{"meta":{"query_hash":"71ad6edabe3d","filters":{"topic":"Crime and Detective Fiction Studies"},"cohort_total":339,"direct_labels_cover":0,"predictions_cover":339,"exported":339,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/71ad6edabe3d","api":"https://metacan.xera.ac/api/v1/cohort?topic=Crime+and+Detective+Fiction+Studies"},"results":[{"id":"W104076434","doi":"10.1522/030115898","title":"transfictionnalite dans l'oeuvre de Jacques Poulin /","year":2009,"lang":"fr","type":"book","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Philosophy; Art; Humanities","score_opus":0.036517243473234415,"score_gpt":0.26127365414991416,"score_spread":0.22475641067667973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W104076434","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23180395,0.005633841,0.05118904,0.01664598,0.00094430125,0.000120471974,0.00025394553,0.000447103,0.6929614],"genre_scores_gemma":[0.9011244,0.0013523517,0.009420867,0.00063821964,0.00013535349,0.000050526512,0.00013485165,0.0002730323,0.08687033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974859,0.001296001,0.00007612891,0.00045560882,0.00047430067,0.00021208076],"domain_scores_gemma":[0.9983955,0.0006308088,0.00019437284,0.0002441984,0.0004111339,0.00012398927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017171198,0.00046021093,0.00027740054,0.0011948796,0.004669249,0.005198403,0.00066880207,0.0016107676,0.011285717],"category_scores_gemma":[0.0043524625,0.00031722832,0.00041883404,0.0010966758,0.00816973,0.004828358,0.002599909,0.002589788,0.0016358233],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106167,0.000022419541,0.0030549457,0.00015166905,0.00001154278,0.0005917822,0.11371774,0.00044838287,0.0016853595,0.83413345,0.0074693863,0.03860725],"study_design_scores_gemma":[0.000031609954,0.000073503965,0.008786298,0.0004865296,0.000030033694,0.0010248735,0.060602505,0.0024011172,0.0027824696,0.119547814,0.80415136,0.00008187176],"about_ca_topic_score_codex":0.030246004,"about_ca_topic_score_gemma":0.024641592,"teacher_disagreement_score":0.030246004,"about_ca_system_score_codex":0.005654453,"about_ca_system_score_gemma":0.002959879,"threshold_uncertainty_score":0.060139954},"labels":[],"label_agreement":null},{"id":"W136541301","doi":"","title":"Fyson, Donald: \"Magistrates, Police and Poeple","year":2007,"lang":"fr","type":"article","venue":"Les Cahiers de droit","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criminology; Political science; Sociology","score_opus":0.01570890908215391,"score_gpt":0.24549939357341874,"score_spread":0.22979048449126482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W136541301","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006031937,0.07151173,0.0007181594,0.8528604,0.018186485,0.000039147646,0.0002763931,0.000051316045,0.050324395],"genre_scores_gemma":[0.18728884,0.055637736,0.0010664687,0.5203017,0.012465617,0.00020994067,0.0002504651,0.00023183573,0.22254747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780554,0.0011132476,0.00009646835,0.00021687998,0.00045638028,0.0003114518],"domain_scores_gemma":[0.99474686,0.0034786973,0.00032042598,0.000118766744,0.0009107592,0.00042448088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002727189,0.000966909,0.0005586511,0.0023110514,0.01806972,0.009831967,0.0018771089,0.018209834,0.010222622],"category_scores_gemma":[0.014798764,0.00050471415,0.00029955036,0.0026238207,0.0077830143,0.0097802915,0.0033677374,0.009620204,0.0023728858],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022886923,0.0000117910695,0.0005744276,0.000092611284,0.000005021025,0.00014082747,0.038096268,0.000017747092,0.00002609119,0.053031854,0.8992646,0.008715936],"study_design_scores_gemma":[0.000014512633,0.00001102491,0.002222364,0.00064641854,0.00001333457,0.00017817007,0.09627004,0.000027181024,0.00015494793,0.0086218575,0.8918192,0.000020981424],"about_ca_topic_score_codex":0.14051072,"about_ca_topic_score_gemma":0.31372988,"teacher_disagreement_score":0.14051072,"about_ca_system_score_codex":0.0041103372,"about_ca_system_score_gemma":0.008418731,"threshold_uncertainty_score":0.27938575},"labels":[],"label_agreement":null},{"id":"W1461052680","doi":"10.1017/cbo9780511497988.006","title":"First Causes “<i>The Second Way</i>”","year":2003,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Theism; Epistemology; Philosophy","score_opus":0.04462179141834915,"score_gpt":0.19491999433265042,"score_spread":0.15029820291430127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1461052680","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052060103,0.008063565,0.015139104,0.039790843,0.0031998598,0.000091643036,0.000391075,0.0004052719,0.92771256],"genre_scores_gemma":[0.32315785,0.006012436,0.0068650558,0.013410662,0.0015330111,0.00018250004,0.00031037285,0.0006858541,0.6478423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798596,0.0004819112,0.00006279205,0.00037478204,0.00069783453,0.00039664152],"domain_scores_gemma":[0.9982241,0.0004174695,0.00019944354,0.0004543231,0.0005596232,0.00014509507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019664986,0.0007744454,0.0004175392,0.0015453552,0.0043517975,0.0059502595,0.0011692245,0.002536922,0.01972607],"category_scores_gemma":[0.0032655443,0.0006008996,0.0010018288,0.0012401078,0.02101794,0.0064184223,0.003091292,0.0068160384,0.004763175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015328165,0.000010010478,0.0006799245,0.00014933181,0.000018120982,0.00012609959,0.0049556764,0.00013662993,0.000318205,0.88945985,0.08859296,0.015537947],"study_design_scores_gemma":[0.000009741118,0.000020218878,0.001354757,0.00023533504,0.000026897322,0.00029475318,0.0021769593,0.00009325732,0.0010062722,0.07302448,0.92173135,0.000026005911],"about_ca_topic_score_codex":0.033699088,"about_ca_topic_score_gemma":0.067224115,"teacher_disagreement_score":0.033699088,"about_ca_system_score_codex":0.0069132736,"about_ca_system_score_gemma":0.008345094,"threshold_uncertainty_score":0.06700587},"labels":[],"label_agreement":null},{"id":"W1480140862","doi":"10.1300/j105v29n03_09","title":"The Arthur Conan Doyle Collection at the Toronto Public Library","year":2004,"lang":"en","type":"article","venue":"Collection Management","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Collection development; Data collection; Library science; Fund raising; History; Political science; Sociology; Law; Computer science; Social science","score_opus":0.0321005755375401,"score_gpt":0.22469686459507934,"score_spread":0.19259628905753923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1480140862","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012948937,0.0380188,0.0017456268,0.040353373,0.007963531,0.0005296729,0.029632088,0.0013613747,0.86744666],"genre_scores_gemma":[0.02711653,0.01221168,0.0016073986,0.0011962602,0.0012803253,0.00012498951,0.004495308,0.0004911367,0.9514763],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99835026,0.00017989232,0.00006535288,0.00014894991,0.0010507992,0.00020475438],"domain_scores_gemma":[0.99291915,0.0008121659,0.00042628843,0.0009977663,0.0030174158,0.0018272705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016907405,0.00050995697,0.0004975046,0.0048356336,0.012700895,0.009730455,0.0010683016,0.00093682663,0.13253556],"category_scores_gemma":[0.0055967625,0.0006442466,0.00023956965,0.009796898,0.0033035323,0.0023736933,0.0025541987,0.0012979154,0.029634818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010923178,0.0000043836303,0.0003958647,0.00008870844,0.0000018231792,0.000061335246,0.0011910888,0.000020334099,0.0000933506,0.004181085,0.97376186,0.02018928],"study_design_scores_gemma":[0.0000014294866,0.0000025452266,0.0024290488,0.00008634242,0.000001416378,0.000027184293,0.0008315641,0.0000074240716,0.00006245394,0.00016251761,0.99638224,0.00000577732],"about_ca_topic_score_codex":0.61143434,"about_ca_topic_score_gemma":0.87708944,"teacher_disagreement_score":0.38856566,"about_ca_system_score_codex":0.023069816,"about_ca_system_score_gemma":0.031900894,"threshold_uncertainty_score":0.781708},"labels":[],"label_agreement":null},{"id":"W1526731712","doi":"10.1002/9781444397321.ch13","title":"Some Hitchcockian Shots","year":2011,"lang":"en","type":"other","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Computer science; Computer graphics (images)","score_opus":0.07781386122623475,"score_gpt":0.24468714932820718,"score_spread":0.16687328810197244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526731712","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035067685,0.00723787,0.00080168847,0.013054358,0.00092109235,0.00005784335,0.0008564822,0.00012350074,0.9418795],"genre_scores_gemma":[0.14299585,0.0049415715,0.0007799633,0.0043827896,0.0004060986,0.000053280994,0.0008076054,0.00024556846,0.8453873],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989122,0.00030958385,0.00004854122,0.00012551683,0.0003686243,0.00023542353],"domain_scores_gemma":[0.99799997,0.0007850168,0.00011018568,0.0002532948,0.0005958792,0.00025559735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012210098,0.0005005355,0.00032623074,0.00551258,0.011518737,0.0062817377,0.0012084658,0.0026360769,0.042991064],"category_scores_gemma":[0.004318676,0.00031468627,0.00030978187,0.004961019,0.0033173207,0.0029346098,0.0024027799,0.0026462385,0.0033372638],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004703287,0.00010440055,0.0023391396,0.0002581788,0.000013361509,0.0007847126,0.023308335,0.00014456343,0.000245624,0.24877681,0.5851406,0.13883723],"study_design_scores_gemma":[0.000004978642,0.000020427115,0.0130923875,0.0002464729,0.0000075749904,0.00054441683,0.016958028,0.00010371984,0.00046439786,0.009916185,0.95861906,0.000022326796],"about_ca_topic_score_codex":0.046056356,"about_ca_topic_score_gemma":0.22969036,"teacher_disagreement_score":0.046056356,"about_ca_system_score_codex":0.004064868,"about_ca_system_score_gemma":0.0020017847,"threshold_uncertainty_score":0.14381945},"labels":[],"label_agreement":null},{"id":"W1532130020","doi":"","title":"From Feminism to Postfeminism in Women's Detective Fiction from Spain: the Case of Maria-Antònia Oliver and Alicia Gimémez-Bartlett","year":2002,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feminism; Suspect; Allegiance; Ideology; Articulation (sociology); Gender studies; Sociology; Institution; Art; Art history; Criminology; Politics; Political science; Law; Social science","score_opus":0.018107880529176622,"score_gpt":0.22882403408695406,"score_spread":0.21071615355777745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1532130020","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7171626,0.014635333,0.0008969418,0.042739224,0.0010712714,0.00004195933,0.00012683956,0.000052160744,0.22327363],"genre_scores_gemma":[0.980417,0.0019227811,0.00012543237,0.0020116598,0.00024322543,0.000014572247,0.00003585311,0.000049760216,0.015179657],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99679947,0.0016388887,0.00007111184,0.00020573029,0.00045433626,0.00083059596],"domain_scores_gemma":[0.99278694,0.0050576986,0.00067939126,0.0003800121,0.00058111746,0.00051475706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003919728,0.0006261309,0.0007607315,0.0028590914,0.01690865,0.011749554,0.001968819,0.004704785,0.0041648005],"category_scores_gemma":[0.0098660765,0.00030779207,0.00035916918,0.002296797,0.022754028,0.0024404991,0.0064174035,0.0051502744,0.0003569975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072024806,0.0000730617,0.0032970645,0.00016581219,0.000010077097,0.0035715408,0.9273606,0.00007582087,0.00024200536,0.04114939,0.0110887885,0.012893741],"study_design_scores_gemma":[0.000024711266,0.0000305712,0.007330542,0.00043085197,0.000014208483,0.0013463495,0.73792243,0.000078030265,0.00054492377,0.0028584031,0.24939509,0.00002392395],"about_ca_topic_score_codex":0.07537677,"about_ca_topic_score_gemma":0.11023513,"teacher_disagreement_score":0.07537677,"about_ca_system_score_codex":0.016501233,"about_ca_system_score_gemma":0.0050974307,"threshold_uncertainty_score":0.14987606},"labels":[],"label_agreement":null},{"id":"W1534801449","doi":"","title":"Kindred Ethics: Leopold and Badiou, Ecocriticism and Theory","year":2012,"lang":"en","type":"article","venue":"The journal of ecocriticism","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ecocriticism; Anthropocentrism; Scholarship; Philosophy; Narrative; Mythology; Epistemology; Sociology; Environmental ethics; Law; Political science; Theology","score_opus":0.061812595215569435,"score_gpt":0.286415778016172,"score_spread":0.2246031828006026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1534801449","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045804124,0.055445265,0.012918038,0.33239955,0.0017823867,0.000044950524,0.000060623654,0.000091744194,0.55145335],"genre_scores_gemma":[0.9420859,0.0085093845,0.0029531685,0.015623638,0.00075659924,0.000076046315,0.000018184728,0.000057166442,0.029919839],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949699,0.0037623409,0.000078427,0.000308977,0.00055077637,0.0003295624],"domain_scores_gemma":[0.9940357,0.004055346,0.00045189768,0.00039685462,0.0005795723,0.00048057942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041652294,0.00050670234,0.00044277572,0.0019650466,0.008301383,0.0113621745,0.0009728382,0.004656845,0.0027672432],"category_scores_gemma":[0.0060000564,0.00026023135,0.00034163948,0.0019806572,0.06273792,0.008225133,0.0038429142,0.0041537797,0.0004547143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051295888,0.000010692245,0.00014078456,0.000025573743,0.0000015348577,0.000049659655,0.011794703,0.000054366392,0.000022374674,0.9783862,0.006842747,0.0026661342],"study_design_scores_gemma":[0.000011735813,0.000012986014,0.00035154633,0.00024851982,0.0000036023323,0.00012920942,0.017799808,0.00022579999,0.00009637267,0.7406732,0.24043567,0.000011673684],"about_ca_topic_score_codex":0.009802349,"about_ca_topic_score_gemma":0.009161534,"teacher_disagreement_score":0.0113621745,"about_ca_system_score_codex":0.0075986674,"about_ca_system_score_gemma":0.0050604884,"threshold_uncertainty_score":0.05513245},"labels":[],"label_agreement":null},{"id":"W1538493112","doi":"10.4000/fixxion.10005","title":"Meurtre ne rime à rien. La ville dans le roman policier français des années 1958-1981","year":2015,"lang":"fr","type":"article","venue":"Revue critique de fixxion française contemporaine","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec","funders":"","keywords":"Humanities; Art","score_opus":0.04102538288695411,"score_gpt":0.2713933215699569,"score_spread":0.23036793868300276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1538493112","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3062528,0.016836263,0.0025785805,0.083515,0.0005649998,0.000035670386,0.00036348868,0.000039698127,0.5898134],"genre_scores_gemma":[0.9134936,0.0026620948,0.00036195372,0.0023181501,0.00013394319,0.000017741975,0.000047878762,0.000022430953,0.0809423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988462,0.00043285603,0.000026000058,0.00016756325,0.00021711653,0.00031031296],"domain_scores_gemma":[0.9987581,0.0005896807,0.00022730399,0.00008889221,0.00018311931,0.00015301009],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012550163,0.00023916957,0.0002092381,0.0013167885,0.007905903,0.004969698,0.0004835035,0.0013273952,0.009394458],"category_scores_gemma":[0.0031383648,0.00015510552,0.00018599737,0.0012654226,0.014831886,0.0025771777,0.0016325924,0.0019407618,0.00081509794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000410435,0.000016028658,0.008399217,0.00006964418,0.000005670864,0.00029018742,0.10131198,0.000112465146,0.00012710421,0.8505086,0.018839017,0.020279126],"study_design_scores_gemma":[0.000013266816,0.000043975473,0.023943517,0.00035087415,0.000008906171,0.00030255984,0.05546923,0.00013098287,0.000518826,0.028123876,0.89106804,0.000025923862],"about_ca_topic_score_codex":0.18320854,"about_ca_topic_score_gemma":0.33736888,"teacher_disagreement_score":0.18320854,"about_ca_system_score_codex":0.010672933,"about_ca_system_score_gemma":0.0048968964,"threshold_uncertainty_score":0.36428428},"labels":[],"label_agreement":null},{"id":"W1544435341","doi":"","title":"Robert Southey. Romanticism on the Net, no. 32-33, 2003-2004","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Art; History; Literature","score_opus":0.029670408758506836,"score_gpt":0.22963509008886557,"score_spread":0.19996468133035872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544435341","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017910303,0.4508847,0.00041336354,0.18231748,0.015967194,0.000046202316,0.00066439935,0.00015585552,0.34775972],"genre_scores_gemma":[0.02533571,0.16475697,0.00044876212,0.023036221,0.005348063,0.00006938943,0.00027967303,0.0001805784,0.7805446],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993486,0.00017184886,0.00004186175,0.00010321188,0.00025595125,0.00007864619],"domain_scores_gemma":[0.99906784,0.00032671995,0.000112881244,0.00005735735,0.00030046425,0.00013470207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008592792,0.000841687,0.00039485047,0.00166388,0.0045065056,0.0036224083,0.0009338306,0.0039007526,0.05592081],"category_scores_gemma":[0.0021546008,0.0003444834,0.00026378274,0.0029833424,0.0015537721,0.004270746,0.0015295459,0.0030732462,0.015559694],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012809908,0.00001310941,0.000118976866,0.00011094645,0.000002469922,0.000028626648,0.0005911242,0.000017184077,0.00003946659,0.012626395,0.9653419,0.021096904],"study_design_scores_gemma":[0.0000040480113,0.000004301727,0.0010179509,0.00022224107,0.000002379551,0.00003734689,0.0008164475,0.0000090061385,0.00009391012,0.002356631,0.9954301,0.0000056586355],"about_ca_topic_score_codex":0.04034328,"about_ca_topic_score_gemma":0.11809667,"teacher_disagreement_score":0.05592081,"about_ca_system_score_codex":0.0030559087,"about_ca_system_score_gemma":0.002479137,"threshold_uncertainty_score":0.18707377},"labels":[],"label_agreement":null},{"id":"W1560479967","doi":"","title":"Edgar Allan Poe and His Detective Fictions","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agatha; Pleasure; Detective fiction; Criticism; Literature; Art; Appeal; Style (visual arts); Prosperity; Philosophy; Art history; Aesthetics; Psychology; Law","score_opus":0.02591620006591585,"score_gpt":0.28470430941900704,"score_spread":0.2587881093530912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560479967","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08823542,0.050281443,0.002714467,0.13015126,0.0060301875,0.000029377674,0.0000778703,0.00006644765,0.72241354],"genre_scores_gemma":[0.7612396,0.014766794,0.0013610369,0.010709939,0.0023220843,0.00003815175,0.00004291428,0.00006439352,0.2094551],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848795,0.00090320123,0.000026331434,0.00014128511,0.00032561665,0.00011562971],"domain_scores_gemma":[0.9970402,0.0022192819,0.00020172787,0.00014947985,0.00023599091,0.00015320208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012720368,0.0003741903,0.0002572143,0.0010262575,0.006445772,0.004488289,0.0004165483,0.0018354441,0.0048270156],"category_scores_gemma":[0.0050044255,0.00017272861,0.00012040863,0.0007428058,0.014437278,0.0033022277,0.0019279005,0.004127389,0.00078642246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004828494,0.000043076692,0.00070064655,0.00015137941,0.000008022303,0.0007192572,0.050553564,0.00009766625,0.00022494911,0.7838064,0.11907488,0.044571817],"study_design_scores_gemma":[0.000004336103,0.000027957654,0.0014284896,0.00025269162,0.0000039347074,0.0007635373,0.011914956,0.000076547265,0.0004004648,0.03545824,0.94965386,0.000015023151],"about_ca_topic_score_codex":0.0029859545,"about_ca_topic_score_gemma":0.005893049,"teacher_disagreement_score":0.006445772,"about_ca_system_score_codex":0.0023715938,"about_ca_system_score_gemma":0.0012083569,"threshold_uncertainty_score":0.017207205},"labels":[],"label_agreement":null},{"id":"W1572154845","doi":"10.1353/vpr.2010.a409908","title":"The Novelty of Newspapers: Victorian Fiction After the Invention of the News (review)","year":2010,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Newspaper; Narrative; Novelty; Period (music); Literature; Reading (process); History; Verisimilitude; Media studies; Sociology; Art; Aesthetics; Philosophy; Linguistics","score_opus":0.015364685339474745,"score_gpt":0.2524905621818115,"score_spread":0.23712587684233674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1572154845","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011238105,0.9956858,0.000014501827,0.0018588068,0.0016697177,0.000003031289,0.000014397881,0.0000017259564,0.00063958793],"genre_scores_gemma":[0.0018711777,0.990781,0.000039042356,0.003717922,0.0022012219,0.000009090454,0.000047987898,0.0000041650183,0.0013283532],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991559,0.00019843371,0.000113922855,0.00012192533,0.00032978415,0.00008007291],"domain_scores_gemma":[0.99522674,0.0023784533,0.0008749524,0.00007283566,0.0011424881,0.00030449082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014563806,0.00050770433,0.0010334176,0.0027693296,0.0006259525,0.0033003388,0.0009601786,0.0019645006,0.009460763],"category_scores_gemma":[0.006821667,0.00037087736,0.0005705438,0.0042461213,0.001373796,0.0030098339,0.0009958782,0.0025592588,0.001757433],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014103165,0.000025051699,0.00039398007,0.06572226,0.00018079022,0.0003431299,0.001276353,0.00010637041,0.00029880754,0.0049519185,0.4253683,0.50119203],"study_design_scores_gemma":[0.000019028195,0.00004427176,0.0027712595,0.0408122,0.00014798745,0.00092643115,0.0009439109,0.000025292788,0.00009141298,0.0006070656,0.953581,0.000030090056],"about_ca_topic_score_codex":0.009531773,"about_ca_topic_score_gemma":0.01945567,"teacher_disagreement_score":0.009531773,"about_ca_system_score_codex":0.0027354327,"about_ca_system_score_gemma":0.0051142704,"threshold_uncertainty_score":0.03164947},"labels":[],"label_agreement":null},{"id":"W1588019618","doi":"","title":"Récit d’une dépossession. Le Torrent de Simon Lavoie, Québec, 2012, 150 minLe Torrent de Simon Lavoie, Québec, 2012, 150 min","year":2013,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Psychology; Philosophy","score_opus":0.022549209517613338,"score_gpt":0.24735348435794563,"score_spread":0.2248042748403323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588019618","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018745529,0.12103637,0.0011154389,0.32643867,0.14461912,0.00029208325,0.012814054,0.0006371911,0.3743015],"genre_scores_gemma":[0.027693478,0.007980803,0.00030181892,0.016485507,0.0036617601,0.00005917812,0.0009423723,0.00023660346,0.9426385],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993259,0.000092616276,0.000016182978,0.00008687608,0.00029623476,0.00018217349],"domain_scores_gemma":[0.9983187,0.00015388234,0.000044983404,0.00004356579,0.0010453229,0.0003935325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008427917,0.0006936081,0.00041103913,0.0007718149,0.008145609,0.003399503,0.00082034233,0.0022181724,0.09086078],"category_scores_gemma":[0.0028284893,0.00042015544,0.00033128273,0.00087834906,0.0011926009,0.0011755705,0.0014539257,0.0032459265,0.014328919],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018404045,0.0000058101464,0.00026719578,0.000028532808,0.0000028526017,0.00008906743,0.00057666696,0.000014226087,0.000115584444,0.00048024452,0.9928784,0.0055231643],"study_design_scores_gemma":[0.0000029875093,0.0000024869669,0.0020645433,0.000047257097,0.0000017979784,0.000027655691,0.0007395106,0.000011907241,0.000047707745,0.000039668404,0.9970099,0.000004549959],"about_ca_topic_score_codex":0.8685974,"about_ca_topic_score_gemma":0.9710279,"teacher_disagreement_score":0.13140261,"about_ca_system_score_codex":0.017623268,"about_ca_system_score_gemma":0.01632584,"threshold_uncertainty_score":0.3039596},"labels":[],"label_agreement":null},{"id":"W1588073098","doi":"10.1002/9781444317916.ch6","title":"The Newgate Novel and the Police Casebook","year":2010,"lang":"en","type":"other","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Casebook; Citation; Library science; Law; Computer science; Political science","score_opus":0.027702889057197443,"score_gpt":0.23764337226538945,"score_spread":0.209940483208192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1588073098","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001199667,0.010670633,0.00020408675,0.019626288,0.0012385909,0.000015121603,0.00016595064,0.000031813055,0.9668478],"genre_scores_gemma":[0.0234185,0.007072607,0.00014642475,0.0042342925,0.00082284113,0.000052493928,0.00009627178,0.00014308466,0.96401346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986248,0.00043573393,0.000047628153,0.00015986795,0.00048862427,0.00024335746],"domain_scores_gemma":[0.99841,0.0008210365,0.00008788143,0.00020946306,0.00023719436,0.0002344797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012595754,0.0007932369,0.0005522528,0.0032304463,0.012933433,0.01671565,0.002191764,0.008005985,0.09187517],"category_scores_gemma":[0.004198955,0.00053897774,0.0003405131,0.003530571,0.009627803,0.008595099,0.004440402,0.007138343,0.0124993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000100647985,0.000027571698,0.00008130767,0.00007094073,0.0000021858557,0.00015680071,0.0023846133,0.00004353775,0.00003400931,0.36390308,0.6165544,0.016731557],"study_design_scores_gemma":[0.0000023874654,0.0000017833709,0.00023754105,0.00011860228,0.0000015128676,0.000064870655,0.0017113447,0.000018094339,0.000040602146,0.0109243,0.9868738,0.000005162269],"about_ca_topic_score_codex":0.06821074,"about_ca_topic_score_gemma":0.227375,"teacher_disagreement_score":0.09187517,"about_ca_system_score_codex":0.010096775,"about_ca_system_score_gemma":0.0061167483,"threshold_uncertainty_score":0.30735302},"labels":[],"label_agreement":null},{"id":"W1589219928","doi":"","title":"Gone (Third Place, Short Fiction)","year":2010,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.024421883142653558,"score_gpt":0.2702718804329354,"score_spread":0.2458499972902818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1589219928","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026098562,0.036276326,0.0014893524,0.13442488,0.10714151,0.00007409847,0.0018492696,0.00038816917,0.69225776],"genre_scores_gemma":[0.15624794,0.004535471,0.00081289455,0.034737647,0.02106904,0.00007009922,0.00046683452,0.00044333757,0.78161675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974316,0.00007277053,0.000009838299,0.000049486756,0.00006216704,0.00006244131],"domain_scores_gemma":[0.99952817,0.0002354811,0.000031823376,0.000038673665,0.00005812685,0.00010769858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030989913,0.00051564374,0.00027751984,0.0015769092,0.0056079943,0.0029443142,0.0005111626,0.0022713027,0.023931729],"category_scores_gemma":[0.0022923488,0.00013245383,0.00030165422,0.0011947204,0.0029577694,0.001484097,0.0016038441,0.0036757835,0.0040485156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036398545,0.000016417283,0.0002891832,0.00011454824,0.000005398441,0.0002640408,0.0062519386,0.000041946838,0.0002588731,0.060472112,0.9108872,0.021361895],"study_design_scores_gemma":[0.0000028569932,0.000011078042,0.0008984217,0.000096758056,0.0000021651877,0.00014433086,0.002153028,0.000022967788,0.00012071641,0.0016935953,0.9948489,0.000005146872],"about_ca_topic_score_codex":0.011571378,"about_ca_topic_score_gemma":0.042985503,"teacher_disagreement_score":0.023931729,"about_ca_system_score_codex":0.0020072458,"about_ca_system_score_gemma":0.0005563858,"threshold_uncertainty_score":0.08005965},"labels":[],"label_agreement":null},{"id":"W1593325575","doi":"10.7202/038774ar","title":"Vanessa D. Dickerson. Dark Victorians. Urbana: University of Illinois Press, 2008. ISBN: 978-0-252-03256-1. Price: US$35.00","year":2009,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; History; Art","score_opus":0.01886452326251854,"score_gpt":0.2066831633682423,"score_spread":0.18781864010572377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593325575","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006384756,0.69207567,0.0010014869,0.024449633,0.004213031,0.000045654622,0.000918461,0.0004537325,0.27620393],"genre_scores_gemma":[0.0043623177,0.21029788,0.001251188,0.002384041,0.00060768554,0.000061287465,0.00051535765,0.00035105128,0.7801692],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994103,0.00011656841,0.00004160126,0.00009760595,0.00027453192,0.000059514725],"domain_scores_gemma":[0.9990096,0.00033045016,0.00010774068,0.000048648097,0.0003002113,0.00020321316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009753672,0.0012849316,0.000798722,0.002736881,0.001632663,0.003980871,0.0013353735,0.0023377812,0.22571822],"category_scores_gemma":[0.0021088808,0.0011514643,0.0003140491,0.003474024,0.001110553,0.005316851,0.0017441432,0.0031141571,0.15416384],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015739632,0.000010648242,0.00009009548,0.00028278364,0.0000026046182,0.000032803335,0.00040399254,0.00003820511,0.000106557854,0.002751731,0.9263154,0.06994929],"study_design_scores_gemma":[0.0000022917154,0.000003854227,0.00043275594,0.000437877,0.0000021951614,0.0000647584,0.00034387177,0.000014876802,0.00003751591,0.00067856075,0.9979746,0.00000686453],"about_ca_topic_score_codex":0.033017196,"about_ca_topic_score_gemma":0.11279557,"teacher_disagreement_score":0.22571822,"about_ca_system_score_codex":0.0026096262,"about_ca_system_score_gemma":0.0027124987,"threshold_uncertainty_score":0.75510263},"labels":[],"label_agreement":null},{"id":"W1605690945","doi":"10.29173/cjs21999","title":"Malloch, M. and B. Munro (eds), Crime, Critique and Utopia.","year":2014,"lang":"en","type":"article","venue":"The Canadian Journal of Sociology","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Utopia; Sociology; Criminology; Political science; Law","score_opus":0.02638956459199196,"score_gpt":0.2555870769403428,"score_spread":0.2291975123483508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605690945","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034099934,0.9559534,0.0005568076,0.019211123,0.0023224815,0.000011602702,0.0000463169,0.000034938363,0.021522215],"genre_scores_gemma":[0.0116995815,0.9299951,0.0020603747,0.005503426,0.00444607,0.00007731369,0.00012830162,0.00007065507,0.046019107],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883753,0.00039009217,0.000056411227,0.00014299936,0.00045701745,0.000116012554],"domain_scores_gemma":[0.9987011,0.00068675325,0.00015328807,0.00006541275,0.00021900659,0.00017431728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017906782,0.002098804,0.0013512109,0.0035501837,0.0028646567,0.0067294757,0.0019088245,0.005211326,0.01489755],"category_scores_gemma":[0.0026277117,0.0013083913,0.0007352971,0.0060507506,0.0050583496,0.009134554,0.0025236018,0.0046859575,0.008359371],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005106772,0.00006347443,0.0007487976,0.0010353831,0.000027546657,0.00013437089,0.0048384843,0.00018144594,0.00016320769,0.060189158,0.7076151,0.22495197],"study_design_scores_gemma":[0.000012965044,0.000017806224,0.0020207774,0.0025457349,0.00002598315,0.00029928607,0.0031797234,0.00017759409,0.00011092187,0.030615395,0.96097213,0.000021725784],"about_ca_topic_score_codex":0.02059966,"about_ca_topic_score_gemma":0.046369307,"teacher_disagreement_score":0.02059966,"about_ca_system_score_codex":0.0041362224,"about_ca_system_score_gemma":0.005602325,"threshold_uncertainty_score":0.04983729},"labels":[],"label_agreement":null},{"id":"W1650830001","doi":"10.1080/00927678.2010.524056","title":"A Review of “Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History”","year":2010,"lang":"en","type":"review","venue":"Asian Affairs An American Review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ontario Institute of Technology","funders":"","keywords":"Rendezvous; History; Art; Aeronautics; Engineering; Aerospace engineering","score_opus":0.03784820173545637,"score_gpt":0.27757487984959794,"score_spread":0.23972667811414158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1650830001","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000032816075,0.99326843,0.000016233877,0.005028665,0.001200313,0.000004223985,0.000028123388,0.0000019312715,0.00041916335],"genre_scores_gemma":[0.00044620174,0.9899066,0.000057531142,0.0074244332,0.001385652,0.0000117051495,0.000039716426,0.0000026826247,0.000725596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911267,0.0002800528,0.0001469944,0.000099955745,0.0002985457,0.00006177017],"domain_scores_gemma":[0.9956025,0.0027050618,0.0004483444,0.00006418952,0.0009518078,0.00022805086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020374786,0.0008792346,0.0018285859,0.0058883387,0.0008911764,0.0023283814,0.0013182586,0.0032126554,0.0056738425],"category_scores_gemma":[0.009158223,0.00046437012,0.0007248147,0.0076798564,0.0014255736,0.0035663587,0.0019625737,0.0032267312,0.001606375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045370543,0.000020139203,0.00016640645,0.027621519,0.00011087575,0.00014363257,0.0004767454,0.000035882535,0.00015596625,0.002729051,0.70841485,0.26007965],"study_design_scores_gemma":[0.000010921685,0.000017454802,0.0005118398,0.016363192,0.00009619415,0.00028453153,0.00024444296,0.000006502254,0.000038500653,0.00052195386,0.98189044,0.000014082719],"about_ca_topic_score_codex":0.011236468,"about_ca_topic_score_gemma":0.03892581,"teacher_disagreement_score":0.011236468,"about_ca_system_score_codex":0.0019375742,"about_ca_system_score_gemma":0.0064525614,"threshold_uncertainty_score":0.022342086},"labels":[],"label_agreement":null},{"id":"W1794915147","doi":"10.14264/107148","title":"Disorienting geographies, unsettled bodies : Anglo-Canadian female Gothic","year":2005,"lang":"en","type":"dissertation","venue":"The University of Queensland","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subjectivity; Politics; Psychoanalytic theory; Feminism; Political subjectivity; Colonialism; Embodied cognition; Art; History; Sociology; Aesthetics; Gender studies; Psychoanalysis; Philosophy; Archaeology; Political science; Law","score_opus":0.019271251171380416,"score_gpt":0.2058287519964424,"score_spread":0.18655750082506198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1794915147","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6730588,0.003160807,0.0009951143,0.007691334,0.00030984357,0.000052663687,0.00033625215,0.000052294483,0.3143429],"genre_scores_gemma":[0.9079594,0.0016416935,0.00043221403,0.0005984067,0.000027156424,0.000017975253,0.00008761938,0.000055588036,0.08917984],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987218,0.00020934091,0.00002075432,0.00012232743,0.00044544888,0.00048036574],"domain_scores_gemma":[0.9990847,0.00017701353,0.000083397856,0.000037100686,0.00039688815,0.00022100603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091259286,0.00060426636,0.00032279728,0.002119494,0.027439943,0.0061363266,0.0010405256,0.001069384,0.009134545],"category_scores_gemma":[0.0021514692,0.00037072646,0.00018133438,0.0025214541,0.017434765,0.0013160675,0.0034967859,0.0018961655,0.00061991456],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018971434,0.0000068393824,0.0022522896,0.000047631318,0.0000025312884,0.0004759368,0.9634694,0.000038631035,0.00051617186,0.018629668,0.0041474155,0.010394632],"study_design_scores_gemma":[0.0000017841234,0.000010498402,0.007687555,0.0001137793,0.00000788698,0.00029516636,0.81244653,0.000034804565,0.00033654674,0.0004839306,0.17855243,0.00002905297],"about_ca_topic_score_codex":0.982808,"about_ca_topic_score_gemma":0.99600595,"teacher_disagreement_score":0.054968096,"about_ca_system_score_codex":0.054968096,"about_ca_system_score_gemma":0.038440205,"threshold_uncertainty_score":0.39882332},"labels":[],"label_agreement":null},{"id":"W1814972980","doi":"10.3968/j.ccc.1923670020110703.430","title":"The Classical Origins of Detective Fiction: Sophocles’s Oedipus the King and Ross Macdonald’s The Goodbye Look","year":2011,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Detective fiction; Psyche; Art; Theme (computing); Literature; Humanities; Art history; Philosophy","score_opus":0.0825412760974427,"score_gpt":0.3164092946471077,"score_spread":0.233868018549665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1814972980","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14162153,0.033715244,0.0048467764,0.16620798,0.0072110295,0.000036972455,0.00006791001,0.00011345098,0.646179],"genre_scores_gemma":[0.92788374,0.004817797,0.0006375709,0.007908205,0.0014360839,0.000022168935,0.000013712006,0.00006368212,0.057217035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989065,0.0006283768,0.000018903367,0.00008101201,0.0002215004,0.00014373416],"domain_scores_gemma":[0.9979236,0.0012035114,0.0002021856,0.00011645053,0.00032083917,0.0002333013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011248961,0.00025213312,0.00018528121,0.001072218,0.006113488,0.0042689517,0.000496915,0.001439657,0.003024989],"category_scores_gemma":[0.005502491,0.00017906963,0.00015476823,0.0005795548,0.017618183,0.0026420134,0.0021702203,0.0035321855,0.00047899672],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030521,0.00001864957,0.00063508516,0.0000907755,0.000006070691,0.000629099,0.17323612,0.00005890319,0.0002962156,0.7293538,0.07760173,0.018043015],"study_design_scores_gemma":[0.000007771093,0.000026995342,0.0022880954,0.00028346333,0.0000075149537,0.0005522215,0.04770163,0.00013700113,0.0003197784,0.04413107,0.90452373,0.000020771864],"about_ca_topic_score_codex":0.016245896,"about_ca_topic_score_gemma":0.029234637,"teacher_disagreement_score":0.016245896,"about_ca_system_score_codex":0.005919632,"about_ca_system_score_gemma":0.0021444345,"threshold_uncertainty_score":0.042950153},"labels":[],"label_agreement":null},{"id":"W1847564304","doi":"10.7202/1013400ar","title":"Expatriation et traduction : Chester Himes traduit dans le champ français du roman policier (1957-1960)","year":2013,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.055610395643816965,"score_gpt":0.26768462094952294,"score_spread":0.21207422530570597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1847564304","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8940451,0.0053430656,0.00029839293,0.0052417857,0.00019021097,0.000034875506,0.00014466363,0.000007949824,0.09469389],"genre_scores_gemma":[0.9327069,0.0021244974,0.00014588784,0.0005309036,0.00006327123,0.00002409732,0.000044680753,0.000015935166,0.0643439],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982685,0.0006499431,0.000043360214,0.00018536198,0.00028307433,0.00056978775],"domain_scores_gemma":[0.9982705,0.00064596895,0.00041143558,0.00012786814,0.00020552326,0.00033872167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022389244,0.00030067997,0.00038012437,0.0013136456,0.011888997,0.003673228,0.0006483281,0.0010702406,0.008473513],"category_scores_gemma":[0.0036614446,0.00048481097,0.00012381995,0.0025179104,0.009160282,0.0022786127,0.0039986484,0.002388461,0.0010175921],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100272155,0.0000563719,0.018988935,0.00011510246,0.00000838897,0.0010891948,0.82668597,0.000092562346,0.0003328251,0.1090195,0.0085879415,0.034923],"study_design_scores_gemma":[0.00002528811,0.0001277742,0.097509295,0.0005787322,0.000012231562,0.0005850908,0.41470838,0.00009270768,0.00075640954,0.0024354567,0.4831214,0.000047210353],"about_ca_topic_score_codex":0.1669023,"about_ca_topic_score_gemma":0.33680153,"teacher_disagreement_score":0.1669023,"about_ca_system_score_codex":0.008329187,"about_ca_system_score_gemma":0.006063864,"threshold_uncertainty_score":0.33186167},"labels":[],"label_agreement":null},{"id":"W1886483680","doi":"10.7202/011977ar","title":"The Censorship of Sex: A Study of Raymond Chandl er’s The Big Sleep in Franco’s Spain","year":2005,"lang":"en","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Censorship; Period (music); Politics; Vulgarity; Government (linguistics); Morality; Law; Sociology; History; Political science; Art; Philosophy; Aesthetics","score_opus":0.11093593943922885,"score_gpt":0.2914558091283862,"score_spread":0.18051986968915734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1886483680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9436306,0.004148115,0.00015054915,0.007278871,0.00022583129,0.000030836098,0.000092109636,0.00001120413,0.044431936],"genre_scores_gemma":[0.984484,0.001434665,0.00006341145,0.0012465168,0.00010199795,0.000017127042,0.000032215845,0.00002843003,0.012591639],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983907,0.00079258624,0.000034072087,0.00014905058,0.000268741,0.00036494294],"domain_scores_gemma":[0.99592197,0.002381021,0.00070762436,0.00018080756,0.00037055885,0.00043806186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022915842,0.00046915511,0.000597683,0.0014575537,0.012017706,0.008262176,0.0013220117,0.0022999714,0.0036659997],"category_scores_gemma":[0.005201188,0.0003618699,0.00025472188,0.0013403071,0.012460961,0.0026294247,0.0024568313,0.0035542296,0.00041357684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069808935,0.00007421775,0.0037190025,0.000054610766,0.000008899206,0.0015660989,0.97663623,0.000016840828,0.0003638477,0.006697384,0.00495872,0.005834461],"study_design_scores_gemma":[0.000013919932,0.000056228066,0.0128526725,0.0001917922,0.0000061276182,0.00052809925,0.91489667,0.000030882777,0.000195722,0.00050793256,0.07069522,0.000024803156],"about_ca_topic_score_codex":0.116816126,"about_ca_topic_score_gemma":0.18771762,"teacher_disagreement_score":0.116816126,"about_ca_system_score_codex":0.010802875,"about_ca_system_score_gemma":0.0029509978,"threshold_uncertainty_score":0.23227239},"labels":[],"label_agreement":null},{"id":"W1912167302","doi":"","title":"Mac’s Bookstore","year":2007,"lang":"en","type":"article","venue":"Journal of the Canadian Association for Curriculum Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology","score_opus":0.046374346415888106,"score_gpt":0.290402862547957,"score_spread":0.24402851613206888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1912167302","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026668565,0.0027173713,0.0002788468,0.002159294,0.0040086843,0.000047687776,0.002645583,0.0013955962,0.9864803],"genre_scores_gemma":[0.00053266017,0.00051935983,0.00012257243,0.00034151066,0.00031551684,0.000011134699,0.00059202075,0.00026055088,0.9973047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950325,0.000021687625,0.000015640495,0.000045337965,0.00035484732,0.00005921673],"domain_scores_gemma":[0.99828523,0.00015400726,0.000047051246,0.00020201676,0.00097888,0.00033281592],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003997777,0.00086830196,0.0007729299,0.0057507646,0.0026548859,0.005597901,0.0012086706,0.0010994194,0.7339348],"category_scores_gemma":[0.0026014154,0.00042054598,0.00056247343,0.0038864182,0.0006424418,0.002354207,0.0018810852,0.0015381009,0.42136014],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006929732,0.000005917819,0.000027162481,0.000028908575,7.5856804e-7,0.000012621997,0.000015033643,0.000010140009,0.00004445906,0.0010244094,0.9729413,0.025882326],"study_design_scores_gemma":[0.0000011697717,0.000001345421,0.000120928475,0.00001475374,6.2250115e-7,0.0000102404565,0.000016352613,0.00000945839,0.000022406026,0.00014915137,0.999652,0.0000015251986],"about_ca_topic_score_codex":0.038963143,"about_ca_topic_score_gemma":0.12863816,"teacher_disagreement_score":0.7339348,"about_ca_system_score_codex":0.0025700452,"about_ca_system_score_gemma":0.0033612186,"threshold_uncertainty_score":0.3795097},"labels":[],"label_agreement":null},{"id":"W1933970808","doi":"","title":"Colleen Wolstenholme, Greg Forrest, Cal Lane : Endless Columns","year":2005,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Criminology; Computer science; Sociology","score_opus":0.02291188827295822,"score_gpt":0.23346768141967658,"score_spread":0.21055579314671835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1933970808","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014046767,0.04171955,0.0006721884,0.6955088,0.08592155,0.00007622964,0.00075035816,0.000471453,0.17347519],"genre_scores_gemma":[0.009458451,0.009919871,0.0005643648,0.116650425,0.017476872,0.000066217726,0.00030116393,0.00047879617,0.8450837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989033,0.00024158118,0.000038580252,0.00016441978,0.0004541053,0.00019806426],"domain_scores_gemma":[0.99210477,0.0020128014,0.00033848334,0.00024817864,0.0022163356,0.0030794127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001410491,0.00074308546,0.00038436532,0.0014679395,0.013153851,0.0070730057,0.0014505596,0.006334259,0.1348253],"category_scores_gemma":[0.011415379,0.0006174342,0.0002864302,0.001067533,0.0019073499,0.004394141,0.0035477472,0.008635307,0.045597024],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003880421,0.0000032132843,0.000036988786,0.000012509332,6.398449e-7,0.000019351843,0.00016236464,0.0000027880915,0.000021107075,0.0004698934,0.9943657,0.004901562],"study_design_scores_gemma":[0.0000029068353,0.00000262655,0.00022606355,0.000073973344,0.0000015372077,0.000036970403,0.0011573575,0.000008759919,0.00005742072,0.00036417227,0.998063,0.000005267636],"about_ca_topic_score_codex":0.026738534,"about_ca_topic_score_gemma":0.12502165,"teacher_disagreement_score":0.1348253,"about_ca_system_score_codex":0.002161357,"about_ca_system_score_gemma":0.0041542156,"threshold_uncertainty_score":0.45103556},"labels":[],"label_agreement":null},{"id":"W1939938314","doi":"10.21083/surg.v5i2.1595","title":"Imperial contradictions in Arthur Conan Doyle’s The Sign of Four","year":2012,"lang":"en","type":"article","venue":"SURG Journal","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sign (mathematics); Colonialism; Mutiny; Decadence; History; Context (archaeology); Imperial unit system; Mainstream; Element (criminal law); Media studies; Sociology; Law; Political science; Ancient history","score_opus":0.07375466937043636,"score_gpt":0.2586676584426002,"score_spread":0.18491298907216386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1939938314","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2872565,0.0077416985,0.0022650962,0.10523123,0.0018576842,0.000036540154,0.00005477663,0.00005590891,0.5955005],"genre_scores_gemma":[0.97112185,0.0009882812,0.00032904954,0.002504557,0.00018422025,0.000016958942,0.0000071455634,0.000043401684,0.024804516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99697,0.0020633761,0.000057256944,0.00017048557,0.0004664567,0.00027234995],"domain_scores_gemma":[0.9950664,0.0038507953,0.0002474943,0.0002779253,0.00033803305,0.00021932634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020582313,0.00031572845,0.00033340335,0.0012512947,0.012372475,0.00723613,0.0008200399,0.0022733405,0.0022777563],"category_scores_gemma":[0.0071495078,0.0002912845,0.00014904498,0.0009952324,0.04701557,0.0035150626,0.0031672812,0.004983055,0.0003716431],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052000214,0.000015241988,0.00040794912,0.000060484785,0.000004270233,0.0006519816,0.3953869,0.00006713412,0.0002487216,0.5774682,0.020497981,0.0051391847],"study_design_scores_gemma":[0.000015691785,0.000035637666,0.0011812919,0.00030880162,0.000008853869,0.0007593713,0.24765997,0.00022774187,0.0005548494,0.05322052,0.695982,0.000045385597],"about_ca_topic_score_codex":0.014651644,"about_ca_topic_score_gemma":0.029919332,"teacher_disagreement_score":0.014651644,"about_ca_system_score_codex":0.0062134047,"about_ca_system_score_gemma":0.0019457827,"threshold_uncertainty_score":0.045081675},"labels":[],"label_agreement":null},{"id":"W1964488551","doi":"10.1068/d185","title":"Cities in Shade: Urban Geography and the Uses of Noir","year":2005,"lang":"en","type":"article","venue":"Environment and Planning D Society and Space","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Chinatown; Urbanism; Modernism (music); Aesthetics; Summons; Criticism; Situationism; Sociology; History; Architecture; Art; Literature; Visual arts; Political science; Law","score_opus":0.019567981349981056,"score_gpt":0.2056857437378516,"score_spread":0.18611776238787053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964488551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14938965,0.005493713,0.003940575,0.02468796,0.00039542944,0.00002092046,0.000055053508,0.00010246257,0.8159142],"genre_scores_gemma":[0.98253745,0.0010388881,0.0004953633,0.0006773364,0.000073833406,0.000010201042,0.000010375915,0.000059367503,0.015097206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997656,0.0015063313,0.000040448565,0.0001833128,0.00029765815,0.00031616996],"domain_scores_gemma":[0.99850106,0.00085151906,0.00014686126,0.0002274365,0.00014998997,0.00012314857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021516779,0.00029353093,0.00027886563,0.001542548,0.014482161,0.008653095,0.0009603615,0.001449504,0.004708328],"category_scores_gemma":[0.003777611,0.00026078697,0.00019226343,0.0026304515,0.031816863,0.005704701,0.0048345895,0.0026096362,0.00026010434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017709714,0.000010205724,0.0009180672,0.00005362124,0.000002550684,0.00017701855,0.20767166,0.000092158436,0.00012310962,0.77304786,0.0048459508,0.013040063],"study_design_scores_gemma":[0.0000073800857,0.000032774256,0.0029176534,0.00026417553,0.0000128427755,0.00030898946,0.25019,0.00030271095,0.00040365214,0.06709296,0.67844087,0.000026038597],"about_ca_topic_score_codex":0.029251501,"about_ca_topic_score_gemma":0.07524536,"teacher_disagreement_score":0.029251501,"about_ca_system_score_codex":0.007818729,"about_ca_system_score_gemma":0.0023800193,"threshold_uncertainty_score":0.05816251},"labels":[],"label_agreement":null},{"id":"W1965107336","doi":"10.1007/s12198-013-0126-y","title":"Extradition and the airport transit lounge – the Snowden case","year":2013,"lang":"en","type":"article","venue":"Journal of Transportation Security","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"International Civil Aviation Organization","funders":"","keywords":"Transit (satellite); Advertising; Transport engineering; Airport security; Business; Computer security; Aeronautics; Engineering; Computer science; Public transport","score_opus":0.020923273367173416,"score_gpt":0.21795796062578232,"score_spread":0.1970346872586089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965107336","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8313812,0.00038774378,0.00074123224,0.01735319,0.00014683658,0.000021534572,0.00004718211,0.000009454735,0.14991157],"genre_scores_gemma":[0.991154,0.00019816509,0.000065640656,0.00062343426,0.00003703286,0.000005463691,0.000010936197,0.00000495053,0.007900438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991936,0.00024130136,0.000018902527,0.000056622495,0.000053110503,0.00043642474],"domain_scores_gemma":[0.9988865,0.0003825757,0.00018307354,0.00009877348,0.000068906884,0.0003801517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007269574,0.00028591946,0.00035504033,0.0006800632,0.00940244,0.003818698,0.0007364384,0.004345787,0.011332897],"category_scores_gemma":[0.0022200784,0.00022592349,0.00040013378,0.0011178831,0.008309423,0.002993764,0.003442994,0.0046033715,0.00046383328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021913771,0.00036609557,0.03287928,0.000051114344,0.00003259211,0.039733447,0.104987115,0.0013214592,0.00036475074,0.7813165,0.018154923,0.020573556],"study_design_scores_gemma":[0.00017229769,0.00031675078,0.04518552,0.00052096276,0.00009295579,0.018661693,0.54784805,0.004006074,0.00073193107,0.18398747,0.19838826,0.00008799786],"about_ca_topic_score_codex":0.041441098,"about_ca_topic_score_gemma":0.09883704,"teacher_disagreement_score":0.041441098,"about_ca_system_score_codex":0.0024623931,"about_ca_system_score_gemma":0.0021053506,"threshold_uncertainty_score":0.082399726},"labels":[],"label_agreement":null},{"id":"W1967177396","doi":"10.4000/ejas.10389","title":"“Somewhere in California”: New Regional Spaces of Mobility in Contemporary Vancouver Cinema","year":2014,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Regionalism (politics); Movie theater; Appropriation; Film director; Entertainment; Sociology; Media studies; Auteur theory; History; Art history; Political science; Law; Politics","score_opus":0.09894355950968262,"score_gpt":0.29370482203196946,"score_spread":0.19476126252228684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967177396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7437213,0.0023495702,0.0017371621,0.0074918196,0.00022888178,0.000056479694,0.00011245438,0.000059177175,0.24424314],"genre_scores_gemma":[0.9894985,0.0005633281,0.00040958685,0.00026101625,0.000030012274,0.000020095746,0.000043346747,0.000026911348,0.00914725],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989955,0.00040901697,0.000021269918,0.00014125774,0.00020043543,0.00023244288],"domain_scores_gemma":[0.999015,0.00024710764,0.00009082939,0.00006188748,0.00023868318,0.00034653727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000911115,0.00030190827,0.0001891389,0.0015250513,0.0167628,0.010629443,0.0008742811,0.00091259164,0.0035165106],"category_scores_gemma":[0.0022571501,0.00029410908,0.00015779547,0.0016451121,0.0106296195,0.0022400015,0.0044052964,0.002675145,0.00013039513],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044050117,0.000021265318,0.007895356,0.00008890276,0.000011449001,0.0010838525,0.8956263,0.00018144466,0.000748471,0.06367292,0.010418095,0.020207904],"study_design_scores_gemma":[0.0000065302274,0.000014825702,0.01748392,0.0001958786,0.000014305559,0.00037895024,0.7563219,0.00020711786,0.00014896288,0.0026709742,0.22252548,0.00003122867],"about_ca_topic_score_codex":0.54793984,"about_ca_topic_score_gemma":0.8150638,"teacher_disagreement_score":0.45206016,"about_ca_system_score_codex":0.01629504,"about_ca_system_score_gemma":0.008888305,"threshold_uncertainty_score":0.90944487},"labels":[],"label_agreement":null},{"id":"W1969386903","doi":"10.1177/0894318404268833","title":"The Night Witness","year":2004,"lang":"en","type":"article","venue":"Nursing Science Quarterly","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Witness; Psychology; Medicine; Philosophy; Linguistics","score_opus":0.025875047386205097,"score_gpt":0.28089626575505566,"score_spread":0.25502121836885056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969386903","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0108947735,0.006890208,0.00077616365,0.19069578,0.032700006,0.00006230476,0.00019479146,0.000106803294,0.7576791],"genre_scores_gemma":[0.080488265,0.0026966839,0.000272824,0.046967376,0.003958597,0.000035537767,0.00009115506,0.000103336446,0.8653862],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988508,0.00034048167,0.000039618815,0.00017291689,0.00025672466,0.00033936265],"domain_scores_gemma":[0.99785256,0.0005525573,0.000112158385,0.00023095153,0.00034646082,0.00090529036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014810615,0.00036436718,0.0003602662,0.0008959626,0.017289357,0.007094282,0.00096344,0.0061275936,0.06794379],"category_scores_gemma":[0.0077120936,0.00039984533,0.00046101792,0.0004650122,0.0044670166,0.0041730753,0.005745745,0.011401989,0.012021642],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023386901,0.000028596245,0.0006229828,0.000049799215,0.0000048696415,0.0008230788,0.009111252,0.00001585151,0.00020849585,0.11875145,0.84146506,0.028895088],"study_design_scores_gemma":[0.0000024047977,0.000010174948,0.00047644318,0.00005917969,0.0000020325788,0.00031103275,0.009430401,0.000007324073,0.000073477444,0.0039904355,0.98563206,0.0000050775257],"about_ca_topic_score_codex":0.010789574,"about_ca_topic_score_gemma":0.036119178,"teacher_disagreement_score":0.06794379,"about_ca_system_score_codex":0.0023679368,"about_ca_system_score_gemma":0.0040594838,"threshold_uncertainty_score":0.22729456},"labels":[],"label_agreement":null},{"id":"W1983049003","doi":"10.1386/ejac.26.3.199_1","title":"The image of the Maltese falcon: Reconsidering an American icon","year":2008,"lang":"en","type":"article","venue":"European Journal of American Culture","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Metonymy; Icon; Metaphor; Romance; Literature; Contrast (vision); Character (mathematics); History; Art; Aesthetics; Philosophy; Linguistics; Computer science; Mathematics; Geometry; Artificial intelligence","score_opus":0.05353710451512892,"score_gpt":0.24939389397749595,"score_spread":0.19585678946236704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983049003","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3668901,0.0020776428,0.0020340483,0.036028776,0.00067351037,0.000021416243,0.000034438584,0.000053994376,0.5921861],"genre_scores_gemma":[0.98389554,0.000527811,0.0003014348,0.0012967488,0.0000667685,0.000009113991,0.000007688104,0.00002783644,0.013866961],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942636,0.0002767009,0.000007605608,0.000041935098,0.00010979879,0.00013751628],"domain_scores_gemma":[0.99959797,0.00016270272,0.000037385096,0.00003131379,0.00011318386,0.000057381323],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055962184,0.0003434966,0.00019352607,0.00087705615,0.008881389,0.0072141206,0.00060084614,0.0015089011,0.0033306584],"category_scores_gemma":[0.001549688,0.00015210088,0.00008927814,0.0007938569,0.017270692,0.0033378333,0.0022437463,0.002811281,0.00030904263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067489986,0.000022579681,0.0014518381,0.000041572952,0.000003968631,0.0010114297,0.36266905,0.0000886258,0.0008168945,0.59305114,0.023286156,0.017489253],"study_design_scores_gemma":[0.000011475314,0.000034903154,0.0033553538,0.0001753464,0.000018353596,0.00064388115,0.41700095,0.0007258722,0.0011341872,0.030324938,0.5465355,0.0000392981],"about_ca_topic_score_codex":0.10611532,"about_ca_topic_score_gemma":0.18716022,"teacher_disagreement_score":0.10611532,"about_ca_system_score_codex":0.0077192355,"about_ca_system_score_gemma":0.0021857708,"threshold_uncertainty_score":0.21099532},"labels":[],"label_agreement":null},{"id":"W198387353","doi":"10.14453/ltc.528","title":"The legal surrealism of George Herriman's Krazy Kat","year":2012,"lang":"en","type":"article","venue":"Law/text/culture","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"George (robot); Art; Art history","score_opus":0.0272510440164118,"score_gpt":0.25412257940610605,"score_spread":0.22687153538969426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W198387353","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012677171,0.20680767,0.00088129716,0.6726591,0.017598124,0.000023196335,0.00007563716,0.000080853286,0.08919689],"genre_scores_gemma":[0.3525827,0.1111417,0.0016245729,0.3270856,0.015739106,0.000090615446,0.000090919035,0.0002683831,0.19137642],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.993185,0.0025461335,0.00025167904,0.00061890925,0.0029281229,0.0004701965],"domain_scores_gemma":[0.98623604,0.008782528,0.00074960955,0.00076107663,0.0025784841,0.0008922198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0058407467,0.00031903747,0.00041860552,0.0031475287,0.007559566,0.011514389,0.0009667714,0.003927136,0.0024061415],"category_scores_gemma":[0.023732847,0.0003670473,0.00022740691,0.0018898803,0.0160551,0.0070301592,0.0031024592,0.0118544055,0.0007451142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027884986,0.000011031434,0.00041118314,0.00023998083,0.000015749505,0.00027319512,0.009583276,0.000072878815,0.00029274024,0.33300155,0.62903357,0.027036995],"study_design_scores_gemma":[0.0000033218519,0.0000094134975,0.0006711346,0.00040386297,0.000005360315,0.000118817276,0.002460069,0.000020936566,0.00021838634,0.010807785,0.98526496,0.000016028665],"about_ca_topic_score_codex":0.03648884,"about_ca_topic_score_gemma":0.088766515,"teacher_disagreement_score":0.03648884,"about_ca_system_score_codex":0.00758624,"about_ca_system_score_gemma":0.012605378,"threshold_uncertainty_score":0.07255286},"labels":[],"label_agreement":null},{"id":"W1986189915","doi":"10.3172/clu.28.2.7","title":"Horace Dorrington, Criminal-Detective: Investigating the Re-Emergence of the Rogue in Arthur Morrison's &lt;i&gt;The Dorrington Deed-Box&lt;/i&gt; (1897)","year":2010,"lang":"en","type":"article","venue":"Clues A Journal of Detection","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast; Cardiff University","keywords":"Deed; Criminology; Philosophy; Law; Political science; Sociology","score_opus":0.028243986132557405,"score_gpt":0.2606908262083223,"score_spread":0.23244684007576488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986189915","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059938077,0.055913713,0.003031235,0.52851695,0.006934802,0.00004922139,0.00017561101,0.000054113178,0.3453863],"genre_scores_gemma":[0.7697555,0.01533353,0.0009818443,0.059316393,0.0029427602,0.00008514818,0.000053671516,0.00013653266,0.15139464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9981123,0.0009885873,0.00004744734,0.00021809505,0.000437413,0.00019617505],"domain_scores_gemma":[0.99446833,0.0041949386,0.00037494057,0.00015118501,0.00045705805,0.00035356727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002140784,0.00043605288,0.00033260047,0.0010894379,0.009562492,0.006877023,0.0014865162,0.004339138,0.003897697],"category_scores_gemma":[0.009870699,0.00024703,0.00010757419,0.00092426705,0.02408459,0.007848883,0.0028613177,0.0066524534,0.00056673144],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029481067,0.000016204347,0.0005663918,0.00008863754,0.0000025413142,0.00036918625,0.15352426,0.00003218927,0.00011320599,0.6335426,0.19908027,0.012635102],"study_design_scores_gemma":[0.000007529079,0.0000134130005,0.0009979381,0.00033683883,0.000003816098,0.0003424586,0.10335311,0.00004899212,0.000339791,0.041962013,0.8525731,0.00002108715],"about_ca_topic_score_codex":0.04190449,"about_ca_topic_score_gemma":0.08231511,"teacher_disagreement_score":0.04190449,"about_ca_system_score_codex":0.0042699836,"about_ca_system_score_gemma":0.003671928,"threshold_uncertainty_score":0.083321154},"labels":[],"label_agreement":null},{"id":"W1994512743","doi":"10.1353/vpr.2013.0002","title":"Secret Commissions: An Anthology of Victorian Investigative Journalism ed. by Stephen Donovan and Matthew Rubery (review)","year":2013,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Journalism; Tribute; Newspaper; History; Law; Literature; Art; Media studies; Art history; Sociology; Classics; Political science","score_opus":0.02813087775355172,"score_gpt":0.2773562159290211,"score_spread":0.24922533817546938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994512743","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006417878,0.9319846,0.00018045878,0.034016203,0.026261013,0.000046218924,0.00008734909,0.000023914301,0.0073361057],"genre_scores_gemma":[0.002331809,0.8974246,0.00053739117,0.03495986,0.038034435,0.0002816624,0.0002840657,0.00010422504,0.026041934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99041957,0.0029163712,0.00082869636,0.0005172336,0.004764186,0.00055405026],"domain_scores_gemma":[0.9832835,0.006669043,0.002247186,0.00039157915,0.0049930126,0.002415783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012339789,0.0015269185,0.0020186133,0.007379005,0.0027036734,0.011451376,0.0025550579,0.0044201952,0.01717514],"category_scores_gemma":[0.02331104,0.0014985393,0.0013071737,0.008459027,0.003423083,0.0068083056,0.004183412,0.008795298,0.011235695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022803626,0.000008996163,0.0000385759,0.0018156102,0.000012531909,0.000041653213,0.00030855613,0.000024643998,0.00007982463,0.0022247825,0.9560659,0.039356336],"study_design_scores_gemma":[0.000007240516,0.0000065147215,0.00018064868,0.0026666657,0.0000048669067,0.00006883113,0.0001211038,0.000008168526,0.000014174729,0.0006094127,0.99630404,0.000008341583],"about_ca_topic_score_codex":0.012219213,"about_ca_topic_score_gemma":0.023136485,"teacher_disagreement_score":0.01717514,"about_ca_system_score_codex":0.010190001,"about_ca_system_score_gemma":0.022191707,"threshold_uncertainty_score":0.07393396},"labels":[],"label_agreement":null},{"id":"W1997046329","doi":"10.1353/vic.2006.0083","title":"Captivating Subjects: Writing Confinement, Citizenship, and Nationhood in the Nineteenth Century (review)","year":2006,"lang":"en","type":"article","venue":"Victorian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Citizenship; Prison; Narrative; Sociology; Relation (database); American literature; Wright; History; Gender studies; Literature; Criminology; Law; Art; Art history; Politics; Political science","score_opus":0.045472473170124664,"score_gpt":0.2805285832068096,"score_spread":0.23505611003668497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1997046329","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011184131,0.99828416,0.000013575268,0.0008441835,0.00034016915,0.0000023920013,0.0000049641426,0.0000010978496,0.00039759144],"genre_scores_gemma":[0.0017464241,0.9964796,0.000039602146,0.00075239805,0.00055483007,0.000012339337,0.000018886849,0.0000023588384,0.00039355448],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991435,0.00037531834,0.0001338812,0.0000886596,0.00018075849,0.00007778264],"domain_scores_gemma":[0.9976125,0.0012474477,0.00039216032,0.000029806144,0.00053567754,0.00018237265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014649524,0.0007782569,0.0010772075,0.0038927142,0.00087288395,0.0031337647,0.0011202195,0.0020171287,0.0035938383],"category_scores_gemma":[0.0040318975,0.00036137915,0.00040385037,0.005836949,0.0026939195,0.0037504877,0.0015206026,0.002025313,0.0011711819],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012770727,0.00008942449,0.0006327303,0.06361691,0.00016572491,0.00031879643,0.007943812,0.000105629086,0.0002747374,0.004852124,0.21883662,0.70303583],"study_design_scores_gemma":[0.00004095747,0.00011819088,0.005825907,0.07145518,0.00015252735,0.0014981099,0.007371565,0.000032700416,0.00017579683,0.0012191075,0.9120604,0.000049695125],"about_ca_topic_score_codex":0.012751993,"about_ca_topic_score_gemma":0.023048611,"teacher_disagreement_score":0.012751993,"about_ca_system_score_codex":0.0016696221,"about_ca_system_score_gemma":0.0051503815,"threshold_uncertainty_score":0.025355518},"labels":[],"label_agreement":null},{"id":"W2002369845","doi":"10.1353/vpr.2007.0020","title":"2006 VanArsdel Prize Essay \"Cheap, Healthful Literature\": The Strand Magazine, Fictions of Crime, and Purified Reading Communities","year":2007,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Ideology; Anecdote; Publishing; Politics; Literature; Sociology; Media studies; History; Law; Art; Political science","score_opus":0.03464582913929115,"score_gpt":0.2965254682229399,"score_spread":0.26187963908364875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002369845","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033346007,0.08879988,0.0003904027,0.49214318,0.18617694,0.000052360738,0.00022888689,0.000055846736,0.22881788],"genre_scores_gemma":[0.055439375,0.05689257,0.000611377,0.04476171,0.10724365,0.000084165054,0.00030417152,0.00018672869,0.73447615],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840504,0.00036830863,0.00005976138,0.00027696177,0.00069201854,0.00019803946],"domain_scores_gemma":[0.9976044,0.00088990276,0.0001763512,0.000082463135,0.0005302955,0.0007166425],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015472922,0.00084640924,0.00057334796,0.0020263388,0.0073259715,0.010435219,0.0009664959,0.004547968,0.03095386],"category_scores_gemma":[0.0042869705,0.00031820577,0.0003004917,0.0015767757,0.004020832,0.003974876,0.0037066066,0.0032058824,0.006791936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008387384,0.000011196961,0.00008565613,0.00006260166,0.0000022599431,0.00003394763,0.0006452251,0.0000198534,0.000031031475,0.012826011,0.9790621,0.007211749],"study_design_scores_gemma":[0.0000024404542,0.000004884492,0.00029558127,0.00016853717,0.0000016366398,0.000044788925,0.00092888885,0.000014173267,0.000034834877,0.00194849,0.99655104,0.0000046602813],"about_ca_topic_score_codex":0.008596179,"about_ca_topic_score_gemma":0.027886659,"teacher_disagreement_score":0.03095386,"about_ca_system_score_codex":0.00661055,"about_ca_system_score_gemma":0.00478203,"threshold_uncertainty_score":0.10355097},"labels":[],"label_agreement":null},{"id":"W2020947465","doi":"10.3138/cras.40.3.289","title":"The Forensic Gothic: Knowledge, the Supernatural, and the Psychic Detective","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Paranormal; Enlightenment; Psychic; Context (archaeology); Detective fiction; Empiricism; Aesthetics; Literature; History; Sociology; Art; Philosophy; Epistemology; Medicine; Archaeology","score_opus":0.026891905963142424,"score_gpt":0.3025441995171142,"score_spread":0.27565229355397175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020947465","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3367164,0.14455992,0.0023284147,0.043002564,0.0006154837,0.00003025971,0.00007343372,0.000024143004,0.4726494],"genre_scores_gemma":[0.96690136,0.026966041,0.0001851737,0.000720788,0.00018277932,0.000009893845,0.000012902778,0.000005940286,0.005015141],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834836,0.0010303156,0.000035927613,0.00008728858,0.0003356353,0.00016251451],"domain_scores_gemma":[0.9966767,0.0023391887,0.0004873377,0.00015477218,0.00021161043,0.0001304128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017175694,0.00022840996,0.00022632234,0.0029324258,0.0046269675,0.0059574954,0.0006666318,0.0012436907,0.0037615644],"category_scores_gemma":[0.0034882028,0.00017997566,0.00011555183,0.0023288436,0.03756408,0.0045916946,0.0028709767,0.0018510072,0.00021739845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033796205,0.00005490821,0.0036860395,0.00068112474,0.000017445824,0.0010935585,0.33696312,0.000117378724,0.00017545896,0.5864593,0.008825908,0.06189195],"study_design_scores_gemma":[0.000018918865,0.00004912762,0.015338465,0.003510258,0.000027064845,0.0025197733,0.5210731,0.00010406944,0.00048645365,0.106871806,0.34996817,0.00003279344],"about_ca_topic_score_codex":0.013283534,"about_ca_topic_score_gemma":0.020163441,"teacher_disagreement_score":0.013283534,"about_ca_system_score_codex":0.0038508207,"about_ca_system_score_gemma":0.0046055764,"threshold_uncertainty_score":0.027939796},"labels":[],"label_agreement":null},{"id":"W2032602196","doi":"10.1353/saf.2001.0000","title":"The Bureaucratic Origins of The Scarlet Letter","year":2001,"lang":"en","type":"article","venue":"Studies in American fiction","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bureaucracy; Meaning (existential); Power (physics); Sensibility; Law; Sociology; Representation (politics); Media studies; Aesthetics; Political science; Politics; Epistemology; Philosophy","score_opus":0.06611083362428634,"score_gpt":0.3221491924069233,"score_spread":0.256038358782637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032602196","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03787758,0.0029141866,0.0022773868,0.13618591,0.0012486848,0.00005955182,0.000095222,0.00013041844,0.8192111],"genre_scores_gemma":[0.70604897,0.0014914062,0.0008489305,0.018308641,0.0005765541,0.000067625915,0.000039869585,0.00022247799,0.27239555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898992,0.0034214025,0.0002612662,0.0009324617,0.0035210357,0.001964571],"domain_scores_gemma":[0.99303424,0.0024890904,0.0006951008,0.0007152218,0.0020712116,0.0009951477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00473449,0.0002884403,0.0002798895,0.00086798094,0.027662696,0.014533264,0.0011401935,0.0048734196,0.008326663],"category_scores_gemma":[0.015823796,0.00075359765,0.00017987924,0.0013947291,0.0441647,0.0035291805,0.0036454757,0.008623542,0.0019874081],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021031436,0.000017295746,0.0006009822,0.00002070316,0.0000015589347,0.00034139,0.06320849,0.00009448647,0.00013169931,0.82246214,0.105761,0.0073392713],"study_design_scores_gemma":[0.00001425806,0.000010590962,0.0031483313,0.00017133047,0.000002929946,0.00015144206,0.024687104,0.00021137753,0.00021798257,0.030891566,0.9404419,0.00005119299],"about_ca_topic_score_codex":0.5599741,"about_ca_topic_score_gemma":0.68360525,"teacher_disagreement_score":0.5599741,"about_ca_system_score_codex":0.06782117,"about_ca_system_score_gemma":0.03133841,"threshold_uncertainty_score":0.88523465},"labels":[],"label_agreement":null},{"id":"W2048321216","doi":"10.1111/j.1931-0846.1998.tb00115.x","title":"STRANGE COUNTRIES AND SECRET WORLDS IN RUTH RENDELL'S CRIME NOVELS*","year":2010,"lang":"en","type":"article","venue":"Geographical Review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Character (mathematics); Plot (graphics); Art; Art history; Aesthetics; History","score_opus":0.025914592937875777,"score_gpt":0.271612559110091,"score_spread":0.24569796617221523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048321216","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.224956,0.14554513,0.0012621576,0.13509384,0.0055426364,0.00007737664,0.00024441277,0.000086589076,0.4871919],"genre_scores_gemma":[0.92902684,0.022502895,0.00040746128,0.0036288584,0.0010214387,0.000051813855,0.000059209182,0.00006725307,0.04323419],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975908,0.0016533394,0.000068368754,0.0001623548,0.0003054549,0.00021962561],"domain_scores_gemma":[0.99425805,0.004334146,0.0005326507,0.0002090941,0.0003550483,0.00031099064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028783577,0.00030626325,0.00044828528,0.0019788023,0.008296752,0.008462546,0.0008049361,0.0017126871,0.004166086],"category_scores_gemma":[0.0061585316,0.00022993206,0.00018389693,0.0015735773,0.01266294,0.0037748986,0.002681808,0.0024092454,0.00039816846],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107921296,0.000076456025,0.0009313593,0.00084868626,0.000026338264,0.0026033674,0.34700587,0.00039320622,0.0003373383,0.41413632,0.19046894,0.043064076],"study_design_scores_gemma":[0.000009998505,0.000024777193,0.0011657622,0.00035904322,0.000008229097,0.00093206554,0.08153236,0.00005426462,0.00025991065,0.0061859246,0.9094448,0.000022783672],"about_ca_topic_score_codex":0.034358952,"about_ca_topic_score_gemma":0.09375675,"teacher_disagreement_score":0.034358952,"about_ca_system_score_codex":0.006741547,"about_ca_system_score_gemma":0.0021151428,"threshold_uncertainty_score":0.06831789},"labels":[],"label_agreement":null},{"id":"W2061966785","doi":"10.1017/cbo9781139061278.002","title":"Balloonomania:","year":2012,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Computer science","score_opus":0.05343507090256793,"score_gpt":0.19605196657766832,"score_spread":0.14261689567510039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061966785","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010608715,0.0077636167,0.0013707583,0.004528328,0.005856139,0.00015385951,0.0033100285,0.00072886946,0.9752274],"genre_scores_gemma":[0.0032496813,0.0047926814,0.0006164495,0.0008172737,0.00046944746,0.00007689208,0.001869934,0.0007504304,0.9873574],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996382,0.000035383695,0.000018313296,0.0000479718,0.00018947267,0.00007062092],"domain_scores_gemma":[0.99970514,0.0000445041,0.000015485999,0.00004112888,0.00012030199,0.00007348557],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005776941,0.00054841075,0.00034701385,0.0019389117,0.0016985874,0.003236494,0.00088134996,0.0008174571,0.3937715],"category_scores_gemma":[0.0014991082,0.00023218752,0.0003350025,0.0026372545,0.0007501707,0.0027358853,0.001986232,0.0014195876,0.21311343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036465215,0.000018260456,0.00010386774,0.00030279186,0.0000019720014,0.00006443165,0.00040624273,0.000028678105,0.0003913443,0.018307094,0.8568482,0.1234906],"study_design_scores_gemma":[8.3809255e-7,0.0000023415128,0.000109260465,0.00006479422,5.029455e-7,0.000025464422,0.00007109117,0.000004319757,0.000060353574,0.00034167137,0.9993181,0.0000012263157],"about_ca_topic_score_codex":0.0071263397,"about_ca_topic_score_gemma":0.016604519,"teacher_disagreement_score":0.3937715,"about_ca_system_score_codex":0.0017057233,"about_ca_system_score_gemma":0.002189299,"threshold_uncertainty_score":0.8647114},"labels":[],"label_agreement":null},{"id":"W2066331159","doi":"10.1136/bmj.39041.622859.59","title":"Bloodletting and Miraculous Cures","year":2006,"lang":"en","type":"article","venue":"BMJ","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bloodletting; Medicine; Art; Classics; Alternative medicine; Art history","score_opus":0.03220894524675564,"score_gpt":0.264764530253404,"score_spread":0.23255558500664839,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066331159","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01586547,0.170258,0.004760859,0.5879842,0.029947856,0.000065391185,0.00020515146,0.00036078657,0.19055226],"genre_scores_gemma":[0.23403579,0.1219441,0.007983591,0.28495362,0.031307086,0.00008480421,0.00022146282,0.0004889738,0.31898057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784684,0.00079842313,0.00011014147,0.000255241,0.00072153535,0.0002677634],"domain_scores_gemma":[0.99728537,0.00078377203,0.000320135,0.00034342823,0.0005791531,0.0006880723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025728312,0.0005828825,0.00052007515,0.0012911175,0.004436098,0.0031708207,0.00096973166,0.0046304325,0.017133502],"category_scores_gemma":[0.012245357,0.0002659307,0.0005362393,0.00068750285,0.008860163,0.004057466,0.002162646,0.009956032,0.0061762347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002777361,0.0002536459,0.0014525612,0.00041673053,0.00005962382,0.0070568766,0.004774582,0.00011222302,0.00086517545,0.14368363,0.70220554,0.13884167],"study_design_scores_gemma":[0.000028071749,0.000100922545,0.00073199027,0.0007303941,0.000018185325,0.013163875,0.002282535,0.00006670497,0.00041277226,0.027490221,0.9549481,0.000026258864],"about_ca_topic_score_codex":0.0021066964,"about_ca_topic_score_gemma":0.003614076,"teacher_disagreement_score":0.017133502,"about_ca_system_score_codex":0.0017154466,"about_ca_system_score_gemma":0.0013937677,"threshold_uncertainty_score":0.057317257},"labels":[],"label_agreement":null},{"id":"W2077194433","doi":"10.7202/1025614ar","title":"Serials and Satisfaction","year":2014,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Energy (signal processing); Work (physics); Aesthetics; History; Literature; Sociology; Computer science; Psychology; Epistemology; Art; Philosophy; Physics; Engineering; Mechanical engineering","score_opus":0.023266497831357445,"score_gpt":0.2143396934063593,"score_spread":0.19107319557500185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2077194433","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23404019,0.002461173,0.016198266,0.014821434,0.0003802994,0.00005871978,0.00014213569,0.00007904459,0.7318188],"genre_scores_gemma":[0.98499507,0.00041051747,0.00083489507,0.00036213186,0.000081952276,0.000020906153,0.000056448927,0.00003296932,0.013205072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674535,0.0019443338,0.00015488075,0.00028321228,0.00052485446,0.0003474029],"domain_scores_gemma":[0.99657273,0.0014430744,0.00055397145,0.00047958194,0.00054525526,0.00040541828],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029724156,0.00036181367,0.0003163464,0.0011058047,0.0047313906,0.007228858,0.00061154773,0.001199881,0.013776214],"category_scores_gemma":[0.008694115,0.00019590338,0.00028952968,0.001537248,0.028827181,0.008868446,0.0060191434,0.001910294,0.00083623215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053662527,0.000021804646,0.0019586592,0.00006274677,0.000007653421,0.00013371189,0.037802264,0.00017125072,0.00013278463,0.9431434,0.002786423,0.013725657],"study_design_scores_gemma":[0.00004905574,0.00014050798,0.0044948854,0.00021327079,0.000018275876,0.0005708152,0.07732234,0.0007956358,0.0004454361,0.71532154,0.20060028,0.000027888813],"about_ca_topic_score_codex":0.0026007353,"about_ca_topic_score_gemma":0.0021288078,"teacher_disagreement_score":0.013776214,"about_ca_system_score_codex":0.0033331048,"about_ca_system_score_gemma":0.0017339175,"threshold_uncertainty_score":0.046086013},"labels":[],"label_agreement":null},{"id":"W2086181822","doi":"10.1353/vpr.0.0023","title":"Victorian Periodicals Review : 29:4 (Winter 1996) to 37:3 (Fall 2004)","year":2008,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.05263766046511101,"score_gpt":0.2916611396423983,"score_spread":0.2390234791772873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086181822","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037874866,0.8860418,0.00008167224,0.02483076,0.012714483,0.00006153994,0.0007781689,0.00007498576,0.07503778],"genre_scores_gemma":[0.006547916,0.75382423,0.00033841544,0.020289613,0.006341906,0.00012499337,0.00071356574,0.00014253442,0.2116769],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971807,0.00025940684,0.00032183397,0.00018545441,0.0017070195,0.00034565234],"domain_scores_gemma":[0.98979914,0.0018765617,0.0011081295,0.0004616762,0.0057488675,0.0010057068],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033152057,0.000936642,0.0020174321,0.015507541,0.002382544,0.0076487977,0.0023039193,0.004561419,0.060096294],"category_scores_gemma":[0.013869803,0.001114536,0.0008353883,0.02102911,0.0030007502,0.0050613377,0.0030546873,0.0027160805,0.022107217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023205612,0.000012446373,0.00008999904,0.0032835763,0.000016992733,0.000031315463,0.00013938047,0.000021888045,0.00006884998,0.0019060257,0.92768484,0.06672152],"study_design_scores_gemma":[0.0000047727945,0.0000035696637,0.0013287212,0.0029583212,0.000019054,0.000029504714,0.00008288434,0.0000040329683,0.00001923948,0.00021605317,0.9953277,0.000006166561],"about_ca_topic_score_codex":0.10905507,"about_ca_topic_score_gemma":0.27784133,"teacher_disagreement_score":0.10905507,"about_ca_system_score_codex":0.017681845,"about_ca_system_score_gemma":0.029414523,"threshold_uncertainty_score":0.21684062},"labels":[],"label_agreement":null},{"id":"W2092736734","doi":"10.5539/ells.v4n1p10","title":"London of the Mind—The Narrative of Psychogeographic Antiquarianism in Selected London Novels of Peter Ackroyd","year":2014,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Casebook; Narrative; Art history; Scope (computer science); Art; History; Literature; Law; Computer science","score_opus":0.00950899638636808,"score_gpt":0.2448901567485012,"score_spread":0.23538116036213313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092736734","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5376958,0.02307742,0.0017381198,0.09347774,0.0022843417,0.00006468972,0.0002800031,0.00008431588,0.34129754],"genre_scores_gemma":[0.95799243,0.0020567337,0.00019274506,0.0028894907,0.00019990164,0.000023005105,0.000028351244,0.00008429456,0.036533065],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980221,0.0012050554,0.000047559024,0.00016921706,0.00022432077,0.00033177418],"domain_scores_gemma":[0.9975128,0.0014491075,0.00036061526,0.00017221342,0.00018421824,0.000321007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014217056,0.0004479301,0.00033401258,0.0012949377,0.013648932,0.008159617,0.00096277654,0.002281827,0.0041751387],"category_scores_gemma":[0.0039103003,0.00045611564,0.00022828586,0.0013826815,0.024870113,0.004684218,0.004943283,0.0036064854,0.0004473103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007023524,0.000011563671,0.00058992393,0.00009710301,0.000008689821,0.0012706727,0.83095443,0.000090198024,0.0003705027,0.14132762,0.022565858,0.0026432415],"study_design_scores_gemma":[0.000010259337,0.000018136829,0.0017186546,0.00019727797,0.0000072381076,0.00043337006,0.4400881,0.000057909307,0.00040167518,0.006828497,0.55020565,0.000033290788],"about_ca_topic_score_codex":0.06196444,"about_ca_topic_score_gemma":0.14368577,"teacher_disagreement_score":0.06196444,"about_ca_system_score_codex":0.012932921,"about_ca_system_score_gemma":0.0024554888,"threshold_uncertainty_score":0.12320757},"labels":[],"label_agreement":null},{"id":"W2100814444","doi":"10.5539/ells.v4n4p1","title":"Modern Detective Fiction as a Site of Mourning and Remembrance, and the Importance of Acknowledgement: World War One and the Case of Inspector Ian Rutledge","year":2014,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Acknowledgement; Power (physics); First world war; History; Order (exchange); Detective fiction; Value (mathematics); Just war theory; Spanish Civil War; Literature; Sociology; Art; Law; Political science; Humanities; Computer science","score_opus":0.010874144738285947,"score_gpt":0.24244216295344548,"score_spread":0.23156801821515954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2100814444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16300073,0.037654936,0.003907048,0.25196677,0.004663187,0.00008731802,0.00005983461,0.0001365543,0.5385237],"genre_scores_gemma":[0.87568665,0.008028042,0.0010327289,0.01529801,0.001597003,0.000092075345,0.000024629304,0.00013646818,0.09810447],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99554515,0.0027862631,0.00007820831,0.0002963315,0.0007023481,0.0005916417],"domain_scores_gemma":[0.9915098,0.0065061296,0.0007153474,0.00042507605,0.00043136728,0.00041225585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004444703,0.00062286924,0.00043303234,0.0012750074,0.022730183,0.009405189,0.0023615134,0.0076056896,0.0044035753],"category_scores_gemma":[0.012900323,0.00047592373,0.00031072157,0.0010891582,0.04762592,0.008746223,0.005226603,0.010277896,0.0008690308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037655926,0.000039046114,0.0002674978,0.00014110372,0.0000052670994,0.0026245401,0.5352957,0.00007071052,0.00021365665,0.37414432,0.0764504,0.01071013],"study_design_scores_gemma":[0.000008370467,0.000035634057,0.00066852523,0.00042030873,0.000009236722,0.0019084082,0.15913211,0.00010461872,0.00057585374,0.01911862,0.81798005,0.00003830834],"about_ca_topic_score_codex":0.016841985,"about_ca_topic_score_gemma":0.0239734,"teacher_disagreement_score":0.022730183,"about_ca_system_score_codex":0.009577493,"about_ca_system_score_gemma":0.0034920522,"threshold_uncertainty_score":0.069489956},"labels":[],"label_agreement":null},{"id":"W2106474458","doi":"10.7202/1005365ar","title":"Un Acadien dans des métropoles occidentales en 1904, ou Placide, l’homme mystérieux, premier roman acadien","year":2006,"lang":"fr","type":"article","venue":"Francophonies d Amérique","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Moncton","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.011610056066881654,"score_gpt":0.2312932908762151,"score_spread":0.21968323480933347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2106474458","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9572187,0.0036448457,0.00018483892,0.0014103875,0.00006816225,0.000010712791,0.0003362041,0.000006122282,0.0371201],"genre_scores_gemma":[0.9770345,0.0015886042,0.00027912864,0.000094002055,0.000026276515,0.000009664931,0.00017654827,0.000006234164,0.020785108],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997179,0.000054967248,0.000009383739,0.000043482298,0.00005013625,0.00012408404],"domain_scores_gemma":[0.9997727,0.000053121526,0.00007524071,0.000011452412,0.000043116463,0.000044404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030873902,0.00020864842,0.00021188112,0.0011673844,0.0033688564,0.0011218917,0.00032276497,0.00036436232,0.0044346913],"category_scores_gemma":[0.00066687964,0.0001693631,0.000116103525,0.0017760221,0.002307483,0.0006661964,0.0008897845,0.0009818387,0.00018922293],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005863897,0.0000930757,0.29202482,0.0005480474,0.0000549712,0.0038920562,0.3786203,0.0006443333,0.0034488004,0.11098193,0.016918115,0.19218726],"study_design_scores_gemma":[0.000020303327,0.00008464635,0.6804446,0.000222112,0.000029225275,0.0008404191,0.07305616,0.000106812964,0.00095770037,0.0008916778,0.24332143,0.000024929495],"about_ca_topic_score_codex":0.2992861,"about_ca_topic_score_gemma":0.6908175,"teacher_disagreement_score":0.7007139,"about_ca_system_score_codex":0.004927032,"about_ca_system_score_gemma":0.0033671837,"threshold_uncertainty_score":0.5950881},"labels":[],"label_agreement":null},{"id":"W2112898559","doi":"10.3968/j.ccc.1923670020110702.008","title":"Millennium Trilogy:Eye for Eye and the Utopia of Order in Modern Waste Lands","year":2011,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trilogy; Mythology; Humanities; Tragedy (event); Art; Narrative; Ethnology; Comics; Order (exchange); Utopia; Art history; Sociology; Literature","score_opus":0.07622553559118854,"score_gpt":0.32801335102587487,"score_spread":0.2517878154346863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2112898559","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20513389,0.030776402,0.0058429367,0.057289664,0.0020033978,0.000043447148,0.000116294446,0.00014247268,0.69865143],"genre_scores_gemma":[0.9345291,0.0047314055,0.001088791,0.002485679,0.00029403693,0.000029142153,0.000040495856,0.00010780969,0.05669351],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992353,0.00035052325,0.0000228438,0.00006788933,0.00013369076,0.00018984478],"domain_scores_gemma":[0.999501,0.00021415306,0.000077670345,0.000076769924,0.00004645345,0.00008386385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009944598,0.00032475335,0.00019029227,0.0014387134,0.0063508684,0.0076586595,0.000623418,0.0014428344,0.005587866],"category_scores_gemma":[0.0014700643,0.00017139676,0.000208765,0.0012007693,0.02412657,0.00663167,0.004920033,0.0027582152,0.00042646108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018255005,0.000012654016,0.0005289111,0.000050672577,0.000003009849,0.000221068,0.105592474,0.00006961302,0.00014010922,0.86957985,0.011515123,0.01226828],"study_design_scores_gemma":[0.0000060741318,0.000022787503,0.0011519112,0.00028688626,0.0000047172666,0.00038960399,0.09622564,0.00007085311,0.00052888255,0.11121946,0.7900755,0.000017726508],"about_ca_topic_score_codex":0.0053002606,"about_ca_topic_score_gemma":0.0123466095,"teacher_disagreement_score":0.0076586595,"about_ca_system_score_codex":0.0050395792,"about_ca_system_score_gemma":0.002309706,"threshold_uncertainty_score":0.036564827},"labels":[],"label_agreement":null},{"id":"W2113462483","doi":"10.4000/belphegor.616","title":"Hidden Codes of Love : The Materiality of the Category Romance Novel","year":2015,"lang":"fr","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Materiality (auditing); Audience measurement; Excellence; Art; Literature; Advertising; History; Aesthetics; Business; Political science; Law","score_opus":0.09383986740122999,"score_gpt":0.27875962350953576,"score_spread":0.18491975610830577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2113462483","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15759847,0.004920774,0.0034360404,0.021072134,0.0009589116,0.000034062752,0.00018299953,0.000060629674,0.8117359],"genre_scores_gemma":[0.97893107,0.0010744093,0.00049322814,0.0012926281,0.00042427622,0.000030121677,0.000081089995,0.00008280677,0.017590417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963437,0.0022906538,0.00007332528,0.0003883519,0.0006297655,0.00027428372],"domain_scores_gemma":[0.9940274,0.0035762873,0.0006438456,0.0008309596,0.0005058255,0.0004157582],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00274912,0.00022730458,0.0003432118,0.0020748137,0.009748193,0.011246178,0.00094219984,0.001677946,0.01156385],"category_scores_gemma":[0.0129573895,0.00026611733,0.0001474613,0.0013447918,0.02536092,0.010214279,0.004875811,0.003538853,0.001309854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006697677,0.00004588244,0.0019642727,0.0001029868,0.000008452615,0.00052145653,0.18542475,0.00004825914,0.000226359,0.76950693,0.020723388,0.021360273],"study_design_scores_gemma":[0.000021722604,0.00007310212,0.006868183,0.0005696422,0.000011868005,0.002803151,0.19254932,0.00028209743,0.00065803766,0.1810492,0.6150682,0.000045406676],"about_ca_topic_score_codex":0.0016168007,"about_ca_topic_score_gemma":0.0028215647,"teacher_disagreement_score":0.01156385,"about_ca_system_score_codex":0.0026381852,"about_ca_system_score_gemma":0.0010471047,"threshold_uncertainty_score":0.038684905},"labels":[],"label_agreement":null},{"id":"W2124595343","doi":"10.4000/belphegor.560","title":"Jeanette Sloniowski and Marilyn Rose (eds), Detecting Canada : Essays on Canadian Crime Fiction, Televison, and Film","year":2015,"lang":"en","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"","keywords":"Rose (mathematics); Art history; History; Art; Media studies; Sociology","score_opus":0.03738384496659693,"score_gpt":0.22592934171553963,"score_spread":0.18854549674894272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2124595343","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012341054,0.4055188,0.0013062079,0.2725228,0.012286285,0.00005640695,0.00031199533,0.00009094799,0.29556555],"genre_scores_gemma":[0.24752358,0.49322778,0.0022943793,0.040945876,0.011070682,0.000174237,0.00040186278,0.00026364936,0.20409799],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864453,0.00040223688,0.000047625643,0.00013772173,0.0006209701,0.00014694288],"domain_scores_gemma":[0.9950507,0.0030645987,0.00033464807,0.00008884479,0.00094811164,0.0005130238],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015827918,0.0010559406,0.0005077907,0.004034353,0.017217794,0.009826236,0.0015038248,0.0032597804,0.0076046023],"category_scores_gemma":[0.005974596,0.00041471006,0.00026875047,0.005458679,0.013375622,0.0060145436,0.0019027367,0.0044774213,0.0015567058],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001981333,0.000023119195,0.0008781294,0.0004861897,0.000010766672,0.0002511891,0.08980574,0.0000812596,0.00015219155,0.070296735,0.79910356,0.038891245],"study_design_scores_gemma":[0.000004593724,0.000004373683,0.0033119684,0.0008063556,0.000013166218,0.00013254225,0.05385644,0.000040626262,0.0001276068,0.0050176987,0.9366629,0.00002176526],"about_ca_topic_score_codex":0.5580973,"about_ca_topic_score_gemma":0.7940159,"teacher_disagreement_score":0.4419027,"about_ca_system_score_codex":0.018302403,"about_ca_system_score_gemma":0.014777804,"threshold_uncertainty_score":0.8890103},"labels":[],"label_agreement":null},{"id":"W2134884343","doi":"10.1177/0967010614543584","title":"The contemporary fictional police detective as critical security analyst: Insecurity and immigration in the novels of Henning Mankell and Andrea Camilleri","year":2014,"lang":"en","type":"article","venue":"Security Dialogue","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"Università degli Studi di Siena; Université du Québec à Montréal","keywords":"Portrait; Narrative; Sociology; Status quo; Securitization; Critical security studies; Immigration; Law; Aesthetics; Political science; Criminology; History; Literature; Art; Art history","score_opus":0.024461023563094368,"score_gpt":0.264393344799778,"score_spread":0.23993232123668362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2134884343","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39225382,0.018712163,0.003836755,0.16081093,0.0057827313,0.00005768053,0.00007347898,0.00013189335,0.41834062],"genre_scores_gemma":[0.96817243,0.0026655188,0.00038628257,0.0042791828,0.0011976277,0.000034232806,0.000013533729,0.000059458802,0.023191737],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721235,0.0019570503,0.000040186253,0.00015870704,0.00033177002,0.0002999869],"domain_scores_gemma":[0.99506515,0.003802947,0.00045722333,0.00014097842,0.00018736851,0.0003463684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028753811,0.00053844525,0.0003208857,0.0012839864,0.012236819,0.008212609,0.00096772873,0.0025571296,0.0027485157],"category_scores_gemma":[0.0055026733,0.00024608453,0.0001847083,0.00061562355,0.029223027,0.0037107328,0.0044540004,0.0047147875,0.00038838695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005980199,0.0000637282,0.0006241107,0.0001603553,0.0000067443752,0.0015245357,0.5785683,0.00015665425,0.00051670644,0.37187278,0.037087888,0.009358353],"study_design_scores_gemma":[0.000015137351,0.00006093294,0.0010583187,0.0004906015,0.000007703817,0.0010680085,0.34873366,0.00020900533,0.0008638326,0.019089628,0.6283756,0.00002755614],"about_ca_topic_score_codex":0.003729551,"about_ca_topic_score_gemma":0.006742339,"teacher_disagreement_score":0.012236819,"about_ca_system_score_codex":0.005095968,"about_ca_system_score_gemma":0.0016721531,"threshold_uncertainty_score":0.036974072},"labels":[],"label_agreement":null},{"id":"W2140778140","doi":"10.1353/vcr.2006.0005","title":"Victorian Crime, Madness, and Sensation ed. by Andrew Maunder and Grace Moore (review)","year":2006,"lang":"en","type":"article","venue":"Victorian review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Criticism; Theme (computing); Sensation; Sociology; Art history; Literature; Art; Psychology","score_opus":0.014309464369650918,"score_gpt":0.24094713644316842,"score_spread":0.2266376720735175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140778140","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000018637149,0.9971341,0.000010242874,0.0014542685,0.0009199112,0.0000039902548,0.00001213307,0.000001368765,0.00044526297],"genre_scores_gemma":[0.00039189256,0.9944396,0.000044409615,0.0019695384,0.0010495163,0.000019754516,0.000034740526,0.0000037358025,0.0020467394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989512,0.000270546,0.0001261508,0.00014609695,0.0004045638,0.00010146667],"domain_scores_gemma":[0.99841785,0.0005622373,0.00028268123,0.00003623589,0.00052364805,0.0001772916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001444108,0.0017593204,0.0026397628,0.0032555459,0.00092744373,0.0035402991,0.0016183062,0.0022294747,0.013488768],"category_scores_gemma":[0.0037481047,0.0009506476,0.0009835936,0.00479906,0.0016556091,0.0034369163,0.0021266656,0.0040185293,0.0059158485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056150853,0.00003133395,0.00027677589,0.019482989,0.00009958916,0.00015507652,0.0005070031,0.00008700465,0.00013056262,0.0027479217,0.6965506,0.27987492],"study_design_scores_gemma":[0.000016595139,0.000029108769,0.0015655888,0.022828069,0.000051235413,0.0007834688,0.0004195166,0.000025925083,0.00003304365,0.0007549675,0.9734735,0.000019052584],"about_ca_topic_score_codex":0.023301404,"about_ca_topic_score_gemma":0.043245744,"teacher_disagreement_score":0.023301404,"about_ca_system_score_codex":0.0035647675,"about_ca_system_score_gemma":0.0070199906,"threshold_uncertainty_score":0.046331525},"labels":[],"label_agreement":null},{"id":"W2149780249","doi":"10.3968/j.ccc.1923670020050102.012","title":"Faulkner’s Gothic Complex in A Rose for Emily","year":2010,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Depiction; Art; Plot (graphics); Style (visual arts); Literature; Humanities; Art history","score_opus":0.09859447997968086,"score_gpt":0.3741442787163391,"score_spread":0.27554979873665825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2149780249","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40903428,0.0042636897,0.0047269966,0.006813939,0.0012696716,0.00007926595,0.000095658484,0.00021222097,0.5735043],"genre_scores_gemma":[0.88196594,0.00077234686,0.0019574496,0.0005208742,0.00016598668,0.000023797716,0.000032771797,0.00014213282,0.11441865],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993668,0.0002929681,0.0000140655,0.00009064761,0.00012348325,0.00011201815],"domain_scores_gemma":[0.9997466,0.00007611939,0.000044637974,0.00003388793,0.000036704612,0.00006195703],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093164877,0.00046052842,0.00030262064,0.00049642025,0.0057165218,0.0036421276,0.00049940177,0.0010595107,0.0076930327],"category_scores_gemma":[0.0012000307,0.00024132275,0.00027504747,0.00039598416,0.0066543347,0.0018673581,0.0022818444,0.0025252947,0.001040543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051763473,0.00009821767,0.0034935563,0.00046643495,0.000041061543,0.008346636,0.47411388,0.0005167279,0.0058117956,0.39252216,0.0549909,0.059081],"study_design_scores_gemma":[0.000025047102,0.00018672996,0.012745967,0.00023755326,0.000023885437,0.0039073788,0.09319997,0.00042844782,0.0023941335,0.0052074855,0.8815859,0.000057568217],"about_ca_topic_score_codex":0.0036123437,"about_ca_topic_score_gemma":0.014236592,"teacher_disagreement_score":0.0076930327,"about_ca_system_score_codex":0.0024987354,"about_ca_system_score_gemma":0.00062055094,"threshold_uncertainty_score":0.025735736},"labels":[],"label_agreement":null},{"id":"W2154908707","doi":"10.3968/j.css.1923669720070304.004","title":"Who Makes a Devil out of a Fair Lady? —An Analysis of the Social Causes of Emily’s Tragedy in A Rose for Emily","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Character (mathematics); Literature; Plot (graphics); Meaning (existential); History; Power (physics); Art; Philosophy","score_opus":0.0455267374043349,"score_gpt":0.30360157251549613,"score_spread":0.25807483511116125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154908707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8119193,0.0063593364,0.001060929,0.03585733,0.00049027044,0.00007127051,0.00010600536,0.000036759513,0.14409879],"genre_scores_gemma":[0.9808157,0.0020352653,0.00019817309,0.0018706576,0.0002398121,0.000025030276,0.00004030106,0.0000363345,0.014738607],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985678,0.00065835734,0.000027579685,0.0001295107,0.00023593564,0.0003807276],"domain_scores_gemma":[0.9982552,0.00063625193,0.00044535546,0.000059547277,0.0002927578,0.00031095624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002039706,0.00048565163,0.00037752703,0.0022195438,0.01548332,0.006875398,0.0014427099,0.0023686963,0.004161086],"category_scores_gemma":[0.0033776155,0.0003675128,0.00030349204,0.0014119558,0.013287047,0.0040081777,0.0050803577,0.005019752,0.000571099],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050039685,0.00011646021,0.018007863,0.00012549647,0.000038137845,0.005544956,0.836858,0.00014711058,0.0003978,0.09123897,0.031209527,0.016265709],"study_design_scores_gemma":[0.0000051634465,0.000046898473,0.047008265,0.00021051499,0.00001585317,0.00087319216,0.8169473,0.00023174014,0.00023078383,0.004755958,0.12964973,0.000024617408],"about_ca_topic_score_codex":0.03475004,"about_ca_topic_score_gemma":0.07827412,"teacher_disagreement_score":0.03475004,"about_ca_system_score_codex":0.009296033,"about_ca_system_score_gemma":0.0027470747,"threshold_uncertainty_score":0.06909555},"labels":[],"label_agreement":null},{"id":"W2161595381","doi":"10.1093/tcbh/hwq032","title":"'The Third Degree': Press Reporting, Crime Fiction and Police Powers in 1920s Britain","year":2010,"lang":"en","type":"article","venue":"Twentieth Century British History","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"International Centre for Comparative Criminology","funders":"Arts and Humanities Research Council","keywords":"Degree (music); Political science; Criminology; Law; Sociology; Physics","score_opus":0.0396987650322559,"score_gpt":0.24590091437262956,"score_spread":0.20620214934037367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161595381","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54365236,0.023182543,0.00079824915,0.036306065,0.0014445941,0.000036501242,0.00016277363,0.000055643737,0.39436126],"genre_scores_gemma":[0.9703773,0.003957949,0.000118311036,0.0015188447,0.00047373815,0.000012754143,0.000040580548,0.00003303646,0.023467481],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982083,0.0009866543,0.000062080006,0.00012499432,0.00037645688,0.00024150936],"domain_scores_gemma":[0.9888932,0.009220021,0.00068431394,0.0003281681,0.0005298145,0.0003445432],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002045546,0.00031794194,0.00032553266,0.0035377399,0.008355083,0.008205063,0.0006546184,0.002017459,0.005224357],"category_scores_gemma":[0.01008345,0.00033767524,0.00012806179,0.0031107261,0.019887174,0.0024251218,0.0026182465,0.0029655457,0.0006354589],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050061346,0.00006146609,0.0025082398,0.00018703146,0.0000055409873,0.0011547325,0.72348696,0.000070904076,0.0003162385,0.22367652,0.025734907,0.022747342],"study_design_scores_gemma":[0.000020553221,0.00009145718,0.018641008,0.0006445104,0.0000127580615,0.001094751,0.17192656,0.00016007424,0.0008179344,0.011475206,0.79507446,0.000040743027],"about_ca_topic_score_codex":0.03476043,"about_ca_topic_score_gemma":0.042772394,"teacher_disagreement_score":0.03476043,"about_ca_system_score_codex":0.008174669,"about_ca_system_score_gemma":0.0014507676,"threshold_uncertainty_score":0.069116175},"labels":[],"label_agreement":null},{"id":"W2166811417","doi":"10.1353/crc.2015.0031","title":"Rape in Stieg Larsson´s Millennium Trilogy and Beyond: Contemporary Scandinavian and Anglophone Crime Fiction ed. by Berit Åström, Katarina Gregersdottir, and Tanja Horek (review)","year":2015,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trilogy; History; Narrative; Art; Art history; Sociology; Literature","score_opus":0.041919538808044866,"score_gpt":0.2765719709766633,"score_spread":0.23465243216861845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2166811417","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023033554,0.99501085,0.000012431425,0.0019212889,0.0010346312,0.0000053915637,0.000025413661,0.0000028315358,0.0017567942],"genre_scores_gemma":[0.0025384359,0.9931288,0.000029836963,0.0018073508,0.0006173984,0.000017241027,0.000101814505,0.000005381083,0.0017537051],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988803,0.00039623404,0.00011898114,0.00010797009,0.00035914907,0.00013740538],"domain_scores_gemma":[0.9979944,0.0008359754,0.0004151126,0.00003354032,0.00051292765,0.00020808972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012175906,0.0011046539,0.0018559484,0.0030968676,0.0012288708,0.005723847,0.0011106181,0.0025741044,0.009067827],"category_scores_gemma":[0.0032026235,0.00056033704,0.0008506779,0.0069338656,0.00216314,0.0032499493,0.00180303,0.0026763692,0.0030986683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088836714,0.00004741393,0.0007977832,0.033074465,0.00019808498,0.00047729167,0.0046999995,0.00014046422,0.00026376304,0.0035894937,0.5638476,0.3927748],"study_design_scores_gemma":[0.000011314391,0.000051320232,0.004026672,0.042873807,0.000102740116,0.0009907713,0.0035974383,0.000016448217,0.00005950118,0.00043863253,0.9477962,0.000035090103],"about_ca_topic_score_codex":0.017274465,"about_ca_topic_score_gemma":0.03244457,"teacher_disagreement_score":0.017274465,"about_ca_system_score_codex":0.0024014055,"about_ca_system_score_gemma":0.0059306785,"threshold_uncertainty_score":0.034347832},"labels":[],"label_agreement":null},{"id":"W2168968720","doi":"10.18740/s4fw2m","title":"Mallea, Paula. 2011. Fearmonger: Stephen Harper's Tough-on-Crime Agenda.","year":2012,"lang":"en","type":"article","venue":"Socialist studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Criminology; Law and economics; Economic history; Sociology; Law; Management; Economics","score_opus":0.20280215659850664,"score_gpt":0.35141185384825735,"score_spread":0.1486096972497507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2168968720","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00067607925,0.19025242,0.0005258942,0.72746754,0.00788923,0.000018921693,0.00036226813,0.00014432827,0.07266332],"genre_scores_gemma":[0.07255657,0.19826373,0.0026838663,0.2403039,0.011069757,0.00029257408,0.00040541813,0.0005748739,0.47384924],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871874,0.00039106593,0.000075482334,0.00015786244,0.000434617,0.0002222115],"domain_scores_gemma":[0.9931785,0.0030037975,0.00034026237,0.00025260265,0.0020125236,0.0012123691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023858573,0.0011658375,0.0006836701,0.0035634434,0.013130907,0.008971962,0.0023856822,0.014329997,0.05657124],"category_scores_gemma":[0.00906499,0.0010315345,0.00046709622,0.0031612585,0.0077970633,0.013835437,0.0056482707,0.012991073,0.016685244],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014651477,0.0000074424183,0.00010030895,0.00010449327,0.000001909256,0.00004111857,0.0012407043,0.000012521131,0.00003684407,0.021474138,0.95733196,0.01963384],"study_design_scores_gemma":[0.00000676527,0.000006310798,0.00075589994,0.0007760065,0.000006354098,0.00006577395,0.0029184234,0.000017183445,0.00008300908,0.013748808,0.98160064,0.000014932596],"about_ca_topic_score_codex":0.0630214,"about_ca_topic_score_gemma":0.16929257,"teacher_disagreement_score":0.9945572,"about_ca_system_score_codex":0.005442784,"about_ca_system_score_gemma":0.009338953,"threshold_uncertainty_score":0.1892497},"labels":[],"label_agreement":null},{"id":"W2177533973","doi":"","title":"Aunt Ruby's Balloon","year":2009,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aunt; Balloon; Art; Art history; Medicine; Internal medicine","score_opus":0.02688175143806418,"score_gpt":0.26906935659166176,"score_spread":0.24218760515359758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2177533973","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053402255,0.0161278,0.00040668217,0.7219175,0.07493147,0.000026685253,0.00014229157,0.00016771609,0.1809396],"genre_scores_gemma":[0.034315243,0.0034133822,0.00026483598,0.12314922,0.006889467,0.000025159978,0.000032962653,0.00020408048,0.83170563],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989458,0.00026402602,0.000026545742,0.00022880512,0.0002629841,0.00027193545],"domain_scores_gemma":[0.9981686,0.00050971075,0.0000821696,0.00008401077,0.00035047028,0.00080506905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012060617,0.0005197486,0.00043502013,0.00081625103,0.014319386,0.0048085293,0.0008098053,0.004899037,0.077741496],"category_scores_gemma":[0.0052479445,0.0003195227,0.0003198305,0.000374891,0.0031059536,0.0035486359,0.0038613032,0.010456408,0.014922904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016612486,0.00001540421,0.00028351368,0.000019639963,0.0000029215732,0.0002266319,0.002339123,0.000009945591,0.00011075081,0.015321687,0.96663195,0.01502183],"study_design_scores_gemma":[0.0000027513784,0.0000076777105,0.00025083407,0.000055089367,0.0000014689672,0.00016077372,0.002519312,0.000009898432,0.000067145265,0.0012008174,0.9957188,0.000005566722],"about_ca_topic_score_codex":0.023838473,"about_ca_topic_score_gemma":0.059441738,"teacher_disagreement_score":0.077741496,"about_ca_system_score_codex":0.0032327042,"about_ca_system_score_gemma":0.002126097,"threshold_uncertainty_score":0.26007122},"labels":[],"label_agreement":null},{"id":"W2207753791","doi":"10.4000/erea.4731","title":"Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter by Susan Hill","year":2015,"lang":"en","type":"article","venue":"E-rea","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Character (mathematics); Art; Art history; Literature; SAINT; Feature (linguistics); History; Philosophy; Linguistics","score_opus":0.044103337293223015,"score_gpt":0.24683154591572357,"score_spread":0.20272820862250054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2207753791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45623913,0.009896635,0.0008750417,0.08151664,0.003088882,0.00009120765,0.00031317628,0.00012700904,0.4478523],"genre_scores_gemma":[0.77881503,0.00189205,0.0005480287,0.0051032305,0.00015662985,0.000040726016,0.000053972763,0.00010339409,0.21328697],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993481,0.0002982725,0.000008615209,0.000080464524,0.00010671494,0.00015777914],"domain_scores_gemma":[0.99922466,0.00025768657,0.00007724605,0.00005245349,0.00016417117,0.00022381128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075442326,0.00044930412,0.0002333825,0.0007417458,0.01682852,0.0027939288,0.0009888588,0.0012779612,0.010538689],"category_scores_gemma":[0.002246219,0.00019230889,0.0001405053,0.0006981166,0.007208692,0.0016459064,0.0017736861,0.0041211336,0.0008707337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056938596,0.000055218,0.0038542808,0.000109614775,0.000012685311,0.0024086062,0.6199471,0.000128342,0.00093582104,0.062188048,0.276398,0.033905447],"study_design_scores_gemma":[0.000002600955,0.000017173576,0.006390754,0.00017619482,0.0000058629416,0.0007193785,0.25053763,0.00004885843,0.0004094578,0.000710809,0.74095356,0.000027709333],"about_ca_topic_score_codex":0.7426063,"about_ca_topic_score_gemma":0.9342117,"teacher_disagreement_score":0.7426063,"about_ca_system_score_codex":0.016499756,"about_ca_system_score_gemma":0.006754423,"threshold_uncertainty_score":0.5178191},"labels":[],"label_agreement":null},{"id":"W2227770034","doi":"","title":"\"Tears of Compunction\": French Gothic Ivories in Devotional Practice","year":2009,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tears; Art; History; Ancient history; Visual arts; Medicine; Surgery","score_opus":0.006138287528781071,"score_gpt":0.16821100368908629,"score_spread":0.16207271616030522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227770034","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48745552,0.006899339,0.0022385784,0.0051587936,0.00019389998,0.000015124373,0.000040170515,0.000046396894,0.49795225],"genre_scores_gemma":[0.98110896,0.00061808596,0.00021793728,0.00016908946,0.000029999645,0.0000041497274,0.000007769114,0.00001201224,0.017831896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99861145,0.00074882567,0.00002155196,0.0001384689,0.00015939388,0.00032033242],"domain_scores_gemma":[0.9994554,0.00024626122,0.0000794579,0.00005962877,0.00007753109,0.00008166048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001128853,0.0004310842,0.00022110563,0.0014029425,0.008058957,0.0067657707,0.0005291185,0.0014094086,0.0052564675],"category_scores_gemma":[0.0015526452,0.00017412013,0.00023210165,0.0010290664,0.021803798,0.0025012777,0.0024901845,0.00177742,0.00039505042],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056298595,0.000017757104,0.0029601455,0.000045127013,0.000004326658,0.0004669889,0.4789027,0.00007302789,0.00039023257,0.49237508,0.0023972115,0.022311144],"study_design_scores_gemma":[0.000019621753,0.00009554306,0.01755079,0.000269603,0.00001450928,0.0011221402,0.34360763,0.00020319148,0.0007070221,0.021175351,0.61519456,0.000039968374],"about_ca_topic_score_codex":0.06662931,"about_ca_topic_score_gemma":0.10302637,"teacher_disagreement_score":0.9333707,"about_ca_system_score_codex":0.01159722,"about_ca_system_score_gemma":0.0021976994,"threshold_uncertainty_score":0.132483},"labels":[],"label_agreement":null},{"id":"W2262695408","doi":"","title":"“If You Enjoyed This Book, Join the Crime Club”: Armchair Detection and Reader Participation in Agatha Christie’s The Thirteen Problems","year":2014,"lang":"en","type":"article","venue":"The albatross","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agatha; Club; Detective fiction; Reading (process); Join (topology); Art; Literature; Sociology; Psychology; Law; Political science","score_opus":0.037954105902663016,"score_gpt":0.26299201468423394,"score_spread":0.22503790878157093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2262695408","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44146323,0.009403132,0.0045818407,0.09828922,0.002490334,0.00008933364,0.000085433836,0.00017828694,0.4434191],"genre_scores_gemma":[0.9005206,0.002022586,0.00070597103,0.005336623,0.00037596995,0.00005503102,0.000026347223,0.00013862703,0.09081821],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968683,0.0020099424,0.000042908836,0.00021451495,0.0004984545,0.0003659128],"domain_scores_gemma":[0.99485,0.003528933,0.00047495542,0.0001728779,0.0003310775,0.0006421294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024061403,0.00060260907,0.00045496057,0.0014117359,0.023789706,0.011309323,0.0012352607,0.0031957927,0.007914941],"category_scores_gemma":[0.009422225,0.00032305744,0.0002399146,0.0008464008,0.021875245,0.0062373863,0.005796371,0.008588823,0.0012746073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020508909,0.000027790633,0.00078525994,0.00006986198,0.0000042167335,0.001182129,0.91720176,0.000044937755,0.00022594022,0.040277187,0.033063136,0.007097264],"study_design_scores_gemma":[0.0000055839873,0.000045469355,0.0013070283,0.00035785013,0.000009662003,0.0015027917,0.57075435,0.00009945647,0.000581068,0.0039304635,0.42137876,0.000027613405],"about_ca_topic_score_codex":0.011113405,"about_ca_topic_score_gemma":0.023930427,"teacher_disagreement_score":0.023789706,"about_ca_system_score_codex":0.0038678623,"about_ca_system_score_gemma":0.0021108896,"threshold_uncertainty_score":0.028063476},"labels":[],"label_agreement":null},{"id":"W2276128358","doi":"","title":"Uni 101 or This Vale of Tears","year":2012,"lang":"en","type":"article","venue":"Divergent/Convergent","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Tears; Geography; Medicine; Surgery","score_opus":0.08805793320211397,"score_gpt":0.27366502430652795,"score_spread":0.18560709110441398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276128358","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010298255,0.001774638,0.0026983474,0.04352374,0.0063940394,0.000037451253,0.0002003758,0.00021688778,0.9348561],"genre_scores_gemma":[0.20120047,0.0011480816,0.0018678921,0.016686318,0.0033842418,0.000111931884,0.0001859259,0.0004698861,0.77494526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996959,0.00096680043,0.00016599469,0.00039910726,0.0009882156,0.00052096014],"domain_scores_gemma":[0.9945809,0.0015261077,0.0004560511,0.0013307204,0.0013577716,0.0007484745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002243678,0.0007944002,0.0005931287,0.0021437237,0.0089969,0.015162387,0.0013990026,0.00378286,0.095298335],"category_scores_gemma":[0.01833483,0.00041533675,0.00046122278,0.0014632326,0.009237131,0.010140621,0.012045401,0.00897711,0.02368195],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060388844,0.000041479718,0.0012860446,0.00012062223,0.000013769376,0.00034213395,0.021976445,0.000022700264,0.0005919067,0.7004829,0.2183628,0.056698766],"study_design_scores_gemma":[0.000010415558,0.000033152388,0.0016668217,0.0003038768,0.000014027247,0.00055792514,0.027225731,0.000101712416,0.00058662606,0.072231375,0.89723766,0.0000306883],"about_ca_topic_score_codex":0.0030436562,"about_ca_topic_score_gemma":0.0063802116,"teacher_disagreement_score":0.095298335,"about_ca_system_score_codex":0.0017323359,"about_ca_system_score_gemma":0.001754794,"threshold_uncertainty_score":0.31880468},"labels":[],"label_agreement":null},{"id":"W2296265658","doi":"10.1353/mos.2016.0005","title":"The Detective as “Zombie of the Interrogative Mood” in Cameron McCabe’s The Face on the Cutting-Room Floor","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interrogative; Zombie; Reading (process); Face (sociological concept); Interrogation; Mood; Psychology; Psychoanalysis; Visual arts; Art; Social psychology; Computer science; History; World Wide Web; Linguistics; Philosophy","score_opus":0.02895245827471667,"score_gpt":0.24261660649781236,"score_spread":0.21366414822309568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2296265658","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28209567,0.00402423,0.008545631,0.055562466,0.000988561,0.0000428261,0.00006620309,0.00010982318,0.64856464],"genre_scores_gemma":[0.9811553,0.00031234315,0.00052732526,0.0015865106,0.0001464782,0.000014081491,0.0000089539335,0.000050552087,0.016198488],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981406,0.0012674299,0.000023520633,0.00015362984,0.00025237387,0.00016240866],"domain_scores_gemma":[0.99879444,0.0007904244,0.000130279,0.000089287816,0.00010946189,0.00008619888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015808571,0.0002893481,0.00020438235,0.0006376766,0.0071628224,0.006000998,0.00052277837,0.0016449764,0.002868045],"category_scores_gemma":[0.004586565,0.00021816384,0.00015529613,0.00036191355,0.024797358,0.003976912,0.0023960844,0.003283885,0.00035313968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039714843,0.000013686249,0.00046583824,0.00003504338,0.0000030368863,0.00037993913,0.34420574,0.00004166238,0.0014140935,0.63605636,0.010602641,0.006742146],"study_design_scores_gemma":[0.000025742216,0.00006589982,0.0042638583,0.00034236093,0.000023200531,0.0012523091,0.29085776,0.0003621647,0.003933055,0.098465115,0.6003419,0.00006659452],"about_ca_topic_score_codex":0.011936159,"about_ca_topic_score_gemma":0.018285725,"teacher_disagreement_score":0.011936159,"about_ca_system_score_codex":0.003982376,"about_ca_system_score_gemma":0.0011628832,"threshold_uncertainty_score":0.028894305},"labels":[],"label_agreement":null},{"id":"W2317028549","doi":"10.14288/1.0091239","title":"Russia in the prism of popular culture : Russian and American detective fiction and thrillers of the 1990s","year":2009,"lang":"en","type":"article","venue":"Open Collections","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Prism; Detective fiction; Russian literature; Art; Literature; History; Political science; Physics; Optics","score_opus":0.021858971759547964,"score_gpt":0.2572495482457167,"score_spread":0.23539057648616876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317028549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8853016,0.0049475324,0.00031816566,0.009132702,0.0003435136,0.000011525322,0.000058011774,0.000016799995,0.0998702],"genre_scores_gemma":[0.99642974,0.0010297563,0.000048136368,0.00027940283,0.00011573974,0.0000053466747,0.000021076447,0.0000110089295,0.0020598592],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977563,0.0013175966,0.00006678926,0.00019760677,0.00032182632,0.00033978748],"domain_scores_gemma":[0.9971238,0.0017585614,0.0005359699,0.00016484752,0.00020351991,0.00021338348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024557365,0.00037064002,0.000441651,0.0025307708,0.008883098,0.009186777,0.00073560054,0.0017431622,0.0022018482],"category_scores_gemma":[0.005068152,0.0002988207,0.00026278768,0.0021339494,0.013610391,0.0050912634,0.0038367275,0.0034940555,0.00022593295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007105452,0.000049179653,0.0039302623,0.00008133687,0.000014444553,0.00046194196,0.92180127,0.000035623158,0.00034995732,0.061755434,0.0033045802,0.008144868],"study_design_scores_gemma":[0.000019255607,0.00009407062,0.027640948,0.00036188719,0.00003874253,0.00078283116,0.78858525,0.00021195566,0.00058830914,0.0068604737,0.17478357,0.00003270557],"about_ca_topic_score_codex":0.0076849055,"about_ca_topic_score_gemma":0.010658477,"teacher_disagreement_score":0.009186777,"about_ca_system_score_codex":0.0046013007,"about_ca_system_score_gemma":0.0010102397,"threshold_uncertainty_score":0.03338492},"labels":[],"label_agreement":null},{"id":"W2324590116","doi":"10.17742/image.periph.5-1.9","title":"IT’S A KIND OF MAGIC: SITUATING NOSTALGIA FOR TECHNOLOGICAL PROGRESS AND THE OCCULT IN GUY RITCHIE’S SHERLOCK HOLMES","year":2014,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Occult; Art; Art history; Literature; Medicine; Physics; Astronomy; Pathology","score_opus":0.05516561199354282,"score_gpt":0.399700036443012,"score_spread":0.3445344244494692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324590116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7173072,0.0065963585,0.0022685637,0.029834105,0.0005668178,0.000025062982,0.00007828713,0.00007332748,0.24325027],"genre_scores_gemma":[0.98903626,0.0007006881,0.00017563875,0.0007231638,0.00009608692,0.000007593446,0.000011447875,0.000054493168,0.009194558],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981078,0.0011623877,0.00003709691,0.00015609001,0.0002526136,0.00028404035],"domain_scores_gemma":[0.9946542,0.003872677,0.00046886524,0.00053851365,0.0002137851,0.00025206333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023732597,0.00044730137,0.0003573072,0.002174935,0.011582745,0.010926145,0.00096121477,0.0025625327,0.0036084808],"category_scores_gemma":[0.0063996473,0.00039471837,0.00015612044,0.0018614137,0.055463057,0.0068756235,0.005461673,0.004930075,0.0004465077],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019654652,0.0000056358963,0.00067639205,0.000035097266,0.0000036638971,0.00041618623,0.9125445,0.00002187472,0.000221477,0.080783255,0.002635371,0.0026368818],"study_design_scores_gemma":[0.000008382217,0.000023132967,0.0017102887,0.00022319319,0.000010939648,0.00058997027,0.7939339,0.00009408311,0.0007243413,0.011594,0.19106126,0.000026595986],"about_ca_topic_score_codex":0.014903164,"about_ca_topic_score_gemma":0.034593653,"teacher_disagreement_score":0.014903164,"about_ca_system_score_codex":0.0059612296,"about_ca_system_score_gemma":0.0013647206,"threshold_uncertainty_score":0.04325193},"labels":[],"label_agreement":null},{"id":"W2327499650","doi":"10.17742/image.periph.5-1.5","title":"IMAGINING PLACE: AN EMPIRICAL STUDY OF HOW CULTURAL OUTSIDERS AND INSIDERS RECEIVE FICTIONAL REPRESENTATIONS OF PLACE IN CARYL FÉREY’S UTU","year":2014,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Auckland","keywords":"Insider; Reading (process); Situated; Sociology; Set (abstract data type); Reflexive pronoun; Cultural studies; Literature; Linguistics; Media studies; Art; Epistemology; Philosophy; Anthropology; Computer science","score_opus":0.08999837737127117,"score_gpt":0.437902726286155,"score_spread":0.34790434891488387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327499650","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9901726,0.00018011798,0.0003037893,0.00047556477,0.000019988825,0.000013046533,0.000020152269,0.000005740784,0.008809057],"genre_scores_gemma":[0.99705374,0.00014622706,0.00014375847,0.00012710062,0.000013949604,0.000013082226,0.00001576079,0.000014294471,0.0024721492],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9976767,0.0013815002,0.000049051443,0.00024322844,0.00031164626,0.00033798517],"domain_scores_gemma":[0.992778,0.0044253506,0.0012333557,0.00040880524,0.00064741756,0.0005071849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027723417,0.00046273984,0.000531221,0.0020373652,0.008043229,0.007160822,0.0010839016,0.0017569805,0.004290334],"category_scores_gemma":[0.010430921,0.00039822294,0.00022604242,0.0013010801,0.0119948955,0.0047084643,0.0038903886,0.002707089,0.0004579786],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018850695,0.000027917024,0.0032715625,0.000019718316,0.0000018621122,0.00025488372,0.9929477,0.000006784626,0.000255711,0.00091228716,0.00026779532,0.0020149804],"study_design_scores_gemma":[0.0000020150458,0.0000384561,0.0068036546,0.000035289035,0.000003324886,0.00019301871,0.984789,0.0000338163,0.00022795821,0.00020646873,0.007654527,0.000012596186],"about_ca_topic_score_codex":0.027653465,"about_ca_topic_score_gemma":0.049112644,"teacher_disagreement_score":0.027653465,"about_ca_system_score_codex":0.003240639,"about_ca_system_score_gemma":0.0009870981,"threshold_uncertainty_score":0.054984987},"labels":[],"label_agreement":null},{"id":"W2335066991","doi":"10.2307/4054189","title":"L. Perry CurtisJr. , Jack the Ripper and the London Press. New Haven, Conn.: Yale University Press. 2001. Pp. Viii, 354. $35.00. ISBN 0-300-08872-8.","year":2003,"lang":"en","type":"article","venue":"Albion A Quarterly Journal Concerned with British Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Content (measure theory); History; Mathematics","score_opus":0.04342152728717831,"score_gpt":0.23896592724599702,"score_spread":0.19554439995881873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335066991","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022284492,0.9304455,0.0004558363,0.020840231,0.0029954177,0.00002029439,0.0005776509,0.000108040855,0.044334237],"genre_scores_gemma":[0.00542917,0.69130725,0.0012392539,0.0076839454,0.00186705,0.00007607105,0.00063215144,0.0002926083,0.29147243],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991943,0.0001876314,0.00008667466,0.000109743145,0.00032997614,0.00009168422],"domain_scores_gemma":[0.99800545,0.00086842885,0.00023216514,0.00009457235,0.00056412123,0.00023530563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014939132,0.0023430153,0.0014670282,0.00496358,0.0028113625,0.0046067876,0.0017729264,0.0037700387,0.094206564],"category_scores_gemma":[0.003812425,0.0021438296,0.0006413149,0.006571757,0.0022818248,0.009914011,0.0017915989,0.0042257686,0.06780123],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002357688,0.000009220089,0.00011789554,0.0004585182,0.0000062918616,0.00005650937,0.00062092586,0.000029687691,0.000045655663,0.004093154,0.9469435,0.047595013],"study_design_scores_gemma":[0.0000065701506,0.0000072643556,0.00087963045,0.0016918177,0.000008693051,0.00020342066,0.0006586808,0.000015058815,0.00006751184,0.0037595965,0.99268943,0.00001235824],"about_ca_topic_score_codex":0.034665823,"about_ca_topic_score_gemma":0.13342442,"teacher_disagreement_score":0.094206564,"about_ca_system_score_codex":0.0030339528,"about_ca_system_score_gemma":0.0042689093,"threshold_uncertainty_score":0.3151524},"labels":[],"label_agreement":null},{"id":"W2337810597","doi":"10.14288/1.0108918","title":"The mystique of the detective story","year":2010,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009646766305265283,"score_gpt":0.16594716882027413,"score_spread":0.15630040251500885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337810597","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08265791,0.00878288,0.0074607856,0.23103052,0.0034966548,0.000030666593,0.00057219865,0.0001592426,0.66580904],"genre_scores_gemma":[0.9050049,0.0027058276,0.0015171285,0.009172704,0.0013052727,0.000033421114,0.00017607618,0.00012271438,0.079961926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983491,0.00072503847,0.000046127643,0.0001879772,0.000562109,0.00012964892],"domain_scores_gemma":[0.99666023,0.0017044226,0.00031906262,0.00048567727,0.0005391165,0.00029146223],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013491574,0.00027436705,0.00025127493,0.000880462,0.007107222,0.0068992204,0.0009331702,0.0022591862,0.0074393465],"category_scores_gemma":[0.009950295,0.00028501396,0.00012236323,0.0006537866,0.018311804,0.0068399804,0.002661662,0.006465557,0.0014048779],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009629145,0.000018609786,0.0009987059,0.00013881251,0.000013331166,0.0009439808,0.11188728,0.000089142726,0.0008480863,0.6314708,0.21484709,0.03864793],"study_design_scores_gemma":[0.000007531352,0.000022768927,0.0019048734,0.00018694867,0.000007017549,0.002246586,0.04085795,0.00008901856,0.00063451927,0.04752637,0.9064975,0.00001905195],"about_ca_topic_score_codex":0.006612956,"about_ca_topic_score_gemma":0.0100842165,"teacher_disagreement_score":0.0074393465,"about_ca_system_score_codex":0.0019849818,"about_ca_system_score_gemma":0.0010461624,"threshold_uncertainty_score":0.024887085},"labels":[],"label_agreement":null},{"id":"W2338660409","doi":"","title":"The \"Problem\" of Immigration and Contemporary Spanish Detective Fiction","year":2008,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Detective fiction; Immigration; History; Geography; Literature; Political science; Art history; Art; Law","score_opus":0.007581016571086485,"score_gpt":0.15461864773807396,"score_spread":0.14703763116698748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338660409","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39319485,0.013643644,0.0023764179,0.07328866,0.00542852,0.000023376031,0.000090506386,0.00010543153,0.5118486],"genre_scores_gemma":[0.96430755,0.002336862,0.00026653172,0.0034585216,0.0014334832,0.000016744974,0.000041019623,0.000056809662,0.02808261],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984785,0.00076813815,0.000027026292,0.00013959329,0.00024260419,0.00034419145],"domain_scores_gemma":[0.99790037,0.0011561784,0.0002809575,0.00013265823,0.000340111,0.00018974998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019753322,0.00058142876,0.00037610473,0.0012524477,0.008461766,0.007965472,0.0011462551,0.002297928,0.002957422],"category_scores_gemma":[0.005619778,0.00014262524,0.00031793801,0.0011779302,0.015561324,0.002272403,0.0038219357,0.003656598,0.00040030474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016292444,0.000077885285,0.0041182297,0.0002260841,0.0000150920405,0.0027706677,0.48488188,0.00024091762,0.0006637201,0.40473697,0.06798738,0.034118287],"study_design_scores_gemma":[0.000020199437,0.000044820565,0.0036281974,0.00037988476,0.000012036723,0.0011417506,0.1421467,0.00028592246,0.0004594097,0.012525944,0.83932537,0.000029723404],"about_ca_topic_score_codex":0.017428467,"about_ca_topic_score_gemma":0.015955962,"teacher_disagreement_score":0.017428467,"about_ca_system_score_codex":0.008095047,"about_ca_system_score_gemma":0.0018538646,"threshold_uncertainty_score":0.05873388},"labels":[],"label_agreement":null},{"id":"W2339071913","doi":"10.3828/ajfs.2016.07","title":"Writing Up Close and From a Distance: French and North-American Representations of Belleville (Paris) in Contemporary <i>Roman Noir</i>","year":2016,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Genealogy","score_opus":0.10261462357351438,"score_gpt":0.32222446710372094,"score_spread":0.21960984353020657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2339071913","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81043345,0.005448225,0.000603054,0.01793659,0.0002668378,0.000011899716,0.000045780576,0.000038677343,0.16521546],"genre_scores_gemma":[0.9910114,0.0004367876,0.00007186536,0.0005940122,0.00003530235,0.0000037391987,0.0000091588845,0.000016008347,0.007821688],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976788,0.0015828003,0.00002296502,0.00016938115,0.00020685101,0.0003392157],"domain_scores_gemma":[0.99829835,0.001084605,0.00020781135,0.0000682428,0.0001684282,0.00017269092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002501077,0.0006112084,0.0003281601,0.001620677,0.017356819,0.009106879,0.00089306006,0.0024141336,0.0056466293],"category_scores_gemma":[0.0034343794,0.00022892252,0.00018925435,0.0011421519,0.016117182,0.0033371656,0.0026994413,0.0032172594,0.00033434236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032230382,0.000010605083,0.00092689844,0.000023252207,0.0000043542436,0.00048596,0.9634319,0.00003723603,0.0001968569,0.027366752,0.0028046903,0.004679283],"study_design_scores_gemma":[0.0000056939552,0.00004176111,0.007452875,0.00012962052,0.000009438555,0.00054103974,0.8290511,0.00012330919,0.00026638975,0.0013244614,0.16101883,0.00003542371],"about_ca_topic_score_codex":0.17878857,"about_ca_topic_score_gemma":0.25164634,"teacher_disagreement_score":0.17878857,"about_ca_system_score_codex":0.01153589,"about_ca_system_score_gemma":0.0018065949,"threshold_uncertainty_score":0.3554958},"labels":[],"label_agreement":null},{"id":"W2340821721","doi":"10.1353/vpr.2016.0009","title":"The Sympathy of Suspense: Gaskell and Braddon’s Slow and Fast Sensation Fiction in Family Magazines","year":2016,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sympathy; Sensation; Art; Literature; Psychology; Social psychology; Cognitive psychology","score_opus":0.019508650075920758,"score_gpt":0.24078525986420965,"score_spread":0.2212766097882889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2340821721","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13605234,0.5286156,0.0008628983,0.10497506,0.0050124833,0.000028217599,0.000035858695,0.000029569108,0.22438793],"genre_scores_gemma":[0.80153704,0.13243394,0.0002816243,0.01902856,0.003684718,0.00003021582,0.000021343161,0.000051475516,0.042931013],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982101,0.0010603855,0.000045158904,0.00013039912,0.00038901073,0.00016509953],"domain_scores_gemma":[0.99488384,0.004011016,0.0004160093,0.00012962494,0.0003140257,0.0002453542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030189767,0.000223196,0.00031787134,0.0014330114,0.003365381,0.005483644,0.0005596645,0.0019103787,0.002524441],"category_scores_gemma":[0.0055977735,0.00016798574,0.00013547453,0.0015036968,0.010175635,0.0035285703,0.0019163351,0.0031513374,0.00040996884],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013899911,0.00009848626,0.0022148052,0.0018160465,0.000037359496,0.0016394568,0.38963017,0.00007929502,0.0012883485,0.2851173,0.115804695,0.20213503],"study_design_scores_gemma":[0.000014385582,0.00005533217,0.00827353,0.0016626127,0.0000223819,0.00093572366,0.070777446,0.000035368575,0.00056719803,0.00872116,0.9089127,0.000022097487],"about_ca_topic_score_codex":0.013030385,"about_ca_topic_score_gemma":0.033088334,"teacher_disagreement_score":0.013030385,"about_ca_system_score_codex":0.0041022426,"about_ca_system_score_gemma":0.0023001202,"threshold_uncertainty_score":0.029763997},"labels":[],"label_agreement":null},{"id":"W2341450990","doi":"10.1353/vpr.2016.0006","title":"Finding a Transatlantic Audience: Reading Dinah Mulock Craik’s Mistress and Maid in Good Words and Harper’s Magazine","year":2016,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foregrounding; Reading (process); History; Class (philosophy); Art; Literature; Sociology; Art history; Philosophy; Linguistics","score_opus":0.02943131862086629,"score_gpt":0.271226376598008,"score_spread":0.24179505797714174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2341450990","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08567406,0.689255,0.00020875459,0.09830208,0.005928196,0.000030166646,0.000040147977,0.000017221546,0.12054442],"genre_scores_gemma":[0.5107614,0.42184806,0.0003363244,0.023360223,0.0035494948,0.000040774208,0.000046255387,0.00006063063,0.03999684],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778724,0.0012982142,0.00007363615,0.00015401312,0.00045479691,0.00023207121],"domain_scores_gemma":[0.9965036,0.0024472603,0.0003501422,0.00008866686,0.0003541662,0.00025611382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032009918,0.0003459105,0.00046132697,0.0026316454,0.006011204,0.0061373385,0.00067263964,0.002059299,0.0021853496],"category_scores_gemma":[0.0049033067,0.0003089663,0.0001402606,0.0025737137,0.008633287,0.003831586,0.0025672673,0.0026612736,0.00059336674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015905697,0.00010087114,0.0026150725,0.0038995307,0.00005796527,0.0028166422,0.56716716,0.00005556112,0.0014428098,0.101166606,0.1815312,0.13898745],"study_design_scores_gemma":[0.000012279361,0.000048158654,0.0037720164,0.002658141,0.000029631372,0.00089393405,0.15013134,0.00000862114,0.0005162094,0.0018651568,0.8400486,0.000015882235],"about_ca_topic_score_codex":0.026302874,"about_ca_topic_score_gemma":0.08481571,"teacher_disagreement_score":0.026302874,"about_ca_system_score_codex":0.0047976184,"about_ca_system_score_gemma":0.004186454,"threshold_uncertainty_score":0.05229956},"labels":[],"label_agreement":null},{"id":"W235362069","doi":"","title":"Gaz Bar Blues : Audacieusement drôle et tendre Gaz Bar Blues, Québec 2003, 115 minutes Gaz Bar Blues, Québec 2003, 115 minutes","year":2003,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Bar (unit); Art; Geology; Art history; Oceanography","score_opus":0.02572969185516949,"score_gpt":0.2522161063234457,"score_spread":0.22648641446827622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W235362069","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0797251,0.014951115,0.0014881035,0.082949944,0.017588701,0.0005647622,0.0336357,0.001580372,0.7675162],"genre_scores_gemma":[0.088050604,0.0018965673,0.00071358314,0.0022504784,0.0007066195,0.00009807778,0.0029562027,0.0002502353,0.90307766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970204,0.00003525196,0.000006672135,0.00004082846,0.00011096548,0.00010424223],"domain_scores_gemma":[0.99874675,0.000087648375,0.000041529263,0.000028508475,0.0005767111,0.0005188433],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050005,0.000785105,0.0003200254,0.00083846826,0.008928131,0.0034039773,0.0008820595,0.0026105288,0.16631943],"category_scores_gemma":[0.0019150577,0.00042770666,0.0002718175,0.00096756563,0.00094291824,0.0008700055,0.0009563554,0.0025988878,0.018367445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085189735,0.000043447177,0.0023929016,0.000056168712,0.000006360838,0.00021545863,0.002008503,0.00010998129,0.0005494819,0.00076164526,0.9790004,0.014770365],"study_design_scores_gemma":[0.00002066406,0.000023976147,0.045997266,0.00013413477,0.000007870993,0.00009251103,0.0064831986,0.00017095472,0.00029447762,0.00018208503,0.9465703,0.00002244828],"about_ca_topic_score_codex":0.93343204,"about_ca_topic_score_gemma":0.9882013,"teacher_disagreement_score":0.16631943,"about_ca_system_score_codex":0.018535918,"about_ca_system_score_gemma":0.011782223,"threshold_uncertainty_score":0.5563939},"labels":[],"label_agreement":null},{"id":"W2434541200","doi":"10.7227/gs.0001","title":"Playing the Man: Manliness and Mesmerism in Richard Marsh's<i>The Beetle</i>","year":2015,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Marsh; Art; History; Ecology; Biology; Wetland","score_opus":0.1656172880811039,"score_gpt":0.3192128201995287,"score_spread":0.15359553211842478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2434541200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1262851,0.015906727,0.0018913171,0.32600465,0.0039399303,0.000058110894,0.00007163949,0.00007713508,0.5257654],"genre_scores_gemma":[0.8194934,0.0026217022,0.00047926075,0.031484544,0.0008728857,0.000045778223,0.000017686989,0.00023277117,0.14475204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962025,0.0024998945,0.00006376594,0.00028237968,0.00033969848,0.0006117644],"domain_scores_gemma":[0.9961583,0.0025736867,0.000331977,0.00016648989,0.00028945197,0.00048010927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035902334,0.0006841753,0.00060245977,0.0019716206,0.03807223,0.011540589,0.0017160092,0.0072201984,0.006620258],"category_scores_gemma":[0.0065066577,0.000619198,0.00030521504,0.0013615426,0.050030116,0.008305109,0.005740795,0.015912417,0.0008250983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020720086,0.000026368987,0.00025007443,0.00004044986,0.0000046726373,0.00040510375,0.45709834,0.000023365817,0.00009105933,0.47314462,0.06374946,0.005145883],"study_design_scores_gemma":[0.000014421511,0.000021071568,0.000843702,0.00023235462,0.000012294559,0.00066262507,0.4128398,0.00005325972,0.00039151535,0.046553083,0.53834426,0.00003159635],"about_ca_topic_score_codex":0.057556618,"about_ca_topic_score_gemma":0.17820318,"teacher_disagreement_score":0.057556618,"about_ca_system_score_codex":0.0072109485,"about_ca_system_score_gemma":0.0037668182,"threshold_uncertainty_score":0.11444324},"labels":[],"label_agreement":null},{"id":"W2462587012","doi":"10.1057/9781137016768_6","title":"“A Wanted Man”: Transgender as Outlaw in Elizabeth Ruth’s Smoke","year":2012,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Gray (unit); Queer; Suspect; Art history; Art; History; Psychoanalysis; Literature; Psychology; Criminology; Medicine","score_opus":0.07016586373819146,"score_gpt":0.26309048508688304,"score_spread":0.1929246213486916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2462587012","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38117188,0.008523111,0.002786131,0.18995366,0.00724666,0.00009211017,0.00007952253,0.00013529675,0.41001156],"genre_scores_gemma":[0.8569871,0.0020022625,0.00041294858,0.02791989,0.00071495894,0.000058069207,0.000022568685,0.00014466047,0.11173756],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985039,0.00075758906,0.000020198251,0.00012893531,0.00026231311,0.0003270491],"domain_scores_gemma":[0.9991767,0.00037743678,0.00007472767,0.000042433097,0.00006805459,0.00026069465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014981106,0.00042004153,0.00033298088,0.0004447336,0.019812912,0.005492011,0.0010802282,0.0037940773,0.0048232125],"category_scores_gemma":[0.002405258,0.0003011499,0.0003015855,0.00028535983,0.01467622,0.0031147462,0.0037864917,0.008762332,0.00078770646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030890104,0.000042286323,0.0008226233,0.000046575635,0.0000046507525,0.0027891563,0.8208966,0.000040301395,0.0005489485,0.1200829,0.04601543,0.0086795855],"study_design_scores_gemma":[0.0000077735795,0.00003976883,0.0011573668,0.00026785006,0.0000055232385,0.0020140724,0.5351064,0.00009181612,0.0005097615,0.007712317,0.45306283,0.000024429659],"about_ca_topic_score_codex":0.035613976,"about_ca_topic_score_gemma":0.09997769,"teacher_disagreement_score":0.035613976,"about_ca_system_score_codex":0.0051981686,"about_ca_system_score_gemma":0.0030971724,"threshold_uncertainty_score":0.07081336},"labels":[],"label_agreement":null},{"id":"W2466805115","doi":"10.1353/ari.2016.0011","title":"A Poetics of Place in the World-System: West Coast Modernism and the Integration of Vancouver into the Global Economy","year":2016,"lang":"en","type":"article","venue":"Ariel","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Modernity; Modernism (music); Globalization; Postmodernism; Capital (architecture); Aesthetics; Capitalism; Sociology; History; Economy; Literature; Political science; Archaeology; Art; Politics; Economics; Law","score_opus":0.0299035164279767,"score_gpt":0.24663214282323742,"score_spread":0.21672862639526072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2466805115","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55392915,0.0043886267,0.0026287537,0.008040481,0.00020328425,0.00003374334,0.000041889107,0.000031947002,0.4307021],"genre_scores_gemma":[0.9789443,0.0007350852,0.0003480632,0.00013870094,0.0000118773205,0.000012307427,0.000008072393,0.000013235055,0.019788373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991373,0.0004593721,0.000017864868,0.00006634427,0.00014936288,0.00016973412],"domain_scores_gemma":[0.9993255,0.0002130002,0.000057879442,0.00007649024,0.00015749143,0.00016963774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006679772,0.0003552838,0.00021288857,0.0013215716,0.014740078,0.00991132,0.0007090704,0.0006949764,0.0028589498],"category_scores_gemma":[0.0016421418,0.00016913813,0.00010541822,0.0022719512,0.019947447,0.001848067,0.003523462,0.0017818926,0.00019766937],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065187174,0.000038850576,0.0063964524,0.00014511676,0.000010865877,0.00093483465,0.4619452,0.00026901293,0.0006999359,0.46756056,0.006138405,0.055795603],"study_design_scores_gemma":[0.000014081172,0.000049882965,0.010621747,0.00038546757,0.000018545874,0.00064532587,0.66018385,0.00038982427,0.00079518807,0.035986256,0.29087415,0.000035671892],"about_ca_topic_score_codex":0.37533793,"about_ca_topic_score_gemma":0.64348686,"teacher_disagreement_score":0.62466204,"about_ca_system_score_codex":0.011399774,"about_ca_system_score_gemma":0.0063498453,"threshold_uncertainty_score":0.7463064},"labels":[],"label_agreement":null},{"id":"W2467040979","doi":"","title":"Unless: A Covert Post-Colonial and Transnational Gothic Novel, Or The Haunted House (of Fiction) Is Falling Apart","year":2015,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Literature; History; Deconstruction (building); Trope (literature); Multiculturalism; Sociology; Art; Law; Political science","score_opus":0.08964453904065728,"score_gpt":0.30536905327453173,"score_spread":0.21572451423387445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2467040979","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.159659,0.025671225,0.0022505429,0.086514175,0.019322501,0.000035093843,0.00025591784,0.0002747824,0.7060168],"genre_scores_gemma":[0.7935775,0.0044957525,0.00085966906,0.0076403087,0.0019180531,0.000021470125,0.00011951639,0.000274464,0.19109322],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992939,0.00025410255,0.000008027693,0.0000674205,0.00018095976,0.00019556975],"domain_scores_gemma":[0.99936026,0.00024933292,0.000039708906,0.000051489966,0.0001427422,0.00015649754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070743024,0.00056055904,0.0003286513,0.000584811,0.01670652,0.006187484,0.00057514897,0.0011914707,0.0050131427],"category_scores_gemma":[0.0018966836,0.00016230698,0.00025100293,0.00047228142,0.014780073,0.0019420572,0.0017496513,0.003298369,0.0006586805],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013012721,0.0000298763,0.0009470732,0.0002140222,0.000020791484,0.0018776163,0.2287998,0.00018451047,0.0017191775,0.3152626,0.4235457,0.027268678],"study_design_scores_gemma":[0.0000032606017,0.000017077766,0.000887027,0.00014226581,0.0000069176003,0.00073306967,0.048742473,0.000052404088,0.00054259296,0.0036712554,0.94518197,0.000019661675],"about_ca_topic_score_codex":0.10113238,"about_ca_topic_score_gemma":0.31347182,"teacher_disagreement_score":0.8988676,"about_ca_system_score_codex":0.007579106,"about_ca_system_score_gemma":0.0046579805,"threshold_uncertainty_score":0.20108747},"labels":[],"label_agreement":null},{"id":"W2484531032","doi":"10.7208/chicago/9780226005539.003.0006","title":"Continental Ops","year":2009,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Commission; Subject (documents); Order (exchange); Geography; Sociology; History; Genealogy; Political science; Law; Politics","score_opus":0.053384342687150615,"score_gpt":0.23435250049891593,"score_spread":0.1809681578117653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2484531032","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009766906,0.0011495503,0.00010668943,0.00040717196,0.00031344107,0.000007243039,0.00015166505,0.000038569702,0.9968489],"genre_scores_gemma":[0.020676525,0.0018601508,0.00025480601,0.00045349722,0.00019330549,0.000017171455,0.00028686476,0.00010588833,0.97615176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974567,0.00003272459,0.000009105733,0.000059068072,0.00009353555,0.00005986577],"domain_scores_gemma":[0.99987483,0.000017843902,0.000010170301,0.000025413014,0.00004503162,0.000026695674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017748805,0.00046348837,0.0002574933,0.0011755773,0.0035526543,0.0037605604,0.0005698376,0.00083301245,0.24005976],"category_scores_gemma":[0.00048758328,0.00015712657,0.00021467147,0.0013357506,0.0014060851,0.0015747352,0.0025847896,0.0015452699,0.059317656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004607295,0.000032626398,0.0006327402,0.00019432514,0.0000053041704,0.0003897207,0.0038125487,0.00011050829,0.0005306437,0.46866927,0.35854852,0.16702765],"study_design_scores_gemma":[7.463978e-7,0.0000019644926,0.00016707594,0.000031224088,5.74341e-7,0.000036005877,0.00021689487,0.000005698446,0.000040197043,0.00089167774,0.9986071,8.954203e-7],"about_ca_topic_score_codex":0.01602017,"about_ca_topic_score_gemma":0.02946302,"teacher_disagreement_score":0.24005976,"about_ca_system_score_codex":0.0023910392,"about_ca_system_score_gemma":0.0010628965,"threshold_uncertainty_score":0.8030799},"labels":[],"label_agreement":null},{"id":"W2484820858","doi":"10.14361/9783839435410","title":"DiverCity – Global Cities as a Literary Phenomenon: Toronto, New York, and Los Angeles in a Globalizing Age","year":2016,"lang":"en","type":"book","venue":"BiblioBoard Library Catalog (Open Research Library)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Universität Mannheim; FAZIT Stiftung; Deutscher Akademischer Austauschdienst","keywords":"Phenomenon; Economic geography; History; Media studies; Sociology; Political science; Geography; Philosophy; Epistemology","score_opus":0.14100465749355298,"score_gpt":0.3350051575617986,"score_spread":0.19400050006824562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2484820858","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4551018,0.03776218,0.0006837591,0.019328456,0.0012038322,0.000055517725,0.00050176325,0.00009704807,0.48526567],"genre_scores_gemma":[0.94185185,0.010268427,0.00027779667,0.00073157024,0.00023288722,0.00004318935,0.00022782892,0.00006906524,0.046297487],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996026,0.000119945995,0.000012667184,0.00004860545,0.00008338175,0.00013276773],"domain_scores_gemma":[0.9994537,0.00015660652,0.00009414686,0.000031996133,0.00006469878,0.00019882363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004474969,0.00052734045,0.00023716311,0.002214679,0.010903994,0.008954625,0.000468289,0.0007424396,0.0045169527],"category_scores_gemma":[0.00087663764,0.00016025247,0.00016421959,0.0049682455,0.013009036,0.0029111232,0.0035988155,0.0015171588,0.0002934993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058971043,0.000016042968,0.0062871506,0.00017746935,0.000014640607,0.001485332,0.76591283,0.00018619286,0.00035788424,0.14480035,0.061346646,0.019356407],"study_design_scores_gemma":[0.0000065250706,0.000016188735,0.019252963,0.00021199335,0.000014268792,0.00031950782,0.48144442,0.00007388345,0.0001631529,0.0026557904,0.49582434,0.000017064256],"about_ca_topic_score_codex":0.4884335,"about_ca_topic_score_gemma":0.8328929,"teacher_disagreement_score":0.5115665,"about_ca_system_score_codex":0.030612627,"about_ca_system_score_gemma":0.009297649,"threshold_uncertainty_score":0.97118104},"labels":[],"label_agreement":null},{"id":"W2485209963","doi":"10.1017/cbo9781107279612.003","title":"Geographies of Space","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Space (punctuation); Computer science","score_opus":0.06789586577075489,"score_gpt":0.21211979798792177,"score_spread":0.1442239322171669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2485209963","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007511264,0.039965812,0.010664573,0.0095591275,0.00074732443,0.000021345972,0.00058259274,0.00008298324,0.9308649],"genre_scores_gemma":[0.6718138,0.034917362,0.0052868673,0.0011345746,0.0013163291,0.000110752466,0.00079789246,0.00022325956,0.28439933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995627,0.0001975515,0.000018131102,0.000070026166,0.00009890287,0.000052752064],"domain_scores_gemma":[0.999635,0.0001362365,0.000042269836,0.00009255732,0.00006111017,0.00003280589],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040288235,0.0005882504,0.00034062137,0.003285568,0.0021045723,0.0061816927,0.0005887608,0.0011141575,0.023015693],"category_scores_gemma":[0.0016748586,0.00029068583,0.0001991347,0.0057904082,0.012259895,0.006038649,0.0023093864,0.0017042138,0.0022588593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023097784,0.0000011071145,0.00007181406,0.000017291895,0.0000012950233,0.000011207755,0.0020726104,0.00010799336,0.000023304341,0.9845718,0.007353714,0.005765675],"study_design_scores_gemma":[0.0000029183561,0.000004781567,0.0006552318,0.00012888413,0.000003714074,0.000057898884,0.004296673,0.00014515923,0.00004624143,0.41287655,0.58177525,0.000006671048],"about_ca_topic_score_codex":0.02242018,"about_ca_topic_score_gemma":0.032101557,"teacher_disagreement_score":0.023015693,"about_ca_system_score_codex":0.0040099313,"about_ca_system_score_gemma":0.0017833571,"threshold_uncertainty_score":0.076995194},"labels":[],"label_agreement":null},{"id":"W2491319830","doi":"10.1017/cbo9781316459287.011","title":"The Postcolonial Crime Novel","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Criminology; Sociology","score_opus":0.08119801566161287,"score_gpt":0.2292234515855066,"score_spread":0.14802543592389372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2491319830","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013369693,0.008505493,0.0004116887,0.026402086,0.0023556526,0.00001585733,0.00017934237,0.00003656838,0.94872355],"genre_scores_gemma":[0.30074936,0.005995876,0.00029197094,0.0063661393,0.0007915078,0.000058129484,0.00016444022,0.00009892639,0.68548375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992999,0.0002580379,0.000013860657,0.00007128981,0.00020297698,0.00015401171],"domain_scores_gemma":[0.9994473,0.00029668608,0.00004878652,0.00006116773,0.000073523115,0.000072643335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008305526,0.00041841978,0.00022660739,0.00096465833,0.0075766537,0.0058794073,0.0007247463,0.0019418502,0.021226078],"category_scores_gemma":[0.0023555849,0.00015156709,0.0001782278,0.0012711805,0.008369924,0.0020350416,0.00207312,0.0037243473,0.0033253173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029192413,0.000021301932,0.00020556273,0.00009776794,0.0000036342865,0.000504906,0.026845409,0.00007762389,0.00009581386,0.59335864,0.3542275,0.024532722],"study_design_scores_gemma":[0.0000026490457,0.0000048078573,0.0005677039,0.00013536158,0.0000015861756,0.00012939138,0.003939647,0.000032645265,0.0001445821,0.008841095,0.9861958,0.0000047091626],"about_ca_topic_score_codex":0.0185152,"about_ca_topic_score_gemma":0.04790233,"teacher_disagreement_score":0.021226078,"about_ca_system_score_codex":0.007124882,"about_ca_system_score_gemma":0.0025326202,"threshold_uncertainty_score":0.071008325},"labels":[],"label_agreement":null},{"id":"W2532269879","doi":"10.4000/germanica.3213","title":"Vom Brennerpass bis Napoli. Heimat, Fremde, Interkulturalität in Kurt Lanthalers Tschonnie-Tschenett-Romanen","year":2016,"lang":"de","type":"article","venue":"Germanica","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.033348587129785695,"score_gpt":0.256707133671978,"score_spread":0.2233585465421923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2532269879","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23884077,0.032503102,0.00041330451,0.008998615,0.0007382691,0.00005311996,0.00047445553,0.00007768673,0.7179007],"genre_scores_gemma":[0.61793137,0.0056749815,0.00024170525,0.00075580913,0.00012470952,0.000048926366,0.00025035956,0.00009660112,0.37487546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999765,0.000062070656,0.000007170591,0.0000404111,0.000047386424,0.000078013756],"domain_scores_gemma":[0.9998927,0.000030550073,0.000020659467,0.000009600253,0.000016136722,0.000030377067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034613893,0.00035618013,0.00016575816,0.0010765078,0.004482593,0.00236429,0.00039030347,0.0006363249,0.018115796],"category_scores_gemma":[0.00041315894,0.00020054472,0.00008214493,0.0015139874,0.0027721466,0.0013320766,0.0019765932,0.00097081915,0.0032130585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024837957,0.00005286572,0.0065704985,0.0006197084,0.000014994298,0.0028322628,0.32672408,0.00016915465,0.004465453,0.43354937,0.11170673,0.1130465],"study_design_scores_gemma":[0.000004248631,0.000013218484,0.012450743,0.00020707517,0.0000028082004,0.00023104409,0.024328241,0.000016491793,0.00028153684,0.0011009638,0.96135867,0.0000050758317],"about_ca_topic_score_codex":0.05460217,"about_ca_topic_score_gemma":0.15189587,"teacher_disagreement_score":0.05460217,"about_ca_system_score_codex":0.0050595254,"about_ca_system_score_gemma":0.0020336136,"threshold_uncertainty_score":0.10856873},"labels":[],"label_agreement":null},{"id":"W2542975069","doi":"10.4000/tvseries.1741","title":"Penser l’altérité avec Lost : Foucault, Lacan et la médiation du regard","year":2016,"lang":"fr","type":"article","venue":"TV/Series","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Abitibi-Témiscamingue; Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.026986235758348565,"score_gpt":0.2570919249074602,"score_spread":0.23010568914911161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2542975069","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18455516,0.04249913,0.013152028,0.14154798,0.0014104197,0.000046267076,0.000049421276,0.000098431614,0.6166412],"genre_scores_gemma":[0.95918083,0.0033508944,0.0008600086,0.0031747648,0.00015984979,0.00003635816,0.0000079875435,0.000049341957,0.033180043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99580514,0.0031631305,0.000038463968,0.00022325115,0.00039920042,0.00037074654],"domain_scores_gemma":[0.99855775,0.00079001486,0.000171319,0.00012404953,0.00014765972,0.00020931792],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035057098,0.00057968573,0.00035052517,0.0013922713,0.013692853,0.010870124,0.0011316248,0.0023804666,0.003331716],"category_scores_gemma":[0.0039986237,0.00021307622,0.00036671103,0.0010527074,0.06734754,0.008324772,0.006772621,0.005281229,0.00045029735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027150887,0.000011519576,0.0003630793,0.00003673133,0.000003382169,0.0002873457,0.20856288,0.000059525268,0.000093016664,0.77922,0.004289719,0.00704575],"study_design_scores_gemma":[0.000016387237,0.000051976167,0.001260208,0.00043496914,0.000016598646,0.00071069226,0.23604296,0.00024912256,0.0003663716,0.34268484,0.41812494,0.000040948813],"about_ca_topic_score_codex":0.025321135,"about_ca_topic_score_gemma":0.028473226,"teacher_disagreement_score":0.025321135,"about_ca_system_score_codex":0.010228153,"about_ca_system_score_gemma":0.0050506974,"threshold_uncertainty_score":0.07421082},"labels":[],"label_agreement":null},{"id":"W2549578193","doi":"10.3138/ijcs.53.43","title":"Fraterniser avec l'ennemi : modernité et américanité dans les bandes dessinées américaines publiées dans <i>L'Action catholique</i> (1932–1944)","year":2016,"lang":"fr","type":"article","venue":"International Journal of Canadian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.10563620556009742,"score_gpt":0.3279142307624046,"score_spread":0.2222780252023072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2549578193","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7606119,0.012339386,0.0004027187,0.028541964,0.0006521965,0.000017086717,0.00015656934,0.000025867777,0.19725244],"genre_scores_gemma":[0.96625763,0.0030018738,0.0001663402,0.0010643724,0.0002580961,0.000012931673,0.000030541632,0.00002052828,0.029187648],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992532,0.00028622703,0.000016908803,0.00009354262,0.00018327651,0.00016679625],"domain_scores_gemma":[0.9976647,0.00096583966,0.0005148672,0.00012526447,0.0004478432,0.0002814784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015185709,0.00015627744,0.00014621447,0.0013106725,0.008727854,0.005929397,0.00040811882,0.0010453694,0.0053821267],"category_scores_gemma":[0.0028783865,0.00020690722,0.00006780864,0.0026153228,0.008168675,0.002586163,0.001824171,0.0017194975,0.00033964083],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016184164,0.00006506125,0.02070084,0.00021401637,0.000016814582,0.0008476435,0.66843086,0.00009505917,0.0016887962,0.24084045,0.023016687,0.043921974],"study_design_scores_gemma":[0.000017941005,0.00005660907,0.09116478,0.00031926483,0.000021391432,0.00040695808,0.2206749,0.00016064411,0.0008124159,0.0050655366,0.6812566,0.000042940337],"about_ca_topic_score_codex":0.16344139,"about_ca_topic_score_gemma":0.31867152,"teacher_disagreement_score":0.8365586,"about_ca_system_score_codex":0.006576699,"about_ca_system_score_gemma":0.0059858453,"threshold_uncertainty_score":0.32498014},"labels":[],"label_agreement":null},{"id":"W2552208038","doi":"10.7202/1037715ar","title":"Les hobos américains, au croisement des écritures","year":2016,"lang":"fr","type":"article","venue":"Sociologie et sociétés","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.5603614731719018,"score_gpt":0.5057157443061912,"score_spread":0.05464572886571062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2552208038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53383964,0.009176917,0.0013480443,0.03253368,0.00045835384,0.000027084028,0.00020811376,0.000026665757,0.42238155],"genre_scores_gemma":[0.86349094,0.0044322386,0.000499288,0.00215151,0.00013798886,0.00003622535,0.00006589489,0.000029349052,0.12915649],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995596,0.00013580828,0.000006267213,0.00005950642,0.00006181784,0.00017688853],"domain_scores_gemma":[0.9996512,0.00007125846,0.000062115396,0.00002418385,0.00005902853,0.00013226487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004878434,0.00022787486,0.00014194497,0.0005013102,0.0066235387,0.0036046216,0.00025518058,0.0007211088,0.008616912],"category_scores_gemma":[0.0007240443,0.00017285466,0.00008450218,0.0008303695,0.005515697,0.002714637,0.0022389414,0.0016223552,0.0006681446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012288005,0.000048833816,0.023984823,0.00012977149,0.000015345622,0.0005985036,0.26838693,0.00009644571,0.0021291466,0.6260982,0.025664514,0.052724607],"study_design_scores_gemma":[0.000006018761,0.00002239895,0.04382789,0.00012096846,0.0000050017716,0.00015489804,0.13244319,0.000047567046,0.00035160466,0.0084010605,0.8146061,0.000013246357],"about_ca_topic_score_codex":0.07433553,"about_ca_topic_score_gemma":0.18176022,"teacher_disagreement_score":0.07433553,"about_ca_system_score_codex":0.0022385207,"about_ca_system_score_gemma":0.0017488252,"threshold_uncertainty_score":0.14780569},"labels":[],"label_agreement":null},{"id":"W2569674942","doi":"","title":"The “Murray Look”: Trauma as Family Legacy in L.M. Montgomery’s Emily of New Moon Trilogy","year":2008,"lang":"en","type":"article","venue":"Canadian Children's Literature / Littérature canadienne pour la jeunesse","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Portrait; Wife; Trilogy; Uncanny; Aunt; Daughter; History; Genealogy; Art; Art history; Literature; Law; Philosophy; Theology","score_opus":0.013080126112793848,"score_gpt":0.20281270835070123,"score_spread":0.18973258223790737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2569674942","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35194957,0.03015861,0.0008708837,0.32339123,0.0028618644,0.000073418916,0.00011484076,0.000105281746,0.2904743],"genre_scores_gemma":[0.9199942,0.0056385547,0.00031958424,0.01810441,0.00055854337,0.00005171715,0.000023053035,0.00008088022,0.05522908],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841094,0.0007347696,0.000026631662,0.00012484335,0.00027567765,0.00042716425],"domain_scores_gemma":[0.99830544,0.0006723078,0.00023346025,0.000079468955,0.00017843602,0.0005308989],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014931109,0.0003774247,0.0004901002,0.001285963,0.042195745,0.005774971,0.0015638615,0.0036976824,0.004399624],"category_scores_gemma":[0.004175862,0.00041780356,0.00020452855,0.0012156542,0.028374607,0.0035154552,0.0071305004,0.008683141,0.00031049503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014513085,0.00002229232,0.0009950522,0.000042623713,0.000004667264,0.0029806083,0.8756169,0.000022568393,0.00014528353,0.06873135,0.044528376,0.0068957107],"study_design_scores_gemma":[0.0000074475406,0.000026083273,0.005577927,0.00018641114,0.0000074720137,0.0025484145,0.56927234,0.00002821743,0.00020024322,0.003997727,0.41812038,0.00002722117],"about_ca_topic_score_codex":0.33578107,"about_ca_topic_score_gemma":0.6368572,"teacher_disagreement_score":0.6642189,"about_ca_system_score_codex":0.02267397,"about_ca_system_score_gemma":0.011967851,"threshold_uncertainty_score":0.6676532},"labels":[],"label_agreement":null},{"id":"W2571412962","doi":"10.5860/rusq.56n2.142","title":"Book Review: Encyclopedia of Nordic Crime Fiction: Works and Authors of Denmark, Finland, Iceland, Norway and Sweden Since 1967","year":2017,"lang":"en","type":"article","venue":"Reference & User Services Quarterly","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Encyclopedia; Popularity; Relevance (law); Canadian literature; State (computer science); History; Welfare state; Sociology; Criminology; Media studies; Political science; Law; Literature; Art","score_opus":0.024789327827832427,"score_gpt":0.2705624858271628,"score_spread":0.24577315799933036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2571412962","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001682031,0.95856637,0.00007567322,0.004088634,0.015652088,0.000021503649,0.0004488617,0.000032295364,0.020946428],"genre_scores_gemma":[0.002692854,0.9338556,0.0002536556,0.0047999322,0.013074847,0.000076874385,0.0011247931,0.00008805088,0.044033337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862957,0.00024080777,0.00016756175,0.00014209922,0.00070146023,0.00011845634],"domain_scores_gemma":[0.99386805,0.002682472,0.0006972846,0.00021564704,0.0021247927,0.00041183716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096917787,0.001171462,0.0020733124,0.009199573,0.0012967372,0.0060693272,0.0016162929,0.0017609458,0.042709727],"category_scores_gemma":[0.0062851943,0.00042282479,0.0004986055,0.015554692,0.0015674895,0.00305379,0.0018837595,0.002558587,0.019100284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022524158,0.00001977879,0.00009631441,0.0041681817,0.000016716534,0.000059118658,0.00019232294,0.000045536945,0.000061503524,0.0009087574,0.9026616,0.09174772],"study_design_scores_gemma":[0.0000028330085,0.0000058590504,0.00042086234,0.0041126874,0.000011011764,0.00015841909,0.000110590656,0.0000048225024,0.000018244249,0.00012973403,0.99501956,0.0000053629087],"about_ca_topic_score_codex":0.011055413,"about_ca_topic_score_gemma":0.021930167,"teacher_disagreement_score":0.042709727,"about_ca_system_score_codex":0.0030018047,"about_ca_system_score_gemma":0.0070824684,"threshold_uncertainty_score":0.1428783},"labels":[],"label_agreement":null},{"id":"W2585539124","doi":"10.26522/vp.v13i2.1445","title":"Le détective biblique : Daniel et le débat sur une préhistoire du roman policier","year":2016,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01761549124936419,"score_gpt":0.23588796141449825,"score_spread":0.21827247016513407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2585539124","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14616865,0.040740527,0.0032581096,0.11075306,0.0015265901,0.00003519196,0.00029922722,0.00007209884,0.6971466],"genre_scores_gemma":[0.8797002,0.008943761,0.00097088,0.0066491896,0.00070457894,0.0000380471,0.00007056235,0.00007611565,0.10284667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9970113,0.0015416996,0.00008346021,0.00029507632,0.0006871207,0.00038132546],"domain_scores_gemma":[0.9968676,0.0017564588,0.00049669604,0.0001998552,0.00043223554,0.0002471076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022926365,0.00037273022,0.00040580562,0.0019795313,0.014427171,0.0074568703,0.0006299075,0.001796522,0.0061206836],"category_scores_gemma":[0.006503441,0.00027765878,0.00014946995,0.0023055123,0.022034412,0.003714901,0.0023905912,0.0035215942,0.0011214723],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047590216,0.000020090867,0.0023647523,0.00014675199,0.0000050981216,0.00019138827,0.13704698,0.00005834335,0.00009411153,0.7968207,0.043511316,0.019692827],"study_design_scores_gemma":[0.000016516815,0.000032973527,0.005406614,0.0006170203,0.000008410034,0.000465732,0.050214924,0.00013168422,0.00045419528,0.04789419,0.8947251,0.000032724103],"about_ca_topic_score_codex":0.027845364,"about_ca_topic_score_gemma":0.04840441,"teacher_disagreement_score":0.027845364,"about_ca_system_score_codex":0.010067331,"about_ca_system_score_gemma":0.005614648,"threshold_uncertainty_score":0.07304394},"labels":[],"label_agreement":null},{"id":"W2588873819","doi":"10.29173/cais558","title":"The Relevant Clues: Information Behaviour and Assessment in Classic Detective Fiction","year":2013,"lang":"fr","type":"article","venue":"Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l ACSI","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Narrative; Humanities; Psychology; Art history; Art; Literature","score_opus":0.023767301947253544,"score_gpt":0.25518258962935947,"score_spread":0.23141528768210592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2588873819","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9486183,0.0007961459,0.01242537,0.0012208525,0.000031985113,0.00021988258,0.00017819715,0.00005669181,0.036452584],"genre_scores_gemma":[0.99370736,0.00019610155,0.0042934436,0.00006208671,0.000009480487,0.000053724394,0.000055505858,0.000011183225,0.0016111849],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9933308,0.0043292227,0.00024396357,0.00043108047,0.0014086274,0.00025633717],"domain_scores_gemma":[0.947399,0.042521458,0.004233108,0.00174829,0.0033458357,0.0007523616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059661004,0.00030137508,0.0003085904,0.0035163523,0.0014483215,0.0041668713,0.00074130984,0.0011907632,0.0032481072],"category_scores_gemma":[0.08091826,0.00028329963,0.00019524492,0.0021238865,0.004492923,0.0048294305,0.002416037,0.0012690634,0.00031025507],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00097150094,0.00038940078,0.1424916,0.0012717933,0.00007765962,0.0008415963,0.5698256,0.0022290545,0.0051222513,0.11245398,0.002974764,0.16135077],"study_design_scores_gemma":[0.00009927008,0.0013409363,0.40172908,0.0015361863,0.00017127993,0.002259574,0.3482887,0.025197454,0.014103098,0.11101097,0.09389997,0.0003633501],"about_ca_topic_score_codex":0.006237451,"about_ca_topic_score_gemma":0.0050088367,"teacher_disagreement_score":0.006237451,"about_ca_system_score_codex":0.0029066813,"about_ca_system_score_gemma":0.0010650316,"threshold_uncertainty_score":0.031552136},"labels":[],"label_agreement":null},{"id":"W2594224414","doi":"10.4000/cdg.507","title":"Explore Everything : Place-Hacking The City","year":2014,"lang":"fr","type":"article","venue":"Carnets de géographes","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":169,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Humanities; Art","score_opus":0.059370411275688775,"score_gpt":0.26028499491971957,"score_spread":0.2009145836440308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594224414","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54482925,0.005733573,0.00706039,0.059062995,0.0007459395,0.000032435615,0.00013713473,0.00010833371,0.38228992],"genre_scores_gemma":[0.9844854,0.000722368,0.00034920077,0.0010571508,0.00006262491,0.000009277954,0.000016184818,0.00003733172,0.013260432],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9973417,0.0015376548,0.000048266014,0.00025455453,0.00032858187,0.0004892609],"domain_scores_gemma":[0.99818265,0.0009583045,0.00021474902,0.0002517206,0.00015019288,0.00024235406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00200855,0.0003407823,0.0003236268,0.0013627425,0.014533776,0.0119543765,0.00090360694,0.0026663963,0.005774341],"category_scores_gemma":[0.0037618468,0.00021580615,0.00031822245,0.0023135925,0.057430584,0.010032444,0.009089387,0.0054206313,0.00041517368],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024657777,0.000008699736,0.0019255541,0.000040584382,0.0000052273517,0.0003971984,0.59204894,0.00012893927,0.00015901677,0.39155003,0.0048627006,0.008848371],"study_design_scores_gemma":[0.0000057938773,0.000022187613,0.002855515,0.000176723,0.000009390947,0.00046198722,0.7223982,0.00015930459,0.00037201526,0.034491964,0.23901361,0.00003336961],"about_ca_topic_score_codex":0.0331965,"about_ca_topic_score_gemma":0.057051837,"teacher_disagreement_score":0.0331965,"about_ca_system_score_codex":0.00447183,"about_ca_system_score_gemma":0.002425183,"threshold_uncertainty_score":0.06600654},"labels":[],"label_agreement":null},{"id":"W2599320309","doi":"","title":"Récit d’une dépossession / Le Torrent de Simon Lavoie, Québec, 2012, 150 min","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Philosophy","score_opus":0.009789283855313649,"score_gpt":0.17341027901957576,"score_spread":0.1636209951642621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599320309","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.269317,0.035875298,0.0026912135,0.15369847,0.06924449,0.0008441807,0.05712365,0.0008247058,0.41038105],"genre_scores_gemma":[0.20521447,0.0034392981,0.0008038267,0.012484464,0.0024193616,0.00019397013,0.0043379953,0.00030621642,0.77080035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993581,0.00007595793,0.000023738325,0.00009243413,0.00024257628,0.00020724068],"domain_scores_gemma":[0.99860495,0.00018701996,0.00006866957,0.00005019586,0.0007988339,0.0002903564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076277566,0.0006172627,0.0004263824,0.0011283418,0.014044585,0.002755368,0.00083407474,0.002670955,0.041520018],"category_scores_gemma":[0.003325878,0.00039373076,0.0004260848,0.0012292473,0.0015213701,0.0008959305,0.0015013124,0.0030996099,0.0059517208],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017680664,0.000039198578,0.0054850685,0.00015952933,0.000038673053,0.0019203909,0.013940078,0.00012612602,0.0005580768,0.0025233338,0.95709723,0.017935421],"study_design_scores_gemma":[0.0000094370625,0.000013674262,0.017701289,0.00013301014,0.000008330132,0.00014021338,0.009801353,0.000045055465,0.00022978977,0.000116866104,0.97178024,0.00002080059],"about_ca_topic_score_codex":0.89583886,"about_ca_topic_score_gemma":0.97754127,"teacher_disagreement_score":0.10416114,"about_ca_system_score_codex":0.01845829,"about_ca_system_score_gemma":0.015078158,"threshold_uncertainty_score":0.20954907},"labels":[],"label_agreement":null},{"id":"W2603440261","doi":"10.3138/cras.2016.015","title":"“Onward, Onward”: <i>Sister Carrie</i> and the Railroad","year":2017,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sister; Determinism; Narrative; Commodity; Technological determinism; Economics; Economy; History; Neoclassical economics; Sociology; Literature; Philosophy; Epistemology; Social science; Market economy; Art; Anthropology","score_opus":0.059003261496935445,"score_gpt":0.3146798735682703,"score_spread":0.25567661207133485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2603440261","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1746639,0.14930184,0.0029655586,0.21326238,0.0045537036,0.00003001165,0.00009178268,0.00005707901,0.45507368],"genre_scores_gemma":[0.8893625,0.034754988,0.0004775954,0.010929015,0.0009016486,0.000032402822,0.000037000245,0.00005093719,0.063453875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862087,0.0008475673,0.000022263548,0.00013809172,0.00019782233,0.0001733195],"domain_scores_gemma":[0.9987208,0.00073204667,0.00014921594,0.00005622429,0.00018530578,0.00015640828],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016794692,0.000268721,0.00028488983,0.0018349392,0.009116975,0.0055101966,0.0005747067,0.0017524768,0.0049220477],"category_scores_gemma":[0.003623615,0.00021070156,0.00012681235,0.0014813704,0.02346721,0.0065494147,0.003011082,0.0036137635,0.00038542208],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003895317,0.000022267059,0.0010877764,0.00025931597,0.000006733582,0.0003257451,0.22134519,0.000038381382,0.00014817783,0.67342424,0.073176205,0.03012705],"study_design_scores_gemma":[0.000005286601,0.00001954274,0.0024292152,0.000607612,0.0000068841873,0.00033381628,0.0915567,0.000027377255,0.00015894903,0.017507777,0.8873312,0.000015678763],"about_ca_topic_score_codex":0.08325856,"about_ca_topic_score_gemma":0.1179252,"teacher_disagreement_score":0.08325856,"about_ca_system_score_codex":0.0067092218,"about_ca_system_score_gemma":0.004127567,"threshold_uncertainty_score":0.1655479},"labels":[],"label_agreement":null},{"id":"W2606069488","doi":"10.71781/14424","title":"Spatial exclusion and the abject other in Canadian urban literature","year":2004,"lang":"en","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Sociology; History","score_opus":0.0054747730343785335,"score_gpt":0.16731569186399314,"score_spread":0.1618409188296146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606069488","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48796582,0.013590394,0.0015542454,0.024915248,0.00017654299,0.00006133901,0.000766047,0.000058754464,0.4709115],"genre_scores_gemma":[0.9869893,0.002490186,0.00034847422,0.0003024112,0.00002712864,0.00001598872,0.00008158599,0.000026455687,0.009718351],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99636036,0.0006031047,0.00013326823,0.0003491999,0.0009787643,0.0015753683],"domain_scores_gemma":[0.99086994,0.0029867066,0.0007521577,0.0005586161,0.0032421027,0.001590457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032789053,0.0003735598,0.00076255325,0.013594474,0.04620455,0.018095119,0.0026561222,0.0013547571,0.014715513],"category_scores_gemma":[0.01222319,0.00044627048,0.00042030547,0.026843224,0.027003752,0.005166633,0.0069948505,0.0022720895,0.00037749286],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006507151,0.000033943634,0.010168801,0.00016599217,0.00002279446,0.00027529124,0.15590051,0.00045834813,0.000118236094,0.7942874,0.011919531,0.026584197],"study_design_scores_gemma":[0.000031814507,0.000021996404,0.081738085,0.00082419254,0.00010295336,0.00026852085,0.5288095,0.0011225931,0.0003125072,0.099447116,0.28719246,0.00012830996],"about_ca_topic_score_codex":0.99031067,"about_ca_topic_score_gemma":0.9955302,"teacher_disagreement_score":0.12862815,"about_ca_system_score_codex":0.12862815,"about_ca_system_score_gemma":0.13371353,"threshold_uncertainty_score":0.93326694},"labels":[],"label_agreement":null},{"id":"W2616615633","doi":"","title":"Germain Dion, La fille de la danseuse, roman policier, Les Éditions du Vermillon, Ottawa, 2008, 280 pages","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.007082381470793752,"score_gpt":0.18388590131891114,"score_spread":0.17680351984811737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616615633","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011295467,0.94022906,0.00054801366,0.020560425,0.006152826,0.00001251795,0.00094888965,0.00010664639,0.030312099],"genre_scores_gemma":[0.028771935,0.6720288,0.0016970929,0.0047491663,0.0047518914,0.00005404559,0.0013268742,0.00043089374,0.28618926],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911994,0.00018705538,0.000060722785,0.00010040284,0.0004114522,0.000120347206],"domain_scores_gemma":[0.9984779,0.00063974643,0.00009547887,0.000070152186,0.00059293484,0.00012393142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010277883,0.0015537832,0.0011511117,0.004522999,0.005031053,0.0059683146,0.0015885811,0.0029932985,0.022256054],"category_scores_gemma":[0.0025727053,0.00071470067,0.00033375635,0.0077705267,0.0034536528,0.0047977073,0.001336105,0.002331209,0.0074800635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030594165,0.000009917602,0.00041491885,0.0005964709,0.00001056404,0.000046651825,0.0034390797,0.00012063806,0.00008720306,0.014736852,0.93130004,0.04920714],"study_design_scores_gemma":[0.0000034965396,0.0000028121542,0.0021585906,0.0006191896,0.0000063122015,0.00006594498,0.0023432733,0.000029529177,0.00007930979,0.0010460775,0.99363387,0.000011486338],"about_ca_topic_score_codex":0.5379422,"about_ca_topic_score_gemma":0.81765765,"teacher_disagreement_score":0.5379422,"about_ca_system_score_codex":0.011797939,"about_ca_system_score_gemma":0.0108098695,"threshold_uncertainty_score":0.929558},"labels":[],"label_agreement":null},{"id":"W2620874402","doi":"10.18778/2353-6098.3.10","title":"Laying Bare: Agamben, Chandler, and The Responsibility to Protect","year":2015,"lang":"en","type":"article","venue":"Analyses/Rereadings/Theories A Journal Devoted to Literature Film and Theatre","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Responsibility to protect; Sovereignty; Trespass; Law; Punishment (psychology); Human rights; Political science; Sociology; Philosophy; Politics; Psychology; Social psychology","score_opus":0.04946339729396275,"score_gpt":0.30502023278736445,"score_spread":0.2555568354934017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2620874402","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08558318,0.03318915,0.007658673,0.13430703,0.0019832149,0.000054812757,0.000046089976,0.00010604775,0.7370717],"genre_scores_gemma":[0.91271245,0.007502155,0.0023242168,0.010068798,0.00046383895,0.00005570462,0.000018316603,0.00013675378,0.06671777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99812526,0.0010554383,0.000032125597,0.00022239822,0.00033317605,0.00023158638],"domain_scores_gemma":[0.9983246,0.0011537322,0.0001468912,0.00013109943,0.0001237402,0.00012001276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018280813,0.000574136,0.00034967088,0.0015761558,0.0102281915,0.009963833,0.0010266438,0.00361105,0.0033891131],"category_scores_gemma":[0.004953311,0.0003146059,0.00019695239,0.0007148999,0.041972168,0.010637314,0.0048675584,0.008070041,0.0005820586],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017921693,0.0000101174755,0.000101056,0.000051859082,0.0000019199329,0.00022726328,0.10858921,0.000043368582,0.00011147416,0.87526625,0.010552107,0.0050274623],"study_design_scores_gemma":[0.0000146651755,0.000029743847,0.0006151228,0.00065414194,0.00001058138,0.000574256,0.08077297,0.00016324379,0.0005192376,0.19367543,0.72292835,0.000042311756],"about_ca_topic_score_codex":0.016476333,"about_ca_topic_score_gemma":0.024198072,"teacher_disagreement_score":0.016476333,"about_ca_system_score_codex":0.0048674587,"about_ca_system_score_gemma":0.0027338243,"threshold_uncertainty_score":0.03531611},"labels":[],"label_agreement":null},{"id":"W2624357314","doi":"10.1515/abcsj-2017-0002","title":"“Chick Noir”: Shopaholic Meets Double Indemnity","year":2017,"lang":"en","type":"article","venue":"American, British and Canadian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Narrative; Wife; Wonder; Mainstream; Anger; Art; Literature; Indignation; Resistance (ecology); Psychology; Politics; Philosophy; Law; Social psychology","score_opus":0.07637766837841278,"score_gpt":0.3026668037146893,"score_spread":0.2262891353362765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624357314","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4044945,0.0021693064,0.0007939474,0.017263476,0.0010495393,0.0000276405,0.00010393858,0.00007989551,0.57401776],"genre_scores_gemma":[0.94482285,0.0004776501,0.00018117038,0.0008925802,0.000083501334,0.0000042520483,0.000023771658,0.000036355916,0.0534779],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930894,0.00023378633,0.000010151399,0.00006469434,0.00020411615,0.00017832588],"domain_scores_gemma":[0.9988626,0.00043550011,0.00011181694,0.000087068336,0.00023145223,0.0002715029],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063533173,0.00020223952,0.00018564443,0.00056319765,0.01239103,0.0042883605,0.0005668111,0.0010646122,0.007980124],"category_scores_gemma":[0.0021822886,0.00014192806,0.00010065524,0.0004500161,0.010093798,0.0014559098,0.0015483334,0.00279599,0.0005996907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009450784,0.000056431058,0.0034486535,0.00015399221,0.000008632535,0.0021750364,0.63592297,0.00007561824,0.0012898172,0.24812055,0.08329481,0.025358971],"study_design_scores_gemma":[0.00000565496,0.00005431095,0.007873296,0.0001857205,0.000011698425,0.0013121134,0.31570378,0.000116249954,0.0013195543,0.0028178596,0.67057604,0.0000237581],"about_ca_topic_score_codex":0.14330289,"about_ca_topic_score_gemma":0.3688592,"teacher_disagreement_score":0.14330289,"about_ca_system_score_codex":0.0069319126,"about_ca_system_score_gemma":0.0028383336,"threshold_uncertainty_score":0.28493756},"labels":[],"label_agreement":null},{"id":"W2626724695","doi":"","title":"Le déplacement du ludique au tragique : ou du jeu de bascule / Le ludique, commissaire : Marie Fraser. Musée du Québec, Québec. 27 septembre - 25 novembre 2001","year":2002,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012395216203169813,"score_gpt":0.16603363615160172,"score_spread":0.15363841994843191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2626724695","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38706994,0.09961973,0.00086553226,0.07895061,0.0028330116,0.00007718473,0.0019024721,0.00011934967,0.42856216],"genre_scores_gemma":[0.7769414,0.0076570576,0.00026283244,0.0010724626,0.00013970613,0.000019371679,0.0001876455,0.00007015733,0.21364936],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946994,0.00016452183,0.000010333241,0.000047876212,0.00012745675,0.00017987282],"domain_scores_gemma":[0.99907625,0.00020312441,0.000118951604,0.00004922084,0.00037485312,0.0001775622],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010103355,0.00045348064,0.00035247422,0.002145834,0.015819734,0.0037390187,0.00090435235,0.0011943447,0.01496041],"category_scores_gemma":[0.0018163016,0.0003314214,0.00015033357,0.0027970169,0.009427054,0.0014634897,0.00154945,0.0022712229,0.00092242885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015335632,0.00004353574,0.012524305,0.0004016781,0.000033198925,0.0010804299,0.52556825,0.00023429588,0.0008946574,0.092146166,0.27593276,0.09098742],"study_design_scores_gemma":[0.000007863642,0.000018538136,0.06126751,0.00042749845,0.000017441062,0.00033773787,0.19793439,0.00004684943,0.0004051139,0.0008275278,0.7386805,0.000029051378],"about_ca_topic_score_codex":0.962074,"about_ca_topic_score_gemma":0.99181,"teacher_disagreement_score":0.03792602,"about_ca_system_score_codex":0.035958476,"about_ca_system_score_gemma":0.022654774,"threshold_uncertainty_score":0.26089823},"labels":[],"label_agreement":null},{"id":"W269074554","doi":"10.3138/cjfs.13.1.69","title":"Counter-Narratives, Class Politics and Metropolitan Dystopias: Representations of Globalization in <i>Maelström, waydowntown and La Moitié gauche du frigo</i>","year":2004,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Dystopia; Literature","score_opus":0.028979278909425588,"score_gpt":0.28227912541853306,"score_spread":0.2532998465091075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W269074554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.868925,0.0017724392,0.00042115484,0.013657304,0.00012242579,0.000014875067,0.0000683071,0.000016724869,0.115001775],"genre_scores_gemma":[0.9854445,0.0003777151,0.00008101553,0.00028563465,0.000022844137,0.000011325429,0.000012549612,0.000013097246,0.013751444],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995109,0.00022851376,0.000013038606,0.000049296475,0.00005003536,0.0001482452],"domain_scores_gemma":[0.9990584,0.00051942066,0.00019664435,0.00004232272,0.000036776997,0.00014638015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095281296,0.00034892996,0.00019071913,0.001477376,0.013246567,0.0072449255,0.00069907994,0.0012773168,0.0076521495],"category_scores_gemma":[0.0015502704,0.00017859848,0.00013157217,0.001302893,0.015203199,0.0033953118,0.0043708505,0.0019137932,0.00021484593],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015675587,0.0000072073003,0.0017440224,0.000027040413,0.0000020609443,0.00033612098,0.92521757,0.000027265594,0.00023344699,0.067827575,0.0021239875,0.0024380556],"study_design_scores_gemma":[0.000005246217,0.000008607484,0.005350855,0.000105347455,0.0000056441504,0.00016054427,0.8612466,0.00005166461,0.00029667257,0.0031550997,0.12960404,0.000009668106],"about_ca_topic_score_codex":0.08049619,"about_ca_topic_score_gemma":0.21451923,"teacher_disagreement_score":0.9195038,"about_ca_system_score_codex":0.0077647744,"about_ca_system_score_gemma":0.0020420796,"threshold_uncertainty_score":0.16005528},"labels":[],"label_agreement":null},{"id":"W2726468068","doi":"","title":"Cliffs and Rhubarb","year":2016,"lang":"en","type":"article","venue":"Island writer","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.028548289722606035,"score_gpt":0.22382998664571271,"score_spread":0.19528169692310668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2726468068","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043901686,0.013405081,0.0002324659,0.02282313,0.0012139442,0.000027818824,0.00018203042,0.000057160272,0.9181567],"genre_scores_gemma":[0.21360444,0.005029312,0.00028450452,0.003444108,0.00040578182,0.000026940881,0.00011220627,0.00012259492,0.77697015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963963,0.00010837642,0.000010454927,0.000056863733,0.00009329375,0.000091311726],"domain_scores_gemma":[0.99900925,0.0004289489,0.00008120275,0.00009895931,0.00017846072,0.00020310168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004855724,0.00029892672,0.00022685922,0.0018291598,0.014975533,0.006826066,0.00070995145,0.0015731339,0.04334889],"category_scores_gemma":[0.0019769233,0.00016282627,0.00010562901,0.0014480376,0.004701977,0.0023354404,0.002078093,0.002429714,0.0035013969],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009711988,0.00007521394,0.0039529363,0.00034199568,0.000009867662,0.0007386511,0.19326453,0.00006854357,0.00070286717,0.28075716,0.40895224,0.11103894],"study_design_scores_gemma":[0.0000037713885,0.000007761571,0.0035881277,0.0001903623,0.0000039325855,0.00013854039,0.058446575,0.000015840176,0.00021027285,0.001983356,0.93540394,0.000007471587],"about_ca_topic_score_codex":0.11336511,"about_ca_topic_score_gemma":0.39188653,"teacher_disagreement_score":0.11336511,"about_ca_system_score_codex":0.0030960832,"about_ca_system_score_gemma":0.0030877697,"threshold_uncertainty_score":0.22541052},"labels":[],"label_agreement":null},{"id":"W2735490436","doi":"10.1080/01956051.2017.1319242","title":"The Truth Will Set You Free: Implicit Faith in Sherlock and London Spy","year":2017,"lang":"en","type":"article","venue":"Journal of Popular Film and Television","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto Scarborough","keywords":"Faith; Narrative; Rhetorical question; TRACE (psycholinguistics); Sociology; Literature; History; Art; Philosophy; Epistemology","score_opus":0.027707244409543266,"score_gpt":0.2725646436689347,"score_spread":0.24485739925939143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2735490436","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5592621,0.004567817,0.003978698,0.044722807,0.0004034965,0.000026439795,0.00009024554,0.00007735935,0.38687104],"genre_scores_gemma":[0.98743546,0.0002469072,0.00015704348,0.00082998077,0.00003734217,0.0000044536296,0.0000110477395,0.000034399643,0.011243324],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9975401,0.0013219184,0.00006486784,0.00021935345,0.0004897904,0.00036405213],"domain_scores_gemma":[0.9941551,0.0038377428,0.00065590395,0.00047566227,0.00043092543,0.00044478726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020250913,0.0002857606,0.0002421885,0.00086120464,0.008800209,0.010205528,0.0007741573,0.0039783455,0.0065251198],"category_scores_gemma":[0.010359559,0.00045273016,0.00015680717,0.00077396625,0.033896495,0.007608925,0.0061142645,0.004968257,0.0008128858],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069840404,0.000012608175,0.0018702504,0.00006422732,0.000008479579,0.0012363038,0.8018714,0.00006427653,0.0006301287,0.18179563,0.005455671,0.0069210916],"study_design_scores_gemma":[0.000023383225,0.000052561907,0.0033918787,0.00043593888,0.00002069891,0.0011452079,0.62482965,0.00027746707,0.0012673195,0.042814817,0.32568863,0.000052431984],"about_ca_topic_score_codex":0.032189008,"about_ca_topic_score_gemma":0.0460028,"teacher_disagreement_score":0.032189008,"about_ca_system_score_codex":0.007317782,"about_ca_system_score_gemma":0.0017886815,"threshold_uncertainty_score":0.06400329},"labels":[],"label_agreement":null},{"id":"W2766999290","doi":"10.1386/fict.7.1.87_7","title":"Ethics, adaptation and the short story: Peter C. Davidson on Conan Doyle’s ‘The Disintegration Machine’","year":2017,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"The Scarborough Hospital; University of Toronto","funders":"","keywords":"Adaptation (eye); Philosophy; Psychoanalysis; Cognitive science; Psychology; Neuroscience","score_opus":0.10261987872672353,"score_gpt":0.35651314906494586,"score_spread":0.25389327033822234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766999290","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011334436,0.016117455,0.005609968,0.83496827,0.0038736325,0.000029497003,0.000050717466,0.000033038417,0.12798305],"genre_scores_gemma":[0.6717904,0.009576353,0.0036902144,0.16337575,0.003345644,0.00012882975,0.00005333974,0.00023896733,0.1478004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946877,0.004021155,0.000076061086,0.00034775134,0.0005725014,0.00029495882],"domain_scores_gemma":[0.9907306,0.0072755804,0.0002780292,0.00051849603,0.0007797757,0.00041761858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004807261,0.0003854511,0.00035403162,0.000736311,0.009801331,0.0057332222,0.001268971,0.00639249,0.0041827606],"category_scores_gemma":[0.012919615,0.00027116522,0.00016733637,0.0007723026,0.048753735,0.00841517,0.004557429,0.01293521,0.0008121371],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019708294,0.000011508185,0.000109231296,0.00003848043,0.0000029808098,0.00018073185,0.03192088,0.00012742999,0.00008552618,0.7963651,0.16388431,0.007254105],"study_design_scores_gemma":[0.000007740081,0.000008303967,0.0001686315,0.00013696705,0.0000018841163,0.00015067829,0.015076337,0.00013307473,0.0002310928,0.20360096,0.78046703,0.00001741638],"about_ca_topic_score_codex":0.016899997,"about_ca_topic_score_gemma":0.027017752,"teacher_disagreement_score":0.016899997,"about_ca_system_score_codex":0.005859855,"about_ca_system_score_gemma":0.0025917855,"threshold_uncertainty_score":0.04251641},"labels":[],"label_agreement":null},{"id":"W2767685138","doi":"10.7202/1041079ar","title":"Once More with Feeling: Re-investigating the Smuttynose Island Murders","year":2017,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Psychoanalytic theory; Norwegian; Feeling; Psychoanalysis; History; Shoal; Sociology; Art history; Psychology; Philosophy; Social psychology; Oceanography; Geology","score_opus":0.06987632311471643,"score_gpt":0.3202795514807357,"score_spread":0.2504032283660193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767685138","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8399017,0.0039979857,0.0022432122,0.028163923,0.0017984484,0.000066468296,0.000057076082,0.000051676237,0.12371965],"genre_scores_gemma":[0.9753793,0.0016133103,0.0005116512,0.0020310674,0.0002285707,0.000029494837,0.000030754894,0.000070848764,0.02010495],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99774915,0.0014279675,0.00004034978,0.00019129897,0.00029269367,0.00029855192],"domain_scores_gemma":[0.9979101,0.001190522,0.0002799743,0.00017968015,0.00022302987,0.00021658294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026640734,0.00077892985,0.00045040765,0.0012971435,0.011828985,0.008723041,0.0015374317,0.0027588566,0.0031226897],"category_scores_gemma":[0.008002177,0.0003832019,0.00029008478,0.0008454616,0.040082864,0.008420997,0.0061578783,0.008464288,0.00049069716],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012005723,0.000010866488,0.00039435743,0.000030385214,0.0000021338226,0.00053551473,0.9859968,0.000012743624,0.00026731458,0.009263107,0.0015918658,0.0018828881],"study_design_scores_gemma":[0.0000031560135,0.000021935131,0.00086899044,0.00010287876,0.0000043982072,0.00041785755,0.9571075,0.000037939564,0.00022398833,0.0012606351,0.03994074,0.000009910057],"about_ca_topic_score_codex":0.024176333,"about_ca_topic_score_gemma":0.049955823,"teacher_disagreement_score":0.024176333,"about_ca_system_score_codex":0.005033271,"about_ca_system_score_gemma":0.0020976248,"threshold_uncertainty_score":0.048071206},"labels":[],"label_agreement":null},{"id":"W2771035668","doi":"10.3138/utq.86.4.54","title":"Daphne du Maurier's <i>Mary Anne</i>: Rewriting the Regency Romance as Feminist History","year":2017,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Feminism; Literature; History; Art; Art history; Gender studies; Sociology","score_opus":0.02214518659933256,"score_gpt":0.20519643659563533,"score_spread":0.18305124999630276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2771035668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16742028,0.060739834,0.0027478733,0.07444713,0.0036857782,0.000034748264,0.000080882804,0.00010055732,0.6907429],"genre_scores_gemma":[0.8633993,0.0071220184,0.0005948989,0.003272272,0.0008554841,0.000032571155,0.000018167137,0.000091926595,0.12461342],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914026,0.00055053993,0.000012537086,0.000079607504,0.00012431796,0.00009266878],"domain_scores_gemma":[0.99925226,0.00044513584,0.00008625279,0.000055979348,0.000062316736,0.000098049306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001060563,0.0002504827,0.0001885206,0.0008055162,0.006404892,0.0038260987,0.00054580026,0.0010003543,0.00430204],"category_scores_gemma":[0.002678777,0.00018137261,0.00009397386,0.0005755633,0.01208812,0.0020624972,0.001988301,0.0020319847,0.0005033991],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038442475,0.000019393909,0.001284174,0.00013966185,0.000006889787,0.0008922201,0.26204422,0.00015508801,0.0006412178,0.6035038,0.10131524,0.02995954],"study_design_scores_gemma":[0.0000018601088,0.000009905714,0.0011336441,0.00011168187,0.0000017884722,0.00025342393,0.015343325,0.000029264836,0.00024442162,0.004197739,0.97866756,0.0000054160632],"about_ca_topic_score_codex":0.022036837,"about_ca_topic_score_gemma":0.053963058,"teacher_disagreement_score":0.022036837,"about_ca_system_score_codex":0.0065195705,"about_ca_system_score_gemma":0.0019984029,"threshold_uncertainty_score":0.04730302},"labels":[],"label_agreement":null},{"id":"W2775077546","doi":"10.4000/belphegor.1044","title":"Ambivalent gentleman-thieves and ‘the Dutch Conan Doyle’: British-based detective fiction in the Netherlands at the start of the twentieth century","year":2017,"lang":"en","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ambivalence; HERO; Literature; Popular culture; Detective fiction; Reading (process); Art; History; Sociology; Psychoanalysis; Psychology; Law; Political science","score_opus":0.033791663866946285,"score_gpt":0.2522158508795462,"score_spread":0.21842418701259989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775077546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76216197,0.008793897,0.0014564374,0.010755808,0.00085444207,0.000039008803,0.00012831288,0.000020458037,0.2157897],"genre_scores_gemma":[0.9731319,0.0014936059,0.00018645848,0.00060837093,0.000085692285,0.000014436391,0.00004395796,0.000060254053,0.024375333],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975883,0.0011353642,0.000073172014,0.00021774827,0.0007129274,0.00027254768],"domain_scores_gemma":[0.9972236,0.0018692412,0.00031289546,0.000109560024,0.00029782613,0.00018687814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001655885,0.00025267096,0.0003159868,0.0009950735,0.0059171687,0.0066915927,0.0007057223,0.0016226805,0.0044732187],"category_scores_gemma":[0.0066760774,0.00036022946,0.000121620375,0.001087041,0.013283592,0.003326784,0.002989412,0.002777802,0.00041996865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004610777,0.000031461845,0.0015005793,0.0001559825,0.000008447265,0.0015759153,0.919212,0.000051181265,0.0009200436,0.056927223,0.008490872,0.011080164],"study_design_scores_gemma":[0.000014331243,0.00003421555,0.0066740513,0.00048339798,0.000013074057,0.0013157274,0.40494397,0.00011380412,0.0013051061,0.0037532,0.58131456,0.00003455518],"about_ca_topic_score_codex":0.072424345,"about_ca_topic_score_gemma":0.1533305,"teacher_disagreement_score":0.072424345,"about_ca_system_score_codex":0.008073222,"about_ca_system_score_gemma":0.0023694118,"threshold_uncertainty_score":0.1440056},"labels":[],"label_agreement":null},{"id":"W277893790","doi":"","title":"Hawthorne's Transatlantic Gothic House of Fiction: The House of the Seven Gables","year":2012,"lang":"en","type":"article","venue":"Nathaniel Hawthorne Review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Literature; Publishing; History; Period (music); Classics; Art history; Art","score_opus":0.06773913994192857,"score_gpt":0.27624019116310045,"score_spread":0.20850105122117188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W277893790","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08156728,0.05456158,0.002153106,0.056471586,0.012231819,0.00004366679,0.00012559896,0.00014316669,0.79270214],"genre_scores_gemma":[0.5594072,0.007804212,0.0007861503,0.0052839695,0.0015128809,0.000018442784,0.00005071188,0.00012294902,0.42501357],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997813,0.0000946534,0.0000033703761,0.000028093287,0.000048716192,0.000043853834],"domain_scores_gemma":[0.9997875,0.00008523478,0.000016273007,0.000023913386,0.000041148945,0.000045895293],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000359576,0.00039756674,0.00012520421,0.0006853372,0.0060620625,0.0025858716,0.00021437858,0.0009421186,0.007725754],"category_scores_gemma":[0.0013676117,0.00013452568,0.000117739204,0.00030356552,0.0045786276,0.0019073908,0.0015554515,0.0019928566,0.0011579577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069249676,0.000017742945,0.00076484424,0.00012857704,0.000010078147,0.0014592556,0.06882203,0.0001183649,0.00067409006,0.33678934,0.5329882,0.058158144],"study_design_scores_gemma":[0.0000030939102,0.000012654486,0.0007867689,0.000117400465,0.0000028097097,0.0005096508,0.010882306,0.000033335742,0.0003141554,0.004706676,0.9826256,0.000005468589],"about_ca_topic_score_codex":0.011279488,"about_ca_topic_score_gemma":0.03575223,"teacher_disagreement_score":0.011279488,"about_ca_system_score_codex":0.0016143817,"about_ca_system_score_gemma":0.00068079046,"threshold_uncertainty_score":0.02584517},"labels":[],"label_agreement":null},{"id":"W2802878888","doi":"10.1177/1527476418768008","title":"The Listening Detective: Thinking Music, Gender, and Transnational Crime’s Affective Turn","year":2018,"lang":"en","type":"article","venue":"Television & New Media","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Active listening; Drama; Trope (literature); Detective fiction; Psychology; Mode (computer interface); Sociology; Literature; Aesthetics; Art","score_opus":0.06132582909582452,"score_gpt":0.2760495626451994,"score_spread":0.2147237335493749,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802878888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69079787,0.0011262551,0.0033686466,0.0062525044,0.00030172674,0.000022577564,0.000023449655,0.000040734063,0.2980662],"genre_scores_gemma":[0.9935868,0.0002683011,0.0003029969,0.0003839223,0.000097639015,0.000009869093,0.0000064977407,0.000020014411,0.00532399],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985928,0.0008118883,0.000026893062,0.00009638678,0.00031498636,0.00015702097],"domain_scores_gemma":[0.99839765,0.0010298293,0.00022471463,0.000086352695,0.00010467177,0.00015686547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011315887,0.00038483867,0.00020633667,0.001328696,0.003259951,0.0060452814,0.0005689448,0.0011339864,0.0036899892],"category_scores_gemma":[0.003987007,0.00014726415,0.0001984512,0.00047878394,0.014397849,0.0028484478,0.0038732837,0.0020849223,0.00026002797],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009220743,0.00009280619,0.005495799,0.000109122615,0.000016803131,0.00084629515,0.8247069,0.00010611179,0.004844774,0.13535306,0.0024100374,0.025926061],"study_design_scores_gemma":[0.000019655277,0.00019851336,0.019172296,0.00022490736,0.000027783119,0.0017035601,0.87087595,0.00026722372,0.0022476981,0.025663212,0.07955888,0.00004026003],"about_ca_topic_score_codex":0.0011516628,"about_ca_topic_score_gemma":0.0013909513,"teacher_disagreement_score":0.0060452814,"about_ca_system_score_codex":0.0009293641,"about_ca_system_score_gemma":0.00039232292,"threshold_uncertainty_score":0.012344182},"labels":[],"label_agreement":null},{"id":"W2808374823","doi":"","title":"Déclic à Toronto","year":2010,"lang":"fr","type":"book","venue":"Les Editions du Vermillon eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02757081002624203,"score_gpt":0.2388001780535896,"score_spread":0.21122936802734757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808374823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008510834,0.035358,0.0005301753,0.028021945,0.0035830273,0.000034195124,0.0006857358,0.00023457666,0.92304146],"genre_scores_gemma":[0.022744259,0.004335278,0.00014215629,0.001045276,0.0001397655,0.0000078278545,0.000075360374,0.00006877495,0.97144127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958724,0.00004552354,0.000008360456,0.00007327446,0.00015035602,0.00013520582],"domain_scores_gemma":[0.9993612,0.00010305022,0.00004841871,0.000053366995,0.0002168346,0.0002172177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023874217,0.0006060272,0.0002626632,0.0011456099,0.009794877,0.0047840523,0.0005318933,0.0015414159,0.088802576],"category_scores_gemma":[0.0009198083,0.00039696897,0.00021120581,0.0018390092,0.0040317904,0.002220543,0.0017975005,0.0020556776,0.011726898],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036373403,0.00000761338,0.00088090234,0.00015516498,0.000003955465,0.00057042396,0.020690834,0.00007221584,0.00041229924,0.100080095,0.8301742,0.046916008],"study_design_scores_gemma":[8.80472e-7,0.0000030080125,0.0007534813,0.000043431217,0.0000013028341,0.000083351166,0.0021599557,0.000009070314,0.00006590005,0.00040348317,0.9964725,0.0000037644106],"about_ca_topic_score_codex":0.72033924,"about_ca_topic_score_gemma":0.9241956,"teacher_disagreement_score":0.27966076,"about_ca_system_score_codex":0.020738872,"about_ca_system_score_gemma":0.012846303,"threshold_uncertainty_score":0.56261545},"labels":[],"label_agreement":null},{"id":"W2808910358","doi":"10.3138/uram.32.2-3-4.183","title":"Detective Fiction and Ultimate Reality: Agatha Christie, Mr. Satterthwaite and Mr. Quin","year":2009,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Agatha; Detective fiction; Philosophy; Literature; Art","score_opus":0.055647324274837,"score_gpt":0.2817076064764096,"score_spread":0.2260602822015726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808910358","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004780389,0.15005079,0.0007929655,0.8080941,0.0073701465,0.00001605338,0.000026169451,0.000021732509,0.028847653],"genre_scores_gemma":[0.32083058,0.23290414,0.0033950943,0.25734097,0.029599749,0.00019022143,0.000058901813,0.00014135195,0.15553902],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972248,0.001611683,0.00008111655,0.0002751997,0.00064792106,0.00015934251],"domain_scores_gemma":[0.98593926,0.011458034,0.00045473315,0.0003163266,0.0011673068,0.00066426385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005507098,0.000654813,0.00061254174,0.00203439,0.009981742,0.00752909,0.001366101,0.008110495,0.0052329283],"category_scores_gemma":[0.014780533,0.0004617828,0.00032057415,0.0012273472,0.02316901,0.013197598,0.00566847,0.013195102,0.00089244713],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039438968,0.000046879886,0.0005398511,0.00035226575,0.000018224615,0.0007212441,0.060741305,0.000073419,0.00018002855,0.24169417,0.6580749,0.03751825],"study_design_scores_gemma":[0.000016268588,0.000028907483,0.0012837729,0.0009539562,0.000011845214,0.0014424234,0.0410551,0.000090447495,0.00034943502,0.06518489,0.889535,0.000048053666],"about_ca_topic_score_codex":0.0065403366,"about_ca_topic_score_gemma":0.020391598,"teacher_disagreement_score":0.009981742,"about_ca_system_score_codex":0.0025924142,"about_ca_system_score_gemma":0.0022983896,"threshold_uncertainty_score":0.029124677},"labels":[],"label_agreement":null},{"id":"W2832170233","doi":"10.3138/9781442669994","title":"John Paizs's Crime Wave","year":2014,"lang":"en","type":"book","venue":"University of Toronto Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criminology; Sociology","score_opus":0.049124928685696484,"score_gpt":0.2059547153042933,"score_spread":0.1568297866185968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2832170233","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058914553,0.024970114,0.0008492905,0.070048556,0.0036637706,0.00007432502,0.00027742935,0.00007659,0.8411254],"genre_scores_gemma":[0.40541846,0.033941634,0.0012390299,0.010862887,0.0016007684,0.00008527695,0.0002498883,0.00019530217,0.54640687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999585,0.00007358578,0.000006265794,0.000045809036,0.00021273551,0.00007665369],"domain_scores_gemma":[0.9994962,0.0001439645,0.000037506095,0.00002397441,0.00017164461,0.00012657269],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031195962,0.00025782298,0.00013826528,0.0013696803,0.007115747,0.0035917351,0.00061402173,0.00066346367,0.009659446],"category_scores_gemma":[0.0016344688,0.00016529288,0.00007359513,0.0015044988,0.00306931,0.0021593042,0.001542142,0.0017720492,0.0008982183],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003151155,0.00004389502,0.0012533205,0.0001350679,0.0000046112073,0.00048241264,0.05370069,0.000041922805,0.00039273183,0.19417031,0.7089689,0.040774714],"study_design_scores_gemma":[0.0000031426634,0.000007713332,0.0020455634,0.00008076618,0.0000023147213,0.00019820796,0.015372965,0.000027634096,0.00018381726,0.0019153733,0.980157,0.0000055321034],"about_ca_topic_score_codex":0.3477466,"about_ca_topic_score_gemma":0.5166296,"teacher_disagreement_score":0.3477466,"about_ca_system_score_codex":0.0068209115,"about_ca_system_score_gemma":0.0041417056,"threshold_uncertainty_score":0.691445},"labels":[],"label_agreement":null},{"id":"W2901936284","doi":"10.16993/bat.ab","title":"A Cosmopolitan North in Nordic Noir: Turning Swedish Crime Fiction into World Literature","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; McGill University","keywords":"History; Art history; Literature; Art","score_opus":0.03238740519802808,"score_gpt":0.24821961631758618,"score_spread":0.2158322111195581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901936284","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11079374,0.02717721,0.0011430387,0.007204004,0.003551724,0.00003202807,0.0000795383,0.000075061915,0.8499437],"genre_scores_gemma":[0.74557835,0.019675435,0.0017429428,0.0020439483,0.00087020115,0.00005936563,0.0002272659,0.0003182188,0.22948427],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990017,0.00048770697,0.000025013196,0.000105295134,0.00022328916,0.00015704453],"domain_scores_gemma":[0.9990637,0.0006466447,0.00005506109,0.000047575162,0.00008783127,0.00009938274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007810966,0.0006565164,0.0004075669,0.0028934043,0.008124343,0.01412766,0.00068088877,0.0016114616,0.006008646],"category_scores_gemma":[0.0015195017,0.00023852306,0.00027100084,0.0023749436,0.009910731,0.0037445433,0.0038461813,0.002594273,0.001515559],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006383911,0.00009624187,0.0011539473,0.0004979344,0.000011572602,0.0024118065,0.50623375,0.00037391623,0.0007505911,0.37231538,0.05291855,0.063172445],"study_design_scores_gemma":[0.0000037231205,0.00002703932,0.00119312,0.0008248623,0.000007562388,0.0005428709,0.13756551,0.00009724676,0.00036701263,0.010354561,0.84900516,0.000011308057],"about_ca_topic_score_codex":0.009538951,"about_ca_topic_score_gemma":0.02425981,"teacher_disagreement_score":0.01412766,"about_ca_system_score_codex":0.006821978,"about_ca_system_score_gemma":0.0032558972,"threshold_uncertainty_score":0.049497128},"labels":[],"label_agreement":null},{"id":"W2912866200","doi":"10.3138/cjfs.23.2.2","title":"<i>Durham County</i> Season 1: Genre and Genre Subversion","year":2014,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subversion; Drama; Narrative; Movie theater; Representation (politics); Television series; Literature; History; Subjectivity; Sociology; Film genre; Aesthetics; Visual arts; Media studies; Art; Politics; Law; Political science","score_opus":0.04234446064369958,"score_gpt":0.23685762428843624,"score_spread":0.19451316364473664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912866200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16810568,0.011678984,0.0009756002,0.030852644,0.0022452674,0.000057535857,0.000971933,0.00007729908,0.785035],"genre_scores_gemma":[0.8917001,0.004303498,0.0005047709,0.0025664787,0.00052840664,0.00005204534,0.00031681597,0.00015162802,0.0998762],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989856,0.00023735416,0.000021069998,0.00011702256,0.00029022698,0.00034868746],"domain_scores_gemma":[0.9980889,0.00048317335,0.0002161966,0.00013411399,0.00044951338,0.00062814186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067170215,0.0003399907,0.00024520204,0.001984264,0.014488185,0.010931733,0.0009404541,0.0008783169,0.011755221],"category_scores_gemma":[0.0033153552,0.00018968194,0.00015749781,0.0030312713,0.0077313962,0.002235433,0.0023234333,0.0016683413,0.000600565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001395782,0.000043406013,0.013199233,0.00021216116,0.000017718385,0.0005125824,0.23039061,0.00011150442,0.0009326069,0.23027816,0.4582295,0.06593288],"study_design_scores_gemma":[0.0000041786952,0.000015675361,0.04607061,0.0002507491,0.000012021983,0.00028206003,0.13580133,0.0000582432,0.00039340171,0.002710134,0.81437236,0.000029249255],"about_ca_topic_score_codex":0.8224495,"about_ca_topic_score_gemma":0.9416279,"teacher_disagreement_score":0.8224495,"about_ca_system_score_codex":0.02429023,"about_ca_system_score_gemma":0.013995168,"threshold_uncertainty_score":0.35719222},"labels":[],"label_agreement":null},{"id":"W2914163658","doi":"","title":"D-Day: Juno Beach, Canada's 24 Hours of Destiny","year":2004,"lang":"en","type":"book","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Destiny (ISS module); Oceanography; History; Geography; Geology; Engineering","score_opus":0.03594031977163386,"score_gpt":0.21309872890817985,"score_spread":0.17715840913654599,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914163658","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00496628,0.011511944,0.00034640674,0.019538665,0.0044346615,0.000079411686,0.0033409076,0.00040177716,0.95538],"genre_scores_gemma":[0.00864904,0.0018506629,0.00012309638,0.0011245748,0.000086600376,0.000011137107,0.00031051616,0.00010743582,0.98773694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99976486,0.000010438113,0.0000039520837,0.000019094969,0.00009915219,0.0001025532],"domain_scores_gemma":[0.9995677,0.000024173414,0.0000119502965,0.00001778559,0.00018526897,0.0001931909],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023349177,0.00074231083,0.00036937828,0.0012129078,0.015700746,0.0055778907,0.000990674,0.0022257164,0.12216482],"category_scores_gemma":[0.00088419847,0.00038988344,0.0003959549,0.001716819,0.0015257043,0.0013954047,0.0016721936,0.0026206481,0.022210807],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012767545,0.0000069346725,0.00051252585,0.000033295,0.0000019302745,0.0001278405,0.0013967977,0.0000414512,0.000071511495,0.0053085755,0.9719696,0.020516865],"study_design_scores_gemma":[0.0000013449621,0.0000023277078,0.0017179777,0.000052726416,0.000001411942,0.000028780645,0.002800976,0.000009399154,0.000030657324,0.00024055192,0.99510854,0.0000052696273],"about_ca_topic_score_codex":0.9472627,"about_ca_topic_score_gemma":0.9941723,"teacher_disagreement_score":0.12216482,"about_ca_system_score_codex":0.014298356,"about_ca_system_score_gemma":0.028245253,"threshold_uncertainty_score":0.40868205},"labels":[],"label_agreement":null},{"id":"W2921065644","doi":"10.1177/0014585819831667","title":"Per una metodologia del protogiallo italiano: Problemi e proposte","year":2019,"lang":"en","type":"article","venue":"Forum Italicum A Journal of Italian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Scholarship; Prehistory; Face (sociological concept); Period (music); History; Order (exchange); Literature; Humanities; Sociology; Art; Social science; Political science; Aesthetics; Law; Archaeology","score_opus":0.05521754547846601,"score_gpt":0.30490153820272864,"score_spread":0.24968399272426262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921065644","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022874152,0.16945004,0.058194436,0.12820777,0.009498209,0.00031017454,0.00082928996,0.0003932894,0.61024255],"genre_scores_gemma":[0.6864859,0.11735462,0.06463298,0.018679602,0.030786647,0.0021633466,0.0014902683,0.00085490727,0.07755167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9923464,0.0045909327,0.0001994929,0.0012607691,0.0011945638,0.00040791382],"domain_scores_gemma":[0.99423474,0.003717806,0.00046518515,0.0007399513,0.0006435421,0.00019868284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008119316,0.0018913085,0.001422174,0.00960613,0.0055712983,0.016930485,0.0034568403,0.003826917,0.0055852355],"category_scores_gemma":[0.010444406,0.0006892722,0.00074526615,0.008560961,0.022299843,0.01390368,0.0051517016,0.0067596496,0.0020667159],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015729627,0.00002108819,0.0007980254,0.00025653216,0.000010222676,0.0001404236,0.013918407,0.00006322914,0.00005962024,0.94942915,0.017243365,0.018044306],"study_design_scores_gemma":[0.00001700772,0.000035364406,0.0029133516,0.0015524685,0.000023136789,0.00094854354,0.014690665,0.0009450014,0.0002675615,0.29174313,0.68682075,0.00004304552],"about_ca_topic_score_codex":0.007438868,"about_ca_topic_score_gemma":0.007892093,"teacher_disagreement_score":0.016930485,"about_ca_system_score_codex":0.0075645796,"about_ca_system_score_gemma":0.0036709704,"threshold_uncertainty_score":0.05488509},"labels":[],"label_agreement":null},{"id":"W2948236556","doi":"","title":"The reality behind the portrayal of the mystery genre: An interview with a Halifax Regional Police Officer","year":2019,"lang":"en","type":"article","venue":"YA Hotline","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Officer; Interview; Criminology; Media studies; Sociology; Psychology; History; Political science; Law","score_opus":0.07930597205355362,"score_gpt":0.2763157361489054,"score_spread":0.1970097640953518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948236556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7499906,0.004350807,0.0006999522,0.16568002,0.00072498375,0.00013660158,0.00015362381,0.000047147052,0.07821627],"genre_scores_gemma":[0.9564481,0.003028031,0.00037475312,0.01514279,0.00016883701,0.0001142099,0.00003495551,0.000056013654,0.024632284],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9963092,0.0025484674,0.00005855837,0.0001708483,0.00034661827,0.0005662731],"domain_scores_gemma":[0.9954341,0.0025881876,0.00041345812,0.00007606961,0.0005911116,0.0008971033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035463078,0.00055174215,0.00047809805,0.0013624525,0.036371183,0.006056193,0.0014314211,0.003902611,0.0047852923],"category_scores_gemma":[0.006437828,0.00071269623,0.000266312,0.0012254152,0.012201837,0.0040172357,0.0032108019,0.009174186,0.00056910235],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001565342,0.000016939985,0.0010307464,0.000029833072,0.000001970901,0.0012818167,0.9824934,0.000020615988,0.0002468125,0.0023881702,0.011086098,0.0013879518],"study_design_scores_gemma":[0.0000021886706,0.000014983787,0.001698485,0.00010028553,0.0000026005587,0.00041665323,0.959793,0.000027797763,0.00009138376,0.000105949395,0.03773579,0.000010909613],"about_ca_topic_score_codex":0.31108618,"about_ca_topic_score_gemma":0.3809466,"teacher_disagreement_score":0.31108618,"about_ca_system_score_codex":0.011997196,"about_ca_system_score_gemma":0.005538011,"threshold_uncertainty_score":0.6185509},"labels":[],"label_agreement":null},{"id":"W2949131733","doi":"10.1353/crc.2019.0005","title":"Can the Subaltern Fly? Female Bodies in Molano’s and Marston’s Narcofiction","year":2019,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subaltern; Destinations; Political science; Political economy; Economy; Tourism; Sociology; Law; Economics","score_opus":0.030832184651695214,"score_gpt":0.2678220475176605,"score_spread":0.23698986286596527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949131733","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4217197,0.12417751,0.00041361092,0.07418009,0.0013206066,0.00004195698,0.00038273341,0.000011885293,0.37775192],"genre_scores_gemma":[0.96330905,0.016523244,0.00014484925,0.0024058584,0.00019295256,0.000016016242,0.00007376611,0.000013910854,0.01732038],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9980094,0.00068820023,0.000064764245,0.00019674384,0.0004953811,0.00054553844],"domain_scores_gemma":[0.9973502,0.0015081849,0.0004421624,0.000104009894,0.00035832424,0.00023711754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023242335,0.00026126727,0.0005369994,0.0031768973,0.015787909,0.005222511,0.0012366971,0.0028331508,0.011732524],"category_scores_gemma":[0.0071123512,0.00027142387,0.00019148077,0.003402425,0.0259496,0.0029200132,0.003258247,0.0031082619,0.00042151284],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009674437,0.000060459097,0.009415444,0.0007399741,0.000026744998,0.0013188309,0.49409044,0.0000681723,0.00013639513,0.37439203,0.036309026,0.08334573],"study_design_scores_gemma":[0.000023141647,0.000038511324,0.06721055,0.0025272267,0.00004793794,0.00114839,0.45182055,0.000043459666,0.00029016237,0.014435574,0.4623718,0.000042694915],"about_ca_topic_score_codex":0.5294488,"about_ca_topic_score_gemma":0.7494293,"teacher_disagreement_score":0.4705512,"about_ca_system_score_codex":0.016106986,"about_ca_system_score_gemma":0.013809014,"threshold_uncertainty_score":0.9466447},"labels":[],"label_agreement":null},{"id":"W2953152803","doi":"10.1353/vcr.2018.0012","title":"“A Strange and Startling Creature” Transgender Possibilities in Wilkie Collins’s The Law and the Lady","year":2018,"lang":"en","type":"article","venue":"Victorian review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Transgender; Narrative; Trope (literature); Identity (music); Aesthetics; Scholarship; Sociology; Queer theory; Literature; Art; Law; Gender studies","score_opus":0.03499436896549606,"score_gpt":0.26375259633508735,"score_spread":0.22875822736959128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953152803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12269907,0.023144674,0.004408546,0.16395816,0.0017531101,0.000044000903,0.00006144732,0.00010532432,0.6838256],"genre_scores_gemma":[0.9184541,0.003018316,0.0005138264,0.010308597,0.00039286207,0.00003738118,0.000014732321,0.00005359021,0.06720649],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982911,0.0010402033,0.000023018656,0.00015262209,0.00023295515,0.0002600652],"domain_scores_gemma":[0.99895906,0.00062119553,0.00007912498,0.00005700457,0.00011116275,0.00017259819],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00162646,0.0003054651,0.00021709377,0.0008827308,0.012610115,0.007822877,0.00055544154,0.0025132117,0.0034726355],"category_scores_gemma":[0.0036630717,0.00022323283,0.00018303207,0.0005744644,0.037302386,0.0054873256,0.002790741,0.0040569496,0.00045691765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021509773,0.000013994833,0.00023218973,0.000034503162,0.0000019071938,0.0004773738,0.19273351,0.000061840154,0.00016411416,0.7536948,0.04442327,0.008140963],"study_design_scores_gemma":[0.000009988658,0.00003275599,0.0011602938,0.0003177941,0.0000068142335,0.0007366791,0.17421754,0.00015593156,0.00045826132,0.08810354,0.73476136,0.00003900844],"about_ca_topic_score_codex":0.026953675,"about_ca_topic_score_gemma":0.037657335,"teacher_disagreement_score":0.026953675,"about_ca_system_score_codex":0.007563807,"about_ca_system_score_gemma":0.0025931292,"threshold_uncertainty_score":0.054879546},"labels":[],"label_agreement":null},{"id":"W2959355620","doi":"10.1353/vpr.2019.0021","title":"Communications in the Strand Magazine, September 1896","year":2019,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theme (computing); Gable; History; Convention; Art history; Art; Telecommunications; Media studies; Literature; Law; Sociology; Engineering; Computer science; Archaeology; Political science; World Wide Web","score_opus":0.05799682506288056,"score_gpt":0.31383272568993764,"score_spread":0.2558359006270571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2959355620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029134299,0.01990555,0.0002535677,0.032647256,0.05815346,0.000061658815,0.001935577,0.00025361392,0.8838757],"genre_scores_gemma":[0.008577893,0.007066993,0.000112476904,0.002702336,0.0068386183,0.00002362152,0.0005129477,0.000094353614,0.97407067],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933475,0.00007113888,0.000026429472,0.000073566654,0.00031978125,0.00017432013],"domain_scores_gemma":[0.9992213,0.00008720034,0.00004826787,0.00002797641,0.00036367864,0.00025160817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047054645,0.00074534427,0.0002055781,0.0010145685,0.0024937605,0.0041808006,0.0003492977,0.0010769931,0.17019053],"category_scores_gemma":[0.0026849383,0.00024132665,0.000125672,0.001036887,0.0005290653,0.001813956,0.0015794721,0.0014873629,0.10330524],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001163073,0.0000050851327,0.00014419615,0.000030058345,4.7008155e-7,0.000043583907,0.00020101381,0.000007095667,0.000085395266,0.0025799389,0.98551524,0.011376382],"study_design_scores_gemma":[5.182212e-7,0.0000023624216,0.00017883674,0.000019506324,2.3815102e-7,0.000016930217,0.00008979577,0.0000018880547,0.000017982531,0.000044117223,0.9996269,8.9067066e-7],"about_ca_topic_score_codex":0.0127333375,"about_ca_topic_score_gemma":0.029706463,"teacher_disagreement_score":0.17019053,"about_ca_system_score_codex":0.0024372602,"about_ca_system_score_gemma":0.001966846,"threshold_uncertainty_score":0.56934404},"labels":[],"label_agreement":null},{"id":"W2963061138","doi":"10.1093/oxfordhb/9780190641870.013.32","title":"Edgar Allan Poe and His Enemies","year":2018,"lang":"en","type":"reference-entry","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Friendship; Unconscious mind; Hatred; Invective; Sociology; Publishing; Law; Psychology; Political science; Social science; Psychoanalysis","score_opus":0.0646547381915277,"score_gpt":0.2637738329920701,"score_spread":0.19911909480054238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963061138","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037174534,0.04073338,0.0008435998,0.065984614,0.0045898086,0.000026304993,0.00011630485,0.00009897897,0.85043246],"genre_scores_gemma":[0.25767738,0.020731125,0.0005777518,0.007285022,0.0017320103,0.000024015413,0.00007342397,0.000104346844,0.7117949],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949753,0.00019900365,0.000012967179,0.000073477175,0.0001489491,0.00006798918],"domain_scores_gemma":[0.9994435,0.00025090348,0.000045265657,0.00004584477,0.000097345,0.00011719316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005126025,0.00041043301,0.0002800972,0.0011467334,0.0072652325,0.005202384,0.0003813428,0.001008799,0.017286416],"category_scores_gemma":[0.0018323889,0.000176323,0.00009133465,0.000865783,0.0047526145,0.004355584,0.0027451552,0.003075621,0.0043306774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004787072,0.000064424836,0.0013333258,0.00022308272,0.0000063605885,0.0011911925,0.070066,0.00006221882,0.00022275778,0.4153773,0.42933065,0.08207486],"study_design_scores_gemma":[9.905116e-7,0.000010891872,0.0005176385,0.00010821596,9.984468e-7,0.0004668227,0.009385358,0.000019605126,0.00010126634,0.0055163493,0.983868,0.00000401342],"about_ca_topic_score_codex":0.0031114998,"about_ca_topic_score_gemma":0.007890301,"teacher_disagreement_score":0.017286416,"about_ca_system_score_codex":0.001602967,"about_ca_system_score_gemma":0.0011150977,"threshold_uncertainty_score":0.057828844},"labels":[],"label_agreement":null},{"id":"W2969450172","doi":"10.2478/ausfm-2019-0005","title":"Modernist Medievalism and the Expressionist Morality Play: Georg Kaiser’s<i>From Morning to Midnight</i>","year":2019,"lang":"en","type":"article","venue":"Acta Universitatis Sapientiae Film and Media Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Midnight; Medievalism; Morality; Art; Subjectivity; Literature; Allegory; Art history; Philosophy; Theology; Middle Ages; Epistemology","score_opus":0.030710321401078232,"score_gpt":0.2409737633274359,"score_spread":0.21026344192635765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969450172","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5758618,0.009553821,0.0015178202,0.020725962,0.0006410697,0.000015717034,0.00006601229,0.000053489846,0.3915644],"genre_scores_gemma":[0.99190795,0.00038917604,0.00008509632,0.0002561309,0.000060669794,0.000003674186,0.000005397115,0.000018312821,0.007273658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900216,0.00049081194,0.000018198662,0.00013974778,0.00013705266,0.00021203014],"domain_scores_gemma":[0.9992717,0.00034284816,0.0001263694,0.000066128356,0.00006637136,0.00012659664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013057267,0.00024247037,0.00016453494,0.0006740106,0.0058322065,0.0040819086,0.00044815216,0.0010488948,0.0029442415],"category_scores_gemma":[0.0015284751,0.00019442642,0.00008601369,0.00040320333,0.026169159,0.0025637238,0.0027130274,0.0028870527,0.0003162267],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001097615,0.000040925133,0.000945957,0.0000658565,0.0000071160634,0.00040992242,0.48526794,0.00008354198,0.0010237969,0.49342784,0.009016371,0.009600949],"study_design_scores_gemma":[0.000026986887,0.00010290589,0.011968664,0.000342381,0.000014788722,0.00073775055,0.1931499,0.00017877751,0.0023347868,0.03885155,0.7522449,0.00004661146],"about_ca_topic_score_codex":0.0076140836,"about_ca_topic_score_gemma":0.016009191,"teacher_disagreement_score":0.0076140836,"about_ca_system_score_codex":0.006425563,"about_ca_system_score_gemma":0.00094547356,"threshold_uncertainty_score":0.046620905},"labels":[],"label_agreement":null},{"id":"W2970557578","doi":"10.15353/kinema.vi.1316","title":"Representation of Farm Murders in Darrell Roodt's Treurgrond","year":2015,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Representation (politics); Criminology; Psychology; Sociology; Political science; Law","score_opus":0.12191528008684638,"score_gpt":0.3384786409926903,"score_spread":0.21656336090584394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970557578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7919192,0.0011745248,0.0005106291,0.023764864,0.0005998222,0.000045813442,0.0003049497,0.00006391858,0.1816163],"genre_scores_gemma":[0.9556698,0.00036220255,0.00014929462,0.0014482273,0.00012502223,0.000016219128,0.00009105107,0.00003281814,0.042105343],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991805,0.0002525101,0.000018972349,0.00008348647,0.00016489762,0.00029969076],"domain_scores_gemma":[0.99890983,0.00036677005,0.00026293102,0.00006516502,0.0001549105,0.00024040742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004973254,0.00021394179,0.00022581904,0.0012570064,0.008982406,0.0028298183,0.0007734818,0.0019626627,0.022094706],"category_scores_gemma":[0.003235851,0.00018892818,0.00015135479,0.00065628404,0.00242546,0.0011670708,0.0033427577,0.0030003423,0.0014677431],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031109652,0.00012924513,0.03606634,0.00021638181,0.000035061494,0.02159286,0.57528365,0.0003148891,0.0024094668,0.047777172,0.2416277,0.07423616],"study_design_scores_gemma":[0.000015193394,0.00010462428,0.04853033,0.00042303995,0.00002239685,0.005427712,0.60139555,0.00045785384,0.0007952335,0.0029345893,0.33985966,0.0000338142],"about_ca_topic_score_codex":0.049164135,"about_ca_topic_score_gemma":0.15400448,"teacher_disagreement_score":0.049164135,"about_ca_system_score_codex":0.002430484,"about_ca_system_score_gemma":0.0013294067,"threshold_uncertainty_score":0.09775597},"labels":[],"label_agreement":null},{"id":"W3011484480","doi":"10.7202/1068486ar","title":"The Wolf Highway","year":2020,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transport engineering; Computer science; Engineering","score_opus":0.06350514471272044,"score_gpt":0.23076825366766757,"score_spread":0.16726310895494712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011484480","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014588252,0.0050459118,0.0006149148,0.01769772,0.003066881,0.000018241073,0.00045466068,0.00017007942,0.97147274],"genre_scores_gemma":[0.0063302866,0.0018486412,0.00022009863,0.0021329243,0.0002938024,0.000018581548,0.00018312591,0.000115011564,0.9888575],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992982,0.00014917967,0.000020648404,0.00014086207,0.00025746992,0.00013365812],"domain_scores_gemma":[0.99930644,0.0001229844,0.000038502152,0.00012058061,0.00022224135,0.000189226],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00054400554,0.00055832136,0.00038121614,0.0014802106,0.0042926692,0.0090354625,0.0005719842,0.0029982862,0.39395246],"category_scores_gemma":[0.0027820624,0.00031682785,0.00028115883,0.0015108975,0.0018309271,0.0058695804,0.0040962044,0.0032192236,0.15211073],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001904047,0.000025646294,0.00039226242,0.000035422785,0.0000030395881,0.000088018634,0.00028439143,0.000043821718,0.00009528745,0.16514668,0.7475955,0.08627096],"study_design_scores_gemma":[0.0000011688807,0.0000030382485,0.00016533122,0.000034338493,5.1101154e-7,0.000017825369,0.00016637785,0.000011905517,0.000021779717,0.0045894934,0.9949868,0.0000014097833],"about_ca_topic_score_codex":0.008684093,"about_ca_topic_score_gemma":0.022699527,"teacher_disagreement_score":0.39395246,"about_ca_system_score_codex":0.0017547039,"about_ca_system_score_gemma":0.0028742328,"threshold_uncertainty_score":0.86445326},"labels":[],"label_agreement":null},{"id":"W3020078179","doi":"10.1080/13825577.2020.1730034","title":"The urban condition: literary trajectories through the Canadian Postmetropolis","year":2020,"lang":"en","type":"article","venue":"European Journal of English Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literary criticism; Sociology; History; Literature; Art","score_opus":0.0715337107166768,"score_gpt":0.2680734915836553,"score_spread":0.1965397808669785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3020078179","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9196711,0.006279287,0.000100241945,0.009723481,0.0001369851,0.00006355162,0.002853938,0.000025825606,0.061145708],"genre_scores_gemma":[0.98694617,0.0025882584,0.00010700995,0.00021203778,0.000018299948,0.000025459982,0.00048065284,0.000025775356,0.009596255],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886453,0.00012024624,0.00003330356,0.00008810904,0.00037181514,0.00052194594],"domain_scores_gemma":[0.99676174,0.00028602956,0.0003817772,0.00006407992,0.001471187,0.001035197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094647077,0.00033916338,0.00038508477,0.004652276,0.018989252,0.008874425,0.001938217,0.0009441777,0.011796588],"category_scores_gemma":[0.0043598665,0.000304896,0.0003280731,0.009412745,0.00518517,0.0027500482,0.004778532,0.0014555902,0.0007802106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024073294,0.00009313018,0.11580431,0.00021428267,0.000034886034,0.00094592344,0.77594143,0.00016836042,0.00034567656,0.025553713,0.02856206,0.052095532],"study_design_scores_gemma":[0.000009032809,0.000028247148,0.34071258,0.00020485227,0.00001633364,0.00024152739,0.58421224,0.00008932313,0.00011087857,0.0006321802,0.07369362,0.00004924408],"about_ca_topic_score_codex":0.9904929,"about_ca_topic_score_gemma":0.99745804,"teacher_disagreement_score":0.05399164,"about_ca_system_score_codex":0.05399164,"about_ca_system_score_gemma":0.072065026,"threshold_uncertainty_score":0.39173865},"labels":[],"label_agreement":null},{"id":"W3023148752","doi":"10.1177/0021989420912294","title":"Kishwar Desai’s Simran Singh series: Crime, detection, and gender","year":2020,"lang":"en","type":"article","venue":"The Journal of Commonwealth Literature","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Innocence; Injustice; Narrative; Witness; Sociology; Postcolonialism (international relations); Feminism; Power (physics); Gender studies; Literature; Aesthetics; Law; Art; Political science","score_opus":0.059900796011772325,"score_gpt":0.26467465119129696,"score_spread":0.20477385517952462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3023148752","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34032637,0.016014874,0.0012601437,0.03734224,0.0023885372,0.000057156096,0.00016350114,0.000109214496,0.60233796],"genre_scores_gemma":[0.88007075,0.007682605,0.00043771032,0.0017466577,0.00051841215,0.000046148627,0.00006704796,0.000066916495,0.10936389],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994331,0.00025386203,0.000018011257,0.000054469438,0.0001386345,0.00010182298],"domain_scores_gemma":[0.99866664,0.00089775596,0.00014640034,0.000069275426,0.00010174256,0.00011815351],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007006053,0.00047645025,0.00024487122,0.0010266311,0.008797518,0.0043840744,0.0007564714,0.0011060575,0.009889553],"category_scores_gemma":[0.0020829253,0.00018754906,0.0001484088,0.0013002328,0.007576671,0.0026439668,0.0029780439,0.0023188253,0.0009774663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071856346,0.000109747605,0.0036746473,0.00052065623,0.000017619166,0.003417487,0.5030678,0.00013744786,0.0016502782,0.2947225,0.13138852,0.06122137],"study_design_scores_gemma":[0.0000065700447,0.00006913393,0.0048793475,0.00037725948,0.000014444184,0.0022986755,0.17708418,0.000112187,0.0018911166,0.010515702,0.80272233,0.000029078437],"about_ca_topic_score_codex":0.004216737,"about_ca_topic_score_gemma":0.014067389,"teacher_disagreement_score":0.009889553,"about_ca_system_score_codex":0.002594638,"about_ca_system_score_gemma":0.0017059239,"threshold_uncertainty_score":0.033083797},"labels":[],"label_agreement":null},{"id":"W3030462287","doi":"10.7202/1068913ar","title":"Jean-Marc Gouanvic. Hard-boiled fiction et Série noire : les métamorphoses du roman policier anglo-américain en français (1945-1960). Paris, Classiques Garnier, 2018, 281 p.","year":2019,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Art; Humanities","score_opus":0.047415878206460454,"score_gpt":0.28009943429164885,"score_spread":0.2326835560851884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3030462287","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043718265,0.84555286,0.0006426694,0.092136875,0.0072359834,0.000032998232,0.0007352275,0.00010294571,0.04918864],"genre_scores_gemma":[0.20134452,0.6144975,0.0016156386,0.015750399,0.0123505695,0.00021241889,0.00083130586,0.00046618137,0.15293154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869543,0.00044645992,0.00004799187,0.00019741287,0.00044490898,0.00016786151],"domain_scores_gemma":[0.9968646,0.0016453152,0.00036668903,0.00007236956,0.00081263186,0.00023837666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016421261,0.0018889443,0.00080283376,0.0058892616,0.0064989505,0.004422987,0.0014142577,0.0035954146,0.013902999],"category_scores_gemma":[0.004785994,0.00045888755,0.00037184582,0.005651874,0.00423086,0.0057163048,0.0019259232,0.0038476433,0.0044447635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006827647,0.000032655134,0.0011953418,0.000799909,0.000017006869,0.0003070237,0.02326965,0.00009345896,0.00016306312,0.040487017,0.8726102,0.06095642],"study_design_scores_gemma":[0.000015687481,0.00001517539,0.009594363,0.0012846914,0.000008883118,0.00027554465,0.009001697,0.000059460886,0.00026441892,0.0054357196,0.9740121,0.000032321812],"about_ca_topic_score_codex":0.15908824,"about_ca_topic_score_gemma":0.2103654,"teacher_disagreement_score":0.15908824,"about_ca_system_score_codex":0.0075658294,"about_ca_system_score_gemma":0.004282395,"threshold_uncertainty_score":0.31632453},"labels":[],"label_agreement":null},{"id":"W3034989491","doi":"","title":"Street-Level Writing: Los Angeles in the Works of Charles Bukowski","year":2020,"lang":"en","type":"article","venue":"Literary Geographies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"The Imaginary; Representation (politics); Insider; Context (archaeology); Interpretation (philosophy); Perspective (graphical); Sociology; Face (sociological concept); Point (geometry); Aesthetics; Order (exchange); History; Epistemology; Linguistics; Art; Visual arts; Politics; Psychology; Psychoanalysis; Philosophy; Law; Social science; Political science; Archaeology; Mathematics","score_opus":0.06237244429255106,"score_gpt":0.24602967162257894,"score_spread":0.18365722733002787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034989491","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4062481,0.031508144,0.0039664465,0.06530537,0.0018133374,0.000056956742,0.00031024378,0.00028032923,0.49051115],"genre_scores_gemma":[0.94902164,0.0044161486,0.00092354696,0.0010067152,0.00026799864,0.000042593783,0.000066087545,0.00011842275,0.04413686],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992981,0.00040999762,0.000023322182,0.00007562731,0.00011515184,0.00007773602],"domain_scores_gemma":[0.999025,0.00048971083,0.00013939437,0.00005062275,0.00016312217,0.00013222967],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007441619,0.0002814764,0.00018100928,0.001237635,0.0078551015,0.006633671,0.0004698047,0.0006698431,0.00314244],"category_scores_gemma":[0.0025321853,0.00018825727,0.00007320149,0.0016734074,0.008858376,0.002903499,0.002130856,0.0017699273,0.00042424354],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058685517,0.000029776638,0.0022031849,0.00017337473,0.000007857076,0.00089440314,0.45280033,0.00025991705,0.00074409664,0.41174796,0.094872005,0.03620832],"study_design_scores_gemma":[0.0000054585494,0.000012312791,0.0024844443,0.00022225581,0.0000052888618,0.00026061843,0.10746529,0.00016396528,0.00048638298,0.010831037,0.87803984,0.00002317587],"about_ca_topic_score_codex":0.029892914,"about_ca_topic_score_gemma":0.0707505,"teacher_disagreement_score":0.029892914,"about_ca_system_score_codex":0.007290306,"about_ca_system_score_gemma":0.0023138842,"threshold_uncertainty_score":0.05943787},"labels":[],"label_agreement":null},{"id":"W3036203153","doi":"10.1353/vcr.2019.0058","title":"The Man of Letters as Criminal: Sir Gilbert Edward Campbell and Henry Labouchère’s Truth","year":2019,"lang":"en","type":"article","venue":"Victorian review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Journalism; Tribute; Newspaper; History; Narrative; Law; Criminology; Literature; Art; Sociology; Art history; Political science","score_opus":0.017523140819590964,"score_gpt":0.24896246147502535,"score_spread":0.23143932065543438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3036203153","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057643035,0.025853861,0.000100454476,0.94518226,0.018018665,0.0000058072396,0.000010956771,0.000018864235,0.010232666],"genre_scores_gemma":[0.06376698,0.031541385,0.0004284774,0.78588897,0.058729623,0.000040604442,0.00001948542,0.00011215192,0.059472375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937522,0.0030679652,0.00023501803,0.00061156024,0.0015884102,0.0007449203],"domain_scores_gemma":[0.98514867,0.0078112283,0.00084714266,0.0003520372,0.002171918,0.0036691076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0057181506,0.000556828,0.0005820312,0.0013391465,0.011175254,0.012775144,0.0012875426,0.015280489,0.009871523],"category_scores_gemma":[0.028092613,0.0007222873,0.00028807865,0.00060373935,0.014843156,0.0074298074,0.0031152172,0.023506064,0.0041312855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014297785,0.000009752697,0.00021724033,0.00003853171,0.000004584413,0.00040893705,0.002780908,0.000015649375,0.000040876643,0.009632046,0.9768082,0.010028929],"study_design_scores_gemma":[0.000014033632,0.000014898475,0.00043454042,0.00046517415,0.0000054751795,0.001382768,0.0055224863,0.000037381677,0.0000699012,0.007965534,0.9840538,0.00003397518],"about_ca_topic_score_codex":0.024620678,"about_ca_topic_score_gemma":0.03768435,"teacher_disagreement_score":0.024620678,"about_ca_system_score_codex":0.008467978,"about_ca_system_score_gemma":0.0077106818,"threshold_uncertainty_score":0.061439753},"labels":[],"label_agreement":null},{"id":"W3037263213","doi":"","title":"Carousel: A Novel","year":2020,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.09069956552467633,"score_gpt":0.2550739188677988,"score_spread":0.16437435334312245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3037263213","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025287736,0.0048667216,0.0009965486,0.12807007,0.003780557,0.00006708355,0.00022350397,0.0000722763,0.83663553],"genre_scores_gemma":[0.31307498,0.0028852155,0.000849744,0.04408616,0.0009364284,0.00012421963,0.0000770011,0.0001863705,0.63777995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977672,0.0004826543,0.000025625191,0.00033847924,0.0005860183,0.00080006133],"domain_scores_gemma":[0.99774504,0.0010665472,0.00010191541,0.0001447734,0.0004686182,0.00047305727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017288126,0.00060781,0.00042538793,0.0023114977,0.04820238,0.011906424,0.0019230692,0.008061996,0.016889106],"category_scores_gemma":[0.006174906,0.00033789358,0.00035967628,0.0024265538,0.020563759,0.0038524491,0.0036488723,0.0080145635,0.0014504036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024285067,0.000012327017,0.00030390633,0.000034910816,0.000003180444,0.0005372733,0.047144048,0.000021290913,0.0001443442,0.7556734,0.18898304,0.0071179867],"study_design_scores_gemma":[0.000006963792,0.000004232112,0.00052845234,0.000083264604,0.0000043331306,0.00015258577,0.024664255,0.000032589327,0.00015389608,0.010880911,0.96347433,0.000014247585],"about_ca_topic_score_codex":0.771001,"about_ca_topic_score_gemma":0.89918196,"teacher_disagreement_score":0.771001,"about_ca_system_score_codex":0.0337616,"about_ca_system_score_gemma":0.027440393,"threshold_uncertainty_score":0.46069527},"labels":[],"label_agreement":null},{"id":"W3039734244","doi":"10.1093/fmls/cqaa021","title":"Canadian Noir: Consumer Culture, Colonial Nationalism and the Cardinal Series","year":2020,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Nationalism; National identity; Colonialism; Representation (politics); Spectacle; HERO; Sociology; Foregrounding; Dominance (genetics); History; Aesthetics; Art; Law; Literature; Political science","score_opus":0.03974175439508097,"score_gpt":0.27655462159919864,"score_spread":0.23681286720411765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039734244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21574074,0.0033674105,0.00042333108,0.026472595,0.00083043595,0.000021979433,0.0002071294,0.00005621001,0.75288016],"genre_scores_gemma":[0.94425625,0.0018347491,0.0002459717,0.0011002019,0.00008184357,0.0000073320625,0.00004797649,0.00005685078,0.05236886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990079,0.0001695557,0.000013143228,0.00011188856,0.0004001654,0.0002974368],"domain_scores_gemma":[0.9985905,0.00034813135,0.00010785398,0.000113079266,0.0005279838,0.00031239525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096883264,0.00037495163,0.00021196135,0.0012081423,0.018265266,0.007846481,0.00088311406,0.0007653546,0.007830249],"category_scores_gemma":[0.00271201,0.00015956236,0.00011735787,0.0022200106,0.014726524,0.0015078189,0.0018008995,0.0019017074,0.00033209985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081182174,0.000040626852,0.0064516454,0.00014104665,0.000009217161,0.00079283107,0.37599054,0.00015039086,0.0007177846,0.46019673,0.124034084,0.031393852],"study_design_scores_gemma":[0.0000042754136,0.000011068026,0.009932159,0.00022907917,0.000010103649,0.00023833828,0.23620608,0.0001283854,0.0003501761,0.0040912097,0.74876064,0.000038549322],"about_ca_topic_score_codex":0.94778436,"about_ca_topic_score_gemma":0.9782517,"teacher_disagreement_score":0.052215636,"about_ca_system_score_codex":0.049490344,"about_ca_system_score_gemma":0.026577016,"threshold_uncertainty_score":0.3590793},"labels":[],"label_agreement":null},{"id":"W3039962646","doi":"10.4000/polysemes.7282","title":"When Sherlock Goes to LA: The Literary “Case” of Joe Ide’s IQ (2016)","year":2020,"lang":"en","type":"article","venue":"Polysèmes","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Philosophy; Psychology","score_opus":0.05163446946596636,"score_gpt":0.2550210150551083,"score_spread":0.20338654558914196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039962646","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04680291,0.05959409,0.0013505755,0.2701236,0.016677953,0.000046069552,0.00022100082,0.00013041089,0.6050534],"genre_scores_gemma":[0.5263078,0.015827525,0.00066521537,0.06418364,0.006805293,0.00009953382,0.00014454407,0.00038861885,0.38557783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975629,0.0011964127,0.000051522595,0.00022174296,0.0005300939,0.00043730685],"domain_scores_gemma":[0.99780065,0.0012234725,0.00019126505,0.00010697835,0.0003618165,0.0003157192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020523416,0.0006198514,0.00033477385,0.0016895336,0.016114188,0.01371254,0.0012138498,0.004245746,0.0076577314],"category_scores_gemma":[0.006750487,0.00028170404,0.00030638938,0.0010939805,0.014514072,0.0056434604,0.0040369174,0.0092095835,0.0025987753],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005092807,0.00002907223,0.0010233136,0.00012739262,0.0000071817994,0.0012554652,0.26090384,0.000050807277,0.00018611665,0.3196883,0.4015846,0.015092997],"study_design_scores_gemma":[0.000004589796,0.0000076021015,0.00063301873,0.00036833057,0.0000038225335,0.00027753276,0.064255916,0.000032143387,0.00012307761,0.0057546664,0.9285277,0.000011613243],"about_ca_topic_score_codex":0.029698,"about_ca_topic_score_gemma":0.085800625,"teacher_disagreement_score":0.029698,"about_ca_system_score_codex":0.005971456,"about_ca_system_score_gemma":0.0035474203,"threshold_uncertainty_score":0.05905032},"labels":[],"label_agreement":null},{"id":"W3048871857","doi":"10.14288/cl.v0i235.189741","title":"Anxious Speculation: Vancouver(ism), Indebtedness and Everyday Urban Affect","year":2017,"lang":"en","type":"article","venue":"Open Collections","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Realm; Fantasy; Politics; Commodification; Speculation; Commodity; Romance; Real estate; Aesthetics; Reading (process); Sociology; The Imaginary; Urbanism; History; Political economy; Economy; Law; Political science; Economics; Psychology; Art; Psychoanalysis; Literature; Architecture; Market economy; Finance","score_opus":0.057313748743335384,"score_gpt":0.29013937713842786,"score_spread":0.23282562839509247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048871857","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9094998,0.0013391525,0.00086883985,0.0051073004,0.00012044547,0.000016983871,0.000035975678,0.0000295767,0.082981914],"genre_scores_gemma":[0.9968701,0.00026274697,0.00010239864,0.00030934782,0.000019484,0.0000055048577,0.000012919841,0.000006878244,0.0024106659],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982211,0.0009939884,0.000032263353,0.00011096967,0.00042101365,0.00022061188],"domain_scores_gemma":[0.9980855,0.00084081804,0.00031399273,0.00008022747,0.00025629834,0.00042324816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012619236,0.0003089068,0.0002360899,0.00091919233,0.007945951,0.0090763355,0.00060030463,0.0014585395,0.0027088006],"category_scores_gemma":[0.0045048976,0.000282069,0.00017966633,0.00084049127,0.0155860325,0.0018688687,0.0050403806,0.0030644697,0.00020429018],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038580984,0.000022408254,0.0107050715,0.000053316093,0.000014845412,0.00070653507,0.95402217,0.00008546987,0.0006331204,0.023580458,0.0028813903,0.0072566783],"study_design_scores_gemma":[0.000004782681,0.000030878033,0.016792282,0.000062865394,0.000010351962,0.00048735988,0.93492293,0.00016290344,0.00012905242,0.004238413,0.043115363,0.0000428672],"about_ca_topic_score_codex":0.068546824,"about_ca_topic_score_gemma":0.1158949,"teacher_disagreement_score":0.93145317,"about_ca_system_score_codex":0.0047115106,"about_ca_system_score_gemma":0.0014386442,"threshold_uncertainty_score":0.13629568},"labels":[],"label_agreement":null},{"id":"W3087860609","doi":"10.1007/978-3-030-52980-2_4","title":"Writing Psychogeography, Writing London Through a Screen Darkly: White Chappell, Scarlet Tracings","year":2020,"lang":"en","type":"book-chapter","venue":"Literary urban studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lethbridge College","funders":"","keywords":"White (mutation); Style (visual arts); Consciousness; Art; Art history; Performance art; Literature; Visual arts; History; Philosophy; Chemistry; Epistemology","score_opus":0.07354860981238594,"score_gpt":0.27486321599027624,"score_spread":0.20131460617789032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087860609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021190722,0.027844142,0.0030595518,0.07607285,0.0024632849,0.000059322127,0.0002731945,0.00013695066,0.86890006],"genre_scores_gemma":[0.29163906,0.0083770035,0.0016740183,0.010420638,0.0007336937,0.00008705785,0.00009789512,0.000688481,0.68628216],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877197,0.000733443,0.000039649214,0.0001399571,0.00018230794,0.00013265651],"domain_scores_gemma":[0.9977664,0.0014787538,0.0001408769,0.00014637665,0.00024967038,0.00021798495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012654455,0.00065048784,0.0003015665,0.0018581395,0.015262898,0.012915298,0.00086573354,0.003285813,0.015822401],"category_scores_gemma":[0.0051080314,0.0004202542,0.00018873751,0.002239149,0.018819997,0.007487831,0.0031359924,0.004430922,0.002727145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031932395,0.000020814306,0.00026240593,0.00013313287,0.000004239367,0.0003701551,0.2913693,0.000049975133,0.00030892095,0.4783127,0.20843737,0.020698993],"study_design_scores_gemma":[0.000005723933,0.000008179904,0.0005355868,0.0003981398,0.000003286229,0.00017520622,0.1303049,0.000033755674,0.00032304437,0.024430938,0.8437701,0.000011212529],"about_ca_topic_score_codex":0.07010615,"about_ca_topic_score_gemma":0.20495984,"teacher_disagreement_score":0.07010615,"about_ca_system_score_codex":0.0073060314,"about_ca_system_score_gemma":0.005073806,"threshold_uncertainty_score":0.13939619},"labels":[],"label_agreement":null},{"id":"W3088699838","doi":"10.1007/978-3-030-52980-2_3","title":"Peter Ackroyd’s Sensuous Detective Method in Hawksmoor","year":2020,"lang":"en","type":"book-chapter","venue":"Literary urban studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lethbridge College","funders":"","keywords":"Connotation; Empire; Space (punctuation); Point (geometry); Cartography; Art history; History; Art; Geography; Philosophy; Ancient history; Mathematics; Geometry","score_opus":0.08912530365028981,"score_gpt":0.29609145693642586,"score_spread":0.20696615328613605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088699838","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042809746,0.013400775,0.0072700987,0.034600943,0.0031918422,0.000048376533,0.000056428595,0.000058367204,0.9370921],"genre_scores_gemma":[0.16822867,0.006105176,0.0036963718,0.0071209525,0.0014312223,0.00009721355,0.00003230505,0.00028655608,0.8130015],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871504,0.00074232806,0.000024282892,0.00015361112,0.00025012498,0.00011457859],"domain_scores_gemma":[0.9986204,0.0009927761,0.000050223978,0.00009329101,0.00014978746,0.00009351334],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014689253,0.0005286716,0.00030858244,0.0017956492,0.008271336,0.0055473545,0.00073626643,0.0024406489,0.015757397],"category_scores_gemma":[0.0028989522,0.00038362865,0.00019967866,0.0011163614,0.016974684,0.0057685166,0.0022757147,0.004247135,0.0024436924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005987906,0.000010120481,0.00006196454,0.000028956742,0.0000013069568,0.000036706162,0.0078693675,0.000030793148,0.00005380704,0.9014217,0.07462464,0.015854653],"study_design_scores_gemma":[0.0000036348963,0.0000064556807,0.0001933095,0.00012528247,0.0000022848108,0.000085060434,0.0034321148,0.000073131276,0.00021033354,0.11840633,0.87745166,0.0000104006485],"about_ca_topic_score_codex":0.012525679,"about_ca_topic_score_gemma":0.04611894,"teacher_disagreement_score":0.015757397,"about_ca_system_score_codex":0.0032628728,"about_ca_system_score_gemma":0.0018384282,"threshold_uncertainty_score":0.05271381},"labels":[],"label_agreement":null},{"id":"W3095308556","doi":"10.1007/978-3-476-05728-0_5362-1","title":"Gibson, William (Ford)","year":2020,"lang":"en","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Environmental ethics; Art; Philosophy","score_opus":0.08087348904417963,"score_gpt":0.2387572544711663,"score_spread":0.15788376542698668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095308556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00077430333,0.14174907,0.0016291931,0.025743226,0.0055735223,0.000055219323,0.0014515627,0.00041202985,0.8226119],"genre_scores_gemma":[0.0056405864,0.03366114,0.0012516247,0.00280175,0.00029895012,0.000034394758,0.0003858981,0.00020657608,0.95571905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996191,0.000041234514,0.000022095383,0.000105304374,0.0001637029,0.000048580157],"domain_scores_gemma":[0.9994723,0.000096823576,0.00003394745,0.00005363469,0.00025407254,0.000089292706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005568593,0.000805261,0.0004423184,0.0013503426,0.0022950997,0.0043958514,0.0008186439,0.0020693394,0.13060702],"category_scores_gemma":[0.001643285,0.000557749,0.00025074554,0.002340306,0.00127287,0.0034904762,0.0013891046,0.002352998,0.08765119],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008543267,0.000005838839,0.00011782137,0.00010067125,0.0000015097403,0.00006504972,0.00089576823,0.000034545665,0.000049540617,0.025194818,0.8940338,0.07949213],"study_design_scores_gemma":[9.362353e-7,0.0000011265164,0.00012507073,0.000100314835,7.215896e-7,0.000028387101,0.00018208985,0.0000036569795,0.000012107534,0.0011711126,0.99837273,0.0000016801639],"about_ca_topic_score_codex":0.05270627,"about_ca_topic_score_gemma":0.17004608,"teacher_disagreement_score":0.13060702,"about_ca_system_score_codex":0.0027339293,"about_ca_system_score_gemma":0.0042086137,"threshold_uncertainty_score":0.43692404},"labels":[],"label_agreement":null},{"id":"W3110272004","doi":"","title":"They Did the Police in Different Voices: Representations of the Detective on the Victorian Stage","year":2018,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto","keywords":"Stage (stratigraphy); Detective fiction; Criminology; Psychology; Art; Literature; Geology","score_opus":0.05149658622111252,"score_gpt":0.3416690421095642,"score_spread":0.2901724558884517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110272004","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36000744,0.0040249275,0.0052338163,0.022422127,0.0013224406,0.00007057728,0.000114676615,0.00008274093,0.6067213],"genre_scores_gemma":[0.91943693,0.0010165368,0.0005813139,0.00150154,0.00013244814,0.000028304969,0.00004018078,0.0001674145,0.07709536],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.994873,0.0026775221,0.00007085139,0.00030629453,0.00096973154,0.001102561],"domain_scores_gemma":[0.9983223,0.00064281747,0.00015418993,0.000101388665,0.00027099112,0.00050824694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002265985,0.0006638701,0.00033369783,0.0013449853,0.022552645,0.011302575,0.00164483,0.0032183898,0.0069270725],"category_scores_gemma":[0.005682627,0.00065171375,0.0003432771,0.0009520779,0.023338582,0.0061360616,0.007434313,0.007499457,0.0012367859],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025019497,0.000010166528,0.0005142414,0.00003202216,0.0000034413902,0.00040183333,0.9186118,0.00004878463,0.00032159037,0.06724697,0.007659829,0.0051242933],"study_design_scores_gemma":[0.000006503498,0.000027726634,0.0015390946,0.00022135247,0.0000073205074,0.00041712148,0.72695595,0.00028693766,0.00026634848,0.006863343,0.26336572,0.00004265385],"about_ca_topic_score_codex":0.17725879,"about_ca_topic_score_gemma":0.36447573,"teacher_disagreement_score":0.17725879,"about_ca_system_score_codex":0.014173179,"about_ca_system_score_gemma":0.0055331914,"threshold_uncertainty_score":0.35245407},"labels":[],"label_agreement":null},{"id":"W3111145619","doi":"10.16995/sim.279","title":"Maternal Impulses in ‘The Adventure of the Sussex Vampire’","year":2020,"lang":"en","type":"article","venue":"Studies in the Maternal","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Vampire; Adventure; Desmodus rotundus; Art; History; Art history; Literature; Medicine","score_opus":0.11251210566025424,"score_gpt":0.31609036732870893,"score_spread":0.2035782616684547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111145619","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6907167,0.01834925,0.0020422938,0.060886547,0.0022783282,0.00003553955,0.00005313847,0.000054239474,0.2255839],"genre_scores_gemma":[0.96625406,0.0021098484,0.0004328319,0.0021925024,0.00009759474,0.000015320466,0.000011249214,0.000025470985,0.02886124],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975561,0.0015701002,0.000040368912,0.00014849626,0.0002819117,0.0004030546],"domain_scores_gemma":[0.998928,0.00050794997,0.00015135031,0.00005309492,0.00009240193,0.00026717884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025954489,0.0003386151,0.00033520375,0.0006306824,0.020085478,0.005290889,0.00071787107,0.0021932079,0.0035915386],"category_scores_gemma":[0.0037531024,0.00034158412,0.00018646083,0.0004016736,0.018538272,0.0031591826,0.005907464,0.0035628222,0.00031122053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016976122,0.000005954385,0.00074957375,0.000030058673,0.0000028599766,0.0014487266,0.89895993,0.000016587474,0.00016381401,0.085332096,0.007822455,0.0054508806],"study_design_scores_gemma":[0.0000035381893,0.00003022516,0.0020000983,0.00027942203,0.000005483578,0.0016221019,0.62136537,0.000041688094,0.00028532755,0.004613752,0.3697364,0.00001658051],"about_ca_topic_score_codex":0.05908788,"about_ca_topic_score_gemma":0.12820055,"teacher_disagreement_score":0.05908788,"about_ca_system_score_codex":0.0065477863,"about_ca_system_score_gemma":0.0033001897,"threshold_uncertainty_score":0.11748791},"labels":[],"label_agreement":null},{"id":"W3122944934","doi":"","title":"A long time between murders","year":2001,"lang":"en","type":"article","venue":"Quadrant","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Dozen; Welsh; Quarter (Canadian coin); Genealogy; Homicide; Morse code; Doors; Criminology; Art history; Psychology; Poison control; Suicide prevention; Medicine; Archaeology; Engineering","score_opus":0.05356850428271426,"score_gpt":0.25960577167897836,"score_spread":0.2060372673962641,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3122944934","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3517225,0.017711978,0.008762928,0.12864478,0.011438603,0.00016393106,0.0011014253,0.0006195822,0.4798343],"genre_scores_gemma":[0.83623403,0.002374396,0.001463977,0.017620556,0.0015322624,0.0000812321,0.00046881035,0.00030776134,0.13991693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972345,0.0008654274,0.00010792756,0.0005505395,0.00071808236,0.000523533],"domain_scores_gemma":[0.995122,0.0009309133,0.00068083924,0.00047874113,0.0012166452,0.0015708256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017350626,0.00037126278,0.0004904348,0.0011527702,0.015996646,0.0058173058,0.0010837704,0.0032043771,0.0169761],"category_scores_gemma":[0.01287327,0.00041278277,0.00028534458,0.0006009214,0.0072289095,0.005185271,0.0071582156,0.008305325,0.0058583445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002947451,0.0001978093,0.017702725,0.00041807635,0.00010536064,0.008150613,0.2406412,0.000115413284,0.0026648124,0.21265095,0.35492092,0.16213736],"study_design_scores_gemma":[0.000007863942,0.00011127476,0.010648487,0.00045734365,0.000016542628,0.0023262526,0.08357524,0.000031816213,0.0005974106,0.008618022,0.8935683,0.000041519757],"about_ca_topic_score_codex":0.007124808,"about_ca_topic_score_gemma":0.017042385,"teacher_disagreement_score":0.0169761,"about_ca_system_score_codex":0.003984436,"about_ca_system_score_gemma":0.0019699165,"threshold_uncertainty_score":0.05679065},"labels":[],"label_agreement":null},{"id":"W3126497635","doi":"","title":"Crime fiction in contemporary Portuguese literature","year":2002,"lang":"en","type":"article","venue":"Colóquio. Letras","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Portuguese; Detective fiction; History; Literature; Art; Art history; Linguistics; Philosophy","score_opus":0.11182089993958846,"score_gpt":0.2663983337551693,"score_spread":0.15457743381558084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126497635","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33346108,0.051969115,0.001101167,0.020383365,0.0007476268,0.000025881758,0.00019175567,0.000029025807,0.59209096],"genre_scores_gemma":[0.9819756,0.007981623,0.00016283068,0.0005480415,0.00031745082,0.000010208197,0.00003915494,0.000015699668,0.008949366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984591,0.000853745,0.000059382714,0.00015373016,0.00025655032,0.00021756289],"domain_scores_gemma":[0.99192023,0.006226677,0.00088123843,0.00036324316,0.00041185698,0.00019664438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013974281,0.0002858058,0.0003456026,0.004412775,0.006802591,0.006159533,0.0006297886,0.0016262688,0.0054084593],"category_scores_gemma":[0.007976772,0.00017462773,0.00015265534,0.006624502,0.012376199,0.0023784868,0.0014862069,0.0013394846,0.00028627814],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038843646,0.000040224015,0.002685605,0.0008690008,0.000012130504,0.0013998757,0.25677335,0.00015041036,0.00020382061,0.68280745,0.014078894,0.040940516],"study_design_scores_gemma":[0.000017020448,0.00006609275,0.03724193,0.0029107046,0.0000432399,0.0023341198,0.15670063,0.00033476678,0.0006371168,0.045250844,0.7544231,0.000040546434],"about_ca_topic_score_codex":0.0134915225,"about_ca_topic_score_gemma":0.024804965,"teacher_disagreement_score":0.0134915225,"about_ca_system_score_codex":0.0046955324,"about_ca_system_score_gemma":0.002109211,"threshold_uncertainty_score":0.034068644},"labels":[],"label_agreement":null},{"id":"W3127957706","doi":"10.33137/cal.v7i2.35219","title":"Modernism and the Criminal","year":2020,"lang":"en","type":"article","venue":"Critical Analysis of Law","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Leverhulme Trust; McGill University","keywords":"Modernism (music); Literature; Art; Aesthetics; Sociology; History","score_opus":0.11080689360861691,"score_gpt":0.30513619150947524,"score_spread":0.19432929790085834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127957706","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.116690986,0.032337036,0.003456697,0.0656591,0.000685263,0.000023116425,0.000030979394,0.000034873017,0.78108186],"genre_scores_gemma":[0.97206545,0.0048869867,0.00050988514,0.0033695952,0.0006983715,0.000021599462,0.00001142283,0.000022422304,0.018414112],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983175,0.0009063783,0.000038000773,0.00017021982,0.00032715336,0.00024084825],"domain_scores_gemma":[0.99771994,0.0012456811,0.00029852812,0.0002263877,0.00028513966,0.00022434206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016326817,0.0002527683,0.00023172905,0.0022525995,0.007186306,0.0049831774,0.00056219206,0.0021754329,0.003585864],"category_scores_gemma":[0.0032313017,0.00015675172,0.00016367837,0.0009737242,0.047378935,0.0037107416,0.0037856032,0.003664328,0.0002691433],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003966551,0.0000075308885,0.00025449847,0.000014173453,0.0000016084223,0.000047129906,0.004911937,0.000041933883,0.000024424036,0.98890775,0.002190664,0.0035942306],"study_design_scores_gemma":[0.000013581242,0.000027913444,0.0018747209,0.00029618238,0.0000049842474,0.00030349108,0.008000002,0.00026339866,0.00019228434,0.65796256,0.33104396,0.000016929844],"about_ca_topic_score_codex":0.003630206,"about_ca_topic_score_gemma":0.0056059654,"teacher_disagreement_score":0.007186306,"about_ca_system_score_codex":0.0043974314,"about_ca_system_score_gemma":0.0021382775,"threshold_uncertainty_score":0.03190577},"labels":[],"label_agreement":null},{"id":"W3133979748","doi":"10.1353/esc.2018.0022","title":"American Crime Fiction: A Cultural History of Nobrow Literature as Art by Peter Swirski","year":2018,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Cultural history; Context (archaeology); Elite; American literature; Literary criticism; History; Popular culture; History of literature; Sociology; Literature; Aesthetics; Media studies; Anthropology; Law; Art; Political science","score_opus":0.029993216639806447,"score_gpt":0.26001897779083,"score_spread":0.23002576115102355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133979748","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010386668,0.37322426,0.0008644415,0.20458522,0.02519692,0.000050207458,0.00016410649,0.000081880135,0.38544628],"genre_scores_gemma":[0.21550845,0.26414257,0.0012899325,0.044505388,0.025775755,0.00018018692,0.0002670057,0.00043350423,0.44789717],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886763,0.00049526454,0.000034306548,0.00011675449,0.00038270972,0.00010339041],"domain_scores_gemma":[0.99763,0.0013089126,0.00018301472,0.000088297485,0.00054174976,0.00024798096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001115825,0.0007303979,0.0004256847,0.003556076,0.008834406,0.005825433,0.000793258,0.0019437557,0.015636351],"category_scores_gemma":[0.0038480635,0.0003551832,0.0001822868,0.0034643945,0.008355151,0.004995357,0.0029081882,0.0046455837,0.0043955655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018362192,0.000020449334,0.00023521343,0.000287364,0.000003852763,0.00018490448,0.022662438,0.00004174553,0.00011537716,0.07475553,0.864657,0.03701776],"study_design_scores_gemma":[0.0000012286209,0.0000027504361,0.00059390767,0.00042772992,0.0000015078997,0.00012998363,0.0044408552,0.000017972714,0.000046766538,0.002010673,0.99232024,0.000006425854],"about_ca_topic_score_codex":0.0140782725,"about_ca_topic_score_gemma":0.027455403,"teacher_disagreement_score":0.015636351,"about_ca_system_score_codex":0.003555733,"about_ca_system_score_gemma":0.0025412634,"threshold_uncertainty_score":0.052308798},"labels":[],"label_agreement":null},{"id":"W3135194791","doi":"10.82308/54152","title":"Haunted dwellings, haunted beings : the image of house and home in Allende, MacDonald, and Morrison","year":2002,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Lethbridge; McGill University","keywords":"Allende meteorite; Art; Visual arts; History; Astrobiology","score_opus":0.03007038206175237,"score_gpt":0.21308829909937205,"score_spread":0.1830179170376197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135194791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86304516,0.003866022,0.0011757661,0.030795075,0.00038461035,0.00001758124,0.000024119909,0.000027912181,0.1006638],"genre_scores_gemma":[0.9893316,0.00066292833,0.00017869669,0.0012726488,0.000047064976,0.000008981659,0.000006239108,0.000016652542,0.008475227],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899286,0.0006205496,0.000012136412,0.00007177093,0.00015947621,0.00014323958],"domain_scores_gemma":[0.9989084,0.00053948426,0.00018638762,0.000063559535,0.0000940265,0.00020806628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010936324,0.0003567789,0.00024793443,0.0006769116,0.0092458725,0.0048262393,0.0007988677,0.0013189487,0.002000858],"category_scores_gemma":[0.0022252738,0.0002540217,0.00013220476,0.00045103172,0.025865737,0.004782303,0.004248761,0.0033636333,0.00014332723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001538083,0.00001867123,0.0007142594,0.00002344829,0.0000021661103,0.00038055924,0.9354975,0.000023044375,0.00023415564,0.054653533,0.0058714976,0.002565816],"study_design_scores_gemma":[0.000007534351,0.000026705176,0.0027168372,0.00008111864,0.0000067188785,0.00049123605,0.8504876,0.000051229723,0.00021879839,0.0060504745,0.13984434,0.000017351158],"about_ca_topic_score_codex":0.04497197,"about_ca_topic_score_gemma":0.092715904,"teacher_disagreement_score":0.04497197,"about_ca_system_score_codex":0.0037930913,"about_ca_system_score_gemma":0.0015655265,"threshold_uncertainty_score":0.08942044},"labels":[],"label_agreement":null},{"id":"W3137291407","doi":"10.5430/wjel.v11n1p24","title":"\"In a Dry Season\" - A Police Procedural Novel by Peter Robinson","year":2021,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fantasy; Entertainment; Variety (cybernetics); Literature; Amusement; Fictional universe; Sociology; History; Aesthetics; Art; Narrative; Visual arts; Computer science; Psychology; Artificial intelligence","score_opus":0.015012662681294708,"score_gpt":0.2510985646238408,"score_spread":0.23608590194254608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137291407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25660858,0.015176425,0.0022503273,0.17336653,0.0065725422,0.00014719077,0.00065270904,0.00023467897,0.5449911],"genre_scores_gemma":[0.7953285,0.0054625142,0.001510721,0.010639702,0.0005085254,0.000039457234,0.00011734658,0.00013364732,0.18625943],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923277,0.00019425036,0.000011985617,0.00009596613,0.0002717538,0.00019325348],"domain_scores_gemma":[0.99924505,0.00017452236,0.00006294476,0.000019451403,0.0002805738,0.00021762536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066544133,0.00039386365,0.0002472039,0.0008071843,0.019067196,0.004463019,0.0012386115,0.0013362705,0.0037755303],"category_scores_gemma":[0.0024090435,0.00020804412,0.0001946954,0.00082282844,0.008659486,0.0012269223,0.0012492851,0.0037235052,0.00070078793],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012666495,0.000060798036,0.0027410777,0.00022543587,0.000018515246,0.004740525,0.33357784,0.00042628346,0.0018373712,0.1717154,0.4550603,0.029469889],"study_design_scores_gemma":[0.0000047227168,0.000025585752,0.0031677266,0.0001268455,0.000009897375,0.0010926838,0.091396116,0.00009268911,0.00055546017,0.0013297237,0.9021618,0.000036672172],"about_ca_topic_score_codex":0.8288923,"about_ca_topic_score_gemma":0.93725455,"teacher_disagreement_score":0.8288923,"about_ca_system_score_codex":0.025687851,"about_ca_system_score_gemma":0.022656146,"threshold_uncertainty_score":0.34423077},"labels":[],"label_agreement":null},{"id":"W3173756909","doi":"10.82308/29746","title":"From providence to police: the development of the literary detective figure in the long eighteenth century","year":2014,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"McGill University","keywords":"Detective fiction; History; Literature; Art","score_opus":0.02695359140551395,"score_gpt":0.2379721947734653,"score_spread":0.21101860336795134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3173756909","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49085593,0.043670934,0.0039502396,0.019040618,0.0017209476,0.00007390351,0.0000927283,0.000088137844,0.4405066],"genre_scores_gemma":[0.96343994,0.008035061,0.0008362351,0.00072490104,0.00050627533,0.000035910143,0.000032410473,0.000077083925,0.026312303],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975979,0.001122045,0.000109327106,0.00033109146,0.00052149483,0.0003182749],"domain_scores_gemma":[0.99595547,0.0023876054,0.0005874209,0.00019012137,0.0005788368,0.00030052452],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034820223,0.0004661808,0.00050373515,0.0035777926,0.016121462,0.009864489,0.0009538388,0.0020522792,0.0026278056],"category_scores_gemma":[0.0054527,0.00046649776,0.00019649003,0.0016775036,0.02973501,0.00719684,0.0044753538,0.0037051996,0.00045207402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025433756,0.00001708558,0.0006748755,0.00012605923,0.0000033611177,0.0006411947,0.76903504,0.000025480347,0.0002437626,0.21418649,0.0024299575,0.012591297],"study_design_scores_gemma":[0.000012721309,0.00007937273,0.0035867132,0.001056427,0.000013662935,0.0011139406,0.17939238,0.00011195697,0.00076675974,0.013422249,0.80040294,0.000040912397],"about_ca_topic_score_codex":0.008078497,"about_ca_topic_score_gemma":0.015229473,"teacher_disagreement_score":0.016121462,"about_ca_system_score_codex":0.007955331,"about_ca_system_score_gemma":0.0036478303,"threshold_uncertainty_score":0.057720184},"labels":[],"label_agreement":null},{"id":"W3186883956","doi":"10.1007/978-3-030-74989-7_7","title":"Finding the Female Sidekick in the Lord Peter Wimsey Novels","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Art; Art history; History; Psychoanalysis; Psychology","score_opus":0.13657477534789086,"score_gpt":0.2738990373981975,"score_spread":0.13732426205030662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186883956","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12782432,0.010785012,0.0013364245,0.0918329,0.0049787434,0.00006251805,0.00017364137,0.000064433414,0.762942],"genre_scores_gemma":[0.58693016,0.0034991824,0.0004847237,0.009273233,0.0014753528,0.00006160866,0.00006532889,0.00017122348,0.39803922],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9986156,0.00058508,0.00002930187,0.00018183181,0.0002693432,0.00031881419],"domain_scores_gemma":[0.9977737,0.0014486257,0.00022691739,0.00010219631,0.0002025746,0.00024598197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015852283,0.0004990558,0.0004926959,0.001430167,0.022293475,0.0067384276,0.0011267166,0.0041497084,0.015750676],"category_scores_gemma":[0.0070382594,0.00044180642,0.00020814728,0.00078478,0.014374187,0.0049385875,0.0035524939,0.007831405,0.0015906328],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088391695,0.000057983394,0.000719525,0.00015888413,0.000009811993,0.0016826743,0.29574335,0.00006092635,0.00044865205,0.41134277,0.2668625,0.022824582],"study_design_scores_gemma":[0.000006427539,0.00003588691,0.0019497267,0.00037753748,0.0000075837333,0.00088249985,0.14133766,0.000052047355,0.00058483524,0.010618796,0.8441268,0.000020262363],"about_ca_topic_score_codex":0.018060472,"about_ca_topic_score_gemma":0.057922468,"teacher_disagreement_score":0.022293475,"about_ca_system_score_codex":0.0040587764,"about_ca_system_score_gemma":0.0019069813,"threshold_uncertainty_score":0.05269128},"labels":[],"label_agreement":null},{"id":"W3198653027","doi":"10.1386/jafp_00055_7","title":"Under the deerstalker: Nick Lane and Luke Barton on Sherlock Holmes and The Sign of Four","year":2021,"lang":"en","type":"article","venue":"Journal of Adaptation in Film & Performance","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Sign (mathematics); Art; Art history; Mathematics","score_opus":0.04881498703215723,"score_gpt":0.22862317603253487,"score_spread":0.17980818900037765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3198653027","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004434495,0.037705157,0.00065037946,0.8128346,0.047025446,0.00002697404,0.00005735013,0.00009034617,0.097175255],"genre_scores_gemma":[0.07778331,0.024873814,0.00049902947,0.2231489,0.01776031,0.000073618256,0.000045096887,0.00036851314,0.65544736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982535,0.0007187636,0.000038705246,0.00019253328,0.0005301362,0.00026629205],"domain_scores_gemma":[0.9959403,0.0018222252,0.00017452675,0.00014007004,0.000843603,0.001079186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018224431,0.0007988372,0.00058000215,0.0012172607,0.014494477,0.008610116,0.0014876589,0.0074943304,0.028696489],"category_scores_gemma":[0.012967212,0.00042485507,0.00029336807,0.00060215406,0.0089581935,0.007973517,0.0068147704,0.012380098,0.008508065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010826288,0.00001001845,0.000120289806,0.000021143263,0.0000025985942,0.00015647926,0.005408656,0.000010301121,0.00005078665,0.010252271,0.97350895,0.010447592],"study_design_scores_gemma":[0.0000032777366,0.000006483788,0.00019204045,0.00023590536,0.000003243779,0.00016111867,0.019699104,0.00001452594,0.00007131871,0.0036462846,0.9759519,0.000014720593],"about_ca_topic_score_codex":0.026751643,"about_ca_topic_score_gemma":0.10007947,"teacher_disagreement_score":0.028696489,"about_ca_system_score_codex":0.0022176723,"about_ca_system_score_gemma":0.0027632497,"threshold_uncertainty_score":0.0959993},"labels":[],"label_agreement":null},{"id":"W3208776734","doi":"","title":"Montreal City Zero (and Beyond)","year":2002,"lang":"en","type":"article","venue":"The Fifth Column","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Zero (linguistics); Ground zero; Political science; Philosophy; Linguistics; Law","score_opus":0.05269851338274326,"score_gpt":0.22006619143953676,"score_spread":0.1673676780567935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208776734","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007290618,0.008637807,0.00045047974,0.03795281,0.0051170164,0.000093195384,0.06461083,0.000749746,0.8750975],"genre_scores_gemma":[0.025432248,0.001989678,0.00029119418,0.0037588447,0.00045489505,0.000068690606,0.0067259725,0.00015420906,0.96112436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999321,0.000026635176,0.000013031729,0.000096505835,0.00029719342,0.00024563496],"domain_scores_gemma":[0.9987161,0.00008296639,0.00008922871,0.00007548243,0.00072525523,0.00031103013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027202567,0.0005991583,0.00039349397,0.002630843,0.00567532,0.006449917,0.0013591037,0.001402545,0.22916883],"category_scores_gemma":[0.0019097768,0.00036273253,0.00038088846,0.0042881123,0.00083065155,0.0015139666,0.0013933171,0.0019659689,0.024989966],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017810144,0.000007808982,0.0012956464,0.000061436236,0.000006452289,0.000033861204,0.000106798514,0.00003327392,0.00006648043,0.013639348,0.9712143,0.013516739],"study_design_scores_gemma":[0.000005347319,0.0000029984128,0.0068637277,0.00003359747,0.000005102224,0.000006970223,0.00017832311,0.000016311522,0.0001324369,0.00027044886,0.99247813,0.0000066852394],"about_ca_topic_score_codex":0.9246023,"about_ca_topic_score_gemma":0.9733739,"teacher_disagreement_score":0.22916883,"about_ca_system_score_codex":0.01565671,"about_ca_system_score_gemma":0.023251606,"threshold_uncertainty_score":0.76664615},"labels":[],"label_agreement":null},{"id":"W329546237","doi":"","title":"Persistence of Vision: The Wonderful World of John Paizs","year":2001,"lang":"en","type":"article","venue":"Cineaction!","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Postmodernism; Brother; Style (visual arts); Art history; History; Art; Literature; Sociology; Anthropology","score_opus":0.08055615418536091,"score_gpt":0.2716087712963575,"score_spread":0.1910526171109966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W329546237","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109130934,0.05676226,0.0019024905,0.3427737,0.0060993107,0.000044640747,0.00013954697,0.00018604836,0.48296115],"genre_scores_gemma":[0.86917895,0.017873919,0.0010456698,0.021103544,0.00097471965,0.000025680136,0.000052628187,0.00014796542,0.08959685],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979361,0.0006105903,0.000020178508,0.00017282972,0.00072493,0.00053533795],"domain_scores_gemma":[0.9980379,0.0004735193,0.000108298154,0.00007555946,0.0006116614,0.00069318846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017704817,0.00034136613,0.0002780214,0.0012170492,0.034204923,0.0145565085,0.0010441244,0.0018352598,0.0048611206],"category_scores_gemma":[0.0039632637,0.00025702236,0.00015042018,0.0013307495,0.026378307,0.005734758,0.0037129864,0.0045628576,0.00048372106],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046957448,0.000021194712,0.0014442859,0.00011938346,0.000012426169,0.0011540862,0.34502563,0.000081468905,0.0006435052,0.32048133,0.29087076,0.040098913],"study_design_scores_gemma":[0.0000044716244,0.000010205999,0.001398072,0.00017507545,0.000007911822,0.0004380764,0.2087176,0.000056161163,0.00020110206,0.012342545,0.77661127,0.00003751115],"about_ca_topic_score_codex":0.76269114,"about_ca_topic_score_gemma":0.8662946,"teacher_disagreement_score":0.76269114,"about_ca_system_score_codex":0.03296263,"about_ca_system_score_gemma":0.023690838,"threshold_uncertainty_score":0.47741282},"labels":[],"label_agreement":null},{"id":"W33226395","doi":"10.1039/d0cs00552e","title":"The candidate : a novella and examination of Australian Gothic crime fiction","year":2010,"lang":"en","type":"dissertation","venue":"Creative Industries Faculty","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Waterloo Institute for Nanotechnology, University of Waterloo; National Key Research and Development Program of China; China Scholarship Council; Natural Sciences and Engineering Research Council of Canada; National Natural Science Foundation of China","keywords":"Novella; Literature; Context (archaeology); History; Art; Archaeology","score_opus":0.0672817101725493,"score_gpt":0.3096202960071628,"score_spread":0.24233858583461348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W33226395","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06559522,0.039883867,0.0022369896,0.08683439,0.010005859,0.00014293847,0.00048048806,0.0001461746,0.79467404],"genre_scores_gemma":[0.2777876,0.017814972,0.002223516,0.012834328,0.0013818989,0.00007407887,0.00021920624,0.00019325633,0.6874713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949217,0.00017038078,0.000016330332,0.00008400368,0.00013413231,0.000102981685],"domain_scores_gemma":[0.9996954,0.00008314111,0.000031057247,0.000029863279,0.000079911115,0.000080497244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006169316,0.0005034918,0.0003882452,0.0016225731,0.010065997,0.0033964284,0.0005422028,0.0015302459,0.023641264],"category_scores_gemma":[0.0015662952,0.00020825885,0.00022556406,0.0013593588,0.006390988,0.0023714404,0.0024767583,0.0034466053,0.003982041],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116610725,0.000071939954,0.0024940239,0.0008183189,0.000023889654,0.0035969603,0.11787911,0.00017229213,0.0015363644,0.5226836,0.23211966,0.11848722],"study_design_scores_gemma":[0.0000018047385,0.000014693432,0.0013829212,0.00018825842,0.0000037660998,0.0006732079,0.010069926,0.000047141868,0.00021003527,0.0052137226,0.9821848,0.000009684075],"about_ca_topic_score_codex":0.02099565,"about_ca_topic_score_gemma":0.061295938,"teacher_disagreement_score":0.023641264,"about_ca_system_score_codex":0.0049422095,"about_ca_system_score_gemma":0.0031367512,"threshold_uncertainty_score":0.07908791},"labels":[],"label_agreement":null},{"id":"W41366724","doi":"","title":"Emma García, detective privada lesbiana: la parodia posmoderna de lo detectivesco de Isabel Franc","year":2010,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Garcia; Art","score_opus":0.017495768359957857,"score_gpt":0.24678948355074587,"score_spread":0.229293715190788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W41366724","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.121745,0.13081117,0.0007749493,0.6368827,0.007654065,0.00005846905,0.00050571345,0.00004433607,0.10152362],"genre_scores_gemma":[0.72163016,0.056488,0.0005877084,0.08788402,0.0037097512,0.00016241307,0.00017706689,0.0001317864,0.12922908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998762,0.00060654996,0.000032915883,0.000121371086,0.00019546975,0.0002816988],"domain_scores_gemma":[0.9970204,0.001972431,0.00029537381,0.00007979882,0.00040019967,0.00023182739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002788547,0.0004497716,0.00032686992,0.0009983515,0.010360029,0.0043296497,0.0011293155,0.004589176,0.004671149],"category_scores_gemma":[0.00824066,0.00023143693,0.00018698712,0.0008972021,0.0045839422,0.0038234266,0.0020472733,0.004641674,0.0006180115],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018649016,0.00013287645,0.012240059,0.000426092,0.000030449084,0.0012408224,0.25493467,0.000098814075,0.00039140543,0.20556319,0.4800064,0.044748746],"study_design_scores_gemma":[0.000025151847,0.00003953595,0.020124462,0.00071357045,0.000029377708,0.0005452487,0.22374968,0.000058769907,0.0006533279,0.009247974,0.7447615,0.00005135632],"about_ca_topic_score_codex":0.07380407,"about_ca_topic_score_gemma":0.13694997,"teacher_disagreement_score":0.07380407,"about_ca_system_score_codex":0.0034919807,"about_ca_system_score_gemma":0.00370751,"threshold_uncertainty_score":0.14674896},"labels":[],"label_agreement":null},{"id":"W419724149","doi":"","title":"D-Day: Juno Beach, Canada's 24 Hours of Destiny","year":2006,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Destiny (ISS module); History; Engineering","score_opus":0.03887126634480404,"score_gpt":0.22229336578230835,"score_spread":0.18342209943750432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W419724149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050472066,0.010860456,0.0005241398,0.08572796,0.020239174,0.00030783366,0.020204881,0.0010290869,0.81063443],"genre_scores_gemma":[0.048408736,0.0013128164,0.00019548951,0.0040071737,0.0003441257,0.00003819147,0.0010660059,0.00018017396,0.94444716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996325,0.000015983305,0.000005295907,0.000028420453,0.0001038803,0.00021391686],"domain_scores_gemma":[0.99873286,0.000037274953,0.000031925123,0.000027657366,0.00042096083,0.00074935105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003221959,0.0006082942,0.0004034202,0.0008770788,0.0213351,0.0046788435,0.0009845992,0.0032026463,0.1346995],"category_scores_gemma":[0.0011017161,0.0003472167,0.000500672,0.0011228353,0.0013364932,0.0009402887,0.0018929706,0.0033534598,0.014650419],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006375996,0.000017998822,0.0029839312,0.000057499088,0.000008033176,0.0006643922,0.0025350766,0.00005131149,0.00023116116,0.0017293947,0.9794574,0.0121999625],"study_design_scores_gemma":[0.00000575298,0.000011086939,0.016583301,0.00009063591,0.000004439309,0.00006146575,0.010486543,0.000017232978,0.00007089218,0.0001439292,0.97250867,0.000016138847],"about_ca_topic_score_codex":0.9345258,"about_ca_topic_score_gemma":0.9930576,"teacher_disagreement_score":0.1346995,"about_ca_system_score_codex":0.013001484,"about_ca_system_score_gemma":0.025110954,"threshold_uncertainty_score":0.4506147},"labels":[],"label_agreement":null},{"id":"W4200428419","doi":"10.4000/lisa.13304","title":"Introduction","year":2021,"lang":"en","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Philosophy","score_opus":0.03836683379559478,"score_gpt":0.23666640577285705,"score_spread":0.19829957197726228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200428419","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005851099,0.0059400783,0.006927067,0.030182432,0.009983965,0.0003417099,0.0078000925,0.0014043145,0.9315693],"genre_scores_gemma":[0.04490177,0.0066889017,0.006884179,0.01922857,0.003758238,0.0004179519,0.007866802,0.0008221337,0.9094314],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972229,0.00033976117,0.00012323467,0.00058259314,0.0013555279,0.0003759454],"domain_scores_gemma":[0.99459743,0.00084123434,0.0002829774,0.0004924419,0.0024224026,0.0013634693],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00244748,0.0005873593,0.00040905652,0.001702203,0.0022372515,0.0067125214,0.001982348,0.0023810454,0.3868624],"category_scores_gemma":[0.010379362,0.00023765521,0.0004546406,0.0018198765,0.0012120104,0.0032328637,0.0031934222,0.0019828707,0.19910619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010967206,0.00008491353,0.0027134987,0.0005244988,0.000008385228,0.0002639131,0.0013485431,0.000107161344,0.0005774362,0.0592655,0.6706307,0.26436582],"study_design_scores_gemma":[0.0000037583538,0.000015047286,0.0009898082,0.000210104,0.0000022679644,0.00016431534,0.00039876704,0.000020592204,0.00009159771,0.0032202953,0.9948777,0.00000579039],"about_ca_topic_score_codex":0.004043282,"about_ca_topic_score_gemma":0.0049866755,"teacher_disagreement_score":0.6131376,"about_ca_system_score_codex":0.002265392,"about_ca_system_score_gemma":0.0046656146,"threshold_uncertainty_score":0.8745664},"labels":[],"label_agreement":null},{"id":"W4212770705","doi":"10.1080/02722011.2022.2028251","title":"Hallmark’s Happy Crime Films","year":2022,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ontario Institute of Technology","funders":"","keywords":"Criminology; Art; Psychology","score_opus":0.08828076467906819,"score_gpt":0.3084501815613465,"score_spread":0.2201694168822783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4212770705","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.080031805,0.43021244,0.00073280215,0.026620425,0.002986836,0.00019117919,0.002664862,0.000097117416,0.45646262],"genre_scores_gemma":[0.47547853,0.4622895,0.0015262855,0.0052565406,0.0005725749,0.00007833843,0.001435696,0.000093324736,0.053269055],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813724,0.0003263963,0.00006955505,0.00015015368,0.00096490985,0.00035171333],"domain_scores_gemma":[0.99585164,0.0007493665,0.0003134678,0.0001243202,0.0024512727,0.000509881],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020388656,0.00037826502,0.00038577977,0.0047628605,0.007271433,0.006735247,0.001276789,0.0005863388,0.006466338],"category_scores_gemma":[0.005377103,0.00023230778,0.00027661008,0.0072533735,0.0044150865,0.0013806801,0.0014094246,0.0011650776,0.00054928806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001328707,0.00007252516,0.0152397,0.007908162,0.0001891332,0.0011384565,0.090435326,0.00021688985,0.0012377726,0.11700217,0.3374863,0.4289408],"study_design_scores_gemma":[0.000006991241,0.000018672581,0.036760528,0.003912443,0.00009735956,0.0004373689,0.045238722,0.000025395579,0.0005321347,0.001061187,0.9118748,0.000034399396],"about_ca_topic_score_codex":0.93595946,"about_ca_topic_score_gemma":0.976137,"teacher_disagreement_score":0.06404054,"about_ca_system_score_codex":0.032727025,"about_ca_system_score_gemma":0.04971489,"threshold_uncertainty_score":0.23745233},"labels":[],"label_agreement":null},{"id":"W4220675826","doi":"10.3138/cras-2022-004","title":"Cities and Ruin in American Studies","year":2022,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Modernity; Rhetoric; American literature; History; Culture of the United States; Sociology; Urban culture; Democracy; Aesthetics; Order (exchange); Reflexivity; Art history; Art; Literature; Law; Anthropology; Political science; Philosophy; Linguistics; Politics","score_opus":0.07274992808365487,"score_gpt":0.32326879296444744,"score_spread":0.25051886488079256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220675826","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11315545,0.3984656,0.00056472706,0.11455869,0.0014743768,0.000018020675,0.00008262612,0.000052579,0.37162787],"genre_scores_gemma":[0.90494204,0.08164607,0.00019669844,0.0057139345,0.0007896269,0.000025726773,0.000042956395,0.000035202713,0.0066076643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938314,0.00445513,0.00011528512,0.0003219792,0.00055802526,0.0007182255],"domain_scores_gemma":[0.99582714,0.0025738399,0.0004180319,0.00028751246,0.000436243,0.00045718875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036587215,0.00029989955,0.0005382333,0.0061389417,0.01422371,0.017159613,0.00085584685,0.0025552025,0.0029360557],"category_scores_gemma":[0.0042742635,0.00028388255,0.00018497443,0.012715252,0.046599045,0.009896456,0.0066521415,0.0037528742,0.0002387376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010836919,0.000035150882,0.0024536115,0.0002477164,0.000009990161,0.00015711674,0.14051805,0.00008190256,0.00003648465,0.8116235,0.025095345,0.019730248],"study_design_scores_gemma":[0.000007321551,0.0000122245,0.0070231077,0.0014684049,0.000013511056,0.00012663245,0.19815509,0.00008507906,0.000062612155,0.10637184,0.68665355,0.00002064198],"about_ca_topic_score_codex":0.04672805,"about_ca_topic_score_gemma":0.065855116,"teacher_disagreement_score":0.04672805,"about_ca_system_score_codex":0.01277835,"about_ca_system_score_gemma":0.0084476,"threshold_uncertainty_score":0.09291214},"labels":[],"label_agreement":null},{"id":"W4221013583","doi":"10.3366/cfs.2022.0060","title":"Born Queer, Made Evil? Examining ‘Discovery’ and ‘Construction’ as Competing Methodologies of True Crime","year":2022,"lang":"en","type":"article","venue":"Crime Fiction Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; University of Toronto","funders":"","keywords":"Deviance (statistics); Queer; Ideology; Sociology; Representation (politics); Epistemology; Criminology; Aesthetics; History; Law; Computer science; Politics; Philosophy; Political science; Gender studies","score_opus":0.22927433524571492,"score_gpt":0.35952075238943026,"score_spread":0.13024641714371535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221013583","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17875378,0.016886048,0.09974073,0.07294817,0.0013311455,0.00021353751,0.00013544135,0.0002124524,0.6297787],"genre_scores_gemma":[0.97536474,0.002374242,0.0062968866,0.0015638513,0.00035379085,0.00011588309,0.000039378534,0.000108602646,0.01378263],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9797331,0.015528778,0.00033367623,0.0012382274,0.0022576794,0.0009084934],"domain_scores_gemma":[0.9540882,0.03652775,0.0026200414,0.004610818,0.0015093863,0.0006438369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016866652,0.00071002723,0.0007073372,0.0057836864,0.009903681,0.019625008,0.0031092686,0.00375011,0.0039130095],"category_scores_gemma":[0.03239432,0.0004781523,0.00049234706,0.003589826,0.13652186,0.024698459,0.008471598,0.0058201035,0.00043751474],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007455699,0.000007975353,0.0003319573,0.00006195897,0.000003409479,0.000057614085,0.09958977,0.000053585285,0.000045272904,0.8929797,0.00091349095,0.0059478567],"study_design_scores_gemma":[0.000017252112,0.000059716658,0.0014053197,0.0007286268,0.000022950282,0.00054691505,0.19788931,0.0008599564,0.0010570545,0.5773241,0.22004792,0.000040826773],"about_ca_topic_score_codex":0.004044432,"about_ca_topic_score_gemma":0.004809417,"teacher_disagreement_score":0.019625008,"about_ca_system_score_codex":0.007087222,"about_ca_system_score_gemma":0.0039724885,"threshold_uncertainty_score":0.08920044},"labels":[],"label_agreement":null},{"id":"W4229880166","doi":"10.32920/ryerson.14662305","title":"On serial killers: the collective's search for understanding","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Serial communication; Computer science; Telecommunications","score_opus":0.28540549171646257,"score_gpt":0.3282109046116125,"score_spread":0.04280541289514994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229880166","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12735502,0.016320491,0.038093634,0.16380927,0.0028595931,0.00009182246,0.000114767245,0.00024268159,0.6511127],"genre_scores_gemma":[0.9501001,0.0040218104,0.0030120302,0.0066724224,0.0016187914,0.00011227116,0.000066116976,0.00022914699,0.0341672],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99463826,0.0035231367,0.00009890186,0.0005399951,0.0007323873,0.00046729628],"domain_scores_gemma":[0.99369156,0.003909362,0.00066553685,0.0008150565,0.00050287734,0.00041565284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007534012,0.0011810248,0.0007239746,0.0037097123,0.012718331,0.01506662,0.0022198246,0.0051499326,0.00791043],"category_scores_gemma":[0.010495701,0.00039334677,0.0006526834,0.0027010248,0.069506794,0.03739655,0.009401508,0.0086510945,0.00084339787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008713787,0.000007640721,0.00020625239,0.00003694965,0.0000023211924,0.00013517463,0.114777155,0.00009581881,0.00004439742,0.87563115,0.005695091,0.0033592773],"study_design_scores_gemma":[0.000010540317,0.000024116307,0.0004961143,0.0003756584,0.0000071425948,0.0002351587,0.14677916,0.0007040673,0.000109923065,0.6462655,0.20496888,0.000023733273],"about_ca_topic_score_codex":0.007894278,"about_ca_topic_score_gemma":0.0070183817,"teacher_disagreement_score":0.01506662,"about_ca_system_score_codex":0.0072250506,"about_ca_system_score_gemma":0.003213639,"threshold_uncertainty_score":0.05242169},"labels":[],"label_agreement":null},{"id":"W4230132092","doi":"10.1093/obo/9780199846719-0173","title":"Irish Crime Fiction","year":2021,"lang":"en","type":"reference-entry","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Irish; Celtic Tiger; Scholarship; Narrative; History; Language change; Literature; Criminology; Sociology; Political science; Law; Art","score_opus":0.09957046205592203,"score_gpt":0.29203650944964177,"score_spread":0.19246604739371975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230132092","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008062504,0.008828978,0.00061434234,0.037130978,0.022068577,0.00009507442,0.0016339772,0.00041871783,0.92114687],"genre_scores_gemma":[0.1034402,0.0065039755,0.0008367345,0.019918226,0.008350879,0.00013465462,0.0018666537,0.00080925715,0.85813934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99750346,0.00047361795,0.000081656915,0.00036057696,0.001112546,0.00046811486],"domain_scores_gemma":[0.9965481,0.0011860767,0.00033458878,0.00037047704,0.001185977,0.00037485897],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014778438,0.0013331542,0.0006844472,0.004023663,0.009299182,0.007728547,0.0017241414,0.0027168829,0.06711051],"category_scores_gemma":[0.007881754,0.00038939333,0.00067287334,0.002909088,0.0065435944,0.0029558924,0.003562521,0.00481882,0.021085776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025271023,0.000014553978,0.00025930692,0.00016469775,0.0000060108205,0.0005458107,0.0051712357,0.00004400138,0.00009962528,0.033358686,0.94457287,0.015737902],"study_design_scores_gemma":[0.0000017607096,0.0000045731654,0.0003288554,0.000094152005,0.0000019365384,0.00020918976,0.0014750574,0.000021310938,0.000085961256,0.00042376647,0.99734604,0.0000073517685],"about_ca_topic_score_codex":0.04618584,"about_ca_topic_score_gemma":0.07803273,"teacher_disagreement_score":0.06711051,"about_ca_system_score_codex":0.01179127,"about_ca_system_score_gemma":0.0046476284,"threshold_uncertainty_score":0.22450703},"labels":[],"label_agreement":null},{"id":"W4230922089","doi":"10.3138/9781442624443-005","title":"2. Poverty, Individualism, and the Meaningful Uses of Alcohol and Drugs in Christy Ann Conlin’s Heave and Heather O’Neill’s lullabies for little criminals","year":2016,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Individualism; Poverty; Sociology; Psychology; Psychoanalysis; Criminology; Political science; Law","score_opus":0.05411837030525655,"score_gpt":0.2392962090397517,"score_spread":0.18517783873449517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230922089","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013504364,0.0927838,0.00038086527,0.17033963,0.0034127554,0.000048147922,0.00015617805,0.000029789087,0.7193444],"genre_scores_gemma":[0.18439037,0.048068725,0.0005794049,0.0283744,0.0014034776,0.00008786848,0.00008410929,0.00008609321,0.73692554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999273,0.00019571642,0.000010474082,0.000060765105,0.00031919114,0.0001407484],"domain_scores_gemma":[0.9994332,0.00025485468,0.00004263897,0.000019678126,0.000104337305,0.00014521778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073680026,0.00040475128,0.00026221384,0.0010287071,0.009879463,0.00305801,0.0005000458,0.0015602353,0.006214786],"category_scores_gemma":[0.0010149437,0.00023740383,0.00015342043,0.0012428369,0.016507626,0.0023600524,0.0021113115,0.0042871023,0.0008737493],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017811883,0.00003703906,0.0006980291,0.00014672498,0.0000037140271,0.00015751022,0.06662258,0.00005686576,0.00013800173,0.30616444,0.59165347,0.03430379],"study_design_scores_gemma":[0.0000027791505,0.0000065398513,0.0016618165,0.00023215092,0.0000018741171,0.000111135654,0.013558521,0.000015881242,0.00007171517,0.012760615,0.9715684,0.000008727718],"about_ca_topic_score_codex":0.28514883,"about_ca_topic_score_gemma":0.65686727,"teacher_disagreement_score":0.28514883,"about_ca_system_score_codex":0.009848001,"about_ca_system_score_gemma":0.011305165,"threshold_uncertainty_score":0.56697816},"labels":[],"label_agreement":null},{"id":"W4231612527","doi":"10.1007/978-1-4614-5491-5_200016","title":"Contraphilic","year":2015,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Computer science","score_opus":0.16995245451998658,"score_gpt":0.2616606691841016,"score_spread":0.091708214664115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231612527","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00050758553,0.00086953596,0.0012070462,0.0009378024,0.0006695949,0.000013539029,0.00010176812,0.00006433842,0.9956287],"genre_scores_gemma":[0.016426887,0.0007833784,0.00068247964,0.00096550083,0.00043203676,0.0000359256,0.0001583015,0.00019763982,0.98031783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958986,0.00009473758,0.000013279763,0.00009554046,0.00013945805,0.000067238994],"domain_scores_gemma":[0.9998165,0.000044072727,0.00001180723,0.000043277698,0.000063774154,0.000020691252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000362141,0.00066190184,0.00035916813,0.0012707907,0.0027649545,0.004925779,0.0007706379,0.0014645165,0.15461902],"category_scores_gemma":[0.0009816758,0.00024780704,0.0003123316,0.0008867106,0.00298408,0.0039055818,0.0020442856,0.0028578192,0.059186034],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002690398,0.000017545095,0.00008856052,0.00008816724,0.0000028350178,0.000052778974,0.0012048797,0.0000429456,0.00022486996,0.78701,0.15532626,0.055914268],"study_design_scores_gemma":[0.0000033675049,0.0000067364135,0.00014178517,0.000069032394,0.0000020354653,0.00008479963,0.00033868747,0.000052909498,0.00016940825,0.040050313,0.95907664,0.00000439097],"about_ca_topic_score_codex":0.0037162881,"about_ca_topic_score_gemma":0.009949848,"teacher_disagreement_score":0.15461902,"about_ca_system_score_codex":0.0015667024,"about_ca_system_score_gemma":0.0009415146,"threshold_uncertainty_score":0.5172522},"labels":[],"label_agreement":null},{"id":"W4231969566","doi":"10.32920/ryerson.14653572","title":"Alternative Visions of Crime and Community in Wilkie Collins' The Woman In White and The Moonstone","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Vision; White (mutation); Detective fiction; Character (mathematics); Economic Justice; Miller; Law; Sociology; Literature; Art; Political science","score_opus":0.06475919113000084,"score_gpt":0.29562094576943476,"score_spread":0.23086175463943392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231969566","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21876079,0.0066283476,0.0027778174,0.06952789,0.0009137246,0.00004521964,0.000055427354,0.000036260575,0.7012545],"genre_scores_gemma":[0.9648415,0.0006088286,0.00025378156,0.0024452575,0.00016721964,0.000034864544,0.000010694419,0.000031770698,0.031606182],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686915,0.0019788868,0.000028709988,0.0002214282,0.00029212944,0.0006096618],"domain_scores_gemma":[0.99885917,0.00038991222,0.00012136264,0.000073619354,0.00013931119,0.00041660623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019986483,0.00056666095,0.0003650613,0.0016463067,0.02264435,0.015466173,0.001368581,0.0034858834,0.0041210377],"category_scores_gemma":[0.0027520654,0.00033575593,0.00021737898,0.00094978116,0.05089008,0.005910957,0.007896125,0.0050720205,0.00036191818],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019593033,0.000029788465,0.0003516025,0.000017698367,0.0000019843653,0.00030544668,0.17946202,0.000046385227,0.000065463006,0.80790657,0.00890677,0.002886735],"study_design_scores_gemma":[0.000029442039,0.000042752126,0.0015408484,0.00021332665,0.000008844961,0.0004684103,0.51045173,0.00027703008,0.0002110908,0.1730322,0.3136888,0.000035512254],"about_ca_topic_score_codex":0.06369359,"about_ca_topic_score_gemma":0.12665854,"teacher_disagreement_score":0.06369359,"about_ca_system_score_codex":0.009966363,"about_ca_system_score_gemma":0.0048760097,"threshold_uncertainty_score":0.12664568},"labels":[],"label_agreement":null},{"id":"W4233196325","doi":"10.3138/cras.41.1.75","title":"TVPD: The Generational Diegetics of the Police Procedural on American Television","year":2011,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gilded Age; Context (archaeology); Sociology; History; Criminology; Law; Political science","score_opus":0.08552974414165097,"score_gpt":0.2993306245169322,"score_spread":0.21380088037528122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233196325","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45099318,0.011818237,0.0014865925,0.0121511,0.0005070987,0.00003938094,0.00014648883,0.00003093968,0.52282697],"genre_scores_gemma":[0.9796194,0.0066109044,0.00019906927,0.0006141937,0.00021799293,0.000015049762,0.000048673464,0.00002162504,0.012653119],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989052,0.00059401285,0.00002097176,0.00008525838,0.0002747032,0.00011984768],"domain_scores_gemma":[0.9977081,0.0013022856,0.00032372074,0.00014460534,0.00039861872,0.00012254066],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00109323,0.00013830564,0.00011010069,0.0025834574,0.0030355628,0.0046501174,0.00042686675,0.0005924428,0.005709664],"category_scores_gemma":[0.0033537943,0.0001298955,0.000081692786,0.002321279,0.006186264,0.001814575,0.0018905884,0.00119781,0.0003148399],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006084936,0.00009278083,0.014041951,0.00036472865,0.000013087271,0.00085147383,0.44553775,0.00010589297,0.0009981522,0.36927798,0.026980128,0.1416753],"study_design_scores_gemma":[0.000007951262,0.00006204429,0.056931183,0.0007184422,0.000023922348,0.0010346642,0.25003016,0.00014562628,0.0008702255,0.009790864,0.680361,0.000023886418],"about_ca_topic_score_codex":0.015934302,"about_ca_topic_score_gemma":0.024046171,"teacher_disagreement_score":0.015934302,"about_ca_system_score_codex":0.0026865068,"about_ca_system_score_gemma":0.0015311147,"threshold_uncertainty_score":0.031683087},"labels":[],"label_agreement":null},{"id":"W4235084956","doi":"10.4000/gc.2569","title":"Le roman policier","year":2007,"lang":"fr","type":"paratext","venue":"Géographie et cultures","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.030632032909813863,"score_gpt":0.3070531314219905,"score_spread":0.2764210985121766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235084956","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01893596,0.0058330786,0.0006334274,0.017234994,0.0007700879,0.000025131027,0.0001371046,0.00005376031,0.9563763],"genre_scores_gemma":[0.3946082,0.0066575715,0.00086985924,0.0049891374,0.0005294052,0.00006117496,0.00012947923,0.000119748714,0.5920354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99783117,0.00074160105,0.00006345636,0.00026600072,0.0005835645,0.0005142425],"domain_scores_gemma":[0.9994462,0.00011228407,0.00010556032,0.00008021413,0.00014498772,0.00011068347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010917359,0.00031802017,0.00028888282,0.0008440599,0.0064635235,0.0059090992,0.00046518914,0.0011404505,0.030316617],"category_scores_gemma":[0.0030410918,0.00025059044,0.0001420911,0.0016492798,0.006181915,0.0019693233,0.0028753867,0.0023285078,0.006980501],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003609084,0.000020760339,0.0027729096,0.00011541264,0.00000337955,0.00036960898,0.051996402,0.00005147081,0.00016768355,0.7111656,0.1604763,0.07282437],"study_design_scores_gemma":[0.0000033025888,0.000009232565,0.0014409289,0.000118342505,0.0000012016853,0.00015720596,0.008174867,0.000023763267,0.00007806663,0.0029750126,0.98701394,0.000004147323],"about_ca_topic_score_codex":0.029222624,"about_ca_topic_score_gemma":0.04167775,"teacher_disagreement_score":0.030316617,"about_ca_system_score_codex":0.0043047494,"about_ca_system_score_gemma":0.0055731614,"threshold_uncertainty_score":0.10141921},"labels":[],"label_agreement":null},{"id":"W4235145865","doi":"10.7588/worllitetoda.88.2.fm","title":"Table of Contents, Masthead, and Editor's Note","year":2014,"lang":"en","type":"article","venue":"World Literature Today","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Table (database); Table of contents; Computer graphics (images); Computer science; Database; Operating system","score_opus":0.012266351540587405,"score_gpt":0.22374191215547387,"score_spread":0.21147556061488645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235145865","genre_codex":"editorial","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009686771,0.013082132,0.0004649193,0.024713391,0.82289803,0.00078536966,0.0028865945,0.0010715742,0.13400112],"genre_scores_gemma":[0.0009981748,0.020230273,0.0010376648,0.036461264,0.30739924,0.0014455449,0.0022279844,0.0007908803,0.629409],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982383,0.00016972508,0.00021748948,0.00021929899,0.0010152117,0.00013996345],"domain_scores_gemma":[0.9861458,0.00203654,0.0010014578,0.00044741516,0.008600691,0.0017680752],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0027337486,0.002092432,0.0028739243,0.0044330577,0.0017535498,0.0068647335,0.003666721,0.00362898,0.5583154],"category_scores_gemma":[0.021118674,0.0009766984,0.001503986,0.004426797,0.0006262563,0.0047086026,0.0021670547,0.0032984195,0.50804806],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005200791,0.0000052409614,0.000009051123,0.00024219464,8.7029224e-7,0.000011973889,0.0000036455872,0.0000070131678,0.000023094915,0.00006252218,0.9904695,0.009159672],"study_design_scores_gemma":[0.000020718382,0.000014710193,0.00017377839,0.00067089894,0.0000042301203,0.0000342019,0.000028992552,0.000025615134,0.00003681473,0.0002124725,0.99876815,0.000009295936],"about_ca_topic_score_codex":0.002732257,"about_ca_topic_score_gemma":0.0042861463,"teacher_disagreement_score":0.4416846,"about_ca_system_score_codex":0.002216081,"about_ca_system_score_gemma":0.0040738485,"threshold_uncertainty_score":0.6300095},"labels":[],"label_agreement":null},{"id":"W4235526344","doi":"10.1007/978-3-030-26898-5_4","title":"Becoming Somebody: Refashioning the Body Politic in Mary Robinson’s Nobody","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"nobody; Comedy; Drama; Body politic; Art; Performance art; Art history; Politics; Literature; Law; Political science; Computer science","score_opus":0.06338528804886823,"score_gpt":0.25152579364456923,"score_spread":0.188140505595701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235526344","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013269022,0.006788169,0.0029804832,0.14710286,0.0033661877,0.000025030762,0.000020732756,0.000059830985,0.8263877],"genre_scores_gemma":[0.3222849,0.0028435243,0.0014019435,0.046119053,0.0008639083,0.000060491537,0.000019502277,0.00046505794,0.6259416],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99614346,0.0023291304,0.000052637137,0.00039690064,0.0005829662,0.0004948818],"domain_scores_gemma":[0.9975988,0.0014796691,0.00015013367,0.00015708055,0.00024233846,0.00037199887],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003521944,0.00043565469,0.00048204404,0.0008055519,0.018315585,0.01001227,0.0013372233,0.0066370624,0.014869689],"category_scores_gemma":[0.007520337,0.00044421796,0.00027283217,0.0005310144,0.036764957,0.010918367,0.0057570166,0.014791813,0.0047807796],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012995612,0.00001881773,0.00010794828,0.000032257958,0.0000013345416,0.000108862194,0.07341919,0.000019510842,0.00009595097,0.83860916,0.07459145,0.012982661],"study_design_scores_gemma":[0.000005849466,0.000019279367,0.00023211785,0.0002640436,0.0000048304023,0.00021348386,0.047863446,0.000056341578,0.00029386047,0.067279436,0.88375086,0.000016503418],"about_ca_topic_score_codex":0.017297905,"about_ca_topic_score_gemma":0.050972782,"teacher_disagreement_score":0.018315585,"about_ca_system_score_codex":0.004777589,"about_ca_system_score_gemma":0.004746529,"threshold_uncertainty_score":0.04974407},"labels":[],"label_agreement":null},{"id":"W4236280196","doi":"10.1353/vpr.2016.0003","title":"Biographies","year":2016,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foregrounding; Value (mathematics); History; Class (philosophy); Literature; Sociology; Art; Gender studies; Philosophy; Epistemology; Computer science","score_opus":0.03135809407569734,"score_gpt":0.2505924257128562,"score_spread":0.21923433163715889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236280196","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046081375,0.17361581,0.0048880163,0.08969229,0.14056852,0.0006641432,0.015273355,0.00078026036,0.56990945],"genre_scores_gemma":[0.031881943,0.09887406,0.0017395301,0.02296748,0.030512078,0.0007214058,0.005572078,0.00037559963,0.80735594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986229,0.0002541752,0.00011866789,0.00023888891,0.0006482044,0.00011713782],"domain_scores_gemma":[0.9920191,0.0026546526,0.0006636052,0.00083497935,0.003258326,0.00056920666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015598714,0.0005872706,0.00073770725,0.0037231392,0.0021564306,0.0016061654,0.0011531502,0.0009609286,0.10763982],"category_scores_gemma":[0.016821602,0.00026219033,0.00021570864,0.0038221497,0.000879217,0.0012749528,0.001220293,0.0028473523,0.06731574],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011318368,0.000007812709,0.000102528255,0.00031396898,0.0000034978405,0.00019238188,0.001445412,0.000022106777,0.0003074535,0.0036686084,0.9509229,0.043002024],"study_design_scores_gemma":[5.229507e-7,0.0000021386493,0.00017605395,0.00010237024,0.0000011759897,0.00008160523,0.00014111446,0.0000045812567,0.000035903508,0.00028221047,0.99917066,0.0000015755492],"about_ca_topic_score_codex":0.006655539,"about_ca_topic_score_gemma":0.008559816,"teacher_disagreement_score":0.10763982,"about_ca_system_score_codex":0.0017494797,"about_ca_system_score_gemma":0.0031336334,"threshold_uncertainty_score":0.3600911},"labels":[],"label_agreement":null},{"id":"W4236324680","doi":"10.3138/ecf.24.1.55","title":"True Crime: Contagion, Print Culture, and Herbert Croft's <i>Love and Madness; or, A Story Too True</i>","year":2011,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sensibility; Narrative; Passion; Literature; Psychoanalysis; Mythology; Character (mathematics); Representation (politics); Subjectivity; Sociology; Psychology; Philosophy; Art; Epistemology; Law; Social psychology","score_opus":0.04637453884750924,"score_gpt":0.23449610875971852,"score_spread":0.18812156991220927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236324680","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3063681,0.021681339,0.0014587394,0.053495962,0.0010941532,0.000031796142,0.00005160491,0.000040291223,0.615778],"genre_scores_gemma":[0.9539927,0.0034010366,0.00020138497,0.0027881344,0.0003893208,0.000019478743,0.000012806527,0.000031511765,0.039163616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989778,0.00058682443,0.000017605142,0.00007534612,0.00018032668,0.00016219725],"domain_scores_gemma":[0.9978257,0.0015344953,0.0002490923,0.00011091354,0.00014279592,0.00013700346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090709835,0.0003756296,0.00016849235,0.001273306,0.011659465,0.008456635,0.00071058,0.0019521965,0.0043496615],"category_scores_gemma":[0.0028856653,0.00017805488,0.00011248674,0.00068441423,0.030932719,0.004449013,0.0024219411,0.0036406242,0.0003450882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033753404,0.000063012165,0.0009815417,0.00008226373,0.000006904819,0.0009170324,0.3819262,0.00005221053,0.00017495804,0.5734458,0.026577698,0.015738526],"study_design_scores_gemma":[0.0000225582,0.00007727875,0.005312297,0.0006821182,0.000021438997,0.0017273242,0.23821214,0.00017886024,0.001154197,0.059626464,0.69295233,0.000033001616],"about_ca_topic_score_codex":0.016688045,"about_ca_topic_score_gemma":0.026462318,"teacher_disagreement_score":0.016688045,"about_ca_system_score_codex":0.004271241,"about_ca_system_score_gemma":0.0013527741,"threshold_uncertainty_score":0.033181846},"labels":[],"label_agreement":null},{"id":"W4236520316","doi":"10.1353/vpr.2015.0008","title":"Something for the “Silly Season”: Policing and the Press in Israel Zangwill’s The Big Bow Mystery","year":2015,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sensationalism; Newspaper; Yard; History; Front (military); Literature; Art history; Art; Media studies; Sociology; Geography","score_opus":0.12992326307750338,"score_gpt":0.31149724506338533,"score_spread":0.18157398198588195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236520316","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1407201,0.45713836,0.0005104293,0.102233835,0.0022420187,0.000024888164,0.000056269197,0.000021224425,0.2970528],"genre_scores_gemma":[0.82753575,0.10437802,0.00019336691,0.015091318,0.0020625035,0.000020325906,0.000038060443,0.00003528102,0.05064537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903166,0.00039370032,0.000025726538,0.00007228975,0.0002411677,0.00023552241],"domain_scores_gemma":[0.9987545,0.0008092727,0.00019905287,0.000049676397,0.00008801947,0.00009947372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015063904,0.00018029392,0.00020948164,0.0011168821,0.004729094,0.006744932,0.00058557367,0.0025510134,0.0027024369],"category_scores_gemma":[0.0021085027,0.00023386185,0.000106060594,0.0013940678,0.012944753,0.0028816261,0.0019705072,0.002200289,0.00053442514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010035611,0.00007605448,0.0019398471,0.0009793796,0.00002700461,0.0013892016,0.14793639,0.0002890551,0.0007719041,0.60545325,0.11146783,0.12956972],"study_design_scores_gemma":[0.000016834225,0.00003419981,0.005037999,0.001348003,0.000011945703,0.00037943767,0.043494534,0.000060529357,0.00045446362,0.015971167,0.9331693,0.000021543665],"about_ca_topic_score_codex":0.03270881,"about_ca_topic_score_gemma":0.053730782,"teacher_disagreement_score":0.03270881,"about_ca_system_score_codex":0.0065122116,"about_ca_system_score_gemma":0.0040831612,"threshold_uncertainty_score":0.06503689},"labels":[],"label_agreement":null},{"id":"W4237291722","doi":"10.32920/ryerson.14662305.v1","title":"On serial killers: the collective's search for understanding","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Serial communication; Computer science; Telecommunications","score_opus":0.28540549171646257,"score_gpt":0.3282109046116125,"score_spread":0.04280541289514994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237291722","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12735502,0.016320491,0.038093634,0.16380927,0.0028595931,0.00009182246,0.000114767245,0.00024268159,0.6511127],"genre_scores_gemma":[0.9501001,0.0040218104,0.0030120302,0.0066724224,0.0016187914,0.00011227116,0.000066116976,0.00022914699,0.0341672],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99463826,0.0035231367,0.00009890186,0.0005399951,0.0007323873,0.00046729628],"domain_scores_gemma":[0.99369156,0.003909362,0.00066553685,0.0008150565,0.00050287734,0.00041565284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007534012,0.0011810248,0.0007239746,0.0037097123,0.012718331,0.01506662,0.0022198246,0.0051499326,0.00791043],"category_scores_gemma":[0.010495701,0.00039334677,0.0006526834,0.0027010248,0.069506794,0.03739655,0.009401508,0.0086510945,0.00084339787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008713787,0.000007640721,0.00020625239,0.00003694965,0.0000023211924,0.00013517463,0.114777155,0.00009581881,0.00004439742,0.87563115,0.005695091,0.0033592773],"study_design_scores_gemma":[0.000010540317,0.000024116307,0.0004961143,0.0003756584,0.0000071425948,0.0002351587,0.14677916,0.0007040673,0.000109923065,0.6462655,0.20496888,0.000023733273],"about_ca_topic_score_codex":0.007894278,"about_ca_topic_score_gemma":0.0070183817,"teacher_disagreement_score":0.01506662,"about_ca_system_score_codex":0.0072250506,"about_ca_system_score_gemma":0.003213639,"threshold_uncertainty_score":0.05242169},"labels":[],"label_agreement":null},{"id":"W4238583224","doi":"10.5325/edgallpoerev.15.2.0205","title":"Kindred Crimes Poe's “The Murders in the Rue Morgue” and Doyle's <i>The Sign of Four</i>","year":2014,"lang":"en","type":"article","venue":"The Edgar Allan Poe Review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Parallels; Praise; Plot (graphics); Literature; HERO; Sign (mathematics); Philosophy; Art","score_opus":0.050330749817233573,"score_gpt":0.25894198223189646,"score_spread":0.2086112324146629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238583224","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054641996,0.80595696,0.00046953806,0.03807302,0.003105839,0.000018345834,0.000035769062,0.000012404016,0.0976861],"genre_scores_gemma":[0.57045,0.39087033,0.0002563608,0.005109113,0.0023021153,0.000031775035,0.000040990275,0.000020213185,0.030919073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883014,0.0007115971,0.000040407907,0.00009863114,0.00022167832,0.00009758521],"domain_scores_gemma":[0.9977804,0.0015058338,0.00031753356,0.000059329104,0.0002480458,0.000088915695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011904592,0.00025599863,0.0002923119,0.0014424627,0.0023391629,0.0025942752,0.0005763244,0.0013461233,0.002455581],"category_scores_gemma":[0.0030642294,0.00014241473,0.00011584199,0.001115595,0.0059776353,0.0015173084,0.0011855282,0.0020956476,0.00028943171],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098988065,0.00010368856,0.003115817,0.003585235,0.000083417224,0.0028856527,0.09198783,0.00023703219,0.000552728,0.39922628,0.22860307,0.2695202],"study_design_scores_gemma":[0.0000059220583,0.00005159809,0.00527376,0.0032674707,0.000020526475,0.0020729622,0.027828079,0.000037865713,0.00038608367,0.005720429,0.9553227,0.00001273655],"about_ca_topic_score_codex":0.0085806325,"about_ca_topic_score_gemma":0.014885464,"teacher_disagreement_score":0.0085806325,"about_ca_system_score_codex":0.0023890508,"about_ca_system_score_gemma":0.0016388742,"threshold_uncertainty_score":0.017333806},"labels":[],"label_agreement":null},{"id":"W4240277895","doi":"10.32920/ryerson.14653572.v1","title":"Alternative Visions of Crime and Community in Wilkie Collins' The Woman In White and The Moonstone","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Vision; White (mutation); Detective fiction; Character (mathematics); Economic Justice; Miller; Law; Sociology; Literature; Art; Political science","score_opus":0.06475919113000084,"score_gpt":0.29562094576943476,"score_spread":0.23086175463943392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240277895","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21876079,0.0066283476,0.0027778174,0.06952789,0.0009137246,0.00004521964,0.000055427354,0.000036260575,0.7012545],"genre_scores_gemma":[0.9648415,0.0006088286,0.00025378156,0.0024452575,0.00016721964,0.000034864544,0.000010694419,0.000031770698,0.031606182],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99686915,0.0019788868,0.000028709988,0.0002214282,0.00029212944,0.0006096618],"domain_scores_gemma":[0.99885917,0.00038991222,0.00012136264,0.000073619354,0.00013931119,0.00041660623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019986483,0.00056666095,0.0003650613,0.0016463067,0.02264435,0.015466173,0.001368581,0.0034858834,0.0041210377],"category_scores_gemma":[0.0027520654,0.00033575593,0.00021737898,0.00094978116,0.05089008,0.005910957,0.007896125,0.0050720205,0.00036191818],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019593033,0.000029788465,0.0003516025,0.000017698367,0.0000019843653,0.00030544668,0.17946202,0.000046385227,0.000065463006,0.80790657,0.00890677,0.002886735],"study_design_scores_gemma":[0.000029442039,0.000042752126,0.0015408484,0.00021332665,0.000008844961,0.0004684103,0.51045173,0.00027703008,0.0002110908,0.1730322,0.3136888,0.000035512254],"about_ca_topic_score_codex":0.06369359,"about_ca_topic_score_gemma":0.12665854,"teacher_disagreement_score":0.06369359,"about_ca_system_score_codex":0.009966363,"about_ca_system_score_gemma":0.0048760097,"threshold_uncertainty_score":0.12664568},"labels":[],"label_agreement":null},{"id":"W4243284169","doi":"10.1016/b978-0-12-849878-1.00013-2","title":"Recording the Scene","year":2018,"lang":"en","type":"book-chapter","venue":"Elsevier eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Documentation; Foundation (evidence); Crime scene; Computer science; History; Archaeology","score_opus":0.05469838941918918,"score_gpt":0.25068544239125984,"score_spread":0.19598705297207064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243284169","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029206409,0.0027692306,0.0035854913,0.0023406332,0.004272764,0.00007232372,0.0021483407,0.0009771435,0.98091334],"genre_scores_gemma":[0.016054476,0.0019603686,0.0032868232,0.00055910903,0.00083012297,0.000042992633,0.0017271113,0.0007524051,0.9747866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996811,0.00006175912,0.000014429815,0.00005537108,0.00013991386,0.000047468428],"domain_scores_gemma":[0.999577,0.000095303454,0.000021195083,0.0001078717,0.00013460143,0.000063925276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035577457,0.0007768839,0.00032745127,0.0024479632,0.0030416818,0.0041147606,0.0008319641,0.0011974131,0.27304044],"category_scores_gemma":[0.0018680833,0.00030535998,0.0002622571,0.0019425628,0.0012354037,0.00236087,0.002317267,0.0019736493,0.10104275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049361144,0.00001635337,0.00022191122,0.00015735277,0.0000036716478,0.0001389701,0.0021341552,0.000047421054,0.0014501334,0.019090638,0.7607118,0.2159782],"study_design_scores_gemma":[0.0000017530125,0.0000054080333,0.00039005204,0.00009015762,0.0000019814531,0.00007683013,0.0009263175,0.000027496812,0.0002646877,0.00093965844,0.99727196,0.0000036841197],"about_ca_topic_score_codex":0.0064743143,"about_ca_topic_score_gemma":0.020966453,"teacher_disagreement_score":0.27304044,"about_ca_system_score_codex":0.00071197393,"about_ca_system_score_gemma":0.0010495005,"threshold_uncertainty_score":0.91341126},"labels":[],"label_agreement":null},{"id":"W4243307734","doi":"10.1007/978-1-4939-7131-2_101376","title":"Traveling Networks","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science","score_opus":0.07126120104365657,"score_gpt":0.2346387433122312,"score_spread":0.16337754226857462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243307734","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012539822,0.0015180104,0.10928752,0.0026054191,0.00061775924,0.00017265951,0.0020393766,0.0006523531,0.870567],"genre_scores_gemma":[0.15178615,0.0044323527,0.03944923,0.0006635239,0.00030418305,0.00031969167,0.0042372467,0.0005045656,0.79830307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983966,0.0000255539,0.000006512557,0.000064559776,0.00003602602,0.00002768498],"domain_scores_gemma":[0.9996389,0.00009839765,0.000034888904,0.00008694426,0.00008836845,0.000052351726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017062986,0.0004972547,0.0002892924,0.0010716706,0.0015109961,0.0025766152,0.0011606839,0.001148958,0.121286936],"category_scores_gemma":[0.0017275047,0.00026036735,0.00037149785,0.0014436583,0.0007113822,0.0045282296,0.0011901186,0.0011329515,0.025581753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023587663,0.000018667992,0.00019963407,0.00009523977,0.000008814015,0.00006840128,0.00019351467,0.0023088327,0.00041445775,0.8428352,0.066843316,0.08699029],"study_design_scores_gemma":[0.000010226751,0.000020828777,0.0002886561,0.00011088385,0.000018088469,0.00025047662,0.00049459527,0.008397926,0.000791278,0.42133653,0.5682687,0.000011803474],"about_ca_topic_score_codex":0.002915046,"about_ca_topic_score_gemma":0.003046175,"teacher_disagreement_score":0.121286936,"about_ca_system_score_codex":0.00088682,"about_ca_system_score_gemma":0.0006373361,"threshold_uncertainty_score":0.4057452},"labels":[],"label_agreement":null},{"id":"W4243337125","doi":"10.32920/ryerson.14647845","title":"(Re)Writing Canadian Space: Dystopian Geographies in Larissa Lai’s Salt Fish Girl and M.G. Vassanji’s Nostalgia","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University; University of Calgary","funders":"","keywords":"Dystopia; Context (archaeology); Ideology; Aesthetics; Politics; Utopia; Sociology; Literature; History; Art; Art history; Political science; Law; Archaeology","score_opus":0.03229852687225923,"score_gpt":0.2426846736500324,"score_spread":0.21038614677777318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243337125","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26188532,0.0061101452,0.005534993,0.060672972,0.0012773455,0.000054534772,0.00037521846,0.00014575984,0.6639437],"genre_scores_gemma":[0.96015483,0.0010952252,0.00083439535,0.0012896238,0.00006442608,0.000013786062,0.000054784603,0.000060110273,0.036432818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848205,0.00045498213,0.000018838298,0.0001807917,0.00046600966,0.00039734764],"domain_scores_gemma":[0.9986187,0.0005775795,0.00010798773,0.00011841687,0.00036581178,0.00021153479],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016014514,0.0005470508,0.00030343534,0.0020888865,0.027654687,0.009552701,0.0012404557,0.0020889004,0.0060823485],"category_scores_gemma":[0.004000069,0.00021930881,0.0002224297,0.0025968712,0.044933077,0.0036420778,0.003885582,0.0041096113,0.0003257708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022320679,0.0000062696645,0.000691436,0.00004456324,0.00000367012,0.0004574862,0.40985733,0.0001872502,0.00029167914,0.55668217,0.021876367,0.009879484],"study_design_scores_gemma":[0.0000067807905,0.000010051509,0.002246189,0.00014059502,0.000011176948,0.0003747275,0.30954263,0.00025463203,0.0004966296,0.025411762,0.6614616,0.000043247477],"about_ca_topic_score_codex":0.9078979,"about_ca_topic_score_gemma":0.95469034,"teacher_disagreement_score":0.09210211,"about_ca_system_score_codex":0.054054014,"about_ca_system_score_gemma":0.0321346,"threshold_uncertainty_score":0.39219117},"labels":[],"label_agreement":null},{"id":"W4243916974","doi":"10.17742/image.periph.5-2.9","title":"It’s a Kind of Magic: Situating Nostalgia for Technological Progress and the Occult in Guy Ritchie’s Sherlock Holmes","year":2014,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Occult; Art; Art history; Literature; Psychoanalysis; Psychology; Medicine; Astronomy; Physics; Pathology","score_opus":0.05516561199354282,"score_gpt":0.399700036443012,"score_spread":0.3445344244494692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243916974","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13030955,0.027169015,0.006271231,0.42432833,0.005515432,0.0000460981,0.000056099423,0.00010622099,0.40619802],"genre_scores_gemma":[0.8848341,0.0038258764,0.0016558676,0.023761638,0.0009098495,0.000033970155,0.00001241916,0.0001898141,0.08477642],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977799,0.001454353,0.000032280914,0.00019317449,0.0002710183,0.00026924358],"domain_scores_gemma":[0.99590707,0.0031540042,0.00019172419,0.00023798103,0.0001923566,0.0003168259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030871509,0.00031542577,0.0003181903,0.000899869,0.014973543,0.008298184,0.0009587324,0.0044025364,0.0042632255],"category_scores_gemma":[0.0064743604,0.00029060937,0.00013965127,0.00063481904,0.045842763,0.0070961327,0.0052413573,0.009179449,0.00067750865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003197414,0.000016140812,0.00033184636,0.000051050647,0.0000034082436,0.0005812266,0.3852497,0.000044540884,0.00022290544,0.5429564,0.05587127,0.014639556],"study_design_scores_gemma":[0.000009619549,0.000028015224,0.0004996709,0.00031470513,0.000005684066,0.00089261786,0.19584677,0.000103470906,0.00063167675,0.07883086,0.7228072,0.00002969536],"about_ca_topic_score_codex":0.013197983,"about_ca_topic_score_gemma":0.03957531,"teacher_disagreement_score":0.014973543,"about_ca_system_score_codex":0.0038638134,"about_ca_system_score_gemma":0.0021738934,"threshold_uncertainty_score":0.028034031},"labels":[],"label_agreement":null},{"id":"W4245128703","doi":"10.26522/br.v10i2.98","title":"Bad Person","year":2009,"lang":"en","type":"article","venue":"The Brock Review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Work (physics); Aesthetics; Art; Engineering","score_opus":0.08861948266652413,"score_gpt":0.2877804698814743,"score_spread":0.19916098721495018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245128703","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011447506,0.95764476,0.00024685485,0.014484494,0.0025904274,0.000008184699,0.000040510917,0.00001321041,0.023826836],"genre_scores_gemma":[0.06570597,0.88647676,0.00046529714,0.020063704,0.0050365464,0.00005489475,0.00013553516,0.000035617795,0.02202578],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975431,0.0011332348,0.00015882027,0.00026297398,0.0006614483,0.00024045586],"domain_scores_gemma":[0.9963911,0.001976697,0.00043223993,0.0002935087,0.0006268205,0.0002795687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020013961,0.00065765745,0.000870151,0.003632549,0.0021949282,0.005987415,0.0012535589,0.0040844255,0.014854066],"category_scores_gemma":[0.009153922,0.00027423078,0.0004093524,0.002885926,0.0058729313,0.005593698,0.0023494342,0.002987937,0.0038143871],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016399504,0.00007549532,0.001790794,0.00573794,0.00009993992,0.0006070343,0.0041862805,0.00006699035,0.0001568696,0.064272285,0.35872263,0.56411976],"study_design_scores_gemma":[0.000024018145,0.000064212116,0.0050707436,0.010169748,0.000081672326,0.0036266528,0.0062388233,0.000024692854,0.00016891086,0.012825747,0.961684,0.000020883073],"about_ca_topic_score_codex":0.003182942,"about_ca_topic_score_gemma":0.006472805,"teacher_disagreement_score":0.014854066,"about_ca_system_score_codex":0.0013659338,"about_ca_system_score_gemma":0.0028561116,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4245298718","doi":"10.1007/978-1-4614-6170-8_100027","title":"Traveling Networks","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science","score_opus":0.05478573778639009,"score_gpt":0.21936032731326924,"score_spread":0.16457458952687914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245298718","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013295185,0.0013843994,0.10508837,0.0024501802,0.00053238985,0.00017563539,0.001986856,0.0006108708,0.87447613],"genre_scores_gemma":[0.15546012,0.0038144179,0.03735676,0.00059785723,0.00025011282,0.0002995343,0.0038390264,0.0004388298,0.7979433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998338,0.000027382981,0.000006916084,0.00006479243,0.000037792222,0.000029219782],"domain_scores_gemma":[0.9996413,0.00009638507,0.0000357926,0.00008542754,0.00008791382,0.000053214015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017099666,0.00047136145,0.00028592194,0.0010863034,0.0015732042,0.0025738326,0.0011489136,0.0011389729,0.12333919],"category_scores_gemma":[0.0016960276,0.00025967293,0.00036083438,0.0014442791,0.00072834466,0.0044461694,0.0012062122,0.0010626074,0.024450798],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023847255,0.000018997971,0.00023134978,0.00008966124,0.0000089850355,0.00007526049,0.00022620187,0.002295505,0.00041138203,0.8404649,0.065112725,0.09104112],"study_design_scores_gemma":[0.0000100964635,0.000021035874,0.00032070925,0.00011327314,0.000018064135,0.00027521004,0.0005931707,0.008168654,0.0007996629,0.39800084,0.5916669,0.000012450324],"about_ca_topic_score_codex":0.0032962442,"about_ca_topic_score_gemma":0.0036472103,"teacher_disagreement_score":0.12333919,"about_ca_system_score_codex":0.00089116796,"about_ca_system_score_gemma":0.0006529677,"threshold_uncertainty_score":0.4126107},"labels":[],"label_agreement":null},{"id":"W4245587826","doi":"10.15353/cgjsc.v5i1.3738","title":"The ‘Frozen’ Heart of the Continent: Place-Myths and Winnipeg in Canadian Crime Films","year":2016,"lang":"en","type":"article","venue":"Canadian Graduate Journal of Sociology and Criminology","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Winnipeg; University of Manitoba","funders":"","keywords":"Mythology; The Imaginary; Movie theater; Sociology; Sense of place; Place attachment; Media studies; Narrative; Economic Justice; Romance; Gender studies; Humanities; Criminology; Art history; Political science; Law; Art; Social science; Psychoanalysis; Social psychology; Psychology","score_opus":0.07891852933050224,"score_gpt":0.25211412753636786,"score_spread":0.1731955982058656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245587826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8494374,0.0033597094,0.0016578925,0.0131666465,0.0003014443,0.00007086965,0.00023903097,0.000040477433,0.13172661],"genre_scores_gemma":[0.9936324,0.00060975214,0.00030932677,0.00030608155,0.000008646632,0.000011439836,0.000028293842,0.00002647911,0.0050676567],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9975793,0.00073507114,0.000050974777,0.0003140994,0.0005613096,0.00075928774],"domain_scores_gemma":[0.99842,0.00056370895,0.00016836713,0.00009422013,0.00034052218,0.00041312273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023845013,0.00071192166,0.0004606722,0.002704571,0.03352728,0.0137812495,0.00212494,0.001813325,0.0044307015],"category_scores_gemma":[0.004483449,0.0006169945,0.00030618208,0.0032471344,0.03215441,0.0037877776,0.007364504,0.0032235228,0.00015314505],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003050338,0.000008442924,0.0024513195,0.000059704784,0.0000060448237,0.0003899969,0.9582115,0.00006537674,0.0004195205,0.031425238,0.0019744025,0.004957828],"study_design_scores_gemma":[0.0000027725282,0.000008239547,0.0047012246,0.00014174769,0.000011584581,0.00016072122,0.9258855,0.00009655011,0.00024188463,0.0011630893,0.067557275,0.000029348052],"about_ca_topic_score_codex":0.95925903,"about_ca_topic_score_gemma":0.978734,"teacher_disagreement_score":0.07169045,"about_ca_system_score_codex":0.07169045,"about_ca_system_score_gemma":0.035851765,"threshold_uncertainty_score":0.52015305},"labels":[],"label_agreement":null},{"id":"W4245903966","doi":"10.4000/belphegor.220","title":"Platten, David, The Pleasures of Crime. Reading Modern French Crime Fiction","year":2013,"lang":"en","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Criminology; Art; Literature; History; Sociology; Political science; Law","score_opus":0.06374787553620916,"score_gpt":0.2610434894045823,"score_spread":0.19729561386837313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245903966","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017113743,0.57252985,0.0026054739,0.1574683,0.004409702,0.00003405263,0.0002464728,0.000103187616,0.24548918],"genre_scores_gemma":[0.66431624,0.2021069,0.0029543608,0.021720598,0.0049183806,0.0000964174,0.0002114404,0.00016797415,0.1035077],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919206,0.0004917181,0.000020277099,0.0000692219,0.0001475778,0.00007916796],"domain_scores_gemma":[0.99904555,0.0006669439,0.00009223697,0.000019334933,0.00011101271,0.00006498879],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006414121,0.0007751882,0.00029144756,0.002741621,0.0057783974,0.004559244,0.00061243965,0.0024874986,0.003656164],"category_scores_gemma":[0.0018694468,0.00023399478,0.00027663275,0.0022371353,0.011566242,0.0053840927,0.0011968161,0.0020513642,0.0007730813],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006471442,0.000026276699,0.0010920652,0.00045837322,0.000022602128,0.0008130991,0.13432415,0.0002515554,0.00032958604,0.4854154,0.29558796,0.08161434],"study_design_scores_gemma":[0.00000882889,0.000023654751,0.003471131,0.0005994694,0.000008742431,0.00054871925,0.02778777,0.00009458806,0.00021664704,0.06775234,0.8994706,0.00001757389],"about_ca_topic_score_codex":0.03992246,"about_ca_topic_score_gemma":0.04756071,"teacher_disagreement_score":0.03992246,"about_ca_system_score_codex":0.004593419,"about_ca_system_score_gemma":0.0017210952,"threshold_uncertainty_score":0.079380214},"labels":[],"label_agreement":null},{"id":"W4246241228","doi":"10.22215/etd/2008-08212","title":"Queer eye for the private eye investigating normative and counter-discursive representations in Anthony Bidulka's Russell Quant mystery series","year":2008,"lang":"en","type":"dissertation","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage; Library and Archives Canada","funders":"","keywords":"Normative; Queer; Sociology; Humanities; Art history; Art; Philosophy; Gender studies; Epistemology","score_opus":0.05238197742779311,"score_gpt":0.31438161224050337,"score_spread":0.26199963481271027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246241228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08163284,0.009146723,0.013818,0.14730282,0.00096207875,0.000045304394,0.00015084624,0.00009346306,0.7468479],"genre_scores_gemma":[0.911298,0.002343332,0.002319117,0.0043655047,0.00044319537,0.000059220947,0.000045333065,0.00024369948,0.07888258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9983083,0.00101055,0.00003700136,0.00021238683,0.00027338686,0.00015834463],"domain_scores_gemma":[0.99293315,0.0054259114,0.00034393312,0.00059707597,0.00051135727,0.00018856849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036506166,0.00027001512,0.00035992957,0.001587863,0.0077770664,0.009013816,0.0007609443,0.002968611,0.008173935],"category_scores_gemma":[0.009732299,0.00026086727,0.00025136743,0.0014322993,0.0249874,0.012704829,0.0037756825,0.005694405,0.0006472709],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015202614,0.000010133578,0.00018091392,0.000018179919,0.0000018797185,0.0000589998,0.041620344,0.000027553171,0.00010644107,0.93951225,0.013302078,0.0051460327],"study_design_scores_gemma":[0.000020308838,0.000012685491,0.0016448011,0.000172453,0.0000106264515,0.00017791352,0.05687461,0.00030226551,0.0007047294,0.70222944,0.23782746,0.0000227304],"about_ca_topic_score_codex":0.010945806,"about_ca_topic_score_gemma":0.021133456,"teacher_disagreement_score":0.010945806,"about_ca_system_score_codex":0.003962434,"about_ca_system_score_gemma":0.0020095876,"threshold_uncertainty_score":0.028749585},"labels":[],"label_agreement":null},{"id":"W4247840575","doi":"10.1353/vcr.2017.0021","title":"Editors' Note","year":2017,"lang":"en","type":"article","venue":"Victorian review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Undoing; History; Art history; Media studies; Opposition (politics); Sociology; Visual arts; Art; Law; Psychology; Political science; Politics; Psychoanalysis","score_opus":0.05848528238412041,"score_gpt":0.32450832530948254,"score_spread":0.2660230429253621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247840575","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011712171,0.0041843336,0.00040617684,0.10912879,0.83460325,0.00013504674,0.0004589816,0.000510106,0.05045621],"genre_scores_gemma":[0.002418089,0.0052300426,0.0012831312,0.1657219,0.32893202,0.000387856,0.0006811572,0.00071706716,0.49462876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99173343,0.000601801,0.000715651,0.0016408464,0.004535098,0.00077320024],"domain_scores_gemma":[0.9612275,0.0040641213,0.0016609952,0.0021776787,0.02633233,0.0045373915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006589201,0.0017768246,0.0017973891,0.0024581193,0.003947821,0.010978765,0.004936755,0.008950204,0.19716288],"category_scores_gemma":[0.05121312,0.0008741915,0.0017803954,0.0019299771,0.0016228642,0.0057642846,0.003675293,0.011144172,0.2080759],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040972454,0.0000034174789,0.0000157875,0.000035338,9.134137e-7,0.000021466762,0.000012651868,0.000005647968,0.000023462144,0.0003289938,0.994201,0.005347244],"study_design_scores_gemma":[0.000003682348,0.0000034670802,0.00004701486,0.00007109446,0.0000015155003,0.000038317747,0.000026317097,0.000013107166,0.000035375415,0.0001903334,0.9995654,0.0000042035254],"about_ca_topic_score_codex":0.0023832684,"about_ca_topic_score_gemma":0.0059548756,"teacher_disagreement_score":0.19716288,"about_ca_system_score_codex":0.0034516663,"about_ca_system_score_gemma":0.008908562,"threshold_uncertainty_score":0.6595756},"labels":[],"label_agreement":null},{"id":"W4250674409","doi":"10.3138/jcs.39.3.85","title":"“Home Sweet Havoc”: Howard Engel’s Niagara in Print and Film","year":2005,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Nexus (standard); Hegemony; Sociology; Power (physics); Tourism; Commodification; Law; Aesthetics; Art; Political science; Economics; Economy","score_opus":0.07482404903756291,"score_gpt":0.271411883952259,"score_spread":0.1965878349146961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250674409","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34404472,0.008607264,0.0014582586,0.08567947,0.0036443763,0.0000440112,0.000075007,0.00011540997,0.5563316],"genre_scores_gemma":[0.87293494,0.0019600268,0.00039227615,0.004738421,0.00030562273,0.000013578366,0.000018755756,0.00009181858,0.11954446],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994363,0.00023377575,0.0000074851555,0.0000440301,0.0001382667,0.00014004498],"domain_scores_gemma":[0.99957746,0.00020486281,0.00003056847,0.000031667845,0.00006871259,0.00008663285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045715377,0.0003013705,0.0001735276,0.0005401235,0.0101953605,0.0041951262,0.00056989025,0.0010697886,0.0026424974],"category_scores_gemma":[0.0018985638,0.00018360293,0.00011292146,0.00036342494,0.011123471,0.0019513106,0.00194911,0.0032369446,0.00035049775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064943444,0.000054502303,0.0015019113,0.000068467685,0.000010256963,0.0021625368,0.6124705,0.00008261536,0.0007828063,0.17105612,0.18703626,0.024709065],"study_design_scores_gemma":[0.000007867302,0.000022840166,0.0020420696,0.00013314925,0.0000107182605,0.0007191444,0.2529498,0.000069154696,0.0011221998,0.0050551444,0.73784614,0.0000218427],"about_ca_topic_score_codex":0.111823656,"about_ca_topic_score_gemma":0.29584435,"teacher_disagreement_score":0.8881763,"about_ca_system_score_codex":0.0062428354,"about_ca_system_score_gemma":0.0020505874,"threshold_uncertainty_score":0.22234553},"labels":[],"label_agreement":null},{"id":"W4255338213","doi":"10.4159/9780674981331","title":"A Cold Welcome","year":2017,"lang":"en","type":"book","venue":"Harvard University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":74,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Geography","score_opus":0.06650847926787615,"score_gpt":0.21700787759883805,"score_spread":0.1504993983309619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255338213","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00076227175,0.01588261,0.000581093,0.03769522,0.04957518,0.000062507286,0.00047014584,0.00037620205,0.8945948],"genre_scores_gemma":[0.0017166868,0.0016674924,0.0001009884,0.004050741,0.0028895116,0.000020825473,0.00011084797,0.00020824908,0.9892347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991283,0.0001372252,0.000023124006,0.00012784358,0.00047613485,0.000107371474],"domain_scores_gemma":[0.99880147,0.00020262998,0.00006292342,0.00010620186,0.0005259853,0.00030080555],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005698484,0.00093279727,0.0005870859,0.0017468277,0.0051895133,0.007311798,0.00087538257,0.0022051528,0.2996984],"category_scores_gemma":[0.0027101147,0.0003771914,0.00039955822,0.001142221,0.0018338985,0.006475931,0.0045548095,0.0039701047,0.14259812],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000507015,0.0000051935144,0.00001621345,0.000020033374,6.5127875e-7,0.000031163345,0.00016341012,0.000007660379,0.000032846445,0.008192655,0.9806999,0.010825133],"study_design_scores_gemma":[5.283447e-7,0.0000011492773,0.000023814613,0.000026806556,1.8931878e-7,0.000016379365,0.00008514687,0.000003514847,0.000009741356,0.0003167258,0.9995148,0.0000010929207],"about_ca_topic_score_codex":0.0059524397,"about_ca_topic_score_gemma":0.015785567,"teacher_disagreement_score":0.2996984,"about_ca_system_score_codex":0.003511617,"about_ca_system_score_gemma":0.0019207087,"threshold_uncertainty_score":0.9988952},"labels":[],"label_agreement":null},{"id":"W4255997689","doi":"10.32920/ryerson.14647845.v1","title":"(Re)Writing Canadian Space: Dystopian Geographies in Larissa Lai’s Salt Fish Girl and M.G. Vassanji’s Nostalgia","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University; University of Calgary","funders":"","keywords":"Dystopia; Context (archaeology); Aesthetics; Ideology; Utopia; Sociology; Politics; Literature; Art; History; Art history; Political science; Law; Archaeology","score_opus":0.03229852687225923,"score_gpt":0.2426846736500324,"score_spread":0.21038614677777318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255997689","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26188532,0.0061101452,0.005534993,0.060672972,0.0012773455,0.000054534772,0.00037521846,0.00014575984,0.6639437],"genre_scores_gemma":[0.96015483,0.0010952252,0.00083439535,0.0012896238,0.00006442608,0.000013786062,0.000054784603,0.000060110273,0.036432818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848205,0.00045498213,0.000018838298,0.0001807917,0.00046600966,0.00039734764],"domain_scores_gemma":[0.9986187,0.0005775795,0.00010798773,0.00011841687,0.00036581178,0.00021153479],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016014514,0.0005470508,0.00030343534,0.0020888865,0.027654687,0.009552701,0.0012404557,0.0020889004,0.0060823485],"category_scores_gemma":[0.004000069,0.00021930881,0.0002224297,0.0025968712,0.044933077,0.0036420778,0.003885582,0.0041096113,0.0003257708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022320679,0.0000062696645,0.000691436,0.00004456324,0.00000367012,0.0004574862,0.40985733,0.0001872502,0.00029167914,0.55668217,0.021876367,0.009879484],"study_design_scores_gemma":[0.0000067807905,0.000010051509,0.002246189,0.00014059502,0.000011176948,0.0003747275,0.30954263,0.00025463203,0.0004966296,0.025411762,0.6614616,0.000043247477],"about_ca_topic_score_codex":0.9078979,"about_ca_topic_score_gemma":0.95469034,"teacher_disagreement_score":0.09210211,"about_ca_system_score_codex":0.054054014,"about_ca_system_score_gemma":0.0321346,"threshold_uncertainty_score":0.39219117},"labels":[],"label_agreement":null},{"id":"W4281553792","doi":"10.3138/cras-2021-012","title":"Fiddling with Southern California at a Time of Upheaval: A.E. Maxwell’s Mystery Series","year":2022,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geopolitics; Politics; Denunciation; History; Sociology; Political science; Economic history; Law","score_opus":0.031485651677059856,"score_gpt":0.24470311228346772,"score_spread":0.21321746060640787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281553792","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15462688,0.043002766,0.0010921255,0.30587167,0.018238349,0.00004138439,0.00052043103,0.00047705858,0.4761294],"genre_scores_gemma":[0.6948877,0.01562883,0.0007611531,0.023437815,0.00516857,0.00005891644,0.0002865355,0.00034906933,0.25942144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996681,0.00007703882,0.000006305232,0.00007320551,0.000082910956,0.000092350885],"domain_scores_gemma":[0.99938977,0.00011060061,0.00006734901,0.00003915674,0.00014406588,0.00024911354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007106176,0.00046898972,0.00020877457,0.0006013835,0.016351184,0.005517031,0.00078557193,0.0012736449,0.00728992],"category_scores_gemma":[0.0015722698,0.00028404716,0.00014348558,0.0004918768,0.004590947,0.0026725433,0.0021588616,0.00390914,0.0005518576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040910898,0.000041477113,0.0020714633,0.00007354901,0.000007821873,0.00086774264,0.0662956,0.000089176116,0.000377466,0.040080167,0.8664854,0.023569282],"study_design_scores_gemma":[0.0000025483605,0.000009839889,0.0017616327,0.000086044885,0.000003572142,0.00015691838,0.026048295,0.000027928156,0.00010321811,0.0009933733,0.97079664,0.000010000651],"about_ca_topic_score_codex":0.10873641,"about_ca_topic_score_gemma":0.32381132,"teacher_disagreement_score":0.10873641,"about_ca_system_score_codex":0.0078580445,"about_ca_system_score_gemma":0.00439825,"threshold_uncertainty_score":0.21620697},"labels":[],"label_agreement":null},{"id":"W4285370925","doi":"10.1386/qsmpc_00058_1","title":"‘The curiosity with which that fist moves’: Lesbian erotics in Sarah Waters’s Tipping the Velvet and Emma Donoghue’s Frog Music","year":2021,"lang":"en","type":"article","venue":"Queer Studies in Media & Popular Culture","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Lesbian; Consummation; Glory; Gender studies; Sociology; Law; Political science","score_opus":0.09546942155773025,"score_gpt":0.28008875954337503,"score_spread":0.18461933798564478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285370925","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4993525,0.009644697,0.0036112391,0.0828376,0.0014548847,0.000068885005,0.000066993845,0.00007693103,0.4028862],"genre_scores_gemma":[0.9508292,0.0015442048,0.00046180226,0.0038428877,0.00016975336,0.000033749588,0.000014095527,0.00007110508,0.043033097],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852246,0.0010667514,0.00001776835,0.00007111754,0.00015117852,0.00017080463],"domain_scores_gemma":[0.99875116,0.0007941165,0.00012275114,0.00005620734,0.00009772454,0.00017805136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019162976,0.00038303935,0.00024507722,0.0006221051,0.011372415,0.0067027076,0.00062231947,0.0022787806,0.0030791746],"category_scores_gemma":[0.0033608691,0.0003286012,0.00019313564,0.00035051262,0.023875711,0.004191982,0.0034757953,0.004900146,0.00037297513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004371134,0.000028993338,0.0003845188,0.00006221504,0.0000048548522,0.0007638913,0.8548234,0.00004461426,0.0007781666,0.12515536,0.012879184,0.0050310683],"study_design_scores_gemma":[0.000015504076,0.000043542015,0.0015585911,0.00024952585,0.000007269498,0.00082713494,0.6830864,0.00014776771,0.00096180284,0.0115296,0.30154374,0.000029196448],"about_ca_topic_score_codex":0.011818326,"about_ca_topic_score_gemma":0.035574067,"teacher_disagreement_score":0.011818326,"about_ca_system_score_codex":0.0032084268,"about_ca_system_score_gemma":0.001522982,"threshold_uncertainty_score":0.023499072},"labels":[],"label_agreement":null},{"id":"W4287762241","doi":"10.5281/zenodo.4163800","title":"\"Drop the body\": Body Disposal Patterns in Sexual Homicide","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Homicide; Drop (telecommunication); Criminology; Forensic engineering; Psychology; Engineering; Medicine; Poison control; Medical emergency; Human factors and ergonomics; Mechanical engineering","score_opus":0.06644495084303634,"score_gpt":0.24829181298163708,"score_spread":0.18184686213860074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287762241","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9996132,0.00004212662,0.00004730897,0.000020750234,6.6399605e-7,0.0000025340773,0.000029831534,9.472046e-7,0.00024262223],"genre_scores_gemma":[0.99961877,0.000048038302,0.00006688936,0.0000063228767,7.9362735e-7,0.0000013925181,0.000064576605,0.0000011231951,0.00019210373],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99963,0.000104505845,0.000042195035,0.000052162035,0.00009522982,0.000075966054],"domain_scores_gemma":[0.9977925,0.00040204934,0.0013800652,0.00013380617,0.00016531083,0.00012627682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004280209,0.00014028067,0.00016397095,0.0014789116,0.0005877371,0.0007093837,0.0004928835,0.00038482237,0.0020877637],"category_scores_gemma":[0.004824957,0.00014337753,0.00021697227,0.0010153494,0.0010502723,0.00046319506,0.000898131,0.00046003764,0.00019066513],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000397693,0.000026618642,0.9924078,0.00001121411,0.0000124887865,0.00015973103,0.0017102404,0.00004529348,0.00029092975,0.0000876644,0.000062073916,0.005146106],"study_design_scores_gemma":[4.5164026e-7,0.000020512887,0.9960675,0.000009239977,0.000004311376,0.00045974329,0.0030506502,0.00010793654,0.0001012143,0.00004087322,0.00013443055,0.0000030379538],"about_ca_topic_score_codex":0.019720206,"about_ca_topic_score_gemma":0.034483295,"teacher_disagreement_score":0.019720206,"about_ca_system_score_codex":0.0004603307,"about_ca_system_score_gemma":0.00036456797,"threshold_uncertainty_score":0.039210796},"labels":[],"label_agreement":null},{"id":"W4287763261","doi":"10.5281/zenodo.4163815","title":"\"Drop the body\": Body Disposal Patterns in Sexual Homicide","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Homicide; Criminology; Forensic engineering; Medical emergency; Poison control; Psychology; Engineering; Medicine; Human factors and ergonomics","score_opus":0.06644495084303634,"score_gpt":0.24829181298163708,"score_spread":0.18184686213860074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287763261","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9996132,0.00004212662,0.00004730897,0.000020750234,6.6399605e-7,0.0000025340773,0.000029831534,9.472046e-7,0.00024262223],"genre_scores_gemma":[0.99961877,0.000048038302,0.00006688936,0.0000063228767,7.9362735e-7,0.0000013925181,0.000064576605,0.0000011231951,0.00019210373],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99963,0.000104505845,0.000042195035,0.000052162035,0.00009522982,0.000075966054],"domain_scores_gemma":[0.9977925,0.00040204934,0.0013800652,0.00013380617,0.00016531083,0.00012627682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004280209,0.00014028067,0.00016397095,0.0014789116,0.0005877371,0.0007093837,0.0004928835,0.00038482237,0.0020877637],"category_scores_gemma":[0.004824957,0.00014337753,0.00021697227,0.0010153494,0.0010502723,0.00046319506,0.000898131,0.00046003764,0.00019066513],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000397693,0.000026618642,0.9924078,0.00001121411,0.0000124887865,0.00015973103,0.0017102404,0.00004529348,0.00029092975,0.0000876644,0.000062073916,0.005146106],"study_design_scores_gemma":[4.5164026e-7,0.000020512887,0.9960675,0.000009239977,0.000004311376,0.00045974329,0.0030506502,0.00010793654,0.0001012143,0.00004087322,0.00013443055,0.0000030379538],"about_ca_topic_score_codex":0.019720206,"about_ca_topic_score_gemma":0.034483295,"teacher_disagreement_score":0.019720206,"about_ca_system_score_codex":0.0004603307,"about_ca_system_score_gemma":0.00036456797,"threshold_uncertainty_score":0.039210796},"labels":[],"label_agreement":null},{"id":"W4295124905","doi":"10.1007/978-3-031-09054-7_1","title":"What Would Robert Mitchum Do? The Cultural Production of Pulp Virilities","year":2022,"lang":"en","type":"book-chapter","venue":"Renewing the American narrative","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Masculinity; Resentment; Sociology; Aesthetics; Mythology; White (mutation); Expansive; Gender studies; Art; Literature; Law; Political science; Politics","score_opus":0.051518292720905544,"score_gpt":0.27314365830204496,"score_spread":0.2216253655811394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4295124905","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013474323,0.034173016,0.0010083384,0.12528598,0.0043456275,0.000015109043,0.000038987942,0.000054223325,0.8216045],"genre_scores_gemma":[0.40208068,0.016320398,0.00091751,0.02243494,0.0027249502,0.000056237965,0.00002887135,0.00016963069,0.5552668],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937856,0.00031276493,0.0000074082686,0.000059956554,0.00011316397,0.00012815028],"domain_scores_gemma":[0.9994832,0.00029398972,0.000039031882,0.00004659407,0.000056097095,0.0000809877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009703125,0.00044753103,0.00031451831,0.00076993904,0.008306778,0.008325017,0.0006547896,0.0027659775,0.009684534],"category_scores_gemma":[0.0026871827,0.00020891834,0.000104866784,0.00086212094,0.014935077,0.007953841,0.0024354476,0.0047369017,0.001784314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000143049565,0.000013756129,0.000104209365,0.00003103686,0.0000013811685,0.000054490767,0.013298921,0.000038188227,0.00009268113,0.87632173,0.091937006,0.018092234],"study_design_scores_gemma":[0.000004326282,0.000014188931,0.0003160838,0.00014284946,0.000003477635,0.000062308056,0.015262048,0.000054109456,0.0002742441,0.07047104,0.91338605,0.000009300476],"about_ca_topic_score_codex":0.011925265,"about_ca_topic_score_gemma":0.023284737,"teacher_disagreement_score":0.011925265,"about_ca_system_score_codex":0.0032217063,"about_ca_system_score_gemma":0.0025977744,"threshold_uncertainty_score":0.032397985},"labels":[],"label_agreement":null},{"id":"W4296510775","doi":"10.4000/belphegor.4535","title":"Introduction","year":2022,"lang":"fr","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.03588426031606274,"score_gpt":0.25102029505176704,"score_spread":0.2151360347357043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296510775","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040286034,0.004279487,0.0034795154,0.015763424,0.0050073513,0.00027908743,0.005730897,0.0005640697,0.96086764],"genre_scores_gemma":[0.037314296,0.005110026,0.003910133,0.0088704815,0.0016349632,0.00043623953,0.0064584366,0.00044078278,0.9358247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978777,0.0003329089,0.00010422898,0.0005069535,0.00084903184,0.00032929223],"domain_scores_gemma":[0.99729747,0.0005137403,0.00014409657,0.00038955943,0.0011862692,0.00046886926],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018500728,0.0006562084,0.00042172422,0.0017425879,0.0030542386,0.007198145,0.0018172285,0.002756095,0.4040954],"category_scores_gemma":[0.006123315,0.0002815486,0.00052262616,0.0017759275,0.0016328815,0.0033207848,0.0035375904,0.0022020745,0.1999531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013290548,0.000080486796,0.0018955246,0.0005751732,0.000009299278,0.0002794302,0.0028460096,0.00013300437,0.0005739576,0.13612989,0.6614253,0.19591911],"study_design_scores_gemma":[0.0000034678965,0.00001206577,0.00079096894,0.00018632264,0.0000018586707,0.00009813561,0.0005656405,0.000021158323,0.00009910754,0.0036882549,0.99452776,0.0000051538436],"about_ca_topic_score_codex":0.0069219144,"about_ca_topic_score_gemma":0.008112379,"teacher_disagreement_score":0.4040954,"about_ca_system_score_codex":0.003176567,"about_ca_system_score_gemma":0.0043026716,"threshold_uncertainty_score":0.8499856},"labels":[],"label_agreement":null},{"id":"W4297814683","doi":"10.1017/9789048553136.005","title":"Crumbling Structures and Contaminated Narratives: Genre and the Gothic","year":2022,"lang":"en","type":"other","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Contamination; Art; Literature; Biology; Ecology","score_opus":0.02781445076849442,"score_gpt":0.242455876613735,"score_spread":0.21464142584524057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297814683","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58676344,0.007586214,0.0057788435,0.005041462,0.00028981786,0.00006079893,0.00010636236,0.00008493575,0.39428818],"genre_scores_gemma":[0.98702013,0.0012653347,0.0006807314,0.00020021542,0.00006471849,0.000022751632,0.00003331556,0.00005970255,0.010653134],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.995672,0.0027280329,0.00016235684,0.00026506212,0.00081387645,0.00035869266],"domain_scores_gemma":[0.99522096,0.0031344518,0.00059259264,0.00052289956,0.00027007225,0.00025910942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030825108,0.0006543423,0.0004461633,0.004908351,0.008315472,0.013417003,0.0012379833,0.0013553997,0.0046285316],"category_scores_gemma":[0.009507184,0.0003910696,0.00033823005,0.0041192067,0.038658433,0.008035784,0.0096423365,0.0022043157,0.00042374438],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028520071,0.000009661396,0.0019430775,0.00009916459,0.000008307091,0.0005354357,0.71848273,0.000065022,0.0002772882,0.266478,0.00084505277,0.01122779],"study_design_scores_gemma":[0.000016550386,0.00005453422,0.004719269,0.0007098681,0.000026170172,0.0016328361,0.7360075,0.00024542425,0.0008437139,0.08829825,0.1674176,0.00002828146],"about_ca_topic_score_codex":0.005634442,"about_ca_topic_score_gemma":0.008698291,"teacher_disagreement_score":0.013417003,"about_ca_system_score_codex":0.0054815463,"about_ca_system_score_gemma":0.0015278289,"threshold_uncertainty_score":0.039771557},"labels":[],"label_agreement":null},{"id":"W4301170848","doi":"10.29173/scancan88","title":"Scandinavian Crime Fiction: a review of recent scholarship","year":2013,"lang":"en","type":"review","venue":"Scandinavian-Canadian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University; Cape Breton University","funders":"","keywords":"Scholarship; Ideology; History; Taste; Techno-thriller; Detective fiction; Media studies; Sociology; Literature; Political science; Literary fiction; Art; Law; Literary criticism; Art history; Politics; Psychology","score_opus":0.319996399352691,"score_gpt":0.40141174224824,"score_spread":0.08141534289554903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301170848","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010683725,0.9992005,0.000006466361,0.00018758535,0.00008651804,0.0000012623811,0.000007566534,0.0000010921906,0.00040216406],"genre_scores_gemma":[0.0015779563,0.9980527,0.00002687908,0.0001331485,0.00009125192,0.0000031523446,0.000014536452,9.914345e-7,0.00009948206],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899286,0.0002562702,0.00017828766,0.00014606475,0.00034442527,0.00008208999],"domain_scores_gemma":[0.9938651,0.004247516,0.0007456465,0.00008374331,0.0008683305,0.00018959137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022905488,0.0010241751,0.0019908263,0.011784455,0.0011796542,0.003813166,0.0010373816,0.0018696603,0.0047327313],"category_scores_gemma":[0.0054684705,0.0005538173,0.0006511457,0.018630482,0.0019996385,0.0024468596,0.0011731986,0.0014993293,0.00092937826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099453595,0.0000774112,0.00089029706,0.17030828,0.00027438477,0.00043492604,0.0021920374,0.00019811124,0.0004511987,0.008001663,0.050444927,0.76662725],"study_design_scores_gemma":[0.000012965639,0.00006810459,0.005085952,0.13604085,0.00049806933,0.0011757676,0.0023915013,0.00004549486,0.00018158506,0.0013816219,0.8530826,0.000035424848],"about_ca_topic_score_codex":0.011006391,"about_ca_topic_score_gemma":0.024444278,"teacher_disagreement_score":0.011784455,"about_ca_system_score_codex":0.0022460138,"about_ca_system_score_gemma":0.009382538,"threshold_uncertainty_score":0.02188462},"labels":[],"label_agreement":null},{"id":"W4301504885","doi":"10.29173/scancan102","title":"Till My Change Come: Nature, Justice, and Redemption in Åsa Larsson’s Until Thy Wrath Be Past","year":2014,"lang":"en","type":"article","venue":"Scandinavian-Canadian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Depiction; Witness; History; Literature; Economic Justice; Art; Law; Political science","score_opus":0.08550039609311882,"score_gpt":0.3029344742695948,"score_spread":0.21743407817647598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301504885","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66896385,0.011353561,0.000859952,0.07514744,0.0052909646,0.000048221067,0.00022951757,0.00007366002,0.23803283],"genre_scores_gemma":[0.94932836,0.0022207557,0.00028504585,0.0027606152,0.0002927627,0.000014315745,0.00004574481,0.000053679363,0.044998728],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843425,0.0007034347,0.00004144237,0.0001179612,0.0003468627,0.0003561196],"domain_scores_gemma":[0.9978872,0.0010387477,0.00021953651,0.00006267444,0.00029248526,0.0004992548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013069522,0.0004899587,0.00039473834,0.00094824174,0.01900591,0.0061682845,0.0010393141,0.0025703239,0.004115601],"category_scores_gemma":[0.0029801982,0.00023790415,0.00022429485,0.0006360078,0.010916626,0.0021340288,0.0030976068,0.004990209,0.00070071715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000804738,0.000106057385,0.0018976653,0.00014318955,0.000012667823,0.0032928917,0.8364506,0.00010857743,0.0005287911,0.052126862,0.09433632,0.010915989],"study_design_scores_gemma":[0.000005299951,0.00004352772,0.0024379785,0.00027691503,0.000009171714,0.0010685493,0.5698871,0.000057150617,0.00051319384,0.0011602727,0.4245126,0.000028205208],"about_ca_topic_score_codex":0.07702824,"about_ca_topic_score_gemma":0.2303161,"teacher_disagreement_score":0.07702824,"about_ca_system_score_codex":0.008797892,"about_ca_system_score_gemma":0.005100237,"threshold_uncertainty_score":0.1531598},"labels":[],"label_agreement":null},{"id":"W4301972229","doi":"10.2307/3341917","title":"Fantasy City: Pleasure and Profit in the Postmodern Metropolis","year":2000,"lang":"en","type":"article","venue":"The Canadian Journal of Sociology","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":75,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Pleasure; Fantasy; Sociology; Profit (economics); Psychoanalysis; Art; Psychology; Economics; Neoclassical economics; Literature","score_opus":0.06169238396326974,"score_gpt":0.25653280063823586,"score_spread":0.19484041667496613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301972229","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65094614,0.0017414779,0.001138445,0.01971287,0.00019902142,0.00001707591,0.00007591635,0.000034225915,0.3261348],"genre_scores_gemma":[0.99413955,0.00014656378,0.00005372378,0.00013773686,0.000035702735,0.0000032760652,0.0000053310855,0.0000114284,0.0054667555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991604,0.00040492433,0.000014873414,0.000066602355,0.00011617097,0.00023703421],"domain_scores_gemma":[0.99800974,0.00086281815,0.00017828164,0.0001533496,0.00015041912,0.00064536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010631421,0.00021188777,0.00028065534,0.0013593407,0.012232105,0.012327899,0.0009044493,0.0016471894,0.010284417],"category_scores_gemma":[0.0025352729,0.00022316324,0.0001303096,0.0016344119,0.03621418,0.0052803247,0.00597164,0.0030601043,0.0004216796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011084988,0.00005614374,0.00700185,0.000049127542,0.0000065313266,0.00074624066,0.37179756,0.00009744738,0.00033354078,0.59739983,0.0072274315,0.015173435],"study_design_scores_gemma":[0.00003146583,0.00007257402,0.021091325,0.000118177675,0.000010682223,0.0009850652,0.68313867,0.00047330072,0.00041942595,0.10811405,0.18550211,0.00004318118],"about_ca_topic_score_codex":0.017582089,"about_ca_topic_score_gemma":0.058010686,"teacher_disagreement_score":0.017582089,"about_ca_system_score_codex":0.0056867697,"about_ca_system_score_gemma":0.0029208728,"threshold_uncertainty_score":0.04126066},"labels":[],"label_agreement":null},{"id":"W4302770391","doi":"10.29173/scancan101","title":"Cabins in Norwegian Crime Fiction: More Than a Cliché","year":2014,"lang":"en","type":"article","venue":"Scandinavian-Canadian Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Norwegian; Cliché; Globalization; Metaphor; Horst; Identity (music); History; Media studies; Art history; Sociology; Literature; Aesthetics; Art; Political science; Law; Philosophy; Linguistics","score_opus":0.05670406956607642,"score_gpt":0.2901709535469187,"score_spread":0.23346688398084225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302770391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5120962,0.010751471,0.00358405,0.023556748,0.004942835,0.000052993077,0.00040991371,0.000113367474,0.44449246],"genre_scores_gemma":[0.9691055,0.001421158,0.00058840145,0.00075291144,0.00017097121,0.000015480167,0.00007684905,0.000103287515,0.027765546],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972045,0.0014667875,0.00007146408,0.00027188763,0.00059710897,0.0003882151],"domain_scores_gemma":[0.99660385,0.002062406,0.0002882091,0.00023061456,0.00050384976,0.0003110123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023977514,0.0006153103,0.0005170245,0.0018926094,0.016249463,0.0066483268,0.00089686236,0.0016282264,0.005697097],"category_scores_gemma":[0.0054870467,0.00023070988,0.00023493123,0.001767952,0.025003115,0.0028944171,0.004086909,0.0025715258,0.00054109434],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010647528,0.000033115684,0.0032980698,0.00028488188,0.0000130622,0.0016339753,0.76102304,0.00029713043,0.00045517852,0.17895967,0.03753698,0.016358433],"study_design_scores_gemma":[0.000006844947,0.000025952022,0.0038754349,0.00059870497,0.000011721066,0.00069897407,0.42137057,0.00018495295,0.00039527583,0.0033560132,0.5694414,0.00003416444],"about_ca_topic_score_codex":0.19219133,"about_ca_topic_score_gemma":0.43446505,"teacher_disagreement_score":0.80780864,"about_ca_system_score_codex":0.01302873,"about_ca_system_score_gemma":0.0059856926,"threshold_uncertainty_score":0.3821453},"labels":[],"label_agreement":null},{"id":"W4310389970","doi":"10.1007/978-3-031-17812-2_14","title":"“We’re Here for Something Else”: Mindhunter, Serial Murder, and the Reverential","year":2022,"lang":"en","type":"book-chapter","venue":"Palgrave Studies in Crime, Media and Culture","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Criminology; Psychology; Psychoanalysis; History","score_opus":0.09997231090653767,"score_gpt":0.3113804533548817,"score_spread":0.211408142448344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310389970","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041068673,0.02310417,0.0022099146,0.0656695,0.0021424927,0.00002914526,0.00003695031,0.000052057134,0.86568713],"genre_scores_gemma":[0.70645374,0.004155673,0.0005559428,0.007998838,0.0009599851,0.000047757658,0.00002177366,0.00006588495,0.2797405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9989792,0.0006555102,0.000013736335,0.00008991339,0.00012639472,0.00013540388],"domain_scores_gemma":[0.99884015,0.0007720848,0.00009508999,0.00009916436,0.000108970795,0.00008455172],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00113344,0.00040247047,0.00028310737,0.00076788117,0.0065653124,0.005635834,0.0009069597,0.0031278147,0.007910438],"category_scores_gemma":[0.004169286,0.0002375184,0.00016608802,0.00061987824,0.024804201,0.0073629394,0.0021751658,0.0054551777,0.0010043446],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016934302,0.000025308864,0.00027739798,0.00002915203,0.0000022611216,0.00018251062,0.058153156,0.00002773915,0.000053196654,0.86785245,0.058293372,0.015086479],"study_design_scores_gemma":[0.000018123734,0.0000350476,0.0010229779,0.000332956,0.0000079904485,0.0005845391,0.061086837,0.0001237366,0.00044982362,0.19801977,0.7383002,0.000017952296],"about_ca_topic_score_codex":0.00815019,"about_ca_topic_score_gemma":0.016118959,"teacher_disagreement_score":0.00815019,"about_ca_system_score_codex":0.002084222,"about_ca_system_score_gemma":0.0017572732,"threshold_uncertainty_score":0.026463032},"labels":[],"label_agreement":null},{"id":"W4312761801","doi":"10.1353/vpr.2022.0003","title":"Image, Consumerism, and the New Woman: Gordon Browne's Illustrations for The Sorceress of the Strand","year":2022,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Objectification; Beauty; Consumerism; Consumption (sociology); Gaze; Argument (complex analysis); Intrusion; Aesthetics; Art; Psychology; Sociology; Psychoanalysis; Law; Medicine; Political science","score_opus":0.032218393281794905,"score_gpt":0.2706687804500512,"score_spread":0.2384503871682563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312761801","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006708747,0.6764616,0.00042116563,0.08240037,0.0070637553,0.000029740879,0.000038368857,0.000030458683,0.22684579],"genre_scores_gemma":[0.15588565,0.4158699,0.0011393051,0.034964357,0.0051208604,0.00007502437,0.000051880612,0.00012327962,0.3867698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994197,0.0002899881,0.000017143475,0.000037152262,0.0001804142,0.000055608303],"domain_scores_gemma":[0.9994715,0.0003127436,0.000043243585,0.000021398737,0.00009313814,0.00005800018],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068451895,0.0005551444,0.00028035554,0.0014839139,0.0024883552,0.0034890913,0.0005552735,0.0024128684,0.00745187],"category_scores_gemma":[0.0017367176,0.00022102047,0.00018348744,0.0013494819,0.006652936,0.0022980846,0.0018761891,0.0026649283,0.0017287296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004686462,0.00004781383,0.00027966496,0.0009472391,0.000009422468,0.0010994036,0.039553043,0.0000788759,0.0009011618,0.16967706,0.7138578,0.07350173],"study_design_scores_gemma":[0.0000025586407,0.000009891112,0.0004184416,0.00047380547,0.0000028240552,0.00043366113,0.0050716493,0.000009526824,0.00009603884,0.0020333915,0.99144274,0.00000556967],"about_ca_topic_score_codex":0.031964727,"about_ca_topic_score_gemma":0.0646096,"teacher_disagreement_score":0.031964727,"about_ca_system_score_codex":0.0029672976,"about_ca_system_score_gemma":0.0022229669,"threshold_uncertainty_score":0.06355733},"labels":[],"label_agreement":null},{"id":"W4312829644","doi":"10.2307/j.ctv307fj0q.11","title":"The Modern – and Transnational – Sweet Canadian Girl Onstage in London ... and New York ... and Sydney ... and Auckland","year":2022,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Girl; Art history; Art; Visual arts; Psychology","score_opus":0.03206807726245949,"score_gpt":0.19557486268540453,"score_spread":0.16350678542294503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312829644","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027221574,0.01828809,0.000554734,0.026460063,0.0011521481,0.000027672366,0.0007256971,0.0000779737,0.92549205],"genre_scores_gemma":[0.18945272,0.0065551824,0.00039931384,0.0018323103,0.0000933876,0.00001577767,0.00015956581,0.00017726941,0.8013144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995129,0.00006550808,0.000005697939,0.00005854968,0.00016183637,0.0001955011],"domain_scores_gemma":[0.9997309,0.000041937714,0.000013686523,0.00001268195,0.00009572605,0.00010512758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039293358,0.0005750207,0.00034028594,0.0011443241,0.02373737,0.0055872193,0.00071843667,0.0012068511,0.030141236],"category_scores_gemma":[0.000615659,0.00036299665,0.00021314,0.0023810791,0.0089948345,0.0021226672,0.0018282031,0.0025831957,0.0028688877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099617224,0.000019473131,0.0018312106,0.0001512372,0.000009247421,0.0008264684,0.14494394,0.00014453556,0.0004942225,0.3447575,0.44091964,0.06580291],"study_design_scores_gemma":[0.0000014544028,0.0000039056254,0.0022109302,0.00008785449,0.0000029631499,0.0000905416,0.03523768,0.000015371543,0.00011904819,0.0011921343,0.96102494,0.000013095181],"about_ca_topic_score_codex":0.97339135,"about_ca_topic_score_gemma":0.9956821,"teacher_disagreement_score":0.053247254,"about_ca_system_score_codex":0.053247254,"about_ca_system_score_gemma":0.04036757,"threshold_uncertainty_score":0.3863377},"labels":[],"label_agreement":null},{"id":"W4312866251","doi":"10.1386/fict_00059_1","title":"Disease, detection and diagnosis: The medical short story and the struggle for literary success in the 1890s","year":2022,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irony; Order (exchange); Literature; Art; History; Art history; Business","score_opus":0.0297033900178682,"score_gpt":0.30961188020858216,"score_spread":0.27990849019071395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312866251","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038159244,0.17503044,0.0016163269,0.6472483,0.018982813,0.000031748437,0.00014193966,0.000080293634,0.11870884],"genre_scores_gemma":[0.7514705,0.0820502,0.0016740983,0.072805285,0.025584318,0.00009737036,0.0001641492,0.00021414789,0.065939985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99183416,0.0052680876,0.00048736884,0.0005473699,0.0012720574,0.0005909464],"domain_scores_gemma":[0.96076125,0.03436354,0.0013016998,0.0005937058,0.001207543,0.0017724071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00979219,0.00073505397,0.00093107607,0.0038221497,0.013502874,0.011170454,0.0013221508,0.008450456,0.0044778693],"category_scores_gemma":[0.029484661,0.00045313017,0.0002820545,0.0017232463,0.05360374,0.008383632,0.00634195,0.011985393,0.0011100951],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010098143,0.000043116685,0.00079025177,0.0003932596,0.000018042714,0.0016010017,0.22935197,0.00010661941,0.0001567262,0.48114097,0.24303292,0.04326413],"study_design_scores_gemma":[0.000016123744,0.00006955577,0.00096177694,0.0011242854,0.0000071958166,0.0015103836,0.042168647,0.00009771058,0.00022756879,0.030813567,0.9229754,0.000027838352],"about_ca_topic_score_codex":0.006977543,"about_ca_topic_score_gemma":0.009665263,"teacher_disagreement_score":0.013502874,"about_ca_system_score_codex":0.009693991,"about_ca_system_score_gemma":0.0035341794,"threshold_uncertainty_score":0.07033521},"labels":[],"label_agreement":null},{"id":"W4320914239","doi":"10.18778/1505-9057.65.06","title":"Sfrustrowany detektyw prowadzi kulturowe śledztwo. O cyklu powieści kryminalnych Pepe Carvalho Manuela Vázqueza Montalbána","year":2022,"lang":"pl","type":"article","venue":"Acta Universitatis Lodziensis Folia Litteraria Polonica","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Theology; Philosophy","score_opus":0.02200234865577032,"score_gpt":0.22024768981920306,"score_spread":0.19824534116343273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320914239","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74191874,0.02134595,0.004422081,0.005320303,0.00028753976,0.00011727907,0.002522451,0.00017125336,0.2238945],"genre_scores_gemma":[0.95119566,0.006745079,0.002318116,0.0005707124,0.000058146743,0.00005217522,0.0011611711,0.00008504389,0.03781388],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995183,0.00007961136,0.000014660114,0.00017175419,0.00010627655,0.0001094676],"domain_scores_gemma":[0.9995685,0.0001013504,0.00009346708,0.00005237341,0.000118884636,0.000065416774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000470581,0.0004104933,0.00031635156,0.001329914,0.0023287681,0.002616791,0.0005270598,0.0004892563,0.011760999],"category_scores_gemma":[0.0008674167,0.0002031401,0.00034441293,0.0022416634,0.001409422,0.0011415107,0.0021484268,0.0008699574,0.001329962],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00081687694,0.0002002877,0.31675273,0.0026154586,0.00036873817,0.005662908,0.06783664,0.0006908647,0.06557549,0.053825248,0.021782199,0.4638725],"study_design_scores_gemma":[0.000007813481,0.00009034968,0.45536017,0.0004096196,0.00010125519,0.0010541629,0.032755658,0.00020853592,0.009634644,0.003757368,0.49657825,0.000042259668],"about_ca_topic_score_codex":0.0459473,"about_ca_topic_score_gemma":0.13861518,"teacher_disagreement_score":0.0459473,"about_ca_system_score_codex":0.0024021834,"about_ca_system_score_gemma":0.0017722971,"threshold_uncertainty_score":0.091359735},"labels":[],"label_agreement":null},{"id":"W4321217743","doi":"10.1515/9781474497169","title":"The Idler's Club","year":2023,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Club; Geology; Paleontology","score_opus":0.06170735651894315,"score_gpt":0.2225799970645051,"score_spread":0.16087264054556194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321217743","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14691179,0.0043209596,0.00071351405,0.03197524,0.002393879,0.000102065955,0.000115993666,0.00015704751,0.81330955],"genre_scores_gemma":[0.69805336,0.0020373587,0.0006105434,0.005616603,0.001021729,0.00008718695,0.00007666403,0.00010710717,0.2923894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817264,0.00063914934,0.000036221256,0.00020657085,0.00057242677,0.00037299955],"domain_scores_gemma":[0.9930454,0.0023084348,0.0004995369,0.00052364124,0.0009526849,0.0026702355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015428776,0.00021032784,0.0002519034,0.0008914915,0.004715958,0.006217941,0.0005569232,0.0011543026,0.017440917],"category_scores_gemma":[0.008157691,0.00017462208,0.0001963728,0.00050596416,0.0035788792,0.0032259997,0.00322236,0.0016473267,0.002522871],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050514704,0.00061251374,0.016076772,0.00075004075,0.00003899606,0.0015073399,0.09714832,0.00014562358,0.0041120546,0.24035591,0.4106917,0.22805561],"study_design_scores_gemma":[0.000028596367,0.00021793914,0.017138157,0.0003815963,0.000017737913,0.00032105568,0.0233519,0.00016782625,0.00054232194,0.007571652,0.9502381,0.000023079618],"about_ca_topic_score_codex":0.009601413,"about_ca_topic_score_gemma":0.018879008,"teacher_disagreement_score":0.017440917,"about_ca_system_score_codex":0.0019895695,"about_ca_system_score_gemma":0.0038781033,"threshold_uncertainty_score":0.058345675},"labels":[],"label_agreement":null},{"id":"W4362476619","doi":"","title":"Birth, Death, Healing: Cycles and Repetitions in Tomson Highway’s Kiss of the Fur Queen","year":2017,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"KISS (TNC); Queen (butterfly); Biology; Demography; Zoology; Computer science; Sociology","score_opus":0.3708160342272943,"score_gpt":0.5357827236901378,"score_spread":0.16496668946284349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362476619","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71213335,0.0103585925,0.00854192,0.01793496,0.0013622952,0.00010027032,0.00012694688,0.00014111686,0.2493006],"genre_scores_gemma":[0.9725389,0.0016353815,0.0012753186,0.00079591,0.00013471351,0.00004767824,0.00003908937,0.00008362327,0.023449322],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982943,0.001137907,0.00003358907,0.000119369906,0.00021865011,0.00019631976],"domain_scores_gemma":[0.99841666,0.0010467881,0.0001745777,0.00009403724,0.00011304589,0.00015485959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001309115,0.0005681956,0.00031927787,0.00078234327,0.01235623,0.0058056964,0.0010969291,0.001700087,0.0021966812],"category_scores_gemma":[0.0033723915,0.00037592617,0.00021693132,0.0007677543,0.022344256,0.004080988,0.0036181528,0.0034998183,0.00034790754],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004666361,0.000016269372,0.0008667363,0.00008707283,0.0000074091636,0.0012736275,0.88409555,0.00011141438,0.00042001254,0.101250745,0.00512023,0.006704377],"study_design_scores_gemma":[0.000010598787,0.00005921482,0.0026279856,0.00027303476,0.000013508513,0.0021680435,0.71884716,0.00021878346,0.00093502627,0.013745203,0.2610583,0.00004305021],"about_ca_topic_score_codex":0.016069042,"about_ca_topic_score_gemma":0.05074441,"teacher_disagreement_score":0.016069042,"about_ca_system_score_codex":0.0048948405,"about_ca_system_score_gemma":0.0021560334,"threshold_uncertainty_score":0.035514712},"labels":[],"label_agreement":null},{"id":"W4367156978","doi":"10.7202/1094014ar","title":"Rafe McGregor, \"Critical Criminology and Literary Criticism\"","year":2022,"lang":"en","type":"article","venue":"Philosophy in Review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Philosophy; Psychoanalysis; Criminology; Literature; Sociology; Psychology; Art","score_opus":0.171662062402486,"score_gpt":0.3288175465266324,"score_spread":0.15715548412414643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367156978","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00060746615,0.662234,0.001187948,0.31365383,0.009283168,0.000038626433,0.00014850979,0.00005657832,0.012789903],"genre_scores_gemma":[0.029733056,0.6770709,0.0025082987,0.22861479,0.022631478,0.0004398028,0.00019327004,0.0001345185,0.038673785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961398,0.0018661675,0.0002567957,0.0003659063,0.0012046666,0.00016658893],"domain_scores_gemma":[0.9829145,0.013827996,0.0005069455,0.0002774708,0.0021848686,0.0002882091],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0064693843,0.0013746271,0.001137508,0.00539708,0.0045403666,0.008413475,0.0027558096,0.014758017,0.0043961373],"category_scores_gemma":[0.024725327,0.00073220953,0.00047856176,0.007141832,0.008041296,0.013106152,0.0024278054,0.0062840334,0.002297453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038104245,0.00003366593,0.0003330522,0.0016232117,0.000032932036,0.00010245389,0.0045491266,0.000100936115,0.00009508684,0.10775502,0.8522597,0.03307674],"study_design_scores_gemma":[0.000055672317,0.00002040521,0.0018641133,0.0029367006,0.000029932253,0.00012841924,0.0042891763,0.00013821355,0.0002539011,0.060131878,0.93011403,0.000037607817],"about_ca_topic_score_codex":0.027125375,"about_ca_topic_score_gemma":0.0656917,"teacher_disagreement_score":0.027125375,"about_ca_system_score_codex":0.0038979135,"about_ca_system_score_gemma":0.0067860587,"threshold_uncertainty_score":0.05393499},"labels":[],"label_agreement":null},{"id":"W4376112090","doi":"10.1017/9781009296540.006","title":"Spectacular Objects","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Spectacle; Relation (database); Literature; Art; Reading (process); Consciousness; Aesthetics; Sociology; Media studies; Philosophy; Epistemology; Law; Political science; Linguistics","score_opus":0.061846899967092014,"score_gpt":0.20509176987085534,"score_spread":0.14324486990376334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376112090","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024065913,0.0009315243,0.001163407,0.0016971763,0.0006587561,0.000017454526,0.000080093654,0.00006778803,0.9929772],"genre_scores_gemma":[0.115192614,0.0014692086,0.0008035749,0.0010995084,0.00069251616,0.00007296227,0.00019806699,0.00026423985,0.8802073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992478,0.00022874314,0.000019169549,0.00014668054,0.00023143286,0.00012616612],"domain_scores_gemma":[0.99949014,0.00014838399,0.0000531585,0.00011719728,0.000100625744,0.00009043618],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007005078,0.0007665718,0.00033470333,0.0015200401,0.006435742,0.0092210155,0.0012207208,0.0017255389,0.08805107],"category_scores_gemma":[0.0016473313,0.00030629447,0.0004904437,0.0012058573,0.009516681,0.0076259105,0.0059251823,0.0030279527,0.01357176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018501001,0.000012238284,0.00012288638,0.00005922489,0.0000023623356,0.00018174411,0.012689114,0.000052833126,0.00016587679,0.9134452,0.05717515,0.016074931],"study_design_scores_gemma":[0.0000033562876,0.00001020321,0.00013293562,0.000107777196,0.000002353426,0.00020637695,0.004135575,0.000042040247,0.00013505507,0.026467118,0.96875113,0.0000060800257],"about_ca_topic_score_codex":0.0039933077,"about_ca_topic_score_gemma":0.0065117152,"teacher_disagreement_score":0.08805107,"about_ca_system_score_codex":0.0028456415,"about_ca_system_score_gemma":0.0011861207,"threshold_uncertainty_score":0.2945602},"labels":[],"label_agreement":null},{"id":"W4379616660","doi":"10.1353/mos.2021.0008","title":"The Trouble: Family, Genre, and Hybridity in Octavia Butler's Kindred","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hybridity; Identity (music); Character (mathematics); Race (biology); Sociology; Gender studies; Genealogy; Art; History; Anthropology; Aesthetics","score_opus":0.04006152838002024,"score_gpt":0.23972568358944932,"score_spread":0.19966415520942907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379616660","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74115765,0.0013793688,0.0016905369,0.010782574,0.00013798897,0.000014863678,0.00001573186,0.000024230514,0.24479708],"genre_scores_gemma":[0.9904635,0.00018279032,0.00017730742,0.00024747077,0.000010306416,0.0000032694281,0.0000023207565,0.0000066001326,0.008906489],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988424,0.0006631618,0.000018970524,0.00010802635,0.00016909085,0.00019841781],"domain_scores_gemma":[0.9991015,0.0004543958,0.00010902468,0.00007124828,0.00007776023,0.00018605936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012680038,0.00017405821,0.00021466268,0.0010621126,0.01425445,0.004167002,0.00044436025,0.00084260583,0.0021709495],"category_scores_gemma":[0.0019993323,0.00018859541,0.00009810689,0.00069613114,0.020145796,0.0023825557,0.003748913,0.001393848,0.00019408096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031064927,0.00001533034,0.0025846562,0.0000114815,0.0000028451789,0.0009044704,0.5700816,0.000031866974,0.00034233477,0.41293737,0.0035553824,0.009501711],"study_design_scores_gemma":[0.000013931569,0.00004316237,0.0034612205,0.000091634276,0.000009492037,0.0030832142,0.6378305,0.00018745322,0.0006947232,0.05273956,0.30181935,0.00002566487],"about_ca_topic_score_codex":0.029487683,"about_ca_topic_score_gemma":0.06629903,"teacher_disagreement_score":0.029487683,"about_ca_system_score_codex":0.0032940188,"about_ca_system_score_gemma":0.001252375,"threshold_uncertainty_score":0.058632076},"labels":[],"label_agreement":null},{"id":"W4380269256","doi":"10.1515/9780773576162-003","title":"From New York to Ibiza to Britain to Toronto: Rave Histories, Contexts, and Panics","year":2006,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Media studies; Sociology","score_opus":0.029335637832853194,"score_gpt":0.207234255982447,"score_spread":0.1778986181495938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380269256","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26756212,0.033398308,0.0005352011,0.0663233,0.0011444998,0.000044210683,0.000692673,0.00009963753,0.6302],"genre_scores_gemma":[0.82843304,0.0056248694,0.00012986899,0.003312874,0.0001725075,0.000034063527,0.00013400936,0.00012226665,0.1620365],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999246,0.00015995275,0.000015971214,0.00008982348,0.00009217052,0.00039609702],"domain_scores_gemma":[0.9988632,0.0003949103,0.00012778552,0.00008452409,0.00013900333,0.00039062896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073434506,0.00039494102,0.00035058346,0.0022178844,0.02640607,0.00909395,0.0011300746,0.0028329082,0.022881998],"category_scores_gemma":[0.0026336948,0.00051711744,0.00016246323,0.004055557,0.021035044,0.005096321,0.0056781187,0.00566718,0.0016867684],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007586128,0.000017844786,0.002538977,0.00011047176,0.0000066514567,0.00091351225,0.72095793,0.00004718616,0.0001854083,0.16843773,0.08627807,0.02043039],"study_design_scores_gemma":[0.000006955725,0.000009800879,0.013531679,0.0002724109,0.000007376793,0.00019897457,0.3725691,0.000017973958,0.00012182377,0.0045280056,0.6087093,0.000026609632],"about_ca_topic_score_codex":0.74630076,"about_ca_topic_score_gemma":0.90561867,"teacher_disagreement_score":0.25369924,"about_ca_system_score_codex":0.030959874,"about_ca_system_score_gemma":0.01163556,"threshold_uncertainty_score":0.5103866},"labels":[],"label_agreement":null},{"id":"W4382136322","doi":"10.22161/ijels.83.59","title":"Post-modernism, Paraphilia, Sadism, Necrophilia, and Sexually Motivated Homicide: An Interdisciplinary Reading of Dennis Cooper’s “Frisk” (1991)","year":2023,"lang":"en","type":"article","venue":"International Journal of English Literature and Social Sciences","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homicide; Paraphilia; Typology; Criminology; Psychology; Psychopathology; Context (archaeology); Postmodernism; Psychoanalysis; Sociology; History; Poison control; Psychiatry; Developmental psychology; Suicide prevention; Medicine; Literature; Anthropology; Sexual behavior; Art","score_opus":0.037073391371396425,"score_gpt":0.3310455015790872,"score_spread":0.29397211020769076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382136322","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38964033,0.14646904,0.0034699903,0.17987643,0.003214007,0.00004857464,0.00010563407,0.000026606911,0.27714935],"genre_scores_gemma":[0.96820414,0.018609764,0.0005769161,0.005446797,0.0011754893,0.000020983036,0.000015048405,0.000009658463,0.005941056],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993837,0.00038956173,0.000016598608,0.000052652762,0.000087428285,0.00007003741],"domain_scores_gemma":[0.999141,0.000538913,0.00014158868,0.000038224403,0.00006845984,0.000071797316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012741339,0.00030465744,0.00018123277,0.001475308,0.004271253,0.0032461623,0.00052997837,0.0013585369,0.0007441112],"category_scores_gemma":[0.001397659,0.00012880369,0.00011355249,0.0006160232,0.022429984,0.002694665,0.0018185612,0.0023644215,0.000067878325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033300053,0.00005769569,0.003799944,0.00012530042,0.000008577785,0.0008685202,0.27659672,0.00010819159,0.00023885707,0.6779918,0.02002364,0.02014743],"study_design_scores_gemma":[0.000015862503,0.000082169,0.017736355,0.00097101385,0.000013263946,0.0030920529,0.22048096,0.00025113628,0.00047102312,0.15107027,0.6057805,0.000035412715],"about_ca_topic_score_codex":0.011170223,"about_ca_topic_score_gemma":0.018528115,"teacher_disagreement_score":0.011170223,"about_ca_system_score_codex":0.003906658,"about_ca_system_score_gemma":0.0020216943,"threshold_uncertainty_score":0.02834487},"labels":[],"label_agreement":null},{"id":"W4384934713","doi":"10.1111/jacc.13484","title":"Black pulp: Genre fiction in the shadow of Jim CrowBy Brooks E.Hefner, University of Minnesota Press, 2021.","year":2023,"lang":"en","type":"article","venue":"The Journal of American Culture","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Citation; Queen (butterfly); Art history; Library science; History; Computer science","score_opus":0.03459887899944687,"score_gpt":0.24296853465635182,"score_spread":0.20836965565690496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384934713","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025409802,0.34330645,0.0007925799,0.35167608,0.036137935,0.000022320102,0.0003858004,0.0002498535,0.264888],"genre_scores_gemma":[0.026595222,0.10751195,0.0007871134,0.028598465,0.01577248,0.00003399522,0.00019314086,0.00029363178,0.82021415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995357,0.00012651348,0.000017872724,0.000051948868,0.00023082824,0.000037243914],"domain_scores_gemma":[0.9982096,0.0010673095,0.00009467175,0.000053213214,0.00031999778,0.0002551393],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009550314,0.0006130741,0.0003672062,0.0016096722,0.0046759667,0.0051019094,0.000557186,0.0020236897,0.0326773],"category_scores_gemma":[0.0036203882,0.00035160378,0.00016119759,0.001280965,0.002312776,0.003900308,0.0015306831,0.0024502187,0.007949015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008084984,0.000003818974,0.00004876976,0.000044730565,0.0000012422751,0.000060977436,0.0008436095,0.000011724159,0.00007631243,0.0068116137,0.9729859,0.019103305],"study_design_scores_gemma":[0.0000013724358,0.000002372519,0.00030658967,0.00012179221,0.0000018430965,0.00006239151,0.0007630074,0.000018942386,0.00006407339,0.0012996664,0.9973551,0.0000027793005],"about_ca_topic_score_codex":0.016058708,"about_ca_topic_score_gemma":0.070296414,"teacher_disagreement_score":0.0326773,"about_ca_system_score_codex":0.0019194229,"about_ca_system_score_gemma":0.0015648387,"threshold_uncertainty_score":0.10931641},"labels":[],"label_agreement":null},{"id":"W4385590480","doi":"10.1353/mos.2021.a903584","title":"Vengeance Unbound: Henning Mankell's The Man from Beijing","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beijing; China; Capitalism; Ethnic group; History; Asian americans; Ethnic chinese; Gender studies; Geography; Sociology; Political science; Economic geography; Aesthetics; Anthropology; Art; Law; Archaeology","score_opus":0.045728206002845245,"score_gpt":0.23398459718595663,"score_spread":0.18825639118311138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385590480","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18857248,0.0194176,0.0017044208,0.11582716,0.0032810955,0.000052321313,0.00009850936,0.00016904385,0.67087734],"genre_scores_gemma":[0.75098705,0.0027156284,0.00031020073,0.004444014,0.00020584882,0.000027723125,0.000020794594,0.000120278455,0.24116853],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994741,0.00026362532,0.0000079758565,0.000059805978,0.000086047534,0.00010843745],"domain_scores_gemma":[0.99971384,0.00010953016,0.000026942516,0.00002988252,0.000031280284,0.0000885405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008113899,0.0003762553,0.0002746963,0.000477663,0.011786438,0.003651378,0.0004947072,0.0010691467,0.008689522],"category_scores_gemma":[0.0009420162,0.0002078066,0.000102106096,0.00069909164,0.008575965,0.0024311163,0.0021250348,0.0024617363,0.0009797674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007416108,0.000029520994,0.002501067,0.00012229894,0.000013682619,0.0014329904,0.4146261,0.00023362282,0.00090390124,0.36308885,0.16906615,0.047907744],"study_design_scores_gemma":[0.00000392537,0.00002303746,0.0035035626,0.000125836,0.0000057510615,0.0003817777,0.0911268,0.00013861724,0.00058168534,0.010314656,0.8937717,0.000022725031],"about_ca_topic_score_codex":0.071683116,"about_ca_topic_score_gemma":0.18635307,"teacher_disagreement_score":0.071683116,"about_ca_system_score_codex":0.0066674943,"about_ca_system_score_gemma":0.0021669145,"threshold_uncertainty_score":0.14253175},"labels":[],"label_agreement":null},{"id":"W4385590520","doi":"10.1353/mos.2021.a903583","title":"Introduction","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Context (archaeology); Uncanny; Art history; Sociology; Media studies; Political science; Psychoanalysis; Law; Psychology","score_opus":0.031324057402520394,"score_gpt":0.2333056085756523,"score_spread":0.2019815511731319,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385590520","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000799235,0.004808679,0.0022401325,0.020371018,0.017493416,0.00018471791,0.0040477365,0.0010837569,0.9489713],"genre_scores_gemma":[0.006128045,0.0029793007,0.0012135578,0.0069960244,0.0034694865,0.00013650625,0.0031555016,0.0005162556,0.97540534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984289,0.00018983889,0.00007807455,0.0004003036,0.00068883365,0.00021404639],"domain_scores_gemma":[0.99846125,0.00018413017,0.00006632954,0.00020305881,0.0007553783,0.00033000082],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010343066,0.00088142394,0.00061709713,0.001431404,0.0025830998,0.006643438,0.0019040178,0.003527965,0.59430736],"category_scores_gemma":[0.003836179,0.0003523889,0.0007291576,0.0012599252,0.0010918847,0.004036613,0.004007253,0.0031334278,0.38948113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024755014,0.000026413467,0.00017881156,0.00014458384,0.0000028903187,0.0000907406,0.00021958651,0.000064671454,0.00016501713,0.024044866,0.9146452,0.06039249],"study_design_scores_gemma":[0.0000019772972,0.0000052125506,0.00013225563,0.000074994794,6.800617e-7,0.000040239294,0.00008389549,0.0000138726555,0.000032005988,0.0013483007,0.9982639,0.0000028083075],"about_ca_topic_score_codex":0.0052308906,"about_ca_topic_score_gemma":0.005083034,"teacher_disagreement_score":0.40569264,"about_ca_system_score_codex":0.0030836775,"about_ca_system_score_gemma":0.0036798494,"threshold_uncertainty_score":0.57867134},"labels":[],"label_agreement":null},{"id":"W4385747310","doi":"10.59962/9780774822060-007","title":"“Miscreants” and “Desperadoes”: Halifax’s “Criminal Class”","year":2012,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criminology; Class (philosophy); Political science; Computer security; Psychology; Computer science; Artificial intelligence","score_opus":0.04157030998106072,"score_gpt":0.18943932595020235,"score_spread":0.14786901596914165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385747310","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06215224,0.0056234677,0.00060915353,0.05008322,0.00085541443,0.000046037858,0.00013551877,0.000035401506,0.88045955],"genre_scores_gemma":[0.6443491,0.0009868086,0.00022557759,0.006737911,0.00014208045,0.00005511414,0.00004383021,0.000077246325,0.34738243],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99881506,0.00034588834,0.00002588638,0.00012491916,0.00014936143,0.0005390083],"domain_scores_gemma":[0.9992811,0.0002706408,0.00006602412,0.000055259945,0.0001401984,0.00018680976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091649266,0.0006113097,0.000443557,0.0015698217,0.030414503,0.008457123,0.0013204946,0.0037534074,0.011861842],"category_scores_gemma":[0.0021458534,0.00027414737,0.00019274892,0.0011592121,0.025416983,0.0038251176,0.0030368215,0.008371431,0.0014600841],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043588552,0.000023109955,0.00092391524,0.000029535793,0.000002350945,0.00027646482,0.12997766,0.00003948186,0.00009782913,0.7545994,0.091734976,0.022251803],"study_design_scores_gemma":[0.000015631422,0.000021255266,0.0051653036,0.0002231127,0.0000056099884,0.00032529552,0.09901822,0.00009440836,0.00037605932,0.042323284,0.8523972,0.000034588666],"about_ca_topic_score_codex":0.46867177,"about_ca_topic_score_gemma":0.67743176,"teacher_disagreement_score":0.5313282,"about_ca_system_score_codex":0.021159217,"about_ca_system_score_gemma":0.0105618145,"threshold_uncertainty_score":0.93188757},"labels":[],"label_agreement":null},{"id":"W4385865009","doi":"10.59962/9780774815772-002","title":"Preface","year":2009,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.03441509454603014,"score_gpt":0.18278970157034213,"score_spread":0.148374607024312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385865009","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007658754,0.006305807,0.001948928,0.008884805,0.02532431,0.00021204575,0.00430531,0.00061230565,0.95164067],"genre_scores_gemma":[0.003174778,0.003166319,0.0009262589,0.001761381,0.0037057528,0.000106325046,0.0031667221,0.0003526818,0.9836398],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952054,0.00006271395,0.000028135715,0.0000817817,0.00026159835,0.000045324094],"domain_scores_gemma":[0.9984869,0.00028445025,0.00006541463,0.00016888016,0.0007554831,0.00023877574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060748565,0.00062843144,0.0004690136,0.0020282895,0.0023901523,0.0031606292,0.001117261,0.0010515007,0.4639966],"category_scores_gemma":[0.0037632985,0.00027411236,0.00033000013,0.0018707553,0.0006918019,0.00269013,0.0017694404,0.0025542863,0.2556126],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000126707355,0.00001456262,0.000056755278,0.00009181304,7.951251e-7,0.00004334691,0.00019853073,0.000030409028,0.00009921006,0.011132807,0.94876873,0.0395504],"study_design_scores_gemma":[7.5388454e-7,0.0000037635068,0.000097701624,0.00005621142,2.9533834e-7,0.0000307628,0.000058306596,0.000005887174,0.000022777276,0.0010158238,0.99870646,0.0000012062917],"about_ca_topic_score_codex":0.0041196644,"about_ca_topic_score_gemma":0.005781682,"teacher_disagreement_score":0.4639966,"about_ca_system_score_codex":0.0018623635,"about_ca_system_score_gemma":0.0015763051,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4386291244","doi":"10.1353/vpr.2023.a905144","title":"Serial Revolutions 1848: Writing, Politics, Form by Claire Pettitt (review)","year":2023,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Trilogy; Literature; History; Narrative; Historiography; Art history; Art; Law","score_opus":0.0321395477836115,"score_gpt":0.29408765097130785,"score_spread":0.26194810318769635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386291244","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026536887,0.99142075,0.000014209524,0.0048137987,0.0026322394,0.000005894598,0.000019788664,0.000004182679,0.001062655],"genre_scores_gemma":[0.000831438,0.9817073,0.000052546842,0.0077702682,0.005312763,0.00004050341,0.000072106945,0.000009411648,0.004203702],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854857,0.00035278566,0.0001880474,0.00019718704,0.00060784904,0.000105613064],"domain_scores_gemma":[0.9953536,0.0017760438,0.00067046465,0.00009749041,0.0016374248,0.00046495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017860816,0.0012863348,0.001768398,0.0032351897,0.0009463861,0.004195732,0.0017671247,0.0030073281,0.01799129],"category_scores_gemma":[0.008553056,0.0007266281,0.0006792179,0.005867204,0.0017783433,0.004570084,0.0017854213,0.0044071516,0.010762207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027219186,0.000017988037,0.00012617232,0.007914336,0.000034570658,0.000044935565,0.00017297945,0.000039035964,0.00004180167,0.00085274386,0.8467072,0.14402094],"study_design_scores_gemma":[0.000017565812,0.00002185073,0.0011663735,0.017560227,0.00004172009,0.00026630604,0.00022112043,0.000015783116,0.00002451826,0.0003763904,0.9802696,0.000018608534],"about_ca_topic_score_codex":0.012644448,"about_ca_topic_score_gemma":0.015133792,"teacher_disagreement_score":0.01799129,"about_ca_system_score_codex":0.0029006412,"about_ca_system_score_gemma":0.0051524444,"threshold_uncertainty_score":0.060186803},"labels":[],"label_agreement":null},{"id":"W4386596013","doi":"10.4000/books.psn.7215","title":"Le roman noir de la maison Métailié","year":2010,"lang":"fr","type":"book-chapter","venue":"Presses Sorbonne Nouvelle eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art","score_opus":0.019825551029732495,"score_gpt":0.23794133302467343,"score_spread":0.21811578199494094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386596013","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041546363,0.008275528,0.0033168248,0.016610282,0.0012100065,0.00003998888,0.000145456,0.000057499696,0.9287982],"genre_scores_gemma":[0.44828865,0.0058482797,0.0017262854,0.0042682597,0.00071559055,0.00006848406,0.00017235587,0.00025363077,0.53865844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989141,0.00038771273,0.00002944421,0.00021591257,0.00027013302,0.0001826428],"domain_scores_gemma":[0.9994579,0.0001292287,0.00008511418,0.0001271374,0.00010733482,0.000093329014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008247807,0.00058069633,0.0003199418,0.0006721686,0.0042069876,0.0055329786,0.0005587054,0.0010606318,0.018394917],"category_scores_gemma":[0.0016419119,0.0002444639,0.00025642145,0.0010800373,0.009712388,0.002970908,0.0027387177,0.0033775754,0.0041195275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074341784,0.00001648331,0.0021942921,0.00013553238,0.000011864469,0.00036128316,0.034658324,0.00006288941,0.00064799405,0.9024315,0.036361586,0.023044001],"study_design_scores_gemma":[0.000010283777,0.00002174005,0.0034422255,0.00025922604,0.0000072017256,0.0003217434,0.007173133,0.000080624166,0.000467294,0.012466415,0.9757406,0.000009502435],"about_ca_topic_score_codex":0.0083703,"about_ca_topic_score_gemma":0.021741694,"teacher_disagreement_score":0.018394917,"about_ca_system_score_codex":0.0037443764,"about_ca_system_score_gemma":0.0028674696,"threshold_uncertainty_score":0.061537147},"labels":[],"label_agreement":null},{"id":"W4386972324","doi":"10.3366/edinburgh/9781474497145.001.0001","title":"The Idler's Club","year":2023,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Club; Subject (documents); Art; History; Sociology; Literature; Art history; Media studies; Medicine","score_opus":0.06170735651894315,"score_gpt":0.2225799970645051,"score_spread":0.16087264054556194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386972324","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009597551,0.006456467,0.00074419007,0.0056676175,0.0008804566,0.000031328673,0.000046874302,0.00007140794,0.976504],"genre_scores_gemma":[0.055822685,0.0015281137,0.00029847564,0.0010096565,0.00011518066,0.000014631823,0.000021755162,0.00005373138,0.9411358],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993611,0.00015972026,0.000011112156,0.000079869074,0.0002708915,0.000117306496],"domain_scores_gemma":[0.99936575,0.00020884756,0.000042825464,0.000072051655,0.00011803084,0.0001924829],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048306078,0.0004101586,0.0002753408,0.0010257746,0.0066366787,0.0062042875,0.00053605664,0.00088820857,0.01958318],"category_scores_gemma":[0.001457741,0.00027434033,0.00019005925,0.0006352875,0.005638806,0.0030950794,0.0030441626,0.0025258774,0.0047146827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004439684,0.000048949358,0.00059628376,0.0002380161,0.000005237313,0.0004768135,0.09315753,0.00008519978,0.0010954051,0.3941282,0.39529043,0.11483353],"study_design_scores_gemma":[0.0000015225337,0.0000121866315,0.00063896726,0.00011777791,0.00000126476,0.00017045569,0.0048866454,0.000054103926,0.00013263297,0.0036014803,0.9903776,0.0000054972425],"about_ca_topic_score_codex":0.031403758,"about_ca_topic_score_gemma":0.099090956,"teacher_disagreement_score":0.031403758,"about_ca_system_score_codex":0.0041691377,"about_ca_system_score_gemma":0.0032476904,"threshold_uncertainty_score":0.0655123},"labels":[],"label_agreement":null},{"id":"W4387071579","doi":"10.1515/9780228019855-006","title":"Two Toronto Metatexts: CBC’s <i>Open Grave</i> (1964) and <i>Twitch City</i> (1998–2000)","year":2023,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.05136737928708725,"score_gpt":0.24259464128453384,"score_spread":0.1912272619974466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387071579","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037397454,0.043868005,0.004494241,0.03173243,0.002531573,0.00006255385,0.0029352335,0.0006165977,0.9100197],"genre_scores_gemma":[0.050087404,0.014084057,0.0023032948,0.0023502603,0.0005721393,0.00009252626,0.0012753784,0.001121163,0.9281138],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999428,0.00009531306,0.000021469063,0.00008080779,0.00028390248,0.00009047601],"domain_scores_gemma":[0.99871254,0.00040669856,0.0000555865,0.00020285207,0.0003362727,0.00028607517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007740153,0.00082048663,0.0003570809,0.005521543,0.007072352,0.011936187,0.0012408019,0.0024553838,0.08387157],"category_scores_gemma":[0.003072884,0.00067047833,0.00031047344,0.011757895,0.0066335863,0.009143998,0.003446636,0.0035284713,0.011022841],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002005126,0.000010449834,0.00017889499,0.0001583399,0.0000033154872,0.00008761756,0.010336527,0.00016395346,0.00026940613,0.1837843,0.7313535,0.07363362],"study_design_scores_gemma":[0.0000024386964,0.0000020038487,0.0003601116,0.00014509556,0.0000018574312,0.000023056604,0.0014075362,0.00004588958,0.00012831422,0.0039487714,0.993929,0.0000060505567],"about_ca_topic_score_codex":0.60726804,"about_ca_topic_score_gemma":0.8255625,"teacher_disagreement_score":0.39273196,"about_ca_system_score_codex":0.04751536,"about_ca_system_score_gemma":0.014833064,"threshold_uncertainty_score":0.79008967},"labels":[],"label_agreement":null},{"id":"W4387135684","doi":"10.3366/cfs.2023.0100","title":"Soft border, Soft-boiled: Cultural and Environmental Crime in Howard Engel’s Niagara Frontier Detective Novels","year":2023,"lang":"en","type":"article","venue":"Crime Fiction Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Frontier; Sovereignty; Comics; Soft drink; Sociology; Economic geography; Art; Law; Criminology; Geography; Political science","score_opus":0.09010243998049021,"score_gpt":0.321002243201959,"score_spread":0.2308998032214688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387135684","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5780524,0.0029788334,0.0019188438,0.025762562,0.0006062568,0.000032952074,0.00012363847,0.000036567504,0.3904879],"genre_scores_gemma":[0.97098047,0.00065539667,0.00029807724,0.0010718202,0.000059570775,0.000013508336,0.00002237469,0.000024435652,0.026874378],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906534,0.00033323327,0.000016426457,0.00008804871,0.00018553612,0.00031142027],"domain_scores_gemma":[0.99870765,0.0007190097,0.00012189679,0.000107422115,0.00018192003,0.00016202709],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083779026,0.00033998128,0.00024110195,0.0010336486,0.020950682,0.006183093,0.0008378201,0.0013546932,0.0023760532],"category_scores_gemma":[0.0028498364,0.00018402813,0.00013918821,0.0009942031,0.023454146,0.002116365,0.003466448,0.0035566539,0.0001420598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047211422,0.000037165963,0.0026520765,0.00004986049,0.0000069715593,0.0013227903,0.62499195,0.00019093059,0.0003265688,0.32897216,0.028752107,0.0126503175],"study_design_scores_gemma":[0.000008623002,0.000016491405,0.0060872673,0.00019338202,0.000009840849,0.00065536,0.41726744,0.00014303756,0.00071421853,0.012082494,0.5627873,0.000034535886],"about_ca_topic_score_codex":0.39893064,"about_ca_topic_score_gemma":0.64734703,"teacher_disagreement_score":0.39893064,"about_ca_system_score_codex":0.013980299,"about_ca_system_score_gemma":0.0047385003,"threshold_uncertainty_score":0.7932172},"labels":[],"label_agreement":null},{"id":"W4387135918","doi":"10.3366/cfs.2023.0098","title":"‘What's the story?’ Unravelling the Plot of Raymond Chandler's <i>The Big Sleep</i>","year":2023,"lang":"en","type":"article","venue":"Crime Fiction Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University of Edmonton","funders":"","keywords":"Criticism; Plot (graphics); Detective fiction; Fantasy; Romance; Literature; Realism; Philosophy; Psychoanalysis; Hermeneutics; Art; Psychology; Epistemology","score_opus":0.16686781345286597,"score_gpt":0.31083076447747027,"score_spread":0.1439629510246043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387135918","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042043414,0.041549303,0.008888238,0.48395428,0.008183372,0.00006277986,0.00010731659,0.00020125086,0.41501004],"genre_scores_gemma":[0.81326467,0.015842376,0.003296941,0.032661583,0.0057140416,0.000121392004,0.0000700622,0.00038303423,0.12864587],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949008,0.0037048615,0.00005654367,0.00023645986,0.000817116,0.0002840976],"domain_scores_gemma":[0.98547065,0.011019461,0.0010043434,0.00057413994,0.0013852465,0.0005462036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039487495,0.00063662033,0.00038519088,0.0025661893,0.011262611,0.01348162,0.0014293744,0.003460836,0.0038351077],"category_scores_gemma":[0.016800417,0.00030495503,0.0002595576,0.0015437147,0.038754646,0.012975125,0.003488342,0.011488964,0.000895099],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022328044,0.000013064013,0.00033688196,0.00013468412,0.0000069692014,0.00036038697,0.1453035,0.00007019084,0.00012891198,0.66483766,0.17668238,0.012102986],"study_design_scores_gemma":[0.000009284981,0.000021634043,0.00064648857,0.00051361596,0.000010753329,0.00064526615,0.08721436,0.00023594123,0.0004554119,0.09943694,0.8107822,0.000028117207],"about_ca_topic_score_codex":0.01053399,"about_ca_topic_score_gemma":0.020755641,"teacher_disagreement_score":0.01348162,"about_ca_system_score_codex":0.0060957563,"about_ca_system_score_gemma":0.0029876998,"threshold_uncertainty_score":0.044227958},"labels":[],"label_agreement":null},{"id":"W4387829860","doi":"10.3138/jeunesse-2022-0029","title":"What Would Agatha Christie Do? Exploring Escapism, Popular Culture, and Family in YA Murder Mysteries","year":2023,"lang":"en","type":"article","venue":"Jeunesse Young People Texts Cultures","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Agatha; Escapism; Psychoanalysis; Art; Criminology; Sociology; Psychology; Literature; Social psychology","score_opus":0.06384313048890353,"score_gpt":0.28329289519418704,"score_spread":0.21944976470528352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387829860","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7756745,0.006253161,0.0005035642,0.12848966,0.00090703473,0.00008083757,0.00008232887,0.000019772575,0.08798915],"genre_scores_gemma":[0.9565309,0.004753819,0.0004800443,0.011909504,0.00012700597,0.000088650435,0.000024443565,0.00003117519,0.026054507],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986241,0.00080700265,0.00002475485,0.00007606307,0.00016528554,0.00030284832],"domain_scores_gemma":[0.9964965,0.0019488042,0.00037145673,0.00012965009,0.00032541848,0.0007282344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020896054,0.0003655466,0.00051599235,0.0012050185,0.014774992,0.0077013047,0.0009273165,0.0028615627,0.00444218],"category_scores_gemma":[0.009050345,0.00031656152,0.0002544818,0.00088967045,0.011249938,0.006447739,0.0041650436,0.0057522343,0.00082002935],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023277531,0.00014673431,0.01460296,0.00014524224,0.000013818786,0.000655902,0.9177953,0.00003468626,0.00018512763,0.025438888,0.019196123,0.02176196],"study_design_scores_gemma":[0.0000023823836,0.000017835648,0.0050003505,0.00019028649,0.0000043746963,0.00017269085,0.96665376,0.000016221387,0.000074194824,0.0016060737,0.026251223,0.000010582178],"about_ca_topic_score_codex":0.019802682,"about_ca_topic_score_gemma":0.06387446,"teacher_disagreement_score":0.019802682,"about_ca_system_score_codex":0.0021296032,"about_ca_system_score_gemma":0.0040332307,"threshold_uncertainty_score":0.03937483},"labels":[],"label_agreement":null},{"id":"W4388145035","doi":"10.1007/978-3-031-40548-8_7","title":"Conclusion: Stations as an Extension of the Train Space-Time in the Romantic Narrative “North Station”","year":2023,"lang":"en","type":"book-chapter","venue":"Geocriticism and spatial literary studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Romance; Dynamism; Space (punctuation); Relation (database); History; Literature; Art; Computer science; Linguistics; Philosophy; Epistemology","score_opus":0.05055101785640198,"score_gpt":0.2832520620512641,"score_spread":0.2327010441948621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388145035","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048379038,0.002579482,0.0065580797,0.07542543,0.0021959422,0.000058263606,0.000371054,0.0000817566,0.8643509],"genre_scores_gemma":[0.720708,0.0016132025,0.0014904289,0.01143375,0.0009364465,0.00007628544,0.00018471669,0.0001560302,0.26340103],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995839,0.00019203055,0.000013984469,0.000082295686,0.000069966176,0.000057838664],"domain_scores_gemma":[0.99948174,0.00026033763,0.00005976367,0.000033719203,0.00009965434,0.000064811255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062133744,0.0003291006,0.00015928494,0.00055518275,0.0025176972,0.0046364404,0.0010187493,0.0024896066,0.021386286],"category_scores_gemma":[0.0011734465,0.00011908011,0.0002175353,0.00076008803,0.007752253,0.0047749346,0.0019668946,0.0029569396,0.0029668587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020363159,0.000009197776,0.00027828745,0.00008241968,0.000003788085,0.00009693489,0.031110415,0.000075502474,0.00015428511,0.94056714,0.024143575,0.0034580613],"study_design_scores_gemma":[0.000014919521,0.000013196967,0.001958682,0.0003067885,0.000014571382,0.0003106308,0.0869089,0.0002074052,0.0004924133,0.10183403,0.8079199,0.000018527211],"about_ca_topic_score_codex":0.011075612,"about_ca_topic_score_gemma":0.022405991,"teacher_disagreement_score":0.021386286,"about_ca_system_score_codex":0.0022664042,"about_ca_system_score_gemma":0.0017293724,"threshold_uncertainty_score":0.07154429},"labels":[],"label_agreement":null},{"id":"W4389298589","doi":"10.21900/j.jams.v4.1178","title":"Black Butler: A Neo-Victorian Jack the Ripper and the Child Detective","year":2023,"lang":"en","type":"article","venue":"The Journal of Anime and Manga Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Context (archaeology); Power (physics); Phenomenon; Detective fiction; History; Sociology; Literature; Aesthetics; Art; Art history; Epistemology; Philosophy","score_opus":0.04547322828896631,"score_gpt":0.26787015387189383,"score_spread":0.22239692558292753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389298589","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50189805,0.008549443,0.0037162402,0.035356216,0.0004502023,0.000045475474,0.000048590442,0.00004354473,0.44989216],"genre_scores_gemma":[0.9633358,0.0014452673,0.0006799729,0.0017332039,0.000048046648,0.000017086753,0.000009975897,0.000036824873,0.03269389],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889886,0.00058150245,0.000016874976,0.00010202997,0.00015048968,0.00025011404],"domain_scores_gemma":[0.9989573,0.00055639265,0.00013122305,0.000061030903,0.000109348686,0.00018475985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013169334,0.0003387357,0.0002491812,0.0009974123,0.014732704,0.0043903682,0.00070859416,0.0018759632,0.0037623704],"category_scores_gemma":[0.0027299644,0.00031346548,0.00011633482,0.000886086,0.026219718,0.002951054,0.0045214253,0.0028447285,0.00035276148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020265683,0.000011850011,0.0014103816,0.00006103608,0.0000025384861,0.00085824874,0.7649416,0.000026901642,0.00039591873,0.21891637,0.006329346,0.007025545],"study_design_scores_gemma":[0.0000068086774,0.000035685054,0.0035334763,0.000288239,0.000009108601,0.0011054957,0.5658242,0.000110893336,0.00063871633,0.015377164,0.41304323,0.000026981204],"about_ca_topic_score_codex":0.07299303,"about_ca_topic_score_gemma":0.19814175,"teacher_disagreement_score":0.07299303,"about_ca_system_score_codex":0.0077965213,"about_ca_system_score_gemma":0.0034544182,"threshold_uncertainty_score":0.14513636},"labels":[],"label_agreement":null},{"id":"W4389406948","doi":"10.1353/poe.2019.a741438","title":"Poe's Profession / Dupin's Detection","year":2019,"lang":"en","type":"article","venue":"Poe Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; American literature; Argument (complex analysis); Art history; Empire; Art; Literature; History; Classics; Philosophy; Law","score_opus":0.06619814679199024,"score_gpt":0.3104339004905154,"score_spread":0.24423575369852515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389406948","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012890764,0.1643208,0.003489739,0.16752304,0.018237865,0.000037456306,0.00009339582,0.00015419882,0.6332528],"genre_scores_gemma":[0.26311404,0.075164706,0.0015305759,0.023772892,0.006492406,0.000053526455,0.00008423833,0.00017703862,0.6296106],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943453,0.0002135482,0.000011385083,0.00010233557,0.00015399413,0.00008408555],"domain_scores_gemma":[0.99936825,0.00020820535,0.0000593752,0.000038005455,0.0001488259,0.00017742212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074647524,0.0004006355,0.00024394352,0.00072570634,0.004351944,0.0048296116,0.00034500082,0.0012630263,0.011125532],"category_scores_gemma":[0.002336507,0.00018981729,0.00013047336,0.0009455289,0.004872143,0.004844789,0.0021842644,0.0031934027,0.0032145004],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019069616,0.000024396808,0.00044276557,0.00012125646,0.0000028918992,0.00026218884,0.014616053,0.000028003906,0.00017596835,0.20939066,0.6676218,0.107295014],"study_design_scores_gemma":[0.0000011279018,0.000009425694,0.0004805243,0.00012098302,0.0000010527366,0.00030820997,0.0049141487,0.00002270991,0.00007147787,0.006908772,0.987158,0.0000036557267],"about_ca_topic_score_codex":0.0063077887,"about_ca_topic_score_gemma":0.008333922,"teacher_disagreement_score":0.011125532,"about_ca_system_score_codex":0.0015296114,"about_ca_system_score_gemma":0.0020563223,"threshold_uncertainty_score":0.03721863},"labels":[],"label_agreement":null},{"id":"W4389692942","doi":"10.1515/9780889779235-fm","title":"Frontmatter","year":2022,"lang":"en","type":"book-chapter","venue":"University of Regina Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.058223591622279344,"score_gpt":0.20061033911142329,"score_spread":0.14238674748914393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389692942","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00058064173,0.0022821114,0.00030110346,0.002162215,0.0014002558,0.000019053003,0.00036505304,0.00044108406,0.99244833],"genre_scores_gemma":[0.0019089662,0.000411871,0.00006677883,0.00065301463,0.00008105005,0.000005515173,0.00007645506,0.000106731,0.99668956],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983275,0.000020948757,0.0000043404284,0.000040437128,0.000067225585,0.000034288707],"domain_scores_gemma":[0.99980944,0.000040837444,0.00001052349,0.000022339927,0.00006486615,0.000052051826],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015444715,0.0005221345,0.00030135212,0.00086233293,0.002620496,0.0033155645,0.00073950033,0.0013881214,0.61827105],"category_scores_gemma":[0.0008333657,0.00022889963,0.00019952432,0.000618322,0.00056268845,0.002338611,0.0020168216,0.0014128145,0.37944144],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012422532,0.000010236053,0.00010925205,0.00005058472,7.81751e-7,0.00010766057,0.0004809952,0.000015039151,0.00021800715,0.0105397,0.93779737,0.050657883],"study_design_scores_gemma":[8.782019e-7,0.000002019428,0.000095899275,0.000022248045,2.7262564e-7,0.000057038375,0.00016946782,0.000009778712,0.000038260463,0.0003201857,0.99928266,0.0000012475077],"about_ca_topic_score_codex":0.007213561,"about_ca_topic_score_gemma":0.02761087,"teacher_disagreement_score":0.38172895,"about_ca_system_score_codex":0.001130298,"about_ca_system_score_gemma":0.0005598278,"threshold_uncertainty_score":0.54449},"labels":[],"label_agreement":null},{"id":"W4390013754","doi":"10.4324/9781003125242","title":"The Routledge Introduction to Canadian Crime Fiction","year":2023,"lang":"en","type":"book","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criminology; History; Sociology","score_opus":0.04471790142057637,"score_gpt":0.2449168878113946,"score_spread":0.20019898639081823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390013754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066325493,0.031591564,0.0009614889,0.020977495,0.002937433,0.00007124572,0.0016212574,0.00031886052,0.94085723],"genre_scores_gemma":[0.019064445,0.041538175,0.0021534578,0.0051314277,0.0008846425,0.00014195578,0.0013765488,0.0005276141,0.92918164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791664,0.0002047902,0.000056093257,0.00013195556,0.0013896077,0.0003008611],"domain_scores_gemma":[0.9977216,0.0006180886,0.00010073492,0.00015887096,0.0011226464,0.00027803698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007469697,0.0012567054,0.0006848312,0.005188999,0.014392648,0.012204148,0.0019631884,0.0038429874,0.07991211],"category_scores_gemma":[0.0035839616,0.0005340422,0.0003703398,0.013558304,0.009249953,0.0034403282,0.0023431603,0.0031301335,0.020563306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006247336,0.0000059968424,0.00008898333,0.00024178537,0.0000016836107,0.00018386659,0.006379443,0.00013118917,0.000088281515,0.13375318,0.8051236,0.053995773],"study_design_scores_gemma":[2.2540699e-7,4.0366658e-7,0.00007348718,0.00009465062,3.8701208e-7,0.00002164068,0.00054437027,0.0000059599743,0.000011395749,0.0011475526,0.9980971,0.0000028172506],"about_ca_topic_score_codex":0.9151013,"about_ca_topic_score_gemma":0.95339197,"teacher_disagreement_score":0.08489871,"about_ca_system_score_codex":0.07917567,"about_ca_system_score_gemma":0.08340683,"threshold_uncertainty_score":0.5744624},"labels":[],"label_agreement":null},{"id":"W4390013769","doi":"10.4324/9781003125242-1","title":"Negotiations of National Identity in Canadian Crime Fiction","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Negotiation; Identity (music); National identity; Criminology; Gender studies; Political science; Media studies; Sociology; Art; Law; Aesthetics; Politics","score_opus":0.09763309251115673,"score_gpt":0.29262044573909224,"score_spread":0.1949873532279355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390013769","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037125785,0.00165743,0.000497766,0.006261133,0.00017625466,0.000023655388,0.000052174913,0.0000147538085,0.954191],"genre_scores_gemma":[0.75780433,0.001029457,0.0005379551,0.0014864483,0.00006804681,0.000031276897,0.000056054923,0.000057694702,0.23892888],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99615604,0.0007129182,0.0000557021,0.00031979568,0.0011234892,0.0016320247],"domain_scores_gemma":[0.99760026,0.0011728405,0.000100201854,0.00014394226,0.00065674796,0.00032607108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023315938,0.00054526964,0.0005358413,0.0027694325,0.04919206,0.017985864,0.0022432064,0.004768329,0.013647904],"category_scores_gemma":[0.006476802,0.00038231595,0.00033845034,0.0037624973,0.02708052,0.0032703842,0.004409854,0.006489004,0.0007672263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000948644,0.000008204985,0.00016712671,0.000010998429,0.0000016047591,0.00010007765,0.038962696,0.0000836902,0.000051863426,0.9375345,0.015508986,0.007560845],"study_design_scores_gemma":[0.0000109407665,0.0000127904195,0.0046666856,0.00025648746,0.000014147864,0.00020877078,0.11965523,0.0004194151,0.0005932394,0.081543185,0.7925687,0.00005041015],"about_ca_topic_score_codex":0.9383103,"about_ca_topic_score_gemma":0.97014105,"teacher_disagreement_score":0.11093359,"about_ca_system_score_codex":0.11093359,"about_ca_system_score_gemma":0.06719247,"threshold_uncertainty_score":0.80488324},"labels":[],"label_agreement":null},{"id":"W4390642205","doi":"10.4000/belphegor.5573","title":"Gillian Flynn’s Small Town Crime Fiction","year":2023,"lang":"fr","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criminology; History; Art; Sociology; Art history","score_opus":0.09004546494456053,"score_gpt":0.281624948289551,"score_spread":0.19157948334499045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390642205","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33615848,0.012002578,0.0045847856,0.118739426,0.0024678586,0.00008720579,0.00032656593,0.00017728854,0.52545583],"genre_scores_gemma":[0.9219372,0.0019682483,0.0010549531,0.0039762408,0.00024645342,0.000035391222,0.000056897894,0.00006946322,0.07065519],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929225,0.00039313606,0.000011202704,0.000097323034,0.00013348306,0.00007252809],"domain_scores_gemma":[0.99851376,0.0011567643,0.000083682404,0.000054742424,0.000091719674,0.000099236575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048271398,0.00034629024,0.00016278157,0.0010273762,0.0052892053,0.0026833226,0.00057241804,0.0013837426,0.0045839315],"category_scores_gemma":[0.0024650886,0.0001259113,0.00011570344,0.00044204592,0.008206848,0.0016355423,0.00167824,0.0020320215,0.00040131746],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007608855,0.000042980646,0.0021391562,0.00027566584,0.000014464036,0.0022735526,0.25972885,0.0004133773,0.0013381258,0.45917726,0.22877358,0.045747012],"study_design_scores_gemma":[0.0000039818888,0.000027294855,0.0022212898,0.00015621715,0.000005555015,0.0010798348,0.04467935,0.00018261946,0.0009234519,0.00894429,0.9417576,0.000018398989],"about_ca_topic_score_codex":0.027754832,"about_ca_topic_score_gemma":0.067765646,"teacher_disagreement_score":0.027754832,"about_ca_system_score_codex":0.004051093,"about_ca_system_score_gemma":0.0008896285,"threshold_uncertainty_score":0.05518657},"labels":[],"label_agreement":null},{"id":"W4390983506","doi":"10.51644/9781771124348-006","title":"The <i>Dys-</i>Comforts of Home in Quebec Gothic Horror Cinema","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Art; Aesthetics; Art history","score_opus":0.040594165553317046,"score_gpt":0.22292850869916805,"score_spread":0.182334343145851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390983506","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17720354,0.0076041673,0.0008166776,0.019427134,0.0011005456,0.00005838321,0.0003604758,0.00011971805,0.7933094],"genre_scores_gemma":[0.6994813,0.0023129398,0.00036036555,0.0013351953,0.00007807073,0.000024669907,0.000062291394,0.00012051272,0.29622462],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994936,0.00019159888,0.000005174798,0.000031411604,0.00008845399,0.00018984913],"domain_scores_gemma":[0.99955124,0.0000897366,0.000026552585,0.000019820605,0.00011187514,0.00020070575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004371814,0.00038433273,0.00020623088,0.0007952675,0.02172927,0.0077047306,0.0009294713,0.0011792823,0.029378533],"category_scores_gemma":[0.000811828,0.00021115749,0.00016002754,0.00094087346,0.007708128,0.0012517049,0.0018452493,0.0024275503,0.00097601087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010408932,0.00007776401,0.0048773843,0.00018748392,0.000011817739,0.0015361122,0.57824874,0.00022604398,0.0014998135,0.13463646,0.21298559,0.06560876],"study_design_scores_gemma":[0.0000055748865,0.0000166177,0.01042475,0.0002336704,0.0000079866,0.00026904073,0.32378623,0.000096840704,0.00033160322,0.001135512,0.6636719,0.000020191104],"about_ca_topic_score_codex":0.9305681,"about_ca_topic_score_gemma":0.9856976,"teacher_disagreement_score":0.0694319,"about_ca_system_score_codex":0.030335218,"about_ca_system_score_gemma":0.016857475,"threshold_uncertainty_score":0.22009844},"labels":[],"label_agreement":null},{"id":"W4391044684","doi":"10.1007/978-3-031-32160-3_19","title":"The Limehouse Golem: Female Agency and Neo-Victorian Slumming","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Casual; Agency (philosophy); Period (music); Narrative; Gender studies; Media studies; History; Sociology; Art; Literature; Political science; Aesthetics; Law; Social science","score_opus":0.050182689819874164,"score_gpt":0.23779799016723224,"score_spread":0.18761530034735807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391044684","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05628258,0.0027228845,0.0010975235,0.0059573376,0.00014217435,0.000027233844,0.000028783745,0.000018659639,0.93372285],"genre_scores_gemma":[0.6979486,0.0011539396,0.0004530794,0.00092811533,0.000049765422,0.000031310483,0.000020424233,0.00005808532,0.2993567],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918216,0.0003349422,0.000011846115,0.00007007686,0.0001079918,0.0002929852],"domain_scores_gemma":[0.99952173,0.00022248414,0.00004628398,0.000043206433,0.000055518965,0.00011078328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090978865,0.00033291327,0.00024654577,0.00097439514,0.012663251,0.0053260406,0.000896715,0.001946821,0.010494581],"category_scores_gemma":[0.0019076548,0.0002381252,0.00012989227,0.0010483848,0.020219292,0.0025373732,0.0037722364,0.0032565224,0.0010406714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013672161,0.000012736978,0.00033443878,0.000034531287,0.0000012398167,0.0001162291,0.16099155,0.000029395222,0.00012419728,0.81000143,0.012585474,0.015755026],"study_design_scores_gemma":[0.000006306136,0.00003148633,0.0028131215,0.00023194667,0.0000040512477,0.0003022404,0.13323313,0.00015496444,0.00039595793,0.07018253,0.7926285,0.000015773936],"about_ca_topic_score_codex":0.061750334,"about_ca_topic_score_gemma":0.24482273,"teacher_disagreement_score":0.061750334,"about_ca_system_score_codex":0.007786543,"about_ca_system_score_gemma":0.0038271714,"threshold_uncertainty_score":0.12278181},"labels":[],"label_agreement":null},{"id":"W4391044771","doi":"10.1007/978-3-031-32160-3_25","title":"Misfits and Queers: Alienism, Detective Agency, and Neo-Victorian Investigation in The Alienist(s)","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Queer; Narrative; Agency (philosophy); Liminality; Normative; Sociology; History; Aesthetics; Gender studies; Art; Literature; Law; Social science; Political science","score_opus":0.04798083534098059,"score_gpt":0.2318528981613666,"score_spread":0.18387206282038598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391044771","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08246202,0.018050047,0.003411301,0.05560288,0.00051651,0.00007564091,0.00007486005,0.00003175332,0.83977497],"genre_scores_gemma":[0.8535013,0.0032204255,0.00056453404,0.004144368,0.0001386408,0.00006166245,0.000016838329,0.00003816292,0.13831402],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805474,0.0008881568,0.000046010246,0.00016821247,0.00033267884,0.00051017903],"domain_scores_gemma":[0.9981579,0.0011491181,0.0002098404,0.00012977945,0.00016278114,0.00019051382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026180346,0.00033438377,0.00041694994,0.000999555,0.013552329,0.008545381,0.0014418544,0.004786591,0.004711746],"category_scores_gemma":[0.0047176615,0.00032895443,0.00025555407,0.0015396248,0.061607033,0.0057121166,0.0043853065,0.00801696,0.00040040145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000535145,0.00000751716,0.00015909344,0.000020967707,9.680188e-7,0.00005768432,0.06701972,0.000019327375,0.000034205492,0.92387444,0.004991991,0.003808769],"study_design_scores_gemma":[0.000012792615,0.00003148038,0.0030554843,0.0005429845,0.000010081155,0.0004354843,0.17363854,0.0003247523,0.00045986573,0.3923373,0.42911142,0.000039796145],"about_ca_topic_score_codex":0.12620081,"about_ca_topic_score_gemma":0.27717984,"teacher_disagreement_score":0.12620081,"about_ca_system_score_codex":0.009515233,"about_ca_system_score_gemma":0.008976656,"threshold_uncertainty_score":0.25093246},"labels":[],"label_agreement":null},{"id":"W4391044779","doi":"10.1007/978-3-031-32160-3_26","title":"Is Steampunk Neo-Victorian?","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Period (music); Empire; Victorian era; Ideology; Victorian literature; Narrative; History; British Empire; Literature; Art history; Art; Politics; Law; Aesthetics; Political science; Ancient history","score_opus":0.07208890084046904,"score_gpt":0.25632467337164866,"score_spread":0.18423577253117962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391044779","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03958704,0.0063558393,0.001780823,0.038102984,0.0010264311,0.000026542762,0.00009249239,0.00004869574,0.9129792],"genre_scores_gemma":[0.45652544,0.0026856076,0.00077510974,0.007059316,0.00018846341,0.00003414707,0.000067987385,0.00013812719,0.53252584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987937,0.00033298705,0.000025773354,0.00012517694,0.00033818957,0.0003842704],"domain_scores_gemma":[0.9991447,0.00031523436,0.00007635339,0.00010653481,0.00016074484,0.0001964141],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001221379,0.00020042658,0.0003106336,0.0008465049,0.009993311,0.007286728,0.0010530485,0.0024019387,0.015868153],"category_scores_gemma":[0.0041643768,0.00028743612,0.0001621121,0.0013261865,0.017862244,0.004846573,0.0030888356,0.0051197154,0.001749762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021175601,0.000010287501,0.0005659515,0.00006259655,0.0000031207574,0.000075669916,0.041011456,0.000030645217,0.00016165884,0.88782364,0.038514215,0.03171961],"study_design_scores_gemma":[0.000004255889,0.000014554592,0.002796124,0.00025323877,0.0000045527017,0.0001406839,0.030941285,0.00011081345,0.0002623904,0.088626444,0.8768291,0.000016516375],"about_ca_topic_score_codex":0.10414913,"about_ca_topic_score_gemma":0.30900738,"teacher_disagreement_score":0.10414913,"about_ca_system_score_codex":0.008912007,"about_ca_system_score_gemma":0.0083036795,"threshold_uncertainty_score":0.20708585},"labels":[],"label_agreement":null},{"id":"W4391105860","doi":"10.5040/9781350433038.00000004","title":"The Monstrous Heart","year":2019,"lang":"en","type":"other","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.029255531841359,"score_gpt":0.23751341815039476,"score_spread":0.20825788630903574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391105860","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017192222,0.0011363565,0.00012892949,0.013576207,0.0027964101,0.00001660521,0.0002569807,0.00013484801,0.9802343],"genre_scores_gemma":[0.007557508,0.00043639605,0.000048714082,0.0020753688,0.00026418598,0.0000065692802,0.000050361094,0.000089581736,0.9894712],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999553,0.00007005468,0.00000704109,0.0000611314,0.0001355044,0.00017325775],"domain_scores_gemma":[0.99885917,0.000077040226,0.00003192764,0.00007122637,0.00020850734,0.00075212866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005238006,0.00034824136,0.00022775061,0.0009023146,0.010127362,0.006197173,0.00050403585,0.0013635904,0.24902233],"category_scores_gemma":[0.0019443702,0.000211829,0.00018742534,0.000609476,0.0023533504,0.0026332163,0.004150136,0.003058266,0.10236809],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009797505,0.0000103060165,0.00029324117,0.000014833009,8.137284e-7,0.000068331734,0.0014232663,0.0000048580932,0.0000599224,0.014960493,0.96300095,0.020153202],"study_design_scores_gemma":[9.0101867e-7,0.0000021682442,0.00041744614,0.000027656482,4.1216686e-7,0.000057714824,0.001258508,0.000003933503,0.000023503424,0.00036833732,0.9978375,0.0000019073055],"about_ca_topic_score_codex":0.043922003,"about_ca_topic_score_gemma":0.15545605,"teacher_disagreement_score":0.24902233,"about_ca_system_score_codex":0.0023595057,"about_ca_system_score_gemma":0.004012208,"threshold_uncertainty_score":0.8330627},"labels":[],"label_agreement":null},{"id":"W4391322385","doi":"10.1080/0895769x.2024.2310774","title":"Sherlock Holmes, ‘Metaphysical Detective’: A Note on Arthur Conan Doyle’s “The Naval Treaty” and Alfred Tennyson’s “Flower in the Crannied Wall”","year":2024,"lang":"en","type":"article","venue":"ANQ A Quarterly Journal of Short Articles Notes and Reviews","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Metaphysics; Treaty; Philosophy; Art; Law; Art history; Political science; Theology","score_opus":0.04974577415333544,"score_gpt":0.29020027246934976,"score_spread":0.24045449831601431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391322385","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038595768,0.24272761,0.0011766672,0.66606665,0.010048173,0.00003570764,0.0002248503,0.00003471898,0.07582604],"genre_scores_gemma":[0.20530196,0.12796001,0.0018439278,0.537459,0.014733203,0.00026405504,0.00025666028,0.00019510812,0.11198605],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956677,0.002006317,0.00020288267,0.00041802417,0.0013734073,0.00033165156],"domain_scores_gemma":[0.98963356,0.008108862,0.0004878906,0.0002923687,0.0011988864,0.00027845468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004597395,0.00061761466,0.0004672338,0.0015592476,0.0077109705,0.006708196,0.0027436765,0.011135913,0.0048721824],"category_scores_gemma":[0.014738228,0.0005090194,0.00036150028,0.0017118785,0.01731535,0.010988362,0.0025996964,0.009785604,0.0015064972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037025413,0.000021798109,0.00032238555,0.00030828585,0.000010882069,0.00016243182,0.015174832,0.000041060466,0.00014951269,0.3114177,0.6596568,0.012697152],"study_design_scores_gemma":[0.00003261243,0.000022002832,0.0022939956,0.0012913938,0.000012799205,0.00017150218,0.013954916,0.000059269005,0.0004466163,0.08998707,0.8916786,0.000049248512],"about_ca_topic_score_codex":0.10066819,"about_ca_topic_score_gemma":0.19032112,"teacher_disagreement_score":0.10066819,"about_ca_system_score_codex":0.0059705926,"about_ca_system_score_gemma":0.007369142,"threshold_uncertainty_score":0.2001645},"labels":[],"label_agreement":null},{"id":"W4391456560","doi":"10.5206/fpq/2023.1.14348","title":"Garden of One's Own","year":2023,"lang":"en","type":"article","venue":"Feminist Philosophy Quarterly","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Art","score_opus":0.07702449565969462,"score_gpt":0.2618744002415117,"score_spread":0.1848499045818171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391456560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007598608,0.0014863524,0.0025710831,0.016627284,0.0036885762,0.00003642892,0.00020139855,0.00036459957,0.96742564],"genre_scores_gemma":[0.065104075,0.0010762605,0.0011765102,0.0033021658,0.00042845318,0.000022098366,0.00011761905,0.0003812526,0.92839164],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99912494,0.00018109557,0.000024158859,0.00023602495,0.00023148212,0.00020221194],"domain_scores_gemma":[0.9986185,0.00010503655,0.00006947169,0.00032157003,0.00028387606,0.0006014401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008368336,0.00047768152,0.0004987255,0.0006794556,0.008143844,0.005899019,0.0007688712,0.00126113,0.15356648],"category_scores_gemma":[0.0030010743,0.00021857816,0.0003854596,0.00046755126,0.0037882961,0.0047805663,0.008273538,0.0032039662,0.05083955],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046259862,0.00005582698,0.0012664394,0.00008419548,0.000015997168,0.00070181536,0.022510098,0.000080373364,0.00080089393,0.23977107,0.65754807,0.07711902],"study_design_scores_gemma":[0.0000011565188,0.000005539095,0.00015206025,0.00003709756,0.0000016200441,0.0001558182,0.0020811115,0.000013289792,0.000049887483,0.0026263185,0.9948714,0.0000047574626],"about_ca_topic_score_codex":0.004541339,"about_ca_topic_score_gemma":0.00958213,"teacher_disagreement_score":0.15356648,"about_ca_system_score_codex":0.0013550132,"about_ca_system_score_gemma":0.0022274537,"threshold_uncertainty_score":0.51373106},"labels":[],"label_agreement":null},{"id":"W4391478119","doi":"10.1007/978-3-031-47295-4_6","title":"Irregulars: Sherlockian Youth as Outsiders","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Psychology; Criminology; Social psychology","score_opus":0.07185865306890533,"score_gpt":0.24225854298379618,"score_spread":0.17039988991489086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391478119","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16550417,0.0051733716,0.001447863,0.015072624,0.00075385044,0.000047273046,0.000071470495,0.000056503533,0.8118729],"genre_scores_gemma":[0.6977631,0.0017667474,0.0002771456,0.0016324604,0.0002457147,0.00004609456,0.000039030692,0.000093920054,0.29813582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989513,0.00047321722,0.000017665896,0.000101924736,0.00013718808,0.0003187553],"domain_scores_gemma":[0.9987118,0.00060094387,0.00015245855,0.00010741817,0.00010634799,0.00032103964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012971405,0.0004754877,0.00036655655,0.0013984698,0.018222101,0.009671043,0.001069325,0.0022288817,0.012190824],"category_scores_gemma":[0.0034090364,0.0003468445,0.00015278159,0.0011264097,0.014397863,0.0057945163,0.004879227,0.0056331144,0.0012640107],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030232835,0.000047637463,0.0020152244,0.000030237448,0.00000158385,0.00022325804,0.35177746,0.000029927724,0.00012509538,0.5930762,0.028998803,0.023644349],"study_design_scores_gemma":[0.000010631764,0.000032583775,0.0039197514,0.0002767448,0.0000074454774,0.00038706316,0.3692559,0.00014438124,0.0004089383,0.037977777,0.5875645,0.000014263062],"about_ca_topic_score_codex":0.022826673,"about_ca_topic_score_gemma":0.07232331,"teacher_disagreement_score":0.022826673,"about_ca_system_score_codex":0.0034053463,"about_ca_system_score_gemma":0.0027090684,"threshold_uncertainty_score":0.045387626},"labels":[],"label_agreement":null},{"id":"W4391623806","doi":"10.4000/ranam.328","title":"Precarious Territorializing, Contingent Territories in Michael Crummey’s The Innocents (2019)","year":2023,"lang":"fr","type":"article","venue":"Recherches anglaises et nord-américaines","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.16912780818506215,"score_gpt":0.3650214569321989,"score_spread":0.19589364874713674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391623806","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5915017,0.005396658,0.0018677842,0.040406227,0.00022751003,0.000032544052,0.00007457362,0.00005193725,0.36044106],"genre_scores_gemma":[0.9675002,0.0003928946,0.00027795354,0.0012384083,0.000022631244,0.000011668401,0.0000073104,0.000021874583,0.03052708],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998623,0.0005846935,0.000016202901,0.00015528013,0.00011405957,0.00050679105],"domain_scores_gemma":[0.9991841,0.00035496647,0.000121716635,0.00007186591,0.00006614791,0.00020129821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012909584,0.0002998807,0.00029065754,0.00055999827,0.02320543,0.007108073,0.00081082754,0.0019898233,0.002129985],"category_scores_gemma":[0.0016602918,0.0003283976,0.00013948676,0.00043123303,0.049513903,0.0028945808,0.0037672296,0.004453079,0.00023446286],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023849861,0.000007920422,0.001134469,0.000018345276,0.000002416016,0.0006921742,0.70522636,0.00007242438,0.00025431436,0.28048605,0.007981941,0.0040998464],"study_design_scores_gemma":[0.0000108138465,0.000029383256,0.005244205,0.00029287842,0.0000112070875,0.0012666704,0.43381354,0.00013052259,0.0006532649,0.01756792,0.54092973,0.000049864437],"about_ca_topic_score_codex":0.48440182,"about_ca_topic_score_gemma":0.75093204,"teacher_disagreement_score":0.48440182,"about_ca_system_score_codex":0.015604017,"about_ca_system_score_gemma":0.0061398204,"threshold_uncertainty_score":0.96316457},"labels":[],"label_agreement":null},{"id":"W4391765281","doi":"10.3366/cfs.2024.0107","title":"‘The bloody fingers … bear witness’: Sign Language and the Mute Detective in <i>Susan Hopley</i> and <i>The Trail of the Serpent</i>","year":2024,"lang":"en","type":"article","venue":"Crime Fiction Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Witness; Serpent (symbolism); Bloody; Sign (mathematics); Art; Literature; History; Ancient history; Linguistics; Philosophy","score_opus":0.02554474150378471,"score_gpt":0.266383068854369,"score_spread":0.2408383273505843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391765281","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44113967,0.016940808,0.007279626,0.115997955,0.002241062,0.00007172151,0.0001026007,0.00010079679,0.41612566],"genre_scores_gemma":[0.96589935,0.0015297398,0.00063605816,0.0064008837,0.00019281254,0.000023388853,0.000016100437,0.000048883143,0.025252726],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99696016,0.0017673416,0.00006489551,0.00025461346,0.0005189564,0.0004340615],"domain_scores_gemma":[0.99739814,0.001774083,0.00022934236,0.00014205561,0.00023084527,0.00022548331],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033786653,0.00043933443,0.000333757,0.001259065,0.018297166,0.0111738155,0.0012102904,0.0056160595,0.0029825296],"category_scores_gemma":[0.007206758,0.0004635544,0.00023518155,0.00058281916,0.036570877,0.0066930954,0.0061630365,0.0074304924,0.0006425214],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037915608,0.000017819802,0.0008295383,0.000088057204,0.0000051537127,0.002651107,0.79181653,0.00002471636,0.001104203,0.17757036,0.014402258,0.011452374],"study_design_scores_gemma":[0.000009044066,0.00005322396,0.0017112986,0.000468359,0.000011672322,0.0034265374,0.61552054,0.00010054368,0.001762217,0.02233591,0.35456127,0.000039343748],"about_ca_topic_score_codex":0.022853836,"about_ca_topic_score_gemma":0.050805464,"teacher_disagreement_score":0.022853836,"about_ca_system_score_codex":0.005065679,"about_ca_system_score_gemma":0.003297098,"threshold_uncertainty_score":0.045441628},"labels":[],"label_agreement":null},{"id":"W4391947453","doi":"10.1093/owc/9780198856702.003.0011","title":"The Missing Three-Quarter","year":2023,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Morning; Recall; History; Art; Cartography; Art history; Geography; Archaeology; Psychology; Medicine; Cognitive psychology; Internal medicine","score_opus":0.07150788042479986,"score_gpt":0.21422748430241997,"score_spread":0.14271960387762012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391947453","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005021408,0.0084034875,0.002141397,0.025749544,0.022132063,0.000066677385,0.0017361171,0.0010045168,0.93374467],"genre_scores_gemma":[0.012763761,0.0013953627,0.0004105378,0.004091456,0.0007417393,0.000020518239,0.00050228287,0.0003707167,0.97970366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993765,0.00008216883,0.000024308942,0.00010391691,0.0002594653,0.00015367621],"domain_scores_gemma":[0.998784,0.00012122939,0.00004008032,0.00020584384,0.00049141236,0.0003573782],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00071847707,0.0005623043,0.0005199141,0.001228608,0.003519789,0.0049772914,0.0008710216,0.0016766542,0.31733134],"category_scores_gemma":[0.0029852393,0.00041765603,0.0004837815,0.0010844319,0.0018153691,0.0038139792,0.0025228001,0.0037072143,0.16053568],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005950867,0.00002584834,0.00037582763,0.000101258556,0.000002737114,0.00010237579,0.0007126437,0.000022703238,0.00041486303,0.024946162,0.90115714,0.072079],"study_design_scores_gemma":[0.0000018699901,0.000007658949,0.0002830438,0.000034088844,8.9001276e-7,0.00009393983,0.00031697104,0.00001979498,0.000076132994,0.0010283594,0.9981342,0.000003061598],"about_ca_topic_score_codex":0.010721175,"about_ca_topic_score_gemma":0.019524474,"teacher_disagreement_score":0.31733134,"about_ca_system_score_codex":0.0015127424,"about_ca_system_score_gemma":0.0019772255,"threshold_uncertainty_score":0.973744},"labels":[],"label_agreement":null},{"id":"W4391962405","doi":"10.51644/9781554589272-004","title":"Canadian Crime Writing in English","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Linguistics; Sociology; Philosophy","score_opus":0.04082176968224209,"score_gpt":0.22277377628555767,"score_spread":0.18195200660331556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391962405","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0072612865,0.0091601815,0.0003133506,0.006767276,0.0009273609,0.000028524924,0.00072571676,0.000065797336,0.97475046],"genre_scores_gemma":[0.1290424,0.008767567,0.0006271015,0.0013321402,0.00019724373,0.00003132568,0.00058136706,0.00016209268,0.85925865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991105,0.00011086725,0.000024388657,0.00011471024,0.00035359993,0.00028584467],"domain_scores_gemma":[0.99910504,0.00014619039,0.000032684442,0.000041298452,0.0005320457,0.000142799],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044637962,0.0007591065,0.00050058536,0.0036758007,0.018794237,0.00720701,0.0012385596,0.0009951693,0.05032106],"category_scores_gemma":[0.001953544,0.0003711697,0.00019283478,0.0059662387,0.003891363,0.001708997,0.0014231225,0.0025852888,0.0046588783],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024480974,0.00002021564,0.00055892527,0.00013738222,0.0000053041454,0.00022683441,0.026418144,0.00014518607,0.00013697286,0.36512,0.5387806,0.06842602],"study_design_scores_gemma":[0.000002100471,0.000002349329,0.0011891528,0.000096052376,0.0000033897056,0.000048857193,0.006219003,0.000030992087,0.00009486329,0.002352699,0.98995066,0.000009937184],"about_ca_topic_score_codex":0.9689443,"about_ca_topic_score_gemma":0.98604923,"teacher_disagreement_score":0.05032106,"about_ca_system_score_codex":0.047441125,"about_ca_system_score_gemma":0.052591957,"threshold_uncertainty_score":0.34421104},"labels":[],"label_agreement":null},{"id":"W4391962440","doi":"10.51644/9781554589272-003","title":"Coca-Colonials Write Back: Localizing the Global in Canadian Crime Fiction","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Coca; Detective fiction; History; Literature; Art; Archaeology","score_opus":0.04957282696467843,"score_gpt":0.25467421091954295,"score_spread":0.20510138395486452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391962440","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03994434,0.018646725,0.0008824262,0.050842546,0.0024437127,0.00004440676,0.0003746708,0.00009876661,0.88672245],"genre_scores_gemma":[0.58897567,0.012086101,0.0009951207,0.008735218,0.00046153166,0.000038662336,0.00017624156,0.00030651817,0.388225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990287,0.0001450339,0.000017848773,0.00011201133,0.0003022665,0.00039420955],"domain_scores_gemma":[0.99875546,0.00043854467,0.00005415668,0.00006827646,0.0004615604,0.00022189567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087151345,0.00073832157,0.0004372454,0.0031803816,0.030602528,0.0115459915,0.00125741,0.0023234931,0.02039153],"category_scores_gemma":[0.003761491,0.0003054619,0.000303931,0.0045534545,0.018847022,0.0030206365,0.0027859532,0.0055186925,0.0011806076],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003067741,0.000012920372,0.0011425433,0.00013352337,0.000008851438,0.00039073452,0.1662758,0.00016494414,0.00020917933,0.5803524,0.20966966,0.04160874],"study_design_scores_gemma":[0.0000033335143,0.0000040655605,0.001961843,0.00021053125,0.000011802228,0.00015179334,0.05317491,0.000058715304,0.00022811015,0.0057596676,0.9384149,0.000020435251],"about_ca_topic_score_codex":0.98170555,"about_ca_topic_score_gemma":0.99260604,"teacher_disagreement_score":0.078993596,"about_ca_system_score_codex":0.078993596,"about_ca_system_score_gemma":0.0679351,"threshold_uncertainty_score":0.57314134},"labels":[],"label_agreement":null},{"id":"W4391964005","doi":"10.51644/9781554589272-012","title":"Televising Toronto in the 1960s: <i>Wojeck</i> and the Urban Crime Drama","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Criminology; Media studies; Sociology; History; Art; Visual arts","score_opus":0.031129660376337517,"score_gpt":0.22908948207898217,"score_spread":0.19795982170264464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391964005","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13910861,0.05563703,0.0010853418,0.07032712,0.0031059587,0.000057340956,0.0008972342,0.000121348196,0.72966],"genre_scores_gemma":[0.6698733,0.014205595,0.00029148068,0.0022557427,0.00044455717,0.00004069392,0.00019043313,0.00017863352,0.31251958],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993729,0.00015970173,0.00001286226,0.00007193004,0.00012271645,0.00025991583],"domain_scores_gemma":[0.99952006,0.00017315357,0.00006446975,0.000036648766,0.00006390853,0.00014185665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004648323,0.00070456846,0.00026655768,0.0015401908,0.015995564,0.0073880423,0.00085241883,0.0022585103,0.019879036],"category_scores_gemma":[0.0015349092,0.00034745873,0.00019528049,0.0032057713,0.014952191,0.0032451784,0.0033491882,0.0038767017,0.0010724927],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059908292,0.000020265968,0.0016757731,0.00023153173,0.000009989743,0.00042028062,0.4066081,0.00022285072,0.00026767259,0.34531456,0.21144627,0.033722818],"study_design_scores_gemma":[0.0000049182195,0.000011775667,0.005896117,0.0003271289,0.000009029234,0.00015621968,0.12613916,0.000066848785,0.00034414185,0.0033096764,0.8637152,0.00001986387],"about_ca_topic_score_codex":0.8375995,"about_ca_topic_score_gemma":0.9505633,"teacher_disagreement_score":0.16240048,"about_ca_system_score_codex":0.04304014,"about_ca_system_score_gemma":0.019698216,"threshold_uncertainty_score":0.32671374},"labels":[],"label_agreement":null},{"id":"W4392050286","doi":"10.1515/9781787446779","title":"Crippen","year":2020,"lang":"et","type":"book","venue":"Boydell and Brewer eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05191875696259221,"score_gpt":0.21831827284838864,"score_spread":0.16639951588579643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392050286","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045113056,0.004400699,0.0006499009,0.012416927,0.004351269,0.000044821612,0.00017596182,0.0001929822,0.9732562],"genre_scores_gemma":[0.016337171,0.0020179206,0.00034686172,0.0035675173,0.00033302058,0.00001719554,0.00011518107,0.000115107825,0.9771499],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991781,0.00011596681,0.000028315331,0.00020661592,0.00032311925,0.00014777543],"domain_scores_gemma":[0.99951494,0.00006281979,0.000037146554,0.000046961006,0.00016782615,0.00017016886],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036553093,0.0006629634,0.0002623006,0.00087274716,0.005343109,0.0054473835,0.00094194623,0.0019856337,0.20809121],"category_scores_gemma":[0.002585809,0.00029935423,0.00023800465,0.0005944374,0.002105553,0.003500044,0.0036380654,0.0033630836,0.06587782],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030577627,0.00002426447,0.00070573576,0.00011657858,0.0000036610852,0.0011590618,0.0071190307,0.00004803985,0.00046899018,0.07460511,0.82002485,0.0956941],"study_design_scores_gemma":[0.0000011144923,0.000005741033,0.00025233088,0.000050386825,8.687691e-7,0.00041961542,0.0016182115,0.000013452571,0.000057883928,0.0007652836,0.99681205,0.0000031003176],"about_ca_topic_score_codex":0.020368597,"about_ca_topic_score_gemma":0.04877841,"teacher_disagreement_score":0.7919088,"about_ca_system_score_codex":0.0021873428,"about_ca_system_score_gemma":0.0018058778,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4392137559","doi":"10.29173/spectrum225","title":"Dying the Bad Death: Critique of the Suicide Burial in Robert Southey’s “The Cross Roads”","year":2024,"lang":"en","type":"article","venue":"Spectrum","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Forensic engineering; Engineering","score_opus":0.03718353065133648,"score_gpt":0.3003424805659696,"score_spread":0.2631589499146332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392137559","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27253732,0.06565011,0.00421107,0.43834206,0.0054717143,0.00006273058,0.00004196885,0.00007871975,0.21360429],"genre_scores_gemma":[0.9356703,0.010404017,0.0008356184,0.024284823,0.0011744403,0.0000473271,0.0000108544955,0.0000751432,0.027497571],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99605703,0.002910477,0.00009006874,0.00024333016,0.00040367895,0.00029529195],"domain_scores_gemma":[0.9951391,0.0037555504,0.0003489858,0.000149971,0.00031183343,0.00029444165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048572607,0.00052771706,0.000535451,0.000981465,0.017417332,0.0061725243,0.0020113229,0.006242176,0.0014957315],"category_scores_gemma":[0.006879717,0.0003105809,0.00031968905,0.00063847087,0.047358666,0.003983339,0.0052568484,0.0107158655,0.00030777682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025871583,0.000013832855,0.00024210566,0.00017579342,0.0000061135916,0.0014893395,0.68591243,0.00007513456,0.00024512754,0.28159332,0.023460459,0.006760483],"study_design_scores_gemma":[0.000013991667,0.00006601854,0.0010533582,0.001090753,0.000020811809,0.0018224055,0.45411915,0.00015001287,0.0011033459,0.035864513,0.5046606,0.000035060377],"about_ca_topic_score_codex":0.017978102,"about_ca_topic_score_gemma":0.029430395,"teacher_disagreement_score":0.017978102,"about_ca_system_score_codex":0.007277238,"about_ca_system_score_gemma":0.004816751,"threshold_uncertainty_score":0.052800298},"labels":[],"label_agreement":null},{"id":"W4395019632","doi":"10.7202/1109849ar","title":"An Inquiry into Self-Deception: Memento, Truth-Display, and the Detective Genre","year":2023,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Deception; Self-deception; Psychology; Art; Detective fiction; Aesthetics; Art history; Social psychology","score_opus":0.049738793982017394,"score_gpt":0.3270834631875759,"score_spread":0.2773446692055585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395019632","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3272276,0.027873652,0.04140914,0.05898609,0.0012732168,0.0000990137,0.00011955514,0.00006532452,0.5429464],"genre_scores_gemma":[0.9868767,0.0027269372,0.0018893238,0.00097638986,0.00034685916,0.0000329396,0.000015764608,0.00002459746,0.00711047],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99750984,0.0016963625,0.000057123845,0.00016734577,0.00041594703,0.00015341859],"domain_scores_gemma":[0.9902733,0.00795949,0.00067333813,0.0005584531,0.00033662718,0.0001987601],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031577502,0.00046574394,0.00033732803,0.0025234134,0.004750522,0.007708851,0.0013531684,0.0031100488,0.0023824149],"category_scores_gemma":[0.00974234,0.00020051221,0.00025366785,0.0011963065,0.04061124,0.012033399,0.0041302377,0.003926033,0.00019285169],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025910475,0.000030726904,0.0009313389,0.00015514056,0.000006643239,0.00043968778,0.1801236,0.00009547348,0.00044276373,0.8051982,0.001600046,0.010950516],"study_design_scores_gemma":[0.000030400186,0.000135924,0.004123439,0.0011998634,0.000020969757,0.002230022,0.29771298,0.0010616815,0.0022929623,0.43241227,0.25873813,0.000041369014],"about_ca_topic_score_codex":0.001672904,"about_ca_topic_score_gemma":0.0018896168,"teacher_disagreement_score":0.007708851,"about_ca_system_score_codex":0.0025202946,"about_ca_system_score_gemma":0.0009044549,"threshold_uncertainty_score":0.018286109},"labels":[],"label_agreement":null},{"id":"W4395027227","doi":"10.3138/cjfs-2022-0036","title":"Bad Blood: Serial Killers, True Crime, and the Racial Imaginary in <i>Shadow of a Doubt</i>","year":2024,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Thompson Rivers University","funders":"","keywords":"The Imaginary; Shadow (psychology); Criminology; Psychology; Psychoanalysis","score_opus":0.029536342932499404,"score_gpt":0.2617189304426706,"score_spread":0.23218258751017118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395027227","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6341611,0.008971537,0.001202052,0.031580158,0.0007423641,0.000033242948,0.00014766131,0.000041161406,0.32312068],"genre_scores_gemma":[0.98211837,0.0021217405,0.00016217056,0.0013365757,0.00011354481,0.000007164354,0.000030093179,0.000023124636,0.014087232],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991874,0.00031294077,0.000017178272,0.00006710964,0.00017263749,0.0002428355],"domain_scores_gemma":[0.998816,0.0005358074,0.00023415976,0.000062326326,0.00015865544,0.00019306809],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090004865,0.00039092664,0.00021118145,0.0013934346,0.014277612,0.009220763,0.0008044971,0.0011288353,0.0040738005],"category_scores_gemma":[0.0031928807,0.00022126824,0.00014574481,0.0012365893,0.024241729,0.0038350094,0.0035029957,0.0031830645,0.0002381211],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025438598,0.00001607354,0.0030494805,0.000069806294,0.0000052432265,0.00076611235,0.8544418,0.000034353718,0.00035595795,0.12190709,0.011416925,0.007911734],"study_design_scores_gemma":[0.0000061072974,0.00002523893,0.0075138197,0.00022701286,0.00001559132,0.0006250298,0.7735394,0.00006685913,0.00056226907,0.0048300563,0.21256676,0.000021854661],"about_ca_topic_score_codex":0.4534222,"about_ca_topic_score_gemma":0.5553656,"teacher_disagreement_score":0.4534222,"about_ca_system_score_codex":0.013610789,"about_ca_system_score_gemma":0.0055626137,"threshold_uncertainty_score":0.90156597},"labels":[],"label_agreement":null},{"id":"W4396226011","doi":"10.1002/j.2831-865x.2002.tb00576.x","title":"Sherlock Holmes Meets Art Bell: Masters of Knowledge at the Fin‐de‐Siècle","year":2002,"lang":"en","type":"article","venue":"Popular Culture Review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Fin de siecle; Art; Art history; Humanities","score_opus":0.07984186005598078,"score_gpt":0.28132439632128603,"score_spread":0.20148253626530527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396226011","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001863972,0.6143845,0.00037870818,0.33696374,0.009802136,0.00000954699,0.000060056547,0.000035903904,0.036501482],"genre_scores_gemma":[0.08658533,0.6362517,0.001059838,0.11595425,0.017826898,0.000056604065,0.00016489389,0.00016191891,0.14193863],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997401,0.0009946628,0.00013682595,0.0002095969,0.0009919857,0.00026595985],"domain_scores_gemma":[0.9896409,0.0061405892,0.00069860026,0.00039430452,0.0019190641,0.0012065159],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039604376,0.0004289608,0.000726847,0.004333888,0.0050012665,0.007837854,0.0012360052,0.0054591503,0.01427843],"category_scores_gemma":[0.012802175,0.00044043953,0.00022458911,0.0041654864,0.004482957,0.012095895,0.0033582794,0.0045737727,0.0024752368],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002859514,0.000020777274,0.0005474529,0.00069964357,0.000015236756,0.00011630229,0.006285696,0.000023638206,0.00012082365,0.023640895,0.8162158,0.15228519],"study_design_scores_gemma":[0.0000046039536,0.000009420628,0.0013796262,0.0009186524,0.000009856891,0.00012175437,0.006377825,0.000009689556,0.000099831144,0.0032211833,0.9878391,0.000008292945],"about_ca_topic_score_codex":0.020440385,"about_ca_topic_score_gemma":0.0884612,"teacher_disagreement_score":0.020440385,"about_ca_system_score_codex":0.0032298,"about_ca_system_score_gemma":0.008498255,"threshold_uncertainty_score":0.04776615},"labels":[],"label_agreement":null},{"id":"W4396921835","doi":"10.32873/uno.dc.jrf.20.02.30","title":"Captain Fantastic","year":2016,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Art","score_opus":0.02572302219430276,"score_gpt":0.2400739187970278,"score_spread":0.21435089660272505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396921835","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030916056,0.0062866383,0.00069012324,0.07925685,0.029971885,0.000054476513,0.00027917614,0.00035627183,0.88001305],"genre_scores_gemma":[0.013271915,0.001022507,0.00018417374,0.009812469,0.0025140792,0.000016499835,0.000056679666,0.00016597456,0.9729556],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995402,0.00008621892,0.000009621502,0.00012179393,0.00015175709,0.00009029368],"domain_scores_gemma":[0.99913245,0.000158772,0.000032803164,0.00004823532,0.00020255992,0.00042525874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042609088,0.00076575915,0.00027971985,0.0012174346,0.007466836,0.004240526,0.00090768153,0.002623731,0.24650884],"category_scores_gemma":[0.0025897215,0.00027145338,0.00024673293,0.0003568519,0.0017192005,0.0030597725,0.0029942691,0.0051247333,0.06130641],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027767901,0.000015369693,0.00011155312,0.000038060603,0.0000013866272,0.00026638544,0.0008060213,0.000012951062,0.00022009047,0.017159073,0.9583999,0.022941452],"study_design_scores_gemma":[0.0000019336358,0.000005688629,0.00008972094,0.000025670204,7.020939e-7,0.0001510602,0.0005677814,0.000015444683,0.00010115341,0.0006798211,0.9983576,0.00000336301],"about_ca_topic_score_codex":0.00721602,"about_ca_topic_score_gemma":0.026214568,"teacher_disagreement_score":0.24650884,"about_ca_system_score_codex":0.0019165574,"about_ca_system_score_gemma":0.00095869903,"threshold_uncertainty_score":0.8246542},"labels":[],"label_agreement":null},{"id":"W4400880193","doi":"10.1386/jafp_00111_7","title":"The late-period Sherlock Holmes: Nick Lane and Luke Barton on adapting The Valley of Fear","year":2024,"lang":"en","type":"article","venue":"Journal of Adaptation in Film & Performance","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Period (music); Art; Period length; History; Archaeology; Aesthetics; Mathematics","score_opus":0.03742143766726556,"score_gpt":0.24785496160854747,"score_spread":0.21043352394128192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400880193","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26144576,0.015312261,0.006008714,0.1779902,0.009040959,0.00009694432,0.00013465344,0.00024211351,0.5297284],"genre_scores_gemma":[0.7836398,0.0020819628,0.0009879406,0.0140551785,0.00059154053,0.00006120897,0.00003274381,0.00023402342,0.19831565],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785596,0.0013517098,0.000021970167,0.0001553071,0.00029519733,0.00031974714],"domain_scores_gemma":[0.9989035,0.0004468955,0.000089912486,0.000051270574,0.00016843485,0.00034002296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018414722,0.00043855488,0.00021378887,0.0003937696,0.009478476,0.006252555,0.0010497565,0.0025757,0.00790486],"category_scores_gemma":[0.0038914387,0.00027430843,0.00016003517,0.0002881929,0.010344469,0.0037512716,0.0036326854,0.005378853,0.0015235359],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013820906,0.000055298995,0.0008411357,0.0001256687,0.000006004135,0.0012460622,0.5967263,0.00010202245,0.0016674973,0.17456271,0.20466779,0.019861214],"study_design_scores_gemma":[0.0000062518166,0.00003746031,0.00047904227,0.0002106328,0.000003389388,0.0004998044,0.22146359,0.000072591014,0.00069394277,0.004536069,0.77196884,0.000028336972],"about_ca_topic_score_codex":0.01940241,"about_ca_topic_score_gemma":0.04463159,"teacher_disagreement_score":0.01940241,"about_ca_system_score_codex":0.004980114,"about_ca_system_score_gemma":0.0020518377,"threshold_uncertainty_score":0.038578987},"labels":[],"label_agreement":null},{"id":"W4401517045","doi":"10.29173/jjs135","title":"Fiction Factory, Part 2","year":2024,"lang":"en","type":"article","venue":"Journal of Juvenilia Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Factory (object-oriented programming); Computer science; Art; Programming language","score_opus":0.1294322632959644,"score_gpt":0.33435965282439706,"score_spread":0.20492738952843265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401517045","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007381196,0.008272782,0.0011049527,0.014618044,0.011729149,0.00009315368,0.0003916049,0.0002414143,0.95616764],"genre_scores_gemma":[0.0536573,0.0030493557,0.0009071411,0.0044208104,0.0038590797,0.00008902361,0.00046956376,0.00023120694,0.9333165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994549,0.0000960349,0.000016480744,0.00012737536,0.00022589897,0.00007937918],"domain_scores_gemma":[0.9992041,0.0002955457,0.000046906658,0.000120148965,0.00016348362,0.00016986449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060788705,0.00042858804,0.00019953992,0.0016977967,0.0045273635,0.006210915,0.0005966847,0.0016071688,0.078576796],"category_scores_gemma":[0.002569406,0.00016448915,0.00029195345,0.0006922431,0.0022651982,0.0020581158,0.0022803359,0.002212705,0.015552319],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003453345,0.00006630684,0.00040046306,0.00020711277,0.000003587431,0.00044816724,0.0075308243,0.000107699314,0.0007887905,0.22174768,0.68503845,0.08362638],"study_design_scores_gemma":[8.430042e-7,0.0000055921496,0.00019158449,0.00003507686,4.5192706e-7,0.00009124312,0.00031220194,0.00001461177,0.00013871671,0.0013665342,0.99784136,0.0000016544006],"about_ca_topic_score_codex":0.0016519238,"about_ca_topic_score_gemma":0.0033734848,"teacher_disagreement_score":0.078576796,"about_ca_system_score_codex":0.0027326348,"about_ca_system_score_gemma":0.0014774891,"threshold_uncertainty_score":0.2628656},"labels":[],"label_agreement":null},{"id":"W4402669810","doi":"10.3167/trans.2023.130307","title":"Novel Reviews","year":2023,"lang":"en","type":"article","venue":"Transfers","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.19023515562053028,"score_gpt":0.29798066682738816,"score_spread":0.10774551120685788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402669810","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00077465025,0.20942943,0.000780612,0.07320088,0.04579407,0.000075352,0.0010593879,0.00017473329,0.66871095],"genre_scores_gemma":[0.023803774,0.25262597,0.0015439875,0.049708497,0.030979443,0.00024158742,0.0021313194,0.00046918553,0.6384963],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985983,0.0003659959,0.00008715336,0.0002636139,0.0004979096,0.00018704047],"domain_scores_gemma":[0.9978142,0.0007215784,0.00018401032,0.0002669428,0.00072811363,0.00028524082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015198042,0.0007932471,0.0006182984,0.0027915759,0.0029757696,0.00700289,0.0019631828,0.0033332773,0.1574559],"category_scores_gemma":[0.0071340865,0.0002993551,0.00055337645,0.0022832516,0.0021147854,0.0058528543,0.0030438951,0.0034608655,0.073450774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016267903,0.0000130892395,0.000051822888,0.00047905464,0.0000074398595,0.00015437235,0.0005225782,0.000020055253,0.00007186413,0.04843591,0.8957952,0.054432273],"study_design_scores_gemma":[0.0000017026827,0.000002163254,0.000053294,0.00036641656,0.0000016345019,0.0001121511,0.00020405845,0.0000035568337,0.000018617877,0.0017955363,0.99743855,0.0000022829174],"about_ca_topic_score_codex":0.0039781015,"about_ca_topic_score_gemma":0.007616927,"teacher_disagreement_score":0.1574559,"about_ca_system_score_codex":0.0042576464,"about_ca_system_score_gemma":0.0042526787,"threshold_uncertainty_score":0.52674246},"labels":[],"label_agreement":null},{"id":"W4403071560","doi":"10.54094/b-d50b33fa99","title":"The Urban Condition: Literary Trajectories through Canada’s Postmetropolis [PDF, E-Book]","year":2019,"lang":"en","type":"book","venue":"Vernon Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History; Media studies; Sociology","score_opus":0.028932759402567187,"score_gpt":0.23015741676550408,"score_spread":0.2012246573629369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403071560","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3782299,0.022609634,0.00056139956,0.027398333,0.0010594025,0.000107549524,0.002578497,0.00016658263,0.56728864],"genre_scores_gemma":[0.85330623,0.00958264,0.0005060589,0.0009805709,0.00010704203,0.000056853874,0.000774536,0.00020053124,0.13448556],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874014,0.00013306446,0.00002003157,0.00008844279,0.0005839931,0.00043436274],"domain_scores_gemma":[0.9980172,0.00032390965,0.00013148219,0.00004542491,0.0008960268,0.00058600964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088587194,0.0006191623,0.00037564608,0.004252991,0.03218673,0.01249929,0.0017665968,0.0011459144,0.011842452],"category_scores_gemma":[0.0032630824,0.0002999636,0.000296013,0.008896744,0.00814552,0.0020971608,0.0029196441,0.0015568221,0.0008684505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009316294,0.000037687892,0.00833028,0.00031231178,0.000012425446,0.0012512682,0.745859,0.00021731964,0.00050283986,0.06332692,0.12162427,0.058432437],"study_design_scores_gemma":[0.0000048868333,0.0000159328,0.028554147,0.00024930897,0.000010684428,0.00025641968,0.361617,0.000085898195,0.00021449066,0.0008977794,0.6080584,0.00003504649],"about_ca_topic_score_codex":0.9915985,"about_ca_topic_score_gemma":0.99716634,"teacher_disagreement_score":0.11233204,"about_ca_system_score_codex":0.11233204,"about_ca_system_score_gemma":0.12677498,"threshold_uncertainty_score":0.8150298},"labels":[],"label_agreement":null},{"id":"W4405814803","doi":"10.1080/08865655.2024.2442968","title":"On Non/Permeable Boundaries: Borderscape Reading of McCann’s <i>Apeirogon</i>","year":2024,"lang":"en","type":"article","venue":"Journal of Borderlands Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Political science; History; Linguistics; Philosophy","score_opus":0.03929652890237623,"score_gpt":0.30399226006046554,"score_spread":0.2646957311580893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405814803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0997423,0.0034610922,0.007137167,0.03948154,0.0009112765,0.000030854262,0.000063894586,0.000050028473,0.84912187],"genre_scores_gemma":[0.97615415,0.00040808527,0.00070166384,0.0031073466,0.00015627439,0.000026081798,0.000017720888,0.000029293471,0.019399352],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992322,0.00038200288,0.00001476405,0.00012167351,0.00011017905,0.00013917209],"domain_scores_gemma":[0.9993148,0.00037269882,0.00008920603,0.00007725243,0.0000848753,0.000061187624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094947894,0.00039214813,0.00019440918,0.00096702744,0.006014832,0.006292284,0.0008502886,0.0022863878,0.0038259265],"category_scores_gemma":[0.0021380016,0.00015042693,0.00021343732,0.00043061128,0.02344437,0.0055132257,0.0032357525,0.0035745366,0.00034305837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013090928,0.0000060743696,0.0001388482,0.000015248059,0.0000012018473,0.00022784492,0.041609358,0.000040139083,0.00014372548,0.9523615,0.0036085632,0.0018343771],"study_design_scores_gemma":[0.000022384433,0.000039565566,0.001925465,0.0003931617,0.000010827233,0.00073054427,0.10648356,0.0005701266,0.0012368652,0.38550907,0.5030489,0.000029571076],"about_ca_topic_score_codex":0.008607784,"about_ca_topic_score_gemma":0.009510516,"teacher_disagreement_score":0.008607784,"about_ca_system_score_codex":0.0044970647,"about_ca_system_score_gemma":0.0013454638,"threshold_uncertainty_score":0.032628655},"labels":[],"label_agreement":null},{"id":"W4406089736","doi":"10.4000/130vn","title":"Le Moyen Age de Peter Tremayne fait vendre","year":2024,"lang":"fr","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.03930458795770308,"score_gpt":0.2698185185810695,"score_spread":0.2305139306233664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406089736","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2942415,0.01563162,0.002781971,0.06938313,0.0014237118,0.000040262494,0.00021256022,0.00006369343,0.6162216],"genre_scores_gemma":[0.82272905,0.004058856,0.0008234503,0.0038775168,0.00023368243,0.00003368011,0.00005876751,0.000063801024,0.16812117],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994562,0.00020914094,0.000013685895,0.000089308895,0.00009189376,0.00013980156],"domain_scores_gemma":[0.99963844,0.00016134167,0.00006727325,0.000024910933,0.00005308178,0.000054976404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083107664,0.0002530555,0.00017820043,0.0005649412,0.0062938253,0.0036995397,0.00041898715,0.0011079821,0.009957432],"category_scores_gemma":[0.0013609624,0.0001909464,0.00012063711,0.000512838,0.005992869,0.0031131832,0.0021618146,0.0034533348,0.0013641092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055449855,0.000012297213,0.0027206019,0.00009753131,0.000004467773,0.0005691697,0.22570905,0.000042155913,0.00071148894,0.71945965,0.0233349,0.0272833],"study_design_scores_gemma":[0.0000038695894,0.000026423199,0.005017086,0.00017289346,0.000004789012,0.00048966607,0.07008783,0.000029236744,0.00048040302,0.008054791,0.9156194,0.000013630987],"about_ca_topic_score_codex":0.021413399,"about_ca_topic_score_gemma":0.061564043,"teacher_disagreement_score":0.021413399,"about_ca_system_score_codex":0.002457391,"about_ca_system_score_gemma":0.0017277169,"threshold_uncertainty_score":0.042577505},"labels":[],"label_agreement":null},{"id":"W4406302003","doi":"","title":"Londres, New-York et Toronto sauvés par les séries policières néovictoriennes","year":2022,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.026797322139875172,"score_gpt":0.2373119999202523,"score_spread":0.2105146777803771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406302003","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075313866,0.210247,0.0013569607,0.054609463,0.02022782,0.0001246335,0.007547951,0.00027033497,0.6303021],"genre_scores_gemma":[0.11390457,0.045574468,0.00073928805,0.0008267612,0.0015577354,0.00010414483,0.0011763849,0.0001667391,0.83594996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896157,0.00015833524,0.000060305578,0.00013328678,0.00035422892,0.00033222968],"domain_scores_gemma":[0.99839056,0.00028994682,0.00027637067,0.00012194655,0.00044862423,0.00047267403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007276748,0.00078205287,0.0005518682,0.0041705477,0.0070523163,0.0048615844,0.0007112527,0.0010962067,0.06997758],"category_scores_gemma":[0.0023999251,0.00045979174,0.00028814978,0.008928899,0.0030888738,0.0017670508,0.001984928,0.0017647999,0.0064731],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021542097,0.00002376031,0.008697169,0.00091158494,0.000027407927,0.0010946146,0.040442776,0.00037980024,0.0013506075,0.16555923,0.6582657,0.123031974],"study_design_scores_gemma":[0.0000034497084,0.0000038477306,0.010556505,0.000106631305,0.0000030827466,0.00007376188,0.004602808,0.000019911577,0.00008621286,0.00039928706,0.98413795,0.000006472733],"about_ca_topic_score_codex":0.7370521,"about_ca_topic_score_gemma":0.93272305,"teacher_disagreement_score":0.26294792,"about_ca_system_score_codex":0.027788125,"about_ca_system_score_gemma":0.030606318,"threshold_uncertainty_score":0.5289929},"labels":[],"label_agreement":null},{"id":"W4406758836","doi":"10.1093/oxfordhb/9780197610640.013.30","title":"Global Realism and the Gothic Genre","year":2025,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Realism; History; Aesthetics; Art; Literature","score_opus":0.031120487515027873,"score_gpt":0.206897289676248,"score_spread":0.1757768021612201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406758836","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09840965,0.0103651285,0.0023360976,0.0038304594,0.00025568137,0.000026370635,0.000032531825,0.000034038283,0.88471],"genre_scores_gemma":[0.983062,0.0019127735,0.00038702352,0.00028565232,0.00016154417,0.000019694602,0.00002726955,0.00003499363,0.014109154],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979069,0.0012012552,0.00006098476,0.00021181081,0.0003878034,0.00023120632],"domain_scores_gemma":[0.9986274,0.0007022506,0.00018832178,0.00021984776,0.00010529575,0.0001568902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013548468,0.00062989513,0.0004874683,0.0035374947,0.0041790083,0.010110659,0.00072198274,0.0011913169,0.007862076],"category_scores_gemma":[0.0019522244,0.00016653349,0.00030197564,0.0025910558,0.039196014,0.0039162575,0.0060040825,0.0025906418,0.0005012999],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013450568,0.000011910372,0.00058327423,0.00010311812,0.0000070321416,0.00022998397,0.052239314,0.00008534349,0.0001668645,0.9387035,0.0010608769,0.0067954226],"study_design_scores_gemma":[0.00004295068,0.00009270926,0.005861538,0.0012173922,0.000032350268,0.001116875,0.14321259,0.00030045892,0.00064222695,0.40494874,0.44250575,0.00002638268],"about_ca_topic_score_codex":0.001965782,"about_ca_topic_score_gemma":0.0028987247,"teacher_disagreement_score":0.010110659,"about_ca_system_score_codex":0.0046359627,"about_ca_system_score_gemma":0.0010933976,"threshold_uncertainty_score":0.03363639},"labels":[],"label_agreement":null},{"id":"W4408224533","doi":"10.1093/escrit/cgaf002","title":"Yes No: Form and Content in <i>The Third Policeman</i>","year":2025,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Content (measure theory); Psychology; Mathematics; Mathematical analysis","score_opus":0.05984282298295857,"score_gpt":0.29242393224359897,"score_spread":0.2325811092606404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408224533","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10363064,0.0024154203,0.0024907894,0.30961514,0.0056050248,0.000060064933,0.00016954415,0.000118068456,0.57589525],"genre_scores_gemma":[0.8648276,0.000675296,0.0007401138,0.016043603,0.0023324548,0.00006253158,0.00007767618,0.00035928376,0.11488142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979595,0.0010847587,0.00007086701,0.00020729554,0.00042930475,0.00024819325],"domain_scores_gemma":[0.99149656,0.0052631064,0.0008102188,0.00043514234,0.0014580829,0.00053692545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002408072,0.00032468617,0.00030587427,0.001288998,0.011351606,0.0083988,0.0011508524,0.004002901,0.007519853],"category_scores_gemma":[0.016537713,0.0003194703,0.0003180053,0.0015966682,0.013996677,0.005325899,0.002784613,0.0069718035,0.0010895302],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007007664,0.000052935837,0.0021820464,0.00010666933,0.000010461509,0.00062773185,0.2694196,0.000075143485,0.0008075313,0.41590738,0.29340148,0.017338853],"study_design_scores_gemma":[0.000017801603,0.000058599115,0.010442388,0.0005565777,0.00002251557,0.0009463887,0.24964502,0.0002662245,0.0018243877,0.062671736,0.6734897,0.000058513226],"about_ca_topic_score_codex":0.01296394,"about_ca_topic_score_gemma":0.01792608,"teacher_disagreement_score":0.01296394,"about_ca_system_score_codex":0.0051966226,"about_ca_system_score_gemma":0.0024104249,"threshold_uncertainty_score":0.03770429},"labels":[],"label_agreement":null},{"id":"W4408582044","doi":"10.5204/mcj.3136","title":"Generational Detectives","year":2025,"lang":"en","type":"article","venue":"M/C Journal","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Psychology","score_opus":0.025495432570217833,"score_gpt":0.2594176951021784,"score_spread":0.23392226253196055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408582044","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053677924,0.0037276377,0.005782745,0.019151015,0.0024935398,0.00014130906,0.001068968,0.00020613593,0.9137507],"genre_scores_gemma":[0.67666143,0.0026341616,0.0018257098,0.0075577786,0.0012272102,0.00021221698,0.0007519857,0.00019320015,0.30893627],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796236,0.0006190797,0.00006229877,0.0004394115,0.00044095062,0.00047585872],"domain_scores_gemma":[0.9971102,0.0011750519,0.00045802147,0.00038398465,0.00052351016,0.00034928374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015336601,0.00052395294,0.00028769957,0.0014815744,0.00486385,0.004195286,0.00106036,0.0016261929,0.054556344],"category_scores_gemma":[0.008387498,0.00027386472,0.00019602745,0.0010099155,0.0048174253,0.0037772201,0.0046470086,0.0022264353,0.0069644223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073819654,0.000047427773,0.010448747,0.00018348313,0.000011112986,0.0017699661,0.096651435,0.00006274644,0.00045854226,0.58312136,0.15571389,0.15145755],"study_design_scores_gemma":[0.0000049508044,0.000025589974,0.0041220956,0.00027699472,0.0000061532432,0.00094763946,0.021730775,0.000049764112,0.00028330262,0.023744436,0.9487949,0.0000133654],"about_ca_topic_score_codex":0.0075150714,"about_ca_topic_score_gemma":0.0064112283,"teacher_disagreement_score":0.054556344,"about_ca_system_score_codex":0.0022479082,"about_ca_system_score_gemma":0.0013026437,"threshold_uncertainty_score":0.18250912},"labels":[],"label_agreement":null},{"id":"W4409512059","doi":"10.37972/chgpu.2025.126.1.008","title":"ЖАНРОВАЯ СПЕЦИФИКА АНГЛИЙСКОГО ПОДРОСТКОВОГО ДЕТЕКТИВА НА ПРИМЕРЕ ПРОИЗВЕДЕНИЙ А. БРЭДЛИ «СЛАДОСТЬ НА КОРОЧКЕ ПИРОГА» И С. КЛЕВЕРЛИ «СКАРЛЕТ И АЙВИ. ДНЕВНИК ПРОПАВШЕЙ СЕСТРЫ»","year":2025,"lang":"ru","type":"article","venue":"Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chemistry","score_opus":0.037782475248800955,"score_gpt":0.2506498807999351,"score_spread":0.21286740555113415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409512059","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017005498,0.008935132,0.039557796,0.02657096,0.0012306779,0.00014508849,0.0004064593,0.00023678958,0.9059117],"genre_scores_gemma":[0.65570873,0.014293141,0.054710917,0.0058135437,0.0011766774,0.0005440966,0.0005442585,0.000539656,0.26666906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99421895,0.0017029725,0.00027479444,0.0009800621,0.0022352277,0.00058798253],"domain_scores_gemma":[0.99590117,0.0013280136,0.00041701333,0.0005793498,0.0013228488,0.00045145783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040198024,0.00075002696,0.0004970275,0.002111998,0.005238611,0.014213924,0.0011716244,0.0031408914,0.025045307],"category_scores_gemma":[0.008489754,0.0006563494,0.0007646679,0.0021045473,0.010502676,0.0076214513,0.0043435385,0.0047083437,0.008811887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022459048,0.000027196244,0.0010190299,0.00013483579,0.0000151288195,0.0001905803,0.0048582684,0.00024508455,0.00058206054,0.94860524,0.013663086,0.030637143],"study_design_scores_gemma":[0.000019285648,0.000028222685,0.0024972814,0.00032969055,0.000027795046,0.00038819874,0.0045921174,0.0005037174,0.001182792,0.3166335,0.6737474,0.000049933795],"about_ca_topic_score_codex":0.009863454,"about_ca_topic_score_gemma":0.011286893,"teacher_disagreement_score":0.025045307,"about_ca_system_score_codex":0.006364029,"about_ca_system_score_gemma":0.010290248,"threshold_uncertainty_score":0.08378488},"labels":[],"label_agreement":null},{"id":"W4409674913","doi":"10.7202/1117050ar","title":"Au-delà de « l’envie cinématographique » : le complexe transmédiatique d’<i>Assassin’s Creed</i>","year":2012,"lang":"fr","type":"article","venue":"Nouvelles vues Revue sur les pratiques les théories et l histoire du cinéma au Québec","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Creed; Philosophy; Theology","score_opus":0.02645021195683655,"score_gpt":0.23812109614763022,"score_spread":0.21167088419079366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409674913","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2670579,0.004279644,0.010559865,0.029712759,0.0006296158,0.00008201443,0.00021689081,0.00015190305,0.68730944],"genre_scores_gemma":[0.9246374,0.0014352514,0.0013621312,0.0012659106,0.000120939105,0.000036543664,0.000060996877,0.00011795822,0.07096288],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830616,0.0008024683,0.000028999044,0.00025408826,0.00031179588,0.0002964234],"domain_scores_gemma":[0.9968972,0.0011089068,0.00028112967,0.00025759407,0.000819293,0.00063585374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002481323,0.00053171336,0.0002603574,0.0017787421,0.01391459,0.015767531,0.0009411249,0.0018409604,0.014971439],"category_scores_gemma":[0.0046795653,0.00030464408,0.00020187753,0.0013188011,0.02535987,0.0074083563,0.0041029053,0.0029455086,0.0012922351],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029108947,0.000014952097,0.0038901237,0.0001130165,0.000010027074,0.00068249257,0.698426,0.000095610005,0.0012321208,0.26393119,0.010757737,0.020817576],"study_design_scores_gemma":[0.000006811432,0.000022844255,0.008676621,0.00038027402,0.000019199915,0.00073431875,0.40424818,0.00027699157,0.00081204344,0.014859879,0.5699185,0.000044387238],"about_ca_topic_score_codex":0.3094916,"about_ca_topic_score_gemma":0.37439817,"teacher_disagreement_score":0.3094916,"about_ca_system_score_codex":0.012422486,"about_ca_system_score_gemma":0.00878737,"threshold_uncertainty_score":0.6153803},"labels":[],"label_agreement":null},{"id":"W4410117030","doi":"10.1080/01411896.2025.2485882","title":"“Some Strange Temptation to Evil”: Salieri as Literary Type and the Queerness of Musical Crime in 19th-Century Fiction","year":2025,"lang":"en","type":"article","venue":"Journal of Musicological Research","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"Fonds de Recherche du Québec-Société et Culture","keywords":"Temptation; Musical; Literature; Art; Aesthetics; Philosophy; Theology","score_opus":0.14343821319476935,"score_gpt":0.4062185139140902,"score_spread":0.26278030071932085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410117030","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60322,0.0073320265,0.0020475509,0.03961472,0.00056849024,0.00003140651,0.000038756203,0.00006828418,0.3470788],"genre_scores_gemma":[0.9917253,0.000653326,0.00017929774,0.0011532097,0.0001891325,0.000010081012,0.000006536596,0.000019504996,0.0060635633],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9971942,0.0016693192,0.00007331869,0.00023727857,0.00052032626,0.0003055432],"domain_scores_gemma":[0.9961026,0.0024867281,0.00062934356,0.00033852688,0.00023024328,0.0002125677],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040946603,0.00044280273,0.00048387877,0.0024999124,0.015276866,0.0095827095,0.0013383192,0.0029826544,0.0023393678],"category_scores_gemma":[0.009229515,0.0003201435,0.00026996003,0.0013520136,0.058598064,0.008048287,0.007043483,0.0047480515,0.00030577046],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025266556,0.000016045627,0.0009047016,0.000033082622,0.000005757918,0.00037119657,0.7644451,0.000022266186,0.00018860941,0.22588076,0.002716921,0.005390289],"study_design_scores_gemma":[0.00003234697,0.00008428989,0.0062657637,0.0004041584,0.000033523374,0.0021075248,0.63301504,0.00027534962,0.0014531551,0.06942861,0.2868478,0.000052443305],"about_ca_topic_score_codex":0.005549975,"about_ca_topic_score_gemma":0.008204892,"teacher_disagreement_score":0.015276866,"about_ca_system_score_codex":0.00470506,"about_ca_system_score_gemma":0.0013627588,"threshold_uncertainty_score":0.034137726},"labels":[],"label_agreement":null},{"id":"W4410524836","doi":"10.1080/13218719.2025.2486077","title":"Cartage killers: considering highway serial homicide as a novel offender typology","year":2025,"lang":"en","type":"article","venue":"Psychiatry Psychology and Law","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Typology; Homicide; Criminology; Forensic engineering; Psychology; Offender profiling; Engineering; Poison control; History; Suicide prevention; Medical emergency; Medicine; Archaeology","score_opus":0.03694418761546216,"score_gpt":0.3062162758484169,"score_spread":0.26927208823295473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410524836","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7924328,0.0091398135,0.0076016495,0.028852547,0.0007116128,0.00018829278,0.00017572103,0.000038080118,0.16085957],"genre_scores_gemma":[0.98771566,0.0040059723,0.0021863233,0.0018774022,0.0003802178,0.000113992806,0.00008310041,0.000015199142,0.0036221435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.998346,0.0009850154,0.00011173523,0.00014249931,0.00018998685,0.00022479602],"domain_scores_gemma":[0.9983967,0.00079933094,0.0003674334,0.00012752258,0.0001393305,0.00016971315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016503698,0.00037560362,0.000383262,0.005547612,0.005455618,0.0059073824,0.0010298667,0.0021784161,0.0021606765],"category_scores_gemma":[0.0030672024,0.00012542862,0.0002777475,0.001972377,0.015409085,0.00509481,0.0046409843,0.0018295802,0.00024931808],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006324018,0.00011708374,0.038920376,0.000384635,0.000019107962,0.006021822,0.38224748,0.00034261847,0.0007292946,0.5377864,0.005851539,0.027516436],"study_design_scores_gemma":[0.000016001753,0.00017076012,0.034299593,0.001091584,0.00003167665,0.012169362,0.72448105,0.0013443856,0.0005312938,0.11201166,0.113797024,0.00005565722],"about_ca_topic_score_codex":0.0037203156,"about_ca_topic_score_gemma":0.008552329,"teacher_disagreement_score":0.0059073824,"about_ca_system_score_codex":0.0023676914,"about_ca_system_score_gemma":0.0017238386,"threshold_uncertainty_score":0.017178893},"labels":[],"label_agreement":null},{"id":"W4411647656","doi":"10.3366/ccs.2025.0561","title":"Sister Outsiders of the Lesbian Bar: Spatial Hauntings in Audre Lorde's <i>Zami: A New Spelling of My Name</i>","year":2025,"lang":"en","type":"article","venue":"Comparative Critical Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Sister; Spelling; Lesbian; Art; Gender studies; Sociology; Philosophy; Linguistics","score_opus":0.16882764582227544,"score_gpt":0.37790206552654787,"score_spread":0.20907441970427243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411647656","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.741983,0.0035052635,0.0036960468,0.036460288,0.00059641665,0.000027585638,0.000035896577,0.00006870117,0.21362674],"genre_scores_gemma":[0.96193457,0.00066569005,0.0004345052,0.0013443024,0.00006698805,0.000019425781,0.000009319472,0.000043990443,0.035481296],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836856,0.0010685729,0.000017809667,0.00010805153,0.00020253268,0.00023440825],"domain_scores_gemma":[0.9992743,0.00022985923,0.00015674141,0.00004503514,0.00010859666,0.0001853802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001429011,0.00032253365,0.00029895752,0.00069366064,0.024845786,0.0061555468,0.0007443428,0.0016084304,0.0061338376],"category_scores_gemma":[0.0019252617,0.00040423227,0.00016755605,0.0006560017,0.019827524,0.004658664,0.0065819635,0.0043880157,0.0005122894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013808462,0.000010739878,0.0009165224,0.000022173717,0.0000014030269,0.0004838779,0.942443,0.000028034352,0.00051276,0.04684781,0.004404135,0.0043156967],"study_design_scores_gemma":[0.0000025018264,0.000014250868,0.0022125696,0.00008021386,0.000002572075,0.0002795238,0.886352,0.00004624023,0.00021915275,0.0021543517,0.108622655,0.0000139894455],"about_ca_topic_score_codex":0.06330873,"about_ca_topic_score_gemma":0.17523316,"teacher_disagreement_score":0.06330873,"about_ca_system_score_codex":0.0057116775,"about_ca_system_score_gemma":0.002478743,"threshold_uncertainty_score":0.12588042},"labels":[],"label_agreement":null},{"id":"W4412191770","doi":"10.1353/vpr.2024.a965273","title":"Cash for Questions: Elizabeth Burgoyne Corbett’s Female Detectives, Journalism, and the Case of the Missing Income","year":2024,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cash; Journalism; Economics; History; Sociology; Media studies; Finance","score_opus":0.03631452318309971,"score_gpt":0.3150394389024423,"score_spread":0.2787249157193426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412191770","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08688459,0.32130504,0.00065205037,0.37902892,0.010804982,0.000050049897,0.00006214818,0.00004003751,0.2011722],"genre_scores_gemma":[0.7103762,0.106762335,0.00047520755,0.056022633,0.008357813,0.00008221306,0.00004315504,0.00011038885,0.117769994],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99600816,0.0022357453,0.000088139815,0.00029317357,0.00088053325,0.00049426896],"domain_scores_gemma":[0.9880483,0.00885945,0.0009020305,0.00031529766,0.0009923641,0.00088259083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0062288316,0.00032057505,0.0004552771,0.0018508901,0.008439133,0.007876882,0.0011173083,0.0037035334,0.0038478258],"category_scores_gemma":[0.012447526,0.0003257807,0.00016798254,0.0013422896,0.013843401,0.0040437714,0.0034268673,0.004270732,0.000743145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095050484,0.000096197975,0.0017845139,0.0012751522,0.000024820218,0.005338522,0.39268807,0.00008164169,0.0011446262,0.1875161,0.33951882,0.0704365],"study_design_scores_gemma":[0.00000661287,0.000024542886,0.0013465917,0.00090009475,0.0000061185306,0.0012545098,0.06497013,0.000012081186,0.00033410586,0.0021519847,0.9289805,0.00001265938],"about_ca_topic_score_codex":0.016173732,"about_ca_topic_score_gemma":0.027886642,"teacher_disagreement_score":0.016173732,"about_ca_system_score_codex":0.0051852246,"about_ca_system_score_gemma":0.0049435482,"threshold_uncertainty_score":0.037621677},"labels":[],"label_agreement":null},{"id":"W4413602850","doi":"10.64628/aam.5sqy6pqpw","title":"How encrypted Victorian newspaper personal ads shaped fiction like Sherlock and Enola Holmes","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Newspaper; Encryption; Art; Art history; History; Advertising; Literature; Media studies; Computer science; Sociology; Computer security; Business","score_opus":0.08044175596576854,"score_gpt":0.2547102056989604,"score_spread":0.1742684497331919,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413602850","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31011575,0.0008394679,0.0020437068,0.013510672,0.00059557596,0.00006103669,0.00033159307,0.000052026477,0.6724502],"genre_scores_gemma":[0.89795226,0.00027465465,0.00048194683,0.0012102058,0.00007683111,0.000015298318,0.000105636645,0.0001897532,0.099693425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99810034,0.0008396358,0.000032715754,0.00022837742,0.0005041732,0.0002948152],"domain_scores_gemma":[0.9934477,0.0042045065,0.00041560215,0.0006046379,0.0009610622,0.0003664708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022236926,0.00026485833,0.00018962988,0.0018365049,0.009668828,0.012737102,0.0007734487,0.0022048613,0.024337769],"category_scores_gemma":[0.014439503,0.00037349304,0.00017439877,0.0015767629,0.010561312,0.0041762707,0.0025293098,0.0037436273,0.0020048392],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016561299,0.0000611653,0.0061333813,0.00020823457,0.000026176729,0.0007408957,0.43348196,0.00032802226,0.0018903922,0.47822577,0.048863992,0.029874459],"study_design_scores_gemma":[0.000026882555,0.000044367516,0.013980386,0.00038888864,0.00004625201,0.00045083338,0.1651425,0.000975749,0.0033206518,0.03976402,0.7757984,0.000060955965],"about_ca_topic_score_codex":0.062405474,"about_ca_topic_score_gemma":0.109064184,"teacher_disagreement_score":0.062405474,"about_ca_system_score_codex":0.008081195,"about_ca_system_score_gemma":0.0026242537,"threshold_uncertainty_score":0.12408447},"labels":[],"label_agreement":null},{"id":"W4414371524","doi":"10.1093/notesj/gjaf092","title":"London Neighbours: <i>Vanity Fair</i> ’s ‘Gaunt House’ as a Source for <i>Strange Case of Dr Jekyll and Mr Hyde</i>","year":2025,"lang":"en","type":"article","venue":"Notes and Queries","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Square (algebra); Mean square","score_opus":0.02641800734091388,"score_gpt":0.2701770770356399,"score_spread":0.24375906969472605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414371524","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010537776,0.017022025,0.00027679995,0.54108644,0.01647323,0.00007665345,0.0011179384,0.00016206426,0.41324708],"genre_scores_gemma":[0.075294904,0.0028922479,0.00020312548,0.12916444,0.0024308597,0.00005862172,0.00031472454,0.00033423625,0.7893067],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989687,0.0002791805,0.000057578924,0.000114158924,0.000308751,0.00027153714],"domain_scores_gemma":[0.99732167,0.0011572927,0.0002542789,0.00014974739,0.0004427371,0.0006742907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008357984,0.0003908605,0.00033821876,0.00084823114,0.013491992,0.005556355,0.0011331281,0.009448514,0.08674265],"category_scores_gemma":[0.0067940075,0.00040824097,0.00026184358,0.0012882941,0.0032970558,0.003436957,0.0027696325,0.0071962504,0.010900888],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001374902,0.0000030773676,0.00022504179,0.00005499592,0.0000026696478,0.0007844616,0.00981794,0.000009342455,0.000116262585,0.011859916,0.9748889,0.0022237203],"study_design_scores_gemma":[0.0000028534096,0.0000029622022,0.00084208476,0.00008861237,0.0000013970719,0.00022512653,0.01579827,0.0000062547006,0.000059372724,0.00048105922,0.98248047,0.000011526053],"about_ca_topic_score_codex":0.20803216,"about_ca_topic_score_gemma":0.5002685,"teacher_disagreement_score":0.20803216,"about_ca_system_score_codex":0.0059110573,"about_ca_system_score_gemma":0.003772597,"threshold_uncertainty_score":0.4136426},"labels":[],"label_agreement":null},{"id":"W4414781385","doi":"10.1177/13505084251322853","title":"Searching for a room of one’s own: The precarious subjectivities of Agatha Christie and Dorothy L. Sayers","year":2025,"lang":"en","type":"article","venue":"Organization","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Patriarchy; Agatha; Embodied cognition; Feminism; Biography; Male gaze; Feminist movement; Femininity","score_opus":0.020415757661247442,"score_gpt":0.23893834444125006,"score_spread":0.2185225867800026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414781385","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4953594,0.024638182,0.005881921,0.21139187,0.006227824,0.00010445663,0.00009814936,0.00019735213,0.25610083],"genre_scores_gemma":[0.9587333,0.0024310742,0.00075944845,0.007441815,0.000747603,0.00006211459,0.000012696372,0.00014401268,0.029667897],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99312466,0.004124054,0.00014920995,0.000727012,0.0013576454,0.00051740085],"domain_scores_gemma":[0.9869408,0.008779183,0.0010881919,0.00106261,0.000958406,0.001170805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00683267,0.00062987895,0.0007410601,0.0016567066,0.020342756,0.016458107,0.001218748,0.0030931733,0.0031010397],"category_scores_gemma":[0.018153114,0.0004967961,0.00030105663,0.0008782374,0.06428872,0.009832492,0.007537169,0.007813006,0.000768954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017456035,0.00001110386,0.00042299158,0.0000568577,0.0000048295633,0.0007220554,0.9141915,0.000023371367,0.00049768866,0.06818333,0.011146368,0.004722547],"study_design_scores_gemma":[0.000006629896,0.000029229883,0.0006399161,0.00027577108,0.000008458774,0.0013124929,0.55999464,0.000047221158,0.0006767219,0.01500546,0.4219684,0.000035088204],"about_ca_topic_score_codex":0.006952982,"about_ca_topic_score_gemma":0.009612448,"teacher_disagreement_score":0.020342756,"about_ca_system_score_codex":0.006042766,"about_ca_system_score_gemma":0.004745256,"threshold_uncertainty_score":0.043843508},"labels":[],"label_agreement":null},{"id":"W4414785103","doi":"10.3138/chr.106.3.br17","title":"<i>Tom Thomson: North Star</i> . Ian A.C. Dejardin and Sarah Milroy, eds","year":2025,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"","score_opus":0.038094916441099205,"score_gpt":0.24445454516820234,"score_spread":0.20635962872710312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414785103","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001761172,0.89310455,0.0002905294,0.027767293,0.004828452,0.000010875237,0.00058661134,0.00010845725,0.07312706],"genre_scores_gemma":[0.004041461,0.77349436,0.0006408668,0.005230184,0.0024792934,0.000019018993,0.00057518855,0.00018327692,0.2133364],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988778,0.00014561178,0.000053269712,0.00011362265,0.00064228737,0.00016746887],"domain_scores_gemma":[0.9978582,0.00046075386,0.00016917865,0.00009615453,0.0011774338,0.00023829157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001019293,0.0015822531,0.0011349336,0.005419757,0.004020813,0.0051927296,0.0017845784,0.0024332325,0.07800795],"category_scores_gemma":[0.0029818336,0.0009982046,0.0005148494,0.010641676,0.0024592245,0.005684565,0.0017019364,0.002577576,0.045358364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008706489,0.000002500744,0.0000706633,0.000344624,0.0000022798538,0.000024738083,0.00032411778,0.00002091221,0.0000215529,0.0025782187,0.94608754,0.05051406],"study_design_scores_gemma":[9.927783e-7,9.4161413e-7,0.0003674212,0.00043296907,0.0000028739432,0.000053795993,0.00039806552,0.000008284146,0.000026417909,0.000544247,0.9981604,0.0000035925832],"about_ca_topic_score_codex":0.46981075,"about_ca_topic_score_gemma":0.74952024,"teacher_disagreement_score":0.5301893,"about_ca_system_score_codex":0.01170247,"about_ca_system_score_gemma":0.01836629,"threshold_uncertainty_score":0.9341523},"labels":[],"label_agreement":null},{"id":"W4416401600","doi":"10.1353/vpr.2025.a975322","title":"The Victorian Novel on File: Secrets, Hoards, and Information Storage by Priyanka Anne Jacob (review)","year":2025,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Information storage; Storage model; Information system","score_opus":0.0094748962561193,"score_gpt":0.24676855809999196,"score_spread":0.23729366184387266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416401600","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001998894,0.96375704,0.000040167775,0.02297026,0.003510404,0.000010024769,0.000053144886,0.000006211214,0.009452834],"genre_scores_gemma":[0.0050454517,0.9507273,0.00014341866,0.01836448,0.0035290513,0.00002739831,0.000091287984,0.000022451233,0.02204919],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99730104,0.0006645214,0.00021847546,0.00016047928,0.0013597813,0.00029559675],"domain_scores_gemma":[0.98913515,0.0056215725,0.0011722146,0.00034653442,0.003122375,0.00060217764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00470162,0.00040002508,0.0010430749,0.0032185288,0.002488909,0.0059627728,0.0013651658,0.0030716716,0.015437954],"category_scores_gemma":[0.019374557,0.0005361006,0.00040399499,0.004007622,0.004034832,0.004074241,0.002694291,0.0045563257,0.003631055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003963953,0.000013869922,0.00014011613,0.005208814,0.00004316648,0.00010664221,0.0007089626,0.00004238028,0.00010446712,0.011221848,0.7901674,0.19220266],"study_design_scores_gemma":[0.0000063976686,0.0000074531445,0.0006561474,0.0063707316,0.000023945007,0.00014592444,0.0002754389,0.0000052856403,0.000044189193,0.0007026033,0.9917514,0.000010567566],"about_ca_topic_score_codex":0.055985164,"about_ca_topic_score_gemma":0.12130032,"teacher_disagreement_score":0.055985164,"about_ca_system_score_codex":0.0055986624,"about_ca_system_score_gemma":0.020505931,"threshold_uncertainty_score":0.11131859},"labels":[],"label_agreement":null},{"id":"W578634045","doi":"","title":"The Dead Witness: A Connoisseur's Collection of Victorian Detective Stories","year":2011,"lang":"en","type":"book","venue":"Medical Entomology and Zoology","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Adventure; Treasure; Detective fiction; Watson; Art history; Art; Literature; History; Performance art; Law; Archaeology","score_opus":0.030849285686867692,"score_gpt":0.25781616122134615,"score_spread":0.22696687553447847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W578634045","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029927826,0.16351236,0.0052564656,0.080408856,0.02475185,0.0004321408,0.0021164354,0.00050767494,0.69308645],"genre_scores_gemma":[0.10365714,0.058004934,0.002862289,0.014155028,0.004039575,0.00029078336,0.0010010633,0.0012051163,0.8147841],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99700147,0.00089542393,0.000110651585,0.00018504728,0.001477155,0.00033024003],"domain_scores_gemma":[0.9968549,0.0010614364,0.00017820974,0.00027327877,0.0010550098,0.0005770566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002269445,0.0009978357,0.00061826454,0.004143573,0.013824783,0.008816795,0.0013447591,0.0018166422,0.011869949],"category_scores_gemma":[0.00860769,0.0007683054,0.00031603803,0.0044545103,0.005294675,0.0036760457,0.006116273,0.0037681172,0.003363421],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003161562,0.000019774401,0.00039391045,0.00045016073,0.000007732756,0.00056167017,0.09530594,0.00006357386,0.00070217316,0.022610143,0.81585026,0.06400317],"study_design_scores_gemma":[5.474921e-7,0.000002252562,0.00037549486,0.00015502625,7.6943627e-7,0.00011815752,0.005501227,0.000012423426,0.00006393395,0.0003449616,0.99341995,0.0000052532405],"about_ca_topic_score_codex":0.175806,"about_ca_topic_score_gemma":0.39931315,"teacher_disagreement_score":0.175806,"about_ca_system_score_codex":0.012634654,"about_ca_system_score_gemma":0.009815344,"threshold_uncertainty_score":0.3495654},"labels":[],"label_agreement":null},{"id":"W606617346","doi":"10.7202/501036ar","title":"Jacques Dubois, Le Roman policier ou la Modernité","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03416879178509196,"score_gpt":0.268356022759441,"score_spread":0.23418723097434901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W606617346","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011975267,0.28897506,0.0012543313,0.56663084,0.0069871303,0.000026297053,0.00024920364,0.000051497245,0.12385044],"genre_scores_gemma":[0.4356965,0.15302606,0.002665965,0.11695767,0.020411132,0.00015413442,0.00020179799,0.0002623995,0.2706243],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792296,0.0010792479,0.00007039419,0.00027058917,0.00044575144,0.00021101559],"domain_scores_gemma":[0.99699724,0.0020361019,0.00021801518,0.00010455746,0.00044749555,0.00019665588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002271977,0.0006774269,0.00056901074,0.0015207212,0.010633742,0.0073830127,0.0009820533,0.0063476404,0.007325445],"category_scores_gemma":[0.007451532,0.00034525368,0.00024857753,0.0018678015,0.008045991,0.0053927945,0.002035585,0.005620122,0.0011945366],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039092705,0.000038577833,0.0012485494,0.00018912302,0.00002011658,0.00015186696,0.015821056,0.000097659795,0.00010434668,0.59623826,0.36567533,0.020376006],"study_design_scores_gemma":[0.000014116616,0.000010337297,0.0024564208,0.00016754569,0.000007579203,0.00013473001,0.0065315324,0.00007138165,0.00018210882,0.03536521,0.95503837,0.00002064509],"about_ca_topic_score_codex":0.043050796,"about_ca_topic_score_gemma":0.07088132,"teacher_disagreement_score":0.043050796,"about_ca_system_score_codex":0.003810803,"about_ca_system_score_gemma":0.0031438817,"threshold_uncertainty_score":0.085600436},"labels":[],"label_agreement":null},{"id":"W616074405","doi":"","title":"PORT OF SAINT JOHN: NEW BRUNSWICK'S NATURAL WONDER","year":2003,"lang":"en","type":"article","venue":"Thomas register's inbound logistics","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wonder; Port (circuit theory); SAINT; Natural (archaeology); Business; Telecommunications; Operations research; Operations management; Computer science; Engineering; History; Computer security; Archaeology; Electrical engineering","score_opus":0.0754892597490924,"score_gpt":0.27969092664764145,"score_spread":0.20420166689854904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W616074405","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02141682,0.013994451,0.0005277665,0.06402265,0.0038942138,0.000044961438,0.000681015,0.00010951819,0.89530855],"genre_scores_gemma":[0.083358996,0.0050954632,0.00041433226,0.006140135,0.00015770938,0.00002434886,0.00018997728,0.00017324918,0.90444577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996431,0.00005381469,0.000010998919,0.00004560891,0.00008220831,0.0001642457],"domain_scores_gemma":[0.9996099,0.00008544377,0.000028646044,0.000036509336,0.0000964476,0.00014312442],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004373146,0.00047376016,0.0002940031,0.0011205204,0.016572844,0.01015778,0.0009318193,0.0019081777,0.06405215],"category_scores_gemma":[0.0015023205,0.00043147436,0.00027086237,0.0019500119,0.0041645016,0.0029841978,0.0031729618,0.005404895,0.0037362615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085079984,0.000030392699,0.002526677,0.00017722521,0.000018694851,0.0024565624,0.034319475,0.0002135788,0.0006409641,0.28422454,0.6109276,0.06437918],"study_design_scores_gemma":[0.0000021781204,0.0000017933347,0.0012485294,0.00008445696,0.0000031866339,0.00008988297,0.012196422,0.000013711196,0.00008680084,0.0017172077,0.98454744,0.000008428006],"about_ca_topic_score_codex":0.78253984,"about_ca_topic_score_gemma":0.9694482,"teacher_disagreement_score":0.21746016,"about_ca_system_score_codex":0.021695344,"about_ca_system_score_gemma":0.02152191,"threshold_uncertainty_score":0.43748164},"labels":[],"label_agreement":null},{"id":"W644708631","doi":"","title":"Montréal - Toronto : Stadtkultur und Migration in Literatur, Film und Musik","year":2007,"lang":"de","type":"book","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.028148718301106383,"score_gpt":0.27475276024375966,"score_spread":0.24660404194265328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W644708631","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008893427,0.38162178,0.0012772401,0.023831507,0.0034945353,0.00008410536,0.0026071009,0.00023997462,0.57795024],"genre_scores_gemma":[0.16116184,0.16033952,0.0014275962,0.0012408169,0.00078042573,0.00008932718,0.0009621916,0.0002456882,0.67375255],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955624,0.000084660925,0.000017921871,0.00006193388,0.00013613616,0.0001432019],"domain_scores_gemma":[0.9994399,0.00010585341,0.000063076805,0.000044662596,0.00018045501,0.00016608479],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043761072,0.0015287998,0.00059590687,0.004741717,0.009962168,0.009121822,0.0017000288,0.001848999,0.044209994],"category_scores_gemma":[0.0014489237,0.0007324562,0.00035721966,0.0165868,0.008755493,0.0028200962,0.0018421954,0.0019219156,0.0031798526],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004264454,0.000022562825,0.0016764966,0.00053775305,0.00001760697,0.00042570796,0.031213121,0.00044963098,0.00034061944,0.3092232,0.54680866,0.10924202],"study_design_scores_gemma":[0.000003477708,0.000004891672,0.0041797482,0.00024020582,0.000009169665,0.0001165582,0.007893754,0.00003271951,0.00009674171,0.0028149404,0.98459744,0.000010298922],"about_ca_topic_score_codex":0.9719953,"about_ca_topic_score_gemma":0.99246854,"teacher_disagreement_score":0.051655907,"about_ca_system_score_codex":0.051655907,"about_ca_system_score_gemma":0.0664303,"threshold_uncertainty_score":0.37479156},"labels":[],"label_agreement":null},{"id":"W646226198","doi":"","title":"\"[Breaking] the back of words\": Dimensions of Gothic Unspeakability in Poe, Faulkner, and Toni Morrison’s Beloved","year":2012,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature; Linguistics; History; Philosophy","score_opus":0.03803557361488454,"score_gpt":0.23634670431262217,"score_spread":0.19831113069773762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W646226198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32305712,0.0038451103,0.013311305,0.057541605,0.00092849345,0.00007265612,0.00008348865,0.00012400768,0.6010362],"genre_scores_gemma":[0.98973083,0.0002577297,0.00066949084,0.0017441502,0.00006169924,0.000022786326,0.00001547625,0.000053682066,0.0074441913],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99648595,0.0020612783,0.00010157192,0.00028297066,0.0006580552,0.00041020202],"domain_scores_gemma":[0.9958896,0.0020720144,0.0005640131,0.00046223518,0.0006756269,0.00033646496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029198814,0.0005230737,0.00033843535,0.0015872077,0.014207372,0.009523524,0.0010569149,0.002724599,0.0036331252],"category_scores_gemma":[0.010394217,0.00039335218,0.00031254816,0.001132869,0.06979868,0.009725738,0.0067325775,0.009678531,0.0004289185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004092491,0.00003051208,0.0010163902,0.00004443268,0.000009548329,0.00014596422,0.53719074,0.000057759025,0.00021047464,0.44643936,0.0065986756,0.008215236],"study_design_scores_gemma":[0.000034781344,0.000045849854,0.0037595623,0.00025919426,0.000024150002,0.00059961696,0.55236125,0.00019280595,0.00058670854,0.2615165,0.18056212,0.000057480527],"about_ca_topic_score_codex":0.008973573,"about_ca_topic_score_gemma":0.011466202,"teacher_disagreement_score":0.014207372,"about_ca_system_score_codex":0.0026224123,"about_ca_system_score_gemma":0.002386997,"threshold_uncertainty_score":0.019026995},"labels":[],"label_agreement":null},{"id":"W651287999","doi":"","title":"The Genderization of Crime Fiction from the Victorian Era to the Modern Day","year":2013,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02702704539576486,"score_gpt":0.20634165539463165,"score_spread":0.17931460999886678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W651287999","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29723665,0.043247495,0.0021138887,0.022561308,0.0010925309,0.000044493707,0.00011584413,0.000047334,0.63354045],"genre_scores_gemma":[0.9358889,0.008151733,0.00045232868,0.0017079149,0.00033952904,0.000027045568,0.000043709795,0.00006886019,0.053320073],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998271,0.0007230519,0.000040170333,0.00012707849,0.0005148144,0.00032378323],"domain_scores_gemma":[0.99707246,0.0017572504,0.0002785746,0.00020871138,0.00041946495,0.0002635233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015833239,0.00023967908,0.0003144092,0.002685592,0.009885636,0.007908283,0.000743048,0.0014346439,0.0043488853],"category_scores_gemma":[0.00489969,0.00026016188,0.00013327951,0.002864225,0.02674534,0.002914278,0.0033383523,0.0031429108,0.00034462626],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027423586,0.000022098502,0.0010046401,0.00027003817,0.0000048450447,0.00036997456,0.5446748,0.00007542908,0.0006108325,0.39833093,0.013607665,0.0410013],"study_design_scores_gemma":[0.000004429854,0.000038606737,0.01227647,0.0007534815,0.0000072316734,0.0007566567,0.103027865,0.00013125244,0.0006515204,0.018549515,0.86377454,0.000028419407],"about_ca_topic_score_codex":0.08207535,"about_ca_topic_score_gemma":0.18175128,"teacher_disagreement_score":0.08207535,"about_ca_system_score_codex":0.016789882,"about_ca_system_score_gemma":0.004937674,"threshold_uncertainty_score":0.16319525},"labels":[],"label_agreement":null},{"id":"W6891644144","doi":"10.4224/23002703","title":"La planète rouge: 2e partie","year":2017,"lang":"fr","type":"article","venue":"NPARC","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Herzberg Institute of Astrophysics","funders":"","keywords":"","score_opus":0.06683505365883131,"score_gpt":0.29971927144592175,"score_spread":0.23288421778709045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6891644144","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005498523,0.0076378454,0.0013141979,0.05159447,0.090708986,0.001130127,0.011606293,0.0030610617,0.82744855],"genre_scores_gemma":[0.012645173,0.0009883479,0.00035644494,0.0025110699,0.0069874017,0.00028165645,0.0021341762,0.001144647,0.97295105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99253476,0.0010235024,0.00030579505,0.0008703119,0.0038607745,0.0014049585],"domain_scores_gemma":[0.98166466,0.0024029552,0.0005108703,0.0026780888,0.0099884765,0.00275496],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004627466,0.00081337854,0.0012208074,0.0051550777,0.009238868,0.0122685,0.0023741687,0.006886213,0.34515244],"category_scores_gemma":[0.021146718,0.00078406685,0.0009870877,0.002107714,0.0024758854,0.0042333356,0.0048979465,0.0040408173,0.21596874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050058534,0.000016859,0.00021346037,0.00013719145,0.00000711057,0.00014175779,0.00014265177,0.000028405144,0.00033785723,0.002861592,0.98664933,0.009413689],"study_design_scores_gemma":[0.000009760902,0.000008191676,0.00077085046,0.00006215259,0.0000020752668,0.000036061567,0.000092705,0.000025013918,0.00014887565,0.00023952627,0.99859613,0.000008667041],"about_ca_topic_score_codex":0.020468416,"about_ca_topic_score_gemma":0.048377145,"teacher_disagreement_score":0.34515244,"about_ca_system_score_codex":0.005490048,"about_ca_system_score_gemma":0.0078107393,"threshold_uncertainty_score":0.9340606},"labels":[],"label_agreement":null},{"id":"W6893763619","doi":"10.5281/zenodo.4164221","title":"[[Vedere]] » The Kid Detective (2020) film completo streaming ita hd jlf","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Live streaming; Video recording; Key (lock)","score_opus":0.08821775666991831,"score_gpt":0.24406483817986654,"score_spread":0.15584708150994825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893763619","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017186097,0.0004455012,0.0005924732,0.0017334083,0.003325411,0.00012240288,0.0050383783,0.00227614,0.9847476],"genre_scores_gemma":[0.0068906923,0.0003506762,0.0006177981,0.00063401286,0.0003886321,0.000051396808,0.003034168,0.0011539396,0.9868787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998385,0.000011491468,0.0000038878197,0.00002601596,0.000067663605,0.00005236108],"domain_scores_gemma":[0.99970466,0.000020345162,0.00000925978,0.000022185366,0.00011221183,0.0001311903],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002595799,0.00049893925,0.00020156015,0.0005912988,0.0020937966,0.003275927,0.0005905148,0.0008331195,0.65750945],"category_scores_gemma":[0.0007757628,0.0003114868,0.0003282361,0.00036359075,0.0002430933,0.0015156679,0.0017425001,0.0013624195,0.34805077],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001956938,0.0000074879686,0.000090811394,0.000033620316,0.0000011935143,0.000034583325,0.00014310391,0.0000072442276,0.00020155248,0.0008519335,0.98390204,0.014706971],"study_design_scores_gemma":[0.000003744634,0.000005464495,0.0005638059,0.000023973531,8.946399e-7,0.000031916596,0.00013203123,0.000011234851,0.000100073936,0.00005982565,0.99906415,0.0000028423274],"about_ca_topic_score_codex":0.019041331,"about_ca_topic_score_gemma":0.07832233,"teacher_disagreement_score":0.34249055,"about_ca_system_score_codex":0.00085699616,"about_ca_system_score_gemma":0.00048980484,"threshold_uncertainty_score":0.48852116},"labels":[],"label_agreement":null},{"id":"W6902589798","doi":"10.6093/2035-8504/8605","title":"Crime and Gender as Popularised Discourse in Maureen Jennings’ A Journeyman to Grief","year":2021,"lang":"en","type":"article","venue":"Università degli Studi di Napoli Federico II","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Embodied cognition; Terminology; Grief; Discourse analysis; Set (abstract data type)","score_opus":0.052118404432561403,"score_gpt":0.2855629644679269,"score_spread":0.23344456003536548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6902589798","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8957099,0.0023066183,0.0007301118,0.008874632,0.00020966526,0.00003948852,0.0001425375,0.000033799202,0.09195325],"genre_scores_gemma":[0.9862884,0.00058989605,0.00026786735,0.00042442975,0.000035870205,0.000011811874,0.00002802038,0.000029141114,0.01232456],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977835,0.00072925386,0.00004392887,0.00022454833,0.0006047382,0.00061410555],"domain_scores_gemma":[0.99705255,0.0013314339,0.00039715433,0.0001135031,0.0005439224,0.0005615568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017896472,0.00059214083,0.0004514782,0.0025173356,0.02657241,0.009230404,0.0015042594,0.0023382707,0.0037991663],"category_scores_gemma":[0.0048958436,0.00033261348,0.0002219649,0.0021699304,0.03230539,0.0023582533,0.004171011,0.0031202263,0.00025921705],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011231754,0.000005433622,0.00085713115,0.000020356982,0.0000023753043,0.0006959724,0.9819078,0.000016806278,0.0002083716,0.013311132,0.001179388,0.0017841104],"study_design_scores_gemma":[0.0000019071215,0.00001114241,0.0042042998,0.000093607785,0.000006348705,0.00048182427,0.919634,0.000038437516,0.00032943152,0.00092809956,0.07425085,0.00002003185],"about_ca_topic_score_codex":0.7625969,"about_ca_topic_score_gemma":0.8876584,"teacher_disagreement_score":0.7625969,"about_ca_system_score_codex":0.037683915,"about_ca_system_score_gemma":0.01987303,"threshold_uncertainty_score":0.47760236},"labels":[],"label_agreement":null},{"id":"W6912470568","doi":"10.5281/zenodo.4168313","title":"[HDQ]~Katsella » The Kid Detective (2020) » Katso Nyt! Koko Elokuvan Verkossa Ilmaiseksi Suomalainen Tekstityksillä fmz","year":2020,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Head (geology)","score_opus":0.04931864658506825,"score_gpt":0.24377020361737856,"score_spread":0.19445155703231032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912470568","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011268314,0.0005282042,0.00051538664,0.0028249475,0.0031715627,0.000078364304,0.003247336,0.00149557,0.98701185],"genre_scores_gemma":[0.0041462495,0.00024369919,0.00023691378,0.00054107595,0.00016619093,0.00003006809,0.0011489977,0.00053959707,0.9929472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998246,0.000016573496,0.000004031695,0.000025152522,0.000066990484,0.00006265357],"domain_scores_gemma":[0.9996532,0.00002223332,0.000009410033,0.000022387534,0.00012525813,0.0001674669],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031342366,0.0004445469,0.00020757214,0.00046038927,0.002915776,0.00349717,0.0005399292,0.0009566115,0.73971856],"category_scores_gemma":[0.00082658447,0.00031921666,0.00026808714,0.0004940566,0.000392161,0.0022380906,0.0026643747,0.0017395158,0.42443973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001426993,0.000005980691,0.000063710744,0.000026548028,6.445787e-7,0.000023214705,0.00014711461,0.000005710321,0.00014355795,0.0014313007,0.9883349,0.009802993],"study_design_scores_gemma":[0.00000238754,0.0000033648014,0.0002995932,0.000014689618,4.3602958e-7,0.00002102686,0.0001765851,0.000007670199,0.000059577782,0.000077217774,0.99933535,0.0000020859377],"about_ca_topic_score_codex":0.017385226,"about_ca_topic_score_gemma":0.058081333,"teacher_disagreement_score":0.26028144,"about_ca_system_score_codex":0.0012039521,"about_ca_system_score_gemma":0.00076104695,"threshold_uncertainty_score":0.37125987},"labels":[],"label_agreement":null},{"id":"W6912471426","doi":"10.5281/zenodo.4165390","title":"#ESP.RePeLis| The Kid Detective (2020) H.D Pelicula Completa español muo","year":2020,"lang":"es","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Entertainment; Illusion; Motion picture; Video recording","score_opus":0.07039422702525706,"score_gpt":0.2543307895807637,"score_spread":0.18393656255550667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912471426","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008646854,0.00050453056,0.0013920921,0.0010741354,0.001219573,0.00010345184,0.013213326,0.010302937,0.97132516],"genre_scores_gemma":[0.0032807859,0.00039400475,0.0009834237,0.0005644675,0.0001477336,0.000057777663,0.0069622686,0.0041301744,0.98347926],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998957,0.000006021826,0.0000028846946,0.000019442103,0.000054414104,0.000021501799],"domain_scores_gemma":[0.99962306,0.000033878146,0.000013142582,0.00004646169,0.00017548562,0.00010791125],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018564214,0.000710432,0.00033100808,0.0007278957,0.0009650582,0.0020596832,0.00074354734,0.0008946246,0.86145175],"category_scores_gemma":[0.0005835231,0.00032766332,0.0004000579,0.0005520241,0.00021956448,0.0017325208,0.0014389778,0.0010446536,0.7651978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032277334,0.0000129248965,0.00007663735,0.00007915737,0.0000012025408,0.000043300108,0.000039955907,0.000017541988,0.00096351927,0.0006708432,0.96610963,0.031953055],"study_design_scores_gemma":[0.000006120037,0.0000062794,0.00026938273,0.00002086057,9.6487e-7,0.000040714207,0.000036213452,0.000018136687,0.00033898576,0.00012600214,0.9991327,0.000003635101],"about_ca_topic_score_codex":0.005556189,"about_ca_topic_score_gemma":0.016293954,"teacher_disagreement_score":0.13854825,"about_ca_system_score_codex":0.00054418785,"about_ca_system_score_gemma":0.00039279743,"threshold_uncertainty_score":0.19762218},"labels":[],"label_agreement":null},{"id":"W6930299291","doi":"10.5281/zenodo.12517237","title":"EL GOS DELS BASKERVILLE ARTHUR CONAN DOYLE ePub gratis","year":2024,"lang":"ca","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Quarter (Canadian coin); Biography; Context (archaeology)","score_opus":0.05731998362168994,"score_gpt":0.2684301764085031,"score_spread":0.21111019278681314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6930299291","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012946103,0.03490159,0.0004437431,0.08291922,0.07940154,0.000041409716,0.00025501265,0.00022460597,0.8005184],"genre_scores_gemma":[0.006091158,0.0078511685,0.00013430652,0.005511624,0.005015477,0.000018721423,0.00007840106,0.00017353358,0.97512555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989405,0.00016049527,0.000020605197,0.00012415282,0.0006159251,0.00013833222],"domain_scores_gemma":[0.99842346,0.00033993577,0.00006971008,0.00007450872,0.00079326803,0.0002991175],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007943254,0.0007479079,0.00036953168,0.0011220312,0.0037508083,0.007881701,0.0005854484,0.0022884477,0.16197005],"category_scores_gemma":[0.003581919,0.00031491317,0.00023624343,0.0009297467,0.0020527518,0.0033650212,0.002164942,0.004144968,0.07674138],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067567976,0.0000032159205,0.000025807807,0.000040029438,6.4169893e-7,0.00002959173,0.00039704505,0.000014488718,0.00007727549,0.0055567585,0.9813442,0.012504067],"study_design_scores_gemma":[6.2868656e-7,0.0000014674499,0.000059941543,0.00005376785,3.422294e-7,0.00001390314,0.00028643484,0.0000037924053,0.000020793324,0.00026863193,0.99928844,0.0000017148735],"about_ca_topic_score_codex":0.018855246,"about_ca_topic_score_gemma":0.04827677,"teacher_disagreement_score":0.83803,"about_ca_system_score_codex":0.0041527087,"about_ca_system_score_gemma":0.0047044232,"threshold_uncertainty_score":0.5418438},"labels":[],"label_agreement":null},{"id":"W6967787000","doi":"10.5281/zenodo.13366746","title":"Detetives transculturais: rompendo fronteiras na ficção criminal","year":2024,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eulogy; Identity (music); Multiculturalism; Officer; White (mutation); Race (biology); Wife; Relation (database); Ethnic group","score_opus":0.0853845017997038,"score_gpt":0.26641117750915705,"score_spread":0.18102667570945324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6967787000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5188816,0.0045016296,0.003026777,0.013767412,0.00096387084,0.000071686954,0.000083839725,0.00012711852,0.4585761],"genre_scores_gemma":[0.9784667,0.00092423765,0.00038809236,0.00053304614,0.0001345258,0.000026410722,0.000018163408,0.000030690488,0.019478273],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986197,0.00082158926,0.00002416249,0.00010545351,0.00024882285,0.00018030194],"domain_scores_gemma":[0.9983735,0.00093416474,0.00024512,0.000117011885,0.00014143379,0.00018872402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011758803,0.00045287565,0.0003486197,0.0012824563,0.010589882,0.005633424,0.0007611688,0.0016028702,0.0035488296],"category_scores_gemma":[0.0043360554,0.00018126421,0.00016943434,0.0006869016,0.012740275,0.0023134693,0.0041793473,0.0028317785,0.00041605125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048566613,0.00007523944,0.0023389333,0.00015292622,0.000005684233,0.0016894008,0.73967445,0.0000644624,0.00065053767,0.20892134,0.014306653,0.032071754],"study_design_scores_gemma":[0.0000072813073,0.00006203902,0.003372828,0.00047020172,0.000010790424,0.0018805047,0.3869654,0.00023296016,0.0008624687,0.008754029,0.5973597,0.000021798045],"about_ca_topic_score_codex":0.0064842626,"about_ca_topic_score_gemma":0.014820651,"teacher_disagreement_score":0.010589882,"about_ca_system_score_codex":0.0035892546,"about_ca_system_score_gemma":0.0013247927,"threshold_uncertainty_score":0.026041985},"labels":[],"label_agreement":null},{"id":"W6968698786","doi":"10.5281/zenodo.4169155","title":"[[Vedere]] » The Kid Detective (2020) film completo streaming ita hd clx","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Diafiltration; Dysgeusia; Liquation; Fusible alloy; Hyporeflexia; Triacetin","score_opus":0.08924795889647472,"score_gpt":0.2450724874611508,"score_spread":0.15582452856467607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968698786","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016923533,0.0004726078,0.0007324397,0.0017963591,0.0033309243,0.00012357326,0.0045235488,0.002692752,0.9846355],"genre_scores_gemma":[0.0072091576,0.0003888075,0.0007765541,0.00073795504,0.000455671,0.000049706123,0.003028231,0.0013537238,0.98600024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984217,0.000012104314,0.000004099398,0.000025317795,0.00006909882,0.00004720154],"domain_scores_gemma":[0.9997031,0.000020977785,0.000009522303,0.000024608311,0.0001198772,0.00012185455],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026789628,0.00047785338,0.0001990808,0.00057847536,0.001931027,0.003328878,0.00058728294,0.00081308995,0.6392958],"category_scores_gemma":[0.0008214055,0.00030998097,0.00029713212,0.00035538405,0.00023727259,0.0015244212,0.0017285288,0.0014356246,0.33070907],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020825582,0.0000072348753,0.00008338794,0.000035332556,0.0000012030282,0.000038028393,0.00015157633,0.000008116534,0.00022604653,0.0009846174,0.98190296,0.016540803],"study_design_scores_gemma":[0.0000034295253,0.000005107999,0.00043253263,0.00002251654,8.126438e-7,0.000037527472,0.0001191577,0.000012380041,0.00010108859,0.00006426347,0.9991985,0.000002760209],"about_ca_topic_score_codex":0.014959912,"about_ca_topic_score_gemma":0.05733686,"teacher_disagreement_score":0.36070418,"about_ca_system_score_codex":0.00073974184,"about_ca_system_score_gemma":0.0004402152,"threshold_uncertainty_score":0.51450074},"labels":[],"label_agreement":null},{"id":"W6974188467","doi":"10.58079/sc69","title":"Retour sur l’actualité récente : Agatha Christie et Nimrud","year":2017,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agatha; Subject (documents); Mistake; Relation (database)","score_opus":0.06882387080978936,"score_gpt":0.2916421017697767,"score_spread":0.22281823095998732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6974188467","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012835984,0.06867582,0.0004598369,0.805845,0.032075595,0.000024431618,0.000109389606,0.00004159035,0.07993237],"genre_scores_gemma":[0.2755309,0.08687148,0.0011462274,0.33352208,0.03326777,0.00019994513,0.00012505216,0.00045211337,0.26888448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99307775,0.0033689418,0.00023370364,0.0008333894,0.0016081828,0.0008780866],"domain_scores_gemma":[0.9819869,0.012831422,0.00069555995,0.0007662394,0.0020844433,0.001635511],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009651325,0.0004468573,0.0007466983,0.0015987629,0.014156519,0.013674536,0.0020211346,0.01015442,0.014711365],"category_scores_gemma":[0.02518816,0.0004877427,0.00035505355,0.0018009662,0.014253419,0.010691358,0.007598193,0.017138144,0.0028532774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046203724,0.00004703824,0.000802458,0.00051667047,0.000012884472,0.0008776455,0.09435561,0.00005306531,0.00033078608,0.18895747,0.6711445,0.042855754],"study_design_scores_gemma":[0.0000021723665,0.000004742826,0.0005151223,0.00028869207,0.0000027561168,0.0001450954,0.011940557,0.000011085044,0.00006956822,0.00201827,0.9849909,0.000011055358],"about_ca_topic_score_codex":0.029886521,"about_ca_topic_score_gemma":0.058880318,"teacher_disagreement_score":0.029886521,"about_ca_system_score_codex":0.010825775,"about_ca_system_score_gemma":0.010490026,"threshold_uncertainty_score":0.07854682},"labels":[],"label_agreement":null},{"id":"W6980807010","doi":"","title":"Criminologie et justice sociale : perspectives critiques","year":2010,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Economic Justice; Criminal justice; Social justice; Criticism","score_opus":0.07917883158617219,"score_gpt":0.3214958745275299,"score_spread":0.24231704294135775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980807010","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013726861,0.149191,0.00090481155,0.5071539,0.0061152736,0.000076134114,0.00056579075,0.00003494654,0.3222312],"genre_scores_gemma":[0.61234623,0.19555403,0.0017023506,0.04040836,0.004421307,0.00031332823,0.00031756752,0.0001723086,0.14476448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9882758,0.005248317,0.0003574927,0.0009244141,0.0034354734,0.0017584095],"domain_scores_gemma":[0.9790309,0.011954326,0.00060671597,0.0010399836,0.0054802313,0.0018878339],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0103250975,0.0009320963,0.00088482595,0.00708323,0.019122707,0.022720784,0.0030046513,0.007800304,0.014503444],"category_scores_gemma":[0.01590946,0.00048416693,0.0005091109,0.009344583,0.044193007,0.0072975527,0.008314474,0.009468904,0.0014692589],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005008478,0.00003018568,0.00084450026,0.0010947908,0.000019319496,0.00024012465,0.10406983,0.00023457657,0.00024914637,0.69556403,0.17389739,0.023706008],"study_design_scores_gemma":[0.000010476751,0.000009108368,0.0028845037,0.0020350816,0.000020639836,0.00009568297,0.10707128,0.00008492221,0.00035101426,0.023331387,0.86406934,0.000036490954],"about_ca_topic_score_codex":0.7079441,"about_ca_topic_score_gemma":0.79167724,"teacher_disagreement_score":0.7079441,"about_ca_system_score_codex":0.1253373,"about_ca_system_score_gemma":0.07965685,"threshold_uncertainty_score":0.90939003},"labels":[],"label_agreement":null},{"id":"W6981151576","doi":"","title":"Different Worldviews, Different World Literatures? The Contrasting Chronotopes of Ethnic Detective Fiction in Pasado Perfecto and The Beggar's Opera","year":2020,"lang":"en","type":"article","venue":"Ghent University Academic Bibliography (Ghent University)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chronotope; Opera; Detective fiction; Ethnic group; Ethnography; Context (archaeology)","score_opus":0.04163345157605375,"score_gpt":0.21887130995900916,"score_spread":0.17723785838295542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981151576","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40285447,0.01851706,0.0028226955,0.019085996,0.0012054605,0.000046007175,0.00016497643,0.00007179325,0.5552316],"genre_scores_gemma":[0.989146,0.0021913508,0.00033722454,0.00036766997,0.0001232319,0.000020190268,0.000041974396,0.000030415564,0.0077419984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988556,0.0006848913,0.000022232918,0.000101498474,0.00013548776,0.00020030074],"domain_scores_gemma":[0.998679,0.0006459251,0.00020063427,0.00015882516,0.00016211934,0.00015343941],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013658836,0.0003926529,0.0002700522,0.002284222,0.007714948,0.008897409,0.0007299947,0.00079576176,0.0020547456],"category_scores_gemma":[0.002553559,0.00020727943,0.00015804979,0.0021226218,0.025909346,0.003559653,0.0024107676,0.0022355278,0.00014810344],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052006802,0.000018218087,0.0008983717,0.000101415695,0.0000057480784,0.0005661365,0.43478066,0.00005909994,0.00031889128,0.54317015,0.0051779286,0.014851473],"study_design_scores_gemma":[0.000012626274,0.000030956817,0.007729977,0.0004098084,0.000014200338,0.0007253744,0.60646945,0.000093527415,0.0007990735,0.027457397,0.356227,0.000030587464],"about_ca_topic_score_codex":0.043753393,"about_ca_topic_score_gemma":0.06863715,"teacher_disagreement_score":0.043753393,"about_ca_system_score_codex":0.008325272,"about_ca_system_score_gemma":0.002564791,"threshold_uncertainty_score":0.08699745},"labels":[],"label_agreement":null},{"id":"W6981394611","doi":"","title":"Effets d'un abus incestueux sur l'apprentissage scolaire d'un jeune garÃ§on","year":2001,"lang":"fr","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Context (archaeology); Identification (biology)","score_opus":0.005597663456859104,"score_gpt":0.14857302781122572,"score_spread":0.1429753643543666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981394611","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7559665,0.0021315042,0.00021000608,0.01862869,0.0009830953,0.00016081329,0.00063706364,0.00008989316,0.22119239],"genre_scores_gemma":[0.85209894,0.0014653223,0.00026688454,0.0029205352,0.0002974992,0.00008018143,0.00020745107,0.000029835244,0.14263336],"study_design_codex":"design_other","study_design_gemma":"case_report","domain_scores_codex":[0.99784744,0.0007272254,0.00006530314,0.00010850615,0.00070257793,0.0005489937],"domain_scores_gemma":[0.98653036,0.008360704,0.0006739101,0.00044775105,0.0019452404,0.0020419569],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001630031,0.00041087813,0.00028293685,0.0009494839,0.0045076394,0.0024810266,0.0011443513,0.0030747545,0.04191745],"category_scores_gemma":[0.02548048,0.00023342767,0.00040025896,0.00049060455,0.001389849,0.0007357383,0.001805639,0.0019747072,0.0023425338],"study_design_candidate":"case_report","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.024011554,0.010815214,0.15363082,0.0010851795,0.00034938377,0.0036691919,0.024786076,0.0025137118,0.0047553154,0.053739455,0.2626519,0.45799214],"study_design_scores_gemma":[0.0029258218,0.008497073,0.5702797,0.0014956496,0.0010390646,0.0014936263,0.05285607,0.0026678883,0.0072077583,0.014378275,0.33696097,0.00019799979],"about_ca_topic_score_codex":0.2286978,"about_ca_topic_score_gemma":0.40718704,"teacher_disagreement_score":0.2286978,"about_ca_system_score_codex":0.0030103177,"about_ca_system_score_gemma":0.005943196,"threshold_uncertainty_score":0.45473325},"labels":[],"label_agreement":null},{"id":"W6981566223","doi":"","title":"Endothelial cell response to shear stress in an asymmetric stenosis model","year":2006,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Shear stress; Endothelial stem cell; Stenosis; Endothelium; Shear (geology); In vivo; Hemodynamics; Haemodynamic response","score_opus":0.03367946520283878,"score_gpt":0.2590449807779235,"score_spread":0.22536551557508472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981566223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9907817,0.000119807766,0.0042642257,0.0002523822,0.000053266383,0.000027494963,0.00025718997,0.000077554985,0.004166398],"genre_scores_gemma":[0.9947325,0.00018654468,0.0019977826,0.00007081505,0.000017260109,0.000028184886,0.0002403049,0.000008376106,0.0027180843],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9998739,0.00002058937,0.00000538618,0.000024904684,0.000043730764,0.000031472504],"domain_scores_gemma":[0.9998467,0.000028324226,0.00003283926,0.000017698329,0.000024124902,0.000050281193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015065171,0.00037922073,0.0005059381,0.0005248594,0.00026818787,0.00049633696,0.000373414,0.00071430305,0.0019133806],"category_scores_gemma":[0.0002767412,0.00017193133,0.00021081248,0.00032236334,0.0002789236,0.00016872675,0.00027218368,0.00041314025,0.0003141641],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014440932,0.0010218619,0.0029713244,0.00009865541,0.000028361865,0.00167059,0.00018954696,0.19748375,0.78113014,0.005401995,0.0014511222,0.0071085575],"study_design_scores_gemma":[0.00023275502,0.0012710897,0.009033284,0.000014541891,0.000038088656,0.000505816,0.00010883488,0.8958775,0.088903494,0.0016890139,0.002278205,0.000047385372],"about_ca_topic_score_codex":0.0032707884,"about_ca_topic_score_gemma":0.0016060806,"teacher_disagreement_score":0.0032707884,"about_ca_system_score_codex":0.00048803666,"about_ca_system_score_gemma":0.00030666642,"threshold_uncertainty_score":0.006503463},"labels":[],"label_agreement":null},{"id":"W6981709085","doi":"","title":"Examining the long-term effects of a commercial mHealth app: A 24-month quasi-experimental study of 516,818 app users","year":2024,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"mHealth; Smartphone app; Baseline (sea); Sample (material); Physical activity; Longitudinal study; Mobile apps; Longitudinal data","score_opus":0.16490440665289735,"score_gpt":0.34521565740380605,"score_spread":0.1803112507509087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981709085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9983981,0.00004649069,0.00009472477,0.000049767,0.0000135714845,0.0009076128,0.00019973777,0.0000065995077,0.00028335987],"genre_scores_gemma":[0.9905222,0.00013269395,0.001189034,0.00032690764,0.000050150607,0.004812324,0.00042335808,0.0000072422777,0.0025359623],"study_design_codex":"observational","study_design_gemma":"nonrandomized_trial","domain_scores_codex":[0.99845433,0.0005440045,0.00015999103,0.0003064494,0.00030377007,0.00023149313],"domain_scores_gemma":[0.9948419,0.0016709289,0.0012331625,0.00056621805,0.0010138563,0.0006740345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037624422,0.00056760584,0.00087485235,0.000546621,0.0025328468,0.0010513494,0.00071709225,0.001015124,0.004032047],"category_scores_gemma":[0.007377476,0.00089863816,0.0008274328,0.00035207675,0.0011782201,0.0010585075,0.00076847523,0.0012325406,0.0012002295],"study_design_candidate":"nonrandomized_trial","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.03013319,0.19724455,0.6050864,0.0016307419,0.001070987,0.0010517371,0.05102964,0.00032982018,0.011398917,0.00029948298,0.0051198625,0.09560462],"study_design_scores_gemma":[0.0031570764,0.09842162,0.8815479,0.00014891513,0.0003324061,0.00021379578,0.010061617,0.00050632714,0.001389981,0.00015989249,0.003959768,0.00010069934],"about_ca_topic_score_codex":0.01988118,"about_ca_topic_score_gemma":0.033954546,"teacher_disagreement_score":0.01988118,"about_ca_system_score_codex":0.0012118978,"about_ca_system_score_gemma":0.0018788261,"threshold_uncertainty_score":0.039530933},"labels":[],"label_agreement":null},{"id":"W6981907297","doi":"","title":"Flood Management in Kazakhstan: What lessons can the Karaganda region learn from Alberta, Canada?","year":2017,"lang":"en","type":"dissertation","venue":"Nazarbayev University Repository (Nazarbayev University)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Flood myth; Flooding (psychology); Resilience (materials science); Flood risk management; Public policy; Emergency management","score_opus":0.0194635483946108,"score_gpt":0.19829719241488641,"score_spread":0.17883364402027563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981907297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7623686,0.013157303,0.00043989377,0.08007283,0.00056519476,0.000054154654,0.00051321933,0.000029187844,0.1427996],"genre_scores_gemma":[0.96661067,0.008920932,0.00037065666,0.0035536864,0.000046984413,0.000016828792,0.00018221866,0.000019036846,0.020278912],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9987458,0.00034662534,0.00001929828,0.0000769155,0.00019721582,0.0006141629],"domain_scores_gemma":[0.9987857,0.00037049234,0.000083260704,0.000041826162,0.00036949583,0.00034930624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014159813,0.00035998123,0.0004525701,0.0010999993,0.02741149,0.0074918834,0.0013932362,0.001145724,0.003797301],"category_scores_gemma":[0.0020685093,0.00020049693,0.0001889543,0.0027433124,0.01054114,0.0018793251,0.0024986274,0.0026327556,0.00030765802],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021995594,0.0001454404,0.042737566,0.0005612488,0.000048975802,0.0038863246,0.71742296,0.0007327119,0.0009987614,0.07711684,0.060463194,0.09566598],"study_design_scores_gemma":[0.000008519396,0.00002457559,0.03198553,0.00048002036,0.000018136048,0.00029101231,0.8189139,0.000114733484,0.00024973208,0.0023758633,0.1454969,0.00004110004],"about_ca_topic_score_codex":0.9905481,"about_ca_topic_score_gemma":0.9971886,"teacher_disagreement_score":0.07787798,"about_ca_system_score_codex":0.07787798,"about_ca_system_score_gemma":0.13770966,"threshold_uncertainty_score":0.56504697},"labels":[],"label_agreement":null},{"id":"W6982470680","doi":"","title":"The Influencing Factors and Process of Becoming and Remaining an&#13;\\nAge-Friendly University","year":2024,"lang":"en","type":"dissertation","venue":"Dublin City University Open Access Institutional Repository (Dublin City University)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Process (computing); Population ageing; Lifelong learning; Urbanization; Population; Interpretation (philosophy); Value (mathematics); Active ageing","score_opus":0.07520718563530303,"score_gpt":0.31631815894829957,"score_spread":0.24111097331299652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982470680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8625175,0.0038213013,0.0048526316,0.019697705,0.00052104925,0.00020251353,0.00016252755,0.00009882549,0.10812595],"genre_scores_gemma":[0.99288094,0.0013814612,0.0009507547,0.00063780934,0.00006313656,0.000041064824,0.000046976016,0.000023565357,0.0039743213],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99268967,0.003751904,0.00031032777,0.00054640166,0.0012190946,0.0014826203],"domain_scores_gemma":[0.98722726,0.004079383,0.0018536714,0.0003999019,0.0021229296,0.0043168305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0068444717,0.00026963363,0.00029464345,0.0014306912,0.006857414,0.00883224,0.0010120735,0.0011297927,0.008708293],"category_scores_gemma":[0.019555982,0.00023860334,0.0006432628,0.0009922363,0.0067091873,0.004618963,0.00645401,0.0027094511,0.0011442406],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014389413,0.00059598766,0.3189156,0.00059414865,0.00008329653,0.0017131425,0.4460916,0.00053820765,0.0007443684,0.06518329,0.019112434,0.14628395],"study_design_scores_gemma":[0.000016677537,0.00020187636,0.33019444,0.0010325277,0.00008741446,0.0009315775,0.48923212,0.0010706031,0.0007540656,0.01792005,0.15840182,0.00015681304],"about_ca_topic_score_codex":0.023471547,"about_ca_topic_score_gemma":0.029941453,"teacher_disagreement_score":0.023471547,"about_ca_system_score_codex":0.0048168376,"about_ca_system_score_gemma":0.008142278,"threshold_uncertainty_score":0.04666984},"labels":[],"label_agreement":null},{"id":"W6982558744","doi":"","title":"iNPH QUEST Study: quantifying a battery of gait, cognitive and radiological examinations to improve identification of shunt candidates from the cerebrospinal fluid tap test","year":2019,"lang":"en","type":"dissertation","venue":"Figshare","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cerebrospinal fluid; Shunt (medical); Cognition; Radiological weapon; Hydrocephalus; Cognitive test; Normal pressure hydrocephalus","score_opus":0.07605800703835089,"score_gpt":0.312766452529199,"score_spread":0.2367084454908481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982558744","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97213584,0.0009391182,0.0036832718,0.0002464576,0.00011414852,0.0026242794,0.013222161,0.00015195546,0.0068826685],"genre_scores_gemma":[0.94678974,0.0009854104,0.02271222,0.00039971952,0.0001089614,0.0036729805,0.018132215,0.000064708016,0.0071341484],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992285,0.00025939572,0.000113228045,0.00014285382,0.00019063032,0.00006536982],"domain_scores_gemma":[0.9983474,0.0003408161,0.00045159284,0.00010752356,0.0005183624,0.00023425535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019250235,0.0009788782,0.0007272779,0.0013136907,0.0003542053,0.0014932666,0.0006420962,0.0008929605,0.0022784567],"category_scores_gemma":[0.0048620296,0.00027933237,0.0009159274,0.00052201084,0.00027562998,0.0006297289,0.0010016012,0.00056036667,0.0009033521],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0059211566,0.002490266,0.9019139,0.0008662803,0.00093124097,0.00023017451,0.0006049096,0.0012659652,0.00463663,0.000654241,0.006773707,0.07371153],"study_design_scores_gemma":[0.00071485614,0.00656524,0.97200465,0.00022017931,0.0006501091,0.001101677,0.0005442601,0.0041342624,0.0031193928,0.0006070019,0.0102461465,0.00009234244],"about_ca_topic_score_codex":0.002981886,"about_ca_topic_score_gemma":0.0058318856,"teacher_disagreement_score":0.002981886,"about_ca_system_score_codex":0.0005596739,"about_ca_system_score_gemma":0.0011438542,"threshold_uncertainty_score":0.010180593},"labels":[],"label_agreement":null},{"id":"W6987779616","doi":"","title":"Triple threats: young female detectives and the crimes of postfeminism","year":2010,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; McGill University","keywords":"Work (physics); Narrative; Field (mathematics); Construct (python library)","score_opus":0.027591468215529418,"score_gpt":0.25604724546612534,"score_spread":0.22845577725059593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987779616","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9458548,0.0031217535,0.00008801623,0.017339898,0.00024561855,0.000024758714,0.00008879806,0.0000064709097,0.033229895],"genre_scores_gemma":[0.9860175,0.002748084,0.000053027037,0.0015029529,0.00011447255,0.000022930453,0.000033332348,0.000007379588,0.009500277],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903154,0.00042350433,0.000032040283,0.000060793485,0.00016386042,0.00028828945],"domain_scores_gemma":[0.9962837,0.0014443299,0.0009756203,0.00008835931,0.00026948596,0.0009385053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010757626,0.00036788455,0.00031553436,0.0010687811,0.0065205926,0.0045097475,0.00072784576,0.0023432986,0.0069958377],"category_scores_gemma":[0.0064927614,0.00037460006,0.00023607255,0.0009122468,0.0030198782,0.0023816605,0.0025599734,0.0039613107,0.0005605764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010598298,0.00055956823,0.15855783,0.00013748926,0.00004241893,0.0048807086,0.75001556,0.000051173443,0.00036623073,0.01866695,0.022931464,0.043684643],"study_design_scores_gemma":[0.000008975741,0.00020709021,0.098082446,0.00029214929,0.000028678167,0.0031075873,0.8662834,0.00004434084,0.00017763386,0.0013942742,0.030354353,0.000019025161],"about_ca_topic_score_codex":0.027467674,"about_ca_topic_score_gemma":0.07141692,"teacher_disagreement_score":0.027467674,"about_ca_system_score_codex":0.0019493891,"about_ca_system_score_gemma":0.002565983,"threshold_uncertainty_score":0.054615557},"labels":[],"label_agreement":null},{"id":"W6987801189","doi":"","title":"Understanding aging issues in Indonesia","year":2005,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"McGill University","keywords":"Public policy; Context (archaeology); Government (linguistics); Public life","score_opus":0.09116877945549574,"score_gpt":0.2844669688548572,"score_spread":0.1932981893993615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987801189","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90927005,0.005885613,0.001931621,0.005177604,0.0002378969,0.000088093155,0.00009949188,0.000018296767,0.07729131],"genre_scores_gemma":[0.9840971,0.0060786773,0.0013483627,0.00089441554,0.000075046286,0.00008262937,0.0000573056,0.00001193664,0.0073545193],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99927,0.0004035731,0.0000600322,0.00006332971,0.00010401599,0.00009902498],"domain_scores_gemma":[0.99898094,0.0005145886,0.00023223099,0.000039371374,0.00014137442,0.00009145507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017824824,0.00029264903,0.00023428454,0.0010219042,0.003724503,0.0031389333,0.00038241057,0.00047549471,0.0009577592],"category_scores_gemma":[0.0023517713,0.0001539104,0.00010823085,0.0010756523,0.0023059773,0.003641761,0.0018853031,0.0013575357,0.00017272911],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010610405,0.00005515002,0.011564666,0.00010654458,0.0000020053287,0.0005850741,0.9513834,0.000047053967,0.0008197315,0.0051501333,0.0015443343,0.028731246],"study_design_scores_gemma":[0.0000023270252,0.000029924327,0.02219955,0.00032924482,0.000008817692,0.00053510227,0.8693155,0.00014242467,0.00051785604,0.0026138,0.1042929,0.000012515174],"about_ca_topic_score_codex":0.009215511,"about_ca_topic_score_gemma":0.015652353,"teacher_disagreement_score":0.009215511,"about_ca_system_score_codex":0.0023386155,"about_ca_system_score_gemma":0.0024678914,"threshold_uncertainty_score":0.01832372},"labels":[],"label_agreement":null},{"id":"W6989124250","doi":"","title":"Agatha Christie and Dorothy L. Sayers. Detecting Community in their Public, Private, and Fictional Lives.","year":2023,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Regional Municipality of Waterloo","funders":"","keywords":"Agatha; Interwar period; Newspaper; Detective fiction; Context (archaeology); Movie theater; Popularity; Narrative; Cultural history; Middlebrow","score_opus":0.040096542967744064,"score_gpt":0.21718676107295895,"score_spread":0.17709021810521489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989124250","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03276022,0.1553171,0.0025995648,0.31394097,0.010985542,0.00012368403,0.00020245364,0.00022885128,0.48384175],"genre_scores_gemma":[0.6032486,0.061379727,0.003328871,0.054737967,0.0046528354,0.0003531824,0.00012882009,0.00020038236,0.27196965],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9982864,0.00079297606,0.000049485767,0.00020972495,0.0004512299,0.00021010773],"domain_scores_gemma":[0.9952819,0.0032713565,0.00032158557,0.00022715339,0.00046556984,0.00043255583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014270908,0.000778192,0.00026840632,0.0016414125,0.00904483,0.005753273,0.0007906345,0.0044217734,0.0078078834],"category_scores_gemma":[0.0065505565,0.00026070914,0.00029863958,0.0010054499,0.01725656,0.006262384,0.0040291604,0.005831075,0.0016812083],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004446099,0.000045926263,0.000896719,0.00036817294,0.000010744005,0.00066834263,0.20075816,0.0000671444,0.0005309217,0.41798642,0.3153913,0.063231744],"study_design_scores_gemma":[0.0000050856765,0.000019551602,0.00097178086,0.00028505,0.000005025487,0.00038990207,0.031274915,0.000034207907,0.00027468472,0.012934213,0.95379156,0.0000140876755],"about_ca_topic_score_codex":0.015651235,"about_ca_topic_score_gemma":0.032270934,"teacher_disagreement_score":0.015651235,"about_ca_system_score_codex":0.0040905536,"about_ca_system_score_gemma":0.0030729892,"threshold_uncertainty_score":0.03112024},"labels":[],"label_agreement":null},{"id":"W6989934035","doi":"","title":"Clearing the air, the stories of municipal smoking-control bylaws in British Columbia","year":2000,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Durvalumab","score_opus":0.005685300753285911,"score_gpt":0.144545418388849,"score_spread":0.13886011763556308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989934035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34425315,0.010587509,0.00039891797,0.27475157,0.001321963,0.00011229679,0.00078141596,0.00007170898,0.36772156],"genre_scores_gemma":[0.74869764,0.0049172174,0.00012247347,0.031226352,0.00019242827,0.00007854907,0.00016668007,0.00010337909,0.21449527],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9969349,0.00058814185,0.00005901946,0.0001964254,0.00059195876,0.0016295036],"domain_scores_gemma":[0.99263656,0.00299821,0.00052721536,0.00020078538,0.0017225137,0.0019146719],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001966189,0.00042387287,0.0005010501,0.0019458652,0.06661575,0.013832606,0.0029637998,0.008505989,0.0142997615],"category_scores_gemma":[0.0118564945,0.0007062703,0.00027839726,0.004166624,0.011579563,0.0031627975,0.004968382,0.015380613,0.0011176654],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011528858,0.00012431832,0.010354113,0.00014822558,0.000029307594,0.0031196224,0.45422247,0.00032995798,0.0003167399,0.058574263,0.43948767,0.033178046],"study_design_scores_gemma":[0.00001249472,0.000013782506,0.013815075,0.00026684604,0.000030587133,0.00016385787,0.5598764,0.00014958037,0.00018746131,0.0028096572,0.42261663,0.000057662823],"about_ca_topic_score_codex":0.9828283,"about_ca_topic_score_gemma":0.9953955,"teacher_disagreement_score":0.071400404,"about_ca_system_score_codex":0.071400404,"about_ca_system_score_gemma":0.07995013,"threshold_uncertainty_score":0.51804864},"labels":[],"label_agreement":null},{"id":"W6990322316","doi":"","title":"Dead in the water an anthology of Canadian crime fiction","year":2006,"lang":"en","type":"article","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Perspective (graphical); Event (particle physics); Agency (philosophy)","score_opus":0.053708754361044914,"score_gpt":0.248014450917774,"score_spread":0.19430569655672908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990322316","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05855496,0.033299584,0.0014088616,0.1139874,0.009084612,0.00008930318,0.0008953578,0.00012032642,0.7825596],"genre_scores_gemma":[0.63621867,0.015334319,0.0011516832,0.01240827,0.0020418619,0.000074001175,0.0002931081,0.00030503326,0.33217305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988368,0.00025563216,0.000020924057,0.00009715888,0.00042974405,0.00035974357],"domain_scores_gemma":[0.9976902,0.0010724976,0.00009696779,0.000052525855,0.00077896385,0.00030887825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093362597,0.0008058083,0.0006324994,0.0040893746,0.037127648,0.009112785,0.0015580211,0.0028577824,0.013182826],"category_scores_gemma":[0.0054496056,0.0002706466,0.00029342822,0.004796032,0.013682076,0.0015679977,0.0020092728,0.0053890715,0.0006171533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007964291,0.00002096646,0.00058417144,0.00025973326,0.000010416355,0.0007546267,0.16617572,0.00020304671,0.0004085389,0.33132738,0.47383216,0.026343627],"study_design_scores_gemma":[0.000003396011,0.000004091838,0.0011970318,0.00016484172,0.0000053194303,0.00009502071,0.027792728,0.00004450741,0.0001414606,0.0022573606,0.9682778,0.000016565467],"about_ca_topic_score_codex":0.9582011,"about_ca_topic_score_gemma":0.984063,"teacher_disagreement_score":0.07937907,"about_ca_system_score_codex":0.07937907,"about_ca_system_score_gemma":0.052027006,"threshold_uncertainty_score":0.5759381},"labels":[],"label_agreement":null},{"id":"W6993858395","doi":"","title":"Jours de glace","year":2019,"lang":"fr","type":"article","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poison control; Prison; Dirt","score_opus":0.018266431615895334,"score_gpt":0.2434526685153527,"score_spread":0.22518623689945735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993858395","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002123899,0.04307162,0.0011396436,0.10578197,0.14703126,0.0001694202,0.0026950177,0.0009139373,0.6970733],"genre_scores_gemma":[0.002481681,0.0035462622,0.00029437756,0.0057022544,0.0039855936,0.000026015905,0.00041182776,0.00021689404,0.98333514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908185,0.00015569926,0.00003947992,0.00018010382,0.00038715923,0.0001557303],"domain_scores_gemma":[0.99841535,0.00016594493,0.00005960683,0.00013887529,0.00061326916,0.00060689484],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00095113995,0.0012321626,0.00075522455,0.0012233544,0.004779521,0.004537357,0.0011528109,0.0024175558,0.47211567],"category_scores_gemma":[0.0037182625,0.00044643495,0.000561846,0.0008422779,0.0014089965,0.002807657,0.0037930466,0.004766519,0.23422675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002091969,0.0000112176185,0.00010265304,0.000048188693,0.0000019288511,0.00008001133,0.00022308485,0.000014514767,0.00010808191,0.0027289272,0.9729086,0.023751885],"study_design_scores_gemma":[9.520056e-7,0.0000027612348,0.00010874953,0.000028139113,3.62932e-7,0.00003059212,0.00013470434,0.0000032452713,0.000012109698,0.00020718931,0.9994697,0.0000013592135],"about_ca_topic_score_codex":0.020645214,"about_ca_topic_score_gemma":0.06122867,"teacher_disagreement_score":0.47211567,"about_ca_system_score_codex":0.0025477333,"about_ca_system_score_gemma":0.0041313404,"threshold_uncertainty_score":0.75296295},"labels":[],"label_agreement":null},{"id":"W6995792276","doi":"","title":"On the poetics and politics of the so-called ethnic detective novel","year":2015,"lang":"en","type":"article","venue":"Ghent University Academic Bibliography (Ghent University)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Poetics; Politics; Detective fiction; Ethnic group; Field (mathematics)","score_opus":0.09491779797559098,"score_gpt":0.23731321438986297,"score_spread":0.142395416414272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995792276","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06758782,0.011922404,0.008429852,0.038604487,0.0023567693,0.000035342367,0.00006835966,0.00007595137,0.87091905],"genre_scores_gemma":[0.93862456,0.002290658,0.0012150763,0.0025347886,0.0014038293,0.000052771444,0.000027524566,0.00012089104,0.053729918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976125,0.0016875425,0.000034741857,0.00020714363,0.00026538325,0.00019268894],"domain_scores_gemma":[0.9981281,0.001293912,0.00020403716,0.00016156577,0.000104651,0.000107662454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024263808,0.0005104056,0.00035649148,0.0012742461,0.009007109,0.009207826,0.0009881237,0.002847393,0.003677925],"category_scores_gemma":[0.0039647906,0.00021215422,0.0002873128,0.00086541224,0.039087854,0.006482051,0.003919458,0.0044733463,0.0009958906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018688535,0.000008866364,0.00010727539,0.000035419078,0.0000018899735,0.00015133897,0.029165816,0.00005214655,0.00008197962,0.96272177,0.0051037148,0.0025509777],"study_design_scores_gemma":[0.00002054839,0.00004877844,0.0007384008,0.00035077063,0.0000092525715,0.0011473402,0.04858818,0.0004523687,0.00057194463,0.30333802,0.6447112,0.000023196873],"about_ca_topic_score_codex":0.00077479205,"about_ca_topic_score_gemma":0.0011988721,"teacher_disagreement_score":0.009207826,"about_ca_system_score_codex":0.0022946345,"about_ca_system_score_gemma":0.0007592161,"threshold_uncertainty_score":0.01664877},"labels":[],"label_agreement":null},{"id":"W6998802890","doi":"","title":"Au bout de la nuit 2 = Street kings 2 : Motor City","year":2011,"lang":"fr","type":"other","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passer; Power (physics); Period (music); Quarter (Canadian coin)","score_opus":0.036199100674199104,"score_gpt":0.2561032317132206,"score_spread":0.21990413103902148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998802890","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48041898,0.0011694925,0.0005797928,0.018186703,0.00052115205,0.00017608838,0.008149244,0.00022268406,0.49057594],"genre_scores_gemma":[0.43137598,0.0007940187,0.0003313653,0.0016825638,0.00012663979,0.000081576,0.001954198,0.000110710505,0.56354296],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972194,0.000049357837,0.000007416456,0.000037867758,0.000049983108,0.00013350772],"domain_scores_gemma":[0.9993773,0.000095225456,0.00010848177,0.00004988465,0.00013086286,0.00023830886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027370264,0.00025451212,0.00016084491,0.0009766481,0.008035996,0.0021062344,0.00061866036,0.001182036,0.0582903],"category_scores_gemma":[0.0011444689,0.00020869933,0.00014769685,0.001276037,0.0010029537,0.0011028996,0.0018280606,0.0013264163,0.00562053],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028936996,0.00023272005,0.06949156,0.0004250482,0.00003182802,0.0030572203,0.11469639,0.00023301029,0.0012005374,0.025518237,0.6766669,0.10815709],"study_design_scores_gemma":[0.000017342065,0.00005654085,0.20060354,0.00013741716,0.000013366981,0.00061248546,0.10491551,0.00010751356,0.0007940344,0.00074910757,0.69196814,0.000024966286],"about_ca_topic_score_codex":0.30758485,"about_ca_topic_score_gemma":0.7524042,"teacher_disagreement_score":0.30758485,"about_ca_system_score_codex":0.0032389346,"about_ca_system_score_gemma":0.0028013547,"threshold_uncertainty_score":0.611589},"labels":[],"label_agreement":null},{"id":"W7005909060","doi":"","title":"Sherlock Holmes, ce héros inusable qui résiste au temps qui passe","year":2017,"lang":"fr","type":"other","venue":"OpenEdition (OpenEdition)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Watson; Context (archaeology); Period (music); Quarter (Canadian coin)","score_opus":0.031164470673213984,"score_gpt":0.2580164353808891,"score_spread":0.2268519647076751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7005909060","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022816285,0.06286776,0.0021784566,0.19655953,0.0075293784,0.000049785824,0.00023481043,0.00019170006,0.7075724],"genre_scores_gemma":[0.18810342,0.011885565,0.0006992679,0.0229364,0.0010146643,0.000044072316,0.00007828125,0.00015586596,0.77508247],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9991253,0.00031310815,0.000023827226,0.00011646562,0.0002487746,0.00017251566],"domain_scores_gemma":[0.99870765,0.00058334396,0.00016623747,0.00009742559,0.00020191846,0.00024348072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008519913,0.0005840114,0.0002264795,0.0007140372,0.009576476,0.005372874,0.00078589766,0.0032838662,0.021123413],"category_scores_gemma":[0.0034696402,0.00031963296,0.0001764821,0.0005285451,0.007818622,0.0045305626,0.00278908,0.004986309,0.0052604056],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004142858,0.000017247796,0.00091154047,0.0001417393,0.0000050498406,0.00033446492,0.047935255,0.000026502963,0.00029719202,0.34065375,0.56885105,0.040784776],"study_design_scores_gemma":[0.000003335781,0.000007920965,0.0007488938,0.00013129051,0.0000021435274,0.0002529296,0.01488519,0.000018785264,0.00030474705,0.0071417848,0.976495,0.000007908027],"about_ca_topic_score_codex":0.033114262,"about_ca_topic_score_gemma":0.0879253,"teacher_disagreement_score":0.033114262,"about_ca_system_score_codex":0.0036975543,"about_ca_system_score_gemma":0.0030978997,"threshold_uncertainty_score":0.07066482},"labels":[],"label_agreement":null},{"id":"W7008407545","doi":"","title":"Book Review -- Lawmen in Scarlet: An Annotated Guide to Royal Canadian Mounted Police in Print and Performance","year":2013,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics)","score_opus":0.1745241842992735,"score_gpt":0.5046382236021947,"score_spread":0.33011403930292116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008407545","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006802227,0.25216067,0.0015593591,0.038254626,0.048996974,0.0005656605,0.009089189,0.001473488,0.6472198],"genre_scores_gemma":[0.0018961685,0.07017592,0.0006493018,0.0038348068,0.0037763023,0.00013482546,0.0021342428,0.00040461816,0.9169938],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972742,0.00022202007,0.0001204184,0.00013369636,0.0020195919,0.00023003404],"domain_scores_gemma":[0.989604,0.0013680819,0.00024428125,0.00025217308,0.007978329,0.0005531062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016231185,0.0013941872,0.0017237862,0.011752118,0.004527024,0.0062567485,0.0022545292,0.0021212224,0.22615711],"category_scores_gemma":[0.008046224,0.00066871126,0.0005424659,0.024708498,0.0015764071,0.0031893298,0.00142246,0.0019634932,0.102613986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018750087,0.0000029540565,0.000015174924,0.00016260309,5.9111454e-7,0.000012369076,0.00004662982,0.000017171598,0.000023394432,0.00042039398,0.9794601,0.019836808],"study_design_scores_gemma":[5.762746e-7,0.0000019046676,0.00016090249,0.00017647698,0.0000011933253,0.000016251737,0.00007226601,0.0000052907335,0.000016124495,0.00008462945,0.999461,0.0000034510592],"about_ca_topic_score_codex":0.5580081,"about_ca_topic_score_gemma":0.80268556,"teacher_disagreement_score":0.5580081,"about_ca_system_score_codex":0.016806027,"about_ca_system_score_gemma":0.03419818,"threshold_uncertainty_score":0.88918984},"labels":[],"label_agreement":null},{"id":"W7009012973","doi":"","title":"Despard, the spy; Or, the fall of Montreal","year":2019,"lang":"en","type":"book","venue":"ThinkTech (Texas Tech University)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Falling (accident); Fall of man; Period (music); Poison control","score_opus":0.036424413194498434,"score_gpt":0.20129191140868694,"score_spread":0.1648674982141885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009012973","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011385346,0.037084885,0.00052846066,0.01941566,0.0027141736,0.000054688688,0.00061131245,0.00015060855,0.9383016],"genre_scores_gemma":[0.0077629974,0.0042813914,0.00014685543,0.0010853662,0.00016051943,0.000014172673,0.00006443661,0.00008635853,0.9863979],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996643,0.000041149327,0.000005145268,0.000059999267,0.0001425992,0.00008677747],"domain_scores_gemma":[0.99977344,0.00004045787,0.000013896072,0.000015732909,0.00009222754,0.000064147214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003819952,0.0009599312,0.00041849678,0.0014992309,0.0118276635,0.006110739,0.0010870249,0.002617461,0.10266639],"category_scores_gemma":[0.0011361153,0.0005769094,0.0002696863,0.0019281455,0.0042766486,0.0034194496,0.0014455195,0.0033805592,0.011863838],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016532731,0.000011192731,0.00016086108,0.000056159173,0.0000024921706,0.00009064042,0.0013571961,0.00006259132,0.00007915409,0.10651059,0.85399044,0.037662197],"study_design_scores_gemma":[0.0000022595614,0.0000021699693,0.00030851958,0.00004086891,0.0000014026831,0.000020114127,0.00055848336,0.00001568994,0.000040531686,0.0022147961,0.99679106,0.0000041292315],"about_ca_topic_score_codex":0.7959971,"about_ca_topic_score_gemma":0.94694424,"teacher_disagreement_score":0.20400292,"about_ca_system_score_codex":0.016983813,"about_ca_system_score_gemma":0.01379759,"threshold_uncertainty_score":0.41040862},"labels":[],"label_agreement":null},{"id":"W7009988651","doi":"","title":"Freshwater Fury: A Novel","year":2022,"lang":"en","type":"dissertation","venue":"University Library (University of Saskatchewan)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Metaphor; Assemblage (archaeology); Storm","score_opus":0.016070944464129766,"score_gpt":0.1790460781915949,"score_spread":0.16297513372746514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009988651","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15563107,0.004338494,0.0014788415,0.03869723,0.0017688043,0.00007344632,0.0001749222,0.00008809701,0.7977491],"genre_scores_gemma":[0.7938593,0.0021899901,0.0005219148,0.0063495743,0.00041379812,0.00009043583,0.00007976703,0.00007701673,0.1964181],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992405,0.00033639112,0.000012767582,0.00007284403,0.00013908633,0.00019841835],"domain_scores_gemma":[0.9995592,0.0001531819,0.000040105348,0.000036257632,0.000059112557,0.0001520516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081076776,0.00047075353,0.00023792866,0.0007832253,0.025400855,0.00531021,0.0010271271,0.001637041,0.010035893],"category_scores_gemma":[0.0017290596,0.00017853548,0.00020580873,0.0007454594,0.015655534,0.0032238401,0.004586937,0.0027878496,0.0011241891],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004316691,0.000053731463,0.0008815696,0.000096946205,0.000004656623,0.0038109275,0.42312115,0.00008582178,0.00044735312,0.43452987,0.11908764,0.017837167],"study_design_scores_gemma":[0.0000061041337,0.000015698637,0.00077561,0.00013364435,0.0000036970907,0.0010078105,0.12683965,0.0000634843,0.0002761672,0.008064576,0.8628014,0.000012126202],"about_ca_topic_score_codex":0.046028916,"about_ca_topic_score_gemma":0.1265916,"teacher_disagreement_score":0.046028916,"about_ca_system_score_codex":0.011008851,"about_ca_system_score_gemma":0.0053908126,"threshold_uncertainty_score":0.09152198},"labels":[],"label_agreement":null},{"id":"W7019902098","doi":"","title":"It’s not as simple as copy/paste: the EU’s reproduction of the High Ambition Coalition in international climate governance","year":2022,"lang":"en","type":"article","venue":"Digital Access to Libraries (Université catholique de Louvain (UCL), l'Université de Namur (UNamur) and the Université Saint-Louis (USL-B))","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Climate governance; Negotiation; Corporate governance; European union; Global governance; Convention; State (computer science); Member state; Conference of the parties","score_opus":0.015149185041329984,"score_gpt":0.2163361350769316,"score_spread":0.20118695003560164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019902098","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052617166,0.0039709536,0.024143087,0.1756899,0.03560613,0.00041611388,0.0013111336,0.00097058597,0.7052749],"genre_scores_gemma":[0.5532435,0.0035752067,0.031594582,0.0522517,0.004112042,0.0005075639,0.0015452089,0.0036105723,0.34955966],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960537,0.0019672576,0.00018447159,0.00043250562,0.0011066465,0.00025539706],"domain_scores_gemma":[0.990906,0.004800833,0.0003438208,0.0020603905,0.001354699,0.00053419557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004040681,0.00034313803,0.00026562228,0.00063866103,0.0028538504,0.010317566,0.00097600574,0.0020369203,0.027105112],"category_scores_gemma":[0.037487485,0.000204063,0.00035289975,0.0014421667,0.0044619637,0.006463628,0.0033532814,0.0027681105,0.013098513],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000923963,0.00006714408,0.00216671,0.00046472257,0.000035820627,0.000966171,0.0348308,0.00034232886,0.0025462424,0.2011845,0.56855583,0.18874727],"study_design_scores_gemma":[0.00000952634,0.00002589261,0.0011466286,0.00023692909,0.000010037381,0.0003850313,0.009124614,0.00015834275,0.0011463874,0.012512379,0.97521836,0.000025846599],"about_ca_topic_score_codex":0.0018883699,"about_ca_topic_score_gemma":0.0031851397,"teacher_disagreement_score":0.027105112,"about_ca_system_score_codex":0.001405911,"about_ca_system_score_gemma":0.003177778,"threshold_uncertainty_score":0.09067565},"labels":[],"label_agreement":null},{"id":"W7026470157","doi":"","title":"Analysis of Tiltmeter Measurement at Norstromsgrund Lighthouse 2002-2003","year":2006,"lang":"en","type":"report","venue":"NPARC","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tiltmeter; Theodolite; Work (physics); Tilt (camera)","score_opus":0.1269392062266411,"score_gpt":0.2821093508040418,"score_spread":0.15517014457740072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026470157","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7918665,0.00044652747,0.00423824,0.0005578895,0.00029851554,0.00021766183,0.090788834,0.00046361025,0.1111223],"genre_scores_gemma":[0.8794503,0.0003509164,0.002371042,0.00019927349,0.00006441175,0.0002049478,0.05396382,0.00023453099,0.06316077],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9984029,0.00017408234,0.00009542738,0.00021895037,0.00091668795,0.00019200279],"domain_scores_gemma":[0.9945604,0.0004353718,0.0005576347,0.00029002718,0.003976227,0.00018037004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006271017,0.00025090674,0.00025469685,0.002027258,0.0007994941,0.0009389767,0.00081608223,0.00044915892,0.0077668135],"category_scores_gemma":[0.004235425,0.00029869113,0.00024165197,0.003209496,0.00019453582,0.00048696998,0.00074210536,0.0005681268,0.0051831244],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035507546,0.0001371777,0.8468153,0.00015697173,0.000059015205,0.00026106485,0.0027289437,0.0006560357,0.004335908,0.0009041838,0.07747898,0.06611133],"study_design_scores_gemma":[0.0000025644576,0.000023251316,0.9829959,0.000019868983,0.000011303765,0.000031590163,0.000981183,0.00029319638,0.0018199295,0.000035977017,0.013777453,0.000007787019],"about_ca_topic_score_codex":0.1505212,"about_ca_topic_score_gemma":0.2517172,"teacher_disagreement_score":0.1505212,"about_ca_system_score_codex":0.0020310094,"about_ca_system_score_gemma":0.0021390996,"threshold_uncertainty_score":0.29929018},"labels":[],"label_agreement":null},{"id":"W7027012765","doi":"","title":"BELECTRIC Selects Canadian Solar to Power 4 New Utility Power Projects in Southern California - Commodities (COMMODIT) News","year":2014,"lang":"en","type":"other","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Government (linguistics); Renewable energy; Solar power","score_opus":0.03414106783238097,"score_gpt":0.23369554120188973,"score_spread":0.19955447336950877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027012765","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037447137,0.0018525033,0.00017689407,0.010519596,0.0027482982,0.000049526716,0.0049857027,0.00039297726,0.9755298],"genre_scores_gemma":[0.008685137,0.0008948228,0.00013122248,0.0013168514,0.00034940607,0.000014425891,0.0013764784,0.0001505093,0.9870812],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944514,0.00002075569,0.000006471806,0.000034270382,0.00033435973,0.00015908228],"domain_scores_gemma":[0.9989079,0.00013044325,0.000028161247,0.00005709697,0.0006050168,0.00027140725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049213594,0.00041258388,0.00022707995,0.0018200671,0.0068918993,0.0049293493,0.0006950661,0.0017126275,0.17550331],"category_scores_gemma":[0.001641522,0.00030691826,0.00028142784,0.0017413135,0.00082056597,0.00091046107,0.0011923715,0.0022152415,0.020380212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008406555,0.000007077956,0.00033870907,0.00002102606,0.0000012686216,0.000064758475,0.00017842912,0.000023302491,0.000066018336,0.0021896565,0.9882422,0.00885906],"study_design_scores_gemma":[0.0000017540727,0.0000019468343,0.001737035,0.000023358549,0.0000015600197,0.000014438169,0.0003709233,0.00001828935,0.000056491986,0.000093711635,0.99767715,0.0000033787076],"about_ca_topic_score_codex":0.74757355,"about_ca_topic_score_gemma":0.9536816,"teacher_disagreement_score":0.74757355,"about_ca_system_score_codex":0.007874039,"about_ca_system_score_gemma":0.010246624,"threshold_uncertainty_score":0.5871171},"labels":[],"label_agreement":null},{"id":"W7030437269","doi":"","title":"Expiation","year":2021,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Period (music); Front (military); Subject (documents)","score_opus":0.20915326603907883,"score_gpt":0.3577528229735905,"score_spread":0.14859955693451168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030437269","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004788891,0.0025162376,0.0025090752,0.023755876,0.015777636,0.00005097974,0.00042591555,0.00026541215,0.9499099],"genre_scores_gemma":[0.10325924,0.002033454,0.0012335534,0.011608176,0.0029026184,0.000083959734,0.00053142227,0.00073550106,0.877612],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977836,0.00070608075,0.00011125093,0.00040783721,0.00066219474,0.00032917387],"domain_scores_gemma":[0.9976981,0.00078606396,0.000121476514,0.0003626515,0.00074485666,0.0002867803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017930731,0.0007847983,0.00031319217,0.00080227276,0.0053648143,0.005655517,0.0012597224,0.0018871633,0.07044129],"category_scores_gemma":[0.009490114,0.0002815843,0.0004198558,0.00054328475,0.0040803156,0.005885514,0.004885081,0.005042944,0.025745856],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011649777,0.000026369144,0.0003271785,0.00016125014,0.0000065256936,0.00078709266,0.011727573,0.000036007335,0.00053702167,0.24369456,0.69787544,0.04470445],"study_design_scores_gemma":[0.0000028725137,0.000009214266,0.00016939479,0.000053563384,0.0000013515779,0.000273667,0.0015722008,0.000018126611,0.00021089587,0.004308385,0.9933727,0.000007646257],"about_ca_topic_score_codex":0.002733355,"about_ca_topic_score_gemma":0.004965738,"teacher_disagreement_score":0.07044129,"about_ca_system_score_codex":0.0017833402,"about_ca_system_score_gemma":0.0017421336,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7033056741","doi":"","title":"The Phaedrus and the Seventh letter on writing, a study of the critique of writing found in Plato's Phaedrus and Seventh letter","year":2000,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Period (music); Argument (complex analysis); Reading (process)","score_opus":0.0062079076855941625,"score_gpt":0.170564438583086,"score_spread":0.16435653089749186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033056741","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032910135,0.005558799,0.0010664179,0.036580622,0.00075338216,0.00003965508,0.0001040315,0.000031937987,0.92295504],"genre_scores_gemma":[0.71539366,0.0040880046,0.0008679395,0.00997276,0.0006780872,0.00010305243,0.0000621089,0.0002151446,0.26861918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957267,0.0021660116,0.00011568279,0.00032099866,0.0010867221,0.0005838752],"domain_scores_gemma":[0.9917864,0.005373444,0.00042300211,0.00039451563,0.0014622753,0.00056030764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003190229,0.0006222836,0.00043852374,0.0037610696,0.03679312,0.015668053,0.0014790243,0.005310001,0.0061660022],"category_scores_gemma":[0.014154649,0.00033740216,0.00024229383,0.0048277234,0.034120675,0.006154211,0.0038215688,0.00880043,0.0006866529],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000239171,0.000023201223,0.00041295207,0.00005351425,0.00000268419,0.0002803077,0.21000677,0.000040809216,0.000080724225,0.71862847,0.0593692,0.011077481],"study_design_scores_gemma":[0.000019638748,0.000017138142,0.0028578814,0.00048578955,0.000009064507,0.00031545022,0.15178111,0.00012746696,0.00045900626,0.095570505,0.74833214,0.000024818932],"about_ca_topic_score_codex":0.2958073,"about_ca_topic_score_gemma":0.48920235,"teacher_disagreement_score":0.2958073,"about_ca_system_score_codex":0.024421494,"about_ca_system_score_gemma":0.021840157,"threshold_uncertainty_score":0.588171},"labels":[],"label_agreement":null},{"id":"W7033431763","doi":"","title":"PrÃ©vention du jeu pathologique chez les adolescents, correction de la notion de hasard","year":2000,"lang":"fr","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Focus (optics); Context (archaeology); Perspective (graphical); Meaning (existential); Sequence (biology)","score_opus":0.004264049125428734,"score_gpt":0.1510828714144733,"score_spread":0.14681882228904455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033431763","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02123764,0.118401036,0.0046365336,0.68991023,0.10148393,0.00008285974,0.00084685086,0.0002974515,0.063103445],"genre_scores_gemma":[0.3393803,0.17071447,0.011908621,0.12454956,0.07435363,0.00025554467,0.000620553,0.00034528878,0.27787212],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842155,0.00042966247,0.0001940736,0.0002035065,0.0005775034,0.00017365927],"domain_scores_gemma":[0.99329424,0.0028023159,0.00047154765,0.0002755219,0.0027609256,0.00039553034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030232307,0.00048172293,0.0004319678,0.002009507,0.0030416907,0.0035329994,0.0015223678,0.004720795,0.005712742],"category_scores_gemma":[0.018934974,0.0002791529,0.00039636125,0.0011823958,0.00444292,0.0020097787,0.0013138064,0.004663803,0.0010302126],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004802732,0.000045280172,0.008585098,0.000569911,0.000022045328,0.004035876,0.0047871186,0.00016952146,0.0003941289,0.06011692,0.7561714,0.16505463],"study_design_scores_gemma":[0.000007618127,0.00002341954,0.008110281,0.00082353846,0.000020893236,0.0070357057,0.0019275122,0.00015021797,0.000311689,0.0031125578,0.9784516,0.000024937865],"about_ca_topic_score_codex":0.1711565,"about_ca_topic_score_gemma":0.25481513,"teacher_disagreement_score":0.8288435,"about_ca_system_score_codex":0.004055601,"about_ca_system_score_gemma":0.015221801,"threshold_uncertainty_score":0.34032053},"labels":[],"label_agreement":null},{"id":"W7039624312","doi":"","title":"Measurement and modeling of inland temperature regimes near the Great Lakes in Southwestern Ontario","year":2003,"lang":"en","type":"dissertation","venue":"The Atrium (University of Guelph)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transect; Scale (ratio); Satellite; Air temperature; Regression analysis; Hydrology (agriculture)","score_opus":0.043433052843614504,"score_gpt":0.21634511519990388,"score_spread":0.17291206235628936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039624312","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9967044,0.000040804796,0.0010344291,0.000048242993,0.0000023639677,0.000012709977,0.0004855402,0.000036421312,0.0016349775],"genre_scores_gemma":[0.99797386,0.000053133866,0.00083705585,0.000002949097,0.0000010273282,0.000009423296,0.000338586,0.0000062751205,0.0007777184],"study_design_codex":"observational","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9999136,0.000010350928,0.0000047014482,0.000028944587,0.000018981022,0.000023494471],"domain_scores_gemma":[0.9998091,0.000035052737,0.000041487132,0.000012168961,0.00008098645,0.00002126338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010355991,0.00022381677,0.0001711105,0.0002478243,0.0006616663,0.00055880845,0.0005528993,0.00016432595,0.000601965],"category_scores_gemma":[0.0006299843,0.00020690545,0.000183594,0.0006099918,0.00022980319,0.0001956096,0.00019138021,0.00014744203,0.000091873],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016360753,0.00009141536,0.6521086,0.000099658326,0.000094746494,0.00038304582,0.0016098067,0.30988917,0.01021589,0.0009671984,0.002259587,0.022117302],"study_design_scores_gemma":[0.000025411638,0.000027097309,0.51123345,0.000013221396,0.000036819598,0.00003595985,0.0007471564,0.48381147,0.0014352861,0.00018647122,0.0024291843,0.000018575583],"about_ca_topic_score_codex":0.93969065,"about_ca_topic_score_gemma":0.9705848,"teacher_disagreement_score":0.06030935,"about_ca_system_score_codex":0.0062109684,"about_ca_system_score_gemma":0.0037810132,"threshold_uncertainty_score":0.12132901},"labels":[],"label_agreement":null},{"id":"W7040505774","doi":"","title":"The Pocket","year":2016,"lang":"en","type":"dissertation","venue":"The Atrium (University of Guelph)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amateur; Estate; Work (physics); Craft; Storm","score_opus":0.026656692853039895,"score_gpt":0.22666100703588685,"score_spread":0.20000431418284695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7040505774","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025455803,0.0013456605,0.0010039064,0.0053242315,0.0012631731,0.000058502854,0.00094540993,0.00037134456,0.9871422],"genre_scores_gemma":[0.029007087,0.0012359464,0.00076884986,0.001358691,0.00025115308,0.000028345079,0.00056306267,0.00028679657,0.9665001],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939036,0.00006759698,0.000019988986,0.00012182143,0.00022540298,0.00017483563],"domain_scores_gemma":[0.999411,0.000058821173,0.000038241666,0.00013064929,0.00014407004,0.00021731367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034832768,0.0006266575,0.0003928126,0.0009292486,0.0052432693,0.0075819297,0.0011284733,0.0018547386,0.41648608],"category_scores_gemma":[0.0018743568,0.00034307587,0.00038006186,0.0011039954,0.0019282079,0.0042401273,0.005308558,0.0023077806,0.15147604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078616424,0.000027608281,0.0007122776,0.00013925975,0.000005760932,0.0007319399,0.006361616,0.00007739819,0.0005336219,0.15254562,0.75324166,0.08554483],"study_design_scores_gemma":[0.0000017223621,0.0000035747305,0.0001364507,0.00003363266,7.7855447e-7,0.00012441337,0.0009374163,0.000011805857,0.000032765693,0.0010281081,0.99768674,0.0000025343486],"about_ca_topic_score_codex":0.020566966,"about_ca_topic_score_gemma":0.046529386,"teacher_disagreement_score":0.41648608,"about_ca_system_score_codex":0.0028667278,"about_ca_system_score_gemma":0.0030503832,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7042986908","doi":"","title":"Representations of the French&#13;\\nLanguage in the Detective Novel&#13;\\nSous les vents de Neptune by Fred&#13;\\nVargas","year":2010,"lang":"en","type":"article","venue":"MURAL - Maynooth University Research Archive Library (National University of Ireland, Maynooth)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Neptune; Humanism; Context (archaeology); Universality (dynamical systems); Hollywood","score_opus":0.03198210797617896,"score_gpt":0.24865739165313225,"score_spread":0.2166752836769533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042986908","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25721896,0.0034831066,0.0058345906,0.016602572,0.00030240664,0.000019149265,0.00014333872,0.000105542174,0.7162903],"genre_scores_gemma":[0.97799474,0.000298109,0.00038329966,0.00029785463,0.000033706012,0.000005950662,0.000021277385,0.000019460866,0.020945564],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9992823,0.0004041454,0.000009894063,0.000081040016,0.00009633511,0.00012625715],"domain_scores_gemma":[0.9993274,0.0003836657,0.00007970576,0.000049973485,0.00009437432,0.00006492701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077595905,0.00038400057,0.00018530419,0.0009759403,0.007115494,0.007867188,0.0006325515,0.0016053856,0.004824618],"category_scores_gemma":[0.0015086929,0.00015963786,0.00022363504,0.0006547185,0.016249646,0.002760698,0.0014844022,0.0018100818,0.00029711906],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038460155,0.000013500991,0.0006841053,0.00003683028,0.0000037821285,0.00053763244,0.21199235,0.00018392113,0.00042632234,0.77195066,0.0062130364,0.007919426],"study_design_scores_gemma":[0.000023483071,0.000057419875,0.0054791267,0.00023461663,0.000019365803,0.0011514429,0.19948967,0.001062313,0.0010694666,0.08231955,0.7090396,0.00005389419],"about_ca_topic_score_codex":0.12564959,"about_ca_topic_score_gemma":0.18725897,"teacher_disagreement_score":0.12564959,"about_ca_system_score_codex":0.011723035,"about_ca_system_score_gemma":0.0025339045,"threshold_uncertainty_score":0.24983644},"labels":[],"label_agreement":null},{"id":"W7043579962","doi":"","title":"Sir Arthur Conan Doyle, Sherlock Holmes and Canada","year":2010,"lang":"en","type":"book-chapter","venue":"IRIS Research product catalog (Sapienza University of Rome)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Triacetin; Emperipolesis; Fusible alloy","score_opus":0.0638299820853022,"score_gpt":0.26766238195834213,"score_spread":0.20383239987303992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043579962","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061446107,0.10281248,0.000670857,0.13777377,0.0058376025,0.00003498235,0.00030659465,0.00007762965,0.74634147],"genre_scores_gemma":[0.05884777,0.047293425,0.0006194334,0.01365929,0.0005316706,0.000027637963,0.00009758055,0.00009272141,0.87883055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991141,0.00009799023,0.000012779001,0.00009413506,0.0005024802,0.00017852079],"domain_scores_gemma":[0.9991093,0.00020489052,0.000042467484,0.000026766258,0.00039584818,0.0002205363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000511063,0.00040480492,0.00025881748,0.0012468374,0.01251522,0.006262224,0.00079679635,0.0018766918,0.015971385],"category_scores_gemma":[0.0016417431,0.00033717984,0.00010519389,0.002781905,0.0054251547,0.0025776767,0.0014893393,0.0036123353,0.0023411936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000131325705,0.000008575423,0.0003296813,0.00006505655,0.0000017844433,0.00010321847,0.0065505183,0.000052342508,0.00010286519,0.110674694,0.8558843,0.026213918],"study_design_scores_gemma":[7.854677e-7,0.0000011572029,0.00026471517,0.000064327316,7.4779217e-7,0.000043003365,0.0029615948,0.000010318976,0.000034602814,0.0011483295,0.9954665,0.0000037951038],"about_ca_topic_score_codex":0.8728126,"about_ca_topic_score_gemma":0.9599324,"teacher_disagreement_score":0.12718737,"about_ca_system_score_codex":0.03053295,"about_ca_system_score_gemma":0.04377755,"threshold_uncertainty_score":0.2558728},"labels":[],"label_agreement":null},{"id":"W7044055548","doi":"","title":"Women as black angels in Cornell Woolrich’s noir fiction","year":2025,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mirroring; Depiction; Narrative; Period (music); Black women; Pretext; Order (exchange); Undoing; Trope (literature); Witch","score_opus":0.019741776129027507,"score_gpt":0.24389990882494308,"score_spread":0.22415813269591559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044055548","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3678384,0.0040268544,0.0017173486,0.039654918,0.0013756469,0.00003997746,0.000092447546,0.00010653959,0.58514786],"genre_scores_gemma":[0.8816658,0.0010284891,0.00034587903,0.0031578133,0.00023087778,0.000022926524,0.000022574566,0.00009847272,0.113427],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905187,0.00047091627,0.000009472114,0.000075677715,0.00017431,0.00021759284],"domain_scores_gemma":[0.9994492,0.00027116275,0.00006718166,0.000026786705,0.00005845339,0.0001271295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074539374,0.00048912806,0.00023299252,0.0005635276,0.010538658,0.0038580804,0.00046620594,0.0012417377,0.005285203],"category_scores_gemma":[0.0022080378,0.00017315407,0.00009724959,0.00029289915,0.010578182,0.0019667998,0.0022472793,0.0022979665,0.00048016701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011995335,0.000047833513,0.001185788,0.00007848089,0.000008264538,0.0017257879,0.6059297,0.00015395705,0.0018063659,0.29298544,0.07916633,0.016792085],"study_design_scores_gemma":[0.0000064620235,0.00004361839,0.0018219023,0.00013696273,0.000006818348,0.00061622675,0.20586962,0.00016821272,0.0009388078,0.0064784936,0.78388405,0.000028779945],"about_ca_topic_score_codex":0.040862504,"about_ca_topic_score_gemma":0.09101895,"teacher_disagreement_score":0.040862504,"about_ca_system_score_codex":0.005257789,"about_ca_system_score_gemma":0.0013249392,"threshold_uncertainty_score":0.0812493},"labels":[],"label_agreement":null},{"id":"W7068083734","doi":"","title":"Smithy 1","year":2023,"lang":"en","type":"article","venue":"Vědecká knihovna v Olomouci (Research Library in Olomouc)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Quarter (Canadian coin); Character (mathematics); Period (music); Performance art","score_opus":0.2885814076953346,"score_gpt":0.38111972904491126,"score_spread":0.09253832134957668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7068083734","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044678273,0.023688624,0.0006650555,0.01030006,0.0068818606,0.00005226259,0.00096980383,0.00021152204,0.9527631],"genre_scores_gemma":[0.014734416,0.005721711,0.0003298211,0.0009004932,0.00036666944,0.000014075219,0.00023533945,0.00008154091,0.97761613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993319,0.000079657715,0.000027733295,0.00019126249,0.00024425128,0.0001252015],"domain_scores_gemma":[0.99948645,0.00005329922,0.000053569605,0.000031938187,0.00021821754,0.00015656117],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038894033,0.000674179,0.00030171432,0.0016046865,0.004513232,0.003729831,0.00048460974,0.0011408188,0.22093777],"category_scores_gemma":[0.0015720954,0.00029778352,0.00020707438,0.0014714411,0.0011259716,0.0016940112,0.0022165638,0.0018419744,0.066050254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048774098,0.00002002567,0.0009485266,0.00016580337,0.0000045828615,0.00028801826,0.0020409322,0.00004534503,0.00032946563,0.043184314,0.82536346,0.12756075],"study_design_scores_gemma":[7.1447744e-7,0.0000044778894,0.000372709,0.000059091715,6.245074e-7,0.00009048739,0.00020970323,0.000004568116,0.000059849368,0.00033753613,0.9988581,0.0000021424892],"about_ca_topic_score_codex":0.022695506,"about_ca_topic_score_gemma":0.048915435,"teacher_disagreement_score":0.22093777,"about_ca_system_score_codex":0.0030660043,"about_ca_system_score_gemma":0.0033136806,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7095207059","doi":"","title":"The diversity...","year":2003,"lang":"en","type":"article","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Boreal; Riparian zone; Baseline (sea); Fish <Actinopterygii>; Habitat; Biota","score_opus":0.061467081434163615,"score_gpt":0.2226935330505236,"score_spread":0.16122645161636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095207059","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029106865,0.009138686,0.0055741584,0.06293275,0.0027970017,0.00013183385,0.0022313874,0.0002846745,0.8878027],"genre_scores_gemma":[0.51109487,0.012365162,0.010201469,0.027166687,0.0025084724,0.0002643487,0.0034508738,0.0004279895,0.43252018],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973042,0.0005468422,0.00011490782,0.0005189667,0.00085989176,0.00065509445],"domain_scores_gemma":[0.99737215,0.00027073218,0.00021090516,0.00029901692,0.0013094045,0.00053775683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00236268,0.0003729442,0.00036717468,0.0017498662,0.0051207403,0.007878689,0.0010379228,0.000953356,0.040043656],"category_scores_gemma":[0.0052195042,0.00026807282,0.0003140844,0.0018834305,0.0025426561,0.0043601855,0.006525213,0.001858749,0.01052335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006076751,0.00005737429,0.029703662,0.00026026875,0.000036262692,0.00034503065,0.0156584,0.0002088466,0.000777311,0.18393894,0.2481877,0.5207655],"study_design_scores_gemma":[0.0000042556794,0.000014540361,0.010026958,0.00020359745,0.000009291305,0.0002551301,0.004006381,0.000079469144,0.00010527861,0.010261867,0.9750165,0.000016796324],"about_ca_topic_score_codex":0.05230894,"about_ca_topic_score_gemma":0.07777516,"teacher_disagreement_score":0.05230894,"about_ca_system_score_codex":0.0051759253,"about_ca_system_score_gemma":0.008932005,"threshold_uncertainty_score":0.13395935},"labels":[],"label_agreement":null},{"id":"W7096208152","doi":"","title":"Prepared by:","year":2001,"lang":"en","type":"article","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Sample (material); Groundwater; Outfall; Natural (archaeology)","score_opus":0.04122951876820054,"score_gpt":0.24209186759570603,"score_spread":0.20086234882750548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096208152","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007213529,0.0008778642,0.0052822563,0.0040461835,0.006533306,0.0012075809,0.0071967114,0.002957651,0.96468484],"genre_scores_gemma":[0.01003994,0.00046035874,0.0025749062,0.00063455815,0.00022021851,0.00021044463,0.0034443126,0.00035354387,0.9820618],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921453,0.00007703501,0.00006059385,0.00022781096,0.00027381958,0.00014606734],"domain_scores_gemma":[0.9986034,0.000104236766,0.00006996898,0.00029002383,0.00061651575,0.0003158783],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007234311,0.0008889219,0.00053453847,0.0015099491,0.0020642332,0.0040198197,0.0011538118,0.0014430749,0.81769294],"category_scores_gemma":[0.0028759022,0.0004201745,0.00039430207,0.0011413308,0.00068651483,0.0014987277,0.0034303262,0.0011731118,0.72998387],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033524347,0.00022782177,0.0028675685,0.0004672406,0.0000105626095,0.0005829976,0.0005738039,0.00010733864,0.005202684,0.009841892,0.6367288,0.34305394],"study_design_scores_gemma":[0.00001153575,0.000037175516,0.0012654008,0.000067536916,0.0000034262337,0.0001747221,0.00030098745,0.00006510303,0.00096862635,0.0007531812,0.9963469,0.0000054747197],"about_ca_topic_score_codex":0.0020852715,"about_ca_topic_score_gemma":0.0042421087,"teacher_disagreement_score":0.18230706,"about_ca_system_score_codex":0.0008911709,"about_ca_system_score_gemma":0.0025029809,"threshold_uncertainty_score":0.2600389},"labels":[],"label_agreement":null},{"id":"W7097368133","doi":"","title":"TABLE OF CONTENTS Vincent’s Valentine’s Sense (pg 2) Spotlight on Montreal: What’s New (pg 2)","year":2015,"lang":"en","type":"article","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Table (database); Table of contents; Sequence (biology); Sense (electronics)","score_opus":0.11611578474996637,"score_gpt":0.26291797477691453,"score_spread":0.14680219002694816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097368133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013209684,0.029939251,0.00075269456,0.13013789,0.08932018,0.00014243538,0.002511886,0.00056266715,0.74531204],"genre_scores_gemma":[0.009360444,0.006736056,0.0004565389,0.008855864,0.0082629975,0.000052194795,0.00069698796,0.00037362907,0.9652053],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893326,0.00015149219,0.000017881483,0.00010086591,0.00057976885,0.00021675022],"domain_scores_gemma":[0.9970605,0.00029075763,0.000089996174,0.00011910328,0.00140064,0.001039026],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009667248,0.0007236604,0.0003595213,0.0025184564,0.005102117,0.0070617427,0.0013565735,0.0022467095,0.3531292],"category_scores_gemma":[0.0053725834,0.00029020512,0.00036100933,0.002545962,0.0014596512,0.003127645,0.0031248129,0.0023863611,0.0658337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032072812,0.0000032980831,0.000052525316,0.0000283174,4.6614846e-7,0.000012763799,0.00015384199,0.000008201937,0.000036747035,0.0034317249,0.9849458,0.011323267],"study_design_scores_gemma":[8.069272e-7,0.0000020992186,0.00031149047,0.00008346803,7.0379286e-7,0.000018579016,0.000292736,0.000004655224,0.000023322984,0.00044582604,0.99881315,0.0000030635695],"about_ca_topic_score_codex":0.18181513,"about_ca_topic_score_gemma":0.34006327,"teacher_disagreement_score":0.6468708,"about_ca_system_score_codex":0.010383987,"about_ca_system_score_gemma":0.009876339,"threshold_uncertainty_score":0.92268264},"labels":[],"label_agreement":null},{"id":"W7099545210","doi":"","title":"LETTER TO THE EDITOR Response to: “Beyond the mammography debate: a moderate perspective” The Editor Current Oncology","year":2015,"lang":"en","type":"article","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Letter to the editor; Mammography; Breast cancer; Value (mathematics); Point (geometry); Cancer","score_opus":0.06028655604684487,"score_gpt":0.3178546227391792,"score_spread":0.25756806669233434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099545210","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001145459,0.0016691756,0.00010053849,0.79356354,0.20372847,0.000015340152,0.000043728294,0.000033117292,0.0007315607],"genre_scores_gemma":[0.0013512461,0.0015116802,0.00013818666,0.77503216,0.2182686,0.000036732043,0.000021194463,0.000037415317,0.0036028505],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99495125,0.0013591142,0.0006466748,0.0007466671,0.0017789205,0.00051742344],"domain_scores_gemma":[0.96758044,0.01708341,0.0017175158,0.0006740362,0.009384533,0.0035600346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008406722,0.0013968718,0.0021747695,0.0013865068,0.0034992576,0.005996028,0.0034650334,0.02903292,0.008054814],"category_scores_gemma":[0.067313135,0.001090649,0.0016607953,0.0010418266,0.0032012977,0.0064210044,0.0017690076,0.040421832,0.005662681],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023474977,0.0000069688144,0.0000499474,0.000052593365,0.000006150708,0.00013961204,0.000037953792,0.000012684445,0.000026016764,0.00034855574,0.99755114,0.0017448651],"study_design_scores_gemma":[0.00006925656,0.00004444017,0.00054611725,0.00060852856,0.000035294477,0.00073175394,0.00027079816,0.00018540911,0.00020977571,0.0022893243,0.99495584,0.00005354954],"about_ca_topic_score_codex":0.0021599836,"about_ca_topic_score_gemma":0.0033540386,"teacher_disagreement_score":0.02903292,"about_ca_system_score_codex":0.003405317,"about_ca_system_score_gemma":0.0056757824,"threshold_uncertainty_score":0.04445958},"labels":[],"label_agreement":null},{"id":"W7103340206","doi":"","title":"Freakish, Feathery, and Foreign: Language of Otherness in the &lt;em&gt;Squire’s Tale&lt;/em&gt;","year":2016,"lang":"","type":"article","venue":"Digital Commons - Trinity University (Trinity University)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Natural language; Perspective (graphical); On Language; Narrative","score_opus":0.02823897898114053,"score_gpt":0.21431994712979108,"score_spread":0.18608096814865055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103340206","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11762776,0.012818604,0.0038808975,0.15397343,0.0017065979,0.00003200091,0.00013676076,0.00009155749,0.70973235],"genre_scores_gemma":[0.93577635,0.0019389022,0.0006791782,0.007106702,0.00037489456,0.000035049296,0.000037482074,0.00015997225,0.053891532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895406,0.00071170984,0.00002323017,0.00008746282,0.0001046705,0.000118873664],"domain_scores_gemma":[0.9978854,0.0015181421,0.00011365751,0.00011392339,0.0001353266,0.00023351006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018379354,0.00046395665,0.0003007852,0.0011818914,0.011454679,0.007792233,0.0008195833,0.0025334877,0.009983541],"category_scores_gemma":[0.0043823696,0.00021027068,0.00020716642,0.0010741639,0.021769552,0.01095644,0.0036756422,0.005100704,0.0008377124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003820445,0.000026507649,0.00075678685,0.00005691632,0.0000054490647,0.0002213964,0.3366861,0.00003057064,0.00017392276,0.58488977,0.06017304,0.016941324],"study_design_scores_gemma":[0.000025247451,0.000028739001,0.0035573726,0.0003942611,0.000015388572,0.00059079385,0.39049017,0.00017396054,0.00056659256,0.10693985,0.49718532,0.000032345637],"about_ca_topic_score_codex":0.023704434,"about_ca_topic_score_gemma":0.04336589,"teacher_disagreement_score":0.023704434,"about_ca_system_score_codex":0.00250428,"about_ca_system_score_gemma":0.0020331144,"threshold_uncertainty_score":0.04713291},"labels":[],"label_agreement":null},{"id":"W7115167353","doi":"10.4000/15chb","title":"La figure de l’agent de police dans le roman policier espagnol : de la répression à la démocratie","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Criminal investigation; Ethnic discrimination; Prison","score_opus":0.02192410582644395,"score_gpt":0.2972397351229707,"score_spread":0.27531562929652675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115167353","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46129376,0.0019122118,0.003179606,0.019533537,0.000098378965,0.00002524408,0.00005298287,0.000019033492,0.5138853],"genre_scores_gemma":[0.9748575,0.0005371235,0.00024198902,0.00047358143,0.00003610579,0.000012241095,0.0000135655855,0.000011332591,0.023816478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985701,0.00079846627,0.000023064407,0.00015150299,0.00018890433,0.0002679636],"domain_scores_gemma":[0.9990201,0.0005308731,0.0001751279,0.00009120275,0.00009701781,0.00008552375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017705864,0.0001905428,0.00020919622,0.001262,0.005948012,0.0067103156,0.00049596693,0.0012424251,0.006083095],"category_scores_gemma":[0.002617432,0.00022752055,0.0001114597,0.0013084257,0.021299506,0.002505007,0.0023002864,0.002413042,0.0006274302],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028651506,0.000017556222,0.0044281078,0.000027981392,0.0000031124193,0.00015079469,0.084790766,0.000077113786,0.00017547929,0.8964949,0.0021645802,0.011640892],"study_design_scores_gemma":[0.00006947399,0.00010709053,0.034590535,0.0005782042,0.00002393618,0.0006360137,0.22172132,0.0007265597,0.0013035091,0.099456824,0.6407348,0.00005175681],"about_ca_topic_score_codex":0.028078739,"about_ca_topic_score_gemma":0.038732424,"teacher_disagreement_score":0.028078739,"about_ca_system_score_codex":0.0051749484,"about_ca_system_score_gemma":0.003220004,"threshold_uncertainty_score":0.055830598},"labels":[],"label_agreement":null},{"id":"W7115171148","doi":"10.4000/15ch0","title":"Raymond Chandler’s America and the Democratic Ideal","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Democracy; Ideal (ethics); Politics; Language change; Class (philosophy); Expression (computer science)","score_opus":0.027519459353522745,"score_gpt":0.2695444394694233,"score_spread":0.24202498011590057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115171148","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01728819,0.011594032,0.0027377668,0.107717395,0.00079962204,0.0000151706445,0.00004153406,0.00003801241,0.85976833],"genre_scores_gemma":[0.88335234,0.006726476,0.0013472595,0.013740619,0.0009115775,0.0000495015,0.000023765988,0.00007511512,0.09377328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803346,0.0011314193,0.000028164355,0.00025504275,0.0003018606,0.0002500697],"domain_scores_gemma":[0.9979371,0.0013781481,0.00016747846,0.0001510173,0.00018994599,0.00017624017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001213855,0.00025526647,0.00019808182,0.0013946096,0.0074406634,0.0068279086,0.0004415073,0.0020868706,0.0047112713],"category_scores_gemma":[0.003955734,0.0001592655,0.00015854654,0.00106711,0.020902433,0.0048657986,0.0021015012,0.0044160318,0.00060052465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040751634,0.0000028115319,0.00003098739,0.0000045520133,4.7786034e-7,0.0000149371535,0.0015292459,0.00002836986,0.000010867415,0.9874501,0.009763182,0.0011603041],"study_design_scores_gemma":[0.000009671427,0.00000652334,0.00019118378,0.00008375914,0.000002106233,0.00007258891,0.0023655407,0.0001296535,0.00013216557,0.5239156,0.47308183,0.000009516401],"about_ca_topic_score_codex":0.014308567,"about_ca_topic_score_gemma":0.015895355,"teacher_disagreement_score":0.014308567,"about_ca_system_score_codex":0.0056639407,"about_ca_system_score_gemma":0.0024813097,"threshold_uncertainty_score":0.04109502},"labels":[],"label_agreement":null},{"id":"W7115172157","doi":"10.4000/15ch5","title":"Le roman policier japonais, entre démocratie balbutiante et montée du militarisme (1923-1945)","year":2025,"lang":"fr","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Passer; Context (archaeology); Ancestor; Scapegoat","score_opus":0.014741246013571907,"score_gpt":0.2532812538224697,"score_spread":0.23854000780889778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115172157","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43362477,0.009522216,0.0014298602,0.008552811,0.00074100686,0.0001346182,0.00020428913,0.00007961638,0.54571074],"genre_scores_gemma":[0.84360194,0.0024579214,0.00072739425,0.0014876468,0.00015917499,0.000099208424,0.000113670154,0.000043637076,0.1513095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992198,0.0001470288,0.000022822978,0.00013881444,0.00019045132,0.00028108546],"domain_scores_gemma":[0.9996213,0.000055017106,0.00009425086,0.000026558979,0.00006535369,0.00013753063],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000741135,0.00053676066,0.00020412488,0.001367641,0.009025093,0.003893759,0.00047613107,0.0011476289,0.009599373],"category_scores_gemma":[0.0012473043,0.00040274468,0.00016146294,0.0019430252,0.005491066,0.0015377663,0.0025887645,0.0020463716,0.0012408504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024352664,0.000080891434,0.028811391,0.00038063893,0.000028757722,0.0020845162,0.20775503,0.00019679211,0.0018770328,0.619074,0.02718797,0.11227944],"study_design_scores_gemma":[0.000024801193,0.00013809692,0.095008254,0.00046931006,0.000015901382,0.0005109091,0.030164259,0.00014313264,0.0006511529,0.006076942,0.8667629,0.000034481385],"about_ca_topic_score_codex":0.07336975,"about_ca_topic_score_gemma":0.12243514,"teacher_disagreement_score":0.07336975,"about_ca_system_score_codex":0.0075851087,"about_ca_system_score_gemma":0.007724068,"threshold_uncertainty_score":0.14588535},"labels":[],"label_agreement":null},{"id":"W7115174734","doi":"10.4000/15ch9","title":"Don’t Try This at Home: Interwar Parodies of Crime Fiction in the Eastern Mediterranean","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"State (computer science); Power (physics); Narrative; Democracy; Interwar period; Corporate governance","score_opus":0.05528194607170885,"score_gpt":0.29159227941320537,"score_spread":0.2363103333414965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115174734","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8216728,0.0030672408,0.001037788,0.0144558055,0.00087144296,0.00006476354,0.00013013247,0.00006094052,0.15863903],"genre_scores_gemma":[0.98523486,0.00047080082,0.00019484127,0.00088244217,0.00022084812,0.000017224756,0.000028047283,0.00004700818,0.012903929],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981159,0.0012116008,0.000043001317,0.00011993368,0.00024865934,0.00026098025],"domain_scores_gemma":[0.9956547,0.003195727,0.00034584003,0.0002727374,0.00032959113,0.00020136994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030125738,0.0006062542,0.0005572179,0.002250577,0.014581851,0.0052206805,0.0010418762,0.0024930974,0.0045956518],"category_scores_gemma":[0.007405208,0.00024336856,0.00024429243,0.0011936476,0.018087324,0.0023443878,0.0039740833,0.0031022897,0.00050048303],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006304065,0.000030682157,0.001195531,0.0000981947,0.000008127659,0.0016266765,0.93811697,0.00006795802,0.00029858132,0.043813337,0.006863956,0.00781694],"study_design_scores_gemma":[0.000022302665,0.00008644129,0.008355166,0.00036594478,0.000015158603,0.0011742328,0.58819026,0.00028772294,0.0010374553,0.006143466,0.39428884,0.000033034587],"about_ca_topic_score_codex":0.0058263587,"about_ca_topic_score_gemma":0.01101433,"teacher_disagreement_score":0.014581851,"about_ca_system_score_codex":0.00557392,"about_ca_system_score_gemma":0.0010335254,"threshold_uncertainty_score":0.04044175},"labels":[],"label_agreement":null},{"id":"W7115179264","doi":"10.4000/15ch1","title":"Guerre d’Espagne : le roman policier français au service de la République","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Spanish Civil War; Period (music); Order (exchange); Subject (documents)","score_opus":0.0325953420085384,"score_gpt":0.29360420016927696,"score_spread":0.26100885816073854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115179264","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8208948,0.0051565873,0.00057073456,0.019208182,0.00018042407,0.000032847325,0.00009841176,0.000013811728,0.1538442],"genre_scores_gemma":[0.9726221,0.0011093664,0.00017620897,0.0011675276,0.000024174942,0.00001264156,0.00002859593,0.000009725416,0.024849528],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981232,0.00088271615,0.000032094544,0.0001268432,0.00018857021,0.00064650836],"domain_scores_gemma":[0.9988034,0.00040009146,0.00024838845,0.00007749055,0.00019907342,0.00027160978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016568579,0.00026807538,0.00021086457,0.0008816503,0.011192935,0.0029948556,0.00049017614,0.0012958687,0.0059826435],"category_scores_gemma":[0.002811249,0.00023005136,0.00013636518,0.0013299551,0.007875306,0.0014411721,0.0019728013,0.0018543123,0.0005556354],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021934425,0.00010733636,0.051489413,0.00016535654,0.000021948643,0.002134951,0.62012386,0.00017201183,0.00081679085,0.23710851,0.023390152,0.06425036],"study_design_scores_gemma":[0.00003110605,0.00014702605,0.14161876,0.0005708381,0.000015416568,0.0011305506,0.3874638,0.00018452255,0.0005457322,0.0032135255,0.46503386,0.000044866076],"about_ca_topic_score_codex":0.39497563,"about_ca_topic_score_gemma":0.58857054,"teacher_disagreement_score":0.39497563,"about_ca_system_score_codex":0.009900947,"about_ca_system_score_gemma":0.009405647,"threshold_uncertainty_score":0.78535324},"labels":[],"label_agreement":null},{"id":"W7115180702","doi":"10.4000/15chk","title":"What the Proletariat Didn’t Read: Sidney M. Biddell’s “Mystery League” (1930-1933) or a Book Publisher’s Quest for Popular Magazine Readers","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"League; Club; Launched; Proletariat; Democracy; Popular history","score_opus":0.06820949091397986,"score_gpt":0.2996325747447745,"score_spread":0.23142308383079463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115180702","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08887536,0.044809777,0.00061496114,0.32009295,0.00828181,0.000027009122,0.00018081753,0.00006017439,0.53705716],"genre_scores_gemma":[0.5704145,0.013268218,0.00033528148,0.060242295,0.002019682,0.00004150609,0.00009264754,0.00013724907,0.3534487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947506,0.00022108333,0.0000112086655,0.000071864284,0.00012755055,0.00009321471],"domain_scores_gemma":[0.99904734,0.00040965655,0.00008030816,0.000042459094,0.00017248394,0.00024775113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010054522,0.00021817508,0.00019331655,0.0006758097,0.0127296215,0.007769144,0.00040792156,0.0011894346,0.006770152],"category_scores_gemma":[0.0025428496,0.00019791379,0.00010345746,0.00074159214,0.008555608,0.004658823,0.0017325033,0.004864794,0.0013323944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005141125,0.00006424734,0.0036121472,0.00011254916,0.0000067623137,0.0005102603,0.15803644,0.00001851813,0.00027881647,0.214282,0.5838919,0.03913493],"study_design_scores_gemma":[0.000004236723,0.00002036404,0.0028960686,0.00016365487,0.0000025948034,0.00020658497,0.042094093,0.000009238237,0.00016122,0.003729095,0.9507049,0.0000078996145],"about_ca_topic_score_codex":0.046271168,"about_ca_topic_score_gemma":0.13117051,"teacher_disagreement_score":0.046271168,"about_ca_system_score_codex":0.0060021896,"about_ca_system_score_gemma":0.003217989,"threshold_uncertainty_score":0.0920037},"labels":[],"label_agreement":null},{"id":"W7115186514","doi":"10.4000/15ch2","title":"Féodalités, choralités, langages : figures plurielles de l’émancipation dans le roman noir de Jack O’Connell","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"ESPACE; Intertextuality; Narrativity; Vernacular; Middle Ages","score_opus":0.03825315148831373,"score_gpt":0.290256169252337,"score_spread":0.2520030177640233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115186514","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09133155,0.011919806,0.005083332,0.025596017,0.0005625802,0.000038877457,0.000034575587,0.00006561413,0.8653677],"genre_scores_gemma":[0.8015585,0.0040477975,0.0019081378,0.001696146,0.00017931493,0.000061763676,0.00001848332,0.00014649656,0.19038329],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970145,0.0018962539,0.000037792044,0.00030868794,0.00033935215,0.0004034513],"domain_scores_gemma":[0.9990522,0.00043125145,0.00011302232,0.000110637084,0.00013468905,0.00015819764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024416707,0.0005042328,0.00032847465,0.0007768065,0.01357448,0.008373458,0.0006665785,0.0013310601,0.0049346685],"category_scores_gemma":[0.0025919802,0.0002878307,0.00019343935,0.00079162617,0.033820283,0.0049075102,0.0040831375,0.0039754934,0.0008912931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003154531,0.000010232867,0.00042996238,0.000024657693,0.0000016406347,0.0001415117,0.109971896,0.0000702368,0.00015818933,0.8737746,0.00861915,0.0067663575],"study_design_scores_gemma":[0.000013139778,0.000028012233,0.001436861,0.00022364662,0.0000063272673,0.00025827685,0.08176977,0.00022705614,0.0004666329,0.07161189,0.8439255,0.000033005912],"about_ca_topic_score_codex":0.05226834,"about_ca_topic_score_gemma":0.081139386,"teacher_disagreement_score":0.05226834,"about_ca_system_score_codex":0.007813346,"about_ca_system_score_gemma":0.0040268535,"threshold_uncertainty_score":0.10392821},"labels":[],"label_agreement":null},{"id":"W7115186648","doi":"10.4000/15ch4","title":"Le polar espagnol post 15-M, entre illusion et désillusion d’un renouveau démocratique : l’exemple de la série Eladio Monroy (Alexis Ravelo)","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ligne; Illusion; Face (sociological concept)","score_opus":0.010052777338783474,"score_gpt":0.258377183705438,"score_spread":0.2483244063666545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115186648","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30715528,0.006578219,0.0009026933,0.0910283,0.0011659322,0.000033621778,0.000071165574,0.000032007378,0.59303296],"genre_scores_gemma":[0.8174792,0.001955311,0.00018972131,0.007055105,0.00020868787,0.000019275467,0.00002226214,0.00004258607,0.17302786],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859625,0.00054876343,0.000014925759,0.00013106196,0.00017389303,0.0005351064],"domain_scores_gemma":[0.9991984,0.0002083497,0.000115054616,0.000049461818,0.00009521921,0.00033356925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013676545,0.0002859759,0.0002298387,0.00048068335,0.021363355,0.0073749903,0.0006086149,0.0024078144,0.009534281],"category_scores_gemma":[0.0019804884,0.00025557648,0.0001816244,0.00081167294,0.014731527,0.0030162225,0.0057846652,0.005119217,0.0012777653],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011878096,0.00004640195,0.005865343,0.00008740077,0.0000072329394,0.0027638543,0.47058132,0.000079409634,0.00041767338,0.43920222,0.057972685,0.022857673],"study_design_scores_gemma":[0.000011274117,0.000031471514,0.009525633,0.0002617258,0.0000047909057,0.00048894156,0.21203087,0.000056109548,0.0002589703,0.00783007,0.76947844,0.00002173288],"about_ca_topic_score_codex":0.13353673,"about_ca_topic_score_gemma":0.29721054,"teacher_disagreement_score":0.13353673,"about_ca_system_score_codex":0.009131287,"about_ca_system_score_gemma":0.0075454805,"threshold_uncertainty_score":0.2655189},"labels":[],"label_agreement":null},{"id":"W7115187150","doi":"10.4000/15chc","title":"« Bon flic » : quelques éléments sur l’image de la police dans le polar français contemporain","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"French; Memoir; Context (archaeology)","score_opus":0.022551322315230136,"score_gpt":0.28326874135290314,"score_spread":0.260717419037673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115187150","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5047405,0.010635366,0.0024515276,0.055732414,0.0006074189,0.000024064651,0.00017199421,0.000030678613,0.425606],"genre_scores_gemma":[0.98388,0.0013898523,0.00008745611,0.0011495083,0.00007468947,0.0000066048424,0.000022967952,0.000012411308,0.013376587],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816835,0.00083952124,0.000026844944,0.00017920343,0.00024664242,0.00053935667],"domain_scores_gemma":[0.9985605,0.00058528397,0.00020684731,0.00008076199,0.00034050382,0.00022609341],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001793739,0.00035605245,0.00023025894,0.0014751429,0.014851624,0.006319126,0.0004947362,0.0012524632,0.005906893],"category_scores_gemma":[0.0027326893,0.00018191784,0.00013203606,0.0015486453,0.02361679,0.0027902313,0.002366305,0.0019633248,0.0004663786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006828923,0.000011078279,0.008941209,0.00007681949,0.000008004552,0.00045150137,0.48692265,0.00011680999,0.00024725727,0.47639936,0.0107604405,0.0159966],"study_design_scores_gemma":[0.000013338436,0.00004189681,0.027915921,0.00050896785,0.000016151085,0.00033926527,0.46409655,0.00018710975,0.0002869658,0.021108417,0.4854418,0.000043655953],"about_ca_topic_score_codex":0.44366544,"about_ca_topic_score_gemma":0.51074946,"teacher_disagreement_score":0.44366544,"about_ca_system_score_codex":0.016524473,"about_ca_system_score_gemma":0.008995812,"threshold_uncertainty_score":0.882166},"labels":[],"label_agreement":null},{"id":"W7115190914","doi":"10.4000/15ch8","title":"“He defies the law—and gets justice”: Erle Stanley Gardner's Perry Mason skating on thin ice with the authorities of the democratic state","year":2025,"lang":"pt","type":"article","venue":"Belphégor","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"State (computer science); Democracy; Contradiction; Paratext; Plot (graphics); Product (mathematics)","score_opus":0.029761946325894035,"score_gpt":0.2635167748357315,"score_spread":0.23375482850983745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115190914","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15243882,0.011605356,0.005583857,0.23487863,0.0042765727,0.000044677032,0.000046042864,0.000100838544,0.5910252],"genre_scores_gemma":[0.8895617,0.002397131,0.0007936087,0.012690017,0.0005204673,0.000029642339,0.000015879781,0.00013619619,0.0938553],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981018,0.0013517695,0.00002093835,0.00013648703,0.0002264901,0.00016246678],"domain_scores_gemma":[0.9984792,0.0010964818,0.000121943776,0.000069656286,0.00011552696,0.00011723226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018343149,0.00039530432,0.00023007242,0.0005073064,0.008979589,0.0066811414,0.00085292297,0.002669157,0.0032663734],"category_scores_gemma":[0.005309268,0.00025669445,0.00015936773,0.0002898893,0.02505256,0.0043259324,0.002787196,0.0068948865,0.00086503837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043763666,0.000033941364,0.0002683465,0.0000691004,0.000005162975,0.000809044,0.2196972,0.00008403934,0.00035700251,0.7018417,0.069381975,0.0074086627],"study_design_scores_gemma":[0.000016543394,0.00004999118,0.00065231614,0.00038432187,0.0000091792035,0.00086163107,0.24186312,0.00018768651,0.0012977298,0.06430915,0.6903398,0.00002851597],"about_ca_topic_score_codex":0.010886671,"about_ca_topic_score_gemma":0.018452967,"teacher_disagreement_score":0.010886671,"about_ca_system_score_codex":0.003917145,"about_ca_system_score_gemma":0.0013338163,"threshold_uncertainty_score":0.028420985},"labels":[],"label_agreement":null},{"id":"W7116918549","doi":"10.3138/seminar.61.4.rev005","title":"Sunka Simon. <i>German Crime Dramas from Network Television to Netflix</i>","year":2025,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Television studies; Reality tv","score_opus":0.03943011383741324,"score_gpt":0.3353391770423328,"score_spread":0.29590906320491955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116918549","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010976234,0.11462858,0.0014426376,0.2461453,0.031650636,0.000051043076,0.0046831104,0.00087381154,0.5895487],"genre_scores_gemma":[0.10363788,0.036555845,0.0007075845,0.027053215,0.004097404,0.00006897019,0.0018163143,0.0008139648,0.82524884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997993,0.000042175627,0.000009585981,0.00003855812,0.000061262086,0.000049188493],"domain_scores_gemma":[0.9996965,0.0000979908,0.000035138994,0.000017310562,0.000064827036,0.000088210516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026012218,0.0008479495,0.00021271732,0.0013371208,0.0026196674,0.0029721374,0.00043188693,0.0017308127,0.059765834],"category_scores_gemma":[0.001167361,0.00030562648,0.00017119471,0.0010219563,0.00085187523,0.0023623046,0.0015890298,0.0011779543,0.019513352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023373186,0.0000062682484,0.00012551641,0.000068047586,0.0000032492646,0.0000444125,0.0005287723,0.00002496536,0.00020743835,0.008094233,0.9761006,0.014773056],"study_design_scores_gemma":[0.000005150143,0.000004877341,0.0010404418,0.00009228794,0.0000035866804,0.000063216066,0.001091755,0.000031233543,0.0004852561,0.0014908339,0.9956844,0.000006976421],"about_ca_topic_score_codex":0.012994308,"about_ca_topic_score_gemma":0.04729859,"teacher_disagreement_score":0.059765834,"about_ca_system_score_codex":0.0013143772,"about_ca_system_score_gemma":0.00062282,"threshold_uncertainty_score":0.19993663},"labels":[],"label_agreement":null},{"id":"W7117107245","doi":"10.3390/h15010005","title":"Proto-Spiritualist Masculinities in Arthur Conan Doyle’s The Captain of the ‘Pole-Star’","year":2025,"lang":"en","type":"article","venue":"Humanities","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Royal University","funders":"","keywords":"Romance; Rationality; Spiritualism; Sublime; Romanticism; Reading (process); Key (lock)","score_opus":0.06109180021378605,"score_gpt":0.2610020763711962,"score_spread":0.19991027615741017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117107245","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32828525,0.008859042,0.0021395306,0.082770415,0.0010268968,0.000034601246,0.00003716043,0.00003612993,0.576811],"genre_scores_gemma":[0.94756293,0.0011360266,0.0002554928,0.0037466076,0.00013078885,0.000012619273,0.0000058785618,0.000035931756,0.047113657],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980428,0.0012714514,0.000017113261,0.00014461868,0.00025692585,0.00026706254],"domain_scores_gemma":[0.9983197,0.0010874561,0.00015840837,0.0000902051,0.00012525984,0.00021894737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017900928,0.00033012786,0.00020850622,0.00074044423,0.017598156,0.005953792,0.0006333997,0.0019508287,0.0037143661],"category_scores_gemma":[0.002803933,0.00026626783,0.00011333484,0.0004247526,0.04739567,0.0031265097,0.003699257,0.00494888,0.0004555026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028569362,0.00002506221,0.00051152,0.000033052536,0.0000026574915,0.0007673791,0.5697237,0.00005748308,0.00029091546,0.40389693,0.01975045,0.004912212],"study_design_scores_gemma":[0.000008025816,0.000041034127,0.0012601181,0.00016526063,0.0000035179794,0.0007176818,0.2720092,0.00009646023,0.0006285431,0.023563731,0.7014856,0.000020801608],"about_ca_topic_score_codex":0.03292062,"about_ca_topic_score_gemma":0.08058069,"teacher_disagreement_score":0.03292062,"about_ca_system_score_codex":0.0060525085,"about_ca_system_score_gemma":0.0022898547,"threshold_uncertainty_score":0.065458},"labels":[],"label_agreement":null},{"id":"W7124155473","doi":"10.3138/cras-2025-010","title":"“Local to where, across the river?”: Detroit, Borderlands, and Cycles of Dispossession in Elmore Leonard’s <i>Killshot</i>","year":2025,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Frontier; Shadow (psychology); Tying; Depiction; Capital (architecture); Abandonment (legal); Work (physics); Vanguard","score_opus":0.02008677395058141,"score_gpt":0.3268468044150676,"score_spread":0.3067600304644862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124155473","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6344185,0.0037596202,0.00072812353,0.045980316,0.0005140414,0.000017313425,0.00005080049,0.000023647006,0.3145076],"genre_scores_gemma":[0.9723638,0.0006629847,0.00011944979,0.0023675219,0.00007549052,0.000016598477,0.000013767395,0.000022323662,0.024358151],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949193,0.00026764369,0.0000056834324,0.00006091798,0.00005187857,0.00012191459],"domain_scores_gemma":[0.9997774,0.000060982988,0.000034948152,0.000015702122,0.000030165602,0.00008083665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049318763,0.00020213,0.00015409925,0.00036371764,0.01736833,0.007411761,0.00067666906,0.0012278968,0.002323441],"category_scores_gemma":[0.0007470556,0.00015921677,0.00010060256,0.00048525413,0.013844848,0.0022238714,0.003139799,0.002377384,0.00015015005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003625671,0.000034748962,0.0040910565,0.000031154177,0.0000063348616,0.0010881968,0.6241652,0.00007420461,0.000268036,0.32883444,0.03322097,0.008149401],"study_design_scores_gemma":[0.0000072318817,0.000017743909,0.005293994,0.00013389724,0.00000692264,0.0003501074,0.5006325,0.0000871409,0.00025756774,0.009932118,0.48326463,0.00001618161],"about_ca_topic_score_codex":0.13735406,"about_ca_topic_score_gemma":0.3056414,"teacher_disagreement_score":0.13735406,"about_ca_system_score_codex":0.00645795,"about_ca_system_score_gemma":0.002526882,"threshold_uncertainty_score":0.2731092},"labels":[],"label_agreement":null},{"id":"W7125799171","doi":"10.7264/peripherica.2.2.6027","title":"Fabricio Tocco. Latin American Detectives Against Power: Individualism, the State, and Failure in Crime Fiction. Lanham: Lexington Books, 2022.","year":2023,"lang":"","type":"article","venue":"Periphērica","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Latin Americans; Latin American studies; Deterrence (psychology)","score_opus":0.026583744198256702,"score_gpt":0.2625112986115703,"score_spread":0.2359275544133136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125799171","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004548379,0.9210035,0.00014860662,0.020897014,0.0017433624,0.000009607422,0.00013127914,0.000044796485,0.055566937],"genre_scores_gemma":[0.028386578,0.80780286,0.00071884715,0.009667585,0.002907402,0.00009620563,0.0002679018,0.00012439738,0.15002818],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992648,0.0002527169,0.000046720786,0.00006325067,0.00029003192,0.00008252511],"domain_scores_gemma":[0.9980394,0.0010004455,0.00020996098,0.00005600116,0.0005597198,0.00013448695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010920756,0.0009781828,0.00063072,0.0048829187,0.002577255,0.003894767,0.0010186015,0.0022786637,0.02512218],"category_scores_gemma":[0.0031227607,0.0005249027,0.00032511677,0.004396202,0.003317672,0.0046386262,0.001492585,0.002145152,0.0057242922],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040328505,0.000018207984,0.0003930309,0.0014638908,0.000010195195,0.0001813251,0.0049808086,0.00003171473,0.000108877415,0.029021882,0.8178001,0.14594965],"study_design_scores_gemma":[0.000006014592,0.000006817454,0.0013628999,0.0017436595,0.000007296302,0.00015256283,0.0019149384,0.000009426326,0.000066598164,0.0033484409,0.99137455,0.0000069025145],"about_ca_topic_score_codex":0.038317993,"about_ca_topic_score_gemma":0.094916776,"teacher_disagreement_score":0.038317993,"about_ca_system_score_codex":0.004384301,"about_ca_system_score_gemma":0.0034958357,"threshold_uncertainty_score":0.08404213},"labels":[],"label_agreement":null},{"id":"W7128168168","doi":"10.3196/1864-2950-2004-5-6-356","title":"Hubin, Allen J.: Crime fiction IV: a comprehensive bibliography 1749-2000 / Allen J. Hubin. - A completely rev. and updated ed. - Shelburne, Ontario [u.a.]: Battered Silicon Dispatch Box, 2003. - XIV, 2689 S.; 28 cm ISBN 1-552-46501-2 (set) Gewebe $ 495.00 Vol. 1. Author [index] A-F. - ISBN 1-552-46496-2 Vol. 2. Author index G-M. - ISBN 1-552-46497-0 Vol. 3. Author index N-Z. - ISBN 1-552-46498-9 Vol. 4 Author index N-Z. - ISBN 1-552-46499-7 Vol. 5. The other indexes. - ISBN 1-552-46500-4 CD-ROM Version: Hubin, Allen J.: Crime fiction IV: a comprehensive bibliography 1749-2000 / Allen J. Hubin. - Oakland, CA: Locus Press, 2003.- 1 CD-ROM; 12 cm $ 49,95","year":2004,"lang":"","type":"article","venue":"Zeitschrift für Bibliothekswesen und Bibliographie","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silicon valley; Bibliography; George (robot)","score_opus":0.03710493791163693,"score_gpt":0.282368307469049,"score_spread":0.24526336955741207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128168168","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010418365,0.6561473,0.0013657648,0.014344309,0.008160828,0.00009198528,0.0036502823,0.000327574,0.31487018],"genre_scores_gemma":[0.015577699,0.481779,0.002366031,0.004064108,0.002862218,0.00013987202,0.0043186974,0.0004216465,0.48847082],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996026,0.00006830753,0.000033128086,0.00004632496,0.00021109599,0.000038519],"domain_scores_gemma":[0.99918133,0.00031508936,0.00008768753,0.000036600584,0.00031135936,0.000067972665],"candidate_categories":["bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.0004016964,0.0013917409,0.0007949243,0.007606726,0.0019053892,0.002927912,0.00088651583,0.0014265642,0.086486],"category_scores_gemma":[0.0020468563,0.00046976953,0.00029678075,0.009812174,0.0013375155,0.0033835839,0.0011046113,0.0013914482,0.032899868],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010685622,0.000004772939,0.000070628965,0.00036848383,0.0000028493237,0.000037026577,0.00068559655,0.000040516665,0.0000666809,0.0032159707,0.93189275,0.06360394],"study_design_scores_gemma":[0.0000013652749,0.000002542451,0.00055853865,0.00077837886,0.0000036442623,0.00007885646,0.0003280742,0.000007581357,0.000047277274,0.00067482516,0.99751544,0.0000034174882],"about_ca_topic_score_codex":0.028551562,"about_ca_topic_score_gemma":0.042388353,"teacher_disagreement_score":0.99239326,"about_ca_system_score_codex":0.0041254377,"about_ca_system_score_gemma":0.003386058,"threshold_uncertainty_score":0.28932446},"labels":[],"label_agreement":null},{"id":"W7128588304","doi":"10.32469/10355/110140","title":"Civil unrest","year":2025,"lang":"","type":"dissertation","venue":"","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social unrest; Unrest; Work (physics); Terrorism; Quarter (Canadian coin); Style (visual arts); Plot (graphics)","score_opus":0.04555563897145422,"score_gpt":0.28846304531336564,"score_spread":0.24290740634191144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128588304","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016189422,0.00238776,0.00066052715,0.021568682,0.0031852229,0.000048200025,0.00007293265,0.000057342975,0.9558299],"genre_scores_gemma":[0.42402002,0.0041941665,0.0004527592,0.010790447,0.0018696465,0.00008657426,0.00017412311,0.00018350944,0.5582288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988379,0.00043619613,0.000029113222,0.00015430443,0.00023627508,0.00030620856],"domain_scores_gemma":[0.99879944,0.00038075147,0.00012687226,0.00019887454,0.00014535188,0.00034863912],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084594276,0.0004933531,0.00019608671,0.00071036734,0.007367974,0.0056125773,0.00066961814,0.0016604,0.04624018],"category_scores_gemma":[0.0036301352,0.00014777109,0.0002680391,0.00056096655,0.0066799014,0.0024518135,0.0050197565,0.004070165,0.009704906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037819238,0.00006370903,0.00075227924,0.00016439072,0.00000894717,0.0010943167,0.066944376,0.00018873299,0.00035710388,0.5273234,0.3466543,0.056410607],"study_design_scores_gemma":[0.0000032647556,0.000014630224,0.0004393362,0.00019686716,0.0000014523953,0.00037855312,0.02597018,0.00003350428,0.00016998092,0.010878976,0.9619076,0.0000055609985],"about_ca_topic_score_codex":0.0022819303,"about_ca_topic_score_gemma":0.0049027787,"teacher_disagreement_score":0.04624018,"about_ca_system_score_codex":0.0026578633,"about_ca_system_score_gemma":0.0021546478,"threshold_uncertainty_score":0.15468884},"labels":[],"label_agreement":null},{"id":"W7131393657","doi":"10.33137/ic.v39i1.46576","title":"Bastianutti, Diego. Castaways and Other Writings, 1996–2024. Edited by Konrad Eisenbichler, with an Introduction by Rosanna Turcinovich Giuricin","year":2025,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Work (physics); Exposition (narrative)","score_opus":0.01335822367109438,"score_gpt":0.22132609839334766,"score_spread":0.20796787472225328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131393657","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007176798,0.82863796,0.00027917256,0.03379262,0.01569297,0.000011731799,0.0008036953,0.000052985295,0.12001113],"genre_scores_gemma":[0.032620322,0.5481889,0.00088101206,0.0059239664,0.015168271,0.00010519781,0.001491513,0.00028847836,0.39533228],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939907,0.00016091061,0.000031977026,0.00010339868,0.00023275222,0.000071854505],"domain_scores_gemma":[0.999161,0.00031304892,0.00010088399,0.00008089907,0.00024988252,0.00009432082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090131495,0.0017617606,0.0009917193,0.004718707,0.0041274265,0.0061475094,0.0013617747,0.0019962424,0.03804441],"category_scores_gemma":[0.002546007,0.0005764076,0.00033522065,0.008682472,0.003231139,0.0036965073,0.0019020142,0.0028708992,0.014613946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003625607,0.0000085726415,0.00015082642,0.0003091695,0.000006715518,0.00006482529,0.0028898348,0.000046643974,0.000052996376,0.027061844,0.9186703,0.050702095],"study_design_scores_gemma":[0.0000023316786,0.0000015302536,0.0004376038,0.0003845214,0.0000019790775,0.000047939055,0.00079286407,0.0000079988395,0.000027019367,0.0024813514,0.99581224,0.000002641518],"about_ca_topic_score_codex":0.042368826,"about_ca_topic_score_gemma":0.09035514,"teacher_disagreement_score":0.9576312,"about_ca_system_score_codex":0.0046005994,"about_ca_system_score_gemma":0.0034035763,"threshold_uncertainty_score":0.1272713},"labels":[],"label_agreement":null},{"id":"W7131932873","doi":"","title":"Epäonnistujat: rehellinen auktori englantilaisessa satiirissa Marprelatesta Popeen","year":2013,"lang":"en","type":"dissertation","venue":"Trepo - Institutional Repository of Tampere University","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Emil Aaltosen Säätiö; Tampereen Yliopisto; Suomen Kulttuurirahasto","keywords":"Order (exchange); Research methodology; Data collection; Quarter (Canadian coin); Swift","score_opus":0.018898380551805514,"score_gpt":0.20736792414748098,"score_spread":0.18846954359567547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131932873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42793518,0.013316862,0.012112488,0.0063015595,0.0023275171,0.00038063183,0.0065800943,0.0014824596,0.5295632],"genre_scores_gemma":[0.24806634,0.006503947,0.009809228,0.0019663419,0.000251828,0.00021245134,0.00313007,0.00050644745,0.7295533],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99976903,0.000024538971,0.000011432301,0.000068124944,0.000075890086,0.000050909348],"domain_scores_gemma":[0.9997862,0.00003277792,0.000023258306,0.000023472396,0.00008152315,0.000052799598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003957455,0.0004684879,0.00042772153,0.0006044216,0.0017545436,0.0026022394,0.00044962607,0.00072382076,0.071064875],"category_scores_gemma":[0.00040232638,0.00023072089,0.0005966759,0.00064028555,0.0004944472,0.0013717297,0.002063902,0.0014635719,0.0207474],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002714949,0.00097490026,0.014375391,0.0036194986,0.00019303053,0.0022046848,0.011598567,0.0003705495,0.3406637,0.025898134,0.044757813,0.55262876],"study_design_scores_gemma":[0.00005264567,0.00077364617,0.033006933,0.00028797163,0.000115581104,0.0005861135,0.0044593685,0.00016978891,0.03391005,0.0024400663,0.9241368,0.000060863298],"about_ca_topic_score_codex":0.0032316013,"about_ca_topic_score_gemma":0.011229806,"teacher_disagreement_score":0.071064875,"about_ca_system_score_codex":0.00069809525,"about_ca_system_score_gemma":0.0012882168,"threshold_uncertainty_score":0.23773569},"labels":[],"label_agreement":null},{"id":"W7132190174","doi":"","title":"Intermedijalna promjena i preobražaj likova Sherlooka Holmesa i Hercula Poirota","year":2019,"lang":"it","type":"dissertation","venue":"Juraj Dobrila University of Pula Digital Repository","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agatha; Quarter (Canadian coin); The Imaginary","score_opus":0.01187464224752424,"score_gpt":0.19904339444991717,"score_spread":0.18716875220239293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132190174","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025036335,0.0028343524,0.006455889,0.01143347,0.0015236783,0.00010018328,0.00025391552,0.00040219873,0.95196],"genre_scores_gemma":[0.21492258,0.0021752077,0.00442726,0.002415076,0.00073489506,0.000097512086,0.00020653584,0.0005689535,0.77445203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980642,0.00037833623,0.000094366376,0.00051250734,0.00058117043,0.00036938462],"domain_scores_gemma":[0.9974611,0.00050500623,0.00027660307,0.00052305666,0.00072830106,0.0005059914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018272916,0.0007278773,0.0004568458,0.0015906806,0.006161223,0.014119978,0.0013362456,0.0021834217,0.088898934],"category_scores_gemma":[0.004198165,0.000642752,0.0004882221,0.001313475,0.0064633368,0.007131804,0.006412313,0.0048137186,0.0229575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017436894,0.0001383295,0.0037134588,0.00044785347,0.00003107738,0.0008789836,0.03387934,0.00012047514,0.0037217995,0.8098478,0.06665426,0.08039225],"study_design_scores_gemma":[0.000009726061,0.00003811649,0.0023227134,0.00020695721,0.000022146241,0.00041038144,0.005902934,0.00013579654,0.0012478343,0.026094379,0.9635849,0.000023930317],"about_ca_topic_score_codex":0.0059386254,"about_ca_topic_score_gemma":0.015811304,"teacher_disagreement_score":0.088898934,"about_ca_system_score_codex":0.005711683,"about_ca_system_score_gemma":0.0041163145,"threshold_uncertainty_score":0.29739654},"labels":[],"label_agreement":null},{"id":"W7133187071","doi":"10.2310/6620.2008.00012h","title":"Sherlock Holmes Meets Howard Maibach: The Case of the Missing Allergen","year":2008,"lang":"en","type":"article","venue":"Dermatitis","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Allergen; MEDLINE; Biography","score_opus":0.06214482456348435,"score_gpt":0.24052857416706871,"score_spread":0.17838374960358436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133187071","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009616622,0.040982645,0.00083741744,0.9067224,0.0075319065,0.000017948812,0.000027396325,0.000034891676,0.034228735],"genre_scores_gemma":[0.32874072,0.056921236,0.002582398,0.45310792,0.0364014,0.000060086426,0.000035371835,0.00019744222,0.12195351],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985524,0.00062856334,0.000067975045,0.00020016434,0.00029296172,0.00025801465],"domain_scores_gemma":[0.99489045,0.0036473798,0.00026043775,0.0002548406,0.0003988678,0.0005480728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002468859,0.0005336987,0.0005950119,0.0016121923,0.0071509564,0.0031052746,0.0016277132,0.02570601,0.009251975],"category_scores_gemma":[0.011759575,0.0005533187,0.0004322965,0.0007656836,0.011084656,0.0080237165,0.0034945903,0.014753156,0.0019360433],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008599299,0.00008031512,0.0022105246,0.00019544727,0.000031919128,0.06566409,0.019840963,0.00006420254,0.000433644,0.13169739,0.7288547,0.050840806],"study_design_scores_gemma":[0.00002322679,0.00003869015,0.0014212938,0.00061262056,0.000020413685,0.1031413,0.031485755,0.00009827702,0.0004838195,0.0793852,0.7832415,0.000047992915],"about_ca_topic_score_codex":0.0059180693,"about_ca_topic_score_gemma":0.011715226,"teacher_disagreement_score":0.02570601,"about_ca_system_score_codex":0.0014722681,"about_ca_system_score_gemma":0.0014643973,"threshold_uncertainty_score":0.030950963},"labels":[],"label_agreement":null},{"id":"W7135919963","doi":"","title":"Krim kan ikke selv bestemme","year":2014,"lang":"da","type":"article","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute on Governance","funders":"","keywords":"","score_opus":0.08780795680696721,"score_gpt":0.27396503153755947,"score_spread":0.18615707473059226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135919963","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054183982,0.07345379,0.0132122375,0.14359866,0.052184567,0.0002658708,0.012479199,0.0048796237,0.6457422],"genre_scores_gemma":[0.2224656,0.012199515,0.006273365,0.00820665,0.0024612343,0.00016947667,0.002162282,0.0025269368,0.7435348],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817514,0.00035256293,0.000103716295,0.000430339,0.00067487266,0.00026322066],"domain_scores_gemma":[0.9989151,0.0002656036,0.00008051316,0.00010854758,0.0004036356,0.00022664548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013908208,0.0018258864,0.0015107581,0.0009813458,0.0019736409,0.0053578606,0.00092785864,0.0023033437,0.11715177],"category_scores_gemma":[0.004380408,0.0007102428,0.00051772525,0.00046165253,0.0012767883,0.0032622633,0.004695483,0.0037065626,0.08952635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00063308823,0.00019968193,0.0017112612,0.0019246347,0.00012165115,0.0017015865,0.008206525,0.0014194311,0.008092042,0.053918306,0.7017751,0.22029671],"study_design_scores_gemma":[0.000025830868,0.000060974693,0.0009535845,0.0004932299,0.00003212595,0.0007648202,0.0020655792,0.00021756119,0.0023570876,0.005657649,0.9873188,0.00005278002],"about_ca_topic_score_codex":0.0016243212,"about_ca_topic_score_gemma":0.0024002371,"teacher_disagreement_score":0.11715177,"about_ca_system_score_codex":0.0016846932,"about_ca_system_score_gemma":0.002210221,"threshold_uncertainty_score":0.3919117},"labels":[],"label_agreement":null},{"id":"W7135973293","doi":"","title":"Kriminalistiske pejlinger:Festskrift til Flemming Balvig","year":2015,"lang":"da","type":"book","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute on Governance","funders":"","keywords":"Context (archaeology); Perspective (graphical); Focus (optics); Field (mathematics)","score_opus":0.1710552118580172,"score_gpt":0.3075589807631983,"score_spread":0.13650376890518112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135973293","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012447251,0.095689595,0.008849154,0.028845388,0.012564644,0.00008348687,0.0007120847,0.00036194696,0.8404465],"genre_scores_gemma":[0.27962682,0.022000782,0.00443677,0.0033214632,0.0022395568,0.000113186885,0.0005396789,0.00091975013,0.6868021],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922395,0.00033614793,0.00003554744,0.00011801455,0.00018655819,0.00009985692],"domain_scores_gemma":[0.9994991,0.00028634717,0.000039409268,0.00004907688,0.000080791266,0.000045260666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007219308,0.00075209216,0.0004069824,0.0009489996,0.0025635725,0.0057804273,0.00063768635,0.0013577221,0.027255611],"category_scores_gemma":[0.0019678054,0.00042137038,0.00021906137,0.0010257101,0.0059736357,0.0036487787,0.002229744,0.0031663554,0.0071578734],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007848527,0.00005433178,0.00019159983,0.00044050714,0.00001327722,0.00016637926,0.028193492,0.0002489791,0.00087918283,0.52288955,0.32606536,0.1207789],"study_design_scores_gemma":[0.000006589708,0.0000066562416,0.00029344065,0.00024592565,0.0000034080572,0.00013079347,0.003290502,0.00005223112,0.0003472857,0.027900526,0.9677137,0.000008890368],"about_ca_topic_score_codex":0.00904351,"about_ca_topic_score_gemma":0.013269692,"teacher_disagreement_score":0.027255611,"about_ca_system_score_codex":0.0031926075,"about_ca_system_score_gemma":0.0028025482,"threshold_uncertainty_score":0.09117913},"labels":[],"label_agreement":null},{"id":"W7160012745","doi":"10.1353/esc.2022.a989006","title":"Carrollian Reflections: The Visual Dynamics of Dorothy L. Sayers's Detective Fiction","year":2022,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Detective fiction; Dynamics (music); Narrative","score_opus":0.04785269384963309,"score_gpt":0.29628552339259756,"score_spread":0.24843282954296447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160012745","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046229564,0.015278197,0.00067868765,0.6758729,0.0038649181,0.000031325668,0.00028098485,0.00007948552,0.25768393],"genre_scores_gemma":[0.76322484,0.008835326,0.00040263726,0.069407925,0.0018909739,0.000037018668,0.000060447885,0.00020340784,0.15593734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982937,0.00055388256,0.000028146831,0.000157302,0.00052557304,0.00044133308],"domain_scores_gemma":[0.99272305,0.00405497,0.00035487427,0.00015391054,0.0018892445,0.000823957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002076235,0.00040385057,0.0003314979,0.0017751474,0.031051608,0.012045934,0.0015594246,0.004290442,0.010027667],"category_scores_gemma":[0.011080825,0.00025108623,0.00023615696,0.0020932017,0.03073435,0.0042593493,0.0028249181,0.00869465,0.0007723899],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038341626,0.00001836657,0.0009977808,0.0000956492,0.0000064254273,0.0005597561,0.33634794,0.00008884438,0.00021835371,0.17076945,0.47823903,0.012620125],"study_design_scores_gemma":[0.000006747341,0.000005601947,0.0018701175,0.00021747651,0.0000061134942,0.00014299611,0.26471752,0.000047017256,0.0002760234,0.007922036,0.7247646,0.000023748758],"about_ca_topic_score_codex":0.8607017,"about_ca_topic_score_gemma":0.92772436,"teacher_disagreement_score":0.13929832,"about_ca_system_score_codex":0.036167275,"about_ca_system_score_gemma":0.01923077,"threshold_uncertainty_score":0.28023732},"labels":[],"label_agreement":null},{"id":"W7160028667","doi":"10.1353/esc.2022.a989008","title":"Recombinant Theory by Joel Katelnikoff (review)","year":2022,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.04181827260633503,"score_gpt":0.25580740051994,"score_spread":0.21398912791360497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160028667","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005388742,0.99417746,0.00012710095,0.0039648507,0.0007402641,0.000007904241,0.000049712155,0.0000034500656,0.00087540346],"genre_scores_gemma":[0.0020100118,0.99176544,0.00035690764,0.003445839,0.00064725947,0.000027200165,0.0000732416,0.000005224309,0.0016688966],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870396,0.00042703276,0.0001487559,0.00016087265,0.00046855712,0.00009083498],"domain_scores_gemma":[0.9968869,0.001823364,0.00025260312,0.00008493873,0.0008362805,0.00011590277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026294535,0.00086605945,0.001644005,0.0050710742,0.00068188424,0.002374912,0.0010618014,0.0014725619,0.0053040404],"category_scores_gemma":[0.008211099,0.0003291119,0.0006809339,0.009688934,0.002063742,0.0020029806,0.0016211546,0.0016404509,0.0013051801],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010060587,0.000039131475,0.00036542906,0.039718084,0.0004634026,0.000105121595,0.00041901346,0.00027971872,0.00022454475,0.017103665,0.3748845,0.5662968],"study_design_scores_gemma":[0.0000825677,0.000028726141,0.002674464,0.028775802,0.0007016082,0.00032161217,0.00028441515,0.00006569951,0.0001668101,0.0092558125,0.9576104,0.000032023872],"about_ca_topic_score_codex":0.07059527,"about_ca_topic_score_gemma":0.08257618,"teacher_disagreement_score":0.92940474,"about_ca_system_score_codex":0.0045298054,"about_ca_system_score_gemma":0.015757782,"threshold_uncertainty_score":0.1403687},"labels":[],"label_agreement":null},{"id":"W855344470","doi":"","title":"Germain Dion, La fille de la danseuse, roman policier, Les Éditions du Vermillon, Ottawa, 2008, 280 pagesGermain Dion, La fille de la danseuse, roman policier, Les Éditions du Vermillon, Ottawa, 2008, 280 pages","year":2009,"lang":"fr","type":"article","venue":"Liaison","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01377703180685909,"score_gpt":0.26162216890931667,"score_spread":0.24784513710245756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W855344470","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010803078,0.85742384,0.00050989795,0.03130897,0.011589397,0.00002228171,0.0010760879,0.00018802103,0.096801184],"genre_scores_gemma":[0.015632065,0.39479384,0.0010211274,0.005120573,0.0055191093,0.000053107182,0.0011643039,0.00034370212,0.57635224],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990544,0.00016066196,0.000058648584,0.00009471591,0.0005068221,0.0001247738],"domain_scores_gemma":[0.998509,0.00055231183,0.000115390234,0.00006436309,0.0005822387,0.00017678417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083967834,0.0015204113,0.0010939816,0.003960622,0.00449444,0.0048286836,0.0014506785,0.002906326,0.038252514],"category_scores_gemma":[0.0022888887,0.0007746624,0.00036672605,0.0062845605,0.002393544,0.003871086,0.0015604635,0.0027898387,0.013452211],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013498702,0.000006154747,0.00013650641,0.0002230531,0.0000031086358,0.000028565391,0.000781172,0.000053911557,0.000044386084,0.005702616,0.9684871,0.024519999],"study_design_scores_gemma":[0.000002945338,0.0000029749624,0.0014451812,0.0004403541,0.000003542653,0.000062067644,0.0012955657,0.000019246592,0.000051966446,0.0007892296,0.995877,0.000009914282],"about_ca_topic_score_codex":0.40241036,"about_ca_topic_score_gemma":0.73729306,"teacher_disagreement_score":0.5975896,"about_ca_system_score_codex":0.010863788,"about_ca_system_score_gemma":0.007532993,"threshold_uncertainty_score":0.80013615},"labels":[],"label_agreement":null},{"id":"W978167182","doi":"","title":"Detecting Texts: The Metaphysical Detective Story from Poe to Postmodernism ed. by Patricia Merivale, Susan Elizabeth Sweeney (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Metaphysics; Art history; Philosophy; Psychoanalysis; Literature; Art; Epistemology; Psychology","score_opus":0.01208790496984501,"score_gpt":0.21362882019937937,"score_spread":0.20154091522953435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W978167182","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005737372,0.9661235,0.00018756655,0.027670331,0.00075959606,0.0000045352226,0.000028593626,0.000008311487,0.004643796],"genre_scores_gemma":[0.013450679,0.97724754,0.00023104601,0.003545881,0.0017069684,0.000022318944,0.00004106891,0.000015875992,0.0037385023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829453,0.0009490826,0.00006378052,0.0001074705,0.000491801,0.00009332916],"domain_scores_gemma":[0.99347705,0.0050702314,0.00045744563,0.00014654615,0.0006419889,0.00020668449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003071771,0.0006632386,0.0012039773,0.005119652,0.0024185588,0.007292677,0.0011989183,0.0027806817,0.0041285926],"category_scores_gemma":[0.009423265,0.00052397617,0.00030563027,0.006835861,0.013889424,0.010596673,0.0027024213,0.003032198,0.0014426132],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007369378,0.00003453319,0.00090697693,0.0066138487,0.00006740847,0.0005219931,0.029323637,0.00020193165,0.00025751957,0.076655686,0.49090463,0.39443815],"study_design_scores_gemma":[0.000013334813,0.000025675963,0.003040742,0.0060863085,0.000025617288,0.0007512338,0.013568014,0.00004078076,0.00014153209,0.021434614,0.9548472,0.00002483282],"about_ca_topic_score_codex":0.024434935,"about_ca_topic_score_gemma":0.054801002,"teacher_disagreement_score":0.024434935,"about_ca_system_score_codex":0.0043964484,"about_ca_system_score_gemma":0.0061794077,"threshold_uncertainty_score":0.048585415},"labels":[],"label_agreement":null}]}