0017475524,"about_ca_topic_score_gemma":0.006034367,"teacher_disagreement_score":0.69657725,"about_ca_system_score_codex":0.000072683535,"about_ca_system_score_gemma":0.00021336782,"threshold_uncertainty_score":0.99982584},"labels":[],"label_agreement":null},{"id":"W7117327028","doi":"10.1111/jacc.70053","title":"“If This Is Their Idea of Christmas, I've Gotta Be Here for New Year's”: Carnival in John <scp>McTiernan</scp> 's <i>Die Hard</i> (1988)","year":2025,"lang":"en","type":"article","venue":"The Journal of American Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University College of the North","funders":"","keywords":"Information privacy; Ethical issues; Confidentiality","score_opus":0.016934127746518483,"score_gpt":0.24272482714346036,"score_spread":0.22579069939694188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117327028","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4164545,0.060898513,0.00040775945,0.03366744,0.003262296,0.0014083452,0.0013296244,0.00008586654,0.48248565],"genre_scores_gemma":[0.8485947,0.0010152007,0.00031194207,0.0065885475,0.0018036705,0.0000058587216,0.0000147542505,0.000035801397,0.14162949],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865055,0.00011923045,0.00057471707,0.00014238,0.00024787363,0.00026527766],"domain_scores_gemma":[0.99850446,0.00024788978,0.0005580446,0.0002608909,0.0003424791,0.000086219465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003548579,0.0002343809,0.00058642763,0.000114306895,0.00016462541,0.00012321462,0.0005081717,0.00006307077,0.0001270012],"category_scores_gemma":[0.000105404644,0.0001351271,0.00033363327,0.00014903766,0.0002844969,0.00026341726,0.00005236108,0.0005450134,0.0000033839726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013738345,0.00008708245,0.00017879684,0.000067654364,0.0002586688,0.000011391807,0.15895633,0.0000033612162,0.00048331782,0.017937997,0.8181521,0.0037258707],"study_design_scores_gemma":[0.0007114008,0.00037070687,0.00016651867,0.00025015866,0.0001285873,0.000011592633,0.07192839,0.000006459289,0.00083471846,0.0025048554,0.92301,0.000076602155],"about_ca_topic_score_codex":0.0006125617,"about_ca_topic_score_gemma":0.00043604604,"teacher_disagreement_score":0.43214023,"about_ca_system_score_codex":0.00004554594,"about_ca_system_score_gemma":0.00026041025,"threshold_uncertainty_score":0.55103236},"labels":[],"label_agreement":null},{"id":"W7120485099","doi":"","title":"Certomen Vigorosum","year":2016,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Subject (documents); Narrative; Field (mathematics); Period (music); Context (archaeology)","score_opus":0.027117355216112363,"score_gpt":0.24082292736541575,"score_spread":0.21370557214930339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120485099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016587403,0.00389605,0.0013475831,0.11578199,0.0055597993,0.0010046011,0.00088171265,0.00079637143,0.8541445],"genre_scores_gemma":[0.95583457,0.00020651016,0.00014904099,0.0008820833,0.0035885773,0.0002024684,0.00014712031,0.00012670645,0.03886295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944285,0.0006038775,0.0012522696,0.0012435247,0.0010710156,0.001400773],"domain_scores_gemma":[0.99631184,0.00048537872,0.000497038,0.0010780839,0.0007769995,0.00085064524],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007024116,0.0009206254,0.0008595419,0.000625997,0.0015294809,0.0010783429,0.0009985924,0.0007561073,0.0014761796],"category_scores_gemma":[0.00034574373,0.0007028704,0.00056932494,0.00034599306,0.00009682449,0.0014462912,0.00038448887,0.0007722469,0.0002576863],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033692588,0.00066719303,0.00011609168,0.00017030886,0.00031690413,0.00045317863,0.011167057,4.0953768e-7,0.0013086983,0.9652545,0.016179752,0.004029005],"study_design_scores_gemma":[0.0021041194,0.00021078887,0.00057054317,0.0007552497,0.00017666376,0.00060125504,0.0017663582,0.00003190545,0.00052589504,0.0015109973,0.9907151,0.0010311235],"about_ca_topic_score_codex":0.000001914153,"about_ca_topic_score_gemma":0.0003047104,"teacher_disagreement_score":0.97453535,"about_ca_system_score_codex":0.0007355779,"about_ca_system_score_gemma":0.00076869904,"threshold_uncertainty_score":0.99995863},"labels":[],"label_agreement":null},{"id":"W7125017956","doi":"10.7202/1122229ar","title":"Gerald Murnane’s Transnational Reception","year":2025,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Highbrow; Prestige; Cult; Taste; Period (music); Foregrounding","score_opus":0.014632118154517846,"score_gpt":0.2310039838069156,"score_spread":0.21637186565239777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125017956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010294783,0.029621763,0.0002548025,0.22918853,0.0066932244,0.00024797078,0.0003277361,0.0001061829,0.723265],"genre_scores_gemma":[0.55103016,0.00023070545,0.00004432624,0.0030409123,0.0016374206,0.000021328824,0.00011879117,0.000014765025,0.4438616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986561,0.00012066078,0.00039550196,0.00030816506,0.00021166114,0.00030789073],"domain_scores_gemma":[0.99931395,0.00012443474,0.000056837074,0.00021294187,0.00022046444,0.00007139577],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018082921,0.00024426053,0.00023798087,0.0001761558,0.00063253957,0.0005764204,0.0001875032,0.0001757299,0.009281184],"category_scores_gemma":[0.00001978021,0.00024825806,0.00020923936,0.00009770053,0.00029901988,0.0005714166,0.000029896979,0.0003155641,0.00011746834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003663225,0.00022223218,0.00006674072,0.00018234216,0.00007288021,0.000029020872,0.005678184,0.000002241421,0.000024049308,0.7674662,0.21544564,0.01077385],"study_design_scores_gemma":[0.0005261681,0.00008850863,0.0006428862,0.00030360048,0.00008112355,0.000008465645,0.0008074885,0.00013829958,0.000033087344,0.041276883,0.9558568,0.00023666208],"about_ca_topic_score_codex":0.00012809075,"about_ca_topic_score_gemma":0.0005172556,"teacher_disagreement_score":0.7404112,"about_ca_system_score_codex":0.00009821313,"about_ca_system_score_gemma":0.0001476989,"threshold_uncertainty_score":0.99999696},"labels":[],"label_agreement":null},{"id":"W7130909617","doi":"","title":"Political novel of alternative history. The aspect of poetics and genealogical perspectives.","year":2025,"lang":"en","type":"dissertation","venue":"DSpace BSMU","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Politics; Identity (music); Character (mathematics); Slavic languages; Historiography; Interpretation (philosophy); Middle Ages","score_opus":0.03810877179136189,"score_gpt":0.26042798176165394,"score_spread":0.22231920997029203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130909617","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037024967,0.014942985,0.000018245477,0.0012252177,0.00087765174,0.0002737911,0.00031524026,0.000017295326,0.94530463],"genre_scores_gemma":[0.92828107,0.000034252902,0.000031323667,0.00022713115,0.00035949645,0.0000102947615,0.00009555086,0.000013087648,0.07094781],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915904,0.00004032248,0.00023879096,0.00021380378,0.0001949901,0.00015306896],"domain_scores_gemma":[0.99913806,0.00016687124,0.00013787822,0.00018908676,0.00032904852,0.00003905177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007932722,0.00017924319,0.00034369202,0.00010180668,0.000062738625,0.000031638105,0.00015587328,0.00010589817,0.00036229147],"category_scores_gemma":[0.00007060316,0.0001230119,0.00013049622,0.00002041133,0.00031906398,0.000051445826,0.000026427402,0.0002703404,0.0000011432935],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054368258,0.00008512221,0.000009036303,0.00015010317,0.00007397164,0.0000030124447,0.07591888,3.8564636e-8,0.00007120436,0.9206221,0.002926976,0.000085149535],"study_design_scores_gemma":[0.00082493154,0.00042007625,0.001298937,0.0006017701,0.00045227513,0.000004413993,0.21798593,0.000055257762,0.00076495606,0.032220073,0.74488556,0.0004857984],"about_ca_topic_score_codex":0.00035549322,"about_ca_topic_score_gemma":0.00081839424,"teacher_disagreement_score":0.8912561,"about_ca_system_score_codex":0.00006509121,"about_ca_system_score_gemma":0.00014094631,"threshold_uncertainty_score":0.5016279},"labels":[],"label_agreement":null},{"id":"W7133020515","doi":"","title":"From the horse&apos;s mouth, critical issues of post-publication authorial influence","year":2001,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Postmodernism; Criticism; Proposition; Reading (process); Discretion; Critical reading; Comprehension; Close reading","score_opus":0.0375803073258728,"score_gpt":0.3658172564987,"score_spread":0.3282369491728272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133020515","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39635205,0.008139076,0.0000050055887,0.03291639,0.006142357,0.00066290516,0.0010051284,0.00021428776,0.5545628],"genre_scores_gemma":[0.68745667,0.00003299329,0.0000339011,0.0009449866,0.0056274096,0.00004499713,0.005692393,0.000044577093,0.30012208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986566,0.00010102694,0.00037931098,0.00030162287,0.00035855678,0.00020288464],"domain_scores_gemma":[0.99750084,0.0002974532,0.00015874961,0.0004397683,0.0015436002,0.00005961608],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014053377,0.000249622,0.00031514355,0.00007723682,0.00023784625,0.0004385507,0.00037070346,0.00021104017,0.0036556658],"category_scores_gemma":[0.0006761455,0.0001843155,0.00014222533,0.000058367008,0.0001746305,0.00033031838,0.000022937022,0.00038284055,0.000106778105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016753962,0.000068894704,0.0000040593395,0.000072539806,0.00005433053,0.000006052126,0.360729,1.2559222e-7,0.0002958283,0.567386,0.07002387,0.0011917935],"study_design_scores_gemma":[0.00020839785,0.00009345966,0.00028249045,0.0002859047,0.00015937252,9.364053e-7,0.117171526,0.000005488311,0.00042177478,0.012264666,0.86879724,0.00030875887],"about_ca_topic_score_codex":0.0049575074,"about_ca_topic_score_gemma":0.0027793518,"teacher_disagreement_score":0.79877335,"about_ca_system_score_codex":0.000015209388,"about_ca_system_score_gemma":0.000110416964,"threshold_uncertainty_score":0.99725515},"labels":[],"label_agreement":null},{"id":"W7134672533","doi":"","title":"\"An Anguish Become Thing\": Narrative as Performance in David Foster Wallace's <i>Infinite Jest</i>","year":2000,"lang":"","type":"article","venue":"ScholarWorks (Central Washington University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anguish; Narrative; Set (abstract data type); Addiction; Narrative inquiry; Action (physics)","score_opus":0.010492564724366089,"score_gpt":0.20764957837096365,"score_spread":0.19715701364659757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134672533","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73089033,0.0013625802,0.0000027641715,0.0019983586,0.001217513,0.00057362765,0.00009992029,0.00016119046,0.26369372],"genre_scores_gemma":[0.86664736,0.0009402159,0.000039696573,0.0025232402,0.0009024757,0.0000018986144,0.00017747963,0.000084942876,0.1286827],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99470705,0.0007272807,0.00082026055,0.0013258184,0.0006818462,0.0017377611],"domain_scores_gemma":[0.99758756,0.00015152186,0.00025168475,0.0009474712,0.0002938547,0.00076791306],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058111665,0.0009355394,0.00085254665,0.0007874722,0.0020102228,0.0030564738,0.0014689158,0.00063748204,0.017849334],"category_scores_gemma":[0.00004064318,0.0010601209,0.0004096064,0.0007705663,0.00045027692,0.010104209,0.00020974364,0.0031020718,0.00040298278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0039652367,0.00200836,0.010837606,0.00034371772,0.00041419046,0.0034021584,0.83484995,0.0007326339,0.000103602986,0.10654479,0.004545798,0.032251928],"study_design_scores_gemma":[0.0031277467,0.0009115047,0.0024509272,0.0014632578,0.0001640599,0.000024432014,0.0361954,0.0006373552,0.000087820976,0.0004005264,0.9530889,0.001448104],"about_ca_topic_score_codex":0.00041768714,"about_ca_topic_score_gemma":0.0019282164,"teacher_disagreement_score":0.9485431,"about_ca_system_score_codex":0.0006427688,"about_ca_system_score_gemma":0.00034818298,"threshold_uncertainty_score":0.99928904},"labels":[],"label_agreement":null},{"id":"W7136054357","doi":"10.13140/rg.2.2.32069.10726","title":"Narcissism and Identity Crisis in Canadian Fiction","year":2022,"lang":"en","type":"article","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.017108085229018556,"score_gpt":0.2269741172035043,"score_spread":0.20986603197448575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7136054357","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2718773,0.0008455453,0.0000025066233,0.0066432105,0.0005223948,0.000095787975,0.000052486965,0.000030327796,0.71993047],"genre_scores_gemma":[0.9840424,0.0000025792485,0.000003070632,0.0022676594,0.00007269897,0.000015652751,0.000013411066,0.0000034979096,0.013579024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962974,0.000024262088,0.00007628905,0.000090307054,0.00006707894,0.000112330235],"domain_scores_gemma":[0.99986047,0.0000069077855,0.0000070960145,0.000056325385,0.000011425568,0.00005780854],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011183047,0.0000388767,0.00005019404,0.00013533192,0.0003156136,0.00014513145,0.00004317409,0.000008050743,0.008042407],"category_scores_gemma":[0.0000025102138,0.00003852387,0.000014643565,0.000028169554,0.000015565423,0.00031620142,0.000025134266,0.00008934882,0.0000051402317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029965997,0.000012256686,0.00090299867,0.0000041114276,0.0000028594818,0.00002537319,0.021671187,2.523764e-7,0.000001952423,0.91934943,0.057656232,0.00037034845],"study_design_scores_gemma":[0.00008768107,0.00002125603,0.0012785828,0.0000015595824,0.0000025293832,0.0000032050784,0.014926875,0.000030543648,0.0000014749529,0.006325148,0.97726053,0.000060610742],"about_ca_topic_score_codex":0.45890492,"about_ca_topic_score_gemma":0.90502167,"teacher_disagreement_score":0.9196043,"about_ca_system_score_codex":0.000041112846,"about_ca_system_score_gemma":0.000033760454,"threshold_uncertainty_score":0.9928644},"labels":[],"label_agreement":null},{"id":"W7139118515","doi":"10.14288/canlit.vi262.197702","title":"Review of Bronwen Wallace: Essays on Her Works, by Wanda Campbell, ed.","year":2022,"lang":"en","type":"article","venue":"Open Collections","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Ridiculous; Work (physics)","score_opus":0.019333735826326914,"score_gpt":0.24959389570384913,"score_spread":0.2302601598775222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139118515","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001983415,0.031384654,0.000004808542,0.0026839853,0.00063757296,0.00063289574,0.00040053643,0.000024302703,0.9642114],"genre_scores_gemma":[0.011366639,0.0020627922,0.000011888348,0.005039826,0.00014604532,0.00039488132,0.00012753908,0.000019877989,0.9808305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912804,0.00012956599,0.00024543784,0.00019202691,0.00016757392,0.00013733779],"domain_scores_gemma":[0.9994677,0.000067077046,0.00007885091,0.0002568858,0.00008593069,0.000043590262],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021833561,0.000108617634,0.00023078421,0.000037852584,0.002580507,0.0006563233,0.00030457723,0.000017889653,0.055174466],"category_scores_gemma":[0.000017541104,0.00009978789,0.000087421286,0.00020011085,0.000041659343,0.0002171485,0.00016604121,0.000224576,0.000017509336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030107802,0.00018543331,6.8127144e-7,0.00011410203,0.000033389035,0.0000022577485,0.0012291877,0.0000016041956,0.0000018357666,0.013254231,0.98440015,0.0007470218],"study_design_scores_gemma":[0.00028019986,0.00020037022,1.9612432e-7,0.00078438653,0.00003156962,0.0000037166765,0.0009726951,0.0000052901814,0.000009198567,0.00088703015,0.9967013,0.00012404859],"about_ca_topic_score_codex":0.0022120806,"about_ca_topic_score_gemma":0.0011081141,"teacher_disagreement_score":0.055156957,"about_ca_system_score_codex":0.000078637575,"about_ca_system_score_gemma":0.000098891316,"threshold_uncertainty_score":0.998718},"labels":[],"label_agreement":null},{"id":"W7139250739","doi":"","title":"Diary of Interrupted Days","year":2009,"lang":"","type":"book","venue":"Kent Academic Repository (University of Kent)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bridge (graph theory); Biography; World War II; Performance art; Happiness; Front (military); Government (linguistics)","score_opus":0.01837756128128883,"score_gpt":0.20175371654416638,"score_spread":0.18337615526287754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139250739","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036463708,0.019106353,0.00007055253,0.00048629357,0.0019488237,0.0008699637,0.0002474235,0.00010066795,0.9407062],"genre_scores_gemma":[0.48980385,0.0015065542,0.000030457517,0.00013194521,0.00090521044,3.9861956e-7,0.00020604445,0.000038600076,0.50737697],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959473,0.0003997857,0.0012813191,0.0009133941,0.0009119067,0.0005462938],"domain_scores_gemma":[0.996138,0.00027914927,0.0018265606,0.00087072066,0.00056718005,0.00031838487],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.00047102055,0.00076901726,0.0015833625,0.00059161684,0.00072545494,0.00007353017,0.0016409488,0.0013086661,0.0015639178],"category_scores_gemma":[0.000025798443,0.00094746356,0.00114392,0.00011707663,0.001687324,0.0010116897,0.0003721489,0.0023268273,0.000045966124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017721081,0.00096710626,0.0010858971,0.0035043897,0.0024062183,0.0014206975,0.15009686,0.0000072078856,0.00428152,0.36800882,0.45640308,0.0100461],"study_design_scores_gemma":[0.0015572523,0.00081680866,0.0007869251,0.0055649774,0.0013866982,0.0000591155,0.011012511,0.00008953721,0.00057974353,0.002946717,0.974119,0.0010807163],"about_ca_topic_score_codex":0.00019990801,"about_ca_topic_score_gemma":0.000027747059,"teacher_disagreement_score":0.51771593,"about_ca_system_score_codex":0.00032111927,"about_ca_system_score_gemma":0.0006464194,"threshold_uncertainty_score":0.99998784},"labels":[],"label_agreement":null},{"id":"W7140537791","doi":"10.1353/vpr.2025.a985898","title":"Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy by Waiyee Loh (review)","year":2025,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Empire; Narrative; Production (economics)","score_opus":0.012594494436774295,"score_gpt":0.28278357823316375,"score_spread":0.27018908379638945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140537791","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008758396,0.62895304,0.0000063630755,0.01588428,0.0005198772,0.0008448295,0.0001961869,0.000023321381,0.35348448],"genre_scores_gemma":[0.28587365,0.55378675,0.00007944503,0.13456862,0.0026389828,0.0012200187,0.000768422,0.000058357866,0.021005746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975495,0.000549619,0.00097082776,0.00039777142,0.00023906962,0.00029324487],"domain_scores_gemma":[0.9988653,0.000086271844,0.00022286495,0.0005193429,0.00022087693,0.00008534613],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005745503,0.00035551595,0.0010067546,0.000043027874,0.00023934331,0.00019052144,0.0006090588,0.00009268611,0.0027253232],"category_scores_gemma":[0.00016193408,0.00021952587,0.00033293306,0.00030886024,0.0003970235,0.00032411097,0.00006314377,0.00030061926,0.00005108115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011451925,0.00016085053,0.0001099859,0.0071598687,0.00008856012,0.000013652743,0.024732834,4.825019e-9,0.0000026812347,0.55502427,0.4100919,0.0026039104],"study_design_scores_gemma":[0.00026850688,0.000085567095,0.00003491898,0.015262497,0.000102860926,0.0000034326897,0.0014603905,2.9503892e-7,0.0000038137614,0.0032170848,0.979344,0.00021661888],"about_ca_topic_score_codex":0.00004218357,"about_ca_topic_score_gemma":0.00022646779,"teacher_disagreement_score":0.5692521,"about_ca_system_score_codex":0.00007210081,"about_ca_system_score_gemma":0.00020228248,"threshold_uncertainty_score":0.99818635},"labels":[],"label_agreement":null},{"id":"W7147269056","doi":"10.1080/23322551.2026.2627163","title":"Scenario Machine: Aesthetics of Absence in Lawrence Abu Hamdan’s <i>45th Parallel</i> .","year":2025,"lang":"en","type":"article","venue":"Theatre & Performance Design","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Clothing; Face (sociological concept); Narrative; Photography","score_opus":0.020811934890722746,"score_gpt":0.22392301036655984,"score_spread":0.2031110754758371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7147269056","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21445899,0.0067553394,0.0017889732,0.001750747,0.0008167454,0.0008426114,0.000047229758,0.00016813185,0.7733712],"genre_scores_gemma":[0.9916143,0.00024688727,0.0003910909,0.00057674263,0.00006593408,0.000028015618,0.000011449513,0.000013472374,0.007052152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882454,0.000073843876,0.00040388046,0.00023116327,0.00017190499,0.00029466767],"domain_scores_gemma":[0.9993774,0.0000781945,0.00007269546,0.0003552685,0.00007767454,0.000038722887],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032800244,0.00020657487,0.00030209724,0.00016952887,0.00015127145,0.000087436296,0.00032950408,0.000060335755,0.00016658245],"category_scores_gemma":[0.0000048186907,0.00017098653,0.000068338966,0.00012961835,0.0002537596,0.0003519222,0.000042992713,0.0002508119,0.000030076804],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010490305,0.000785483,0.013528632,0.00083919585,0.00008479612,0.000081136466,0.06799005,0.0010747764,0.00076348847,0.7929319,0.018876031,0.1019955],"study_design_scores_gemma":[0.0047451598,0.0016719764,0.0053073107,0.004330795,0.00016313017,0.00003736422,0.0045346236,0.028523639,0.006104769,0.031956114,0.9106605,0.0019646382],"about_ca_topic_score_codex":0.00015390293,"about_ca_topic_score_gemma":0.00034820533,"teacher_disagreement_score":0.8917844,"about_ca_system_score_codex":0.000026873626,"about_ca_system_score_gemma":0.00012734836,"threshold_uncertainty_score":0.6972629},"labels":[],"label_agreement":null},{"id":"W7161790675","doi":"10.82308/35480","title":"Between a rock and a soft place : postmodern-regionalism in Canadian and American fiction","year":2003,"lang":"en","type":"dissertation","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Regionalism (politics); Post-industrial society; Politics; Reading (process); Postmodern music; Literary criticism; Narrative","score_opus":0.014456288733194059,"score_gpt":0.2310146844354475,"score_spread":0.21655839570225344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161790675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6401139,0.0023462025,0.0000020459252,0.0012853709,0.00026733422,0.0002966587,0.00016195026,0.000033869517,0.3554927],"genre_scores_gemma":[0.8756288,0.000033346405,0.0000062475124,0.0006074794,0.0001829665,0.000017141094,0.00090736954,0.000020589083,0.12259602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919426,0.00003278737,0.00019123316,0.0002643235,0.00009401917,0.00022335417],"domain_scores_gemma":[0.9995957,0.000045739882,0.000056288594,0.00008380289,0.000057883335,0.0001605738],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006186343,0.00019611155,0.00026266946,0.0002648928,0.00016135215,0.0002477408,0.000043755397,0.000095776595,0.00022777184],"category_scores_gemma":[0.000010895982,0.00018594095,0.000029861074,0.000033344946,0.000040312938,0.00016661294,0.000004103809,0.00021905088,0.000003937384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001519135,0.00006379559,0.009431632,0.00047399558,0.00019998976,0.000110564666,0.35784867,6.874359e-7,0.000008392906,0.5607153,0.051353164,0.019641863],"study_design_scores_gemma":[0.00023556684,0.00007489345,0.0054255053,0.00012245544,0.000042722088,0.0000046193773,0.018828599,0.00003532187,0.0000014547862,0.0012196669,0.9736683,0.00034093807],"about_ca_topic_score_codex":0.39821336,"about_ca_topic_score_gemma":0.95581245,"teacher_disagreement_score":0.9223151,"about_ca_system_score_codex":0.000038755592,"about_ca_system_score_gemma":0.00017037334,"threshold_uncertainty_score":0.75824517},"labels":[],"label_agreement":null},{"id":"W7165729728","doi":"10.1353/vcr.2025.a993452","title":"Daniel Deronda 's Future: Reading the Novel in 2026","year":2025,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Close reading","score_opus":0.017763677978712044,"score_gpt":0.25519941595074586,"score_spread":0.23743573797203382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165729728","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000048473365,0.34578642,0.000046931167,0.03545323,0.0039731734,0.00048349221,0.000018795787,0.00004684794,0.61414266],"genre_scores_gemma":[0.39759114,0.08084096,0.00016671045,0.12032762,0.017645577,0.0004942796,0.00015637482,0.00009569418,0.38268164],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992012,0.000057988273,0.00030328534,0.00017457205,0.000097583084,0.00016537422],"domain_scores_gemma":[0.99949306,0.000071615,0.00004248503,0.00031440565,0.000053304764,0.000025106623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030543737,0.00013135771,0.00024771332,0.000052492505,0.0001597375,0.00016059731,0.00023385568,0.00003217297,0.00061335287],"category_scores_gemma":[0.000035120924,0.000082002625,0.000093055576,0.00013520812,0.000045757322,0.00016223488,0.00004159495,0.00020999143,0.00004482962],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020654527,0.00002086645,0.000009592208,0.0006155745,0.000013885583,0.000004344914,0.0028602248,7.89604e-9,0.000008733853,0.89952093,0.0921439,0.004799886],"study_design_scores_gemma":[0.00013275513,0.000008181715,0.000027677757,0.0028975436,0.00003637285,0.0000012095818,0.00032126793,0.0000012782692,0.0000036520214,0.0014738833,0.9950028,0.00009339404],"about_ca_topic_score_codex":0.000020181285,"about_ca_topic_score_gemma":0.00047349886,"teacher_disagreement_score":0.9028589,"about_ca_system_score_codex":0.000024384854,"about_ca_system_score_gemma":0.000050255705,"threshold_uncertainty_score":0.6715784},"labels":[],"label_agreement":null},{"id":"W793061245","doi":"10.3138/utq.15014","title":"Happily Ever After? How <i>Loving</i> Ends","year":2015,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mores; Phrase; Criticism; Closure (psychology); Context (archaeology); Reading (process); Close reading; Aesthetics; Mode (computer interface); Literature; Sociology; Philosophy; Epistemology; Politics; History; Art; Linguistics; Law","score_opus":0.016923638490285504,"score_gpt":0.17638359042027643,"score_spread":0.15945995192999093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W793061245","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09396811,0.0027067186,0.00022560598,0.0016542993,0.0008468617,0.00015701083,0.00013004396,0.00012467003,0.90018666],"genre_scores_gemma":[0.92927265,0.0000027262768,0.000100419544,0.00015847934,0.00023331057,2.3210423e-7,0.000013209331,0.0000074179375,0.07021157],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937063,0.000040257124,0.000079329424,0.00016934081,0.00017898213,0.0001614558],"domain_scores_gemma":[0.99939865,0.00001676975,0.0000555912,0.00021679582,0.00018496547,0.00012720688],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007684754,0.00011877788,0.00017345091,0.000025568324,0.00009101787,0.00008810777,0.00019867854,0.00004643413,0.0017607572],"category_scores_gemma":[0.000002703431,0.00012685583,0.000104916835,0.00000859779,0.00015478076,0.0010784363,0.000019830772,0.00006264722,0.00004298887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037872995,0.00018184408,0.00022602464,0.000053624964,0.00010236474,0.00018708607,0.60932785,9.233148e-8,0.000059202946,0.22337127,0.15302032,0.013091559],"study_design_scores_gemma":[0.0006141712,0.00052050815,0.00021870765,0.000027673546,0.00003490126,0.0000020378513,0.07087032,0.000012918856,0.0000043242712,0.00052376377,0.9270062,0.00016447138],"about_ca_topic_score_codex":0.005881486,"about_ca_topic_score_gemma":0.03505733,"teacher_disagreement_score":0.83530456,"about_ca_system_score_codex":0.00006957186,"about_ca_system_score_gemma":0.00004913198,"threshold_uncertainty_score":0.99915177},"labels":[],"label_agreement":null},{"id":"W793515542","doi":"","title":"Reading Political Hope: Temporal And Historical Modelling In Contemporary Canadian Fiction","year":2009,"lang":"en","type":"dissertation","venue":"MacSphere (McMaster University)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Politics; History; Literature; Political science; Art; Law","score_opus":0.03466908549009322,"score_gpt":0.20255218513489787,"score_spread":0.16788309964480463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W793515542","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034759678,0.0008052776,0.000023162116,0.00044768496,0.00059335487,0.00022769399,0.000048265956,0.00005796316,0.99432063],"genre_scores_gemma":[0.5224357,0.000009528363,0.000026173631,0.00017600202,0.00023081648,7.073841e-7,0.00033410013,0.000021559008,0.4767654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985507,0.000082277336,0.0003055461,0.00045565332,0.00016523799,0.0004405961],"domain_scores_gemma":[0.9993089,0.000032678698,0.00009097098,0.00015007894,0.00009230793,0.0003250496],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008029359,0.0003265316,0.00040671777,0.0006033663,0.0002678599,0.00024193474,0.00016842083,0.00030671718,0.0065713725],"category_scores_gemma":[0.0000053886606,0.00037673055,0.00010299707,0.000116700336,0.000048396832,0.00055716524,0.000016554619,0.00055537635,0.0000113568985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004040038,0.000106397274,0.0006877815,0.00026746895,0.00007190047,0.001552244,0.024392474,0.000009680027,0.0000038766602,0.9157612,0.015269295,0.041473716],"study_design_scores_gemma":[0.00045490797,0.000084689425,0.000096295706,0.00030714346,0.00004289493,0.0000039358447,0.014626436,0.0003199443,0.0000028344514,0.0009579364,0.982685,0.0004179793],"about_ca_topic_score_codex":0.17531444,"about_ca_topic_score_gemma":0.41984224,"teacher_disagreement_score":0.9674157,"about_ca_system_score_codex":0.0008455577,"about_ca_system_score_gemma":0.000331567,"threshold_uncertainty_score":0.99986845},"labels":[],"label_agreement":null},{"id":"W79559063","doi":"","title":"\"Bring(ing) Them Back from the Inside Out\": Coming Home through Story in Richard Wagamese's Keeper'n Me","year":2004,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Genealogy; History","score_opus":0.04568461458460101,"score_gpt":0.2237997861915673,"score_spread":0.17811517160696627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W79559063","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43684924,0.0015790273,0.0000071441523,0.013864181,0.0008121252,0.00026540208,0.000263113,0.000067225985,0.54629254],"genre_scores_gemma":[0.9843139,0.000013316495,0.00007112162,0.011959109,0.0014440751,0.0000148683675,0.00005427186,0.00005008553,0.0020792752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829334,0.0001237627,0.00036087382,0.00038224453,0.00023661957,0.0006031439],"domain_scores_gemma":[0.99895126,0.00033733758,0.00007980998,0.0003772595,0.000067990906,0.00018633243],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036100257,0.00027032904,0.00030554782,0.000114048926,0.0006572008,0.00055312493,0.00033270533,0.00009454426,0.0010543127],"category_scores_gemma":[0.0000724738,0.00023059383,0.00011093163,0.00007312208,0.0001674305,0.000476178,0.0000418638,0.0007401124,0.00044473013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018674458,0.000054966087,0.0015472447,0.000032932214,0.00005982533,0.0004948973,0.21896619,0.000026506845,0.000042278036,0.7673112,0.008898106,0.0025471523],"study_design_scores_gemma":[0.0017379579,0.00007864748,0.0021427518,0.0015279895,0.00003344738,0.000012959662,0.072701685,0.000035176785,0.00013482546,0.046706207,0.8739625,0.000925831],"about_ca_topic_score_codex":0.12969385,"about_ca_topic_score_gemma":0.6909532,"teacher_disagreement_score":0.8650644,"about_ca_system_score_codex":0.00034227542,"about_ca_system_score_gemma":0.00027317525,"threshold_uncertainty_score":0.99985886},"labels":[],"label_agreement":null},{"id":"W811016133","doi":"","title":"Sally Ito. Alert to Glory","year":2013,"lang":"en","type":"article","venue":"Canadian ethnic studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Glory; Seriousness; Poetry; Wonder; Philosophy; Contemplation; Literature; Repetition (rhetorical device); State (computer science); Denial; Art; Psychology; Theology; Psychoanalysis; Computer science; Epistemology","score_opus":0.1626429885043985,"score_gpt":0.31968851821081895,"score_spread":0.15704552970642044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W811016133","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02350445,0.11885562,0.0000016766883,0.029146079,0.002661759,0.0005704144,0.00006493183,0.00011412035,0.82508093],"genre_scores_gemma":[0.82297486,0.00023200354,0.000028088134,0.028664287,0.001416159,0.00015570757,0.000009451526,0.000025373522,0.14649406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913406,0.000024015086,0.0001681571,0.00020005848,0.00009767414,0.00037604282],"domain_scores_gemma":[0.9991268,0.000066348206,0.00001718696,0.0002086726,0.0002466638,0.0003343378],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007440553,0.00014781121,0.00019834198,0.00014701836,0.00020484111,0.000065011795,0.00015779912,0.000033461285,0.0025194178],"category_scores_gemma":[0.00007397226,0.00012459114,0.000059491456,0.000052807056,0.0001465769,0.00020601791,0.000034399356,0.000114529445,0.0017284197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016209491,0.0000055976425,0.000015578795,0.000020847761,0.000095725765,0.000026177668,0.067665,1.3252624e-7,0.0000111322815,0.12952201,0.7461447,0.05649147],"study_design_scores_gemma":[0.00009564624,0.000055738357,0.006014458,0.000059352686,0.000015467329,0.0000016920424,0.019010866,0.0000010123815,0.000007951945,0.003180913,0.9713313,0.00022559633],"about_ca_topic_score_codex":0.05589459,"about_ca_topic_score_gemma":0.71893376,"teacher_disagreement_score":0.7994704,"about_ca_system_score_codex":0.000083738094,"about_ca_system_score_gemma":0.00011402519,"threshold_uncertainty_score":0.9990488},"labels":[],"label_agreement":null},{"id":"W820649339","doi":"10.71781/14252","title":"Recollecting Work : Labour and Class in Contemporary North American Historical Fiction","year":2014,"lang":"en","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Strong; Social Sciences and Humanities Research Council of Canada; McGill University","keywords":"Class (philosophy); Work (physics); History; Gender studies; Visual arts; Art; Sociology; Engineering; Philosophy; Epistemology; Mechanical engineering","score_opus":0.010793060169551685,"score_gpt":0.17028872652597757,"score_spread":0.15949566635642587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W820649339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7168089,0.011216089,0.000003904326,0.00026749837,0.0014094004,0.00022588037,0.000026662701,0.00008960689,0.26995206],"genre_scores_gemma":[0.7832675,0.00007816153,0.00002274998,0.0001144946,0.00039624766,0.000019381918,0.00027598615,0.000022185714,0.21580327],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984929,0.00012379557,0.0003787287,0.0004608142,0.0002886109,0.00025512994],"domain_scores_gemma":[0.99907744,0.000107233245,0.0003088974,0.00019037093,0.00016593501,0.0001501054],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000121418736,0.00031220567,0.00044079986,0.0003862008,0.0029817245,0.00013620309,0.00015491272,0.00014884755,0.000030952888],"category_scores_gemma":[0.000034438028,0.00034575758,0.0001366874,0.00020388837,0.00013664481,0.000314402,0.000041920503,0.0005196701,0.0000075778225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004578719,0.00055776036,0.11500461,0.00072310324,0.00051680196,0.003711337,0.48471826,0.000051425155,0.00013670666,0.31715885,0.04816577,0.024676662],"study_design_scores_gemma":[0.00064189447,0.00014052582,0.06237699,0.0002538738,0.0000680337,0.000041491225,0.029683407,0.00004310839,0.000026380509,0.0001897917,0.90602183,0.0005126544],"about_ca_topic_score_codex":0.041439716,"about_ca_topic_score_gemma":0.12688,"teacher_disagreement_score":0.8578561,"about_ca_system_score_codex":0.0029172366,"about_ca_system_score_gemma":0.00050185964,"threshold_uncertainty_score":0.99989945},"labels":[],"label_agreement":null},{"id":"W83618399","doi":"","title":"J.M. Barrie's Mary rose revisited","year":2007,"lang":"en","type":"article","venue":"外国語学会誌","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rose (mathematics); Art; Mathematics; Geometry","score_opus":0.017831234376196384,"score_gpt":0.22799186227032978,"score_spread":0.2101606278941334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W83618399","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021280099,0.0021455914,0.00006953838,0.00066297513,0.000560757,0.000108731096,0.00003108122,0.000145529,0.9749957],"genre_scores_gemma":[0.9143931,0.000004742002,0.000045431458,0.0031006092,0.001406477,0.000002802082,0.000047349342,0.000015629184,0.080983825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926686,0.00001781147,0.00020355379,0.00015580092,0.00012887831,0.00022709278],"domain_scores_gemma":[0.99954367,0.000053841057,0.000030312664,0.00021337009,0.00007152894,0.000087291024],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024202929,0.000111167814,0.00012869842,0.00007814272,0.00017388508,0.00017352481,0.00011104752,0.000039878483,0.004541741],"category_scores_gemma":[0.000018902942,0.00009427428,0.0000739754,0.00003743496,0.00007739244,0.00024885396,0.000027603039,0.00013112905,0.00031504018],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032531367,0.00003286581,0.00010947392,0.000024424264,0.000015585252,0.00010878635,0.008374188,1.3495864e-8,0.0001772415,0.8995525,0.08586126,0.00571112],"study_design_scores_gemma":[0.00017663321,0.000037892052,0.0003704987,0.00003318735,0.000011058957,0.0000049767996,0.0006979818,0.000002289863,0.000244996,0.002966163,0.9953157,0.00013866994],"about_ca_topic_score_codex":0.000015487321,"about_ca_topic_score_gemma":0.00011920503,"teacher_disagreement_score":0.9094544,"about_ca_system_score_codex":0.000011318096,"about_ca_system_score_gemma":0.000013241337,"threshold_uncertainty_score":0.9963682},"labels":[],"label_agreement":null},{"id":"W892925920","doi":"10.20361/g2xg7h","title":"Before We Go by A. Bright","year":2013,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Grandparent; Adventure; Sister; Plot (graphics); History; Art history; Art; Psychoanalysis; Genealogy; Psychology; Law; Political science","score_opus":0.006373427418957131,"score_gpt":0.2111403795937661,"score_spread":0.20476695217480897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W892925920","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01515998,0.87750775,0.000003689648,0.03119672,0.0004040534,0.0014868637,0.0006374164,0.00008890624,0.073514596],"genre_scores_gemma":[0.8975103,0.016334824,0.00006794587,0.03050532,0.0022442376,0.00019410011,0.0016514212,0.0000796871,0.05141218],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985669,0.00014589884,0.0005089385,0.00024710072,0.0002752577,0.00025585736],"domain_scores_gemma":[0.998797,0.000043181542,0.00019539638,0.000623841,0.00026906742,0.00007153332],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002226537,0.00028310387,0.0004643946,0.000044356482,0.0001876296,0.00037567402,0.0005457191,0.000074580734,0.0040641874],"category_scores_gemma":[0.00002306273,0.00014770411,0.00028112353,0.00012329777,0.00021027391,0.0005000653,0.00006492233,0.00039430536,0.00024508106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033096976,0.000045632347,0.000027400105,0.0012802012,0.00006879965,0.0000016221263,0.007101818,3.9441885e-9,0.000012037763,0.31992286,0.6604692,0.011067146],"study_design_scores_gemma":[0.00014950518,0.00004969015,0.00023609327,0.009662382,0.00007355152,0.000028084687,0.000024861016,7.7482144e-7,0.000042567408,0.004916189,0.98463446,0.00018185496],"about_ca_topic_score_codex":0.00004141728,"about_ca_topic_score_gemma":0.000011931478,"teacher_disagreement_score":0.8823503,"about_ca_system_score_codex":0.0000074332584,"about_ca_system_score_gemma":0.000019014195,"threshold_uncertainty_score":0.99684626},"labels":[],"label_agreement":null},{"id":"W923915045","doi":"10.31542/j.muse.114","title":"Reality is Just a Dream: The Significance of the Uncanny in Christopher Nolan’s Inception","year":2014,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Uncanny; Dream; Uncanny valley; Psychoanalytic theory; Interpretation (philosophy); Psychoanalysis; Order (exchange); Window (computing); Art; Aesthetics; Psychology; History; Philosophy; Epistemology; Computer science; Psychotherapist","score_opus":0.024436706892608573,"score_gpt":0.22860312983551984,"score_spread":0.20416642294291126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W923915045","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8363657,0.00010092981,0.000058545174,0.0068986043,0.00039930857,0.00023800175,0.000043814165,0.000013872066,0.15588121],"genre_scores_gemma":[0.9854615,0.000010899273,0.0000029578755,0.0005859583,0.00021278343,4.799555e-7,0.00000155614,0.000004449233,0.013719432],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907166,0.00021728761,0.00016264194,0.00013028694,0.00027825983,0.00013985066],"domain_scores_gemma":[0.9994712,0.000043600856,0.00012600348,0.00023102007,0.00009424168,0.000033924505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003423849,0.000095999414,0.00013670564,0.000050513398,0.00038652148,0.00008236901,0.00044815018,0.000031815438,0.00050649815],"category_scores_gemma":[0.000008201564,0.00006135213,0.00010295399,0.00007419031,0.00024418262,0.00015149605,0.000101491074,0.00027924107,0.000006206639],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029293157,0.0005291979,0.09239278,0.00007692129,0.00015061005,0.000040090352,0.39680386,0.000035115885,0.0003264218,0.45045486,0.055198744,0.0036984782],"study_design_scores_gemma":[0.00074913027,0.00007070588,0.16217168,0.000079107595,0.0000517174,0.000003423835,0.04277262,0.00003829254,0.000055140456,0.000840259,0.79303133,0.00013658997],"about_ca_topic_score_codex":0.00086492626,"about_ca_topic_score_gemma":0.0056924573,"teacher_disagreement_score":0.7378326,"about_ca_system_score_codex":0.00007786063,"about_ca_system_score_gemma":0.00004203784,"threshold_uncertainty_score":0.55458},"labels":[],"label_agreement":null},{"id":"W95147036","doi":"","title":"The Politics of the Handmaid's Tale","year":2009,"lang":"en","type":"article","venue":"˜The œMidwest quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Fantasy; Politics; The Imaginary; Utopia; Literature; Ideal (ethics); Sociology; History; Media studies; Aesthetics; Art; Art history; Law; Psychoanalysis; Psychology; Political science","score_opus":0.011108158844168036,"score_gpt":0.20804510862651968,"score_spread":0.19693694978235163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W95147036","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4214547,0.0048471685,0.00004028914,0.033111095,0.0030986858,0.00088886835,0.00014405418,0.00013313293,0.536282],"genre_scores_gemma":[0.9458326,0.0000024851186,0.0000021555497,0.0018094194,0.0008068255,0.000008934055,0.000003875468,0.0000096700505,0.05152405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990061,0.00009555326,0.00028801805,0.00012347064,0.00022135375,0.00026548907],"domain_scores_gemma":[0.9990294,0.0001534016,0.00009544099,0.0005775984,0.00010547097,0.000038661976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018644081,0.00013934996,0.00013279723,0.000019586172,0.0010288487,0.00035823663,0.0005034504,0.000036346046,0.00011391179],"category_scores_gemma":[0.0000052398027,0.00006088987,0.00016648865,0.00004341328,0.00044230063,0.00014435167,0.000013147179,0.00020019311,0.000043000047],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013847454,0.000052387422,0.000014820831,0.000006282459,0.000018853756,0.0000024847766,0.04486381,1.0010811e-7,0.00010279588,0.9335204,0.014372902,0.0070313667],"study_design_scores_gemma":[0.00037862072,0.00044460205,0.0010189859,0.00003924502,0.000039507955,0.000009863091,0.010142497,0.000022348257,0.00009992308,0.08062713,0.9070348,0.00014247223],"about_ca_topic_score_codex":0.0000890093,"about_ca_topic_score_gemma":0.0012139834,"teacher_disagreement_score":0.8926619,"about_ca_system_score_codex":0.0000100666375,"about_ca_system_score_gemma":0.000041000443,"threshold_uncertainty_score":0.79131764},"labels":[],"label_agreement":null},{"id":"W96413580","doi":"10.25071/1718-4657.36720","title":"Time's Arrow as Postmodern Apocalypse: Temporal Ruptures, Perpetual Crisis and the Cultural Imagination","year":2009,"lang":"en","type":"article","venue":"Intersections conference journal","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Postmodernism; Narrative; Temporality; Realm; Literature; Aesthetics; History; Consciousness; Anachronism; Arrow; The Holocaust; Philosophy; Art; Politics; Epistemology; Law; Theology","score_opus":0.016114678100854308,"score_gpt":0.25158108291705905,"score_spread":0.23546640481620473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W96413580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60202575,0.0026171964,0.0009970897,0.090572126,0.0023341905,0.00042915725,0.000051967927,0.00018405498,0.30078843],"genre_scores_gemma":[0.98793435,0.000035111938,0.000029121526,0.0028032481,0.0009820506,0.0000054317875,0.000014763497,0.000007717987,0.008188207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989786,0.00013664835,0.00030356532,0.00016934816,0.00021277952,0.00019904663],"domain_scores_gemma":[0.9991339,0.000048577866,0.000114432245,0.00012888206,0.00047589414,0.00009833769],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024243194,0.00017673739,0.0001939083,0.00012488803,0.0008314135,0.0017722789,0.000182607,0.000049382714,0.0021951061],"category_scores_gemma":[0.000051770083,0.00010792356,0.00014096475,0.000038917253,0.00042392954,0.0010121954,0.000022084703,0.000583985,0.00006470947],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039556337,0.00012896174,0.00002915834,0.000006181817,0.00012645942,0.00006119551,0.22299895,0.0000015527179,0.00030242308,0.7046232,0.06073223,0.010594104],"study_design_scores_gemma":[0.004009451,0.0010408914,0.00045342965,0.00024163871,0.0002646409,0.0041975197,0.14957672,0.002726527,0.00011791211,0.2040098,0.63257575,0.0007857063],"about_ca_topic_score_codex":0.00017306239,"about_ca_topic_score_gemma":0.00024743084,"teacher_disagreement_score":0.57184356,"about_ca_system_score_codex":0.000032782616,"about_ca_system_score_gemma":0.000066527304,"threshold_uncertainty_score":0.999264},"labels":[],"label_agreement":null},{"id":"W96599397","doi":"","title":"Introducing drift, a special issue of continent","year":2012,"lang":"en","type":"article","venue":"Continent","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Geology","score_opus":0.01506658503248724,"score_gpt":0.22252996804094247,"score_spread":0.20746338300845524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W96599397","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17840333,0.003729733,0.00006831936,0.0068669445,0.007650124,0.0003430101,0.000043082473,0.000086110296,0.80280936],"genre_scores_gemma":[0.93339443,0.000009166923,0.00004676225,0.00052260264,0.030930445,0.000011416858,0.000018811343,0.000015224752,0.035051122],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990199,0.00003522877,0.00034860344,0.00014707416,0.00016227062,0.00028692628],"domain_scores_gemma":[0.9994019,0.000041983683,0.000100256904,0.00023189401,0.0001363306,0.000087630775],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021476927,0.000140645,0.0002662581,0.00007297718,0.00008774268,0.00007655465,0.000118572054,0.000032759814,0.0077561205],"category_scores_gemma":[0.000043783402,0.00011759436,0.00011457688,0.000026771035,0.00011061028,0.00028604918,0.00004967968,0.00011190208,0.00014588333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049572045,0.00024987376,0.0012099512,0.000061264094,0.00005461946,0.000004537614,0.047772836,1.3434537e-7,0.0006255597,0.61954397,0.3235111,0.006916559],"study_design_scores_gemma":[0.00034162527,0.000046172012,0.0005292971,0.000045857858,0.00003080706,0.000002001692,0.0016247184,0.0000042903152,0.0012352476,0.0001817705,0.9958212,0.00013701808],"about_ca_topic_score_codex":0.00004365601,"about_ca_topic_score_gemma":0.00006138136,"teacher_disagreement_score":0.76775825,"about_ca_system_score_codex":0.000010625266,"about_ca_system_score_gemma":0.000014003594,"threshold_uncertainty_score":0.99315095},"labels":[],"label_agreement":null}]}