{"meta":{"query_hash":"a8200b875c74","filters":{"topic":"Diversity and Impact of Dance"},"cohort_total":1124,"direct_labels_cover":0,"predictions_cover":1124,"exported":1124,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/a8200b875c74","api":"https://metacan.xera.ac/api/v1/cohort?topic=Diversity+and+Impact+of+Dance"},"results":[{"id":"W1000204630","doi":"","title":"Constructing A Contemporary Dance Ritual","year":2015,"lang":"en","type":"article","venue":"eScholarship (California Digital Library)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Contemporary dance; Field (mathematics); Space (punctuation); Aesthetics; Quarter (Canadian coin); Modern dance; Sociology; Art; History; Computer science; Archaeology","score_opus":0.05250496994639768,"score_gpt":0.26243917407386724,"score_spread":0.20993420412746955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1000204630","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40799963,0.000563823,0.00013714714,0.000705142,0.00062435906,0.000180765,0.002739799,0.00045707476,0.58659226],"genre_scores_gemma":[0.98970395,0.0000014018519,0.0006638707,0.0013863085,0.00027658872,0.000008577747,0.00046031314,0.0000560759,0.0074429177],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980558,0.00012295903,0.00038972145,0.0004947966,0.00037939352,0.00055734144],"domain_scores_gemma":[0.99845755,0.00015191881,0.00018383446,0.00047994772,0.000052800115,0.000673919],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000225007,0.000298157,0.00033183018,0.00014002445,0.00011419993,0.0009108225,0.00063550624,0.00019448878,0.0011834666],"category_scores_gemma":[0.00037493714,0.00030069967,0.0001442802,0.00039578276,0.00028164274,0.005357189,0.00030832645,0.00053339906,0.0143102165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055569276,0.00033910747,0.79071903,0.000020880003,0.00011851005,0.00031444334,0.00031263486,6.517883e-7,0.000010976981,0.026756432,0.16630073,0.014550916],"study_design_scores_gemma":[0.003982603,0.000410636,0.011035318,0.00013029938,0.000022050197,0.00019645352,0.0042792116,0.000013171067,0.0005668696,0.01296184,0.9654566,0.00094495225],"about_ca_topic_score_codex":0.000011092749,"about_ca_topic_score_gemma":5.7587886e-7,"teacher_disagreement_score":0.7991559,"about_ca_system_score_codex":0.000048832786,"about_ca_system_score_gemma":0.00021037986,"threshold_uncertainty_score":0.9999445},"labels":[],"label_agreement":null},{"id":"W1005132750","doi":"","title":"Shifting Orientations in Dance Revivals: From \"National\" to \"Spectacular\" in Ukrainian Canadian Dance","year":2006,"lang":"en","type":"article","venue":"University of Zagreb University Computing Centre (SRCE)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Ukrainian; Movement (music); Folk dance; Ethnic group; Orientation (vector space); Recreation; Aesthetics; Sociology; History; Visual arts; Art; Political science; Anthropology; Law; Linguistics; Philosophy","score_opus":0.010661425201757764,"score_gpt":0.22598750095255057,"score_spread":0.21532607575079282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1005132750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95959413,0.00004700891,0.0006318477,0.0010853569,0.00023313343,0.00025614252,0.00023564445,0.000050650062,0.037866067],"genre_scores_gemma":[0.99485165,0.000007178431,0.0026183769,0.00017204776,0.00005590404,3.6063298e-11,0.00008837776,0.000009815471,0.002196646],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9981613,0.00021849999,0.00021075283,0.0005481787,0.00030020915,0.00056106155],"domain_scores_gemma":[0.9989237,0.00020222281,0.00018920565,0.00027857485,0.00017056864,0.00023570271],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00026944978,0.00019765437,0.00032562632,0.0007661072,0.00029369327,0.000022159315,0.00066922494,0.00014189855,0.000507474],"category_scores_gemma":[0.000064721804,0.00031140287,0.00010298684,0.0011772674,0.00013509652,0.0003095957,0.00019015658,0.00027370776,0.0001671881],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036191745,0.00074702664,0.28032416,0.000045017136,0.00015261077,0.0018787291,0.65084285,0.0119341845,0.00019382444,0.04146685,0.008785155,0.0032676563],"study_design_scores_gemma":[0.0025703078,0.000044911452,0.7543812,0.00033860074,0.000037218266,0.0000033137735,0.22563846,0.0013737327,0.00001845208,0.00016993408,0.014934318,0.0004895639],"about_ca_topic_score_codex":0.41538855,"about_ca_topic_score_gemma":0.39993623,"teacher_disagreement_score":0.47405702,"about_ca_system_score_codex":0.001122092,"about_ca_system_score_gemma":0.00025481233,"threshold_uncertainty_score":0.9999338},"labels":[],"label_agreement":null},{"id":"W1008216216","doi":"","title":"Caught In The Act : An Anthology of Performance Art by Canadian Women","year":2004,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performance art; Art; Art history; History","score_opus":0.012237379854522164,"score_gpt":0.2509486242938781,"score_spread":0.23871124443935593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1008216216","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09729461,0.0008448102,0.0000093391955,0.0013257868,0.0012064324,0.0006858772,0.0007586097,0.000049263424,0.89782524],"genre_scores_gemma":[0.23548348,0.00016383309,0.00001961388,0.0027581942,0.00025059277,0.000040358245,0.00043918213,0.000071102695,0.76077366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650496,0.00030904237,0.0005975039,0.00077490235,0.00044233864,0.0013712676],"domain_scores_gemma":[0.9975514,0.00012535763,0.00037128103,0.0014001966,0.00008435394,0.00046741078],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00091029,0.0005914028,0.0008619003,0.0005134808,0.00025020022,0.0000624223,0.0014776962,0.0008568137,0.011557622],"category_scores_gemma":[0.000031200743,0.0005435651,0.00016977802,0.00029382997,0.00060531334,0.00043473995,0.00007005485,0.0012317705,0.0040491647],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025880177,0.0005686649,0.0008294321,0.00013947586,0.0002258664,0.000428182,0.04147911,0.000019635358,0.000036757232,0.0049564284,0.9380961,0.012961515],"study_design_scores_gemma":[0.0013022256,0.00070408004,0.017334756,0.00015764497,0.00004899793,0.00011631043,0.0010602355,0.0000032291377,0.000010458169,0.001039314,0.97763497,0.0005878071],"about_ca_topic_score_codex":0.0051410273,"about_ca_topic_score_gemma":0.05129849,"teacher_disagreement_score":0.13818887,"about_ca_system_score_codex":0.0011034283,"about_ca_system_score_gemma":0.0020223279,"threshold_uncertainty_score":0.99970156},"labels":[],"label_agreement":null},{"id":"W101217066","doi":"10.2307/25606208","title":"Footbinding: Search for the Three Inch Golden Lotus","year":2004,"lang":"en","type":"article","venue":"Anthropologica","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lotus; Art; Visual arts; Biology; Botany","score_opus":0.10343262887310777,"score_gpt":0.38146188357409533,"score_spread":0.27802925470098755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W101217066","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8351792,0.0023094185,0.019843567,0.039448895,0.002811086,0.0012117611,0.00009163463,0.0002476783,0.09885676],"genre_scores_gemma":[0.9966815,0.000101722944,0.00039386292,0.0008324971,0.00020376829,0.000022807377,0.000005764423,0.000010322443,0.0017477176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9990222,0.000029858182,0.00011267439,0.00025185072,0.0001286679,0.0004547677],"domain_scores_gemma":[0.99925405,0.00024515777,0.000044814686,0.00036089597,0.000030652405,0.00006440943],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000198523,0.000117141055,0.00014065926,0.00003964403,0.0009911631,0.000040781226,0.0005089747,0.00012673691,0.00259538],"category_scores_gemma":[0.00003649186,0.00007485788,0.00010167532,0.00014938119,0.000773258,0.00007885571,0.00011527354,0.0001774316,0.00069793157],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062838855,0.0009822455,0.036411,0.000024313022,0.00046506646,0.00009270153,0.0089830365,0.00009239717,0.00064535293,0.84927815,0.05766071,0.04473665],"study_design_scores_gemma":[0.010271886,0.0084071355,0.6208229,0.00007153888,0.000281899,0.00018618976,0.068076216,0.000036643498,0.008997594,0.06861613,0.21293484,0.0012969987],"about_ca_topic_score_codex":0.00090648816,"about_ca_topic_score_gemma":0.00008279053,"teacher_disagreement_score":0.780662,"about_ca_system_score_codex":0.000035234596,"about_ca_system_score_gemma":0.000028543254,"threshold_uncertainty_score":0.9983164},"labels":[],"label_agreement":null},{"id":"W105539247","doi":"10.15173/nexus.v20i1.208","title":"The Dancing Body: Hopping Anyone?'","year":2007,"lang":"en","type":"article","venue":"NEXUS The Canadian Student Journal of Anthropology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Narrative; Aesthetics; Agency (philosophy); Empowerment; Sociology; Power (physics); Hegemony; Choreography; Visual arts; Literature; Art; Law; Political science; Politics; Social science","score_opus":0.020751144913654974,"score_gpt":0.35342864366618476,"score_spread":0.3326774987525298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W105539247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82224226,0.006647502,0.00076910894,0.03570288,0.014685713,0.0002500639,0.000012376233,0.000016375583,0.1196737],"genre_scores_gemma":[0.99549395,0.00014535537,0.000024616545,0.0025519328,0.0007191462,4.381238e-7,3.2507833e-7,0.000012520129,0.0010517435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818945,0.00017916101,0.00042288794,0.00012558475,0.0003048051,0.00077813165],"domain_scores_gemma":[0.99830824,0.0004096198,0.00037330826,0.00032131525,0.00018844228,0.00039908898],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0020268103,0.00013667723,0.00023223707,0.00019752106,0.0016045696,0.000098165285,0.0009858663,0.0001227089,0.00066691655],"category_scores_gemma":[0.00013096216,0.00008400744,0.00013179086,0.00020973661,0.0010332676,0.0001128924,0.00006234878,0.00061475264,0.00010972618],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010221488,0.0004913688,0.20693627,0.000015604286,0.0032851943,0.0071265,0.06523408,0.000090719484,0.0007197314,0.23459913,0.39661473,0.08386452],"study_design_scores_gemma":[0.0012903846,0.00093899044,0.3892959,0.00003801243,0.0001347869,0.0019618452,0.07605204,0.0000028545487,0.000107753076,0.0010562524,0.5288874,0.00023376495],"about_ca_topic_score_codex":0.047742825,"about_ca_topic_score_gemma":0.34614968,"teacher_disagreement_score":0.29840687,"about_ca_system_score_codex":0.00038499068,"about_ca_system_score_gemma":0.0003637894,"threshold_uncertainty_score":0.9996952},"labels":[],"label_agreement":null},{"id":"W13430758","doi":"10.1038/179971a0","title":"Origins of the Jingle Dress Dance","year":2007,"lang":"en","type":"article","venue":"Whispering wind","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Art; Geography","score_opus":0.021746063797938635,"score_gpt":0.2923233562852886,"score_spread":0.27057729248734996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W13430758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91421545,0.00009458781,0.00017173961,0.00009178367,0.0011492133,0.000053474778,0.0000060556827,0.000018586405,0.08419914],"genre_scores_gemma":[0.9966751,0.0000016354552,0.000113521804,0.0001474137,0.00010863703,2.0973043e-7,3.118559e-7,0.0000065417203,0.0029466394],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994432,0.00001379069,0.000101504855,0.000114921815,0.00011874767,0.00020786477],"domain_scores_gemma":[0.9995345,0.00003770247,0.000060935865,0.00030829365,0.000020212217,0.00003838286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017433496,0.00006175094,0.00008547568,0.000028238295,0.00007511039,0.000008272312,0.0002876833,0.000047123776,0.0004431673],"category_scores_gemma":[0.0000252929,0.00004931793,0.000048452566,0.00014198017,0.0000899912,0.00006869604,0.00006139183,0.000106720385,0.00010616917],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029820675,0.0006683185,0.6481181,0.00009703551,0.0002327619,0.000054539436,0.038941737,0.00018818938,0.055305935,0.21766414,0.011689853,0.026741223],"study_design_scores_gemma":[0.00042446092,0.000050266168,0.80838096,0.000051401184,0.000011456702,0.0000067438546,0.000896952,0.0000026480047,0.01472326,0.000069874724,0.17527409,0.00010787468],"about_ca_topic_score_codex":0.00023485097,"about_ca_topic_score_gemma":0.000031568594,"teacher_disagreement_score":0.21759427,"about_ca_system_score_codex":0.000070818154,"about_ca_system_score_gemma":0.0000112162015,"threshold_uncertainty_score":0.4852371},"labels":[],"label_agreement":null},{"id":"W140434576","doi":"10.1007/978-90-481-8957-1_6","title":"Fitness Marginalises Fun and Friendship","year":2012,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Appeal; Friendship; Quarter (Canadian coin); Psychology; Social psychology; Sociology; Aesthetics; Political science; History; Art; Law","score_opus":0.053987079164593096,"score_gpt":0.28279540590369323,"score_spread":0.22880832673910012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W140434576","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00039965496,0.0038263611,0.000033760716,0.00021463692,0.00072337646,0.0000907977,0.00009598934,0.000059135593,0.9945563],"genre_scores_gemma":[0.038090948,0.0002030813,0.00008251933,0.0005792993,0.00031456913,0.0000015037494,0.000028958524,0.000025744272,0.9606734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926925,0.0000100696725,0.00010590365,0.00023794059,0.00012392501,0.00025292113],"domain_scores_gemma":[0.9993905,0.000058620226,0.00007881686,0.00029364263,0.000026998621,0.00015146652],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008303559,0.00021182877,0.00023823147,0.000082741295,0.000060674767,0.000028648798,0.00015711045,0.00032131092,0.07309764],"category_scores_gemma":[0.000005057674,0.00019693105,0.0000649841,0.000009108533,0.00014074279,0.00012373322,0.0000940047,0.00022005652,0.0034452497],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047524743,0.000020903675,0.0007005368,0.000027606673,0.00010618303,0.000024929408,0.00030177637,1.05465014e-8,7.6641396e-7,0.9291195,0.05075984,0.018890396],"study_design_scores_gemma":[0.00027421783,0.000067905734,0.0072695604,0.000038341146,0.00008646609,0.00003372369,0.00010134666,4.872898e-8,0.0000029641212,0.0104057845,0.98142964,0.00029002372],"about_ca_topic_score_codex":0.000052463558,"about_ca_topic_score_gemma":0.0000072081857,"teacher_disagreement_score":0.9306698,"about_ca_system_score_codex":0.000013936705,"about_ca_system_score_gemma":0.000009830854,"threshold_uncertainty_score":0.99733067},"labels":[],"label_agreement":null},{"id":"W1411376180","doi":"10.1017/cbo9781139600378.006","title":"Diagrams, gestures, movement","year":2014,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Gesture; Movement (music); Computer science; Computer vision; Art; Aesthetics","score_opus":0.02612931236421256,"score_gpt":0.22229180338271518,"score_spread":0.1961624910185026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1411376180","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014051473,0.0002877311,0.00053801935,0.000048741105,0.0010994652,0.0004387923,0.0004643158,0.00021435448,0.99676806],"genre_scores_gemma":[0.0012994899,0.00008594184,0.00005118408,0.0007910382,0.00032678645,7.293094e-7,0.00010767972,0.000058319853,0.9972788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982032,0.00006566945,0.000194253,0.00069064496,0.00035532744,0.0004909073],"domain_scores_gemma":[0.99822456,0.00008370846,0.00029440122,0.0009769113,0.00010917101,0.0003112472],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0001275366,0.00049715786,0.0005215603,0.00019477952,0.00022546208,0.000052834876,0.0008765656,0.0006320867,0.00016021478],"category_scores_gemma":[0.000007990356,0.00060426985,0.00032737892,0.0000073252595,0.00030348627,0.000060691997,0.00046938658,0.00067434245,0.00050514744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010500153,0.000017578523,0.000007823733,0.000029555578,0.00026618107,0.00026854794,0.00008026876,4.916284e-7,0.0000047068575,0.61601627,0.38043538,0.0027682288],"study_design_scores_gemma":[0.0010046801,0.00016864906,0.00030730377,0.000111165704,0.0002977408,0.000008922054,0.00005959923,0.0000019009541,0.00003233912,0.000033447606,0.997357,0.0006172492],"about_ca_topic_score_codex":0.00046942383,"about_ca_topic_score_gemma":0.000005364236,"teacher_disagreement_score":0.6169216,"about_ca_system_score_codex":0.00021174023,"about_ca_system_score_gemma":0.00005226606,"threshold_uncertainty_score":0.9996409},"labels":[],"label_agreement":null},{"id":"W14496049","doi":"10.21091/mppa.2012.4037","title":"The Relationship Between Postural Stability and Dancer’s Past and Future Lower-Limb Injuries","year":2012,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Balance (ability); Dance; Physical medicine and rehabilitation; Physical therapy; Lower limb; Rehabilitation; Injury prevention; Force platform; Medicine; Psychology; Center of pressure (fluid mechanics); Poison control; Surgery","score_opus":0.03973579936861926,"score_gpt":0.30848909207069886,"score_spread":0.2687532927020796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W14496049","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98965764,0.0029089698,0.000017166838,0.0048040175,0.0004881604,0.00014338728,0.000015659894,0.000022473116,0.001942507],"genre_scores_gemma":[0.9990614,0.0000677231,0.00006951293,0.000076126176,0.0005772196,0.0000055739583,0.0000052902815,0.000006518525,0.00013060139],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99883,0.00009979704,0.00025742906,0.00015268655,0.000314711,0.00034535155],"domain_scores_gemma":[0.9987275,0.0006730973,0.00010533026,0.00020011462,0.000033304954,0.0002606696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012026932,0.0001087567,0.00016968319,0.000026340133,0.0003756087,0.00002462511,0.00014608703,0.0001423693,0.00016392815],"category_scores_gemma":[0.00041143765,0.00007429039,0.000029759336,0.0000785205,0.00066821754,0.00030429196,0.00011957484,0.00034634455,0.000016948361],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065591616,0.00004840576,0.96924233,0.00006970237,0.000021734691,5.253448e-7,0.003675577,1.1823973e-8,0.000015208239,0.0029392813,0.0007501706,0.023171466],"study_design_scores_gemma":[0.00032900964,0.0002457539,0.98679805,0.000050684812,0.000020782758,0.000009949999,0.0008623986,0.0000029955625,0.000023001481,0.00067933183,0.01088762,0.00009041009],"about_ca_topic_score_codex":0.00006227707,"about_ca_topic_score_gemma":0.000032806365,"teacher_disagreement_score":0.023081055,"about_ca_system_score_codex":0.000019169896,"about_ca_system_score_gemma":0.000022771017,"threshold_uncertainty_score":0.3029474},"labels":[],"label_agreement":null},{"id":"W1483154938","doi":"","title":"Growing up in Nature: Health and Adolescent Dance in L.M. Montgomery’s Emily Series","year":2011,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Dance; Soul; Power (physics); Movement (music); Natural (archaeology); Aesthetics; Art; Art history; Sociology; Philosophy; Visual arts; History; Theology","score_opus":0.042553058378819446,"score_gpt":0.3276221140518682,"score_spread":0.28506905567304874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1483154938","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6985149,0.27614892,2.4101448e-7,0.006398043,0.0031014394,0.00041317457,0.00018541349,0.000021581132,0.015216292],"genre_scores_gemma":[0.98784065,0.0022790045,0.00010301105,0.008539938,0.000063794425,0.0000137068955,0.0000103972525,0.00001140164,0.0011381197],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99856365,0.00010953619,0.00022087201,0.00034568598,0.000082723964,0.0006775536],"domain_scores_gemma":[0.99942374,0.00002343121,0.00004928688,0.00020928364,0.00003106707,0.0002632136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027768145,0.00017832126,0.0003155321,0.00043474842,0.000086169115,0.000025980471,0.00017100411,0.00020816977,0.00002083497],"category_scores_gemma":[0.000097121934,0.00018390124,0.00002394336,0.00060400733,0.00014229493,0.00041899,0.000053370662,0.0008479381,0.0000054869224],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021163342,0.000063686726,0.68072414,0.00030208152,0.000049213297,0.000998306,0.24914004,7.596201e-7,0.0000018410414,0.008949869,0.056423493,0.0031349435],"study_design_scores_gemma":[0.0009834059,0.00014945853,0.90348196,0.0018849404,0.0000027519247,0.000032855936,0.032234173,8.894065e-7,0.0000036462518,0.00096367754,0.059975483,0.0002867841],"about_ca_topic_score_codex":0.064534165,"about_ca_topic_score_gemma":0.670316,"teacher_disagreement_score":0.6057818,"about_ca_system_score_codex":0.00044400516,"about_ca_system_score_gemma":0.000161154,"threshold_uncertainty_score":0.94169515},"labels":[],"label_agreement":null},{"id":"W1483285585","doi":"10.21091/mppa.2011.1002","title":"Biomechanical Research in Dance: A Literature Review","year":2011,"lang":"en","type":"review","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":59,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Elite; Movement (music); Videography; Psychology; Physical medicine and rehabilitation; Medicine; Visual arts; Art","score_opus":0.20418042997299726,"score_gpt":0.4666162468309443,"score_spread":0.26243581685794704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1483285585","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008804517,0.9847922,0.000008833237,0.00018344256,0.0005551524,0.0010269406,0.000040298208,0.00003100414,0.013353327],"genre_scores_gemma":[0.00006145909,0.9981367,0.00010508174,0.0001367134,0.00018342315,0.00014861416,0.00006928267,0.00003959978,0.0011191358],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952092,0.00086125167,0.001261327,0.00069199305,0.0010994643,0.0008767593],"domain_scores_gemma":[0.9978745,0.0003749775,0.00036975354,0.00082134834,0.00014365547,0.0004157884],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0062664812,0.00037341318,0.0020153616,0.0006121028,0.00008438474,0.000021323794,0.0013431825,0.0010148246,0.003627812],"category_scores_gemma":[0.00091873435,0.00028740923,0.00038296534,0.0016927129,0.00042537192,0.00016231393,0.00044585395,0.0028720924,0.0010336954],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009026946,0.00031262313,0.000008518697,0.13435417,0.000056168174,0.00025045878,0.0003932911,2.4875686e-9,1.2468975e-7,0.0018226801,0.011164341,0.8516286],"study_design_scores_gemma":[0.00018500895,0.00018431201,0.000004253888,0.36983564,0.000060297185,0.00018365406,0.00000778012,0.0000010126926,1.9527403e-7,0.0002275939,0.6291375,0.00017270853],"about_ca_topic_score_codex":0.00012250952,"about_ca_topic_score_gemma":0.000029212992,"teacher_disagreement_score":0.85145587,"about_ca_system_score_codex":0.00012248558,"about_ca_system_score_gemma":0.00041913197,"threshold_uncertainty_score":0.9999578},"labels":[],"label_agreement":null},{"id":"W1484763733","doi":"10.3138/tric.35.2.263","title":"Contemporary Circus Research in Quebec: Building and Negotiating and Emerging Interdisciplinary Field","year":2014,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Nexus (standard); Negotiation; Media studies; Sociology; Visual arts; Art; Social science; Engineering","score_opus":0.11036729694765361,"score_gpt":0.4278613153126114,"score_spread":0.3174940183649578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484763733","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82114565,0.0016206498,0.000010467336,0.0055735917,0.00017420581,0.00021275031,0.000006332537,0.000007267163,0.17124906],"genre_scores_gemma":[0.99948806,0.00004394778,0.000026297155,0.00009122136,0.000087573484,0.000012202128,0.0000017375254,0.000012066872,0.00023688223],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99707365,0.0010679318,0.00020901028,0.0003685177,0.00051000057,0.00077088625],"domain_scores_gemma":[0.9971222,0.0023265455,0.00002551475,0.00027744845,0.000043903907,0.00020435906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003501347,0.00010030973,0.00020220119,0.00051687064,0.00024985214,0.00008857396,0.00028425507,0.000075659394,0.00006154089],"category_scores_gemma":[0.00006227154,0.00010246191,0.000011225815,0.00052799674,0.0001722439,0.00021744597,0.00067566294,0.0010838211,0.0000041308886],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036899786,0.00007373057,0.42559335,0.0002040049,0.000032817217,0.00071466056,0.0057284883,0.000035001878,0.0003642719,0.0021984773,0.032683954,0.5320022],"study_design_scores_gemma":[0.009352265,0.002323291,0.51861227,0.00451013,0.000011154425,0.00015896498,0.32726553,0.009798783,0.0005917517,0.026213784,0.09947321,0.0016888888],"about_ca_topic_score_codex":0.99296737,"about_ca_topic_score_gemma":0.9686182,"teacher_disagreement_score":0.5303134,"about_ca_system_score_codex":0.00046858494,"about_ca_system_score_gemma":0.00066713494,"threshold_uncertainty_score":0.47087234},"labels":[],"label_agreement":null},{"id":"W1504604622","doi":"","title":"TWO MOMENTS IN WINTER","year":2007,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Environmental science; Climatology; Geology","score_opus":0.026601077165353093,"score_gpt":0.33366750180480403,"score_spread":0.30706642463945094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1504604622","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7719049,0.00002529685,0.000057940208,0.0005248017,0.00041460482,0.000052715157,0.000001781512,0.000013253762,0.22700472],"genre_scores_gemma":[0.9855841,9.102411e-7,0.000032867723,0.0020378663,0.0000743821,0.0000010614776,7.548184e-7,0.000004855149,0.0122632375],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99949247,0.000029414998,0.000082397135,0.00008929135,0.000071158924,0.00023524898],"domain_scores_gemma":[0.9996941,0.00004653601,0.000020565763,0.00020448206,0.0000048283737,0.000029452392],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028964723,0.000053969477,0.000059388924,0.000046402027,0.00002582786,0.000009798327,0.00019518072,0.000024264946,0.0026241164],"category_scores_gemma":[0.0000054014376,0.00003711884,0.000030730444,0.000070482965,0.00004586944,0.00006178482,0.00004109292,0.00010621947,0.002478187],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019647933,0.00087782816,0.77591354,0.000012335235,0.00026507495,0.00038651217,0.04604284,0.000006443539,0.0023509236,0.022374697,0.07302196,0.076783046],"study_design_scores_gemma":[0.0013286659,0.00007953686,0.97053295,0.000011644,0.0000069808134,0.000011239058,0.0008778109,0.0000015053515,0.00038506396,0.0010056073,0.025664274,0.00009469655],"about_ca_topic_score_codex":0.00009222827,"about_ca_topic_score_gemma":0.00006839306,"teacher_disagreement_score":0.21474148,"about_ca_system_score_codex":0.00001975533,"about_ca_system_score_gemma":0.0000022317013,"threshold_uncertainty_score":0.9982985},"labels":[],"label_agreement":null},{"id":"W1507907391","doi":"10.4000/pistes.3010","title":"La santé en danse contemporaine : un itinéraire en zone trouble","year":2007,"lang":"fr","type":"article","venue":"Perspectives interdisciplinaires sur le travail et la santé","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Philosophy","score_opus":0.012241456593562008,"score_gpt":0.345430440350217,"score_spread":0.333188983756655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507907391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5863874,0.013265967,0.0082970895,0.005825838,0.0014538736,0.0005976056,0.00042425437,0.00030464755,0.38344333],"genre_scores_gemma":[0.96177983,0.0013820495,0.00094945607,0.00044049733,0.0009912814,0.000023308075,0.00004657411,0.00016927681,0.034217753],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99089074,0.0041379076,0.0010430781,0.0016012373,0.00068184425,0.0016451715],"domain_scores_gemma":[0.99310434,0.0042644185,0.000496034,0.0011176482,0.00031296228,0.00070458127],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005984481,0.0010380825,0.001238155,0.0005318956,0.0005173196,0.00031053886,0.0013255916,0.0010212268,0.003652454],"category_scores_gemma":[0.00085185614,0.0011398299,0.00079884805,0.00064578437,0.0023342771,0.0011858535,0.0009005815,0.0020908099,0.00072756305],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0033321448,0.005426003,0.0025843692,0.0002593672,0.0015358116,0.0023809718,0.69629383,0.000016436226,0.0012211915,0.02558004,0.016862513,0.24450731],"study_design_scores_gemma":[0.0075939037,0.0012012485,0.5784658,0.0008424152,0.00027086778,0.0008345476,0.36287522,0.000059599053,0.0006820375,0.002129618,0.04370967,0.0013350672],"about_ca_topic_score_codex":0.0017144064,"about_ca_topic_score_gemma":0.0024573605,"teacher_disagreement_score":0.5758814,"about_ca_system_score_codex":0.0007167605,"about_ca_system_score_gemma":0.00044689653,"threshold_uncertainty_score":0.99910516},"labels":[],"label_agreement":null},{"id":"W1508080683","doi":"","title":"Dance, human rights, and social justice : dignity in motion","year":2008,"lang":"en","type":"book","venue":"Scarecrow Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":58,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Dignity; Nationalism; Human rights; Art; Politics; Humanities; Religious studies; Gender studies; Political science; Literature; Law; Sociology; Philosophy","score_opus":0.06358808091892568,"score_gpt":0.3079900231996537,"score_spread":0.244401942280728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508080683","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056403084,0.00043947404,0.000015929643,0.000011407354,0.00089372904,0.0004116305,0.00023669236,0.000090226655,0.9922606],"genre_scores_gemma":[0.030515054,0.000011875054,0.000023748351,0.00012976083,0.00064932,0.000023372631,0.00014454509,0.00003733212,0.968465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983378,0.00015690851,0.00027996677,0.0005456383,0.00026556276,0.00041413395],"domain_scores_gemma":[0.9992295,0.00006348514,0.00021825908,0.000327778,0.000070907445,0.000090083704],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00014321231,0.0003404603,0.0004642526,0.00016095981,0.0005028902,0.000060250328,0.0003485591,0.0006724115,0.00008731267],"category_scores_gemma":[0.0000061032133,0.00037745325,0.00010731996,0.000013202927,0.00040971878,0.000112932794,0.00017178015,0.00077853596,0.000048852635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030438192,0.0002504367,0.00018598122,0.00076718273,0.00033604243,0.00045756146,0.023991942,8.565484e-7,0.00003745867,0.2149696,0.73706096,0.021637559],"study_design_scores_gemma":[0.001593519,0.000118221695,0.0055439123,0.00020003697,0.00024019912,0.000028319424,0.00007525581,9.036185e-7,0.00005675107,0.0070709805,0.98444587,0.0006260508],"about_ca_topic_score_codex":0.00080562534,"about_ca_topic_score_gemma":0.00030365027,"teacher_disagreement_score":0.24738486,"about_ca_system_score_codex":0.00014490706,"about_ca_system_score_gemma":0.00004730956,"threshold_uncertainty_score":0.99986774},"labels":[],"label_agreement":null},{"id":"W1512575302","doi":"","title":"Revival and Reinvention in India's Kathak Dance","year":2010,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Dance; Appropriation; Phenomenon; Musical; Period (music); Aesthetics; Music of India; History; Sociology; Art; Literature; Philosophy; Epistemology","score_opus":0.015632908361571142,"score_gpt":0.2788986405913467,"score_spread":0.26326573222977556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512575302","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92017215,0.00020552281,0.000002473616,0.00027296913,0.00066156144,0.00007822352,0.00000589617,0.000022462942,0.07857876],"genre_scores_gemma":[0.99601924,0.000012952489,0.0001514535,0.0005545895,0.00015829584,0.000004010348,0.000006513573,0.0000035707092,0.0030893437],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99953437,0.000026633656,0.00007492526,0.00015724101,0.00006768534,0.00013913572],"domain_scores_gemma":[0.9997613,0.000013610992,0.00003761111,0.00013076942,0.0000129407545,0.0000437806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010926051,0.000065690925,0.00008342926,0.00003579297,0.000047869427,0.000028965222,0.000093042094,0.00009068767,0.0005320502],"category_scores_gemma":[0.000040819174,0.000055508644,0.000022781205,0.00008651453,0.000061929546,0.00012329833,0.00003175922,0.00021883132,0.00009985571],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022628217,0.00059364375,0.2927115,0.00008432689,0.00007503202,0.00020484265,0.021840403,0.0000013225892,0.06828696,0.20325606,0.36675727,0.04596236],"study_design_scores_gemma":[0.0003904234,0.00003229612,0.9317512,0.000016875594,0.0000048935885,0.000012494295,0.0002671473,8.383594e-7,0.00026160514,0.0006212011,0.066560104,0.000080913975],"about_ca_topic_score_codex":0.00010569443,"about_ca_topic_score_gemma":0.00012988274,"teacher_disagreement_score":0.63903975,"about_ca_system_score_codex":0.0000052205014,"about_ca_system_score_gemma":0.0000039562674,"threshold_uncertainty_score":0.5825577},"labels":[],"label_agreement":null},{"id":"W1516244646","doi":"","title":"Kinesthetic City: Dance and Movement in Chinese Urban Spaces.","year":2014,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Kinesthetic learning; Dance; Movement (music); Visual arts; Aesthetics; History; Art; Psychology; Pedagogy","score_opus":0.010766068563686042,"score_gpt":0.2645286510772449,"score_spread":0.2537625825135588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1516244646","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85058796,0.0000991213,0.0002134708,0.0011953479,0.00015030861,0.000068727284,0.0000012622556,0.00002457126,0.1476592],"genre_scores_gemma":[0.9863627,0.000008141781,0.0001519557,0.0021679082,0.00003963422,0.000002680837,0.0000010944915,0.0000045023376,0.011261387],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99947596,0.000031965705,0.00007710832,0.00016964028,0.0000735727,0.00017178517],"domain_scores_gemma":[0.9996892,0.000028548904,0.000026285237,0.00018789353,0.000008211593,0.000059821516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013829385,0.000081368154,0.00011316335,0.000054359996,0.000025657237,0.000022545748,0.00009861416,0.000038909016,0.0007770765],"category_scores_gemma":[0.000021681519,0.000067312794,0.000016152997,0.00010105752,0.00004819633,0.00008537203,0.000043728152,0.00006923738,0.00013644125],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002876424,0.00012272835,0.97036546,0.0000066811313,0.000007771406,0.0000065401796,0.0012800463,0.0000020995517,0.000062605286,0.018564094,0.0050917626,0.004461425],"study_design_scores_gemma":[0.0008245187,0.00009183657,0.981075,0.000009316367,0.0000026870928,0.000002777522,0.00013239025,0.0000663901,0.000013166601,0.0017193775,0.015963092,0.00009947978],"about_ca_topic_score_codex":0.0004782001,"about_ca_topic_score_gemma":0.00014995234,"teacher_disagreement_score":0.13639781,"about_ca_system_score_codex":0.000008568489,"about_ca_system_score_gemma":0.0000030096712,"threshold_uncertainty_score":0.85084426},"labels":[],"label_agreement":null},{"id":"W1521353944","doi":"","title":"Brown Girl Dancing","year":2008,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Girl; Art; Psychology; Developmental psychology","score_opus":0.04684860119563377,"score_gpt":0.2786172057814092,"score_spread":0.23176860458577542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521353944","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8714514,0.0009623668,0.0000018826942,0.00035556254,0.0009282893,0.00007049652,0.00003296129,0.000040199557,0.12615687],"genre_scores_gemma":[0.96759605,0.000069092246,0.000034236036,0.003090692,0.00015465623,0.000016431251,0.0000019192253,0.000010631176,0.029026315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891317,0.00002742749,0.00010274709,0.00020724193,0.00009368524,0.0006557385],"domain_scores_gemma":[0.9992522,0.000047966976,0.000033674987,0.00022339803,0.000058398622,0.00038437522],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008743541,0.0001227323,0.00020438453,0.00014949677,0.0005128441,0.000009917573,0.00017064273,0.000049506696,0.0011921383],"category_scores_gemma":[0.00008435986,0.0001273517,0.00003765903,0.0001825644,0.00021684068,0.00010519583,0.000035678793,0.00011230658,0.001279415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006493476,0.000096776035,0.10951706,0.000056368262,0.0015024,0.0023134248,0.28971606,0.000008261093,0.000059408427,0.017848536,0.57495654,0.0038602492],"study_design_scores_gemma":[0.0016624162,0.00045335063,0.19973849,0.000058926897,0.000039913375,0.00017896717,0.2722088,0.0000012844897,0.000046198493,0.0022008899,0.52254134,0.0008694089],"about_ca_topic_score_codex":0.0027315742,"about_ca_topic_score_gemma":0.008660466,"teacher_disagreement_score":0.09713056,"about_ca_system_score_codex":0.00048415453,"about_ca_system_score_gemma":0.00014260996,"threshold_uncertainty_score":0.99972093},"labels":[],"label_agreement":null},{"id":"W1523013324","doi":"10.7202/018832ar","title":"Dance in Canada","year":2008,"lang":"en","type":"article","venue":"Ethnologies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland; York University; Nipissing University","funders":"","keywords":"Art","score_opus":0.05048271231825529,"score_gpt":0.28266683431998973,"score_spread":0.23218412200173444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523013324","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9468537,0.00047847812,0.00000708939,0.0016367025,0.0004926831,0.000030892646,0.0000058314895,0.000043952754,0.050450664],"genre_scores_gemma":[0.99512464,0.00006194083,0.000098323384,0.00043369064,0.0000119660945,0.0000025143277,7.943165e-7,0.000002367282,0.004263783],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9995499,0.000020939895,0.000062353785,0.00010837919,0.000061011448,0.00019739885],"domain_scores_gemma":[0.9997286,0.000054649634,0.000021241893,0.00017034999,0.000007646532,0.00001751103],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00002884608,0.000049499115,0.00008131038,0.00003208866,0.000039820196,0.0000018768691,0.0001965275,0.00004165516,0.00037719565],"category_scores_gemma":[0.00007069482,0.000041421637,0.000010664405,0.00011041391,0.00008415765,0.00005871494,0.000041967374,0.00013406403,0.00017497048],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031821455,0.000037143105,0.80623806,0.0000032586065,0.000016119871,0.0006383249,0.0037785766,0.000030425454,0.00004225146,0.0014199498,0.17320128,0.014562809],"study_design_scores_gemma":[0.00023139207,0.000022483644,0.9749638,0.000004555122,7.1302475e-7,0.000013310725,0.005596715,0.0000014208391,0.00023389816,0.00016746926,0.018689388,0.00007488677],"about_ca_topic_score_codex":0.9200441,"about_ca_topic_score_gemma":0.8876342,"teacher_disagreement_score":0.16872573,"about_ca_system_score_codex":0.000104337225,"about_ca_system_score_gemma":0.00016142431,"threshold_uncertainty_score":0.4130028},"labels":[],"label_agreement":null},{"id":"W1533203401","doi":"10.25071/1916-4467.17046","title":"Why Dance Literacy?","year":2007,"lang":"en","type":"article","venue":"Journal of the Canadian Association for Curriculum Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Literacy; Sociology; Visual arts; Art; Pedagogy","score_opus":0.024875587833030854,"score_gpt":0.3350306019889161,"score_spread":0.31015501415588526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1533203401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8115857,0.009213322,0.0003357485,0.093778566,0.03338374,0.0007956565,0.00028443764,0.000030964966,0.050591856],"genre_scores_gemma":[0.97872967,0.000043521126,0.00023978895,0.006141554,0.0007042991,0.0000017842243,9.3752703e-7,0.00000882966,0.014129623],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904317,0.000050210187,0.00027573534,0.00006849243,0.00023910588,0.0003232884],"domain_scores_gemma":[0.9980505,0.00021146041,0.00071872433,0.0000970934,0.0007815814,0.00014062026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012821594,0.00007872166,0.00018598484,0.00012684721,0.0004156222,0.00004217838,0.00026345905,0.00007191595,0.00003330822],"category_scores_gemma":[0.0012207918,0.00005649882,0.00020320374,0.00022014209,0.000031746902,0.00019927551,0.000019146768,0.00017982161,0.00001755152],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012445216,0.000032390162,0.20533386,0.000006390138,0.00047332293,0.0000065907407,0.0032442869,0.000004110644,0.0000042596917,0.0027211013,0.7873061,0.00085519714],"study_design_scores_gemma":[0.0006187362,0.00008829752,0.24699096,0.00005285646,0.000098698794,0.000013454661,0.002396229,0.0000015056979,0.000019203108,0.0010188664,0.7486079,0.000093295675],"about_ca_topic_score_codex":0.00523705,"about_ca_topic_score_gemma":0.10910279,"teacher_disagreement_score":0.16714396,"about_ca_system_score_codex":0.001461945,"about_ca_system_score_gemma":0.000093104,"threshold_uncertainty_score":0.9071538},"labels":[],"label_agreement":null},{"id":"W1535808797","doi":"10.1080/15290824.2013.839994","title":"“Here We Go ’Round the Mulberry Bush”: Problematizing “Progress” in Ontario's Elementary School Dance Curriculum: 1900 to 2000","year":2014,"lang":"en","type":"article","venue":"Journal of Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Dance; Curriculum; Creativity; Context (archaeology); Politics; Sociology; Pedagogy; Physical education; Dance education; Subject (documents); Psychology; Visual arts; Political science; Social psychology; History; Art; Law","score_opus":0.016800185858362154,"score_gpt":0.30347015239129355,"score_spread":0.2866699665329314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535808797","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9785493,0.0024094058,0.0002497162,0.009180501,0.0026788113,0.00036801168,0.0000023486825,0.000009501765,0.0065524066],"genre_scores_gemma":[0.9891071,0.00005607772,0.005092362,0.0016400259,0.0007312052,0.000027328224,0.0000040802156,0.000016044145,0.0033257972],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99835515,0.00018882327,0.0005532734,0.00021358416,0.00034471572,0.00034443772],"domain_scores_gemma":[0.99860924,0.000079556914,0.0006047699,0.00034235543,0.00017834418,0.00018569933],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00088194973,0.0001715368,0.00025921638,0.00017561756,0.00014598003,0.000111834124,0.00055724836,0.00007353914,0.0009441114],"category_scores_gemma":[0.000092264374,0.00013559799,0.00008588196,0.00035027193,0.000055465054,0.0007689334,0.00004981776,0.0006071148,0.0003037258],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013321382,0.0010866553,0.8004883,0.000043730866,0.00007460494,0.000005835987,0.013106938,0.000088265166,0.000100195844,0.0009253858,0.11969349,0.06425339],"study_design_scores_gemma":[0.0008888392,0.00043543294,0.8035765,0.00091059564,0.000051089126,0.00009537406,0.012328983,0.000016094195,0.000043702767,0.001167053,0.18024509,0.00024121211],"about_ca_topic_score_codex":0.005312141,"about_ca_topic_score_gemma":0.011255552,"teacher_disagreement_score":0.06401218,"about_ca_system_score_codex":0.0007412308,"about_ca_system_score_gemma":0.00060449966,"threshold_uncertainty_score":0.9999692},"labels":[],"label_agreement":null},{"id":"W1546945030","doi":"10.71781/19600","title":"Genre et pouvoir : relation entre danseurs nus et clientèle féminine et masculine","year":2011,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Phallus (fungus); Art; Philosophy","score_opus":0.07842503661119553,"score_gpt":0.3826793391529892,"score_spread":0.30425430254179364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1546945030","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49198762,0.0004952846,0.00010652958,0.0019059541,0.0022722129,0.0008388404,0.000737838,0.0000057333377,0.50165],"genre_scores_gemma":[0.25986814,0.00071701704,0.007415028,0.0015913453,0.00019929987,0.000032066473,0.018211963,0.000112003385,0.71185315],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99671656,0.00072554214,0.0006392637,0.00097246194,0.00037820832,0.0005679813],"domain_scores_gemma":[0.9978476,0.0001908403,0.00074772775,0.000747923,0.00019678487,0.00026908665],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011216408,0.0005663135,0.00064925867,0.00020235263,0.00023095666,0.00029749627,0.00109126,0.0008766129,0.04648572],"category_scores_gemma":[0.00016779864,0.0006336222,0.00024673753,0.00029649594,0.00010210768,0.0011031389,0.00023982399,0.00096334174,0.013979319],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007645283,0.007905973,0.04631975,0.00036711237,0.0024050416,0.00086774916,0.5276359,0.0003206055,0.0028515249,0.02662452,0.09057476,0.28648183],"study_design_scores_gemma":[0.005420718,0.0011622073,0.24899954,0.00091981137,0.0007783057,0.00007155927,0.032459624,0.000053149084,0.001070168,0.000353011,0.70747054,0.0012413647],"about_ca_topic_score_codex":0.0017660208,"about_ca_topic_score_gemma":0.003781605,"teacher_disagreement_score":0.6168958,"about_ca_system_score_codex":0.00009545628,"about_ca_system_score_gemma":0.00035916816,"threshold_uncertainty_score":0.9996115},"labels":[],"label_agreement":null},{"id":"W1552128345","doi":"","title":"The Body as Revolutionary Text: The Dance as Protest Literature in Latin America","year":2003,"lang":"en","type":"article","venue":"CIENCIA ergo sum","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Dance; Humanity; Soul; Latin Americans; Power (physics); Contemporary dance; Sociology; History; Gender studies; Aesthetics; Literature; Art; Political science; Law; Philosophy; Theology","score_opus":0.010885040452671132,"score_gpt":0.2708993998834412,"score_spread":0.26001435943077006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552128345","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49006116,0.009218862,0.000051520954,0.004722966,0.000894521,0.0006944391,0.000024309085,0.00006037603,0.49427184],"genre_scores_gemma":[0.9723034,0.00014160284,0.000105070234,0.0024617375,0.000082409824,0.000040507657,0.0000046019395,0.000008900043,0.02485178],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987735,0.00021865661,0.00014681317,0.0002588274,0.00021272805,0.0003894323],"domain_scores_gemma":[0.99910486,0.00020163796,0.00009068461,0.00048327498,0.000058394933,0.00006117119],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035111158,0.00012112619,0.0001044671,0.000041345644,0.00044330952,0.000059207145,0.00049279886,0.000081745085,0.00037779342],"category_scores_gemma":[0.0007183332,0.000075255026,0.000053847758,0.0007162738,0.00029758262,0.00018798417,0.000052860072,0.0003669956,0.0010726616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039676667,0.0009703839,0.16415636,0.000030905827,0.00008062111,0.00030000732,0.025241472,0.000039033723,0.002529019,0.3127671,0.47823685,0.015251495],"study_design_scores_gemma":[0.00029776752,0.00016952319,0.4259093,0.00004740199,0.00000552543,0.000041366573,0.001626224,0.000013093239,0.0000891359,0.0040642098,0.5675926,0.0001438395],"about_ca_topic_score_codex":0.000119105694,"about_ca_topic_score_gemma":0.00003532847,"teacher_disagreement_score":0.48224223,"about_ca_system_score_codex":0.00005584418,"about_ca_system_score_gemma":0.00011144653,"threshold_uncertainty_score":0.99970514},"labels":[],"label_agreement":null},{"id":"W1555632892","doi":"","title":"Diasporic Experiences: Mediating Time, Memory and Identity in Gôrale Performance","year":2005,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Negotiation; Identity (music); Dance; Context (archaeology); Variety (cybernetics); Identity negotiation; Aesthetics; Sociology; Collective memory; Visual arts; History; Art; Computer science; Political science; Archaeology; Social science; Law","score_opus":0.016118034472088823,"score_gpt":0.28139258765581876,"score_spread":0.26527455318372994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1555632892","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.972337,0.0009651978,0.0000017124071,0.000119689015,0.00027843085,0.000073374045,0.0000026628406,0.000033255837,0.026188662],"genre_scores_gemma":[0.99614346,0.000048127185,0.0001645304,0.00056760473,0.00025017426,0.00001267549,0.000004231108,0.0000038608014,0.0028053254],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99933976,0.000028226348,0.00011429934,0.00017903831,0.00012956823,0.00020913298],"domain_scores_gemma":[0.99974555,0.000024527599,0.00004957783,0.00010990483,0.000013993262,0.000056466793],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013168449,0.00008762635,0.000112438895,0.000049018265,0.00008354412,0.000031711043,0.0001502659,0.000062352985,0.0016172358],"category_scores_gemma":[0.000029410116,0.00007339072,0.00002101139,0.00016339544,0.000075121556,0.0006682013,0.00005450532,0.000109062,0.00035335653],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011612324,0.0005126266,0.07831753,0.00006565073,0.000056747594,0.00005546515,0.6875712,0.00012733636,0.0036534872,0.0007480837,0.07003294,0.1587428],"study_design_scores_gemma":[0.0007502268,0.000075828466,0.96151376,0.00002871158,0.000009007776,0.000011707076,0.030174587,0.00010485299,0.001044508,0.000025231277,0.0060267886,0.00023477896],"about_ca_topic_score_codex":0.00011868572,"about_ca_topic_score_gemma":0.000092331735,"teacher_disagreement_score":0.88319623,"about_ca_system_score_codex":0.000022138398,"about_ca_system_score_gemma":0.000005801761,"threshold_uncertainty_score":0.9992954},"labels":[],"label_agreement":null},{"id":"W1555765584","doi":"10.18733/c39g6z","title":"Who is being taught? Weaving academic spaces and teaching bodies","year":2011,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Mount Royal University","funders":"","keywords":"Inscribed figure; Weaving; Sociology; Action (physics); Space (punctuation); Epistemology; Gender studies; Geometry; Mathematics; Philosophy; Zoology; Biology; Physics","score_opus":0.6467900761838371,"score_gpt":0.47882966373707797,"score_spread":0.16796041244675913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1555765584","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93458945,0.0022753037,0.000022856826,0.0007579337,0.0003283754,0.00006638844,0.000006703934,0.000059397036,0.061893594],"genre_scores_gemma":[0.984873,0.0005328347,0.00019678706,0.0011306063,0.0003630727,0.0000023887123,0.0000031555164,0.000005862167,0.012892282],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9990796,0.00007256917,0.00014383181,0.0003011576,0.000101364494,0.00030150657],"domain_scores_gemma":[0.99960977,0.000054692733,0.000061866886,0.00009266002,0.000020665399,0.00016034639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015622818,0.00016592976,0.00020791657,0.00003116605,0.0003566235,0.000070631744,0.00013462374,0.00018441268,0.0007604717],"category_scores_gemma":[0.000047649606,0.00011246873,0.00004593532,0.00002297415,0.00038875348,0.00049145863,0.00016620226,0.00050152274,0.00007419191],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017482688,0.00008103386,0.18027787,0.00005948023,0.00012036298,0.000051613482,0.67860276,7.429415e-8,0.0012326828,0.07397067,0.029533958,0.035894703],"study_design_scores_gemma":[0.0009484438,0.0004665077,0.724393,0.0002442579,0.000113060116,0.00017274638,0.14218481,0.000013049386,0.00038741718,0.0060870536,0.12425331,0.0007363525],"about_ca_topic_score_codex":0.0001619417,"about_ca_topic_score_gemma":0.00000400388,"teacher_disagreement_score":0.5441151,"about_ca_system_score_codex":0.0000075044327,"about_ca_system_score_gemma":0.0000031400893,"threshold_uncertainty_score":0.8326632},"labels":[],"label_agreement":null},{"id":"W1564541270","doi":"","title":"Aspiring Ballerinas and Implications for Counselling Practice","year":2015,"lang":"en","type":"article","venue":"Canadian Journal of Counselling and Psychotherapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Amateur; Ballet; Psychology; Elite; Dream; Identity (music); Dance education; Ballet dancer; Competition (biology); Pedagogy; Medical education; Visual arts; Art; Aesthetics; Medicine; Psychotherapist; History; Political science","score_opus":0.08026281961630018,"score_gpt":0.3517543473637663,"score_spread":0.27149152774746615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564541270","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32953846,0.15560453,0.4915419,0.013600407,0.0027345868,0.0004038686,0.000083741244,0.000023300394,0.0064692115],"genre_scores_gemma":[0.69366926,0.2809986,0.0099832,0.010716902,0.0017473316,0.000016050226,0.000007893527,0.00011071736,0.0027500675],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923843,0.000044440905,0.00022322815,0.00013802851,0.00010133026,0.00025451562],"domain_scores_gemma":[0.99826765,0.0002144975,0.00021043255,0.00012640681,0.00052332884,0.00065767893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009996541,0.0001078048,0.00017114118,0.00014972452,0.00019384988,0.00012770084,0.00013521482,0.00008270838,0.00003479707],"category_scores_gemma":[0.000008398512,0.00010927506,0.000042896954,0.00009319353,0.000093684925,0.00024903586,7.173348e-8,0.0001570565,0.000004887491],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032643005,0.00028262648,0.0057863556,0.000095856245,0.0015514869,0.00011895269,0.19213004,0.0005260127,0.00057951803,0.21726583,0.21691896,0.36148006],"study_design_scores_gemma":[0.0013796431,0.00046066553,0.0003420864,0.00004745043,0.00003747112,0.00040911033,0.0006147686,0.000021566488,0.000004614944,0.049930416,0.94661933,0.00013286024],"about_ca_topic_score_codex":0.00035497043,"about_ca_topic_score_gemma":0.00078041235,"teacher_disagreement_score":0.7297004,"about_ca_system_score_codex":0.000017789163,"about_ca_system_score_gemma":0.00015686445,"threshold_uncertainty_score":0.44561076},"labels":[],"label_agreement":null},{"id":"W1573496919","doi":"10.20381/ruor-16032","title":"Ballet teachers: A source of perceived weight loss pressure in female ballet students.","year":2000,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballet; Ballet dancer; Psychology; Classical ballet; Kinesiology; Physical therapy; Medicine; Art; Visual arts; Dance","score_opus":0.0043288598110445276,"score_gpt":0.19362716777631672,"score_spread":0.1892983079652722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1573496919","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6611977,0.00088538544,7.595714e-7,0.00027693645,0.00025877255,0.00021761202,0.00038591446,0.0000063823973,0.33677053],"genre_scores_gemma":[0.8252076,0.0003805302,0.000059762835,0.0003652935,0.00004754197,0.000008566008,0.000116386254,0.000030734136,0.17378362],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9967649,0.00015152796,0.00043981397,0.0004166222,0.0018259465,0.0004011895],"domain_scores_gemma":[0.99896675,0.0001511761,0.0003292723,0.00032685781,9.600095e-7,0.00022496804],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000018990066,0.00033364457,0.0005717803,0.0000677489,0.00008918478,0.000020596934,0.00066352374,0.00013828544,0.0014505623],"category_scores_gemma":[0.0000032814921,0.00035685068,0.00006877344,0.00009379358,0.000088204564,0.00025562124,0.000084664345,0.00038699663,3.0701738e-8],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.015911251,0.0013318572,0.87509954,0.0021238928,0.0027164526,0.0009088996,0.032341838,0.00018070976,0.002819246,0.011617562,0.02775725,0.027191509],"study_design_scores_gemma":[0.0011807769,0.00014792118,0.89187175,0.00045206153,0.00010005847,0.0000037096688,0.02252467,0.000016062062,0.0008627542,0.00008216414,0.08237956,0.00037850617],"about_ca_topic_score_codex":0.013661383,"about_ca_topic_score_gemma":0.06307462,"teacher_disagreement_score":0.16400987,"about_ca_system_score_codex":0.000010674277,"about_ca_system_score_gemma":0.00095228077,"threshold_uncertainty_score":0.99988836},"labels":[],"label_agreement":null},{"id":"W1577635553","doi":"","title":"Ancient Tradition as Ongoing Creation: The Kathavacaks of Uttar Pradesh","year":2006,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Dance; Clan; Context (archaeology); Uttar pradesh; Performing arts; Agency (philosophy); History; Identity (music); Repatriation; Gesture; Visual arts; Literature; Anthropology; Sociology; Aesthetics; Art; Archaeology; Social science; Linguistics","score_opus":0.020746626682376368,"score_gpt":0.2702916695920032,"score_spread":0.2495450429096268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1577635553","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.794885,0.00033026803,0.00003028497,0.00089284295,0.0003335834,0.000113184826,0.000021925898,0.000028107454,0.20336482],"genre_scores_gemma":[0.9945853,0.0000022233069,0.00006698605,0.0007556098,0.0003015167,0.000005770907,0.000030727795,0.0000039074625,0.00424797],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99941987,0.00004513288,0.000113322996,0.00012626321,0.00016281819,0.00013260244],"domain_scores_gemma":[0.9996473,0.000035908048,0.000090872454,0.00016306156,0.000039471342,0.000023354707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009352916,0.00007460425,0.00008443164,0.000024518236,0.00013489988,0.00002719616,0.00014333002,0.00005906822,0.00087741954],"category_scores_gemma":[0.000016387796,0.000048508962,0.000062848056,0.00011741817,0.00009151946,0.00010089749,0.000013681805,0.00008418972,0.00012400401],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006644366,0.00047327194,0.003951067,0.000017016931,0.000062105704,0.000015779377,0.010883822,0.000120448574,0.009277827,0.16048889,0.8122021,0.0024412416],"study_design_scores_gemma":[0.00048569802,0.00015968534,0.8004507,0.000026036094,0.00004246922,0.000028153247,0.0026565902,0.000004590297,0.00413825,0.0015404092,0.19034939,0.000118050906],"about_ca_topic_score_codex":0.00074859045,"about_ca_topic_score_gemma":0.00005317763,"teacher_disagreement_score":0.7964996,"about_ca_system_score_codex":0.000018577824,"about_ca_system_score_gemma":0.00001170067,"threshold_uncertainty_score":0.96071285},"labels":[],"label_agreement":null},{"id":"W1578964442","doi":"10.7202/1012347ar","title":"Atossa’s Dream Yoking Music and Dance, Antiquity and Modernity in Maurice Emmanuel’s Salamine (1929)","year":2012,"lang":"en","type":"article","venue":"Les Cahiers de la Société québécoise de recherche en musique","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Modernity; Art; Contemporary dance; Modernism (music); Literature; Modern dance; Dream; Independence (probability theory); Aesthetics; Philosophy","score_opus":0.08288002970055894,"score_gpt":0.3763228854247815,"score_spread":0.2934428557242226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578964442","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8504301,0.0013221906,0.0019626445,0.00029397983,0.00015521121,0.00025353415,0.000021170832,0.000095732066,0.1454655],"genre_scores_gemma":[0.98909765,0.0011532378,0.0041284533,0.003678535,0.00023439841,0.000031573105,0.000009788934,0.000047724214,0.001618619],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99521315,0.0031137567,0.000266994,0.00041661115,0.00015785763,0.00083165255],"domain_scores_gemma":[0.9966751,0.0024536015,0.00014560673,0.00035008945,0.00003606665,0.0003395718],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.004535748,0.00031876404,0.00042228884,0.00016742344,0.00018590147,0.00006596255,0.00028429902,0.0016881783,0.00012411777],"category_scores_gemma":[0.0008891054,0.0003563619,0.00008995423,0.00028168462,0.00056121114,0.00044934763,0.00013635238,0.0025417593,0.00001205189],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006240516,0.0011485041,0.35072404,0.00049964,0.00038617858,0.00021364739,0.2716713,0.000022893038,0.008680664,0.10370763,0.0022319376,0.26008955],"study_design_scores_gemma":[0.0031407273,0.00014687952,0.9260322,0.00019614684,0.00018764153,0.0004003731,0.018042427,0.0002296427,0.001080579,0.029866548,0.019615436,0.0010614144],"about_ca_topic_score_codex":0.005603378,"about_ca_topic_score_gemma":0.0014764934,"teacher_disagreement_score":0.57530814,"about_ca_system_score_codex":0.0009792128,"about_ca_system_score_gemma":0.0001713155,"threshold_uncertainty_score":0.99988884},"labels":[],"label_agreement":null},{"id":"W1579370446","doi":"","title":"Gender Relations in Inuit Drum Dances","year":2005,"lang":"fr","type":"article","venue":"Canadian Folk Music / Musique folklorique canadienne","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Gender relations; History; Gender studies; Geography; Sociology","score_opus":0.03195970490661376,"score_gpt":0.2506464658067921,"score_spread":0.21868676090017836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579370446","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6723725,0.010059556,0.00008199945,0.0478049,0.009353277,0.0011398713,0.0023009295,0.00010033095,0.2567866],"genre_scores_gemma":[0.90910465,0.00023314205,0.0005418721,0.012381019,0.002158958,0.00007743603,0.00010622506,0.00012198153,0.07527469],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99344593,0.0005376624,0.0009140058,0.0012508273,0.00025626709,0.0035952877],"domain_scores_gemma":[0.9942969,0.00023502592,0.0002974299,0.0012067057,0.00024375471,0.0037201631],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010628033,0.00077796815,0.00078143587,0.0016334637,0.0005383675,0.00017208775,0.0010864821,0.0011935006,0.028341327],"category_scores_gemma":[0.00035920937,0.0010774514,0.00029982033,0.0017210045,0.00061516947,0.0011867536,0.000101907724,0.0015895718,0.0031299426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000087778324,0.00033524513,0.010537288,0.00016345271,0.0004237157,0.0026573348,0.13471359,0.0010708151,0.000055568176,0.27543157,0.44713926,0.12738436],"study_design_scores_gemma":[0.0015804456,0.00014248287,0.058181,0.00030150343,0.00010773779,0.00018477038,0.005364628,0.0002250362,0.000015498577,0.003938454,0.9288154,0.0011430077],"about_ca_topic_score_codex":0.8706281,"about_ca_topic_score_gemma":0.9993179,"teacher_disagreement_score":0.48167616,"about_ca_system_score_codex":0.010522382,"about_ca_system_score_gemma":0.0059495717,"threshold_uncertainty_score":0.99968576},"labels":[],"label_agreement":null},{"id":"W1579466748","doi":"","title":"Arthritic Dreams II","year":2006,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.019430992526652025,"score_gpt":0.26067435033677866,"score_spread":0.24124335781012662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579466748","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7939473,0.0012820661,7.8417514e-7,0.00057976006,0.0007150382,0.000074393145,0.000054405562,0.000037527818,0.20330876],"genre_scores_gemma":[0.9589464,0.00001765736,0.000016798838,0.0018502437,0.00020191805,0.000022784068,0.00000540926,0.000009583186,0.038929213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893427,0.000022343986,0.00010725857,0.00019513918,0.00008270477,0.0006582751],"domain_scores_gemma":[0.99944824,0.000034570676,0.000027791986,0.00019841554,0.00005151293,0.00023946742],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000848652,0.00012159504,0.0001872265,0.000138198,0.00046475377,0.000018729237,0.00013670346,0.000050211587,0.0013793366],"category_scores_gemma":[0.000033896744,0.0001275697,0.000036977384,0.00015587111,0.00017767417,0.00008075466,0.000036768433,0.00008654909,0.0009965434],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050653165,0.0002570171,0.03273441,0.000053824257,0.0009201784,0.0008987418,0.052886013,0.00001228648,0.000052369967,0.2705842,0.63451284,0.007037478],"study_design_scores_gemma":[0.0018987692,0.0006990163,0.08064265,0.00006404805,0.000050108258,0.000037203114,0.15781172,9.3675493e-7,0.00003282344,0.03463158,0.72331166,0.000819471],"about_ca_topic_score_codex":0.006031355,"about_ca_topic_score_gemma":0.03275851,"teacher_disagreement_score":0.23595262,"about_ca_system_score_codex":0.00034928354,"about_ca_system_score_gemma":0.00007561302,"threshold_uncertainty_score":0.9997813},"labels":[],"label_agreement":null},{"id":"W1580234991","doi":"","title":"(Re)Discovery: Accepting, Enduring & Surviving","year":2015,"lang":"en","type":"article","venue":"Journal of educational enquiry","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Presentation (obstetrics); Psychology; Reflection (computer programming); Aesthetics; Psychoanalysis; Psychotherapist; Eating disorders; Critical reflection; Medicine; Art; Pedagogy; Psychiatry","score_opus":0.10069698358125967,"score_gpt":0.3795455811602169,"score_spread":0.27884859757895725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1580234991","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90224236,0.00079233525,0.00019273344,0.0034151818,0.005782818,0.00004362253,0.000006256387,0.000005029833,0.08751963],"genre_scores_gemma":[0.98528636,0.0000093689005,0.0006686788,0.0004764691,0.0021492788,0.0000010933082,0.0000026412222,0.000009075808,0.011397033],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9990483,0.00007684196,0.00027584276,0.00009424976,0.0003213913,0.00018336752],"domain_scores_gemma":[0.9988353,0.00024892803,0.00036317273,0.00013185591,0.00022810831,0.00019263069],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006210786,0.00008415139,0.0001486102,0.00014852984,0.000058047543,0.00006827404,0.0002938668,0.000051546827,0.0032489062],"category_scores_gemma":[0.00053272693,0.0000794757,0.00009517643,0.0001181406,0.000053997235,0.00086040964,0.0000434551,0.00020841205,0.0002519878],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003340795,0.0011980879,0.3899049,0.000024884785,0.0003480817,0.000033655222,0.022082562,0.00021519017,0.00037575874,0.0279144,0.55369914,0.0038693151],"study_design_scores_gemma":[0.0023352478,0.00054863887,0.8022557,0.00018666682,0.00008150434,0.0003963407,0.039563112,0.0000060719813,0.00033630384,0.0061145336,0.14776802,0.00040785666],"about_ca_topic_score_codex":0.000056706307,"about_ca_topic_score_gemma":0.000005779076,"teacher_disagreement_score":0.41235083,"about_ca_system_score_codex":0.000119313954,"about_ca_system_score_gemma":0.00041312195,"threshold_uncertainty_score":0.99766225},"labels":[],"label_agreement":null},{"id":"W1580795649","doi":"10.20361/g27016","title":"Ballerina Rosie by S. Ferguson","year":2013,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Girl; Dance; Dream; Art; Appeal; Art history; Visual arts; Psychology; Law","score_opus":0.006392685484313686,"score_gpt":0.25937816240176864,"score_spread":0.25298547691745493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1580795649","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23102309,0.7087688,0.000025794827,0.013311167,0.00051464385,0.0015201945,0.0003635375,0.000068081274,0.044404723],"genre_scores_gemma":[0.91482276,0.042277284,0.00027566723,0.024400573,0.0003666471,0.00008108339,0.00042404459,0.000048852693,0.017303098],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885494,0.00018520969,0.0002672836,0.00021902216,0.00021010874,0.00026341295],"domain_scores_gemma":[0.9989143,0.00004910248,0.00019807437,0.00066490175,0.00009830022,0.00007530756],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024850853,0.00019102971,0.0003452537,0.000028118531,0.000073542884,0.00006161658,0.00067083706,0.00010798785,0.0045730113],"category_scores_gemma":[0.00004140522,0.00011774627,0.0001786924,0.00031026328,0.00006515975,0.00020655229,0.000084631574,0.0003231444,0.0010801771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013116673,0.000097738004,0.0008624224,0.0004593635,0.00010960873,0.0000013555143,0.0004220096,5.3495793e-8,0.0001042438,0.0034172724,0.98260754,0.011905244],"study_design_scores_gemma":[0.00080360915,0.00025129397,0.18415307,0.010938632,0.00015585872,0.00015310799,0.000024546207,7.447002e-7,0.00024928685,0.00047356318,0.802344,0.00045225458],"about_ca_topic_score_codex":0.00011622243,"about_ca_topic_score_gemma":3.8395288e-7,"teacher_disagreement_score":0.6837997,"about_ca_system_score_codex":0.000016621905,"about_ca_system_score_gemma":0.000009428366,"threshold_uncertainty_score":0.9996976},"labels":[],"label_agreement":null},{"id":"W1583924804","doi":"","title":"Ainu Ceremonial Music and Dance: \"Restored\" and Recontextualized","year":2012,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Visual arts; Art; Gesture; Musical; History; Literature; Linguistics; Philosophy","score_opus":0.04428476844820699,"score_gpt":0.29231008802877106,"score_spread":0.24802531958056406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583924804","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9554429,0.0038374374,0.0000083660625,0.0003304423,0.0011205294,0.00011971906,0.000024202558,0.000054012748,0.03906238],"genre_scores_gemma":[0.99323666,0.000043919918,0.0002075536,0.0014234647,0.0006391147,0.000005467676,0.00000728778,0.000008874463,0.0044276793],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9992385,0.00006183166,0.000096699274,0.00019132489,0.00009290098,0.00031874026],"domain_scores_gemma":[0.99956065,0.000043132473,0.000053817505,0.00015183701,0.00002071713,0.00016985864],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012780595,0.00013204245,0.00016190363,0.000033453423,0.00015220688,0.000049085567,0.00008672083,0.00011154953,0.00094514614],"category_scores_gemma":[0.00004045821,0.00010531859,0.000031490305,0.00006141869,0.00014706096,0.00027020965,0.00006668715,0.00012245537,0.00009937009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035557643,0.00030562354,0.06587496,0.000043180597,0.00018257584,0.000021561576,0.072440825,2.3014822e-7,0.003645611,0.021121345,0.7735362,0.062472295],"study_design_scores_gemma":[0.0013148044,0.00008808589,0.65751755,0.000018514904,0.000039642237,0.000062294974,0.0025744392,8.361652e-7,0.00010890104,0.00021827887,0.33783627,0.00022037677],"about_ca_topic_score_codex":0.00020567056,"about_ca_topic_score_gemma":0.00005941167,"teacher_disagreement_score":0.5916426,"about_ca_system_score_codex":0.0000137266225,"about_ca_system_score_gemma":0.000004775624,"threshold_uncertainty_score":0.9999681},"labels":[],"label_agreement":null},{"id":"W1585686592","doi":"10.3138/tric.22.1.105","title":"Lisa Doolittle and Anne Flynn, eds. <i>Dancing Bodies, Living Histories: New Writings about Dance and Culture</i>","year":2001,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Historiography; Ideology; Sociology; Subject (documents); Colonialism; Representation (politics); Anthropology; Aesthetics; Gender studies; History; Art; Visual arts; Political science; Law; Library science","score_opus":0.046162494196385136,"score_gpt":0.32549390765121583,"score_spread":0.2793314134548307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1585686592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41866583,0.09744758,0.000013668713,0.0052462295,0.0006018196,0.0003925434,0.000080608974,0.000045762317,0.47750595],"genre_scores_gemma":[0.98066497,0.0035320516,0.00015757707,0.0005366212,0.0003308024,0.000008007255,0.0000042756055,0.000020126547,0.014745555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979355,0.0001846279,0.00018633663,0.0003829571,0.0004599251,0.00085070636],"domain_scores_gemma":[0.9987469,0.00046272425,0.00004176209,0.00029400553,0.00005862795,0.00039598162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076209585,0.00015141032,0.00023620386,0.00010471476,0.0002871828,0.00007849867,0.00025997282,0.00007480831,0.0003631248],"category_scores_gemma":[0.000070522816,0.00015184801,0.000016605623,0.00030270772,0.00018826654,0.000254877,0.00016515811,0.0005281982,0.000008177131],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015509344,0.000050558134,0.17795135,0.00012269676,0.000042523625,0.00042419136,0.011260825,0.0000031606655,0.00020136956,0.0004222047,0.59029275,0.21907327],"study_design_scores_gemma":[0.00065889745,0.00013196688,0.026845686,0.0004308777,0.000007103378,0.00009334916,0.00924292,0.000015933845,0.00003961863,0.00055874244,0.9617108,0.0002640839],"about_ca_topic_score_codex":0.96043575,"about_ca_topic_score_gemma":0.9189642,"teacher_disagreement_score":0.56199914,"about_ca_system_score_codex":0.00066581817,"about_ca_system_score_gemma":0.0008641973,"threshold_uncertainty_score":0.61921823},"labels":[],"label_agreement":null},{"id":"W1586978979","doi":"","title":"Sporting Women in the Public Gaze: Shattering the Master Narrative of Aging Female Bodies","year":2002,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Gaze; Gender studies; Psychology; Sociology; Aesthetics; Art; Psychoanalysis; Literature","score_opus":0.07827122445935497,"score_gpt":0.28627241267988623,"score_spread":0.20800118822053126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1586978979","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97191465,0.0010810709,3.5193466e-7,0.006078279,0.0002691724,0.0001518408,0.000023049006,0.000010081579,0.020471498],"genre_scores_gemma":[0.9932358,0.000046021694,0.000004673259,0.0027286126,0.000060546976,0.00006859517,8.089279e-7,0.0000071381833,0.0038477806],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99850947,0.00011077672,0.00021427184,0.00018523754,0.00013475117,0.00084549526],"domain_scores_gemma":[0.99929607,0.00014443665,0.00011855512,0.00026579012,0.000051862324,0.0001232799],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064382027,0.00013994757,0.00024955854,0.00017627973,0.0003948611,0.000053624186,0.00036512158,0.000032695887,0.0013213105],"category_scores_gemma":[0.00013694137,0.000094390896,0.000036520287,0.00024893694,0.00024314204,0.00018056926,0.00006999765,0.00018247584,0.00007829311],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000422864,0.000022336451,0.05668472,0.000028734967,0.0002014749,0.00007136518,0.937429,0.0000030991216,0.0000043998502,0.00057870505,0.003984275,0.0009876296],"study_design_scores_gemma":[0.00022800257,0.00006542001,0.021986833,0.000037451046,0.0000053541403,0.0000072160683,0.96947837,0.0000024542799,0.0000025105228,0.00027049734,0.0077990703,0.00011681407],"about_ca_topic_score_codex":0.00065828394,"about_ca_topic_score_gemma":0.01121275,"teacher_disagreement_score":0.03469789,"about_ca_system_score_codex":0.0004702748,"about_ca_system_score_gemma":0.000031878502,"threshold_uncertainty_score":0.9995916},"labels":[],"label_agreement":null},{"id":"W1596764464","doi":"","title":"An Examination of the Pointe Shoe as Artifact through Ethnographic and Gender Analysis","year":2003,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Dance; Folklore; Art; Ethnography; Ballet; Humanities; Symbol (formal); Ethnology; Sociology; Gender studies; Anthropology; Visual arts; Literature","score_opus":0.025768641647845175,"score_gpt":0.3126113027926797,"score_spread":0.2868426611448345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596764464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58973277,0.034684967,0.00053219206,0.00046313176,0.0008595336,0.0011518461,0.00019806191,0.00010869098,0.3722688],"genre_scores_gemma":[0.99035674,0.0058935406,0.0007809606,0.0011588427,0.00009319327,0.000020472935,0.00006723375,0.000014726019,0.0016142809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977603,0.0011601459,0.00032517736,0.00033513203,0.00017309067,0.00024618264],"domain_scores_gemma":[0.9989881,0.000025764677,0.00026745177,0.00053540216,0.00009829578,0.00008501655],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00073099806,0.00023511093,0.0005018823,0.00004242092,0.00016423853,0.00008178745,0.00029356385,0.00026340294,0.0020841574],"category_scores_gemma":[0.00013020016,0.00015105124,0.00026682534,0.00072183367,0.00016956731,0.00022450963,0.000044363358,0.0002208299,0.00002931998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002954618,0.0017949147,0.0133692585,0.011062687,0.004863876,0.00011625115,0.20011128,0.00005661066,0.060107786,0.6372278,0.061797366,0.009196731],"study_design_scores_gemma":[0.0015699014,0.0005874812,0.3033939,0.0019437089,0.0068000294,0.0007632262,0.009697176,0.000008948957,0.012180102,0.0068031396,0.6549311,0.0013212722],"about_ca_topic_score_codex":0.00009625813,"about_ca_topic_score_gemma":0.000021809066,"teacher_disagreement_score":0.6304246,"about_ca_system_score_codex":0.000020426749,"about_ca_system_score_gemma":0.000013014047,"threshold_uncertainty_score":0.99882805},"labels":[],"label_agreement":null},{"id":"W1603148221","doi":"","title":"Étude de cas des processus de travail et des performances publiques d'un groupe d'improvisation en danse","year":2008,"lang":"fr","type":"article","venue":"Archipelago (Université du Québec à Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.014853228600833613,"score_gpt":0.22279254331011375,"score_spread":0.20793931470928015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603148221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9636555,0.018025665,0.0067188027,0.0057718647,0.00023049107,0.00034697837,0.00007500133,0.00022706148,0.0049486877],"genre_scores_gemma":[0.97831655,0.012831259,0.0045711785,0.0012502223,0.00021483916,0.000009053942,0.000029595943,0.00005867075,0.0027186323],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99660367,0.0008184065,0.0003178769,0.0006031182,0.00035910174,0.0012978441],"domain_scores_gemma":[0.9980291,0.0004036892,0.00025767848,0.00045133784,0.00023870305,0.00061948254],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00087056594,0.0004953673,0.0004517933,0.0003568078,0.001597127,0.00010963171,0.0008796593,0.00036353376,0.00066105434],"category_scores_gemma":[0.00025634925,0.0005879264,0.0002605873,0.00051924645,0.0016891245,0.00242,0.0002581179,0.0007062691,0.00028075618],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00079944695,0.00076843967,0.106819965,0.00024374823,0.00038323557,0.00088269316,0.7159408,0.00018534569,0.00043644046,0.0014865439,0.002053216,0.17000017],"study_design_scores_gemma":[0.0027096856,0.0012833445,0.87530464,0.00017753395,0.00036096203,0.0017684373,0.10318981,0.0013744158,0.0005013786,0.0020649256,0.010537624,0.00072722655],"about_ca_topic_score_codex":0.5097124,"about_ca_topic_score_gemma":0.4792482,"teacher_disagreement_score":0.7684847,"about_ca_system_score_codex":0.0012221046,"about_ca_system_score_gemma":0.0012770995,"threshold_uncertainty_score":0.99970263},"labels":[],"label_agreement":null},{"id":"W1605917553","doi":"10.33137/rr.v23i2.11980","title":"John Lowin's &lt;i&gt;Conclusions Upon Dances&lt;/i&gt;: Puritan Conclusions of a Godly Player","year":2009,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theology; Philosophy; Art","score_opus":0.014878814988553939,"score_gpt":0.27122663270202213,"score_spread":0.2563478177134682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605917553","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8215213,0.003365904,0.00047898607,0.002002597,0.0005304287,0.00034777814,0.00008434949,0.00009629892,0.17157239],"genre_scores_gemma":[0.9972087,0.0006769008,0.000300833,0.0004727909,0.00012733424,0.0000058055994,0.00006019655,0.000009850038,0.0011375893],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998604,0.00006653296,0.00040929217,0.0002554117,0.00029870856,0.00036605532],"domain_scores_gemma":[0.9990266,0.000042636806,0.00028393668,0.0003810886,0.00010570908,0.00016001848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027603307,0.00020078833,0.0003308825,0.00017417783,0.0004661343,0.000033433622,0.00024854456,0.00020587118,0.0002522905],"category_scores_gemma":[0.00003914155,0.00016421583,0.000102236176,0.0003097104,0.00014109425,0.00089380454,0.000096065625,0.00017719442,0.00013565512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015891622,0.002128579,0.0034082192,0.0003658595,0.00045469997,0.00010122501,0.0434047,0.00032299117,0.23524898,0.25431237,0.2635694,0.1950938],"study_design_scores_gemma":[0.0059047914,0.0024727224,0.38832816,0.001087709,0.00020601305,0.00017463414,0.0021667462,0.0009094206,0.008137256,0.004172123,0.5852354,0.0012049777],"about_ca_topic_score_codex":0.000024511677,"about_ca_topic_score_gemma":0.000030619125,"teacher_disagreement_score":0.38491994,"about_ca_system_score_codex":0.000064345855,"about_ca_system_score_gemma":0.000040293973,"threshold_uncertainty_score":0.6696527},"labels":[],"label_agreement":null},{"id":"W1608578657","doi":"","title":"Dance for Peace and Healing: Spirituality in Action","year":2011,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Action (physics); Spirituality; Aesthetics; Psychology; Political science; Art; Visual arts; Medicine; Alternative medicine; Physics","score_opus":0.15932482406088494,"score_gpt":0.3528401566398308,"score_spread":0.19351533257894588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1608578657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9873625,0.00077002693,0.000009061458,0.00037660482,0.00045704987,0.00017523293,0.000048598507,0.000013913869,0.01078702],"genre_scores_gemma":[0.99646735,0.00007803162,0.00011105918,0.0012832833,0.000046287034,0.000046009063,0.0000015897584,0.0000058449955,0.0019605719],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.999284,0.000026881733,0.00009225557,0.00018479458,0.00003484782,0.0003771997],"domain_scores_gemma":[0.9995975,0.00004349392,0.000033542292,0.00011584444,0.000034980447,0.00017466006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002032217,0.00008161305,0.0001565053,0.00010088535,0.0001374591,0.000008005037,0.00006980298,0.00004373378,0.000090726],"category_scores_gemma":[0.00008343986,0.00008862396,0.000015735839,0.00008524116,0.0001089839,0.00009912341,0.00001696035,0.00006660976,0.000020669726],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006447921,0.00026115307,0.27282855,0.00043737944,0.0007254735,0.00012023598,0.57789665,0.0000015153049,0.00006553612,0.082945354,0.045971356,0.018101983],"study_design_scores_gemma":[0.0021369723,0.00060206576,0.5171328,0.00006608487,0.000026033784,0.000009072477,0.37878957,0.000003400143,0.00006689115,0.01189989,0.08878423,0.0004829798],"about_ca_topic_score_codex":0.005138866,"about_ca_topic_score_gemma":0.06618379,"teacher_disagreement_score":0.24430427,"about_ca_system_score_codex":0.00026719968,"about_ca_system_score_gemma":0.000049375274,"threshold_uncertainty_score":0.9508559},"labels":[],"label_agreement":null},{"id":"W1674379870","doi":"10.22456/2236-3254.21543","title":"Mobilidade das práticas corporais e artísticas na dança contemporânea : três estudos de caso frente às práticas dominantes","year":2011,"lang":"pt","type":"article","venue":"Cena","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.07566781599880047,"score_gpt":0.32481707228959544,"score_spread":0.24914925629079498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1674379870","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86905533,0.0038537215,0.0015302775,0.0009176742,0.0036602472,0.0022225808,0.0012888225,0.0003055306,0.117165804],"genre_scores_gemma":[0.9704517,0.00012353863,0.00057500985,0.00099318,0.00032428207,0.00008058663,0.000057534708,0.0001266829,0.027267484],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99410564,0.00084665546,0.0010240921,0.0013637732,0.00067300414,0.001986854],"domain_scores_gemma":[0.9955441,0.0006014244,0.00075496733,0.0017699285,0.00026183212,0.0010677999],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010996369,0.00091879314,0.001218138,0.00033588422,0.0007495753,0.00018022297,0.0014689128,0.0005782252,0.0041263523],"category_scores_gemma":[0.0006939837,0.0009747976,0.00050389144,0.00058552646,0.0010652044,0.00041532627,0.0007139057,0.0013291091,0.004307439],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007380762,0.014159787,0.4625785,0.0008758738,0.0031297372,0.008862349,0.13975486,0.00001451903,0.0034237255,0.014175314,0.3330071,0.01263749],"study_design_scores_gemma":[0.026766703,0.011116553,0.7558201,0.0018389405,0.0040803407,0.00406257,0.064875804,0.0028220317,0.0104646655,0.0027621803,0.10937293,0.0060171727],"about_ca_topic_score_codex":0.0011815468,"about_ca_topic_score_gemma":0.000073413205,"teacher_disagreement_score":0.29324162,"about_ca_system_score_codex":0.0003179443,"about_ca_system_score_gemma":0.00044283894,"threshold_uncertainty_score":0.99927026},"labels":[],"label_agreement":null},{"id":"W1680743323","doi":"10.21810/sfuer.v2i.337","title":"Dance Artists, Dance Education, and Society","year":2008,"lang":"en","type":"article","venue":"SFU Educational Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Dance education; Curriculum; Intellect; Feeling; Sociology; Concert dance; Aesthetics; Contemporary dance; Visual arts; Key (lock); Pedagogy; Art; Psychology; Epistemology; Social psychology; Philosophy; Computer science","score_opus":0.033895420260318394,"score_gpt":0.35661730517420437,"score_spread":0.322721884913886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1680743323","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041728508,0.769795,0.00012660123,0.032808784,0.0022665416,0.00055857474,0.00004250256,0.000047236314,0.15262626],"genre_scores_gemma":[0.2285175,0.49593315,0.011110928,0.06776553,0.0016532355,0.000315155,0.00023813073,0.000042525695,0.19442385],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917996,0.00004813813,0.00018558443,0.00025933326,0.00015343088,0.00017355267],"domain_scores_gemma":[0.9992754,0.000084672625,0.00011082981,0.000285728,0.00012358495,0.000119800585],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001554786,0.000109378125,0.00017147041,0.000017207178,0.00020635895,0.000010829156,0.00016947484,0.000038279602,0.0028169542],"category_scores_gemma":[0.00012737978,0.000110214365,0.000075825665,0.0001962113,0.00016345894,0.00018787575,0.000027936365,0.0001111987,0.0008497819],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020277052,0.0003182493,0.011030608,0.00035215967,0.000026142741,4.140461e-7,0.00084734824,6.966736e-8,0.0000052609,0.038265847,0.9310381,0.018113812],"study_design_scores_gemma":[0.00008350147,0.00001542887,0.33420438,0.00056093343,0.000021427935,0.00012420562,0.00011265944,3.2863153e-7,0.0000024239832,0.0010136802,0.6637406,0.00012047771],"about_ca_topic_score_codex":0.000042004587,"about_ca_topic_score_gemma":0.0000013528158,"teacher_disagreement_score":0.32317376,"about_ca_system_score_codex":0.000047403246,"about_ca_system_score_gemma":0.00047938796,"threshold_uncertainty_score":0.9999282},"labels":[],"label_agreement":null},{"id":"W1685369714","doi":"10.7202/1119962ar","title":"Reframing (Dis)Ordered Bodies: Understanding Agonias via the Habitus","year":2012,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Habitus; Cognitive reframing; Meaning (existential); Sociology; Humanities; Categorization; Portuguese; Embodied cognition; Ethnology; Anthropology; Philosophy; Psychology; Social psychology; Epistemology; Ethnography; Linguistics","score_opus":0.1774007095538864,"score_gpt":0.41742865784706923,"score_spread":0.24002794829318283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1685369714","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03943721,0.10758686,0.014867183,0.017046418,0.030211821,0.0012642195,0.00013819449,0.00048177116,0.7889663],"genre_scores_gemma":[0.9935907,0.0006785415,0.0002822405,0.0025798616,0.0018428785,0.000022559947,0.000007930917,0.000022965716,0.0009723334],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9974241,0.00034292685,0.00035105087,0.00035880558,0.00039282106,0.001130265],"domain_scores_gemma":[0.9985341,0.00091488543,0.000077632205,0.00021959456,0.00011648129,0.00013729674],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005827502,0.00029932923,0.00043749856,0.000041761145,0.0015399756,0.00007110051,0.00035779434,0.00026214958,0.00022726931],"category_scores_gemma":[0.001160621,0.00022141798,0.00018196476,0.0002604169,0.001043027,0.00028990846,0.00028927522,0.0006596095,0.00022098854],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012335487,0.00048661817,0.0067237928,0.00060580095,0.00069248053,0.00010991582,0.33345124,0.0000014284824,0.00006982264,0.4801547,0.17640793,0.0011729195],"study_design_scores_gemma":[0.0013213528,0.00012920244,0.040675066,0.00016616912,0.0015064478,0.00008553165,0.8530178,0.0000059460763,0.000010906954,0.010232698,0.09206877,0.00078010827],"about_ca_topic_score_codex":0.00012460942,"about_ca_topic_score_gemma":0.0000958405,"teacher_disagreement_score":0.9541535,"about_ca_system_score_codex":0.00034709895,"about_ca_system_score_gemma":0.00001448251,"threshold_uncertainty_score":0.9997599},"labels":[],"label_agreement":null},{"id":"W18539348","doi":"","title":"Use of Dance as a Medium for Providing an Active Leisure Option for Adults with Developmental Disabilities at L'Arche Tahoma Hope","year":2012,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Psychology; Sociology; Aesthetics; Art","score_opus":0.06682293108272187,"score_gpt":0.2892609179014168,"score_spread":0.22243798681869492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W18539348","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9900824,0.00004873572,0.007163027,0.00012287016,0.00023598166,0.0010480654,0.00055838085,0.000044219698,0.0006963562],"genre_scores_gemma":[0.9868633,0.0000063093485,0.0097459685,0.000027314705,0.00007269694,0.000006555078,0.0001645562,0.000020979127,0.0030922962],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9986998,0.000084472405,0.00014575293,0.00034016173,0.00025725743,0.00047255144],"domain_scores_gemma":[0.99862385,0.00040929747,0.00027872546,0.0002539051,0.00024332773,0.00019091988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025507712,0.00020165191,0.00034661137,0.00011981012,0.00042782177,0.000022547141,0.00031393196,0.0001574695,0.00020820336],"category_scores_gemma":[0.00016013812,0.00022389925,0.00013930192,0.00015278284,0.0005774077,0.0020156035,0.00012505444,0.000104908904,0.000022973663],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.03192868,0.0019181232,0.29397056,0.0009585276,0.0011825036,0.000005085702,0.32225388,0.000037279257,0.00067433686,0.34261137,0.0034776889,0.0009819663],"study_design_scores_gemma":[0.0096073365,0.0041611637,0.21740761,0.00028795406,0.0004804745,0.00006902304,0.5419143,0.00008337367,0.00056291354,0.21830481,0.0060733194,0.0010477081],"about_ca_topic_score_codex":0.0005796586,"about_ca_topic_score_gemma":0.0012007025,"teacher_disagreement_score":0.21966042,"about_ca_system_score_codex":0.00029822724,"about_ca_system_score_gemma":0.0001056306,"threshold_uncertainty_score":0.9130346},"labels":[],"label_agreement":null},{"id":"W1865847297","doi":"10.4324/9780203143926","title":"The Routledge Reader in Gender and Performance","year":2002,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":42,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Performance studies; Strategic studies; Media studies; Art history; Sociology; History; Political science; Anthropology; Law","score_opus":0.06001704880170897,"score_gpt":0.2690472382531225,"score_spread":0.20903018945141352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1865847297","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011180775,0.0030249734,0.0000032992218,0.00012080979,0.0004006551,0.00011829773,0.0000066704865,0.000020667941,0.99518657],"genre_scores_gemma":[0.009129829,0.00093909376,0.00001256181,0.00041992217,0.00012218676,0.0000030803558,0.0000048637376,0.000012512823,0.9893559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993392,0.000022735063,0.00011486741,0.00019366265,0.000097558106,0.0002319467],"domain_scores_gemma":[0.9995462,0.000076026954,0.000048109734,0.00027341288,0.000013670656,0.00004260217],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011739913,0.00013457872,0.00014091564,0.000053905424,0.00008951396,0.00003287735,0.00019316966,0.0002211944,0.003141561],"category_scores_gemma":[0.000005792769,0.00009385054,0.000030196476,0.000028839977,0.00012170971,0.000071822105,0.000061677034,0.00033437295,0.0017499904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030423285,0.00002298292,0.0023616112,0.000020231264,0.00004606551,0.000012149417,0.0015139241,1.12846514e-7,9.0707225e-8,0.015614274,0.96490717,0.015470952],"study_design_scores_gemma":[0.00036008062,0.00006522093,0.0611293,0.000027752003,0.00001398366,0.000014695205,0.00022836651,0.000011099939,4.009865e-7,0.00046778304,0.93751174,0.0001695621],"about_ca_topic_score_codex":0.000017655908,"about_ca_topic_score_gemma":0.0000163948,"teacher_disagreement_score":0.05876769,"about_ca_system_score_codex":0.0000463654,"about_ca_system_score_gemma":0.000021752696,"threshold_uncertainty_score":0.99902725},"labels":[],"label_agreement":null},{"id":"W1883348357","doi":"10.18533/journal.v4i10.805","title":"Only Human: Critical Reflections on Dance, Creation, and Identity","year":2015,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto; University of Northern British Columbia","funders":"","keywords":"Dance; Multiculturalism; Sociology; Identity (music); Choreography; Scholarship; Aesthetics; Concert dance; Cultural identity; Dance education; Gender studies; Visual arts; Art; Negotiation; Pedagogy; Social science; Political science","score_opus":0.5064150090515782,"score_gpt":0.6656267951950381,"score_spread":0.15921178614345988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1883348357","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6881622,0.0031098416,0.0005247804,0.0005974822,0.0013587456,0.00023197047,0.00006068715,0.00004668782,0.30590764],"genre_scores_gemma":[0.9944337,0.0007474758,0.00015418809,0.0008145425,0.0002679405,0.000009767639,0.000008490239,0.000023192928,0.003540705],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9980347,0.0002981997,0.00043255082,0.00037615778,0.0005371152,0.0003212569],"domain_scores_gemma":[0.9982454,0.00025629904,0.00028278353,0.00041551108,0.0003865458,0.00041343065],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010062385,0.00019984426,0.000427541,0.00052412134,0.00044591175,0.0010976421,0.0012690611,0.00012439012,0.008800037],"category_scores_gemma":[0.0006919873,0.00020159484,0.00008926715,0.000602501,0.000310185,0.0035663198,0.0004525635,0.00039511936,0.00014860995],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004983912,0.0011606006,0.50228506,0.000041612635,0.00025373072,0.00007660551,0.0013773127,0.000016163378,0.0045397882,0.051855154,0.433273,0.0046225707],"study_design_scores_gemma":[0.0008006718,0.00007037087,0.9297091,0.00016157459,0.000083550294,0.000040237424,0.00047407803,0.0000019221993,0.0005298778,0.032703813,0.035152927,0.0002718785],"about_ca_topic_score_codex":0.0014053573,"about_ca_topic_score_gemma":0.00019908304,"teacher_disagreement_score":0.42742404,"about_ca_system_score_codex":0.0000966782,"about_ca_system_score_gemma":0.00009807894,"threshold_uncertainty_score":0.9999393},"labels":[],"label_agreement":null},{"id":"W1891721630","doi":"10.14288/1.0077038","title":"Dancing mosaics : influences on the body images of elite adolescent female dancers","year":2009,"lang":"en","type":"book","venue":"cIRcle (University of British Columbia)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Elite; Psychology; Cartography; Geography; Political science","score_opus":0.014513955837971482,"score_gpt":0.21737202350917903,"score_spread":0.20285806767120754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1891721630","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47574145,0.0018672145,0.000057659046,0.0001965466,0.0004899792,0.00063023827,0.0013432377,0.000085462765,0.51958823],"genre_scores_gemma":[0.6837314,0.0013123922,0.000112284804,0.00062710216,0.00014277389,5.1338696e-7,0.000081606246,0.000036981834,0.31395495],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99811506,0.00012931653,0.00024337086,0.0005709151,0.00054241135,0.00039891232],"domain_scores_gemma":[0.99811,0.000155735,0.00063713803,0.00073043973,0.00023575453,0.0001309654],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00029270144,0.00013665154,0.00062102266,0.00009370484,0.00030821367,0.000079101505,0.0011059397,0.00036249947,0.0006191547],"category_scores_gemma":[0.000044526336,0.00037234684,0.00034812986,0.0001978943,0.00085409643,0.00025873038,0.00018594979,0.0005841788,0.00010855824],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014326937,0.00053184107,0.0042230696,0.0004192434,0.00050315977,0.0004568865,0.0019314748,0.00002862012,0.00017577794,0.00011018044,0.5922067,0.39926976],"study_design_scores_gemma":[0.0008305844,0.0003470742,0.97620416,0.0024242552,0.00019130134,0.000020239475,0.0026755547,0.0000033666613,0.0000030078954,0.00065327523,0.016261037,0.00038613545],"about_ca_topic_score_codex":0.022015255,"about_ca_topic_score_gemma":0.010179595,"teacher_disagreement_score":0.9719811,"about_ca_system_score_codex":0.00022564693,"about_ca_system_score_gemma":0.00026544306,"threshold_uncertainty_score":0.99987286},"labels":[],"label_agreement":null},{"id":"W1909030651","doi":"","title":"Mambo italiano : Le tout est de savoir danser Mambo italiano, Canada [Québec] 2003, 93 minutes Mambo italiano, Canada [Québec] 2003, 93 minutes","year":2003,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.015765986875583223,"score_gpt":0.22958907840977805,"score_spread":0.21382309153419482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1909030651","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29328373,0.10417376,0.00018320602,0.30766463,0.012927935,0.0023821562,0.009071187,0.00030627206,0.2700071],"genre_scores_gemma":[0.35248333,0.00070865924,0.0022897718,0.009781923,0.00092824595,0.0001244895,0.00032435436,0.00022920631,0.63313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898188,0.001587504,0.0015731507,0.002060686,0.0011178111,0.003842042],"domain_scores_gemma":[0.99318683,0.0011214217,0.0009157184,0.002014956,0.00067912845,0.0020819309],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0011876426,0.0017048948,0.0017521188,0.00032053603,0.0011424139,0.00039586064,0.002185535,0.001076523,0.0062948293],"category_scores_gemma":[0.002864934,0.0020255991,0.00040979823,0.0022264335,0.0013397797,0.0010832485,0.00024686928,0.0014482127,0.0005997797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00017499186,0.00060428685,0.073763736,0.0005784126,0.0007974419,0.007193798,0.002111243,0.00013863,0.00045214532,0.0027653342,0.90909725,0.002322704],"study_design_scores_gemma":[0.002180025,0.0004075702,0.023769695,0.0009990351,0.00056175375,0.001974058,0.008604219,0.000106325504,0.0026070073,0.00023050931,0.95627517,0.0022846418],"about_ca_topic_score_codex":0.9993203,"about_ca_topic_score_gemma":0.9997983,"teacher_disagreement_score":0.3631229,"about_ca_system_score_codex":0.0053332136,"about_ca_system_score_gemma":0.039391562,"threshold_uncertainty_score":0.9995698},"labels":[],"label_agreement":null},{"id":"W1918554649","doi":"10.21083/csieci.v8i1.2001","title":"Nomadism and Ethics in/as Improvised Movement Practices","year":2012,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Dance; Movement (music); Lexicon; Aesthetics; Sociology; Choreography; Visual arts; Linguistics; Art; Philosophy","score_opus":0.22810206880662415,"score_gpt":0.5195445663229501,"score_spread":0.29144249751632595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1918554649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9645207,0.003710494,0.0005560082,0.01357037,0.0020954243,0.001258735,0.000035216974,0.00019590685,0.01405717],"genre_scores_gemma":[0.9918591,0.0007920931,0.0014296842,0.0049068704,0.00042967236,0.00028478305,0.00002348823,0.000038432387,0.0002358719],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9961332,0.0007904397,0.0007940531,0.0006521358,0.0005137818,0.0011163587],"domain_scores_gemma":[0.99568,0.0030649449,0.00029556028,0.00036234522,0.00030236083,0.00029483423],"candidate_categories":["metaresearch","metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0033581154,0.00039707316,0.00049190293,0.0004865113,0.00028206763,0.0001420114,0.00024405785,0.0004667684,0.00015968372],"category_scores_gemma":[0.013899756,0.00041475444,0.00007408137,0.00041715766,0.0007240714,0.0024007803,0.00027819397,0.0009978056,0.00006069272],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046817082,0.0017878137,0.07845766,0.0011101655,0.00016327339,0.000042986016,0.12674853,0.0000029610244,0.004715489,0.7481642,0.00062653405,0.03771223],"study_design_scores_gemma":[0.006763408,0.0029187715,0.68821275,0.00068520714,0.00034210412,0.000082110986,0.23839611,0.00053501275,0.0040601436,0.045901295,0.009836251,0.002266811],"about_ca_topic_score_codex":0.0015519013,"about_ca_topic_score_gemma":0.00038198038,"teacher_disagreement_score":0.7022629,"about_ca_system_score_codex":0.00071978825,"about_ca_system_score_gemma":0.00013711452,"threshold_uncertainty_score":0.9998304},"labels":[],"label_agreement":null},{"id":"W1923744015","doi":"","title":"A Review of Tamara Levitz's Modernist Mysteries: Persephone","year":2013,"lang":"en","type":"review","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Art; Interpretation (philosophy); Meaning (existential); Literature; Mythology; Art history; Pleasure; Beauty; Conversation; Modernism (music); Reading (process); Philosophy; Aesthetics","score_opus":0.16319537009252608,"score_gpt":0.41642089440797764,"score_spread":0.25322552431545153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1923744015","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[1.1827699e-7,0.7898965,0.000053417436,0.00005266065,0.00047526378,0.00088690803,0.0001483521,0.000040815667,0.20844597],"genre_scores_gemma":[2.2146955e-7,0.94043744,0.00019300882,0.0009672649,0.00008927262,0.00007847888,0.00008918002,0.000036330726,0.058108803],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806845,0.00024260028,0.0007231463,0.00042003245,0.0002082247,0.00033755653],"domain_scores_gemma":[0.99807036,0.000109582375,0.0006384204,0.0009511645,0.00009950122,0.00013099737],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002583213,0.00042564888,0.0026084692,0.00011538132,0.000044434557,0.000026704114,0.00068134745,0.00031701205,0.04109296],"category_scores_gemma":[0.00006330406,0.0003194678,0.00083839113,0.00023497906,0.00015659176,0.00014476076,0.0001656243,0.00030910625,0.009698969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017326902,0.00006263678,2.1994781e-7,0.1956818,0.00021206551,0.000004371972,0.00009331929,2.3131284e-9,2.4637966e-8,0.00039066197,0.25747877,0.5460744],"study_design_scores_gemma":[0.000096183445,0.000078737,7.65988e-7,0.15714678,0.0006125417,0.00004242552,0.00007750646,8.0563844e-8,4.127986e-8,0.0000055935125,0.84167415,0.0002651877],"about_ca_topic_score_codex":0.00026136014,"about_ca_topic_score_gemma":0.0000021053447,"teacher_disagreement_score":0.5841954,"about_ca_system_score_codex":0.000062153704,"about_ca_system_score_gemma":0.00013138239,"threshold_uncertainty_score":0.99992573},"labels":[],"label_agreement":null},{"id":"W1946391679","doi":"10.1080/14927713.2015.1086584","title":"“We all carry each other, sometimes”: care-sharing as social justice practice in integrated dance","year":2015,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Injustice; Negotiation; Sociology; Context (archaeology); Recreation; Public relations; Economic Justice; Psychology; Social psychology; Political science; Social science; Visual arts; Law","score_opus":0.0649048044556757,"score_gpt":0.36658537343574515,"score_spread":0.30168056898006945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1946391679","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68658507,0.003764259,0.00015874745,0.003323874,0.0023430241,0.00046636397,0.000092805756,0.00024037395,0.3030255],"genre_scores_gemma":[0.98667115,0.000057506735,0.0008301496,0.0026877373,0.0005834725,0.00002530786,0.000054782464,0.000062221705,0.00902767],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99752927,0.00033752766,0.00035192916,0.00062050356,0.0004609625,0.00069981924],"domain_scores_gemma":[0.9985108,0.00026527132,0.00025101393,0.00047805457,0.0002580321,0.0002368685],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006841744,0.00031502356,0.00043208178,0.0001977914,0.00014750448,0.000114161674,0.000687405,0.00034631573,0.00032406996],"category_scores_gemma":[0.0007076879,0.00033304715,0.00010296863,0.00055575697,0.00011921031,0.0007397019,0.00017119308,0.0007930325,0.001781873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0056757666,0.0036885194,0.07379893,0.00048182064,0.0013496736,0.0018027562,0.54957557,0.00031928442,0.0018252418,0.047743954,0.26132914,0.052409362],"study_design_scores_gemma":[0.0035744186,0.00044589752,0.0063012014,0.000114237795,0.0002795991,0.00006838068,0.07081369,0.00003769487,0.00035174153,0.0005526464,0.91680104,0.00065944425],"about_ca_topic_score_codex":0.0040379786,"about_ca_topic_score_gemma":0.0002626074,"teacher_disagreement_score":0.65547186,"about_ca_system_score_codex":0.00033022728,"about_ca_system_score_gemma":0.00020822609,"threshold_uncertainty_score":0.99991214},"labels":[],"label_agreement":null},{"id":"W1950182085","doi":"10.29173/pandpr25361","title":"Riding in the Skin of the Movement: An Agogic Practice","year":2015,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Burnaby Hospital; Simon Fraser University","funders":"","keywords":"Contemplation; Movement (music); Resistance (ecology); Psychology; Aesthetics; Dance; Relation (database); Epistemology; Communication; Social psychology; Philosophy; Computer science; Visual arts; Art","score_opus":0.09634961569307132,"score_gpt":0.379987329748387,"score_spread":0.2836377140553157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1950182085","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4086182,0.0010753785,0.00008838177,0.03777653,0.0010557587,0.00043399513,0.000010264828,0.000029911851,0.55091155],"genre_scores_gemma":[0.98164934,0.00004087105,0.0006155966,0.016901696,0.00013343265,0.000019426549,0.0000030674032,0.000012245365,0.0006243517],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967766,0.001954219,0.00027695505,0.00029068798,0.00032098108,0.00038054943],"domain_scores_gemma":[0.99699885,0.0014302803,0.0005142686,0.0008315515,0.0001570123,0.00006806796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028977196,0.00014325543,0.00018924767,0.00008415581,0.00013308611,0.000038340877,0.000974157,0.00011879919,0.00019566486],"category_scores_gemma":[0.002950699,0.00009775273,0.000044482174,0.00044644778,0.0002290336,0.0013182738,0.00018643249,0.0005707913,0.00028893247],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0034357472,0.007578759,0.014897437,0.000025886402,0.0007277776,0.00022914306,0.3394608,0.0002717708,0.00064692425,0.5983415,0.019773731,0.014610479],"study_design_scores_gemma":[0.0029335804,0.001420885,0.033634827,0.000016877633,0.00034040393,0.00027595894,0.3570949,0.000025066984,0.00013132303,0.011352544,0.59246117,0.0003124772],"about_ca_topic_score_codex":0.0012914544,"about_ca_topic_score_gemma":0.00006377586,"teacher_disagreement_score":0.586989,"about_ca_system_score_codex":0.00008781153,"about_ca_system_score_gemma":0.00010027545,"threshold_uncertainty_score":0.39862406},"labels":[],"label_agreement":null},{"id":"W1968074557","doi":"10.3138/ctr.155.003","title":"Paradoxes of the Dance Dramaturg","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Art; Aesthetics; Unconscious mind; Visual arts; Sociology; Psychology; Psychoanalysis","score_opus":0.01794594264575094,"score_gpt":0.25971127551554374,"score_spread":0.2417653328697928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968074557","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015702737,0.37444636,0.0000023768926,0.018880937,0.0008496782,0.000947547,0.00008506875,0.00001887376,0.5890664],"genre_scores_gemma":[0.9641577,0.011037953,0.00004437787,0.018262481,0.000073667914,0.000029665915,0.000004391863,0.00001454261,0.006375207],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993687,0.00008162458,0.00013238426,0.00011078272,0.000071968294,0.00023454137],"domain_scores_gemma":[0.9991771,0.000028789633,0.00006938829,0.0005098809,0.000030420386,0.00018442274],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009510135,0.00008033463,0.00019300182,0.000024714305,0.000063128326,0.0000100829375,0.0004067763,0.00004233766,0.0059829843],"category_scores_gemma":[0.000023337401,0.00005320909,0.00010653295,0.00019102127,0.00008681009,0.00007251407,0.000017943743,0.00009789469,0.001518085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011964254,0.000019913765,0.005625498,0.0006439942,0.000057819896,0.000005145078,0.00031579816,1.496217e-7,0.00000748753,0.008882718,0.6908392,0.29360113],"study_design_scores_gemma":[0.00008399882,0.000017295537,0.047782715,0.0017388853,0.00004472291,0.000016450193,0.0000847334,4.0216003e-7,0.000012293073,0.0004136322,0.9497015,0.00010336628],"about_ca_topic_score_codex":0.06711408,"about_ca_topic_score_gemma":0.009630701,"teacher_disagreement_score":0.948455,"about_ca_system_score_codex":0.00003647555,"about_ca_system_score_gemma":0.00010895242,"threshold_uncertainty_score":0.99925935},"labels":[],"label_agreement":null},{"id":"W1973532534","doi":"10.3138/ctr.155.007","title":"The Shape of Space: Laban Movement Analysis as a Methodology for Dance Dramaturgy","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Movement (music); Dramaturgy; Space (punctuation); Visual arts; Modern dance; Choreography; Contemporary dance; Aesthetics; Art; Sociology; Computer science","score_opus":0.05339705751452629,"score_gpt":0.3424993418109771,"score_spread":0.2891022842964508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973532534","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014355595,0.7050079,0.00058701326,0.06996368,0.0010656179,0.004158946,0.00046469417,0.00004657045,0.20434996],"genre_scores_gemma":[0.5153748,0.26553622,0.0121664,0.13910675,0.0007083858,0.0019018889,0.0003117631,0.00018650413,0.06470732],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986914,0.00029321207,0.0002635642,0.00022518507,0.00009160847,0.00043505355],"domain_scores_gemma":[0.99840015,0.00043535026,0.00016585238,0.0005993776,0.00010927479,0.00028999185],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007224401,0.00013483223,0.00049567,0.000115216724,0.00014875087,0.000023534578,0.0004403985,0.00007550997,0.004610605],"category_scores_gemma":[0.00015336552,0.00009651967,0.00031135062,0.0005274343,0.000109432825,0.0000635195,0.000023203214,0.00009645411,0.0003437246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023519176,0.000042449235,0.0019942352,0.00078364316,0.0024846855,0.000008369391,0.000642541,0.000002618697,0.000041049105,0.08171729,0.23730738,0.6749522],"study_design_scores_gemma":[0.00021071722,0.0001235274,0.006234608,0.0002982681,0.00089469104,0.000004354658,0.0003860635,0.000018901888,0.000022860151,0.002540835,0.9891009,0.0001642997],"about_ca_topic_score_codex":0.0949201,"about_ca_topic_score_gemma":0.05010486,"teacher_disagreement_score":0.7517935,"about_ca_system_score_codex":0.00008200344,"about_ca_system_score_gemma":0.00015962307,"threshold_uncertainty_score":0.9962993},"labels":[],"label_agreement":null},{"id":"W1975447434","doi":"10.1177/1532708614541892","title":"The Moving Body and Social Change","year":2014,"lang":"en","type":"article","venue":"Culture Studies &#x2194 Critical Methodologies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":39,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Materiality (auditing); Biopower; Epistemology; Sociology; Identity (music); Movement (music); Social identity theory; Aesthetics; Social science; Philosophy; Politics; Political science; Social group; Law","score_opus":0.29102245495153145,"score_gpt":0.4840265539223824,"score_spread":0.19300409897085097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975447434","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14395916,0.20104547,0.027937625,0.3200215,0.027403299,0.0021536532,0.00017741203,0.0022696012,0.27503228],"genre_scores_gemma":[0.95819205,0.0018809981,0.02662629,0.007179727,0.002540357,0.00014616607,0.0000033399801,0.00003038755,0.0034006906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775785,0.0010700865,0.00017139831,0.00032428926,0.00015546045,0.00052088633],"domain_scores_gemma":[0.9942534,0.0052975905,0.000047170208,0.00019856611,0.00014745172,0.000055835884],"candidate_categories":["metaresearch","sts"],"consensus_categories":[],"category_scores_codex":[0.0013963655,0.00019844928,0.00037425797,0.000024235973,0.0013382023,0.00008718379,0.0002743711,0.00016118336,0.000030652667],"category_scores_gemma":[0.011156527,0.00011872404,0.00008838332,0.00009112199,0.0016814918,0.00016136824,0.00039466296,0.00031675218,0.000051269602],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013334311,0.0000456123,0.0008718665,0.00011217177,0.0003515617,0.000011203034,0.050701812,3.7790585e-8,0.00027093614,0.8022623,0.052775037,0.092464104],"study_design_scores_gemma":[0.0008733699,0.00084559986,0.11996989,0.000068831,0.00032200423,0.000038105874,0.21689534,0.0000052888627,0.00020906032,0.16845828,0.49165395,0.00066028314],"about_ca_topic_score_codex":0.000017403752,"about_ca_topic_score_gemma":0.0000088498155,"teacher_disagreement_score":0.8142329,"about_ca_system_score_codex":0.000020750045,"about_ca_system_score_gemma":0.0000033957715,"threshold_uncertainty_score":0.9999619},"labels":[],"label_agreement":null},{"id":"W1976913280","doi":"10.1080/08873267.2014.952416","title":"From dys/function to flow: Inception, perception and dancing beyond life's constraints.","year":2015,"lang":"en","type":"article","venue":"The Humanistic Psychologist","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Intentionality; Attunement; Action (physics); Psychology; Perception; Phenomenology (philosophy); Existentialism; Function (biology); Stern; Epistemology; Vitality; Aesthetics; State (computer science); Immanence; Social psychology; Transpersonal; Psychoanalysis; Cognitive psychology; Philosophy; History","score_opus":0.07348575939615927,"score_gpt":0.3271704827238882,"score_spread":0.25368472332772896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1976913280","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78418225,0.00023634356,0.054765966,0.0036670035,0.0045182747,0.0004777176,0.0001829068,0.00022217419,0.15174739],"genre_scores_gemma":[0.99143,0.0000059970444,0.0008485629,0.004992429,0.0007428359,0.000016468744,0.000055776007,0.000015306681,0.0018926281],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9986666,0.0001696982,0.00022639731,0.00042909238,0.00020828222,0.0002999429],"domain_scores_gemma":[0.99894595,0.0001032402,0.000100615754,0.00050371134,0.00008030442,0.00026617871],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005364908,0.00018167512,0.0001921133,0.000067845125,0.00031462582,0.000103858714,0.00028365155,0.00012198402,0.0036813957],"category_scores_gemma":[0.00022007068,0.0001485701,0.000039177758,0.0001233557,0.000674447,0.00014423979,0.00008931245,0.00024108513,0.0032813414],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017551228,0.0005279927,0.008964912,0.000012715531,0.00027161333,0.000041262254,0.050588064,0.00008472196,0.0020659762,0.03815635,0.8249017,0.07262956],"study_design_scores_gemma":[0.0031414388,0.0014418951,0.8676661,0.000052298354,0.00021836892,0.000062067775,0.03711196,0.00009706154,0.000004569822,0.028866416,0.060712237,0.00062553544],"about_ca_topic_score_codex":0.00056975835,"about_ca_topic_score_gemma":0.00006195487,"teacher_disagreement_score":0.8587012,"about_ca_system_score_codex":0.00007686054,"about_ca_system_score_gemma":0.0000262001,"threshold_uncertainty_score":0.9974947},"labels":[],"label_agreement":null},{"id":"W1977743759","doi":"10.5539/ach.v1n1p49","title":"Mystical State, Beautiful Dance --- Annotating Charm of Southeast Asian Dances","year":2009,"lang":"en","type":"article","venue":"Asian Culture and History","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Buddhism; Hinduism; Mysticism; Poetry; EPIC; Feeling; Clothing; Literature; History; Aesthetics; Art; Visual arts; Psychology; Philosophy; Religious studies; Archaeology; Social psychology","score_opus":0.017409864174369245,"score_gpt":0.258670547738516,"score_spread":0.24126068356414676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977743759","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047054783,0.008712073,0.00021651077,0.00094604946,0.0007231257,0.00016097997,0.00008095828,0.00007948824,0.942026],"genre_scores_gemma":[0.9844831,0.000031217398,0.0005437377,0.00055239315,0.00012691774,0.000001775289,0.0000120723,0.000007671637,0.014241094],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911755,0.000045390316,0.00018028237,0.00025885954,0.00014416382,0.00025374917],"domain_scores_gemma":[0.9995071,0.0000102902195,0.00012685783,0.00018664512,0.000043317068,0.00012574943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009199001,0.00014210634,0.0002297261,0.00005261704,0.00010083718,0.00001080654,0.00015738295,0.00009584892,0.0002816785],"category_scores_gemma":[0.000021616255,0.00013080124,0.00005639025,0.00007367482,0.00022674358,0.00016577035,0.000015572492,0.00020225305,0.000063576306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057681114,0.0008930109,0.005648265,0.00016144323,0.00021141184,0.00017720292,0.33761856,0.0000017846644,0.0071774307,0.08558309,0.25002939,0.3119216],"study_design_scores_gemma":[0.0013560029,0.0010183237,0.248078,0.00017371046,0.000080598795,0.00005631544,0.025767196,0.0000058062906,0.00016087723,0.0012890522,0.72150636,0.00050774845],"about_ca_topic_score_codex":0.000042004307,"about_ca_topic_score_gemma":0.000020842604,"teacher_disagreement_score":0.93742836,"about_ca_system_score_codex":0.000053722597,"about_ca_system_score_gemma":0.00003244022,"threshold_uncertainty_score":0.53339195},"labels":[],"label_agreement":null},{"id":"W1980286371","doi":"10.1080/01472526.2011.615211","title":"The Choreographic Trust: Preserving Dance Legacies","year":2012,"lang":"en","type":"article","venue":"Dance Chronicle","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Visual arts; Art; Aesthetics","score_opus":0.025964138300930462,"score_gpt":0.2993354765042937,"score_spread":0.27337133820336323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1980286371","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87143564,0.029189566,0.00011388341,0.0010769813,0.0018089319,0.00019148554,0.00002138917,0.00012689452,0.09603521],"genre_scores_gemma":[0.99110365,0.00028612503,0.0000748842,0.00038972587,0.00043602346,0.00002475947,0.000003843762,0.000016566673,0.00766441],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.998555,0.00007791153,0.00015356904,0.00020827871,0.0002034871,0.0008017499],"domain_scores_gemma":[0.9989253,0.000121677105,0.000094562776,0.00069156865,0.000031953794,0.0001349153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041347937,0.00014215904,0.00012898217,0.00003236323,0.00055282074,0.00008968009,0.00065589335,0.00007169305,0.00071614137],"category_scores_gemma":[0.00006194812,0.00011091549,0.00008775385,0.0002817384,0.00028389995,0.0007440305,0.00014693405,0.00022646184,0.0007487648],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021296523,0.0005195398,0.5770374,0.000054682205,0.00024217067,0.000009851974,0.009310319,0.000025723746,0.0012127261,0.104353234,0.26914117,0.037880227],"study_design_scores_gemma":[0.00043663336,0.000054995784,0.46576607,0.000019562096,0.000012711464,0.000008977373,0.0010568366,0.000034104927,0.00051333575,0.0002227578,0.531716,0.00015800855],"about_ca_topic_score_codex":0.00014193449,"about_ca_topic_score_gemma":0.00007136695,"teacher_disagreement_score":0.26257482,"about_ca_system_score_codex":0.000061445186,"about_ca_system_score_gemma":0.000023382527,"threshold_uncertainty_score":0.9624106},"labels":[],"label_agreement":null},{"id":"W1983578711","doi":"10.14206/canad.j.clin.nutr.2013.02.04","title":"Health and Physical Fitness of Dance Performers and Yoga Practitioners","year":2013,"lang":"en","type":"article","venue":"Canadian Journal of Clinical Nutrition","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Psychology; Physical fitness; Physical therapy; Medicine; Visual arts; Art","score_opus":0.05718181857629014,"score_gpt":0.38690808534907184,"score_spread":0.3297262667727817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983578711","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9892287,0.0007939743,0.000040467155,0.008444675,0.00038907968,0.00010283302,0.000025995556,0.0000016419798,0.00097258936],"genre_scores_gemma":[0.9981258,0.0003647851,0.00035316971,0.0008487508,0.00023616698,0.0000017978642,0.0000034025459,0.000004019494,0.00006210291],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99915904,0.00011800172,0.00038230076,0.00009172966,0.000086564956,0.00016234841],"domain_scores_gemma":[0.998421,0.00021216694,0.00038691325,0.000069506714,0.00014101858,0.00076938665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034449724,0.000058378504,0.00029410401,0.00009354261,0.000075861935,0.000021816035,0.00006957803,0.000070206894,0.00020065244],"category_scores_gemma":[0.00025770775,0.00005574254,0.00006489521,0.00006889682,0.00029654815,0.0003934828,0.000004961459,0.00026231713,0.000011119821],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00081296504,0.0013179791,0.35497624,0.000520797,0.00035619925,0.00008554554,0.007776181,0.0000035007195,0.0000875492,0.0070735584,0.35978213,0.26720738],"study_design_scores_gemma":[0.0053432286,0.0034453014,0.942592,0.0005329302,0.00004860441,0.00024566922,0.0065950025,0.000044286466,0.000021200389,0.0045277304,0.036414366,0.0001896746],"about_ca_topic_score_codex":0.0024367487,"about_ca_topic_score_gemma":0.0004622183,"teacher_disagreement_score":0.5876158,"about_ca_system_score_codex":0.000024237825,"about_ca_system_score_gemma":0.00027623115,"threshold_uncertainty_score":0.36836514},"labels":[],"label_agreement":null},{"id":"W1984414984","doi":"10.1353/tt.2014.0041","title":"Dancing Performance Generating Systems","year":2014,"lang":"en","type":"article","venue":"Theatre topics","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Rest (music); Visual arts; Art; Transition (genetics); Medicine","score_opus":0.02079051489781495,"score_gpt":0.2545893657281964,"score_spread":0.23379885083038146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984414984","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7485174,0.00015361041,0.0011752192,0.00013611336,0.001227853,0.00005410114,0.0000024188687,0.00006477976,0.2486685],"genre_scores_gemma":[0.9880477,0.000005518264,0.00032738267,0.0002717899,0.00093790534,0.0000024857516,0.0000028083316,0.0000071951677,0.01039719],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944705,0.00005259243,0.00009761539,0.00012076393,0.00008388289,0.00019811993],"domain_scores_gemma":[0.9996283,0.000024535078,0.00003888918,0.0002472664,0.00001551596,0.00004549347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017290149,0.00007235253,0.00010482949,0.000023923894,0.00011883183,0.000030231146,0.00013958963,0.00005130395,0.00016520465],"category_scores_gemma":[0.000007175207,0.00006611595,0.000024886425,0.000049251117,0.000021225278,0.00008551458,0.000029047274,0.00009316838,0.00039205875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007998829,0.00018893216,0.10855799,0.0002501297,0.00015451433,0.000016526164,0.013768994,0.0022287262,0.002394539,0.068137474,0.03674774,0.7674745],"study_design_scores_gemma":[0.002198251,0.00086928805,0.068639174,0.000250914,0.000094142866,0.0001072515,0.003060222,0.033876956,0.0015518981,0.0003559856,0.88804257,0.00095332565],"about_ca_topic_score_codex":0.000094648894,"about_ca_topic_score_gemma":0.0000027767471,"teacher_disagreement_score":0.8512949,"about_ca_system_score_codex":0.000018176182,"about_ca_system_score_gemma":0.0000063670122,"threshold_uncertainty_score":0.5039253},"labels":[],"label_agreement":null},{"id":"W1986206591","doi":"10.1002/ace.20017","title":"Dance as a way of knowing","year":2012,"lang":"en","type":"article","venue":"New Directions for Adult and Continuing Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":63,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Dance; Embodied cognition; Dance education; Aesthetics; Sociology; Psychology; Pedagogy; Visual arts; Epistemology; Art; Philosophy","score_opus":0.013718783398375305,"score_gpt":0.31247736407163107,"score_spread":0.2987585806732558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986206591","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9386691,0.0016652631,0.00063893286,0.0003389534,0.002524081,0.00017548732,0.000005432704,0.00003653434,0.05594626],"genre_scores_gemma":[0.9656972,0.000039207232,0.0009170396,0.000112849724,0.0003752613,0.000023867551,0.000007036646,0.0000061091087,0.032821413],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962455,0.000014527225,0.00009153307,0.00009127587,0.000039502833,0.00013862632],"domain_scores_gemma":[0.999602,0.000055225395,0.00006633059,0.00009591539,0.00010632103,0.00007416912],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007909831,0.000054431257,0.00007949468,0.00006335483,0.00007419,0.000013584927,0.000041217932,0.000041031555,0.000107695036],"category_scores_gemma":[0.00014473428,0.000058353537,0.000038601316,0.00009863428,0.000021165157,0.00023402796,0.0000073868728,0.000041412164,0.000021781027],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041045587,0.00023750046,0.022211034,0.000017725786,0.000025745643,1.5307178e-8,0.013986831,1.00846506e-7,0.0010550251,0.015604585,0.026064314,0.9207561],"study_design_scores_gemma":[0.0013602218,0.00025644287,0.44907638,0.00036336813,0.00018093543,0.000026045924,0.025915315,0.000009068906,0.0052186735,0.0013663489,0.51590306,0.00032412246],"about_ca_topic_score_codex":0.00056911574,"about_ca_topic_score_gemma":0.000016954822,"teacher_disagreement_score":0.920432,"about_ca_system_score_codex":0.000014479838,"about_ca_system_score_gemma":0.000020930318,"threshold_uncertainty_score":0.23795882},"labels":[],"label_agreement":null},{"id":"W1989827272","doi":"10.3138/ctr.156.006","title":"Dance Archives in an Online Environment: The Impact of Digital Media on the Preservation of Dance History","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Immediacy; Contemporary dance; Concert dance; Visual arts; Choreography; Performing arts; The arts; Ephemeral key; Art; Aesthetics; Computer science","score_opus":0.06464498279825642,"score_gpt":0.27346249832063774,"score_spread":0.20881751552238131,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989827272","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.768443,0.1498162,0.0000050904364,0.0053968965,0.00013896452,0.0013512488,0.00081120105,0.000008525788,0.074028865],"genre_scores_gemma":[0.99040556,0.008414214,0.00001055181,0.0007162727,0.000033911325,0.000015447615,0.000052901356,0.000009445794,0.00034168392],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99921685,0.00015644645,0.00020546134,0.00013326423,0.00009534491,0.00019261606],"domain_scores_gemma":[0.99894047,0.00021101837,0.00014017013,0.00057694345,0.000010384875,0.00012101533],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013373332,0.00010272302,0.00021269917,0.00005226683,0.000024577332,0.000006068352,0.0004687546,0.00002949845,0.0016336418],"category_scores_gemma":[0.000056614514,0.000058918555,0.00009237787,0.00008627194,0.00021490685,0.0002311294,0.000017336224,0.00013512521,0.00006601816],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071495575,0.00072657835,0.08407845,0.0007023993,0.00021710776,0.000013759623,0.012512712,0.00010124269,0.00023554309,0.0096787,0.09189208,0.79976994],"study_design_scores_gemma":[0.00026735046,0.00031669243,0.9052744,0.0018137697,0.000035537254,0.00000396616,0.00035923845,0.000059236336,0.0000074513496,0.0012808774,0.0903979,0.0001835689],"about_ca_topic_score_codex":0.025516834,"about_ca_topic_score_gemma":0.0063364035,"teacher_disagreement_score":0.82119596,"about_ca_system_score_codex":0.00014996111,"about_ca_system_score_gemma":0.0001247906,"threshold_uncertainty_score":0.999279},"labels":[],"label_agreement":null},{"id":"W1990359323","doi":"10.3138/md.55.2.230","title":"Subversion, Refusal, and Contingency: The Transgression of Liberal-Humanist Subjectivity and Characterization in Sarah Kane’s <i>Cleansed, Crave,</i> and <i>4.48 Psychosis</i>","year":2012,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanism; Subjectivity; Sociology; Queer; Psychoanalysis; Normative; Subversion; Ideology; Aesthetics; Philosophy; Epistemology; Gender studies; Politics; Psychology; Theology; Law; Political science","score_opus":0.017272806615198706,"score_gpt":0.26321627492496125,"score_spread":0.24594346830976255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990359323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9951973,0.0012724765,0.00039818662,0.0008285222,0.00025509822,0.00024255362,0.000053376523,0.000021588281,0.0017309317],"genre_scores_gemma":[0.9986074,0.0003250344,0.000033298737,0.00043144694,0.000051844254,0.0000050177064,0.000014331389,0.00001420683,0.0005174501],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990239,0.00014797397,0.00018528028,0.00024366,0.00012973201,0.0002694615],"domain_scores_gemma":[0.9994802,0.00007360645,0.00012319151,0.00020588342,0.00002728612,0.000089861336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031813153,0.000147942,0.00021602148,0.00006530217,0.00016285309,0.00004294288,0.00009919028,0.0001252607,0.000052061238],"category_scores_gemma":[0.000013545177,0.00012200755,0.000026320413,0.00009494858,0.00021071211,0.00041887717,0.000048491893,0.00017018043,0.00000566267],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007705761,0.0005241798,0.85575825,0.000111771704,0.00005130857,0.000004825502,0.031955224,4.8882845e-7,0.074192144,0.0012718443,0.0016209893,0.03373838],"study_design_scores_gemma":[0.0014741002,0.0000968661,0.993644,0.00007427679,0.000035669553,0.000018861929,0.0002749353,0.000094095325,0.0014765293,0.0005975475,0.002039013,0.00017411115],"about_ca_topic_score_codex":0.00017978362,"about_ca_topic_score_gemma":0.000053317526,"teacher_disagreement_score":0.13788572,"about_ca_system_score_codex":0.000012882131,"about_ca_system_score_gemma":0.0000057407533,"threshold_uncertainty_score":0.49753237},"labels":[],"label_agreement":null},{"id":"W1991841627","doi":"10.1080/15290824.2005.10387301","title":"Dancers' Application of the Alexander Technique","year":2005,"lang":"en","type":"article","venue":"Journal of Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Dance; Dance education; Psychology; Curriculum; Subject (documents); Contemporary dance; Subject matter; Visual arts; Pedagogy; Sociology; Art; Computer science; Library science","score_opus":0.010108326484762722,"score_gpt":0.31561324049594225,"score_spread":0.3055049140111795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991841627","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.898989,0.0021156722,0.034054656,0.009274598,0.003488305,0.0005315575,0.00000778273,0.000014765537,0.051523622],"genre_scores_gemma":[0.9950683,0.000027081007,0.00233035,0.00037286588,0.0004986925,0.0000073781844,5.802077e-7,0.0000044857156,0.001690256],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99942243,0.00004377053,0.00023804682,0.00006257035,0.00015362637,0.000079529156],"domain_scores_gemma":[0.999004,0.000025796577,0.0005631972,0.00022320932,0.00015115527,0.000032663058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000246892,0.000051555526,0.000095707255,0.00005987321,0.00004302033,0.0000062098406,0.00028297384,0.000050389837,0.00016300977],"category_scores_gemma":[0.000038778908,0.000038563132,0.00007032715,0.00017078411,0.00005277485,0.00024137044,0.000013946334,0.00014728522,0.000020062416],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028725804,0.0025003855,0.14157487,0.000070290356,0.00015576484,4.4181863e-7,0.008133748,0.000301457,0.06707262,0.01976651,0.2671939,0.49294272],"study_design_scores_gemma":[0.0006498992,0.00018815094,0.6895225,0.00018696573,0.00007397376,0.00012690522,0.0021966444,0.000015507456,0.036763735,0.0014578701,0.26866728,0.00015055249],"about_ca_topic_score_codex":0.000023226761,"about_ca_topic_score_gemma":0.0000051014104,"teacher_disagreement_score":0.54794765,"about_ca_system_score_codex":0.000089786976,"about_ca_system_score_gemma":0.00016325661,"threshold_uncertainty_score":0.17848428},"labels":[],"label_agreement":null},{"id":"W1991924929","doi":"10.1080/10894160902876812","title":"The 2002 Sydney Gay Games: Re-Presenting “Lesbian” Identities through Sporting Space","year":2009,"lang":"en","type":"article","venue":"Journal of Lesbian Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":54,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Lesbian; Queer; Poetry; Opening ceremony; Sociology; Human sexuality; Context (archaeology); Representation (politics); Gender studies; Queer theory; Transgender; Space (punctuation); Ceremony; Aesthetics; Set (abstract data type); Computer science; Art; Literature; History","score_opus":0.10525638083851022,"score_gpt":0.3938389619266183,"score_spread":0.2885825810881081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991924929","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72483665,0.07651078,0.00017594932,0.021559646,0.004080438,0.00019015535,0.000011042203,0.000059598082,0.17257574],"genre_scores_gemma":[0.954189,0.006957636,0.0006136488,0.0010910794,0.0012103418,0.0000010053275,3.4759196e-7,0.00001768859,0.035919275],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99787694,0.0001483266,0.00073205685,0.00018289048,0.00051206385,0.0005477437],"domain_scores_gemma":[0.9976692,0.00038370801,0.0011785439,0.00030778314,0.00036685026,0.000093883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010590323,0.00021696133,0.0005048252,0.00010176995,0.0007521587,0.00017861396,0.00053322397,0.00007794183,0.00018762895],"category_scores_gemma":[0.0008771007,0.0001526153,0.00029046615,0.00023405225,0.00029030742,0.000693669,0.00011138565,0.0004989609,0.00012426329],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022690336,0.00021375745,0.016613932,0.00004860122,0.0014379172,0.0008682871,0.065789334,0.000031109907,0.00017573098,0.0061616316,0.8959572,0.012475627],"study_design_scores_gemma":[0.0021779218,0.00093911414,0.17990139,0.0011470831,0.00045019118,0.00067659427,0.5308058,0.0000047724584,0.00049625465,0.012607906,0.27016068,0.00063228526],"about_ca_topic_score_codex":0.000022402051,"about_ca_topic_score_gemma":0.000026087926,"teacher_disagreement_score":0.6257965,"about_ca_system_score_codex":0.00008264137,"about_ca_system_score_gemma":0.000038894963,"threshold_uncertainty_score":0.6223471},"labels":[],"label_agreement":null},{"id":"W1998628561","doi":"10.7202/018261ar","title":"“Stop Postponing Your Life Until You Lose Weight and Start Living Now”: Vancouver’s Large as Life Action Group, 1979–1985","year":2008,"lang":"en","type":"article","venue":"Journal of the Canadian Historical Association","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; Beauty; Clothing; Action (physics); Femininity; Situated; Gender studies; Psychology; Social psychology; Sociology; Aesthetics; Political science; Art","score_opus":0.0281679853690414,"score_gpt":0.24464061156231046,"score_spread":0.21647262619326907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998628561","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95895225,0.0012215453,0.000064616666,0.024664406,0.011546425,0.00014078684,0.000059510778,0.000021834025,0.003328649],"genre_scores_gemma":[0.93733937,0.00014039234,0.000062516454,0.0026056096,0.001073059,9.118442e-7,0.0000017721088,0.00001834283,0.058758035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826115,0.00024484377,0.00037778556,0.0001582048,0.00052682305,0.00043117188],"domain_scores_gemma":[0.9978893,0.00017495739,0.00084756775,0.00015331045,0.00023463645,0.00070022437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077540736,0.00014329945,0.00028659342,0.00023589126,0.00075592834,0.000028699082,0.0002524987,0.0002532219,0.00032797793],"category_scores_gemma":[0.0017991313,0.00012871317,0.00017445067,0.00026873712,0.00000979766,0.00047615575,0.000035351717,0.000638077,0.00006870061],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007387865,0.0001228722,0.21638305,0.000006534284,0.00018656456,0.00005533161,0.0044405656,0.00000805534,0.00004101208,0.00008897882,0.7782191,0.00037403675],"study_design_scores_gemma":[0.00078825135,0.00020567376,0.36543322,0.000048590166,0.00011660702,0.000056561345,0.00035034464,0.000016335438,0.000003896622,0.000104364684,0.6326871,0.00018907798],"about_ca_topic_score_codex":0.06418039,"about_ca_topic_score_gemma":0.23432112,"teacher_disagreement_score":0.17014073,"about_ca_system_score_codex":0.031443812,"about_ca_system_score_gemma":0.00062921963,"threshold_uncertainty_score":0.9722743},"labels":[],"label_agreement":null},{"id":"W1999326597","doi":"10.3109/09638288.2014.955135","title":"Implementing a novel dance intervention in rehabilitation: perceived barriers and facilitators","year":2014,"lang":"en","type":"article","venue":"Disability and Rehabilitation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MAB-Mackay Rehabilitation Centre; Jewish General Hospital; Jewish Rehabilitation Hospital; McGill University; Concordia University; Centre for Interdisciplinary Research in Rehabilitation","funders":"","keywords":"Rehabilitation; Intervention (counseling); Dance; Psychology; Applied psychology; Nursing; Medical education; Physical medicine and rehabilitation; Physical therapy; Medicine; Visual arts","score_opus":0.011589665943656588,"score_gpt":0.29812439505868543,"score_spread":0.28653472911502886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999326597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9944209,0.00009280835,0.00069490727,0.0027530205,0.00021359364,0.0004940603,0.000039277824,0.000047360143,0.0012440692],"genre_scores_gemma":[0.9973546,0.0000037168961,0.0023581546,0.00008173231,0.000029973868,0.000061474384,0.00001852895,0.0000090888725,0.00008269124],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9979773,0.0004481037,0.0004672023,0.0005802652,0.00016590861,0.0003611756],"domain_scores_gemma":[0.9978068,0.0015652417,0.00010541522,0.00030719955,0.00006532853,0.00015000484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022011606,0.00017307051,0.0002538705,0.00009864689,0.00022116015,0.000049961935,0.000095620104,0.00011810456,0.00025720784],"category_scores_gemma":[0.0026655127,0.0001786885,0.0000951081,0.0002158761,0.001127496,0.00051851576,0.00008261315,0.00017248749,0.000011654911],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018845654,0.00027376803,0.917114,0.0002817076,0.00001722306,1.4093273e-7,0.029669695,0.000009931987,0.00029817625,0.016975923,0.000109002955,0.035061985],"study_design_scores_gemma":[0.0017743441,0.0007632465,0.9496851,0.00008868488,0.000013846562,0.0000017505013,0.040077783,0.00032818227,0.0000025388883,0.0046016267,0.0024791057,0.00018382042],"about_ca_topic_score_codex":0.000790542,"about_ca_topic_score_gemma":0.00063498004,"teacher_disagreement_score":0.034878165,"about_ca_system_score_codex":0.000106034975,"about_ca_system_score_gemma":0.000009917534,"threshold_uncertainty_score":0.72867054},"labels":[],"label_agreement":null},{"id":"W1999540781","doi":"10.1080/14647893.2010.527324","title":"From inclusion to integration: intercultural dialogue and contemporary university dance education","year":2010,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Dance; Dance education; Curriculum; Inclusion (mineral); Sociology; Multiculturalism; Contemporary dance; Pedagogy; Diversity (politics); Ideology; Visual arts; Political science; Art; Social science; Anthropology","score_opus":0.0898053328635103,"score_gpt":0.4285212066236167,"score_spread":0.33871587376010637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999540781","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96289694,0.00029502204,0.00009916775,0.007530255,0.0025158222,0.00043949048,0.00003230739,0.000023427738,0.026167575],"genre_scores_gemma":[0.9951123,0.000037431237,0.00089733064,0.00030608912,0.0005650999,0.000019175715,0.00015152931,0.000007458233,0.0029036126],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99865633,0.00029438626,0.0001433314,0.00039856744,0.00025869455,0.00024870166],"domain_scores_gemma":[0.9989154,0.00019363759,0.00005576944,0.00037003923,0.00026652485,0.00019863009],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066537183,0.00010367246,0.00012100271,0.00033267806,0.00032300872,0.00006829092,0.00040672385,0.00012785108,0.00017252912],"category_scores_gemma":[0.00031336004,0.00010899938,0.000020480644,0.0005962798,0.0001701552,0.0006794689,0.00040900448,0.0006345788,0.00019402827],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009255217,0.0021955245,0.06403178,0.00004088539,0.000027549402,0.000010823652,0.11730007,0.0000014368758,0.041332446,0.032942336,0.21766403,0.5235276],"study_design_scores_gemma":[0.00080920616,0.0002623918,0.7184934,0.0004729373,0.000005793193,0.000008483872,0.06856617,0.000034563374,0.0025901052,0.008361561,0.20002544,0.00036994397],"about_ca_topic_score_codex":0.013748262,"about_ca_topic_score_gemma":0.002022078,"teacher_disagreement_score":0.6544616,"about_ca_system_score_codex":0.00022459557,"about_ca_system_score_gemma":0.0006941004,"threshold_uncertainty_score":0.99281925},"labels":[],"label_agreement":null},{"id":"W1999657815","doi":"10.1353/wic.0.0003","title":"&lt;i&gt;The People Have Never Stopped Dancing: Native American Modern Dance Histories&lt;/i&gt; (review)","year":2008,"lang":"en","type":"article","venue":"Wicazo Sa Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Indigenous; Context (archaeology); Native american; Modern dance; History; Art; Art history; Anthropology; Visual arts; Sociology; Ethnology","score_opus":0.03446286091127224,"score_gpt":0.2955035668955361,"score_spread":0.2610407059842638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999657815","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004024192,0.9038868,0.00055568985,0.012826893,0.00076876284,0.0015056614,0.00008771518,0.00015620342,0.07618812],"genre_scores_gemma":[0.084280774,0.8411636,0.00047000978,0.038882192,0.00030863346,0.00021574482,0.00005687558,0.00008123396,0.03454098],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99667615,0.0005666481,0.00065860443,0.0007367603,0.00063264696,0.00072919123],"domain_scores_gemma":[0.99707574,0.00025108788,0.0007032224,0.0014465386,0.00025084015,0.00027260114],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00067405216,0.0004733699,0.0013049889,0.00006189023,0.00046501984,0.00001406268,0.0010625852,0.000086950444,0.0016555621],"category_scores_gemma":[0.0004413984,0.0003767323,0.00042535856,0.0007603682,0.00066575693,0.0004034745,0.00020146304,0.00046246173,0.0013152278],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054871118,0.00029277583,0.0007404736,0.0017695276,0.00022593627,0.0000820497,0.004984541,0.0000019374834,0.00014542497,0.00397664,0.9278073,0.05991853],"study_design_scores_gemma":[0.00036877804,0.00016835792,0.01326511,0.0026636724,0.0002723819,0.000121051286,0.0000634618,0.000014892118,0.000006423127,0.000052136158,0.9825362,0.00046755024],"about_ca_topic_score_codex":0.00010968176,"about_ca_topic_score_gemma":0.00015735303,"teacher_disagreement_score":0.08025658,"about_ca_system_score_codex":0.0002893624,"about_ca_system_score_gemma":0.0001721864,"threshold_uncertainty_score":0.99986845},"labels":[],"label_agreement":null},{"id":"W1999937015","doi":"10.1097/00001577-200214020-00006","title":"Musculoskeletal Injuries Among Young, Recreational, Female Dancers Before and After Dancing in Pointe Shoes","year":2002,"lang":"en","type":"article","venue":"Pediatric Physical Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Dance; Ballet dancer; Physical therapy; Ballet; Ankle; Medicine; Generalizability theory; Recreation; Psychology; Art; Surgery; Developmental psychology","score_opus":0.015247253509286037,"score_gpt":0.2834690005945567,"score_spread":0.2682217470852707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999937015","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9927754,0.0013545158,0.00001816511,0.00019281071,0.0001983062,0.00016757239,0.000024703557,0.000044345772,0.0052241934],"genre_scores_gemma":[0.99721265,0.00072791486,0.000050423445,0.00018206745,0.00075184583,0.000035157915,0.000005714619,0.000015504755,0.0010187139],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998995,0.000070927395,0.00014281503,0.00030705056,0.00018321464,0.00030098014],"domain_scores_gemma":[0.999531,0.00008242404,0.0000662537,0.00018809325,0.000021673739,0.000110584624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008923453,0.00016726258,0.00021867528,0.00011441135,0.000076589975,0.000036385132,0.00013146871,0.000066140594,0.0005707837],"category_scores_gemma":[0.000025094048,0.00014869244,0.00009704855,0.0002867582,0.00014694854,0.00038569066,0.000037591206,0.00019735843,0.00008990715],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014046676,0.00033066358,0.97532445,0.000015051418,0.000035638423,0.000012578164,0.011565778,0.0000027179385,0.000019003104,0.0004526476,0.00135065,0.010750356],"study_design_scores_gemma":[0.0009483021,0.00027395625,0.9963658,0.000008466328,0.000017784158,0.0000016049017,0.0004209121,0.00005901737,0.0000109929215,0.0012438826,0.000469321,0.00017996326],"about_ca_topic_score_codex":0.00019735491,"about_ca_topic_score_gemma":0.000048776383,"teacher_disagreement_score":0.021041349,"about_ca_system_score_codex":0.0000424072,"about_ca_system_score_gemma":0.000008740803,"threshold_uncertainty_score":0.62496805},"labels":[],"label_agreement":null},{"id":"W2000892561","doi":"10.3138/utq.72.2.649","title":"Contractual Obligations: The National Ballet's Fiftieth Season","year":2003,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballet; History; Political science; Law and economics; Economics; Art; Literature; Dance","score_opus":0.018582346678034423,"score_gpt":0.25249666887909417,"score_spread":0.23391432220105973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000892561","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19828983,0.0006777278,0.0012235913,0.0011875272,0.0005608582,0.00025546737,0.00011434939,0.00005591019,0.7976347],"genre_scores_gemma":[0.9893482,0.000012545092,0.00032048425,0.000236777,0.000032478096,1.691381e-7,0.0000074203017,0.000003206953,0.010038767],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992235,0.00013810518,0.00007774384,0.00015021555,0.00024135264,0.00016913888],"domain_scores_gemma":[0.99939835,0.00013941148,0.00009649113,0.00015664294,0.00014345079,0.00006566395],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021360123,0.00008294299,0.000108985325,0.000017210152,0.00021768031,0.0000153068,0.00028124763,0.00007426942,0.008808663],"category_scores_gemma":[0.000029496388,0.00008190527,0.00009039486,0.00003749698,0.0001521174,0.00037752438,0.000008358299,0.00008147072,0.00022905442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036226548,0.00073332863,0.0034096257,0.00001475513,0.00051624444,0.000021790518,0.08406229,0.000014966349,0.0001913158,0.57179296,0.31957868,0.019301763],"study_design_scores_gemma":[0.0022114948,0.0007294971,0.14225231,0.000017645873,0.00007103144,0.0000116605415,0.07600844,0.000028012983,0.000018477871,0.0014231872,0.776989,0.00023928161],"about_ca_topic_score_codex":0.004181834,"about_ca_topic_score_gemma":0.0017245887,"teacher_disagreement_score":0.7910583,"about_ca_system_score_codex":0.00012623018,"about_ca_system_score_gemma":0.000064103246,"threshold_uncertainty_score":0.99209744},"labels":[],"label_agreement":null},{"id":"W2011922843","doi":"10.3138/md.43.2.252","title":"Lulu pantomime in one act by Félicien Champsaur","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Political science","score_opus":0.02647279535313337,"score_gpt":0.2713002971331088,"score_spread":0.24482750177997545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011922843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81837404,0.00024461275,0.00014806386,0.0009544161,0.0000975701,0.000109771616,0.00004325397,0.00006119247,0.17996708],"genre_scores_gemma":[0.9484002,0.000025154413,0.000049774524,0.0008321964,0.00005103719,0.0000052570986,0.0000197792,0.000014347741,0.05060228],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9989523,0.000056515342,0.00013814977,0.00027482433,0.00016172597,0.00041647017],"domain_scores_gemma":[0.999508,0.000022589158,0.00003228826,0.00032971546,0.0000097979855,0.00009756138],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012759802,0.00012167946,0.00018118392,0.00006321259,0.00005468832,0.00003870559,0.00028740912,0.00012833356,0.010466767],"category_scores_gemma":[0.000009142882,0.00013175241,0.000047752033,0.00014191568,0.00005560715,0.00017531819,0.000030546427,0.00018601908,0.0032559733],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00095897523,0.0035436212,0.0355423,0.000025596735,0.00018858141,0.00015916348,0.038652096,0.00016572559,0.0077649723,0.0014314507,0.11443067,0.79713684],"study_design_scores_gemma":[0.008179921,0.0006819911,0.6940722,0.00009447885,0.000049409653,0.00003757662,0.00056419167,0.0029306798,0.002139068,0.0057691336,0.28419995,0.0012814207],"about_ca_topic_score_codex":0.0009980482,"about_ca_topic_score_gemma":0.000033851113,"teacher_disagreement_score":0.7958554,"about_ca_system_score_codex":0.00004674882,"about_ca_system_score_gemma":0.000015167936,"threshold_uncertainty_score":0.9975201},"labels":[],"label_agreement":null},{"id":"W2012021283","doi":"10.1177/1532708610374812","title":"Working Underneath Harmony","year":2010,"lang":"en","type":"article","venue":"Culture Studies &#x2194 Critical Methodologies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Harmony (color); Sociology; Art; Visual arts","score_opus":0.31845612804460705,"score_gpt":0.4893938351367849,"score_spread":0.17093770709217787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012021283","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11505243,0.040791348,0.03247626,0.045814566,0.060158875,0.0009742459,0.00007966989,0.0025504641,0.7021021],"genre_scores_gemma":[0.7632176,0.00043080142,0.22291623,0.003506174,0.0011689833,0.000050908187,0.0000047522963,0.000033587537,0.008670916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765,0.00051765714,0.00027713395,0.0005651877,0.00024297168,0.00074702525],"domain_scores_gemma":[0.9954092,0.0036493358,0.000064677115,0.0004910001,0.00022889518,0.00015692119],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.0010244458,0.00032055922,0.0005727034,0.00006809756,0.0005075181,0.00008706974,0.00052517815,0.00033817528,0.0007179135],"category_scores_gemma":[0.016184768,0.00023944321,0.00019181386,0.00024111563,0.0015458786,0.00019367119,0.00040354885,0.0010164769,0.00041913742],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022329704,0.00022879755,0.004956029,0.000087810164,0.00079373235,0.00018248137,0.020392805,9.946884e-7,0.007976458,0.7050671,0.22399071,0.036099758],"study_design_scores_gemma":[0.0014397365,0.000810813,0.040099956,0.00016723803,0.0005363856,0.00018077047,0.14309584,0.0000025173363,0.0038012068,0.29225776,0.51622456,0.0013831808],"about_ca_topic_score_codex":0.000014057754,"about_ca_topic_score_gemma":0.000022893337,"teacher_disagreement_score":0.6934312,"about_ca_system_score_codex":0.000031539854,"about_ca_system_score_gemma":0.000015700185,"threshold_uncertainty_score":0.9921023},"labels":[],"label_agreement":null},{"id":"W2012402759","doi":"10.5539/ass.v6n11p229","title":"Study on Status Quo of Dance Education among University Students and Countermeasures","year":2010,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Status quo; Dance; Dance education; China; Higher education; Sociology; Pedagogy; Political science; Psychology; Visual arts; Art; Law","score_opus":0.021971261348102622,"score_gpt":0.3488917669417011,"score_spread":0.3269205055935985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012402759","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8119277,0.0000023981381,0.000002134477,0.00004790172,0.00047762546,0.00011945896,0.000008081922,0.000008707414,0.18740602],"genre_scores_gemma":[0.99925566,8.9295077e-7,0.000012493198,0.000037168153,0.00003790951,4.3648998e-7,3.3151557e-7,0.0000018434836,0.0006532726],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991621,0.000040881157,0.000054357122,0.00019943675,0.00036299435,0.00018024106],"domain_scores_gemma":[0.99962145,0.000013790119,0.000077973724,0.00012773236,0.00007305809,0.00008600114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030870427,0.000052823198,0.00007667334,0.000069812,0.0003289927,0.000036539426,0.00037339315,0.00003344391,0.00003902189],"category_scores_gemma":[0.000040939463,0.000056714427,0.000014100192,0.00028642252,0.00083557295,0.00027918193,0.0000718477,0.000120253724,0.00001328019],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003443885,0.0006227809,0.9454642,0.000001411449,0.000008427239,0.0000023414284,0.025386773,7.65139e-9,0.00055360055,0.0054501994,0.0004040882,0.022071747],"study_design_scores_gemma":[0.0002830592,0.00014162886,0.9478914,0.000004143348,0.000007502574,3.142788e-7,0.050994158,4.4281084e-8,0.000038037848,0.00005513488,0.0005316278,0.000052907075],"about_ca_topic_score_codex":0.00045834793,"about_ca_topic_score_gemma":0.0001966415,"teacher_disagreement_score":0.18732798,"about_ca_system_score_codex":0.00003977847,"about_ca_system_score_gemma":0.00011899694,"threshold_uncertainty_score":0.30787033},"labels":[],"label_agreement":null},{"id":"W2016833589","doi":"10.7202/030623ar","title":"Improviser l’autre : spontanéité et structure dans la danse expérimentale contemporaine","year":2005,"lang":"fr","type":"article","venue":"Protée","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Improvisation; Visual arts","score_opus":0.014224201354160654,"score_gpt":0.30679872229013727,"score_spread":0.29257452093597663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016833589","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65945584,0.005628023,0.00033612025,0.034393903,0.0016847411,0.0018117372,0.001554365,0.00016819371,0.29496706],"genre_scores_gemma":[0.862578,0.00005060504,0.0014492017,0.0028142568,0.0005920228,0.00003001415,0.00009234269,0.00005221939,0.13234136],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767673,0.0004608846,0.00034553953,0.0005693228,0.0002800681,0.00066743506],"domain_scores_gemma":[0.99875826,0.00009165528,0.00020308151,0.0005960923,0.000059946477,0.0002909697],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042308852,0.00040331454,0.0003808289,0.00008632999,0.00017334182,0.00012132143,0.0004778907,0.00041065796,0.007099051],"category_scores_gemma":[0.000045415803,0.0004232963,0.00017048506,0.00018167002,0.00040051917,0.00069568923,0.00016886786,0.0006381092,0.0011650237],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003496931,0.0059317634,0.024489878,0.00077864836,0.00142397,0.0021711749,0.14973617,0.000070784205,0.0858705,0.14404851,0.3993142,0.1826675],"study_design_scores_gemma":[0.0045872885,0.0005910905,0.014912004,0.00017594248,0.00011271081,0.0004935481,0.0051084324,0.00006391939,0.011657232,0.0007898493,0.9608792,0.0006287679],"about_ca_topic_score_codex":0.00074549246,"about_ca_topic_score_gemma":0.0005748614,"teacher_disagreement_score":0.56156504,"about_ca_system_score_codex":0.0002009415,"about_ca_system_score_gemma":0.00013972505,"threshold_uncertainty_score":0.9998219},"labels":[],"label_agreement":null},{"id":"W2016875753","doi":"10.7202/006562ar","title":"Lambs to the Slaughter: Leisure and Laboring-Class Poetry","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Oppression; Realm; Literature; Representation (politics); Space (punctuation); Class (philosophy); History; Gender studies; Sociology; Aesthetics; Art; Politics; Philosophy; Law; Archaeology; Linguistics","score_opus":0.021046262987743872,"score_gpt":0.26706868928861044,"score_spread":0.24602242630086657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016875753","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8694494,0.00021971403,0.000039600407,0.011941996,0.000839976,0.00020868659,0.000021294696,0.000035817473,0.11724356],"genre_scores_gemma":[0.98136646,0.000017659528,0.0000341736,0.0051125353,0.000108522174,0.000005610657,0.0000010961894,0.000012242938,0.01334171],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990892,0.00015927969,0.00009485373,0.00020435083,0.00015906597,0.00029329484],"domain_scores_gemma":[0.9991971,0.00019432446,0.000040439438,0.00047486156,0.00001843752,0.000074792704],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033206076,0.00012493189,0.00012888704,0.000035803936,0.00022122494,0.00006316651,0.00030496303,0.00006794721,0.0007685902],"category_scores_gemma":[0.000070087815,0.0000723899,0.000036827914,0.00016728547,0.000065857996,0.000047988742,0.000051282124,0.00020671336,0.0013253593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017166743,0.00018534418,0.013801775,0.0000087936205,0.00013741934,0.000050011735,0.005396467,0.000013355213,0.00029826877,0.5003294,0.47661257,0.002994935],"study_design_scores_gemma":[0.00051988504,0.00042649315,0.13641551,0.000034352346,0.00003907429,0.00003284879,0.00097386364,0.000011326582,0.00050566794,0.0012981014,0.8595507,0.00019214865],"about_ca_topic_score_codex":0.00004920721,"about_ca_topic_score_gemma":0.000017057877,"teacher_disagreement_score":0.49903128,"about_ca_system_score_codex":0.000010320255,"about_ca_system_score_gemma":0.000009422925,"threshold_uncertainty_score":0.99945223},"labels":[],"label_agreement":null},{"id":"W2017421050","doi":"10.4212/cjhp.v66i1.1219","title":"So We Think We Can Dance","year":2013,"lang":"en","type":"article","venue":"The Canadian Journal of Hospital Pharmacy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Art; Visual arts","score_opus":0.026675522847262736,"score_gpt":0.28600249732923017,"score_spread":0.25932697448196745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017421050","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78249234,0.0059575615,0.000009247293,0.1857621,0.004408915,0.00023398008,0.000049138445,0.000012508691,0.021074176],"genre_scores_gemma":[0.99235207,0.00017328851,0.00004770631,0.002831489,0.00053399266,0.0000015817744,8.954869e-7,0.000015807114,0.0040431437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988958,0.00008613946,0.00023923615,0.00010647348,0.00019275378,0.00047956055],"domain_scores_gemma":[0.9985632,0.00005359,0.00023514773,0.00023445276,0.00016437563,0.0007492869],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023323965,0.00014162801,0.0001785338,0.00012016653,0.00040105416,0.00020955243,0.00086087844,0.00003803341,0.0063221967],"category_scores_gemma":[0.00004194529,0.00010368944,0.00012978855,0.00015336195,0.00029123042,0.00044349855,0.000021977881,0.00052223954,0.0010461517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028579067,0.00006718113,0.010231551,0.000008686817,0.0002641861,0.00035030174,0.025700891,0.000012158748,0.000062684616,0.0025190024,0.92264086,0.038113914],"study_design_scores_gemma":[0.002504965,0.000715632,0.07913389,0.00012381448,0.00013186633,0.00034123723,0.0053340257,0.000014926536,0.00034631792,0.008857403,0.9020156,0.00048029973],"about_ca_topic_score_codex":0.06511342,"about_ca_topic_score_gemma":0.011190166,"teacher_disagreement_score":0.20985974,"about_ca_system_score_codex":0.00014537542,"about_ca_system_score_gemma":0.0006584143,"threshold_uncertainty_score":0.99973166},"labels":[],"label_agreement":null},{"id":"W2017448340","doi":"10.1097/00042752-200004000-00003","title":"Can 16–18-Year-Old Elite Ballet Dancers Improve Their Hip and Ankle Range of Motion Over a 12-Month Period?","year":2000,"lang":"en","type":"article","venue":"Clinical Journal of Sport Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":47,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Supine position; Ankle; Ballet dancer; Ballet; Range of motion; Medicine; Turnout; Physical therapy; External rotation; Classical ballet; Physical medicine and rehabilitation; Surgery; Dance","score_opus":0.04405990209317889,"score_gpt":0.34438387694870254,"score_spread":0.30032397485552365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017448340","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9811639,0.0016889479,0.000013842862,0.0030283635,0.0010461259,0.00013989028,0.000026392474,0.000008476542,0.0128840245],"genre_scores_gemma":[0.9919149,0.0025072068,0.000065259235,0.0019942692,0.0010478443,6.0191206e-7,0.0000056947606,0.0000134825605,0.0024507293],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9981161,0.000048473612,0.001023907,0.00022061398,0.00034106418,0.00024985638],"domain_scores_gemma":[0.9984848,0.00010790094,0.00065955956,0.0002761818,0.00012660609,0.00034494494],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014806971,0.00016318035,0.00075938646,0.000096217904,0.000047417765,0.0000076055535,0.00024512014,0.00018131651,0.008036221],"category_scores_gemma":[0.000106091706,0.00011557962,0.00018948822,0.00010986892,0.00058824813,0.00015080158,0.000026054293,0.0005400135,0.000011254279],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003929106,0.0005085892,0.7770462,0.000045517285,0.00033174144,0.00024991648,0.0031642409,0.000001918764,0.00009727348,0.00018713875,0.028886307,0.18555203],"study_design_scores_gemma":[0.00773515,0.0028033585,0.956039,0.00034734412,0.0001672831,0.0001049654,0.0017756856,0.0000066920784,0.000009256128,0.000264738,0.03062281,0.00012370059],"about_ca_topic_score_codex":0.0002507357,"about_ca_topic_score_gemma":0.000023503679,"teacher_disagreement_score":0.18542832,"about_ca_system_score_codex":0.00004516301,"about_ca_system_score_gemma":0.000057656292,"threshold_uncertainty_score":0.99287057},"labels":[],"label_agreement":null},{"id":"W2017842905","doi":"10.1353/smr.2010.0004","title":"Still Motion: Dance and Stasis in the Weimar Operetta Film","year":2010,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Motion (physics); Art; Weimar Republic; Aesthetics; Art history; Literature; History; Computer vision; Computer science; German; Archaeology","score_opus":0.03931037373588072,"score_gpt":0.35143907719771544,"score_spread":0.31212870346183474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017842905","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97958,0.013445986,0.00000836093,0.0028702684,0.00087035063,0.00006856991,0.000010021349,0.0000037613775,0.00314271],"genre_scores_gemma":[0.9971158,0.0014311166,0.00012441521,0.000497863,0.00021782248,0.0000014050083,2.4849172e-7,0.000004921985,0.0006063945],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9992261,0.00008545465,0.00022539342,0.00010205884,0.00018429602,0.00017667716],"domain_scores_gemma":[0.99926734,0.00024231098,0.00018373528,0.00016936599,0.000098847406,0.00003842577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071016396,0.00010020666,0.00022707936,0.00007491318,0.00008234088,0.000025281548,0.00028767716,0.000046709454,0.00016731519],"category_scores_gemma":[0.00016074271,0.00006574365,0.000054241216,0.00011876785,0.0001905323,0.00020093194,0.000073158,0.00042814933,0.000022105438],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007060833,0.0009199068,0.08539784,0.0001461202,0.0013852139,0.0015401714,0.30184427,0.000007095708,0.0025077476,0.006227468,0.49689972,0.10241835],"study_design_scores_gemma":[0.0018879588,0.0006448329,0.82419306,0.00021171004,0.00016401362,0.0016320365,0.060405996,0.0000071169284,0.00022420227,0.000903162,0.10947356,0.00025234153],"about_ca_topic_score_codex":0.000011014379,"about_ca_topic_score_gemma":0.000031956857,"teacher_disagreement_score":0.7387952,"about_ca_system_score_codex":0.000013285999,"about_ca_system_score_gemma":0.000015661668,"threshold_uncertainty_score":0.2680948},"labels":[],"label_agreement":null},{"id":"W2018041977","doi":"10.1017/s0266464x10000278","title":"Site-Specific Dance in a Corporate Landscape","year":2010,"lang":"en","type":"article","venue":"New Theatre Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Space (punctuation); Perspective (graphical); Visual arts; Work (physics); Sociology; Aesthetics; Art; Engineering; Computer science","score_opus":0.022661849398322467,"score_gpt":0.25576532577336447,"score_spread":0.233103476375042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018041977","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8597891,0.00015950078,0.00006010319,0.0006320164,0.0013370753,0.00011662687,0.000021754822,0.00007054411,0.13781331],"genre_scores_gemma":[0.9920114,0.0000042864417,0.00032388282,0.00025221065,0.0003734432,0.000003656307,0.000013429665,0.00001510526,0.0070025623],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901986,0.000046897247,0.00016426253,0.0002982497,0.00012528534,0.00034542044],"domain_scores_gemma":[0.9992128,0.000052799303,0.000094176816,0.00047251376,0.000017030487,0.00015064939],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013267988,0.00014530204,0.00018121676,0.00010586761,0.00004725695,0.00005580923,0.00027471996,0.00013735257,0.004417059],"category_scores_gemma":[0.0000021377477,0.00014021999,0.000058425416,0.0002094668,0.00005392017,0.0001574837,0.000010110079,0.00038676316,0.004474684],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006829243,0.00053657946,0.16313335,0.000011233172,0.00003642652,0.00028696845,0.028101068,0.0000025008694,0.011670139,0.013395824,0.27116755,0.5109754],"study_design_scores_gemma":[0.005316286,0.0015383818,0.4552726,0.000047569156,0.000019224972,0.00007869851,0.0037380704,0.00002804841,0.00017146923,0.008584379,0.52453494,0.00067031366],"about_ca_topic_score_codex":0.00039126613,"about_ca_topic_score_gemma":0.0011474622,"teacher_disagreement_score":0.5103051,"about_ca_system_score_codex":0.000010069128,"about_ca_system_score_gemma":0.000030318548,"threshold_uncertainty_score":0.99649304},"labels":[],"label_agreement":null},{"id":"W2018079274","doi":"10.7202/1014822ar","title":"Music Trouble: Desire, Discourse, Education","year":2013,"lang":"en","type":"article","venue":"Canadian University Music Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Human sexuality; Presentation (obstetrics); Biography; Identity (music); Sociology; Relation (database); Poetry; Music education; Popular music; Aesthetics; Art; Visual arts; Gender studies; Literature","score_opus":0.04180841609153111,"score_gpt":0.26876472536751483,"score_spread":0.22695630927598373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018079274","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054779675,0.019760547,0.00004023816,0.006018787,0.0016135584,0.0011489223,0.00006608232,0.000052848507,0.91651934],"genre_scores_gemma":[0.71031636,0.008896362,0.0004007323,0.045555945,0.00040647108,0.000011511278,0.00020763627,0.000039740964,0.23416525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989832,0.0001130868,0.00011221501,0.00027897884,0.00010405341,0.00040847654],"domain_scores_gemma":[0.99863887,0.000022556675,0.0000848647,0.0004675797,0.000113127535,0.0006729935],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010704854,0.00014667389,0.00023488523,0.00019772848,0.00022110839,0.000032696276,0.0004457729,0.000082947816,0.043064114],"category_scores_gemma":[0.000028518347,0.00016633434,0.00010797337,0.00048075378,0.0001109943,0.00047920135,0.000031365373,0.0001549279,0.008335828],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019705617,0.000042380354,0.0006047321,0.00014915534,0.000033864493,0.000023794513,0.0002278519,9.107302e-8,0.0000012874137,0.021687007,0.86524945,0.11197842],"study_design_scores_gemma":[0.00022313102,0.000032782555,0.043946933,0.00061632105,0.00011114594,0.000016902652,0.0016090418,7.461539e-7,4.369925e-7,0.00014662689,0.95306623,0.00022972192],"about_ca_topic_score_codex":0.14699587,"about_ca_topic_score_gemma":0.03277975,"teacher_disagreement_score":0.6823541,"about_ca_system_score_codex":0.0003810214,"about_ca_system_score_gemma":0.00096093083,"threshold_uncertainty_score":0.9924363},"labels":[],"label_agreement":null},{"id":"W2021893070","doi":"10.1007/s10943-012-9669-7","title":"The Structure and Direction of Emotion in Elite Sport: Deconstructing Unhealthy Paradigms and Distorted Norms for the Body","year":2012,"lang":"en","type":"review","venue":"Journal of Religion and Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Redeemer University College","funders":"","keywords":"Elite; Elite athletes; Psychology; Perception; Athletes; Social psychology; Sport psychology; Emotional control; Connection (principal bundle); Developmental psychology; Cognition; Medicine; Political science; Politics; Engineering; Psychiatry; Physical therapy; Neuroscience","score_opus":0.05278499076859187,"score_gpt":0.3852649475152074,"score_spread":0.3324799567466155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021893070","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011692554,0.9860841,0.000040256113,0.00075557,0.000929729,0.0004262445,0.000022761751,0.0000025860845,0.000046166122],"genre_scores_gemma":[0.010607178,0.98893285,0.000060144244,0.00013762752,0.0002115763,0.0000011838607,0.0000046636233,0.000009362435,0.00003542003],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987582,0.00010288216,0.00069303036,0.00011667358,0.0001127158,0.00021651681],"domain_scores_gemma":[0.9978141,0.00025044032,0.0016405126,0.00011157691,0.000047387533,0.00013599177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012897337,0.00014276868,0.00070625235,0.0001355907,0.0002666806,0.000030210955,0.000083434694,0.00015344647,0.000002356963],"category_scores_gemma":[0.000027564205,0.00007535388,0.00009547759,0.000114370414,0.00010041924,0.00012682086,0.000017784369,0.00043713822,1.6264569e-7],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008679847,0.000016644652,0.004447892,0.0024767213,0.00006402672,7.6201707e-7,0.0005904071,8.5690175e-8,7.31909e-8,0.0020656358,0.00072467915,0.9895263],"study_design_scores_gemma":[0.0005683596,0.00029925376,0.05373233,0.0024308404,0.00019239378,0.00067199854,0.00028597587,0.0000030149506,5.9767e-8,0.00034881764,0.9413827,0.000084248764],"about_ca_topic_score_codex":0.0003445611,"about_ca_topic_score_gemma":0.00012094129,"teacher_disagreement_score":0.98944205,"about_ca_system_score_codex":0.000080914455,"about_ca_system_score_gemma":0.0001364152,"threshold_uncertainty_score":0.3072842},"labels":[],"label_agreement":null},{"id":"W2022556756","doi":"10.7202/1027772ar","title":"Radical Recreation: Non-Iconic Movements of Tradition in Keralite Classical Dance","year":2014,"lang":"en","type":"article","venue":"Recherches sémiotiques","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Indexicality; Style (visual arts); Character (mathematics); Semiotics; Aesthetics; Repertoire; Literature; Sociology; History; Recreation; Visual arts; Art; Linguistics; Philosophy; Law","score_opus":0.10390471054859865,"score_gpt":0.36901113844773314,"score_spread":0.2651064278991345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022556756","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9113769,0.00014964546,0.0029519862,0.001276339,0.000220844,0.00019136374,0.000011086954,0.000050582268,0.08377127],"genre_scores_gemma":[0.9925593,0.000096617405,0.003953061,0.00044234432,0.000117525815,0.000011780443,0.000023709563,0.000012204795,0.0027834154],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99846184,0.00059217383,0.00029444596,0.00026066555,0.00015717534,0.00023369992],"domain_scores_gemma":[0.9991539,0.0003343178,0.0001192008,0.00027102022,0.00003680798,0.0000847256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010062418,0.00012669661,0.00027593138,0.00010038438,0.000026605123,0.000015398584,0.00021787726,0.0002725005,0.00025033418],"category_scores_gemma":[0.0002407877,0.00012972788,0.00007839056,0.00019198246,0.00014546154,0.00021670962,0.000025713254,0.00033308772,0.0000678281],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019035175,0.0049963,0.34772822,0.0004827577,0.0004571411,0.00004345535,0.03954654,0.00004441485,0.032485068,0.31896898,0.03815273,0.21519087],"study_design_scores_gemma":[0.0019125879,0.00072927587,0.9564712,0.00034123333,0.000020711552,0.000006053954,0.00053420867,0.00052830495,0.011391861,0.019432597,0.008328181,0.00030377627],"about_ca_topic_score_codex":0.00038097647,"about_ca_topic_score_gemma":0.000035443332,"teacher_disagreement_score":0.608743,"about_ca_system_score_codex":0.00018382922,"about_ca_system_score_gemma":0.000047272242,"threshold_uncertainty_score":0.52901495},"labels":[],"label_agreement":null},{"id":"W2022557236","doi":"10.1080/00085006.2005.11092378","title":"Anna Akhmatova’s “An Old Portrait” and the<i>Ballets Russes</i>","year":2005,"lang":"en","type":"article","venue":"Canadian Slavonic Papers","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Poetry; Art; Literature; Art history; Servant; Context (archaeology); History","score_opus":0.010895972280866938,"score_gpt":0.244107178446188,"score_spread":0.23321120616532107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022557236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29133758,0.0010028887,0.0000010846477,0.012266888,0.0003864303,0.0002043333,0.000075966,0.000038577236,0.69468623],"genre_scores_gemma":[0.960296,0.00007103856,0.000038148995,0.020635327,0.00016781318,0.000007987724,0.000014851126,0.000017701095,0.018751157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998737,0.00008434697,0.00014807716,0.0003028252,0.0001196609,0.0006081394],"domain_scores_gemma":[0.9986898,0.00006471873,0.000052649106,0.00044526835,0.000019467207,0.00072814897],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024968275,0.00016774777,0.00019094214,0.00009538334,0.00027330872,0.00006755908,0.00033704596,0.0001326219,0.0034918226],"category_scores_gemma":[0.000038061287,0.00014324745,0.00007172468,0.00012336028,0.0003349964,0.0002046345,0.000020077114,0.00022084752,0.0006260259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003325982,0.00013733095,0.0077532292,0.000020498532,0.0005046688,0.00037334385,0.026032485,0.000023378918,0.00016299052,0.57584536,0.23863247,0.15018167],"study_design_scores_gemma":[0.0019935018,0.00006502072,0.05170977,0.0000107513115,0.0000396369,0.00010853609,0.0016261541,0.00001135239,0.000007850842,0.00020190034,0.9439721,0.00025339785],"about_ca_topic_score_codex":0.13248412,"about_ca_topic_score_gemma":0.42377037,"teacher_disagreement_score":0.70533967,"about_ca_system_score_codex":0.00012357502,"about_ca_system_score_gemma":0.00027735022,"threshold_uncertainty_score":0.9974191},"labels":[],"label_agreement":null},{"id":"W2024188453","doi":"10.1017/s0261143006001000","title":"‘Understand us before you end us’: regulation, governmentality, and the confessional practices of raving bodies","year":2006,"lang":"en","type":"article","venue":"Popular Music","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Regina","funders":"","keywords":"Governmentality; Confessional; State (computer science); Political science; Power (physics); Normative; Discipline; Sociology; Media studies; Public administration; Dance; Criminology; Law; Politics; Art","score_opus":0.03833006783707244,"score_gpt":0.29913043828921004,"score_spread":0.2608003704521376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024188453","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9712164,0.0006697186,0.00005129604,0.0012487356,0.0003008595,0.0001484749,0.000055346576,0.000013076952,0.02629614],"genre_scores_gemma":[0.99700505,0.000007204266,0.00012795617,0.00024153807,0.00009389981,0.000001805641,0.000025188765,0.000006569664,0.002490809],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991191,0.00011703827,0.00017856203,0.00016093561,0.00027672405,0.00014762938],"domain_scores_gemma":[0.9992844,0.00007001221,0.00039378196,0.00019513158,0.000028840983,0.000027861637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032015593,0.00009350962,0.00015563228,0.000020477886,0.00023203867,0.00005206553,0.0001160309,0.000058208898,0.0007009974],"category_scores_gemma":[0.000070021284,0.000069220485,0.00004863358,0.000046505498,0.0004313069,0.00023049864,0.00008408935,0.00008764595,0.000010607222],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044450114,0.00023387317,0.7916423,0.000051386858,0.00015264426,0.000009954958,0.00683006,0.000010141804,0.00033660207,0.18593474,0.013402385,0.00095141254],"study_design_scores_gemma":[0.0017204095,0.000057971523,0.9714352,0.00003339263,0.00008603224,0.000021314478,0.0031795804,0.000033914555,0.00005147233,0.01194777,0.011340263,0.00009269191],"about_ca_topic_score_codex":0.0030124355,"about_ca_topic_score_gemma":0.0007847525,"teacher_disagreement_score":0.17979288,"about_ca_system_score_codex":0.000034974513,"about_ca_system_score_gemma":0.000014979722,"threshold_uncertainty_score":0.767543},"labels":[],"label_agreement":null},{"id":"W2024284333","doi":"10.1177/1357034x05058020","title":"‘Death to the Prancing Prince’: Effeminacy, Sport Discourses and the Salvation of Men's Dancing","year":2005,"lang":"en","type":"article","venue":"Body & Society","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":42,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Dance; Mainstream; Elite; Gender studies; Conflation; Sociology; Aesthetics; White (mutation); Masculinity; Art; Visual arts; Politics; Political science; Epistemology; Law; Philosophy","score_opus":0.010272697027808425,"score_gpt":0.2873254260494134,"score_spread":0.277052729021605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024284333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97786975,0.00031146136,0.00051537884,0.0077599287,0.0001379365,0.00033498593,0.000008607514,0.000022248698,0.01303972],"genre_scores_gemma":[0.99627763,0.000053008986,0.00047529588,0.0013403052,0.00022792304,0.000009886147,0.0000028457093,0.0000070166734,0.001606117],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993258,0.000031247637,0.00013816806,0.0001532483,0.0001699671,0.00018153051],"domain_scores_gemma":[0.99945277,0.00011475444,0.00010595227,0.00025864152,0.000031146894,0.000036753205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006776677,0.000087534696,0.00014287737,0.000008019937,0.00021402036,0.000024556839,0.00019062555,0.00004426705,0.000042499916],"category_scores_gemma":[0.00003210161,0.00005131615,0.00009635398,0.000098230375,0.00013917421,0.00013482379,0.000083769686,0.00012165537,0.000018577975],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006997651,0.0004264347,0.3579467,0.0001143091,0.0006850716,0.000003825848,0.31789824,0.00026768207,0.0032206855,0.10269651,0.19020358,0.025837207],"study_design_scores_gemma":[0.0017240738,0.00008812441,0.9169452,0.00006919018,0.00011698038,0.0000073824913,0.021328919,0.00018785748,0.000867849,0.0001330179,0.058373306,0.00015810016],"about_ca_topic_score_codex":0.00018380763,"about_ca_topic_score_gemma":0.0000151110935,"teacher_disagreement_score":0.5589985,"about_ca_system_score_codex":0.000036139143,"about_ca_system_score_gemma":0.000022574844,"threshold_uncertainty_score":0.2092612},"labels":[],"label_agreement":null},{"id":"W2024497172","doi":"10.1080/14927713.2011.648415","title":"A dance revolution? Responding to dominant discourses in contemporary integrated dance","year":2011,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Dance; Contemporary dance; Aesthetics; Sociology; Visual arts; Art; History","score_opus":0.07465885218179108,"score_gpt":0.3302226223975778,"score_spread":0.25556377021578675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024497172","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.910813,0.0009963533,0.0008538637,0.0005982482,0.0010739457,0.00049551576,0.00007778104,0.00009034809,0.085000984],"genre_scores_gemma":[0.98527354,0.000019747133,0.0010263161,0.0003716637,0.00008584237,0.000041230636,0.000013333782,0.000026332631,0.013141983],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99807477,0.00023508191,0.00037992938,0.0005489923,0.0002183981,0.00054282],"domain_scores_gemma":[0.9988807,0.00009799736,0.00016034083,0.00060056645,0.00007355852,0.00018683028],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005752189,0.00025374445,0.00040876708,0.0005214145,0.00011191414,0.000031672393,0.0005526434,0.00015394861,0.0004792972],"category_scores_gemma":[0.00018350357,0.00023709526,0.00008604204,0.0011640454,0.00014229538,0.00049400225,0.000117576776,0.00035219235,0.00082481664],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0055248337,0.0013402146,0.7780602,0.00006241621,0.00014908217,0.00083046575,0.026631793,0.000008191656,0.007177063,0.04997808,0.124658555,0.005579093],"study_design_scores_gemma":[0.0021054244,0.0006258634,0.8462071,0.0006232954,0.00002079969,0.000033633456,0.0050158706,0.000014489268,0.0035783816,0.0006505384,0.14051166,0.0006129334],"about_ca_topic_score_codex":0.0016287063,"about_ca_topic_score_gemma":0.00024003432,"teacher_disagreement_score":0.07446059,"about_ca_system_score_codex":0.00014101196,"about_ca_system_score_gemma":0.00010545439,"threshold_uncertainty_score":0.99995315},"labels":[],"label_agreement":null},{"id":"W2025242223","doi":"10.3138/ptc.58.1.61","title":"A Descriptive Survey of Injury Patterns in Canadian Premier Highland Dancers","year":2006,"lang":"en","type":"article","venue":"Physiotherapy Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Demographics; Physical therapy; Ankle; Medicine; Injury prevention; Poison control; Demography; Surgery; Environmental health","score_opus":0.01206727350728939,"score_gpt":0.26950149737546264,"score_spread":0.2574342238681733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025242223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9928198,0.00013138104,0.0000072899225,0.00012554656,0.00041519685,0.00011960368,0.0010427785,0.000005171396,0.005333265],"genre_scores_gemma":[0.9983255,0.000009327531,0.0000069292637,0.00050317904,0.000038997372,0.0000045801153,0.000035107227,0.000012798443,0.001063559],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99906135,0.00009117352,0.00014416405,0.00017925596,0.00014380466,0.0003802743],"domain_scores_gemma":[0.9995249,0.000039995957,0.000067363406,0.00020466906,0.00004568363,0.00011739303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009829294,0.000110207475,0.00018401406,0.00011354683,0.00003464336,0.000008448626,0.0001856664,0.000045987694,0.00081436697],"category_scores_gemma":[0.0000051710367,0.00011696348,0.000022010317,0.00025744698,0.000033623168,0.00007240815,0.0000070087376,0.00008728172,0.0000043025734],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013662897,0.000053544984,0.9505547,0.000009062256,0.000038960217,0.000015995984,0.0005674994,0.000027192744,0.00051081233,0.00018654908,0.046884827,0.001014207],"study_design_scores_gemma":[0.00049235247,0.000052378316,0.9919478,0.000021278216,0.0000020082857,3.7704828e-7,0.00013241489,0.000010032934,0.0004375312,0.00003302709,0.006740142,0.00013062482],"about_ca_topic_score_codex":0.9999865,"about_ca_topic_score_gemma":0.99998134,"teacher_disagreement_score":0.041393112,"about_ca_system_score_codex":0.00075391796,"about_ca_system_score_gemma":0.0010246,"threshold_uncertainty_score":0.89167476},"labels":[],"label_agreement":null},{"id":"W2027895112","doi":"10.3138/md.47.2.290","title":"Dancing Other-Wise: Ethics, Metaphysics, and Utopia in Rae Kyung Lee and Dancers","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performative utterance; Metaphysics; Rhetoric; Utopia; Aesthetics; Dance; Sociology; Mysticism; Literature; Art; Philosophy; Epistemology; Art history; Theology","score_opus":0.03815533930998947,"score_gpt":0.3089663643118957,"score_spread":0.27081102500190624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027895112","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9861138,0.0012607017,0.0038171073,0.0014608132,0.0002275716,0.00013105839,0.000016257814,0.000043256143,0.00692943],"genre_scores_gemma":[0.9966009,0.00006460471,0.0006215468,0.0012520856,0.000063158586,0.000003747812,0.0000022243,0.000016747152,0.0013749665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99905473,0.00006123124,0.00013299765,0.00032251375,0.00013505142,0.00029345235],"domain_scores_gemma":[0.99953485,0.000072367824,0.00005612395,0.00023007997,0.000021104895,0.00008547048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025433218,0.00014047058,0.0002084035,0.00007113382,0.00010917256,0.000059429392,0.0001271385,0.00015176715,0.000040410207],"category_scores_gemma":[0.000040184463,0.0001488644,0.000032020496,0.00009189969,0.00017359955,0.00025925145,0.000072560666,0.00040318732,0.0000291249],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005466404,0.0007831875,0.15394488,0.0003359649,0.00056144735,0.00024801656,0.29997075,0.001827118,0.010381936,0.35608897,0.00082683325,0.17448425],"study_design_scores_gemma":[0.015305576,0.00056436576,0.7248685,0.0006138444,0.00018103559,0.00006508155,0.0058241854,0.0015282098,0.0031512922,0.22693706,0.019236678,0.0017242117],"about_ca_topic_score_codex":0.0021087218,"about_ca_topic_score_gemma":0.000610718,"teacher_disagreement_score":0.57092357,"about_ca_system_score_codex":0.00005938685,"about_ca_system_score_gemma":0.000036576028,"threshold_uncertainty_score":0.60705143},"labels":[],"label_agreement":null},{"id":"W2027898504","doi":"10.1016/j.apmr.2008.02.020","title":"Musculoskeletal Injuries and Pain in Dancers: A Systematic Review","year":2008,"lang":"en","type":"review","venue":"Archives of Physical Medicine and Rehabilitation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":303,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Western Hospital; University Health Network; Canadian Memorial Chiropractic College; University of Toronto; Public Health Ontario","funders":"","keywords":"Medicine; CINAHL; PsycINFO; Physical therapy; MEDLINE; Musculoskeletal injury; Back injury; Epidemiology; Incidence (geometry); Injury prevention; Poison control; Occupational safety and health; Psychological intervention; Alternative medicine; Emergency medicine; Pathology; Psychiatry","score_opus":0.02019009631462168,"score_gpt":0.3625154018252539,"score_spread":0.3423253055106322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027898504","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024638057,0.9968184,0.000012497409,0.0003324331,0.0000415516,0.0012511833,0.000012028774,0.000009065359,0.0012764272],"genre_scores_gemma":[0.00031987485,0.9992341,0.00013771967,0.00006494377,0.00007182793,0.00009272948,0.000020923928,0.000010754028,0.000047121994],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.99792904,0.0009544042,0.0005433364,0.00028416212,0.00014910991,0.00013996391],"domain_scores_gemma":[0.99151576,0.007846201,0.00031793452,0.0002369617,0.000014632326,0.000068527566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003462827,0.00021967744,0.0020744454,0.00023201987,0.00003077781,0.0000022314953,0.00011032745,0.00005629713,0.000007762491],"category_scores_gemma":[0.0024280427,0.00014227748,0.00023824215,0.00019800816,0.00094688166,0.00007607325,0.00004418684,0.00020642798,0.000003704356],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058662326,0.00007516174,0.000007235744,0.61445403,0.00005917973,0.0000014292715,0.0058148024,7.8476585e-9,2.2126473e-7,0.0015793524,0.00025495474,0.37774777],"study_design_scores_gemma":[0.0003436149,0.0030090953,0.0002852303,0.97460055,0.0007641623,0.000008311471,0.0012506584,0.0000040755517,1.01929025e-8,0.0016123662,0.017942319,0.00017960805],"about_ca_topic_score_codex":0.000054742894,"about_ca_topic_score_gemma":0.0000022912527,"teacher_disagreement_score":0.37756816,"about_ca_system_score_codex":0.000009945772,"about_ca_system_score_gemma":0.00002498763,"threshold_uncertainty_score":0.5801907},"labels":[],"label_agreement":null},{"id":"W2029155534","doi":"10.1080/10894160802278374","title":"Two Poems Genetic LotteryWork of Art","year":2008,"lang":"en","type":"article","venue":"Journal of Lesbian Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kimberly-Clark (Canada)","funders":"","keywords":"Poetry; Lesbian; Perspective (graphical); Beauty; Agency (philosophy); Aesthetics; Gender studies; Sociology; Construct (python library); Social constructionism; Socialization; Psychology; Social psychology; Art; Literature; Visual arts; Social science","score_opus":0.1305743704147619,"score_gpt":0.37376549585566343,"score_spread":0.24319112544090155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029155534","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.968567,0.013147001,0.000086508015,0.0007448441,0.0009794323,0.000036145262,0.0000044474423,0.00000565538,0.016428968],"genre_scores_gemma":[0.99286467,0.0015760303,0.001082069,0.00031277465,0.0003184519,2.822809e-7,1.1781495e-7,0.000006828832,0.003838778],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9991373,0.00005693706,0.00034926037,0.000073096686,0.00021529148,0.00016811473],"domain_scores_gemma":[0.9991334,0.000091261805,0.00039189297,0.00013161285,0.0001906249,0.00006119522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015743864,0.0000910158,0.0003608773,0.000112179616,0.000082060404,0.0000040814034,0.00018264395,0.000030026218,0.00019117752],"category_scores_gemma":[0.000060375187,0.00007477944,0.00014155672,0.000118373886,0.0002304206,0.00009355478,0.000044445493,0.00015088341,0.00015336894],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040920408,0.0005173314,0.29175374,0.000047002355,0.0021265117,0.0011654651,0.024100894,0.000066204404,0.00068633805,0.00036656694,0.67342997,0.0053307423],"study_design_scores_gemma":[0.0026558,0.0012896614,0.9435652,0.00028276726,0.00017530314,0.0015277275,0.011258212,5.7099e-7,0.00054906687,0.00033928192,0.03813987,0.00021654193],"about_ca_topic_score_codex":0.000007343392,"about_ca_topic_score_gemma":0.0000042055444,"teacher_disagreement_score":0.6518115,"about_ca_system_score_codex":0.000025353684,"about_ca_system_score_gemma":0.000024613979,"threshold_uncertainty_score":0.3049417},"labels":[],"label_agreement":null},{"id":"W2030394457","doi":"10.3138/ctr.155.004","title":"Friendship Is No Day Job—and Other Thoughts of a Resident Dance Dramaturg","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Dramaturgy; Friendship; Visual arts; Art; Sociology; Aesthetics; Social science","score_opus":0.023316527986711674,"score_gpt":0.2793966225673674,"score_spread":0.2560800945806557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030394457","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01601869,0.3884255,0.0000056932563,0.008084714,0.0005352015,0.0008257578,0.00014418368,0.000024260116,0.585936],"genre_scores_gemma":[0.85233253,0.048339527,0.0005866799,0.06866485,0.0006522816,0.00010508513,0.00001462687,0.000097155935,0.029207231],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900866,0.0001266028,0.00020639432,0.0002306192,0.00010342689,0.00032429185],"domain_scores_gemma":[0.9988973,0.000054146214,0.00009297658,0.0004995675,0.00005594665,0.00040005735],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022118691,0.00013981448,0.0003300398,0.00006890776,0.00007222597,0.000023795437,0.0002684339,0.00008206616,0.008527405],"category_scores_gemma":[0.000036774756,0.000118542855,0.000083740175,0.00016521728,0.00010479728,0.00012040548,0.000022434375,0.000121482146,0.0025718738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008153065,0.000026613803,0.0111658,0.0021048358,0.00015390344,0.00003354758,0.0037109249,3.3730313e-8,0.0000222239,0.009424054,0.83734065,0.13600928],"study_design_scores_gemma":[0.0001463841,0.000043296746,0.0120730065,0.0020667543,0.000052083997,0.000013856925,0.00011500229,4.69805e-7,0.000016719392,0.0005423494,0.98477644,0.0001536203],"about_ca_topic_score_codex":0.09498956,"about_ca_topic_score_gemma":0.014052838,"teacher_disagreement_score":0.83631384,"about_ca_system_score_codex":0.00005226329,"about_ca_system_score_gemma":0.00010773035,"threshold_uncertainty_score":0.99820477},"labels":[],"label_agreement":null},{"id":"W2031283575","doi":"10.1080/09523360903148879","title":"Transatlantic Traffic in Expressive Movement: From Delsarte and Dalcroze to Margaret H'Doubler and Rudolf Laban","year":2009,"lang":"en","type":"article","venue":"The International Journal of the History of Sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":74,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dance; Dance education; Physical education; Visual arts; Curriculum; Movement (music); Credibility; Sociology; Pedagogy; Psychology; Art; Aesthetics; Political science; Law","score_opus":0.018330595776937703,"score_gpt":0.2471328539128307,"score_spread":0.228802258135893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031283575","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9912852,0.0009672024,0.00001509633,0.004910269,0.0012649195,0.000067925495,0.000014822423,0.0000021997157,0.0014723869],"genre_scores_gemma":[0.9965449,0.00005490743,0.000062934414,0.0017315754,0.00009496539,3.4101797e-7,9.60352e-7,0.0000038061141,0.0015056008],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99931526,0.000015771104,0.00024643162,0.00008336999,0.0002546992,0.00008444209],"domain_scores_gemma":[0.9995071,0.000024057346,0.00023961312,0.00010702832,0.00007512389,0.000047054258],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023920667,0.00007410309,0.00015340964,0.00009656493,0.000021490967,0.000009357978,0.0004887119,0.00003138053,0.00020953876],"category_scores_gemma":[0.000008138156,0.00004994666,0.000056475077,0.00003094671,0.0000935651,0.00012744656,0.00002806286,0.00015285154,0.0000027343779],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.021002373,0.0032336412,0.17321208,0.000041166077,0.0024085161,0.0012372693,0.2679299,0.002047582,0.047171142,0.014272067,0.3834831,0.08396112],"study_design_scores_gemma":[0.0024232054,0.00025108914,0.95370615,0.0002738911,0.00007503305,0.000097145035,0.0011171803,0.000025823707,0.0004584807,0.0017769126,0.039655585,0.00013953287],"about_ca_topic_score_codex":0.00015779442,"about_ca_topic_score_gemma":0.000038904065,"teacher_disagreement_score":0.78049403,"about_ca_system_score_codex":0.0001246097,"about_ca_system_score_gemma":0.000039836694,"threshold_uncertainty_score":0.22943024},"labels":[],"label_agreement":null},{"id":"W2036892099","doi":"10.1590/s1517-86922007000200002","title":"Sintomatologia dolorosa e fatores associados em bailarinos profissionais","year":2007,"lang":"pt","type":"article","venue":"Revista Brasileira de Medicina do Esporte","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine; Psychology","score_opus":0.029373008709429327,"score_gpt":0.3334628566557477,"score_spread":0.3040898479463184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036892099","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9702046,0.007459148,0.0018086311,0.00063175184,0.0023880308,0.0012927261,0.0002164235,0.00038679838,0.015611914],"genre_scores_gemma":[0.9815727,0.00020420807,0.00025227995,0.002694445,0.000914971,0.000014201251,0.00011909264,0.00011226405,0.014115855],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9927321,0.0005874645,0.0015972054,0.0013742654,0.0013848939,0.0023240452],"domain_scores_gemma":[0.9945665,0.00087510346,0.0013293338,0.0015441878,0.00032075416,0.0013641112],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0049510454,0.0009726922,0.0016791245,0.0005841925,0.0005862721,0.0003184898,0.001400875,0.0013433197,0.0071289013],"category_scores_gemma":[0.0016372148,0.00093238626,0.00056489697,0.0011362529,0.0006587437,0.00041446462,0.00034192984,0.0016958452,0.0021821102],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007523535,0.00072807516,0.83641714,0.0005248421,0.0004610281,0.003282336,0.0072398316,4.4316323e-7,0.00043555873,0.0055419677,0.12999706,0.0146193765],"study_design_scores_gemma":[0.0024789376,0.000780296,0.9276564,0.0012963922,0.0005277529,0.00042538092,0.009378722,0.0000118833,0.00030348258,0.00003959266,0.056180134,0.00092103885],"about_ca_topic_score_codex":0.00024468816,"about_ca_topic_score_gemma":0.00004529512,"teacher_disagreement_score":0.09123925,"about_ca_system_score_codex":0.00069464097,"about_ca_system_score_gemma":0.0005133596,"threshold_uncertainty_score":0.99995315},"labels":[],"label_agreement":null},{"id":"W2037541719","doi":"10.3138/ctr.155.002","title":"The Role of the Dance Dramaturg: The Practical Necessities","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nothing; Creativity; Dance; Aesthetics; Context (archaeology); Visual arts; Limiting; Sociology; Work (physics); Art; Psychology; Epistemology; History; Social psychology; Engineering; Philosophy","score_opus":0.015730480262452582,"score_gpt":0.2804677381640965,"score_spread":0.2647372579016439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037541719","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029596055,0.39760882,0.0000013101372,0.10554057,0.0006089803,0.00084507454,0.00003840107,0.000012679678,0.49238458],"genre_scores_gemma":[0.93043715,0.032348715,0.000031693296,0.027209062,0.00023056133,0.00010003965,0.0000035711969,0.00002582176,0.009613372],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894685,0.00030196286,0.00016940657,0.000117292395,0.00013484783,0.00032966238],"domain_scores_gemma":[0.9985934,0.00030806224,0.00012129603,0.00077245734,0.000055115863,0.00014967512],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033843977,0.00010282701,0.00017049229,0.000012653564,0.00040375814,0.00005946767,0.0006891884,0.000050594983,0.0015124377],"category_scores_gemma":[0.0001146037,0.00004430259,0.00012467505,0.0001905415,0.00032101833,0.0001228393,0.000045673605,0.00024886697,0.00071123155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005106389,0.000022464268,0.002056423,0.00019159897,0.00011939409,0.000004063847,0.0010647041,2.0903443e-7,0.00000648994,0.08355958,0.54927397,0.363696],"study_design_scores_gemma":[0.000041348467,0.000013003056,0.007032804,0.00047916002,0.000053218624,0.000026956626,0.0013815593,0.0000020096643,0.000008754851,0.0013273703,0.98956966,0.000064126914],"about_ca_topic_score_codex":0.04092714,"about_ca_topic_score_gemma":0.017494673,"teacher_disagreement_score":0.92747754,"about_ca_system_score_codex":0.000048575013,"about_ca_system_score_gemma":0.00026504972,"threshold_uncertainty_score":0.9994003},"labels":[],"label_agreement":null},{"id":"W2038525162","doi":"10.1159/000288049","title":"A Prospective Study of Eating Disturbances in the Ballet","year":2010,"lang":"en","type":"article","venue":"Psychotherapy and Psychosomatics","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":167,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Ballet; Anorexia nervosa; Bulimia nervosa; Eating disorders; Psychology; Psychiatry; Clinical psychology; Eating Disorder Inventory; Dance","score_opus":0.019366088765810086,"score_gpt":0.32161894150566506,"score_spread":0.30225285273985497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038525162","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9677793,0.0002755856,0.00006349261,0.0003029731,0.00067943183,0.00066001463,0.0000079722295,0.000016960015,0.03021427],"genre_scores_gemma":[0.99875504,0.00007585967,0.00043887467,0.0003872993,0.00008928481,0.000046260604,7.27677e-7,0.000010156968,0.00019648664],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990098,0.00011973547,0.000263003,0.00022633035,0.000191591,0.00018955543],"domain_scores_gemma":[0.9991908,0.00019071477,0.00014812166,0.00041253975,0.00002306235,0.000034739198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036548817,0.00013718114,0.0001995765,0.00007440489,0.00009647438,0.000037810983,0.0003312655,0.00007221704,0.00030438002],"category_scores_gemma":[0.000009794001,0.00009576486,0.000035409983,0.00027815308,0.000116371615,0.00008919032,0.0000049016785,0.00030694876,0.000010647046],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035462272,0.0026987863,0.8124958,0.000019514086,0.00009439481,0.000003870802,0.16510354,4.3109327e-7,0.00020587874,0.010613007,0.0013509396,0.007059163],"study_design_scores_gemma":[0.0029586707,0.0011960679,0.96172744,0.000034812096,0.000013106722,0.000009948638,0.022168947,0.000012471348,0.000005280147,0.009557983,0.002175524,0.00013975606],"about_ca_topic_score_codex":0.000114647715,"about_ca_topic_score_gemma":0.00058194814,"teacher_disagreement_score":0.14923158,"about_ca_system_score_codex":0.0000026712594,"about_ca_system_score_gemma":0.0000054818975,"threshold_uncertainty_score":0.39051777},"labels":[],"label_agreement":null},{"id":"W2039640689","doi":"10.1068/d261t","title":"Tricking the Border Guards: Performing Race","year":2002,"lang":"en","type":"article","venue":"Environment and Planning D Society and Space","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":80,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Performativity; Racialization; Race (biology); Sociology; Gender studies; Identity (music); Mixed race; Aesthetics; Art","score_opus":0.024450195133893106,"score_gpt":0.2561376528347454,"score_spread":0.23168745770085228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039640689","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96915454,0.012006723,0.00047850254,0.0032485842,0.00014814328,0.00009957321,0.000004793931,0.000024663565,0.014834472],"genre_scores_gemma":[0.9756381,0.0021291275,0.00037455498,0.0008148381,0.00013128722,0.0000031103605,0.0000022713764,0.000007801924,0.020898895],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994035,0.000032566193,0.00006618339,0.00017605956,0.000107970154,0.00021372446],"domain_scores_gemma":[0.99966747,0.00011293619,0.000044091328,0.00011896261,0.000001854908,0.000054691864],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020346422,0.000103852886,0.00009919976,0.000008922419,0.0005223519,0.000047173933,0.00006936511,0.00007909769,0.0010901567],"category_scores_gemma":[0.000007925216,0.000080087506,0.00004904229,0.000035732108,0.00013696146,0.00011098151,0.000056626704,0.00020224844,0.000056477948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057749272,0.00017083735,0.37971166,0.000041139523,0.0003719955,0.00003114061,0.34570712,0.00022856868,0.00020277113,0.001464618,0.22818284,0.043829568],"study_design_scores_gemma":[0.0011656396,0.00015673724,0.17931381,0.000044408906,0.000084458654,0.00003145004,0.05188015,0.002097736,0.000024278315,0.000057854926,0.7647977,0.0003457729],"about_ca_topic_score_codex":0.000017592949,"about_ca_topic_score_gemma":1.5902752e-7,"teacher_disagreement_score":0.53661484,"about_ca_system_score_codex":0.000011585601,"about_ca_system_score_gemma":0.000001109648,"threshold_uncertainty_score":0.999823},"labels":[],"label_agreement":null},{"id":"W2040854102","doi":"10.7202/018833ar","title":"“The Place of Dance in Human Life”","year":2008,"lang":"en","type":"article","venue":"Ethnologies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Scholarship; Sketch; Ethnomusicology; Visual arts; Notation; Field (mathematics); Sociology; Promotion (chess); Aesthetics; Art; Computer science; Political science; Linguistics; Philosophy","score_opus":0.0662332749900762,"score_gpt":0.3334771705499879,"score_spread":0.2672438955599117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040854102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9661128,0.0011721113,0.0000083815,0.0016967906,0.00025232838,0.000052456704,0.000003242002,0.00004987348,0.030652035],"genre_scores_gemma":[0.99199766,0.00015034978,0.00006222306,0.00009090855,0.000014962656,0.000003384758,5.2685465e-7,0.0000029602102,0.0076770373],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99948907,0.000049571598,0.000112826616,0.00010190208,0.0000668097,0.00017983315],"domain_scores_gemma":[0.999472,0.00016975382,0.00006193323,0.00026558945,0.000015104882,0.000015588508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012446559,0.00005423881,0.00010228818,0.000041743922,0.00012616583,0.0000037703883,0.0003406841,0.00007997178,0.00008229623],"category_scores_gemma":[0.00027167733,0.0000369081,0.000025889556,0.00012461015,0.00048840075,0.000060698247,0.00007477619,0.00016092557,0.00009386125],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037881447,0.000455396,0.59270686,0.000029030813,0.00014280458,0.00016568525,0.041883916,0.000109001696,0.0022020964,0.05762562,0.28624022,0.018060576],"study_design_scores_gemma":[0.00065029337,0.0001865139,0.9624236,0.000017120217,0.0000029041632,0.0000064609876,0.011319856,0.0000017800527,0.0017999125,0.0012253199,0.022259329,0.00010685945],"about_ca_topic_score_codex":0.00030917625,"about_ca_topic_score_gemma":0.00010485501,"teacher_disagreement_score":0.36971682,"about_ca_system_score_codex":0.00001182841,"about_ca_system_score_gemma":0.000015553213,"threshold_uncertainty_score":0.17995329},"labels":[],"label_agreement":null},{"id":"W2042118024","doi":"10.1177/0363546508330973","title":"Surgical Treatment of Refractory Tibial Stress Fractures in Elite Dancers","year":2009,"lang":"en","type":"article","venue":"The American Journal of Sports Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":41,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Refractory (planetary science); Elite; Stress fractures; Medicine; Surgery; Materials science; Metallurgy; Political science","score_opus":0.01577168659960625,"score_gpt":0.3327038399358245,"score_spread":0.3169321533362182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042118024","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98677206,0.0028985492,0.000009520559,0.0035741292,0.00033826655,0.00006007817,0.000004726123,0.0000040792775,0.0063385996],"genre_scores_gemma":[0.9961654,0.0025993944,0.000030384464,0.00047204658,0.00052237837,1.6637728e-7,0.0000016126171,0.0000049211453,0.00020372804],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9988245,0.00008257478,0.00043673022,0.000095070565,0.00036845607,0.00019270349],"domain_scores_gemma":[0.9983657,0.00012729179,0.0011168275,0.00022184927,0.000056164212,0.000112150294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034694464,0.000119857694,0.0005650306,0.00016514225,0.000024285262,0.0000023526961,0.00021166881,0.000025541363,0.00068921724],"category_scores_gemma":[0.00002675443,0.00006528516,0.000090136244,0.00023229107,0.00048898556,0.000058546466,0.0000058018227,0.00018572884,0.000002145421],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0041901115,0.00065278873,0.042905103,0.0000029045743,0.00010927295,0.0015349898,0.010290345,0.000070964976,0.00021248581,0.00013312962,0.002446177,0.9374517],"study_design_scores_gemma":[0.0022674985,0.005004292,0.97381413,0.00029000317,0.000077066485,0.00020687304,0.0046539335,7.476703e-7,0.00007536606,0.00017640556,0.013361455,0.00007224878],"about_ca_topic_score_codex":0.0003167409,"about_ca_topic_score_gemma":0.0000035019782,"teacher_disagreement_score":0.9373795,"about_ca_system_score_codex":0.00007313559,"about_ca_system_score_gemma":0.000045954144,"threshold_uncertainty_score":0.7546446},"labels":[],"label_agreement":null},{"id":"W2044968414","doi":"10.1353/mdr.0.0042","title":"Electric Salome: Loie Fuller's Performance of Modernism (review)","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Modernism (music); Art history; Burlesque; Dance; Drama; Performance art; Performance studies; Narrative; Visual arts; Literature; History; Sociology; Anthropology","score_opus":0.03174924919012432,"score_gpt":0.2684636792438164,"score_spread":0.2367144300536921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044968414","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9314876,0.018402772,0.0012542292,0.00025267113,0.00027966534,0.00020895894,0.0000133587155,0.00007188455,0.04802881],"genre_scores_gemma":[0.9840703,0.0065132524,0.00017291389,0.00090347545,0.00006147964,0.0000089784435,0.000007937022,0.000018842142,0.008242824],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9987821,0.00004931997,0.00024522055,0.00026454328,0.00027546313,0.00038334238],"domain_scores_gemma":[0.9991893,0.000032264215,0.00013575994,0.00047091182,0.00007389974,0.00009786613],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012398708,0.00016312898,0.00032370808,0.00009575251,0.00011282877,0.000004533859,0.00037176983,0.000102391336,0.0010907515],"category_scores_gemma":[0.00002215833,0.00016222542,0.00011625973,0.00020930763,0.00008867983,0.00017687638,0.000057401336,0.00020531923,0.00093161454],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017292378,0.004991603,0.10301227,0.0028735052,0.0012267203,0.00043039702,0.028004011,0.0008451329,0.014071821,0.0038537942,0.4365468,0.4024147],"study_design_scores_gemma":[0.01128468,0.0066378345,0.80369425,0.0022642273,0.000593635,0.0011876039,0.0002812812,0.040515114,0.011918096,0.0032637822,0.11455575,0.0038037752],"about_ca_topic_score_codex":0.000042572898,"about_ca_topic_score_gemma":0.0000011191836,"teacher_disagreement_score":0.7006819,"about_ca_system_score_codex":0.000034727156,"about_ca_system_score_gemma":0.000048221555,"threshold_uncertainty_score":0.9998463},"labels":[],"label_agreement":null},{"id":"W2056801844","doi":"10.1080/14647890802697213","title":"Choreographing theory: an analysis of Édouard Lock's<i>Amelia</i>(2002) questioning the limits of feminist and poststructuralist perspectives","year":2009,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Sociology; Identity (music); Deconstruction (building); Aesthetics; Art; Visual arts","score_opus":0.07120864026670919,"score_gpt":0.45470885857471954,"score_spread":0.38350021830801034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056801844","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98999333,0.0023091391,0.000022876031,0.0014863585,0.00009433199,0.00017458356,0.000016855241,0.000007867975,0.0058946456],"genre_scores_gemma":[0.99928236,0.00019850525,0.00020725561,0.000060166367,0.00006216072,0.0000063465704,0.000012381556,0.0000042424094,0.00016659599],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99841034,0.0005889286,0.00019558502,0.0002621667,0.00030080986,0.00024219499],"domain_scores_gemma":[0.9987908,0.00032846222,0.00012714158,0.00040576924,0.00028071107,0.000067097964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017675082,0.000080248356,0.000189222,0.000686407,0.00015909747,0.000048916387,0.00031747975,0.00005835736,0.00008426634],"category_scores_gemma":[0.0003216658,0.00006692253,0.00005057233,0.0018278577,0.0004895492,0.00024204994,0.000024351344,0.00027014167,0.0000018441908],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000555224,0.0010549632,0.4283696,0.00004603608,0.00032081135,0.000002041835,0.14315294,0.00013715816,0.0033667095,0.34316912,0.0008837645,0.0789416],"study_design_scores_gemma":[0.00012975417,0.00023002608,0.9208717,0.0000776624,0.000047555044,0.0000022235092,0.07388767,0.00007210168,0.00024909384,0.0042731497,0.0000947312,0.00006436031],"about_ca_topic_score_codex":0.001661156,"about_ca_topic_score_gemma":0.00016350845,"teacher_disagreement_score":0.49250206,"about_ca_system_score_codex":0.00006922198,"about_ca_system_score_gemma":0.00010835144,"threshold_uncertainty_score":0.27290213},"labels":[],"label_agreement":null},{"id":"W2057275832","doi":"10.1145/2466627.2466654","title":"Expressing technological metaphors in dance using structural illusion from embodied motion","year":2013,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Embodied cognition; Dance; Choreography; Motion (physics); Movement (music); Aesthetics; Creativity; Illusion; Sociology; Leverage (statistics); Space (punctuation); Visual arts; Psychology; Computer science; Art; Cognitive psychology; Artificial intelligence; Social psychology","score_opus":0.04591427906322948,"score_gpt":0.3009682738193423,"score_spread":0.25505399475611285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2057275832","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9802946,0.00009759731,0.0024593198,0.0001484619,0.0002851579,0.00015261544,0.0000059846066,0.0001037488,0.016452517],"genre_scores_gemma":[0.9922658,0.0000030839758,0.0072929226,0.00015450233,0.000028426914,0.0000030739998,0.000006982002,0.0000059722965,0.00023918723],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99913406,0.00007148252,0.00015757995,0.0002657812,0.00011700832,0.00025409512],"domain_scores_gemma":[0.9996022,0.000038632505,0.0000653246,0.00022570044,0.000022063776,0.000046075264],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000074652795,0.00011205244,0.00016229434,0.00010212265,0.00009095199,0.000047271344,0.00019753227,0.00016942297,0.00439833],"category_scores_gemma":[0.00004199571,0.0000914264,0.0000389229,0.00015734589,0.00011077857,0.0004405107,0.000113972594,0.00018347417,0.00023575909],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021517237,0.00040703354,0.22714716,0.000016853863,0.00013601026,0.0000909856,0.006506991,0.00045558234,0.35667425,0.016915396,0.0021119756,0.38932258],"study_design_scores_gemma":[0.0012284084,0.000059468428,0.9671968,0.00006118118,0.000020285159,0.000009040923,0.0048743677,0.0067266356,0.0058809593,0.013308061,0.00025638423,0.00037840556],"about_ca_topic_score_codex":0.0033569757,"about_ca_topic_score_gemma":0.000029371162,"teacher_disagreement_score":0.74004966,"about_ca_system_score_codex":0.000053729833,"about_ca_system_score_gemma":0.000004425174,"threshold_uncertainty_score":0.99651176},"labels":[],"label_agreement":null},{"id":"W2058110992","doi":"10.1080/01472520601163854","title":"Make It Maverick: Rethinking the “Make It Macho” Strategy for Men in Ballet","year":2007,"lang":"en","type":"article","venue":"Dance Chronicle","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Art history; Dance; Romance; Spectacle; Art; Nationalism; Human sexuality; Masculinity; Sociology; Gender studies; Politics; Literature","score_opus":0.05995402711312529,"score_gpt":0.34635924472076274,"score_spread":0.28640521760763743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058110992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36487123,0.0019013968,0.0038313158,0.01247795,0.0011383541,0.0011791016,0.0001589871,0.00013297898,0.61430866],"genre_scores_gemma":[0.98709697,0.00005289982,0.00035521554,0.003910133,0.00022274624,0.000019082318,0.000020271873,0.000022514361,0.008300158],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983738,0.000059716825,0.0002770246,0.0003579412,0.00020789799,0.00072360045],"domain_scores_gemma":[0.9990446,0.00023121285,0.000121283694,0.00048481894,0.000039210674,0.000078863624],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010851561,0.00016800301,0.00019585392,0.000055037985,0.0001961133,0.00006079627,0.00056807423,0.00014421849,0.0011721321],"category_scores_gemma":[0.00004874422,0.00014733983,0.00008662907,0.00024410806,0.00013295641,0.00013811386,0.000086723696,0.00032144203,0.00026335113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001911514,0.0009747478,0.018934483,0.0001889047,0.00031915077,0.000309146,0.03461962,0.00068290945,0.0027927556,0.07349909,0.68820584,0.17756186],"study_design_scores_gemma":[0.0060918257,0.00065870874,0.19624339,0.00015971575,0.00004368677,0.000041396204,0.011777216,0.0010118455,0.001300084,0.005792481,0.77620596,0.0006737106],"about_ca_topic_score_codex":0.0004000436,"about_ca_topic_score_gemma":0.0019187836,"teacher_disagreement_score":0.62222576,"about_ca_system_score_codex":0.00021813085,"about_ca_system_score_gemma":0.00007182973,"threshold_uncertainty_score":0.99974096},"labels":[],"label_agreement":null},{"id":"W2064176512","doi":"10.1093/jhs/hir001","title":"From Craft to Art: The Aesthetic Ends of Technique in Sanskrit Texts of Classical Indian Dance","year":2011,"lang":"en","type":"article","venue":"The Journal of Hindu Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dance; Craft; Beauty; Aesthetics; Flexibility (engineering); Art; Sanskrit; Visual arts; Literature; Mathematics","score_opus":0.07116729440889681,"score_gpt":0.3346979092682683,"score_spread":0.2635306148593715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064176512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9878122,0.0023171736,0.000079965575,0.0040787016,0.0002512723,0.0001497087,0.000016942624,0.0000037024902,0.005290333],"genre_scores_gemma":[0.9987359,0.00019176837,0.0003133078,0.00021200467,0.00005415114,0.000002545399,1.0131623e-7,0.000006229081,0.00048396186],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99891394,0.00023734126,0.0003928408,0.00007187815,0.00021690129,0.00016711728],"domain_scores_gemma":[0.9989738,0.00022147797,0.0003901353,0.00026566294,0.00010775199,0.00004117475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082855695,0.00010367809,0.00035755528,0.000115121875,0.000055591103,0.0000031290542,0.0005854936,0.000058198675,0.00012730485],"category_scores_gemma":[0.00010961653,0.00005614848,0.000084101426,0.00018539689,0.00036217875,0.00008328467,0.00011942151,0.00035792514,0.000030132205],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032114084,0.0019748383,0.06927527,0.000057455352,0.0015397237,0.0002462546,0.68971944,0.000023020912,0.00935836,0.002281731,0.18892029,0.033392213],"study_design_scores_gemma":[0.0023036513,0.0039134086,0.8708905,0.0011756999,0.0003950925,0.00031654976,0.0594415,9.030433e-7,0.025083514,0.01731293,0.018807318,0.00035892162],"about_ca_topic_score_codex":0.000105742,"about_ca_topic_score_gemma":0.0001260829,"teacher_disagreement_score":0.80161524,"about_ca_system_score_codex":0.00002721839,"about_ca_system_score_gemma":0.00002638413,"threshold_uncertainty_score":0.22896686},"labels":[],"label_agreement":null},{"id":"W2064738799","doi":"10.3138/ctr.155.014","title":"Writing Dramaturgical Notes for Dance: ”Carol’s Dance Notes” 1996–2012","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Visual arts; Art; Contemporary dance; Performance art; Art history; Sociology; Aesthetics","score_opus":0.03535119493361353,"score_gpt":0.3047678716225606,"score_spread":0.26941667668894703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064738799","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009853005,0.7510707,0.00042803356,0.044403154,0.0018666537,0.0039673527,0.00073714904,0.00017816357,0.18749581],"genre_scores_gemma":[0.9145463,0.02807372,0.002396916,0.048485808,0.0013677918,0.00055351784,0.00022124338,0.00012314729,0.004231551],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981659,0.000102531725,0.00033332448,0.0004086273,0.00013764096,0.0008519705],"domain_scores_gemma":[0.9980902,0.0003791994,0.000120410885,0.0005919001,0.00009670104,0.000721561],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034231535,0.0002500451,0.0005136748,0.000080799015,0.00024706864,0.00007665625,0.00048086152,0.00016022364,0.0049429247],"category_scores_gemma":[0.00016599052,0.00023204772,0.00023512228,0.00023717224,0.00010451801,0.00034432727,0.000030334842,0.00025250227,0.002611354],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011223954,0.000050517607,0.0041884813,0.0018093175,0.00010899373,0.00003718269,0.0002628041,9.635152e-7,0.000024570572,0.008157849,0.24984425,0.73550385],"study_design_scores_gemma":[0.00040552838,0.000073513875,0.00787115,0.002429874,0.00009993197,0.000050151823,0.00006488526,0.000010688031,0.000009099933,0.0005066565,0.9881065,0.0003720144],"about_ca_topic_score_codex":0.032917045,"about_ca_topic_score_gemma":0.012933816,"teacher_disagreement_score":0.9046933,"about_ca_system_score_codex":0.00015283753,"about_ca_system_score_gemma":0.00018275202,"threshold_uncertainty_score":0.99816525},"labels":[],"label_agreement":null},{"id":"W2064908152","doi":"10.3138/ctr.156.007","title":"Evidence of Artistic Process in Performing Arts Records","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; The arts; Performing arts; Visual arts; Process (computing); Set (abstract data type); Administration (probate law); History; Art; Dance; Computer science; Political science; Law","score_opus":0.06212123650105856,"score_gpt":0.3282617813637241,"score_spread":0.26614054486266553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064908152","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26236486,0.49522385,0.000008747069,0.005494857,0.00047040175,0.0013597836,0.000024806148,0.000021344817,0.23503135],"genre_scores_gemma":[0.9834317,0.014436735,0.00003999899,0.0015141886,0.00002867192,0.000033155018,0.0000020596935,0.000007827962,0.00050565175],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9991975,0.000054407887,0.00021906455,0.00015555012,0.00007647881,0.00029700398],"domain_scores_gemma":[0.9992977,0.00007294173,0.00007259267,0.000269283,0.000049686052,0.0002378118],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023750795,0.00008945115,0.00026102603,0.00010142156,0.000031683874,0.000009336369,0.00021957583,0.000044502252,0.0072623184],"category_scores_gemma":[0.0001281634,0.00008299715,0.000046492823,0.0002721875,0.000043950447,0.00022036704,0.000008965271,0.00011244846,0.0010984769],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068325576,0.000037348032,0.047306333,0.0051990366,0.000026132342,0.000051947023,0.0010211625,0.0000012640758,0.000008280015,0.00086227985,0.03364315,0.9118362],"study_design_scores_gemma":[0.0011325544,0.00095962686,0.394542,0.21824567,0.00039071462,0.0003147601,0.0026378948,0.0000719204,0.00008686003,0.0037613928,0.37616497,0.0016916452],"about_ca_topic_score_codex":0.06602011,"about_ca_topic_score_gemma":0.037911978,"teacher_disagreement_score":0.91014457,"about_ca_system_score_codex":0.00008835678,"about_ca_system_score_gemma":0.00021246489,"threshold_uncertainty_score":0.99967927},"labels":[],"label_agreement":null},{"id":"W2066266099","doi":"10.3138/ctr.158.002","title":"In Search of a Different History: The Remains of Burlesque in Montreal","year":2014,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Burlesque; Human sexuality; Drama; Mores; Gender studies; Popular culture; Politics; Queer; Sociology; Art; Literature; Media studies; Political science; Law","score_opus":0.030967108769573145,"score_gpt":0.27586776723808354,"score_spread":0.2449006584685104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066266099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3461784,0.21350718,0.0000050113717,0.01115676,0.00039080734,0.0010154368,0.00007199275,0.000005868757,0.4276685],"genre_scores_gemma":[0.9908276,0.0070438324,0.000003413093,0.0013304121,0.000020290478,0.0000066143816,0.0000027856092,0.000005793739,0.00075926236],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906605,0.0003184422,0.00020045761,0.000112436464,0.0000798365,0.00022275027],"domain_scores_gemma":[0.99936455,0.00008302943,0.000054882163,0.0003635661,0.000017306522,0.00011668699],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045090608,0.00007520463,0.00032826944,0.0001227763,0.000010372319,0.0000011799019,0.0002688801,0.000045318062,0.0009938534],"category_scores_gemma":[0.000035134537,0.000053987704,0.000066551474,0.00014736892,0.00008387613,0.000027226039,0.000014568544,0.00013646494,0.000040215073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008550539,0.00047383166,0.17513734,0.0062816073,0.00014004749,0.00012868678,0.013235534,0.0000073904857,0.00006936956,0.078371435,0.2538986,0.47217065],"study_design_scores_gemma":[0.00073604693,0.00017556721,0.38584682,0.004575804,0.000050783878,0.000011014491,0.00029752217,0.000013262051,0.0000113861815,0.0005430421,0.6075557,0.00018306328],"about_ca_topic_score_codex":0.35294232,"about_ca_topic_score_gemma":0.7070733,"teacher_disagreement_score":0.64464915,"about_ca_system_score_codex":0.00030576423,"about_ca_system_score_gemma":0.00012737684,"threshold_uncertainty_score":0.99991935},"labels":[],"label_agreement":null},{"id":"W2068102731","doi":"10.1080/17432979.2010.545189","title":"The history and development of Body Psychotherapy: European collaboration","year":2011,"lang":"en","type":"article","venue":"Body Movement and Dance in Psychotherapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"North Island College","funders":"","keywords":"Mainstream; Dance; Psychotherapist; Psychology; Psychoanalysis; Sociology; Political science; Art; Visual arts; Law","score_opus":0.03721856530596435,"score_gpt":0.28299422828839893,"score_spread":0.24577566298243458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068102731","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91684586,0.012692142,0.0011792046,0.0003823737,0.0015536982,0.0005344458,0.000008075866,0.000036835107,0.06676737],"genre_scores_gemma":[0.9580111,0.01954732,0.0056169135,0.0046584406,0.00018213333,0.00008983754,0.000010049633,0.000080929465,0.011803299],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9989215,0.000113877075,0.00031849166,0.0002776976,0.00014454949,0.00022384326],"domain_scores_gemma":[0.9994162,0.000032685526,0.00017716303,0.00027949252,0.000036676647,0.000057824232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052098604,0.00015147266,0.00015153513,0.00008487645,0.00011904684,0.000019766052,0.00018732995,0.000046969995,0.0003449403],"category_scores_gemma":[0.000001784146,0.00012446399,0.000019518578,0.00010603619,0.0001865389,0.00013840238,0.000006798487,0.00008789592,0.000015046987],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0061075976,0.0023219497,0.182107,0.000070375645,0.0005458097,0.000020529842,0.23794591,5.0793636e-7,0.026673993,0.12813057,0.06387945,0.3521963],"study_design_scores_gemma":[0.0035037217,0.0004313477,0.6158961,0.000059519687,0.0000056470003,0.0000011176874,0.0019861578,0.0000052812584,0.0006030807,0.004913679,0.3723258,0.0002685355],"about_ca_topic_score_codex":0.0000484582,"about_ca_topic_score_gemma":0.0001632011,"teacher_disagreement_score":0.4337891,"about_ca_system_score_codex":0.00003860398,"about_ca_system_score_gemma":0.000042593798,"threshold_uncertainty_score":0.5075494},"labels":[],"label_agreement":null},{"id":"W2068647871","doi":"10.1177/1363460705053338","title":"‘Coming Out of Your Skin’: Circuit Parties, Pleasure and the Subject","year":2005,"lang":"en","type":"article","venue":"Sexualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":60,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Subject (documents); Irrationality; Pleasure; Promotion (chess); Sociology; Dance; Ethnography; Social psychology; Psychology; Aesthetics; Embodied cognition; Psychoanalysis; Epistemology; Law; Political science; Art; Rationality; Philosophy; Psychotherapist; Visual arts","score_opus":0.08153239360582681,"score_gpt":0.31442618996454225,"score_spread":0.23289379635871543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068647871","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9192788,0.002698589,0.00004236873,0.0013101803,0.00046547822,0.00011402207,0.00005541428,0.0000335586,0.07600158],"genre_scores_gemma":[0.9705541,0.00002400199,0.000021859707,0.0005056733,0.0002017764,0.0000037755647,0.0000028020372,0.0000070463834,0.02867894],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992263,0.00014875624,0.00015635014,0.00012198607,0.00014071402,0.00020591026],"domain_scores_gemma":[0.9994348,0.00019015183,0.00008215795,0.00022912538,0.00002770532,0.0000360343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041858974,0.00009046161,0.00018979958,0.00003399471,0.000103155246,0.000029177589,0.00015818521,0.00005542568,0.0004597826],"category_scores_gemma":[0.00006192928,0.00006761157,0.000040685904,0.000039662762,0.00036435417,0.00012906187,0.00004545135,0.00010715661,0.00006718656],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006344391,0.00018404605,0.03121895,0.00012609763,0.00047435367,0.0000056773474,0.620566,0.000009910026,0.00016291438,0.27653986,0.037836995,0.032240763],"study_design_scores_gemma":[0.008376352,0.00041854806,0.14337645,0.000098037766,0.00020993073,0.000038035938,0.41704792,0.000020983283,0.0015378905,0.012862751,0.41531944,0.0006936562],"about_ca_topic_score_codex":0.00051990687,"about_ca_topic_score_gemma":0.0001387545,"teacher_disagreement_score":0.37748244,"about_ca_system_score_codex":0.000012202947,"about_ca_system_score_gemma":0.000017885335,"threshold_uncertainty_score":0.5034297},"labels":[],"label_agreement":null},{"id":"W2070460706","doi":"10.1038/scientificamerican0708-78","title":"The Neuroscience of Dance","year":2008,"lang":"en","type":"article","venue":"Scientific American","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":81,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Dance; Neuroscience; Psychology; Cognitive science; Art; Visual arts","score_opus":0.04158583237990277,"score_gpt":0.30686687408078733,"score_spread":0.26528104170088457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070460706","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9507869,0.00009329825,0.00025160494,0.00095476396,0.002407651,0.00005974521,0.000014237368,0.000024097517,0.045407712],"genre_scores_gemma":[0.96847755,0.000010179271,0.000056480305,0.0002863415,0.000016619699,0.0000014458194,4.7602927e-7,0.0000025767768,0.03114831],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991624,0.000044154185,0.00009478856,0.00021914582,0.00024205483,0.00023749922],"domain_scores_gemma":[0.9992736,0.000056276196,0.00012114252,0.00044439244,0.000045814715,0.000058795395],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00024126629,0.000048052727,0.0000770992,0.00003805402,0.0006453309,0.00002848795,0.0005362906,0.0000075525945,0.00008023545],"category_scores_gemma":[0.00008025591,0.000034397424,0.00003833622,0.00076394255,0.005502379,0.000083961975,0.00005940942,0.000061004524,0.00017187507],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011819852,0.00039768755,0.10387128,0.0000048503584,0.000019055069,0.000045174285,0.012960265,0.000031541636,0.015792904,0.018259725,0.7306671,0.11783222],"study_design_scores_gemma":[0.000112587266,0.00013907417,0.4934357,0.0000029561838,0.0000030916644,0.000020049229,0.0013578512,0.000028545881,0.0008084576,0.00007268957,0.50393564,0.00008333468],"about_ca_topic_score_codex":0.00013095306,"about_ca_topic_score_gemma":0.000008405021,"teacher_disagreement_score":0.38956442,"about_ca_system_score_codex":0.000007796035,"about_ca_system_score_gemma":0.000043260512,"threshold_uncertainty_score":0.99720407},"labels":[],"label_agreement":null},{"id":"W2070927890","doi":"10.3138/ctr.149.64","title":"Queer Women's Performance Symposium","year":2012,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Conversation; Terminology; Event (particle physics); Gender studies; Sociology; Visual arts; Media studies; Art; Linguistics; Communication","score_opus":0.01986022579606934,"score_gpt":0.26239099043686465,"score_spread":0.24253076464079532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070927890","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043139573,0.20982452,0.000001788034,0.0036210027,0.0011993288,0.00032500416,0.000044141387,0.000039666505,0.74180496],"genre_scores_gemma":[0.92285484,0.04322232,0.000023002794,0.020913031,0.00035549002,0.000045032164,0.000012182828,0.000023434797,0.012550651],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886304,0.00006562504,0.00012173677,0.0001261278,0.00008098135,0.00074250414],"domain_scores_gemma":[0.9987211,0.000016102778,0.000038562663,0.00037409615,0.000019137404,0.0008310031],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031574088,0.000121149045,0.00021520111,0.000064289736,0.00009970999,0.000011559526,0.00022827671,0.000059553524,0.011031218],"category_scores_gemma":[0.000007291454,0.000109783665,0.00006199729,0.00017501233,0.000039498114,0.00022210872,0.000014291983,0.00012467845,0.007986878],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010943288,0.00007853318,0.07497287,0.001980775,0.00015740366,0.000025387448,0.003574551,2.7683691e-7,0.000007769702,0.005121481,0.55739534,0.35667467],"study_design_scores_gemma":[0.00008405706,0.000034088116,0.012944167,0.0005242187,0.000030595067,0.00003336509,0.00009342601,1.6317506e-7,0.0000023679654,0.000005415498,0.9861045,0.0001436614],"about_ca_topic_score_codex":0.0062908097,"about_ca_topic_score_gemma":0.0010062772,"teacher_disagreement_score":0.87971526,"about_ca_system_score_codex":0.00026433496,"about_ca_system_score_gemma":0.00011156873,"threshold_uncertainty_score":0.9927855},"labels":[],"label_agreement":null},{"id":"W2072889556","doi":"10.3138/ctr.155.006","title":"Navigating a Continuum: MFA Dance Dramaturgy Research at York University","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dramaturgy; Dance; Space (punctuation); Aesthetics; Field (mathematics); Sociology; Visual arts; Contemporary dance; Art; Computer science","score_opus":0.059806979371422035,"score_gpt":0.3397802655325231,"score_spread":0.27997328616110106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072889556","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07076558,0.20068657,0.0000021792832,0.01472146,0.0005266435,0.0012894331,0.00012297097,0.00007302886,0.71181214],"genre_scores_gemma":[0.8618551,0.03303701,0.0003294635,0.011812197,0.00043524054,0.000032839773,0.000105863845,0.000075092335,0.092317194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811137,0.00042340753,0.00015633067,0.00033837612,0.00018903022,0.0007814851],"domain_scores_gemma":[0.99833435,0.00015115435,0.00007055179,0.0005880812,0.00011823763,0.0007376301],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005644901,0.00014480011,0.00031156425,0.000060046536,0.00045936968,0.000044245946,0.00057090947,0.00011525743,0.013437007],"category_scores_gemma":[0.00005642624,0.00014759754,0.00011115183,0.0005899747,0.00019469121,0.00014813016,0.00008364118,0.00053512806,0.013054142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060140787,0.000016786156,0.002431612,0.00036809326,0.000048317554,0.00012408542,0.00070488325,6.0311e-8,0.000014544292,0.0017415785,0.80483335,0.18971066],"study_design_scores_gemma":[0.00019187185,0.000038531474,0.0043752296,0.0027658942,0.00002444521,0.000034252083,0.0006447773,8.322301e-7,0.000004565474,0.000077269775,0.9916725,0.00016982209],"about_ca_topic_score_codex":0.22292656,"about_ca_topic_score_gemma":0.09336698,"teacher_disagreement_score":0.79108953,"about_ca_system_score_codex":0.00055612414,"about_ca_system_score_gemma":0.00020833244,"threshold_uncertainty_score":0.9877143},"labels":[],"label_agreement":null},{"id":"W2072969147","doi":"10.12745/et.11.1.765","title":"Book Review: Barbara Ravelhofer. &lt;em&gt;The Early Stuart Masque: Dance, Costume, and Music&lt;/em&gt;. Oxford: Oxford University Press, 2006.","year":2008,"lang":"en","type":"article","venue":"Early Theatre","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Dance; Performance art; Art history; Visual arts; Media studies; Sociology","score_opus":0.015648551595713784,"score_gpt":0.2289221037630554,"score_spread":0.21327355216734162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072969147","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4322044,0.18175054,0.00018615746,0.0033736392,0.001586968,0.0024483812,0.0007062645,0.00039382192,0.37734982],"genre_scores_gemma":[0.23467581,0.13954777,0.00044716167,0.024975026,0.0012259436,0.000042931464,0.00012952431,0.00020013492,0.5987557],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996929,0.00042638817,0.0004035121,0.0007666969,0.0005903426,0.0008840732],"domain_scores_gemma":[0.997853,0.00018036278,0.00026947932,0.0011840981,0.00015644364,0.0003566433],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046441192,0.0005003719,0.0006766453,0.00012081288,0.00082544255,0.00009820128,0.0009965192,0.00028716386,0.0026763459],"category_scores_gemma":[0.000036654335,0.00043538187,0.00025111233,0.00042466377,0.0005110599,0.0009302915,0.00034176323,0.000669396,0.00042891357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035910885,0.00021975648,0.009393013,0.00009584575,0.00022054571,0.00026467742,0.003966454,0.0000019556499,0.000028127388,0.0008193555,0.97954893,0.0050822203],"study_design_scores_gemma":[0.001559741,0.00040681372,0.16230719,0.00024890053,0.00016806173,0.00008401864,0.00037330406,0.0000036873644,0.000011541459,0.00002735447,0.83438396,0.0004254063],"about_ca_topic_score_codex":0.00025941897,"about_ca_topic_score_gemma":0.00005638946,"teacher_disagreement_score":0.22140586,"about_ca_system_score_codex":0.00009740983,"about_ca_system_score_gemma":0.00010009269,"threshold_uncertainty_score":0.9998098},"labels":[],"label_agreement":null},{"id":"W2073261027","doi":"10.1177/2167479513490673","title":"Reading Yoga","year":2013,"lang":"en","type":"article","venue":"Communication & Sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Reading (process); Aesthetics; The arts; Psychology; Sociology; Visual arts; Art; Political science","score_opus":0.031333940078306755,"score_gpt":0.3044690441748391,"score_spread":0.27313510409653236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073261027","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4505827,0.0001843347,0.000049561833,0.0013808212,0.00012612027,0.000104848485,0.0000015511666,0.000075897464,0.5474941],"genre_scores_gemma":[0.97816163,0.000060914736,0.00077502115,0.0006610565,0.00001957351,0.000029309138,0.000029602905,0.0000059997355,0.020256864],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9995988,0.000021138892,0.000106954416,0.00008525753,0.000064572494,0.00012328997],"domain_scores_gemma":[0.9988859,0.000023704992,0.000067383655,0.0009200554,0.00004991628,0.000053015538],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012559323,0.000051966937,0.000075308046,0.000036649017,0.000114227776,0.000025551166,0.0004592115,0.000047267495,0.010293266],"category_scores_gemma":[0.000011249698,0.000054545257,0.000029591907,0.00008577618,0.000057784622,0.0002324793,0.000092364135,0.000118446434,0.007762476],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022184608,0.00028729095,0.31107655,0.0000061571423,0.00006167837,0.000003184907,0.0045104246,0.000001857197,0.00018121007,0.12623133,0.5179032,0.03971493],"study_design_scores_gemma":[0.00018276305,0.000016919012,0.71198714,0.00001093745,0.0000067326487,0.000004638124,0.0008857805,0.0000069482016,0.000035440455,0.0008279829,0.28595632,0.000078378245],"about_ca_topic_score_codex":0.000611134,"about_ca_topic_score_gemma":0.0000032111568,"teacher_disagreement_score":0.52757895,"about_ca_system_score_codex":0.000019911,"about_ca_system_score_gemma":0.000008138644,"threshold_uncertainty_score":0.9930101},"labels":[],"label_agreement":null},{"id":"W2074001199","doi":"10.2307/20444589","title":"Bharatanatyam as a Global Dance: Some Issues in Research, Teaching, and Practice","year":2004,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Roehampton","keywords":"Dance; Scholarship; Nationalism; Sociology; Aesthetics; Political science; Gender studies; Media studies; Visual arts; Art; Law","score_opus":0.2193686736900846,"score_gpt":0.5780131351551524,"score_spread":0.3586444614650678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074001199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75949246,0.021657916,0.00007566589,0.03965118,0.0005741072,0.00045420846,0.000053616528,0.00003936627,0.17800145],"genre_scores_gemma":[0.9834241,0.0062334756,0.0026781256,0.0008402085,0.001096688,0.000017830687,0.0000040896057,0.000025652846,0.005679828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99065405,0.0049090916,0.0003436802,0.0005034461,0.0020053978,0.0015843447],"domain_scores_gemma":[0.9970658,0.0012526105,0.000113681905,0.00046217826,0.0005238999,0.0005818693],"candidate_categories":["metaresearch","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.024139164,0.00017249466,0.0002727851,0.00050163065,0.0014453033,0.0006026242,0.00091914716,0.00018339904,0.0003176029],"category_scores_gemma":[0.012588085,0.0001648613,0.000054916713,0.0008121544,0.0008548593,0.0023482973,0.00039502734,0.006250896,0.0010279977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005626475,0.0033964436,0.017150715,0.00010336504,0.00032950562,0.013991551,0.028996179,0.00006534576,0.0018542042,0.60070246,0.24555707,0.08222667],"study_design_scores_gemma":[0.0074350154,0.0034055924,0.096936345,0.00097544095,0.000014907576,0.007849445,0.05569885,0.000010422601,0.0001724308,0.2080825,0.61884224,0.00057683093],"about_ca_topic_score_codex":0.004022111,"about_ca_topic_score_gemma":0.00016004633,"teacher_disagreement_score":0.39261997,"about_ca_system_score_codex":0.0008691516,"about_ca_system_score_gemma":0.0005804978,"threshold_uncertainty_score":0.9998547},"labels":[],"label_agreement":null},{"id":"W2081511903","doi":"10.1386/dmas.1.2.241_1","title":"Professorial Reflections: Informal discussions and reflections","year":2014,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Spirituality; Dance; Sociology; Informal learning; Workplace spirituality; Pedagogy; Visual arts; Art","score_opus":0.049251530440593404,"score_gpt":0.3654716225385386,"score_spread":0.3162200920979452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081511903","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.531351,0.00020955104,0.0017918056,0.0052241324,0.0050779204,0.0005020594,0.00014014222,0.00032828486,0.45537513],"genre_scores_gemma":[0.91775715,0.000038984603,0.0008959379,0.0039168918,0.000951683,0.0001285829,0.000042807886,0.000020383663,0.076247565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987529,0.0001105462,0.00027141714,0.00025859775,0.00021459669,0.00039197502],"domain_scores_gemma":[0.9993165,0.00007996633,0.000108077395,0.0003320291,0.000051591753,0.0001118196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027844327,0.00016873327,0.0001881069,0.00011666316,0.00052131806,0.00009527088,0.00015796095,0.000093987685,0.00062768],"category_scores_gemma":[0.00009033935,0.00014855355,0.0000581237,0.00016767844,0.0002157548,0.00050151703,0.000115497984,0.00020089382,0.00015592456],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028662363,0.00064234907,0.010045056,0.000074810174,0.00018817915,0.0000022930012,0.034193713,0.000008177619,0.0023938362,0.88065636,0.06196376,0.0095448475],"study_design_scores_gemma":[0.0022026773,0.0011279794,0.1259434,0.000112210386,0.000063955216,0.000008255986,0.03829077,0.000010061022,0.0009838965,0.013846251,0.81685,0.0005605198],"about_ca_topic_score_codex":0.00035780197,"about_ca_topic_score_gemma":0.00053643546,"teacher_disagreement_score":0.8668101,"about_ca_system_score_codex":0.000042926673,"about_ca_system_score_gemma":0.000017650473,"threshold_uncertainty_score":0.6872656},"labels":[],"label_agreement":null},{"id":"W2083268246","doi":"10.3138/ctr.155.005","title":"From Spectrum to Prism: Shifting Positions on Dance Dramaturgy—a Conference Response","year":2013,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dramaturgy; Dance; Performance art; Art; Prism; Art history; Visual arts; Sociology; Media studies","score_opus":0.026549268519227044,"score_gpt":0.2861819320702711,"score_spread":0.25963266355104403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083268246","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20477232,0.048224226,0.0001464812,0.23935649,0.0014284767,0.0025989967,0.00075424474,0.00016748135,0.5025513],"genre_scores_gemma":[0.929837,0.0020811441,0.0005486028,0.059543774,0.00027538722,0.00009493778,0.00006806716,0.000039747847,0.007511331],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858457,0.0002601361,0.00019820359,0.00034175682,0.000116089774,0.0004992748],"domain_scores_gemma":[0.99831045,0.00016697562,0.000063961976,0.0006493481,0.00003076426,0.0007785252],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022061077,0.00017620702,0.0002985556,0.00011583452,0.00017154108,0.000083960746,0.00041269217,0.00008179107,0.013727769],"category_scores_gemma":[0.000090661255,0.00017045907,0.00008718806,0.00027842476,0.000042910062,0.00013634664,0.000025811449,0.00022663442,0.018234614],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010414923,0.00007981172,0.00059416326,0.00016497627,0.00012511303,0.00018298936,0.0029957788,9.3497044e-7,0.0001443942,0.008098037,0.8201767,0.16733295],"study_design_scores_gemma":[0.00024275813,0.00023653584,0.046298184,0.005377863,0.0000682939,0.000021541795,0.00032910184,0.0000029473752,0.00003528117,0.0015114768,0.9454447,0.00043128664],"about_ca_topic_score_codex":0.11481889,"about_ca_topic_score_gemma":0.012806731,"teacher_disagreement_score":0.7250647,"about_ca_system_score_codex":0.00022535933,"about_ca_system_score_gemma":0.00024552026,"threshold_uncertainty_score":0.9871738},"labels":[],"label_agreement":null},{"id":"W2083360583","doi":"10.1215/10407391-2007-017","title":"The in-Tensions of Extensions: Compagnie Marie Chouinard's<i>bODY Remix gOLDBERG vARIATIONS</i>","year":2008,"lang":"en","type":"article","venue":"differences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movement (music); Extension (predicate logic); Choreography; Dance; Constitution; Aesthetics; Visual arts; Art; Psychology; Sociology; Computer science; Law; Political science","score_opus":0.05516009486477105,"score_gpt":0.28990698545721777,"score_spread":0.23474689059244672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083360583","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97404295,0.0010544052,0.000099881545,0.0010640429,0.0008402382,0.00017183663,0.00003979193,0.00003651308,0.022650352],"genre_scores_gemma":[0.99638283,0.00060161925,0.00012949153,0.00021938527,0.000042192074,0.000009519673,0.000009444514,0.0000059272948,0.0025995881],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988855,0.00014886343,0.0002729313,0.0002055075,0.00021578126,0.00027138318],"domain_scores_gemma":[0.998435,0.00086437684,0.00014144387,0.00039472684,0.00009758374,0.00006686562],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001772812,0.00011918268,0.00023465938,0.0000806021,0.00035480008,0.000015757174,0.00034888732,0.00008490949,0.00040146956],"category_scores_gemma":[0.00029463408,0.00008308745,0.00007197652,0.00028305448,0.00035601636,0.000098123004,0.00008214138,0.00018607963,0.00013151554],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024472422,0.0010408327,0.8306454,0.000012616555,0.000148554,0.00012133318,0.0060479483,0.00000909909,0.0007320216,0.10824979,0.048588052,0.004159632],"study_design_scores_gemma":[0.0004502806,0.00011032589,0.9907663,0.000042096777,0.000016128462,0.000017128425,0.0007333378,0.00004140849,0.000040216702,0.0024599752,0.005216136,0.00010665541],"about_ca_topic_score_codex":0.00067647005,"about_ca_topic_score_gemma":0.000115699804,"teacher_disagreement_score":0.16012092,"about_ca_system_score_codex":0.00001751411,"about_ca_system_score_gemma":0.00004850526,"threshold_uncertainty_score":0.439581},"labels":[],"label_agreement":null},{"id":"W2086073545","doi":"10.1215/10642684-2279996","title":"“The Horse in My Flesh”","year":2013,"lang":"en","type":"article","venue":"GLQ A Journal of Lesbian and Gay Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nexus (standard); Reading (process); Art; Human sexuality; Aesthetics; Psychology; Art history; Visual arts; Sociology; Gender studies; Philosophy","score_opus":0.06087836940058052,"score_gpt":0.349706165813461,"score_spread":0.2888277964128805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086073545","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94286746,0.03484567,0.000006118958,0.011105758,0.00073279336,0.000071689356,0.0000018689744,0.0000037497755,0.010364909],"genre_scores_gemma":[0.991489,0.0039961743,0.00006505111,0.00045164058,0.00012481584,0.000001276876,5.685525e-8,0.0000034126012,0.003868574],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.999389,0.00006125439,0.00020426836,0.00006342505,0.00010014332,0.00018193602],"domain_scores_gemma":[0.99950725,0.0001325284,0.0001303552,0.00007761296,0.0000915776,0.000060693284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002896777,0.00007255327,0.00018307607,0.00006412218,0.00013200704,0.000039377468,0.0001263416,0.000029808445,0.0000627701],"category_scores_gemma":[0.00009878146,0.000045089633,0.000047937232,0.000074132964,0.00020372435,0.0001476036,0.000045010136,0.00017121162,0.00008377886],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029726612,0.0002481258,0.15429507,0.000033526707,0.0009239548,0.00024256254,0.035372093,0.0000025447841,0.00010656603,0.004343639,0.6209672,0.18316743],"study_design_scores_gemma":[0.0021600362,0.00064405723,0.7795377,0.00018762542,0.000049310394,0.00021275431,0.06941399,0.0000018083042,0.000022521228,0.0055394443,0.14204727,0.00018348909],"about_ca_topic_score_codex":0.00004761023,"about_ca_topic_score_gemma":0.00006499051,"teacher_disagreement_score":0.6252426,"about_ca_system_score_codex":0.00001933491,"about_ca_system_score_gemma":0.000010655885,"threshold_uncertainty_score":0.1838702},"labels":[],"label_agreement":null},{"id":"W2087438767","doi":"10.7202/900609ar","title":"La technique des incidents critiques pour cerner l’efficacité des feed-back de correction en danse moderne","year":2009,"lang":"fr","type":"article","venue":"Revue des sciences de l éducation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.23279024705145737,"score_gpt":0.4383487310941489,"score_spread":0.20555848404269153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087438767","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86549497,0.0024067396,0.08690862,0.0013061278,0.00093060586,0.0002919467,0.000012578251,0.000095154945,0.042553265],"genre_scores_gemma":[0.9563527,0.0015867635,0.027926313,0.00041259834,0.0002853894,0.0000169034,0.000008191236,0.000014686052,0.013396428],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99724716,0.0011466555,0.00027670234,0.0004672756,0.00019964177,0.00066254823],"domain_scores_gemma":[0.99888027,0.00027662993,0.00017633145,0.00025704651,0.00019261062,0.00021708792],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0023518829,0.00022790799,0.00021049695,0.00024338686,0.0007327135,0.00030322082,0.0005463114,0.0003518453,0.0003265039],"category_scores_gemma":[0.00072480016,0.00026486808,0.00010421162,0.00069090637,0.0018902074,0.001306453,0.00004385085,0.00032894715,0.0002953147],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018904574,0.002939576,0.061416212,0.0005804919,0.00006326436,0.00006282915,0.3815653,0.002710549,0.032033358,0.011544335,0.017193025,0.48970202],"study_design_scores_gemma":[0.0007711845,0.001835247,0.75710374,0.002992901,0.00019089034,0.0035043266,0.031171957,0.010234206,0.020430615,0.16436794,0.006418569,0.0009784234],"about_ca_topic_score_codex":0.0042184456,"about_ca_topic_score_gemma":0.00079061155,"teacher_disagreement_score":0.69568753,"about_ca_system_score_codex":0.0018031893,"about_ca_system_score_gemma":0.00042980883,"threshold_uncertainty_score":0.99998033},"labels":[],"label_agreement":null},{"id":"W2088093495","doi":"10.1007/s10339-006-0135-x","title":"Gaze and postural stability of elite ballet dancers, ACL-deficient and normal controls during the quiet stance and lunge","year":2006,"lang":"en","type":"article","venue":"Cognitive Processing","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Gaze; Ballet; Classical ballet; Ballet dancer; Psychology; Physical medicine and rehabilitation; Cognitive psychology; Dance; Medicine; Art; Visual arts","score_opus":0.01210166019729976,"score_gpt":0.2601293238895036,"score_spread":0.24802766369220386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088093495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9757773,0.019079944,0.00015310346,0.00015938908,0.00004867966,0.00023704284,0.00015372524,0.00001833257,0.004372426],"genre_scores_gemma":[0.99955195,0.000098206234,0.000052927087,0.0001374955,0.00004432983,0.00000654849,0.000005601754,0.0000071817476,0.000095770985],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990758,0.00007500842,0.00017250134,0.00028331677,0.00013490915,0.000258521],"domain_scores_gemma":[0.99943167,0.00013580109,0.00014358391,0.00007915358,0.00015934189,0.000050477003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024214105,0.00013526817,0.00019849141,0.000030796164,0.0002781554,0.00008270961,0.00006668212,0.00005136675,0.000027408323],"category_scores_gemma":[0.00007053538,0.00010658698,0.000023683593,0.000090825204,0.00056844286,0.00031015955,0.0000852102,0.00014546991,0.0000011362445],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024033175,0.00028372224,0.88989025,0.0008789893,0.00013504954,0.00002189518,0.023260977,0.0000016372377,0.01431704,0.00043736887,0.000061253064,0.06830847],"study_design_scores_gemma":[0.0019460112,0.000111213965,0.989935,0.00023319828,0.000062717525,0.000020484571,0.006495374,0.00006512546,0.00079372484,0.00010570328,0.000096539516,0.00013495544],"about_ca_topic_score_codex":0.00008418034,"about_ca_topic_score_gemma":0.00004386573,"teacher_disagreement_score":0.100044675,"about_ca_system_score_codex":0.000018901408,"about_ca_system_score_gemma":0.000021556705,"threshold_uncertainty_score":0.43464908},"labels":[],"label_agreement":null},{"id":"W2089617944","doi":"10.1162/dram_a_00378","title":"Cédric Andrieux: With Bel, Benjamin, and Brecht in Vancouver","year":2014,"lang":"en","type":"article","venue":"TDR/The Drama Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Dance; Exposition (narrative); Portrait; Art; Art history; Series (stratigraphy); Visual arts; Literature; Geology","score_opus":0.01085898774124015,"score_gpt":0.2620485734023081,"score_spread":0.2511895856610679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089617944","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2609015,0.38276055,0.0008530987,0.01328243,0.001712955,0.0027119752,0.00003851993,0.00020074543,0.33753818],"genre_scores_gemma":[0.9080887,0.046689942,0.00055338396,0.026697192,0.00024185961,0.00007158609,0.0000140219345,0.000057665446,0.017585672],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898684,0.0001888592,0.00017995431,0.00024305317,0.00013787957,0.00026343623],"domain_scores_gemma":[0.99922764,0.0001265185,0.0000989734,0.00044098689,0.000030007563,0.00007584391],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005328592,0.00014764244,0.000330086,0.000038736915,0.00007670977,0.000025927364,0.0002488458,0.000058314105,0.000641444],"category_scores_gemma":[0.00007081603,0.00009380392,0.000039130926,0.00027760264,0.000121739555,0.00012859974,0.00006019034,0.00020500265,0.0004418477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116315416,0.00028302663,0.02301209,0.0015288915,0.00011163382,0.000051280735,0.001603976,0.0000016027008,0.000009409381,0.0073363474,0.40977803,0.5561674],"study_design_scores_gemma":[0.00087442197,0.0002553068,0.05197835,0.0015400469,0.00009045912,0.000042365926,0.00009759402,0.0000067985197,0.0000033539038,0.0003008981,0.94460374,0.00020664779],"about_ca_topic_score_codex":0.00012152542,"about_ca_topic_score_gemma":0.0003630016,"teacher_disagreement_score":0.6471872,"about_ca_system_score_codex":0.000017038574,"about_ca_system_score_gemma":0.000013560713,"threshold_uncertainty_score":0.7023362},"labels":[],"label_agreement":null},{"id":"W2090596466","doi":"10.3138/md.47.2.250","title":"Urban Bush Women: Finding <i>Shelter </i>in the Utopian Ensemble","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Politics; HERO; Style (visual arts); Gender studies; Sociology; Space (punctuation); Visual arts; Aesthetics; Art; Political science; Literature; Law","score_opus":0.02650017606880626,"score_gpt":0.27502646129329905,"score_spread":0.2485262852244928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090596466","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88416755,0.00010714272,0.0012139442,0.0020503532,0.00032811434,0.00013169266,0.0000076063097,0.00004115391,0.11195247],"genre_scores_gemma":[0.98774475,0.0000031669617,0.000087060616,0.0040122066,0.00012676974,0.000015167602,0.0000035386581,0.000011685912,0.007995643],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895203,0.000058453923,0.0001215513,0.00022742346,0.00016900459,0.00047155743],"domain_scores_gemma":[0.99946785,0.000039249815,0.00003948524,0.00037984006,0.0000116046995,0.000061951825],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023338084,0.00011843844,0.0001283031,0.00006736949,0.000115974915,0.00008040762,0.00038962121,0.000088886845,0.000406164],"category_scores_gemma":[0.000015478421,0.00009656319,0.000052248604,0.00014097909,0.00005275628,0.00015998872,0.000042502732,0.00022097815,0.000845659],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004893036,0.0022338098,0.04955615,0.00006433381,0.00020619822,0.0010671072,0.6990853,0.0008582413,0.0030111058,0.12020575,0.06626798,0.05695474],"study_design_scores_gemma":[0.015774354,0.001432546,0.38232097,0.00024345315,0.0000685535,0.000269196,0.026617495,0.00025353357,0.0019628014,0.10840926,0.46067363,0.0019742022],"about_ca_topic_score_codex":0.00016567443,"about_ca_topic_score_gemma":0.000039089016,"teacher_disagreement_score":0.67246777,"about_ca_system_score_codex":0.00010257126,"about_ca_system_score_gemma":0.000020730447,"threshold_uncertainty_score":0.9999323},"labels":[],"label_agreement":null},{"id":"W2091263779","doi":"10.1080/03014460600635951","title":"The influence of dance training on growth and maturation of young females: A mixed longitudinal study","year":2006,"lang":"en","type":"article","venue":"Annals of Human Biology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan; University of British Columbia","funders":"National Medical Research Council; Health Research Council of New Zealand; National Health and Medical Research Council","keywords":"Menarche; Dance; Anthropometry; Longitudinal study; Demography; Sexual maturity; Body mass index; Medicine; Affect (linguistics); Psychology; Endocrinology; Internal medicine","score_opus":0.14427410403666066,"score_gpt":0.3843813967613216,"score_spread":0.24010729272466094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091263779","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9968126,0.00025803063,0.000005822527,0.0001913736,0.000067780675,0.00012952066,0.000019437497,0.0000060324182,0.0025094436],"genre_scores_gemma":[0.9998202,0.000025410754,0.000013869024,0.000044711625,0.000025346908,0.0000030543376,0.000005033315,0.0000033029546,0.00005907738],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992232,0.00013344598,0.00026857416,0.00015247101,0.00006805981,0.00015425967],"domain_scores_gemma":[0.9992611,0.0001587329,0.00029526214,0.00017168275,0.000097496704,0.000015767464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028684767,0.000080943064,0.00021940337,0.000064564716,0.000095534175,0.0000050313974,0.00017434351,0.00007472689,0.000010593047],"category_scores_gemma":[0.000057372945,0.00006113114,0.00003655696,0.00007796773,0.00041095805,0.000063152664,0.000033334552,0.0000909058,0.0000017083421],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004926866,0.00045500058,0.85484254,0.000029197769,0.00012965259,0.0000036852298,0.0048766164,0.000011054876,0.024199482,0.11397576,0.0004245063,0.00055981247],"study_design_scores_gemma":[0.00036125592,0.0016749483,0.9916071,0.000025229494,0.000011137256,0.0000028079712,0.0017763084,4.3568767e-7,0.0019359016,0.002530244,0.000020939466,0.00005364012],"about_ca_topic_score_codex":0.0005466497,"about_ca_topic_score_gemma":0.00018693927,"teacher_disagreement_score":0.13676462,"about_ca_system_score_codex":0.0000017975436,"about_ca_system_score_gemma":0.000007724004,"threshold_uncertainty_score":0.24928556},"labels":[],"label_agreement":null},{"id":"W2091387521","doi":"10.1016/j.apmr.2010.07.230","title":"Disordered Eating, Menstrual Disturbances, and Low Bone Mineral Density in Dancers: A Systematic Review","year":2010,"lang":"en","type":"review","venue":"Archives of Physical Medicine and Rehabilitation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":63,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Western Hospital; University of Toronto; Public Health Ontario","funders":"","keywords":"Disordered eating; CINAHL; PsycINFO; Cochrane Library; Medicine; Incidence (geometry); Dance; MEDLINE; Eating disorders; Physical therapy; Psychology; Clinical psychology; Psychiatry; Psychological intervention; Meta-analysis; Pathology","score_opus":0.015920273199103847,"score_gpt":0.33328619814375765,"score_spread":0.3173659249446538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091387521","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005382348,0.991996,0.0000068880136,0.00024314052,0.000107925895,0.0014288869,0.000025997217,0.000010124405,0.0007986949],"genre_scores_gemma":[0.0032511337,0.9960291,0.0002858074,0.00005598769,0.00011997591,0.00008835748,0.000053327858,0.000014234945,0.00010209044],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.99819565,0.00043181668,0.00063342566,0.00037800032,0.00018105513,0.0001800442],"domain_scores_gemma":[0.99523205,0.0038575192,0.0004945989,0.00030361942,0.000021227577,0.0000909751],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024101186,0.00027001218,0.002342701,0.00016509833,0.000039690905,0.0000051423303,0.00012355285,0.00008594002,0.000007928005],"category_scores_gemma":[0.0015817521,0.00017784056,0.0001979703,0.00017825405,0.0009153048,0.00008411919,0.00006101324,0.00037306693,0.0000025339184],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018286491,0.00017564483,0.00010247014,0.72507834,0.00006424252,0.0000029833948,0.007227037,1.753312e-8,0.0000067654573,0.001708295,0.00017449002,0.26544142],"study_design_scores_gemma":[0.0008820201,0.0015756488,0.0021118822,0.9857597,0.0012507244,0.000019052466,0.001049435,0.000018342374,6.707998e-8,0.0018835136,0.00516865,0.00028098348],"about_ca_topic_score_codex":0.000107549145,"about_ca_topic_score_gemma":0.00002668876,"teacher_disagreement_score":0.26516044,"about_ca_system_score_codex":0.000010507497,"about_ca_system_score_gemma":0.000026384198,"threshold_uncertainty_score":0.72521275},"labels":[],"label_agreement":null},{"id":"W2091670781","doi":"10.1080/14647891003671775","title":"Frozen landscapes: a Foucauldian genealogy of the ideal ballet dancer’s body","year":2010,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Ballet; Ideal (ethics); Dance; Aesthetics; Ballet dancer; Sociology; Art; Visual arts; Gender studies; Epistemology; Philosophy","score_opus":0.0677713725193314,"score_gpt":0.4373481882980146,"score_spread":0.3695768157786832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091670781","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9234569,0.00036095394,0.000008537372,0.004886838,0.0024094547,0.00034093653,0.000020200483,0.000009853026,0.06850632],"genre_scores_gemma":[0.9966991,0.00005300922,0.00020796839,0.00015697636,0.00041980503,0.00006171872,0.00001193054,0.0000100069055,0.0023795145],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9984349,0.00030469697,0.00019072082,0.00026044645,0.00037754906,0.0004316857],"domain_scores_gemma":[0.9987508,0.00021850805,0.00008204753,0.00068048993,0.00017107758,0.00009708544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011098878,0.00008065007,0.0001308656,0.00020800477,0.00012607848,0.000026174652,0.0007473862,0.00013285347,0.00090571755],"category_scores_gemma":[0.00033066393,0.00006778799,0.0000449144,0.00058437017,0.00021903076,0.00014372285,0.00012248017,0.0007364748,0.0002232454],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025666205,0.0016303216,0.58649063,0.00010661848,0.000047368292,0.0000051517277,0.009998416,0.000009677308,0.016868938,0.062005702,0.274071,0.04850951],"study_design_scores_gemma":[0.00048631235,0.000090847745,0.88761234,0.000064754684,0.000003430856,0.000008235307,0.0020047112,0.000027244829,0.0007897523,0.004541217,0.104274586,0.00009656642],"about_ca_topic_score_codex":0.0036220553,"about_ca_topic_score_gemma":0.0029783882,"teacher_disagreement_score":0.30112174,"about_ca_system_score_codex":0.00007497881,"about_ca_system_score_gemma":0.0006449616,"threshold_uncertainty_score":0.9916972},"labels":[],"label_agreement":null},{"id":"W2097740263","doi":"10.1017/s0040557402320143","title":"<b> <i>No Surrender! No Retreat! African American Pioneer Performers of the Twentieth-Century American Theater</i> </b> . By Glenda E. Gill. New York: St. Martin's Press, 2000; pp. 230. $49.95 hardcover","year":2002,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Admiration; Surrender; Dance; Enthusiasm; Passion; Art; Art history; Power (physics); Scholarship; History; Performance art; Style (visual arts); Literature; Psychology; Law; Political science; Archaeology","score_opus":0.03157401882667861,"score_gpt":0.2439531161638888,"score_spread":0.21237909733721017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2097740263","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45486486,0.015139809,0.000040460855,0.0013948968,0.0064586797,0.0014078784,0.008243949,0.00037304003,0.51207644],"genre_scores_gemma":[0.95126444,0.0032789004,0.000068717156,0.00075055193,0.00028087402,0.000012902604,0.00019421145,0.00010695673,0.044042468],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952083,0.0013903296,0.0005928969,0.0008093772,0.0007933858,0.0012057115],"domain_scores_gemma":[0.99683225,0.0003635599,0.00067195104,0.0015164467,0.00018447498,0.0004313154],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007676162,0.0006099533,0.0008815551,0.00007153843,0.00028862627,0.00008588968,0.0011947232,0.00014743702,0.0077809985],"category_scores_gemma":[0.00010859165,0.00046862228,0.0004028137,0.00092732813,0.0011900399,0.00029647612,0.00025127124,0.0006238957,0.0017428943],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006845484,0.00054264726,0.11491379,0.000018223202,0.000305138,0.0000046972023,0.0016743734,0.0000056788567,0.00016933096,0.000008585987,0.8533482,0.028324816],"study_design_scores_gemma":[0.0014988935,0.0008473295,0.11117879,0.000056289013,0.00014966796,0.000010844413,0.0010932477,0.000034665984,0.00020849385,0.0000068005193,0.8842421,0.0006728749],"about_ca_topic_score_codex":0.06052668,"about_ca_topic_score_gemma":0.000489051,"teacher_disagreement_score":0.49639955,"about_ca_system_score_codex":0.00016877355,"about_ca_system_score_gemma":0.00009581041,"threshold_uncertainty_score":0.99977654},"labels":[],"label_agreement":null},{"id":"W2098572061","doi":"10.1017/s0040557410000244","title":"CREATING A CONTEMPORARY ARCHIVE: ALONZO KING LINES BALLET AT TWENTY-FIVE","year":2010,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Visual arts; Art; Limiting; Modern dance; Contemporary dance; White (mutation); Quarter (Canadian coin); Art history; History; Aesthetics; Literature; Engineering","score_opus":0.044558710774807185,"score_gpt":0.311653807832862,"score_spread":0.26709509705805484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098572061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7004209,0.00014427734,0.000037380574,0.00018576169,0.0010368417,0.00013814475,0.00032252618,0.000093356815,0.2976208],"genre_scores_gemma":[0.99021167,0.000005915794,0.00026802853,0.0004178931,0.0002846498,0.000004640036,0.00021486341,0.0000257819,0.008566551],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998492,0.00039195683,0.00021658582,0.00034296594,0.00017640492,0.00038007615],"domain_scores_gemma":[0.9984583,0.000722782,0.00012960407,0.00047480268,0.000054597018,0.00015990922],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00093363784,0.00019655305,0.00027678136,0.00008513566,0.0002593027,0.000045010744,0.0003666609,0.0001231193,0.0022095381],"category_scores_gemma":[0.00013904422,0.00018227048,0.00009708276,0.00013051594,0.00016036617,0.00014781993,0.00019572029,0.00038929345,0.0011102017],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060910394,0.00020602572,0.9344174,0.000013883274,0.00015596232,0.00006437266,0.0049069263,0.0000023548046,0.0027144013,0.00068188197,0.05188868,0.004338976],"study_design_scores_gemma":[0.0010741863,0.0001354922,0.9707546,0.000035360048,0.000015254279,0.000026155323,0.0005072179,0.000023223856,0.00020968192,0.0002698213,0.02666884,0.00028016395],"about_ca_topic_score_codex":0.011849167,"about_ca_topic_score_gemma":0.004892522,"teacher_disagreement_score":0.28979075,"about_ca_system_score_codex":0.000017365697,"about_ca_system_score_gemma":0.000042014002,"threshold_uncertainty_score":0.9996675},"labels":[],"label_agreement":null},{"id":"W2098754061","doi":"","title":"Learning Mathematics Through Dance","year":2013,"lang":"en","type":"article","venue":"Proceedings of Bridges 2013: Mathematics, Music, Art, Architecture, Culture","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Embodied cognition; Dance; Storytelling; The arts; Visual arts; Cognitive science; Cognition; Aesthetics; Sociology; Psychology; Mathematics education; Epistemology; Art; Philosophy; Literature","score_opus":0.02300450414793793,"score_gpt":0.25558661032332075,"score_spread":0.23258210617538283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098754061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63052416,0.0007348766,0.0036719088,0.0011534188,0.00060485926,0.0015740397,0.000056949426,0.00052206323,0.36115772],"genre_scores_gemma":[0.7030746,0.0003903631,0.19209236,0.002077617,0.0013597733,0.0002708753,0.00006868606,0.00032164325,0.1003441],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969001,0.000020974552,0.0008135661,0.0006679493,0.0006985028,0.0008989383],"domain_scores_gemma":[0.9976131,0.00015571745,0.000994173,0.0004072498,0.0005894454,0.00024032175],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036363574,0.00062896195,0.0009230288,0.00016882544,0.00029788027,0.00023795008,0.0010105077,0.0003505878,0.0028593894],"category_scores_gemma":[0.00043547497,0.0005258208,0.0003378957,0.00034206125,0.00045016466,0.0008510859,0.00031828898,0.0009285279,0.0025563976],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053100735,0.0015658264,0.0014471189,0.0026209035,0.0005611217,0.000006973085,0.16907178,0.000081427075,0.014250177,0.05377966,0.7528191,0.0037427868],"study_design_scores_gemma":[0.007114691,0.0035610644,0.016701894,0.004804588,0.0012140062,0.0012433016,0.15277158,0.0019835255,0.028420936,0.32437643,0.45192894,0.0058790212],"about_ca_topic_score_codex":0.00010435287,"about_ca_topic_score_gemma":0.000006622481,"teacher_disagreement_score":0.30089018,"about_ca_system_score_codex":0.00005050398,"about_ca_system_score_gemma":0.000023079909,"threshold_uncertainty_score":0.9997193},"labels":[],"label_agreement":null},{"id":"W2099279460","doi":"10.1136/bjsm.35.1.54","title":"Changes in hip and ankle range of motion and hip muscle strength in 8–11 year old novice female ballet dancers and controls: a 12 month follow up study","year":2001,"lang":"en","type":"article","venue":"British Journal of Sports Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":88,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"National Health and Medical Research Council; Medical Research Council","keywords":"Ballet; Ballet dancer; Range of motion; Ankle; Muscle strength; Medicine; Physical therapy; Physical medicine and rehabilitation; Anatomy; Dance","score_opus":0.02326491118763872,"score_gpt":0.2688384770941457,"score_spread":0.245573565906507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2099279460","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9900479,0.008376027,0.0000042896213,0.0005431338,0.00023121329,0.00026949332,0.000011507494,0.0000039777574,0.0005124842],"genre_scores_gemma":[0.9939021,0.005611789,0.000026359236,0.00016156337,0.000119496886,0.0000018033184,0.0000019143429,0.000008629596,0.0001663418],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989367,0.00006488358,0.00036264892,0.0001734115,0.0002665261,0.00019583557],"domain_scores_gemma":[0.99938005,0.00006221671,0.0002882215,0.00008331665,0.000057473353,0.00012869827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009107487,0.000106136584,0.00047570743,0.0002254255,0.00003136961,0.000012823373,0.000075948694,0.000067635665,0.0002073374],"category_scores_gemma":[0.000092984366,0.000110342604,0.000018804858,0.00014623569,0.00014337018,0.00017194709,0.000025229127,0.00020044588,1.9113742e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004981625,0.00030723627,0.8339391,0.000031558324,0.000032507665,0.0018380937,0.0059645236,0.000001107103,0.00003545414,0.000009092184,0.00039219912,0.156951],"study_design_scores_gemma":[0.015424844,0.0007986393,0.96105266,0.0010365263,0.00006003044,0.00046977433,0.020750223,0.000006914368,0.0000018338733,0.000035353223,0.0002782911,0.00008488538],"about_ca_topic_score_codex":0.0033751011,"about_ca_topic_score_gemma":0.0045513506,"teacher_disagreement_score":0.1568661,"about_ca_system_score_codex":0.00002632064,"about_ca_system_score_gemma":0.000011408799,"threshold_uncertainty_score":0.5102166},"labels":[],"label_agreement":null},{"id":"W2100505772","doi":"10.1017/s0261143006000973","title":"‘The dancing front’: dance music, dancing, and the BBC in World War II","year":2006,"lang":"en","type":"article","venue":"Popular Music","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Dance; Jazz dance; Contemporary dance; Concert dance; Choreography; Popular music; Visual arts; Context (archaeology); Entertainment; Electronic dance music; Media studies; Art; Popularity; Swing; Sociology; Aesthetics; History; Political science; Law","score_opus":0.01793739697827068,"score_gpt":0.24364647730532954,"score_spread":0.22570908032705886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2100505772","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94743115,0.008870227,0.00012937494,0.0023120777,0.0015081448,0.00036968617,0.000011577148,0.00006044241,0.039307337],"genre_scores_gemma":[0.98165333,0.000044876364,0.00014379695,0.0016147867,0.0003993175,0.0000209863,0.000007895915,0.000020829788,0.01609419],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844486,0.00018067494,0.0002904633,0.00034565135,0.00021597733,0.0005223491],"domain_scores_gemma":[0.9990558,0.00014160213,0.00014504601,0.00057726103,0.00002365137,0.000056631754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068577635,0.00019004756,0.00025667498,0.00009033905,0.0006735373,0.00006068511,0.0004235363,0.000068628935,0.00023306112],"category_scores_gemma":[0.000086176864,0.00013049744,0.00008011714,0.00026771304,0.00029919826,0.00018702773,0.00019944276,0.00034232036,0.00012217459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010418096,0.0005307991,0.20271945,0.000063587046,0.00018375959,0.00023484632,0.036246717,0.00013917124,0.0007419495,0.14119855,0.56497407,0.05192528],"study_design_scores_gemma":[0.005087344,0.00008281739,0.4771157,0.00012077003,0.00007304026,0.000029457171,0.0024443069,0.00022052575,0.0000834028,0.009855863,0.50441915,0.00046764596],"about_ca_topic_score_codex":0.005538304,"about_ca_topic_score_gemma":0.023811623,"teacher_disagreement_score":0.27439624,"about_ca_system_score_codex":0.00006499541,"about_ca_system_score_gemma":0.000016553544,"threshold_uncertainty_score":0.99400127},"labels":[],"label_agreement":null},{"id":"W2109174172","doi":"10.7202/1003044ar","title":"“I was a 555-pound freak”: The Self, Freakery, and Sexuality in Celesta ‘Dolly Dimples’ Geyer’s Diet or Die1","year":2011,"lang":"en","type":"article","venue":"Journal of the Canadian Historical Association","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; FREAK; Human sexuality; Gender studies; Narrative; Psychoanalysis; Literature; History; Psychology; Sociology; Art","score_opus":0.049922793103845155,"score_gpt":0.2598654500257705,"score_spread":0.20994265692192535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109174172","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9326791,0.00053470983,0.000011518067,0.05560701,0.0036297925,0.00024979055,0.00011085478,0.0000135958635,0.0071635963],"genre_scores_gemma":[0.97859013,0.000045082306,0.000095802374,0.0012225923,0.00032927704,0.0000021923954,0.0000010200232,0.00001153635,0.01970235],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9984553,0.0003883034,0.00036029032,0.00012428757,0.00032753387,0.00034431514],"domain_scores_gemma":[0.9985338,0.00027149744,0.00059186853,0.00020523257,0.000131484,0.00026612668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001203269,0.000114636314,0.000249121,0.000108105116,0.00029416385,0.000037247562,0.00040268956,0.0001850922,0.00019744964],"category_scores_gemma":[0.00069856766,0.000070745096,0.00010064523,0.00026203436,0.000014299348,0.00018809082,0.000037991493,0.00050863455,0.000016331356],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028480173,0.00024255959,0.40388364,0.000009494391,0.000207965,0.00007641961,0.020744443,0.0000010310304,0.0000120265895,0.00051569345,0.57283646,0.0011854854],"study_design_scores_gemma":[0.0006578764,0.00027902835,0.7238262,0.000016154794,0.000086273285,0.000029171048,0.0003559738,0.000003341495,0.0000030816695,0.0011849491,0.27343848,0.000119433615],"about_ca_topic_score_codex":0.3492513,"about_ca_topic_score_gemma":0.74921167,"teacher_disagreement_score":0.39996034,"about_ca_system_score_codex":0.02845628,"about_ca_system_score_gemma":0.0004429354,"threshold_uncertainty_score":0.9752733},"labels":[],"label_agreement":null},{"id":"W2109181736","doi":"","title":"Curating Difference?: The Curator’s Role in Challenging Stereotypical Representations of the Body and Identity in Contemporary Dance","year":2015,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Identity (music); Race (biology); Human sexuality; Sociology; Gender studies; Power (physics); Contemporary dance; Aesthetics; Visual arts; Art","score_opus":0.060003534090313886,"score_gpt":0.3095934875055641,"score_spread":0.2495899534152502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109181736","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81941015,0.000028769287,0.00008565375,0.00036308652,0.00015409414,0.00034559163,0.000015908603,0.000017878196,0.17957886],"genre_scores_gemma":[0.9988072,0.0010372662,0.000025473526,0.00005429475,0.00002008117,0.0000017780155,0.0000020437822,0.0000060442903,0.000045834928],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99882287,0.00037154485,0.00017608351,0.00024908507,0.00017689989,0.0002034892],"domain_scores_gemma":[0.9992667,0.00013934287,0.0001443478,0.0003495636,0.000052008352,0.000048070055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002793037,0.000113281734,0.00018302526,0.001307672,0.00010524941,0.00002984407,0.0004640568,0.00007337274,0.000008678808],"category_scores_gemma":[0.00013693779,0.00008930312,0.000047630347,0.0027220044,0.0001803956,0.0006036302,0.00031698172,0.00029875812,0.0000037342095],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004036849,0.00052579975,0.84473825,0.00003980743,0.00007779644,0.000106232415,0.10827207,0.000033828568,0.000040340354,0.041795954,0.00015977716,0.0038064485],"study_design_scores_gemma":[0.003757839,0.00015770442,0.8425014,0.00021113397,0.00003271803,0.000013746047,0.08743831,0.00067610416,0.00010318274,0.000086179476,0.0647232,0.0002984899],"about_ca_topic_score_codex":0.046473328,"about_ca_topic_score_gemma":0.017017575,"teacher_disagreement_score":0.17953302,"about_ca_system_score_codex":0.00008328691,"about_ca_system_score_gemma":0.00016411461,"threshold_uncertainty_score":0.9598763},"labels":[],"label_agreement":null},{"id":"W2109920314","doi":"10.1016/j.ctim.2012.07.003","title":"Argentine tango dance compared to mindfulness meditation and a waiting-list control: A randomised trial for treating depression","year":2012,"lang":"en","type":"article","venue":"Complementary Therapies in Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":193,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Interdisciplinary Research in Rehabilitation; McGill University","funders":"","keywords":"Meditation; Mindfulness; Medicine; Anxiety; Dance; Depression (economics); Perceived Stress Scale; Clinical psychology; Randomized controlled trial; Analysis of covariance; Physical therapy; Psychiatry; Stress (linguistics); Internal medicine","score_opus":0.06239791413726236,"score_gpt":0.36979225160432805,"score_spread":0.3073943374670657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109920314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9811864,0.00166156,0.010325699,0.0022682042,0.0014903776,0.0021822678,0.00008935597,0.000030363033,0.00076577096],"genre_scores_gemma":[0.9955948,0.0000034859042,0.00089145935,0.0018368631,0.0010127105,0.00036478252,0.00017365445,0.000015539163,0.000106689244],"study_design_codex":"randomized_trial","study_design_gemma":"randomized_trial","domain_scores_codex":[0.9984978,0.00021106849,0.00042837992,0.00024393394,0.00020350487,0.00041532447],"domain_scores_gemma":[0.99854386,0.00089074805,0.0001799214,0.00018908651,0.000044684977,0.00015169579],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011612705,0.00017848478,0.00047217755,0.0001459147,0.00016341022,0.000011742604,0.00017059552,0.000038996353,0.0016245423],"category_scores_gemma":[0.0002101695,0.00014792386,0.000042427833,0.00013962286,0.0001184064,0.00015850927,0.000036596834,0.00009113175,0.000004526883],"study_design_candidate":"randomized_trial","study_design_consensus":"randomized_trial","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.5375836,0.0013960301,0.16795214,0.0001859944,0.00084773876,0.000012244761,0.089154325,0.000011915638,0.004396695,0.0036086142,0.07725276,0.117597945],"study_design_scores_gemma":[0.9078535,0.0014609628,0.041479606,0.00041148416,0.00020192338,0.000009261415,0.021121528,0.00058851496,0.00052704505,0.0012023974,0.02475032,0.00039348035],"about_ca_topic_score_codex":0.0003870899,"about_ca_topic_score_gemma":0.00009844538,"teacher_disagreement_score":0.37026986,"about_ca_system_score_codex":0.000042888525,"about_ca_system_score_gemma":0.0000069214548,"threshold_uncertainty_score":0.9992881},"labels":[],"label_agreement":null},{"id":"W2113227603","doi":"10.5539/ass.v5n1p101","title":"Altogether Dances with God---Recording China's Exorcism Dance Culture","year":2009,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Treasure; Worship; Exorcism; Dance; China; Aesthetics; Environmental ethics; History; Sociology; Philosophy; Art; Anthropology; Literature; Theology; Archaeology","score_opus":0.013149795828084334,"score_gpt":0.3018117433123977,"score_spread":0.28866194748431334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2113227603","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0854841,0.000118332035,0.00045609687,0.0042178086,0.0004901737,0.0001222206,0.0000072741796,0.00008869031,0.9090153],"genre_scores_gemma":[0.99290514,0.0000068740846,0.00073956046,0.0013794942,0.0003060326,0.000002404743,8.814524e-7,0.000005558504,0.004654038],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9984909,0.00003686828,0.00010108968,0.00041371147,0.0004095782,0.00054782175],"domain_scores_gemma":[0.99950427,0.0000074576487,0.00010827172,0.00019746031,0.00004944983,0.00013307617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028790085,0.00014122967,0.00015931463,0.00005473264,0.0008736284,0.00013201099,0.0007051829,0.000078130215,0.00032366865],"category_scores_gemma":[0.000024465537,0.000114468145,0.00004698114,0.0008420178,0.00072661805,0.00074859685,0.000038117138,0.00020566951,0.00016914605],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001302184,0.00019146591,0.003388012,0.000003897141,0.00002078933,0.00004442227,0.044200975,6.0139416e-7,0.0024005217,0.08712006,0.023540206,0.8389588],"study_design_scores_gemma":[0.00057035615,0.00041836328,0.9488819,0.00004079044,0.000015420215,0.000019124596,0.0060914736,0.0000018542017,0.00040203304,0.004315812,0.03888238,0.00036049334],"about_ca_topic_score_codex":0.00008312332,"about_ca_topic_score_gemma":0.000010542683,"teacher_disagreement_score":0.9454939,"about_ca_system_score_codex":0.00007129293,"about_ca_system_score_gemma":0.000066023815,"threshold_uncertainty_score":0.6719332},"labels":[],"label_agreement":null},{"id":"W2114723764","doi":"10.7202/900661ar","title":"Étude comparative de deux approches d’enseignement en danse classique","year":2009,"lang":"fr","type":"article","venue":"Revue des sciences de l éducation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.3295673746839873,"score_gpt":0.43874862288947625,"score_spread":0.10918124820548897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114723764","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86183906,0.0030931819,0.012541722,0.0087894155,0.0009495877,0.00027569066,0.000013926717,0.000040918738,0.112456515],"genre_scores_gemma":[0.97446555,0.0003436924,0.017749207,0.001439172,0.00030844862,0.000010293425,0.000009532993,0.0000050249173,0.005669083],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99797493,0.0005692213,0.00023531956,0.00041666595,0.00018796936,0.0006159138],"domain_scores_gemma":[0.99911135,0.00017557926,0.0001824354,0.00024140127,0.000090725654,0.00019851046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013446526,0.00018487428,0.00021563136,0.00013655015,0.00060602353,0.00017303131,0.0005280508,0.00017690565,0.00026741315],"category_scores_gemma":[0.00014670576,0.00020775353,0.000081497026,0.000557866,0.0012163894,0.0005462775,0.000032308002,0.00022570736,0.00033504458],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009591646,0.002003121,0.008742059,0.00020309647,0.00007096959,0.000024633815,0.80034435,0.0017327664,0.006963804,0.11974123,0.035704046,0.024374034],"study_design_scores_gemma":[0.0008804131,0.0027854086,0.8064181,0.00077796855,0.0001791072,0.000491419,0.09998487,0.0064897677,0.0040963874,0.052941646,0.024171872,0.0007830408],"about_ca_topic_score_codex":0.00045542337,"about_ca_topic_score_gemma":0.00045994399,"teacher_disagreement_score":0.797676,"about_ca_system_score_codex":0.0014127257,"about_ca_system_score_gemma":0.0005451337,"threshold_uncertainty_score":0.8471943},"labels":[],"label_agreement":null},{"id":"W2116882820","doi":"10.5539/ass.v8n7p240","title":"Chinese Tibetan Guozhuang Dance from the Perspective of Sports","year":2012,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Entertainment; Martial arts; Tourism; Perspective (graphical); Value (mathematics); Sociology; Advertising; Political science; Visual arts; Art; Business","score_opus":0.017161980761469027,"score_gpt":0.33390182585263806,"score_spread":0.31673984509116904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116882820","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43871096,0.00018124124,0.000032443488,0.0010919739,0.0006021049,0.00005749347,0.000021983413,0.000013153127,0.5592887],"genre_scores_gemma":[0.99870443,0.0000023852756,0.00008879804,0.00031116608,0.00045402837,0.0000011285161,7.7975096e-7,0.0000035046291,0.00043375193],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99899685,0.000041053387,0.000085276435,0.00017179074,0.0003649901,0.00034003746],"domain_scores_gemma":[0.9994982,0.000043532153,0.00010407328,0.0002040351,0.00006719848,0.00008295658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044749663,0.00007348442,0.00010802026,0.000024591176,0.00038174907,0.000020996793,0.00053684216,0.000041020656,0.00058676343],"category_scores_gemma":[0.00010260709,0.0000526356,0.000054401666,0.00058059517,0.0009997673,0.00036830115,0.000086499065,0.00010812148,0.00009540116],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040658786,0.00018904006,0.48514938,0.0000013795725,0.00002995522,0.0000038687144,0.19315454,3.74909e-8,0.0014285235,0.25180915,0.0049594,0.063234046],"study_design_scores_gemma":[0.00010549026,0.000012853526,0.97357076,0.000004473828,0.000008052982,9.977442e-7,0.020789055,1.6768531e-7,0.00007496566,0.004441927,0.0009254998,0.00006577499],"about_ca_topic_score_codex":0.00061476417,"about_ca_topic_score_gemma":0.0000125041,"teacher_disagreement_score":0.5599935,"about_ca_system_score_codex":0.00006883928,"about_ca_system_score_gemma":0.0000476179,"threshold_uncertainty_score":0.6424648},"labels":[],"label_agreement":null},{"id":"W2118906486","doi":"10.3389/fpsyg.2014.00731","title":"Developing a dancer wellness program employing developmental evaluation","year":2014,"lang":"en","type":"article","venue":"Frontiers in Psychology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hotchkiss Brain Institute; University of Calgary","funders":"University of Calgary","keywords":"Ballet; Process (computing); Psychology; Classical ballet; Medical education; Health care; Leadership development; Focus group; Dance; Applied psychology; Public relations; Medicine; Computer science; Sociology","score_opus":0.05947540942120119,"score_gpt":0.38603450973437226,"score_spread":0.32655910031317104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2118906486","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5669687,0.0008622981,0.20941053,0.0016765234,0.016293405,0.0012629643,0.0000058889123,0.00026840752,0.20325129],"genre_scores_gemma":[0.85269,0.000038751845,0.14340353,0.0028541507,0.00021305704,0.00029162044,0.0000390511,0.00003716524,0.0004327061],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9979629,0.00037903397,0.00031431642,0.0005426622,0.00023957509,0.0005614908],"domain_scores_gemma":[0.9994318,0.000037250767,0.00011830973,0.0002845684,0.000051696472,0.000076413045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010496287,0.00019050244,0.00028289293,0.0003181051,0.00012083949,0.00002851754,0.00039546314,0.00022375042,0.00058387313],"category_scores_gemma":[0.000099957266,0.00021075206,0.000049844915,0.0004384487,0.00014973222,0.0001848702,0.000059275735,0.00025635134,0.0003252008],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013298148,0.00017812673,0.1734339,0.000008644089,0.000055854667,0.0000067118885,0.001534477,0.0000030071433,0.000016025722,0.0013687519,0.04656897,0.77669257],"study_design_scores_gemma":[0.0050596395,0.0003070753,0.6130952,0.000088977096,0.00004059791,0.00005773933,0.002716527,0.0004061669,0.000080067424,0.021256518,0.35624543,0.0006460292],"about_ca_topic_score_codex":0.00003775458,"about_ca_topic_score_gemma":0.000025318212,"teacher_disagreement_score":0.7760465,"about_ca_system_score_codex":0.00026348027,"about_ca_system_score_gemma":0.0000808362,"threshold_uncertainty_score":0.8594219},"labels":[],"label_agreement":null},{"id":"W2119238504","doi":"10.1177/1049732306286846","title":"Body-Related Emotional Experiences of Young Aboriginal Women","year":2006,"lang":"en","type":"article","venue":"Qualitative Health Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Beauty; Focus group; Psychology; Qualitative research; Developmental psychology; Emotional health; Gender studies; Mental health; Sociology; Psychiatry","score_opus":0.2029951790636334,"score_gpt":0.5757996843894828,"score_spread":0.3728045053258494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2119238504","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9386891,0.0005264612,0.00010496684,0.0015508787,0.00032285505,0.00024703404,0.00005789524,0.000024428506,0.058476355],"genre_scores_gemma":[0.9859245,0.000025600228,0.0002583101,0.000089795016,0.000077003766,0.00006696793,0.000022087896,0.0000084160865,0.013527346],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9948318,0.0027017035,0.0004107501,0.00029054206,0.0009191565,0.00084604573],"domain_scores_gemma":[0.9982177,0.00084057543,0.00014956044,0.00020113771,0.0003929879,0.00019802789],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005952996,0.00009517472,0.00024277534,0.00030025604,0.00033311688,0.000020904985,0.00027307824,0.00007969807,0.0045093456],"category_scores_gemma":[0.00015154596,0.000091407186,0.000042875516,0.0007424617,0.0007796439,0.00017556742,0.000032703956,0.00040933528,0.00047612478],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002031378,0.0004010366,0.0015301838,0.0000674964,0.000030469715,0.000006765931,0.7624505,0.0000011104445,0.000050076913,0.20004857,0.034638237,0.0005723926],"study_design_scores_gemma":[0.00093541207,0.0015520892,0.0942061,0.00006469985,9.000733e-7,0.0000051976144,0.8793105,0.000008319596,0.000061870734,0.013807408,0.009926037,0.00012144649],"about_ca_topic_score_codex":0.0042301174,"about_ca_topic_score_gemma":0.000027380964,"teacher_disagreement_score":0.18624116,"about_ca_system_score_codex":0.00027809342,"about_ca_system_score_gemma":0.0004573638,"threshold_uncertainty_score":0.99640065},"labels":[],"label_agreement":null},{"id":"W2121474814","doi":"10.1123/japa.11.1.123","title":"Characteristics, Enrollment, Attendance, and Dropout Patterns of Older Adults in Beginner Tai-Chi and Line-Dancing Programs","year":2003,"lang":"en","type":"article","venue":"Journal of Aging and Physical Activity","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Attendance; Dropout (neural networks); Psychology; Recreation; Gerontology; Demography; Medicine; Sociology","score_opus":0.01374006856508671,"score_gpt":0.278626004116663,"score_spread":0.2648859355515763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2121474814","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9991428,0.00011904474,0.00018080325,0.00017243097,0.00013363665,0.000068889305,0.000012090576,0.0000038191265,0.00016648803],"genre_scores_gemma":[0.99965996,0.00006702513,0.000058453672,0.000041500665,0.00011241834,6.606349e-7,5.8331545e-7,0.000006562522,0.000052846764],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99931395,0.00009381244,0.00014933205,0.00014599369,0.00011994701,0.00017695595],"domain_scores_gemma":[0.99942666,0.0000826502,0.00026770725,0.00007547354,0.000044838896,0.00010265066],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002011444,0.00011480177,0.00033281,0.00006709743,0.00004377462,0.000029307228,0.000046955327,0.000041044837,0.0000062541576],"category_scores_gemma":[0.000029303303,0.0000957076,0.00004532192,0.00006404948,0.00008153798,0.00024145479,0.000028351196,0.0002952232,4.4735324e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020760484,0.00114202,0.89442134,0.00013053595,0.00007105884,0.00003185491,0.0058664843,5.734436e-7,0.00086746475,0.00019375885,0.000019598881,0.09704772],"study_design_scores_gemma":[0.0016164288,0.00039278588,0.99563,0.00043439143,0.00003619232,0.000046787038,0.00052354735,0.00009196215,0.00088339683,0.00009552369,0.00013271353,0.00011626345],"about_ca_topic_score_codex":0.00009848707,"about_ca_topic_score_gemma":0.0000069556363,"teacher_disagreement_score":0.10120868,"about_ca_system_score_codex":0.000012706967,"about_ca_system_score_gemma":0.000011443772,"threshold_uncertainty_score":0.39028427},"labels":[],"label_agreement":null},{"id":"W2127529415","doi":"10.7202/018834ar","title":"Folk Dance Revival Strategies","year":2008,"lang":"en","type":"article","venue":"Ethnologies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Terminology; Government (linguistics); Conceptual framework; Sociology; Folk dance; Aesthetics; Psychology; Visual arts; Art; Linguistics; Social science; Philosophy","score_opus":0.08053243583385503,"score_gpt":0.33913668246316225,"score_spread":0.25860424662930726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2127529415","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7597765,0.0018574342,0.0002844402,0.0016405624,0.00087573787,0.000079293626,0.000009129902,0.00045193432,0.23502497],"genre_scores_gemma":[0.98412305,0.0003355376,0.000649845,0.00023850516,0.0000754397,0.0000058214255,0.0000025024021,0.0000069501452,0.014562371],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9992399,0.000046018842,0.00010661609,0.0002089082,0.00010454471,0.000293977],"domain_scores_gemma":[0.99944675,0.000079648744,0.00005540084,0.00035801434,0.000028811757,0.00003137079],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007659296,0.00010854684,0.0001523063,0.0000519445,0.00016633984,0.00002101261,0.000358752,0.0001291593,0.0007754304],"category_scores_gemma":[0.0001128298,0.000085475294,0.000055891695,0.00013413755,0.00041895243,0.0002904155,0.00008935737,0.00020883212,0.0016055399],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002769287,0.00040820136,0.058847863,0.00005289432,0.00030875346,0.0010080251,0.04452418,0.00005000803,0.0015278942,0.172991,0.66565627,0.05434798],"study_design_scores_gemma":[0.0014322193,0.00070568116,0.6951274,0.000057608966,0.00003085888,0.00019878113,0.095193185,0.0000034861207,0.0020487746,0.012857287,0.19164172,0.00070297933],"about_ca_topic_score_codex":0.00010708604,"about_ca_topic_score_gemma":0.000008447541,"teacher_disagreement_score":0.6362796,"about_ca_system_score_codex":0.000015661419,"about_ca_system_score_gemma":0.00003153892,"threshold_uncertainty_score":0.99917185},"labels":[],"label_agreement":null},{"id":"W2134890287","doi":"10.1164/ajrccm.162.6.10-00hh","title":"A Being Breathing Thoughtful Breaths*","year":2000,"lang":"en","type":"article","venue":"American Journal of Respiratory and Critical Care Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Medicine; Breathing; Intensive care medicine; Positive-Pressure Respiration; Anesthesia; Mechanical ventilation","score_opus":0.01889277777745397,"score_gpt":0.33136618069241436,"score_spread":0.3124734029149604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2134890287","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93815106,0.006178709,0.00020004474,0.0023558552,0.00032081196,0.000037961014,0.0000054824427,0.000016676891,0.0527334],"genre_scores_gemma":[0.9926132,0.000063704334,0.00022144479,0.006157965,0.00075579307,6.320333e-7,4.0111664e-7,0.000010779918,0.00017606789],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998717,0.00021365155,0.0003304701,0.00016132719,0.0002999204,0.00027759155],"domain_scores_gemma":[0.9988607,0.00035414903,0.00009244138,0.00015603492,0.00017824337,0.00035842933],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039409503,0.00013638544,0.0004148767,0.000116550735,0.00013488445,0.000018709103,0.00017400741,0.00004641832,0.0024448412],"category_scores_gemma":[0.00023552368,0.000104348845,0.00007649319,0.00020273011,0.001153284,0.00019837951,0.000016776568,0.00037846947,0.00002576265],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005579809,0.00007296784,0.015444509,0.00003784827,0.0000713137,0.001378709,0.016641302,7.5060075e-7,0.00015484338,0.003994713,0.0025992685,0.95904577],"study_design_scores_gemma":[0.007120375,0.04344346,0.19943078,0.0017897598,0.0010720793,0.0061938246,0.19873407,0.0000033186122,0.00026386208,0.0022658785,0.5387167,0.0009659245],"about_ca_topic_score_codex":0.00005352814,"about_ca_topic_score_gemma":0.000001092876,"teacher_disagreement_score":0.9580799,"about_ca_system_score_codex":0.000027838638,"about_ca_system_score_gemma":0.000036551035,"threshold_uncertainty_score":0.9984671},"labels":[],"label_agreement":null},{"id":"W2139953031","doi":"","title":"Women in Imolè Festival in Àkókó Area of Oǹdó State, South West, Nigeria","year":2014,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Yoruba; Harmony (color); Gender studies; Sociology; State (computer science); Geography; Art; Visual arts","score_opus":0.016755541328741293,"score_gpt":0.30274245615311896,"score_spread":0.28598691482437766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2139953031","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97708637,0.008088216,0.0000012439496,0.00006484972,0.00026259778,0.000098976096,0.000058952643,0.000009796176,0.014329021],"genre_scores_gemma":[0.99740684,0.00006304133,0.000048129692,0.00022228346,0.000048306254,0.000009813358,0.0000073968013,0.0000062518907,0.0021879459],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99909544,0.00012109599,0.0001844046,0.00020558665,0.000073552554,0.00031994496],"domain_scores_gemma":[0.99960554,0.00011813681,0.000054984335,0.00016189109,0.000019598774,0.00003986071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037091936,0.00012483998,0.00032515323,0.00019098577,0.00001980852,0.000015823907,0.00010022622,0.00007457917,0.000070077105],"category_scores_gemma":[0.0001536018,0.00010502939,0.00002112856,0.00029969565,0.0001225978,0.00010612677,0.000081880105,0.00022877549,0.000005561608],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023810012,0.00011043851,0.2493634,0.00010706657,0.000041437263,0.00018593152,0.7450536,0.0000025083484,0.00013443887,0.00021850492,0.0009657103,0.0035788717],"study_design_scores_gemma":[0.0027508806,0.00043617166,0.8570249,0.0006528839,0.0000048493216,0.000008842372,0.13572524,0.0000020971236,0.000058130103,0.0010764601,0.0019987202,0.0002608355],"about_ca_topic_score_codex":0.000085802734,"about_ca_topic_score_gemma":0.00029309824,"teacher_disagreement_score":0.6093283,"about_ca_system_score_codex":0.000036742505,"about_ca_system_score_gemma":0.0000071940863,"threshold_uncertainty_score":0.42829743},"labels":[],"label_agreement":null},{"id":"W2140687902","doi":"10.7202/018835ar","title":"Remain True to the Culture?","year":2008,"lang":"en","type":"article","venue":"Ethnologies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Ukrainian; Dance; Choreography; Politics; Identity (music); Political science; History; Gender studies; Sociology; Law; Aesthetics; Visual arts; Art; Linguistics","score_opus":0.061031147969924864,"score_gpt":0.3241067748773457,"score_spread":0.2630756269074208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2140687902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69245017,0.0010613478,0.00035769813,0.03881927,0.0015130054,0.00022523268,0.000019452606,0.00042690564,0.2651269],"genre_scores_gemma":[0.9448927,0.00007592885,0.00056777976,0.0026785908,0.00009548224,0.000008782151,0.0000013871106,0.0000046331966,0.05167472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945027,0.000050835217,0.00006280432,0.0001414748,0.000079649246,0.00021494298],"domain_scores_gemma":[0.9995083,0.00005790633,0.00002333263,0.00036194152,0.000018880004,0.000029600198],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009626753,0.000070840724,0.00008351444,0.000032298834,0.00020566335,0.000010428677,0.00041543852,0.00009322868,0.0004040439],"category_scores_gemma":[0.00024977722,0.0000382393,0.000039686416,0.00015781305,0.00016568755,0.000056140932,0.000103378836,0.00017201243,0.003712286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036205787,0.00003567721,0.0032752212,0.0000011823955,0.00003182108,0.000046667275,0.040907387,0.000008193043,0.00012284862,0.0041873953,0.941849,0.009498408],"study_design_scores_gemma":[0.0002798213,0.00023980488,0.17227693,0.0000067855212,0.0000071547747,0.000051560204,0.027746318,5.159949e-7,0.0008654339,0.001069712,0.7973089,0.00014702199],"about_ca_topic_score_codex":0.00011523264,"about_ca_topic_score_gemma":0.000030173314,"teacher_disagreement_score":0.25244254,"about_ca_system_score_codex":0.000013384135,"about_ca_system_score_gemma":0.00000846633,"threshold_uncertainty_score":0.99706346},"labels":[],"label_agreement":null},{"id":"W2142615113","doi":"10.3138/ctr.163.004","title":"Absent, Invisible, and Incoherent: Archiving Queer Women’s Performance Futurities","year":2015,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Invisibility; Space (punctuation); Gender studies; Visibility; Documentation; Aesthetics; Sociology; Visual arts; Art; Computer science; Geography","score_opus":0.03512178029104976,"score_gpt":0.2689415246753905,"score_spread":0.23381974438434075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2142615113","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26527932,0.3106116,0.0000030386595,0.0031761818,0.0006699749,0.00045833623,0.00006498478,0.000045958623,0.4196906],"genre_scores_gemma":[0.91742265,0.065562166,0.00005374238,0.0106353015,0.00025141498,0.000052719897,0.000015049466,0.000026770816,0.005980162],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903023,0.00008558557,0.00014814925,0.000188842,0.00010099969,0.00044620663],"domain_scores_gemma":[0.9988054,0.000023530874,0.000046118897,0.00028661246,0.000028170567,0.00081016717],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003267687,0.00013681367,0.00025786323,0.00010581931,0.000098591685,0.000034816145,0.00019856951,0.00004586664,0.0010794357],"category_scores_gemma":[0.00002113205,0.00012610093,0.000035349723,0.00013308616,0.00008416876,0.000168729,0.000036762514,0.00014871378,0.00051074306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001931599,0.00003057317,0.0549915,0.002536517,0.00012030156,0.000072975374,0.009363026,8.9299004e-7,8.4521304e-7,0.0026447875,0.2833573,0.646862],"study_design_scores_gemma":[0.00026358373,0.00009661867,0.020097952,0.0016999886,0.000026303136,0.00006198957,0.0011660475,0.0000023453374,8.1304904e-7,0.00018456098,0.97619504,0.0002047848],"about_ca_topic_score_codex":0.017862959,"about_ca_topic_score_gemma":0.013556794,"teacher_disagreement_score":0.6928377,"about_ca_system_score_codex":0.00021228832,"about_ca_system_score_gemma":0.00021966854,"threshold_uncertainty_score":0.9998337},"labels":[],"label_agreement":null},{"id":"W2146552839","doi":"10.1353/jaf.2002.0019","title":"New Ethnicity and Ukrainian Canadian Social Dances","year":2002,"lang":"en","type":"article","venue":"Journal of American Folklore","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ukrainian; Ethnic group; Political science; Linguistics; Law","score_opus":0.03589726940232328,"score_gpt":0.29389088955161885,"score_spread":0.25799362014929555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2146552839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91196215,0.0009072948,0.000040994793,0.009823351,0.0004996188,0.000038119368,0.0000173631,0.000008593232,0.07670251],"genre_scores_gemma":[0.9951008,0.00009379937,0.00064524595,0.0018039251,0.00055950164,1.2552961e-7,3.0325347e-7,0.000007677782,0.0017886303],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9992444,0.000056215267,0.00017630013,0.00009487402,0.00015894783,0.00026929213],"domain_scores_gemma":[0.9991232,0.00003473238,0.0002908874,0.00007648931,0.00004960684,0.00042508479],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001205072,0.00009132828,0.00024052516,0.00014195628,0.0001257366,0.00003217418,0.00020243849,0.00004399862,0.0018775383],"category_scores_gemma":[0.000036151538,0.0000837648,0.00008318748,0.00020172325,0.00021670446,0.00016755407,0.000015497992,0.00025732254,0.00006472041],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009747155,0.00007145427,0.040034354,0.0000046083355,0.00023960318,0.00028962397,0.04823173,9.347165e-7,0.000045737746,0.0005178003,0.34373376,0.56673294],"study_design_scores_gemma":[0.00095235405,0.00094993826,0.50741386,0.00002159883,0.000067275425,0.00026633817,0.008965984,0.000004779539,0.000009609452,0.00010829278,0.48102948,0.00021052388],"about_ca_topic_score_codex":0.031159112,"about_ca_topic_score_gemma":0.0075587453,"teacher_disagreement_score":0.5665224,"about_ca_system_score_codex":0.000062372026,"about_ca_system_score_gemma":0.00006888638,"threshold_uncertainty_score":0.9990349},"labels":[],"label_agreement":null},{"id":"W2147241355","doi":"10.1177/1012690202037004896","title":"Body Lessons","year":2002,"lang":"en","type":"article","venue":"International Review for the Sociology of Sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":73,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Object (grammar); Consumption (sociology); Sociology; Field (mathematics); Physical fitness; Class (philosophy); Psychology; Advertising; Social psychology; Social science; Epistemology; Business; Computer science; Medicine","score_opus":0.08922010282935863,"score_gpt":0.39405576053904234,"score_spread":0.3048356577096837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2147241355","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18291113,0.27545023,0.0010232478,0.22001697,0.008734999,0.0017288519,0.00040096676,0.00009102749,0.30964258],"genre_scores_gemma":[0.96041113,0.019437643,0.00008645792,0.004170877,0.00016402239,0.00003696348,0.00002449535,0.000006161306,0.015662253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948883,0.000007973864,0.00018835717,0.00011045944,0.00008913912,0.0001152354],"domain_scores_gemma":[0.9994584,0.0001052069,0.00016439515,0.00016804427,0.00008421068,0.00001974791],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030582302,0.00006209288,0.00017901711,0.000020843954,0.000054978216,0.0000015673335,0.00043778442,0.000055332566,0.006483917],"category_scores_gemma":[0.000057894344,0.000044299664,0.00018780552,0.000025001384,0.00033725475,0.000041031588,0.000030772648,0.000089655274,0.0003721993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037629594,0.00021784722,0.016250046,0.00011219198,0.0006762512,0.0000052740675,0.0010696582,0.0000010017146,0.000018346404,0.4713758,0.4856554,0.024580576],"study_design_scores_gemma":[0.00036041482,0.00008058989,0.09285599,0.00016062436,0.00010690857,0.00002172481,0.00019870195,0.000014930839,0.000008173886,0.0024695562,0.9036459,0.0000765286],"about_ca_topic_score_codex":0.000016704598,"about_ca_topic_score_gemma":5.317798e-7,"teacher_disagreement_score":0.7775,"about_ca_system_score_codex":0.000016384007,"about_ca_system_score_gemma":0.000005507931,"threshold_uncertainty_score":0.9944243},"labels":[],"label_agreement":null},{"id":"W2149827223","doi":"10.22456/1982-8918.2866","title":"Percebendo diferenças no ensino e na aprendizagem de técnicas de dança contemporânea","year":2007,"lang":"pt","type":"article","venue":"Movimento (Porto Alegre)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy","score_opus":0.03237362904178206,"score_gpt":0.3232048841129071,"score_spread":0.29083125507112506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2149827223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69440174,0.0027822303,0.0030720127,0.0011715075,0.003096395,0.0009138639,0.0003390254,0.00032967256,0.29389358],"genre_scores_gemma":[0.81040555,0.00018943784,0.0007545644,0.0045735687,0.0007962762,0.000010140579,0.00014408267,0.00012042796,0.18300596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.993305,0.00046293082,0.0011817339,0.0013449374,0.00087255135,0.0028328353],"domain_scores_gemma":[0.9955967,0.00038650943,0.0006722478,0.0016618888,0.00024662344,0.0014360271],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0023647323,0.000975562,0.0010479172,0.0004341958,0.00057273486,0.00028384445,0.0012104724,0.0009093618,0.010608866],"category_scores_gemma":[0.00024821036,0.0011062757,0.00059055386,0.00045005034,0.00047238043,0.00053303613,0.00046310422,0.0011891413,0.007979788],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004015817,0.0057246815,0.31463465,0.0003884241,0.0026577613,0.009134285,0.03454427,0.000011309724,0.014067083,0.0054543163,0.59054786,0.018819522],"study_design_scores_gemma":[0.009354973,0.0017539356,0.32370058,0.0004363812,0.0008147909,0.0006993718,0.0065349163,0.00021507102,0.005296171,0.00016684421,0.64885104,0.002175916],"about_ca_topic_score_codex":0.0025028647,"about_ca_topic_score_gemma":0.00037168284,"teacher_disagreement_score":0.11600382,"about_ca_system_score_codex":0.0009105635,"about_ca_system_score_gemma":0.00042389744,"threshold_uncertainty_score":0.9991387},"labels":[],"label_agreement":null},{"id":"W2152396148","doi":"10.1080/14927713.2015.1086585","title":"Dialogues for re-imagined praxis: using theory in practice to transform structural, ideological, and discursive “realities” with/in communities","year":2015,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Praxis; Reflexivity; Transformative learning; Sociology; Conversation; Epistemology; Vignette; Action (physics); Critical theory; Ideology; Critical reflection; Recreation; Aesthetics; Pedagogy; Psychology; Social psychology; Social science; Political science","score_opus":0.09389008096009308,"score_gpt":0.3576938722774067,"score_spread":0.2638037913173136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2152396148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9827471,0.0005968225,0.0011544848,0.004289399,0.00023347815,0.00091447064,0.00014571972,0.00004141796,0.009877118],"genre_scores_gemma":[0.995792,0.00002154966,0.0027861702,0.0009059344,0.00006130256,0.00004560744,0.000036550875,0.000019301577,0.0003315897],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985121,0.0003981388,0.00024179228,0.00024413952,0.00016642018,0.00043740642],"domain_scores_gemma":[0.99853176,0.00081555446,0.00010557919,0.00028284092,0.0001189024,0.00014534601],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078182237,0.00021328608,0.00036955226,0.00015910136,0.00012064704,0.00007779131,0.00025796675,0.00012563572,0.000040030078],"category_scores_gemma":[0.00025704413,0.0001701821,0.0000356144,0.00020517324,0.00028578393,0.00075861183,0.000059416314,0.00027546487,0.000008103652],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.02315142,0.0009039434,0.18356445,0.00024750916,0.0004921157,0.0002752281,0.61934096,0.000792947,0.00012282544,0.15511425,0.004928183,0.0110661825],"study_design_scores_gemma":[0.012720104,0.0048467843,0.12840137,0.00050315936,0.0002721674,0.00022690652,0.7540916,0.00022747654,0.00025540974,0.055375844,0.041703515,0.0013756558],"about_ca_topic_score_codex":0.0052176076,"about_ca_topic_score_gemma":0.0050849565,"teacher_disagreement_score":0.13475066,"about_ca_system_score_codex":0.00010139348,"about_ca_system_score_gemma":0.0000669349,"threshold_uncertainty_score":0.7887497},"labels":[],"label_agreement":null},{"id":"W2155865504","doi":"10.1017/s0149767714000370","title":"Welcome to <i>This Situation</i>: Tino Sehgal's Impersonal Ethics","year":2014,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Embodied cognition; Choreography; Object (grammar); Sociology; Aesthetics; Subject (documents); Visual arts; Movement (music); Art; Media studies; Epistemology; Computer science; Philosophy; Linguistics; World Wide Web","score_opus":0.16209315818517564,"score_gpt":0.4580832098347842,"score_spread":0.29599005164960857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2155865504","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5669904,0.0006326204,0.013169245,0.05714302,0.004853953,0.00052348326,0.00010039702,0.00011875591,0.35646814],"genre_scores_gemma":[0.97617847,0.00010232595,0.0016938657,0.0028140326,0.0026738055,0.000009871769,0.000007979659,0.000026694104,0.016492965],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957022,0.0011901641,0.00025416067,0.0003058637,0.0015608645,0.0009867449],"domain_scores_gemma":[0.9973062,0.000900719,0.00008993989,0.0003784757,0.00062830804,0.0006963084],"candidate_categories":["research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00813044,0.00013906685,0.00020150733,0.00036354118,0.001037546,0.0002839658,0.0008159921,0.00019979397,0.005764062],"category_scores_gemma":[0.0019557346,0.00013128434,0.000092772076,0.00054589985,0.00022646395,0.00035845442,0.00017989251,0.0031244156,0.007297718],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047480038,0.00030071757,0.015305162,0.000032926644,0.00011796181,0.00013160285,0.016998557,0.000032069733,0.0034261409,0.02351644,0.89210284,0.047560755],"study_design_scores_gemma":[0.0013196433,0.0009918556,0.07555444,0.00013395223,0.0000098306145,0.00030758348,0.0022420096,0.00011079845,0.00028646714,0.0024279014,0.9163016,0.00031394008],"about_ca_topic_score_codex":0.00009577897,"about_ca_topic_score_gemma":0.000023281524,"teacher_disagreement_score":0.40918806,"about_ca_system_score_codex":0.00016961161,"about_ca_system_score_gemma":0.00024379916,"threshold_uncertainty_score":0.9991754},"labels":[],"label_agreement":null},{"id":"W2156231812","doi":"10.21083/csieci.v8i2.2143","title":"Improvising Freedom in Prison","year":2013,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Realm; Dance; Prison; Sociology; Ethnography; BENGAL; Subject (documents); Criminology; Aesthetics; Gender studies; Law; Political science; History; Visual arts; Art; Anthropology","score_opus":0.08197731992815828,"score_gpt":0.41850472294673113,"score_spread":0.33652740301857287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2156231812","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9653733,0.0014118961,0.0027545083,0.0073586893,0.0027372115,0.0022248926,0.000034750232,0.00040853157,0.017696239],"genre_scores_gemma":[0.9942321,0.00016261045,0.003109324,0.0012361883,0.0003941426,0.0005332448,0.00003151397,0.0000516042,0.00024928275],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9958055,0.00054197473,0.0010667803,0.00088822434,0.00048256767,0.0012149246],"domain_scores_gemma":[0.9972396,0.0014211355,0.00015658425,0.0004954125,0.0004640242,0.00022325513],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0013057926,0.0004588411,0.0006275466,0.00057242694,0.00022008685,0.00022908891,0.00041599688,0.00039920156,0.0005666349],"category_scores_gemma":[0.004376299,0.00048244756,0.00012702635,0.0005724279,0.0007175423,0.0021764173,0.00025924997,0.00069905526,0.0002661919],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051511853,0.0034552347,0.0863894,0.0018537049,0.00031005562,0.00016970848,0.10190726,0.000121578036,0.019597381,0.4185518,0.008774543,0.3583542],"study_design_scores_gemma":[0.0083968025,0.0032693488,0.7479324,0.0011886165,0.00019325002,0.000069626476,0.16712645,0.0075505534,0.0032107395,0.054326937,0.0035996584,0.0031356295],"about_ca_topic_score_codex":0.0037698653,"about_ca_topic_score_gemma":0.0005811934,"teacher_disagreement_score":0.661543,"about_ca_system_score_codex":0.0011358621,"about_ca_system_score_gemma":0.00011028313,"threshold_uncertainty_score":0.9997627},"labels":[],"label_agreement":null},{"id":"W2159441996","doi":"10.7202/018838ar","title":"Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland","year":2008,"lang":"en","type":"article","venue":"Ethnologies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Dance; Vernacular; Commodification; Context (archaeology); Identity (music); Cultural identity; Irish; Aesthetics; History; Cultural heritage; Sociology; Anthropology; Visual arts; Art; Gender studies; Literature; Archaeology; Social science; Linguistics; Philosophy","score_opus":0.057450727332565905,"score_gpt":0.34278319337830165,"score_spread":0.28533246604573576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2159441996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97575665,0.0016958968,0.00009908044,0.0007774929,0.00052482914,0.00009579041,0.0000066729776,0.00012676846,0.020916848],"genre_scores_gemma":[0.99513155,0.00050847104,0.00040287882,0.0001822822,0.000057932,0.0000040568325,0.0000039032284,0.0000061975434,0.0037027255],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990875,0.00006260557,0.00014460682,0.00026102545,0.00011907047,0.00032520058],"domain_scores_gemma":[0.99955297,0.0000971422,0.00005997559,0.00021662845,0.000027406406,0.000045857912],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014438746,0.000129406,0.00020112879,0.00010690698,0.00017586636,0.000054920754,0.00023035925,0.0001607263,0.00014831977],"category_scores_gemma":[0.00016895517,0.00010220399,0.000032761534,0.00020869327,0.0003833512,0.00073800766,0.00015642132,0.00027784455,0.00017155074],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006093348,0.000050605584,0.97756064,0.000009637047,0.000030086181,0.00015404931,0.00897836,0.000003734347,0.0001105995,0.00072056154,0.008572379,0.0037484195],"study_design_scores_gemma":[0.0009884937,0.000095951924,0.98587453,0.000018679482,0.000007169918,0.000079583435,0.007132942,0.000005535725,0.000009954299,0.0004707871,0.0051567093,0.0001596782],"about_ca_topic_score_codex":0.012227807,"about_ca_topic_score_gemma":0.012324211,"teacher_disagreement_score":0.019374933,"about_ca_system_score_codex":0.0000794978,"about_ca_system_score_gemma":0.000015260872,"threshold_uncertainty_score":0.99434984},"labels":[],"label_agreement":null},{"id":"W2161776561","doi":"10.1162/105420403321250071","title":"At Home in the World? The Bharatanatyam Dancer As Transnational Interpreter","year":2003,"lang":"en","type":"article","venue":"TDR/The Drama Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Interpreter; Choreography; Dance; Narrative; Set (abstract data type); Linguistics; Field (mathematics); Sociology; Visual arts; History; Aesthetics; Art; Computer science; Philosophy","score_opus":0.02963061673687733,"score_gpt":0.3363511742148386,"score_spread":0.3067205574779613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161776561","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044657286,0.21324764,0.00006901569,0.1357041,0.0014535221,0.002088668,0.00007953715,0.000048895454,0.60265136],"genre_scores_gemma":[0.91408044,0.005499163,0.000024892654,0.05728111,0.0000776327,0.000119054406,0.000013735253,0.000017422935,0.022886528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821734,0.0007454171,0.00025846955,0.00021793437,0.00028234758,0.00027846417],"domain_scores_gemma":[0.9987776,0.0004177,0.00009527228,0.00064422406,0.000029503506,0.000035700657],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012302947,0.00015629924,0.00022617984,0.00003715735,0.00017812035,0.000052675558,0.00084898586,0.000042354015,0.013364982],"category_scores_gemma":[0.00007901938,0.00007449501,0.00016887214,0.00044892784,0.00017060585,0.00012394514,0.000036906393,0.000349696,0.0017429383],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009329177,0.00023749868,0.0016604317,0.000292507,0.00015472189,0.000049181555,0.00674683,0.0000027667384,0.00001582834,0.6925325,0.27693066,0.021283824],"study_design_scores_gemma":[0.0003296399,0.000040532326,0.009145135,0.0003137589,0.000058426092,0.00008037199,0.00018051238,0.0000016497978,0.000007631547,0.0020045843,0.9877095,0.00012825704],"about_ca_topic_score_codex":0.000015830496,"about_ca_topic_score_gemma":0.00011349643,"teacher_disagreement_score":0.86942315,"about_ca_system_score_codex":0.0000605425,"about_ca_system_score_gemma":0.000028719682,"threshold_uncertainty_score":0.99903435},"labels":[],"label_agreement":null},{"id":"W2164299598","doi":"10.7202/1014169ar","title":"Rythmomimisme et gestuelle dansée","year":2013,"lang":"fr","type":"article","venue":"Anthropologie et Sociétés","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.23912200602665415,"score_gpt":0.5779807298059266,"score_spread":0.3388587237792725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2164299598","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056335066,0.0074659614,0.0007570114,0.46288672,0.03759955,0.000584705,0.00017169572,0.00027601433,0.43392327],"genre_scores_gemma":[0.7034475,0.023861011,0.0017665708,0.02456715,0.00051921775,0.000043176493,0.00007468491,0.00008704329,0.2456336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962622,0.0010700481,0.00042595525,0.0007087974,0.0003106406,0.00122238],"domain_scores_gemma":[0.9977876,0.0007399495,0.00016956391,0.00084018277,0.00015318533,0.00030951435],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00070199603,0.00048117604,0.000598484,0.000094117284,0.00046471602,0.00019854079,0.0007469336,0.0008437725,0.34680614],"category_scores_gemma":[0.00034057183,0.0005069212,0.00034020812,0.0002560865,0.002748174,0.001040697,0.00045096927,0.0010603927,0.028217198],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003456851,0.0010717183,0.0026282102,0.00005688298,0.00027997594,0.00012150533,0.0041983346,0.000007961453,0.00021788568,0.024781689,0.9049937,0.061607573],"study_design_scores_gemma":[0.0033853778,0.0014662582,0.06080886,0.00014631568,0.00021539902,0.00011433364,0.07278745,0.00006992148,0.000625722,0.02146104,0.83773845,0.0011808546],"about_ca_topic_score_codex":0.009851719,"about_ca_topic_score_gemma":0.00007564835,"teacher_disagreement_score":0.6471125,"about_ca_system_score_codex":0.00016595912,"about_ca_system_score_gemma":0.00018247361,"threshold_uncertainty_score":0.9999658},"labels":[],"label_agreement":null},{"id":"W2166592308","doi":"","title":"Discussion on Role and Functions of Props in Dance","year":2015,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Concert dance; Choreography; Visual arts; Contemporary dance; Modern dance; Atmosphere (unit); Perspective (graphical); Dance education; Aesthetics; Dance improvisation; Art; Jazz dance; Geography","score_opus":0.05335755523035208,"score_gpt":0.3687128372751619,"score_spread":0.31535528204480984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2166592308","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95986235,0.0004301126,0.0000045102147,0.0008796086,0.00007408481,0.00010592912,0.000011350172,0.000020492782,0.038611583],"genre_scores_gemma":[0.996177,0.000026159916,0.000111397196,0.000051358777,0.000010288899,0.00000788571,0.00003814771,0.0000031175957,0.00357465],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99953204,0.00007982647,0.000119922486,0.000099204466,0.00007964989,0.00008937292],"domain_scores_gemma":[0.9993708,0.000027181906,0.00007763207,0.0003806825,0.00009981609,0.00004385055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016193984,0.000058331792,0.000084122985,0.000030704876,0.00009478328,0.000041406536,0.00019350366,0.00005464188,0.000028371045],"category_scores_gemma":[0.000090932605,0.00003776186,0.00001703926,0.00011445953,0.00023244495,0.00040047188,0.00008840815,0.0001341003,0.00006288492],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015444182,0.0013195671,0.7608687,0.00004482864,0.00005386677,0.0000021244987,0.05262429,0.00022811175,0.008788849,0.029814528,0.0138650015,0.13084567],"study_design_scores_gemma":[0.0011521907,0.00023418339,0.95945317,0.00007078199,0.0000062775066,0.0000038544335,0.0074585266,0.00004787576,0.00038693743,0.0011639842,0.029915756,0.000106460844],"about_ca_topic_score_codex":0.00021269878,"about_ca_topic_score_gemma":0.000055490415,"teacher_disagreement_score":0.19858442,"about_ca_system_score_codex":0.000036309346,"about_ca_system_score_gemma":0.000008904818,"threshold_uncertainty_score":0.1539884},"labels":[],"label_agreement":null},{"id":"W2171204888","doi":"10.1017/s0149767700000656","title":"Blurring the Boundaries of Genre, Gender, and Geopolitics: Ruth Page and Harald Kreutzberg's Transatlantic Collaboration in the 1930s","year":2009,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Performing arts; German; Identity (music); Geopolitics; Art history; General partnership; Art; Sociology; Visual arts; Media studies; Political science; History; Aesthetics; Law","score_opus":0.0867291314414221,"score_gpt":0.41778749946744737,"score_spread":0.3310583680260253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2171204888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9852592,0.0046738787,0.00010367966,0.0036520783,0.00010264257,0.00018318268,0.000021298034,0.0000039150677,0.0060001235],"genre_scores_gemma":[0.9981414,0.0011497592,0.00007607116,0.00029068405,0.000135109,0.000002015545,0.0000013986271,0.000003894217,0.00019964763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9982377,0.0005516216,0.00019179468,0.00012936885,0.00046517883,0.00042428053],"domain_scores_gemma":[0.99928117,0.00025861716,0.000066920875,0.00018171863,0.00012952399,0.00008204978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024831898,0.000079567406,0.00013118976,0.00013488145,0.00069693016,0.0004995248,0.00030252532,0.000054014603,0.0000622977],"category_scores_gemma":[0.00013846927,0.000050003477,0.000023930259,0.00027788235,0.00065301475,0.0003109275,0.000024205136,0.0006764928,0.0000052053565],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016225245,0.0009977606,0.12043727,0.00023859917,0.0003132682,0.0007170375,0.27165067,0.000041251897,0.0041207834,0.5117431,0.046304755,0.041812923],"study_design_scores_gemma":[0.0019775408,0.0007567429,0.8887565,0.0001333056,0.000028309065,0.0005461026,0.052363522,0.00012870644,0.00029952743,0.03139642,0.023437638,0.00017567791],"about_ca_topic_score_codex":0.00014102638,"about_ca_topic_score_gemma":0.0000635578,"teacher_disagreement_score":0.76831925,"about_ca_system_score_codex":0.00003103223,"about_ca_system_score_gemma":0.00013178372,"threshold_uncertainty_score":0.5360294},"labels":[],"label_agreement":null},{"id":"W2179913401","doi":"10.21091/mppa.2015.4043","title":"Conditioning Methodologies for DanceSport: Lessons from Gymnastics, Figure Skating, and Concert Dance Research","year":2015,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Ballet; Psychology; Periodization; Inclusion (mineral); Relevance (law); Applied psychology; Visual arts; Art; Social psychology; History","score_opus":0.3652886878643546,"score_gpt":0.49533699576216306,"score_spread":0.13004830789780847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2179913401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9537435,0.0037072115,0.02252265,0.0043494836,0.0011728238,0.00059450255,0.00023609177,0.00010229137,0.013571407],"genre_scores_gemma":[0.98326814,0.00004844529,0.015073466,0.0001952783,0.00022954667,0.000046790523,0.000056037556,0.000014308102,0.0010680039],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979272,0.0002191367,0.00036388155,0.00036838328,0.00065161515,0.00046977444],"domain_scores_gemma":[0.99726593,0.001703584,0.00018215197,0.00024825486,0.00027899424,0.00032106412],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036468836,0.00013003316,0.00033664427,0.000084881474,0.0002346184,0.00003231878,0.00033821177,0.00020723611,0.00050058536],"category_scores_gemma":[0.006273433,0.0001193829,0.000042759562,0.000131764,0.00089043047,0.00021293861,0.00015658447,0.00043778383,0.000033662873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012556174,0.0006996852,0.17016979,0.001084288,0.00057036005,0.00013898582,0.060236543,0.00025352897,0.003004652,0.04704007,0.24330841,0.47223806],"study_design_scores_gemma":[0.024647107,0.009241181,0.28197363,0.008387852,0.00040898722,0.00019823037,0.06507629,0.015313732,0.016185608,0.20713821,0.3686814,0.0027477848],"about_ca_topic_score_codex":0.00078104873,"about_ca_topic_score_gemma":0.000110980334,"teacher_disagreement_score":0.4694903,"about_ca_system_score_codex":0.000044453463,"about_ca_system_score_gemma":0.00018824832,"threshold_uncertainty_score":0.75103384},"labels":[],"label_agreement":null},{"id":"W2181505288","doi":"10.1136/bjsports-2015-095121","title":"Risk factors for musculoskeletal injury in preprofessional dancers: a systematic review","year":2015,"lang":"en","type":"review","venue":"British Journal of Sports Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":120,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta Children's Hospital; Glenrose Rehabilitation Hospital; University of Alberta; University of Calgary","funders":"International Olympic Committee","keywords":"Medicine; Musculoskeletal injury; Physical therapy; Musculoskeletal pain; Human factors and ergonomics; Physical medicine and rehabilitation; Poison control; Alternative medicine; Medical emergency; Pathology","score_opus":0.051659939275610564,"score_gpt":0.4019795983413494,"score_spread":0.3503196590657388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2181505288","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011042526,0.9938197,0.000018494622,0.00004505581,0.002754459,0.0023731524,0.00023207479,0.0000114754475,0.00063513155],"genre_scores_gemma":[0.00003867834,0.99787194,0.000051707357,0.00012268682,0.00064871926,0.00004626649,0.00009258033,0.000046130248,0.0010812851],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.9952376,0.00048885605,0.0026207862,0.00034527274,0.0009172563,0.0003902172],"domain_scores_gemma":[0.99393886,0.00035383317,0.0045927023,0.0003790228,0.00038997253,0.00034559573],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0053003733,0.00040433323,0.0054393806,0.00037949826,0.00006484072,0.000015237436,0.0006468721,0.00032738448,0.000933962],"category_scores_gemma":[0.0024395378,0.00030714745,0.0008562095,0.00039532804,0.00015339143,0.00020496262,0.000059259048,0.0011313441,0.0000144310725],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002290861,0.00010731958,0.00004331669,0.4658615,0.00029340055,0.0006033343,0.00017331907,4.0373227e-8,1.7481891e-9,0.0000090027515,0.068076394,0.46480945],"study_design_scores_gemma":[0.00069130474,0.00025923704,0.00030421375,0.7656073,0.004285287,0.0018267338,0.00035346206,4.2865015e-8,2.5383957e-9,0.00006625365,0.22639377,0.00021242273],"about_ca_topic_score_codex":0.00011793108,"about_ca_topic_score_gemma":0.0000025112913,"teacher_disagreement_score":0.46459705,"about_ca_system_score_codex":0.00026018143,"about_ca_system_score_gemma":0.00047114346,"threshold_uncertainty_score":0.9999793},"labels":[],"label_agreement":null},{"id":"W2185872709","doi":"10.1080/13528165.2015.1111065","title":"‘Dances I only heard in the night’","year":2015,"lang":"en","type":"article","venue":"Performance Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Studio; Visual arts; Art; Choreography; The arts; Performing arts","score_opus":0.4288545701956807,"score_gpt":0.49876162876599844,"score_spread":0.06990705857031776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2185872709","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77478415,0.00043207017,0.000001999563,0.0022878104,0.00020196977,0.00014353674,0.0000024972683,0.000013068599,0.22213292],"genre_scores_gemma":[0.9915444,0.00010016242,0.000032358617,0.00025500264,0.00012043931,0.00001845882,0.0000025378974,0.000005389661,0.007921228],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9980883,0.0003239549,0.00010850635,0.00017729877,0.000715021,0.0005869155],"domain_scores_gemma":[0.99926007,0.00015054388,0.000017655037,0.000367485,0.00010446917,0.00009980729],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0034565537,0.0000683259,0.00009872398,0.00017473579,0.00017733396,0.00006357496,0.0006617291,0.000059456364,0.00038354297],"category_scores_gemma":[0.000093240364,0.00004635859,0.000023546485,0.0006338448,0.00023688687,0.00029468184,0.00009168345,0.0005697797,0.0040375255],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046391453,0.00043737228,0.68167204,0.000034359844,0.000021382833,0.00012614978,0.025052175,0.00002324566,0.000013353253,0.0055346554,0.23670164,0.04991972],"study_design_scores_gemma":[0.00076675863,0.0006937356,0.77360886,0.000031677097,0.0000015360237,0.00006223405,0.009008332,0.0001034884,0.000035217752,0.00038512165,0.21520011,0.0001029029],"about_ca_topic_score_codex":0.00052550115,"about_ca_topic_score_gemma":0.000100718054,"teacher_disagreement_score":0.2167603,"about_ca_system_score_codex":0.00006562099,"about_ca_system_score_gemma":0.00014380316,"threshold_uncertainty_score":0.99673796},"labels":[],"label_agreement":null},{"id":"W2198123366","doi":"10.1017/s0149767715000443","title":"Don't Act, Just Dance: The Metapolitics of Cold War Culture by Catherine Gunther Kodat . 2015. New Brunswick, NJ: Rutgers University Press. 228 pp., 12 photographs, bibliography, index. $90.00 cloth, $32.95 paper, $32.95 ebook.","year":2015,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Index (typography); Cold war; Art history; Art; Media studies; Bibliography; History; Sociology; Visual arts; Political science; Law; Computer science; Politics","score_opus":0.07552026474534407,"score_gpt":0.35397058480647015,"score_spread":0.2784503200611261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2198123366","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13642529,0.34080324,0.0011690523,0.0094685685,0.0051863864,0.004228643,0.0025637327,0.00037746542,0.49977764],"genre_scores_gemma":[0.40357476,0.5154605,0.0011250133,0.0015255682,0.0023346688,0.000018639805,0.00009690265,0.00025886812,0.075605094],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934804,0.001334815,0.00056365645,0.0006517629,0.0021811654,0.0017882425],"domain_scores_gemma":[0.99547213,0.00032751838,0.0005250464,0.0012210666,0.0010058886,0.0014483719],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002914388,0.0004978225,0.00067939895,0.0011801494,0.0008144439,0.0002858582,0.0027179099,0.00043289337,0.001242442],"category_scores_gemma":[0.00019409155,0.00038790345,0.000496984,0.004165461,0.0016692032,0.0012563266,0.00048056812,0.0026510512,0.000101145524],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011642576,0.0005456567,0.019714734,0.000052615043,0.0008393301,0.00013636886,0.003167588,0.000027429025,0.0040783887,0.0011742049,0.96860176,0.0004976477],"study_design_scores_gemma":[0.0038506119,0.00080765324,0.0040100794,0.00016668608,0.00013780184,0.00013395771,0.0073369234,0.000018929919,0.0027627912,0.00022981122,0.98008764,0.00045713276],"about_ca_topic_score_codex":0.014943165,"about_ca_topic_score_gemma":0.00032540446,"teacher_disagreement_score":0.42417255,"about_ca_system_score_codex":0.00021613637,"about_ca_system_score_gemma":0.0011018245,"threshold_uncertainty_score":0.9998573},"labels":[],"label_agreement":null},{"id":"W2201802026","doi":"","title":"Mere 'Song & Dance': Complicating the Multicultural Imperative in the Arts","year":2009,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Multiculturalism; Dance; Diversity (politics); Narrative; The arts; Aesthetics; Sociology; Cultural diversity; Categorization; Political science; Epistemology; Visual arts; Law; Art; Anthropology; Literature; Pedagogy; Philosophy","score_opus":0.019664748845673537,"score_gpt":0.3141096795427155,"score_spread":0.294444930697042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2201802026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9647012,0.002477332,0.00027483844,0.017234802,0.0001652044,0.00021037352,0.0000023647901,0.00001626458,0.014917615],"genre_scores_gemma":[0.99706763,0.00022891488,0.00003004431,0.0018682181,0.00023250867,0.0000031593725,0.000001856748,0.00000436985,0.0005633271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99790037,0.00022552971,0.00017998893,0.00014255154,0.00018688937,0.0013646922],"domain_scores_gemma":[0.99947315,0.00011036637,0.00012719739,0.00020229987,0.000052332307,0.000034651028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011498444,0.00012335651,0.00012460562,0.000030797237,0.0004938422,0.0000974873,0.0005799163,0.000047641337,0.000059395006],"category_scores_gemma":[0.000057946472,0.00006392209,0.00007529213,0.00021909486,0.00007084281,0.00020036171,0.000016722424,0.0019567832,0.000082507075],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036586786,0.0005732707,0.0077502267,0.0000024091105,0.00031316676,0.00004529136,0.089199945,0.00012257058,0.0019101134,0.7621985,0.007398352,0.13012026],"study_design_scores_gemma":[0.0037233608,0.0023096516,0.6013505,0.00007995871,0.000095906114,0.00388374,0.29190427,0.00018562487,0.00011631802,0.08449545,0.011265708,0.0005895124],"about_ca_topic_score_codex":0.00009483479,"about_ca_topic_score_gemma":0.00048358325,"teacher_disagreement_score":0.6777031,"about_ca_system_score_codex":0.00023702612,"about_ca_system_score_gemma":0.00015700352,"threshold_uncertainty_score":0.85013586},"labels":[],"label_agreement":null},{"id":"W2202402771","doi":"","title":"Adolescent Male Dancers' Embodied Realities","year":2010,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Embodied cognition; Gender studies; Psychology; Sociology; Epistemology; Philosophy","score_opus":0.019750875561236607,"score_gpt":0.2848044805403584,"score_spread":0.2650536049791218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2202402771","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20402148,0.001060411,0.000018626844,0.00016859983,0.0020958101,0.00022343577,0.00014291177,0.00007052976,0.7921982],"genre_scores_gemma":[0.53402215,0.00053366006,0.0003309611,0.000041137995,0.00011640843,3.2986233e-7,0.00037785634,0.00002325483,0.46455425],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9986958,0.000071527975,0.00011872966,0.00042568613,0.00031100053,0.0003772434],"domain_scores_gemma":[0.9986419,0.000033352113,0.0003971416,0.00060781266,0.00015578831,0.00016398204],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011850993,0.00028142415,0.00048613464,0.00007193649,0.00023588246,0.000017368502,0.00069521624,0.0006325893,0.1532231],"category_scores_gemma":[0.000014447474,0.00038997573,0.00025779096,0.000048428872,0.00016586305,0.00038284276,0.00007246137,0.00046267305,0.00039933334],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007453048,0.0015668769,0.004988915,0.0016782059,0.0017777468,0.0004811153,0.38771114,0.000003880359,0.002075961,0.034428235,0.37382928,0.18400559],"study_design_scores_gemma":[0.0015910248,0.00028054393,0.6493621,0.00031031427,0.0003615656,0.000009528169,0.2776355,0.00000411898,0.000086469096,0.00004502483,0.069653526,0.0006602714],"about_ca_topic_score_codex":0.227705,"about_ca_topic_score_gemma":0.22966412,"teacher_disagreement_score":0.6443732,"about_ca_system_score_codex":0.00024442852,"about_ca_system_score_gemma":0.00012202031,"threshold_uncertainty_score":0.9998552},"labels":[],"label_agreement":null},{"id":"W2220660509","doi":"10.29173/pandpr19845","title":"Whose Eyes?: Women’s Experiences of Changing in a Public Change Room","year":2011,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"Mashhad University of Medical Sciences","keywords":"Materiality (auditing); Recreation; Sociology; Gender studies; Everyday life; Lived experience; Aesthetics; Social change; Media studies; Psychology; Epistemology; Political science; Art; Psychoanalysis","score_opus":0.13732682283677106,"score_gpt":0.3303408646933837,"score_spread":0.19301404185661264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2220660509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8736143,0.00096121506,0.00004649094,0.0012130099,0.00076243,0.00019936428,0.000004555594,0.000047606132,0.12315101],"genre_scores_gemma":[0.99680084,0.000083495994,0.00042146113,0.0016285666,0.00008886139,0.00045150312,0.000002000701,0.000013883184,0.0005093636],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998163,0.00030368884,0.00026723478,0.00035043329,0.00013929258,0.00077638554],"domain_scores_gemma":[0.9988459,0.00022979049,0.0003314837,0.00040503804,0.000073074814,0.00011471395],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007873561,0.00015752966,0.00029295275,0.00051156775,0.00008587461,0.000016044452,0.0004742295,0.00014341081,0.006260538],"category_scores_gemma":[0.00041306615,0.00016736721,0.000034991863,0.0005719099,0.00020192818,0.0014200665,0.00019844873,0.0002755402,0.0004016163],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004459283,0.001121761,0.009674353,0.000012142737,0.00012356418,0.00008108743,0.95031893,5.4379125e-8,0.000052050196,0.029824693,0.0001386715,0.008206769],"study_design_scores_gemma":[0.0011075013,0.00094961055,0.02416592,0.000015330237,0.000026417021,0.000050636925,0.94103646,0.0000035242792,0.000094907686,0.0010031861,0.031283937,0.0002625884],"about_ca_topic_score_codex":0.00037045905,"about_ca_topic_score_gemma":0.000018097193,"teacher_disagreement_score":0.12318654,"about_ca_system_score_codex":0.00010624792,"about_ca_system_score_gemma":0.000039420553,"threshold_uncertainty_score":0.99464786},"labels":[],"label_agreement":null},{"id":"W2221075757","doi":"10.7202/1065481ar","title":"Supervised Places to Play","year":2019,"lang":"en","type":"article","venue":"Ontario History","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Welfare; Sociology; Middle class; Class (philosophy); Social Welfare; Psychology; Gender studies; Public relations; Political science; Law; Computer science","score_opus":0.02441971608079876,"score_gpt":0.232864178915742,"score_spread":0.20844446283494322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2221075757","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56526,0.00013768725,0.0000047976037,0.00008307089,0.002099656,0.000084341955,0.000002912197,0.000029082796,0.43229845],"genre_scores_gemma":[0.46770886,4.6797464e-7,0.00020365772,0.0022249734,0.000044183565,0.0000036083463,0.000005472867,0.000008310334,0.5298005],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999358,0.000021692891,0.000077109275,0.00021316105,0.00011790571,0.00021213376],"domain_scores_gemma":[0.9995073,0.000022841023,0.000024911351,0.00031385498,0.000015778945,0.000115326526],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000078421595,0.000087608474,0.0001260244,0.00007263366,0.000030841136,0.000006034422,0.000222587,0.000067483415,0.07457487],"category_scores_gemma":[0.0000052849023,0.00009563178,0.00004885551,0.00003173252,0.000023892473,0.00010952787,0.00003675077,0.00013722129,0.025392927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022722909,0.0001178519,0.08725502,0.0000053230747,0.00003910319,0.000021190306,0.054114237,0.0000044422973,0.0006873557,0.0015328582,0.8549287,0.0010667164],"study_design_scores_gemma":[0.00041377763,0.0001566734,0.20319219,0.000006419948,0.0000063956,0.0000024094911,0.00028816922,2.6273358e-7,0.00001162923,0.0000070413785,0.79580694,0.000108118016],"about_ca_topic_score_codex":0.06215584,"about_ca_topic_score_gemma":0.05726672,"teacher_disagreement_score":0.11593716,"about_ca_system_score_codex":0.0011131966,"about_ca_system_score_gemma":0.00013343146,"threshold_uncertainty_score":0.97536594},"labels":[],"label_agreement":null},{"id":"W2228983087","doi":"10.1177/107110070502600510","title":"Stability of Lisfranc Joints in Ballet Pointe Position","year":2005,"lang":"en","type":"article","venue":"Foot & Ankle International","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":43,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Medicine; Ballet; Physical medicine and rehabilitation","score_opus":0.025456021689472984,"score_gpt":0.30164379847473555,"score_spread":0.2761877767852626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2228983087","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88655686,0.000047684698,0.00019774304,0.0025020435,0.000655197,0.00008122109,0.00010557182,0.000016894906,0.10983677],"genre_scores_gemma":[0.99804723,0.000005015151,0.00034713827,0.0004153704,0.00015602032,0.0000037512125,0.00003787332,0.000004798688,0.000982809],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999224,0.00004385421,0.00022199647,0.00016701565,0.0002069731,0.00013613197],"domain_scores_gemma":[0.99960375,0.00004190558,0.00008511556,0.00014404184,0.00008816469,0.000037015045],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019064026,0.000071684015,0.00010859974,0.000107196545,0.000016952392,0.000012135587,0.00022708517,0.000058210622,0.011657463],"category_scores_gemma":[0.000050270566,0.000079066864,0.000066510445,0.00007336282,0.00005574021,0.00023387256,0.000052922056,0.0001172112,0.00041817155],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0026697076,0.005513397,0.76197,0.00004775162,0.00046046166,0.00006252231,0.01196154,0.00012732856,0.019926846,0.08632516,0.055255193,0.055680085],"study_design_scores_gemma":[0.0014318597,0.00015288372,0.97132975,0.000041237497,0.0000057752322,0.000013570078,0.0002818194,0.00013303618,0.0039162636,0.0009733801,0.021603968,0.000116476214],"about_ca_topic_score_codex":0.00028606076,"about_ca_topic_score_gemma":0.00020309446,"teacher_disagreement_score":0.20935972,"about_ca_system_score_codex":0.00009854354,"about_ca_system_score_gemma":0.00001767882,"threshold_uncertainty_score":0.989246},"labels":[],"label_agreement":null},{"id":"W2229024471","doi":"10.22329/wyaj.v31i2.4409","title":"THE WOMAN WHO FELL FROM THE SKY","year":2013,"lang":"en","type":"article","venue":"Windsor Yearbook of Access to Justice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fell; Sky; Reflection (computer programming); Art; Geology; Meteorology; Computer science; Physics; Paleontology","score_opus":0.03896990331932001,"score_gpt":0.3130088029355826,"score_spread":0.2740388996162626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2229024471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7632933,0.0004895222,0.00011326611,0.009925378,0.0011301014,0.00055568456,0.000046357633,0.000044142784,0.2244022],"genre_scores_gemma":[0.9742869,0.000034113116,0.00011653453,0.006990546,0.00060723216,0.000029815126,0.0000035676674,0.000021964275,0.017909288],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9989035,0.00009598382,0.00019262686,0.00022350959,0.00025161644,0.00033272876],"domain_scores_gemma":[0.9982834,0.00068433356,0.0001224914,0.0006984834,0.00009723717,0.00011408899],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018715595,0.00012932536,0.00015733538,0.000031403008,0.0002509131,0.00024756964,0.0015808312,0.00007613969,0.003184811],"category_scores_gemma":[0.00016559896,0.000080000544,0.00006782809,0.0001686766,0.00016355947,0.00035192902,0.00031264496,0.00020167578,0.003850285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017894906,0.00013024468,0.013482518,0.000020474914,0.00019925833,0.0000062403133,0.005689981,0.000024682688,0.0004249762,0.00410589,0.96150124,0.014235526],"study_design_scores_gemma":[0.00045023288,0.000111330955,0.8143502,0.0000536542,0.00016194773,0.0000013114319,0.003151913,0.000021672664,0.00040031492,0.00070072507,0.18042123,0.00017548002],"about_ca_topic_score_codex":0.0030341824,"about_ca_topic_score_gemma":0.000076846,"teacher_disagreement_score":0.8008677,"about_ca_system_score_codex":0.000018204057,"about_ca_system_score_gemma":0.00002548086,"threshold_uncertainty_score":0.99772644},"labels":[],"label_agreement":null},{"id":"W2234365358","doi":"","title":"Close to the Floor: Irish Dance from the Boreen to Broadway. Mick Moloney, J’aime Morrison, Colin Quiqley (eds.). 2009.","year":2012,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Irish; Dance; Art; Art history; Visual arts; Philosophy; Linguistics","score_opus":0.025686986651689492,"score_gpt":0.29175477023905577,"score_spread":0.26606778358736627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234365358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95084167,0.0059524393,0.00007221409,0.017621102,0.0022882472,0.0008179297,0.0010313299,0.0001156265,0.021259423],"genre_scores_gemma":[0.9350429,0.000047734677,0.0004870458,0.05073055,0.0033942366,0.00008132636,0.000077589306,0.00003547626,0.010103138],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979894,0.00023229621,0.0002454947,0.00040902823,0.00035858506,0.0007651531],"domain_scores_gemma":[0.9983543,0.0001388354,0.00011065,0.0009698701,0.00008798603,0.00033833683],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035253534,0.00029248963,0.00027348063,0.000035769397,0.0004262389,0.00015279754,0.0012347188,0.00017965361,0.0014778234],"category_scores_gemma":[0.00016951135,0.00016855773,0.00014018931,0.00036003668,0.00011162466,0.0002268495,0.0003244403,0.00036571972,0.007960673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001750896,0.0001870583,0.008496811,0.000002271737,0.00011221839,0.000006017558,0.020142322,0.000032794076,0.0012241486,0.0003705094,0.96452886,0.004721901],"study_design_scores_gemma":[0.00029572926,0.000066703935,0.37674922,0.000019693858,0.000046377587,0.000004300626,0.0012265687,0.0000022509075,0.000443167,0.000038744765,0.62091,0.00019722494],"about_ca_topic_score_codex":0.006706753,"about_ca_topic_score_gemma":0.00082002755,"teacher_disagreement_score":0.36825243,"about_ca_system_score_codex":0.000043351596,"about_ca_system_score_gemma":0.00001969031,"threshold_uncertainty_score":0.9999077},"labels":[],"label_agreement":null},{"id":"W2248852115","doi":"10.25071/1708-6701.37760","title":"Janet and Between the Shore and the Ships: The Grand-Pré Recordings - Helen Pridmore, soprano (CD Review)","year":2013,"lang":"en","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shore; Art; Art history; Oceanography; Psychoanalysis; Psychology; Geology","score_opus":0.027976523097560994,"score_gpt":0.2867018445379485,"score_spread":0.2587253214403875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2248852115","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02101188,0.83349115,0.000025075575,0.12122443,0.00027087686,0.003109098,0.000045914716,0.000039297473,0.020782283],"genre_scores_gemma":[0.056435768,0.8979763,0.00009206348,0.040198214,0.00059711,0.00030016815,0.000029035798,0.0000358183,0.004335533],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977884,0.00077880983,0.0004433195,0.00037701466,0.0001731707,0.00043923073],"domain_scores_gemma":[0.997709,0.0008443731,0.0002958959,0.00091854256,0.000087923385,0.00014429017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025248993,0.00027485323,0.00072716334,0.000022350525,0.00035368235,0.00011462561,0.00082924846,0.00010751361,0.0008365238],"category_scores_gemma":[0.0006103461,0.00013012034,0.00018936991,0.00025136353,0.0005768465,0.00020619118,0.00022909723,0.00056668866,0.0004354802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035925506,0.000024409961,0.012110392,0.005128141,0.0002148673,0.000009159384,0.0020152894,3.429821e-8,0.0000039628226,0.0036738866,0.77492756,0.20185639],"study_design_scores_gemma":[0.00076126255,0.00009141677,0.05844946,0.0073410766,0.00073791796,0.0002323568,0.00023207435,0.0000027500625,0.0000024603341,0.0016594464,0.9302241,0.00026566684],"about_ca_topic_score_codex":0.00016652314,"about_ca_topic_score_gemma":0.000011939901,"teacher_disagreement_score":0.20159072,"about_ca_system_score_codex":0.000022098697,"about_ca_system_score_gemma":0.000019958188,"threshold_uncertainty_score":0.91593486},"labels":[],"label_agreement":null},{"id":"W2249286084","doi":"","title":"Reaching Out, Turning Home: The Musical Projects of Filippo Gambetta, Genoan Organetto Player","year":2013,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Accordion; Glocalization; Irish; Musical; Visual arts; Relation (database); History; Art; Aesthetics; Political science; Linguistics; Globalization; Computer science; Law; World Wide Web","score_opus":0.03348420959582319,"score_gpt":0.2708227438939228,"score_spread":0.23733853429809962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2249286084","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9654777,0.00025972785,0.00001990219,0.0013230466,0.00078767975,0.00034633488,0.000019229135,0.00006785998,0.031698544],"genre_scores_gemma":[0.99257606,0.000003994775,0.00021472797,0.0016390921,0.00042293587,0.00001787826,0.000017190414,0.000015447913,0.0050926986],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9987624,0.00013958228,0.00019926752,0.00027401245,0.0002531467,0.00037156817],"domain_scores_gemma":[0.9991751,0.00012253362,0.000140362,0.0003939855,0.00008162205,0.00008639813],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017715333,0.00017971486,0.00022094305,0.000039270308,0.00020364685,0.00007995871,0.00042991413,0.00013353424,0.0036112147],"category_scores_gemma":[0.00010336069,0.000107014785,0.00009871979,0.00014423396,0.00014057482,0.0002082935,0.00012316476,0.0003655828,0.00070363516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006514988,0.00029149643,0.007877632,0.00004165967,0.00023650721,0.000024628975,0.11595295,0.000018341638,0.04424668,0.0020582478,0.81957555,0.009611134],"study_design_scores_gemma":[0.0010658797,0.0003007555,0.8911758,0.00007474553,0.00010059201,0.00005303846,0.0153069245,0.000022554577,0.0031097033,0.0004410128,0.087865196,0.00048376262],"about_ca_topic_score_codex":0.000925267,"about_ca_topic_score_gemma":0.000076981705,"teacher_disagreement_score":0.8832982,"about_ca_system_score_codex":0.000023386225,"about_ca_system_score_gemma":0.00001831534,"threshold_uncertainty_score":0.9972996},"labels":[],"label_agreement":null},{"id":"W2259026599","doi":"10.12678/1089-313x.19.4.140","title":"Epidemiological Review of Injury in Pre-Professional Ballet Dancers","year":2015,"lang":"en","type":"review","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":63,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Ballet; Ballet dancer; CINAHL; Epidemiology; Physical therapy; Medicine; Intervention (counseling); Injury prevention; Poison control; Psychology; Dance; Psychological intervention; Environmental health; Psychiatry; Pathology; Art","score_opus":0.1424142005003977,"score_gpt":0.49780073639825045,"score_spread":0.35538653589785274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2259026599","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016049325,0.98943454,0.00003753105,0.001110292,0.0040214164,0.00041257896,0.000025678119,0.000005684182,0.0047917794],"genre_scores_gemma":[0.000106476626,0.9971141,0.00040343558,0.0012804457,0.00051872275,0.000006874211,0.000003121012,0.000011519288,0.0005552905],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940622,0.0008579533,0.0024257372,0.0004616325,0.0016255613,0.0005669277],"domain_scores_gemma":[0.99376255,0.00063047535,0.0039253263,0.0005875345,0.0006582581,0.00043583813],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01677579,0.00038370304,0.003955901,0.0006460904,0.00006683966,0.0000063158905,0.0025435202,0.00019132077,0.0008991714],"category_scores_gemma":[0.0069295033,0.00021919009,0.0003787295,0.0020372842,0.0022422269,0.0004506958,0.00026016304,0.0014557677,0.00003753848],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000091173824,0.00020125583,0.0005555938,0.018078512,0.000043408494,0.00011028978,0.00048304646,7.5662376e-7,0.0000026422267,0.0005587163,0.16336823,0.8165064],"study_design_scores_gemma":[0.00039066505,0.0007677796,0.0016426955,0.25075263,0.0001896417,0.0002507254,0.00009621735,5.940693e-7,1.788776e-7,0.00014076314,0.7456035,0.00016462144],"about_ca_topic_score_codex":0.000037903217,"about_ca_topic_score_gemma":0.000001189214,"teacher_disagreement_score":0.81634176,"about_ca_system_score_codex":0.00042593677,"about_ca_system_score_gemma":0.0022122324,"threshold_uncertainty_score":0.9845297},"labels":[],"label_agreement":null},{"id":"W2265774982","doi":"","title":"Dancing politics : connecting women's experiences of rave in Toronto to ageism and patriarchy","year":2007,"lang":"en","type":"dissertation","venue":"Brock University Digital Repository (Brock University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Gender studies; Politics; Sociology; Political science; Law","score_opus":0.010802070709349002,"score_gpt":0.2514170548347326,"score_spread":0.2406149841253836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2265774982","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8481249,0.00012950854,0.0001303801,8.228853e-7,0.0006882399,0.0002929215,0.0000633306,0.00007062562,0.15049922],"genre_scores_gemma":[0.701277,0.000025221334,0.00006377076,0.000019760128,0.00006688427,3.405982e-7,0.000046307305,0.000024673216,0.298476],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99770516,0.000104084575,0.00033570046,0.00074566575,0.0003834412,0.00072593486],"domain_scores_gemma":[0.9982751,0.00023857695,0.0004106816,0.00037254478,0.00021881858,0.00048430648],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000010821218,0.0004177576,0.0006272945,0.0008674682,0.00031526005,0.00008923132,0.00069266633,0.0004958597,0.0000552056],"category_scores_gemma":[0.000088813336,0.00058756705,0.00017582391,0.000568801,0.00011167578,0.0012597018,0.0003075352,0.00036757172,0.000012685426],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.029610017,0.00475884,0.18309864,0.0032357574,0.0036375187,0.010722663,0.6282074,0.0001801298,0.03411148,0.0077642677,0.055269394,0.039403908],"study_design_scores_gemma":[0.0012079565,0.00047907958,0.016208595,0.00028247436,0.000070409624,0.000025424211,0.9577577,4.4203998e-7,0.00042055146,0.000025925714,0.0229344,0.00058704417],"about_ca_topic_score_codex":0.0025732634,"about_ca_topic_score_gemma":0.0031127937,"teacher_disagreement_score":0.32955033,"about_ca_system_score_codex":0.0018169404,"about_ca_system_score_gemma":0.00017730234,"threshold_uncertainty_score":0.9996576},"labels":[],"label_agreement":null},{"id":"W2268783866","doi":"10.21091/mppa.2015.1004","title":"Risk Factors for Injuries in Competitive Irish Dancers Enrolled in Dance Schools in Calgary, Canada","year":2015,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"Canadian Institutes of Health Research","keywords":"Dance; Irish; Medicine; Physical therapy; Elite; Demography; Odds ratio; Incidence (geometry); Art; Sociology; Visual arts; Internal medicine","score_opus":0.025284946325058823,"score_gpt":0.2933338490761819,"score_spread":0.26804890275112303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2268783866","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99346095,0.0002597918,0.00008958472,0.00049203384,0.00046964953,0.00050685153,0.000058050962,0.000013122964,0.0046499893],"genre_scores_gemma":[0.99928546,0.000028130633,0.0002465848,0.00013747506,0.00003306618,0.00005158946,0.000019211177,0.000012762301,0.00018569613],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99786955,0.00014628105,0.0005875776,0.00032207742,0.0005306235,0.0005438805],"domain_scores_gemma":[0.9989068,0.00034045696,0.00019895541,0.00019875585,0.00006541344,0.00028961894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012425253,0.00017649714,0.00048117986,0.00018915714,0.000044330725,0.000011150815,0.00035574878,0.00016780947,0.00014617873],"category_scores_gemma":[0.0020856406,0.00017034789,0.000042620897,0.0003151206,0.00018660974,0.00022791597,0.00008310147,0.00059767574,0.000007379362],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032236497,0.00022170779,0.9826709,0.00008586393,0.000021987587,0.00003794249,0.00773792,0.0002157971,0.0000125774595,0.00031314004,0.0047963094,0.003563463],"study_design_scores_gemma":[0.009802277,0.0006534037,0.9675827,0.0011242381,0.000013537564,0.000004782157,0.011863606,0.0022152427,0.0003340801,0.0009229621,0.005027158,0.0004559982],"about_ca_topic_score_codex":0.5648005,"about_ca_topic_score_gemma":0.72180194,"teacher_disagreement_score":0.15700145,"about_ca_system_score_codex":0.0004769745,"about_ca_system_score_gemma":0.00088976865,"threshold_uncertainty_score":0.6946585},"labels":[],"label_agreement":null},{"id":"W2279884352","doi":"10.14288/1.0073214","title":"Battles staged by : the development and organization of stage combat in Canada","year":2012,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stage (stratigraphy); Operations management; History; Political science; Engineering; Geology","score_opus":0.00992200365677359,"score_gpt":0.17798854120839389,"score_spread":0.1680665375516203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279884352","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99822676,0.00021060828,0.0000530456,0.000051556595,0.000103962935,0.000094578245,0.00017362033,0.0000058762294,0.0010799618],"genre_scores_gemma":[0.9986108,0.000019854157,0.0000669318,0.00003658912,0.0000034175323,6.442772e-8,0.000017868482,0.0000043167574,0.0012401367],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994696,0.00005584278,0.0000777427,0.000102551036,0.0001294556,0.00016484148],"domain_scores_gemma":[0.99964064,0.00004897943,0.0000874452,0.000109590896,0.000050965493,0.000062393694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014226683,0.000024745103,0.00012251928,0.000016623728,0.000106819476,0.000011875314,0.00016459539,0.000036731046,0.00044474148],"category_scores_gemma":[0.000017711833,0.00006972569,0.000009960749,0.00017742578,0.00010917184,0.00017912102,0.000077192024,0.00006897864,0.0000039583983],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005131255,0.00008878522,0.90560335,0.000026951986,0.000028927434,0.000007422986,0.0027737808,8.2352557e-7,0.00007984521,0.000006849439,0.011020408,0.0803577],"study_design_scores_gemma":[0.00058540027,0.00001438571,0.9816302,0.000024822575,0.00000826498,0.000004271509,0.01625798,0.0000010658175,0.000009979183,0.0000019502083,0.0013902608,0.00007142369],"about_ca_topic_score_codex":0.96959025,"about_ca_topic_score_gemma":0.9911188,"teacher_disagreement_score":0.08028628,"about_ca_system_score_codex":0.00011433526,"about_ca_system_score_gemma":0.00016277902,"threshold_uncertainty_score":0.4869607},"labels":[],"label_agreement":null},{"id":"W2280319357","doi":"10.1097/jsm.0000000000000314","title":"Musculoskeletal Injury in Professional Dancers","year":2016,"lang":"en","type":"article","venue":"Clinical Journal of Sport Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":81,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario Tech University; Public Health Ontario; Canadian Memorial Chiropractic College; Canadian Institutes of Health Research; University Health Network","funders":"","keywords":"Medicine; Human factors and ergonomics; Musculoskeletal injury; Physical therapy; Injury prevention; Physical medicine and rehabilitation; Poison control; Medical emergency; Alternative medicine; Pathology","score_opus":0.05108189252619796,"score_gpt":0.4529530261722263,"score_spread":0.4018711336460284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280319357","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97453314,0.0002725654,0.000036808757,0.0106677795,0.008287514,0.000065535496,0.0000025840673,0.0000064746064,0.0061276043],"genre_scores_gemma":[0.99174464,0.0003058608,0.000071988725,0.0015652062,0.0016631795,5.7758837e-7,7.752538e-7,0.000007818887,0.0046399366],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9981063,0.00004827905,0.0010889902,0.00015303538,0.00036944027,0.00023397087],"domain_scores_gemma":[0.99862665,0.00020548754,0.00059244764,0.00018419955,0.00011922761,0.00027197716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002212536,0.00010360525,0.0005075416,0.00016057932,0.000021649977,0.0000015771407,0.000324544,0.00014753423,0.0040800194],"category_scores_gemma":[0.0003508758,0.00005420819,0.00016227031,0.00015056008,0.0004794587,0.00018808451,0.00004027821,0.00047847265,0.00013437241],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011704885,0.0003778974,0.81475663,0.0000071274762,0.000061289145,0.000446727,0.00019342625,7.1372504e-8,0.00008665154,0.00088104256,0.09242729,0.08959137],"study_design_scores_gemma":[0.0041458583,0.001738924,0.88667625,0.0007034979,0.000034129847,0.000060077487,0.00033926847,1.2154415e-7,0.0000055236833,0.0004880916,0.105731994,0.00007624071],"about_ca_topic_score_codex":0.000012326263,"about_ca_topic_score_gemma":0.0000019898525,"teacher_disagreement_score":0.08951513,"about_ca_system_score_codex":0.00004489546,"about_ca_system_score_gemma":0.0001182229,"threshold_uncertainty_score":0.9968304},"labels":[],"label_agreement":null},{"id":"W2280854526","doi":"","title":"Renegade Bodies : Canadian Dance in the 1970's","year":2012,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Politics; Key (lock); Sociology; Aesthetics; Art; Media studies; History; Visual arts; Political science; Literature; Law; Computer science","score_opus":0.04172349576529851,"score_gpt":0.2807968711871157,"score_spread":0.2390733754218172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280854526","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008760627,0.001785984,0.000002595463,0.0018157728,0.0009293309,0.00017054823,0.00010084655,0.000019085148,0.9950882],"genre_scores_gemma":[0.00907022,0.00006470018,0.000032173102,0.004833216,0.0003871258,0.000006960823,0.000050964612,0.000013917143,0.98554075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898416,0.000060740305,0.00012459044,0.00019533375,0.00014290941,0.0004922967],"domain_scores_gemma":[0.99920493,0.00008562562,0.000059746442,0.00049880246,0.000015491978,0.00013539984],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019346701,0.00017866038,0.00019677597,0.00015996039,0.00008737321,0.00003302686,0.00062486716,0.00030173242,0.007164657],"category_scores_gemma":[0.000016382322,0.00013377145,0.00006742084,0.000040207535,0.00010048576,0.000098128716,0.000024421779,0.00044587147,0.0038137715],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062270883,0.000017412409,0.0008003741,0.000008297488,0.00003123307,0.000033949425,0.003927948,7.59091e-8,2.1080763e-7,0.041687593,0.95120215,0.0022845182],"study_design_scores_gemma":[0.00012280203,0.000025116307,0.018350918,0.000034881497,0.00001947214,0.000010933387,0.00042557417,3.005747e-8,6.8033376e-7,0.0013257018,0.97951007,0.00017379569],"about_ca_topic_score_codex":0.18477534,"about_ca_topic_score_gemma":0.61803657,"teacher_disagreement_score":0.43326122,"about_ca_system_score_codex":0.00018890259,"about_ca_system_score_gemma":0.00028518797,"threshold_uncertainty_score":0.9969619},"labels":[],"label_agreement":null},{"id":"W2283358562","doi":"10.1080/02703149.2016.1116853","title":"Embodied Paths in Aging: Body Journeys Towards Enhanced Agency and Self-Attunement","year":2016,"lang":"en","type":"article","venue":"Women & Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Attunement; Embodied cognition; Sense of agency; Psychology; Agency (philosophy); Competence (human resources); Life course approach; Construct (python library); Social psychology; Personal construct theory; Self; Psychology of self; Gender studies; Developmental psychology; Sociology; Epistemology; Medicine","score_opus":0.02104815375102612,"score_gpt":0.29045819447112675,"score_spread":0.2694100407201006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2283358562","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9679583,0.0006028336,0.0000897075,0.00087484816,0.00039742384,0.00020228744,0.000009580302,0.00006608852,0.029798934],"genre_scores_gemma":[0.9922545,0.0023552396,0.000055997705,0.0007853017,0.00008459013,0.000036057718,9.237228e-7,0.000014436307,0.0044129365],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9988006,0.00012234764,0.0001772632,0.00028050513,0.00015220627,0.0004670733],"domain_scores_gemma":[0.9994623,0.000040809955,0.000077863995,0.00026417946,0.00002121741,0.00013363175],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003746137,0.00016011344,0.0002170844,0.00010728099,0.000066214685,0.000028799483,0.0002016879,0.0000732188,0.0034783],"category_scores_gemma":[0.000008333341,0.0001130738,0.000037541136,0.000108964094,0.000047659632,0.00016051269,0.000040200837,0.000091048,0.00021671216],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010523885,0.0015930182,0.02374644,0.00002719414,0.0005035781,0.000109780965,0.17009842,2.7248393e-7,0.05842924,0.0029905292,0.0051075234,0.7363416],"study_design_scores_gemma":[0.027831381,0.004472467,0.6199373,0.00019154324,0.000024166055,0.000019839594,0.007686235,0.0000026947178,0.01866938,0.0062224814,0.31369162,0.0012509138],"about_ca_topic_score_codex":0.000047651018,"about_ca_topic_score_gemma":0.000004473011,"teacher_disagreement_score":0.7350907,"about_ca_system_score_codex":0.00013693993,"about_ca_system_score_gemma":0.00002886991,"threshold_uncertainty_score":0.99743265},"labels":[],"label_agreement":null},{"id":"W2286311343","doi":"10.1017/s0149767700007312","title":"“Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York","year":2006,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Jazz; Dance; Jazz dance; Art; White (mutation); Visual arts; Appropriation; Symbol (formal); Dance improvisation; Art history; Performing arts; Choreography; Concert dance; Computer science","score_opus":0.13631319368006656,"score_gpt":0.39739274019505016,"score_spread":0.2610795465149836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2286311343","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9631212,0.0010808418,0.0013736809,0.003962015,0.0001901468,0.0002526768,0.000024989336,0.000011182647,0.029983269],"genre_scores_gemma":[0.9946377,0.00012316536,0.00080229365,0.00011888075,0.00046546123,0.0000023422879,0.000006108708,0.000010359803,0.0038336725],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9967645,0.0011275818,0.00037617492,0.00022661826,0.0009006701,0.00060445373],"domain_scores_gemma":[0.99874127,0.0003414388,0.0002145291,0.00035465034,0.00013708393,0.00021103433],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00616074,0.00012163252,0.0002115996,0.00026247188,0.00043074755,0.00019232348,0.0007486011,0.00010034078,0.00023706796],"category_scores_gemma":[0.0006172211,0.0000945875,0.000060156788,0.00039346647,0.00040935952,0.00036195276,0.00011623634,0.0018757631,0.000035465393],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007355068,0.001911186,0.4756236,0.00013591189,0.0001471818,0.00033572566,0.047041815,0.00010420882,0.002321114,0.13504584,0.27819532,0.05840256],"study_design_scores_gemma":[0.002253912,0.000413543,0.91980547,0.00026409896,0.000020381902,0.00024774618,0.01206142,0.00017293904,0.0001402066,0.032266583,0.032110233,0.00024345896],"about_ca_topic_score_codex":0.002715964,"about_ca_topic_score_gemma":0.00015582418,"teacher_disagreement_score":0.44418186,"about_ca_system_score_codex":0.00007855124,"about_ca_system_score_gemma":0.00022398158,"threshold_uncertainty_score":0.81493616},"labels":[],"label_agreement":null},{"id":"W2286639550","doi":"10.21091/mppa.2012.2015","title":"Examination of Weight Transfer Strategies During the Execution of Grand Battement Devant at the Barre, in the Center, and Traveling","year":2012,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Trunk; Center of gravity; Transfer (computing); Center (category theory); Pelvis; Center of mass (relativistic); Physical medicine and rehabilitation; Mathematics; Physics; Medicine; Geodesy; Orthodontics; Nuclear medicine; Surgery; Geology; Mechanics; Computer science; Biology","score_opus":0.018174889270511693,"score_gpt":0.2680025341389796,"score_spread":0.24982764486846792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2286639550","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9958431,0.0009996936,0.0002781299,0.0005508008,0.00013539537,0.00023670509,0.000007964275,0.0000031646523,0.0019450417],"genre_scores_gemma":[0.99970406,0.00015482392,0.000011553028,0.000031752,0.000034597007,0.000009678144,0.0000033607314,0.0000038357584,0.00004634934],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9987931,0.00017279391,0.00032614538,0.0000906281,0.00041197048,0.00020534325],"domain_scores_gemma":[0.9995493,0.00015985103,0.000081578844,0.00014454039,0.00002509563,0.000039611186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018705656,0.00007887826,0.00013579799,0.000034472327,0.000114999246,0.0000070520514,0.00018831155,0.000059438087,0.00022923655],"category_scores_gemma":[0.00004482951,0.000040024035,0.000035805067,0.00008663051,0.00032014397,0.00016983153,0.000035522782,0.0001577121,0.0000020959621],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006377276,0.0024659147,0.37024838,0.002813174,0.00030493597,0.000010775544,0.42642492,0.00012846825,0.036805425,0.018247606,0.00051867054,0.141394],"study_design_scores_gemma":[0.0015655947,0.00016664717,0.98166907,0.00039609254,0.000037660124,0.000036568803,0.008304311,0.00016600978,0.0069309724,0.00013772478,0.00050768245,0.00008168717],"about_ca_topic_score_codex":0.0001257482,"about_ca_topic_score_gemma":0.00016959601,"teacher_disagreement_score":0.6114207,"about_ca_system_score_codex":0.00001837352,"about_ca_system_score_gemma":0.000017322982,"threshold_uncertainty_score":0.25099793},"labels":[],"label_agreement":null},{"id":"W2288603793","doi":"10.3928/02793695-20160219-05","title":"Dance for Individuals With Dementia","year":2016,"lang":"en","type":"article","venue":"Journal of Psychosocial Nursing and Mental Health Services","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Dementia; Psychology; Psychosocial; Narrative; Dialogical self; Mental health; Population; Gerontology; Contemporary dance; Sociology; Psychotherapist; Medicine; Visual arts; Social psychology; Art; Disease","score_opus":0.01600766671861541,"score_gpt":0.3563774561018036,"score_spread":0.3403697893831882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2288603793","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91570914,0.009566458,0.0011784873,0.06621919,0.004010082,0.0004450047,0.00018075207,0.00002207946,0.0026688247],"genre_scores_gemma":[0.9932875,0.00047863412,0.0032507216,0.0021992773,0.00051525,0.0000023445918,0.000002859612,0.000013566949,0.00024985353],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990749,0.00005267838,0.0002662954,0.00012623542,0.00019215191,0.00028778857],"domain_scores_gemma":[0.99911445,0.00004520513,0.000526078,0.000066281005,0.000058610796,0.00018935699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034287787,0.00009960057,0.00021837284,0.00007321613,0.0002739601,0.000029052313,0.00014003308,0.00005078948,0.000053188196],"category_scores_gemma":[0.0000012205943,0.000065224915,0.000049520575,0.00006890775,0.000086869986,0.00028197007,0.0000063657485,0.00006764794,0.0000044296653],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00469426,0.0014415744,0.11658793,0.0005322191,0.00082915183,0.0000051220254,0.06470898,1.9539907e-7,0.00052396604,0.0044172453,0.16338675,0.64287263],"study_design_scores_gemma":[0.02076013,0.010152944,0.33622286,0.010613272,0.00020197073,0.00026873552,0.03139298,0.0000012708689,0.00018213637,0.0058705895,0.58384126,0.00049188174],"about_ca_topic_score_codex":0.0000308092,"about_ca_topic_score_gemma":0.000019746509,"teacher_disagreement_score":0.6423807,"about_ca_system_score_codex":0.000067109424,"about_ca_system_score_gemma":0.000050264935,"threshold_uncertainty_score":0.2659795},"labels":[],"label_agreement":null},{"id":"W229260413","doi":"10.1177/153660060803000106","title":"“Good <i>Legong</i> Dancers Were Given an Arduous Program of Training:” Music Education in Bali in the 1930s","year":2008,"lang":"en","type":"article","venue":"Journal of Historical Research in Music Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Musical; Style (visual arts); Indonesian; Visual arts; Music education; Music; Contemporary dance; Sociology; Psychology; History; Art; Linguistics","score_opus":0.2719570769139061,"score_gpt":0.45629785772221665,"score_spread":0.18434078080831057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W229260413","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9645983,0.0014681446,0.0000074067884,0.0037487026,0.0022277476,0.00046480016,0.000001700948,0.0000048751394,0.027478341],"genre_scores_gemma":[0.99740136,0.00017274836,0.00054839766,0.00027278715,0.00064468745,0.000043363052,0.0000056533772,0.000011717306,0.0008993123],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99673384,0.0010663453,0.0006426447,0.00022767969,0.0008953126,0.00043419507],"domain_scores_gemma":[0.9984033,0.00037900935,0.0003441633,0.00033126326,0.00037083274,0.0001714203],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003165386,0.000117700576,0.0003097447,0.0010634712,0.0000997763,0.00002395164,0.0006808823,0.00014015865,0.00016651725],"category_scores_gemma":[0.0005840557,0.00010070499,0.00008609776,0.0014052147,0.00020019794,0.00049244135,0.000026707734,0.0012061135,0.000012101071],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007701083,0.019402282,0.061809205,0.00009462119,0.000027436601,0.000101728896,0.14381042,0.000033163826,0.00028776206,0.0026431994,0.3121946,0.45882547],"study_design_scores_gemma":[0.0017426207,0.0032524664,0.59752524,0.00042362456,0.000015719877,0.00024307375,0.095187634,0.00001635683,0.000015452948,0.003136606,0.29821017,0.00023101183],"about_ca_topic_score_codex":0.0035385725,"about_ca_topic_score_gemma":0.0007533422,"teacher_disagreement_score":0.53571606,"about_ca_system_score_codex":0.0028180105,"about_ca_system_score_gemma":0.003671888,"threshold_uncertainty_score":0.7369},"labels":[],"label_agreement":null},{"id":"W2298876002","doi":"","title":"Lara Kramer, Tame, Toronto, Weesageechak Begins to Dance 28","year":2016,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Sociology; Media studies; History; Art","score_opus":0.007996604756876028,"score_gpt":0.20318725094807413,"score_spread":0.1951906461911981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298876002","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7041874,0.013600001,0.008158689,0.057458267,0.0017318566,0.0006093435,0.00047393257,0.0005392829,0.2132412],"genre_scores_gemma":[0.615163,0.0016091306,0.0016120211,0.0025864963,0.00025115808,0.000008700521,0.000010719619,0.000048764174,0.37870997],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983801,0.0000764058,0.00013030047,0.0004839447,0.00025051195,0.0006786889],"domain_scores_gemma":[0.998624,0.00009726428,0.00010862622,0.00068449555,0.00006340407,0.0004221777],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014205044,0.0002373833,0.00026857466,0.000096856136,0.0003343199,0.000016480708,0.000627168,0.00017528809,0.0034963503],"category_scores_gemma":[0.00004005229,0.00022149418,0.00014435992,0.0001963721,0.0000886957,0.00045101586,0.00032417124,0.00011396667,0.003391337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005204947,0.00022249889,0.0032473675,0.000008801308,0.0002174382,0.0011817337,0.0020108283,0.0000058288483,0.0054047946,0.04322642,0.8036586,0.14029521],"study_design_scores_gemma":[0.0014913868,0.00029276547,0.020946592,0.00004863758,0.000053960463,0.00009292048,0.0010891946,0.0000034344134,0.0003127293,0.00023448827,0.97508585,0.00034805248],"about_ca_topic_score_codex":0.010526654,"about_ca_topic_score_gemma":0.039425675,"teacher_disagreement_score":0.17142725,"about_ca_system_score_codex":0.0040773824,"about_ca_system_score_gemma":0.000025372648,"threshold_uncertainty_score":0.9997458},"labels":[],"label_agreement":null},{"id":"W2303090211","doi":"10.1093/oxfordhb/9780199754281.013.005","title":"English-Canadian Ethnocentricity","year":2013,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Dance; Appropriation; Indigenous; Narrative; Choreography; Iconography; Nationalism; The arts; Ethnography; Visual arts; Art; History; Art history; Literature; Archaeology; Politics; Political science; Philosophy; Law; Linguistics","score_opus":0.026544915325134845,"score_gpt":0.22107135410161152,"score_spread":0.19452643877647668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2303090211","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025858395,0.00012815329,0.000028676588,0.000026512846,0.0016313524,0.00055035873,0.00067405484,0.0002044614,0.99649787],"genre_scores_gemma":[0.0005973466,0.00007361679,0.00006448923,0.00035260618,0.0003559163,9.386097e-7,0.00012691243,0.000045621488,0.99838257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979955,0.000108041575,0.00016918714,0.00061585027,0.00029045506,0.00082097953],"domain_scores_gemma":[0.99787843,0.000086226784,0.0002221236,0.0008044758,0.00025455968,0.00075421087],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000106904845,0.00043659948,0.000463961,0.00043976965,0.00034573794,0.000088066554,0.0012086018,0.0010306872,0.0026740413],"category_scores_gemma":[0.000023386265,0.0005532125,0.00027907142,0.000030005916,0.0002767736,0.00021047106,0.00030347428,0.0009734704,0.00015450771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006448881,0.000028889079,0.00004225096,0.000038110353,0.00030445465,0.00031035035,0.0019023153,9.038637e-7,2.727562e-7,0.2709583,0.72026694,0.0060827285],"study_design_scores_gemma":[0.00078190496,0.00008250906,0.00023667948,0.00006655188,0.0001887231,0.0000045649917,0.0003096262,0.000002698222,0.000004222484,0.00017746803,0.9975893,0.00055573334],"about_ca_topic_score_codex":0.027842136,"about_ca_topic_score_gemma":0.0027247004,"teacher_disagreement_score":0.2773224,"about_ca_system_score_codex":0.0008155914,"about_ca_system_score_gemma":0.00059410726,"threshold_uncertainty_score":0.99969196},"labels":[],"label_agreement":null},{"id":"W2305013637","doi":"","title":"Global movements : dance, place, and hybridity","year":2015,"lang":"en","type":"book","venue":"Lexington Books","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Hybridity; Contemporary dance; Cosmopolitanism; German; Narrative; Art; Parade; Modern dance; Performance art; Art history; Identity (music); Visual arts; Aesthetics; Anthropology; Sociology; History; Literature; Politics; Archaeology; Political science","score_opus":0.03490437483439718,"score_gpt":0.29481365375762786,"score_spread":0.2599092789232307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2305013637","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037574281,0.0011285584,0.00003463855,0.00005665132,0.0017415333,0.0002973057,0.0006501888,0.00013902762,0.99219465],"genre_scores_gemma":[0.0020155008,0.00002903135,0.00007800648,0.0013468202,0.00048176915,0.0000064947285,0.00011627971,0.00003413714,0.995892],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982174,0.000053580192,0.0002508429,0.0005916983,0.00041786788,0.00046861492],"domain_scores_gemma":[0.998791,0.000034832326,0.00024371532,0.00055833854,0.00007789337,0.00029425777],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023478895,0.0003896311,0.00046799332,0.00007765289,0.000118904376,0.00008154268,0.00040466673,0.00041152647,0.0006561549],"category_scores_gemma":[0.000024335543,0.00043121618,0.00010086926,0.00003838002,0.00024030881,0.00014006805,0.00029720945,0.00038371718,0.00085790234],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001501659,0.000054410426,0.0013056637,0.000045841694,0.00019229973,0.00009532595,0.00038038116,8.814342e-7,6.5916623e-7,0.023718463,0.96895397,0.005101921],"study_design_scores_gemma":[0.0011594455,0.00021538556,0.0033759119,0.00013612155,0.000060999668,0.000024254039,0.000057872097,0.000002096693,0.0000024585977,0.0205666,0.9739607,0.00043814935],"about_ca_topic_score_codex":0.00018017708,"about_ca_topic_score_gemma":0.000052868865,"teacher_disagreement_score":0.00500672,"about_ca_system_score_codex":0.00041135013,"about_ca_system_score_gemma":0.0002711271,"threshold_uncertainty_score":0.99992007},"labels":[],"label_agreement":null},{"id":"W2312313085","doi":"10.1177/1012690213495745","title":"(Im)Mobile bodies: Contemporary semi-professional dancers’ experiences with injuries","year":2013,"lang":"en","type":"article","venue":"International Review for the Sociology of Sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":36,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Amateur; Ballet; Context (archaeology); Athletes; Identity (music); Choreography; Psychology; Sociology; Visual arts; Aesthetics; Art; Medicine; Physical therapy; History","score_opus":0.03606543500147052,"score_gpt":0.36053790759214394,"score_spread":0.3244724725906734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312313085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93061423,0.046927173,0.00008986937,0.0052378806,0.0020496366,0.001129118,0.00006283549,0.000026266238,0.013862972],"genre_scores_gemma":[0.98788315,0.0018298135,0.00010960611,0.0028830618,0.00012802792,0.0009087897,0.000053307802,0.000007853037,0.0061964057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991357,0.000024106985,0.0003062967,0.00019293789,0.00018073295,0.00016025394],"domain_scores_gemma":[0.9989829,0.00022854464,0.0003396597,0.000198563,0.00021443047,0.000035893576],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037512716,0.00012184497,0.00030991007,0.000029651728,0.00015669245,0.000005629405,0.0005609311,0.00007741968,0.004347204],"category_scores_gemma":[0.000035339406,0.00007204516,0.00014116637,0.000030899624,0.0013541456,0.00020751654,0.0000633294,0.00015537124,0.00011949462],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055969437,0.00038119082,0.18324298,0.0004556194,0.0015154086,0.0000073392025,0.082337104,0.0000028135244,0.000044230426,0.030262781,0.6923929,0.008797953],"study_design_scores_gemma":[0.0015310328,0.0011132482,0.20207912,0.001898112,0.00013740442,0.000038568363,0.20789286,0.0000099395875,0.00012822005,0.0028519835,0.58187497,0.00044456305],"about_ca_topic_score_codex":0.00010620154,"about_ca_topic_score_gemma":0.0000015395535,"teacher_disagreement_score":0.12555577,"about_ca_system_score_codex":0.000024820047,"about_ca_system_score_gemma":0.00007963501,"threshold_uncertainty_score":0.99656296},"labels":[],"label_agreement":null},{"id":"W2312940151","doi":"10.2307/1478853","title":"Performative Power in Native America: Powwow Dancing","year":2001,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Art; Storytelling; Ceremony; Performing arts; History; Art history; Literature; Narrative; Archaeology","score_opus":0.10158022491750297,"score_gpt":0.4473651810687491,"score_spread":0.34578495615124616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312940151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7898841,0.0008354908,0.00045275502,0.0015474301,0.00037322295,0.0001386015,0.000011456222,0.000014234954,0.20674272],"genre_scores_gemma":[0.99476403,0.00058599876,0.00026944123,0.0002605262,0.00018355537,0.0000065632817,0.0000018629893,0.000011971877,0.0039160494],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.996677,0.0009958808,0.00029387,0.00021750937,0.0008379235,0.0009778107],"domain_scores_gemma":[0.9985791,0.000455819,0.00013158724,0.00022057125,0.00034932978,0.00026362154],"candidate_categories":["research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0033644694,0.00012841774,0.00027028902,0.0005871696,0.00053455913,0.00013835441,0.000530567,0.00007588021,0.0040740534],"category_scores_gemma":[0.00083753915,0.000111817586,0.000084358406,0.001029787,0.00033507074,0.0008726536,0.00012478494,0.0024153385,0.0010161054],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024876543,0.0019346853,0.3656504,0.000029103565,0.00048045864,0.006118427,0.18226306,0.00014565836,0.0013995998,0.0070218947,0.2348962,0.19757286],"study_design_scores_gemma":[0.002599818,0.0014247609,0.7425213,0.00035470072,0.0000067113297,0.0011776767,0.11534011,0.00014322693,0.00017077761,0.0024544443,0.13341199,0.0003945054],"about_ca_topic_score_codex":0.00015510572,"about_ca_topic_score_gemma":0.000022618973,"teacher_disagreement_score":0.37687087,"about_ca_system_score_codex":0.0003932848,"about_ca_system_score_gemma":0.0001511335,"threshold_uncertainty_score":0.99988616},"labels":[],"label_agreement":null},{"id":"W2314182188","doi":"10.2307/1477801","title":"The Trianon and On: Reading Mass Social Dancing in the 1930s and 1940s in Alberta, Canada","year":2001,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballroom; Club; Chorus; History; Art; Visual arts; Art history; Media studies; Sociology; Literature","score_opus":0.0720612069061207,"score_gpt":0.3862744636598232,"score_spread":0.3142132567537025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314182188","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9494272,0.0006662074,0.00000524679,0.02056214,0.0002068805,0.00013667086,0.000003916556,0.0000014002433,0.028990332],"genre_scores_gemma":[0.9967918,0.00077764987,0.000009490007,0.00033125147,0.00027507258,0.000004481615,4.975443e-7,0.0000055689484,0.0018041971],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99778,0.0007647682,0.00017051958,0.00015338832,0.0005133327,0.00061793963],"domain_scores_gemma":[0.99832046,0.0013620141,0.000054812925,0.00012861472,0.00004012028,0.00009396008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037828337,0.00007799523,0.00012092338,0.0001150227,0.0008968659,0.00021695148,0.0003435131,0.000050667433,0.00004290994],"category_scores_gemma":[0.0004331944,0.000050132476,0.000017072836,0.00034676047,0.00018261571,0.00015445144,0.00004597774,0.0012153393,0.000005750539],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030861625,0.00021718297,0.57124907,0.000028707458,0.00010767724,0.0038537583,0.03767616,0.000021425189,0.00035457,0.021201719,0.17938037,0.18282317],"study_design_scores_gemma":[0.0023328767,0.00022680561,0.82443696,0.00013281844,0.0000038029282,0.00042385724,0.02263306,0.00006349704,0.000013276373,0.0023927297,0.14719759,0.00014269166],"about_ca_topic_score_codex":0.21440178,"about_ca_topic_score_gemma":0.57054645,"teacher_disagreement_score":0.35614464,"about_ca_system_score_codex":0.00021421543,"about_ca_system_score_gemma":0.00023080247,"threshold_uncertainty_score":0.7908296},"labels":[],"label_agreement":null},{"id":"W2316443299","doi":"10.1386/dmas.1.2.283_1","title":"Liquid lead: Negotiating the ‘First Dance’ as a queer wedding ritual","year":2014,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Queer; Performative utterance; Gender studies; Concert dance; Choreography; White (mutation); Appropriation; Dance improvisation; Art; Visual arts; Sociology; Contemporary dance; Aesthetics; Jazz dance","score_opus":0.02253645484875217,"score_gpt":0.2852688973794552,"score_spread":0.26273244253070305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316443299","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8542691,0.0011504818,0.0013397704,0.0066360147,0.0024634453,0.00042733076,0.000074655705,0.00024520562,0.133394],"genre_scores_gemma":[0.9592882,0.00004608657,0.0001860796,0.020347308,0.00090727437,0.000086772125,0.000021203,0.00004057517,0.019076504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997418,0.0001873525,0.00046226673,0.0005241883,0.00056125264,0.00084693194],"domain_scores_gemma":[0.99839276,0.00035409702,0.00026685806,0.00079257315,0.00008229057,0.000111395144],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000843389,0.00035245414,0.00036837524,0.000090460795,0.0007592162,0.0002695066,0.0007672639,0.00012590796,0.0010977424],"category_scores_gemma":[0.00020471467,0.00029726975,0.0001503915,0.0002030782,0.00040486985,0.0005081467,0.00025965896,0.00037011906,0.0009918611],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050312554,0.0004612769,0.028925614,0.00014419522,0.00037092905,0.000024855213,0.057457272,0.00039202435,0.0006909916,0.7498947,0.15793765,0.0031974013],"study_design_scores_gemma":[0.0033657702,0.0017262704,0.06174317,0.000450595,0.00012018393,0.000014443987,0.078806706,0.00024826758,0.0018458847,0.0053070285,0.84501714,0.0013545499],"about_ca_topic_score_codex":0.0021006784,"about_ca_topic_score_gemma":0.00027503172,"teacher_disagreement_score":0.74458766,"about_ca_system_score_codex":0.00010610685,"about_ca_system_score_gemma":0.00003732238,"threshold_uncertainty_score":0.99994797},"labels":[],"label_agreement":null},{"id":"W2318357059","doi":"10.1386/dmas.1.1.143_1","title":"Bodyself: Linking dance and spirituality","year":2014,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Dance; Spirituality; Reverence; Feeling; Narrative; Aesthetics; Openness to experience; Perspective (graphical); Psychology; The arts; Sociology; Gender studies; Visual arts; Social psychology; Art; Epistemology; Literature","score_opus":0.02096900647538975,"score_gpt":0.2825647370018158,"score_spread":0.26159573052642604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318357059","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8700618,0.001301875,0.001680787,0.002362494,0.0011810997,0.00030065334,0.0001084534,0.00024890385,0.12275393],"genre_scores_gemma":[0.9729549,0.00007901399,0.00091238273,0.014208889,0.0004899329,0.00003502277,0.000038048824,0.000029484188,0.011252295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9977293,0.00019512365,0.00041645908,0.00059524603,0.0004009088,0.00066297787],"domain_scores_gemma":[0.99872375,0.00017567689,0.00019876695,0.0006539841,0.000073135285,0.0001746719],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0008414734,0.00031191006,0.00039989175,0.000094626426,0.00032746486,0.00016517621,0.0003844863,0.0001333788,0.0005381615],"category_scores_gemma":[0.00009214027,0.00032776673,0.00009051678,0.00014329387,0.0003931946,0.00045832907,0.00021518455,0.00025795613,0.00025346546],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016654104,0.0004963986,0.18643455,0.00031218835,0.00021711398,0.00002124588,0.017053664,0.00000981345,0.0010159623,0.7312926,0.036971696,0.026008207],"study_design_scores_gemma":[0.0030325549,0.0006578093,0.5281195,0.0003565253,0.000077140445,0.000010330699,0.009721133,0.00008000296,0.0014800328,0.03772025,0.41757187,0.0011728167],"about_ca_topic_score_codex":0.00045356064,"about_ca_topic_score_gemma":0.000114385,"teacher_disagreement_score":0.69357234,"about_ca_system_score_codex":0.000045172088,"about_ca_system_score_gemma":0.000021247264,"threshold_uncertainty_score":0.99991745},"labels":[],"label_agreement":null},{"id":"W2319484287","doi":"10.1386/jdsp.4.2.161_1","title":"Holistic pedagogy in practice: The curriculum and ideology of embodied self-discovery in Franziska Boas’s dance classes, 1933–1965","year":2012,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dance; Dance education; Syllabus; Creativity; Choreography; Curriculum; Visual arts; The arts; Pedagogy; Sociology; Embodied cognition; Psychology; Art; Epistemology","score_opus":0.035907679518800306,"score_gpt":0.40464011529541594,"score_spread":0.36873243577661563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319484287","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9700697,0.0132722985,0.00016241442,0.0034958026,0.0012959699,0.0002665435,0.0000088553425,0.000011271721,0.011417119],"genre_scores_gemma":[0.9942784,0.0016738871,0.0029211184,0.0006686904,0.00028707358,0.000007848874,0.0000010295154,0.00001646867,0.00014549306],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.996545,0.0011101235,0.001071165,0.0002208982,0.0004802648,0.0005725379],"domain_scores_gemma":[0.99137294,0.0032327538,0.0046688607,0.00041282113,0.00017565998,0.00013694863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003094493,0.00024436277,0.000691061,0.00027180926,0.00009329825,0.000087940185,0.00058516976,0.00017936967,0.00007985044],"category_scores_gemma":[0.005191326,0.00018269935,0.0000960041,0.0004307291,0.00026102547,0.005640644,0.00013428509,0.0009942607,0.000027515744],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00080081366,0.0034356576,0.9508615,0.00028560622,0.00039372712,0.0002722822,0.023717485,0.000045984107,0.0002967256,0.01581463,0.0024295582,0.0016460207],"study_design_scores_gemma":[0.0033885487,0.00073150493,0.92385143,0.00047898968,0.0005092111,0.0020607351,0.04844977,0.00013294596,0.00005918633,0.0013491252,0.01864018,0.00034839864],"about_ca_topic_score_codex":0.00083568966,"about_ca_topic_score_gemma":0.00023879537,"teacher_disagreement_score":0.0270101,"about_ca_system_score_codex":0.00009409459,"about_ca_system_score_gemma":0.00023729415,"threshold_uncertainty_score":0.7450263},"labels":[],"label_agreement":null},{"id":"W2321674874","doi":"10.1386/jdsp.6.1.29_1","title":"Narratives of dancers: Somatic and artistic practices of a Canadian and a Brazilian dancer","year":2014,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Narrative; Negotiation; Aesthetics; Visual arts; Performing arts; Sociology; The arts; Gesture; Directive; Art; Literature; Social science","score_opus":0.04306495685232333,"score_gpt":0.34899745092925394,"score_spread":0.30593249407693063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321674874","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9827081,0.0036107877,0.000260072,0.0031781672,0.0003508563,0.00017248049,0.000020677739,0.0000060328252,0.009692817],"genre_scores_gemma":[0.9911076,0.00047213808,0.007943511,0.00018169305,0.000110445675,0.000002943023,7.712107e-7,0.0000134701295,0.00016745125],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9979137,0.00042509486,0.00078808976,0.00020229831,0.00037603106,0.00029476185],"domain_scores_gemma":[0.9900594,0.0012041706,0.007909764,0.00030012507,0.00024113279,0.00028546024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013239786,0.00019337678,0.00063848373,0.00046058724,0.00012628829,0.00008215029,0.0003253048,0.00009959844,0.000194067],"category_scores_gemma":[0.0043776007,0.00016638495,0.000068822235,0.00035881012,0.00040367036,0.0021502818,0.0000460276,0.000307236,0.000008050242],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002539723,0.0021732454,0.6237328,0.005859486,0.0037338887,0.00027742208,0.24745966,0.000064120555,0.030508198,0.02137259,0.011267398,0.051011436],"study_design_scores_gemma":[0.0049960674,0.0039207293,0.85444266,0.0033632927,0.0011008877,0.0014871222,0.091193885,0.00059494906,0.0013856551,0.01032196,0.026481219,0.0007115687],"about_ca_topic_score_codex":0.005374346,"about_ca_topic_score_gemma":0.0065777986,"teacher_disagreement_score":0.23070984,"about_ca_system_score_codex":0.000040121726,"about_ca_system_score_gemma":0.0002698808,"threshold_uncertainty_score":0.812444},"labels":[],"label_agreement":null},{"id":"W2323461639","doi":"10.1386/eta.10.2.179_1","title":"A model for dance education: Promoting personal voice and communal learning","year":2014,"lang":"en","type":"article","venue":"International Journal of Education through Art","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Dance; Dance education; Performing arts; Context (archaeology); Hierarchy; Visual arts; Concert dance; Curriculum; Sociology; Pedagogy; Choreography; Art; Psychology; Political science; History","score_opus":0.042590657123104475,"score_gpt":0.37394805609624493,"score_spread":0.3313573989731404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323461639","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.765556,0.0009980547,0.15684661,0.016620183,0.008747484,0.0002713227,0.000016760523,0.000027035996,0.05091659],"genre_scores_gemma":[0.97801703,0.000029923882,0.0112292925,0.0019403886,0.0011092656,0.000010140473,0.000017635699,0.000010599373,0.0076356977],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915755,0.00007021998,0.00028226132,0.00012264936,0.00024271419,0.00012459654],"domain_scores_gemma":[0.99851644,0.0001727997,0.00043514816,0.000075773096,0.0007264076,0.00007343947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040499418,0.000091419446,0.00012767204,0.000095565556,0.000131181,0.00008683712,0.00029049895,0.0000465871,0.00016302773],"category_scores_gemma":[0.0003556054,0.00009377231,0.000075578086,0.000048913917,0.00006274926,0.00059220986,0.000032776243,0.00022189424,0.00003996896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011054263,0.004217687,0.06534595,0.00011858935,0.0008559713,0.0000021838475,0.20960458,0.00072936655,0.0012872936,0.11958038,0.24987696,0.3472756],"study_design_scores_gemma":[0.0036113088,0.0010597128,0.0494752,0.0008614804,0.00016692489,0.0010895671,0.026463408,0.03347505,0.00023334882,0.03562729,0.8473161,0.00062061596],"about_ca_topic_score_codex":0.000018063165,"about_ca_topic_score_gemma":0.0000042558395,"teacher_disagreement_score":0.5974391,"about_ca_system_score_codex":0.00007831376,"about_ca_system_score_gemma":0.0003564501,"threshold_uncertainty_score":0.38239238},"labels":[],"label_agreement":null},{"id":"W2324207892","doi":"10.1386/jdsp.7.1.21_1","title":"Somatic education and embodied discourses: Using the Feldenkrais Method to challenge dominant discourses in the sexually abused body context","year":2015,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Embodied cognition; Subjectivity; Nature versus nurture; Context (archaeology); Dance; Perception; Sociology; Aesthetics; Psychology; Gender studies; Epistemology; Visual arts; Art; History; Anthropology","score_opus":0.10622794916355223,"score_gpt":0.44827122428556415,"score_spread":0.34204327512201194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324207892","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9615299,0.004901858,0.0031639542,0.025051212,0.0011601851,0.0005430681,0.000005608573,0.000007037414,0.0036371923],"genre_scores_gemma":[0.99147666,0.00011640869,0.00672877,0.0011169662,0.00034579975,0.000013924286,6.690436e-7,0.0000150053875,0.00018578566],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970825,0.001215999,0.0006237928,0.00019490832,0.0005753121,0.00030749827],"domain_scores_gemma":[0.9953627,0.0016558908,0.0022114282,0.00042207405,0.0001846062,0.00016327282],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038394989,0.00020664696,0.00043472333,0.00015652798,0.00019735718,0.00030294372,0.00072507205,0.0000709666,0.000032470252],"category_scores_gemma":[0.001972984,0.00011552963,0.000071906084,0.0002482465,0.0001272748,0.0017733182,0.00007259871,0.00042047104,0.000019465295],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017164976,0.0064801998,0.020485295,0.00037794182,0.0009815895,0.00028463907,0.85724545,0.00025804745,0.0023513036,0.012067295,0.012594751,0.08515699],"study_design_scores_gemma":[0.0028293917,0.0013769717,0.04706053,0.0011214882,0.0007251408,0.0015894287,0.9286132,0.00048105695,0.00013307451,0.0050731357,0.010592697,0.00040387316],"about_ca_topic_score_codex":0.00036483112,"about_ca_topic_score_gemma":0.00022478477,"teacher_disagreement_score":0.08475312,"about_ca_system_score_codex":0.000087962224,"about_ca_system_score_gemma":0.00042896945,"threshold_uncertainty_score":0.47111613},"labels":[],"label_agreement":null},{"id":"W2325301342","doi":"10.12678/1089-313x.18.4.159","title":"Can a Prescribed Turnout Conditioning Program Reduce the Differential between Passive and Active Turnout in Pre-professional Dancers?","year":2014,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; Arthritis Research Centre of Canada; Prevention of Organ Failure","funders":"","keywords":"Turnout; Physical therapy; Physical medicine and rehabilitation; Psychology; Medicine; Political science","score_opus":0.02255589935227327,"score_gpt":0.3525052167016988,"score_spread":0.32994931734942556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325301342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9875836,0.00017099678,0.00027415506,0.008717821,0.001472999,0.00030457045,0.000012434151,0.000011722061,0.001451729],"genre_scores_gemma":[0.9983372,0.000023733435,0.00018882279,0.00033179668,0.0008212269,0.000010288445,0.000002237478,0.0000069520775,0.00027773165],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99769175,0.00023790031,0.00045341105,0.00030264075,0.0008533356,0.00046098226],"domain_scores_gemma":[0.99811995,0.00040206045,0.000711535,0.00025241662,0.00026214923,0.0002519022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011690425,0.00017249983,0.0004021863,0.0002363801,0.0003701959,0.000059986523,0.0007951391,0.000056398032,0.0001205432],"category_scores_gemma":[0.00092917826,0.00010207832,0.000049881954,0.0005455042,0.0021105641,0.0005907957,0.0001260899,0.0007206091,0.0000024013332],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017061194,0.0008448156,0.42589223,0.00009890569,0.00022015382,0.000111386944,0.1594189,0.000055656026,0.029722726,0.0041811015,0.010564135,0.3671839],"study_design_scores_gemma":[0.0021253894,0.0010310827,0.9892544,0.00072962296,0.00005749254,0.000080578975,0.004088636,0.00007271866,0.0006563223,0.0010492665,0.00072822015,0.00012627817],"about_ca_topic_score_codex":0.00020181059,"about_ca_topic_score_gemma":0.00004666529,"teacher_disagreement_score":0.5633622,"about_ca_system_score_codex":0.00013129355,"about_ca_system_score_gemma":0.00024597367,"threshold_uncertainty_score":0.7776461},"labels":[],"label_agreement":null},{"id":"W2329356649","doi":"10.1386/dmas.1.2.311_1","title":"Returning to the dancing body: Honouring our divinity through dance","year":2014,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Dance; Vitality; Divinity; Honour; Aesthetics; Spirituality; Numinous; Visual arts; Psychology; Art; Literature; Philosophy; History; Theology; Medicine","score_opus":0.033893963684753024,"score_gpt":0.3108052877143862,"score_spread":0.2769113240296332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329356649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90293103,0.00049170014,0.009504042,0.012084476,0.002704964,0.0004907674,0.000095881536,0.00024848193,0.07144865],"genre_scores_gemma":[0.9669127,0.000022085405,0.00094845874,0.0190779,0.0010304718,0.00006570368,0.000014047226,0.0000334436,0.0118951835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99741584,0.00025281793,0.0004125943,0.0005634018,0.0005074053,0.00084793766],"domain_scores_gemma":[0.99841666,0.00015798566,0.00022470618,0.000984668,0.000080424936,0.00013555647],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010446795,0.00032722048,0.00036854376,0.00006394158,0.00068802305,0.00021121121,0.0008601611,0.000090266825,0.00023548357],"category_scores_gemma":[0.0002677051,0.00027870093,0.00013037538,0.00024232456,0.00009553204,0.00056534074,0.00039162012,0.00038363875,0.000603173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036855304,0.0006303567,0.11112608,0.00029900964,0.00050854625,0.000040330295,0.16608119,0.0007862706,0.0037707535,0.3239922,0.3776296,0.014767101],"study_design_scores_gemma":[0.001774247,0.0007067246,0.2870374,0.0005995501,0.00007906625,0.000007747484,0.080429316,0.00009618392,0.0073672994,0.0073729525,0.6133039,0.0012256297],"about_ca_topic_score_codex":0.0012250706,"about_ca_topic_score_gemma":0.00031219385,"teacher_disagreement_score":0.31661925,"about_ca_system_score_codex":0.0001226845,"about_ca_system_score_gemma":0.000027658378,"threshold_uncertainty_score":0.9999665},"labels":[],"label_agreement":null},{"id":"W2329974777","doi":"10.1386/punk.1.2.173_1","title":"Bad Girls, dancing like a blaze of consciousness","year":2012,"lang":"en","type":"article","venue":"Punk & Post Punk","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Realm; Consciousness; Aesthetics; Power (physics); Visual arts; Sociology; Publishing; Project commissioning; Art; Media studies; Psychology; Literature; History","score_opus":0.018539575766008957,"score_gpt":0.2831123091270385,"score_spread":0.26457273336102954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329974777","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9279509,0.0014008603,0.00013803404,0.000606033,0.0023654874,0.00018953466,0.00007324642,0.000077937395,0.067197956],"genre_scores_gemma":[0.9941151,0.000014037687,0.00020177914,0.001097286,0.00020867569,0.000006603163,0.000017356959,0.00002076284,0.0043184115],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986111,0.000082810904,0.00024351559,0.00021921418,0.00021870753,0.00062466937],"domain_scores_gemma":[0.9989336,0.000110295725,0.00015898228,0.00046625745,0.00010553147,0.00022534886],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034084503,0.00017513233,0.00028913835,0.0001090252,0.00009864355,0.000021043152,0.00034169605,0.00013724464,0.0019529077],"category_scores_gemma":[0.000083177634,0.00017275881,0.00011783566,0.00019584277,0.00017230026,0.00037185883,0.000107816086,0.0001882404,0.0012971231],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007732251,0.0024660793,0.7802578,0.00019879485,0.00059656904,0.0000635908,0.038419437,0.000004700261,0.017026,0.04220804,0.085499726,0.032486036],"study_design_scores_gemma":[0.0016160636,0.0003082114,0.87889975,0.00008712259,0.00013353513,0.00008209154,0.0028569298,0.000003979901,0.0028015387,0.00018643426,0.11254577,0.0004785974],"about_ca_topic_score_codex":0.0005201478,"about_ca_topic_score_gemma":0.000031495783,"teacher_disagreement_score":0.098641925,"about_ca_system_score_codex":0.000039607403,"about_ca_system_score_gemma":0.000039226376,"threshold_uncertainty_score":0.9994805},"labels":[],"label_agreement":null},{"id":"W233009255","doi":"","title":"Fields in Motion: Ethnography in the Worlds of Dance ed. by Dena Davida (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Ethnography; Motion (physics); Anthropology; Sociology; History; Art; Visual arts; Computer science; Artificial intelligence","score_opus":0.011326348158435112,"score_gpt":0.2450557408758121,"score_spread":0.233729392717377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W233009255","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89610523,0.025158305,0.0004100069,0.001980588,0.00024357968,0.00058305997,0.000044469103,0.000018192908,0.0754566],"genre_scores_gemma":[0.9974113,0.0012399118,0.00012804204,0.00033566373,0.00001020809,6.5846694e-7,0.000007673942,0.0000028573966,0.00086365803],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99920076,0.0001610083,0.00015038867,0.00015923989,0.0001487838,0.00017983984],"domain_scores_gemma":[0.99939185,0.00007393132,0.00012261614,0.00033072886,0.000043575896,0.000037309062],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020124632,0.000090692985,0.00021452225,0.000043828113,0.000032789772,0.0000043388527,0.00054369256,0.0000867263,0.0032689904],"category_scores_gemma":[0.0000052564615,0.000089691086,0.00009253185,0.00012110135,0.00012401195,0.0004234534,0.000017763783,0.0001317778,0.000048846156],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012307387,0.0010701839,0.049471047,0.00027922378,0.0000871638,0.000030917457,0.069478385,0.0000024323565,0.000117187774,0.0013870016,0.75184846,0.12610494],"study_design_scores_gemma":[0.0021172322,0.0011265615,0.8974936,0.0005970013,0.000053181684,0.000003862944,0.057779647,0.000017513325,0.000013663275,0.00018520239,0.04031378,0.00029875626],"about_ca_topic_score_codex":0.062042043,"about_ca_topic_score_gemma":0.015362156,"teacher_disagreement_score":0.8480226,"about_ca_system_score_codex":0.000040562903,"about_ca_system_score_gemma":0.0000098457995,"threshold_uncertainty_score":0.99764216},"labels":[],"label_agreement":null},{"id":"W233269187","doi":"10.25071/1718-4657.36559","title":"Beyond Stasis: The Medium of Moving Bodies in the Work of Choreographer Ginette Laurin","year":2010,"lang":"en","type":"article","venue":"Intersections conference journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Scholarship; Dance; Reading (process); Sociology; Motion (physics); Aesthetics; Visual arts; Epistemology; Computer science; Art; Philosophy; Artificial intelligence; Linguistics; Law; Political science","score_opus":0.026237345208301593,"score_gpt":0.292628655486577,"score_spread":0.26639131027827545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W233269187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97114646,0.00009157672,0.00032305229,0.0028458154,0.0017969059,0.000080438804,0.000012770862,0.00000613408,0.023696816],"genre_scores_gemma":[0.9992739,0.000032887267,0.00009676589,0.00018460093,0.00013784137,0.0000042713864,6.414568e-7,0.0000042054953,0.00026487894],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991265,0.00014323983,0.0002754239,0.00008699216,0.0001876444,0.00018021103],"domain_scores_gemma":[0.9991742,0.00017074052,0.00022659259,0.00025078663,0.00014170488,0.000035980618],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005301593,0.00008702477,0.00013976874,0.00018518142,0.00012981391,0.000052668987,0.0005378368,0.00006643335,0.002973895],"category_scores_gemma":[0.00010117501,0.000052291198,0.00011136217,0.00024537396,0.00035132264,0.00015285364,0.000040806306,0.00089476624,0.000025486474],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062497944,0.0011330714,0.65814817,0.000032032996,0.00086776185,0.000053438238,0.20511083,0.000054699423,0.009892886,0.01990882,0.07966157,0.024511738],"study_design_scores_gemma":[0.00077394437,0.00030544595,0.91007185,0.0001721531,0.00008152424,0.00025720915,0.07460342,0.0000118868575,0.0007230727,0.0037733393,0.009077123,0.0001490069],"about_ca_topic_score_codex":0.00032849656,"about_ca_topic_score_gemma":0.0016105649,"teacher_disagreement_score":0.25192368,"about_ca_system_score_codex":0.000008517447,"about_ca_system_score_gemma":0.000046075274,"threshold_uncertainty_score":0.9979375},"labels":[],"label_agreement":null},{"id":"W2336507606","doi":"10.71781/6261","title":"Utilisation et valeur de la représentation devant public en danse au troisième cycle du primaire","year":2015,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.05756479265843416,"score_gpt":0.4014880453910445,"score_spread":0.3439232527326103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336507606","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7792561,0.00010457679,0.00020799799,0.0019930503,0.0013579116,0.0006814205,0.00022513958,0.0000060194047,0.21616776],"genre_scores_gemma":[0.95882034,0.000080191814,0.0028962656,0.00023369068,0.00029227627,0.000030777934,0.00492515,0.000050318322,0.03267097],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9957831,0.002065215,0.00047841293,0.0007351345,0.00041388362,0.00052424386],"domain_scores_gemma":[0.99789757,0.0004129983,0.00056060276,0.00055310095,0.00026076206,0.00031499693],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.003314771,0.00036573404,0.00043016125,0.00019582556,0.00029416537,0.0007400801,0.0009317459,0.0006967899,0.0036936114],"category_scores_gemma":[0.0009819971,0.00042979803,0.0001306861,0.00027187166,0.00014685228,0.0016158092,0.00016092192,0.00053477613,0.0030442155],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018279835,0.0022541238,0.13488284,0.00016327538,0.0005635492,0.00027002886,0.48349473,0.00015040189,0.0032806755,0.0039553316,0.019033035,0.350124],"study_design_scores_gemma":[0.005020813,0.00054920727,0.6929623,0.0003780953,0.0005091854,0.00018294246,0.10218367,0.0005388114,0.0014795017,0.0021139204,0.19314553,0.0009360195],"about_ca_topic_score_codex":0.0060162465,"about_ca_topic_score_gemma":0.0027096781,"teacher_disagreement_score":0.5580795,"about_ca_system_score_codex":0.0007572535,"about_ca_system_score_gemma":0.001708128,"threshold_uncertainty_score":0.9998154},"labels":[],"label_agreement":null},{"id":"W2337098421","doi":"10.7202/1034610ar","title":"Moving (in) the museum","year":2015,"lang":"fr","type":"article","venue":"Muséologies Les cahiers d études supérieures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography; Archaeology; Art","score_opus":0.09568420150529303,"score_gpt":0.32150471058813956,"score_spread":0.22582050908284654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337098421","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5770564,0.017224293,0.00016541782,0.033430785,0.005120781,0.00050043454,0.000092895614,0.00018428145,0.3662247],"genre_scores_gemma":[0.98594934,0.0006493498,0.0005857478,0.005156922,0.0004987637,0.000028101733,0.000021875565,0.000039620954,0.00707027],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959322,0.0012341033,0.00045220973,0.0006301918,0.00053441495,0.0012168398],"domain_scores_gemma":[0.9975807,0.00097011693,0.00019116007,0.0009308935,0.000103447775,0.0002236518],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0015502844,0.000486106,0.0005085525,0.00025330606,0.00035704754,0.0002708605,0.0018011342,0.00077494344,0.00048326948],"category_scores_gemma":[0.0013063798,0.0004005634,0.0002319342,0.00061488984,0.0022563536,0.00055305887,0.0002832706,0.0013658435,0.0006700149],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00063387706,0.0012557019,0.04145589,0.00019932017,0.00038446998,0.0021134918,0.16862068,0.00095534394,0.0000998644,0.37445682,0.38499215,0.0248324],"study_design_scores_gemma":[0.0017759518,0.0008041295,0.0604662,0.000100219026,0.000115953066,0.00018506148,0.22683246,0.00003037315,0.000043944,0.0025865145,0.70648706,0.00057214877],"about_ca_topic_score_codex":0.0038855467,"about_ca_topic_score_gemma":0.0010465439,"teacher_disagreement_score":0.40889293,"about_ca_system_score_codex":0.00034019514,"about_ca_system_score_gemma":0.00019691064,"threshold_uncertainty_score":0.9998446},"labels":[],"label_agreement":null},{"id":"W2338806061","doi":"","title":"The Canoe: A Living Tradition ed. by John Jennings (review)","year":2003,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history","score_opus":0.025163137837197088,"score_gpt":0.26052812710334833,"score_spread":0.23536498926615124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338806061","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000019565552,0.868974,0.000019755604,0.009449113,0.0010114444,0.00031001974,0.000024330397,0.00001893577,0.120172866],"genre_scores_gemma":[0.0029597592,0.93125474,0.000028010229,0.03343526,0.00008500495,0.000062306164,0.000012240228,0.000021412396,0.03214128],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985721,0.00026630537,0.0002736433,0.00024803248,0.00016756193,0.00047235188],"domain_scores_gemma":[0.9985741,0.00018160234,0.000116532006,0.0003977379,0.00005121555,0.000678824],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00064476684,0.00015248531,0.00032349685,0.00003494217,0.00035297728,0.000015701748,0.0003204459,0.00006991364,0.0040641204],"category_scores_gemma":[0.0012104599,0.00012551162,0.00015091315,0.00031457693,0.00003457215,0.00008323533,0.0000066150874,0.00025555314,0.0011091793],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[4.4294765e-7,0.0000132061705,0.00004338687,0.00035299672,0.00001348419,0.000013288817,0.000037866725,4.2914383e-9,6.6231064e-7,0.0027995196,0.9584868,0.03823832],"study_design_scores_gemma":[0.000049227838,0.00003983598,0.00018237054,0.0028116088,0.00007698115,0.000027172298,0.000009362626,7.749766e-8,1.8669884e-7,0.00002123005,0.99662733,0.00015462778],"about_ca_topic_score_codex":0.05458173,"about_ca_topic_score_gemma":0.009049913,"teacher_disagreement_score":0.08803159,"about_ca_system_score_codex":0.003859464,"about_ca_system_score_gemma":0.00032890902,"threshold_uncertainty_score":0.99996454},"labels":[],"label_agreement":null},{"id":"W2339361674","doi":"10.1093/oxfordhb/9780199754281.013.018","title":"A Folklorist’s View of “Folk” and “Ethnic” Dance","year":2014,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Folk dance; Ethnic group; Folkloristics; Descendant; Aesthetics; Sociology; History; Anthropology; Gender studies; Art; Visual arts; Folklore","score_opus":0.039132313567260366,"score_gpt":0.25897455613865916,"score_spread":0.21984224257139878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2339361674","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048189482,0.0011764214,0.00032946593,0.000019380675,0.0004549502,0.00034232004,0.0002638556,0.000072098424,0.9968596],"genre_scores_gemma":[0.0007108861,0.00060670084,0.00016194517,0.000102217804,0.00010549034,6.677869e-7,0.000029878647,0.000031077834,0.99825114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855256,0.00012491198,0.00021029328,0.00051520864,0.00024316285,0.00035389088],"domain_scores_gemma":[0.9984518,0.00014546826,0.0004179656,0.0007011833,0.00009963584,0.0001839038],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00017126526,0.00034404168,0.00067222235,0.00015684558,0.00012009715,0.000016644075,0.0006899006,0.0005172607,0.00013260198],"category_scores_gemma":[0.000011135823,0.00041227898,0.00020139593,0.000020639309,0.00046257174,0.000103569044,0.00043719992,0.00046079076,0.000006250878],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077758235,0.00010019924,0.000063859705,0.0008603614,0.0008511719,0.00017619427,0.0027354409,0.0000013818419,0.000017651782,0.70011514,0.2143702,0.07993078],"study_design_scores_gemma":[0.0011451368,0.00023522286,0.00032132945,0.0003181191,0.00031683338,0.000011652475,0.000121036566,0.0000032241244,0.00002126775,0.0004620417,0.99666876,0.00037536953],"about_ca_topic_score_codex":0.00012695346,"about_ca_topic_score_gemma":0.000028131039,"teacher_disagreement_score":0.78229856,"about_ca_system_score_codex":0.00010043862,"about_ca_system_score_gemma":0.00010623823,"threshold_uncertainty_score":0.9998329},"labels":[],"label_agreement":null},{"id":"W2341862330","doi":"","title":"Older Bodies, Dancing Together: Gender, Embodiment and Aesthetics in a Canadian Square Dance Club","year":2014,"lang":"en","type":"article","venue":"XVIII ISA World Congress of Sociology (July 13-19, 2014)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Club; Aesthetics; Art; Square (algebra); Visual arts; Sociology; Mathematics; Geometry","score_opus":0.021848956972051876,"score_gpt":0.2913372665559841,"score_spread":0.2694883095839322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2341862330","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9126921,0.010455443,0.000091806374,0.0042337715,0.002382159,0.00068631937,0.00022357752,0.00009719252,0.06913761],"genre_scores_gemma":[0.9906214,0.00016942262,0.0002547179,0.004895883,0.00012268513,0.00003262448,0.00003674774,0.00003652632,0.0038300196],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9970397,0.0004903277,0.00051938975,0.0006636856,0.00020149168,0.0010854342],"domain_scores_gemma":[0.9980205,0.0003277582,0.00032571758,0.00067637564,0.0001058085,0.00054383575],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0009609157,0.00037150754,0.00070450315,0.00042391752,0.00029785105,0.000028808427,0.0005569988,0.0004025002,0.00052883476],"category_scores_gemma":[0.00013908304,0.00039487486,0.000116850024,0.00013451523,0.0014155412,0.00016761983,0.00016030624,0.00059396774,0.00021381456],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016233003,0.00022167122,0.6992673,0.00016587453,0.00025021852,0.00008852162,0.028643042,0.000056469118,0.00008325704,0.05953907,0.20742758,0.004094616],"study_design_scores_gemma":[0.0067827622,0.0005937623,0.56094843,0.0002828501,0.00016112972,0.00006741412,0.0069923955,0.00014388867,0.00017734237,0.007878698,0.41463202,0.0013392859],"about_ca_topic_score_codex":0.068251595,"about_ca_topic_score_gemma":0.15455218,"teacher_disagreement_score":0.20720445,"about_ca_system_score_codex":0.0002285809,"about_ca_system_score_gemma":0.0002349202,"threshold_uncertainty_score":0.99985033},"labels":[],"label_agreement":null},{"id":"W2343671055","doi":"10.1017/s0149767715000534","title":"Dancing Chiax, Dancing Sovereignty: Performing Protocol in Unceded Territories","year":2016,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sovereignty; Negotiation; Assertion; Dance; Politics; Sociology; Choreography; Aesthetics; Visual arts; Media studies; Art; Law; Political science; Social science","score_opus":0.11552050210530636,"score_gpt":0.45957329679245285,"score_spread":0.3440527946871465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2343671055","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8536258,0.00023701378,0.0014639966,0.0029262032,0.0018515033,0.02044752,0.000057511796,0.00010489822,0.1192856],"genre_scores_gemma":[0.98930466,0.000037161295,0.0007162053,0.0000957533,0.0016583721,0.0034772728,0.000001252783,0.000036429345,0.0046728863],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9961843,0.0005210626,0.00044649435,0.00038635134,0.0010617402,0.0014000371],"domain_scores_gemma":[0.99841917,0.00039986108,0.00017285589,0.00040863064,0.00026362948,0.00033586836],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004032693,0.00019368123,0.0002853056,0.0004882266,0.0006968027,0.00022442882,0.00076815,0.00013766557,0.001981079],"category_scores_gemma":[0.0008621296,0.0001382561,0.0000913642,0.0005280284,0.00031348158,0.0013412066,0.00022931988,0.0012887779,0.00026800125],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031243954,0.0007924044,0.58130985,0.00020716237,0.00017427857,0.0015592779,0.013401629,0.000017506467,0.034993593,0.022490503,0.03530367,0.30662572],"study_design_scores_gemma":[0.022708345,0.003073595,0.58303595,0.008076799,0.0000198462,0.0017564765,0.020876274,0.000093649345,0.020105792,0.046812866,0.29175743,0.0016829558],"about_ca_topic_score_codex":0.00023097829,"about_ca_topic_score_gemma":0.00012733827,"teacher_disagreement_score":0.30494276,"about_ca_system_score_codex":0.0006727143,"about_ca_system_score_gemma":0.0003691351,"threshold_uncertainty_score":0.9989312},"labels":[],"label_agreement":null},{"id":"W236247071","doi":"","title":"A Network Choreographic Exploration. Isabelle Choinière, Communion, International Dance and Technology Conference, Arizona State University, Tempe, USA, February 26, 1999. La Mue de l’ange, Théâtre La Veillée, Montréal. October 13-23, 1999Isabelle Choinière, Communion, International Dance and Technology Conference, Arizona State University, Tempe, USA, February 26, 1999. La Mue de l’ange, Théâtre La Veillée, Montréal. October 13-23, 1999","year":2000,"lang":"en","type":"article","venue":"ETC","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tempe; Dance; State (computer science); Art; Humanities; Visual arts; Computer science","score_opus":0.01331643424284488,"score_gpt":0.23325539705059742,"score_spread":0.21993896280775255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W236247071","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8641326,0.007829224,0.0008345562,0.010505383,0.0010140055,0.0018358169,0.002258737,0.0009997361,0.11058993],"genre_scores_gemma":[0.9164165,0.03629415,0.0022452483,0.0008749522,0.00020709493,0.000081761886,0.00096955214,0.00020693139,0.04270376],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929889,0.0017550511,0.0010075449,0.0016679154,0.0008697508,0.0017108755],"domain_scores_gemma":[0.9947352,0.0012761633,0.0008712911,0.0017853789,0.00070482446,0.0006271429],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.0013799329,0.0012834684,0.0013400392,0.0018817686,0.0015655945,0.00048149278,0.003199201,0.0015131659,0.0009867974],"category_scores_gemma":[0.0001466905,0.0015006124,0.00026359633,0.002593376,0.003623634,0.0020510384,0.002376342,0.003133195,0.00037655391],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020261502,0.0028455504,0.67065006,0.00014455957,0.0020571488,0.0015769518,0.00421131,0.0007170529,0.0002607458,0.044966828,0.24923769,0.021305967],"study_design_scores_gemma":[0.009006222,0.00053344277,0.28553334,0.0006574036,0.00021442903,0.0007125676,0.004403163,0.00097468303,0.00005456761,0.007849981,0.6884555,0.0016046853],"about_ca_topic_score_codex":0.036485493,"about_ca_topic_score_gemma":0.05904396,"teacher_disagreement_score":0.43921784,"about_ca_system_score_codex":0.0003417176,"about_ca_system_score_gemma":0.0005552548,"threshold_uncertainty_score":0.9999917},"labels":[],"label_agreement":null},{"id":"W2378265598","doi":"","title":"A Pir of Wings for the Young Ballerina","year":2005,"lang":"zh","type":"article","venue":"中国妇女(英文版)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Daughter; Dream; Art; Beijing; Quarter (Canadian coin); Art history; Genealogy; History; Psychology; Political science; China; Law; Archaeology","score_opus":0.035556972317190065,"score_gpt":0.3067930581663874,"score_spread":0.27123608584919734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2378265598","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41717687,0.009273387,0.0026125796,0.027385872,0.004732814,0.0016269828,0.00057337707,0.0001125875,0.5365055],"genre_scores_gemma":[0.97060055,0.00026795673,0.0005105033,0.0012918795,0.00065675256,0.0000142324925,0.000006985098,0.000025867925,0.026625248],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857014,0.000060509596,0.00030947736,0.00031098945,0.00022895932,0.0005199318],"domain_scores_gemma":[0.99865097,0.0003369573,0.00022474004,0.0005866203,0.00009768188,0.00010301986],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040777033,0.00021652147,0.00031274674,0.00006535107,0.00023674515,0.000047497033,0.0006649039,0.00019489409,0.0022731882],"category_scores_gemma":[0.00012644709,0.00018208279,0.00026870376,0.00017199459,0.0002481905,0.00020546238,0.00012488992,0.00023120112,0.00070728175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022517224,0.002178588,0.012882334,0.00035940428,0.0017159475,0.000034338227,0.0871674,0.000105682484,0.0021989895,0.08947466,0.63931054,0.16232038],"study_design_scores_gemma":[0.003641469,0.0010779552,0.08718014,0.00014384337,0.0003073328,0.000051970906,0.006943621,0.00043345406,0.00052190863,0.0005982861,0.8986672,0.00043281398],"about_ca_topic_score_codex":0.00058903894,"about_ca_topic_score_gemma":0.00017586022,"teacher_disagreement_score":0.5534237,"about_ca_system_score_codex":0.000053598178,"about_ca_system_score_gemma":0.000056746194,"threshold_uncertainty_score":0.99863887},"labels":[],"label_agreement":null},{"id":"W2401497366","doi":"10.1017/s0740155800012650","title":"Daughters of Tradition, Mothers of Invention: Music, Teaching, and Gender in Evolving Contexts","year":2010,"lang":"en","type":"article","venue":"Yearbook for Traditional Music","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Style (visual arts); Variety (cybernetics); Sociology; Visual arts; Aesthetics; Gender studies; Art; History; Computer science","score_opus":0.11810838087377407,"score_gpt":0.28833041560734224,"score_spread":0.17022203473356817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2401497366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95479035,0.00006967651,0.00029407424,0.00012559093,0.00054596196,0.00024352342,0.00030304107,0.00001253675,0.043615222],"genre_scores_gemma":[0.99808276,0.0000010448763,0.0012281217,0.00024716303,0.00013808752,0.000015389516,0.000052797153,0.000011184289,0.00022346726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9993182,0.000043228967,0.00020872212,0.0001661327,0.00013311082,0.00013061202],"domain_scores_gemma":[0.99951184,0.00015565722,0.000118904914,0.00012353751,0.000036690086,0.00005336981],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002746567,0.000087481974,0.0001611054,0.00014972973,0.000054979893,0.000007866152,0.000102978665,0.0000799198,0.0017495952],"category_scores_gemma":[0.000045739947,0.00009717255,0.00008217149,0.000051743988,0.00021445456,0.0001890662,0.000007774771,0.0002069446,0.0000066384364],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020372712,0.0008483857,0.007090037,0.00018532797,0.00018141088,0.000005574255,0.013289034,0.000006838263,0.0146512715,0.91306704,0.04693628,0.0035350828],"study_design_scores_gemma":[0.0037756474,0.00037484744,0.8091431,0.00010470293,0.0000616664,0.000027689603,0.0011557663,0.000121049474,0.00031424663,0.18051529,0.0041437172,0.0002622319],"about_ca_topic_score_codex":0.000056690937,"about_ca_topic_score_gemma":0.000034150242,"teacher_disagreement_score":0.8020531,"about_ca_system_score_codex":0.000014572422,"about_ca_system_score_gemma":0.00003115638,"threshold_uncertainty_score":0.9991629},"labels":[],"label_agreement":null},{"id":"W2402455300","doi":"10.1093/oxfordhb/9780199754281.013.014","title":"Men and the Happiness Dance","year":2013,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Happiness; Psychology; Social psychology; Art; Visual arts","score_opus":0.019745993726349706,"score_gpt":0.21673565791130403,"score_spread":0.19698966418495434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2402455300","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013901973,0.00037126822,0.000087811546,0.00010255692,0.0003552915,0.00061874284,0.00012494576,0.00008719454,0.99811316],"genre_scores_gemma":[0.00045088297,0.0002529479,0.00004141953,0.0002105564,0.00013790387,0.0000021861686,0.000021678934,0.000024312902,0.9988581],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876577,0.00013569048,0.00012522408,0.00042676018,0.00020710271,0.0003394403],"domain_scores_gemma":[0.9987451,0.00016813664,0.00022808994,0.0006457306,0.00008053912,0.00013239632],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00014360837,0.00030709992,0.00042173787,0.000085195694,0.0003155318,0.00007808437,0.00085315015,0.00036930383,0.00025664794],"category_scores_gemma":[0.000008662669,0.0002613982,0.00013882763,0.000013191198,0.0009332954,0.00014459697,0.00054660626,0.00051076495,0.00002052727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039037192,0.000014382366,0.000008824644,0.00004494767,0.00030869216,0.00005038732,0.0018457676,4.4054133e-7,7.309781e-7,0.64635146,0.34607315,0.004910846],"study_design_scores_gemma":[0.0025830327,0.000043057447,0.00021821797,0.00007386512,0.00021664158,0.000013078429,0.00046309788,0.00001359548,0.0000021957283,0.00092304026,0.99514794,0.00030224636],"about_ca_topic_score_codex":0.00038524135,"about_ca_topic_score_gemma":0.000007011819,"teacher_disagreement_score":0.6490748,"about_ca_system_score_codex":0.00009111867,"about_ca_system_score_gemma":0.00007674223,"threshold_uncertainty_score":0.99998385},"labels":[],"label_agreement":null},{"id":"W2406041447","doi":"10.1177/1089313x1201600204","title":"Musculoskeletal Injuries and Pain in Dancers a Systematic Review Update","year":2012,"lang":"en","type":"review","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":159,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Western Hospital; Canadian Memorial Chiropractic College","funders":"","keywords":"Medicine; Physical therapy; Dance; Musculoskeletal injury; CINAHL; Back injury; Psychosocial; Hamstring; Ankle; Injury prevention; Tendinopathy; MEDLINE; Poison control; Physical medicine and rehabilitation; Psychological intervention; Alternative medicine; Surgery; Tendon; Psychiatry","score_opus":0.04501782715951743,"score_gpt":0.3960074851418659,"score_spread":0.3509896579823485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2406041447","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000739615,0.99641174,0.00006532418,0.00049721997,0.0012846624,0.000730545,0.0000067827946,0.0000073971337,0.00092237775],"genre_scores_gemma":[0.00033953128,0.9983093,0.00016649047,0.00070130144,0.0003084927,0.000015419193,0.0000014562567,0.000015660544,0.0001423183],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.9955546,0.0007977688,0.0016989408,0.00034736548,0.0010123269,0.00058896455],"domain_scores_gemma":[0.99590015,0.00043321578,0.0025654775,0.0005313737,0.00019754765,0.00037220374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01532565,0.0003888107,0.003509423,0.0007095398,0.000112285816,0.000034005454,0.0013599982,0.00009313286,0.00018540492],"category_scores_gemma":[0.0027537164,0.00023779596,0.00025559173,0.0016351698,0.0014898853,0.000858929,0.000143449,0.0008137912,0.00004854632],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074544414,0.000060580012,0.00008413194,0.6523408,0.00006588121,0.00006870539,0.00065715925,3.6958195e-8,4.2241447e-7,0.000332682,0.0025474427,0.34383467],"study_design_scores_gemma":[0.00029649577,0.00043488253,0.00015350354,0.76668245,0.0017453582,0.0005445101,0.00035947346,3.9956666e-7,3.4601314e-8,0.000029986235,0.22950901,0.00024388266],"about_ca_topic_score_codex":0.000021435568,"about_ca_topic_score_gemma":0.000004711057,"teacher_disagreement_score":0.3435908,"about_ca_system_score_codex":0.00025403587,"about_ca_system_score_gemma":0.0004259006,"threshold_uncertainty_score":0.9697038},"labels":[],"label_agreement":null},{"id":"W2409524446","doi":"","title":"Moving Publics: Site-Based Dance and Urban Spatial Politics","year":2016,"lang":"en","type":"dissertation","venue":"Summit (Simon Fraser University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Publics; Dance; Politics; Political science; Sociology; Media studies; Visual arts; Art; Law","score_opus":0.012918001566163522,"score_gpt":0.23752392690834506,"score_spread":0.22460592534218154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2409524446","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8037547,0.00033222127,0.0004976011,0.0002508003,0.001804028,0.0003087276,0.0007799947,0.00018896358,0.19208297],"genre_scores_gemma":[0.8649226,0.000045474342,0.00008256243,0.0002647441,0.00033503817,9.148678e-7,0.0007820883,0.000053700303,0.13351287],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804103,0.0001343318,0.00019891009,0.000694401,0.00030939016,0.00062191323],"domain_scores_gemma":[0.9984539,0.00016212468,0.00030124758,0.00055379287,0.00019329989,0.00033561382],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010278335,0.0004154854,0.00041463788,0.00073975173,0.00037954233,0.00009575474,0.00055491447,0.0006195963,0.0013997921],"category_scores_gemma":[0.00006672613,0.00046823855,0.0001680611,0.0003584852,0.0001627112,0.0003449887,0.00007904255,0.000451857,0.00038974138],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00086726574,0.00030545724,0.90104735,0.00024352777,0.0003376214,0.00053471955,0.00048139223,0.000005637603,0.000020882428,0.014172826,0.0755977,0.0063856104],"study_design_scores_gemma":[0.0069550853,0.00046636484,0.10831725,0.00075219246,0.0006839415,3.58375e-8,0.0382765,0.0000934367,0.0010297182,0.000334953,0.84094137,0.00214913],"about_ca_topic_score_codex":0.0015871265,"about_ca_topic_score_gemma":0.01884979,"teacher_disagreement_score":0.7927301,"about_ca_system_score_codex":0.00017861904,"about_ca_system_score_gemma":0.00022245127,"threshold_uncertainty_score":0.99977696},"labels":[],"label_agreement":null},{"id":"W2416691006","doi":"10.1177/1089313x0801200202","title":"Communication between Medical Practitioners and Dancers","year":2008,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Dance; Ballet; Massage; Medical education; Psychology; Ballet dancer; Medicine; Physical therapy; Family medicine; Alternative medicine; Visual arts; Art","score_opus":0.056423893501852965,"score_gpt":0.3751538458010499,"score_spread":0.31872995229919693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2416691006","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.965047,0.0016259057,0.0010711639,0.013385038,0.00060655834,0.000052332198,0.0000016953944,0.000010029997,0.018200248],"genre_scores_gemma":[0.9962918,0.0011939349,0.0010127055,0.00093583204,0.00030603254,4.8195375e-7,6.5593105e-7,0.0000035281892,0.00025500054],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9981081,0.00008337374,0.0003478533,0.00014142822,0.0010983218,0.00022095375],"domain_scores_gemma":[0.9984024,0.00026582548,0.00047319295,0.00025374666,0.0002521609,0.0003526676],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002203432,0.000081798105,0.00024029346,0.00020640685,0.00035147057,0.000011637786,0.0007310078,0.00003974264,0.00039640322],"category_scores_gemma":[0.0012139981,0.00006149681,0.000026963166,0.0005230492,0.003300836,0.0008845182,0.000076603894,0.0004037893,0.000017379893],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022225434,0.00026432853,0.81506336,0.000026639218,0.00008584148,0.000377961,0.026179291,0.000009270447,0.0014002295,0.0053250315,0.096395515,0.054650288],"study_design_scores_gemma":[0.0016128675,0.00057431735,0.97506356,0.00029834034,0.000035158304,0.0014638003,0.0027801145,0.000014779005,0.000085643034,0.00037041501,0.017593835,0.00010718003],"about_ca_topic_score_codex":0.0000949436,"about_ca_topic_score_gemma":0.000003910745,"teacher_disagreement_score":0.1600002,"about_ca_system_score_codex":0.00007370735,"about_ca_system_score_gemma":0.00030809504,"threshold_uncertainty_score":0.9994116},"labels":[],"label_agreement":null},{"id":"W2418543796","doi":"","title":"Harm reduction in the rave community.","year":2000,"lang":"en","type":"article","venue":"PubMed","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Harm reduction; Ecstasy; Harm; Psychology; Evening; Perception; Criminology; Social psychology; Advertising; Medicine; Psychiatry; Human immunodeficiency virus (HIV); Business; Family medicine","score_opus":0.06742189174530062,"score_gpt":0.28066573914678217,"score_spread":0.21324384740148156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2418543796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65931165,0.000040171562,7.6986345e-7,0.0013902024,0.00017675626,0.00016142947,0.0000026852056,0.0000139092235,0.33890244],"genre_scores_gemma":[0.9878397,0.00001200974,0.0000044233166,0.0007995827,0.00006768241,0.00010500588,0.0000041181765,0.0000026080563,0.011164849],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9993741,0.00026932516,0.00005738705,0.00005396681,0.00006430079,0.00018090934],"domain_scores_gemma":[0.9996775,0.00003907932,0.000014828724,0.00023916751,0.0000050671247,0.000024366198],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046546286,0.000039043895,0.00004714633,0.00002999698,0.0000927547,0.000020545236,0.0002328181,0.000034733963,0.001090175],"category_scores_gemma":[0.000014784173,0.000031098818,0.000021024482,0.00012323825,0.00004826973,0.000082455066,0.000009689539,0.00023921732,0.00038673411],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015412437,0.00042486336,0.0027675116,0.0000031851223,0.000021655605,0.0000088713,0.026119139,0.000004550755,0.000003475558,0.0012048759,0.070288435,0.89899933],"study_design_scores_gemma":[0.0003473146,0.000014746735,0.9180277,0.0000012122881,0.0000047285093,0.000016784279,0.0036065928,3.095948e-7,0.000014595534,0.00044860697,0.0774764,0.000040998533],"about_ca_topic_score_codex":0.00069388695,"about_ca_topic_score_gemma":0.000015723925,"teacher_disagreement_score":0.9152602,"about_ca_system_score_codex":0.00001768363,"about_ca_system_score_gemma":0.0000021595783,"threshold_uncertainty_score":0.999823},"labels":[],"label_agreement":null},{"id":"W2460262922","doi":"10.1017/cor.2012.15","title":"It's All in the Hips: Sexual and Artistic Minority in Canadian Concert Jazz Dance","year":2012,"lang":"en","type":"article","venue":"Congress on Research in Dance Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Jazz; Jazz dance; Human sexuality; Gender studies; Concert dance; Dance improvisation; Modern dance; Sociology; Contemporary dance; Heteronormativity; Musical; Art; Aesthetics; Visual arts","score_opus":0.2828966855749414,"score_gpt":0.4493912247667383,"score_spread":0.1664945391917969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2460262922","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92702234,0.0006593656,9.560799e-7,0.0068524685,0.00038127362,0.0006393603,0.00004054089,0.000013152849,0.06439057],"genre_scores_gemma":[0.9972159,0.00014745884,0.000024753572,0.0012759713,0.000106571075,0.00016338872,0.000006083532,0.000011196011,0.0010486689],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99646497,0.0002239291,0.00031720713,0.00056444004,0.0005771101,0.0018523628],"domain_scores_gemma":[0.99844146,0.0005155909,0.00007759651,0.0002888114,0.00020898366,0.0004675625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035906027,0.00022808326,0.00030981636,0.0005844341,0.00014888744,0.00023679805,0.0010042213,0.00021180352,0.00024844648],"category_scores_gemma":[0.00094493607,0.00020451682,0.00001738413,0.0007264912,0.0008058854,0.00071481825,0.00014915738,0.0014365547,0.00015296118],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018475598,0.0002450372,0.92207915,0.00010977688,0.000010082838,0.00010253444,0.017746337,4.1676518e-7,0.00012813584,0.03677927,0.017050533,0.0055639534],"study_design_scores_gemma":[0.0013321928,0.00031511343,0.9416912,0.0003593965,0.000004508098,0.000023267989,0.018926416,0.00027358858,0.00006475273,0.001085296,0.03559054,0.00033371017],"about_ca_topic_score_codex":0.097732455,"about_ca_topic_score_gemma":0.15045042,"teacher_disagreement_score":0.070193596,"about_ca_system_score_codex":0.00035762545,"about_ca_system_score_gemma":0.00029739545,"threshold_uncertainty_score":0.90827584},"labels":[],"label_agreement":null},{"id":"W2460570729","doi":"","title":"Brief Discussion on the Significance of Music in Dance Creation","year":2016,"lang":"en","type":"article","venue":"Studies in sociology of science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Connotation; The arts; Concert dance; Visual arts; Dance education; Sister; Contemporary dance; Aesthetics; Art; Psychology; Sociology; Linguistics; Philosophy; Anthropology","score_opus":0.10082977588245517,"score_gpt":0.3878064526190562,"score_spread":0.28697667673660104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2460570729","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9836089,0.00025117077,0.00002033848,0.004069661,0.00038930174,0.00013196921,0.000006492403,0.0000040501636,0.011518116],"genre_scores_gemma":[0.9991408,0.000120269826,0.000035158264,0.00019373749,0.000013351435,0.000011149726,7.391028e-8,0.0000015315823,0.00048390648],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9991067,0.00012953725,0.00018160853,0.00022658367,0.00014437962,0.00021116769],"domain_scores_gemma":[0.99893254,0.00063091004,0.00014869779,0.00021509532,0.00005942792,0.00001334688],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011181701,0.000062308936,0.0001809787,0.00008918195,0.00010213927,6.770334e-7,0.0003989085,0.00004328102,0.00006400301],"category_scores_gemma":[0.0008070198,0.000028206516,0.000023181608,0.00031702154,0.03183629,0.00011456997,0.00010825944,0.00008119464,0.0000122290685],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039311236,0.000510461,0.29477686,0.00004365414,0.000050127943,0.000008312304,0.38468143,0.00003221406,0.051781863,0.24486254,0.0050316295,0.017827798],"study_design_scores_gemma":[0.0006592414,0.00038068366,0.87545866,0.00024171305,0.0000036633153,5.8316755e-7,0.106949665,0.000002053254,0.0028935308,0.012992489,0.0003281254,0.00008958255],"about_ca_topic_score_codex":0.00004008339,"about_ca_topic_score_gemma":0.000027343169,"teacher_disagreement_score":0.5806818,"about_ca_system_score_codex":0.00007114171,"about_ca_system_score_gemma":0.000037561917,"threshold_uncertainty_score":0.9707985},"labels":[],"label_agreement":null},{"id":"W2461929087","doi":"","title":"Horses in Modern, New, and Contemporary Circus","year":2015,"lang":"en","type":"article","venue":"Research Online (University of Wollongong)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Aesthetics; Communication; Sociology","score_opus":0.3265634580770217,"score_gpt":0.410006630825865,"score_spread":0.08344317274884333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2461929087","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9627591,0.0012431222,0.00014139376,0.0029043562,0.000080990096,0.00019532448,0.00007464509,0.000028124026,0.03257296],"genre_scores_gemma":[0.9848819,0.00008888117,0.0005356771,0.000034375393,0.000048405673,8.9265335e-8,0.000020390666,0.000008099158,0.014382201],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.998549,0.00025308575,0.00009904873,0.00029672068,0.0004333041,0.00036886163],"domain_scores_gemma":[0.9989115,0.00013264718,0.000053498683,0.00030020386,0.00018446527,0.00041769687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073743204,0.000095195544,0.00024152869,0.0005019272,0.000087221946,0.000015613776,0.00042639245,0.00013268313,0.000190858],"category_scores_gemma":[0.00015389806,0.00011905779,0.000045957262,0.0005244587,0.00039972982,0.00039643364,0.0003120956,0.00040140614,0.00007358074],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0058768555,0.0031207248,0.3371557,0.00012807561,0.00038084,0.0021689446,0.07924467,0.000054349057,0.0010102383,0.007617042,0.43892094,0.12432161],"study_design_scores_gemma":[0.013230203,0.0018138166,0.7218853,0.00020643044,0.000025804977,0.000042827265,0.20068955,0.0010127007,0.00006074974,0.0076401215,0.05282264,0.00056984555],"about_ca_topic_score_codex":0.013135121,"about_ca_topic_score_gemma":0.0014695594,"teacher_disagreement_score":0.38609833,"about_ca_system_score_codex":0.00007949419,"about_ca_system_score_gemma":0.00038537508,"threshold_uncertainty_score":0.9934365},"labels":[],"label_agreement":null},{"id":"W2467455017","doi":"10.1017/cor.2014.14","title":"The Political and Religious Tensions of Fijian Dance in Canada: Renegotiating Identity Through Affect","year":2014,"lang":"en","type":"article","venue":"Congress on Research in Dance Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Affect (linguistics); Colonialism; Multiculturalism; Negotiation; Politics; Feeling; Identity (music); Independence (probability theory); Sociology; Gender studies; Aesthetics; Political science; Social psychology; Psychology; Social science; Law; Art","score_opus":0.12406304513356123,"score_gpt":0.4089780239573487,"score_spread":0.28491497882378747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2467455017","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97312886,0.00032350596,0.000014139945,0.0047681574,0.0003445377,0.0003473086,0.000015907244,0.000012692557,0.021044914],"genre_scores_gemma":[0.9991102,0.0002657928,0.00006641131,0.0002715372,0.000040770337,0.000040047064,0.0000011442926,0.000011152705,0.00019291416],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99726576,0.00018182922,0.00034661475,0.00048670886,0.0006991266,0.001019948],"domain_scores_gemma":[0.99763155,0.0013219062,0.00013057808,0.0002940252,0.000444537,0.00017741273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015737443,0.00016064451,0.00031984854,0.00014920205,0.00024448428,0.00013209257,0.0007761392,0.000100591344,0.000020224941],"category_scores_gemma":[0.002845935,0.00013371182,0.000025442949,0.00053572265,0.0007868617,0.0003965454,0.00031389896,0.00085489405,0.000010144748],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028832865,0.00008453119,0.4407566,0.000131529,0.00001508798,0.000027877073,0.0014441339,0.0000018353481,0.0005193181,0.54766744,0.0056455196,0.0034177827],"study_design_scores_gemma":[0.0023852768,0.0008762341,0.9029755,0.0025801577,0.000009646214,0.000021643064,0.025953753,0.0016522866,0.0043935804,0.055279747,0.0033647348,0.0005074236],"about_ca_topic_score_codex":0.41108963,"about_ca_topic_score_gemma":0.42221317,"teacher_disagreement_score":0.4923877,"about_ca_system_score_codex":0.00029560959,"about_ca_system_score_gemma":0.0004949413,"threshold_uncertainty_score":0.59283197},"labels":[],"label_agreement":null},{"id":"W2469410314","doi":"10.22329/p.v9i2.4026","title":"\"Endless Possibilities\" — Embodied Experiences and Connection in Social Salsa Dancing","year":2014,"lang":"en","type":"article","venue":"PhaenEx","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Embodied cognition; Normative; Context (archaeology); Negotiation; Sociology; Psychology; Aesthetics; Epistemology; Art","score_opus":0.03498778334605537,"score_gpt":0.321215435836551,"score_spread":0.28622765249049564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2469410314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93269724,0.000091215385,0.00010677218,0.00015680623,0.00049566565,0.000054819426,0.0000021483988,0.000029262894,0.06636606],"genre_scores_gemma":[0.9989327,0.0000027935637,0.00003188627,0.00026418344,0.0001831639,0.000009922803,0.0000021205385,0.000004345046,0.00056886196],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99936354,0.00008898881,0.000100798614,0.00018531941,0.00007384829,0.00018749022],"domain_scores_gemma":[0.99975294,0.00007256405,0.00004116225,0.0000818739,0.000013854789,0.00003759384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022303825,0.00006941295,0.0001243736,0.000052445666,0.00012576269,0.00002916527,0.0000789323,0.00005762874,0.00032426367],"category_scores_gemma":[0.000048083344,0.00007177827,0.000019777786,0.00007358908,0.00009980933,0.00016648542,0.000030186857,0.00007538846,0.000030915562],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005290967,0.0004391158,0.22291642,0.00007937624,0.000064844964,0.000020603644,0.5693859,0.0000068960408,0.0019659556,0.11252687,0.006287451,0.085777506],"study_design_scores_gemma":[0.004124483,0.00047455696,0.71226984,0.00005561535,0.000023595232,0.000025517249,0.2579422,0.0002867458,0.0017857156,0.014771134,0.0076334155,0.0006071442],"about_ca_topic_score_codex":0.00052700826,"about_ca_topic_score_gemma":0.00011589466,"teacher_disagreement_score":0.48935345,"about_ca_system_score_codex":0.000023740635,"about_ca_system_score_gemma":0.000007833503,"threshold_uncertainty_score":0.35504597},"labels":[],"label_agreement":null},{"id":"W2476235659","doi":"","title":"Life after dance : career transition of professional dancers","year":2006,"lang":"en","type":"article","venue":"International Journal of Arts Management","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":27,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Transition (genetics); Psychology; The arts; Sociology; Pedagogy; Political science; Public relations; Visual arts; Law; Art","score_opus":0.015165820512825725,"score_gpt":0.2855651156392886,"score_spread":0.2703992951264629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2476235659","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90559614,0.000496716,0.006812961,0.006978579,0.0063419775,0.00015817508,0.000052298474,0.000011726911,0.073551424],"genre_scores_gemma":[0.99551445,0.000020935215,0.000711571,0.00089611625,0.0003660333,0.0000032148173,0.0000060951725,0.000005820187,0.0024757541],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99884963,0.00002951938,0.00034935336,0.000094001574,0.0005642293,0.00011324496],"domain_scores_gemma":[0.99928355,0.000018800247,0.0003149941,0.000089301066,0.00023534162,0.00005798328],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018535207,0.00007764354,0.00012096482,0.0001897622,0.000020006446,0.000018787685,0.00029907946,0.000030113999,0.0012029626],"category_scores_gemma":[0.000008364281,0.00007088103,0.000113508206,0.000055239347,0.00005339733,0.00026751106,0.00004082711,0.00009601025,0.00003509581],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.010677636,0.0058168336,0.050232537,0.00022999129,0.0050072474,0.0032079818,0.013912094,0.007632217,0.0011597055,0.12576687,0.7127408,0.063616134],"study_design_scores_gemma":[0.0042847,0.00034678052,0.835713,0.00057541253,0.00016565496,0.00007281487,0.003322249,0.000048756327,0.0005164837,0.0034453932,0.15123306,0.00027568123],"about_ca_topic_score_codex":0.000035756904,"about_ca_topic_score_gemma":0.0000054818925,"teacher_disagreement_score":0.78548044,"about_ca_system_score_codex":0.00006550721,"about_ca_system_score_gemma":0.000025375055,"threshold_uncertainty_score":0.9997101},"labels":[],"label_agreement":null},{"id":"W2477907547","doi":"10.1093/acprof:oso/9780199360369.003.0004","title":"“Stealing Steps” and Signature Moves","year":2015,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Signature (topology); Computer science; Computer security; Mathematics; Geometry","score_opus":0.05338970978530797,"score_gpt":0.2523278956313927,"score_spread":0.19893818584608472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2477907547","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005619759,0.0010402509,0.000058646656,0.000026754735,0.00045802305,0.00027170326,0.0003636773,0.00012457164,0.9970944],"genre_scores_gemma":[0.0024663522,0.00015592403,0.000118829164,0.00011020962,0.0001333305,1.8978058e-7,0.00003478334,0.000037358826,0.996943],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877733,0.000040267852,0.00012187935,0.00048661823,0.00025770013,0.0003161881],"domain_scores_gemma":[0.99890625,0.00006040756,0.00020246592,0.00044943084,0.00011289314,0.0002685635],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0001088446,0.0003513343,0.0003927305,0.00016560893,0.00017360736,0.000047766807,0.00045250374,0.0007223759,0.00022502626],"category_scores_gemma":[0.0000061569076,0.00041277357,0.00012468017,0.0000074417717,0.00024627184,0.00013836054,0.0004074814,0.00066869543,0.000008413088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035256494,0.000018220886,0.000026160227,0.000057678506,0.000396381,0.00039317884,0.0014862224,0.0000027285323,0.0000078247185,0.93910325,0.04850638,0.009649426],"study_design_scores_gemma":[0.0009202975,0.00013704532,0.00006656358,0.00011826854,0.00022777649,0.000016495806,0.00039906224,0.0000035081496,0.000005199131,0.0012842948,0.996395,0.00042649565],"about_ca_topic_score_codex":0.00008449241,"about_ca_topic_score_gemma":0.0000123851505,"teacher_disagreement_score":0.9478886,"about_ca_system_score_codex":0.00009779886,"about_ca_system_score_gemma":0.000055472305,"threshold_uncertainty_score":0.9998324},"labels":[],"label_agreement":null},{"id":"W2480794996","doi":"10.1093/oxfordhb/9780199841578.013.007","title":"Ballroom Dances of the Late Eighteenth Century","year":2014,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballroom; Dance; Art; Choreography; Repertoire; Period (music); Quarter (Canadian coin); Folk dance; History; Visual arts; Performance art; Art history; Literature; Aesthetics","score_opus":0.018209406259594024,"score_gpt":0.21737125071305113,"score_spread":0.1991618444534571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2480794996","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019841911,0.00030404623,0.00004366575,0.00002396676,0.0013148008,0.00032912337,0.00036659016,0.00005969659,0.99557394],"genre_scores_gemma":[0.0024893268,0.00027548432,0.00003278321,0.00012086297,0.00011943599,3.2131044e-7,0.00002596339,0.000025040743,0.9969108],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998623,0.00016226957,0.00017863735,0.0003444161,0.00033823508,0.00035344856],"domain_scores_gemma":[0.9983313,0.00009428306,0.00049002777,0.0008865339,0.0000852418,0.00011257998],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000112581554,0.00030582823,0.00043936365,0.000103005135,0.00021489417,0.000020673042,0.001516695,0.00044171527,0.0002443301],"category_scores_gemma":[0.000006546493,0.00027181135,0.00035159764,0.000021949409,0.00046368598,0.00008676453,0.00059355213,0.0005098003,0.000008798914],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000407572,0.00009005143,0.0003354532,0.00020429934,0.0007319751,0.00004161912,0.0014662779,0.000008010418,0.00001794561,0.6512944,0.33949035,0.0059120413],"study_design_scores_gemma":[0.00072433555,0.00008842632,0.0010612641,0.00020220147,0.00026882513,0.0000027286396,0.0001221682,0.0000020970363,0.000058370682,0.0001559338,0.99703324,0.0002804188],"about_ca_topic_score_codex":0.00011676585,"about_ca_topic_score_gemma":0.00002110787,"teacher_disagreement_score":0.6575429,"about_ca_system_score_codex":0.00012458085,"about_ca_system_score_gemma":0.00013348255,"threshold_uncertainty_score":0.9999734},"labels":[],"label_agreement":null},{"id":"W24824778","doi":"10.3138/jcs.35.3.162","title":"James Kudelka: Extending Ballet's Language","year":2000,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Mainstream; Dance; Art; Art history; Literature; Visual arts; Philosophy","score_opus":0.04467918568747147,"score_gpt":0.33683327253751943,"score_spread":0.29215408685004796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W24824778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7807655,0.020991128,0.0000015291121,0.003941609,0.00079927844,0.00003555443,0.000017820545,0.0000070846163,0.1934405],"genre_scores_gemma":[0.9802883,0.0015604467,0.0001660132,0.0016768568,0.000398111,4.6863914e-7,3.5542067e-7,0.0000080006475,0.015901437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992702,0.000040762465,0.00019124967,0.00007287793,0.00014251328,0.00028239514],"domain_scores_gemma":[0.99942344,0.000056618002,0.00009558766,0.000100282174,0.000079841324,0.0002442031],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021044075,0.0000864976,0.00023003925,0.00041895863,0.00013422768,0.000023281773,0.00018276804,0.00004015125,0.0045748153],"category_scores_gemma":[0.00006385508,0.00007444211,0.0000928906,0.00021385869,0.00007307996,0.00016301562,0.000009179714,0.00016555144,0.0002877602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008353298,0.000040641346,0.0037407835,0.0000112044845,0.0009801474,0.0020165227,0.025242085,0.000013778972,0.000028510905,0.0017568027,0.84535563,0.12073037],"study_design_scores_gemma":[0.0006766473,0.00022529879,0.05221934,0.000079147234,0.00007480304,0.0003078374,0.03572247,5.1167547e-7,0.00002036744,0.00013424318,0.9103912,0.00014813125],"about_ca_topic_score_codex":0.019349284,"about_ca_topic_score_gemma":0.023870945,"teacher_disagreement_score":0.19952281,"about_ca_system_score_codex":0.00011303402,"about_ca_system_score_gemma":0.000077084565,"threshold_uncertainty_score":0.99633515},"labels":[],"label_agreement":null},{"id":"W2483343426","doi":"10.1093/oxfordhb/9780199981601.013.17","title":"Dancing in the City","year":2016,"lang":"en","type":"reference-entry","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"","keywords":"Indigenous; Sociology; Dance; Colonialism; Consciousness; Identity (music); Anthropology; Sociocultural evolution; Aesthetics; Media studies; Visual arts; Geography; Art; Ecology; Psychology; Archaeology","score_opus":0.07080840966386007,"score_gpt":0.33111019510870093,"score_spread":0.26030178544484084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2483343426","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026621765,0.001000109,0.000097270604,0.00091783685,0.0018468056,0.00012757686,0.00008389339,0.000026228694,0.9932381],"genre_scores_gemma":[0.03100015,0.00513534,0.000029152423,0.0021898218,0.0007167539,0.0000083089735,0.000029185954,0.0000113838605,0.9608799],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905473,0.00012020864,0.00012640722,0.00022451964,0.00018439133,0.00028977066],"domain_scores_gemma":[0.99926865,0.0001861784,0.00007210342,0.0004247927,0.000014973768,0.00003328675],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024482756,0.00014062312,0.00019912011,0.00008014911,0.000048217335,0.000028903323,0.00058855047,0.00027822232,0.011553426],"category_scores_gemma":[0.000035949324,0.00007408304,0.00007298635,0.000090176516,0.00004910176,0.00006817348,0.0000711419,0.00041126268,0.0019357346],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013569162,0.000054025637,0.0031051592,0.000014537352,0.00002593393,0.000025107178,0.0009759467,3.6585652e-9,5.4153578e-8,0.0041492446,0.9183553,0.07328111],"study_design_scores_gemma":[0.00031501983,0.00003913708,0.03401419,0.00018264513,0.0000137373945,0.000007649592,0.0006041047,3.9810285e-8,7.027089e-7,0.0009477617,0.9637354,0.0001395841],"about_ca_topic_score_codex":0.00055533455,"about_ca_topic_score_gemma":0.00016243603,"teacher_disagreement_score":0.07314153,"about_ca_system_score_codex":0.00004956901,"about_ca_system_score_gemma":0.000049168844,"threshold_uncertainty_score":0.99884135},"labels":[],"label_agreement":null},{"id":"W2487306547","doi":"10.1093/acprof:oso/9780199360369.001.0001","title":"Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance","year":2015,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":52,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Race (biology); Intellectual property; Property (philosophy); Gender studies; Political science; Art; Visual arts; Sociology; Law; Philosophy; Epistemology","score_opus":0.041566016817350886,"score_gpt":0.29077955385100773,"score_spread":0.24921353703365684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2487306547","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003458039,0.0014827086,0.000069421694,0.000066438784,0.0004928748,0.00039494384,0.000037503178,0.00009509665,0.993903],"genre_scores_gemma":[0.016836917,0.00025065726,0.00034570717,0.00047691332,0.00019074848,0.000010812607,0.00005248877,0.00003241102,0.98180336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998184,0.00010756419,0.00029001184,0.00065691833,0.00029240156,0.00046909903],"domain_scores_gemma":[0.99891114,0.0001476788,0.00018830174,0.00044079593,0.00007828297,0.00023377083],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027198484,0.00038832027,0.0006454121,0.0004520118,0.00010101094,0.00006432838,0.00041250905,0.00027820998,0.0020382507],"category_scores_gemma":[0.00004607201,0.00026124957,0.000082982944,0.00024189563,0.00071052293,0.00019524399,0.00015788071,0.0007215916,0.00061419414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019580501,0.00012027733,0.00060284574,0.00003082151,0.00015384507,0.00009868281,0.0055963597,3.2802023e-7,0.0000016097109,0.008180971,0.9786455,0.0063729417],"study_design_scores_gemma":[0.0008269274,0.0003658508,0.00172608,0.00009890309,0.00004083634,0.000034170964,0.00045726437,0.000012964246,0.000004282886,0.0032457362,0.9926965,0.00049047306],"about_ca_topic_score_codex":0.0017819582,"about_ca_topic_score_gemma":0.0006090952,"teacher_disagreement_score":0.014050998,"about_ca_system_score_codex":0.00014567861,"about_ca_system_score_gemma":0.00015188252,"threshold_uncertainty_score":0.99998397},"labels":[],"label_agreement":null},{"id":"W2489409155","doi":"10.1017/cor.2016.45","title":"Dancing Italian Culture: Venezia et al.","year":2016,"lang":"en","type":"article","venue":"Congress on Research in Dance Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Art; Ethnomusicology; Visual arts; Ethnic group; Creed; Humanities; History; Sociology; Anthropology; Theology; Musical","score_opus":0.1645842135048065,"score_gpt":0.44065407427738146,"score_spread":0.27606986077257495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2489409155","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77861655,0.0003238987,0.00006399815,0.030728182,0.001383982,0.0006461746,0.000067582565,0.00014575217,0.18802387],"genre_scores_gemma":[0.9827472,0.00035736564,0.000102983,0.002072148,0.00006796656,0.0001085826,0.0000030153435,0.000025831176,0.014514889],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99674106,0.00011882218,0.00028807245,0.0008359272,0.00085945724,0.0011566809],"domain_scores_gemma":[0.99830514,0.00025826253,0.00011810216,0.00036353775,0.0006575169,0.00029745465],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018803697,0.0002504632,0.00030444472,0.0003976494,0.00019476918,0.0002511442,0.0011357124,0.00016730156,0.0009342987],"category_scores_gemma":[0.0007721138,0.00018902616,0.000059548063,0.00058830576,0.0006554908,0.00085261423,0.0002931086,0.0008134052,0.001246648],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00091044,0.00047324103,0.124318935,0.00008990596,0.00006112225,0.0001737771,0.007051435,2.5892803e-7,0.023251629,0.22101204,0.57616925,0.046487983],"study_design_scores_gemma":[0.006061272,0.0019713212,0.13838713,0.0058269273,0.000010563874,0.000041305175,0.009875354,0.000060446757,0.017400471,0.020741902,0.79838777,0.0012355105],"about_ca_topic_score_codex":0.00009328899,"about_ca_topic_score_gemma":0.0000326772,"teacher_disagreement_score":0.22221857,"about_ca_system_score_codex":0.0002113916,"about_ca_system_score_gemma":0.00015377958,"threshold_uncertainty_score":0.99997896},"labels":[],"label_agreement":null},{"id":"W2496766315","doi":"10.1057/978-1-137-59610-9_13","title":"Moving In(To) 3D","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; TRACE (psycholinguistics); Art; Visual arts; Action (physics); Power (physics); Art history; History; Philosophy","score_opus":0.026976901980150462,"score_gpt":0.268542820398329,"score_spread":0.24156591841817854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496766315","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048359955,0.00039796907,0.0000875756,0.000118825425,0.0011739829,0.0004712797,0.00025207122,0.000096283926,0.99691844],"genre_scores_gemma":[0.81573796,0.000018428787,0.00014090422,0.00093691505,0.000383324,0.000012701361,0.000009826108,0.00007919554,0.18268074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9979255,0.000035991554,0.0003829359,0.00068420643,0.00031687846,0.00065445126],"domain_scores_gemma":[0.9984781,0.00012746938,0.00019277241,0.0008606472,0.000058123285,0.00028286155],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019913563,0.0004989306,0.0005702855,0.00049537554,0.00008026108,0.000038133996,0.0006001457,0.00050927536,0.007245194],"category_scores_gemma":[0.000029145467,0.00045324996,0.0002051992,0.000018821735,0.00013622234,7.326943e-7,0.00028216955,0.0004016422,0.009046157],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011195702,5.7417117e-7,0.00051153346,0.000021456932,0.00012394958,0.0002878402,0.0010585404,1.5386397e-7,0.000065269756,0.93345195,0.0003313889,0.06403538],"study_design_scores_gemma":[0.0012795749,0.000303365,0.0065719564,0.0007409949,0.00007179948,0.0000449832,0.00007680535,4.713588e-7,0.000043602562,0.93239456,0.057293337,0.0011785723],"about_ca_topic_score_codex":0.00009423012,"about_ca_topic_score_gemma":0.0001428358,"teacher_disagreement_score":0.81525433,"about_ca_system_score_codex":0.00013874791,"about_ca_system_score_gemma":0.00005098082,"threshold_uncertainty_score":0.9997919},"labels":[],"label_agreement":null},{"id":"W2500742598","doi":"10.1093/acprof:oso/9780199793822.001.0001","title":"Knowing Body, Moving Mind","year":2011,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Buddhism; Meditation; Embodied cognition; Performative utterance; Gesture; Introspection; Mind–body problem; Psychology; Aesthetics; Epistemology; Cognitive psychology; Art; Linguistics; History; Philosophy","score_opus":0.04075919743143422,"score_gpt":0.24155049715340793,"score_spread":0.2007912997219737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2500742598","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005166749,0.00015638517,0.00017995003,0.0000064085834,0.0010268183,0.000340484,0.00021667164,0.00012727614,0.9974293],"genre_scores_gemma":[0.0005287473,0.000047615704,0.00022843234,0.00007838765,0.0002235162,4.918519e-7,0.000051356314,0.00004948184,0.998792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99824566,0.00009466438,0.00018151704,0.00063882134,0.00025747472,0.0005818591],"domain_scores_gemma":[0.9985243,0.000081511906,0.00028809617,0.0007684733,0.00008568358,0.00025194153],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000124982,0.00042950845,0.00047297595,0.0002779993,0.00029427765,0.000047943726,0.0010768264,0.00072975474,0.0013909489],"category_scores_gemma":[0.000008878001,0.0005504488,0.00032252137,0.000017769944,0.00026283733,0.00020973095,0.00062315277,0.00074675755,0.00007923181],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000869507,0.00018811143,0.00010767132,0.00020825994,0.0015865794,0.0021208879,0.007882013,0.0000015564289,0.000028510034,0.5644737,0.37101653,0.051516693],"study_design_scores_gemma":[0.0008049357,0.00013035223,0.00014327525,0.00022620385,0.00031720035,0.000016783102,0.00027962952,0.0000025392233,0.000044990178,0.00021075379,0.9972614,0.00056192087],"about_ca_topic_score_codex":0.0002295311,"about_ca_topic_score_gemma":0.000014710524,"teacher_disagreement_score":0.6262449,"about_ca_system_score_codex":0.00027630563,"about_ca_system_score_gemma":0.00019757607,"threshold_uncertainty_score":0.9996947},"labels":[],"label_agreement":null},{"id":"W2502694733","doi":"10.1017/cor.2016.28","title":"Mini &amp; Macho, Small &amp; Sexy: The Perpetuation of Heteronormativity, Hegemonic Masculinity, and Femininity Within the Culture of Competitive (Jazz and Hip-Hop) Dance","year":2016,"lang":"en","type":"article","venue":"Congress on Research in Dance Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Jazz; Heteronormativity; Femininity; Concert dance; Jazz dance; Sociology; Masculinity; Gender studies; Visual arts; Art; Human sexuality","score_opus":0.16282336388580862,"score_gpt":0.38529338999070356,"score_spread":0.22247002610489494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2502694733","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98163295,0.00040500623,0.000059612757,0.003858737,0.00019796194,0.0007245942,0.00010599335,0.00001804901,0.012997082],"genre_scores_gemma":[0.99665207,0.0007677819,0.00019911345,0.00009734129,0.000040457973,0.0000722276,0.000004152693,0.000012746643,0.0021540888],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9976125,0.00033546012,0.00041345216,0.0005094346,0.00063933636,0.00048984174],"domain_scores_gemma":[0.9970743,0.0010815074,0.00040668968,0.0004087062,0.00089955627,0.00012921132],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002969816,0.00023723661,0.00039917033,0.00017278487,0.00026181721,0.00013167082,0.00090742833,0.00017192695,0.000100522004],"category_scores_gemma":[0.0011739784,0.00013511383,0.000047770234,0.00037114613,0.0028480615,0.00041664747,0.00055718276,0.0007794393,0.00002910141],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0026283343,0.00082004943,0.623616,0.0009886407,0.00026323076,0.000008011448,0.20072533,0.0000016384064,0.021760471,0.10586506,0.00766985,0.035653405],"study_design_scores_gemma":[0.007793924,0.0023407938,0.81134135,0.0069185374,0.00008360977,0.000081098566,0.112342305,0.0001994371,0.018743148,0.025386268,0.013668799,0.0011007392],"about_ca_topic_score_codex":0.00023481449,"about_ca_topic_score_gemma":0.0004369911,"teacher_disagreement_score":0.18772537,"about_ca_system_score_codex":0.00005834039,"about_ca_system_score_gemma":0.00011103653,"threshold_uncertainty_score":0.9998656},"labels":[],"label_agreement":null},{"id":"W2507974906","doi":"10.3138/tric.37.1.62","title":"The Speed Of Queer: La La La Human Steps and Queer Perceptions of the Body","year":2016,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporalities; Queer; Temporality; Choreography; Normative; Queer theory; Aesthetics; Undoing; Immanence; Sociology; Embodied cognition; Subject (documents); Gender studies; Epistemology; Art; Psychology; Dance; Philosophy; Visual arts; Psychoanalysis; Computer science","score_opus":0.04315554403413836,"score_gpt":0.3666396520960078,"score_spread":0.32348410806186945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2507974906","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7453201,0.0001408633,6.6385854e-7,0.0034246538,0.000050144645,0.00012903473,0.00007981144,0.000002519887,0.25085226],"genre_scores_gemma":[0.99704736,0.00011887895,0.0000024957435,0.000019083995,0.000021032227,0.0000027710491,3.8890218e-7,0.000006815775,0.0027811455],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9979413,0.0011034189,0.0001297762,0.00012051217,0.0004154663,0.0002895238],"domain_scores_gemma":[0.9978269,0.0016010142,0.000035470286,0.00040858414,0.000054742977,0.00007334132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001422452,0.00006155738,0.000112737274,0.000058030073,0.00015564372,0.000015100337,0.0004267285,0.000053696003,0.0002886411],"category_scores_gemma":[0.000032211356,0.000031635354,0.000028771496,0.00017294422,0.00072888035,0.000045506564,0.00014488949,0.0002687312,0.0000055935657],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040531319,0.00026608902,0.62538767,0.00011094809,0.00028997363,0.00008870243,0.0055856653,0.0000044240833,0.023250425,0.04709754,0.17440076,0.12311246],"study_design_scores_gemma":[0.0011192617,0.0001258565,0.86116236,0.00020823258,0.000012202113,0.000017839018,0.008125364,0.0000026057098,0.0005312492,0.002642468,0.12594675,0.00010579895],"about_ca_topic_score_codex":0.8409913,"about_ca_topic_score_gemma":0.81156325,"teacher_disagreement_score":0.25172734,"about_ca_system_score_codex":0.0001412182,"about_ca_system_score_gemma":0.00058837555,"threshold_uncertainty_score":0.31604177},"labels":[],"label_agreement":null},{"id":"W2509640267","doi":"10.3138/ctr.167.015","title":"Dance Dramaturgy: Expanding the Discourse","year":2016,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dramaturgy; Dance; Choreography; Agency (philosophy); Interculturalism; Aesthetics; Art; Visual arts; Consolidation (business); Concert dance; Sociology; Social science; Multiculturalism; Pedagogy","score_opus":0.02788292752530716,"score_gpt":0.31724546860364944,"score_spread":0.28936254107834225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2509640267","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00496833,0.38090286,0.00007859362,0.100534774,0.0014506988,0.0006704845,0.00019263852,0.00005843798,0.51114315],"genre_scores_gemma":[0.8866519,0.06420835,0.000030071906,0.023792235,0.00043708982,0.00004766683,0.000007801441,0.000036232104,0.024788704],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909973,0.00010646424,0.00012211892,0.00018311202,0.000084885425,0.00040371608],"domain_scores_gemma":[0.99898386,0.00008614953,0.00005418976,0.0005542016,0.000016466012,0.00030512354],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002614922,0.00011484857,0.00018704862,0.000037590937,0.00017113566,0.000021552354,0.00041472868,0.000043052503,0.0044766036],"category_scores_gemma":[0.00003622539,0.000057330813,0.00009928963,0.00015478014,0.00013009326,0.00012232595,0.000019519022,0.00008935989,0.0026159203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033641468,0.000008645896,0.0012992129,0.00010616833,0.00004489404,0.000042996657,0.0002518061,1.6276584e-8,0.00001055192,0.0108882375,0.30907735,0.67826676],"study_design_scores_gemma":[0.00013697363,0.000017001192,0.0025560656,0.0025256546,0.000048746107,0.00003371468,0.00014551764,3.902086e-8,0.000005225246,0.00023061738,0.9941764,0.00012404636],"about_ca_topic_score_codex":0.008528274,"about_ca_topic_score_gemma":0.011681366,"teacher_disagreement_score":0.8816835,"about_ca_system_score_codex":0.0001154081,"about_ca_system_score_gemma":0.00012786686,"threshold_uncertainty_score":0.99816066},"labels":[],"label_agreement":null},{"id":"W2512015281","doi":"10.1386/jaah.7.1.55_1","title":"Re-stitching and strengthening community: Three global examples of how doll-making translates into well-being in Indigenous cultures","year":2016,"lang":"en","type":"article","venue":"Journal of Applied Arts and Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Indigenous; Zulu; Sociology; Identity (music); Silence; Spirituality; Gender studies; Aesthetics; Medicine; Art","score_opus":0.04489294261335957,"score_gpt":0.3387804708451563,"score_spread":0.2938875282317967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512015281","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98950213,0.0012164966,0.0006609438,0.0030367912,0.00008893938,0.0001026588,0.000005999555,0.000006191061,0.005379834],"genre_scores_gemma":[0.9977784,0.00042377575,0.0014379779,0.0002816406,0.00006615045,4.2009177e-7,4.3433948e-7,0.0000055413784,0.0000056333815],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9991596,0.00006306222,0.00032045637,0.00009022152,0.0001327793,0.00023389698],"domain_scores_gemma":[0.9992196,0.00014367825,0.00041139207,0.00009704327,0.000024694775,0.000103593855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000912724,0.00010726702,0.00033767708,0.000095295254,0.00028293545,0.000041566098,0.00013174133,0.00006358305,0.000018097242],"category_scores_gemma":[0.000010956897,0.00007372619,0.000032303342,0.00006945132,0.00009158766,0.00016611347,0.00003766393,0.0002821077,4.6269741e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00072537165,0.00027319608,0.1393273,0.00029892646,0.00017032324,0.000026954644,0.2884123,0.000018118328,0.0006099551,0.03120802,0.00044981038,0.5384797],"study_design_scores_gemma":[0.01001967,0.002807544,0.6568502,0.0038748628,0.0001184615,0.00018111595,0.11841753,0.000012271059,0.0003434275,0.19441469,0.012265947,0.00069427525],"about_ca_topic_score_codex":0.00049444195,"about_ca_topic_score_gemma":0.0020563721,"teacher_disagreement_score":0.5377854,"about_ca_system_score_codex":0.000050303333,"about_ca_system_score_gemma":0.000050215887,"threshold_uncertainty_score":0.30064666},"labels":[],"label_agreement":null},{"id":"W2512047017","doi":"","title":"Finding Meaning in the Experience of Movement: a look at the practice of four teachers in Québec","year":2022,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Wright; Meaning (existential); Context (archaeology); Movement (music); Sociology; Class (philosophy); Reflection (computer programming); Pedagogy; Psychology; Aesthetics; Epistemology; Art; Art history; Philosophy; History; Computer science","score_opus":0.032533831004034265,"score_gpt":0.28104084320887596,"score_spread":0.2485070122048417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512047017","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8286025,0.00045492334,0.00007847096,0.012888272,0.00038167887,0.00044009145,0.000029157156,0.000025938014,0.15709895],"genre_scores_gemma":[0.99851733,0.000019329824,0.00019307036,0.00060294656,0.000047770733,0.00017142459,0.000012223023,0.000013479902,0.0004224279],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695253,0.0009992473,0.0005349318,0.0003584762,0.0007558467,0.00039898176],"domain_scores_gemma":[0.99802345,0.0008039667,0.0005028734,0.0005114205,0.00009015996,0.000068150126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015801606,0.0001815793,0.00026104753,0.00026968223,0.0004803485,0.00003485241,0.00091924856,0.00010414476,0.00021457851],"category_scores_gemma":[0.00074297097,0.0001444548,0.00011442775,0.0008078002,0.00004533553,0.0003194051,0.00039951372,0.00062321534,0.0000036951883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007466107,0.0013130301,0.022580447,0.000033182587,0.00012230243,0.00023244268,0.27408156,0.00069994066,0.002380074,0.6951821,0.0012519944,0.0013763694],"study_design_scores_gemma":[0.0017218776,0.00019234193,0.04511861,0.000071121976,0.00004694402,0.00054000726,0.119445466,0.000086586566,0.00047396767,0.00018375745,0.83185434,0.00026497603],"about_ca_topic_score_codex":0.00030758049,"about_ca_topic_score_gemma":0.0035355424,"teacher_disagreement_score":0.83060235,"about_ca_system_score_codex":0.00070192176,"about_ca_system_score_gemma":0.0002817111,"threshold_uncertainty_score":0.58906955},"labels":[],"label_agreement":null},{"id":"W2512581587","doi":"","title":"The Ascension : Choreography of Ascent: Staging Images of Spirituality","year":2000,"lang":"en","type":"article","venue":"Early Theatre","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Choreography; Spirituality; Art; Visual arts; Aesthetics; Dance; Medicine","score_opus":0.009483772567709572,"score_gpt":0.26681744197893126,"score_spread":0.2573336694112217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512581587","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8931683,0.0007548389,0.000008584828,0.00070649345,0.00015142786,0.00009335456,0.0000480308,0.000020476822,0.10504852],"genre_scores_gemma":[0.99849606,0.00011688644,0.00005582166,0.00007048336,0.000039065795,7.6187683e-7,0.0000020541652,0.000006433794,0.0012124568],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99919486,0.00011427903,0.00017598887,0.0001342334,0.00017896834,0.00020168904],"domain_scores_gemma":[0.99935377,0.000085853644,0.00008272331,0.0003958121,0.00003916751,0.000042672018],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026615013,0.00008302198,0.00014850713,0.00004163367,0.00010191554,0.00001459877,0.00024458973,0.000048272934,0.0013329239],"category_scores_gemma":[0.0000068508834,0.000059950296,0.00012723192,0.00017090287,0.00023568093,0.00009720673,0.000026632253,0.000113911636,0.00008618356],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00073023594,0.0005561992,0.43280414,0.000042838845,0.00027653694,0.000010379734,0.0091554765,0.0000060877646,0.0019204051,0.0026991393,0.021017022,0.53078157],"study_design_scores_gemma":[0.00055738736,0.00021065606,0.97478,0.00005083887,0.000028916911,0.0000015112369,0.000846048,8.93821e-7,0.0021924432,0.00063212967,0.020609947,0.0000891971],"about_ca_topic_score_codex":0.00059334416,"about_ca_topic_score_gemma":0.0000064755245,"teacher_disagreement_score":0.5419759,"about_ca_system_score_codex":0.000005045762,"about_ca_system_score_gemma":0.000009053823,"threshold_uncertainty_score":0.99957997},"labels":[],"label_agreement":null},{"id":"W2517237397","doi":"10.5430/jnep.v7n1p89","title":"Dance for health: The importance of community engagement and project sustainability","year":2016,"lang":"en","type":"article","venue":"Journal of Nursing Education and Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Pennsylvania","keywords":"Attendance; Community engagement; Dance; Sustainability; Psychological intervention; Community health; Psychology; Medical education; Community-based participatory research; Intervention (counseling); Nursing; Pedagogy; Sociology; Medicine; Public relations; Public health; Participatory action research; Political science","score_opus":0.24817755374765885,"score_gpt":0.5234447572524352,"score_spread":0.2752672035047764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517237397","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71783787,0.0029789174,0.0019269369,0.2708699,0.00091043004,0.00039709927,0.000008849042,0.000003891309,0.005066104],"genre_scores_gemma":[0.9954984,0.00026312846,0.0017958432,0.0019345036,0.00008479858,0.0000028068498,3.4947e-7,0.000003168344,0.00041695658],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987029,0.00087373756,0.00020973312,0.000044481505,0.000080693484,0.00008845707],"domain_scores_gemma":[0.99661803,0.0021545968,0.00067710056,0.00014050894,0.00036730466,0.000042429856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035547407,0.000044113218,0.000102871636,0.00004031261,0.00033179222,0.00001556504,0.00008993885,0.00002177702,0.000010230874],"category_scores_gemma":[0.0023694371,0.00002667687,0.000022382117,0.000060061477,0.00014097537,0.00038994016,0.000013368504,0.00016712092,1.5085472e-7],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015245664,0.0025835917,0.007046377,0.00013355733,0.000079140016,3.065641e-7,0.12231811,1.7117515e-7,0.00009487157,0.010499164,0.1272203,0.7284998],"study_design_scores_gemma":[0.001223873,0.0016329649,0.32727936,0.00038318397,0.0001137702,0.00052540493,0.26028103,6.4530616e-7,0.000041327134,0.009493514,0.39893347,0.000091456255],"about_ca_topic_score_codex":0.00005440654,"about_ca_topic_score_gemma":0.000003008817,"teacher_disagreement_score":0.7284084,"about_ca_system_score_codex":0.00010776668,"about_ca_system_score_gemma":0.0003937362,"threshold_uncertainty_score":0.2836609},"labels":[],"label_agreement":null},{"id":"W2518292083","doi":"10.3138/ctr.162.009","title":"Falling Piece","year":2015,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Falling (accident); Accidental; Art; Visual arts; Art gallery; Falling in love; Performance art; Art history; Aesthetics; Psychology; Exhibition; Literature","score_opus":0.07372535198276345,"score_gpt":0.31395951472148587,"score_spread":0.24023416273872242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2518292083","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000925877,0.3079477,0.000010181938,0.0046888045,0.0005219635,0.00018224117,0.00003012445,0.00002778253,0.6856653],"genre_scores_gemma":[0.7431224,0.08693797,0.0007560872,0.124411836,0.0011830437,0.000053030122,0.000117323565,0.00010876823,0.043309536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931496,0.00006341067,0.000103210274,0.00014046866,0.00007733739,0.00030059516],"domain_scores_gemma":[0.9988665,0.0000150513715,0.000029930972,0.0003007593,0.000035581907,0.00075216044],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000258259,0.000084874766,0.00017907878,0.000049696126,0.000046958892,0.0000141960645,0.0002245814,0.000044993067,0.0021421348],"category_scores_gemma":[0.000033310316,0.0000795129,0.000059781647,0.00016096652,0.000027880711,0.00007064881,0.000010763881,0.00009590529,0.0060943333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025495542,0.000011564487,0.0014671686,0.00018164297,0.00003586629,0.00009419627,0.00033188777,3.9007872e-7,3.769696e-7,0.0035368497,0.6970958,0.2972417],"study_design_scores_gemma":[0.00011523056,0.000027456965,0.00046130878,0.00061835285,0.000034328215,0.000029372286,0.000111893154,4.014762e-7,5.274355e-7,0.00015520336,0.99834645,0.0000995036],"about_ca_topic_score_codex":0.052794326,"about_ca_topic_score_gemma":0.025624074,"teacher_disagreement_score":0.7421965,"about_ca_system_score_codex":0.000125114,"about_ca_system_score_gemma":0.00026115126,"threshold_uncertainty_score":0.99877006},"labels":[],"label_agreement":null},{"id":"W2520626860","doi":"","title":"Towards a More Inclusive Dance Education: A Multicultural Approach to Teaching Dance at York University, Canada","year":2015,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Multiculturalism; Sociology; Dance education; Pedagogy; Visual arts; Art","score_opus":0.03176175197218252,"score_gpt":0.29309437272190586,"score_spread":0.26133262074972335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520626860","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39060992,0.000100540776,0.000302356,0.0040139398,0.00087953074,0.000260727,0.000043962085,0.000059717553,0.6037293],"genre_scores_gemma":[0.87621874,7.59751e-7,0.007027865,0.0034344115,0.00016728134,0.00000327869,0.000032699776,0.000008378525,0.11310661],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988004,0.0000900722,0.0001036803,0.00036259944,0.000309322,0.0003339576],"domain_scores_gemma":[0.9990069,0.000024075043,0.000067502195,0.00034175327,0.00011467668,0.00044509224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001246465,0.00016362671,0.00017452108,0.000052672523,0.00029489447,0.000029020488,0.0005443317,0.00006932109,0.00012355471],"category_scores_gemma":[0.000076304445,0.00015546997,0.000038859096,0.00022264126,0.000057218396,0.00018582611,0.0004372384,0.00019316492,0.00013131705],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016848465,0.0003133406,0.0036509342,0.000012093209,0.00006172519,0.000019850799,0.04374728,0.00015352332,0.000029849722,0.011380139,0.936796,0.003666773],"study_design_scores_gemma":[0.0010636261,0.000093611285,0.03275409,0.000031455693,0.00003186263,0.00006254212,0.13587621,0.00010186139,0.000054380853,0.000021039183,0.82946557,0.00044376028],"about_ca_topic_score_codex":0.6250817,"about_ca_topic_score_gemma":0.16953507,"teacher_disagreement_score":0.4906227,"about_ca_system_score_codex":0.0012495936,"about_ca_system_score_gemma":0.00084107526,"threshold_uncertainty_score":0.8456187},"labels":[],"label_agreement":null},{"id":"W2521834124","doi":"10.12678/1089-313x.20.3.115","title":"A Survey of Injuries Affecting Pre-Professional Ballet Dancers","year":2016,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":55,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Women's Health Network; Manitoba Health; University of Winnipeg","funders":"","keywords":"Ballet; Ballet dancer; Medicine; Physical therapy; Incidence (geometry); Injury prevention; Univariate analysis; Poison control; Multivariate analysis; Emergency medicine; Dance; Internal medicine","score_opus":0.04167408488670602,"score_gpt":0.37927667740908216,"score_spread":0.3376025925223761,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2521834124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9887509,0.00065387716,0.0013224545,0.0020383478,0.0036100736,0.00007315225,0.000013986598,0.0000073422825,0.0035299163],"genre_scores_gemma":[0.99810725,0.00006210995,0.00032859604,0.0002511168,0.00023069356,5.2607913e-7,2.1587333e-7,0.0000054734624,0.0010139871],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99768394,0.00019468159,0.00052735006,0.0002114356,0.0010224862,0.00036010685],"domain_scores_gemma":[0.99713385,0.0007471662,0.0009764167,0.00027448323,0.0006601776,0.00020793435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052197687,0.00012348629,0.00039494142,0.00027724856,0.0001594343,0.000009787475,0.00093102996,0.000037817274,0.0005886973],"category_scores_gemma":[0.0036054088,0.000067640976,0.000055372235,0.000798048,0.0020739585,0.00075939915,0.0001092001,0.00021888658,0.000014144418],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008513544,0.00019241394,0.8653147,0.000032976102,0.000047271864,0.000027350525,0.0076717837,0.0000055213463,0.054108158,0.0007057814,0.025568519,0.045474168],"study_design_scores_gemma":[0.0013469291,0.0009526951,0.9931578,0.0009508149,0.000016114705,0.000044612174,0.0011165552,0.0000034335408,0.0014637607,0.0001488406,0.0007091622,0.00008930486],"about_ca_topic_score_codex":0.0002307203,"about_ca_topic_score_gemma":0.00003269134,"teacher_disagreement_score":0.12784308,"about_ca_system_score_codex":0.00009578998,"about_ca_system_score_gemma":0.00040465937,"threshold_uncertainty_score":0.76415867},"labels":[],"label_agreement":null},{"id":"W2537804631","doi":"10.1177/1077800416672695","title":"Do What (S)HE Says and You Will Be a Champion: Poetic Representations and the <i>Unmuting</i> of My Swimmer Body","year":2016,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Poetry; Champion; Embodied cognition; Consciousness; Aesthetics; Psychoanalysis; Sociology; Psychology; Literature; Art; Epistemology; Philosophy; History","score_opus":0.10154545024906278,"score_gpt":0.4208755514219471,"score_spread":0.3193301011728843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2537804631","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9513583,0.0037710997,0.0016997372,0.0307823,0.00078875193,0.0003981823,0.000087839275,0.000029310882,0.0110844895],"genre_scores_gemma":[0.99400073,0.0005582313,0.00012973731,0.0013272532,0.00011097245,0.000019165742,0.000004175914,0.000011480846,0.0038382306],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99813694,0.0008723104,0.0002618499,0.0003119316,0.00019281327,0.00022415858],"domain_scores_gemma":[0.9971036,0.0021681692,0.00020505354,0.0003406265,0.00010405706,0.00007852572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010868574,0.00013702626,0.00024934643,0.000068801965,0.00015314604,0.000055724176,0.00015210983,0.000074989206,0.00039286257],"category_scores_gemma":[0.00044172074,0.000082347564,0.00006122647,0.00014134242,0.0021629448,0.00068138447,0.00011490756,0.00009991516,0.00003734398],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060056103,0.00012387098,0.002335024,0.0000325356,0.00027679585,0.0000062165645,0.80039144,1.2585024e-7,0.00090758404,0.16942108,0.017239226,0.008665532],"study_design_scores_gemma":[0.007836739,0.0005456689,0.034823895,0.00036336656,0.00012794405,0.000032833395,0.9006916,0.0000023788814,0.0006458972,0.03827284,0.01629238,0.00036442984],"about_ca_topic_score_codex":0.00013101583,"about_ca_topic_score_gemma":0.0000045143324,"teacher_disagreement_score":0.13114823,"about_ca_system_score_codex":0.000012642271,"about_ca_system_score_gemma":0.000015729704,"threshold_uncertainty_score":0.796946},"labels":[],"label_agreement":null},{"id":"W2552703411","doi":"10.1057/978-1-349-94954-0_4","title":"San Francisco and American Tribal Style","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Hollywood; Style (visual arts); Dance; Consciousness; History; Art history; Art; Aesthetics; Visual arts; Psychology","score_opus":0.01950980226839208,"score_gpt":0.26003231588129444,"score_spread":0.24052251361290236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2552703411","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017113829,0.0010296167,0.000093583265,0.000084661064,0.00069676817,0.0003670209,0.00073214906,0.0001148259,0.99517],"genre_scores_gemma":[0.8894381,0.0000782228,0.000091573274,0.0005319812,0.00046513646,0.000008326709,0.000021520676,0.000080502075,0.10928463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9979976,0.000046120847,0.00033285652,0.0007129978,0.00032250013,0.00058794336],"domain_scores_gemma":[0.99833405,0.00014513619,0.0003651922,0.00075246906,0.00006303612,0.00034013958],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014384712,0.0005589835,0.00073817384,0.00023260016,0.00014883315,0.000052526004,0.00040105177,0.0003407154,0.0047288383],"category_scores_gemma":[0.000017232584,0.00048308578,0.0001954594,0.000015457123,0.00081276026,9.713974e-7,0.00014880365,0.0003773732,0.0016131089],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021384541,7.8979525e-7,0.0004928004,0.000021558,0.00034548712,0.00014371672,0.0008260266,6.9378387e-9,0.00009437901,0.83132213,0.000818792,0.16572043],"study_design_scores_gemma":[0.003126417,0.001507221,0.013190425,0.0003561394,0.00032879054,0.00015347928,0.00040083544,6.300308e-7,0.00009168861,0.86819744,0.11069262,0.0019542982],"about_ca_topic_score_codex":0.00012441973,"about_ca_topic_score_gemma":0.000079930105,"teacher_disagreement_score":0.8877267,"about_ca_system_score_codex":0.00005774981,"about_ca_system_score_gemma":0.00004030493,"threshold_uncertainty_score":0.99976206},"labels":[],"label_agreement":null},{"id":"W2553473212","doi":"10.1057/978-1-349-94954-0_7","title":"Belly Dance and the Stage: Nationality, Ethnicity, Identity","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Dance; Nationality; Ethnic group; Stage (stratigraphy); Identity (music); Gender studies; Art; History; Sociology; Visual arts; Anthropology; Aesthetics; Immigration; Archaeology; Geology","score_opus":0.03603507659128647,"score_gpt":0.2988025520033134,"score_spread":0.26276747541202694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2553473212","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004984818,0.002208702,0.00027491292,0.0005808502,0.0009081903,0.00058333745,0.0008124325,0.000073804746,0.99405926],"genre_scores_gemma":[0.74261683,0.0001972181,0.000032747328,0.0010073407,0.00033761174,0.000011704037,0.00001787246,0.000042662206,0.25573602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99783164,0.00013667556,0.00039170947,0.00061375246,0.00061648537,0.0004097477],"domain_scores_gemma":[0.99793464,0.0004742563,0.00042414805,0.00083750044,0.00016911606,0.00016031439],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007692084,0.00044772137,0.0005405923,0.00013520852,0.0003189874,0.00011206705,0.0007758762,0.00041137324,0.0034346846],"category_scores_gemma":[0.000072791685,0.0003135342,0.00025208827,0.00001693657,0.0012851021,0.0000035180158,0.0006032012,0.00050366786,0.0010078172],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020315552,6.468604e-7,0.00038936175,0.000038197333,0.00031681336,0.0000371837,0.00069235143,5.0049685e-8,0.000008758391,0.99200994,0.00028926125,0.0060142833],"study_design_scores_gemma":[0.0020021815,0.000055873737,0.00802216,0.00012408798,0.00011824531,0.000028332463,0.00004227522,7.090176e-7,0.000010153888,0.9756196,0.013543863,0.00043247643],"about_ca_topic_score_codex":0.00022751666,"about_ca_topic_score_gemma":0.00036216795,"teacher_disagreement_score":0.74211836,"about_ca_system_score_codex":0.000056929548,"about_ca_system_score_gemma":0.000061814884,"threshold_uncertainty_score":0.9999317},"labels":[],"label_agreement":null},{"id":"W2560517003","doi":"10.18192/rceh.v39i2.1655","title":"MARILYN G. MILLER, ED. Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice. Durham: Duke University Press, 2014. x + 282 pp.","year":2015,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Miller; Sound (geography); Movement (music); Art; Art history; Media studies; Sociology; Acoustics; Physics; Aesthetics; Geology","score_opus":0.04158647212935635,"score_gpt":0.29168361310325874,"score_spread":0.2500971409739024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560517003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89813066,0.045195695,0.00014943804,0.0045376057,0.0006617111,0.0013751505,0.00056698534,0.00012469583,0.049258087],"genre_scores_gemma":[0.989637,0.004442036,0.000506581,0.002179657,0.000114775015,0.000012744074,0.000034362605,0.000043060285,0.0030297828],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99743956,0.000532533,0.00033778595,0.00066526904,0.0002805412,0.0007443214],"domain_scores_gemma":[0.9978009,0.0002998298,0.00032179724,0.00068483903,0.00022243576,0.00067022216],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010182625,0.00033845945,0.00053159136,0.00016094116,0.00019968998,0.00011572629,0.00042250514,0.0001961858,0.00013376004],"category_scores_gemma":[0.0006183126,0.0003912834,0.000091976544,0.00027463393,0.00028612695,0.0006882779,0.00025855209,0.00043168582,0.00015379679],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007196502,0.00038066326,0.023414727,0.00006854987,0.0002504291,0.0023855772,0.0018492156,0.0000027601911,0.000029748975,0.18917449,0.78007036,0.001653811],"study_design_scores_gemma":[0.003319739,0.00025803046,0.021765286,0.00008473289,0.000110341345,0.00012627918,0.006950895,0.000022166292,0.0000044614053,0.00004239515,0.9668729,0.00044278157],"about_ca_topic_score_codex":0.012427187,"about_ca_topic_score_gemma":0.0032693353,"teacher_disagreement_score":0.1891321,"about_ca_system_score_codex":0.0008131069,"about_ca_system_score_gemma":0.00051801867,"threshold_uncertainty_score":0.9998539},"labels":[],"label_agreement":null},{"id":"W2565994076","doi":"","title":"Negotiating Masculinities within dance","year":2016,"lang":"en","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Windsor","keywords":"Dance; Negotiation; Visual arts; Gender studies; Art; Sociology; Social science","score_opus":0.03544296864294782,"score_gpt":0.25122020709911286,"score_spread":0.21577723845616503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2565994076","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96103644,0.00026001275,0.00047255767,0.00094192056,0.0008891374,0.00017740934,0.00014594816,0.00013562238,0.03594092],"genre_scores_gemma":[0.96025133,0.00003154254,0.0009131656,0.000145385,0.00010023746,3.548393e-7,0.000008740644,0.000024167637,0.0385251],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.997953,0.00026264545,0.00023424877,0.00052836083,0.00046326852,0.00055848714],"domain_scores_gemma":[0.9982626,0.00025820147,0.00038314072,0.00067591225,0.00016782204,0.00025234596],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006492021,0.0002530185,0.00037702368,0.00024043767,0.0005272141,0.00003440403,0.0009039064,0.00027687303,0.004798231],"category_scores_gemma":[0.00017613513,0.00025146123,0.00022348427,0.00032793888,0.0005389441,0.0013157369,0.00035516464,0.0003215588,0.0020710102],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020960788,0.00056244014,0.8987931,0.00010553298,0.0007797307,0.000430742,0.03146202,0.000048388436,0.01939642,0.028241329,0.009023409,0.009060823],"study_design_scores_gemma":[0.0049973256,0.0004201856,0.958259,0.00031414413,0.00015315792,0.00006615197,0.018364653,0.000007745295,0.001689166,0.0012046702,0.013781094,0.000742744],"about_ca_topic_score_codex":0.00020970571,"about_ca_topic_score_gemma":0.00008204912,"teacher_disagreement_score":0.059465878,"about_ca_system_score_codex":0.0001359043,"about_ca_system_score_gemma":0.00007086435,"threshold_uncertainty_score":0.99999374},"labels":[],"label_agreement":null},{"id":"W2567379716","doi":"10.1057/978-1-137-54305-9_15","title":"Visually Embodying Psychosis: The Ethics of Performing Difficult Experiences","year":2016,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hospital for Sick Children","funders":"","keywords":"Dance; Reflexivity; Psychology; Vocabulary; Aesthetics; Social psychology; Sociology; Visual arts; Art; Social science","score_opus":0.046769113205415776,"score_gpt":0.31342880813664475,"score_spread":0.266659694931229,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2567379716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012617347,0.0011243885,0.00006727604,0.00020307742,0.0014417988,0.00044851206,0.000112995614,0.00008277203,0.98390186],"genre_scores_gemma":[0.91146415,0.00015873388,0.000047669375,0.00071761187,0.00043697807,0.000039185543,0.000009533657,0.00006975634,0.08705637],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99747616,0.00011335668,0.0005714245,0.0006014943,0.0006836789,0.0005539028],"domain_scores_gemma":[0.9975382,0.00049302285,0.00064189185,0.00093344675,0.00023736783,0.00015606915],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00054147205,0.00054540695,0.0006173297,0.0001764608,0.00041646246,0.000054922806,0.0010460333,0.00077370356,0.0021689825],"category_scores_gemma":[0.00008105881,0.0003510698,0.00035963015,0.000024967952,0.00086807634,0.0000062265976,0.00022685177,0.0009464239,0.0003345211],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019542512,0.0000069998905,0.00041663653,0.000118711054,0.00059344986,0.000037285663,0.076178424,1.9300988e-7,0.00027350782,0.88153744,0.00061292737,0.04002898],"study_design_scores_gemma":[0.0069639287,0.003891444,0.012168352,0.009446374,0.0017810969,0.0004674345,0.06879761,0.000018090928,0.0031650525,0.57355344,0.31233177,0.007415418],"about_ca_topic_score_codex":0.00007173741,"about_ca_topic_score_gemma":0.00003738222,"teacher_disagreement_score":0.8988468,"about_ca_system_score_codex":0.0000515711,"about_ca_system_score_gemma":0.00008923414,"threshold_uncertainty_score":0.99989414},"labels":[],"label_agreement":null},{"id":"W2568530535","doi":"","title":"Margaret Walker. India’s Kathak Dance in Historical Perspective","year":2016,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Dance; History; Art history; Classics; Sociology; Art; Visual arts","score_opus":0.022861841125350283,"score_gpt":0.27521228605376835,"score_spread":0.25235044492841807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2568530535","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6349729,0.0016002033,0.00005931425,0.009373255,0.0022792858,0.00023412323,0.000059237856,0.00012041343,0.3513013],"genre_scores_gemma":[0.9713345,0.000021097016,0.00006948351,0.00090701395,0.0002538124,0.000010280048,0.000001975969,0.000008870954,0.027392935],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99903405,0.000068157395,0.00011674826,0.0003164492,0.00015270946,0.00031188852],"domain_scores_gemma":[0.99952656,0.00005590723,0.000056935427,0.00022792678,0.00004975299,0.000082895414],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008691765,0.00013076075,0.00016715114,0.00006512456,0.00005501812,0.000016107197,0.0002484167,0.00012901897,0.0018114157],"category_scores_gemma":[0.00009351137,0.000083754574,0.00006566472,0.00015592026,0.00006840022,0.00016615521,0.0000552075,0.00014219261,0.0007095308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017475562,0.0003617811,0.031382233,0.0000047620742,0.00004942903,0.00016149048,0.018310698,3.7367002e-7,0.0021719567,0.04831667,0.8939467,0.0051191673],"study_design_scores_gemma":[0.001091264,0.00012858308,0.68773043,0.000037148344,0.000009318295,0.00001313345,0.0020899894,1.03547215e-7,0.00021957896,0.0015225509,0.30693507,0.00022285111],"about_ca_topic_score_codex":0.0008845449,"about_ca_topic_score_gemma":0.00022199724,"teacher_disagreement_score":0.65634817,"about_ca_system_score_codex":0.0006551949,"about_ca_system_score_gemma":0.000017500282,"threshold_uncertainty_score":0.99910104},"labels":[],"label_agreement":null},{"id":"W2581101870","doi":"10.20361/g26w40","title":"The Cranky Ballerina by E. Gravel","year":2017,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Psychology; Mood; Plot (graphics); Visual arts; Social psychology; Art; Dance","score_opus":0.011192124431746171,"score_gpt":0.301721963418987,"score_spread":0.29052983898724083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2581101870","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060964637,0.82607824,0.000022716511,0.02771837,0.0013513627,0.0012180454,0.00079410715,0.0000396769,0.08181284],"genre_scores_gemma":[0.8751566,0.10429662,0.00007396922,0.008514064,0.00046512103,0.000030268704,0.00015535962,0.000034624176,0.011273403],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884087,0.00019098377,0.0002522961,0.00020589335,0.00023867264,0.00027128134],"domain_scores_gemma":[0.99756676,0.00009743036,0.0004339696,0.001753906,0.000090515314,0.000057405523],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006838752,0.00018285864,0.00030258548,0.000013218998,0.00079400674,0.0002231256,0.0019645672,0.000092184484,0.00030529837],"category_scores_gemma":[0.00017449338,0.00009111456,0.00021764186,0.00009081269,0.00031949807,0.00015512994,0.00018096711,0.00038251438,0.00015833235],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007438396,0.000085044296,0.0019344479,0.0004034164,0.000291424,0.0000052901855,0.00064655056,2.986758e-8,0.00003111313,0.034767754,0.9256488,0.03611174],"study_design_scores_gemma":[0.00040884793,0.00006788329,0.18099841,0.0038219418,0.000090533074,0.000065250715,0.000011422585,2.1245278e-7,0.000039386152,0.00052131974,0.8138164,0.00015834176],"about_ca_topic_score_codex":0.000057479214,"about_ca_topic_score_gemma":0.0000021818546,"teacher_disagreement_score":0.81419194,"about_ca_system_score_codex":0.0000073066485,"about_ca_system_score_gemma":0.000013668197,"threshold_uncertainty_score":0.6106938},"labels":[],"label_agreement":null},{"id":"W2583505000","doi":"10.1080/07053436.2017.1281528","title":"Body Ecology: Avoiding body–mind dualism","year":2017,"lang":"fr","type":"article","venue":"Loisir et Société / Society and Leisure","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dualism; Mind–body problem; Ecology; Cognitive science; Psychology; Philosophy; Epistemology; Biology","score_opus":0.042581991706058524,"score_gpt":0.36839490860508306,"score_spread":0.32581291689902453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2583505000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87861925,0.007365539,0.00010249978,0.042137187,0.0068091713,0.0003973754,0.00042046543,0.0000677081,0.06408081],"genre_scores_gemma":[0.9100829,0.0052577457,0.00040847913,0.0042202533,0.0013989023,0.000010381074,0.00004874596,0.0000559431,0.07851669],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966441,0.0005623168,0.00041168457,0.00087956793,0.00034903386,0.0011533312],"domain_scores_gemma":[0.99724644,0.0005904031,0.0006076122,0.001013809,0.00013190729,0.00040982864],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001898559,0.0005518383,0.0008149306,0.000032386535,0.0036855373,0.00071295106,0.00084322336,0.0016214661,0.003598476],"category_scores_gemma":[0.00026659493,0.0006275811,0.00072642445,0.00008707577,0.0016826285,0.0012047801,0.00058884744,0.0019832433,0.000807931],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003089958,0.00207247,0.15018916,0.00089035736,0.0042349594,0.00035648176,0.11418509,0.000011302008,0.0012211741,0.21634163,0.4647717,0.045416705],"study_design_scores_gemma":[0.0041284845,0.0003958529,0.26653576,0.00020549598,0.00046000743,0.00006842652,0.020690594,0.000093358554,0.00013049046,0.0038191641,0.70266515,0.00080724247],"about_ca_topic_score_codex":0.0006540767,"about_ca_topic_score_gemma":0.0000916106,"teacher_disagreement_score":0.23789345,"about_ca_system_score_codex":0.00016041825,"about_ca_system_score_gemma":0.00018050404,"threshold_uncertainty_score":0.9999701},"labels":[],"label_agreement":null},{"id":"W2584913039","doi":"10.1093/oxfordhb/9780199341962.013.14","title":"Pregnant in the Dancing Place","year":2016,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art","score_opus":0.03021398743140218,"score_gpt":0.24191134162130687,"score_spread":0.21169735418990468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2584913039","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003321534,0.00020952108,0.00010839727,0.0000829116,0.00048907206,0.00046453133,0.00020961736,0.00006633171,0.99803746],"genre_scores_gemma":[0.0007480221,0.00013369112,0.000023220038,0.00019926918,0.00014510343,0.0000012586885,0.000016673912,0.000023576822,0.9987092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844027,0.00020310753,0.00014736812,0.00044795522,0.00029083324,0.00047048318],"domain_scores_gemma":[0.99865294,0.00025441532,0.00020682787,0.00076070597,0.00003848045,0.00008662012],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023791582,0.0002988776,0.00032125978,0.00017259557,0.00017985256,0.000037551254,0.001339232,0.00041693373,0.00016952852],"category_scores_gemma":[0.000008633178,0.00023583283,0.00016501754,0.000019042698,0.00022107172,0.00013616747,0.000310502,0.0005841544,0.000021894748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000598223,0.0001001785,0.00008164784,0.00011285283,0.00025891277,0.0012836801,0.009118072,0.0000019353504,0.000006466486,0.5815396,0.38612756,0.020770883],"study_design_scores_gemma":[0.0010519465,0.00010181899,0.00018708827,0.00058250356,0.00008938319,0.000015990267,0.0006594104,0.0000012742216,0.000005512002,0.0002549652,0.9967395,0.00031058842],"about_ca_topic_score_codex":0.00012094502,"about_ca_topic_score_gemma":0.00007203146,"teacher_disagreement_score":0.610612,"about_ca_system_score_codex":0.00030069007,"about_ca_system_score_gemma":0.0001729806,"threshold_uncertainty_score":0.9616984},"labels":[],"label_agreement":null},{"id":"W2585615045","doi":"10.3138/ctr.169.010","title":"Deking Out Reality: The Challenges of Staging Hockey","year":2017,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ice hockey; Visual arts; Art; Media studies; Sociology; Medicine; Physical medicine and rehabilitation","score_opus":0.12607169532676815,"score_gpt":0.35567819524426875,"score_spread":0.2296064999175006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2585615045","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008158048,0.3709431,0.0000040704736,0.038260102,0.00041212453,0.00024398112,0.000060155944,0.000010242024,0.5892504],"genre_scores_gemma":[0.84550303,0.15051758,0.000016424243,0.0028430542,0.00013624298,0.000007757001,0.0000028132315,0.000014523536,0.00095855095],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920887,0.000115574854,0.00014393919,0.00015628943,0.00008873633,0.00028656286],"domain_scores_gemma":[0.9984511,0.000046770536,0.00016994248,0.0011100366,0.000033039847,0.00018907698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005442284,0.00009683659,0.00026083182,0.000034154982,0.00033520404,0.000030432526,0.0006968682,0.00004441827,0.00045870605],"category_scores_gemma":[0.000057502195,0.000070854745,0.000099420875,0.00002610679,0.00012612452,0.00009388854,0.000042297095,0.00012384383,0.00021136105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026656032,0.000010237027,0.0028970279,0.00079139805,0.00009858387,0.000032062555,0.001469738,6.1116715e-8,0.0000010886096,0.026348123,0.031516563,0.9368324],"study_design_scores_gemma":[0.0001198661,0.000024897696,0.023644578,0.0030226102,0.00009995227,0.000009323002,0.0005622802,4.7281114e-7,0.0000035879577,0.0004819853,0.97190845,0.00012198135],"about_ca_topic_score_codex":0.07144467,"about_ca_topic_score_gemma":0.1300797,"teacher_disagreement_score":0.9403919,"about_ca_system_score_codex":0.000053412055,"about_ca_system_score_gemma":0.00012786796,"threshold_uncertainty_score":0.93473864},"labels":[],"label_agreement":null},{"id":"W2586403527","doi":"","title":"Interview with Yukichi Hattori","year":2011,"lang":"en","type":"article","venue":"UVic’s Research and Learning Repository (University of Victoria)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.07142019891605318,"score_gpt":0.29613426816373445,"score_spread":0.22471406924768128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586403527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77886915,0.0005812871,0.00023016661,0.000114404,0.00039290474,0.00014371997,0.0000028094767,0.00006591703,0.21959962],"genre_scores_gemma":[0.9607381,0.00008742863,0.00045071676,0.000010741552,0.000105914914,3.6376534e-7,0.0000030105648,0.00001223458,0.03859149],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99818015,0.0005635373,0.00009431026,0.00035178693,0.00040577832,0.00040446495],"domain_scores_gemma":[0.9989138,0.0001510975,0.000102085505,0.00030713188,0.00027619489,0.00024965507],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00073689286,0.000120154866,0.00022247073,0.00019685866,0.0007064905,0.00003439814,0.00040222093,0.00012624149,0.0013054275],"category_scores_gemma":[0.00003842677,0.0001280303,0.000054353626,0.00032471138,0.00057053694,0.00030758596,0.00019672098,0.0007705774,0.00016915331],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007639152,0.0024705871,0.6401854,0.000725793,0.001948714,0.0029656345,0.24300334,0.00000897782,0.0053643133,0.015921574,0.043168887,0.036597587],"study_design_scores_gemma":[0.0025188888,0.0067076623,0.53316957,0.00037467034,0.00008299293,0.00011895135,0.06959269,0.000029237804,0.00041669302,0.00023363053,0.38629404,0.00046100683],"about_ca_topic_score_codex":0.0015684167,"about_ca_topic_score_gemma":0.000049663526,"teacher_disagreement_score":0.34312513,"about_ca_system_score_codex":0.000052396896,"about_ca_system_score_gemma":0.000071460585,"threshold_uncertainty_score":0.9996075},"labels":[],"label_agreement":null},{"id":"W2587989664","doi":"10.3138/tric.37.2.239","title":"<i>May I have this dance?</i> Teaching, Performing, and Transforming in a University-Community Mixed-Ability Dance Theatre Project","year":2016,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia; University of Lethbridge","funders":"","keywords":"Dance; Drama; Dance education; Context (archaeology); Curriculum; Embodied cognition; Pedagogy; General partnership; Sociology; Concert dance; Psychology; Visual arts; Art; Political science; Geography","score_opus":0.07165481721929495,"score_gpt":0.34769568460648886,"score_spread":0.2760408673871939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587989664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7396666,0.00021592875,0.000009404149,0.0016658098,0.00010312013,0.00044896815,0.00015074156,0.000017689885,0.25772172],"genre_scores_gemma":[0.9986778,0.00018150525,0.00007514429,0.00007146286,0.000034144803,0.000008916749,0.0000045779784,0.000017391787,0.00092908175],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99530196,0.002399515,0.00024302695,0.00043912733,0.0005631276,0.0010532378],"domain_scores_gemma":[0.99764985,0.0013244733,0.00004742256,0.0007211441,0.000045976394,0.00021110798],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040889606,0.00021376839,0.0003350221,0.00036238728,0.00054376165,0.000028884911,0.0007964918,0.00012488586,0.00020171588],"category_scores_gemma":[0.000045824803,0.00017374971,0.00004726953,0.00041882702,0.00045498187,0.0004787681,0.00022780531,0.0017164743,0.000010333179],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000768995,0.00031477227,0.38300696,0.00015635912,0.0000439521,0.00030416885,0.011847808,0.000003152587,0.00052962365,0.0005385333,0.0076379874,0.5948477],"study_design_scores_gemma":[0.0113212885,0.0015278666,0.13697411,0.0025464995,0.00003809818,0.00014554523,0.16472566,0.00014224276,0.002158478,0.0026509305,0.67619413,0.0015751192],"about_ca_topic_score_codex":0.98101324,"about_ca_topic_score_gemma":0.9828403,"teacher_disagreement_score":0.66855615,"about_ca_system_score_codex":0.0021430268,"about_ca_system_score_gemma":0.0017729152,"threshold_uncertainty_score":0.74573225},"labels":[],"label_agreement":null},{"id":"W2588407519","doi":"10.1017/s0149767700007439","title":"Iranian Urban Popular Social Dance and So-Called Classical Dance: A Comparative Investigation in the District of Tehran","year":2006,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Courage; Style (visual arts); Folk dance; Quarter (Canadian coin); Visual arts; Aesthetics; Sociology; Media studies; History; Art; Political science; Law","score_opus":0.14798992438195557,"score_gpt":0.42292025487610235,"score_spread":0.2749303304941468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2588407519","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9888912,0.0011780948,0.00014815747,0.0037459212,0.00010362105,0.00025763683,0.00004428591,0.000007879379,0.0056232405],"genre_scores_gemma":[0.9987545,0.000066736764,0.0001636484,0.000093915885,0.0004570767,0.000009986704,0.000013298572,0.000007902867,0.0004329527],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9966035,0.0012865607,0.00038207346,0.00024939066,0.0008967609,0.0005817193],"domain_scores_gemma":[0.99903333,0.0002675317,0.00019697448,0.00019424388,0.00018411124,0.00012380263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020154952,0.00013852802,0.00030989925,0.00020985852,0.0006747747,0.00017921712,0.00054361543,0.000116711664,0.000060408445],"category_scores_gemma":[0.00014708111,0.00010712097,0.00007318141,0.0007146009,0.0012103351,0.000346242,0.00006903627,0.0013202496,0.00002094285],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016158177,0.0012961333,0.58431095,0.00009425451,0.00013457087,0.00038509304,0.05873567,0.000023723978,0.0048240377,0.06804666,0.27013943,0.010393672],"study_design_scores_gemma":[0.0019314185,0.0002902356,0.9754805,0.00009426484,0.000010243382,0.00007371426,0.005051557,0.00009609297,0.00009606752,0.004106624,0.012638465,0.0001308402],"about_ca_topic_score_codex":0.00031118185,"about_ca_topic_score_gemma":0.00021327529,"teacher_disagreement_score":0.39116955,"about_ca_system_score_codex":0.000102109036,"about_ca_system_score_gemma":0.00013544734,"threshold_uncertainty_score":0.5735901},"labels":[],"label_agreement":null},{"id":"W2588410745","doi":"10.1057/978-1-137-57592-0_6","title":"“We Found There Were Issues We Had to Address”: Jay Hirabayashi","year":2017,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Rage (emotion); Wife; Art; Art history; History; Political science; Psychology; Law","score_opus":0.057183516023367686,"score_gpt":0.31498330453458606,"score_spread":0.2577997885112184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2588410745","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022264912,0.009478219,0.000015416066,0.0012326866,0.0026024773,0.0010394349,0.0010467159,0.0002206494,0.98414177],"genre_scores_gemma":[0.49955556,0.0005558705,0.00010531986,0.00056649465,0.0009729665,0.000024107703,0.000057105586,0.00014613973,0.49801645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964565,0.000079492806,0.0005461911,0.0012410721,0.00066829677,0.0010084693],"domain_scores_gemma":[0.9958403,0.00014331608,0.00060178747,0.002678487,0.00015235104,0.00058374857],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025951292,0.0010599325,0.001175735,0.0003712098,0.00052768947,0.00031503564,0.0019145302,0.0010251233,0.0199992],"category_scores_gemma":[0.000043653323,0.0010336401,0.00058336405,0.000012471786,0.0004296917,0.000003465215,0.00061694026,0.00087428663,0.02386746],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036492132,0.0000037232403,0.00026831197,0.0001382739,0.000992453,0.000738106,0.005297637,2.2309716e-7,0.00004520809,0.9048706,0.027852964,0.059427567],"study_design_scores_gemma":[0.0008135495,0.0004315757,0.00065670133,0.0007972012,0.00019270409,0.00004480754,0.00028293388,3.2304735e-7,0.00004507794,0.38709298,0.60853815,0.0011039869],"about_ca_topic_score_codex":0.0004621841,"about_ca_topic_score_gemma":0.000637069,"teacher_disagreement_score":0.5806852,"about_ca_system_score_codex":0.000124494,"about_ca_system_score_gemma":0.00009810977,"threshold_uncertainty_score":0.9992114},"labels":[],"label_agreement":null},{"id":"W2589504986","doi":"","title":"Just Dance: Supporting Teachers in Dance Education","year":2016,"lang":"en","type":"article","venue":"TSpace (University of Toronto)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Dance education; Visual arts; Pedagogy; Mathematics education; Sociology; Psychology; Art","score_opus":0.025068161814374428,"score_gpt":0.31347398578363506,"score_spread":0.2884058239692606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2589504986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7258571,0.0002956794,0.00035435517,0.0017088152,0.0003639633,0.00010522277,0.00001015197,0.00003403211,0.2712707],"genre_scores_gemma":[0.9513236,0.00008533601,0.0006952629,0.000060077098,0.000038090187,2.1859934e-7,0.0000028791605,0.0000066738116,0.04778782],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9991685,0.000069807385,0.00008693705,0.00025455715,0.00013357296,0.0002866354],"domain_scores_gemma":[0.9993187,0.00004670686,0.00018541049,0.00030744963,0.00004662985,0.00009508402],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020358367,0.00010117922,0.00017603512,0.00004719513,0.00008254384,0.000005251773,0.00034471435,0.000101194055,0.025247807],"category_scores_gemma":[0.000037746395,0.00011030259,0.000064315565,0.00007010002,0.00014420101,0.00077031006,0.00007683568,0.00007684796,0.0001990448],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033758418,0.0006401674,0.17544544,0.000040592466,0.00008267872,0.00003201367,0.10818355,0.00000214581,0.0050782706,0.0077028577,0.03275458,0.66970015],"study_design_scores_gemma":[0.0009947874,0.00009441982,0.9167259,0.0000963734,0.000019955904,0.0000027744015,0.07215264,0.0000027658202,0.0000612088,0.000032128075,0.0096572675,0.00015979283],"about_ca_topic_score_codex":0.07745731,"about_ca_topic_score_gemma":0.019181062,"teacher_disagreement_score":0.74128044,"about_ca_system_score_codex":0.00035363605,"about_ca_system_score_gemma":0.00010482872,"threshold_uncertainty_score":0.99871635},"labels":[],"label_agreement":null},{"id":"W2589975632","doi":"10.1093/oxfordhb/9780190244705.013.12","title":"Entering into an Indigenous Cypher","year":2017,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Indigenous; Dance; Politics; Contemporary dance; Sovereignty; Aesthetics; Power (physics); Sociology; History; Visual arts; Political science; Art; Law","score_opus":0.034740023762095146,"score_gpt":0.2812107598908008,"score_spread":0.24647073612870565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2589975632","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003773571,0.00008996349,0.00010671141,0.0000062191243,0.0010203617,0.0003695871,0.00018235501,0.00018056163,0.9942707],"genre_scores_gemma":[0.0021990386,0.00005627451,0.00015729315,0.00007949046,0.0002721034,7.210308e-7,0.00009467545,0.00005103497,0.9970894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983989,0.00008660549,0.00013944825,0.0006112931,0.00025707993,0.0005066899],"domain_scores_gemma":[0.99791515,0.000028274337,0.0003651838,0.0013323177,0.000069234724,0.000289821],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0001121723,0.00039526113,0.00044328754,0.00018652786,0.00071911234,0.00014015078,0.0017997278,0.00065665395,0.00034664097],"category_scores_gemma":[0.000005550176,0.0005020225,0.00021239306,0.0000061974456,0.00031651225,0.00029684242,0.000629177,0.0006251458,0.000034124278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030773762,0.0007465571,0.00078239373,0.00072296895,0.0037202265,0.007608076,0.09930026,0.00001028729,0.00009832622,0.40022293,0.24129263,0.24241799],"study_design_scores_gemma":[0.00083586096,0.0002723193,0.00032740153,0.00012182799,0.0001828952,0.00001621258,0.0003514297,0.0000012471713,0.0000152055845,0.00026323067,0.997103,0.0005094164],"about_ca_topic_score_codex":0.00091483654,"about_ca_topic_score_gemma":0.00012705101,"teacher_disagreement_score":0.7558103,"about_ca_system_score_codex":0.00034705663,"about_ca_system_score_gemma":0.00020785602,"threshold_uncertainty_score":0.99974316},"labels":[],"label_agreement":null},{"id":"W2591911241","doi":"10.21091/mppa.2017.1001","title":"Physical Activity Participation and Nutrition and Physical Activity Knowledge in University Dance Students","year":2017,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Victoria Park","funders":"","keywords":"Dance; Psychology; Physical activity; Population; Medical education; Public health; Gerontology; Medicine; Physical therapy; Environmental health; Nursing","score_opus":0.038393803535048156,"score_gpt":0.3680934246634743,"score_spread":0.3296996211284261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591911241","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9978149,0.000031360563,0.00006498531,0.00035765182,0.00009412263,0.00019843111,0.000008593941,0.0000155218,0.0014144112],"genre_scores_gemma":[0.99968034,0.000036849433,0.000018157167,0.0000053691024,0.00007214542,0.0000046749046,0.0000010623468,0.0000050384806,0.00017637777],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990395,0.00009598088,0.00007305555,0.00027068393,0.0002861126,0.00023471302],"domain_scores_gemma":[0.99933356,0.00010658128,0.0001377507,0.00022332529,0.00002861729,0.00017014644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031812608,0.00010849076,0.00024921147,0.000051011597,0.00024478562,0.000029086925,0.00023292717,0.00007989494,0.000020261234],"category_scores_gemma":[0.0001490124,0.00011087007,0.000031483414,0.000052443615,0.00047943302,0.0005519937,0.00024573426,0.00026954603,0.000012606804],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007297557,0.012018261,0.54408777,0.0006412914,0.00007413345,0.000063804044,0.012217726,0.0000019825745,0.0038863332,0.0014581782,0.00023303025,0.4245877],"study_design_scores_gemma":[0.0021509524,0.00027268872,0.9920163,0.00028775798,0.000022215974,0.0000036179208,0.00015214412,0.0036190439,0.0009329331,0.00019442289,0.00022709255,0.00012083896],"about_ca_topic_score_codex":0.00047808237,"about_ca_topic_score_gemma":0.00026765137,"teacher_disagreement_score":0.4479285,"about_ca_system_score_codex":0.000043419925,"about_ca_system_score_gemma":0.000025944762,"threshold_uncertainty_score":0.452115},"labels":[],"label_agreement":null},{"id":"W2592942393","doi":"10.32396/usurj.v3i1.130","title":"Self-Compassion: A Potential Buffer in an Evaluative Dance Environment","year":2017,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Psychology; Ballet; Dance; Self-compassion; Mindfulness; Social psychology; Context (archaeology); Trait; Compassion; Clinical psychology","score_opus":0.06075860973808701,"score_gpt":0.35097437547247295,"score_spread":0.29021576573438596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592942393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9794902,0.00015773917,0.0012645089,0.0068412838,0.00033068247,0.00040737411,0.00003129248,0.000023362087,0.011453556],"genre_scores_gemma":[0.99349135,0.0003477091,0.0017877971,0.000016992015,0.00011052891,4.4552965e-7,0.0000044292815,0.000014660371,0.0042260764],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9960666,0.0012077084,0.00024235588,0.00043583146,0.001263543,0.0007839709],"domain_scores_gemma":[0.9979192,0.00011643017,0.00037046045,0.0008232699,0.00028515782,0.00048548606],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0026039768,0.00019238355,0.00035906356,0.00043413154,0.0017170397,0.00018513396,0.0016757007,0.00017023025,0.0011717521],"category_scores_gemma":[0.0000540707,0.00021133089,0.00015979257,0.00014129905,0.00093816355,0.0011791469,0.00047120612,0.0012757839,0.0002687233],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.01517204,0.018126825,0.40319383,0.000347984,0.0032111565,0.019050995,0.3425154,0.0019349469,0.014418079,0.01025845,0.034865383,0.13690491],"study_design_scores_gemma":[0.011043155,0.0023638362,0.80369854,0.00031570325,0.0001129452,0.000244232,0.15107435,0.0010901854,0.0003905437,0.014579077,0.014388966,0.00069843826],"about_ca_topic_score_codex":0.0017879031,"about_ca_topic_score_gemma":0.00092687464,"teacher_disagreement_score":0.40050474,"about_ca_system_score_codex":0.00048612506,"about_ca_system_score_gemma":0.0004474823,"threshold_uncertainty_score":0.9997413},"labels":[],"label_agreement":null},{"id":"W2594657780","doi":"10.1080/1554480x.2017.1283997","title":"Imperfect/I’m perfect: bodies/embodiment in post-secondary and elementary settings","year":2017,"lang":"en","type":"article","venue":"Pedagogies An International Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Fields Institute for Research in Mathematical Sciences; Brock University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Drama; Embodied cognition; Focus (optics); Imperfect; Aesthetics; Sociology; Visual arts; Psychology; Pedagogy; Art; Epistemology","score_opus":0.035860234157949554,"score_gpt":0.3761945701183387,"score_spread":0.34033433596038914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594657780","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95412683,0.00039681775,0.000011825151,0.0057003805,0.0020431424,0.00007552092,0.00007607669,0.000018055784,0.037551373],"genre_scores_gemma":[0.9960215,0.0004203527,0.00032515934,0.0015886598,0.00056864385,0.0000034540242,0.000018248364,0.0000116848805,0.0010422696],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99886,0.00006208784,0.00024618724,0.00023222898,0.00030619724,0.0002933176],"domain_scores_gemma":[0.9991676,0.000047819747,0.0002596022,0.00025641796,0.00013773727,0.00013080178],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004441253,0.00014268153,0.00015295569,0.0001806696,0.00044311062,0.00062232435,0.0008325297,0.000059166603,0.004136139],"category_scores_gemma":[0.000107443055,0.00013876094,0.00006855884,0.000009843303,0.0001403257,0.0013512529,0.000301509,0.0004286413,0.00007149106],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010183887,0.0005396022,0.61235607,0.000015739892,0.0006316355,0.0010547588,0.021202259,0.0000056727185,0.001305322,0.004265659,0.01483799,0.3427669],"study_design_scores_gemma":[0.0018640133,0.0004029567,0.96742934,0.000044574455,0.000017346942,0.00061230327,0.008551496,0.000016914251,0.00009654638,0.0007691312,0.020006914,0.00018847383],"about_ca_topic_score_codex":0.0011584115,"about_ca_topic_score_gemma":0.000312381,"teacher_disagreement_score":0.35507327,"about_ca_system_score_codex":0.00010912071,"about_ca_system_score_gemma":0.00007559264,"threshold_uncertainty_score":0.9967742},"labels":[],"label_agreement":null},{"id":"W2596705437","doi":"10.3138/jrpc.29.1.3041","title":"Yoga Jam: Remixing<i>kīrtan</i>in the Art of Living","year":2017,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meditation; Hinduism; Aesthetics; Dance; Soul; Modernity; Popular music; Buddhism; Popular culture; Art; Musical; Literature; Religious studies; Philosophy; Theology","score_opus":0.022551796655536104,"score_gpt":0.3062633445401484,"score_spread":0.28371154788461234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2596705437","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9552142,0.0066571226,0.000041304884,0.002702053,0.0008358468,0.00008299442,0.0000065395834,0.0000039935794,0.03445595],"genre_scores_gemma":[0.98890966,0.0042924103,0.00019443063,0.00072037254,0.00018466584,3.6070404e-7,5.056697e-7,0.000004317197,0.0056932955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993329,0.00008366168,0.00021600237,0.00007043132,0.00018314998,0.00011386454],"domain_scores_gemma":[0.9991345,0.000027412969,0.0004910348,0.00023480377,0.00006314786,0.00004912834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054046453,0.00007475342,0.0001814072,0.000046364068,0.00012793514,0.00006998415,0.00036126588,0.00010548912,0.00003723827],"category_scores_gemma":[0.0003145086,0.000045368783,0.00010138557,0.00003875407,0.00005844764,0.00021431291,0.000031824064,0.0003196577,0.000013081546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014578039,0.00014327693,0.10119897,0.000026703772,0.00006302175,0.00017830577,0.012396878,0.0000012800637,0.00065453234,0.010186698,0.87346715,0.0015373826],"study_design_scores_gemma":[0.0005669836,0.00037809755,0.0749741,0.0006481615,0.00006043618,0.0005983594,0.0016878109,0.0000013811962,0.000053856074,0.0007306802,0.92019206,0.000108104505],"about_ca_topic_score_codex":0.00005211947,"about_ca_topic_score_gemma":0.000025340956,"teacher_disagreement_score":0.046724867,"about_ca_system_score_codex":0.000008060297,"about_ca_system_score_gemma":0.000009226671,"threshold_uncertainty_score":0.18500853},"labels":[],"label_agreement":null},{"id":"W2597079589","doi":"","title":"The Morning Swim","year":2013,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Morning; Animal science; Biology; Medicine; Internal medicine","score_opus":0.02882291847917695,"score_gpt":0.2736879623949003,"score_spread":0.24486504391572333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597079589","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86281836,0.0011045991,4.997888e-7,0.0020345012,0.0009014471,0.00012085007,0.00000928072,0.000024976402,0.1329855],"genre_scores_gemma":[0.9672682,0.000046758632,0.0000097839475,0.0024531677,0.000099001685,0.000065449254,6.2115134e-7,0.0000072599646,0.030049717],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909556,0.000032401564,0.00007915695,0.0001289122,0.00006854511,0.000595412],"domain_scores_gemma":[0.99931216,0.00012107282,0.00003020322,0.00020861214,0.000066725624,0.0002612468],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000118908494,0.00008827536,0.00011075511,0.000055256143,0.0006963114,0.00005925546,0.00020759484,0.00003084519,0.0013098074],"category_scores_gemma":[0.000113431466,0.00006495553,0.000025750827,0.000107463864,0.00017873623,0.00009256236,0.000038092356,0.00009827867,0.003875373],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017581793,0.000030154488,0.030100893,0.000020016754,0.0014587122,0.00008866007,0.103224985,0.00000407977,0.000029197774,0.06238429,0.7746372,0.028004201],"study_design_scores_gemma":[0.00039217217,0.00013736458,0.10514448,0.000016591088,0.000015309855,0.000005858603,0.42375374,0.0000021810627,0.0000057965713,0.008676961,0.461568,0.00028154932],"about_ca_topic_score_codex":0.0035132223,"about_ca_topic_score_gemma":0.007444274,"teacher_disagreement_score":0.32052875,"about_ca_system_score_codex":0.00025099804,"about_ca_system_score_gemma":0.000056757053,"threshold_uncertainty_score":0.99960315},"labels":[],"label_agreement":null},{"id":"W2601352748","doi":"","title":"Dana Michel, Lift That Up, Toronto, Progress Festival, curated by Dancemakers","year":2016,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lift (data mining); Art history; Architectural engineering; Art; Engineering; Computer science","score_opus":0.011274427836636977,"score_gpt":0.2138066029897993,"score_spread":0.20253217515316232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601352748","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8467007,0.06781539,0.0009829797,0.03843203,0.0020562352,0.0006941687,0.00060109346,0.00064093474,0.042076442],"genre_scores_gemma":[0.76333404,0.0021832287,0.00021696226,0.00072316005,0.00010378678,0.000008820751,0.000048339185,0.000049184684,0.23333248],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981887,0.00012064802,0.0001407277,0.00052610505,0.00029906383,0.00072475773],"domain_scores_gemma":[0.99870217,0.00009674081,0.00019830141,0.0005741775,0.000074874835,0.00035375007],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013790352,0.00029672758,0.00030206933,0.00006590839,0.00039765643,0.000025696152,0.00055846886,0.0002403567,0.0024586963],"category_scores_gemma":[0.00002375926,0.0002617678,0.00013929748,0.00017338464,0.00025091151,0.0006989095,0.0002211977,0.0001333272,0.0009181517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060209073,0.00016868686,0.011396524,0.0000107817705,0.00027693209,0.00056367886,0.0008986552,4.2451273e-7,0.0020219528,0.002573217,0.92788833,0.053598735],"study_design_scores_gemma":[0.0028979373,0.00026550426,0.011553933,0.00007893901,0.00010326555,0.00013186195,0.0021277019,0.0000073585406,0.00092576817,0.000081103986,0.9813791,0.0004475461],"about_ca_topic_score_codex":0.0065722326,"about_ca_topic_score_gemma":0.009220261,"teacher_disagreement_score":0.19125605,"about_ca_system_score_codex":0.0036246441,"about_ca_system_score_gemma":0.000035435914,"threshold_uncertainty_score":0.99998343},"labels":[],"label_agreement":null},{"id":"W2601474849","doi":"","title":"Midwifing Transitions: The Labour of Publishing in the History of Dance and Dance Studies in Canada","year":2016,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Dance; Performative utterance; Publishing; Sociology; Constitution; Field (mathematics); Premise; Contemporary dance; Media studies; Face (sociological concept); Embodied cognition; Aesthetics; Visual arts; Gender studies; Political science; Law; Social science; Art; Epistemology","score_opus":0.08409311089334956,"score_gpt":0.28518657629058736,"score_spread":0.2010934653972378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601474849","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97284997,0.0064725904,0.000029033363,0.008220871,0.00033720493,0.00008414851,0.000024283716,0.000002331715,0.011979555],"genre_scores_gemma":[0.99725723,0.00017979406,0.000032210974,0.0008950907,0.000009292248,0.0000037598286,1.6628641e-7,0.0000017698381,0.0016207111],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99942756,0.00011769046,0.00014403638,0.000089354646,0.000107523614,0.0001138612],"domain_scores_gemma":[0.9993312,0.0003967726,0.00006672003,0.00016198332,0.00003318416,0.000010180142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043929357,0.000046478566,0.000115292605,0.00003486084,0.00001994468,0.0000043198856,0.00021908677,0.000018730429,0.00006505599],"category_scores_gemma":[0.00014424884,0.000023616916,0.000011568113,0.000104961895,0.00018356155,0.0003221198,0.000019331857,0.00007965431,4.5645638e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002613246,0.00028068156,0.37924883,0.00026600313,0.00018904934,0.00006058519,0.22835432,0.000024252044,0.0027702672,0.13067992,0.2295827,0.02828207],"study_design_scores_gemma":[0.0011159197,0.000044083674,0.8970481,0.00030491938,0.000009780882,0.0000061353985,0.08039122,0.0000038243033,0.0001253981,0.0010116056,0.01983789,0.00010110089],"about_ca_topic_score_codex":0.5635043,"about_ca_topic_score_gemma":0.85100174,"teacher_disagreement_score":0.51779926,"about_ca_system_score_codex":0.0001722129,"about_ca_system_score_gemma":0.00016528863,"threshold_uncertainty_score":0.43940237},"labels":[],"label_agreement":null},{"id":"W2606369738","doi":"10.1136/bjsports-2016-097372.143","title":"DOES INJURY DEFINITION MATTER? THE INFLUENCE OF INJURY DEFINITION ON INTERPRETATIONS OF INJURY RISK IN PRE-PROFESSIONAL BALLET AND CONTEMPORARY DANCERS","year":2017,"lang":"en","type":"article","venue":"British Journal of Sports Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta; University of Calgary","funders":"","keywords":"Ballet; Dance; Medicine; Physical therapy; Sports medicine; Classical ballet; Population; Injury prevention; Poison control; Cohort study; Emergency medicine; Internal medicine","score_opus":0.018257816199477576,"score_gpt":0.3060217749913084,"score_spread":0.2877639587918308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606369738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99307585,0.00086890376,0.000014342503,0.0012813346,0.0009039266,0.00017016094,0.0002909459,0.000003983176,0.0033905392],"genre_scores_gemma":[0.99661523,0.0024683988,0.00006708194,0.00064940494,0.0001025068,0.000003446392,0.000009095953,0.000010010247,0.00007484143],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99832904,0.00014303152,0.00079808757,0.00015656585,0.00042453065,0.00014873501],"domain_scores_gemma":[0.99736494,0.00016999296,0.0018978848,0.00026832017,0.00021043331,0.0000884317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010446056,0.00012648142,0.00041712893,0.00020939497,0.00017712258,0.000019739393,0.00032899817,0.00010516264,0.00038144534],"category_scores_gemma":[0.00042812392,0.00008828402,0.00006679949,0.00008280844,0.00079072756,0.00046361986,0.000065153064,0.0005227111,0.000002680501],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0047009145,0.0004991295,0.8583084,0.00017595106,0.00017098262,0.00029666536,0.006337208,0.000009798945,0.0006733615,0.0010727943,0.031953424,0.09580142],"study_design_scores_gemma":[0.0012746371,0.00058192987,0.98243487,0.008278302,0.000053109346,0.000112797934,0.00138397,0.000001052229,0.000119810065,0.0054999758,0.0001689699,0.00009054975],"about_ca_topic_score_codex":0.0010781029,"about_ca_topic_score_gemma":0.00002396242,"teacher_disagreement_score":0.124126546,"about_ca_system_score_codex":0.000029489338,"about_ca_system_score_gemma":0.00008995012,"threshold_uncertainty_score":0.4176559},"labels":[],"label_agreement":null},{"id":"W2606495500","doi":"10.71781/14689","title":"Puissance des corps en mouvement dans le tango","year":2006,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.042911224869258954,"score_gpt":0.34459488548027956,"score_spread":0.3016836606110206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606495500","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5440209,0.00052846794,0.00013180169,0.00022049223,0.0010339177,0.00049873855,0.00027956796,0.000001858446,0.45328423],"genre_scores_gemma":[0.2865468,0.00006312724,0.004364213,0.00009234149,0.00019888951,0.00002835058,0.0015971883,0.000039088285,0.70707],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979124,0.0002562793,0.00038149534,0.0006520609,0.00024889954,0.00054883404],"domain_scores_gemma":[0.9987972,0.00008792209,0.00035919176,0.00049798476,0.00010176805,0.00015593453],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038606778,0.00037901156,0.00045461277,0.000086581895,0.0004901241,0.0003116265,0.0013231403,0.00045088356,0.016299726],"category_scores_gemma":[0.000037546662,0.00045528516,0.00013642729,0.0002149343,0.00024611613,0.00046980806,0.0001668225,0.00036039398,0.0071204985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013258498,0.005041308,0.046983805,0.0003157407,0.0010611446,0.0006481427,0.12897238,0.00025705728,0.023548523,0.005881627,0.11440998,0.67155445],"study_design_scores_gemma":[0.0022464993,0.0004562746,0.37554687,0.00052795664,0.00025216315,0.000020187048,0.03600187,0.000020465082,0.019834494,0.00033980425,0.5639352,0.0008181695],"about_ca_topic_score_codex":0.02324611,"about_ca_topic_score_gemma":0.016861277,"teacher_disagreement_score":0.67073625,"about_ca_system_score_codex":0.00023995423,"about_ca_system_score_gemma":0.00023453176,"threshold_uncertainty_score":0.9997899},"labels":[],"label_agreement":null},{"id":"W2610460770","doi":"10.58079/oket","title":"Communication d'Arianna Fabbricatore au colloque \"Jeux et enjeux de la préface\", Université de Liège, 26-28 juin","year":2013,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.024951495260830847,"score_gpt":0.2926256858312094,"score_spread":0.26767419057037856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610460770","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08260793,0.004102828,0.003670345,0.4810356,0.002639032,0.0022383025,0.0018272446,0.00042525138,0.42145345],"genre_scores_gemma":[0.84892404,0.0034494312,0.0046632225,0.05316414,0.00061690016,0.0002813896,0.0017373846,0.0001280142,0.087035485],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99394673,0.0029361902,0.0006267778,0.00077039213,0.00055278966,0.0011671331],"domain_scores_gemma":[0.9958749,0.0009886221,0.000628702,0.0012689375,0.0005301388,0.00070871896],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016777451,0.0005871705,0.00058715884,0.0003119008,0.0013829202,0.0005703568,0.0014735745,0.0010007769,0.03393434],"category_scores_gemma":[0.0002914244,0.00075161684,0.0002906038,0.0006866653,0.0010038351,0.011780946,0.0007251087,0.0010109504,0.017537914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025136405,0.0014405068,0.0036622128,0.00015166281,0.000312223,0.00010038903,0.0039296667,0.00019325562,0.000909494,0.27611393,0.7091061,0.0038292466],"study_design_scores_gemma":[0.0035268913,0.00044555555,0.3423407,0.00060971064,0.000268655,0.00032773614,0.0025248989,0.00015521377,0.0014577587,0.0072767762,0.6402377,0.0008283873],"about_ca_topic_score_codex":0.0052729934,"about_ca_topic_score_gemma":0.0026791953,"teacher_disagreement_score":0.7663161,"about_ca_system_score_codex":0.0024016285,"about_ca_system_score_gemma":0.00092209777,"threshold_uncertainty_score":0.99991715},"labels":[],"label_agreement":null},{"id":"W2610896554","doi":"10.71781/7406","title":"Une étude comparative des danses traditionnelles et de leur musique d'accompagnement entre les cultures gaëlles (écossaise et irlandaise) et québécoise","year":2006,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.07908278693778571,"score_gpt":0.3890660921884579,"score_spread":0.3099833052506722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610896554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6288825,0.0013085798,0.00017929792,0.0011445465,0.00034919413,0.0009394437,0.0016481262,0.000010343125,0.36553794],"genre_scores_gemma":[0.95851743,0.0010930018,0.00570972,0.0009770318,0.00016213671,0.00009854778,0.008838066,0.00006205202,0.024541987],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99566954,0.0014501935,0.0007398402,0.000985191,0.00042270916,0.0007325416],"domain_scores_gemma":[0.99776024,0.0005228524,0.00070009736,0.00046413284,0.00025673126,0.00029595947],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006595929,0.0008868129,0.0010374098,0.00020990067,0.0007503792,0.0008606447,0.0012102887,0.00057116355,0.00914331],"category_scores_gemma":[0.000065886525,0.0008904356,0.0003408968,0.00032244975,0.00046985943,0.00090225274,0.00014178627,0.0008274784,0.00064887956],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036035727,0.0096306,0.033639815,0.0005149886,0.0019608056,0.00050544174,0.6985889,0.0052040275,0.0043125413,0.0317515,0.18774468,0.022543158],"study_design_scores_gemma":[0.004121109,0.0007290009,0.6120983,0.0017672696,0.0006415852,0.00006594498,0.13451776,0.000046352,0.0048538474,0.0015509736,0.23819777,0.0014101183],"about_ca_topic_score_codex":0.10734474,"about_ca_topic_score_gemma":0.57401204,"teacher_disagreement_score":0.5784584,"about_ca_system_score_codex":0.00027765692,"about_ca_system_score_gemma":0.00073154696,"threshold_uncertainty_score":0.99935466},"labels":[],"label_agreement":null},{"id":"W2611496858","doi":"","title":"Princípios da metodologia a/r/tográfica na pesquisa em artes da cena","year":2014,"lang":"pt","type":"article","venue":"Anais dos Seminários de Pesquisa do PPG Artes da Cena","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03530751268963085,"score_gpt":0.3000599514616319,"score_spread":0.26475243877200105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611496858","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9300548,0.006552869,0.0011852733,0.0060392455,0.0062365565,0.0021443083,0.0012275107,0.0011767417,0.04538272],"genre_scores_gemma":[0.9777241,0.00077126053,0.001203455,0.0075199995,0.002357861,0.00009958778,0.0003885066,0.00033943524,0.0095958095],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9856242,0.0021571189,0.0021707413,0.0034401,0.0017405405,0.00486729],"domain_scores_gemma":[0.98869365,0.0026760933,0.0015607023,0.0043071797,0.0006277561,0.00213461],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0031764335,0.0024041643,0.002711754,0.00074844155,0.0015610408,0.0021019855,0.0040032323,0.0020132507,0.0173269],"category_scores_gemma":[0.0023497122,0.002542565,0.0014206691,0.0016647795,0.0014522186,0.0012234407,0.0014932594,0.003366092,0.014554709],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018128777,0.0052569876,0.16130812,0.0011056005,0.003711201,0.0007972418,0.04148115,0.00024206981,0.0052924776,0.012824537,0.6386933,0.12747443],"study_design_scores_gemma":[0.010053194,0.004678706,0.1466986,0.0018372078,0.0022950177,0.00077459204,0.015312747,0.0024952185,0.0042660916,0.0015851519,0.80371445,0.0062890355],"about_ca_topic_score_codex":0.00096013624,"about_ca_topic_score_gemma":0.0002452742,"teacher_disagreement_score":0.16502114,"about_ca_system_score_codex":0.00073732383,"about_ca_system_score_gemma":0.00038308094,"threshold_uncertainty_score":0.9997388},"labels":[],"label_agreement":null},{"id":"W2613097803","doi":"","title":"Le Festival Danse Canada : Rencontres et échanges en mouvement","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Geography","score_opus":0.0100379461880843,"score_gpt":0.1864695898694866,"score_spread":0.17643164368140232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613097803","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5339268,0.060146056,0.00020431263,0.31518593,0.002270251,0.00036317232,0.000740494,0.0001006706,0.08706234],"genre_scores_gemma":[0.4627786,0.009342284,0.00032999794,0.002710959,0.00020513014,0.0000028742534,0.00005188365,0.000032272812,0.524546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977022,0.0004274473,0.00018009027,0.0004814381,0.00039097993,0.00081786525],"domain_scores_gemma":[0.99857825,0.0002223874,0.00017786362,0.0004926972,0.00008562885,0.00044317488],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021578437,0.0003337224,0.00038741692,0.00013419495,0.00088247866,0.000014373686,0.0005368916,0.00026024473,0.0010456644],"category_scores_gemma":[0.00004856801,0.00044333763,0.00014752906,0.00025932412,0.00022439621,0.00031031916,0.00035361014,0.0003850902,0.00025923367],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038094647,0.0003687406,0.0029355274,0.00003836237,0.00040854505,0.015399362,0.008610744,0.00020154803,0.00018982333,0.02120177,0.93821263,0.012051972],"study_design_scores_gemma":[0.0024762796,0.00026078356,0.035567496,0.000073950985,0.0001324681,0.0008765072,0.0069056833,0.000048834845,0.0001583704,0.00016170598,0.9529019,0.00043602104],"about_ca_topic_score_codex":0.9730147,"about_ca_topic_score_gemma":0.99415004,"teacher_disagreement_score":0.43748367,"about_ca_system_score_codex":0.007122429,"about_ca_system_score_gemma":0.0009069965,"threshold_uncertainty_score":0.9998675},"labels":[],"label_agreement":null},{"id":"W2614786031","doi":"10.3138/md.2017.60.2.247","title":"Uri McMillan, <i>Embodied Avatars: Genealogies of Black Feminist Art and Performance</i>","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Embodied cognition; Objectification; Personality psychology; Black women; Gender studies; Aesthetics; Everyday life; Art; Sociology; Visual arts; Psychology; Social psychology; Epistemology; Philosophy; Personality","score_opus":0.03825996355347462,"score_gpt":0.28709985305224067,"score_spread":0.24883988949876606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2614786031","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7126025,0.0001683698,0.00005067458,0.00026813068,0.00020165776,0.00007731735,0.00004909699,0.000027128232,0.28655514],"genre_scores_gemma":[0.992124,0.000119346485,0.00018517593,0.00030614896,0.00006871195,0.0000023352195,0.000008512717,0.000011323555,0.0071744253],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992072,0.000018426206,0.00014746348,0.00023591313,0.00013166369,0.00025934432],"domain_scores_gemma":[0.99899054,0.000027237518,0.00016826006,0.00070561166,0.00003487046,0.00007348501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011989605,0.00012960486,0.00022327753,0.00003339156,0.00024808856,0.000088545356,0.00041199403,0.00010056259,0.00018418074],"category_scores_gemma":[0.000032956854,0.00012504954,0.000055715507,0.000016763768,0.00051322044,0.00016771717,0.0001886607,0.000107347856,0.00035598266],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001167091,0.00045223467,0.7305709,0.00031055618,0.0005169797,0.000074304815,0.022167446,0.000052060303,0.0014306703,0.006788388,0.12447132,0.11199806],"study_design_scores_gemma":[0.0031422195,0.0008610461,0.91168094,0.000115079856,0.00010404824,0.000039833332,0.0010076107,0.0011935722,0.0025197282,0.0031091091,0.0756204,0.0006063924],"about_ca_topic_score_codex":0.00006626199,"about_ca_topic_score_gemma":0.000015869364,"teacher_disagreement_score":0.27952155,"about_ca_system_score_codex":0.00001088289,"about_ca_system_score_gemma":0.000016325854,"threshold_uncertainty_score":0.5099372},"labels":[],"label_agreement":null},{"id":"W2614927057","doi":"10.26563/dobras.v2i4.328","title":"Histórias: George Bryan Brummell e o dandismo","year":2008,"lang":"pt","type":"article","venue":"dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"George (robot); Philosophy; Humanities; Art; Art history","score_opus":0.048723660807589934,"score_gpt":0.30726562048073336,"score_spread":0.2585419596731434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2614927057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9599654,0.0061515896,0.002441984,0.0012190602,0.0027998816,0.0018680175,0.001964432,0.0006984369,0.022891186],"genre_scores_gemma":[0.9172088,0.0006899605,0.00038028267,0.0054158787,0.001678283,0.00009248398,0.00050232094,0.0003574393,0.07367458],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.98667574,0.0023905807,0.001968205,0.0024951594,0.0017747509,0.004695576],"domain_scores_gemma":[0.9918007,0.0011427224,0.0017895262,0.0027661808,0.00045607897,0.0020447818],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.002898367,0.0019415958,0.0027010976,0.0006812822,0.002090064,0.0010726178,0.003116377,0.0019003116,0.0067940624],"category_scores_gemma":[0.0014645862,0.0021133847,0.0015576103,0.0016747181,0.000918656,0.0010260628,0.0010246902,0.0027329898,0.0049237474],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066081743,0.002813996,0.639187,0.00042253078,0.0015506655,0.0023417738,0.030419143,0.00004547056,0.00021547543,0.008374152,0.3119957,0.0019732842],"study_design_scores_gemma":[0.007045175,0.0011125773,0.8371575,0.0006211804,0.0011690002,0.0010926228,0.006666119,0.0004200485,0.00007551107,0.00028825854,0.14135148,0.0030005174],"about_ca_topic_score_codex":0.0019256215,"about_ca_topic_score_gemma":0.00022798013,"teacher_disagreement_score":0.19797051,"about_ca_system_score_codex":0.0035729131,"about_ca_system_score_gemma":0.0014182732,"threshold_uncertainty_score":0.99996436},"labels":[],"label_agreement":null},{"id":"W2615419879","doi":"","title":"Les formes hybrides de la danse / Hybrid Forms of Dance","year":2013,"lang":"es","type":"article","venue":"Esse/Esse arts + opinions","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Art; Visual arts","score_opus":0.025430781250168795,"score_gpt":0.32674912577854776,"score_spread":0.30131834452837897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615419879","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81364924,0.0017306344,0.0007066508,0.0075783934,0.0009970767,0.0005866847,0.0005745361,0.00013292166,0.17404386],"genre_scores_gemma":[0.9947362,0.0010956039,0.0004275497,0.00039618838,0.00024047944,0.000056359728,0.00011538647,0.00005388872,0.0028783483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975458,0.0002213804,0.0005524812,0.00050460274,0.00031027463,0.00086549023],"domain_scores_gemma":[0.99747926,0.0007466406,0.0003968934,0.00087970385,0.00017069952,0.00032680572],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004279555,0.0004141674,0.00057350384,0.0002217788,0.0004415448,0.0002453105,0.00075999775,0.00020990302,0.0034420209],"category_scores_gemma":[0.00027250775,0.0004032274,0.0002829353,0.0002572145,0.0008004738,0.0010932714,0.00023901807,0.0004542528,0.00097638473],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017038129,0.0019363079,0.06968487,0.0006942454,0.00055004505,0.00007111317,0.0043058386,0.00003530483,0.0026342215,0.7141383,0.1850409,0.020738408],"study_design_scores_gemma":[0.001987003,0.0005185796,0.37508786,0.00097474497,0.00013095471,0.00017864764,0.0033592498,0.000117456686,0.0151360845,0.012302863,0.5894192,0.0007873757],"about_ca_topic_score_codex":0.0016272033,"about_ca_topic_score_gemma":0.000025220961,"teacher_disagreement_score":0.7018355,"about_ca_system_score_codex":0.0000760015,"about_ca_system_score_gemma":0.00015816848,"threshold_uncertainty_score":0.999842},"labels":[],"label_agreement":null},{"id":"W2618415626","doi":"10.12678/1089-313x.21.2.43","title":"Perceptions of Pain, Injury, and Transition-Retirement","year":2017,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Excellence; Athletes; Psychology; Perception; Professional development; Physical therapy; Medicine; Political science; Pedagogy; Visual arts; Art","score_opus":0.03645610152506819,"score_gpt":0.3701434118790996,"score_spread":0.33368731035403143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2618415626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9805105,0.00023165999,0.0021217784,0.009214368,0.0007553852,0.000052488896,0.0000052587125,0.0000027596031,0.0071058385],"genre_scores_gemma":[0.9984855,0.00014065072,0.00049135037,0.0005078635,0.00017713223,3.276097e-7,1.0961456e-7,0.0000021605354,0.00019490179],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989213,0.000041748586,0.00026964326,0.00011526142,0.00048769522,0.0001643533],"domain_scores_gemma":[0.9987479,0.000047665424,0.000490324,0.00028024058,0.0002820095,0.00015187831],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022059307,0.00006611058,0.0002024738,0.00014291063,0.00036855182,0.000025227702,0.00058377057,0.000018493882,0.00039581064],"category_scores_gemma":[0.00054914504,0.00004863348,0.000035522626,0.0001128478,0.0022508265,0.00054781477,0.000035287325,0.00014017113,0.0000045795978],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006584141,0.00079307146,0.33534038,0.00014211591,0.00010258861,0.00011850799,0.07119179,0.000016641581,0.23524097,0.006991486,0.062474895,0.28692913],"study_design_scores_gemma":[0.00089969824,0.0015073718,0.9888578,0.00036265486,0.00003932415,0.00005476513,0.005778274,0.000029425019,0.00029250293,0.00039568928,0.0017112914,0.00007122281],"about_ca_topic_score_codex":0.0000886945,"about_ca_topic_score_gemma":0.0000060303164,"teacher_disagreement_score":0.65351737,"about_ca_system_score_codex":0.000027568727,"about_ca_system_score_gemma":0.000074770534,"threshold_uncertainty_score":0.8293264},"labels":[],"label_agreement":null},{"id":"W2621117630","doi":"","title":"Johanna Householder et Tanya Mars (dir.), More Caught in the Act: an anthology of performance art by Canadian women","year":2017,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mars Exploration Program; Art; Art history; Astrobiology","score_opus":0.011331681649642662,"score_gpt":0.21741080291285567,"score_spread":0.206079121263213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621117630","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95432633,0.0009726535,0.000006108991,0.017945593,0.00017554684,0.00016517003,0.00023150077,0.000020186244,0.02615693],"genre_scores_gemma":[0.9603194,0.00052178174,0.000029755047,0.0014436856,0.00002457793,0.0000042162114,0.000032076012,0.000016870654,0.037607666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986844,0.00012846886,0.000118842414,0.00028071686,0.00017051381,0.0006170264],"domain_scores_gemma":[0.9986131,0.000036187856,0.00017596345,0.000897071,0.000035721354,0.00024195293],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039765472,0.00017050856,0.0002442084,0.00019169634,0.0005916403,0.00003008513,0.001075431,0.00018912491,0.0005224084],"category_scores_gemma":[0.00002276329,0.00016602878,0.000056036028,0.00012335384,0.00026157158,0.0005078392,0.00012638805,0.00028076913,0.000115924646],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000608189,0.00042732293,0.11715415,0.000033174892,0.00018610338,0.003152932,0.033465326,0.000060342532,0.0005298558,0.003999939,0.8223741,0.018008554],"study_design_scores_gemma":[0.0010654087,0.00015983816,0.31939515,0.000014813864,0.00002130535,0.0001422758,0.005058755,0.000030069452,0.000037259124,0.000043033433,0.67384595,0.00018613681],"about_ca_topic_score_codex":0.09706129,"about_ca_topic_score_gemma":0.65477335,"teacher_disagreement_score":0.5577121,"about_ca_system_score_codex":0.0012529081,"about_ca_system_score_gemma":0.00007988987,"threshold_uncertainty_score":0.90895146},"labels":[],"label_agreement":null},{"id":"W2623010390","doi":"","title":"Plural Identities in Folk-dance: Spectacle as Vehicle for Hyphenated Identities 1965-2015","year":2017,"lang":"en","type":"article","venue":"Oral History Forum d'histoire orale","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Serbian; Dance; Spectacle; Plural; Identity (music); Sociology; Collective identity; Immigration; Visual arts; Aesthetics; History; Gender studies; Art; Political science; Law; Linguistics","score_opus":0.034395744094512404,"score_gpt":0.3047486542085813,"score_spread":0.2703529101140689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623010390","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6793577,0.008147708,0.00005847206,0.001799475,0.011392245,0.0007353743,0.00019542238,0.000248545,0.29806504],"genre_scores_gemma":[0.6612707,0.000025348045,0.00016891301,0.00043751326,0.00014592418,0.00005809116,0.00003840962,0.000048581638,0.33780658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762326,0.00007363181,0.00042945903,0.0006006519,0.00036109056,0.0009119062],"domain_scores_gemma":[0.9981706,0.00005015742,0.0004405802,0.0010185888,0.0001262306,0.000193832],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030739338,0.00035554857,0.00054476433,0.00027414676,0.0011880507,0.00014333484,0.0011176011,0.00023741169,0.002856423],"category_scores_gemma":[0.00015886703,0.00041948823,0.0002925426,0.000082691055,0.001077984,0.0016935259,0.00021790082,0.00030135544,0.0012544573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074725016,0.000369437,0.023404287,0.00008916896,0.00008226081,0.00018939216,0.003168256,0.0000048606976,0.00080696726,0.022939757,0.9448882,0.0033102098],"study_design_scores_gemma":[0.0049628112,0.0006838519,0.03385332,0.00012039749,0.00008148418,0.000035935085,0.0034993065,0.00007428739,0.0002927915,0.011116316,0.9443821,0.0008974397],"about_ca_topic_score_codex":0.004661022,"about_ca_topic_score_gemma":0.002744872,"teacher_disagreement_score":0.039741527,"about_ca_system_score_codex":0.0013689204,"about_ca_system_score_gemma":0.00017034044,"threshold_uncertainty_score":0.9998257},"labels":[],"label_agreement":null},{"id":"W2725106439","doi":"","title":"Les pratiques du danseur-créateur vis-à-vis des pratiques dominantes en danse contemporaine : trois études de cas","year":2010,"lang":"fr","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.025598022376996873,"score_gpt":0.32278332840561946,"score_spread":0.2971853060286226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2725106439","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85711396,0.001990963,0.0034047973,0.01229145,0.0011057218,0.00061899336,0.00021754089,0.0002960551,0.1229605],"genre_scores_gemma":[0.93660456,0.0015297638,0.01400956,0.0014421868,0.0007627886,0.00003346366,0.000040287934,0.00007905532,0.045498356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960899,0.00104723,0.0007031913,0.00076170807,0.00031164495,0.0010863233],"domain_scores_gemma":[0.99686646,0.0011570646,0.0003738121,0.000749462,0.0003613724,0.0004918389],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017486601,0.00068310904,0.0007656308,0.0002057179,0.0005494117,0.00037557786,0.00082781666,0.0008187894,0.00550301],"category_scores_gemma":[0.0012663663,0.0006457355,0.00029713436,0.00028175017,0.0014053503,0.0013076232,0.0002165475,0.0011150714,0.00041514836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001291814,0.0033145442,0.18541956,0.00054634723,0.00095362286,0.0011463739,0.15615556,0.0000025942154,0.08645833,0.453099,0.077206396,0.034405842],"study_design_scores_gemma":[0.0051935674,0.004164907,0.35214984,0.000615218,0.00050099805,0.0014383505,0.05316468,0.00028650396,0.074849896,0.0030803287,0.50257474,0.0019809757],"about_ca_topic_score_codex":0.029888537,"about_ca_topic_score_gemma":0.041638363,"teacher_disagreement_score":0.45001867,"about_ca_system_score_codex":0.00018150634,"about_ca_system_score_gemma":0.00040079054,"threshold_uncertainty_score":0.9995994},"labels":[],"label_agreement":null},{"id":"W2725282877","doi":"","title":"Dancing Oriental Dances","year":2009,"lang":"fr","type":"article","venue":"Cahiers d études africaines","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Banner; Entertainment; Quarter (Canadian coin); Advertising; Apprenticeship; Visual arts; Media studies; Sociology; Geography; Art","score_opus":0.022034102268300125,"score_gpt":0.29344964600088297,"score_spread":0.27141554373258286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2725282877","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4752857,0.030010702,0.00066204084,0.01952217,0.008790076,0.0003665067,0.00014734703,0.00022831053,0.46498713],"genre_scores_gemma":[0.93405426,0.0004416867,0.0011791704,0.0030812246,0.001070377,0.0000036705314,0.00001685429,0.000022800092,0.060129955],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765784,0.00017699659,0.00034511805,0.0005792358,0.00031457277,0.00092626776],"domain_scores_gemma":[0.9986895,0.00017958794,0.00019348809,0.00049361854,0.00009747554,0.00034635214],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037166814,0.0003845674,0.0004381551,0.00016040028,0.0004532192,0.00013397464,0.00058472337,0.00040597265,0.0011145237],"category_scores_gemma":[0.00021840999,0.00041480968,0.00022925148,0.00064319867,0.00076780055,0.00062229164,0.000052614283,0.00052319816,0.0008848467],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038206187,0.00175095,0.0048557855,0.00013830473,0.0004190275,0.0006871612,0.04842591,0.000055548975,0.0021628817,0.65436566,0.17526221,0.11149448],"study_design_scores_gemma":[0.0019679856,0.0014880748,0.03353519,0.00032248945,0.00024372729,0.0001469795,0.018351391,0.000055150802,0.00047060926,0.007889463,0.9345806,0.00094831455],"about_ca_topic_score_codex":0.00008500663,"about_ca_topic_score_gemma":0.000014876189,"teacher_disagreement_score":0.7593184,"about_ca_system_score_codex":0.00027760878,"about_ca_system_score_gemma":0.000079773345,"threshold_uncertainty_score":0.99989307},"labels":[],"label_agreement":null},{"id":"W2727185749","doi":"","title":"The History of Sexuality: A Research-Creation Model for Generating Ethical Representations of Queerness through Verbatim Theatre","year":2017,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Subjectivity; Human sexuality; Queer theory; Sociology; Aesthetics; Gender studies; Art; Epistemology; Philosophy","score_opus":0.12624065223600592,"score_gpt":0.41869141135602195,"score_spread":0.29245075912001606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2727185749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3183122,0.0012765232,0.0006595788,0.0011542904,0.0032227421,0.0017894848,0.00017919188,0.000054102908,0.6733519],"genre_scores_gemma":[0.55886555,0.00020671957,0.00009242938,0.0000059534523,0.00026538904,0.000021476455,0.00016172972,0.000040040137,0.44034073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943728,0.0020415448,0.0005250621,0.00078924844,0.001446567,0.0008247665],"domain_scores_gemma":[0.9932191,0.0024823057,0.00074724026,0.0016868924,0.0016901195,0.00017437585],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.003187387,0.00026904803,0.0005636374,0.00066284393,0.0020612516,0.00012588677,0.0018019639,0.0008823189,0.000057647536],"category_scores_gemma":[0.0008804814,0.00026792736,0.00034840827,0.00044770286,0.0021640824,0.000409264,0.00020399416,0.0022739563,0.000009537556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.017461812,0.0015886871,0.01081561,0.0024314316,0.0031629403,0.0003225294,0.11969016,0.00092534587,0.033153377,0.5091549,0.29110682,0.010186369],"study_design_scores_gemma":[0.011172346,0.0061005065,0.045686796,0.0025884758,0.0014824102,0.000042863277,0.24726632,0.029263176,0.035440072,0.0551519,0.5628735,0.0029316812],"about_ca_topic_score_codex":0.04719137,"about_ca_topic_score_gemma":0.015907519,"teacher_disagreement_score":0.454003,"about_ca_system_score_codex":0.001404712,"about_ca_system_score_gemma":0.0034511893,"threshold_uncertainty_score":0.9999773},"labels":[],"label_agreement":null},{"id":"W2729957473","doi":"10.1093/geroni/igx004.1220","title":"CHOREOGRAPHIES OF CITIZENSHIP: TOWARDS A RECONCEPTUALIZATION OF DANCE, DEMENTIA, AND EVERYDAY LIFE","year":2017,"lang":"en","type":"article","venue":"Innovation in Aging","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Public Health Ontario; Toronto Rehabilitation Institute; University of Toronto; University Health Network","funders":"","keywords":"Dance; Sociology; Context (archaeology); Dementia; Scholarship; Citizenship; Embodied cognition; Expression (computer science); Choreography; Psychology; Aesthetics; Epistemology; Political science; Disease; Politics; Medicine; Art; Visual arts","score_opus":0.05169036763734763,"score_gpt":0.330924004911156,"score_spread":0.27923363727380834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2729957473","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9779178,0.00021443809,0.001008909,0.0002468682,0.00029470262,0.000076465774,0.00001425906,0.000009357369,0.020217212],"genre_scores_gemma":[0.99931234,0.00003147673,0.00034899713,0.00012484669,0.000025461672,0.0000028809873,0.000010540668,0.0000042104643,0.00013924057],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993561,0.00002945959,0.0003028655,0.000115664625,0.00010085521,0.00009505969],"domain_scores_gemma":[0.99916756,0.000023440742,0.00044805038,0.00020471722,0.00014338263,0.000012871874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003507002,0.000056091987,0.00013142005,0.0003648662,0.00007323078,0.000023299732,0.00013487162,0.000046301608,0.00012436653],"category_scores_gemma":[0.00022901395,0.000063488806,0.000014114231,0.00039050952,0.00019009448,0.0002199751,0.00004684132,0.000058903224,0.0000014986191],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032313306,0.00003149243,0.9397468,0.00004920513,0.0000648396,8.2065145e-7,0.004398983,0.000004211692,0.0007666513,0.038743768,0.0016994724,0.014461469],"study_design_scores_gemma":[0.0007308463,0.000034394114,0.9933457,0.00012476968,0.000010090697,8.6016144e-7,0.0013032967,0.00001639362,0.001509573,0.0024398982,0.00041320515,0.00007098854],"about_ca_topic_score_codex":0.00020965688,"about_ca_topic_score_gemma":0.000012140948,"teacher_disagreement_score":0.05359891,"about_ca_system_score_codex":0.000005979776,"about_ca_system_score_gemma":0.000016886206,"threshold_uncertainty_score":0.25889984},"labels":[],"label_agreement":null},{"id":"W2733092542","doi":"","title":"Buffalo Boy: Then and Now","year":2009,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trickster; Colonialism; Subversion; Gender studies; Racism; White (mutation); Sociology; Indigenous; Art; History; Politics; Literature; Art history; Law; Political science","score_opus":0.07772783869046872,"score_gpt":0.3433753640042481,"score_spread":0.2656475253137794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733092542","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25405395,0.00012239706,0.0000727735,0.0016219176,0.00019874235,0.00048679856,0.000028324963,0.00009279756,0.7433223],"genre_scores_gemma":[0.6115611,0.00015602722,0.00019159439,0.00012210112,0.00006955504,1.1076604e-7,0.000009268325,0.000012306131,0.38787794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964329,0.0009736972,0.00015252897,0.0008875429,0.0006155894,0.00093771284],"domain_scores_gemma":[0.99785405,0.0001664327,0.00012524484,0.0008560284,0.0003489599,0.0006492997],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00078890944,0.0002832438,0.0003878526,0.00069939333,0.0019658534,0.0003287591,0.002256773,0.000335113,0.000025453108],"category_scores_gemma":[0.000036021644,0.0003440985,0.00013451467,0.0011237658,0.0006439083,0.0017111549,0.000697639,0.00091057457,0.0003709646],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013078832,0.00038092094,0.0057297125,0.0000111507225,0.00015656615,0.0023056054,0.0016403638,0.000002792812,0.00095964264,0.9664844,0.018267982,0.002752925],"study_design_scores_gemma":[0.0036738282,0.0013122507,0.11822354,0.00008515109,0.000097118806,0.000101777885,0.015537649,0.000027605263,0.00035658423,0.00043877828,0.8595601,0.00058566814],"about_ca_topic_score_codex":0.002530333,"about_ca_topic_score_gemma":0.00013702012,"teacher_disagreement_score":0.9660457,"about_ca_system_score_codex":0.00050030823,"about_ca_system_score_gemma":0.0002902892,"threshold_uncertainty_score":0.9999011},"labels":[],"label_agreement":null},{"id":"W2733705842","doi":"10.25071/1708-6701.40287","title":"Danzas : Guitare Espagnole / Spanish Guitar – Montréal Guitare Trio (CD Review)","year":2017,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Guitar; Art; Physics; Acoustics","score_opus":0.04301000320993514,"score_gpt":0.3429449735112726,"score_spread":0.2999349703013375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733705842","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012595236,0.80019134,0.000056903093,0.08294107,0.0048947493,0.002204575,0.0009683955,0.000110395296,0.107373014],"genre_scores_gemma":[0.0019329049,0.85485417,0.0010068148,0.022341311,0.0020131962,0.00013047217,0.00021815948,0.0001286929,0.11737426],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934843,0.0009743655,0.0015508375,0.0014591963,0.0005837116,0.0019475872],"domain_scores_gemma":[0.99074,0.00023311387,0.0017561041,0.0056425272,0.0006202801,0.0010079988],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00249704,0.0010581211,0.002666344,0.000113820315,0.0011995683,0.00031138392,0.004057769,0.00072518195,0.011626322],"category_scores_gemma":[0.0056558405,0.0011650275,0.0013759091,0.00034576666,0.00062016194,0.0011013903,0.0010381363,0.0013854718,0.014634995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040781237,0.0003873713,0.0040933294,0.043912288,0.0003199944,0.0013068037,0.00048085867,6.427762e-7,0.000025453668,0.0036487265,0.79579633,0.14998743],"study_design_scores_gemma":[0.0012971138,0.00037053102,0.022933459,0.11595135,0.0018055179,0.0007601059,0.00009747287,0.0000034202808,0.000013427778,0.00024834633,0.8554795,0.0010397758],"about_ca_topic_score_codex":0.0017339056,"about_ca_topic_score_gemma":0.0007882004,"teacher_disagreement_score":0.14894766,"about_ca_system_score_codex":0.0006166199,"about_ca_system_score_gemma":0.00032255732,"threshold_uncertainty_score":0.99907994},"labels":[],"label_agreement":null},{"id":"W2738172571","doi":"10.4000/danse.1635","title":"Iconographie du ballet romantique : gros plan sur Marie Taglioni et sa famille","year":2019,"lang":"fr","type":"article","venue":"Recherches en danse","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Microsemi (Canada)","funders":"","keywords":"Art; Humanities; Art history; Iconography","score_opus":0.0674307856103635,"score_gpt":0.31520792530663255,"score_spread":0.24777713969626905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2738172571","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7835077,0.0036342477,0.00037397328,0.02171414,0.0033365863,0.00064228446,0.00042834686,0.00016859203,0.18619409],"genre_scores_gemma":[0.77763563,0.009753631,0.002201322,0.0047168816,0.0003836656,0.000020897696,0.00022386748,0.00011280504,0.20495127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99506485,0.0026021278,0.00042187076,0.0007447628,0.0002777564,0.0008886003],"domain_scores_gemma":[0.9962727,0.0021790962,0.00020769698,0.0009325981,0.00008345432,0.00032446822],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0027052995,0.00048888085,0.00060889573,0.00026528432,0.00013043979,0.00015366288,0.0008045763,0.0012921587,0.004326331],"category_scores_gemma":[0.00051981927,0.0005522875,0.00035786704,0.00052620657,0.00029643375,0.0006198337,0.0002616046,0.0014171113,0.0060295337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002331734,0.004256527,0.23748663,0.0010774598,0.0021616628,0.0010360158,0.052740917,0.00015273395,0.007615174,0.14609408,0.4938989,0.05114817],"study_design_scores_gemma":[0.0032513689,0.0008431869,0.18777062,0.0003698423,0.00013929399,0.0001379863,0.0022488022,0.00013417235,0.00047282322,0.0026955858,0.8010534,0.0008829171],"about_ca_topic_score_codex":0.0047072875,"about_ca_topic_score_gemma":0.0004406806,"teacher_disagreement_score":0.3071545,"about_ca_system_score_codex":0.00030254998,"about_ca_system_score_gemma":0.00024924442,"threshold_uncertainty_score":0.99969286},"labels":[],"label_agreement":null},{"id":"W2741317378","doi":"","title":"Self-compassion: A potential buffer in a highly evaluative dance environment","year":2014,"lang":"en","type":"article","venue":"Journal of Exercise, Movement, and Sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Ballet; Psychology; Self-compassion; Dance; Mindfulness; Trait; Social psychology; Affect (linguistics); Anxiety; Clinical psychology","score_opus":0.011513032718753868,"score_gpt":0.2609669773028821,"score_spread":0.24945394458412823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2741317378","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99182343,0.0006301522,0.00050272007,0.0003778258,0.0006229781,0.00017730404,0.0000048143943,0.0000074607597,0.0058533093],"genre_scores_gemma":[0.9964136,0.0008072005,0.00086082274,0.0004638642,0.0001690495,0.0000039815623,0.0000019700642,0.000009497117,0.0012700227],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986034,0.000048221875,0.0004390135,0.00019272615,0.00046049373,0.0002561437],"domain_scores_gemma":[0.9991822,0.00001946344,0.00040852872,0.00017958798,0.000049893697,0.00016028252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083915185,0.00015315713,0.00038889732,0.00015718804,0.00006724767,0.000027474238,0.00019224646,0.0000759662,0.0006424935],"category_scores_gemma":[0.000008527966,0.00012957725,0.00009737336,0.00007441452,0.000056522364,0.00025329314,0.000054611482,0.00025033127,0.00004413831],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0064707072,0.0077662095,0.8120735,0.00023894274,0.0008041951,0.001376703,0.023000486,0.0005138603,0.0021474755,0.01053652,0.06295692,0.072114445],"study_design_scores_gemma":[0.003510792,0.0007037434,0.9783925,0.00017133179,0.00011784569,0.000030292593,0.0012289548,0.00012972511,0.0001644345,0.0013338794,0.014020223,0.00019627954],"about_ca_topic_score_codex":0.000041161526,"about_ca_topic_score_gemma":0.0000022913473,"teacher_disagreement_score":0.16631897,"about_ca_system_score_codex":0.00007078834,"about_ca_system_score_gemma":0.000028746763,"threshold_uncertainty_score":0.7034853},"labels":[],"label_agreement":null},{"id":"W2743520593","doi":"","title":"Older physically active women's perceptions and experiences of body self-compassion","year":2015,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan; University of British Columbia","funders":"","keywords":"Psychology; Disappointment; Ambivalence; Self-compassion; Social psychology; Physical body; Interpretative phenomenological analysis; Psychology of self; Perception; Feeling; Developmental psychology; Qualitative research; Mindfulness; Clinical psychology; Sociology","score_opus":0.018792773726404432,"score_gpt":0.30135224850464576,"score_spread":0.28255947477824134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743520593","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9338663,0.000007509105,0.00009205839,0.00012182877,0.00014299099,0.000056123026,0.0000035596154,0.00003404515,0.06567559],"genre_scores_gemma":[0.99755174,0.0000014063106,0.0002642037,0.00012876117,0.000032015276,0.000011744056,0.0000012132228,0.0000026077885,0.0020063256],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99954844,0.000033452303,0.00006114474,0.00012160057,0.000103783656,0.00013155871],"domain_scores_gemma":[0.99967706,0.000023446173,0.00003370922,0.0001047607,0.000042732336,0.00011831452],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004769215,0.000057168414,0.000102683414,0.000031306135,0.000040219267,0.000009939673,0.00008199041,0.000035242057,0.0020828403],"category_scores_gemma":[0.00000835127,0.000045852295,0.000018222532,0.0000655569,0.000102374215,0.0001904781,0.000039580074,0.000047242265,0.00011309872],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012390182,0.00081607624,0.0021420114,0.0000057536595,0.00006018107,0.0000021475812,0.9665837,2.6187442e-7,0.00088314794,0.0043254597,0.020854404,0.0042029116],"study_design_scores_gemma":[0.00075077836,0.00044114626,0.19895914,0.0000069711978,0.000008721717,0.0000029992364,0.7976985,0.000014565527,0.00043486236,0.0001606918,0.0014219703,0.00009965871],"about_ca_topic_score_codex":0.000025207419,"about_ca_topic_score_gemma":6.6850237e-7,"teacher_disagreement_score":0.19681713,"about_ca_system_score_codex":0.000021810964,"about_ca_system_score_gemma":0.000016424412,"threshold_uncertainty_score":0.99882936},"labels":[],"label_agreement":null},{"id":"W2747996678","doi":"10.3138/ctr.171.021","title":"“I’m asking, queer 2 queer: are we family?”: Reflections on Canada’s First National Queer Theatre and Performance Conference","year":2017,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Transphobia; Gender studies; Oppression; Ableism; Honour; Queer theory; Sociology; Media studies; Political science; Transgender; Politics; Law","score_opus":0.08238111659901354,"score_gpt":0.3250848537216562,"score_spread":0.24270373712264265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747996678","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00449455,0.053588726,0.0000069206885,0.065112054,0.0012227413,0.00061323674,0.0008022631,0.000039545437,0.87411994],"genre_scores_gemma":[0.9251418,0.056683127,0.000025500267,0.011013903,0.00021142245,0.000035361827,0.000024655501,0.000026945065,0.0068372698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849135,0.00008346671,0.0002242186,0.00040580673,0.0002925932,0.00050255714],"domain_scores_gemma":[0.9983363,0.000059177768,0.00020049389,0.0007137878,0.0001520671,0.00053813646],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002630036,0.00026023705,0.0003776346,0.000107421685,0.0012290705,0.00012711628,0.0005413295,0.00012365042,0.0012737289],"category_scores_gemma":[0.00005389881,0.00024144315,0.00007823713,0.00009137014,0.00015856692,0.00023672183,0.000040740197,0.00034061316,0.00022946215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024583778,0.00003205933,0.026918903,0.00089529715,0.00017492176,0.00009127389,0.0005497009,0.000004986713,0.0000012511576,0.008648372,0.89473224,0.06792644],"study_design_scores_gemma":[0.00021155634,0.00006157785,0.09023344,0.0030016887,0.000052003248,0.000038131056,0.00016751839,0.000006783262,0.0000011810009,0.00008792055,0.905872,0.00026619915],"about_ca_topic_score_codex":0.84205717,"about_ca_topic_score_gemma":0.9889373,"teacher_disagreement_score":0.92064726,"about_ca_system_score_codex":0.00060024305,"about_ca_system_score_gemma":0.0020209546,"threshold_uncertainty_score":0.9996392},"labels":[],"label_agreement":null},{"id":"W2749189930","doi":"","title":"Introduction to Step-Dancing in Canada","year":2017,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.018869075548072736,"score_gpt":0.27737681494769617,"score_spread":0.25850773939962346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749189930","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8369746,0.0000058477763,0.00016610674,0.01167093,0.0017307214,0.00005087001,0.0000024559283,0.000006933552,0.1493915],"genre_scores_gemma":[0.9828492,4.4919685e-7,0.00018091401,0.00072631787,0.00027908306,9.797151e-7,4.6321327e-7,0.0000019718427,0.015960613],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99964756,0.000009049627,0.00004686922,0.00010946064,0.000055478413,0.00013157583],"domain_scores_gemma":[0.9996145,0.0000063289726,0.0000227058,0.00029904506,0.000010034797,0.000047406673],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000064514286,0.000032281558,0.00005221476,0.00002294415,0.000078682264,0.000021615258,0.00015701963,0.000013398107,0.0021407972],"category_scores_gemma":[0.000049718463,0.00003266154,0.0000063391335,0.000021199106,0.0000071103013,0.000106913714,0.000036663954,0.00004805938,0.00031420213],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000387001,0.000018295183,0.16262195,0.0000020777534,0.0000085129195,0.000020645668,0.00038101987,0.000014364212,0.00012860328,0.0028590458,0.801594,0.032312784],"study_design_scores_gemma":[0.00018891339,0.000019169884,0.86517334,0.0000030552474,0.0000011714977,0.0000017018905,0.0008746523,0.000005258951,0.00014771752,0.00001459044,0.13351747,0.000052920142],"about_ca_topic_score_codex":0.9827588,"about_ca_topic_score_gemma":0.9896925,"teacher_disagreement_score":0.7025514,"about_ca_system_score_codex":0.00015338868,"about_ca_system_score_gemma":0.000074296775,"threshold_uncertainty_score":0.99877137},"labels":[],"label_agreement":null},{"id":"W2749442492","doi":"10.18432/r21s7v","title":"Review of “Inviting the Body into the Classroom”: A Dance Teacher’s Resource","year":2017,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Resource (disambiguation); Pedagogy; The arts; Mathematics education; Psychology; Sociology; Visual arts; Computer science; Art","score_opus":0.10937471515776344,"score_gpt":0.4579454836303272,"score_spread":0.3485707684725638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749442492","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2784261,0.020078182,0.00047998194,0.32528502,0.0013585462,0.00066563196,0.00004897262,0.000024237213,0.37363333],"genre_scores_gemma":[0.9767239,0.0059662964,0.00014180705,0.0012731785,0.0010603749,0.000028278966,0.000008750857,0.000021878757,0.014775545],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969087,0.000770531,0.00047432215,0.0002664237,0.0010818661,0.0004981521],"domain_scores_gemma":[0.9976045,0.0005450418,0.00040449138,0.00084045535,0.00044761182,0.00015791711],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.006830259,0.00015202633,0.00021911589,0.00012551308,0.0028984728,0.00032662225,0.0037814528,0.00006580382,0.0023260987],"category_scores_gemma":[0.0007263095,0.00008939801,0.00026665156,0.00013689476,0.0011359621,0.0005798388,0.00047611463,0.0016937027,0.00029684973],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001158198,0.0010873796,0.010164356,0.00050238194,0.0011035556,0.00035604782,0.063879065,0.000025081365,0.00084127503,0.026476806,0.8488241,0.045581754],"study_design_scores_gemma":[0.0021749162,0.0008244077,0.123021565,0.008412136,0.000095879695,0.0011782508,0.022371663,0.00038838954,0.00015161793,0.022369279,0.8186514,0.00036051736],"about_ca_topic_score_codex":0.000052367526,"about_ca_topic_score_gemma":0.000046878486,"teacher_disagreement_score":0.6982978,"about_ca_system_score_codex":0.000101423815,"about_ca_system_score_gemma":0.00012255601,"threshold_uncertainty_score":0.99858594},"labels":[],"label_agreement":null},{"id":"W2749559017","doi":"10.29173/pandpr29335","title":"Transforming Body, Emerging Utterance: Technique Acquisition at a Puppet Theater","year":2017,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gesture; Mirroring; Improvisation; Conversation; Utterance; Phenomenon; Psychology; Movement (music); Choreography; Communication; Cognitive science; Computer science; Aesthetics; Dance; Visual arts; Epistemology; Art; Artificial intelligence","score_opus":0.02589347437219797,"score_gpt":0.34524293397855504,"score_spread":0.3193494596063571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749559017","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3721248,0.0005380783,0.0049196146,0.025990743,0.0013782985,0.0006604533,0.000035807407,0.00019772956,0.5941545],"genre_scores_gemma":[0.9912864,0.00011348384,0.0011029553,0.0029336317,0.00023560671,0.000100495854,0.000013714266,0.000027802382,0.0041859355],"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836063,0.00019921696,0.000234644,0.00045313998,0.0001576725,0.0005946736],"domain_scores_gemma":[0.99836946,0.00017015098,0.00036975957,0.0009216796,0.0000724183,0.00009655658],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00060686294,0.00021389457,0.00025893285,0.000113540984,0.0011847352,0.000112024,0.00063613727,0.00021472307,0.0035734603],"category_scores_gemma":[0.00013356468,0.00022034836,0.000080121725,0.0000550929,0.00026670727,0.0017815524,0.00019698073,0.0003980162,0.0017037302],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.01832603,0.004675967,0.08231074,0.00032682248,0.004413725,0.003365638,0.102228224,0.000021970844,0.3930608,0.20558779,0.042299174,0.1433831],"study_design_scores_gemma":[0.0040662545,0.0010628374,0.05159689,0.00009731316,0.0004645728,0.0015219442,0.004426588,0.000012759082,0.012018206,0.0055659446,0.9181559,0.0010107884],"about_ca_topic_score_codex":0.000245438,"about_ca_topic_score_gemma":0.000011717625,"teacher_disagreement_score":0.87585676,"about_ca_system_score_codex":0.00012616611,"about_ca_system_score_gemma":0.00002374709,"threshold_uncertainty_score":0.99907357},"labels":[],"label_agreement":null},{"id":"W2749649759","doi":"10.1017/s0149767717000195","title":"Walking with the Self: Zab Maboungou's Interventions Against Eurocentrism Through Contemporary African Dance","year":2017,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eurocentrism; Dance; Choreography; Aesthetics; Contemporary dance; Rhetoric; Enlightenment; Subject (documents); Race (biology); Sociology; Metaphysics; Modernity; Space (punctuation); Embodied cognition; Gender studies; Art; Visual arts; Anthropology; Epistemology; Philosophy; Linguistics","score_opus":0.20136445859089105,"score_gpt":0.447137038761887,"score_spread":0.24577258017099593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749649759","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3767361,0.00673568,0.001832139,0.026659377,0.0010953207,0.00065843505,0.000088979905,0.00009272214,0.58610123],"genre_scores_gemma":[0.9867516,0.00058920664,0.00037231456,0.00027934875,0.0005632742,0.000014024545,0.0000036424474,0.000026814749,0.011399744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99677956,0.00071661454,0.0002846144,0.00034029357,0.0009593674,0.00091952423],"domain_scores_gemma":[0.99757147,0.0002494285,0.00045952163,0.0010131375,0.00045761166,0.00024881575],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0027367454,0.00018278498,0.0002462945,0.00012342444,0.0041482244,0.0011867613,0.0022292752,0.00008052695,0.0005539932],"category_scores_gemma":[0.0003666093,0.0001236982,0.00018477657,0.00025081125,0.0009075616,0.0013312972,0.00038566394,0.0019523841,0.0005422897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018098325,0.001645429,0.04231856,0.00016769006,0.0013894533,0.0038702644,0.025719397,0.000014587886,0.00043925398,0.015403566,0.834617,0.07260492],"study_design_scores_gemma":[0.00312445,0.0008147686,0.25277203,0.0010058552,0.000031283053,0.0005134757,0.010835599,0.0000267895,0.00011818102,0.001019868,0.7293783,0.0003594443],"about_ca_topic_score_codex":0.00015587368,"about_ca_topic_score_gemma":0.000035120436,"teacher_disagreement_score":0.6100155,"about_ca_system_score_codex":0.00015994089,"about_ca_system_score_gemma":0.00030178763,"threshold_uncertainty_score":0.9998501},"labels":[],"label_agreement":null},{"id":"W2750316810","doi":"10.3138/ctr.171.022","title":"Twenty-Six Observations on a Queer Theatre Conference","year":2017,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Poetry; Performance art; Queer theory; Art; Visual arts; Art history; History; Sociology; Gender studies; Literature","score_opus":0.10312924653104623,"score_gpt":0.328632382578738,"score_spread":0.2255031360476918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750316810","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002876355,0.029708633,0.000007513279,0.037007008,0.0009038095,0.0005746925,0.0004038966,0.000039549526,0.92847854],"genre_scores_gemma":[0.9139693,0.027647806,0.00011053437,0.03457552,0.00034239434,0.00006746384,0.000089994785,0.00004519476,0.023151826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989303,0.00009075701,0.00016357144,0.00027715758,0.00011860521,0.00041961498],"domain_scores_gemma":[0.99799407,0.000039842573,0.00012379514,0.0012975063,0.00005953466,0.00048525087],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002089752,0.00017015434,0.00030150905,0.00006250558,0.0005536064,0.00011211306,0.0007806414,0.00008839507,0.005601764],"category_scores_gemma":[0.000057941357,0.00015118408,0.00013095525,0.000072495866,0.000114917784,0.00018814245,0.000031347052,0.00020175434,0.0035770833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011249821,0.000060768656,0.020260895,0.00042213558,0.00013945952,0.00013666303,0.00042106313,3.5175114e-7,0.00000449652,0.06735736,0.5502768,0.36090872],"study_design_scores_gemma":[0.00018783404,0.000055440127,0.049057864,0.001989239,0.000069610454,0.000010663796,0.000057190246,9.612957e-7,0.0000012737813,0.0003302188,0.9480605,0.0001791776],"about_ca_topic_score_codex":0.07161281,"about_ca_topic_score_gemma":0.09845986,"teacher_disagreement_score":0.91109294,"about_ca_system_score_codex":0.00011562764,"about_ca_system_score_gemma":0.00033137333,"threshold_uncertainty_score":0.99719876},"labels":[],"label_agreement":null},{"id":"W2751348111","doi":"10.29173/pandpr29338","title":"The Feeling of Seeing: Factical Life in Salsa Dance","year":2017,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Dance; Feeling; Phenomenology (philosophy); Aesthetics; Viewpoints; Psychology; Sociology; Social psychology; Epistemology; Art; Visual arts; Philosophy","score_opus":0.06372567801144144,"score_gpt":0.38546292916327435,"score_spread":0.32173725115183294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2751348111","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62093294,0.0022972848,0.00020139353,0.0275708,0.0013147148,0.00019173925,0.0000076080605,0.000031489377,0.347452],"genre_scores_gemma":[0.9971897,0.00025301968,0.0004384668,0.0009998224,0.0001040806,0.00000897035,9.450097e-7,0.000011493044,0.000993479],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9985034,0.00031462125,0.00029665322,0.00028824114,0.0001539963,0.00044311513],"domain_scores_gemma":[0.9964496,0.0018140442,0.0005854597,0.00097396807,0.00008977072,0.00008717818],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011008006,0.00012535509,0.00024949136,0.000054205906,0.00056633644,0.00008131151,0.00087044784,0.0001441283,0.00022974903],"category_scores_gemma":[0.0065177525,0.000107320506,0.000042696072,0.000068392364,0.00056212966,0.00073158194,0.0002576633,0.0005514664,0.0004419548],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0056466325,0.00217097,0.29485488,0.00005312912,0.0012338317,0.00028564082,0.02546665,0.00007273186,0.0015392948,0.609649,0.006854467,0.05217279],"study_design_scores_gemma":[0.002902057,0.00057989475,0.57065994,0.000041304214,0.0001619292,0.00008627386,0.021163065,0.00006171018,0.00012532018,0.0055886535,0.39822313,0.00040674213],"about_ca_topic_score_codex":0.00071918225,"about_ca_topic_score_gemma":0.000078904355,"teacher_disagreement_score":0.60406035,"about_ca_system_score_codex":0.000040734805,"about_ca_system_score_gemma":0.000076942466,"threshold_uncertainty_score":0.7802829},"labels":[],"label_agreement":null},{"id":"W2752174313","doi":"10.12678/1089-313x.21.3.87","title":"Psychological Risk Factors and Outcomes of Dance Injury","year":2017,"lang":"en","type":"review","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":94,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; CINAHL; PsycINFO; Psychology; Clinical psychology; Psychological intervention; MEDLINE; Psychiatry","score_opus":0.17710981845483814,"score_gpt":0.4916536450864072,"score_spread":0.31454382663156905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752174313","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034211326,0.9569742,0.000074628,0.00017970109,0.0039865114,0.0002289994,0.00007017027,0.000009395243,0.004265033],"genre_scores_gemma":[0.02414545,0.9746311,0.0003059688,0.000082759885,0.0003196919,0.0000014210159,9.309476e-7,0.000013941689,0.0004987653],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99641967,0.00021962864,0.0012486232,0.00050791784,0.0011102823,0.00049387786],"domain_scores_gemma":[0.99275434,0.00051933026,0.00509225,0.00092391844,0.00030938702,0.00040079243],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.003193061,0.00043665073,0.0029265503,0.0005866835,0.00032939538,0.000048529306,0.0026635926,0.00018785427,0.00021197596],"category_scores_gemma":[0.003450879,0.0002390644,0.00036682145,0.00052770117,0.0043962137,0.0006460882,0.00022551577,0.0011510234,0.00001779645],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004421533,0.00019630876,0.058822956,0.00062304485,0.00013810502,0.0000651799,0.0008998702,1.2216718e-7,0.000005430721,0.0002727961,0.0044604894,0.9344715],"study_design_scores_gemma":[0.0008595849,0.0021239996,0.31575373,0.009901484,0.0008442852,0.00035281858,0.0003934292,3.8340852e-7,0.000002130188,0.00021398145,0.66918254,0.00037165402],"about_ca_topic_score_codex":0.000078492994,"about_ca_topic_score_gemma":0.000002489968,"teacher_disagreement_score":0.93409985,"about_ca_system_score_codex":0.00008576003,"about_ca_system_score_gemma":0.00025032373,"threshold_uncertainty_score":0.99831325},"labels":[],"label_agreement":null},{"id":"W2752214778","doi":"10.29173/pandpr29336","title":"When I Dance My Walk: A Phenomenological Analysis of Habitual Movement in Dance Practices","year":2017,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Movement (music); Phenomenology (philosophy); Perception; Context (archaeology); Perspective (graphical); Psychology; Aesthetics; Cognitive psychology; Sociology; Visual arts; Art; Epistemology; History; Philosophy","score_opus":0.07817724560343135,"score_gpt":0.39059804728015846,"score_spread":0.3124208016767271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752214778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6971083,0.0017430242,0.0004418112,0.013101685,0.0006776894,0.00040902608,0.000070353264,0.000063950014,0.2863841],"genre_scores_gemma":[0.99090123,0.00031871983,0.003556017,0.0025425325,0.000113280585,0.000064468724,0.00002118526,0.000022078695,0.0024604897],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99638087,0.0006491972,0.000729179,0.0009720192,0.00040745974,0.0008613089],"domain_scores_gemma":[0.9928052,0.001330619,0.0034918159,0.0020122747,0.0002049616,0.00015516422],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016587332,0.00035278773,0.0009514913,0.00054908457,0.0004201966,0.0001337386,0.0017736331,0.00031191894,0.0025649115],"category_scores_gemma":[0.0044742627,0.0003601192,0.00017290593,0.0004884789,0.00087133405,0.0021369774,0.0006460256,0.0007688482,0.00038876265],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007527084,0.011029004,0.54822075,0.00009228108,0.016146151,0.00084527634,0.07275884,0.00038112144,0.0030043174,0.30390853,0.0042121904,0.031874463],"study_design_scores_gemma":[0.0044152196,0.0016907009,0.8549298,0.00004246041,0.00328395,0.000029086008,0.030079924,0.00023446804,0.00011333099,0.008246773,0.09604081,0.0008934686],"about_ca_topic_score_codex":0.0028940858,"about_ca_topic_score_gemma":0.00059485075,"teacher_disagreement_score":0.30670908,"about_ca_system_score_codex":0.00018975008,"about_ca_system_score_gemma":0.0001026156,"threshold_uncertainty_score":0.9998851},"labels":[],"label_agreement":null},{"id":"W2753813441","doi":"10.29173/pandpr29337","title":"Trading in Imaginaries: Locating Authenticity in Argentine Tango","year":2017,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"York University","keywords":"Dance; The Imaginary; Experiential learning; Embodied cognition; Frame (networking); Aesthetics; Mode (computer interface); Lived experience; Sociology; Epistemology; Visual arts; Art; Psychology; Philosophy; Psychoanalysis; Computer science; Human–computer interaction","score_opus":0.05181207165869545,"score_gpt":0.36950126881940104,"score_spread":0.3176891971607056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2753813441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75663924,0.00045707138,0.0001976831,0.009387587,0.00070851843,0.0001706499,0.000005320301,0.000035087138,0.23239885],"genre_scores_gemma":[0.99691564,0.00003340547,0.000864253,0.0008993206,0.000089359935,0.000016884127,0.0000034409888,0.000015181196,0.0011625056],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9983567,0.00024306857,0.000293439,0.00040909805,0.00011228411,0.0005854067],"domain_scores_gemma":[0.9983599,0.0003966852,0.00043001608,0.0006987319,0.00004351997,0.00007112776],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00097529584,0.00015892705,0.0002781279,0.00019603517,0.0003071566,0.00011259029,0.00064254063,0.00012418522,0.0009732594],"category_scores_gemma":[0.002119257,0.00018548591,0.00003376112,0.00013814813,0.0003032498,0.0013407284,0.00019486387,0.00057244813,0.0005219991],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010980444,0.002336073,0.7932867,0.000046530986,0.0002445274,0.0009689173,0.047507346,0.00001178155,0.0014672106,0.13538769,0.0011421964,0.016502984],"study_design_scores_gemma":[0.0038153215,0.00025793762,0.9302138,0.00006411525,0.000086335545,0.00012675462,0.015682196,0.00023149945,0.000095978605,0.0088173775,0.040131837,0.00047682438],"about_ca_topic_score_codex":0.002261356,"about_ca_topic_score_gemma":0.00020312489,"teacher_disagreement_score":0.24027641,"about_ca_system_score_codex":0.00012405,"about_ca_system_score_gemma":0.00004591054,"threshold_uncertainty_score":0.99994},"labels":[],"label_agreement":null},{"id":"W2756903580","doi":"","title":"Mambo italiano : le tout est de savoir danser / Mambo italiano, Canada [Québec] 2003, 93 minutes","year":2003,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018219762677707484,"score_gpt":0.2430781551091735,"score_spread":0.22485839243146602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756903580","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30253384,0.035778597,0.000264716,0.19786689,0.00527393,0.00072097563,0.00138115,0.00013062113,0.4560493],"genre_scores_gemma":[0.523516,0.00044435085,0.002185113,0.0046822736,0.00047800585,0.000031922234,0.00005480888,0.00007381973,0.46853372],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99548614,0.000953381,0.00059903966,0.0008800774,0.00037138734,0.0017099858],"domain_scores_gemma":[0.9972113,0.0005528221,0.00033149947,0.00091813697,0.00019487701,0.000791364],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008014811,0.0006299578,0.00069721765,0.00013729339,0.00046227907,0.00017212889,0.00093860005,0.0005804108,0.004024649],"category_scores_gemma":[0.0011940957,0.0007554232,0.00022025459,0.00078911905,0.00069736247,0.00054534216,0.00009200407,0.0007086511,0.000722285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093634284,0.0004690169,0.07130097,0.0003336117,0.0003367114,0.0031600702,0.0031854094,0.00009259966,0.0005380411,0.015872203,0.9011399,0.003477795],"study_design_scores_gemma":[0.0011782446,0.00025983044,0.029401172,0.0004986908,0.0002034256,0.0011991744,0.005472987,0.000045657016,0.0015826859,0.0006924998,0.95857316,0.0008924747],"about_ca_topic_score_codex":0.909158,"about_ca_topic_score_gemma":0.923333,"teacher_disagreement_score":0.22098215,"about_ca_system_score_codex":0.0012020324,"about_ca_system_score_gemma":0.005672612,"threshold_uncertainty_score":0.9999643},"labels":[],"label_agreement":null},{"id":"W2762291370","doi":"10.1093/ml/gcx031","title":"Parisian Music-Hall Ballet, 1871–1913. By Sarah Gutsche-Miller.","year":2017,"lang":"en","type":"article","venue":"Music and Letters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Art; Dance; Classical ballet; Art history; Nationalism; History; Literature","score_opus":0.034365423019974,"score_gpt":0.2712425297456202,"score_spread":0.23687710672564619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762291370","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86662066,0.00037982195,0.00026237167,0.019717326,0.0013936291,0.00015243313,0.00004658392,0.000063069994,0.111364126],"genre_scores_gemma":[0.95873857,0.000029871922,0.00014303903,0.03491735,0.00033328083,0.000005657096,0.000016596709,0.000019064812,0.0057965536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987902,0.000052992214,0.00014622901,0.00039518636,0.00016348585,0.0004518814],"domain_scores_gemma":[0.9989248,0.000035575624,0.0001439367,0.00070391916,0.000014769953,0.000177032],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001616158,0.0002015058,0.00023461733,0.000046622026,0.0005896573,0.00019532688,0.0004928613,0.00012991503,0.0027329903],"category_scores_gemma":[0.000028189583,0.00019765782,0.00008241811,0.000033798726,0.00034067672,0.00026663818,0.00015158844,0.00025118573,0.0006317212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055209977,0.00007201256,0.012364163,0.000010423833,0.000095033014,0.000077989105,0.0018226862,3.2670218e-7,0.0016569507,0.0007090203,0.97026926,0.012866949],"study_design_scores_gemma":[0.0015168026,0.000089945854,0.23365688,0.000024433992,0.00004224272,0.000015932199,0.00049095205,0.0000049486757,0.00005392775,0.000047627902,0.7637194,0.00033691968],"about_ca_topic_score_codex":0.0013488717,"about_ca_topic_score_gemma":0.00008397831,"teacher_disagreement_score":0.22129273,"about_ca_system_score_codex":0.000018553364,"about_ca_system_score_gemma":0.000008424343,"threshold_uncertainty_score":0.99817866},"labels":[],"label_agreement":null},{"id":"W2762434646","doi":"10.24839/1089-4136.jn14.3.93","title":"Recreational Ballet Students: The Mirror Image of Professional Ballet Aesthetics?","year":2009,"lang":"en","type":"article","venue":"Psi Chi Journal of Psychological Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Recreation; Art; Visual arts; Aesthetics; Ballet dancer; Classical ballet; Dance; Psychology; Political science","score_opus":0.20064923390525372,"score_gpt":0.5531715958243503,"score_spread":0.3525223619190966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762434646","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9190094,0.0006561978,0.00010123006,0.018813599,0.0006568533,0.00028724494,0.000021313484,0.000009111315,0.06044506],"genre_scores_gemma":[0.99205434,0.0002989646,0.0018486243,0.0010476467,0.00021648129,0.0000033381918,0.000003754547,0.000009056079,0.0045178197],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99515116,0.0012420411,0.00064168987,0.00026638326,0.0021441977,0.00055455294],"domain_scores_gemma":[0.99746525,0.0006381475,0.00036644205,0.00041215972,0.00085093506,0.000267082],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0050552646,0.0001574078,0.00034275555,0.00025600108,0.0002452024,0.00007387686,0.001860534,0.00019368432,0.0073032184],"category_scores_gemma":[0.00089515204,0.00009092897,0.0002449379,0.00047293343,0.0006546525,0.00018641345,0.00014025744,0.0015438412,0.00034554745],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.012605479,0.02364074,0.04141521,0.000031317188,0.0005210475,0.0008439873,0.006186032,0.00000437319,0.010572938,0.06714251,0.77937776,0.057658613],"study_design_scores_gemma":[0.0023620666,0.0047837715,0.955228,0.00014063968,0.000019581743,0.00027357636,0.001804216,0.0000019027857,0.000093827,0.0126676615,0.022496691,0.00012810397],"about_ca_topic_score_codex":0.000008284222,"about_ca_topic_score_gemma":0.0000010829305,"teacher_disagreement_score":0.91381276,"about_ca_system_score_codex":0.000055108423,"about_ca_system_score_gemma":0.00007212992,"threshold_uncertainty_score":0.99360424},"labels":[],"label_agreement":null},{"id":"W2763199720","doi":"10.1386/public.27.53.118_7","title":"‘The aesthetics of austerity’","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Austerity; Dialogic; Spectacle; Politics; Aesthetics; Sociology; Visual arts; Media studies; Art; Political science; Law; Literature","score_opus":0.04608295721253322,"score_gpt":0.29101810181173526,"score_spread":0.24493514459920204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763199720","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7572859,0.00020749378,0.00044176134,0.043796882,0.0009435486,0.000076803,0.000020958978,0.00004111309,0.19718555],"genre_scores_gemma":[0.98248905,0.000017624414,0.000021268044,0.00016312118,0.000025927742,0.0000014121485,2.722769e-7,0.0000028311506,0.017278466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962586,0.00003049462,0.00006441278,0.000058781916,0.000070982416,0.00014944658],"domain_scores_gemma":[0.9995898,0.00006463529,0.000041223968,0.00022619999,0.000037125916,0.000041015952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013784257,0.000031536532,0.000045052377,0.00002099301,0.00004939497,0.000015726007,0.00021580975,0.000028306542,0.00067309616],"category_scores_gemma":[0.00006187306,0.000016938544,0.000026388976,0.00006018623,0.00012200894,0.00008197669,0.00003889007,0.000025373834,0.0006012598],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004822475,0.00015402655,0.041438363,0.0000041043704,0.000051325092,0.000003212687,0.00061052316,1.0340557e-8,0.0005257056,0.41713035,0.14389215,0.396142],"study_design_scores_gemma":[0.00031831212,0.00007910839,0.07697292,0.000004614771,0.0000032878288,0.000005217061,0.000119282806,1.7523006e-7,0.00013305042,0.0016436841,0.92067856,0.000041780182],"about_ca_topic_score_codex":0.000010490187,"about_ca_topic_score_gemma":0.0000051050615,"teacher_disagreement_score":0.77678645,"about_ca_system_score_codex":0.000007933817,"about_ca_system_score_gemma":0.000010937632,"threshold_uncertainty_score":0.7728179},"labels":[],"label_agreement":null},{"id":"W2763571991","doi":"10.1177/1754337117705478","title":"Making single-point aerial circus disciplines safer","year":2017,"lang":"en","type":"article","venue":"Proceedings of the Institution of Mechanical Engineers Part P Journal of Sports Engineering and Technology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Polytechnique Montréal","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"SAFER; Single point; Point (geometry); Computer science; Computer security; Artificial intelligence; Mathematics; Geometry","score_opus":0.023621398919877197,"score_gpt":0.25689540073490313,"score_spread":0.23327400181502594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763571991","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99248207,0.0004783342,0.0017584142,0.0016592928,0.0024201637,0.0001279426,0.000008170624,0.000050275736,0.0010153662],"genre_scores_gemma":[0.99841785,0.00004770681,0.0013267921,0.000007790512,0.00014473098,0.0000014299792,1.4488077e-7,0.000010829475,0.00004272204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9989201,0.0000016867937,0.000490044,0.00013717116,0.00023916963,0.00021185829],"domain_scores_gemma":[0.9987256,0.000016867583,0.0007662349,0.00018493118,0.00024426382,0.00006212297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038312262,0.00015146025,0.00043525224,0.00026801045,0.00012008454,0.000023960143,0.000579428,0.0002223787,0.000023705006],"category_scores_gemma":[0.0004850135,0.00011813852,0.00015155542,0.00014775567,0.00025456928,0.00025333284,0.00018961127,0.00035055188,5.020393e-7],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005140229,0.000537455,0.003506373,0.00049980805,0.001785329,0.0000571426,0.0007079621,0.0021373897,0.15091975,0.82532835,0.0010003678,0.013006066],"study_design_scores_gemma":[0.01742279,0.005962382,0.043485958,0.012182708,0.007902407,0.0077771163,0.0062141195,0.0049532363,0.8036419,0.045689456,0.0412479,0.0035199998],"about_ca_topic_score_codex":0.0000020777527,"about_ca_topic_score_gemma":1.40821e-7,"teacher_disagreement_score":0.7796389,"about_ca_system_score_codex":0.000030019857,"about_ca_system_score_gemma":0.000024017329,"threshold_uncertainty_score":0.48175493},"labels":[],"label_agreement":null},{"id":"W2766188996","doi":"10.1097/jsm.0000000000000513","title":"Association Between Previous Injury and Risk Factors for Future Injury in Preprofessional Ballet and Contemporary Dancers","year":2017,"lang":"en","type":"article","venue":"Clinical Journal of Sport Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta Children's Hospital; University of Alberta; University of Calgary","funders":"","keywords":"Ballet; Medicine; Physical therapy; Odds ratio; Injury prevention; Dance; Poison control; Coping (psychology); Sports medicine; Clinical psychology; Internal medicine; Emergency medicine","score_opus":0.08472165284724312,"score_gpt":0.43946366225055794,"score_spread":0.3547420094033148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766188996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99131835,0.0010255139,0.000011952757,0.004622216,0.0021533854,0.00021057416,0.00006193443,0.000004468872,0.00059163326],"genre_scores_gemma":[0.99475145,0.0022249906,0.00007665207,0.00033691872,0.0020621961,0.000001098112,0.000009308011,0.00000810554,0.0005293052],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99846685,0.00006446704,0.0008586463,0.00019660874,0.00024707057,0.00016634299],"domain_scores_gemma":[0.9968866,0.0004590694,0.0020923147,0.00020647513,0.00012348416,0.00023203818],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033361008,0.00012105037,0.00067928183,0.000084237516,0.00015050244,0.000015599704,0.00024187675,0.00028284753,0.00007960436],"category_scores_gemma":[0.0011744826,0.00008595338,0.00008709275,0.00002988683,0.00025972913,0.0002946575,0.00006640586,0.00069263234,0.0000012748272],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010236051,0.00008014988,0.9462096,0.000017395443,0.00026004962,0.00001694357,0.0008115761,2.988452e-8,0.0000016168558,0.000030543873,0.03823944,0.013309047],"study_design_scores_gemma":[0.0034294561,0.0015197463,0.9682941,0.00030376384,0.00016612813,0.0000033653755,0.0011095539,6.7757804e-7,0.0000020187501,0.00038355857,0.024706002,0.00008166262],"about_ca_topic_score_codex":0.00008448518,"about_ca_topic_score_gemma":0.0000052639357,"teacher_disagreement_score":0.022084467,"about_ca_system_score_codex":0.00004024532,"about_ca_system_score_gemma":0.000086092296,"threshold_uncertainty_score":0.3505077},"labels":[],"label_agreement":null},{"id":"W2766524322","doi":"10.3138/ctr.172.006","title":"“[So] What Do Dancers Know, [Anyway]?”: Voicing the Dancer’s Perspective through Emergent Choreographic Analysis","year":2017,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Choreography; Visual arts; Articulation (sociology); Performative utterance; Dance; Performing arts; Art; Perspective (graphical); Aesthetics; Sociology","score_opus":0.03507218271307515,"score_gpt":0.3390383164760317,"score_spread":0.30396613376295656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766524322","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018465742,0.80420893,0.0000317962,0.031872995,0.0014407088,0.00070494827,0.000107370426,0.000032494736,0.15975416],"genre_scores_gemma":[0.3458217,0.6449221,0.00003467072,0.0075147594,0.00030437793,0.000052886226,0.000018293067,0.00003064926,0.0013005811],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978316,0.00025040124,0.00030769763,0.0006107391,0.00024937632,0.0007501923],"domain_scores_gemma":[0.9967327,0.000054584798,0.0003342721,0.0022845424,0.00014695199,0.00044693274],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005748196,0.0003188815,0.0006715101,0.00019172058,0.0017479124,0.00050166016,0.0014946706,0.00011232858,0.004784752],"category_scores_gemma":[0.00008062454,0.0002386705,0.0007014569,0.0007813096,0.0006201266,0.00080906315,0.00008435246,0.00037353052,0.00055706844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047903417,0.000109401415,0.028383305,0.00063795707,0.008597048,0.00017442582,0.016628226,0.00002699456,0.0000033729436,0.056571893,0.16252808,0.72629136],"study_design_scores_gemma":[0.00024977248,0.000061323146,0.019961167,0.0024046751,0.0023445105,0.000012823595,0.0076656137,0.0000044603635,0.000002001374,0.00080111716,0.9660986,0.00039395606],"about_ca_topic_score_codex":0.27416366,"about_ca_topic_score_gemma":0.28201845,"teacher_disagreement_score":0.8035705,"about_ca_system_score_codex":0.00048175154,"about_ca_system_score_gemma":0.00030520753,"threshold_uncertainty_score":0.99955165},"labels":[],"label_agreement":null},{"id":"W2766675328","doi":"10.1123/ssj.2017-0024","title":"The Intersections of Dance and Sport","year":2017,"lang":"en","type":"article","venue":"Sociology of Sport Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":26,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Entertainment; Athletes; Sociology; Aesthetics; Advertising; Ballroom; Visual arts; Art; Psychology; Media studies; Medicine; Business","score_opus":0.03121635762825569,"score_gpt":0.335081418173771,"score_spread":0.3038650605455153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2766675328","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9787453,0.0005893074,0.000021790205,0.0010357046,0.0011715898,0.000029859768,0.0000040455047,0.0000028916543,0.018399524],"genre_scores_gemma":[0.9979036,0.00033153236,0.00007021169,0.000050533992,0.00011680049,4.180355e-7,4.4483085e-7,0.0000029572377,0.0015235377],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9995262,0.0000070413357,0.0001909489,0.00007186316,0.000060077356,0.00014386511],"domain_scores_gemma":[0.99908763,0.000019125373,0.00055099797,0.00022924118,0.000066895205,0.00004611837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046550314,0.000052455107,0.0001699977,0.000027172668,0.00061604584,0.0000091680195,0.00032080404,0.000085591935,0.00016969047],"category_scores_gemma":[0.000023407056,0.000038210062,0.000074141906,0.000009476475,0.0022670939,0.00010288309,0.00005365042,0.00027588935,0.0000073948263],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010363754,0.000036210906,0.9772955,0.000002930741,0.000108194814,0.00001766966,0.003229037,2.60159e-7,0.00006253763,0.014091991,0.0031288334,0.0019231543],"study_design_scores_gemma":[0.0003450596,0.00013542298,0.98290753,0.000014346467,0.000023400355,0.00019438047,0.004982958,3.0535762e-7,0.000040747374,0.0032898728,0.008029635,0.000036339563],"about_ca_topic_score_codex":0.00006958817,"about_ca_topic_score_gemma":0.000012448469,"teacher_disagreement_score":0.019158276,"about_ca_system_score_codex":0.0000068042705,"about_ca_system_score_gemma":0.000030066338,"threshold_uncertainty_score":0.83532023},"labels":[],"label_agreement":null},{"id":"W2768915635","doi":"10.1080/21604851.2017.1373515","title":"Sedentary lifestyle: Fat queer craft","year":2017,"lang":"en","type":"article","venue":"Fat Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Women's and Gender Studies et Recherches Féministes","funders":"","keywords":"Queer; Craft; Temporality; Context (archaeology); Visual arts; Narrative; Aesthetics; Painting; Reading (process); Sociology; Art; Gender studies; Literature; History; Epistemology; Linguistics; Philosophy","score_opus":0.08106698125422236,"score_gpt":0.3843818564055569,"score_spread":0.30331487515133454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768915635","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79112506,0.005242432,0.000029071556,0.012655853,0.006018221,0.00019240746,0.00007481763,0.0001311579,0.18453097],"genre_scores_gemma":[0.9427655,0.0002934675,0.000081861544,0.0012606046,0.00052552094,0.000007612201,0.000002551212,0.000009277622,0.055053603],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9992526,0.000031743646,0.00009723702,0.00021414587,0.00013405614,0.00027018227],"domain_scores_gemma":[0.99918723,0.00006236671,0.0000921112,0.0005456403,0.00005485182,0.000057782716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000080058206,0.00012637499,0.00020542947,0.000032681957,0.0007808527,0.00005911095,0.000385058,0.000054182492,0.00060649676],"category_scores_gemma":[0.0001462519,0.000111130095,0.000067917455,0.000021667502,0.00026835038,0.00023844339,0.00033336956,0.00011447704,0.002201673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004052842,0.000067085115,0.23268309,0.000014688211,0.0004546068,0.00007549613,0.0053717503,3.2122918e-7,0.00003232307,0.0008251356,0.75823796,0.0021969893],"study_design_scores_gemma":[0.00082927657,0.00013376161,0.7435455,0.000047032237,0.000068584086,0.000005789478,0.0056467466,4.933594e-7,0.0001441983,0.0005776755,0.2487845,0.0002164576],"about_ca_topic_score_codex":0.00037813932,"about_ca_topic_score_gemma":0.0001309138,"teacher_disagreement_score":0.5108624,"about_ca_system_score_codex":0.000026986441,"about_ca_system_score_gemma":0.000004155997,"threshold_uncertainty_score":0.9985752},"labels":[],"label_agreement":null},{"id":"W2769775433","doi":"10.3366/drs.2017.0201","title":"Liberated Women and Travesty Fetishes: Conflicting Representations of Gender in Parisian Fin-de-Siècle Music-Hall Ballet","year":2017,"lang":"en","type":"article","venue":"Dance Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":27,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Fin de siecle; Ballet; Mores; Art; Opera; Tragedy (event); Humanities; Dance; Art history; Literature; Political science; Law","score_opus":0.18462594295140505,"score_gpt":0.45365644540560923,"score_spread":0.2690305024542042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2769775433","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89023376,0.00013834138,0.000033264027,0.0006598092,0.000083920684,0.00019188035,0.000035255463,0.00001211729,0.10861167],"genre_scores_gemma":[0.99625117,0.00009930849,0.00019775283,0.00006590027,0.000056137513,0.000025578547,0.0000059722356,0.000011249956,0.0032869624],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9983129,0.00029003576,0.00018843137,0.0003195223,0.00028447615,0.00060465466],"domain_scores_gemma":[0.9987394,0.00025540937,0.00009682458,0.000632841,0.00011725664,0.00015825727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015329212,0.00008322507,0.00018708712,0.00015356281,0.00041313504,0.00013757475,0.00046215538,0.00010658508,0.0005832583],"category_scores_gemma":[0.0005712309,0.00009130239,0.0000228598,0.00016653349,0.0005006312,0.00028548625,0.00019584926,0.00042782497,0.000043168173],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057906134,0.0006891221,0.73504955,0.00016537576,0.00016895455,0.00025080188,0.20024684,0.000029585006,0.0044807536,0.013080414,0.021521576,0.02373796],"study_design_scores_gemma":[0.0010900171,0.00011249634,0.9864921,0.00003889067,0.0000020982145,0.000006583447,0.006732454,0.00009122131,0.00024042903,0.001724591,0.0033744047,0.00009471415],"about_ca_topic_score_codex":0.0035040912,"about_ca_topic_score_gemma":0.00029314222,"teacher_disagreement_score":0.25144255,"about_ca_system_score_codex":0.000068637586,"about_ca_system_score_gemma":0.00009425873,"threshold_uncertainty_score":0.63862693},"labels":[],"label_agreement":null},{"id":"W2775667106","doi":"10.2519/jospt.2018.7542","title":"The Influence of Injury Definition on Injury Burden in Preprofessional Ballet and Contemporary Dancers","year":2017,"lang":"en","type":"article","venue":"Journal of Orthopaedic and Sports Physical Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":93,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Ballet; Dance; Medicine; Physical therapy; Incidence (geometry); Sports medicine; Injury prevention; Epidemiology; Occupational safety and health; Poison control; Emergency medicine","score_opus":0.03177510790863074,"score_gpt":0.3300312257231466,"score_spread":0.29825611781451583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775667106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99593586,0.0005868887,0.0000013976264,0.00084291806,0.00021224814,0.000092744485,0.000010312482,0.0000024802046,0.0023151431],"genre_scores_gemma":[0.997852,0.0016048985,0.000009899821,0.00023437304,0.0001907012,0.0000015296064,4.8082313e-7,0.000005541511,0.000100575664],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991358,0.00006624374,0.0002744906,0.000119374476,0.00028135788,0.00012272992],"domain_scores_gemma":[0.99890065,0.00012290095,0.00061709277,0.0002142743,0.00006395572,0.00008113406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004956537,0.00010102295,0.00025350423,0.000052958498,0.00019491407,0.000028393802,0.00018708012,0.000057291636,0.000018268775],"category_scores_gemma":[0.00004960568,0.00006314213,0.00007886182,0.000034327884,0.00039203776,0.00030472476,0.000038047765,0.00030203722,0.0000010272396],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.015152446,0.0007611186,0.6899081,0.000025082893,0.00020074504,0.00016160001,0.006050565,0.000015029585,0.0020565612,0.009571769,0.0033688063,0.27272817],"study_design_scores_gemma":[0.0014159369,0.000940365,0.98873967,0.00021004584,0.0000063764824,0.000009293478,0.00047992583,0.0000030940405,0.000067918845,0.005152548,0.002898698,0.000076122094],"about_ca_topic_score_codex":0.00004017121,"about_ca_topic_score_gemma":6.72939e-7,"teacher_disagreement_score":0.29883158,"about_ca_system_score_codex":0.000009767639,"about_ca_system_score_gemma":0.000067129586,"threshold_uncertainty_score":0.25748613},"labels":[],"label_agreement":null},{"id":"W2777085859","doi":"10.36510/learnland.v3i2.335","title":"Dance and Desire","year":2010,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Curiosity; Soul; Creativity; Dance education; Psychology; Expression (computer science); Aesthetics; Visual arts; Sociology; Art; Social psychology; Epistemology; Computer science; Philosophy","score_opus":0.012219526862523564,"score_gpt":0.2644403498471788,"score_spread":0.2522208229846552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2777085859","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91300476,0.00014446357,0.000049847597,0.00019809352,0.00031493595,0.000024858202,0.0000010938512,0.00007307504,0.08618887],"genre_scores_gemma":[0.99256706,0.000009525101,0.0003105427,0.000117255775,0.000105317624,0.000001344684,0.000002555989,0.000006165477,0.006880207],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99959517,0.000026083437,0.00004467049,0.00013153467,0.0000527528,0.00014977019],"domain_scores_gemma":[0.9997545,0.000059585404,0.000029974528,0.00009565459,0.000011056326,0.00004925994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009613931,0.000058068734,0.000071247065,0.000027860642,0.0001169295,0.00003276035,0.00007998925,0.00006254616,0.00085971],"category_scores_gemma":[0.00006032183,0.000052899668,0.000016163069,0.0000443512,0.00003359285,0.00007831646,0.000028007149,0.00031383822,0.00032827293],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006374981,0.000053911503,0.91353273,0.000012821742,0.00003934249,0.000030182668,0.0032252206,0.000007988623,0.004000979,0.018096397,0.0053850277,0.055551637],"study_design_scores_gemma":[0.00050584326,0.00009651448,0.81268305,0.000009654502,0.000011147831,0.000041449886,0.00054618367,0.0000678997,0.00021183975,0.00026678568,0.18542011,0.0001395432],"about_ca_topic_score_codex":0.000026743086,"about_ca_topic_score_gemma":0.000020982168,"teacher_disagreement_score":0.18003508,"about_ca_system_score_codex":9.668455e-7,"about_ca_system_score_gemma":0.000003980796,"threshold_uncertainty_score":0.94132215},"labels":[],"label_agreement":null},{"id":"W2778489619","doi":"","title":"Choreographic Research Combining Contact Improvisation and the Alexander Technique: Somatic, Practice-Based-Research, and Ethnographic Inquiry","year":2017,"lang":"en","type":"dissertation","venue":"YorkSpace (York University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Improvisation; Ethnography; Visual arts; Embodied cognition; Choreography; Desk; Contemporary dance; Sociology; Studio; Art; Computer science; Anthropology; Epistemology; Philosophy","score_opus":0.19515901737987612,"score_gpt":0.41911683563403773,"score_spread":0.2239578182541616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2778489619","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50146645,0.0066539347,0.0003473264,0.008461801,0.0020706193,0.0064240764,0.00007080494,0.0003918611,0.4741131],"genre_scores_gemma":[0.9610319,0.0014804124,0.0002346377,0.00010782186,0.00012707352,0.000032728018,0.00018560543,0.00006058666,0.036739193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9950617,0.0019777918,0.00022926088,0.0008479255,0.00097394764,0.0009093546],"domain_scores_gemma":[0.9944174,0.0028479362,0.0005638816,0.0010968414,0.000780033,0.00029390154],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.004963725,0.00039226346,0.00054336694,0.0025020705,0.003090726,0.00058381073,0.0010777193,0.00097036967,0.00017631828],"category_scores_gemma":[0.00092306075,0.00036248867,0.00015083671,0.0013227067,0.002726148,0.0007593539,0.00020642647,0.0029917809,0.000026977285],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.03706396,0.0025483728,0.033699486,0.0021594223,0.0042347168,0.0012757567,0.18880549,0.000007490528,0.0014211588,0.5893496,0.09607125,0.043363284],"study_design_scores_gemma":[0.019721039,0.0031421846,0.106002055,0.0032468783,0.0011597715,0.00006873395,0.66321456,0.00009372983,0.00031377337,0.007513006,0.19360052,0.0019237371],"about_ca_topic_score_codex":0.0043892,"about_ca_topic_score_gemma":0.0014430061,"teacher_disagreement_score":0.5818366,"about_ca_system_score_codex":0.00010884004,"about_ca_system_score_gemma":0.00037186255,"threshold_uncertainty_score":0.99998784},"labels":[],"label_agreement":null},{"id":"W2782220657","doi":"10.23943/princeton/9780691177755.003.0009","title":"Dance and the Music of Chopin: The Polonaise","year":2017,"lang":"en","type":"book-chapter","venue":"Princeton University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Emblem; Quarter (Canadian coin); Dance; Symbol (formal); Identity (music); History; Art; Visual arts; Aesthetics; Philosophy; Linguistics; Archaeology","score_opus":0.05120036099642849,"score_gpt":0.24592973364127388,"score_spread":0.19472937264484538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2782220657","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009224283,0.0006959629,0.000018709368,0.00023615839,0.00040484412,0.00047536,0.00012921735,0.000030407751,0.9970869],"genre_scores_gemma":[0.042088117,0.00032207437,0.000016996428,0.00015614124,0.000098950506,6.7239927e-7,0.000003435406,0.000016729842,0.9572969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899536,0.00008477788,0.00013483147,0.00033914024,0.00022182084,0.00022405348],"domain_scores_gemma":[0.9979446,0.00019408576,0.00051303144,0.001199362,0.00007605068,0.00007285716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002442524,0.00024495402,0.00039136148,0.0000570404,0.00051516504,0.000043620068,0.0013896003,0.00024415457,0.00016559697],"category_scores_gemma":[0.00001894805,0.00017484352,0.0001752269,0.0000033137214,0.002435139,0.00008336209,0.0008099942,0.0005040202,0.00001962063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066668773,0.000010946381,0.0000389348,0.00004394674,0.00029264664,0.000037549333,0.0024599086,3.8471418e-7,0.000002128606,0.9838454,0.0052484735,0.007352987],"study_design_scores_gemma":[0.0018281228,0.000044836073,0.0013095053,0.00013317584,0.00024261425,0.000014363906,0.00012156693,0.0000027047922,0.000021622294,0.0016181752,0.9944606,0.00020275688],"about_ca_topic_score_codex":0.00076899317,"about_ca_topic_score_gemma":0.0000600462,"teacher_disagreement_score":0.9892121,"about_ca_system_score_codex":0.00002852439,"about_ca_system_score_gemma":0.00004868109,"threshold_uncertainty_score":0.89723706},"labels":[],"label_agreement":null},{"id":"W2783415496","doi":"10.1353/dtc.2017.0031","title":"The Oxford Handbook of Dance and Theater ed. by Nadine George-Graves","year":2017,"lang":"en","type":"article","venue":"Journal of dramatic theory and criticism","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; George (robot); Performative utterance; Scholarship; Performing arts; Discipline; The arts; Art history; Art; History; Visual arts; Sociology; Aesthetics; Law; Social science; Political science","score_opus":0.009215496788559303,"score_gpt":0.2901426877505314,"score_spread":0.2809271909619721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783415496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97569066,0.01185094,0.0008994523,0.0013925753,0.0004643001,0.00007435589,0.00002097771,0.0000032231217,0.009603499],"genre_scores_gemma":[0.99445474,0.0012479177,0.00010570007,0.00028435266,0.000073277326,7.0677663e-7,2.0771495e-7,0.0000064580418,0.00382661],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992142,0.00012641947,0.00028079914,0.00007571214,0.00012400553,0.00017890782],"domain_scores_gemma":[0.99869215,0.00055213756,0.00033136155,0.00025948347,0.000070281974,0.000094608025],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011405739,0.00009658309,0.00024084357,0.00002944314,0.00046635416,0.00013680881,0.00032264527,0.000054908454,0.00014284754],"category_scores_gemma":[0.00028760766,0.000059693877,0.000057826375,0.000011367566,0.00068256794,0.00026271056,0.00005675412,0.00016744033,0.0000035790379],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029891941,0.00050840084,0.010504374,0.00038927136,0.0010045151,0.00013700976,0.018240694,5.1768217e-7,0.013713214,0.83275086,0.041656908,0.07810503],"study_design_scores_gemma":[0.0065053287,0.0022661402,0.06748524,0.0019876778,0.00060898927,0.0012336641,0.017841619,0.000017082853,0.013088978,0.83284056,0.055565413,0.0005592994],"about_ca_topic_score_codex":0.000005745445,"about_ca_topic_score_gemma":0.0000010528573,"teacher_disagreement_score":0.07754573,"about_ca_system_score_codex":0.0000040528516,"about_ca_system_score_gemma":0.000011906204,"threshold_uncertainty_score":0.35868663},"labels":[],"label_agreement":null},{"id":"W2783477492","doi":"10.3138/ctr.173.009","title":"<i>Gargantuan</i>: The Thrills and Challenges of Creating Immersive Theatre","year":2018,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Complicity; Aesthetics; Existentialism; Sociology; Visual arts; Art; Political science","score_opus":0.03871083608364279,"score_gpt":0.28415283392412644,"score_spread":0.24544199784048365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783477492","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023545779,0.53081787,0.0000011612376,0.013201169,0.00018507209,0.00029464986,0.000059543287,0.0000069902376,0.45307896],"genre_scores_gemma":[0.6674389,0.32666644,0.000026651478,0.0052293497,0.00023035222,0.000008018683,0.000003921339,0.000018583134,0.00037772724],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990282,0.0001520209,0.00017629359,0.00021447783,0.00009450097,0.0003344942],"domain_scores_gemma":[0.9990015,0.00014573745,0.00010301562,0.00045666288,0.000060533563,0.0002325386],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036053275,0.00014105756,0.00031695096,0.000052354957,0.00020122575,0.00001128219,0.00029058527,0.00006586948,0.0013968776],"category_scores_gemma":[0.00003200201,0.00009579742,0.000083754734,0.00015007787,0.00032866414,0.00007104637,0.00003428938,0.00011081282,0.00023941515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001576081,0.000028882816,0.0014522193,0.0011770324,0.00026269775,0.000025370984,0.007743557,2.9826282e-8,0.000024948435,0.03502991,0.037236333,0.9170033],"study_design_scores_gemma":[0.00023288542,0.00023162852,0.006014607,0.002883988,0.00018846993,0.000076192875,0.0042171306,5.777684e-7,0.000049148726,0.00032252053,0.98558897,0.00019391217],"about_ca_topic_score_codex":0.020367077,"about_ca_topic_score_gemma":0.021833662,"teacher_disagreement_score":0.94835263,"about_ca_system_score_codex":0.000030917952,"about_ca_system_score_gemma":0.00010971084,"threshold_uncertainty_score":0.999516},"labels":[],"label_agreement":null},{"id":"W2783564861","doi":"10.3138/ctr.173.020","title":"Between the Archive and the Repertoire: <i>History, Memory, Performance</i>","year":2018,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Repertoire; Scholarship; History; Performance studies; Performance art; Visual arts; Art history; Media studies; Sociology; Anthropology; Art; Literature; Political science; Law","score_opus":0.025402367423370244,"score_gpt":0.2500746075416162,"score_spread":0.22467224011824596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783564861","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050941827,0.29961455,0.0000036922675,0.029762387,0.0006280122,0.00069389504,0.000058934605,0.000022462587,0.66412187],"genre_scores_gemma":[0.72780585,0.13171834,0.00005294481,0.122808956,0.0020679436,0.00008305353,0.00003404838,0.00005618693,0.015372676],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891996,0.00028317407,0.00016913937,0.00019682154,0.000099747274,0.00033115727],"domain_scores_gemma":[0.9988589,0.00017149268,0.00007602917,0.0006252575,0.00002725208,0.00024102259],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007545436,0.00012957139,0.00027080564,0.000029887986,0.0003661094,0.000017276023,0.00045229297,0.0000410095,0.001684006],"category_scores_gemma":[0.00004042804,0.00006895539,0.00008439228,0.00010395906,0.0010473421,0.000066887435,0.000037700454,0.00019429448,0.0007981079],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001500629,0.0000032545904,0.0018869896,0.00014370141,0.00007612339,0.00000536658,0.0016471371,7.349306e-9,2.2606774e-7,0.0016173759,0.713059,0.2815458],"study_design_scores_gemma":[0.00029684207,0.000059903836,0.0063246307,0.00048566054,0.0001413981,0.000040594747,0.0001018737,0.0000010886529,8.760801e-7,0.00011330523,0.9923342,0.000099618665],"about_ca_topic_score_codex":0.03173649,"about_ca_topic_score_gemma":0.015696047,"teacher_disagreement_score":0.7227117,"about_ca_system_score_codex":0.0001193688,"about_ca_system_score_gemma":0.00020125529,"threshold_uncertainty_score":0.9999799},"labels":[],"label_agreement":null},{"id":"W2783712781","doi":"10.1386/tear.13.1-2.45_1","title":"The sensitive knowledge of dance","year":2015,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Dance; Gesture; Point (geometry); Epistemology; Process (computing); Perception; Psychology; Body of knowledge; Aesthetics; Cognitive science; Computer science; Sociology; Artificial intelligence; Visual arts; Philosophy; Art; Mathematics","score_opus":0.060444978914788235,"score_gpt":0.3348808179086174,"score_spread":0.2744358389938292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783712781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40505895,0.0008551868,0.00067435985,0.0010830039,0.0007859946,0.00016888569,0.0000100230045,0.00012968747,0.5912339],"genre_scores_gemma":[0.9920471,0.000006054474,0.00015620713,0.000057946265,0.000046709923,0.0000028291552,5.6832806e-7,0.0000051551856,0.0076774536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995339,0.00002441172,0.00009280766,0.00010265323,0.00008268831,0.00016356348],"domain_scores_gemma":[0.999393,0.000083581835,0.00005883301,0.0003234743,0.00008696334,0.00005416815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024276605,0.000060445876,0.000089465124,0.00002860371,0.0000689013,0.0000067379938,0.00018748903,0.000050801125,0.000025923657],"category_scores_gemma":[0.00010304057,0.000045071618,0.000028609236,0.00012521811,0.00027065058,0.000037900274,0.000073433774,0.00008792535,0.00073608226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002776134,0.0005405116,0.0033225236,0.000019205097,0.00014646839,0.000045781835,0.027927779,0.000003811975,0.0011688721,0.33463252,0.49289668,0.13901824],"study_design_scores_gemma":[0.0019914273,0.0008212786,0.028260421,0.0001194784,0.00006903257,0.00008503742,0.025715332,0.00007807246,0.01900773,0.022087613,0.9013271,0.00043750234],"about_ca_topic_score_codex":0.000029717641,"about_ca_topic_score_gemma":0.000012219823,"teacher_disagreement_score":0.58698815,"about_ca_system_score_codex":0.000018890056,"about_ca_system_score_gemma":0.00002510064,"threshold_uncertainty_score":0.9461094},"labels":[],"label_agreement":null},{"id":"W2783824443","doi":"","title":"Siempre más que uno","year":2018,"lang":"es","type":"article","venue":"Kaypunku","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.023484241401959788,"score_gpt":0.3198385437343841,"score_spread":0.2963543023324243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783824443","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35366097,0.00079004903,0.00008200384,0.003005194,0.0033124506,0.00017233058,0.0001267959,0.000111087174,0.6387391],"genre_scores_gemma":[0.9375832,0.000116243486,0.00018106842,0.0026738483,0.0017169063,0.0000024738426,0.000013339116,0.000028356731,0.05768457],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839395,0.00013895749,0.00021259277,0.00043680315,0.00021830673,0.0005993648],"domain_scores_gemma":[0.9987779,0.00008449435,0.00012064292,0.0006900788,0.000108279004,0.00021857902],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020058264,0.00024674588,0.00027706823,0.000107046246,0.00024607978,0.0001279808,0.0005322072,0.00031908503,0.021510374],"category_scores_gemma":[0.000086405475,0.00025661942,0.00013737632,0.000255854,0.00046007748,0.00023156761,0.00016748674,0.00028819276,0.041460086],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004119849,0.00070783874,0.042722117,0.00011192085,0.0004090395,0.0001413367,0.006676501,7.1566296e-7,0.001256204,0.045485407,0.8586567,0.0434202],"study_design_scores_gemma":[0.00096277514,0.0007678133,0.1203951,0.000121472935,0.000075736076,0.000027096761,0.00044906864,0.000009088209,0.0012220176,0.00070740265,0.8749257,0.00033677963],"about_ca_topic_score_codex":0.0003708699,"about_ca_topic_score_gemma":0.00003795929,"teacher_disagreement_score":0.5839222,"about_ca_system_score_codex":0.00005419431,"about_ca_system_score_gemma":0.00007387183,"threshold_uncertainty_score":0.9999886},"labels":[],"label_agreement":null},{"id":"W2784666643","doi":"","title":"Negotiating changes in the context of Odissi dance in India","year":2006,"lang":"fr","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Impact","funders":"","keywords":"Dance; Negotiation; Context (archaeology); Computer science; Visual arts; Sociology; History; Art; Social science; Archaeology","score_opus":0.025744586962025195,"score_gpt":0.29286581799750266,"score_spread":0.26712123103547747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784666643","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6875539,0.00792665,0.000023288678,0.005871059,0.0006580758,0.00020690347,0.000042823052,0.000006470221,0.29771084],"genre_scores_gemma":[0.9870852,0.00014197467,0.00007176047,0.0015650481,0.000113058755,0.000003609458,0.00000602827,0.0000053239182,0.011007974],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99890167,0.00025853785,0.000219552,0.0001617221,0.00012429823,0.00033424312],"domain_scores_gemma":[0.9993644,0.0002627863,0.00012622403,0.00020837772,0.000017909952,0.000020306534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004394518,0.000108491804,0.0002006852,0.000107126085,0.000030893778,0.000024281879,0.00029990802,0.00013298779,0.0007697942],"category_scores_gemma":[0.00003852294,0.00009310696,0.00003162487,0.00035777388,0.0001652894,0.00013913085,0.000038586535,0.00023477418,0.00010884325],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008946847,0.0012089891,0.69485277,0.000081934624,0.000020027517,0.00008989125,0.038144425,0.000038777987,0.00025896088,0.17979166,0.028032748,0.05739032],"study_design_scores_gemma":[0.001184886,0.00014332411,0.9383284,0.00013781602,0.0000078761495,0.0000061140818,0.032697763,0.00005032488,0.000311388,0.00035517674,0.026659796,0.00011716748],"about_ca_topic_score_codex":0.01539052,"about_ca_topic_score_gemma":0.008486013,"teacher_disagreement_score":0.2995313,"about_ca_system_score_codex":0.00003594952,"about_ca_system_score_gemma":0.000021022877,"threshold_uncertainty_score":0.99116606},"labels":[],"label_agreement":null},{"id":"W2786253356","doi":"","title":"Integrating mindfulness meditation in a creative process in dance","year":2017,"lang":"en","type":"article","venue":"Archipelago (University of Quebec in Montreal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Conscience; Meditation; Art; Philosophy","score_opus":0.02004618741686321,"score_gpt":0.2853616453276668,"score_spread":0.2653154579108036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786253356","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9653513,0.000029258275,0.0005015899,0.00041642194,0.0001501362,0.00022714023,0.000022436054,0.000010138286,0.03329158],"genre_scores_gemma":[0.99804837,0.0000039454326,0.00033221365,0.000021947053,0.000014486619,0.0000016975191,0.000011332185,0.000005956921,0.0015600425],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9988785,0.00016361417,0.0001711694,0.00031548756,0.00017164815,0.00029959527],"domain_scores_gemma":[0.99907804,0.00016518211,0.00028667614,0.00036096206,0.000049409107,0.00005976483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003575017,0.00013263944,0.00031050047,0.00038334198,0.00015334116,0.000019928855,0.0006774532,0.00011525246,0.00014473416],"category_scores_gemma":[0.0002202542,0.00016625435,0.00004924408,0.00021203658,0.0003305665,0.00079808926,0.00010955999,0.0003252791,0.000027659471],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010865647,0.0005853621,0.24830256,0.00007178116,0.00003149702,0.0005327357,0.38797706,0.00018656955,0.000030339865,0.0066674147,0.00019532225,0.35433277],"study_design_scores_gemma":[0.0019948063,0.00006476806,0.8300902,0.00027935804,0.00000693918,0.0000015846227,0.15377387,0.0004947127,0.00003924493,0.013112144,0.000008460092,0.00013391064],"about_ca_topic_score_codex":0.6074523,"about_ca_topic_score_gemma":0.96267605,"teacher_disagreement_score":0.58178765,"about_ca_system_score_codex":0.00010958645,"about_ca_system_score_gemma":0.00007599517,"threshold_uncertainty_score":0.6779655},"labels":[],"label_agreement":null},{"id":"W2786391819","doi":"10.7202/1055244ar","title":"A Personal Relationship with the Mysteries","year":2019,"lang":"en","type":"article","venue":"Théologiques","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Movement (music); Improvisation; Spirituality; Aesthetics; Spiritual practice; Mysticism; Metaphysics; Negotiation; Embodied cognition; Sociology; Psychology; Visual arts; Epistemology; Communication; Art; Literature; Philosophy; Social science","score_opus":0.02568375001767996,"score_gpt":0.2682475540360997,"score_spread":0.2425638040184197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786391819","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82148296,0.00007253702,0.000073609735,0.002438913,0.000099175464,0.000094969066,0.000004907454,0.000067560424,0.17566536],"genre_scores_gemma":[0.97536486,0.0000025139923,0.0001091394,0.00078303076,0.000034952922,0.000005465686,0.0000027792337,0.000004052459,0.023693219],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.999552,0.000105636296,0.000039593775,0.00010329008,0.00007019681,0.00012925305],"domain_scores_gemma":[0.99959064,0.00017955714,0.000035414167,0.00015765341,0.00001871501,0.000018053328],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015330591,0.00005824079,0.000067998335,0.000017910605,0.00007143448,0.000022202132,0.00013590917,0.00005329172,0.0016081358],"category_scores_gemma":[0.000015936404,0.00003231705,0.000022334372,0.000054480253,0.00011452315,0.00010075417,0.000023786219,0.00013635245,0.0013708321],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034731088,0.00004645843,0.88308084,0.000008182342,0.000059295555,0.000010275342,0.02739314,0.0000010486262,0.000044650715,0.05911287,0.029112913,0.0007830031],"study_design_scores_gemma":[0.00024827212,0.0005416517,0.9616263,0.000010276622,0.000011919315,0.000023452934,0.014131838,0.0000018856997,0.000033339446,0.00035140588,0.022933831,0.00008585223],"about_ca_topic_score_codex":0.000056356588,"about_ca_topic_score_gemma":0.000020067811,"teacher_disagreement_score":0.15388188,"about_ca_system_score_codex":0.000010035503,"about_ca_system_score_gemma":0.000016933702,"threshold_uncertainty_score":0.9994067},"labels":[],"label_agreement":null},{"id":"W2788178652","doi":"10.25071/2369-7326.40270","title":"Betwixt and Between: How Male and Female Audiences Engaged with the \"Magnetic Girl\" to Complicate Fin-de-Siècle Gender Roles","year":2017,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Masculinity; Context (archaeology); Liminality; Identity (music); Status quo; Sociology; Gender studies; Psychology; Aesthetics; Social psychology; Art; History; Law","score_opus":0.07917879977709567,"score_gpt":0.3551478467193211,"score_spread":0.2759690469422254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788178652","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9550274,0.014246866,0.00016144416,0.027339332,0.00018175748,0.00012756027,0.000014871578,0.0000052907963,0.00289549],"genre_scores_gemma":[0.99709797,0.00072742236,0.00059428375,0.00019934148,0.0003419513,0.000004410352,1.7957672e-7,0.000009085411,0.0010253428],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99901974,0.00016392334,0.00017188382,0.0002167806,0.00014352564,0.0002841535],"domain_scores_gemma":[0.99886066,0.0003507269,0.00029827168,0.00023296647,0.00009894788,0.00015840624],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00076608313,0.00018164063,0.00038952281,0.00006319392,0.002377553,0.00021242273,0.00033907307,0.000040503925,0.000017846593],"category_scores_gemma":[0.000065577755,0.00010446795,0.000051503946,0.000046998946,0.0008247906,0.00027519785,0.00091806066,0.00038624016,0.0000032194796],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014767231,0.00018692898,0.68187267,0.00023310955,0.0023984327,0.00038104446,0.22499137,0.000005549092,0.00036153386,0.0009028139,0.0335413,0.05364852],"study_design_scores_gemma":[0.0009001393,0.0019628087,0.9182966,0.00020909644,0.00018798053,0.00043911068,0.074357525,0.0000030728195,0.000046815858,0.00069792423,0.0027307267,0.00016821649],"about_ca_topic_score_codex":0.0000062176136,"about_ca_topic_score_gemma":0.00006371068,"teacher_disagreement_score":0.2364239,"about_ca_system_score_codex":0.000014848988,"about_ca_system_score_gemma":0.000011653595,"threshold_uncertainty_score":0.9989212},"labels":[],"label_agreement":null},{"id":"W2788227613","doi":"10.13140/rg.2.2.32148.99208","title":"Illuminating Luna: An ethnographic study of meaning in a Montréal \"nouvelle danse\" event","year":2005,"lang":"en","type":"article","venue":"Archipelago (University of Quebec in Montreal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethnography; Sociology; Anthropology","score_opus":0.017257775807010704,"score_gpt":0.2529057462389604,"score_spread":0.23564797043194968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788227613","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9910062,0.00012533751,0.00012900472,0.00014072984,0.000059467962,0.0003440685,0.000015364507,0.000024393854,0.008155449],"genre_scores_gemma":[0.9984914,0.000021427568,0.00070989016,0.000023903094,0.000015728669,6.2707176e-7,0.000007391087,0.000010458989,0.00071918796],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9982843,0.0003751638,0.00029857297,0.00037302217,0.00029109832,0.0003778432],"domain_scores_gemma":[0.999029,0.00014177035,0.0002509673,0.00042112533,0.000048899412,0.00010827568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005195148,0.00017186608,0.0004200425,0.0006861973,0.00011797834,0.000005793528,0.00052397954,0.000114348,0.00014580894],"category_scores_gemma":[0.000027377657,0.00022381077,0.0001029742,0.00057433563,0.00019201079,0.0004459036,0.00017420371,0.00033615532,0.000014327349],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005783673,0.0036844688,0.09927243,0.00002394628,0.00008522967,0.00014166607,0.6960566,0.0014033691,0.0001652254,0.0012047596,0.000082872335,0.19730105],"study_design_scores_gemma":[0.0028434938,0.00047604655,0.5587221,0.000058815345,0.000027825105,0.0000023626733,0.43635073,0.0008730289,0.000008837004,0.00047663166,0.000018947543,0.00014122791],"about_ca_topic_score_codex":0.7932212,"about_ca_topic_score_gemma":0.9842664,"teacher_disagreement_score":0.45944962,"about_ca_system_score_codex":0.00008519963,"about_ca_system_score_gemma":0.000038203823,"threshold_uncertainty_score":0.91267383},"labels":[],"label_agreement":null},{"id":"W2789608023","doi":"","title":"Generational Friction: An Ethnographic Perspective on Guru Seva Within a Lineage of Tabla Players in Kolkata","year":2017,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feudalism; Obligation; Lineage (genetic); Perspective (graphical); Ethnography; State (computer science); Musical; Sociology; Politics; Colonialism; Service (business); Anthropology; Aesthetics; History; Gender studies; Law; Literature; Political science; Visual arts; Art; Economy; Economics","score_opus":0.05999020534994404,"score_gpt":0.3528952464711897,"score_spread":0.29290504112124566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2789608023","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95474666,0.00010678864,0.000019526266,0.0005057857,0.00075991097,0.00012583734,0.00008591055,0.00002314345,0.043626413],"genre_scores_gemma":[0.99765,0.0000057499465,0.00032569477,0.00048375424,0.00031802544,0.000006804902,0.000025183735,0.0000064641654,0.0011782693],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9991779,0.00006762838,0.00013728077,0.00026983646,0.00019128119,0.00015607562],"domain_scores_gemma":[0.9992291,0.000022066479,0.00017295891,0.0004220972,0.00009344197,0.000060381815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001639346,0.000119402815,0.00015068847,0.000106909385,0.00029683023,0.00007189307,0.000332651,0.00013226627,0.00040383392],"category_scores_gemma":[0.000080366604,0.00010052355,0.00006188083,0.00009386513,0.00015558251,0.00031554748,0.00004057979,0.00022555255,0.000033586526],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019058278,0.0035397722,0.06616138,0.000039847786,0.0006196037,0.00019675499,0.27715158,0.0035074365,0.02171212,0.45461482,0.16884254,0.001708334],"study_design_scores_gemma":[0.0019057707,0.0006628593,0.9656202,0.000056829664,0.00003259686,0.000010151407,0.022081936,0.00014000745,0.003338037,0.00058596773,0.005264191,0.00030144237],"about_ca_topic_score_codex":0.0019403225,"about_ca_topic_score_gemma":0.0017425528,"teacher_disagreement_score":0.8994588,"about_ca_system_score_codex":0.000036771817,"about_ca_system_score_gemma":0.000021456435,"threshold_uncertainty_score":0.44216982},"labels":[],"label_agreement":null},{"id":"W2790343176","doi":"10.3138/md.61.1.106","title":"Cheryl Black and Jonathan Shandell, eds., <i>Experiments in Democracy: Interracial and Cross-Cultural Exchange in American Theatre, 1912–1945</i>","year":2018,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Democracy; Dance; Civil rights; Politics; Sociology; Social justice; Economic Justice; Gender studies; Political science; Media studies; Art; Law; Literature; Social science","score_opus":0.031115625141604812,"score_gpt":0.3441385941369673,"score_spread":0.31302296899536247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790343176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9741568,0.00049627776,0.000042904318,0.00039170813,0.00023334367,0.00018572365,0.000022229062,0.000030060572,0.024440954],"genre_scores_gemma":[0.9974882,0.000087183565,0.000085136424,0.0008462176,0.00017390349,0.00000879979,0.000007442967,0.000018113235,0.0012850126],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99869895,0.00008028734,0.00020121392,0.00043458937,0.00013712698,0.00044781744],"domain_scores_gemma":[0.99951375,0.00003100245,0.00008184781,0.00021059392,0.000038310125,0.00012451202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015303736,0.00020500935,0.00027823081,0.00012257107,0.000100482735,0.00014510516,0.00019617077,0.000112165544,0.00024686835],"category_scores_gemma":[0.000018627006,0.00019516282,0.000033236898,0.00017239177,0.0009716886,0.00044860493,0.000199448,0.0002129026,0.00009291328],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014789528,0.000731362,0.567258,0.00004076006,0.00009252639,0.00013955995,0.15047193,0.0000032531552,0.0029843657,0.00022992896,0.0031130626,0.2734563],"study_design_scores_gemma":[0.0049758414,0.00092326617,0.97737664,0.00010665128,0.000017674447,0.000040406816,0.0037131703,0.0014961004,0.0009754997,0.0021570201,0.007630191,0.0005875572],"about_ca_topic_score_codex":0.0019091682,"about_ca_topic_score_gemma":0.0009274071,"teacher_disagreement_score":0.41011864,"about_ca_system_score_codex":0.000056012843,"about_ca_system_score_gemma":0.000012122171,"threshold_uncertainty_score":0.7958509},"labels":[],"label_agreement":null},{"id":"W2790763154","doi":"10.1080/14780887.2018.1442668","title":"To build a home","year":2018,"lang":"en","type":"article","venue":"Qualitative Research in Psychology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Reading aloud; Piano; Performative utterance; Autoethnography; Read aloud; Paragraph; Visual arts; Chord (peer-to-peer); Art; Reading (process); Communication; Psychology; Linguistics; Aesthetics; Computer science; Sociology; Art history; World Wide Web; Philosophy","score_opus":0.43559969983789226,"score_gpt":0.6644923988054992,"score_spread":0.2288926989676069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790763154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5903379,0.00021109385,0.0009933297,0.017986916,0.0011041755,0.00043141254,0.000041611293,0.000046840338,0.38884676],"genre_scores_gemma":[0.989143,0.000017919023,0.0016559934,0.0036527375,0.00039020609,0.00009022935,0.000004400809,0.000022073955,0.005023411],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936391,0.0037719493,0.00029258133,0.0006843811,0.00045405646,0.001157938],"domain_scores_gemma":[0.9974333,0.0012144097,0.000041766016,0.0006650107,0.0003452958,0.00030022813],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0062648403,0.0001425834,0.00026659062,0.0010911456,0.00015841598,0.000029293758,0.00073990057,0.00018684404,0.0050265742],"category_scores_gemma":[0.0005422771,0.0001439552,0.000050296414,0.0018613491,0.0011977571,0.00013254247,0.00018209674,0.00066128734,0.024735577],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022184106,0.0010345944,0.0060901823,0.000016990924,0.000100212266,0.00018183909,0.23734368,1.6456973e-7,0.001492707,0.16385114,0.5431622,0.044507872],"study_design_scores_gemma":[0.003897684,0.009444472,0.22360323,0.0001137293,0.0000043394753,0.00003626984,0.07015833,0.0000022082709,0.00017837186,0.18820035,0.5037807,0.0005802487],"about_ca_topic_score_codex":0.00050550525,"about_ca_topic_score_gemma":0.0001391401,"teacher_disagreement_score":0.39880517,"about_ca_system_score_codex":0.00009402388,"about_ca_system_score_gemma":0.000047446552,"threshold_uncertainty_score":0.995883},"labels":[],"label_agreement":null},{"id":"W2792798334","doi":"","title":"Navigating Generational Frictions Through Bihu Festival Performance in Assam, India","year":2017,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Icon; Popularity; Musical; Gender studies; Assamese; Sociology; Transition (genetics); Visual arts; Psychology; Literature; Art; Social psychology","score_opus":0.05221445638498793,"score_gpt":0.34296012315071506,"score_spread":0.2907456667657271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792798334","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9141811,0.00007074285,0.000025196689,0.0008361477,0.0010737889,0.000080308295,0.000026072097,0.00003112569,0.083675504],"genre_scores_gemma":[0.99677044,0.000011218276,0.0008110279,0.0005080985,0.0004812995,0.000012177698,0.000026979922,0.000005767896,0.0013729708],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993051,0.000030887284,0.00011364923,0.00019082791,0.00014259617,0.00021688071],"domain_scores_gemma":[0.9995376,0.000020894371,0.00010829848,0.00025977512,0.000036155434,0.000037297053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008743555,0.00010035276,0.00010105305,0.0000128313395,0.0007982642,0.00014462756,0.00027932445,0.00009617934,0.00054726686],"category_scores_gemma":[0.0000645168,0.00008658377,0.000039233633,0.000058111425,0.000088995665,0.0005651177,0.00007154432,0.0003060995,0.00025431177],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006529405,0.0004492525,0.82562536,0.00002040364,0.00010660508,0.00006680831,0.030393668,0.00034991518,0.0022779666,0.024365908,0.096115515,0.020163283],"study_design_scores_gemma":[0.0004224865,0.00004011881,0.9730192,0.000038138336,0.0000065376753,0.000010739101,0.00047902018,0.000023289103,0.00033294372,0.00013805223,0.02536718,0.00012231243],"about_ca_topic_score_codex":0.00042895562,"about_ca_topic_score_gemma":0.00010472138,"teacher_disagreement_score":0.1473938,"about_ca_system_score_codex":0.00003229716,"about_ca_system_score_gemma":0.000016695263,"threshold_uncertainty_score":0.6139684},"labels":[],"label_agreement":null},{"id":"W2793796899","doi":"","title":"Projects of Reform: Indian Classical Dance and Frictions of Generation and Genre","year":2017,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Nationalism; Context (archaeology); Colonialism; Multiculturalism; Extension (predicate logic); Sociology; History; Aesthetics; Literature; Political science; Art; Politics; Law; Archaeology","score_opus":0.05923763327951276,"score_gpt":0.31060155455902994,"score_spread":0.2513639212795172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793796899","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97411925,0.0001827959,0.0000063548637,0.0003781099,0.00017359907,0.00007499523,0.000031252326,0.000005662325,0.025027975],"genre_scores_gemma":[0.99809784,0.000029203698,0.00019779286,0.000055667537,0.00009717914,0.0000023763128,0.000005139708,0.0000020981197,0.0015127035],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9996828,0.000014739704,0.00007083683,0.000103174614,0.000057738373,0.000070752445],"domain_scores_gemma":[0.99965173,0.0000049132427,0.000111823625,0.00016704189,0.000033097065,0.00003141739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000041253752,0.000048472786,0.00009097758,0.000022640263,0.00017777762,0.000024894229,0.00007665188,0.00006545553,0.000024214956],"category_scores_gemma":[0.000027579963,0.000036239897,0.000015651858,0.000020228179,0.00015158433,0.00014957655,0.000042199117,0.000055445875,0.0000018245674],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032094956,0.0010092664,0.22892578,0.00036953218,0.0005262036,0.00004450042,0.15198718,0.0000035890573,0.2496544,0.08780992,0.16713117,0.1122175],"study_design_scores_gemma":[0.0003692348,0.000119488686,0.99005973,0.000018293453,0.000017738847,0.000009350943,0.0012943626,0.000008392429,0.003837314,0.000054617827,0.0041524353,0.000059057318],"about_ca_topic_score_codex":0.00032649754,"about_ca_topic_score_gemma":0.00026041197,"teacher_disagreement_score":0.76113397,"about_ca_system_score_codex":0.000005468533,"about_ca_system_score_gemma":0.0000067994415,"threshold_uncertainty_score":0.14778201},"labels":[],"label_agreement":null},{"id":"W2794785176","doi":"","title":"Le Cirque / The Circus — Canada 2010, 7 minutes","year":2010,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Art; Geography; Physical geography; Glacier","score_opus":0.01399365776973666,"score_gpt":0.24164899760817235,"score_spread":0.2276553398384357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794785176","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17664725,0.006392377,0.00006138066,0.52118653,0.014227528,0.00028876445,0.00028047484,0.000046812478,0.28086886],"genre_scores_gemma":[0.849883,0.00021720551,0.00034750486,0.0030776432,0.0010683227,0.000013283803,0.000011448373,0.00002516996,0.1453564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979594,0.00037278884,0.00027879016,0.00040789667,0.00021123892,0.0007699292],"domain_scores_gemma":[0.9980006,0.0006538274,0.00020414,0.0007691087,0.00009478339,0.00027751393],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006772511,0.00026210307,0.00029831647,0.000051473748,0.00040470014,0.00012132741,0.0011107067,0.00038658918,0.0022125733],"category_scores_gemma":[0.00030874318,0.00024690913,0.00012873513,0.00028147665,0.0007372389,0.0002514926,0.00010391871,0.0011100332,0.00037115224],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003368498,0.00018803516,0.017365726,0.00014003323,0.00016305449,0.0006290595,0.0037825399,0.0000231966,0.002924413,0.13684168,0.82062966,0.01727892],"study_design_scores_gemma":[0.00040934962,0.0000723396,0.1325779,0.00010824037,0.000065504006,0.0007202898,0.0020182903,0.000035528854,0.0005130181,0.0024407997,0.86072564,0.0003130825],"about_ca_topic_score_codex":0.88965803,"about_ca_topic_score_gemma":0.932313,"teacher_disagreement_score":0.6732358,"about_ca_system_score_codex":0.000078186255,"about_ca_system_score_gemma":0.0014153733,"threshold_uncertainty_score":0.99999833},"labels":[],"label_agreement":null},{"id":"W2794912548","doi":"","title":"Surgical shape-shifting: transgender embodiments in Nina Arsenault's The Silicone Diaries","year":2016,"lang":"en","type":"dissertation","venue":"Memorial University Research Repository (Memorial University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Canadian Federation of University Women","keywords":"Femininity; Transgender; Reading (process); Gender studies; Beauty; Art; Identity (music); Manifesto; Aesthetics; Transition (genetics); Representation (politics); Psychology; Sociology; Visual arts; Philosophy","score_opus":0.04715001197091587,"score_gpt":0.31529082339052555,"score_spread":0.26814081141960966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794912548","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5466382,0.00013927264,0.000005076273,0.00030366023,0.014651188,0.0010092261,0.00013523399,0.00013005192,0.4369881],"genre_scores_gemma":[0.5679949,0.00026915086,0.000023620425,0.000014331403,0.004125686,0.000001921723,0.00023631018,0.00007883084,0.4272552],"study_design_codex":"randomized_trial","study_design_gemma":"not_applicable","domain_scores_codex":[0.9910391,0.0031838294,0.0005121765,0.001619371,0.001895947,0.0017496005],"domain_scores_gemma":[0.9956593,0.001403508,0.00041764486,0.0012385051,0.00068305264,0.00059798587],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.0016145497,0.00073449546,0.000996524,0.0019001261,0.0024681066,0.00026745643,0.0031839241,0.0014438909,0.0017552883],"category_scores_gemma":[0.00019004455,0.0006963951,0.00062001887,0.0019038373,0.0011810348,0.0010523372,0.0004966219,0.0026962543,0.00081847486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.24854647,0.008870053,0.01826976,0.0012291865,0.008292364,0.14458467,0.099104285,0.00006626304,0.016017234,0.24735582,0.18400079,0.023663102],"study_design_scores_gemma":[0.02463516,0.0015096402,0.015455676,0.0006974141,0.0007179571,0.00010571597,0.07444535,0.000022544005,0.002948212,0.00072981114,0.87635934,0.0023731862],"about_ca_topic_score_codex":0.0042461585,"about_ca_topic_score_gemma":0.0012875356,"teacher_disagreement_score":0.69235855,"about_ca_system_score_codex":0.0016324577,"about_ca_system_score_gemma":0.0013076629,"threshold_uncertainty_score":0.9999595},"labels":[],"label_agreement":null},{"id":"W2796026607","doi":"","title":"Pirouettes and Protractors: Dancing through Mathematics.","year":2017,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Dance; Context (archaeology); Project commissioning; Publishing; Mathematics education; Dance education; Visual arts; Sociology; Pedagogy; Mathematics; Art; History; Literature; Archaeology","score_opus":0.046824254206334036,"score_gpt":0.29603223303800635,"score_spread":0.2492079788316723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796026607","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7567106,0.00013214335,0.0000016184869,0.0001605985,0.0006339826,0.00039770282,0.0002446092,0.00015280858,0.24156593],"genre_scores_gemma":[0.9925628,0.000068041314,0.0027000718,0.00057030766,0.000073652336,0.000036597772,0.0000071677955,0.00006449844,0.0039169043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977079,0.00011919101,0.00039727133,0.00068572117,0.0003816466,0.0007082481],"domain_scores_gemma":[0.9976002,0.00019660183,0.0004826852,0.0013610218,0.00010248129,0.00025700754],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006386562,0.00039489078,0.00045749464,0.00008632243,0.0024620872,0.00027601494,0.0009063823,0.00029831793,0.00068660226],"category_scores_gemma":[0.00083957985,0.000393049,0.00014295649,0.0000895059,0.00029832928,0.0023357442,0.00045963188,0.0006932407,0.0008669112],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020546341,0.0012387474,0.007803976,0.0003600387,0.0005919541,0.00035203554,0.0004243864,0.0000017792381,0.034285918,0.79221326,0.0002385238,0.16228394],"study_design_scores_gemma":[0.007931366,0.0012031839,0.26799884,0.0012681335,0.00052857696,0.0005394038,0.003086638,0.00002332471,0.062597364,0.2500648,0.40127134,0.0034870298],"about_ca_topic_score_codex":0.0006537845,"about_ca_topic_score_gemma":0.00008836959,"teacher_disagreement_score":0.5421484,"about_ca_system_score_codex":0.00012751382,"about_ca_system_score_gemma":0.000010939615,"threshold_uncertainty_score":0.999911},"labels":[],"label_agreement":null},{"id":"W2803517835","doi":"","title":"Jean Grand-Maître : L’étoile montante de la danse classique au Canada","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.00471409438392449,"score_gpt":0.193574330287831,"score_spread":0.18886023590390652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803517835","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64757824,0.03169637,0.0014064333,0.029080251,0.0016725316,0.00027358954,0.00052182464,0.000103114035,0.28766766],"genre_scores_gemma":[0.65963316,0.0034657884,0.00035744472,0.0013614119,0.00027209165,0.0000011650784,0.00003667956,0.000049822946,0.33482245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99688274,0.00043182346,0.000265331,0.00053234684,0.0003787761,0.0015089762],"domain_scores_gemma":[0.9974976,0.0007195786,0.00024715537,0.0005973273,0.000089366295,0.0008489525],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008430157,0.00042819456,0.0004365219,0.00020224323,0.00089602725,0.000032757493,0.0006805287,0.00061715,0.0011784802],"category_scores_gemma":[0.0000769435,0.00056617404,0.00023617965,0.000471518,0.00037930562,0.0003082664,0.0002613424,0.0007676375,0.00024361591],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015448803,0.00063854153,0.036649134,0.00014046712,0.00047081235,0.046544664,0.0059008934,0.00025737938,0.00088895444,0.031145358,0.829381,0.046437927],"study_design_scores_gemma":[0.0030946827,0.00020930883,0.05646473,0.00011172936,0.0002623196,0.0008308066,0.0053274804,0.00009280041,0.00042716466,0.0002950308,0.93234134,0.00054258684],"about_ca_topic_score_codex":0.9570853,"about_ca_topic_score_gemma":0.9973424,"teacher_disagreement_score":0.10296036,"about_ca_system_score_codex":0.01977833,"about_ca_system_score_gemma":0.0010162047,"threshold_uncertainty_score":0.9997346},"labels":[],"label_agreement":null},{"id":"W2803611539","doi":"10.1017/s0149767718000062","title":"Queer Dance: Meanings and Makings edited by Clare Croft. 2017. New York: Oxford University Press. 336 pp., 28 halftones. $36.95, paper. ISBN: 9780199377336.","year":2018,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Queer; Art; Art history; Sociology; Visual arts; Gender studies","score_opus":0.08515531571608581,"score_gpt":0.3552784255438202,"score_spread":0.2701231098277344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803611539","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4966203,0.110790245,0.006551851,0.042855754,0.008689781,0.0024075087,0.0013536387,0.0006027268,0.3301282],"genre_scores_gemma":[0.49107987,0.05763823,0.0054245214,0.0040678256,0.013408495,0.00001184986,0.00014126144,0.00028281237,0.42794514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952679,0.0006065084,0.00036430385,0.0007451542,0.0013656167,0.0016504999],"domain_scores_gemma":[0.9970331,0.00025491303,0.000309771,0.00065520057,0.00072729506,0.0010196723],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019794554,0.00035668322,0.00044707154,0.00022842016,0.0016492406,0.00051682035,0.0013725788,0.0004112976,0.0024714086],"category_scores_gemma":[0.00035569826,0.0003545266,0.00014574526,0.0007031575,0.0012687105,0.0016538171,0.0005277497,0.0023794526,0.00022418969],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001357794,0.00014772329,0.0041532014,0.000031544143,0.00018806133,0.0003241698,0.0030035523,8.6030474e-7,0.0016800362,0.0019061529,0.97781956,0.009387331],"study_design_scores_gemma":[0.0024944195,0.00071265234,0.013861762,0.00028436963,0.00003717194,0.0003864475,0.0028521735,0.000041698975,0.000312906,0.00042525155,0.97819716,0.00039397256],"about_ca_topic_score_codex":0.0013092015,"about_ca_topic_score_gemma":0.000058970014,"teacher_disagreement_score":0.097816944,"about_ca_system_score_codex":0.0003113133,"about_ca_system_score_gemma":0.00033544068,"threshold_uncertainty_score":0.9999221},"labels":[],"label_agreement":null},{"id":"W2804270824","doi":"10.18374/jims-18-2.4","title":"CIRQUE DU SOLEIL � KA IN LAS VEGAS: SUSTAINABILITY OF A BLUE OCEAN","year":2018,"lang":"en","type":"article","venue":"Journal of International Management Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Las vegas; Art; Archaeology; Geography; Geology; Glacial period; Paleontology","score_opus":0.02208082432038641,"score_gpt":0.34405926012599525,"score_spread":0.3219784358056088,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804270824","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.963042,0.00040360706,0.00041595777,0.0054450547,0.0017849925,0.000111732916,0.000005739995,0.000004997705,0.02878587],"genre_scores_gemma":[0.9968856,0.0002774472,0.00017121293,0.0002856527,0.00026554108,0.0000010247663,4.47809e-7,0.0000042213846,0.0021088645],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989846,0.000056744277,0.0004094191,0.000107900516,0.00030246473,0.00013889205],"domain_scores_gemma":[0.9986141,0.00008096596,0.00036846226,0.000108717315,0.0007999991,0.000027756825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061256276,0.000087379776,0.00021834209,0.00032242594,0.00005046202,0.000016390055,0.00036230555,0.000024917486,0.00020311827],"category_scores_gemma":[0.00027027066,0.00007603128,0.00009291744,0.0001314817,0.000254896,0.00022019776,0.00021234644,0.00010538715,0.000017940945],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018677183,0.0022076238,0.6767274,0.0002574069,0.0056787524,0.0008341584,0.02922816,0.00022874639,0.000022005963,0.075472035,0.20042227,0.007053698],"study_design_scores_gemma":[0.0029712594,0.0009397395,0.8773274,0.0002778741,0.000099233606,0.000040107516,0.057226215,0.000024718647,0.000102066624,0.010548116,0.050282896,0.00016042068],"about_ca_topic_score_codex":0.00004256956,"about_ca_topic_score_gemma":0.000027505568,"teacher_disagreement_score":0.20059992,"about_ca_system_score_codex":0.00021751836,"about_ca_system_score_gemma":0.000017593522,"threshold_uncertainty_score":0.31004658},"labels":[],"label_agreement":null},{"id":"W2804741745","doi":"","title":"What’s Dance Got to Do With It? / Qu’est-ce que la danse vient faire là-dedans ?","year":2013,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Art; Humanities; Visual arts","score_opus":0.0272228346403425,"score_gpt":0.31182121840654775,"score_spread":0.2845983837662053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804741745","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.092554234,0.009438659,0.004155063,0.57104945,0.022789542,0.0032861205,0.0007462546,0.00042227565,0.29555842],"genre_scores_gemma":[0.90132374,0.0032156026,0.0012858876,0.010072088,0.0010231073,0.00033875986,0.00018902542,0.00016201269,0.0823898],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.995535,0.0005313361,0.0006178664,0.0012279608,0.00060397753,0.0014838557],"domain_scores_gemma":[0.9960955,0.00042347398,0.0003019782,0.0017336234,0.00035716017,0.0010882686],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049620523,0.0007402726,0.0007182015,0.00025529705,0.0006954178,0.0010404758,0.0010950249,0.00043743732,0.0049900534],"category_scores_gemma":[0.00016232637,0.0007468323,0.00023009448,0.000850851,0.00070478505,0.0030554002,0.00037215528,0.0008449693,0.01385301],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018218205,0.0021100088,0.0016651719,0.00020016896,0.00030876626,0.00021994104,0.025346447,0.00029694088,0.00022065117,0.39639628,0.56726265,0.005790789],"study_design_scores_gemma":[0.0017830535,0.0009927583,0.019764729,0.0024258655,0.00011225293,0.0002555649,0.021463003,0.000039657618,0.0002960302,0.001115843,0.95073986,0.0010113866],"about_ca_topic_score_codex":0.0026622089,"about_ca_topic_score_gemma":0.0010977049,"teacher_disagreement_score":0.80876946,"about_ca_system_score_codex":0.00020160171,"about_ca_system_score_gemma":0.0004740288,"threshold_uncertainty_score":0.99999654},"labels":[],"label_agreement":null},{"id":"W2805020224","doi":"","title":"Alicia Grant and Emily Law, Emerging Voices: New Works, Toronto Dance Theatre, Toronto","year":2017,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Sociology; Media studies; Art; Art history; Political science; Visual arts","score_opus":0.01065050038359913,"score_gpt":0.22430157889298777,"score_spread":0.21365107850938864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805020224","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34675717,0.1564983,0.0004565835,0.009315463,0.0014594113,0.0003837323,0.00007364725,0.00022953849,0.48482615],"genre_scores_gemma":[0.9137608,0.011969627,0.00075366755,0.0011429414,0.00041350423,0.00000301564,0.0000142482595,0.000043694934,0.07189854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985734,0.000053413467,0.00013562267,0.00046107033,0.00021367437,0.0005628066],"domain_scores_gemma":[0.9983898,0.000049856077,0.00022472677,0.00092596223,0.000036671572,0.0003729869],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015139607,0.00025771032,0.00030962407,0.000022348051,0.0014861597,0.000112801485,0.0007595842,0.00018538247,0.000959761],"category_scores_gemma":[0.0000129711325,0.0002852322,0.00011900794,0.000032332548,0.0001553173,0.0014956776,0.0004011509,0.0001369049,0.00011232221],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012720596,0.00024073085,0.013672573,0.00004501069,0.0007166809,0.0016004277,0.016557923,0.00001396699,0.0006832433,0.13041794,0.45310172,0.38167772],"study_design_scores_gemma":[0.0022148765,0.00016042338,0.0450039,0.00011849821,0.00014968478,0.00009404533,0.007279074,0.00003832197,0.00003593341,0.00074409926,0.9437253,0.00043587532],"about_ca_topic_score_codex":0.47974086,"about_ca_topic_score_gemma":0.7610848,"teacher_disagreement_score":0.5670036,"about_ca_system_score_codex":0.0023265805,"about_ca_system_score_gemma":0.000023781411,"threshold_uncertainty_score":0.99996},"labels":[],"label_agreement":null},{"id":"W2805175982","doi":"","title":"Danse macabre — Canada [Québec] 2009, 8 minutes 30 secondes","year":2010,"lang":"fr","type":"article","venue":"S&#233;quences : La revue de cin&#233;ma","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Macabre; Art; Political science; Humanities; Art history","score_opus":0.01181983281748477,"score_gpt":0.24732334888619298,"score_spread":0.2355035160687082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805175982","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70336086,0.024549577,0.00005708894,0.070448354,0.012041879,0.0008456431,0.0025208825,0.00022444756,0.18595128],"genre_scores_gemma":[0.7293035,0.0010148666,0.001493739,0.005781778,0.0025660824,0.000054714612,0.00012191806,0.00013892633,0.25952446],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935665,0.0008384426,0.0010456679,0.0015240179,0.00067785685,0.0023474742],"domain_scores_gemma":[0.99471426,0.0012786045,0.0007209155,0.0016887789,0.0003519922,0.00124543],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.0012473806,0.0010741532,0.0012037792,0.0003047694,0.000750484,0.0003787416,0.0022442564,0.0013120132,0.028640449],"category_scores_gemma":[0.0007771222,0.0012180809,0.00045297618,0.0007945458,0.0014882742,0.00092083175,0.00032323654,0.0026266193,0.0021020514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029394875,0.000702717,0.0879412,0.0017727187,0.00071123283,0.0035816047,0.007862313,0.00004459761,0.004526357,0.009926953,0.85099554,0.031640805],"study_design_scores_gemma":[0.0019672625,0.000492782,0.08455438,0.00085358456,0.00039274135,0.0016705756,0.00430972,0.00015352856,0.001957233,0.0017472423,0.90024465,0.0016562765],"about_ca_topic_score_codex":0.8648493,"about_ca_topic_score_gemma":0.9414857,"teacher_disagreement_score":0.076636404,"about_ca_system_score_codex":0.0006120986,"about_ca_system_score_gemma":0.0034450165,"threshold_uncertainty_score":0.9999845},"labels":[],"label_agreement":null},{"id":"W2806117672","doi":"10.1080/13569783.2018.1473758","title":"Access through the shadows: lessons from applied performance practice research at the borderlands","year":2018,"lang":"en","type":"article","venue":"Research in Drama Education The Journal of Applied Theatre and Performance","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto; Institute for Christian Studies","funders":"","keywords":"Vision; Insider; Queer; Normative; Identity (music); Sociology; Gender studies; Aesthetics; Visual arts; Epistemology; Data science; Computer science; Art; Anthropology","score_opus":0.14600984905638814,"score_gpt":0.4726449726001875,"score_spread":0.32663512354379937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2806117672","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7093353,0.0014844892,0.000009226412,0.025351323,0.00040742513,0.00049199286,0.00000711684,0.0000058309547,0.2629073],"genre_scores_gemma":[0.9906204,0.005325887,0.000057774938,0.0011445152,0.0013534982,0.00005743299,0.000005356906,0.00002032531,0.0014148562],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99652576,0.00078648626,0.00044421223,0.0002719446,0.0012330938,0.0007384929],"domain_scores_gemma":[0.9948723,0.0031874748,0.00029693884,0.0008635702,0.0006601784,0.00011957812],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.009752697,0.00017918847,0.00022358338,0.00023101384,0.0023263777,0.00034489,0.0019882564,0.0001371109,0.0007280634],"category_scores_gemma":[0.000095236064,0.00009007023,0.000042435684,0.0012866216,0.0016840986,0.000768468,0.00054890686,0.0020830021,0.00040009894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0152768465,0.0013945869,0.013481978,0.00012827832,0.00039170496,0.0000046397668,0.17811395,0.0001445699,0.00063189137,0.01713879,0.24318705,0.5301057],"study_design_scores_gemma":[0.0017930866,0.0011134523,0.12774178,0.0003019051,0.00008415178,0.00017011454,0.12949514,0.00017530708,0.002959762,0.009441393,0.7264025,0.0003213734],"about_ca_topic_score_codex":0.0008406132,"about_ca_topic_score_gemma":0.00012398482,"teacher_disagreement_score":0.5297843,"about_ca_system_score_codex":0.00019826945,"about_ca_system_score_gemma":0.0006193783,"threshold_uncertainty_score":0.9989725},"labels":[],"label_agreement":null},{"id":"W2808867457","doi":"10.3138/uram.33.1-2.114","title":"Funeral Dance as the Ultimate Reality and Meaning of the Tujia People of the Qingjiang River Valley of China","year":2010,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Meaning (existential); China; Aesthetics; Geography; Sociology; Art; Philosophy; Archaeology; Epistemology; Visual arts","score_opus":0.021059239118752814,"score_gpt":0.28671713767084606,"score_spread":0.26565789855209326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808867457","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95136094,0.00009457974,0.000052535765,0.0009663343,0.00040847313,0.00028236693,0.00013395424,0.000020968728,0.04667983],"genre_scores_gemma":[0.9991552,0.00008566008,0.00029460632,0.00013088662,0.00004291563,0.0000029332555,0.000004222385,0.000013115344,0.0002704267],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9983452,0.00031217546,0.00040682504,0.00029385282,0.00032045378,0.0003215229],"domain_scores_gemma":[0.99826103,0.0002516295,0.00057386915,0.00074100384,0.00010029764,0.00007214846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012758267,0.00019595078,0.0003964765,0.00003147956,0.00042947193,0.000027424163,0.00052419084,0.00013670599,0.00007822587],"category_scores_gemma":[0.0003488329,0.00011356467,0.00014093051,0.00021773163,0.00077622227,0.00019115779,0.00035488242,0.0004582879,0.0000022622971],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00086452154,0.00054354494,0.31071714,0.0011237885,0.00064661785,0.000006144369,0.25855175,0.00035869895,0.12519203,0.2869411,0.0018184767,0.01323616],"study_design_scores_gemma":[0.0010237634,0.00007660667,0.9798606,0.00024900676,0.00015319727,0.000043598015,0.0022664478,0.00066956517,0.008923331,0.0058798953,0.00066311855,0.00019086967],"about_ca_topic_score_codex":0.0112163685,"about_ca_topic_score_gemma":0.0012552941,"teacher_disagreement_score":0.66914344,"about_ca_system_score_codex":0.000013678245,"about_ca_system_score_gemma":0.00003820244,"threshold_uncertainty_score":0.995368},"labels":[],"label_agreement":null},{"id":"W2810703644","doi":"10.29173/pandpr29358","title":"On the Lived, Imagined Body: A Phenomenological Praxis of a Somatic Architecture","year":2018,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Phenomenology (philosophy); Praxis; Lived experience; Conceptualization; Aesthetics; Visual arts; Contemporary dance; Psychology; Art; Psychoanalysis; Philosophy; Epistemology","score_opus":0.032925324929895625,"score_gpt":0.32122374046644464,"score_spread":0.288298415536549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2810703644","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46500045,0.00040057255,0.001377842,0.050029416,0.000736604,0.0005797382,0.000025473073,0.00014065119,0.48170924],"genre_scores_gemma":[0.9878318,0.00002209662,0.0014972425,0.00851704,0.00025908713,0.00004434101,0.000004656824,0.00002330734,0.0018004556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975481,0.00078019133,0.00034412436,0.00047674222,0.00025327483,0.00059758784],"domain_scores_gemma":[0.9956576,0.0026516542,0.00047610034,0.0009300815,0.00018424522,0.00010029238],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00071688904,0.00026279158,0.00037031237,0.00015444681,0.00027426175,0.000032738106,0.00079412764,0.00018344128,0.0070577664],"category_scores_gemma":[0.0022425973,0.00016433743,0.000091803035,0.00035658432,0.0012483817,0.00022288894,0.00022760114,0.0006629518,0.0034139121],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007157549,0.0048314314,0.0012197491,0.000051767754,0.0023674783,0.00015779465,0.067016296,0.000010239752,0.004549544,0.8677158,0.024428984,0.02049336],"study_design_scores_gemma":[0.008715731,0.02755931,0.03330544,0.00015714671,0.0013933245,0.0010908009,0.06546123,0.00011716049,0.0012045843,0.3343738,0.52478045,0.0018409793],"about_ca_topic_score_codex":0.00010342899,"about_ca_topic_score_gemma":0.000004277792,"teacher_disagreement_score":0.533342,"about_ca_system_score_codex":0.000057489895,"about_ca_system_score_gemma":0.00006468598,"threshold_uncertainty_score":0.997362},"labels":[],"label_agreement":null},{"id":"W2832419366","doi":"10.1386/jdsp.10.1.65_1","title":"The Porous Body: Cultivating malleability in traditional dance training","year":2018,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Malleability; Dance; Metaphor; Performative utterance; Aesthetics; Feeling; Psychology; Sociology; Visual arts; Art; Social psychology; Computer science; Linguistics","score_opus":0.15411426896183542,"score_gpt":0.38217794900685403,"score_spread":0.22806368004501862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2832419366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9734113,0.0004645777,0.0002929679,0.0051268823,0.0012307869,0.000117277246,0.000006412145,0.0000130135795,0.019336743],"genre_scores_gemma":[0.9950939,0.000052717292,0.003377978,0.0003674757,0.00074497215,0.000003680457,5.393572e-7,0.000009609797,0.00034913907],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9979488,0.00038342437,0.00068802974,0.00016862618,0.00046358665,0.00034749613],"domain_scores_gemma":[0.99473995,0.0020584844,0.002657344,0.00026219556,0.00019058296,0.00009143469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026091454,0.00013664905,0.00027958583,0.000069156944,0.00034123127,0.00013128907,0.00056567887,0.00007112695,0.0003225265],"category_scores_gemma":[0.004233257,0.00008904809,0.00008764504,0.00023198569,0.00032854205,0.0017387854,0.000036378216,0.00058180664,0.000057849647],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00462433,0.0044663507,0.5554388,0.0002891763,0.0014027446,0.00091368076,0.1786112,0.00010321491,0.008361597,0.032066263,0.037551656,0.17617097],"study_design_scores_gemma":[0.0021308262,0.0010893495,0.92543554,0.0005066717,0.00007524981,0.0009232084,0.037596636,0.00026678783,0.00023987357,0.008687182,0.022767143,0.00028153247],"about_ca_topic_score_codex":0.00004752081,"about_ca_topic_score_gemma":0.000056527366,"teacher_disagreement_score":0.36999673,"about_ca_system_score_codex":0.000099947894,"about_ca_system_score_gemma":0.00019210856,"threshold_uncertainty_score":0.50679094},"labels":[],"label_agreement":null},{"id":"W2880555205","doi":"10.31581/jbs-27.4.1(2017)","title":"Anecdote of the Jar","year":2017,"lang":"en","type":"article","venue":"The Journal of Bahá’í Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anecdote; JAR; Art; Computer science; Literature; Programming language","score_opus":0.1291500052617179,"score_gpt":0.41028175666036615,"score_spread":0.2811317513986482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2880555205","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96272737,0.0048576077,0.000009674129,0.008124915,0.0016098635,0.000047641464,0.0000058747337,0.0000021344658,0.022614907],"genre_scores_gemma":[0.9965476,0.0006899981,0.000028315482,0.00022840194,0.00017373047,1.2603594e-7,1.1520669e-8,0.0000033603142,0.0023284722],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99938995,0.000087386004,0.00018124601,0.000035816705,0.00018702332,0.00011856458],"domain_scores_gemma":[0.9985519,0.0001555671,0.000693624,0.00042594422,0.00015161412,0.000021372964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066407694,0.00006491706,0.00020439673,0.00002054524,0.00048778777,0.000013457643,0.00086963724,0.000023081222,0.000076104276],"category_scores_gemma":[0.00032568848,0.000029653404,0.00011137526,0.000027737426,0.000478886,0.00012476473,0.00022006847,0.0001800983,0.00002825274],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019668564,0.0006747013,0.19324555,0.00013085936,0.0069278223,0.00009748549,0.13696228,0.000064700114,0.004329886,0.011216563,0.6161656,0.028217716],"study_design_scores_gemma":[0.0009023336,0.0003495136,0.96767,0.000120175624,0.0002914535,0.000101640915,0.013459782,5.811156e-7,0.0011324952,0.0026770164,0.013219732,0.00007527545],"about_ca_topic_score_codex":0.000039885057,"about_ca_topic_score_gemma":0.000012396623,"teacher_disagreement_score":0.77442443,"about_ca_system_score_codex":0.000013118449,"about_ca_system_score_gemma":0.000015277763,"threshold_uncertainty_score":0.37517184},"labels":[],"label_agreement":null},{"id":"W2883625635","doi":"","title":"Creating original Ukrainian dance in Canada – an autobiographical reflection of a 40-Year creative journey with the Ukrainian Shumka Dancers of Canada","year":2014,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ukrainian; Dance; Reflection (computer programming); History; Visual arts; Art; Linguistics","score_opus":0.017759207114244897,"score_gpt":0.2728806805548473,"score_spread":0.25512147344060243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883625635","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8757365,0.000017490294,0.00006241258,0.0009085947,0.00014339284,0.00013614539,0.00003642492,0.000009172821,0.1229499],"genre_scores_gemma":[0.99835366,0.000004169459,0.00050233776,0.00045810887,0.000046398134,0.0000052364494,0.0000050267563,0.000010974705,0.0006141168],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99848294,0.00025225093,0.00026413501,0.00026102448,0.00036660087,0.00037307353],"domain_scores_gemma":[0.9989718,0.00017808109,0.0002565285,0.000335379,0.00011296676,0.00014522739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004036006,0.00015639485,0.00029920432,0.00010465773,0.00013329378,0.000012285328,0.00032042334,0.000057089535,0.0005544604],"category_scores_gemma":[0.000064464126,0.00011250183,0.00003394042,0.00058001356,0.00020152728,0.00014021726,0.00002123438,0.00028091867,6.5548596e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004502409,0.000514667,0.81853825,0.0001404369,0.00076325354,0.00008475345,0.13650447,0.0019327996,0.0008466327,0.014096518,0.0144894775,0.0075863507],"study_design_scores_gemma":[0.0022647188,0.0013341691,0.9203991,0.00017865284,0.000053741333,0.000022122482,0.03661812,0.0005327702,0.00049765676,0.000029527824,0.037706893,0.00036248166],"about_ca_topic_score_codex":0.99864125,"about_ca_topic_score_gemma":0.9997386,"teacher_disagreement_score":0.12261716,"about_ca_system_score_codex":0.00036970645,"about_ca_system_score_gemma":0.0020188973,"threshold_uncertainty_score":0.60709524},"labels":[],"label_agreement":null},{"id":"W2883929609","doi":"10.17870/bathspa.c.4967579","title":"Very Clear Instructions (2018)","year":2020,"lang":"en","type":"article","venue":"ResearchSPAce (Bath Spa University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Visual arts; Choreography; Conversation; Exhibition; Gesture; Movement (music); Action (physics); Aesthetics; Art; Narrative; Sociology; Literature; Communication; Linguistics; Philosophy","score_opus":0.08490151252679681,"score_gpt":0.28827420514344576,"score_spread":0.20337269261664895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883929609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4280049,0.000107401254,0.0010099444,0.018683065,0.0005761831,0.00031381365,0.00010545729,0.00032637522,0.55087286],"genre_scores_gemma":[0.90262777,0.00019995403,0.0005432191,0.0006732533,0.00028690082,4.2502035e-7,0.000013943064,0.000028412955,0.09562611],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841493,0.00017651774,0.00007608026,0.00040040782,0.00037664484,0.0005553973],"domain_scores_gemma":[0.9988626,0.0000825463,0.00005006056,0.0003553986,0.00008869006,0.00056067616],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013153916,0.00013850885,0.00017711056,0.0003178563,0.00034586038,0.000058443005,0.00067894784,0.0001310977,0.0037018072],"category_scores_gemma":[0.00011044538,0.00016644418,0.00011572327,0.0011339633,0.0003104196,0.0004672719,0.00037424953,0.00050611823,0.004184627],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0033141489,0.00050158676,0.028727014,0.00009320288,0.0005643085,0.0022790635,0.010072008,0.00008625735,0.0010889007,0.23615603,0.7065654,0.010552069],"study_design_scores_gemma":[0.0013949521,0.0006091436,0.021905549,0.00001649921,0.000029050356,0.000011065593,0.011079046,0.00005107845,0.00008419918,0.00007235948,0.96450484,0.0002422189],"about_ca_topic_score_codex":0.0004380669,"about_ca_topic_score_gemma":0.000041910032,"teacher_disagreement_score":0.47462288,"about_ca_system_score_codex":0.00013322469,"about_ca_system_score_gemma":0.00012406867,"threshold_uncertainty_score":0.99720895},"labels":[],"label_agreement":null},{"id":"W2884755031","doi":"10.1016/j.rehab.2018.05.940","title":"The effectiveness of dance therapy as an adjunct to rehabilitation of persons with a physical disability","year":2018,"lang":"en","type":"article","venue":"Annals of Physical and Rehabilitation Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Computer Research Institute of Montréal; McGill University; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Concordia University; Université de Montréal","funders":"","keywords":"Rehabilitation; Dance; Physical therapy; Modalities; Intervention (counseling); Psychology; Physical medicine and rehabilitation; Medicine; Psychiatry","score_opus":0.026804440563557606,"score_gpt":0.3778841502316746,"score_spread":0.35107970966811697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884755031","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9947136,0.00006120328,0.00006171227,0.0036949436,0.00006364182,0.00050258473,0.000018509096,0.000008630817,0.00087519916],"genre_scores_gemma":[0.9995831,0.0000041730254,0.00012741718,0.000084567364,0.0001368868,0.000022798335,0.0000035201654,0.0000070078395,0.000030484312],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99841624,0.0006297348,0.00021561499,0.0002694448,0.00031658256,0.00015238821],"domain_scores_gemma":[0.99317145,0.005715432,0.00015233878,0.00037438326,0.0004822526,0.00010416602],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010526465,0.0001238622,0.0003960456,0.00004043846,0.00008441553,0.0000027298743,0.00014606948,0.000033641027,0.000018357327],"category_scores_gemma":[0.0011144624,0.00006787293,0.00008421006,0.0003384195,0.0037202318,0.00015237581,0.000020807722,0.00007740267,0.0000035033772],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.039251495,0.010189331,0.1307756,0.0011714011,0.00048368552,6.50885e-7,0.35422012,0.00003548192,0.17764473,0.18082894,0.0014858459,0.1039127],"study_design_scores_gemma":[0.0012287515,0.050505105,0.91953665,0.0002961018,0.00002434627,4.3707527e-7,0.008760395,0.00004040364,0.0051261513,0.014148267,0.00024644015,0.00008695694],"about_ca_topic_score_codex":0.00046517944,"about_ca_topic_score_gemma":0.000021190679,"teacher_disagreement_score":0.788761,"about_ca_system_score_codex":0.0000070253764,"about_ca_system_score_gemma":0.00001976606,"threshold_uncertainty_score":0.9989911},"labels":[],"label_agreement":null},{"id":"W2890836402","doi":"10.3968/10562","title":"Research on the Status and Development Countermeasures of Square Dance Based on Yongchuan District of Chongqing","year":2018,"lang":"en","type":"article","venue":"Canadian social science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Research Object; SWOT analysis; Square (algebra); Object (grammar); Sociology; Visual arts; Computer science; Mathematics; Management; Art; Regional science; Economics; Artificial intelligence","score_opus":0.10622690600127589,"score_gpt":0.3719490676359079,"score_spread":0.265722161634632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890836402","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84657115,0.00001689742,0.000008654492,0.00034083903,0.00014884198,0.000100383666,0.000058402944,0.000002952245,0.15275188],"genre_scores_gemma":[0.9995286,0.0000010534131,0.000016810798,0.0003146617,0.000038920945,0.00000228869,8.3157653e-7,0.0000026060936,0.00009424924],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986728,0.0000787692,0.00008526246,0.00018060998,0.0004935575,0.00048902177],"domain_scores_gemma":[0.9992375,0.00012178784,0.000050669183,0.00015187831,0.00022182219,0.00021637222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009755365,0.00005262978,0.00007639453,0.00013979884,0.0007732821,0.00003310759,0.00036978527,0.00003507291,0.00016638573],"category_scores_gemma":[0.0002214955,0.000042861313,0.000012091133,0.00064653455,0.0022111598,0.00006059744,0.000024101815,0.000115380884,0.000020836838],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037535068,0.00026612508,0.6589104,0.00007048539,0.000052925632,0.000021041955,0.06939719,0.0000050338363,0.0017713611,0.12440154,0.030937497,0.11379108],"study_design_scores_gemma":[0.00017581515,0.00022769262,0.97474164,0.00005750272,0.0000014640585,1.333193e-7,0.008153261,0.000011123014,0.0011772355,0.000036801062,0.0153452195,0.00007214005],"about_ca_topic_score_codex":0.011398319,"about_ca_topic_score_gemma":0.011092413,"teacher_disagreement_score":0.31583124,"about_ca_system_score_codex":0.00031246833,"about_ca_system_score_gemma":0.0010218289,"threshold_uncertainty_score":0.99518484},"labels":[],"label_agreement":null},{"id":"W2891791610","doi":"10.31866/2410-1915.19.2018.141351","title":"TETIANA BOROVYK’S STAGE PERFORMANCE IN THE CONTEXT OF THE DEVELOPMENT OF UKRAINIAN BALLET IN THE LAST QUARTER OF THE 20TH AND THE BEGINNING OF THE 21ST CENTURY","year":2018,"lang":"en","type":"article","venue":"Culture and art in the modern world","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Opera; Style (visual arts); Art; Context (archaeology); Elegance; Lyricism; Visual arts; Quarter (Canadian coin); Poetry; Art history; Literature; Dance; History","score_opus":0.01809743788131135,"score_gpt":0.2484665326511466,"score_spread":0.23036909476983525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891791610","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9524307,0.0007656013,0.000002441333,0.006548508,0.00016108943,0.00060422,0.00003430812,0.0000020664188,0.039451037],"genre_scores_gemma":[0.9967544,0.00007353337,0.000012153229,0.0022683898,0.000038450293,0.000012273376,0.0000015477389,0.0000056963404,0.00083354587],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99837583,0.0005697186,0.0003514134,0.00016090738,0.00031505647,0.00022707215],"domain_scores_gemma":[0.9988237,0.000219611,0.00028502799,0.00061371777,0.00004451783,0.000013420842],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013039876,0.00015863462,0.0002420842,0.00003828866,0.00025331142,0.000025626392,0.0011800705,0.00005993328,0.000029981185],"category_scores_gemma":[0.0000355855,0.000050190178,0.000080875485,0.00035666733,0.0011033195,0.00008587512,0.00017460341,0.00041456107,0.0000019358167],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002201138,0.00021422606,0.06785383,0.00005768104,0.0000639104,5.8202386e-7,0.9190942,0.000012308681,0.00020666054,0.0057386663,0.0035952127,0.0029425977],"study_design_scores_gemma":[0.0022617271,0.00011083177,0.7219132,0.00049197767,0.000046448364,0.000009411012,0.17387474,0.0000908841,0.0005337133,0.00038826306,0.10012907,0.00014973276],"about_ca_topic_score_codex":0.00009148463,"about_ca_topic_score_gemma":0.0039639124,"teacher_disagreement_score":0.74521947,"about_ca_system_score_codex":0.0000122171805,"about_ca_system_score_gemma":0.000037197915,"threshold_uncertainty_score":0.40652263},"labels":[],"label_agreement":null},{"id":"W2895013564","doi":"10.3366/drs.2018.0221","title":"Parisian Music-Hall Ballet through the Eyes of its Critics","year":2018,"lang":"en","type":"article","venue":"Dance Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Ballet; Spectacle; Dance; Choreography; Art; Viewpoints; Visual arts; Musical; Period (music); Classical ballet; Concert dance; Performance art; Art history; Aesthetics","score_opus":0.28771447248526555,"score_gpt":0.49619255138752516,"score_spread":0.2084780789022596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2895013564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26983884,0.001981362,0.00025531492,0.006678275,0.0007166972,0.00036167123,0.0001040707,0.000036161735,0.7200276],"genre_scores_gemma":[0.99103427,0.00020711681,0.00025941603,0.00050067645,0.00041466954,0.000009850402,0.00000394328,0.000012046158,0.0075579826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807286,0.00034369915,0.00015656253,0.00024812922,0.0005775797,0.0006011449],"domain_scores_gemma":[0.9983883,0.00039445417,0.000042440577,0.0006467586,0.00045501417,0.00007304133],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009787863,0.000087440974,0.00014577589,0.000059642196,0.00032273406,0.00004226818,0.0008548605,0.00009674892,0.0033764697],"category_scores_gemma":[0.00039116366,0.00006628634,0.000051631738,0.00041915278,0.0010259598,0.0001819546,0.00023971345,0.0004107973,0.0021904933],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026751385,0.00044600555,0.003334242,0.00008662006,0.00012047263,0.000036540634,0.025474032,0.0000010515708,0.0012951064,0.24685794,0.7132131,0.008867362],"study_design_scores_gemma":[0.0007689803,0.0010112904,0.047007877,0.00011529603,0.000013857891,0.000010525239,0.011833518,0.00003410266,0.0047990982,0.007781373,0.9264229,0.00020121306],"about_ca_topic_score_codex":0.0004938595,"about_ca_topic_score_gemma":0.00013078342,"teacher_disagreement_score":0.72119546,"about_ca_system_score_codex":0.000028036398,"about_ca_system_score_gemma":0.00006246171,"threshold_uncertainty_score":0.9985864},"labels":[],"label_agreement":null},{"id":"W2896595916","doi":"10.15273/jue.v8i2.8689","title":"Acute Awareness of the Self and Interaction: Responsive Embodiment among Dancers and Sociologists","year":2018,"lang":"en","type":"article","venue":"Journal for Undergraduate Ethnography","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Disenchantment; Alienation; Psychology of self; Psychology; Dance; Socialization; Feeling; Aesthetics; Social psychology; Self; Sociology; Psychoanalysis; Visual arts; Politics; Art","score_opus":0.043618723385179164,"score_gpt":0.37087397832129865,"score_spread":0.3272552549361195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896595916","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.991374,0.00034947868,0.0003823094,0.004172727,0.0022827492,0.00020327637,0.000029045732,0.000018404766,0.0011879752],"genre_scores_gemma":[0.9984619,0.000339493,0.0003457741,0.00032818082,0.00014596304,0.000005522203,0.0000011275241,0.0000094269535,0.00036263227],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990471,0.0001643467,0.0002224342,0.00018473613,0.00014550958,0.00023586141],"domain_scores_gemma":[0.9989867,0.00020617466,0.00034928924,0.0001774759,0.00018187054,0.00009846782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037951404,0.00013313713,0.0001984986,0.00015955557,0.0006124947,0.00005268666,0.00018992047,0.00010549261,0.000019404406],"category_scores_gemma":[0.000037380974,0.00009384297,0.00016875145,0.00020199205,0.00085127674,0.00024388332,0.00007926238,0.0002821996,0.0000018217936],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0064247595,0.0007102794,0.67704386,0.00018068863,0.008363574,0.00004431137,0.0768302,0.000012842611,0.0033869161,0.021670973,0.19062005,0.014711562],"study_design_scores_gemma":[0.005565968,0.0035314155,0.8871609,0.00036291045,0.0008709508,0.0004250566,0.024572266,0.0000873955,0.0034006673,0.045372583,0.028069794,0.00058010774],"about_ca_topic_score_codex":0.000037641857,"about_ca_topic_score_gemma":0.00003223028,"teacher_disagreement_score":0.21011703,"about_ca_system_score_codex":0.00002958191,"about_ca_system_score_gemma":0.000041717707,"threshold_uncertainty_score":0.4710876},"labels":[],"label_agreement":null},{"id":"W2897609641","doi":"10.1177/1073110518804233","title":"Integrating Citizenship, Embodiment, and Relationality: Towards a Reconceptualization of Dance and Dementia in Long-Term Care","year":2018,"lang":"en","type":"article","venue":"The Journal of Law Medicine & Ethics","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":33,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Public Health Ontario","funders":"","keywords":"Dance; Flourishing; Empowerment; Embodied cognition; Dementia; Psychology; Sociology; Context (archaeology); Creativity; Aesthetics; Psychotherapist; Social psychology; Epistemology; Medicine; Political science; Visual arts","score_opus":0.11061043407246418,"score_gpt":0.40597104822060387,"score_spread":0.2953606141481397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2897609641","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9689735,0.006487749,0.0015200254,0.0043006856,0.0003719745,0.00008794767,0.000004975672,0.000003384969,0.018249767],"genre_scores_gemma":[0.9980999,0.00037094537,0.00022458872,0.0010819572,0.00016993516,2.1724179e-7,0.000002530522,0.0000045882625,0.000045337656],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9988304,0.0003798273,0.00036073322,0.00006930603,0.00026314243,0.00009662052],"domain_scores_gemma":[0.9986613,0.0004415934,0.0004102736,0.00010268659,0.00033675617,0.000047415815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020985901,0.00007247793,0.00019597018,0.000057195866,0.00010199609,0.000006690781,0.00012144381,0.00010077465,0.00015304338],"category_scores_gemma":[0.00047772322,0.00004852945,0.000015919197,0.00009362391,0.0009423123,0.00010846435,0.000037382222,0.000517479,7.4261595e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057133404,0.000049199956,0.27004674,0.0002393791,0.00027675118,0.000017920507,0.5343518,0.0000037117225,0.00077538274,0.18514891,0.0009009261,0.0076179234],"study_design_scores_gemma":[0.00513741,0.002897061,0.9079849,0.0039196773,0.0005574482,0.0003102011,0.051220145,0.00002629826,0.00081524457,0.026162608,0.0007583963,0.00021062102],"about_ca_topic_score_codex":0.00023199464,"about_ca_topic_score_gemma":0.00031920397,"teacher_disagreement_score":0.63793814,"about_ca_system_score_codex":0.00001954363,"about_ca_system_score_gemma":0.000050653132,"threshold_uncertainty_score":0.3471989},"labels":[],"label_agreement":null},{"id":"W2898697371","doi":"10.3138/ctr.176.011","title":"Black Lives Matter Toronto: Urgency as Choreographic Necessity","year":2018,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Black Power; Embodied cognition; Politics; Narrative; Sociology; Power (physics); Gender studies; Public space; Aesthetics; Dance; State (computer science); Media studies; Law; Visual arts; Political science; Art; Literature; Engineering; Epistemology","score_opus":0.018127763473573852,"score_gpt":0.2963815603992018,"score_spread":0.27825379692562796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898697371","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011075285,0.18833916,0.0000020965422,0.0035135117,0.00067635416,0.00034030358,0.000056016735,0.000029988843,0.7959673],"genre_scores_gemma":[0.7868855,0.1154186,0.0000778656,0.072641134,0.0010344572,0.000028411814,0.00004817722,0.000060223694,0.023805635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876,0.00013031822,0.00018559104,0.00030554473,0.00010396403,0.0005146245],"domain_scores_gemma":[0.9985841,0.000020498053,0.00006926831,0.00060672686,0.00005601676,0.0006634273],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020136843,0.00017831876,0.0003004512,0.00005537611,0.0001675598,0.000029397695,0.00042260208,0.000081502956,0.13399349],"category_scores_gemma":[0.000015518863,0.00016281911,0.0001620731,0.00020994717,0.00023469453,0.00020520343,0.000026680094,0.00011395665,0.028063854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008363465,0.000042105192,0.031477597,0.0004648157,0.00012621934,0.000057575693,0.0011047482,6.2928156e-9,0.0000019050101,0.0015535684,0.86099344,0.10416967],"study_design_scores_gemma":[0.000106074964,0.00010185324,0.050709195,0.0010041608,0.00009401966,0.000031483232,0.00019595656,1.4207876e-7,0.0000019282909,0.00021075636,0.9473218,0.00022267074],"about_ca_topic_score_codex":0.21484466,"about_ca_topic_score_gemma":0.25079376,"teacher_disagreement_score":0.7758102,"about_ca_system_score_codex":0.000121197634,"about_ca_system_score_gemma":0.00015559353,"threshold_uncertainty_score":0.9726929},"labels":[],"label_agreement":null},{"id":"W2898860627","doi":"10.3138/ctr.176.009","title":"<i>Choreo Graph</i> | Women’s Marches: A Photo-Assemblage","year":2018,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Assemblage (archaeology); History; Genealogy; Geography; Archaeology","score_opus":0.025200077082824863,"score_gpt":0.2853627344827103,"score_spread":0.2601626573998855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898860627","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02281841,0.1098137,0.00000988786,0.0032513263,0.00090413005,0.0006833141,0.00020034575,0.00007761014,0.86224127],"genre_scores_gemma":[0.75235075,0.078556225,0.00020169372,0.14566453,0.0011530594,0.00028815374,0.00006983755,0.00012338666,0.021592341],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837685,0.00015053463,0.00020574301,0.0003334957,0.00012999974,0.000803373],"domain_scores_gemma":[0.9982263,0.00003805487,0.000066950866,0.0006843628,0.000057170677,0.00092719257],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00043395953,0.00019725571,0.00036389666,0.00015148162,0.0001793393,0.000032168096,0.0004920692,0.000095412026,0.020146672],"category_scores_gemma":[0.000029536764,0.00018477334,0.00013746398,0.00046929935,0.00018327689,0.00011337853,0.000028860783,0.00017286303,0.0068879277],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001698469,0.000045817225,0.0011204004,0.00060276635,0.0001368197,0.00014767377,0.0016837564,7.197596e-9,0.000018071974,0.0021380845,0.8115042,0.18258545],"study_design_scores_gemma":[0.00019727144,0.0001517473,0.0014799725,0.00096719095,0.000045436933,0.000048675476,0.00029586375,1.11392346e-7,0.000010453785,0.00033073124,0.99625,0.00022254826],"about_ca_topic_score_codex":0.037931256,"about_ca_topic_score_gemma":0.046582226,"teacher_disagreement_score":0.84064895,"about_ca_system_score_codex":0.00033054888,"about_ca_system_score_gemma":0.00028848555,"threshold_uncertainty_score":0.99388534},"labels":[],"label_agreement":null},{"id":"W2903007935","doi":"10.1136/bmjopen-2018-026912","title":"Improving social inclusion for people with dementia and carers through sharing dance: a qualitative sequential continuum of care pilot study protocol","year":2018,"lang":"en","type":"article","venue":"BMJ Open","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":54,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba; Toronto Rehabilitation Institute; University Health Network; Toronto Metropolitan University; Brandon University; Trent University","funders":"Institute of Aging; Alzheimer Society; Canadian Institutes of Health Research; Trent University; Alzheimer Society of Manitoba; Canada Research Chairs","keywords":"Inclusion (mineral); Thematic analysis; Qualitative research; Dance; Medicine; Nursing; Focus group; Medical education; Gerontology; Public relations; Sociology; Social science","score_opus":0.1454214272774779,"score_gpt":0.5007908731473818,"score_spread":0.35536944586990393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903007935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7359722,0.000007101514,0.00094089686,0.00008068786,0.0001490815,0.25522467,0.00010125684,0.00001970987,0.0075043626],"genre_scores_gemma":[0.9415531,2.931728e-8,0.0014373407,0.00006053898,0.0001271896,0.056501444,0.000009677316,0.000015558378,0.00029508505],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99887323,0.0001455153,0.00021889673,0.0003402226,0.00019394301,0.00022818701],"domain_scores_gemma":[0.9991771,0.000042878288,0.00029810096,0.00020362844,0.00024433443,0.000033977354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059980643,0.00012759917,0.00030608714,0.000029246276,0.00061721273,0.00008408658,0.000426144,0.000035893212,0.000110308916],"category_scores_gemma":[0.000033335135,0.00011275153,0.000024622605,0.00010302621,0.00013480577,0.00042764633,0.0016775039,0.000059506077,0.0000031678967],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.013460794,0.0004945513,0.038967393,0.00040994986,0.00034439255,0.000003739802,0.94198567,2.142023e-7,0.0008002383,0.00074314646,0.0016129098,0.0011769894],"study_design_scores_gemma":[0.031300932,0.04232073,0.07826659,0.00034687534,0.00036121596,0.0000063437383,0.84324527,0.000015037849,0.0017397378,0.00069373456,0.0010681651,0.000635381],"about_ca_topic_score_codex":0.009131111,"about_ca_topic_score_gemma":0.017970214,"teacher_disagreement_score":0.2055809,"about_ca_system_score_codex":0.00004069658,"about_ca_system_score_gemma":0.00008801696,"threshold_uncertainty_score":0.9999493},"labels":[],"label_agreement":null},{"id":"W2904069025","doi":"10.26512/dramaturgias.v0i8.14988","title":"Ballets inspires par l'Antiquite greco-romaine","year":2018,"lang":"fr","type":"article","venue":"Dramaturgias","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024086456875023567,"score_gpt":0.3242976568560479,"score_spread":0.3002111999810243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904069025","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5428469,0.0071979323,0.00018581378,0.019074423,0.01485848,0.00030916548,0.00029431167,0.00019795976,0.415035],"genre_scores_gemma":[0.8511725,0.00044042687,0.0010383928,0.0059327837,0.0029562803,0.0000051938773,0.000052388594,0.000059836962,0.13834219],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725974,0.0003077481,0.0003894014,0.00062297046,0.00033545928,0.0010846888],"domain_scores_gemma":[0.9982399,0.0001578235,0.00022768101,0.0008249991,0.00016160336,0.00038801724],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045591095,0.0004111114,0.00046936236,0.00017183066,0.00040915355,0.00018727225,0.0006903794,0.0006093991,0.025035212],"category_scores_gemma":[0.00015404331,0.0004523172,0.00023369605,0.0004298136,0.0011418409,0.00049668585,0.00026433743,0.0005476554,0.034447245],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005312365,0.00093241676,0.0047605108,0.0001489155,0.0004620162,0.0005403014,0.00878186,0.0000012958125,0.0007240961,0.029863695,0.89032996,0.06292368],"study_design_scores_gemma":[0.0016335701,0.0008783238,0.0734441,0.0002538526,0.00010899606,0.00015543232,0.0003905709,0.0000349045,0.000929353,0.0014417701,0.92022496,0.0005041494],"about_ca_topic_score_codex":0.0005760345,"about_ca_topic_score_gemma":0.000114775794,"teacher_disagreement_score":0.3083256,"about_ca_system_score_codex":0.000091119604,"about_ca_system_score_gemma":0.00008483159,"threshold_uncertainty_score":0.9997929},"labels":[],"label_agreement":null},{"id":"W2905149870","doi":"10.4324/9781315813578-7","title":"Creative Dance Education in a Singapore Primary School","year":2015,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Dance education; Primary (astronomy); Visual arts; Pedagogy; Mathematics education; Sociology; Psychology; Art; Physics","score_opus":0.049341728734600555,"score_gpt":0.3265148614886095,"score_spread":0.2771731327540089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905149870","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00041423488,0.0018453659,0.000026827578,0.00023874758,0.0007357914,0.0002898028,0.000040928888,0.000047545713,0.9963608],"genre_scores_gemma":[0.0011197142,0.000053616903,0.0004189738,0.0013014298,0.0002329083,0.000006035879,0.00014088032,0.000026007505,0.9967004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990514,0.000022719874,0.00019305492,0.00034928418,0.00019515974,0.00018839473],"domain_scores_gemma":[0.9991613,0.000028329534,0.00016033681,0.00037738122,0.000120923236,0.00015172531],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014258757,0.0002206504,0.00029715314,0.00019896332,0.000028762162,0.000024032986,0.00023361796,0.00033755918,0.014873287],"category_scores_gemma":[0.000037110633,0.00022667917,0.00006280405,0.000030874682,0.000088692235,0.00018814624,0.000067111316,0.000430032,0.004523309],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014003541,0.00017140347,0.00080003106,0.000027151036,0.00006565131,0.000023877259,0.0006979915,4.284662e-7,0.0000031198078,0.2328291,0.7287133,0.03652797],"study_design_scores_gemma":[0.0006268466,0.00017068059,0.017317036,0.00036745163,0.000038016085,0.000014830013,0.000547059,2.8485206e-7,0.0000018168727,0.029706096,0.95079327,0.0004166003],"about_ca_topic_score_codex":0.00034239684,"about_ca_topic_score_gemma":0.000066298184,"teacher_disagreement_score":0.22208002,"about_ca_system_score_codex":0.000380176,"about_ca_system_score_gemma":0.0008516156,"threshold_uncertainty_score":0.99625176},"labels":[],"label_agreement":null},{"id":"W2906620366","doi":"10.7202/1054381ar","title":"“Embodiment and Subjectivity”: Intersectional Black Feminist Curatorial Practices in Canada","year":2018,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Subjectivity; Ethnology; Sociology; Philosophy","score_opus":0.027493126222289523,"score_gpt":0.2772617713272059,"score_spread":0.2497686451049164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906620366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9156373,0.00042348998,0.0000044842145,0.0067492137,0.014608268,0.000238497,0.0003404514,0.000009733151,0.06198854],"genre_scores_gemma":[0.97707266,0.00006862133,0.000050854618,0.0010909288,0.0025753765,0.000006049869,0.000020053049,0.000020668249,0.019094795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978955,0.00026795486,0.00031380844,0.0005517971,0.00014232993,0.00082864094],"domain_scores_gemma":[0.9984374,0.0002868639,0.00038283202,0.00030710737,0.00009200777,0.0004938034],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00053068774,0.00024883685,0.00033915424,0.00013018626,0.00020350887,0.000068016576,0.00021852106,0.00016252648,0.0020312537],"category_scores_gemma":[0.00039898293,0.00032292414,0.000046354762,0.0002899626,0.00045171325,0.0003642985,0.000105762876,0.00047532623,0.00035469382],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016756598,0.00079750427,0.38612726,0.00043403264,0.00071668765,0.0021804203,0.02868873,0.000031847503,0.0003271999,0.06934235,0.47527117,0.034407116],"study_design_scores_gemma":[0.001243468,0.00054824393,0.053483717,0.00021192824,0.00006862449,0.0002925588,0.006569549,0.00017836833,0.000070229566,0.00019453392,0.936771,0.00036780245],"about_ca_topic_score_codex":0.9846903,"about_ca_topic_score_gemma":0.9994476,"teacher_disagreement_score":0.4614998,"about_ca_system_score_codex":0.0023562266,"about_ca_system_score_gemma":0.0013992193,"threshold_uncertainty_score":0.9999223},"labels":[],"label_agreement":null},{"id":"W2907835394","doi":"","title":"The Body Triad, Whiteness and Agency: The Not-So-Sporty Experiences of Punjabi-Canadian Women","year":2018,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Triad (sociology); Agency (philosophy); Gender studies; Political science; Sociology; Social science","score_opus":0.021833941116261,"score_gpt":0.3333510917573829,"score_spread":0.3115171506411219,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907835394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91834724,0.00094190467,9.604892e-7,0.00046716296,0.0020303975,0.00027023035,0.00002035868,0.000013134813,0.0779086],"genre_scores_gemma":[0.8946461,0.00019268093,0.000007550969,0.00023680151,0.00014635266,0.00006224005,0.000036594898,0.000015813355,0.10465585],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99879646,0.00009892852,0.00019150507,0.00027016588,0.00022415543,0.00041881183],"domain_scores_gemma":[0.99886227,0.00011925924,0.00026868854,0.0004923984,0.000097116594,0.00016025806],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004958629,0.00019147851,0.00025580323,0.00007927231,0.0005627767,0.000098072676,0.0005829278,0.0002162425,0.0020385224],"category_scores_gemma":[0.00009239796,0.00011763486,0.00006355976,0.00017864685,0.00030421192,0.00007715253,0.000023695535,0.00019686701,0.000093449715],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047585173,0.00002983305,0.00048727688,0.00002789613,0.00013565118,0.000008497395,0.97273296,5.4413146e-8,0.00005732442,0.0014067815,0.016421307,0.008216555],"study_design_scores_gemma":[0.0003847253,0.00022008411,0.085524425,0.000043649175,0.00004650786,0.000003504486,0.7704875,0.0000013173186,0.00026321414,0.00025345414,0.14254786,0.00022379195],"about_ca_topic_score_codex":0.016784132,"about_ca_topic_score_gemma":0.021652866,"teacher_disagreement_score":0.2022455,"about_ca_system_score_codex":0.00004736061,"about_ca_system_score_gemma":0.0002648055,"threshold_uncertainty_score":0.9988738},"labels":[],"label_agreement":null},{"id":"W2910219085","doi":"10.7202/1055243ar","title":"Dancers of Incarnation","year":2019,"lang":"en","type":"article","venue":"Théologiques","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Dance; Embodied cognition; Poetry; Incarnation; Aesthetics; Scholarship; Situated; Expression (computer science); Phenomenology (philosophy); Art; Philosophy; Literature; Theology; Visual arts; Epistemology","score_opus":0.01196587145065691,"score_gpt":0.2858389893719311,"score_spread":0.27387311792127417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910219085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7041969,0.000054338314,0.000053188713,0.00011030316,0.00026661647,0.00004953162,0.000004323076,0.00003376564,0.29523107],"genre_scores_gemma":[0.9944696,0.00002421427,0.00022239733,0.00015945744,0.000019633293,0.0000010703369,0.0000032776563,0.0000025223226,0.00509783],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996656,0.000045776822,0.000067272405,0.00008061844,0.000055744516,0.00008498705],"domain_scores_gemma":[0.99972904,0.000032937776,0.000059148853,0.00014372372,0.000021050653,0.000014126547],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012045823,0.000037934537,0.00008330483,0.000035813937,0.000007258588,0.0000028206637,0.00011830572,0.000058658745,0.0014896711],"category_scores_gemma":[0.000018491522,0.000034400964,0.000025894135,0.00004926816,0.00003766835,0.000080281265,0.000023732475,0.00005569072,0.0004997083],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003733974,0.0002619239,0.72377986,0.000045056466,0.00014965842,0.000007629084,0.009925728,0.000021555821,0.009685752,0.1818823,0.04295035,0.030916763],"study_design_scores_gemma":[0.0006728167,0.0008739815,0.9590111,0.000024561012,0.000014214526,0.0000038551875,0.0035379257,0.000009867505,0.010273156,0.0026509045,0.02277523,0.00015242677],"about_ca_topic_score_codex":0.00016729727,"about_ca_topic_score_gemma":0.000003447918,"teacher_disagreement_score":0.2902727,"about_ca_system_score_codex":0.000014452716,"about_ca_system_score_gemma":0.000010663625,"threshold_uncertainty_score":0.9994231},"labels":[],"label_agreement":null},{"id":"W2910606344","doi":"","title":"Step dancing to hip hop? Reconsidering the interrelationship between music and dance in the Ottawa Valley step dancing community","year":2010,"lang":"en","type":"book-chapter","venue":"Aberdeen University Research Archive (Aberdeen University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Art; Sociology","score_opus":0.17513956563092448,"score_gpt":0.3080106715653071,"score_spread":0.13287110593438262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910606344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14338839,0.00014518115,0.0018259656,0.0024710891,0.00034100132,0.0021232208,0.00060655025,0.00016243255,0.84893614],"genre_scores_gemma":[0.7195982,0.00038819783,0.0026277436,0.00064678944,0.0005249376,0.0000033711099,0.00028420915,0.0001704541,0.27575612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9920801,0.0036890693,0.00047026874,0.0011866319,0.0010899542,0.0014839951],"domain_scores_gemma":[0.9878048,0.008543376,0.00039749208,0.0022640019,0.0003713471,0.00061898516],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0044687106,0.00074568356,0.0008758267,0.0024791902,0.004069054,0.00023842222,0.004494158,0.0006954562,0.00043620454],"category_scores_gemma":[0.00044341735,0.00073436106,0.00033365414,0.00097412773,0.0021863992,0.0007611355,0.0036143153,0.00973818,0.00042102704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036108296,0.0007764143,0.100105375,0.0006255391,0.0035459271,0.0051608286,0.22438525,0.00010589587,0.00068881933,0.51594996,0.09433331,0.050711825],"study_design_scores_gemma":[0.0030426907,0.0009892242,0.08798604,0.0010036437,0.00041991752,0.000076813034,0.07113024,0.00004376326,0.000013980623,0.0071082003,0.8267386,0.0014468989],"about_ca_topic_score_codex":0.011252835,"about_ca_topic_score_gemma":0.06077253,"teacher_disagreement_score":0.7324053,"about_ca_system_score_codex":0.00074479904,"about_ca_system_score_gemma":0.00040085116,"threshold_uncertainty_score":0.99951077},"labels":[],"label_agreement":null},{"id":"W2914637694","doi":"10.1332/policypress/9781447335917.003.0009","title":"Dancing with dementia: citizenship, embodiment and everyday life in the context of long-term care","year":2018,"lang":"en","type":"book-chapter","venue":"Policy Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dementia; Citizenship; Everyday life; Term (time); Context (archaeology); Psychology; Long-term care; Aesthetics; Sociology; Gerontology; Political science; History; Art; Medicine; Psychiatry; Law; Politics","score_opus":0.04632291921983408,"score_gpt":0.29890242543381756,"score_spread":0.2525795062139835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914637694","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03083679,0.0033369868,0.000010317245,0.000058218677,0.00013556791,0.0005930807,0.00020366376,0.000019913157,0.9648055],"genre_scores_gemma":[0.8684596,0.000054472886,0.00001957206,0.0014245989,0.00033119635,0.000020278398,0.00001974263,0.000041481533,0.12962905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9986959,0.00007146309,0.00028263306,0.00034451723,0.0002797784,0.00032567573],"domain_scores_gemma":[0.99887234,0.000095985204,0.0002972045,0.0005522189,0.00007919194,0.00010305357],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013949459,0.00030552974,0.00042357805,0.00016070929,0.00008211583,0.000044428645,0.00040520122,0.00023371096,0.000205474],"category_scores_gemma":[0.000013672975,0.00023236102,0.00007408171,0.000008082402,0.0004247306,0.00003288302,0.00016675038,0.0003101973,0.000017450831],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015129976,0.00010470715,0.02164488,0.0015756377,0.003934209,0.00035671965,0.31563807,7.9402196e-7,0.0000232645,0.60421604,0.027488705,0.023504013],"study_design_scores_gemma":[0.042316504,0.011239309,0.4877108,0.015017207,0.008194754,0.00074526074,0.030141046,0.0000044898147,0.0035371727,0.025961192,0.36632222,0.008810037],"about_ca_topic_score_codex":0.0016431517,"about_ca_topic_score_gemma":0.0004780991,"teacher_disagreement_score":0.8376228,"about_ca_system_score_codex":0.00004630502,"about_ca_system_score_gemma":0.00008816198,"threshold_uncertainty_score":0.94754076},"labels":[],"label_agreement":null},{"id":"W2915221243","doi":"10.15353/cjds.v8i1.470","title":"Public Intimacies: Water Work in Play","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia; University of Toronto","funders":"","keywords":"Laughter; Conversation; Sociology; Politics; Gender studies; Media studies; Aesthetics; Psychoanalysis; Social psychology; Psychology; Political science; Law; Art; Communication","score_opus":0.09317355808667088,"score_gpt":0.31164422371667533,"score_spread":0.21847066563000445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915221243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9790029,0.0012564595,0.0000011320807,0.008639036,0.0015931978,0.00009968889,0.000010521192,0.0000035033233,0.009393584],"genre_scores_gemma":[0.998605,0.000012446855,0.000027131455,0.0003523295,0.000074076415,0.0000011796543,7.995982e-7,0.0000056942376,0.0009213584],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988873,0.00010466532,0.00030846515,0.00013826293,0.0001161903,0.00044513287],"domain_scores_gemma":[0.9991524,0.00012380394,0.0000744904,0.00022423686,0.00013371687,0.00029131208],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006044352,0.00010828404,0.0003238123,0.00014109786,0.000074846634,0.000040376544,0.0002917981,0.000059810864,0.0022372988],"category_scores_gemma":[0.00029633552,0.00007925027,0.00010183478,0.0001936424,0.0004598404,0.00029308302,0.000031316806,0.0002594363,0.00041513308],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004248939,0.000053791515,0.9649736,0.000017271946,0.00016195103,0.000031425818,0.020367645,0.0000063625675,0.0000038319704,0.00044934338,0.0123408465,0.0015514387],"study_design_scores_gemma":[0.0007776523,0.00020318311,0.9313617,0.000070749426,0.000017521677,0.000018046358,0.028139789,1.5719745e-7,0.000019444535,0.0009588171,0.038278453,0.00015450465],"about_ca_topic_score_codex":0.001576095,"about_ca_topic_score_gemma":0.022112336,"teacher_disagreement_score":0.033611923,"about_ca_system_score_codex":0.00045258447,"about_ca_system_score_gemma":0.00012074183,"threshold_uncertainty_score":0.9986748},"labels":[],"label_agreement":null},{"id":"W2918081865","doi":"10.1080/14927713.2019.1582927","title":"The evolving feminine ballet body","year":2019,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Ballet; Ballet dancer; Art; Visual arts; Dance","score_opus":0.015898070009783223,"score_gpt":0.27605599954622034,"score_spread":0.2601579295364371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2918081865","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6787823,0.0006161122,0.000029411443,0.001308738,0.0017167535,0.00019805977,0.00001198952,0.00008128654,0.31725538],"genre_scores_gemma":[0.93153495,0.00002828762,0.000061748135,0.0004620221,0.00020864831,0.000005350209,0.000007083021,0.000017539118,0.06767438],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.998801,0.00007953741,0.00016285303,0.0002752881,0.00023525005,0.00044606035],"domain_scores_gemma":[0.99888825,0.0002555397,0.00009225529,0.00061794755,0.000054109732,0.00009186557],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035593324,0.00014666704,0.00018658015,0.00003711902,0.00020381605,0.000092201764,0.0005155401,0.00011549167,0.004480511],"category_scores_gemma":[0.000060224786,0.000109493914,0.00009497628,0.0001436946,0.000072461364,0.0001641918,0.00010982279,0.00025713607,0.009438669],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022949143,0.00023441906,0.5168444,0.000025272502,0.00027610443,0.000041758412,0.0024093601,0.000007886368,0.00167666,0.042157,0.4274356,0.008662019],"study_design_scores_gemma":[0.0008268385,0.00021594457,0.41383958,0.00002463398,0.00001900508,0.000022510034,0.00089885824,0.00003214801,0.00014475724,0.00027517302,0.5835024,0.00019814851],"about_ca_topic_score_codex":0.00010527261,"about_ca_topic_score_gemma":0.00001410011,"teacher_disagreement_score":0.25275266,"about_ca_system_score_codex":0.00003572021,"about_ca_system_score_gemma":0.000026537451,"threshold_uncertainty_score":0.9964295},"labels":[],"label_agreement":null},{"id":"W2920887753","doi":"10.3138/ctr.178.006","title":"Performing the Game: Demystifying Live Action Role-Play (LARP)","year":2019,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; Mantra; Improvisation; Psychology; Action (physics); Sociology; Visual arts; Art; Anthropology","score_opus":0.03374719739228007,"score_gpt":0.2970716210608696,"score_spread":0.26332442366858955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2920887753","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08781819,0.3838197,0.000008812275,0.007295617,0.0017161096,0.0013660537,0.000059530266,0.000062323175,0.5178537],"genre_scores_gemma":[0.9621817,0.02145647,0.000018984789,0.009587909,0.00021877649,0.00002046267,0.000018525407,0.00002559007,0.006471584],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989849,0.00012896299,0.00015038007,0.00021455846,0.000108233755,0.00041296324],"domain_scores_gemma":[0.9991002,0.000076663324,0.00007882845,0.00045858813,0.00002895652,0.00025675225],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036148637,0.00013772497,0.00023286321,0.000060689756,0.00017069667,0.00003443178,0.00032837858,0.00008057353,0.0091896085],"category_scores_gemma":[0.000024334286,0.000101923826,0.00011995368,0.0001780592,0.000035822268,0.00016746779,0.00002002652,0.00027032735,0.010363824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009780244,0.000015413809,0.009801037,0.00073395047,0.00012971804,0.00002558181,0.0020564194,0.0000028441364,0.000026954633,0.0017859829,0.036314342,0.949098],"study_design_scores_gemma":[0.00013177423,0.000041537907,0.006941988,0.0014581507,0.00009924964,0.00007935478,0.0011400138,0.000007862822,0.0000053643007,0.00004709788,0.98988944,0.00015816069],"about_ca_topic_score_codex":0.027931383,"about_ca_topic_score_gemma":0.018944426,"teacher_disagreement_score":0.9535751,"about_ca_system_score_codex":0.00018399798,"about_ca_system_score_gemma":0.0001660609,"threshold_uncertainty_score":0.9989573},"labels":[],"label_agreement":null},{"id":"W2922185593","doi":"10.12678/1089-313x.23.1.26","title":"A Retrospective Study Investigating Injury Incidence and Factors Associated with Injury among Belly Dancers","year":2019,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Dance; Medicine; Incidence (geometry); Physical therapy; Trunk; Psychological intervention; Population; Injury prevention; Poison control; Emergency medicine; Nursing; Art","score_opus":0.025504469907430504,"score_gpt":0.3192367189984125,"score_spread":0.293732249090982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2922185593","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99648285,0.00012238637,0.000030245947,0.00023811459,0.0008890923,0.00029308992,0.0000058876544,0.000018390769,0.001919932],"genre_scores_gemma":[0.99926,0.00001132996,0.0000884382,0.00027541365,0.000101762824,0.0000012679226,2.7170788e-7,0.000010807849,0.0002506787],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9971611,0.00013368775,0.00047852943,0.00040998522,0.0013683848,0.00044829317],"domain_scores_gemma":[0.99747604,0.00014525464,0.0011721944,0.0003135311,0.00054298085,0.00035001917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026143794,0.00021660158,0.00054684957,0.00036624036,0.00028991216,0.000059253576,0.000755725,0.000047154703,0.00011765822],"category_scores_gemma":[0.0019184805,0.00014751751,0.000034894565,0.0015308694,0.0022295027,0.0015714143,0.00013583417,0.00066610164,0.00000563014],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008842511,0.000095386145,0.9786703,0.0000051030534,0.000045882087,0.000022964461,0.017028019,0.000009697066,0.0031808454,0.000074081894,0.0003316773,0.00044763213],"study_design_scores_gemma":[0.0012727766,0.005672858,0.97471136,0.00066381233,0.00005963818,0.000015796259,0.01711096,0.00003410412,0.00016438463,0.0001091745,0.000015436905,0.00016969183],"about_ca_topic_score_codex":0.0002724755,"about_ca_topic_score_gemma":0.000059791604,"teacher_disagreement_score":0.005577472,"about_ca_system_score_codex":0.0003248011,"about_ca_system_score_gemma":0.0003019064,"threshold_uncertainty_score":0.82146955},"labels":[],"label_agreement":null},{"id":"W2927395624","doi":"10.5206/fpq/2019.1.7312","title":"Anatomy of the Thigh Gap","year":2019,"lang":"en","type":"article","venue":"Feminist Philosophy Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideal (ethics); Alienation; Beauty; Aesthetics; Oppression; Medial compartment of thigh; Relation (database); Thigh; Phenomenon; Character (mathematics); Psychology; Medicine; Anatomy; Epistemology; Philosophy; Computer science; Law; Politics; Political science","score_opus":0.021688871929170232,"score_gpt":0.28827783577807764,"score_spread":0.2665889638489074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2927395624","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46198732,0.00005954972,0.0000029064333,0.0013112882,0.0012785363,0.0001724674,0.000056221976,0.00002740986,0.5351043],"genre_scores_gemma":[0.99505746,4.8524265e-7,0.000028501749,0.00089734735,0.00016720779,0.0000038026149,0.0000035057353,0.000012133049,0.0038295574],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9990404,0.00007195199,0.00019922407,0.00023068003,0.00023007608,0.00022762177],"domain_scores_gemma":[0.99892986,0.00006208925,0.00016592462,0.0007453552,0.00003565826,0.00006109775],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010777639,0.00013083644,0.00019894158,0.000049058137,0.00006848211,0.000018043293,0.00058132224,0.0001007871,0.0018609707],"category_scores_gemma":[0.0000051080456,0.00009998887,0.00016213271,0.00019010916,0.00015782456,0.00009338097,0.000030180947,0.00017915432,0.0023289344],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030495127,0.00064822857,0.07469866,0.00012170134,0.00023518292,0.000016537548,0.019952934,6.952919e-7,0.0005151877,0.8759588,0.022854833,0.0046923095],"study_design_scores_gemma":[0.0066416943,0.0068925912,0.51363206,0.00047148202,0.0001944382,0.000081942104,0.009111658,0.000012868026,0.0011876203,0.2185445,0.2419519,0.0012772268],"about_ca_topic_score_codex":0.000041533538,"about_ca_topic_score_gemma":0.0000011974324,"teacher_disagreement_score":0.6574143,"about_ca_system_score_codex":0.00001531491,"about_ca_system_score_gemma":0.000025888312,"threshold_uncertainty_score":0.99905145},"labels":[],"label_agreement":null},{"id":"W293052769","doi":"10.1353/mdr.2004.0026","title":"Analyzing Performance: Theater, Dance, and Film by Patrice Pavis (review)","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.01447340748042008,"score_gpt":0.2639035048537218,"score_spread":0.24943009737330174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W293052769","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94107836,0.036910683,0.0015686412,0.0006080028,0.00016539314,0.0001757908,0.000057842804,0.00006796558,0.019367296],"genre_scores_gemma":[0.98671705,0.008255194,0.00014181611,0.0013371516,0.000047214467,0.000007830441,0.00001876848,0.000013633599,0.0034613295],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9991321,0.000029773677,0.00014353055,0.00026715244,0.00012389926,0.00030352827],"domain_scores_gemma":[0.99951303,0.000018142975,0.00006440502,0.0002790326,0.000027005186,0.0000983748],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013340292,0.00014022423,0.00020001669,0.00004426354,0.00013117876,0.000029521398,0.00018734748,0.000072965195,0.00030869074],"category_scores_gemma":[0.000009711116,0.00012875351,0.000048013197,0.000137715,0.000059730963,0.00023911754,0.000060040442,0.00015377431,0.00028116463],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026237973,0.00093896134,0.19790724,0.0012270826,0.0003804216,0.000100144745,0.008465863,0.00020531815,0.0014265754,0.00084803306,0.2082956,0.5799424],"study_design_scores_gemma":[0.014704534,0.002014462,0.62210214,0.0037157917,0.0008010515,0.00029823638,0.00095479004,0.0020022911,0.0031735161,0.0033320303,0.3435358,0.0033653083],"about_ca_topic_score_codex":0.00013838663,"about_ca_topic_score_gemma":0.0000021981236,"teacher_disagreement_score":0.57657707,"about_ca_system_score_codex":0.000026278147,"about_ca_system_score_gemma":0.000011964989,"threshold_uncertainty_score":0.5250416},"labels":[],"label_agreement":null},{"id":"W2931340147","doi":"10.1017/s0307883318000846","title":"Responding to Per.Art’s <i>Dis_Sylphide</i> : Six Voices from IFTR’s Performance and Disability Working Group","year":2019,"lang":"en","type":"article","venue":"Theatre Research International","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Performing arts; The arts; Context (archaeology); Visual arts; Art; Contemporary dance; Interculturalism; Sociology; Gender studies; History; Multiculturalism; Pedagogy","score_opus":0.06181761274276222,"score_gpt":0.38139141080034156,"score_spread":0.31957379805757935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2931340147","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76385844,0.00008013773,0.00001672866,0.003307815,0.00078177406,0.00021436681,0.000060605213,0.000032042633,0.23164807],"genre_scores_gemma":[0.98918134,0.00003898564,0.00021595847,0.00019972764,0.00042935435,0.000015998427,0.000036616435,0.000014163314,0.009867839],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9978778,0.00024036807,0.00018088536,0.00047578823,0.0007606703,0.00046449297],"domain_scores_gemma":[0.99857944,0.00073800934,0.000039434904,0.00037314155,0.00007817747,0.00019180671],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013183125,0.00012532253,0.00015547973,0.0002758195,0.00017572501,0.00016789461,0.00063919305,0.00007608778,0.006845038],"category_scores_gemma":[0.00006657254,0.00011732358,0.000050072063,0.00030393503,0.00019902093,0.00039208017,0.00044461145,0.00041832952,0.004194158],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012759524,0.00019793825,0.93370485,0.000013710202,0.000110140514,0.0000071381996,0.0029021269,0.0000074853046,0.0018904516,0.0050043403,0.010652095,0.044233758],"study_design_scores_gemma":[0.0008403745,0.00034397445,0.6507868,0.00017619958,0.0000061676164,0.000007299028,0.0020333135,0.00020876383,0.00016913984,0.00064744573,0.34457305,0.00020746056],"about_ca_topic_score_codex":0.0004744319,"about_ca_topic_score_gemma":0.00009744236,"teacher_disagreement_score":0.33392096,"about_ca_system_score_codex":0.00018209808,"about_ca_system_score_gemma":0.000020985983,"threshold_uncertainty_score":0.9965812},"labels":[],"label_agreement":null},{"id":"W2937486813","doi":"10.33700/1580-7118.17.1.39-78(2015)","title":"Peter Gresserov-Golovin (1894–1981), My Beloved Slovenia","year":2015,"lang":"en","type":"article","venue":"Monitor ISH","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Art; Art history; Visual arts; Order (exchange); Ballet dancer; Performance art; Dance","score_opus":0.05007915617926926,"score_gpt":0.3102408609039359,"score_spread":0.2601617047246666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2937486813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8715983,0.0004109831,0.000049774484,0.0007125829,0.0039732633,0.00014950172,0.00004508755,0.00013627221,0.12292422],"genre_scores_gemma":[0.9587367,0.0000052341397,0.00029149526,0.00076134555,0.00071522593,0.000007880113,0.000014450967,0.000025378236,0.03944227],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998699,0.00009183371,0.00017238973,0.00032044583,0.00026770495,0.0004486366],"domain_scores_gemma":[0.99899757,0.000048726204,0.00008948092,0.00048130218,0.00009332939,0.0002895688],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001853075,0.00017935486,0.00021447726,0.000072054456,0.00007643151,0.00007638065,0.00041867225,0.00016358854,0.0009430973],"category_scores_gemma":[0.00007883217,0.00018235823,0.00008974511,0.00014060673,0.000098104334,0.00026961972,0.00011837937,0.00022578644,0.0058912593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042016324,0.00045676678,0.09568519,0.0000134722895,0.00016919439,0.00022235465,0.005007582,0.0000058083783,0.0007331074,0.00051765906,0.88890314,0.007865574],"study_design_scores_gemma":[0.0030334818,0.0005868564,0.4191321,0.000039722756,0.000066366374,0.00003531531,0.0014583854,0.00001230017,0.0015346678,0.00055679644,0.5730112,0.0005327627],"about_ca_topic_score_codex":0.00026577534,"about_ca_topic_score_gemma":0.000018674815,"teacher_disagreement_score":0.32344693,"about_ca_system_score_codex":0.000069938746,"about_ca_system_score_gemma":0.000036432823,"threshold_uncertainty_score":0.9999702},"labels":[],"label_agreement":null},{"id":"W2945049634","doi":"","title":"Exploring Ukrainian Dance and Identity","year":2018,"lang":"en","type":"article","venue":"MacEwan University Student Research Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Dance; Ukrainian; Identity (music); Political science; Gender studies; Sociology; Art; Aesthetics; Linguistics; Visual arts; Philosophy","score_opus":0.4341940837709637,"score_gpt":0.4626149555287351,"score_spread":0.028420871757771415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945049634","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80875003,0.000035734003,0.00001418226,0.00070379215,0.0002064453,0.0002478059,0.000007926707,0.00008524569,0.18994881],"genre_scores_gemma":[0.98612285,0.00014664815,0.0001424761,0.00007227867,0.0002457527,0.0000023207874,9.271704e-7,0.000011445431,0.013255314],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9978228,0.00006067635,0.000096759686,0.00052946067,0.0007737556,0.0007165395],"domain_scores_gemma":[0.9989041,0.00006123266,0.00004987054,0.00017733358,0.00050428684,0.0003031571],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011482461,0.00013959914,0.00016433599,0.00042386298,0.0010498035,0.00021241131,0.00080772577,0.00007172293,0.0005699667],"category_scores_gemma":[0.0000911684,0.00016328858,0.000042660427,0.00082248903,0.00090437353,0.0018629717,0.0010268266,0.00045186322,0.00061751256],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00088682194,0.0006543148,0.56291807,0.00012393191,0.00034941194,0.00026333306,0.24848777,6.341636e-8,0.0021203954,0.14115685,0.030526336,0.012512721],"study_design_scores_gemma":[0.0009777664,0.00057510304,0.6908563,0.00005575263,0.000016229205,0.000011139805,0.07589313,0.000002711255,0.00022026327,0.00013259321,0.23105174,0.0002072969],"about_ca_topic_score_codex":0.0005998145,"about_ca_topic_score_gemma":0.00011706342,"teacher_disagreement_score":0.2005254,"about_ca_system_score_codex":0.00014509045,"about_ca_system_score_gemma":0.00003180499,"threshold_uncertainty_score":0.80743456},"labels":[],"label_agreement":null},{"id":"W2945070496","doi":"","title":"From tights to tanks : two stories of the ongoing search for professional identity","year":2018,"lang":"en","type":"article","venue":"Archipelago (University of Quebec in Montreal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université du Québec à Montréal","keywords":"Humanities; Sociology; Art; Identity (music); Ethnology; Aesthetics","score_opus":0.025230784575842873,"score_gpt":0.3027002674616779,"score_spread":0.277469482885835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945070496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99073124,0.000019897678,0.002949626,0.00069772796,0.0007100801,0.00035936394,0.00021252704,0.000011619233,0.004307939],"genre_scores_gemma":[0.99153847,0.0000015715564,0.0018009545,0.000071739,0.000091900794,4.969479e-7,0.000009320403,0.000005933063,0.006479619],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99893755,0.00016606823,0.00012502387,0.0002450284,0.0002673842,0.00025892563],"domain_scores_gemma":[0.9990475,0.00025732935,0.00011179988,0.00037254,0.0001288341,0.000082008635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026436895,0.00009753492,0.0002207413,0.00014207873,0.00024239533,0.0000075638804,0.00069914386,0.000073798794,0.0003911776],"category_scores_gemma":[0.000036991856,0.00009449599,0.00011073248,0.00027367266,0.00040369213,0.0003029684,0.00032725238,0.00015623543,0.000040643135],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038329943,0.0009746952,0.112611815,0.00008326253,0.0003159458,0.000027351358,0.7542637,0.0002703051,0.0023399768,0.038305964,0.01240208,0.074571885],"study_design_scores_gemma":[0.0018084652,0.00020979201,0.9240385,0.00015045193,0.000037457834,6.5055036e-7,0.06264993,0.00013585732,0.00041411637,0.009953904,0.00045995548,0.00014090294],"about_ca_topic_score_codex":0.5548844,"about_ca_topic_score_gemma":0.8735099,"teacher_disagreement_score":0.8114267,"about_ca_system_score_codex":0.00006337868,"about_ca_system_score_gemma":0.00010006582,"threshold_uncertainty_score":0.4480797},"labels":[],"label_agreement":null},{"id":"W2945257527","doi":"","title":"Associations between dance training and cognitive skills","year":2017,"lang":"en","type":"article","venue":"MacEwan University Student Research Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Dance; Psychology; Training (meteorology); Cognitive psychology; Cognition; Cognitive training; Computer science; Applied psychology; Visual arts; Art; Neuroscience; Geography","score_opus":0.206254801796086,"score_gpt":0.45634490983618897,"score_spread":0.250090108040103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945257527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76728946,0.000023480045,0.000015530313,0.0010968449,0.00006617222,0.00030002353,0.00015048812,0.00004298588,0.23101504],"genre_scores_gemma":[0.9773795,0.000034027962,0.000063778614,0.00003795862,0.00013256875,0.0000011656601,0.000008971363,0.000009700887,0.022332346],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99813,0.00005982125,0.00009854945,0.00044362055,0.00063336047,0.0006345998],"domain_scores_gemma":[0.9987007,0.00024910766,0.00015687534,0.00016433446,0.0004682125,0.00026078406],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011735721,0.0001297426,0.00024039103,0.00024534512,0.002961395,0.0004174263,0.00087330263,0.00012516261,0.00016105859],"category_scores_gemma":[0.00050962047,0.00015434364,0.000051268744,0.00018236319,0.0006825305,0.00076654967,0.00084109424,0.0005786254,0.00013831977],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003841103,0.00015330382,0.94197774,0.000009215899,0.00025183894,0.000042742766,0.033870738,1.3220101e-8,0.000039970288,0.008245137,0.005419786,0.00995108],"study_design_scores_gemma":[0.0012312041,0.00021208388,0.9379497,0.00006724779,0.00005068603,0.0000017658462,0.049701013,5.541466e-7,0.000040508985,0.00021370797,0.010376657,0.00015488142],"about_ca_topic_score_codex":0.000490982,"about_ca_topic_score_gemma":0.000047949776,"teacher_disagreement_score":0.21009004,"about_ca_system_score_codex":0.00014967448,"about_ca_system_score_gemma":0.00005398331,"threshold_uncertainty_score":0.9983366},"labels":[],"label_agreement":null},{"id":"W2945545369","doi":"10.1093/oxfordhb/9780199396986.013.25","title":"Rethinking Improvisation from a Daoist Perspective of Qi-Energy","year":2019,"lang":"en","type":"reference-entry","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Perspective (graphical); Improvisation; Energy (signal processing); Epistemology; Philosophy; Aesthetics; Art; Computer science; Artificial intelligence; Visual arts; Physics","score_opus":0.041790221172363654,"score_gpt":0.29751300697756256,"score_spread":0.2557227858051989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945545369","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018969619,0.00235396,0.0008520481,0.00025489938,0.0033711297,0.00014490396,0.0007189866,0.00006153744,0.9903456],"genre_scores_gemma":[0.3484161,0.0021881843,0.0005806632,0.00074771594,0.0009973143,0.0000070525894,0.0011642331,0.000054632506,0.6458441],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849063,0.0001205185,0.0002640782,0.0005300281,0.00034316137,0.0002515761],"domain_scores_gemma":[0.9985121,0.00017727444,0.0004298898,0.00060302624,0.00020691426,0.00007081919],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011423759,0.0002603,0.0005219836,0.00017723464,0.00005439299,0.00003690001,0.0004440584,0.00069532736,0.0047262195],"category_scores_gemma":[0.00006536594,0.00024535766,0.00019183385,0.00012355,0.000092721115,0.00014903852,0.00013730706,0.0004762415,0.00044344654],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029243605,0.00029186782,0.0006182448,0.00009897777,0.001036565,0.00001340787,0.009292937,8.024369e-7,0.000017160326,0.37550908,0.58909863,0.023729898],"study_design_scores_gemma":[0.006230385,0.0022384352,0.025642924,0.0025809223,0.0013863208,0.000015775615,0.042601682,0.000072934745,0.00047669263,0.25510004,0.6607689,0.0028849752],"about_ca_topic_score_codex":0.042133983,"about_ca_topic_score_gemma":0.0004399244,"teacher_disagreement_score":0.34651914,"about_ca_system_score_codex":0.00026627176,"about_ca_system_score_gemma":0.00022936754,"threshold_uncertainty_score":0.9999999},"labels":[],"label_agreement":null},{"id":"W2945966743","doi":"10.1386/chor.10.1.7_1","title":"Site dance as activist methodology: Creating performance/protest in sites of assembly","year":2019,"lang":"en","type":"article","venue":"Choreographic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Sociology; Craft; Public relations; Inclusion (mineral); Politics; Constructive; Political science; Process (computing); Social science; Visual arts; Law","score_opus":0.0957266685230515,"score_gpt":0.3868399217155884,"score_spread":0.2911132531925369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945966743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86711115,0.00089735223,0.00001519913,0.00021966702,0.00033505322,0.0003190309,0.000009070787,0.00004491847,0.13104856],"genre_scores_gemma":[0.9964089,0.0002815406,0.0021478178,0.0002307146,0.00006309069,0.00002001455,0.0000123674145,0.000016124806,0.0008194562],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99804676,0.00043884382,0.00033701476,0.00046702794,0.00028744942,0.00042289126],"domain_scores_gemma":[0.9965159,0.0016319703,0.001131481,0.00054121093,0.000098549484,0.00008085256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016995538,0.00020887717,0.00042396202,0.0004286553,0.00009210285,0.00005122543,0.0004184195,0.00020054255,0.000543495],"category_scores_gemma":[0.0010843829,0.00020520427,0.000106988526,0.0008933622,0.00018103085,0.0014167503,0.00010405747,0.000579427,0.00046135994],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004986465,0.00031363667,0.9591284,0.00008865255,0.00011071631,0.0000139212725,0.002305917,0.000010164748,0.03225023,0.0012504347,0.00018411787,0.0038452034],"study_design_scores_gemma":[0.0008963368,0.00067080307,0.9875061,0.0001110929,0.000053736716,0.000025750183,0.0025716017,0.0000706335,0.00326924,0.000111953465,0.0044636545,0.00024908865],"about_ca_topic_score_codex":0.0014506805,"about_ca_topic_score_gemma":0.00012343997,"teacher_disagreement_score":0.1302291,"about_ca_system_score_codex":0.000021276765,"about_ca_system_score_gemma":0.000055230594,"threshold_uncertainty_score":0.8367987},"labels":[],"label_agreement":null},{"id":"W2946870973","doi":"10.4000/critiquedart.46172","title":"Françoise Sullivan : Artist Present","year":2019,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Nothing; Praxis; Art; Art history; Discipline; Visual arts; Dance; Aesthetics; Sociology; Philosophy; Law; Social science; Political science","score_opus":0.01660211695864104,"score_gpt":0.31241805809423323,"score_spread":0.2958159411355922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946870973","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12722656,0.008165045,0.00032396367,0.050659254,0.008252215,0.00057932374,0.0003640102,0.00011160582,0.804318],"genre_scores_gemma":[0.21660778,0.00043037627,0.00017152834,0.0039661555,0.0007209984,0.000009726532,0.00006531026,0.000038562244,0.77798957],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977669,0.00032422817,0.0003029891,0.00053812435,0.00026531235,0.00080244645],"domain_scores_gemma":[0.99846333,0.00018612173,0.000086069245,0.0008067355,0.00011402359,0.000343705],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003308175,0.00028902528,0.00037844037,0.0000928458,0.000114377304,0.00011861906,0.0004486274,0.00039496025,0.06317237],"category_scores_gemma":[0.00007752076,0.00035877293,0.00021001369,0.00017425418,0.0002979749,0.00045674134,0.00013642301,0.00055636786,0.14910035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012009157,0.00070775306,0.0077076796,0.00024250869,0.00009709652,0.00020259882,0.0018985975,0.000007445919,0.00033046937,0.032826863,0.94939196,0.006466956],"study_design_scores_gemma":[0.0012223669,0.00042562987,0.02359738,0.00025366907,0.000060215425,0.00006157625,0.00078302965,0.00004116351,0.00043110715,0.0011733173,0.9715608,0.00038978853],"about_ca_topic_score_codex":0.00029931418,"about_ca_topic_score_gemma":0.000064680564,"teacher_disagreement_score":0.08938123,"about_ca_system_score_codex":0.000083165876,"about_ca_system_score_gemma":0.00007727652,"threshold_uncertainty_score":0.99988645},"labels":[],"label_agreement":null},{"id":"W2947131380","doi":"","title":"THE KINGDOM CHALICE (FICTION)","year":2014,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Kingdom; Art; History; Literature; Geology; Paleontology","score_opus":0.035204896962588945,"score_gpt":0.31902324446978625,"score_spread":0.2838183475071973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947131380","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002356079,0.18307589,0.00068958406,0.010535961,0.002378246,0.0004961607,0.000010213396,0.00019003004,0.8002678],"genre_scores_gemma":[0.36063477,0.48575276,0.00041495587,0.07928616,0.0025960708,0.00017428944,0.000051680065,0.00011980343,0.0709695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991714,0.00017278359,0.00015275078,0.00015384714,0.00012468308,0.00022457812],"domain_scores_gemma":[0.999182,0.00014434198,0.0000942834,0.00048449417,0.00003349317,0.00006139845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00064139947,0.00008854773,0.00016889206,0.000012844753,0.0002397442,0.00002923956,0.0003075434,0.000035670662,0.00091577927],"category_scores_gemma":[0.0001407549,0.000058940394,0.0000917439,0.00014228745,0.00005749096,0.00006579862,0.000045968474,0.00011724361,0.0042940704],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000092607515,0.00005691867,0.00037714562,0.0003241747,0.000056742763,0.000003135097,0.0002098627,2.0871492e-7,0.0000056568006,0.08714775,0.4602489,0.45156026],"study_design_scores_gemma":[0.00011369249,0.000037986327,0.004488835,0.00034961748,0.000040097628,0.000015043027,0.000014436319,0.0000017634779,0.0000019234174,0.000089557216,0.9947707,0.000076367774],"about_ca_topic_score_codex":0.000056635414,"about_ca_topic_score_gemma":0.000006771594,"teacher_disagreement_score":0.72929835,"about_ca_system_score_codex":0.000010769704,"about_ca_system_score_gemma":0.000008081589,"threshold_uncertainty_score":0.9999975},"labels":[],"label_agreement":null},{"id":"W2947685955","doi":"","title":"Из истории рецепции классического балета в Японии в первой половине XX века","year":2019,"lang":"ru","type":"article","venue":"Вестник Академии русского балета им. А. Я. Вагановой","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Parallels; Art; Quarter (Canadian coin); Visual arts; Art history; History; Engineering","score_opus":0.01780497997892076,"score_gpt":0.28466376963319256,"score_spread":0.2668587896542718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947685955","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4464191,0.014592514,0.00056886347,0.009689438,0.029449943,0.0050338046,0.0027978094,0.0018230549,0.48962548],"genre_scores_gemma":[0.7213068,0.002398564,0.0018575063,0.008518847,0.003964471,0.00012765126,0.0006881616,0.0008447065,0.26029328],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97857475,0.0019018644,0.0035550965,0.005481111,0.0035608155,0.0069263517],"domain_scores_gemma":[0.9839864,0.0015384166,0.0023448376,0.007254608,0.0010490621,0.0038267174],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.002912399,0.003908795,0.0044748853,0.0019411521,0.0015861704,0.0013812124,0.006154709,0.003603081,0.08111677],"category_scores_gemma":[0.0010156359,0.004336933,0.002675849,0.0033210132,0.0016970059,0.0031253288,0.0023510964,0.0049422327,0.17120564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00440135,0.009102054,0.0688159,0.0020954784,0.004881932,0.002097951,0.013412713,0.00021650748,0.0055953898,0.020551609,0.808178,0.06065111],"study_design_scores_gemma":[0.0177484,0.0042280075,0.072093405,0.0018832096,0.001691167,0.0006649774,0.007405379,0.0006258694,0.0023933013,0.002765686,0.88176405,0.006736538],"about_ca_topic_score_codex":0.0026048485,"about_ca_topic_score_gemma":0.00032311495,"teacher_disagreement_score":0.27488774,"about_ca_system_score_codex":0.0015143694,"about_ca_system_score_gemma":0.0017487666,"threshold_uncertainty_score":0.9997136},"labels":[],"label_agreement":null},{"id":"W2948487549","doi":"10.1525/luminos.72","title":"Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance","year":2019,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Hyderabad; Emory University; University of Oxford; Harvard University; American Association of University Women; York University; U.S. Department of Education","keywords":"Masculinity; Dance; Telugu; Gender studies; Hegemonic masculinity; Hinduism; Hegemony; Scholarship; Identity (music); Sociology; History; Art; Politics; Literature; Aesthetics; Religious studies; Law; Political science; Philosophy","score_opus":0.0331531256661545,"score_gpt":0.28094183473250217,"score_spread":0.24778870906634767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948487549","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011545227,0.00037696862,0.000025567528,0.00035866897,0.00069720723,0.00042862573,0.0002638391,0.00002147876,0.9862824],"genre_scores_gemma":[0.08499644,0.000022104921,0.000049829472,0.00058579614,0.00008540887,0.0000059418703,0.000054978937,0.000015698726,0.9141838],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989091,0.000089345354,0.00026889538,0.0002814141,0.00022557868,0.00022563375],"domain_scores_gemma":[0.9987811,0.00024169317,0.00025547622,0.000627699,0.000052674844,0.000041369552],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036803912,0.00017259308,0.00030189028,0.00016086963,0.000043863485,0.000019223202,0.0005512897,0.00032509255,0.0039752545],"category_scores_gemma":[0.000065322754,0.00013401786,0.00013403784,0.00012432075,0.00016596996,0.00009610227,0.00007963745,0.0005103065,0.0026469047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029757206,0.000508854,0.013983078,0.00036031104,0.00061491743,0.000057954854,0.13790528,0.000019604528,0.000019722485,0.14314643,0.6918102,0.0112760635],"study_design_scores_gemma":[0.0033907087,0.00049201126,0.14688832,0.00071478094,0.0002033144,0.000020447633,0.032746833,0.000019147179,0.000082077,0.007434178,0.8066499,0.0013582932],"about_ca_topic_score_codex":0.00020655035,"about_ca_topic_score_gemma":0.00024047343,"teacher_disagreement_score":0.13571225,"about_ca_system_score_codex":0.00007263957,"about_ca_system_score_gemma":0.00021830446,"threshold_uncertainty_score":0.99812967},"labels":[],"label_agreement":null},{"id":"W2951509657","doi":"10.7939/r3z892r7s","title":"From the community to the world: Ukrainian dance in Montreal","year":2010,"lang":"en","type":"article","venue":"University of Alberta Library","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ukrainian; Political science; Art; Visual arts; Linguistics","score_opus":0.012792075526128282,"score_gpt":0.2253633962622009,"score_spread":0.2125713207360726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2951509657","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75106645,0.000014344228,0.0000023694342,0.017623657,0.00024323908,0.000106842184,0.000036530004,0.00001242815,0.23089413],"genre_scores_gemma":[0.9533116,0.0000040284663,0.00022523856,0.0019793087,0.00007548269,1.2397392e-7,0.000024305324,0.000005981154,0.044373937],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99928635,0.0002440808,0.00007442415,0.00012817218,0.00008621954,0.00018075503],"domain_scores_gemma":[0.99813306,0.0010080356,0.000058739974,0.0007137431,0.000008037797,0.00007835939],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011213458,0.00008760728,0.00012416721,0.00006681493,0.0002585191,0.00002070702,0.0013860906,0.000062446554,0.004438196],"category_scores_gemma":[0.000034024713,0.00006874762,0.000059588343,0.00032737295,0.00021767394,0.00039252118,0.00038099414,0.000608528,0.00044019928],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005921027,0.00037694434,0.21458581,0.0000037009836,0.00009761146,0.000024691948,0.3870551,0.000012934481,0.000080504906,0.0049156155,0.3855889,0.006666039],"study_design_scores_gemma":[0.00038347885,0.00003123348,0.62529975,0.000013679455,0.0000094495435,6.4484004e-7,0.010159346,0.0000061970845,0.000022142875,0.00020139925,0.36380464,0.000068058966],"about_ca_topic_score_codex":0.1518645,"about_ca_topic_score_gemma":0.2966396,"teacher_disagreement_score":0.41071394,"about_ca_system_score_codex":0.000006007226,"about_ca_system_score_gemma":0.000025382828,"threshold_uncertainty_score":0.9964719},"labels":[],"label_agreement":null},{"id":"W2951899351","doi":"","title":"LMDA Canada Newsletter, Winter 2003/2004","year":2004,"lang":"fr","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.016284606963368153,"score_gpt":0.2349802166894231,"score_spread":0.21869560972605495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2951899351","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91003984,0.004536375,0.00842296,0.018299486,0.006868029,0.00040170088,0.00082305586,0.000079647085,0.050528932],"genre_scores_gemma":[0.87512857,0.00014274745,0.0011642022,0.0029086429,0.00041801008,2.3532492e-7,0.000083553365,0.00004454164,0.12010949],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99695283,0.00022743118,0.00031693888,0.0007235053,0.00063924346,0.0011400711],"domain_scores_gemma":[0.997682,0.000090125475,0.00040666066,0.0008604502,0.0003978694,0.00056293566],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029501886,0.00048016597,0.0006760842,0.00023735088,0.0006362592,0.000078686615,0.0011590526,0.00046275687,0.008434183],"category_scores_gemma":[0.00009890094,0.0007032868,0.00031425979,0.0008716677,0.0011085961,0.00093683985,0.00032162527,0.0007043749,0.001728911],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000471876,0.0008985177,0.014642271,0.00025392993,0.0010952716,0.0012996353,0.009343824,0.0007146547,0.00001804692,0.42366773,0.5471222,0.00047204315],"study_design_scores_gemma":[0.00556161,0.00039415294,0.01727878,0.00021613324,0.0003709412,0.000110631154,0.015595667,0.000008494351,0.0000033595893,0.69765633,0.26199716,0.0008067223],"about_ca_topic_score_codex":0.80267346,"about_ca_topic_score_gemma":0.78723663,"teacher_disagreement_score":0.28512502,"about_ca_system_score_codex":0.0015245473,"about_ca_system_score_gemma":0.0014861266,"threshold_uncertainty_score":0.9995418},"labels":[],"label_agreement":null},{"id":"W2952260921","doi":"","title":"THE TWO KINGS (FICTION)","year":2014,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Literature","score_opus":0.023864815787404115,"score_gpt":0.318911223919283,"score_spread":0.2950464081318789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952260921","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025370312,0.17155494,0.0007598926,0.008018867,0.0018352257,0.00040884071,0.0000070666424,0.00016369516,0.81471443],"genre_scores_gemma":[0.3203761,0.5064462,0.0005849602,0.074011974,0.0020002339,0.00012963783,0.000042244035,0.00010346276,0.09630521],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992247,0.00013699637,0.00014104143,0.0001419583,0.000112672446,0.00024262491],"domain_scores_gemma":[0.99928856,0.00012192979,0.000084283995,0.00042174073,0.00003000834,0.000053451146],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006609168,0.00008129803,0.0001551959,0.000011934785,0.00021090373,0.000028041079,0.00028378857,0.000023711851,0.0008056785],"category_scores_gemma":[0.00012508626,0.0000540291,0.000088590255,0.00012880961,0.000057830817,0.00006864028,0.000045282864,0.00012346376,0.0045334436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061258343,0.00003610932,0.00061370985,0.0001732322,0.000039523835,0.000002068349,0.00014188897,1.7506798e-7,0.0000040788073,0.07150601,0.31149262,0.61598444],"study_design_scores_gemma":[0.00014603663,0.000032035066,0.003548256,0.00030703386,0.000038723396,0.000013528811,0.000016441503,0.0000015757381,0.0000016040512,0.00025820846,0.99556524,0.00007131554],"about_ca_topic_score_codex":0.000051036288,"about_ca_topic_score_gemma":0.00000829115,"teacher_disagreement_score":0.71840924,"about_ca_system_score_codex":0.000011631391,"about_ca_system_score_gemma":0.000008926915,"threshold_uncertainty_score":0.9962416},"labels":[],"label_agreement":null},{"id":"W2956069208","doi":"10.1249/01.mss.0000561807.72864.b0","title":"Per-protocol Analysis Of BAILAMOS™ Dance Program On Self-reported And Device-assessed Physical Activity In Older Latinos","year":2019,"lang":"en","type":"article","venue":"Medicine & Science in Sports & Exercise","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dance; Protocol (science); Gerontology; Psychology; Physical activity; Medicine; Physical therapy; Art; Visual arts; Alternative medicine","score_opus":0.024736017971469713,"score_gpt":0.3650446746998407,"score_spread":0.34030865672837096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2956069208","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9810969,0.0000026719306,0.000002845573,0.00013893991,0.00014963462,0.013029464,0.0000022532959,0.000045129807,0.0055321404],"genre_scores_gemma":[0.9977898,0.0000041343724,0.00012705993,0.00006882665,0.00002127818,0.0017595596,0.0000027008136,0.000007651729,0.00021899937],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99754727,0.0000500441,0.00035585574,0.00072440587,0.000862462,0.00045997347],"domain_scores_gemma":[0.99864006,0.00010762467,0.00034974178,0.0006382409,0.00010798914,0.00015636728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012007798,0.00020677417,0.0007452984,0.0007884186,0.000051688272,0.00002086567,0.0003635138,0.00007578582,0.0005181606],"category_scores_gemma":[0.00008122616,0.00016708497,0.00006263551,0.0033711356,0.0006137354,0.00045009246,0.00008122642,0.00027843434,0.000012024392],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017356148,0.002148191,0.94341755,0.00004855147,0.0000071799486,0.00006648087,0.0047161183,0.0000385095,0.00069914,0.000017463355,0.00004266,0.04862461],"study_design_scores_gemma":[0.001466534,0.00039380603,0.99470615,0.00028290218,0.0001589252,0.0000021870464,0.0009647417,0.0015747919,0.00009961767,0.000016688136,0.00016808405,0.00016556607],"about_ca_topic_score_codex":0.0011105081,"about_ca_topic_score_gemma":0.00008939459,"teacher_disagreement_score":0.05128862,"about_ca_system_score_codex":0.000080147365,"about_ca_system_score_gemma":0.00012563851,"threshold_uncertainty_score":0.6813528},"labels":[],"label_agreement":null},{"id":"W2961474124","doi":"10.6092/issn.2036-1599/14133","title":"Translations. A dance for the non-visual senses","year":2021,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Dance; Art; Visual arts; Communication; Psychology","score_opus":0.35953566786232033,"score_gpt":0.6137268638255735,"score_spread":0.2541911959632532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2961474124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8782564,0.044718955,0.016334517,0.0035227216,0.0038633342,0.0013321859,0.00044897682,0.00006347194,0.05145944],"genre_scores_gemma":[0.9897064,0.0038713801,0.0004062636,0.001241859,0.00032046932,0.000043955464,0.000017510218,0.000034733013,0.0043574404],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.998253,0.00018612029,0.00045888103,0.00035579674,0.00036945366,0.00037676704],"domain_scores_gemma":[0.9976791,0.0009794704,0.00039318387,0.00046726508,0.00033157365,0.00014941134],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072301814,0.00021070526,0.00045625767,0.00019707406,0.00047224926,0.0007837239,0.0016301009,0.00010237695,0.01375333],"category_scores_gemma":[0.00024170282,0.0001745251,0.00026489492,0.0006807664,0.00015979733,0.0013409294,0.00026272942,0.00029461778,0.00005521615],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001224516,0.0013569011,0.21815996,0.00014643511,0.0014275418,0.00016058839,0.004121199,0.00028608835,0.050052416,0.0014231356,0.570291,0.15135022],"study_design_scores_gemma":[0.00144459,0.000025997631,0.8546334,0.0002214614,0.00021738124,0.000045357025,0.001068895,0.00012422273,0.012924564,0.002610668,0.12630261,0.000380879],"about_ca_topic_score_codex":0.0003118335,"about_ca_topic_score_gemma":0.00006294694,"teacher_disagreement_score":0.6364734,"about_ca_system_score_codex":0.000034217133,"about_ca_system_score_gemma":0.00015412203,"threshold_uncertainty_score":0.9871482},"labels":[],"label_agreement":null},{"id":"W2962269115","doi":"","title":"Backspace: A Special Issue on Dance Studies","year":2019,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Dance; Privilege (computing); Sociology; Framing (construction); Aesthetics; Visual arts; History; Political science; Art; Law","score_opus":0.04081378075114673,"score_gpt":0.3582529345451493,"score_spread":0.31743915379400256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962269115","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2606833,0.000098868215,0.0000025663892,0.0013935774,0.002643847,0.00009195669,0.000004281276,0.00003426758,0.73504734],"genre_scores_gemma":[0.27724275,0.000041853073,0.00015380597,0.0034115356,0.0030748602,0.0000020954062,0.0000013062769,0.000008193746,0.7160636],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994275,0.000024572175,0.000062423394,0.00018564494,0.0001108249,0.00018905444],"domain_scores_gemma":[0.99959713,0.00006117404,0.00002843949,0.0002499431,0.00002434294,0.000038961167],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000068455665,0.00008157434,0.00013697354,0.000033752156,0.00003765242,0.000012309193,0.00013773023,0.000042819385,0.041963883],"category_scores_gemma":[0.000021429474,0.00006852141,0.00003718887,0.00007422894,0.000042412747,0.000085071864,0.000043289976,0.000086656815,0.075015776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012813877,0.0001009011,0.0063351667,0.0000074473633,0.00008316159,0.000009803441,0.0025817072,0.0000020757484,0.000028540522,0.024882529,0.95928645,0.0065540485],"study_design_scores_gemma":[0.00071062276,0.00040700563,0.038192973,0.000018651146,0.0000068126687,0.0000020164143,0.0052875844,8.043114e-7,0.00017492285,0.00024316892,0.95482767,0.00012776631],"about_ca_topic_score_codex":0.000020981395,"about_ca_topic_score_gemma":0.000012071989,"teacher_disagreement_score":0.033051893,"about_ca_system_score_codex":0.000023478866,"about_ca_system_score_gemma":0.0000057402567,"threshold_uncertainty_score":0.9589119},"labels":[],"label_agreement":null},{"id":"W2963225344","doi":"10.3138/9781442663152-012","title":"8. The National Ballet Of Canada’S Normative Bodies: Legitimizing And Popularizing Dance In Canada During The 1950S","year":2013,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Normative; Art; Visual arts; Political science; Law","score_opus":0.017710975884053157,"score_gpt":0.19837021900031643,"score_spread":0.18065924311626327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963225344","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019456742,0.0015290022,0.0000027617846,0.00014747617,0.00018597816,0.00027080966,0.00027640263,0.0000045329894,0.99563736],"genre_scores_gemma":[0.18791501,0.00027334978,0.00005923791,0.00011275089,0.000038643284,6.50151e-7,0.000006911329,0.000015370722,0.8115781],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896294,0.00004764988,0.00018679776,0.00018948052,0.0003846213,0.00022851797],"domain_scores_gemma":[0.99902976,0.00018551644,0.00037232164,0.00021041953,0.00013984725,0.00006214156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010100882,0.00017416822,0.00027182818,0.000014800941,0.000338903,0.000013226007,0.00051156856,0.00008970224,0.00017990082],"category_scores_gemma":[0.000014308135,0.00015569269,0.000047049474,0.0000013305436,0.00024201465,0.00012851015,0.00023398631,0.0002312988,4.7501132e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014433239,0.000055287626,0.0015811063,0.0007973312,0.0030040056,0.00027691302,0.13098113,0.0003732378,0.000081564445,0.5822009,0.27138147,0.007823753],"study_design_scores_gemma":[0.0011181574,0.000040279803,0.0230605,0.00040210618,0.00007280936,0.000009733849,0.008697051,0.00005342914,0.000025462572,0.0003365832,0.9657741,0.00040978295],"about_ca_topic_score_codex":0.9997886,"about_ca_topic_score_gemma":0.99989957,"teacher_disagreement_score":0.6943926,"about_ca_system_score_codex":0.0011581659,"about_ca_system_score_gemma":0.0009318827,"threshold_uncertainty_score":0.63489634},"labels":[],"label_agreement":null},{"id":"W2966570888","doi":"","title":"Stigmatized in stilettos: an ethnographic study of stigma in exotic dancers’ lives","year":2017,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; Stigma (botany); Gender studies; Psychology; Sociology; Anthropology; Psychiatry","score_opus":0.0541789830760997,"score_gpt":0.2936670972245633,"score_spread":0.2394881141484636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966570888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9848784,0.00039850338,0.0000056011795,0.000037570502,0.00062441424,0.00075859734,0.000057096688,0.000031283285,0.013208501],"genre_scores_gemma":[0.9979872,0.00015893645,0.00012017225,0.0000075452435,0.00002292753,0.0000012584984,0.00011138219,0.000024158568,0.0015664375],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9980043,0.00036743731,0.0002547519,0.0005663303,0.00043366072,0.00037348567],"domain_scores_gemma":[0.9979063,0.00010827991,0.0008557374,0.0008954466,0.00012627248,0.00010793527],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003843088,0.00032226005,0.0008799198,0.0012618972,0.00019386482,0.000023896924,0.0012755387,0.00037316847,0.00013146969],"category_scores_gemma":[0.00006376313,0.00045220047,0.00014282539,0.0004308871,0.00022455814,0.0005625906,0.000086144435,0.00060939934,0.00003134055],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036174033,0.00548215,0.8257555,0.00073933706,0.0005008831,0.0010169218,0.15406778,0.00009959434,0.00034421738,0.0002988668,0.0011413987,0.006935961],"study_design_scores_gemma":[0.0027301186,0.00060262484,0.615804,0.0004030478,0.000102620026,9.93183e-7,0.3799917,0.000015589318,0.0000074155746,0.00005555894,0.000062041596,0.00022427543],"about_ca_topic_score_codex":0.05004994,"about_ca_topic_score_gemma":0.87324315,"teacher_disagreement_score":0.8231932,"about_ca_system_score_codex":0.00010732962,"about_ca_system_score_gemma":0.000099281686,"threshold_uncertainty_score":0.999793},"labels":[],"label_agreement":null},{"id":"W2967989208","doi":"10.3138/ctr.179.007","title":"Being Propelled: A Canadian in Brussels","year":2019,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Dance; Performance art; Visual arts; Aesthetics; Art; History; Art history","score_opus":0.018074440928815796,"score_gpt":0.26525604779105055,"score_spread":0.24718160686223475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2967989208","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02076454,0.07285099,2.2066814e-7,0.0060476754,0.0004776315,0.0009004652,0.00005365703,0.000015165538,0.89888966],"genre_scores_gemma":[0.9500433,0.009877225,0.00003089055,0.02364078,0.00008313811,0.00002254259,0.000030208095,0.000034083452,0.0162378],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986915,0.00010508804,0.00018436403,0.00026502606,0.0000794078,0.000674643],"domain_scores_gemma":[0.99863744,0.000022510105,0.00003449815,0.00045090754,0.0000213541,0.00083330873],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031151893,0.00014141155,0.00032112273,0.00027303753,0.000057778874,0.00002268359,0.00033622116,0.000091033246,0.014553581],"category_scores_gemma":[0.000019008885,0.000136847,0.0000790238,0.0004034096,0.00002430173,0.00011162159,0.00001176405,0.00020783124,0.012835597],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011634481,0.000048288082,0.20401035,0.002138529,0.00012854967,0.0010022486,0.0023374446,0.0000020469513,0.0000061842798,0.021420524,0.24344644,0.5254478],"study_design_scores_gemma":[0.00021272639,0.000033293338,0.015923588,0.0021683706,0.000021312415,0.000029771232,0.0001108859,8.903003e-7,7.8296046e-7,0.0000955833,0.98120934,0.0001934396],"about_ca_topic_score_codex":0.93872535,"about_ca_topic_score_gemma":0.9777923,"teacher_disagreement_score":0.9292788,"about_ca_system_score_codex":0.00046743717,"about_ca_system_score_gemma":0.0010154761,"threshold_uncertainty_score":0.98793304},"labels":[],"label_agreement":null},{"id":"W2969128837","doi":"","title":"Derek Liddington : the body will always bend before it breaks, the tower will always break before it bends, the tower will always break before it bends, the body will always bend before it breaks","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Ballet; Art; Visual arts; Tower; Space (punctuation); Art history; Dance; Scenography; Narrative; History; Computer science; Literature; Archaeology","score_opus":0.013392103676124378,"score_gpt":0.26084094568847804,"score_spread":0.24744884201235368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969128837","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015726766,0.009885303,0.00042012375,0.15271007,0.020212697,0.016073847,0.023561396,0.0019186658,0.75949115],"genre_scores_gemma":[0.28894264,0.0017388903,0.00010912182,0.035493087,0.009293207,0.0005526401,0.0064645023,0.0017739463,0.65563196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.96924704,0.002059356,0.005572835,0.007403327,0.0067497073,0.008967726],"domain_scores_gemma":[0.9728089,0.002761773,0.0052959044,0.014757846,0.0020454463,0.0023301335],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0058521503,0.00779735,0.005937888,0.0014206371,0.00857676,0.003022925,0.017119689,0.00586548,0.039518118],"category_scores_gemma":[0.00069102563,0.004903577,0.0054703937,0.0024833013,0.006397561,0.0062802495,0.0052543194,0.0118208565,0.00813738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010602155,0.0016407394,0.0008564894,0.00034528744,0.005604556,0.000497055,0.05313558,0.0001161234,0.000058319896,0.037497643,0.8715285,0.027659455],"study_design_scores_gemma":[0.0058847717,0.0044399244,0.012944229,0.0022232898,0.0044513843,0.0022621218,0.013546203,0.0002804403,0.00003206173,0.019830601,0.929392,0.004712984],"about_ca_topic_score_codex":0.0034716607,"about_ca_topic_score_gemma":0.019117078,"teacher_disagreement_score":0.27321586,"about_ca_system_score_codex":0.0021436908,"about_ca_system_score_gemma":0.0024330826,"threshold_uncertainty_score":0.9987815},"labels":[],"label_agreement":null},{"id":"W2970513600","doi":"","title":"In the archives: unearthing histories of Canadian dance pioneer Nesta Toumine","year":2012,"lang":"en","type":"article","venue":"ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; History; Visual arts; Library science; Art; Computer science","score_opus":0.030653756449592697,"score_gpt":0.2668347604088131,"score_spread":0.2361810039592204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970513600","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95702684,0.001367202,0.00009826847,0.0039173802,0.0016382507,0.0001727663,0.000031170443,0.000028314624,0.03571983],"genre_scores_gemma":[0.9956616,0.000051565254,0.0006791081,0.0011519677,0.00038536979,0.000005906748,0.000011490979,0.000023254232,0.0020297044],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801165,0.00030229427,0.00039835458,0.00024051157,0.00026476703,0.0007824511],"domain_scores_gemma":[0.9986486,0.00040661416,0.00019281496,0.00048824545,0.000039809518,0.00022394699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090724626,0.00022111523,0.00029152373,0.00071234873,0.00029434284,0.000049662405,0.0006458369,0.000109564855,0.00013303907],"category_scores_gemma":[0.00019771216,0.00018352948,0.00011906737,0.0007360059,0.00020085351,0.00042856453,0.000046525576,0.0005612539,0.00006009672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028689578,0.0007737568,0.15562782,0.000091035916,0.00023594091,0.00032022517,0.6802776,0.000074764735,0.009088775,0.110167824,0.03876633,0.0042890296],"study_design_scores_gemma":[0.0020656404,0.00048050235,0.22901566,0.00038358752,0.00015164088,0.00045321486,0.048358638,0.00005489097,0.0034240237,0.0014365286,0.7131155,0.0010601387],"about_ca_topic_score_codex":0.017814955,"about_ca_topic_score_gemma":0.0068106796,"teacher_disagreement_score":0.6743492,"about_ca_system_score_codex":0.00007985013,"about_ca_system_score_gemma":0.00012893065,"threshold_uncertainty_score":0.9887255},"labels":[],"label_agreement":null},{"id":"W2972243591","doi":"10.1080/13528165.2019.1581965","title":"Physical and Mental Demands Experienced by Ageing Dancers","year":2019,"lang":"en","type":"article","venue":"Performance Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Psychology; Praxis; Cognition; Aesthetics; Set (abstract data type); Sociology; Visual arts; Gerontology; Art; Medicine; Epistemology; Psychiatry; Computer science","score_opus":0.04520710442211387,"score_gpt":0.4000230120217442,"score_spread":0.35481590759963033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972243591","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94004375,0.00026166314,0.0000030768404,0.00014544745,0.00018905885,0.00017752894,0.0000068970435,0.00002200896,0.059150573],"genre_scores_gemma":[0.99134856,0.00015168519,0.000015361595,0.000052265288,0.000070393085,0.000016945221,0.0000059490817,0.000008609236,0.008330234],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986647,0.00006069595,0.00007224735,0.00026940776,0.00040820564,0.00052479224],"domain_scores_gemma":[0.9995413,0.00006574752,0.000019300716,0.00022052981,0.000034085537,0.000119063356],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037218202,0.00008382513,0.00012080649,0.00008157988,0.00023449528,0.000052848223,0.00023465313,0.000047001886,0.0009463979],"category_scores_gemma":[0.000011796556,0.000076992874,0.000023488088,0.00021390301,0.00023337336,0.00039882245,0.00015221485,0.0003081632,0.0011547889],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010580786,0.0006126806,0.6048734,0.00020910056,0.00012486853,0.000027654676,0.09140772,0.000008780898,0.08218593,0.0015554378,0.088841714,0.12909462],"study_design_scores_gemma":[0.0075074085,0.004917138,0.6998898,0.00027864607,0.000014537723,0.000053320004,0.04709725,0.011467825,0.040467262,0.00016157335,0.18694842,0.0011968648],"about_ca_topic_score_codex":0.00008282659,"about_ca_topic_score_gemma":0.0000013120217,"teacher_disagreement_score":0.12789775,"about_ca_system_score_codex":0.00005867238,"about_ca_system_score_gemma":0.000019792624,"threshold_uncertainty_score":0.99996686},"labels":[],"label_agreement":null},{"id":"W2975222901","doi":"10.1177/0262728019872612","title":"Performing Gender, Class and Nation: Rukmini Devi Arundale and the Impact of Kalakshetra","year":2019,"lang":"en","type":"article","venue":"South Asia Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Dance; Hinduism; Nationalism; Gender studies; Sociology; Hindutva; Commercialism; Context (archaeology); Bengali; Hindi; Aesthetics; Politics; History; Political science; Art; Visual arts; Religious studies; Law","score_opus":0.12538133807772184,"score_gpt":0.41174656767416046,"score_spread":0.2863652295964386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2975222901","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87750953,0.00060134265,0.000006319386,0.00031078354,0.00006673619,0.00029921377,0.000022856248,0.000008006147,0.12117523],"genre_scores_gemma":[0.9960776,0.00003341492,0.000024764879,0.000017008071,0.000046997167,0.0000046767727,0.000002833832,0.000008258769,0.003784464],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99864715,0.00028948215,0.0001234807,0.00021166078,0.0003659693,0.00036226524],"domain_scores_gemma":[0.99903363,0.00039778493,0.000049017082,0.00029180697,0.00012412205,0.000103630824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019067458,0.000085049825,0.0001693642,0.0001560273,0.00018696426,0.000064039195,0.00021003046,0.00008954773,0.0009095576],"category_scores_gemma":[0.00016862551,0.000056824916,0.00005938668,0.00024075048,0.0006275254,0.00014066909,0.00014796462,0.00038469618,0.00020048239],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022445612,0.0001668502,0.8384051,0.00018158609,0.0004259932,0.000014528301,0.07073765,0.0000068177937,0.00047123054,0.054504402,0.0039444044,0.02889692],"study_design_scores_gemma":[0.0051218714,0.0005457779,0.9537042,0.000039030492,0.000017506363,0.000039658644,0.03607139,0.00041789273,0.000100911275,0.0015131985,0.0022639302,0.0001646397],"about_ca_topic_score_codex":0.00020840857,"about_ca_topic_score_gemma":0.0000035318785,"teacher_disagreement_score":0.11856807,"about_ca_system_score_codex":0.00003436121,"about_ca_system_score_gemma":0.000092527174,"threshold_uncertainty_score":0.9959018},"labels":[],"label_agreement":null},{"id":"W2976744293","doi":"10.18357/jcs00019177","title":"Governed and Liberated Bodies: Experiences of Young Female Competitive Dancers","year":2019,"lang":"en","type":"article","venue":"Journal of Childhood Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Brock University","funders":"Social Sciences and Humanities Research Council of Canada; Ministero dello Sviluppo Economico; Brock University","keywords":"Dance; Studio; Sociology; Psychology; Gender studies; Visual arts; Aesthetics; Art","score_opus":0.02046597354160072,"score_gpt":0.30139947329055633,"score_spread":0.2809334997489556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2976744293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9652068,0.01031899,0.000002768888,0.00021257284,0.0010823375,0.000081193815,0.000009176463,0.0000054799348,0.023080692],"genre_scores_gemma":[0.9975623,0.0011391614,0.0001097031,0.00014093603,0.000084333726,0.000001047418,2.6413312e-7,0.000005324624,0.00095694436],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99915683,0.00005778937,0.0002972537,0.00011170785,0.00022279973,0.00015364624],"domain_scores_gemma":[0.9990492,0.0001334163,0.00047001577,0.0000947554,0.00020257621,0.000050076134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018626727,0.00011208604,0.00044262037,0.00006843961,0.00006972913,0.000015285521,0.00014741276,0.000037938476,0.00017903534],"category_scores_gemma":[0.00009337093,0.000086696135,0.00008217828,0.00008045135,0.00021297966,0.0002731093,0.00006710055,0.00013881076,0.000015549751],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038298345,0.00030803223,0.123212285,0.00004914965,0.0017702066,0.000029064378,0.866947,0.000006113133,0.00023298795,0.001212405,0.005073279,0.00077651587],"study_design_scores_gemma":[0.0015202448,0.0011037581,0.36947262,0.0002308098,0.0000608684,0.000058756174,0.6258396,4.0840874e-7,0.000568569,0.000112247144,0.0009215998,0.00011052143],"about_ca_topic_score_codex":0.000009270711,"about_ca_topic_score_gemma":0.0000049804175,"teacher_disagreement_score":0.24626033,"about_ca_system_score_codex":0.000027973103,"about_ca_system_score_gemma":0.000030297564,"threshold_uncertainty_score":0.35353658},"labels":[],"label_agreement":null},{"id":"W2978041298","doi":"","title":"Introduction: Paradoxes and Possibilities of Movement Building from the In-Between","year":2019,"lang":"en","type":"article","venue":"The international journal of critical pedagogy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Movement (music); Aesthetics; Epistemology; Philosophy","score_opus":0.027917925043301643,"score_gpt":0.36298635129060564,"score_spread":0.335068426247304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2978041298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96018046,0.00059007906,0.00040485951,0.035828356,0.001673857,0.000050384555,0.000032251282,0.000002160223,0.0012375873],"genre_scores_gemma":[0.9972653,0.000018414112,0.00012851467,0.00078882725,0.0014270524,4.5415084e-7,0.000001178971,0.0000040523,0.00036623786],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99895716,0.000106172,0.00034040926,0.00010635482,0.00036732576,0.00012255256],"domain_scores_gemma":[0.9984298,0.0010841102,0.00012464687,0.00013613851,0.00018502174,0.00004031178],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048034993,0.00006845645,0.0001695448,0.000060399998,0.000028349828,0.00004082421,0.00044315698,0.000039609808,0.0013731567],"category_scores_gemma":[0.00013784083,0.000043484502,0.00006806554,0.000037073474,0.00023998784,0.00016823887,0.00008459711,0.00023547563,0.000022291026],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010543398,0.0005601892,0.6749384,0.000029228851,0.00078792754,0.000061667284,0.012142827,0.000085872955,0.003237296,0.28074312,0.0107609695,0.015598213],"study_design_scores_gemma":[0.0015521493,0.00042043658,0.8822794,0.00007996702,0.00007616269,0.00007210729,0.011416002,0.00003338221,0.0005147479,0.09205126,0.01138327,0.00012112183],"about_ca_topic_score_codex":0.00034514122,"about_ca_topic_score_gemma":0.000027857282,"teacher_disagreement_score":0.20734103,"about_ca_system_score_codex":0.000034024888,"about_ca_system_score_gemma":0.000038696788,"threshold_uncertainty_score":0.99953973},"labels":[],"label_agreement":null},{"id":"W2982716232","doi":"10.1007/s10465-019-09295-6","title":"(Re-) Defining Dance/Movement Therapy Fifty Years Hence","year":2019,"lang":"en","type":"article","venue":"American Journal of Dance Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph; York University","funders":"","keywords":"Dance; Ambivalence; Dance therapy; Movement (music); Field (mathematics); Power (physics); Health psychology; Psychology; Psychotherapist; Sociology; Dance education; Aesthetics; Psychoanalysis; Epistemology; Visual arts; Medicine; Nursing; Art; Philosophy; Public health","score_opus":0.019721875356056535,"score_gpt":0.3011902469072219,"score_spread":0.2814683715511654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982716232","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9882668,0.0038452882,0.00036602523,0.00065613445,0.0011045058,0.00014595801,0.00001218527,0.000022755694,0.0055803307],"genre_scores_gemma":[0.9881178,0.0032668544,0.0014365312,0.006520907,0.00016576488,0.0000026467126,0.0000013224584,0.000027502792,0.00046064425],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9983202,0.00016777849,0.0003989403,0.00024411961,0.00043314722,0.000435798],"domain_scores_gemma":[0.9983043,0.00014719996,0.0008430247,0.00044507097,0.00010936507,0.00015103839],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004957889,0.00020575705,0.00049212866,0.00012842883,0.000062846244,0.000043091175,0.00070144114,0.000044078868,0.0018579958],"category_scores_gemma":[0.000012632035,0.00018127057,0.00020288398,0.00036082635,0.00024793664,0.00035536694,0.000029399629,0.00037200705,0.00038711226],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0026782532,0.0005679378,0.23529156,0.0000040158097,0.00058472215,0.00008522992,0.013250943,0.00014352793,0.0056133103,0.0014956539,0.0068835206,0.73340136],"study_design_scores_gemma":[0.008366971,0.012748361,0.84281445,0.00022947346,0.000022679935,0.000070533904,0.015668413,0.000011763536,0.0023120812,0.0012876118,0.11568383,0.00078382215],"about_ca_topic_score_codex":0.00013544118,"about_ca_topic_score_gemma":0.0000034628474,"teacher_disagreement_score":0.7326175,"about_ca_system_score_codex":0.00006930813,"about_ca_system_score_gemma":0.0000849502,"threshold_uncertainty_score":0.99905443},"labels":[],"label_agreement":null},{"id":"W2984097105","doi":"10.1080/07256868.2019.1675614","title":"Camels, Temples, and Jewels: Representing Middle Eastern Movement in Canadian English","year":2019,"lang":"en","type":"article","venue":"Journal of Intercultural Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Terminology; Orientalism; Movement (music); Nomenclature; History; Visual arts; Linguistics; Literature; Art; Aesthetics; Archaeology","score_opus":0.06374778531722122,"score_gpt":0.31748274802133947,"score_spread":0.2537349627041182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2984097105","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98175234,0.0061546764,2.701903e-7,0.0007635976,0.0012481933,0.00008339162,0.000006113435,0.0000038990756,0.009987542],"genre_scores_gemma":[0.9959603,0.00025820063,0.000034082335,0.00042859477,0.0001592343,7.4577787e-7,4.882169e-7,0.000004076519,0.0031542953],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99913263,0.00005126493,0.00029762666,0.00011732914,0.0001277297,0.00027339408],"domain_scores_gemma":[0.99934125,0.00005133945,0.00018507613,0.00008164541,0.00022208231,0.00011861168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029220755,0.00010218239,0.00027194628,0.00011882639,0.000052825613,0.0000426621,0.00014995443,0.000039166596,0.00014254417],"category_scores_gemma":[0.00019903072,0.00007273325,0.00006341897,0.000075357755,0.00004545615,0.0002892613,0.000083189545,0.00020755615,0.000033275446],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008313569,0.000049570466,0.89677656,0.00004180634,0.00047751787,0.00012296464,0.0845847,0.0000068394606,0.00015818719,0.00021898316,0.014641437,0.002838312],"study_design_scores_gemma":[0.0017674958,0.00051763485,0.5828038,0.0008462062,0.00004515759,0.00007462609,0.37647358,0.000008362471,0.00011491426,0.00016278951,0.03693064,0.0002548371],"about_ca_topic_score_codex":0.053398814,"about_ca_topic_score_gemma":0.07814938,"teacher_disagreement_score":0.3139728,"about_ca_system_score_codex":0.00017471092,"about_ca_system_score_gemma":0.00001950356,"threshold_uncertainty_score":0.9529047},"labels":[],"label_agreement":null},{"id":"W2985958838","doi":"","title":"Muscular Empathy and Not Knowing in Dara Friedman’s Mother Drum / Empathie active et non-savoir dans Mother Drum de Dara Friedman","year":2019,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drum; Empathy; Psychology; Psychoanalysis; Social psychology; History","score_opus":0.024463549916845097,"score_gpt":0.30937734881412615,"score_spread":0.2849137988972811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2985958838","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84872156,0.0015626298,0.00092993694,0.039584495,0.0041985363,0.0013077217,0.0009823174,0.00014014909,0.102572665],"genre_scores_gemma":[0.97844064,0.0005052363,0.00045455946,0.004156515,0.00045627108,0.00006594788,0.00013573626,0.00019050596,0.015594589],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99497443,0.00075936754,0.0006938335,0.0013596332,0.0005110746,0.0017016337],"domain_scores_gemma":[0.9969861,0.0005153052,0.00035683726,0.0014583322,0.00011332299,0.0005701279],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011003012,0.00084232335,0.0009938958,0.00048541414,0.0005004063,0.00029595607,0.0008205901,0.0007906463,0.0026119761],"category_scores_gemma":[0.00015193397,0.0009673147,0.0003457409,0.0005995134,0.0005978212,0.0015441016,0.00048014615,0.0014349109,0.0021640994],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013675733,0.0060380967,0.11845352,0.0010818904,0.0018877377,0.0008596527,0.547897,0.001168715,0.007170753,0.26370478,0.04082736,0.00954294],"study_design_scores_gemma":[0.0073468704,0.0008487366,0.39062878,0.0020286583,0.00023583492,0.00010456981,0.060955543,0.0008070613,0.0028137562,0.0026101563,0.5296828,0.0019372003],"about_ca_topic_score_codex":0.0020711788,"about_ca_topic_score_gemma":0.0010276408,"teacher_disagreement_score":0.48885548,"about_ca_system_score_codex":0.00039588445,"about_ca_system_score_gemma":0.00039872725,"threshold_uncertainty_score":0.9992777},"labels":[],"label_agreement":null},{"id":"W2986562834","doi":"10.1080/02640414.2019.1692413","title":"Exploring the potential utility of a wearable accelerometer for estimating impact forces in ballet dancers","year":2019,"lang":"en","type":"article","venue":"Journal of Sports Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Accelerometer; Ballet; Ballet dancer; Wearable computer; Force platform; Acceleration; Physical medicine and rehabilitation; Load cell; Rehabilitation; Simulation; Aeronautics; Computer science; Engineering; Physical therapy; Medicine; Structural engineering; Physics; Dance","score_opus":0.11217036508359397,"score_gpt":0.34846283053844607,"score_spread":0.2362924654548521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2986562834","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9948822,0.00016559838,0.00031241102,0.00017491095,0.0013081398,0.00012639005,0.0000038221656,0.0000020212847,0.0030244656],"genre_scores_gemma":[0.99685615,0.000025416055,0.0029356284,0.000031080886,0.00007136898,0.000001172624,1.2974041e-7,0.0000024874348,0.00007657393],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99892175,0.0000239396,0.00033837862,0.00011612355,0.0003574096,0.00024240084],"domain_scores_gemma":[0.999185,0.0001066987,0.0004874758,0.00010834,0.00006665208,0.00004582536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018737089,0.000072198935,0.00021961589,0.0001567196,0.000089440065,0.000044409182,0.00042943264,0.0000221097,0.00084147474],"category_scores_gemma":[0.00006109474,0.000043173193,0.00014592358,0.00027094284,0.00017323808,0.00086442684,0.000032890508,0.0001200372,0.0000021855249],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009026607,0.00025225722,0.9012562,0.00008070972,0.00011370252,0.00003132297,0.008942804,0.015225908,0.0018204316,0.00022629632,0.0019799592,0.06916776],"study_design_scores_gemma":[0.0006477318,0.00062008377,0.98838264,0.00022557733,0.000018183453,0.0000400046,0.006164942,0.0026755377,0.00025390412,0.0007935746,0.00009818772,0.000079648096],"about_ca_topic_score_codex":0.00012983428,"about_ca_topic_score_gemma":0.000003320161,"teacher_disagreement_score":0.08712644,"about_ca_system_score_codex":0.000021254198,"about_ca_system_score_gemma":0.00009016214,"threshold_uncertainty_score":0.92135584},"labels":[],"label_agreement":null},{"id":"W2989348021","doi":"10.1093/geroni/igz038.2620","title":"MIDDLE-AGED AND OLDER LATINOS’ SATISFACTION OF BAILAMOS LATIN DANCE PROGRAM","year":2019,"lang":"en","type":"article","venue":"Innovation in Aging","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dance; Feeling; Likert scale; Psychology; Enthusiasm; Dance therapy; Gerontology; Physical therapy; Medicine; Social psychology; Developmental psychology; Art; Visual arts","score_opus":0.037024030979767183,"score_gpt":0.30904880041534466,"score_spread":0.27202476943557746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989348021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9881486,0.000028412096,0.00017744287,0.0001572474,0.0002914298,0.00028392568,0.000003451221,0.000038256025,0.010871218],"genre_scores_gemma":[0.9978361,0.0000017168861,0.0011888812,0.00015399768,0.000020230264,0.00000786624,0.000008756726,0.000006027851,0.00077638414],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993414,0.000033516448,0.00024815896,0.00015075228,0.000100841615,0.00012527997],"domain_scores_gemma":[0.99958587,0.00004680539,0.00017214545,0.00013054947,0.00005422162,0.000010414007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022812672,0.00006481262,0.00010684637,0.00020206218,0.000025443693,0.000020553141,0.000047464164,0.00005419467,0.00032704647],"category_scores_gemma":[0.00003280853,0.00007222889,0.000009488391,0.00065146526,0.00003214939,0.00022810152,0.000022140608,0.0001293965,0.000034600675],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001783753,0.00004264987,0.94513243,0.00004613869,0.000009569735,8.9409997e-7,0.0030878314,0.000010982584,0.0034776486,0.0077958973,0.0001896571,0.040188447],"study_design_scores_gemma":[0.0007553467,0.000049700764,0.99696004,0.00011712069,0.0000023439147,0.0000014183207,0.0007936226,0.00008310426,0.0005034349,0.00022203464,0.00043609098,0.00007572602],"about_ca_topic_score_codex":0.000185253,"about_ca_topic_score_gemma":0.000018031338,"teacher_disagreement_score":0.05182761,"about_ca_system_score_codex":0.000019993458,"about_ca_system_score_gemma":0.000009516146,"threshold_uncertainty_score":0.35809296},"labels":[],"label_agreement":null},{"id":"W2994154191","doi":"10.22329/csw.v16i1.5915","title":"Exploring Dance/Movement Therapy to Treat Women with Posttraumatic Stress Disorder","year":2019,"lang":"en","type":"article","venue":"Critical Social Work","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intervention (counseling); Dance; Psychology; Psychotherapist; Thematic analysis; Clinical psychology; Traumatic stress; Posttraumatic stress; Psychiatry; Qualitative research","score_opus":0.08639837270199306,"score_gpt":0.32508471391119426,"score_spread":0.23868634120920118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994154191","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9715923,0.00006593629,0.00012131142,0.0037136276,0.00042242787,0.00027110675,0.000018459647,0.00005622071,0.023738611],"genre_scores_gemma":[0.9956466,0.000006148824,0.00009881083,0.0020181206,0.00017631524,0.00008957569,0.0000026454234,0.000019386147,0.0019424272],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99883336,0.0000537193,0.00011247488,0.00024867256,0.00021474545,0.00053704623],"domain_scores_gemma":[0.99947625,0.00012053272,0.00001660195,0.00018067908,0.00003561949,0.00017032519],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007718882,0.0001398831,0.00021210276,0.000031168474,0.00022595972,0.00006235801,0.0001875951,0.000055034427,0.0042671766],"category_scores_gemma":[0.000019704972,0.000120223274,0.00003887796,0.00030223822,0.00009442095,0.00018062358,0.000039484414,0.00013550361,0.0012732462],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006563076,0.0047420864,0.20113525,0.00024155338,0.00049740693,0.00011960828,0.2404785,0.000033903052,0.00030009836,0.19427274,0.0083073815,0.3433084],"study_design_scores_gemma":[0.003752424,0.0029524502,0.90256816,0.00023668942,0.00003699113,0.0000012487488,0.062462088,6.731797e-7,0.00021795563,0.00232286,0.024596017,0.00085246726],"about_ca_topic_score_codex":0.00004887836,"about_ca_topic_score_gemma":0.0000035930873,"teacher_disagreement_score":0.7014329,"about_ca_system_score_codex":0.00009267869,"about_ca_system_score_gemma":0.000011035471,"threshold_uncertainty_score":0.9995044},"labels":[],"label_agreement":null},{"id":"W2994791166","doi":"","title":"(Not So Much) Dancing by the Book: Mapping a New Religious Discourse around the Practice of Indian Classical Dance","year":2018,"lang":"en","type":"article","venue":"Symposia: The Journal of Religion","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Dance; Diaspora; Contemporary dance; Sociology; Aesthetics; Ethnography; Salience (neuroscience); Islam; Gender studies; Epistemology; Anthropology; Visual arts; History; Art; Psychology; Philosophy","score_opus":0.013251792311067954,"score_gpt":0.3006005525372939,"score_spread":0.28734876022622596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994791166","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7315867,0.028794331,0.0033089533,0.2062017,0.003430722,0.00064810814,0.000017975675,0.00003664016,0.025974862],"genre_scores_gemma":[0.9855621,0.003907108,0.00014412646,0.007022459,0.001374822,0.0000012586758,9.890788e-7,0.000025254201,0.0019618662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751085,0.00063155923,0.00061061577,0.000178609,0.00065010425,0.0004182873],"domain_scores_gemma":[0.996409,0.0010631649,0.0014655468,0.0006744468,0.00024000768,0.00014782997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018163958,0.00021473573,0.00031504413,0.000084605395,0.00060361746,0.0001334148,0.0012238886,0.0001509811,0.000022909835],"category_scores_gemma":[0.00041168014,0.00010783908,0.00020667094,0.0003203705,0.0008238305,0.0006019801,0.00012404175,0.0009377696,0.00008863493],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013773106,0.0001737723,0.00034023955,0.000013250649,0.00039563375,0.000047511912,0.042455796,0.000027574959,0.006904189,0.0049993554,0.94038445,0.002880921],"study_design_scores_gemma":[0.0017819068,0.0017031591,0.0010402064,0.0005323081,0.00049176114,0.0032537098,0.022312017,0.000032506745,0.0037676503,0.0022093449,0.96260035,0.0002750941],"about_ca_topic_score_codex":0.0007499425,"about_ca_topic_score_gemma":0.000029530076,"teacher_disagreement_score":0.25397542,"about_ca_system_score_codex":0.000105693354,"about_ca_system_score_gemma":0.00022832303,"threshold_uncertainty_score":0.46425983},"labels":[],"label_agreement":null},{"id":"W2995751769","doi":"10.1007/s10465-019-09319-1","title":"Correction to: Tango Dance Can Reduce Distress and Insomnia in People with Self-Referred Affective Symptoms","year":2019,"lang":"en","type":"article","venue":"American Journal of Dance Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Rehabilitation","funders":"","keywords":"Health psychology; Dance; Distress; Psychology; Insomnia; Clinical psychology; Affect (linguistics); Psychotherapist; Psychiatry; Medicine; Public health; Communication; Art; Literature","score_opus":0.0054952104516036784,"score_gpt":0.26251516186863133,"score_spread":0.25701995141702766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995751769","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9963733,0.00030331942,0.00009944098,0.00048897404,0.00092364044,0.0002348555,0.000013694755,0.000018270932,0.00154451],"genre_scores_gemma":[0.99855435,0.00023532411,0.00026696423,0.0005005379,0.000087620196,0.000005497851,0.0000013528729,0.000018980385,0.0003294023],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989008,0.00016660588,0.00020409573,0.00023445305,0.00021080412,0.00028325646],"domain_scores_gemma":[0.9989794,0.00014061971,0.00041251763,0.00022543735,0.00009441974,0.00014760523],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018507687,0.00017042771,0.0004170795,0.00015420331,0.00004660498,0.000032129316,0.00024024074,0.0000287862,0.00006872055],"category_scores_gemma":[0.00001712301,0.00014093083,0.000043689994,0.0005789173,0.00012025579,0.00024755896,0.000018755169,0.0003048186,0.0000148037325],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0045474535,0.0004964745,0.79753447,0.0000070585825,0.00029191325,0.00003488191,0.028794274,0.00016658954,0.0029032128,0.00007376212,0.0018431721,0.16330676],"study_design_scores_gemma":[0.0024913538,0.005909813,0.9830005,0.00018758034,0.000014100169,0.00017944179,0.0062334766,0.000013617733,0.00049346406,0.0000151194245,0.0012442413,0.00021724969],"about_ca_topic_score_codex":0.0010182802,"about_ca_topic_score_gemma":0.00036860275,"teacher_disagreement_score":0.18546608,"about_ca_system_score_codex":0.00014649311,"about_ca_system_score_gemma":0.00006536384,"threshold_uncertainty_score":0.5746992},"labels":[],"label_agreement":null},{"id":"W2998152837","doi":"","title":"Dancing at the Canadian American Club","year":2019,"lang":"en","type":"article","venue":"Journal of international women's studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Club; History; Art; Political science; Biology; Anatomy","score_opus":0.021895214441711858,"score_gpt":0.3241870301784007,"score_spread":0.30229181573668884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998152837","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9448783,0.00043673094,0.0000022249073,0.0066350335,0.0031738463,0.000039938248,0.000012869039,0.000003123065,0.04481796],"genre_scores_gemma":[0.9746753,0.00010598179,0.000036126734,0.0024330486,0.00024250986,0.0000015168688,5.4542255e-7,0.0000050528997,0.022499897],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916786,0.000038885853,0.00019833661,0.000077915356,0.0003059295,0.00021105193],"domain_scores_gemma":[0.9990522,0.00015168998,0.00031711854,0.000098541306,0.0002892326,0.00009120563],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037080716,0.00007600748,0.0001766898,0.00013786256,0.00016248153,0.000030332378,0.00034755692,0.000016692029,0.0017844115],"category_scores_gemma":[0.00012547341,0.00005009846,0.000074689,0.00009145523,0.00013794632,0.0001323422,0.00008541429,0.00017071635,0.0005063829],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006681151,0.00015502809,0.6991388,0.000014388321,0.005848687,0.00022601805,0.076057255,0.00013822214,0.00035009827,0.009385663,0.20018998,0.007827731],"study_design_scores_gemma":[0.0011225526,0.00066876883,0.44858867,0.00006842106,0.00003350038,0.00022175493,0.098318055,0.000004877001,0.00005550737,0.0009440009,0.4497889,0.00018501197],"about_ca_topic_score_codex":0.0022086632,"about_ca_topic_score_gemma":0.010363198,"teacher_disagreement_score":0.25055015,"about_ca_system_score_codex":0.0010265234,"about_ca_system_score_gemma":0.00007221757,"threshold_uncertainty_score":0.9991281},"labels":[],"label_agreement":null},{"id":"W3000217868","doi":"10.3138/ctr.180.007","title":"Institutional Responses to #MeToo: A Conversation","year":2019,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Drama; The arts; Executive director; Studio; Visual arts; Sociology; Management; Media studies; Performance art; Theatre director; Art; Art history","score_opus":0.03141963405128822,"score_gpt":0.2988312516280928,"score_spread":0.2674116175768046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000217868","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09426899,0.08119414,0.000034146302,0.03214374,0.0020004755,0.0016001088,0.0003518525,0.000058714464,0.78834784],"genre_scores_gemma":[0.9271434,0.0035600155,0.0001373312,0.05262846,0.00011595545,0.000023928544,0.000053534266,0.000014193151,0.016323164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933666,0.00008409911,0.00010383104,0.00016564934,0.00008675962,0.00022298742],"domain_scores_gemma":[0.9992769,0.00003753583,0.00002619475,0.00027754979,0.00003314558,0.00034868348],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021971218,0.000078265424,0.00015940983,0.000115239134,0.000055444034,0.000013910727,0.00016722115,0.000042706226,0.011689915],"category_scores_gemma":[0.00004724722,0.000076137636,0.000058846235,0.00022074439,0.000024872998,0.000095838215,0.000011542563,0.000069745874,0.021586979],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010404884,0.00004546996,0.032130588,0.00097108824,0.00015204524,0.000119935554,0.0014675389,0.0000026593032,0.000032855267,0.050059192,0.5652875,0.3496271],"study_design_scores_gemma":[0.00014052834,0.000053815093,0.020417394,0.0007092819,0.000022075494,0.000021534133,0.00007007344,3.6872302e-7,0.00000212565,0.00003558664,0.9784274,0.00009980523],"about_ca_topic_score_codex":0.02079611,"about_ca_topic_score_gemma":0.007492001,"teacher_disagreement_score":0.8328744,"about_ca_system_score_codex":0.00018667577,"about_ca_system_score_gemma":0.00038184132,"threshold_uncertainty_score":0.9892135},"labels":[],"label_agreement":null},{"id":"W3006118121","doi":"10.24908/iqurcp.10434","title":"Waacking: A Shift from Gay Refusal to Gender Refusal","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Aesthetics; Queer; Performative utterance; Narrative; Performativity; Embodied cognition; Gender studies; Hollywood; Sociology; Concert dance; Performing arts; Psychology; Art; Visual arts; Literature; Epistemology","score_opus":0.2506924652081173,"score_gpt":0.44724494544186927,"score_spread":0.196552480233752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006118121","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7712924,0.00005369185,0.002293218,0.033249486,0.0013824295,0.0009208807,0.00007524552,0.00040827793,0.19032438],"genre_scores_gemma":[0.9903608,0.00004527892,0.001116136,0.0010695446,0.0018266353,0.000094688665,0.000026088943,0.0000748212,0.005386009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99385405,0.00022871145,0.0005340942,0.0015013058,0.001805133,0.0020766836],"domain_scores_gemma":[0.9958295,0.00031790577,0.00016496661,0.00065485045,0.002005664,0.0010271111],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0019331188,0.00046920605,0.0005265722,0.0007778771,0.00075535197,0.00081371533,0.0017823828,0.00040965233,0.0026627774],"category_scores_gemma":[0.0008134903,0.0004648811,0.00012873155,0.0014232193,0.0016349391,0.0009641211,0.0009915886,0.0012795677,0.010462533],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002425571,0.00073363236,0.032470696,0.00009288299,0.00055210205,0.0001359881,0.08391735,2.7463224e-7,0.010019404,0.4843439,0.3731282,0.012180023],"study_design_scores_gemma":[0.0042398716,0.005392168,0.16072421,0.0006917458,0.00011203613,0.000044716046,0.025187548,0.00011995988,0.010624319,0.51982325,0.27064723,0.0023929446],"about_ca_topic_score_codex":0.0023144383,"about_ca_topic_score_gemma":0.00007973062,"teacher_disagreement_score":0.21906841,"about_ca_system_score_codex":0.00033436602,"about_ca_system_score_gemma":0.00042804502,"threshold_uncertainty_score":0.9997803},"labels":[],"label_agreement":null},{"id":"W3007063424","doi":"10.1080/02614367.2020.1731843","title":"Dance, movement and leisure cultures","year":2020,"lang":"en","type":"article","venue":"Leisure Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Concert dance; Contemporary dance; Passions; Ballroom; Sociology; Modern dance; Politics; Visual arts; Aesthetics; Art; Political science; Literature","score_opus":0.059918590316106045,"score_gpt":0.344614400080885,"score_spread":0.284695809764779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007063424","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8719289,0.035763197,0.000046149606,0.020553587,0.0008378965,0.0003596144,0.00006474498,0.00018796363,0.07025795],"genre_scores_gemma":[0.9927023,0.00074138783,0.00015761389,0.0027177855,0.00028926786,0.0000112471525,0.0000027111957,0.000009327576,0.0033683283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925524,0.000036701134,0.00010704389,0.00025888477,0.00013074244,0.00021140816],"domain_scores_gemma":[0.9996695,0.00003525591,0.00004699152,0.00011514478,0.000049440478,0.00008366501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000059922462,0.00013809945,0.0002607609,0.000015918004,0.00016090825,0.000022257393,0.000113780065,0.000049474467,0.0001368528],"category_scores_gemma":[0.00004479438,0.00011167272,0.0000416426,0.00009947342,0.00013772503,0.00009851693,0.0001354307,0.00012603005,0.0001489954],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015904027,0.00010924911,0.40769863,0.00014407704,0.0011146675,0.00006612871,0.04346842,0.0000049152636,0.00039901005,0.022224529,0.5170566,0.007554751],"study_design_scores_gemma":[0.0014008569,0.00054367277,0.42666268,0.000046919555,0.00010415442,0.000003622153,0.02328122,0.000003020703,0.0003405745,0.00085069396,0.54641646,0.00034614673],"about_ca_topic_score_codex":0.000021592183,"about_ca_topic_score_gemma":0.00001678201,"teacher_disagreement_score":0.120773435,"about_ca_system_score_codex":0.000009726547,"about_ca_system_score_gemma":0.0000053223393,"threshold_uncertainty_score":0.45538813},"labels":[],"label_agreement":null},{"id":"W3007289878","doi":"10.12678/1089-313x.24.1.3","title":"Perspectives of Physical Therapists regarding the use and Value of Screening Assessments and Preventative Programs for Elite-Level Dancers","year":2020,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Rehabilitation Institute; University of Toronto; University Health Network","funders":"","keywords":"Elite; Medical education; Psychology; Standardization; Health care; Population; Applied psychology; Medicine; Nursing","score_opus":0.15344099806049252,"score_gpt":0.41800091078789653,"score_spread":0.264559912727404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007289878","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9803823,0.0010928046,0.015804818,0.002178634,0.00010367725,0.00023243003,0.000010552291,0.000002741263,0.00019204877],"genre_scores_gemma":[0.9910586,0.00012611423,0.008477742,0.00017885269,0.00012827136,0.0000016397983,1.8975459e-7,0.000004252717,0.00002432824],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99884814,0.00007784807,0.0002517215,0.00018235501,0.0004710128,0.00016889513],"domain_scores_gemma":[0.9984826,0.0003642815,0.0005951461,0.000103122184,0.0003392921,0.0001155865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086707476,0.000092392685,0.00030892107,0.00006528152,0.00011568021,0.000024149023,0.00032377467,0.000014312191,0.0000040750897],"category_scores_gemma":[0.00062529556,0.00005537959,0.000052068288,0.00035837255,0.0017599739,0.0006771439,0.000058073423,0.0001593444,5.937263e-8],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025323965,0.0005025667,0.19555947,0.00028292288,0.00047933753,0.000016521039,0.4658902,0.00015244038,0.093073115,0.011967907,0.0010194308,0.2285237],"study_design_scores_gemma":[0.0052448995,0.0070701367,0.8342266,0.0015587694,0.00020641593,0.000056439214,0.14549199,0.002576605,0.0020408428,0.0007953993,0.0005484854,0.00018339553],"about_ca_topic_score_codex":0.000032566066,"about_ca_topic_score_gemma":8.4153254e-7,"teacher_disagreement_score":0.63866717,"about_ca_system_score_codex":0.000022862645,"about_ca_system_score_gemma":0.00007524675,"threshold_uncertainty_score":0.64846975},"labels":[],"label_agreement":null},{"id":"W3013851593","doi":"10.1016/j.psychsport.2023.102443","title":"Experiences with social support among older adult women participating in gay square dancing","year":2023,"lang":"en","type":"article","venue":"Psychology of sport and exercise","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Psychology; Lesbian; Club; Transgender; Sexual orientation; Context (archaeology); Social psychology; Gender studies; White (mutation); Sociology; Visual arts; Psychoanalysis","score_opus":0.02712929756069283,"score_gpt":0.32507608535817495,"score_spread":0.2979467877974821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3013851593","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9929153,0.000033881304,0.0000040744885,0.00019125723,0.00028163457,0.00015835723,0.0000045063493,0.000058209826,0.0063528297],"genre_scores_gemma":[0.9987883,0.000030008867,0.000041849788,0.00018186196,0.000045235956,0.0002425345,0.000010912679,0.000013287719,0.0006460237],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986678,0.000008123544,0.0002814095,0.00035465302,0.0001446847,0.0005433318],"domain_scores_gemma":[0.9995342,0.000010185283,0.00014495321,0.00017022988,0.000039021357,0.00010139372],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030080284,0.00014437179,0.00036757562,0.00019662551,0.000107936816,0.000010814028,0.00015512362,0.00013727265,0.0013386518],"category_scores_gemma":[0.0000041751773,0.00013348214,0.000033799053,0.00041299209,0.00039133147,0.00018366669,0.000040187675,0.00015173056,0.000055881384],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003248203,0.00012245025,0.76213986,0.000028072667,0.00001574864,0.000111069196,0.22961846,0.0000010608296,0.000008019582,0.000059695325,0.0026944163,0.004876334],"study_design_scores_gemma":[0.0011081203,0.00020327183,0.84895855,0.00007057963,0.000011786714,0.000005694613,0.1492312,0.0000026046444,0.000033800454,0.000051992338,0.00018048128,0.00014194503],"about_ca_topic_score_codex":0.00014800204,"about_ca_topic_score_gemma":0.000050410865,"teacher_disagreement_score":0.08681868,"about_ca_system_score_codex":0.00001251082,"about_ca_system_score_gemma":0.000014591242,"threshold_uncertainty_score":0.99957424},"labels":[],"label_agreement":null},{"id":"W3013856022","doi":"10.2196/16000","title":"Development and Preliminary Usability Evaluation of a Somatosensory Square Dance System for Older Chinese Persons: Mixed Methods Study","year":2020,"lang":"en","type":"article","venue":"JMIR Serious Games","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"National Natural Science Foundation of China","keywords":"Preprint; Usability; Dance; Square (algebra); Computer science; Human–computer interaction; World Wide Web; Visual arts; Art; Mathematics","score_opus":0.06033545587373496,"score_gpt":0.4005484203290904,"score_spread":0.3402129644553554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3013856022","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9951597,0.0007346453,0.0004695659,0.00015599733,0.00026543828,0.0026937355,0.00003243812,0.00007443669,0.0004140743],"genre_scores_gemma":[0.99046665,9.407798e-7,0.008921887,0.000054690954,0.000039710663,0.00041819623,0.0000068297163,0.000014680001,0.00007642003],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99827635,0.00055285357,0.00029717686,0.00040276183,0.00027362347,0.00019720565],"domain_scores_gemma":[0.9991339,0.00018590852,0.00017492309,0.00025951132,0.0001469397,0.00009882229],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010366892,0.00017142123,0.00035320967,0.000044940192,0.00010278624,0.000020153586,0.00015453766,0.00007851977,0.000045327663],"category_scores_gemma":[0.00018948864,0.00015471538,0.000055496963,0.00014383078,0.00006576529,0.00012704016,0.000083537045,0.00007734756,0.000009404258],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001960391,0.0017217027,0.13858254,0.0021374908,0.0005855124,0.000008629607,0.41543433,0.000027621858,0.0027706013,0.00007918824,0.0020349917,0.43465698],"study_design_scores_gemma":[0.0025929417,0.0008855056,0.89162666,0.00006881061,0.0001123955,0.000008477824,0.102582425,0.0008255471,0.00059154397,0.000011242261,0.0005156499,0.00017879065],"about_ca_topic_score_codex":0.000015533056,"about_ca_topic_score_gemma":0.000008666383,"teacher_disagreement_score":0.7530441,"about_ca_system_score_codex":0.000064333624,"about_ca_system_score_gemma":0.00006922771,"threshold_uncertainty_score":0.630911},"labels":[],"label_agreement":null},{"id":"W3015051253","doi":"","title":"Le paysage comme pédagogie : Danser Sápmi / Landscape as Pedagogy: Dancing Sápmi","year":2020,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.11709511081512901,"score_gpt":0.38009814498030237,"score_spread":0.26300303416517334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015051253","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028139021,0.009524525,0.0013765537,0.61802435,0.008247346,0.0006840419,0.00090210984,0.0005078785,0.33259416],"genre_scores_gemma":[0.935207,0.0010795429,0.00031293771,0.023365038,0.002637922,0.000039157254,0.0006055313,0.00016443136,0.0365884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955644,0.00052165525,0.0007292844,0.0011389296,0.0005336834,0.0015120386],"domain_scores_gemma":[0.9966133,0.0005502946,0.0003519274,0.0011821543,0.0002035122,0.0010987944],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004916623,0.000694887,0.00088070345,0.00017442858,0.0010414114,0.00033228024,0.0011677801,0.0005472544,0.0075865737],"category_scores_gemma":[0.0004930191,0.0008288918,0.0003756007,0.00081730774,0.00048088134,0.001148545,0.000620832,0.0012487653,0.011244105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029093568,0.0013663989,0.0060776235,0.0003277528,0.00048941525,0.00053578,0.02966382,0.00012300433,0.00054962793,0.32034254,0.6367017,0.0035313994],"study_design_scores_gemma":[0.0031647724,0.00066145166,0.009341737,0.00035799533,0.00018293416,0.0001026982,0.01736693,0.000217311,0.0005912575,0.0009137708,0.9661744,0.0009247085],"about_ca_topic_score_codex":0.0014832707,"about_ca_topic_score_gemma":0.00041111917,"teacher_disagreement_score":0.907068,"about_ca_system_score_codex":0.00007485226,"about_ca_system_score_gemma":0.00088194147,"threshold_uncertainty_score":0.9994162},"labels":[],"label_agreement":null},{"id":"W3016988849","doi":"10.1080/2159676x.2020.1748897","title":"‘Where is the space for continuum?’ Gyms and the visceral “stickiness“ of binary gender","year":2020,"lang":"en","type":"article","venue":"Qualitative Research in Sport Exercise and Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"Canadian Institutes of Health Research","keywords":"Binary number; Space (punctuation); Psychology; Physics; Computer science; Mathematics","score_opus":0.3612991394641472,"score_gpt":0.554486585830802,"score_spread":0.1931874463666548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016988849","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7293476,0.027008725,0.00015991273,0.23590524,0.00013746764,0.002835802,0.00018576282,0.0000159248,0.004403591],"genre_scores_gemma":[0.99160933,0.0052563325,0.00019618336,0.0019256907,0.0000739539,0.0000683905,0.000007209978,0.000011773146,0.0008511195],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981406,0.0005256953,0.0002888873,0.0002835268,0.00031748644,0.000443841],"domain_scores_gemma":[0.99834067,0.0010120211,0.00012137292,0.0001901264,0.00015763144,0.00017820566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059285387,0.00010652957,0.0004256013,0.00007598337,0.0002748834,0.000026997757,0.00020243744,0.000058681544,0.00012285932],"category_scores_gemma":[0.00008762522,0.000063917236,0.00005090718,0.00032794513,0.0009883913,0.00009310805,0.00010679911,0.00035974183,0.0000106674215],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005402503,0.00016755419,0.0155257,0.0013128071,0.000067258545,0.000012350597,0.7217289,6.5692154e-7,0.000011507473,0.10160181,0.14849734,0.005671591],"study_design_scores_gemma":[0.008887212,0.0017908937,0.30130655,0.0005379842,0.000028984436,0.0000041045405,0.6313449,0.0001533339,0.000029193961,0.019815642,0.035849757,0.0002514135],"about_ca_topic_score_codex":0.0022141386,"about_ca_topic_score_gemma":0.00007083641,"teacher_disagreement_score":0.28578085,"about_ca_system_score_codex":0.000023536573,"about_ca_system_score_gemma":0.00014907759,"threshold_uncertainty_score":0.3641769},"labels":[],"label_agreement":null},{"id":"W3017087565","doi":"10.4000/edc.9499","title":"Œuvre, documentation et archive au regard de la danse : quelles hybridations ?","year":2019,"lang":"fr","type":"article","venue":"Etudes de communication/Études de communication","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Documentation; Humanities; Art; Library science; Computer science","score_opus":0.024503456644896282,"score_gpt":0.3568049786797279,"score_spread":0.3323015220348316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3017087565","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5357778,0.020337718,0.008348382,0.032874703,0.0003847958,0.0015244557,0.0002968992,0.0003519124,0.40010333],"genre_scores_gemma":[0.88785046,0.034450203,0.06271528,0.0029120003,0.000069342714,0.0001841233,0.0014442924,0.00009596898,0.010278313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9862798,0.010886816,0.00086320913,0.0005375026,0.000417424,0.001015268],"domain_scores_gemma":[0.987857,0.005138994,0.00081618695,0.005507108,0.00029809304,0.0003826527],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0056641563,0.00051859417,0.000519658,0.00034581008,0.00096734957,0.0007388301,0.004215762,0.00053747254,0.0019412169],"category_scores_gemma":[0.0007342547,0.000683258,0.0003015815,0.00055424665,0.0011654366,0.0016972271,0.0014429752,0.0015325273,0.001453844],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034784252,0.002615251,0.100012556,0.00025858704,0.0007607454,0.000006456624,0.08144748,0.0021919818,0.0033780714,0.7714711,0.027311489,0.010198465],"study_design_scores_gemma":[0.0036368982,0.0003851154,0.407368,0.0015531351,0.00050927413,0.00025029713,0.019928759,0.0038202011,0.0004393678,0.052643266,0.5083149,0.0011507786],"about_ca_topic_score_codex":0.011179244,"about_ca_topic_score_gemma":0.0041558975,"teacher_disagreement_score":0.7188278,"about_ca_system_score_codex":0.002686398,"about_ca_system_score_gemma":0.0013774561,"threshold_uncertainty_score":0.99956185},"labels":[],"label_agreement":null},{"id":"W3018384946","doi":"10.1080/15290824.2020.1738014","title":"“Pretty Tough and Pretty Hard”: An Intersectional Analysis of Krump as Seen on <i>So You Think You Can Dance</i>","year":2020,"lang":"en","type":"article","venue":"Journal of Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Scholarship; Sociology; Intersectionality; Gender studies; Race (biology); Relation (database); Aesthetics; Negotiation; Visual arts; Art; Social science; Law","score_opus":0.02857878396082358,"score_gpt":0.3175740579180356,"score_spread":0.28899527395721203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3018384946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98739964,0.0005216764,0.00018092293,0.007305771,0.0013127179,0.00009562626,0.00007080775,0.000011092536,0.0031017289],"genre_scores_gemma":[0.99503356,0.00010399814,0.0006083955,0.003096527,0.00058577256,0.0000016243894,0.00002714489,0.000009921429,0.0005330689],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987292,0.00013126471,0.00040292356,0.0002395606,0.00033496282,0.000162049],"domain_scores_gemma":[0.9985659,0.00005963619,0.000674457,0.00022791975,0.00024792278,0.0002241361],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028465877,0.00013972941,0.000349005,0.00020472442,0.00010013834,0.000043681852,0.00027819048,0.000089502246,0.00040020986],"category_scores_gemma":[0.0001641318,0.00013407762,0.0001537157,0.00052334694,0.000105214145,0.0005456211,0.000026134592,0.00033269133,0.000011613872],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0045511033,0.0035583659,0.604236,0.00016287951,0.005557181,0.000026842103,0.16753267,0.001280126,0.010971433,0.0056150085,0.12384668,0.07266168],"study_design_scores_gemma":[0.00096589024,0.0022369886,0.96392745,0.00014431264,0.0010521635,0.000058506503,0.014198674,0.00012130986,0.0022378147,0.0005115928,0.014266503,0.00027880896],"about_ca_topic_score_codex":0.00020522244,"about_ca_topic_score_gemma":0.00003591234,"teacher_disagreement_score":0.3596914,"about_ca_system_score_codex":0.00009899359,"about_ca_system_score_gemma":0.0002797941,"threshold_uncertainty_score":0.5467527},"labels":[],"label_agreement":null},{"id":"W3028221552","doi":"10.4324/9780203055670-8","title":"The Tango, Peronism, and Astor Piazzolla during the 1940s and '50s","year":2013,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.012761340944036054,"score_gpt":0.22216066158559114,"score_spread":0.2093993206415551,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3028221552","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015563342,0.0042070793,0.000003896417,0.0018131239,0.00046813395,0.00028327765,0.000028572016,0.00003908952,0.9775935],"genre_scores_gemma":[0.038496934,0.0010096326,0.000020051455,0.00051287346,0.00021483547,0.000004949801,0.0000020102527,0.000025456788,0.9597133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917394,0.000022326763,0.00012844549,0.00027594357,0.00014406211,0.00025528594],"domain_scores_gemma":[0.9992017,0.00015780929,0.00009728047,0.00042347502,0.000029356877,0.00009033386],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012146528,0.00022559824,0.00018652897,0.000032554497,0.0005459242,0.00016784546,0.00026083036,0.00021020079,0.00515774],"category_scores_gemma":[0.000008823082,0.0001231304,0.00005837853,0.000009199076,0.00042508022,0.000082051505,0.00020647852,0.0003364276,0.00094879925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011589139,0.000021054688,0.00048216735,0.000046913687,0.00054919644,0.000030403296,0.0028407548,1.211262e-7,0.0000390888,0.77571136,0.19226286,0.027900225],"study_design_scores_gemma":[0.0004174793,0.00008950582,0.018406095,0.000031735988,0.00005319007,0.00006870598,0.00056757743,9.220529e-7,0.0000027564147,0.0021735802,0.9779635,0.00022493726],"about_ca_topic_score_codex":0.00015270992,"about_ca_topic_score_gemma":0.000080850914,"teacher_disagreement_score":0.7857007,"about_ca_system_score_codex":0.000022022366,"about_ca_system_score_gemma":0.000012549224,"threshold_uncertainty_score":0.99982905},"labels":[],"label_agreement":null},{"id":"W3032202565","doi":"10.3138/md.63.2.1105","title":"<i>Dance Nation</i> and Its Representational Challenges","year":2020,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Mainstream; Narrative; Gender studies; Depiction; Feminism; Modern dance; Sociology; Aesthetics; Elite; Visual arts; Art; Literature; Political science; Politics; Law","score_opus":0.09762971292847114,"score_gpt":0.30768935840449324,"score_spread":0.2100596454760221,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032202565","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6727255,0.013355763,0.0021009245,0.0805758,0.00044135342,0.00025522607,0.00007484069,0.00018478051,0.23028584],"genre_scores_gemma":[0.99567354,0.00014975319,0.00010920458,0.0022533145,0.00014536348,0.000004510443,0.0000055206824,0.0000063870075,0.0016524233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99944806,0.000028153754,0.00006795844,0.00021650281,0.00012409552,0.00011523649],"domain_scores_gemma":[0.99972403,0.00004032701,0.000033084332,0.0000835516,0.000034190623,0.00008484434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004134278,0.000060912153,0.00007476707,0.000015613756,0.00005718661,0.000021397236,0.000100738376,0.000042699314,0.00033471253],"category_scores_gemma":[0.000050260198,0.00006641684,0.000019450083,0.000041816595,0.000024415704,0.00016960644,0.000045630506,0.000074815434,0.00034663093],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00081494515,0.0006179565,0.013566388,0.00024255116,0.00045300362,0.00019226692,0.15228345,0.00035418046,0.00586688,0.48956448,0.091563426,0.24448048],"study_design_scores_gemma":[0.009910476,0.0010785038,0.6153299,0.00009877111,0.00012497802,0.00011264974,0.007049051,0.03403354,0.0036908775,0.052124493,0.2746816,0.0017651325],"about_ca_topic_score_codex":0.0000068301692,"about_ca_topic_score_gemma":0.0000020675948,"teacher_disagreement_score":0.60176355,"about_ca_system_score_codex":0.0000059754866,"about_ca_system_score_gemma":0.000007963442,"threshold_uncertainty_score":0.4455355},"labels":[],"label_agreement":null},{"id":"W3032657063","doi":"","title":"\"Greet Me the Homeland!\" Marguerite Nerny-Stager-The Oldest Swiss Canadian Turns 110 Years","year":2015,"lang":"en","type":"article","venue":"ScholarsArchive  (Brigham Young University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homeland; Political science; History; Geography; Ancient history; Law","score_opus":0.029507253880675887,"score_gpt":0.23758629969656747,"score_spread":0.2080790458158916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3032657063","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5769364,0.0003314933,0.00011895575,0.003115459,0.0019258565,0.00048303444,0.00051682413,0.0001217355,0.4164502],"genre_scores_gemma":[0.93185306,0.000044636014,0.00011319862,0.00078395964,0.0002246149,0.0000010864813,0.000060392606,0.000031021038,0.06688803],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975242,0.00053447357,0.0001632098,0.0004907457,0.00042227507,0.0008651172],"domain_scores_gemma":[0.99787796,0.00015169603,0.00013235687,0.00092802395,0.00013736996,0.000772617],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055198296,0.00028517994,0.0002568818,0.00046411392,0.00064007915,0.0002848798,0.0017507551,0.0001575222,0.00060357084],"category_scores_gemma":[0.00009804931,0.00022978908,0.00018331707,0.00081099925,0.00054596376,0.0006936093,0.00030065622,0.0010188614,0.0016184625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014101176,0.00053593813,0.40977722,0.00003799729,0.0017068769,0.008429532,0.06952312,0.00016036777,0.0004393553,0.18556522,0.3135811,0.008833149],"study_design_scores_gemma":[0.0013010156,0.0001383432,0.36154738,0.000023524839,0.000103640865,0.00008907748,0.007552092,0.000013432106,0.000008422595,0.00092078914,0.62796897,0.00033331205],"about_ca_topic_score_codex":0.08851181,"about_ca_topic_score_gemma":0.09482843,"teacher_disagreement_score":0.3549166,"about_ca_system_score_codex":0.00034073027,"about_ca_system_score_gemma":0.0005005113,"threshold_uncertainty_score":0.9991589},"labels":[],"label_agreement":null},{"id":"W3033542905","doi":"10.4000/rac.4248","title":"L’enseignement du tabla dans les universités indiennes","year":2020,"lang":"fr","type":"article","venue":"Revue d anthropologie des connaissances","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.16811837205026334,"score_gpt":0.34952632501028125,"score_spread":0.1814079529600179,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033542905","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5120235,0.09887919,0.0063025095,0.13763641,0.009173011,0.0006805784,0.0009134046,0.00047527748,0.23391609],"genre_scores_gemma":[0.9769281,0.01522266,0.0007110854,0.0011525789,0.0010120964,0.000004811716,0.000033967015,0.00003532994,0.004899366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971741,0.000423699,0.00040457465,0.0008084289,0.00019715466,0.0009920339],"domain_scores_gemma":[0.9984584,0.0002726525,0.00032518897,0.00038989595,0.0001390542,0.00041484958],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022598205,0.00047571573,0.0006470426,0.00009504293,0.0011420465,0.000103625825,0.00090870046,0.00041993055,0.01087375],"category_scores_gemma":[0.00034029956,0.0005270161,0.0002788565,0.000549817,0.008455056,0.0005536641,0.000356114,0.0004732639,0.0011488931],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008763729,0.0015425916,0.19712521,0.0018235191,0.001343697,0.004141008,0.13642403,0.00024426807,0.001607225,0.14507066,0.32795426,0.18184717],"study_design_scores_gemma":[0.0021142212,0.0029506588,0.05096501,0.0006469213,0.00040413588,0.00017854838,0.2905517,0.0002592404,0.0020859127,0.0008335613,0.6479354,0.0010746944],"about_ca_topic_score_codex":0.0023407433,"about_ca_topic_score_gemma":0.00043765278,"teacher_disagreement_score":0.46490458,"about_ca_system_score_codex":0.00024581203,"about_ca_system_score_gemma":0.00010043972,"threshold_uncertainty_score":0.9997181},"labels":[],"label_agreement":null},{"id":"W303480880","doi":"","title":"8 Days / Project bk","year":2013,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Relevance (law); Space (punctuation); Visual arts; Work (physics); Sociology; Art; Media studies; Art history; Engineering; Political science; Law; Philosophy; Mechanical engineering","score_opus":0.048485668210164756,"score_gpt":0.3088718021581656,"score_spread":0.26038613394800086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W303480880","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041046147,0.000227826,0.0000325003,0.00011348842,0.001182653,0.00033320388,0.000054220876,0.00012273737,0.9978923],"genre_scores_gemma":[0.000043938428,0.000022704928,0.00015301818,0.0010031959,0.00035405337,0.000008680724,0.00007871262,0.000022956461,0.9983127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921036,0.000021533202,0.00011189187,0.0002676095,0.00013975013,0.00024886377],"domain_scores_gemma":[0.99935526,0.000038066428,0.00008108013,0.0004327378,0.000036120906,0.00005675779],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005533507,0.000181564,0.00022346793,0.00010479173,0.000040765997,0.00003763504,0.00033710524,0.00036826788,0.06258034],"category_scores_gemma":[0.000008256319,0.00015866042,0.000104836334,0.000028408922,0.000065476976,0.0000922795,0.0000836051,0.0002884574,0.05629503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007844809,0.000031011725,0.000016475007,0.000014423882,0.00009021308,0.000014276968,0.00028102298,9.3517345e-9,6.4983186e-7,0.052439846,0.94300246,0.0041017374],"study_design_scores_gemma":[0.00021150941,0.00011598291,0.00022053678,0.00002686485,0.000029072287,0.000008136835,0.000075849246,2.4765237e-7,0.0000019364677,0.0015383541,0.9975627,0.00020882912],"about_ca_topic_score_codex":0.00027455264,"about_ca_topic_score_gemma":0.000008530072,"teacher_disagreement_score":0.054560192,"about_ca_system_score_codex":0.000057888894,"about_ca_system_score_gemma":0.00014731633,"threshold_uncertainty_score":0.94443977},"labels":[],"label_agreement":null},{"id":"W3036212979","doi":"10.3138/ctr.183.012","title":"A Clown of His/Her/Their Own: Clown and Gender Performativity","year":2020,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Gender studies; Performativity; Taboo; Identity (music); Pleasure; Sociology; Agency (philosophy); Art; Aesthetics; Anthropology; Psychology; Political science; Social science; Law","score_opus":0.06287494108008322,"score_gpt":0.2806266901315392,"score_spread":0.21775174905145595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3036212979","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05936891,0.5571724,0.000025394556,0.018235784,0.00032165236,0.0008577914,0.00058879354,0.000047085246,0.3633822],"genre_scores_gemma":[0.949032,0.03325617,0.000060056835,0.017244682,0.00009236033,0.0000072379244,0.000016389416,0.000015874284,0.00027520055],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913293,0.000118791926,0.00019614128,0.00018958614,0.00007686083,0.00028569577],"domain_scores_gemma":[0.9989903,0.00003593281,0.00008214998,0.0002783304,0.0000296696,0.0005836379],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001969426,0.00014009779,0.00038960602,0.00004100574,0.000070717535,0.000011287344,0.00021049044,0.00006962341,0.0038572217],"category_scores_gemma":[0.000032932145,0.000117672076,0.000104420666,0.0001889822,0.00008654519,0.00011883836,0.000028414544,0.0001587714,0.00030659905],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027388085,0.000046946923,0.011546484,0.0065474953,0.00024138206,0.000056510522,0.008924123,3.6578473e-7,0.000023934295,0.0026095991,0.2714887,0.69848704],"study_design_scores_gemma":[0.00026293338,0.000107568405,0.008764875,0.00061420526,0.000094836876,0.00002698433,0.0002507878,0.0000073228,0.000009241316,0.000075158336,0.98960716,0.00017892296],"about_ca_topic_score_codex":0.0061988593,"about_ca_topic_score_gemma":0.0027814328,"teacher_disagreement_score":0.8896631,"about_ca_system_score_codex":0.000048477887,"about_ca_system_score_gemma":0.0001589992,"threshold_uncertainty_score":0.9970534},"labels":[],"label_agreement":null},{"id":"W3036522841","doi":"10.29040/ijebar.v4i02.963","title":"MOTIVATION MODEL DISTORTION OF RAMAYANA BALLET PERFORMERS","year":2020,"lang":"en","type":"article","venue":"International Journal of Economics Business and Accounting Research (IJEBAR)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Adidas (Canada)","funders":"","keywords":"Ballet; Psychology; Salary; Promotion (chess); Social psychology; Visual arts; Art; Dance; Political science","score_opus":0.12057402587369376,"score_gpt":0.3483222206036452,"score_spread":0.22774819472995145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3036522841","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9886886,0.00010688786,0.0021955958,0.0053477245,0.00042406583,0.00005342809,0.000027666098,0.0000035093344,0.0031525078],"genre_scores_gemma":[0.9985944,0.00035227198,0.0002587227,0.00025665938,0.00041480924,6.96195e-7,0.00000856258,0.000009291048,0.0001045745],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99902284,0.000030097877,0.00039701394,0.00013581639,0.0002498097,0.00016441866],"domain_scores_gemma":[0.99808294,0.00013043378,0.00040575166,0.00006641284,0.0012306845,0.00008379151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077670754,0.00007738784,0.00017728138,0.00025925855,0.000074156844,0.000118282645,0.00039937926,0.000059537975,0.00022685264],"category_scores_gemma":[0.00055824773,0.00007633978,0.00006067779,0.00012713642,0.00012263212,0.0008273997,0.000119861594,0.00025701948,0.000012154036],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0076537407,0.0014125224,0.61457217,0.00039566422,0.0023218738,0.00011876783,0.014796103,0.07749174,0.009948977,0.05742349,0.038459424,0.17540553],"study_design_scores_gemma":[0.006414218,0.0005754406,0.8878893,0.00044072242,0.000072521536,0.00011222691,0.0057318844,0.07440817,0.0012613994,0.008618993,0.013909517,0.00056557445],"about_ca_topic_score_codex":0.00010676831,"about_ca_topic_score_gemma":0.000004466663,"teacher_disagreement_score":0.27331716,"about_ca_system_score_codex":0.00008535425,"about_ca_system_score_gemma":0.000111590845,"threshold_uncertainty_score":0.31130457},"labels":[],"label_agreement":null},{"id":"W3038225523","doi":"10.24908/iqurcp.14049","title":"Village life and Concert Hall: Is There a Connection?","year":2020,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ukrainian; Folklore; Folk music; Literature; Period (music); History; Sociology; Aesthetics; Art; Linguistics; Musical; Philosophy","score_opus":0.18414132948483122,"score_gpt":0.39521221150286756,"score_spread":0.21107088201803634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038225523","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6112337,0.00074975914,0.0007003364,0.25862253,0.00034993974,0.0009564939,0.00004718301,0.00037571014,0.12696433],"genre_scores_gemma":[0.99289095,0.00083397015,0.00009200974,0.003511131,0.0003710962,0.000046427267,0.000005196063,0.00003763368,0.0022115929],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686724,0.0001262557,0.00031870688,0.0008907005,0.0008632064,0.00093388575],"domain_scores_gemma":[0.9975437,0.00023275157,0.00012679197,0.00019975344,0.000975195,0.00092183735],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007474418,0.000293907,0.00039894943,0.00020211823,0.00047232353,0.0005606462,0.0006323428,0.00024135801,0.0014683459],"category_scores_gemma":[0.0006869102,0.00028548006,0.000078970195,0.0007254755,0.001165443,0.000715155,0.000428037,0.00092537986,0.0010500748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011274954,0.00024908377,0.052501522,0.00040480625,0.0005182127,0.00009557176,0.07470107,3.7973308e-7,0.0029528744,0.4623287,0.3980677,0.0070525813],"study_design_scores_gemma":[0.012180781,0.00886701,0.069847226,0.0008709283,0.0001779866,0.00016634805,0.26786038,0.0022431284,0.004591006,0.17084382,0.4589212,0.0034301912],"about_ca_topic_score_codex":0.00075306423,"about_ca_topic_score_gemma":0.0000075827656,"teacher_disagreement_score":0.38165724,"about_ca_system_score_codex":0.00007358845,"about_ca_system_score_gemma":0.00027403628,"threshold_uncertainty_score":0.9999597},"labels":[],"label_agreement":null},{"id":"W3039271032","doi":"10.5539/ass.v16n7p138","title":"Feasibility Study on the “Six in One” Teaching Mode in Line Dance","year":2020,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Dance education; Mathematics education; Set (abstract data type); Competition (biology); Teaching method; Mode (computer interface); Physical education; Pedagogy; Psychology; Sociology; Computer science; Visual arts; Art","score_opus":0.12741677699585896,"score_gpt":0.3962448517322505,"score_spread":0.26882807473639153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039271032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78425145,0.0000035628973,0.000028760342,0.010664244,0.00010279756,0.00027671296,0.0000050644535,0.000017159682,0.20465027],"genre_scores_gemma":[0.99804044,2.198836e-7,0.000027407881,0.0017688115,0.0000910253,0.000005123697,2.3617177e-7,0.0000030524752,0.000063691296],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9986055,0.0002454612,0.00013294464,0.00036485554,0.00033761453,0.000313618],"domain_scores_gemma":[0.9996243,0.00006037641,0.000051019186,0.00018056545,0.000013885252,0.00006981811],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011739825,0.00007584754,0.00012652113,0.000043128217,0.00047678407,0.000041180363,0.0007032771,0.000036062345,0.00006515531],"category_scores_gemma":[0.0004142171,0.000064227585,0.000025504803,0.000725192,0.00031696685,0.000230404,0.00016275578,0.00043918125,0.00008320837],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022242963,0.0023124262,0.44617647,0.000004208777,0.000007889952,0.0000350813,0.45810458,0.000008208145,0.0008762221,0.05455142,0.0006469585,0.037054125],"study_design_scores_gemma":[0.0004344792,0.00019721084,0.9708627,0.000007155116,0.0000016878141,1.1842366e-7,0.027631328,0.000026456393,0.000021244608,0.00062268245,0.00011811573,0.00007684115],"about_ca_topic_score_codex":0.00052865443,"about_ca_topic_score_gemma":0.00031579935,"teacher_disagreement_score":0.5246862,"about_ca_system_score_codex":0.00012593262,"about_ca_system_score_gemma":0.000058862417,"threshold_uncertainty_score":0.36670858},"labels":[],"label_agreement":null},{"id":"W3039806277","doi":"10.1007/978-981-287-532-7_92-1","title":"Phenomenology of Movement and Place","year":2016,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Phenomenology (philosophy); Movement (music); Aesthetics; Epistemology; Philosophy","score_opus":0.026977819185752854,"score_gpt":0.25809429416748586,"score_spread":0.23111647498173302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039806277","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040443448,0.00057449826,0.000054897602,0.00041297032,0.00029034595,0.00009688209,0.000084176696,0.000017205184,0.9980646],"genre_scores_gemma":[0.003095983,0.00016575848,0.00006294788,0.00058890024,0.000053908283,8.015895e-7,0.0000026911748,0.000011394216,0.99601763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994853,0.0000060134685,0.00012375986,0.00018681896,0.000070703136,0.00012738687],"domain_scores_gemma":[0.99955004,0.000045919485,0.00011262316,0.00022322443,0.000021683694,0.000046497687],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000047752797,0.0001232794,0.0002256898,0.0000724818,0.000015612964,0.0000027093986,0.000112943526,0.0001991634,0.028661221],"category_scores_gemma":[0.0000025843426,0.00009706201,0.00003667746,0.000003648774,0.0001558501,0.000026319845,0.000092111564,0.000079480764,0.00076133996],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059813763,0.000016460894,0.00004085927,0.000013276599,0.00017710697,0.0000059057097,0.00021153575,1.757196e-8,0.000021431644,0.96197456,0.025502408,0.011976617],"study_design_scores_gemma":[0.0010615654,0.0005474313,0.00053949817,0.00007128889,0.00005587423,0.0000048868314,0.00010408554,1.059625e-7,0.000026397664,0.0541815,0.94315666,0.00025073087],"about_ca_topic_score_codex":0.000014337955,"about_ca_topic_score_gemma":0.000005906788,"teacher_disagreement_score":0.9176542,"about_ca_system_score_codex":0.000017873352,"about_ca_system_score_gemma":0.000011615997,"threshold_uncertainty_score":0.9785739},"labels":[],"label_agreement":null},{"id":"W3048505028","doi":"10.1386/chor_00013_1","title":"Somatic ethnographic research: Achoreographic process informed byAlexander Technique","year":2020,"lang":"en","type":"article","venue":"Choreographic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Ethnography; Improvisation; Visual arts; Choreography; Perspective (graphical); Process (computing); Sociology; Psychology; Dance education; Aesthetics; Art; Anthropology; Computer science","score_opus":0.3697767645367891,"score_gpt":0.49714178579813306,"score_spread":0.12736502126134397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048505028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8305931,0.0035315356,0.00044493974,0.013027082,0.00058969954,0.0024022202,0.00004323902,0.0010392374,0.14832893],"genre_scores_gemma":[0.9957787,0.0007547351,0.00054015365,0.0018663341,0.00031646035,0.00046902738,0.000033733755,0.000063818625,0.00017704943],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9951097,0.00077809126,0.00062427454,0.00096554495,0.0012537328,0.001268658],"domain_scores_gemma":[0.9956785,0.0012296935,0.00094767264,0.0009169055,0.00046392326,0.00076331524],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0021504404,0.00046115802,0.00051882013,0.0014742361,0.00075162586,0.00035846737,0.0016020167,0.0005060666,0.0017104731],"category_scores_gemma":[0.002951078,0.00043295592,0.0003379625,0.0066775596,0.0012544696,0.002145585,0.0002369276,0.0021915156,0.0005872493],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032142424,0.0031218235,0.8083807,0.0025587652,0.002948457,0.0006122305,0.06756458,0.000013168828,0.0056701954,0.015332574,0.070957616,0.019625615],"study_design_scores_gemma":[0.0078083267,0.006453232,0.50198346,0.0010901376,0.000946322,0.00039288224,0.10009792,0.00017581623,0.003864264,0.02310575,0.35006803,0.004013887],"about_ca_topic_score_codex":0.00020794805,"about_ca_topic_score_gemma":0.00005640839,"teacher_disagreement_score":0.3063973,"about_ca_system_score_codex":0.000024871262,"about_ca_system_score_gemma":0.00021758722,"threshold_uncertainty_score":0.99981225},"labels":[],"label_agreement":null},{"id":"W3048569880","doi":"10.1386/chor_00011_1","title":"edged: Exploring the porous boundaries between teaching philosophy, dance performance and choreographic practice","year":2020,"lang":"en","type":"article","venue":"Choreographic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Dance; Metaphor; Pleasure; Aesthetics; Courage; Improvisation; Surrender; Process (computing); Sociology; Visual arts; Art; Psychology; Computer science; Philosophy; Political science","score_opus":0.11665867929720118,"score_gpt":0.32618973645989313,"score_spread":0.20953105716269194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048569880","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89692813,0.0049763597,0.00011028485,0.041259915,0.0009506838,0.00045477052,0.000029236517,0.00028844117,0.055002168],"genre_scores_gemma":[0.99178773,0.002018519,0.0005915928,0.004055524,0.001338423,0.000067821464,0.000014773335,0.000047062695,0.000078544996],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968668,0.00061777636,0.0004374195,0.0008173807,0.00057805213,0.00068254414],"domain_scores_gemma":[0.9962103,0.0015550223,0.0010727707,0.0006827596,0.0001262211,0.00035294826],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0015597692,0.0004183785,0.00042181884,0.00021776307,0.002168095,0.0009280486,0.00091457774,0.00014623551,0.00008083671],"category_scores_gemma":[0.0024323394,0.00034166474,0.00013738679,0.00088302407,0.0012699522,0.005148031,0.00031691056,0.0017868212,0.00011499137],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001410181,0.00042637697,0.77007127,0.00034767637,0.0017793397,0.00014176664,0.044455525,0.000005232376,0.00014207818,0.038478263,0.011277762,0.13146454],"study_design_scores_gemma":[0.0009921568,0.00087786216,0.44837248,0.000118127704,0.00055976224,0.00011504911,0.009066912,0.00002078256,0.00003658299,0.0008669533,0.53834504,0.00062827364],"about_ca_topic_score_codex":0.0003957033,"about_ca_topic_score_gemma":0.0000112767075,"teacher_disagreement_score":0.5270673,"about_ca_system_score_codex":0.000018425346,"about_ca_system_score_gemma":0.000070992726,"threshold_uncertainty_score":0.99990356},"labels":[],"label_agreement":null},{"id":"W3049466436","doi":"10.4324/9781003089582","title":"Rethinking the Body in South Asian Traditions","year":2020,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"History; Sociology; Geography","score_opus":0.060568020933896516,"score_gpt":0.2771935291331982,"score_spread":0.2166255081993017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3049466436","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006265291,0.00009127533,0.00007138469,0.006114931,0.0005727742,0.000189116,0.00012540993,0.00007213763,0.99270034],"genre_scores_gemma":[0.023581736,0.00000825034,0.00005941205,0.004453816,0.000372951,0.0000048696093,0.00009809353,0.00002018738,0.9714007],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920005,0.00006338676,0.00014533449,0.00024504677,0.00014994883,0.00019623784],"domain_scores_gemma":[0.99946237,0.00007194788,0.00008018814,0.00031382602,0.000009967695,0.00006173335],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011244033,0.00014733129,0.00019303383,0.000075013035,0.00009879553,0.000040688017,0.00042428655,0.00026256204,0.007500491],"category_scores_gemma":[0.000015989119,0.000114367656,0.00011171098,0.00007501532,0.000096562704,0.00005602927,0.000034266097,0.0008466298,0.0027044166],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016805172,0.000027063123,0.000055716777,0.000010424765,0.00007535218,0.00008204294,0.055600304,2.4449417e-7,4.0313626e-7,0.20399626,0.73961127,0.0005241288],"study_design_scores_gemma":[0.00048080998,0.00012294127,0.006692776,0.0001092289,0.00007102204,0.000010832593,0.003309046,0.0000032765433,7.2306636e-7,0.07019936,0.9187034,0.00029659714],"about_ca_topic_score_codex":0.000029254532,"about_ca_topic_score_gemma":0.000057844867,"teacher_disagreement_score":0.17909212,"about_ca_system_score_codex":0.00006509348,"about_ca_system_score_gemma":0.00009811413,"threshold_uncertainty_score":0.9980721},"labels":[],"label_agreement":null},{"id":"W3077505525","doi":"10.1080/17533015.2020.1802606","title":"Exploring the impact of a clinical dance therapy program on the mobility of adults with a neurological condition using a single-case experimental design","year":2020,"lang":"en","type":"article","venue":"Arts & Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut Universitaire de Gériatrie de Montréal; Université du Québec à Montréal; Université de Montréal; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Centre for Interdisciplinary Research in Rehabilitation","funders":"","keywords":"Dance; Psychological intervention; Dance therapy; Physical therapy; Test (biology); Psychology; Physical medicine and rehabilitation; Repeated measures design; Research design; Medicine; Psychiatry; Visual arts; Art","score_opus":0.676503971185118,"score_gpt":0.48189915615042966,"score_spread":0.1946048150346883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3077505525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99689835,0.000093624905,0.00021671232,0.0013595264,0.000077006254,0.0011795262,0.00001914659,0.000034135875,0.0001219876],"genre_scores_gemma":[0.9978245,0.000017488972,0.0004906186,0.0015559596,0.00006074112,0.000039827148,0.0000016821197,0.000008582994,6.052483e-7],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9981597,0.0008035443,0.00036098,0.00026466974,0.00016223398,0.000248873],"domain_scores_gemma":[0.9986489,0.0005420947,0.0003405441,0.0002991678,0.00003950444,0.00012978865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068501424,0.00012322725,0.0002849773,0.000015168173,0.00014887085,0.000012135104,0.00015786402,0.000034647834,0.000102908976],"category_scores_gemma":[0.00008956498,0.00006172987,0.00012164427,0.00015696128,0.00032915027,0.00012193478,0.000027109556,0.0002460961,0.0000053522117],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.14619264,0.06875466,0.13183591,0.0002801949,0.0012751822,0.0010428218,0.28032386,0.0038474351,0.004303303,0.0036190322,0.005136815,0.35338813],"study_design_scores_gemma":[0.010292457,0.23071373,0.72430146,0.00033713828,0.000042693136,0.00047483033,0.021112405,0.0075129783,0.0041935244,0.00011353528,0.0004156863,0.00048954017],"about_ca_topic_score_codex":0.00044543107,"about_ca_topic_score_gemma":0.0000029091755,"teacher_disagreement_score":0.5924656,"about_ca_system_score_codex":0.000023411814,"about_ca_system_score_gemma":0.00009034017,"threshold_uncertainty_score":0.2517271},"labels":[],"label_agreement":null},{"id":"W30786798","doi":"10.1080/08880018.2019.1569187","title":"Celebrating difference / Censoring difference? Marie Chouinard's bODY rEMIX","year":2009,"lang":"en","type":"article","venue":"Pediatric Hematology and Oncology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aesthetics; Pity; Trope (literature); Universalization; Phenomenon; Disability studies; Sociology; Psychology; Art; Social psychology; Gender studies; Literature; Epistemology; Philosophy","score_opus":0.021837337540837214,"score_gpt":0.306390354304909,"score_spread":0.2845530167640718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W30786798","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9591276,0.0035435413,0.00053409516,0.0020980486,0.0011218789,0.0002072807,0.00001024994,0.00023487721,0.03312243],"genre_scores_gemma":[0.99553293,0.0006913127,0.00056901376,0.0012597295,0.0004399444,0.0000130280205,0.0000049577143,0.000018468123,0.0014706117],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.997826,0.00026118945,0.0004154515,0.00058290263,0.00013242076,0.000782034],"domain_scores_gemma":[0.99821866,0.00088212994,0.0002494207,0.00033126233,0.000057284553,0.00026122792],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002931662,0.00028421977,0.00065791403,0.00019421872,0.00033346625,0.000027699758,0.00032065774,0.00057458953,0.00052075],"category_scores_gemma":[0.00037502492,0.00027296555,0.000080692,0.00024438192,0.00018364779,0.00012012481,0.000111600646,0.00060381845,0.00018123086],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030379635,0.0007079309,0.79410154,0.000043872322,0.000060527742,0.00062138395,0.002178939,8.33108e-7,0.00020794795,0.08761528,0.003322181,0.11083579],"study_design_scores_gemma":[0.0019474912,0.0015539887,0.98113817,0.00001281135,0.00015473303,0.0006578858,0.00040579546,0.0000375875,0.000089589455,0.0077104955,0.005822386,0.00046909507],"about_ca_topic_score_codex":0.000045237924,"about_ca_topic_score_gemma":0.000024882163,"teacher_disagreement_score":0.18703662,"about_ca_system_score_codex":0.000076149096,"about_ca_system_score_gemma":0.000089854286,"threshold_uncertainty_score":0.9999722},"labels":[],"label_agreement":null},{"id":"W3080426782","doi":"10.5324/da.v6i1.3640","title":"Dance curation as choreographic practice","year":2020,"lang":"en","type":"article","venue":"Dance Articulated","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Dance; Choreography; Contemporary dance; Visual arts; Aesthetics; Performing arts; Sociology; The arts; Dance improvisation; Concert dance; Art; Jazz dance","score_opus":0.02806456486865481,"score_gpt":0.32248976254159895,"score_spread":0.2944251976729441,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3080426782","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93463,0.0004997526,0.0011809715,0.017217234,0.00043938513,0.00027183697,0.000012872603,0.00029256495,0.045455433],"genre_scores_gemma":[0.9887152,0.000031122938,0.00039339988,0.010385058,0.00011626039,0.000009039371,0.000023714429,0.0000138470305,0.00031238917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988243,0.00011430911,0.00019528331,0.00034078403,0.0002154278,0.0003099163],"domain_scores_gemma":[0.99921006,0.000076003605,0.00013777071,0.00027837453,0.00010848304,0.00018933824],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012241975,0.00013355317,0.00014490545,0.00003688621,0.00012398562,0.000057667647,0.0001960852,0.000082414284,0.0009699712],"category_scores_gemma":[0.00044687503,0.00013741922,0.000061401384,0.000626989,0.00008368441,0.0009912385,0.00003968603,0.00020453622,0.0047666146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0081001595,0.0038412833,0.104040325,0.00018996073,0.0022690871,0.0024813963,0.09993925,0.0028707886,0.13211301,0.25604212,0.33361405,0.05449854],"study_design_scores_gemma":[0.0055711153,0.0018613692,0.36939955,0.00011745366,0.0003551157,0.00018083221,0.0060304306,0.004820428,0.008924767,0.0015978838,0.59977865,0.0013623994],"about_ca_topic_score_codex":0.00009828108,"about_ca_topic_score_gemma":0.0000034382865,"teacher_disagreement_score":0.2661646,"about_ca_system_score_codex":0.000016794054,"about_ca_system_score_gemma":0.000020834525,"threshold_uncertainty_score":0.99994326},"labels":[],"label_agreement":null},{"id":"W3080637527","doi":"10.3968/11761","title":"Research on Improving Skills of Dance Classroom Teaching Organizing in Universities: A Case Study of Mongolian Dance Teaching","year":2020,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Mathematics education; Affect (linguistics); Psychology; Control (management); Teaching method; Atmosphere (unit); Pedagogy; Computer science; Communication; Visual arts","score_opus":0.0807060782044623,"score_gpt":0.43103508085958003,"score_spread":0.35032900265511774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3080637527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9894136,0.00013115944,0.000013908055,0.00036352588,0.00006364902,0.0003584757,0.000018116683,0.000044331144,0.009593207],"genre_scores_gemma":[0.99894136,0.000010779395,0.00039958078,0.00007285788,0.000029396391,0.0000047623917,0.000009744281,0.000014722333,0.0005168227],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9975101,0.0011130304,0.0003995727,0.0003118901,0.00034106433,0.0003243833],"domain_scores_gemma":[0.9978403,0.0006005374,0.00034630898,0.00082159415,0.0003060261,0.000085269035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001373669,0.00014830062,0.00029119808,0.00014464154,0.0006629881,0.00010860608,0.0009968567,0.0001168628,0.00003069913],"category_scores_gemma":[0.0005205673,0.00014815267,0.000050677707,0.0004315631,0.00025641543,0.0009171769,0.00053114793,0.0014925904,0.000017828173],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060697226,0.002794528,0.1467887,0.00022932819,0.00016159844,0.00026619234,0.80157346,0.00090168783,0.020977201,0.0073875817,0.0011640781,0.017148701],"study_design_scores_gemma":[0.0025883063,0.0011897994,0.06373568,0.00029014997,0.000023564615,0.000036887883,0.9294857,0.00035511787,0.0010670852,0.000031138028,0.0009430432,0.00025354975],"about_ca_topic_score_codex":0.009260277,"about_ca_topic_score_gemma":0.00042031455,"teacher_disagreement_score":0.12791224,"about_ca_system_score_codex":0.00036173264,"about_ca_system_score_gemma":0.000045580644,"threshold_uncertainty_score":0.99733716},"labels":[],"label_agreement":null},{"id":"W3080737297","doi":"10.21083/csieci.v13i1.5818","title":"Grafting and Other Ramifications","year":2020,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Praxis; Improvisation; Dance; Class (philosophy); Liberal arts education; Sociology; Visual arts; Art; Epistemology; Philosophy; Political science; Higher education; Law","score_opus":0.1642647461485536,"score_gpt":0.43351055961958757,"score_spread":0.26924581347103393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3080737297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8873853,0.0028827398,0.014637387,0.072432905,0.0015428263,0.0017727218,0.00018574843,0.000856525,0.018303836],"genre_scores_gemma":[0.9896039,0.00011842162,0.002143056,0.00755571,0.00035282745,0.000120410805,0.000014726767,0.000030870702,0.000060074333],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99781036,0.00029785789,0.00052647997,0.0005900398,0.00025196554,0.00052329723],"domain_scores_gemma":[0.9983159,0.00094622996,0.00009044376,0.0002144535,0.00021258715,0.0002204075],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00062191323,0.00025432667,0.00033571047,0.00013133432,0.00025705705,0.00011332113,0.00019526019,0.00017722348,0.00015537016],"category_scores_gemma":[0.0045267204,0.00026875088,0.00006298062,0.00029505315,0.00065983133,0.00063535053,0.0001546368,0.0003386383,0.00006031168],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021771787,0.00039558613,0.018199239,0.00063308736,0.00016962516,0.00002429887,0.103470825,0.000008778373,0.0054533132,0.8141402,0.0024633242,0.05482403],"study_design_scores_gemma":[0.011638259,0.0059371917,0.30847502,0.00092460494,0.00084790983,0.00012155318,0.49652663,0.011857813,0.006240835,0.05760186,0.09498939,0.0048389374],"about_ca_topic_score_codex":0.00022218855,"about_ca_topic_score_gemma":0.00005160561,"teacher_disagreement_score":0.75653833,"about_ca_system_score_codex":0.00019226993,"about_ca_system_score_gemma":0.00004485856,"threshold_uncertainty_score":0.99997646},"labels":[],"label_agreement":null},{"id":"W3083631524","doi":"10.1353/jhs.2019.0017","title":"Manbo Ayizan on a New York Stage: How Roxane D'Orléans Juste Danced Women's Movement Intelligence","year":2019,"lang":"en","type":"article","venue":"Journal of Haitian studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Art history; Performing arts; Art; Realm; Visual arts; History; Humanities","score_opus":0.07607592583601788,"score_gpt":0.33069356885947027,"score_spread":0.25461764302345236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3083631524","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9582429,0.0044697737,0.000456148,0.0072275572,0.004130577,0.0002887452,0.000029715406,0.000032771008,0.025121829],"genre_scores_gemma":[0.92900527,0.00045186153,0.00036224592,0.003021212,0.00037795826,0.0000026644605,6.163922e-7,0.00001852737,0.06675967],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.998361,0.00008806526,0.00036716982,0.0002302095,0.00046903547,0.0004845428],"domain_scores_gemma":[0.9986428,0.00014985824,0.0005201893,0.0003110714,0.00016108148,0.00021500478],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038468043,0.00023518039,0.0005543796,0.00019958807,0.00011432632,0.00006607235,0.00042055728,0.00006630067,0.0010129607],"category_scores_gemma":[0.00008322922,0.00019262153,0.00016205129,0.0002039185,0.00009702268,0.00026779764,0.00009907802,0.0003945969,0.0004023459],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0049469643,0.0019603677,0.025528856,0.00050539797,0.008424086,0.0011977053,0.18623526,0.0010441822,0.002327555,0.020547198,0.6480651,0.09921732],"study_design_scores_gemma":[0.0068394146,0.015178187,0.06499658,0.0015568625,0.00030888713,0.00010775336,0.6538917,0.000011462763,0.004562409,0.0042594275,0.24700418,0.0012831785],"about_ca_topic_score_codex":0.00001488849,"about_ca_topic_score_gemma":0.000011853187,"teacher_disagreement_score":0.4676564,"about_ca_system_score_codex":0.00024157742,"about_ca_system_score_gemma":0.00006350046,"threshold_uncertainty_score":0.9999002},"labels":[],"label_agreement":null},{"id":"W3086182643","doi":"10.1093/geront/gnaa129","title":"Dancing With Dementia: Exploring the Embodied Dimensions of Creativity and Social Engagement","year":2020,"lang":"en","type":"article","venue":"The Gerontologist","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":67,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba; Brandon University; Trent University; Public Health Ontario; Toronto Rehabilitation Institute; University of Toronto; University Health Network","funders":"Canadian Institutes of Health Research; Alzheimer Society","keywords":"Embodied cognition; Creativity; Dementia; Psychology; Sociology; Aesthetics; Cognitive science; Social psychology; Computer science; Art; Medicine; Artificial intelligence","score_opus":0.18443644010068688,"score_gpt":0.3158696202556519,"score_spread":0.13143318015496502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086182643","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9757215,0.00029329179,0.0009371457,0.008644313,0.0001069668,0.00017676633,0.000011018894,0.0000325505,0.014076488],"genre_scores_gemma":[0.99911344,0.000018059814,0.00011319513,0.00060755975,0.00005137739,0.000012185126,0.0000012199033,0.000004375931,0.000078596924],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9992991,0.00019340124,0.000093647264,0.00013779709,0.00010700337,0.00016901708],"domain_scores_gemma":[0.9995481,0.00016419588,0.00008721299,0.00015469387,0.000017980132,0.00002784799],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028164964,0.000082232706,0.00014146906,0.00000779896,0.0004250417,0.00001589615,0.000187987,0.000020704776,0.00009257304],"category_scores_gemma":[0.000034001372,0.000039492323,0.000027615137,0.00005535218,0.00037113368,0.00007676387,0.00013702583,0.00015686562,0.000011498667],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029605306,0.0006310339,0.19865952,0.00017345918,0.0031959123,0.00008195943,0.567515,0.00008100717,0.0026454732,0.12752272,0.040218223,0.056315165],"study_design_scores_gemma":[0.002444091,0.0010457037,0.88971776,0.000038186154,0.0006619323,0.0000116035935,0.08670278,0.000058769572,0.0011843999,0.0005834345,0.017201394,0.00034993916],"about_ca_topic_score_codex":0.00031959463,"about_ca_topic_score_gemma":0.00012908998,"teacher_disagreement_score":0.6910582,"about_ca_system_score_codex":0.000009808799,"about_ca_system_score_gemma":0.000009407497,"threshold_uncertainty_score":0.32691202},"labels":[],"label_agreement":null},{"id":"W3092484418","doi":"","title":"One Hundred More — with Justine A. Chambers and Laurie Young (video)","year":2020,"lang":"en","type":"article","venue":"Summit (Simon Fraser University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.023325577554364024,"score_gpt":0.22747792993441096,"score_spread":0.20415235238004695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092484418","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.944783,0.00013783707,0.00037208278,0.0050801905,0.00014929412,0.00022036815,0.00008940867,0.00018460487,0.04898324],"genre_scores_gemma":[0.9934041,0.00003862778,0.0004089532,0.0012617902,0.00007392818,3.023094e-7,0.000034096392,0.00002045989,0.0047577303],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884045,0.000058331163,0.00009357262,0.00044657927,0.00020293155,0.00035815782],"domain_scores_gemma":[0.9991918,0.000042227526,0.00008709363,0.0002582538,0.000062273044,0.00035832307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000049103444,0.00017566743,0.00025082662,0.00011553184,0.00022923917,0.00004633995,0.00029218302,0.00012711175,0.0006303457],"category_scores_gemma":[0.000021198563,0.00022416508,0.000053575026,0.0005984444,0.00030979345,0.00040045555,0.00014201617,0.0002587996,0.00020313436],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023401068,0.0002721062,0.922059,0.000084211126,0.00051922037,0.0013206465,0.001975142,0.000042098618,0.000022665701,0.003903498,0.062356457,0.0051048445],"study_design_scores_gemma":[0.013281889,0.0020180745,0.26672408,0.00015281214,0.00086297153,2.7082484e-7,0.15558706,0.00018404529,0.0004941677,0.00006108824,0.5591629,0.0014706139],"about_ca_topic_score_codex":0.00043880558,"about_ca_topic_score_gemma":0.003947525,"teacher_disagreement_score":0.65533495,"about_ca_system_score_codex":0.000044949098,"about_ca_system_score_gemma":0.00004453673,"threshold_uncertainty_score":0.91411865},"labels":[],"label_agreement":null},{"id":"W3093096374","doi":"10.1093/oxfordhb/9780199669509.013.32","title":"Medievalist Music and Dance","year":2020,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Art; Medievalism; Opera; Folk dance; Vernacular; Folklore; Middle Ages; Entertainment; Literature; Musical; Visual arts; History; Ancient history","score_opus":0.052565020318401365,"score_gpt":0.23433523610486376,"score_spread":0.1817702157864624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3093096374","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014502827,0.0002690643,0.00008013909,0.000099064666,0.0004915186,0.0002600934,0.00039832602,0.0001372481,0.99811953],"genre_scores_gemma":[0.0017465239,0.00019229778,0.00012711804,0.00045210496,0.00017375388,2.5664454e-7,0.000035042747,0.00003635658,0.99723655],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987674,0.000032703345,0.00012710704,0.0005712963,0.00022815309,0.00027338552],"domain_scores_gemma":[0.9989802,0.000060629063,0.00019501917,0.00043430863,0.00005369942,0.00027610402],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000055866287,0.00033766308,0.00040345182,0.00009672504,0.00019338158,0.000038437127,0.0005102356,0.00039717415,0.0005183607],"category_scores_gemma":[0.000007287403,0.00041770397,0.00013759728,0.000007678549,0.00039650715,0.000106199164,0.00047187702,0.00051892176,0.00002063302],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031821153,0.000012332202,0.000014310029,0.00007235098,0.0002981949,0.00057986024,0.001104577,2.0588767e-7,0.000006470421,0.94445574,0.044011995,0.009125753],"study_design_scores_gemma":[0.0008282538,0.00014157717,0.00010138757,0.000092044625,0.00023689734,0.000016012242,0.00015484447,0.0000039102842,0.000007389231,0.00064119545,0.99737126,0.00040525035],"about_ca_topic_score_codex":0.000085392385,"about_ca_topic_score_gemma":0.000021369477,"teacher_disagreement_score":0.95335925,"about_ca_system_score_codex":0.00006702892,"about_ca_system_score_gemma":0.000039782964,"threshold_uncertainty_score":0.9998275},"labels":[],"label_agreement":null},{"id":"W3093475732","doi":"10.1080/2159676x.2020.1820559","title":"The power of interactive flow in salsa dance: a motion-sensing phenomenological inquiry featuring two-time world champion, Anya Katsevman","year":2020,"lang":"en","type":"article","venue":"Qualitative Research in Sport Exercise and Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Phenomenology (philosophy); Dance; Interpretative phenomenological analysis; Feeling; Psychology; Champion; Epistemology; Aesthetics; Existentialism; Motion (physics); Social psychology; Sociology; Computer science; Visual arts; Artificial intelligence; Art; Philosophy; Qualitative research","score_opus":0.2747803730446895,"score_gpt":0.5287148484393194,"score_spread":0.2539344753946299,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3093475732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9745877,0.0030537865,0.0000867834,0.016301604,0.00015221088,0.0008778248,0.000030537783,0.00002427096,0.0048852754],"genre_scores_gemma":[0.9979311,0.0008695515,0.00043622847,0.00035880084,0.000073978525,0.000015529362,0.000016197553,0.000013793062,0.00028478433],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9966764,0.0010437616,0.0005435605,0.00048692524,0.00047656943,0.00077278353],"domain_scores_gemma":[0.9982487,0.00084370805,0.00019245992,0.00024354897,0.00019951662,0.00027208778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0062837736,0.0001629218,0.00057196355,0.0003854734,0.00026762136,0.00004064991,0.0002476822,0.00007503218,0.0001506685],"category_scores_gemma":[0.00019986319,0.00013198602,0.000044912667,0.0012823329,0.0006567339,0.00025321785,0.00019115243,0.0010500051,0.00006016302],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0033040117,0.00044739415,0.014331638,0.00017896768,0.00004596129,0.00013833347,0.92174864,0.000019774901,0.000044418222,0.0073943506,0.0044145263,0.047931973],"study_design_scores_gemma":[0.0029759295,0.0013420476,0.39297134,0.001309442,0.0000044980884,0.0000053663753,0.5926541,0.00026081043,0.00006290675,0.006809691,0.0012862869,0.00031759444],"about_ca_topic_score_codex":0.0011293802,"about_ca_topic_score_gemma":0.00023610888,"teacher_disagreement_score":0.3786397,"about_ca_system_score_codex":0.00021971851,"about_ca_system_score_gemma":0.00017320555,"threshold_uncertainty_score":0.5382233},"labels":[],"label_agreement":null},{"id":"W3094940844","doi":"10.25370/array.v20102476","title":"ICMC 2008 Reviews","year":2020,"lang":"en","type":"article","venue":"array. the journal of the ICMA","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Computer science","score_opus":0.06869397893713067,"score_gpt":0.2997613110141124,"score_spread":0.23106733207698174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094940844","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50417507,0.03134383,0.0022972347,0.31198382,0.008650286,0.0006743437,0.000024976089,0.000036767255,0.14081365],"genre_scores_gemma":[0.96655023,0.0011926485,0.0002359115,0.025618123,0.0010909374,5.0776066e-7,1.8034326e-7,0.000013999591,0.005297471],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988981,0.00038516632,0.00028206236,0.000059413425,0.00020599688,0.00016927668],"domain_scores_gemma":[0.9990006,0.00010235055,0.00044511005,0.00030083698,0.00004592111,0.000105193954],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007261171,0.000090327594,0.00020715629,0.000016542888,0.0001492514,0.000019301557,0.0010409636,0.000038816746,0.0014534655],"category_scores_gemma":[0.0002783772,0.00004283248,0.00022656174,0.00017398274,0.000086362226,0.00013436585,0.000067942776,0.0004008454,0.00088501716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024311678,0.000054305947,0.0018760659,0.000009231503,0.000118508964,0.000010850605,0.007616645,0.00001596018,0.0027669987,0.00025773904,0.9819062,0.005124404],"study_design_scores_gemma":[0.0005238413,0.00024686634,0.013454344,0.000066027664,0.00011986558,0.00020829344,0.0008768559,0.0000018184569,0.0007760901,0.00043613158,0.98320717,0.00008271829],"about_ca_topic_score_codex":0.000016099322,"about_ca_topic_score_gemma":0.000002710569,"teacher_disagreement_score":0.46237513,"about_ca_system_score_codex":0.00001625584,"about_ca_system_score_gemma":0.000025608346,"threshold_uncertainty_score":0.9998929},"labels":[],"label_agreement":null},{"id":"W3095437574","doi":"10.3138/ctr.184.006","title":"This Is What It Sounds Like: <i>Intimate Karaoke, Live at Uterine Concert Hall</i>","year":2020,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Visual arts; Romance; Aesthetics; Gender studies; Sociology; Art; Literature","score_opus":0.044651751605198596,"score_gpt":0.30237095628148464,"score_spread":0.25771920467628606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095437574","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005935866,0.43637383,0.000004163034,0.12666629,0.0010313783,0.0006393331,0.00044240855,0.00007745541,0.43417156],"genre_scores_gemma":[0.016082725,0.38381916,0.000082669496,0.56080097,0.00035175882,0.000030325058,0.00010234584,0.00006049145,0.038669556],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983736,0.00011294643,0.00028380498,0.00045947538,0.00016071466,0.00060942344],"domain_scores_gemma":[0.9981348,0.000044786066,0.00011059072,0.00055432256,0.000056771558,0.0010987154],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001478587,0.00027357947,0.0005514087,0.00004572119,0.0001813727,0.00010673385,0.00053751055,0.00012216726,0.110939614],"category_scores_gemma":[0.000019519051,0.00026426985,0.00023406571,0.00024424854,0.00011492335,0.0003789491,0.00009568277,0.00022179772,0.042190846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013913534,0.000010694199,0.00023815919,0.0007834874,0.000113790295,0.00018491308,0.00215242,8.408463e-8,0.0000039255524,0.00017841776,0.9445762,0.05174401],"study_design_scores_gemma":[0.00027138018,0.00012217915,0.000105327286,0.0016466103,0.000122064564,0.000062629835,0.00021071361,0.0000035269632,0.0000058419605,0.000018030676,0.997142,0.00028966184],"about_ca_topic_score_codex":0.021499313,"about_ca_topic_score_gemma":0.010725195,"teacher_disagreement_score":0.4341347,"about_ca_system_score_codex":0.00023845775,"about_ca_system_score_gemma":0.00020427862,"threshold_uncertainty_score":0.9999809},"labels":[],"label_agreement":null},{"id":"W3095683103","doi":"","title":"William Kentridge, More Sweetly Play The Dance — La marche du monde / William Kentridge, More Sweetly Play The Dance — The March of the World","year":2020,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Art; Art history; Visual arts","score_opus":0.026587199217062547,"score_gpt":0.27713230226211266,"score_spread":0.2505451030450501,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095683103","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03285426,0.03947605,0.0006458515,0.08246203,0.008153169,0.006346485,0.0062665553,0.00030315117,0.82349247],"genre_scores_gemma":[0.17847745,0.008750436,0.0008910124,0.27493986,0.005519704,0.0005824925,0.00038401943,0.00040002505,0.530055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9907571,0.0023638145,0.0012790799,0.0016596108,0.0017596314,0.002180776],"domain_scores_gemma":[0.9920035,0.002278863,0.0012509162,0.0033539138,0.0004961375,0.0006166549],"candidate_categories":["metaepi_narrow","sts","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0022670075,0.001364176,0.0012641344,0.00010262317,0.0021786073,0.0005810809,0.006735399,0.00094520045,0.016068242],"category_scores_gemma":[0.0012256373,0.00075198914,0.000958787,0.0032269338,0.0037670026,0.0007964216,0.0016876841,0.0045109056,0.0006617246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074468873,0.0007791422,0.00607025,0.0002966547,0.00095620484,0.00011146389,0.010472418,0.003806719,0.0018694021,0.013687734,0.96065706,0.0005482453],"study_design_scores_gemma":[0.0026761212,0.00025011227,0.03473139,0.00061896915,0.0006876281,0.00015921018,0.004319177,0.0011099915,0.001944094,0.0004368045,0.9521818,0.00088467734],"about_ca_topic_score_codex":0.00045708552,"about_ca_topic_score_gemma":0.000041116564,"teacher_disagreement_score":0.29343745,"about_ca_system_score_codex":0.0002750119,"about_ca_system_score_gemma":0.0006556096,"threshold_uncertainty_score":0.9999109},"labels":[],"label_agreement":null},{"id":"W3095951841","doi":"10.4324/9781003097068-2","title":"Movement initiation","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movement (music); Art; Aesthetics","score_opus":0.0588028726419472,"score_gpt":0.28015588254810003,"score_spread":0.22135300990615284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095951841","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006571184,0.000085922904,0.0002062462,0.0010364162,0.00054037175,0.00009999762,0.000048643735,0.000065525746,0.9979103],"genre_scores_gemma":[0.0023943607,0.000022257122,0.00007165461,0.00997561,0.00020257825,0.0000010060604,0.000062468636,0.000013928963,0.9872561],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995377,0.0000039280912,0.00009415211,0.00016793041,0.00011570354,0.000080608355],"domain_scores_gemma":[0.99969405,0.000012782045,0.00006743247,0.00014841741,0.000018622462,0.00005870102],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000023070465,0.00010832151,0.00012016883,0.0000366152,0.00002312655,0.000012872058,0.00010657261,0.00014856504,0.06485311],"category_scores_gemma":[0.0000033075996,0.000111433,0.00006421874,0.0000063633515,0.000019007392,0.000041519703,0.000044877917,0.00014414861,0.017044744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013621873,0.000007684186,0.000010702068,0.000004755951,0.000065358545,0.000018291814,0.00014445781,6.1920716e-8,0.0000018780728,0.7657481,0.23092307,0.0030620215],"study_design_scores_gemma":[0.00024084406,0.00013897433,0.0004669222,0.000017751818,0.000033559198,7.163457e-7,0.00003942907,6.085493e-7,0.000009633981,0.03262137,0.96626425,0.00016593521],"about_ca_topic_score_codex":0.000014628155,"about_ca_topic_score_gemma":0.0000032538792,"teacher_disagreement_score":0.7353412,"about_ca_system_score_codex":0.00002588887,"about_ca_system_score_gemma":0.000012306224,"threshold_uncertainty_score":0.9837206},"labels":[],"label_agreement":null},{"id":"W3096416514","doi":"10.1080/14647893.2020.1837765","title":"How to persevere in a ballet performance career: exploring personal wisdom of retired professional ballet dancers","year":2020,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; Vancouver Coastal Health","funders":"","keywords":"Ballet; Dance; Ballet dancer; Dance education; Thematic analysis; Psychology; Classical ballet; Mental health; Career development; Professional development; Narrative; Qualitative research; Pedagogy; Visual arts; Sociology; Art","score_opus":0.3602392520258749,"score_gpt":0.42539195437611604,"score_spread":0.06515270235024112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096416514","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9679889,0.00037779097,0.000009164413,0.024766726,0.0006763827,0.0005437922,0.000025189518,0.000014525575,0.005597518],"genre_scores_gemma":[0.9967264,0.00013036554,0.00037544375,0.00031809835,0.00028642736,0.00024728436,0.000019977299,0.000015423671,0.0018806049],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99769294,0.00031238396,0.00022121896,0.00046429742,0.0007347344,0.0005744285],"domain_scores_gemma":[0.9990765,0.00014087849,0.000067527355,0.00026084876,0.00021265457,0.00024160476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082383235,0.00013133025,0.00022136325,0.00035254122,0.000096613636,0.000038373564,0.00051849044,0.000093579634,0.00030364832],"category_scores_gemma":[0.00042785468,0.00014386978,0.000040968844,0.0012220738,0.00015379257,0.0006014767,0.0001594214,0.00062699086,0.000095611096],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00341917,0.0015238901,0.45573723,0.0010347513,0.000053991575,0.000035549914,0.29827538,0.0001837198,0.0061102747,0.00268285,0.14141509,0.08952809],"study_design_scores_gemma":[0.001650377,0.0007886176,0.7731495,0.0013319757,0.0000040804716,0.000005205111,0.18998738,0.00057608774,0.0008170436,0.00006839159,0.031254835,0.0003665201],"about_ca_topic_score_codex":0.00034118918,"about_ca_topic_score_gemma":0.0000778107,"teacher_disagreement_score":0.31741226,"about_ca_system_score_codex":0.00041943215,"about_ca_system_score_gemma":0.0007404178,"threshold_uncertainty_score":0.5866839},"labels":[],"label_agreement":null},{"id":"W3096631691","doi":"10.3138/ctr.184.017","title":"Shape, Sense, Shift: Organizational and Disciplinary Changes in Dance Scholarship","year":2020,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Scholarship; Discipline; Visual arts; Sociology; Media studies; Art; Aesthetics; Political science; Social science; Law","score_opus":0.04864520831968735,"score_gpt":0.2935403726038538,"score_spread":0.24489516428416644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096631691","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.118550874,0.535015,0.000006979323,0.27103853,0.0003547198,0.000989598,0.00046318653,0.00007113286,0.07350999],"genre_scores_gemma":[0.93478054,0.023244886,0.00006637647,0.04135744,0.00017703311,0.0000090610465,0.000057491765,0.000024854984,0.00028233754],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99922025,0.00009078931,0.000112108704,0.00024349202,0.00007519859,0.00025818544],"domain_scores_gemma":[0.99930555,0.00003264749,0.000035603764,0.00015122475,0.000016656859,0.00045830247],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014154402,0.00011056518,0.0002169612,0.000057238984,0.00007721151,0.000022147588,0.00014341454,0.000058723126,0.0026305676],"category_scores_gemma":[0.000058355734,0.00011029373,0.00002185982,0.000435018,0.00004904194,0.00011017442,0.00003912219,0.00017060131,0.0004134106],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064424836,0.000111140675,0.56849223,0.006017343,0.00017598289,0.0019875842,0.010327744,0.0000014304584,0.00004598576,0.029684136,0.09120758,0.29188442],"study_design_scores_gemma":[0.0005196445,0.00014003145,0.54730475,0.003185669,0.00007018074,0.00008936675,0.00025763974,0.000008498165,0.0000048124516,0.0007304546,0.44723514,0.00045379292],"about_ca_topic_score_codex":0.0017386866,"about_ca_topic_score_gemma":0.035126768,"teacher_disagreement_score":0.81622964,"about_ca_system_score_codex":0.000056874935,"about_ca_system_score_gemma":0.00012213299,"threshold_uncertainty_score":0.9982812},"labels":[],"label_agreement":null},{"id":"W3099270142","doi":"10.5539/ells.v10n4p47","title":"The Vagina Monologues in a Chinese Context: Discussing the Value of the Localized Adaptations","year":2020,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Vagina; Context (archaeology); Human sexuality; Phenomenon; Scripting language; Sociology; Gender studies; Aesthetics; History; Art; Computer science; Epistemology; Medicine","score_opus":0.013256383485194128,"score_gpt":0.2890130442503311,"score_spread":0.27575666076513694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3099270142","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88338363,0.10338069,0.0000083127,0.009659549,0.0004312808,0.00017450245,0.00004527671,0.000019996414,0.0028967555],"genre_scores_gemma":[0.99809843,0.00034209434,0.000014580446,0.00084749714,0.00016873203,0.000008812802,0.000002805138,0.000004427136,0.000512612],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993497,0.00019581376,0.00011997559,0.00012261134,0.00008128066,0.00013059386],"domain_scores_gemma":[0.99935806,0.0003299147,0.0000616637,0.0001761486,0.000054479475,0.00001975365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014639534,0.00009844577,0.00015314978,0.00001453116,0.0002735176,0.000064762266,0.00020347451,0.000037853355,0.00000625551],"category_scores_gemma":[0.00079647487,0.00003708546,0.000053318385,0.00028214007,0.00027913885,0.000095533585,0.000117777716,0.00024894514,0.0000011108895],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007009683,0.000019321302,0.0055236127,0.000014250126,0.0001316721,0.00001297486,0.97959507,0.0000040069517,0.00002086609,0.0072392956,0.0030870824,0.004281763],"study_design_scores_gemma":[0.0009377011,0.0000811029,0.08003017,0.00014692605,0.000045129975,0.000002850259,0.89353645,0.000031279676,0.000027363529,0.0005530437,0.024500316,0.000107696695],"about_ca_topic_score_codex":0.000050081555,"about_ca_topic_score_gemma":0.00017409757,"teacher_disagreement_score":0.1147148,"about_ca_system_score_codex":0.000005422737,"about_ca_system_score_gemma":0.0000071151035,"threshold_uncertainty_score":0.21037039},"labels":[],"label_agreement":null},{"id":"W3107308895","doi":"10.1163/15691624-12341379","title":"Back to the Dance Itself: Phenomenologies of the Body in Performance, edited by Fraleigh, S.","year":2020,"lang":"en","type":"article","venue":"Journal of Phenomenological Psychology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Dance; Psychology; Art; Visual arts","score_opus":0.0499688130492315,"score_gpt":0.3097169808847394,"score_spread":0.2597481678355079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107308895","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89521563,0.0013395421,0.00036695407,0.062601686,0.0017499968,0.00031385449,0.00003560274,0.000013846526,0.038362887],"genre_scores_gemma":[0.98180723,0.0002510772,0.00026340593,0.016642563,0.0003764256,0.0000056093795,0.0000013121886,0.000012896988,0.00063947384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976343,0.0003842596,0.0008123469,0.00033082793,0.00029985947,0.00053842535],"domain_scores_gemma":[0.9983782,0.00019787434,0.00067133567,0.00046745298,0.00011923445,0.00016591132],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00050615164,0.00023204312,0.000591417,0.0001224432,0.00009475792,0.000023555693,0.0020270748,0.00024268408,0.0019471385],"category_scores_gemma":[0.0002549382,0.0001279634,0.00016378266,0.00089889416,0.0004284637,0.00022815594,0.00027696555,0.0009948282,0.00037649658],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005514913,0.0026559976,0.12420339,0.00007132391,0.00064547826,0.00006502437,0.016478831,0.00059090817,0.015794573,0.0090296585,0.8110028,0.0139471255],"study_design_scores_gemma":[0.004353988,0.008024925,0.4737247,0.00006514178,0.00006389605,0.000096837124,0.0030092285,0.000019413164,0.00028128122,0.0013710113,0.5085801,0.00040951426],"about_ca_topic_score_codex":0.0000078889925,"about_ca_topic_score_gemma":0.0000022227448,"teacher_disagreement_score":0.3495213,"about_ca_system_score_codex":0.00006597362,"about_ca_system_score_gemma":0.000030475878,"threshold_uncertainty_score":0.9989652},"labels":[],"label_agreement":null},{"id":"W3108680985","doi":"10.1080/0144039x.2020.1843969","title":"Performing Fugitivity: Henry Box Brown on the Nineteenth-Century British Stage","year":2020,"lang":"en","type":"article","venue":"Slavery and Abolition","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performative utterance; Drama; Art; Criticism; Art history; MAGIC (telescope); Phrenology; Literature; History; Aesthetics","score_opus":0.029019919912126626,"score_gpt":0.24723187215018894,"score_spread":0.2182119522380623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108680985","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9494806,0.00042171887,0.000043815235,0.0020745841,0.0003021305,0.0001284854,0.00017617224,0.000055208486,0.047317285],"genre_scores_gemma":[0.9926636,0.0002759434,0.000009666413,0.005501483,0.00030994238,0.0000045673473,0.00003174291,0.000007974493,0.0011950809],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926656,0.00007246861,0.000092419505,0.00021530793,0.00012574131,0.00022752638],"domain_scores_gemma":[0.9996531,0.00007272631,0.00004708809,0.00011300401,0.000016058186,0.0000980449],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010062445,0.00009381753,0.000111280046,0.000018943312,0.00024577885,0.0000923216,0.000084392814,0.00006344322,0.001634066],"category_scores_gemma":[0.000037245038,0.0000888758,0.000049804956,0.00007781887,0.00008822882,0.00025238877,0.000041843283,0.00019446282,0.00024038552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018788738,0.0012417546,0.043949902,0.00037602478,0.00051481836,0.00080730434,0.03150157,0.000030201692,0.003966671,0.34762716,0.18781853,0.38028717],"study_design_scores_gemma":[0.0024484887,0.001106792,0.48854962,0.00024531287,0.00008045564,0.00008602437,0.014272629,0.0001291868,0.0014304043,0.001497109,0.48948753,0.0006664513],"about_ca_topic_score_codex":0.000110890665,"about_ca_topic_score_gemma":0.0000052667006,"teacher_disagreement_score":0.4445997,"about_ca_system_score_codex":0.000012359022,"about_ca_system_score_gemma":0.000010526999,"threshold_uncertainty_score":0.9992786},"labels":[],"label_agreement":null},{"id":"W3109006660","doi":"10.1080/14647893.2020.1853693","title":"May I have this dance: examining a community based dance program for people living with Parkinson’s disease","year":2020,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Dance; Psychology; Sitting; Dance education; Interpersonal communication; Class (philosophy); Interpersonal relationship; Dance therapy; Space (punctuation); Variety (cybernetics); Session (web analytics); Pedagogy; Social psychology; Visual arts; Medicine; Advertising","score_opus":0.2173578763668556,"score_gpt":0.4537294581597094,"score_spread":0.23637158179285378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109006660","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.980646,0.0004903793,0.0008448706,0.007421762,0.00030443174,0.0020036448,0.00006686441,0.00011376306,0.008108285],"genre_scores_gemma":[0.99238276,0.00003257277,0.0039763595,0.00074665045,0.00026928727,0.0014198583,0.000094418116,0.000031637857,0.0010464564],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9971002,0.0010099062,0.00021412819,0.00046374,0.000496132,0.00071594265],"domain_scores_gemma":[0.9972299,0.0012836184,0.000113658556,0.00067913975,0.0002906144,0.00040306782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018147499,0.00017114473,0.00022909156,0.00018122909,0.0005168003,0.0001532128,0.0007064752,0.00008177331,0.00022018304],"category_scores_gemma":[0.0012602148,0.00017642684,0.000042516036,0.0008345174,0.00022763904,0.00043934066,0.00012457941,0.00088540936,0.000072463576],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010764424,0.0029467766,0.87171197,0.0008796123,0.000029333041,0.0000061362834,0.029303432,0.00007869333,0.00008622445,0.00061151193,0.034664646,0.058605213],"study_design_scores_gemma":[0.0009348748,0.0010643335,0.9316163,0.00089511,0.000012695915,0.0000011697198,0.017350176,0.0015293165,0.00005417369,0.00012402626,0.046147563,0.0002702848],"about_ca_topic_score_codex":0.001099584,"about_ca_topic_score_gemma":0.00038121082,"teacher_disagreement_score":0.059904296,"about_ca_system_score_codex":0.00027066175,"about_ca_system_score_gemma":0.00095591805,"threshold_uncertainty_score":0.7194478},"labels":[],"label_agreement":null},{"id":"W3110107330","doi":"","title":"Padmini Chettur, Philosophical Enactments 1, Anadam Dancetheatre, Toronto","year":2019,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology; Epistemology; Philosophy","score_opus":0.008616398562637172,"score_gpt":0.2057695177216754,"score_spread":0.19715311915903821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110107330","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7640728,0.00614037,0.000022713646,0.0088825915,0.00077952124,0.0002805351,0.00007504854,0.00012900872,0.21961743],"genre_scores_gemma":[0.91286784,0.00067503593,0.0001870761,0.001300362,0.00016393866,0.0000029618893,0.000031917763,0.000026470563,0.084744394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984161,0.000081490914,0.00013110202,0.00044786494,0.0003564927,0.0005669529],"domain_scores_gemma":[0.9988384,0.00006693659,0.000110577115,0.0006335127,0.00003851266,0.00031203454],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013513044,0.0002326557,0.00029664504,0.00006255512,0.00023679537,0.000018151377,0.0006010139,0.00023084534,0.0068517555],"category_scores_gemma":[0.0000086574155,0.00025706567,0.00015905859,0.00013466836,0.00006162293,0.0003704747,0.00026980086,0.00020463085,0.0024533896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032191663,0.0015318621,0.10613478,0.000072240706,0.001379271,0.0040967907,0.00444036,0.000027477812,0.002600417,0.12756777,0.69512874,0.053801145],"study_design_scores_gemma":[0.0028546397,0.00045659242,0.056831528,0.000028471151,0.000090168716,0.00015455877,0.0012290467,0.000020490448,0.0001215388,0.0008760416,0.9369335,0.00040341323],"about_ca_topic_score_codex":0.0109796,"about_ca_topic_score_gemma":0.012646066,"teacher_disagreement_score":0.2418048,"about_ca_system_score_codex":0.0042576017,"about_ca_system_score_gemma":0.000029890225,"threshold_uncertainty_score":0.99998814},"labels":[],"label_agreement":null},{"id":"W3111357457","doi":"10.1093/ageing/afaa270","title":"Effects of dance on cognitive function in older adults: a systematic review and meta-analysis","year":2020,"lang":"en","type":"review","venue":"Age and Ageing","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":107,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Joseph’s Healthcare Hamilton; McMaster University; Hamilton Health Sciences","funders":"McMaster Institute for Research on Aging, McMaster University","keywords":"Medicine; Neurocognitive; Meta-analysis; PsycINFO; Cognition; Randomized controlled trial; Confidence interval; Wechsler Adult Intelligence Scale; Neuropsychology; MEDLINE; Clinical psychology; Psychiatry; Internal medicine","score_opus":0.045554122653107494,"score_gpt":0.32839722582730274,"score_spread":0.28284310317419525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111357457","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027485958,0.99771094,0.0000472362,0.000015677886,0.000026177857,0.0016260655,0.000036455323,0.000008970416,0.0005010047],"genre_scores_gemma":[0.001941212,0.9969969,0.000004620479,0.0006137689,0.000009858112,0.000121656805,0.000022216747,0.000010328315,0.0002794408],"study_design_codex":"systematic_review","study_design_gemma":"meta_analysis","domain_scores_codex":[0.99848837,0.00050328963,0.00041933666,0.0003578043,0.000106133644,0.0001250641],"domain_scores_gemma":[0.9986857,0.0006437129,0.00044711647,0.00015320486,0.00001987066,0.00005038657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021985633,0.00024434633,0.004184199,0.00016715539,0.000028678613,0.000018135892,0.00008319346,0.00010453516,0.000074503885],"category_scores_gemma":[0.00020364154,0.00017095821,0.00060519023,0.00053009955,0.000030595573,0.00007115821,0.0000430849,0.0002143607,0.000025610392],"study_design_candidate":"systematic_review","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008043984,0.00004408207,4.0906716e-7,0.9302085,0.043704156,0.0013152556,0.00042041755,8.663019e-9,1.3923265e-8,0.00003394448,0.000041513387,0.024223635],"study_design_scores_gemma":[0.00021843438,0.00010661573,0.00015570605,0.25221568,0.7452807,0.0000048829825,0.000083969084,2.2003076e-7,5.97492e-8,0.000003359745,0.0017760886,0.00015427427],"about_ca_topic_score_codex":0.00004527336,"about_ca_topic_score_gemma":0.000008508051,"teacher_disagreement_score":0.70157653,"about_ca_system_score_codex":0.000009115652,"about_ca_system_score_gemma":0.0000068721297,"threshold_uncertainty_score":0.6971473},"labels":[],"label_agreement":null},{"id":"W3111749468","doi":"10.1136/bjsports-2021-ioc.117","title":"125 Injury associated with dance education: a systematic review","year":2021,"lang":"en","type":"review","venue":"Poster presentations","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta Children's Hospital; University of Calgary","funders":"","keywords":"Dance; Visual arts; Art","score_opus":0.07409332287923837,"score_gpt":0.42576456663665824,"score_spread":0.35167124375741987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111749468","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[5.909943e-7,0.9559793,0.00002173404,0.0002279773,0.00063257624,0.002652207,0.00032704143,0.00006104331,0.040097564],"genre_scores_gemma":[0.000003944874,0.9589337,0.00003899687,0.0011033489,0.000082914325,0.0010153953,0.0012128124,0.00004156227,0.037567288],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.99734426,0.0009845381,0.00065619487,0.00043278362,0.00030231304,0.0002799091],"domain_scores_gemma":[0.9975302,0.00040877954,0.00076227705,0.0009116288,0.00026190345,0.00012516126],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022583647,0.0003442303,0.0018593412,0.00014478546,0.00013713542,0.00011293902,0.0004950724,0.00016728451,0.0013702398],"category_scores_gemma":[0.00040467782,0.00027652504,0.0003643427,0.00078008755,0.00006337473,0.0002332886,0.00007364228,0.00033865692,0.0010430465],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002188396,0.00048228345,0.000023405852,0.8053037,0.0016244069,0.000026038577,0.0005864979,1.8892532e-8,6.4246355e-9,0.000951802,0.16997088,0.021028792],"study_design_scores_gemma":[0.00009485322,0.00004633167,0.000029245679,0.6888403,0.00596193,0.00009314579,0.00023045726,2.9333794e-8,3.351433e-8,0.0000060774387,0.30439332,0.00030421955],"about_ca_topic_score_codex":0.000032326923,"about_ca_topic_score_gemma":0.000012675404,"teacher_disagreement_score":0.13442244,"about_ca_system_score_codex":0.00010019813,"about_ca_system_score_gemma":0.0006331033,"threshold_uncertainty_score":0.9999687},"labels":[],"label_agreement":null},{"id":"W3112474547","doi":"10.2478/gth-2020-0020","title":"Sound, Dance and Motion from Franz Boas’s Field Research in British Columbia to Franziska Boas’s Dance Therapy","year":2020,"lang":"en","type":"article","venue":"Gestalt theory","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Sound (geography); Motion (physics); Art; Field (mathematics); Visual arts; Art history; Acoustics; Computer science; Artificial intelligence","score_opus":0.07241298304873948,"score_gpt":0.33710434831897823,"score_spread":0.26469136527023873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112474547","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98189,0.0024981077,0.0012333693,0.0028347261,0.00033523765,0.00043066492,0.00014353123,0.00006896497,0.010565402],"genre_scores_gemma":[0.9911822,0.00030921632,0.00018899648,0.006282072,0.00023480372,0.00002771699,0.00001534095,0.000023001401,0.0017366612],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9978489,0.00053273665,0.00020828964,0.0006041321,0.00030054268,0.00050537696],"domain_scores_gemma":[0.99869496,0.00058283424,0.000049633625,0.00036571134,0.000060652797,0.00024619303],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00079558906,0.00011916808,0.0002518329,0.000054936412,0.0002178907,0.00028118657,0.00041097938,0.00018912934,0.0024383566],"category_scores_gemma":[0.00022459483,0.00018760473,0.00004632463,0.000385871,0.0001745407,0.0002471207,0.0001558317,0.0005789674,0.00038191694],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019457374,0.0005795837,0.44973326,0.00006529802,0.00012215698,0.00054778217,0.036461946,0.000015962656,0.0017448015,0.0040441486,0.100666344,0.40407297],"study_design_scores_gemma":[0.0023817874,0.00081974687,0.9084678,0.00013974994,0.0000067068527,0.000011803302,0.006181762,0.000015810987,0.00013387643,0.051698864,0.029752523,0.0003895111],"about_ca_topic_score_codex":0.021782331,"about_ca_topic_score_gemma":0.0088618845,"teacher_disagreement_score":0.4587346,"about_ca_system_score_codex":0.000029315503,"about_ca_system_score_gemma":0.000025509986,"threshold_uncertainty_score":0.9984735},"labels":[],"label_agreement":null},{"id":"W3114156711","doi":"10.7202/1073178ar","title":"Creative Dance: Enriching Understanding (Sheryle Bergmann Drewe)","year":2020,"lang":"en","type":"article","venue":"Paideusis","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Dance; Communication; Astrobiology; Psychology; Biology; Visual arts; Art","score_opus":0.1433563389217671,"score_gpt":0.3127518165143563,"score_spread":0.1693954775925892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3114156711","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31594253,0.00068721134,0.035376377,0.007346754,0.00084098557,0.0002659046,0.00005697663,0.0003397546,0.6391435],"genre_scores_gemma":[0.99294174,0.000022976032,0.00044585703,0.0033283497,0.00022590664,0.000004355387,0.000008180324,0.000018292447,0.0030043367],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99891853,0.000101058475,0.00014955907,0.00032030037,0.00018138146,0.00032918766],"domain_scores_gemma":[0.9993716,0.00013969577,0.00008599606,0.00019416313,0.000023308643,0.00018523673],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015448715,0.00014466271,0.00020363499,0.00005135438,0.0002167126,0.00005725762,0.00024756778,0.00007990264,0.0038193746],"category_scores_gemma":[0.00015192965,0.00015123376,0.00009431791,0.00029553732,0.00006946408,0.00030672588,0.00009506781,0.00020683123,0.0012687676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008587669,0.0005153749,0.1276643,0.00015127646,0.0013407298,0.00035757848,0.20262296,0.00015571436,0.0030963249,0.118571974,0.52575743,0.018907592],"study_design_scores_gemma":[0.011382459,0.002967078,0.30352217,0.00046321325,0.0009673258,0.000054016196,0.33009547,0.0017374447,0.0029839126,0.028887857,0.31289524,0.004043835],"about_ca_topic_score_codex":0.0002487219,"about_ca_topic_score_gemma":0.000012141564,"teacher_disagreement_score":0.6769992,"about_ca_system_score_codex":0.00010116416,"about_ca_system_score_gemma":0.000018696312,"threshold_uncertainty_score":0.99950886},"labels":[],"label_agreement":null},{"id":"W3115600976","doi":"10.32370/ia_2020_12_16","title":"Plotless Ballets on the Stage of Ukrainian Theaters (1960-1970s)","year":2020,"lang":"en","type":"article","venue":"Intellectual Archive","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballet; Choreography; Ukrainian; Dance; Art; Poetry; Literature; Classical ballet; Visual arts; Linguistics; Philosophy","score_opus":0.0875054880206782,"score_gpt":0.2884804156410916,"score_spread":0.2009749276204134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3115600976","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75069946,0.000028826864,0.0010036284,0.0065160696,0.00030508474,0.0002843613,0.00025966775,0.000059629798,0.24084328],"genre_scores_gemma":[0.9930212,0.000012732141,0.00006383785,0.005183003,0.00008057235,0.0000074672585,0.000006106745,0.00001677767,0.0016082851],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99896115,0.00020248983,0.00016108213,0.00023534604,0.00018156311,0.00025833937],"domain_scores_gemma":[0.99771214,0.0018273528,0.00006717566,0.000256556,0.00001981546,0.000116962256],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010594144,0.00013845858,0.00018319624,0.00005397269,0.000086903485,0.000016914038,0.0005214208,0.000039404647,0.0070749875],"category_scores_gemma":[0.00051639834,0.00009603283,0.00011009475,0.00013919856,0.00028723868,0.000033939727,0.00011952576,0.00028758243,0.0023746372],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00264252,0.0003414794,0.00041698167,0.000037240014,0.00045324134,0.000059617167,0.8516782,0.00008614514,0.0032431525,0.021047596,0.11100378,0.008990028],"study_design_scores_gemma":[0.0016686871,0.004681996,0.007545499,0.00012467979,0.0000507699,0.000010390809,0.027152633,0.0005731522,0.010840651,0.0008208081,0.94597167,0.00055909005],"about_ca_topic_score_codex":0.00011453263,"about_ca_topic_score_gemma":0.000009310831,"teacher_disagreement_score":0.83496785,"about_ca_system_score_codex":0.000010926951,"about_ca_system_score_gemma":0.000025035928,"threshold_uncertainty_score":0.9984021},"labels":[],"label_agreement":null},{"id":"W3116271714","doi":"","title":"Exploring Dance Movement Therapy as Quality Physical Activity for People with Parkinson's Disease","year":2018,"lang":"en","type":"dissertation","venue":"YorkSpace (York University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Autonomy; Thematic analysis; Physical activity; Psychology; Quality of life (healthcare); Dance; Quality (philosophy); Qualitative research; Gerontology; Applied psychology; Medicine; Medical education; Physical therapy; Sociology; Psychotherapist; Political science","score_opus":0.09421890789859066,"score_gpt":0.31858117106271716,"score_spread":0.2243622631641265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3116271714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97027373,0.000098679375,0.0004739194,0.00028608297,0.0010611627,0.00093734334,0.0002173662,0.0001740029,0.026477726],"genre_scores_gemma":[0.8820616,0.00024185385,0.00028988297,0.00012881227,0.0004609727,0.000036607908,0.00032972658,0.00007198441,0.11637856],"study_design_codex":"randomized_trial","study_design_gemma":"observational","domain_scores_codex":[0.9978047,0.00016567568,0.0000994196,0.00090462,0.00042873799,0.0005968318],"domain_scores_gemma":[0.99811864,0.00017594328,0.00042685738,0.00074148714,0.00017889586,0.00035815965],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00013246642,0.0004864527,0.00058235915,0.00026451066,0.000485685,0.00008046647,0.0006469802,0.00019441119,0.00023436315],"category_scores_gemma":[0.000033486904,0.0005161332,0.0003024841,0.0005881652,0.000117562486,0.0006218742,0.000052673888,0.0003654946,0.00014231041],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.28577477,0.01939573,0.06221113,0.0024837595,0.008377039,0.0007214471,0.20184545,0.00021239239,0.0016514384,0.17461863,0.07969631,0.16301191],"study_design_scores_gemma":[0.0057112044,0.0017252576,0.47862142,0.00043861038,0.00046339448,7.315942e-7,0.04671752,0.000022819322,0.0014257769,0.00032377438,0.46286505,0.001684419],"about_ca_topic_score_codex":0.0012457167,"about_ca_topic_score_gemma":0.001308645,"teacher_disagreement_score":0.4164103,"about_ca_system_score_codex":0.00024989605,"about_ca_system_score_gemma":0.0002551639,"threshold_uncertainty_score":0.99972904},"labels":[],"label_agreement":null},{"id":"W3121262811","doi":"10.1080/14927713.2021.1874833","title":"Dancing through life in a changing world: life course, historical time and serious leisure","year":2021,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Redress; Life course approach; Perspective (graphical); Dance; Sociology; Psychology; Everyday life; Qualitative research; Gender studies; Social psychology; Social science; Visual arts; Political science; Art","score_opus":0.02462381722887144,"score_gpt":0.2826825410956476,"score_spread":0.2580587238667762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3121262811","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9553838,0.009168508,0.00012757728,0.0052776597,0.0013180792,0.00023744862,0.000029373698,0.00014911774,0.028308474],"genre_scores_gemma":[0.9535868,0.00008365363,0.0004889286,0.0019127574,0.00051869237,0.000012332148,0.000023799765,0.00004568211,0.04332736],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978933,0.00017971836,0.0003306027,0.0005798304,0.00029584477,0.0007207427],"domain_scores_gemma":[0.99891895,0.00015704594,0.00013471046,0.0004373501,0.00007345544,0.0002784901],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033490837,0.00027044033,0.00059859816,0.00030349146,0.00017782029,0.0000777193,0.00022749294,0.00020645824,0.0009906165],"category_scores_gemma":[0.00015156985,0.00030167887,0.0001012221,0.0013775248,0.00006814316,0.0003604171,0.00018349054,0.00048930984,0.00042746952],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000628079,0.0019698068,0.7271207,0.00028523486,0.0007750588,0.0031471886,0.033870447,0.00014361819,0.0025624558,0.018611057,0.19879557,0.012090767],"study_design_scores_gemma":[0.0044919653,0.00028114082,0.31076756,0.00035928303,0.00019815496,0.00018709875,0.0022968482,0.0001618428,0.00033824137,0.00049972493,0.67928106,0.0011371057],"about_ca_topic_score_codex":0.00036974956,"about_ca_topic_score_gemma":0.0003220601,"teacher_disagreement_score":0.48048547,"about_ca_system_score_codex":0.0002156374,"about_ca_system_score_gemma":0.0001858536,"threshold_uncertainty_score":0.99994355},"labels":[],"label_agreement":null},{"id":"W3126652272","doi":"10.26603/001c.18792","title":"Does the Movement Competency Screen Correlate with Deep Abdominals Activation and Hip Strength for Professional and Pre-professional Dancers?","year":2021,"lang":"en","type":"article","venue":"International Journal of Sports Physical Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa; Université du Québec à Montréal; Université de Sherbrooke","funders":"Institut de Recherche Robert-Sauvé en Santé et en Sécurité du Travail","keywords":"Movement (music); Professional sport; Professional development; Psychology; Pedagogy; Art; Aesthetics; Physics; League","score_opus":0.013857085608529818,"score_gpt":0.3210194491020929,"score_spread":0.3071623634935631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126652272","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9922398,0.0002956758,0.00087605254,0.005058466,0.0010997289,0.00018951751,0.000031511176,0.0000050283556,0.00020426043],"genre_scores_gemma":[0.9965324,0.0003087087,0.00055296364,0.0011283763,0.0005892257,0.000008277719,0.000014637502,0.000010030127,0.00085537176],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99889594,0.00005240595,0.00022708943,0.000164762,0.00052696513,0.00013281054],"domain_scores_gemma":[0.9987729,0.00026037788,0.00039378417,0.000092445596,0.00040736017,0.00007308505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019558164,0.00012560569,0.00019387086,0.000047286325,0.00011944076,0.000048750495,0.00018653342,0.000042041367,0.00021355557],"category_scores_gemma":[0.00001765889,0.000060645274,0.00007624812,0.000051888583,0.00012900835,0.00027163007,0.00004436458,0.00022505896,6.2418667e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.018490333,0.0030493238,0.077258974,0.000026593034,0.0025403076,0.00017988616,0.014568558,0.00011952447,0.011822749,0.050303888,0.0027368455,0.818903],"study_design_scores_gemma":[0.005022518,0.00057731464,0.9575464,0.00041124172,0.000048567355,0.000070938375,0.003014173,0.0002466007,0.0042595244,0.024971968,0.0036413376,0.00018940336],"about_ca_topic_score_codex":0.000009420749,"about_ca_topic_score_gemma":0.0000018504559,"teacher_disagreement_score":0.88028747,"about_ca_system_score_codex":0.00003113547,"about_ca_system_score_gemma":0.000092045404,"threshold_uncertainty_score":0.24730426},"labels":[],"label_agreement":null},{"id":"W3127927032","doi":"10.21091/mppa.2003.2011","title":"Pas de Deux: Daughters, Mothers, and Dance Talk","year":2003,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Psychology; Perception; Anxiety; Daughter; Mental health; Social psychology; Developmental psychology; Applied psychology; Visual arts; Art; Psychiatry","score_opus":0.01889207001896739,"score_gpt":0.2735904468122175,"score_spread":0.25469837679325014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127927032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9659846,0.0010237618,0.0012391931,0.00088224397,0.0002472726,0.00012373294,0.0000065913205,0.00003696312,0.030455664],"genre_scores_gemma":[0.9965571,0.00007795007,0.0012402943,0.00076874247,0.00004276411,0.0000063105913,0.0000020776354,0.000012153471,0.0012925931],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987626,0.00008086265,0.00022849622,0.0002244664,0.00031524894,0.00038834437],"domain_scores_gemma":[0.9993104,0.000084559564,0.00009226901,0.00021320734,0.000023814435,0.00027577952],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007473424,0.00011871504,0.00019595707,0.00005069923,0.000096000156,0.0000136221,0.0001915153,0.00014405049,0.0017536114],"category_scores_gemma":[0.00033671252,0.000109858745,0.000040289528,0.00009459636,0.00030239474,0.00013570373,0.000043706932,0.0002295579,0.00004626406],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025181606,0.0015373735,0.6574788,0.0010507819,0.00041132685,0.00042425768,0.029246794,0.000037263202,0.0059772287,0.07544285,0.038566638,0.18957487],"study_design_scores_gemma":[0.013585275,0.002929874,0.26069728,0.0028267854,0.00024096048,0.0024127546,0.0054541985,0.0019796416,0.014154626,0.017286774,0.6762651,0.0021667192],"about_ca_topic_score_codex":0.00018853875,"about_ca_topic_score_gemma":0.00006008954,"teacher_disagreement_score":0.6376985,"about_ca_system_score_codex":0.000026972686,"about_ca_system_score_gemma":0.000060782328,"threshold_uncertainty_score":0.9991589},"labels":[],"label_agreement":null},{"id":"W3128045404","doi":"10.3138/ctr.185.007","title":"Drag on Pointe: Dancer, Television Sensation, and Drag Superstar Brooke Lynn Hytes Is Queering Ballet","year":2021,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Drag; Masculinity; Art; Classical ballet; Visual arts; Gender studies; Sociology; Physics; Mechanics","score_opus":0.020771202898338684,"score_gpt":0.27166277073396167,"score_spread":0.250891567835623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128045404","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039059352,0.69578505,0.000036876645,0.050881453,0.0010990945,0.00073413656,0.00041935296,0.00008338092,0.2119013],"genre_scores_gemma":[0.51843727,0.3540462,0.00056710356,0.11230519,0.00059552916,0.000026878179,0.00020889258,0.00011293831,0.013700008],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987542,0.0001268056,0.00021127128,0.00038726328,0.00013337054,0.00038708487],"domain_scores_gemma":[0.9988747,0.000075362106,0.000050939623,0.0004884984,0.00007212558,0.00043833387],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019710923,0.00019068812,0.0003535774,0.000084981635,0.00017160106,0.000053743617,0.00015339766,0.00009068079,0.0048635625],"category_scores_gemma":[0.00006649995,0.00018872933,0.00010608554,0.00023060474,0.000059591843,0.00012413251,0.000029064335,0.00018492939,0.00061904313],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020029458,0.0000577805,0.0038420516,0.0019825469,0.00019573187,0.000509387,0.0020914583,0.0000016974853,0.00006440408,0.005697772,0.5434918,0.4420454],"study_design_scores_gemma":[0.0002975357,0.00006926023,0.0045892633,0.0037134239,0.00006782653,0.00009988661,0.00038499627,0.000003741016,0.00005153322,0.0001448431,0.9903352,0.00024243802],"about_ca_topic_score_codex":0.012897486,"about_ca_topic_score_gemma":0.012091257,"teacher_disagreement_score":0.47937793,"about_ca_system_score_codex":0.00019086595,"about_ca_system_score_gemma":0.00022557945,"threshold_uncertainty_score":0.9960461},"labels":[],"label_agreement":null},{"id":"W3128630363","doi":"10.26443/mjm.v7i2.787","title":"Dansei Konenki: Narratives of Male Menopause in Contemporary Japan","year":2020,"lang":"en","type":"article","venue":"McGill Journal of Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indigenization; Menopause; Narrative; Gender studies; Phenomenon; Medicine; Sociology; Anthropology; History; Epistemology; Literature; Art","score_opus":0.1086158035079879,"score_gpt":0.3332506051250246,"score_spread":0.2246348016170367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128630363","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8850475,0.0021633604,0.00004802284,0.04335658,0.0005325577,0.00009628511,0.000024971006,0.000006451553,0.06872427],"genre_scores_gemma":[0.994604,0.000053789878,0.00012058916,0.004576714,0.00018712453,2.9486824e-7,0.0000015451611,0.0000076520755,0.0004482791],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998805,0.00014228973,0.0005231777,0.00010238368,0.0002876532,0.00013952592],"domain_scores_gemma":[0.9990883,0.000073283336,0.0004496651,0.000108392676,0.000097199816,0.0001831975],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043021454,0.00010326563,0.0004618984,0.00014528961,0.000030840787,0.0000017456813,0.00026675506,0.000056267567,0.001504509],"category_scores_gemma":[0.00017530663,0.00007890652,0.00004644364,0.00022081581,0.00018040516,0.0001862841,0.000028964296,0.00028938707,0.000021471884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006590345,0.0011140791,0.08314665,0.00023088681,0.0008412346,0.0030525643,0.14430782,0.000028329143,0.14576937,0.0045261597,0.60187984,0.008512757],"study_design_scores_gemma":[0.04463057,0.029890455,0.24959412,0.0023874536,0.00020355129,0.0013243207,0.19186155,0.000016996,0.0051992796,0.0012099644,0.47301152,0.0006702115],"about_ca_topic_score_codex":0.00005659827,"about_ca_topic_score_gemma":0.0000030772865,"teacher_disagreement_score":0.16644748,"about_ca_system_score_codex":0.000020312344,"about_ca_system_score_gemma":0.000027196058,"threshold_uncertainty_score":0.99940825},"labels":[],"label_agreement":null},{"id":"W3128655939","doi":"10.69492/cbar.v16i1.564","title":"The Briarwood Ballet: An Artistic Expansion","year":2021,"lang":"en","type":"article","venue":"Christian Business Academy Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Ballet; Art; Aesthetics; Visual arts; Dance","score_opus":0.0481313116820499,"score_gpt":0.34153107087002915,"score_spread":0.2933997591879792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128655939","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0080363555,0.9329535,0.0009470674,0.03934349,0.0017222094,0.0005536136,0.000058954505,0.00015085404,0.016233988],"genre_scores_gemma":[0.28647444,0.6574636,0.00042942978,0.04065905,0.0016378174,0.00011513297,0.00020987177,0.00011181668,0.0128988195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998189,0.00029653258,0.00037624568,0.0004438819,0.0002614739,0.00043289346],"domain_scores_gemma":[0.99876666,0.00013335606,0.00017824987,0.0005613047,0.00017423167,0.00018616786],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047372573,0.00021508992,0.00039507772,0.000024040875,0.00040013407,0.00009245639,0.00053725706,0.00015492493,0.0031413627],"category_scores_gemma":[0.00049348985,0.00016223383,0.00010277042,0.0006665695,0.00015563374,0.0002353514,0.0001274054,0.00036455176,0.001995907],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058248363,0.00038744725,0.0005898281,0.0021550634,0.00014622895,0.0002891232,0.00030639258,0.0000019582544,0.00025618912,0.028474068,0.55217445,0.41516098],"study_design_scores_gemma":[0.00031924446,0.000020363492,0.08981586,0.0018133165,0.00013268657,0.00015783604,0.00012513019,0.0000040391988,0.000023923882,0.00028403543,0.9070624,0.00024112547],"about_ca_topic_score_codex":0.000033951874,"about_ca_topic_score_gemma":0.0000060355715,"teacher_disagreement_score":0.41491985,"about_ca_system_score_codex":0.000029511062,"about_ca_system_score_gemma":0.00008905306,"threshold_uncertainty_score":0.99878114},"labels":[],"label_agreement":null},{"id":"W3131520774","doi":"10.1002/j.sda2.20140401.0003","title":"Swaying Mountains: Moving into Stillness in a Hot Yoga Community","year":2014,"lang":"en","type":"article","venue":"Student Anthropologist","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Embodied cognition; Movement (music); Aesthetics; Sociology; Psychology; Epistemology; Art; Philosophy","score_opus":0.03686905252677001,"score_gpt":0.3853383041261392,"score_spread":0.34846925159936915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3131520774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.955939,0.0002563835,0.0009894089,0.0007787689,0.0012512652,0.00017901661,0.00000773461,0.00010956645,0.040488873],"genre_scores_gemma":[0.99855506,0.000039228682,0.00013184626,0.0005351677,0.000091227506,0.000023898789,0.000010199993,0.0000140429065,0.00059933314],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99816537,0.00063826673,0.00025065415,0.00026090947,0.00022143609,0.00046338144],"domain_scores_gemma":[0.9989606,0.00024535082,0.000116151736,0.00055800314,0.0000390863,0.000080809274],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009421067,0.00019296528,0.00030516274,0.00014750619,0.00078982074,0.00007228876,0.0007703949,0.000133883,0.0012007544],"category_scores_gemma":[0.0002032405,0.00019072506,0.00006559273,0.00023858246,0.0016080764,0.00018856165,0.000447645,0.0005951612,0.00031458432],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029470873,0.0019063152,0.8804062,0.000053458803,0.000112609276,0.00006887015,0.047412764,0.000044395194,0.00012178591,0.049456835,0.0056921015,0.014429939],"study_design_scores_gemma":[0.0016831246,0.0005673853,0.8014806,0.00006308663,0.000022376815,0.00000659184,0.18772446,0.000026224343,0.0001011265,0.0010380789,0.006917239,0.00036974682],"about_ca_topic_score_codex":0.04371058,"about_ca_topic_score_gemma":0.008315112,"teacher_disagreement_score":0.14031169,"about_ca_system_score_codex":0.00016757389,"about_ca_system_score_gemma":0.000016784643,"threshold_uncertainty_score":0.9997123},"labels":[],"label_agreement":null},{"id":"W3133576012","doi":"10.12678/1089-313x.031521g","title":"Body Composition Adaptations Throughout an Elite Circus Student-Artist Training Season","year":2021,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Bioelectrical impedance analysis; Fat mass; Composition (language); Muscle mass; Animal science; Medicine; Body mass index; Population; Body fat percentage; Demography; Internal medicine; Biology; Art","score_opus":0.06967101822624819,"score_gpt":0.4046166105332327,"score_spread":0.3349455923069845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133576012","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9669688,0.0015525109,0.008671288,0.0039525754,0.0024055857,0.00007058078,0.000009591547,0.000018878523,0.016350185],"genre_scores_gemma":[0.9958169,0.0001308134,0.0019907984,0.0011583286,0.000562064,8.544096e-7,0.0000039594843,0.000006455337,0.00032983723],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9978255,0.00012810102,0.00041267416,0.0002598886,0.0010188991,0.0003549113],"domain_scores_gemma":[0.99825794,0.00009708303,0.0004267232,0.00028709136,0.0006126387,0.00031852082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012802755,0.000117075986,0.00029555603,0.00016406871,0.00037320264,0.00007930333,0.00058142556,0.000029276385,0.0003736664],"category_scores_gemma":[0.00026215983,0.0001001629,0.00006019767,0.00085345644,0.00072906044,0.0013432172,0.00004433895,0.00031461785,0.000026231963],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030409242,0.0019768968,0.08153301,0.000039688803,0.00017112287,0.002158843,0.24176882,0.00048728124,0.50141126,0.022507684,0.005229211,0.14241207],"study_design_scores_gemma":[0.001955618,0.0010183413,0.94985944,0.00043261834,0.00010034069,0.0010123372,0.037818026,0.00014374583,0.00070660753,0.0005129952,0.006263687,0.00017623592],"about_ca_topic_score_codex":0.000023252025,"about_ca_topic_score_gemma":0.0000130415165,"teacher_disagreement_score":0.8683264,"about_ca_system_score_codex":0.00011676178,"about_ca_system_score_gemma":0.00035723002,"threshold_uncertainty_score":0.40913853},"labels":[],"label_agreement":null},{"id":"W3135343909","doi":"10.12678/1089-313x.031521h","title":"An Updated Systematic Review of Turnout Position Assessment Protocols Used in Dance Medicine and Science Research","year":2021,"lang":"en","type":"review","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Turnout; CINAHL; Dance; Population; Protocol (science); Physical therapy; Medicine; Psychology; Political science; Alternative medicine; Psychological intervention; Art; Nursing","score_opus":0.2251020635972539,"score_gpt":0.5793483630972307,"score_spread":0.35424629949997677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3135343909","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003621696,0.9874891,0.00011497113,0.0009802021,0.0005839938,0.009053911,0.000011222235,0.000007752922,0.0013966457],"genre_scores_gemma":[0.0018914056,0.99649566,0.00058377703,0.0003291806,0.0002462101,0.00034147705,0.000008883638,0.000019269492,0.000084115905],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.98905665,0.0017636545,0.0028234567,0.0008246898,0.0047350535,0.0007965039],"domain_scores_gemma":[0.9912811,0.0006333301,0.003484469,0.001269234,0.0027717657,0.00056010904],"candidate_categories":["metaresearch","metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.040778346,0.00040721495,0.0044114115,0.0022213801,0.00031537327,0.00008433749,0.0031862943,0.00011884722,0.00025084923],"category_scores_gemma":[0.0046903333,0.00025566958,0.00014635839,0.008253424,0.0066862837,0.001479127,0.0002639859,0.0015430165,0.0000053196345],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041858024,0.00073643756,0.0005440065,0.9513622,0.00009699121,0.0006383873,0.0035211171,8.690043e-7,0.0009865777,0.003017134,0.0036292034,0.035425227],"study_design_scores_gemma":[0.0008838938,0.0021516588,0.0009075755,0.98569655,0.00044906716,0.0010418631,0.0014219065,0.000011791577,0.000010176483,0.000050529543,0.007148433,0.00022656853],"about_ca_topic_score_codex":0.00007498368,"about_ca_topic_score_gemma":0.0000053488207,"teacher_disagreement_score":0.036088016,"about_ca_system_score_codex":0.00080715335,"about_ca_system_score_gemma":0.0038674574,"threshold_uncertainty_score":0.99998957},"labels":[],"label_agreement":null},{"id":"W3136003099","doi":"","title":"Looking for Social Dance in Toronto's Black Population at Mid-century: A Historiography","year":2017,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Historiography; Dance; Population; History; Visual arts; Sociology; Art; Archaeology; Demography","score_opus":0.026145351394253377,"score_gpt":0.35003087445972864,"score_spread":0.32388552306547524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136003099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38598108,0.0016216052,0.000015057312,0.00007234631,0.0068765045,0.0007006382,0.00011394252,0.00006492495,0.6045539],"genre_scores_gemma":[0.85911685,0.00010330274,0.00010204154,0.00009281899,0.0005179879,0.00004291783,0.0026101945,0.000038726124,0.13737518],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99879086,0.000033919547,0.0002367145,0.00041412885,0.00018168525,0.00034268634],"domain_scores_gemma":[0.99914896,0.00003082937,0.00042319202,0.0002878547,0.000059691687,0.00004949291],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012998823,0.00023272194,0.0003474622,0.00012284094,0.00033031878,0.000052003445,0.00033202866,0.00048592757,0.0018580132],"category_scores_gemma":[0.000029414994,0.00026897335,0.00025422857,0.00004865938,0.000032857122,0.00030014024,0.000016072481,0.00014181143,0.00005541402],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.010332185,0.0014661725,0.1401779,0.0014538758,0.001005094,0.00004080252,0.09909789,0.0000031138595,0.0007833922,0.056054246,0.4955265,0.19405882],"study_design_scores_gemma":[0.0019076916,0.00011756056,0.8261553,0.00012771242,0.000103866674,4.969485e-7,0.0047052456,0.0000036169818,0.000030346062,0.00037379185,0.16595168,0.0005227037],"about_ca_topic_score_codex":0.016222239,"about_ca_topic_score_gemma":0.08762691,"teacher_disagreement_score":0.6859774,"about_ca_system_score_codex":0.00090082904,"about_ca_system_score_gemma":0.000023740811,"threshold_uncertainty_score":0.9999762},"labels":[],"label_agreement":null},{"id":"W3136317449","doi":"10.25071/1916-4467.40590","title":"We Are Travellers: The Body as a Compass","year":2021,"lang":"en","type":"article","venue":"Journal of the Canadian Association for Curriculum Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Compass; Improvisation; Dance; Certainty; Curriculum; Set (abstract data type); Movement (music); Sociology; Aesthetics; Computer science; Visual arts; Epistemology; Art; Geography; Cartography; Philosophy; Pedagogy","score_opus":0.036479066758318406,"score_gpt":0.31547091399597765,"score_spread":0.27899184723765924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136317449","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3688633,0.013996793,0.000013253832,0.5690753,0.014837553,0.0005540026,0.00035409,0.000016109054,0.03228959],"genre_scores_gemma":[0.9731405,0.00023249365,0.000022081043,0.0028718926,0.0004247463,0.0000043390555,0.0000011614451,0.000007623099,0.023295175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989417,0.00017761816,0.00023803204,0.00008331131,0.00028565168,0.00027364108],"domain_scores_gemma":[0.99799,0.00024963223,0.00075530034,0.00013668276,0.0007530613,0.00011531653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059262494,0.00009181895,0.00024016394,0.00005770625,0.0007204268,0.0000722238,0.0003067477,0.000073289535,0.000103070386],"category_scores_gemma":[0.0013731322,0.00005546487,0.0002993136,0.00023234104,0.000045824712,0.00009313023,0.00003207382,0.00024757712,0.000044561057],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008501375,0.000057952442,0.066405304,0.000009003042,0.0014104631,0.000020328876,0.0063684667,0.000013534277,0.0000046357177,0.0035893137,0.9219223,0.00019018973],"study_design_scores_gemma":[0.0011849197,0.00010456089,0.23004396,0.00013413295,0.00037020852,0.000064682485,0.08073961,0.000007578713,0.000040533036,0.0029717179,0.68418676,0.00015135486],"about_ca_topic_score_codex":0.003011491,"about_ca_topic_score_gemma":0.09902283,"teacher_disagreement_score":0.6042772,"about_ca_system_score_codex":0.00106477,"about_ca_system_score_gemma":0.0003141511,"threshold_uncertainty_score":0.91741765},"labels":[],"label_agreement":null},{"id":"W3136362285","doi":"10.21083/csieci.v14i1.6344","title":"Imagining Outside of a Pandemic","year":2021,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Improvisation; Aesthetics; Meaning (existential); Visual arts; Soundscape; Sociology; Art; History; Psychology; Sound (geography); Acoustics","score_opus":0.15807283180373538,"score_gpt":0.4801429793695435,"score_spread":0.3220701475658081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136362285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9411865,0.004479152,0.00788559,0.007833439,0.0031974677,0.0007654145,0.00012901665,0.00040112878,0.034122277],"genre_scores_gemma":[0.99481535,0.00033252186,0.0031024362,0.0011318421,0.0002203208,0.00008047221,0.00003823643,0.0000283013,0.00025050074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9971567,0.000460018,0.0007936096,0.00058006117,0.00038248458,0.0006271347],"domain_scores_gemma":[0.99707794,0.0015205294,0.00014453284,0.00038735606,0.00074103154,0.00012860919],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001019779,0.0002705825,0.0005272854,0.00021685129,0.00013760815,0.00005861363,0.0002243294,0.00021168536,0.00027936493],"category_scores_gemma":[0.0062860767,0.00029677866,0.00013496686,0.0003943484,0.00065229094,0.00074675865,0.00021806233,0.00038967733,0.00003204478],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004250355,0.0017205899,0.07958238,0.0018069122,0.0004984908,0.00025426538,0.08468909,0.000026235917,0.0429081,0.64620227,0.0023709463,0.13951571],"study_design_scores_gemma":[0.009509158,0.002748144,0.3731805,0.0019573737,0.00077193993,0.0003431044,0.45619512,0.0012449401,0.052815992,0.089630306,0.008620493,0.002982939],"about_ca_topic_score_codex":0.00031020393,"about_ca_topic_score_gemma":0.00016121674,"teacher_disagreement_score":0.55657196,"about_ca_system_score_codex":0.0004221942,"about_ca_system_score_gemma":0.00018838307,"threshold_uncertainty_score":0.99994844},"labels":[],"label_agreement":null},{"id":"W3137920049","doi":"10.3389/fpsyg.2021.587379","title":"Side by Side: Reflections on Two Lifetimes of Dance","year":2021,"lang":"en","type":"review","venue":"Frontiers in Psychology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Dance; Psychology; The arts; Autoethnography; Reflexivity; Dance education; Unconscious mind; Performing arts; Inclusion (mineral); Social psychology; Sociology; Visual arts; Psychoanalysis; Gender studies; Social science; Art","score_opus":0.08264005425376693,"score_gpt":0.4480746664632005,"score_spread":0.3654346122094336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137920049","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000037676668,0.81487495,0.0013667735,0.00017833289,0.009616967,0.0004636485,0.00027143487,0.00004032916,0.17318381],"genre_scores_gemma":[0.000007754179,0.98861325,0.003208261,0.0010328321,0.00021707897,0.00010822771,0.00019826593,0.00006509756,0.0065492205],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99643594,0.0008737116,0.00085094495,0.0010089474,0.0002036551,0.000626779],"domain_scores_gemma":[0.99775386,0.00022327824,0.0006066781,0.0012331954,0.000052284726,0.00013071182],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000349696,0.00049912237,0.002360673,0.0006692789,0.000071307615,0.000016690354,0.00085438136,0.0007904754,0.0007105121],"category_scores_gemma":[0.00013789286,0.0005203831,0.00051909924,0.0009959722,0.00035659017,0.00008112036,0.00009052226,0.0011338443,0.0003496929],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003490473,0.0003604709,0.000063389234,0.00029871054,0.00029419237,0.000055805616,0.00013559127,3.3365805e-7,7.110306e-7,0.0004918849,0.47343776,0.5248262],"study_design_scores_gemma":[0.0008125904,0.00030262515,0.000051856015,0.0024717785,0.0002374878,0.000066824214,0.00018929788,1.6422167e-7,0.0000013211027,0.0005897785,0.9948838,0.00039247097],"about_ca_topic_score_codex":0.000065462445,"about_ca_topic_score_gemma":0.000013906926,"teacher_disagreement_score":0.5244338,"about_ca_system_score_codex":0.00013524338,"about_ca_system_score_gemma":0.00012509967,"threshold_uncertainty_score":0.99972475},"labels":[],"label_agreement":null},{"id":"W3139325808","doi":"10.22215/etd/2015-10824","title":"Knitting Takes Balls: Masculinity and the Practice of Knitting","year":2015,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Masculinity; Craft; Negotiation; Hegemonic masculinity; Gender studies; Femininity; Sociology; Art; Visual arts; Social science","score_opus":0.025252503041789394,"score_gpt":0.34515180001623624,"score_spread":0.31989929697444686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3139325808","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07675713,0.0019413941,0.000017840679,0.00040123423,0.00066907745,0.00025297614,0.000014791296,0.000032980486,0.9199126],"genre_scores_gemma":[0.75806975,0.00031322418,0.0033821207,0.0012279609,0.00052560045,0.00002250737,0.00032341704,0.00006254007,0.23607288],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99868864,0.0003322136,0.00030012635,0.00022551784,0.0002690521,0.00018442828],"domain_scores_gemma":[0.9974961,0.0012290755,0.0005905524,0.00027613444,0.00034483863,0.000063242325],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016434874,0.00016527036,0.00033250012,0.00006141633,0.00012215554,0.00004785305,0.00024437346,0.00022671478,0.0010824645],"category_scores_gemma":[0.0026620175,0.00011734354,0.000086819244,0.000110447865,0.00011379152,0.00024382347,0.000028573564,0.00040129203,0.00018659433],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.014177501,0.00131379,0.0026122597,0.0013271814,0.0041203843,0.0000771321,0.32577932,0.000008421412,0.00014352475,0.110479765,0.14774224,0.39221847],"study_design_scores_gemma":[0.007298601,0.0003719012,0.012825828,0.00043530687,0.001360065,0.00005295028,0.7783865,0.000036486086,0.00016448995,0.0023101524,0.19606453,0.00069317746],"about_ca_topic_score_codex":0.0012911785,"about_ca_topic_score_gemma":0.00006905922,"teacher_disagreement_score":0.6838397,"about_ca_system_score_codex":0.000013472715,"about_ca_system_score_gemma":0.00006307205,"threshold_uncertainty_score":0.99983066},"labels":[],"label_agreement":null},{"id":"W3153050756","doi":"10.1093/oxfordhb/9780190871499.013.4","title":"Balancing Reconciliation at the Royal Winnipeg Ballet","year":2021,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Arts Council","funders":"","keywords":"Indigenous; Ballet; Colonialism; Negotiation; Representation (politics); History; Criticism; Gender studies; Sociology; Media studies; Political science; Art; Visual arts; Law; Dance; Archaeology; Politics","score_opus":0.03017533179863805,"score_gpt":0.22641152492614125,"score_spread":0.1962361931275032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153050756","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093096873,0.0003294662,0.00008288998,0.0001238662,0.0009863368,0.00028906783,0.0003074216,0.00009370373,0.9968563],"genre_scores_gemma":[0.0011856662,0.00008827095,0.000037498954,0.00037303506,0.00019710649,5.408302e-7,0.0001257829,0.00003327633,0.99795884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985347,0.000087305125,0.00017069523,0.0005369096,0.00031262948,0.00035777845],"domain_scores_gemma":[0.99857146,0.00013297833,0.00028145337,0.0007534633,0.0001288994,0.00013175618],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015720344,0.00033240608,0.00035262015,0.00007816807,0.00046488672,0.000055223132,0.0006077014,0.00049679616,0.0040109158],"category_scores_gemma":[0.0000124646085,0.00033672285,0.0002825939,0.000009603177,0.00021534644,0.00007486802,0.00058919616,0.00056665,0.00005631152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00054885895,0.000034422734,0.00012431371,0.00006592223,0.00093271764,0.00072372286,0.0019447136,0.000035499783,0.0000123154905,0.7221654,0.2559032,0.017508881],"study_design_scores_gemma":[0.0007002976,0.00006691235,0.00028683123,0.00009892707,0.00023022464,0.000013020221,0.00027149753,0.000012821999,0.000022591581,0.000082123915,0.9978573,0.00035748992],"about_ca_topic_score_codex":0.00021875469,"about_ca_topic_score_gemma":0.00016865651,"teacher_disagreement_score":0.741954,"about_ca_system_score_codex":0.00039111704,"about_ca_system_score_gemma":0.000088763394,"threshold_uncertainty_score":0.9999085},"labels":[],"label_agreement":null},{"id":"W3153560470","doi":"10.1017/s0144686x21000507","title":"(In/Ex)clusive fitness cultures: an institutional ethnography of group exercise for older adults","year":2021,"lang":"en","type":"article","venue":"Ageing and Society","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Mainstream; Appeal; Ethnography; Ideology; Gerontology; Physical fitness; Curriculum; Sociology; Psychology; Gender studies; Social psychology; Public relations; Political science; Pedagogy; Medicine; Politics; Physical therapy; Law","score_opus":0.016638263210333962,"score_gpt":0.3068267028006825,"score_spread":0.29018843959034857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153560470","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9965677,0.001082898,0.00068925676,0.00015050432,0.00027727065,0.00012146186,0.000057049205,0.000012932259,0.0010409072],"genre_scores_gemma":[0.9974943,0.00022854464,0.0013497967,0.00053953665,0.000053318992,0.000008408057,0.000046767673,0.0000040259274,0.00027534223],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.999447,0.000023329081,0.00009834647,0.00019938544,0.000081628416,0.00015031015],"domain_scores_gemma":[0.99969023,0.00004364558,0.00004115832,0.000109782304,0.00006676781,0.000048430047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011482419,0.00007211226,0.00013423874,0.00001672724,0.00014882431,0.000014637497,0.00007426135,0.00011390493,0.00006106295],"category_scores_gemma":[0.000014541096,0.00007107381,0.00012876038,0.00014030622,0.000132269,0.00020250381,0.000033546225,0.00009630352,0.0000014422089],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006807781,0.0033786553,0.049786784,0.0012816197,0.0005618755,0.00028115278,0.7693395,0.00007636877,0.0014579832,0.0750973,0.049499184,0.048558783],"study_design_scores_gemma":[0.0066717314,0.00020825081,0.8770196,0.0006730211,0.000088610395,0.00001536966,0.10487543,0.00017461265,0.00050085346,0.002324519,0.0070542158,0.00039380725],"about_ca_topic_score_codex":0.00017921525,"about_ca_topic_score_gemma":0.000028345703,"teacher_disagreement_score":0.8272328,"about_ca_system_score_codex":0.0000089444175,"about_ca_system_score_gemma":0.000019083458,"threshold_uncertainty_score":0.2898306},"labels":[],"label_agreement":null},{"id":"W3154022768","doi":"10.1093/oxfordhb/9780190871499.013.34","title":"Narratives of Progress and Les Ballets Jazz De Montréal","year":2021,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Narrative; Scholarship; Multiculturalism; Historiography; Aesthetics; Ballet; Art; Visual arts; Sociology; Dance; History; Literature; Political science; Pedagogy; Law","score_opus":0.026764231952448078,"score_gpt":0.23256126136040536,"score_spread":0.2057970294079573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3154022768","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0062421127,0.0022874651,0.00007019274,0.00007083295,0.00012946638,0.00021003693,0.00022194939,0.000042541087,0.9907254],"genre_scores_gemma":[0.007937256,0.0004212846,0.000645297,0.000029524741,0.000044779412,4.360113e-7,0.000022014106,0.000024006042,0.9908754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990211,0.0000633622,0.00013096475,0.00036266766,0.00017284225,0.0002490462],"domain_scores_gemma":[0.9991574,0.000041815383,0.00022797433,0.00032969643,0.00010460017,0.00013848682],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006871813,0.00026098086,0.0004005333,0.00011340591,0.0001611098,0.000022767,0.00031581966,0.00041438345,0.00027656707],"category_scores_gemma":[0.0000040914574,0.0003097963,0.00014492645,0.0000068234367,0.0005283387,0.00007573052,0.00033210436,0.0003364427,8.973218e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004729255,0.000062975494,0.00033326945,0.00015157288,0.00073984003,0.00068191247,0.00686915,6.534035e-7,0.000022928307,0.9574925,0.0060683913,0.027103934],"study_design_scores_gemma":[0.00080640585,0.00017500191,0.00073482207,0.00021719898,0.0001450635,0.000028681201,0.0023381799,0.0000017363071,0.000045375138,0.0003832081,0.99483395,0.00029037258],"about_ca_topic_score_codex":0.00022999907,"about_ca_topic_score_gemma":0.00007563814,"teacher_disagreement_score":0.98876554,"about_ca_system_score_codex":0.00006221637,"about_ca_system_score_gemma":0.0000635568,"threshold_uncertainty_score":0.9999354},"labels":[],"label_agreement":null},{"id":"W3155052344","doi":"10.3138/ctr.186.014","title":"Deepening Body Awareness: Key Practices for Equity","year":2021,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Equity (law); Narrative; Aesthetics; Sociology; Gender studies; History; Political science; Art; Literature; Law","score_opus":0.133892747185013,"score_gpt":0.4202268569295249,"score_spread":0.2863341097445119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3155052344","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010796327,0.57832646,0.00015497912,0.014632386,0.0010535086,0.00061196653,0.00027701067,0.000041361716,0.40382272],"genre_scores_gemma":[0.43328947,0.33807614,0.0057038683,0.15404429,0.0025796161,0.00053723267,0.0012587497,0.00025717655,0.06425349],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888515,0.00013377763,0.00016953559,0.00027977405,0.00009127439,0.00044046025],"domain_scores_gemma":[0.9987339,0.00015665051,0.00017397622,0.0004279297,0.00010395466,0.00040363704],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042259673,0.00012221241,0.00029943505,0.000044040484,0.00020163371,0.000055912362,0.00027413236,0.000075143995,0.0037414893],"category_scores_gemma":[0.00036231335,0.00012349497,0.00013978963,0.00020414524,0.000028872395,0.00019129223,0.000042579177,0.00011822149,0.000535357],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016325526,0.000079296304,0.0047655655,0.0037863033,0.0003094801,0.00043364053,0.00051180925,4.44157e-7,0.000034538654,0.019484239,0.3194721,0.65110624],"study_design_scores_gemma":[0.00018285275,0.000033815504,0.00074154977,0.0012373199,0.00017528991,0.0000689832,0.00019960779,0.0000013021519,0.000019436711,0.00023608327,0.996951,0.00015278826],"about_ca_topic_score_codex":0.03485477,"about_ca_topic_score_gemma":0.08762983,"teacher_disagreement_score":0.67747885,"about_ca_system_score_codex":0.00012834834,"about_ca_system_score_gemma":0.0008947786,"threshold_uncertainty_score":0.9971692},"labels":[],"label_agreement":null},{"id":"W3155582738","doi":"10.1080/14682761.2021.1913322","title":"The pleasure in moving: drawing the space through flamenco bodies","year":2021,"lang":"en","type":"article","venue":"Studies in Theatre and Performance","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"Ontario Trillium Foundation; York University","keywords":"Performative utterance; Parallels; Ethnography; Pleasure; TRACE (psycholinguistics); Space (punctuation); Aesthetics; Field (mathematics); Tracing; Art; Sociology; Visual arts; Anthropology; Philosophy; Linguistics; Computer science; Psychology","score_opus":0.05861434343760027,"score_gpt":0.33700184940381517,"score_spread":0.2783875059662149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3155582738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.835769,0.057079904,0.0000016000563,0.0053041135,0.00093553425,0.000098494114,0.0000032590149,0.000013038264,0.10079508],"genre_scores_gemma":[0.9718895,0.02489865,0.000028200096,0.00043734908,0.00011129151,0.0000137493635,5.8781984e-7,0.0000055122464,0.0026151433],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99913174,0.000104885985,0.00014343704,0.00018952953,0.0001159049,0.00031448546],"domain_scores_gemma":[0.99930626,0.00033779343,0.000040496157,0.00026940095,0.00003186928,0.000014169449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039548235,0.00012020042,0.00017206934,0.000019991523,0.00055854744,0.000037399168,0.00017873911,0.000042246826,0.000029189141],"category_scores_gemma":[0.000045037938,0.00006897979,0.000031595253,0.00015804115,0.00039377037,0.00018086337,0.00019563438,0.00026910636,0.000030237225],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002438911,0.00008611303,0.6948791,0.00011432564,0.000257384,0.00008668358,0.22193007,0.00006442035,0.000027068972,0.005558818,0.026716132,0.05003596],"study_design_scores_gemma":[0.0013286843,0.00024152746,0.45039797,0.00042103627,0.000040005278,0.000060691287,0.31074396,0.000072422896,0.00036669278,0.003552304,0.23241363,0.00036109518],"about_ca_topic_score_codex":0.00010923428,"about_ca_topic_score_gemma":0.00094172783,"teacher_disagreement_score":0.24448118,"about_ca_system_score_codex":0.000031153155,"about_ca_system_score_gemma":0.000022159293,"threshold_uncertainty_score":0.42959517},"labels":[],"label_agreement":null},{"id":"W3155906906","doi":"10.24908/iqurcp.10440","title":"Etruscan Dance Culture as Represented in Tomb Paintings from the UNESCO Heritage Site in Tarquinia (Italy)","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Depiction; Ballet; Painting; History; Cultural heritage; Scholarship; Art; Visual arts; Anthropology; Aesthetics; Literature; Archaeology; Sociology","score_opus":0.09061407212336488,"score_gpt":0.39472203503879855,"score_spread":0.3041079629154337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3155906906","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9325215,0.00022212534,0.000055657,0.026791051,0.00038620646,0.00085878716,0.000035786725,0.00012444476,0.03900439],"genre_scores_gemma":[0.9924808,0.00031944073,0.00013719925,0.000772641,0.0005253888,0.000096003285,0.000031016152,0.0000453711,0.0055921436],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9947967,0.00042213176,0.000617745,0.0012907173,0.0012603517,0.0016123314],"domain_scores_gemma":[0.9971756,0.0005392305,0.00022687143,0.0006490191,0.0011014891,0.00030782234],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0028740554,0.0004121845,0.0005071038,0.0004775125,0.0004096937,0.00062384916,0.0017580383,0.00038390767,0.00061084155],"category_scores_gemma":[0.0019347211,0.00034369685,0.000105729516,0.0024849717,0.0022112792,0.0011248207,0.0008027756,0.0019539099,0.0011574519],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018222625,0.0007744668,0.57296216,0.00009619317,0.00018843666,0.00029047186,0.20566595,0.0000010924695,0.008804932,0.0667362,0.13625284,0.006404978],"study_design_scores_gemma":[0.006644773,0.002737714,0.54303926,0.0026305374,0.00004403588,0.000048255573,0.18645793,0.00071336614,0.004452524,0.17140254,0.07991913,0.0019099084],"about_ca_topic_score_codex":0.02851633,"about_ca_topic_score_gemma":0.0025166508,"teacher_disagreement_score":0.104666345,"about_ca_system_score_codex":0.00030966327,"about_ca_system_score_gemma":0.00027943315,"threshold_uncertainty_score":0.99990153},"labels":[],"label_agreement":null},{"id":"W3156605505","doi":"10.1080/21604851.2021.1913828","title":"Fashioning fat fem(me)ininities","year":2021,"lang":"en","type":"article","venue":"Fat Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Women's and Gender Studies et Recherches Féministes; York University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Queer; Feeling; Element (criminal law); Finite element method; Negotiation; Gender studies; Sociology; Psychology; Social psychology; Engineering; Political science; Structural engineering; Social science; Law","score_opus":0.119598650621804,"score_gpt":0.37010194623892206,"score_spread":0.25050329561711804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3156605505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61460495,0.019924406,0.000081175145,0.0033934754,0.0038618029,0.000080436424,0.000045734654,0.00016680115,0.35784122],"genre_scores_gemma":[0.9494773,0.0005225377,0.0002530266,0.0012655834,0.00032092136,0.000007796917,0.0000075523085,0.0000094651505,0.048135784],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9992101,0.00006269322,0.00011417997,0.00021238925,0.00012871729,0.00027191036],"domain_scores_gemma":[0.9994336,0.00016337246,0.00004541438,0.00020874325,0.000108621134,0.000040264415],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000059714526,0.00011732234,0.00021998267,0.000038682367,0.00029937233,0.000033573135,0.00011351907,0.000047921916,0.0009408415],"category_scores_gemma":[0.0001613782,0.00011229988,0.00007169164,0.0001231352,0.0001354661,0.00012431972,0.00019841561,0.000118340846,0.0010837436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074816715,0.00024479098,0.09675918,0.00008431573,0.0017433949,0.00066699873,0.1031124,0.000006976164,0.00031011668,0.048648465,0.740926,0.007422525],"study_design_scores_gemma":[0.0018350722,0.00032081938,0.15948397,0.00024801627,0.00017875784,0.000050686802,0.5344957,0.0000018396222,0.0022921758,0.0031201185,0.297278,0.00069484144],"about_ca_topic_score_codex":0.000015654285,"about_ca_topic_score_gemma":0.000021382772,"teacher_disagreement_score":0.44364804,"about_ca_system_score_codex":0.000027719056,"about_ca_system_score_gemma":0.000009851922,"threshold_uncertainty_score":0.99997246},"labels":[],"label_agreement":null},{"id":"W3159820902","doi":"10.24908/iqurcp.8754","title":"Body-Mind Centering: An Exploration in Achieving Somatic Awareness for the Classical Ballet Dancer","year":2016,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballet; Classical ballet; Studio; Feeling; Movement (music); Kinesiology; Dance; Improvisation; Psychology; Aesthetics; Visual arts; Art; Medicine; Social psychology; Medical education","score_opus":0.29555834382417656,"score_gpt":0.44963908455687407,"score_spread":0.1540807407326975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159820902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7900154,0.00008844816,0.050975215,0.15136652,0.00085600954,0.002026913,0.0000394343,0.0001258287,0.0045062397],"genre_scores_gemma":[0.9966605,0.00026069235,0.0002058388,0.00009238773,0.00034535036,0.00038619357,0.000008101781,0.00003403748,0.0020069028],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99689543,0.00017600604,0.0004020031,0.00070571894,0.0007542728,0.001066552],"domain_scores_gemma":[0.997794,0.00077802036,0.00014405452,0.00034485332,0.0006973664,0.00024170354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020078633,0.00025115462,0.0003032612,0.0003342083,0.00052012375,0.00043749946,0.0010104203,0.00018496328,0.00016693716],"category_scores_gemma":[0.0006817306,0.00016506464,0.00007854888,0.00045325898,0.0007450991,0.0024576406,0.00027498777,0.00045802238,0.0001639023],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0033750152,0.0018147731,0.086198114,0.00053579436,0.00038196432,0.00004461437,0.058276515,0.000007892425,0.03669284,0.5354752,0.026387371,0.25080994],"study_design_scores_gemma":[0.020262886,0.0077999225,0.21688432,0.0058969785,0.00018176367,0.00007148604,0.1478367,0.009814193,0.011395488,0.45730463,0.11907381,0.003477854],"about_ca_topic_score_codex":0.00016901341,"about_ca_topic_score_gemma":0.000094040035,"teacher_disagreement_score":0.24733208,"about_ca_system_score_codex":0.0002644682,"about_ca_system_score_gemma":0.00026577504,"threshold_uncertainty_score":0.67311406},"labels":[],"label_agreement":null},{"id":"W3165642313","doi":"10.1525/jm.2021.38.2.183","title":"Ballet Fit for a National Theater? Carré, the Critics, and <i>Le Cygne</i> at the Opéra-Comique","year":2021,"lang":"en","type":"article","venue":"Journal of Musicology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Ballet; Carr; Opera; Art; Art history; Classical ballet; Literature; The arts; Visual arts; Dance","score_opus":0.06390184898141803,"score_gpt":0.3270806827159032,"score_spread":0.26317883373448514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3165642313","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8087451,0.0015533913,0.00026983712,0.156285,0.0022290049,0.00017963134,0.00009143545,0.000005551549,0.03064105],"genre_scores_gemma":[0.95462865,0.00006386968,0.00024961896,0.03754375,0.00063310924,0.000006819806,0.000002856008,0.000009646147,0.006861698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914765,0.00021266668,0.00021219403,0.0001055072,0.000132806,0.00018916884],"domain_scores_gemma":[0.9984528,0.00085767906,0.00015811318,0.00012722582,0.00035004786,0.000054175285],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060761074,0.00007854872,0.00017849891,0.000030178087,0.00027135262,0.000039224164,0.0002384494,0.00009627593,0.0010884813],"category_scores_gemma":[0.00024202312,0.00004782476,0.0001131655,0.000054036213,0.00021368185,0.00007485369,0.000095810756,0.00022113841,0.000016598684],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042054942,0.00022540793,0.0015638226,0.000016680046,0.00030394195,0.00012926683,0.0025034565,0.00002053864,0.0022787985,0.040904526,0.9506342,0.0009988147],"study_design_scores_gemma":[0.0022897185,0.00045728116,0.023585288,0.000015293272,0.000075517455,0.0025245962,0.001764555,0.000012017337,0.00058222,0.008944047,0.95965314,0.00009632836],"about_ca_topic_score_codex":0.000013237052,"about_ca_topic_score_gemma":0.00014465733,"teacher_disagreement_score":0.14588353,"about_ca_system_score_codex":0.000045371256,"about_ca_system_score_gemma":0.00017802679,"threshold_uncertainty_score":0.99982464},"labels":[],"label_agreement":null},{"id":"W3166557361","doi":"","title":"Антропологические аспекты современного танца. Беседы с Акрамом Кханом о судьбе, истоках вдохновения и сценическом повествовании : DOI: 10.33876/2311-0546/2021-54-2/157-176","year":2021,"lang":"ru","type":"article","venue":"Вестник антропологии (Herald of Anthropology)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Homeland; Ethnic group; Modernity; History; Postmodernism; Biography; Anthropology; Art; Visual arts; Literature; Sociology; Art history; Philosophy","score_opus":0.02852908059783125,"score_gpt":0.3293926706788799,"score_spread":0.3008635900810486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3166557361","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5233981,0.056016393,0.0013078216,0.05667018,0.039779723,0.003722307,0.004802367,0.0012784819,0.31302464],"genre_scores_gemma":[0.79976666,0.018536733,0.0033623013,0.008106753,0.005239675,0.00012639601,0.0010595226,0.00084466895,0.1629573],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97663766,0.0034744109,0.0049617225,0.005616743,0.0028391606,0.0064702937],"domain_scores_gemma":[0.98332363,0.0018457415,0.0033518057,0.006785563,0.0023036266,0.0023896482],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.002482877,0.0038530412,0.00605914,0.0018161392,0.0023228058,0.0006802681,0.0049473867,0.0047164536,0.3156642],"category_scores_gemma":[0.0017868873,0.004390668,0.0031470316,0.0044756816,0.008916059,0.002134593,0.0028675084,0.0048528886,0.02592139],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0059919693,0.016404686,0.01602577,0.0026040536,0.0073323245,0.008168637,0.014188241,0.00028999313,0.018888244,0.031646255,0.81797147,0.060488336],"study_design_scores_gemma":[0.018814491,0.006660786,0.0336681,0.0018972522,0.0028795574,0.0013133887,0.01815328,0.00022749226,0.023894992,0.0043389504,0.8815968,0.0065549226],"about_ca_topic_score_codex":0.0057479106,"about_ca_topic_score_gemma":0.0017345643,"teacher_disagreement_score":0.2897428,"about_ca_system_score_codex":0.0010787899,"about_ca_system_score_gemma":0.002677736,"threshold_uncertainty_score":0.99897605},"labels":[],"label_agreement":null},{"id":"W3175541144","doi":"","title":"The Style Characteristic and Teaching Analysis of the National Dance in the Dance Teaching","year":2015,"lang":"en","type":"article","venue":"Higher education of social science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Style (visual arts); Inheritance (genetic algorithm); Dance education; Sociology; Life style; Psychology; Aesthetics; Visual arts; Art; Applied psychology","score_opus":0.046181218187803304,"score_gpt":0.3829573605071474,"score_spread":0.3367761423193441,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175541144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8614474,0.00008312345,0.000009951716,0.0027079708,0.0005654366,0.00008064445,0.0000085521115,0.0000031270035,0.13509382],"genre_scores_gemma":[0.99732184,0.0000014744965,0.000040595587,0.00055508665,0.000087791435,0.0000053751723,0.000001055693,0.0000014202553,0.0019853842],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99894273,0.00021268532,0.00013799741,0.00012907592,0.00045455256,0.00012294501],"domain_scores_gemma":[0.99934906,0.00017322527,0.00020984765,0.00013004498,0.00011273791,0.00002509727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022102413,0.00004635158,0.000084360494,0.00007219005,0.00053585455,0.000051256033,0.000587571,0.000022482438,0.000020466468],"category_scores_gemma":[0.00029170906,0.000027300706,0.000031921056,0.0005406063,0.00064113416,0.00021623896,0.00005486549,0.00015800538,0.0000021417356],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015100349,0.00022965242,0.07552251,0.0000037783238,0.000032563566,4.2023736e-8,0.06299231,0.0000051290585,0.0008832847,0.8536601,0.0036647888,0.0029907543],"study_design_scores_gemma":[0.000065905166,0.000011648872,0.98018444,0.000006817721,0.000025485353,2.9933943e-7,0.004950601,0.000015550004,0.0000096269,0.00068754435,0.014008907,0.000033187294],"about_ca_topic_score_codex":0.00029596526,"about_ca_topic_score_gemma":0.000009578482,"teacher_disagreement_score":0.9046619,"about_ca_system_score_codex":0.0000695993,"about_ca_system_score_gemma":0.00019291134,"threshold_uncertainty_score":0.4121414},"labels":[],"label_agreement":null},{"id":"W3177312897","doi":"10.1096/fasebj.2018.32.1_supplement.508.7","title":"The Effectiveness of a Student‐Centered, Experiential Learning Curriculum on Musculoskeletal Anatomy of the Lower Limb Using Yoga Asanas","year":2018,"lang":"en","type":"article","venue":"The FASEB Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kingston Health Sciences Centre; Kingston General Hospital; University of Toronto; Queen's University","funders":"","keywords":"Experiential learning; Curriculum; Flexibility (engineering); Psychology; Physical education; Session (web analytics); Medical education; Medicine; Pedagogy; Computer science","score_opus":0.01945251769879446,"score_gpt":0.34391690996604707,"score_spread":0.3244643922672526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3177312897","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9930782,0.00018927133,0.00013961617,0.000059206173,0.0027188421,0.00016391264,0.0000049584187,0.0000065529844,0.0036394454],"genre_scores_gemma":[0.99948895,0.00001186873,0.000008374747,0.000029207875,0.0003035804,0.0000020598143,3.181326e-7,0.000010891748,0.00014477606],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99767876,0.0012674549,0.00022377024,0.0001253361,0.0004181505,0.0002865169],"domain_scores_gemma":[0.9988403,0.00026250718,0.0003577566,0.0003295247,0.00015360177,0.00005633746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011333309,0.00012832572,0.00017597912,0.000053304157,0.0007914374,0.000054166838,0.00072667055,0.000055626086,0.00042070172],"category_scores_gemma":[0.00010582749,0.000063198,0.00027944427,0.00019911291,0.0005713971,0.00010543811,0.0001755698,0.0004885269,0.00002647251],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.014158605,0.0060240882,0.7763585,0.00012392158,0.003976372,0.000118273696,0.040458206,0.00085797993,0.13281709,0.010574929,0.0037029223,0.01082911],"study_design_scores_gemma":[0.007419921,0.008030117,0.86453986,0.0010603681,0.00058765366,0.0004142226,0.0515198,0.00030199607,0.060770802,0.00040563004,0.004413696,0.0005359336],"about_ca_topic_score_codex":0.00006115512,"about_ca_topic_score_gemma":0.0000054638813,"teacher_disagreement_score":0.08818135,"about_ca_system_score_codex":0.000051908286,"about_ca_system_score_gemma":0.00003782892,"threshold_uncertainty_score":0.6087177},"labels":[],"label_agreement":null},{"id":"W3183335191","doi":"10.21608/eijssa.2020.48542.1054","title":"Lower limb Kinematic analysis to Le Petit Echappe´ by using two different Pointe Training Pointe and Professional Pointe in ballet","year":2021,"lang":"en","type":"article","venue":"International Journal of Sports Science and Arts","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Movement Disorders","funders":"","keywords":"Kinematics; Ballet; Art; Physical medicine and rehabilitation; Medicine; Physics; Visual arts; Dance","score_opus":0.02955924593950676,"score_gpt":0.3384204157654668,"score_spread":0.30886116982596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183335191","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9908747,0.00013806137,0.0007492751,0.0059770183,0.0009760975,0.0000493937,0.000011818259,0.0000036639444,0.0012199854],"genre_scores_gemma":[0.99750876,0.000028594124,0.0006243816,0.0010278982,0.00006579092,5.117797e-7,0.000002315797,0.0000047045432,0.000737062],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998242,0.00002948429,0.0004042092,0.0002602538,0.00082618266,0.00023786479],"domain_scores_gemma":[0.9989672,0.000051574036,0.00025807196,0.00009805508,0.00041221917,0.0002129198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008278551,0.00011853265,0.00027698302,0.00061671773,0.00010511877,0.00014548513,0.00027620065,0.000027697384,0.00052410114],"category_scores_gemma":[0.0001477255,0.0001007625,0.00008914198,0.00039800705,0.00018244893,0.00046393662,0.00015679958,0.00018073486,0.000002948763],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031113601,0.004752368,0.6667597,0.00008731048,0.0029363744,0.012076952,0.05190353,0.0023036385,0.14610574,0.02053578,0.013726931,0.07570031],"study_design_scores_gemma":[0.005577193,0.0006924947,0.9461422,0.0025024924,0.0003600162,0.0043383986,0.023852494,0.004221254,0.0031707385,0.00395503,0.0043043504,0.00088336173],"about_ca_topic_score_codex":0.0000644281,"about_ca_topic_score_gemma":0.000034620465,"teacher_disagreement_score":0.27938247,"about_ca_system_score_codex":0.000069766415,"about_ca_system_score_gemma":0.00019069224,"threshold_uncertainty_score":0.57385397},"labels":[],"label_agreement":null},{"id":"W3183571810","doi":"10.1002/alz.056299","title":"Effects of dancing on cognition and mobility in Spanish‐speaking older Latinos: findings from the BAILA trial","year":2021,"lang":"en","type":"article","venue":"Alzheimer s & Dementia","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Montreal Heart Institute","funders":"","keywords":"Cognition; Psychology; Cognitive psychology; Developmental psychology; Gerontology; Social psychology; Medicine; Neuroscience","score_opus":0.027284046238910325,"score_gpt":0.2847127835113062,"score_spread":0.25742873727239585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183571810","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98858064,0.00850637,0.000042760505,0.00013323598,0.0005687778,0.00035472296,0.000018022583,0.000011869593,0.0017836186],"genre_scores_gemma":[0.99930835,0.000018148472,0.000110972294,0.00045065949,0.00006925306,0.000010509682,0.0000204783,0.0000071597674,0.000004447425],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99903697,0.00019533106,0.00018780629,0.0002622557,0.00014293565,0.00017469475],"domain_scores_gemma":[0.99907357,0.0005900361,0.00008510769,0.00019134505,0.000029235867,0.000030684794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024102356,0.000100641846,0.00016484657,0.000026555936,0.000077017285,0.00003181485,0.00009989233,0.000070912014,0.00051837025],"category_scores_gemma":[0.00010561239,0.000089410634,0.00004908506,0.00011483338,0.000058259393,0.0001252642,0.00007766498,0.00014947311,0.000031168198],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.022207001,0.008520274,0.54308844,0.00013418503,0.03711688,0.0004607457,0.06957741,0.000018830582,0.06639075,0.0055823326,0.01371391,0.23318925],"study_design_scores_gemma":[0.014656055,0.00019935667,0.9156789,0.00013971902,0.0030176004,0.0000012341491,0.00077031984,0.000005978219,0.06468557,0.00034462826,0.0003613951,0.00013923428],"about_ca_topic_score_codex":0.0005099048,"about_ca_topic_score_gemma":0.00013768817,"teacher_disagreement_score":0.37259048,"about_ca_system_score_codex":0.000003640946,"about_ca_system_score_gemma":0.000015907857,"threshold_uncertainty_score":0.5675791},"labels":[],"label_agreement":null},{"id":"W3183609945","doi":"10.1080/13648470.2021.1949943","title":"Yoga bodies, yoga minds: contextualising the health discourses and practices of modern postural yoga","year":2021,"lang":"en","type":"editorial","venue":"Anthropology and Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Oxford","keywords":"Meditation; Alternative medicine; Aesthetics; Psychology; Medical anthropology; Psychotherapist; Sociology; Medicine; Social science; History; Philosophy","score_opus":0.048070791267218076,"score_gpt":0.4406861661961521,"score_spread":0.392615374928934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183609945","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015649812,0.23226394,0.000057103327,0.073065214,0.6720725,0.00038711043,0.0006078781,0.000033943918,0.0058624814],"genre_scores_gemma":[0.28184432,0.09993198,0.00009600811,0.003995603,0.60113126,0.00007496574,0.0011499437,0.00007865223,0.011697278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976148,0.00054355094,0.0004552353,0.0005478694,0.00036111995,0.00047742092],"domain_scores_gemma":[0.9956743,0.0023408064,0.0011980189,0.00042520702,0.00019989739,0.0001617671],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008148533,0.00034506308,0.0010516858,0.00011827138,0.0005965546,0.000020307918,0.0002724805,0.0006511568,0.0015326976],"category_scores_gemma":[0.0017803326,0.00022779717,0.000060862614,0.0000854445,0.005841555,0.00018040193,0.00018500749,0.000994614,0.0000044666135],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057045853,0.00012443463,0.0008327363,0.00017938724,0.00049098197,0.00008003764,0.023152092,2.6246548e-8,0.00001115512,0.0011465505,0.96544516,0.007966968],"study_design_scores_gemma":[0.002576439,0.0025154853,0.0019453772,0.0006334501,0.00044124562,0.00012294085,0.07226168,0.0000016582516,0.00000947491,0.00040843646,0.9188426,0.0002411627],"about_ca_topic_score_codex":0.010005866,"about_ca_topic_score_gemma":0.001881491,"teacher_disagreement_score":0.26619452,"about_ca_system_score_codex":0.00003117782,"about_ca_system_score_gemma":0.00032238546,"threshold_uncertainty_score":0.99938005},"labels":[],"label_agreement":null},{"id":"W3185481745","doi":"10.29173/mm12","title":"Screendance for Adult Dancers:","year":2021,"lang":"en","type":"article","venue":"Movement Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Process (computing); Class (philosophy); Component (thermodynamics); Field (mathematics); Visual arts; Observational study; Through-the-lens metering; Composition (language); Sociology; Multimedia; Computer science; Lens (geology); Art; Engineering","score_opus":0.023271383485444944,"score_gpt":0.2964849631073338,"score_spread":0.27321357962188886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3185481745","genre_codex":"empirical","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47588742,0.0012966043,0.07943715,0.2150603,0.009273258,0.0016366552,0.0011090467,0.00044621198,0.21585333],"genre_scores_gemma":[0.25331044,0.00005040265,0.009446162,0.6341842,0.0004836861,0.00015976287,0.00017507917,0.000057608133,0.10213265],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923396,0.000019866697,0.00011151346,0.0002421461,0.00011506815,0.00027741666],"domain_scores_gemma":[0.9994991,0.0000335888,0.00005012355,0.0002676675,0.00008979715,0.00005976753],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006086896,0.00009152425,0.000109416644,0.000026542293,0.00007461051,0.00003485668,0.00014312855,0.000033887478,0.002464132],"category_scores_gemma":[0.000018874916,0.00010140025,0.00007646563,0.000079189595,0.00003263825,0.000108655535,0.00004297821,0.000050861763,0.0004318506],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009621825,0.00016999009,0.004206374,0.00004107309,0.00013937314,0.000027044754,0.0007711407,0.000009691113,0.0027975293,0.016463319,0.9680574,0.0072208387],"study_design_scores_gemma":[0.006438769,0.00042438786,0.08064147,0.00018387643,0.00010049141,0.0000072445946,0.008935275,0.00006619345,0.023887374,0.0038038061,0.87473667,0.0007744625],"about_ca_topic_score_codex":0.00007588139,"about_ca_topic_score_gemma":0.000021019898,"teacher_disagreement_score":0.41912392,"about_ca_system_score_codex":0.000043099266,"about_ca_system_score_gemma":0.00001518266,"threshold_uncertainty_score":0.9984478},"labels":[],"label_agreement":null},{"id":"W3186145240","doi":"10.1080/13648470.2021.1949961","title":"Bodies in yoga: tangled discourses in Canadian studios","year":2021,"lang":"en","type":"article","venue":"Anthropology and Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Studio; Aesthetics; Sociology; Art; Psychology; History; Visual arts","score_opus":0.028081234195582203,"score_gpt":0.3752154775877766,"score_spread":0.3471342433921944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186145240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8769508,0.012247566,0.0000032265111,0.050972708,0.0012062531,0.000071118084,0.00001207764,0.000008454877,0.058527816],"genre_scores_gemma":[0.9936661,0.0016911039,0.000009703229,0.0020204734,0.000087978304,0.000008075871,0.000009941225,0.0000037038974,0.0025028978],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99918956,0.00008664029,0.00012250818,0.00020541881,0.00004546906,0.00035038154],"domain_scores_gemma":[0.9996245,0.000080224665,0.000022156233,0.00013081844,0.000018904417,0.00012342392],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017078118,0.00008149375,0.00024743218,0.00016756364,0.000082387196,0.0000021474723,0.000059744587,0.00009528649,0.0060011707],"category_scores_gemma":[0.00016902678,0.0000709179,0.000010882809,0.00013380771,0.00094148214,0.000052185133,0.000026304111,0.00016185133,0.000032815322],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064197884,0.00015584625,0.9119096,0.000013636587,0.000058040016,0.0033253846,0.01574811,2.4721552e-7,0.000041595427,0.024340818,0.038082834,0.0062597017],"study_design_scores_gemma":[0.0022260188,0.00028058066,0.87937057,0.00008186805,0.000022983391,0.000106181426,0.056891236,0.000001239813,0.00003932873,0.0007508022,0.060125057,0.00010415636],"about_ca_topic_score_codex":0.39970082,"about_ca_topic_score_gemma":0.8599692,"teacher_disagreement_score":0.46026838,"about_ca_system_score_codex":0.000038747647,"about_ca_system_score_gemma":0.00010070952,"threshold_uncertainty_score":0.9949075},"labels":[],"label_agreement":null},{"id":"W3186656527","doi":"10.3138/ctr.187.007","title":"<i>Is Dearth a Little or a Lot?</i>","year":2021,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Context (archaeology); Visual arts; Perspective (graphical); Style (visual arts); Art; Choreography; Movement (music); Ballet; Sociology; Aesthetics; History","score_opus":0.04713469304971686,"score_gpt":0.30960970006734756,"score_spread":0.2624750070176307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186656527","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009406012,0.41667163,0.000006143689,0.017358627,0.00045006687,0.00023910883,0.00025240378,0.000030687497,0.56405073],"genre_scores_gemma":[0.064300805,0.2706522,0.0006292099,0.4444112,0.00065114093,0.0000583109,0.0001492127,0.00009960721,0.2190483],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907386,0.000097617296,0.00013473626,0.00023430272,0.000082618026,0.0003768857],"domain_scores_gemma":[0.9988875,0.000035671776,0.000032696295,0.0004901288,0.0000482539,0.00050578575],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000119713186,0.00011251291,0.00026164314,0.000039757753,0.00008424189,0.0000262108,0.00018550514,0.00006127127,0.04202861],"category_scores_gemma":[0.000037943246,0.00009674948,0.00012424597,0.0003569016,0.00003349926,0.00006403165,0.000019813007,0.000118717886,0.006210062],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005073069,0.000024955762,0.0008506397,0.00048359172,0.000070848284,0.0007198512,0.00028927476,1.8081124e-8,0.0000017012727,0.0011759789,0.7819497,0.21442837],"study_design_scores_gemma":[0.00015309454,0.000031473286,0.0009762228,0.0012127777,0.000066857756,0.00018254425,0.000102196675,1.388488e-7,0.000010726928,0.000053211887,0.9970828,0.00012793671],"about_ca_topic_score_codex":0.019453352,"about_ca_topic_score_gemma":0.076484084,"teacher_disagreement_score":0.42705256,"about_ca_system_score_codex":0.000072173636,"about_ca_system_score_gemma":0.00068956515,"threshold_uncertainty_score":0.9945637},"labels":[],"label_agreement":null},{"id":"W3187400692","doi":"","title":"Moving Together : Dance and Pluralism in Canada","year":2021,"lang":"en","type":"book","venue":"Wilfrid Laurier University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Pluralism (philosophy); Contemporary dance; Multiculturalism; Concert dance; Modern dance; Indigenous; Visual arts; Ethnic group; Choreography; Ballet; Gender studies; Dance improvisation; Sociology; Aesthetics; Jazz dance; Art; Anthropology; Pedagogy","score_opus":0.016693446670820362,"score_gpt":0.21090314504002264,"score_spread":0.19420969836920227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3187400692","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010317858,0.0011057518,0.000008751241,0.0000790905,0.00067651353,0.00024252375,0.00040842334,0.000037035763,0.987124],"genre_scores_gemma":[0.004939792,0.000080258054,0.000059890557,0.00042855545,0.00009652242,7.3560807e-7,0.00004691935,0.000033370394,0.99431396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828887,0.00014413011,0.0001753982,0.000626005,0.00028891262,0.00047671222],"domain_scores_gemma":[0.99888855,0.00011156881,0.00017406949,0.0005534891,0.000064351276,0.00020799553],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008951696,0.00034545345,0.0004868441,0.00012740666,0.00013395392,0.000041736334,0.0005133376,0.00031463485,0.00037878964],"category_scores_gemma":[0.000011171596,0.00044827064,0.000080523205,0.000026911352,0.00017774252,0.00013560336,0.00045302152,0.0006917037,0.0000062756953],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005459321,0.00008783385,0.0046881307,0.0003268139,0.0009786416,0.012676855,0.011896063,0.000021937423,0.000018815119,0.16355735,0.7917707,0.013430907],"study_design_scores_gemma":[0.00094445486,0.000021095413,0.002338127,0.00028175107,0.0000876173,0.000019029007,0.0011294041,0.0000056295503,0.000015100873,0.00006004101,0.9946078,0.0004899298],"about_ca_topic_score_codex":0.75974315,"about_ca_topic_score_gemma":0.6713654,"teacher_disagreement_score":0.20283711,"about_ca_system_score_codex":0.0007790672,"about_ca_system_score_gemma":0.0016353236,"threshold_uncertainty_score":0.9997969},"labels":[],"label_agreement":null},{"id":"W3192791746","doi":"10.3968/12111","title":"Ritual Practices and Functional Evolution of Sacrificial Dance in “Ying Shen Sai She”","year":2021,"lang":"en","type":"article","venue":"Canadian social science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Faith; Context (archaeology); Appeal; Aesthetics; Folk dance; Sociology; Literature; Art; History; Philosophy; Theology; Law; Political science","score_opus":0.0438486080443434,"score_gpt":0.31219673838409495,"score_spread":0.2683481303397516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3192791746","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85014486,0.00026119954,0.000054578362,0.00072282477,0.0005937696,0.000044575983,0.000034742607,0.0000050982453,0.14813836],"genre_scores_gemma":[0.99921006,0.00000345126,0.00007299581,0.0002400979,0.0001265798,0.0000011964049,0.0000019858323,0.0000019990575,0.0003416475],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991549,0.000046761546,0.00009267171,0.00022449254,0.00019244754,0.00028868453],"domain_scores_gemma":[0.99955183,0.000041249663,0.000091591,0.000070737144,0.00009351027,0.00015107568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036247712,0.000048016747,0.00008613468,0.0001231414,0.00031266978,0.000042680796,0.00012449211,0.00005760934,0.00028794046],"category_scores_gemma":[0.00036755225,0.000060013255,0.000016415877,0.00065847836,0.0004897455,0.0004329018,0.000028337196,0.000111974936,0.000016010305],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005965467,0.00010257365,0.7197895,0.000018371604,0.000017157978,0.000095824136,0.017189438,0.000004404801,0.010419886,0.22898337,0.0050240275,0.018295817],"study_design_scores_gemma":[0.00023376716,0.000020679776,0.97671807,0.000011392385,0.000005888726,0.000008380563,0.01346407,0.000016934491,0.000113468195,0.00044420979,0.00887189,0.00009125209],"about_ca_topic_score_codex":0.042485643,"about_ca_topic_score_gemma":0.08800196,"teacher_disagreement_score":0.2569286,"about_ca_system_score_codex":0.0003792356,"about_ca_system_score_gemma":0.0011867634,"threshold_uncertainty_score":0.96389055},"labels":[],"label_agreement":null},{"id":"W3193600377","doi":"10.1016/j.gerinurse.2021.06.028","title":"Effects of nurse-led square dancing on older patients with mild cognitive impairment combined with depressive symptoms: A pilot study","year":2021,"lang":"en","type":"article","venue":"Geriatric Nursing","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":22,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine; Intervention (counseling); Geriatric Depression Scale; Cognition; Physical therapy; Depression (economics); Montreal Cognitive Assessment; Depressive symptoms; Cognitive impairment; Psychiatry","score_opus":0.0067211302639142234,"score_gpt":0.2561123866813683,"score_spread":0.2493912564174541,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3193600377","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9948382,0.00019544747,0.00032531595,0.000038853872,0.0006493041,0.0017276192,0.000029209581,0.00005736017,0.0021386878],"genre_scores_gemma":[0.99948144,0.0000011828702,0.00009534513,0.00009556506,0.00005656538,0.000045651705,0.00003031816,0.000036035366,0.00015792566],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998052,0.00028930767,0.00022875535,0.00052246364,0.0004590935,0.0004484053],"domain_scores_gemma":[0.9986549,0.0003140906,0.00029153697,0.00030412467,0.0003015071,0.00013381448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007635696,0.00028902647,0.00044670617,0.00017078877,0.00018697043,0.00003873402,0.00014185112,0.00005339692,0.00010903428],"category_scores_gemma":[0.000038662216,0.00024075131,0.000050989598,0.000579276,0.00009727008,0.00015467213,0.000024704063,0.00020331479,0.000021571474],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.03673036,0.06117522,0.8307949,0.0003421969,0.002101168,0.0006398685,0.050845556,0.0000656357,0.00018698756,0.00011732495,0.0016170144,0.015383819],"study_design_scores_gemma":[0.027921056,0.03305899,0.92546344,0.0017685083,0.0007096985,0.000006154104,0.009338087,0.0000018516693,0.0014095937,0.000011682434,0.0000018495701,0.00030907287],"about_ca_topic_score_codex":0.000053156014,"about_ca_topic_score_gemma":0.000008505475,"teacher_disagreement_score":0.094668604,"about_ca_system_score_codex":0.0001459931,"about_ca_system_score_gemma":0.000080321406,"threshold_uncertainty_score":0.9817554},"labels":[],"label_agreement":null},{"id":"W3193652232","doi":"10.1017/s0040557421000284","title":"“Dancing Alone Together”","year":2021,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Bureaucracy; Pandemic; History; Coronavirus disease 2019 (COVID-19); Aesthetics; Political science; Environmental ethics; Art; Medicine; Philosophy; Law; Infectious disease (medical specialty); Disease","score_opus":0.049825249451957286,"score_gpt":0.31170896841124024,"score_spread":0.261883718959283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3193652232","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74271184,0.0006704535,0.00018004028,0.00028732262,0.0008112481,0.000037729384,0.00007911258,0.00006216228,0.2551601],"genre_scores_gemma":[0.985968,0.000015056261,0.00011558943,0.00059418567,0.00009569348,0.0000010266432,0.000045956658,0.000012186889,0.013152302],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989267,0.00041159938,0.00009605818,0.0002013761,0.00010913958,0.00025510546],"domain_scores_gemma":[0.9992827,0.00018969073,0.000029436838,0.00036638838,0.00005622813,0.000075520235],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00052853866,0.000087778404,0.00015236103,0.00002556743,0.00007483122,0.000023168346,0.00014160568,0.00006613564,0.005614641],"category_scores_gemma":[0.00005396099,0.000088095476,0.00005228939,0.00019377212,0.00003702916,0.000073005445,0.000057067005,0.00012062205,0.0021014374],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035979386,0.00057981466,0.8068118,0.000019734967,0.00035356783,0.00043075564,0.0076693273,0.000009149445,0.002689644,0.0017355075,0.09800661,0.0813343],"study_design_scores_gemma":[0.00062720856,0.00005513579,0.9765053,0.000012438667,0.00001374764,0.00002943554,0.00070274144,0.0000018664738,0.0014333524,0.00038766302,0.020059668,0.00017143732],"about_ca_topic_score_codex":0.0019408597,"about_ca_topic_score_gemma":0.00095149555,"teacher_disagreement_score":0.24325617,"about_ca_system_score_codex":0.00001940236,"about_ca_system_score_gemma":0.000036445195,"threshold_uncertainty_score":0.9986755},"labels":[],"label_agreement":null},{"id":"W3196493753","doi":"10.3138/md.64.3.br8","title":"Sunny Stalter-Pace. <i>Imitation Artist: Gertrude Hoffmann’s Life in Vaudeville and Dance</i>","year":2021,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Imitation; Pace; Performing arts; Art; Modernism (music); Aesthetics; Biography; Visual arts; Performance art; Art history; Psychology; Social psychology","score_opus":0.02511507716859222,"score_gpt":0.27663745174815146,"score_spread":0.2515223745795592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196493753","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96431243,0.002441537,0.0029460613,0.0024164768,0.00036693865,0.00012965448,0.000039518505,0.000048975347,0.027298385],"genre_scores_gemma":[0.9916422,0.00015224067,0.00060707843,0.0019176622,0.00005909699,0.000010115508,0.000027084643,0.00001663677,0.005567927],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988866,0.0000963637,0.00018173236,0.0003554397,0.00016018852,0.00031970826],"domain_scores_gemma":[0.9993846,0.00006596366,0.00006544714,0.00029691576,0.000048766502,0.00013834487],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012682872,0.0001323833,0.00020646946,0.00006089179,0.00007652513,0.00008229997,0.000107879954,0.000103713435,0.0003553911],"category_scores_gemma":[0.00008846161,0.00015165027,0.000040176983,0.00015472845,0.00006863028,0.0002873171,0.00008438665,0.00016681761,0.00018352199],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013191298,0.003069047,0.5008696,0.00048267416,0.0005405482,0.002415979,0.09773694,0.0007672273,0.02359288,0.041096788,0.17272036,0.15538885],"study_design_scores_gemma":[0.0062130783,0.0003639319,0.8912925,0.00020762383,0.00006520449,0.000105383406,0.0042580026,0.0037939406,0.0015732698,0.011354849,0.079788394,0.0009838144],"about_ca_topic_score_codex":0.00014879799,"about_ca_topic_score_gemma":0.00040532733,"teacher_disagreement_score":0.3904229,"about_ca_system_score_codex":0.000042982967,"about_ca_system_score_gemma":0.000052055362,"threshold_uncertainty_score":0.61841184},"labels":[],"label_agreement":null},{"id":"W3199310912","doi":"10.23860/dignity.2021.06.05.02","title":"Stories of Survival. Book Review: Stripped, 2nd Edition: Inside the Lives of Exotic Dancers by Bernadette Barton","year":2021,"lang":"en","type":"article","venue":"Dignity A Journal of Analysis of Exploitation and Violence","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; History; Art history","score_opus":0.04245148266609817,"score_gpt":0.3189853451934429,"score_spread":0.27653386252734474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3199310912","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84615004,0.14934176,0.0016941025,0.0011208568,0.00031551768,0.00009885351,0.00016263338,0.0000034472107,0.0011128087],"genre_scores_gemma":[0.92371786,0.07539384,0.00009156931,0.00060706184,0.000033944256,9.351601e-7,0.000017216604,0.0000036818997,0.00013390397],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9984191,0.0003132814,0.00063265656,0.00012047186,0.0004115787,0.00010292214],"domain_scores_gemma":[0.9972821,0.00044649254,0.0011846677,0.00020292087,0.0008148335,0.00006899251],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062082417,0.00009921393,0.0005729193,0.00017407043,0.00006346612,0.00001314133,0.00019880712,0.000038626575,0.0005515649],"category_scores_gemma":[0.00049294264,0.00008002591,0.00026597653,0.0006703004,0.00025296176,0.00044917036,0.000030987943,0.00014839851,9.759531e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00399,0.007072991,0.24241151,0.0066693164,0.04910551,0.00035553327,0.15649834,0.0021485595,0.06075103,0.009024551,0.36262676,0.09934591],"study_design_scores_gemma":[0.007043741,0.0043818206,0.5152788,0.019605108,0.0283241,0.00014546479,0.33352947,0.00023931944,0.05977553,0.0031061417,0.027210087,0.0013604114],"about_ca_topic_score_codex":0.00008679616,"about_ca_topic_score_gemma":0.00003262471,"teacher_disagreement_score":0.33541667,"about_ca_system_score_codex":0.000017444545,"about_ca_system_score_gemma":0.00007068836,"threshold_uncertainty_score":0.6039249},"labels":[],"label_agreement":null},{"id":"W3201352284","doi":"10.1080/14647893.2021.1980529","title":"Dancing after homelessness","year":2021,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Dance; Thematic analysis; Focus group; Psychology; Action (physics); Action research; Pedagogy; Biopsychosocial model; Set (abstract data type); Sociology; Qualitative research; Social psychology; Visual arts; Social science","score_opus":0.11283424836986418,"score_gpt":0.4758227697828666,"score_spread":0.3629885214130024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3201352284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94721395,0.002503477,0.00003838384,0.0015712535,0.0011937293,0.00010727615,0.000004637395,0.00001298302,0.047354303],"genre_scores_gemma":[0.9911191,0.00008372518,0.00022336264,0.00015280054,0.00027167797,0.00008640844,0.000013310033,0.000008013096,0.00804162],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998634,0.00029519893,0.00011012613,0.00027382938,0.0002923426,0.00039452984],"domain_scores_gemma":[0.9991506,0.00013208424,0.000020699872,0.000389764,0.00022219199,0.00008467026],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00069819845,0.000056839646,0.000092240094,0.00018764594,0.000073825366,0.000058672744,0.00018822691,0.00006315797,0.001358838],"category_scores_gemma":[0.00017449389,0.00006535472,0.000021783959,0.00082841865,0.000073337294,0.0002545033,0.00007925892,0.00033419154,0.00078508584],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028117155,0.0026931968,0.55529505,0.00021982576,0.000032556316,0.00024024505,0.02775818,0.0000076217134,0.0022904694,0.025142388,0.042903397,0.34313586],"study_design_scores_gemma":[0.00028068115,0.000031210195,0.9494503,0.00019494,0.0000016361265,0.000009774044,0.0148551,0.0000049932673,0.0011587981,0.0036802161,0.03021961,0.00011274026],"about_ca_topic_score_codex":0.00030946912,"about_ca_topic_score_gemma":0.00019460713,"teacher_disagreement_score":0.39415523,"about_ca_system_score_codex":0.00019338675,"about_ca_system_score_gemma":0.0005446292,"threshold_uncertainty_score":0.9999929},"labels":[],"label_agreement":null},{"id":"W3203598606","doi":"10.1016/j.jaging.2021.100955","title":"Renovate my uterus: Aging queerly through performance art and karaoke","year":2021,"lang":"en","type":"article","venue":"Journal of Aging Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Queer; Heteronormativity; Sociology; Human sexuality; Mainstream; Gender studies; Aesthetics; Reproduction; Art; Political science","score_opus":0.05751145832798353,"score_gpt":0.35102169767018576,"score_spread":0.2935102393422022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203598606","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9614313,0.02333675,0.000100671925,0.004437111,0.0012908153,0.000023295022,0.0000028916015,0.000014023234,0.009363116],"genre_scores_gemma":[0.98109573,0.0074960673,0.0018783876,0.0013799291,0.0003640151,4.895367e-7,4.4478813e-7,0.000010046552,0.0077748727],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991477,0.00004946258,0.00026960424,0.00013046307,0.00017914509,0.00022363735],"domain_scores_gemma":[0.9992465,0.00009153148,0.00024724472,0.00012712652,0.00024720514,0.000040411836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030604296,0.00011558093,0.00030747414,0.0000667868,0.00019253168,0.00005064792,0.00011176711,0.00003000465,0.000058989444],"category_scores_gemma":[0.00006230236,0.00009879486,0.00006734877,0.00013701974,0.00011123791,0.0004988236,0.00009815794,0.00025584584,0.000035704288],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024500152,0.0004735295,0.48017105,0.0006072093,0.0057941237,0.00283049,0.1832582,0.00007409596,0.0014493569,0.0031302352,0.26459792,0.057368774],"study_design_scores_gemma":[0.0036525575,0.0009908014,0.71172863,0.0021443283,0.0004275621,0.0023243146,0.051571347,0.000009382031,0.0039149476,0.0019030129,0.22070758,0.0006255352],"about_ca_topic_score_codex":0.000005570925,"about_ca_topic_score_gemma":0.0000030335036,"teacher_disagreement_score":0.2315576,"about_ca_system_score_codex":0.000036335237,"about_ca_system_score_gemma":0.000027975084,"threshold_uncertainty_score":0.40287375},"labels":[],"label_agreement":null},{"id":"W3203702002","doi":"10.1177/10497323211042869","title":"“Sewing Is Part of Our Tradition”: A Case Study of Sewing as a Strategy for Arts-Based Inquiry in Health Research With Inuit Women","year":2021,"lang":"en","type":"article","venue":"Qualitative Health Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland; University of Alberta; Qaujigiartiit Health Research Centre; University of Guelph","funders":"Canadian Institutes of Health Research","keywords":"The arts; Sewing machine; Indigenous; Focus group; Situated; Flexibility (engineering); Sociology; Visual arts; Engineering; Management; Art; Computer science","score_opus":0.8619686970787686,"score_gpt":0.6889415841884517,"score_spread":0.1730271128903168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203702002","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9914063,0.00035215318,0.00021872681,0.004508441,0.000078489924,0.0023871637,0.00038088157,0.000014112915,0.0006536993],"genre_scores_gemma":[0.99760085,0.000019458957,0.0004251295,0.00057382265,0.000076341,0.00061358855,0.000021832668,0.000031531967,0.0006374181],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9799478,0.014902024,0.0010472125,0.0007344615,0.0017071486,0.0016613716],"domain_scores_gemma":[0.99215084,0.0046974546,0.0003282534,0.00059400627,0.0016835176,0.00054592907],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.034935895,0.00018313524,0.0007793274,0.0010851795,0.0005717406,0.00004827123,0.0002947437,0.00011014791,0.00031044986],"category_scores_gemma":[0.0013017888,0.00018314569,0.000061751794,0.0025854679,0.00038551522,0.00023458901,0.00008689713,0.0011866135,0.000019263432],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018592195,0.003838515,0.001112588,0.0017873491,0.00014069567,0.0006206778,0.9774534,0.000060237777,0.00002513062,0.0029614756,0.005550082,0.004590593],"study_design_scores_gemma":[0.0048467857,0.022445688,0.0027800698,0.000631724,0.0000025007048,0.000038786988,0.9669479,0.000036599795,0.00009398544,0.001709406,0.0003371893,0.00012935768],"about_ca_topic_score_codex":0.01993374,"about_ca_topic_score_gemma":0.0026612938,"teacher_disagreement_score":0.033634108,"about_ca_system_score_codex":0.0010663253,"about_ca_system_score_gemma":0.0068230135,"threshold_uncertainty_score":0.9988074},"labels":[],"label_agreement":null},{"id":"W3205941255","doi":"10.1016/j.ptsp.2021.10.003","title":"Association between pre-participation characteristics and risk of injury amongst pre-professional dancers","year":2021,"lang":"en","type":"article","venue":"Physical Therapy in Sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":21,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Research Canada; University of British Columbia; Alberta Children's Hospital; Arthritis Research Centre of Canada; University of Calgary","funders":"Alberta Children's Hospital Research Institute; Canada Research Chairs","keywords":"Physical therapy; Dance; Medicine; Ankle; Ballet; Odds ratio; Musculoskeletal injury; Prospective cohort study; Cohort study; Surgery","score_opus":0.020592488344945346,"score_gpt":0.3431991431428069,"score_spread":0.32260665479786155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3205941255","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9988413,0.00003226382,0.00001569695,0.00009588614,0.00025703872,0.000115580726,0.00013848621,0.00001325866,0.0004904881],"genre_scores_gemma":[0.9985741,0.00017367296,0.000022312854,0.0000541484,0.00020422638,0.000010609098,0.00005266627,0.000007479737,0.00090079114],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991835,0.00008624935,0.00018950377,0.0001767596,0.00019901112,0.0001649799],"domain_scores_gemma":[0.9993787,0.00010949207,0.0002520048,0.00014597231,0.00006585337,0.00004801606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020802877,0.00008581485,0.00025247302,0.00002795695,0.000040218245,0.0000092065675,0.00006877564,0.00007964271,0.00012773505],"category_scores_gemma":[0.000044840417,0.00008250887,0.000049560826,0.00014704624,0.00004573425,0.0001383138,0.000026595246,0.0001969913,0.000009994358],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024685022,0.00040670016,0.97239417,0.0000067932806,0.00014897503,0.0000018928267,0.003537086,0.0000014023003,0.00084705156,0.00023684524,0.000230938,0.021941299],"study_design_scores_gemma":[0.00052312296,0.00014979,0.9952047,0.000022986897,0.000038562815,8.786732e-8,0.00009491903,0.000020492003,0.0026784672,0.0005544167,0.0006273938,0.00008509618],"about_ca_topic_score_codex":0.00013497726,"about_ca_topic_score_gemma":0.000005209559,"teacher_disagreement_score":0.022810498,"about_ca_system_score_codex":0.000048740385,"about_ca_system_score_gemma":0.00002954152,"threshold_uncertainty_score":0.3364614},"labels":[],"label_agreement":null},{"id":"W3206067979","doi":"10.15353/cjds.v10i2.791","title":"Stepping back: Reflecting on accessibility in integrated dance improvisation","year":2021,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Improvisation; Dance; Citizen journalism; Reflexivity; Dance improvisation; Visual arts; Sociology; Process (computing); Aesthetics; Psychology; Computer science; Art; Concert dance; World Wide Web; Social science","score_opus":0.18290667846742967,"score_gpt":0.42955173589991136,"score_spread":0.2466450574324817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206067979","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9878648,0.0012444967,0.000017845674,0.0028196033,0.0011552435,0.000090341164,0.000021622296,0.0000046310606,0.0067814304],"genre_scores_gemma":[0.9990305,0.000018591263,0.00016710522,0.00041352058,0.00009453605,0.0000013292971,0.0000019972601,0.000006043538,0.00026639938],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9984883,0.00030765415,0.0004708356,0.0002437853,0.0001311812,0.0003582326],"domain_scores_gemma":[0.9985955,0.00030721966,0.00022360684,0.00026766735,0.00037401234,0.00023203528],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009306544,0.00012862236,0.00034642313,0.00009803711,0.00015822686,0.000051412073,0.00020043594,0.00006977094,0.00036993154],"category_scores_gemma":[0.002831623,0.00011900549,0.00009578913,0.0003614111,0.00032078184,0.0003127547,0.00002474746,0.00040773157,0.000024751811],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000110596084,0.00016030844,0.9615883,0.000066110755,0.00016747217,0.000110910136,0.013472903,0.000028557988,0.00011979712,0.00036165508,0.0019921176,0.021821233],"study_design_scores_gemma":[0.00069682463,0.00021299627,0.9468144,0.0002650637,0.000021363252,0.000020220195,0.04902651,0.0000043538826,0.00030919223,0.0010255722,0.0014619068,0.00014156749],"about_ca_topic_score_codex":0.0040924205,"about_ca_topic_score_gemma":0.1515235,"teacher_disagreement_score":0.14743108,"about_ca_system_score_codex":0.0013717146,"about_ca_system_score_gemma":0.0005834564,"threshold_uncertainty_score":0.86395895},"labels":[],"label_agreement":null},{"id":"W3206923558","doi":"10.1108/qmr-01-2021-0011","title":"Studying gendered embodied consumption with poststructuralist feminist hermeneutics","year":2021,"lang":"en","type":"article","venue":"Qualitative Market Research An International Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Embodied cognition; Sociology; Originality; Narrative; Situated; Consumption (sociology); Aesthetics; Context (archaeology); Hospitality; Active listening; Epistemology; Qualitative research; Psychology; Tourism; Social science","score_opus":0.32491631960523465,"score_gpt":0.5395414145751366,"score_spread":0.21462509496990195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3206923558","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8536188,0.00010435429,0.00020712068,0.0016610255,0.0008361254,0.00012540144,0.0001866695,0.000023422961,0.1432371],"genre_scores_gemma":[0.9894468,0.00010199385,0.0018258175,0.0004394158,0.0003778208,0.000007370281,0.000068100155,0.000019193414,0.007713484],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99366885,0.0035693229,0.00032229422,0.00035784897,0.0015665577,0.0005150954],"domain_scores_gemma":[0.9962988,0.00081473484,0.00017512024,0.0002466188,0.0021351415,0.0003295879],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0033254572,0.00015545332,0.00018618279,0.0002831049,0.00052456773,0.0006657634,0.00063739065,0.00007267565,0.011534537],"category_scores_gemma":[0.00062263076,0.00013726593,0.000074190975,0.00020633274,0.00047483688,0.0005429087,0.00015283673,0.0008837586,0.00014605602],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.017251339,0.0026050627,0.14289497,0.00008401147,0.0062936433,0.011277806,0.51425093,0.000018753597,0.0030525306,0.17621611,0.08934728,0.036707573],"study_design_scores_gemma":[0.006085323,0.001805797,0.38487688,0.00022687393,0.00004807171,0.003989312,0.562949,0.000078683486,0.00048644075,0.018446136,0.020411676,0.0005958045],"about_ca_topic_score_codex":0.00006881903,"about_ca_topic_score_gemma":0.00007822412,"teacher_disagreement_score":0.2419819,"about_ca_system_score_codex":0.00036183634,"about_ca_system_score_gemma":0.00030187954,"threshold_uncertainty_score":0.98936903},"labels":[],"label_agreement":null},{"id":"W3207131610","doi":"10.12678/1089-313x.061522b","title":"Injury Rates and Characteristics Associated with Participation in Organized Dance Education: A Systematic Review","year":2022,"lang":"en","type":"review","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta Children's Hospital; University of Calgary","funders":"","keywords":"Dance; CINAHL; Inclusion (mineral); Dance education; Psychology; Medicine; Physical therapy; Psychological intervention; Nursing; Visual arts; Social psychology; Art","score_opus":0.059336795374029326,"score_gpt":0.42326785529853644,"score_spread":0.36393105992450714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207131610","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016324664,0.9955219,0.000007508501,0.00023875435,0.001384086,0.00080928655,0.000013339999,0.000006544629,0.0003861204],"genre_scores_gemma":[0.0019362348,0.99684274,0.000045419365,0.000617015,0.00010388677,0.000035355937,0.0000056787594,0.0000151118975,0.00039855565],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.99665356,0.0005377641,0.0013014799,0.00030420325,0.0009070979,0.00029588223],"domain_scores_gemma":[0.9951247,0.0003197407,0.0036600023,0.00038618306,0.00032577256,0.00018357512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003318729,0.0002605225,0.0023642771,0.00038489082,0.00015066228,0.00003257946,0.0008446744,0.000054834938,0.00031787483],"category_scores_gemma":[0.0066790427,0.00016891888,0.00008308604,0.0026357432,0.00049366226,0.00042779208,0.000105185296,0.0006351149,0.000006185606],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007639711,0.00121287,0.005889428,0.77898115,0.0002567396,0.00015235465,0.00345793,1.6608493e-7,0.000008707603,0.00031024573,0.006206048,0.20344795],"study_design_scores_gemma":[0.00047894366,0.00055661093,0.00761189,0.95090324,0.0017102704,0.0003535426,0.00028669433,0.0000011056844,3.1728925e-7,0.000013498261,0.03782674,0.00025717137],"about_ca_topic_score_codex":0.000009839313,"about_ca_topic_score_gemma":0.0000037231016,"teacher_disagreement_score":0.20319077,"about_ca_system_score_codex":0.0004959326,"about_ca_system_score_gemma":0.0017221268,"threshold_uncertainty_score":0.7995921},"labels":[],"label_agreement":null},{"id":"W3207883703","doi":"10.7939/r3-edd7-5w19","title":"Rewriting Distance/ Mile Zero Dance/Partnership in Edmonton","year":2018,"lang":"en","type":"article","venue":"University of Alberta Library","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Mile; Zero (linguistics); Rewriting; General partnership; Mathematics; Computer science; Geography; Art; Political science; Visual arts; Geodesy; Linguistics; Law; Philosophy","score_opus":0.01820407219756083,"score_gpt":0.2351598832580878,"score_spread":0.21695581106052697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207883703","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4914817,0.000080308644,0.000061351675,0.00070945657,0.00011407956,0.00006673159,0.000006020711,0.000027615226,0.5074527],"genre_scores_gemma":[0.91326594,0.00001857939,0.00043581118,0.00026440527,0.000073976684,7.511761e-8,0.000021780426,0.000010426992,0.08590901],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991181,0.0000729831,0.00011865181,0.00027506452,0.00011028806,0.00030492124],"domain_scores_gemma":[0.9993138,0.0001458586,0.0001035889,0.00031529495,0.0000181046,0.000103391336],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000063651925,0.00011334462,0.00019595354,0.00013379329,0.00011195859,0.000014382093,0.00045805855,0.00011212295,0.005024088],"category_scores_gemma":[0.000021653797,0.00014586712,0.000072567454,0.00029983226,0.000336307,0.000997067,0.00015038512,0.0001395219,0.00039956454],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012719927,0.00051643274,0.4499223,0.000065149216,0.00010421979,0.00018109629,0.05164371,0.0000037212171,0.00014341682,0.07227093,0.4207862,0.0030908484],"study_design_scores_gemma":[0.002828694,0.00049196585,0.3491826,0.00028685876,0.000035295576,0.000009207096,0.01326479,0.000063462416,0.0006683082,0.0016860403,0.63099676,0.0004860041],"about_ca_topic_score_codex":0.0026309867,"about_ca_topic_score_gemma":0.0010268341,"teacher_disagreement_score":0.42178425,"about_ca_system_score_codex":0.000023401746,"about_ca_system_score_gemma":0.000041411524,"threshold_uncertainty_score":0.99588543},"labels":[],"label_agreement":null},{"id":"W3208110791","doi":"","title":"\"A spoke in the wheel\": Understanding experiences of 'Métis Red River Jig' dancers and impacts of the Métis Red River Jig on health and well-being","year":2021,"lang":"en","type":"article","venue":"Journal of Exercise, Movement, and Sport (SCAPPS refereed abstracts repository)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metis; Dance; Indigenous; Narrative; Gender studies; Cultural identity; Sociology; Visual arts; Psychology; Art; Social science; Negotiation; Literature; Ecology","score_opus":0.02283637003772033,"score_gpt":0.27174935387631033,"score_spread":0.24891298383859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208110791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98836315,0.001837342,0.0000070379006,0.00071635435,0.0006042303,0.00027690287,0.000006005126,0.000004801655,0.008184196],"genre_scores_gemma":[0.9949846,0.0041099265,0.00009378234,0.00032713992,0.00007429767,0.0000023829177,0.0000020601497,0.000014011015,0.0003917544],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99756646,0.000117326315,0.0009671865,0.0003204616,0.0006187283,0.0004098079],"domain_scores_gemma":[0.9976539,0.00011670287,0.0015151363,0.00036581766,0.00011848824,0.00022996696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085699855,0.0002509607,0.00066255726,0.00020249671,0.00030615818,0.0000810977,0.00030025106,0.00014096743,0.00004020599],"category_scores_gemma":[0.000045139743,0.00017007862,0.00013575536,0.00027558306,0.00041855697,0.00040608068,0.00009641217,0.00043122531,3.239602e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0048923185,0.0016455844,0.594747,0.00081706315,0.00074976153,0.0013813901,0.3581774,0.00009544693,0.014785179,0.0047659655,0.013689164,0.0042536934],"study_design_scores_gemma":[0.002420592,0.0007870398,0.87259257,0.0017823618,0.00010504887,0.0001582317,0.1138686,0.000004874261,0.0065582483,0.0008534622,0.0006416947,0.00022726889],"about_ca_topic_score_codex":0.00059851847,"about_ca_topic_score_gemma":0.00006165606,"teacher_disagreement_score":0.27784556,"about_ca_system_score_codex":0.0001414232,"about_ca_system_score_gemma":0.00017540914,"threshold_uncertainty_score":0.6935605},"labels":[],"label_agreement":null},{"id":"W3208170682","doi":"10.32920/ryerson.14662602.v1","title":"Sharing dance: a participatory action research project in online community dance education","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Dance education; Outreach; Curriculum; Citizen journalism; Inclusion (mineral); Sociology; Pedagogy; Visual arts; Political science; Art; Social science","score_opus":0.6625861198815656,"score_gpt":0.5831810732204487,"score_spread":0.07940504666111692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208170682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95216894,0.0006604606,0.000057571502,0.0003154781,0.0016559061,0.0005628538,0.00003124428,0.0000707587,0.044476785],"genre_scores_gemma":[0.98672616,0.00016807126,0.00058389583,0.0002600042,0.00022126215,0.00016530874,0.00034364243,0.000019727113,0.011511921],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99682677,0.0015227335,0.00031165942,0.0005132661,0.0003446256,0.00048091973],"domain_scores_gemma":[0.99798715,0.00018724897,0.00013022748,0.0013510743,0.00026356665,0.00008074723],"candidate_categories":["research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0020684332,0.00018570035,0.0002977714,0.0003844736,0.00024072782,0.00014468667,0.0007972675,0.00037433294,0.00067948154],"category_scores_gemma":[0.0003258019,0.00021296706,0.0000739403,0.00048833335,0.00013753395,0.00025820624,0.0014641022,0.0039310157,0.000080099984],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010022438,0.027584054,0.5833625,0.0030321747,0.00046094405,0.000086946835,0.17681417,0.00035040404,0.0016153225,0.0054796687,0.09246249,0.107749045],"study_design_scores_gemma":[0.0005914697,0.00014390811,0.8672254,0.0012687789,0.000025472127,0.000007732668,0.123165496,0.00026769677,0.00032000896,0.00125032,0.005304101,0.0004295848],"about_ca_topic_score_codex":0.0432731,"about_ca_topic_score_gemma":0.013026295,"teacher_disagreement_score":0.2838629,"about_ca_system_score_codex":0.000499715,"about_ca_system_score_gemma":0.0010885682,"threshold_uncertainty_score":0.99836695},"labels":[],"label_agreement":null},{"id":"W3208483986","doi":"10.5114/hm.2022.109069","title":"Reliability of assessing ballet dancers’ postural stability in the unshod and the en pointe relevé position with a smartphone application","year":2021,"lang":"en","type":"article","venue":"Human Movement","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National and Kapodistrian University of Athens; McGill University","keywords":"Ballet dancer; Reliability (semiconductor); Physical medicine and rehabilitation; Physical therapy; Ballet; Psychology; Medicine; Art; Dance","score_opus":0.017608555761021487,"score_gpt":0.2893223294515325,"score_spread":0.27171377369051103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208483986","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9914598,0.00011096867,0.0003286276,0.0026383372,0.000034359527,0.00038252454,0.000011042067,0.000008147442,0.005026178],"genre_scores_gemma":[0.99877465,0.000007756042,0.00014863962,0.00093639514,0.000019721774,0.000027844359,0.000023807192,0.000003734953,0.000057443165],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99881905,0.00045519648,0.00018603474,0.00022425513,0.00018853392,0.0001269472],"domain_scores_gemma":[0.9991999,0.0001725251,0.00010804016,0.00043077662,0.00007054479,0.000018189972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009677811,0.00008113532,0.00013893885,0.000016894943,0.000121490375,0.000037616017,0.00013570138,0.000033837645,0.00011323447],"category_scores_gemma":[0.000030485797,0.000048481554,0.000032459346,0.00011869577,0.00022796034,0.000119529876,0.00005662259,0.00015150396,0.0000024472608],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005034349,0.0045755883,0.47585705,0.00049013016,0.00038607646,0.000053339307,0.22085163,0.00008346709,0.12967147,0.15254615,0.0022637947,0.008186951],"study_design_scores_gemma":[0.0018151075,0.00014811137,0.981066,0.000033817854,0.000024655257,0.0000031068755,0.012323738,0.000022695289,0.0005059745,0.003902567,0.00009323745,0.000060985098],"about_ca_topic_score_codex":0.0009060105,"about_ca_topic_score_gemma":0.00040011684,"teacher_disagreement_score":0.50520897,"about_ca_system_score_codex":0.000081259954,"about_ca_system_score_gemma":0.0000228831,"threshold_uncertainty_score":0.19770204},"labels":[],"label_agreement":null},{"id":"W3208743918","doi":"10.1093/oxfordhb/9780190859565.013.39","title":"The Art of Slouching","year":2021,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Punk; Aesthetics; Framing (construction); Kinesthetic learning; Meaning (existential); Psychology; Musical; Power (physics); Sociology; Social psychology; Visual arts; Art; Pedagogy; History; Art history; Psychotherapist","score_opus":0.03165339094913638,"score_gpt":0.23582697514727843,"score_spread":0.20417358419814205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208743918","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013442572,0.00029421825,0.00009852379,0.000047781487,0.00060039404,0.00015838048,0.00013520646,0.000040679814,0.9984904],"genre_scores_gemma":[0.00072360015,0.00028466905,0.00006195007,0.000054551,0.00006749421,1.4120612e-7,0.000020309786,0.000021105641,0.9987662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990296,0.000048172293,0.00014800509,0.00029200455,0.00023227473,0.00024997632],"domain_scores_gemma":[0.9987282,0.0001576591,0.0002718892,0.0006476394,0.00010551245,0.0000890565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000112207585,0.00021681609,0.00030155948,0.000070903145,0.0002784819,0.00003222903,0.000657418,0.00029870775,0.00039409133],"category_scores_gemma":[0.000008951345,0.0002124672,0.00026080606,0.0000070393517,0.0003001234,0.000059215115,0.00038525404,0.00045056187,0.000011096407],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015091024,0.000013330604,0.000007401762,0.000023681883,0.00038615195,0.00014882586,0.0004128046,9.296907e-7,0.000007902403,0.95734024,0.032286428,0.00922138],"study_design_scores_gemma":[0.00039150627,0.000063989784,0.000045699777,0.00011288285,0.00015941625,0.000008651701,0.000296664,0.0000010766184,0.00004005726,0.00042830812,0.9982488,0.00020293385],"about_ca_topic_score_codex":0.000046507714,"about_ca_topic_score_gemma":0.000023354594,"teacher_disagreement_score":0.9659624,"about_ca_system_score_codex":0.000057979738,"about_ca_system_score_gemma":0.000064183645,"threshold_uncertainty_score":0.8664161},"labels":[],"label_agreement":null},{"id":"W3209386705","doi":"10.1057/s41276-021-00344-1","title":"Dancing among older Latinos: Interweaving health and culture","year":2021,"lang":"en","type":"article","venue":"Latino Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dance; Gerontology; Psychological intervention; Intervention (counseling); Psychology; Health equity; Formative assessment; Latin Americans; Mental health; Population; Cognition; Medicine; Public health; Nursing; Political science; Pedagogy; Environmental health; Psychiatry","score_opus":0.04849434803213489,"score_gpt":0.3632412330575441,"score_spread":0.3147468850254092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209386705","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9594709,0.017357552,0.00007632503,0.0015917685,0.00061540137,0.000093581155,0.000010471115,0.00006978702,0.020714173],"genre_scores_gemma":[0.9854211,0.0004908524,0.0007912196,0.001614274,0.00010975791,0.0000037009934,0.00000495678,0.00000799266,0.0115561085],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99921256,0.00007431127,0.00014617502,0.00023553116,0.00008934212,0.00024207548],"domain_scores_gemma":[0.99954647,0.00007272754,0.000086317785,0.00014878517,0.00006800575,0.00007769938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009890755,0.00011078642,0.0002380653,0.000023181823,0.0002610561,0.00003079502,0.000055804863,0.000042154727,0.000116063704],"category_scores_gemma":[0.0001304726,0.00009866382,0.000035533223,0.00010743498,0.0000972152,0.00013594385,0.00017550972,0.00015062116,0.00002694909],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000080508335,0.000056900582,0.71059346,0.00012147001,0.00032284344,0.00004829308,0.22182281,8.960235e-7,0.000060993796,0.0014340546,0.054411795,0.011118397],"study_design_scores_gemma":[0.0006361844,0.00011346555,0.8845451,0.00040403052,0.00002503755,0.000021224425,0.10521204,0.000005270189,0.000103504964,0.00048707827,0.008252162,0.00019489498],"about_ca_topic_score_codex":0.00006374829,"about_ca_topic_score_gemma":0.000117251606,"teacher_disagreement_score":0.17395161,"about_ca_system_score_codex":0.000030036037,"about_ca_system_score_gemma":0.000016046428,"threshold_uncertainty_score":0.40233937},"labels":[],"label_agreement":null},{"id":"W3209454991","doi":"10.1086/716433","title":"Technique and the Threat of Deethicalization","year":2021,"lang":"en","type":"article","venue":"Signs and Society","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Unobservable; Semiotics; Psychology; Aesthetics; Epistemology; Social psychology; Art; Philosophy","score_opus":0.016755221727511607,"score_gpt":0.2825232133982192,"score_spread":0.2657679916707076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209454991","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7754514,0.006581166,0.079042666,0.008435834,0.00028594883,0.00052527414,0.000049272723,0.00006130652,0.1295671],"genre_scores_gemma":[0.9975921,0.0004599712,0.0005182735,0.00069769676,0.00001350244,0.000002526582,0.000002082625,0.0000017826025,0.0007120728],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9997685,0.000043310636,0.000040796018,0.00006350248,0.000036816633,0.00004709739],"domain_scores_gemma":[0.99981564,0.00005504297,0.000018845427,0.000069954556,0.000026247528,0.000014284054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016424418,0.000026825523,0.00006201075,0.0000020842958,0.00006779533,0.000008707815,0.000024354229,0.000065023465,0.000121462326],"category_scores_gemma":[0.000015013382,0.000018425893,0.0000342798,0.000045851393,0.00020069139,0.000023037841,0.000028745144,0.000060877293,8.335477e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068307825,0.00015056481,0.021024501,0.00009667833,0.00025003124,0.0000051132656,0.060871463,0.0000016231103,0.014162459,0.86886984,0.028121183,0.0063782097],"study_design_scores_gemma":[0.018420624,0.0009702714,0.5116521,0.00029889055,0.0006140508,0.00018968541,0.13093075,0.00048728377,0.04547328,0.22335464,0.06651301,0.0010954104],"about_ca_topic_score_codex":0.000031321095,"about_ca_topic_score_gemma":0.000001614222,"teacher_disagreement_score":0.64551526,"about_ca_system_score_codex":0.0000020591156,"about_ca_system_score_gemma":0.000008150753,"threshold_uncertainty_score":0.13299273},"labels":[],"label_agreement":null},{"id":"W3211148023","doi":"","title":"Older adults' perceptions of participating in community dance and the ways in which it supports physical literacy and embodiment: A case study","year":2021,"lang":"en","type":"article","venue":"Journal of Exercise, Movement, and Sport (SCAPPS refereed abstracts repository)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Psychology; Feeling; Reflexivity; Population; Health literacy; Literacy; Social psychology; Sociology; Pedagogy; Visual arts","score_opus":0.01919404583837146,"score_gpt":0.30022558510737873,"score_spread":0.28103153926900726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211148023","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9973528,0.0005466149,0.000002142256,0.00011697089,0.00013178459,0.00035206004,0.000007328163,0.0000039127785,0.0014863889],"genre_scores_gemma":[0.9994268,0.00023334973,0.000054832395,0.00007302606,0.000048364844,0.000018357232,0.0000025014344,0.000010363128,0.00013242544],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998142,0.00018259409,0.0009209681,0.00021939061,0.00027787816,0.00025717667],"domain_scores_gemma":[0.99847025,0.0001782104,0.0006667448,0.00032153068,0.00020829968,0.00015495041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010022565,0.0001907803,0.00062044,0.00014657901,0.00022634554,0.000092936774,0.00012991276,0.00007838826,0.00003993705],"category_scores_gemma":[0.00004840897,0.00014732922,0.00006660276,0.00021782659,0.00015431193,0.00044347733,0.00012079699,0.0007008603,4.149342e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001079022,0.0046432335,0.7965465,0.00018215059,0.00012456189,0.0044457847,0.19002914,0.00002609166,0.0002840253,0.00010241495,0.00010943818,0.0024276332],"study_design_scores_gemma":[0.004844242,0.00032262964,0.88007194,0.00073004985,0.00013031256,0.00065851636,0.11283276,0.00003759689,0.00014720163,0.00008122321,0.000013805474,0.00012971438],"about_ca_topic_score_codex":0.0028442806,"about_ca_topic_score_gemma":0.00079884526,"teacher_disagreement_score":0.08352544,"about_ca_system_score_codex":0.000029476918,"about_ca_system_score_gemma":0.000054811913,"threshold_uncertainty_score":0.6007911},"labels":[],"label_agreement":null},{"id":"W3211204729","doi":"10.3138/ctr.188.007","title":"How We Gather Now: A Finding Aid","year":2021,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Conversation; Zoom; Space (punctuation); Object (grammar); Visual arts; Sociology; Media studies; World Wide Web; Computer science; Art; Engineering","score_opus":0.04476875524597906,"score_gpt":0.2907787125593575,"score_spread":0.24600995731337844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211204729","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038675952,0.53286034,0.000015383268,0.076100506,0.0005356814,0.00018621549,0.00009119542,0.000024251342,0.38979965],"genre_scores_gemma":[0.11126553,0.45710146,0.0009166057,0.077878,0.00089209864,0.000055863053,0.00012744758,0.00012119968,0.3516418],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910784,0.00010655269,0.000094739415,0.00022534527,0.000078980855,0.0003865676],"domain_scores_gemma":[0.99905473,0.000030665986,0.00003981025,0.00043232754,0.00003360104,0.0004088585],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012699586,0.00011856758,0.00025406975,0.0000541269,0.000094317504,0.000052055355,0.00019892854,0.000067706744,0.00944185],"category_scores_gemma":[0.0000339687,0.00011457762,0.0001345926,0.0002699335,0.000031224794,0.00009216587,0.000019018704,0.00014055907,0.0025562514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000169961,0.000020488864,0.0014285365,0.00066559826,0.00009420827,0.00060858106,0.0002912762,3.3282696e-8,0.0000071573845,0.0043377155,0.6387755,0.35376918],"study_design_scores_gemma":[0.00012864707,0.000014397769,0.0005217456,0.0017822054,0.000060753748,0.000089044246,0.00017842875,1.5429983e-7,0.000009062654,0.00010645597,0.99697447,0.00013464142],"about_ca_topic_score_codex":0.0031106444,"about_ca_topic_score_gemma":0.03479435,"teacher_disagreement_score":0.35819894,"about_ca_system_score_codex":0.00011397021,"about_ca_system_score_gemma":0.0002856142,"threshold_uncertainty_score":0.9982204},"labels":[],"label_agreement":null},{"id":"W3212839789","doi":"","title":"Exploring the Lesbian Landscape of Canada: An analysis of four performance/video pieces by Shawna Dempsey and Lorri Millan","year":2010,"lang":"en","type":"article","venue":"Footnotes","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lesbian; Art; Aesthetics; Geography; Sociology; Gender studies","score_opus":0.05150198230857165,"score_gpt":0.24648216967682604,"score_spread":0.1949801873682544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212839789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99575627,0.00017429942,0.000009120997,0.00031298393,0.0002706344,0.000051962037,0.00011152952,0.000009427566,0.003303772],"genre_scores_gemma":[0.999588,0.000046292986,0.000042846183,0.00007643086,0.000047409707,0.0000030933563,0.000019081153,0.000006229236,0.00017062812],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992739,0.000033595577,0.00015996338,0.00016162121,0.00016803533,0.00020287608],"domain_scores_gemma":[0.99932146,0.00012169707,0.00011492548,0.00031050376,0.00004690069,0.00008451195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002015655,0.00009729084,0.00023426862,0.000104491904,0.00010886171,0.000014331446,0.00025698575,0.000042475804,0.0003899221],"category_scores_gemma":[0.000048254136,0.00007348944,0.00004699345,0.000270378,0.00008875608,0.00016616743,0.000042122207,0.00013141382,0.000002566616],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008091568,0.000053743093,0.9739156,0.000023577233,0.00057712424,0.0000019954475,0.0040777004,0.000068861315,0.0012945349,0.00022290598,0.0041685207,0.015514567],"study_design_scores_gemma":[0.00023476151,0.00015269223,0.98904455,0.000008597511,0.00022601003,0.0000021879443,0.0022643283,0.0004803972,0.0016619295,0.000007428868,0.005809613,0.00010748413],"about_ca_topic_score_codex":0.11859613,"about_ca_topic_score_gemma":0.40335175,"teacher_disagreement_score":0.28475565,"about_ca_system_score_codex":0.0000072727125,"about_ca_system_score_gemma":0.000045388475,"threshold_uncertainty_score":0.8872732},"labels":[],"label_agreement":null},{"id":"W3213272688","doi":"10.3138/tric.42.2.a04","title":"Sexy Seniors and Timid Teens: Examining Sexual Scripts, Gender, and Age Performativity through Theatre","year":2021,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Sociology; Art","score_opus":0.2202496284333365,"score_gpt":0.3818470354926724,"score_spread":0.1615974070593359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3213272688","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70642996,0.026940623,0.0000075121357,0.0049879234,0.00071002694,0.00028121215,0.00040460663,0.000014378043,0.26022378],"genre_scores_gemma":[0.99135894,0.004420923,0.0002861298,0.00061026536,0.00022350921,0.000007682069,0.000033473196,0.000034130357,0.003024958],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99447733,0.0020738067,0.00032910265,0.00070807093,0.00089807174,0.0015136066],"domain_scores_gemma":[0.9977144,0.0010607103,0.000058297577,0.000608144,0.00009425503,0.00046418072],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018687436,0.00031788318,0.00051156845,0.00015148979,0.00050287874,0.00018431,0.00030807592,0.00023383742,0.0009172405],"category_scores_gemma":[0.00004020704,0.00034025806,0.000026807475,0.0006685658,0.0007548652,0.0005855626,0.00058102625,0.0015850093,0.000032795935],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027586252,0.00036135744,0.13322972,0.0014709071,0.0003602122,0.010026512,0.02658643,0.000046841826,0.0005021518,0.00083174714,0.102735296,0.72357297],"study_design_scores_gemma":[0.0042385305,0.000846396,0.12055529,0.00087815704,0.00009232022,0.001402997,0.3509892,0.0009257307,0.00045983278,0.0025492038,0.5159613,0.0011010527],"about_ca_topic_score_codex":0.93302184,"about_ca_topic_score_gemma":0.87659633,"teacher_disagreement_score":0.7224719,"about_ca_system_score_codex":0.0010623808,"about_ca_system_score_gemma":0.003195106,"threshold_uncertainty_score":0.99999607},"labels":[],"label_agreement":null},{"id":"W3213483694","doi":"10.3138/tric.42.2.a06","title":"Spotting the Cougar: Performing Queer Middle-Aging in <i>Cougar for a Year</i>","year":2021,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Queer; Humanities; Art; ESPACE; Ethnology; Philosophy; Sociology; Gender studies","score_opus":0.13979402815881578,"score_gpt":0.381583557905277,"score_spread":0.2417895297464612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3213483694","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59744924,0.026476484,0.000026572703,0.07907335,0.0027875495,0.0011192611,0.00038476815,0.000015201214,0.29266754],"genre_scores_gemma":[0.9902452,0.0007439008,0.00022387189,0.0009414293,0.00046816,0.0000375037,0.0000136503795,0.00003884529,0.0072874436],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99566036,0.0010114678,0.00035285237,0.00047619277,0.00079237105,0.0017067426],"domain_scores_gemma":[0.9967301,0.002250839,0.00005486195,0.0005842419,0.00016421813,0.00021573225],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039863302,0.00018632847,0.00031844317,0.00018065977,0.00035424734,0.000109163724,0.00062095374,0.00013799134,0.0007888241],"category_scores_gemma":[0.00012733975,0.00018600463,0.00007943881,0.0010415365,0.00023153116,0.00019502465,0.0002681056,0.0014279726,0.00006614405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059342023,0.00042446423,0.16599123,0.0014512287,0.00022657878,0.0037492497,0.012463562,0.00071069604,0.00035244477,0.0054962304,0.10963555,0.69890535],"study_design_scores_gemma":[0.0028452163,0.00013322166,0.009832017,0.0020790284,0.00002373738,0.00009654095,0.07386473,0.0015013419,0.0005352832,0.0018534791,0.9068194,0.0004159945],"about_ca_topic_score_codex":0.9615831,"about_ca_topic_score_gemma":0.98435855,"teacher_disagreement_score":0.7971839,"about_ca_system_score_codex":0.0024405844,"about_ca_system_score_gemma":0.0064077987,"threshold_uncertainty_score":0.99922496},"labels":[],"label_agreement":null},{"id":"W3213701836","doi":"10.3167/ghs.2021.140308","title":"Physical Culture Drills and Alberta Girls Stepping Together Across Time","year":2021,"lang":"en","type":"article","venue":"Girlhood Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"MacEwan University","funders":"","keywords":"Girl; Psychology; Gender studies; Photovoice; Sociology; Developmental psychology; Visual arts; Art","score_opus":0.03051904485369756,"score_gpt":0.35855401983824303,"score_spread":0.3280349749845455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3213701836","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94469625,0.005279497,0.0000073504857,0.0016623596,0.00039957918,0.000096048054,0.000037898488,0.000044273518,0.047776718],"genre_scores_gemma":[0.9109514,0.00020266208,0.000107291984,0.0010265779,0.0002771736,0.000007529047,0.000006902231,0.000014489695,0.08740602],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989962,0.00007332096,0.00010639072,0.0003355072,0.0001293644,0.0003592112],"domain_scores_gemma":[0.999408,0.00013793456,0.000050160215,0.0002381113,0.00009814674,0.00006762677],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007505605,0.00016737264,0.00033208152,0.000012906372,0.00026431167,0.000048622594,0.00010615425,0.00007170581,0.00019647292],"category_scores_gemma":[0.00011899823,0.00014269704,0.000073101415,0.00012760083,0.00015196874,0.00013845036,0.00027052598,0.00014681295,0.00084735814],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015658869,0.00099624,0.035258565,0.00014633578,0.0045393426,0.00027277906,0.59485435,0.00000555057,0.0090105655,0.0034685873,0.32356012,0.02773096],"study_design_scores_gemma":[0.009356716,0.0015407943,0.26182964,0.0005762932,0.0007371583,0.00028990555,0.24040924,0.000034554734,0.008717704,0.0044341106,0.46947846,0.002595421],"about_ca_topic_score_codex":0.000042511972,"about_ca_topic_score_gemma":0.00005915922,"teacher_disagreement_score":0.35444513,"about_ca_system_score_codex":0.00001945099,"about_ca_system_score_gemma":0.00001010329,"threshold_uncertainty_score":0.9999306},"labels":[],"label_agreement":null},{"id":"W3214975635","doi":"10.4000/volume.9523","title":"Susan Fast &amp; Craig Jennex, Popular Music and the Politics of Hope","year":2021,"lang":"en","type":"article","venue":"Volume !","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Popular music; Art; Art history; Sociology; Political science; Literature; Law","score_opus":0.027415879478456483,"score_gpt":0.2676853331942389,"score_spread":0.2402694537157824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214975635","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9428823,0.00128651,0.00012466546,0.002300087,0.0004700659,0.00007338827,0.00008343633,0.00001758531,0.052761957],"genre_scores_gemma":[0.9268401,0.000042083455,0.0002140931,0.0008712342,0.000104079925,0.0000012300227,0.000016954227,0.000007839087,0.07190234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993633,0.0000957964,0.00010785715,0.0001373917,0.000098535354,0.00019708816],"domain_scores_gemma":[0.99946165,0.000040862946,0.00005099725,0.00033407385,0.00005313726,0.00005930282],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011956884,0.0000697721,0.00015280166,0.000026719676,0.000092077724,0.000024768307,0.00013280252,0.000057064866,0.0028124442],"category_scores_gemma":[0.00007170811,0.000057616056,0.000056920333,0.00011462234,0.00023403508,0.000055710007,0.00009363065,0.00010048674,0.00023930834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021392971,0.00050704787,0.1304055,0.00010192225,0.00041845808,0.00011069627,0.019863434,0.0000041780418,0.00103231,0.2251437,0.6087971,0.013401763],"study_design_scores_gemma":[0.002509608,0.000087663895,0.15825392,0.00003184828,0.0001037343,0.000070402704,0.00388797,0.000017901508,0.00013254846,0.003572565,0.8311308,0.00020105978],"about_ca_topic_score_codex":0.00042821086,"about_ca_topic_score_gemma":0.00008929408,"teacher_disagreement_score":0.22233371,"about_ca_system_score_codex":0.0000086040245,"about_ca_system_score_gemma":0.00002075455,"threshold_uncertainty_score":0.99809915},"labels":[],"label_agreement":null},{"id":"W3215796473","doi":"10.21091/mppa.2021.4028","title":"Dancers’ Perceptions of Accessibility and Quality of the Relationship with Healthcare Professionals in Quebec","year":2021,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Hôtel-Dieu de Montréal; Centre Hospitalier de l’Université de Montréal","funders":"","keywords":"Dance; Perception; Health care; Inclusion (mineral); Family medicine; Psychology; Quality (philosophy); Medicine; Nursing; Medical education; Social psychology; Political science","score_opus":0.062432477708191624,"score_gpt":0.38797212336694326,"score_spread":0.32553964565875165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215796473","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99519444,0.0003077728,0.000055797587,0.003254214,0.000090265006,0.00016571926,0.00002178258,0.0000049050986,0.00090508617],"genre_scores_gemma":[0.999045,0.000008028827,0.0001978696,0.00009362633,0.000010305208,0.000007368215,0.000004890153,0.0000035728988,0.0006293473],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99843705,0.0003349566,0.00047360858,0.00017920381,0.00043020604,0.00014499543],"domain_scores_gemma":[0.99891794,0.00034445114,0.00025511513,0.000290428,0.00011088541,0.00008120474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010494622,0.00006706193,0.00024622353,0.000036693153,0.00007717512,0.000003199501,0.00016282963,0.00011355202,0.0004462282],"category_scores_gemma":[0.0008858014,0.00004562568,0.00003944041,0.00025448244,0.00046770315,0.00013750412,0.00010399777,0.00028999857,0.0000013687352],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056162986,0.00029238648,0.9839561,0.000637956,0.000011855159,0.000001031455,0.008274632,0.0000029894995,0.00024149052,0.0030098688,0.00006520812,0.003450293],"study_design_scores_gemma":[0.000615574,0.00006233399,0.9936156,0.0010526642,0.000006691829,0.0000035315086,0.0038453164,0.000014956778,0.00023705883,0.0004820789,0.000015554444,0.000048603753],"about_ca_topic_score_codex":0.009979723,"about_ca_topic_score_gemma":0.031724345,"teacher_disagreement_score":0.021744622,"about_ca_system_score_codex":0.000038885577,"about_ca_system_score_gemma":0.00035944302,"threshold_uncertainty_score":0.9966129},"labels":[],"label_agreement":null},{"id":"W3216985289","doi":"10.1353/vpr.2021.0026","title":"Waltzing through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century ed. by Egil Bakka et al","year":2021,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Context (archaeology); Waltz; History; Terminology; Art history; Classics; Art; Literature; Archaeology; Philosophy","score_opus":0.03178354732464529,"score_gpt":0.35726914491532774,"score_spread":0.32548559759068246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216985289","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014604381,0.9025826,0.00008895189,0.04218194,0.002469373,0.00058129634,0.00017901612,0.00008191798,0.03723051],"genre_scores_gemma":[0.07684025,0.824938,0.00025806847,0.096505485,0.00031112088,0.000046358506,0.00024082992,0.000037652546,0.0008222588],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971326,0.00081965525,0.00046903655,0.00053274044,0.0005390307,0.0005069143],"domain_scores_gemma":[0.99880993,0.00015473922,0.00016532779,0.0006528382,0.00009531534,0.000121856785],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009396167,0.000271301,0.00057595794,0.000023492603,0.00019898347,0.00020544072,0.0006993325,0.00009096729,0.004354419],"category_scores_gemma":[0.00041728263,0.0002015344,0.00016869525,0.0006364919,0.00017789869,0.00033566277,0.00016654638,0.00048317903,0.000779781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000232315,0.00057860493,0.010044519,0.0008743845,0.00011091393,0.00037521447,0.003085206,4.6576335e-7,0.00009318666,0.0041073747,0.96828264,0.012424248],"study_design_scores_gemma":[0.00040672097,0.00007370228,0.013895536,0.0017494011,0.000048206493,0.000044289383,0.00017483525,5.8614e-7,0.000015176314,0.0000060350917,0.98334724,0.0002382838],"about_ca_topic_score_codex":0.000101657395,"about_ca_topic_score_gemma":0.000043131105,"teacher_disagreement_score":0.07764464,"about_ca_system_score_codex":0.000046742978,"about_ca_system_score_gemma":0.00016146974,"threshold_uncertainty_score":0.9999982},"labels":[],"label_agreement":null},{"id":"W3217009522","doi":"10.32920/ryerson.14652855.v1","title":"Where flesh meets bone: dance in the modern art museum","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"Social Sciences and Humanities Research Council of Canada; York University","keywords":"Dance; Exhibition; Visual arts; Contemporary dance; Modern dance; Art; Space (punctuation); Modern art; Aesthetics; Sociology; Art history; Performance art; Computer science","score_opus":0.03668286936983015,"score_gpt":0.30574157565188503,"score_spread":0.26905870628205486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217009522","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.106528506,0.0047810962,0.000969956,0.013558857,0.0022584386,0.00044169495,0.00005872603,0.00010010106,0.8713026],"genre_scores_gemma":[0.9414717,0.00057292037,0.0006744379,0.004190277,0.00018867583,0.00004034912,0.000077262244,0.000025112175,0.05275929],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99827844,0.00023866225,0.0002403663,0.0005776666,0.0002893923,0.0003754507],"domain_scores_gemma":[0.99850625,0.000091329166,0.00011520311,0.0011816666,0.000045163135,0.000060364524],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035415622,0.00024977082,0.00034724406,0.00007554199,0.000056357792,0.00016010222,0.00086455786,0.00038609587,0.0044445507],"category_scores_gemma":[0.000032297925,0.00020284548,0.00016457801,0.00012491104,0.00007271821,0.00011565885,0.00059094676,0.0009460638,0.00084966567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001194896,0.0010510108,0.0064154873,0.0002762225,0.00026485306,0.000977858,0.033070814,0.00043269055,0.00007767755,0.01193218,0.9356097,0.009772046],"study_design_scores_gemma":[0.0035941764,0.00023339194,0.17916588,0.0017786596,0.00022847648,0.00023386076,0.025841108,0.000980809,0.000107882064,0.015013768,0.77029914,0.0025228262],"about_ca_topic_score_codex":0.00063786743,"about_ca_topic_score_gemma":0.001598897,"teacher_disagreement_score":0.8349432,"about_ca_system_score_codex":0.00004980955,"about_ca_system_score_gemma":0.00007936044,"threshold_uncertainty_score":0.9999283},"labels":[],"label_agreement":null},{"id":"W3361517","doi":"10.21091/mppa.2012.3026","title":"Electromyographic Comparison of Grand Battement Devant at the Barre, in the Center, and Traveling","year":2012,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Trunk; Ballet; Electromyography; Physical medicine and rehabilitation; Medicine; Dance; Physical therapy; Art","score_opus":0.032244135179122634,"score_gpt":0.3231177152900463,"score_spread":0.2908735801109237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3361517","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9931401,0.003267874,0.000100588615,0.0010909453,0.00017503637,0.00020710903,0.000004577453,0.0000050780536,0.0020086742],"genre_scores_gemma":[0.99959755,0.000100478566,0.000040566993,0.000162177,0.000038513273,0.000009333859,0.0000042616716,0.000004838767,0.000042267744],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9985964,0.00013568011,0.0003587695,0.00011539974,0.00044197406,0.00035183056],"domain_scores_gemma":[0.9993824,0.0001959974,0.00013107732,0.00017829513,0.000017574419,0.00009470039],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016959922,0.00009347122,0.00020603517,0.000048720845,0.00011693739,0.0000067356937,0.00024835704,0.000069916554,0.00035393224],"category_scores_gemma":[0.00008420565,0.00005412767,0.000046252506,0.00013668319,0.00030275484,0.000081607745,0.00006987624,0.0002604933,0.000008640053],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007591194,0.0006724761,0.93833226,0.00014633489,0.00005058459,0.000001870502,0.022175202,0.0000031232255,0.0006236342,0.00091222033,0.0016856611,0.035320707],"study_design_scores_gemma":[0.002803339,0.0006487035,0.9781626,0.00050235353,0.00006570314,0.000082149905,0.0035336358,0.00041111655,0.0017350635,0.0002904883,0.011562497,0.00020233478],"about_ca_topic_score_codex":0.00017279737,"about_ca_topic_score_gemma":0.00026852265,"teacher_disagreement_score":0.039830342,"about_ca_system_score_codex":0.000014686615,"about_ca_system_score_gemma":0.000016448388,"threshold_uncertainty_score":0.38753098},"labels":[],"label_agreement":null},{"id":"W343685342","doi":"10.31274/rtd-180813-16633","title":"Carnaval in Brazil, samba schools and African culture: a study of samba schools through their African heritage","year":2007,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Geography","score_opus":0.028374558303683094,"score_gpt":0.35016818268801303,"score_spread":0.32179362438432996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W343685342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79075336,0.001416199,0.000010208882,0.0000756259,0.0005771069,0.0010985128,0.0001302364,0.00006983271,0.20586893],"genre_scores_gemma":[0.97962755,0.00018128776,0.000323579,0.00020833306,0.00012295222,0.000037980008,0.00017521175,0.000056220426,0.019266862],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9970613,0.00025273382,0.00069532095,0.0008272376,0.00050571054,0.00065765897],"domain_scores_gemma":[0.9983636,0.000101653546,0.0004816363,0.00067545427,0.00017280162,0.00020485304],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00042398265,0.00058552827,0.0010040867,0.0003587597,0.00013663081,0.000108141656,0.0006277053,0.00059908116,0.00059554423],"category_scores_gemma":[0.00012596279,0.00051619223,0.00016238115,0.00078891206,0.00008212655,0.0004437687,0.00008910998,0.0012912886,0.00007522691],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008338978,0.0124959,0.14991125,0.000664003,0.0033711279,0.0005949775,0.7103145,0.000008106549,0.004782236,0.0058963373,0.072910465,0.030712118],"study_design_scores_gemma":[0.002820885,0.0015823576,0.3560664,0.0002044035,0.00012719938,0.000009203442,0.634124,5.9547637e-7,0.000234748,0.00034395492,0.003899841,0.0005864136],"about_ca_topic_score_codex":0.010901774,"about_ca_topic_score_gemma":0.010096284,"teacher_disagreement_score":0.20615517,"about_ca_system_score_codex":0.00012516162,"about_ca_system_score_gemma":0.00011651405,"threshold_uncertainty_score":0.999729},"labels":[],"label_agreement":null},{"id":"W4200275662","doi":"10.7592/methis.v22i27/28.18450","title":"Performativity of Gender by Early Modern Dancers on and off Stage. The Case of Elmerice Parts and Gerd Neggo / Soo performatiivsus esimeste moderntantsijate loomingus ja elus. Elmerice Partsi ja Gerd Neggo juhtumiuuring","year":2021,"lang":"et","type":"article","venue":"Methis Studia humaniora Estonica","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Art","score_opus":0.04531456063063161,"score_gpt":0.31061618235577104,"score_spread":0.26530162172513944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200275662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9637122,0.016783794,0.00017840596,0.00029581817,0.00059413596,0.0008212491,0.0008037716,0.000052925316,0.016757676],"genre_scores_gemma":[0.9902224,0.006460234,0.00044884707,0.00053532765,0.000090334805,0.000031205494,0.00002325613,0.000093189185,0.0020952302],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9939888,0.0013938535,0.0013458659,0.0012119173,0.0008009094,0.0012586312],"domain_scores_gemma":[0.9948847,0.0011560139,0.001519589,0.0016034916,0.0004350514,0.0004011368],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0018146032,0.0009306074,0.0016808582,0.00022072451,0.0013085142,0.00024283111,0.0006791439,0.00041458706,0.00034028315],"category_scores_gemma":[0.0002582414,0.0008729135,0.00031284016,0.0005055968,0.0014691005,0.0010567808,0.0009965183,0.0014807723,0.000049511353],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00626894,0.0073049827,0.039429914,0.007595972,0.010243164,0.006904986,0.7431209,0.004234945,0.010209186,0.0063522924,0.013933898,0.14440082],"study_design_scores_gemma":[0.06454707,0.024085995,0.38693073,0.004418402,0.017408518,0.010542386,0.22525072,0.08132477,0.048274823,0.0029898349,0.116836816,0.017389933],"about_ca_topic_score_codex":0.0013097274,"about_ca_topic_score_gemma":0.0001646193,"teacher_disagreement_score":0.5178702,"about_ca_system_score_codex":0.00022486699,"about_ca_system_score_gemma":0.00048488253,"threshold_uncertainty_score":0.99999166},"labels":[],"label_agreement":null},{"id":"W4200323771","doi":"10.3138/cjh.56-3-2021-0030","title":"Black Women Dancers, Jazz Culture, and “Show Biz”: Recentering Afro-Culture and Reclaiming Dancing Black Bodies in Montréal, 1920s–1950s","year":2021,"lang":"en","type":"article","venue":"Journal of History","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Jazz dance; Dance; Black music; Narrative; Sociology; Visual arts; Art; Aesthetics; Gender studies; Literature; Concert dance; Movement (music)","score_opus":0.022630846534073316,"score_gpt":0.24771498524123417,"score_spread":0.22508413870716085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200323771","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89096695,0.08962479,0.000029471536,0.0004560156,0.0011959419,0.000064562824,0.000009950615,0.000013385098,0.017638944],"genre_scores_gemma":[0.93487483,0.022411784,0.0020762081,0.0014457961,0.00060639053,0.0000026593727,0.0000045543165,0.000042466716,0.038535286],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873847,0.00012125529,0.00036308626,0.00023831034,0.0002091336,0.0003297421],"domain_scores_gemma":[0.99915,0.0000396473,0.00034655648,0.00016405663,0.00011759011,0.00018217288],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034552685,0.00018079333,0.00041195477,0.00015559452,0.00011401246,0.000042013336,0.00014368082,0.00014052456,0.00019804618],"category_scores_gemma":[0.000114317416,0.00017078358,0.00007085203,0.000086021,0.00021583748,0.0005080914,0.00009163918,0.0005515466,0.000009695766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010885571,0.00038880488,0.03235009,0.00032916787,0.0004890066,0.0027697189,0.4894416,0.00007580074,0.023699714,0.00031745087,0.43854868,0.010501378],"study_design_scores_gemma":[0.002689152,0.0004459907,0.038286354,0.00067464134,0.00007007919,0.0006135511,0.066067085,0.00001756262,0.00023362681,0.00020822944,0.890328,0.00036575765],"about_ca_topic_score_codex":0.00005743469,"about_ca_topic_score_gemma":0.00011330898,"teacher_disagreement_score":0.45177928,"about_ca_system_score_codex":0.0008932884,"about_ca_system_score_gemma":0.00006804381,"threshold_uncertainty_score":0.6964352},"labels":[],"label_agreement":null},{"id":"W4200413164","doi":"10.12678/1089-313x.031522e","title":"Correlations between Physical Activity Level, Quality of Life, and Cognitive Performance in Elderly Individuals Engaging in Multi-Year Dance Activities","year":2021,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Montreal Cognitive Assessment; Quality of life (healthcare); Amateur; Cognition; Dance; Physical activity; Gerontology; Psychology; Observational study; Physical therapy; Medicine; Cognitive impairment","score_opus":0.1508620753832186,"score_gpt":0.40837362815543454,"score_spread":0.25751155277221593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200413164","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99637747,0.00036576082,0.0012647763,0.0004987647,0.00026957682,0.00009073492,0.000031969925,0.0000039096626,0.0010970199],"genre_scores_gemma":[0.9991344,0.00008633777,0.00051355065,0.00006898243,0.00011051848,0.0000014193463,8.203504e-7,0.0000048083584,0.0000791644],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9980116,0.00029373667,0.00044709293,0.00026372852,0.000666164,0.0003176752],"domain_scores_gemma":[0.99771833,0.0010673665,0.0006507429,0.00016130645,0.00024835562,0.00015389723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002445521,0.00013432739,0.00058161473,0.00034931858,0.0001305757,0.000020237941,0.00031127137,0.000043961878,0.000026105678],"category_scores_gemma":[0.0023054222,0.00011968326,0.000041033036,0.0010991597,0.0012800081,0.0013572696,0.0000993784,0.0007162115,0.0000019129743],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008549764,0.00030404664,0.96244174,0.00004388069,0.000017868642,0.000011821516,0.013652042,0.000023367156,0.002663834,0.00012824991,0.000015028751,0.020612612],"study_design_scores_gemma":[0.0026520046,0.00033510732,0.98257655,0.000726229,0.000021703258,0.000013690977,0.012144795,0.00009666937,0.0012513804,0.0000535252,0.000015781245,0.00011257205],"about_ca_topic_score_codex":0.0001256746,"about_ca_topic_score_gemma":0.000059624705,"teacher_disagreement_score":0.020500042,"about_ca_system_score_codex":0.00007103544,"about_ca_system_score_gemma":0.00041735786,"threshold_uncertainty_score":0.48805416},"labels":[],"label_agreement":null},{"id":"W4205245438","doi":"10.12987/9780300133431","title":"Nutcracker Nation","year":2017,"lang":"en","type":"book","venue":"Yale University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Ballet dancer; Art; Contemporary dance; Modern dance; Art history; History; Humanities; Literature","score_opus":0.05839297470872453,"score_gpt":0.2641488257784876,"score_spread":0.20575585106976305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205245438","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009631242,0.0000946791,0.000070818445,0.000031076906,0.001289834,0.00027451396,0.0003389837,0.00013485133,0.9976689],"genre_scores_gemma":[0.00039751857,0.000024345927,0.000051804218,0.000089217516,0.00028564676,3.9316046e-7,0.00010252933,0.000026975567,0.9990216],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988092,0.00006696545,0.0001025503,0.00044679645,0.00026253,0.00031193712],"domain_scores_gemma":[0.9984409,0.000054515527,0.00033858416,0.00090255967,0.00011960493,0.0001437884],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000096050695,0.00026611474,0.00030982532,0.00016315079,0.00042848953,0.00007623382,0.0010270714,0.00058470276,0.00060882],"category_scores_gemma":[0.000013898354,0.00034156052,0.00019588323,0.0000048862075,0.00028675722,0.00018556799,0.0003355556,0.0004922131,0.00063951814],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015931338,0.000041878462,0.000017639873,0.0000469298,0.0002765425,0.000346057,0.0008716022,4.2709766e-7,0.0000027616531,0.24690297,0.74577767,0.005556207],"study_design_scores_gemma":[0.00083691935,0.00006352471,0.000267672,0.00010083538,0.00017646507,0.0000078880685,0.00007239269,0.0000018334899,0.000012488742,0.00034266294,0.9977681,0.0003492386],"about_ca_topic_score_codex":0.00048205085,"about_ca_topic_score_gemma":0.000026562757,"teacher_disagreement_score":0.2519904,"about_ca_system_score_codex":0.00024242199,"about_ca_system_score_gemma":0.0001629063,"threshold_uncertainty_score":0.9999036},"labels":[],"label_agreement":null},{"id":"W4205325654","doi":"10.52086/001c.32006","title":"Learning to Dance: On Teaching Form Poetry","year":2003,"lang":"en","type":"article","venue":"TEXT","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Vancouver Island University","funders":"","keywords":"Biography; Poetry; Style (visual arts); Dance; Class (philosophy); Creative writing; Visual arts; Literature; Rhyme; Art; Pedagogy; Mathematics education; Psychology; History; Philosophy","score_opus":0.02440413295676094,"score_gpt":0.3177521360177727,"score_spread":0.2933480030610118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205325654","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5054715,0.000019890958,0.00014256137,0.00015542949,0.00026945324,0.00003854724,0.0000010295963,0.000041164167,0.4938604],"genre_scores_gemma":[0.9395893,0.0000010799193,0.00028856716,0.001788895,0.000054854543,0.0000017768155,0.0000011802772,0.0000083791265,0.058265917],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940145,0.00006042354,0.00006158163,0.00015043568,0.00009343252,0.00023267494],"domain_scores_gemma":[0.99966985,0.00005028107,0.000025766647,0.00016652074,0.000007727454,0.00007986447],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020181637,0.000070627626,0.000079299294,0.00005396869,0.00015701348,0.000020295955,0.00011389203,0.00004735607,0.0024327126],"category_scores_gemma":[0.00015912585,0.00007086959,0.00003114248,0.000067884226,0.000012421023,0.00007617534,0.00001815047,0.00029055547,0.009012576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025476087,0.0005745589,0.052402902,0.000020439036,0.00010121632,0.0000691516,0.049661145,0.00018640042,0.0012736451,0.27237308,0.29488906,0.32819363],"study_design_scores_gemma":[0.00059381506,0.00068490894,0.06743447,0.000038432212,0.000007719847,0.000011690558,0.004823189,0.00000350656,0.00030383308,0.00048602355,0.92540157,0.00021086942],"about_ca_topic_score_codex":0.000028546343,"about_ca_topic_score_gemma":0.0000015741296,"teacher_disagreement_score":0.6305125,"about_ca_system_score_codex":0.000032533753,"about_ca_system_score_gemma":0.000006947548,"threshold_uncertainty_score":0.9984792},"labels":[],"label_agreement":null},{"id":"W4205510079","doi":"10.26522/ti.v9i1.2449","title":"Crisscross","year":2020,"lang":"en","type":"article","venue":"ti<","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.08854311180284684,"score_gpt":0.3293376425024264,"score_spread":0.24079453069957957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205510079","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38529545,0.00013015492,0.00023514415,0.006635446,0.00031932222,0.000036611404,0.000013928438,0.000087186076,0.60724676],"genre_scores_gemma":[0.986621,0.0000011598952,0.000060064678,0.0058364137,0.00011684161,4.1860307e-7,0.000001482397,0.0000029011387,0.0073596905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997611,0.000008315697,0.000029222254,0.000072076815,0.00003785328,0.000091418704],"domain_scores_gemma":[0.9998428,0.0000073823617,0.000010060714,0.00007022135,0.000005897641,0.000063586],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000016809932,0.000027708606,0.00004030805,0.0000048894667,0.000026291405,0.000009854426,0.00009079607,0.00002136588,0.0072241304],"category_scores_gemma":[0.000013013432,0.000027760958,0.000018708408,0.000044682667,0.000019700148,0.000039873037,0.000021044942,0.000047259433,0.012287717],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007603138,0.00004729764,0.008954953,0.000005740356,0.000025890073,0.00004516653,0.0077369334,9.501674e-7,0.00042854706,0.009998289,0.96260375,0.010076444],"study_design_scores_gemma":[0.00048232716,0.00014768563,0.08537046,0.0000021442227,0.0000071570958,0.0000028402567,0.00071910763,0.000007000433,0.00034251885,0.00017367097,0.9126562,0.000088869645],"about_ca_topic_score_codex":0.000025643338,"about_ca_topic_score_gemma":4.030967e-7,"teacher_disagreement_score":0.6013256,"about_ca_system_score_codex":0.0000025670042,"about_ca_system_score_gemma":0.0000032578864,"threshold_uncertainty_score":0.9936834},"labels":[],"label_agreement":null},{"id":"W4205551287","doi":"10.7202/1085315ar","title":"Walking as Embodied Territorial Acknowledgment: Thinking about Place-Based Relationships from the Side of the Road","year":2022,"lang":"en","type":"article","venue":"Performance Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Regina","funders":"","keywords":"Acknowledgement; Embodied cognition; Kinship; Sociology; Treaty; Political science; Epistemology; Law; Anthropology; Computer security","score_opus":0.02412015215003827,"score_gpt":0.2527954271396709,"score_spread":0.22867527498963264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205551287","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97048295,0.00012506972,0.000012811089,0.005379871,0.0055265957,0.00022915886,0.000064108746,0.000038020746,0.018141432],"genre_scores_gemma":[0.99508053,0.0000028739323,0.000041798357,0.0036814176,0.0003752758,0.000028058796,0.000020503468,0.00001366979,0.00075586734],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986548,0.00030265047,0.00021428472,0.0001887305,0.00039457533,0.0002449843],"domain_scores_gemma":[0.99897695,0.00027468946,0.00021178644,0.00048232946,0.000023115159,0.000031140517],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005434714,0.00012208916,0.00013285653,0.000043832533,0.0011783674,0.000043101587,0.00079059484,0.00004431029,0.0017833504],"category_scores_gemma":[0.000044913682,0.000087661996,0.000098631885,0.00018305652,0.00011369471,0.00014817268,0.00023640002,0.00053425314,0.00018897996],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012517214,0.00034217938,0.7235306,0.000058882746,0.00032031428,0.000006756982,0.08510127,0.007348202,0.0005942975,0.001875589,0.17085081,0.00871939],"study_design_scores_gemma":[0.0021393166,0.00014979734,0.9082037,0.00015596757,0.00010652212,0.0000047996327,0.0073218467,0.0010357243,0.00064650824,0.0004933839,0.079454385,0.00028803138],"about_ca_topic_score_codex":0.0006213064,"about_ca_topic_score_gemma":0.000060080987,"teacher_disagreement_score":0.18467315,"about_ca_system_score_codex":0.00012052841,"about_ca_system_score_gemma":0.000058006586,"threshold_uncertainty_score":0.9991292},"labels":[],"label_agreement":null},{"id":"W4205680409","doi":"10.7202/1085317ar","title":"Dancing With Land: An Asynchronous Artist Panel","year":2022,"lang":"en","type":"article","venue":"Performance Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Dance; Articulation (sociology); The arts; Visual arts; Politics; Performing arts; Sociology; Opera; Art; Art history; Political science; Law","score_opus":0.02343468900884981,"score_gpt":0.2445936904588398,"score_spread":0.22115900144998998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205680409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9879776,0.000029460754,0.00015208343,0.00090166286,0.00041223163,0.00009505344,0.000025820096,0.00008310763,0.010322937],"genre_scores_gemma":[0.99358046,0.0000026219427,0.00016998526,0.004704884,0.00006476157,0.000026635116,0.000026292855,0.000015993206,0.0014083371],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9991506,0.000041302013,0.00009145217,0.00020781043,0.00018923459,0.0003196017],"domain_scores_gemma":[0.99955344,0.000011844016,0.00006165057,0.0002852533,0.000009903382,0.0000778776],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013815906,0.00010420344,0.00011257601,0.00006595085,0.00038620722,0.000030589264,0.00024891424,0.000016685255,0.0037842975],"category_scores_gemma":[8.539644e-7,0.00009960016,0.00002082655,0.00012420217,0.000056569195,0.00027439615,0.00007488429,0.00019493721,0.00035227262],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008426162,0.0004624394,0.91500956,0.000065265645,0.000118249416,0.0001450768,0.018194351,0.0031463972,0.00030779187,0.00020261065,0.034254048,0.027251584],"study_design_scores_gemma":[0.0018315897,0.0019589737,0.9339955,0.000023673021,0.00004069973,0.00033757946,0.0051693683,0.00090751686,0.00015151991,0.000017311622,0.05506422,0.0005020733],"about_ca_topic_score_codex":0.00024491703,"about_ca_topic_score_gemma":0.000019478066,"teacher_disagreement_score":0.026749512,"about_ca_system_score_codex":0.000078148674,"about_ca_system_score_gemma":0.000019991456,"threshold_uncertainty_score":0.9971264},"labels":[],"label_agreement":null},{"id":"W4206814282","doi":"10.1177/16094069211066169","title":"Fat Studies and Arts-Based Approaches: Positioning the Need for “Movement”","year":2021,"lang":"en","type":"article","venue":"International Journal of Qualitative Methods","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Temporality; Temporalities; The arts; Field (mathematics); Intersection (aeronautics); Sociology; Visual arts; Space (punctuation); Data science; Computer science; Epistemology; Art; Geography; Political science; Cartography; Mathematics","score_opus":0.7640351413374132,"score_gpt":0.6527791817121256,"score_spread":0.11125595962528767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206814282","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05296913,0.0054608006,0.90952605,0.02707634,0.002061599,0.00012302796,0.000049235656,0.0000064668725,0.0027273577],"genre_scores_gemma":[0.23975556,0.00006201327,0.7518593,0.006419366,0.000534627,0.00001492908,0.0000095320665,0.0000131011,0.0013315614],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.997796,0.0014429522,0.00030627317,0.000107126485,0.00024381785,0.0001038278],"domain_scores_gemma":[0.9946667,0.0040000305,0.00035426905,0.00007044533,0.00086924253,0.000039325158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037367975,0.000083820094,0.00019114157,0.00008816463,0.00010108117,0.000058465048,0.00019429102,0.000028934224,0.00008151508],"category_scores_gemma":[0.0014647418,0.000059138954,0.00013052885,0.000074788935,0.00016092534,0.00016053606,0.000043955257,0.00013701392,0.0000018948166],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017821521,0.0005124939,0.001057658,0.00007725919,0.008127784,0.00009727997,0.36580616,0.00025321235,0.008623703,0.4689313,0.012953752,0.13177724],"study_design_scores_gemma":[0.0055889688,0.0009554268,0.0075017274,0.00037266169,0.0003079433,0.00011858161,0.7227648,0.00026130537,0.02221034,0.21862522,0.02097761,0.0003154403],"about_ca_topic_score_codex":0.0000050085923,"about_ca_topic_score_gemma":0.0000014020876,"teacher_disagreement_score":0.3569586,"about_ca_system_score_codex":0.000059393864,"about_ca_system_score_gemma":0.000038462375,"threshold_uncertainty_score":0.24116166},"labels":[],"label_agreement":null},{"id":"W4210346046","doi":"10.3138/ctr.189.016","title":"Queering Actor Training and Supporting Gender Dissidence","year":2022,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Subversion; Queer theory; Gender studies; Sociology; Aesthetics; Feminism; Realism; Work (physics); Visual arts; Art; Political science; Politics; Engineering; Law","score_opus":0.07700913827265043,"score_gpt":0.3232223902487708,"score_spread":0.24621325197612037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210346046","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06781555,0.5479295,0.000041888026,0.01009525,0.001351638,0.000957219,0.00037298977,0.00011280904,0.37132317],"genre_scores_gemma":[0.990533,0.002988711,0.000050647763,0.005448158,0.000054088767,0.00002288001,0.000012110448,0.000015174692,0.0008752529],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991032,0.00009492468,0.00014100068,0.00019686167,0.00009042358,0.00037360482],"domain_scores_gemma":[0.9993398,0.00003591506,0.000060153223,0.00019646058,0.00000767424,0.0003599647],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037147198,0.000091547015,0.00019623902,0.000059494214,0.00028657238,0.000018906358,0.00018098319,0.000019773925,0.008559117],"category_scores_gemma":[0.000029959087,0.00009709656,0.000051180687,0.00014487587,0.00002915509,0.00008615685,0.000045998717,0.00018204628,0.000055050943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004695517,0.000017533843,0.00981813,0.0009534295,0.00010669498,0.00048411626,0.009842217,0.000002561125,0.000023030812,0.0060117943,0.04700871,0.92572707],"study_design_scores_gemma":[0.00010841915,0.000041221585,0.008477409,0.00037523563,0.0000567255,0.00022543131,0.0031023177,0.0000033292242,7.92769e-7,0.00012636975,0.98728406,0.00019865485],"about_ca_topic_score_codex":0.012168564,"about_ca_topic_score_gemma":0.0036673383,"teacher_disagreement_score":0.9402754,"about_ca_system_score_codex":0.00012708815,"about_ca_system_score_gemma":0.0002007796,"threshold_uncertainty_score":0.9944095},"labels":[],"label_agreement":null},{"id":"W4210416741","doi":"10.1007/s40520-021-02030-7","title":"Effects of dance therapy on non-motor symptoms in patients with Parkinson’s disease: a systematic review and meta-analysis","year":2022,"lang":"en","type":"review","venue":"Aging Clinical and Experimental Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":46,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meta-analysis; Apathy; Cochrane Library; Randomized controlled trial; Medicine; Internal medicine; Parkinson's disease; Physical therapy; Depression (economics); Montreal Cognitive Assessment; MEDLINE; Confidence interval; Quality of life (healthcare); Disease; Dementia","score_opus":0.1982873073124352,"score_gpt":0.5072407834638563,"score_spread":0.30895347615142105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210416741","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040365574,0.99228525,2.6209716e-7,0.00003349844,0.000043269858,0.0033912242,0.00008105937,0.000007039905,0.00012185297],"genre_scores_gemma":[0.011464331,0.9867709,0.000006501375,0.00025768077,0.0000119516035,0.00094115804,0.00003395596,0.000023993829,0.0004895279],"study_design_codex":"systematic_review","study_design_gemma":"meta_analysis","domain_scores_codex":[0.99465746,0.0026514258,0.0008238919,0.0007459394,0.00075930153,0.00036198797],"domain_scores_gemma":[0.9956978,0.003082308,0.0003406914,0.000588937,0.000038121885,0.00025214686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002113745,0.0003162602,0.0042980677,0.0003306041,0.000117307696,0.00003759441,0.00042339222,0.00009624325,0.00043507887],"category_scores_gemma":[0.00027204273,0.0001932361,0.0008066181,0.00075542997,0.00034053536,0.000070519,0.00028193858,0.0006999551,0.000018079081],"study_design_candidate":"systematic_review","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008418881,0.0051885988,0.0061133546,0.8434333,0.12628941,0.00013057778,0.0006820293,8.749292e-8,6.5234865e-8,0.00010161278,0.0005106896,0.016708372],"study_design_scores_gemma":[0.008706847,0.014093672,0.045246277,0.20038038,0.5856357,0.000004358755,0.00031976844,0.0000036392146,0.000002562086,0.000019605684,0.14357746,0.0020097273],"about_ca_topic_score_codex":0.000076882796,"about_ca_topic_score_gemma":0.0000010412206,"teacher_disagreement_score":0.64305294,"about_ca_system_score_codex":0.00005791825,"about_ca_system_score_gemma":0.000053720698,"threshold_uncertainty_score":0.78799397},"labels":[],"label_agreement":null},{"id":"W4210676007","doi":"10.3138/ctr.189.003","title":"“It Comes with Practice”: Pierogi-Making as Preserving and Imagining Polonia","year":2022,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Apprenticeship; The Imaginary; Sociology; Cultural heritage; Aesthetics; Participant observation; Function (biology); Everyday life; Ethnography; Gender studies; History; Epistemology; Art; Psychology; Social science; Law; Political science; Anthropology; Psychoanalysis; Philosophy","score_opus":0.023910444444169104,"score_gpt":0.322543370894588,"score_spread":0.2986329264504189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210676007","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022208816,0.3446788,0.000003645596,0.07436835,0.00022579002,0.000481936,0.0000765941,0.000037458514,0.57790655],"genre_scores_gemma":[0.8629288,0.01884057,0.00055945624,0.11335104,0.00011078276,0.00008555196,0.000029850724,0.000058557984,0.004035404],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880946,0.0002635443,0.00013248365,0.00025424594,0.00015261024,0.00038768226],"domain_scores_gemma":[0.9990942,0.00014101,0.00010794509,0.00035520212,0.000030476973,0.00027117203],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004640925,0.00013079178,0.00024805538,0.00007453429,0.00044542566,0.000051003608,0.00029899887,0.00002291216,0.0054906374],"category_scores_gemma":[0.000084520325,0.0001240936,0.000038699956,0.00025790988,0.000063383304,0.00024108357,0.000103273094,0.0003017717,0.00012442489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001241425,0.00011453803,0.031083062,0.0018736727,0.0007442042,0.0028868406,0.012896903,0.000010278388,0.00000446411,0.01345008,0.43471286,0.502099],"study_design_scores_gemma":[0.00019013698,0.00014778977,0.0010442316,0.00086770137,0.00014030002,0.0007905576,0.0027504454,0.0000015644334,1.9021681e-7,0.000041188407,0.9938643,0.00016157572],"about_ca_topic_score_codex":0.04111451,"about_ca_topic_score_gemma":0.012616679,"teacher_disagreement_score":0.8607079,"about_ca_system_score_codex":0.00015688059,"about_ca_system_score_gemma":0.0002852958,"threshold_uncertainty_score":0.9954185},"labels":[],"label_agreement":null},{"id":"W4210850575","doi":"10.1017/s014976772100036x","title":"Madame Mariquita, Greek Dance, and French Ballet Modernism","year":2021,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Ballet; Dance; Art; Modernism (music); Choreography; Modern dance; Classical ballet; Contemporary dance; Art history; Narrative; Dance improvisation; Literature; Visual arts; Concert dance; Jazz dance","score_opus":0.12010824774828695,"score_gpt":0.4188486230020295,"score_spread":0.2987403752537426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210850575","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6691992,0.01728074,0.0046031517,0.011018137,0.0015301418,0.00024589951,0.00014420373,0.0000537928,0.2959247],"genre_scores_gemma":[0.915994,0.0036204553,0.0031431578,0.0007176977,0.00087111647,0.00001027351,0.00001489602,0.000033675955,0.07559472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969624,0.00056888774,0.00023433386,0.00037785387,0.00089940213,0.0009570754],"domain_scores_gemma":[0.9983447,0.00024051777,0.000079777936,0.00040342702,0.00045606948,0.0004755081],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016742642,0.0001439576,0.00023631076,0.00019575449,0.00063619454,0.00035406882,0.000484441,0.00013301788,0.0040140753],"category_scores_gemma":[0.00030796428,0.00014157558,0.00007792348,0.00033740912,0.0003562854,0.00045706923,0.00033607133,0.0015673091,0.00052629464],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003546431,0.0008104825,0.06160024,0.0000964382,0.00045147707,0.012509793,0.006209482,0.000018100496,0.004517341,0.020413648,0.77943575,0.11358262],"study_design_scores_gemma":[0.0036866448,0.000701012,0.41682872,0.00031559516,0.00002805159,0.0077593415,0.0047109495,0.00026995395,0.00044668803,0.03358866,0.53108233,0.00058204733],"about_ca_topic_score_codex":0.00011112744,"about_ca_topic_score_gemma":0.00005340053,"teacher_disagreement_score":0.35522848,"about_ca_system_score_codex":0.000082179205,"about_ca_system_score_gemma":0.00026686286,"threshold_uncertainty_score":0.9968964},"labels":[],"label_agreement":null},{"id":"W4211255352","doi":"10.26522/jess.v3i.3720","title":"Book Review: Rowing Through the Barbed Wire Fence by Rima Karaliene","year":2022,"lang":"en","type":"article","venue":"Journal of Emerging Sport Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rowing; Fence (mathematics); Publishing; Engineering; Art; History; Archaeology; Structural engineering; Literature","score_opus":0.03446077678111902,"score_gpt":0.35415118945305174,"score_spread":0.3196904126719327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211255352","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03832473,0.9211761,0.000023952261,0.03244857,0.0022532074,0.00013394262,0.00001241141,0.000017134253,0.005609957],"genre_scores_gemma":[0.4138443,0.34613457,0.00032173644,0.17978399,0.0010106484,0.00003578724,0.0000082998695,0.00006159732,0.05879908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851674,0.00007971034,0.000479434,0.00014749808,0.0004987854,0.00027781934],"domain_scores_gemma":[0.99890304,0.00006826752,0.0006331123,0.00022765572,0.00012657093,0.000041345447],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008035069,0.00014416355,0.00044571154,0.000042267082,0.00080813863,0.000011512783,0.0004901013,0.000017414368,0.0019677165],"category_scores_gemma":[0.00007913474,0.00010239386,0.00021343722,0.00024102452,0.00012122363,0.00034983698,0.00024393658,0.00045870978,0.000017972408],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005576415,0.00008043611,0.002792419,0.00004635447,0.0004558695,0.0001269958,0.0075330078,0.000038260678,0.000024204666,0.00014789947,0.9881467,0.0005520931],"study_design_scores_gemma":[0.0003574143,0.00021889992,0.0029845892,0.00027827668,0.0001803302,0.00013752446,0.013286297,5.520099e-7,0.000016204795,0.00006368144,0.9823556,0.00012064333],"about_ca_topic_score_codex":0.00003245524,"about_ca_topic_score_gemma":5.803721e-7,"teacher_disagreement_score":0.57504153,"about_ca_system_score_codex":0.00008735195,"about_ca_system_score_gemma":0.000030507927,"threshold_uncertainty_score":0.99894464},"labels":[],"label_agreement":null},{"id":"W4213071310","doi":"10.3389/fspor.2022.795956","title":"Women's Articulations of Aging: “Learning to Be Affected” Through Experiences in Recreational Ballet","year":2022,"lang":"en","type":"article","venue":"Frontiers in Sports and Active Living","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"University of Alberta","keywords":"Ballet; Dance; Recreation; Classical ballet; Ballet dancer; Visual arts; Aesthetics; Materialism; Psychology; Art; Sociology; Epistemology; Political science","score_opus":0.01715520778734041,"score_gpt":0.26498088061159797,"score_spread":0.24782567282425755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213071310","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9935663,0.00012823832,0.00040053428,0.00016444198,0.0004901537,0.00011351026,0.000006682658,0.000009692445,0.0051204637],"genre_scores_gemma":[0.998194,0.0000135539685,0.0009552769,0.00015853511,0.000021154461,0.000059993174,0.000004129632,0.0000046995337,0.0005886638],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992662,0.000082852064,0.00012404412,0.00018614203,0.00015277475,0.00018798697],"domain_scores_gemma":[0.99975246,0.00005801844,0.00007548387,0.00006511871,0.0000117703385,0.00003716011],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020660122,0.00006631526,0.0001483213,0.000156632,0.00012904189,0.000010012761,0.00006975717,0.000021972508,0.0014439988],"category_scores_gemma":[0.000056350567,0.000075347394,0.000018035136,0.00029116034,0.000047636582,0.00020391353,0.000084042884,0.00015797037,3.3470573e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043206528,0.00014925172,0.5979269,0.00000424481,0.000014093422,0.000016079974,0.39502403,0.0009666611,0.00002470565,0.00025816128,0.0013408166,0.0042318245],"study_design_scores_gemma":[0.00012675264,0.0000794708,0.644087,0.000032690685,0.0000021145045,0.0000015712553,0.35091087,0.00004631836,0.000009159898,0.000091400405,0.004543636,0.00006899283],"about_ca_topic_score_codex":0.00010955263,"about_ca_topic_score_gemma":0.000006536741,"teacher_disagreement_score":0.046160094,"about_ca_system_score_codex":0.000096879485,"about_ca_system_score_gemma":0.000018672716,"threshold_uncertainty_score":0.9994688},"labels":[],"label_agreement":null},{"id":"W4213150738","doi":"10.1017/s1478570621000233","title":"Thema da capo: Another Look at Mozart's Embellishments","year":2022,"lang":"en","type":"article","venue":"Eighteenth Century Music","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"MOZART; Melody; Art; Persona; Literature; Humanities; Musical","score_opus":0.03433838762689863,"score_gpt":0.2603293546125876,"score_spread":0.225990966985689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213150738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68849874,0.0026248847,0.000014604012,0.0003753914,0.0057719736,0.00037679757,0.00024817983,0.00012777746,0.30196163],"genre_scores_gemma":[0.9471273,0.000105350584,0.000049616774,0.0042670197,0.00027582928,0.00004213201,0.000118895034,0.000045643512,0.04796821],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798036,0.00018727576,0.00021396251,0.00050214253,0.00050614285,0.0006101447],"domain_scores_gemma":[0.9989899,0.00004981114,0.00014719408,0.00065190037,0.000023365257,0.00013782435],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018565051,0.00023256132,0.00022801988,0.000117985895,0.00060947426,0.00004618522,0.0005646613,0.0000695848,0.12989353],"category_scores_gemma":[0.0000072791313,0.00023617658,0.0001513754,0.00026443508,0.00009797734,0.00014222397,0.0005565276,0.0002938457,0.003267547],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031589423,0.0009871668,0.014508898,0.000014275582,0.00023348047,0.00018738031,0.0061639766,0.000019867926,0.00036469422,0.004846298,0.96698904,0.0053690425],"study_design_scores_gemma":[0.0015186145,0.0002166725,0.022310505,0.000008358655,0.00004873014,0.00003477921,0.0013451849,0.000008343988,0.00019787981,0.00011605753,0.97386676,0.0003281241],"about_ca_topic_score_codex":0.00011998646,"about_ca_topic_score_gemma":0.000012219625,"teacher_disagreement_score":0.25862855,"about_ca_system_score_codex":0.00027348165,"about_ca_system_score_gemma":0.000028253517,"threshold_uncertainty_score":0.9975085},"labels":[],"label_agreement":null},{"id":"W4220812386","doi":"10.3389/fspor.2022.795541","title":"“It Can Be Magic:” Creating Age Awareness Through Contemporary Dance","year":2022,"lang":"en","type":"article","venue":"Frontiers in Sports and Active Living","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Dance; Idealization; Choreography; MAGIC (telescope); Aesthetics; Contemporary dance; Sociology; Dance education; Psychology; Visual arts; Art","score_opus":0.0331508922704311,"score_gpt":0.28622037593997773,"score_spread":0.2530694836695466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220812386","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.839197,0.0009783627,0.00077322096,0.0005641794,0.0019284517,0.00021269103,0.00012906558,0.000041120955,0.15617591],"genre_scores_gemma":[0.9921276,0.000042715183,0.0007169005,0.0015587253,0.000074635755,0.00001840262,0.00002320648,0.000017866723,0.0054199346],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99877584,0.00010297012,0.00019148506,0.0003940473,0.00021543526,0.00032021943],"domain_scores_gemma":[0.99948055,0.00007053841,0.00016647961,0.00020474706,0.000015421958,0.0000622401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025367422,0.00016012724,0.00029927655,0.00009751219,0.0003976456,0.00003683031,0.00019092632,0.000050240495,0.0007379707],"category_scores_gemma":[0.000031576696,0.00017977103,0.000048404454,0.00019552223,0.00012292105,0.0003677627,0.000215346,0.00034952967,7.3718337e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011392743,0.000171198,0.8937405,0.000018021787,0.0000476849,0.0006275462,0.051614728,0.000033139757,0.000015389702,0.00035372982,0.048244085,0.0050200536],"study_design_scores_gemma":[0.0005966403,0.00012051934,0.7742668,0.00012754659,0.00001781154,0.000024021534,0.13483667,0.00004494927,0.00001980677,0.0005595774,0.089028485,0.0003572],"about_ca_topic_score_codex":0.0017944931,"about_ca_topic_score_gemma":0.000039566265,"teacher_disagreement_score":0.15293062,"about_ca_system_score_codex":0.00011333485,"about_ca_system_score_gemma":0.000057454334,"threshold_uncertainty_score":0.80802613},"labels":[],"label_agreement":null},{"id":"W4220872160","doi":"10.1093/oxfordhb/9780197519516.013.29","title":"Unfixing Folk Dance","year":2022,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Trinity College","funders":"","keywords":"Dance; Repertoire; Folk dance; Embodied cognition; Judaism; Visual arts; Aesthetics; Space (punctuation); Art; Sociology; History; Literature; Philosophy; Linguistics; Epistemology; Archaeology","score_opus":0.03965280788154697,"score_gpt":0.24066546316003767,"score_spread":0.20101265527849072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220872160","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002182504,0.0001995762,0.00008640498,0.000033713648,0.0010800605,0.0003137221,0.0004854028,0.00021413912,0.99736875],"genre_scores_gemma":[0.0012483238,0.00011463355,0.0001009941,0.00017645539,0.00012961375,8.4486044e-7,0.000064660555,0.00005538042,0.9981091],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983323,0.0000587138,0.0001650431,0.00063446735,0.0003651375,0.0004443044],"domain_scores_gemma":[0.99859154,0.000081835875,0.00029697648,0.0007908945,0.000054617143,0.00018411448],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011348666,0.00038692926,0.00041782614,0.0002116059,0.0004802532,0.000036720812,0.0010242064,0.0003609018,0.005160278],"category_scores_gemma":[0.000005017537,0.0005260733,0.00030016608,0.000012643513,0.00021459426,0.00016180552,0.00080690806,0.0008732074,0.000028510714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028170834,0.0000267592,0.000013995778,0.000032381682,0.00035402123,0.00068092573,0.000816358,0.0000060604007,0.0000044131334,0.9660253,0.02446805,0.0072900294],"study_design_scores_gemma":[0.00078077114,0.00015314753,0.000051549065,0.00005958789,0.00020805855,0.000020462621,0.00025751133,0.0000021964681,0.000009301222,0.0005316657,0.99739915,0.0005265679],"about_ca_topic_score_codex":0.0001971644,"about_ca_topic_score_gemma":0.000013356306,"teacher_disagreement_score":0.97293115,"about_ca_system_score_codex":0.00027373622,"about_ca_system_score_gemma":0.0000714859,"threshold_uncertainty_score":0.9997191},"labels":[],"label_agreement":null},{"id":"W4221093949","doi":"10.3366/cult.2022.0254","title":"Speaking Back to Sheldon: Barbara Honeyman Heath as the New ‘Doyenne of Somatotyping’","year":2022,"lang":"en","type":"article","venue":"Cultural History","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Temperament; Deviance (statistics); Psychology; Elite; BATES; Eugenics; Criminology; Psychoanalysis; Law; Political science; Personality; Engineering; Politics","score_opus":0.04334220021013803,"score_gpt":0.2793633777295664,"score_spread":0.23602117751942836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221093949","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70260566,0.005130789,0.00001814191,0.0032379157,0.0034338564,0.00026261024,0.000016441183,0.000060620925,0.28523397],"genre_scores_gemma":[0.8792808,0.0000103773045,0.00015922711,0.004856527,0.00024731213,0.000007699097,0.000011049095,0.000014447058,0.11541257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907607,0.000087432505,0.00015500483,0.00022007275,0.00021175803,0.00024964145],"domain_scores_gemma":[0.9993891,0.000029285857,0.0000873854,0.00033630355,0.000029399596,0.00012851937],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012514225,0.00011994525,0.00017023849,0.000047656973,0.0002224005,0.000007919595,0.000498118,0.000036405458,0.02376942],"category_scores_gemma":[0.000023715967,0.00009483577,0.00011529734,0.00013616965,0.00009325578,0.00012972738,0.000179121,0.00023175092,0.0011535371],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012740541,0.00006559051,0.00022808569,0.0000075515045,0.000042859643,0.000013708931,0.04620732,0.000026824137,0.002395804,0.0025715716,0.9454566,0.0028566436],"study_design_scores_gemma":[0.00037229617,0.00024822186,0.005165513,0.000013125947,0.000020537385,0.00003941781,0.008256361,0.0000017273622,0.000097939395,0.00006252553,0.9855754,0.00014692797],"about_ca_topic_score_codex":0.0014706987,"about_ca_topic_score_gemma":0.00003288794,"teacher_disagreement_score":0.17667516,"about_ca_system_score_codex":0.00041275058,"about_ca_system_score_gemma":0.00006649758,"threshold_uncertainty_score":0.9996242},"labels":[],"label_agreement":null},{"id":"W4221117291","doi":"10.3390/socsci11030136","title":"From Performance to Prison: The Case of Vera ‘Jacko’ Holme Analyzing Body Politics, Gendered Transgression and Socio-Political Identity of a Stage Actress, 1890–1914","year":2022,"lang":"en","type":"article","venue":"Social Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Politics; Sociology; Gender studies; Identity (music); Aesthetics; Performative utterance; Masculinity; Ideology; Context (archaeology); History; Law; Art; Political science","score_opus":0.05901953238255397,"score_gpt":0.37283698604967486,"score_spread":0.3138174536671209,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221117291","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9944398,0.000174761,0.00004808335,0.001532445,0.0002618604,0.00011443119,0.0003768121,0.000009531335,0.003042293],"genre_scores_gemma":[0.99947757,0.0000071247364,0.000051441777,0.000206787,0.00010460696,0.0000034027107,0.000002458883,0.0000031283146,0.00014350293],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99871135,0.00020741041,0.0001768898,0.00022069801,0.00033401654,0.00034966363],"domain_scores_gemma":[0.999539,0.00011896819,0.00011642557,0.00011116294,0.000033810167,0.000080620004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005784203,0.00007980726,0.00017847029,0.000059035436,0.0012414703,0.00004051382,0.00038676482,0.00004257034,0.00060537533],"category_scores_gemma":[0.00003711236,0.000065388325,0.000065287284,0.00032301515,0.0008607652,0.00026994193,0.00018825622,0.00015717084,0.0000033142392],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003816299,0.0008929919,0.39435604,0.00014358743,0.00029680453,0.00021946769,0.27503237,0.00004678282,0.0049160975,0.3099349,0.004271571,0.009507745],"study_design_scores_gemma":[0.0013835524,0.0010537972,0.69070494,0.000040376755,0.00015796245,0.00003349941,0.29200527,0.0002542854,0.0019744535,0.010194747,0.0017769048,0.0004202066],"about_ca_topic_score_codex":0.006480669,"about_ca_topic_score_gemma":0.000111578825,"teacher_disagreement_score":0.29974017,"about_ca_system_score_codex":0.000050208313,"about_ca_system_score_gemma":0.00008484946,"threshold_uncertainty_score":0.97968763},"labels":[],"label_agreement":null},{"id":"W4224043057","doi":"10.1093/oxfordhb/9780197519516.013.7","title":"From Victimized to Victorious","year":2022,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Embodied cognition; The Holocaust; Identity (music); Oral history; Gender studies; Period (music); History; Sociology; Art; Aesthetics; Visual arts; Political science; Anthropology; Law; Philosophy","score_opus":0.028703951097035132,"score_gpt":0.23894703151133964,"score_spread":0.2102430804143045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224043057","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037363326,0.000068221896,0.00015391943,0.00008716968,0.0018872321,0.00049836154,0.0019524045,0.00024120646,0.99473786],"genre_scores_gemma":[0.0004917692,0.000053372078,0.00032114924,0.00046001567,0.00027174724,0.0000015418063,0.00015857816,0.00006216394,0.9981797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822545,0.0000662636,0.00017459656,0.00072953425,0.00039161838,0.00041256598],"domain_scores_gemma":[0.99839133,0.000114327035,0.0002142415,0.00088569184,0.00006377326,0.00033062618],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007314899,0.0004195,0.0005294636,0.00025788415,0.00034394246,0.000044250595,0.0010990718,0.00040025843,0.013071502],"category_scores_gemma":[0.000006335882,0.00056172366,0.00029958808,0.000015048123,0.000097939075,0.000106231055,0.0009847324,0.00070364814,0.00008937042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023816223,0.00006861828,0.000010886549,0.000016792845,0.0011592811,0.001309953,0.006369698,0.000014838139,0.000015936119,0.8403755,0.13985442,0.008422473],"study_design_scores_gemma":[0.001481386,0.00020874027,0.00003854099,0.000037108166,0.00029000794,0.00000498429,0.00031597516,0.0000011489739,0.000008011056,0.00048503408,0.9965583,0.0005707253],"about_ca_topic_score_codex":0.0012525572,"about_ca_topic_score_gemma":0.000034690274,"teacher_disagreement_score":0.85670394,"about_ca_system_score_codex":0.00034891762,"about_ca_system_score_gemma":0.00007071069,"threshold_uncertainty_score":0.99968344},"labels":[],"label_agreement":null},{"id":"W4224102535","doi":"10.1093/oxfordhb/9780197519516.013.23","title":"Three Reflections on the Holocaust","year":2022,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"The Holocaust; Miller; Dance; Honor; Judaism; Art history; Action (physics); History; Luck; Art; Visual arts; Theology; Philosophy; Archaeology","score_opus":0.10763096109582145,"score_gpt":0.28341773485721444,"score_spread":0.175786773761393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224102535","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000105118335,0.000035890855,0.00008782104,0.00030149354,0.00089018,0.00040231404,0.00041843377,0.00015448708,0.99760425],"genre_scores_gemma":[0.0012969486,0.00006744881,0.0000231731,0.0005725155,0.0001255219,0.0000018307628,0.000029183748,0.000038394697,0.997845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873954,0.000055119333,0.00011282554,0.0004619528,0.00031475868,0.00031577665],"domain_scores_gemma":[0.9985824,0.0001640427,0.00019142315,0.0009098685,0.000047060785,0.00010519434],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001230236,0.0003041418,0.0002511711,0.00017226518,0.0009212839,0.00003701339,0.0009405634,0.0002931034,0.0069469092],"category_scores_gemma":[0.0000067192213,0.00029504485,0.0002602473,0.000015869964,0.00028757815,0.00006643535,0.00049518095,0.0011207851,0.000056064197],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025983455,0.000029465427,0.00000281235,0.0000054888656,0.00029964052,0.00017528982,0.00043992355,0.0000038937455,0.0000013557333,0.9082669,0.08868867,0.0018267534],"study_design_scores_gemma":[0.0003826245,0.0002999604,0.00006926123,0.000028369042,0.0001821275,0.000013592837,0.00029648075,9.665658e-7,0.000003635862,0.0020392637,0.99637926,0.00030447228],"about_ca_topic_score_codex":0.00025667442,"about_ca_topic_score_gemma":0.00009208021,"teacher_disagreement_score":0.9076906,"about_ca_system_score_codex":0.00022567692,"about_ca_system_score_gemma":0.000053900043,"threshold_uncertainty_score":0.9999502},"labels":[],"label_agreement":null},{"id":"W4224262425","doi":"10.1093/oso/9780190205164.003.0004","title":"A Surprising Partnership","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aesthetics; Dance; Identity (music); Politics; Art; Sociology; Art history; History; Visual arts; Political science; Law","score_opus":0.08605824721436636,"score_gpt":0.3118100101629064,"score_spread":0.22575176294854002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224262425","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035549605,0.00036615314,0.000014881337,0.00022434678,0.00075020187,0.000094428986,0.00002975795,0.0001065323,0.99837816],"genre_scores_gemma":[0.0036482336,0.000026283791,0.000038877242,0.001150066,0.00014936368,0.0000018936174,0.00004051903,0.000029818933,0.99491495],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991762,0.000018271237,0.000120548575,0.00027235728,0.00020302927,0.00020959096],"domain_scores_gemma":[0.999387,0.00006390019,0.00008923768,0.00036593052,0.000014719868,0.00007919635],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012915213,0.00016743141,0.00020436572,0.00009684854,0.00010390346,0.000022825254,0.00024927143,0.0001730126,0.37862942],"category_scores_gemma":[0.000006208825,0.00018043444,0.0001378289,0.000014558557,0.00005459313,0.000059377162,0.00012933294,0.0004084565,0.0057707406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027842358,0.00001251974,0.00002460453,0.0000044408434,0.000085440035,0.00010065584,0.00036198014,1.4423452e-7,3.128918e-7,0.72591263,0.27040672,0.003062694],"study_design_scores_gemma":[0.0001724391,0.000085612635,0.00010418621,0.000011740485,0.000037654583,0.000017984672,0.00011090736,8.327111e-8,7.664128e-7,0.0065400475,0.99270266,0.0002159143],"about_ca_topic_score_codex":0.00013417166,"about_ca_topic_score_gemma":0.000016115902,"teacher_disagreement_score":0.72229594,"about_ca_system_score_codex":0.000058217087,"about_ca_system_score_gemma":0.000029312583,"threshold_uncertainty_score":0.9950034},"labels":[],"label_agreement":null},{"id":"W4224991299","doi":"10.3138/ctr.190.008","title":"Embracing the Distance: Accessing Dances of Connection","year":2022,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Aesthetics; Gesture; Rest (music); Embodied cognition; The arts; Negotiation; Transcendence (philosophy); Visual arts; Performing arts; Representation (politics); Media studies; Connection (principal bundle); Sociology; Psychology; Art; Computer science; Political science; Law; Engineering; Epistemology; Artificial intelligence; Social science","score_opus":0.03413290716732574,"score_gpt":0.30641055361059205,"score_spread":0.2722776464432663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224991299","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006648379,0.46460205,0.00003343584,0.0071754404,0.001399591,0.00040929325,0.00016372892,0.00001972893,0.51954836],"genre_scores_gemma":[0.99080336,0.003921706,0.0000075717726,0.004151011,0.000074276555,0.00002337075,0.000012606995,0.000008207962,0.0009978951],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992592,0.0001886984,0.0001392694,0.00012226877,0.00010216232,0.00018841829],"domain_scores_gemma":[0.9994622,0.000056304267,0.00010672741,0.0002703871,0.000016677848,0.000087716835],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036610378,0.00006500712,0.00016581298,0.000042104148,0.00041289773,0.00001365215,0.00030392612,0.000014020399,0.003787738],"category_scores_gemma":[0.000018182074,0.00005109491,0.000070918526,0.00030828605,0.00005640895,0.00008160745,0.000028917773,0.0001426846,0.00003251977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003170692,0.000047392736,0.0045398404,0.0013834041,0.0001497201,0.00004526651,0.0023977798,0.000029292518,0.000020390733,0.03634856,0.18032493,0.77468175],"study_design_scores_gemma":[0.000085451284,0.000034523455,0.0025234644,0.00052336755,0.000057027373,0.000029196983,0.0013871451,0.0000022771399,0.0000046875357,0.00037875946,0.9948918,0.00008228811],"about_ca_topic_score_codex":0.022883186,"about_ca_topic_score_gemma":0.013120912,"teacher_disagreement_score":0.984155,"about_ca_system_score_codex":0.00012106653,"about_ca_system_score_gemma":0.00013836859,"threshold_uncertainty_score":0.99712294},"labels":[],"label_agreement":null},{"id":"W4225009858","doi":"10.3138/ctr.190.017","title":"Who’s Afraid of Cabaret? A Conversation with Dainty Smith and Golboo Amani","year":2022,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Queer; Art; Performativity; Visual arts; Entertainment; Dance; Video art; Aesthetics; Sociology; Performance art; Art history; Gender studies; Communication","score_opus":0.015759285663993004,"score_gpt":0.24127285671922996,"score_spread":0.22551357105523695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225009858","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11842297,0.4776903,0.000025122776,0.01614694,0.000511707,0.0020072954,0.0016224325,0.000054042044,0.3835192],"genre_scores_gemma":[0.9860185,0.007812307,0.000028292616,0.0043465085,0.000025456458,0.000024984725,0.000036008558,0.000015721587,0.0016922263],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993052,0.00012251036,0.00011332352,0.00016313183,0.000100703706,0.00019515984],"domain_scores_gemma":[0.9994226,0.000024450253,0.00007607159,0.00024546086,0.000024375899,0.0002070055],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002046364,0.00008848095,0.00023904403,0.00007170024,0.00010838399,0.0000069136954,0.00014068866,0.000021620182,0.0039346893],"category_scores_gemma":[0.000007592273,0.000080479906,0.00003769687,0.00017416774,0.000076627315,0.000060892813,0.000024914767,0.00011781276,0.000029335099],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018200319,0.00013363334,0.063525446,0.0054419725,0.00068281515,0.00048035846,0.015846172,0.0000075311145,0.000010891572,0.025629995,0.42985055,0.45820862],"study_design_scores_gemma":[0.0005401122,0.00035934654,0.014452706,0.00083579344,0.00015231178,0.00011231766,0.0022027132,0.000003012824,0.0000022676004,0.000054086857,0.98110414,0.00018118146],"about_ca_topic_score_codex":0.040862236,"about_ca_topic_score_gemma":0.013712707,"teacher_disagreement_score":0.8675955,"about_ca_system_score_codex":0.00013795543,"about_ca_system_score_gemma":0.0002425382,"threshold_uncertainty_score":0.99697584},"labels":[],"label_agreement":null},{"id":"W4225872371","doi":"10.18733/cpi29617","title":"Endings and New Beginnings","year":2022,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; History; Visual arts; Art history; Art","score_opus":0.7189527802471865,"score_gpt":0.4881429082434683,"score_spread":0.23080987200371816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225872371","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97961307,0.0017087396,0.000012715582,0.00268883,0.000511245,0.00005914606,0.000011025438,0.000047917656,0.015347288],"genre_scores_gemma":[0.9565536,0.00006648759,0.000060687504,0.0018981512,0.00028724922,0.000004300436,0.000013084702,0.0000038276603,0.041112646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993497,0.000039823455,0.000078617515,0.00022392254,0.0001108596,0.00019705376],"domain_scores_gemma":[0.9996825,0.000033078715,0.00003426031,0.000066423265,0.000009298996,0.00017446808],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007613356,0.00009438248,0.00011826742,0.000022065877,0.0003441176,0.00005014552,0.000102230566,0.000042264866,0.0052956506],"category_scores_gemma":[0.00001458974,0.0000712655,0.000032009517,0.000075899574,0.00020709039,0.00015091331,0.00022918826,0.00021605157,0.000053024232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003874281,0.00016802619,0.027400924,0.00001983592,0.000093241746,0.00013256665,0.16978432,0.00000203678,0.0022639509,0.08877174,0.65119004,0.059785888],"study_design_scores_gemma":[0.000749986,0.00044119565,0.10992044,0.000004743316,0.000022058797,0.0002291183,0.03620046,0.0000027041458,0.00001497329,0.0010182987,0.85118467,0.00021137802],"about_ca_topic_score_codex":0.00014887222,"about_ca_topic_score_gemma":7.3577337e-7,"teacher_disagreement_score":0.1999946,"about_ca_system_score_codex":0.000011338429,"about_ca_system_score_gemma":0.0000062215563,"threshold_uncertainty_score":0.99561363},"labels":[],"label_agreement":null},{"id":"W4226111238","doi":"10.18733/cpi29614","title":"Telling / Dancing Our Stories Ourselves: The Santa Clause Parades","year":2022,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Dance; Art history; Art; History","score_opus":0.7274940732355146,"score_gpt":0.5086578806854425,"score_spread":0.21883619255007214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226111238","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98850936,0.003822745,0.000034138113,0.0024688207,0.0015817164,0.00011355677,0.000027133681,0.00006782145,0.003374736],"genre_scores_gemma":[0.9889713,0.00016839188,0.000034905315,0.0012417375,0.00071453076,0.000015175221,0.000015966598,0.000006135652,0.0088318605],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99892277,0.00017610582,0.00013735659,0.00025700705,0.00020563851,0.00030111542],"domain_scores_gemma":[0.9995591,0.00008510056,0.00006701697,0.00016810164,0.00002348331,0.000097218865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022259883,0.00014127656,0.0001607448,0.000019157125,0.0010554893,0.000093954855,0.00028376892,0.00005523369,0.0007298905],"category_scores_gemma":[0.000032817752,0.00008213979,0.00007442232,0.0001256692,0.00017810514,0.00019138829,0.0002181181,0.0004326114,0.00006725114],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074188143,0.00052051956,0.04382139,0.000047614718,0.00031822233,0.00022357967,0.5225277,0.00020493343,0.0021816622,0.03821704,0.36881825,0.022377215],"study_design_scores_gemma":[0.0004245482,0.00031712383,0.027967412,0.000010798384,0.00004729144,0.00013368642,0.5863706,0.000012153694,0.000047924153,0.00043459106,0.38397655,0.0002573492],"about_ca_topic_score_codex":0.00008844782,"about_ca_topic_score_gemma":0.000005089919,"teacher_disagreement_score":0.06384288,"about_ca_system_score_codex":0.00002619081,"about_ca_system_score_gemma":0.000010667234,"threshold_uncertainty_score":0.81180763},"labels":[],"label_agreement":null},{"id":"W4226115257","doi":"10.18733/cpi29616","title":"Dancing Our Stories Ourselves: Dancing with Mr. Neville Black","year":2022,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Jazz; Jazz dance; Ballet; Art; Visual arts; Modern dance; Art history; Concert dance","score_opus":0.5692607967961133,"score_gpt":0.46624284884996026,"score_spread":0.10301794794615304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226115257","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98490447,0.0010135111,0.00007153772,0.0015700432,0.00094604294,0.0001336806,0.000029519186,0.00009594967,0.011235254],"genre_scores_gemma":[0.9792819,0.000034206343,0.00011390629,0.0009938562,0.0005634221,0.000014133048,0.000027574906,0.000010393154,0.018960582],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987125,0.00012064327,0.00014864939,0.00036726505,0.00026472134,0.0003862454],"domain_scores_gemma":[0.9994793,0.00003804361,0.000086157255,0.00017687939,0.000046860805,0.00017275133],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016759915,0.00019135058,0.00024282638,0.0000328233,0.0006765893,0.00007866237,0.00021476105,0.00006267232,0.0010329128],"category_scores_gemma":[0.000023729322,0.0001302132,0.00006268312,0.00014444666,0.00020777172,0.00031065353,0.00022474067,0.000402783,0.00007795808],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017108732,0.0006973152,0.0641225,0.00012099262,0.0004076332,0.00055575185,0.6185585,0.00041361718,0.00255604,0.023974096,0.27503625,0.011846374],"study_design_scores_gemma":[0.0012756779,0.0011386729,0.040265385,0.000033473647,0.000066237735,0.00019564258,0.7100046,0.00001768994,0.00005255132,0.00016459182,0.24629225,0.0004931831],"about_ca_topic_score_codex":0.00013128325,"about_ca_topic_score_gemma":0.000017166207,"teacher_disagreement_score":0.091446094,"about_ca_system_score_codex":0.00005184142,"about_ca_system_score_gemma":0.00002137539,"threshold_uncertainty_score":0.99988025},"labels":[],"label_agreement":null},{"id":"W4226279116","doi":"10.18733/cpi29612","title":"Telling/Dancing Our Stories Ourselves: Denise's Story","year":2022,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Art; Visual arts; Art history; Literature; History","score_opus":0.6535326890606683,"score_gpt":0.49006616212978593,"score_spread":0.16346652693088237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226279116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9847552,0.0033461165,0.000060138456,0.0019110119,0.0026804213,0.0001064367,0.000034706492,0.00010893451,0.0069970274],"genre_scores_gemma":[0.9693727,0.00006465323,0.00007983213,0.0010072503,0.00077291863,0.000016096845,0.000023275223,0.0000083644,0.028654935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879336,0.00018116567,0.0001297121,0.00032174672,0.00023696152,0.0003370622],"domain_scores_gemma":[0.9995208,0.00005246779,0.00007100263,0.00014999347,0.00003736826,0.00016836412],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002258894,0.00016154055,0.00020203511,0.00003673769,0.0008871804,0.000059145837,0.00022648468,0.00007492735,0.0015009592],"category_scores_gemma":[0.000035443994,0.0001258765,0.00008806982,0.00011994509,0.00015003193,0.00021997522,0.00021006879,0.0005095944,0.0001345058],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00089681806,0.0007563885,0.024519634,0.00007037136,0.00028757285,0.0004323745,0.3474939,0.00014125822,0.003091298,0.035212014,0.5543293,0.032769114],"study_design_scores_gemma":[0.0005959321,0.0004823765,0.017698817,0.000009405773,0.000040570998,0.00011483762,0.37314114,0.0000042423235,0.000040571966,0.00026481194,0.60727286,0.0003344403],"about_ca_topic_score_codex":0.000055148204,"about_ca_topic_score_gemma":0.000003975298,"teacher_disagreement_score":0.05294359,"about_ca_system_score_codex":0.000050968767,"about_ca_system_score_gemma":0.000017640816,"threshold_uncertainty_score":0.9994118},"labels":[],"label_agreement":null},{"id":"W4229763254","doi":"10.5622/illinois/9780252042959.003.0001","title":"Introduction","year":2019,"lang":"en","type":"book-chapter","venue":"University of Illinois Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Dance; Folklore; Ethnology; Geography; Tourism; Anthropology; History; Gender studies; Sociology; Art; Archaeology; Visual arts","score_opus":0.02713193731678177,"score_gpt":0.2193746674877208,"score_spread":0.19224273017093904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229763254","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026818,0.00022286488,0.00016311058,0.00007737156,0.0011216494,0.00024649146,0.0002052214,0.00006331721,0.9976318],"genre_scores_gemma":[0.0013019062,0.000060477356,0.00012674464,0.000038989783,0.00033920186,3.1336455e-8,0.000043493194,0.000023315615,0.9980658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901295,0.000024325072,0.00013520969,0.00041032667,0.00022048336,0.00019671956],"domain_scores_gemma":[0.9987965,0.000035356472,0.0003204751,0.0006328152,0.00013402526,0.00008081994],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000077750556,0.00022578871,0.0003845872,0.00015058315,0.000078678764,0.000008732756,0.00045745535,0.000448289,0.004930091],"category_scores_gemma":[0.0000041263274,0.00029268386,0.00022685967,0.000004502138,0.0002754769,0.00007108967,0.0001729379,0.0003623679,0.0010194677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039809037,0.00004030671,0.00001365376,0.00008126052,0.00053487276,0.00005361221,0.0021071674,0.000009458548,0.00004776221,0.6587478,0.32544696,0.012519063],"study_design_scores_gemma":[0.0005913629,0.00015615161,0.000106854546,0.000060389037,0.00019139417,0.0000060410557,0.00011146552,0.0000017659735,0.00006605157,0.00048361247,0.9979541,0.00027086024],"about_ca_topic_score_codex":0.000501701,"about_ca_topic_score_gemma":0.00002001979,"teacher_disagreement_score":0.6725071,"about_ca_system_score_codex":0.000060454113,"about_ca_system_score_gemma":0.000051070714,"threshold_uncertainty_score":0.99995255},"labels":[],"label_agreement":null},{"id":"W4230119757","doi":"10.1017/9781782045687","title":"Parisian Music-Hall Ballet, 1871-1913","year":2015,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":61,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Art; Dance; Visual arts; Spectacle; Opera; Art history; Comics; Entertainment; Musical; Choreography; Period (music); Humanities; Literature; Aesthetics","score_opus":0.06743252674363426,"score_gpt":0.2972026940871271,"score_spread":0.22977016734349281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230119757","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035393277,0.0007871555,0.000079074445,0.00045332778,0.0024783832,0.00024024809,0.00012689328,0.00020815957,0.99559134],"genre_scores_gemma":[0.0004580409,0.000033707005,0.00025568053,0.0031912583,0.0008169656,0.0000046223395,0.00019035644,0.000051942276,0.99499744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831843,0.00005575895,0.00024608435,0.00051519944,0.00038291034,0.00048158597],"domain_scores_gemma":[0.99849427,0.000059178572,0.00017256218,0.00083492056,0.00010857544,0.00033048887],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022499583,0.00036543608,0.00048575434,0.00015194768,0.00006863084,0.000057320503,0.0007133206,0.0007760442,0.060013905],"category_scores_gemma":[0.000026557702,0.0003557695,0.00019580213,0.00005388638,0.00013607023,0.00011961623,0.00020067922,0.0006026507,0.040020622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004272477,0.00008271443,0.0000511511,0.00001681922,0.00020242587,0.0001197404,0.00062642526,1.9800315e-7,2.5176078e-7,0.06174534,0.9315127,0.005599499],"study_design_scores_gemma":[0.0006624923,0.00020392555,0.0006487246,0.000041982054,0.000083305626,0.000019023171,0.00017706213,4.3721423e-7,4.8590135e-7,0.004919547,0.9928109,0.00043210373],"about_ca_topic_score_codex":0.00038710464,"about_ca_topic_score_gemma":0.00027478713,"teacher_disagreement_score":0.0612982,"about_ca_system_score_codex":0.00017785525,"about_ca_system_score_gemma":0.00030667978,"threshold_uncertainty_score":0.99988943},"labels":[],"label_agreement":null},{"id":"W4230187050","doi":"10.1353/ctr.2011.0025","title":"Revealed by Fire : From the Personal to the Universal","year":2011,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Art; Performance art; Identity (music); Aesthetics; Art history; Psychoanalysis; Sociology; Visual arts; Psychology","score_opus":0.03748182125026481,"score_gpt":0.2514349728880148,"score_spread":0.21395315163775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230187050","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013624021,0.42120805,0.000010994041,0.10078485,0.0009449049,0.0011644865,0.0019549367,0.000040585634,0.4602672],"genre_scores_gemma":[0.67267966,0.04000646,0.00010207866,0.2546856,0.0007210636,0.000052865016,0.00015545827,0.00006520463,0.031531572],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913394,0.00018212179,0.00009724693,0.00018665427,0.000088406065,0.000311636],"domain_scores_gemma":[0.99906737,0.000070305265,0.000037043817,0.00045503565,0.000021434755,0.00034879876],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020788712,0.00011450147,0.00016578873,0.000013730432,0.00022083006,0.000014958897,0.00063743565,0.000047485046,0.014589002],"category_scores_gemma":[0.000023484194,0.000067523666,0.00010002916,0.0001878232,0.00006654145,0.000050412047,0.000027446458,0.00016145932,0.003351668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056082044,0.000007034656,0.0013119606,0.000014518342,0.000049254555,0.000017900338,0.002766265,5.289891e-9,3.2450842e-7,0.00033908346,0.89664507,0.098842986],"study_design_scores_gemma":[0.00008471035,0.000033293043,0.010138966,0.00039507277,0.000085002706,0.0000075382673,0.0008392879,3.418202e-7,3.57124e-7,0.00003138929,0.9882871,0.00009693612],"about_ca_topic_score_codex":0.27342293,"about_ca_topic_score_gemma":0.09019385,"teacher_disagreement_score":0.65905565,"about_ca_system_score_codex":0.00009277092,"about_ca_system_score_gemma":0.00014406756,"threshold_uncertainty_score":0.99742436},"labels":[],"label_agreement":null},{"id":"W4230958831","doi":"10.32920/ryerson.14660379","title":"Queering gay male body dissatisfaction","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Queer; Heterosexism; Embodied cognition; Homosexuality; Masculinity; Hegemonic masculinity; Gender studies; Queer theory; Explanatory power; Hegemony; Psychology; Lesbian; Sociology; Human sexuality; Power (physics); Social psychology; Politics; Political science; Epistemology","score_opus":0.040834408683176504,"score_gpt":0.3273398540201755,"score_spread":0.286505445336999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230958831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5266651,0.00023744414,0.0052079526,0.00030173725,0.0037818032,0.000118395044,0.000023203203,0.00011438943,0.46354997],"genre_scores_gemma":[0.9279154,0.000045499477,0.0006933044,0.0001936689,0.00016624173,0.000008863953,0.00007538039,0.0000133514895,0.07088829],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99910796,0.000052552616,0.00013085786,0.00036461718,0.00013140144,0.00021259025],"domain_scores_gemma":[0.9993152,0.000024807734,0.00007315195,0.00047470367,0.000035365145,0.000076768454],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008134844,0.00015297884,0.00019766817,0.00005761005,0.000053604927,0.00010734624,0.00018405028,0.00027028727,0.03988838],"category_scores_gemma":[0.000017731669,0.00016602674,0.00011809562,0.00004666666,0.000025575317,0.00010293255,0.00037875288,0.00044347008,0.0008086396],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029486118,0.001361396,0.46903226,0.00090555404,0.0026340126,0.0013413674,0.016699817,0.0007678652,0.0042413673,0.03500543,0.38605237,0.081663705],"study_design_scores_gemma":[0.00046785054,0.000065575194,0.9714672,0.00018822221,0.00009647696,0.00007542363,0.00368689,0.00006807139,0.0007774031,0.00032429205,0.02215295,0.0006296375],"about_ca_topic_score_codex":0.0021012856,"about_ca_topic_score_gemma":0.00008982239,"teacher_disagreement_score":0.50243497,"about_ca_system_score_codex":0.00006129831,"about_ca_system_score_gemma":0.000033947417,"threshold_uncertainty_score":0.99996936},"labels":[],"label_agreement":null},{"id":"W4231732183","doi":"10.32920/ryerson.14660379.v1","title":"Queering gay male body dissatisfaction","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Queer; Heterosexism; Homosexuality; Masculinity; Embodied cognition; Hegemonic masculinity; Gender studies; Queer theory; Hegemony; Explanatory power; Lesbian; Psychology; Sociology; Human sexuality; Social psychology; Politics; Epistemology; Political science; Philosophy","score_opus":0.040834408683176504,"score_gpt":0.3273398540201755,"score_spread":0.286505445336999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231732183","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5266651,0.00023744414,0.0052079526,0.00030173725,0.0037818032,0.000118395044,0.000023203203,0.00011438943,0.46354997],"genre_scores_gemma":[0.9279154,0.000045499477,0.0006933044,0.0001936689,0.00016624173,0.000008863953,0.00007538039,0.0000133514895,0.07088829],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99910796,0.000052552616,0.00013085786,0.00036461718,0.00013140144,0.00021259025],"domain_scores_gemma":[0.9993152,0.000024807734,0.00007315195,0.00047470367,0.000035365145,0.000076768454],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008134844,0.00015297884,0.00019766817,0.00005761005,0.000053604927,0.00010734624,0.00018405028,0.00027028727,0.03988838],"category_scores_gemma":[0.000017731669,0.00016602674,0.00011809562,0.00004666666,0.000025575317,0.00010293255,0.00037875288,0.00044347008,0.0008086396],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029486118,0.001361396,0.46903226,0.00090555404,0.0026340126,0.0013413674,0.016699817,0.0007678652,0.0042413673,0.03500543,0.38605237,0.081663705],"study_design_scores_gemma":[0.00046785054,0.000065575194,0.9714672,0.00018822221,0.00009647696,0.00007542363,0.00368689,0.00006807139,0.0007774031,0.00032429205,0.02215295,0.0006296375],"about_ca_topic_score_codex":0.0021012856,"about_ca_topic_score_gemma":0.00008982239,"teacher_disagreement_score":0.50243497,"about_ca_system_score_codex":0.00006129831,"about_ca_system_score_gemma":0.000033947417,"threshold_uncertainty_score":0.99996936},"labels":[],"label_agreement":null},{"id":"W4231970971","doi":"10.1057/978-1-349-95988-4_264","title":"Choirs Ontario","year":2020,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.037066929598167445,"score_gpt":0.2515997530222274,"score_spread":0.21453282342406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231970971","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001717742,0.00048151505,0.00002279885,0.0001399139,0.0015481844,0.00043077391,0.00024120693,0.000174952,0.99678886],"genre_scores_gemma":[0.67883,0.000009940181,0.00008640305,0.0012308913,0.00042516078,0.0000068269405,0.00007848762,0.000079398975,0.31925288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99786925,0.000026432732,0.0003819814,0.0007814633,0.00041908718,0.0005217803],"domain_scores_gemma":[0.9983147,0.00006347763,0.00028878116,0.00086423854,0.0000646761,0.00040414825],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000092495575,0.00062663056,0.00069428043,0.00016553514,0.00013927382,0.000064436914,0.0006733715,0.0005980583,0.024037417],"category_scores_gemma":[0.000012083071,0.0006657012,0.00043363357,0.000012955741,0.00022079055,5.9125233e-7,0.0002558361,0.0008932996,0.010990041],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014348785,5.9158697e-7,0.00045156892,0.000025915042,0.0005038657,0.0004654783,0.0026395374,1.0532355e-7,0.000011468709,0.9847038,0.0029288384,0.008125348],"study_design_scores_gemma":[0.0009585244,0.00037892786,0.004001355,0.00012644894,0.00023518996,0.000057853824,0.00008010942,3.5582195e-7,0.00001973944,0.7099024,0.28326666,0.0009724138],"about_ca_topic_score_codex":0.004092724,"about_ca_topic_score_gemma":0.007834303,"teacher_disagreement_score":0.67865825,"about_ca_system_score_codex":0.00022340693,"about_ca_system_score_gemma":0.0001621642,"threshold_uncertainty_score":0.9995794},"labels":[],"label_agreement":null},{"id":"W4232499739","doi":"10.1007/978-94-007-0753-5_100865","title":"Dance","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University; University of Northern British Columbia","funders":"","keywords":"Dance; Art; Visual arts","score_opus":0.034351205699302834,"score_gpt":0.2735807998022619,"score_spread":0.23922959410295908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232499739","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008118017,0.00022990456,0.00068409106,0.0001997955,0.0010193591,0.00006324996,0.000021058198,0.000081094586,0.9976933],"genre_scores_gemma":[0.0014747451,0.000022829685,0.0001171655,0.0017803495,0.0002849143,6.317415e-7,0.000013134287,0.00002058612,0.9962856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994279,0.0000051865713,0.000092013055,0.00022070202,0.00010550092,0.00014869944],"domain_scores_gemma":[0.99941504,0.00003011006,0.000073110925,0.00039501596,0.000021512078,0.00006522859],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000052316056,0.00014677725,0.00018679597,0.000046029163,0.000032264605,0.000012876181,0.00023083271,0.00025205058,0.06959281],"category_scores_gemma":[0.000004203396,0.0001411132,0.00008917619,0.000004962467,0.000065849774,0.000022633541,0.000048290676,0.00019598324,0.039502308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007730642,0.000003326469,0.000009383503,0.0000037385705,0.00003587134,0.00000799873,0.00003589089,3.0648476e-8,4.3055297e-7,0.63562614,0.35436657,0.009902926],"study_design_scores_gemma":[0.00014989206,0.00006483571,0.00024078944,0.000026682483,0.000019987367,0.000005973686,0.0000055436967,2.1680451e-7,0.0000016694449,0.00868752,0.9906208,0.00017612438],"about_ca_topic_score_codex":0.000021591648,"about_ca_topic_score_gemma":0.000006821465,"teacher_disagreement_score":0.6362542,"about_ca_system_score_codex":0.000015280211,"about_ca_system_score_gemma":0.000008920667,"threshold_uncertainty_score":0.96124554},"labels":[],"label_agreement":null},{"id":"W4232501436","doi":"10.1111/dmcn.48_14017","title":"Partnering to explore the needs and priorities of stakeholders involved in a community‐based dance program for children with disabilities","year":2018,"lang":"en","type":"article","venue":"Developmental Medicine & Child Neurology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Holland Bloorview Kids Rehabilitation Hospital","funders":"","keywords":"Dance; Psychology; Medical education; Medicine; Visual arts; Art","score_opus":0.13678618137159285,"score_gpt":0.3315517780365191,"score_spread":0.19476559666492624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232501436","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98908,0.00006150937,0.00004370339,0.008332956,0.00015966519,0.0010770508,0.000013107817,0.00004067879,0.0011913192],"genre_scores_gemma":[0.99220586,0.00000631202,0.00037790663,0.007115173,0.00007022096,0.00015797411,0.000020145024,0.00001610317,0.000030293486],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998945,0.0001691675,0.00023607505,0.00019443095,0.00012449447,0.00033085473],"domain_scores_gemma":[0.99920946,0.00036982947,0.00007614291,0.00022950477,0.00003801011,0.00007705653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029371076,0.0001695784,0.00028874198,0.00016476976,0.00022196466,0.000008047905,0.00029208016,0.000058298978,0.00003197191],"category_scores_gemma":[0.00013318605,0.00011880005,0.000017833894,0.00028305914,0.0014844668,0.000070866234,0.00010016679,0.00027245557,0.000002125609],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017274743,0.00027774333,0.87687516,0.00007202832,0.00008417199,0.0000025089353,0.10544054,0.0000021286633,0.00009013227,0.00055246294,0.0018134479,0.013062225],"study_design_scores_gemma":[0.0030972022,0.006965153,0.95344245,0.00013451691,0.000021120386,0.00003811355,0.029503774,0.000005304555,0.00028550546,0.00007400461,0.0062767686,0.00015608352],"about_ca_topic_score_codex":0.00034957033,"about_ca_topic_score_gemma":0.00083793374,"teacher_disagreement_score":0.07656732,"about_ca_system_score_codex":0.000015746073,"about_ca_system_score_gemma":0.000033230062,"threshold_uncertainty_score":0.546958},"labels":[],"label_agreement":null},{"id":"W4233152919","doi":"10.4324/9781135000356-rem726-1","title":"Jarvis, Judy (1942–1986)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Studio; The arts; Visual arts; Performance art; Art history; Art; Ballet; History","score_opus":0.04666177952670066,"score_gpt":0.29255785490613867,"score_spread":0.245896075379438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233152919","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000076992255,0.0004085071,0.00008574203,0.0002543402,0.002119981,0.00016221586,0.00009763544,0.00014396953,0.99665064],"genre_scores_gemma":[0.0009389219,0.00007333647,0.00013497648,0.0017726428,0.00076854863,0.000001395637,0.000044682554,0.00004315781,0.9962223],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988942,0.000012802338,0.00017898258,0.00040927532,0.00020572288,0.0002990263],"domain_scores_gemma":[0.9989767,0.000037058573,0.00012589959,0.00065223564,0.00006918126,0.00013890324],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000906455,0.00028329119,0.00031184003,0.000121908975,0.00007712316,0.00003502201,0.0004160394,0.0004980814,0.31076145],"category_scores_gemma":[0.0000074843692,0.00027084688,0.00016803463,0.000015418575,0.00018571618,0.00009549037,0.00013187545,0.00030697655,0.11769183],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035835168,0.000027326883,0.000012716411,0.000008061446,0.0001254302,0.000048599828,0.00028974016,8.10846e-9,0.0000020355246,0.19093019,0.8049815,0.0035385527],"study_design_scores_gemma":[0.00032377234,0.00025248,0.00020801972,0.0000479923,0.00006825529,0.000021036145,0.000057889578,1.6038742e-7,0.000011210243,0.010013764,0.98866177,0.00033363406],"about_ca_topic_score_codex":0.00006689843,"about_ca_topic_score_gemma":0.000048921895,"teacher_disagreement_score":0.19306962,"about_ca_system_score_codex":0.000040941435,"about_ca_system_score_gemma":0.000023757682,"threshold_uncertainty_score":0.99997437},"labels":[],"label_agreement":null},{"id":"W4233415642","doi":"10.22215/etd/2009-09119","title":"The history, symbolism, spirituality, and transformation of the jingle dress and dance of the North-Eastern Woodland Indians","year":2009,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Dance; Woodland; Geography; Art; Spirituality; Art history; Visual arts","score_opus":0.017597101722839063,"score_gpt":0.2599687042520688,"score_spread":0.24237160252922973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233415642","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93116903,0.0014599012,0.000005845016,0.00044743431,0.000961533,0.00034988494,0.000061240346,0.0000075616667,0.06553754],"genre_scores_gemma":[0.9868661,0.00017473451,0.0000030064962,0.00019629154,0.000027424085,0.0000034177726,0.000023069426,0.000007870792,0.012698039],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99907285,0.00011404685,0.0002735088,0.0001515135,0.00023941125,0.00014865812],"domain_scores_gemma":[0.99912953,0.00007201327,0.0003533551,0.00034767823,0.00006555036,0.000031859527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017383943,0.00014943419,0.00021869941,0.000036638095,0.00017236723,0.000021371334,0.00039500144,0.00016089248,0.000032372664],"category_scores_gemma":[0.000020637208,0.00008082366,0.00008169446,0.00008090263,0.00021956817,0.000120462944,0.00002368321,0.00022602623,0.0000019187323],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011510908,0.00069045695,0.30662903,0.0015652995,0.0006513671,0.0000025002225,0.5396977,0.000008145121,0.00044473645,0.02369012,0.024173396,0.10129618],"study_design_scores_gemma":[0.0005245085,0.00007289036,0.9837823,0.0001466864,0.000092844966,0.0000036181052,0.00756274,0.000004122503,0.0001451492,0.0002204423,0.007327919,0.00011676247],"about_ca_topic_score_codex":0.0007808151,"about_ca_topic_score_gemma":0.009114101,"teacher_disagreement_score":0.6771533,"about_ca_system_score_codex":0.000027550037,"about_ca_system_score_gemma":0.000052571417,"threshold_uncertainty_score":0.5085882},"labels":[],"label_agreement":null},{"id":"W4234175525","doi":"10.22215/etd/2021-14473","title":"Ballet Pointe Shoe Discomfort: An Exploration Through the use of Real-Time Assessments while Performing en Pointe Movements","year":2021,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Ballet; Ballet dancer; Classical ballet; Foot (prosody); Physical medicine and rehabilitation; Physical therapy; Art; Medicine; Dance; Visual arts","score_opus":0.1082108811264724,"score_gpt":0.37477185774387733,"score_spread":0.26656097661740497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234175525","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.710505,0.000048216767,0.0008161977,0.00017142732,0.0017283673,0.0007453525,0.00026605654,0.00008004092,0.28563935],"genre_scores_gemma":[0.31806535,0.0006233287,0.0037268393,0.0009582023,0.00032079223,0.00008996913,0.020003898,0.00014086535,0.65607077],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99779207,0.0002804357,0.0005327591,0.00051181676,0.00052290875,0.00036000944],"domain_scores_gemma":[0.99837,0.00013381819,0.00047957303,0.0008032468,0.00013753798,0.00007580289],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025376008,0.0003546048,0.0004582073,0.00009902872,0.00020879625,0.00017372305,0.00050353084,0.00028389037,0.008760578],"category_scores_gemma":[0.00003556976,0.00028391217,0.00021052433,0.00019347295,0.000044374498,0.0028942127,0.00009376091,0.0003610754,0.00013015835],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007199578,0.011734224,0.018617684,0.0015399068,0.010836502,0.00030128274,0.42239788,0.000881872,0.02645211,0.06829926,0.36841127,0.06332843],"study_design_scores_gemma":[0.008984666,0.0057353936,0.15484658,0.003579098,0.0020500792,0.000041881907,0.70815617,0.0031563623,0.013137869,0.0049570473,0.09068651,0.0046683513],"about_ca_topic_score_codex":0.003939748,"about_ca_topic_score_gemma":0.0010260149,"teacher_disagreement_score":0.39243966,"about_ca_system_score_codex":0.000088867084,"about_ca_system_score_gemma":0.00010700141,"threshold_uncertainty_score":0.9999613},"labels":[],"label_agreement":null},{"id":"W4234384840","doi":"10.1007/978-1-349-95810-8_338","title":"Choirs Ontario","year":2018,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Medical Research Council; Chiang Ching-Kuo Foundation for International Scholarly Exchange; Camargo Foundation; British Academy; Government of Canada; Ciência sem Fronteiras; Australian Government; Canadian Bureau for International Education","keywords":"Geography","score_opus":0.03378358844023751,"score_gpt":0.2600353049722201,"score_spread":0.2262517165319826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234384840","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011656791,0.0003642698,0.000018234346,0.000030223291,0.0023709566,0.0004117512,0.00019815516,0.00014536656,0.99529535],"genre_scores_gemma":[0.5175412,0.000007652782,0.000085641324,0.0004754525,0.0005705951,0.000006015964,0.00005267221,0.00006789998,0.48119286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977606,0.00002716909,0.00038399608,0.00076093944,0.00041998448,0.0006473199],"domain_scores_gemma":[0.9980029,0.000062434636,0.00031801636,0.0011910108,0.000116878204,0.0003087995],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016353409,0.00063326873,0.0006293009,0.00024347393,0.00017941571,0.00006802146,0.00070162053,0.00072484446,0.08794467],"category_scores_gemma":[0.000010195078,0.00065247354,0.00039314834,0.000011226095,0.00043031713,6.71019e-7,0.00024346051,0.0006488559,0.0189539],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017278474,0.000001035506,0.000655255,0.00002299682,0.0006217403,0.0002515686,0.004971138,3.6542875e-8,0.000009822943,0.9771107,0.008442978,0.007739966],"study_design_scores_gemma":[0.00078569696,0.00041127764,0.0042757094,0.0001474558,0.00018468683,0.000066884444,0.00007647808,1.4568931e-7,0.00002221478,0.70055497,0.29262948,0.00084496394],"about_ca_topic_score_codex":0.005065146,"about_ca_topic_score_gemma":0.018579947,"teacher_disagreement_score":0.51637554,"about_ca_system_score_codex":0.000265121,"about_ca_system_score_gemma":0.00015346915,"threshold_uncertainty_score":0.99959266},"labels":[],"label_agreement":null},{"id":"W4234466586","doi":"10.5040/9781492596967","title":"Dance in a World of Change","year":2008,"lang":"en","type":"book","venue":"Human Kinetics eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Globalization; Politics; Humanity; Sociology; Injustice; Aesthetics; Contemporary dance; Gender studies; Humanities; Political science; Visual arts; Art; Law","score_opus":0.19418800660014968,"score_gpt":0.33278339618108627,"score_spread":0.1385953895809366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234466586","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002996657,0.0007689621,0.0000024283452,0.000013350103,0.00038494024,0.0003448704,0.00007941592,0.00003111294,0.99537826],"genre_scores_gemma":[0.038917705,0.000021702632,0.000058582318,0.00029651672,0.0003589667,0.000017611606,0.000040322866,0.000043793978,0.9602448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987619,0.000038578342,0.00033919554,0.00031667238,0.00022618943,0.00031744683],"domain_scores_gemma":[0.99899143,0.000040798615,0.00028986324,0.0005617964,0.000045213677,0.00007090226],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006461853,0.0002572381,0.000469522,0.0004615699,0.000036987756,0.000008057233,0.0004461466,0.00026095178,0.00068456883],"category_scores_gemma":[0.000004897876,0.00030476446,0.000117776035,0.000039494844,0.00030575792,0.000020819318,0.00011573886,0.00045018469,0.00019823924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020635416,0.00064662774,0.001538421,0.0005274399,0.00027057255,0.0009124463,0.025774704,8.363468e-7,0.00035203018,0.39512184,0.5583669,0.01628184],"study_design_scores_gemma":[0.0012548973,0.0004518672,0.021873709,0.00070781226,0.000049335333,0.000014144934,0.00003150713,3.9568056e-7,0.00009845404,0.0048713526,0.9701417,0.00050483714],"about_ca_topic_score_codex":0.00009505839,"about_ca_topic_score_gemma":0.0005719347,"teacher_disagreement_score":0.4117748,"about_ca_system_score_codex":0.00008932047,"about_ca_system_score_gemma":0.000040168572,"threshold_uncertainty_score":0.99994045},"labels":[],"label_agreement":null},{"id":"W4234557759","doi":"10.1386/chor.6.2.245_1","title":"butoh 1.2.3…(wrecked beach)","year":2015,"lang":"en","type":"article","venue":"Choreographic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Poetry; Performing arts; Bluff; Ballet; Art; Visual arts; Interpretation (philosophy); Indigenous; History; Literature; Archaeology; Art history; Philosophy; Ecology; Linguistics","score_opus":0.16558692806445613,"score_gpt":0.39002098864704543,"score_spread":0.2244340605825893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234557759","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55201685,0.003349238,0.000077411736,0.002707504,0.0019336818,0.00017683429,0.000016803173,0.00024543985,0.43947625],"genre_scores_gemma":[0.99338967,0.00007452549,0.00053119514,0.0009889546,0.0003096906,0.000013819542,0.000026453712,0.000019093954,0.0046466123],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985644,0.0002023374,0.00018005967,0.00034902917,0.00031598026,0.00038818346],"domain_scores_gemma":[0.9983555,0.00020362376,0.00046985608,0.00051584694,0.00012251314,0.00033264633],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007942732,0.00016268749,0.00018586745,0.00021503556,0.00011584941,0.000114891955,0.0004544774,0.00014189293,0.0008442114],"category_scores_gemma":[0.00081283116,0.00015442677,0.00010093917,0.0005299322,0.000199082,0.0009728645,0.000075009426,0.00033314954,0.0014382206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010363082,0.0015073756,0.34993723,0.000029757464,0.00076493376,0.00025355353,0.010665801,0.0000026203284,0.00021735382,0.03616214,0.5667752,0.032647736],"study_design_scores_gemma":[0.0013154987,0.00039386374,0.11175585,0.000015491729,0.00011008714,0.00007001238,0.005865831,0.0000058453866,0.00005209728,0.0022770616,0.87783784,0.00030055048],"about_ca_topic_score_codex":0.00059651263,"about_ca_topic_score_gemma":0.000029876392,"teacher_disagreement_score":0.4413728,"about_ca_system_score_codex":0.000020607886,"about_ca_system_score_gemma":0.00005494661,"threshold_uncertainty_score":0.9993393},"labels":[],"label_agreement":null},{"id":"W4236496481","doi":"10.3138/seminar.46.3.255","title":"Ambivalent Agency: Gestural Performances of Hands in Weimar Dance and Film","year":2010,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ambivalence; Dance; Agency (philosophy); Weimar Republic; Visual arts; Art; Aesthetics; Sociology; Psychology; Political science; Social psychology; Social science; Law; Politics","score_opus":0.027153724486608913,"score_gpt":0.3431540189266987,"score_spread":0.3160002944400898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236496481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9790071,0.01727586,0.0000010895725,0.00029752532,0.00079184823,0.00005059395,0.0000045886277,0.0000032777657,0.0025680885],"genre_scores_gemma":[0.99458927,0.0043007275,0.00011091652,0.000057646528,0.0001320949,9.68761e-7,2.2391444e-7,0.000004950806,0.0008032039],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99916357,0.000034980407,0.00033377283,0.00010008503,0.00017640112,0.00019116588],"domain_scores_gemma":[0.9992646,0.00011450094,0.00033605937,0.00011745818,0.0001188515,0.000048553473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041109155,0.000111395726,0.00034883904,0.00012825696,0.0000670832,0.000008602399,0.00019037478,0.000051084666,0.00010615134],"category_scores_gemma":[0.000077175006,0.00008769948,0.00006932579,0.00010745119,0.0002506868,0.00024066283,0.00008553046,0.00032689745,0.000008044444],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011016553,0.0005839597,0.7986145,0.0003666683,0.0010007701,0.00039295485,0.10363237,0.000008111082,0.01080277,0.000925676,0.049395457,0.033175103],"study_design_scores_gemma":[0.001680841,0.00085872377,0.986316,0.00027639643,0.00006984853,0.0002712405,0.005827123,0.000009576728,0.0014142588,0.00022045529,0.0029221487,0.00013334065],"about_ca_topic_score_codex":0.000014592941,"about_ca_topic_score_gemma":0.000030581734,"teacher_disagreement_score":0.18770154,"about_ca_system_score_codex":0.000013875884,"about_ca_system_score_gemma":0.000019740593,"threshold_uncertainty_score":0.3576281},"labels":[],"label_agreement":null},{"id":"W4236892366","doi":"10.32920/ryerson.14644521","title":"Exploring pedagogical practices for engaging boys in ballet","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Education and Early Childhood Development; University of Ottawa","funders":"","keywords":"Ballet; Inclusion (mineral); Classical ballet; Psychology; Pedagogy; Expression (computer science); Best practice; Dance; Visual arts; Art; Social psychology; Political science; Computer science","score_opus":0.7490855920153822,"score_gpt":0.48661930462939645,"score_spread":0.2624662873859857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236892366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7871056,0.0005541772,0.00305806,0.0033351998,0.003051042,0.00047093444,0.000026110314,0.000105337276,0.2022935],"genre_scores_gemma":[0.9769389,0.00028906876,0.00786521,0.00073078834,0.0004322272,0.00022079771,0.00007641868,0.000024385938,0.013422211],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846643,0.00016979768,0.0002303646,0.0005726859,0.00015438993,0.00040635667],"domain_scores_gemma":[0.9987066,0.0004739193,0.00026755856,0.0004065362,0.000056187648,0.00008919097],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066106644,0.00019103856,0.0003259868,0.0001224399,0.00007053808,0.00015816768,0.00036377096,0.00021374479,0.0026903194],"category_scores_gemma":[0.0006589924,0.00019863635,0.00014784311,0.00007240676,0.000024636376,0.00038646423,0.00057984865,0.00087291934,0.00008575904],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031747576,0.008007935,0.11099829,0.0037835792,0.0029743067,0.0028662866,0.44571245,0.0015868464,0.00089788216,0.11999869,0.08827851,0.21172047],"study_design_scores_gemma":[0.0047688745,0.00042885967,0.13683783,0.0009907618,0.0002584936,0.000053556007,0.3801926,0.00036759977,0.0005161311,0.0018199541,0.4716462,0.0021191628],"about_ca_topic_score_codex":0.0012436958,"about_ca_topic_score_gemma":0.00022561423,"teacher_disagreement_score":0.38336766,"about_ca_system_score_codex":0.000066566376,"about_ca_system_score_gemma":0.00009151604,"threshold_uncertainty_score":0.99822134},"labels":[],"label_agreement":null},{"id":"W4237489728","doi":"10.24124/2001/bpgub175","title":"\"A little bit of weight is taken off\": A phenomenological study of Celtic folk dance as a stress management strategy for women in midlife.","year":2001,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec; University of Alberta; University of Northern British Columbia; Library and Archives Canada","funders":"Strong","keywords":"Dance; Bit (key); Celtic languages; Art; Stress (linguistics); Visual arts; Humanities; Psychology; Literature; Philosophy; Computer science; Linguistics","score_opus":0.040658678150531244,"score_gpt":0.338436362368611,"score_spread":0.29777768421807976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237489728","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78135157,0.00035466687,0.0000072405564,0.000027984248,0.0002677372,0.0013147088,0.0001393265,0.000018498087,0.21651825],"genre_scores_gemma":[0.8485922,0.00017701444,0.000059203263,0.000060562852,0.000029461202,0.00024039544,0.00016595944,0.00002315901,0.15065202],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99780667,0.000094225994,0.0006521365,0.0005606824,0.00033130258,0.0005549938],"domain_scores_gemma":[0.9986975,0.00013010036,0.00047915205,0.0004930845,0.000103681865,0.00009648104],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002575069,0.0003120293,0.0008251157,0.00040342537,0.000038428007,0.000018837638,0.0005508136,0.0002841772,0.004318838],"category_scores_gemma":[0.000023371236,0.0002931256,0.00012920772,0.00038664608,0.000048673945,0.00009877022,0.000051378698,0.00019108424,0.000054233114],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.030150447,0.09375968,0.12626673,0.009995586,0.0116960155,0.00071099645,0.44300976,0.00021046815,0.00020429541,0.04362044,0.041702226,0.19867332],"study_design_scores_gemma":[0.009243788,0.008093698,0.29005536,0.0004908026,0.0003215034,0.0000020846853,0.6784505,0.000016148559,0.0002761037,0.006041196,0.006144988,0.0008638006],"about_ca_topic_score_codex":0.00053855026,"about_ca_topic_score_gemma":0.000583097,"teacher_disagreement_score":0.23544075,"about_ca_system_score_codex":0.000111810004,"about_ca_system_score_gemma":0.00005146491,"threshold_uncertainty_score":0.9999521},"labels":[],"label_agreement":null},{"id":"W4238018040","doi":"10.1002/9781118405376.wbevl079","title":"Dance and Literature","year":2015,"lang":"en","type":"other","venue":"The Encyclopedia of Victorian Literature","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dance; Ballet; Narrative; Entertainment; Representation (politics); Aesthetics; Romance; Contemporary dance; Concert dance; Visual arts; Sociology; Art; Literature","score_opus":0.007878467408154123,"score_gpt":0.2590934417977427,"score_spread":0.25121497438958856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238018040","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013232986,0.09130148,0.0000029101495,0.0003199729,0.0055886833,0.0003057548,0.0017052452,0.00010480125,0.9005388],"genre_scores_gemma":[0.00046307698,0.0035442426,0.00020909021,0.00024466726,0.0044026608,0.000009316127,0.00030508626,0.00021016963,0.9906117],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852026,0.0001701397,0.00022130339,0.0004248453,0.000324526,0.00033892295],"domain_scores_gemma":[0.9984292,0.00006937472,0.0003147852,0.0008985357,0.00011547359,0.00017265796],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000221357,0.00041595259,0.00048297746,0.00019390995,0.00005407745,0.00009637664,0.0006313186,0.00080156606,0.0013960012],"category_scores_gemma":[0.0000725223,0.0002825934,0.00009066344,0.0005305798,0.00020232807,0.00013222996,0.00013359587,0.0008181165,0.0001542716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072975294,0.00005435719,0.00017642806,0.00014712613,0.0001492649,0.000069455484,0.02373707,3.7925055e-8,0.0000030447577,0.007074704,0.9679758,0.0005397597],"study_design_scores_gemma":[0.0005254333,0.00010631132,0.00056106364,0.0011337536,0.00007716644,0.000043332435,0.00017640527,1.2412565e-7,8.7836634e-7,0.00068809645,0.9963971,0.00029036944],"about_ca_topic_score_codex":0.000024697074,"about_ca_topic_score_gemma":0.000016915517,"teacher_disagreement_score":0.09007287,"about_ca_system_score_codex":0.000014639861,"about_ca_system_score_gemma":0.000056860074,"threshold_uncertainty_score":0.9999626},"labels":[],"label_agreement":null},{"id":"W4239148013","doi":"10.5406/illinois/9780252039065.003.0011","title":"The Artistic Sixties","year":2017,"lang":"en","type":"book","venue":"University of Illinois Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medal; Crash; History; Art history; Engineering; Management; Aeronautics; Computer science","score_opus":0.03967538278426307,"score_gpt":0.24956144857483395,"score_spread":0.20988606579057087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239148013","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000121712714,0.0008929802,0.000098066484,0.000040527564,0.00080600195,0.00023882886,0.0003182395,0.00004839624,0.9974353],"genre_scores_gemma":[0.0018709857,0.00015537922,0.000040849976,0.000025242354,0.00013657553,1.1218937e-7,0.000019385365,0.000017808085,0.99773365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989265,0.000069756126,0.00013852592,0.00029647653,0.00026450842,0.00030420805],"domain_scores_gemma":[0.99791366,0.00023461692,0.0005349325,0.0010747168,0.00014063719,0.00010143509],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015059464,0.00022857398,0.0003558561,0.00006225992,0.0008217641,0.000054124408,0.0015062883,0.00035867482,0.0002552171],"category_scores_gemma":[0.000031410567,0.00022052771,0.00023653454,0.0000033332315,0.0013335318,0.000062089915,0.00035250222,0.000407192,0.00021988747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031667558,0.000033159104,0.000013891965,0.00005799673,0.00057700014,0.00014976975,0.0037327912,0.0000018390243,0.0000036703043,0.18067676,0.7915294,0.022906998],"study_design_scores_gemma":[0.0004755112,0.00010183797,0.0003241525,0.00012065021,0.00021477976,0.000004311229,0.00026265313,0.0000023236505,0.000014533875,0.0020977738,0.9961515,0.00022999095],"about_ca_topic_score_codex":0.0009635437,"about_ca_topic_score_gemma":0.00016678954,"teacher_disagreement_score":0.20462203,"about_ca_system_score_codex":0.000073275725,"about_ca_system_score_gemma":0.00015644504,"threshold_uncertainty_score":0.8992859},"labels":[],"label_agreement":null},{"id":"W4239754841","doi":"10.1353/ctr.2012.0015","title":"Queer Women's Performance Symposium","year":2012,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Conversation; Terminology; Queer theory; Gender studies; Sociology; Art; Visual arts; Linguistics; Philosophy; Communication","score_opus":0.01986022579606934,"score_gpt":0.26239099043686465,"score_spread":0.24253076464079532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239754841","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043139573,0.20982452,0.000001788034,0.0036210027,0.0011993288,0.00032500416,0.000044141387,0.000039666505,0.74180496],"genre_scores_gemma":[0.92285484,0.04322232,0.000023002794,0.020913031,0.00035549002,0.000045032164,0.000012182828,0.000023434797,0.012550651],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886304,0.00006562504,0.00012173677,0.0001261278,0.00008098135,0.00074250414],"domain_scores_gemma":[0.9987211,0.000016102778,0.000038562663,0.00037409615,0.000019137404,0.0008310031],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031574088,0.000121149045,0.00021520111,0.000064289736,0.00009970999,0.000011559526,0.00022827671,0.000059553524,0.011031218],"category_scores_gemma":[0.000007291454,0.000109783665,0.00006199729,0.00017501233,0.000039498114,0.00022210872,0.000014291983,0.00012467845,0.007986878],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010943288,0.00007853318,0.07497287,0.001980775,0.00015740366,0.000025387448,0.003574551,2.7683691e-7,0.000007769702,0.005121481,0.55739534,0.35667467],"study_design_scores_gemma":[0.00008405706,0.000034088116,0.012944167,0.0005242187,0.000030595067,0.00003336509,0.00009342601,1.6317506e-7,0.0000023679654,0.000005415498,0.9861045,0.0001436614],"about_ca_topic_score_codex":0.0062908097,"about_ca_topic_score_gemma":0.0010062772,"teacher_disagreement_score":0.87971526,"about_ca_system_score_codex":0.00026433496,"about_ca_system_score_gemma":0.00011156873,"threshold_uncertainty_score":0.9927855},"labels":[],"label_agreement":null},{"id":"W4239944343","doi":"10.21083/csieci.v7i2.1701","title":"I Want to Be Ready: Improvised Dance as a Practice of Freedom","year":2011,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":20,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Aesthetics; Visual arts; Art","score_opus":0.16374708316408004,"score_gpt":0.44236568679490973,"score_spread":0.2786186036308297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239944343","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.744084,0.002254043,0.011312232,0.02928988,0.00673801,0.00536319,0.0004378686,0.00092619355,0.1995946],"genre_scores_gemma":[0.978683,0.00024062824,0.016094744,0.0040753004,0.0002483932,0.00031984824,0.000030340627,0.000054396874,0.0002533798],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99574697,0.0006145867,0.0011362197,0.00089919084,0.00065356115,0.00094945164],"domain_scores_gemma":[0.99561495,0.0018078728,0.00029456685,0.00071163743,0.0012456814,0.00032532186],"candidate_categories":["metaresearch","metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0018202518,0.00045912553,0.0007048761,0.00042720913,0.0002124903,0.000065325665,0.00054771535,0.00032783995,0.0002958056],"category_scores_gemma":[0.015078284,0.0004794923,0.00013959271,0.00056409574,0.0008643589,0.0015943415,0.00033505601,0.0004821604,0.0001184683],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023436304,0.0024044684,0.0018055725,0.0007384718,0.00035264096,0.00012164349,0.14996305,0.0000073125025,0.010971391,0.79030377,0.002822514,0.038165513],"study_design_scores_gemma":[0.012701958,0.026976913,0.11506938,0.0016535247,0.0015938017,0.00031929178,0.68183815,0.0006909384,0.04933222,0.046169423,0.05831688,0.00533752],"about_ca_topic_score_codex":0.0028363902,"about_ca_topic_score_gemma":0.0002716332,"teacher_disagreement_score":0.74413437,"about_ca_system_score_codex":0.0005696873,"about_ca_system_score_gemma":0.00019183327,"threshold_uncertainty_score":0.9997657},"labels":[],"label_agreement":null},{"id":"W4240446309","doi":"10.1353/ctr.2012.0056","title":"“Frontstage” and “Backstage” in Heritage Performance: What Ethnography Reveals","year":2012,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; Dance; Identity (music); Aesthetics; Value (mathematics); Race (biology); Sociology; Visual arts; Anthropology; Gender studies; Art; Computer science","score_opus":0.03454880439103773,"score_gpt":0.29493952029961895,"score_spread":0.2603907159085812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240446309","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18506825,0.7343499,6.1683374e-7,0.0015148602,0.00055650185,0.00045123146,0.000037147875,0.000019110164,0.07800238],"genre_scores_gemma":[0.69749385,0.2922531,0.00005511305,0.008471385,0.000099141915,0.000022396942,0.000016099733,0.000019937637,0.0015689279],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986782,0.00014424737,0.00020922764,0.00019657738,0.00008911292,0.0006826562],"domain_scores_gemma":[0.998892,0.000033549022,0.000056613484,0.00036656903,0.00001561101,0.0006356255],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006176065,0.00016746396,0.00033943684,0.00018150714,0.00009185566,0.000043877375,0.00019432658,0.00010285056,0.0022831287],"category_scores_gemma":[0.000013122001,0.00016029348,0.000073776326,0.00034892678,0.000089083056,0.00086929323,0.000024081766,0.00022204124,0.00050439505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009675285,0.0000552805,0.34903115,0.0019124064,0.00005686364,0.000042735126,0.0029145132,6.6616785e-8,0.00000377248,0.0007335658,0.05111541,0.59412456],"study_design_scores_gemma":[0.00029026426,0.00005388904,0.21270238,0.004008547,0.00005202999,0.000037015,0.0014781489,2.8723264e-7,0.0000013767766,0.000024927334,0.7810732,0.00027795476],"about_ca_topic_score_codex":0.008885141,"about_ca_topic_score_gemma":0.010274912,"teacher_disagreement_score":0.72995776,"about_ca_system_score_codex":0.00009318416,"about_ca_system_score_gemma":0.00005311403,"threshold_uncertainty_score":0.9986289},"labels":[],"label_agreement":null},{"id":"W4240831697","doi":"10.32920/ryerson.14667054","title":"The pas de trois of disability, dance and social work: dance/movement therapy as point of access for recreational dance","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Toronto Metropolitan University","funders":"","keywords":"Dance; Recreation; Parallels; Psychology; Sociology; Dance therapy; Visual arts; Political science; Art; Engineering","score_opus":0.10647655310680089,"score_gpt":0.38506712920417396,"score_spread":0.2785905760973731,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240831697","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9719277,0.0016349549,0.0036970952,0.010836829,0.0006244606,0.0010271657,0.0002651082,0.000022035583,0.009964658],"genre_scores_gemma":[0.99414545,0.00087524665,0.0015492853,0.0010765261,0.0001766457,0.00016005697,0.00008224759,0.000018879484,0.0019156635],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9982831,0.00018169581,0.00044390486,0.00048435645,0.0002885223,0.0003184122],"domain_scores_gemma":[0.99815947,0.00054865924,0.00048121723,0.0005470016,0.00020931194,0.00005432926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069765444,0.0002283944,0.0004673256,0.000025263334,0.00022529109,0.00010288651,0.00074084464,0.00022611594,0.00057277014],"category_scores_gemma":[0.00009169246,0.00018352909,0.00024043395,0.00012182384,0.000627176,0.00014070851,0.0006090351,0.00026559524,0.000001165717],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007649517,0.0031974823,0.57036334,0.00096780865,0.0026569467,0.000004698298,0.029138258,0.00015147169,0.0009740537,0.21330327,0.021660876,0.1499323],"study_design_scores_gemma":[0.0019260608,0.0002371596,0.9553011,0.00021116555,0.000065768676,0.0000014454379,0.0036998112,0.000019695553,0.003824775,0.030669337,0.003712682,0.0003310198],"about_ca_topic_score_codex":0.0008300518,"about_ca_topic_score_gemma":0.00024329865,"teacher_disagreement_score":0.38493776,"about_ca_system_score_codex":0.00010228135,"about_ca_system_score_gemma":0.00017212321,"threshold_uncertainty_score":0.74840987},"labels":[],"label_agreement":null},{"id":"W4240915013","doi":"10.1007/978-1-349-94186-5_778","title":"Métis Centre at NAHO","year":2018,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.026092279544189998,"score_gpt":0.25786778470720273,"score_spread":0.23177550516301273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240915013","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011262097,0.00095841946,0.000011442852,0.00009079928,0.0021757977,0.0004391804,0.0007597416,0.00017947592,0.99425894],"genre_scores_gemma":[0.5439363,0.000035015186,0.000063297135,0.00056321936,0.00064573035,0.0000032173978,0.00010444311,0.00008652266,0.45456225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99741775,0.000047098725,0.0003933641,0.000844139,0.00044618818,0.0008514691],"domain_scores_gemma":[0.99787915,0.00009081132,0.0003589449,0.001177366,0.00012950106,0.00036425327],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000158268,0.0006760883,0.00065308285,0.00022631449,0.0002718845,0.000053362244,0.0006840406,0.00077323196,0.07940571],"category_scores_gemma":[0.000015964002,0.00069296634,0.00042319222,0.00001487262,0.00046441366,6.682193e-7,0.00051078433,0.00041685373,0.035483677],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002413899,0.0000011793636,0.00051068794,0.000048074813,0.00062705897,0.00040855425,0.0026118562,3.1659095e-8,0.000035633915,0.95627815,0.029288957,0.009948439],"study_design_scores_gemma":[0.0012531746,0.00034068502,0.0015447041,0.00026019197,0.0002645649,0.00012891875,0.0001632384,6.637684e-7,0.00013119282,0.6169907,0.3776866,0.0012354027],"about_ca_topic_score_codex":0.00009612999,"about_ca_topic_score_gemma":0.00023143033,"teacher_disagreement_score":0.5428101,"about_ca_system_score_codex":0.00019136358,"about_ca_system_score_gemma":0.00004497773,"threshold_uncertainty_score":0.99955213},"labels":[],"label_agreement":null},{"id":"W4241576860","doi":"10.1093/ww/9780199540884.013.u162441","title":"Bruhn, Erik Belton Evers, (3 Oct. 1928–1 April 1986), Danish Ballet Dancer; actor; choreographer; teacher; Artistic Director, National Ballet of Canada, since 1983 (Resident Producer, 1973–76)","year":2007,"lang":"en","type":"reference-entry","venue":"Who Was Who","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Danish; Art; Art history; Visual arts; Dance; Philosophy","score_opus":0.024347186129239782,"score_gpt":0.2819235492499429,"score_spread":0.2575763631207031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241576860","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01972243,0.02871131,0.0000992192,0.0015485578,0.011337276,0.0018606045,0.008935118,0.00027836964,0.9275071],"genre_scores_gemma":[0.12878525,0.024113089,0.00054599444,0.0027444668,0.0067670443,0.00015625094,0.0048443945,0.0004703532,0.8315731],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9911006,0.00047524372,0.001412071,0.001980136,0.0031626704,0.0018692586],"domain_scores_gemma":[0.99498355,0.0005105778,0.001425114,0.0015631033,0.00076023844,0.00075742824],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0010384467,0.0013128538,0.001922936,0.00061558135,0.0005040255,0.00015479619,0.0020617675,0.0012871216,0.00617682],"category_scores_gemma":[0.00070245075,0.0014197738,0.000488092,0.0009677104,0.00063338334,0.00036741732,0.00047031805,0.002055302,0.0001677176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004840017,0.00055783987,0.008185968,0.0005490885,0.0011641706,0.00017403172,0.00087710854,0.0000159585,0.000021339434,0.0019169867,0.9780061,0.008047377],"study_design_scores_gemma":[0.0015004238,0.00029613305,0.1432414,0.0013857546,0.00029104238,0.00003727357,0.00037050594,0.000007784764,0.00010225986,0.00016369707,0.8512801,0.0013236249],"about_ca_topic_score_codex":0.24023795,"about_ca_topic_score_gemma":0.270742,"teacher_disagreement_score":0.13505544,"about_ca_system_score_codex":0.0017787754,"about_ca_system_score_gemma":0.003986751,"threshold_uncertainty_score":0.9999623},"labels":[],"label_agreement":null},{"id":"W4242178219","doi":"10.32920/ryerson.14643732","title":"Movement in tradition: Tobe","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movement (music); Order (exchange); Simple (philosophy); Political science; Epistemology; Aesthetics; Art; Philosophy; Economics","score_opus":0.055729978789133515,"score_gpt":0.31201037647895513,"score_spread":0.25628039768982164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242178219","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3795419,0.0002856172,0.0003823816,0.0014055499,0.0019458588,0.00013944466,0.00003047262,0.000036724003,0.61623204],"genre_scores_gemma":[0.9781532,0.000037463396,0.00054163754,0.003460652,0.00013538306,0.00001927684,0.00011213869,0.0000073291985,0.017532878],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9992576,0.00004859028,0.00013628424,0.0002911162,0.00011293228,0.00015348208],"domain_scores_gemma":[0.999525,0.000016631566,0.000042323594,0.00035083335,0.000016960581,0.00004824119],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008998374,0.00010869858,0.00017268457,0.00006786281,0.000015185434,0.000045892983,0.00019407352,0.00018155196,0.02684398],"category_scores_gemma":[0.0000062456975,0.0001194334,0.00008046552,0.000059342416,0.000019745201,0.00004768294,0.0002042502,0.00034245412,0.00030510998],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022887976,0.0053866277,0.061717037,0.00042130693,0.0009265528,0.0023197324,0.03243595,0.00049295276,0.00018207701,0.23407216,0.6133222,0.04849452],"study_design_scores_gemma":[0.0016300962,0.00014362475,0.95576984,0.00029571698,0.00003953299,0.0000075388366,0.012994571,0.000032870128,0.00035712693,0.010933188,0.017108642,0.0006872783],"about_ca_topic_score_codex":0.0009614525,"about_ca_topic_score_gemma":0.00014298224,"teacher_disagreement_score":0.8940528,"about_ca_system_score_codex":0.00007053631,"about_ca_system_score_gemma":0.00004853361,"threshold_uncertainty_score":0.97404563},"labels":[],"label_agreement":null},{"id":"W4242416596","doi":"10.5744/florida/9780813062662.001.0001","title":"Dance and Gender","year":2017,"lang":"en","type":"book","venue":"University Press of Florida eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Status quo; Choreography; Studio; Happiness; Dance education; Action (physics); Psychology; Sociology; Visual arts; Gender studies; Political science; Social psychology; Art","score_opus":0.05587030254520038,"score_gpt":0.2642738654850619,"score_spread":0.2084035629398615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242416596","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012786849,0.00050280156,0.000050287614,0.000011141604,0.00082924374,0.00019588044,0.00037206567,0.00004349537,0.9967164],"genre_scores_gemma":[0.0059059616,0.000080189355,0.000097776545,0.000028366223,0.00016825066,1.8284632e-7,0.00001673974,0.000018723995,0.9936838],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989862,0.000041048523,0.00011443519,0.00040047363,0.00020549682,0.00025234834],"domain_scores_gemma":[0.99853534,0.00006604646,0.00035887107,0.00081306987,0.000090047215,0.00013660309],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00009164224,0.00024397168,0.0004075907,0.0001249014,0.00022308515,0.000029294903,0.0008166072,0.00039284216,0.00016968524],"category_scores_gemma":[0.000012162322,0.000302105,0.00013059631,0.0000055780965,0.0005609995,0.00013949002,0.00043468908,0.00035302254,0.000034118475],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006841498,0.00005225369,0.0004982889,0.00044535744,0.0010698112,0.00047730177,0.0045233257,0.0000011425889,0.000024877847,0.29577947,0.6875221,0.008921926],"study_design_scores_gemma":[0.0009630949,0.000071273294,0.002313689,0.00010907213,0.00025755592,0.0000095207,0.00015210308,0.0000011514763,0.000045433295,0.0008384203,0.9949151,0.00032354874],"about_ca_topic_score_codex":0.00017938312,"about_ca_topic_score_gemma":0.000007645578,"teacher_disagreement_score":0.30739304,"about_ca_system_score_codex":0.000053281092,"about_ca_system_score_gemma":0.000118342745,"threshold_uncertainty_score":0.9999431},"labels":[],"label_agreement":null},{"id":"W4242549441","doi":"10.1093/oxfordhb/9780199949298.013.27","title":"Provoking Change","year":2017,"lang":"en","type":"reference-entry","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; The arts; Context (archaeology); Curriculum; Symbol (formal); Variety (cybernetics); Pedagogy; Dance education; Sociology; Performing arts; Public relations; Psychology; Visual arts; Political science; Art; Computer science; History","score_opus":0.18691765152996406,"score_gpt":0.3723485358389357,"score_spread":0.18543088430897162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242549441","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011276891,0.003474319,0.000014166161,0.00037596616,0.006858647,0.00026565918,0.00015795886,0.00009337359,0.98864716],"genre_scores_gemma":[0.0025235636,0.0065516043,0.000051276686,0.0006138595,0.0021612546,0.00002482917,0.00012838644,0.000022133529,0.9879231],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998993,0.000031242882,0.00010261168,0.00032734065,0.00018421833,0.00036159417],"domain_scores_gemma":[0.99891484,0.000023422614,0.0002006301,0.0007333131,0.000034268687,0.0000935295],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008327853,0.00020484341,0.00030178012,0.000096860655,0.00017937606,0.000105219326,0.00068305805,0.0004803659,0.013800524],"category_scores_gemma":[0.00002671354,0.000179356,0.000111561654,0.000024521134,0.0000649888,0.00017802883,0.00017090436,0.00043272632,0.005752282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010056566,0.000041999723,0.00045874726,0.00005468109,0.0000748847,0.000033054384,0.00038313854,4.9217946e-10,1.4992121e-8,0.0014775965,0.7416251,0.25584078],"study_design_scores_gemma":[0.00024166361,0.00007072545,0.007817894,0.00028050883,0.000044852124,0.000007999345,0.00009842749,1.355643e-7,8.813467e-7,0.00012132692,0.99108523,0.00023034189],"about_ca_topic_score_codex":0.00094391964,"about_ca_topic_score_gemma":0.000050758037,"teacher_disagreement_score":0.25561044,"about_ca_system_score_codex":0.000039190334,"about_ca_system_score_gemma":0.000048051494,"threshold_uncertainty_score":0.9950219},"labels":[],"label_agreement":null},{"id":"W4242989984","doi":"10.2307/4129218","title":"New Ethnicity and Ukrainian Canadian Social Dances","year":2002,"lang":"en","type":"article","venue":"Journal of American Folklore","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ukrainian; Ethnic group; Repertoire; Dance; Folk dance; Citizen journalism; Gender studies; Sociology; Political science; Anthropology; Art; Visual arts; Literature; Linguistics; Law","score_opus":0.03589726940232328,"score_gpt":0.29389088955161885,"score_spread":0.25799362014929555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242989984","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91196215,0.0009072948,0.000040994793,0.009823351,0.0004996188,0.000038119368,0.0000173631,0.000008593232,0.07670251],"genre_scores_gemma":[0.9951008,0.00009379937,0.00064524595,0.0018039251,0.00055950164,1.2552961e-7,3.0325347e-7,0.000007677782,0.0017886303],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9992444,0.000056215267,0.00017630013,0.00009487402,0.00015894783,0.00026929213],"domain_scores_gemma":[0.9991232,0.00003473238,0.0002908874,0.00007648931,0.00004960684,0.00042508479],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001205072,0.00009132828,0.00024052516,0.00014195628,0.0001257366,0.00003217418,0.00020243849,0.00004399862,0.0018775383],"category_scores_gemma":[0.000036151538,0.0000837648,0.00008318748,0.00020172325,0.00021670446,0.00016755407,0.000015497992,0.00025732254,0.00006472041],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009747155,0.00007145427,0.040034354,0.0000046083355,0.00023960318,0.00028962397,0.04823173,9.347165e-7,0.000045737746,0.0005178003,0.34373376,0.56673294],"study_design_scores_gemma":[0.00095235405,0.00094993826,0.50741386,0.00002159883,0.000067275425,0.00026633817,0.008965984,0.000004779539,0.000009609452,0.00010829278,0.48102948,0.00021052388],"about_ca_topic_score_codex":0.031159112,"about_ca_topic_score_gemma":0.0075587453,"teacher_disagreement_score":0.5665224,"about_ca_system_score_codex":0.000062372026,"about_ca_system_score_gemma":0.00006888638,"threshold_uncertainty_score":0.9990349},"labels":[],"label_agreement":null},{"id":"W4243341541","doi":"10.32920/ryerson.14662602","title":"Sharing dance: a participatory action research project in online community dance education","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Dance education; Outreach; Curriculum; Citizen journalism; Inclusion (mineral); Sociology; Pedagogy; Visual arts; Political science; Art; Social science","score_opus":0.6625861198815656,"score_gpt":0.5831810732204487,"score_spread":0.07940504666111692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243341541","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95216894,0.0006604606,0.000057571502,0.0003154781,0.0016559061,0.0005628538,0.00003124428,0.0000707587,0.044476785],"genre_scores_gemma":[0.98672616,0.00016807126,0.00058389583,0.0002600042,0.00022126215,0.00016530874,0.00034364243,0.000019727113,0.011511921],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99682677,0.0015227335,0.00031165942,0.0005132661,0.0003446256,0.00048091973],"domain_scores_gemma":[0.99798715,0.00018724897,0.00013022748,0.0013510743,0.00026356665,0.00008074723],"candidate_categories":["research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0020684332,0.00018570035,0.0002977714,0.0003844736,0.00024072782,0.00014468667,0.0007972675,0.00037433294,0.00067948154],"category_scores_gemma":[0.0003258019,0.00021296706,0.0000739403,0.00048833335,0.00013753395,0.00025820624,0.0014641022,0.0039310157,0.000080099984],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010022438,0.027584054,0.5833625,0.0030321747,0.00046094405,0.000086946835,0.17681417,0.00035040404,0.0016153225,0.0054796687,0.09246249,0.107749045],"study_design_scores_gemma":[0.0005914697,0.00014390811,0.8672254,0.0012687789,0.000025472127,0.000007732668,0.123165496,0.00026769677,0.00032000896,0.00125032,0.005304101,0.0004295848],"about_ca_topic_score_codex":0.0432731,"about_ca_topic_score_gemma":0.013026295,"teacher_disagreement_score":0.2838629,"about_ca_system_score_codex":0.000499715,"about_ca_system_score_gemma":0.0010885682,"threshold_uncertainty_score":0.99836695},"labels":[],"label_agreement":null},{"id":"W4243815332","doi":"10.4324/9781135000356-rem1383-1","title":"Yoga","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Tantra; Indigenous; Aesthetics; Doctrine; Successor cardinal; Diaspora; Modernization theory; Colonialism; Gender studies; History; Sociology; Art; Literature; Political science; Law","score_opus":0.04970716264152109,"score_gpt":0.29162515995893284,"score_spread":0.24191799731741176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243815332","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029876372,0.00013003687,0.000042740965,0.00012758313,0.0013175177,0.00005930428,0.000043349708,0.0000766663,0.99817294],"genre_scores_gemma":[0.00024141061,0.000015826556,0.000096684365,0.0011628848,0.00045233715,9.201596e-7,0.000013490966,0.00001779114,0.99799865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949,0.0000034023544,0.000077222714,0.00019486822,0.0000952818,0.00013918623],"domain_scores_gemma":[0.999506,0.000016201877,0.000053761018,0.00033047237,0.000031030355,0.0000625248],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039510014,0.00013058176,0.00014227565,0.000055764962,0.000034879722,0.000012592342,0.00019696982,0.00028726028,0.58898276],"category_scores_gemma":[0.000002910044,0.00012288507,0.00008581347,0.0000050966814,0.00010439823,0.00003511052,0.000057257308,0.00014567237,0.12714407],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012128237,0.0000059644544,0.000005783023,0.0000018424357,0.000056941568,0.000013451737,0.00012300641,1.3015067e-9,1.8534261e-7,0.35246533,0.6453926,0.0019227783],"study_design_scores_gemma":[0.000142861,0.00011730625,0.00013441987,0.000017228758,0.000025620027,0.000006692629,0.000022839753,3.5379223e-8,0.00000235272,0.0153338555,0.98404694,0.00014983048],"about_ca_topic_score_codex":0.000021643713,"about_ca_topic_score_gemma":0.000008456848,"teacher_disagreement_score":0.4618387,"about_ca_system_score_codex":0.000015995895,"about_ca_system_score_gemma":0.000011977108,"threshold_uncertainty_score":0.8735356},"labels":[],"label_agreement":null},{"id":"W4244216762","doi":"10.2139/ssrn.910767","title":"Louis Gerstner and Lotus Development (a)","year":2006,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Workplace Health, Safety and Compensation Commission","funders":"","keywords":"Lotus; Engineering; Biology","score_opus":0.008284465941261933,"score_gpt":0.24252684816930967,"score_spread":0.23424238222804775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244216762","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94762415,0.0048139105,0.0025588453,0.0006201737,0.00031409203,0.00005399883,0.0000011403329,0.000027724804,0.043985974],"genre_scores_gemma":[0.97883224,0.00023152206,0.00015422795,0.00015063724,0.00021337564,9.2087447e-7,0.0000020006953,0.000010133909,0.020404955],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981123,0.000035715326,0.00014039713,0.00013519372,0.00014004081,0.0014363254],"domain_scores_gemma":[0.99973357,0.000016615328,0.00007478648,0.0000840795,0.000027463871,0.000063492465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004932355,0.00010060417,0.000104300096,0.000076294426,0.00020152339,0.00005042136,0.00013302974,0.000060807168,0.0002869373],"category_scores_gemma":[0.000006515543,0.0000925116,0.00003557669,0.000073466,0.000043422766,0.00011819375,0.000026032114,0.00069560145,0.0002522477],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028607983,0.0004619787,0.07503203,0.000008258376,0.0005569577,0.00007468371,0.0017398585,0.000011150106,0.0003854972,0.7575124,0.017960053,0.14597109],"study_design_scores_gemma":[0.00459907,0.0009039404,0.3927474,0.00003592627,0.000096195174,0.0034434118,0.0054362146,0.0000060209986,0.0003279275,0.15704007,0.43455988,0.0008039195],"about_ca_topic_score_codex":0.00011225454,"about_ca_topic_score_gemma":0.0002088473,"teacher_disagreement_score":0.6004723,"about_ca_system_score_codex":0.00031300992,"about_ca_system_score_gemma":0.00041507254,"threshold_uncertainty_score":0.37725136},"labels":[],"label_agreement":null},{"id":"W4244327285","doi":"10.3138/utq.77.4.1085","title":"Indian Modernity and Tagore's Dance","year":2008,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Style (visual arts); Dance improvisation; Aesthetics; Contemporary dance; Drama; Modern dance; Bengali; Modernity; Art; Narrative; Literature; Visual arts; Jazz dance; Concert dance; Philosophy; Linguistics; Epistemology","score_opus":0.015703845707109216,"score_gpt":0.22268456181092688,"score_spread":0.20698071610381766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244327285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9389374,0.00036797038,0.00044187295,0.00007926532,0.00012820047,0.00007199502,0.00004219031,0.000034884783,0.059896216],"genre_scores_gemma":[0.99302447,0.000054005737,0.0004612647,0.000045859797,0.000021486358,4.0846178e-8,0.0000041069075,0.000003932122,0.0063848146],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9994225,0.00004440908,0.00006168664,0.0001866638,0.00010756734,0.00017720569],"domain_scores_gemma":[0.9995291,0.000023757615,0.000072745956,0.0002213488,0.000036659614,0.00011638289],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000049166374,0.00008698979,0.00015373314,0.000022259972,0.00018659818,0.000004247386,0.00021179162,0.00008059624,0.0016637351],"category_scores_gemma":[0.0000026447171,0.00011084629,0.000049609876,0.00002157361,0.00024016426,0.00043351226,0.000023635608,0.00007028127,0.000080728096],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011426167,0.0009611041,0.10995523,0.0000775588,0.00043163338,0.00091406424,0.6796958,0.0000035828214,0.0005702965,0.0076099937,0.05271885,0.1459193],"study_design_scores_gemma":[0.0019994706,0.0011589864,0.92796403,0.000020793934,0.000036934067,0.000063453,0.041381553,0.00002720817,0.000021230537,0.00016839094,0.026869444,0.0002885088],"about_ca_topic_score_codex":0.026953487,"about_ca_topic_score_gemma":0.0051856884,"teacher_disagreement_score":0.8180088,"about_ca_system_score_codex":0.000056039084,"about_ca_system_score_gemma":0.000021590004,"threshold_uncertainty_score":0.99924886},"labels":[],"label_agreement":null},{"id":"W4244595253","doi":"10.3138/seminar.46.3.293","title":"Still Motion: Dance and Stasis in the Weimar Operetta Film","year":2010,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Motion (physics); Art; Visual arts; Computer vision; Computer science","score_opus":0.03931037373588072,"score_gpt":0.35143907719771544,"score_spread":0.31212870346183474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244595253","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97958,0.013445986,0.00000836093,0.0028702684,0.00087035063,0.00006856991,0.000010021349,0.0000037613775,0.00314271],"genre_scores_gemma":[0.9971158,0.0014311166,0.00012441521,0.000497863,0.00021782248,0.0000014050083,2.4849172e-7,0.000004921985,0.0006063945],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9992261,0.00008545465,0.00022539342,0.00010205884,0.00018429602,0.00017667716],"domain_scores_gemma":[0.99926734,0.00024231098,0.00018373528,0.00016936599,0.000098847406,0.00003842577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071016396,0.00010020666,0.00022707936,0.00007491318,0.00008234088,0.000025281548,0.00028767716,0.000046709454,0.00016731519],"category_scores_gemma":[0.00016074271,0.00006574365,0.000054241216,0.00011876785,0.0001905323,0.00020093194,0.000073158,0.00042814933,0.000022105438],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007060833,0.0009199068,0.08539784,0.0001461202,0.0013852139,0.0015401714,0.30184427,0.000007095708,0.0025077476,0.006227468,0.49689972,0.10241835],"study_design_scores_gemma":[0.0018879588,0.0006448329,0.82419306,0.00021171004,0.00016401362,0.0016320365,0.060405996,0.0000071169284,0.00022420227,0.000903162,0.10947356,0.00025234153],"about_ca_topic_score_codex":0.000011014379,"about_ca_topic_score_gemma":0.000031956857,"teacher_disagreement_score":0.7387952,"about_ca_system_score_codex":0.000013285999,"about_ca_system_score_gemma":0.000015661668,"threshold_uncertainty_score":0.2680948},"labels":[],"label_agreement":null},{"id":"W4244671581","doi":"10.1353/ctr.2011.0004","title":"How Does a Forgetful Woman Dance?","year":2011,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Art; Aesthetics; Visual arts; Art history; Gender studies; Psychology; Sociology","score_opus":0.04202364348567419,"score_gpt":0.2622735622192855,"score_spread":0.2202499187336113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244671581","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003427857,0.18557908,0.00001558835,0.009063229,0.0009542384,0.0005579724,0.00014473213,0.00006146445,0.8001959],"genre_scores_gemma":[0.8213935,0.06433478,0.00068271323,0.043110456,0.0005404286,0.00010994362,0.000055382498,0.00009411634,0.06967868],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906135,0.00007088999,0.00010999598,0.0002274085,0.00007175634,0.0004586046],"domain_scores_gemma":[0.9988642,0.00001319204,0.000056827277,0.000512742,0.000027423259,0.00052561314],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001458709,0.00014224094,0.00026790824,0.00007479972,0.00009652789,0.000024194318,0.00036391293,0.000067160494,0.005680047],"category_scores_gemma":[0.000020460737,0.0001057976,0.00012123468,0.00017466805,0.00006720849,0.00015972384,0.000017039998,0.000118999094,0.0010560108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011644798,0.000057278718,0.009990495,0.0011145059,0.0001728481,0.00035390255,0.0018765529,3.354742e-9,0.000004375965,0.018240208,0.4625487,0.5056295],"study_design_scores_gemma":[0.000117408716,0.00004695678,0.0052609034,0.00081381627,0.00006446032,0.000030203415,0.00023795104,5.729318e-8,0.000010691969,0.00048257236,0.9927633,0.0001717095],"about_ca_topic_score_codex":0.036959533,"about_ca_topic_score_gemma":0.08067361,"teacher_disagreement_score":0.8179656,"about_ca_system_score_codex":0.000084094754,"about_ca_system_score_gemma":0.00011741289,"threshold_uncertainty_score":0.99972177},"labels":[],"label_agreement":null},{"id":"W4245583544","doi":"10.1007/978-1-349-94186-5_333","title":"Choirs Ontario","year":2018,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"College of Optometrists; Camargo Foundation; Chiang Ching-Kuo Foundation for International Scholarly Exchange; Royal Academy of Engineering; Government of Canada; Ciência sem Fronteiras; Australian Government","keywords":"Geography","score_opus":0.03378358844023751,"score_gpt":0.2600353049722201,"score_spread":0.2262517165319826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245583544","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011656791,0.0003642698,0.000018234346,0.000030223291,0.0023709566,0.0004117512,0.00019815516,0.00014536656,0.99529535],"genre_scores_gemma":[0.5175412,0.000007652782,0.000085641324,0.0004754525,0.0005705951,0.000006015964,0.00005267221,0.00006789998,0.48119286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977606,0.00002716909,0.00038399608,0.00076093944,0.00041998448,0.0006473199],"domain_scores_gemma":[0.9980029,0.000062434636,0.00031801636,0.0011910108,0.000116878204,0.0003087995],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016353409,0.00063326873,0.0006293009,0.00024347393,0.00017941571,0.00006802146,0.00070162053,0.00072484446,0.08794467],"category_scores_gemma":[0.000010195078,0.00065247354,0.00039314834,0.000011226095,0.00043031713,6.71019e-7,0.00024346051,0.0006488559,0.0189539],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017278474,0.000001035506,0.000655255,0.00002299682,0.0006217403,0.0002515686,0.004971138,3.6542875e-8,0.000009822943,0.9771107,0.008442978,0.007739966],"study_design_scores_gemma":[0.00078569696,0.00041127764,0.0042757094,0.0001474558,0.00018468683,0.000066884444,0.00007647808,1.4568931e-7,0.00002221478,0.70055497,0.29262948,0.00084496394],"about_ca_topic_score_codex":0.005065146,"about_ca_topic_score_gemma":0.018579947,"teacher_disagreement_score":0.51637554,"about_ca_system_score_codex":0.000265121,"about_ca_system_score_gemma":0.00015346915,"threshold_uncertainty_score":0.99959266},"labels":[],"label_agreement":null},{"id":"W4246100362","doi":"10.5864/d2018-003","title":"2017 CIPHI Awards","year":2018,"lang":"en","type":"article","venue":"Environmental Health Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Business","score_opus":0.060710038771778746,"score_gpt":0.3934572553787334,"score_spread":0.3327472166069546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246100362","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034082595,0.72773635,0.00013467218,0.01644768,0.0026697756,0.001440128,0.00020756907,0.00011381166,0.21716744],"genre_scores_gemma":[0.46769306,0.38662514,0.0006099051,0.117516704,0.0008441041,0.00004172529,0.00009289621,0.000041215357,0.026535254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989007,0.00012980802,0.0002197871,0.00023837778,0.00016308816,0.0003482067],"domain_scores_gemma":[0.99924225,0.000014252455,0.00012951743,0.00040227492,0.0000018602501,0.00020982126],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037197498,0.00011382669,0.00024846906,0.000019383324,0.00018708325,0.0000052210385,0.0002038189,0.000039353723,0.018070852],"category_scores_gemma":[0.000007109294,0.00010671283,0.00007176685,0.000053054508,0.00017555595,0.00008789402,0.00006968706,0.00011571714,0.026939172],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001618368,0.0002393381,0.0029843517,0.00055472,0.000025555151,0.000009729297,0.00049105065,9.14845e-9,0.00000922097,0.00045825678,0.74076045,0.25445113],"study_design_scores_gemma":[0.0002017298,0.0003892554,0.08837941,0.0005493154,0.000011097574,0.000026860484,0.000048767684,2.9503715e-7,0.0000033985075,0.000019672894,0.91026986,0.00010030516],"about_ca_topic_score_codex":0.000062397725,"about_ca_topic_score_gemma":0.0000040130744,"teacher_disagreement_score":0.43361044,"about_ca_system_score_codex":0.00011981199,"about_ca_system_score_gemma":0.000019861305,"threshold_uncertainty_score":0.98282677},"labels":[],"label_agreement":null},{"id":"W4246283445","doi":"10.4324/9781135000356-rem720-1","title":"Gerrard, Saida (1913–2005)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Manifesto; Studio; Art history; Professionalization; Visual arts; Modern dance; Contemporary dance; Art; Performance art; History; Sociology; Political science; Law; Social science","score_opus":0.04648600561565521,"score_gpt":0.2879617960276332,"score_spread":0.241475790411978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246283445","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009112411,0.00045986052,0.00007360154,0.0002860566,0.0024782016,0.0001453221,0.000101944235,0.00014837782,0.9962155],"genre_scores_gemma":[0.0004901679,0.00006780551,0.0002048695,0.0020391913,0.0009065355,0.0000013116961,0.000040874558,0.000044569162,0.9962047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998795,0.000011023542,0.0001847504,0.00040889057,0.00021349419,0.00038686022],"domain_scores_gemma":[0.9989604,0.000036890644,0.00012813658,0.00064936024,0.000052311436,0.00017292878],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011090599,0.0002900916,0.00031958736,0.00012648078,0.00007588471,0.00003614164,0.00039903904,0.0005516216,0.43793213],"category_scores_gemma":[0.0000071925556,0.0002784495,0.00019049649,0.000011137593,0.00019786874,0.0000912003,0.00011675592,0.00031450845,0.1282015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003738845,0.00001923883,0.00002375753,0.0000064584265,0.00016330105,0.000040165316,0.00021438545,1.3214919e-8,0.000001426037,0.1829246,0.8138748,0.0026944845],"study_design_scores_gemma":[0.00030863573,0.00016076789,0.00027828483,0.000041608444,0.000056297788,0.00001971634,0.000044405184,1.1847368e-7,0.000005392735,0.008599055,0.99014527,0.00034044293],"about_ca_topic_score_codex":0.00007809583,"about_ca_topic_score_gemma":0.00006692563,"teacher_disagreement_score":0.30973065,"about_ca_system_score_codex":0.000054871107,"about_ca_system_score_gemma":0.00003942246,"threshold_uncertainty_score":0.99996674},"labels":[],"label_agreement":null},{"id":"W4246493039","doi":"10.1093/oso/9780190855833.003.0008","title":"Maureen Pytlik","year":2018,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Feeling; Transformative learning; Aesthetics; Sociology; Balance (ability); Visual arts; Psychology; Gender studies; Social psychology; Art; Pedagogy","score_opus":0.03333050276606722,"score_gpt":0.24609027523808993,"score_spread":0.2127597724720227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246493039","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015126505,0.00007970625,0.00015779835,0.000021472122,0.0011402451,0.00034398618,0.00052177155,0.00025245507,0.9973313],"genre_scores_gemma":[0.00011343029,0.00004263387,0.00016926495,0.00021202189,0.00049487257,4.747995e-7,0.00009971843,0.000050771818,0.9988168],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829406,0.000099055906,0.00015252276,0.0006134231,0.00031227875,0.00052865513],"domain_scores_gemma":[0.99839574,0.00007280149,0.00025591863,0.0009045804,0.0001228588,0.00024808515],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011876762,0.00040365566,0.0004409633,0.00021692351,0.00026431377,0.000049739207,0.0011929645,0.00077880657,0.0015369097],"category_scores_gemma":[0.0000070417095,0.00049567304,0.00028208346,0.000017602722,0.00046066294,0.00013476153,0.0005609853,0.0005787041,0.00015196405],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002948471,0.000040961433,0.00001457395,0.000039869243,0.00037791432,0.00027809126,0.000712272,2.0315542e-7,0.0000012712239,0.23740225,0.757563,0.003274741],"study_design_scores_gemma":[0.0010142714,0.00023718615,0.00011176426,0.00009812931,0.00027741952,0.000013705998,0.00013963964,0.0000015190788,0.000010623784,0.0005108042,0.9970739,0.0005110521],"about_ca_topic_score_codex":0.0001249215,"about_ca_topic_score_gemma":0.000022113472,"teacher_disagreement_score":0.23951086,"about_ca_system_score_codex":0.00027732717,"about_ca_system_score_gemma":0.00018788283,"threshold_uncertainty_score":0.9997495},"labels":[],"label_agreement":null},{"id":"W4246504887","doi":"10.4324/9781135000356-rem715-1","title":"Dent, Nancy Lima (1919–2013)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Ballet; Dance improvisation; Visual arts; Contemporary dance; Performing arts; Art; Concert dance; Modern dance; Art history; Performance art; Jazz dance; History","score_opus":0.0493371912230345,"score_gpt":0.29327812192711317,"score_spread":0.24394093070407866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246504887","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025101774,0.000754932,0.00007494575,0.0003524055,0.0026906764,0.00015849047,0.00008097665,0.00012785381,0.99550873],"genre_scores_gemma":[0.0016997751,0.00019474229,0.00021074474,0.0015347623,0.00071629934,0.0000016991055,0.00003100853,0.000042926098,0.99556804],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884987,0.000010325858,0.0001876513,0.00041183183,0.00021168082,0.0003286165],"domain_scores_gemma":[0.99899215,0.00003550386,0.00014799806,0.0006278758,0.00005477305,0.00014169757],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006617007,0.00028632,0.00029947274,0.000120070115,0.000088201115,0.000037668404,0.000456087,0.00050077756,0.20798661],"category_scores_gemma":[0.000007768151,0.0002735187,0.00019182314,0.000016344575,0.00018752337,0.000106990155,0.00014361025,0.0002859038,0.09174801],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036201323,0.000034747285,0.000061841754,0.000011007664,0.00015939664,0.00004978961,0.00030601706,8.633621e-9,0.0000046596806,0.1825317,0.8125454,0.0042592143],"study_design_scores_gemma":[0.0003606204,0.00026712817,0.0005795575,0.00007729491,0.00006138083,0.000023367436,0.000046099827,1.6218117e-7,0.000011412148,0.00755066,0.9906757,0.00034662473],"about_ca_topic_score_codex":0.000093193295,"about_ca_topic_score_gemma":0.00004675352,"teacher_disagreement_score":0.17813027,"about_ca_system_score_codex":0.000026441192,"about_ca_system_score_gemma":0.000027830647,"threshold_uncertainty_score":0.9999717},"labels":[],"label_agreement":null},{"id":"W4246514652","doi":"10.1353/mdr.2000.0014","title":"Dancing at Lughnasa : Unexcused Absence","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.023078699377836874,"score_gpt":0.2709765378140377,"score_spread":0.2478978384362008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246514652","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7820751,0.00018031409,0.00044898814,0.00037160172,0.00022895205,0.00007221066,0.000013389879,0.00010335967,0.21650606],"genre_scores_gemma":[0.8914615,0.000010330976,0.0001572212,0.000882051,0.000084769905,0.0000032218961,0.0000057763014,0.000013383862,0.10738175],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9990332,0.000039202827,0.00011835229,0.0002821669,0.000163563,0.0003634937],"domain_scores_gemma":[0.9994007,0.000035489644,0.000035224773,0.00040410386,0.00001719663,0.00010732549],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000084837295,0.000119930046,0.00013460373,0.000034457673,0.0001640861,0.000034508714,0.0002653515,0.00009148027,0.016323833],"category_scores_gemma":[0.000009222357,0.00012433185,0.00006245181,0.00009628482,0.00007002906,0.00015907064,0.00004800481,0.00012418744,0.007933165],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010100175,0.0006938245,0.040317975,0.000044843462,0.00021837711,0.00044063016,0.05194207,0.00090252346,0.0066026384,0.0030564992,0.10145705,0.79331356],"study_design_scores_gemma":[0.004636104,0.00046232433,0.5041123,0.0001484124,0.00008344669,0.00015354046,0.000814351,0.0059144236,0.002583677,0.011053011,0.46848664,0.0015517543],"about_ca_topic_score_codex":0.00018310215,"about_ca_topic_score_gemma":0.00003526587,"teacher_disagreement_score":0.7917618,"about_ca_system_score_codex":0.0000670775,"about_ca_system_score_gemma":0.000012414611,"threshold_uncertainty_score":0.9928393},"labels":[],"label_agreement":null},{"id":"W4246736120","doi":"10.1007/978-94-007-0753-5_100253","title":"Ballet","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University; University of Northern British Columbia","funders":"","keywords":"Ballet; Art; Visual arts; Dance","score_opus":0.03319693354181937,"score_gpt":0.2677751193642903,"score_spread":0.23457818582247095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246736120","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000004167137,0.00012449302,0.0003907801,0.00033066448,0.0009042723,0.00005885082,0.000021952612,0.0000736935,0.9980911],"genre_scores_gemma":[0.0009305447,0.000018416888,0.00008098707,0.0023773229,0.00026804177,4.5189188e-7,0.00001873633,0.000019041898,0.99628645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948114,0.00000535497,0.00008446106,0.00019102843,0.00010112051,0.00013689551],"domain_scores_gemma":[0.9994969,0.000028410306,0.000056811976,0.00033098765,0.000018967903,0.00006792149],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000051829884,0.00013738466,0.00017647287,0.000050438834,0.00002789181,0.000012721628,0.00020374503,0.0002791009,0.17703629],"category_scores_gemma":[0.0000034807354,0.00012937581,0.000096839416,0.0000035900116,0.0000508841,0.000015548563,0.000049843267,0.00018080322,0.05766165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065320332,0.0000029968965,0.0000041526446,0.0000024119404,0.000041911975,0.000007805273,0.000027256865,1.4691034e-8,1.6464361e-7,0.5458282,0.44840285,0.005675658],"study_design_scores_gemma":[0.00016852398,0.00007489018,0.0001469528,0.000016420046,0.000022461098,0.000005941493,0.00000684952,1.3898567e-7,5.2701006e-7,0.007442541,0.9919543,0.00016044934],"about_ca_topic_score_codex":0.000023941904,"about_ca_topic_score_gemma":0.000006458459,"teacher_disagreement_score":0.54355145,"about_ca_system_score_codex":0.000012950736,"about_ca_system_score_gemma":0.00000813902,"threshold_uncertainty_score":0.9430721},"labels":[],"label_agreement":null},{"id":"W4246777613","doi":"10.4324/9781135000356-rem55-1","title":"Contemporary South Asian Dance","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Diaspora; Indigenous; South asia; Geography; Sri lanka; Politics; Ethnology; Choreography; History; Gender studies; Political science; Sociology; Visual arts; Art","score_opus":0.07006027941368259,"score_gpt":0.28403584040237734,"score_spread":0.21397556098869475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246777613","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000047775495,0.00046267515,0.00012825629,0.00028940028,0.0014559526,0.00017478786,0.00018195268,0.00014282952,0.9971164],"genre_scores_gemma":[0.022096386,0.0000062899385,0.00012935522,0.0016332131,0.0005728706,0.0000013849573,0.000046528596,0.000040635336,0.97547334],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898016,0.000012658412,0.00018936014,0.0004085533,0.00017906021,0.00023018356],"domain_scores_gemma":[0.9989998,0.000018800325,0.0001804698,0.00061251875,0.000054493918,0.00013393545],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008647024,0.00027046364,0.0003190039,0.000094681425,0.0000692505,0.000030724124,0.0003847289,0.00043448497,0.095325656],"category_scores_gemma":[0.0000068889967,0.00026061194,0.0001515587,0.000013384458,0.00024752348,0.00009852468,0.000098229466,0.0002952645,0.043083403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006755496,0.000016682314,0.00009582475,0.000009912938,0.00016037402,0.00006861604,0.0015418489,3.4520626e-9,6.530876e-7,0.1355566,0.861044,0.0014379522],"study_design_scores_gemma":[0.00039853333,0.00020841502,0.00052273774,0.00007726089,0.000024676496,0.000008960809,0.0003430361,1.0355651e-7,0.0000036862677,0.0051982934,0.99287784,0.0003364451],"about_ca_topic_score_codex":0.00002984093,"about_ca_topic_score_gemma":0.0000058232818,"teacher_disagreement_score":0.13183387,"about_ca_system_score_codex":0.000025686893,"about_ca_system_score_gemma":0.000058392397,"threshold_uncertainty_score":0.9999846},"labels":[],"label_agreement":null},{"id":"W4247565867","doi":"10.17760/d20003091","title":"Cold War cultural exchange and the Moiseyev Dance Company","year":2013,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Politics; Multiculturalism; Admiration; Political science; Diplomacy; Newspaper; Enthusiasm; Media studies; Law; Sociology; Art; Visual arts; Literature","score_opus":0.022769183556898692,"score_gpt":0.2983003090809894,"score_spread":0.27553112552409076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247565867","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47670537,0.005393573,0.000004329738,0.00045749109,0.0015905491,0.0005162181,0.000032816417,0.000059711776,0.51523995],"genre_scores_gemma":[0.3669256,0.0007989622,0.000052977935,0.00110691,0.00019436891,0.000054990487,0.00023058073,0.00001811784,0.6306175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991406,0.00007533233,0.00014041411,0.00025312335,0.00015380186,0.00023670176],"domain_scores_gemma":[0.9993609,0.00008216339,0.0001350674,0.0002717295,0.000078712845,0.00007142107],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000098904435,0.00020209498,0.00028909306,0.00003642693,0.00016428376,0.0000660395,0.00029726155,0.00021003233,0.0042862156],"category_scores_gemma":[0.000017845658,0.00012416801,0.00007760138,0.00006948929,0.00014167528,0.00016965791,0.000029642306,0.0002615578,0.0013523044],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004999965,0.00008857015,0.00047416246,0.00013064955,0.0002545026,0.000005007094,0.027335582,1.9816484e-7,0.00013526563,0.054739952,0.9115718,0.004764292],"study_design_scores_gemma":[0.010623027,0.00029305773,0.30441618,0.00030731218,0.00046107464,0.000023190067,0.089489095,0.0000622081,0.0005574878,0.0009989936,0.59136504,0.0014033598],"about_ca_topic_score_codex":0.0017276412,"about_ca_topic_score_gemma":0.00030534578,"teacher_disagreement_score":0.3202068,"about_ca_system_score_codex":0.000016050044,"about_ca_system_score_gemma":0.000010505595,"threshold_uncertainty_score":0.99942523},"labels":[],"label_agreement":null},{"id":"W4247701662","doi":"10.3138/md.51.3.389","title":"The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Dramaturgy; Identity (music); Dance; Aesthetics; Narrative; Art; Psychology; Visual arts; Literature","score_opus":0.025180381369030724,"score_gpt":0.24468120398391469,"score_spread":0.21950082261488396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247701662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99306685,0.0018276338,0.00005235367,0.0020515264,0.00018047635,0.00018069101,0.000008667471,0.0000124813705,0.0026193429],"genre_scores_gemma":[0.9965497,0.00019387723,0.000014156511,0.00037300488,0.000029386685,0.0000075831217,6.0637285e-7,0.000006969594,0.0028247004],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993433,0.000079687474,0.00012128024,0.00015826653,0.00011541408,0.00018205271],"domain_scores_gemma":[0.9995463,0.00008637939,0.00006550448,0.00024766487,0.000019830732,0.00003431601],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015832247,0.00008158182,0.00011226941,0.00002854493,0.00022736484,0.000021461996,0.0001260568,0.000073963354,0.000020970612],"category_scores_gemma":[0.000036566,0.0000523019,0.000029554749,0.00007758158,0.00026937708,0.00015593357,0.000071053895,0.00012752226,0.0000113551805],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011464657,0.0005265073,0.73194337,0.000054827873,0.00020660055,0.00002654616,0.0265182,0.00003261633,0.001204465,0.011774755,0.014985911,0.21157974],"study_design_scores_gemma":[0.0011116128,0.00014827485,0.9747877,0.00003215158,0.000025218282,0.000043699038,0.00055577833,0.00022751254,0.00038965087,0.006528108,0.016026743,0.0001235546],"about_ca_topic_score_codex":0.0002404006,"about_ca_topic_score_gemma":0.000084060455,"teacher_disagreement_score":0.24284434,"about_ca_system_score_codex":0.0000121117255,"about_ca_system_score_gemma":0.00001572808,"threshold_uncertainty_score":0.21328096},"labels":[],"label_agreement":null},{"id":"W4248058063","doi":"10.1093/obo/9780195396584-0121","title":"Dance","year":2014,"lang":"en","type":"reference-entry","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Dance; Contemporary dance; Context (archaeology); Art; Literature; Musical; Modern dance; Concert dance; Poetry; Islam; Christianity; Subject matter; Iconography; History; Visual arts; Sociology; Archaeology","score_opus":0.04427684831222655,"score_gpt":0.31463505605543235,"score_spread":0.2703582077432058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248058063","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012275772,0.0022535797,0.0005098087,0.00021775776,0.005510752,0.00008895398,0.00009781225,0.00010957877,0.991089],"genre_scores_gemma":[0.0015875075,0.003713134,0.00015946558,0.0013585899,0.00093081436,0.0000044045805,0.00012355215,0.000019149744,0.9921034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897474,0.00005646078,0.00013294767,0.0003301426,0.00018266973,0.00032302848],"domain_scores_gemma":[0.9991646,0.00006430274,0.00010715219,0.00052917225,0.000032046188,0.00010277435],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008186886,0.00019765782,0.00031235712,0.00007500786,0.000053199245,0.000032989232,0.00046749203,0.0004300882,0.031260476],"category_scores_gemma":[0.00002376384,0.00017467247,0.0001085491,0.00006871243,0.00005957259,0.00005127061,0.00008551521,0.00041076142,0.020230932],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011843614,0.000042256685,0.00018045615,0.000038017406,0.000064520995,0.000008009234,0.00007765566,3.5403776e-8,2.6501388e-8,0.01025952,0.91336966,0.07594802],"study_design_scores_gemma":[0.00024071301,0.000075714735,0.0022590326,0.00010223623,0.00003098425,0.0000063043126,0.00005303917,4.1614962e-7,0.0000011925857,0.00028830246,0.9967201,0.00022200774],"about_ca_topic_score_codex":0.00020308852,"about_ca_topic_score_gemma":0.000016241742,"teacher_disagreement_score":0.08335042,"about_ca_system_score_codex":0.0000314599,"about_ca_system_score_gemma":0.000042280073,"threshold_uncertainty_score":0.98053193},"labels":[],"label_agreement":null},{"id":"W4248390091","doi":"10.1093/oxfordhb/9780190871499.013.8","title":"James Kudelka","year":2021,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ballet; Dance; Classical ballet; Postmodernism; Repertoire; Visual arts; Art; Musical; Narrative; Vocabulary; Aesthetics; Literature; Art history; Linguistics; Philosophy","score_opus":0.038884002276560865,"score_gpt":0.24095535617809852,"score_spread":0.20207135390153766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248390091","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015260144,0.00040486798,0.00010226644,0.000048585753,0.0008320543,0.0002106883,0.00034753483,0.00015517349,0.9977462],"genre_scores_gemma":[0.00043298394,0.0002644875,0.00014178944,0.00025748307,0.00016590173,2.7872034e-7,0.00007700942,0.000044185817,0.99861586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855787,0.00004465482,0.00014932513,0.00058376364,0.0002764583,0.00038794728],"domain_scores_gemma":[0.9986266,0.00006601148,0.00020885651,0.0007677052,0.00012076309,0.0002101001],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006447645,0.00037995528,0.0004533085,0.00016269092,0.00020660773,0.000054149794,0.00069211796,0.0006220119,0.0029692787],"category_scores_gemma":[0.0000056940457,0.00048576863,0.00034141733,0.00000902624,0.00024293383,0.000109671324,0.00049965613,0.00061078405,0.000046850946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015530676,0.000028818033,0.000009789912,0.000035216333,0.00047379587,0.0011032382,0.0005468619,8.514954e-7,0.000004106375,0.9108271,0.077110335,0.009704557],"study_design_scores_gemma":[0.0007220247,0.000091916154,0.00004478265,0.0001307274,0.00026004823,0.000024626483,0.00032881784,9.400736e-7,0.000025590416,0.0003570196,0.99752605,0.00048747685],"about_ca_topic_score_codex":0.00012729585,"about_ca_topic_score_gemma":0.000014738243,"teacher_disagreement_score":0.9204157,"about_ca_system_score_codex":0.00012896357,"about_ca_system_score_gemma":0.00009020792,"threshold_uncertainty_score":0.9997594},"labels":[],"label_agreement":null},{"id":"W4248391896","doi":"10.32920/ryerson.14644521.v1","title":"Exploring pedagogical practices for engaging boys in ballet","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Education and Early Childhood Development; University of Ottawa","funders":"","keywords":"Ballet; Inclusion (mineral); Classical ballet; Psychology; Pedagogy; Expression (computer science); Best practice; Medical education; Dance; Visual arts; Social psychology; Art; Political science; Medicine; Computer science","score_opus":0.7490855920153822,"score_gpt":0.48661930462939645,"score_spread":0.2624662873859857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248391896","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7871056,0.0005541772,0.00305806,0.0033351998,0.003051042,0.00047093444,0.000026110314,0.000105337276,0.2022935],"genre_scores_gemma":[0.9769389,0.00028906876,0.00786521,0.00073078834,0.0004322272,0.00022079771,0.00007641868,0.000024385938,0.013422211],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846643,0.00016979768,0.0002303646,0.0005726859,0.00015438993,0.00040635667],"domain_scores_gemma":[0.9987066,0.0004739193,0.00026755856,0.0004065362,0.000056187648,0.00008919097],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066106644,0.00019103856,0.0003259868,0.0001224399,0.00007053808,0.00015816768,0.00036377096,0.00021374479,0.0026903194],"category_scores_gemma":[0.0006589924,0.00019863635,0.00014784311,0.00007240676,0.000024636376,0.00038646423,0.00057984865,0.00087291934,0.00008575904],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031747576,0.008007935,0.11099829,0.0037835792,0.0029743067,0.0028662866,0.44571245,0.0015868464,0.00089788216,0.11999869,0.08827851,0.21172047],"study_design_scores_gemma":[0.0047688745,0.00042885967,0.13683783,0.0009907618,0.0002584936,0.000053556007,0.3801926,0.00036759977,0.0005161311,0.0018199541,0.4716462,0.0021191628],"about_ca_topic_score_codex":0.0012436958,"about_ca_topic_score_gemma":0.00022561423,"teacher_disagreement_score":0.38336766,"about_ca_system_score_codex":0.000066566376,"about_ca_system_score_gemma":0.00009151604,"threshold_uncertainty_score":0.99822134},"labels":[],"label_agreement":null},{"id":"W4248604807","doi":"10.1017/s0149767700007348","title":"Introduction","year":2006,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Criticism; The arts; Art history; Art; Performance art; Presentation (obstetrics); Visual arts; Sociology; Media studies; Literature","score_opus":0.07238924502853657,"score_gpt":0.42115187491700756,"score_spread":0.348762629888471,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248604807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67078435,0.001887715,0.0016536482,0.018297259,0.0027544687,0.00014061775,0.000011840742,0.00005035639,0.30441976],"genre_scores_gemma":[0.93234456,0.00009763394,0.00046982447,0.00006986835,0.009578302,0.00000313429,0.0000052731953,0.000011008052,0.057420377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845755,0.0002568203,0.00012576168,0.00014568424,0.00050933077,0.0005048463],"domain_scores_gemma":[0.99938256,0.00005612096,0.00004496361,0.00018840759,0.00022107855,0.00010688397],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016406128,0.000053363463,0.000075587464,0.00019761577,0.00041129216,0.00013284892,0.00026344246,0.00004890043,0.0051746964],"category_scores_gemma":[0.00011147199,0.000048754093,0.00004336461,0.00031703332,0.00015935568,0.00030115637,0.00003964367,0.0007804986,0.0025143174],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009295815,0.00013847729,0.0057801357,0.0000025134066,0.00001535249,0.00009235664,0.00014279425,0.000012313711,0.0013707147,0.01912175,0.9595755,0.013655182],"study_design_scores_gemma":[0.0004967688,0.00018659743,0.15009986,0.000011439179,0.0000026483162,0.00046015042,0.0005513862,0.000005682596,0.00039794223,0.0065885624,0.8411211,0.00007788604],"about_ca_topic_score_codex":0.00012642921,"about_ca_topic_score_gemma":0.0000112138605,"teacher_disagreement_score":0.26156023,"about_ca_system_score_codex":0.00010411455,"about_ca_system_score_gemma":0.000048794962,"threshold_uncertainty_score":0.99826235},"labels":[],"label_agreement":null},{"id":"W4248800925","doi":"10.1353/bcc.2012.0316","title":"Various Positions (review)","year":2012,"lang":"en","type":"article","venue":"Bulletin of the Center for Children's Books./Bulletin of the Center for Children's Books","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Narrative; Human sexuality; Psychology; Sociology; Visual arts; Psychoanalysis; Gender studies; Media studies; History; Art; Literature","score_opus":0.01256972657841241,"score_gpt":0.2452159388558804,"score_spread":0.23264621227746798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248800925","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42074457,0.04866874,0.002112863,0.187149,0.031282727,0.053297736,0.079991415,0.0010954486,0.1756575],"genre_scores_gemma":[0.89524806,0.0009438855,0.0030555814,0.031347174,0.0020355245,0.00063066976,0.0013464421,0.0005048878,0.064887784],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99488366,0.00046856035,0.0013813586,0.0008612223,0.0007424088,0.001662812],"domain_scores_gemma":[0.99509823,0.00032597987,0.0015042365,0.0023854019,0.00031344302,0.0003727209],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001049196,0.0008971167,0.0011862096,0.00016890111,0.00082379236,0.000053354932,0.0031910874,0.000352941,0.002418963],"category_scores_gemma":[0.0002603317,0.0006581073,0.0026531634,0.00013856609,0.0008411487,0.00006500964,0.0011294502,0.00066327467,0.0002884829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064747175,0.0021750687,0.044719152,0.00037626267,0.0013953749,4.4519095e-7,0.0005846639,0.00000445771,0.000051050258,0.00542069,0.9433585,0.0012668889],"study_design_scores_gemma":[0.007428027,0.0005096723,0.16171895,0.0022140807,0.0011208116,0.00023648274,0.00006871212,7.136864e-7,0.0020758433,0.00034445839,0.8234153,0.00086694997],"about_ca_topic_score_codex":0.00032979375,"about_ca_topic_score_gemma":0.0000068141962,"teacher_disagreement_score":0.4745035,"about_ca_system_score_codex":0.00014869482,"about_ca_system_score_gemma":0.000061003928,"threshold_uncertainty_score":0.999587},"labels":[],"label_agreement":null},{"id":"W4249635760","doi":"10.1093/oso/9780190458294.003.0016","title":"Ballet Ballads","year":2017,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Choreography; Ballad; Art; The arts; Musical; Visual arts; Art history; Quarter (Canadian coin); Performing arts; Literature; Humanities; Poetry; History","score_opus":0.04055292819544256,"score_gpt":0.2596159162645404,"score_spread":0.21906298806909782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249635760","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006197747,0.0001295008,0.00007875425,0.000040386454,0.0013317298,0.00033444865,0.00053053716,0.00018263055,0.99731004],"genre_scores_gemma":[0.00025698348,0.00012212679,0.0000821279,0.00015536469,0.00030321465,5.501238e-7,0.000097464916,0.000045324665,0.99893683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982876,0.00008115196,0.00014506896,0.00062844093,0.00032124761,0.00053649436],"domain_scores_gemma":[0.9977306,0.00006704302,0.00040515672,0.00142787,0.00009965226,0.0002696607],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000119999706,0.00042863077,0.0005170714,0.00017570845,0.00053042185,0.000111544425,0.0019397018,0.00081731763,0.0010546532],"category_scores_gemma":[0.000012550912,0.0005327886,0.00033702684,0.000006249391,0.0004248817,0.00017380808,0.0007204477,0.0007172136,0.0000849318],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025273068,0.0000385456,0.000018644116,0.000047647634,0.00043238222,0.00068030343,0.00045918903,4.385813e-7,0.0000012434997,0.34659487,0.64453286,0.006941141],"study_design_scores_gemma":[0.0011517974,0.00014004936,0.00024056852,0.00012470009,0.00026358408,0.000016217373,0.00007947284,0.0000013604995,0.0000043188006,0.00029442296,0.99713916,0.0005443407],"about_ca_topic_score_codex":0.00018191276,"about_ca_topic_score_gemma":0.000025859552,"teacher_disagreement_score":0.3526063,"about_ca_system_score_codex":0.0002742165,"about_ca_system_score_gemma":0.00025432004,"threshold_uncertainty_score":0.9998585},"labels":[],"label_agreement":null},{"id":"W4250431117","doi":"10.4324/9781135000356-rem741-1","title":"Sorel, Ruth Elly Abramovitsch (1907–1974)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; German; Narrative; Art history; History; Modern dance; Style (visual arts); Art; Visual arts; Literature; Archaeology","score_opus":0.03947582283598532,"score_gpt":0.28473526066293675,"score_spread":0.24525943782695142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250431117","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00028690798,0.00038354314,0.00016868043,0.0003452494,0.002433068,0.00022791844,0.00015049608,0.00020967892,0.9957945],"genre_scores_gemma":[0.0019191405,0.00007237878,0.00034266224,0.0023191145,0.0010822243,0.0000021138796,0.00007029056,0.000072412746,0.99411964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983247,0.000018470068,0.000274226,0.00059676846,0.0003218572,0.00046398057],"domain_scores_gemma":[0.9985605,0.00006502295,0.00020073907,0.0008563859,0.00010720724,0.00021014462],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014485435,0.00042606454,0.0004454296,0.00018129032,0.00012084865,0.000067879744,0.00060958025,0.00080514356,0.2630837],"category_scores_gemma":[0.000014054326,0.00040674495,0.00024405273,0.000027411596,0.00030567741,0.00013513282,0.00018062186,0.00049718976,0.10375273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006833939,0.000038480837,0.00003163513,0.000013390298,0.00021983482,0.000060449758,0.00044089492,3.8738243e-8,0.0000039535944,0.35858902,0.6369743,0.0035596876],"study_design_scores_gemma":[0.0004996859,0.00038874638,0.0003447369,0.00006896847,0.00009623733,0.000027222244,0.00008145416,5.333291e-7,0.000014367838,0.014696495,0.9832664,0.00051511155],"about_ca_topic_score_codex":0.00008730511,"about_ca_topic_score_gemma":0.000033985074,"teacher_disagreement_score":0.34629217,"about_ca_system_score_codex":0.00004874386,"about_ca_system_score_gemma":0.00006227887,"threshold_uncertainty_score":0.9998384},"labels":[],"label_agreement":null},{"id":"W4251360682","doi":"10.7202/1085541ar","title":"La description phénoménologiqueau service de l’authenticité en danse","year":2005,"lang":"fr","type":"article","venue":"Recherches qualitatives","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières; Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.3198006792378763,"score_gpt":0.47031390562387915,"score_spread":0.15051322638600284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251360682","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7560221,0.0150450375,0.027346438,0.1099116,0.00089900196,0.00031056872,0.000116977026,0.00018344895,0.09016483],"genre_scores_gemma":[0.6120107,0.0025607334,0.15378164,0.009990703,0.001212919,0.000028858818,0.000032459804,0.00009074362,0.22029121],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9795956,0.018683232,0.000398054,0.00041919854,0.00020813938,0.0006957734],"domain_scores_gemma":[0.99229485,0.006668584,0.0002640741,0.00036169446,0.00017718284,0.0002336112],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.009695131,0.00034353457,0.00040965958,0.000164571,0.000095244905,0.000116467716,0.00054544694,0.0010997895,0.0007660071],"category_scores_gemma":[0.0026782877,0.00037832823,0.00018347289,0.0004256173,0.00037021126,0.000973082,0.00009685264,0.001113337,0.003235876],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004946903,0.0013987953,0.00095877354,0.00031866983,0.000497968,0.00005699246,0.74331963,0.000051108007,0.00453236,0.051942185,0.021775113,0.17465372],"study_design_scores_gemma":[0.0026290028,0.0008706015,0.036633372,0.0006898559,0.00035058163,0.0001495904,0.1680802,0.0005353591,0.0021512504,0.03285439,0.75412935,0.0009264764],"about_ca_topic_score_codex":0.0011216535,"about_ca_topic_score_gemma":0.00032494118,"teacher_disagreement_score":0.7323542,"about_ca_system_score_codex":0.001133859,"about_ca_system_score_gemma":0.00027416626,"threshold_uncertainty_score":0.99986684},"labels":[],"label_agreement":null},{"id":"W4252286581","doi":"10.1057/978-1-349-96042-2_9856","title":"Choirs Ontario","year":2021,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.03373041646083244,"score_gpt":0.2565390390315226,"score_spread":0.22280862257069015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252286581","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00055890414,0.0012678986,0.000017331373,0.00005095916,0.0021437632,0.0003199067,0.00018894802,0.00011206209,0.9953402],"genre_scores_gemma":[0.49378845,0.000018916704,0.000084775056,0.0005321097,0.00030423448,0.000006224091,0.00010438365,0.000062727966,0.50509816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99776095,0.000034311048,0.00038498736,0.00078861066,0.00043125602,0.0005998779],"domain_scores_gemma":[0.99807715,0.00007605774,0.0002701322,0.0011648351,0.00011431611,0.00029752098],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012857042,0.0006075758,0.0007038245,0.00019734347,0.0001557224,0.00008318921,0.00055179186,0.0006863526,0.050587624],"category_scores_gemma":[0.000012061694,0.00066004414,0.0004808723,0.00001376083,0.00021384758,5.850832e-7,0.0002677649,0.00082646444,0.0044344394],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068142894,9.809477e-7,0.0005802774,0.000024636556,0.0005798178,0.0007892732,0.0018595094,1.256799e-7,0.000014096236,0.98381674,0.001675579,0.010590796],"study_design_scores_gemma":[0.0012384497,0.00027557192,0.00788129,0.00031432018,0.0003265495,0.00018079356,0.00018040922,2.0353644e-7,0.000048099162,0.62704575,0.36116466,0.0013439135],"about_ca_topic_score_codex":0.00561215,"about_ca_topic_score_gemma":0.020288192,"teacher_disagreement_score":0.49322954,"about_ca_system_score_codex":0.0002759995,"about_ca_system_score_gemma":0.0002388129,"threshold_uncertainty_score":0.9995851},"labels":[],"label_agreement":null},{"id":"W4252305889","doi":"10.5744/florida/9780813062662.003.0006","title":"Boys Only!","year":2017,"lang":"en","type":"book-chapter","venue":"University Press of Florida eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Dance education; Studio; Ethnography; Pedagogy; Perception; Psychology; Jazz; Sociology; Visual arts; Art","score_opus":0.03876231856672429,"score_gpt":0.24821399681426082,"score_spread":0.20945167824753652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252305889","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003840902,0.00016440208,0.000035884394,0.00002996626,0.0013515156,0.0002378743,0.00060110283,0.00007531584,0.99711984],"genre_scores_gemma":[0.0076122615,0.000048857743,0.00008755255,0.00003472396,0.00022625482,1.0728653e-7,0.000024592084,0.000030717885,0.99193496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877477,0.00002428185,0.00016540654,0.00044058968,0.0002951027,0.0002998339],"domain_scores_gemma":[0.9978954,0.00005903351,0.000514197,0.0012241065,0.00013847438,0.00016879545],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000093876086,0.0003262171,0.00051678234,0.00019175305,0.0002556735,0.000029534809,0.0013206628,0.000544957,0.0012649777],"category_scores_gemma":[0.000011567313,0.00040796748,0.00033001573,0.000003148528,0.00048694125,0.0001407908,0.00045840564,0.0004730031,0.0002643837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055929995,0.00003445204,0.00007580437,0.00009026323,0.00078004604,0.00048734408,0.0011250764,8.03829e-7,0.000014736523,0.8665787,0.1185971,0.011656388],"study_design_scores_gemma":[0.0009060139,0.00013266639,0.00036695352,0.00017078976,0.00028720952,0.000010936389,0.00010883838,5.008845e-7,0.00007004903,0.0008615446,0.99670106,0.00038344855],"about_ca_topic_score_codex":0.0005705652,"about_ca_topic_score_gemma":0.00003690485,"teacher_disagreement_score":0.878104,"about_ca_system_score_codex":0.0000776121,"about_ca_system_score_gemma":0.000109511304,"threshold_uncertainty_score":0.9998372},"labels":[],"label_agreement":null},{"id":"W4252309615","doi":"10.22329/p.v9i2.4276","title":"Embodied Disagreements","year":2014,"lang":"en","type":"article","venue":"PhaenEx","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Embodied cognition; Metaphysics; Situated; Queer; Epistemology; Sociology; Aesthetics; Philosophy; Gender studies; Computer science; Artificial intelligence","score_opus":0.030294865583539003,"score_gpt":0.3138205246001453,"score_spread":0.2835256590166063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252309615","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27572453,0.00003547964,0.0006479841,0.00028606868,0.0007093566,0.000042844364,0.000005189361,0.00004578039,0.72250277],"genre_scores_gemma":[0.9870462,0.0000017340756,0.00010372893,0.000990115,0.00013590652,0.0000023060998,0.0000049791493,0.000005029186,0.011710018],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995234,0.00003469351,0.000058943722,0.00012293551,0.00008359665,0.00017642001],"domain_scores_gemma":[0.99967045,0.000024963876,0.000026796402,0.00020385836,0.000010517178,0.00006338926],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009205665,0.000056878354,0.0000729818,0.000023530529,0.000051667863,0.000012993662,0.00015452357,0.000028638995,0.0034450241],"category_scores_gemma":[0.000021043877,0.000054686512,0.00003156514,0.00004398196,0.000030470268,0.00007224869,0.00003562221,0.00004557516,0.0050530713],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020277301,0.00077592157,0.16473657,0.00002261279,0.00023217426,0.000019227651,0.0038606643,0.0000056840886,0.0006661488,0.26499763,0.3175412,0.24693939],"study_design_scores_gemma":[0.0018476539,0.00023448809,0.297472,0.000011651987,0.000030939438,0.000004940791,0.00021187855,0.000042575848,0.00038472522,0.0052043735,0.6943074,0.0002474131],"about_ca_topic_score_codex":0.000065485976,"about_ca_topic_score_gemma":0.0000056793706,"teacher_disagreement_score":0.71132165,"about_ca_system_score_codex":0.000009049806,"about_ca_system_score_gemma":0.0000025198267,"threshold_uncertainty_score":0.99746597},"labels":[],"label_agreement":null},{"id":"W4252437720","doi":"10.12968/prps.2018.sup211.7","title":"Bedtime blues","year":2018,"lang":"en","type":"article","venue":"Practical Pre-School","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Olds College","funders":"","keywords":"Blues; Bedtime; Feeling; Psychoanalysis; Psychology; Aesthetics; Art; Art history; Visual arts; Media studies; Sociology; Social psychology","score_opus":0.04693997277901346,"score_gpt":0.391933999264278,"score_spread":0.34499402648526456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252437720","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19918472,0.00009831613,0.0022876358,0.0056250193,0.00127625,0.00021526514,0.000015717642,0.00020011097,0.791097],"genre_scores_gemma":[0.963695,0.0000065878266,0.0033427016,0.0033096955,0.0011161041,0.000008616295,0.0000044106637,0.000017586419,0.028499315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987628,0.00012945372,0.00016826577,0.00031368984,0.00022310011,0.00040270013],"domain_scores_gemma":[0.9987131,0.00024262286,0.00008038595,0.0004526414,0.00008638977,0.00042486997],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000288137,0.00013099359,0.00015349964,0.000049510716,0.00014542809,0.00008055578,0.00022934152,0.00014597455,0.06204437],"category_scores_gemma":[0.0017528809,0.000124234,0.00006800594,0.00012834814,0.00021543071,0.0006225394,0.000121294346,0.00038341718,0.05972848],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011786207,0.00083334825,0.01462365,0.000011216246,0.00023428108,0.00012483493,0.0011595644,3.4062614e-7,0.0006626017,0.023536846,0.9518574,0.0057773236],"study_design_scores_gemma":[0.0011047167,0.0010232606,0.23835178,0.000019838171,0.00010819868,0.00012524323,0.0004073773,0.000049544607,0.0007410388,0.004973948,0.7527153,0.00037976817],"about_ca_topic_score_codex":0.00011134172,"about_ca_topic_score_gemma":0.0000047272943,"teacher_disagreement_score":0.7645103,"about_ca_system_score_codex":0.00004003448,"about_ca_system_score_gemma":0.000062372,"threshold_uncertainty_score":0.9410036},"labels":[],"label_agreement":null},{"id":"W4253191491","doi":"10.4324/9781135000356-rem709-1","title":"Araiz, Oscar (1940--)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Art; Visual arts; Performing arts; Art history; The arts; German; Contemporary dance; Classical ballet; Humanities; History","score_opus":0.04586697942901919,"score_gpt":0.2893616878475469,"score_spread":0.24349470841852772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253191491","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013480897,0.00025962022,0.00006397909,0.00020391196,0.0021502038,0.00012025248,0.00007951584,0.00012507632,0.99686265],"genre_scores_gemma":[0.00091358525,0.000033649874,0.00015532054,0.0016454792,0.0007152343,0.0000010194487,0.000030131208,0.000034953944,0.99647063],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906665,0.000007837883,0.00014468853,0.00034967458,0.00017204136,0.0002590809],"domain_scores_gemma":[0.99913526,0.000030875282,0.00010203834,0.00055818015,0.000055140797,0.0001184851],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007410107,0.00023641528,0.0002626873,0.00010085829,0.00006761838,0.000025888465,0.0003392408,0.0004543144,0.29298556],"category_scores_gemma":[0.000006352638,0.00022669436,0.0001598273,0.000011237886,0.0002060054,0.00006373325,0.000095541756,0.00025133402,0.11236682],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027605225,0.000015284408,0.000013718345,0.0000053654057,0.00013741282,0.0000299407,0.00027401652,7.928469e-9,0.0000012772756,0.29332444,0.70317274,0.002998188],"study_design_scores_gemma":[0.00025177057,0.00018882481,0.00031084582,0.000035590834,0.00005286107,0.000014723535,0.000041188938,1.180371e-7,0.00000533948,0.016005486,0.9828174,0.0002758242],"about_ca_topic_score_codex":0.00004421003,"about_ca_topic_score_gemma":0.000017564133,"teacher_disagreement_score":0.27964467,"about_ca_system_score_codex":0.00003134254,"about_ca_system_score_gemma":0.000023346964,"threshold_uncertainty_score":0.92443275},"labels":[],"label_agreement":null},{"id":"W4253367187","doi":"10.18733/cpi29492","title":"I Know Why the Caged Bird Sings","year":2019,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology; Geography; History","score_opus":0.5644810958936123,"score_gpt":0.46361559884989584,"score_spread":0.10086549704371645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253367187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9666686,0.0012753251,0.000012231675,0.0033884086,0.0010524567,0.00012842852,0.0000051354264,0.00008255035,0.027386839],"genre_scores_gemma":[0.9625923,0.00009361626,0.000015553871,0.003964253,0.00035357196,0.0000027211797,0.0000047614217,0.000006171355,0.03296704],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925494,0.00007763991,0.00009730678,0.00021648176,0.00011384343,0.00023976345],"domain_scores_gemma":[0.99958485,0.00008379577,0.00003946386,0.00016478682,0.00003374785,0.00009332402],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011195652,0.00011745622,0.00013736403,0.00001290986,0.00017644634,0.00008323971,0.00018936847,0.000104271756,0.0036390792],"category_scores_gemma":[0.000023315157,0.000058596434,0.00006663325,0.00008333792,0.00028446966,0.00018677315,0.00008467789,0.00022579686,0.0024067329],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059089425,0.00040034746,0.08601003,0.000064640524,0.00022696979,0.00006303793,0.1356097,0.000005174353,0.0073535834,0.05089983,0.66319925,0.055576526],"study_design_scores_gemma":[0.0006778087,0.00029711018,0.1389561,0.00002304408,0.000025942309,0.000052764524,0.024861854,0.0000055492046,0.00004959309,0.00044947665,0.8343703,0.00023047069],"about_ca_topic_score_codex":0.00014533431,"about_ca_topic_score_gemma":0.0000074985846,"teacher_disagreement_score":0.17117101,"about_ca_system_score_codex":0.000008117735,"about_ca_system_score_gemma":0.0000046685864,"threshold_uncertainty_score":0.99837},"labels":[],"label_agreement":null},{"id":"W4253616300","doi":"10.32920/ryerson.14652855","title":"Where flesh meets bone: dance in the modern art museum","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"Social Sciences and Humanities Research Council of Canada; York University","keywords":"Dance; Exhibition; Visual arts; Contemporary dance; Modern dance; Art; Space (punctuation); Modern art; Aesthetics; Sociology; Art history; Performance art; Computer science","score_opus":0.03668286936983015,"score_gpt":0.30574157565188503,"score_spread":0.26905870628205486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253616300","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.106528506,0.0047810962,0.000969956,0.013558857,0.0022584386,0.00044169495,0.00005872603,0.00010010106,0.8713026],"genre_scores_gemma":[0.9414717,0.00057292037,0.0006744379,0.004190277,0.00018867583,0.00004034912,0.000077262244,0.000025112175,0.05275929],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99827844,0.00023866225,0.0002403663,0.0005776666,0.0002893923,0.0003754507],"domain_scores_gemma":[0.99850625,0.000091329166,0.00011520311,0.0011816666,0.000045163135,0.000060364524],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035415622,0.00024977082,0.00034724406,0.00007554199,0.000056357792,0.00016010222,0.00086455786,0.00038609587,0.0044445507],"category_scores_gemma":[0.000032297925,0.00020284548,0.00016457801,0.00012491104,0.00007271821,0.00011565885,0.00059094676,0.0009460638,0.00084966567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001194896,0.0010510108,0.0064154873,0.0002762225,0.00026485306,0.000977858,0.033070814,0.00043269055,0.00007767755,0.01193218,0.9356097,0.009772046],"study_design_scores_gemma":[0.0035941764,0.00023339194,0.17916588,0.0017786596,0.00022847648,0.00023386076,0.025841108,0.000980809,0.000107882064,0.015013768,0.77029914,0.0025228262],"about_ca_topic_score_codex":0.00063786743,"about_ca_topic_score_gemma":0.001598897,"teacher_disagreement_score":0.8349432,"about_ca_system_score_codex":0.00004980955,"about_ca_system_score_gemma":0.00007936044,"threshold_uncertainty_score":0.9999283},"labels":[],"label_agreement":null},{"id":"W4253954645","doi":"10.1386/dmas_00014_1","title":"Dancesong","year":2020,"lang":"en","type":"article","venue":"Dance Movement & Spiritualities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Embodied cognition; Poetry; Dance; Performing arts; Aesthetics; Sociology; Visual arts; Art; Literature; Philosophy; Epistemology","score_opus":0.06916430759757444,"score_gpt":0.30020189743211995,"score_spread":0.2310375898345455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253954645","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6309458,0.001983773,0.0010258012,0.016396694,0.0015189348,0.00035525073,0.00025918236,0.00039099666,0.34712356],"genre_scores_gemma":[0.93419826,0.00003997777,0.00041334686,0.04920479,0.00060171605,0.000028151333,0.000028149305,0.000021432006,0.015464162],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867433,0.000054193253,0.00023050426,0.00034294653,0.0002860063,0.00041203972],"domain_scores_gemma":[0.9993879,0.000040097006,0.00009441143,0.0002766824,0.00003524893,0.00016562117],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001223598,0.00017480929,0.00021998395,0.000031518593,0.00012723627,0.000067932175,0.00036241545,0.0000631707,0.0042914054],"category_scores_gemma":[0.000039832037,0.00018244339,0.00008380001,0.00015683223,0.00014312848,0.00031125447,0.00010935649,0.00016118716,0.0014950967],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002488683,0.00029669076,0.052367706,0.00012560068,0.00022823109,0.00008997528,0.044023212,0.0000241376,0.0010052347,0.35258272,0.53788525,0.011122385],"study_design_scores_gemma":[0.00210209,0.0007050779,0.088798925,0.00007223948,0.000041284347,0.0000020142866,0.038019788,0.000038529808,0.0023661891,0.0031088216,0.8640272,0.0007178267],"about_ca_topic_score_codex":0.00020032894,"about_ca_topic_score_gemma":0.00001626349,"teacher_disagreement_score":0.3494739,"about_ca_system_score_codex":0.00003163036,"about_ca_system_score_gemma":0.000019980784,"threshold_uncertainty_score":0.99928236},"labels":[],"label_agreement":null},{"id":"W4254040441","doi":"10.4324/9781135000356-rem746-1","title":"Barrett, Cynthia (1921–2006)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Art; Modern dance; Concert dance; Visual arts; Art history; Performance art; History","score_opus":0.03632742152572953,"score_gpt":0.2807218654158373,"score_spread":0.24439444389010778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254040441","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000051561794,0.00057129515,0.0000919158,0.00033319133,0.0027434137,0.00014897325,0.00017533386,0.00015963007,0.9957247],"genre_scores_gemma":[0.0009016178,0.00004358321,0.00018644377,0.002402676,0.00091634045,0.0000014089322,0.000044831642,0.000047219924,0.99545586],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881035,0.000012832312,0.0001946827,0.00043041754,0.00022538216,0.00032631593],"domain_scores_gemma":[0.99892664,0.00004591314,0.00012753918,0.00066655927,0.000073853385,0.00015948799],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000108919645,0.00030659066,0.00032395264,0.00012643164,0.00008721419,0.000036868063,0.00043323563,0.0006158404,0.3979096],"category_scores_gemma":[0.000011772474,0.00029476793,0.0001885871,0.00001623408,0.00024017385,0.000088677305,0.00012150244,0.0003612388,0.11322833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003387565,0.00001625785,0.000034172415,0.0000069170824,0.0001409617,0.000038511473,0.00025478992,1.2795148e-8,0.0000010422859,0.23562162,0.7617393,0.0021125088],"study_design_scores_gemma":[0.00028027844,0.0002033553,0.00037764775,0.000054782147,0.000065393084,0.000017871758,0.000048028658,2.4330666e-7,0.000007386498,0.011611272,0.9869652,0.00036853453],"about_ca_topic_score_codex":0.00007000943,"about_ca_topic_score_gemma":0.000030304687,"teacher_disagreement_score":0.2846813,"about_ca_system_score_codex":0.000042030886,"about_ca_system_score_gemma":0.00003619487,"threshold_uncertainty_score":0.99995047},"labels":[],"label_agreement":null},{"id":"W4254197513","doi":"10.1093/acprof:oso/9780199360369.001.0001","title":"Choreographing Copyright","year":2015,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":84,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Choreography; CONTEST; Art; Modern dance; Politics; White (mutation); Dance improvisation; Intellectual property; Art history; Gender studies; Sociology; Visual arts; Concert dance; Political science; Law; Jazz dance","score_opus":0.03769587283199122,"score_gpt":0.25103995748789587,"score_spread":0.21334408465590465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254197513","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013029018,0.00027377997,0.00008382968,0.000018572859,0.001139778,0.0003509861,0.0004017647,0.00025445657,0.9973465],"genre_scores_gemma":[0.00022245481,0.00006990973,0.00010845834,0.00012979856,0.00025819748,5.696697e-7,0.00012481496,0.00004639266,0.9990394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982293,0.00010011842,0.000163098,0.00058253115,0.00040464403,0.00052025414],"domain_scores_gemma":[0.99835765,0.00006384808,0.0002737333,0.0007751627,0.0001648653,0.00036476107],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00017022951,0.00041459908,0.00048787633,0.00033909362,0.00023867427,0.000062818806,0.0010769322,0.00070034823,0.00049584726],"category_scores_gemma":[0.000007541238,0.0004913521,0.00029524072,0.00002858185,0.00035394405,0.000180291,0.0004224688,0.00075857,0.00004227069],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002657991,0.000040840107,0.000021425518,0.000037507853,0.000397484,0.00043787615,0.00097517046,8.132224e-7,9.264558e-7,0.27219418,0.72216386,0.003464093],"study_design_scores_gemma":[0.001165413,0.00015862472,0.00005866672,0.00010908184,0.00028647162,0.000015404006,0.00019052683,0.000002145795,0.0000051237816,0.00074098015,0.99674165,0.0005259344],"about_ca_topic_score_codex":0.00016958783,"about_ca_topic_score_gemma":0.000017098731,"teacher_disagreement_score":0.27457774,"about_ca_system_score_codex":0.00032410384,"about_ca_system_score_gemma":0.00024900195,"threshold_uncertainty_score":0.99975383},"labels":[],"label_agreement":null},{"id":"W4254350030","doi":"10.1093/obo/9780195399301-0075","title":"Dance","year":2013,"lang":"en","type":"reference-entry","venue":"Renaissance and Reformation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Concert dance; Contemporary dance; Elite; The arts; Art; Modern dance; Fifteenth; Folk dance; Performing arts; Period (music); History; Literature; Aesthetics; Classics; Law; Political science","score_opus":0.030494944962166384,"score_gpt":0.2820848441537925,"score_spread":0.2515898991916261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254350030","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0058539067,0.018802518,0.00012992405,0.00027864377,0.0019978802,0.00025903626,0.000094109455,0.00008341646,0.97250056],"genre_scores_gemma":[0.1494298,0.14416765,0.00032423067,0.0009501783,0.0017735267,0.00008693779,0.0011917535,0.000060008504,0.70201594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989659,0.000044438813,0.00023960225,0.00025038383,0.00020161233,0.00029803405],"domain_scores_gemma":[0.9992216,0.000019789375,0.00027651648,0.00032348407,0.000060528324,0.00009808532],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000093621835,0.00022015258,0.00028893581,0.000117166885,0.00015751588,0.000074345284,0.00019355719,0.00041816442,0.000947268],"category_scores_gemma":[0.000013582742,0.00016882223,0.000058438698,0.000108142944,0.000099282865,0.00057536917,0.00006273153,0.00038164444,0.0021735493],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014879001,0.000025881502,0.0001261587,0.00020027408,0.000043654218,0.000002351932,0.0006096123,2.103224e-7,6.319446e-7,0.0015130024,0.8423102,0.15515316],"study_design_scores_gemma":[0.00035566636,0.00008553876,0.010276961,0.00056837965,0.000031108066,0.000023283195,0.0002551791,0.000009611376,0.000011151122,0.00033507083,0.9877778,0.00027023064],"about_ca_topic_score_codex":0.00016444974,"about_ca_topic_score_gemma":0.0000046765317,"teacher_disagreement_score":0.27048466,"about_ca_system_score_codex":0.000055709683,"about_ca_system_score_gemma":0.00003061171,"threshold_uncertainty_score":0.999966},"labels":[],"label_agreement":null},{"id":"W4254476511","doi":"10.3138/ctr.172.012","title":"Photo Collection","year":2017,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Art; Process (computing); Aesthetics; Computer science","score_opus":0.0423977642374754,"score_gpt":0.31648702754003283,"score_spread":0.27408926330255745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254476511","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014739223,0.06267717,0.0000020919315,0.0054360772,0.00074897206,0.00025926804,0.000036045338,0.00001568766,0.9293508],"genre_scores_gemma":[0.78712606,0.08830953,0.00008895166,0.02907395,0.0004654935,0.0000583691,0.000028363887,0.00004270269,0.09480656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999483,0.000036355126,0.00007457125,0.00013040303,0.000047431622,0.00022823026],"domain_scores_gemma":[0.999026,0.000008785559,0.00006163738,0.00059295987,0.00002038281,0.0002902523],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014083818,0.00007023922,0.00015225919,0.00004011682,0.00045585056,0.00004533498,0.00031473665,0.000044812845,0.008514523],"category_scores_gemma":[0.000035978217,0.000067530214,0.00006822551,0.000049790975,0.000048244863,0.000097839555,0.000012745257,0.0000759139,0.0028301715],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037063426,0.000011435697,0.004617705,0.00021125967,0.000043263146,0.000062000814,0.000102961094,1.3652902e-8,0.0000026941984,0.0016066611,0.7625772,0.23076111],"study_design_scores_gemma":[0.00010973646,0.000023608027,0.025518242,0.0006156369,0.000035634697,0.00002312575,0.000019364428,1.7200482e-7,0.0000034427112,0.000067297704,0.973501,0.00008272988],"about_ca_topic_score_codex":0.17093809,"about_ca_topic_score_gemma":0.12706807,"teacher_disagreement_score":0.8345442,"about_ca_system_score_codex":0.00010251705,"about_ca_system_score_gemma":0.0001399246,"threshold_uncertainty_score":0.99794626},"labels":[],"label_agreement":null},{"id":"W4254541846","doi":"10.32920/ryerson.14643732.v1","title":"Movement in tradition: Tobe","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movement (music); Order (exchange); Simple (philosophy); Political science; Epistemology; Aesthetics; Philosophy; Economics","score_opus":0.055729978789133515,"score_gpt":0.31201037647895513,"score_spread":0.25628039768982164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254541846","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3795419,0.0002856172,0.0003823816,0.0014055499,0.0019458588,0.00013944466,0.00003047262,0.000036724003,0.61623204],"genre_scores_gemma":[0.9781532,0.000037463396,0.00054163754,0.003460652,0.00013538306,0.00001927684,0.00011213869,0.0000073291985,0.017532878],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9992576,0.00004859028,0.00013628424,0.0002911162,0.00011293228,0.00015348208],"domain_scores_gemma":[0.999525,0.000016631566,0.000042323594,0.00035083335,0.000016960581,0.00004824119],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008998374,0.00010869858,0.00017268457,0.00006786281,0.000015185434,0.000045892983,0.00019407352,0.00018155196,0.02684398],"category_scores_gemma":[0.0000062456975,0.0001194334,0.00008046552,0.000059342416,0.000019745201,0.00004768294,0.0002042502,0.00034245412,0.00030510998],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022887976,0.0053866277,0.061717037,0.00042130693,0.0009265528,0.0023197324,0.03243595,0.00049295276,0.00018207701,0.23407216,0.6133222,0.04849452],"study_design_scores_gemma":[0.0016300962,0.00014362475,0.95576984,0.00029571698,0.00003953299,0.0000075388366,0.012994571,0.000032870128,0.00035712693,0.010933188,0.017108642,0.0006872783],"about_ca_topic_score_codex":0.0009614525,"about_ca_topic_score_gemma":0.00014298224,"teacher_disagreement_score":0.8940528,"about_ca_system_score_codex":0.00007053631,"about_ca_system_score_gemma":0.00004853361,"threshold_uncertainty_score":0.97404563},"labels":[],"label_agreement":null},{"id":"W4255007593","doi":"10.4324/9781135000356-rem732-1","title":"Montreal Modern Dance Company (1952–1955)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Lithuanian; Evening; Art history; Art; History; Visual arts","score_opus":0.04218014552623064,"score_gpt":0.27856710369449705,"score_spread":0.2363869581682664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255007593","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00061029714,0.0006666072,0.00060034846,0.00016712165,0.00136965,0.00020712179,0.00020637085,0.00019487581,0.9959776],"genre_scores_gemma":[0.017917013,0.000064902015,0.00021279714,0.0011615816,0.0006488237,0.0000024380656,0.000060094302,0.000056496654,0.97987586],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984583,0.000016359882,0.00025024122,0.0005715555,0.00028424387,0.0004192657],"domain_scores_gemma":[0.9986471,0.000051444775,0.00018966928,0.0008302072,0.00009401484,0.00018756928],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008561725,0.0003926855,0.0004812346,0.00011287108,0.000108937886,0.000045068355,0.00057468214,0.00051859906,0.06571441],"category_scores_gemma":[0.000005721791,0.00038691654,0.00020287512,0.000017320337,0.0002811274,0.00012328089,0.00015723062,0.00038696462,0.026839558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019419486,0.00008715521,0.000089498346,0.000019897068,0.00038099836,0.0000693332,0.001423644,0.0000010145446,0.000004444109,0.16882639,0.8058892,0.023014229],"study_design_scores_gemma":[0.0012062483,0.00032335578,0.0029739663,0.00011486855,0.00012285118,0.000032735137,0.00008661249,0.00004557476,0.0000066006487,0.051551946,0.94279736,0.000737897],"about_ca_topic_score_codex":0.0004429213,"about_ca_topic_score_gemma":0.00034797864,"teacher_disagreement_score":0.13690813,"about_ca_system_score_codex":0.000061147664,"about_ca_system_score_gemma":0.0000425291,"threshold_uncertainty_score":0.99985826},"labels":[],"label_agreement":null},{"id":"W4255383864","doi":"10.5864/d2018-024","title":"2018 CIPHI Awards","year":2018,"lang":"en","type":"article","venue":"Environmental Health Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.04877555161591404,"score_gpt":0.37417550749853545,"score_spread":0.3253999558826214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255383864","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034196623,0.75438005,0.00022650209,0.019694237,0.004014002,0.0017243066,0.0002501594,0.00015269026,0.18536143],"genre_scores_gemma":[0.41513962,0.3766805,0.000896327,0.17201807,0.0012001313,0.00005378116,0.00010992193,0.00005985371,0.03384182],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988358,0.0001379958,0.00023868252,0.00024842095,0.00017241709,0.0003666797],"domain_scores_gemma":[0.99925435,0.000015052741,0.00012447941,0.0003873214,0.0000017677223,0.00021703991],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036802556,0.000119982455,0.0002547226,0.000020539906,0.00017348219,0.000005012607,0.0001922875,0.000041311905,0.022892963],"category_scores_gemma":[0.000006533524,0.00011239908,0.000073614174,0.00006806245,0.00019390615,0.00008778352,0.00007116803,0.00011499611,0.033247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016056083,0.00024505553,0.0030873201,0.00052324514,0.000025605006,0.00000596652,0.00042942967,8.250288e-9,0.0000069325524,0.00040157902,0.7210602,0.2741986],"study_design_scores_gemma":[0.00020788852,0.0004796423,0.0529887,0.0005475542,0.000011697455,0.000020430129,0.000052915908,2.9701457e-7,0.0000040598175,0.000026626041,0.9455542,0.00010597026],"about_ca_topic_score_codex":0.000075497235,"about_ca_topic_score_gemma":0.000004385082,"teacher_disagreement_score":0.38094297,"about_ca_system_score_codex":0.00015579358,"about_ca_system_score_gemma":0.000019836323,"threshold_uncertainty_score":0.9780002},"labels":[],"label_agreement":null},{"id":"W4255792480","doi":"10.4324/0123456789-rem1783-1","title":"New Dance Theatre (1949–1955, Toronto, Canada)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Visual arts; Art; Concert dance; Modern dance; Folk dance; Contemporary dance; Dance improvisation; Art history; Jazz dance","score_opus":0.019961872758391435,"score_gpt":0.2497345343578681,"score_spread":0.22977266159947668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255792480","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000015535754,0.0019053887,0.00015812721,0.00055419764,0.0033556237,0.00015970597,0.00014572903,0.00007739358,0.9936283],"genre_scores_gemma":[0.0008892926,0.000088570465,0.0003461628,0.0024905514,0.0012188029,9.035544e-7,0.000031509346,0.000044549823,0.9948897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857795,0.000011336429,0.00019621284,0.00045740782,0.00036897286,0.00038811966],"domain_scores_gemma":[0.998722,0.000043968827,0.00013883298,0.00074938964,0.00005672692,0.00028908],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000057308076,0.00034400463,0.00036074972,0.000024049124,0.000093722956,0.000031670934,0.0005668848,0.00038440083,0.32424524],"category_scores_gemma":[0.0000042705765,0.00032782322,0.00011379001,0.000010379439,0.000076002754,0.00013537442,0.0001079281,0.00023876851,0.003080918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038364764,0.000006665208,0.000031950512,0.0000061977903,0.00015186064,0.00003999655,0.00020002083,3.5077882e-8,8.411267e-7,0.11364111,0.8687203,0.01716268],"study_design_scores_gemma":[0.00030884254,0.00013134864,0.00061628956,0.000057863675,0.000054481767,0.000013487727,0.00014033137,2.2190315e-7,0.000005489265,0.0025488895,0.99573284,0.00038993623],"about_ca_topic_score_codex":0.795676,"about_ca_topic_score_gemma":0.95366275,"teacher_disagreement_score":0.32116434,"about_ca_system_score_codex":0.0003907824,"about_ca_system_score_gemma":0.0007799044,"threshold_uncertainty_score":0.9999174},"labels":[],"label_agreement":null},{"id":"W4280516336","doi":"10.33448/rsd-v11i7.29714","title":"The impact of dance as a non-pharmacological adjuvant therapy cancer survivors: a clinical trial","year":2022,"lang":"en","type":"article","venue":"Research Society and Development","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Directorate for Biological Sciences; Mustafa Kemal Üniversitesi","keywords":"Dance; Quality of life (healthcare); Psychosocial; Medicine; Randomized controlled trial; Physical therapy; Visual analogue scale; McGill Pain Questionnaire; Intervention (counseling); Clinical trial; Adjuvant therapy; Depression (economics); Cancer; Psychiatry; Internal medicine; Nursing","score_opus":0.31984178620430614,"score_gpt":0.5662040357601623,"score_spread":0.24636224955585617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4280516336","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99306047,0.0033551087,0.000009137731,0.00062216923,0.00040823864,0.0007155119,0.00002906453,0.000013578391,0.001786712],"genre_scores_gemma":[0.99065965,0.0067398883,0.000106706866,0.00021823865,0.00014114912,0.00030812554,0.0000054671013,0.000008517426,0.0018122549],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9972376,0.0008303235,0.00033790016,0.00031657738,0.00071422494,0.0005633364],"domain_scores_gemma":[0.9983031,0.0011015293,0.00010559131,0.00018394702,0.00012836423,0.00017745733],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0057010003,0.00011611979,0.00024650848,0.00002641282,0.0012666916,0.000042267773,0.000466127,0.00008231327,0.0021896272],"category_scores_gemma":[0.00008241907,0.00007402481,0.00022412899,0.00031211422,0.0004976517,0.00005658682,0.0004909755,0.00082199054,0.000029044677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.09805422,0.0046419464,0.07976373,0.000024339284,0.003620888,0.000045203084,0.051777836,0.000044298427,0.00083928066,0.000828385,0.3215,0.43885985],"study_design_scores_gemma":[0.046579417,0.0074235597,0.54610455,0.000022222932,0.000013376286,0.000009936963,0.021719085,0.00011300668,0.0003152454,0.00052556203,0.37679607,0.000377944],"about_ca_topic_score_codex":0.0016032842,"about_ca_topic_score_gemma":0.000020253814,"teacher_disagreement_score":0.46634084,"about_ca_system_score_codex":0.00020598952,"about_ca_system_score_gemma":0.0010487417,"threshold_uncertainty_score":0.9987225},"labels":[],"label_agreement":null},{"id":"W4282592114","doi":"10.1080/14647893.2022.2075335","title":"Soviet bodies in Canadian DanceSport: identities and culture in four competitive ballroom dance studios","year":2022,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Studio; Dance education; Visual arts; Ballroom; Art; Choreography","score_opus":0.08810565103306708,"score_gpt":0.4238330958736965,"score_spread":0.33572744484062944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4282592114","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.918068,0.0050875247,8.16595e-7,0.0038678136,0.0007478987,0.0005391115,0.000081950304,0.00000869772,0.07159817],"genre_scores_gemma":[0.9897367,0.0005820927,0.00007098851,0.00024929625,0.00008982194,0.00029842247,0.000034912813,0.0000092179935,0.008928573],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9977697,0.00054304843,0.0002099968,0.00038963577,0.0004109992,0.0006765798],"domain_scores_gemma":[0.9993391,0.00012558218,0.000054995697,0.00024659498,0.0000892288,0.00014449214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016909514,0.00010902742,0.00018637272,0.0007773429,0.0002753946,0.00006254673,0.0003863427,0.00005595129,0.00046421692],"category_scores_gemma":[0.00018227454,0.00013146907,0.000017466067,0.00083345134,0.00019225947,0.00041605192,0.00015885684,0.00079410354,0.000035410245],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008970317,0.00030455415,0.90112656,0.00005567313,0.000010048367,0.00009419927,0.033165395,0.000040212428,0.000022256356,0.021871343,0.040301,0.0029190672],"study_design_scores_gemma":[0.00047183852,0.00011055263,0.8717933,0.00012815518,0.0000012058847,0.00001086308,0.07992317,0.000014973794,0.0000057765465,0.004388447,0.04301938,0.00013229987],"about_ca_topic_score_codex":0.22679126,"about_ca_topic_score_gemma":0.6101217,"teacher_disagreement_score":0.38333046,"about_ca_system_score_codex":0.00095624424,"about_ca_system_score_gemma":0.0010145248,"threshold_uncertainty_score":0.7783576},"labels":[],"label_agreement":null},{"id":"W4283454186","doi":"10.36510/learnland.v15i1.1073","title":"Arts-Based Research in Precarious Pedagogy-Making Experiences","year":2022,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Performative utterance; The arts; Framing (construction); Sociology; Visual arts; Precarity; Performing arts; Social justice; Pedagogy; Dance education; Poetry; Aesthetics; Art; Engineering; Social science; Gender studies","score_opus":0.13749675522822818,"score_gpt":0.44260144789368655,"score_spread":0.30510469266545837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283454186","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9306988,0.00070924195,0.000023601822,0.00073102553,0.00038885808,0.00010467472,0.0000023012265,0.00007669809,0.067264795],"genre_scores_gemma":[0.9962505,0.0000021022495,0.000058759724,0.00017471774,0.00006142139,0.000099721205,0.000008047733,0.000011339676,0.0033333688],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981043,0.0005774073,0.00012739885,0.00030443445,0.00042420783,0.00046230498],"domain_scores_gemma":[0.99935734,0.00034110155,0.0000547263,0.00017796946,0.00002451842,0.00004436726],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010560116,0.0000852259,0.00013464164,0.0003185445,0.00060702406,0.000056563043,0.0003448482,0.00004597236,0.0076869824],"category_scores_gemma":[0.00009992202,0.00008993428,0.00004187211,0.00048576985,0.000057043726,0.00008287619,0.00016265003,0.00089447305,0.00013234382],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006351612,0.00045068504,0.65361726,0.000020347316,0.000032694912,0.0004036029,0.29158127,0.01768924,0.00014574792,0.0011768831,0.008730826,0.0255163],"study_design_scores_gemma":[0.0016767129,0.0012347415,0.08193934,0.000059395035,0.0000067647625,0.00002696336,0.24499694,0.0019651141,0.000057870922,0.0001743045,0.66750574,0.00035610748],"about_ca_topic_score_codex":0.00028977921,"about_ca_topic_score_gemma":0.00009166371,"teacher_disagreement_score":0.6587749,"about_ca_system_score_codex":0.000061349114,"about_ca_system_score_gemma":0.00006710555,"threshold_uncertainty_score":0.99322015},"labels":[],"label_agreement":null},{"id":"W4283458120","doi":"10.36510/learnland.v15i1.1059","title":"Biodanza and Other Dance Forms as a Vehicle for Social-Emotional-Learning in Schools: A Scoping Review","year":2022,"lang":"en","type":"review","venue":"LEARNing Landscapes","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Dance; Psychosocial; Psychology; Social emotional learning; Mental health; Dance education; Developmental psychology; Pedagogy; Applied psychology; Visual arts; Psychotherapist; Art","score_opus":0.07622254024948522,"score_gpt":0.38756630044461104,"score_spread":0.31134376019512583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283458120","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014855924,0.99125886,0.0000221859,0.00020245319,0.00015015384,0.0012675166,0.00003109282,0.000109251014,0.006809915],"genre_scores_gemma":[0.000047588077,0.9952785,0.00007456628,0.0005549206,0.00015638083,0.0003757601,0.00012271607,0.000069663234,0.003319917],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.997667,0.0005300106,0.0004917076,0.00058775005,0.00022967035,0.00049383455],"domain_scores_gemma":[0.9986342,0.00054121955,0.00055549847,0.00016792517,0.000022710105,0.0000784306],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010177004,0.00035476347,0.0013477815,0.00022741537,0.0005156538,0.00008770693,0.00031219723,0.00023153916,0.002129529],"category_scores_gemma":[0.00062235567,0.00032736076,0.00032947116,0.00042611343,0.00003453221,0.00015671244,0.00016878419,0.0012944733,0.00021897013],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036916415,0.000078448254,0.0016105383,0.07358655,0.00019855466,0.000019429564,0.0009387584,0.000007209143,1.2963831e-7,0.0008963478,0.001872305,0.9207548],"study_design_scores_gemma":[0.0005096353,0.00016828893,0.0000939294,0.11016652,0.00017794821,0.000031734282,0.0003272711,0.0000065509635,2.2482315e-8,0.000036224308,0.88813925,0.0003426433],"about_ca_topic_score_codex":0.000054093078,"about_ca_topic_score_gemma":0.00001411385,"teacher_disagreement_score":0.9204122,"about_ca_system_score_codex":0.000089452056,"about_ca_system_score_gemma":0.00016473455,"threshold_uncertainty_score":0.99991786},"labels":[],"label_agreement":null},{"id":"W4283653719","doi":"10.1386/public_00093_1","title":"Dancing Through the Archive: Researching René Highway’s Final Choreography: Prism, Mirror, Lens","year":2022,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Prism; Film director; Choreography; Context (archaeology); Visual arts; Art; Lens (geology); Indigenous; Dance; Art history; Optics; Movie theater; History; Physics; Archaeology","score_opus":0.12768069894223474,"score_gpt":0.3392246140599002,"score_spread":0.21154391511766543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283653719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68990344,0.0010253896,0.00069262984,0.042062346,0.0016551409,0.0004593607,0.00017816888,0.00025709433,0.2637664],"genre_scores_gemma":[0.99219435,0.000029484845,0.0005533178,0.0027103534,0.00012005081,0.00007269353,0.000057792135,0.000022953278,0.0042390213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760777,0.0005708073,0.00017903314,0.00037807328,0.00054224255,0.0007220629],"domain_scores_gemma":[0.9988389,0.0002824822,0.00010338373,0.0006546812,0.000027741587,0.00009283032],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008618548,0.0001405338,0.00015152256,0.00018729256,0.0014339199,0.00015456024,0.0010400517,0.000035270554,0.0026161775],"category_scores_gemma":[0.00012502166,0.00011845772,0.0001465365,0.00063689606,0.00022730835,0.00046177383,0.00060720736,0.00096233975,0.00019038862],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003296322,0.00073526945,0.045139287,0.000025463287,0.00038534988,0.0001357171,0.04635926,0.000009549415,0.0005618392,0.25042766,0.6383784,0.017512592],"study_design_scores_gemma":[0.0005669216,0.00020444836,0.13672015,0.000006243079,0.000013318306,0.00003848412,0.0032554953,0.000021241887,0.000013068715,0.0068209283,0.85217756,0.00016216822],"about_ca_topic_score_codex":0.0018370537,"about_ca_topic_score_gemma":0.00007951824,"teacher_disagreement_score":0.3022909,"about_ca_system_score_codex":0.00006525367,"about_ca_system_score_gemma":0.0000873497,"threshold_uncertainty_score":0.99986607},"labels":[],"label_agreement":null},{"id":"W4285677159","doi":"10.29173/crossings73","title":"Holiness and Horror: The Gendered Spectacle of Romantic Sleepwalking","year":2022,"lang":"en","type":"article","venue":"Crossings An Undergraduate Arts Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Subconscious; Sleepwalking; Romance; Psychoanalysis; Power (physics); Spectacle; Humiliation; Jealousy; Literature; Psychology; History; Art; Social psychology; Law; Psychiatry","score_opus":0.04014806495695829,"score_gpt":0.3091836217280276,"score_spread":0.26903555677106933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285677159","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9823578,0.0006391741,0.00036298897,0.0033004147,0.00088838185,0.00007860374,0.000013911278,0.00002261436,0.012336088],"genre_scores_gemma":[0.99696034,0.000024279409,0.0001469035,0.00048145934,0.000159592,0.000001534179,0.0000024601256,0.000018320254,0.0022051327],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99867815,0.00017061578,0.00027049755,0.00020427152,0.00032328293,0.00035320455],"domain_scores_gemma":[0.99916035,0.000056813737,0.00033217124,0.00025415802,0.00005942059,0.00013706306],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006054775,0.00013296865,0.00019014878,0.00010579255,0.0022497955,0.0004028696,0.00037322266,0.00002964402,0.0004905542],"category_scores_gemma":[0.000024652363,0.000107916785,0.00008682982,0.00018903632,0.00041538864,0.00032331795,0.00017509804,0.00047099992,0.000009317984],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0030691351,0.0048527904,0.25771192,0.00016958422,0.0019419806,0.002508068,0.2128032,0.0018401857,0.04670408,0.13890469,0.1803457,0.14914866],"study_design_scores_gemma":[0.0070608533,0.0021339203,0.6927295,0.00008844115,0.00033675463,0.012316819,0.05341938,0.0010319974,0.0007369551,0.061615363,0.16752312,0.0010069092],"about_ca_topic_score_codex":0.000078290774,"about_ca_topic_score_gemma":0.000009436078,"teacher_disagreement_score":0.4350176,"about_ca_system_score_codex":0.000046939756,"about_ca_system_score_gemma":0.00006151895,"threshold_uncertainty_score":0.9990491},"labels":[],"label_agreement":null},{"id":"W4286656353","doi":"10.24840/xcoax_2022_33","title":"Blomster – The Human Garden","year":2022,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina; Simon Fraser University","funders":"","keywords":"Danish; Dance; Visual arts; Soundscape; Austerity; Art; Aesthetics; History; Sociology; Linguistics; Political science; Law; Philosophy","score_opus":0.0360916993298259,"score_gpt":0.30930599245453066,"score_spread":0.27321429312470474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286656353","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2555616,0.000025018708,0.0000071904565,0.0019798197,0.00029703678,0.000041378218,0.00000509104,0.00002520807,0.7420577],"genre_scores_gemma":[0.7478896,1.4592656e-7,0.000005176738,0.0031426586,0.00003514779,0.0000045017823,0.0000016599017,0.0000021581939,0.24891898],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964905,0.000054737815,0.00003527287,0.000071318864,0.00008719262,0.00010241597],"domain_scores_gemma":[0.99976164,0.000017075101,0.000013720738,0.0001868719,0.0000040356117,0.00001663966],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000102675935,0.000029117142,0.000031848922,0.000013290424,0.00032781536,0.000012171947,0.00023680054,0.000008271477,0.12161359],"category_scores_gemma":[0.0000016872624,0.00002037222,0.000029109366,0.000040216342,0.000027294416,0.000019729458,0.00013494042,0.00009808126,0.0010455338],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000106536,0.00007786444,0.005170763,4.8147706e-7,0.0000329557,0.000010508706,0.0032582446,0.000002649413,0.00008227661,0.04332311,0.94694525,0.001085265],"study_design_scores_gemma":[0.00026269184,0.00010013337,0.058513302,2.421525e-7,0.0000074202635,0.0000117438,0.00610914,8.390468e-7,0.000018385717,0.00045284894,0.9344717,0.000051526564],"about_ca_topic_score_codex":0.0000781546,"about_ca_topic_score_gemma":0.0000058567093,"teacher_disagreement_score":0.4931387,"about_ca_system_score_codex":0.00000997419,"about_ca_system_score_gemma":0.000002811041,"threshold_uncertainty_score":0.99973226},"labels":[],"label_agreement":null},{"id":"W4286844173","doi":"10.3389/fspor.2022.908688","title":"Editorial: Dance and Aging","year":2022,"lang":"en","type":"editorial","venue":"Frontiers in Sports and Active Living","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Front (military); Sociology; Media studies; History; Visual arts; Political science; Art; Engineering; Mechanical engineering","score_opus":0.005393067048033398,"score_gpt":0.2501678095938447,"score_spread":0.24477474254581133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286844173","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048386287,0.0026457112,0.000058039448,0.0000295617,0.9859908,0.00016652934,0.00017846607,0.000036610458,0.006055622],"genre_scores_gemma":[0.004478841,0.0013323941,0.00024167605,0.000036488942,0.98892516,0.00001938043,0.00005203972,0.000041295283,0.004872745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981233,0.00008743178,0.00021562549,0.00065347925,0.0005131163,0.00040702996],"domain_scores_gemma":[0.9990407,0.00031522522,0.00025837315,0.00024194433,0.00004044772,0.000103259714],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004869028,0.00028395644,0.00051159767,0.00024840672,0.0002308283,0.00008160662,0.00021546285,0.00043283377,0.0004260827],"category_scores_gemma":[0.00024318129,0.00032393157,0.000051703108,0.00013995451,0.00014284118,0.00034408268,0.0003123762,0.0012927304,0.0000011592109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104259365,0.00005414059,0.034624193,0.000044198794,0.00005347685,0.000056780846,0.0044468087,7.033804e-7,4.971197e-7,0.000014224152,0.94693726,0.013663456],"study_design_scores_gemma":[0.00032973834,0.00006157956,0.03404608,0.00024983461,0.000042615582,0.0000016956367,0.0058208327,0.0000020217642,2.596814e-7,0.00013151662,0.95897967,0.0003341471],"about_ca_topic_score_codex":0.00033450391,"about_ca_topic_score_gemma":0.000009328899,"teacher_disagreement_score":0.0133293085,"about_ca_system_score_codex":0.00011746301,"about_ca_system_score_gemma":0.0000736965,"threshold_uncertainty_score":0.99992126},"labels":[],"label_agreement":null},{"id":"W4287401581","doi":"","title":"\"Usages du livret de ballet en danse baroque contemporaine. A propos de Don Juan, et les Petits Riens, de la compagnie L'Eventail\"","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Baroque; Ballet; Humanities; Art history; Dance; Visual arts","score_opus":0.017541029053976653,"score_gpt":0.27511806047451803,"score_spread":0.2575770314205414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287401581","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60284936,0.004700242,0.09898463,0.12163747,0.00067407405,0.0011497933,0.00069144537,0.00035134263,0.16896164],"genre_scores_gemma":[0.917516,0.005997568,0.03425336,0.0010881638,0.00008902501,0.00009709507,0.0011729643,0.00009645594,0.039689403],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.95346314,0.043145053,0.0007414574,0.0011546888,0.00050825265,0.000987427],"domain_scores_gemma":[0.9899926,0.0048876842,0.0007633448,0.0022777405,0.0014629135,0.0006156829],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.016460171,0.0006791057,0.0008053568,0.00021655527,0.0006886173,0.0009218385,0.0022124087,0.0010566912,0.0021553654],"category_scores_gemma":[0.0042081354,0.0008253385,0.00047534573,0.0004019781,0.0011638756,0.00032548228,0.001727414,0.0021114098,0.00013931766],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039144405,0.00978143,0.14836076,0.0012588124,0.0012321848,0.0008009551,0.24055704,0.00036273035,0.018525107,0.50049996,0.059971955,0.018257588],"study_design_scores_gemma":[0.005015737,0.000014327939,0.21637437,0.0103366235,0.0004561691,0.00083667866,0.011955519,0.0042198845,0.032929983,0.0040759793,0.7117476,0.0020371443],"about_ca_topic_score_codex":0.018961607,"about_ca_topic_score_gemma":0.006329972,"teacher_disagreement_score":0.65177566,"about_ca_system_score_codex":0.0006456167,"about_ca_system_score_gemma":0.0014883167,"threshold_uncertainty_score":0.99941975},"labels":[],"label_agreement":null},{"id":"W4291289376","doi":"10.1386/jdsp_00072_1","title":"Leaning into life with somatic sensitivity: Lessons learned from world-class experts of partnered practices","year":2022,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University; University of Ottawa","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Dance; Feeling; Motion (physics); Class (philosophy); Psychology; The arts; Sensitivity (control systems); Human–computer interaction; Cognitive psychology; Cognitive science; Computer science; Social psychology; Artificial intelligence; Visual arts; Engineering; Art","score_opus":0.1574272228671175,"score_gpt":0.40067323846521374,"score_spread":0.24324601559809625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4291289376","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9744062,0.001831836,0.00063598476,0.016135862,0.00080358604,0.00021660324,0.000026242846,0.000037052298,0.005906638],"genre_scores_gemma":[0.9915072,0.00011049216,0.006615025,0.0007433078,0.00025781622,0.000012214033,0.0000058643236,0.00003638579,0.0007117398],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99537337,0.0017018233,0.0009555637,0.00035046207,0.0012040525,0.0004147016],"domain_scores_gemma":[0.9808659,0.00393141,0.014131628,0.0005826099,0.00024257331,0.0002458747],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022663393,0.00029098403,0.00086487056,0.00032749504,0.00047505525,0.00017116134,0.0005954347,0.000069231835,0.0011576734],"category_scores_gemma":[0.0045001023,0.00025301368,0.00017581378,0.00058739446,0.00018885794,0.0029852286,0.00023602272,0.0008693974,0.000033848788],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.025302008,0.017665584,0.2846484,0.0016574978,0.01646347,0.00960687,0.38063222,0.0074156593,0.10673446,0.00792094,0.062564164,0.07938872],"study_design_scores_gemma":[0.017359609,0.0079984525,0.13793908,0.0032426235,0.004833271,0.003620714,0.6772721,0.0043834164,0.0069258735,0.008716757,0.12515253,0.0025555901],"about_ca_topic_score_codex":0.00076162524,"about_ca_topic_score_gemma":0.00032883923,"teacher_disagreement_score":0.29663986,"about_ca_system_score_codex":0.0001425818,"about_ca_system_score_gemma":0.00048498015,"threshold_uncertainty_score":0.9999922},"labels":[],"label_agreement":null},{"id":"W4296842488","doi":"10.5744/florida/9780813069111.003.0013","title":"A Strange Place to Find Jazz …","year":2022,"lang":"en","type":"book-chapter","venue":"University Press of Florida eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Jazz dance; Dance; Art; Visual arts; Musical; Perspective (graphical); Aesthetics; Art history; Concert dance","score_opus":0.03379162803844206,"score_gpt":0.23289085843522253,"score_spread":0.19909923039678046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296842488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022744213,0.00013695525,0.00003218438,0.00007416173,0.0009987262,0.00044935363,0.001726117,0.000076176926,0.9942319],"genre_scores_gemma":[0.005561213,0.000018949406,0.00011754085,0.00011820331,0.000120897945,6.837937e-7,0.000037762406,0.000034835848,0.9939899],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854434,0.000043914442,0.00017673944,0.0005031222,0.00040311937,0.00032875667],"domain_scores_gemma":[0.9986662,0.00010097056,0.00022489337,0.00070129975,0.00008159038,0.00022500656],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011077067,0.00031880493,0.00046256938,0.00030808622,0.00018603909,0.000015210654,0.0009858642,0.00029814217,0.008518842],"category_scores_gemma":[0.000007722465,0.00043204628,0.00026442824,0.000020773352,0.00015397645,0.00009797124,0.00060189434,0.00055532646,0.00017663896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022355285,0.00007595635,0.000031563315,0.00012378475,0.001078423,0.00069639215,0.006106379,0.000048141053,0.000064214124,0.7613632,0.22246188,0.0057145455],"study_design_scores_gemma":[0.0008909414,0.00034308998,0.00023451787,0.000071592585,0.0002501116,0.0000070976425,0.00044086427,6.777229e-7,0.000048673006,0.00013347088,0.99717426,0.00040468923],"about_ca_topic_score_codex":0.00068783417,"about_ca_topic_score_gemma":0.000029333029,"teacher_disagreement_score":0.7747124,"about_ca_system_score_codex":0.0001681621,"about_ca_system_score_gemma":0.00008495456,"threshold_uncertainty_score":0.99981314},"labels":[],"label_agreement":null},{"id":"W4296883885","doi":"10.5744/florida/9780813069111.001.0001","title":"Rooted Jazz Dance","year":2022,"lang":"en","type":"book","venue":"University Press of Florida eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Dance; Jazz dance; Dance improvisation; Choreography; Concert dance; Contemporary dance; Art; Modern dance; Narrative; Aesthetics; Visual arts; Sociology; Literature","score_opus":0.023772450708667615,"score_gpt":0.22760571630409576,"score_spread":0.20383326559542814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296883885","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00077541627,0.00033168477,0.000055582936,0.00002225607,0.0017862292,0.00033680795,0.0011364088,0.00012481968,0.99543077],"genre_scores_gemma":[0.0019631663,0.000023665812,0.000080371705,0.00006586893,0.0001764424,8.0864027e-7,0.00011679971,0.00003533499,0.99753755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828017,0.00012444673,0.00021148699,0.00054332946,0.00045582728,0.00038474068],"domain_scores_gemma":[0.998274,0.000128704,0.0004332904,0.00090396,0.000107791544,0.00015221347],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013570947,0.00033406648,0.00054999616,0.00026894035,0.0002443758,0.000015441788,0.0013853282,0.00036809506,0.003790406],"category_scores_gemma":[0.00001326242,0.0004543713,0.00031351644,0.000044735676,0.00031366874,0.00011756566,0.0007433655,0.00077553507,0.00008427355],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00070576137,0.000096872885,0.00008550038,0.00015274175,0.0007796672,0.00044037576,0.0023161024,0.000022331189,0.000023530349,0.15593612,0.83605725,0.0033837438],"study_design_scores_gemma":[0.0011111051,0.00019009008,0.00037228115,0.000077837394,0.0002470312,0.000006301327,0.00047264132,0.0000023406792,0.000056414825,0.00023551178,0.9968184,0.00041000906],"about_ca_topic_score_codex":0.0003889651,"about_ca_topic_score_gemma":0.000014034188,"teacher_disagreement_score":0.16076119,"about_ca_system_score_codex":0.00032584261,"about_ca_system_score_gemma":0.00025476058,"threshold_uncertainty_score":0.9997908},"labels":[],"label_agreement":null},{"id":"W4297039014","doi":"10.32370/ia_2022_09_5","title":"Dramaturgy of Stage Ball Choreography in Ballet-Musicals","year":2022,"lang":"en","type":"article","venue":"Intellectual Archive","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballet; Dramaturgy; Choreography; Classical ballet; Dance; Musical; Context (archaeology); Visual arts; Art; Scenography; Dance education; Musical instrument; Aesthetics; History; Acoustics","score_opus":0.021233860060908497,"score_gpt":0.2775016200550382,"score_spread":0.2562677599941297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297039014","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8128108,0.00022091666,0.0005786948,0.00021589821,0.0005833488,0.0002665316,0.00033386995,0.00003581883,0.18495412],"genre_scores_gemma":[0.9971071,0.00001666984,0.00020472179,0.0005146691,0.000032693973,0.00003295907,0.000029237191,0.00001280817,0.0020491558],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986291,0.00028905476,0.00024404623,0.00027167235,0.00023843345,0.00032769804],"domain_scores_gemma":[0.9985132,0.0010393908,0.00008490678,0.000268796,0.000016513422,0.000077195844],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020893989,0.00012436694,0.0002426747,0.00041578244,0.0000901286,0.000009928541,0.00047986314,0.000032181964,0.027530644],"category_scores_gemma":[0.00021320197,0.00013250184,0.0001424754,0.00048016704,0.00019723273,0.000047838115,0.0003498122,0.00045895937,0.00018972403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007039398,0.0054813256,0.025264619,0.00009680721,0.0008605479,0.000556531,0.45956218,0.00085730624,0.007551404,0.09897309,0.33734202,0.05641477],"study_design_scores_gemma":[0.0029632347,0.0032837982,0.10622794,0.00004892522,0.000033368393,0.00004264387,0.021497028,0.0002916995,0.0009669058,0.007865516,0.85610634,0.00067257596],"about_ca_topic_score_codex":0.0005907717,"about_ca_topic_score_gemma":0.00006367106,"teacher_disagreement_score":0.5187644,"about_ca_system_score_codex":0.000029891222,"about_ca_system_score_gemma":0.00003326997,"threshold_uncertainty_score":0.97335833},"labels":[],"label_agreement":null},{"id":"W4297907490","doi":"10.4236/jss.2022.1010015","title":"The Royal New Zealand Ballet and the Power of Dance in Prison","year":2022,"lang":"en","type":"article","venue":"Open Journal of Social Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Dance; Ballet; Transformative learning; Prison; Power (physics); Context (archaeology); Meaning (existential); Sociology; Aesthetics; Choreography; Psychology; Visual arts; Criminology; Art; Pedagogy; History; Psychotherapist","score_opus":0.03317508749093382,"score_gpt":0.3427966514694181,"score_spread":0.3096215639784843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297907490","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8925614,0.0007835191,0.000003359356,0.023052216,0.00052049867,0.00010947335,0.0000035362334,5.865584e-7,0.082965426],"genre_scores_gemma":[0.9945629,0.000022824092,0.000033010856,0.00027584133,0.000041495696,5.73292e-7,2.9627678e-8,9.765553e-7,0.005062312],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99918413,0.00022160455,0.0001501003,0.000057429876,0.00026990304,0.000116812385],"domain_scores_gemma":[0.9994906,0.0001627408,0.00026513988,0.00003897203,0.000018517425,0.000024024208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025556,0.000032083546,0.000115608964,0.000020144784,0.0006363687,0.000105993495,0.0009493175,0.000011743319,0.000585865],"category_scores_gemma":[0.000053705517,0.000017120816,0.000031010062,0.00018317974,0.0005473931,0.00014473399,0.00022412583,0.00015719143,0.0000012840238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031332476,0.00027437913,0.15220936,0.0000023743637,0.00011840747,0.000032663076,0.1847146,0.00016552763,0.00003717541,0.088993244,0.52643913,0.043879867],"study_design_scores_gemma":[0.003937472,0.0008611155,0.63136625,0.000015110234,0.000015913824,0.000026342866,0.0701091,0.000011301833,0.000008249834,0.008436774,0.28511995,0.000092396025],"about_ca_topic_score_codex":0.00077973877,"about_ca_topic_score_gemma":0.00007966722,"teacher_disagreement_score":0.4791569,"about_ca_system_score_codex":0.000014455227,"about_ca_system_score_gemma":0.0001143319,"threshold_uncertainty_score":0.64148104},"labels":[],"label_agreement":null},{"id":"W4300552709","doi":"","title":"The Body Dangerous: Salome Dances","year":2003,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Dance; Art history; Visual arts","score_opus":0.2690847893346808,"score_gpt":0.5702937594173372,"score_spread":0.3012089700826564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300552709","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6315307,0.04918568,0.00025139688,0.00046333123,0.0037641432,0.0005243826,0.00006648372,0.000063672735,0.31415018],"genre_scores_gemma":[0.9783471,0.012142067,0.00012793177,0.00088752474,0.00023282837,0.00002629271,0.000005247854,0.000046690748,0.008184266],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99709135,0.0005936187,0.0006143242,0.00042908688,0.0006349458,0.0006366485],"domain_scores_gemma":[0.99732035,0.00065181346,0.00073463464,0.0008092784,0.00020198073,0.00028194964],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018411668,0.00030253068,0.0005602901,0.00031487088,0.0007257053,0.0014805072,0.0038341172,0.00013225195,0.018289337],"category_scores_gemma":[0.0005025868,0.00022960971,0.00021140881,0.0008168756,0.00033951568,0.0021022623,0.00046947604,0.0004975524,0.0003115635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003859455,0.0005663972,0.42356616,0.000032791846,0.00064123387,0.00010201781,0.0010972455,0.000016319462,0.009017094,0.007556321,0.5267651,0.030253373],"study_design_scores_gemma":[0.00064418744,0.000025193664,0.53411835,0.00011453086,0.000069422655,0.000032510463,0.00075818336,0.0000014138362,0.002953766,0.006077007,0.45485494,0.000350515],"about_ca_topic_score_codex":0.0006889966,"about_ca_topic_score_gemma":0.000058412206,"teacher_disagreement_score":0.34681642,"about_ca_system_score_codex":0.00007243434,"about_ca_system_score_gemma":0.000102840146,"threshold_uncertainty_score":0.99955606},"labels":[],"label_agreement":null},{"id":"W4300707826","doi":"10.1108/s0163-2396(2013)0000040024","title":"40th Anniversary of Studies in Symbolic Interaction","year":2013,"lang":"en","type":"other","venue":"Studies in symbolic interaction","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symbolic interactionism; Autoethnography; Ethnography; The Symbolic; Sociology; Media studies; Embodied cognition; Gender studies; Social science; Anthropology; Psychoanalysis; Psychology; Epistemology","score_opus":0.1296838010904242,"score_gpt":0.44485078082088486,"score_spread":0.31516697973046065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300707826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.072326876,0.01577463,0.000006950574,0.00018529948,0.017770354,0.0008236692,0.00004800083,0.00013277392,0.89293146],"genre_scores_gemma":[0.5967783,0.0103215305,0.00006409115,0.00021308982,0.0008172952,0.00011861004,0.000028393531,0.0001994825,0.39145923],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977254,0.00028803528,0.00065038854,0.00059893104,0.00026269903,0.0004745127],"domain_scores_gemma":[0.9983113,0.00028649342,0.0007263763,0.00047961017,0.00014776322,0.000048459417],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025393357,0.00048209407,0.0011736711,0.0015381209,0.000054931766,0.000014953359,0.00031806034,0.00036297558,0.0021435164],"category_scores_gemma":[0.00022860411,0.00048021425,0.000173926,0.00047688888,0.00045328942,0.00040026824,0.0002746336,0.00076657144,0.0009947382],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035330182,0.0006195066,0.0057313093,0.0008395365,0.0023797706,0.00009654419,0.059510447,0.000015187638,0.00006979317,0.0012166695,0.9223914,0.0067764986],"study_design_scores_gemma":[0.004141996,0.00094973634,0.021476762,0.014510539,0.00038014483,0.00011568461,0.46153829,0.000029919374,0.0002197832,0.0006640999,0.49433425,0.0016387798],"about_ca_topic_score_codex":0.0038585106,"about_ca_topic_score_gemma":0.00096375815,"teacher_disagreement_score":0.5244514,"about_ca_system_score_codex":0.0006017129,"about_ca_system_score_gemma":0.000026693298,"threshold_uncertainty_score":0.9997831},"labels":[],"label_agreement":null},{"id":"W4302576090","doi":"10.25071/1913-5874/37394","title":"Projecting Cracks, Bending Borders: Exploring Gendered Racial Violence in Un/bound","year":2016,"lang":"en","type":"article","venue":"InTensions","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Indigenous; Dance; Sociology; Gender studies; Colonialism; Consciousness; White (mutation); Racism; Aesthetics; Political science; Art; Law; Visual arts; Epistemology; Philosophy","score_opus":0.13093549503799373,"score_gpt":0.35386449665884817,"score_spread":0.22292900162085444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302576090","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9841265,0.00009776703,0.0007221262,0.0009622322,0.0015102596,0.00015046056,0.000013947231,0.000078007215,0.012338683],"genre_scores_gemma":[0.9985908,0.000052302712,0.00026197545,0.00031278332,0.00013053624,0.000019268746,0.0000014376108,0.0000123311875,0.0006185401],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99884295,0.0000684589,0.00020351898,0.00031428842,0.00012996762,0.00044079171],"domain_scores_gemma":[0.9992895,0.00021276124,0.00007420985,0.00025800607,0.000080995414,0.00008451691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020874875,0.00012528668,0.00015988454,0.00018160703,0.00018161234,0.000027153192,0.00020272018,0.00007829362,0.0008620571],"category_scores_gemma":[0.0006339309,0.0001010492,0.000059744194,0.00023199101,0.00008512049,0.0004277337,0.0001191915,0.00018966311,0.0005944708],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000947243,0.0010613982,0.22784486,0.000039603405,0.00031755908,0.0010690262,0.059369598,0.000013319459,0.07614429,0.03284329,0.011788352,0.5885615],"study_design_scores_gemma":[0.008163199,0.0007869453,0.82861525,0.004011166,0.00011258614,0.0002604992,0.081786424,0.00007268506,0.014993452,0.011740127,0.047550134,0.001907518],"about_ca_topic_score_codex":0.00088422844,"about_ca_topic_score_gemma":0.00021435725,"teacher_disagreement_score":0.6007704,"about_ca_system_score_codex":0.00008268649,"about_ca_system_score_gemma":0.000036082925,"threshold_uncertainty_score":0.94389206},"labels":[],"label_agreement":null},{"id":"W4304080811","doi":"10.1016/j.ptsp.2022.10.001","title":"Injury epidemiology in pre-professional ballet dancers: A 5-year prospective cohort study","year":2022,"lang":"en","type":"article","venue":"Physical Therapy in Sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":27,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Running Injury Clinic; Alberta Children's Hospital; Alberta Bone and Joint Health Institute; University of Calgary","funders":"","keywords":"Ballet; Dance; Medicine; Physical therapy; Epidemiology; Injury prevention; Classical ballet; Poison control; Ballet dancer; Occupational safety and health; Emergency medicine; Internal medicine","score_opus":0.03521838722512063,"score_gpt":0.3825075340306486,"score_spread":0.34728914680552797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4304080811","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99148333,0.00006115571,0.0000021216308,0.00024496563,0.0006842123,0.0013007303,0.00003596289,0.00003830639,0.0061492426],"genre_scores_gemma":[0.99717903,0.000014169078,0.000018938435,0.00077657675,0.00016813907,0.0006325897,0.000018668869,0.000017611233,0.0011742855],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.997988,0.0004505579,0.00030258155,0.00055133883,0.000280344,0.0004271734],"domain_scores_gemma":[0.999241,0.00016804365,0.000130708,0.00037403926,0.000020569669,0.00006562065],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011205022,0.00017745722,0.00055796746,0.00012220112,0.00010811247,0.000004171511,0.0003998676,0.000051742045,0.002016542],"category_scores_gemma":[0.000029679279,0.00016622813,0.00009549935,0.0004533038,0.0001086069,0.00011800422,0.00017137593,0.0007698407,0.000079233374],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0028125895,0.0060027596,0.9711864,0.0000015854323,0.000095676995,0.000052498606,0.011594437,0.000060081893,0.000028890856,0.0048914663,0.0019005934,0.0013730376],"study_design_scores_gemma":[0.0021224704,0.0016608778,0.98689556,0.000006005536,0.000005190848,0.0000017140194,0.0031753187,0.00001784517,0.0000062020895,0.0041475976,0.0017821743,0.00017903362],"about_ca_topic_score_codex":0.0008789921,"about_ca_topic_score_gemma":0.000024354806,"teacher_disagreement_score":0.015709188,"about_ca_system_score_codex":0.00023479982,"about_ca_system_score_gemma":0.000060873812,"threshold_uncertainty_score":0.99889576},"labels":[],"label_agreement":null},{"id":"W4307042910","doi":"10.1080/15290824.2022.2125977","title":"Safe Dance Practice Knowledge, Beliefs, and Behaviors among Alberta Dance Teachers","year":2022,"lang":"en","type":"article","venue":"Journal of Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Hotchkiss Brain Institute; Alberta Children's Hospital; University of Calgary","funders":"","keywords":"Dance; Dance education; Psychology; Studio; Medical education; Pedagogy; Medicine; Visual arts; Art","score_opus":0.011017342723258551,"score_gpt":0.3330779256058572,"score_spread":0.32206058288259864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307042910","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94927526,0.008027096,0.000085164655,0.0034253788,0.0051599024,0.00018304771,0.000010571993,0.000010507564,0.033823077],"genre_scores_gemma":[0.9753696,0.00024400484,0.0015123712,0.00076331024,0.00061634224,0.000020304396,0.0000078423145,0.000021967699,0.021444278],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9984043,0.00033020542,0.00042010943,0.00024735398,0.0003300263,0.00026795416],"domain_scores_gemma":[0.9980334,0.00029229466,0.00095933344,0.0003033947,0.00022968958,0.00018188708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008162589,0.00015868428,0.0002407889,0.00017639564,0.0003691666,0.00005837729,0.00042662284,0.00006531462,0.0005650728],"category_scores_gemma":[0.00039583768,0.00017385988,0.00008023285,0.00034235307,0.00012991046,0.0012106823,0.00010060459,0.0007129691,0.000042035666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006348358,0.0061640535,0.30584577,0.00005298717,0.00028131553,0.000040856507,0.11256211,0.000119004784,0.0010478932,0.0050338726,0.4251629,0.1430544],"study_design_scores_gemma":[0.0008508051,0.0005815628,0.49034923,0.000094501396,0.00015158669,0.00048362705,0.027709156,0.0000047009053,0.000072149014,0.00015531058,0.47929242,0.0002549337],"about_ca_topic_score_codex":0.00053801853,"about_ca_topic_score_gemma":0.0000754754,"teacher_disagreement_score":0.18450347,"about_ca_system_score_codex":0.00028871125,"about_ca_system_score_gemma":0.00040619713,"threshold_uncertainty_score":0.70897996},"labels":[],"label_agreement":null},{"id":"W4307360828","doi":"10.4324/9781003260691","title":"Dance, Ageing and Collaborative Arts-Based Research","year":2022,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Trent University; Brandon University","funders":"Canadian Institutes of Health Research; Stanford Bio-X; Canada Research Chairs; Public Health Agency; University of Bristol; University of Oxford; Trent University; York University; Alzheimer Society; Koneen Säätiö; University of Toronto; Strong; Public Health Agency of Canada","keywords":"Dance; The arts; Visual arts; Sociology; Art","score_opus":0.18199628824779376,"score_gpt":0.43382486544108173,"score_spread":0.251828577193288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307360828","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003389807,0.0012743365,0.000026321934,0.00047475076,0.00048281223,0.00035913568,0.0003098945,0.000057071775,0.9966767],"genre_scores_gemma":[0.0008816867,0.000056260673,0.00018503485,0.00073643005,0.00014073787,0.000026177202,0.000120342076,0.000025479309,0.9978278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983205,0.00020790719,0.00013783899,0.00045619646,0.000503902,0.00037366388],"domain_scores_gemma":[0.99875283,0.00049067143,0.00008011308,0.00039499454,0.00016478401,0.000116589385],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00069331145,0.00017288585,0.00027165518,0.00031877423,0.00041105365,0.000075118565,0.0003065772,0.000202521,0.040366765],"category_scores_gemma":[0.00006130188,0.00018164213,0.000044176726,0.00026282342,0.0003244903,0.00008176405,0.00022737906,0.00094413775,0.0004858567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012430064,0.000051157043,0.000076987504,0.000026664764,0.000076366014,0.0003071465,0.0009295129,0.0000014281071,0.0000038417875,0.052843947,0.94327384,0.0022848244],"study_design_scores_gemma":[0.0005279887,0.00039189556,0.00061992503,0.00004459642,0.000015743917,0.0000026240295,0.0011914306,0.0000026971586,0.0000054139937,0.0018832338,0.9951162,0.00019828412],"about_ca_topic_score_codex":0.000100158504,"about_ca_topic_score_gemma":0.00006451935,"teacher_disagreement_score":0.051842343,"about_ca_system_score_codex":0.00020601695,"about_ca_system_score_gemma":0.000543694,"threshold_uncertainty_score":0.9605105},"labels":[],"label_agreement":null},{"id":"W4307451442","doi":"10.4324/9781003260691-9","title":"On the community dimensions and dynamics of Sharing Dance","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Dynamics (music); Sociology; Economic geography; Psychology; Geography; Visual arts; Art; Pedagogy","score_opus":0.06175525228166383,"score_gpt":0.28232428748279803,"score_spread":0.2205690352011342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307451442","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016525703,0.00010077486,0.0000108608065,0.00048475844,0.00020349835,0.00010728243,0.0001843146,0.00001842598,0.98236436],"genre_scores_gemma":[0.2028139,0.00009050733,0.000024412999,0.0010394263,0.000009858353,0.000001814936,0.00004146797,0.000016827733,0.7959618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995386,0.000038892318,0.000102167956,0.0001165167,0.000112415306,0.00009141258],"domain_scores_gemma":[0.99884814,0.00039373882,0.00010327531,0.0006105588,0.000015744734,0.000028545026],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020113558,0.00011195205,0.00016213155,0.000043610074,0.00029879285,0.000008099842,0.0003595375,0.00008412134,0.012822217],"category_scores_gemma":[0.000018704028,0.00008655771,0.000051378705,0.000013648541,0.00015386511,0.000027490902,0.0005091906,0.00078300264,0.000053367374],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002511387,0.00003262461,0.00009728689,0.000007816874,0.00007169483,0.0000027741814,0.00054268417,0.0000015947098,0.0000010251969,0.99248517,0.0062507135,0.00048153434],"study_design_scores_gemma":[0.0013563047,0.0018948151,0.011768382,0.00050775125,0.00032887494,0.000046906738,0.0060462696,0.00024825474,0.000010314913,0.6445571,0.33210537,0.001129613],"about_ca_topic_score_codex":0.00048802025,"about_ca_topic_score_gemma":0.00018735662,"teacher_disagreement_score":0.347928,"about_ca_system_score_codex":0.00003530223,"about_ca_system_score_gemma":0.0000070948336,"threshold_uncertainty_score":0.9880802},"labels":[],"label_agreement":null},{"id":"W4308144800","doi":"10.1080/17458927.2022.2135358","title":"The quality of water: perception and senses of fluid movement","year":2022,"lang":"en","type":"article","venue":"The Senses and Society","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Embodied cognition; Perception; Ethnography; Dialectic; Sensory system; Immersion (mathematics); Stimulus modality; Psychology; Movement (music); Aesthetics; Communication; Sociology; Cognitive psychology; Art; Computer science; Epistemology; Artificial intelligence; Anthropology","score_opus":0.03054940910345307,"score_gpt":0.30424377676529174,"score_spread":0.2736943676618387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308144800","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99714714,0.0002956979,0.000008667592,0.0012564089,0.000096548654,0.000075993325,0.00004651248,0.000005259403,0.001067758],"genre_scores_gemma":[0.99776256,0.00048408547,0.000017794964,0.00048316136,0.000017839377,0.0000012672166,0.0000024891458,0.0000022982313,0.0012284745],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.999446,0.00015652842,0.00010751625,0.000073360185,0.00011954713,0.000097043536],"domain_scores_gemma":[0.9996641,0.000110305344,0.000050974693,0.00014084172,0.000019194664,0.000014555557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005674308,0.000043635733,0.00008779993,0.0000031675818,0.00040934703,0.000007711147,0.000060416365,0.000017430451,0.0001413627],"category_scores_gemma":[0.000005131442,0.000023302639,0.00006767947,0.000023517941,0.00024151824,0.000019258154,0.00012491949,0.00006697579,0.0000010479728],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068993063,0.0004032834,0.016259369,0.00014273227,0.000632212,0.000001575311,0.6092639,0.0000417152,0.27657136,0.02302335,0.041597877,0.031372674],"study_design_scores_gemma":[0.0009931407,0.0004843309,0.54134536,0.000007778256,0.00006409246,0.0000091384345,0.44352788,0.00008400174,0.002930628,0.0021516085,0.008265884,0.00013613602],"about_ca_topic_score_codex":0.0005387691,"about_ca_topic_score_gemma":0.0000042462225,"teacher_disagreement_score":0.52508605,"about_ca_system_score_codex":0.000009432074,"about_ca_system_score_gemma":0.0000037193643,"threshold_uncertainty_score":0.3148408},"labels":[],"label_agreement":null},{"id":"W4308374938","doi":"10.1080/24692921.2022.2140876","title":"La Nijinska: Choreographer of the Modern","year":2022,"lang":"en","type":"article","venue":"Feminist Modernist Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":28,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art","score_opus":0.055041682823773974,"score_gpt":0.3339225717196442,"score_spread":0.2788808888958702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308374938","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5464912,0.0054947212,0.00006901865,0.0012496809,0.0017011781,0.00028970942,0.00043140363,0.00008030126,0.44419277],"genre_scores_gemma":[0.9830249,0.00003597477,0.00003978642,0.0005652536,0.000039007515,0.000055340282,0.0000028612521,0.000015478698,0.016221428],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875957,0.0002179034,0.00019395679,0.00025106763,0.00033477411,0.00024272467],"domain_scores_gemma":[0.999147,0.00014411338,0.00016316457,0.00047174867,0.000040474162,0.000033518896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002735493,0.00014448544,0.00025560177,0.00004591075,0.00072664925,0.000012058498,0.0005353354,0.000039032104,0.00048067307],"category_scores_gemma":[0.00003930098,0.000113430775,0.00018031712,0.00019439023,0.0005759302,0.00003315679,0.0007286389,0.00027982186,0.000025241192],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00079941005,0.0020960064,0.26991725,0.00016626273,0.00305231,0.00008821906,0.27595353,0.0004967626,0.00036730836,0.0405493,0.39077505,0.015738618],"study_design_scores_gemma":[0.0031010772,0.0008120578,0.19572444,0.000075114454,0.00041347335,0.000139093,0.08793977,0.000251208,0.00023982752,0.02476697,0.68564504,0.00089194765],"about_ca_topic_score_codex":0.00006260267,"about_ca_topic_score_gemma":0.000009138283,"teacher_disagreement_score":0.43653366,"about_ca_system_score_codex":0.000050081977,"about_ca_system_score_gemma":0.000028171695,"threshold_uncertainty_score":0.55888724},"labels":[],"label_agreement":null},{"id":"W4308596144","doi":"10.1386/9781789386400_1","title":"Introduction: Performance Generating Systems in Dance","year":2022,"lang":"en","type":"book-chapter","venue":"Intellect Books","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Ontario Trillium Foundation; University of Calgary; Harvard University","keywords":"Dance; Computer science; Art; Visual arts","score_opus":0.03598581612583516,"score_gpt":0.2519101113822842,"score_spread":0.21592429525644904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308596144","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002483866,0.004015081,0.000035215024,0.00018049523,0.005716693,0.00033477377,0.00003497785,0.00009563425,0.9871033],"genre_scores_gemma":[0.018463442,0.00018817133,0.000038584465,0.0002395656,0.0021120089,0.0000336608,0.000042943953,0.00006234845,0.97881925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982438,0.00006266252,0.0004271552,0.00059811206,0.00030217558,0.00036607342],"domain_scores_gemma":[0.9989538,0.000085228625,0.00024211056,0.0005989202,0.00005287716,0.00006707284],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032406865,0.0003315143,0.0004349686,0.00031124635,0.00021154211,0.00006156013,0.000431936,0.00024373134,0.025761412],"category_scores_gemma":[0.000033867564,0.00038707926,0.000113075184,0.000054170065,0.000111744055,0.00014088706,0.00017886041,0.0011356776,0.0015877172],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005045027,0.000105088,0.00018033042,0.00023848015,0.0004208342,0.00042858394,0.0061691836,0.001280519,0.00010691549,0.29667476,0.6567814,0.037109442],"study_design_scores_gemma":[0.00026198043,0.00029538805,0.000053228352,0.00011876311,0.000024069528,0.00017568147,0.00015786904,0.00018784174,0.00002346638,0.00011609234,0.9981833,0.0004022871],"about_ca_topic_score_codex":0.0001945641,"about_ca_topic_score_gemma":0.000022396895,"teacher_disagreement_score":0.34140196,"about_ca_system_score_codex":0.00035725383,"about_ca_system_score_gemma":0.00007942258,"threshold_uncertainty_score":0.99985814},"labels":[],"label_agreement":null},{"id":"W4309463930","doi":"10.33607/rmske.v2i27.1260","title":"Association of Back Pain with Spinal Hypermobility and Static Trunk Endurance in Ballroom Dancers","year":2022,"lang":"en","type":"article","venue":"Reabilitacijos mokslai slauga kineziterapija ergoterapija","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trunk; Medicine; Low back pain; Physical therapy; Sensation; Back pain; McGill Pain Questionnaire; Physical medicine and rehabilitation; Lumbar; Visual analogue scale; Psychology; Anatomy","score_opus":0.009647917570041752,"score_gpt":0.24349447438203792,"score_spread":0.23384655681199618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4309463930","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99285966,0.0010704509,0.00027493577,0.0014240664,0.00037999233,0.0009191342,0.00032819566,0.00006309031,0.0026804954],"genre_scores_gemma":[0.99648404,0.00004940786,0.001006652,0.0005189995,0.000051695526,0.00016789132,0.00006638642,0.00004414242,0.0016107563],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.995172,0.001469235,0.00082069496,0.00096187764,0.000777534,0.00079863815],"domain_scores_gemma":[0.99768597,0.0006661921,0.00052888884,0.0008133221,0.00012360519,0.00018199443],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002396912,0.00043836367,0.00076869444,0.0003781327,0.0002144257,0.000052673462,0.0004925014,0.00015195951,0.002782034],"category_scores_gemma":[0.0001912109,0.00044673623,0.00016188221,0.0009540915,0.000246224,0.00050941645,0.0001751576,0.00067575177,0.000018797191],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0062522134,0.0021340773,0.92766297,0.00073580944,0.00061294483,0.00018053787,0.01906678,0.00071148615,0.002471131,0.0013829835,0.005208472,0.033580575],"study_design_scores_gemma":[0.009032411,0.0050196764,0.96050084,0.00029112026,0.00009921893,0.00013465226,0.0049077417,0.0008192869,0.00011258143,0.0013960087,0.016631722,0.0010547277],"about_ca_topic_score_codex":0.0007217723,"about_ca_topic_score_gemma":0.0001587171,"teacher_disagreement_score":0.032837864,"about_ca_system_score_codex":0.0006525048,"about_ca_system_score_gemma":0.000102305894,"threshold_uncertainty_score":0.9997984},"labels":[],"label_agreement":null},{"id":"W4310009628","doi":"10.1080/24692921.2022.2144176","title":"Aesthetic dance as woman’s culture in America at the turn of the twentieth century: Genevieve Stebbins and the New York school of expression","year":2022,"lang":"en","type":"article","venue":"Feminist Modernist Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Expression (computer science); Art; Art history; Gender studies; Literature; Aesthetics; Visual arts; History; Sociology","score_opus":0.03141999252357619,"score_gpt":0.2976756077112224,"score_spread":0.26625561518764623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310009628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84050816,0.1161206,0.0000141207165,0.010261847,0.0011918816,0.0010802508,0.00026867932,0.000025139274,0.030529307],"genre_scores_gemma":[0.9765873,0.0018692472,0.000034312754,0.0013256181,0.00003146146,0.000053787277,0.000003655692,0.000012392032,0.020082248],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837935,0.00042037593,0.00028636013,0.00028164356,0.0003875076,0.00024478332],"domain_scores_gemma":[0.99878514,0.00011395809,0.00041271586,0.0006091528,0.000033656055,0.000045407807],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002767924,0.00018383906,0.00038981027,0.000024991514,0.00076703774,0.000017314927,0.00061314716,0.000039953793,0.00021098877],"category_scores_gemma":[0.00009225614,0.00009242256,0.0001302464,0.00021350983,0.0010950497,0.00003585221,0.0011516045,0.00034957015,0.000016085636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002568718,0.0004677364,0.03447611,0.00011213917,0.00034485015,0.000012638965,0.4155705,0.00026787,0.00071768474,0.0019216572,0.54030186,0.0032382284],"study_design_scores_gemma":[0.0044799047,0.0005548987,0.036841422,0.0002706218,0.00021402905,0.000066825414,0.21520704,0.000028541781,0.00046544065,0.0020147958,0.73949337,0.00036311182],"about_ca_topic_score_codex":0.0003365672,"about_ca_topic_score_gemma":0.000056791054,"teacher_disagreement_score":0.20036346,"about_ca_system_score_codex":0.0000871037,"about_ca_system_score_gemma":0.00005318743,"threshold_uncertainty_score":0.58995116},"labels":[],"label_agreement":null},{"id":"W4310224706","doi":"10.15402/esj.v8i2.70778","title":"Collaborative Movement: What Queering Dance Makes Possible","year":2022,"lang":"en","type":"article","venue":"Engaged Scholar Journal Community-Engaged Research Teaching and Learning","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"University of Regina","keywords":"Dance; Mentorship; Movement (music); Sociology; Queer; Action (physics); Anticipation (artificial intelligence); Gender studies; Visual arts; Aesthetics; Computer science; Art","score_opus":0.09641038127532964,"score_gpt":0.38624374194353095,"score_spread":0.2898333606682013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310224706","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":"methods","domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97649205,0.007176555,0.000244628,0.00087503984,0.00080648647,0.00028237695,0.000012594098,0.00014992963,0.013960348],"genre_scores_gemma":[0.9886605,0.0006690698,0.0011831837,0.00045716146,0.00021056495,0.00003307408,0.000020271324,0.000063184394,0.0087029515],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.33161294,0.66602653,0.0003212848,0.00026212825,0.0009650967,0.00081202696],"domain_scores_gemma":[0.8895904,0.10883678,0.0002608859,0.00059256126,0.0002817913,0.00043757466],"candidate_categories":["metaresearch","metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaresearch"],"category_scores_codex":[0.7264974,0.00030556504,0.00039995532,0.0008324912,0.5993005,0.0028195134,0.0012689645,0.00012311514,0.0011634291],"category_scores_gemma":[0.21304458,0.0003259971,0.00012238642,0.0008414045,0.00028298484,0.00262349,0.0012711913,0.73265827,0.00005822654],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037487558,0.00048398194,0.0033705751,0.00003757421,0.0002829449,0.00022126581,0.9443331,0.0018630842,0.006902298,0.0002505099,0.0031443778,0.038735427],"study_design_scores_gemma":[0.0014482973,0.0011277599,0.011093811,0.00020387264,0.000018275754,0.00019957172,0.916332,0.00010559124,0.000079101526,0.00029670156,0.06877864,0.00031639502],"about_ca_topic_score_codex":0.0005555955,"about_ca_topic_score_gemma":0.000021297907,"teacher_disagreement_score":0.7325351,"about_ca_system_score_codex":0.00041981586,"about_ca_system_score_gemma":0.00017251821,"threshold_uncertainty_score":0.99991924},"labels":[],"label_agreement":null},{"id":"W4310224743","doi":"10.15402/esj.v8i2.70780","title":"“We Cannot Write About Complicity Together”: Limits of Cross-Caste Collaborations in Western Academy","year":2022,"lang":"en","type":"article","venue":"Engaged Scholar Journal Community-Engaged Research Teaching and Learning","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Caste; Complicity; Sociology; Scholarship; Gender studies; Colonialism; Indigenous; Political science; Law","score_opus":0.26362614433814185,"score_gpt":0.45942714199273454,"score_spread":0.1958009976545927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310224743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":"methods","domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99114263,0.0018782238,0.000092882794,0.00095076306,0.0002070122,0.0002902373,0.000053968102,0.00006139656,0.0053228606],"genre_scores_gemma":[0.9937643,0.00022006051,0.00039898406,0.00020566261,0.00010890995,0.000019671157,0.000020036521,0.000048001806,0.0052143834],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.34910482,0.6486507,0.0005196973,0.00022568017,0.0008238476,0.000675239],"domain_scores_gemma":[0.9017642,0.09684504,0.00035406442,0.00043467846,0.00026302328,0.00033897642],"candidate_categories":["metaresearch","metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaresearch"],"category_scores_codex":[0.6345118,0.00025962823,0.0004906655,0.001087219,0.30034232,0.0007604299,0.0012764536,0.00019781328,0.00044287977],"category_scores_gemma":[0.17633931,0.00028465583,0.00012047414,0.00095517095,0.0004344935,0.0010501486,0.00085287454,0.6712668,0.00002523887],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047082285,0.000692198,0.13903861,0.00006150175,0.00015057418,0.00006433526,0.83392125,0.003459621,0.013978258,0.00012237552,0.0007108026,0.0073296595],"study_design_scores_gemma":[0.0020519025,0.00080685824,0.18790404,0.00018495841,0.0000136810395,0.00017928869,0.7734469,0.000090001915,0.00010430568,0.00007965443,0.034884438,0.0002539293],"about_ca_topic_score_codex":0.0013803287,"about_ca_topic_score_gemma":0.00015321195,"teacher_disagreement_score":0.67106897,"about_ca_system_score_codex":0.0003183578,"about_ca_system_score_gemma":0.00017961358,"threshold_uncertainty_score":0.99996054},"labels":[],"label_agreement":null},{"id":"W4310703197","doi":"10.21091/mppa.2022.4036","title":"Assessment of Professional Circus Students’ Psychological Characteristics at Four Strategic Timepoints over the Scholastic Year: A Longitudinal Study Using the Stress Process Model","year":2022,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"","keywords":"Anxiety; Psychological intervention; Psychology; Distress; Coping (psychology); Stressor; Professionalization; Clinical psychology; Stress management; Developmental psychology; Psychiatry","score_opus":0.10466800152245145,"score_gpt":0.4157291452376464,"score_spread":0.311061143715195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310703197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9973495,0.000034406876,0.00024604975,0.00015537899,0.00055966264,0.0007810471,0.00008515836,0.000019802957,0.0007689892],"genre_scores_gemma":[0.9993438,0.0000027311223,0.0000622489,0.00009437736,0.00006993383,0.00008571495,0.000010693944,0.000017189739,0.00031332456],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99587595,0.0003999929,0.00063651934,0.00040426766,0.0022612251,0.00042205924],"domain_scores_gemma":[0.9985834,0.00019225062,0.00050398626,0.00046043424,0.00011419389,0.00014577326],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002040501,0.00020302524,0.00036606682,0.00007316664,0.00071774423,0.00003373336,0.0011834527,0.000093176495,0.0033832863],"category_scores_gemma":[0.00012095849,0.00012497086,0.00009826468,0.00025628792,0.0003763366,0.00011918797,0.0007819543,0.0010018318,0.0000099599665],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022903987,0.005764831,0.98592967,0.00013661543,0.00021684273,0.000069895344,0.0043046363,0.0018775596,0.00021506744,0.0005425094,0.00018035137,0.0005330001],"study_design_scores_gemma":[0.0017094843,0.0009796715,0.96960473,0.00015315523,0.00010684166,0.00007741385,0.004093646,0.022700978,0.000004566726,0.00039966087,0.0000073541173,0.00016247193],"about_ca_topic_score_codex":0.000052805943,"about_ca_topic_score_gemma":0.000017909611,"teacher_disagreement_score":0.02082342,"about_ca_system_score_codex":0.00013297524,"about_ca_system_score_gemma":0.00020047967,"threshold_uncertainty_score":0.9975278},"labels":[],"label_agreement":null},{"id":"W4311821158","doi":"10.26603/001c.55531","title":"Movement Competency Screen: Rethinking the Rating","year":2022,"lang":"en","type":"article","venue":"International Journal of Sports Physical Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; University of Ottawa; Université de Sherbrooke","funders":"Réseau Provincial de Recherche en Adaptation-Réadaptation; Institut de Recherche Robert-Sauvé en Santé et en Sécurité du Travail","keywords":"Movement (music); Psychology; Rating system; Cognitive psychology; Art; Aesthetics; Economics","score_opus":0.030344429216159572,"score_gpt":0.3207589639087338,"score_spread":0.2904145346925742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311821158","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98285997,0.0004310238,0.00017731568,0.0054094917,0.0021499984,0.00007643296,0.000014792505,0.000010516199,0.00887045],"genre_scores_gemma":[0.9944121,0.000071937524,0.00012228407,0.004135153,0.00094280223,0.0000021374778,0.0000032381167,0.000007984714,0.00030236127],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9984754,0.00007716172,0.00024067402,0.00009116486,0.0009932069,0.00012241336],"domain_scores_gemma":[0.9991818,0.00008851341,0.0004195535,0.00011911894,0.00015101027,0.000040013805],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046152633,0.00008090541,0.00013228554,0.000064240056,0.000180599,0.000040880954,0.0007235144,0.000011948607,0.002141318],"category_scores_gemma":[0.000009278299,0.000056832967,0.00018374744,0.00008418634,0.00005359927,0.00012566807,0.00009606522,0.0004111591,0.000007938109],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0028709199,0.0030424078,0.03091349,0.0000025804532,0.002012025,0.0012678885,0.041930925,0.0026846884,0.0073689236,0.24281947,0.025998589,0.6390881],"study_design_scores_gemma":[0.008460192,0.0028649434,0.491512,0.00016411173,0.00006116794,0.000667633,0.014469549,0.0005058701,0.0023431343,0.3317689,0.14648716,0.00069532124],"about_ca_topic_score_codex":0.000025984406,"about_ca_topic_score_gemma":2.249677e-7,"teacher_disagreement_score":0.63839275,"about_ca_system_score_codex":0.000070452326,"about_ca_system_score_gemma":0.00004375372,"threshold_uncertainty_score":0.99877083},"labels":[],"label_agreement":null},{"id":"W4311883828","doi":"10.1093/oxfordhb/9780190247867.013.31","title":"Staging Hip Hop Dance","year":2022,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Girl; Visual arts; Art; Performance art; Art history; Sociology; Psychology; Developmental psychology","score_opus":0.042116468102842954,"score_gpt":0.24221832912876431,"score_spread":0.20010186102592137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311883828","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003200443,0.0001645223,0.00008553078,0.000044984634,0.0010139482,0.00033344305,0.00063299714,0.00022141007,0.99718314],"genre_scores_gemma":[0.0012753708,0.00017275587,0.0000997374,0.0002412245,0.000121604324,8.5283745e-7,0.00007104262,0.000056422552,0.997961],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826396,0.00006323181,0.0001620793,0.0006529358,0.00038492965,0.0004728448],"domain_scores_gemma":[0.99854815,0.000080985265,0.0002982068,0.00081875134,0.000059141556,0.00019475524],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012209394,0.00039806325,0.00041849684,0.00023614867,0.00046621525,0.00004219722,0.0010530382,0.0003205919,0.0051720846],"category_scores_gemma":[0.000004767256,0.00054244505,0.0002698059,0.000013303749,0.00023465576,0.00018240654,0.00083915493,0.0009326593,0.000026345735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030697754,0.000029016523,0.000033240904,0.000041350737,0.000349814,0.0007628888,0.0012269021,0.0000054305674,0.000005163099,0.9566497,0.032020085,0.008569379],"study_design_scores_gemma":[0.0008358014,0.0001331434,0.00006944228,0.00005792774,0.0001922861,0.000012631389,0.00039590613,0.0000024233798,0.000008360299,0.0004382463,0.997309,0.00054477836],"about_ca_topic_score_codex":0.00023359514,"about_ca_topic_score_gemma":0.0000081720245,"teacher_disagreement_score":0.965289,"about_ca_system_score_codex":0.00030217165,"about_ca_system_score_gemma":0.000080002406,"threshold_uncertainty_score":0.9997027},"labels":[],"label_agreement":null},{"id":"W4311883829","doi":"10.1093/oxfordhb/9780190247867.013.13","title":"Is She B-Boying or B-Girling? Understanding How B-Girls Negotiate Gender and Belonging","year":2022,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Femininity; Negotiation; Thematic analysis; Sociology; Embodied cognition; Masculinity; Hegemony; Dance; Face (sociological concept); Psychology; Political science; Qualitative research; Politics; Social science; Art; Visual arts; Epistemology","score_opus":0.1361872671473811,"score_gpt":0.269235284169078,"score_spread":0.13304801702169688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311883829","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006446175,0.00032101924,0.0011007289,0.00013416124,0.00070243806,0.00044268538,0.0004221559,0.00019743171,0.99603474],"genre_scores_gemma":[0.023798738,0.0004768458,0.00018668835,0.0004587646,0.0001177252,9.064198e-7,0.000039669092,0.00008611955,0.97483456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977635,0.00008275771,0.0001890342,0.00088061945,0.0004454732,0.0006385916],"domain_scores_gemma":[0.9985282,0.00016705209,0.00037543962,0.0006040256,0.00004951714,0.00027576566],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020485731,0.00055091805,0.00056952506,0.0004225364,0.001052609,0.00017224671,0.0006843837,0.00046321415,0.0025155665],"category_scores_gemma":[0.000008968693,0.0006398767,0.00025862193,0.000027498312,0.0002950525,0.00036542054,0.0010014684,0.0009696119,0.000004030651],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009214021,0.000027891909,0.00016282182,0.00017507853,0.0011034113,0.0011001662,0.0062434343,0.0000069082903,0.000005240915,0.975484,0.01278201,0.0019876387],"study_design_scores_gemma":[0.002035519,0.0001602578,0.000081811966,0.000121333804,0.00050384214,0.00006173169,0.0038050807,0.0000297414,0.0000072108273,0.0012537071,0.99117184,0.0007679527],"about_ca_topic_score_codex":0.00011032693,"about_ca_topic_score_gemma":0.000016279319,"teacher_disagreement_score":0.9783898,"about_ca_system_score_codex":0.00052154297,"about_ca_system_score_gemma":0.0000939025,"threshold_uncertainty_score":0.99960524},"labels":[],"label_agreement":null},{"id":"W4312005384","doi":"10.1093/geroni/igac059.2388","title":"PHYSICAL ACTIVITY MEDIATES LATIN DANCE PARTICIPATION AND FITNESS OUTCOMES IN OLDER LATINOS","year":2022,"lang":"en","type":"article","venue":"Innovation in Aging","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Cardiorespiratory fitness; Dance; Physical therapy; Mediation; Randomized controlled trial; Physical activity; Test (biology); Latin Americans; Gerontology; Medicine; Physical fitness; Psychology; Internal medicine; Sociology; Political science; Art","score_opus":0.0490779549848678,"score_gpt":0.359460707230267,"score_spread":0.31038275224539924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312005384","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9971254,0.0000065580866,0.000112956186,0.0012586623,0.00021698987,0.00012235524,0.0000094070165,0.000022610318,0.0011250508],"genre_scores_gemma":[0.9993795,3.6483104e-7,0.000034331904,0.00026778295,0.00002339756,0.000048497153,0.000010391088,0.0000049554446,0.00023074035],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9993232,0.000092009504,0.00014418739,0.00015975107,0.00013260858,0.00014826246],"domain_scores_gemma":[0.9996269,0.00014436455,0.00010495431,0.00009220945,0.000020890368,0.000010716072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027043786,0.00006407998,0.0001183635,0.00021566813,0.00007510588,0.00001565096,0.000064849744,0.000019873967,0.00018076145],"category_scores_gemma":[0.000088984445,0.00007251788,0.000008560146,0.0007924441,0.00002849083,0.0002300096,0.000070670074,0.00020316226,0.0000062361532],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020108942,0.00027097447,0.9727848,0.0000075490193,0.0000053157028,0.0000048147203,0.010177607,0.0003780452,0.00049743213,0.005673026,0.00008387907,0.010096447],"study_design_scores_gemma":[0.0007215702,0.000020515508,0.9960497,0.000009103981,0.000001790581,3.2837158e-7,0.0007818101,0.0011954482,0.0003082471,0.0007493472,0.000082360384,0.00007977406],"about_ca_topic_score_codex":0.00018751106,"about_ca_topic_score_gemma":0.000029774337,"teacher_disagreement_score":0.023264904,"about_ca_system_score_codex":0.000053016025,"about_ca_system_score_gemma":0.000010394446,"threshold_uncertainty_score":0.29571933},"labels":[],"label_agreement":null},{"id":"W4312140568","doi":"10.1016/j.bodyim.2022.11.009","title":"Expanding the social lens: A quantitative study of the developmental theory of embodiment","year":2022,"lang":"en","type":"article","venue":"Body Image","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":25,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Psychology; Causality (physics); Construct (python library); Social comparison theory; Variance (accounting); Scale (ratio); Social psychology; Developmental psychology; Regression analysis; Statistics","score_opus":0.06321581097567552,"score_gpt":0.34941517399430116,"score_spread":0.28619936301862564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312140568","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.954685,0.000039410723,0.000022317618,0.00014967367,0.00024479127,0.00031256754,0.000046133322,0.000007032159,0.04449312],"genre_scores_gemma":[0.9987699,4.9666124e-7,0.000048532027,0.00014401774,0.000012107894,0.000021100339,0.0000012486684,0.0000054184898,0.0009972221],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99891967,0.0004589072,0.00014342449,0.00010691173,0.0002469137,0.0001242006],"domain_scores_gemma":[0.9995529,0.00013076494,0.00015118509,0.00013388251,0.000022913297,0.00000836878],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005247061,0.000064335545,0.000115671086,0.00002986563,0.0004845498,0.000007133648,0.00035919083,0.000011375812,0.001128069],"category_scores_gemma":[0.000030682317,0.000042478223,0.0000610912,0.00013394524,0.00016013972,0.000062903986,0.00033610532,0.00013068547,0.000015809226],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001179476,0.004122132,0.035428375,0.000019795189,0.00094561966,0.000019949479,0.81047785,0.0000048361803,0.0246879,0.10132832,0.02049652,0.0012892034],"study_design_scores_gemma":[0.0011892042,0.000489961,0.33932707,0.0000052449623,0.000053632797,0.0000038239405,0.65666664,6.845718e-7,0.0011368741,0.0005663623,0.00048281395,0.00007768799],"about_ca_topic_score_codex":0.00008991239,"about_ca_topic_score_gemma":0.0000046551113,"teacher_disagreement_score":0.3038987,"about_ca_system_score_codex":0.00004288697,"about_ca_system_score_gemma":0.00003652492,"threshold_uncertainty_score":0.999785},"labels":[],"label_agreement":null},{"id":"W4312345664","doi":"10.5206/uwoja.v20i1.8922","title":"Yin and Yang: The Physical and the Symbolic in Chinese Medical Practices","year":2012,"lang":"en","type":"article","venue":"The University of Western Ontario Journal of Anthropology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Comprehension; Physical culture; Chinese culture; Traditional Chinese medicine; Health care; Psychology; Sociology; Epistemology; Alternative medicine; Medicine; China; Computer science; Political science; Law; Pathology","score_opus":0.021169657601035077,"score_gpt":0.3179635748706552,"score_spread":0.2967939172696201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312345664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97380507,0.0009715643,0.000036099995,0.022970617,0.00031048045,0.00007024656,0.0000015364096,0.0000019547685,0.0018324223],"genre_scores_gemma":[0.99871445,0.00037235607,0.000012767199,0.0003191744,0.00012910338,2.8176219e-8,1.8331984e-7,0.0000028546963,0.00044910473],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99894214,0.00047344505,0.00013253195,0.000070569266,0.00018767755,0.000193625],"domain_scores_gemma":[0.9984777,0.0007798885,0.0004688175,0.00015303824,0.000034570192,0.00008595989],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010184682,0.000087461565,0.00028628524,0.00005353845,0.00021608693,0.000009495371,0.0004563012,0.000075582684,0.0005744354],"category_scores_gemma":[0.00011614167,0.00004304729,0.00006291982,0.00006912244,0.0032183155,0.00027309134,0.00018796387,0.0005491941,0.00001030295],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014907715,0.0002966201,0.81788236,0.0000060234197,0.00020885412,0.000057480604,0.17461458,9.250236e-7,0.000011270239,0.003417041,0.0006128402,0.0014012149],"study_design_scores_gemma":[0.0027901938,0.0002843519,0.95428693,0.000023079683,0.00013431879,0.000923157,0.03292865,0.000005621333,0.0000028493046,0.00035348357,0.008210423,0.000056916866],"about_ca_topic_score_codex":0.045981497,"about_ca_topic_score_gemma":0.053606324,"teacher_disagreement_score":0.14168592,"about_ca_system_score_codex":0.000033194185,"about_ca_system_score_gemma":0.000072873445,"threshold_uncertainty_score":0.9994944},"labels":[],"label_agreement":null},{"id":"W4312562331","doi":"10.1007/978-3-031-19451-1_9","title":"(Re‑) Defining Dance/Movement Therapy Fifty Years Hence","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph; York University","funders":"","keywords":"Dance; Ambivalence; Movement (music); Field (mathematics); Power (physics); Sociology; Aesthetics; Dance therapy; Pedagogy; Psychology; Visual arts; Psychoanalysis; Art","score_opus":0.052385839650914236,"score_gpt":0.28880474833003095,"score_spread":0.23641890867911672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312562331","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044698906,0.0022535978,0.00004631773,0.00026864719,0.0013689513,0.00021332249,0.00015065359,0.00010870403,0.9951428],"genre_scores_gemma":[0.0053802715,0.0012274907,0.0002762433,0.008271022,0.00011611284,0.00001325964,0.000080543774,0.000051898787,0.98458314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998619,0.000022801656,0.00021028578,0.0004644072,0.00036763976,0.00031585642],"domain_scores_gemma":[0.9990719,0.0000707119,0.00017204466,0.0005738721,0.00002157658,0.000089896464],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016674626,0.00026380896,0.00029625726,0.00010508569,0.00012730403,0.00003122925,0.00050515094,0.00018624864,0.2382359],"category_scores_gemma":[0.000004548259,0.00028349747,0.00017613189,0.000029470946,0.00008197818,0.00010105613,0.00020381149,0.0004973844,0.0032991967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010490363,0.000066293556,0.0003345524,0.0000063204457,0.00026181721,0.00012516741,0.0014470462,0.0000042013867,0.000004465093,0.78296447,0.1720881,0.04259263],"study_design_scores_gemma":[0.0005656255,0.00031849713,0.0019562892,0.000027875092,0.000017357028,0.0000022054785,0.00028034186,4.9870323e-7,0.000005028103,0.008385596,0.9880831,0.00035757944],"about_ca_topic_score_codex":0.00024640415,"about_ca_topic_score_gemma":0.000030160552,"teacher_disagreement_score":0.815995,"about_ca_system_score_codex":0.000100953825,"about_ca_system_score_gemma":0.000047382975,"threshold_uncertainty_score":0.99996173},"labels":[],"label_agreement":null},{"id":"W4313018662","doi":"10.7146/peri.v7i14.108089","title":"Re-Do: Performance-rester","year":2010,"lang":"en","type":"article","venue":"Peripeti","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Performative utterance; Ephemeral key; History; Literature; Epistemology; Computer science; Aesthetics; Art; Philosophy","score_opus":0.02091238050140127,"score_gpt":0.2887106896023863,"score_spread":0.267798309100985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313018662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6664868,0.000022051816,0.0000037838977,0.0003906582,0.0014455535,0.00003656851,0.000004970823,0.000039167026,0.33157045],"genre_scores_gemma":[0.9800282,0.0000064849523,0.00016568872,0.00065676175,0.00026081153,0.000004172489,0.0000028548689,0.000008464414,0.018866545],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994369,0.000014165226,0.00007375393,0.00015506789,0.00009565871,0.00022443623],"domain_scores_gemma":[0.9995233,0.000018597117,0.000027675778,0.00032926002,0.000021463049,0.000079712954],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008297365,0.00007820771,0.000086024615,0.000038301197,0.000085600324,0.00003626257,0.00020873087,0.00007875769,0.020944338],"category_scores_gemma":[0.000018673094,0.00007270643,0.000042066764,0.0000692869,0.000081427774,0.00014686876,0.000040231756,0.0002359804,0.0050592455],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003316332,0.00047878656,0.6390642,0.000042479096,0.00009609943,0.00006077137,0.017109226,0.0000018119246,0.009496468,0.007815763,0.21384469,0.111658104],"study_design_scores_gemma":[0.00039142245,0.000106700194,0.5290812,0.000006410483,0.000007763609,0.0000121722205,0.0006577025,0.000006804167,0.00050433393,0.00002852103,0.46906364,0.0001332967],"about_ca_topic_score_codex":0.00002792466,"about_ca_topic_score_gemma":0.0000310494,"teacher_disagreement_score":0.31354144,"about_ca_system_score_codex":0.0000056083045,"about_ca_system_score_gemma":0.000009062719,"threshold_uncertainty_score":0.99571544},"labels":[],"label_agreement":null},{"id":"W4315649338","doi":"10.1080/14647893.2022.2159359","title":"‘Promoting wellness, having fun, and creating community’: a dance instructor’s pedagogical practices and perspectives on the influence of community dance classes for older adults","year":2023,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Alberta Children's Hospital; University of Calgary","funders":"","keywords":"Dance; Dance education; Psychology; Creativity; Feeling; Reflexivity; Sense of community; Physical education; Pedagogy; Performative utterance; Social psychology; Sociology; Visual arts; Aesthetics","score_opus":0.3326656389521575,"score_gpt":0.5126152110912063,"score_spread":0.17994957213904883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315649338","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.994135,0.00064839603,0.0000037979364,0.0027927118,0.00010320794,0.0007192629,0.000021404072,0.000029252202,0.0015469335],"genre_scores_gemma":[0.9989374,0.00039377622,0.00015154493,0.000069621354,0.00007429491,0.00015813018,0.000011769753,0.000013533954,0.00018987306],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9965408,0.0021888325,0.00024529608,0.000256071,0.00032936328,0.00043963135],"domain_scores_gemma":[0.99097943,0.007693397,0.0003269742,0.0005784372,0.000341078,0.00008069659],"candidate_categories":["metaresearch","sts"],"consensus_categories":[],"category_scores_codex":[0.0051169903,0.00013360311,0.00019591894,0.00022159581,0.0014002837,0.00012337271,0.0005381272,0.000093131566,0.000013732295],"category_scores_gemma":[0.008845347,0.00011670706,0.00002281148,0.00075421645,0.0006895864,0.0006467005,0.00029897195,0.0013847371,0.0000060304833],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004940177,0.0012295699,0.21268931,0.000923866,0.00003498142,0.0000013853361,0.7201962,0.000020430247,0.0015985998,0.013453334,0.00062593154,0.04873241],"study_design_scores_gemma":[0.0002998654,0.00018580275,0.60044473,0.0008373159,0.0000033567599,0.000003503208,0.39679933,0.00007437338,0.00020744896,0.0009550676,0.00011594269,0.00007326146],"about_ca_topic_score_codex":0.004748145,"about_ca_topic_score_gemma":0.00041716266,"teacher_disagreement_score":0.38775542,"about_ca_system_score_codex":0.000109424065,"about_ca_system_score_gemma":0.00019406507,"threshold_uncertainty_score":0.99989974},"labels":[],"label_agreement":null},{"id":"W4318018981","doi":"10.3167/hrrh.2023.490106","title":"Karsavina, Mallarmé, and Mauclair","year":2023,"lang":"en","type":"article","venue":"Historical Reflections/Réflexions Historiques","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Aesthetics; Art; Modern dance; Contemporary dance; Period (music); Literature","score_opus":0.07594357549858972,"score_gpt":0.35895074722225595,"score_spread":0.28300717172366624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318018981","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056250863,0.009842873,0.0043452946,0.017705891,0.019373408,0.00070477853,0.00007004239,0.0050580706,0.8866488],"genre_scores_gemma":[0.39704973,0.0010200331,0.0024824112,0.001194332,0.0009203112,0.00013153923,0.00003985524,0.00008604513,0.59707576],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981903,0.00014472911,0.00030891263,0.0005522395,0.00028059375,0.0005232357],"domain_scores_gemma":[0.9988015,0.00017868775,0.00010788128,0.00048502785,0.00011142701,0.00031545438],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027315118,0.00024182112,0.000303861,0.0005729077,0.0007717776,0.00003973967,0.00024338295,0.00025065625,0.00084528],"category_scores_gemma":[0.00018180182,0.00026395105,0.00013884528,0.0011580727,0.00014692721,0.0002719277,0.00010782544,0.00039587286,0.0019073001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013621067,0.00023152305,0.0007599798,0.00002038342,0.00006354823,0.00008818068,0.004270097,0.0000028633515,0.00076872285,0.06394504,0.92400086,0.005712604],"study_design_scores_gemma":[0.00029691015,0.0003689392,0.0037943092,0.0000147421415,0.000039474497,0.00005461876,0.00026278626,0.000008584815,0.000029976627,0.00427355,0.99056464,0.00029145723],"about_ca_topic_score_codex":0.0014330487,"about_ca_topic_score_gemma":0.00016268987,"teacher_disagreement_score":0.34079885,"about_ca_system_score_codex":0.0027188002,"about_ca_system_score_gemma":0.00007274975,"threshold_uncertainty_score":0.9999813},"labels":[],"label_agreement":null},{"id":"W4319156078","doi":"10.5040/9781350900585","title":"Dance with Me - 1","year":2011,"lang":"en","type":"other","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Visual arts; Art","score_opus":0.02921407457565025,"score_gpt":0.26486983870080366,"score_spread":0.2356557641251534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319156078","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000108729855,0.00033292494,0.0003542711,0.000028546316,0.00041379096,0.000081109996,0.000025606185,0.00018161873,0.9985713],"genre_scores_gemma":[0.00022703454,0.000016728944,0.0008437244,0.00044135595,0.00012134971,0.0000023928244,0.000006038648,0.00012199474,0.9982194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956477,0.000011443829,0.000033886405,0.00017360145,0.00006522367,0.00015109703],"domain_scores_gemma":[0.99956924,0.0000043506325,0.000055960667,0.00031843284,0.000005264048,0.000046744746],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00001781202,0.000112491274,0.00013040639,0.000057708996,0.000011039749,0.000005923526,0.000195881,0.00014549005,0.33577052],"category_scores_gemma":[0.0000011607461,0.00008296686,0.000022081367,0.00004067206,0.00006184161,0.000020425543,0.000020000536,0.0000903845,0.01867291],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021615684,0.000043138876,0.00047938718,0.000006498147,0.000099230885,0.000018026229,0.00014884636,2.4423192e-9,3.437358e-7,0.014414265,0.98400086,0.00076780573],"study_design_scores_gemma":[0.00024046907,0.00009750769,0.0014849722,0.000041709536,0.000018929348,0.0000057425577,0.00007106222,1.4158938e-8,0.0000032421433,0.00003098223,0.9978643,0.00014108306],"about_ca_topic_score_codex":0.0012550026,"about_ca_topic_score_gemma":0.00021717217,"teacher_disagreement_score":0.3170976,"about_ca_system_score_codex":0.0000047567614,"about_ca_system_score_gemma":0.000009730795,"threshold_uncertainty_score":0.9820912},"labels":[],"label_agreement":null},{"id":"W4319345572","doi":"10.7765/9781526162397.00010","title":"Everyday and extraordinary movements","year":2023,"lang":"en","type":"book-chapter","venue":"Manchester University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Context (archaeology); Visual arts; Aesthetics; Performative utterance; Movement (music); Space (punctuation); Art; Sociology; History; Computer science","score_opus":0.06264938776091977,"score_gpt":0.2448080437793557,"score_spread":0.18215865601843592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319345572","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011337174,0.00010894123,0.000034563876,0.000031981526,0.00069020066,0.0003136353,0.00023158049,0.00021281013,0.99724257],"genre_scores_gemma":[0.0015077478,0.000086915556,0.000039911545,0.00020188696,0.000101849524,6.525688e-7,0.000029858478,0.000056198547,0.997975],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986343,0.00003641402,0.00014281781,0.0005973627,0.00023338188,0.00035573723],"domain_scores_gemma":[0.9990054,0.00006882741,0.00016396563,0.000541077,0.000041348172,0.00017941032],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000091098955,0.00036382166,0.00036118142,0.00020738685,0.00017177804,0.000047849557,0.0004456131,0.00044789605,0.00031885089],"category_scores_gemma":[0.0000023451285,0.00045645965,0.00014411136,0.000008325417,0.00024512698,0.00013896782,0.00067928137,0.00042047718,0.0003252646],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00075518293,0.00008277903,0.00039310133,0.00033166315,0.001742581,0.003687869,0.0061779316,0.0000011102458,0.000027212971,0.81385696,0.14011006,0.032833535],"study_design_scores_gemma":[0.0009645123,0.0001408343,0.0023386125,0.00017667972,0.00018153891,0.000013614025,0.000301879,0.0000012342648,0.0000097867905,0.0010644178,0.99430835,0.0004985361],"about_ca_topic_score_codex":0.000108398955,"about_ca_topic_score_gemma":0.0000068344334,"teacher_disagreement_score":0.8541983,"about_ca_system_score_codex":0.00008037322,"about_ca_system_score_gemma":0.000021086335,"threshold_uncertainty_score":0.9997887},"labels":[],"label_agreement":null},{"id":"W4319832078","doi":"10.1111/taja.12458","title":"Review of Evadne Kelly, Dancing spirit, love, and war: Performing the translocal realities of contemporary Fiji, studies in dance history. Madison: University of Wisconsin Press, 2019","year":2023,"lang":"en","type":"article","venue":"The Australian Journal of Anthropology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Citation; History; Inclusion (mineral); Sociology; Art history; Media studies; Anthropology; Library science; Literature; Art; Computer science","score_opus":0.16372936867411444,"score_gpt":0.37489074830026226,"score_spread":0.2111613796261478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319832078","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6794177,0.29519743,0.000019358838,0.021715913,0.0010928862,0.00027086667,0.000083957035,0.0000061582173,0.0021957066],"genre_scores_gemma":[0.90509707,0.092606105,0.00005056264,0.00014795511,0.000045601642,1.0076393e-7,0.0000015029507,0.0000067977176,0.0020443269],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9985923,0.00041751508,0.00053052994,0.00011358323,0.00014330084,0.00020274278],"domain_scores_gemma":[0.9984996,0.00030777848,0.0007457904,0.00024199906,0.00016457314,0.000040268314],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00121664,0.000120013014,0.000646917,0.00009421542,0.00005725388,0.0000011942019,0.00039460283,0.00007159968,0.0003602027],"category_scores_gemma":[0.00009327304,0.00008365135,0.00012154575,0.00014764754,0.0040044407,0.00017707814,0.00006830481,0.00029814654,0.0000037346272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015789055,0.00024086914,0.020764904,0.0048146863,0.00090209575,0.00030221307,0.08272868,0.000049952752,0.00085642963,0.0023347272,0.88225114,0.00317539],"study_design_scores_gemma":[0.0070965644,0.005533136,0.09941921,0.025338437,0.0010340858,0.0012708834,0.6063766,0.00002189036,0.0029960359,0.0015058846,0.24875605,0.00065123034],"about_ca_topic_score_codex":0.0016894622,"about_ca_topic_score_gemma":0.00010892666,"teacher_disagreement_score":0.6334951,"about_ca_system_score_codex":0.00005167509,"about_ca_system_score_gemma":0.0001236381,"threshold_uncertainty_score":0.9987061},"labels":[],"label_agreement":null},{"id":"W4321203138","doi":"10.1016/j.evalprogplan.2023.102259","title":"Towards an evolutionary approach to learning from assumptions: Lessons from the evaluation of Dancing with Parkinson’s","year":2023,"lang":"en","type":"article","venue":"Evaluation and Program Planning","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Public Health Ontario; University of Toronto","funders":"Ontario Brain Institute","keywords":"Dance; Intervention (counseling); Psychology; Term (time); Exploratory research; Social psychology; Developmental psychology; Cognitive psychology; Gerontology; Applied psychology; Medicine; Sociology; Social science; Psychiatry","score_opus":0.24326292878532618,"score_gpt":0.4552559415319403,"score_spread":0.21199301274661414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321203138","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9878055,0.0010389497,0.001844331,0.0006063265,0.00018772398,0.00096898305,0.00005144271,0.00016097676,0.0073357546],"genre_scores_gemma":[0.9918027,0.000010169986,0.0065739686,0.000103576145,0.00013960579,0.00024707697,0.0010470711,0.000012624644,0.000063209685],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99751073,0.000849399,0.00018278402,0.00035135238,0.00089616585,0.00020956916],"domain_scores_gemma":[0.999062,0.00020714982,0.00014158923,0.00023269728,0.0002731904,0.000083361156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029240337,0.00012106526,0.00014541463,0.00010331139,0.00034951503,0.00007955464,0.00015361633,0.00008091363,0.00025807804],"category_scores_gemma":[0.00029290825,0.00009636515,0.000028470826,0.0004214632,0.000058805348,0.00025350883,0.000048138132,0.00019571233,0.000046005556],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025106902,0.00024037251,0.1841533,0.000007674246,0.00021885353,0.0000012342006,0.04832267,0.047578704,0.00013761794,0.000416593,0.002580574,0.71609133],"study_design_scores_gemma":[0.00088579196,0.00023306561,0.84721744,0.000094998286,0.00021944716,0.0000015316764,0.015736884,0.13180912,0.0000084007115,0.00063234125,0.0030400918,0.00012086343],"about_ca_topic_score_codex":0.00085204653,"about_ca_topic_score_gemma":0.000028326122,"teacher_disagreement_score":0.71597046,"about_ca_system_score_codex":0.00006105389,"about_ca_system_score_gemma":0.00011600512,"threshold_uncertainty_score":0.39296567},"labels":[],"label_agreement":null},{"id":"W4321354089","doi":"10.1007/978-981-19-8028-2_15","title":"Hold on to Your Hat! All Aboard for the Train Called Fiction no Fiction!","year":2023,"lang":"en","type":"book-chapter","venue":"Studies in arts-based educational research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Dance; Choreography; Narrative; Visual arts; Art; Embodied cognition; Aesthetics; Skepticism; Perspective (graphical); Studio; Ballet; Character (mathematics); Literature; Art history; History; Philosophy; Epistemology","score_opus":0.6353583585549162,"score_gpt":0.5633537434716733,"score_spread":0.07200461508324285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321354089","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006142282,0.0011556322,0.000027191612,0.05880004,0.007225201,0.0022930508,0.00066837814,0.000050956703,0.9291653],"genre_scores_gemma":[0.005464693,0.0006528882,0.000111975474,0.0019472362,0.0018746965,0.001136017,0.00020239377,0.00006858069,0.98854154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99728256,0.00010713698,0.0003383855,0.00064748584,0.0009937413,0.00063066446],"domain_scores_gemma":[0.99131036,0.0069697024,0.000091956026,0.00056794175,0.00091988494,0.00014014097],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0020628585,0.0002778186,0.00032631864,0.0007042581,0.00065926195,0.000044328048,0.0005203726,0.00022209337,0.0023460267],"category_scores_gemma":[0.0023140174,0.00023753972,0.00018942707,0.00019961895,0.0004514162,0.000052090883,0.00012378517,0.0007871967,0.0037546633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00083466095,0.00019632687,0.000044659966,0.00006720921,0.00037614134,0.0000045915435,0.0031463453,0.0001996349,0.0000050420704,0.083822094,0.9089019,0.0024014057],"study_design_scores_gemma":[0.0007339885,0.00073437043,0.004064631,0.00031371223,0.000031223964,9.04264e-7,0.0028496564,0.000026097254,0.000003954595,0.005464688,0.9855269,0.00024987248],"about_ca_topic_score_codex":0.00014486405,"about_ca_topic_score_gemma":0.00029772834,"teacher_disagreement_score":0.078357406,"about_ca_system_score_codex":0.00079270016,"about_ca_system_score_gemma":0.00051209575,"threshold_uncertainty_score":0.998566},"labels":[],"label_agreement":null},{"id":"W4321515187","doi":"10.4324/9781135000356-rem1931-1","title":"Whitman Sisters","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Wife; Art; Entertainment; Performance art; Singing; Art history; History; Visual arts; Theology; Management; Philosophy","score_opus":0.04956853487727689,"score_gpt":0.2870626998680624,"score_spread":0.2374941649907855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321515187","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006920818,0.00009917537,0.000038610193,0.00023240676,0.0013903332,0.00008541456,0.00003614667,0.00008848489,0.9979602],"genre_scores_gemma":[0.00087535265,0.000012350185,0.00009658629,0.0018506089,0.00037088108,6.0151e-7,0.00002117345,0.000025449013,0.996747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993204,0.000005450112,0.00010925933,0.00025984852,0.00012355049,0.00018150627],"domain_scores_gemma":[0.99936485,0.000018595874,0.00007842823,0.00041727518,0.00003390719,0.00008695035],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004952833,0.00017516836,0.00018698002,0.00007643142,0.00004603715,0.000022429418,0.00025442732,0.00029712444,0.26244617],"category_scores_gemma":[0.0000029389228,0.00016832846,0.00012263957,0.0000072350545,0.00014275286,0.000048930953,0.000071189526,0.00016165127,0.064991176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023718298,0.0000103468965,0.0000148158215,0.0000053176896,0.000120820856,0.000020373613,0.0003150512,5.5239453e-9,6.6297576e-7,0.22347994,0.77353466,0.0024742659],"study_design_scores_gemma":[0.00018309924,0.00015725597,0.00024103498,0.000031587762,0.000042285723,0.0000075082585,0.000060320872,6.746431e-8,0.000002026839,0.0060985824,0.9929634,0.00021283305],"about_ca_topic_score_codex":0.000022211323,"about_ca_topic_score_gemma":0.000021501757,"teacher_disagreement_score":0.21942872,"about_ca_system_score_codex":0.000026402553,"about_ca_system_score_gemma":0.000012669074,"threshold_uncertainty_score":0.93573684},"labels":[],"label_agreement":null},{"id":"W4322626106","doi":"10.1007/s40617-023-00779-z","title":"An Evaluation of Virtual Training for Teaching Dance Instructors to Implement a Behavioral Coaching Package","year":2023,"lang":"en","type":"article","venue":"Behavior Analysis in Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"Brock University","keywords":"Dance; Coaching; Psychology; Dance education; Affect (linguistics); Applied psychology; Medical education; Task (project management); Multimedia; Pedagogy; Computer science; Engineering; Communication; Visual arts; Medicine; Psychotherapist","score_opus":0.17551737511179277,"score_gpt":0.5018332131230415,"score_spread":0.32631583801124875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322626106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.994901,0.000008629,0.0028901093,0.000113301205,0.00030980576,0.0006753912,0.00019572616,0.00005582244,0.0008501976],"genre_scores_gemma":[0.99555796,0.0000015429009,0.0037759263,0.000095363284,0.000046962155,0.00020606162,0.00022333894,0.000020314856,0.0000725039],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.996998,0.00087591284,0.0005177347,0.00048238103,0.0007085644,0.0004174182],"domain_scores_gemma":[0.9983183,0.00042714505,0.00036942767,0.0005437388,0.00020895747,0.00013239267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006373186,0.00017031204,0.00038554973,0.0009719899,0.0001878652,0.000060998398,0.00035661084,0.00009727877,0.00021673851],"category_scores_gemma":[0.00083331455,0.00019629554,0.00018714364,0.0014551283,0.0000346946,0.00095758657,0.000068593916,0.00028094574,0.00002108857],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007344128,0.0027523104,0.40897796,0.000011924909,0.0010315654,0.000051624593,0.14572302,0.005292486,0.012764775,0.007217766,0.0004131544,0.41502902],"study_design_scores_gemma":[0.0021770636,0.0010930387,0.7769556,0.000024551577,0.0120452,0.000006751363,0.2033662,0.002620539,0.0003263921,0.000033196764,0.00093290076,0.00041858907],"about_ca_topic_score_codex":0.0017874329,"about_ca_topic_score_gemma":0.0007772417,"teacher_disagreement_score":0.41461042,"about_ca_system_score_codex":0.00018498107,"about_ca_system_score_gemma":0.00008035488,"threshold_uncertainty_score":0.80047},"labels":[],"label_agreement":null},{"id":"W4323789121","doi":"10.33137/ic.v25i.39743","title":"The Difficulty with Authenticity: Producing Traditional Italian Dance in the New Country","year":2022,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Dance; Country; Visual arts; Art; Aesthetics; Business; Economics; Management","score_opus":0.02605882806504061,"score_gpt":0.23464016568536614,"score_spread":0.20858133762032552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323789121","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.883224,0.00079825136,0.00001778634,0.04745009,0.0015377079,0.0007132511,0.0010912045,0.000043570686,0.065124124],"genre_scores_gemma":[0.9817213,0.0000016204585,0.000013686122,0.003388618,0.00018970003,0.00003762199,0.00006108192,0.000013091215,0.014573316],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985732,0.00014286254,0.00013807122,0.00028563413,0.0003961293,0.00046409853],"domain_scores_gemma":[0.9991984,0.00010854984,0.00007309137,0.00044708903,0.000015285314,0.0001575844],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033815356,0.00012795183,0.00010769217,0.00006259885,0.0008061144,0.00011502965,0.00066630804,0.000028743501,0.0010306984],"category_scores_gemma":[0.000033914537,0.00008753449,0.000039348564,0.00046011017,0.00014531138,0.00013150933,0.000026593783,0.00034757023,0.00005414021],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100000296,0.00014353446,0.009157482,0.00000674777,0.000097698525,0.00040226802,0.02242383,0.00014433928,0.000008646422,0.05570232,0.9092657,0.002547446],"study_design_scores_gemma":[0.00065144873,0.0001958901,0.3848883,0.000016408323,0.000026481963,0.0001556808,0.016263144,0.000019217545,0.0000026504079,0.0008678789,0.59669214,0.00022073612],"about_ca_topic_score_codex":0.04120259,"about_ca_topic_score_gemma":0.117117755,"teacher_disagreement_score":0.3757308,"about_ca_system_score_codex":0.00029637813,"about_ca_system_score_gemma":0.00033469443,"threshold_uncertainty_score":0.9998825},"labels":[],"label_agreement":null},{"id":"W4327586998","doi":"10.1080/10462937.2023.2181387","title":"Moving through crisis in Mariana Valencia’s <i>Solo B</i>","year":2023,"lang":"en","type":"article","venue":"Text and Performance Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Surprise; Queer; Politics; Meaning (existential); Sociology; Coronavirus disease 2019 (COVID-19); Aesthetics; Media studies; Environmental ethics; Art; Political science; Law; Gender studies; Epistemology; Philosophy","score_opus":0.02637611269885928,"score_gpt":0.2823949056365813,"score_spread":0.25601879293772206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327586998","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9493264,0.00017369965,0.000017687646,0.0006212,0.00045527983,0.0000898818,0.000012121128,0.00010767068,0.04919606],"genre_scores_gemma":[0.9948326,0.0001333893,0.000050038936,0.00065704994,0.00009647283,0.000009283317,0.000009031642,0.0000106030275,0.004201564],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990344,0.00003208777,0.00016572366,0.00024284614,0.00012061024,0.00040432933],"domain_scores_gemma":[0.9996251,0.00004050525,0.00004541054,0.00021955886,0.000014196274,0.00005525611],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000214437,0.00012747427,0.00016578595,0.00012147917,0.00011922979,0.000040415605,0.00013289423,0.000096837735,0.0006887549],"category_scores_gemma":[0.0000032252028,0.0001267894,0.00003559887,0.00036419276,0.000052676864,0.00054882996,0.000021380083,0.00017788711,0.0019756248],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039988136,0.00018877051,0.42534906,0.00019092755,0.00007790612,0.0001575761,0.12890378,0.0000096300155,0.00020351331,0.0034542156,0.16606146,0.27500328],"study_design_scores_gemma":[0.0009457863,0.00074914517,0.9665018,0.000047097325,0.000013426817,0.000017488868,0.013288026,0.00032900067,0.000020978032,0.0005801352,0.017244963,0.00026218942],"about_ca_topic_score_codex":0.000487069,"about_ca_topic_score_gemma":0.00006623866,"teacher_disagreement_score":0.5411527,"about_ca_system_score_codex":0.000016887481,"about_ca_system_score_gemma":0.000013586791,"threshold_uncertainty_score":0.99880147},"labels":[],"label_agreement":null},{"id":"W4327741242","doi":"10.1080/01924788.2023.2191097","title":"Movement, Music, and Connection: Older Adults’ Experiences of Community Dance","year":2023,"lang":"en","type":"article","venue":"Activities Adaptation & Aging","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Movement (music); Connection (principal bundle); Poison control; Injury prevention; Suicide prevention; Human factors and ergonomics; Psychology; Physical medicine and rehabilitation; Visual arts; Communication; Medical emergency; Medicine; Art; Engineering; Aesthetics","score_opus":0.05430329436164904,"score_gpt":0.2956401757547646,"score_spread":0.24133688139311554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4327741242","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9934842,0.000091790425,0.0006345019,0.00013966605,0.00046531582,0.0000907406,0.000008573653,0.00007858234,0.0050066435],"genre_scores_gemma":[0.99872494,0.000024052699,0.000057141664,0.00030399289,0.000033650384,0.000022043267,0.00001023587,0.000005844679,0.00081807544],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99942976,0.00011144701,0.00010765393,0.0000962335,0.00011333907,0.00014156241],"domain_scores_gemma":[0.99944234,0.00024443163,0.00010644509,0.00014990769,0.000027849304,0.000029021516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017519144,0.00007289732,0.00010680135,0.000090440204,0.0002577888,0.000022945633,0.00009030813,0.000028925358,0.00031072012],"category_scores_gemma":[0.00002722807,0.00008085399,0.000023031173,0.00019179874,0.0001293943,0.00042463862,0.000054479973,0.00011110579,0.000011621412],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059016387,0.00007633865,0.0027617957,0.000048118723,0.000044857687,0.0000021857047,0.960632,0.00004989859,0.00033974365,0.0019846456,0.0021669168,0.03183444],"study_design_scores_gemma":[0.00046649796,0.000073503084,0.13541047,0.00005613903,0.0000066489138,0.0000015010921,0.86209154,0.00025670987,0.0010949678,0.00017432448,0.0002830805,0.000084612424],"about_ca_topic_score_codex":0.0012622257,"about_ca_topic_score_gemma":0.00009195204,"teacher_disagreement_score":0.13264868,"about_ca_system_score_codex":0.000013076782,"about_ca_system_score_gemma":0.000009066937,"threshold_uncertainty_score":0.34021676},"labels":[],"label_agreement":null},{"id":"W4362453839","doi":"10.26603/001c.73793","title":"Effect of Conservative Interventions for Musculoskeletal Disorders in Preprofessional and Professional Dancers: A Systematic Review","year":2023,"lang":"en","type":"review","venue":"International Journal of Sports Physical Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; Université de Sherbrooke","funders":"","keywords":"Psychological intervention; Physical therapy; Checklist; Athletes; Systematic review; Population; Randomized controlled trial; Medicine; Psychology; Physical medicine and rehabilitation; MEDLINE; Nursing; Surgery","score_opus":0.06405940234518546,"score_gpt":0.49088569763781614,"score_spread":0.42682629529263066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362453839","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041308585,0.9912809,0.000027399827,0.00016523321,0.0016622039,0.0024786447,0.0001588947,0.000008765148,0.00008708953],"genre_scores_gemma":[0.0021292958,0.9968561,0.00002140158,0.00004524129,0.0002167864,0.0002298522,0.000048471,0.000031276017,0.00042159262],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.9971811,0.0005103624,0.0012951313,0.00024161376,0.00060420606,0.00016758854],"domain_scores_gemma":[0.9955181,0.0016903224,0.002301509,0.00017174758,0.00024874348,0.00006961416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014923518,0.00029684868,0.0024107893,0.0003350358,0.000028845752,0.000013553618,0.00055575644,0.000119150565,0.00008980106],"category_scores_gemma":[0.00033242156,0.00019115124,0.0016756085,0.00021836796,0.00013978867,0.00017308135,0.0000809588,0.00042192047,0.000006588924],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005699272,0.00088580535,0.00014028496,0.6593409,0.0028775204,0.000035199348,0.0005286146,6.1637047e-7,5.8628206e-7,0.0012264766,0.0010280092,0.33336604],"study_design_scores_gemma":[0.0016668367,0.0010092243,0.0003909798,0.9882494,0.0009226671,0.000041777763,0.00009436149,0.0000024384383,7.594694e-7,0.0010785264,0.006337489,0.000205516],"about_ca_topic_score_codex":0.000006355586,"about_ca_topic_score_gemma":0.0000011832371,"teacher_disagreement_score":0.33316052,"about_ca_system_score_codex":0.00008621865,"about_ca_system_score_gemma":0.0001480585,"threshold_uncertainty_score":0.7794921},"labels":[],"label_agreement":null},{"id":"W4362466100","doi":"10.1080/21604851.2023.2197277","title":"Fat Studies in Canada: (Re)Mapping the Field","year":2023,"lang":"en","type":"article","venue":"Fat Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Field (mathematics); Sociology; Media studies; Mathematics","score_opus":0.23938827981616384,"score_gpt":0.3850623435309639,"score_spread":0.14567406371480007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362466100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92024374,0.020654444,0.00000373066,0.032471213,0.0044641155,0.0002391805,0.0000255879,0.000089869485,0.021808121],"genre_scores_gemma":[0.98903435,0.0018109418,0.000007181702,0.0034949863,0.00016066767,0.000025118485,0.0000012755823,0.0000058963865,0.005459556],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9991093,0.00006290574,0.00014594554,0.0001803105,0.00015649815,0.00034498973],"domain_scores_gemma":[0.9986748,0.0010026192,0.000044934637,0.00020742563,0.00004698569,0.00002325046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015739516,0.00011541354,0.0002414028,0.000068929876,0.00026109506,0.0000074594795,0.00021467492,0.000026763682,0.00008125359],"category_scores_gemma":[0.00048328252,0.00008060718,0.00003659043,0.0003948107,0.00010074493,0.000056212117,0.00028164868,0.00015341117,0.00022283936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014704456,0.000010397452,0.048698254,0.00003020595,0.00043759067,0.000103117134,0.034171905,0.00001517333,0.0000054838965,0.00048698456,0.91363907,0.0023871313],"study_design_scores_gemma":[0.000561961,0.00008261978,0.32208604,0.00014755326,0.00003137534,0.0000017475409,0.55646956,0.000005939709,0.00007076995,0.00085112953,0.11945871,0.00023260912],"about_ca_topic_score_codex":0.27041763,"about_ca_topic_score_gemma":0.7399995,"teacher_disagreement_score":0.79418033,"about_ca_system_score_codex":0.00016984936,"about_ca_system_score_gemma":0.000034966302,"threshold_uncertainty_score":0.73444074},"labels":[],"label_agreement":null},{"id":"W4365149799","doi":"10.1080/14647893.2023.2199200","title":"Doing dance research in pandemic times: fostering connection and support in a 7-step online collaborative interview analysis process","year":2023,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Isolation (microbiology); Distancing; Dance education; Focus group; Sociology; Process (computing); Psychology; Qualitative research; Public relations; Coronavirus disease 2019 (COVID-19); Visual arts; Political science; Social science; Computer science; Medicine; Art","score_opus":0.3052789599489623,"score_gpt":0.5554512789060101,"score_spread":0.2501723189570478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4365149799","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9897431,0.0011611183,0.00003180035,0.0019122482,0.00021923335,0.0007121603,0.000027531272,0.000029714427,0.0061630853],"genre_scores_gemma":[0.9969124,0.0011234181,0.00014311007,0.000043447264,0.00008166129,0.00026583043,0.000105140614,0.000013150691,0.0013118226],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9963674,0.001425171,0.0003697735,0.00058990903,0.0005285398,0.00071918237],"domain_scores_gemma":[0.99838537,0.0007157186,0.00007541402,0.00033371808,0.00038598114,0.00010379318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007140678,0.000116985546,0.0002878803,0.0032092906,0.00012601324,0.00009487387,0.00034013507,0.00012455482,0.00013472744],"category_scores_gemma":[0.0004960816,0.00013109857,0.000024909872,0.0132049285,0.00019839114,0.0005741349,0.00023662094,0.00089276175,0.000106877786],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004127567,0.0011278489,0.7024495,0.00064745074,0.00008693643,0.00006152801,0.039958324,0.00031904684,0.00042068982,0.00069994957,0.0022916708,0.2515243],"study_design_scores_gemma":[0.0010453035,0.0003282268,0.8846662,0.0013489862,0.00001059166,0.000006787412,0.10500535,0.0018958752,0.00006982687,0.0020050812,0.0033931613,0.0002245888],"about_ca_topic_score_codex":0.00160157,"about_ca_topic_score_gemma":0.0080319345,"teacher_disagreement_score":0.2512997,"about_ca_system_score_codex":0.00057604245,"about_ca_system_score_gemma":0.00064767717,"threshold_uncertainty_score":0.63445306},"labels":[],"label_agreement":null},{"id":"W4366987569","doi":"10.3390/curroncol30050337","title":"Evaluation of a Virtual Dance Class for Cancer Patients and Their Partners during the Corona Pandemic—A Real-World Observational Study","year":2023,"lang":"en","type":"article","venue":"Current Oncology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Observational study; Pandemic; Medicine; Dance; Class (philosophy); Coronavirus disease 2019 (COVID-19); Corona (planetary geology); Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); Virology; Family medicine; Visual arts; Artificial intelligence; Pathology; Astrobiology; Computer science; Disease; Art; Infectious disease (medical specialty); Biology","score_opus":0.5042571527354149,"score_gpt":0.5304257058092651,"score_spread":0.02616855307385013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366987569","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9957081,0.00024348388,0.0000087838,0.00024378953,0.0018868967,0.0010191621,0.00018908066,0.00002931626,0.00067138753],"genre_scores_gemma":[0.9989382,0.0001017747,0.0000024072378,0.00004781289,0.00011672757,0.00034611457,0.00005377254,0.0000078343255,0.00038537837],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987278,0.00033127406,0.00022544939,0.000236741,0.00026018202,0.00021857282],"domain_scores_gemma":[0.9988315,0.00045523766,0.00020465332,0.00014519044,0.00032280182,0.0000406329],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011004084,0.00010375564,0.00019637251,0.000075909404,0.00014778104,0.000007211378,0.00016624483,0.00004903762,0.00010597926],"category_scores_gemma":[0.0001600057,0.000077770324,0.000040904408,0.00022782448,0.00012592097,0.00008697419,0.00008516245,0.00011702783,0.000009557733],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023788023,0.0005685955,0.8919682,0.000014670557,0.00012377992,1.6531489e-7,0.006619064,0.000089793146,0.000046566664,0.00065295544,0.0050974865,0.09458087],"study_design_scores_gemma":[0.0034236258,0.0005516396,0.9779803,0.00001561258,0.000099264464,2.263108e-7,0.0026274303,0.000811037,0.0000106878315,0.00031033577,0.014089531,0.000080303165],"about_ca_topic_score_codex":0.000072418356,"about_ca_topic_score_gemma":0.0010860173,"teacher_disagreement_score":0.094500564,"about_ca_system_score_codex":0.0002147056,"about_ca_system_score_gemma":0.00014752687,"threshold_uncertainty_score":0.3171382},"labels":[],"label_agreement":null},{"id":"W4367158786","doi":"10.7202/1081337ar","title":"Saturday Night Dance At Musqueam","year":2021,"lang":"en","type":"article","venue":"Culture","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dance; Art; Visual arts","score_opus":0.019584882701715406,"score_gpt":0.28779615168191,"score_spread":0.26821126898019454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367158786","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25552928,0.0063005835,0.000034302528,0.002074385,0.00185213,0.00006582696,0.00006408839,0.00007018792,0.7340092],"genre_scores_gemma":[0.36680245,0.000106686,0.00033071847,0.0026858905,0.00030170978,0.0000015595346,0.00005348251,0.000009009485,0.62970847],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936384,0.00004025686,0.00006420113,0.00022475891,0.00010223709,0.00020469721],"domain_scores_gemma":[0.99952817,0.000011257626,0.000032150154,0.0002918888,0.000055979854,0.0000805672],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000031805866,0.00009023738,0.00010669943,0.000009979519,0.00008532342,0.000023999222,0.00014653629,0.00013511685,0.009388386],"category_scores_gemma":[0.000030380968,0.00007693533,0.00006831583,0.00013039661,0.000033875658,0.00009106399,0.00007529433,0.00016208552,0.006339309],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025557365,0.00009632604,0.0026272638,0.000009659061,0.000050425715,0.00020814699,0.008174343,0.000001300717,0.0051018866,0.0048176036,0.9773866,0.0015008718],"study_design_scores_gemma":[0.00034800742,0.00002679631,0.023675866,0.000017181554,0.0000130767385,0.000060715825,0.00095324207,4.3776643e-7,0.0034679302,0.0001428132,0.97117597,0.00011797713],"about_ca_topic_score_codex":0.000006317806,"about_ca_topic_score_gemma":0.000028896291,"teacher_disagreement_score":0.111273184,"about_ca_system_score_codex":0.000037854596,"about_ca_system_score_gemma":0.000013682756,"threshold_uncertainty_score":0.99443436},"labels":[],"label_agreement":null},{"id":"W4367850149","doi":"10.3138/topia-2022-0047","title":"Ruttier for an Athlete: A Reflection on Dionne Brand’s <i>A Map to the Door of No Return</i>","year":2023,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Reflection (computer programming); Psychology; Reading (process); Resistance (ecology); Aesthetics; Sociology; Advertising; Visual arts; Computer science; Art; Law; Political science; Business","score_opus":0.10175415050347356,"score_gpt":0.36416066140453107,"score_spread":0.2624065109010575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367850149","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97002673,0.00079833786,0.00000793567,0.019870304,0.003678292,0.00026513584,0.000090719084,0.000011285623,0.005251268],"genre_scores_gemma":[0.9797015,0.00007496105,0.00009570094,0.0014331113,0.00088012445,0.0000071207355,0.000003984254,0.000007990607,0.017795514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992505,0.00005756488,0.00020846257,0.00009648714,0.00013314158,0.000253889],"domain_scores_gemma":[0.9990956,0.00007363261,0.00013841948,0.000117242635,0.00037795972,0.00019713234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031154038,0.000094983145,0.00021815498,0.00010425517,0.00029615566,0.000028433227,0.00021465715,0.000043009175,0.00008004962],"category_scores_gemma":[0.00022936722,0.000056771183,0.00011288358,0.00019788441,0.00007301085,0.00014604117,0.000011901471,0.00012392561,0.00008567629],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005094459,0.000021507061,0.0014204838,0.000029463486,0.0004144466,0.000023504033,0.029837316,0.000042207168,0.0005376704,0.0017411846,0.9598782,0.0055445563],"study_design_scores_gemma":[0.0010738902,0.0027589984,0.034429222,0.00015738355,0.00008416407,0.000032957843,0.016064113,0.000002164402,0.0003942564,0.00044580997,0.94439346,0.00016359997],"about_ca_topic_score_codex":0.0023789534,"about_ca_topic_score_gemma":0.02599513,"teacher_disagreement_score":0.03300874,"about_ca_system_score_codex":0.000096253105,"about_ca_system_score_gemma":0.000058648726,"threshold_uncertainty_score":0.9917779},"labels":[],"label_agreement":null},{"id":"W4368363733","doi":"10.37536/quodlibet.2022.78.2009","title":"UNA PROPUESTA COMPARATIVA DE CODIFICACIÓN PARA LA ICONOGRAFÍA DE DANZA EN LA ILUSTRACIÓN. BAILE EXTRANJERO ALREDEDOR DE FRANCISCO DE GOYA","year":2023,"lang":"es","type":"article","venue":"Quodlibet","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.03977477115122312,"score_gpt":0.3621595731478166,"score_spread":0.3223848019965935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4368363733","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93821764,0.0006966025,0.002358902,0.002762911,0.00046532621,0.00064613856,0.0009775666,0.00059466914,0.05328026],"genre_scores_gemma":[0.9835124,0.0006878998,0.001784078,0.00087341946,0.00046484292,0.00006185855,0.00015334511,0.00011318282,0.0123489555],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9943235,0.0019048519,0.0005804351,0.00080254825,0.00039286597,0.0019958143],"domain_scores_gemma":[0.99653316,0.0014584815,0.00027200038,0.0009024799,0.000070791655,0.00076306623],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0019884892,0.00062573416,0.0007763466,0.00030875657,0.00039896197,0.00044684834,0.0011707939,0.00092663505,0.001555504],"category_scores_gemma":[0.00029367316,0.0006963417,0.0002981502,0.0007135283,0.00069206074,0.00039612333,0.00019891268,0.0012474621,0.0032044235],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019833597,0.0031883058,0.3355385,0.0013127644,0.0014507081,0.0038719336,0.070545465,0.0014100416,0.020022148,0.028255492,0.49211106,0.040310234],"study_design_scores_gemma":[0.0032815016,0.0006245645,0.5140299,0.0005797924,0.00026849168,0.0003800807,0.0047305254,0.0015920996,0.0027285444,0.0019586722,0.46878302,0.00104279],"about_ca_topic_score_codex":0.0007378138,"about_ca_topic_score_gemma":0.00006753845,"teacher_disagreement_score":0.1784914,"about_ca_system_score_codex":0.0003098272,"about_ca_system_score_gemma":0.0006598405,"threshold_uncertainty_score":0.9995488},"labels":[],"label_agreement":null},{"id":"W4377251537","doi":"10.1515/9780228002468-002","title":"Acknowledgments","year":2020,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Simon Fraser University","keywords":"Geography","score_opus":0.031620826584699085,"score_gpt":0.24264605159940053,"score_spread":0.21102522501470145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377251537","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006069598,0.0000048492025,0.000036432823,0.00021703538,0.0010883404,0.00047220767,0.0014918557,0.00034103903,0.9963422],"genre_scores_gemma":[0.0014490774,0.00006126157,0.00009883344,0.00058471214,0.00020695697,7.6045006e-7,0.000087069006,0.000083255654,0.99742806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99783283,0.0000803178,0.00024489363,0.0009088775,0.00041650838,0.0005165507],"domain_scores_gemma":[0.9981679,0.00007380524,0.00033333988,0.00081271137,0.000158797,0.0004534687],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006991839,0.0006085016,0.00065133086,0.00023466951,0.00041133707,0.0000401721,0.0010568451,0.0007481394,0.0018098542],"category_scores_gemma":[0.000013068072,0.00076224696,0.0004072495,0.000018291863,0.00026713466,0.00016574643,0.00086085073,0.0009083025,0.0020812312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003515418,0.000045343582,0.000006142788,0.00006735524,0.00069912797,0.00089184445,0.0002798866,8.3170994e-7,0.0000036173626,0.87447745,0.12115158,0.0020252918],"study_design_scores_gemma":[0.0013379677,0.00021792081,0.000040449075,0.00015161639,0.00039273486,0.0000039395477,0.000105098996,9.367821e-7,0.00006209148,0.00062780845,0.99634004,0.0007194038],"about_ca_topic_score_codex":0.0003474833,"about_ca_topic_score_gemma":3.193222e-7,"teacher_disagreement_score":0.87518847,"about_ca_system_score_codex":0.00028626932,"about_ca_system_score_gemma":0.000046948375,"threshold_uncertainty_score":0.99948287},"labels":[],"label_agreement":null},{"id":"W4377595740","doi":"","title":"ENTREVISTA COM ANDREW HARWOOD E RAY CHUNG","year":2013,"lang":"pt","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.2578867899920811,"score_gpt":0.5441622104773821,"score_spread":0.286275420485301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377595740","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72147834,0.12783003,0.0006754972,0.0103268195,0.007817243,0.0034779813,0.0008681119,0.00015987056,0.1273661],"genre_scores_gemma":[0.89487803,0.033187777,0.000050987575,0.0026588684,0.0006390965,0.000041441494,0.00005741989,0.00013766263,0.06834874],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99371415,0.0010537733,0.0016459575,0.0010455339,0.001192699,0.001347903],"domain_scores_gemma":[0.9939899,0.0006605888,0.0021472957,0.001471223,0.00064555905,0.0010854607],"candidate_categories":["metaepi_narrow","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0016073913,0.0008652506,0.0019372703,0.001103966,0.0006874147,0.005132807,0.007311589,0.00048534301,0.28977317],"category_scores_gemma":[0.00043795872,0.0008696734,0.00062153256,0.0014300224,0.00046654927,0.00658767,0.002326652,0.001361635,0.0037857012],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003039499,0.0010784807,0.28237712,0.00021305213,0.00094475196,0.000099534045,0.00095722557,0.00001943133,0.008903458,0.00014637968,0.6915641,0.01339251],"study_design_scores_gemma":[0.0023412555,0.000060651426,0.7356374,0.0012084612,0.00038067458,0.000037317743,0.00056614034,0.00004671351,0.0019805622,0.00093479914,0.2558227,0.0009833067],"about_ca_topic_score_codex":0.0035900625,"about_ca_topic_score_gemma":0.00003471962,"teacher_disagreement_score":0.4532603,"about_ca_system_score_codex":0.00021309359,"about_ca_system_score_gemma":0.00024592996,"threshold_uncertainty_score":0.9993754},"labels":[],"label_agreement":null},{"id":"W4377965158","doi":"10.5840/hce20201110","title":"Theodor Vasilescu – The Dancer Who Took the Romanian Folklore all over the World","year":2020,"lang":"en","type":"article","venue":"History of Communism in Europe","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Folklore; Folk dance; Dance; Romanian; Politics; Communism; Biography; Ideology; Communist state; Aesthetics; History; Visual arts; Art; Sociology; Art history; Literature; Political science; Law; Philosophy","score_opus":0.06911865563107335,"score_gpt":0.27987618303733,"score_spread":0.21075752740625664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377965158","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.102911934,0.0070563946,0.000019334639,0.018415954,0.0013023665,0.00038850287,0.000020076177,0.00005186081,0.8698336],"genre_scores_gemma":[0.9203281,0.00014469904,0.000025715011,0.03127842,0.00014474087,0.000010443775,0.0000036669892,0.00003442304,0.048029803],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815,0.00096387655,0.00023568876,0.00016513513,0.00023327353,0.0002520367],"domain_scores_gemma":[0.9979993,0.00044774133,0.00017457339,0.0012822427,0.000043399745,0.00005273519],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005128182,0.00016471343,0.00021092649,0.000039387913,0.00020409974,0.000019756535,0.0022682836,0.000042731685,0.0026632422],"category_scores_gemma":[0.000066712135,0.00009038231,0.000105337254,0.00025234857,0.0007892265,0.00011746686,0.00040915154,0.0007294692,0.0003298836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000184521,0.00012690588,0.001575604,0.000012472012,0.00008675204,0.000019371315,0.106460795,0.000025712478,0.0001272727,0.03477552,0.85443527,0.0021697967],"study_design_scores_gemma":[0.00045229675,0.00009187282,0.08940997,0.000027173088,0.000032318538,0.00000265706,0.0014952951,0.00003474087,0.00000601756,0.00010409969,0.90823686,0.00010670377],"about_ca_topic_score_codex":0.00035870395,"about_ca_topic_score_gemma":0.0004238492,"teacher_disagreement_score":0.82180375,"about_ca_system_score_codex":0.000095582414,"about_ca_system_score_gemma":0.00005790236,"threshold_uncertainty_score":0.99824846},"labels":[],"label_agreement":null},{"id":"W4377966480","doi":"10.1007/s10465-023-09384-7","title":"Marian Chace Foundation 2022 Lecture &amp; Introduction from the 57th Annual American Dance Therapy Association Conference, Heartlines: Gathering Wisdom from Many Streams; Montreal, Canada","year":2023,"lang":"en","type":"article","venue":"American Journal of Dance Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Health psychology; Dance therapy; Foundation (evidence); Dance; History; Library science; Media studies; Psychology; Gerontology; Sociology; Public health; Medicine; Art; Archaeology; Visual arts","score_opus":0.015058155581426869,"score_gpt":0.26756014983054205,"score_spread":0.2525019942491152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377966480","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.974686,0.000816248,0.001539045,0.020287829,0.0018522181,0.00021412656,0.00040785517,0.000057087436,0.00013956134],"genre_scores_gemma":[0.988157,0.0052774698,0.00040237748,0.002387899,0.00282511,0.000010732196,0.0001720957,0.00004694138,0.00072038616],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9971848,0.00062765303,0.0005165621,0.00041278597,0.0007354085,0.0005227679],"domain_scores_gemma":[0.99670494,0.0005585934,0.0016852323,0.00054081547,0.00035819729,0.00015223477],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005787477,0.0003207922,0.0006223809,0.00010788484,0.00031500636,0.000118798765,0.00064155203,0.0000667466,0.00078731857],"category_scores_gemma":[0.00011611672,0.00025314477,0.000148945,0.0009938998,0.000355863,0.00044158057,0.000034742177,0.00062833045,0.00005152561],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0026372802,0.00022868734,0.08146275,0.0000016082851,0.001424917,0.000027506978,0.021841152,0.0007741146,0.0053411797,0.000054279382,0.09877515,0.78743136],"study_design_scores_gemma":[0.0024774885,0.001151668,0.7097391,0.00005206298,0.000054729655,0.000015491236,0.025442429,0.00011479132,0.00033760973,0.00064725336,0.25949794,0.0004694574],"about_ca_topic_score_codex":0.53322977,"about_ca_topic_score_gemma":0.20389,"teacher_disagreement_score":0.7869619,"about_ca_system_score_codex":0.0004750102,"about_ca_system_score_gemma":0.00041610157,"threshold_uncertainty_score":0.9999921},"labels":[],"label_agreement":null},{"id":"W4378194418","doi":"10.7202/1099883ar","title":"Un/Commoning Pedagogies: Forging Collectivity Through Difference in the Embodied Classroom and Beyond","year":2023,"lang":"en","type":"article","venue":"Performance Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Praxis; Syllabus; Embodied cognition; Sociology; Scholarship; Pedagogy; Critical pedagogy; Aesthetics; Epistemology; Political science; Art","score_opus":0.04600620647174375,"score_gpt":0.30822408515811783,"score_spread":0.2622178786863741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378194418","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9598719,0.00006670793,0.000074033305,0.005396066,0.00028379474,0.00016712677,0.000009073423,0.00010678962,0.034024507],"genre_scores_gemma":[0.9955213,0.00010578162,0.00007416294,0.0035576995,0.000031059015,0.000026183468,0.0000052556693,0.000010134761,0.00066844054],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989811,0.00007718599,0.00013979546,0.00022670861,0.0001589682,0.00041622383],"domain_scores_gemma":[0.9994099,0.00023644358,0.00006172875,0.00025416294,0.000009761724,0.000027959446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034116657,0.00013561535,0.00016405518,0.00010323514,0.000312751,0.00007418745,0.00029504692,0.00005331649,0.00006670945],"category_scores_gemma":[0.000018151495,0.00010859495,0.00003217627,0.00045757432,0.000119580574,0.00029096563,0.000119360644,0.00025265213,0.0001471862],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021289478,0.00014319764,0.7903132,0.00015388386,0.00007525385,0.000052752483,0.14514396,0.00009580064,0.00023908698,0.003117595,0.03615186,0.024300538],"study_design_scores_gemma":[0.00078830856,0.00011233145,0.97481453,0.00005557277,0.000013660984,0.000016713713,0.019834254,0.00110921,0.00008001213,0.0004510714,0.002524968,0.0001993761],"about_ca_topic_score_codex":0.00016494285,"about_ca_topic_score_gemma":0.00004589413,"teacher_disagreement_score":0.18450134,"about_ca_system_score_codex":0.00003376002,"about_ca_system_score_gemma":0.0000116749925,"threshold_uncertainty_score":0.44283736},"labels":[],"label_agreement":null},{"id":"W4378893440","doi":"10.1177/1089313x0200600103","title":"Career Transitions in Professional Dancers","year":2002,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Occupational Cancer Research Centre; University of Toronto","funders":"","keywords":"Ballet; Dance; Ballet dancer; Context (archaeology); Psychology; Career development; Performing arts; Pedagogy; Visual arts; Art; History","score_opus":0.06398878344184933,"score_gpt":0.3462297773508709,"score_spread":0.2822409939090216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378893440","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.933399,0.001665522,0.00036432198,0.017831897,0.0054575712,0.00010112198,0.0000052082905,0.000009400335,0.041165926],"genre_scores_gemma":[0.9960693,0.000055407116,0.00029710084,0.001053831,0.00028313583,0.0000011625896,1.8998695e-7,0.0000037899438,0.0022360922],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9983001,0.000052415013,0.00036334075,0.00016736457,0.0007804514,0.000336344],"domain_scores_gemma":[0.9991281,0.000056171004,0.00024066912,0.0001784768,0.00020049786,0.00019606465],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010622496,0.000092249495,0.00023116531,0.00038181597,0.00013982426,0.0000114837585,0.0006152857,0.000030129944,0.0022319627],"category_scores_gemma":[0.00023006754,0.00006735226,0.00004618205,0.0010390389,0.001009084,0.0006809453,0.000022649843,0.00038507712,0.00005198357],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005147965,0.0021488247,0.26128018,0.000077915596,0.0000718768,0.0016035524,0.18786885,0.000501661,0.035084546,0.012022778,0.409629,0.08919604],"study_design_scores_gemma":[0.0051678424,0.0013857876,0.9419766,0.0012294503,0.000048018606,0.000707831,0.020131538,0.00036853255,0.00020899704,0.00068042724,0.027794288,0.0003006586],"about_ca_topic_score_codex":0.00003245379,"about_ca_topic_score_gemma":0.000016445425,"teacher_disagreement_score":0.6806964,"about_ca_system_score_codex":0.00012400973,"about_ca_system_score_gemma":0.000099969875,"threshold_uncertainty_score":0.9986801},"labels":[],"label_agreement":null},{"id":"W4378893459","doi":"10.1177/1089313x0400800103","title":"Recognizing Eating Disorders","year":2004,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eating disorders; Anorexia nervosa; Anorexia; Intervention (counseling); Psychology; Bulimia nervosa; Psychiatry; Ballet; Quarter (Canadian coin); Clinical psychology; Medicine; Psychotherapist; Pathology; Dance","score_opus":0.03279576282985162,"score_gpt":0.34136701944694675,"score_spread":0.3085712566170951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378893459","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94201523,0.00081579934,0.004047306,0.004760538,0.0027241823,0.000057938287,7.612715e-7,0.000013515008,0.045564745],"genre_scores_gemma":[0.99562377,0.00009112951,0.0028505842,0.00080825586,0.00039329572,3.2066305e-7,9.821972e-8,0.0000048411407,0.00022767951],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99846476,0.000024592142,0.00034172155,0.00016766059,0.00065792166,0.00034333186],"domain_scores_gemma":[0.99892056,0.00007528322,0.00044369325,0.00017843576,0.00017949793,0.00020250493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015535661,0.00009431447,0.00021377673,0.00025223396,0.00023422955,0.000023387904,0.0006744369,0.000021615604,0.00024155613],"category_scores_gemma":[0.00090016273,0.0000699869,0.00005006442,0.0008203685,0.0009208008,0.0007502342,0.000045926507,0.00029142524,0.000047570422],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042441947,0.00077883597,0.37041473,0.00006899654,0.000098177305,0.00040513536,0.06708125,0.0009972397,0.0494882,0.015302889,0.012524955,0.48241517],"study_design_scores_gemma":[0.0076142685,0.0037949416,0.92939216,0.002326875,0.00009264742,0.000933433,0.025196632,0.000027294074,0.0009725084,0.013164668,0.016020628,0.0004639199],"about_ca_topic_score_codex":0.00011433442,"about_ca_topic_score_gemma":0.000013278879,"teacher_disagreement_score":0.5589774,"about_ca_system_score_codex":0.000110884444,"about_ca_system_score_gemma":0.00018499246,"threshold_uncertainty_score":0.3392729},"labels":[],"label_agreement":null},{"id":"W4378893489","doi":"10.1177/1089313x0100500303","title":"Internal Rotation Knee Injury during Ballroom Dance","year":2001,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Dance; Medicine; Ballroom; Ballet dancer; Ballet; Knee Joint; Rotation (mathematics); Anatomy; Surgery; Art; Visual arts; Mathematics; Geometry","score_opus":0.021318684088565167,"score_gpt":0.33578312511652525,"score_spread":0.31446444102796006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378893489","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97167486,0.0005912854,0.002485156,0.0020135543,0.0030763205,0.000073285344,0.0000018440618,0.000016386266,0.020067288],"genre_scores_gemma":[0.99565893,0.00015095109,0.00060410576,0.00063319085,0.0008576696,9.294404e-7,2.2628316e-7,0.0000072817384,0.0020866825],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99777853,0.000053312764,0.0005073928,0.00024803894,0.00097888,0.00043385525],"domain_scores_gemma":[0.9983443,0.0000682943,0.0006557755,0.0002810756,0.0003684669,0.0002820598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013968095,0.00014335076,0.0002908958,0.00039602708,0.00023145045,0.00004325232,0.0009238761,0.000034067074,0.00076988514],"category_scores_gemma":[0.0005867657,0.000112179834,0.000065429915,0.0009350794,0.00085052225,0.0013320014,0.00008135343,0.00041080927,0.000083522566],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00225841,0.00053136674,0.68009484,0.00005506511,0.0000915529,0.0012469537,0.016828394,0.00016439955,0.16268928,0.002643969,0.020889089,0.11250666],"study_design_scores_gemma":[0.001952059,0.0012153055,0.9833742,0.00057225436,0.0000317233,0.0012669169,0.002448979,0.00005748242,0.0013280232,0.0003990714,0.007179559,0.00017442353],"about_ca_topic_score_codex":0.00008014814,"about_ca_topic_score_gemma":0.0000074255618,"teacher_disagreement_score":0.30327934,"about_ca_system_score_codex":0.00016870347,"about_ca_system_score_gemma":0.00013245962,"threshold_uncertainty_score":0.84297025},"labels":[],"label_agreement":null},{"id":"W4378894228","doi":"10.1177/1089313x0901300402","title":"Development of the “Performance Competence Evaluation Measure”","year":2009,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":38,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Competence (human resources); Psychology; Validity; Sample (material); Dance education; Applied psychology; Medical education; Social psychology; Psychometrics; Medicine; Developmental psychology; Visual arts","score_opus":0.06746850147602915,"score_gpt":0.3529513076411927,"score_spread":0.2854828061651635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378894228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9842981,0.000491931,0.0005529409,0.001697954,0.0014455902,0.000106634085,3.4099236e-7,0.0000036227389,0.011402848],"genre_scores_gemma":[0.9968513,0.000016545308,0.0023978958,0.0005257081,0.00011557458,4.179077e-7,7.36952e-8,0.0000017097509,0.000090752146],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99724036,0.00006227806,0.0004838316,0.0001318099,0.0018513494,0.00023037971],"domain_scores_gemma":[0.9980654,0.0000394342,0.0007281898,0.00027272882,0.0007921087,0.00010214903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046957047,0.000088138855,0.00021070642,0.0001465002,0.0002340938,0.000009445612,0.0010808324,0.00001987349,0.00013805687],"category_scores_gemma":[0.0005162461,0.000051045765,0.000039390754,0.0008705996,0.0007308563,0.00047984326,0.000036858728,0.00020788168,0.000010104747],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026516366,0.00045467747,0.065532885,0.00002865423,0.00003799425,0.000007948845,0.03407887,0.00038421253,0.2093605,0.001967394,0.004407226,0.6834745],"study_design_scores_gemma":[0.000976973,0.00041956172,0.9858535,0.0005203594,0.000032310953,0.00008076012,0.0011277922,0.0001829852,0.0088821715,0.00010886371,0.0017415975,0.00007311715],"about_ca_topic_score_codex":0.000003691742,"about_ca_topic_score_gemma":0.00000224831,"teacher_disagreement_score":0.92032063,"about_ca_system_score_codex":0.00012769524,"about_ca_system_score_gemma":0.0006428752,"threshold_uncertainty_score":0.26928705},"labels":[],"label_agreement":null},{"id":"W4378894351","doi":"10.1177/1089313x06010001-205","title":"The Relationship between Passion and Injury in Dance Students","year":2006,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":163,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Dance; Passion; Pride; Psychology; Coping (psychology); Medicine; Physical therapy; Clinical psychology; Social psychology; Art; Visual arts; Theology","score_opus":0.044454605773347824,"score_gpt":0.3901678488106605,"score_spread":0.3457132430373127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378894351","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9905091,0.0008796389,0.0001848624,0.004906309,0.00071108405,0.00006484618,0.0000013765831,0.0000039652396,0.00273881],"genre_scores_gemma":[0.9987006,0.00006490888,0.000108589906,0.00018732707,0.00034085492,6.1304047e-7,1.712872e-7,0.0000029227126,0.00059397996],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9983081,0.000084018786,0.00039678442,0.00014775035,0.0007949588,0.00026835245],"domain_scores_gemma":[0.9986793,0.0005288466,0.00038551053,0.00018675918,0.00011397958,0.000105635125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029916374,0.00008004362,0.0001763892,0.00019211089,0.00032166112,0.000044745477,0.00071396574,0.00002735757,0.000012761848],"category_scores_gemma":[0.00095194316,0.000048149068,0.000020167214,0.00071829034,0.0010555972,0.00051398383,0.00007689945,0.0003453102,0.000007780852],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043689433,0.00003224732,0.9883135,0.00000248243,0.0000018738357,0.0000122434285,0.0005892253,0.0000021798944,0.00019445136,0.0017776575,0.0042048,0.004825668],"study_design_scores_gemma":[0.00065475225,0.0002840422,0.9926137,0.00020643073,0.000008317033,0.000021598835,0.00056642486,0.0000021939184,0.000033970195,0.0029035928,0.0026531888,0.00005183551],"about_ca_topic_score_codex":0.00011274672,"about_ca_topic_score_gemma":0.000018641576,"teacher_disagreement_score":0.008191524,"about_ca_system_score_codex":0.00006248609,"about_ca_system_score_gemma":0.00006913885,"threshold_uncertainty_score":0.3889392},"labels":[],"label_agreement":null},{"id":"W4378894487","doi":"10.1177/1089313x0200600102","title":"Disordered Eating in High School Dance Students: Some Practical Considerations","year":2002,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eating disorders; Dieting; Dance; Perspective (graphical); Psychology; The arts; Quarter (Canadian coin); Population; Affect (linguistics); Medicine; Psychiatry; Obesity; Pathology","score_opus":0.06045609504309467,"score_gpt":0.389118767366257,"score_spread":0.3286626723231623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378894487","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97456217,0.0011755045,0.0004593078,0.017033655,0.0016669278,0.00014459985,0.0000026946468,0.000012918178,0.0049422127],"genre_scores_gemma":[0.99396646,0.0001944184,0.0027040662,0.0021401588,0.00041997182,0.0000022902996,1.9309913e-7,0.0000063909315,0.00056606176],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99728894,0.00012379914,0.00065246446,0.0002730957,0.0012142757,0.00044744049],"domain_scores_gemma":[0.99811524,0.00041922997,0.0005843272,0.00029987938,0.00026865565,0.00031263955],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016331307,0.00014048262,0.00036191285,0.0003681443,0.00026675384,0.00008401948,0.000522209,0.000040251496,0.0020606609],"category_scores_gemma":[0.0056411647,0.00011178582,0.00004151135,0.0008225766,0.0010156534,0.0020777248,0.00009022973,0.0006246419,0.00011624661],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016589601,0.0019539818,0.8656093,0.00003337596,0.00006222795,0.0015465374,0.015499806,0.00023395414,0.0057229414,0.026015116,0.07898527,0.0041716313],"study_design_scores_gemma":[0.004422932,0.0011140937,0.98103017,0.0007692023,0.00003826549,0.00080412877,0.0061694277,0.00021572171,0.00006786652,0.0034954813,0.0016452906,0.0002274037],"about_ca_topic_score_codex":0.00010421628,"about_ca_topic_score_gemma":0.00002527733,"teacher_disagreement_score":0.11542092,"about_ca_system_score_codex":0.00016323103,"about_ca_system_score_gemma":0.00015844569,"threshold_uncertainty_score":0.9988516},"labels":[],"label_agreement":null},{"id":"W4378894512","doi":"10.1177/1089313x0100500402","title":"And the Dance Goes On: Psychological Impact of Injury","year":2001,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":73,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; University of Toronto","funders":"","keywords":"Dance; Psychology; Distress; Coping (psychology); Personality; Physical therapy; Medicine; Clinical psychology; Social psychology","score_opus":0.03726053263047753,"score_gpt":0.41201350380457347,"score_spread":0.37475297117409595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378894512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9740785,0.0012304793,0.00018331804,0.004591795,0.0008662826,0.00008399654,0.0000032510386,0.0000052917044,0.018957091],"genre_scores_gemma":[0.99740666,0.0006217873,0.00013132377,0.0012129685,0.00031407003,5.9590644e-7,5.8433702e-8,0.000003503638,0.00030902436],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99825317,0.000109126144,0.000420998,0.00020659703,0.00070021726,0.0003098694],"domain_scores_gemma":[0.9983229,0.00030799487,0.0006027459,0.00035049577,0.00022299669,0.0001928816],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0026060115,0.000130507,0.00040589535,0.00018618006,0.0001570163,0.000019589128,0.0009147204,0.00003527948,0.00038442743],"category_scores_gemma":[0.0009362446,0.00006098056,0.000102245416,0.00078510283,0.0044605643,0.00036645125,0.000059096114,0.00037710348,0.000012960382],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.018085666,0.0016800127,0.6016039,0.000033240856,0.00023523126,0.00050060527,0.020972598,0.00012663835,0.023179509,0.029809728,0.100873016,0.20289986],"study_design_scores_gemma":[0.0036621785,0.004967784,0.9851082,0.00025043625,0.000035908062,0.00084533996,0.0010698327,0.00002284227,0.00011645824,0.0018052431,0.0020120007,0.00010375824],"about_ca_topic_score_codex":0.00006999345,"about_ca_topic_score_gemma":0.0000017502613,"teacher_disagreement_score":0.38350433,"about_ca_system_score_codex":0.000048244994,"about_ca_system_score_gemma":0.00007017142,"threshold_uncertainty_score":0.9982487},"labels":[],"label_agreement":null},{"id":"W4379030567","doi":"10.1386/public_00149_1","title":"Autoethnography and Somatic Modes of Attention","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Autoethnography; Embodied cognition; Dance; Context (archaeology); Ethnography; Aesthetics; Sociology; Psychology; Gender studies; Visual arts; Anthropology; Epistemology; Art; History","score_opus":0.06550647903681758,"score_gpt":0.3121651511322227,"score_spread":0.24665867209540512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030567","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9766248,0.000080674865,0.00009093855,0.0010637928,0.00011236595,0.000041922896,0.000008759533,0.00007925043,0.021897504],"genre_scores_gemma":[0.9988743,0.000011129659,0.00005670254,0.000049138383,0.000010724715,0.0000026907667,0.000007459732,0.0000029307014,0.000984924],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996599,0.000022849208,0.00006022194,0.00007356931,0.000065742024,0.000117705174],"domain_scores_gemma":[0.9997874,0.000026327443,0.000032541695,0.0001019804,0.000016246211,0.000035493074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000119916665,0.00003296794,0.00006118264,0.00017557893,0.000034694545,0.000016626036,0.00006616548,0.000029796332,0.00018395578],"category_scores_gemma":[0.000022200978,0.000032431035,0.00002876019,0.00031975567,0.00005568471,0.00014816935,0.00003055152,0.000030789954,0.00017299874],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022788528,0.0002651219,0.77396363,0.00015894359,0.00019373038,0.000007224206,0.0043829815,0.0000030158587,0.00478656,0.12456405,0.04072539,0.05092655],"study_design_scores_gemma":[0.00026373068,0.000042237676,0.99426895,0.000008351454,0.00000860885,0.0000014161025,0.0011138843,0.00020233872,0.00003315045,0.0023508256,0.0016609995,0.00004549379],"about_ca_topic_score_codex":0.000027408727,"about_ca_topic_score_gemma":0.0000020913103,"teacher_disagreement_score":0.22030532,"about_ca_system_score_codex":0.000002149265,"about_ca_system_score_gemma":0.0000038275093,"threshold_uncertainty_score":0.22236066},"labels":[],"label_agreement":null},{"id":"W4379030572","doi":"10.1386/public_00152_1","title":"Saurian Gestures: Animating and Being Animated by Dinosaurs","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Gesture; Animation; Dance; Visual arts; Perception; Reflection (computer programming); Art; Aesthetics; Communication; Psychology; Computer science; Epistemology; Philosophy; Artificial intelligence","score_opus":0.029004578003975153,"score_gpt":0.29163768283443636,"score_spread":0.2626331048304612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030572","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9335812,0.00021426594,0.000017476794,0.004601247,0.0002529832,0.000082162514,0.000034343775,0.0003523275,0.060864042],"genre_scores_gemma":[0.99670345,0.000021003872,0.00006915866,0.0005709324,0.000056772064,0.000005102467,0.000047223177,0.0000129367845,0.0025134229],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9991546,0.00004609196,0.0000995414,0.00020801762,0.00011568382,0.00037605473],"domain_scores_gemma":[0.9995793,0.00008093543,0.00004733543,0.00014813924,0.000022169004,0.00012210476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002122811,0.00009148662,0.00010946665,0.000118079275,0.00018370735,0.00014805672,0.00015501918,0.000072601775,0.0003867907],"category_scores_gemma":[0.00013513154,0.000093493436,0.000023459865,0.00038942727,0.00005025953,0.00029604873,0.00009048443,0.00011808707,0.00050288707],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030105672,0.00012364537,0.18265112,0.000047800102,0.00013862613,0.000050406892,0.009278382,4.4592707e-7,0.0052628103,0.03541527,0.7345988,0.03240261],"study_design_scores_gemma":[0.0010816214,0.00017607676,0.77964175,0.000032305037,0.000022674427,0.000023231692,0.0042156596,0.00011966074,0.00015280546,0.0016800492,0.21249314,0.00036103462],"about_ca_topic_score_codex":0.00007315422,"about_ca_topic_score_gemma":0.000007220668,"teacher_disagreement_score":0.59699064,"about_ca_system_score_codex":0.000014772351,"about_ca_system_score_gemma":0.000008918117,"threshold_uncertainty_score":0.6463764},"labels":[],"label_agreement":null},{"id":"W4379030587","doi":"10.1386/public_00139_1","title":"Introduction to PUBLIC 67","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Business","score_opus":0.05943856344896877,"score_gpt":0.30896957373880374,"score_spread":0.24953101028983496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030587","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53224444,0.00003191631,0.0002299114,0.33862793,0.0039794743,0.000153638,0.000018662577,0.00062346784,0.12409053],"genre_scores_gemma":[0.94805473,0.0000040870427,0.000055631775,0.0019216723,0.001541804,0.000018204397,0.000046204772,0.000011619719,0.048346076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907744,0.000045038345,0.00008381178,0.00024420887,0.0001462029,0.00040331748],"domain_scores_gemma":[0.9993623,0.000023583267,0.000025431054,0.00033566554,0.00006231615,0.00019072587],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000305934,0.00006814613,0.00007787626,0.0003390401,0.00010562957,0.00013212807,0.00024872858,0.0000540436,0.0071744346],"category_scores_gemma":[0.00029233377,0.00007151946,0.000036525526,0.0011146592,0.000026658552,0.00038970672,0.000096366166,0.000095946605,0.04622641],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007204754,0.000052494495,0.005626833,0.0000022955437,0.000024260822,0.0000038086096,0.00049036666,8.074936e-7,0.00008902016,0.045781083,0.9198563,0.028065499],"study_design_scores_gemma":[0.00014803458,0.00005420738,0.1335726,7.0368293e-7,0.0000024281997,0.0000045790125,0.00041646478,0.0000036335857,0.00001746303,0.00028519344,0.865418,0.00007667095],"about_ca_topic_score_codex":0.00003391012,"about_ca_topic_score_gemma":0.000011853789,"teacher_disagreement_score":0.41581026,"about_ca_system_score_codex":0.000036489524,"about_ca_system_score_gemma":0.000021923137,"threshold_uncertainty_score":0.99373317},"labels":[],"label_agreement":null},{"id":"W4379030597","doi":"10.1386/public_00135_7","title":"Multiversal Embodiments: Immer Collective’s 100 Years of Cinematic Solitude in 300 Moving Pieces (2022)","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Solitude; Superimposition; Aesthetics; Art; Visual arts; Literature; Computer science; Artificial intelligence","score_opus":0.04693641538264345,"score_gpt":0.32032457044958446,"score_spread":0.27338815506694103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9698648,0.00014492511,0.000029446057,0.0006990849,0.00049281743,0.00020292054,0.000038214952,0.00006641911,0.028461415],"genre_scores_gemma":[0.9931479,0.000018458735,0.0000659181,0.00015709261,0.000032877004,0.0000156352,0.000014300624,0.000011482,0.006536319],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989029,0.00009825789,0.00019245235,0.0002214118,0.0002081625,0.00037677877],"domain_scores_gemma":[0.99942434,0.00014437741,0.000098502445,0.00021313499,0.00004630386,0.00007332874],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035090113,0.00009320701,0.00021351759,0.00049885374,0.0000480765,0.000029473467,0.00026880292,0.00007053742,0.0018257577],"category_scores_gemma":[0.00022058262,0.000106834246,0.00005854067,0.001013475,0.00006284235,0.00029337648,0.00012479314,0.00013071345,0.0009721865],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035038928,0.0023613104,0.6343045,0.00025024972,0.0010448567,0.00023206572,0.057370827,0.00015436641,0.002402657,0.01198588,0.26361012,0.025932755],"study_design_scores_gemma":[0.0016149117,0.00011248955,0.987917,0.000040607298,0.000014675267,0.0000018466322,0.005297752,0.00022381422,0.000061218736,0.00026518127,0.004301248,0.00014924801],"about_ca_topic_score_codex":0.0005963552,"about_ca_topic_score_gemma":0.000087080436,"teacher_disagreement_score":0.35361248,"about_ca_system_score_codex":0.00009195158,"about_ca_system_score_gemma":0.00007106224,"threshold_uncertainty_score":0.9998057},"labels":[],"label_agreement":null},{"id":"W4379030600","doi":"10.1386/public_00142_7","title":"In My Body: An African contemporary dance perspective","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Dance; Rite; Vernacular; Perspective (graphical); Visual arts; Art; Singing; History; Sociology; Anthropology; Humanities; Literature; Theology; Philosophy; Management","score_opus":0.09508169835630144,"score_gpt":0.353153638372997,"score_spread":0.2580719400166956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030600","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49631527,0.00015708181,0.000006578574,0.011561559,0.00047321708,0.000113508286,0.00003328275,0.00016458795,0.4911749],"genre_scores_gemma":[0.9902262,0.000004946693,0.000013497416,0.0009898759,0.00010699324,0.000014319664,0.000015283631,0.000010472576,0.008618417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99909234,0.00010004486,0.00009338187,0.00026768257,0.00012132608,0.0003252453],"domain_scores_gemma":[0.99945897,0.00004761186,0.000041703104,0.00028173352,0.000047388163,0.00012260598],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002602274,0.00008296756,0.00012477694,0.0002520807,0.000057039033,0.000053899817,0.00029344886,0.000058814723,0.0006988983],"category_scores_gemma":[0.00009578482,0.00008912494,0.000033205266,0.00076762046,0.000080211954,0.00075519556,0.00006265467,0.00015373756,0.001756494],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001490467,0.00070173305,0.10602217,0.000009101261,0.00008685697,0.00035327274,0.039927773,0.0000014525864,0.00019702822,0.49436268,0.35649344,0.0016954241],"study_design_scores_gemma":[0.0010331337,0.00022085402,0.7227647,0.0000069854486,0.0000029146386,0.0000061953797,0.0413918,0.000034755307,0.000021555328,0.004640782,0.22965696,0.00021936836],"about_ca_topic_score_codex":0.0011142016,"about_ca_topic_score_gemma":0.000098645956,"teacher_disagreement_score":0.6167425,"about_ca_system_score_codex":0.00007521238,"about_ca_system_score_gemma":0.00006531265,"threshold_uncertainty_score":0.99902076},"labels":[],"label_agreement":null},{"id":"W4379030605","doi":"10.1386/public_00138_1","title":"IMAGE TO ACTION: Steve Paxton’s Proxy as Chance Machine","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Proxy (statistics); Action (physics); Sociology; Art history; Art; Psychology; Computer science; Machine learning; Physics","score_opus":0.07626806704433305,"score_gpt":0.36481657543590096,"score_spread":0.2885485083915679,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6230147,0.00010044506,0.00036384148,0.0654597,0.002608919,0.0004843342,0.000097322605,0.00072941533,0.30714133],"genre_scores_gemma":[0.9162076,0.000013307889,0.00015091176,0.002912036,0.00026278713,0.00005051762,0.000035923276,0.000017340199,0.080349565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990404,0.0000431652,0.000091456,0.00025256033,0.00017442684,0.0003979493],"domain_scores_gemma":[0.9993675,0.000031772088,0.000039720646,0.00032101938,0.000054409462,0.0001856128],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020167515,0.00009734711,0.00010984221,0.00017742437,0.00011481808,0.00009512381,0.0002779245,0.000057936573,0.0046399487],"category_scores_gemma":[0.00011327233,0.0000984449,0.000044884877,0.00069094455,0.00002960149,0.0003748827,0.00011601922,0.00013478726,0.03514065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017118362,0.0003519469,0.016975574,0.00003822422,0.00015076056,0.00013315355,0.005216031,0.0000010713792,0.0017064844,0.01723503,0.8600265,0.09799408],"study_design_scores_gemma":[0.0005910589,0.00024385983,0.1865336,0.000009897576,0.000008150376,0.000020738773,0.0009835745,0.000041625,0.00037877483,0.0004734364,0.81049234,0.00022295583],"about_ca_topic_score_codex":0.00015494812,"about_ca_topic_score_gemma":0.000028291333,"teacher_disagreement_score":0.29319292,"about_ca_system_score_codex":0.000040915,"about_ca_system_score_gemma":0.00002765939,"threshold_uncertainty_score":0.99626994},"labels":[],"label_agreement":null},{"id":"W4379507876","doi":"10.1177/1089313x231178096","title":"The Effects of the 11+ Dance Neuromuscular Program on Jump Height and Lower Extremity Biomechanics in Female Adolescent Dancers: A Non-Randomized Controlled Pilot Trial","year":2023,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Jumping; Physical therapy; Medicine; Biomechanics; Basketball; Randomized controlled trial; Ground reaction force; Physical medicine and rehabilitation; Jump; Surgery; Kinematics; Anatomy; Physics","score_opus":0.022343575708854754,"score_gpt":0.32252586155757434,"score_spread":0.3001822858487196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379507876","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9863586,0.0013168548,0.00010101525,0.0028243093,0.006657051,0.0023322501,0.0000017121816,0.000014667912,0.00039355556],"genre_scores_gemma":[0.9980707,0.00091975136,0.00004407016,0.0004189763,0.00028831992,0.00004147307,1.3595854e-7,0.000009390008,0.00020714864],"study_design_codex":"randomized_trial","study_design_gemma":"randomized_trial","domain_scores_codex":[0.99649286,0.0005470524,0.00085396983,0.00033298228,0.0012654008,0.0005077273],"domain_scores_gemma":[0.9961794,0.0017598823,0.0011360865,0.0005247974,0.00023000136,0.0001698151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007292542,0.00021970361,0.0011167596,0.0002991088,0.00030225003,0.000046768877,0.0011648483,0.000044680644,0.000009960734],"category_scores_gemma":[0.0046630767,0.000102698476,0.00024039444,0.0017776678,0.0024936402,0.00025354035,0.00014805263,0.00049091346,0.0000041099597],"study_design_candidate":"randomized_trial","study_design_consensus":"randomized_trial","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.90395355,0.0035776363,0.005920991,0.00032914057,0.0002696528,0.00040289812,0.0075528626,0.00006177967,0.032643728,0.0017355199,0.0052241664,0.038328093],"study_design_scores_gemma":[0.90756154,0.00724042,0.07578608,0.0031518205,0.000272938,0.00005058137,0.001380953,0.001546845,0.0010919505,0.0004710788,0.0011943165,0.0002515025],"about_ca_topic_score_codex":0.000042549695,"about_ca_topic_score_gemma":0.000020553425,"teacher_disagreement_score":0.06986509,"about_ca_system_score_codex":0.000085755906,"about_ca_system_score_gemma":0.0002087363,"threshold_uncertainty_score":0.91879207},"labels":[],"label_agreement":null},{"id":"W4379508846","doi":"10.1177/1089313x231177158","title":"Adapting Dance to Complex Clinical Contexts: A Methodology Model","year":2023,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; Centre for Interdisciplinary Research in Rehabilitation; Université du Québec à Montréal","funders":"","keywords":"Dance; Adaptation (eye); Psychological intervention; Psychology; Intervention (counseling); Situational ethics; Applied psychology; Content analysis; Checklist; Medical education; Rehabilitation; Process (computing); Focus group; Computer science; Medicine; Social psychology; Cognitive psychology; Sociology","score_opus":0.5177630404541501,"score_gpt":0.5482064813578444,"score_spread":0.03044344090369433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379508846","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8764279,0.00037557038,0.08748578,0.01845709,0.0047219475,0.00020346355,0.00001394147,0.00006474783,0.012249595],"genre_scores_gemma":[0.9649474,0.00008446103,0.026107276,0.0064646555,0.0007877164,0.0000019095316,5.826819e-7,0.000011599249,0.0015943954],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99663836,0.0003266854,0.000994946,0.00041269383,0.0009477618,0.00067957223],"domain_scores_gemma":[0.9965915,0.001119411,0.0007386565,0.00043672748,0.0005483205,0.00056540366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01266111,0.00016779058,0.00070368,0.00052846206,0.00026049776,0.000026419772,0.0015610888,0.00006013173,0.0002216371],"category_scores_gemma":[0.006629071,0.00012880735,0.00012075873,0.001926726,0.0015952077,0.0005014924,0.00022965447,0.000553816,0.00019609467],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018938445,0.00052407314,0.083646365,0.00005905363,0.00016839702,0.0009438832,0.034711454,0.007454563,0.06265055,0.02546938,0.5446834,0.23779505],"study_design_scores_gemma":[0.0059733666,0.005205153,0.90883785,0.0009171174,0.00013515147,0.0007638474,0.013585276,0.016053133,0.00021463004,0.005164154,0.04255014,0.0006001971],"about_ca_topic_score_codex":0.000047588645,"about_ca_topic_score_gemma":0.000012217155,"teacher_disagreement_score":0.82519144,"about_ca_system_score_codex":0.00008367906,"about_ca_system_score_gemma":0.00030920323,"threshold_uncertainty_score":0.7936096},"labels":[],"label_agreement":null},{"id":"W4379509039","doi":"10.1177/1089313x231177167","title":"Pre-Season Screening Assessments: Normative Data for Pre-Professional Ballet Dancers","year":2023,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Running Injury Clinic; Alberta Children's Hospital; Alberta Bone and Joint Health Institute; University of Calgary","funders":"","keywords":"Percentile; Dance; Physical therapy; Ballet; Ankle; Medicine; Population; Ballet dancer; Normative; Balance (ability); Demography; Psychology; Surgery; Mathematics; Art; Statistics; Political science","score_opus":0.12053746039865008,"score_gpt":0.47487601631004706,"score_spread":0.35433855591139696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379509039","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84706616,0.0010357368,0.11173584,0.014720073,0.013890731,0.0008228496,0.00036613303,0.000094411495,0.010268071],"genre_scores_gemma":[0.98234963,0.00014640336,0.01064509,0.0015700251,0.0011698885,0.000009201259,0.000041261475,0.000017574364,0.0040508937],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99703413,0.00009702036,0.0005309801,0.00038893986,0.0013774099,0.00057151134],"domain_scores_gemma":[0.9972962,0.0004752388,0.0008147202,0.00064456585,0.00046808601,0.00030118486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004769915,0.0001652385,0.0003748255,0.00036707264,0.00044123974,0.000047048296,0.0025476732,0.000045453537,0.0002987545],"category_scores_gemma":[0.0015706358,0.0001204571,0.000060393704,0.0012803436,0.000892828,0.0022860633,0.00041183963,0.00040493792,0.000027870883],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002034378,0.0003368208,0.06300263,0.0001417332,0.00020820808,0.00011911625,0.014631604,0.00056101626,0.0051725134,0.0019397275,0.8274714,0.08438085],"study_design_scores_gemma":[0.0048991665,0.0020630832,0.91030777,0.0017090918,0.00011982989,0.00011479294,0.015380678,0.007343775,0.00012018347,0.000649378,0.056974452,0.00031777608],"about_ca_topic_score_codex":0.00004382509,"about_ca_topic_score_gemma":0.0000061585138,"teacher_disagreement_score":0.8473052,"about_ca_system_score_codex":0.00011255411,"about_ca_system_score_gemma":0.0004352225,"threshold_uncertainty_score":0.4912098},"labels":[],"label_agreement":null},{"id":"W4379804811","doi":"10.1353/nai.2016.a635761","title":"Fed by Spirits: Mamâhtâwisiwin in René Highway’s New Song . . . New Dance","year":2016,"lang":"en","type":"article","venue":"Native American and Indigenous Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Indigenous; MAGIC (telescope); The arts; Brother; History; Power (physics); Visual arts; Art; Art history; Sociology; Anthropology; Ecology","score_opus":0.0361233515318027,"score_gpt":0.33675579304461184,"score_spread":0.30063244151280916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379804811","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96204305,0.015753524,0.0003187395,0.0037964638,0.00031945438,0.00031658134,0.00010637973,0.00008177746,0.017264046],"genre_scores_gemma":[0.95829445,0.0046163076,0.0003376658,0.0015686458,0.0001778169,0.00001048907,0.0000033107417,0.000021656768,0.034969665],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9984597,0.00010389601,0.00022787422,0.00044237092,0.00019520825,0.00057096157],"domain_scores_gemma":[0.9991152,0.0002446684,0.00020087391,0.0001958092,0.00006871527,0.00017473033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001545029,0.0002394086,0.00049163296,0.00014015222,0.00022773692,0.000022985098,0.00021813836,0.000052747455,0.00016001391],"category_scores_gemma":[0.00016475424,0.00017678343,0.00004657947,0.00039664822,0.00067145115,0.00023073575,0.00011664228,0.00015236123,0.00018242688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004598436,0.00028421826,0.08855565,0.00001283948,0.00056466815,0.000045522596,0.14107482,1.573257e-7,0.0007168401,0.0009309485,0.3391415,0.428213],"study_design_scores_gemma":[0.0075573856,0.0064109084,0.5266673,0.0003805643,0.00009203178,0.000022586599,0.122314975,5.233265e-7,0.0016582966,0.00254311,0.33094546,0.0014068789],"about_ca_topic_score_codex":0.0068118847,"about_ca_topic_score_gemma":0.0010504854,"teacher_disagreement_score":0.43811163,"about_ca_system_score_codex":0.00019358828,"about_ca_system_score_gemma":0.00011223521,"threshold_uncertainty_score":0.9998018},"labels":[],"label_agreement":null},{"id":"W4379979433","doi":"10.1177/1089313x231178079","title":"Examining the Preferences and Priorities of Dance Educators for Dance Science Information: A Pilot Study","year":2023,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dance; Psychology; Dance education; Medical education; Flexibility (engineering); Sociology; Pedagogy; Medicine; Visual arts; Art","score_opus":0.12470523213520361,"score_gpt":0.38061175408673525,"score_spread":0.25590652195153163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379979433","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99306184,0.00049326307,0.00029186145,0.0011377706,0.0021811617,0.00036145226,0.000007571721,0.000015214483,0.0024498596],"genre_scores_gemma":[0.9988084,0.00012362488,0.00042565353,0.000232984,0.00022182993,0.000009446619,2.001742e-7,0.0000037899365,0.00017411543],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9973695,0.00005536082,0.00062041497,0.00023629452,0.0012776223,0.00044076092],"domain_scores_gemma":[0.99730635,0.00052625505,0.0008771541,0.0003604728,0.0007556129,0.00017418768],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.006147213,0.00014311507,0.0003461809,0.0005544482,0.00065387273,0.00009834138,0.0015768707,0.000014559075,0.000020582875],"category_scores_gemma":[0.0022941942,0.000089073634,0.000023751485,0.0025041879,0.0045344243,0.0025558015,0.00018612442,0.00023061363,0.000005617418],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009069406,0.00059492094,0.67499423,0.0002726008,0.0000889923,0.000018426179,0.20672713,0.00009899549,0.013439973,0.0092267925,0.012028647,0.081602365],"study_design_scores_gemma":[0.0011683328,0.006045733,0.8960649,0.0003454954,0.000036528236,0.00005522561,0.09415296,0.00006015534,0.0002653099,0.00047126118,0.0012214537,0.00011263965],"about_ca_topic_score_codex":0.0000809748,"about_ca_topic_score_gemma":0.000012364284,"teacher_disagreement_score":0.22107069,"about_ca_system_score_codex":0.00006008113,"about_ca_system_score_gemma":0.0007072908,"threshold_uncertainty_score":0.99817467},"labels":[],"label_agreement":null},{"id":"W4380033344","doi":"10.3998/circus.4455","title":"Review of _Contemporary Circus_","year":2023,"lang":"en","type":"article","venue":"Circus Arts Life and Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art","score_opus":0.15034925961353982,"score_gpt":0.36252075005575135,"score_spread":0.21217149044221154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380033344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5685027,0.0817202,0.000014622512,0.0055780252,0.00092059764,0.00019339804,0.00002335875,0.00009339297,0.34295365],"genre_scores_gemma":[0.98749524,0.0075101424,0.000009278675,0.0038477094,0.000045853194,0.0000026830191,0.0000020700097,0.0000023448547,0.0010846904],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99931276,0.000036372552,0.0001410049,0.00018880266,0.00014916738,0.00017189645],"domain_scores_gemma":[0.9996017,0.000076842116,0.000070620255,0.0001337117,0.000025077348,0.00009201778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063359004,0.0000561884,0.00015103821,0.00008811016,0.00014135218,0.000019180892,0.00019693798,0.00002500565,0.00042319836],"category_scores_gemma":[0.00012278168,0.00004693023,0.000037829508,0.00046090633,0.00035325956,0.0001790841,0.00004655004,0.000041791816,0.00028707026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011476294,0.00010104334,0.19285364,0.0015239167,0.00006060678,0.000045678124,0.0035914748,7.498013e-7,0.00032037016,0.04157653,0.6978579,0.062056568],"study_design_scores_gemma":[0.00060955796,0.0005016473,0.63416743,0.0030863394,0.00003794273,0.00003548082,0.0042623747,0.000019085108,0.00007678777,0.004856888,0.35194424,0.00040223674],"about_ca_topic_score_codex":0.00003109519,"about_ca_topic_score_gemma":9.192287e-7,"teacher_disagreement_score":0.44131377,"about_ca_system_score_codex":0.0000019812796,"about_ca_system_score_gemma":0.000054617558,"threshold_uncertainty_score":0.46337253},"labels":[],"label_agreement":null},{"id":"W4380082687","doi":"10.12745/et.26.1.5501","title":"José A. Pérez Díez, ed. Love’s Cure, or The Martial Maid by John Fletcher and Philip Massinger. Manchester: Manchester University Press, 2022. Pp 250.","year":2023,"lang":"en","type":"article","venue":"Early Theatre","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Martial arts; Performance art; Art history; Humanities; Visual arts","score_opus":0.018601344811897434,"score_gpt":0.2491850803929425,"score_spread":0.23058373558104506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380082687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83994037,0.0028136892,0.00007028793,0.0200905,0.0022844803,0.0008618993,0.0006566314,0.0004045354,0.13287763],"genre_scores_gemma":[0.5602331,0.0016223848,0.00008601846,0.0015942713,0.0009858544,0.0000063996035,0.00007275822,0.00009836687,0.43530083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981013,0.00024843225,0.00017675896,0.00054061523,0.00029835824,0.00063452084],"domain_scores_gemma":[0.99884236,0.00016402942,0.0001104632,0.00066794676,0.000032969692,0.00018220641],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003110374,0.0002913229,0.00027756262,0.00006401983,0.00026876974,0.00016163511,0.0005590089,0.00024293015,0.0037985924],"category_scores_gemma":[0.000011271515,0.00020737301,0.00012039404,0.00030322632,0.00032354568,0.00048211793,0.00032808437,0.0004392713,0.0035620825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00075406843,0.00012794761,0.016311139,0.000034642435,0.0001928442,0.00020551273,0.00510148,0.0000013511715,0.00022182272,0.00023410768,0.96829045,0.00852464],"study_design_scores_gemma":[0.0014845671,0.00021046046,0.08528948,0.000048170135,0.00011652682,0.000031226773,0.002481224,0.000014172377,0.000112168855,0.0001078397,0.9097655,0.00033869265],"about_ca_topic_score_codex":0.0002558496,"about_ca_topic_score_gemma":0.000023718518,"teacher_disagreement_score":0.3024232,"about_ca_system_score_codex":0.000053962107,"about_ca_system_score_gemma":0.000035160927,"threshold_uncertainty_score":0.9972138},"labels":[],"label_agreement":null},{"id":"W4380874227","doi":"10.3138/ctr.101.015","title":"In Review","year":2000,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Dance; Art; Singing; Legend; Mythology; Studio; Art history; Visual arts; Performance art; Literature","score_opus":0.02464641623398023,"score_gpt":0.3005250814037386,"score_spread":0.2758786651697584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874227","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010632994,0.5407531,5.447793e-8,0.011973927,0.000081729995,0.0002345415,0.000019391555,0.000006770085,0.44682413],"genre_scores_gemma":[0.001686548,0.8688581,0.000011342632,0.11388378,0.000049275997,0.000016705386,0.000010807701,0.00000940521,0.015474047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991294,0.00011448065,0.00018155189,0.0001737009,0.00006265368,0.00033822143],"domain_scores_gemma":[0.9992534,0.000016236167,0.000023650506,0.00038159752,0.000009910672,0.00031520877],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026389604,0.00010140759,0.00030909042,0.000052969306,0.0000333078,0.000005798205,0.00024309887,0.000042240634,0.14870583],"category_scores_gemma":[0.000013281976,0.00009475083,0.00008651868,0.0003330522,0.00002688756,0.00009261671,0.0000043158107,0.00012741012,0.015753282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.944779e-7,0.000008568182,0.00015923895,0.0013006148,0.0000071052277,0.00009456207,0.000025163512,1.8707858e-8,3.4962312e-8,0.0004103323,0.5431387,0.45485488],"study_design_scores_gemma":[0.000085739346,0.0000150667565,0.0011675197,0.014424171,0.00003359489,0.00004317578,0.0000043294153,4.3789058e-8,9.304315e-8,0.000054179774,0.98406696,0.0001051375],"about_ca_topic_score_codex":0.049475253,"about_ca_topic_score_gemma":0.036539137,"teacher_disagreement_score":0.45474973,"about_ca_system_score_codex":0.00010206534,"about_ca_system_score_gemma":0.00012642283,"threshold_uncertainty_score":0.98501307},"labels":[],"label_agreement":null},{"id":"W4380874382","doi":"10.3138/ctr.139.002","title":"Tango’s Cross-Cultural Dance","year":2009,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reification (Marxism); Dance; Interculturality; Sociology; Politics; Club; Media studies; Ethnic group; Latin Americans; Capitalism; Popularity; Gender studies; Art; Aesthetics; Visual arts; Anthropology; Political science","score_opus":0.03213117118905369,"score_gpt":0.34397731697559236,"score_spread":0.3118461457865387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874382","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006216643,0.25866792,0.0000020567595,0.008996498,0.0003935938,0.00025393313,0.0000788958,0.00004271501,0.72534776],"genre_scores_gemma":[0.85999984,0.03747478,0.000110375346,0.08078108,0.00039517513,0.000011539494,0.00005837889,0.000019707364,0.021149123],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990884,0.0000493879,0.00014506256,0.00020968803,0.00008177293,0.0004256613],"domain_scores_gemma":[0.99905485,0.00001228509,0.0000468271,0.0003876596,0.0000497239,0.00044866392],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013504842,0.00012947964,0.00023383189,0.000040257826,0.00012904347,0.0000510608,0.00032242434,0.00006475202,0.004157343],"category_scores_gemma":[0.000028095781,0.00011205168,0.00011322281,0.0002072594,0.0000704439,0.00020744718,0.0000066178327,0.00013256306,0.003098742],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004798392,0.000021401933,0.0021694726,0.00014817546,0.000028359467,0.00012313419,0.00019613803,2.3158017e-7,0.000007326178,0.0123245455,0.47671464,0.50826174],"study_design_scores_gemma":[0.00013172749,0.000051735544,0.033159137,0.0006655371,0.000027081362,0.00005416375,0.000024505409,1.7401686e-7,0.0000031026996,0.00019036517,0.9655394,0.00015305252],"about_ca_topic_score_codex":0.012990739,"about_ca_topic_score_gemma":0.007829686,"teacher_disagreement_score":0.8537832,"about_ca_system_score_codex":0.00012892828,"about_ca_system_score_gemma":0.00010324012,"threshold_uncertainty_score":0.99767745},"labels":[],"label_agreement":null},{"id":"W4380926271","doi":"10.3138/ctr.107.013","title":"Reviewing the Role of the Dance Critic in Toronto","year":2001,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Power (physics); Dance education; Perception; Visual arts; Performance art; Aesthetics; Art; Sociology; Media studies; Psychology; Art history","score_opus":0.02134321894359854,"score_gpt":0.29311370734162795,"score_spread":0.2717704883980294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380926271","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013921348,0.61859566,3.408685e-7,0.0037885115,0.0001609615,0.00030680676,0.000012541577,0.000003421598,0.3757396],"genre_scores_gemma":[0.74555326,0.23821513,0.000009665886,0.014869299,0.00008030917,0.000024549825,0.0000019376473,0.000013001681,0.0012328472],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907416,0.00022530295,0.00020017919,0.00012995367,0.00008476828,0.0002856222],"domain_scores_gemma":[0.99915,0.000053250387,0.00005959757,0.0006039598,0.000022714086,0.00011050165],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040708273,0.000090562266,0.00023871424,0.000014875801,0.00008183362,0.000007829529,0.000543509,0.00003550419,0.0025046037],"category_scores_gemma":[0.00006542435,0.000054478296,0.00011317625,0.00023621914,0.00006845122,0.00008861756,0.000023576273,0.00011788988,0.0001247953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004743884,0.000038804435,0.02894841,0.0008469659,0.000043708336,0.000028938,0.0011771254,4.5954545e-7,0.00001290432,0.01990978,0.025597677,0.9233905],"study_design_scores_gemma":[0.00006303307,0.000010336764,0.015275101,0.0038123524,0.00004084905,0.000027601902,0.0004875282,6.0809367e-7,0.0000026202565,0.00018968678,0.98002005,0.000070219125],"about_ca_topic_score_codex":0.23459107,"about_ca_topic_score_gemma":0.4311969,"teacher_disagreement_score":0.9544224,"about_ca_system_score_codex":0.00024143516,"about_ca_system_score_gemma":0.00012141211,"threshold_uncertainty_score":0.99840724},"labels":[],"label_agreement":null},{"id":"W4380929268","doi":"10.3138/ctr.124.005","title":"Dance and the Rodeo: Partners at the Party","year":2005,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Suns in alchemy; Visual arts; Art; Power (physics); Art history; Physics","score_opus":0.029033380513583697,"score_gpt":0.3044412956349122,"score_spread":0.2754079151213285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380929268","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029306507,0.5803928,0.000001355537,0.10692406,0.0001787585,0.00046534502,0.000047344536,0.000013744993,0.30904597],"genre_scores_gemma":[0.5606852,0.23828907,0.00003099598,0.15044758,0.0004786516,0.00009263035,0.000020978152,0.000031542317,0.049923338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908537,0.00020788566,0.00012766813,0.00017344329,0.00007905165,0.00032656587],"domain_scores_gemma":[0.99905723,0.00011715231,0.000052162497,0.00051924505,0.000014234985,0.00023998774],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051471306,0.000110623856,0.0002058174,0.000015588867,0.00030929546,0.000024772475,0.00029445268,0.000037944785,0.002825713],"category_scores_gemma":[0.00003075297,0.000057327004,0.00008248878,0.000121924335,0.00032604727,0.00006554119,0.000033340493,0.00013319256,0.0014551183],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012254954,0.0000050561766,0.0010389746,0.00007652026,0.00004710966,0.0000074068557,0.00055280613,7.6620864e-7,1.8849865e-7,0.0096562505,0.6640911,0.32451156],"study_design_scores_gemma":[0.00028566437,0.000008137869,0.0021715672,0.00023745696,0.000073620744,0.000042744457,0.00006410094,0.0000026471162,8.864326e-7,0.000077356366,0.9969539,0.00008193164],"about_ca_topic_score_codex":0.016018337,"about_ca_topic_score_gemma":0.15968525,"teacher_disagreement_score":0.5577546,"about_ca_system_score_codex":0.00007227082,"about_ca_system_score_gemma":0.00007646403,"threshold_uncertainty_score":0.99932235},"labels":[],"label_agreement":null},{"id":"W4381165323","doi":"10.33303/gpsv5n1-2a113","title":"Troubling the Training: A Reflexive Dialogue on Decolonizing Performance Pedagogies in the Philippines and Malaysia","year":2023,"lang":"en","type":"article","venue":"Global Performance Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Indigenous; Reflexivity; Sociology; Colonialism; Contextualization; Equity (law); Politics; Dance; Conversation; Gender studies; Context (archaeology); Traditional knowledge; Political science; Anthropology; History; Law; Visual arts","score_opus":0.2512036691335058,"score_gpt":0.4163546077417147,"score_spread":0.1651509386082089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381165323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97533566,0.0011892241,5.4472923e-7,0.007043183,0.0006489488,0.00025842478,0.000020401505,0.000094734016,0.015408891],"genre_scores_gemma":[0.9950761,0.0028530473,0.000016707098,0.0014830669,0.00021055249,0.000061316685,0.000004939489,0.0000069586963,0.0002873031],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9985409,0.000095377305,0.0002113433,0.00028925206,0.00025234403,0.00061081175],"domain_scores_gemma":[0.9992573,0.00028238076,0.00008827137,0.0002851702,0.00004742298,0.00003942628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008660356,0.0002126497,0.00025939706,0.000083468905,0.00074979477,0.00006492666,0.00041801893,0.000059915925,0.000012081529],"category_scores_gemma":[0.0002022684,0.0001243023,0.00005120271,0.00073605194,0.0004068498,0.00028983646,0.00018238663,0.00025461198,0.0001874657],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009576361,0.00015011475,0.5311256,0.00022464109,0.00049921207,0.0000655512,0.2672411,0.0019131416,0.000011051127,0.009135818,0.034181423,0.15449472],"study_design_scores_gemma":[0.0006982576,0.0005283654,0.8810997,0.00012266128,0.00003135247,0.000026700494,0.10921194,0.00043504444,0.0000051338207,0.000339615,0.007308781,0.0001924462],"about_ca_topic_score_codex":0.000035794394,"about_ca_topic_score_gemma":0.00008962774,"teacher_disagreement_score":0.3499741,"about_ca_system_score_codex":0.00006723797,"about_ca_system_score_gemma":0.000031762753,"threshold_uncertainty_score":0.5766891},"labels":[],"label_agreement":null},{"id":"W4382182297","doi":"10.1177/1089313x231183212","title":"Validity and Reliability of the Pre-Adolescent Dance Injury and Participation Questionnaire (PADIP-Q)","year":2023,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Hotchkiss Brain Institute; Alberta Children's Hospital; University of Calgary","funders":"","keywords":"Dance; Intraclass correlation; Psychology; Kappa; Cohen's kappa; Population; Categorical variable; Poison control; Physical therapy; Clinical psychology; Demography; Medicine; Psychometrics; Statistics; Mathematics","score_opus":0.04127557320541663,"score_gpt":0.3681692570501562,"score_spread":0.32689368384473955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382182297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9933795,0.0002567085,0.00030941877,0.0045752306,0.0011093684,0.00010587893,0.0000041756,0.0000092188875,0.00025055167],"genre_scores_gemma":[0.9992177,0.00019967856,0.00008690882,0.00024711975,0.00012028938,9.703646e-7,1.02412784e-7,0.0000027293613,0.00012453624],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9985347,0.00013162535,0.00035964398,0.00018409973,0.00058035034,0.0002095927],"domain_scores_gemma":[0.99873877,0.00010359581,0.0004675865,0.00027189398,0.00027598883,0.00014214459],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028515984,0.00008235956,0.00020999995,0.00010758854,0.00019056992,0.000014043259,0.00036305765,0.000027801963,0.00001619796],"category_scores_gemma":[0.0019715994,0.000051051273,0.000028751274,0.00077559036,0.0019245007,0.0004395719,0.00011066651,0.00022080858,0.00000222693],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013638799,0.000092445356,0.9782912,0.00006621477,0.0000034697402,0.0000044354915,0.004729681,0.000036183166,0.0047320593,0.00035476504,0.003961856,0.007591303],"study_design_scores_gemma":[0.00038826247,0.00042424686,0.9961842,0.00049033936,0.000028030934,0.000023280125,0.00039466016,0.00013346573,0.00065204874,0.00078159396,0.0004497206,0.000050201892],"about_ca_topic_score_codex":0.000060583207,"about_ca_topic_score_gemma":0.0000067373235,"teacher_disagreement_score":0.017892951,"about_ca_system_score_codex":0.000048595426,"about_ca_system_score_gemma":0.000105950196,"threshold_uncertainty_score":0.7090903},"labels":[],"label_agreement":null},{"id":"W4382246752","doi":"10.1515/9780773549869-006","title":"Choreographies of Place: Dancing the Vancouver Sublime from Dusk to Dawn","year":2017,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dusk; Sublime; Geography; Art; Cartography; Art history; Ecology; Biology","score_opus":0.021686851174191793,"score_gpt":0.23450757003351783,"score_spread":0.21282071885932602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382246752","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00056922983,0.000011406604,0.000036195906,0.00013994116,0.0015522995,0.0006429027,0.0032183041,0.00012695663,0.99370277],"genre_scores_gemma":[0.022440271,0.00007758358,0.00012601809,0.0002470749,0.00018298367,0.0000014958007,0.000045947312,0.000067739726,0.9768109],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99768716,0.0001062201,0.000308091,0.00081502163,0.0005445479,0.0005389471],"domain_scores_gemma":[0.99652,0.00026567065,0.00070887676,0.0019875925,0.00023713805,0.0002807391],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00019345635,0.00059057167,0.0008011326,0.000435548,0.0009334955,0.00006754002,0.002063102,0.00064394256,0.0005247791],"category_scores_gemma":[0.000025192767,0.0005688502,0.0004608636,0.000022136921,0.00068924035,0.00025327795,0.0010944059,0.0008008902,0.00008770378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019149567,0.00010594403,0.00019118331,0.000101955375,0.0026389803,0.00046688342,0.0035543633,0.000024142959,0.000032742082,0.67087066,0.3144522,0.0056459904],"study_design_scores_gemma":[0.0011047809,0.0001686623,0.00071469054,0.00031815484,0.0005259001,0.0000016871328,0.0005575675,8.0356494e-7,0.00018244797,0.0005680898,0.995247,0.0006102189],"about_ca_topic_score_codex":0.011328506,"about_ca_topic_score_gemma":0.0000749492,"teacher_disagreement_score":0.6807948,"about_ca_system_score_codex":0.00014191457,"about_ca_system_score_gemma":0.000053109477,"threshold_uncertainty_score":0.9996763},"labels":[],"label_agreement":null},{"id":"W4382247181","doi":"10.1515/9780773549869-003","title":"Performance Studies in Canada: Mapping Genealogies and Geographies of Performance Culture","year":2017,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Economic geography; Geography; History; Genealogy","score_opus":0.0457674883132001,"score_gpt":0.24214472968743134,"score_spread":0.19637724137423124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382247181","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016617524,0.0001416725,6.9003886e-7,0.000043046868,0.0004544446,0.00032828288,0.0005225699,0.000041885763,0.9818499],"genre_scores_gemma":[0.23600242,0.008876929,0.00006853009,0.000058393594,0.000037629365,0.0000012233654,0.000015659181,0.000026150905,0.7549131],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984641,0.000039530023,0.00026301292,0.0005094103,0.00029960292,0.00042430655],"domain_scores_gemma":[0.99852484,0.00006185358,0.0005099066,0.00061931513,0.00017995555,0.00010410103],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00011213664,0.00044092568,0.0007550963,0.0003509373,0.000524638,0.000015234876,0.0006637183,0.00031687005,0.000019727264],"category_scores_gemma":[0.00001242454,0.00047121357,0.000105779174,0.000015150949,0.0007612559,0.0002513248,0.00065095106,0.0005299402,0.0000027908957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029691888,0.00017841284,0.057824284,0.00967296,0.008851509,0.003015814,0.02300284,0.0002005712,0.000039531827,0.7739518,0.05434796,0.06594509],"study_design_scores_gemma":[0.001039852,0.00017367247,0.01874012,0.0011058697,0.00017529455,0.000009503686,0.0024200955,0.000006098369,0.000078009616,0.00005402755,0.9755645,0.0006329532],"about_ca_topic_score_codex":0.19187479,"about_ca_topic_score_gemma":0.0041584517,"teacher_disagreement_score":0.92121655,"about_ca_system_score_codex":0.00032635528,"about_ca_system_score_gemma":0.00012990639,"threshold_uncertainty_score":0.999774},"labels":[],"label_agreement":null},{"id":"W4383454735","doi":"10.1515/9780773558199-012","title":"Dancing into Hearts and Minds: Canadian Ballet Exchanges with the Communist World, 1956–76","year":2019,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Communism; Art; Art history; Aesthetics; Visual arts; Political science; Law; Dance","score_opus":0.018441214142517637,"score_gpt":0.21503364802772282,"score_spread":0.19659243388520517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383454735","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024031417,0.000028790524,0.000007283687,0.0018292429,0.00030881894,0.00069345016,0.0006881681,0.00007903497,0.9961249],"genre_scores_gemma":[0.027334716,0.000072091985,0.000085606815,0.0012239189,0.00007716845,0.0000012601016,0.00006363175,0.0000659732,0.97107565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981249,0.00014849496,0.00015342384,0.0006162209,0.00034313466,0.0006138173],"domain_scores_gemma":[0.99788654,0.00018127795,0.00024102008,0.0011295988,0.0001345222,0.0004270254],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00019191515,0.0005401555,0.0005509688,0.0004406925,0.0011857889,0.000095422954,0.0008897099,0.00043475654,0.0003534472],"category_scores_gemma":[0.000004071254,0.0004974409,0.0001282977,0.000028191516,0.0006664388,0.00015904082,0.0005472047,0.0010271273,0.000088560715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005491737,0.000030509282,0.00014597634,0.00017343381,0.00097505143,0.0008683,0.005858491,0.0000044707867,0.0000025300947,0.8891597,0.09830553,0.003926836],"study_design_scores_gemma":[0.0009753753,0.00019603518,0.00038154,0.00030094865,0.00028334383,0.000016116182,0.0012096602,0.000001333255,0.000009501769,0.00010964873,0.9959113,0.00060519925],"about_ca_topic_score_codex":0.22128409,"about_ca_topic_score_gemma":0.022099042,"teacher_disagreement_score":0.8976058,"about_ca_system_score_codex":0.0003738386,"about_ca_system_score_gemma":0.00013924159,"threshold_uncertainty_score":0.9997477},"labels":[],"label_agreement":null},{"id":"W4384162571","doi":"10.3998/circus.3629","title":"Cirque Hors Piste à l’ère Covid-19 : une histoire de contraintes et d’opportunités","year":2023,"lang":"fr","type":"article","venue":"Circus Arts Life and Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal; Concordia University","funders":"","keywords":"Cirque; Humanities; Political science; Art; Sociology; Geography","score_opus":0.16409194311861247,"score_gpt":0.37907633879293495,"score_spread":0.21498439567432248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384162571","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52787,0.013425215,0.0005114798,0.30156812,0.0042834533,0.00030229794,0.00028505278,0.00023267558,0.15152173],"genre_scores_gemma":[0.9206104,0.0014338234,0.000048323363,0.032169156,0.00019228841,0.000006991209,0.000013249117,0.000012323803,0.04551343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764085,0.00030976287,0.00028271248,0.00057987287,0.00032722403,0.0008595744],"domain_scores_gemma":[0.99785227,0.0006037452,0.00015992932,0.00025379498,0.00005036413,0.0010799153],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0021455046,0.00022991627,0.00032571878,0.00026239277,0.001492956,0.00026243684,0.00048117773,0.00019545767,0.0010146791],"category_scores_gemma":[0.0011195831,0.00023356786,0.000103137725,0.0008954369,0.0038138952,0.0004725264,0.00011735457,0.00027147454,0.00040610228],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057693018,0.00025528262,0.09050078,0.00023207715,0.00011711532,0.0010084884,0.04327745,0.00014775411,0.00039999682,0.28545332,0.53357893,0.044971086],"study_design_scores_gemma":[0.0012623138,0.0006295621,0.10030106,0.00015137768,0.00007287214,0.0002096345,0.04326731,0.0004854249,0.000013598069,0.022830525,0.83020335,0.0005729966],"about_ca_topic_score_codex":0.0022453049,"about_ca_topic_score_gemma":0.00038401634,"teacher_disagreement_score":0.39274043,"about_ca_system_score_codex":0.00010335992,"about_ca_system_score_gemma":0.0010835186,"threshold_uncertainty_score":0.99989855},"labels":[],"label_agreement":null},{"id":"W4384166847","doi":"10.1515/9780773598706-019","title":"Singular Bodies, Collective Dreams: Socially Engaged Circus Arts and the “Quebec Spring”","year":2016,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spring (device); The arts; Visual arts; Art; Sociology; Engineering","score_opus":0.023829862528199217,"score_gpt":0.22297405999719794,"score_spread":0.19914419746899872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384166847","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007181036,0.000024946134,0.00009227034,0.00052003725,0.0005975287,0.0009168361,0.0006705067,0.00020784762,0.99689823],"genre_scores_gemma":[0.009865476,0.00015948013,0.000056334797,0.0003940183,0.00019052922,0.0000025299605,0.000010289508,0.00007331399,0.98924804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99723977,0.0005792417,0.00027157296,0.0008619608,0.00043054036,0.0006169185],"domain_scores_gemma":[0.99736726,0.00087205996,0.00048793727,0.000790002,0.00023487341,0.00024786024],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00055869896,0.0006367442,0.00082641235,0.00025272192,0.0023015023,0.000091786234,0.00074931304,0.00075865566,0.00025625707],"category_scores_gemma":[0.00008641954,0.0005614805,0.00038406337,0.000016162663,0.0015337795,0.00019035788,0.0007014409,0.0014268551,0.000080345366],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011707473,0.000033312015,0.0000102050435,0.000039627925,0.0011722,0.00042249038,0.0035899312,2.8262212e-7,0.0000063249686,0.98234516,0.007806655,0.0034030606],"study_design_scores_gemma":[0.004687824,0.00011787443,0.00023760811,0.00024382614,0.0006169659,0.000008269336,0.00062001444,4.4500771e-7,0.000044784978,0.005715115,0.9869893,0.0007179583],"about_ca_topic_score_codex":0.008279897,"about_ca_topic_score_gemma":0.00006297089,"teacher_disagreement_score":0.97918266,"about_ca_system_score_codex":0.0006965713,"about_ca_system_score_gemma":0.00023490394,"threshold_uncertainty_score":0.9996837},"labels":[],"label_agreement":null},{"id":"W4384253269","doi":"10.1515/9780773598706-006","title":"A Tale of Origins: Deconstructing North American “Cirque” Where Québécois and American Circus Cultures Meet","year":2016,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Art; History; Geography; Physical geography","score_opus":0.012058105627344573,"score_gpt":0.23214661426527655,"score_spread":0.22008850863793197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384253269","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011389133,0.000020330343,0.000029736802,0.00009279111,0.00025468026,0.00042274382,0.0027075394,0.00016791472,0.98491514],"genre_scores_gemma":[0.13363974,0.0007797995,0.00048800462,0.00021896296,0.00016287608,0.0000020481061,0.000029476952,0.00011165983,0.8645674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766606,0.00011570437,0.00034267904,0.00087366276,0.000358603,0.00064328057],"domain_scores_gemma":[0.9973521,0.00017129304,0.0011262014,0.0007393519,0.00021630233,0.0003947328],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00007228825,0.00061708566,0.001035696,0.00034294714,0.0003743102,0.000029021563,0.0006782118,0.00024858434,0.00010310958],"category_scores_gemma":[0.000019858591,0.000624752,0.00029267525,0.000046189452,0.0020582867,0.00020719919,0.0004444237,0.00046353188,0.000016904967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006186479,0.000071968876,0.0039880136,0.0002033696,0.0017413235,0.00050696783,0.0020952804,0.0000016282329,0.000030091534,0.92469627,0.004850228,0.061196208],"study_design_scores_gemma":[0.0011278498,0.00041031346,0.0016820403,0.00028618713,0.00043189724,0.00002930363,0.0019187604,3.5872776e-7,0.00007075056,0.0001530502,0.9930537,0.00083579484],"about_ca_topic_score_codex":0.052548237,"about_ca_topic_score_gemma":0.0006594497,"teacher_disagreement_score":0.98820347,"about_ca_system_score_codex":0.00032215985,"about_ca_system_score_gemma":0.00009615496,"threshold_uncertainty_score":0.9996204},"labels":[],"label_agreement":null},{"id":"W4384817694","doi":"10.1007/s10465-023-09388-3","title":"Correction: Marian Chace Foundation 2022 Lecture &amp; Introduction from the 57th Annual American Dance Therapy Association Conference, Heartlines: Gathering Wisdom from Many Streams; Montreal, Canada","year":2023,"lang":"en","type":"article","venue":"American Journal of Dance Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Health psychology; Dance therapy; Foundation (evidence); Dance; Library science; Association (psychology); Psychology; Gerontology; History; Medicine; Public health; Art; Psychotherapist; Visual arts; Archaeology; Computer science","score_opus":0.013914083534845275,"score_gpt":0.26446751348458397,"score_spread":0.25055342994973867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384817694","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9746786,0.0007094502,0.0021649934,0.016586103,0.0051000663,0.0002122377,0.0002722232,0.000067205394,0.00020916935],"genre_scores_gemma":[0.9870719,0.004993769,0.00026990406,0.002121139,0.0037618657,0.000012287041,0.0001694622,0.000046419376,0.0015532676],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9972707,0.0006212319,0.000508701,0.00041206792,0.00070635165,0.00048096848],"domain_scores_gemma":[0.99663854,0.0006391933,0.0016762926,0.0005029678,0.00039832288,0.00014466414],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005410791,0.00031366854,0.0005944768,0.00010950641,0.00036345067,0.000121940844,0.0005482009,0.00006881563,0.00089014065],"category_scores_gemma":[0.00013459557,0.00025242285,0.00014726876,0.0010966199,0.00033738004,0.0004489348,0.000030619078,0.00067838974,0.00005142093],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022722937,0.00018242863,0.063912146,0.0000010503716,0.0010470501,0.000018941568,0.015903734,0.00094907737,0.0024337121,0.000021588849,0.1996745,0.71358347],"study_design_scores_gemma":[0.0021235123,0.0011964832,0.67025656,0.00005688345,0.000053307158,0.000025181105,0.027851218,0.0002303561,0.00032155056,0.00033678245,0.2971097,0.0004385211],"about_ca_topic_score_codex":0.52849233,"about_ca_topic_score_gemma":0.22652994,"teacher_disagreement_score":0.71314496,"about_ca_system_score_codex":0.00054299337,"about_ca_system_score_gemma":0.00042909113,"threshold_uncertainty_score":0.9999928},"labels":[],"label_agreement":null},{"id":"W4385319189","doi":"10.1080/19443927.2023.2220686","title":"‘It shouldn’t be necessary, but it happens a lot’: Undergraduate contemporary dancers’ perceptions of pain, injury, and fatigue","year":2023,"lang":"en","type":"article","venue":"Journal of Theatre Dance and Performance Training","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Society for Exercise Physiology; Parks Canada","funders":"","keywords":"Dance; Thematic analysis; Feeling; Reflexivity; Psychology; Physical therapy; Curriculum; Medicine; Qualitative research; Visual arts; Social psychology; Pedagogy; Sociology; Art","score_opus":0.118052775896147,"score_gpt":0.3487487057112142,"score_spread":0.2306959298150672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385319189","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9756801,0.0006425164,0.00023019458,0.010655321,0.0003846409,0.000114771734,0.00009480805,0.00002648071,0.012171168],"genre_scores_gemma":[0.99508834,0.0023964073,0.00022605414,0.0014425494,0.0001837163,0.0000024261035,0.000011531408,0.000019388784,0.00062957505],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9984795,0.00012838788,0.0005377984,0.00020767505,0.00029007898,0.00035658074],"domain_scores_gemma":[0.99887824,0.00021026644,0.00045134118,0.00020135297,0.000094948686,0.00016384255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011943802,0.00021024971,0.00047976847,0.00027147046,0.00025547494,0.00004953687,0.0002647313,0.00011468298,0.000114107126],"category_scores_gemma":[0.00003586262,0.00018577113,0.000108241584,0.00030968396,0.0003152872,0.00079001155,0.00006774489,0.00041692588,0.000010087635],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027967219,0.0002641996,0.44109315,0.00059144787,0.00084370334,0.00014925233,0.1570672,0.00036293975,0.0030517606,0.00044018435,0.19295608,0.20038337],"study_design_scores_gemma":[0.0059852703,0.0073494376,0.64063925,0.0029734846,0.0002827909,0.0005458514,0.29224464,0.0031149713,0.00025636968,0.0007105768,0.04485138,0.0010459913],"about_ca_topic_score_codex":0.00006441621,"about_ca_topic_score_gemma":0.000023632745,"teacher_disagreement_score":0.19954608,"about_ca_system_score_codex":0.000021836997,"about_ca_system_score_gemma":0.00011250834,"threshold_uncertainty_score":0.7575527},"labels":[],"label_agreement":null},{"id":"W4385350374","doi":"10.4324/9781003433774","title":"Creativity in Indian Dance","year":2023,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Creativity; Visual arts; Art; Psychology; Social psychology","score_opus":0.04793609665208863,"score_gpt":0.32262390341173025,"score_spread":0.2746878067596416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385350374","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009439381,0.00008432746,0.000009546064,0.00017296728,0.00082341937,0.00014659397,0.000105010586,0.00011908476,0.99759513],"genre_scores_gemma":[0.0017899993,0.000032303058,0.000022013994,0.00039137382,0.0001361481,0.0000054281,0.00006401445,0.000024489413,0.9975342],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991337,0.000038742783,0.00012716051,0.00029940179,0.00013202931,0.00026893138],"domain_scores_gemma":[0.9993715,0.00013108441,0.00007183977,0.0003476204,0.0000121489375,0.00006578171],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001518303,0.00015842967,0.00026498246,0.00020680399,0.000026489308,0.000017412536,0.0002831308,0.00035287705,0.006934977],"category_scores_gemma":[0.000030941646,0.00016675044,0.00006748124,0.00010851817,0.00007092892,0.00007545649,0.00008684669,0.00041187284,0.017675376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025626648,0.000058778787,0.003423849,0.000030045425,0.0000516346,0.00039861974,0.0014388257,3.848815e-7,4.0878513e-7,0.02492783,0.9641415,0.005502522],"study_design_scores_gemma":[0.0007325975,0.00013064624,0.14252284,0.0002473433,0.000018356572,0.0000073181513,0.00034951928,5.8566326e-7,0.0000031976253,0.013409623,0.8420884,0.000489574],"about_ca_topic_score_codex":0.00039277732,"about_ca_topic_score_gemma":0.000977677,"teacher_disagreement_score":0.139099,"about_ca_system_score_codex":0.00012672266,"about_ca_system_score_gemma":0.00010988185,"threshold_uncertainty_score":0.99397284},"labels":[],"label_agreement":null},{"id":"W4385364033","doi":"10.1080/23322551.2023.2210988","title":"Digital choreographies: the body as a site for gestural mapping","year":2023,"lang":"en","type":"article","venue":"Theatre & Performance Design","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"Fonds de recherche du Québec","keywords":"Computer science","score_opus":0.041335236570052294,"score_gpt":0.27922279927243104,"score_spread":0.23788756270237876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385364033","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93503946,0.00019253262,0.0009591848,0.0011895538,0.0006235837,0.0007270616,0.000059675138,0.0003469494,0.06086197],"genre_scores_gemma":[0.99006855,0.00012125219,0.00009395525,0.0004516937,0.0002403852,0.00007820729,0.000042454532,0.00002447823,0.008878998],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9988184,0.00004099411,0.0001594011,0.00025009387,0.00017845955,0.00055266736],"domain_scores_gemma":[0.9991625,0.0002712685,0.00006654968,0.00038934633,0.00003674698,0.00007358727],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003989354,0.00018111213,0.00016926354,0.00017266916,0.0004443247,0.00013267127,0.00040524759,0.00007811003,0.00014485355],"category_scores_gemma":[0.000018328237,0.00012791355,0.00013574689,0.0006263769,0.00015905757,0.00046713804,0.00006278889,0.00016090822,0.00295234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024053499,0.00029366327,0.080710985,0.0001576086,0.0007138961,0.000054340937,0.036875654,0.00051936926,0.0015626911,0.002295064,0.46101996,0.4133914],"study_design_scores_gemma":[0.0044040284,0.0033558102,0.51286817,0.0002757432,0.00018520493,0.00017017273,0.016308824,0.0056748935,0.0007829252,0.0027882326,0.45176768,0.0014183491],"about_ca_topic_score_codex":0.00001974102,"about_ca_topic_score_gemma":9.859334e-7,"teacher_disagreement_score":0.43215716,"about_ca_system_score_codex":0.000019323537,"about_ca_system_score_gemma":0.000027215267,"threshold_uncertainty_score":0.99782395},"labels":[],"label_agreement":null},{"id":"W4385386594","doi":"10.18280/ria.370317","title":"Natya Shastra: Deep Learning for Automatic Classification of Hand Mudra in Indian Classical Dance Videos","year":2023,"lang":"en","type":"article","venue":"Revue d intelligence artificielle","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Computer science; Artificial intelligence; Deep learning; Visual arts; Art","score_opus":0.07483252601590337,"score_gpt":0.33668536480652067,"score_spread":0.26185283879061727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385386594","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9620523,0.00016914545,0.031628013,0.00086130673,0.00051154895,0.00055438204,0.000015967778,0.000115758194,0.004091582],"genre_scores_gemma":[0.99602765,0.000028561024,0.00034010466,0.000036661266,0.000058575268,0.000059599806,0.00003054121,0.00001821865,0.0034000743],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9984891,0.00009310348,0.00048629605,0.0003681593,0.00014314777,0.00042018417],"domain_scores_gemma":[0.9988279,0.0004917464,0.00020495435,0.00032028518,0.00007270896,0.00008240703],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005505401,0.00013842818,0.0002688116,0.00028530144,0.00014979462,0.00004030631,0.00033175084,0.00014824513,0.00043173038],"category_scores_gemma":[0.00043298843,0.00015390101,0.00010611984,0.00084836496,0.00019988832,0.00017054073,0.00004829287,0.00025907028,0.0009875878],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034273718,0.0011767632,0.03888499,0.0009488337,0.00013145662,0.00008808999,0.06523263,0.030954212,0.03856698,0.036119435,0.004602,0.7829519],"study_design_scores_gemma":[0.0005149755,0.00083105185,0.13766786,0.0006254976,0.000043657506,0.000021789523,0.033522476,0.7882457,0.023017935,0.0032694007,0.011655716,0.00058395043],"about_ca_topic_score_codex":0.000039743212,"about_ca_topic_score_gemma":0.00007125242,"teacher_disagreement_score":0.78236794,"about_ca_system_score_codex":0.000055950284,"about_ca_system_score_gemma":0.000030726198,"threshold_uncertainty_score":0.99979025},"labels":[],"label_agreement":null},{"id":"W4385490881","doi":"10.7202/1102387ar","title":"Practice-Based Pedagogies for Counter-Memorial Performance: Teaching to Address and Shift “Plantation Energy”","year":2023,"lang":"en","type":"article","venue":"Performance Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Embodied cognition; Sociology; Liberal arts education; Dialogic; Dance; Critical practice; Class (philosophy); Pedagogy; The arts; Critical pedagogy; Power (physics); Visual arts; Higher education; Social science; Epistemology; Political science; Law; Art","score_opus":0.03700229562051603,"score_gpt":0.34202399342857204,"score_spread":0.305021697808056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385490881","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98651224,0.000018970608,0.0010616698,0.0060008806,0.0020105077,0.00028868698,0.0000864737,0.00019447067,0.003826109],"genre_scores_gemma":[0.99079907,0.00003757751,0.00047185327,0.0069217007,0.00037059133,0.00010050394,0.00010266165,0.000024979749,0.0011710646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988105,0.000046222634,0.00018620373,0.0002958692,0.00022396116,0.00043722452],"domain_scores_gemma":[0.9992577,0.00027995053,0.00010665153,0.00021470455,0.000042794207,0.00009823486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049098517,0.00017189603,0.00017216204,0.00023495701,0.0003814809,0.00012100375,0.00020568958,0.00007295885,0.000091691225],"category_scores_gemma":[0.00005489938,0.00017426092,0.000039635368,0.00014901866,0.00005510585,0.00073043146,0.000060427694,0.00014346198,0.000288785],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.012082447,0.00042156817,0.09574403,0.0014917278,0.00038480302,0.000039846735,0.056579005,0.005275346,0.0011804792,0.0019160376,0.6532155,0.17166916],"study_design_scores_gemma":[0.007117188,0.0024937768,0.37341127,0.00045225475,0.00021241048,0.00004162993,0.011282792,0.012783631,0.0019183353,0.000036071197,0.58902013,0.0012305187],"about_ca_topic_score_codex":0.00012326516,"about_ca_topic_score_gemma":0.000010118891,"teacher_disagreement_score":0.27766725,"about_ca_system_score_codex":0.000047553436,"about_ca_system_score_gemma":0.000031421838,"threshold_uncertainty_score":0.7106154},"labels":[],"label_agreement":null},{"id":"W4385498195","doi":"10.7202/1102396ar","title":"Researching Spontaneous Doing: Random Dance as Decolonial Praxis in Dancing Grandmothers","year":2023,"lang":"en","type":"article","venue":"Performance Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Embodied cognition; Praxis; Aesthetics; Visual arts; Choreography; Sociology; Narrative; Psychology; Art; Literature; Epistemology; Philosophy","score_opus":0.018229125190638254,"score_gpt":0.31212328639438663,"score_spread":0.2938941612037484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385498195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9778671,0.00004135413,0.000049129678,0.0024895195,0.0008087178,0.00029935507,0.000008929345,0.00016145795,0.018274385],"genre_scores_gemma":[0.99418974,0.00007153819,0.00011231213,0.0017613133,0.00009669386,0.000030622927,0.000009466098,0.000028633896,0.003699693],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99819165,0.000115372975,0.00024509736,0.00035515943,0.0003139865,0.0007787029],"domain_scores_gemma":[0.9992248,0.00023621005,0.000078682904,0.00032803178,0.00001932381,0.000112954076],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008867844,0.00017198145,0.0002489953,0.00037510032,0.0002360886,0.00006874308,0.0004027049,0.00007876302,0.00064371334],"category_scores_gemma":[0.000059937287,0.00017733447,0.00006693937,0.00060315547,0.00011830556,0.0003564397,0.00010525274,0.0003678569,0.0032160687],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.015726475,0.00050850766,0.5878108,0.0006645294,0.00033411873,0.008922379,0.10816691,0.009563292,0.0051321974,0.0006113126,0.12502603,0.13753343],"study_design_scores_gemma":[0.018452274,0.0010109665,0.86671376,0.0008138084,0.00004088554,0.0010108369,0.0079326285,0.0051800734,0.00095914485,0.00024590813,0.09630363,0.001336102],"about_ca_topic_score_codex":0.0006118647,"about_ca_topic_score_gemma":0.00017437896,"teacher_disagreement_score":0.27890292,"about_ca_system_score_codex":0.00012985522,"about_ca_system_score_gemma":0.000042879612,"threshold_uncertainty_score":0.99756},"labels":[],"label_agreement":null},{"id":"W4385558395","doi":"10.1386/chor_00057_7","title":"The amputee dancer: A conversation (and more) with Lawrence Shapiro","year":2023,"lang":"en","type":"article","venue":"Choreographic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Dance; Miller; Visual arts; The arts; Art history; Art; Sociology; History; Communication","score_opus":0.041006585583406405,"score_gpt":0.33557103006991607,"score_spread":0.29456444448650965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385558395","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9678116,0.0014329011,0.00006773181,0.013594983,0.00052692264,0.00025220172,0.000011640299,0.00022350586,0.016078515],"genre_scores_gemma":[0.99628824,0.0020339966,0.000085577296,0.00048427092,0.00008720128,0.00002667529,0.000008825031,0.000010570052,0.0009746239],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990271,0.00008944175,0.000103685954,0.00027732627,0.00022111164,0.00028135066],"domain_scores_gemma":[0.99853337,0.0006920175,0.00032845137,0.00031437393,0.00005315194,0.00007864065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004803015,0.000113574904,0.000100077865,0.00010936775,0.000383325,0.00017638477,0.00026059104,0.00006082824,0.00006945825],"category_scores_gemma":[0.00017300897,0.000076413344,0.00003166701,0.0006939942,0.00047745355,0.000622496,0.0000630161,0.00020599905,0.00016242347],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016820381,0.00023839712,0.75013274,0.00008342447,0.0010543036,0.00020124028,0.02895329,0.000014361121,0.0002834754,0.04996903,0.0664094,0.10097827],"study_design_scores_gemma":[0.0008027837,0.00027001978,0.7987177,0.00003331442,0.00008292097,0.000033830805,0.009332346,0.0001268263,0.000025218971,0.0007802342,0.18960305,0.00019178199],"about_ca_topic_score_codex":0.00033115913,"about_ca_topic_score_gemma":0.000108161985,"teacher_disagreement_score":0.12319365,"about_ca_system_score_codex":0.0000070891124,"about_ca_system_score_gemma":0.000023626604,"threshold_uncertainty_score":0.31160456},"labels":[],"label_agreement":null},{"id":"W4385558628","doi":"10.1080/10486801.2023.2173590","title":"On the Edge: Straddling (Anti)normativity in Queer Performance","year":2023,"lang":"en","type":"article","venue":"Contemporary Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Gender studies; Mainstream; Oppression; Complicity; Sociology; Aesthetics; Political science; Art; Politics; Law","score_opus":0.09091670992375206,"score_gpt":0.3223308513384394,"score_spread":0.23141414141468736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385558628","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3674552,0.10716019,0.000010107395,0.01156218,0.00075111847,0.0010736414,0.000040640905,0.00019767748,0.5117492],"genre_scores_gemma":[0.97680974,0.018578148,0.0000023344303,0.0031471327,0.00004850019,0.000029329321,0.000014586119,0.000012824195,0.0013574141],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870014,0.00035156865,0.00028337917,0.00021870046,0.00017269416,0.00027354213],"domain_scores_gemma":[0.9989581,0.00034290864,0.00010717159,0.0005190683,0.000017698654,0.00005505301],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012472727,0.00016356424,0.00034634097,0.00007922922,0.00011035955,0.000021134736,0.00038436774,0.000056294903,0.0007904084],"category_scores_gemma":[0.00005338132,0.00010827779,0.000115864146,0.0005879359,0.0000667701,0.0002558921,0.000066184606,0.00032831205,0.004026676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086410466,0.00027578796,0.046066903,0.0027600196,0.00015176974,0.00015427358,0.0018987361,0.000011406592,0.000014930618,0.012153069,0.70183855,0.23458815],"study_design_scores_gemma":[0.0011944566,0.00037743401,0.1837971,0.018216863,0.00005876177,0.000024962574,0.0007530892,0.00013909282,0.00004990509,0.0008452434,0.79386884,0.0006742244],"about_ca_topic_score_codex":0.000052753723,"about_ca_topic_score_gemma":0.0000031041145,"teacher_disagreement_score":0.6093545,"about_ca_system_score_codex":0.000024067003,"about_ca_system_score_gemma":0.000050836392,"threshold_uncertainty_score":0.9967488},"labels":[],"label_agreement":null},{"id":"W4385737351","doi":"10.3390/arts12040173","title":"Kafka’s Ape Meets the Natyashastra","year":2023,"lang":"en","type":"article","venue":"Arts","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Appropriation; Aesthetics; Sociology; Framing (construction); Politics; Hegemony; The arts; Ambivalence; Dance; Performing arts; Theme (computing); Realism; Media studies; Literature; History; Visual arts; Art; Epistemology; Philosophy; Psychology; Political science; Law","score_opus":0.07752948852424779,"score_gpt":0.3419179817775288,"score_spread":0.264388493253281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385737351","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.605854,0.000070687405,0.0000089611285,0.01245488,0.0012580609,0.00008733345,0.000012871459,0.0001660649,0.38008717],"genre_scores_gemma":[0.9818197,0.0000061620567,0.000012889511,0.0014017752,0.00010212793,0.0000036747517,0.000005012991,0.0000056252848,0.016643018],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995024,0.000025801117,0.000053166714,0.00011130165,0.000098339246,0.00020896614],"domain_scores_gemma":[0.99962705,0.000070812064,0.000020537162,0.00023017103,0.00001062417,0.000040801147],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013701848,0.000051413375,0.000052724263,0.000030899282,0.000117396885,0.000021788239,0.00018579113,0.000033105123,0.0019173918],"category_scores_gemma":[0.000023830029,0.000037689817,0.000038029837,0.00015373288,0.000051810064,0.00006612581,0.00004886606,0.00007708376,0.01635106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019003177,0.00004360075,0.0024412747,0.000002318121,0.00004932369,0.00006510627,0.00439382,0.000006713737,0.00017631428,0.031840887,0.9479855,0.012976186],"study_design_scores_gemma":[0.00028329037,0.000050499293,0.27199727,0.0000059906984,0.000009099837,0.000009485373,0.0009028508,0.000009452063,0.00007521312,0.0010263603,0.7255551,0.00007535498],"about_ca_topic_score_codex":0.000046210596,"about_ca_topic_score_gemma":0.000012348013,"teacher_disagreement_score":0.37596574,"about_ca_system_score_codex":0.000005541104,"about_ca_system_score_gemma":0.0000067727547,"threshold_uncertainty_score":0.998995},"labels":[],"label_agreement":null},{"id":"W4385744473","doi":"10.59962/9780774823869-003","title":"Acknowledgments","year":2012,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Birmingham; University of Windsor; American Philosophical Society; University of British Columbia; Wenner-Gren Foundation","keywords":"Political science","score_opus":0.03119637801473732,"score_gpt":0.2192153712248353,"score_spread":0.188018993210098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385744473","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012557389,0.0014136647,0.000019279669,0.000002816105,0.00080342987,0.0003247635,0.0013811922,0.000086963555,0.9947122],"genre_scores_gemma":[0.0069175498,0.00021115078,0.00011190983,0.000038951835,0.00012678935,2.0470578e-7,0.000043767854,0.000037159374,0.9925125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987326,0.000033824555,0.00017249842,0.00039784308,0.00028989764,0.00037333008],"domain_scores_gemma":[0.99876535,0.000038319602,0.00031308527,0.00048927986,0.00017219539,0.00022179248],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009891506,0.00016322336,0.00046598987,0.00005188051,0.00016055547,0.000064490705,0.00065817044,0.0005372469,0.015076043],"category_scores_gemma":[0.00000468382,0.00044142918,0.0002666642,0.000005773049,0.00045786973,0.00012335464,0.0003843447,0.00038168026,0.00052475475],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076525386,0.00014026967,0.00027496312,0.0001305216,0.0007575337,0.00042431284,0.0010323983,1.06693165e-7,0.000004546466,0.0075974185,0.8249928,0.1645686],"study_design_scores_gemma":[0.001033937,0.000103098704,0.0030387219,0.00040369423,0.00031258733,0.000041492163,0.00011884723,2.5558458e-7,0.0000011120194,0.0005602448,0.99397635,0.00040967326],"about_ca_topic_score_codex":0.06884232,"about_ca_topic_score_gemma":0.030282818,"teacher_disagreement_score":0.16898353,"about_ca_system_score_codex":0.0000822677,"about_ca_system_score_gemma":0.00004878819,"threshold_uncertainty_score":0.9998037},"labels":[],"label_agreement":null},{"id":"W4385991468","doi":"10.1016/b978-0-323-99765-2.00007-0","title":"Instructions for the deliberate practice exercises","year":2023,"lang":"en","type":"book-chapter","venue":"Elsevier eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Addiction and Mental Health; University of Toronto; Joseph Brant Hospital","funders":"","keywords":"Psychology; Computer science","score_opus":0.05300491376644563,"score_gpt":0.31694183072511617,"score_spread":0.26393691695867055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385991468","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000005675756,0.0008405539,0.00003463749,0.0010502529,0.005092551,0.00089374505,0.00031721496,0.0001532518,0.99161214],"genre_scores_gemma":[0.00003458503,0.00033529996,0.0003709175,0.0015062178,0.0006523707,0.00011085213,0.000027413125,0.000089887144,0.9968725],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882007,0.000027907736,0.0002613197,0.0003678053,0.00021376321,0.00030913265],"domain_scores_gemma":[0.9980011,0.00080811995,0.0002717881,0.000652035,0.0001832116,0.000083753504],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002992004,0.0002827182,0.0003027261,0.0001031835,0.000426601,0.00008719215,0.00043001684,0.00030992454,0.0008911933],"category_scores_gemma":[0.00010983654,0.00022618781,0.0002680723,0.000018757235,0.00019887222,0.00010054914,0.000117180934,0.00047860784,0.0025603832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010702489,0.000008851251,4.5752466e-7,0.000021350297,0.00039215168,0.00001663476,0.0007211103,8.7192376e-7,7.1289537e-7,0.06929792,0.021066237,0.9083667],"study_design_scores_gemma":[0.00035698165,0.000085853164,0.000034862278,0.000092416514,0.000588519,0.00003905213,0.00027304332,0.0000011313571,0.0000022442152,0.010244383,0.98802686,0.00025465665],"about_ca_topic_score_codex":0.000003950693,"about_ca_topic_score_gemma":0.00002336395,"teacher_disagreement_score":0.9669606,"about_ca_system_score_codex":0.000043179738,"about_ca_system_score_gemma":0.00007666563,"threshold_uncertainty_score":0.9982162},"labels":[],"label_agreement":null},{"id":"W4386131094","doi":"10.1515/9783839462836-008","title":"Dancing Relational Bodyhood","year":2023,"lang":"en","type":"book-chapter","venue":"transcript Verlag eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.08147482520269528,"score_gpt":0.27014397164163917,"score_spread":0.1886691464389439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386131094","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00022020307,0.00021171162,0.00022425708,0.00015159477,0.0031549248,0.00030565922,0.0003976189,0.00043087272,0.99490315],"genre_scores_gemma":[0.009522165,0.00001522331,0.00010726663,0.00055411796,0.00044272005,0.000009382268,0.00012012608,0.00013609065,0.9890929],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981046,0.000025942385,0.0003751393,0.0005673703,0.00046966274,0.00045732103],"domain_scores_gemma":[0.9989728,0.00008650202,0.00015315023,0.000547827,0.0000640334,0.00017571315],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018387314,0.0004234111,0.00044443834,0.0002425365,0.00021330916,0.000037859216,0.00037916665,0.0006457101,0.0055101584],"category_scores_gemma":[0.000008502081,0.00048631718,0.00038260146,0.000019481775,0.00016754105,0.0000842842,0.000037107,0.0008134117,0.009076472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014145569,0.0000206289,0.000019334922,0.000055848075,0.0004384827,0.00022329258,0.0032540718,0.000001293118,0.00017515472,0.9356886,0.054625627,0.005356209],"study_design_scores_gemma":[0.0014345861,0.00025423453,0.0015120863,0.00038007827,0.000335343,0.000033956207,0.0001670878,0.0000024262824,0.00003400925,0.05628183,0.93875474,0.0008095987],"about_ca_topic_score_codex":0.00004281259,"about_ca_topic_score_gemma":0.0000339862,"teacher_disagreement_score":0.8841291,"about_ca_system_score_codex":0.00008335597,"about_ca_system_score_gemma":0.00009488612,"threshold_uncertainty_score":0.99975884},"labels":[],"label_agreement":null},{"id":"W4386154767","doi":"10.18432/ari29695","title":"Nuts","year":2023,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Visual arts; Autoethnography; Art; The arts; Journaling file system; Aesthetics; Painting; Sociology; Anthropology; Computer science","score_opus":0.2220413119076111,"score_gpt":0.507756945740364,"score_spread":0.2857156338327529,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386154767","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64583784,0.000094684474,0.00036936215,0.02880632,0.0035393327,0.00014530872,0.00006962206,0.00012219057,0.32101536],"genre_scores_gemma":[0.92117614,0.00015605698,0.000120775374,0.00015214738,0.000996524,0.000014201239,0.00003809299,0.000020889667,0.0773252],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99723697,0.00025931167,0.0002727749,0.0002713729,0.001229607,0.0007299432],"domain_scores_gemma":[0.9987976,0.0002833509,0.000053122978,0.00020364196,0.00032831417,0.00033395772],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0021350568,0.0001229272,0.00013357354,0.0008111444,0.00067537505,0.00021291319,0.0009964873,0.00008334548,0.0148042],"category_scores_gemma":[0.000081232334,0.00011329226,0.00016744531,0.0006887231,0.00024047632,0.0005689794,0.00018141847,0.0009858917,0.023059076],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065263035,0.00053281966,0.0054412996,0.000008723104,0.00039293032,0.0023915,0.025261058,0.00010686534,0.0008679827,0.01996173,0.9348964,0.009486061],"study_design_scores_gemma":[0.004129471,0.0012658153,0.3779364,0.00017375339,0.000023178653,0.002098231,0.0262718,0.00076985685,0.00018529112,0.06768906,0.5189526,0.00050455326],"about_ca_topic_score_codex":0.000006061652,"about_ca_topic_score_gemma":0.000009790778,"teacher_disagreement_score":0.4159438,"about_ca_system_score_codex":0.00011019857,"about_ca_system_score_gemma":0.000092358205,"threshold_uncertainty_score":0.9860964},"labels":[],"label_agreement":null},{"id":"W4386327353","doi":"10.52230/kwrb7252","title":"'Aaron Glass, Writing the Hamatsa: Ethnography, Colonialism, and the Cannibal Dance'","year":2023,"lang":"en","type":"article","venue":"Journal of Australian Canadian and Aotearoa New Zealand Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ethnography; Colonialism; Art; Sociology; History; Literature; Visual arts; Anthropology; Archaeology","score_opus":0.0564881191755114,"score_gpt":0.32872064950328805,"score_spread":0.27223253032777667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386327353","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61456114,0.001185024,6.053343e-8,0.38247332,0.0008401426,0.00012155129,0.000042523596,0.000010253969,0.00076599204],"genre_scores_gemma":[0.74543625,0.0029066333,0.00003618796,0.0021958929,0.0009153511,0.0000027356746,0.00000215859,0.00001612163,0.2484887],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885577,0.00011927057,0.00027676366,0.00013001788,0.0001830895,0.00043507718],"domain_scores_gemma":[0.9990588,0.00022058863,0.00018306811,0.00012671342,0.00007236683,0.00033849347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008447981,0.00014759858,0.00032705747,0.00016950683,0.00053501874,0.0001429978,0.00021195567,0.00007749852,0.000035701287],"category_scores_gemma":[0.000085734224,0.000083641105,0.00009479791,0.00030227113,0.0006285215,0.00012746736,0.000042542073,0.00039623558,0.000013988877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010728551,0.000004434476,0.016057732,0.000009426183,0.00038568903,0.00012465366,0.023318388,0.0000030807762,0.000003887301,0.0006091007,0.95676047,0.0026158586],"study_design_scores_gemma":[0.0017999356,0.00015196083,0.27797896,0.00007758782,0.000103580795,0.00018374002,0.019136664,0.0000019538618,0.0000022835432,0.0015279342,0.69892925,0.00010613498],"about_ca_topic_score_codex":0.05629225,"about_ca_topic_score_gemma":0.0445871,"teacher_disagreement_score":0.38027743,"about_ca_system_score_codex":0.000039805367,"about_ca_system_score_gemma":0.00014392403,"threshold_uncertainty_score":0.9728467},"labels":[],"label_agreement":null},{"id":"W4386752373","doi":"10.1017/s0149767723000220","title":"Crowded White Spaces: Dîner en Blanc and the Place-Based Contingencies of Choreography","year":2023,"lang":"en","type":"article","venue":"Dance Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Picnic; Choreography; Event (particle physics); Visual arts; Art; Aesthetics; Cartography; Geography; Dance","score_opus":0.06901367626731986,"score_gpt":0.39169174961304865,"score_spread":0.3226780733457288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386752373","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9807707,0.0015750341,0.00012563948,0.006529396,0.00026524364,0.00021361232,0.00003515229,0.00002282482,0.010462418],"genre_scores_gemma":[0.9947285,0.0008790707,0.00015113386,0.00012844054,0.00023355498,0.000009691252,0.000003240363,0.000012445279,0.0038539274],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9975609,0.00085593207,0.00019408394,0.00016475488,0.0006663797,0.0005579437],"domain_scores_gemma":[0.998213,0.0010122455,0.00011752125,0.00025993973,0.00025144508,0.00014587886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005571606,0.00009360295,0.00020620662,0.00040294495,0.00041102016,0.00015692433,0.00046927886,0.00007010024,0.00032957888],"category_scores_gemma":[0.0007369203,0.00006252285,0.00010387575,0.0008523849,0.0010712004,0.00012448565,0.00011251728,0.0007014381,0.00007883941],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005532173,0.000253588,0.47458354,0.0001506776,0.0006305812,0.0002654308,0.03094686,0.00020675581,0.0028651233,0.009447642,0.46530592,0.009811734],"study_design_scores_gemma":[0.009848659,0.00070305413,0.88954455,0.00036627628,0.000035925525,0.000099733676,0.027168233,0.0004467714,0.0008015108,0.0022530262,0.06846255,0.00026970907],"about_ca_topic_score_codex":0.00006676817,"about_ca_topic_score_gemma":0.000020174224,"teacher_disagreement_score":0.414961,"about_ca_system_score_codex":0.000019385941,"about_ca_system_score_gemma":0.00009659554,"threshold_uncertainty_score":0.39468822},"labels":[],"label_agreement":null},{"id":"W4386764370","doi":"10.26443/arc.v32i.1018","title":"Nutcracker","year":2004,"lang":"en","type":"article","venue":"Arc The Journal of the School of Religious Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Medicine","score_opus":0.028036407560974697,"score_gpt":0.3150404478042838,"score_spread":0.2870040402433091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386764370","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9561704,0.0235134,0.000030789284,0.011860185,0.0016525373,0.000104024984,0.00000421969,0.0000072161547,0.0066572637],"genre_scores_gemma":[0.9926687,0.0047415053,0.000157384,0.0010590162,0.00018659445,4.5763696e-7,3.2118773e-8,0.000007803089,0.001178494],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99893236,0.00013562935,0.00034357954,0.00006195514,0.0003268134,0.00019967863],"domain_scores_gemma":[0.998545,0.00018865445,0.0005787216,0.00036095266,0.00026969356,0.00005701643],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006618979,0.00011161245,0.00027990428,0.00005654833,0.00020298001,0.000009098684,0.00078003877,0.00003863808,0.000039646693],"category_scores_gemma":[0.00047855303,0.000052588835,0.00024174583,0.00017054655,0.00030943507,0.0001001006,0.00019673143,0.00036072885,0.00016889125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011925051,0.00039633826,0.03394943,0.000048993585,0.0040098624,0.000056339024,0.035145197,0.0010608527,0.0021445449,0.003137163,0.9179167,0.0009420452],"study_design_scores_gemma":[0.011425698,0.0035286369,0.5590388,0.0017132115,0.0023464304,0.0024093883,0.085588686,5.4040066e-7,0.010063263,0.276051,0.047118478,0.0007158488],"about_ca_topic_score_codex":0.00009249599,"about_ca_topic_score_gemma":0.000013239002,"teacher_disagreement_score":0.87079823,"about_ca_system_score_codex":0.000070592294,"about_ca_system_score_gemma":0.000062578336,"threshold_uncertainty_score":0.21708116},"labels":[],"label_agreement":null},{"id":"W4386769022","doi":"10.1080/15290824.2023.2234897","title":"“In the Land of Dance”: Unpacking Sexualization and the Wellbeing of Girls in Competitive Dance","year":2023,"lang":"en","type":"article","venue":"Journal of Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University; Brock University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Sexualization; Dance; Objectification; Scholarship; Gender studies; Sociology; Identity (music); Choreography; Ethnography; Psychology; Human sexuality; Visual arts; Anthropology; Aesthetics; Art; Law; Political science","score_opus":0.020351078702500518,"score_gpt":0.3369669738473943,"score_spread":0.3166158951448938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386769022","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9928866,0.00096553477,0.0001431691,0.0024817162,0.00077302835,0.00013375434,0.0000043715218,0.0000018819072,0.0026099535],"genre_scores_gemma":[0.9990492,0.0003272517,0.00009304204,0.00021575423,0.00013797476,0.0000025784886,0.0000022069964,0.000004184558,0.00016779745],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9990156,0.00025829038,0.0003481764,0.00007920125,0.00018710239,0.00011158989],"domain_scores_gemma":[0.9988235,0.0003538007,0.0005652422,0.00013160342,0.00010908909,0.00001676496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012808536,0.0000618571,0.00019129505,0.00016496747,0.000040335137,0.0000149032085,0.00021165604,0.00003542326,0.000016225955],"category_scores_gemma":[0.0002282352,0.000042150226,0.000030939056,0.000520283,0.00013664454,0.00029975572,0.000018509156,0.00016570832,0.0000027614196],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005180929,0.00043039385,0.8477253,0.00014158276,0.000053840384,0.000007150299,0.094774775,0.00059297093,0.001269907,0.045427226,0.0037373828,0.005321405],"study_design_scores_gemma":[0.0012824456,0.00008711373,0.970999,0.000441341,0.000018848516,0.000021828677,0.023543539,0.0000672476,0.000294696,0.002283772,0.0009078017,0.00005236069],"about_ca_topic_score_codex":0.00015121416,"about_ca_topic_score_gemma":0.00007918784,"teacher_disagreement_score":0.12327373,"about_ca_system_score_codex":0.000031522948,"about_ca_system_score_gemma":0.000086369815,"threshold_uncertainty_score":0.17188363},"labels":[],"label_agreement":null},{"id":"W4386804712","doi":"10.36948/ijfmr.2023.v05i05.6499","title":"Evolution and Degeneration of Indian Classical Dance: A Critical Study","year":2023,"lang":"en","type":"article","venue":"International Journal For Multidisciplinary Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"La Cité Collégiale","funders":"","keywords":"Dance; Ideology; Hinduism; Originality; Period (music); Aesthetics; History; Sociology; Art; Literature; Law; Philosophy; Anthropology; Political science; Politics; Religious studies","score_opus":0.19770845712429017,"score_gpt":0.540990315956838,"score_spread":0.3432818588325478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386804712","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99267876,0.00008346817,0.00048004425,0.0038817807,0.0017617225,0.0003013609,0.00006675373,0.00001814277,0.0007279593],"genre_scores_gemma":[0.9976316,0.000019653542,0.0002036769,0.000007683308,0.0005777378,0.000029422958,0.000015942485,0.000010044191,0.0015042573],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998178,0.00025175166,0.00025839783,0.00020909526,0.00079608016,0.00030665303],"domain_scores_gemma":[0.9982061,0.0006796906,0.000057057587,0.00011132272,0.00080367486,0.00014215031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018947127,0.00007324314,0.00011822246,0.0005855414,0.0004110208,0.000093385686,0.00035226162,0.00007443582,0.00012660834],"category_scores_gemma":[0.00071553147,0.00006802649,0.000062671614,0.00027848102,0.00024206979,0.00030786078,0.00020276773,0.00038105441,0.000070594295],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008729223,0.006777837,0.675132,0.00012356033,0.0009358452,0.0015067996,0.058677763,0.0003933611,0.017966846,0.10190405,0.09806132,0.029791404],"study_design_scores_gemma":[0.003447592,0.0029332652,0.9393031,0.000101252925,0.000018772149,0.00023624302,0.034043435,0.0033342722,0.00028314395,0.0151552055,0.0009774562,0.00016626906],"about_ca_topic_score_codex":0.00004499478,"about_ca_topic_score_gemma":0.000030179219,"teacher_disagreement_score":0.2641711,"about_ca_system_score_codex":0.0001260941,"about_ca_system_score_gemma":0.00009159556,"threshold_uncertainty_score":0.3161281},"labels":[],"label_agreement":null},{"id":"W4386987260","doi":"10.32370/ia_2023_09_10","title":"Ballroom Dance in the Soviet Ukraine from the End of 1950s to 1980s","year":2023,"lang":"en","type":"article","venue":"Intellectual Archive","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballroom; Dance; Choreography; Studio; Art; Political science; Visual arts","score_opus":0.04393941494767958,"score_gpt":0.3086196733260997,"score_spread":0.26468025837842013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386987260","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8995563,0.00018633476,0.00068486977,0.006730909,0.00054723537,0.0004324041,0.00054080656,0.000042651223,0.091278486],"genre_scores_gemma":[0.9962375,0.000042680684,0.00011199652,0.002463798,0.00013848837,0.000023806471,0.00004148119,0.000009427538,0.00093079504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881506,0.00027055645,0.0001818256,0.00022738974,0.00020669408,0.00029849116],"domain_scores_gemma":[0.99408686,0.005382905,0.00004629794,0.00042179562,0.000016401398,0.000045752233],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003022011,0.00011479567,0.00016323458,0.000095197865,0.00008429786,0.000019753388,0.00088035694,0.00003406584,0.0024836482],"category_scores_gemma":[0.00095786946,0.000071377704,0.00007758512,0.00055454293,0.00022895247,0.000039480303,0.00020256598,0.00027569142,0.0029333683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049166515,0.00015154784,0.0021995998,0.0000047398667,0.000099129466,0.000039115228,0.43041375,0.000056253677,0.0011228133,0.0045118956,0.53686476,0.024044704],"study_design_scores_gemma":[0.0011289745,0.0010212186,0.4278629,0.00014643565,0.00003882491,0.00001308873,0.047726404,0.0002492197,0.0009402273,0.0146299405,0.5058804,0.00036233268],"about_ca_topic_score_codex":0.0026873576,"about_ca_topic_score_gemma":0.001166076,"teacher_disagreement_score":0.42566332,"about_ca_system_score_codex":0.000009058813,"about_ca_system_score_gemma":0.000026444834,"threshold_uncertainty_score":0.9984282},"labels":[],"label_agreement":null},{"id":"W4387223404","doi":"10.3138/md-66-3-1086","title":"Touching Back while Black: Self-Defence and the Politics of Black US Citizenship in Paul Green’s <i>In Abraham’s Bosom</i>","year":2023,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performative utterance; Politics; Citizenship; Critical race theory; Sociology; Aesthetics; Gender studies; Autonomy; White supremacy; Power (physics); Period (music); White (mutation); Sensibility; Black Power; Race (biology); Political science; Art; Law","score_opus":0.027506447842184176,"score_gpt":0.26528763652296866,"score_spread":0.2377811886807845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387223404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95406014,0.00015640179,0.000059444323,0.002320103,0.00013455303,0.0002581149,0.00005906661,0.000059118793,0.042893033],"genre_scores_gemma":[0.9942902,0.000063546664,0.00007187851,0.00094564667,0.00005990594,0.000004911261,0.0000071901263,0.000019676701,0.0045370697],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9984303,0.0002123398,0.0002972383,0.00031753234,0.00021614054,0.0005264164],"domain_scores_gemma":[0.9990059,0.00035834324,0.00010124813,0.0004171207,0.000031910473,0.00008546991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047868284,0.00016780986,0.00031529902,0.00015231158,0.00006959566,0.0000451308,0.00035696704,0.00013961607,0.0001366095],"category_scores_gemma":[0.000063562926,0.00014765607,0.0000669605,0.0003417476,0.00038090162,0.000120392484,0.0001814387,0.0003198334,0.00040566552],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011383718,0.00077888375,0.56466067,0.0006728462,0.0003620108,0.0005673984,0.27685583,0.0021510252,0.0006335558,0.09191375,0.055888567,0.004377099],"study_design_scores_gemma":[0.013886503,0.00030419728,0.77890456,0.0004120359,0.00008522498,0.000039498223,0.010836217,0.030557837,0.00029467166,0.16124442,0.002540017,0.0008948124],"about_ca_topic_score_codex":0.0012360105,"about_ca_topic_score_gemma":0.0003275524,"teacher_disagreement_score":0.2660196,"about_ca_system_score_codex":0.00004805594,"about_ca_system_score_gemma":0.000033467983,"threshold_uncertainty_score":0.602124},"labels":[],"label_agreement":null},{"id":"W4387297099","doi":"10.2519/jospt.2023.11835","title":"Relationships Between Common Preseason Screening Measures and Dance-Related Injuries in Preprofessional Ballet Dancers","year":2023,"lang":"en","type":"article","venue":"Journal of Orthopaedic and Sports Physical Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Running Injury Clinic; University of Calgary; Alberta Bone and Joint Health Institute; Alberta Children's Hospital","funders":"","keywords":"Dance; Ballet; Classical ballet; Physical therapy; Psychology; Poisson regression; Balance (ability); Ankle; Medicine; Population; Surgery; Art","score_opus":0.06817947610776467,"score_gpt":0.3455813945356425,"score_spread":0.27740191842787787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387297099","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99637395,0.0013697154,0.000038661805,0.00088304706,0.00017863399,0.0001221716,0.000010135423,0.000022407772,0.0010012877],"genre_scores_gemma":[0.99840444,0.00082106463,0.000049778246,0.00005291914,0.00022610501,0.0000022653894,0.000007111035,0.000011785251,0.00042455137],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9985985,0.00022012298,0.00034772177,0.00017630136,0.0004330489,0.00022429756],"domain_scores_gemma":[0.99907476,0.00029117122,0.00029321338,0.000121913086,0.00005269583,0.00016626458],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011079698,0.00013277413,0.00036847906,0.00017789655,0.00016766343,0.000023792389,0.00011750241,0.000108347995,0.00005253192],"category_scores_gemma":[0.000059951824,0.000104540784,0.00009641032,0.0003229791,0.00019708309,0.00035480503,0.00004383482,0.0006861355,0.0000032432383],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005832146,0.00009688401,0.91617644,0.000007066165,0.00010837689,0.000060662613,0.005137163,0.000031050346,0.00004642217,0.0005855508,0.0014210098,0.075746164],"study_design_scores_gemma":[0.0017260353,0.00025289622,0.98979336,0.00017627604,0.000020593012,0.000009886505,0.0013579866,0.000042761407,0.000012276442,0.0041074385,0.0023903742,0.00011011812],"about_ca_topic_score_codex":0.000020983833,"about_ca_topic_score_gemma":0.0000024823387,"teacher_disagreement_score":0.075636044,"about_ca_system_score_codex":0.000014277061,"about_ca_system_score_gemma":0.000039006303,"threshold_uncertainty_score":0.42630497},"labels":[],"label_agreement":null},{"id":"W4387331686","doi":"10.4324/9781003300175","title":"Women’s Amateur Theatre in Rural Britain, 1919–1945","year":2023,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Amateur; History; Media studies; Gender studies; Art; Sociology; Archaeology","score_opus":0.021296615612949887,"score_gpt":0.2675031613192293,"score_spread":0.24620654570627942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387331686","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0084042465,0.00017034983,0.0000021912233,0.00052451296,0.0015931013,0.00024355174,0.00018770414,0.00028021116,0.9885941],"genre_scores_gemma":[0.0023413769,0.000082036706,0.000010045961,0.0015875158,0.00028019724,0.000023048842,0.00014843482,0.000059500842,0.99546784],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984122,0.00005990055,0.00026316778,0.0003542621,0.0002395825,0.000670888],"domain_scores_gemma":[0.9991327,0.00011326411,0.00009549557,0.0004776595,0.000037135844,0.00014375198],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023237434,0.00030305926,0.0004628018,0.000313297,0.000051330495,0.000050862283,0.00050932023,0.0004821909,0.014760462],"category_scores_gemma":[0.000018607685,0.00030203836,0.00013152498,0.00012907428,0.00009608036,0.000114170805,0.00017614078,0.0005452795,0.025409302],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007934085,0.00007014933,0.0005844938,0.000046797926,0.00011552799,0.0003035027,0.002783013,6.802375e-7,0.0000011578755,0.0074289506,0.97800314,0.010583254],"study_design_scores_gemma":[0.0013874002,0.00028701389,0.012511581,0.00024588703,0.000024975554,0.00002285147,0.007879133,0.000001787158,0.0000012051614,0.01297679,0.9639864,0.00067496276],"about_ca_topic_score_codex":0.00054082286,"about_ca_topic_score_gemma":0.00029166657,"teacher_disagreement_score":0.014016719,"about_ca_system_score_codex":0.00040699745,"about_ca_system_score_gemma":0.00011949526,"threshold_uncertainty_score":0.9999432},"labels":[],"label_agreement":null},{"id":"W4387357059","doi":"10.1017/s0714980823000570","title":"Impact of <i>Sharing Dance Older Adults</i> on Physical and Psychosocial Outcomes","year":2023,"lang":"en","type":"article","venue":"Canadian Journal on Aging / La Revue canadienne du vieillissement","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Baycrest Hospital","funders":"","keywords":"Dance; Mood; Psychosocial; Psychology; Quality of life (healthcare); Applied psychology; Gerontology; Physical fitness; Physical health; Mental health; Clinical psychology; Physical therapy; Medicine; Psychotherapist; Visual arts","score_opus":0.014643796054574205,"score_gpt":0.277383134383457,"score_spread":0.2627393383288828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387357059","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9905359,0.00008616604,0.0000036321428,0.0024046146,0.0011175545,0.0001691528,0.00016984933,0.00002282867,0.005490314],"genre_scores_gemma":[0.99792165,0.000036791327,0.000009311142,0.00061951723,0.00033624575,0.0000067485703,0.0000123271275,0.00003310828,0.0010242956],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9982989,0.00007825851,0.00027730965,0.00036639225,0.000119908575,0.0008592193],"domain_scores_gemma":[0.99793553,0.00013065274,0.00020449854,0.00031791796,0.00008694975,0.0013244436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038974552,0.00025870427,0.00038873032,0.00048017545,0.00034351618,0.00009986448,0.00037572635,0.000080209014,0.00032384685],"category_scores_gemma":[0.000117251766,0.00024358857,0.00022844409,0.00037836848,0.000109130255,0.0001298785,0.000024614923,0.00044157094,0.00007553778],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022024351,0.00031137938,0.7842596,0.0001267783,0.0009458387,0.002736535,0.08153904,0.0005146063,0.000084843465,0.014953952,0.07121191,0.043095242],"study_design_scores_gemma":[0.0013818054,0.0005284871,0.98189485,0.00065106084,0.000037372436,0.000098806886,0.001809059,0.000070469825,0.000008894647,0.00022476619,0.012984654,0.00030976514],"about_ca_topic_score_codex":0.02769186,"about_ca_topic_score_gemma":0.044064377,"teacher_disagreement_score":0.19763523,"about_ca_system_score_codex":0.0005472807,"about_ca_system_score_gemma":0.00018114674,"threshold_uncertainty_score":0.99332535},"labels":[],"label_agreement":null},{"id":"W4387444828","doi":"10.1016/j.jsams.2023.08.078","title":"“It would be so nice to have that hybrid between performance and comfort:” Co-designing women’s specific running shoes for competitive and recreational runners","year":2023,"lang":"en","type":"article","venue":"Journal of science and medicine in sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University; University of British Columbia","funders":"","keywords":"Nice; Recreation; Aeronautics; Physical medicine and rehabilitation; Physical therapy; Engineering; Computer science; Medicine; Biology; Ecology","score_opus":0.07941097265312265,"score_gpt":0.36423047292498495,"score_spread":0.2848195002718623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387444828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99202776,0.00017412798,0.00007026806,0.0041885576,0.00021229123,0.00014676427,0.000010395163,0.000005768432,0.0031640735],"genre_scores_gemma":[0.997345,0.00054351555,0.00030348048,0.0011273883,0.0001987271,0.0000035438288,0.0000038792646,0.000004860918,0.0004696615],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987301,0.000007188991,0.00027161508,0.00020212779,0.00046842164,0.00032050296],"domain_scores_gemma":[0.99918664,0.00016087649,0.00018544505,0.000067158646,0.00012814275,0.00027172428],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029009148,0.000099861994,0.0003093815,0.0005156433,0.00029881706,0.000040670795,0.0001614202,0.000041053572,0.000055682696],"category_scores_gemma":[0.00008386084,0.00007990178,0.00001410607,0.0002960091,0.0010712272,0.0005002376,0.000043503493,0.00024119874,0.0000013122807],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023928919,0.000017052807,0.9539631,0.000024705498,0.000019268735,0.000056946385,0.023842636,0.000010191731,0.0004463096,0.00031160942,0.012369701,0.008699176],"study_design_scores_gemma":[0.001308898,0.00095413014,0.8722609,0.0004174444,0.000016360567,0.0001282117,0.0813058,0.000034216624,0.00019870627,0.000074376985,0.043191794,0.00010910807],"about_ca_topic_score_codex":0.000022040533,"about_ca_topic_score_gemma":0.0000022670195,"teacher_disagreement_score":0.08170216,"about_ca_system_score_codex":0.00008135231,"about_ca_system_score_gemma":0.00011203709,"threshold_uncertainty_score":0.39469817},"labels":[],"label_agreement":null},{"id":"W4387678371","doi":"10.3138/utq.92.3.hr.094","title":"Nicola Levell. <i>Mischief Making: Michael Nicoll Yahgulanaas, Art, and the Seriousness of Play</i>","year":2023,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Seriousness; Art; Philosophy; Epistemology","score_opus":0.013077123605449062,"score_gpt":0.2382291200604443,"score_spread":0.22515199645499523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387678371","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89136505,0.0006148267,0.00026195482,0.000910902,0.00046307087,0.00037746818,0.00018839266,0.00008624963,0.105732106],"genre_scores_gemma":[0.979505,0.00006535984,0.00013129828,0.000097896285,0.000030514437,2.7311944e-7,0.000010769929,0.000009309921,0.020149603],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99903435,0.00013988724,0.00014923418,0.00023463354,0.00018616993,0.00025572375],"domain_scores_gemma":[0.9991452,0.0001547672,0.00019469616,0.00037546875,0.000060380728,0.000069498186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002748804,0.00013388706,0.00032370727,0.000047895803,0.00016526888,0.000013073093,0.00046150136,0.00010943226,0.00089626876],"category_scores_gemma":[0.000008362064,0.00012956683,0.00012663337,0.00009696593,0.00045649323,0.0002617326,0.000077651726,0.00009530426,0.0001272771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007831827,0.0007886725,0.014781337,0.00032886662,0.0017033989,0.00022618985,0.39870742,0.000028886532,0.001724095,0.084067024,0.43666676,0.05314553],"study_design_scores_gemma":[0.018030554,0.0023482458,0.42435777,0.00022860052,0.00049246784,0.00003914996,0.22501177,0.00030642684,0.00009359125,0.0011112549,0.32717526,0.00080491457],"about_ca_topic_score_codex":0.008408814,"about_ca_topic_score_gemma":0.0051969085,"teacher_disagreement_score":0.40957645,"about_ca_system_score_codex":0.000040298994,"about_ca_system_score_gemma":0.000033227156,"threshold_uncertainty_score":0.9981943},"labels":[],"label_agreement":null},{"id":"W4387711864","doi":"10.29173/mm17","title":"Inspired by Dance: A Future for Kinesiology","year":2023,"lang":"en","type":"article","venue":"Movement Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"University of Alberta","keywords":"Dance; Kinesiology; Dance education; Context (archaeology); Recreation; Curriculum; Physical education; The arts; Multidisciplinary approach; Pedagogy; Visual arts; Sociology; Psychology; Medical education; Art; Political science; Medicine; Social science; History","score_opus":0.018361752989005307,"score_gpt":0.28997325853368927,"score_spread":0.27161150554468394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387711864","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91791946,0.00014585126,0.0008421999,0.06984574,0.0045515536,0.0006654894,0.00044855918,0.00033376415,0.0052473512],"genre_scores_gemma":[0.51319593,0.00010463259,0.00060589536,0.3676381,0.001344587,0.0005218434,0.0010852845,0.00009953377,0.11540419],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922544,0.000022201712,0.00011071999,0.00022378481,0.00008331439,0.00033455857],"domain_scores_gemma":[0.9996428,0.00003549527,0.000051108636,0.00020343854,0.000014200753,0.000052953197],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010348041,0.00010033948,0.00012408213,0.000067708424,0.00007940517,0.0000152636,0.00019244853,0.00006768027,0.00086275267],"category_scores_gemma":[0.0000052069345,0.00009862829,0.000057882648,0.00014558835,0.000035219877,0.000062501385,0.000047208625,0.000052551954,0.0010631935],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007969195,0.000052348707,0.0028541586,0.000019440939,0.000052137006,0.000005153278,0.00062904455,0.0000031433472,0.0054761213,0.001021554,0.9869676,0.0028395958],"study_design_scores_gemma":[0.0016606275,0.00026498683,0.08010144,0.000010218783,0.00001684389,4.946241e-7,0.0014467216,0.000016302914,0.00053770636,0.0007452153,0.91500854,0.00019086973],"about_ca_topic_score_codex":0.000042122912,"about_ca_topic_score_gemma":0.0000034127163,"teacher_disagreement_score":0.40472355,"about_ca_system_score_codex":0.000025830856,"about_ca_system_score_gemma":0.000005239244,"threshold_uncertainty_score":0.9997146},"labels":[],"label_agreement":null},{"id":"W4387711876","doi":"10.29173/mm16","title":"Focus on Mindful Movement: Problematizing Contemporary Dancers’ Training Practices through Pilates","year":2023,"lang":"en","type":"article","venue":"Movement Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Dance; Psychology; Discipline; Focus group; Sociocultural evolution; Training (meteorology); Empirical research; Space (punctuation); Movement (music); Applied psychology; Pedagogy; Medical education; Sociology; Visual arts; Aesthetics; Medicine; Computer science; Social science; Epistemology","score_opus":0.14731249622713635,"score_gpt":0.3482789993251103,"score_spread":0.20096650309797395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387711876","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6871224,0.00021132517,0.00041218766,0.06098673,0.002169265,0.0013665167,0.00015126349,0.00064533204,0.24693497],"genre_scores_gemma":[0.95130676,0.000013618397,0.000356956,0.04114447,0.00012401365,0.00011125608,0.000056024794,0.000042813914,0.0068440693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810874,0.000100663805,0.00034180965,0.00047887815,0.00040133466,0.0005685543],"domain_scores_gemma":[0.998736,0.00021983578,0.0005397691,0.0003921117,0.000023859693,0.00008842366],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045045602,0.00025595594,0.00027720942,0.00016198393,0.00021903116,0.00012425285,0.0003373587,0.00007681808,0.001145899],"category_scores_gemma":[0.000040242077,0.00025411235,0.00009987087,0.00033740117,0.000074795316,0.00064951275,0.00011006308,0.00020857812,0.00221662],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045015098,0.00055163476,0.009321716,0.00019547342,0.00093259406,0.00037524957,0.076755434,0.00017219286,0.01023389,0.015165842,0.8793572,0.006488623],"study_design_scores_gemma":[0.021967152,0.0059326105,0.17334697,0.003175556,0.00042947833,0.000020258822,0.27681512,0.00047902355,0.07485931,0.115461044,0.3226003,0.004913168],"about_ca_topic_score_codex":0.0005293377,"about_ca_topic_score_gemma":0.000010412754,"teacher_disagreement_score":0.55675685,"about_ca_system_score_codex":0.00009179446,"about_ca_system_score_gemma":0.000031985728,"threshold_uncertainty_score":0.9999911},"labels":[],"label_agreement":null},{"id":"W4387711882","doi":"10.29173/mm13","title":"Editorial","year":2023,"lang":"en","type":"editorial","venue":"Movement Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Political science","score_opus":0.01258118963527906,"score_gpt":0.29000591609272464,"score_spread":0.2774247264574456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387711882","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000017347871,0.000021206595,0.000013376337,0.001257168,0.9880799,0.0001816085,0.0007081469,0.00025645396,0.009464793],"genre_scores_gemma":[0.0000013263267,0.000020754376,0.0000099209465,0.0017735407,0.93126273,0.000032009786,0.00053913094,0.0000673707,0.06629323],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762446,0.00005893501,0.00024318695,0.00047968607,0.0010473551,0.000546402],"domain_scores_gemma":[0.9986574,0.00044278035,0.0001778774,0.00052727805,0.00007402415,0.00012065525],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030588024,0.00029592696,0.00032300566,0.00015618249,0.00009140597,0.000103657585,0.0005972867,0.000715894,0.0031269526],"category_scores_gemma":[0.00013142286,0.00031917047,0.0001607193,0.00013498592,0.000059799873,0.000089887115,0.00020228093,0.0006644988,0.020811168],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007941064,0.00007233225,0.000012521593,0.000041693245,0.00023296139,0.000024418236,0.00031080563,9.456374e-7,0.000010312288,0.000048335885,0.9989253,0.00024092058],"study_design_scores_gemma":[0.00081984,0.00012810442,0.00006333783,0.000059996957,0.000058344565,2.3983347e-8,0.00014491664,1.3463055e-7,0.000003508337,0.00014695892,0.9982621,0.00031270596],"about_ca_topic_score_codex":0.0008152547,"about_ca_topic_score_gemma":0.000017991082,"teacher_disagreement_score":0.056828443,"about_ca_system_score_codex":0.00016202503,"about_ca_system_score_gemma":0.00006362867,"threshold_uncertainty_score":0.99992603},"labels":[],"label_agreement":null},{"id":"W4387774760","doi":"10.3390/sports11100206","title":"Critical Reflexivity and Positionality on the Scholar–Practitioner Continuum: Researching Women’s Embodied Subjectivities in Sport","year":2023,"lang":"en","type":"article","venue":"Sports","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Embodied cognition; Reflexivity; Consciousness; Sociology; Binary opposition; Feeling; Amateur; Reification (Marxism); Epistemology; Social psychology; Psychology; Aesthetics; Gender studies; Politics; Social science; Political science","score_opus":0.05570362006168479,"score_gpt":0.3893961255603783,"score_spread":0.3336925054986935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387774760","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91004825,0.000018694436,0.000001315376,0.0057794955,0.0002749165,0.00012782152,0.000049708167,0.000064313856,0.0836355],"genre_scores_gemma":[0.9957219,0.00001449037,0.000011642413,0.001235931,0.00008108038,0.00003023271,0.000019448627,0.000008849702,0.0028764722],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99866855,0.00012391534,0.00014039228,0.00027535405,0.00035081053,0.0004409737],"domain_scores_gemma":[0.9991621,0.00036950185,0.000038290076,0.00025408357,0.000044571283,0.00013145697],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002674509,0.00009722533,0.00015151559,0.00015083,0.00029854185,0.000083283805,0.00010073885,0.00007454831,0.0012100047],"category_scores_gemma":[0.0005790911,0.00008142368,0.000032226984,0.00023937259,0.00022919945,0.00038836055,0.00007274168,0.0005633471,0.0001709881],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010039608,0.00048763872,0.62919754,0.000037680158,0.000046899197,0.0012105097,0.008925738,0.0000023438686,0.00017066584,0.32667714,0.030798597,0.0014413027],"study_design_scores_gemma":[0.00024039189,0.000073726704,0.9667907,0.00004301798,0.0000032919038,0.000016425274,0.004016625,0.0000013320016,0.000042746316,0.024434542,0.004241823,0.00009541279],"about_ca_topic_score_codex":0.00025277951,"about_ca_topic_score_gemma":0.00007573188,"teacher_disagreement_score":0.33759317,"about_ca_system_score_codex":0.0000936989,"about_ca_system_score_gemma":0.000046717974,"threshold_uncertainty_score":0.99970305},"labels":[],"label_agreement":null},{"id":"W4387809523","doi":"10.4324/9781003407188-11","title":"Choreographed Encounter – The Archive and Public History *","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.05637774941275785,"score_gpt":0.2477911701227895,"score_spread":0.19141342071003165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387809523","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000049059807,0.001072842,0.00002784481,0.0010881987,0.0015419463,0.00016384087,0.000079089295,0.0001168037,0.9958604],"genre_scores_gemma":[0.0012169997,0.0003946584,0.000019183282,0.0021780478,0.0001772555,0.000005221306,0.000035439785,0.00003421138,0.99593896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991474,0.000021561204,0.00012195947,0.00030527957,0.00016825374,0.00023554836],"domain_scores_gemma":[0.99920964,0.00015354299,0.000090377274,0.00042296405,0.000028854405,0.00009463643],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012693438,0.00020536139,0.00019784695,0.00018779283,0.000077241006,0.000032926593,0.00032660062,0.00018680257,0.017734222],"category_scores_gemma":[0.000012334197,0.00013942369,0.00013422084,0.000016259326,0.00046682148,0.00007042439,0.00014111647,0.00037200566,0.0029603776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012247245,0.0000071847753,0.00009548981,0.000005064868,0.00015758318,0.000016299608,0.00062772183,3.660073e-9,5.985409e-7,0.47313908,0.52335674,0.0025820099],"study_design_scores_gemma":[0.00018006316,0.00006516605,0.0025672365,0.000019337653,0.000042680676,0.000009732657,0.00021308062,4.1515307e-7,5.1871595e-8,0.017307606,0.979422,0.00017267173],"about_ca_topic_score_codex":0.00016362772,"about_ca_topic_score_gemma":0.00022951321,"teacher_disagreement_score":0.45606524,"about_ca_system_score_codex":0.000043523043,"about_ca_system_score_gemma":0.000034908517,"threshold_uncertainty_score":0.9978159},"labels":[],"label_agreement":null},{"id":"W4387894443","doi":"10.1515/9783110782547-003","title":"2 Rehabilitating Cloots","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Environmental science","score_opus":0.06404197549455792,"score_gpt":0.31272528778221464,"score_spread":0.24868331228765672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387894443","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000109383276,0.00007666133,0.000011858849,0.00037843958,0.00150413,0.000117094125,0.000050625214,0.00027989384,0.9974719],"genre_scores_gemma":[0.0005059935,0.0000139278145,0.00024200707,0.00042969588,0.00020667723,0.0000018435617,0.000019805855,0.000043506676,0.9985365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918765,0.000009842626,0.00015611909,0.00029177943,0.00015157199,0.0002030483],"domain_scores_gemma":[0.999221,0.00022383485,0.000081545666,0.0003686391,0.000034484674,0.00007044529],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013530685,0.00016308927,0.00020922792,0.00010230903,0.00005582139,0.00001691509,0.000200194,0.0002870755,0.026671363],"category_scores_gemma":[0.000044854358,0.00016411634,0.00013889604,0.000018419432,0.00007768409,0.0000422978,0.00009285782,0.0002775412,0.047558445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010918676,0.000007613821,0.00004458754,0.000015849933,0.00007893829,0.00003579187,0.0004097493,1.2735963e-7,0.0000010931398,0.70249224,0.28611666,0.010786407],"study_design_scores_gemma":[0.0002642174,0.00021127384,0.0021291769,0.0001196292,0.00004093823,0.0000050983263,0.00029844095,4.901493e-7,0.0000011166428,0.058480673,0.9381095,0.0003394477],"about_ca_topic_score_codex":0.000061873754,"about_ca_topic_score_gemma":0.000017638453,"teacher_disagreement_score":0.65199286,"about_ca_system_score_codex":0.000026562457,"about_ca_system_score_gemma":0.000016055401,"threshold_uncertainty_score":0.97421837},"labels":[],"label_agreement":null},{"id":"W4387907843","doi":"10.3390/socsci12100584","title":"Revisioning Fitness through a Relational Community of Practice: Conditions of Possibility for Access Intimacies and Body-Becoming Pedagogies through Art Making","year":2023,"lang":"en","type":"article","venue":"Social Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University; University of Alberta; University of Guelph","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Queer; Sociology; Gender studies; Community of practice; Psychology; Social psychology; Pedagogy","score_opus":0.3595882751856872,"score_gpt":0.5476234391176149,"score_spread":0.1880351639319277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387907843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96026665,0.00008853829,0.0009614386,0.0023476689,0.00025013427,0.00019349449,0.00014215877,0.000034779223,0.03571515],"genre_scores_gemma":[0.99770564,0.000019480502,0.0019368769,0.00014050273,0.000035427976,0.000006858762,0.000013056297,0.000002599583,0.00013955688],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99902666,0.0002252984,0.00021422586,0.00014384788,0.00021753022,0.00017241953],"domain_scores_gemma":[0.9976276,0.0018096699,0.00031122917,0.00009705995,0.00014378194,0.000010639107],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0014052858,0.000065090615,0.00017771278,0.00004669581,0.0014521655,0.0000619157,0.00029589632,0.000059804323,0.00012793852],"category_scores_gemma":[0.0013945483,0.00006186646,0.000059173362,0.0005286855,0.0013771275,0.0014868095,0.00021333124,0.0001310284,0.0000041143016],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018115358,0.00034492154,0.12129108,0.00031000096,0.00013870749,0.0000015402967,0.26317862,0.00008278626,0.00046488378,0.5949466,0.017225761,0.0018339454],"study_design_scores_gemma":[0.00050318567,0.00020033032,0.68689835,0.00015110681,0.000058290174,0.0000029722273,0.19457723,0.000057429934,0.00016599527,0.11476988,0.0024671752,0.00014805331],"about_ca_topic_score_codex":0.0003968598,"about_ca_topic_score_gemma":0.0000332522,"teacher_disagreement_score":0.56560725,"about_ca_system_score_codex":0.000016044563,"about_ca_system_score_gemma":0.000076412856,"threshold_uncertainty_score":0.9998478},"labels":[],"label_agreement":null},{"id":"W4387972532","doi":"10.4324/9781003453673-11","title":"My Improbable, Extraordinary West-East Dance Life","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; History; Geography; Art; Visual arts","score_opus":0.06707045987795578,"score_gpt":0.28236871338148944,"score_spread":0.21529825350353365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387972532","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000063665815,0.00079559145,0.00013572675,0.00085054577,0.002919136,0.0003208743,0.00026601818,0.0005160852,0.99413234],"genre_scores_gemma":[0.001402879,0.00022977934,0.00021268333,0.001588642,0.0006274183,0.000010050859,0.00009095791,0.00011240064,0.9957252],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980817,0.000019457144,0.0003282769,0.0007024491,0.00032826455,0.00053986465],"domain_scores_gemma":[0.9984609,0.00008355614,0.00020976941,0.0008489618,0.00007497915,0.0003218432],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016949643,0.0004589281,0.00051605114,0.00020091938,0.00014067121,0.000057227713,0.00065411814,0.0006557,0.042399332],"category_scores_gemma":[0.000028372708,0.00047052346,0.0002656033,0.0000636541,0.00019079076,0.00018213714,0.00027429278,0.0006481252,0.061948493],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009649045,0.00004671631,0.00008505439,0.00004972607,0.0002869593,0.0002624081,0.00023628586,0.0000013043872,0.0000074727113,0.43443358,0.5585119,0.0059821084],"study_design_scores_gemma":[0.00079058757,0.00037400148,0.0029781507,0.00022324572,0.00013614997,0.000048946582,0.00028447705,0.0000031311556,0.0000020594032,0.014469926,0.97977483,0.0009144812],"about_ca_topic_score_codex":0.00013262201,"about_ca_topic_score_gemma":0.000043987988,"teacher_disagreement_score":0.42126295,"about_ca_system_score_codex":0.000054932458,"about_ca_system_score_gemma":0.000102978,"threshold_uncertainty_score":0.99977463},"labels":[],"label_agreement":null},{"id":"W4388140894","doi":"10.1080/14647893.2023.2276957","title":"‘I guess you just have to deal with it’: pre-professional ballet dancers’ experiences of pain, injury, and social support","year":2023,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta Children's Hospital; University of Calgary","funders":"","keywords":"Ballet; Classical ballet; Ballet dancer; Thematic analysis; Psychology; Sociocultural evolution; Reflexivity; Dance; Physical therapy; Medicine; Qualitative research; Visual arts; Sociology; Art","score_opus":0.14129614527035353,"score_gpt":0.4945370985327013,"score_spread":0.3532409532623477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388140894","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.987275,0.000037152942,0.000019280344,0.007228129,0.00041597517,0.00038067682,0.000024454193,0.00001696249,0.004602388],"genre_scores_gemma":[0.9917651,0.000023228124,0.0002277901,0.0003179302,0.0002155998,0.0002678451,0.000049629518,0.0000096961,0.007123206],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9980823,0.00039377212,0.00017786858,0.0003295995,0.000564538,0.00045191383],"domain_scores_gemma":[0.999244,0.00019405803,0.00006219613,0.00018433383,0.00020249288,0.000112947775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019686166,0.00008979576,0.00014759917,0.0003451856,0.00020453277,0.00003310218,0.00032201025,0.000085420164,0.00039770413],"category_scores_gemma":[0.00008924197,0.00008368841,0.00001660331,0.0007018966,0.0003187143,0.00023692439,0.00013724173,0.00025666333,0.00006962],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008566892,0.00045683162,0.08280536,0.00012861314,0.000020282869,0.000006439283,0.4296087,0.0000028838983,0.00027407258,0.0014489557,0.43421146,0.050179712],"study_design_scores_gemma":[0.00034241087,0.0005821855,0.46361393,0.00016558771,0.000002404289,0.0000018173819,0.5103161,0.000011906043,0.00021985988,0.00020709827,0.024404379,0.00013234132],"about_ca_topic_score_codex":0.00049441797,"about_ca_topic_score_gemma":0.00012587314,"teacher_disagreement_score":0.4098071,"about_ca_system_score_codex":0.000107492364,"about_ca_system_score_gemma":0.0006010426,"threshold_uncertainty_score":0.43545812},"labels":[],"label_agreement":null},{"id":"W4388289612","doi":"10.4324/9781003453314-13","title":"Line Dancing, Belly Dancing, and Martial Arts","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Martial arts; Visual arts; Art","score_opus":0.06030123129254678,"score_gpt":0.29565522379324194,"score_spread":0.23535399250069516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388289612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007176172,0.0003770421,0.00019159967,0.00047058487,0.0019926953,0.00019044224,0.00010824423,0.00024871275,0.99570304],"genre_scores_gemma":[0.0021973175,0.00014701804,0.00012336845,0.0011041099,0.00070819934,0.0000021670517,0.000055153945,0.00006637948,0.9955963],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986563,0.000010444149,0.00024876272,0.00050584495,0.00022857904,0.0003501099],"domain_scores_gemma":[0.9991096,0.000077341916,0.00014772025,0.0004411946,0.00004574948,0.00017835721],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016699659,0.0003153521,0.00038266342,0.00016003165,0.00011655201,0.00004578291,0.00020485392,0.00043096836,0.008919339],"category_scores_gemma":[0.000021649783,0.00031614664,0.00011175972,0.000025375437,0.00013382935,0.000090866546,0.00022529406,0.00041223504,0.0055393944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012445956,0.00004014505,0.0002715372,0.00006194851,0.00033287326,0.0003998155,0.00092823507,0.0000010945535,0.000034006636,0.40518123,0.5721726,0.020452058],"study_design_scores_gemma":[0.00076568587,0.00039084433,0.0021726992,0.00017413955,0.00013315727,0.00004149486,0.00009163344,0.0000059271497,0.000030789648,0.0076037627,0.98803765,0.00055222394],"about_ca_topic_score_codex":0.0001588033,"about_ca_topic_score_gemma":0.0002554978,"teacher_disagreement_score":0.41586503,"about_ca_system_score_codex":0.00002951657,"about_ca_system_score_gemma":0.00003294703,"threshold_uncertainty_score":0.9999291},"labels":[],"label_agreement":null},{"id":"W4388424318","doi":"10.1080/14647893.2023.2276963","title":"Competitive dancers’ social identities and experiences of harm","year":2023,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Harm; Thematic analysis; Sexualization; Psychology; Choreography; Dance education; Identity (music); Social psychology; Qualitative research; Sociology; Gender studies; Visual arts; Human sexuality; Aesthetics; Art; Social science","score_opus":0.207580363405084,"score_gpt":0.5155458647157509,"score_spread":0.3079655013106669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388424318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9497727,0.000329143,0.0000016814323,0.00072989246,0.0005989456,0.00012231586,0.000007373339,0.000013097196,0.04842486],"genre_scores_gemma":[0.99583817,0.00012766321,0.000025024725,0.000023349632,0.00013496795,0.000074751624,0.000008893982,0.0000036434617,0.0037635204],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99909246,0.000158044,0.000099418,0.00015711089,0.00025858553,0.0002343767],"domain_scores_gemma":[0.99957865,0.00015527153,0.00003591284,0.000095128285,0.00010028892,0.000034716595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006221669,0.0000417603,0.000085547224,0.00028229412,0.00012385435,0.000028521208,0.00016433117,0.000037907437,0.00026401508],"category_scores_gemma":[0.00009385198,0.000046313788,0.000013533911,0.00066449365,0.0004314668,0.00023407351,0.00006835798,0.00013584131,0.00010714885],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010604408,0.00032031588,0.025900073,0.00012236371,0.000019374918,0.0000055975956,0.70663273,6.7905216e-7,0.0005895144,0.16875805,0.07332394,0.024221286],"study_design_scores_gemma":[0.00016843817,0.00006005976,0.3693742,0.000063829386,9.0209534e-7,9.012482e-7,0.6248504,0.0000039144857,0.00037341018,0.0025875247,0.0024667203,0.00004974087],"about_ca_topic_score_codex":0.00035054385,"about_ca_topic_score_gemma":0.000024236962,"teacher_disagreement_score":0.34347412,"about_ca_system_score_codex":0.00005802047,"about_ca_system_score_gemma":0.00014759727,"threshold_uncertainty_score":0.289078},"labels":[],"label_agreement":null},{"id":"W4388525461","doi":"10.5406/21567417.67.3.09","title":"Chinese Dance: In the Vast Land and Beyond","year":2023,"lang":"en","type":"article","venue":"Ethnomusicology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Folk dance; Choreography; Modern dance; Ballroom; Concert dance; China; History; Elite; Politics; Aesthetics; Literature; Art; Political science; Law","score_opus":0.03231244862738054,"score_gpt":0.34217406563913416,"score_spread":0.30986161701175363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388525461","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9143048,0.00016916712,0.0000036056917,0.00655912,0.00073252886,0.0001196206,0.00001190001,0.000041181742,0.07805809],"genre_scores_gemma":[0.9930472,0.000022529772,0.000016903534,0.0051110582,0.00013290961,0.000016378512,0.000012619303,0.0000059588,0.0016344535],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992534,0.00013063938,0.00009124435,0.00018552685,0.00006915641,0.0002700168],"domain_scores_gemma":[0.99939185,0.00033154135,0.000031169868,0.00020450028,0.000008979511,0.0000319634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040022802,0.00008202338,0.00013126989,0.00010735291,0.00008377877,0.000017808636,0.0002133808,0.00010879772,0.00048047848],"category_scores_gemma":[0.000065460175,0.00005854404,0.000021921182,0.00041348636,0.0001576133,0.00006382756,0.00008379754,0.00021748817,0.00055102416],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010302011,0.00016402919,0.7987972,0.000013601422,0.00003965605,0.0003110715,0.0362456,0.000008208962,0.00016854411,0.009118491,0.14294197,0.01208862],"study_design_scores_gemma":[0.0006876461,0.00011618446,0.9655889,0.0000020307366,0.0000052217015,0.000022313548,0.0015496649,0.00001006252,0.0000011183389,0.0025306933,0.029415648,0.0000704909],"about_ca_topic_score_codex":0.000107787455,"about_ca_topic_score_gemma":0.00026703696,"teacher_disagreement_score":0.16679174,"about_ca_system_score_codex":0.000008262628,"about_ca_system_score_gemma":0.000011353564,"threshold_uncertainty_score":0.7082485},"labels":[],"label_agreement":null},{"id":"W4388880253","doi":"10.1080/14434318.2023.2272874","title":"Groundswell in the Gallery: North and South Pacific Indigenous Dance in Confluence","year":2023,"lang":"en","type":"article","venue":"Australian and New Zealand Journal of Art","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Dance; Indigenous; Conversation; Sovereignty; Adventure; History; Visual arts; Media studies; Ethnology; Geography; Art; Sociology; Art history; Political science; Law; Communication","score_opus":0.04933179243458787,"score_gpt":0.2907046485458653,"score_spread":0.24137285611127743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388880253","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99602205,0.00011167219,6.779126e-7,0.0026245788,0.00014035645,0.00007204389,0.000007864902,0.000004374459,0.0010164017],"genre_scores_gemma":[0.9875661,0.00042869902,0.00001098495,0.00022114706,0.00006748634,3.8633107e-7,0.0000020481823,0.000004097822,0.0116990125],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992313,0.00006963556,0.00021024256,0.000108271815,0.00012809444,0.0002524485],"domain_scores_gemma":[0.9996072,0.00006170659,0.00011723383,0.0000935392,0.000013078678,0.00010722608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003250951,0.000087495144,0.00016980838,0.00015856558,0.000046185156,0.000057076057,0.00015220481,0.00005220276,0.000051710373],"category_scores_gemma":[0.000012509431,0.00006316072,0.000026209222,0.00025856626,0.00007600045,0.0001713762,0.000015572643,0.00027906487,0.000057936955],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016261578,0.000055459946,0.8981292,0.000007914747,0.000021527467,0.0004727023,0.04542522,0.0000056076483,0.000024801513,0.0000487417,0.053922858,0.0017232954],"study_design_scores_gemma":[0.0011821729,0.0003138155,0.9512339,0.000044745575,0.000008120678,0.00019529801,0.005837422,4.5050393e-7,0.0000031944658,0.00019984257,0.04090798,0.000073036026],"about_ca_topic_score_codex":0.0001923598,"about_ca_topic_score_gemma":0.00028835758,"teacher_disagreement_score":0.05310467,"about_ca_system_score_codex":0.000008984168,"about_ca_system_score_gemma":0.000031037842,"threshold_uncertainty_score":0.25756192},"labels":[],"label_agreement":null},{"id":"W4388941114","doi":"10.32920/24615843","title":"The Porous Body: Cultivating Malleability in Traditional Dance Training","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Malleability; Dance; Metaphor; Performative utterance; Aesthetics; Feeling; Sociology; Psychology; Visual arts; Art; Social psychology; Computer science; Linguistics; Philosophy","score_opus":0.2572995005575344,"score_gpt":0.3555182795149207,"score_spread":0.09821877895738629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388941114","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6965102,0.00013313045,0.0005760888,0.009674751,0.004452269,0.00060685875,0.00025125046,0.00035060055,0.28744483],"genre_scores_gemma":[0.9795357,0.00002643173,0.0005939586,0.00033474565,0.00030139467,0.00006109473,0.00007615179,0.00002206098,0.019048436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9982825,0.0001798843,0.00034086022,0.00051812426,0.0002524191,0.00042622496],"domain_scores_gemma":[0.99847305,0.0007781993,0.0001567255,0.0004931939,0.000036289923,0.00006253071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000982359,0.00019618432,0.00025336145,0.00006384839,0.00020003605,0.000083898834,0.00060335535,0.0002471413,0.00085616024],"category_scores_gemma":[0.00033840566,0.0001406234,0.00011669722,0.00013171062,0.00017035751,0.00008014696,0.00031098077,0.0010814436,0.00028636248],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00075515517,0.001429612,0.24987403,0.00036763793,0.0009739482,0.0004935159,0.07520355,0.001966285,0.00015653348,0.33031443,0.22790192,0.11056339],"study_design_scores_gemma":[0.0005226097,0.000049796014,0.9481352,0.00014538126,0.0000102525355,0.00000815307,0.008309827,0.00019082289,0.0000071164636,0.037276782,0.0050328462,0.00031122201],"about_ca_topic_score_codex":0.0009167369,"about_ca_topic_score_gemma":0.0003229075,"teacher_disagreement_score":0.69826114,"about_ca_system_score_codex":0.00012373677,"about_ca_system_score_gemma":0.00012283424,"threshold_uncertainty_score":0.93743545},"labels":[],"label_agreement":null},{"id":"W4388946202","doi":"10.32920/24615843.v1","title":"The Porous Body: Cultivating Malleability in Traditional Dance Training","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Malleability; Dance; Metaphor; Performative utterance; Aesthetics; Feeling; Sociology; Psychology; Visual arts; Art; Social psychology; Computer science; Linguistics; Philosophy","score_opus":0.2572995005575344,"score_gpt":0.3555182795149207,"score_spread":0.09821877895738629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388946202","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6965102,0.00013313045,0.0005760888,0.009674751,0.004452269,0.00060685875,0.00025125046,0.00035060055,0.28744483],"genre_scores_gemma":[0.9795357,0.00002643173,0.0005939586,0.00033474565,0.00030139467,0.00006109473,0.00007615179,0.00002206098,0.019048436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9982825,0.0001798843,0.00034086022,0.00051812426,0.0002524191,0.00042622496],"domain_scores_gemma":[0.99847305,0.0007781993,0.0001567255,0.0004931939,0.000036289923,0.00006253071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000982359,0.00019618432,0.00025336145,0.00006384839,0.00020003605,0.000083898834,0.00060335535,0.0002471413,0.00085616024],"category_scores_gemma":[0.00033840566,0.0001406234,0.00011669722,0.00013171062,0.00017035751,0.00008014696,0.00031098077,0.0010814436,0.00028636248],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00075515517,0.001429612,0.24987403,0.00036763793,0.0009739482,0.0004935159,0.07520355,0.001966285,0.00015653348,0.33031443,0.22790192,0.11056339],"study_design_scores_gemma":[0.0005226097,0.000049796014,0.9481352,0.00014538126,0.0000102525355,0.00000815307,0.008309827,0.00019082289,0.0000071164636,0.037276782,0.0050328462,0.00031122201],"about_ca_topic_score_codex":0.0009167369,"about_ca_topic_score_gemma":0.0003229075,"teacher_disagreement_score":0.69826114,"about_ca_system_score_codex":0.00012373677,"about_ca_system_score_gemma":0.00012283424,"threshold_uncertainty_score":0.93743545},"labels":[],"label_agreement":null},{"id":"W4388969002","doi":"10.3390/h12060138","title":"Kinesthetic Experience: Emancipatory Corporeal Scores","year":2023,"lang":"en","type":"article","venue":"Humanities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Embodied cognition; Agency (philosophy); Aesthetics; Argument (complex analysis); Kinesthetic learning; Imitation; Natural (archaeology); Painting; Empathy; Sociology; Visual arts; Psychology; Art; Epistemology; Social psychology; History; Social science; Philosophy","score_opus":0.1378943236481099,"score_gpt":0.3423452126448988,"score_spread":0.2044508889967889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388969002","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78557813,0.00008269845,0.0000030194612,0.0000410971,0.00083181745,0.000056637935,0.0000130331,0.00026032949,0.21313322],"genre_scores_gemma":[0.9433042,0.000013617696,0.000006408839,0.00043378372,0.00016942644,0.000024028104,0.000015242016,0.000012045784,0.056021288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9992851,0.000030490839,0.00009912481,0.00015652181,0.00015362438,0.000275148],"domain_scores_gemma":[0.9996297,0.000036295653,0.000042871816,0.00022365167,0.00002735647,0.000040123046],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000071899965,0.000094247385,0.000107394444,0.00012445766,0.00019546141,0.00004400127,0.00020752761,0.00004484827,0.0038851493],"category_scores_gemma":[0.000012808697,0.00009466126,0.000046799432,0.000115358205,0.00028160552,0.0001417252,0.000055275013,0.00007713002,0.0044914614],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011136079,0.00017228874,0.060768172,0.000056841127,0.00006620504,0.0005605642,0.191431,0.0000062392955,0.00014222103,0.43030533,0.3128268,0.0035529623],"study_design_scores_gemma":[0.00050675124,0.00020771426,0.8061795,0.000038281312,0.000014654596,0.000027808313,0.031919114,0.000006435811,0.00007963165,0.0043818783,0.15634927,0.00028895852],"about_ca_topic_score_codex":0.00014694201,"about_ca_topic_score_gemma":0.000032431497,"teacher_disagreement_score":0.74541134,"about_ca_system_score_codex":0.000015930715,"about_ca_system_score_gemma":0.00001241884,"threshold_uncertainty_score":0.99702543},"labels":[],"label_agreement":null},{"id":"W4388969580","doi":"10.12801/1947-5403.2023.15.01.10","title":"Dancing through Transformational Music Festivals in Western Canada","year":2023,"lang":"en","type":"article","venue":"Dancecult","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transformational leadership; Music festival; Geography; Visual arts; Art; Political science; Public relations","score_opus":0.05186407020755286,"score_gpt":0.3021772300011188,"score_spread":0.25031315979356594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388969580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9608249,0.000057488025,0.00015281572,0.0010897801,0.0008094331,0.000109461806,0.00012531155,0.000063034466,0.03676776],"genre_scores_gemma":[0.99483573,0.000009940141,0.00006374032,0.0013878153,0.00007551554,0.000012073951,0.00007393008,0.00000790145,0.003533378],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9991265,0.000037118796,0.00015634803,0.00016090726,0.00020512303,0.00031401],"domain_scores_gemma":[0.99969846,0.00005971733,0.000037840084,0.00013981781,0.000019918736,0.000044233177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011601865,0.00009064521,0.00012694222,0.000045164827,0.00007121399,0.000015751155,0.00017150542,0.000046159006,0.0003862726],"category_scores_gemma":[0.000021272508,0.00009407539,0.000026344947,0.00037482165,0.00002916627,0.00027521973,0.000020374677,0.0001248548,0.000449842],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020544691,0.00022655817,0.27568686,0.00014521743,0.0001478938,0.0007913925,0.09633788,0.0013197552,0.0010434637,0.011725961,0.5911352,0.021234345],"study_design_scores_gemma":[0.0010599652,0.000031911728,0.8415995,0.00007534708,0.0000063403313,0.00001165058,0.0028481127,0.000044548797,0.00018182487,0.00042221684,0.15350227,0.00021630246],"about_ca_topic_score_codex":0.2130485,"about_ca_topic_score_gemma":0.399051,"teacher_disagreement_score":0.5659126,"about_ca_system_score_codex":0.00009774069,"about_ca_system_score_gemma":0.00011830427,"threshold_uncertainty_score":0.79219186},"labels":[],"label_agreement":null},{"id":"W4389235282","doi":"10.18061/dsq.v43i1.9655","title":"My Panalangin of (Un)Belonging: Encountering Still Gestures of Prayer, Improvising Still Movements through Depression","year":2023,"lang":"en","type":"article","venue":"Disability Studies Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Prayer; Gesture; Object (grammar); Narrative; Improvisation; Art; Psychology; Visual arts; Literature; Philosophy; Theology","score_opus":0.04295968301508472,"score_gpt":0.3518340577929724,"score_spread":0.30887437477788765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389235282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99652046,0.0008293816,0.00016741925,0.00019741846,0.0006752562,0.00031027469,0.000115967494,0.00010483349,0.0010789713],"genre_scores_gemma":[0.99942267,0.00004264992,0.00019661774,0.000057096182,0.000050526647,0.000016475793,0.000013759119,0.000016167496,0.0001840482],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99819475,0.00012421656,0.00047673573,0.00043079053,0.00035404458,0.00041944534],"domain_scores_gemma":[0.99865156,0.00032923327,0.0002799735,0.00055704627,0.0001306351,0.000051538023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004148076,0.00022301676,0.0005041032,0.000065906686,0.00009989413,0.000013752228,0.0003039703,0.000089174086,0.000092105416],"category_scores_gemma":[0.00015573323,0.00019992553,0.0001595927,0.00035794842,0.0004368156,0.00029036865,0.0001293134,0.0001383627,0.000031826217],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048809926,0.0013118142,0.56818885,0.0010293585,0.0016352669,0.000020540896,0.3214002,0.00009429223,0.0046692924,0.0006328191,0.0021010097,0.098428436],"study_design_scores_gemma":[0.001428949,0.0011751981,0.8612152,0.0002904906,0.00011785742,0.0000019787617,0.12969045,0.00007193827,0.0017179794,0.002868297,0.0010744518,0.00034720922],"about_ca_topic_score_codex":0.0007882138,"about_ca_topic_score_gemma":0.00007651955,"teacher_disagreement_score":0.29302633,"about_ca_system_score_codex":0.00007312563,"about_ca_system_score_gemma":0.000012995512,"threshold_uncertainty_score":0.8152726},"labels":[],"label_agreement":null},{"id":"W4389481998","doi":"10.1080/19443927.2023.2275914","title":"Give yourself permission","year":2023,"lang":"en","type":"article","venue":"Journal of Theatre Dance and Performance Training","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Permission; Dance; Visual arts; Art; Sociology; History; Art history; Political science; Law","score_opus":0.07269215612882503,"score_gpt":0.3236735537630161,"score_spread":0.2509813976341911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389481998","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97263175,0.00048129665,0.00002280816,0.0007668315,0.0008694313,0.00003640243,0.000007405592,0.000028024446,0.025156029],"genre_scores_gemma":[0.99692714,0.0006857571,0.00017031189,0.00019448086,0.00039193977,6.577819e-7,0.00000201917,0.000009728055,0.0016179394],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99915963,0.000033677185,0.00022689474,0.00010587958,0.00019225181,0.00028168396],"domain_scores_gemma":[0.9994592,0.00006603379,0.00019554702,0.000111259425,0.000045974917,0.00012199907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054408546,0.00010664508,0.0002163642,0.00017331819,0.00017668294,0.000029918268,0.0001839608,0.00006582976,0.00026479503],"category_scores_gemma":[0.0000137809875,0.000084871266,0.00007637913,0.00022975172,0.0000689013,0.00045880346,0.000029361714,0.0002789701,0.00010220383],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008135933,0.00008241992,0.13011271,0.00007766856,0.00018624944,0.00020619668,0.0767472,0.00017094663,0.0012659276,0.00028830775,0.035329428,0.7547194],"study_design_scores_gemma":[0.002264692,0.0015587679,0.88354725,0.0005916426,0.00008299427,0.00083092897,0.036694873,0.000606492,0.00018806857,0.00025845223,0.07304759,0.00032824007],"about_ca_topic_score_codex":0.000003905853,"about_ca_topic_score_gemma":4.4883694e-7,"teacher_disagreement_score":0.75439113,"about_ca_system_score_codex":0.000011811942,"about_ca_system_score_gemma":0.000038950388,"threshold_uncertainty_score":0.34609497},"labels":[],"label_agreement":null},{"id":"W4389949639","doi":"10.3390/jcm13010005","title":"Let the Body Talk: Preliminary Data of an Open Trial of Dance Movement Therapy for Eating Disorders","year":2023,"lang":"en","type":"article","venue":"Journal of Clinical Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Ministero della Salute","keywords":"Alexithymia; Medicine; Toronto Alexithymia Scale; Psychological intervention; Rehabilitation; Intervention (counseling); Clinical psychology; Physical therapy; Psychiatry","score_opus":0.3163710811681941,"score_gpt":0.545458388516141,"score_spread":0.2290873073479469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389949639","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9583768,0.0013789252,0.00033189246,0.030409297,0.0036120766,0.0013629486,0.000110315756,0.00000740079,0.0044102957],"genre_scores_gemma":[0.98705596,0.0049466793,0.0005718195,0.0047367853,0.0019242886,0.000008316671,0.000047648944,0.000018069095,0.0006904394],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9976131,0.00030074661,0.0013715426,0.00016119766,0.0004015675,0.00015185472],"domain_scores_gemma":[0.99494225,0.0026264314,0.0015638671,0.00064766227,0.0001252844,0.0000945207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0075543164,0.0000848413,0.0006542405,0.000051997406,0.000048907128,0.000005443691,0.0017945339,0.000065780514,0.00023911607],"category_scores_gemma":[0.0034953393,0.000048189453,0.00010551142,0.00017284679,0.00028075682,0.00025231822,0.00019343453,0.00026721443,0.0000017149897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.19334255,0.0039649694,0.009442822,0.00018761541,0.0010802037,0.00002772026,0.0021141602,0.000022280616,0.0004126195,0.00054114184,0.36888692,0.419977],"study_design_scores_gemma":[0.25760007,0.18322928,0.44066596,0.0033865646,0.00056795334,0.000014795177,0.009445058,0.00074231526,0.00009058352,0.0053948374,0.09860217,0.00026041231],"about_ca_topic_score_codex":0.00008902183,"about_ca_topic_score_gemma":0.000007677404,"teacher_disagreement_score":0.43122315,"about_ca_system_score_codex":0.000004533929,"about_ca_system_score_gemma":0.00008063,"threshold_uncertainty_score":0.41845},"labels":[],"label_agreement":null},{"id":"W4390674563","doi":"10.1162/pajj_a_00692","title":"The Wings","year":2024,"lang":"en","type":"article","venue":"PAJ A Journal of Performance and Art","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.013827432530780635,"score_gpt":0.2742340723572643,"score_spread":0.2604066398264837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390674563","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9414424,0.005488169,0.0000673104,0.0020882175,0.0012173874,0.000018896722,0.000001047362,0.0000073782235,0.04966921],"genre_scores_gemma":[0.9885497,0.001510007,0.00002042858,0.00022162584,0.00024137011,2.2699648e-7,9.70956e-8,0.0000027921692,0.009453764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996597,0.000010218638,0.00010162555,0.00003829004,0.000083959574,0.0001062023],"domain_scores_gemma":[0.99980354,0.000050403254,0.00003659959,0.0000482931,0.000020875892,0.000040267616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002861583,0.00003883451,0.000056356963,0.000034582987,0.00011842214,0.00007827985,0.000088690875,0.000017322922,0.00018390654],"category_scores_gemma":[0.00000764908,0.000022355514,0.000036145648,0.000054216645,0.000056970373,0.00026989402,0.000014221615,0.00014964894,0.00027962695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023635496,0.00005060482,0.022722114,0.00006172213,0.00024093036,0.00012327153,0.0075429003,0.000004622434,0.00032410826,0.008987648,0.5212042,0.43850157],"study_design_scores_gemma":[0.00014988706,0.00023402806,0.0224518,0.00008532191,0.000016965367,0.00026975467,0.0004486012,0.00006239534,0.000058175334,0.00014105959,0.9760439,0.0000381033],"about_ca_topic_score_codex":6.0682976e-7,"about_ca_topic_score_gemma":3.2187728e-7,"teacher_disagreement_score":0.45483977,"about_ca_system_score_codex":0.0000056986814,"about_ca_system_score_gemma":0.000015609216,"threshold_uncertainty_score":0.3594132},"labels":[],"label_agreement":null},{"id":"W4390983330","doi":"10.51644/9781771124850-002","title":"Acknowledgements","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Lakehead University; University of Victoria","keywords":"Geology","score_opus":0.05034891403435739,"score_gpt":0.30231339052513967,"score_spread":0.2519644764907823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390983330","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000009263056,0.00079716253,0.000038349495,0.000077448945,0.0030061568,0.000064397726,0.000030169482,0.00004863616,0.9959284],"genre_scores_gemma":[0.000040828705,0.000057534762,0.00008319236,0.00074641826,0.00032977673,7.6179066e-7,0.000050488085,0.000018929144,0.99867207],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941516,0.0000055520077,0.00009429189,0.00023341054,0.00010969337,0.00014190003],"domain_scores_gemma":[0.99942434,0.000015493863,0.000049054124,0.000336999,0.00011048421,0.0000636391],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000033344142,0.00014123342,0.00017359269,0.000050895393,0.000032915766,0.000020155698,0.00017499835,0.00022420194,0.760775],"category_scores_gemma":[0.000010153857,0.00014501195,0.00010912235,0.000008878603,0.000036665082,0.000034338682,0.00011344473,0.00017598191,0.19623886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000528491,0.00002000861,0.000016455682,0.0000063399825,0.00016548345,0.00005217663,0.0000620198,6.891624e-9,5.5391774e-7,0.23401527,0.75641084,0.009245541],"study_design_scores_gemma":[0.0001932553,0.000034915294,0.00021176302,0.00004120262,0.000039271785,0.000002561115,0.000033410855,4.2096826e-8,0.0000040193386,0.002250695,0.99702924,0.00015964646],"about_ca_topic_score_codex":0.0000019596066,"about_ca_topic_score_gemma":0.000010363373,"teacher_disagreement_score":0.56453615,"about_ca_system_score_codex":0.000026404621,"about_ca_system_score_gemma":0.000022935119,"threshold_uncertainty_score":0.804387},"labels":[],"label_agreement":null},{"id":"W4390983402","doi":"10.51644/9781771124850","title":"Moving Together","year":2021,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03126671481936373,"score_gpt":0.28847840654523504,"score_spread":0.2572116917258713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390983402","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000038864233,0.0009245727,0.00009530025,0.00015075391,0.0011626988,0.000050225717,0.000020353451,0.00006024695,0.99749696],"genre_scores_gemma":[0.00006444747,0.000016811333,0.00016809333,0.0018321703,0.0003115924,9.67946e-7,0.000040034345,0.000019404966,0.9975465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941397,0.000019856192,0.000079501864,0.00021477418,0.00010713352,0.00016479044],"domain_scores_gemma":[0.9995118,0.00003932481,0.000045799017,0.00032277932,0.0000274558,0.000052859927],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000049088023,0.000119960656,0.00017373209,0.000041735617,0.000030940922,0.000026061887,0.00017808811,0.0002759795,0.14040725],"category_scores_gemma":[0.000009249863,0.000120047705,0.000105444306,0.00002089555,0.00003166496,0.000037122787,0.00008168686,0.00023376879,0.008245708],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004629734,0.000020488751,0.000037471105,0.0000095004,0.00010753667,0.00009195678,0.0003140102,6.922223e-8,0.0000019887034,0.051573124,0.942212,0.0056272526],"study_design_scores_gemma":[0.00012787739,0.000024235349,0.0002608269,0.00004256452,0.000025235398,0.000008681713,0.00015128627,1.2315533e-7,0.000004330919,0.0012152597,0.99798584,0.00015374084],"about_ca_topic_score_codex":0.0000379063,"about_ca_topic_score_gemma":0.000011408745,"teacher_disagreement_score":0.13216154,"about_ca_system_score_codex":0.000049141327,"about_ca_system_score_gemma":0.00009635068,"threshold_uncertainty_score":0.9925265},"labels":[],"label_agreement":null},{"id":"W4390998103","doi":"10.51644/9781771124850-016","title":"Thirteen Contemporary Indigenous Dance In Canada","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Indigenous; Visual arts; Geography; History; Art; Biology; Ecology","score_opus":0.04067041922381051,"score_gpt":0.24432767324369242,"score_spread":0.2036572540198819,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390998103","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013856178,0.0042332876,0.0000035835676,0.00020333566,0.001044007,0.00019465647,0.00020431135,0.000022197626,0.992709],"genre_scores_gemma":[0.07765308,0.00007996337,0.000023080851,0.0024865847,0.00008572895,0.0000021698597,0.00009803087,0.000026452628,0.9195449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988459,0.000021603626,0.00024742732,0.00036951544,0.00023395556,0.00028159635],"domain_scores_gemma":[0.9992103,0.000062056744,0.0001328905,0.00044834983,0.00003904517,0.00010738858],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000690404,0.0002384331,0.0004146008,0.000081912374,0.00004040338,0.000017171848,0.00033464495,0.00024828452,0.013648391],"category_scores_gemma":[0.0000063032835,0.00025760298,0.000066886845,0.000029401941,0.00004031024,0.000069315654,0.00009248061,0.00049676583,0.00045219815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013289775,0.00008630683,0.0176516,0.00008029213,0.000536911,0.010315054,0.0028733015,0.000002455723,0.000002179274,0.21523438,0.7412864,0.011798244],"study_design_scores_gemma":[0.0006025842,0.000062448176,0.013364144,0.00017648697,0.000014583697,0.000030461835,0.00078886515,3.508813e-7,0.0000054684597,0.0009336632,0.9835161,0.00050486653],"about_ca_topic_score_codex":0.94843173,"about_ca_topic_score_gemma":0.96528465,"teacher_disagreement_score":0.2422297,"about_ca_system_score_codex":0.0004471116,"about_ca_system_score_gemma":0.0028557484,"threshold_uncertainty_score":0.9999876},"labels":[],"label_agreement":null},{"id":"W4390998122","doi":"10.51644/9781771124850-015","title":"Twelve A Dance Flash Mob, Canadian Multiculturalism, and Kinaesthetic Groupness","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Multiculturalism; Flash (photography); Art; Visual arts; Psychology; Pedagogy","score_opus":0.025161978048600035,"score_gpt":0.2482781178833461,"score_spread":0.22311613983474607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390998122","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006070922,0.0014921073,0.0000034705067,0.0015665211,0.00086446234,0.00024135805,0.0001750884,0.00005654676,0.98952955],"genre_scores_gemma":[0.027896026,0.00018894185,0.00014827198,0.002156449,0.00013857456,0.000005241069,0.00010669421,0.000038231927,0.96932155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867177,0.000021973749,0.00018485342,0.0005374211,0.0001675318,0.0004164755],"domain_scores_gemma":[0.99889946,0.000032519278,0.00009403985,0.00043850677,0.000102389226,0.00043307742],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000059673323,0.00035016116,0.00039539195,0.000121784,0.00014164645,0.000087692126,0.00026116293,0.0004631895,0.008902555],"category_scores_gemma":[0.0000088675615,0.00033061535,0.00011784486,0.000032061296,0.00021290174,0.00011875913,0.000083548184,0.0003788889,0.0015676437],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044686185,0.000060741317,0.000281706,0.00012060704,0.0004715677,0.0022145435,0.0073639043,9.672943e-7,0.000013789034,0.85797983,0.10459404,0.026853615],"study_design_scores_gemma":[0.00053469907,0.00009088293,0.0035967506,0.00017093668,0.00010320049,0.00018292523,0.0004880062,0.0000031821994,0.000003972216,0.00085424987,0.99338186,0.00058935175],"about_ca_topic_score_codex":0.099851765,"about_ca_topic_score_gemma":0.1934172,"teacher_disagreement_score":0.8887878,"about_ca_system_score_codex":0.00012215892,"about_ca_system_score_gemma":0.000086574975,"threshold_uncertainty_score":0.9999146},"labels":[],"label_agreement":null},{"id":"W4390998133","doi":"10.51644/9781771124850-004","title":"One Dancing Pluralism In Canada","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pluralism (philosophy); Sociology; Epistemology; Political science; Philosophy","score_opus":0.036650480337184745,"score_gpt":0.2422328609978959,"score_spread":0.20558238066071116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390998133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013601349,0.00063339534,0.000006022808,0.0006006876,0.0009819916,0.0000688517,0.00005359894,0.0000135177725,0.9962818],"genre_scores_gemma":[0.018509593,0.000046662073,0.00006472396,0.002415359,0.000105004256,7.6966523e-7,0.00004374233,0.000017745884,0.9787964],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917614,0.000009831369,0.00016026157,0.00025122962,0.00018082399,0.00022170859],"domain_scores_gemma":[0.9994946,0.000042313182,0.000065090484,0.000294228,0.00002714225,0.00007664151],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004137688,0.00014371982,0.0002784724,0.000061229075,0.000022628787,0.000012171453,0.00017171525,0.00015387064,0.038532864],"category_scores_gemma":[0.0000070805104,0.00017324586,0.000047037607,0.000018740315,0.000018637185,0.00004156122,0.000073072835,0.00033441975,0.00033096602],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029542682,0.000028705328,0.00089745503,0.000032831584,0.000245399,0.0013787317,0.0005984322,0.0000033615117,0.000010001457,0.7443978,0.2335687,0.018809048],"study_design_scores_gemma":[0.0006483657,0.000031094223,0.011939654,0.00035175704,0.00003917657,0.000014970491,0.0006264389,9.796635e-7,0.000020102605,0.0015601718,0.9842051,0.0005621797],"about_ca_topic_score_codex":0.95673037,"about_ca_topic_score_gemma":0.9891539,"teacher_disagreement_score":0.7506364,"about_ca_system_score_codex":0.00046825525,"about_ca_system_score_gemma":0.00060789526,"threshold_uncertainty_score":0.9623461},"labels":[],"label_agreement":null},{"id":"W4390998142","doi":"10.51644/9781771124850-018","title":"Fifteen The Presence and Future of Danish Folk Dancing in Canada","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Danish; History; Philosophy; Linguistics","score_opus":0.015660815382238968,"score_gpt":0.2279701319878488,"score_spread":0.21230931660560984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390998142","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003989351,0.0037291448,0.0000039927045,0.0010469662,0.0006607353,0.00012040017,0.000083083236,0.0000043491514,0.990362],"genre_scores_gemma":[0.06695746,0.0006301985,0.00006492651,0.0009657541,0.00026869294,0.0000016156005,0.00001588369,0.000017432254,0.931078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932855,0.000019134335,0.00014355488,0.00020126377,0.00016382328,0.0001436624],"domain_scores_gemma":[0.99940616,0.000113593196,0.00009142778,0.00031637552,0.00003091686,0.00004153135],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000072965195,0.00012365839,0.00022112546,0.000025382431,0.000032029646,0.000010942493,0.0002268372,0.00011908227,0.0034026224],"category_scores_gemma":[0.000008170385,0.00009558551,0.000031431213,0.000021826258,0.00005297863,0.00004362522,0.00012153206,0.00027594264,0.0000047996714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071588714,0.000024869838,0.0074729095,0.0001398858,0.00031748152,0.00047372477,0.0039291084,0.0000031652717,0.000015511327,0.6553233,0.27881694,0.05341152],"study_design_scores_gemma":[0.0003335237,0.000040398983,0.025233803,0.0001629853,0.000038506005,0.000022367836,0.004619205,0.0000025515283,0.000017956729,0.0011876455,0.96810675,0.00023428659],"about_ca_topic_score_codex":0.6701136,"about_ca_topic_score_gemma":0.9155727,"teacher_disagreement_score":0.68928987,"about_ca_system_score_codex":0.000062813124,"about_ca_system_score_gemma":0.000337011,"threshold_uncertainty_score":0.9975084},"labels":[],"label_agreement":null},{"id":"W4391000490","doi":"10.1515/9781782045687","title":"Parisian Music-Hall Ballet, 1871-1913","year":2015,"lang":"en","type":"book","venue":"Boydell and Brewer eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Art; Visual arts; Dance","score_opus":0.04889460800958161,"score_gpt":0.2648005334633396,"score_spread":0.21590592545375797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391000490","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046797754,0.0018319272,0.000053330128,0.00012174124,0.0016782908,0.00035646258,0.00019046075,0.00013923578,0.9951606],"genre_scores_gemma":[0.0044447277,0.00002707564,0.0001335532,0.0026222074,0.0009967367,0.0000069161315,0.000098127945,0.00007343395,0.99159724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782497,0.00006008361,0.00036127094,0.000698393,0.00042125204,0.0006340312],"domain_scores_gemma":[0.9983782,0.000067699824,0.00024133638,0.0006913973,0.0001468327,0.00047450495],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039820131,0.0005153576,0.00060554256,0.00020162402,0.0001406803,0.00010021716,0.0004763948,0.0008929724,0.0017073854],"category_scores_gemma":[0.000013584621,0.0005006051,0.00018626821,0.000025120733,0.00028754398,0.00007302177,0.00027862404,0.0007370028,0.002362864],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016258388,0.000059747355,0.00005374946,0.000056552395,0.00023326506,0.00026978922,0.001844561,6.92847e-8,0.0000034237573,0.022799347,0.94596195,0.02855494],"study_design_scores_gemma":[0.0011084866,0.00028453663,0.0005490525,0.00011451485,0.00015826499,0.00007622946,0.0002870919,8.7161254e-7,0.000003942456,0.007693029,0.9891088,0.00061518664],"about_ca_topic_score_codex":0.00029373204,"about_ca_topic_score_gemma":0.00019771197,"teacher_disagreement_score":0.043146823,"about_ca_system_score_codex":0.000096945216,"about_ca_system_score_gemma":0.00025856486,"threshold_uncertainty_score":0.99974453},"labels":[],"label_agreement":null},{"id":"W4391168124","doi":"10.7202/1108491ar","title":"Just Walk!","year":2024,"lang":"fr","type":"article","venue":"Anthropologie et Sociétés","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.34597020253749733,"score_gpt":0.6298011053976957,"score_spread":0.2838309028601984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391168124","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066591613,0.068881065,0.0007509083,0.32768172,0.14257096,0.00019687144,0.00033571347,0.0004887126,0.45243487],"genre_scores_gemma":[0.54994136,0.039616648,0.00041485345,0.0053227716,0.0012217374,0.00000917692,0.000049412625,0.000065792396,0.40335825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974609,0.00045082197,0.0002902621,0.00064873294,0.00023743256,0.0009118309],"domain_scores_gemma":[0.99860084,0.0006167007,0.00004163616,0.00050872297,0.00005091063,0.00018121114],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00060863927,0.0003457104,0.0003853548,0.000116634204,0.0003155825,0.00024018393,0.0004907372,0.00068116636,0.26935187],"category_scores_gemma":[0.00017466559,0.0003581036,0.00035189302,0.00038226848,0.0022540581,0.0005919254,0.00026005803,0.000972102,0.023126323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002715983,0.00033017452,0.00022598299,0.0001855099,0.00032136327,0.0008339915,0.0031374302,0.0000018750945,0.00005735922,0.07058737,0.7472557,0.17703609],"study_design_scores_gemma":[0.0005200482,0.00053811836,0.0015264539,0.00025263155,0.00023355616,0.00009515918,0.030233368,0.000059512862,0.00026072346,0.006879957,0.95895785,0.00044264423],"about_ca_topic_score_codex":0.0016930811,"about_ca_topic_score_gemma":0.000032088283,"teacher_disagreement_score":0.5432822,"about_ca_system_score_codex":0.00020900265,"about_ca_system_score_gemma":0.00022171637,"threshold_uncertainty_score":0.9998871},"labels":[],"label_agreement":null},{"id":"W4391624531","doi":"10.24919/2308-4863/70-2-22","title":"CIRQUE DU SOLEIL – “THE BLUE OCEAN THEORY”: DIRECTIONS FOR DEVELOPING A CIRCUS PRODUCT","year":2023,"lang":"en","type":"article","venue":"Humanities science current issues","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Product (mathematics); Art; Geography; Mathematics; Geometry; Physical geography","score_opus":0.13659950362645962,"score_gpt":0.3739479758813866,"score_spread":0.237348472254927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391624531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9452177,0.0055899275,0.0013323673,0.004894172,0.017001918,0.0013470479,0.00013028317,0.0008363712,0.02365017],"genre_scores_gemma":[0.9840731,0.00028442268,0.000058762223,0.00023689978,0.00088551245,0.00006758396,0.000017018905,0.000017612787,0.014359108],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984689,0.00007482908,0.00016502336,0.00041458255,0.00030573015,0.0005709501],"domain_scores_gemma":[0.99909663,0.00018626996,0.00008502972,0.00036308318,0.00022012542,0.0000488676],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012195007,0.00014735463,0.00014005181,0.00026861066,0.0025244332,0.00039595514,0.00080207613,0.000022247423,0.00020239045],"category_scores_gemma":[0.00038926682,0.000118246164,0.00007053241,0.0007361674,0.0016085703,0.0004993308,0.00016293318,0.00013130324,0.0004511059],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031591513,0.00013105731,0.0014268198,0.000074210475,0.000041237494,0.0000037212767,0.11113048,0.000010925864,0.00023475166,0.72969073,0.13427728,0.022947164],"study_design_scores_gemma":[0.0002945883,0.000105893065,0.01869832,0.000108056454,0.000031432442,0.0000123030095,0.03601929,0.000039276416,0.0013829594,0.013426214,0.929535,0.0003466808],"about_ca_topic_score_codex":0.000055299337,"about_ca_topic_score_gemma":0.000033312357,"teacher_disagreement_score":0.7952577,"about_ca_system_score_codex":0.00008310031,"about_ca_system_score_gemma":0.00015617757,"threshold_uncertainty_score":0.9987742},"labels":[],"label_agreement":null},{"id":"W4391716222","doi":"10.1007/978-3-031-17299-1_3747","title":"Arts in British Columbia, Canada","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brandon University; University of Northern British Columbia","funders":"","keywords":"The arts; History; Media studies; Geography; Art history; Visual arts; Art; Sociology","score_opus":0.03060085171600764,"score_gpt":0.23573608114139671,"score_spread":0.2051352294253891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391716222","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001576132,0.00008810756,6.2099593e-7,0.0001587282,0.0016161402,0.00011751439,0.00028689372,0.00005258465,0.9961033],"genre_scores_gemma":[0.0042436738,0.000038891947,0.000007051562,0.0012075428,0.00008453742,0.0000019274366,0.00005009129,0.000028067643,0.9943382],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991863,0.000005291291,0.00014283195,0.00025691715,0.00017310701,0.00023558406],"domain_scores_gemma":[0.99959075,0.000043035747,0.000049970524,0.00021354081,0.000020619038,0.00008205561],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000052424202,0.00008400084,0.00021872093,0.00003304671,0.000035971385,0.00007578879,0.0001818179,0.0002116409,0.039884385],"category_scores_gemma":[0.000009490813,0.00017620434,0.00004473945,0.000022400587,0.000035091187,0.000031834246,0.000060475773,0.00026163078,0.0016089503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019590273,0.000007768625,0.0020463534,0.000008320897,0.00004177139,0.0016544445,0.00002624388,1.07572944e-7,3.81062e-8,0.007632681,0.97998786,0.008592455],"study_design_scores_gemma":[0.00027415194,0.00002721588,0.060057238,0.00011431635,0.00001006206,0.000023445395,0.000100469915,1.2870619e-7,4.076473e-8,0.0028349995,0.9363139,0.00024402063],"about_ca_topic_score_codex":0.9971557,"about_ca_topic_score_gemma":0.99995315,"teacher_disagreement_score":0.058010884,"about_ca_system_score_codex":0.00012184291,"about_ca_system_score_gemma":0.00021563962,"threshold_uncertainty_score":0.9991684},"labels":[],"label_agreement":null},{"id":"W4391729757","doi":"10.1007/978-3-031-17299-1_3682","title":"Index of Arts and Arts-Related Activities as Ends in Themselves","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University; University of Northern British Columbia","funders":"","keywords":"The arts; Index (typography); Visual arts; Art; Computer science; World Wide Web","score_opus":0.04543915425990644,"score_gpt":0.29342144110014556,"score_spread":0.24798228684023912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391729757","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027587775,0.00019383639,0.000002259211,0.0001361553,0.00036791802,0.00010776657,0.00004524793,0.00005978655,0.97149926],"genre_scores_gemma":[0.26191515,0.00014185203,0.0000048089773,0.00009000246,0.00002122685,0.0000013054332,0.000011019592,0.000021416545,0.7377932],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999215,0.000011149322,0.00019946485,0.0002464603,0.0001508546,0.0001770897],"domain_scores_gemma":[0.9994232,0.00015034611,0.00013302079,0.00022776921,0.00001565149,0.00005003343],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000110192756,0.00019117405,0.0003507256,0.0003098112,0.000023903707,0.000013802784,0.00012223904,0.00040922192,0.0059606424],"category_scores_gemma":[0.000013051357,0.00018488121,0.00007119642,0.000034408433,0.00019685381,0.00009960493,0.0000944565,0.00031927056,0.0004321416],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015069639,0.00006345983,0.0016001939,0.00005196795,0.00039625913,0.000120531964,0.004567526,0.0000011812493,0.00003685595,0.9674444,0.014475752,0.011091185],"study_design_scores_gemma":[0.0063724266,0.0019625043,0.13334394,0.0019649214,0.0003328226,0.00016214036,0.01207186,0.000015059212,0.0005646096,0.45476922,0.38579673,0.0026437747],"about_ca_topic_score_codex":0.00029345514,"about_ca_topic_score_gemma":0.0001314895,"teacher_disagreement_score":0.51267517,"about_ca_system_score_codex":0.000016227974,"about_ca_system_score_gemma":0.0000255019,"threshold_uncertainty_score":0.994948},"labels":[],"label_agreement":null},{"id":"W4391790583","doi":"10.18162/ritpu-2024-v21n1-02","title":"“Dance Your Ph.D.” in VideoConfeDance: Developing a Blended-Method Dance Workshop for the Popularization of Science Through Choreography","year":2024,"lang":"en","type":"article","venue":"Revue internationale des technologies en pédagogie universitaire","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Choreography; Dance; Visual arts; Art; Computer science; Multimedia","score_opus":0.06368981386720363,"score_gpt":0.37472482359310405,"score_spread":0.3110350097259004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391790583","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38205624,0.008691701,0.5856021,0.013216559,0.0016841593,0.001083113,0.00014238678,0.0008550006,0.0066687646],"genre_scores_gemma":[0.94618756,0.0018843542,0.044803932,0.000055277807,0.00005212228,0.000043097793,0.000014865628,0.000021673115,0.0069370987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9985269,0.00003852095,0.00027247026,0.00053100736,0.00025549938,0.00037564003],"domain_scores_gemma":[0.9984245,0.0007251,0.00015409829,0.00042723335,0.00025051564,0.000018592542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049482787,0.00018568522,0.00021901983,0.0006598895,0.0002710684,0.00008054331,0.0015606211,0.0001813004,0.00002214983],"category_scores_gemma":[0.00075098034,0.00017245041,0.000138112,0.0019440391,0.0011378513,0.0010484891,0.00035065954,0.00031435356,0.000009161558],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012929729,0.00011073001,0.017702669,0.00034833094,0.0002861679,0.00006303592,0.011648063,0.0011373336,0.001716568,0.5213466,0.00090632355,0.44460487],"study_design_scores_gemma":[0.0036469232,0.00080385024,0.11708011,0.009159636,0.0003743134,0.00024512666,0.3427439,0.018904485,0.025143092,0.16163956,0.31808758,0.002171417],"about_ca_topic_score_codex":0.00008173246,"about_ca_topic_score_gemma":0.00009220257,"teacher_disagreement_score":0.5641314,"about_ca_system_score_codex":0.000476492,"about_ca_system_score_gemma":0.0002063696,"threshold_uncertainty_score":0.70323235},"labels":[],"label_agreement":null},{"id":"W4391851668","doi":"10.1080/14647893.2024.2318052","title":"Editorial","year":2024,"lang":"en","type":"editorial","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Pedagogy","score_opus":0.07539581114543327,"score_gpt":0.4997223617858511,"score_spread":0.42432655064041785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391851668","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017805547,0.0029532362,9.475003e-7,0.0006337805,0.90920544,0.0003494684,0.00013446771,0.000047560883,0.08649706],"genre_scores_gemma":[0.00038412595,0.00041511562,0.000028478946,0.000011156016,0.9416819,0.00019549292,0.00037321862,0.00004223837,0.056868244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959959,0.00045215426,0.00026367718,0.0007007934,0.0018631944,0.0007243057],"domain_scores_gemma":[0.99726146,0.0012333436,0.000067232104,0.00070034864,0.0005831297,0.0001544708],"candidate_categories":["research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0026562638,0.0001950404,0.00024830658,0.000845668,0.00010562132,0.00024049252,0.00085725787,0.0011385937,0.00068890984],"category_scores_gemma":[0.0018308447,0.00021200441,0.00007168937,0.0009915002,0.00018476463,0.00023660705,0.00020100515,0.003844403,0.009360688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010248335,0.00036719255,0.000030241154,0.00020547945,0.00002379364,0.000007657302,0.001068957,2.4020252e-7,0.000004767284,0.0012500975,0.98763305,0.009306047],"study_design_scores_gemma":[0.00021275747,0.0001256284,0.000105646235,0.0006498742,0.0000075753765,4.2761604e-7,0.00076820445,5.969268e-7,0.000002722289,0.0044097463,0.9935331,0.00018376386],"about_ca_topic_score_codex":0.0023690166,"about_ca_topic_score_gemma":0.000102026905,"teacher_disagreement_score":0.032476507,"about_ca_system_score_codex":0.0009454351,"about_ca_system_score_gemma":0.0039018714,"threshold_uncertainty_score":0.9984538},"labels":[],"label_agreement":null},{"id":"W4391875510","doi":"10.5406/21567417.68.1.17","title":"Undaunted: Into the Open, Raging Asian Womxn Taiko Drummers","year":2024,"lang":"en","type":"article","venue":"Ethnomusicology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Media studies; Psychology; Sociology","score_opus":0.046265926647698206,"score_gpt":0.3735703868127605,"score_spread":0.3273044601650623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391875510","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.117385685,0.0021798518,0.00082183,0.08822291,0.010720615,0.00057867804,0.000019396868,0.00027548126,0.7797955],"genre_scores_gemma":[0.959232,0.000012748441,0.00019564148,0.0134172095,0.0003703866,0.00004114463,0.000016082588,0.0000292604,0.026685536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984911,0.00024314897,0.00019272519,0.00045605848,0.000119424534,0.0004975118],"domain_scores_gemma":[0.9990292,0.00029344592,0.000052319407,0.0004898157,0.00003104551,0.000104174396],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006106821,0.00017447087,0.00021972803,0.00014096142,0.00033868235,0.0002617187,0.0011132304,0.00019362467,0.0073534115],"category_scores_gemma":[0.00006952046,0.00013613653,0.00008126769,0.00048945687,0.00040202218,0.0002661641,0.00050543144,0.0005993306,0.0028955746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104273386,0.00012220166,0.001021344,0.000024774941,0.0003331147,0.00031363504,0.06288486,0.000011118974,0.00024244052,0.14080665,0.6078839,0.1862517],"study_design_scores_gemma":[0.00042512175,0.00019018634,0.0049657547,0.000029224764,0.00005042333,0.000038358037,0.013219395,0.000036069407,0.00006716754,0.004108641,0.9766797,0.00018996994],"about_ca_topic_score_codex":0.0010503087,"about_ca_topic_score_gemma":0.0003753897,"teacher_disagreement_score":0.8418463,"about_ca_system_score_codex":0.00010568023,"about_ca_system_score_gemma":0.00012821726,"threshold_uncertainty_score":0.99788076},"labels":[],"label_agreement":null},{"id":"W4391968261","doi":"10.51644/9781554583775-014","title":"The Montréal Danse Choreographic Research and Development Workshop","year":2011,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art","score_opus":0.17331094829603244,"score_gpt":0.33467498628376957,"score_spread":0.16136403798773713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391968261","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044110126,0.0070293276,0.000029697207,0.0004247184,0.000365204,0.00025194153,0.0000060787834,0.000039733757,0.9914122],"genre_scores_gemma":[0.003737751,0.0018902043,0.00013769735,0.00012746653,0.000087894325,0.0000096497615,0.0000079700885,0.000027228316,0.99397415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986583,0.00003570532,0.00018165761,0.00036048942,0.00033714296,0.0004267127],"domain_scores_gemma":[0.9988951,0.00027307915,0.000060945804,0.00050089246,0.000116683885,0.00015331805],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00066268886,0.00020373316,0.00018031156,0.00018293163,0.000564653,0.000082257626,0.00041922438,0.00033960733,0.0032553792],"category_scores_gemma":[0.000015622845,0.0001397089,0.000047192734,0.000037422087,0.00060424686,0.00005160705,0.00026790507,0.0007418995,0.0017829916],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026041636,0.000047360252,0.00022943052,0.00000897892,0.00035962468,0.00005892582,0.0027614052,8.916347e-9,5.621698e-7,0.66645724,0.20431201,0.12550403],"study_design_scores_gemma":[0.0002209091,0.00009656532,0.00439067,0.0000492197,0.00000998884,0.000011013424,0.00045492337,4.5533444e-8,0.0000021509038,0.014551673,0.9800262,0.00018664372],"about_ca_topic_score_codex":0.00031477408,"about_ca_topic_score_gemma":0.0008919532,"teacher_disagreement_score":0.77571416,"about_ca_system_score_codex":0.00002886081,"about_ca_system_score_gemma":0.00005321263,"threshold_uncertainty_score":0.99899423},"labels":[],"label_agreement":null},{"id":"W4392091396","doi":"10.1017/s0714980824000084","title":"Bringing Dance to Older Adults: Program Experts’ Perspectives on the Role of Community Dance Classes to Support Older Adults","year":2024,"lang":"en","type":"article","venue":"Canadian Journal on Aging / La Revue canadienne du vieillissement","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Dance; Inclusion (mineral); Dance education; Psychology; Literacy; Sociology; Gerontology; Public relations; Pedagogy; Social psychology; Visual arts; Medicine; Political science; Art","score_opus":0.013165577893403214,"score_gpt":0.2627539554904059,"score_spread":0.2495883775970027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392091396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97407216,0.0014826376,0.000035598445,0.011510963,0.0012279751,0.00081398495,0.00014776584,0.00005424923,0.010654646],"genre_scores_gemma":[0.99513006,0.000046089404,0.00012890146,0.0033036794,0.0003105053,0.000085629326,0.00000982498,0.000055600678,0.0009297223],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755675,0.00032401225,0.00041661013,0.0004343102,0.00018975855,0.0010785534],"domain_scores_gemma":[0.9967051,0.00028203934,0.00014140357,0.0007140333,0.0002468144,0.0019105987],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091515656,0.00035069318,0.00035347106,0.0005929353,0.00071345567,0.0003253154,0.0009456646,0.00009002478,0.0011693133],"category_scores_gemma":[0.00033860782,0.0003106911,0.00017776269,0.00062464515,0.0001269513,0.00019606868,0.000058730788,0.00087642873,0.00008753171],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019119885,0.00043528335,0.0057602604,0.0001856963,0.00038367533,0.0012159229,0.69580215,0.00020524996,0.000070151924,0.017334687,0.07670782,0.20170791],"study_design_scores_gemma":[0.00084742496,0.0020085,0.07939449,0.00990009,0.00006231319,0.00044271402,0.39684585,0.00011321942,0.0002791991,0.00006891702,0.5092633,0.00077399553],"about_ca_topic_score_codex":0.03695622,"about_ca_topic_score_gemma":0.1641271,"teacher_disagreement_score":0.43255547,"about_ca_system_score_codex":0.0012015366,"about_ca_system_score_gemma":0.0004180553,"threshold_uncertainty_score":0.9999345},"labels":[],"label_agreement":null},{"id":"W4392260782","doi":"10.21091/mppa.2024.1004","title":"One-Year Injury History and Safe Dance Practices Among Female Highland Dancers in Canada","year":2024,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Medicine; Demographics; Physical therapy; Championship; Athletes; Demography; Geography; Art; Sociology","score_opus":0.027267467384082745,"score_gpt":0.28057153677413266,"score_spread":0.2533040693900499,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392260782","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.976369,0.004725759,0.000015279835,0.0008018774,0.0010120426,0.00013844892,0.000013782311,0.000025097006,0.016898673],"genre_scores_gemma":[0.99800605,0.00020914098,0.0001122316,0.0001728485,0.00008640822,0.000008714271,0.0000041849325,0.000012635473,0.001387819],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9984634,0.00006410781,0.0003202899,0.0003223612,0.00049845816,0.0003314148],"domain_scores_gemma":[0.9992191,0.00018709427,0.00016996152,0.00018740848,0.000022079934,0.00021435687],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063723087,0.000120334844,0.00024063203,0.0001001706,0.00004083344,0.000014859876,0.0002124532,0.000104961524,0.0016735197],"category_scores_gemma":[0.00031641056,0.00012196661,0.00002509546,0.00012601883,0.0002696065,0.0003729737,0.00008147115,0.00044513063,0.000035647055],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022288662,0.00021930288,0.84550464,0.0017035711,0.00015446119,0.00031029223,0.010044593,0.000019529742,0.0002938776,0.0019996746,0.039884467,0.09964269],"study_design_scores_gemma":[0.0014520461,0.0005518096,0.82620376,0.0033916177,0.00006918834,0.0000324392,0.0021213947,0.0017942037,0.00021866195,0.00025157776,0.16334152,0.0005717897],"about_ca_topic_score_codex":0.6024751,"about_ca_topic_score_gemma":0.55493724,"teacher_disagreement_score":0.12345707,"about_ca_system_score_codex":0.0005258269,"about_ca_system_score_gemma":0.00092986313,"threshold_uncertainty_score":0.9992391},"labels":[],"label_agreement":null},{"id":"W4392391020","doi":"10.12968/ijtr.2021.0037","title":"Investigation of the effect of goal-oriented dance movement therapy on depressive symptoms in people with schizophrenia: a rater-blinded randomised controlled study","year":2024,"lang":"en","type":"article","venue":"International Journal of Therapy and Rehabilitation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Psychology; Schizophrenia (object-oriented programming); Inter-rater reliability; Physical therapy; Double blinded; Physical medicine and rehabilitation; Clinical psychology; Psychotherapist; Psychiatry; Medicine; Developmental psychology; Alternative medicine; Rating scale; Placebo","score_opus":0.008752428368284468,"score_gpt":0.28652129488977657,"score_spread":0.2777688665214921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392391020","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9963837,0.0006813284,0.00006442859,0.00081845024,0.00080678135,0.0011699802,0.000007390373,0.00000436544,0.00006353176],"genre_scores_gemma":[0.9997178,0.00006201177,0.000035945,0.000060912498,0.000047656293,0.000036737267,0.0000012109683,0.000006733525,0.000031023763],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9983114,0.00060615316,0.0004597727,0.00012916661,0.00042377744,0.00006973826],"domain_scores_gemma":[0.9978482,0.0013337929,0.00044642307,0.00010794955,0.00023795919,0.000025665247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087411504,0.00011072492,0.0003218781,0.0002561562,0.00002621088,0.000024820756,0.00018307584,0.000042401494,0.00003100392],"category_scores_gemma":[0.00015100143,0.000058470327,0.00013799068,0.00019174373,0.000116041185,0.0001969182,0.000011980873,0.00015616415,4.6644962e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.39816582,0.0007545707,0.51700824,0.00003826123,0.002686888,0.000013829283,0.039962914,0.0009927825,0.018239133,0.0009937058,0.00008380979,0.021060059],"study_design_scores_gemma":[0.16883044,0.0108539015,0.81064373,0.00053386297,0.000046692945,0.000006525337,0.00081224117,0.0001559525,0.007466213,0.0005639079,0.000013354904,0.00007316668],"about_ca_topic_score_codex":0.000056960944,"about_ca_topic_score_gemma":0.000016365895,"teacher_disagreement_score":0.29363552,"about_ca_system_score_codex":0.000051725176,"about_ca_system_score_gemma":0.0000459291,"threshold_uncertainty_score":0.23843507},"labels":[],"label_agreement":null},{"id":"W4392460528","doi":"10.4324/9781003335887-20","title":"From _ Ryan Clayton To _ Emilie Morin","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Morin; Art; Philosophy; Medicine; Pathology","score_opus":0.037486127724098844,"score_gpt":0.3030411444468472,"score_spread":0.2655550167227484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392460528","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007690742,0.0006067167,0.000041644507,0.0011173034,0.003614344,0.00017906695,0.00056546926,0.00019682407,0.99290955],"genre_scores_gemma":[0.0031569614,0.000027348358,0.00018837696,0.0021453921,0.001013511,0.0000028303743,0.00009165479,0.00005122248,0.99332273],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988606,0.00000518413,0.00017100445,0.0005236725,0.00019687739,0.00024264345],"domain_scores_gemma":[0.9991372,0.0000467001,0.000039888182,0.0005611539,0.000023751405,0.00019130594],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000048525017,0.0002732801,0.00029747197,0.00014655027,0.000032376225,0.000049990173,0.000354813,0.0004211892,0.101635486],"category_scores_gemma":[0.0000046813666,0.00026447457,0.00016573709,0.000022910732,0.000038683967,0.00004611762,0.00019494815,0.00042403972,0.1280579],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004027377,0.000013347921,0.00000821709,0.00000801769,0.0002062393,0.00013300592,0.0006977501,2.5877168e-7,0.000013030298,0.40977246,0.58390534,0.005202038],"study_design_scores_gemma":[0.00013752337,0.00012774457,0.00019816963,0.000103023376,0.0000883842,0.000003061673,0.00012580527,4.791898e-7,0.00001517381,0.044113938,0.9547762,0.00031044165],"about_ca_topic_score_codex":0.0008004428,"about_ca_topic_score_gemma":0.0001223143,"teacher_disagreement_score":0.3708709,"about_ca_system_score_codex":0.00006721712,"about_ca_system_score_gemma":0.000020895188,"threshold_uncertainty_score":0.99998075},"labels":[],"label_agreement":null},{"id":"W4392713582","doi":"10.5539/ach.v16n1p13","title":"Strands of Eastern Thoughts and Creation in Western Contemporary Dance","year":2024,"lang":"en","type":"article","venue":"Asian Culture and History","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Universidade Estadual de Campinas","keywords":"Dance; Sociology; Aesthetics; Political science; Political economy; Environmental ethics; Visual arts; Art; Philosophy","score_opus":0.028622034576399856,"score_gpt":0.2791967784086681,"score_spread":0.25057474383226824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392713582","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32375,0.0839314,0.00007902355,0.0003749038,0.00069598824,0.00013244794,0.000027043498,0.00003937884,0.5909698],"genre_scores_gemma":[0.96424204,0.00009951345,0.000021380996,0.000099244826,0.00006420143,0.0000015580425,0.000007003396,0.000004269753,0.035460796],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996269,0.000025706615,0.000086771775,0.0001443142,0.00004975666,0.00006654843],"domain_scores_gemma":[0.9998534,0.0000083733685,0.000025878886,0.00006980615,0.000008150739,0.000034396817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00005210544,0.00006402283,0.00010810761,0.00005352122,0.000015891732,0.000010063665,0.000039309612,0.00007073859,0.0000447892],"category_scores_gemma":[0.0000020105333,0.000056629695,0.000017769946,0.000035956018,0.00009537846,0.00018487673,0.000009725884,0.000091739195,0.000012491935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051785127,0.00031997537,0.27787116,0.0008151614,0.00021154118,0.00042715957,0.4446756,3.2400843e-7,0.002038161,0.022182932,0.17479847,0.07614166],"study_design_scores_gemma":[0.00060139963,0.00016607244,0.19477485,0.00022470937,0.000018252236,0.000017434184,0.0025833691,0.00000438537,0.000026671933,0.00016170728,0.8013095,0.0001116212],"about_ca_topic_score_codex":0.00010028995,"about_ca_topic_score_gemma":0.00012375876,"teacher_disagreement_score":0.640492,"about_ca_system_score_codex":0.000025465784,"about_ca_system_score_gemma":0.000019497222,"threshold_uncertainty_score":0.23092918},"labels":[],"label_agreement":null},{"id":"W4392734216","doi":"10.26584/rdpa.2023.12.7.3.23","title":"Accompanying Learning in Dance Classes in Quebec Schools through Movement Observation Analysis (MOA)","year":2023,"lang":"en","type":"article","venue":"Research in Dance and Physical Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Movement (music); Psychology; Geography; Visual arts; Art; Aesthetics","score_opus":0.17910367957232345,"score_gpt":0.4900298202081832,"score_spread":0.31092614063585977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392734216","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99480516,0.00017680689,0.000022061553,0.0028306441,0.00009831646,0.00023348752,0.0000027677609,0.00002230262,0.0018084436],"genre_scores_gemma":[0.997521,0.00020916759,0.00007471381,0.0001311945,0.00011801668,0.000099545374,0.000060456532,0.000007023929,0.0017789],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9982642,0.00038521987,0.00019530919,0.00037238369,0.00033954254,0.000443326],"domain_scores_gemma":[0.99925536,0.00034832122,0.000055540397,0.00021448011,0.00006952677,0.000056779136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081407244,0.000093438146,0.00021412491,0.00054793386,0.00009986712,0.000093751376,0.00019329545,0.000060282277,0.000024871933],"category_scores_gemma":[0.0002392376,0.00010227028,0.000036359197,0.004362644,0.00006903396,0.0007838639,0.000084655614,0.0006649815,0.00010268863],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007927756,0.00083894935,0.9062758,0.000060225073,0.00003363549,0.0000051836323,0.015492011,0.0021323909,0.0009738831,0.006344456,0.001364275,0.06639992],"study_design_scores_gemma":[0.00035278653,0.000037565842,0.97450686,0.00015064605,0.0000055377122,5.39773e-8,0.01534675,0.0024402612,0.00010192518,0.0059402063,0.0010181342,0.00009930419],"about_ca_topic_score_codex":0.04002847,"about_ca_topic_score_gemma":0.008269924,"teacher_disagreement_score":0.06823103,"about_ca_system_score_codex":0.00022699761,"about_ca_system_score_gemma":0.00020677659,"threshold_uncertainty_score":0.9663641},"labels":[],"label_agreement":null},{"id":"W4393187354","doi":"10.1016/j.psychsport.2024.102632","title":"Passion and performance anxiety: How it affects the incidence of musculoskeletal disorders in dancers","year":2024,"lang":"en","type":"article","venue":"Psychology of sport and exercise","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa; Université du Québec à Montréal; Université de Sherbrooke","funders":"Institut de Recherche Robert-Sauvé en Santé et en Sécurité du Travail","keywords":"Passion; Dance; Anxiety; Psychology; Incidence (geometry); Social psychology; Psychiatry; Art; Visual arts","score_opus":0.010193997383294854,"score_gpt":0.28846428198024965,"score_spread":0.2782702845969548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393187354","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9868844,0.0041985908,0.000007426551,0.0030267942,0.00053825305,0.00019069362,0.0000043145415,0.000015011496,0.0051345206],"genre_scores_gemma":[0.9874226,0.012067892,0.00003603545,0.0001087255,0.000022845585,0.000010383127,0.000003274885,0.000008017038,0.00032024697],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99925077,0.0000091613665,0.00013881281,0.00028431334,0.00010475546,0.00021220364],"domain_scores_gemma":[0.99962074,0.000023585697,0.00007081463,0.00022241437,0.000012865599,0.000049556118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031780085,0.00012204292,0.00024046777,0.00012995624,0.00004595231,0.00000995552,0.00015774692,0.00011876581,0.000084255655],"category_scores_gemma":[0.0000040247037,0.000091737624,0.000051918723,0.0002312622,0.00051662856,0.00020780145,0.000054722244,0.00019647136,0.000006839604],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037843134,0.00008793567,0.79431576,0.00024643567,0.000024927716,0.000008311738,0.003745236,0.0000013124497,0.000112820155,0.00035593283,0.0049522277,0.19577068],"study_design_scores_gemma":[0.000428432,0.0002755002,0.9918979,0.00029281824,0.000030428666,0.000014956988,0.0010789274,0.00004009997,0.000050694805,0.00020327664,0.005582802,0.00010416277],"about_ca_topic_score_codex":0.00009120742,"about_ca_topic_score_gemma":0.000050393952,"teacher_disagreement_score":0.19758216,"about_ca_system_score_codex":0.0000056360095,"about_ca_system_score_gemma":0.000012529466,"threshold_uncertainty_score":0.37409517},"labels":[],"label_agreement":null},{"id":"W4393190390","doi":"10.1080/15290824.2023.2224799","title":"Instructional Practices and Interpretations of Harm: A Qualitative Inquiry with 24 Competitive Dancers","year":2024,"lang":"en","type":"article","venue":"Journal of Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Harm; Thematic analysis; Psychology; Qualitative research; Social psychology; Pedagogy; Sociology; Visual arts; Social science; Art","score_opus":0.07653166899708878,"score_gpt":0.4574790793222546,"score_spread":0.3809474103251658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393190390","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9836719,0.0025528106,0.0016283497,0.0019967747,0.0033325802,0.00007607228,0.000021603391,0.0000067282185,0.006713176],"genre_scores_gemma":[0.99275714,0.00010699688,0.006292068,0.000101474405,0.0002826073,0.0000033459673,0.000004066806,0.000005708123,0.00044661094],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993078,0.00011953671,0.00022846344,0.000103628096,0.00016927799,0.000071280265],"domain_scores_gemma":[0.9986348,0.00030311977,0.0006545932,0.000064676795,0.0002923283,0.000050442923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002845424,0.00006804226,0.00013126827,0.00018434579,0.000040646853,0.000042525364,0.00008357621,0.000030981497,0.00014340073],"category_scores_gemma":[0.00016507314,0.000056840017,0.00003378794,0.00020882844,0.00021379172,0.0009813252,0.000010145164,0.00020533537,0.000008071832],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011943855,0.00086300605,0.0068609305,0.00032228755,0.0010128277,0.0000136789795,0.74809057,0.00003836143,0.0014339212,0.17749284,0.02378195,0.03889522],"study_design_scores_gemma":[0.0010176027,0.0019908298,0.12420925,0.0023709668,0.0003170561,0.000798935,0.8372929,0.00003994177,0.00061747915,0.004725179,0.02637206,0.000247776],"about_ca_topic_score_codex":0.00003787637,"about_ca_topic_score_gemma":0.000011102115,"teacher_disagreement_score":0.17276767,"about_ca_system_score_codex":0.00006655038,"about_ca_system_score_gemma":0.00044873566,"threshold_uncertainty_score":0.23178688},"labels":[],"label_agreement":null},{"id":"W4393273978","doi":"10.3389/fspor.2024.1330422","title":"Embodied collaborative writing in graduate dance education","year":2024,"lang":"en","type":"article","venue":"Frontiers in Sports and Active Living","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"University of Alberta","keywords":"Embodied cognition; Dance; Dance education; Presentation (obstetrics); Pedagogy; Conversation; Motion (physics); Sociology; Psychology; Visual arts; Computer science; Communication; Art; Medicine","score_opus":0.01486582463804114,"score_gpt":0.29222032739362125,"score_spread":0.2773545027555801,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393273978","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9337528,0.003155052,0.0003043991,0.00021899755,0.0024662123,0.00017270872,0.000014819035,0.000030748397,0.059884313],"genre_scores_gemma":[0.9971495,0.00023095871,0.0009103263,0.00011874327,0.000100230274,0.000014996911,0.0000046099217,0.000010033794,0.0014605472],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99919814,0.000046121884,0.00015138023,0.00029234303,0.0000971296,0.00021489248],"domain_scores_gemma":[0.99973625,0.00005958426,0.000048996455,0.00008645575,0.000026110501,0.00004260347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024025445,0.00010505756,0.00016667909,0.00024610778,0.000054535212,0.00006556556,0.000062392064,0.000057686786,0.00007389693],"category_scores_gemma":[0.00003822902,0.00011204884,0.000019394913,0.00038364946,0.00006279152,0.00046736293,0.000030774452,0.00022928367,0.000004144966],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056768913,0.0001689617,0.64401704,0.000056481822,0.000029514282,0.00010719571,0.041449483,0.0000060913953,0.000017943765,0.0033035334,0.0155145405,0.29527244],"study_design_scores_gemma":[0.00012838152,0.000029503153,0.9334254,0.0008087094,0.000009081775,0.0000045904485,0.059857838,0.0001253139,0.000014328354,0.0015160844,0.0039209556,0.00015978652],"about_ca_topic_score_codex":0.00015539596,"about_ca_topic_score_gemma":0.000027529954,"teacher_disagreement_score":0.29511267,"about_ca_system_score_codex":0.000095206764,"about_ca_system_score_gemma":0.00007750091,"threshold_uncertainty_score":0.4569219},"labels":[],"label_agreement":null},{"id":"W4393503291","doi":"10.5281/zenodo.10349096","title":"Pertti Ukkola's wrestling shoe, 1980's","year":2021,"lang":"en","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.05739629562891695,"score_gpt":0.2927894225234094,"score_spread":0.23539312689449243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393503291","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025097642,0.00047888487,0.00010800086,0.0004245453,0.00085402885,0.00031417052,0.90254766,0.00046613472,0.09455557],"genre_scores_gemma":[0.00053811783,0.0003042571,0.000054814154,0.00056478486,0.00055472984,3.1675924e-8,0.99156594,0.0011534926,0.005263826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701685,0.0006233137,0.0003274551,0.00080113293,0.0005609983,0.0006702568],"domain_scores_gemma":[0.9976403,0.000049408078,0.00020932179,0.0012755309,0.0005119952,0.00031340634],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006068366,0.00031730733,0.00035212265,0.0003684341,0.002163214,0.0012230647,0.002186174,0.00032068632,0.14848645],"category_scores_gemma":[0.0007905325,0.0003661899,0.00014676797,0.00060876017,0.00022033261,0.00024578892,0.002216844,0.00097101077,0.07662296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000730138,0.000290627,6.1184346e-7,0.0001000141,0.00016801126,0.00022314051,0.00041219557,0.0000029666724,0.000044670738,0.00041315888,0.9856057,0.012665889],"study_design_scores_gemma":[0.0005293847,0.00022856456,0.00019562566,0.00010157916,0.00006920049,0.00022293105,0.00055431813,0.0000037308548,0.0000115376315,0.000019326828,0.9976884,0.0003753781],"about_ca_topic_score_codex":0.00016438903,"about_ca_topic_score_gemma":0.0000017263815,"teacher_disagreement_score":0.089291744,"about_ca_system_score_codex":0.00018499434,"about_ca_system_score_gemma":0.000010409052,"threshold_uncertainty_score":0.999879},"labels":[],"label_agreement":null},{"id":"W4393616805","doi":"10.5281/zenodo.8374170","title":"Structural Gender Imbalances in Ballet Collaboration Networks","year":2023,"lang":"en","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Art; Visual arts; Dance","score_opus":0.055729210989659966,"score_gpt":0.3028943002860347,"score_spread":0.24716508929637473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393616805","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008034015,0.00019778892,0.000061142404,0.00030448582,0.001246816,0.00050709944,0.9791748,0.00045223456,0.017252265],"genre_scores_gemma":[0.003959715,0.00027140568,0.000011542258,0.00020868072,0.00037429127,5.5906924e-8,0.9933813,0.0006404412,0.0011525396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978049,0.0004985444,0.00028759506,0.00053328514,0.00037126953,0.00050442875],"domain_scores_gemma":[0.99878746,0.000037296842,0.00018703012,0.000577622,0.000271951,0.0001386436],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051840354,0.00022060731,0.0002499401,0.00038692873,0.0009668707,0.0007124113,0.0013243214,0.00026544425,0.022260666],"category_scores_gemma":[0.00030705443,0.00024605892,0.00005025489,0.0010019755,0.00014458667,0.000246175,0.0008973246,0.00061537436,0.03520817],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010356722,0.000054169523,0.0000041446483,0.00004825227,0.00006804949,0.0000664222,0.00044230578,0.00021368242,0.0000035354124,0.00028214834,0.9958407,0.0028729918],"study_design_scores_gemma":[0.000585039,0.00015142458,0.0031812016,0.0000345977,0.000019568639,0.000029152867,0.00069551443,0.00011985257,4.842053e-7,0.000053267173,0.99488163,0.00024825058],"about_ca_topic_score_codex":0.00020552518,"about_ca_topic_score_gemma":0.000013481475,"teacher_disagreement_score":0.016099725,"about_ca_system_score_codex":0.00019002186,"about_ca_system_score_gemma":0.0000062525364,"threshold_uncertainty_score":0.99999917},"labels":[],"label_agreement":null},{"id":"W4393636668","doi":"10.5281/zenodo.8374171","title":"Structural Gender Imbalances in Ballet Collaboration Networks","year":2023,"lang":"en","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Visual arts; Art; Dance","score_opus":0.055729210989659966,"score_gpt":0.3028943002860347,"score_spread":0.24716508929637473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393636668","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008034015,0.00019778892,0.000061142404,0.00030448582,0.001246816,0.00050709944,0.9791748,0.00045223456,0.017252265],"genre_scores_gemma":[0.003959715,0.00027140568,0.000011542258,0.00020868072,0.00037429127,5.5906924e-8,0.9933813,0.0006404412,0.0011525396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978049,0.0004985444,0.00028759506,0.00053328514,0.00037126953,0.00050442875],"domain_scores_gemma":[0.99878746,0.000037296842,0.00018703012,0.000577622,0.000271951,0.0001386436],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00051840354,0.00022060731,0.0002499401,0.00038692873,0.0009668707,0.0007124113,0.0013243214,0.00026544425,0.022260666],"category_scores_gemma":[0.00030705443,0.00024605892,0.00005025489,0.0010019755,0.00014458667,0.000246175,0.0008973246,0.00061537436,0.03520817],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010356722,0.000054169523,0.0000041446483,0.00004825227,0.00006804949,0.0000664222,0.00044230578,0.00021368242,0.0000035354124,0.00028214834,0.9958407,0.0028729918],"study_design_scores_gemma":[0.000585039,0.00015142458,0.0031812016,0.0000345977,0.000019568639,0.000029152867,0.00069551443,0.00011985257,4.842053e-7,0.000053267173,0.99488163,0.00024825058],"about_ca_topic_score_codex":0.00020552518,"about_ca_topic_score_gemma":0.000013481475,"teacher_disagreement_score":0.016099725,"about_ca_system_score_codex":0.00019002186,"about_ca_system_score_gemma":0.0000062525364,"threshold_uncertainty_score":0.99999917},"labels":[],"label_agreement":null},{"id":"W4393662098","doi":"10.5281/zenodo.10349095","title":"Pertti Ukkola's wrestling shoe, 1980's","year":2021,"lang":"en","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aeronautics; History; Art; Engineering","score_opus":0.05739629562891695,"score_gpt":0.2927894225234094,"score_spread":0.23539312689449243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393662098","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025097642,0.00047888487,0.00010800086,0.0004245453,0.00085402885,0.00031417052,0.90254766,0.00046613472,0.09455557],"genre_scores_gemma":[0.00053811783,0.0003042571,0.000054814154,0.00056478486,0.00055472984,3.1675924e-8,0.99156594,0.0011534926,0.005263826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701685,0.0006233137,0.0003274551,0.00080113293,0.0005609983,0.0006702568],"domain_scores_gemma":[0.9976403,0.000049408078,0.00020932179,0.0012755309,0.0005119952,0.00031340634],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006068366,0.00031730733,0.00035212265,0.0003684341,0.002163214,0.0012230647,0.002186174,0.00032068632,0.14848645],"category_scores_gemma":[0.0007905325,0.0003661899,0.00014676797,0.00060876017,0.00022033261,0.00024578892,0.002216844,0.00097101077,0.07662296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000730138,0.000290627,6.1184346e-7,0.0001000141,0.00016801126,0.00022314051,0.00041219557,0.0000029666724,0.000044670738,0.00041315888,0.9856057,0.012665889],"study_design_scores_gemma":[0.0005293847,0.00022856456,0.00019562566,0.00010157916,0.00006920049,0.00022293105,0.00055431813,0.0000037308548,0.0000115376315,0.000019326828,0.9976884,0.0003753781],"about_ca_topic_score_codex":0.00016438903,"about_ca_topic_score_gemma":0.0000017263815,"teacher_disagreement_score":0.089291744,"about_ca_system_score_codex":0.00018499434,"about_ca_system_score_gemma":0.000010409052,"threshold_uncertainty_score":0.999879},"labels":[],"label_agreement":null},{"id":"W4393829470","doi":"10.5281/zenodo.10379993","title":"Ski boots worn by Seba Johnson","year":2020,"lang":"en","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.042059917316615084,"score_gpt":0.2764993797722077,"score_spread":0.2344394624555926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393829470","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000034086876,0.00024726262,0.00010689313,0.00078573945,0.00048738188,0.00038109798,0.92759,0.00053930574,0.06982824],"genre_scores_gemma":[0.00028977517,0.00034002642,0.000020204438,0.0011451964,0.0003894176,2.9525435e-8,0.99190074,0.0011090073,0.004805582],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973265,0.0004936002,0.0002966424,0.00074884016,0.00053366757,0.00060073123],"domain_scores_gemma":[0.99819475,0.000032165917,0.00023354516,0.0008802618,0.00025065785,0.0004086298],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037738404,0.0003128012,0.00032805046,0.00024389326,0.001518631,0.0010058715,0.0023520307,0.00029253727,0.11749591],"category_scores_gemma":[0.0004918579,0.00036139696,0.00010943923,0.0005603767,0.0002123405,0.00023340792,0.0017716298,0.0009284638,0.20773539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018029589,0.00023948366,1.8646364e-7,0.000084163206,0.00014380128,0.000076827455,0.00032108373,7.201647e-7,0.000058036738,0.0001253526,0.9860795,0.012690553],"study_design_scores_gemma":[0.0006166693,0.0004383797,0.00005768163,0.00004633158,0.000055807992,0.00006579002,0.0001634996,0.0000019045794,0.000015571519,0.000014864307,0.9981673,0.0003562113],"about_ca_topic_score_codex":0.00009048087,"about_ca_topic_score_gemma":3.790439e-7,"teacher_disagreement_score":0.09023949,"about_ca_system_score_codex":0.00016163899,"about_ca_system_score_gemma":0.0000056460494,"threshold_uncertainty_score":0.9998838},"labels":[],"label_agreement":null},{"id":"W4393887882","doi":"10.5281/zenodo.10379994","title":"Ski boots worn by Seba Johnson","year":2020,"lang":"en","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.042059917316615084,"score_gpt":0.2764993797722077,"score_spread":0.2344394624555926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393887882","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000034086876,0.00024726262,0.00010689313,0.00078573945,0.00048738188,0.00038109798,0.92759,0.00053930574,0.06982824],"genre_scores_gemma":[0.00028977517,0.00034002642,0.000020204438,0.0011451964,0.0003894176,2.9525435e-8,0.99190074,0.0011090073,0.004805582],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973265,0.0004936002,0.0002966424,0.00074884016,0.00053366757,0.00060073123],"domain_scores_gemma":[0.99819475,0.000032165917,0.00023354516,0.0008802618,0.00025065785,0.0004086298],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037738404,0.0003128012,0.00032805046,0.00024389326,0.001518631,0.0010058715,0.0023520307,0.00029253727,0.11749591],"category_scores_gemma":[0.0004918579,0.00036139696,0.00010943923,0.0005603767,0.0002123405,0.00023340792,0.0017716298,0.0009284638,0.20773539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018029589,0.00023948366,1.8646364e-7,0.000084163206,0.00014380128,0.000076827455,0.00032108373,7.201647e-7,0.000058036738,0.0001253526,0.9860795,0.012690553],"study_design_scores_gemma":[0.0006166693,0.0004383797,0.00005768163,0.00004633158,0.000055807992,0.00006579002,0.0001634996,0.0000019045794,0.000015571519,0.000014864307,0.9981673,0.0003562113],"about_ca_topic_score_codex":0.00009048087,"about_ca_topic_score_gemma":3.790439e-7,"teacher_disagreement_score":0.09023949,"about_ca_system_score_codex":0.00016163899,"about_ca_system_score_gemma":0.0000056460494,"threshold_uncertainty_score":0.9998838},"labels":[],"label_agreement":null},{"id":"W4394685960","doi":"10.52403/ijhsr.20240406","title":"Association of Foot Deviations with Foot Functional Activity and Dynamic Balance in Female Kathak Dancers","year":2024,"lang":"en","type":"article","venue":"International Journal of Health Sciences and Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Movement Disorders","funders":"","keywords":"Medicine; Foot (prosody); Physical medicine and rehabilitation; Balance (ability); Dynamic balance; Physical therapy; Association (psychology)","score_opus":0.09176596486783001,"score_gpt":0.4626091881636706,"score_spread":0.3708432232958406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394685960","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97850156,0.0027450798,0.000591909,0.016215604,0.0005801312,0.00006719622,0.000016851825,0.0000024660092,0.0012791976],"genre_scores_gemma":[0.99851334,0.0006556233,0.00015895789,0.00005713661,0.0000551884,0.0000013428247,6.5761003e-7,0.0000019797515,0.0005557845],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99849033,0.00015850757,0.00019829403,0.00013113618,0.00083825307,0.00018346209],"domain_scores_gemma":[0.9990558,0.00041844542,0.0001591608,0.000031786225,0.00027416568,0.000060636805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034260144,0.00004178016,0.000111738555,0.0004408366,0.0001289108,0.000085700456,0.00015713497,0.000031919477,0.00006402583],"category_scores_gemma":[0.00010480507,0.000031104406,0.000019697902,0.00035829426,0.00022478953,0.00036844204,0.000037695478,0.00028540925,0.0000021533708],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005210193,0.00029768934,0.90218395,0.00012612571,0.00023446226,0.00004652991,0.005645844,0.00030384696,0.00056851975,0.011733483,0.0033796707,0.07495884],"study_design_scores_gemma":[0.00047686102,0.0007078327,0.99332327,0.00029335156,0.000002961173,0.00006062518,0.0013879327,0.0012080377,0.000019315643,0.00086219254,0.0016178556,0.00003974936],"about_ca_topic_score_codex":0.0004749112,"about_ca_topic_score_gemma":0.00030238793,"teacher_disagreement_score":0.09113932,"about_ca_system_score_codex":0.00023138676,"about_ca_system_score_gemma":0.00045138513,"threshold_uncertainty_score":0.12684008},"labels":[],"label_agreement":null},{"id":"W4394703385","doi":"10.25071/qfwzjs85","title":"From the editors: Jean Chrétien and the Shawinigan step dance","year":2004,"lang":"en","type":"article","venue":"Canada Watch","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Dance; Art; Art history; Visual arts","score_opus":0.008857753363054492,"score_gpt":0.22046554553874123,"score_spread":0.21160779217568673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394703385","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58384675,0.0011404488,0.00009684868,0.38566917,0.009829009,0.00031845464,0.00026064765,0.000034762455,0.018803937],"genre_scores_gemma":[0.98836434,0.000014600387,0.000033060303,0.005072593,0.0038535667,0.000004712292,0.00000948268,0.000008154005,0.0026394736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929106,0.00005348935,0.000085883104,0.00016643247,0.00018585174,0.00021731052],"domain_scores_gemma":[0.99924624,0.00025266194,0.000042810323,0.000359151,0.000020966347,0.00007814406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001269601,0.00008951932,0.00010918252,0.000003897341,0.00020423636,0.00003925011,0.00037844604,0.000042794218,0.00023276091],"category_scores_gemma":[0.00006103003,0.00005149197,0.000024023886,0.00006871046,0.00020535427,0.00006496391,0.00005851556,0.00016926095,0.000029374474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050569124,0.000010119028,0.0013423722,0.0000012089367,0.000046230172,0.00001594027,0.0032292197,0.00000779045,0.0000056062113,0.0008198202,0.9935019,0.0009692495],"study_design_scores_gemma":[0.0016490633,0.000024369894,0.024362134,0.000015768486,0.000021738784,0.0000030158678,0.0041399025,0.000003578643,0.00004928126,0.0009697828,0.9686601,0.000101236714],"about_ca_topic_score_codex":0.88060737,"about_ca_topic_score_gemma":0.5386691,"teacher_disagreement_score":0.40451762,"about_ca_system_score_codex":0.00006621114,"about_ca_system_score_gemma":0.00014363868,"threshold_uncertainty_score":0.46974897},"labels":[],"label_agreement":null},{"id":"W4394812466","doi":"10.1080/21604851.2024.2340012","title":"Compassionately fat: An autotheoretical exploration of queer bodies","year":2024,"lang":"en","type":"article","venue":"Fat Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph; Mount Saint Vincent University","funders":"","keywords":"Queer; Sociology; Privilege (computing); Gender studies; Heteronormativity; Compassion; Scholarship; Queer theory; Aesthetics; Narrative; Storytelling; Context (archaeology); Politics; Political science; Law; Literature; Art","score_opus":0.13843940951472944,"score_gpt":0.4049151074284796,"score_spread":0.26647569791375014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394812466","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7574037,0.039118715,0.005753477,0.015533064,0.0095250765,0.0005465355,0.0002835985,0.0008446313,0.17099121],"genre_scores_gemma":[0.9967148,0.00018364434,0.00020060685,0.0001198416,0.00013041745,0.000009590011,0.0000064118612,0.0000074642717,0.0026272335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936336,0.00006199026,0.00013057183,0.00017036333,0.00013380326,0.00013991125],"domain_scores_gemma":[0.9996018,0.00012238199,0.000024328396,0.00013539169,0.00008242662,0.000033690536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009744428,0.00009135384,0.00017983039,0.00006838722,0.000086293105,0.000019500463,0.00009135926,0.000043776883,0.0004326436],"category_scores_gemma":[0.00006245317,0.00007136604,0.000042512267,0.00008793597,0.0002940951,0.00033585046,0.00006508445,0.00008214205,0.00034468458],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011054391,0.00015672312,0.0012429652,0.00010580641,0.00045031932,0.000030847255,0.05857506,0.000009438668,0.0002921555,0.76326203,0.16938697,0.0063771466],"study_design_scores_gemma":[0.0024378325,0.0037355446,0.11502776,0.0014046495,0.0005889909,0.00002162178,0.20068122,0.00063768536,0.008147977,0.30458087,0.36129832,0.0014375175],"about_ca_topic_score_codex":0.000019564062,"about_ca_topic_score_gemma":0.000010661564,"teacher_disagreement_score":0.45868117,"about_ca_system_score_codex":0.000018976967,"about_ca_system_score_gemma":0.0000068106265,"threshold_uncertainty_score":0.4737144},"labels":[],"label_agreement":null},{"id":"W4394858788","doi":"10.46747/cfp.7004269","title":"The dance","year":2024,"lang":"en","type":"article","venue":"Canadian Family Physician","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Manitoba Health; University of Manitoba","funders":"","keywords":"Doors; Evening; Dance; QUIET; Art; Feeling; Sound (geography); Visual arts; Engineering; Psychology; Acoustics; Physics; Astronomy; Mechanical engineering","score_opus":0.022579471511104024,"score_gpt":0.2642196690971355,"score_spread":0.2416401975860315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394858788","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015902841,0.006419954,0.000017515265,0.0021481006,0.002809762,0.000081618055,0.000086968925,0.00006978145,0.9724635],"genre_scores_gemma":[0.88517255,0.000036014124,0.000009604908,0.0909735,0.00058398984,0.0000100276475,0.000009309156,0.000022224582,0.023182811],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925745,0.00002503195,0.00006132956,0.00017524612,0.00007754977,0.0004034068],"domain_scores_gemma":[0.99941844,0.000057844667,0.000010495907,0.0002865768,0.000015500842,0.00021115935],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000074100775,0.00008331837,0.00006264033,0.00005364413,0.0002858911,0.00015586893,0.00029386315,0.000039615057,0.00002023178],"category_scores_gemma":[0.0000033650233,0.00006788088,0.000057346424,0.00023546288,0.0001044427,0.00011228807,0.000011829484,0.00015472902,0.005264448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031021666,0.0000049803834,0.000020805714,0.000003508048,0.000049487466,0.000075412936,0.00030457426,9.185224e-7,0.000086951986,0.12923793,0.7081623,0.16205002],"study_design_scores_gemma":[0.000046195644,0.000021418628,0.011381968,0.000021032176,0.000008695572,5.0194683e-7,0.0009415969,0.000019595358,0.000011100304,0.001539475,0.98591423,0.00009420129],"about_ca_topic_score_codex":0.013076269,"about_ca_topic_score_gemma":0.008488331,"teacher_disagreement_score":0.9492806,"about_ca_system_score_codex":0.00011182771,"about_ca_system_score_gemma":0.0001857086,"threshold_uncertainty_score":0.99551004},"labels":[],"label_agreement":null},{"id":"W4395087413","doi":"10.1017/9781108891349.008","title":"Conducting Choreography","year":2024,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Choreography; Computer science; Art; Visual arts; Dance","score_opus":0.06895677231265485,"score_gpt":0.25405577568013515,"score_spread":0.1850990033674803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395087413","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036088764,0.00094372936,0.000029160785,0.00003196459,0.0020516266,0.00031093913,0.0007129017,0.00037459354,0.9951842],"genre_scores_gemma":[0.0021510369,0.00006538869,0.00003491222,0.00012413642,0.00032320814,4.0620847e-7,0.000058905054,0.000069050926,0.99717295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983981,0.000027826372,0.00017423482,0.00072355213,0.00025440715,0.00042186817],"domain_scores_gemma":[0.99875695,0.000066146524,0.00017898747,0.00066873844,0.000097331074,0.00023187656],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00010207099,0.00044063135,0.00042999204,0.0004065641,0.00020157236,0.00008046392,0.0006453367,0.0005550817,0.00017041847],"category_scores_gemma":[0.0000045697348,0.000542783,0.00045584593,0.000017664033,0.00039747235,0.000113992246,0.00041835872,0.00093112903,0.0007598925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007237528,0.0000104477485,0.0000038110504,0.00006930654,0.0005573376,0.00093898934,0.0001728873,1.5574973e-7,0.000012967186,0.7759849,0.22115879,0.001018044],"study_design_scores_gemma":[0.00044987912,0.00008794608,0.000023293724,0.00023870882,0.0005002073,0.00004223003,0.0002673537,0.0000015124109,0.00004556995,0.000050507013,0.99774754,0.00054524466],"about_ca_topic_score_codex":0.0002470015,"about_ca_topic_score_gemma":0.0000012518831,"teacher_disagreement_score":0.77658874,"about_ca_system_score_codex":0.00012169838,"about_ca_system_score_gemma":0.000049379207,"threshold_uncertainty_score":0.9997024},"labels":[],"label_agreement":null},{"id":"W4396538085","doi":"10.1139/apnm-2023-0450","title":"Differences in bone mineral density and associated factors in dancers and other female athletes","year":2024,"lang":"en","type":"article","venue":"Applied Physiology Nutrition and Metabolism","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Alberta Children's Hospital; Alberta Bone and Joint Health Institute; University of Calgary","funders":"","keywords":"Bone mineral; Athletes; Physical therapy; Medicine; Bone density; Psychology; Osteoporosis; Internal medicine","score_opus":0.02592623615974426,"score_gpt":0.2664719504926351,"score_spread":0.24054571433289085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396538085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9920708,0.006738943,0.0000015828717,0.00010413483,0.00018384292,0.00016666732,0.00004150515,0.000029411449,0.0006631049],"genre_scores_gemma":[0.99854654,0.00089003495,0.00002653019,0.0003378298,0.000046143494,0.000021027497,0.000017986558,0.0000067844694,0.00010714227],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9992554,0.0000686212,0.00012250849,0.00030349562,0.000044318684,0.00020565985],"domain_scores_gemma":[0.99973965,0.00010748638,0.000031254578,0.000063032734,0.000006463947,0.000052128817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000095496136,0.0001286029,0.00030278057,0.00013943171,0.000044232,0.000024590428,0.000036854657,0.00014375283,0.00005819733],"category_scores_gemma":[0.000009829404,0.00011509523,0.000019934727,0.00013638886,0.00019446565,0.00007314207,0.00003568466,0.00017237032,0.000005248067],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068467757,0.0016720404,0.3833905,0.00042817372,0.00044576888,0.00006037153,0.03129812,6.204183e-7,0.392858,0.16564566,0.0031333854,0.020382695],"study_design_scores_gemma":[0.0015942736,0.000014444793,0.98968804,0.000043930333,0.000019923698,0.0000022944107,0.0011268181,0.000011734961,0.00027918105,0.0034470442,0.003641588,0.00013075491],"about_ca_topic_score_codex":0.0002004064,"about_ca_topic_score_gemma":0.000074849726,"teacher_disagreement_score":0.60629755,"about_ca_system_score_codex":0.000009737296,"about_ca_system_score_gemma":0.0000055717765,"threshold_uncertainty_score":0.46934474},"labels":[],"label_agreement":null},{"id":"W4396559529","doi":"10.26603/001c.116332","title":"Preparation For Flight: The Physical Profile of Pre-Professional and Professional Circus Artists in the United States","year":2024,"lang":"en","type":"article","venue":"International Journal of Sports Physical Therapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Circus School","funders":"","keywords":"Visual arts; Professional development; Art; Psychology; Pedagogy","score_opus":0.023755402746047954,"score_gpt":0.39266411584873134,"score_spread":0.36890871310268336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396559529","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99336493,0.00025555876,0.00012858899,0.0042327736,0.001389386,0.00030532974,0.000060139828,0.000006798442,0.0002565005],"genre_scores_gemma":[0.9982873,0.00006744826,0.000029306597,0.00033338074,0.0007624853,0.000020259204,0.00003437074,0.000008691464,0.000456726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99877334,0.00009760938,0.00028065027,0.00012967894,0.0005946693,0.00012404236],"domain_scores_gemma":[0.99893355,0.0004878871,0.0002273454,0.00009861618,0.00021971097,0.00003290525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041953102,0.00010736741,0.00017032605,0.00012409265,0.0000523661,0.000047721012,0.0003533119,0.000038581726,0.000070032875],"category_scores_gemma":[0.000021232407,0.00005435619,0.00013673346,0.0001599133,0.0001385241,0.00018096852,0.00002594256,0.00027108725,0.0000028106804],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.021775302,0.010855469,0.013016444,0.00014981664,0.0023910024,0.00037205176,0.2772777,0.0009435062,0.017337954,0.30783018,0.065795094,0.28225547],"study_design_scores_gemma":[0.0049687517,0.002297184,0.7296661,0.0012018944,0.00010618546,0.00027072558,0.0068989308,0.009824012,0.00619883,0.17641993,0.061722513,0.00042494477],"about_ca_topic_score_codex":0.000014224551,"about_ca_topic_score_gemma":7.2868664e-7,"teacher_disagreement_score":0.71664965,"about_ca_system_score_codex":0.0000261254,"about_ca_system_score_gemma":0.00007271432,"threshold_uncertainty_score":0.22165811},"labels":[],"label_agreement":null},{"id":"W4396691445","doi":"10.3138/cjhs-2023-0042","title":"Beyond barks and bodies: Pup play and body image in gay, bi, trans, and queer men through a Deleuzian lens","year":2024,"lang":"en","type":"article","venue":"The Canadian Journal of Human Sexuality","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dalhousie University; Université de Montréal; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Mount Saint Vincent University","funders":"","keywords":"Queer; Lens (geology); Gender studies; Art; Psychology; Sociology; Physics; Optics","score_opus":0.04310433242177382,"score_gpt":0.32743401028408947,"score_spread":0.28432967786231567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396691445","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96075815,0.008489739,0.000020520349,0.0061143576,0.0002081082,0.00012361472,0.00013918709,0.0000069476846,0.024139384],"genre_scores_gemma":[0.998031,0.000120274664,0.000036553403,0.0007081596,0.00011330809,9.2216493e-7,0.0000024353074,0.000012190096,0.00097513595],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9988731,0.00020983607,0.00027675807,0.00018557477,0.00012202562,0.0003326816],"domain_scores_gemma":[0.9993366,0.00010965018,0.000071299255,0.00015976798,0.000036168367,0.00028653812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009486507,0.00014435589,0.00025482546,0.00015306001,0.00030172308,0.00024727933,0.00017478393,0.0000941168,0.00036637465],"category_scores_gemma":[0.000025788017,0.00011293451,0.000034637666,0.00007628996,0.00051627326,0.00047907693,0.000019474459,0.00047242653,0.0000041923017],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003297928,0.00013782251,0.08194603,0.0004350897,0.0013026858,0.0036759817,0.6507761,0.0000021579722,0.0022207568,0.07747,0.17403331,0.007670286],"study_design_scores_gemma":[0.003061574,0.0012502981,0.85066307,0.00038842732,0.0003346325,0.0014999423,0.028454317,0.000018451346,0.000090213885,0.045166865,0.0684157,0.00065650156],"about_ca_topic_score_codex":0.035630226,"about_ca_topic_score_gemma":0.19437961,"teacher_disagreement_score":0.76871705,"about_ca_system_score_codex":0.00008486134,"about_ca_system_score_gemma":0.00017651646,"threshold_uncertainty_score":0.9707916},"labels":[],"label_agreement":null},{"id":"W4396802561","doi":"10.1353/plc.2024.a926552","title":"Reality Shoes","year":2024,"lang":"en","type":"article","venue":"Pleiades","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.06891947539853847,"score_gpt":0.3749126180677271,"score_spread":0.3059931426691886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396802561","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38989243,0.00273482,0.00037384115,0.0038914292,0.0017642188,0.00007040857,0.00011703156,0.00039570307,0.6007601],"genre_scores_gemma":[0.98477846,0.00001747145,0.000062165134,0.00023628697,0.00015878286,0.000002158667,0.0000064213477,0.000005181366,0.014733051],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958867,0.0000234967,0.00005270792,0.0001335798,0.00006501085,0.00013652557],"domain_scores_gemma":[0.99975157,0.000060795748,0.0000068950894,0.00013347947,0.000006814496,0.000040473948],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009483847,0.000048859376,0.000056505018,0.000034378427,0.000036243408,0.00005204345,0.00009793935,0.000038902803,0.004820393],"category_scores_gemma":[0.000017886528,0.000042489653,0.000039176044,0.00008687891,0.000042240383,0.000092798764,0.000023471513,0.000080833335,0.0041689076],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036752048,0.000098732744,0.01112814,0.000064969136,0.00014101889,0.0001279622,0.0045545218,0.0000011818873,0.0004549515,0.17913955,0.75556666,0.04868558],"study_design_scores_gemma":[0.00011192455,0.000061602346,0.11708936,0.000037172413,0.000023583741,0.000015009873,0.00076442043,0.000024402809,0.00031697925,0.005246942,0.87618184,0.00012676351],"about_ca_topic_score_codex":0.00017682616,"about_ca_topic_score_gemma":0.00001112665,"teacher_disagreement_score":0.59488606,"about_ca_system_score_codex":0.000012103144,"about_ca_system_score_gemma":0.000009150132,"threshold_uncertainty_score":0.99660647},"labels":[],"label_agreement":null},{"id":"W4398152589","doi":"10.1007/978-3-031-47312-8_7","title":"Digitally Dairakudakan: An Examination of the 2020–2021 Pandemic Performance Season","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave studies in performance and technology.","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Pandemic; Coronavirus disease 2019 (COVID-19); Geography; History; Medicine; Infectious disease (medical specialty); Internal medicine","score_opus":0.03305800093285024,"score_gpt":0.29039688542716385,"score_spread":0.25733888449431364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398152589","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6182382,0.012568818,5.6523356e-7,0.00019370402,0.0009845527,0.0003454017,0.00005730688,0.000087181244,0.36752427],"genre_scores_gemma":[0.9101962,0.0202123,0.000015285203,0.0000366364,0.00010306838,0.000026760526,0.000014370487,0.00003129621,0.06936408],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9984217,0.00001600723,0.00040395555,0.00054779503,0.0002524916,0.0003580108],"domain_scores_gemma":[0.99885744,0.000052797724,0.00025647643,0.00065536355,0.00014311686,0.00003480096],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00032215007,0.0003909691,0.0005541818,0.00040348523,0.0001761652,0.000019563364,0.000529101,0.0005872041,0.0000944891],"category_scores_gemma":[0.000035709912,0.0003009414,0.00008026064,0.00029830477,0.0013625058,0.00013016968,0.0005778146,0.0009090064,0.000099981364],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013603982,0.00009507382,0.16483453,0.0016305014,0.0011878897,0.00006981519,0.0072399033,0.000007464021,0.000042477397,0.13604705,0.001515748,0.6871935],"study_design_scores_gemma":[0.0046815434,0.006779357,0.7243782,0.015828542,0.0015030872,0.0007091239,0.021055834,0.0006575175,0.0007204033,0.10148411,0.11811448,0.00408775],"about_ca_topic_score_codex":0.000003126025,"about_ca_topic_score_gemma":0.000040452112,"teacher_disagreement_score":0.68310577,"about_ca_system_score_codex":0.00010035855,"about_ca_system_score_gemma":0.0000367706,"threshold_uncertainty_score":0.99994427},"labels":[],"label_agreement":null},{"id":"W4398636297","doi":"10.7910/dvn/lxtgg3","title":"Deadly Tango","year":2023,"lang":"en","type":"dataset","venue":"Harvard Dataverse","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.034939073513936256,"score_gpt":0.29972823345486793,"score_spread":0.26478915994093166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398636297","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021141575,0.0000017896685,0.000006893369,0.000013647406,0.00464678,0.00020658005,0.9896886,0.00018383414,0.0052307327],"genre_scores_gemma":[0.0000016693966,0.00016686186,0.000040653897,0.0009896628,0.0005113485,0.000015590014,0.98099065,0.00003327269,0.01725031],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99813914,0.00010205285,0.00024328096,0.00059567747,0.00035670723,0.0005631174],"domain_scores_gemma":[0.9974988,0.00012175062,0.00018552007,0.0019387151,0.000042046275,0.00021316118],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024577277,0.00033244197,0.0003788898,0.00025755557,0.0001339702,0.00009419192,0.0012682419,0.00046464993,0.106819145],"category_scores_gemma":[0.00018175773,0.000358376,0.00015738538,0.00028047376,0.0001289019,0.00024021494,0.00059526454,0.00055834575,0.9682777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006953462,0.0001184078,0.000010550065,0.000051798917,0.00022069928,0.0007738273,0.000047806916,3.431549e-7,0.0000012349986,0.00012744528,0.99826705,0.00031129806],"study_design_scores_gemma":[0.00054511835,0.00008592087,0.0006419815,0.000060603412,0.0001666223,0.000021787271,0.00020281637,3.4973698e-7,9.793719e-7,0.00002547378,0.99786764,0.0003807272],"about_ca_topic_score_codex":0.0036626002,"about_ca_topic_score_gemma":0.00031449058,"teacher_disagreement_score":0.86145854,"about_ca_system_score_codex":0.00007155665,"about_ca_system_score_gemma":0.00007254334,"threshold_uncertainty_score":0.9998868},"labels":[],"label_agreement":null},{"id":"W4399183833","doi":"10.1515/9782760548237-018","title":"L’évaluation de la compétence à créer en danse contemporaine dans les collèges et universités québécois","year":2017,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science; Art; Sociology","score_opus":0.0336205253788772,"score_gpt":0.2639180282756807,"score_spread":0.23029750289680354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399183833","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1604387,0.0014939611,0.005569069,0.0027797807,0.00035633618,0.00065625075,0.0005892634,0.00019929414,0.82791734],"genre_scores_gemma":[0.7159593,0.0014394847,0.0010471285,0.0005566749,0.00021722996,0.0000051893885,0.00009659461,0.00010882495,0.28056952],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959038,0.0013668775,0.00042569474,0.00095940393,0.0005310971,0.00081312377],"domain_scores_gemma":[0.99476504,0.0021871703,0.00091388513,0.0012447331,0.00037859663,0.00051060057],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012422636,0.0009037706,0.00091608113,0.0003563944,0.0013788092,0.00026257976,0.0021162615,0.0012634839,0.0065438044],"category_scores_gemma":[0.00031728027,0.0011269622,0.00051051966,0.000029305973,0.0024860043,0.00050534867,0.00081168354,0.0013049291,0.0007224312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004094954,0.00083891966,0.22288303,0.00088182336,0.0042718975,0.0070288796,0.41235992,0.00076259085,0.006589877,0.17957124,0.037686996,0.12302988],"study_design_scores_gemma":[0.003820031,0.0005208815,0.08445876,0.0009158264,0.0014367097,0.00041269345,0.011269994,0.00026102594,0.0005026455,0.001311527,0.89384705,0.0012428432],"about_ca_topic_score_codex":0.43985417,"about_ca_topic_score_gemma":0.25354642,"teacher_disagreement_score":0.85616004,"about_ca_system_score_codex":0.0015624133,"about_ca_system_score_gemma":0.0028758126,"threshold_uncertainty_score":0.99992126},"labels":[],"label_agreement":null},{"id":"W4399220478","doi":"10.5040/9798400671036","title":"Intercultural Communication and Creative Practice","year":2004,"lang":"en","type":"book","venue":"Praeger eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Meaning (existential); Ideology; Gender studies; Power (physics); Identity (music); Value (mathematics); Ethnic group; Media studies; Intercultural relations; Intercultural communication; Sociology; Politics; Aesthetics; Anthropology; Political science; Visual arts; Psychology; Art","score_opus":0.02901548080625621,"score_gpt":0.31876860267247953,"score_spread":0.2897531218662233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399220478","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015993502,0.0016505027,0.000033595916,0.0005792903,0.00022689646,0.00031044986,0.000047934056,0.000070378956,0.996921],"genre_scores_gemma":[0.004686809,0.000055644257,0.0005603664,0.0015459488,0.00010316341,0.000014565199,0.00007746883,0.0000265619,0.99292946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906665,0.00014486257,0.0001755636,0.00027871435,0.00014609435,0.00018808723],"domain_scores_gemma":[0.99881333,0.00021290168,0.0002847362,0.00047990913,0.00012358364,0.00008553796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018121235,0.00022410348,0.0002484023,0.00006931268,0.00013108931,0.000079904,0.00029437733,0.00030280225,0.00063217507],"category_scores_gemma":[0.00008062699,0.0002148584,0.000065679036,0.000011472208,0.00031774084,0.0001974048,0.0002008747,0.00062494446,0.0005044337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007481872,0.00021796867,0.000023383705,0.00012881971,0.0014579751,0.00011850598,0.14143382,5.283637e-7,0.00002183083,0.33285424,0.4714504,0.051544353],"study_design_scores_gemma":[0.00064969517,0.00016636217,0.00028779867,0.00026510822,0.00020546066,0.00010033075,0.0018513242,1.8402943e-7,0.000012713415,0.0075383815,0.98865145,0.000271163],"about_ca_topic_score_codex":0.00022427774,"about_ca_topic_score_gemma":0.000022028207,"teacher_disagreement_score":0.5172011,"about_ca_system_score_codex":0.00028599764,"about_ca_system_score_gemma":0.00020817772,"threshold_uncertainty_score":0.8761671},"labels":[],"label_agreement":null},{"id":"W4399352836","doi":"10.3138/ctr.197.019","title":"TBD","year":2024,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03070611472333333,"score_gpt":0.30836091513037983,"score_spread":0.2776548004070465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399352836","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000069067486,0.4533749,0.0000051284387,0.006486806,0.00062488706,0.00010287057,0.000049483002,0.000037539423,0.5392493],"genre_scores_gemma":[0.4440641,0.33200172,0.00014720153,0.084763914,0.0016205888,0.00006699432,0.000119201366,0.00011589773,0.13710035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943024,0.000038475773,0.00008077249,0.00015241062,0.00004889308,0.00024921683],"domain_scores_gemma":[0.9994131,0.000022446155,0.000007820644,0.00023966949,0.000008554665,0.0003084127],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013387745,0.000075077085,0.0001312865,0.00006961034,0.000043090844,0.000029578327,0.0001591445,0.000038831553,0.013761742],"category_scores_gemma":[0.0000076762035,0.00006544803,0.00008689196,0.00021764042,0.000025331894,0.00006424735,0.0000071927534,0.000105345025,0.016440589],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.8496356e-7,0.0000015798287,0.00006180543,0.00045230586,0.000027418035,0.00012574722,0.000059158392,1.5539072e-8,3.1209356e-7,0.01106637,0.60888517,0.37931982],"study_design_scores_gemma":[0.000023045337,0.000014419049,0.00033530282,0.002117207,0.000047404577,0.000042026575,0.000020441183,4.915922e-7,4.4154416e-7,0.00017298038,0.9971477,0.0000785411],"about_ca_topic_score_codex":0.020202128,"about_ca_topic_score_gemma":0.011245105,"teacher_disagreement_score":0.44399506,"about_ca_system_score_codex":0.000086855485,"about_ca_system_score_gemma":0.00018066086,"threshold_uncertainty_score":0.9871398},"labels":[],"label_agreement":null},{"id":"W4399375499","doi":"10.3167/9780857455758","title":"DANCING CULTURES","year":2012,"lang":"en","type":"book","venue":"Berghahn Books","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03249442300017319,"score_gpt":0.30115310065343637,"score_spread":0.2686586776532632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399375499","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013866094,0.0045116977,0.00002857958,0.00006734498,0.002679485,0.00020166185,0.0001021398,0.00016058802,0.99210984],"genre_scores_gemma":[0.0016262007,0.000020685184,0.000103559294,0.00096244545,0.0017564077,0.00000877348,0.00010259216,0.00005930198,0.99536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985634,0.00004169772,0.00022441438,0.00036839015,0.0002740647,0.00052799884],"domain_scores_gemma":[0.9988546,0.00005754588,0.00021289829,0.00061189715,0.00004697666,0.00021613405],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014198483,0.00035600923,0.00039320506,0.000105987296,0.00014394862,0.00004545243,0.00045696978,0.0006044363,0.00594818],"category_scores_gemma":[0.000015392197,0.00034943625,0.00022590061,0.000023740795,0.00014066743,0.00012944866,0.00014501662,0.000599683,0.007894429],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029371042,0.00004075081,0.000096546486,0.000031246724,0.00019697876,0.000039445007,0.0018805142,1.139652e-7,0.000013533081,0.0801219,0.9127709,0.0047786734],"study_design_scores_gemma":[0.00031937423,0.00005747527,0.0012267464,0.00011864566,0.00014272843,0.00003022739,0.000089785535,6.735239e-8,0.00001913718,0.0038204796,0.99375826,0.00041704936],"about_ca_topic_score_codex":0.000070444294,"about_ca_topic_score_gemma":0.000020882555,"teacher_disagreement_score":0.08098736,"about_ca_system_score_codex":0.00016177808,"about_ca_system_score_gemma":0.00011765345,"threshold_uncertainty_score":0.99989575},"labels":[],"label_agreement":null},{"id":"W4399501047","doi":"10.1177/1089313x241256549","title":"Injury Prevalence Among Elite Adolescent Ballet Dancers is not Affected by Frequency of Questionnaire Administration: A 6-Month Exploratory Prospective Study","year":2024,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta Children's Hospital; University of Calgary","funders":"","keywords":"Medicine; Ballet; Physical therapy; Confidence interval; Injury prevention; Occupational safety and health; Prospective cohort study; Poison control; Demography; Dance; Emergency medicine; Surgery; Internal medicine","score_opus":0.019126547510922392,"score_gpt":0.3352013326918235,"score_spread":0.3160747851809011,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399501047","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9867803,0.00675842,0.00091799686,0.0012914647,0.0023698239,0.000518205,0.00004464137,0.00003946375,0.001279718],"genre_scores_gemma":[0.99859005,0.000266449,0.00013904477,0.0003117932,0.00032047162,0.0000110065,6.031425e-7,0.000011941794,0.000348666],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9967014,0.0001853782,0.0007518831,0.0004985951,0.0014954817,0.00036725774],"domain_scores_gemma":[0.99786603,0.00007103724,0.00067154807,0.00041741374,0.00068231666,0.00029166578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019887045,0.00023678756,0.00045300147,0.000349854,0.00017649352,0.0000631829,0.00089439726,0.00005469349,0.00022416034],"category_scores_gemma":[0.00053215644,0.00018267574,0.000091902744,0.0014395855,0.0017178501,0.0016070473,0.00006810257,0.0005729273,0.000015419362],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012888305,0.0047389166,0.71312296,0.0009527168,0.00033862042,0.00076972664,0.08823769,0.000011933433,0.09553699,0.0010255476,0.0756628,0.018313268],"study_design_scores_gemma":[0.0014328962,0.005988709,0.9762858,0.00471866,0.00016260002,0.00006605792,0.006803517,0.000040309984,0.0038863253,0.00013154875,0.00024966992,0.00023390786],"about_ca_topic_score_codex":0.000065697284,"about_ca_topic_score_gemma":0.000015885385,"teacher_disagreement_score":0.26316282,"about_ca_system_score_codex":0.00032651678,"about_ca_system_score_gemma":0.0007201201,"threshold_uncertainty_score":0.74493},"labels":[],"label_agreement":null},{"id":"W4399785560","doi":"10.35619/ucpmk.v48i.778","title":"ЕСТЕТИКА КАБАРЕ В СУЧАСНОМУ ТАНЦЮВАЛЬНОМУ СПОРТІ","year":2024,"lang":"uk","type":"article","venue":"УКРАЇНСЬКА КУЛЬТУРА МИНУЛЕ СУЧАСНЕ ШЛЯХИ РОЗВИТКУ (НАПРЯМ КУЛЬТУРОЛОГІЯ)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.028961237689045186,"score_gpt":0.3518482989024922,"score_spread":0.322887061213447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399785560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09846043,0.104628205,0.0024906883,0.017672481,0.060116883,0.0056062113,0.00649178,0.006414801,0.6981185],"genre_scores_gemma":[0.7661913,0.004662328,0.0014480106,0.006955917,0.009724688,0.00034643424,0.0011841647,0.0013849848,0.20810218],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97268903,0.0021870625,0.0046524378,0.0075709145,0.004320268,0.00858026],"domain_scores_gemma":[0.9845106,0.0024348435,0.0013499006,0.0069032153,0.0009951912,0.0038062488],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0040865312,0.0051987767,0.0046435557,0.0035979147,0.0023649558,0.004247904,0.0064152065,0.004495649,0.063515805],"category_scores_gemma":[0.00090696296,0.0055688303,0.0041340888,0.006167183,0.0029618978,0.004257222,0.0026599073,0.007267673,0.11177324],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019681582,0.0035660749,0.004238088,0.0030706578,0.0055141468,0.008147017,0.011288082,0.000101077174,0.0030961034,0.11615836,0.75103736,0.09181486],"study_design_scores_gemma":[0.006775266,0.0029534318,0.017606657,0.0037236058,0.0030924748,0.0017853561,0.0043989546,0.0016722642,0.0019125369,0.011800875,0.93680996,0.0074686096],"about_ca_topic_score_codex":0.003897958,"about_ca_topic_score_gemma":0.0010464191,"teacher_disagreement_score":0.66773087,"about_ca_system_score_codex":0.0023055898,"about_ca_system_score_gemma":0.0038169492,"threshold_uncertainty_score":0.99975145},"labels":[],"label_agreement":null},{"id":"W4399817773","doi":"10.1515/9782760523937-011","title":"Le Tango Dansé, La CorporéitÉ Et Le Jeu Identitaire","year":2009,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Political science","score_opus":0.014703347620769918,"score_gpt":0.21953094425892064,"score_spread":0.20482759663815073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399817773","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013112452,0.0035468761,0.0010261618,0.004933929,0.0004759674,0.0004937052,0.00027451155,0.00029165976,0.97584474],"genre_scores_gemma":[0.53970253,0.00061079726,0.000301167,0.002327338,0.00024023977,0.000003584338,0.000069622765,0.000114708906,0.45663002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99692273,0.00036520176,0.00044962775,0.0009573293,0.0004464572,0.00085862534],"domain_scores_gemma":[0.9970995,0.00047118397,0.00062718015,0.0010350127,0.0002268274,0.00054024754],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003625614,0.00084892457,0.00086772983,0.00034770765,0.000744244,0.00022412853,0.0016038232,0.0011039113,0.0077331467],"category_scores_gemma":[0.00008326307,0.0011398395,0.000634506,0.000049042777,0.0011486134,0.0005338354,0.0006535376,0.0012801936,0.0035676002],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006837748,0.0004991415,0.0028874925,0.0002553259,0.0010223485,0.0034331551,0.010098725,0.00005696106,0.0006944197,0.8186223,0.081734344,0.08001203],"study_design_scores_gemma":[0.0028590246,0.0004035355,0.007107451,0.00053233525,0.00063547894,0.00047855545,0.0018360056,0.000012350744,0.00025596618,0.005940734,0.97883976,0.0010987787],"about_ca_topic_score_codex":0.10443867,"about_ca_topic_score_gemma":0.07236288,"teacher_disagreement_score":0.89710546,"about_ca_system_score_codex":0.0003726609,"about_ca_system_score_gemma":0.0024012167,"threshold_uncertainty_score":0.99910516},"labels":[],"label_agreement":null},{"id":"W4399817785","doi":"10.1515/9782760523937-018","title":"Le Tango Comme Palimpseste","year":2009,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","score_opus":0.02666522265832427,"score_gpt":0.2258262360610807,"score_spread":0.19916101340275644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399817785","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009123194,0.0036543969,0.0006164737,0.0055427933,0.0005940379,0.00052622706,0.00031199006,0.00028026444,0.9793506],"genre_scores_gemma":[0.37942767,0.0007188692,0.0003722397,0.004447692,0.0005714535,0.000003429308,0.00006869449,0.00013330397,0.6142566],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969906,0.00023757775,0.00045061455,0.0008820358,0.00039687983,0.001042267],"domain_scores_gemma":[0.9969718,0.00045458847,0.00056726445,0.0011612481,0.00021679765,0.000628297],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023107183,0.00088545214,0.00092474214,0.0003115295,0.00078663905,0.00014868035,0.0016496229,0.001028046,0.02165753],"category_scores_gemma":[0.00004649661,0.0011567931,0.0006291472,0.000039291026,0.0010131258,0.00028860845,0.0006142144,0.0011482949,0.007645165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001501533,0.0006636443,0.008653428,0.00040578822,0.0022859685,0.003975183,0.018271457,0.000061331266,0.0005570115,0.41385117,0.18035197,0.3694215],"study_design_scores_gemma":[0.0024376204,0.0006018104,0.006183294,0.00044481317,0.0007918752,0.00033167878,0.00078085065,0.00001521907,0.00017532824,0.0028360342,0.98430324,0.0010982226],"about_ca_topic_score_codex":0.08848707,"about_ca_topic_score_gemma":0.040857162,"teacher_disagreement_score":0.80395126,"about_ca_system_score_codex":0.0005833897,"about_ca_system_score_gemma":0.00116874,"threshold_uncertainty_score":0.9990882},"labels":[],"label_agreement":null},{"id":"W4399817842","doi":"10.1515/9782760523937-007","title":"Le Tango Argentin Et Les Jeux De Représentations","year":2009,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.0244180322977971,"score_gpt":0.2610273519323148,"score_spread":0.2366093196345177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399817842","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025160328,0.0023312748,0.0027688309,0.0067968126,0.00036279947,0.00042347377,0.00029639804,0.0002267614,0.9616333],"genre_scores_gemma":[0.32606936,0.0008938072,0.0013126412,0.0026518048,0.00034373064,0.000005099907,0.000098838085,0.00009960782,0.6685251],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975098,0.0003031272,0.00037248447,0.0007483547,0.00028891885,0.000777339],"domain_scores_gemma":[0.9977069,0.00039930842,0.00047059025,0.00080330763,0.00019349539,0.00042641326],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002549186,0.0005921257,0.00056586834,0.0002985522,0.00075874105,0.00013095728,0.0009839383,0.000773956,0.017666513],"category_scores_gemma":[0.00008876004,0.00080261653,0.00050602155,0.000038277398,0.0006484673,0.00025075476,0.0003619972,0.0009749535,0.0024953536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008149785,0.00066338497,0.017778017,0.00028723266,0.0018097968,0.0020552294,0.036154166,0.0002273105,0.0020149802,0.63889885,0.15542038,0.14387567],"study_design_scores_gemma":[0.0015954112,0.00024287832,0.018861206,0.00030604636,0.00070212036,0.00024550967,0.0020106211,0.000021751932,0.00041675934,0.0033160977,0.9715208,0.00076080963],"about_ca_topic_score_codex":0.0780945,"about_ca_topic_score_gemma":0.055356044,"teacher_disagreement_score":0.8161004,"about_ca_system_score_codex":0.0003850964,"about_ca_system_score_gemma":0.0012065282,"threshold_uncertainty_score":0.99944246},"labels":[],"label_agreement":null},{"id":"W4399817893","doi":"10.1515/9782760523937","title":"Tango, corps à corps culturel","year":2009,"lang":"fr","type":"book","venue":"Presses de l'Université du Québec eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.014105537429108923,"score_gpt":0.21903723687642151,"score_spread":0.2049316994473126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399817893","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013952008,0.006864606,0.00077175675,0.0019497685,0.0010483672,0.00080631924,0.00047603808,0.00040435625,0.9737268],"genre_scores_gemma":[0.05551054,0.0009041636,0.00051471655,0.0039524636,0.001178607,0.000007429939,0.00022118946,0.00013677661,0.9375741],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99570346,0.00049416604,0.0005426759,0.0012091707,0.00060208736,0.0014484191],"domain_scores_gemma":[0.9961376,0.00055739534,0.00082266,0.0012748266,0.00036325536,0.00084425363],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028202133,0.0011681207,0.0011774858,0.0003558854,0.0008524785,0.00021109072,0.0022850144,0.0016018074,0.03180337],"category_scores_gemma":[0.0001277379,0.0013852209,0.00078284426,0.000115050054,0.0012332263,0.0003537359,0.00065857865,0.0017476818,0.013370192],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009435581,0.0005036648,0.0048269155,0.00031941294,0.0012105162,0.0031675175,0.014830267,0.000047636542,0.0003337665,0.010532312,0.8713448,0.09193965],"study_design_scores_gemma":[0.0028554725,0.00076660217,0.010451733,0.0006413127,0.0013426769,0.0006886806,0.001136607,0.000028584842,0.0002042099,0.0009704463,0.97954726,0.0013664272],"about_ca_topic_score_codex":0.036044527,"about_ca_topic_score_gemma":0.018047372,"teacher_disagreement_score":0.108202465,"about_ca_system_score_codex":0.0019701426,"about_ca_system_score_gemma":0.002170482,"threshold_uncertainty_score":0.9998707},"labels":[],"label_agreement":null},{"id":"W4399851829","doi":"10.32396/usurj.v9i2.734","title":"\"Dance and Make Revels\"","year":2024,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Revels; Dance; Art; Visual arts; Art history","score_opus":0.052081868168288636,"score_gpt":0.3317103015682878,"score_spread":0.27962843339999915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399851829","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8837475,0.0072893333,0.0036039008,0.027461905,0.0010945391,0.000308959,0.000107994536,0.00013471974,0.07625112],"genre_scores_gemma":[0.95347154,0.0014455288,0.0007975719,0.000030931613,0.00011114626,7.01674e-8,0.0000023840455,0.000014757277,0.044126052],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978021,0.00042950985,0.00016602241,0.00032898248,0.0006814115,0.00059201755],"domain_scores_gemma":[0.9987028,0.0003518213,0.00006822358,0.000244095,0.00026549114,0.00036754014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017278652,0.00013903584,0.00023513708,0.00053427764,0.0005391165,0.00015629845,0.00047773728,0.0001274007,0.0006110277],"category_scores_gemma":[0.00005024356,0.00014972825,0.000129521,0.0006041896,0.0007915825,0.00038716398,0.0002212323,0.001153557,0.00026634565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019646103,0.00093304174,0.02300002,0.00095306826,0.0027745098,0.013294654,0.14014427,0.000032588046,0.007409602,0.07121537,0.31261086,0.4256674],"study_design_scores_gemma":[0.0043958547,0.0018441741,0.07399508,0.0019375824,0.00022062604,0.0028629943,0.2669681,0.00027374926,0.00049964234,0.08994835,0.55602664,0.0010271971],"about_ca_topic_score_codex":0.0009927886,"about_ca_topic_score_gemma":0.0003825737,"teacher_disagreement_score":0.4246402,"about_ca_system_score_codex":0.00012401314,"about_ca_system_score_gemma":0.0004204713,"threshold_uncertainty_score":0.6690325},"labels":[],"label_agreement":null},{"id":"W4399929787","doi":"10.36939/pawaatamihk/vol2no1/art45","title":"Red River Jig Family Network","year":2024,"lang":"en","type":"article","venue":"Pawaatamihk A Journal of Métis Thinkers","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Lethbridge; Memorial University of Newfoundland","funders":"","keywords":"Geography","score_opus":0.023916824383095912,"score_gpt":0.293526136705326,"score_spread":0.2696093123222301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399929787","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7203326,0.05256008,0.010918225,0.00906196,0.033354662,0.00041390446,0.00012431477,0.00033772265,0.17289647],"genre_scores_gemma":[0.9865522,0.0008575949,0.0032683075,0.0016141757,0.0016225161,0.000001375256,0.0000059628956,0.000042014657,0.0060358993],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981966,0.00017608392,0.00044856875,0.00022112075,0.00044054879,0.00051705784],"domain_scores_gemma":[0.9989387,0.0002157677,0.00022732362,0.00027812648,0.00010565453,0.00023445129],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009842034,0.00019516563,0.00033783025,0.00020493756,0.00013803822,0.00013034843,0.0005309484,0.00015464304,0.0012583002],"category_scores_gemma":[0.000066387685,0.00016962462,0.00031164338,0.0004089353,0.00016383536,0.00055446284,0.00008638349,0.0006697136,0.0008839774],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028865345,0.000098135824,0.00359606,0.00003206384,0.00080747297,0.0018122774,0.005220828,0.00020775454,0.00032105873,0.008989891,0.95448506,0.024140734],"study_design_scores_gemma":[0.0017721624,0.00094449724,0.09165569,0.0006746408,0.00035662594,0.000991176,0.0020400414,0.00012058989,0.000044136697,0.00711146,0.8938221,0.0004669202],"about_ca_topic_score_codex":0.00007052759,"about_ca_topic_score_gemma":0.0000032705439,"teacher_disagreement_score":0.2662195,"about_ca_system_score_codex":0.00009970805,"about_ca_system_score_gemma":0.00011069582,"threshold_uncertainty_score":0.99989396},"labels":[],"label_agreement":null},{"id":"W4400067494","doi":"10.26443/crae.v50i1.266","title":"Zaagi’idiwin: Reflections on Love, Indigenous Teaching Practice, and the Hoop Dance Project","year":2024,"lang":"en","type":"article","venue":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indigenous; Dance; Sociology; Visual arts; Art; Ecology; Biology","score_opus":0.04149948064641158,"score_gpt":0.3776514074229939,"score_spread":0.33615192677658234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400067494","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030653263,0.06407661,0.0000906447,0.4186387,0.006945008,0.0038385773,0.00022151902,0.000073567426,0.4754621],"genre_scores_gemma":[0.8746097,0.013070376,0.0004891322,0.04440615,0.0008627714,0.00040815456,0.00017679839,0.000062340805,0.06591454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790543,0.00077855913,0.00042067343,0.00037647746,0.0001069728,0.00041190768],"domain_scores_gemma":[0.99776083,0.00064612046,0.0002713931,0.000747217,0.00026085778,0.0003135776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023325293,0.00019734574,0.00027152558,0.00029513836,0.000570341,0.00013139634,0.00037432672,0.00008266857,0.00045628322],"category_scores_gemma":[0.0020668837,0.00014812234,0.000089842506,0.0006097937,0.00027741533,0.00028612683,0.000018994775,0.00060343207,0.0005395128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029032544,0.000104988125,0.000050778584,0.001199957,0.0001204509,0.000007375062,0.06931262,0.0000024123226,0.0000065437816,0.43774733,0.46588713,0.025531374],"study_design_scores_gemma":[0.000119736746,0.00008423044,0.00232284,0.0028208022,0.00015574862,0.0003399598,0.0060773576,0.0000072663133,0.0000040620607,0.0010570494,0.986838,0.00017297849],"about_ca_topic_score_codex":0.1920089,"about_ca_topic_score_gemma":0.49881867,"teacher_disagreement_score":0.8439565,"about_ca_system_score_codex":0.0011368607,"about_ca_system_score_gemma":0.0040648174,"threshold_uncertainty_score":0.8133716},"labels":[],"label_agreement":null},{"id":"W4400304081","doi":"10.1515/9782760525429-009","title":"Parler Tango","year":2010,"lang":"fr","type":"book-chapter","venue":"Presses de l'Université du Québec eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Art","score_opus":0.01657344165615884,"score_gpt":0.2149116765898915,"score_spread":0.19833823493373265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400304081","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033213675,0.0022853054,0.0006871374,0.0019259609,0.0015692839,0.00049261644,0.00036708917,0.00024574547,0.9592132],"genre_scores_gemma":[0.25805718,0.00050634105,0.0006606624,0.0016732389,0.0009543454,0.0000055638748,0.00004538909,0.00016147611,0.7379358],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971372,0.00014279796,0.0003944621,0.000913963,0.00041014858,0.0010014474],"domain_scores_gemma":[0.99689424,0.00047205613,0.00051498757,0.0012074598,0.00024862055,0.0006626652],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023540985,0.0008695272,0.00079716876,0.0002964372,0.00067399227,0.00013831806,0.0016103495,0.0015645344,0.15054333],"category_scores_gemma":[0.00007475778,0.0010584814,0.00059310446,0.000029826277,0.0014421773,0.00025372495,0.000786722,0.0019385555,0.020939387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027762465,0.000864684,0.04840578,0.0009378532,0.005374413,0.0064859795,0.047882583,0.000026867308,0.007906477,0.22686441,0.23820442,0.41427028],"study_design_scores_gemma":[0.0016282479,0.00029869663,0.005952705,0.00026801942,0.0008900166,0.00025597707,0.00047927574,0.000009357432,0.00071754225,0.0013791138,0.98708725,0.0010337908],"about_ca_topic_score_codex":0.04384375,"about_ca_topic_score_gemma":0.03636655,"teacher_disagreement_score":0.74888283,"about_ca_system_score_codex":0.00047350462,"about_ca_system_score_gemma":0.00073561975,"threshold_uncertainty_score":0.99973166},"labels":[],"label_agreement":null},{"id":"W4400690275","doi":"10.1353/esc.2021.a932541","title":"Salomania and the Representation of Race and Gender in Modern Erotic Dance by Cecily Devereux (review)","year":2021,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Race (biology); Dance; Representation (politics); Art; Gender studies; Literature; Sociology; Political science; Law","score_opus":0.04594866934754423,"score_gpt":0.3172945438416493,"score_spread":0.2713458744941051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400690275","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7563428,0.2373486,0.000006633748,0.0005317751,0.00039772826,0.0001576506,0.000026880349,0.0000028140216,0.005185094],"genre_scores_gemma":[0.96919745,0.029550904,0.000040082203,0.000870017,0.000016234131,0.000010580735,0.0000029660134,0.0000038282437,0.00030796038],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9992247,0.00015970989,0.0001701308,0.0001819906,0.00013086012,0.00013259154],"domain_scores_gemma":[0.9992931,0.00037426726,0.000062826504,0.00016736232,0.00008038029,0.000022065753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018920682,0.000072888346,0.00026510938,0.0000139175745,0.000035929937,0.000003700078,0.00007821957,0.000018305382,0.000022322853],"category_scores_gemma":[0.0006364988,0.000061968974,0.000010912355,0.00015708987,0.00013395258,0.00006674092,0.000103215905,0.00010784485,1.9651556e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015705863,0.00007438827,0.3286077,0.0009060536,0.00037713948,0.00018459058,0.07992581,0.000061091785,0.000025530408,0.0011920154,0.5766667,0.011821921],"study_design_scores_gemma":[0.0077259145,0.00004357847,0.84849817,0.0008563803,0.0001254136,0.000023897563,0.12490826,0.00009797658,0.00015066692,0.0022857145,0.014842896,0.00044112495],"about_ca_topic_score_codex":0.20069811,"about_ca_topic_score_gemma":0.64612484,"teacher_disagreement_score":0.5618238,"about_ca_system_score_codex":0.000104797735,"about_ca_system_score_gemma":0.000102656595,"threshold_uncertainty_score":0.8046245},"labels":[],"label_agreement":null},{"id":"W4400723865","doi":"10.3138/tric-2023-0042","title":"Mary Fogarty and Imani Kai Johnson (eds), <i>The Oxford Handbook of Hip Hop Dance Studies</i>","year":2024,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Art; Visual arts","score_opus":0.09741861994596762,"score_gpt":0.38550514266323166,"score_spread":0.28808652271726404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400723865","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55072844,0.23136532,0.000008384931,0.013134773,0.0013278045,0.00072566554,0.00024872084,0.000035329314,0.20242558],"genre_scores_gemma":[0.987963,0.010124759,0.000026476408,0.00032390055,0.000112965776,0.000020545902,0.0000030811234,0.000015893716,0.0014093788],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981059,0.0003298549,0.00017704615,0.0002846124,0.00054378255,0.000558833],"domain_scores_gemma":[0.99843735,0.0009883295,0.000022867087,0.00037821537,0.00005571644,0.00011754537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001165584,0.000114581264,0.00021418212,0.00014083573,0.00014029161,0.00003382091,0.0003700209,0.00004669305,0.00019693135],"category_scores_gemma":[0.000019129717,0.00008458151,0.00003068191,0.00047423205,0.00036235375,0.00011596583,0.00021709688,0.0005628978,0.00001662162],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003164159,0.000058041387,0.009857286,0.000488455,0.00026041374,0.00070744654,0.0024985627,0.0000055638275,0.00042601267,0.0009915397,0.68429714,0.30009308],"study_design_scores_gemma":[0.00083259697,0.00033800246,0.0076986747,0.0010096997,0.000025282958,0.000049498725,0.008839461,0.00007255283,0.0010148764,0.003586971,0.97629696,0.00023544801],"about_ca_topic_score_codex":0.7541039,"about_ca_topic_score_gemma":0.7592607,"teacher_disagreement_score":0.43723458,"about_ca_system_score_codex":0.00043450802,"about_ca_system_score_gemma":0.0009378812,"threshold_uncertainty_score":0.3449134},"labels":[],"label_agreement":null},{"id":"W4400729276","doi":"10.1186/s40798-024-00753-1","title":"Health Problems of Professional Ballet Dancers: an Analysis of 1627 Weekly Self-Reports on Injuries, Illnesses and Mental Health Problems During One Season","year":2024,"lang":"en","type":"article","venue":"Sports Medicine - Open","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Mental health; Ballet dancer; Quarter (Canadian coin); Physical therapy; Psychology; Medicine; Health problems; Psychiatry; Gerontology","score_opus":0.026452076682783827,"score_gpt":0.3559858020370104,"score_spread":0.3295337253542266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400729276","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.970703,0.0059042466,0.000011649178,0.016313499,0.0013577038,0.0018550938,0.00019896035,0.000083326006,0.0035724945],"genre_scores_gemma":[0.99595845,0.0010150596,0.00017103461,0.0005784837,0.000102348415,0.0000301101,0.00045321073,0.000026361866,0.0016649268],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9971356,0.00015571713,0.0008853678,0.0006665612,0.00073531945,0.0004214769],"domain_scores_gemma":[0.9982466,0.000044165143,0.0007654655,0.0005174991,0.00007915865,0.0003470876],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016955911,0.00024948004,0.0011016014,0.00048007737,0.00020209454,0.000029342998,0.0002983341,0.00008753059,0.0013742476],"category_scores_gemma":[0.000022367432,0.0002028476,0.00007064765,0.00089197257,0.00021897531,0.00045239014,0.0001985645,0.00025694093,0.000002200269],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018989274,0.006717267,0.6272581,0.012430425,0.0073277685,0.00028561905,0.19161235,0.00026026525,0.0005046481,0.006458632,0.10207089,0.043175098],"study_design_scores_gemma":[0.0017469838,0.0036107767,0.9574241,0.009191709,0.00047167778,0.000052204723,0.011361521,0.00008411862,0.00007376985,0.00026531715,0.015352941,0.00036484847],"about_ca_topic_score_codex":0.007846579,"about_ca_topic_score_gemma":0.00076906016,"teacher_disagreement_score":0.330166,"about_ca_system_score_codex":0.00016579502,"about_ca_system_score_gemma":0.00050109375,"threshold_uncertainty_score":0.99953866},"labels":[],"label_agreement":null},{"id":"W4400792103","doi":"10.3389/fcogn.2024.1385087","title":"This time with feeling: recommendations for full-bodied reporting of research on dance","year":2024,"lang":"en","type":"article","venue":"Frontiers in Cognition","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph; York University","funders":"","keywords":"Dance; The arts; Psychological intervention; Feeling; Modalities; Fidelity; Psychology; Perspective (graphical); Population; Embodied cognition; Style (visual arts); Engineering ethics; Applied psychology; Medical education; Sociology; Computer science; Medicine; Social psychology; Engineering; Visual arts; Social science","score_opus":0.1506733431536907,"score_gpt":0.430818794409041,"score_spread":0.2801454512553503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400792103","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17235488,0.0013472578,0.0580947,0.010791776,0.0053406567,0.0020269458,0.00050842064,0.0002875455,0.7492478],"genre_scores_gemma":[0.9636481,0.00004939795,0.019368676,0.0001675125,0.00018293622,0.00010626198,0.00027014336,0.000025534193,0.016181447],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989473,0.00007413001,0.00034083254,0.00025172817,0.0001698734,0.00021613589],"domain_scores_gemma":[0.9992479,0.00024806784,0.00017393868,0.00014586814,0.00015330628,0.00003088894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012670333,0.00006762551,0.00014875422,0.00035765252,0.000095141455,0.00003086548,0.00008680117,0.00007325431,0.0005781934],"category_scores_gemma":[0.00042881136,0.00006574687,0.000040770217,0.00038712684,0.00008571898,0.00013972248,0.0000151826835,0.00023157777,0.00008389007],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013548542,0.00025059519,0.0013049862,0.0001369034,0.00014094044,0.0000365835,0.0031865744,0.000013366574,0.0004388963,0.0018108512,0.9306535,0.060671937],"study_design_scores_gemma":[0.014596847,0.014563483,0.011746407,0.019811217,0.0006707195,0.0001611132,0.03942943,0.026094971,0.019209087,0.11680015,0.7345677,0.0023488784],"about_ca_topic_score_codex":0.000026579168,"about_ca_topic_score_gemma":0.00000536769,"teacher_disagreement_score":0.7912932,"about_ca_system_score_codex":0.000065476095,"about_ca_system_score_gemma":0.00004571037,"threshold_uncertainty_score":0.63308126},"labels":[],"label_agreement":null},{"id":"W4400814654","doi":"10.3233/jad-230741","title":"Moving Towards a Medicine of Dance: A Scoping Review of Characteristics of Dance Interventions Targeting Older Adults and a Theoretical Framework","year":2024,"lang":"en","type":"review","venue":"Journal of Alzheimer s Disease","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dance; Psychological intervention; Mood; Gerontology; Psychology; Population; Neurocognitive; Intervention (counseling); Cognition; Medicine; Clinical psychology; Psychiatry","score_opus":0.059361431548904,"score_gpt":0.4298751278042871,"score_spread":0.3705136962553831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400814654","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024885475,0.9972762,0.0003505748,0.00022380358,0.0008647717,0.00058083126,0.00028812262,0.0000061675255,0.0001606994],"genre_scores_gemma":[0.0060768165,0.99277997,0.0006623241,0.00010439534,0.00030688377,0.000008315964,0.000018405652,0.000033619737,0.000009240942],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.9962087,0.00036475185,0.0024312066,0.00026680814,0.0004979144,0.00023057398],"domain_scores_gemma":[0.9952212,0.0003344257,0.0033349497,0.00037334333,0.00042195292,0.00031410492],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011967828,0.0003356464,0.0027896876,0.00029564914,0.000031572145,0.000012507267,0.0004468546,0.00017224252,0.0010481825],"category_scores_gemma":[0.0020223127,0.00024384604,0.0011377851,0.00038156024,0.00059607544,0.0001386363,0.00019928665,0.00072111195,0.0000046633827],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019818799,0.00044681277,0.00008469739,0.6437394,0.0026884284,0.00015648457,0.0010001081,4.1461927e-8,3.6331053e-7,0.0048557185,0.0019017302,0.34492803],"study_design_scores_gemma":[0.0003214972,0.00029106368,0.0005894386,0.9785626,0.017868804,0.00004480346,0.00013785325,0.0000016359159,7.0517615e-7,0.00026199812,0.0017413415,0.00017826704],"about_ca_topic_score_codex":0.000005061188,"about_ca_topic_score_gemma":9.148052e-8,"teacher_disagreement_score":0.34474975,"about_ca_system_score_codex":0.000022091108,"about_ca_system_score_gemma":0.00038784652,"threshold_uncertainty_score":0.999865},"labels":[],"label_agreement":null},{"id":"W4400881839","doi":"10.33137/rr.v47i2.43708","title":"Pizan, Christine de. Book of the Body Politic. Ed. and trans. Angus J. Kennedy","year":2024,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Body politic; Art; Art history; Gerontology; Political science; Medicine; Law; Politics","score_opus":0.009827409195952758,"score_gpt":0.2627373486983286,"score_spread":0.25290993950237584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400881839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8656914,0.045070343,0.00067979336,0.003253619,0.0005558341,0.00024310061,0.00007300624,0.00007371538,0.084359154],"genre_scores_gemma":[0.9974229,0.00085563876,0.000020595242,0.0002602296,0.00006136691,0.0000022752822,0.0000049642535,0.0000042408187,0.0013678283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958426,0.000026102163,0.000108833905,0.00008253492,0.00006728554,0.00013095656],"domain_scores_gemma":[0.999788,0.000016691902,0.0000359491,0.00010607355,0.000015485246,0.000037821625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011416904,0.000060516028,0.0000790724,0.00003677295,0.00007874274,0.000022418755,0.000057919297,0.000054359996,0.00008645312],"category_scores_gemma":[0.000008471702,0.00003797132,0.000026550193,0.000075810014,0.000108259206,0.000267228,0.00001541116,0.000081975486,0.00001219726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047643745,0.00035376102,0.023896337,0.0032973958,0.00046439978,0.000037831418,0.053456392,0.000015630632,0.014906729,0.16505994,0.62174875,0.116286375],"study_design_scores_gemma":[0.001136094,0.00036090714,0.47433692,0.0007829435,0.00011660994,0.00019843977,0.0014524303,0.00063884945,0.006766381,0.0016621613,0.51226676,0.00028147726],"about_ca_topic_score_codex":0.0000997172,"about_ca_topic_score_gemma":0.0000027721785,"teacher_disagreement_score":0.4504406,"about_ca_system_score_codex":0.000014686918,"about_ca_system_score_gemma":0.000014119137,"threshold_uncertainty_score":0.15484254},"labels":[],"label_agreement":null},{"id":"W4401268884","doi":"10.1016/j.ptsp.2024.07.006","title":"Understanding musculoskeletal disorders in dancers: The role of lumbopelvic muscles and movement competency","year":2024,"lang":"en","type":"article","venue":"Physical Therapy in Sport","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal; University of Ottawa; Université Laval; Université de Sherbrooke","funders":"Réseau Provincial de Recherche en Adaptation-Réadaptation; Institut de Recherche Robert-Sauvé en Santé et en Sécurité du Travail","keywords":"Physical therapy; Confounding; Musculoskeletal disorder; Medicine; Lower limb; Physical medicine and rehabilitation; Psychology; Human factors and ergonomics; Poison control; Surgery; Internal medicine","score_opus":0.03110790120138746,"score_gpt":0.30706950785747994,"score_spread":0.2759616066560925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401268884","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9806939,0.0012601521,0.000029903556,0.00033528847,0.00014154083,0.00019341597,0.000006540623,0.00001717538,0.017322078],"genre_scores_gemma":[0.9993204,0.00048697094,0.000008441247,0.00007320956,0.00004921376,0.000010505918,0.000002571329,0.000009221739,0.000039493138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9993368,0.000028399905,0.00012673078,0.00019119591,0.000134307,0.00018260285],"domain_scores_gemma":[0.9997303,0.00006796939,0.000028428462,0.0001441064,0.000004047636,0.000025171823],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014269409,0.000098526805,0.00016653287,0.00006748209,0.000027358261,0.000017250366,0.0001368103,0.000028211536,0.00009103881],"category_scores_gemma":[0.000001743211,0.000072766736,0.00007088109,0.00024543217,0.0001609681,0.00012227436,0.0000289688,0.00016637269,0.00000846227],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002499401,0.001228115,0.33068976,0.00006730412,0.00019621135,0.0000229032,0.03648605,0.00008453584,0.0025615967,0.46495044,0.00012290486,0.16334026],"study_design_scores_gemma":[0.0011238288,0.00043160788,0.79008174,0.0001349668,0.000013059299,8.6059237e-7,0.017946607,0.0006521543,0.0001199465,0.18634331,0.002928089,0.00022383899],"about_ca_topic_score_codex":0.00055775326,"about_ca_topic_score_gemma":0.00015742161,"teacher_disagreement_score":0.45939198,"about_ca_system_score_codex":0.000052124284,"about_ca_system_score_gemma":0.000015951497,"threshold_uncertainty_score":0.29673412},"labels":[],"label_agreement":null},{"id":"W4401623040","doi":"10.1016/j.chiabu.2024.106982","title":"“The abuse of minors you witness or experience”: A qualitative study of former professional ballet school students' characterizations of maltreatment","year":2024,"lang":"en","type":"article","venue":"Child Abuse & Neglect","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Association for Theatre Research; University of Toronto; Muscular Dystrophy Canada","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Witness; Child abuse; Poison control; Psychology; Suicide prevention; Qualitative research; Injury prevention; Human factors and ergonomics; Developmental psychology; Medical emergency; Medicine; Sociology; Political science","score_opus":0.028276071124050048,"score_gpt":0.3781429147539057,"score_spread":0.34986684362985565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401623040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.996388,0.0005417859,0.000036599962,0.00011082863,0.0007719726,0.0009845813,0.00013275424,0.000027085944,0.0010063683],"genre_scores_gemma":[0.99550337,0.00016226638,0.000025044936,0.00005490433,0.000045027755,0.00011552867,0.000021328275,0.000018104529,0.004054433],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99817747,0.00028570462,0.0004969372,0.0003064072,0.0004777321,0.00025572642],"domain_scores_gemma":[0.99881446,0.00028955983,0.00025741584,0.00042015803,0.00013022126,0.00008817596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018663294,0.00019328571,0.00034662703,0.00015052652,0.00019926613,0.000030198928,0.0004983763,0.00006857975,0.00060541136],"category_scores_gemma":[0.00006382635,0.00012336067,0.000109756795,0.00051235955,0.00025582325,0.00024107413,0.000063351195,0.0001713014,0.0000356632],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011954196,0.005720092,0.015024401,0.0000883514,0.0011733985,0.000016807824,0.9732029,0.000002736977,0.00070740643,0.0011362206,0.0010102281,0.00072203967],"study_design_scores_gemma":[0.0043553323,0.0034520025,0.38247386,0.001099796,0.00034263765,0.000013426223,0.6023392,0.000007373983,0.0019163047,0.00006886331,0.00358521,0.0003459923],"about_ca_topic_score_codex":0.00011336906,"about_ca_topic_score_gemma":0.000056900386,"teacher_disagreement_score":0.37086368,"about_ca_system_score_codex":0.000045425106,"about_ca_system_score_gemma":0.00008315987,"threshold_uncertainty_score":0.662883},"labels":[],"label_agreement":null},{"id":"W4401673293","doi":"10.1080/14647893.2024.2392594","title":"‘Find your groove’: exploring how dancing can support physical literacy for individuals with Parkinson’s","year":2024,"lang":"en","type":"article","venue":"Research in Dance Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"M.S.I. Foundation","keywords":"Dance; Psychology; Feeling; Class (philosophy); Literacy; Dance education; Thematic analysis; Mathematics education; Pedagogy; Qualitative research; Social psychology; Visual arts; Sociology; Computer science","score_opus":0.24195781621260373,"score_gpt":0.4801764178291737,"score_spread":0.23821860161656996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401673293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98811823,0.00046430752,0.00016446433,0.0059678745,0.0011119643,0.00059657055,0.00007088921,0.000047604415,0.003458082],"genre_scores_gemma":[0.9919509,0.00004985516,0.00085704005,0.00009231607,0.0010616287,0.000691756,0.00007270131,0.000028572375,0.005195218],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981078,0.00015312768,0.00012492912,0.0004911257,0.00046586804,0.00065716077],"domain_scores_gemma":[0.99889535,0.00039915473,0.000037347523,0.0003504267,0.00017023642,0.00014749804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010534127,0.00013118486,0.00016057046,0.00045696725,0.00015361955,0.0004012019,0.00032189544,0.00005655854,0.00007196059],"category_scores_gemma":[0.00015777296,0.00012426922,0.000043908927,0.0008013174,0.000095472176,0.0011203118,0.00006169074,0.00048864895,0.000088492234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031312852,0.0016264891,0.15536822,0.00087638106,0.00015427101,0.000057292607,0.16249292,0.00001850617,0.0010311357,0.027395623,0.121879764,0.5287863],"study_design_scores_gemma":[0.0010596975,0.0010452963,0.31458262,0.0015267759,0.00002641249,0.00003146453,0.027173784,0.00020214626,0.0019387427,0.0066164024,0.6452988,0.0004978752],"about_ca_topic_score_codex":0.00029603642,"about_ca_topic_score_gemma":0.000037127447,"teacher_disagreement_score":0.5282884,"about_ca_system_score_codex":0.00034397887,"about_ca_system_score_gemma":0.0007126547,"threshold_uncertainty_score":0.5067552},"labels":[],"label_agreement":null},{"id":"W4401804135","doi":"10.1057/978-1-349-96110-8_9555","title":"Choirs Ontario","year":2024,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.02997012091847261,"score_gpt":0.26016276993101,"score_spread":0.2301926490125374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401804135","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002618685,0.0017293202,0.0000072036864,0.00007072592,0.0035294683,0.000397113,0.00029364985,0.00023144954,0.9934792],"genre_scores_gemma":[0.47667176,0.000012732221,0.000030442992,0.00029871584,0.00034737584,0.0000070624133,0.00004825137,0.000075743286,0.5225079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99781126,0.00001485946,0.00037507905,0.00080564996,0.0004076977,0.0005854305],"domain_scores_gemma":[0.99845386,0.000062064966,0.00017756903,0.0009710533,0.000059832793,0.00027559788],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001348898,0.0006409163,0.00060187053,0.00030799038,0.00011657066,0.000106323954,0.0005752779,0.0006684418,0.02819888],"category_scores_gemma":[0.000005371072,0.0006425385,0.00048266645,0.000014408084,0.00023368049,5.547836e-7,0.00026857018,0.0009900075,0.02288518],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006717456,5.154141e-7,0.0001561538,0.00004560219,0.00063469564,0.0006254454,0.0024206608,1.0270098e-7,0.000006498087,0.986617,0.0028298146,0.0065962793],"study_design_scores_gemma":[0.0003422842,0.00016615265,0.00095707213,0.00020912077,0.00023679539,0.000072338844,0.000052679676,2.3882376e-7,0.000008645654,0.7223438,0.27500138,0.000609507],"about_ca_topic_score_codex":0.0056569544,"about_ca_topic_score_gemma":0.014634024,"teacher_disagreement_score":0.47640988,"about_ca_system_score_codex":0.000308097,"about_ca_system_score_gemma":0.00014202755,"threshold_uncertainty_score":0.9996026},"labels":[],"label_agreement":null},{"id":"W4402055812","doi":"10.4324/9781003006770-38","title":"Introduction to Part Six","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.029111499547614796,"score_gpt":0.2796817665573853,"score_spread":0.25057026700977053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402055812","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000014027145,0.00021851159,0.000032572865,0.010286132,0.007862322,0.00012072666,0.000049542006,0.00013572714,0.98128045],"genre_scores_gemma":[0.00011823236,0.000019583635,0.00005317023,0.0012192221,0.005344951,0.000002003748,0.00003081994,0.000024659843,0.99318737],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928427,0.0000030278215,0.00010496741,0.00035237567,0.00011174835,0.00014361579],"domain_scores_gemma":[0.99951816,0.000010618878,0.000025602321,0.00033401512,0.0000252779,0.00008634317],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000059321956,0.00014517627,0.0001500017,0.00011877137,0.000025795132,0.00003253415,0.0001250007,0.00019740952,0.12489636],"category_scores_gemma":[0.0000057179823,0.00013884484,0.00008400696,0.000019192325,0.000026435802,0.00004069567,0.00006971153,0.00023144712,0.169972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012885346,0.00000466331,5.948046e-7,0.0000056922163,0.000058942478,0.000011223528,0.000084571926,2.0550006e-7,0.0000014024622,0.44552264,0.55112654,0.003170675],"study_design_scores_gemma":[0.00004805959,0.000119095115,0.000018580742,0.000027453243,0.000048998176,0.000010284279,0.000032206157,7.6421124e-8,0.0000057993802,0.0082866,0.9912427,0.00016014936],"about_ca_topic_score_codex":0.000022462775,"about_ca_topic_score_gemma":0.00001568543,"teacher_disagreement_score":0.44011617,"about_ca_system_score_codex":0.000039736122,"about_ca_system_score_gemma":0.0000095317855,"threshold_uncertainty_score":0.8759036},"labels":[],"label_agreement":null},{"id":"W4402215432","doi":"10.7202/1110024ar","title":"Hagmann, Lea. 2021. Celtic Music and Dance in Cornwall: Cornu-Copia","year":2023,"lang":"en","type":"article","venue":"MUSICultures","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Celtic languages; Dance; Art; History; Visual arts; Ancient history","score_opus":0.035852341095003244,"score_gpt":0.28471719871667317,"score_spread":0.24886485762166993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402215432","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9695611,0.0007059267,0.000004053936,0.000841769,0.0011247286,0.00018481868,0.00003668336,0.000106802174,0.027434131],"genre_scores_gemma":[0.98353577,0.000081204256,0.00003774894,0.0012502208,0.0001924634,0.000014704733,0.000034964076,0.000013362089,0.014839556],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99888563,0.00006135693,0.00015069419,0.00035574863,0.00015064017,0.00039594664],"domain_scores_gemma":[0.99950624,0.000067929686,0.000057226647,0.00024876662,0.000027805481,0.000092050475],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013685507,0.0001603115,0.000204784,0.000110983216,0.00011539795,0.00006172906,0.0002110467,0.00012127338,0.0012348394],"category_scores_gemma":[0.00005556318,0.0001418568,0.000044129298,0.00045072453,0.000121209865,0.00015388333,0.00011232717,0.00020916929,0.0016958413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010666244,0.00016109287,0.03816209,0.000054161224,0.000058249287,0.00033158818,0.0145980725,0.000030603307,0.0026158008,0.0039695012,0.9277404,0.012171767],"study_design_scores_gemma":[0.0009340154,0.000085033804,0.9138065,0.000058648773,0.000014574241,0.000011644238,0.0020686619,0.000024396957,0.00008693967,0.0004375799,0.082254656,0.00021735186],"about_ca_topic_score_codex":0.000392387,"about_ca_topic_score_gemma":0.00067913445,"teacher_disagreement_score":0.8756444,"about_ca_system_score_codex":0.00002560132,"about_ca_system_score_gemma":0.000011924652,"threshold_uncertainty_score":0.9996782},"labels":[],"label_agreement":null},{"id":"W4402666994","doi":"10.1016/j.jclinepi.2024.111529","title":"Farewell and thanks to Tony and Inday Dans","year":2024,"lang":"fr","type":"article","venue":"Journal of Clinical Epidemiology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa; Bruyère; University of Toronto; St. Michael's Hospital","funders":"","keywords":"Medicine","score_opus":0.32472843985818756,"score_gpt":0.5593634772376337,"score_spread":0.23463503737944613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402666994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7465105,0.06887866,0.0063569155,0.14129184,0.024785973,0.0001354175,0.00007137276,0.0000150647065,0.011954265],"genre_scores_gemma":[0.91434675,0.023238635,0.0054273494,0.031469703,0.005442118,0.0000010701852,0.0000019148376,0.000033917444,0.020038517],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99113417,0.004775603,0.002911562,0.00046328735,0.00013350292,0.0005819029],"domain_scores_gemma":[0.96942693,0.028438028,0.00082403235,0.00023558772,0.000108962246,0.0009664879],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.021417731,0.00024060362,0.0021106214,0.00019149347,0.00007085742,0.000041238727,0.00031399322,0.0009017888,0.0007591587],"category_scores_gemma":[0.023818495,0.00019790001,0.0004512327,0.00016972299,0.0009305173,0.00026043446,0.00021893601,0.0020033973,0.0003641697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085350644,0.0003474842,0.31569344,0.00022862823,0.0008787692,0.0009267804,0.0036774913,0.000025679557,0.000027006907,0.065544404,0.24867462,0.3631222],"study_design_scores_gemma":[0.0008531501,0.003418109,0.3891042,0.0004959245,0.00022563688,0.0012011203,0.00058184075,0.00011758457,0.0000030673323,0.012385299,0.5914503,0.0001638305],"about_ca_topic_score_codex":0.00014009236,"about_ca_topic_score_gemma":0.00002896852,"teacher_disagreement_score":0.36295837,"about_ca_system_score_codex":0.00003812767,"about_ca_system_score_gemma":0.00016604451,"threshold_uncertainty_score":0.9844043},"labels":[],"label_agreement":null},{"id":"W4402801085","doi":"10.1080/14927713.2024.2399606","title":"Indigenous dance, sport-for-development, and settler colonial (de)choreographies in the Indian Residential School System","year":2024,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Indigenous; Dance; Colonialism; Sociology; Geography; Visual arts; Art; Archaeology; Ecology","score_opus":0.01779531040501551,"score_gpt":0.2867776892935411,"score_spread":0.26898237888852555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402801085","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9922947,0.0017247457,0.000039142127,0.0005057991,0.0010249125,0.0006992394,0.00007571363,0.00012092598,0.0035148142],"genre_scores_gemma":[0.9977498,0.00004301554,0.00019508218,0.00020181223,0.00034339516,0.00008826628,0.00003368013,0.000023689798,0.0013212552],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99850315,0.00008396589,0.0002726659,0.0003811921,0.00023690298,0.00052209606],"domain_scores_gemma":[0.9994126,0.00010375754,0.000070538736,0.00027517029,0.000027544735,0.000110378074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081969815,0.00019476892,0.00024921846,0.00036865435,0.00026053874,0.00027017907,0.00037889666,0.00020726016,0.000060123162],"category_scores_gemma":[0.000020243851,0.00016080019,0.00007491943,0.00052283355,0.00012795157,0.00022772528,0.000052797663,0.00037282752,0.000162125],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00070284295,0.00024313998,0.75211006,0.0009887283,0.0005411398,0.0018399016,0.13186814,0.0000067590036,0.0001273532,0.044682093,0.05789655,0.008993314],"study_design_scores_gemma":[0.0008250374,0.00015391788,0.7924687,0.000250178,0.000048605943,0.00017483148,0.0046343575,0.0000027296417,0.00009811907,0.00031179585,0.200757,0.00027469886],"about_ca_topic_score_codex":0.0006488593,"about_ca_topic_score_gemma":0.00064167177,"teacher_disagreement_score":0.14286046,"about_ca_system_score_codex":0.00009681541,"about_ca_system_score_gemma":0.00018791133,"threshold_uncertainty_score":0.65572417},"labels":[],"label_agreement":null},{"id":"W4403333902","doi":"10.1177/1089313x241288998","title":"An Update on the Six Recommendations from the 2012 IADMS Standard Measures Initiative: Assessing and Reporting Dancer Capacities, Risk Factors, and Injuries","year":2024,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Protocol (science); Sports medicine; Medicine; Musculoskeletal injury; Psychology; Applied psychology; Physical therapy; Alternative medicine; Pathology","score_opus":0.1110323237565802,"score_gpt":0.40489735192719345,"score_spread":0.2938650281706132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403333902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9660549,0.0044066506,0.0016058885,0.025242232,0.0014903694,0.00007662826,0.000085485095,0.000014477574,0.0010233253],"genre_scores_gemma":[0.9970315,0.0008807223,0.00038521478,0.0012640378,0.0003986601,9.950842e-7,0.0000017820026,0.0000065842796,0.000030492964],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9980711,0.0002790104,0.0005539117,0.00023553487,0.00063132745,0.00022915826],"domain_scores_gemma":[0.99728113,0.0011012172,0.001031429,0.00025078052,0.000202759,0.00013267183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052716285,0.00013714572,0.00025905622,0.00011186398,0.0011998997,0.00029157443,0.00038279008,0.00002730517,0.0002556226],"category_scores_gemma":[0.0026496432,0.0000636404,0.000031490457,0.0003617162,0.002179713,0.0016114778,0.0000696445,0.00062052684,0.0000017199728],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026849483,0.00010722865,0.5155517,0.000027963933,0.00028508066,0.00010019284,0.21425556,0.00002267656,0.0038796158,0.009800759,0.119510956,0.1361898],"study_design_scores_gemma":[0.00047329877,0.0008325997,0.83775365,0.0013778129,0.00017510017,0.00009412222,0.07504709,0.00007614,0.00062412396,0.004498121,0.07884851,0.00019941233],"about_ca_topic_score_codex":0.00032832896,"about_ca_topic_score_gemma":0.00006110422,"teacher_disagreement_score":0.322202,"about_ca_system_score_codex":0.00006845239,"about_ca_system_score_gemma":0.0001828127,"threshold_uncertainty_score":0.92287797},"labels":[],"label_agreement":null},{"id":"W4403353822","doi":"10.29173/mm23","title":"Editorial","year":2024,"lang":"en","type":"editorial","venue":"Movement Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.008641876198867741,"score_gpt":0.28113622180116754,"score_spread":0.2724943456022998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403353822","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000013034561,0.00018926343,0.000012923391,0.0017339758,0.96580017,0.00018414127,0.00074182334,0.00017095852,0.031153714],"genre_scores_gemma":[0.0000037668772,0.00001998491,0.00001283306,0.0027231679,0.9083672,0.000025769923,0.0003379228,0.000055553413,0.088453755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778813,0.000044869383,0.00023574624,0.0005296577,0.00095452747,0.00044709418],"domain_scores_gemma":[0.9990868,0.0001629557,0.00010827319,0.00047551465,0.000058101967,0.00010832887],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002369161,0.0003166764,0.0003029541,0.00015666385,0.000060831586,0.00018914741,0.00051302835,0.0007128624,0.0053911917],"category_scores_gemma":[0.000037777645,0.0003198668,0.00018542862,0.000101489175,0.00006026084,0.00009007268,0.0002032299,0.0008961531,0.020233776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006686909,0.00007418287,0.0000038267294,0.00010065488,0.0003132103,0.00003701406,0.0004259694,3.6144309e-7,0.000012811747,0.00016310005,0.9985044,0.00029761047],"study_design_scores_gemma":[0.00050339766,0.00013378181,0.000008597502,0.00011691616,0.00011757124,9.295334e-8,0.00011076815,1.7138096e-7,0.0000050496665,0.00043070313,0.9982554,0.00031757847],"about_ca_topic_score_codex":0.00046218175,"about_ca_topic_score_gemma":0.000008697881,"teacher_disagreement_score":0.05743292,"about_ca_system_score_codex":0.00019523695,"about_ca_system_score_gemma":0.00007803712,"threshold_uncertainty_score":0.9999253},"labels":[],"label_agreement":null},{"id":"W4403417442","doi":"10.3138/md-67-3-rev6","title":"Katie N. Johnson. <i>Racing the Great White Way: Black Performance, Eugene O’Neill, and the Transformation of Broadway</i>","year":2024,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"White (mutation); Transformation (genetics); Art history; Performance art; Art; History; Biology","score_opus":0.015732373893249343,"score_gpt":0.2449999144254209,"score_spread":0.22926754053217158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403417442","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8264292,0.003657256,0.003699599,0.0035214834,0.00032737266,0.00031170028,0.00003610429,0.000063290565,0.16195403],"genre_scores_gemma":[0.99310106,0.00046821946,0.000027894024,0.00045311352,0.00007797841,0.000007519511,0.0000069498815,0.000013452257,0.005843836],"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9991421,0.000082507686,0.00019559091,0.00016679625,0.00019401016,0.0002189558],"domain_scores_gemma":[0.99950325,0.00010093849,0.00005297436,0.00027425739,0.000031215306,0.00003734853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037606925,0.00012907552,0.0001654373,0.000060676688,0.00018097369,0.00010914146,0.00021235162,0.00007505979,0.00025233257],"category_scores_gemma":[0.000008081569,0.00007437124,0.00008200448,0.00016888279,0.00032598746,0.0003449453,0.000039572387,0.00021409488,0.00017003067],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014702047,0.00014323233,0.0029003453,0.0007177721,0.0007147108,0.000014929154,0.30365467,0.0020530648,0.0006686269,0.032088615,0.07426936,0.5813045],"study_design_scores_gemma":[0.01091636,0.0009843538,0.07706452,0.00088358775,0.00092589983,0.00022612809,0.009113406,0.45152655,0.0040532206,0.008112082,0.43499234,0.0012015554],"about_ca_topic_score_codex":0.000063846215,"about_ca_topic_score_gemma":0.00001264719,"teacher_disagreement_score":0.5801029,"about_ca_system_score_codex":0.000017524257,"about_ca_system_score_gemma":0.000017029826,"threshold_uncertainty_score":0.3032771},"labels":[],"label_agreement":null},{"id":"W4403536842","doi":"10.1080/21507740.2024.2402233","title":"It Takes Two to Tango","year":2024,"lang":"en","type":"letter","venue":"AJOB Neuroscience","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Paul University","funders":"","keywords":"Psychology","score_opus":0.06569790601443395,"score_gpt":0.3515882382118889,"score_spread":0.28589033219745497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403536842","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00080216135,0.000105291074,0.00010781151,0.8199006,0.012630143,0.00022190901,0.00015339754,0.00016710485,0.16591161],"genre_scores_gemma":[0.0028152566,0.0000051988936,0.000050050723,0.82373565,0.0014959549,0.000012691588,0.0000065226623,0.000030042092,0.17184862],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975334,0.000075564465,0.00017717293,0.0009808004,0.0005221161,0.00071093754],"domain_scores_gemma":[0.9989266,0.000094922485,0.00006657342,0.0007379804,0.000031936244,0.00014202207],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014339728,0.00027843384,0.00024040083,0.00025543544,0.00014263649,0.00027565815,0.0013871618,0.00022612732,0.0007809184],"category_scores_gemma":[0.00013472607,0.00026718125,0.00012164269,0.0006880558,0.00023831739,0.00018142148,0.0002098946,0.0012260139,0.013855091],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004055208,0.000016458624,0.00006088415,0.000018629522,0.000003911326,0.0015938504,0.00064042694,0.0000018985335,0.0005115488,0.00021332999,0.99631786,0.0006171255],"study_design_scores_gemma":[0.00008204431,0.00017558764,0.0009906817,0.000052922234,0.000022617642,0.00008306301,0.000032671207,0.0000031429365,0.00004929936,0.00008507153,0.99813336,0.00028956513],"about_ca_topic_score_codex":0.000088150475,"about_ca_topic_score_gemma":0.000010531434,"teacher_disagreement_score":0.013074173,"about_ca_system_score_codex":0.0000398763,"about_ca_system_score_gemma":0.000060106104,"threshold_uncertainty_score":0.99997807},"labels":[],"label_agreement":null},{"id":"W4403648493","doi":"10.1093/9780197776308.001.0001","title":"Resistance and Support","year":2024,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); Biology; Ecology","score_opus":0.023105919053730252,"score_gpt":0.28790186488832425,"score_spread":0.264795945834594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403648493","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000068881377,0.0023730292,0.0000075717503,0.00044386918,0.0009625674,0.00006920198,0.000112614485,0.00008898201,0.99593526],"genre_scores_gemma":[0.0000840358,0.00008326462,0.00006452432,0.0007898898,0.00017230067,0.000001331633,0.000032742977,0.0000178632,0.998754],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941784,0.000007043916,0.00008239033,0.000258922,0.00009198391,0.00014182905],"domain_scores_gemma":[0.9996534,0.000028368939,0.000027873544,0.00021512447,0.00001212679,0.00006311984],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006166859,0.00012179152,0.00015326528,0.00006182513,0.000024418312,0.000037299043,0.00011248564,0.00020711613,0.019015681],"category_scores_gemma":[0.0000036049016,0.000113884234,0.000045941455,0.000019499508,0.00007894624,0.000037772956,0.00006581868,0.00022578453,0.010780537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012683541,0.000004745372,0.000005321058,0.000053713942,0.00005799988,0.00011517301,0.00020601672,7.3788425e-10,1.7942523e-7,0.20215759,0.796516,0.00087058614],"study_design_scores_gemma":[0.00009061606,0.00004005189,0.00020476682,0.000058767047,0.000046720306,0.000009655568,0.00003099248,1.8823192e-8,5.813411e-7,0.013329302,0.98605627,0.00013225387],"about_ca_topic_score_codex":0.0000047378353,"about_ca_topic_score_gemma":0.000024240633,"teacher_disagreement_score":0.18954028,"about_ca_system_score_codex":0.00003092628,"about_ca_system_score_gemma":0.000069944894,"threshold_uncertainty_score":0.9899897},"labels":[],"label_agreement":null},{"id":"W4403735656","doi":"10.1093/oso/9780197775936.003.0003","title":"Layered Meanings of Lion Dance","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Art; Visual arts; Aesthetics","score_opus":0.03494682530743647,"score_gpt":0.28285297432091294,"score_spread":0.24790614901347646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403735656","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012353186,0.0012236744,0.000052812815,0.00019826043,0.0011112457,0.00009204845,0.00008695204,0.00008146724,0.99703],"genre_scores_gemma":[0.01965291,0.0000794226,0.000102166116,0.00022784945,0.00012661875,6.871783e-7,0.000014324077,0.000028160119,0.97976786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992689,0.0000038946973,0.00017079356,0.00026044855,0.00016076422,0.00013519403],"domain_scores_gemma":[0.99945307,0.00003052676,0.00011209344,0.00031421424,0.000041430063,0.00004864536],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000066982226,0.00016637129,0.00026052966,0.00012012979,0.000017090539,0.000012940555,0.00022070501,0.0002757626,0.019467438],"category_scores_gemma":[0.000004949829,0.00015730181,0.00014152059,0.000021776235,0.00007712277,0.00005124764,0.00008838249,0.00025494565,0.0068039624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034845532,0.000012465464,0.000009756913,0.00005587586,0.00016501895,0.000033329194,0.00044566925,1.9565483e-7,0.000038048795,0.8519763,0.14504525,0.002183289],"study_design_scores_gemma":[0.00021521699,0.00018658873,0.00014058959,0.0003258962,0.00008907387,0.000011422065,0.00006448276,0.0000014993063,0.00009909058,0.0396368,0.9589896,0.00023972418],"about_ca_topic_score_codex":0.00007024065,"about_ca_topic_score_gemma":0.000010690611,"teacher_disagreement_score":0.8139444,"about_ca_system_score_codex":0.000022143768,"about_ca_system_score_gemma":0.000016251326,"threshold_uncertainty_score":0.9939694},"labels":[],"label_agreement":null},{"id":"W4403941967","doi":"10.1249/mss.0000000000003585","title":"Systematic Review and Meta-Analysis of the Effects of Dance on Cognition and Depression in Healthy Older Adults","year":2024,"lang":"en","type":"review","venue":"Medicine & Science in Sports & Exercise","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Randomized controlled trial; Dance; Meta-analysis; Mood; Moderation; Anxiety; Cognition; Psychological intervention; Psychology; Clinical psychology; Medicine; Psychiatry; Internal medicine","score_opus":0.037933109064946825,"score_gpt":0.3709511568698033,"score_spread":0.33301804780485644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403941967","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0079302,0.9884511,6.444337e-7,0.000085301974,0.00028693152,0.0030341398,0.000016762982,0.000005254999,0.00018962806],"genre_scores_gemma":[0.06203874,0.93745536,0.000004610784,0.00023193573,0.0000059904387,0.0001398247,0.000005037439,0.000007708597,0.000110779656],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.99723047,0.00023575348,0.001036983,0.0005966276,0.00067463017,0.00022556],"domain_scores_gemma":[0.9979514,0.0003523134,0.00089128164,0.00064117595,0.00007320365,0.0000906335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002489483,0.0002750553,0.004872294,0.0008944859,0.00004166781,0.000007010098,0.0003981297,0.00009722297,0.00008239729],"category_scores_gemma":[0.0006440298,0.00013421882,0.0003099051,0.0033712436,0.00063518184,0.00010689372,0.00011578159,0.0002970236,0.0000023132686],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017667664,0.000115581446,0.000646518,0.9729739,0.00030908498,0.00004261518,0.0016183419,1.2348639e-7,6.3899456e-8,0.0000057426296,0.00017595997,0.024094442],"study_design_scores_gemma":[0.00020634929,0.00009875971,0.015426983,0.64263475,0.34121782,0.000010053132,0.00018895122,0.0000018689605,1.3444344e-7,0.000008751934,0.00008747502,0.00011813486],"about_ca_topic_score_codex":0.00016285603,"about_ca_topic_score_gemma":0.000022221735,"teacher_disagreement_score":0.34090874,"about_ca_system_score_codex":0.000039071976,"about_ca_system_score_gemma":0.00007531885,"threshold_uncertainty_score":0.5473285},"labels":[],"label_agreement":null},{"id":"W4403956997","doi":"10.3389/fnagi.2024.1508074","title":"Editorial: Dance, embodied agency and neuroplasticity in aging","year":2024,"lang":"en","type":"editorial","venue":"Frontiers in Aging Neuroscience","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Embodied cognition; Neuroplasticity; Dance; Agency (philosophy); Psychology; Neuroscience; Sense of agency; Cognitive science; Sociology; Art; Computer science; Visual arts; Social science","score_opus":0.014490335416843924,"score_gpt":0.28657637999128543,"score_spread":0.2720860445744415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403956997","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022906337,0.0011825437,0.00047069235,0.00011517138,0.991158,0.00025412833,0.00013517308,0.00013035363,0.00426331],"genre_scores_gemma":[0.009670592,0.000706575,0.00029432736,0.00024060479,0.9850574,0.000021692562,0.000014372959,0.00007303198,0.003921376],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99585396,0.000255745,0.00045912436,0.0015493192,0.0009399511,0.0009418826],"domain_scores_gemma":[0.9986989,0.0003735414,0.0001838519,0.00050782267,0.000051737505,0.00018412918],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0007878442,0.00046057664,0.00061103224,0.0009361806,0.00016190429,0.00035048477,0.0010632911,0.00048323447,0.000012383374],"category_scores_gemma":[0.0016802255,0.0005134291,0.000078974714,0.0011411242,0.0005279898,0.0004883354,0.0004949077,0.0023952909,0.00003524801],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054348504,0.00006948846,0.0060565574,0.00012526495,0.0000048320467,0.0003788097,0.0014096563,0.000031117816,0.000049988917,0.000048570408,0.9908266,0.0009447636],"study_design_scores_gemma":[0.00064412755,0.00011059271,0.008075947,0.00046621275,0.00003044854,0.0000042843276,0.00013244682,0.0003205474,0.000004491524,0.00054054736,0.98916775,0.0005025746],"about_ca_topic_score_codex":0.0002626635,"about_ca_topic_score_gemma":0.00003114717,"teacher_disagreement_score":0.007379958,"about_ca_system_score_codex":0.00018469391,"about_ca_system_score_gemma":0.00022802407,"threshold_uncertainty_score":0.99990624},"labels":[],"label_agreement":null},{"id":"W4404077856","doi":"10.4324/9781003467809","title":"Performance","year":2024,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University College London; Bard Graduate Center, Bard College; University of Bern; Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung; Smithsonian Institution; Terra Foundation for American Art; Princeton University; Andrew W. Mellon Foundation; Nederlandse Organisatie voor Wetenschappelijk Onderzoek; Smithsonian Libraries; York University; National Science Foundation","keywords":"Computer science","score_opus":0.02824437024148104,"score_gpt":0.28108852669494827,"score_spread":0.25284415645346725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404077856","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012907822,0.0007323965,0.0000030227416,0.00011976889,0.0025673937,0.00006155324,0.00003087674,0.00014980862,0.9962061],"genre_scores_gemma":[0.00057537656,0.000055206176,0.000021980497,0.00052699813,0.00037274839,0.00000158719,0.00002749151,0.000019716483,0.9983989],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994803,0.0000042582597,0.000072542054,0.00019228399,0.000099534685,0.0001510458],"domain_scores_gemma":[0.9996688,0.000014527418,0.000022660699,0.00023840487,0.000011699184,0.000043959466],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004287339,0.00012025405,0.0001253923,0.00007356083,0.00002350015,0.000022932183,0.00018776063,0.00021270235,0.03948182],"category_scores_gemma":[0.0000013052795,0.00010652087,0.00007381354,0.000024092587,0.00004128427,0.00004416569,0.00006249615,0.00029031423,0.13791785],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000064244055,0.000007640874,0.000017720922,0.00004948441,0.00007261382,0.000026846063,0.00016028571,4.786417e-8,1.3254198e-7,0.042247467,0.9481448,0.009266525],"study_design_scores_gemma":[0.00006026601,0.00007405466,0.000295969,0.00007807873,0.000039636958,0.000010802141,0.000015099112,0.00000219345,9.872928e-7,0.0009051568,0.9983811,0.00013666156],"about_ca_topic_score_codex":0.000005862712,"about_ca_topic_score_gemma":0.0000011690954,"teacher_disagreement_score":0.09843602,"about_ca_system_score_codex":0.00005055245,"about_ca_system_score_gemma":0.00006877686,"threshold_uncertainty_score":0.9613962},"labels":[],"label_agreement":null},{"id":"W4404130633","doi":"10.4000/12mv7","title":"Retour à la « culture d’élèves » : la structuration du milieu de la danse moderne au Japon, dans les années 1920 et 1930","year":2024,"lang":"fr","type":"article","venue":"Recherches en danse","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.056549055159198267,"score_gpt":0.367315554369804,"score_spread":0.31076649921060573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404130633","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7466932,0.010884534,0.0053678835,0.012993994,0.0012112551,0.0003176615,0.0006058212,0.00034321964,0.22158244],"genre_scores_gemma":[0.9134931,0.007271657,0.0066165766,0.00039836916,0.00083462463,0.000020358899,0.00015887896,0.000103816266,0.071102604],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900805,0.0077545736,0.00039683917,0.0007564698,0.00031389075,0.0006977539],"domain_scores_gemma":[0.9958492,0.0031018357,0.00011929946,0.0005565711,0.000081062375,0.00029200997],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0037725898,0.0005445867,0.00043963926,0.00015919075,0.00027664474,0.00048011678,0.0006086443,0.0019055979,0.00026314642],"category_scores_gemma":[0.0011449779,0.000539937,0.00029599003,0.00043333607,0.000775641,0.0008135257,0.00015383576,0.0021061054,0.00018386585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065527,0.0005888371,0.00830453,0.0011052638,0.0008548314,0.0012898477,0.71203685,0.00063069945,0.035570383,0.10032857,0.080553904,0.058081027],"study_design_scores_gemma":[0.0019162294,0.0005449734,0.08003234,0.0017147061,0.0007720699,0.0020340097,0.049247406,0.0041883243,0.008194211,0.03609141,0.81382346,0.0014408663],"about_ca_topic_score_codex":0.004661161,"about_ca_topic_score_gemma":0.0008323683,"teacher_disagreement_score":0.7332696,"about_ca_system_score_codex":0.00090241025,"about_ca_system_score_gemma":0.0007306898,"threshold_uncertainty_score":0.9997052},"labels":[],"label_agreement":null},{"id":"W4404298139","doi":"10.7202/1114534ar","title":"Toward Becoming Good Relatives: Not-Dancing to Centre Indigenous Presence in the Dance Classroom","year":2024,"lang":"en","type":"article","venue":"Performance Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Indigenous; Visual arts; Sociology; Psychology; Art; Biology","score_opus":0.03859026297123249,"score_gpt":0.2945081638093557,"score_spread":0.2559179008381232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404298139","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97119,0.00028832402,0.00021891341,0.013794376,0.0012519035,0.00035491062,0.000020932723,0.000086336404,0.012794347],"genre_scores_gemma":[0.9867326,0.0000362019,0.00020021595,0.007856771,0.00013223832,0.000022792114,0.000003204674,0.000018484241,0.0049975165],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99839586,0.000097825905,0.00022362948,0.00036782044,0.00029380852,0.00062104175],"domain_scores_gemma":[0.9992465,0.0002602257,0.00005408678,0.00034591786,0.000016439026,0.000076838405],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005484922,0.00017875255,0.00017195012,0.00016903262,0.00015002453,0.0001488206,0.0005939142,0.00008175326,0.000294934],"category_scores_gemma":[0.000028256294,0.00014594974,0.00005945351,0.00048075608,0.000045314693,0.0005158374,0.00010155257,0.0005027518,0.0020112458],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021099238,0.00015335483,0.23368599,0.0004283123,0.00012284203,0.0002507329,0.65897906,0.0008100817,0.0005445972,0.00087927264,0.08030888,0.023625888],"study_design_scores_gemma":[0.0012370488,0.00045323407,0.6732524,0.0018800786,0.00007473499,0.00012608222,0.06470971,0.001344671,0.0011124323,0.000116348274,0.25463247,0.0010608009],"about_ca_topic_score_codex":0.00019243844,"about_ca_topic_score_gemma":0.000044200002,"teacher_disagreement_score":0.59426934,"about_ca_system_score_codex":0.00020110433,"about_ca_system_score_gemma":0.0000350756,"threshold_uncertainty_score":0.9987658},"labels":[],"label_agreement":null},{"id":"W4404298167","doi":"10.7202/1114535ar","title":"The Speed of the Land: An Interview with Karen Jamieson","year":2024,"lang":"en","type":"article","venue":"Performance Matters","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Psychology","score_opus":0.023083176698626112,"score_gpt":0.27202139720170976,"score_spread":0.24893822050308365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404298167","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9822488,0.00042451522,0.000014559381,0.00722306,0.000729053,0.00009807934,0.00001039997,0.000032689015,0.009218833],"genre_scores_gemma":[0.9952576,0.00005532833,0.000009200303,0.0017081519,0.000046127876,0.0000024309425,0.0000018522384,0.000008468462,0.0029108217],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994873,0.000044130968,0.00008648646,0.00010503311,0.0001173423,0.00015972913],"domain_scores_gemma":[0.9995896,0.00003255789,0.00003542709,0.0003043224,0.000013489828,0.000024557368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019078293,0.00007338477,0.00007587022,0.000023219125,0.0001045036,0.000053235173,0.00035631776,0.000021173211,0.0002876352],"category_scores_gemma":[0.0000017790211,0.000034668214,0.000036674362,0.00012940362,0.00013579476,0.00016955305,0.000049650163,0.00012304635,0.00021731785],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006161225,0.00021390126,0.43167296,0.0009038038,0.0006318403,0.00002061386,0.029934417,0.00015941307,0.00030212497,0.001852952,0.25443673,0.27925512],"study_design_scores_gemma":[0.00046817708,0.000482337,0.7600957,0.0005916561,0.00007047405,0.000044308104,0.0018575694,0.0007098595,0.0005950363,0.000041352243,0.234848,0.00019550194],"about_ca_topic_score_codex":0.00006738354,"about_ca_topic_score_gemma":0.000025335254,"teacher_disagreement_score":0.32842278,"about_ca_system_score_codex":0.000015667345,"about_ca_system_score_gemma":0.000012518378,"threshold_uncertainty_score":0.31494036},"labels":[],"label_agreement":null},{"id":"W4404336527","doi":"10.1080/07370016.2024.2424166","title":"Dance for Wellness: Indigenous adolescents’ Perspectives on Mental Health, Wellness, and Dance","year":2024,"lang":"en","type":"article","venue":"Journal of Community Health Nursing","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan; Saskatchewan Health; Saskatchewan Health Authority","funders":"","keywords":"Dance; Mental health; Indigenous; Psychology; Gerontology; Medicine; Psychiatry; Visual arts; Art","score_opus":0.04071860887269545,"score_gpt":0.39253437279076897,"score_spread":0.3518157639180735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404336527","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8832832,0.06941974,0.0028433525,0.03728747,0.004657155,0.00070886617,0.00011439139,0.000063597414,0.0016222062],"genre_scores_gemma":[0.99464536,0.0021157742,0.00031287075,0.0024271256,0.0003084645,0.0000020047758,0.0000060636416,0.000028113163,0.00015425289],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99774504,0.0008016713,0.0005039437,0.00014833221,0.00027170405,0.000529283],"domain_scores_gemma":[0.998544,0.00028251062,0.00046624916,0.0003187353,0.000066941546,0.0003216101],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0018692982,0.00019317002,0.0004620463,0.000268254,0.0015237114,0.000114159084,0.00039298934,0.00008545801,0.000022171496],"category_scores_gemma":[0.000052292376,0.00018933143,0.00012118059,0.00021755458,0.00023435616,0.00037758326,0.000032468797,0.0013628353,0.000011203109],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013184923,0.0019498895,0.0008900285,0.0010704551,0.00011491832,0.000010678702,0.43278584,0.0000107005735,0.000018664568,0.0045336206,0.039186306,0.5181104],"study_design_scores_gemma":[0.0071716667,0.018406304,0.16132642,0.0374877,0.00009558408,0.0015322461,0.6384716,0.00010807661,0.00017733565,0.006957513,0.12733875,0.0009267941],"about_ca_topic_score_codex":0.00046867452,"about_ca_topic_score_gemma":0.000060120135,"teacher_disagreement_score":0.5171836,"about_ca_system_score_codex":0.00087631115,"about_ca_system_score_gemma":0.00045021833,"threshold_uncertainty_score":0.9997762},"labels":[],"label_agreement":null},{"id":"W4404488697","doi":"10.1080/0075417x.2024.2418903","title":"Commentary on the paper by Shirley Hoxter: ‘The experience of puberty’","year":2024,"lang":"en","type":"article","venue":"Journal of Child Psychotherapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Health Care Foundation","funders":"","keywords":"Psychology; Psychoanalysis; Developmental psychology","score_opus":0.014935185915762155,"score_gpt":0.3041141092304928,"score_spread":0.28917892331473066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404488697","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46043804,0.01393198,0.00027564922,0.48056886,0.004141191,0.00023790315,0.000048955048,0.000019400464,0.04033802],"genre_scores_gemma":[0.85615283,0.0029608174,0.000030368325,0.13822438,0.0007273227,0.0000046278956,0.0000012077994,0.000025902835,0.0018725652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988641,0.00016216852,0.00032332644,0.00012734366,0.00033418328,0.00018883808],"domain_scores_gemma":[0.9990679,0.00027993036,0.00019668654,0.00035863282,0.000032375076,0.00006449992],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043313357,0.00013442844,0.00017996991,0.00006903804,0.00011797214,0.00007109938,0.00066805136,0.000057983987,0.005017716],"category_scores_gemma":[0.0000051830402,0.00006808763,0.0002164397,0.00018457042,0.00018238166,0.00021858167,0.000006570399,0.00046316287,0.000055263652],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004935303,0.0002858369,0.000432773,0.0000035906082,0.00035765275,0.0000102879485,0.01367505,0.0000011460893,0.000595028,0.0034276517,0.9669259,0.0137915565],"study_design_scores_gemma":[0.000706018,0.000596709,0.004887307,0.00015324728,0.000020989899,0.000078922705,0.0012530775,0.0000018845624,0.0005626174,0.0013321445,0.99031585,0.00009125682],"about_ca_topic_score_codex":0.000027507316,"about_ca_topic_score_gemma":0.0000027558806,"teacher_disagreement_score":0.39571476,"about_ca_system_score_codex":0.000017732842,"about_ca_system_score_gemma":0.000012707593,"threshold_uncertainty_score":0.9958918},"labels":[],"label_agreement":null},{"id":"W4404637290","doi":"10.3138/ctr.198.009","title":"Equitable Freedom beyond Proscenium Stages","year":2024,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Aesthetics","score_opus":0.02629986367605299,"score_gpt":0.30017074321895754,"score_spread":0.27387087954290457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404637290","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014495157,0.5465696,0.00000800144,0.0061817346,0.0011816678,0.0003173845,0.00025373127,0.00006779026,0.44527516],"genre_scores_gemma":[0.33935428,0.2807916,0.0005619091,0.049719498,0.0022940233,0.00021734809,0.00034055702,0.0002546037,0.32646617],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988091,0.000065915454,0.00015239033,0.0002799271,0.000103250066,0.0005894423],"domain_scores_gemma":[0.99906373,0.000038159724,0.000021215228,0.00040054412,0.000022720938,0.00045363573],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003109178,0.00014533238,0.0002506962,0.00011284349,0.0001083514,0.00008277547,0.0002902304,0.00007403948,0.012462882],"category_scores_gemma":[0.000015706508,0.0001288924,0.00012026168,0.00033074018,0.00006120494,0.0001667929,0.000028899734,0.0001897626,0.0065881386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014496048,0.000010488418,0.00032611095,0.0015857287,0.000072259136,0.00020764688,0.00016986461,1.6153719e-7,0.0000052318987,0.018723318,0.82464737,0.1542504],"study_design_scores_gemma":[0.0000635274,0.00003968756,0.00030298007,0.0022420145,0.000096614625,0.00003731841,0.00005437682,0.0000013121447,0.0000038480225,0.0002639606,0.99673843,0.00015591699],"about_ca_topic_score_codex":0.0327165,"about_ca_topic_score_gemma":0.016755724,"teacher_disagreement_score":0.33920932,"about_ca_system_score_codex":0.0001622268,"about_ca_system_score_gemma":0.0003660938,"threshold_uncertainty_score":0.9941853},"labels":[],"label_agreement":null},{"id":"W4404738797","doi":"10.61711/jst.2016.25.1.576","title":"The Still Point: That Is Where the Dance Is","year":2016,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Point (geometry); Visual arts; Art; Mathematics; Geometry","score_opus":0.03162624102880667,"score_gpt":0.2854645891793017,"score_spread":0.253838348150495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404738797","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055604775,0.0016206601,0.0006578411,0.22259955,0.0011952984,0.0001880237,0.00006735611,0.00007918101,0.7179873],"genre_scores_gemma":[0.65976155,0.00031818863,0.00002203328,0.014521456,0.00008276112,0.0000032280502,1.377978e-7,0.000006690184,0.32528397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993082,0.000050046212,0.00006888241,0.00016386964,0.00014302642,0.00026594123],"domain_scores_gemma":[0.999032,0.00025967578,0.000047690304,0.000587647,0.000026424359,0.00004656716],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001749301,0.000085704116,0.00006829445,0.000009042567,0.00020770376,0.000048958,0.00052654365,0.000051075007,0.015220321],"category_scores_gemma":[0.000020124964,0.00003155398,0.000064004846,0.0000552699,0.00018373429,0.00015973541,0.000083531275,0.00007749327,0.0065570376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003601117,0.000020342886,0.0045868335,0.0000011199678,0.000053181408,0.0000020153682,0.0026951302,9.06395e-9,0.000045465007,0.017015131,0.9379706,0.03757417],"study_design_scores_gemma":[0.00035507293,0.000049781167,0.03599879,0.000015015299,0.000011005459,0.0000056126937,0.0017145218,8.117423e-7,0.0007480595,0.0021729842,0.9588465,0.00008183649],"about_ca_topic_score_codex":0.0001650867,"about_ca_topic_score_gemma":0.00007465478,"teacher_disagreement_score":0.60415673,"about_ca_system_score_codex":0.00001461295,"about_ca_system_score_gemma":0.0000097662205,"threshold_uncertainty_score":0.9942165},"labels":[],"label_agreement":null},{"id":"W4405130094","doi":"10.1386/jdsp_00128_1","title":"Dance knowledge through the body: Gender roles within contact improvisation","year":2024,"lang":"en","type":"article","venue":"Journal of Dance & Somatic Practices","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Improvisation; Psychology; Choreography; Communication; Visual arts; Art","score_opus":0.0711216735137643,"score_gpt":0.39065357222378183,"score_spread":0.3195318987100175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405130094","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8564724,0.038170166,0.007039785,0.009148421,0.007757122,0.0004194002,0.000022401582,0.00010614432,0.08086421],"genre_scores_gemma":[0.99583733,0.00030398593,0.0012714652,0.00059102126,0.0007756926,0.000005554143,0.0000012928491,0.000021041998,0.0011926063],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808466,0.00036816698,0.0006204678,0.00021198046,0.00041512283,0.00029962044],"domain_scores_gemma":[0.9963829,0.001122098,0.0018917558,0.0003521338,0.00016737584,0.00008376982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015274327,0.00019250851,0.00030487633,0.0000811047,0.00021163635,0.00039203154,0.00058214716,0.00009919759,0.0003063971],"category_scores_gemma":[0.00093637063,0.00012385119,0.00016376148,0.00027337193,0.00010961074,0.0035330523,0.00005908348,0.0006769972,0.00038893326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017883065,0.0026117568,0.013918034,0.0017628685,0.0052724956,0.001118682,0.45354432,0.0002013213,0.023234094,0.25579628,0.19465563,0.046096228],"study_design_scores_gemma":[0.0048760334,0.003102125,0.18260832,0.0033192937,0.0028839617,0.004928775,0.1291936,0.0045548803,0.005489013,0.044589132,0.6129706,0.001484286],"about_ca_topic_score_codex":0.00005785632,"about_ca_topic_score_gemma":0.000027111093,"teacher_disagreement_score":0.41831493,"about_ca_system_score_codex":0.00010643966,"about_ca_system_score_gemma":0.00031899833,"threshold_uncertainty_score":0.5050505},"labels":[],"label_agreement":null},{"id":"W4405309454","doi":"10.1123/wspaj.2024-0014","title":"“It’s a Reflection of How I Feel Inside. . . of How I’m Looking Outside”: Racialized Young Women Athletes’ Descriptions of Body Self-Compassion in Canada","year":2024,"lang":"en","type":"article","venue":"Women in Sport and Physical Activity Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan; University of Toronto","funders":"","keywords":"Athletes; Compassion; Reflection (computer programming); Gender studies; Psychology; Sociology; Political science; Medicine; Law; Computer science; Physical therapy","score_opus":0.019299859218939477,"score_gpt":0.2810454415096684,"score_spread":0.261745582290729,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405309454","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.997633,0.00005232125,0.000025127687,0.00043200335,0.00047336755,0.0001042229,0.000022396762,0.000007959591,0.001249608],"genre_scores_gemma":[0.9995571,0.00005105424,0.00002649716,0.00001769135,0.000096860436,0.000007991753,0.0000015237546,0.000009575643,0.00023171387],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99882907,0.00007257022,0.00022575098,0.00018822357,0.00031846773,0.00036591874],"domain_scores_gemma":[0.99935067,0.00006693135,0.0002713651,0.00011851096,0.000052979773,0.00013954718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044818613,0.0001419382,0.000546286,0.00025346054,0.000057858917,0.000037683727,0.0001136263,0.00006580126,0.00006121998],"category_scores_gemma":[0.000019844994,0.00013243034,0.000075966265,0.00043566132,0.000069977796,0.00048948015,0.00004509603,0.00050981756,4.6033009e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002083762,0.002926993,0.75934803,0.00050259253,0.0005269375,0.00027538528,0.13251968,0.00004942449,0.07731839,0.00083888014,0.0021567806,0.021453176],"study_design_scores_gemma":[0.0015618476,0.0004603889,0.9748274,0.00047534145,0.000036957856,0.000053791096,0.016563037,0.00036745492,0.0028947107,0.0011712721,0.0013659286,0.00022188154],"about_ca_topic_score_codex":0.037925497,"about_ca_topic_score_gemma":0.022597888,"teacher_disagreement_score":0.21547937,"about_ca_system_score_codex":0.0008258055,"about_ca_system_score_gemma":0.0004422626,"threshold_uncertainty_score":0.9952372},"labels":[],"label_agreement":null},{"id":"W4405462227","doi":"10.5507/euj.2024.011","title":"\"When We Dance It's Never Just Dancing...\": Understanding the experiences and perspectives of adult dancers with neurodevelopmental disability.","year":2024,"lang":"en","type":"article","venue":"European Journal of Adapted Physical Activity","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"Research Manitoba","keywords":"Dance; Psychology; Developmental psychology; Visual arts; Art","score_opus":0.062378958580087206,"score_gpt":0.2903609380054833,"score_spread":0.22798197942539608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405462227","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98711437,0.00019510012,0.0025050917,0.00356529,0.00030135244,0.000093958406,0.0000099277,0.000018625376,0.0061962684],"genre_scores_gemma":[0.9994262,0.000032553857,0.0001452369,0.00006878597,0.00019092884,8.364328e-7,2.0964741e-7,0.000018307657,0.00011697627],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985876,0.00039969306,0.00017949745,0.00026937228,0.00035400072,0.00020980719],"domain_scores_gemma":[0.99910635,0.00031942458,0.00022256865,0.00017885935,0.00006740358,0.00010538369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002835823,0.00017867096,0.00027128003,0.00004359985,0.00015702941,0.00008153755,0.00029846423,0.000015661288,0.0000712293],"category_scores_gemma":[0.00005154943,0.000111185225,0.000102637896,0.00021789155,0.0009764423,0.0008724831,0.00008775873,0.00046016395,0.000005792586],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031081226,0.0016224207,0.0028781402,0.00015648226,0.0009109887,0.00041671772,0.93143743,0.00013599034,0.005442303,0.012237838,0.0045991945,0.03705437],"study_design_scores_gemma":[0.0018976217,0.0027666048,0.212893,0.0009799065,0.00024706207,0.0002969557,0.77501124,0.0005286684,0.0020333056,0.0005972817,0.002197924,0.0005504466],"about_ca_topic_score_codex":0.00002031985,"about_ca_topic_score_gemma":0.0000040611203,"teacher_disagreement_score":0.21001486,"about_ca_system_score_codex":0.00012947532,"about_ca_system_score_gemma":0.000059003043,"threshold_uncertainty_score":0.4534002},"labels":[],"label_agreement":null},{"id":"W4405700390","doi":"10.1007/978-3-031-56681-3_38","title":"Queer Theater Festivals in Canada","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Queer; Visual arts; Art; Art history; History; Sociology; Gender studies","score_opus":0.02629119477584143,"score_gpt":0.2536692694801142,"score_spread":0.22737807470427276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405700390","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036107254,0.00057311857,0.0000012881559,0.000911605,0.0017136537,0.00010610514,0.000105566796,0.000025980273,0.99620163],"genre_scores_gemma":[0.027210094,0.000019549427,0.000008347423,0.0014380637,0.000096551266,0.000001603008,0.000011211475,0.000026613208,0.97118795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992228,0.0000063288358,0.00014174698,0.00026382486,0.00015144686,0.00021385329],"domain_scores_gemma":[0.999602,0.00003844728,0.00002788147,0.00025122103,0.0000132176,0.00006722678],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000049256985,0.0001832861,0.0002232259,0.000091414826,0.000012699576,0.000017632143,0.00017863695,0.00016465253,0.052446358],"category_scores_gemma":[0.0000021152139,0.00015490121,0.00005437776,0.00001449738,0.00002589799,0.000031811433,0.00006387243,0.0003503323,0.0048712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001968572,0.000005298008,0.00040418567,0.00002166809,0.00011803992,0.0010748139,0.00020852625,7.064528e-7,4.827099e-7,0.39241898,0.60396904,0.001758561],"study_design_scores_gemma":[0.00013445278,0.000023386754,0.0012762381,0.00013411873,0.000025146997,0.000017429802,0.00008946757,7.847549e-7,0.000002744847,0.012394197,0.98566484,0.00023718609],"about_ca_topic_score_codex":0.92203826,"about_ca_topic_score_gemma":0.93906057,"teacher_disagreement_score":0.38169578,"about_ca_system_score_codex":0.00031966122,"about_ca_system_score_gemma":0.0003199977,"threshold_uncertainty_score":0.9959036},"labels":[],"label_agreement":null},{"id":"W4405947479","doi":"10.4312/mz.60.2.67-79","title":"Historical Power Imbalances and the Branding of &lt;i&gt;Vannam&lt;/i&gt; Dances as Sinhalese Cultural Heritage","year":2024,"lang":"en","type":"article","venue":"Musicological Annual","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Power (physics); Cultural heritage; Art; History; Political science; Archaeology","score_opus":0.02421958380430023,"score_gpt":0.279907103572017,"score_spread":0.25568751976771675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405947479","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9022623,0.014973782,0.000036010137,0.0044607534,0.0020420414,0.00022360522,0.000075136544,0.00012189156,0.07580452],"genre_scores_gemma":[0.98810226,0.0001472997,0.00006630352,0.000838788,0.00026260896,0.000014468962,0.000004373762,0.000009095859,0.010554786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836636,0.00021990237,0.0002970772,0.00042475984,0.00029330078,0.00039860254],"domain_scores_gemma":[0.9990267,0.00050273846,0.000090725676,0.00018388512,0.00006948097,0.00012646796],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043425648,0.00021559543,0.0004345524,0.000057179444,0.0002038377,0.000105632156,0.0003611797,0.00020355718,0.0015419236],"category_scores_gemma":[0.00021550851,0.0001222861,0.00018869812,0.00026348673,0.00091482454,0.0003394948,0.00018955345,0.0002918683,0.00016286272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002820835,0.0009246062,0.0028409834,0.00012192772,0.00042123094,0.0008195602,0.038786165,0.000008520767,0.0079292795,0.47214875,0.45924526,0.013932883],"study_design_scores_gemma":[0.002017881,0.0014313026,0.048782535,0.000087023494,0.00009404384,0.00015213063,0.0030699119,0.000031816224,0.000045342804,0.003270518,0.94063085,0.00038665909],"about_ca_topic_score_codex":0.000029429133,"about_ca_topic_score_gemma":0.000013928247,"teacher_disagreement_score":0.4813856,"about_ca_system_score_codex":0.00007950084,"about_ca_system_score_gemma":0.000022552404,"threshold_uncertainty_score":0.9993708},"labels":[],"label_agreement":null},{"id":"W4405989596","doi":"10.3167/turba.2024.030207","title":"Interviews and Conversations","year":2024,"lang":"en","type":"article","venue":"TURBA","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology; Psychology; Linguistics; Philosophy","score_opus":0.036495982955506906,"score_gpt":0.32722001347387264,"score_spread":0.2907240305183657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405989596","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4108025,0.008475404,0.00048721433,0.0049393256,0.0024352137,0.00009960682,0.00003586692,0.00018420565,0.57254064],"genre_scores_gemma":[0.97430575,0.00002285296,0.000032874515,0.00050254125,0.000050162962,0.0000011904556,0.0000027353378,0.000002557191,0.025079338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998035,0.000011648384,0.000031806398,0.00007309525,0.0000225422,0.00005743846],"domain_scores_gemma":[0.99987876,0.00002346939,0.000004508549,0.00006448236,0.0000036581225,0.000025095305],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004100118,0.000027747079,0.000033946704,0.00002579965,0.000018197232,0.000027843284,0.000036427464,0.000019429195,0.0030790695],"category_scores_gemma":[0.000004278997,0.000024704275,0.000015532332,0.000042287942,0.000028448503,0.00006782599,0.000017676166,0.000048077716,0.001965137],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012320954,0.00003340496,0.0016864041,0.000041142594,0.000090025416,0.00004751831,0.024757601,1.2718849e-7,0.00011351652,0.13719593,0.7570091,0.07901289],"study_design_scores_gemma":[0.00013047301,0.00004646011,0.021667551,0.00002608422,0.000017383554,0.00001589751,0.00088647596,0.000033562806,0.000028042154,0.0013255002,0.97576386,0.000058717753],"about_ca_topic_score_codex":0.00003782808,"about_ca_topic_score_gemma":0.0000032030862,"teacher_disagreement_score":0.56350327,"about_ca_system_score_codex":0.0000055009145,"about_ca_system_score_gemma":0.0000037545226,"threshold_uncertainty_score":0.99881196},"labels":[],"label_agreement":null},{"id":"W4406136899","doi":"10.18848/2152-7857/cgp/v16i01/1-24","title":"Exploring the Practice and Meanings of Tai Chi Among Chinese-Speaking Practitioners in Ottawa, Canada","year":2025,"lang":"en","type":"article","venue":"The International Journal of Sport and Society","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Family medicine; Gerontology; Medical education; Medicine; Gender studies; Sociology","score_opus":0.019401097699383613,"score_gpt":0.286547157225226,"score_spread":0.26714605952584236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406136899","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9842358,0.00020354734,0.000017977474,0.007208468,0.00069226156,0.00003554776,0.0000021384526,0.0000013813873,0.0076028532],"genre_scores_gemma":[0.99817073,0.0003248333,0.00009678415,0.0011060874,0.000093673574,7.321104e-7,7.0458873e-7,0.0000022498507,0.00020418121],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994002,0.000009695256,0.0002106892,0.000054813863,0.000254308,0.00007031112],"domain_scores_gemma":[0.99932307,0.00011328508,0.00033416663,0.00005322957,0.00015594468,0.000020291183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068877486,0.00005314138,0.0000999463,0.000030037261,0.00007440292,0.000029579325,0.00021958642,0.000017850027,0.000020328083],"category_scores_gemma":[0.000057640904,0.000032526277,0.000046763013,0.000087297696,0.000095388525,0.00047103068,0.000053679967,0.00025253612,1.1885603e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024705994,0.00009820683,0.9332656,0.000012232522,0.0009863995,0.000065519635,0.039430078,0.00009809755,0.0001017055,0.014305422,0.008988693,0.0024009368],"study_design_scores_gemma":[0.00041882243,0.00001607752,0.95776755,0.000074133,0.000032786702,0.000059436243,0.030269949,0.00002755765,0.000027122813,0.00017197762,0.0110992035,0.000035370842],"about_ca_topic_score_codex":0.07014337,"about_ca_topic_score_gemma":0.012361162,"teacher_disagreement_score":0.057782207,"about_ca_system_score_codex":0.00005889901,"about_ca_system_score_gemma":0.00010564585,"threshold_uncertainty_score":0.9360486},"labels":[],"label_agreement":null},{"id":"W4406393990","doi":"10.7202/1115469ar","title":"Exploring Women’s Transformative Learning and Community Building through Practicing Martial Arts to Disrupt Gendered and Hetero-Patriarchal Norms","year":2024,"lang":"en","type":"article","venue":"International Journal for Talent Development and Creativity","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Transformative learning; Martial arts; Gender studies; Sociology; The arts; Visual arts; Aesthetics; Psychology; Pedagogy; Art","score_opus":0.1689215614326524,"score_gpt":0.39744694115320756,"score_spread":0.22852537972055514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406393990","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97407734,0.00017758975,0.023026768,0.00075309497,0.0008971042,0.00016779006,0.000023474853,0.000029583973,0.0008472676],"genre_scores_gemma":[0.9967775,0.00023290659,0.002385132,0.00007982711,0.00014105234,0.00005298829,0.0000072782573,0.000010972811,0.00031238954],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9989773,0.00012307298,0.00023258316,0.00016949736,0.00023711787,0.0002604451],"domain_scores_gemma":[0.99928534,0.00038225696,0.00007537086,0.00003614347,0.00006820736,0.00015268763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085867406,0.00015049186,0.00016577847,0.00015224134,0.00067815435,0.00036463217,0.00009868158,0.00003719629,0.000064971595],"category_scores_gemma":[0.000103256374,0.00013475752,0.000037561287,0.00005231388,0.000056550307,0.0013727857,0.00011570387,0.0005022907,0.000003860549],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015724273,0.00023935855,0.024495978,0.00015165664,0.0012820549,0.00012516454,0.59864664,0.000022640514,0.0013451659,0.0027993864,0.0001632251,0.3691563],"study_design_scores_gemma":[0.0085831955,0.0030382616,0.3421613,0.0024306977,0.00021604286,0.0032067292,0.3070227,0.0008763637,0.011235137,0.007839742,0.31150794,0.001881917],"about_ca_topic_score_codex":0.00004941955,"about_ca_topic_score_gemma":0.000017632348,"teacher_disagreement_score":0.36727437,"about_ca_system_score_codex":0.00018743803,"about_ca_system_score_gemma":0.000034212448,"threshold_uncertainty_score":0.5495252},"labels":[],"label_agreement":null},{"id":"W4406486261","doi":"10.1016/s0029-7437(08)70627-x","title":"10.1016/s0029-7437(08)70627-x","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Art","score_opus":0.012132452168904724,"score_gpt":0.2185757864395798,"score_spread":0.2064433342706751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406486261","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028611023,0.000068686095,7.580237e-7,0.000430706,0.0000014018057,0.00012398775,0.00004096427,0.00015495186,0.99631745],"genre_scores_gemma":[0.0006525441,1.9214353e-7,0.000060028146,0.00022174392,0.00014956406,0.000004899331,0.000011751701,0.000016113803,0.9988832],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911195,0.000043180607,0.00011664515,0.0002385927,0.00013953702,0.00035008264],"domain_scores_gemma":[0.9993708,0.000036369183,0.000025213172,0.00036123925,0.000024410903,0.00018192464],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009760542,0.00012733073,0.0001521237,0.000066669614,0.00008514665,0.000033896897,0.00031243666,0.00007215536,0.999816],"category_scores_gemma":[0.000016884964,0.00013467594,0.00006584113,0.00017211815,0.000043157066,0.00012547798,0.000038670154,0.00012223622,0.9996918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014576239,0.000099661105,8.963674e-7,0.000001937741,0.000028971746,0.000013306268,0.00009218458,0.000005054996,0.0000075393823,0.000006212829,0.8383131,0.16128539],"study_design_scores_gemma":[0.00042210706,0.00025481766,0.0007467593,0.000009587412,0.00001777819,0.00001530597,0.000006309684,0.0000052086984,0.00002048577,0.000011161392,0.99831665,0.00017383287],"about_ca_topic_score_codex":0.00006033648,"about_ca_topic_score_gemma":1.5456989e-7,"teacher_disagreement_score":0.16111155,"about_ca_system_score_codex":0.000025914815,"about_ca_system_score_gemma":0.000013335606,"threshold_uncertainty_score":0.54919255},"labels":[],"label_agreement":null},{"id":"W4406715329","doi":"10.1007/978-3-031-76113-3_15","title":"7 Fingers Back and Forth Across the Border: A Tale of Two Countries and Their Circus Collaborations","year":2025,"lang":"en","type":"book-chapter","venue":"Canada and international affairs","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Saint Paul University","funders":"Concordia University; University of Alberta; Queen's University; McGill University","keywords":"Visual arts; Genealogy; History; Art","score_opus":0.013070397529781874,"score_gpt":0.2695242064999462,"score_spread":0.2564538089701643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406715329","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01585829,0.005754578,0.000039646282,0.004958652,0.001231981,0.00027755264,0.0073921503,0.0000092260025,0.9644779],"genre_scores_gemma":[0.50117445,0.0011090388,0.000015053928,0.0009275028,0.0000810482,0.0000047729704,0.00009837584,0.000010630075,0.4965791],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943995,0.000007896684,0.00014369695,0.00018159287,0.000115710776,0.00011112479],"domain_scores_gemma":[0.9994254,0.0001398027,0.0001201297,0.000115917086,0.00014909134,0.00004966945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000056706584,0.00013942897,0.0001701691,0.00003820412,0.00015326077,0.000057534606,0.00014196004,0.00007149478,0.00058795634],"category_scores_gemma":[0.000016445107,0.0001110014,0.000023401806,0.0000222712,0.00032224535,0.00007623761,0.00008421143,0.00011698377,0.0000015554496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014977902,0.000023148415,0.005112835,0.0001455347,0.0012507432,0.000019279167,0.005368048,0.0000053855165,0.000009052307,0.56470484,0.4100909,0.013120487],"study_design_scores_gemma":[0.0005433655,0.000046517103,0.0020566792,0.00010254102,0.000030715568,0.000016347421,0.003595498,0.000017594322,0.0000079937445,0.0023080371,0.9911231,0.00015165778],"about_ca_topic_score_codex":0.037973203,"about_ca_topic_score_gemma":0.37993836,"teacher_disagreement_score":0.58103216,"about_ca_system_score_codex":0.000049915412,"about_ca_system_score_gemma":0.0002830833,"threshold_uncertainty_score":0.968433},"labels":[],"label_agreement":null},{"id":"W4406847857","doi":"10.5539/ies.v18n1p102","title":"Development of Strategies for Sustainable Development of Chinese Dance Teacher Leadership in Shandong Province","year":2025,"lang":"en","type":"article","venue":"International Education Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Sustainable development; Dance education; Instructional leadership; Pedagogy; Psychology; Sociology; Mathematics education; Political science; Educational leadership; Visual arts","score_opus":0.13372096687639942,"score_gpt":0.4211651490863501,"score_spread":0.2874441822099507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406847857","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9686549,0.0013607652,0.0024908471,0.0007360485,0.00087870285,0.00028161122,0.00000291757,0.000009655429,0.025584597],"genre_scores_gemma":[0.95093286,0.0000058089254,0.010271513,0.000092841336,0.000022047074,0.00012513455,0.0000107918195,0.0000032678088,0.03853571],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992541,0.00001626543,0.00032720747,0.00014572896,0.00011980318,0.00013686484],"domain_scores_gemma":[0.99893314,0.00007965393,0.00015380906,0.00007724233,0.00074457616,0.000011611347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002779397,0.000084130865,0.00015619339,0.00022907613,0.000060273396,0.000012850693,0.00019592323,0.000030279465,0.00004941758],"category_scores_gemma":[0.0002646943,0.000079303936,0.000025953885,0.00015089482,0.00006754545,0.00020894018,0.00006273429,0.000047889185,0.0000031707818],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008358051,0.0030957686,0.4666289,0.0018998527,0.001547294,0.0000016771218,0.27082133,0.000074537435,0.0005527658,0.16907065,0.017677031,0.06779438],"study_design_scores_gemma":[0.00082945806,0.000022410964,0.5661818,0.00030249718,0.000008926109,3.2662226e-7,0.39981347,0.0000058912765,0.0009284201,0.0033227985,0.028461179,0.0001228178],"about_ca_topic_score_codex":0.000031511696,"about_ca_topic_score_gemma":0.00018579134,"teacher_disagreement_score":0.16574785,"about_ca_system_score_codex":0.00019977089,"about_ca_system_score_gemma":0.0012010392,"threshold_uncertainty_score":0.32339206},"labels":[],"label_agreement":null},{"id":"W4407167971","doi":"10.5117/9789463725576_ch02","title":"Archival Research and Festival Studies' Historiographical Narratives","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Historiography; Narrative; History; Literature; Art; Archaeology","score_opus":0.20201197378175983,"score_gpt":0.43415790685388805,"score_spread":0.23214593307212822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407167971","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003546375,0.0055981386,0.000018816674,0.002018437,0.0010847294,0.00024229543,0.000046899568,0.00006142603,0.9905746],"genre_scores_gemma":[0.0014575098,0.0013168879,0.00030807874,0.00014591758,0.00024710584,0.000004807206,0.000010829436,0.000017082586,0.9964918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984103,0.00009370062,0.00019062008,0.0005651789,0.0003798744,0.00036031165],"domain_scores_gemma":[0.9986599,0.0005715581,0.000054474396,0.00037532393,0.00019586695,0.00014287439],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041074227,0.00025455345,0.00043445666,0.0006052075,0.00033619328,0.000030936262,0.0002749105,0.00025712588,0.0013297757],"category_scores_gemma":[0.000051609415,0.00022919683,0.000109408946,0.00007371589,0.0014792738,0.0000631618,0.00027556095,0.0010995667,0.00023799606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012937652,0.000035712932,0.00005388588,0.000032714775,0.00040939925,0.00006980796,0.0025551843,4.20911e-9,0.0000013890239,0.6507091,0.3420664,0.0039370144],"study_design_scores_gemma":[0.0003371725,0.00056155317,0.00068814814,0.00018818585,0.000026753156,0.000010691815,0.0013896235,6.9368724e-8,6.558683e-7,0.14305902,0.85351944,0.00021872566],"about_ca_topic_score_codex":0.000052875403,"about_ca_topic_score_gemma":0.000039647137,"teacher_disagreement_score":0.51145303,"about_ca_system_score_codex":0.00007733207,"about_ca_system_score_gemma":0.00009055011,"threshold_uncertainty_score":0.9995831},"labels":[],"label_agreement":null},{"id":"W4407250342","doi":"10.24908/encounters.v22i0.15254","title":"Artwork: Fern Dance","year":2021,"lang":"en","type":"article","venue":"Encounters in Theory and History of Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fern; Dance; Art; Visual arts; Botany; Biology","score_opus":0.015832391203454824,"score_gpt":0.2948616276028996,"score_spread":0.27902923639944477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407250342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6403138,0.01254635,0.00016181031,0.00010505459,0.0049866233,0.000039891358,0.0000027567232,0.000007859235,0.34183583],"genre_scores_gemma":[0.9422111,0.00007062164,0.00009753645,0.0005536455,0.000057960904,0.0000037569284,0.000005359024,0.000003533918,0.056996483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951816,0.00012876707,0.00009489235,0.00012862272,0.00004780712,0.0000817619],"domain_scores_gemma":[0.9996557,0.00008328389,0.000057742713,0.00014756703,0.00002937269,0.000026323054],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030175247,0.000048135462,0.000082501705,0.000059986607,0.000020582922,0.0000031353545,0.0000645872,0.000039897244,0.00138826],"category_scores_gemma":[0.000054041862,0.000057198646,0.000020040638,0.00005126758,0.00013589357,0.0001080089,0.000012716857,0.00007516817,0.000025596662],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005487211,0.0013897467,0.0276393,0.000101227924,0.000052645522,0.000014293421,0.11348527,0.0000055361747,0.0016511003,0.60674495,0.16754045,0.08082676],"study_design_scores_gemma":[0.000784396,0.00014214644,0.1873757,0.0002992024,0.000037730777,0.000034453067,0.04110163,0.0000030291842,0.00025042624,0.038593818,0.73107255,0.0003049324],"about_ca_topic_score_codex":0.00004448077,"about_ca_topic_score_gemma":0.000024389363,"teacher_disagreement_score":0.5681511,"about_ca_system_score_codex":0.00016614486,"about_ca_system_score_gemma":0.00018720061,"threshold_uncertainty_score":0.9995246},"labels":[],"label_agreement":null},{"id":"W4407267694","doi":"10.12794/metadc1703295","title":"A Conductor's Guide to Lionel Daunais's Figures de danse","year":2020,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Conductor; Art history; Materials science; Composite material","score_opus":0.03254122394434657,"score_gpt":0.3638083524960869,"score_spread":0.33126712855174034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407267694","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13931668,0.00027116656,0.00016230701,0.0011761666,0.0020859102,0.00029076973,0.000091966285,0.00016488902,0.8564401],"genre_scores_gemma":[0.11836333,0.000040051746,0.0015025111,0.008979811,0.00046813136,0.000032484822,0.0010652357,0.000058975344,0.8694895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987661,0.000060230846,0.0002145276,0.00041474067,0.00019834613,0.000346014],"domain_scores_gemma":[0.99912405,0.000057114627,0.00009454805,0.00033989234,0.00007711158,0.00030730283],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009009354,0.00024182604,0.00029317648,0.00013006965,0.00008395932,0.00006388465,0.0004561232,0.00031729715,0.011178824],"category_scores_gemma":[0.00017683422,0.00024856816,0.00012571365,0.00019328574,0.000016906295,0.00009284459,0.000031820597,0.00029053324,0.0058231195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031597455,0.00007966945,0.00023882643,0.000059392878,0.00014729916,0.00008558339,0.011697038,0.0000013437294,0.0021739495,0.0054800105,0.9782835,0.0014374136],"study_design_scores_gemma":[0.0006403342,0.00033567272,0.0305886,0.00011616692,0.00011413116,0.000009495731,0.015077707,0.0000024694539,0.0030018787,0.00020904999,0.9493646,0.00053988217],"about_ca_topic_score_codex":0.0011939224,"about_ca_topic_score_gemma":0.00035646802,"teacher_disagreement_score":0.030349774,"about_ca_system_score_codex":0.00005946517,"about_ca_system_score_gemma":0.0001306696,"threshold_uncertainty_score":0.99999666},"labels":[],"label_agreement":null},{"id":"W4407374326","doi":"10.1111/jade.12562","title":"Artivist Childhoods","year":2025,"lang":"en","type":"article","venue":"International Journal of Art & Design Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Southern Cross University","keywords":"Psychology; Psychoanalysis","score_opus":0.015204550163571109,"score_gpt":0.3612136430243671,"score_spread":0.346009092860796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407374326","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21165141,0.0013679637,0.31343228,0.04288425,0.045279585,0.00032722455,0.000012053421,0.00004618634,0.38499907],"genre_scores_gemma":[0.97983396,0.000027512728,0.0020561735,0.001913309,0.00052325655,0.0000023108184,0.000004569987,0.0000043381697,0.01563459],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992873,0.00007735742,0.00024803894,0.0000804596,0.00021724573,0.00008957157],"domain_scores_gemma":[0.99911284,0.00008823855,0.00022865701,0.00009410024,0.000427901,0.000048232418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003070037,0.00006479582,0.00009130282,0.00030460345,0.000039881874,0.00006207733,0.00036260678,0.00003834827,0.0008420324],"category_scores_gemma":[0.00013303502,0.00006317883,0.00007517659,0.00011024877,0.000034088458,0.00029128746,0.000019891573,0.0001341829,0.0003119415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038329896,0.0014336393,0.008278516,0.0000031840327,0.00050453824,0.000013952288,0.0017689626,0.00006253362,0.00089997175,0.0368563,0.8590926,0.09070253],"study_design_scores_gemma":[0.0015593771,0.00037083044,0.47740993,0.0003332499,0.00010909026,0.00027084886,0.0018115006,0.000027236245,0.0027311603,0.016557047,0.49860954,0.00021021001],"about_ca_topic_score_codex":0.000009064817,"about_ca_topic_score_gemma":6.724729e-7,"teacher_disagreement_score":0.7681825,"about_ca_system_score_codex":0.00010808945,"about_ca_system_score_gemma":0.00037273343,"threshold_uncertainty_score":0.9219664},"labels":[],"label_agreement":null},{"id":"W4407677259","doi":"10.1093/schbul/sbaf007.004","title":"4 THE IMPROVEMENT OF COGNITIVE FUNCTIONING IN PATIENTS WITH SCHIZOPHRENIA BY PSYCHOTHERAPY UNDER DANCE EDUCATION INTERVENTION","year":2025,"lang":"en","type":"article","venue":"Schizophrenia Bulletin","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Psychotherapist; Schizophrenia (object-oriented programming); Intervention (counseling); Psychology; Cognition; Clinical psychology; Psychiatry; Art; Visual arts","score_opus":0.004708391498060295,"score_gpt":0.2549119649241482,"score_spread":0.2502035734260879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407677259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9887244,0.0012245944,0.001706794,0.0014848328,0.0010906758,0.00058885006,0.000037730035,0.00002806917,0.005114032],"genre_scores_gemma":[0.99356604,0.000041935167,0.00017662565,0.0005098812,0.000031596403,0.00007602738,0.00005920535,0.00001403045,0.0055246507],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99879664,0.00010994238,0.00032359787,0.00032293666,0.00019785581,0.00024901793],"domain_scores_gemma":[0.999154,0.00013428477,0.00024114989,0.00027631532,0.00015504278,0.000039260533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002539886,0.00016769039,0.00017225562,0.00013663108,0.00017898467,0.0000508315,0.00023096452,0.00008098596,0.0005490982],"category_scores_gemma":[0.000032766802,0.00013346694,0.00006499381,0.00034021045,0.0001478418,0.00007688051,0.000026422493,0.00023626692,0.00008319933],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.053588122,0.004901677,0.088512436,0.00006944889,0.00066321745,5.9060204e-7,0.0009005339,0.000013009792,0.00034035376,0.027462969,0.08736047,0.73618716],"study_design_scores_gemma":[0.019954186,0.001378759,0.95694643,0.001158109,0.00007114465,3.9907763e-7,0.0023355517,0.0000026291054,0.00060894684,0.002904681,0.014316611,0.00032252524],"about_ca_topic_score_codex":0.00027927384,"about_ca_topic_score_gemma":0.0001081646,"teacher_disagreement_score":0.868434,"about_ca_system_score_codex":0.000064591215,"about_ca_system_score_gemma":0.00008011207,"threshold_uncertainty_score":0.601224},"labels":[],"label_agreement":null},{"id":"W4407715151","doi":"10.1080/19424280.2025.2458330","title":"Are super shoes a super placebo? A randomised crossover trial in female recreational runners","year":2025,"lang":"en","type":"article","venue":"Footwear Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia; Running Injury Clinic","funders":"University of Waikato","keywords":"Placebo; Crossover study; Physical therapy; Medicine; Crossover; Recreation; Physical medicine and rehabilitation; Randomized controlled trial; Time trial; Distance running; Alternative medicine; Surgery; Internal medicine; Computer science; Biology; Artificial intelligence","score_opus":0.0372499066809865,"score_gpt":0.34681932432931356,"score_spread":0.30956941764832707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407715151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9122221,0.00008313796,0.00005186477,0.00059401407,0.0012576417,0.0005227866,0.000018507459,0.000032077176,0.0852179],"genre_scores_gemma":[0.9815144,0.000004118719,0.00016583013,0.00077998434,0.000069949725,0.000038301492,0.0000022056531,0.000004580383,0.017420663],"study_design_codex":"randomized_trial","study_design_gemma":"observational","domain_scores_codex":[0.99848676,0.00008140781,0.00020211871,0.000438454,0.000360247,0.00043101615],"domain_scores_gemma":[0.99924743,0.00021352452,0.00006395379,0.00030343895,0.00007565194,0.00009597785],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00088962336,0.00011949749,0.00021081907,0.00031336735,0.00025165785,0.00014057153,0.00053363526,0.000086132226,0.0016335973],"category_scores_gemma":[0.00073636125,0.00011006169,0.000079454156,0.00093544147,0.0006293679,0.00044815606,0.00011020549,0.00016769324,0.00029412218],"study_design_candidate":"randomized_trial","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.5701707,0.0020647873,0.29611441,0.000059236645,0.00017211332,0.00016503324,0.01903786,0.00028167665,0.0069297426,0.046022993,0.053901408,0.0050800005],"study_design_scores_gemma":[0.45427516,0.00036007483,0.5115909,0.00021418321,0.00003652076,0.0000075060107,0.0049758176,0.0001892692,0.0014027382,0.0010807023,0.025321903,0.0005452405],"about_ca_topic_score_codex":0.00017627682,"about_ca_topic_score_gemma":0.00007561743,"teacher_disagreement_score":0.21547645,"about_ca_system_score_codex":0.0001065155,"about_ca_system_score_gemma":0.000263755,"threshold_uncertainty_score":0.999279},"labels":[],"label_agreement":null},{"id":"W4408588862","doi":"10.1080/01490400.2025.2478952","title":"The Interconnections of Trauma, Healing, Health, and Leisure: Special Issue of <i>Leisure Sciences</i>","year":2025,"lang":"en","type":"article","venue":"Leisure Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Leisure studies; Leisure activity; Psychology; Political science; Recreation; Social psychology","score_opus":0.03490075294071201,"score_gpt":0.35406410638532465,"score_spread":0.31916335344461266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408588862","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8033119,0.004381923,0.00020450096,0.023501983,0.004620254,0.00044563605,0.000057678324,0.000039253668,0.16343686],"genre_scores_gemma":[0.9959375,0.00019963385,0.00028441424,0.00031670748,0.00033505767,0.000004542416,9.77407e-7,0.00000367363,0.002917451],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828273,0.00020318455,0.00037706422,0.0003800795,0.00035810386,0.0003988316],"domain_scores_gemma":[0.99894637,0.00037601354,0.00026284036,0.00023589756,0.00008553987,0.00009336169],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0017565938,0.00013123054,0.0003362828,0.00018798858,0.0011653291,0.00008567138,0.00071387086,0.00008193214,0.00020334394],"category_scores_gemma":[0.00011838586,0.00009446506,0.00008266504,0.0011823446,0.0031402002,0.00024795305,0.00010354671,0.00018409337,0.000013308549],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016567398,0.00043452487,0.4443181,0.00017796543,0.00011816336,0.000002316346,0.012959922,0.0000653753,0.00026636166,0.26917645,0.16429146,0.108023696],"study_design_scores_gemma":[0.0016629195,0.003863509,0.20030507,0.00051874726,0.000061364284,0.00003317313,0.04296138,0.000100945,0.0029340314,0.0110685015,0.7360389,0.00045145294],"about_ca_topic_score_codex":0.0010550515,"about_ca_topic_score_gemma":0.0008578378,"teacher_disagreement_score":0.5717474,"about_ca_system_score_codex":0.000019787147,"about_ca_system_score_gemma":0.0003381719,"threshold_uncertainty_score":0.9995727},"labels":[],"label_agreement":null},{"id":"W4408652550","doi":"10.1080/17533015.2025.2481275","title":"Physiotherapists use dance in their clinical practice in creative and diverse ways","year":2025,"lang":"en","type":"article","venue":"Arts & Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University Health Network; Toronto Rehabilitation Institute; University of Toronto","funders":"","keywords":"Dance; Clinical Practice; Psychology; Engineering ethics; Medical education; Medicine; Visual arts; Engineering; Nursing; Art","score_opus":0.1100266423341667,"score_gpt":0.45532135020208653,"score_spread":0.3452947078679198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408652550","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9536707,0.0018981659,0.00014351177,0.00982101,0.00054951385,0.00039635843,0.000030091338,0.000030150952,0.033460546],"genre_scores_gemma":[0.9803832,0.001500234,0.00059634703,0.016505014,0.000033821743,0.0000051624916,0.000003366828,0.000005462233,0.0009673641],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988032,0.0003248375,0.0002501611,0.00028536693,0.000066122026,0.0002702978],"domain_scores_gemma":[0.9987258,0.0008338817,0.00011212303,0.0002235101,0.000024434887,0.00008026515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006545015,0.00009244235,0.00023339127,0.000091248374,0.00007288753,0.000022613513,0.000097714495,0.00006544323,0.00006674907],"category_scores_gemma":[0.00031020853,0.00008772633,0.000025196834,0.00020709104,0.00011070295,0.00039267022,0.00005657898,0.0002710787,0.00004338223],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018592138,0.00281445,0.60469526,0.00014032151,0.00011405476,0.00011956444,0.06407267,0.000007777222,0.0000145748945,0.049613215,0.06311257,0.2134363],"study_design_scores_gemma":[0.0015040203,0.00022132964,0.9214353,0.00014204104,0.0000021987726,0.000001823996,0.0038725317,0.000013205168,0.00000235927,0.000732351,0.07199854,0.00007430535],"about_ca_topic_score_codex":0.0051209196,"about_ca_topic_score_gemma":0.001002237,"teacher_disagreement_score":0.31674,"about_ca_system_score_codex":0.000067864414,"about_ca_system_score_gemma":0.000104637336,"threshold_uncertainty_score":0.77413327},"labels":[],"label_agreement":null},{"id":"W4408673820","doi":"10.1080/09638288.2025.2478310","title":"Exploring the impact of dance: intersectoral quantitative and qualitative methodological challenges, lessons learned, and recommendations","year":2025,"lang":"en","type":"article","venue":"Disability and Rehabilitation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University; Institut Universitaire de Gériatrie de Montréal; Montreal Heart Institute; Université du Québec à Montréal; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Université de Montréal; Centre for Interdisciplinary Research in Rehabilitation","funders":"Fonds de recherche du Québec","keywords":"Dance; Psychology; Qualitative research; Sociology; Social science; Visual arts; Art","score_opus":0.5494493685253535,"score_gpt":0.544709347312039,"score_spread":0.004740021213314516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408673820","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96811944,0.0012079902,0.00048488798,0.02862043,0.00014799165,0.0002877998,0.0000650787,0.000017923248,0.0010484351],"genre_scores_gemma":[0.9967857,0.00065766374,0.0024281223,0.000026667985,0.000008795802,0.00004374709,0.000007454285,0.0000035471974,0.000038326238],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9974137,0.0017929346,0.00024672746,0.00033506704,0.00006851662,0.00014306542],"domain_scores_gemma":[0.9909053,0.008674129,0.000093006805,0.00020409886,0.00007582516,0.000047626047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020218235,0.0001223646,0.00025990905,0.000058782516,0.00018753576,0.000022539754,0.00007506482,0.00006256595,0.00003933785],"category_scores_gemma":[0.0023057146,0.00008362625,0.000079601676,0.00016873887,0.00194943,0.000345921,0.00008387961,0.00018651184,0.0000012116263],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008638772,0.00048174846,0.041634593,0.00024432395,0.00024897474,1.8626659e-7,0.37267894,0.000009726131,0.00023404804,0.44775534,0.00028911303,0.13555916],"study_design_scores_gemma":[0.0003875325,0.0007343892,0.724241,0.00006709881,0.000025446076,5.969538e-7,0.23523282,0.000029726074,0.0000060621455,0.039097603,0.00010668657,0.00007104199],"about_ca_topic_score_codex":0.0008213172,"about_ca_topic_score_gemma":0.00013005963,"teacher_disagreement_score":0.6826064,"about_ca_system_score_codex":0.00005023111,"about_ca_system_score_gemma":0.000015926293,"threshold_uncertainty_score":0.7182756},"labels":[],"label_agreement":null},{"id":"W4408680171","doi":"10.21091/mppa.2025.01003","title":"Injury Rates in Youth Street Dancers","year":2025,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Physical therapy; Medicine; Injury prevention; Poison control; Incidence (geometry); Psychology; Medical emergency; Art","score_opus":0.02054517601896889,"score_gpt":0.32122867923282405,"score_spread":0.3006835032138552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408680171","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95803255,0.00039323224,0.0001302867,0.0006763775,0.0005497745,0.00014300695,0.000022405577,0.00003220886,0.040020138],"genre_scores_gemma":[0.9983494,0.00003746373,0.0000862473,0.00035795989,0.000033302524,0.000006849411,0.00001036174,0.0000057768375,0.0011126085],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998738,0.000056674962,0.00034855682,0.00022395886,0.00030182765,0.00033100447],"domain_scores_gemma":[0.9994748,0.00007735906,0.00008170432,0.00022289217,0.00003032631,0.000112878755],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006202023,0.00011049125,0.00023717951,0.00017433676,0.00005375197,0.000008969382,0.00032358972,0.00015030552,0.0010412645],"category_scores_gemma":[0.00028512022,0.000103599545,0.00004861861,0.00030591615,0.00022988467,0.00012964505,0.00010370853,0.00030697085,0.00006071684],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030096612,0.00080240984,0.7913489,0.0003903889,0.00012387463,0.000045119854,0.010637571,0.000042112653,0.00034763257,0.00864969,0.015402876,0.1719085],"study_design_scores_gemma":[0.0117638195,0.0020303063,0.9177045,0.0084826425,0.00016535367,0.000013317198,0.016995557,0.0021244092,0.008442907,0.00859311,0.022332277,0.0013517562],"about_ca_topic_score_codex":0.0011437081,"about_ca_topic_score_gemma":0.00035562518,"teacher_disagreement_score":0.17055674,"about_ca_system_score_codex":0.00005036833,"about_ca_system_score_gemma":0.00012021308,"threshold_uncertainty_score":0.9998719},"labels":[],"label_agreement":null},{"id":"W4408785143","doi":"10.53388/hpm2025007","title":"Enhancing health, harmony and cultural traditions: Contextualizing the development of Tai Chi associations in Ottawa","year":2025,"lang":"en","type":"article","venue":"History and Philosophy of Medicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Harmony (color); Psychology; Sociology; Anthropology; History; Gerontology; Medicine; Art; Visual arts","score_opus":0.07622733500004471,"score_gpt":0.32419790382535935,"score_spread":0.24797056882531465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408785143","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7554109,0.06739967,0.00033792795,0.05619247,0.0013854185,0.00050046475,0.0000500663,0.000025431951,0.11869765],"genre_scores_gemma":[0.99744886,0.0001163026,0.0001695566,0.0018672169,0.00004765894,0.000004624517,0.000012190094,0.0000019088209,0.00033169295],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9993234,0.000089033565,0.000310507,0.000101192054,0.00008856813,0.00008728711],"domain_scores_gemma":[0.9995546,0.00013619334,0.0001693796,0.00007530656,0.000030430743,0.000034127497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046722544,0.00006476188,0.00022151555,0.00010526698,0.00011883679,9.918278e-7,0.00006459405,0.00003753175,0.00006626791],"category_scores_gemma":[0.00006605271,0.000049538474,0.000015966138,0.0000857614,0.0003379138,0.000056448196,0.000009301383,0.000114509385,8.3529574e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016914919,0.0004147737,0.011748584,0.00056288444,0.00032023244,0.0000037650918,0.46770775,8.2688854e-7,0.0031402882,0.40858954,0.09318348,0.014158704],"study_design_scores_gemma":[0.006550081,0.0006191616,0.78023756,0.0022467494,0.00010842455,0.000007778105,0.020472547,0.000006709564,0.00025019227,0.01960038,0.16964266,0.00025773697],"about_ca_topic_score_codex":0.00016640328,"about_ca_topic_score_gemma":0.00012903822,"teacher_disagreement_score":0.768489,"about_ca_system_score_codex":0.000100475096,"about_ca_system_score_gemma":0.00006602171,"threshold_uncertainty_score":0.20201203},"labels":[],"label_agreement":null},{"id":"W4408827787","doi":"10.1177/07417136241312172","title":"The Role of Canadian Queer Theater Festivals on Queer Identity and Expression","year":2025,"lang":"en","type":"article","venue":"Adult Education Quarterly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Queer; Identity (music); Expression (computer science); Gender studies; Sociology; Homosexuality; Queer theory; Sexual identity; Media studies; Human sexuality; Aesthetics; Art","score_opus":0.00886145350103964,"score_gpt":0.29443869210152945,"score_spread":0.28557723860048984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408827787","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90519035,0.0003318935,0.000017394932,0.0038760356,0.0010431845,0.00015665781,0.00001313619,0.000010269437,0.0893611],"genre_scores_gemma":[0.9913822,0.000013849698,0.000025593137,0.0008559085,0.000041240855,0.000015996495,0.000004284602,0.000003753199,0.0076572085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9994279,0.00008295022,0.00011677307,0.00013936573,0.0000830149,0.00014998004],"domain_scores_gemma":[0.99942213,0.00007763059,0.00005164825,0.00026130446,0.00010805316,0.00007925024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011228732,0.000070084025,0.000072428506,0.00018521075,0.00017770573,0.000053743213,0.00015319504,0.000059320482,0.00015730482],"category_scores_gemma":[0.00003036473,0.000052877454,0.000025154568,0.00016704346,0.00006197675,0.00018334485,0.0000057420216,0.00008080867,0.00009805375],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018493299,0.00037623133,0.0867505,0.000028777344,0.00010505296,0.0000012105888,0.042244494,5.0494225e-7,0.0015457829,0.40170074,0.18440972,0.28265205],"study_design_scores_gemma":[0.00045051725,0.00032287708,0.7752205,0.00020688461,0.00003202987,0.0000028808943,0.04079928,0.0000045755946,0.0020676004,0.028035797,0.15268838,0.00016866172],"about_ca_topic_score_codex":0.086055234,"about_ca_topic_score_gemma":0.022504244,"teacher_disagreement_score":0.68847,"about_ca_system_score_codex":0.000032694017,"about_ca_system_score_gemma":0.00015557554,"threshold_uncertainty_score":0.9953325},"labels":[],"label_agreement":null},{"id":"W4409076333","doi":"10.5539/jel.v14n4p331","title":"The Development of Sustainable Training for Youth Dancesport in China","year":2025,"lang":"en","type":"article","venue":"Journal of Education and Learning","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"China; Training (meteorology); Psychology; Sustainable development; Mathematics education; Pedagogy; Political science; Geography","score_opus":0.030465160500717563,"score_gpt":0.34989453267845744,"score_spread":0.31942937217773987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409076333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9816672,0.0006825849,0.0007843995,0.0004608959,0.0003620854,0.000053000746,1.05016376e-7,0.0000011056487,0.01598863],"genre_scores_gemma":[0.9860578,0.000013329245,0.0008475116,0.000039529154,0.000029183353,0.0000013005936,5.6990854e-7,0.0000014352478,0.013009298],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999605,0.00003709597,0.00019150524,0.00003544419,0.000042830703,0.00008813352],"domain_scores_gemma":[0.99959415,0.00008726325,0.00019608658,0.000027254848,0.00007644187,0.000018805325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009299105,0.000028740236,0.0000767312,0.000106765605,0.00015700102,0.000016535772,0.00006235951,0.000018936757,0.000014982266],"category_scores_gemma":[0.00023518395,0.000021971484,0.000019240935,0.00009922431,0.000018501694,0.00007575937,0.0000074337145,0.00014024122,2.0217006e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003662423,0.00023109092,0.1337877,0.00006260744,0.00007749331,8.885786e-7,0.4466308,0.00009146127,0.000046027406,0.01691576,0.001556497,0.40023342],"study_design_scores_gemma":[0.0003540603,0.000061349325,0.45539713,0.00008011547,0.000008950169,0.0000024500102,0.47152764,0.000003397777,0.00001808601,0.00022941305,0.07229282,0.000024593932],"about_ca_topic_score_codex":0.000012226188,"about_ca_topic_score_gemma":0.000003972395,"teacher_disagreement_score":0.40020883,"about_ca_system_score_codex":0.000028263354,"about_ca_system_score_gemma":0.00041000356,"threshold_uncertainty_score":0.12075408},"labels":[],"label_agreement":null},{"id":"W4409205082","doi":"10.1016/j.jbiomech.2025.112644","title":"Test-retest reliability of a dance-specific jump test using wearable technology among university contemporary dancers","year":2025,"lang":"en","type":"article","venue":"Journal of Biomechanics","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Total (Canada); University of Calgary; Alberta Bone and Joint Health Institute; Alberta Children's Hospital","funders":"","keywords":"Reliability (semiconductor); Test (biology); Dance; Wearable computer; Jump; Psychology; Computer science; Reliability engineering; Applied psychology; Engineering; Art; Visual arts; Embedded system; Physics; Geology","score_opus":0.02626727111903453,"score_gpt":0.27165259200838054,"score_spread":0.245385320889346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409205082","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9817966,0.0027404423,0.0058836867,0.00068205834,0.0015057513,0.00021056905,0.00010303097,0.000043053173,0.0070347954],"genre_scores_gemma":[0.9963882,0.0003275241,0.0021782925,0.000054755015,0.000042481544,1.942843e-7,8.375877e-7,0.000010538587,0.0009971531],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.998599,0.00007907953,0.0005354709,0.00025493192,0.00023337649,0.00029815137],"domain_scores_gemma":[0.99776,0.00034402937,0.00086209783,0.00046992276,0.0004608653,0.00010311396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006283764,0.00017597844,0.0005075409,0.0008302261,0.00014128641,0.00001836532,0.00067383813,0.00030646866,0.00011237629],"category_scores_gemma":[0.00037302452,0.00018221457,0.0001931008,0.0016444254,0.0003409862,0.0004145519,0.00016170784,0.00048359417,0.000011365646],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002009732,0.005583638,0.47849488,0.0005389476,0.0009915538,0.0010679547,0.0018997516,0.00010450886,0.40775436,0.0067521725,0.053289607,0.041512907],"study_design_scores_gemma":[0.038878527,0.017872049,0.13302545,0.012248958,0.0016598603,0.0008727356,0.070414215,0.012289839,0.28145093,0.040842697,0.38654587,0.003898869],"about_ca_topic_score_codex":0.00010434071,"about_ca_topic_score_gemma":0.0000039521187,"teacher_disagreement_score":0.34546942,"about_ca_system_score_codex":0.0003191139,"about_ca_system_score_gemma":0.00033982412,"threshold_uncertainty_score":0.74304944},"labels":[],"label_agreement":null},{"id":"W4409256111","doi":"10.1080/00497878.2025.2483464","title":"Dance as Queer Neoliberal Critique Choreographing Beyond Disposable Representations of Migrant Domestic Workers","year":2025,"lang":"en","type":"article","venue":"Women s Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Queer; Dance; Sociology; Gender studies; Art; Aesthetics; Visual arts","score_opus":0.016323617467791103,"score_gpt":0.36386905111969803,"score_spread":0.34754543365190693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409256111","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93285215,0.004628838,0.00008851808,0.0015675088,0.00072374917,0.000195042,0.000028173486,0.000051887804,0.059864108],"genre_scores_gemma":[0.9653253,0.00027607786,0.00027239358,0.00082569313,0.00003378168,0.00008114638,0.0000032786024,0.000007802159,0.033174537],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99891317,0.00007583343,0.00023719143,0.00027118987,0.00013682274,0.00036577263],"domain_scores_gemma":[0.9991349,0.00029387517,0.000085364736,0.00031852,0.00011210146,0.00005526213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019346924,0.00013876098,0.00032152244,0.00019181146,0.00020361264,0.000021654658,0.0002070189,0.000048914444,0.00015595998],"category_scores_gemma":[0.00019200412,0.00013306092,0.00008502614,0.00058004213,0.0003669608,0.00016952596,0.00012415356,0.0001346423,0.000038812697],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00080428534,0.0007366635,0.49208972,0.00042051353,0.0043788156,0.00012453273,0.26918262,0.00013366602,0.000501883,0.07244064,0.15551245,0.0036742145],"study_design_scores_gemma":[0.0030050117,0.00048754094,0.6347337,0.00067337445,0.00025816401,0.000014470247,0.24085294,0.000007424088,0.0002871349,0.09588216,0.023222493,0.0005755852],"about_ca_topic_score_codex":0.0007701129,"about_ca_topic_score_gemma":0.00006502336,"teacher_disagreement_score":0.142644,"about_ca_system_score_codex":0.00005746866,"about_ca_system_score_gemma":0.000028549708,"threshold_uncertainty_score":0.54260665},"labels":[],"label_agreement":null},{"id":"W4409319409","doi":"10.1186/s40359-025-02653-9","title":"Cyclic patterns of high-risk behaviours within ballet culture","year":2025,"lang":"en","type":"article","venue":"BMC Psychology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Psychology; Ballet; Psychological research; Social psychology; Dance; Art; Visual arts","score_opus":0.023585529013682112,"score_gpt":0.3388812166599136,"score_spread":0.3152956876462315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409319409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9423686,0.00023076717,0.0036964586,0.00044212464,0.003494044,0.00019312861,0.0002646906,0.000072410854,0.049237758],"genre_scores_gemma":[0.98553073,0.000056160305,0.0008160619,0.0018062778,0.00007500774,0.000012283206,0.00004064283,0.000013029818,0.01164981],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9985117,0.00025501204,0.00032740625,0.00044527138,0.00011814087,0.00034252508],"domain_scores_gemma":[0.99884653,0.00006807056,0.00024224518,0.0007112571,0.000054016145,0.000077906756],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002235508,0.00018432456,0.00033980497,0.00018414251,0.000077699005,0.000010958265,0.0005301264,0.00033939368,0.0013654719],"category_scores_gemma":[0.00005591591,0.00017507718,0.00013029134,0.0002368248,0.00014880153,0.00006849664,0.00007920691,0.0003602882,0.0002898656],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038182075,0.00065390504,0.86315876,0.000021932958,0.00017419111,0.000018185061,0.0019019789,0.0000073700085,0.00028613402,0.025289768,0.10506494,0.0030410166],"study_design_scores_gemma":[0.0024159527,0.0003532912,0.98410827,0.000037946094,0.00011088554,0.000016691542,0.00065556995,7.110399e-7,0.00022539921,0.0020708218,0.009833949,0.00017054181],"about_ca_topic_score_codex":0.0011207489,"about_ca_topic_score_gemma":0.00037368582,"teacher_disagreement_score":0.120949484,"about_ca_system_score_codex":0.000020074245,"about_ca_system_score_gemma":0.0000268523,"threshold_uncertainty_score":0.9995474},"labels":[],"label_agreement":null},{"id":"W4409602086","doi":"10.61091/jcmcc127b-056","title":"Analyzing Traditional Cultural Elements and Style Integration Patterns in Dance Movements Based on Matrix Decomposition Technique","year":2025,"lang":"en","type":"article","venue":"Journal of Combinatorial Mathematics and Combinatorial Computing","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Style (visual arts); Decomposition; Matrix (chemical analysis); Movement (music); Computer science; Visual arts; Aesthetics; Art; Materials science; Composite material; Chemistry","score_opus":0.0186294277892734,"score_gpt":0.3181780411475708,"score_spread":0.2995486133582974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409602086","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97431016,0.000076722245,0.018685963,0.00013035643,0.0048847403,0.0003220771,0.000009113573,0.00001583289,0.0015650603],"genre_scores_gemma":[0.9972715,0.000012267165,0.002407475,0.000060178052,0.00021875052,0.00000405104,0.0000070313263,0.000009221197,0.000009559467],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99843585,0.00013197445,0.0007240042,0.00018290567,0.0003125032,0.00021274797],"domain_scores_gemma":[0.9987249,0.00034098641,0.00057346537,0.000119731594,0.0001634871,0.000077443125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094958127,0.0001925397,0.00040203557,0.0003514853,0.00017227093,0.00015148643,0.0001927828,0.00012404975,0.000016110944],"category_scores_gemma":[0.00011187274,0.00018119307,0.00007373062,0.00024376392,0.000043859352,0.00022977174,0.000061372455,0.00040161342,7.915605e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066612737,0.0025471875,0.021768985,0.0002527522,0.00018027563,0.000045018078,0.0016674121,0.00008006811,0.0027138859,0.9651314,0.0004749803,0.004471898],"study_design_scores_gemma":[0.041627295,0.0061099483,0.11851632,0.008959521,0.0003506433,0.000093915165,0.0054757656,0.035291404,0.0047320216,0.77705526,0.00044532435,0.0013425581],"about_ca_topic_score_codex":0.00002105548,"about_ca_topic_score_gemma":6.733192e-7,"teacher_disagreement_score":0.18807612,"about_ca_system_score_codex":0.00014319581,"about_ca_system_score_gemma":0.00004474123,"threshold_uncertainty_score":0.7388839},"labels":[],"label_agreement":null},{"id":"W4409603731","doi":"10.61091/jcmcc127b-198","title":"Digital modeling and computational analysis of human movement mechanisms in dance anatomy","year":2025,"lang":"en","type":"article","venue":"Journal of Combinatorial Mathematics and Combinatorial Computing","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Movement (music); Computer science; Anatomy; Computer graphics (images); Art; Visual arts; Medicine; Aesthetics","score_opus":0.016062740613834916,"score_gpt":0.29930353320634956,"score_spread":0.28324079259251467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409603731","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9650527,0.0002341609,0.029092759,0.000069598565,0.0026094925,0.00013974955,0.000007282933,0.000009437603,0.0027848207],"genre_scores_gemma":[0.9984079,0.0000070130563,0.0014558457,0.00003117448,0.000069454,6.025104e-7,0.0000028235531,0.000008432533,0.000016725793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981591,0.00006086469,0.0009857478,0.00018727107,0.0003928742,0.00021412704],"domain_scores_gemma":[0.998443,0.00035508772,0.0006707827,0.00014642472,0.00029735808,0.00008732643],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000889172,0.00018064165,0.0007991379,0.0007268261,0.0001303723,0.00012457109,0.0002548526,0.00011253758,0.000010014639],"category_scores_gemma":[0.00011664844,0.00018254247,0.0001500261,0.0007527205,0.00007457095,0.00021297448,0.0001901397,0.00027557346,3.0846076e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008631935,0.00069594115,0.003675059,0.000088404646,0.0008157615,0.000012561424,0.0014475212,0.002525687,0.00009932233,0.98935014,0.00002641929,0.0011768806],"study_design_scores_gemma":[0.004786289,0.0004772784,0.0035201597,0.00034803292,0.0004578963,0.000005068111,0.0018155754,0.084655404,0.000056963996,0.9036649,0.000016722668,0.00019574305],"about_ca_topic_score_codex":0.000027876054,"about_ca_topic_score_gemma":0.0000010165991,"teacher_disagreement_score":0.08568526,"about_ca_system_score_codex":0.000063611435,"about_ca_system_score_gemma":0.00005831534,"threshold_uncertainty_score":0.74438655},"labels":[],"label_agreement":null},{"id":"W4409610551","doi":"10.5430/jct.v14n2p142","title":"Building Laban Dance Creation Curriculum to Develop Body Language Comprehension and Dance Creativity of College Students in China","year":2025,"lang":"en","type":"article","venue":"Journal of Curriculum and Teaching","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Creativity; China; Dance education; Comprehension; Curriculum; Psychology; Mathematics education; Pedagogy; Visual arts; Sociology; Art; Linguistics; History; Philosophy; Social psychology","score_opus":0.0077287863387265985,"score_gpt":0.34222682100558294,"score_spread":0.33449803466685635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409610551","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99324983,0.0010416618,0.0018550815,0.00021761094,0.00030758668,0.00015638831,0.00001124653,0.000008201971,0.0031523677],"genre_scores_gemma":[0.99658597,0.00004668633,0.0030513373,0.000090794354,0.000045140354,0.0000012832892,0.000001026857,0.0000054675993,0.00017229284],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987391,0.00024191666,0.00040137084,0.00018070274,0.00024509412,0.0001917935],"domain_scores_gemma":[0.9992596,0.00010679523,0.0003243033,0.00011238993,0.000103129554,0.0000938155],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000891922,0.00013892593,0.00038499435,0.00031338827,0.00013667268,0.00004164115,0.00020663356,0.00006882438,0.000011282295],"category_scores_gemma":[0.00035146993,0.00012211878,0.000036988666,0.00031118872,0.000045402987,0.00035624515,0.00015223154,0.00038919324,8.0828136e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008313517,0.00060899544,0.96873105,0.000074219104,0.00007114699,0.000056597088,0.0056654173,0.000018440984,0.0033957309,0.009583847,0.0009356975,0.010775728],"study_design_scores_gemma":[0.0014778774,0.00021174978,0.9914958,0.0010376434,0.000042232332,0.000048489183,0.004312089,0.00009229093,0.00023980769,0.00016707926,0.00074970786,0.0001252465],"about_ca_topic_score_codex":0.00066072785,"about_ca_topic_score_gemma":0.000047479527,"teacher_disagreement_score":0.022764742,"about_ca_system_score_codex":0.000060428254,"about_ca_system_score_gemma":0.000032162578,"threshold_uncertainty_score":0.49798596},"labels":[],"label_agreement":null},{"id":"W4409770512","doi":"10.4314/ijcrh.v28i1.13","title":"The cultural truth in drum dance festival of aboriginal people in Northwest Territories in Canada","year":2025,"lang":"en","type":"article","venue":"International Journal of Current Research in the Humanities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Government of Northwest Territories","funders":"","keywords":"Dance; Drum; Geography; Visual arts; Ethnology; History; Anthropology; Archaeology; Art; Sociology","score_opus":0.09655274386013471,"score_gpt":0.4568608836752853,"score_spread":0.36030813981515064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409770512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9889656,0.0021433737,0.0000011843729,0.00213652,0.002881133,0.000095667645,0.00004701868,8.004402e-7,0.0037287353],"genre_scores_gemma":[0.99919164,0.00042795562,0.0000023535822,0.00003076442,0.0001492042,0.000007747198,0.0000050279264,0.000002351415,0.00018295377],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9977504,0.0004738385,0.00047143505,0.00009074396,0.0009274566,0.00028612203],"domain_scores_gemma":[0.9982654,0.0011085691,0.00014831375,0.000107627864,0.0003549927,0.000015109257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015219905,0.0000814103,0.00016678475,0.00051099865,0.00007720595,0.00012312927,0.001294252,0.000022123422,0.000033814053],"category_scores_gemma":[0.00023590078,0.000053312888,0.000038739086,0.00034162923,0.00028337762,0.00030064196,0.000075619006,0.00089844316,0.0000011152574],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065045274,0.00030594054,0.88607574,0.000026145815,0.00003603467,0.00016805377,0.017460572,0.00008891882,0.0000050947347,0.088332385,0.0020722973,0.004778353],"study_design_scores_gemma":[0.0009760958,0.000069189206,0.921864,0.00057659106,0.0000017483832,0.000015279154,0.036216985,0.000012365242,0.000024354464,0.003803697,0.036388114,0.00005163339],"about_ca_topic_score_codex":0.6657718,"about_ca_topic_score_gemma":0.9679044,"teacher_disagreement_score":0.3021326,"about_ca_system_score_codex":0.00082986226,"about_ca_system_score_gemma":0.0012700754,"threshold_uncertainty_score":0.39033383},"labels":[],"label_agreement":null},{"id":"W4409787680","doi":"10.61091/jcmcc127a-294","title":"AI-driven personalized training model for dance movement and health management research","year":2025,"lang":"en","type":"article","venue":"Journal of Combinatorial Mathematics and Combinatorial Computing","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Movement (music); Training (meteorology); Computer science; Psychology; Knowledge management; Visual arts; Human–computer interaction; Art; Aesthetics; Geography","score_opus":0.10462875122209712,"score_gpt":0.4039610671677121,"score_spread":0.29933231594561494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409787680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7009561,0.0045555416,0.2236839,0.012278531,0.03824449,0.0034959966,0.000032249634,0.00010588673,0.016647307],"genre_scores_gemma":[0.98772377,0.0001065238,0.010944533,0.0004983942,0.00042072896,0.000007502337,0.0000011920724,0.000020421025,0.00027692458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978145,0.00013456256,0.00075976615,0.0002592722,0.00053077756,0.00050114037],"domain_scores_gemma":[0.99818116,0.00048328534,0.0005135204,0.00019805151,0.0004359173,0.00018808458],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036953632,0.00020189828,0.0006604531,0.0003298016,0.00057853275,0.00019468696,0.00035744905,0.000110767265,0.0000055526684],"category_scores_gemma":[0.00011741096,0.00019739206,0.00012395048,0.00027492907,0.00015434338,0.00014506845,0.00026080688,0.00047591768,7.7821596e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023816734,0.00045598723,0.000115489034,0.00043050112,0.00027812758,0.000007345179,0.009303502,0.00005546948,0.000023296918,0.9773631,0.005647241,0.0060817576],"study_design_scores_gemma":[0.010858787,0.0010847372,0.0003028128,0.0009996903,0.000091341615,0.000012299273,0.006269463,0.036942072,0.000017788841,0.9405914,0.0026116418,0.00021796768],"about_ca_topic_score_codex":0.000011593865,"about_ca_topic_score_gemma":4.78021e-7,"teacher_disagreement_score":0.2867677,"about_ca_system_score_codex":0.00015766149,"about_ca_system_score_gemma":0.00018531954,"threshold_uncertainty_score":0.8049415},"labels":[],"label_agreement":null},{"id":"W4409879851","doi":"10.1101/2025.04.26.25326488","title":"Dancing Through Time: Cognitive Changes Over Six-Years of Community Dance in Parkinson’s Disease","year":2025,"lang":"en","type":"preprint","venue":"medRxiv","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Algoma University; York University","funders":"Natural Sciences and Engineering Research Council of Canada; Parkinson Canada","keywords":"Dance; Parkinson's disease; Cognition; Disease; Psychology; Medicine; Gerontology; Art; Psychiatry; Visual arts; Internal medicine","score_opus":0.04984529478535244,"score_gpt":0.33606193482534774,"score_spread":0.2862166400399953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409879851","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97931665,0.0013273429,0.00006175863,0.0003064633,0.00092029135,0.0004392793,0.001307412,0.000054566834,0.016266234],"genre_scores_gemma":[0.99632823,0.00023277788,0.000076201795,0.0008953571,0.000076222204,0.000044385484,0.00012239505,0.000017411236,0.0022070333],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9979605,0.000758302,0.00028986137,0.0003693364,0.00025550547,0.00036649403],"domain_scores_gemma":[0.9980521,0.0005990809,0.00030350842,0.0008635849,0.00008237216,0.00009936232],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005614822,0.00027306998,0.0005641919,0.00017672677,0.0000820221,0.00002216539,0.00077422184,0.0002633343,0.0006050448],"category_scores_gemma":[0.00043817674,0.0003344547,0.0001359965,0.00026035687,0.00025236903,0.000102657534,0.0011014541,0.0012723623,0.00009217298],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011865249,0.0015213459,0.9253521,0.0010305949,0.00045476196,0.0001897879,0.05150923,0.000052554744,0.00012278049,0.0005859465,0.0068789767,0.011115368],"study_design_scores_gemma":[0.00090084545,0.00006016346,0.9891567,0.0014020565,0.000105249404,5.0668035e-7,0.0011537978,0.000016157634,0.00013570869,0.0011869384,0.0055987453,0.00028311225],"about_ca_topic_score_codex":0.0026722003,"about_ca_topic_score_gemma":0.00045775005,"teacher_disagreement_score":0.06380459,"about_ca_system_score_codex":0.000089347755,"about_ca_system_score_gemma":0.00011967833,"threshold_uncertainty_score":0.9999108},"labels":[],"label_agreement":null},{"id":"W4409908287","doi":"10.21983/p3.0098.1.19","title":"Dress Becomes Body","year":2015,"lang":"en","type":"book-chapter","venue":"Punctum Books","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Computer science","score_opus":0.08067240022713146,"score_gpt":0.3054300149648351,"score_spread":0.22475761473770361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409908287","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000092755996,0.001665985,0.000030442332,0.00027787895,0.0026853697,0.00023786366,0.00019849389,0.00015877823,0.99465245],"genre_scores_gemma":[0.005584796,0.000025175144,0.000031871616,0.0007662921,0.00059414876,0.0000060562597,0.00008505734,0.0000734228,0.9928332],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847263,0.00002057194,0.00024518068,0.00046441302,0.00038512846,0.00041210285],"domain_scores_gemma":[0.99860483,0.00006071756,0.00020947667,0.00073912996,0.00011585964,0.00027000526],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018427221,0.00043160038,0.000519096,0.00015377763,0.0000866263,0.000056364337,0.0005203041,0.0005126671,0.014931207],"category_scores_gemma":[0.000020427216,0.00039924108,0.00024042878,0.000010564905,0.0001888173,0.00009425193,0.00019906084,0.0005597023,0.0126936585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006281996,0.000031455522,0.00004736806,0.000021738651,0.0002796178,0.00015051459,0.00060605037,1.6820512e-7,0.0000024301348,0.35623494,0.6361988,0.006364042],"study_design_scores_gemma":[0.0005125214,0.0001593484,0.00047190214,0.00007030775,0.00013157565,0.000024798166,0.000049802053,4.2959206e-7,0.0000050571302,0.031347133,0.9667885,0.00043862656],"about_ca_topic_score_codex":0.000092748836,"about_ca_topic_score_gemma":0.000020027168,"teacher_disagreement_score":0.33058965,"about_ca_system_score_codex":0.00010353826,"about_ca_system_score_gemma":0.0000972897,"threshold_uncertainty_score":0.9998459},"labels":[],"label_agreement":null},{"id":"W4409993696","doi":"10.21983/p3.0149.1.13","title":"The Rope-Dancer’s Fall","year":2016,"lang":"en","type":"book-chapter","venue":"Punctum Books","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Rope; Structural engineering; Engineering","score_opus":0.03277591156175928,"score_gpt":0.25974019058591985,"score_spread":0.22696427902416055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409993696","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025750533,0.0026478253,0.000104387735,0.0011042536,0.0031614183,0.000268592,0.00012995131,0.00011496689,0.99244285],"genre_scores_gemma":[0.002065035,0.0002651742,0.000012178576,0.0011961284,0.0008721821,0.000011383945,0.000007897848,0.00006992323,0.9955001],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984656,0.000028160099,0.0002540699,0.0004370439,0.00031627255,0.00049886224],"domain_scores_gemma":[0.9983782,0.00020806708,0.00024088961,0.0009455716,0.00007821855,0.00014902561],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021003369,0.00039961888,0.00033727183,0.000058754154,0.00031807457,0.00008560201,0.0007614886,0.00036827652,0.003888077],"category_scores_gemma":[0.00002404846,0.00022894592,0.0002826099,0.000008051139,0.00037293468,0.0000755749,0.00020039202,0.00047268605,0.017837178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009629717,0.000010313363,0.000041109422,0.000007676946,0.00022865749,0.000043784206,0.00018266395,2.6808273e-8,0.0000036052625,0.6655172,0.27257118,0.06129747],"study_design_scores_gemma":[0.00036810507,0.000101410034,0.00044429666,0.00010605848,0.00006733055,0.000013521308,0.00001691062,1.1468946e-7,0.0000047204917,0.04036135,0.95819443,0.000321722],"about_ca_topic_score_codex":0.000052594376,"about_ca_topic_score_gemma":0.00010465166,"teacher_disagreement_score":0.6856233,"about_ca_system_score_codex":0.00010106348,"about_ca_system_score_gemma":0.000074728174,"threshold_uncertainty_score":0.9970225},"labels":[],"label_agreement":null},{"id":"W4410105293","doi":"10.1111/jar.70060","title":"Community‐Informed Recommendations to Developing Inclusive Dance Opportunities: Engaging Community, Dance, and Rehabilitation Experts Using a Hybrid‐Delphi Method","year":2025,"lang":"en","type":"article","venue":"Journal of Applied Research in Intellectual Disabilities","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"George & Fay Yee Centre for Healthcare Innovation; University of Manitoba","funders":"Research Manitoba","keywords":"Dance; Delphi method; Inclusion (mineral); Psychology; Delphi; Sociology; Medical education; Pedagogy; Medicine; Social psychology; Visual arts; Computer science","score_opus":0.3241389682935562,"score_gpt":0.5164458862259543,"score_spread":0.19230691793239812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410105293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9273796,0.00014006828,0.011895885,0.008520027,0.00037428024,0.0006356362,0.00003498473,0.000021979866,0.050997544],"genre_scores_gemma":[0.9748748,0.00015220286,0.023622056,0.0007914063,0.000054105745,0.000051209405,0.000009796741,0.00001869999,0.00042575234],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99433434,0.003449948,0.00094243797,0.00018803371,0.0005025284,0.000582702],"domain_scores_gemma":[0.9460343,0.05237812,0.00019930815,0.0005099249,0.00068764517,0.00019071161],"candidate_categories":["metaresearch","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.009915066,0.00021729429,0.0005099372,0.0016867721,0.0016109702,0.00017994049,0.0008529909,0.00010625012,0.00021204072],"category_scores_gemma":[0.017443782,0.0002190025,0.00008426831,0.001047445,0.0009840304,0.0005215936,0.0010896872,0.002428971,0.000006686886],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001571042,0.00056433916,0.00035866466,0.0004782209,0.0001790143,0.00000579242,0.8815586,0.00026067885,0.00045003215,0.034693304,0.039673243,0.040207073],"study_design_scores_gemma":[0.00081765396,0.00050030585,0.00049687416,0.0011851032,0.000012957225,0.000029174707,0.94403964,0.0001353848,0.00043631883,0.0385425,0.013605676,0.00019842804],"about_ca_topic_score_codex":0.0011344486,"about_ca_topic_score_gemma":0.00034071505,"teacher_disagreement_score":0.062481027,"about_ca_system_score_codex":0.0010568561,"about_ca_system_score_gemma":0.0007217306,"threshold_uncertainty_score":0.99987245},"labels":[],"label_agreement":null},{"id":"W4410205843","doi":"10.5840/symposium202529111","title":"Boundas: Scholar, Scrivener, Dancing Philosopher","year":2025,"lang":"en","type":"article","venue":"Symposium","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Art; Philosophy","score_opus":0.01717565145168212,"score_gpt":0.3006308726084437,"score_spread":0.2834552211567616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410205843","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14042757,0.0008872357,0.0003207742,0.0057084933,0.00340306,0.0001349309,0.000015179295,0.00013760485,0.84896517],"genre_scores_gemma":[0.9333703,0.000020974136,0.00030070744,0.004041048,0.00021388543,0.000008365665,0.000007449222,0.0000122542715,0.062025003],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999068,0.00007327109,0.00013846219,0.00028206364,0.00012321415,0.00031497673],"domain_scores_gemma":[0.9993893,0.000033300184,0.00004395308,0.00041184176,0.000049162412,0.000072425995],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020345997,0.0001256557,0.00014959901,0.00011098303,0.00027503743,0.00009317268,0.00031198366,0.0001089153,0.0013001219],"category_scores_gemma":[0.000032114272,0.00013196947,0.00008036451,0.0002458631,0.00008568426,0.0002674335,0.00010278381,0.00027022947,0.0018490688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004008677,0.00077569747,0.04011241,0.000113670794,0.00060858025,0.00012040803,0.0039183437,0.00003209789,0.03689861,0.4929937,0.41252452,0.011501073],"study_design_scores_gemma":[0.0015624934,0.00012014228,0.030182468,0.00012574071,0.000076698234,0.0000089058685,0.00061493693,0.000008780447,0.0022877369,0.00637721,0.9583323,0.00030255888],"about_ca_topic_score_codex":0.0001224559,"about_ca_topic_score_gemma":0.0000055666947,"teacher_disagreement_score":0.79294276,"about_ca_system_score_codex":0.00006442393,"about_ca_system_score_gemma":0.000053499836,"threshold_uncertainty_score":0.9996128},"labels":[],"label_agreement":null},{"id":"W4410932081","doi":"10.47061/jasc.v5i1.10157","title":"On the Gifts and Perils of Choreography","year":2025,"lang":"en","type":"article","venue":"Journal of Awareness-Based Systems Change","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Choreography; Business; Computer science; Art; Visual arts; Dance","score_opus":0.06603989393688403,"score_gpt":0.33571768387292894,"score_spread":0.2696777899360449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410932081","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9872469,0.0052579995,0.0004251759,0.0019891735,0.0019056323,0.00024178658,0.000039617487,0.000008388909,0.002885384],"genre_scores_gemma":[0.9987485,0.000054862736,0.000008074986,0.00083787314,0.00015451395,0.000007870466,9.323059e-7,0.0000065140434,0.00018088399],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998938,0.00020442874,0.0003396911,0.00010819173,0.00024671174,0.00016292547],"domain_scores_gemma":[0.9986859,0.00036002934,0.00046352658,0.0002466285,0.00018020193,0.00006369423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006720753,0.0001194993,0.00033839935,0.00037430588,0.000098851255,0.000036222573,0.0002726614,0.00009015902,0.000082107035],"category_scores_gemma":[0.0000577627,0.00007780146,0.00014846264,0.0003186635,0.000114808296,0.0001030218,0.000019343744,0.00017476786,0.000004108724],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005085462,0.0020740286,0.78594553,0.0020289817,0.0022834898,0.00030532337,0.01538002,0.00017016401,0.0030261474,0.08124589,0.09020577,0.0122492],"study_design_scores_gemma":[0.005619286,0.0032840702,0.9278974,0.0048306733,0.00034883447,0.0001033506,0.008593435,0.00013019906,0.001993669,0.00079080055,0.045955963,0.00045234128],"about_ca_topic_score_codex":0.0002199286,"about_ca_topic_score_gemma":0.00000714295,"teacher_disagreement_score":0.14195186,"about_ca_system_score_codex":0.000022890574,"about_ca_system_score_gemma":0.00005932744,"threshold_uncertainty_score":0.31726512},"labels":[],"label_agreement":null},{"id":"W4411017330","doi":"10.1016/bs.plm.2025.02.002","title":"Cultural bodybuilding: The embodied influence of culture on perception and action","year":2025,"lang":"en","type":"book-chapter","venue":"The Psychology of learning and motivation/The psychology of learning and motivation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Embodied cognition; Action (physics); Perception; Sociology; Communication; Aesthetics; Psychology; Art; Epistemology; Philosophy; Neuroscience; Physics","score_opus":0.03633504257375129,"score_gpt":0.3328645933271303,"score_spread":0.296529550753379,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411017330","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91330975,0.0011256912,0.00047187705,0.0029214767,0.00047684912,0.0006702285,0.000019869216,0.00007850696,0.08092577],"genre_scores_gemma":[0.9233945,0.0021021834,0.00009042032,0.00066021417,0.000121049736,0.000018417702,0.0000802685,0.000037834467,0.07349511],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99686605,0.0007453822,0.0008353219,0.0008256842,0.00035475494,0.00037279451],"domain_scores_gemma":[0.99612594,0.0011722218,0.0017038954,0.0004983348,0.00042517527,0.000074444004],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001267388,0.00052885886,0.00073979533,0.00040679937,0.00089682353,0.00003931689,0.00040047336,0.0009573191,0.00011861769],"category_scores_gemma":[0.0005032049,0.00035504674,0.00017554585,0.00021452186,0.0022348394,0.00018619782,0.00013273508,0.0022650447,0.000010265013],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00670906,0.000962524,0.55794317,0.0009957091,0.003966013,0.0000132518235,0.06466889,0.0032194946,0.037325107,0.06371469,0.033036035,0.22744605],"study_design_scores_gemma":[0.002485047,0.0019338743,0.87686604,0.0007509677,0.00041721566,0.00010780065,0.0058207577,0.00004367957,0.000036686917,0.0026438627,0.10840907,0.0004849757],"about_ca_topic_score_codex":0.0000760478,"about_ca_topic_score_gemma":0.000011258784,"teacher_disagreement_score":0.31892288,"about_ca_system_score_codex":0.000026652528,"about_ca_system_score_gemma":0.000032936456,"threshold_uncertainty_score":0.99989015},"labels":[],"label_agreement":null},{"id":"W4411131102","doi":"10.5430/wje.v15n2p56","title":"The Impact of Traditional Dance Teaching on the Performance Development of Primary School Learners in Luoyang, China","year":2025,"lang":"en","type":"article","venue":"World Journal of Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; China; Mathematics education; Dance education; Psychology; Pedagogy; Teaching method; Visual arts; Geography; Art","score_opus":0.027151815916684138,"score_gpt":0.3207624561810808,"score_spread":0.29361064026439665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411131102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94862956,0.00032290016,0.00002861418,0.0017577419,0.00061992195,0.00007838395,0.0000014108283,0.0000012564059,0.048560213],"genre_scores_gemma":[0.99618614,0.000034227745,0.00027423023,0.00012764175,0.000072051815,0.0000022587055,0.0000017837353,0.000002780735,0.0032989176],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9992129,0.00012167294,0.0003355911,0.000057042285,0.0001676925,0.000105073064],"domain_scores_gemma":[0.99916214,0.00022689084,0.0003989826,0.00012613134,0.00005623218,0.000029612054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009403719,0.00006535098,0.000121902565,0.00022593258,0.00014139454,0.000013836496,0.00027507337,0.000019796833,0.00015191479],"category_scores_gemma":[0.0001320706,0.000035942576,0.00007213448,0.00023126193,0.0000619022,0.00015559977,0.0000126744935,0.00042021024,0.0000043649616],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012862183,0.0028866967,0.51245236,0.00008051438,0.00045429,9.800152e-7,0.018851615,0.0014425922,0.002154822,0.024917118,0.12411609,0.3113567],"study_design_scores_gemma":[0.00025930544,0.000107354484,0.99484825,0.00035892203,0.000008030395,0.0000036490173,0.001251629,0.000008652888,0.00027721262,0.0003589439,0.0024818713,0.000036175334],"about_ca_topic_score_codex":0.000032783926,"about_ca_topic_score_gemma":0.000010550153,"teacher_disagreement_score":0.4823959,"about_ca_system_score_codex":0.00027847165,"about_ca_system_score_gemma":0.0010004074,"threshold_uncertainty_score":0.18256278},"labels":[],"label_agreement":null},{"id":"W4411390858","doi":"10.53762/1vdjzz58","title":"10.53762/1vdjzz58","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materials science","score_opus":0.010630871969892439,"score_gpt":0.21941589562379224,"score_spread":0.2087850236538998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411390858","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00739,0.000041174066,3.9441684e-7,0.0004293563,0.000009020479,0.00008320322,0.000021721862,0.00009369589,0.99193144],"genre_scores_gemma":[0.0015010939,1.5126614e-7,0.0000403033,0.00033741046,0.00009488554,0.0000031912361,0.0000064362016,0.000009368984,0.9980072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994136,0.000027193819,0.000072892144,0.00015701397,0.00009178469,0.00023751131],"domain_scores_gemma":[0.9995708,0.000022536235,0.000013585193,0.00025416948,0.000014154963,0.00012478493],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000065030574,0.00007861896,0.00009658964,0.000042032352,0.000054403095,0.000020561087,0.00020686311,0.00005250598,0.999373],"category_scores_gemma":[0.0000097990505,0.00008304778,0.000040733292,0.00011879853,0.000026111165,0.00007953737,0.000022874838,0.00006633672,0.9986444],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009749444,0.00005644163,0.0000014313338,8.0269973e-7,0.000015652888,0.000008673082,0.000069247224,0.0000035233586,0.0000070908345,0.000008588821,0.5603638,0.4393672],"study_design_scores_gemma":[0.00027613144,0.00017642204,0.0014515703,0.000005112129,0.000009705073,0.0000068135296,0.0000038557923,0.0000026933037,0.0000108720915,0.00000644788,0.9979419,0.00010845922],"about_ca_topic_score_codex":0.000046778692,"about_ca_topic_score_gemma":7.492006e-8,"teacher_disagreement_score":0.43925875,"about_ca_system_score_codex":0.00001477052,"about_ca_system_score_gemma":0.0000075448065,"threshold_uncertainty_score":0.33865902},"labels":[],"label_agreement":null},{"id":"W4411656599","doi":"10.51847/s8cvsl5xgk","title":"10.51847/S8CvSl5XGk","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Kinematics; Gait; Physical medicine and rehabilitation; Geology; Medicine; Physics; Classical mechanics","score_opus":0.011806460425872448,"score_gpt":0.2229859090696891,"score_spread":0.21117944864381666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411656599","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007304874,0.00004145078,4.7785363e-7,0.00041347428,0.000009370143,0.000085816224,0.000022532058,0.00010101714,0.99202096],"genre_scores_gemma":[0.0016736288,1.4975888e-7,0.00004520858,0.00035363596,0.0000983698,0.0000032836713,0.000006474369,0.000010107076,0.9978092],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938804,0.000029455507,0.00007675926,0.00016408386,0.00009586445,0.0002457795],"domain_scores_gemma":[0.99955076,0.000024616204,0.000014310405,0.00026555208,0.000015046635,0.00012972917],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006949227,0.000082712504,0.00010147893,0.000044067954,0.000057335812,0.000021363301,0.000215061,0.000055695094,0.9993963],"category_scores_gemma":[0.000010724358,0.00008713294,0.000042773318,0.00012581435,0.00002726779,0.00008274919,0.000023800969,0.000069621994,0.9987491],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011314718,0.00006773288,0.000001471742,9.693738e-7,0.000018815646,0.000010704141,0.000079221725,0.0000040048685,0.0000113723445,0.000011009941,0.32257944,0.6771021],"study_design_scores_gemma":[0.00028003863,0.00019148702,0.0014647229,0.0000054232296,0.000010055676,0.000007416726,0.0000039318306,0.0000028619368,0.0000062964878,0.000003448576,0.99791056,0.00011373316],"about_ca_topic_score_codex":0.00004779413,"about_ca_topic_score_gemma":7.0688e-8,"teacher_disagreement_score":0.67698836,"about_ca_system_score_codex":0.00001566116,"about_ca_system_score_gemma":0.00000794099,"threshold_uncertainty_score":0.35531783},"labels":[],"label_agreement":null},{"id":"W4411707675","doi":"10.1007/978-3-031-87935-7_13","title":"On Finnish Sauna Culture, History and Herstory","year":2025,"lang":"en","type":"book-chapter","venue":"Springer studies on populism, identity politics and social justice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.052760732204424496,"score_gpt":0.32559501804156804,"score_spread":0.27283428583714353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411707675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061053843,0.021105483,0.000006162494,0.00079469365,0.009731506,0.00027961162,0.000382046,0.00009513747,0.9615],"genre_scores_gemma":[0.021491779,0.0044970997,0.00003165526,0.009075455,0.0010923435,0.000007174178,0.000022760996,0.000047541474,0.9637342],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981616,0.000052497446,0.00033880305,0.00061394315,0.00038791724,0.00044523407],"domain_scores_gemma":[0.99896187,0.00018118118,0.00027097893,0.00028217921,0.00016825073,0.00013552744],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00020707087,0.00046107938,0.00070236373,0.00020373893,0.0009073031,0.00007361938,0.00024050394,0.00050642976,0.00013436105],"category_scores_gemma":[0.00017158648,0.00051769085,0.00018372266,0.000023695451,0.00070830475,0.000131913,0.00035215917,0.0007752894,0.00012211813],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003371054,0.000049325987,0.000016046344,0.0004693167,0.00054680253,0.000045122142,0.0066314493,8.180655e-8,3.1599947e-7,0.72935975,0.2625497,0.00029841965],"study_design_scores_gemma":[0.0008144717,0.0003075413,0.0027087184,0.00041697043,0.002119882,0.000002982818,0.005871693,4.215689e-7,5.625913e-7,0.0493205,0.93768704,0.0007492367],"about_ca_topic_score_codex":0.00036970424,"about_ca_topic_score_gemma":0.00019227598,"teacher_disagreement_score":0.6800392,"about_ca_system_score_codex":0.000703073,"about_ca_system_score_gemma":0.00007576973,"threshold_uncertainty_score":0.9997275},"labels":[],"label_agreement":null},{"id":"W4411748000","doi":"10.1519/jsc.0000000000005153","title":"Normative Data for Preseason Screening Assessments in Female University Contemporary Dancers","year":2025,"lang":"en","type":"article","venue":"The Journal of Strength and Conditioning Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Alberta Children's Hospital; Alberta Bone and Joint Health Institute; University of Calgary","funders":"","keywords":"Normative; Psychology; Gender studies; Applied psychology; Sociology; Political science","score_opus":0.17957568901577523,"score_gpt":0.4544661981957247,"score_spread":0.2748905091799495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411748000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9633808,0.0011732705,0.002067951,0.0013363282,0.00015073408,0.00027817284,0.00028726927,0.0000067478336,0.031318687],"genre_scores_gemma":[0.9975044,0.00011188521,0.00032620237,0.000045224453,0.000034431716,6.285157e-7,0.00002830963,0.0000025093673,0.001946367],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99886674,0.00044373318,0.00014909035,0.00010116027,0.00023284323,0.00020640937],"domain_scores_gemma":[0.9980821,0.0013273055,0.00011630338,0.0002145161,0.00019948652,0.00006030204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002403079,0.00005316943,0.00012649162,0.00026260843,0.0003601301,0.000045365938,0.00059068564,0.00004063828,0.000067847985],"category_scores_gemma":[0.00025315114,0.00004375183,0.000021402418,0.00029404627,0.00021505926,0.0005889228,0.00021646678,0.00045442156,0.0000018141455],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.014438095,0.0009081078,0.33752882,0.00028847426,0.0015386476,0.000202579,0.011968989,0.00018758228,0.00031014998,0.022824317,0.5391308,0.07067339],"study_design_scores_gemma":[0.012261559,0.0017232522,0.7449024,0.001551673,0.00011383912,0.000029417166,0.18850547,0.0026755214,0.0002976937,0.0028403087,0.044846874,0.00025204915],"about_ca_topic_score_codex":0.00027499974,"about_ca_topic_score_gemma":0.00002535186,"teacher_disagreement_score":0.49428394,"about_ca_system_score_codex":0.000051949624,"about_ca_system_score_gemma":0.00020584559,"threshold_uncertainty_score":0.2769866},"labels":[],"label_agreement":null},{"id":"W4411930679","doi":"10.2196/69452","title":"Dance as an Adjunct Therapy for Neurological Rehabilitation – Creative Enrichment for Recovery (DAN-CER): Program Design and Protocol for a Mixed Methods Pilot to Assess Feasibility and Acceptability","year":2025,"lang":"en","type":"article","venue":"JMIR Research Protocols","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adjunct; Preprint; Protocol (science); Rehabilitation; Medicine; Dance; Physical therapy; Psychology; Medical education; Computer science; Alternative medicine; World Wide Web; Visual arts; Art","score_opus":0.5144084857026504,"score_gpt":0.6631836517489093,"score_spread":0.14877516604625884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411930679","genre_codex":"protocol","genre_gemma":"protocol","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"protocol","genre_consensus":"protocol","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023139657,0.0000035067442,0.081031084,0.0011948576,0.00002152094,0.8941808,0.000068173984,0.00009515064,0.0002652803],"genre_scores_gemma":[0.0010810035,2.3717382e-7,0.23306072,0.00019475681,0.000042353608,0.7653046,0.000008743715,0.000020451454,0.00028709404],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99267155,0.0042751087,0.00047477093,0.0013975347,0.00033445875,0.0008466053],"domain_scores_gemma":[0.9906387,0.0071797855,0.00014371437,0.00075601385,0.0009717276,0.00031008627],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0111070955,0.00030589188,0.00051582116,0.00022616117,0.00061295513,0.00033580585,0.0004964572,0.00022918508,0.00006658913],"category_scores_gemma":[0.005363778,0.00025297035,0.00012939499,0.0004852569,0.00048513347,0.00050538837,0.00021138966,0.00034348745,0.0000017621029],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.19512206,0.011940963,0.017277637,0.0020148903,0.000115079514,0.0000010122762,0.0016251383,0.000007230783,0.0020228126,0.0045404644,0.015016417,0.75031626],"study_design_scores_gemma":[0.019482745,0.22671776,0.41273192,0.00028202857,0.000009539371,0.0000016060413,0.0010214167,0.00041992444,0.0026216302,0.05547462,0.28083143,0.0004054082],"about_ca_topic_score_codex":0.000029592526,"about_ca_topic_score_gemma":0.000012961521,"teacher_disagreement_score":0.7499109,"about_ca_system_score_codex":0.00018505463,"about_ca_system_score_gemma":0.000320476,"threshold_uncertainty_score":0.99999225},"labels":[],"label_agreement":null},{"id":"W4411984661","doi":"10.1177/14661381251357502","title":"Putting our bodies on the line: Corporeal ethnography and metamorphosis","year":2025,"lang":"en","type":"article","venue":"Ethnography","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland; Carleton University","funders":"","keywords":"Ethnography; Metamorphosis; Sociology; Aesthetics; Gender studies; Art; Anthropology; Biology","score_opus":0.05943537997821637,"score_gpt":0.3379184040881351,"score_spread":0.27848302410991876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411984661","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74628896,0.0028782305,0.0002585016,0.027748525,0.0020204103,0.00048356233,0.000084379455,0.0002881924,0.21994926],"genre_scores_gemma":[0.9926943,0.00014708871,0.00049109175,0.005186398,0.00008137524,0.000025887408,0.0000063966136,0.000011743729,0.0013557026],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99874645,0.00016555727,0.00019117659,0.00034464156,0.00018800008,0.00036416276],"domain_scores_gemma":[0.99902904,0.00027984896,0.00011072132,0.00044962423,0.00005471891,0.00007601753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053230196,0.00021054744,0.00023067802,0.0005277838,0.00047179242,0.00008408862,0.00034030515,0.00014648681,0.00008972663],"category_scores_gemma":[0.000077707766,0.0001544503,0.00025390473,0.00085584976,0.00026201006,0.00010092872,0.00010928745,0.0004451004,0.00005546149],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032514796,0.00049058476,0.3193426,0.00007093282,0.0019273665,0.00003376438,0.012211269,0.0000047454428,0.00032429356,0.091070846,0.4992553,0.07494313],"study_design_scores_gemma":[0.0020226205,0.00074200926,0.81598824,0.00031253794,0.0004930125,0.000007714224,0.019879181,0.000021138982,0.0016628308,0.03090461,0.12730561,0.000660481],"about_ca_topic_score_codex":0.0002464119,"about_ca_topic_score_gemma":0.000022512711,"teacher_disagreement_score":0.49664563,"about_ca_system_score_codex":0.0000056447775,"about_ca_system_score_gemma":0.000010948257,"threshold_uncertainty_score":0.62983006},"labels":[],"label_agreement":null},{"id":"W4412280620","doi":"","title":"Shaping future directions for dance education","year":2017,"lang":"en","type":"article","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Dance; Computer science; Mathematics education; Psychology; Visual arts; Art","score_opus":0.11674019021988098,"score_gpt":0.3828675035732748,"score_spread":0.26612731335339385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412280620","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30211747,0.007508317,0.001469283,0.0047439216,0.0007885714,0.0014336947,0.00032497666,0.000048736336,0.68156505],"genre_scores_gemma":[0.46794105,0.0003467174,0.00055639126,0.000026457325,0.00008078193,2.901136e-7,0.000026576323,0.000011377722,0.5310104],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979759,0.0003779417,0.00013295066,0.00046777132,0.0005073834,0.0005380769],"domain_scores_gemma":[0.99697083,0.0003332864,0.00040745956,0.0013217859,0.00074312795,0.00022347945],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012347099,0.00017160842,0.00035859668,0.00018723853,0.005161042,0.000062529645,0.0025313222,0.00018599076,0.2227375],"category_scores_gemma":[0.00014466779,0.00020089552,0.0002743144,0.00031607426,0.0013073126,0.0008934114,0.0008503524,0.00034443583,0.026344439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010719511,0.00027216613,0.000039035567,0.00008378578,0.00023249797,0.000018333989,0.006586318,0.0000047511203,0.0011043226,0.00237552,0.96369725,0.024514085],"study_design_scores_gemma":[0.0012490035,0.0002451252,0.06546934,0.000085076426,0.000094644594,0.0000057327047,0.028148867,0.000033580593,0.0003871103,0.00003058538,0.90407014,0.00018078081],"about_ca_topic_score_codex":0.0028693567,"about_ca_topic_score_gemma":0.0014722808,"teacher_disagreement_score":0.19639307,"about_ca_system_score_codex":0.0002606513,"about_ca_system_score_gemma":0.00045216523,"threshold_uncertainty_score":0.9961341},"labels":[],"label_agreement":null},{"id":"W4412393814","doi":"10.1093/9780198951704.003.0003","title":"Tamara Karsavina and J. M. Barrie’s <i>The Truth about the Russian Dancers</i>","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.017277615410137063,"score_gpt":0.26049950605230343,"score_spread":0.24322189064216637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412393814","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000043380558,0.0038272003,0.000058369893,0.0072788554,0.0022851059,0.00032169448,0.00020191516,0.00006941119,0.98591405],"genre_scores_gemma":[0.010219264,0.00066426885,0.00003060436,0.006883681,0.0003364426,0.000007911816,0.00001853041,0.00002672731,0.9818126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871075,0.000047214227,0.00022643447,0.00045447008,0.00022422403,0.0003368829],"domain_scores_gemma":[0.99838823,0.00041766762,0.00015506014,0.00091304624,0.00002240356,0.000103592036],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023159104,0.00035631735,0.00033955814,0.00006961055,0.0003930003,0.00012734583,0.000727811,0.00036604912,0.00790819],"category_scores_gemma":[0.000028652554,0.00020560653,0.00017456542,0.00004071619,0.0005395757,0.00008493698,0.00024544046,0.00068467465,0.00062325364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049181388,0.000007440852,0.00003730816,0.000014780483,0.00017121102,0.0000131131155,0.0005123253,9.341636e-8,2.8657655e-7,0.72771156,0.26272845,0.008754247],"study_design_scores_gemma":[0.00041661152,0.00007655006,0.002694969,0.00011421387,0.00017478083,0.000016575448,0.00016851637,0.000001249351,0.000002319764,0.014689552,0.98138535,0.00025929985],"about_ca_topic_score_codex":0.000163534,"about_ca_topic_score_gemma":0.000070805036,"teacher_disagreement_score":0.7186569,"about_ca_system_score_codex":0.000044015127,"about_ca_system_score_gemma":0.00008457738,"threshold_uncertainty_score":0.9929987},"labels":[],"label_agreement":null},{"id":"W4412428440","doi":"10.3138/flor-2022-1003","title":"The Blackness of Medieval Dance","year":2025,"lang":"en","type":"article","venue":"Florilegium","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Art; Literature","score_opus":0.011057404705078235,"score_gpt":0.3068943603682287,"score_spread":0.2958369556631505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412428440","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043343086,0.0014984244,0.0052861683,0.003526882,0.25571182,0.00033538384,0.000052773572,0.00007911042,0.69016635],"genre_scores_gemma":[0.84252566,0.000063528656,0.00032886054,0.0009714778,0.006884354,0.000031257245,0.000006786517,0.000012777304,0.14917529],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944013,0.000043381173,0.00011182191,0.000115973235,0.00011232814,0.00017635261],"domain_scores_gemma":[0.9993791,0.00015106588,0.000050598665,0.00034162277,0.00005183954,0.00002574632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018060983,0.000060904862,0.0001000228,0.000028557573,0.000105976455,0.000013266054,0.00033772064,0.000048364043,0.00028787987],"category_scores_gemma":[0.00007472021,0.000045307555,0.000048632854,0.00017233523,0.00016327864,0.000057763213,0.0000641735,0.00009176837,0.00019093002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014877782,0.00004735846,0.002330936,0.000013322488,0.00006980419,0.0000030923388,0.00053303887,0.0000032997145,0.00002121013,0.19535886,0.8001596,0.0013107515],"study_design_scores_gemma":[0.00036185698,0.00004128997,0.031323813,0.000021413853,0.00001792104,8.3160074e-7,0.000655506,0.000015706451,0.00008600843,0.002249914,0.9651747,0.00005108739],"about_ca_topic_score_codex":0.000045555906,"about_ca_topic_score_gemma":0.000013336048,"teacher_disagreement_score":0.7991826,"about_ca_system_score_codex":0.000013999874,"about_ca_system_score_gemma":0.00003295389,"threshold_uncertainty_score":0.31520826},"labels":[],"label_agreement":null},{"id":"W4412470654","doi":"10.21083/csieci.v16i1.7897","title":"Prolong and Break: Experiences of an Itinerant Improvisation Workshop in Mexico","year":2025,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Improvisation; Psychology; Political science; Art; Visual arts","score_opus":0.05632890133674,"score_gpt":0.4393235955001031,"score_spread":0.38299469416336307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412470654","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9901542,0.0010399491,0.0013373056,0.0030486668,0.0009363618,0.0009687162,0.000020086933,0.00011535622,0.0023793462],"genre_scores_gemma":[0.99670887,0.00019632184,0.0014424376,0.00091203244,0.00011001054,0.00047169178,0.000032476382,0.000021785901,0.00010435126],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99655056,0.00056253164,0.0010216862,0.0007883982,0.0003521994,0.0007246101],"domain_scores_gemma":[0.99753404,0.0014186178,0.00017235648,0.00037830914,0.0003634263,0.0001332388],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0016955414,0.0003565368,0.0006094421,0.0006389503,0.00018704514,0.00010480731,0.0002998825,0.0003318605,0.000058533158],"category_scores_gemma":[0.004325496,0.00036783074,0.00007306371,0.0006305187,0.0010305109,0.0014748465,0.00020272021,0.00040770756,0.0000029576972],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013826811,0.0023145955,0.031008918,0.0018682674,0.00019953953,0.000056769644,0.41492262,0.00005091928,0.008481982,0.32587755,0.00048559177,0.21335056],"study_design_scores_gemma":[0.004929944,0.0019920822,0.187633,0.0011165343,0.00016454379,0.000025588402,0.76312286,0.0050297375,0.011977796,0.022477014,0.0003971533,0.0011337443],"about_ca_topic_score_codex":0.00060854835,"about_ca_topic_score_gemma":0.0007087411,"teacher_disagreement_score":0.34820026,"about_ca_system_score_codex":0.00042563892,"about_ca_system_score_gemma":0.00015058988,"threshold_uncertainty_score":0.9998774},"labels":[],"label_agreement":null},{"id":"W4413068256","doi":"10.1007/978-3-031-84560-4_11","title":"Solutions to Selected Repetition Exercises","year":2025,"lang":"en","type":"book-chapter","venue":"Texts in computer science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Repetition (rhetorical device); Psychology; Computer science; Linguistics; Philosophy","score_opus":0.033202083925596884,"score_gpt":0.29498695112013834,"score_spread":0.26178486719454147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413068256","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000641151,0.00019827235,0.056809254,0.00073780905,0.003368957,0.00042916863,0.00005429929,0.0001704089,0.93759066],"genre_scores_gemma":[0.040804382,0.000057684116,0.019700022,0.002796117,0.00042425492,0.000016091019,0.000022762497,0.000023066968,0.9361556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998385,0.000015526952,0.00020499065,0.00065783656,0.0003204828,0.00041612136],"domain_scores_gemma":[0.9989743,0.00006938947,0.000076932076,0.0005786021,0.00018204264,0.00011870136],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033009142,0.00018083245,0.00022560112,0.0007320445,0.00022714266,0.00009344621,0.00087859633,0.00014305284,0.000740938],"category_scores_gemma":[0.000034942048,0.00020293845,0.00004653974,0.00050683983,0.0003209865,0.00019574758,0.0004934785,0.000275958,0.0010324323],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050884395,0.00015298997,0.00012662793,0.000033326443,0.000025085454,0.00009095496,0.0019022353,0.0001933638,0.000043675936,0.44950745,0.20913084,0.33874258],"study_design_scores_gemma":[0.0021623485,0.0017312629,0.11601144,0.00488596,0.00014858441,0.00013103781,0.00004231373,0.0025906716,0.00019038543,0.080323875,0.7884589,0.0033232186],"about_ca_topic_score_codex":0.000055019205,"about_ca_topic_score_gemma":0.000044659475,"teacher_disagreement_score":0.57932806,"about_ca_system_score_codex":0.00019601885,"about_ca_system_score_gemma":0.00026801124,"threshold_uncertainty_score":0.99974537},"labels":[],"label_agreement":null},{"id":"W4413188274","doi":"10.3828/jlcds.2025.15","title":"Introduction: Invitation to Dance","year":2025,"lang":"en","type":"article","venue":"Journal of Literary & Cultural Disability Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dance; Art; Psychology; Visual arts","score_opus":0.046653931067931795,"score_gpt":0.4086464447325069,"score_spread":0.3619925136645751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413188274","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9189892,0.0051809675,0.000037283062,0.069994815,0.00321474,0.00012112194,0.00001115196,0.000015859338,0.0024348567],"genre_scores_gemma":[0.9888669,0.00010244011,0.0008601169,0.0025298465,0.0011032408,0.000004320572,0.0000026621403,0.000003040577,0.0065273796],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9989231,0.00013658342,0.00042895225,0.00018067569,0.00017065584,0.00015999627],"domain_scores_gemma":[0.99900484,0.00013695432,0.0001641296,0.00019059402,0.00043845043,0.00006505318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033379538,0.00012129146,0.00030615984,0.000056971818,0.00014167365,0.00004991048,0.00019964142,0.000037714468,0.00015768081],"category_scores_gemma":[0.0006593122,0.0000866938,0.00014023262,0.00037325243,0.00020205465,0.00079621363,0.000080124315,0.00018216869,0.000055234792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066639256,0.00043061087,0.08005223,0.00010581713,0.00068990426,0.000009087681,0.04785366,0.000019490883,0.00045648747,0.0058726678,0.8396646,0.024179097],"study_design_scores_gemma":[0.00060985377,0.0004747783,0.69430256,0.00015467175,0.00009080399,0.000027960996,0.029469442,4.902147e-7,0.00015801241,0.004364863,0.2701981,0.00014843301],"about_ca_topic_score_codex":0.000005542084,"about_ca_topic_score_gemma":0.0000048071806,"teacher_disagreement_score":0.61425036,"about_ca_system_score_codex":0.00017234715,"about_ca_system_score_gemma":0.000012806696,"threshold_uncertainty_score":0.35352704},"labels":[],"label_agreement":null},{"id":"W4413244166","doi":"10.3138/ctr.203.013","title":"Land-Based and Embodied Performance Practice at the 2023 Bonavista Biennale","year":2025,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Embodied cognition; Aesthetics; Environmental ethics; Visual arts; Art; Computer science; Philosophy; Artificial intelligence","score_opus":0.02167824468182539,"score_gpt":0.2988227720394907,"score_spread":0.2771445273576653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413244166","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006020752,0.32333425,0.000002182988,0.046982873,0.00031925697,0.00041969406,0.00009309542,0.000016840393,0.622811],"genre_scores_gemma":[0.37945744,0.18911558,0.000111679416,0.26054826,0.00023525783,0.00010824596,0.00015172357,0.000049347258,0.17022246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991806,0.00013805546,0.00012753402,0.00019172153,0.00007309428,0.0002889816],"domain_scores_gemma":[0.9991235,0.0001837599,0.000056435958,0.00041404038,0.000039121896,0.00018312196],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041283888,0.00011064428,0.00018615638,0.00006029413,0.0002823391,0.000029798739,0.0002163489,0.000048451446,0.0014359588],"category_scores_gemma":[0.000071426424,0.00008054476,0.00005176516,0.00026907763,0.00010016918,0.00008499615,0.000030738596,0.00014202848,0.00075401046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004415634,0.00002692002,0.015164847,0.0011541948,0.00012562085,0.000058903563,0.00014602763,0.0000010583094,0.0000012680274,0.0022395558,0.81064725,0.17039019],"study_design_scores_gemma":[0.00020645847,0.000030858522,0.008729457,0.0010174953,0.00014618355,0.000024226489,0.000046406192,0.000004592979,0.0000016075517,0.000012180993,0.98969084,0.00008971071],"about_ca_topic_score_codex":0.020508533,"about_ca_topic_score_gemma":0.027108517,"teacher_disagreement_score":0.4525886,"about_ca_system_score_codex":0.00012367297,"about_ca_system_score_gemma":0.00025090083,"threshold_uncertainty_score":0.99947685},"labels":[],"label_agreement":null},{"id":"W4413267149","doi":"10.32920/29660561","title":"Hydromancy","year":2025,"lang":"en","type":"preprint","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Art; Art history; Movie theater; Humanities; Visual arts","score_opus":0.03708176273764804,"score_gpt":0.3480141913771943,"score_spread":0.3109324286395463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413267149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019405179,0.00032638255,0.00061056233,0.00069030636,0.0035653103,0.0001172346,0.00007029509,0.00014093661,0.9750738],"genre_scores_gemma":[0.26846462,0.000026021342,0.0006354182,0.0015947844,0.0001342303,0.00000978497,0.000031388092,0.0000046338437,0.7290991],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993914,0.000027366024,0.00009010523,0.00026283466,0.000070995724,0.00015731929],"domain_scores_gemma":[0.99937695,0.000024621813,0.000041182877,0.0004986989,0.000017739094,0.00004078479],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000052856984,0.00011167073,0.00015444751,0.00007577603,0.00002892983,0.000022931637,0.00036736784,0.00024067555,0.013114071],"category_scores_gemma":[0.000010036778,0.00011250928,0.00009621023,0.000042948377,0.000025049329,0.00002079068,0.00057281327,0.0003279314,0.0023615023],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029083292,0.00018303547,0.0034396586,0.00008247381,0.00025952328,0.000031660395,0.00092382636,0.000010913033,0.0000019312147,0.096313044,0.88448197,0.014242861],"study_design_scores_gemma":[0.001134854,0.00012208642,0.12348969,0.0003659876,0.00018837673,0.000006621016,0.0006007207,0.000047724872,0.0001236928,0.038545173,0.83447796,0.00089708477],"about_ca_topic_score_codex":0.00043981607,"about_ca_topic_score_gemma":0.000009504185,"teacher_disagreement_score":0.24905945,"about_ca_system_score_codex":0.000020569749,"about_ca_system_score_gemma":0.000041183266,"threshold_uncertainty_score":0.9984153},"labels":[],"label_agreement":null},{"id":"W4413267590","doi":"10.32920/29660561.v1","title":"Hydromancy","year":2025,"lang":"","type":"preprint","venue":"Figshare","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Art; Art history; Movie theater; Humanities; Visual arts","score_opus":0.07677779820515572,"score_gpt":0.343088666682798,"score_spread":0.2663108684776423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413267590","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009130295,0.0018029693,8.403358e-7,0.00026418408,0.0014556939,0.0004306624,0.528017,0.00009837413,0.467839],"genre_scores_gemma":[0.04185108,0.000107044696,0.00009966315,0.0029368817,0.001029802,0.0003429117,0.65949243,0.000048117334,0.29409206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99693626,0.0001970469,0.00047709892,0.001214292,0.00035294695,0.0008223316],"domain_scores_gemma":[0.9970847,0.00026905036,0.00043065718,0.0017354615,0.00020035953,0.0002797891],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006993153,0.00064847205,0.00070797745,0.00027111173,0.00026939195,0.00020492224,0.0019824898,0.001302886,0.9589236],"category_scores_gemma":[0.00096202386,0.00081011385,0.0005740473,0.00033034655,0.000020903313,0.0001704257,0.0029140473,0.001670057,0.19146472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059981197,0.00028084798,0.00006576414,0.0017103241,0.00035884106,0.000121953344,0.00091733056,0.00002776542,9.4365487e-7,0.00014815756,0.9822201,0.01408797],"study_design_scores_gemma":[0.00072350085,0.000110683846,0.012050363,0.019429233,0.00009226851,0.000009761494,0.00010846598,0.000059294143,0.00005605941,0.00037473597,0.96626073,0.00072490046],"about_ca_topic_score_codex":0.00006407128,"about_ca_topic_score_gemma":0.000008178279,"teacher_disagreement_score":0.76745886,"about_ca_system_score_codex":0.00015359305,"about_ca_system_score_gemma":0.0004556858,"threshold_uncertainty_score":0.9999936},"labels":[],"label_agreement":null},{"id":"W4413268886","doi":"10.3138/tric-2024-0009","title":"Insurgent Patriotism: The Shameless Conduct of the Ottawa Truckers’ Convoy Occupation","year":2025,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta; University of British Columbia","funders":"","keywords":"Dramaturgy; Performativity; Dance; Aesthetics; Sociology; Psychology; Psychoanalysis; Art; Visual arts; Gender studies","score_opus":0.08958059230882501,"score_gpt":0.3873967288437774,"score_spread":0.2978161365349524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413268886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85845846,0.0006228241,0.000003005241,0.008499184,0.0008683881,0.00043803104,0.0001132721,0.0000047716458,0.13099204],"genre_scores_gemma":[0.99894625,0.000034622975,0.0000033273302,0.0003578477,0.000024005922,0.000012149286,0.0000033723447,0.000004936538,0.0006134932],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99775827,0.00087159517,0.0002144617,0.00017940644,0.00056325976,0.00041300262],"domain_scores_gemma":[0.99842775,0.0007893985,0.000054923712,0.00058049953,0.00008839538,0.000059054808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012860809,0.00008285313,0.00016217043,0.00011931474,0.00017733486,0.000017555672,0.00074078835,0.000053276624,0.00043614887],"category_scores_gemma":[0.000042217427,0.000051110124,0.000044752258,0.0008942378,0.00025575404,0.00004900654,0.00016122899,0.00048519624,0.000010517615],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023580171,0.00012253394,0.608862,0.00008250966,0.00014761195,0.000039894723,0.0016189154,0.00004963836,0.00020142,0.009835978,0.24228093,0.13652277],"study_design_scores_gemma":[0.0014307852,0.00008918009,0.7946579,0.00021795512,0.000018514647,0.000005569537,0.01675473,0.000059658585,0.0020611857,0.002484704,0.18205833,0.00016148067],"about_ca_topic_score_codex":0.9639071,"about_ca_topic_score_gemma":0.93234956,"teacher_disagreement_score":0.1857959,"about_ca_system_score_codex":0.0005797507,"about_ca_system_score_gemma":0.0026983838,"threshold_uncertainty_score":0.4786817},"labels":[],"label_agreement":null},{"id":"W4413288952","doi":"10.1007/s40846-025-00964-1","title":"Effects of 10 Weeks Classical Chinese Dance Training on Flexibility, Balance and Muscle Strength of the Elderly","year":2025,"lang":"en","type":"article","venue":"Journal of Medical and Biological Engineering","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"National Taiwan Normal University","keywords":"Flexibility (engineering); Balance (ability); Dance; Strength training; Muscle strength; Training (meteorology); Physical medicine and rehabilitation; Psychology; Medicine; Economics; Art; Physics; Literature; Meteorology; Management","score_opus":0.017318862238934585,"score_gpt":0.28110095464067836,"score_spread":0.2637820924017438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413288952","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9960358,0.0009725716,0.0004037783,0.0017329198,0.00036349776,0.00004621106,0.000003384121,0.000005551051,0.0004362594],"genre_scores_gemma":[0.99946123,0.00017115864,0.00010145352,0.00012706479,0.00007808742,4.844724e-7,1.5738482e-7,0.000001711157,0.000058655325],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99921507,0.00006104942,0.000265581,0.00010266566,0.00022449851,0.00013113377],"domain_scores_gemma":[0.9988962,0.0007863371,0.000113135764,0.00007338125,0.000026891048,0.000104045226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044239004,0.000090020316,0.00031676673,0.000040940646,0.000023912091,0.0000052899823,0.0002237777,0.0002064975,0.000056362787],"category_scores_gemma":[0.0011850507,0.000045214852,0.00007854573,0.00012590396,0.00019619286,0.000030508701,0.00008318546,0.0004802637,2.6437564e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018344353,0.002526971,0.08016871,0.0015336467,0.00078952836,0.0002534,0.0023537064,0.00024758404,0.052184228,0.038623326,0.0022579757,0.81722647],"study_design_scores_gemma":[0.0016678169,0.0015892187,0.9917478,0.0008316971,0.000025814154,0.000030160227,0.00011949929,0.0007655094,0.0006064479,0.00035061536,0.0021813267,0.00008412455],"about_ca_topic_score_codex":0.000003119628,"about_ca_topic_score_gemma":4.2198602e-7,"teacher_disagreement_score":0.9115791,"about_ca_system_score_codex":0.0000074007908,"about_ca_system_score_gemma":0.000022325607,"threshold_uncertainty_score":0.20865335},"labels":[],"label_agreement":null},{"id":"W4413751891","doi":"10.2139/ssrn.5405275","title":"Neuroplastic Effects of Dance Training in Parkinson's Disease: Functional and Structural Modulation in Speech-Related Brain Regions","year":2025,"lang":"en","type":"preprint","venue":"SSRN Electronic Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Algoma University; York University","funders":"","keywords":"Neuroplasticity; Neuroscience; Dance; Psychology; Functional connectivity; Parkinson's disease; Modulation (music); Physical medicine and rehabilitation; Disease; Medicine; Art; Internal medicine","score_opus":0.013180774207763403,"score_gpt":0.2626151917643728,"score_spread":0.24943441755660942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413751891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99083596,0.003942472,0.0017733927,0.0007791584,0.0018826928,0.0002803609,0.00001857934,0.000017133932,0.00047025245],"genre_scores_gemma":[0.9974126,0.0006509038,0.000025849038,0.000059414822,0.000092883936,0.00000578594,0.000026481397,0.000012308512,0.0017137544],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.997666,0.00034010157,0.0003797413,0.0003763725,0.0002190024,0.0010188104],"domain_scores_gemma":[0.99905866,0.00030430197,0.00032108073,0.00019024694,0.000038778802,0.00008690088],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0005708019,0.00022542287,0.00035421675,0.00047269068,0.0000808387,0.00002788704,0.00021602077,0.00021647284,0.000026498066],"category_scores_gemma":[0.00032538755,0.00024545766,0.00010042108,0.0002711771,0.00009089578,0.00013977369,0.00011825035,0.0034638047,0.0000018938597],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038832647,0.00047703672,0.4220344,0.000911739,0.0013842258,0.0006044852,0.010977733,0.054066222,0.0003766252,0.3350749,0.0010553192,0.16915402],"study_design_scores_gemma":[0.0017350327,0.00013437404,0.8083598,0.00056122703,0.00005493994,0.00011478296,0.00040673238,0.0025669534,0.0000020821815,0.18575975,0.00010886299,0.00019547211],"about_ca_topic_score_codex":0.00013145778,"about_ca_topic_score_gemma":0.00063423166,"teacher_disagreement_score":0.38632536,"about_ca_system_score_codex":0.00048277748,"about_ca_system_score_gemma":0.0015211696,"threshold_uncertainty_score":0.99999976},"labels":[],"label_agreement":null},{"id":"W4413755415","doi":"10.1080/23748834.2025.2544096","title":"Reimagining public space: teenagers’ dance practices and urban health in Barcelona’s 22@ District in Spain","year":2025,"lang":"en","type":"article","venue":"Cities & Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Global Health Research","funders":"","keywords":"Dance; Public space; Public health; Space (punctuation); Urban space; Geography; Sociology; Visual arts; Regional science; Art; Medicine; Architectural engineering; Engineering; Computer science; Nursing","score_opus":0.046154616801214805,"score_gpt":0.36048832906978934,"score_spread":0.31433371226857454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413755415","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43377075,0.027308246,0.0004980069,0.42448446,0.001662009,0.0009990972,0.00012481857,0.00016278747,0.11098983],"genre_scores_gemma":[0.9797665,0.0017509501,0.00044596032,0.0117147425,0.000069107715,0.000016406542,0.000029125775,0.000013319944,0.0061939075],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99757755,0.0006007672,0.0004088816,0.0004558131,0.00015023278,0.0008067592],"domain_scores_gemma":[0.9986072,0.00038491175,0.00043526982,0.0003396988,0.00002465135,0.00020822136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016715592,0.0001779887,0.00042277863,0.00048712385,0.00021908771,0.00010662526,0.00024934686,0.000082391125,0.00012132954],"category_scores_gemma":[0.00038833445,0.0001800172,0.000029084238,0.0007255107,0.00018357915,0.0005063587,0.000114183014,0.00063819066,0.000020286187],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014833118,0.00027046815,0.72360504,0.00057759177,0.000030495496,0.000036375848,0.019358559,0.000002445152,0.0000018339158,0.059845164,0.13623147,0.05989224],"study_design_scores_gemma":[0.0012119078,0.00020587217,0.790951,0.0003324145,0.0000026392086,0.0000068746986,0.01716495,0.000042265514,7.3711396e-7,0.00070627587,0.18920743,0.00016764336],"about_ca_topic_score_codex":0.013038614,"about_ca_topic_score_gemma":0.0020059266,"teacher_disagreement_score":0.5459957,"about_ca_system_score_codex":0.00044598486,"about_ca_system_score_gemma":0.00085702195,"threshold_uncertainty_score":0.9935337},"labels":[],"label_agreement":null},{"id":"W4413834791","doi":"10.24908/iqurcp18971","title":"The Power of Social Dance as Social Defiance: Liberation, Identity, and Cohesion","year":2025,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Dance; Cohesion (chemistry); Power (physics); Social identity theory; Sociology; Identity (music); Social psychology; Aesthetics; Gender studies; Psychology; Social group; Art; Visual arts","score_opus":0.09665441577204789,"score_gpt":0.431362269563307,"score_spread":0.3347078537912591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413834791","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7874792,0.00039562085,0.00069158064,0.08269352,0.00057709374,0.00067541224,0.000013443447,0.00008413053,0.12738998],"genre_scores_gemma":[0.98871475,0.0004060346,0.000041975305,0.00020644175,0.00011601923,0.000039475704,0.0000033786723,0.000012582473,0.010459324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9975363,0.00015671445,0.00034408786,0.00044795274,0.0008733897,0.0006415334],"domain_scores_gemma":[0.9977972,0.00028966533,0.00016808839,0.00014076463,0.001512142,0.00009213872],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0017488385,0.00017685603,0.0002685518,0.00024083255,0.0016505005,0.00059836655,0.00070638885,0.00020604518,0.000078533434],"category_scores_gemma":[0.0004922907,0.00015459603,0.00007020454,0.0008614381,0.002007548,0.00088549335,0.0004938074,0.00062377023,0.000093059025],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030900366,0.00009723128,0.0052529452,0.000081646016,0.00009484462,0.0000027309186,0.014218197,2.4285107e-8,0.0012015189,0.9010148,0.0731616,0.004565443],"study_design_scores_gemma":[0.0018273162,0.0005435156,0.1399651,0.00025493957,0.000048834718,0.000008661752,0.041237734,0.000020926771,0.002183193,0.77362067,0.039877966,0.00041115965],"about_ca_topic_score_codex":0.0002353044,"about_ca_topic_score_gemma":0.000030870644,"teacher_disagreement_score":0.20123555,"about_ca_system_score_codex":0.00010657886,"about_ca_system_score_gemma":0.0003486895,"threshold_uncertainty_score":0.9996492},"labels":[],"label_agreement":null},{"id":"W4413936042","doi":"10.54254/2753-7064/2025.lc26419","title":"The Psychological Effects of Ballet and Contemporary Dance on Female Dancers: An Embodiment Perspective","year":2025,"lang":"en","type":"article","venue":"Communications in Humanities Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bishop's University","funders":"","keywords":"Ballet; Dance; Perspective (graphical); Ballet dancer; Psychology; Art; Aesthetics; Visual arts","score_opus":0.36333993539310905,"score_gpt":0.5435042440120778,"score_spread":0.1801643086189687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413936042","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41036168,0.015761437,0.0000048366246,0.0017929403,0.000120271936,0.000504338,0.000010520156,0.000016956468,0.57142705],"genre_scores_gemma":[0.99381167,0.0019782414,0.000082464874,0.00021290597,0.000012209959,0.00013746817,0.0000050476947,0.000004897405,0.003755127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9978917,0.001291869,0.00017450421,0.00021476691,0.000197208,0.00022994696],"domain_scores_gemma":[0.9954107,0.0026535904,0.000045612163,0.0016648456,0.00019580183,0.000029454191],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00100815,0.00008005429,0.0001450102,0.00021832979,0.00073546666,0.00007265719,0.0014374468,0.00006589993,0.00005026228],"category_scores_gemma":[0.0003305451,0.0000658912,0.000026329755,0.00027128952,0.002137707,0.00011811958,0.0005441181,0.0006039061,0.000017640326],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023373381,0.0008030492,0.002714605,0.0000253304,0.000047584876,0.0000032789953,0.013653111,5.287913e-7,0.000044160348,0.9723181,0.0058321822,0.004324336],"study_design_scores_gemma":[0.0035592127,0.0035083818,0.5158074,0.0008138951,0.000015611347,0.0000030185502,0.29347566,0.00009134262,0.0003274978,0.09295675,0.08911067,0.00033055947],"about_ca_topic_score_codex":0.0005980276,"about_ca_topic_score_gemma":0.00027740395,"teacher_disagreement_score":0.87936133,"about_ca_system_score_codex":0.00013501117,"about_ca_system_score_gemma":0.00004798738,"threshold_uncertainty_score":0.78764707},"labels":[],"label_agreement":null},{"id":"W4414328835","doi":"10.1057/978-1-349-96132-0_8447","title":"Choirs Ontario","year":2025,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.025330621683767145,"score_gpt":0.25785855159075505,"score_spread":0.2325279299069879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414328835","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014271357,0.0006973591,0.000029131415,0.00006195855,0.0022718997,0.0004523623,0.0002576572,0.00014423352,0.9959427],"genre_scores_gemma":[0.42632654,0.000013169014,0.00007280782,0.0006361764,0.0001900444,0.00000781089,0.00006077349,0.000037106736,0.57265556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99794024,0.000027162407,0.00038602867,0.0007228718,0.0003538294,0.00056985556],"domain_scores_gemma":[0.9982364,0.00009772809,0.00024787436,0.0011052024,0.000088537134,0.00022422313],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013220015,0.00060449773,0.0006637664,0.00032407796,0.00016467806,0.00006224296,0.0006803104,0.00069636287,0.021335268],"category_scores_gemma":[0.000012906105,0.0006428591,0.0004270882,0.000015141571,0.00021673903,5.2443903e-7,0.00026852067,0.0007941344,0.0035720603],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010671259,7.6336016e-7,0.0005611058,0.000033137043,0.00053900003,0.00020074043,0.0012807524,9.245382e-8,0.0000039193674,0.9729089,0.005914354,0.018450504],"study_design_scores_gemma":[0.0008580693,0.00018379366,0.0042982427,0.00026857955,0.00025234433,0.000028982151,0.000053909567,2.3360687e-7,0.000014874326,0.6793044,0.31395927,0.00077726913],"about_ca_topic_score_codex":0.0075700567,"about_ca_topic_score_gemma":0.016773244,"teacher_disagreement_score":0.42618382,"about_ca_system_score_codex":0.0003003622,"about_ca_system_score_gemma":0.00025248606,"threshold_uncertainty_score":0.99960226},"labels":[],"label_agreement":null},{"id":"W4414755088","doi":"10.1080/00913847.2025.2570113","title":"Injuries among professional ballet dancers in Finland: a prospective cohort study over five ballet seasons (FinBallet Study)","year":2025,"lang":"en","type":"article","venue":"The Physician and Sportsmedicine","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Ballet dancer; Ballet; Ankle; Prospective cohort study; Stress fractures; Cohort study; Incidence (geometry); Psychological intervention; Athletes","score_opus":0.005815086977937529,"score_gpt":0.300188373081265,"score_spread":0.29437328610332747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414755088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9530432,0.000185626,0.0000072656135,0.0015579636,0.00064803177,0.0023251553,0.000028431574,0.00003529219,0.042169027],"genre_scores_gemma":[0.9790918,0.000017338236,0.0000033949066,0.0017234215,0.00015855113,0.00015029967,0.000013559416,0.0000124912,0.018829124],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998322,0.00017439101,0.00026210837,0.0004999202,0.00036932685,0.0003722623],"domain_scores_gemma":[0.9991414,0.0001290197,0.00013891091,0.0004571394,0.000051651517,0.000081866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006153423,0.00026468534,0.0005365717,0.00014226546,0.00026183928,0.000026086702,0.00029313064,0.00006490529,0.0003168769],"category_scores_gemma":[0.000025725561,0.0001809513,0.000053956024,0.0004657594,0.00040062226,0.00013630046,0.00018375949,0.00047268244,0.000021805019],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006121259,0.0020462924,0.93790895,0.000011428525,0.00040132186,0.00009593279,0.02405659,0.0000037062714,0.000003091595,0.0025788008,0.03160433,0.00067741587],"study_design_scores_gemma":[0.0035019938,0.00066863693,0.9369433,0.00014130637,0.00015840771,7.209309e-7,0.0564222,0.000013906501,0.0000012700112,0.0004990504,0.0014808541,0.00016834422],"about_ca_topic_score_codex":0.0015610089,"about_ca_topic_score_gemma":0.0008321258,"teacher_disagreement_score":0.03236561,"about_ca_system_score_codex":0.00007651529,"about_ca_system_score_gemma":0.000077782315,"threshold_uncertainty_score":0.73789805},"labels":[],"label_agreement":null},{"id":"W4414766619","doi":"10.5539/ass.v21n5p79","title":"Effects of Plyometric Training on Latin Dance-Specific Motor Skills in University Student Dancers: A Pilot Study","year":2025,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Plyometrics; Balance (ability); Dance; Motor skill; Spins; Balance test","score_opus":0.03407817468294404,"score_gpt":0.32646314377439234,"score_spread":0.2923849690914483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414766619","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7664053,0.000030471798,0.00005162205,0.000110185356,0.00047265145,0.0004140468,0.000005261433,0.000019651494,0.23249084],"genre_scores_gemma":[0.9983654,0.000006432458,0.000049010763,0.00007973885,0.00003437815,0.0000028816949,2.4727825e-7,0.0000032120824,0.0014587195],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9985172,0.0001490538,0.00014565833,0.00039359974,0.0004299212,0.00036453363],"domain_scores_gemma":[0.99942815,0.00018753918,0.00010501906,0.0001705234,0.00004534275,0.000063424966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055535324,0.000108336884,0.00024027308,0.00066092855,0.0003020986,0.000031287625,0.0007320651,0.00004709734,0.00003765654],"category_scores_gemma":[0.00010517234,0.000120465906,0.00003942371,0.004123717,0.00044592284,0.00021099643,0.00013449717,0.00022787479,0.000022577264],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00092776876,0.0133667765,0.1989317,0.000053099513,0.00012729083,0.00022370864,0.23190454,0.000004261292,0.0053524743,0.08934546,0.0012273169,0.4585356],"study_design_scores_gemma":[0.0016113243,0.0012151761,0.9607777,0.000047208527,0.000010254402,8.862506e-8,0.03547935,3.591776e-7,0.000083704654,0.00007043844,0.00060825225,0.000096134354],"about_ca_topic_score_codex":0.00013602005,"about_ca_topic_score_gemma":0.000038024125,"teacher_disagreement_score":0.761846,"about_ca_system_score_codex":0.00036037172,"about_ca_system_score_gemma":0.00012038869,"threshold_uncertainty_score":0.4912457},"labels":[],"label_agreement":null},{"id":"W4414774148","doi":"10.1017/cjn.2025.10389","title":"Reviewer Comment on Hangul et al. “Gut Microbiota and Short-Chain Fatty Acid Profiles in Facioscapulohumeral Dystrophy: Associations with Epigenetic Alterations”","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epigenetics; Hangul; Gene; DNA methylation; Facioscapulohumeral muscular dystrophy","score_opus":0.03677945158729817,"score_gpt":0.30360543360767966,"score_spread":0.2668259820203815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414774148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9431678,0.0015192272,0.0000593271,0.05216066,0.00081906776,0.00023267946,0.000043413194,0.000008120584,0.0019897232],"genre_scores_gemma":[0.94844335,0.0004083547,0.0009117498,0.05014091,0.000049021284,0.0000043030304,9.043261e-7,0.0000051458246,0.000036283087],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99647826,0.0011869394,0.00059353537,0.00046503742,0.0003874778,0.0008887613],"domain_scores_gemma":[0.99808085,0.00037763588,0.0003634287,0.00013587395,0.000346263,0.0006959708],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0026870845,0.00026128208,0.00042504136,0.0007741115,0.0015762834,0.000561796,0.0009923953,0.00011723482,0.00011707308],"category_scores_gemma":[0.0010070184,0.00017799837,0.000100745885,0.0009933835,0.002811745,0.0005171604,0.00005263941,0.001022392,0.0000027919505],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009333048,0.000096808704,0.97426504,0.000006091445,0.000032776516,0.0015054242,0.00072874775,0.0011507412,0.00011038033,0.0031330576,0.015118319,0.0037592775],"study_design_scores_gemma":[0.00048441748,0.029738415,0.95234346,0.00014485772,0.000037504928,0.0013512208,0.00044406563,0.00013346566,0.00007695933,0.0021979748,0.012746089,0.00030156394],"about_ca_topic_score_codex":0.001447286,"about_ca_topic_score_gemma":0.045344554,"teacher_disagreement_score":0.04389727,"about_ca_system_score_codex":0.00021189764,"about_ca_system_score_gemma":0.0011660792,"threshold_uncertainty_score":0.999902},"labels":[],"label_agreement":null},{"id":"W4414795028","doi":"10.1353/vcr.2024.a970824","title":"What Can the Arts Do for Social Justice? The Lessons of Victorian Aestheticism","year":2024,"lang":"en","type":"article","venue":"Victorian review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aestheticism; The arts; Decorative arts; Social life","score_opus":0.069808833128792,"score_gpt":0.3875763895708956,"score_spread":0.3177675564421036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414795028","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013592017,0.5969907,0.0003241662,0.31323007,0.051794276,0.0027463825,0.0003659667,0.0001517643,0.033037435],"genre_scores_gemma":[0.77668226,0.18057859,0.00013032967,0.018963113,0.009325029,0.00029880417,0.00006795566,0.00014821994,0.013805676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874926,0.0001673618,0.00029080812,0.00025579712,0.00022559466,0.00031116078],"domain_scores_gemma":[0.99893326,0.0003260286,0.00012290903,0.0004721624,0.000084536696,0.00006110371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007797876,0.00017161874,0.0003313156,0.000033548702,0.00029647586,0.0001724271,0.0005578208,0.00009221112,0.0005904317],"category_scores_gemma":[0.000081704144,0.00009732032,0.00030220975,0.0003267493,0.00014904933,0.00015575114,0.000057984194,0.00021831805,0.0002181072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021778329,0.00006736792,0.000007714022,0.002538991,0.00021054088,0.000009861841,0.017314274,2.3676647e-7,0.000016458847,0.64500064,0.2787776,0.056034535],"study_design_scores_gemma":[0.00015477718,0.000072369134,0.00021067909,0.0019204278,0.00064336124,0.00001099542,0.0008123511,0.0000012868207,0.0000067919923,0.0015868604,0.99446166,0.00011846844],"about_ca_topic_score_codex":0.0000114079485,"about_ca_topic_score_gemma":0.000019139381,"teacher_disagreement_score":0.7753231,"about_ca_system_score_codex":0.000040966865,"about_ca_system_score_gemma":0.00008261327,"threshold_uncertainty_score":0.6464813},"labels":[],"label_agreement":null},{"id":"W4414937250","doi":"10.32920/eb.v1i1.1887","title":"Fattening somatic movement: Fat time, epistemology, and performance","year":2023,"lang":"en","type":"article","venue":"Excessive Bodies A Journal of Artistic and Critical Fat Praxis and World Making","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Choreography; Temporality; Contemporary dance; Movement (music); Space (punctuation); Performing arts","score_opus":0.02303591587877708,"score_gpt":0.3135484858409084,"score_spread":0.2905125699621313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414937250","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.975549,0.0055243145,0.0022788644,0.004457174,0.00049282535,0.00011767861,0.000021871787,0.000033548502,0.011524729],"genre_scores_gemma":[0.9962956,0.0003076731,0.0007746785,0.000653064,0.00017366048,0.0000023583223,9.549839e-7,0.000010010053,0.0017820057],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9988336,0.00008499858,0.00036216262,0.0001887196,0.0001696545,0.00036087105],"domain_scores_gemma":[0.9988812,0.0006315655,0.00016151519,0.000083853556,0.00008651576,0.0001553493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030181656,0.00015435243,0.00034789953,0.00019060008,0.00038835354,0.00012764637,0.00009211849,0.000049803846,0.00023437369],"category_scores_gemma":[0.00030543577,0.00012987589,0.000041664367,0.000111542984,0.00047354755,0.00033508876,0.00015546364,0.00023921097,0.000029271996],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016699249,0.00045914977,0.4129821,0.0024840303,0.0010269,0.0035346025,0.016774368,0.000024748304,0.0023223266,0.2579806,0.04104643,0.25969478],"study_design_scores_gemma":[0.0037405498,0.0028363813,0.9066579,0.00391002,0.0006035211,0.0013255926,0.011677423,0.0046694297,0.0001752366,0.055692546,0.007696861,0.0010145364],"about_ca_topic_score_codex":0.0000046687755,"about_ca_topic_score_gemma":0.000003458187,"teacher_disagreement_score":0.4936758,"about_ca_system_score_codex":0.000013906852,"about_ca_system_score_gemma":0.000008636362,"threshold_uncertainty_score":0.5296185},"labels":[],"label_agreement":null},{"id":"W4414937443","doi":"10.32920/eb.v1i1.1897","title":"Feeling Fat:","year":2023,"lang":"en","type":"article","venue":"Excessive Bodies A Journal of Artistic and Critical Fat Praxis and World Making","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Feeling; Materiality (auditing); Narrative; Embodied cognition; Materialism; Conversation; Population","score_opus":0.03592322262543139,"score_gpt":0.3524571982369146,"score_spread":0.3165339756114832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414937443","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82968116,0.024507198,0.026229663,0.02108561,0.00391991,0.00025714707,0.00009005286,0.0001315545,0.09409771],"genre_scores_gemma":[0.9965562,0.00022965088,0.00080816424,0.00054536766,0.00038568868,0.0000011923213,6.0364766e-7,0.000008953998,0.0014641316],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99894637,0.00006805169,0.00030797417,0.0001603454,0.0001860255,0.0003312258],"domain_scores_gemma":[0.9988438,0.0006784355,0.00011977336,0.00007857371,0.00011555282,0.0001638849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025032973,0.00012396892,0.00027471344,0.00018503061,0.00031113572,0.0001373308,0.00010037696,0.000042843494,0.00033133774],"category_scores_gemma":[0.0006087525,0.00010430042,0.00006002924,0.00013406495,0.0003033534,0.0002587332,0.00011272299,0.00025478535,0.0000327222],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008452133,0.00029595778,0.048401393,0.00040484677,0.00042039886,0.0038022725,0.009386346,0.000020202448,0.00063097815,0.7017663,0.07874379,0.15528229],"study_design_scores_gemma":[0.005469826,0.0027980444,0.5827396,0.0042297933,0.00092833093,0.0015125028,0.037316155,0.0011653592,0.00021628346,0.19183363,0.17011271,0.0016777489],"about_ca_topic_score_codex":0.000005685557,"about_ca_topic_score_gemma":0.000008300269,"teacher_disagreement_score":0.53433824,"about_ca_system_score_codex":0.000011847647,"about_ca_system_score_gemma":0.00001004834,"threshold_uncertainty_score":0.42532477},"labels":[],"label_agreement":null},{"id":"W4415052258","doi":"10.3138/md-68-3-rev3","title":"Broderick D.V. Chow. <i>Muscle Works: Physical Culture and the Performance of Masculinity</i>","year":2025,"lang":"en","type":"article","venue":"Modern Drama","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Reciprocal; Autoethnography; Physical culture; Feminism; Masculinity","score_opus":0.01019631046404456,"score_gpt":0.2587495929040829,"score_spread":0.24855328244003833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415052258","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9461284,0.0011121796,0.000693306,0.0010774973,0.00020806467,0.00014998818,0.000007496723,0.000030287587,0.05059278],"genre_scores_gemma":[0.99037355,0.00013779887,0.00007530144,0.0008700099,0.00006297942,0.000006469975,0.0000023423397,0.0000052442806,0.00846629],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9993528,0.000063916494,0.00010556942,0.00018310615,0.00011478289,0.0001797904],"domain_scores_gemma":[0.99948525,0.0000741486,0.000054820717,0.00031363402,0.00003889643,0.00003322082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012143542,0.000104021994,0.00020486958,0.000025828434,0.00012065811,0.00003819102,0.00024296381,0.00007507717,0.00004360964],"category_scores_gemma":[0.000022524244,0.00007115446,0.00007907898,0.00015143059,0.00029842474,0.00014437697,0.00010547813,0.00021295794,0.000038431826],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0040728836,0.002200158,0.031172253,0.00048667315,0.0011344021,0.000014912106,0.15524706,0.00078619824,0.0027100327,0.07773822,0.080258094,0.6441791],"study_design_scores_gemma":[0.04143971,0.0012687995,0.64137757,0.0012953815,0.000982174,0.000033336644,0.013496701,0.06741308,0.004348435,0.03640499,0.1902036,0.0017362228],"about_ca_topic_score_codex":0.000043505257,"about_ca_topic_score_gemma":0.0000029336115,"teacher_disagreement_score":0.6424429,"about_ca_system_score_codex":0.000009111106,"about_ca_system_score_gemma":0.000014189255,"threshold_uncertainty_score":0.2901595},"labels":[],"label_agreement":null},{"id":"W4415097753","doi":"10.3389/fpsyg.2025.1697858","title":"Editorial: Exploring effects of group and partnership dynamics in dance on mental and physical health","year":2025,"lang":"en","type":"editorial","venue":"Frontiers in Psychology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dance; Cognition; Mental health; Transformative learning; Neuroplasticity; Imitation; Embodied cognition; Neuroimaging","score_opus":0.018412647267268795,"score_gpt":0.33831597456645346,"score_spread":0.3199033272991847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415097753","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00910014,0.0023404623,0.00014276376,0.00025799678,0.9851203,0.00046500927,0.000121868776,0.00002385601,0.002427613],"genre_scores_gemma":[0.008557325,0.0052747284,0.000576586,0.0003610744,0.9844207,0.00014063819,0.00025172878,0.00005733897,0.00035985484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974603,0.00045609605,0.00038515273,0.0008301167,0.00031210823,0.0005562136],"domain_scores_gemma":[0.99852806,0.0006526995,0.00026545994,0.00041642884,0.000021031967,0.00011630641],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00047694097,0.00035122744,0.0010249622,0.0005635977,0.00004897733,0.000015822332,0.00034090248,0.00077176193,0.000002674218],"category_scores_gemma":[0.00024152771,0.0004014611,0.00006491396,0.0002891502,0.00033670844,0.00012755282,0.00011417627,0.0013315728,0.0000024155584],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011722506,0.00052062137,0.005844624,0.00041968614,0.00008093829,0.000019130392,0.00249616,2.0919039e-7,0.0000015461111,0.0006792436,0.96757245,0.021193141],"study_design_scores_gemma":[0.009562603,0.0031609132,0.009400657,0.001473789,0.000052169886,0.000001676562,0.0017170218,0.00003425761,0.0000034448312,0.004531697,0.9694647,0.00059702573],"about_ca_topic_score_codex":0.0002512951,"about_ca_topic_score_gemma":0.00011964094,"teacher_disagreement_score":0.020596117,"about_ca_system_score_codex":0.0003371916,"about_ca_system_score_gemma":0.000067417954,"threshold_uncertainty_score":0.9998437},"labels":[],"label_agreement":null},{"id":"W4415385538","doi":"10.54337/ojs.jos.v11i1.10063","title":"Affective Somaesthetics: Reflections on Flowing and Feeling with Fire Dancers in Thailand","year":2025,"lang":"","type":"article","venue":"The Journal of Somaesthetics","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Embodied cognition; Feeling; Ethnography; Affect (linguistics); Conversation; Photo elicitation; Conversation analysis","score_opus":0.02323985141766096,"score_gpt":0.3193713571887753,"score_spread":0.29613150577111436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415385538","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97329605,0.0071462197,0.0003341778,0.007097807,0.0009952886,0.0003112304,0.000009642632,0.000011352426,0.0107982345],"genre_scores_gemma":[0.9925267,0.005629421,0.00023807291,0.0008554992,0.00010525439,0.0000014357092,4.164604e-7,0.00002768255,0.0006155281],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99765927,0.00060204795,0.0005878061,0.00025023893,0.00039340468,0.00050721416],"domain_scores_gemma":[0.998344,0.0005145953,0.0003919223,0.00043256843,0.00017373232,0.00014319753],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0012536232,0.0003589285,0.0005714582,0.0004105896,0.0005358915,0.00012174701,0.00050822063,0.00022740391,0.000037519014],"category_scores_gemma":[0.00009466143,0.00025297006,0.00013656063,0.0006997514,0.0006088279,0.00022625057,0.000089398556,0.0014408458,0.000013321796],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.05140817,0.009106461,0.17485522,0.0009388415,0.005468231,0.0028120833,0.352981,0.071111694,0.0029357923,0.025906017,0.014496512,0.28797996],"study_design_scores_gemma":[0.06790907,0.06808686,0.33250272,0.04256651,0.008401326,0.011993379,0.33474642,0.005222823,0.0057901884,0.026857467,0.09134876,0.004574471],"about_ca_topic_score_codex":0.00007759273,"about_ca_topic_score_gemma":0.00012443784,"teacher_disagreement_score":0.28340548,"about_ca_system_score_codex":0.00024857363,"about_ca_system_score_gemma":0.00029836156,"threshold_uncertainty_score":0.99999225},"labels":[],"label_agreement":null},{"id":"W4415517539","doi":"10.1080/2159676x.2025.2577306","title":"Moving beyond illness: examining the experiences of women living with HIV and other chronic illnesses in a peer-led community-based dance program","year":2025,"lang":"en","type":"article","venue":"Qualitative Research in Sport Exercise and Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University; University of British Columbia","funders":"Canadian Institutes of Health Research","keywords":"Dance; Human immunodeficiency virus (HIV); Qualitative research; Stigma (botany); Lived experience","score_opus":0.145114462170316,"score_gpt":0.5028765338805944,"score_spread":0.3577620717102784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415517539","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9928446,0.0027296355,0.00003153351,0.0012190221,0.000039827315,0.0008247507,0.000008396689,0.000016012724,0.0022862542],"genre_scores_gemma":[0.99827486,0.00028806925,0.00024931523,0.00026137359,0.000009463364,0.00058125047,0.000003684343,0.000009885042,0.00032210344],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99672645,0.0015135668,0.00034687476,0.0002812624,0.00041067653,0.0007211765],"domain_scores_gemma":[0.9976454,0.0016542544,0.00013701331,0.00030950116,0.00013353232,0.00012030503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015070786,0.00013859362,0.00047175592,0.00043163815,0.000507714,0.00005316719,0.00029269143,0.00006246172,0.000052263473],"category_scores_gemma":[0.00014044343,0.000102389524,0.000013649517,0.0010378036,0.0011508544,0.00018182414,0.00013237302,0.0006833734,0.0000011304131],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029128033,0.0004008936,0.12510969,0.000894778,0.000014708648,0.000006152131,0.8462186,0.000004916845,0.0000022836953,0.002741293,0.00012755925,0.02418789],"study_design_scores_gemma":[0.00081368693,0.00088235835,0.16495669,0.002330797,0.0000018413995,6.1385526e-7,0.82962394,0.00003067285,0.000014075126,0.00041262075,0.0008313342,0.0001013793],"about_ca_topic_score_codex":0.007055356,"about_ca_topic_score_gemma":0.0014062586,"teacher_disagreement_score":0.039847005,"about_ca_system_score_codex":0.00027699384,"about_ca_system_score_gemma":0.0006228172,"threshold_uncertainty_score":0.9995567},"labels":[],"label_agreement":null},{"id":"W4415566120","doi":"10.1080/2159676x.2025.2578338","title":"Love, sacrifice, and rebirth: exploring the embodied narratives of retired women ballet dancers using life history interviews and body mapping","year":2025,"lang":"en","type":"article","venue":"Qualitative Research in Sport Exercise and Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University; University of British Columbia","funders":"","keywords":"Embodied cognition; Narrative; Life history; Ballet; Lived experience; Qualitative research","score_opus":0.4691027789907932,"score_gpt":0.5184822314186512,"score_spread":0.04937945242785802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415566120","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9592098,0.02780044,0.000042216023,0.0035820047,0.00017973692,0.0006039911,0.000018231554,0.000009248896,0.008554319],"genre_scores_gemma":[0.98404986,0.013694801,0.00036017518,0.0004545652,0.000025209063,0.000051070154,0.0000038497346,0.0000115485,0.0013489194],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972594,0.0009291183,0.0005143156,0.0004282934,0.00029199512,0.00057688315],"domain_scores_gemma":[0.998859,0.00034014037,0.00018298485,0.00026844334,0.00011765968,0.00023177585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008442735,0.00015486467,0.0006067169,0.00050848996,0.00022754181,0.00002657626,0.00017998848,0.000063052794,0.00008648942],"category_scores_gemma":[0.00009363239,0.00013187458,0.000029003524,0.00043451876,0.00092871295,0.00028249674,0.00018253225,0.00048901455,0.0000030918836],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00071909913,0.00012029873,0.008414241,0.0011590793,0.000060053742,0.0000108429185,0.9632504,5.284679e-7,0.000047077894,0.011960064,0.0047549913,0.009503318],"study_design_scores_gemma":[0.0008048923,0.00030033168,0.07021902,0.0016812435,0.000003946557,0.0000012807031,0.90677375,0.000023150355,0.0000053351027,0.002690099,0.017365724,0.00013121977],"about_ca_topic_score_codex":0.002421138,"about_ca_topic_score_gemma":0.00009390821,"teacher_disagreement_score":0.06180478,"about_ca_system_score_codex":0.00044309758,"about_ca_system_score_gemma":0.00040412458,"threshold_uncertainty_score":0.5377689},"labels":[],"label_agreement":null},{"id":"W4415582700","doi":"10.18432/ari29857","title":"Welcome the Stranger Within","year":2025,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Embodied cognition; Poetry; Dance; George (robot)","score_opus":0.09590144380269536,"score_gpt":0.45309497115001846,"score_spread":0.3571935273473231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415582700","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39013505,0.00042896712,0.0019396953,0.12357259,0.0068732537,0.0002744389,0.00005485296,0.00003997759,0.47668117],"genre_scores_gemma":[0.9117381,0.00005916257,0.00014504658,0.00053694483,0.0006230693,0.000015236285,0.000008139228,0.000010251965,0.08686403],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976051,0.0003981407,0.00033598082,0.00024612586,0.00091194344,0.0005027237],"domain_scores_gemma":[0.99876475,0.00039279004,0.00006586025,0.00027208723,0.00034850225,0.00015602243],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0025062026,0.00013212454,0.000135684,0.00044844535,0.0009978621,0.00030958396,0.0014382526,0.00008184565,0.008027381],"category_scores_gemma":[0.00007252992,0.00009185869,0.00017426847,0.0004430339,0.00044513607,0.00042325395,0.00015972306,0.001456451,0.0013477756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017592226,0.0012146467,0.0073968703,0.000018543022,0.0013077284,0.000651086,0.040070813,0.0002550063,0.0007457157,0.21544531,0.7240564,0.007078628],"study_design_scores_gemma":[0.00504994,0.00077568204,0.321316,0.00037273808,0.000072932045,0.0011971209,0.04254735,0.00060261134,0.00029789613,0.1449629,0.48234284,0.00046199767],"about_ca_topic_score_codex":0.000011407367,"about_ca_topic_score_gemma":0.00004635194,"teacher_disagreement_score":0.52160305,"about_ca_system_score_codex":0.00012498857,"about_ca_system_score_gemma":0.00016868368,"threshold_uncertainty_score":0.99942976},"labels":[],"label_agreement":null},{"id":"W4415813712","doi":"10.1037/spy0000402","title":"From studio to stage: A longitudinal exploration of competitive dancers’ stress and coping experiences.","year":2025,"lang":"en","type":"article","venue":"Sport Exercise and Performance Psychology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Alberta","keywords":"Coping (psychology); Studio; Stress (linguistics); Longitudinal study; Coping behavior; Fight-or-flight response","score_opus":0.0388904698486047,"score_gpt":0.3474071393790912,"score_spread":0.3085166695304865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415813712","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9885644,0.0013247791,0.0007497565,0.000311539,0.00089541636,0.0002855793,0.000053479704,0.000022427032,0.0077926577],"genre_scores_gemma":[0.9969677,0.0013882889,0.00027775316,0.00044416377,0.000055575234,0.00006335448,0.000022941855,0.0000060071266,0.0007742508],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9989542,0.00001719874,0.00025328685,0.00042756804,0.000103551436,0.00024422782],"domain_scores_gemma":[0.9994521,0.00002461211,0.0001093905,0.00026880112,0.00006213783,0.000082967206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012825643,0.0001556071,0.00037774208,0.00016966547,0.0001270094,0.000018605713,0.0001600689,0.00010037433,0.0003494938],"category_scores_gemma":[0.000004595432,0.00015723649,0.00002615704,0.00024000347,0.00025223696,0.00038054775,0.00008824798,0.0001298476,0.000020632942],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0019377328,0.00023172758,0.88994306,0.00011033034,0.00010225041,0.000019527884,0.071731634,0.000014278043,0.00006806698,0.0018122285,0.0022094778,0.031819668],"study_design_scores_gemma":[0.0012921412,0.00044684444,0.9586831,0.0004335906,0.000045857927,0.0000020709606,0.033683676,0.000013037852,0.0006617156,0.00009230148,0.0044453763,0.00020031902],"about_ca_topic_score_codex":0.00026295465,"about_ca_topic_score_gemma":0.000032275624,"teacher_disagreement_score":0.06873999,"about_ca_system_score_codex":0.000013775123,"about_ca_system_score_gemma":0.000023206338,"threshold_uncertainty_score":0.6411918},"labels":[],"label_agreement":null},{"id":"W4415880220","doi":"10.3167/turba.2025.040202","title":"Re/Visiting","year":2025,"lang":"en","type":"article","venue":"TURBA","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Object (grammar); Embodied cognition; Negotiation; Rework; Term (time)","score_opus":0.021243684987901273,"score_gpt":0.3273526871075399,"score_spread":0.30610900211963865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415880220","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18424813,0.0002126658,0.00018264208,0.0013344575,0.0005422798,0.000028198088,0.0000028788081,0.000051538285,0.8133972],"genre_scores_gemma":[0.91732806,0.0000012923172,0.00009612127,0.0021413416,0.0000519677,7.651192e-7,0.0000016468631,0.0000018311889,0.08037697],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970216,0.000016145246,0.00004509197,0.00008608628,0.00003481588,0.00011570222],"domain_scores_gemma":[0.99978256,0.000035402456,0.000014781381,0.00013806175,0.000009961703,0.000019208299],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000058839967,0.000035116118,0.00005066437,0.000032632375,0.000050105187,0.000012138943,0.00010047739,0.00003321905,0.0019939716],"category_scores_gemma":[0.000023849268,0.0000355795,0.000023947981,0.000089873945,0.000018624562,0.000040610066,0.000031428015,0.00006629003,0.0010858896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058683014,0.000074418786,0.032701265,0.000013696302,0.00007570958,0.00003131828,0.0021588397,0.0000012995931,0.00013593417,0.12396965,0.79227144,0.048507765],"study_design_scores_gemma":[0.0008920495,0.000061230756,0.36915144,0.000058740894,0.000029992605,0.0000020492187,0.0034249267,0.000010786708,0.0005348964,0.0051236553,0.6205451,0.0001651163],"about_ca_topic_score_codex":0.000052590953,"about_ca_topic_score_gemma":0.000002860872,"teacher_disagreement_score":0.7330799,"about_ca_system_score_codex":0.000010878292,"about_ca_system_score_gemma":0.0000072088133,"threshold_uncertainty_score":0.9996919},"labels":[],"label_agreement":null},{"id":"W4416028117","doi":"10.1353/tt.2025.a974461","title":"Toward Strengths-Based Accessibility in Higher Education: An ADHD-Centric Approach to Teaching Theatre and Dance Creation Online","year":2025,"lang":"en","type":"article","venue":"Theatre topics","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Situated; Context (archaeology); Thematic analysis; Focus group; The arts; Situated learning; Process (computing); Online teaching","score_opus":0.05616850736398088,"score_gpt":0.3721610952375102,"score_spread":0.3159925878735293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416028117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.741635,0.00042526246,0.00039539498,0.005623448,0.00058962294,0.00033545014,0.000040889827,0.00006425511,0.25089064],"genre_scores_gemma":[0.9884876,0.0000065804365,0.0024310253,0.0014738718,0.00029262435,0.000013349878,0.00008195487,0.0000069744133,0.007206035],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99895847,0.00018131673,0.00018172234,0.00036862533,0.000099615056,0.00021027966],"domain_scores_gemma":[0.9993486,0.00006372689,0.000043568118,0.00042789345,0.000026359032,0.00008989109],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001920314,0.00013652662,0.0001803334,0.00015529385,0.00008683297,0.00005371923,0.00025951356,0.000106326435,0.00018714415],"category_scores_gemma":[0.000018655895,0.00012887207,0.000028454311,0.00023153998,0.00003967799,0.00020106258,0.000056652127,0.00023234665,0.000007334834],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028283207,0.0036145865,0.1515875,0.00013372934,0.000034739445,0.0000025813906,0.0055347695,0.00009379314,0.000028311677,0.016396074,0.0033275755,0.8189635],"study_design_scores_gemma":[0.0014568876,0.00018209686,0.9328,0.00012986748,0.000056431498,0.0000017296863,0.0037413384,0.00035712885,0.000053297128,0.002561941,0.058367036,0.0002922487],"about_ca_topic_score_codex":0.0004420311,"about_ca_topic_score_gemma":0.000038242964,"teacher_disagreement_score":0.8186712,"about_ca_system_score_codex":0.000096717056,"about_ca_system_score_gemma":0.000100462195,"threshold_uncertainty_score":0.52552503},"labels":[],"label_agreement":null},{"id":"W4416037614","doi":"10.5430/jct.v14n4p247","title":"The Construction of Competency Indicators for Dance Education Programs in Chinese Universities","year":2025,"lang":"","type":"article","venue":"Journal of Curriculum and Teaching","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Dance education; Delphi method; Curriculum; Construct (python library); Quality (philosophy); Hierarchy","score_opus":0.007708694917385665,"score_gpt":0.3021254148029484,"score_spread":0.2944167198855627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416037614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9793574,0.0058079083,0.00058443577,0.0010942073,0.002609475,0.00024467116,0.0000046206346,0.0000029300936,0.01029435],"genre_scores_gemma":[0.99771005,0.0006560019,0.0011406691,0.000037163525,0.00012243046,0.0000013279584,0.0000015512088,0.000003902632,0.0003268868],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9987635,0.00024307202,0.00053189934,0.00011906264,0.00014644921,0.00019601441],"domain_scores_gemma":[0.9985395,0.00021054246,0.0009468897,0.00011250077,0.00012986075,0.000060717313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009804956,0.00013431264,0.00032080704,0.00043722158,0.0003885206,0.00007162574,0.00026983474,0.00010161798,0.0000055134064],"category_scores_gemma":[0.00013692849,0.0000992259,0.00013821758,0.00026237438,0.00031209347,0.00037107084,0.000048392558,0.0005349202,2.3723703e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017494809,0.00062967575,0.5757548,0.00017353868,0.00015044335,0.0000015787774,0.0051983376,0.0000033587376,0.000017323375,0.16263664,0.00033470182,0.2549246],"study_design_scores_gemma":[0.0047709807,0.0014977801,0.632095,0.0034703207,0.00040847046,0.00016265002,0.3026656,0.00024816763,0.000020489551,0.01743316,0.03690197,0.00032546057],"about_ca_topic_score_codex":0.0001726566,"about_ca_topic_score_gemma":0.000036267695,"teacher_disagreement_score":0.29746723,"about_ca_system_score_codex":0.000103167695,"about_ca_system_score_gemma":0.0005384127,"threshold_uncertainty_score":0.4046315},"labels":[],"label_agreement":null},{"id":"W4416047554","doi":"10.1177/1089313x251380082","title":"Sustaining Health in Professional Ballet: Insights into Autonomy, Shared Expertise and Open Communication","year":2025,"lang":"en","type":"article","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"Réseau québécois de recherche sur la douleur; Mitacs","keywords":"Adaptation (eye); Perception; Grounded theory; Health care; Balance (ability); Dance; Work (physics); Ballet","score_opus":0.03773073517885306,"score_gpt":0.42186037862050946,"score_spread":0.3841296434416564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416047554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8273524,0.014719499,0.0009135738,0.13061188,0.0022879047,0.00046452755,0.000001161114,0.000010474232,0.02363857],"genre_scores_gemma":[0.99284625,0.00029755078,0.0014364447,0.0041096928,0.00003997512,0.0000031777518,7.779048e-7,0.0000024846124,0.0012636246],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9987035,0.00015655515,0.00045064106,0.00018049637,0.0002811941,0.00022763156],"domain_scores_gemma":[0.99885315,0.00012931229,0.00041177135,0.0002618155,0.00019204439,0.00015188655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022030992,0.00008393031,0.00030512776,0.00039602537,0.00033245215,0.00005554979,0.0013037372,0.00002663824,0.00008777336],"category_scores_gemma":[0.00044099655,0.00006262752,0.000014676082,0.0007743485,0.0007051136,0.0010698717,0.0004241231,0.00032234628,0.000002055212],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00096247316,0.0008558454,0.124007545,0.00013073954,0.000048741913,0.00008891349,0.42126235,0.00004035941,0.0030773848,0.047188565,0.099077255,0.30325982],"study_design_scores_gemma":[0.0041875197,0.0007181294,0.9046458,0.003377126,0.000008952081,0.000031290274,0.040454123,0.00033582526,0.00004100813,0.0047634305,0.04129744,0.00013933722],"about_ca_topic_score_codex":0.0006892678,"about_ca_topic_score_gemma":0.00011990381,"teacher_disagreement_score":0.7806383,"about_ca_system_score_codex":0.00036599828,"about_ca_system_score_gemma":0.0012965557,"threshold_uncertainty_score":0.25980204},"labels":[],"label_agreement":null},{"id":"W4416099409","doi":"10.1177/1089313x251381860","title":"Wearable Biosensors to Monitor Workload in Dancers: A Systematic Review","year":2025,"lang":"en","type":"review","venue":"Journal of Dance Medicine & Science","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Workload; Wearable computer; Wearable technology; Accelerometer; Data collection; Systematic review","score_opus":0.053533117148486326,"score_gpt":0.42140249660167306,"score_spread":0.36786937945318676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416099409","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003264404,0.98732245,0.000025035479,0.00078768766,0.0048172907,0.0014309658,0.000008572814,0.000010189582,0.0055651553],"genre_scores_gemma":[0.00006932881,0.9943157,0.00026604906,0.0012019849,0.00027472104,0.000024071871,1.977728e-7,0.0000135617465,0.003834398],"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","domain_scores_codex":[0.99493116,0.0004358878,0.002056466,0.0005285623,0.0013908333,0.00065711193],"domain_scores_gemma":[0.9956166,0.00038277608,0.0022244118,0.0009486063,0.00041489932,0.00041267392],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.004159496,0.00043331462,0.004359656,0.0013997781,0.0001195813,0.00004407031,0.0030058406,0.0001233489,0.00014746648],"category_scores_gemma":[0.006114871,0.00028482793,0.00044180074,0.0065689757,0.00055485405,0.0004805861,0.00023611014,0.0009263091,0.00015158366],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015461137,0.00012555464,0.000055591037,0.85283107,0.00006936702,0.00018349876,0.00051540957,0.000001751429,0.0000026845967,0.000057148132,0.013071523,0.13307093],"study_design_scores_gemma":[0.00032174034,0.00021403782,0.00010072332,0.94041264,0.00090961735,0.0002300011,0.00022423567,2.3744755e-7,6.485569e-7,0.000012475406,0.057348706,0.00022491449],"about_ca_topic_score_codex":0.000043076223,"about_ca_topic_score_gemma":0.000005558426,"teacher_disagreement_score":0.13284601,"about_ca_system_score_codex":0.0007828315,"about_ca_system_score_gemma":0.0011030415,"threshold_uncertainty_score":0.99996036},"labels":[],"label_agreement":null},{"id":"W4416213683","doi":"10.4324/9781003217077","title":"Poststructuralist Methodologies for Physical Activity Research","year":2025,"lang":"en","type":"book","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Coaching; Dance; Reading (process); Physical activity; Power (physics); Actor–network theory; Social network analysis","score_opus":0.43397820441380824,"score_gpt":0.5571464064595125,"score_spread":0.12316820204570428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416213683","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009403544,0.00008982846,0.0007061522,0.0013198991,0.001142785,0.00062359177,0.0005203057,0.000113546,0.99454355],"genre_scores_gemma":[0.0010995218,0.000009779478,0.0021537803,0.00018457208,0.00048640592,0.000028120734,0.00006922303,0.000016238451,0.99595237],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983075,0.00034416167,0.00008537483,0.00051503297,0.00026959204,0.00047832826],"domain_scores_gemma":[0.9952308,0.003839197,0.000068649926,0.0005697549,0.00022675996,0.00006483363],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067126204,0.00021893242,0.00046914644,0.00022031952,0.00020125197,0.000060162343,0.0006176926,0.00043543524,0.0010037033],"category_scores_gemma":[0.00052021304,0.00018829283,0.00026458054,0.00009658594,0.00036106445,0.00009525509,0.00030368488,0.0007841185,0.0002788117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040478006,0.000038202106,0.000002230948,0.00008773981,0.0001692364,0.0000043685914,0.00024522163,1.06809246e-7,0.00002980339,0.22431716,0.73551244,0.039188717],"study_design_scores_gemma":[0.00052427483,0.0005716122,0.0016749882,0.00006663347,0.00008459328,0.0000030590188,0.0002758601,0.0000033560216,0.0004050052,0.15761456,0.838459,0.00031705076],"about_ca_topic_score_codex":0.0001591332,"about_ca_topic_score_gemma":0.000017224109,"teacher_disagreement_score":0.10294659,"about_ca_system_score_codex":0.00019891483,"about_ca_system_score_gemma":0.00029883592,"threshold_uncertainty_score":0.9999095},"labels":[],"label_agreement":null},{"id":"W4416396597","doi":"10.1007/978-3-032-06243-7_3","title":"The Current State of Play and Recommendations for Juggling the Complexities of Circus Arts Injuries","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Circus School","funders":"","keywords":"The arts; Performing arts; Variety (cybernetics); Recreation; State (computer science); Poison control","score_opus":0.08054799623438019,"score_gpt":0.3507248119064211,"score_spread":0.2701768156720409,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416396597","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020367668,0.003690504,0.0010255745,0.0048556756,0.0013001361,0.000576411,0.002565919,0.000017290966,0.9857648],"genre_scores_gemma":[0.022432862,0.0022958585,0.00030961164,0.00036082332,0.000099054334,0.00002204873,0.00013382398,0.000019924975,0.974326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943733,0.000016515229,0.0002494522,0.00011305765,0.00007508773,0.00010857273],"domain_scores_gemma":[0.99858236,0.0008343075,0.00023535945,0.00022791029,0.00010312072,0.000016911381],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017899834,0.00011082218,0.00020672908,0.000057040794,0.0002056162,0.000021914784,0.00018414146,0.000034274533,0.00020575248],"category_scores_gemma":[0.000025404266,0.00006873108,0.00007868108,0.000012668304,0.0003742476,0.000035576377,0.000084339685,0.00014704737,0.000003690923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057604677,0.000012658888,0.000007810038,0.000062998326,0.00017540508,4.662334e-8,0.0015570454,3.319477e-7,8.1833366e-7,0.73523486,0.09529435,0.16759606],"study_design_scores_gemma":[0.00018655547,0.000090442205,0.00034394488,0.00016507047,0.00006686282,3.2915824e-7,0.00045632911,0.000002761121,0.000023527838,0.1370212,0.8615658,0.00007713399],"about_ca_topic_score_codex":0.000024161995,"about_ca_topic_score_gemma":0.00008568648,"teacher_disagreement_score":0.7662715,"about_ca_system_score_codex":0.000008716798,"about_ca_system_score_gemma":0.000038457878,"threshold_uncertainty_score":0.28027722},"labels":[],"label_agreement":null},{"id":"W4416612988","doi":"10.1080/01942638.2025.2590555","title":"Exploring Caregivers’ Perspectives on Participation in a Therapy-Based Dance Program for Children with Disabilities: A Qualitative Study","year":2025,"lang":"en","type":"article","venue":"Physical & Occupational Therapy In Pediatrics","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Qualitative research; Dance; Health care; Key (lock); Process (computing); Dance therapy","score_opus":0.16858642551148845,"score_gpt":0.4633161698599049,"score_spread":0.2947297443484165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416612988","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9968126,0.000092052614,0.0002654566,0.00019756873,0.00009006178,0.0021575561,0.00009145511,0.00005014602,0.00024313004],"genre_scores_gemma":[0.997362,0.00003325101,0.00018998065,0.00009301568,0.00014570497,0.00209414,0.000041806346,0.00001275857,0.00002731968],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9985202,0.0002934637,0.0001903182,0.0004332745,0.0002855228,0.00027722647],"domain_scores_gemma":[0.9982007,0.0013363635,0.000089375935,0.00020935899,0.00012592379,0.000038280163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025776544,0.00018837552,0.00024138624,0.00023794468,0.00009063974,0.000033434622,0.00017512633,0.000035799454,0.000015478601],"category_scores_gemma":[0.00013138517,0.0001635406,0.000077500954,0.0008297456,0.00010756141,0.00026410198,0.000011431171,0.00018588408,0.0000052146893],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006523681,0.01445965,0.5386818,0.000010521557,0.000099656776,8.205426e-7,0.41884297,0.0009190691,0.0000026822838,0.00830864,0.00007378844,0.012076689],"study_design_scores_gemma":[0.0060006613,0.004027271,0.84322137,0.000016518574,0.0000134523225,2.6022333e-8,0.14547311,0.00010741426,0.000017741359,0.00090979604,0.000030344512,0.00018229426],"about_ca_topic_score_codex":0.00029442832,"about_ca_topic_score_gemma":0.000059123344,"teacher_disagreement_score":0.30453956,"about_ca_system_score_codex":0.00018800114,"about_ca_system_score_gemma":0.00011047278,"threshold_uncertainty_score":0.6668992},"labels":[],"label_agreement":null},{"id":"W4416718698","doi":"10.1016/j.aip.2025.102389","title":"Mechanisms of change in dance/movement therapy and their neural correlates: A theoretical framework","year":2025,"lang":"en","type":"article","venue":"The Arts in Psychotherapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Modalities; Meaning (existential); Multidisciplinary approach; Relation (database); Mechanism (biology); Therapeutic modalities; Presentation (obstetrics); The arts","score_opus":0.044687041951315544,"score_gpt":0.33747538800135146,"score_spread":0.2927883460500359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416718698","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9731823,0.004028142,0.00373472,0.008253797,0.0011712273,0.0007582459,0.000012290004,0.000027904525,0.008831375],"genre_scores_gemma":[0.98440886,0.0018362217,0.00018360095,0.0133308945,0.00002910174,0.000061588355,8.106763e-7,0.000012853734,0.00013608106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99893063,0.00017434036,0.0002422964,0.00026144,0.00009680441,0.00029447686],"domain_scores_gemma":[0.99911034,0.00029712857,0.00007545215,0.00047156427,0.000014354711,0.000031133164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004787443,0.00017093886,0.0002570607,0.00015369167,0.00004923874,0.000018896977,0.0003639414,0.00013083588,0.00084351184],"category_scores_gemma":[0.000007703457,0.00011307143,0.000055307068,0.0003569651,0.00033298484,0.000076384225,0.000019925801,0.00030968242,0.0000085180445],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009843434,0.00038461664,0.009505439,0.0000056906074,0.00005608825,0.0000029619866,0.026807351,0.0000028702264,0.00042817937,0.903937,0.00025454914,0.057630915],"study_design_scores_gemma":[0.0021631685,0.0003483704,0.12083414,0.00018604677,0.0000030857132,0.0000016264006,0.0019236169,0.00020794859,0.0004273904,0.8728322,0.0009392778,0.00013315672],"about_ca_topic_score_codex":0.000086372725,"about_ca_topic_score_gemma":0.000041446867,"teacher_disagreement_score":0.111328706,"about_ca_system_score_codex":0.000016567212,"about_ca_system_score_gemma":0.00000963095,"threshold_uncertainty_score":0.9235863},"labels":[],"label_agreement":null},{"id":"W4416848579","doi":"10.29173/pandpr29575","title":"The Invisible Score: Phenomenology and the Excess of Dance Improvisation","year":2025,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Phenomenology (philosophy); Dance; Improvisation; Perception; Interpretative phenomenological analysis; Contextualization","score_opus":0.014547209855948744,"score_gpt":0.3161517346989107,"score_spread":0.30160452484296196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416848579","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3404535,0.022265974,0.0023370134,0.12204273,0.0027123864,0.0010964576,0.000018377154,0.00009736073,0.5089762],"genre_scores_gemma":[0.98912853,0.0012871847,0.0002279334,0.0048185145,0.000075691525,0.00006375748,0.0000033835697,0.0000105656845,0.004384411],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980212,0.00072707504,0.00035127293,0.00034413816,0.00012307701,0.00043327722],"domain_scores_gemma":[0.9952294,0.00344555,0.00045936715,0.0006761067,0.00014938602,0.00004018708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015570711,0.00015955584,0.0002935632,0.00010110821,0.0005343244,0.000056161756,0.00061369024,0.00014097831,0.00010363235],"category_scores_gemma":[0.0013229335,0.00010565933,0.000043333603,0.00037349443,0.0018012795,0.0004043521,0.00030075287,0.0004271028,0.00007747436],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027509176,0.00019534693,0.0029939977,0.000024607682,0.00056951906,0.0000040338177,0.0058090333,0.0000055358496,0.0002540583,0.9411549,0.0030242386,0.04321379],"study_design_scores_gemma":[0.0127364285,0.001062401,0.07408828,0.000047871505,0.0009156315,0.00010801195,0.042515695,0.00011365976,0.000327509,0.16613933,0.701442,0.0005031536],"about_ca_topic_score_codex":0.0004381077,"about_ca_topic_score_gemma":0.00003950522,"teacher_disagreement_score":0.7750156,"about_ca_system_score_codex":0.000050104918,"about_ca_system_score_gemma":0.000101113605,"threshold_uncertainty_score":0.66368896},"labels":[],"label_agreement":null},{"id":"W4416868852","doi":"10.1108/978-1-60752-982-820251009","title":"An Amotivated Adolescence","year":2008,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"","score_opus":0.04083938278001646,"score_gpt":0.2798978526274591,"score_spread":0.2390584698474426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416868852","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004575118,0.00017872496,0.00008907635,0.000059877424,0.0005305484,0.00011280707,0.000046889436,0.00017970652,0.99834484],"genre_scores_gemma":[0.030072926,0.0001345349,0.00011627293,0.0010018139,0.00017777618,5.140585e-7,0.00004913373,0.000030499383,0.9684165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991299,0.0000124047765,0.00013195077,0.00034538363,0.0001617559,0.00021859343],"domain_scores_gemma":[0.9991674,0.0000150139185,0.000089265304,0.0005330835,0.000048698468,0.00014652812],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000034330376,0.00022037925,0.00022680206,0.000092674694,0.000072029245,0.000015145103,0.00036679138,0.0003752828,0.0320378],"category_scores_gemma":[0.0000037168306,0.000217064,0.00008896372,0.000016076352,0.00014922823,0.00011507956,0.000036670765,0.0003289233,0.010148726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120947654,0.00018418205,0.0010226843,0.000015493611,0.00016517179,0.00043011564,0.0008502766,6.0222584e-7,0.000036003683,0.19020341,0.7894519,0.017519215],"study_design_scores_gemma":[0.00049298967,0.0004099106,0.017404186,0.000111741974,0.000035416375,0.000070701375,0.000054467117,0.0000012209285,0.00002921919,0.00078891066,0.9800164,0.0005848499],"about_ca_topic_score_codex":0.00006619253,"about_ca_topic_score_gemma":0.000007555098,"teacher_disagreement_score":0.19056448,"about_ca_system_score_codex":0.000027264332,"about_ca_system_score_gemma":0.000026990405,"threshold_uncertainty_score":0.990622},"labels":[],"label_agreement":null},{"id":"W4416914983","doi":"10.7202/1121627ar","title":"Contrary Dancing Bodymind: Impairment Elision and The Binaries of DD Dance","year":2024,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dance; Normative; Criticism; Object (grammar); Subject (documents)","score_opus":0.0076402302517279185,"score_gpt":0.22872680028484316,"score_spread":0.22108657003311524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914983","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98025304,0.005029964,0.000060535163,0.0031893484,0.0010131681,0.00022599104,0.00008630794,0.000032239433,0.01010938],"genre_scores_gemma":[0.991834,0.0001324374,0.000049775335,0.00031182097,0.00013246102,0.000008370801,0.00000969217,0.000010863846,0.0075105755],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916184,0.00006582348,0.00017801928,0.00022481469,0.00006666724,0.0003028622],"domain_scores_gemma":[0.99932134,0.00021997897,0.000057285168,0.0002632748,0.00002497757,0.000113114416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043811128,0.00010662426,0.00021223784,0.000070341644,0.00011954427,0.000039079525,0.00015423227,0.000052924996,0.00020238108],"category_scores_gemma":[0.00005668255,0.000081225466,0.00006569268,0.00013287387,0.00024055764,0.00015316348,0.000059372418,0.00015690125,0.000058481724],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010105588,0.0001424616,0.005845783,0.0005573809,0.0005337795,0.0007273963,0.055974532,0.00003067096,0.0016768733,0.72242117,0.108208604,0.1028708],"study_design_scores_gemma":[0.00348007,0.000751306,0.056961603,0.0011375502,0.00024763358,0.0004682535,0.009407822,0.0011189518,0.0006471381,0.0051014167,0.920176,0.00050224905],"about_ca_topic_score_codex":0.0026434024,"about_ca_topic_score_gemma":0.0021765,"teacher_disagreement_score":0.8119674,"about_ca_system_score_codex":0.000057421006,"about_ca_system_score_gemma":0.00003969406,"threshold_uncertainty_score":0.39960515},"labels":[],"label_agreement":null},{"id":"W4416915914","doi":"10.64628/aap.kuthwcxrd","title":"Active Clubs: How the body has become a battleground for the far right","year":2025,"lang":"","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais; Université du Québec à Montréal","funders":"","keywords":"Far right; Focus (optics); Perspective (graphical); Derogation","score_opus":0.04490695972987311,"score_gpt":0.31474031333023833,"score_spread":0.2698333536003652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416915914","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010327622,0.004617877,0.027378766,0.4777624,0.011746874,0.003772182,0.0007791577,0.00010615917,0.46350896],"genre_scores_gemma":[0.7596861,0.00036987226,0.00009313641,0.012121037,0.00036210674,0.000087506625,0.000012676479,0.000019309206,0.22724822],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770826,0.00029853216,0.00027208464,0.00061480555,0.00026386746,0.00084242976],"domain_scores_gemma":[0.9948456,0.0034455492,0.00019949845,0.0012399208,0.00016460488,0.00010480603],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006710666,0.0004045226,0.00041872167,0.00011848241,0.0024053007,0.00083138683,0.0017105542,0.00032265694,0.0065390095],"category_scores_gemma":[0.0002452261,0.00022078314,0.0004856262,0.0004962194,0.0011189951,0.0004088105,0.00034464514,0.0006384255,0.00042874343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012653127,0.0005422892,0.00036527385,0.000055482746,0.002683958,0.0000068490654,0.006143688,0.0000048639736,0.00005700327,0.25523415,0.7130018,0.020639364],"study_design_scores_gemma":[0.0023827243,0.00045536278,0.023223372,0.000042723474,0.00060993736,0.0000066557554,0.014182276,0.0003205096,0.0003666344,0.0050823614,0.9530329,0.0002945454],"about_ca_topic_score_codex":0.00051867217,"about_ca_topic_score_gemma":0.0004694813,"teacher_disagreement_score":0.74935853,"about_ca_system_score_codex":0.00014242085,"about_ca_system_score_gemma":0.000244242,"threshold_uncertainty_score":0.99889344},"labels":[],"label_agreement":null},{"id":"W4416975826","doi":"10.1093/9780197797969.003.0019","title":"Ballet’s Global Journey (1900s–1950s)","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Indigenous; Cape; Ballet dancer; China; Classical ballet","score_opus":0.04004597247180433,"score_gpt":0.31123007857838597,"score_spread":0.2711841061065816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416975826","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000057963257,0.0010946653,0.00031027154,0.0014437729,0.003080891,0.00016615805,0.00033478675,0.00014520073,0.99341846],"genre_scores_gemma":[0.0005920698,0.00014101404,0.00018977675,0.0042056846,0.0003034945,0.0000013121901,0.00004288517,0.000016255348,0.9945075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986933,0.00001733169,0.0002455365,0.00043634916,0.0002577064,0.00034980726],"domain_scores_gemma":[0.9990016,0.000044637058,0.00013265731,0.0005746805,0.00007718552,0.00016920795],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008571686,0.00033784955,0.00040598607,0.00009573855,0.00009329112,0.000059163867,0.0005617668,0.00062828715,0.08989313],"category_scores_gemma":[0.000017989527,0.0003349335,0.0002790153,0.000033989967,0.00010325716,0.000078387355,0.00020630892,0.0004244597,0.0148199955],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033407072,0.000019953108,0.00004984792,0.000009483602,0.00020546673,0.00005986131,0.0000326858,1.1110842e-7,9.001697e-8,0.47667348,0.51619464,0.0067210016],"study_design_scores_gemma":[0.0004938662,0.00009548845,0.0007389433,0.00010806384,0.00010931126,0.000024800771,0.00006298011,5.444198e-7,5.000835e-7,0.019163119,0.978874,0.00032837244],"about_ca_topic_score_codex":0.00015867742,"about_ca_topic_score_gemma":0.00007204953,"teacher_disagreement_score":0.4626794,"about_ca_system_score_codex":0.00014966814,"about_ca_system_score_gemma":0.0001150629,"threshold_uncertainty_score":0.9999103},"labels":[],"label_agreement":null},{"id":"W4417223464","doi":"10.1093/owc/9780192883056.003.0006","title":"How Baby-Bertie went a-dancing","year":2025,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mile; Cape; Plank; Quarter (Canadian coin)","score_opus":0.030528916529660846,"score_gpt":0.2268828807798518,"score_spread":0.19635396425019097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417223464","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008052879,0.00026658407,0.0005385594,0.00018672449,0.0012682268,0.000387845,0.00033863264,0.00019917982,0.9967337],"genre_scores_gemma":[0.0011794266,0.00013914911,0.00015017678,0.0002544201,0.00014755734,5.89266e-7,0.000041439514,0.000034668603,0.9980526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983417,0.000046788406,0.00015287624,0.0006624747,0.0003051528,0.00049103575],"domain_scores_gemma":[0.9984953,0.00008604282,0.000266508,0.0008281174,0.00011586051,0.00020817254],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000085247215,0.00046726954,0.00051413715,0.00029701725,0.00029533336,0.000104556726,0.0008797098,0.0006467286,0.00040746972],"category_scores_gemma":[0.000010430811,0.00057791563,0.00036474675,0.000013403413,0.00022272754,0.00017400538,0.0005971504,0.00070419966,0.000014920098],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002936401,0.000028649109,0.000015424688,0.00009471039,0.00056562095,0.00038352632,0.0005197279,0.0000011252838,0.000007834014,0.8850907,0.09304012,0.01995892],"study_design_scores_gemma":[0.0009191555,0.000108736436,0.000042539843,0.0002880718,0.0003612318,0.000007242964,0.00023680562,0.0000035575558,0.000043758966,0.0004915888,0.99697584,0.0005214874],"about_ca_topic_score_codex":0.00012887781,"about_ca_topic_score_gemma":0.000031234486,"teacher_disagreement_score":0.90393573,"about_ca_system_score_codex":0.00026709895,"about_ca_system_score_gemma":0.00011039286,"threshold_uncertainty_score":0.9996672},"labels":[],"label_agreement":null},{"id":"W4417252093","doi":"10.18061/screendance.6996","title":"Moving Pictures: A Moment in Time - The Rise and Untimely Fall of Canada's First Dancefilm Festival","year":2025,"lang":"","type":"article","venue":"The International Journal of Screendance","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Dance; Event (particle physics); Moment (physics); George (robot)","score_opus":0.009278125325238359,"score_gpt":0.25786842752826794,"score_spread":0.24859030220302958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417252093","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8860837,0.015250122,0.0006582807,0.08221857,0.002486542,0.00031514608,0.00026524602,0.000004083759,0.012718299],"genre_scores_gemma":[0.99131554,0.0011886789,0.00014150098,0.0012847543,0.00022730799,0.0000015773645,8.8340283e-7,0.0000091098555,0.005830656],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9974527,0.00020664642,0.00081295235,0.00020215401,0.0010069575,0.00031858898],"domain_scores_gemma":[0.9974496,0.00088074803,0.00094008225,0.0002812814,0.00036242118,0.00008587153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001299683,0.00022318795,0.00039541503,0.00021289036,0.00019048764,0.00010999632,0.0022830404,0.00007988528,0.00022948341],"category_scores_gemma":[0.0003654389,0.00015009403,0.00012577545,0.000270613,0.00043746157,0.00021301309,0.00041585,0.0006949622,0.0000048056936],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.029265895,0.0027193604,0.28608835,0.00030245344,0.010106128,0.0015543617,0.022242466,0.021746889,0.0027419813,0.04716784,0.48401695,0.09204732],"study_design_scores_gemma":[0.0058150254,0.00054936984,0.7288312,0.004776068,0.00023397274,0.00030532645,0.0031923635,0.0021576681,0.0008786052,0.0025603452,0.2503205,0.00037961203],"about_ca_topic_score_codex":0.071663484,"about_ca_topic_score_gemma":0.06585221,"teacher_disagreement_score":0.4427428,"about_ca_system_score_codex":0.00039876162,"about_ca_system_score_gemma":0.00088259246,"threshold_uncertainty_score":0.9511936},"labels":[],"label_agreement":null},{"id":"W4417286752","doi":"10.4324/9781003504283-20","title":"Architectural Rehearsal","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Embodied cognition; Dance; Choreography; Gesture; Process (computing); Architecture","score_opus":0.02389652192376593,"score_gpt":0.2850115353807963,"score_spread":0.26111501345703036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417286752","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004408739,0.00026931128,0.0000827436,0.00064579106,0.0012335194,0.000106589454,0.00006701873,0.00010650042,0.99744445],"genre_scores_gemma":[0.0009094325,0.000009067226,0.00020475828,0.0014203044,0.00017022672,7.8177203e-7,0.000025321779,0.000012410323,0.9972477],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993289,0.000008086813,0.000113408045,0.00025111507,0.000114086826,0.0001844037],"domain_scores_gemma":[0.99946654,0.000056416204,0.000047140056,0.000347897,0.000021492797,0.000060500926],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000038495284,0.00017422962,0.00020904384,0.0001262813,0.00004231253,0.000017743783,0.00023486417,0.00026361865,0.04095234],"category_scores_gemma":[0.0000070766696,0.0001628742,0.00014344446,0.000011759865,0.000078623554,0.000022658445,0.000096165066,0.0003626841,0.0054977606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037087702,0.0000069030707,0.000012474701,0.000008932101,0.00010829729,0.000030162213,0.00009782938,7.1866275e-8,6.098456e-7,0.58883137,0.37462097,0.036245283],"study_design_scores_gemma":[0.00022366497,0.00008522576,0.00054051745,0.00006228253,0.000040987663,0.000016404738,0.000015275999,3.1257542e-7,0.0000020719644,0.013245633,0.98557365,0.00019397949],"about_ca_topic_score_codex":0.00008186212,"about_ca_topic_score_gemma":0.00001807031,"teacher_disagreement_score":0.6109527,"about_ca_system_score_codex":0.0000250014,"about_ca_system_score_gemma":0.00003314446,"threshold_uncertainty_score":0.9952766},"labels":[],"label_agreement":null},{"id":"W4417434836","doi":"10.32920/eb.v2i2.2761","title":"Funeral for a Friend","year":2025,"lang":"","type":"article","venue":"Excessive Bodies A Journal of Artistic and Critical Fat Praxis and World Making","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Photography; Work (physics); Reflection (computer programming); Period (music)","score_opus":0.02345976844275753,"score_gpt":0.3667402012327898,"score_spread":0.34328043279003223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417434836","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104088716,0.27048266,0.3836968,0.07773491,0.012885891,0.0013583371,0.00073883636,0.000047430945,0.14896643],"genre_scores_gemma":[0.988682,0.0008345356,0.0035755022,0.0017491613,0.0005667362,0.000005094566,9.189699e-7,0.000013087356,0.0045730155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785054,0.00015716265,0.00079584937,0.00035666034,0.00021992192,0.000619854],"domain_scores_gemma":[0.9969186,0.001973227,0.00032711716,0.00014702069,0.00036971623,0.00026428993],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00048481207,0.00030657183,0.00074567436,0.00033857668,0.0007700111,0.00041069443,0.000202297,0.00012966324,0.00036840793],"category_scores_gemma":[0.0016998727,0.0002761659,0.0001923673,0.00015935536,0.0010290128,0.0003925941,0.00020770443,0.0005027104,0.000003520699],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0026602405,0.0004440831,0.004544194,0.0011398573,0.0006297736,0.0003609078,0.002967936,0.0000028558939,0.00017261136,0.87529254,0.038470022,0.073315],"study_design_scores_gemma":[0.010590573,0.005233305,0.050631743,0.010859202,0.003352713,0.00065656623,0.021613076,0.0011813302,0.00017115318,0.34755462,0.5467578,0.0013978777],"about_ca_topic_score_codex":0.000008744254,"about_ca_topic_score_gemma":0.00002697278,"teacher_disagreement_score":0.88459325,"about_ca_system_score_codex":0.00004085197,"about_ca_system_score_gemma":0.00008840986,"threshold_uncertainty_score":0.99996907},"labels":[],"label_agreement":null},{"id":"W4417439921","doi":"10.2196/75632","title":"The Lifetime Dance Exposure Questionnaire for Professional Training: Survey Development and Reliability Study","year":2025,"lang":"en","type":"article","venue":"Interactive Journal of Medical Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reliability (semiconductor); Dance; Professional development; Training (meteorology)","score_opus":0.12623906526004178,"score_gpt":0.5175086455015219,"score_spread":0.39126958024148006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417439921","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9830926,0.00066299783,0.0008910257,0.012582789,0.0015311091,0.00041695582,0.0000054516618,0.0000039397582,0.0008131419],"genre_scores_gemma":[0.9964602,0.00003466453,0.00010433758,0.00013435897,0.000118033866,0.000024515117,7.7393753e-7,0.0000043679843,0.0031187534],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9955597,0.002070583,0.00044926594,0.00018453063,0.001422362,0.00031354345],"domain_scores_gemma":[0.98890656,0.009283816,0.00015459234,0.0001575443,0.0012678996,0.0002295957],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.022515647,0.00008252943,0.000214683,0.00014345204,0.00046729814,0.00006784337,0.0006247807,0.000109355235,0.0001367422],"category_scores_gemma":[0.028251885,0.00005013435,0.000046252477,0.00022229909,0.00036934426,0.00015214365,0.00020538933,0.0013237644,0.000007713758],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.01198547,0.003197013,0.32416546,0.000059673956,0.00067561504,0.00011648921,0.04444358,9.885098e-7,0.00001673584,0.0014019976,0.09832512,0.5156118],"study_design_scores_gemma":[0.0016719588,0.0010646636,0.9410606,0.0005525193,0.0000074946947,0.0000151502445,0.020672087,0.000016587259,0.000032714328,0.0006621172,0.034193497,0.000050614377],"about_ca_topic_score_codex":0.00007651473,"about_ca_topic_score_gemma":0.0001349771,"teacher_disagreement_score":0.61689514,"about_ca_system_score_codex":0.00014660372,"about_ca_system_score_gemma":0.0013200137,"threshold_uncertainty_score":0.97993356},"labels":[],"label_agreement":null},{"id":"W561030632","doi":"","title":"Multicultural folk dance","year":2007,"lang":"en","type":"book","venue":"Human Kinetics eBooks","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Siege; Multiculturalism; Folk dance; Visual arts; Art; History; Sociology; Pedagogy; Ancient history","score_opus":0.05259513999709851,"score_gpt":0.31837677697647493,"score_spread":0.2657816369793764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W561030632","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002098307,0.0004454812,0.000033742268,0.000012896755,0.0013219774,0.00034473118,0.000083950974,0.00015686611,0.99550205],"genre_scores_gemma":[0.025276508,0.000003164338,0.00023311899,0.00053966354,0.0010063176,0.0000061542587,0.00014325861,0.00006932273,0.9727225],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981641,0.000033027234,0.00036369482,0.00050384225,0.00036189894,0.0005734477],"domain_scores_gemma":[0.99864227,0.00006186385,0.00028504763,0.0007039506,0.00011438362,0.00019251349],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009664212,0.00043866245,0.0004288247,0.00016104997,0.0001638104,0.00006684424,0.00061453105,0.0006216919,0.001975894],"category_scores_gemma":[0.0000112121415,0.00044642598,0.00022206038,0.000017690689,0.00038259933,0.000028015515,0.00015750005,0.00069850025,0.0020435757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008201332,0.00016025061,0.000023376973,0.00010997396,0.00033769375,0.00040887026,0.0069533833,9.1796215e-7,0.0009006116,0.1336855,0.85079527,0.0065421537],"study_design_scores_gemma":[0.0010222306,0.00039280808,0.0015557719,0.00018435276,0.00014700413,0.000029373721,0.00014331826,4.962916e-7,0.00018310231,0.0029215638,0.9927356,0.0006843636],"about_ca_topic_score_codex":0.000027601242,"about_ca_topic_score_gemma":0.000057183748,"teacher_disagreement_score":0.14194036,"about_ca_system_score_codex":0.00015740232,"about_ca_system_score_gemma":0.000033416953,"threshold_uncertainty_score":0.9997988},"labels":[],"label_agreement":null},{"id":"W574553173","doi":"","title":"The Audience Focus: An Analysis of Audience Inclusion as a Methodolgy for Creating Contemporary Choreography","year":2014,"lang":"en","type":"dissertation","venue":"YorkSpace (York University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Audience participation; Choreography; Inclusion (mineral); Target audience; Sociology; Audience response; Contemporary dance; Visual arts; Media studies; Public relations; Aesthetics; Art; Multimedia; Political science; Engineering; Advertising; Social science; Computer science; Business","score_opus":0.03763145779785231,"score_gpt":0.3288643544730516,"score_spread":0.2912328966751993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W574553173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5143944,0.0032821796,0.019064613,0.0004941002,0.0019562256,0.0017714585,0.0003557908,0.00026523587,0.45841601],"genre_scores_gemma":[0.9541191,0.00022108156,0.0024707452,0.00008830423,0.000089869274,0.000006470205,0.00045588822,0.000038281287,0.042510282],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99731743,0.0006081128,0.0003352959,0.0007846071,0.00044826968,0.0005062927],"domain_scores_gemma":[0.9957376,0.0015487801,0.001230566,0.0008841906,0.000378915,0.00021992164],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010904565,0.00039284021,0.0008403735,0.0014757437,0.0018228496,0.000071469054,0.0016118928,0.00048514875,0.000108473],"category_scores_gemma":[0.00041855584,0.0003685851,0.0007199071,0.0030919958,0.00031888945,0.00034850347,0.0002840223,0.00038790476,0.0000116691845],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.024770942,0.0020194782,0.049710277,0.00077976566,0.025460642,0.00018159601,0.2569987,0.0011570335,0.0021327017,0.49318382,0.022745594,0.12085947],"study_design_scores_gemma":[0.0056373137,0.005351296,0.16625042,0.0013155979,0.01564059,0.00000495309,0.46701032,0.002095788,0.0014431305,0.004367512,0.32761827,0.0032648118],"about_ca_topic_score_codex":0.0041432716,"about_ca_topic_score_gemma":0.0047046146,"teacher_disagreement_score":0.4888163,"about_ca_system_score_codex":0.00011050293,"about_ca_system_score_gemma":0.00022072846,"threshold_uncertainty_score":0.9998766},"labels":[],"label_agreement":null},{"id":"W587977972","doi":"10.22456/2236-3254.44035","title":"ENTREVISTA COM ANDREW HARWOOD E RAY CHUNG","year":2013,"lang":"pt","type":"article","venue":"Cena","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Art","score_opus":0.02328215232683336,"score_gpt":0.2664283398542641,"score_spread":0.24314618752743075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W587977972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48303685,0.018738925,0.00061398256,0.065320954,0.009517078,0.002059625,0.0005498214,0.00034828376,0.41981447],"genre_scores_gemma":[0.7230847,0.00029002107,0.000015982969,0.0022211396,0.0002901571,0.0000050048443,0.000030475183,0.000024010531,0.2740385],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99833494,0.00015128769,0.00025270466,0.00039872332,0.00019748214,0.00066485413],"domain_scores_gemma":[0.9987663,0.00008964229,0.00014683563,0.00061289355,0.00006403436,0.00032028905],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013503306,0.00025506207,0.0003463803,0.00007534108,0.00018454567,0.00020212034,0.000491946,0.00022227952,0.03895313],"category_scores_gemma":[0.000054354136,0.0002619334,0.0001505198,0.00017991904,0.00013529752,0.0003599706,0.00014723631,0.00034424808,0.042782214],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038273374,0.0003618376,0.01604685,0.00007889143,0.00016184541,0.000029136938,0.0026738932,0.0000012422151,0.00025819926,0.00070876285,0.97213155,0.0075095138],"study_design_scores_gemma":[0.0020437539,0.00023904069,0.1793233,0.00015870386,0.00010328438,0.000012942627,0.0011643384,0.00007107504,0.00013622743,0.000082034036,0.8162446,0.00042067523],"about_ca_topic_score_codex":0.0002257995,"about_ca_topic_score_gemma":0.000004985088,"teacher_disagreement_score":0.24004784,"about_ca_system_score_codex":0.00005548787,"about_ca_system_score_gemma":0.000037863345,"threshold_uncertainty_score":0.9999833},"labels":[],"label_agreement":null},{"id":"W593100649","doi":"","title":"Limbswishing Dada in New York Baroness Elsa’s Gender Performance","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; History","score_opus":0.1334592275990316,"score_gpt":0.31306310834367895,"score_spread":0.17960388074464737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W593100649","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15776731,0.39511317,0.000017003125,0.0003278084,0.0007834036,0.0005865711,0.00014195159,0.000018132016,0.44524464],"genre_scores_gemma":[0.98862845,0.002661088,0.0004397471,0.0036305834,0.000093233946,0.000007450106,0.000056938155,0.000011080866,0.0044714515],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874216,0.00015044081,0.00032113222,0.00026352884,0.0001294172,0.00039330762],"domain_scores_gemma":[0.99894387,0.000027268374,0.0001436513,0.00039144637,0.0000966491,0.0003971208],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002196659,0.00020339705,0.0005043839,0.00019184905,0.000055947505,0.000029618184,0.00044581818,0.000120371406,0.0024876012],"category_scores_gemma":[0.000016943059,0.0001901746,0.00008963214,0.0005996918,0.00006399404,0.000366009,0.000021548574,0.00040516836,0.00018778036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001745849,0.00022714054,0.083144024,0.005997535,0.00026839264,0.00022727608,0.15793037,0.0000030420476,0.000025332463,0.06963561,0.6670261,0.015340614],"study_design_scores_gemma":[0.00083978084,0.00023212541,0.47605458,0.017841563,0.000060533966,0.000047898116,0.0012131265,0.0000075208673,0.00012985773,0.0003638322,0.5026257,0.00058349175],"about_ca_topic_score_codex":0.007378876,"about_ca_topic_score_gemma":0.010648027,"teacher_disagreement_score":0.8308611,"about_ca_system_score_codex":0.000091762384,"about_ca_system_score_gemma":0.000417964,"threshold_uncertainty_score":0.9992311},"labels":[],"label_agreement":null},{"id":"W603565830","doi":"10.71781/12450","title":"La figure des corps performants au cirque contemporain","year":2008,"lang":"fr","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cirque; Art; Humanities; Geology; Geomorphology","score_opus":0.008122152040769439,"score_gpt":0.18623379344891788,"score_spread":0.17811164140814845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W603565830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45445177,0.0010536354,0.00000798941,0.000729559,0.0006746626,0.00017661977,0.0008910423,0.0000071891227,0.5420075],"genre_scores_gemma":[0.8024586,0.0010294283,0.00017199978,0.00089950615,0.00010733403,0.000006384551,0.00019722855,0.000037333863,0.19509217],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99654955,0.0003132941,0.00047934218,0.00043890983,0.001576071,0.0006428586],"domain_scores_gemma":[0.99814355,0.0005235583,0.0004734688,0.00030283863,0.0000017123523,0.0005548723],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000026339418,0.000478797,0.00059456186,0.00005087933,0.0006342912,0.000035044617,0.00047749522,0.00020788464,0.0004981368],"category_scores_gemma":[0.000011424029,0.00053070724,0.00008928385,0.000110587986,0.0004543395,0.00064324425,0.00010370109,0.0005617996,7.951459e-8],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0092013385,0.0007183315,0.6407104,0.004904543,0.00199603,0.004469637,0.027993428,0.00008754614,0.00857613,0.16078597,0.049962893,0.09059376],"study_design_scores_gemma":[0.0016608095,0.0003942931,0.73442996,0.0012974304,0.00011643301,0.00011471792,0.051741395,0.00022074774,0.012471491,0.00049894553,0.1961819,0.00087188336],"about_ca_topic_score_codex":0.06243713,"about_ca_topic_score_gemma":0.21917444,"teacher_disagreement_score":0.3480068,"about_ca_system_score_codex":0.000035205234,"about_ca_system_score_gemma":0.0054622293,"threshold_uncertainty_score":0.99971443},"labels":[],"label_agreement":null},{"id":"W61951675","doi":"","title":"John G. Gibson — Old and New World Highland Bagpiping","year":2003,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Geography","score_opus":0.03133572745117415,"score_gpt":0.26345278278240675,"score_spread":0.2321170553312326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W61951675","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14438708,0.0041641593,0.00015906004,0.0028229626,0.002795041,0.00014360121,0.00001214356,0.00011696005,0.845399],"genre_scores_gemma":[0.5755361,0.00002759644,0.0003565893,0.0014326823,0.00023232223,0.0000019087834,0.0000035793755,0.000015392408,0.42239386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992973,0.000054542907,0.00009853155,0.0001996975,0.00009902672,0.00025088442],"domain_scores_gemma":[0.9996145,0.00003895993,0.000058915055,0.00014459404,0.000016932114,0.0001261465],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009921739,0.00010116244,0.00015177598,0.00006848812,0.00036373467,0.000029147797,0.000084528925,0.00007942425,0.002082282],"category_scores_gemma":[0.000036383874,0.00011438715,0.000048526,0.00015441308,0.00012782235,0.00011817719,0.00001888956,0.0001271351,0.0002759978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042755055,0.00010932964,0.015287436,0.000015944635,0.000057498564,0.000028818295,0.006189441,2.9556728e-7,0.00018906672,0.12456883,0.81362134,0.039889228],"study_design_scores_gemma":[0.00084670365,0.000036710455,0.022668572,0.000015979656,0.000023212973,0.0000054944103,0.0004374674,3.5709084e-7,0.000037883012,0.0016559013,0.9741078,0.0001638889],"about_ca_topic_score_codex":0.00073528,"about_ca_topic_score_gemma":0.00037068917,"teacher_disagreement_score":0.43114898,"about_ca_system_score_codex":0.0000954167,"about_ca_system_score_gemma":0.000052967738,"threshold_uncertainty_score":0.99882996},"labels":[],"label_agreement":null},{"id":"W632589774","doi":"10.21091/mppa.2011.4030","title":"Development of a Portable Anchored Dynamometer for Collection of Maximal Voluntary Isometric Contractions in Biomechanics Research on Dancers","year":2011,"lang":"en","type":"article","venue":"Medical Problems of Performing Artists","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Isometric exercise; Physical medicine and rehabilitation; Dance; Dynamometer; Physical therapy; Electromyography; Kinesiology; Biomechanics; Medicine; Psychology; Engineering; Anatomy","score_opus":0.17486121369187332,"score_gpt":0.38330634387824586,"score_spread":0.20844513018637253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W632589774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99338704,0.000121158955,0.0023227024,0.00006016413,0.00033101908,0.00048395433,0.00002525226,0.000009930569,0.0032587894],"genre_scores_gemma":[0.99358696,0.000020059262,0.0059477263,0.000015489977,0.00001570564,0.000057996145,0.000012192846,0.000010076905,0.00033381922],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99817145,0.000058421145,0.0005920157,0.00022201231,0.0005854162,0.00037068533],"domain_scores_gemma":[0.9990852,0.00020377181,0.00022261262,0.00017901874,0.0001916244,0.00011778893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002052147,0.00009337357,0.00029692223,0.0010390832,0.00009409965,0.0000026154162,0.00022259535,0.00016402315,0.00080131856],"category_scores_gemma":[0.00041938745,0.000090744754,0.000058082187,0.0011509755,0.00017511944,0.00012706683,0.000050324736,0.00026369584,0.000010131746],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.011661404,0.017972488,0.19739753,0.004944065,0.0013692742,0.00006964953,0.08434277,0.00006962293,0.06402304,0.009363762,0.012649386,0.596137],"study_design_scores_gemma":[0.016949793,0.014293616,0.7796052,0.003807994,0.00012997286,0.000053708267,0.010529641,0.01101171,0.14785826,0.005375935,0.009370007,0.0010141528],"about_ca_topic_score_codex":0.0012672602,"about_ca_topic_score_gemma":0.000473816,"teacher_disagreement_score":0.5951229,"about_ca_system_score_codex":0.00014239085,"about_ca_system_score_gemma":0.00022936957,"threshold_uncertainty_score":0.87738764},"labels":[],"label_agreement":null},{"id":"W6892637491","doi":"10.5281/zenodo.11176598","title":"Dance and Timbral Exploration (DaTE)","year":2023,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dance; Choreography; Feature (linguistics); Agency (philosophy)","score_opus":0.08585721631314483,"score_gpt":0.2949410648482201,"score_spread":0.20908384853507525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6892637491","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33706355,0.000110432855,0.0026522232,0.003516324,0.0004527116,0.00045141054,0.0003552543,0.0023446404,0.65305346],"genre_scores_gemma":[0.98732686,0.00010897203,0.000080879385,0.00023095252,0.00013005844,2.6223448e-8,0.0012623507,0.0004979277,0.010361946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990782,0.00015207575,0.00010015322,0.00025325688,0.00016207383,0.00025420598],"domain_scores_gemma":[0.99947816,0.000015052727,0.000043880777,0.00024179107,0.00011569497,0.00010541785],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034537338,0.00007407847,0.00007431331,0.00015002745,0.0010829829,0.00031735442,0.00036065598,0.000042576874,0.010849164],"category_scores_gemma":[0.00016659948,0.000082860584,0.000018594812,0.00045509226,0.000107258034,0.0004180001,0.0004905283,0.00012480031,0.040933356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008919051,0.00007649186,0.000035219757,0.000024905406,0.000036389974,0.000027839073,0.005251148,0.00001840539,0.0014398665,0.020888353,0.8427498,0.12936243],"study_design_scores_gemma":[0.0004306362,0.00015761284,0.010902899,0.000011465358,0.0000060604657,0.000029850415,0.001222561,0.00012872272,0.000107377986,0.00030629622,0.9865883,0.00010820925],"about_ca_topic_score_codex":0.00001441488,"about_ca_topic_score_gemma":1.694698e-7,"teacher_disagreement_score":0.65026337,"about_ca_system_score_codex":0.000017257078,"about_ca_system_score_gemma":9.249121e-7,"threshold_uncertainty_score":0.990055},"labels":[],"label_agreement":null},{"id":"W6899390582","doi":"10.5860/choice.223231","title":"Review Of \"Tandem Dances: Choreographing Immersive Performance\" By J. Ritter","year":2021,"lang":"en","type":"article","venue":"Works - Scholarship, Research, & Creative Expression (Swarthmore College)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Choreography; Dance; Perspective (graphical); Set (abstract data type); Key (lock); Section (typography); Virtual reality","score_opus":0.0664941439546623,"score_gpt":0.3868913812244703,"score_spread":0.320397237269808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6899390582","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53587896,0.3254261,0.00038995882,0.0021877815,0.00089450675,0.0018065785,0.0005535465,0.00010607326,0.13275647],"genre_scores_gemma":[0.88271487,0.09623747,0.001177459,0.0024098654,0.0002866443,0.00021932602,0.00028520406,0.000093033355,0.016576126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9924561,0.002682384,0.0007858578,0.0011260445,0.0016873019,0.0012623126],"domain_scores_gemma":[0.99509233,0.00089750614,0.00041563355,0.0012713174,0.0017493361,0.0005738993],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0034689792,0.0004675216,0.00091574714,0.00045499718,0.0010070209,0.00012741715,0.0010231695,0.00041905584,0.010524205],"category_scores_gemma":[0.0012351077,0.0004255411,0.00038778252,0.0027831818,0.0009250598,0.0015860234,0.00065429317,0.002499127,0.00030418436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014299732,0.0017633057,0.06761539,0.0031834792,0.00066871644,0.00048367438,0.0056247166,0.000007362897,0.024880648,0.0016789412,0.8651502,0.027513571],"study_design_scores_gemma":[0.008805288,0.0018144428,0.12351007,0.17667376,0.00027827776,0.00014295496,0.039378818,0.000021721677,0.19880964,0.0011198213,0.4472225,0.0022227091],"about_ca_topic_score_codex":0.00005340377,"about_ca_topic_score_gemma":0.000007763412,"teacher_disagreement_score":0.4179277,"about_ca_system_score_codex":0.00017702267,"about_ca_system_score_gemma":0.00031488785,"threshold_uncertainty_score":0.99981964},"labels":[],"label_agreement":null},{"id":"W6906421849","doi":"10.17484/yedi.327800","title":"A View of The European Art and Design Through the Costumes of Ballets Russes (1910s and 1920s)","year":2017,"lang":"en","type":"article","venue":"DergiPark (Istanbul University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Curiosity; Quarter (Canadian coin); Openness to experience; Period (music); Dance","score_opus":0.04110291170280375,"score_gpt":0.25629757039640877,"score_spread":0.21519465869360502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6906421849","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27651545,0.00079752255,0.0008046853,0.0017258803,0.0002464834,0.00032697196,0.000040914292,0.000016152711,0.71952593],"genre_scores_gemma":[0.9849788,0.00052185677,0.00017161718,0.00013064439,0.000015808273,1.4080989e-7,7.747479e-7,0.000008056661,0.014172304],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990403,0.00037091217,0.00010963183,0.0001953999,0.00012052622,0.00016322796],"domain_scores_gemma":[0.998771,0.00022572273,0.00027042336,0.0006336061,0.000053838274,0.000045398665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024363075,0.00011856549,0.00019469012,0.000038690756,0.00050012796,0.00004330973,0.00069695123,0.000043968517,0.000112522604],"category_scores_gemma":[0.00008948685,0.000084810796,0.00006113034,0.00009937231,0.00089831086,0.00024752005,0.00036707715,0.00011404822,0.000020611627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025372384,0.0011558158,0.09822079,0.0005698624,0.0023124572,0.0006196954,0.06407751,0.00005054439,0.0017195905,0.5862014,0.21870519,0.023829903],"study_design_scores_gemma":[0.0016211979,0.00019089459,0.32516193,0.00015451192,0.00020124746,0.000028353894,0.005390904,0.000003852727,0.00030733383,0.00090373144,0.6658287,0.00020734881],"about_ca_topic_score_codex":0.00025544807,"about_ca_topic_score_gemma":0.00009093854,"teacher_disagreement_score":0.7084634,"about_ca_system_score_codex":0.000013328436,"about_ca_system_score_gemma":0.000026775488,"threshold_uncertainty_score":0.38466308},"labels":[],"label_agreement":null},{"id":"W6911188007","doi":"10.5281/zenodo.11176599","title":"Dance and Timbral Exploration (DaTE)","year":2023,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dance; Choreography; Feature (linguistics); Agency (philosophy)","score_opus":0.08585721631314483,"score_gpt":0.2949410648482201,"score_spread":0.20908384853507525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6911188007","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33706355,0.000110432855,0.0026522232,0.003516324,0.0004527116,0.00045141054,0.0003552543,0.0023446404,0.65305346],"genre_scores_gemma":[0.98732686,0.00010897203,0.000080879385,0.00023095252,0.00013005844,2.6223448e-8,0.0012623507,0.0004979277,0.010361946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990782,0.00015207575,0.00010015322,0.00025325688,0.00016207383,0.00025420598],"domain_scores_gemma":[0.99947816,0.000015052727,0.000043880777,0.00024179107,0.00011569497,0.00010541785],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00034537338,0.00007407847,0.00007431331,0.00015002745,0.0010829829,0.00031735442,0.00036065598,0.000042576874,0.010849164],"category_scores_gemma":[0.00016659948,0.000082860584,0.000018594812,0.00045509226,0.000107258034,0.0004180001,0.0004905283,0.00012480031,0.040933356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008919051,0.00007649186,0.000035219757,0.000024905406,0.000036389974,0.000027839073,0.005251148,0.00001840539,0.0014398665,0.020888353,0.8427498,0.12936243],"study_design_scores_gemma":[0.0004306362,0.00015761284,0.010902899,0.000011465358,0.0000060604657,0.000029850415,0.001222561,0.00012872272,0.000107377986,0.00030629622,0.9865883,0.00010820925],"about_ca_topic_score_codex":0.00001441488,"about_ca_topic_score_gemma":1.694698e-7,"teacher_disagreement_score":0.65026337,"about_ca_system_score_codex":0.000017257078,"about_ca_system_score_gemma":9.249121e-7,"threshold_uncertainty_score":0.990055},"labels":[],"label_agreement":null},{"id":"W6923254453","doi":"10.14288/1.0226281","title":"Souvenir program First Annual Dance, Army and Navy Veterans in Canada Unit 280","year":2016,"lang":"en","type":"article","venue":"Open Collections","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Unit (ring theory); Navy; Medical unit; Government (linguistics)","score_opus":0.021919609519760776,"score_gpt":0.2827012036746327,"score_spread":0.2607815941548719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923254453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34841335,0.00006355996,0.000042002303,0.0032009413,0.001031924,0.0010942258,0.0008048081,0.00004561757,0.6453036],"genre_scores_gemma":[0.64845407,0.00002513487,0.00016403336,0.00022437042,0.000039863473,0.00012848343,0.0000039417705,0.000009890319,0.35095024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992976,0.0000506349,0.00011236464,0.00020929912,0.00007640804,0.0002536634],"domain_scores_gemma":[0.99955744,0.000095459654,0.000036517744,0.00017653832,0.000035942863,0.00009809067],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007014389,0.00008701932,0.00012938911,0.000048508362,0.00068022346,0.00015268534,0.00024301902,0.00004214961,0.0015780561],"category_scores_gemma":[0.000024369445,0.00007476004,0.000016271211,0.0005297186,0.00005723891,0.00025553387,0.00009335205,0.00009092896,0.000025303265],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001810493,0.00028061413,0.022540597,0.0000058447163,0.00006452528,0.000045866982,0.0013868937,0.0000040944424,0.000010074677,0.000176,0.95907545,0.016229013],"study_design_scores_gemma":[0.002100615,0.00027958272,0.10256433,0.00005733461,0.00001261052,0.000029382418,0.003012357,0.0000066966513,0.000013619369,0.000121767924,0.891623,0.00017867838],"about_ca_topic_score_codex":0.9440963,"about_ca_topic_score_gemma":0.99267006,"teacher_disagreement_score":0.3000407,"about_ca_system_score_codex":0.0001772729,"about_ca_system_score_gemma":0.00044902344,"threshold_uncertainty_score":0.99933463},"labels":[],"label_agreement":null},{"id":"W6923529474","doi":"10.14288/1.0180624","title":"Kelowna Record","year":2016,"lang":"en","type":"article","venue":"Open Collections","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Process (computing); Context (archaeology); Global Positioning System","score_opus":0.04438057162883538,"score_gpt":0.3181037104537239,"score_spread":0.2737231388248885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923529474","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019269245,0.000007799146,0.0007753238,0.0013733673,0.0011255478,0.00017027084,0.000042423602,0.000037010817,0.99454135],"genre_scores_gemma":[0.03127462,0.000010024455,0.00036293324,0.00028752626,0.0000640409,0.000027320375,6.803819e-7,0.000005482614,0.9679674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956006,0.000037943144,0.00006645517,0.0001436203,0.00004424688,0.00014770492],"domain_scores_gemma":[0.9996068,0.00006550433,0.000027618029,0.00021145426,0.000028361068,0.000060300983],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000713795,0.00004797627,0.000071128765,0.00002920992,0.00086056825,0.00021984914,0.0002791087,0.0000390343,0.0503769],"category_scores_gemma":[0.000036804428,0.000035695626,0.00003095133,0.00033990535,0.000034120465,0.00021504384,0.000092276554,0.000039671144,0.002063559],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046857294,0.00008046853,0.0005019388,2.6763368e-7,0.000029556128,0.0000028940842,0.00007895025,3.447269e-8,0.00005086216,0.00084286847,0.98199064,0.016374666],"study_design_scores_gemma":[0.0007399023,0.00013602388,0.005153623,0.000011061645,0.000008903396,0.00000996971,0.00016487115,2.6789883e-7,0.000067623325,0.0017680597,0.99185795,0.00008172919],"about_ca_topic_score_codex":0.0050398293,"about_ca_topic_score_gemma":0.0008241592,"teacher_disagreement_score":0.04831334,"about_ca_system_score_codex":0.000042847085,"about_ca_system_score_gemma":0.000033649038,"threshold_uncertainty_score":0.99871343},"labels":[],"label_agreement":null},{"id":"W6923532683","doi":"10.14288/1.0171264","title":"British Columbia Record","year":2016,"lang":"en","type":"article","venue":"Open Collections","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Historical record; Publishing; Columbia university; Archaeological record","score_opus":0.029334362341075414,"score_gpt":0.2849085479215897,"score_spread":0.2555741855805143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923532683","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010931741,0.00001058601,0.00025142715,0.0003810002,0.001143986,0.00023345769,0.00009481746,0.00004493109,0.9869081],"genre_scores_gemma":[0.023997767,0.00001733244,0.00028014873,0.0002707492,0.000062201296,0.000039232826,0.0000012936678,0.000007013595,0.9753243],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948287,0.000043481123,0.00007931726,0.000174077,0.000051245293,0.0001689893],"domain_scores_gemma":[0.99961,0.000056596098,0.000032203945,0.00018974433,0.000039865376,0.00007157342],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000075744574,0.000034188113,0.00008437263,0.000011316904,0.0010273845,0.001525965,0.00028889638,0.00004764308,0.23293681],"category_scores_gemma":[0.000045403598,0.000045819852,0.00003459901,0.00034539538,0.000047033576,0.0002518971,0.0001025245,0.00004549083,0.00070545456],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013331814,0.0000987339,0.0031941768,3.7044757e-7,0.000029677058,0.000009790127,0.000030942992,1.3265975e-8,0.000012818137,0.000030976906,0.9688574,0.027721781],"study_design_scores_gemma":[0.0008819241,0.00014001447,0.03642932,0.000024635106,0.000010365636,0.000047718844,0.00014201316,1.5615305e-7,0.000004189554,0.0014870451,0.960736,0.00009664467],"about_ca_topic_score_codex":0.40946925,"about_ca_topic_score_gemma":0.3608057,"teacher_disagreement_score":0.23223136,"about_ca_system_score_codex":0.000047552974,"about_ca_system_score_gemma":0.000039478815,"threshold_uncertainty_score":0.9995105},"labels":[],"label_agreement":null},{"id":"W6923657050","doi":"10.14288/1.0378418","title":"Discorder","year":2015,"lang":"en","type":"article","venue":"Open Collections","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Process (computing); Interpretation (philosophy)","score_opus":0.09938218596896134,"score_gpt":0.36436759310410477,"score_spread":0.2649854071351434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923657050","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014045425,0.000020175006,0.000387768,0.0004114278,0.0009839511,0.00015500281,0.0000188933,0.00002515921,0.99659306],"genre_scores_gemma":[0.046873752,0.0000010040956,0.000348949,0.00031311176,0.000051165804,0.000020988547,0.0000031615011,0.00000432836,0.9523835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965745,0.000030754378,0.000047000543,0.000101397294,0.00005326435,0.00011014096],"domain_scores_gemma":[0.9996795,0.000015062987,0.000017668766,0.00015886656,0.00003612014,0.00009277326],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007535781,0.00003860529,0.00005803782,0.000020352565,0.0005722508,0.00040414935,0.00022619193,0.00002535204,0.0077203247],"category_scores_gemma":[0.000030032588,0.000037955768,0.00001769766,0.0004058627,0.000026084663,0.00019249503,0.000100707315,0.000055528304,0.0008984498],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034899876,0.0001140839,0.0003314974,1.8118163e-7,0.000021118485,0.000003150614,0.00048349256,0.000003671538,9.923791e-7,0.0011927569,0.99742246,0.00039172507],"study_design_scores_gemma":[0.0008410743,0.00014881458,0.002307032,0.0000025281736,0.000011156407,0.000016728443,0.0026379079,0.000005237564,0.000009534804,0.0022976415,0.99164397,0.00007836695],"about_ca_topic_score_codex":0.008906165,"about_ca_topic_score_gemma":0.0005862102,"teacher_disagreement_score":0.04546921,"about_ca_system_score_codex":0.000031338917,"about_ca_system_score_gemma":0.000060915052,"threshold_uncertainty_score":0.9998795},"labels":[],"label_agreement":null},{"id":"W6923709781","doi":"10.14288/1.0442343","title":"Vancouver’s Batscape : Enhancing Urban Habitats for Our Winged Neighbours","year":2024,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Habitat; Threatened species; Biodiversity; Vegetation (pathology); Restoration ecology; Wildlife corridor; Endangered species; Habitat conservation","score_opus":0.014244894680267019,"score_gpt":0.22819586195615668,"score_spread":0.21395096727588966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923709781","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9710075,0.0010497079,0.0037392597,0.00028024087,0.0035152538,0.00045922268,0.0006191796,0.00027790494,0.01905169],"genre_scores_gemma":[0.9812942,0.000028255636,0.00064805377,0.00010446033,0.00015951281,0.0000010749784,0.00002095666,0.000026757563,0.017716706],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9986008,0.000052875595,0.00013675659,0.00053381344,0.00021686246,0.0004589395],"domain_scores_gemma":[0.99920225,0.00010704762,0.00008740619,0.00029640438,0.00012946526,0.0001774298],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002545036,0.000071880284,0.00030526932,0.00009032159,0.00030057863,0.00016764594,0.00042066193,0.00017078321,0.00042126462],"category_scores_gemma":[0.000041876632,0.00025961612,0.00027580617,0.00031354697,0.00011322723,0.00058353954,0.000103421604,0.00019977862,0.00017219492],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058968806,0.00018534523,0.00559539,0.0002509098,0.00026495603,0.00037209675,0.0024037538,0.0000033284646,0.00042071467,0.000049904276,0.6139278,0.37646687],"study_design_scores_gemma":[0.0016848636,0.00039034899,0.94975907,0.00052085094,0.00018270462,0.000043330787,0.01920563,0.0001169869,0.000004603268,0.0005147314,0.027155295,0.00042158776],"about_ca_topic_score_codex":0.028624237,"about_ca_topic_score_gemma":0.22130984,"teacher_disagreement_score":0.9441637,"about_ca_system_score_codex":0.00010839207,"about_ca_system_score_gemma":0.0001174665,"threshold_uncertainty_score":0.99998564},"labels":[],"label_agreement":null},{"id":"W6924474568","doi":"10.15468/dl.qbvybc","title":"Occurrence Download","year":2025,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Matching (statistics); Range (aeronautics); Identification (biology); Data set","score_opus":0.018092416211788392,"score_gpt":0.26317293340474895,"score_spread":0.24508051719296056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924474568","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002016638,0.00005001103,0.0000056264616,0.00021998318,0.0024831407,0.0003297429,0.9906959,0.00011481091,0.005899151],"genre_scores_gemma":[0.000010772077,0.000046284313,8.9269986e-7,0.0016017911,0.000002100382,0.0000030668004,0.9983304,6.175691e-9,0.00000469191],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837035,0.00010056108,0.0003727015,0.0003029769,0.0004244698,0.00042894392],"domain_scores_gemma":[0.9984103,0.00003529647,0.00031348257,0.0008224746,0.00023376873,0.00018469796],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023377001,0.00033667055,0.0003556096,0.00015577328,0.00033347795,0.00015098037,0.00093783817,0.00057882693,0.012545148],"category_scores_gemma":[0.00015174078,0.00037404776,0.000217391,0.0004478544,0.00022801575,0.00093820627,0.0004915359,0.00042941197,0.22120439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015111522,0.000100976846,0.0012774915,0.00014598198,0.00011384406,0.0000057964953,0.00010443394,0.0000014305939,4.8330158e-9,0.000001192759,0.99557287,0.0025248777],"study_design_scores_gemma":[0.000611674,0.000059307407,0.00045365372,0.0000057989228,0.00010479585,0.000003859034,0.00036973855,1.1570034e-8,4.790563e-7,9.782962e-7,0.99806714,0.0003225787],"about_ca_topic_score_codex":0.0014606074,"about_ca_topic_score_gemma":0.0000120180275,"teacher_disagreement_score":0.20865923,"about_ca_system_score_codex":0.00032400934,"about_ca_system_score_gemma":0.00018541282,"threshold_uncertainty_score":0.99987113},"labels":[],"label_agreement":null},{"id":"W6936119298","doi":"10.57912/23876985","title":"Dancers' career transitions","year":2023,"lang":"en","type":"dissertation","venue":"American University Research Archive","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transition (genetics); Career development; Career portfolio; Pension; Career planning","score_opus":0.06708744170364976,"score_gpt":0.37532228867312956,"score_spread":0.3082348469694798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936119298","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28305566,0.00008611457,0.00014651867,0.0004155586,0.0013248498,0.0008121907,0.0030143312,0.00032444738,0.7108203],"genre_scores_gemma":[0.60650903,0.00079432596,0.0005007627,0.00011452617,0.00039812873,0.000017546467,0.0072243465,0.0001399023,0.38430142],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9968247,0.00067212293,0.00012865722,0.0006836654,0.00075111486,0.0009397342],"domain_scores_gemma":[0.99797773,0.0007061337,0.00011874199,0.00060188357,0.00022271556,0.00037279646],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003199876,0.0002426737,0.00038980306,0.0012429596,0.0007291319,0.000045040495,0.0010162792,0.0001320807,0.0012050027],"category_scores_gemma":[0.00010024143,0.00030610355,0.00024578412,0.0017053612,0.0010581623,0.000145158,0.00012034805,0.0014497173,0.005022013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0044749384,0.0005734137,0.0034704495,0.00014995405,0.001793868,0.0028395902,0.13278855,0.000016016571,0.00071746146,0.02008675,0.7598,0.073289014],"study_design_scores_gemma":[0.0012626456,0.0014375617,0.25032595,0.0002561663,0.0001863489,0.000007706434,0.46657577,0.000016200938,0.000038885297,0.0010784782,0.27796972,0.00084457133],"about_ca_topic_score_codex":0.03037923,"about_ca_topic_score_gemma":0.014246067,"teacher_disagreement_score":0.4818303,"about_ca_system_score_codex":0.0002823543,"about_ca_system_score_gemma":0.00039735786,"threshold_uncertainty_score":0.9999391},"labels":[],"label_agreement":null},{"id":"W6945464047","doi":"10.25384/sage.23811837.v1","title":"sj-docx-1-dmj-10.1177_1089313X231185054 – Supplemental material for Perceptions and Attitudes Toward the Use of Wearable Technology in the Dance Studio Environment","year":2023,"lang":"en","type":"article","venue":"Figshare","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Studio; Perception; Wearable computer; Wearable technology","score_opus":0.12432258036613976,"score_gpt":0.3268116403673344,"score_spread":0.20248906000119465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6945464047","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4862194,0.00028281764,0.0000031595016,0.0063308314,0.00018552942,0.0014252196,0.5050571,0.000077371114,0.00041857522],"genre_scores_gemma":[0.98398495,0.000054009524,0.000100759666,0.00023399651,0.000066061286,0.00048836216,0.013830363,0.00001321159,0.0012282821],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920547,0.00005433786,0.00014242686,0.0002071268,0.00012257877,0.00026807626],"domain_scores_gemma":[0.9994415,0.00016751672,0.00006380495,0.00029236954,0.000014860902,0.000019966477],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009525862,0.000105598476,0.00013572084,0.000078026285,0.00014194804,0.0000442837,0.00034482882,0.00007779693,0.17835784],"category_scores_gemma":[0.00008148305,0.000074168034,0.000043526627,0.00016932574,0.00006611713,0.00012774428,0.00021412074,0.00010271326,0.0009509201],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000837004,0.00016007188,0.005179884,0.00007113417,0.00005984734,0.000010000371,0.004619157,0.000026757254,0.0004571852,0.00016404472,0.9878094,0.0013588177],"study_design_scores_gemma":[0.0011048677,0.00041593928,0.38841936,0.00023094169,0.000027496919,0.000014000936,0.009227999,0.00002537438,0.00029906703,0.00013664707,0.59991777,0.0001805254],"about_ca_topic_score_codex":0.000036390804,"about_ca_topic_score_gemma":0.00002876936,"teacher_disagreement_score":0.49776554,"about_ca_system_score_codex":0.00002637939,"about_ca_system_score_gemma":0.0000105956,"threshold_uncertainty_score":0.99982697},"labels":[],"label_agreement":null},{"id":"W6948538312","doi":"10.5061/dryad.fqz612jqc","title":"Data from: An ECF-type transporter scavenges heme to overcome iron-limitation in Staphylococcus lugdunensis","year":2020,"lang":"en","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research; Nederlandse Organisatie voor Wetenschappelijk Onderzoek; Deutsche Forschungsgemeinschaft","keywords":"Staphylococcus lugdunensis; Heme; Transporter; Recombinant DNA; Mutant; Protein subunit; Staphylococcus aureus; Bacteria","score_opus":0.12598435272024472,"score_gpt":0.3310739035624953,"score_spread":0.20508955084225056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6948538312","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005347586,0.00008978835,0.000085572225,0.0010843416,0.000354472,0.00060351304,0.98938143,0.00025923701,0.0027940322],"genre_scores_gemma":[0.006515185,0.00015501613,0.00011195558,0.0011969266,0.0002996759,4.9459427e-8,0.9907986,0.000692998,0.00022961623],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969806,0.00054717815,0.00038535468,0.0010843932,0.0005057062,0.00049673876],"domain_scores_gemma":[0.9974077,0.00004591751,0.00016731815,0.0017475442,0.00024198135,0.00038954066],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048943335,0.00030290833,0.0003661945,0.00043314742,0.0005592357,0.00050083234,0.0031611167,0.00024053366,0.03437859],"category_scores_gemma":[0.00041221493,0.00036188052,0.000049113863,0.0007359825,0.00011058071,0.00059607555,0.0013806561,0.000659068,0.06606266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038727224,0.0003449211,0.000008059532,0.000069718095,0.000083322266,0.000108312306,0.001889213,0.000014383498,0.0001493413,0.000027650462,0.9911043,0.005813487],"study_design_scores_gemma":[0.0007349548,0.0005808553,0.0077588246,0.00006329341,0.000061425904,0.000006700035,0.00065707794,0.000021263819,0.000005848791,0.000022329275,0.9897129,0.00037451176],"about_ca_topic_score_codex":0.0005146985,"about_ca_topic_score_gemma":0.000046120924,"teacher_disagreement_score":0.031684075,"about_ca_system_score_codex":0.00014611414,"about_ca_system_score_gemma":0.000009456459,"threshold_uncertainty_score":0.9998833},"labels":[],"label_agreement":null},{"id":"W6948680488","doi":"10.5281/zenodo.11953785","title":"bibliographie document pdf","year":2024,"lang":"fr","type":"other","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Derogation; Limiting; Filter (signal processing)","score_opus":0.03237638541526191,"score_gpt":0.28106292274526073,"score_spread":0.24868653732999882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6948680488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024788408,0.0026591953,0.0004773182,0.0028752417,0.0017415831,0.00064075773,0.0010939348,0.0008569764,0.9894071],"genre_scores_gemma":[0.0054864697,0.0020733625,0.00015042354,0.0005164958,0.00086029177,3.5919747e-8,0.0013869265,0.006497445,0.98302853],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99663967,0.00068763504,0.00036184615,0.0009404252,0.00055819243,0.0008122204],"domain_scores_gemma":[0.9981442,0.00002757366,0.00019826072,0.00089865836,0.00030727085,0.00042404854],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00078671606,0.00040834516,0.00035469542,0.0032570874,0.0013197992,0.0021044537,0.0018972085,0.000374046,0.86985004],"category_scores_gemma":[0.00021968766,0.0004626015,0.00024277702,0.0036553228,0.00059263647,0.0002589555,0.0019303308,0.00087390497,0.85957825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073901414,0.00028759005,0.0000023142493,0.00033082577,0.0004846531,0.0001379867,0.0013680804,0.00000271895,0.00012670708,0.026274666,0.8792847,0.0916259],"study_design_scores_gemma":[0.000711446,0.0005813449,0.00034551843,0.00037447596,0.0001499426,0.00017983066,0.00054640713,0.00000638887,0.000020520747,0.0012187825,0.99541146,0.00045390966],"about_ca_topic_score_codex":0.00012412273,"about_ca_topic_score_gemma":0.0000011949376,"teacher_disagreement_score":0.116126776,"about_ca_system_score_codex":0.00021687472,"about_ca_system_score_gemma":0.000004889796,"threshold_uncertainty_score":0.99998033},"labels":[],"label_agreement":null},{"id":"W6950110917","doi":"10.5281/zenodo.4644344","title":"SolverTools.jl","year":2021,"lang":"en","type":"other","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Polytechnique Montréal","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.05791633630977148,"score_gpt":0.2853631447812181,"score_spread":0.22744680847144663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950110917","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000043634212,0.00078362937,0.00055759866,0.00030068457,0.00056474283,0.0002573268,0.0005571916,0.0010265859,0.9959086],"genre_scores_gemma":[0.0017312162,0.00020772716,0.000158214,0.0003901899,0.00053573964,1.6016337e-8,0.0042915302,0.007471937,0.98521346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982847,0.000298567,0.00015473143,0.0005182618,0.0003179416,0.00042579335],"domain_scores_gemma":[0.9987688,0.000012908087,0.00013804698,0.0007262276,0.00016643423,0.00018755785],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023389625,0.00020201571,0.00022849915,0.00028455164,0.00076649257,0.0004821902,0.001148385,0.00022929847,0.66968364],"category_scores_gemma":[0.00019710537,0.00023330766,0.000092476745,0.00036636175,0.00015832314,0.00006861819,0.0010366582,0.00039206006,0.077892765],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023253811,0.00014488242,0.0000011861806,0.000056771813,0.0001485775,0.0000720533,0.00046713688,3.3606273e-7,0.00008303194,0.00430735,0.9532568,0.041438606],"study_design_scores_gemma":[0.00045275345,0.00012099819,0.00020494884,0.000104322615,0.000024548544,0.00008386465,0.00033525785,0.0000018603838,0.0000132104915,0.000032548374,0.99838173,0.00024395197],"about_ca_topic_score_codex":0.0000912801,"about_ca_topic_score_gemma":8.909044e-7,"teacher_disagreement_score":0.59179085,"about_ca_system_score_codex":0.00008386076,"about_ca_system_score_gemma":0.000003794007,"threshold_uncertainty_score":0.951401},"labels":[],"label_agreement":null},{"id":"W6955292188","doi":"10.57912/23876985.v1","title":"Dancers' career transitions","year":2023,"lang":"en","type":"article","venue":"American University Research Archive","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transition (genetics); Career development; Career portfolio; Pension; Career planning","score_opus":0.08799565809354713,"score_gpt":0.36680256930508653,"score_spread":0.2788069112115394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955292188","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5605073,0.000017976368,0.00140101,0.0025031522,0.0002501907,0.00037309973,0.0010132637,0.0003433051,0.4335907],"genre_scores_gemma":[0.98877186,0.000090465845,0.0003145222,0.00010839555,0.00006963369,0.0000022633735,0.000099541896,0.000012852898,0.010530489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979214,0.00049259653,0.00006225666,0.00035430997,0.00041373566,0.0007556717],"domain_scores_gemma":[0.9986548,0.0005474167,0.000030219571,0.0003908834,0.000085177846,0.00029152422],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003396913,0.00009557431,0.00015525514,0.0007110903,0.0005766059,0.000023010874,0.0005829987,0.000028228957,0.00085215113],"category_scores_gemma":[0.00006226665,0.00011371267,0.00010041474,0.0022258782,0.0015907654,0.00016454607,0.00021886101,0.00046447647,0.0055197687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012171215,0.00035292018,0.038135923,0.000018543267,0.00049623044,0.0022018626,0.04938275,0.00007423654,0.002015448,0.06583277,0.78553504,0.05473715],"study_design_scores_gemma":[0.0011585848,0.0009813852,0.4043396,0.000027245029,0.000028062854,0.000011692597,0.10485697,0.00012479554,0.000038378264,0.0012298616,0.48687366,0.0003297367],"about_ca_topic_score_codex":0.007852186,"about_ca_topic_score_gemma":0.0006156712,"teacher_disagreement_score":0.42826456,"about_ca_system_score_codex":0.000116801515,"about_ca_system_score_gemma":0.00010752166,"threshold_uncertainty_score":0.9987546},"labels":[],"label_agreement":null},{"id":"W6955662185","doi":"10.58079/oxgi","title":"Journée d’étude – Transmission de la danse et éducation : états des lieux des recherches en danse entre France et Québec 2010-2021","year":2021,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); White (mutation); Identity (music)","score_opus":0.07471893437799781,"score_gpt":0.33558406811822916,"score_spread":0.26086513374023135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955662185","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7907903,0.0121027175,0.004378625,0.11508477,0.0011011444,0.00037786146,0.0003303514,0.00014129757,0.07569292],"genre_scores_gemma":[0.54518527,0.011015836,0.010892249,0.0026300668,0.00053922157,0.000012831864,0.00029929262,0.00011768761,0.42930752],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9910792,0.006162484,0.00041945605,0.00083425007,0.0004209764,0.001083645],"domain_scores_gemma":[0.99593806,0.0019474158,0.00033704468,0.000594935,0.00040480527,0.00077775476],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.002155399,0.0005971099,0.000577206,0.00023265647,0.0007763166,0.00045805093,0.00080986356,0.0019481916,0.0051897927],"category_scores_gemma":[0.0016189764,0.00069886015,0.00039425664,0.0012290565,0.0010822691,0.0017444274,0.00016634812,0.0026858672,0.00033647023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007553706,0.003044417,0.016829655,0.0003505699,0.0011914541,0.002744178,0.43438897,0.00091318693,0.058097698,0.005602023,0.25049776,0.22558473],"study_design_scores_gemma":[0.0042042695,0.00029027215,0.49944293,0.0015852534,0.00050074595,0.000998146,0.07714816,0.00009083172,0.007821672,0.00090593135,0.4061329,0.0008788738],"about_ca_topic_score_codex":0.03489805,"about_ca_topic_score_gemma":0.00832933,"teacher_disagreement_score":0.4826133,"about_ca_system_score_codex":0.0022090073,"about_ca_system_score_gemma":0.0037833247,"threshold_uncertainty_score":0.99961495},"labels":[],"label_agreement":null},{"id":"W6955754940","doi":"10.5860/choice.231965","title":"Review Of \"Dancing Indigenous Worlds: Choreographies Of Relation\" By J. Shea Murphy","year":2023,"lang":"en","type":"article","venue":"Works - Scholarship, Research, & Creative Expression (Swarthmore College)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Dance; Opposition (politics); Traditional knowledge; Inclusion (mineral)","score_opus":0.06482383373491955,"score_gpt":0.3944326636569303,"score_spread":0.32960882992201074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6955754940","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8239498,0.1330096,0.00017782711,0.00078941206,0.00056660926,0.0028180582,0.0009187772,0.00027097043,0.037498917],"genre_scores_gemma":[0.93436474,0.049325176,0.0008896524,0.00031662328,0.00016312112,0.00026997802,0.00031987292,0.00010551677,0.014245341],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9928167,0.002425326,0.0010022032,0.0008434727,0.0017767544,0.0011355428],"domain_scores_gemma":[0.99499243,0.0015699543,0.0006032745,0.0011925079,0.0012018138,0.0004400145],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0055250926,0.00040365872,0.00093786605,0.0015874765,0.0008229575,0.000059956008,0.001057884,0.0004092642,0.0029692769],"category_scores_gemma":[0.0017491893,0.00037142762,0.0003658811,0.006984835,0.0010808542,0.001045214,0.00053970667,0.0018880247,0.00033535087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023314918,0.0015816281,0.08821104,0.004765142,0.00068983994,0.00019764893,0.022837956,0.000045772176,0.016643433,0.003759776,0.8259175,0.03301876],"study_design_scores_gemma":[0.008329299,0.0028374267,0.5182612,0.19045526,0.00029481627,0.000047228652,0.053673834,0.000024476554,0.06024009,0.0056322105,0.15791443,0.0022897418],"about_ca_topic_score_codex":0.00018652383,"about_ca_topic_score_gemma":0.000018565854,"teacher_disagreement_score":0.6680031,"about_ca_system_score_codex":0.00012577849,"about_ca_system_score_gemma":0.00023094057,"threshold_uncertainty_score":0.99987376},"labels":[],"label_agreement":null},{"id":"W6964109367","doi":"10.25384/sage.23811837","title":"sj-docx-1-dmj-10.1177_1089313X231185054 – Supplemental material for Perceptions and Attitudes Toward the Use of Wearable Technology in the Dance Studio Environment","year":2023,"lang":"en","type":"article","venue":"Sage Journals Data","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Dance; Studio; Perception; Wearable computer; Wearable technology","score_opus":0.156465505492797,"score_gpt":0.36966320493998234,"score_spread":0.21319769944718533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6964109367","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9502874,0.0029998466,0.00038444175,0.02231668,0.00045537378,0.00094201975,0.022470005,0.000034616824,0.00010959257],"genre_scores_gemma":[0.9885558,0.00903907,0.0007015695,0.00034140015,0.00013944804,0.000049165785,0.00036207077,0.000015383217,0.0007960798],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99877834,0.00014199875,0.00027423742,0.0002659859,0.00020678836,0.00033263728],"domain_scores_gemma":[0.9988026,0.00020234758,0.00013647397,0.0008123541,0.000013273803,0.000032971715],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00092231575,0.00012085447,0.00019732656,0.00012886178,0.00022811122,0.000104630526,0.0010185611,0.00007291382,0.01136184],"category_scores_gemma":[0.0000702321,0.00008012412,0.00003710915,0.00021935724,0.00026504236,0.00041595177,0.00064375805,0.00020008846,0.00010756862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066964835,0.0012902092,0.17319696,0.00010756583,0.00075858267,0.00012355846,0.0186061,0.00009105279,0.015039514,0.00037548598,0.7236889,0.0660524],"study_design_scores_gemma":[0.0024891295,0.0005526515,0.7263683,0.00029990543,0.00015825439,0.000118645396,0.028700873,0.0000739757,0.00024588598,0.0008142792,0.23990202,0.00027608284],"about_ca_topic_score_codex":0.00011699424,"about_ca_topic_score_gemma":0.00006839903,"teacher_disagreement_score":0.55317134,"about_ca_system_score_codex":0.000026657974,"about_ca_system_score_gemma":0.00001584649,"threshold_uncertainty_score":0.9895419},"labels":[],"label_agreement":null},{"id":"W6966703100","doi":"10.48550/arxiv.2207.12701","title":"Teaching Interaction using State Diagrams","year":2022,"lang":"en","type":"preprint","venue":"arXiv (Cornell University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Reachability; State (computer science); Graphics; State diagram; Finite-state machine","score_opus":0.1642747629394123,"score_gpt":0.2669950044138055,"score_spread":0.10272024147439324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6966703100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9419077,0.000048279457,0.012280753,0.000043778844,0.0033040333,0.00024222798,0.00011311902,0.00018278057,0.041877307],"genre_scores_gemma":[0.9817052,0.00003421128,0.00009778123,0.00015672202,0.000119927405,5.778901e-7,0.0000631655,0.000031105938,0.017791348],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9980571,0.00042808003,0.00017201468,0.00083736185,0.00009258797,0.0004128472],"domain_scores_gemma":[0.9986228,0.00010060182,0.0003383668,0.00074404746,0.000042570304,0.00015166549],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031060918,0.00029482352,0.00030592555,0.0003087341,0.00041375033,0.00007190094,0.00074336445,0.00018934619,0.0034006916],"category_scores_gemma":[0.000026553884,0.00039735629,0.0002557188,0.00021665684,0.00008810629,0.00034378958,0.001454819,0.001751197,0.00026319132],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018569521,0.0021275922,0.10909755,0.00033399498,0.0023954418,0.0046837837,0.019176444,0.74554414,0.0002512891,0.091994114,0.009150914,0.013387764],"study_design_scores_gemma":[0.013917482,0.0024289952,0.12258346,0.0014520935,0.004268527,0.00029273258,0.088660546,0.31808206,0.00021918252,0.13698646,0.29913557,0.011972899],"about_ca_topic_score_codex":0.0051349355,"about_ca_topic_score_gemma":0.00007228024,"teacher_disagreement_score":0.4274621,"about_ca_system_score_codex":0.0005965072,"about_ca_system_score_gemma":0.00007606321,"threshold_uncertainty_score":0.9998478},"labels":[],"label_agreement":null},{"id":"W6966850574","doi":"10.48350/174943","title":"Les corps d’ailleurs en danse contemporaine: une inclusion par le stigmate","year":2021,"lang":"en","type":"article","venue":"Open Access CRIS of the University of Bern","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Representation (politics); Visibility; Ethnography; Politics","score_opus":0.05817733179305873,"score_gpt":0.34788536803249814,"score_spread":0.2897080362394394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6966850574","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8132824,0.00016595247,0.00018849804,0.006275113,0.0002510375,0.00020262238,0.00014738642,0.000012975167,0.17947406],"genre_scores_gemma":[0.98018956,0.000078193574,0.00021335778,0.00017284145,0.000009866323,9.612072e-8,0.000017173183,0.000008128425,0.019310791],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9989665,0.00027209648,0.00014493053,0.00024050428,0.00021590189,0.00016005432],"domain_scores_gemma":[0.9987825,0.00010426009,0.00030893311,0.0005673298,0.00017043418,0.0000665363],"candidate_categories":["open_science","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002628292,0.000111708585,0.00029764118,0.00005235117,0.0006083374,0.000054515916,0.0031579726,0.000094926356,0.0013404257],"category_scores_gemma":[0.0000622335,0.00011033376,0.00013094791,0.0003072891,0.00030934755,0.0007967229,0.008132466,0.0001499085,0.000027356537],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0034176048,0.0028875028,0.38761613,0.00034480292,0.0013439376,0.00060247,0.063905984,0.00038426422,0.018497514,0.027066793,0.46857375,0.025359247],"study_design_scores_gemma":[0.0065455516,0.00017676949,0.7071161,0.0004355972,0.0002755537,0.000023040857,0.038611643,0.000043273394,0.023425812,0.002083579,0.22074276,0.00052028324],"about_ca_topic_score_codex":0.042524617,"about_ca_topic_score_gemma":0.0016140586,"teacher_disagreement_score":0.3195,"about_ca_system_score_codex":0.000037807513,"about_ca_system_score_gemma":0.00011753813,"threshold_uncertainty_score":0.99988955},"labels":[],"label_agreement":null},{"id":"W6968405362","doi":"10.5281/zenodo.15120509","title":"IPBES Transformative Change Assessment: Chapter 4. Overcoming the challenges of achieving transformative change towards a sustainable world","year":2025,"lang":"en","type":"report","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Transformative learning; Sustainable development; Thematic analysis; Sustainability; Thematic map","score_opus":0.15802319149473104,"score_gpt":0.3493493261427545,"score_spread":0.19132613464802345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968405362","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00065150444,0.0031441413,0.00052908,0.00470495,0.0004082722,0.0019714427,0.0012125637,0.00031213005,0.9870659],"genre_scores_gemma":[0.9561748,0.01386482,0.00008397224,0.00050952716,0.0009486768,0.000003386757,0.0016687895,0.0014998919,0.025246123],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99668634,0.000616116,0.0005319626,0.0005020865,0.00092792086,0.0007355514],"domain_scores_gemma":[0.9973834,0.00008587205,0.00043952407,0.0006498652,0.0012995398,0.00014175402],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022238193,0.00038938812,0.0005722896,0.0008206297,0.0019430721,0.00035417426,0.0015726681,0.00021825887,0.011303192],"category_scores_gemma":[0.00021479615,0.00034037675,0.0002362811,0.0006832214,0.00033460555,0.0009966426,0.0008352333,0.0009998431,0.00044395446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025591388,0.00033155392,0.0000054382926,0.002510569,0.000880292,0.000052301035,0.12922297,0.0000011730975,0.000022587403,0.11581692,0.0388523,0.712048],"study_design_scores_gemma":[0.00066297967,0.0004064491,0.004160615,0.00067695434,0.00013889038,0.000045359135,0.020009492,0.00001280095,0.000029866384,0.00016415973,0.9733715,0.00032094237],"about_ca_topic_score_codex":0.0005709803,"about_ca_topic_score_gemma":0.000008700753,"teacher_disagreement_score":0.96181977,"about_ca_system_score_codex":0.00048391154,"about_ca_system_score_gemma":0.000031152107,"threshold_uncertainty_score":0.9999048},"labels":[],"label_agreement":null},{"id":"W6977148286","doi":"10.6084/m9.figshare.14515047.v2","title":"Information bias in the Canadian Occupational Performance Measure supplementary research team appendix.pdf","year":2021,"lang":"en","type":"article","venue":"Figshare","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Measure (data warehouse); Data collection; Information system; Reporting bias; Information bias","score_opus":0.18176623709437814,"score_gpt":0.37015861576128684,"score_spread":0.1883923786669087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977148286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12707897,0.00013230789,1.6724185e-7,0.003258276,0.000250868,0.0006055853,0.37682796,0.000018267188,0.4918276],"genre_scores_gemma":[0.7840492,0.0000011769848,0.000010443631,0.0017231182,0.00006462017,0.00005287918,0.21352226,0.0000028518123,0.0005734315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878925,0.0001809439,0.00012572401,0.000093511124,0.00046280387,0.00034775172],"domain_scores_gemma":[0.9993346,0.000118356555,0.00003192151,0.00023286606,0.00019880458,0.000083456114],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003904103,0.000066368775,0.000059312068,0.00017887176,0.000324766,0.00012523518,0.0003269626,0.00007730428,0.709796],"category_scores_gemma":[0.00040544456,0.000059319427,0.000027005062,0.00044421598,0.000010975813,0.00045291104,0.000054481858,0.00036925817,0.04791692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017216566,0.000024278243,0.019300204,0.000024772893,0.000008397732,0.0000148162635,0.003304983,0.0000049526807,4.1142786e-7,0.00009621321,0.97425663,0.0029471368],"study_design_scores_gemma":[0.00023576127,0.000029201428,0.35010844,0.00011556984,0.0000011488684,0.000014642012,0.0027916192,0.00001868468,0.000023682784,0.000008687635,0.6465966,0.000055965334],"about_ca_topic_score_codex":0.0209609,"about_ca_topic_score_gemma":0.17065449,"teacher_disagreement_score":0.6618791,"about_ca_system_score_codex":0.00017956161,"about_ca_system_score_gemma":0.00058558595,"threshold_uncertainty_score":0.9855586},"labels":[],"label_agreement":null},{"id":"W6977375136","doi":"10.7275/28548457.0","title":"Hands Clutching Temples","year":2022,"lang":"en","type":"article","venue":"ScholarWorks@UMassAmherst (University of Massachusetts Amherst)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Clothing; Selection (genetic algorithm); Duration (music)","score_opus":0.025245470026310248,"score_gpt":0.24311559265890964,"score_spread":0.2178701226325994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977375136","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85260427,0.0010851286,0.0019340065,0.0031445236,0.0016729169,0.00058650656,0.00036990832,0.00042902323,0.1381737],"genre_scores_gemma":[0.97865075,0.000036545305,0.0012515784,0.00045570682,0.00009682561,0.0000025971706,0.000086162996,0.00005544076,0.019364394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962118,0.0007229751,0.00032988572,0.0008419909,0.0009992177,0.00089409074],"domain_scores_gemma":[0.9977574,0.00023660515,0.0005118849,0.0010085716,0.00012781553,0.00035772793],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001367255,0.00039807122,0.0006058115,0.0005526647,0.0022297592,0.00009163386,0.0017985447,0.0002499016,0.023708543],"category_scores_gemma":[0.000063266416,0.0005490562,0.00045902477,0.0010634323,0.00043031006,0.0011136265,0.0010059241,0.0015632719,0.0004570439],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004418421,0.0031334707,0.27245927,0.00017021522,0.0026428788,0.0014539177,0.05099367,0.0024053613,0.00200168,0.027226143,0.59288275,0.040212218],"study_design_scores_gemma":[0.011900105,0.0019096724,0.14991899,0.00012436579,0.0005528921,0.00012620419,0.17338952,0.00024506295,0.000069429225,0.0013566422,0.6585557,0.0018514378],"about_ca_topic_score_codex":0.001227251,"about_ca_topic_score_gemma":0.00013889013,"teacher_disagreement_score":0.12604646,"about_ca_system_score_codex":0.000453818,"about_ca_system_score_gemma":0.00014261669,"threshold_uncertainty_score":0.9996961},"labels":[],"label_agreement":null},{"id":"W6980924016","doi":"","title":"Déclaration conjointe de Canadian Parents for French, Alberta Branch et l'Association canadienne-française de l'Alberta","year":2015,"lang":"fr","type":"other","venue":"Bibliothèque et Archives nationales du Québec (Québec government)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Demotion","score_opus":0.01192669544896318,"score_gpt":0.23929815530442025,"score_spread":0.22737145985545706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980924016","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1088742,0.0029740413,0.00090864574,0.049176183,0.0011186019,0.0014371357,0.004797511,0.000059750226,0.8306539],"genre_scores_gemma":[0.32411715,0.0002482563,0.0003984635,0.0068521956,0.00050793303,0.00019971858,0.00048690147,0.00020337224,0.666986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951548,0.0007591116,0.000743654,0.0009312176,0.0007836588,0.0016275493],"domain_scores_gemma":[0.9868388,0.009941095,0.0010085627,0.0005640242,0.00021636486,0.0014311225],"candidate_categories":["metaresearch","metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001225771,0.0007873947,0.00074800994,0.001350148,0.00043449915,0.00045107713,0.0010842207,0.0005743311,0.022807235],"category_scores_gemma":[0.01142785,0.0009470116,0.00040602713,0.0006589067,0.00025373034,0.0006512213,0.00016079065,0.0006825257,0.0014831481],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0002451986,0.00038996534,0.2113256,0.00016658373,0.0008913492,0.000013296118,0.027721576,0.00016104989,0.000086671695,0.013369999,0.7451584,0.00047035314],"study_design_scores_gemma":[0.0027320597,0.00030764585,0.17043284,0.00032105288,0.00026990147,0.000035556484,0.0002908746,0.0006078354,0.000023649607,0.0006188399,0.82358396,0.0007757625],"about_ca_topic_score_codex":0.9984842,"about_ca_topic_score_gemma":0.9999945,"teacher_disagreement_score":0.21524297,"about_ca_system_score_codex":0.03675751,"about_ca_system_score_gemma":0.124821246,"threshold_uncertainty_score":0.99929804},"labels":[],"label_agreement":null},{"id":"W6980983346","doi":"","title":"Depression, judgment, and belief","year":2024,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg; University of Manitoba","funders":"","keywords":"Rationality; Negation; Variety (cybernetics); Rational agent; Depression (economics); Irrationality","score_opus":0.016713014064491348,"score_gpt":0.24685685040764618,"score_spread":0.23014383634315483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980983346","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8148498,0.0029019513,0.000024735114,0.0003797172,0.0015115592,0.00019008732,0.00008716702,0.00008605316,0.17996894],"genre_scores_gemma":[0.83693177,0.0008941813,0.0003538026,0.00009137655,0.00015014336,5.170898e-7,0.0004245966,0.000052754247,0.16110085],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9990423,0.000042718315,0.00007423789,0.00040230955,0.00021745275,0.000221036],"domain_scores_gemma":[0.99934685,0.000037050533,0.00015743724,0.00028721715,0.00006416302,0.00010728497],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008735415,0.00019825349,0.00028904233,0.00024788926,0.00017685874,0.000026960293,0.00031230802,0.00033559845,0.00027063023],"category_scores_gemma":[0.00000896895,0.00025667154,0.00011474831,0.00015413223,0.00008917853,0.00015911755,0.00011177495,0.00033412408,0.000685435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013744184,0.0005244837,0.08289492,0.0016903804,0.0015020751,0.0007564471,0.020011865,0.0000034579027,0.000907824,0.0086322315,0.8552309,0.026470976],"study_design_scores_gemma":[0.0008471119,0.00018926138,0.775858,0.00054464757,0.00053039426,0.000011264592,0.11683979,0.000010162991,0.0000986012,0.0004467418,0.10419777,0.0004262474],"about_ca_topic_score_codex":0.0026087544,"about_ca_topic_score_gemma":0.07614192,"teacher_disagreement_score":0.7510331,"about_ca_system_score_codex":0.000046575988,"about_ca_system_score_gemma":0.000037047546,"threshold_uncertainty_score":0.99998856},"labels":[],"label_agreement":null},{"id":"W6981201185","doi":"","title":"Dirtmusic Live at Handelsbeurs on 2008-04-27","year":2008,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Sign (mathematics); Fireworks; White (mutation); Quarter (Canadian coin); Face (sociological concept)","score_opus":0.011958204830236357,"score_gpt":0.20683261949401385,"score_spread":0.1948744146637775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981201185","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021932773,0.0007859981,1.3057014e-7,0.00015622552,0.0014684225,0.00043245673,0.0004523976,0.00021646754,0.9962686],"genre_scores_gemma":[0.00040600146,0.0006929122,0.0001230102,0.0011934002,0.00027835972,0.000007861191,0.00023432838,0.00013144873,0.9969327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817455,0.00009236627,0.00047096153,0.00030103186,0.0005008032,0.0004602834],"domain_scores_gemma":[0.99837446,0.00012116045,0.00063761504,0.0005878824,0.00009110054,0.0001877849],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000108890345,0.00043916088,0.0005157698,0.00012836668,0.00012392187,0.000029182704,0.00046779145,0.00061671797,0.86259174],"category_scores_gemma":[0.00006564468,0.00044734578,0.00024385509,0.000008887774,0.00025180567,2.4402505e-7,0.00012683547,0.00036150342,0.33990777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033652468,0.00014194968,0.000009847209,0.0001286509,0.0001662871,0.00010100194,0.0007482101,0.000042697953,6.920825e-8,0.000044583077,0.99713683,0.0011433715],"study_design_scores_gemma":[0.0010212947,0.00046512496,0.000077326295,0.00024186364,0.000059517548,0.00014837808,0.00016700073,9.568938e-7,0.000002926019,0.0000029330747,0.9973773,0.00043537305],"about_ca_topic_score_codex":0.004151718,"about_ca_topic_score_gemma":0.0006936881,"teacher_disagreement_score":0.522684,"about_ca_system_score_codex":0.00009488661,"about_ca_system_score_gemma":0.0000246523,"threshold_uncertainty_score":0.9997978},"labels":[],"label_agreement":null},{"id":"W6981272778","doi":"","title":"Dr. Teale Phelps Bondaroff: Do cities listen to the Supreme Court?","year":2023,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Supreme court; Secularism; Government (linguistics); Context (archaeology); Neutrality; State (computer science); Indigenous","score_opus":0.012707356020175404,"score_gpt":0.22336668447626587,"score_spread":0.21065932845609048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981272778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000048246824,0.00035327088,3.478169e-7,0.0020928371,0.0014560247,0.0005614932,0.0008959172,0.00042755945,0.9941643],"genre_scores_gemma":[0.0004325939,0.0001492338,0.00010273168,0.0011751335,0.00040539465,0.00002198105,0.000081068654,0.00019574427,0.9974361],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998222,0.00009600481,0.0004723404,0.0002410266,0.0005142199,0.00045441336],"domain_scores_gemma":[0.9984708,0.0001794626,0.00040911543,0.00066606817,0.00011866558,0.00015593036],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033037784,0.00034388,0.00041614522,0.00011122865,0.00013761308,0.000106440006,0.0007572666,0.00039755975,0.5656045],"category_scores_gemma":[0.00014721134,0.0002936485,0.00019544207,0.000018510596,0.00018648218,3.542741e-7,0.00019221778,0.00035053503,0.1349262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011035141,0.00003656566,0.000010921691,0.00012877036,0.0001479892,0.00002185607,0.001633075,0.000048639566,4.670071e-8,0.00016278707,0.995775,0.0019239867],"study_design_scores_gemma":[0.00044291394,0.00020026807,0.000114364884,0.00023430014,0.00006490449,0.000034737357,0.0019017154,9.921877e-7,0.0000010805735,0.000008349406,0.9966707,0.00032567664],"about_ca_topic_score_codex":0.011088619,"about_ca_topic_score_gemma":0.0037169051,"teacher_disagreement_score":0.43067828,"about_ca_system_score_codex":0.00005682364,"about_ca_system_score_gemma":0.000031593536,"threshold_uncertainty_score":0.99995154},"labels":[],"label_agreement":null},{"id":"W6981629259","doi":"","title":"Establishing a Two-Regime Plasma Jet for Interdisciplinary Studies of Plasma Treatment of Chronic Wounds and Fibrosis","year":2024,"lang":"fr","type":"other","venue":"PolyPublie (École Polytechnique de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Population; Chronic disease; Leukocyte Counts","score_opus":0.02625831259200408,"score_gpt":0.3153101119464748,"score_spread":0.28905179935447073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981629259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55381304,0.2972921,0.022526333,0.015528723,0.006063851,0.009558146,0.011284542,0.000997561,0.08293569],"genre_scores_gemma":[0.5203305,0.008203506,0.03317455,0.0001820177,0.0013529777,0.0013853305,0.00018768436,0.0008008007,0.43438268],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964162,0.00022064362,0.000980356,0.0010283843,0.00032752453,0.0010268762],"domain_scores_gemma":[0.99667656,0.00087039056,0.00092784443,0.0010494583,0.00017047953,0.00030526018],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005132585,0.0009788224,0.0018976405,0.0011267395,0.00020324458,0.00016051547,0.0006348198,0.00088660576,0.00047186113],"category_scores_gemma":[0.00018298658,0.0009273503,0.00066772563,0.0005208295,0.0009014011,0.0003618534,0.0008270111,0.0004317972,0.000056260385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007249275,0.008480613,0.0153576005,0.017451623,0.021197576,0.0005698406,0.062159065,0.0009215015,0.015985917,0.10639651,0.2850036,0.45922688],"study_design_scores_gemma":[0.03344662,0.06452905,0.010260697,0.030457262,0.012280752,0.0015617535,0.031075705,0.05521718,0.055699494,0.026689585,0.67174906,0.007032871],"about_ca_topic_score_codex":0.0070256433,"about_ca_topic_score_gemma":0.010715178,"teacher_disagreement_score":0.452194,"about_ca_system_score_codex":0.0016768753,"about_ca_system_score_gemma":0.0003493055,"threshold_uncertainty_score":0.99958664},"labels":[],"label_agreement":null},{"id":"W6981750822","doi":"","title":"Facebook should know, people are awful. (Morning Feed)","year":2016,"lang":"en","type":"other","venue":"Internet Archive (Internet Archive)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bit (key); Social media; Government (linguistics); The Internet","score_opus":0.02648037134407416,"score_gpt":0.28752346384066907,"score_spread":0.2610430924965949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981750822","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004584265,0.0006374359,0.0098585365,0.0003862287,0.0045376583,0.001606276,0.003050043,0.00080909755,0.9786563],"genre_scores_gemma":[0.010309017,0.00020431617,0.00057695527,0.00077781436,0.0016696459,0.00024951887,0.0004672886,0.0009247522,0.98482066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945923,0.00063386327,0.0007605065,0.0017819386,0.00066489517,0.001566503],"domain_scores_gemma":[0.99613315,0.0007406888,0.0010443839,0.0013927371,0.00004716562,0.00064188713],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00025167165,0.0013060336,0.0014197085,0.0012287677,0.000071227114,0.00019999972,0.0025738932,0.00051228254,0.22518638],"category_scores_gemma":[0.00012532534,0.0011594228,0.0008237805,0.00012988359,0.0007207635,0.00017046827,0.0015243862,0.0014815235,0.09273339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005687892,0.00029230598,0.004489371,0.00015574833,0.0012958024,0.00036316738,0.0066529703,7.016859e-7,0.0001211685,0.004972213,0.9781198,0.002967956],"study_design_scores_gemma":[0.0018183794,0.00044057667,0.0061867908,0.0028674353,0.00016810825,0.00012452096,0.00034349706,0.000036663616,0.000099701974,0.00070297264,0.98588705,0.0013243211],"about_ca_topic_score_codex":0.013138563,"about_ca_topic_score_gemma":0.02481608,"teacher_disagreement_score":0.13245298,"about_ca_system_score_codex":0.000112877664,"about_ca_system_score_gemma":0.000087460736,"threshold_uncertainty_score":0.9999691},"labels":[],"label_agreement":null},{"id":"W6982011952","doi":"","title":"Government Invests in Clean Energy Initiatives in Yukon","year":2020,"lang":"en","type":"other","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Clean energy; Clean technology; Renewable energy; Energy (signal processing); Energy policy","score_opus":0.026492503541357,"score_gpt":0.27633891828262097,"score_spread":0.24984641474126396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982011952","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00033968757,0.00019261181,0.00003607263,0.00038143902,0.00030849857,0.00008078735,0.000055947683,0.000051400755,0.9985536],"genre_scores_gemma":[0.06911895,0.00024578537,0.00015326525,0.00537909,0.0001672254,0.000009065594,0.0000225581,0.00013858212,0.92476547],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910545,0.00009331363,0.00013362188,0.0002810404,0.000176215,0.00021032785],"domain_scores_gemma":[0.99964017,0.000027832435,0.000085990905,0.00017283807,0.0000015224248,0.00007167072],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000043696316,0.00016520816,0.00025100433,0.00011071806,0.0000057089496,0.00001028081,0.00021149614,0.00022457026,0.02264011],"category_scores_gemma":[0.000018539336,0.00016919333,0.000036520203,0.00015694644,0.000046828107,0.000051811192,0.0000857149,0.00018695032,0.0005967628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005386803,0.000209137,0.009253245,0.000019784064,0.0000515358,0.00015633229,0.0013590907,4.5516126e-7,0.000003949617,0.03993972,0.9418076,0.00714523],"study_design_scores_gemma":[0.0010229867,0.00013729755,0.06539208,0.00014543948,0.0000055413666,8.7712726e-7,0.0018625559,0.0000026691837,0.00003527755,0.00017097006,0.9309479,0.00027641133],"about_ca_topic_score_codex":0.0045811264,"about_ca_topic_score_gemma":0.012010054,"teacher_disagreement_score":0.07378808,"about_ca_system_score_codex":0.000087684966,"about_ca_system_score_gemma":0.000018075478,"threshold_uncertainty_score":0.9782533},"labels":[],"label_agreement":null},{"id":"W6983043384","doi":"","title":"2018 12 12 Le Canadien et la LNH avec Simon Boisvert","year":2018,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Work (physics); Key (lock)","score_opus":0.007911239263244111,"score_gpt":0.21043266882021253,"score_spread":0.20252142955696842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983043384","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00074676104,0.00024629894,0.0000018400988,0.0011581763,0.0018118846,0.00051783264,0.0004788564,0.00010293384,0.9949354],"genre_scores_gemma":[0.0044048983,0.00029237234,0.00057405303,0.0017389356,0.00041425173,0.000008460574,0.00023537657,0.000105875086,0.99222577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970764,0.00044078915,0.00082267035,0.00039732526,0.00049139763,0.00077141536],"domain_scores_gemma":[0.99753296,0.0002952025,0.0008538844,0.00072956784,0.00020228057,0.0003860808],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00063875597,0.00061127427,0.0007031893,0.0001355831,0.00020214288,0.00012550107,0.00080565165,0.0011043004,0.78833514],"category_scores_gemma":[0.0002220314,0.00068917667,0.00030434737,0.000011884571,0.00067622494,0.0000011841655,0.000206847,0.0005481446,0.15933236],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033230692,0.00022942752,0.0000932767,0.00040823175,0.00030128937,0.00011189402,0.002478338,0.00011689018,2.886001e-7,0.00062823464,0.99049187,0.0048079533],"study_design_scores_gemma":[0.0015581561,0.00071632076,0.00041086067,0.00043069283,0.00013561071,0.00021620891,0.00065014686,0.00002027032,0.000006436089,0.00003052937,0.9951495,0.00067527685],"about_ca_topic_score_codex":0.11034838,"about_ca_topic_score_gemma":0.08517493,"teacher_disagreement_score":0.62900275,"about_ca_system_score_codex":0.00019570866,"about_ca_system_score_gemma":0.00018446041,"threshold_uncertainty_score":0.99955595},"labels":[],"label_agreement":null},{"id":"W6983297442","doi":"","title":"Mambo italiano : Le tout est de savoir danser. \\n Mambo italiano, Canada [Québec] 2003, 93 minutes","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Period (music); Identity (music); Staring","score_opus":0.009483738100182933,"score_gpt":0.18028838333544173,"score_spread":0.1708046452352588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983297442","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42680383,0.18790591,0.00037815308,0.14079896,0.0040790536,0.0008230378,0.0023888408,0.00020736226,0.23661488],"genre_scores_gemma":[0.14693934,0.0021459071,0.0010397496,0.003577162,0.00022041472,0.0000063708944,0.00010574127,0.00009327946,0.84587204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957874,0.00053178595,0.00038325973,0.00089857203,0.0005183415,0.0018806746],"domain_scores_gemma":[0.9970432,0.00027990807,0.00033317055,0.0010298837,0.00020956836,0.001104306],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037012,0.00070630293,0.00070774835,0.00020912294,0.001282684,0.000073573545,0.0009198614,0.0005760884,0.004008556],"category_scores_gemma":[0.0003213905,0.0009623025,0.0002934888,0.00089178985,0.00042701402,0.0006056138,0.0002557216,0.0006141933,0.0012534197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027773605,0.0005306963,0.009872692,0.00009985412,0.00065152755,0.01257138,0.0014471485,0.000112079666,0.00029805783,0.015118843,0.95251113,0.00650885],"study_design_scores_gemma":[0.0030021775,0.00027571621,0.006043165,0.00014265068,0.0004327858,0.0013840027,0.008553699,0.00007867238,0.0006513147,0.00025774518,0.9781998,0.0009782804],"about_ca_topic_score_codex":0.9770429,"about_ca_topic_score_gemma":0.9951726,"teacher_disagreement_score":0.60925716,"about_ca_system_score_codex":0.02044133,"about_ca_system_score_gemma":0.0037223012,"threshold_uncertainty_score":0.99952424},"labels":[],"label_agreement":null},{"id":"W6984960035","doi":"","title":"The Vibe as Peace","year":2020,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Argument (complex analysis); Relation (database); Work (physics); Dynamics (music); Dance","score_opus":0.36897030810953896,"score_gpt":0.5928155004446092,"score_spread":0.22384519233507022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6984960035","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.579378,0.033105813,0.00021548837,0.008701763,0.0022189866,0.00060134445,0.00007292118,0.00009195273,0.37561372],"genre_scores_gemma":[0.98081815,0.009345577,0.000053060896,0.004833814,0.00041545279,0.000012447658,0.0000048885245,0.00004162173,0.0044749645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997701,0.0003395702,0.0005008452,0.00039051267,0.0005912717,0.00047682633],"domain_scores_gemma":[0.9978216,0.000457948,0.0005798831,0.0005314713,0.00017374344,0.0004353288],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008327028,0.00025148861,0.0004806065,0.00015495857,0.00052708096,0.0013361836,0.004494759,0.000110131834,0.035852827],"category_scores_gemma":[0.0005075055,0.00019678881,0.00021451636,0.00072770665,0.0002211586,0.0016067876,0.0010689889,0.0005539575,0.0010581631],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007794659,0.00021673867,0.115743645,0.000025719328,0.00041951318,0.00011664898,0.0018357033,0.000019616586,0.0082980255,0.0022072562,0.84500474,0.025332898],"study_design_scores_gemma":[0.00067268073,0.00003801507,0.42240107,0.00007441803,0.00006898806,0.000018680124,0.0008099624,0.00000932289,0.0026880912,0.0021730945,0.57073987,0.00030582654],"about_ca_topic_score_codex":0.000607268,"about_ca_topic_score_gemma":0.000016889897,"teacher_disagreement_score":0.40144014,"about_ca_system_score_codex":0.000044003446,"about_ca_system_score_gemma":0.00009775341,"threshold_uncertainty_score":0.9997196},"labels":[],"label_agreement":null},{"id":"W6986093015","doi":"","title":"Opportunities in Ontario : containing extracts from Heaton's \"Opportunities in Canada\", 1923.","year":2014,"lang":"en","type":"article","venue":"QSpace (Queen's University Library)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.037686576202518966,"score_gpt":0.20211964010798086,"score_spread":0.1644330639054619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986093015","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77311987,0.000021536578,0.0000209829,0.021070188,0.0004100264,0.00015411693,0.00009560863,0.00008497682,0.2050227],"genre_scores_gemma":[0.87816906,0.00006138451,0.00019550796,0.0016012666,0.000040742056,7.775962e-7,0.00013368904,0.000024860974,0.119772695],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.997963,0.00035568437,0.0002323311,0.00047239684,0.000284993,0.00069156813],"domain_scores_gemma":[0.99861044,0.00035265856,0.00016633044,0.00046241764,0.00002680596,0.00038133058],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000107166794,0.0003157543,0.00048676398,0.00047384313,0.00014326998,0.00006699312,0.00060702855,0.0001883411,0.0054648085],"category_scores_gemma":[0.000022035338,0.00040683214,0.00007969181,0.00023379266,0.00014193481,0.001914726,0.0002531717,0.0006471504,0.00004595967],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067526504,0.00016582404,0.82899165,0.000014584291,0.000087679466,0.0034596229,0.0075211897,0.000049614526,0.0000013735261,0.019381769,0.13791192,0.0017394925],"study_design_scores_gemma":[0.00139401,0.00012966826,0.5459163,0.00010889676,0.000020918282,8.44891e-7,0.044714242,0.0000047494536,0.000034759567,0.00022697044,0.40703952,0.00040911167],"about_ca_topic_score_codex":0.99878365,"about_ca_topic_score_gemma":0.99494416,"teacher_disagreement_score":0.28307536,"about_ca_system_score_codex":0.0009413009,"about_ca_system_score_gemma":0.0025801745,"threshold_uncertainty_score":0.99983835},"labels":[],"label_agreement":null},{"id":"W6987273205","doi":"","title":"Shadow on the prairie : Canada's Royal Winnipeg Ballet, a history in documents","year":2003,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Research Institute of Economy, Trade and Industry","keywords":"Subject (documents); Theme (computing); Government (linguistics); Pretext; Filter (signal processing); Circumstantial evidence","score_opus":0.016433503085101223,"score_gpt":0.21492139861588835,"score_spread":0.19848789553078713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987273205","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48224258,0.00047729627,0.000002845979,0.0026501084,0.001889588,0.00035624806,0.000043819662,0.00002095808,0.5123165],"genre_scores_gemma":[0.5193172,0.000049429644,0.000053620526,0.0013150774,0.00006741521,0.0000016408252,0.00025588425,0.00004648257,0.47889322],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984228,0.00021152326,0.000114427596,0.00040192128,0.00047827372,0.00037103923],"domain_scores_gemma":[0.9989188,0.00010827623,0.00031677334,0.0004746086,0.000081292594,0.000100306715],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018898289,0.00026866782,0.00035217858,0.00020057926,0.00013609345,0.000009750701,0.0007307141,0.00029340538,0.002311846],"category_scores_gemma":[0.00004144882,0.0003103953,0.00012378507,0.0001539495,0.00010402411,0.00009136343,0.000045443856,0.00058233127,0.00019084875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005211066,0.00021274286,0.013302065,0.000060255254,0.00017798647,0.0002897571,0.0014745469,0.000015519987,0.000006909213,0.0038690963,0.9796433,0.00042671035],"study_design_scores_gemma":[0.0008316253,0.00013726068,0.4139896,0.00014051494,0.0000725464,0.0000013637562,0.045918863,0.0000047470835,0.0000045429833,0.000033684108,0.53857875,0.0002865043],"about_ca_topic_score_codex":0.8093407,"about_ca_topic_score_gemma":0.9983043,"teacher_disagreement_score":0.44106454,"about_ca_system_score_codex":0.001368447,"about_ca_system_score_gemma":0.00062783185,"threshold_uncertainty_score":0.9999348},"labels":[],"label_agreement":null},{"id":"W6987787056","doi":"","title":"[Turtle Creek Chorale: Roy Lierman at GALA Festival]","year":2004,"lang":"en","type":"other","venue":"The Portal to Texas History (University of North Texas)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Turtle (robot); VEST; Photography; Fishing","score_opus":0.023095912662792827,"score_gpt":0.22831942340932598,"score_spread":0.20522351074653317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987787056","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021700433,0.0010110458,0.00005184775,0.0006400607,0.0015463104,0.00060278206,0.0005538799,0.00023919417,0.97365445],"genre_scores_gemma":[0.022249164,0.00010705558,0.00017661732,0.00065086206,0.00021451754,3.9753547e-7,0.00015962646,0.00019079546,0.97625095],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979338,0.00011962454,0.00020811993,0.0006695185,0.0005022314,0.0005667269],"domain_scores_gemma":[0.9977476,0.000042218635,0.00056973385,0.0012015027,0.00006604287,0.00037291748],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001528263,0.00044293914,0.00064610114,0.00038520628,0.0002368356,0.000010136821,0.0015751598,0.00035807636,0.10285301],"category_scores_gemma":[0.00001768191,0.0005168414,0.00034659702,0.00027488061,0.00077548483,0.00012480884,0.00047115315,0.00049001304,0.013161531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015274841,0.00023207629,0.02430006,0.000060117392,0.00031356787,0.0004158901,0.0010657492,0.0000080603195,8.2440255e-7,0.00021559288,0.97187877,0.001356559],"study_design_scores_gemma":[0.00057403237,0.00016958477,0.3142151,0.0001005594,0.0001883238,0.000022312473,0.00010023322,2.5395727e-7,3.6905263e-7,0.0000063021594,0.6842396,0.0003833386],"about_ca_topic_score_codex":0.013535766,"about_ca_topic_score_gemma":0.04568017,"teacher_disagreement_score":0.28991503,"about_ca_system_score_codex":0.00078601565,"about_ca_system_score_gemma":0.00024266716,"threshold_uncertainty_score":0.9997283},"labels":[],"label_agreement":null},{"id":"W6989693321","doi":"","title":"Carol Hornick Interview, 2005","year":2005,"lang":"en","type":"article","venue":"EngagedScholarship @ Cleveland State University (Cleveland State University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); George (robot); Period (music); Quarter (Canadian coin); TypeScript","score_opus":0.03755719774368376,"score_gpt":0.24428414185518083,"score_spread":0.20672694411149706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989693321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8981779,0.00025995116,0.007959157,0.001086015,0.0007584553,0.0005709695,0.0015579751,0.0004945467,0.089135036],"genre_scores_gemma":[0.78361624,0.00070124987,0.0009186884,0.0004312499,0.0001225483,2.9591698e-7,0.00010622976,0.000058515405,0.21404499],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99395967,0.002146394,0.00043354483,0.0011988609,0.00062706077,0.0016344764],"domain_scores_gemma":[0.99686295,0.0004758474,0.0003779954,0.00096268445,0.00029674848,0.0010237785],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0017386967,0.0007303581,0.0007552469,0.0012272485,0.0016439306,0.0001924769,0.0016928788,0.00038908122,0.0031308904],"category_scores_gemma":[0.00010970721,0.0008649698,0.00043851614,0.0011122343,0.000392317,0.0023464554,0.0005602374,0.0023580207,0.0026251087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.01449109,0.0053282585,0.24465199,0.0003717139,0.006948025,0.01875693,0.1366447,0.0018698687,0.0010445997,0.019221216,0.20364514,0.34702647],"study_design_scores_gemma":[0.0066187996,0.0003172866,0.14015096,0.00007791781,0.00020774505,0.000063277395,0.008926754,0.00006111016,0.00015813966,0.00017933683,0.84210044,0.0011382153],"about_ca_topic_score_codex":0.00058440515,"about_ca_topic_score_gemma":0.0016980872,"teacher_disagreement_score":0.63845533,"about_ca_system_score_codex":0.000852116,"about_ca_system_score_gemma":0.00027014015,"threshold_uncertainty_score":0.99994355},"labels":[],"label_agreement":null},{"id":"W6990039943","doi":"","title":"Concert: Ithaca College Choral Composition Contest and Festival","year":2011,"lang":"en","type":"article","venue":"Digital Collections - Ithaca College Library (Ithaca College)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; New York Foundation for the Arts","keywords":"CONTEST; Choir; Composition (language); Paraphernalia","score_opus":0.03211891229339923,"score_gpt":0.23519890050938963,"score_spread":0.2030799882159904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990039943","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31194973,0.00067310315,0.00009183608,0.0011112291,0.0020751336,0.0024177819,0.01632976,0.0010638016,0.6642876],"genre_scores_gemma":[0.7949312,0.00008288405,0.00069581124,0.0010864544,0.00044877108,0.00029311373,0.00035067633,0.00018699732,0.20192413],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940008,0.00041872452,0.0013083548,0.0017510258,0.0008459369,0.0016751847],"domain_scores_gemma":[0.99614507,0.00067332847,0.00058747234,0.0011147762,0.00028383854,0.0011954886],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002606029,0.0012255741,0.0013661198,0.0013234082,0.002602451,0.00070715556,0.0011343117,0.0008018452,0.006288947],"category_scores_gemma":[0.00012071008,0.0013311951,0.00051383016,0.0048093945,0.0013077692,0.0064808982,0.000700802,0.0011246656,0.0007822427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0057388167,0.0030492453,0.037765052,0.000104374565,0.0010375653,0.001402565,0.00231112,0.0000069326734,0.00010165595,0.09982022,0.8479908,0.00067163666],"study_design_scores_gemma":[0.03704002,0.01317055,0.18935014,0.0009931141,0.0010159253,0.0064198254,0.025223343,0.000790182,0.003778255,0.012255837,0.7026834,0.007279417],"about_ca_topic_score_codex":0.0002638678,"about_ca_topic_score_gemma":0.000060124832,"teacher_disagreement_score":0.48298144,"about_ca_system_score_codex":0.00030086332,"about_ca_system_score_gemma":0.0008266237,"threshold_uncertainty_score":0.99999577},"labels":[],"label_agreement":null},{"id":"W6991053176","doi":"","title":"Étude de facteurs influençant la persévérance et la réussite scolaires en danse au collégial : perceptions d’étudiant.e.s au sein de leur parcours de formation préuniversitaire au Québec","year":2023,"lang":"fr","type":"other","venue":"Archipelago (University of Quebec in Montreal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Portrait; Graphic arts","score_opus":0.01440581334576019,"score_gpt":0.2598320048423839,"score_spread":0.2454261914966237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991053176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9338435,0.0001180888,0.0030468889,0.0028814238,0.00019588161,0.0006792042,0.0006864967,0.0001960416,0.058352463],"genre_scores_gemma":[0.93675804,0.001028454,0.0009215424,0.00018777723,0.00013139304,0.0000035252456,0.00007816108,0.00016421569,0.06072691],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99391794,0.0031422044,0.00036459908,0.00072909635,0.0004387543,0.0014073882],"domain_scores_gemma":[0.9968578,0.0013016681,0.000543681,0.000640385,0.00009051964,0.0005659525],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0015628168,0.0006399369,0.00085624127,0.0010097866,0.00077153987,0.00006176058,0.0012151855,0.0009895001,0.0005224269],"category_scores_gemma":[0.00023065528,0.000890635,0.00048676794,0.0006323523,0.0013058273,0.0010846423,0.00042618002,0.0012961519,0.00035959942],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0011154533,0.000788631,0.3142835,0.00045914904,0.00048178495,0.0017896827,0.6062731,0.0026458749,0.00022337853,0.003706126,0.0026021048,0.065631226],"study_design_scores_gemma":[0.0031050625,0.00022180294,0.8100773,0.0011162134,0.00038032513,0.00010270841,0.17842421,0.00091106526,0.0000035254516,0.00032309283,0.0047155377,0.0006191728],"about_ca_topic_score_codex":0.9850917,"about_ca_topic_score_gemma":0.99936754,"teacher_disagreement_score":0.4957938,"about_ca_system_score_codex":0.007327508,"about_ca_system_score_gemma":0.006177,"threshold_uncertainty_score":0.99945706},"labels":[],"label_agreement":null},{"id":"W6991079150","doi":"","title":"Fefu and Her Friends Playbill","year":2022,"lang":"en","type":"article","venue":"HELIN Digital Commons","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; EPIC; Identity (music); Performance art; Drama; Feminism","score_opus":0.025374767720334424,"score_gpt":0.26995790159281896,"score_spread":0.24458313387248454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991079150","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59266233,0.0003345819,0.00001383956,0.00070382643,0.0003146671,0.00005940081,0.0004673894,0.000058874128,0.4053851],"genre_scores_gemma":[0.98495215,0.0000021414742,0.000016383057,0.00063500146,0.000026758671,0.000009556023,0.000037406793,0.0000102143995,0.014310402],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999364,0.000031776697,0.0000920627,0.00017185524,0.00012947383,0.0002108051],"domain_scores_gemma":[0.9995608,0.00007457414,0.000032123513,0.00022840736,0.000010467653,0.00009366141],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006505478,0.00008377968,0.000102996964,0.00005195636,0.0002419102,0.000081455764,0.00018775657,0.000027958475,0.0031797253],"category_scores_gemma":[0.000014657177,0.000090328555,0.000042547268,0.00011465009,0.000073963194,0.00020070012,0.00034192883,0.0001923045,0.00037564748],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059094984,0.0017239931,0.28912157,0.00002077991,0.00030819114,0.000394755,0.008596166,0.000039762293,0.00007736432,0.05139688,0.60163367,0.046095937],"study_design_scores_gemma":[0.0008783267,0.00047056825,0.056090645,0.0000049503988,0.000015877207,0.000120975354,0.0034019656,0.000012940422,0.00001346369,0.0015062077,0.93723464,0.00024944934],"about_ca_topic_score_codex":0.000039303886,"about_ca_topic_score_gemma":0.000009002946,"teacher_disagreement_score":0.39228982,"about_ca_system_score_codex":0.000022056383,"about_ca_system_score_gemma":0.0000106669395,"threshold_uncertainty_score":0.9977315},"labels":[],"label_agreement":null},{"id":"W6991310575","doi":"","title":"Francis Brunn et Alexandra (Sasha) Malomusch : «&amp;nbspThe Jack Benny Program&amp;nbsp»","year":2015,"lang":"fr","type":"other","venue":"Gallica (Bibliothèque nationale de France)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Power (physics); Order (exchange); Context (archaeology); Indignation","score_opus":0.04245567989496257,"score_gpt":0.3447452464398585,"score_spread":0.3022895665448959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991310575","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01035647,0.03066245,0.0028926027,0.009852688,0.0036990077,0.0027689943,0.003302344,0.00069254736,0.9357729],"genre_scores_gemma":[0.0035823593,0.004414175,0.019646717,0.0073093674,0.0030578906,0.0003754073,0.0021016363,0.0006031337,0.95890933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99157566,0.0010012237,0.0011876092,0.0019000297,0.002237488,0.0020979717],"domain_scores_gemma":[0.99352884,0.0009046672,0.001075547,0.0018235442,0.00152348,0.001143898],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0021508627,0.0014557804,0.0015582546,0.0038059684,0.0004537279,0.0008999882,0.002274399,0.0026655404,0.19153374],"category_scores_gemma":[0.0013396834,0.0016681475,0.0007314965,0.005868551,0.0009490859,0.0012117499,0.0003783152,0.0024867794,0.028374093],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030996554,0.0025883876,0.017834518,0.00052153296,0.0010437141,0.000053721826,0.003686874,0.00018429398,0.00011320535,0.022103133,0.937051,0.014509659],"study_design_scores_gemma":[0.00400069,0.00034658643,0.062191203,0.0005761133,0.00022498249,0.00013649644,0.000100190715,0.00006217938,0.000010574692,0.002667126,0.9281175,0.0015663498],"about_ca_topic_score_codex":0.001076312,"about_ca_topic_score_gemma":0.0039448137,"teacher_disagreement_score":0.16315965,"about_ca_system_score_codex":0.00088152476,"about_ca_system_score_gemma":0.0020186105,"threshold_uncertainty_score":0.99981916},"labels":[],"label_agreement":null},{"id":"W6991351115","doi":"","title":"Gender and embodiment in the contemporary Montreal swing dance community","year":2020,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Swing; Narrative; Work (physics); Field (mathematics)","score_opus":0.06576157650325573,"score_gpt":0.2911128761228691,"score_spread":0.2253512996196134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991351115","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6010547,0.0011569188,4.9380027e-8,0.000040106428,0.0006020781,0.00047936646,0.00046238306,0.00007060887,0.39613375],"genre_scores_gemma":[0.99466693,0.000104258754,0.000055247892,0.0019607123,0.000039146667,0.000065818385,0.0007387759,0.00007422652,0.0022948522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9958552,0.0017348564,0.0006023327,0.0006792426,0.0005580145,0.0005703386],"domain_scores_gemma":[0.9978718,0.0004946883,0.00041865816,0.00088533125,0.00009243685,0.0002370923],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0012939323,0.0005940871,0.0006748178,0.00020256467,0.001249847,0.00011020513,0.0011340519,0.00058156915,0.0001847345],"category_scores_gemma":[0.00027133667,0.00055580743,0.00019812646,0.00038334355,0.000099694014,0.00061823573,0.00018568219,0.00329508,0.0002495939],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008739578,0.007112596,0.012648906,0.0032597715,0.00402237,0.0037134283,0.027834198,0.000028632088,0.012067615,0.5925219,0.0030452565,0.32500574],"study_design_scores_gemma":[0.007879139,0.0011108412,0.7271179,0.0010364759,0.0005240506,0.00011781052,0.07941279,0.000016482309,0.0027367477,0.036439978,0.14056955,0.003038218],"about_ca_topic_score_codex":0.005341059,"about_ca_topic_score_gemma":0.0019220177,"teacher_disagreement_score":0.714469,"about_ca_system_score_codex":0.00021046765,"about_ca_system_score_gemma":0.000045058812,"threshold_uncertainty_score":0.99968934},"labels":[],"label_agreement":null},{"id":"W6991577153","doi":"","title":"Hacia una fenomenología de la danza. \"Intencionalidad co-encerrada\" en Ideas II","year":2015,"lang":"es","type":"article","venue":"EPrints Complutense Repositorio Institucional de la UCM (Universidad Complutense de Madrid)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Encana (Canada)","funders":"","keywords":"Context (archaeology); Perspective (graphical); Set (abstract data type); Identification (biology); Identity (music)","score_opus":0.022791302802726492,"score_gpt":0.3132585951555924,"score_spread":0.2904672923528659,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991577153","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77029884,0.0008455026,0.0043786466,0.0036294886,0.0027631766,0.00062660285,0.0004004467,0.00053100253,0.21652631],"genre_scores_gemma":[0.97804385,0.00029747534,0.010013987,0.0014244413,0.0015568573,0.000027673608,0.00015472996,0.00015962607,0.008321353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98803115,0.004913831,0.0010576008,0.002014574,0.001621923,0.0023609311],"domain_scores_gemma":[0.9919175,0.0020915552,0.000899225,0.0019654285,0.00088975794,0.0022365476],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.004120304,0.0013660204,0.001538363,0.001081563,0.0022426234,0.00089527114,0.002868945,0.0017294316,0.00080872694],"category_scores_gemma":[0.0010971196,0.001680271,0.0007885306,0.0011021672,0.0023368374,0.00094513537,0.001748699,0.0033539105,0.0017648219],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004517728,0.0034037274,0.079723805,0.00027263004,0.0027792985,0.021477787,0.026333362,0.0023243078,0.0074819247,0.7612341,0.08813636,0.002314951],"study_design_scores_gemma":[0.006562854,0.00086653885,0.36540532,0.00094344607,0.00056914694,0.015459854,0.0072790086,0.0017089783,0.0003027284,0.012859791,0.5860681,0.0019742576],"about_ca_topic_score_codex":0.0024461038,"about_ca_topic_score_gemma":0.000031529322,"teacher_disagreement_score":0.74837434,"about_ca_system_score_codex":0.0048160874,"about_ca_system_score_gemma":0.0031850352,"threshold_uncertainty_score":0.99990904},"labels":[],"label_agreement":null},{"id":"W6991742000","doi":"","title":"Improvising Places : Improvising Time","year":2021,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Improvisation; Performing arts; Narrative; Dance; Musical; Ephemeral key; Counterpoint; The arts","score_opus":0.012570113824049732,"score_gpt":0.25843800841406617,"score_spread":0.24586789459001643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991742000","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036497347,0.0076593123,0.0002469809,0.0005041586,0.004750262,0.00079657667,0.00042811205,0.0005324919,0.9814324],"genre_scores_gemma":[0.0029756825,0.00011484034,0.00045549398,0.00155515,0.002099974,0.000019275074,0.000620934,0.00026430193,0.99189436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.994335,0.00030882066,0.00094349636,0.0018766028,0.0009123344,0.0016237259],"domain_scores_gemma":[0.9959803,0.0004187453,0.0008278364,0.0019110456,0.00028524495,0.00057678047],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007081014,0.0012069098,0.0015169001,0.00047123336,0.0006931782,0.000624108,0.0011839666,0.0014118209,0.03872543],"category_scores_gemma":[0.00013315884,0.0013664606,0.0007868371,0.00032627513,0.0004461408,0.00076724536,0.00052911893,0.0018283705,0.037217133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023378422,0.00034461048,0.000024878507,0.00024903423,0.00083837437,0.00087894266,0.004201856,0.0000039199995,0.0014920689,0.0022263392,0.8484993,0.14100687],"study_design_scores_gemma":[0.002127476,0.0006177197,0.0007915193,0.0010041028,0.000527552,0.00024101477,0.0006378563,0.00005523827,0.00017569664,0.0023985927,0.98943794,0.0019853092],"about_ca_topic_score_codex":0.00012996179,"about_ca_topic_score_gemma":0.00003591807,"teacher_disagreement_score":0.1409386,"about_ca_system_score_codex":0.0005120043,"about_ca_system_score_gemma":0.0009586983,"threshold_uncertainty_score":0.99988455},"labels":[],"label_agreement":null},{"id":"W6992592346","doi":"","title":"Mariposa Festival 1975","year":2010,"lang":"en","type":"other","venue":"York University Digital Library (York University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmmaking; Dance","score_opus":0.011804596435225464,"score_gpt":0.18387468673936713,"score_spread":0.17207009030414167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992592346","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008800272,0.00019860911,0.00007890924,0.0002386778,0.0017828876,0.00042735712,0.0047896733,0.0018590532,0.9897448],"genre_scores_gemma":[0.0039104912,0.000088780114,0.00055829843,0.0002119594,0.00049570727,7.880997e-8,0.0012266296,0.0003702761,0.9931378],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972317,0.00009797543,0.00017769562,0.0011516829,0.00041165264,0.00092927954],"domain_scores_gemma":[0.9975796,0.00010326941,0.00042179503,0.0011353994,0.000026394773,0.00073353795],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000031245356,0.00077928905,0.0007203256,0.0017543192,0.0003630631,0.00033553943,0.002504262,0.0014425287,0.035380814],"category_scores_gemma":[0.000010315161,0.0010236636,0.000537596,0.0015309454,0.00076512573,0.0019182254,0.001150467,0.0013125447,0.0071886475],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048697166,0.00039700998,0.0063251955,0.000046016514,0.0005358764,0.002410622,0.00015033771,6.338529e-7,0.0000022740787,0.036694657,0.94858396,0.0043664477],"study_design_scores_gemma":[0.0016512336,0.00019457015,0.0011531158,0.00017361506,0.00021293512,0.000035583056,0.002048974,7.585046e-7,0.0000050174012,0.0000643918,0.99336886,0.0010909283],"about_ca_topic_score_codex":0.00040566706,"about_ca_topic_score_gemma":0.00008508476,"teacher_disagreement_score":0.044784922,"about_ca_system_score_codex":0.00011040707,"about_ca_system_score_gemma":0.0003332735,"threshold_uncertainty_score":0.9998538},"labels":[],"label_agreement":null},{"id":"W6992815488","doi":"","title":"Moya Michael biedt weerwoord op de canon","year":2023,"lang":"en","type":"article","venue":"Ghent University Academic Bibliography (Ghent University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Flemish; Dance; Performing arts; The arts; Identity (music); Milestone; Performance art; Exposition (narrative); Quarter (Canadian coin); Biography","score_opus":0.031216249202311815,"score_gpt":0.2654067395381378,"score_spread":0.234190490335826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992815488","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8081243,0.00056322257,0.0017462898,0.0029012454,0.0016750542,0.00069393823,0.0006644771,0.0016116585,0.18201979],"genre_scores_gemma":[0.8882059,0.015997605,0.0003011379,0.0009479182,0.00029712744,7.836546e-7,0.000213727,0.00007403594,0.0939618],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960622,0.00040267716,0.00026657592,0.0010369701,0.00066279166,0.0015687433],"domain_scores_gemma":[0.997715,0.00024010963,0.00029518906,0.00073716237,0.00017100449,0.00084154436],"candidate_categories":["metaepi_narrow","bibliometrics","insufficient_payload"],"consensus_categories":["bibliometrics","insufficient_payload"],"category_scores_codex":[0.0005262396,0.0005150984,0.0004972971,0.03601931,0.0008578374,0.00005711083,0.0021314253,0.0008538046,0.0013570542],"category_scores_gemma":[0.000019931282,0.0006939244,0.0006785063,0.04687949,0.00059504237,0.0011352587,0.0008223906,0.0013710208,0.0014058232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010999248,0.0003654751,0.2933674,0.00007247809,0.0010287552,0.002047901,0.0029699143,0.00016946769,0.001173161,0.047591984,0.6480317,0.0020818233],"study_design_scores_gemma":[0.0034572869,0.00026846913,0.19797017,0.0001071582,0.00042958025,0.00002753409,0.012237773,0.00007400905,0.00012743843,0.00092129764,0.7834567,0.0009226036],"about_ca_topic_score_codex":0.001797635,"about_ca_topic_score_gemma":0.000068189416,"teacher_disagreement_score":0.13542494,"about_ca_system_score_codex":0.00031977968,"about_ca_system_score_gemma":0.00016476901,"threshold_uncertainty_score":0.9995558},"labels":[],"label_agreement":null},{"id":"W6995587625","doi":"","title":"Pantomime-Ballet on the music-hall stage: The popularisation of classical ballet in fin-de-siècle Paris","year":2010,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology","funders":"McGill University","keywords":"Ballet; Dance; Context (archaeology); Musical; Entertainment; Order (exchange); Popular music; Music history","score_opus":0.03190205622861515,"score_gpt":0.2771741844944698,"score_spread":0.24527212826585465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995587625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8213873,0.00009532117,1.6637887e-7,0.0005523899,0.0020898124,0.00081800093,0.00093048124,0.00007573065,0.17405078],"genre_scores_gemma":[0.9798571,0.00008657299,0.000068296686,0.0014471676,0.000115208815,0.00010387407,0.0005392778,0.0001159746,0.017666562],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99525994,0.0010200111,0.0009208168,0.0009276769,0.0009637212,0.00090784737],"domain_scores_gemma":[0.9960828,0.0010021437,0.0009338023,0.001528457,0.00023458926,0.00021819837],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity"],"category_scores_codex":[0.0022244863,0.0006919302,0.0007681985,0.00032980452,0.000917163,0.000111905014,0.001644655,0.0015140246,0.0034229355],"category_scores_gemma":[0.0011334574,0.0005220606,0.00045000063,0.000556889,0.00024463556,0.00040651447,0.00016208613,0.004324272,0.00071486813],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0028636188,0.0023131513,0.0016971842,0.00025890645,0.00071218004,0.00015564446,0.0009264855,0.00004967617,0.014583317,0.89064336,0.0023208552,0.083475605],"study_design_scores_gemma":[0.005716659,0.0015297354,0.4858001,0.00093566725,0.00067301217,0.000033664284,0.012555322,0.00005362925,0.02033926,0.043478157,0.42624474,0.00264005],"about_ca_topic_score_codex":0.0034951102,"about_ca_topic_score_gemma":0.007936755,"teacher_disagreement_score":0.8471652,"about_ca_system_score_codex":0.00038152188,"about_ca_system_score_gemma":0.00010201342,"threshold_uncertainty_score":0.9997822},"labels":[],"label_agreement":null},{"id":"W6996619575","doi":"","title":"“Still colourblind”: using mapping and interviews with former students to explore racial and ethnic diversity in university dance programs in Canada","year":2022,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Reflexivity; Ethnic group; Racism; Oppression; Identity (music); Dance education; Diversity (politics); Critical race theory","score_opus":0.11556706064970516,"score_gpt":0.2993057319344168,"score_spread":0.1837386712847116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996619575","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99777895,0.00024797147,0.000029689872,0.00012520599,0.00028173896,0.0007332017,0.0000592766,0.000013910454,0.0007300346],"genre_scores_gemma":[0.9984337,0.0001455987,0.0002832217,0.00004777337,0.000009467505,4.5941044e-7,0.0000779428,0.000015111875,0.000986688],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99827534,0.000191128,0.00012534414,0.0005585589,0.0004471724,0.00040243773],"domain_scores_gemma":[0.9992077,0.00004626422,0.00028761057,0.0002208139,0.000070234724,0.00016737815],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00024600723,0.00026863007,0.00053047115,0.0005430073,0.0002930408,0.00001771527,0.0006240764,0.00016056262,0.00005069214],"category_scores_gemma":[0.000010068336,0.00037789074,0.000048253925,0.00074150594,0.00009409302,0.00035491367,0.0008451579,0.00053250114,0.0000024337455],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020775169,0.00020476738,0.9094975,0.00022175914,0.00013876805,0.00070841203,0.08195401,0.000043393116,0.000013772595,0.000031689437,0.00028530465,0.0048231287],"study_design_scores_gemma":[0.0013875226,0.00016895097,0.5983876,0.00025242803,0.00005779248,0.0000036206966,0.39722538,0.000018587754,9.024107e-7,0.0000036933764,0.0022590696,0.00023442811],"about_ca_topic_score_codex":0.8341554,"about_ca_topic_score_gemma":0.99893916,"teacher_disagreement_score":0.31527138,"about_ca_system_score_codex":0.0012480029,"about_ca_system_score_gemma":0.00030141982,"threshold_uncertainty_score":0.9998673},"labels":[],"label_agreement":null},{"id":"W6999848180","doi":"","title":"Dernier tango à Lille","year":2013,"lang":"fr","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cabinet (room); Clothing; Quarter (Canadian coin)","score_opus":0.024038523325272645,"score_gpt":0.2918677415528199,"score_spread":0.2678292182275473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999848180","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09185254,0.0034132076,0.00041720818,0.030796517,0.002960435,0.00016750614,0.000015307816,0.000050812803,0.87032646],"genre_scores_gemma":[0.2241681,0.00011672798,0.0008046988,0.0060129124,0.00026928028,0.0000037803197,0.0000028591694,0.000010179483,0.76861143],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907255,0.00007344005,0.00011508762,0.00019881073,0.0001022948,0.00043779908],"domain_scores_gemma":[0.9993621,0.000054569904,0.000038380345,0.00029642307,0.000054393146,0.0001941291],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007631502,0.000121698125,0.00013235919,0.000039795807,0.000081763246,0.000073623174,0.00021672761,0.00019110866,0.3590735],"category_scores_gemma":[0.000027086491,0.00012233872,0.00008085062,0.000103752056,0.00014289847,0.00037008798,0.000076285694,0.00016187655,0.23046617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005825033,0.00025291322,0.005251627,0.000012944948,0.00006988084,0.000011141145,0.000988221,6.5795166e-7,0.00008408586,0.023019094,0.89698344,0.07332018],"study_design_scores_gemma":[0.00053435925,0.00014147889,0.0646793,0.000019220899,0.000021745287,0.00001948978,0.0011850427,0.000030227206,0.00011841963,0.0013835874,0.9316933,0.00017381956],"about_ca_topic_score_codex":0.0054248706,"about_ca_topic_score_gemma":0.000047602483,"teacher_disagreement_score":0.13231556,"about_ca_system_score_codex":0.0000332931,"about_ca_system_score_gemma":0.00001946888,"threshold_uncertainty_score":0.8200818},"labels":[],"label_agreement":null},{"id":"W7000361324","doi":"","title":"Étudiants dans les studios de l’École nationale de cirque de Montréal","year":2013,"lang":"fr","type":"other","venue":"Gallica (Bibliothèque nationale de France)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Sculpture; Harrow","score_opus":0.01531509845153886,"score_gpt":0.2659072756311831,"score_spread":0.25059217717964427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000361324","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08998774,0.03220157,0.028371096,0.012381303,0.0012467447,0.001751658,0.001610629,0.00030369638,0.8321456],"genre_scores_gemma":[0.061345194,0.008421109,0.010089834,0.005521197,0.002507457,0.00044977173,0.00020030077,0.00032599652,0.91113913],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99508053,0.0007174308,0.00066644035,0.00096937065,0.0009808743,0.0015853576],"domain_scores_gemma":[0.9963852,0.001091817,0.00061143294,0.0006664771,0.0005894359,0.00065563974],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011155504,0.00076080125,0.0007758367,0.0023410155,0.00060056016,0.0003702679,0.0013765066,0.0015793755,0.04916852],"category_scores_gemma":[0.0010235609,0.0009421085,0.00042455105,0.0023608487,0.00044900706,0.00074461586,0.00017989744,0.0013044878,0.003612574],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009353569,0.0016767608,0.35153565,0.00028088508,0.0010063443,0.00012597999,0.0039762263,0.0018600061,0.0009783109,0.082054034,0.55344176,0.0029704832],"study_design_scores_gemma":[0.0019645935,0.00010847246,0.4679435,0.00028344712,0.00011039981,0.00013110403,0.00031420586,0.0009458343,0.000108638684,0.0019356736,0.52552974,0.0006244279],"about_ca_topic_score_codex":0.0058198473,"about_ca_topic_score_gemma":0.004878132,"teacher_disagreement_score":0.11640785,"about_ca_system_score_codex":0.002592906,"about_ca_system_score_gemma":0.0023313696,"threshold_uncertainty_score":0.99971676},"labels":[],"label_agreement":null},{"id":"W7000367612","doi":"","title":"Encyclopedia of theatre dance in Canada = Encyclopédie de la danse théâtrale au Canada","year":2000,"lang":"fr","type":"other","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Encyclopedia; Exhibition; Photography","score_opus":0.00401543455079236,"score_gpt":0.22099106371735447,"score_spread":0.2169756291665621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000367612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0823985,0.0012876618,0.00000837856,0.0006167059,0.0012904756,0.0002642068,0.0008151306,0.000011151921,0.9133078],"genre_scores_gemma":[0.2103382,0.0022804283,0.0001919591,0.0010719772,0.00026102716,0.0000077865625,0.000032675947,0.000094285824,0.78572166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971529,0.00050525414,0.00047490443,0.00050898356,0.00036858098,0.0009893698],"domain_scores_gemma":[0.99822766,0.0005784363,0.00022789362,0.00063362217,0.000016727021,0.00031569178],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018668803,0.00047705666,0.000708951,0.000118609816,0.0000638826,0.000010525272,0.0008005282,0.00041633577,0.073456004],"category_scores_gemma":[0.00003634588,0.00050628645,0.00009069758,0.00029055067,0.00025784833,0.00007326519,0.000056290228,0.00062617764,0.00006048289],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012842026,0.0002652967,0.30473012,0.00022838892,0.00019910974,0.0009411305,0.0019725792,0.00018320061,0.00001063221,0.0017304958,0.65417385,0.035436757],"study_design_scores_gemma":[0.0006684373,0.000043457738,0.18717316,0.00028116663,0.000046489993,0.000028861437,0.0011106994,0.0000071474565,0.000021227046,0.000042863296,0.8101628,0.0004137401],"about_ca_topic_score_codex":0.9999846,"about_ca_topic_score_gemma":0.9999976,"teacher_disagreement_score":0.15598889,"about_ca_system_score_codex":0.0025406773,"about_ca_system_score_gemma":0.026663935,"threshold_uncertainty_score":0.9997389},"labels":[],"label_agreement":null},{"id":"W7000521142","doi":"","title":"Faire danser à l'hôpital : adaptation d'une situation d'apprentissage en danse pour une enfant dont la condition médicale requiert un enseignement à distance","year":2024,"lang":"fr","type":"other","venue":"Archipelago (University of Quebec in Montreal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poison control; ESPACE; Statistical analysis; Context (archaeology)","score_opus":0.011310672169457732,"score_gpt":0.2437807324878228,"score_spread":0.2324700603183651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000521142","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47173387,0.0025087055,0.06437073,0.005873142,0.0010913889,0.0015082369,0.0016378012,0.000167649,0.4511085],"genre_scores_gemma":[0.620904,0.00062131375,0.0016535353,0.000061736624,0.00009878997,0.0000032491057,0.0007119348,0.00009114644,0.37585425],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99616116,0.0010138248,0.0005005252,0.0010244079,0.00063355995,0.00066652265],"domain_scores_gemma":[0.9980367,0.00035834484,0.00058407674,0.000674722,0.00008354664,0.00026264426],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005761785,0.0005921686,0.00080620643,0.00060844806,0.00022665453,0.0000623823,0.0006953462,0.0007100564,0.0034082697],"category_scores_gemma":[0.00005013575,0.0007740453,0.00038163533,0.0006497131,0.0007868602,0.00050155533,0.00025570142,0.0008457593,0.001005726],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013303829,0.0020127087,0.00062648236,0.0007766613,0.0009254162,0.002355066,0.32077488,0.00040900736,0.00083164114,0.063828245,0.01797304,0.58815646],"study_design_scores_gemma":[0.011215698,0.0010914081,0.42041233,0.0049243844,0.0017477808,0.00008936875,0.3858856,0.004459094,0.00007118315,0.1010416,0.06687299,0.0021885512],"about_ca_topic_score_codex":0.3512598,"about_ca_topic_score_gemma":0.8545803,"teacher_disagreement_score":0.5859679,"about_ca_system_score_codex":0.0005543654,"about_ca_system_score_gemma":0.0002459582,"threshold_uncertainty_score":0.99977213},"labels":[],"label_agreement":null},{"id":"W7000607590","doi":"","title":"ha ha - syzygetically speaking (Cathedral Quarter Arts Festival)","year":2023,"lang":"en","type":"other","venue":"Ulster University Research Portal (Ulster University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Craft; Exposition (narrative); Photography","score_opus":0.08475499328064828,"score_gpt":0.3374339205302628,"score_spread":0.2526789272496145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000607590","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036669318,0.00007048059,0.00029426615,0.0008599242,0.001505299,0.0009475446,0.00064411276,0.0012366092,0.9907748],"genre_scores_gemma":[0.027870744,0.00012881015,0.00021098307,0.00013201467,0.00048040372,5.7129085e-7,0.00013172433,0.000608188,0.9704366],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99340445,0.00086748716,0.0003160653,0.0017731619,0.0015047112,0.0021341115],"domain_scores_gemma":[0.9962939,0.00040015392,0.00034369723,0.0016466534,0.00033553448,0.0009800341],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00072172575,0.00080096634,0.0009197223,0.0042373175,0.0007153905,0.00021296479,0.0025600079,0.00086746906,0.02630526],"category_scores_gemma":[0.00008638749,0.0009834577,0.00059421256,0.0021627175,0.0014302256,0.00085649616,0.0015738151,0.002034996,0.012266781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006790792,0.00053461647,0.0050576874,0.00014496686,0.0010913928,0.032379344,0.0022796239,0.0000013625368,0.000024293717,0.0177431,0.9380802,0.0019843306],"study_design_scores_gemma":[0.0023851157,0.0005234809,0.0036796238,0.000641629,0.0002368208,0.000081154096,0.015114443,0.0000072933817,0.000007833439,0.00006692208,0.97618425,0.0010714495],"about_ca_topic_score_codex":0.0040382002,"about_ca_topic_score_gemma":0.00534261,"teacher_disagreement_score":0.03810403,"about_ca_system_score_codex":0.00051470153,"about_ca_system_score_gemma":0.0003524782,"threshold_uncertainty_score":0.99926156},"labels":[],"label_agreement":null},{"id":"W7001569300","doi":"","title":"A Layered Ceiling: A Center for Ballroom Dance","year":2015,"lang":"en","type":"dissertation","venue":"VTechWorks (Virginia Tech)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballroom; Ceiling (cloud); Center (category theory); Cover (algebra); Lantern","score_opus":0.03482648689307038,"score_gpt":0.35287889590136634,"score_spread":0.31805240900829596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001569300","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22556783,0.0075587286,0.0042012683,0.0012323383,0.024429914,0.005593836,0.0044078995,0.0023392022,0.724669],"genre_scores_gemma":[0.6947201,0.00020624058,0.005184426,0.0010853295,0.0017158221,0.0006926871,0.008845507,0.00044493593,0.28710496],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99713445,0.00006975187,0.0005145933,0.0009439132,0.00046069952,0.0008766086],"domain_scores_gemma":[0.9977295,0.00013344937,0.0005026622,0.0010395068,0.00031905476,0.00027584517],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004482299,0.0006166083,0.00074239535,0.0003773586,0.00022127754,0.00013203852,0.0011033535,0.0013923612,0.0011768102],"category_scores_gemma":[0.00020355891,0.0006681669,0.00038596673,0.00042338355,0.0000762242,0.00022246692,0.00007669267,0.0009295182,0.0011045742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0037387179,0.0010769241,0.0006734815,0.00039541163,0.0007216231,0.000090713605,0.0055310293,0.000014283543,0.00062016735,0.0064474163,0.89556247,0.085127786],"study_design_scores_gemma":[0.004331763,0.0006001766,0.0037465116,0.0007333812,0.0002256986,0.00002459546,0.003657129,0.00005857835,0.0003940454,0.0047637713,0.98017937,0.0012849659],"about_ca_topic_score_codex":0.00008439105,"about_ca_topic_score_gemma":0.00017458825,"teacher_disagreement_score":0.46915224,"about_ca_system_score_codex":0.00017547498,"about_ca_system_score_gemma":0.00017769978,"threshold_uncertainty_score":0.99990404},"labels":[],"label_agreement":null},{"id":"W7001940035","doi":"","title":"Megatrends : Eqikkaaneq","year":2011,"lang":"fi","type":"article","venue":"KTH Publication Database DiVA (KTH Royal Institute of Technology)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Field (mathematics); Process (computing)","score_opus":0.06072815443413438,"score_gpt":0.2924618886642451,"score_spread":0.23173373423011073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001940035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1143165,0.003490105,0.004857781,0.019727403,0.0073943925,0.0015038773,0.010056071,0.0017429447,0.8369109],"genre_scores_gemma":[0.94211566,0.0004969674,0.02274854,0.0010668909,0.0002871831,0.000119726654,0.0034832882,0.00008739697,0.02959435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99577034,0.000105304156,0.0011633156,0.001289689,0.00056618126,0.0011051839],"domain_scores_gemma":[0.9941055,0.000040986422,0.0011591611,0.003513056,0.0007814509,0.00039981672],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007140633,0.00064893113,0.00080882653,0.0021152438,0.00040271904,0.00008801298,0.0031475688,0.0011170582,0.010626427],"category_scores_gemma":[0.0011093138,0.00071856304,0.0002658096,0.0025913652,0.002122558,0.0018002087,0.0014483511,0.0011316034,0.0024207884],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000447118,0.004038905,0.027202507,0.00034141995,0.00094163965,0.00012360884,0.0009947774,0.0000059704907,0.00059753546,0.51866513,0.3476177,0.099023685],"study_design_scores_gemma":[0.0023345377,0.00058149564,0.01687046,0.0002543648,0.00036967613,0.00004628899,0.0007168414,0.00014434246,0.0052096546,0.0006879052,0.9719272,0.000857185],"about_ca_topic_score_codex":0.0015977001,"about_ca_topic_score_gemma":0.00013236962,"teacher_disagreement_score":0.82779914,"about_ca_system_score_codex":0.00015176836,"about_ca_system_score_gemma":0.00035344143,"threshold_uncertainty_score":0.99952656},"labels":[],"label_agreement":null},{"id":"W7005838898","doi":"","title":"Royal Winnipeg Ballet Performs \"The Sleeping Beauty\" at the PAC Feb. 4","year":2003,"lang":"en","type":"article","venue":"DigitalCommons@CalPoly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Ballet dancer; PARRY","score_opus":0.023497814265366086,"score_gpt":0.26065287643793617,"score_spread":0.23715506217257007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7005838898","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41019067,0.0010226788,0.00006923574,0.003112303,0.00091295905,0.00024328516,0.000075034695,0.000091361784,0.58428246],"genre_scores_gemma":[0.9641144,0.000010475632,0.000024433723,0.003339881,0.00016412325,0.000022766288,0.000030609397,0.000036915186,0.03225634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779713,0.00017768762,0.00031911075,0.00041480616,0.0004019718,0.00088931],"domain_scores_gemma":[0.99810064,0.00041229208,0.00014534527,0.0010798682,0.000046295358,0.00021557428],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005126132,0.0003184003,0.00028329907,0.00006112324,0.000809556,0.00026959763,0.00085858605,0.00016584001,0.002695216],"category_scores_gemma":[0.00019918353,0.00019639367,0.00027801405,0.00028715434,0.0004949685,0.00031628413,0.0002604711,0.00046858413,0.0036227976],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030226735,0.0006884757,0.13967869,0.00002155809,0.00061399007,0.00010605098,0.004046343,0.000072982795,0.00006845699,0.11861306,0.68952805,0.04626005],"study_design_scores_gemma":[0.0009829996,0.00020269303,0.11007494,0.000026035463,0.000056354984,0.00009819888,0.0016240105,0.000023976168,0.00027185198,0.0006494289,0.88557136,0.00041815534],"about_ca_topic_score_codex":0.0001683068,"about_ca_topic_score_gemma":0.00007495857,"teacher_disagreement_score":0.5539238,"about_ca_system_score_codex":0.00012088729,"about_ca_system_score_gemma":0.00004596294,"threshold_uncertainty_score":0.99821645},"labels":[],"label_agreement":null},{"id":"W7006643383","doi":"","title":"Uuve Jansson, trapéziste en ballant","year":2011,"lang":"fr","type":"other","venue":"Gallica (Bibliothèque nationale de France)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Epigraphy; Sculpture; Closure (psychology)","score_opus":0.01809684805738003,"score_gpt":0.2736579230285381,"score_spread":0.25556107497115804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006643383","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023804286,0.016322345,0.0031376954,0.0032458557,0.0028047343,0.0008083946,0.001176659,0.00019665979,0.96992725],"genre_scores_gemma":[0.00879725,0.0063779377,0.0032495933,0.0041876393,0.0024235107,0.00008404523,0.00022479823,0.00030507278,0.97435015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954982,0.0006786344,0.00068663975,0.0010945655,0.0008496708,0.0011922828],"domain_scores_gemma":[0.9969422,0.00071579934,0.00060453493,0.000854234,0.00036739372,0.0005157884],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009870277,0.0007936568,0.0008705302,0.0028355569,0.0002510773,0.00023815811,0.0015234058,0.0017728728,0.34779814],"category_scores_gemma":[0.0004053743,0.00092892826,0.0005151032,0.0023120497,0.00043606767,0.00046558847,0.00013685267,0.0012784672,0.021215852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021114406,0.0012403027,0.01795799,0.00036809797,0.0010152443,0.0001521944,0.0047437022,0.000026008933,0.00018344398,0.1717257,0.79436153,0.008014651],"study_design_scores_gemma":[0.0018483737,0.00019683315,0.15880169,0.00038611513,0.00014140952,0.00009888277,0.000078394856,0.00003581933,0.000060291382,0.0020929407,0.83545625,0.00080302206],"about_ca_topic_score_codex":0.00090953993,"about_ca_topic_score_gemma":0.0005863142,"teacher_disagreement_score":0.32658228,"about_ca_system_score_codex":0.0005462427,"about_ca_system_score_gemma":0.0008108955,"threshold_uncertainty_score":0.99952304},"labels":[],"label_agreement":null},{"id":"W7006793167","doi":"","title":"“What’s that tutti frutti [dance] stuff?” Mine Mill Local 598’s Cold War Cultural Tool","year":2020,"lang":"en","type":"dissertation","venue":"Lu Zone Ul (Laurentian University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mill; Dance; Politics; Multiculturalism; Curriculum; Class (philosophy); Oral history","score_opus":0.020195543290423213,"score_gpt":0.24745100485365826,"score_spread":0.22725546156323503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006793167","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68470824,0.011584784,0.0020481008,0.0025680184,0.03657283,0.0026870016,0.0013119968,0.0012046692,0.25731435],"genre_scores_gemma":[0.43409365,0.0017299196,0.00027416044,0.0006936464,0.0005483781,0.000003911043,0.006612865,0.00011665374,0.5559268],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964648,0.00023415922,0.00036584196,0.0012680631,0.00072089484,0.000946259],"domain_scores_gemma":[0.997879,0.000078367906,0.00052354066,0.00077927805,0.0002600012,0.00047976163],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010541717,0.0008312895,0.0009360698,0.00057911174,0.000452306,0.00020630898,0.0014302242,0.00095098565,0.0043793316],"category_scores_gemma":[0.000027761298,0.0009739796,0.0006290125,0.00093632756,0.0002748961,0.0015078523,0.00019886975,0.0011106922,0.0015288172],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0053369133,0.0021538862,0.0028799053,0.0009479517,0.0044554966,0.0057275514,0.066257775,0.000038021386,0.0010973315,0.024729824,0.86455494,0.021820387],"study_design_scores_gemma":[0.0036699518,0.0004443512,0.0042097326,0.0004832703,0.00094290194,0.000017325288,0.17519091,0.000016920245,0.0010951082,0.00003043641,0.8125824,0.0013166978],"about_ca_topic_score_codex":0.0005076008,"about_ca_topic_score_gemma":0.004484452,"teacher_disagreement_score":0.29861245,"about_ca_system_score_codex":0.0003499377,"about_ca_system_score_gemma":0.00018004344,"threshold_uncertainty_score":0.9992711},"labels":[],"label_agreement":null},{"id":"W7008353213","doi":"","title":"Ballet's Legacies: Beyond the Phallic Pointe","year":2019,"lang":"en","type":"dissertation","venue":"QSpace (Queen's University Library)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Phallic stage; Embodied cognition; Marxist philosophy; Mode (computer interface); Mode of production; Fetishism; Relation (database); Materiality (auditing); Ballet","score_opus":0.008542973086277208,"score_gpt":0.21988212010211047,"score_spread":0.21133914701583326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008353213","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09160358,0.00021562178,0.000028824417,0.05214312,0.0035075452,0.0007473635,0.0003138279,0.00040504383,0.85103506],"genre_scores_gemma":[0.080975346,0.00038760377,0.00011392005,0.0012848995,0.00018017851,0.0000011151327,0.001046299,0.000079116864,0.9159315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760616,0.00028647788,0.00019483724,0.0007816979,0.00044708187,0.0006837554],"domain_scores_gemma":[0.99797505,0.00023025738,0.00038889737,0.0011001757,0.00007351587,0.00023212546],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007552234,0.0005517545,0.0005494108,0.00041071122,0.0004580776,0.00021060278,0.0018077516,0.00065978506,0.012015788],"category_scores_gemma":[0.000021575073,0.0005271066,0.00046555506,0.00059317093,0.00017939923,0.001817738,0.00025664913,0.0010624018,0.0045782235],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007404204,0.0001657188,0.0013527774,0.00009940599,0.00049104163,0.00021723553,0.0056471718,0.000004289493,0.00000357301,0.029757624,0.9608644,0.00065634586],"study_design_scores_gemma":[0.0010378151,0.00024671174,0.017909123,0.0001228935,0.0002588445,0.000001318831,0.036680963,7.906978e-7,0.00015380944,0.0002863969,0.9426067,0.0006946342],"about_ca_topic_score_codex":0.0047921017,"about_ca_topic_score_gemma":0.00009308534,"teacher_disagreement_score":0.06489644,"about_ca_system_score_codex":0.00011065363,"about_ca_system_score_gemma":0.00030174598,"threshold_uncertainty_score":0.99971807},"labels":[],"label_agreement":null},{"id":"W7008935945","doi":"","title":"Dancing around and through harm: Examining the lived experiences of women of colour with gender-based violence in the Toronto &amp; Kitchener-Waterloo Latin dance communities","year":2024,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Latin Americans; Popularity; Power (physics); Lived experience; Perception; Thematic analysis; Empowerment","score_opus":0.06620677555732728,"score_gpt":0.2783961160375079,"score_spread":0.21218934048018062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008935945","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9911228,0.0012342504,0.0003571303,0.00013563591,0.00014038464,0.00023179603,0.000031303418,0.000034487282,0.0067122234],"genre_scores_gemma":[0.99874306,0.00009917811,0.0005884938,0.00016121098,0.000014018838,0.000007241023,0.000006998434,0.000012023401,0.00036776334],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982252,0.0006682936,0.00020481892,0.0002443749,0.00027520972,0.00038210928],"domain_scores_gemma":[0.99844825,0.0006664807,0.00014288968,0.0006158662,0.000066619854,0.00005986433],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007759209,0.00019834918,0.00029358143,0.00012330712,0.00037185027,0.00010880138,0.0009553355,0.00008612153,0.00015248799],"category_scores_gemma":[0.000026126969,0.00014299221,0.0000465246,0.0005238487,0.00085758505,0.0008784895,0.00019052724,0.00044983535,0.0000028998381],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041261388,0.00018902378,0.085543446,0.00009862886,0.0001484616,0.00006754486,0.90722585,0.000065708555,0.00035743578,0.005049387,0.0001296722,0.0007122374],"study_design_scores_gemma":[0.0008519241,0.00036822452,0.04277294,0.0004832545,0.00006356991,0.000010458381,0.94884944,0.000051780942,0.00035127337,0.00023221926,0.0057445383,0.0002203617],"about_ca_topic_score_codex":0.005665736,"about_ca_topic_score_gemma":0.004699049,"teacher_disagreement_score":0.042770505,"about_ca_system_score_codex":0.00017775841,"about_ca_system_score_gemma":0.00012138235,"threshold_uncertainty_score":0.85649353},"labels":[],"label_agreement":null},{"id":"W7009015709","doi":"","title":"Dance in Diaspora: The Making and Maintenance of Greek Identity through Dance in Montreal","year":2025,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Identity (music); Narrative","score_opus":0.024902542627427242,"score_gpt":0.29301453665917737,"score_spread":0.2681119940317501,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009015709","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8615973,0.0023591435,8.41674e-7,0.000059890484,0.0013237408,0.0006359266,0.0008201779,0.00004116864,0.13316178],"genre_scores_gemma":[0.9880644,0.0009404194,0.00017852678,0.00043179293,0.000022754728,0.0000681451,0.00011364618,0.000048829912,0.010131465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99629176,0.0004588677,0.00091549126,0.0010339859,0.00052792893,0.0007719535],"domain_scores_gemma":[0.99773294,0.0003568312,0.00077473844,0.0008876379,0.00017820761,0.000069657224],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010368892,0.0005719736,0.0009129908,0.00035127043,0.000359977,0.000057300687,0.0011511678,0.00062015007,0.00012974547],"category_scores_gemma":[0.0006734507,0.0005545959,0.00019719519,0.0010912726,0.00017578957,0.0014344746,0.00023896275,0.0016972197,0.000054347976],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004742111,0.001905699,0.034412246,0.0026408667,0.0007563026,0.0016553135,0.003442952,0.00017847367,0.0023826498,0.6397925,0.000320409,0.3077705],"study_design_scores_gemma":[0.0032177905,0.00017758331,0.91104627,0.0037767654,0.00015921667,0.000029622382,0.009633593,0.000017000793,0.0008157007,0.06373196,0.006362844,0.0010316803],"about_ca_topic_score_codex":0.011781731,"about_ca_topic_score_gemma":0.10371445,"teacher_disagreement_score":0.876634,"about_ca_system_score_codex":0.0003663491,"about_ca_system_score_gemma":0.00004708045,"threshold_uncertainty_score":0.99969053},"labels":[],"label_agreement":null},{"id":"W7009024903","doi":"","title":"Danze senza peso : ipotesi su Maud Allan","year":2021,"lang":"it","type":"article","venue":"AirIuav (Università Iuav di Venezia)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Piano; Performative utterance; Context (archaeology); Modernism (music)","score_opus":0.02780182525856065,"score_gpt":0.2654569412348376,"score_spread":0.23765511597627695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009024903","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68830585,0.0046394556,0.0012138699,0.023974888,0.0056993584,0.0005748106,0.0009542962,0.0004559629,0.2741815],"genre_scores_gemma":[0.86341995,0.0005024063,0.00047150714,0.002640145,0.00065088196,0.0000019520603,0.0003386739,0.000112694535,0.13186179],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99439865,0.00069734204,0.0004885558,0.0016872303,0.00090025214,0.0018279536],"domain_scores_gemma":[0.9957973,0.0003532195,0.0004458297,0.001981983,0.00049043423,0.00093123945],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004174282,0.00084901106,0.0010573554,0.00045931,0.000944598,0.00033564345,0.0014960213,0.0009228888,0.016930988],"category_scores_gemma":[0.00013923523,0.0011882004,0.00080145476,0.0014880871,0.00053308916,0.0010464679,0.0010991634,0.0011257286,0.009095772],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001956049,0.0050075944,0.106311336,0.0007136211,0.0061327023,0.03487079,0.028982216,0.0008400066,0.0063096774,0.13705279,0.64009875,0.031724446],"study_design_scores_gemma":[0.0063159335,0.0008485931,0.17312515,0.00036541378,0.0012119312,0.00054435234,0.022400139,0.00033064623,0.0007441033,0.0010705272,0.7911071,0.0019360782],"about_ca_topic_score_codex":0.0006407683,"about_ca_topic_score_gemma":0.00024075925,"teacher_disagreement_score":0.17511408,"about_ca_system_score_codex":0.0005511919,"about_ca_system_score_gemma":0.00064722117,"threshold_uncertainty_score":0.9990568},"labels":[],"label_agreement":null},{"id":"W7009394476","doi":"","title":"Enjeux expérientiels de la réalisation sécuritaire de sauts dansés en formation universitaire de danse contemporaine","year":2024,"lang":"fr","type":"other","venue":"Archipelago (University of Quebec in Montreal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); State of exception; ESPACE","score_opus":0.010652508942165385,"score_gpt":0.2536221479085644,"score_spread":0.24296963896639903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7009394476","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5970955,0.0012093815,0.008628002,0.0025774078,0.0003217539,0.0005661003,0.00044851008,0.0001139893,0.38903934],"genre_scores_gemma":[0.7368082,0.0005971811,0.0014668731,0.00011381383,0.000095397,9.137642e-7,0.00016758406,0.000081716615,0.26066834],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9962194,0.0017483354,0.0003210923,0.0005935234,0.0003260733,0.0007915795],"domain_scores_gemma":[0.99810064,0.00050508033,0.00042927766,0.0005582091,0.000080864156,0.00032594608],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011656168,0.00047102166,0.00066211214,0.0008689681,0.00021248657,0.00005882273,0.0008607846,0.00096200296,0.0022118662],"category_scores_gemma":[0.00012259571,0.00067412027,0.0003585211,0.00048294506,0.00081217807,0.0007630298,0.0002897699,0.0009118422,0.00047416918],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012556504,0.0010008762,0.0064727855,0.0015463547,0.00068487687,0.0028916216,0.69407684,0.00039808397,0.0005043909,0.07266222,0.068060465,0.15044582],"study_design_scores_gemma":[0.008440832,0.00078761316,0.26990053,0.004702662,0.0010985263,0.00029525667,0.5318188,0.0029849997,0.000077534656,0.08793203,0.090401225,0.0015600258],"about_ca_topic_score_codex":0.39161888,"about_ca_topic_score_gemma":0.5921039,"teacher_disagreement_score":0.26342773,"about_ca_system_score_codex":0.0013666406,"about_ca_system_score_gemma":0.00061129226,"threshold_uncertainty_score":0.999571},"labels":[],"label_agreement":null},{"id":"W7010206859","doi":"","title":"How Digital Technologies Perform Us","year":2017,"lang":"en","type":"other","venue":"Arizona State University Library Digital Repository (Arizona State University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Scholarship; The arts; Outreach; Digital media; State (computer science); Praxis; Situated","score_opus":0.008196089379099056,"score_gpt":0.17791219915431286,"score_spread":0.1697161097752138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010206859","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010839181,0.00039914018,0.00028116192,0.0005054487,0.0015598098,0.00077321747,0.007945013,0.0037016443,0.9739954],"genre_scores_gemma":[0.061648984,0.00074389664,0.00015374456,0.0000346821,0.00013958101,4.6281622e-7,0.000772351,0.000460255,0.93604606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954031,0.00011581292,0.0003012509,0.0019063374,0.0007548007,0.0015186863],"domain_scores_gemma":[0.99558836,0.00016510731,0.0011958098,0.002289803,0.00011604778,0.00064484356],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.000043161268,0.0013197187,0.0011618909,0.0023328788,0.0011878406,0.0026318699,0.004022804,0.0010354123,0.00059875246],"category_scores_gemma":[0.000047359204,0.0016112344,0.00072978885,0.0008094487,0.0021184655,0.011580688,0.002654557,0.0013098485,0.00076642213],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016782937,0.00084856444,0.02792033,0.00023890089,0.0025318414,0.022036413,0.0006952982,0.0000045466645,0.000019730718,0.006169455,0.87833476,0.05952187],"study_design_scores_gemma":[0.0022148986,0.00071243884,0.0012504117,0.00034580837,0.00020729493,0.00009826681,0.004336869,0.000005659898,0.000075499476,0.00041782166,0.9885656,0.0017693908],"about_ca_topic_score_codex":0.00046882697,"about_ca_topic_score_gemma":0.00006754673,"teacher_disagreement_score":0.110230885,"about_ca_system_score_codex":0.0004406819,"about_ca_system_score_gemma":0.0005805037,"threshold_uncertainty_score":0.9999554},"labels":[],"label_agreement":null},{"id":"W7010561653","doi":"","title":"Irene Loughlin climbs a fire escape ladder to perform Vertigo [Photograph 1]: Vertigo","year":2001,"lang":"en","type":"other","venue":"Arca (British Columbia Electronic Library Network)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vertigo; Alley; Testimonial; Work (physics)","score_opus":0.006551828641716907,"score_gpt":0.21130761689240332,"score_spread":0.2047557882506864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010561653","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036703488,0.026467517,0.000007268837,0.00043782496,0.0024417536,0.0016776156,0.00037190664,0.0014489843,0.9634768],"genre_scores_gemma":[0.106509924,0.011246366,0.00040246127,0.00699401,0.0035796866,0.00024096287,0.00089963136,0.0011984238,0.86892855],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9930592,0.00036786782,0.00068285415,0.0017278737,0.000623533,0.0035386286],"domain_scores_gemma":[0.99721414,0.00014646033,0.00035405502,0.0014567693,0.000035038556,0.0007935368],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023659028,0.000732216,0.0011924647,0.00021199977,0.00045556607,0.0011009027,0.001738458,0.0011887612,0.7778885],"category_scores_gemma":[0.000024671113,0.0013342624,0.0006056769,0.0017996201,0.00024787578,0.00065418804,0.00053977093,0.0015843138,0.0024755911],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021824875,0.00055297674,0.014039814,0.000065345404,0.0008038804,0.00043869892,0.00008759561,0.000008534945,2.0960904e-7,0.0024003934,0.9175419,0.06384237],"study_design_scores_gemma":[0.001977248,0.001286448,0.0021985238,0.0010826075,0.00019963724,0.00023253317,0.000055439396,0.000027444124,0.0000011199485,0.0059220963,0.98552877,0.0014881296],"about_ca_topic_score_codex":0.01830731,"about_ca_topic_score_gemma":0.06492745,"teacher_disagreement_score":0.7754129,"about_ca_system_score_codex":0.00015610717,"about_ca_system_score_gemma":0.0004814428,"threshold_uncertainty_score":0.99993604},"labels":[],"label_agreement":null},{"id":"W7011158597","doi":"","title":"Les Ballets de Montreal Performs at Cal Poly March 19","year":2004,"lang":"en","type":"article","venue":"DigitalCommons@CalPoly","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Context (archaeology); Field (mathematics); Face (sociological concept)","score_opus":0.0344215630012283,"score_gpt":0.30024415069937216,"score_spread":0.2658225876981439,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011158597","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60643333,0.00058734446,0.00017365647,0.0017879184,0.00024073446,0.00013023501,0.00016074396,0.00013739587,0.39034864],"genre_scores_gemma":[0.9910677,0.000016836027,0.00018810997,0.0011333092,0.00016002316,0.000014028139,0.00008275527,0.00003839607,0.007298847],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99800235,0.00004975708,0.00027516673,0.0004306079,0.00033011913,0.0009120245],"domain_scores_gemma":[0.99868506,0.00012005312,0.000087720386,0.00056967355,0.000034555636,0.0005029387],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015198889,0.00030018538,0.00031081805,0.00014463632,0.00032133932,0.00013476392,0.00059209566,0.00034085652,0.0010311137],"category_scores_gemma":[0.0000639095,0.00028422565,0.0002300106,0.00019880348,0.00028060694,0.00038552211,0.00030026198,0.00046803083,0.0020712318],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023999568,0.0032349317,0.46897778,0.0000819355,0.0007445448,0.0016667098,0.0076766163,0.00009343687,0.00061535294,0.09869704,0.117904864,0.29790685],"study_design_scores_gemma":[0.0035246678,0.0005881089,0.90518457,0.0000477385,0.000045400462,0.00039378065,0.0008868291,0.000011519409,0.0005628161,0.0018806612,0.08623626,0.0006376347],"about_ca_topic_score_codex":0.008711996,"about_ca_topic_score_gemma":0.00093447807,"teacher_disagreement_score":0.43620682,"about_ca_system_score_codex":0.0004581968,"about_ca_system_score_gemma":0.000099272824,"threshold_uncertainty_score":0.999961},"labels":[],"label_agreement":null},{"id":"W7013214080","doi":"","title":"Jigging our Health","year":2024,"lang":"en","type":"dissertation","venue":"University Library (University of Saskatchewan)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychosocial; Indigenous; Mental health; Ethnic group; Dance; Test (biology); Blood pressure; Balance (ability); Social connectedness","score_opus":0.012630016873216899,"score_gpt":0.2328643138692119,"score_spread":0.22023429699599498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7013214080","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6115684,0.0028511642,0.00017098653,0.0071467767,0.0059582815,0.000859943,0.0020485725,0.0013062026,0.3680897],"genre_scores_gemma":[0.4259309,0.00027197824,0.00083417643,0.0001492233,0.00010842767,2.4730952e-8,0.0013463807,0.00005053623,0.5713084],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.997913,0.00017542092,0.00019234873,0.000774356,0.00037190557,0.000572985],"domain_scores_gemma":[0.99849236,0.00004541589,0.00045066574,0.0005830977,0.00005841991,0.00037001437],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000120939076,0.00042013763,0.0007296917,0.0009281955,0.00044327698,0.00004700724,0.001234108,0.000569023,0.0041266247],"category_scores_gemma":[0.000003403212,0.00062607776,0.0005216919,0.0008220371,0.0001067905,0.0013905833,0.00029725555,0.00084680924,0.0016620775],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020468726,0.00055333704,0.0023822486,0.0016857015,0.0016631988,0.0020568364,0.4325759,0.0000101930755,0.000053527114,0.0045962036,0.5324384,0.019937582],"study_design_scores_gemma":[0.00087575545,0.00023743785,0.0068597053,0.0005845873,0.00025270667,0.000007512024,0.84771484,0.0000071834697,0.00003014404,0.00030070005,0.14259839,0.00053104927],"about_ca_topic_score_codex":0.0060065617,"about_ca_topic_score_gemma":0.0023671747,"teacher_disagreement_score":0.4151389,"about_ca_system_score_codex":0.00017417934,"about_ca_system_score_gemma":0.00097494246,"threshold_uncertainty_score":0.99961907},"labels":[],"label_agreement":null},{"id":"W7014120320","doi":"","title":"Okidok, clown, dans l’entrée de l’Enclos : Cirque d’Hiver Bouglione","year":2003,"lang":"fr","type":"other","venue":"Gallica (Bibliothèque nationale de France)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cirque; Sculpture; Terracotta","score_opus":0.011635901160775314,"score_gpt":0.2684413534068705,"score_spread":0.2568054522460952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014120320","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073429015,0.015115168,0.012926973,0.0071742954,0.0028113774,0.001132108,0.0011243818,0.00023419138,0.9521386],"genre_scores_gemma":[0.013431983,0.007338779,0.0051853093,0.008511829,0.0022234614,0.0001447946,0.00027147506,0.0003942205,0.9624981],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939468,0.00089412165,0.0008267455,0.0013600172,0.0011562348,0.0018161184],"domain_scores_gemma":[0.9961917,0.00070620864,0.00072855066,0.0010876812,0.0004853986,0.00080045324],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010481983,0.0009955596,0.0009931702,0.0032322002,0.00050640333,0.00040272306,0.0015326408,0.0020118484,0.19984709],"category_scores_gemma":[0.0007545026,0.0012346221,0.00062278524,0.0040141316,0.0007016302,0.0006928135,0.00015645627,0.0016929206,0.009671671],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013803314,0.0016947223,0.046815258,0.00034365978,0.0008770797,0.00027043556,0.0030138807,0.00025888399,0.0008571401,0.20480958,0.73908436,0.0018369769],"study_design_scores_gemma":[0.0029290046,0.00018147075,0.0985593,0.00047405678,0.00021228427,0.0002330007,0.00017488455,0.00012335253,0.00030458465,0.0061778817,0.8895103,0.0011199025],"about_ca_topic_score_codex":0.0007960343,"about_ca_topic_score_gemma":0.00046732678,"teacher_disagreement_score":0.19863169,"about_ca_system_score_codex":0.0014348349,"about_ca_system_score_gemma":0.0016941051,"threshold_uncertainty_score":0.99928373},"labels":[],"label_agreement":null},{"id":"W7015106386","doi":"","title":"Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century","year":2022,"lang":"en","type":"article","venue":"Digital Commons - Ursinus (Ursinus College)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Jazz; Jazz dance; Ridiculous; Subject (documents); Pretext","score_opus":0.029220444624356343,"score_gpt":0.2890535829274498,"score_spread":0.25983313830309346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015106386","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6156626,0.0014995214,0.000015494103,0.0062482003,0.0012051351,0.00076761696,0.002369075,0.00010811025,0.37212428],"genre_scores_gemma":[0.99678504,0.0000125023125,0.000024962535,0.0007754252,0.00006095533,0.000056756973,0.00013112438,0.000036486665,0.002116728],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99711955,0.00032582582,0.0004016093,0.0005717764,0.00069527276,0.0008859894],"domain_scores_gemma":[0.998319,0.00033321697,0.00018383953,0.0008902074,0.000051917028,0.00022187065],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00050527323,0.00035524956,0.00043553804,0.00025723994,0.0012647591,0.00033976202,0.0012165554,0.00011854431,0.00038107307],"category_scores_gemma":[0.00005754791,0.0003460824,0.00014927819,0.0012552205,0.00058010925,0.00043494685,0.0007738948,0.00081729685,0.00010742733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023807609,0.010318568,0.109334774,0.00009364643,0.0003013132,0.0022877182,0.04083315,0.00015006891,0.00001554374,0.16899152,0.61377496,0.051517982],"study_design_scores_gemma":[0.0034935367,0.0014687385,0.20103306,0.000061983534,0.000081886064,0.00086825003,0.029457567,0.00006772437,0.0000028969487,0.002948002,0.7597306,0.0007857973],"about_ca_topic_score_codex":0.0002933932,"about_ca_topic_score_gemma":0.00036058688,"teacher_disagreement_score":0.3811225,"about_ca_system_score_codex":0.00046763476,"about_ca_system_score_gemma":0.00012032419,"threshold_uncertainty_score":0.9998991},"labels":[],"label_agreement":null},{"id":"W7015331117","doi":"","title":"Tacoma Symphony Dystransky: Oct 1971","year":2013,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Symphony; Feature (linguistics); Gloom; Period (music)","score_opus":0.021450882322915164,"score_gpt":0.24560406277735589,"score_spread":0.22415318045444071,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015331117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9086063,0.00020432887,0.0031316013,0.0006131936,0.00065794017,0.00030078317,0.00008362749,0.00014723935,0.086255],"genre_scores_gemma":[0.9770058,0.000021122023,0.0005914438,0.00022968675,0.000084092484,5.650184e-7,0.00003097692,0.000019290103,0.022017045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99835074,0.00012425298,0.00017493711,0.00043810037,0.00034432922,0.000567667],"domain_scores_gemma":[0.9986447,0.0001080165,0.0001971599,0.000606076,0.0001652607,0.00027878708],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018167941,0.00024445646,0.00038331453,0.00022458404,0.00040628843,0.000065481065,0.0007977324,0.00024157047,0.015473466],"category_scores_gemma":[0.00002315068,0.00030966377,0.0002807726,0.00035425782,0.00049861096,0.0008804344,0.00014544209,0.0002614144,0.006427671],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026152647,0.0006939498,0.058353953,0.00010109892,0.00079468236,0.0001448458,0.01646078,0.000022884846,0.00016978459,0.8173551,0.1047518,0.0008895926],"study_design_scores_gemma":[0.0018884742,0.00026645602,0.12847264,0.00002637527,0.00011539295,0.000028632025,0.017916808,0.000024905641,0.0000024607543,0.84394246,0.0069201887,0.00039520458],"about_ca_topic_score_codex":0.0048545524,"about_ca_topic_score_gemma":0.00029563345,"teacher_disagreement_score":0.097831614,"about_ca_system_score_codex":0.00010937432,"about_ca_system_score_gemma":0.000057550882,"threshold_uncertainty_score":0.99993557},"labels":[],"label_agreement":null},{"id":"W7015471021","doi":"","title":"Theatre and Dance Department Presents \"Battles and Bodies\" Spring Dance Concert April 27-28","year":2012,"lang":"en","type":"article","venue":"HIMALAYA","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Workplace Health, Safety and Compensation Commission","funders":"","keywords":"Dance; Spring (device); Ticket; Choreography; Dance education","score_opus":0.03002403060762183,"score_gpt":0.2910506737957762,"score_spread":0.2610266431881544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015471021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94396734,0.009315826,0.000048103862,0.00043196016,0.0007994888,0.0001845422,0.000039533694,0.000050942628,0.04516227],"genre_scores_gemma":[0.9955061,0.00044301042,0.00036918817,0.0003042308,0.00019040972,0.000009943873,0.0000037063237,0.000013483928,0.0031599128],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99897945,0.00005294506,0.00012266307,0.00026180473,0.00013635425,0.00044677165],"domain_scores_gemma":[0.9993842,0.00007880821,0.000068550784,0.00026666647,0.000016779943,0.00018497046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013899262,0.00015742672,0.0001854357,0.00003207575,0.0001376193,0.0000381106,0.00013421288,0.000073217096,0.00017345646],"category_scores_gemma":[0.000017580716,0.00013480571,0.000029003077,0.00004049968,0.0002313306,0.00037278395,0.00016130543,0.00011760662,0.0001955808],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008665029,0.00012005244,0.9774549,0.00003464636,0.00007184326,0.000009518009,0.0025836523,0.0000010654454,0.0002882883,0.0020831986,0.010634863,0.006631344],"study_design_scores_gemma":[0.00079938705,0.00008266998,0.8109484,0.00004414131,0.000034028068,0.00002296193,0.0006334016,0.000010134683,0.00038653883,0.00006729275,0.18676534,0.00020569685],"about_ca_topic_score_codex":0.000116156945,"about_ca_topic_score_gemma":0.000015909074,"teacher_disagreement_score":0.17613049,"about_ca_system_score_codex":0.000025761316,"about_ca_system_score_gemma":0.000008074031,"threshold_uncertainty_score":0.5497217},"labels":[],"label_agreement":null},{"id":"W7018107227","doi":"","title":"Dance Day 2022 in conversation with Marc Vanrunxt, Liz Kinoshita & Zoé Lakhnati","year":2022,"lang":"en","type":"article","venue":"Ghent University Academic Bibliography (Ghent University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Flemish; Dance; Ballet; Conversation; Wonder; Period (music); Modern dance; Performance art","score_opus":0.01654229833040103,"score_gpt":0.22266293329212758,"score_spread":0.20612063496172656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018107227","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8855867,0.0007543317,0.0017483898,0.0027415408,0.0014447267,0.0012186456,0.00084107416,0.0004373754,0.10522723],"genre_scores_gemma":[0.98531616,0.0027785078,0.00013079416,0.0006278478,0.00006640099,0.0000016522621,0.0001797004,0.000035163663,0.010863753],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99577504,0.000854824,0.00028061774,0.0011037022,0.0009974412,0.000988376],"domain_scores_gemma":[0.99814385,0.00022422468,0.00043208362,0.00067374966,0.00013139071,0.0003947062],"candidate_categories":["metaepi_narrow","bibliometrics","insufficient_payload"],"consensus_categories":["bibliometrics"],"category_scores_codex":[0.0006367368,0.00045446362,0.00047309688,0.02604307,0.00092596747,0.000039652452,0.0019812214,0.0003357469,0.0038694462],"category_scores_gemma":[0.000010801241,0.00060495245,0.00032584107,0.035324305,0.00051339477,0.0014892386,0.0009950404,0.0020246867,0.00009199791],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027901568,0.0010404646,0.8151598,0.000056446697,0.0006947402,0.0019406608,0.007062635,0.001310228,0.00022626472,0.050020758,0.11821223,0.0014856318],"study_design_scores_gemma":[0.0072592744,0.00064644247,0.3081139,0.000068008776,0.00026316286,0.000030895197,0.03233049,0.00008924646,0.000024091663,0.00025182898,0.65002537,0.0008973014],"about_ca_topic_score_codex":0.0014409217,"about_ca_topic_score_gemma":0.0001575006,"teacher_disagreement_score":0.53181314,"about_ca_system_score_codex":0.0006081909,"about_ca_system_score_gemma":0.00014408049,"threshold_uncertainty_score":0.99964017},"labels":[],"label_agreement":null},{"id":"W7018269168","doi":"","title":"DANCE IN THE ART GALLERY OF ONTARIO 1977 AND 2017","year":2019,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Contemporary dance; Choreography; Modern dance; Dance improvisation; Concert dance; The arts; Visitor pattern","score_opus":0.07499951100317813,"score_gpt":0.3399432744168235,"score_spread":0.26494376341364534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018269168","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3837628,0.000087255285,0.0000024787612,0.0001097266,0.00039063414,0.0007463932,0.00003234876,0.000010875696,0.6148575],"genre_scores_gemma":[0.2508692,0.0001780785,0.0000419169,0.00002227125,0.000028526123,4.5307843e-7,0.00012584082,0.000016442387,0.74871725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99608725,0.0012110205,0.0002471056,0.000892439,0.0008696952,0.00069248385],"domain_scores_gemma":[0.99756116,0.00034288788,0.0003635671,0.0011292349,0.000401276,0.00020185485],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011899801,0.0003447624,0.00062396866,0.00097249495,0.0008099898,0.00018439759,0.0034357184,0.00062650593,0.000032773307],"category_scores_gemma":[0.000036226305,0.00037535554,0.00017875875,0.00092987734,0.0005524113,0.0010499781,0.00044801334,0.0018950489,0.00018443902],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0045843273,0.0006232638,0.02695544,0.00020613395,0.00039274493,0.0025895492,0.026887666,0.000007617716,0.00030865782,0.91121477,0.025718503,0.00051131437],"study_design_scores_gemma":[0.002629958,0.0006276647,0.2519527,0.00047553447,0.00013640322,0.00003474546,0.050992988,0.000004577441,0.000095172116,0.000048028258,0.69250715,0.00049507525],"about_ca_topic_score_codex":0.08723201,"about_ca_topic_score_gemma":0.09162546,"teacher_disagreement_score":0.9111667,"about_ca_system_score_codex":0.0011064368,"about_ca_system_score_gemma":0.0017952075,"threshold_uncertainty_score":0.9998698},"labels":[],"label_agreement":null},{"id":"W7018638281","doi":"","title":"El gènere i la dansa contemporània a Catalunya","year":2018,"lang":"ca","type":"dissertation","venue":"Universitat de Girona Digital Repository (Universitat de Girona)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Order (exchange); Quarter (Canadian coin); Period (music); Context (archaeology)","score_opus":0.00772060797087439,"score_gpt":0.24779765526621483,"score_spread":0.24007704729534043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018638281","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5015469,0.0010718247,0.00056263077,0.0003336264,0.0020429636,0.00070835254,0.001507997,0.00034914448,0.49187654],"genre_scores_gemma":[0.7138497,0.00018130832,0.00045257754,0.00025555745,0.0005155104,0.0000055039495,0.002439991,0.00023000396,0.2820698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9912121,0.0008538118,0.0008637601,0.0026388508,0.0015418737,0.0028895745],"domain_scores_gemma":[0.9927589,0.0008886433,0.0014317256,0.0019794826,0.00082932296,0.0021118764],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0004949451,0.0019995337,0.0016962095,0.0015879419,0.002371301,0.0011414508,0.0034103976,0.002688385,0.0015820836],"category_scores_gemma":[0.00020282119,0.0027532221,0.0015220181,0.001156418,0.0021845049,0.004474357,0.0007678913,0.002132231,0.0036596502],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.01352035,0.0052573583,0.048621286,0.0018911685,0.010451977,0.050709102,0.14674115,0.0000532703,0.0071770283,0.032503016,0.66502494,0.018049374],"study_design_scores_gemma":[0.011290823,0.0036844637,0.08739596,0.0016525341,0.0035134729,0.0027106244,0.36906183,0.00024196033,0.00064247934,0.0018959369,0.5121196,0.0057903295],"about_ca_topic_score_codex":0.00080198696,"about_ca_topic_score_gemma":0.00020774978,"teacher_disagreement_score":0.22232068,"about_ca_system_score_codex":0.004249081,"about_ca_system_score_gemma":0.0027195818,"threshold_uncertainty_score":0.99989545},"labels":[],"label_agreement":null},{"id":"W7020154522","doi":"","title":"Jacob Wren: An Apology that I Have Not Properly Documented my Early Performance Work","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Presentation (obstetrics); Work (physics); Selection (genetic algorithm); National library","score_opus":0.05622987386297298,"score_gpt":0.29302256551706524,"score_spread":0.23679269165409225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020154522","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.093375176,0.0018556234,0.00006023881,0.00090939016,0.0057307603,0.0016664901,0.0003396368,0.00054365274,0.895519],"genre_scores_gemma":[0.14119579,0.00014566569,0.00015952936,0.0019738327,0.0013722962,0.000086834734,0.0005365829,0.00022868357,0.8543008],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99347025,0.0005056537,0.00089245755,0.0019334761,0.0012508953,0.001947288],"domain_scores_gemma":[0.99502647,0.0001470277,0.00086790597,0.0025071264,0.0004393548,0.0010121159],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0010248943,0.001391478,0.0016005839,0.00056580885,0.00056341634,0.0003785173,0.0020983198,0.0017610166,0.014278859],"category_scores_gemma":[0.000051828185,0.0013786667,0.00045897227,0.00029701833,0.0010052626,0.0015874765,0.00041991365,0.0022153645,0.03808531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002097198,0.0006960717,0.0020200473,0.00012954701,0.0007919428,0.00034531453,0.014467166,0.000008060224,0.000029272114,0.0023446828,0.9130647,0.06400599],"study_design_scores_gemma":[0.0036998638,0.003545127,0.028968165,0.00052054715,0.00038493154,0.00013742116,0.00079398,0.000015355123,0.000043587923,0.0009647441,0.95895606,0.0019701992],"about_ca_topic_score_codex":0.00021688725,"about_ca_topic_score_gemma":0.00010036141,"teacher_disagreement_score":0.06203579,"about_ca_system_score_codex":0.0005368951,"about_ca_system_score_gemma":0.0006759432,"threshold_uncertainty_score":0.9998836},"labels":[],"label_agreement":null},{"id":"W7020288298","doi":"","title":"Leadership for Recreation, Parks, and Leisure Services","year":2011,"lang":"en","type":"article","venue":"UNI ScholarWorks (University of Northern Iowa)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Leadership studies; Diversity (politics); Service (business); Perspective (graphical); Experiential learning; Work (physics); Leadership style; Variety (cybernetics); Leadership","score_opus":0.08360958266101594,"score_gpt":0.23865538190249028,"score_spread":0.15504579924147432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020288298","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97321695,0.0006391243,0.001954711,0.0003258717,0.00016383793,0.0002629512,0.00005157585,0.00006564668,0.023319354],"genre_scores_gemma":[0.9908559,0.000055494856,0.0023208833,0.000101181184,0.000037499016,3.6188013e-7,0.00003066504,0.000013816699,0.0065842215],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99916893,0.000076082186,0.00008985571,0.00028201516,0.00011964238,0.0002634864],"domain_scores_gemma":[0.9991997,0.000056430406,0.00015301845,0.00029318346,0.00016349967,0.00013420297],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023706646,0.00013151241,0.00020851757,0.0001297425,0.00030695007,0.000020116911,0.00038622797,0.00021025244,0.001025077],"category_scores_gemma":[0.000013648549,0.00016432445,0.00008795082,0.00018116034,0.00018570264,0.0005866899,0.000070899994,0.000205049,0.00007096204],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010923209,0.00030181813,0.93028694,0.00014044216,0.0003182051,0.00002350118,0.034768928,0.000004285237,0.00007058572,0.0045374045,0.0014463329,0.027009243],"study_design_scores_gemma":[0.0021874967,0.00035822316,0.90050024,0.00012730894,0.00018570304,0.000009383385,0.07571491,0.00004512272,0.000042165768,0.0008278828,0.019679096,0.00032249943],"about_ca_topic_score_codex":0.0011019966,"about_ca_topic_score_gemma":0.0016602294,"teacher_disagreement_score":0.04094598,"about_ca_system_score_codex":0.000022859806,"about_ca_system_score_gemma":0.000022963031,"threshold_uncertainty_score":0.9998881},"labels":[],"label_agreement":null},{"id":"W7020366771","doi":"","title":"Laurent Montaron : Everything is accidental // Aryen Hoekstra : Choreography for screen","year":2014,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Ontario Arts Council; Canada Council for the Arts; Toronto Arts Council; Government of Ontario","keywords":"Accidental; Choreography; Key (lock); Set (abstract data type)","score_opus":0.018534761727084615,"score_gpt":0.27667154341264494,"score_spread":0.2581367816855603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020366771","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071098814,0.0052491273,0.0017294372,0.0014161918,0.0063170674,0.0030104984,0.0025810434,0.0005700892,0.9720167],"genre_scores_gemma":[0.0204422,0.00022556512,0.00071754574,0.0044724145,0.0027840305,0.00011287773,0.0017918763,0.0002968477,0.9691566],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99482447,0.00016544464,0.00089442637,0.0016880821,0.000899065,0.001528486],"domain_scores_gemma":[0.9963958,0.00031091314,0.0007954044,0.0016803485,0.00019608307,0.0006214456],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006683675,0.0011957241,0.0013729072,0.00062340894,0.0005926149,0.00029913755,0.001560643,0.0012835462,0.010308113],"category_scores_gemma":[0.00003234487,0.0013154506,0.0014328085,0.00021371945,0.00032871272,0.0006668471,0.00030244785,0.0013432141,0.00641175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004219993,0.00027031067,0.0007699159,0.00013021204,0.00094125053,0.000050385042,0.002837184,0.0000022765332,0.00002290693,0.003526008,0.9533191,0.03770845],"study_design_scores_gemma":[0.0028715616,0.0010019789,0.024937328,0.0005445254,0.00059573806,0.000050623144,0.0003052548,0.00001680323,0.00002810411,0.004904248,0.96326774,0.0014760726],"about_ca_topic_score_codex":0.00051538716,"about_ca_topic_score_gemma":0.00048462022,"teacher_disagreement_score":0.03623238,"about_ca_system_score_codex":0.00032435436,"about_ca_system_score_gemma":0.00023388845,"threshold_uncertainty_score":0.9989295},"labels":[],"label_agreement":null},{"id":"W7021158931","doi":"","title":"Movement is Dangerous: Let us Abide in the Old Things which Have a Permanent Foundation","year":2019,"lang":"en","type":"article","venue":"RACO (Revistes Catalanes amb Accés Obert) (Consorci de Serveis Universitaris de Catalunya)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universität Innsbruck; Universität Zürich; University of Illinois at Urbana-Champaign; University of Toronto; Modern Language Association; University of Washington; Yale University; University of Oxford; Harvard University; National Endowment for the Humanities","keywords":"Movement (music); Foundation (evidence); Action (physics); Government (linguistics)","score_opus":0.013502104729826197,"score_gpt":0.25730758058293174,"score_spread":0.24380547585310555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021158931","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.972111,0.0011398194,0.000072504365,0.004495977,0.00035748573,0.0010886414,0.00018058432,0.00011248397,0.020441499],"genre_scores_gemma":[0.97404355,0.00037716227,0.00018199733,0.010345485,0.00011834031,0.000021403128,0.0010383525,0.000057276582,0.013816445],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9965774,0.00039404252,0.00049138034,0.0008935948,0.0005669194,0.001076668],"domain_scores_gemma":[0.9973379,0.00041051552,0.00038525884,0.0014230356,0.00019465023,0.00024863504],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009624166,0.000537313,0.00057079096,0.0003857984,0.00032451758,0.0002640515,0.0016334077,0.00035805756,0.0023438712],"category_scores_gemma":[0.00008861151,0.0005215809,0.00027159177,0.00067885686,0.00015444096,0.0013823209,0.00038289567,0.00074527966,0.001908693],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000680568,0.0010039234,0.8284196,0.0005352761,0.0006623832,0.000596401,0.101980686,0.0003166567,0.0016787926,0.007253185,0.052504428,0.0043680924],"study_design_scores_gemma":[0.0044572493,0.00058095023,0.79449034,0.00043543967,0.00048423605,0.00028071698,0.04920671,0.0009873323,0.0006399391,0.0003368678,0.14667363,0.0014265741],"about_ca_topic_score_codex":0.018683525,"about_ca_topic_score_gemma":0.0016396728,"teacher_disagreement_score":0.09416921,"about_ca_system_score_codex":0.00094459933,"about_ca_system_score_gemma":0.00018893028,"threshold_uncertainty_score":0.99972355},"labels":[],"label_agreement":null},{"id":"W7022483721","doi":"","title":"Open Access","year":2011,"lang":"en","type":"other","venue":"University Library (University of Saskatchewan)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.03743464670064472,"score_gpt":0.2522300602739585,"score_spread":0.21479541357331378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7022483721","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011530329,0.0002059265,0.00027445317,0.0003297957,0.0006447337,0.00052662654,0.0013420371,0.0004498833,0.9950735],"genre_scores_gemma":[0.008497546,0.00024718296,0.00222977,0.000180616,0.00008856,3.552852e-8,0.0002167164,0.00019460777,0.98834497],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982684,0.00018140988,0.00011277283,0.00074957946,0.00022771487,0.0004600996],"domain_scores_gemma":[0.9980355,0.000044930523,0.0005442488,0.0010089338,0.000031000513,0.0003354011],"candidate_categories":["metaepi_narrow","open_science","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007022084,0.00039184644,0.0007061018,0.0008654942,0.00021272436,0.00010243728,0.008220841,0.0006824101,0.29291493],"category_scores_gemma":[0.0000027893343,0.00056657376,0.0002871095,0.00067779026,0.0005826654,0.0034443059,0.0059411055,0.00041625986,0.0030696054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005351847,0.00035564936,0.0050295843,0.00008466864,0.00062635157,0.00062806596,0.012124173,1.8847048e-7,0.0000019870279,0.0023694392,0.9760065,0.0022381744],"study_design_scores_gemma":[0.0017683668,0.00013599773,0.004765829,0.00021419566,0.00023223006,0.00000516578,0.06851051,3.9303268e-7,0.000011124476,0.000230412,0.92354524,0.00058052765],"about_ca_topic_score_codex":0.042687673,"about_ca_topic_score_gemma":0.0033385667,"teacher_disagreement_score":0.28984532,"about_ca_system_score_codex":0.000052260333,"about_ca_system_score_gemma":0.00040196982,"threshold_uncertainty_score":0.99967855},"labels":[],"label_agreement":null},{"id":"W7023518624","doi":"","title":"Other Faces: The Mask Collection of Marti Stevens","year":2001,"lang":"en","type":"article","venue":"DigitalCommons (California Polytechnic State University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feature (linguistics); Function (biology); Photography; Painting; Art gallery","score_opus":0.02549127659615041,"score_gpt":0.24349310417254816,"score_spread":0.21800182757639774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023518624","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40889198,0.00009676233,0.0037608286,0.0011522322,0.00024527995,0.00042981203,0.0011337555,0.00024460416,0.58404475],"genre_scores_gemma":[0.960481,0.000046340836,0.00005192276,0.00016847531,0.000016872835,0.000001185139,0.000015915226,0.0000182263,0.039200045],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988151,0.00009652697,0.00020682462,0.00026328905,0.00020820466,0.00041006343],"domain_scores_gemma":[0.99896586,0.00011484977,0.0001919746,0.0005528754,0.00006208469,0.00011236726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013814318,0.00018985136,0.00022913785,0.00036955497,0.00022092926,0.000034183693,0.0005890636,0.000106862426,0.00085515535],"category_scores_gemma":[0.00002294948,0.00016805534,0.00017864544,0.0012032009,0.00033572476,0.00025777402,0.00016826877,0.00020037116,0.00048392543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007780205,0.0046961783,0.35526872,0.00011507599,0.0028419455,0.0010359181,0.009852817,0.0005870621,0.0027394833,0.17334838,0.3487629,0.09297134],"study_design_scores_gemma":[0.0011307023,0.00027729478,0.016465936,0.00003520427,0.00007351584,0.00004609882,0.0038565595,0.00003587285,0.00039414622,0.0006782082,0.97671,0.00029645948],"about_ca_topic_score_codex":0.0005270101,"about_ca_topic_score_gemma":0.00021701548,"teacher_disagreement_score":0.6279471,"about_ca_system_score_codex":0.000117001946,"about_ca_system_score_gemma":0.000046478195,"threshold_uncertainty_score":0.9363351},"labels":[],"label_agreement":null},{"id":"W7023927135","doi":"","title":"Post-Secondary circus school graduates perspectives of curriculum","year":2015,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Curriculum; The arts; Context (archaeology); Qualitative research; Perception; Curriculum development; Perspective (graphical); Participant observation","score_opus":0.01770129513453797,"score_gpt":0.2797766392060381,"score_spread":0.2620753440715001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023927135","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6654162,0.002552695,2.0340526e-8,0.000024219891,0.0023660187,0.0005122932,0.0037010522,0.00018347983,0.32524404],"genre_scores_gemma":[0.9687616,0.0002468082,0.0001584485,0.0001872462,0.000113930764,0.000057766618,0.0014125012,0.00018217141,0.028879527],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99506253,0.0005301427,0.0009529522,0.0013900701,0.0010746507,0.0009896712],"domain_scores_gemma":[0.99498546,0.00017530106,0.0010970702,0.0012092164,0.00177248,0.00076047605],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008626254,0.00095249456,0.001233313,0.00079647405,0.00064750103,0.000083423525,0.0013646001,0.0011678883,0.0054606707],"category_scores_gemma":[0.0015712844,0.0010425108,0.000669275,0.00069185667,0.00020082638,0.0012240292,0.00018123153,0.0024496603,0.0030367014],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003988527,0.009396417,0.0032809987,0.0027581598,0.0073869806,0.001096938,0.0034584063,0.000011824339,0.07762845,0.43526554,0.0040210406,0.4517067],"study_design_scores_gemma":[0.017164338,0.007078318,0.19364186,0.0034634483,0.003619163,0.00048024036,0.4300333,0.00000537811,0.04587213,0.14916916,0.13874567,0.010727],"about_ca_topic_score_codex":0.0025196904,"about_ca_topic_score_gemma":0.00061179727,"teacher_disagreement_score":0.44097972,"about_ca_system_score_codex":0.000708658,"about_ca_system_score_gemma":0.00025169062,"threshold_uncertainty_score":0.9998517},"labels":[],"label_agreement":null},{"id":"W7024179498","doi":"","title":"The Red Schwinn Bicycle: \"A Sentimental Journey\"","year":2007,"lang":"en","type":"article","venue":"Pepperdine Digital Commons (Pepperdine University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Brother; Nephew and niece; Luck; World War II; Spanish Civil War; Performance art; Shit; Midnight","score_opus":0.01891470597338195,"score_gpt":0.26280528786546964,"score_spread":0.24389058189208768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024179498","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37812707,0.00017481578,0.00052798627,0.0038343456,0.0008800296,0.0002687813,0.0001718989,0.0002536889,0.6157614],"genre_scores_gemma":[0.90569144,0.000018563376,0.00005473631,0.0001966414,0.0002291417,5.4862596e-7,0.00007953874,0.000039762093,0.09368962],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973237,0.00009315135,0.00037931727,0.000558042,0.0004731848,0.0011726124],"domain_scores_gemma":[0.9977825,0.00047415416,0.00021265245,0.0008736054,0.0001613927,0.0004956941],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004949121,0.00041970736,0.00037409813,0.0005736147,0.0013735731,0.000391351,0.0013007723,0.0001949106,0.0006227293],"category_scores_gemma":[0.00012916606,0.00038201717,0.0004020882,0.0013789426,0.00058688724,0.0012379934,0.0007293355,0.0005894404,0.0011158234],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0043753935,0.0024580015,0.22706358,0.000030147025,0.001966967,0.0030095254,0.0022772176,0.000022966256,0.0014618553,0.1382368,0.5308842,0.08821334],"study_design_scores_gemma":[0.0028581244,0.000425184,0.07666623,0.000039871906,0.000096501055,0.00023603167,0.009706639,0.00002067055,0.00026844436,0.00018030776,0.908843,0.0006590172],"about_ca_topic_score_codex":0.00009886451,"about_ca_topic_score_gemma":0.000106111154,"teacher_disagreement_score":0.5275644,"about_ca_system_score_codex":0.00028228931,"about_ca_system_score_gemma":0.00005992751,"threshold_uncertainty_score":0.9999265},"labels":[],"label_agreement":null},{"id":"W7025749182","doi":"","title":"[2006 World Dance Alliance Global Assembly performance program, July 17, 2006 (lunch)]","year":2006,"lang":"en","type":"other","venue":"The Portal to Texas History (University of North Texas)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Alberta Foundation for the Arts","keywords":"Dance; Alliance; Soul; World class; Ticket","score_opus":0.02018744443274548,"score_gpt":0.2361575159319351,"score_spread":0.21597007149918962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7025749182","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014811383,0.0028568725,0.00011278637,0.0002594836,0.0016164051,0.0011623057,0.0012178353,0.0005199,0.97744304],"genre_scores_gemma":[0.015233162,0.000117994176,0.0009440324,0.0005342532,0.00033389402,0.0000023550265,0.00022588825,0.0001740653,0.98243433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99681485,0.00013477824,0.00035788707,0.00097130745,0.0007682534,0.000952939],"domain_scores_gemma":[0.9970711,0.00003906029,0.00096928026,0.0014741165,0.000107127205,0.00033932313],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023405794,0.0007026273,0.0008700058,0.00033452763,0.00025882976,0.000021972164,0.002344243,0.0003577904,0.005313666],"category_scores_gemma":[0.000010575461,0.0007798176,0.00040064115,0.00085042795,0.00090155925,0.00028310437,0.00033984275,0.0006289291,0.0048064725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020556393,0.0005180998,0.09582633,0.00009560855,0.00025869103,0.00019060276,0.000116118055,0.000033222423,2.4083423e-7,0.0002723081,0.8942886,0.008194612],"study_design_scores_gemma":[0.0005037989,0.00020393622,0.38641703,0.00014367781,0.00016954723,0.000010599851,0.000016329697,0.0000042756087,3.203509e-7,0.00000339344,0.6120271,0.0004999921],"about_ca_topic_score_codex":0.008199542,"about_ca_topic_score_gemma":0.056207433,"teacher_disagreement_score":0.2905907,"about_ca_system_score_codex":0.0007323006,"about_ca_system_score_gemma":0.0002873086,"threshold_uncertainty_score":0.9994653},"labels":[],"label_agreement":null},{"id":"W7028041672","doi":"","title":"Development of a KT intervention to promote the use of dance as a therapeutic modality in rehabilitation","year":2014,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Rehabilitation; Thematic analysis; Intervention (counseling); Knowledge translation; Modality (human–computer interaction); Dance therapy; Psychological intervention; Modalities","score_opus":0.04788023323500149,"score_gpt":0.31191586237082025,"score_spread":0.26403562913581874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028041672","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99159557,0.00007477819,0.000004321187,0.00004988209,0.00067491963,0.0012319124,0.00021591602,0.00003729193,0.0061153965],"genre_scores_gemma":[0.99362284,0.0000073000633,0.0031518652,0.00014895161,0.000008661831,0.0001381447,0.00018102159,0.000051094674,0.002690138],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9964769,0.00071859936,0.0011622503,0.0006553423,0.0005928185,0.00039410673],"domain_scores_gemma":[0.99742246,0.00034616687,0.0009312065,0.0008063572,0.00038132234,0.00011251341],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0017715616,0.00038893145,0.00062907184,0.00038906926,0.00023126349,0.000028844826,0.00065260683,0.0004226453,0.00021215108],"category_scores_gemma":[0.0010945013,0.0003585867,0.00028077178,0.0006059754,0.00007411319,0.0004775851,0.00010051292,0.0006530329,0.00015113018],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031966364,0.0019770435,0.0009627005,0.0012828748,0.00053176977,0.000006296433,0.0029765815,0.00007832963,0.028856862,0.0917071,0.000011945784,0.86841184],"study_design_scores_gemma":[0.00460899,0.0026923304,0.7530277,0.0057790624,0.0003989054,0.0000095769765,0.0066537936,0.000033453525,0.071291566,0.031252142,0.12246105,0.0017914639],"about_ca_topic_score_codex":0.0013975307,"about_ca_topic_score_gemma":0.0035406034,"teacher_disagreement_score":0.86662036,"about_ca_system_score_codex":0.0003702969,"about_ca_system_score_gemma":0.000052468702,"threshold_uncertainty_score":0.99988663},"labels":[],"label_agreement":null},{"id":"W7028377649","doi":"","title":"Feasibility and Acceptability of a Dance Fundamental Movement Skill Intervention for Symptoms of Depression and Anxiety in Children","year":2023,"lang":"en","type":"dissertation","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anxiety; Dance; Intervention (counseling); Psychosocial; Depression (economics); Mental health","score_opus":0.01707986861844799,"score_gpt":0.24945583319631653,"score_spread":0.23237596457786855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028377649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9897332,0.00023322998,0.00021053186,0.000010613087,0.00032583694,0.0010603287,0.006943553,0.000040378127,0.0014423295],"genre_scores_gemma":[0.99800885,0.00005133126,0.00017485858,0.0000024105611,0.000017040149,3.9904472e-7,0.0009531869,0.000023700726,0.00076820474],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9979141,0.00009293008,0.00044191704,0.0007664163,0.00043050328,0.00035415677],"domain_scores_gemma":[0.99776,0.00013452407,0.0010834803,0.0005776789,0.00027328197,0.00017105747],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00035744224,0.00037542553,0.0010071268,0.0005343188,0.0002045044,0.000020142403,0.00066179427,0.0004262532,0.00014529808],"category_scores_gemma":[0.00006404815,0.0005239913,0.00047545924,0.00045962856,0.0007564133,0.00069995667,0.0004918148,0.0003407059,0.000003951304],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0039688633,0.00046850045,0.9443751,0.00087194407,0.0004666428,0.0000036850386,0.041444182,0.000012292239,0.000037311525,0.00018590046,0.00006157365,0.008103998],"study_design_scores_gemma":[0.004630122,0.0005135252,0.85377777,0.00038428823,0.0002681124,8.373309e-7,0.1397592,0.000036240195,0.000091498725,0.00019101307,0.000029032388,0.00031836476],"about_ca_topic_score_codex":0.0019069448,"about_ca_topic_score_gemma":0.00090034876,"teacher_disagreement_score":0.098315015,"about_ca_system_score_codex":0.00014947185,"about_ca_system_score_gemma":0.00007848142,"threshold_uncertainty_score":0.99972117},"labels":[],"label_agreement":null},{"id":"W7028696663","doi":"","title":"Fefu and Her Friends Production Photos","year":2022,"lang":"en","type":"article","venue":"HELIN Digital Commons","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Production (economics); Dance; The Internet; Stage (stratigraphy); Quality (philosophy)","score_opus":0.025800313477965086,"score_gpt":0.26875350689623967,"score_spread":0.2429531934182746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028696663","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8001508,0.00023650545,0.000008547562,0.0010598445,0.0006319147,0.000109830646,0.00017923764,0.00007035867,0.19755293],"genre_scores_gemma":[0.98218817,0.000002447121,0.000014099022,0.00026383187,0.000047869198,0.000017713552,0.00003235832,0.000009194681,0.017424313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939597,0.000032873897,0.00008438668,0.00019302775,0.00012360427,0.00017016917],"domain_scores_gemma":[0.99963874,0.000026435446,0.000034688426,0.00022318926,0.000014017522,0.000062923034],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007415886,0.00007423945,0.0000848157,0.000052102638,0.00025002751,0.0000663734,0.0001252979,0.000022595756,0.0015945034],"category_scores_gemma":[0.00002240048,0.00008226343,0.000033054686,0.00013246859,0.00006510158,0.00024409765,0.00020122886,0.00017085929,0.00022760365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009410687,0.0027966516,0.2253366,0.000043235184,0.00034852928,0.00018078765,0.012840306,0.00006705556,0.00092730136,0.013918332,0.6660223,0.07657786],"study_design_scores_gemma":[0.00082976336,0.00060274464,0.061515074,0.000009352146,0.00002685602,0.00022798222,0.0054791286,0.000012154986,0.0002444154,0.0013973602,0.92931813,0.0003370472],"about_ca_topic_score_codex":0.000033989258,"about_ca_topic_score_gemma":0.000008862925,"teacher_disagreement_score":0.26329586,"about_ca_system_score_codex":0.000024517942,"about_ca_system_score_gemma":0.00001015554,"threshold_uncertainty_score":0.9993182},"labels":[],"label_agreement":null},{"id":"W7030026929","doi":"","title":"Live Oak Bancshares, Inc. Reports Fourth Quarter 2021 Results – Fine Globe International","year":2022,"lang":"en","type":"other","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Globe; Java; Cape","score_opus":0.01688473340912294,"score_gpt":0.2787311541879595,"score_spread":0.2618464207788366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030026929","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026750668,0.0004004504,0.000026056117,0.0019245312,0.005866782,0.00023335498,0.0033682806,0.0001416222,0.9880122],"genre_scores_gemma":[0.00051084027,0.000058577476,0.0003939289,0.0011037386,0.0011753415,0.000019120085,0.0041436744,0.00012553523,0.99246925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981922,0.0000843644,0.0003304165,0.00064454396,0.00044815842,0.0003003137],"domain_scores_gemma":[0.99859655,0.000052579482,0.00044005518,0.0007577389,0.000046647874,0.00010643864],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019742653,0.00026417815,0.00029281634,0.00025062956,0.000061013976,0.000052869687,0.00046612573,0.00026542327,0.7991353],"category_scores_gemma":[0.000091047645,0.00026529466,0.0001249288,0.000109409324,0.000049280883,0.00007799259,0.00030409938,0.0003836751,0.0062267645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014026192,0.00019472481,0.0004855151,0.000008489117,0.00036513066,0.0011869982,0.0002899163,9.613751e-7,9.696146e-7,0.0005097386,0.9950643,0.0017529714],"study_design_scores_gemma":[0.0007829903,0.0001546234,0.0017189949,0.000052783267,0.000029684436,0.000104622035,0.00046204057,0.000002020841,5.6757176e-7,0.000060579176,0.9963314,0.0002997273],"about_ca_topic_score_codex":0.003041002,"about_ca_topic_score_gemma":0.0010117209,"teacher_disagreement_score":0.7929086,"about_ca_system_score_codex":0.00009948094,"about_ca_system_score_gemma":0.000054695694,"threshold_uncertainty_score":0.9999799},"labels":[],"label_agreement":null},{"id":"W7033313995","doi":"","title":"Plus qu’hier et moins que demain","year":2024,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"","score_opus":0.020256518704507866,"score_gpt":0.27989848214624086,"score_spread":0.259641963441733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033313995","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042274863,0.0634772,0.06379142,0.20285833,0.004190358,0.0004775728,0.00027446053,0.0004587885,0.62219703],"genre_scores_gemma":[0.47291633,0.009714601,0.009807501,0.0019319269,0.00010835962,0.00002399501,0.0002486517,0.00008251585,0.5051661],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9895978,0.008167064,0.00043074013,0.0007687556,0.00037981957,0.0006558471],"domain_scores_gemma":[0.9950604,0.002212629,0.00016396322,0.0015559208,0.00067189464,0.00033522342],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0065683164,0.00033573472,0.00033830915,0.00023589157,0.00036456375,0.001251104,0.0010027515,0.00037801967,0.0039596874],"category_scores_gemma":[0.0008654912,0.00039142254,0.00027856333,0.00078915147,0.0005413849,0.0010973713,0.00046824932,0.00080483843,0.0035986193],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022309921,0.0006601393,0.00034375527,0.00020627616,0.00020158038,0.00007706279,0.04072102,0.000020862039,0.00059329654,0.7759271,0.064058766,0.117167786],"study_design_scores_gemma":[0.00087747,0.0000018770528,0.0035165674,0.004455591,0.000116464325,0.00008628439,0.0017699582,0.0048387754,0.0033194348,0.004668402,0.9758268,0.0005223838],"about_ca_topic_score_codex":0.0042635878,"about_ca_topic_score_gemma":0.0034208826,"teacher_disagreement_score":0.911768,"about_ca_system_score_codex":0.00027561348,"about_ca_system_score_gemma":0.0004930862,"threshold_uncertainty_score":0.9998538},"labels":[],"label_agreement":null},{"id":"W7033726706","doi":"","title":"Social Choreography","year":2012,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Liquation; Diafiltration; Dysgeusia; Fusible alloy; Hyporeflexia; Triacetin","score_opus":0.03254292508061733,"score_gpt":0.3030809071955825,"score_spread":0.27053798211496516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033726706","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000878592,0.0051924293,0.000073922834,0.0006983278,0.0051485705,0.0006043017,0.00041842955,0.0003795437,0.9866059],"genre_scores_gemma":[0.013139011,0.00013704649,0.000083279476,0.0019877038,0.005105784,0.000037000606,0.0004537467,0.00018857037,0.9788678],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958217,0.00021398583,0.0006147821,0.0010171884,0.0007833342,0.0015489884],"domain_scores_gemma":[0.9974907,0.0001455368,0.00057328923,0.0011130157,0.00014975,0.0005276768],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005027908,0.000933647,0.0010851568,0.0005179859,0.00063412404,0.00015625569,0.0011275675,0.0014839765,0.04496019],"category_scores_gemma":[0.000018846802,0.0010333876,0.0010264564,0.00029988922,0.00063604664,0.0004956912,0.00025148925,0.0015354293,0.059183937],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012246659,0.00033427766,0.00022121175,0.00006328313,0.00060330326,0.00006352558,0.003547315,8.0508656e-8,0.000010002996,0.035311315,0.9203439,0.039379355],"study_design_scores_gemma":[0.0012184809,0.00022174716,0.02136522,0.000102185804,0.0003840402,0.00003479339,0.00016894523,3.4223393e-7,0.0000042137585,0.0067142695,0.96870446,0.0010812741],"about_ca_topic_score_codex":0.00005671952,"about_ca_topic_score_gemma":0.000026002615,"teacher_disagreement_score":0.048360623,"about_ca_system_score_codex":0.00020296073,"about_ca_system_score_gemma":0.00021729585,"threshold_uncertainty_score":0.9998123},"labels":[],"label_agreement":null},{"id":"W7034732993","doi":"","title":"Vistra Reports First Quarter 2022 Results in line with Company Expectations; Reaffirms 2022 Guidance with Increased Confidence; Commodity Price Moves Expected to Add Meaningfully to '23 and Beyond","year":2022,"lang":"en","type":"other","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Line (geometry); Commodity; Quarter (Canadian coin)","score_opus":0.012779642639405165,"score_gpt":0.2597992080277026,"score_spread":0.24701956538829745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7034732993","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08167888,0.0006540991,0.0007580418,0.0020668549,0.00043330924,0.0029198097,0.0019027115,0.00050878833,0.9090775],"genre_scores_gemma":[0.5395502,0.000029479766,0.008255737,0.0034463364,0.0003337548,0.00072750374,0.0016960846,0.00049806177,0.44546285],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99621165,0.0002817818,0.000695167,0.001411286,0.00077281723,0.0006272839],"domain_scores_gemma":[0.9972699,0.00028128066,0.00067235297,0.001194308,0.00013809791,0.0004440482],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004505926,0.0006080634,0.0008633708,0.00069534255,0.0002517942,0.00012255857,0.0005138821,0.00022307137,0.01606523],"category_scores_gemma":[0.00017381608,0.0005472388,0.000055661916,0.0011465852,0.00018123114,0.00016985707,0.00023226923,0.00059367483,0.00010283397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027607332,0.00058903726,0.007771497,0.000057255464,0.00024453073,0.0010540272,0.012438318,0.000058326546,0.000034822653,0.00041353607,0.97449344,0.00008446324],"study_design_scores_gemma":[0.012175163,0.010648643,0.2904606,0.001516092,0.00023530175,0.0009135035,0.08101706,0.000044867047,0.000086518514,0.00008446287,0.5988916,0.0039261654],"about_ca_topic_score_codex":0.009941887,"about_ca_topic_score_gemma":0.038281746,"teacher_disagreement_score":0.46361464,"about_ca_system_score_codex":0.00020985148,"about_ca_system_score_gemma":0.00016075424,"threshold_uncertainty_score":0.9996979},"labels":[],"label_agreement":null},{"id":"W7040239480","doi":"","title":"[NT Dancers perform at 2014 Homecoming Pep Rally, 1]","year":2014,"lang":"en","type":"other","venue":"The Portal to Texas History (University of North Texas)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Homecoming; Dance; Adventure; Quarter (Canadian coin)","score_opus":0.018947133984315266,"score_gpt":0.21835810587571974,"score_spread":0.19941097189140447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7040239480","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04262282,0.0010892235,0.000109291585,0.00028817164,0.0021195447,0.0005340299,0.00026424584,0.0002084211,0.9527643],"genre_scores_gemma":[0.040719546,0.00016429216,0.00023410721,0.0005737758,0.0002623616,4.5269695e-7,0.000105460924,0.00019297254,0.95774704],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978461,0.00013575495,0.00023113904,0.00068647024,0.00048977515,0.00061070453],"domain_scores_gemma":[0.99749786,0.0000685657,0.0007339564,0.0012936399,0.00006297168,0.0003429827],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029591002,0.00048036058,0.00076421374,0.00049534685,0.00027405602,0.000008066012,0.0017264686,0.00033457667,0.11378076],"category_scores_gemma":[0.000016431992,0.0005141639,0.0003916518,0.0001809394,0.00066768395,0.00012508928,0.00054158526,0.00047143092,0.015214288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021583331,0.000098828896,0.03898782,0.00007787109,0.00033077353,0.000095756375,0.0010819949,0.000010178212,0.0000012172662,0.00039220697,0.95671934,0.001988207],"study_design_scores_gemma":[0.00061015866,0.00019011705,0.2469167,0.000076982105,0.00020222552,0.00001404018,0.0001363653,0.0000042955116,4.469406e-7,0.0000033029846,0.7514015,0.00044390748],"about_ca_topic_score_codex":0.0044645076,"about_ca_topic_score_gemma":0.010010998,"teacher_disagreement_score":0.20792887,"about_ca_system_score_codex":0.0007952775,"about_ca_system_score_gemma":0.0001560476,"threshold_uncertainty_score":0.999731},"labels":[],"label_agreement":null},{"id":"W7040366854","doi":"","title":"CBCR 3 2007 02 09","year":2007,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Staring","score_opus":0.009543789065264612,"score_gpt":0.22063513238118967,"score_spread":0.21109134331592505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7040366854","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000020909902,0.0006957197,0.0000011808867,0.0000878413,0.0015013985,0.0003386358,0.00025817193,0.00023125953,0.99686486],"genre_scores_gemma":[0.00012450262,0.00014292444,0.0005308843,0.00082055543,0.00040390287,0.000003945464,0.00014503792,0.00011438141,0.99771386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830496,0.000057603585,0.0005140828,0.00022325249,0.00042897114,0.00047113077],"domain_scores_gemma":[0.99852765,0.000093662355,0.00058787817,0.00050859374,0.00010340218,0.00017883591],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027539104,0.00034973028,0.00042976165,0.00018438797,0.000059724935,0.000037537236,0.00047510606,0.00069393526,0.9256928],"category_scores_gemma":[0.00006916311,0.00037117404,0.00019419137,0.00001101377,0.00018168641,1.7645878e-7,0.00008924189,0.00037329778,0.22791284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014166516,0.00009182782,0.000008254222,0.00017902118,0.00013652135,0.000054610162,0.00025244095,0.000008244764,4.114641e-8,0.0001861636,0.99440694,0.0045342455],"study_design_scores_gemma":[0.0007120007,0.00018949255,0.00005585191,0.00016588096,0.000059797796,0.000070748254,0.0002650842,5.8392976e-7,0.0000020961725,0.000005140742,0.99810183,0.0003714631],"about_ca_topic_score_codex":0.0069405846,"about_ca_topic_score_gemma":0.00037523202,"teacher_disagreement_score":0.69777995,"about_ca_system_score_codex":0.000046514117,"about_ca_system_score_gemma":0.000021222468,"threshold_uncertainty_score":0.999874},"labels":[],"label_agreement":null},{"id":"W7041096486","doi":"","title":"Dualité / Dualité","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mirroring; Choreography; Action (physics); Repetition (rhetorical device); Ephemeral key; Gesture; Dance; Movement (music); Portrait; Improvisation","score_opus":0.04813131619699391,"score_gpt":0.3137655279007082,"score_spread":0.2656342117037143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041096486","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012843943,0.005271275,0.0000688892,0.0009913417,0.0070284083,0.000801267,0.0010019911,0.0005304085,0.98302203],"genre_scores_gemma":[0.0017917806,0.00013078882,0.0001630593,0.0029841063,0.0024025508,0.000039628034,0.000748133,0.00023722967,0.9915027],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941716,0.000399859,0.0010031112,0.0015740886,0.0013230081,0.001528285],"domain_scores_gemma":[0.995217,0.0002735136,0.00075419876,0.0024028076,0.0003999381,0.0009525268],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012396015,0.0011903148,0.0015085557,0.00044179003,0.00035243112,0.00023864713,0.0014776746,0.0015812012,0.034188673],"category_scores_gemma":[0.00015485665,0.0012821299,0.00068644626,0.00028348737,0.000510642,0.00053563504,0.00044394785,0.001601301,0.115127034],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018912526,0.00030753383,0.000029242654,0.000088090084,0.000517193,0.0003969837,0.003414892,0.0000011763146,0.000009859853,0.052344613,0.9209045,0.02179675],"study_design_scores_gemma":[0.0021283678,0.0006954447,0.0011640575,0.00028828683,0.00031666923,0.00014864039,0.00044279758,0.0000019470085,0.000008177295,0.020043517,0.97336423,0.0013978856],"about_ca_topic_score_codex":0.00017685235,"about_ca_topic_score_gemma":0.000070041526,"teacher_disagreement_score":0.08093836,"about_ca_system_score_codex":0.00047244274,"about_ca_system_score_gemma":0.00077598676,"threshold_uncertainty_score":0.999715},"labels":[],"label_agreement":null},{"id":"W7042563958","doi":"","title":"THE PHENOMENON OF UKRAINIAN DIASPORIC CINEMA IN THE CONTEXT OF CANADIAN MULTICULTURALISM POLICY","year":2022,"lang":"uk","type":"article","venue":"The Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University Series pedagogy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Phenomenon; Multiculturalism; Context (archaeology); Movie theater; Ukrainian; Cultural phenomenon","score_opus":0.08967787435497766,"score_gpt":0.3494621861669852,"score_spread":0.25978431181200756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042563958","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9033347,0.0019549394,0.0000012136802,0.057046358,0.0014108159,0.00088160986,0.0031108446,0.000014799273,0.03224472],"genre_scores_gemma":[0.9482962,0.00037482553,0.000025216166,0.00034706923,0.0001457584,0.000003813035,0.00014669742,0.000011915685,0.05064849],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99467903,0.0014975606,0.00073675544,0.00055445655,0.0018102605,0.0007219236],"domain_scores_gemma":[0.99612486,0.0011423376,0.0008763035,0.0008016587,0.0008884997,0.00016632801],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.003027846,0.00033422085,0.00058026914,0.0013137953,0.0019381834,0.00008255443,0.0036943553,0.00015681061,0.0016536464],"category_scores_gemma":[0.0006548103,0.00022505056,0.0003168609,0.0032560532,0.0039027266,0.00037182384,0.00074506144,0.00067555736,0.000032813055],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016021564,0.0010645676,0.0019609125,0.00011903979,0.00041100354,0.00007380208,0.5370746,0.00050124445,0.0007421942,0.436311,0.016724622,0.0034148328],"study_design_scores_gemma":[0.0013940572,0.0006638798,0.040865194,0.000029505904,0.000081149876,0.000027582313,0.41580573,0.00006602454,0.00008553312,0.0012318358,0.5394919,0.00025760225],"about_ca_topic_score_codex":0.23096885,"about_ca_topic_score_gemma":0.12864913,"teacher_disagreement_score":0.5227673,"about_ca_system_score_codex":0.00050081144,"about_ca_system_score_gemma":0.0015610632,"threshold_uncertainty_score":0.99936116},"labels":[],"label_agreement":null},{"id":"W7042647703","doi":"","title":"9 to 5 Production Photos","year":2022,"lang":"en","type":"article","venue":"HELIN Digital Commons","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"BELLA; Performance art; Lyrics; Dance; Painting","score_opus":0.03473722487187655,"score_gpt":0.28847221551828073,"score_spread":0.2537349906464042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042647703","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7316072,0.000049760984,0.000032688054,0.0024908786,0.0011149968,0.00020546143,0.00024300997,0.00010244077,0.26415357],"genre_scores_gemma":[0.9735119,3.2843835e-7,0.000018281005,0.00078144233,0.00007541856,0.000035740322,0.000031151154,0.000008993555,0.025536785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936354,0.000029853327,0.000085700674,0.00018412742,0.0001488578,0.00018789788],"domain_scores_gemma":[0.99956024,0.000022960185,0.000025386822,0.0002894273,0.000017279232,0.00008468623],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000073834155,0.00006591209,0.000076553646,0.00007015713,0.00021776375,0.000052105006,0.00021866187,0.0000151406475,0.0025451183],"category_scores_gemma":[0.00004912441,0.00007651596,0.000044342672,0.00022547256,0.000022344466,0.00016561747,0.00023334677,0.00014345962,0.0021239123],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003515192,0.0010181189,0.021688938,0.000006401997,0.000061357954,0.000047497306,0.0038210999,0.00017206406,0.00061240146,0.0032928998,0.94295317,0.025974525],"study_design_scores_gemma":[0.0002721574,0.00045296663,0.018165695,0.0000045242004,0.0000070371793,0.000054081745,0.0023312662,0.0000020734133,0.00034353454,0.00044589446,0.97773516,0.00018560248],"about_ca_topic_score_codex":0.00003463179,"about_ca_topic_score_gemma":0.000010146991,"teacher_disagreement_score":0.24190466,"about_ca_system_score_codex":0.000044823286,"about_ca_system_score_gemma":0.000012824689,"threshold_uncertainty_score":0.99865305},"labels":[],"label_agreement":null},{"id":"W7042965241","doi":"","title":"Re-mapping the body: feminine experience in music performance","year":2016,"lang":"en","type":"dissertation","venue":"Memorial University Research Repository (Memorial University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Memorial University of Newfoundland","keywords":"Normative; Workbook; Affect (linguistics); Field (mathematics); Feminism; Body of knowledge","score_opus":0.07392548015651575,"score_gpt":0.3130530577488599,"score_spread":0.23912757759234415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042965241","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55858463,0.00006701605,0.000007458486,0.00012310225,0.015431876,0.00072316424,0.000038795646,0.00009958602,0.4249244],"genre_scores_gemma":[0.66333276,0.00020893614,0.000016921666,0.000015563735,0.0037790264,0.0000017755804,0.00007759462,0.00004371555,0.3325237],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99316573,0.0017582932,0.0004479174,0.0014756249,0.0016012067,0.0015512132],"domain_scores_gemma":[0.9960249,0.00088101695,0.00046015592,0.0014768649,0.0007142198,0.00044285483],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013870868,0.00061270845,0.000779073,0.0022345555,0.0026028566,0.00019615419,0.003702366,0.0010242274,0.0012007247],"category_scores_gemma":[0.00027094214,0.00059293595,0.00037146366,0.0030050727,0.00094936887,0.0012888743,0.00069909636,0.002264877,0.0004978808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.12855066,0.0045670625,0.04294638,0.0017390444,0.0035912795,0.049083993,0.32341877,0.00006314145,0.045766834,0.038311157,0.31267646,0.049285218],"study_design_scores_gemma":[0.009528407,0.0010996346,0.043420162,0.0012439196,0.00021146501,0.000033045006,0.22764026,0.000022237824,0.0042405347,0.00007606943,0.7108225,0.0016617182],"about_ca_topic_score_codex":0.004119784,"about_ca_topic_score_gemma":0.0010923288,"teacher_disagreement_score":0.3981461,"about_ca_system_score_codex":0.0019079216,"about_ca_system_score_gemma":0.0011734166,"threshold_uncertainty_score":0.9997123},"labels":[],"label_agreement":null},{"id":"W7045109987","doi":"","title":"Adam Kinner : Moving Histories and Discourse = Vidéo Colloque : Discours et histoires en mouvement","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Choreography; Presentation (obstetrics); Politics; Rhetorical question; Work (physics); Suite","score_opus":0.011241690616242823,"score_gpt":0.28556484140977895,"score_spread":0.27432315079353614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7045109987","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011986271,0.011605021,0.00035985513,0.008854815,0.010241282,0.0018305386,0.0012342783,0.0003555403,0.9535324],"genre_scores_gemma":[0.037942734,0.00037028873,0.00020441563,0.0019332784,0.0007259234,0.00006365893,0.0003427558,0.00019469745,0.95822227],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954504,0.0003848773,0.0007483359,0.0014591198,0.0008644752,0.0010928317],"domain_scores_gemma":[0.9967312,0.00046712492,0.00071404903,0.001496358,0.0001398704,0.00045139613],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00072060205,0.0010882638,0.0013796656,0.00040876598,0.0004888342,0.00023599056,0.0009168658,0.00084053795,0.0064239698],"category_scores_gemma":[0.000101463826,0.0011068609,0.0004219457,0.00014265625,0.0007824987,0.0007831236,0.000515003,0.0012615793,0.0023149443],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024746894,0.0003509469,0.00027431254,0.00020988692,0.0005489854,0.00016902237,0.01743366,0.000012544438,0.00009805639,0.041547682,0.92773134,0.011376091],"study_design_scores_gemma":[0.0016376583,0.0005704508,0.006164738,0.00053566974,0.00046448305,0.000039118146,0.0027819471,0.000009008505,0.000008226356,0.0030110101,0.98343796,0.0013397209],"about_ca_topic_score_codex":0.00039891235,"about_ca_topic_score_gemma":0.00060809555,"teacher_disagreement_score":0.055706624,"about_ca_system_score_codex":0.0012115396,"about_ca_system_score_gemma":0.0006897246,"threshold_uncertainty_score":0.9991382},"labels":[],"label_agreement":null},{"id":"W7066429580","doi":"","title":"Inclusion scolaire : surmonter les nouvelles ambiguïtés. L’exemple du Québec : Chronique de l'international","year":2013,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Vulnerability (computing); Disease; Context (archaeology)","score_opus":0.01098548350439823,"score_gpt":0.23698720785830224,"score_spread":0.226001724353904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066429580","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4837872,0.0046545174,0.022859147,0.23278141,0.0009484273,0.0004910345,0.00011510752,0.0001811354,0.254182],"genre_scores_gemma":[0.88140506,0.000884129,0.00560445,0.0008655342,0.00010387943,0.000036900892,0.00012599264,0.000041943546,0.11093214],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937957,0.004160361,0.00044954248,0.00058338407,0.00039868176,0.0006123099],"domain_scores_gemma":[0.9957441,0.0010147648,0.0003479734,0.0010727423,0.0014975708,0.00032285135],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002925976,0.00032356704,0.00029591215,0.00016981325,0.0011601894,0.00038388214,0.0015298285,0.00034749418,0.01653237],"category_scores_gemma":[0.00095995254,0.0003717923,0.00022934598,0.000270686,0.00062149117,0.00060602365,0.0017952292,0.0004894203,0.0014193298],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100185614,0.0043077064,0.082954824,0.00017540378,0.00042008667,0.00004427789,0.15006565,0.000028468761,0.008239781,0.09941314,0.31572458,0.3385259],"study_design_scores_gemma":[0.002025478,0.00000365758,0.16920792,0.001590289,0.00006644262,0.00007303425,0.0017621398,0.0052817385,0.013389572,0.0018768711,0.8040473,0.0006755883],"about_ca_topic_score_codex":0.40077406,"about_ca_topic_score_gemma":0.10718832,"teacher_disagreement_score":0.4883227,"about_ca_system_score_codex":0.000606579,"about_ca_system_score_gemma":0.00072463375,"threshold_uncertainty_score":0.9998734},"labels":[],"label_agreement":null},{"id":"W7066644572","doi":"","title":"How We Swim in Canada","year":2016,"lang":"en","type":"article","venue":"eYLS (Yale Law School)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.018687488309312956,"score_gpt":0.24164231355400878,"score_spread":0.22295482524469581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066644572","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8199092,0.0007695142,0.00006209651,0.032968808,0.0019781229,0.00017942772,0.00012243415,0.00005778491,0.14395262],"genre_scores_gemma":[0.9661595,0.000032546915,0.0000607503,0.0017884301,0.00012852982,0.0000058381174,0.0000017120329,0.000010971393,0.031811688],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897933,0.00006532284,0.000111508954,0.0002454129,0.00018304621,0.0004154088],"domain_scores_gemma":[0.9992686,0.000086029024,0.000050217222,0.0003692001,0.00002229861,0.00020368029],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009466155,0.00011829637,0.00015948269,0.000036916743,0.0000558628,0.00003729513,0.00030958522,0.00006833164,0.0033074059],"category_scores_gemma":[0.00005786504,0.000092579045,0.000037223628,0.00011349817,0.000052463653,0.0002967644,0.000054171618,0.00014670771,0.0011112276],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019456132,0.0001627381,0.25973132,0.000024604195,0.00010125864,0.0005149267,0.000397299,0.00000166176,0.0014583757,0.122092545,0.5826242,0.032696478],"study_design_scores_gemma":[0.0014215275,0.000057691654,0.14445013,0.00007366286,0.0000068630493,0.00000908221,0.0005347373,4.331309e-7,0.00057173177,0.0010926955,0.8515445,0.00023695211],"about_ca_topic_score_codex":0.82152224,"about_ca_topic_score_gemma":0.9541804,"teacher_disagreement_score":0.26892027,"about_ca_system_score_codex":0.00031509052,"about_ca_system_score_gemma":0.00023552618,"threshold_uncertainty_score":0.9996665},"labels":[],"label_agreement":null},{"id":"W7066801041","doi":"","title":"Lawrence Dance Series Features World Premiere by Molly Shanahan/Mad Shak","year":2013,"lang":"en","type":"article","venue":"Lux Scholarship And Creativity At Lawrence University (Lawrence University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Craft; The arts; Performance art; Choreography; Modern art","score_opus":0.016662726532553854,"score_gpt":0.22701790540502562,"score_spread":0.21035517887247177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066801041","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73936,0.0006290445,0.0004999014,0.0013738548,0.00036143183,0.0007184963,0.0005507294,0.0004390652,0.2560675],"genre_scores_gemma":[0.64926094,0.00037818265,0.0005517439,0.00031999755,0.000045559256,0.0000014711903,0.00007595861,0.000027007392,0.34933916],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.995511,0.00065443525,0.00027495914,0.0015787582,0.00067599706,0.0013048525],"domain_scores_gemma":[0.99687475,0.00039713972,0.00039264318,0.0010319679,0.00037579692,0.00092771824],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037589617,0.0007573836,0.0007400279,0.0006406041,0.0018973858,0.00036827434,0.001862847,0.0005082913,0.003661203],"category_scores_gemma":[0.00012697077,0.00091291236,0.00024795256,0.001928016,0.0017115902,0.006500781,0.0011157481,0.0011535146,0.0007046059],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027299253,0.0015741767,0.6235614,0.0002796471,0.00090270693,0.0015974403,0.008383866,0.00003300513,0.009411843,0.2217429,0.11424091,0.015542209],"study_design_scores_gemma":[0.0043282094,0.00096560974,0.47127315,0.00057839364,0.0004854745,0.00016688187,0.012861423,0.000032600605,0.003256578,0.0016295471,0.5016937,0.002728401],"about_ca_topic_score_codex":0.0032029205,"about_ca_topic_score_gemma":0.0031542126,"teacher_disagreement_score":0.3874528,"about_ca_system_score_codex":0.0006048619,"about_ca_system_score_gemma":0.00016880261,"threshold_uncertainty_score":0.999402},"labels":[],"label_agreement":null},{"id":"W7070913308","doi":"","title":"Problèmes interpersonnels et conduites agressives à L'adolescence","year":2023,"lang":"fr","type":"other","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Population; Identity (music); Context (archaeology); Relation (database); Set (abstract data type)","score_opus":0.038222577781126886,"score_gpt":0.3382399476789967,"score_spread":0.3000173698978698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070913308","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001661822,0.001876039,0.0005632141,0.0070034103,0.004093778,0.0005417803,0.00025376325,0.00065663614,0.98334956],"genre_scores_gemma":[0.030354898,0.0007669555,0.00063692307,0.0028744268,0.00038949907,0.000014944344,0.000017784181,0.00038291988,0.96456164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977041,0.0003154176,0.0002934148,0.00073551456,0.0002500937,0.0007014712],"domain_scores_gemma":[0.99850345,0.00037766047,0.0003068778,0.0005312253,0.000062605584,0.00021816591],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024759021,0.0005313189,0.00059823587,0.00028332748,0.00010613084,0.00014807409,0.0007714779,0.0006547503,0.15237522],"category_scores_gemma":[0.00026701516,0.0004966251,0.00025409667,0.0002786775,0.00059780123,0.00025581813,0.0002714658,0.00062393246,0.05684829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008304962,0.00054682355,0.013666609,0.00036207607,0.00074226037,0.0002701537,0.013858226,0.0000039136617,0.00027828483,0.09020544,0.8449542,0.035029],"study_design_scores_gemma":[0.0015922375,0.0005401372,0.04841688,0.0052412534,0.00017670495,0.00004287239,0.010895971,0.000031051975,0.00031084876,0.0008012597,0.9306911,0.0012596439],"about_ca_topic_score_codex":0.00091084087,"about_ca_topic_score_gemma":0.0010916231,"teacher_disagreement_score":0.09552693,"about_ca_system_score_codex":0.00008861691,"about_ca_system_score_gemma":0.00009944269,"threshold_uncertainty_score":0.9997485},"labels":[],"label_agreement":null},{"id":"W7071112778","doi":"","title":"The role of metabolic reprogramming in breast cancer progression and metastasis","year":2015,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Fonds de Recherche du Québec - Santé; Terry Fox Research Institute; McGill University Health Centre; Canadian Institutes of Health Research; Deutsches Krebsforschungszentrum; McGill University","keywords":"Breast cancer; Metastasis; Reprogramming; Tumor progression; Cancer; Mammary tumor; PI3K/AKT/mTOR pathway; Metastatic breast cancer","score_opus":0.018469851075384746,"score_gpt":0.3098521960206323,"score_spread":0.29138234494524756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071112778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9214672,0.021924555,4.8624558e-9,0.000037221092,0.00094495923,0.00061658,0.001336497,0.000059297578,0.05361371],"genre_scores_gemma":[0.99472964,0.0017670156,0.00014694822,0.000044795957,0.000039694092,0.0001753678,0.00016220134,0.00008126781,0.0028530413],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966849,0.00048919534,0.0006699228,0.0008023426,0.0006725502,0.000681075],"domain_scores_gemma":[0.9977103,0.00016261784,0.000759121,0.0007200536,0.00038068023,0.00026721173],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0015238217,0.000489861,0.0007503432,0.00031608102,0.0005680865,0.000076936994,0.0006329867,0.00052819774,0.00021126318],"category_scores_gemma":[0.00024314431,0.00040184055,0.00019870081,0.0006247569,0.00014139908,0.0005173535,0.00015378708,0.0010376107,0.000058179015],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084041164,0.000258004,0.0027987852,0.00008144581,0.0003773111,0.000020352645,0.00010382992,0.0000011940215,0.0020175541,0.036526635,0.000011848286,0.95696265],"study_design_scores_gemma":[0.004511864,0.00043994875,0.24416916,0.0017308572,0.0014980033,0.00013081399,0.016643869,0.000009153151,0.027529519,0.03531796,0.6659201,0.002098778],"about_ca_topic_score_codex":0.0028356789,"about_ca_topic_score_gemma":0.00253921,"teacher_disagreement_score":0.95486385,"about_ca_system_score_codex":0.00014125998,"about_ca_system_score_gemma":0.00006371082,"threshold_uncertainty_score":0.99984336},"labels":[],"label_agreement":null},{"id":"W7072233205","doi":"","title":"The Work of Dancing: A Portrait of Kenji Matsuyama Ribeiro (Grands Ballets Canadiens de Montréal)","year":2014,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Work (physics); Painting; Criticism","score_opus":0.012082451022884575,"score_gpt":0.21701225215835487,"score_spread":0.2049298011354703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072233205","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8287163,0.00037225243,0.0000030078904,0.00016345695,0.0005354049,0.00023155981,0.00035868105,0.000063958556,0.16955541],"genre_scores_gemma":[0.99508935,0.000075711476,0.00038602913,0.0004539428,0.000033627028,0.000016268405,0.000010977725,0.000052370404,0.003881743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99697876,0.00044481616,0.000679908,0.0004807292,0.0004901256,0.0009256694],"domain_scores_gemma":[0.9972347,0.00058777124,0.0005271445,0.0010158352,0.00022190252,0.00041263693],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0017689898,0.0003469587,0.00055892224,0.000159319,0.00077155605,0.000027937376,0.00093172566,0.00029817375,0.0003019881],"category_scores_gemma":[0.000770723,0.00030340353,0.0003061594,0.0005154702,0.0002805471,0.00025750173,0.00015259322,0.00059799914,0.000106080945],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017575645,0.00097402744,0.017516542,0.00019565546,0.0011640994,0.00016877067,0.00050086156,0.00014186931,0.018466167,0.67052966,0.0014909764,0.28709382],"study_design_scores_gemma":[0.005259239,0.001203918,0.36430326,0.0004505471,0.0004011874,0.00016309797,0.0014468279,0.00002985689,0.018213777,0.026140632,0.58115953,0.0012281046],"about_ca_topic_score_codex":0.00880851,"about_ca_topic_score_gemma":0.0066432413,"teacher_disagreement_score":0.64438903,"about_ca_system_score_codex":0.0002606942,"about_ca_system_score_gemma":0.00004062481,"threshold_uncertainty_score":0.9999418},"labels":[],"label_agreement":null},{"id":"W7093767361","doi":"","title":"[Five dancers perform scene in \"The Magic Flute\"]","year":2006,"lang":"en","type":"other","venue":"The Portal to Texas History (University of North Texas)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Ballet; Ballet dancer; Sitting; Dance","score_opus":0.01926422659777331,"score_gpt":0.2224784317607405,"score_spread":0.2032142051629672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093767361","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0431563,0.0012793859,0.000029420811,0.00057837984,0.0009925128,0.00064872735,0.0002992605,0.000092795,0.95292324],"genre_scores_gemma":[0.046081502,0.00008359807,0.00014747087,0.0008993684,0.00020773825,5.0398444e-7,0.00011476056,0.00011553262,0.95234954],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807096,0.0001699409,0.00020923975,0.00053165836,0.00049666053,0.00052155193],"domain_scores_gemma":[0.99824345,0.000060451017,0.00045552972,0.001066887,0.000044526467,0.00012916025],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030348235,0.000386995,0.0005345639,0.0005461542,0.0001374975,0.000008748921,0.001993781,0.00025825828,0.016875708],"category_scores_gemma":[0.000010644423,0.000357457,0.00026469133,0.000422788,0.0006898905,0.0001263046,0.00019323088,0.0005911326,0.0027390597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013081676,0.00021464554,0.029367048,0.00004326685,0.00012228705,0.00029673075,0.0020478615,0.00001524734,2.3185038e-7,0.0005408058,0.9650987,0.0021224075],"study_design_scores_gemma":[0.00050032395,0.00012086207,0.35104913,0.000057775982,0.000112155954,0.000012132456,0.0004643209,0.0000030232482,8.8861434e-8,0.0000079784395,0.6473989,0.0002733381],"about_ca_topic_score_codex":0.025526451,"about_ca_topic_score_gemma":0.03654522,"teacher_disagreement_score":0.32168207,"about_ca_system_score_codex":0.00048236712,"about_ca_system_score_gemma":0.00017482844,"threshold_uncertainty_score":0.99988776},"labels":[],"label_agreement":null},{"id":"W7093929361","doi":"","title":"Review of <i>The People Have Never Stopped Dancing:Native American Modern Dance Histories</i> By Jacqueline Shea Murphy","year":2009,"lang":"","type":"article","venue":"Lincoln (University of Nebraska)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Indigenous; Politics; Modern dance; Native american; Contemporary dance; Citizen journalism","score_opus":0.009286260175714784,"score_gpt":0.24219155640285886,"score_spread":0.23290529622714407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093929361","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39927056,0.26473284,0.02052891,0.1417516,0.005863254,0.007793264,0.008100771,0.00036387224,0.15159492],"genre_scores_gemma":[0.9244801,0.027515974,0.0015370082,0.014008232,0.00018885967,9.713377e-7,0.000100120036,0.000051368053,0.032117378],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960314,0.00064230367,0.00066098693,0.0009861261,0.00088970904,0.0007894458],"domain_scores_gemma":[0.99510485,0.00024606875,0.002118412,0.0015002241,0.00064876775,0.00038168006],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055885524,0.00058828417,0.0016767839,0.000215771,0.0005986842,0.000017576594,0.0020749413,0.00031136247,0.0012027745],"category_scores_gemma":[0.00020442069,0.00069407723,0.00076777604,0.0016393048,0.0014444818,0.0008216918,0.0004680999,0.0008203512,0.000048215075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021635534,0.0040624617,0.008643773,0.004150897,0.000814642,0.000056427965,0.042899832,0.00010669802,0.0045139105,0.0020404528,0.8491748,0.081372574],"study_design_scores_gemma":[0.005929632,0.0034623998,0.07316791,0.009085815,0.0015441409,0.000030285255,0.018128058,0.0011242774,0.0005854408,0.0007697407,0.8843554,0.001816877],"about_ca_topic_score_codex":0.0035620746,"about_ca_topic_score_gemma":0.0008081982,"teacher_disagreement_score":0.52520955,"about_ca_system_score_codex":0.00055260846,"about_ca_system_score_gemma":0.0004814284,"threshold_uncertainty_score":0.99971026},"labels":[],"label_agreement":null},{"id":"W7094236465","doi":"","title":"Review of: Rachel Cusk, <i>Parade</i>, New York. Farrar, Straus and Giroux 2024 (198 p.)","year":2024,"lang":"en","type":"article","venue":"Research Publications (Maastricht University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Law Foundation of Nova Scotia","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.17304274766238595,"score_gpt":0.3979086507771721,"score_spread":0.22486590311478613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094236465","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021711001,0.19632852,0.0014164506,0.028577423,0.00043945905,0.0009464236,0.00031355707,0.000283593,0.7695235],"genre_scores_gemma":[0.061699983,0.060791675,0.0010367353,0.00040259445,0.0002527481,0.000007689493,0.00011305985,0.000040456835,0.87565506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785584,0.00033050138,0.00022014178,0.00052728946,0.0004788443,0.00058735383],"domain_scores_gemma":[0.9979831,0.00049116235,0.00006928292,0.00065213186,0.00031686647,0.0004874465],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00074730814,0.00015652408,0.00024229637,0.0016434339,0.00025757513,0.00015747645,0.00079541025,0.0001426271,0.0049150786],"category_scores_gemma":[0.00033430717,0.00017043111,0.000115400755,0.005667333,0.00034843766,0.00074046,0.0002862145,0.00070838677,0.0009683676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015604837,0.00014456933,0.0005079709,0.0006530726,0.00015276359,0.000024585093,0.0003752682,3.6908725e-7,0.000050111896,0.124795616,0.841486,0.03179411],"study_design_scores_gemma":[0.0003740784,0.00013326934,0.001890058,0.00079992146,0.000073865776,0.000023089935,0.0010942034,0.000025682428,0.000016175452,0.00024506784,0.99517405,0.00015051922],"about_ca_topic_score_codex":0.00043179173,"about_ca_topic_score_gemma":0.000014564109,"teacher_disagreement_score":0.15368812,"about_ca_system_score_codex":0.0001627182,"about_ca_system_score_gemma":0.00038734864,"threshold_uncertainty_score":0.9998095},"labels":[],"label_agreement":null},{"id":"W7094542271","doi":"","title":"Review Of \"The People Have Never Stopped Dancing: Native American Modern Dance Histories\" By J. Shea Murphy","year":2008,"lang":"","type":"article","venue":"Works - Scholarship, Research, & Creative Expression (Swarthmore College)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Native american; Choreography; Modern dance; Oral tradition; Archetype","score_opus":0.06756171875236675,"score_gpt":0.36986170807351354,"score_spread":0.30229998932114677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094542271","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4575319,0.43291798,0.0017449971,0.011110074,0.00312381,0.011138942,0.0048072306,0.0002667635,0.07735831],"genre_scores_gemma":[0.8595695,0.068770416,0.00083708216,0.0028378319,0.00038707256,0.00040830456,0.0001253526,0.00022843697,0.066835985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9750149,0.012100795,0.0020825784,0.002794797,0.005051009,0.0029558684],"domain_scores_gemma":[0.985574,0.00280784,0.0023246477,0.003884984,0.0038632215,0.0015452715],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.005696965,0.0014874098,0.0028974009,0.0007854668,0.004697483,0.00016542888,0.004113343,0.0008742047,0.004377274],"category_scores_gemma":[0.0070108883,0.0012841029,0.0011075056,0.006137527,0.007833006,0.0029707658,0.0024053142,0.0077299573,0.00021570505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0058300267,0.003760911,0.033904687,0.0029721903,0.0007722697,0.0002696696,0.054539844,0.0000628911,0.008550063,0.0010345948,0.8773122,0.010990678],"study_design_scores_gemma":[0.009999621,0.0039100125,0.09598041,0.11000941,0.0005110978,0.00020625518,0.051197365,0.00032298896,0.031857748,0.0010659107,0.6909472,0.0039920076],"about_ca_topic_score_codex":0.0012386665,"about_ca_topic_score_gemma":0.00020148672,"teacher_disagreement_score":0.40203762,"about_ca_system_score_codex":0.002066819,"about_ca_system_score_gemma":0.0022182306,"threshold_uncertainty_score":0.9997875},"labels":[],"label_agreement":null},{"id":"W7095094924","doi":"","title":"DEPARTEMENT DE MEDECINE SOCIALE ET PREVENTIVE","year":2014,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Public health; Work (physics); Government (linguistics); MEDLINE; Context (archaeology)","score_opus":0.023038094348986623,"score_gpt":0.34094757776055873,"score_spread":0.3179094834115721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095094924","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28453377,0.000017646304,0.011053448,0.0017737895,0.00021989776,0.00006882761,0.000003722893,0.000040391562,0.7022885],"genre_scores_gemma":[0.946031,0.0000029830624,0.00070059235,0.0026308862,0.00006415186,0.0000035810283,0.000003250213,0.000003601842,0.050559994],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99953324,0.00008996157,0.000057310404,0.00009355637,0.000068768924,0.00015717148],"domain_scores_gemma":[0.9997527,0.000047445243,0.000026277592,0.0001072645,0.000015178079,0.000051112063],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027296413,0.000045498302,0.000068026355,0.000017786368,0.000039743332,0.000011244859,0.000090870875,0.00003413092,0.005481957],"category_scores_gemma":[0.000022932443,0.00004191568,0.00003247462,0.00003542405,0.00002221845,0.00006200969,0.000028711547,0.000046392288,0.0010925332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078137484,0.000597937,0.03868534,0.000008214532,0.00017549928,0.00000560733,0.004217836,0.0000031316806,0.00045252944,0.38391075,0.5333474,0.038517565],"study_design_scores_gemma":[0.0017407733,0.00038643598,0.5558664,0.000011627617,0.00003804818,0.000004715384,0.0011946074,0.000024300522,0.0011072048,0.009120537,0.4303165,0.00018878783],"about_ca_topic_score_codex":0.00012670776,"about_ca_topic_score_gemma":0.000072010946,"teacher_disagreement_score":0.6614972,"about_ca_system_score_codex":0.000021250182,"about_ca_system_score_gemma":0.000013588461,"threshold_uncertainty_score":0.9996852},"labels":[],"label_agreement":null},{"id":"W7096939329","doi":"","title":"Masters of their conditions: At the crossroads of health, culture and the performing arts","year":2003,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Performing arts; The arts; Apprenticeship; Identity (music); Soul; Art therapy; Dance; Intercultural communication","score_opus":0.032100097671190875,"score_gpt":0.30764909636256843,"score_spread":0.27554899869137756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096939329","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82869035,0.0017929105,0.000049455582,0.0021612688,0.00016257032,0.0001972464,0.00003471569,0.0000063127127,0.16690515],"genre_scores_gemma":[0.9850706,0.00008650327,0.0000308426,0.001222195,0.000006310977,0.0000023416342,0.0000024792396,0.0000023883078,0.013576356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995056,0.00011193944,0.00012984779,0.00007313323,0.0000640831,0.00011538912],"domain_scores_gemma":[0.9995575,0.000107600565,0.0001088543,0.00018105058,0.00002406511,0.000020910848],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038618423,0.000054552274,0.00012531332,0.0000128750635,0.00020825586,0.000007905363,0.00008669874,0.000031629133,0.0012125506],"category_scores_gemma":[0.000022084596,0.000024645327,0.00004335992,0.00005523029,0.0004805492,0.00005683597,0.000024876294,0.00006517477,0.000014430097],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005002154,0.00028416858,0.04299822,0.00013243585,0.00042476036,0.000001534673,0.17115447,0.000017915918,0.0008416735,0.632221,0.1415859,0.009837704],"study_design_scores_gemma":[0.01425288,0.0012320998,0.23203939,0.00022674366,0.0001268831,0.00026876872,0.33076298,0.00003549552,0.012550252,0.013086007,0.394919,0.0004994894],"about_ca_topic_score_codex":0.00009894208,"about_ca_topic_score_gemma":0.000027580254,"teacher_disagreement_score":0.61913496,"about_ca_system_score_codex":0.000008254731,"about_ca_system_score_gemma":0.000013466845,"threshold_uncertainty_score":0.9997005},"labels":[],"label_agreement":null},{"id":"W7097552367","doi":"","title":"MASTER OF ARTS IN HUMAN DEVELOPMENT","year":2007,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patience; Excellence; The arts; Duration (music); Advice (programming); Human resources","score_opus":0.08012786947139308,"score_gpt":0.33730279358992077,"score_spread":0.2571749241185277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097552367","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5989832,0.000004392505,0.00020959163,0.00001906532,0.00003929259,0.00001874938,1.1022115e-7,0.000004160813,0.40072143],"genre_scores_gemma":[0.9818804,9.497327e-8,0.0005774952,0.00020137597,0.0000073668543,2.0859328e-7,7.8248263e-7,0.0000014908563,0.01733076],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9996842,0.0000042109345,0.000096950054,0.000055540317,0.000048423924,0.00011064212],"domain_scores_gemma":[0.99987507,0.000009939483,0.00001907209,0.00006707017,0.000007143567,0.000021679585],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015340408,0.000027963983,0.000049483813,0.00006117011,0.000010446613,0.0000017103567,0.000055872017,0.000026126194,0.0034275276],"category_scores_gemma":[0.0000019743986,0.000026320762,0.000009158063,0.000046479992,0.000015365464,0.00003111405,0.000017767059,0.000029980103,0.00021110816],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010147201,0.0005379915,0.89232945,0.000013613942,0.000034961264,0.00005242816,0.011634798,6.8765786e-7,0.0018389256,0.039443452,0.016796064,0.03721615],"study_design_scores_gemma":[0.00044478328,0.000038641512,0.9778458,0.000006453319,6.823064e-7,8.3205913e-7,0.0006177118,4.440518e-8,0.005610742,0.00006671291,0.015328831,0.00003878535],"about_ca_topic_score_codex":0.00005641457,"about_ca_topic_score_gemma":0.00016011452,"teacher_disagreement_score":0.38339067,"about_ca_system_score_codex":0.00001073456,"about_ca_system_score_gemma":0.0000041179273,"threshold_uncertainty_score":0.9974835},"labels":[],"label_agreement":null},{"id":"W7097552554","doi":"","title":"60Copyright © Canadian Academy of Oriental and Occidental Culture A Comparative Study of Argentine Tango and Chinese Yangge","year":2012,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"China; Government (linguistics); Indigenous; Agency (philosophy)","score_opus":0.034649746579979664,"score_gpt":0.34962644156868733,"score_spread":0.3149766949887077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097552554","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97607756,0.0004999441,8.8504214e-7,0.0000521303,0.00011879678,0.0002282648,0.000083993684,0.0000060438215,0.022932397],"genre_scores_gemma":[0.9981729,0.0000059689264,0.00003552707,0.000112234506,0.000041137602,0.0000017432376,0.000006140839,0.0000033477475,0.0016210325],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994077,0.000040941355,0.00013099494,0.00012165189,0.00009612118,0.00020255246],"domain_scores_gemma":[0.999601,0.00001546604,0.000072117495,0.00006408638,0.000016333543,0.00023100138],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000080382524,0.000101835925,0.00021352108,0.00007943599,0.000059794977,0.0000055587952,0.000080166756,0.00006568102,0.0010578905],"category_scores_gemma":[0.0000052403816,0.00007603856,0.000020397283,0.00012558945,0.00010091689,0.00021610495,0.000048083715,0.00009757846,0.000017636],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006700421,0.0004834202,0.9487109,0.0000069653006,0.00011800848,0.0000016492806,0.041955065,3.507537e-8,0.00039273317,0.0021069946,0.0061216285,0.00003556712],"study_design_scores_gemma":[0.001265453,0.0002669575,0.9763736,0.000005226017,0.00003289663,0.000015946409,0.019369718,0.0000015787218,0.00030637265,0.00001875289,0.0022565534,0.000086945634],"about_ca_topic_score_codex":0.021264505,"about_ca_topic_score_gemma":0.0114480425,"teacher_disagreement_score":0.02766267,"about_ca_system_score_codex":0.000013941407,"about_ca_system_score_gemma":0.000007020039,"threshold_uncertainty_score":0.9998553},"labels":[],"label_agreement":null},{"id":"W7097911781","doi":"","title":"DESCRIPTORS MF01 Plus Postage. PC Not Available from EDRS.","year":2016,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Directory; Dance; Minor (academic); Identification (biology); Higher education; Major and minor","score_opus":0.05366865108802952,"score_gpt":0.27050130158837193,"score_spread":0.21683265050034242,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097911781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48941314,0.000122060825,0.00068758405,0.0017919181,0.0018282654,0.00009687394,0.00016422568,0.0001495759,0.50574636],"genre_scores_gemma":[0.6144419,0.000018122906,0.0003853232,0.0021744196,0.00013427033,0.0000019812321,0.000005865356,0.000011194653,0.38282695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990049,0.000044823737,0.0001308696,0.00030153705,0.00015366865,0.00036422824],"domain_scores_gemma":[0.9992279,0.00011125776,0.00005048724,0.00042610386,0.00003591991,0.00014835522],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009514699,0.00012761368,0.0001598279,0.000053834712,0.00007906804,0.000035950587,0.00030523338,0.000110876725,0.14874418],"category_scores_gemma":[0.000047221336,0.00008797179,0.00006803842,0.000074414354,0.000081517355,0.0003203036,0.00008541756,0.00007626554,0.061960917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024390631,0.00009481806,0.0162178,0.0000018608824,0.00009002579,0.000030739753,0.0006940039,8.6952404e-8,0.005741808,0.005627243,0.9639102,0.0073474557],"study_design_scores_gemma":[0.0034178775,0.0002699875,0.06705746,0.000044767796,0.00004217761,0.000005899528,0.0008143385,0.0000029698124,0.013619858,0.00061323866,0.9136685,0.00044291577],"about_ca_topic_score_codex":0.0027478635,"about_ca_topic_score_gemma":0.00006593022,"teacher_disagreement_score":0.12502874,"about_ca_system_score_codex":0.0000717845,"about_ca_system_score_gemma":0.00003443449,"threshold_uncertainty_score":0.93876946},"labels":[],"label_agreement":null},{"id":"W7098113059","doi":"","title":"In Memory of Susan Noffke","year":2013,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"GRASP; Key (lock)","score_opus":0.01957918983019581,"score_gpt":0.28499848610259787,"score_spread":0.26541929627240207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7098113059","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5232663,0.000013372802,0.000007815369,0.0004412472,0.00011701451,0.00003428664,7.2701204e-7,0.0000048928587,0.4761143],"genre_scores_gemma":[0.94824344,0.0000018498126,0.00013042706,0.0005749864,0.00001306927,0.0000012770046,4.0456607e-7,0.0000016346173,0.051032934],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99974144,0.000013992003,0.00005964658,0.00005532949,0.00003795401,0.000091635105],"domain_scores_gemma":[0.999818,0.000019232484,0.000016456683,0.000110612375,0.000012122289,0.000023547222],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003894294,0.000027238973,0.00005897689,0.000040185434,0.0000052660744,0.000002874306,0.00008438855,0.000029157603,0.055977922],"category_scores_gemma":[0.0000055054315,0.000024399824,0.000015946636,0.00005545421,0.000027165595,0.00011790274,0.000017845883,0.000034904595,0.0027033489],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027209731,0.000337001,0.061970003,0.00001116622,0.000024747436,0.000009983784,0.002528643,0.0000013866994,0.002517666,0.020103943,0.90296453,0.0095037175],"study_design_scores_gemma":[0.0009920213,0.00014074585,0.97495484,0.0000080406735,0.000003578694,0.000003073497,0.003265454,0.0000069424927,0.0030727196,0.0013647248,0.016079793,0.00010808621],"about_ca_topic_score_codex":0.0025144632,"about_ca_topic_score_gemma":0.000033613636,"teacher_disagreement_score":0.9129848,"about_ca_system_score_codex":0.0000045883153,"about_ca_system_score_gemma":0.0000039336355,"threshold_uncertainty_score":0.99807316},"labels":[],"label_agreement":null},{"id":"W7099430409","doi":"","title":"Karachi","year":2011,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atomic energy; Plutonium; China; Work (physics); Nuclear power; Nuclear power plant; Commission; Transuranium element","score_opus":0.12080578606659671,"score_gpt":0.2927511944086808,"score_spread":0.1719454083420841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099430409","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18570572,0.000014064646,0.00024135059,0.000032965792,0.00023513746,0.000013815132,8.3515624e-7,0.00003636614,0.81371975],"genre_scores_gemma":[0.9345815,5.522728e-7,0.0005510968,0.00065963785,0.000017689488,3.9557793e-7,3.1500917e-7,0.000001509384,0.064187296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99981534,0.0000073365227,0.000024124412,0.000051374478,0.00002322755,0.00007858869],"domain_scores_gemma":[0.99985677,0.000004247877,0.00000750321,0.00009793024,0.0000046364307,0.000028882443],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002561659,0.000022272485,0.000025910245,0.00001305366,0.000017124732,0.0000022598383,0.00007302171,0.000019098163,0.057313032],"category_scores_gemma":[0.000002636184,0.000018931101,0.00001522477,0.000023698114,0.000016156551,0.000047937578,0.000012388464,0.000026322063,0.010302316],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009123447,0.0003699799,0.10504173,0.0000018207638,0.0000574192,0.00003958212,0.009944437,1.6766421e-8,0.000065270986,0.6052902,0.24506973,0.034028612],"study_design_scores_gemma":[0.0002685157,0.00011409569,0.9360366,0.0000010546803,0.0000055394553,0.000006771182,0.00080433465,4.4268285e-7,0.00031560435,0.001839488,0.060533583,0.00007399934],"about_ca_topic_score_codex":0.00020562318,"about_ca_topic_score_gemma":0.0000036586882,"teacher_disagreement_score":0.83099484,"about_ca_system_score_codex":0.000001798867,"about_ca_system_score_gemma":0.0000016008438,"threshold_uncertainty_score":0.99046826},"labels":[],"label_agreement":null},{"id":"W7099463196","doi":"","title":"Article","year":2016,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Promotion (chess); Work (physics); Order (exchange)","score_opus":0.026453011697884936,"score_gpt":0.29473843127891086,"score_spread":0.2682854195810259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099463196","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4757534,0.000007393628,0.0011179846,0.0016045624,0.00013748319,0.000010691882,0.000001137954,0.00003485562,0.5213325],"genre_scores_gemma":[0.89177835,7.040219e-7,0.00008389914,0.0005512477,0.000023532324,3.943889e-7,3.1463557e-8,0.0000011937767,0.10756065],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99980545,0.0000069186435,0.000022984585,0.000049547227,0.000027433449,0.00008769131],"domain_scores_gemma":[0.99984545,0.000019882063,0.0000053586123,0.000092389855,0.000005447609,0.000031497093],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002679435,0.000017679191,0.000020613426,0.000008588065,0.000013506306,0.0000031468026,0.000047832356,0.000013479094,0.03138445],"category_scores_gemma":[0.000008721824,0.00000992031,0.000011942075,0.000021938531,0.00001958102,0.00006282114,0.00001069628,0.000008559734,0.018951932],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047587513,0.00012161859,0.08644579,5.744126e-7,0.000026442562,0.0000120401855,0.0004190407,1.8205482e-8,0.011259983,0.30619916,0.40838417,0.18708356],"study_design_scores_gemma":[0.0011303191,0.00011163866,0.73391414,0.000005308923,0.000004604353,0.000006652408,0.00027425785,4.158705e-7,0.0077083386,0.0036457274,0.25309575,0.00010284326],"about_ca_topic_score_codex":0.00001699326,"about_ca_topic_score_gemma":0.0000017736329,"teacher_disagreement_score":0.6474683,"about_ca_system_score_codex":0.0000040626,"about_ca_system_score_gemma":0.0000016521255,"threshold_uncertainty_score":0.98181194},"labels":[],"label_agreement":null},{"id":"W7099796903","doi":"","title":"Cluster Fluid Dynamics in Down Flow Reactors: Experimental and Modeling Study","year":2015,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cluster (spacecraft); Flow (mathematics); Field (mathematics); Dynamics (music); Fluid dynamics","score_opus":0.06200241960960057,"score_gpt":0.3332977457112662,"score_spread":0.2712953261016656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099796903","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9466527,0.000088877314,0.0006718174,0.00011343333,0.00028393618,0.00017089414,0.000004091668,0.000028714772,0.051985502],"genre_scores_gemma":[0.99826103,8.433216e-7,0.00033795089,0.00021064951,0.000030720603,0.000003863162,0.0000047276294,0.0000064046894,0.0011438087],"study_design_codex":"observational","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99940044,0.000049817314,0.00010673972,0.00017990521,0.00010175562,0.00016134688],"domain_scores_gemma":[0.9997055,0.000013965307,0.000013947197,0.00015704641,0.000015794758,0.000093765164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000177146,0.00008325525,0.000110222296,0.00006271321,0.00002243502,0.000029010487,0.000089887326,0.000051021565,0.00018224464],"category_scores_gemma":[0.000012177777,0.000076295306,0.0000138400055,0.000056210803,0.00001921581,0.00020844534,0.0000904875,0.00008011482,0.00009250742],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023249413,0.009201611,0.73432875,0.000013470374,0.00026610252,0.0002092868,0.21209508,0.0025739959,0.00055011496,0.0046837265,0.026680104,0.007072783],"study_design_scores_gemma":[0.009175839,0.0015474067,0.010546915,0.00001800578,0.000021205336,0.000023194118,0.35412216,0.623493,0.00006635004,0.00021417395,0.00031156835,0.00046016488],"about_ca_topic_score_codex":0.0012113119,"about_ca_topic_score_gemma":0.00032298823,"teacher_disagreement_score":0.7237819,"about_ca_system_score_codex":0.00010792992,"about_ca_system_score_gemma":0.000009592829,"threshold_uncertainty_score":0.31112322},"labels":[],"label_agreement":null},{"id":"W7099823618","doi":"","title":"ADIPOCYTES ET","year":2015,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adiponectin; Leptin; Adipose tissue; Adipocyte","score_opus":0.14349735688004014,"score_gpt":0.3850078124591598,"score_spread":0.24151045557911968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099823618","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10235488,0.00009049499,0.00023152691,0.0009586771,0.0003290081,0.000017915665,0.0000018586984,0.000048650672,0.895967],"genre_scores_gemma":[0.91983914,9.4867016e-7,0.00040585457,0.0026924454,0.000029050385,5.1722003e-7,0.0000014012797,0.0000020522295,0.07702858],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997783,0.000017971888,0.00002523629,0.000053419262,0.000046367266,0.00007873459],"domain_scores_gemma":[0.99980253,0.0000131255865,0.0000078420235,0.00009242905,0.000014460935,0.00006960216],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000817619,0.000025441168,0.000032731034,0.000014442052,0.000008686724,0.000009175087,0.00006687344,0.000020828493,0.0035224198],"category_scores_gemma":[0.000019526164,0.000021719467,0.000012123447,0.000030996864,0.00001477161,0.00007562256,0.000017390787,0.00003105707,0.007197669],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025770492,0.00005924407,0.010150252,4.5051135e-7,0.00001725411,0.000007984338,0.0016841309,7.812558e-7,0.000012209531,0.12890847,0.85630167,0.0028317664],"study_design_scores_gemma":[0.0009358908,0.00021020691,0.071416676,0.0000023613186,0.000007678727,0.000012162272,0.0023306692,0.0000041855264,0.00022561126,0.0025677814,0.9221786,0.00010814246],"about_ca_topic_score_codex":0.00015155046,"about_ca_topic_score_gemma":0.000008743676,"teacher_disagreement_score":0.81893843,"about_ca_system_score_codex":0.000005858702,"about_ca_system_score_gemma":0.000010144549,"threshold_uncertainty_score":0.9973885},"labels":[],"label_agreement":null},{"id":"W7100898462","doi":"","title":"SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS","year":2012,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Embodied cognition; Framing (construction); The arts; Identity (music); Qualitative research; Occupational safety and health; Performing arts; Graduate students","score_opus":0.6447260865981121,"score_gpt":0.44480734456477644,"score_spread":0.1999187420333357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100898462","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99406874,0.00016144414,0.00016741558,0.002051166,0.00047770469,0.00058784004,0.00008546626,0.0000020255206,0.0023981838],"genre_scores_gemma":[0.9985859,0.00000815389,0.000089346126,0.00020729775,0.000022746455,0.00001682989,0.0000010699292,0.0000033312078,0.0010653385],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99915725,0.000071916416,0.00028955837,0.00007585033,0.00021761174,0.00018784194],"domain_scores_gemma":[0.9991766,0.00015242756,0.00021370506,0.00033093774,0.00010625593,0.000020044954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005711226,0.000073454554,0.00019533563,0.000026849179,0.000033134987,0.0000014698376,0.00030591257,0.000025378275,0.00009561855],"category_scores_gemma":[0.000093127805,0.000032186683,0.00008963324,0.00012658928,0.00017990287,0.000060342412,0.000149897,0.000042263455,0.000005433234],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022031476,0.0021745313,0.6973275,0.00027966464,0.0021224879,4.1692425e-7,0.1207563,0.00008787123,0.008046104,0.014751918,0.1340863,0.018163757],"study_design_scores_gemma":[0.0011353,0.00029529247,0.9378471,0.00006171032,0.00009662239,4.0589873e-7,0.015754733,0.0000069057232,0.041526016,0.000117012256,0.0030974299,0.00006150331],"about_ca_topic_score_codex":0.00019829285,"about_ca_topic_score_gemma":0.00013075156,"teacher_disagreement_score":0.24051957,"about_ca_system_score_codex":0.000011432801,"about_ca_system_score_gemma":0.000007900313,"threshold_uncertainty_score":0.13125348},"labels":[],"label_agreement":null},{"id":"W7100982891","doi":"","title":"PROFESSIONAL EXPERIENCE 2013- Alfred Deakin Postdoctoral fellow (Alfred Deakin University): � Projects:- Individual differences in thermal sensitivity","year":2002,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Goose; Personality; Arctic; Test (biology); Foraging","score_opus":0.07013506531712306,"score_gpt":0.2858411193929325,"score_spread":0.21570605407580945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100982891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.980803,0.000039466755,0.000047013906,0.0008231607,0.0007396611,0.00041039955,0.00016216032,0.000121656696,0.016853482],"genre_scores_gemma":[0.98602337,0.00000453136,0.00032732758,0.00039881794,0.0000771623,0.000004692963,0.00003064558,0.0000142003,0.013119241],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99744636,0.00058751076,0.00023166045,0.00057659886,0.0004446596,0.0007132072],"domain_scores_gemma":[0.99905735,0.00019963867,0.00014126152,0.00035205274,0.000062594045,0.00018709015],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024075649,0.00030034047,0.0003481471,0.00030162622,0.00023746214,0.000060691607,0.00049430446,0.00026741688,0.00624464],"category_scores_gemma":[0.000045685152,0.00027745764,0.000102777005,0.0005142123,0.00032325686,0.00069107383,0.00025689113,0.0004209836,0.00048398337],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00073854515,0.0024946798,0.90987724,0.000024684921,0.0001369518,0.0011490642,0.035652786,0.0000061510373,0.0039291303,0.0059456485,0.033908006,0.0061371215],"study_design_scores_gemma":[0.0022738855,0.0002901997,0.9843078,0.00005760735,0.000024952344,0.00003292706,0.00861961,0.0002510101,0.0005276196,0.000018511368,0.0030818966,0.00051397923],"about_ca_topic_score_codex":0.010072863,"about_ca_topic_score_gemma":0.0020088328,"teacher_disagreement_score":0.07443057,"about_ca_system_score_codex":0.00009211576,"about_ca_system_score_gemma":0.000053828837,"threshold_uncertainty_score":0.99996775},"labels":[],"label_agreement":null},{"id":"W7101059450","doi":"","title":"Anna M. Szaflarski","year":2020,"lang":"","type":"other","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Performance art","score_opus":0.03292127067541283,"score_gpt":0.29331601971493454,"score_spread":0.2603947490395217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101059450","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000036919904,0.0016625124,0.00046801651,0.0047392575,0.003709391,0.0003634021,0.00018306423,0.00017289264,0.98866457],"genre_scores_gemma":[0.0036623466,0.00054163754,0.00050646777,0.011436171,0.0012483953,0.0000021962471,0.000032326396,0.0002107618,0.9823597],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782825,0.00013624979,0.00028181466,0.0008215553,0.000296603,0.00063555996],"domain_scores_gemma":[0.998533,0.0000456343,0.00023738178,0.0006962076,0.000024026993,0.000463734],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008693677,0.00051980413,0.0006483296,0.00016204242,0.000094979056,0.0000895472,0.00086518953,0.0008507195,0.79561543],"category_scores_gemma":[0.000048047637,0.00053584913,0.00032058384,0.00028790362,0.00021990493,0.000093785864,0.0002448237,0.0006586423,0.28826305],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010603549,0.00023918643,0.00049371005,0.00006806775,0.0005352136,0.0001542833,0.00079802354,9.769381e-8,0.0000217038,0.012141948,0.9705157,0.014925981],"study_design_scores_gemma":[0.0010614594,0.00045847963,0.0029305522,0.000091681584,0.00012373102,0.000011608912,0.00042820245,0.0000033591007,0.000021547208,0.0001546236,0.9941144,0.0006003692],"about_ca_topic_score_codex":0.00023541665,"about_ca_topic_score_gemma":0.000026368762,"teacher_disagreement_score":0.50735235,"about_ca_system_score_codex":0.000033022698,"about_ca_system_score_gemma":0.0000774111,"threshold_uncertainty_score":0.9997093},"labels":[],"label_agreement":null},{"id":"W7101085278","doi":"","title":"The Body and Movement Dynamics as Tools for the Formation of Educators and Therapists Joanabbey Sack Lecturer in the Department of Creative Arts Therapies at Concordia University","year":2015,"lang":"en","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Session (web analytics); Movement (music); Dynamics (music); Curriculum; The arts; Sack; Creativity; Professional development","score_opus":0.029473852074549077,"score_gpt":0.2924236310497462,"score_spread":0.26294977897519717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101085278","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9832153,0.0007447301,0.0004296511,0.003593808,0.000081275415,0.0006964735,0.000051758612,0.0000036082295,0.011183415],"genre_scores_gemma":[0.9983764,0.000231447,0.0000329334,0.00047797093,0.000007527271,0.0000057358675,0.000009007617,0.0000027927326,0.00085613277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99947584,0.00011059371,0.000103942606,0.00008568916,0.00010981604,0.00011410631],"domain_scores_gemma":[0.9990495,0.0005862341,0.00011279449,0.00016218508,0.00006241428,0.000026894553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004121495,0.0000774843,0.00010482891,0.000024371773,0.00014023617,0.000025943804,0.00014693337,0.000033970973,0.000026958625],"category_scores_gemma":[0.00002931153,0.00003817494,0.00003087112,0.0000638187,0.0002172576,0.0001532829,0.000044055963,0.000045343313,0.0000010739191],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005786241,0.0008084165,0.09072043,0.00007980492,0.0013101706,0.0000040165714,0.3290139,0.000049168528,0.0001965316,0.43243498,0.05806127,0.08153504],"study_design_scores_gemma":[0.0038928394,0.0015912672,0.46972924,0.000024588144,0.00012092573,0.0000090068515,0.45246685,0.00037342767,0.0010293387,0.009304426,0.06124913,0.00020894567],"about_ca_topic_score_codex":0.0006217385,"about_ca_topic_score_gemma":0.0018328135,"teacher_disagreement_score":0.42313054,"about_ca_system_score_codex":0.00007236713,"about_ca_system_score_gemma":0.000030191895,"threshold_uncertainty_score":0.1556729},"labels":[],"label_agreement":null},{"id":"W7101430070","doi":"10.1093/eurpub/ckaf161.1242","title":"Measuring equity in cancer care quality: Critical review of national frameworks and lessons learnt","year":2025,"lang":"en","type":"article","venue":"European Journal of Public Health","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Disadvantaged; Equity (law); Socioeconomic status; Health equity; Ethnic group; Health care; Best practice; Inequality; Thematic analysis","score_opus":0.4443891120641266,"score_gpt":0.536058322962529,"score_spread":0.09166921089840235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7101430070","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06856712,0.34187725,0.009238771,0.3986819,0.001910772,0.00025835613,0.00009321196,0.000020004296,0.1793526],"genre_scores_gemma":[0.9811627,0.009554162,0.000323882,0.008754014,0.00009690407,4.1332245e-7,0.0000011635376,0.000006135096,0.00010057734],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.995575,0.0030113894,0.00064913573,0.0001223797,0.0003774182,0.00026465283],"domain_scores_gemma":[0.9986857,0.00022200936,0.0003016874,0.00010392428,0.0004898933,0.00019678415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010918989,0.00007065366,0.00031711362,0.00019625721,0.00006728092,0.000028641856,0.00023303194,0.00003647455,0.00022258096],"category_scores_gemma":[0.0024733897,0.00006660199,0.000060831313,0.00025797804,0.00009402185,0.00017353328,0.000108509375,0.0007318185,0.000004559922],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040592477,0.00045390744,0.030350866,0.010254397,0.00013564699,0.000059671653,0.009789516,0.000006832199,0.000009508996,0.09871664,0.025861505,0.8243209],"study_design_scores_gemma":[0.001178494,0.0003218861,0.8740841,0.015997952,0.000015736357,0.000029669898,0.00449138,0.0000016180461,0.0000026757523,0.000543898,0.10319631,0.0001362544],"about_ca_topic_score_codex":0.00009694115,"about_ca_topic_score_gemma":0.00002170497,"teacher_disagreement_score":0.9125956,"about_ca_system_score_codex":0.00022611096,"about_ca_system_score_gemma":0.0008681975,"threshold_uncertainty_score":0.37843254},"labels":[],"label_agreement":null},{"id":"W7103273368","doi":"","title":"Swing with Me","year":2023,"lang":"","type":"article","venue":"Scholar Works  (Boise State University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Swing; Plan (archaeology); Work (physics); Business plan; Dance","score_opus":0.018036756742604812,"score_gpt":0.23471159323675514,"score_spread":0.2166748364941503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103273368","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76866716,0.00060652616,0.0008259602,0.0012232973,0.001822195,0.0006209293,0.0002749831,0.0006873523,0.22527158],"genre_scores_gemma":[0.8109743,0.0032515244,0.00043452892,0.00045076522,0.00016934625,6.5531714e-7,0.00008673558,0.00010240183,0.18452975],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99561393,0.0006151456,0.00030169624,0.001170094,0.0006502286,0.0016489194],"domain_scores_gemma":[0.9974064,0.00021511911,0.00030410016,0.0010641774,0.00023299996,0.00077718863],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000821934,0.0006160461,0.0006032865,0.0017039737,0.0016498378,0.0005067561,0.0013278157,0.00042205147,0.0023447243],"category_scores_gemma":[0.00009113569,0.0007203898,0.0002901767,0.006023956,0.000500203,0.002499588,0.0006430627,0.0022355854,0.0094674975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.037769176,0.004600028,0.15729383,0.0012366459,0.015313022,0.10311784,0.108080626,0.019103417,0.0029043225,0.05165789,0.2134669,0.2854563],"study_design_scores_gemma":[0.009781271,0.0012558744,0.051556002,0.0015617212,0.00071384537,0.00005235711,0.04057758,0.00024608115,0.00019869432,0.00040201194,0.89171183,0.0019427531],"about_ca_topic_score_codex":0.00020165199,"about_ca_topic_score_gemma":0.00009640006,"teacher_disagreement_score":0.6782449,"about_ca_system_score_codex":0.00036017198,"about_ca_system_score_gemma":0.00030496277,"threshold_uncertainty_score":0.9996499},"labels":[],"label_agreement":null},{"id":"W7103522026","doi":"","title":"Review Of \"Choreographing Identities: Folk Dance, Ethnicity, And Festival In The United States And Canada\" By A. Shay","year":2007,"lang":"","type":"article","venue":"Works - Scholarship, Research, & Creative Expression (Swarthmore College)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Folk dance; Ethnography; Immigration; Power (physics); Key (lock)","score_opus":0.05246697879622809,"score_gpt":0.3838050172914355,"score_spread":0.33133803849520743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103522026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76950973,0.21795946,0.00011492297,0.001879145,0.0002816434,0.0022502942,0.00088889117,0.000022659833,0.0070932503],"genre_scores_gemma":[0.722333,0.27312994,0.00018764473,0.0018338625,0.0001021949,0.000059785627,0.00019195997,0.00005982872,0.0021017946],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9853428,0.0072015976,0.0014440734,0.0013502102,0.0027165809,0.0019447239],"domain_scores_gemma":[0.9895077,0.0066880626,0.000694149,0.0011293762,0.0011225011,0.0008582098],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["sts"],"category_scores_codex":[0.018137515,0.000747152,0.0012231913,0.0013768561,0.0015822864,0.00035394833,0.0015160396,0.00056473736,0.0008007865],"category_scores_gemma":[0.003847949,0.00061249617,0.00017021874,0.004644198,0.002928754,0.0013057332,0.0010996776,0.0048658336,0.000006991329],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00619495,0.0021233559,0.21383859,0.010290729,0.00069913437,0.0017136914,0.033562694,0.000022547312,0.0026861297,0.004238613,0.70863664,0.015992895],"study_design_scores_gemma":[0.009141964,0.0022105093,0.38752773,0.1939078,0.00030884927,0.00017214526,0.23079084,0.000068338,0.0045795846,0.002976059,0.16620621,0.0021099711],"about_ca_topic_score_codex":0.18996322,"about_ca_topic_score_gemma":0.10532846,"teacher_disagreement_score":0.54243046,"about_ca_system_score_codex":0.0003406492,"about_ca_system_score_gemma":0.0006718789,"threshold_uncertainty_score":0.9997847},"labels":[],"label_agreement":null},{"id":"W7104434221","doi":"10.71781/21461","title":"Intervenir par la danse : quels effets sur le bien-être et les inégalités sociales : une étude de cas à Montréal","year":2022,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History of sociology; Social power; Historical heritage","score_opus":0.016158758518893052,"score_gpt":0.24160642779150654,"score_spread":0.22544766927261348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104434221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89627707,0.030667223,0.00023210481,0.0026833608,0.0020355547,0.00055609684,0.0008116497,0.00020940522,0.06652753],"genre_scores_gemma":[0.9314112,0.0013094826,0.00033361296,0.00038023922,0.00019868999,0.000049330196,0.0012040881,0.00008285948,0.065030485],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99430525,0.0019754875,0.00069742545,0.0010956251,0.000928131,0.0009980764],"domain_scores_gemma":[0.9969707,0.00066037395,0.0008258674,0.0006608125,0.00031115543,0.0005710998],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008995859,0.00086682104,0.0008991231,0.00052107254,0.009669597,0.00015679651,0.0011189112,0.001167882,0.00040896935],"category_scores_gemma":[0.00020473753,0.001144322,0.0009074378,0.00067179545,0.0009125147,0.0007911133,0.00051804,0.0017417107,0.000121256235],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008356139,0.0057474254,0.15560523,0.0011538311,0.0044725845,0.031027569,0.5380639,0.006669245,0.016319964,0.19750284,0.014331252,0.020750066],"study_design_scores_gemma":[0.006166219,0.0006394108,0.64461535,0.00070798857,0.0010614949,0.0022993025,0.16496257,0.00027932707,0.003138095,0.0011488987,0.17332174,0.0016596155],"about_ca_topic_score_codex":0.677209,"about_ca_topic_score_gemma":0.18653078,"teacher_disagreement_score":0.49067828,"about_ca_system_score_codex":0.006871347,"about_ca_system_score_gemma":0.0045581353,"threshold_uncertainty_score":0.9991007},"labels":[],"label_agreement":null},{"id":"W7108478306","doi":"10.1093/9780197797969.003.0009","title":"Allegro and Stretching","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Flexibility (engineering); Quarter (Canadian coin); Class (philosophy); Ballet dancer","score_opus":0.022554813440672315,"score_gpt":0.27629188427304513,"score_spread":0.2537370708323728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7108478306","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008946937,0.00068192836,0.000033281467,0.00040174898,0.00044909545,0.000066989385,0.000039782703,0.000048307782,0.9981894],"genre_scores_gemma":[0.0015658503,0.00010431773,0.00012669255,0.0010798546,0.0000667344,3.4012112e-7,0.000011000365,0.000007806927,0.9970374],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954534,0.0000046524315,0.000077209326,0.00020158236,0.00006376391,0.00010747507],"domain_scores_gemma":[0.99967045,0.000046867797,0.00003490523,0.00018854231,0.000012550738,0.000046675017],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000037905862,0.00012786148,0.00015855848,0.00007194115,0.00004181352,0.000021755932,0.00010727076,0.0002114144,0.011558179],"category_scores_gemma":[0.000004159331,0.0001242213,0.00004668554,0.0000050432463,0.00004257362,0.000039404815,0.000090082634,0.00021340023,0.0005116003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008561668,0.0000047239623,0.00003186751,0.000010871444,0.000101883095,0.000019242829,0.00015422927,1.2993707e-8,2.3655133e-7,0.7381268,0.23780417,0.023737375],"study_design_scores_gemma":[0.00021131428,0.00004469976,0.0003222916,0.00007762651,0.000045171015,0.000005035052,0.0000918543,7.288104e-7,8.4490983e-7,0.0135736605,0.9854685,0.00015827376],"about_ca_topic_score_codex":0.00006926726,"about_ca_topic_score_gemma":0.000016745098,"teacher_disagreement_score":0.74766433,"about_ca_system_score_codex":0.000010523516,"about_ca_system_score_gemma":0.000014349032,"threshold_uncertainty_score":0.9893454},"labels":[],"label_agreement":null},{"id":"W7110504260","doi":"","title":"Welcoming the Shabbes. . .Backwards","year":2009,"lang":"","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Yiddish; The arts; Mythology","score_opus":0.025915565941222,"score_gpt":0.31530447074879114,"score_spread":0.2893889048075691,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110504260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033884548,0.0017866943,0.00042539483,0.039870713,0.0021265512,0.00025131967,0.000016879167,0.00007229124,0.9215656],"genre_scores_gemma":[0.8959029,0.00024968063,0.00016266931,0.02389065,0.0004776575,7.454544e-7,0.0000019697927,0.000009006751,0.07930473],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981751,0.000165066,0.00028198614,0.00038664686,0.00029340357,0.00069780124],"domain_scores_gemma":[0.99872506,0.00013513117,0.000114343726,0.00080215296,0.00004552923,0.0001778157],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049166504,0.00025893087,0.00026327698,0.00006601726,0.00049537886,0.00018721167,0.00090919755,0.00021366245,0.029508682],"category_scores_gemma":[0.00006129376,0.00018496235,0.00022490678,0.00030845762,0.00021389847,0.00022243978,0.00009989508,0.00047874733,0.008551686],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022923209,0.0006617394,0.0014755125,0.0000092324835,0.00017978021,0.000048078018,0.0057131983,0.000007876854,0.0001497035,0.12801549,0.6640431,0.19946702],"study_design_scores_gemma":[0.001441182,0.0008837192,0.14604108,0.00004892298,0.00011694813,0.000043758788,0.0037285883,0.00009990506,0.0002383966,0.0031388379,0.84379107,0.0004276079],"about_ca_topic_score_codex":0.00015293028,"about_ca_topic_score_gemma":0.000011441857,"teacher_disagreement_score":0.86201835,"about_ca_system_score_codex":0.00004993646,"about_ca_system_score_gemma":0.00005644836,"threshold_uncertainty_score":0.9922203},"labels":[],"label_agreement":null},{"id":"W7110527821","doi":"","title":"Dancing Through The Decades: Essays & Screendances","year":2022,"lang":"en","type":"article","venue":"ScholarSpace (University of Hawaii at Manoa)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Narrative; Tragedy (event); Performing arts; Personal narrative; Choreography; The arts; Politics","score_opus":0.025262328450884265,"score_gpt":0.2547103225326796,"score_spread":0.22944799408179534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110527821","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70307684,0.0014490462,0.00075697567,0.0117041,0.00075262605,0.00029901203,0.0001649147,0.000115368195,0.28168115],"genre_scores_gemma":[0.9516608,0.00006802583,0.00089444104,0.0005592349,0.000041464056,9.4323394e-7,0.000015432233,0.000016534626,0.046743125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811,0.00035564497,0.00010009848,0.00042844022,0.0005587702,0.00044704223],"domain_scores_gemma":[0.9987761,0.00014015958,0.00025235987,0.0006743754,0.000065057684,0.000091940696],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005197501,0.00017629223,0.00026103426,0.00011245419,0.002474434,0.000031893105,0.0013139056,0.00008012746,0.008498383],"category_scores_gemma":[0.000023132094,0.00019408771,0.00020332595,0.0005550213,0.00039609152,0.0007806911,0.0012024008,0.00063664984,0.00040209698],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020957505,0.0007932643,0.05167589,0.000088736204,0.0009920361,0.00063410745,0.10018297,0.00091295753,0.0026152087,0.28336617,0.5480244,0.008618508],"study_design_scores_gemma":[0.0018200303,0.00034354607,0.047942247,0.000026900096,0.00013359539,0.000069964066,0.25403976,0.000016457256,0.00010064894,0.0011058088,0.69403374,0.00036729136],"about_ca_topic_score_codex":0.0014582309,"about_ca_topic_score_gemma":0.0004658413,"teacher_disagreement_score":0.28226036,"about_ca_system_score_codex":0.00021224315,"about_ca_system_score_gemma":0.000055280423,"threshold_uncertainty_score":0.99882424},"labels":[],"label_agreement":null},{"id":"W7110777699","doi":"10.1515/9781988111582-048","title":"46 Leaping across Time: Four Decades of Contemporary Dance at Concordia University","year":2024,"lang":"","type":"book-chapter","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Field (mathematics); Photography; Exhibition","score_opus":0.06369330922865096,"score_gpt":0.2973801272578978,"score_spread":0.23368681802924685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7110777699","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032066315,0.0052282363,0.0001382948,0.0009718387,0.0022686664,0.0006538587,0.0027569705,0.00017476366,0.95574105],"genre_scores_gemma":[0.37895012,0.000635502,0.00008057711,0.00031835897,0.00014283023,3.1898912e-7,0.00005824131,0.00006525011,0.61974883],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99615794,0.00011535721,0.0008239386,0.0014419013,0.00056767766,0.00089315936],"domain_scores_gemma":[0.9967305,0.0005113836,0.0008854166,0.0011438018,0.00027908897,0.00044982863],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00054880173,0.0009526029,0.0016025238,0.00031063473,0.00051616435,0.00008869193,0.0013383498,0.0013951478,0.023338867],"category_scores_gemma":[0.00003658894,0.0011194344,0.0009467901,0.000193877,0.001963308,0.0006074893,0.0017666785,0.001193898,0.013848485],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007324485,0.00041956964,0.013844082,0.0022179338,0.008345605,0.0057025785,0.010074886,0.00001968728,0.0021131306,0.6578196,0.28300783,0.009110564],"study_design_scores_gemma":[0.0025871142,0.0007160945,0.002343738,0.001483135,0.0003816187,0.000111669986,0.0021775719,0.00003938023,0.00042126107,0.0015101949,0.9869165,0.0013117146],"about_ca_topic_score_codex":0.0008073704,"about_ca_topic_score_gemma":0.0001683106,"teacher_disagreement_score":0.7039087,"about_ca_system_score_codex":0.0004335985,"about_ca_system_score_gemma":0.000290712,"threshold_uncertainty_score":0.99990124},"labels":[],"label_agreement":null},{"id":"W7112817402","doi":"","title":"Royal Winnipeg Ballet","year":2025,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.02024448585016335,"score_gpt":0.25510781457116455,"score_spread":0.23486332872100119,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7112817402","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6023845,0.0029659977,0.0016521087,0.0041974313,0.0015293126,0.0004580741,0.00076107203,0.00010494698,0.38594654],"genre_scores_gemma":[0.8963737,0.00031059154,0.00074971607,0.0006711986,0.00006403707,2.3408303e-7,0.00009980821,0.000024207951,0.10170649],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9961548,0.00071215176,0.0004698644,0.0009947895,0.00066034356,0.0010080637],"domain_scores_gemma":[0.996318,0.00038471946,0.0005051349,0.0018217264,0.00045863193,0.00051182386],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00061511825,0.00057442207,0.001009546,0.001060214,0.0017040257,0.00036541122,0.0030847564,0.000610051,0.0060020583],"category_scores_gemma":[0.0001645154,0.0008528917,0.0006464105,0.0019062313,0.001247846,0.0019324616,0.00145587,0.0019395791,0.0016676963],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001512313,0.0021737968,0.70621437,0.00023808527,0.0028038174,0.00045250976,0.0027711913,0.00009213135,0.000028339164,0.018591281,0.23478593,0.03033621],"study_design_scores_gemma":[0.0028696873,0.0003852122,0.6060782,0.00019053735,0.0007224801,0.0000031712746,0.0015909399,0.000084087864,0.0000047941535,0.0002133811,0.38741735,0.00044016144],"about_ca_topic_score_codex":0.0041211396,"about_ca_topic_score_gemma":0.0075707086,"teacher_disagreement_score":0.2939892,"about_ca_system_score_codex":0.00028960808,"about_ca_system_score_gemma":0.0005668549,"threshold_uncertainty_score":0.99959564},"labels":[],"label_agreement":null},{"id":"W7113006493","doi":"","title":"An Anthology of collected essays","year":2024,"lang":"en","type":"book-chapter","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Laboratório Associado para a Química Verde; Rede de Química e Tecnologia; Universidade de Lisboa; Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Exposition (narrative); Period (music); Work (physics); Feature (linguistics)","score_opus":0.09048051131780636,"score_gpt":0.4062178148424042,"score_spread":0.31573730352459783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113006493","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008631398,0.0074537154,0.00009562339,0.00087099604,0.00087741495,0.0017476982,0.0021977243,0.00030914482,0.9778163],"genre_scores_gemma":[0.26076072,0.0012721638,0.00072760833,0.000039896266,0.00017427378,0.00022512014,0.0003466712,0.00007725142,0.7363763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99533767,0.000044539036,0.00056009926,0.001379836,0.0015579526,0.00111991],"domain_scores_gemma":[0.99632365,0.00042031115,0.00027827456,0.0005486898,0.0022113333,0.00021775543],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.004207599,0.0003639475,0.00055364537,0.007122702,0.00083853636,0.00010315275,0.0014892623,0.00095455244,0.00044253844],"category_scores_gemma":[0.0009429027,0.0003529734,0.00010959829,0.0022842137,0.006089463,0.00039417125,0.00046441937,0.0012012376,0.00009431358],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001394493,0.00021644084,0.00024076989,0.00012860348,0.00015832623,0.00005323482,0.00028750888,1.16523054e-7,0.0029783794,0.93903863,0.044369135,0.012389412],"study_design_scores_gemma":[0.0010693884,0.0054765,0.0005671305,0.00033195046,0.00007697519,0.000229633,0.00059469533,0.00015717166,0.0014223193,0.8584724,0.13083318,0.00076863455],"about_ca_topic_score_codex":0.00006348531,"about_ca_topic_score_gemma":0.000020730591,"teacher_disagreement_score":0.25212932,"about_ca_system_score_codex":0.0003024017,"about_ca_system_score_gemma":0.0018018006,"threshold_uncertainty_score":0.99989223},"labels":[],"label_agreement":null},{"id":"W7113356206","doi":"","title":"L’hypermobilité articulaire, quantifiée par le score de Beighton, est-elle un facteur de risque de blessures musculosquelettiques chez les danseurs professionnels et préprofessionnels ?","year":2025,"lang":"fr","type":"dissertation","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Elegance; Human factors and ergonomics; Poison control; Risk factor; Occupational safety and health; Injury prevention; Sports medicine","score_opus":0.02242307156331536,"score_gpt":0.29270661238603585,"score_spread":0.2702835408227205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113356206","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9160998,0.0037029483,0.024399718,0.017059995,0.0007584145,0.0012759496,0.00027219547,0.00037080885,0.036060188],"genre_scores_gemma":[0.9309671,0.002046487,0.012004245,0.00070087845,0.000055637538,0.00023657599,0.0017576189,0.00011890021,0.052112546],"study_design_codex":"qualitative","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9713111,0.02415428,0.0011075021,0.0014254753,0.0005936722,0.0014079574],"domain_scores_gemma":[0.9905026,0.0034289411,0.0010791137,0.002251564,0.002140229,0.00059755996],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.009945835,0.0009007874,0.00097010983,0.00043610582,0.0021287294,0.000439954,0.0020990323,0.0014580165,0.0008518908],"category_scores_gemma":[0.0036136732,0.000975777,0.0005777086,0.0009350022,0.0006581386,0.00053320226,0.00051341,0.0018939733,0.000101290316],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057891454,0.009784008,0.18441588,0.0037859115,0.0011767978,0.0001537975,0.3337475,0.00032116254,0.08483324,0.32137847,0.009671072,0.050153237],"study_design_scores_gemma":[0.0033260235,0.000013471674,0.3788422,0.020181475,0.0007759056,0.000067975896,0.034761388,0.006126767,0.5262985,0.013717631,0.013824096,0.0020645545],"about_ca_topic_score_codex":0.025668113,"about_ca_topic_score_gemma":0.016125867,"teacher_disagreement_score":0.44146526,"about_ca_system_score_codex":0.00044816732,"about_ca_system_score_gemma":0.0025770706,"threshold_uncertainty_score":0.9998383},"labels":[],"label_agreement":null},{"id":"W7115029863","doi":"","title":"Discipline and devotion: The hybridization of gymnastics and yoga in Montreal women’s communities","year":2025,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Trois-Rivières; McGill University","funders":"","keywords":"Qualitative research; Perspective (graphical); Ethnography; Intervention (counseling); Action (physics)","score_opus":0.01773173258196668,"score_gpt":0.2581376431683495,"score_spread":0.2404059105863828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115029863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.942023,0.0006175848,4.0852868e-7,0.00003618358,0.00063721807,0.0003417969,0.0013062219,0.000032429096,0.055005156],"genre_scores_gemma":[0.98878294,0.0006942949,0.000041677024,0.00011295869,0.000017412578,0.00007707803,0.0005314951,0.000028026658,0.00971409],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99818593,0.0003784024,0.0004841585,0.0003304594,0.00026556067,0.0003554882],"domain_scores_gemma":[0.9984853,0.00044670302,0.0003438013,0.00044972758,0.00017393376,0.00010049051],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005843304,0.0003418206,0.000489303,0.00033095444,0.0006122328,0.000050875133,0.00037272705,0.0003472823,0.00024072756],"category_scores_gemma":[0.00023103064,0.00031680267,0.00006205717,0.00034317345,0.00014590476,0.00034187167,0.0001785624,0.000813307,0.000011721781],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004034463,0.0018310528,0.016607868,0.002667061,0.0013802795,0.00010196686,0.00813373,0.00018164174,0.00092368573,0.43552157,0.00018867508,0.528428],"study_design_scores_gemma":[0.00511615,0.00079416746,0.85070854,0.0018165396,0.0004979074,0.000038916714,0.08201454,0.000105419145,0.0015546276,0.042962074,0.013049845,0.0013412811],"about_ca_topic_score_codex":0.0023091163,"about_ca_topic_score_gemma":0.01438937,"teacher_disagreement_score":0.83410066,"about_ca_system_score_codex":0.00018897395,"about_ca_system_score_gemma":0.000026305917,"threshold_uncertainty_score":0.9999284},"labels":[],"label_agreement":null},{"id":"W7115368813","doi":"","title":"A fall from grace? Examining retired ballet dancers' experiences with body image and embodiment throughout the life course","year":2024,"lang":"en","type":"article","venue":"Precedente. Revista Jurídica (Universidad Icesi)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University; University of British Columbia","funders":"","keywords":"Ballet; Ballet dancer; Embodied cognition; Narrative; Dance; Classical ballet","score_opus":0.022565505361657353,"score_gpt":0.30730830482743493,"score_spread":0.2847427994657776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115368813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.940432,0.017294934,0.00086883956,0.0032624553,0.00080719346,0.00064186787,0.0001440518,0.00028249307,0.036266178],"genre_scores_gemma":[0.99358684,0.0006548161,0.0005013861,0.0005270233,0.00016574367,0.000036159254,0.000044264245,0.00004047104,0.004443277],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9974721,0.00027766952,0.00026161954,0.0009010415,0.0005329448,0.00055459235],"domain_scores_gemma":[0.99836373,0.00036837877,0.00020395052,0.0006842719,0.00006664208,0.00031304098],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035445543,0.00038596505,0.00042935123,0.000117831296,0.0005222518,0.0007769113,0.00083684025,0.00013952272,0.0023662245],"category_scores_gemma":[0.000044645647,0.00029894692,0.00010916119,0.00044772142,0.0007764658,0.0010884734,0.00031919236,0.00043038314,0.0003143859],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003440283,0.0010875384,0.0405842,0.00069038675,0.006092448,0.0019551758,0.56790227,0.0000070655165,0.0016789096,0.03471102,0.32368648,0.018164223],"study_design_scores_gemma":[0.0038807916,0.0017410407,0.11072767,0.0017999809,0.0020674171,0.00010456477,0.6734861,0.00066517014,0.00013406512,0.00016650738,0.20364927,0.001577444],"about_ca_topic_score_codex":0.0009793044,"about_ca_topic_score_gemma":0.00008713299,"teacher_disagreement_score":0.12003722,"about_ca_system_score_codex":0.000086765845,"about_ca_system_score_gemma":0.00014609183,"threshold_uncertainty_score":0.99994624},"labels":[],"label_agreement":null},{"id":"W7116666870","doi":"10.3998/conversations.8521","title":"Un loc’ de riddims in meh body for liberation","year":2025,"lang":"","type":"article","venue":"Conversations Across the Field of Dance Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Diaspora; Embodied cognition; Reflection (computer programming); Racism; Lived experience","score_opus":0.026265683837096463,"score_gpt":0.411860226309249,"score_spread":0.3855945424721525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116666870","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7918807,0.036019545,0.025139453,0.114338815,0.0075711664,0.0030198386,0.00065731327,0.00006720875,0.021305945],"genre_scores_gemma":[0.99005127,0.0026026291,0.00041062466,0.002711092,0.00009817106,0.000099907265,0.000007362757,0.000007939457,0.0040110275],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9984224,0.00014298527,0.00050866924,0.00032936304,0.00012122621,0.0004753598],"domain_scores_gemma":[0.99652994,0.0023774114,0.00026362058,0.0005127825,0.0002861825,0.00003008265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075320114,0.00021120487,0.00042869343,0.000100436766,0.00069330295,0.000057616093,0.0004852903,0.0001893688,0.000092416085],"category_scores_gemma":[0.0015431029,0.00019319396,0.0001713333,0.0005072158,0.0005700865,0.00022077131,0.0002278017,0.00027673526,0.000014975049],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025639609,0.0015619555,0.1463992,0.0018003614,0.0052437917,0.0000109329485,0.3388348,0.00066739274,0.001288904,0.15076473,0.24707876,0.103785224],"study_design_scores_gemma":[0.014989943,0.0019452833,0.48436698,0.002076154,0.0010695119,0.0000046108908,0.26659656,0.0021848315,0.047328632,0.053206418,0.1250426,0.0011884903],"about_ca_topic_score_codex":0.00022677712,"about_ca_topic_score_gemma":0.0003396665,"teacher_disagreement_score":0.33796778,"about_ca_system_score_codex":0.00011683722,"about_ca_system_score_gemma":0.00013834887,"threshold_uncertainty_score":0.78782207},"labels":[],"label_agreement":null},{"id":"W7116735890","doi":"10.1016/j.exger.2025.113012","title":"The impact of adapted tango dance on cognitive and executive function in older adults: A randomized controlled trial","year":2025,"lang":"en","type":"article","venue":"Experimental Gerontology","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cognition; Dance; Randomized controlled trial; Intervention (counseling); Executive functions; Dance therapy; Cognitive Intervention","score_opus":0.016463589133478142,"score_gpt":0.34370120235240226,"score_spread":0.32723761321892414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116735890","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.939516,0.0061815283,0.00009508165,0.000090602996,0.0008632045,0.0031850403,0.000013534118,0.000016532695,0.05003848],"genre_scores_gemma":[0.99781066,0.00004307602,0.0000059266313,0.00015009075,0.00002961024,0.00049335783,0.000006353156,0.0000056498657,0.0014552912],"study_design_codex":"randomized_trial","study_design_gemma":"randomized_trial","domain_scores_codex":[0.9982652,0.000716756,0.00038475657,0.0002783959,0.000091087015,0.00026379852],"domain_scores_gemma":[0.99800235,0.001541922,0.00022332087,0.00014790865,0.000045239634,0.000039234626],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036642814,0.00018108476,0.0009085416,0.00011807399,0.000093075294,0.000012758392,0.00010815335,0.0001362996,0.00026510147],"category_scores_gemma":[0.0002681707,0.000117768934,0.00023219423,0.00011292387,0.00045605816,0.00007296925,0.00004085303,0.000155813,0.000010842026],"study_design_candidate":"randomized_trial","study_design_consensus":"randomized_trial","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.98466474,0.00082949473,0.00022668704,0.0000023835546,0.00063193956,0.000006429855,0.005620353,6.620232e-7,0.00020032834,0.0056645777,0.0009990508,0.0011533852],"study_design_scores_gemma":[0.9753155,0.002147012,0.008583629,0.000101547346,0.00005754647,0.0000029067498,0.012987847,0.000051180818,0.0005155076,0.00011683421,0.000019491812,0.00010101465],"about_ca_topic_score_codex":0.00086613634,"about_ca_topic_score_gemma":0.00006426103,"teacher_disagreement_score":0.058294646,"about_ca_system_score_codex":0.00008864125,"about_ca_system_score_gemma":0.000041831274,"threshold_uncertainty_score":0.48024777},"labels":[],"label_agreement":null},{"id":"W7117131924","doi":"10.9734/jocamr/2025/v26i11726","title":"Exploration of Dance as an Intervention for Long-term Low Back Pain amongst an Older Population: Groove to Improve","year":2025,"lang":"en","type":"article","venue":"Journal of Complementary and Alternative Medical Research","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Low back pain; Dance; Psychological intervention; Intervention (counseling); Back pain; Distress","score_opus":0.138673391382683,"score_gpt":0.5044496485410679,"score_spread":0.3657762571583849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117131924","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9505933,0.000120385295,0.045814008,0.0022191154,0.0004933505,0.0004453191,0.000043037144,0.000002403203,0.00026909015],"genre_scores_gemma":[0.99836785,0.00004152408,0.00038603746,0.00041878622,0.00031392378,0.000010976965,0.00005548888,0.000005656301,0.00039975508],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9974908,0.0008009394,0.0004995044,0.00019947336,0.0007704928,0.0002387733],"domain_scores_gemma":[0.99841756,0.00046375563,0.00020911319,0.00014626628,0.00047506715,0.00028823124],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004446244,0.00008954409,0.00023277474,0.00030549688,0.00011677253,0.00005361534,0.0004049625,0.000044794757,0.0019720513],"category_scores_gemma":[0.0004892111,0.000078130746,0.00007416079,0.00018370038,0.00013472889,0.0008816639,0.000116016585,0.00030508178,0.0000054412917],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0053708507,0.0029784276,0.19757216,0.00054079795,0.00056069234,0.00008598563,0.0069163423,0.00001158646,0.00076120923,0.020076262,0.008328226,0.7567975],"study_design_scores_gemma":[0.011742592,0.021027789,0.9144812,0.0027945675,0.000050963547,0.000017375125,0.012410543,0.0009218443,0.003137228,0.030915948,0.0022307795,0.00026913328],"about_ca_topic_score_codex":0.00040667638,"about_ca_topic_score_gemma":0.00021796724,"teacher_disagreement_score":0.7565283,"about_ca_system_score_codex":0.000071307535,"about_ca_system_score_gemma":0.000050884522,"threshold_uncertainty_score":0.9989403},"labels":[],"label_agreement":null},{"id":"W7117301624","doi":"10.2139/ssrn.5969274","title":"The Emotional Tension Index (ETI): An Event-Based Structural Framework","year":2025,"lang":"en","type":"preprint","venue":"SSRN Electronic Journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Context (archaeology); Observable; Index (typography); Scalar (mathematics); Event (particle physics); Divergence (linguistics); Tension (geology); Introspection","score_opus":0.013571219683600293,"score_gpt":0.3178108351309348,"score_spread":0.30423961544733447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117301624","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7991982,0.012425211,0.15465315,0.012423015,0.016203204,0.0007989082,0.00019663824,0.00018708275,0.003914578],"genre_scores_gemma":[0.99231654,0.00061326084,0.00014427026,0.00068335957,0.0009979863,0.0000056099543,0.000052929106,0.000021313084,0.0051646973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958152,0.00048217978,0.00039856465,0.0004510293,0.00054256583,0.0023104695],"domain_scores_gemma":[0.99829084,0.0002202248,0.0004382493,0.0006759258,0.00021961532,0.00015516262],"candidate_categories":["metaepi_narrow","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0015376966,0.0003513464,0.00031500522,0.00017611068,0.0009647844,0.00024452442,0.0012461025,0.0006239785,0.00040845052],"category_scores_gemma":[0.00015736166,0.00026617164,0.0003432688,0.00016576787,0.00015600018,0.00013141714,0.00026572635,0.009958882,0.00005951018],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0024630078,0.00044944618,0.032022167,0.000053854645,0.0023966837,0.000049438335,0.0011579676,0.013033387,0.000023613859,0.810513,0.006886305,0.13095114],"study_design_scores_gemma":[0.0012510024,0.00063811755,0.07020404,0.00035341596,0.00015597459,0.00024093824,0.0023276776,0.0020539442,0.000007552205,0.9183709,0.0038643167,0.00053209066],"about_ca_topic_score_codex":0.000183701,"about_ca_topic_score_gemma":0.00039651548,"teacher_disagreement_score":0.19311835,"about_ca_system_score_codex":0.0010573884,"about_ca_system_score_gemma":0.004608754,"threshold_uncertainty_score":0.999979},"labels":[],"label_agreement":null},{"id":"W7117356077","doi":"10.1177/14713012251413962","title":"‘Unalloyed, Uncomplicated Joy’: A Qualitative Study to Understand Dementia Care Partners’ Experiences of Dance/Movement Therapy","year":2025,"lang":"en","type":"article","venue":"Dementia","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Dementia; Qualitative research; Psychological intervention; Theme (computing); Intervention (counseling); Distress; Variety (cybernetics)","score_opus":0.07332535467881285,"score_gpt":0.4294756883268673,"score_spread":0.35615033364805443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117356077","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9783084,0.0018828466,0.0018163812,0.00024525495,0.00053641153,0.0009535049,0.000030383791,0.000043419383,0.016183408],"genre_scores_gemma":[0.997998,0.000012704646,0.00018894022,0.0009935361,0.000014225975,0.00008787408,0.000016474785,0.000009077444,0.00067917374],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99826443,0.00027379818,0.00036806936,0.00043846952,0.00031343562,0.00034179364],"domain_scores_gemma":[0.99912274,0.000064373584,0.00014778657,0.0004354944,0.00014119344,0.000088392124],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030428256,0.00019795424,0.00029420055,0.00017294454,0.00017624506,0.000044053297,0.0004514655,0.000042518826,0.0012902754],"category_scores_gemma":[0.000012165062,0.00018965908,0.00008612964,0.0005005354,0.00011483673,0.00011143003,0.00014148645,0.00008357037,0.000053233274],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004166867,0.0012224909,0.020899663,0.00001829514,0.002312341,0.0000054573834,0.9539812,0.0000097982975,0.00052390277,0.005271499,0.013990159,0.0013484589],"study_design_scores_gemma":[0.0021999713,0.0011761535,0.03287958,0.000034172033,0.00014613205,9.226708e-8,0.95789206,0.0000010258494,0.0015194817,0.0003779473,0.0035892704,0.00018412166],"about_ca_topic_score_codex":0.00037556473,"about_ca_topic_score_gemma":0.00018666024,"teacher_disagreement_score":0.019689603,"about_ca_system_score_codex":0.000059956426,"about_ca_system_score_gemma":0.000050033617,"threshold_uncertainty_score":0.9996227},"labels":[],"label_agreement":null},{"id":"W7117558057","doi":"10.16995/glossa.23990","title":"Cross-clausal movement and its limits","year":2025,"lang":"en","type":"article","venue":"Glossa a journal of general linguistics","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Locality; Movement (music); Focus (optics); Typology; Boundary (topology); Variation (astronomy)","score_opus":0.02664676702681441,"score_gpt":0.3485736892421346,"score_spread":0.3219269222153202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117558057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89034647,0.004405834,0.0003808581,0.0002963894,0.006558848,0.000074280106,0.000049413113,0.000012503309,0.09787542],"genre_scores_gemma":[0.97676027,0.00018141187,0.0014270276,0.0018012262,0.0015047647,4.5303764e-7,0.0000018444904,0.000007751595,0.018315265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990606,0.00004071947,0.00035373904,0.00012170073,0.00018856497,0.00023468978],"domain_scores_gemma":[0.9988818,0.000061629056,0.00021970371,0.00012037676,0.0005887764,0.00012769598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027876787,0.000118609845,0.00022019487,0.0001292337,0.000120072706,0.00008269768,0.00022036821,0.00009376354,0.00021388738],"category_scores_gemma":[0.0009883736,0.00011061746,0.00007454386,0.0001221402,0.000066406064,0.00003792224,0.0000632983,0.00024403713,0.000026894753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018328286,0.0012258857,0.15335158,0.00020585967,0.0016444038,0.0013131968,0.0024364528,0.00046274828,0.005026479,0.60157996,0.2123184,0.018602196],"study_design_scores_gemma":[0.0074163075,0.0019690408,0.3579499,0.0003860825,0.0004926655,0.00013851331,0.00037684906,0.0003824992,0.007327977,0.017620081,0.60528445,0.0006556137],"about_ca_topic_score_codex":0.000015101986,"about_ca_topic_score_gemma":0.0000024844317,"teacher_disagreement_score":0.5839599,"about_ca_system_score_codex":0.000043335567,"about_ca_system_score_gemma":0.00008303517,"threshold_uncertainty_score":0.4510849},"labels":[],"label_agreement":null},{"id":"W7117781077","doi":"10.55016/ojs/tsw.v3i2.80068","title":"Reflecting on community-based research with the transgender community in South India","year":2025,"lang":"","type":"article","venue":"Transformative Social Work","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University; University of New Brunswick","funders":"","keywords":"Facilitator; Transformative learning; Empowerment; Participatory action research; Dialogic; Dance; Ethnography; Resistance (ecology); Colonialism","score_opus":0.36329472334685514,"score_gpt":0.46977715956734906,"score_spread":0.10648243622049391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117781077","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6309325,0.00010448568,0.0010326699,0.012674755,0.00023739898,0.0012702288,0.00014041064,0.000052123698,0.3535554],"genre_scores_gemma":[0.9948328,0.000010093823,0.000029359804,0.00401743,0.000056718516,0.00006314479,0.000039252805,0.000030352761,0.000920818],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9758255,0.02140482,0.00053335197,0.00024690054,0.000729669,0.0012597697],"domain_scores_gemma":[0.99454355,0.0042466586,0.00015611017,0.0007096179,0.00023425093,0.000109802975],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.009639639,0.00045702184,0.0006350949,0.0006498246,0.0130636515,0.00021362021,0.0016332502,0.0005306862,0.00039686344],"category_scores_gemma":[0.000076785596,0.00037224917,0.00024270332,0.0064403396,0.0023369717,0.0002486465,0.000069775466,0.014862531,0.00015254773],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007661952,0.001891109,0.003313924,0.0003137183,0.00045526208,0.000006963871,0.96857566,0.00012604219,0.000010577736,0.0073407763,0.002884781,0.0074192546],"study_design_scores_gemma":[0.008724765,0.0019340173,0.15891062,0.0013996335,0.0001431305,4.4295498e-7,0.8143643,0.0000072773983,0.00034197743,0.001982185,0.011624613,0.0005670214],"about_ca_topic_score_codex":0.00093797006,"about_ca_topic_score_gemma":0.0012941927,"teacher_disagreement_score":0.36390033,"about_ca_system_score_codex":0.000516504,"about_ca_system_score_gemma":0.00047104835,"threshold_uncertainty_score":0.9998729},"labels":[],"label_agreement":null},{"id":"W7119290073","doi":"","title":"Samba-Jazz beneath and beyond Bossa Nova : three arrangements for Céu e Mar by Johnny Alf","year":2010,"lang":"pt","type":"dissertation","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova (rocket); White (mutation); Metis; Gloom; Shadow (psychology)","score_opus":0.02706624513014138,"score_gpt":0.2794280294759457,"score_spread":0.2523617843458043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7119290073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5356633,0.0075241304,0.010500286,0.031930048,0.024916504,0.0079067405,0.009041956,0.0009121478,0.3716049],"genre_scores_gemma":[0.9783021,0.00060472364,0.0032592383,0.0007853993,0.001216659,0.00047142644,0.0076967264,0.00022264823,0.007441051],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9929622,0.0003507657,0.0013934659,0.0021692652,0.0013351226,0.0017892057],"domain_scores_gemma":[0.9946662,0.0005157631,0.00138861,0.0012945198,0.0009919357,0.0011429775],"candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0010408557,0.0014567294,0.0014246537,0.0008578274,0.0019019003,0.00072788075,0.00150533,0.002907919,0.00052466366],"category_scores_gemma":[0.0006421182,0.0016071012,0.00061492,0.00071930466,0.00008898281,0.0009074286,0.0003362029,0.002137906,0.000085503394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0063367607,0.0065167286,0.0066033206,0.0023322029,0.0046162726,0.00038170378,0.019389931,0.000013701328,0.026075844,0.759475,0.12177445,0.04648409],"study_design_scores_gemma":[0.0054136575,0.00056831393,0.018356863,0.00036927674,0.0007952152,0.00040956962,0.0022938524,0.0001824156,0.0009978274,0.00067194464,0.96825594,0.0016850998],"about_ca_topic_score_codex":0.000015852896,"about_ca_topic_score_gemma":0.0014492862,"teacher_disagreement_score":0.8464815,"about_ca_system_score_codex":0.0005873651,"about_ca_system_score_gemma":0.0007115951,"threshold_uncertainty_score":0.9998182},"labels":[],"label_agreement":null},{"id":"W7120567556","doi":"","title":"Posture, pain and injury in ballet dancer","year":2013,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet dancer; Incidence (geometry); Ballet; Foot (prosody); Test (biology); Dance; Injury prevention; Pain perception","score_opus":0.020595617043821436,"score_gpt":0.25993168787286763,"score_spread":0.2393360708290462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120567556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6323808,0.0044763656,0.0009833657,0.07594336,0.003913251,0.0024595154,0.00037375456,0.00045510486,0.2790145],"genre_scores_gemma":[0.9932655,0.00045102445,0.0006385977,0.0020272313,0.0005669743,0.00018797578,0.000116714786,0.000072040035,0.0026739137],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994314,0.0014168412,0.00093558035,0.0012248214,0.0007497382,0.001359017],"domain_scores_gemma":[0.9970379,0.00044576116,0.0004714526,0.0008589633,0.0003574262,0.00082851114],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014353859,0.0007411262,0.00079991046,0.00074963336,0.00058374804,0.00047524512,0.0008745887,0.0011422655,0.0008203977],"category_scores_gemma":[0.00080036744,0.0007804338,0.00022206972,0.0009097974,0.00007128884,0.0010378823,0.00047686658,0.0013788813,0.00023639097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011564879,0.0029931944,0.0380772,0.00044843988,0.00062915904,0.00056877086,0.012960715,0.000025181804,0.0026596922,0.84934527,0.06761105,0.02352486],"study_design_scores_gemma":[0.0021894393,0.00038277238,0.18912113,0.00035148786,0.000071262504,0.0004170162,0.001913632,0.0002484121,0.000073072224,0.0005051186,0.80390483,0.00082182843],"about_ca_topic_score_codex":0.0000306988,"about_ca_topic_score_gemma":0.00027458376,"teacher_disagreement_score":0.8488401,"about_ca_system_score_codex":0.00066725287,"about_ca_system_score_gemma":0.00041702617,"threshold_uncertainty_score":0.99946463},"labels":[],"label_agreement":null},{"id":"W7120628555","doi":"","title":"L’Enseignement de la Danse: une voie complementaire pour la formation contemporaine de l’acteur","year":2022,"lang":"fr","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Class (philosophy); Vulnerability (computing); Work (physics)","score_opus":0.03529592008409075,"score_gpt":0.2876309213838876,"score_spread":0.25233500129979686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120628555","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1671261,0.0038162945,0.018175118,0.17725481,0.0034332601,0.0016736528,0.0018012336,0.00060882705,0.6261107],"genre_scores_gemma":[0.98679966,0.00025149508,0.0028858224,0.0017186836,0.0006050753,0.00027710953,0.00077751384,0.00008302991,0.006601636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918667,0.0037333143,0.001010873,0.0008471131,0.0011217946,0.0014201807],"domain_scores_gemma":[0.9966613,0.00073979964,0.0007918238,0.00074913964,0.00031462428,0.0007432955],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002780668,0.00065547996,0.00065467955,0.0004989737,0.0021250274,0.00039534128,0.0010875913,0.0005840886,0.0011262776],"category_scores_gemma":[0.00039478857,0.0007995124,0.00039027573,0.000911476,0.000107304935,0.00087247597,0.0006662239,0.0015778164,0.00007218516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000870433,0.0031972963,0.0015141775,0.00025782583,0.00052691,0.0012995257,0.018887747,0.00033518064,0.0031672844,0.85700876,0.107862875,0.005072014],"study_design_scores_gemma":[0.004847276,0.0003538941,0.015271049,0.00017672864,0.00022946787,0.00587007,0.010722579,0.00083789165,0.0003827262,0.0015643935,0.95901155,0.0007323882],"about_ca_topic_score_codex":0.000063958956,"about_ca_topic_score_gemma":0.00033112874,"teacher_disagreement_score":0.8554443,"about_ca_system_score_codex":0.0037867057,"about_ca_system_score_gemma":0.0014395795,"threshold_uncertainty_score":0.99978685},"labels":[],"label_agreement":null},{"id":"W7123870304","doi":"10.25071/28169344.155","title":"The Importance of Dance Education in Relation to the Need for Connection in a Post-Crisis World","year":2025,"lang":"","type":"article","venue":"YU-WRITE Journal of Graduate Student Research in Education","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Aside; Dance education; Relation (database); Movement (music); Literacy; Expression (computer science)","score_opus":0.12131803576734694,"score_gpt":0.501568971714239,"score_spread":0.380250935946892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7123870304","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86678636,0.006153483,0.000065664535,0.11716992,0.0045861118,0.0023957689,0.000010974759,0.000002420783,0.0028293196],"genre_scores_gemma":[0.992272,0.0034405156,0.00017414575,0.0007120337,0.00037485297,0.00015366026,0.000011773758,0.000016165905,0.0028448561],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9941905,0.0017676398,0.0018037298,0.0004069535,0.0011383175,0.0006928483],"domain_scores_gemma":[0.9943003,0.001876212,0.0009071082,0.0005976369,0.002184258,0.00013450166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013160415,0.00022530943,0.0004458225,0.003257783,0.00040512628,0.00022631149,0.0011582702,0.00013791602,0.000023505701],"category_scores_gemma":[0.0020837237,0.00018087102,0.00016672372,0.005011383,0.0002003199,0.0006036805,0.00015313341,0.0015340378,0.000011162854],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0053782566,0.007882589,0.6870969,0.00030266788,0.00020751281,0.000004160361,0.036099583,0.0006417646,0.0005585141,0.024011785,0.09145502,0.14636129],"study_design_scores_gemma":[0.0015181769,0.0006847981,0.8372029,0.0014227369,0.000033995264,0.0000062449053,0.13849466,0.000054652497,0.00010234587,0.007545022,0.012807216,0.00012727099],"about_ca_topic_score_codex":0.0020487057,"about_ca_topic_score_gemma":0.014154168,"teacher_disagreement_score":0.15010603,"about_ca_system_score_codex":0.0017605511,"about_ca_system_score_gemma":0.0040821414,"threshold_uncertainty_score":0.78983575},"labels":[],"label_agreement":null},{"id":"W7124456191","doi":"10.52975/llt.2025v96.013","title":"Documenting for Movement Building","year":2025,"lang":"en","type":"article","venue":"Labour / Le Travail","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University; Université Laval; Concordia University","funders":"","keywords":"","score_opus":0.015564293256805818,"score_gpt":0.2989361273004454,"score_spread":0.2833718340436396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124456191","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8680641,0.0006398447,0.013232953,0.001828159,0.0012622937,0.00031525118,0.00004397864,0.00010242862,0.11451101],"genre_scores_gemma":[0.82122076,0.000009928099,0.001979636,0.00328361,0.00008520842,0.000025233478,0.0000045140764,0.000008996939,0.17338212],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927044,0.000024684123,0.00012972833,0.00020273357,0.00007231195,0.0003000781],"domain_scores_gemma":[0.9996311,0.000057957484,0.00004708051,0.00019035739,0.000033826356,0.0000396548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020702953,0.000087586996,0.00011928696,0.00006614728,0.0001674311,0.000055702767,0.0001976319,0.00005570478,0.000544339],"category_scores_gemma":[0.000026388048,0.00009597233,0.000064830565,0.00013359165,0.000029758381,0.000102744205,0.00004102113,0.00007740653,0.00008547013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013681331,0.00028532933,0.0086750975,0.000098844735,0.00027383314,0.0000064153487,0.0021668607,0.000015357806,0.0064324806,0.82616085,0.07250798,0.083240144],"study_design_scores_gemma":[0.0035948015,0.00014008961,0.14525723,0.00008787931,0.000050371993,9.2328025e-7,0.002739127,0.000027304346,0.008165349,0.015234793,0.82441986,0.00028224083],"about_ca_topic_score_codex":0.00041635465,"about_ca_topic_score_gemma":0.000023748144,"teacher_disagreement_score":0.8109261,"about_ca_system_score_codex":0.000028424467,"about_ca_system_score_gemma":0.000029273195,"threshold_uncertainty_score":0.596013},"labels":[],"label_agreement":null},{"id":"W7125175022","doi":"10.14288/bcs.no227.200655","title":"After Colonial","year":2025,"lang":"en","type":"article","venue":"Open Collections","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Dialogic; Dance; Praxis; Colonialism; Conversation; Reflexivity; Power (physics); Situated; Politics","score_opus":0.017406905048199205,"score_gpt":0.3274613514967962,"score_spread":0.31005444644859703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125175022","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042251274,0.000031302767,0.00021954328,0.0010147198,0.0013493994,0.0002317572,0.000034197816,0.000023754284,0.9928702],"genre_scores_gemma":[0.15066028,0.0000018073292,0.00014191696,0.00095611456,0.000025991518,0.00007737907,0.0000013355043,0.0000021456601,0.848133],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964595,0.000031933454,0.000056777528,0.000119114506,0.000031531115,0.000114708426],"domain_scores_gemma":[0.9997463,0.000031970652,0.00001301245,0.00015514717,0.000025705209,0.000027870125],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005155201,0.000041651827,0.000067396606,0.00004153988,0.00083673774,0.0003993931,0.00021051099,0.00004340337,0.017730005],"category_scores_gemma":[0.000017122811,0.000045094726,0.000028078915,0.0006170599,0.00003229105,0.00010252287,0.00012078024,0.00007105683,0.00035679372],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017016016,0.00012873873,0.00066694483,9.081412e-7,0.000049964467,0.0000055878086,0.00019772779,7.69346e-7,0.000003136299,0.0022122613,0.9960527,0.00051113777],"study_design_scores_gemma":[0.0006843654,0.000072051094,0.03101052,0.000009184469,0.000023087387,0.0000032822466,0.00019818779,0.000002522609,0.000025004192,0.001664278,0.9662471,0.000060434624],"about_ca_topic_score_codex":0.0071833464,"about_ca_topic_score_gemma":0.0018237492,"teacher_disagreement_score":0.14643514,"about_ca_system_score_codex":0.000038992737,"about_ca_system_score_gemma":0.00006723217,"threshold_uncertainty_score":0.9994279},"labels":[],"label_agreement":null},{"id":"W7125258151","doi":"10.14288/bcs.no227.200866","title":"Countering the Compulsory Tinikling","year":2025,"lang":"en","type":"article","venue":"Open Collections","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Dance; Foregrounding; Agency (philosophy); Identity (music); Transnationalism; Negotiation; Embodied cognition; Transculturation","score_opus":0.03446325148500391,"score_gpt":0.34098437373929474,"score_spread":0.30652112225429085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125258151","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001633959,0.000053831667,0.0013318819,0.0010502173,0.0018640556,0.0002182247,0.000010262823,0.000027724094,0.9938098],"genre_scores_gemma":[0.13391408,0.000005287944,0.00012106953,0.0013393688,0.00005258472,0.000025904277,0.000001434121,0.000003263692,0.864537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996189,0.000044918714,0.00007177716,0.000108967535,0.00003912737,0.00011632534],"domain_scores_gemma":[0.99963117,0.00010053315,0.000023436227,0.00019973292,0.000027247474,0.000017854794],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013233059,0.00004499138,0.000067065776,0.000029123701,0.0022748807,0.0005828147,0.00039166486,0.000026721396,0.0027264496],"category_scores_gemma":[0.000021171641,0.00003766056,0.000028481962,0.00053805934,0.00004401153,0.00008518202,0.00017767734,0.000109602144,0.00011926497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028964747,0.00005524692,0.00018637055,0.0000014527122,0.00006303395,9.462698e-7,0.0004647497,0.000029762781,0.0000104681685,0.0025393316,0.9954425,0.0011771743],"study_design_scores_gemma":[0.00042609245,0.00003221866,0.005604402,0.00002526236,0.000021818565,0.0000062983963,0.0029519338,0.00009369344,0.000019976871,0.00089329673,0.98986495,0.000060072736],"about_ca_topic_score_codex":0.004398785,"about_ca_topic_score_gemma":0.0003551441,"teacher_disagreement_score":0.13228013,"about_ca_system_score_codex":0.000033932316,"about_ca_system_score_gemma":0.000044471773,"threshold_uncertainty_score":0.99902403},"labels":[],"label_agreement":null},{"id":"W7125584389","doi":"10.30970/vas.27.2025.353-369","title":"THE LIFE PATH, ART-HISTORICAL, AND ETHNOLOGICAL LEGACY OF ROMAN HARASYMCHUK (1900–1976): A HISTORIOGRAPHICAL REVIEW","year":2025,"lang":"","type":"article","venue":"Bulletin of the Lviv University Series of Arts Studies","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Historiography; Scholarship; Ukrainian; Field (mathematics); Historicism; Biography; Identification (biology); Flemish","score_opus":0.03125702895685199,"score_gpt":0.26047179273866217,"score_spread":0.22921476378181016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125584389","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06028245,0.56734544,0.000008634812,0.30887145,0.0036789374,0.0012753911,0.000121554316,0.000052473606,0.058363657],"genre_scores_gemma":[0.33519998,0.5443698,0.00029229216,0.0015956266,0.0000716428,0.000003144115,0.000002481746,0.00001977049,0.11844524],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99710584,0.00068349263,0.00077324215,0.0005242595,0.00044943596,0.00046371078],"domain_scores_gemma":[0.99609303,0.0011130503,0.001076625,0.001039256,0.0005581059,0.00011991061],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008069807,0.0004045494,0.0014388536,0.00018177652,0.0012132287,0.000019303594,0.001357851,0.00027710042,0.00020142946],"category_scores_gemma":[0.0020737646,0.0002970123,0.0006614128,0.0007074497,0.0055860244,0.00010716265,0.0018563177,0.00055998017,0.000012310786],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015300568,0.00060833053,0.002905479,0.002339777,0.0022783133,0.00001765663,0.0022941125,0.0000019951096,0.000027114475,0.049676742,0.93744516,0.0008752281],"study_design_scores_gemma":[0.0009828723,0.00087946357,0.009785684,0.0025319627,0.001196524,0.0000049867613,0.01307392,3.340222e-7,0.00002888621,0.0003302175,0.9709516,0.0002335616],"about_ca_topic_score_codex":0.0003633325,"about_ca_topic_score_gemma":0.00011290119,"teacher_disagreement_score":0.3072758,"about_ca_system_score_codex":0.0002015252,"about_ca_system_score_gemma":0.00012917891,"threshold_uncertainty_score":0.9999482},"labels":[],"label_agreement":null},{"id":"W7125763539","doi":"","title":"New realities of the Body in Contemporary Performance: Quebec, European and Latin American Perspectives","year":2017,"lang":"en","type":"book-chapter","venue":"Archivio istituzionale della ricerca (Alma Mater Studiorum Università di Bologna)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Latin Americans; Sound (geography); Latin American studies; Comparative research","score_opus":0.02976859542902198,"score_gpt":0.2502208959620731,"score_spread":0.2204523005330511,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125763539","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10613619,0.00093131105,0.00002115618,0.00093149644,0.00034676323,0.00037179192,0.00038966173,0.000041609805,0.89083004],"genre_scores_gemma":[0.45190606,0.0006224014,0.00005105931,0.00007025912,0.00007944323,8.846587e-7,0.000030664232,0.0000314638,0.5472078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99795586,0.00019235391,0.00035123996,0.00069308653,0.0003657458,0.000441736],"domain_scores_gemma":[0.99807477,0.00014776102,0.0006920672,0.00084819575,0.00008606144,0.00015115092],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00022307676,0.0004989266,0.0007531907,0.0003430597,0.00044670384,0.00005081366,0.0010376265,0.00013494585,0.0003211821],"category_scores_gemma":[0.000019443702,0.00044534073,0.00021096993,0.000054426902,0.0016278696,0.0002561644,0.0011001322,0.0005964151,0.00011217123],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010112758,0.00019170408,0.07698285,0.00018628524,0.0010406091,0.0005155102,0.02977448,0.000012447381,0.000048737984,0.85446244,0.030585537,0.0051881117],"study_design_scores_gemma":[0.0015739038,0.00036100138,0.79622036,0.0005017115,0.00018570977,0.00003211775,0.008691017,0.000004683127,0.000011310602,0.0007980898,0.19094346,0.00067665783],"about_ca_topic_score_codex":0.0034283316,"about_ca_topic_score_gemma":0.0017928096,"teacher_disagreement_score":0.85366434,"about_ca_system_score_codex":0.00016041154,"about_ca_system_score_gemma":0.00026620307,"threshold_uncertainty_score":0.99979985},"labels":[],"label_agreement":null},{"id":"W7126613179","doi":"","title":"Investigation of the effect of dance therapy on balance, falling risk, body awareness and functionality in females with chronic LOW back pain","year":2022,"lang":"tr","type":"dissertation","venue":"Hasan Kalyoncu University Institutional Repository (Hasan Kalyoncu University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Low back pain; Hasta; Back pain; Lumbar","score_opus":0.016209638194309723,"score_gpt":0.2292678169893626,"score_spread":0.21305817879505287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7126613179","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9797319,0.00058923184,0.00015216268,0.00007495465,0.001106743,0.0013467993,0.0006238242,0.000050578317,0.016323762],"genre_scores_gemma":[0.9920252,0.00070183654,0.000054249824,0.00003972105,0.000115379444,0.0000025976271,0.00054579787,0.000039341496,0.006475908],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99296373,0.003026578,0.0006819999,0.0014157897,0.0012740745,0.0006378127],"domain_scores_gemma":[0.99526215,0.0010958661,0.0020353417,0.00090651785,0.000411075,0.0002890402],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0011941836,0.0009019551,0.0012565512,0.0012902942,0.0024561563,0.00005688653,0.001445645,0.0006980527,0.00030718214],"category_scores_gemma":[0.00012097539,0.00090793316,0.00054608163,0.002371444,0.002416658,0.000879395,0.00029672892,0.0016799967,0.000012224016],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.013704285,0.00049836567,0.95855963,0.0013735447,0.0011744219,0.00037987222,0.0026484935,0.010440798,0.003062149,0.007450974,0.00025517814,0.00045230248],"study_design_scores_gemma":[0.01158696,0.0041704513,0.9583395,0.0026998597,0.00063894625,0.00004486563,0.0048260125,0.0006456965,0.0070002303,0.0000317439,0.008892768,0.0011229424],"about_ca_topic_score_codex":0.0054045916,"about_ca_topic_score_gemma":0.0012714214,"teacher_disagreement_score":0.012293223,"about_ca_system_score_codex":0.0021709679,"about_ca_system_score_gemma":0.0020465178,"threshold_uncertainty_score":0.99933714},"labels":[],"label_agreement":null},{"id":"W7131620920","doi":"10.1163/15685322-11103007","title":"Le Classique du thé, by Catherine Despeux","year":2025,"lang":"","type":"article","venue":"T oung Pao","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"","score_opus":0.008171039828055743,"score_gpt":0.26754106025365165,"score_spread":0.2593700204255959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131620920","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14565784,0.0041418527,0.0015362828,0.020462528,0.0026355493,0.0003447642,0.00012381129,0.000117316595,0.8249801],"genre_scores_gemma":[0.7721565,0.0006874279,0.000068511414,0.0032084698,0.00013584956,0.0000069926896,0.000015231922,0.00001937928,0.22370164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981963,0.00019932627,0.00030377848,0.00050486356,0.00016842422,0.0006273144],"domain_scores_gemma":[0.998955,0.00013085779,0.00013246603,0.0005568888,0.000069404196,0.00015538244],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026469838,0.00029414904,0.00038315746,0.00011337411,0.0003587759,0.00013184435,0.00063928904,0.00033535072,0.002681067],"category_scores_gemma":[0.000080336795,0.00033970838,0.00016734295,0.00038020263,0.0002829968,0.00019244295,0.0002068919,0.0004445265,0.0021126533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003654886,0.0012140895,0.013136169,0.00010571074,0.0004770772,0.000052683336,0.0018906131,0.0000050161934,0.0056485054,0.10580012,0.8609919,0.0103126345],"study_design_scores_gemma":[0.0019927195,0.000236529,0.022577506,0.000111701316,0.00009206267,0.000011442094,0.00078960636,0.0000309037,0.0017264519,0.0010245815,0.9710716,0.00033491393],"about_ca_topic_score_codex":0.0014728805,"about_ca_topic_score_gemma":0.00014148132,"teacher_disagreement_score":0.62649864,"about_ca_system_score_codex":0.00012069529,"about_ca_system_score_gemma":0.00039820114,"threshold_uncertainty_score":0.99990547},"labels":[],"label_agreement":null},{"id":"W7132905617","doi":"","title":"Mixedness in Motion: Challenging Contemporary Narratives of Mixed-Raciality and Physical Movement through Aesthetic Mixedness","year":2023,"lang":"","type":"dissertation","venue":"TSpace","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Construct (python library); Identity (music); Movement (music); Narrative; Sign (mathematics); Race (biology); Focus (optics); Social constructionism; Negativity effect","score_opus":0.07377855675938225,"score_gpt":0.39012150096630804,"score_spread":0.31634294420692577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132905617","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98021454,0.0028140391,0.00015819234,0.0021346149,0.003280386,0.0010403352,0.00008251084,0.0000746151,0.010200791],"genre_scores_gemma":[0.99228066,0.00048508227,0.000045343717,0.00007819036,0.00015870701,0.00006077057,0.00029249984,0.00008155649,0.006517185],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9958177,0.0008220802,0.0008386021,0.0011613985,0.0006601353,0.00070004346],"domain_scores_gemma":[0.99781024,0.00016583792,0.0009434968,0.00068425224,0.00021271597,0.00018346091],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00066463975,0.00078530045,0.0015278863,0.00034336527,0.0002904898,0.00006882536,0.0004960309,0.00060430117,0.00013761941],"category_scores_gemma":[0.00008258152,0.00090370217,0.00029622213,0.0007926659,0.00047811356,0.0004935783,0.00017264928,0.00083232974,0.0001034822],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013586405,0.0027796393,0.006086878,0.0020711324,0.0003563318,0.00014070478,0.96866894,0.00006036703,0.0008505738,0.010390089,0.001132047,0.006104643],"study_design_scores_gemma":[0.0035062456,0.00075163494,0.1459859,0.0018646017,0.000100307254,0.000005524011,0.8394481,0.000104448554,0.0014866056,0.005277239,0.00050249207,0.00096689066],"about_ca_topic_score_codex":0.00219794,"about_ca_topic_score_gemma":0.00035984884,"teacher_disagreement_score":0.13989902,"about_ca_system_score_codex":0.00013743217,"about_ca_system_score_gemma":0.00019790645,"threshold_uncertainty_score":0.99934137},"labels":[],"label_agreement":null},{"id":"W7132915719","doi":"","title":"Reading Elsa Gindler: Tracing the Legacy of a Somatics Pioneer","year":2022,"lang":"","type":"dissertation","venue":"TSpace","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto","keywords":"Reading (process); Persecution; Nazism; Subject (documents); Resistance (ecology); Relevance (law); Embodied cognition; World War II","score_opus":0.032266507732031276,"score_gpt":0.3692713797788069,"score_spread":0.33700487204677565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132915719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8004133,0.001427924,0.00025560736,0.0016833434,0.004098227,0.0007314014,0.00005638645,0.000053981294,0.1912798],"genre_scores_gemma":[0.9040281,0.0003126441,0.00018316845,0.00023367163,0.00018078375,0.000023755216,0.00020267103,0.00006460443,0.09477056],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99699736,0.00044901093,0.00064017467,0.0005140318,0.0007712437,0.00062818377],"domain_scores_gemma":[0.9970792,0.0005155826,0.0011629158,0.0009756881,0.00013958591,0.00012700977],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008438346,0.00047572106,0.00072109414,0.0002911873,0.0008038406,0.00013982297,0.0010063597,0.00039252968,0.012617348],"category_scores_gemma":[0.00028521303,0.00045018014,0.00039255415,0.0006887397,0.00013796047,0.00034695014,0.0001382578,0.0013996402,0.0002903046],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001146085,0.0011127905,0.0012248344,0.0013334386,0.0014572559,0.000070571194,0.93831134,0.00058650307,0.0032358689,0.014489542,0.019954588,0.017077155],"study_design_scores_gemma":[0.0018564195,0.00067859615,0.012671266,0.000743472,0.00094256876,0.000030890824,0.9419921,0.000317329,0.0018531657,0.00039262368,0.037691116,0.0008304322],"about_ca_topic_score_codex":0.0010487647,"about_ca_topic_score_gemma":0.000050031937,"teacher_disagreement_score":0.10361481,"about_ca_system_score_codex":0.00015210191,"about_ca_system_score_gemma":0.00023336461,"threshold_uncertainty_score":0.999795},"labels":[],"label_agreement":null},{"id":"W7132942775","doi":"","title":"Theatrical elements in Contemporary Dance: A Practice-Based Research Approach to Dance-Theatre","year":2024,"lang":"","type":"dissertation","venue":"TSpace","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Storytelling; Context (archaeology); Style (visual arts); Contemporary dance; Character (mathematics); Movement (music)","score_opus":0.2554294850501253,"score_gpt":0.5091326642391264,"score_spread":0.2537031791890011,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132942775","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096697204,0.011105224,0.00030513914,0.012982543,0.0029191228,0.0045042876,0.00016585695,0.00013937005,0.87118125],"genre_scores_gemma":[0.9047448,0.00032890655,0.0027223127,0.0016502044,0.0006139978,0.00046922767,0.00097340666,0.00019126362,0.08830586],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98965544,0.002508451,0.0011516195,0.0024383394,0.0023117508,0.0019344192],"domain_scores_gemma":[0.9953262,0.0013061485,0.000429345,0.0016202161,0.0005879601,0.0007300839],"candidate_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005107082,0.00093822955,0.0012177392,0.002125116,0.00045065835,0.0005023078,0.0016652778,0.0012502809,0.00082879886],"category_scores_gemma":[0.00097613654,0.0010074646,0.00035482875,0.0043720384,0.00024029934,0.0005340579,0.00031080112,0.0046296255,0.004623304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.028017724,0.013016866,0.00731829,0.003468696,0.0011747855,0.0016369085,0.258719,0.0003379828,0.00084911403,0.0054712067,0.66452825,0.0154612055],"study_design_scores_gemma":[0.006890493,0.0032501423,0.0060296017,0.003269892,0.0003076692,0.000028402239,0.42319426,0.0010117432,0.00037054514,0.0003791304,0.5533956,0.0018724855],"about_ca_topic_score_codex":0.0044837934,"about_ca_topic_score_gemma":0.0001402299,"teacher_disagreement_score":0.8080476,"about_ca_system_score_codex":0.0009768371,"about_ca_system_score_gemma":0.002128118,"threshold_uncertainty_score":0.9992376},"labels":[],"label_agreement":null},{"id":"W7132953571","doi":"","title":"&apos;Stepping out&apos;: Canada&apos;s early ballet companies 1939-1963","year":2000,"lang":"","type":"dissertation","venue":"TSpace","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; Thriving; Amateur; Style (visual arts); Dance","score_opus":0.06922483533610109,"score_gpt":0.3855156943235669,"score_spread":0.31629085898746584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132953571","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7006084,0.0040738373,0.000031722786,0.002626758,0.008773055,0.0011165666,0.00048324763,0.00018642224,0.28210002],"genre_scores_gemma":[0.6751385,0.0009681539,0.00013128718,0.0017106301,0.0007555898,0.000028003955,0.0012642037,0.00018502484,0.31981862],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9917098,0.00064740103,0.0013294932,0.0020192927,0.0017653817,0.0025286267],"domain_scores_gemma":[0.9949579,0.00041206414,0.0012445081,0.0018677834,0.00045956197,0.0010581573],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.00045996121,0.0018201582,0.0021249289,0.0005561023,0.0013596369,0.0005793411,0.0022167652,0.0014721012,0.017755346],"category_scores_gemma":[0.00015177618,0.0022457351,0.0006231372,0.0007357794,0.00030983833,0.0005643086,0.00018879905,0.0023854186,0.004406744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007748897,0.0017651332,0.0031774046,0.0011992733,0.0039540366,0.001342397,0.39216706,0.0003111994,0.00095014425,0.0015706478,0.566634,0.019179814],"study_design_scores_gemma":[0.0053979433,0.0012715956,0.09499688,0.0016993434,0.0011012712,0.0000751569,0.14861919,0.000087807326,0.00049979956,0.00008530675,0.7423921,0.0037735899],"about_ca_topic_score_codex":0.82845294,"about_ca_topic_score_gemma":0.83948684,"teacher_disagreement_score":0.24354787,"about_ca_system_score_codex":0.0010410548,"about_ca_system_score_gemma":0.0026699086,"threshold_uncertainty_score":0.99994045},"labels":[],"label_agreement":null},{"id":"W7132998493","doi":"","title":"Moving Towards Dance and Re-Entering the Post-Pandemic Classroom","year":2023,"lang":"","type":"dissertation","venue":"TSpace","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Curriculum; Conversation; Embodied cognition; The arts; Dance education; Performing arts; Movement (music)","score_opus":0.046888841739913895,"score_gpt":0.3727012898569774,"score_spread":0.32581244811706356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132998493","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9534618,0.003111582,0.00008617937,0.003407106,0.0051544122,0.0005673953,0.00006083973,0.00020715126,0.033943523],"genre_scores_gemma":[0.8570412,0.0027644616,0.00007155719,0.0008261955,0.00038789862,0.000024736537,0.00018536104,0.00010373999,0.13859488],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99701214,0.00029825006,0.00043456498,0.0009138281,0.00047238576,0.0008688245],"domain_scores_gemma":[0.9979312,0.00033457723,0.00051917037,0.00083123334,0.00017150739,0.00021231691],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00073234166,0.0005974114,0.00060394505,0.00021389779,0.0007571012,0.00029440795,0.0008559057,0.0006268119,0.00075820106],"category_scores_gemma":[0.0004387855,0.0005463791,0.00022636265,0.00044128762,0.00018850587,0.0002736652,0.0003079807,0.0012994164,0.00096768764],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0037959036,0.00038675516,0.079757415,0.0020881842,0.0020711971,0.00034708803,0.67151284,0.00008924932,0.011346843,0.0010526143,0.044686724,0.1828652],"study_design_scores_gemma":[0.0015453404,0.000529158,0.6510544,0.0013792139,0.00040003232,0.000053038708,0.33024475,0.00020721421,0.00027856266,0.00019891831,0.013104487,0.0010049116],"about_ca_topic_score_codex":0.0033426904,"about_ca_topic_score_gemma":0.0010294692,"teacher_disagreement_score":0.571297,"about_ca_system_score_codex":0.0001082538,"about_ca_system_score_gemma":0.00018931819,"threshold_uncertainty_score":0.99981016},"labels":[],"label_agreement":null},{"id":"W7133018937","doi":"","title":"Movement in Museums: Towards an Embodied Dance Collection Practice","year":2023,"lang":"","type":"dissertation","venue":"TSpace","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Ontario Museum","funders":"","keywords":"Dance; Embodied cognition; Vitality; Experiential learning; Movement (music); Contemporary dance","score_opus":0.05193875343660058,"score_gpt":0.41930586910854906,"score_spread":0.36736711567194846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133018937","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57862777,0.00078734837,0.00010864193,0.0052625365,0.012478957,0.0020331438,0.00006701093,0.0003325432,0.40030205],"genre_scores_gemma":[0.5749286,0.004601384,0.0009906617,0.003124749,0.000712806,0.00027885174,0.0014800015,0.0002694502,0.4136135],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9951364,0.0008485417,0.00074259064,0.0013656148,0.00086548633,0.0010413849],"domain_scores_gemma":[0.99700826,0.00028176812,0.0009803629,0.0010088799,0.00039804514,0.00032267757],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013032462,0.00071970205,0.0008299746,0.00082331535,0.00042716056,0.0002343636,0.00072627567,0.00096323964,0.0016647166],"category_scores_gemma":[0.0010537276,0.0009332828,0.00019652107,0.0019374036,0.00008173522,0.0009894448,0.00010338736,0.0013029469,0.0024851009],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.015130529,0.0074971514,0.0025387297,0.0010724248,0.0013479086,0.0009215859,0.8400555,0.00077480584,0.0021811144,0.0055479016,0.0912592,0.031673145],"study_design_scores_gemma":[0.0055860574,0.0030511222,0.17821525,0.0009662151,0.00049436034,0.000015573574,0.7624884,0.0006271561,0.0009747982,0.0006619545,0.04513373,0.0017853902],"about_ca_topic_score_codex":0.03271648,"about_ca_topic_score_gemma":0.010700501,"teacher_disagreement_score":0.17567652,"about_ca_system_score_codex":0.00081672054,"about_ca_system_score_gemma":0.00059344684,"threshold_uncertainty_score":0.99931175},"labels":[],"label_agreement":null},{"id":"W7133063334","doi":"","title":"The Professional Ballet School ‘Bubble’: Former Students’ Experiences in (Potentially) Harmful Environments","year":2023,"lang":"","type":"dissertation","venue":"TSpace","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Ballet; Thematic analysis; Reflexivity; Perception; Exploratory research; Ballet dancer; Qualitative research; Strict constructionism","score_opus":0.029344091793352452,"score_gpt":0.3867831504015587,"score_spread":0.35743905860820624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133063334","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97106075,0.0011441954,0.000024600255,0.0018252662,0.013552508,0.0015377973,0.00002223753,0.00005082258,0.010781836],"genre_scores_gemma":[0.44741276,0.0023568003,0.000030392917,0.0003103061,0.0002482422,0.00042232353,0.00025282122,0.00007497235,0.54889137],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99431115,0.00055812165,0.00080615893,0.0011083754,0.0018705602,0.0013456333],"domain_scores_gemma":[0.99771684,0.0002946583,0.0007071776,0.0008403638,0.00005548729,0.00038548783],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010679051,0.00072487834,0.0006278252,0.000302664,0.0012294806,0.0003889964,0.0023558745,0.0007690984,0.009724792],"category_scores_gemma":[0.00029218715,0.00060570874,0.0002945373,0.0005609913,0.0003005045,0.0004192246,0.0004797209,0.001436574,0.010424331],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0059939804,0.003913528,0.09861762,0.00026346472,0.0015241624,0.00039897498,0.6750491,0.000059638183,0.001492375,0.0003384643,0.19822307,0.014125615],"study_design_scores_gemma":[0.0020421047,0.00027777173,0.36346647,0.00041185447,0.00008027508,0.0000029073979,0.5708697,0.00001071255,0.00016601848,0.00006846366,0.062022686,0.0005810527],"about_ca_topic_score_codex":0.00076843606,"about_ca_topic_score_gemma":0.0006933141,"teacher_disagreement_score":0.53810954,"about_ca_system_score_codex":0.00028516402,"about_ca_system_score_gemma":0.00029930394,"threshold_uncertainty_score":0.99963945},"labels":[],"label_agreement":null},{"id":"W7134345342","doi":"","title":"Making wood speak, Making Men Dance. History and Ethnography of Kwakwaka'wakw Carving and of its Players : British Columbia, Canada","year":2022,"lang":"fr","type":"article","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; Carving; Colonial period; Indigenous","score_opus":0.0378614946653259,"score_gpt":0.2626210822369802,"score_spread":0.22475958757165432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134345342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79215705,0.062493317,0.00002095663,0.00033246874,0.0017507235,0.0002957537,0.00069105794,0.000017115544,0.14224154],"genre_scores_gemma":[0.97472245,0.00044346394,0.0003585579,0.00076601596,0.00004822511,0.0000055957753,0.000006261217,0.000025404735,0.023624003],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978658,0.00027432962,0.0004330219,0.00046455598,0.0004396543,0.00052266754],"domain_scores_gemma":[0.99892527,0.00017375204,0.00041870543,0.0002722443,0.00007984212,0.00013016126],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047593866,0.0001749058,0.00051142403,0.00012535483,0.0003251707,0.00004995802,0.0003247695,0.00011673191,0.006308494],"category_scores_gemma":[0.000048918406,0.00034574722,0.00008620459,0.00029927798,0.00040479095,0.00024626573,0.00038567273,0.00043740604,6.777246e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019032726,0.0004306964,0.4143755,0.0017907813,0.00096433284,0.0005607967,0.019361373,0.000074869386,0.00088737346,0.0016508825,0.49062005,0.06909302],"study_design_scores_gemma":[0.0030656413,0.0007139814,0.4587938,0.0010130556,0.00035478198,0.00040331116,0.056554366,0.00023400673,0.00004944632,0.000098586584,0.47786912,0.0008499129],"about_ca_topic_score_codex":0.9278479,"about_ca_topic_score_gemma":0.94093853,"teacher_disagreement_score":0.1825654,"about_ca_system_score_codex":0.0004935282,"about_ca_system_score_gemma":0.00041215724,"threshold_uncertainty_score":0.99989945},"labels":[],"label_agreement":null},{"id":"W7134356648","doi":"","title":"9 to 5 Playbill","year":2022,"lang":"","type":"article","venue":"HELIN Digital Commons","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Performance art; Queen (butterfly); Dance; BELLA","score_opus":0.03649800411722316,"score_gpt":0.29086667815109124,"score_spread":0.2543686740338681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134356648","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29393125,0.0009616652,0.00008526954,0.007284482,0.0031918774,0.00055475684,0.0073080794,0.00012655547,0.6865561],"genre_scores_gemma":[0.9495516,0.000008999767,0.000025259884,0.0045343307,0.00017182824,0.000036817222,0.00011343617,0.000042236225,0.045515485],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974114,0.00017392602,0.0004113691,0.0006018516,0.0005412263,0.0008602399],"domain_scores_gemma":[0.9980377,0.0002594552,0.00012546455,0.00096527225,0.000046249173,0.00056585035],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024329349,0.0003237728,0.00038852633,0.0002593365,0.0009401562,0.0003897171,0.0012243914,0.0000939336,0.021137621],"category_scores_gemma":[0.00013523735,0.00041596108,0.000269356,0.0007520863,0.00013240053,0.0003571301,0.0021912921,0.0007738287,0.013162784],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011209513,0.0029697197,0.019628901,0.000027660406,0.00026917495,0.00037569812,0.0064123687,0.00048255624,0.000056702476,0.009644922,0.92729646,0.031714875],"study_design_scores_gemma":[0.0009944227,0.0019228479,0.007330605,0.000021485208,0.00003410552,0.00008979491,0.0041839546,0.00001680789,0.000025891499,0.0006310559,0.98422205,0.00052694784],"about_ca_topic_score_codex":0.00010037222,"about_ca_topic_score_gemma":0.000027643811,"teacher_disagreement_score":0.6556204,"about_ca_system_score_codex":0.00021520485,"about_ca_system_score_gemma":0.00011403735,"threshold_uncertainty_score":0.99982923},"labels":[],"label_agreement":null},{"id":"W7134368413","doi":"","title":"Dualities","year":2015,"lang":"","type":"article","venue":"ScholarWorks (Central Washington University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Movement (music); Feeling; Choreography; Quarter (Canadian coin)","score_opus":0.057885293826440094,"score_gpt":0.2664150129135832,"score_spread":0.20852971908714313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134368413","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38954115,0.0029728203,0.0007907311,0.0030004217,0.012063922,0.00056216493,0.00029949966,0.00040754885,0.5903617],"genre_scores_gemma":[0.8051778,0.0006292049,0.00038395004,0.0007862383,0.00069342647,2.3541546e-7,0.000058047528,0.000063896325,0.19220717],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941913,0.0011132422,0.00045998493,0.0011317052,0.00091300684,0.0021907685],"domain_scores_gemma":[0.9957269,0.00019284048,0.00041074055,0.001079342,0.00034939952,0.0022407658],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00093853904,0.0007123311,0.0007281454,0.0007735846,0.00080828567,0.0007460461,0.0019777361,0.00097561313,0.0037967763],"category_scores_gemma":[0.00042483627,0.00092345255,0.00047814482,0.0016939512,0.000695481,0.0030941924,0.00080233236,0.0022619867,0.00328136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0062957956,0.0028673627,0.08821879,0.0002191475,0.0021299256,0.0046732198,0.048432294,0.00085973815,0.00012071447,0.3274151,0.5017195,0.01704845],"study_design_scores_gemma":[0.005879389,0.000611533,0.011757743,0.00033314573,0.00041612773,0.000044466313,0.04582983,0.00005886991,0.00012529554,0.0006258593,0.93316835,0.0011494149],"about_ca_topic_score_codex":0.0008018875,"about_ca_topic_score_gemma":0.00008858272,"teacher_disagreement_score":0.43144888,"about_ca_system_score_codex":0.0011798902,"about_ca_system_score_gemma":0.0007051254,"threshold_uncertainty_score":0.9993216},"labels":[],"label_agreement":null},{"id":"W7134660049","doi":"","title":"Body Abandoned","year":2014,"lang":"","type":"article","venue":"Smith ScholarWorks (Smith College)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Coffin; Dance; Choreography; Alliance; Performance art; Modern dance","score_opus":0.010054757770973397,"score_gpt":0.2587514359745437,"score_spread":0.2486966782035703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134660049","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23611811,0.021328807,0.0065416717,0.005892818,0.018691724,0.0027569812,0.0009992742,0.000732359,0.70693827],"genre_scores_gemma":[0.88934904,0.0013265617,0.0012284422,0.0034634997,0.0020903363,0.000051012823,0.000019953923,0.00020104586,0.102270104],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900914,0.0017845321,0.001473327,0.0022398569,0.0015123894,0.0028984963],"domain_scores_gemma":[0.99310017,0.0009001758,0.0009369695,0.00293594,0.0005181601,0.0016086114],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.003328332,0.0014349044,0.0017891468,0.0007934975,0.002072895,0.0009150464,0.0025024815,0.001725339,0.010888793],"category_scores_gemma":[0.00094602845,0.0015641709,0.0008727652,0.0022214104,0.0008517126,0.0016697033,0.0007533579,0.0038319812,0.012167132],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006443353,0.004229023,0.102119565,0.0006743878,0.0026367514,0.000635731,0.0038290895,0.00017711174,0.00017990779,0.063672855,0.7761377,0.039264526],"study_design_scores_gemma":[0.013477291,0.002050643,0.20738865,0.0012096653,0.0006774996,0.00014529133,0.0014981326,0.0010505911,0.00027573892,0.0011485801,0.76893264,0.002145268],"about_ca_topic_score_codex":0.00017995086,"about_ca_topic_score_gemma":0.000026204088,"teacher_disagreement_score":0.6532309,"about_ca_system_score_codex":0.0003832846,"about_ca_system_score_gemma":0.00071144797,"threshold_uncertainty_score":0.9998401},"labels":[],"label_agreement":null},{"id":"W7135681153","doi":"","title":"Exploring Identities in Dance:Proceedings from the 13<sup>th</sup> Congress of Dance and Child International. 5-10 July 2015, The Dance Halls, Department of Nutrition, Exercise and Sports, University of Copenhagen and the Danish National School of Performing Arts, Copenhagen.","year":2017,"lang":"en","type":"book","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; Illinois State University","keywords":"Dance; Danish; Presentation (obstetrics); Theme (computing); Identity (music); Dance education","score_opus":0.06093745420866572,"score_gpt":0.2834352668642925,"score_spread":0.22249781265562676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135681153","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6119967,0.036964502,0.00004731565,0.0011490113,0.00020088497,0.003030045,0.0030187133,0.000018650024,0.34357417],"genre_scores_gemma":[0.54767233,0.017476937,0.0001415483,0.00001723754,0.000041197094,0.0000011176007,0.00013115087,0.00002493568,0.4344935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959459,0.00046995803,0.0005743196,0.0007673611,0.0017384258,0.0005040451],"domain_scores_gemma":[0.9943975,0.0011080937,0.0017617788,0.000948999,0.0015805613,0.0002030545],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.003177609,0.0004416032,0.0012642272,0.00032222437,0.001545395,0.00007586813,0.0033951488,0.00029969626,0.04843373],"category_scores_gemma":[0.00026131095,0.0003965755,0.0002892596,0.00037558796,0.006246031,0.0016908854,0.002548898,0.00087097235,0.00070333993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.005041905,0.00033173652,0.00026438132,0.0007590865,0.0010422469,0.00006948417,0.018796628,0.00004439149,0.00013823446,0.0013790533,0.9713484,0.00078447454],"study_design_scores_gemma":[0.0111542065,0.00050715933,0.13946089,0.006059174,0.0010263481,0.000039796374,0.10145935,0.00023613664,0.0012484483,0.00020156933,0.7378674,0.00073948945],"about_ca_topic_score_codex":0.003150791,"about_ca_topic_score_gemma":0.0010323661,"teacher_disagreement_score":0.23348095,"about_ca_system_score_codex":0.00028668577,"about_ca_system_score_gemma":0.0005899097,"threshold_uncertainty_score":0.9998486},"labels":[],"label_agreement":null},{"id":"W7139435994","doi":"","title":"Various Positions","year":2018,"lang":"","type":"article","venue":"ScholarsArchive  (Brigham Young University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; Ballet; Theme (computing); Agency (philosophy)","score_opus":0.015462809524900284,"score_gpt":0.25642950695951566,"score_spread":0.24096669743461538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139435994","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16345888,0.00029938563,0.0046036174,0.0008374263,0.004673494,0.00058899284,0.0010929591,0.00027182477,0.8241734],"genre_scores_gemma":[0.8552877,0.00027465873,0.001505341,0.0006773054,0.00093762466,5.008443e-7,0.000088613095,0.000063035826,0.14116523],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949521,0.0010227972,0.00040375462,0.0014258595,0.00059960736,0.0015958748],"domain_scores_gemma":[0.99658185,0.00022318275,0.00037240802,0.0014255021,0.00047286152,0.0009241656],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039083965,0.0006906466,0.00062053005,0.0015041146,0.0028990903,0.00048067313,0.0020001188,0.0005060373,0.009779717],"category_scores_gemma":[0.00012071858,0.00090884685,0.0005222178,0.0019742069,0.0024657466,0.0016823392,0.0008751266,0.0016941766,0.015814377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0058364766,0.0054519135,0.059919264,0.0001625309,0.004765327,0.007233496,0.03297188,0.000013887204,0.01093417,0.7577556,0.09858232,0.016373161],"study_design_scores_gemma":[0.0052198553,0.002813194,0.19883978,0.0003054857,0.0009688833,0.000391788,0.0039250385,0.00006703097,0.0005062922,0.0039034786,0.7815059,0.0015532768],"about_ca_topic_score_codex":0.0012864893,"about_ca_topic_score_gemma":0.00036952208,"teacher_disagreement_score":0.75385207,"about_ca_system_score_codex":0.0004882891,"about_ca_system_score_gemma":0.0005867952,"threshold_uncertainty_score":0.99933624},"labels":[],"label_agreement":null},{"id":"W7140504779","doi":"10.1353/vpr.2025.a985896","title":"Billy Waters Is Dancing by Mary L. Shannon (review)","year":2025,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indian ocean","score_opus":0.008289107779504765,"score_gpt":0.3229257360656415,"score_spread":0.31463662828613675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140504779","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043121085,0.8896236,0.0001008012,0.027265089,0.002283919,0.00079140835,0.00015394612,0.00011358086,0.079236485],"genre_scores_gemma":[0.0020219116,0.8313054,0.00011972717,0.14218226,0.00020571322,0.0000821995,0.0000924235,0.000026738842,0.023963623],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99775165,0.00026520813,0.0006041619,0.00054957526,0.00031559815,0.000513806],"domain_scores_gemma":[0.9986841,0.00007076615,0.00016418254,0.0007757651,0.00007883167,0.00022635475],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006702334,0.000301628,0.0008406612,0.00007647089,0.00019240919,0.000049744584,0.0006397371,0.00015240847,0.014811845],"category_scores_gemma":[0.00019387667,0.00024997338,0.000298,0.000606973,0.00013274896,0.00017373283,0.00015588965,0.0003008673,0.0032670472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010010004,0.00008940311,0.0005783888,0.006843108,0.000103181934,0.00001611164,0.00020778684,5.3914984e-9,0.00009403929,0.00034187126,0.95212185,0.03959426],"study_design_scores_gemma":[0.0003048151,0.00006080227,0.0008819806,0.021584285,0.00019483946,0.000007317328,0.00002054512,2.68339e-7,0.000038720606,0.000028811983,0.97661954,0.00025809417],"about_ca_topic_score_codex":0.000047070385,"about_ca_topic_score_gemma":0.000001096884,"teacher_disagreement_score":0.11491717,"about_ca_system_score_codex":0.000090480564,"about_ca_system_score_gemma":0.00009739836,"threshold_uncertainty_score":0.99999523},"labels":[],"label_agreement":null},{"id":"W7144305280","doi":"10.15119/00003322","title":"Performing Chineseness : The Lion Dance in Newfoundland","year":2017,"lang":"en","type":"article","venue":"Institutional Repositories DataBase (IRDB)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Photography; Identity (music); Narrative","score_opus":0.03523484624919437,"score_gpt":0.33041250663737737,"score_spread":0.295177660388183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7144305280","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9186967,0.0003691219,0.00045418754,0.0010888698,0.006574374,0.00017945154,0.00016188953,0.0000372538,0.07243813],"genre_scores_gemma":[0.99641705,0.00003458429,0.00015866586,0.0001492313,0.0010707519,0.000019676374,0.00009019345,0.000007560589,0.002052261],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99875593,0.000052502564,0.00022225767,0.00032937163,0.00034216704,0.00029774947],"domain_scores_gemma":[0.9984851,0.00010408277,0.00018192723,0.0010723632,0.00007778713,0.000078741],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00035215306,0.00016190192,0.00015977099,0.00006327625,0.002001805,0.0003266647,0.0007896985,0.00007729515,0.00010231917],"category_scores_gemma":[0.00042839668,0.00012276006,0.00005454505,0.000111625,0.0005610642,0.0016220286,0.0003132254,0.00029657572,0.00015072772],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003536219,0.00019869547,0.8513065,0.00003123231,0.000055281093,0.0004723921,0.0010978166,0.000074329204,0.0006463428,0.14036946,0.002509561,0.0028847435],"study_design_scores_gemma":[0.0007897306,0.00003793145,0.90119684,0.0001596185,0.000016471979,0.00021566088,0.0001588917,0.00006596139,0.00015536889,0.00027391216,0.09673106,0.00019858163],"about_ca_topic_score_codex":0.011353576,"about_ca_topic_score_gemma":0.0024918416,"teacher_disagreement_score":0.14009555,"about_ca_system_score_codex":0.00015740494,"about_ca_system_score_gemma":0.00016671186,"threshold_uncertainty_score":0.99929744},"labels":[],"label_agreement":null},{"id":"W7145309252","doi":"","title":"Canadian Rhythmic Gymnastics Coaching Method,\\nas Part of JOC’s Sport Coach Overseas Training Program","year":2020,"lang":"ja","type":"article","venue":"Institutional Repositories DataBase (IRDB)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Coaching; Training (meteorology); Rhythm; Athletes; Work (physics)","score_opus":0.06676227329589268,"score_gpt":0.3280301988210132,"score_spread":0.2612679255251205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7145309252","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3596872,0.006148257,0.02909158,0.0122483075,0.060717557,0.0067486456,0.0763251,0.0012447438,0.44778857],"genre_scores_gemma":[0.9647807,0.000117542564,0.026067078,0.001665195,0.003675952,0.00003907318,0.0029606083,0.00005788185,0.000635984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952297,0.0002718891,0.001111285,0.0010966016,0.0011391239,0.001151385],"domain_scores_gemma":[0.99581844,0.00030172674,0.0006450459,0.0008633161,0.00044045885,0.0019309937],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00081015035,0.0006270522,0.00093285437,0.0002678038,0.0011106727,0.00025864033,0.0007853651,0.00042207356,0.00066719216],"category_scores_gemma":[0.0015762848,0.00073600066,0.00033488002,0.00072670495,0.00085331645,0.001232293,0.00032798416,0.001113437,0.00016992379],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0056789936,0.003171143,0.06989437,0.0030835469,0.005760106,0.019729557,0.060486674,0.004056291,0.0036834676,0.6559851,0.12949175,0.03897898],"study_design_scores_gemma":[0.0016746516,0.0006869696,0.004590162,0.0007302393,0.00056698587,0.00071825064,0.006293323,0.0010990468,0.00069322874,0.00004948569,0.9820184,0.0008792167],"about_ca_topic_score_codex":0.09016031,"about_ca_topic_score_gemma":0.00950046,"teacher_disagreement_score":0.85252666,"about_ca_system_score_codex":0.0007721606,"about_ca_system_score_gemma":0.0058957115,"threshold_uncertainty_score":0.99973994},"labels":[],"label_agreement":null},{"id":"W7145833579","doi":"","title":"A Report on the Invited Professor's Lecture and Dance Classes in 2001：Professor Donna Krasnow, York University, Canada","year":2002,"lang":"ja","type":"article","venue":"Institutional Repositories DataBase (IRDB)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Photography; White (mutation)","score_opus":0.038571394523455815,"score_gpt":0.26121415422324373,"score_spread":0.22264275969978792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7145833579","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88913715,0.0037194083,0.000082890765,0.048467144,0.011843359,0.0013046857,0.003933173,0.00010654946,0.041405614],"genre_scores_gemma":[0.9813177,0.0005048204,0.00014128201,0.003095332,0.0008270625,0.000013124202,0.0004416356,0.000026674103,0.013632374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99599546,0.00054359535,0.00058649917,0.0010426354,0.000984513,0.000847269],"domain_scores_gemma":[0.99695873,0.00073338806,0.00048871234,0.0012546537,0.00024379416,0.00032069962],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00052990083,0.00053175,0.0005030437,0.00021806962,0.0015528973,0.00017637614,0.0007986722,0.00035309925,0.0003851232],"category_scores_gemma":[0.0010400825,0.00048151606,0.00009059081,0.0010950763,0.0010458102,0.0008037531,0.0004692531,0.0013161965,0.00005897956],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001232778,0.0012061539,0.05884442,0.00027357574,0.0005095477,0.020396153,0.0025714252,0.00011459583,0.00046492985,0.04426564,0.86977947,0.00034132937],"study_design_scores_gemma":[0.0019972054,0.00022154326,0.05012254,0.0013135505,0.00015188244,0.0013465575,0.002827855,0.00012661098,0.0004776893,0.00008692307,0.94051784,0.0008097967],"about_ca_topic_score_codex":0.24523407,"about_ca_topic_score_gemma":0.38916343,"teacher_disagreement_score":0.14392936,"about_ca_system_score_codex":0.0011106041,"about_ca_system_score_gemma":0.0011237522,"threshold_uncertainty_score":0.99976367},"labels":[],"label_agreement":null},{"id":"W7146052641","doi":"","title":"Culturally responsive dance pedagogy – taking the project Global Dance Education to a third level","year":2022,"lang":"en","type":"article","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Dance; Dance education; Cultural competence; Curriculum; Agency (philosophy); Work (physics)","score_opus":0.13054059920835667,"score_gpt":0.4090415072659496,"score_spread":0.278500908057593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7146052641","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5803674,0.002791216,0.00054101885,0.005884532,0.00031690858,0.0017898267,0.0006793208,0.00004368812,0.40758613],"genre_scores_gemma":[0.5598831,0.00005079248,0.0003827074,0.00020341235,0.000025600199,0.0000010511046,0.000031774136,0.0000101777805,0.43941137],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99446183,0.0024783413,0.00020979455,0.0006888056,0.0013710121,0.00079023564],"domain_scores_gemma":[0.9967341,0.00059292535,0.00046915293,0.001184263,0.0007907831,0.00022881327],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002399079,0.00025158218,0.0004324605,0.00022468368,0.004179188,0.00004742097,0.0038398083,0.000112994305,0.22771873],"category_scores_gemma":[0.0002647787,0.00025021486,0.00026439308,0.0021987187,0.0010456732,0.0005588094,0.0031383946,0.00071783783,0.022377558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0041300235,0.0003227473,0.00004852806,0.000038264996,0.00024013496,0.000119088356,0.03066706,0.00016820268,0.0015893161,0.0027410479,0.95209706,0.00783852],"study_design_scores_gemma":[0.0009870065,0.0006494777,0.07972113,0.000050158284,0.00008065458,0.000044052813,0.14108169,0.000025300107,0.00015800967,0.000021163083,0.7769381,0.00024326541],"about_ca_topic_score_codex":0.01299084,"about_ca_topic_score_gemma":0.0036369592,"teacher_disagreement_score":0.20534116,"about_ca_system_score_codex":0.0010754066,"about_ca_system_score_gemma":0.0015574509,"threshold_uncertainty_score":0.999995},"labels":[],"label_agreement":null},{"id":"W7149218959","doi":"","title":"Culturally responsive dance pedagogy – taking the project Global Dance Education to a third level","year":2018,"lang":"en","type":"article","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Dance; Dance education; Cultural competence; Curriculum; Agency (philosophy); Work (physics)","score_opus":0.13978829867747136,"score_gpt":0.4273613759064661,"score_spread":0.2875730772289947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7149218959","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52307916,0.0014706687,0.0010396206,0.003939708,0.00027800887,0.001353864,0.00027460785,0.000039540148,0.4685248],"genre_scores_gemma":[0.57664704,0.000060073973,0.0007440026,0.00018704862,0.00006428873,3.8554046e-7,0.000016378786,0.000010093594,0.42227072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99565375,0.0015514948,0.0002115662,0.0006981818,0.0010483392,0.0008366591],"domain_scores_gemma":[0.99591255,0.00053074886,0.00044073112,0.0012637314,0.0015857159,0.000266498],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0019551802,0.00027051926,0.00043976022,0.00020254025,0.0026474698,0.000059955284,0.0033563985,0.00019437386,0.14597476],"category_scores_gemma":[0.00039745917,0.0002495781,0.00023377241,0.0019159494,0.002212957,0.0007114872,0.0016910393,0.00047430434,0.07009203],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003834614,0.00022618781,0.000052142783,0.000039509247,0.00023829295,0.000058789155,0.02904789,0.00001028224,0.0023730667,0.0024982137,0.95112664,0.010494404],"study_design_scores_gemma":[0.0010203014,0.00082454964,0.13676627,0.00014094375,0.000092762304,0.000029999728,0.07371683,0.000021044127,0.0006831842,0.000025759964,0.7864062,0.00027214564],"about_ca_topic_score_codex":0.011973984,"about_ca_topic_score_gemma":0.00849427,"teacher_disagreement_score":0.1647204,"about_ca_system_score_codex":0.00063992623,"about_ca_system_score_gemma":0.0013287053,"threshold_uncertainty_score":0.99999565},"labels":[],"label_agreement":null},{"id":"W7151690212","doi":"","title":"The Association Among Posture, Trunk And Pelvic Functional Parameters In Latin American Formation Dancers.","year":2021,"lang":"lt","type":"dissertation","venue":"Lithuanian University of Health Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trunk; Association (psychology); Latin Americans; Puerto rican","score_opus":0.02405139642074091,"score_gpt":0.27483839943635346,"score_spread":0.2507870030156126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7151690212","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.988511,0.0012113107,0.000053576925,0.0032306975,0.001049279,0.00037932064,0.00008298457,0.000014626316,0.005467184],"genre_scores_gemma":[0.9923941,0.002129783,0.00036128858,0.00029367808,0.000028118799,5.5053096e-7,0.00019395658,0.0000065823556,0.004591951],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9971272,0.0006804733,0.00043115948,0.00050837576,0.0006781419,0.0005746655],"domain_scores_gemma":[0.9971042,0.00059688796,0.0017905312,0.00019122385,0.00017598047,0.0001411281],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0017500466,0.00021947116,0.00049706566,0.00032508493,0.0017475862,0.00013052176,0.00042030172,0.00019571945,0.00007135042],"category_scores_gemma":[0.00016381378,0.00022579225,0.00010725696,0.001169988,0.0009796575,0.00065079425,0.00006314271,0.00046030496,0.000015036687],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005206344,0.00021264034,0.88383883,0.0003461665,0.0001381828,0.0000149039815,0.070158206,0.00017690539,0.000017874208,0.0022760702,0.0041863834,0.03811319],"study_design_scores_gemma":[0.0005788342,0.00042191418,0.81952906,0.00024446845,0.00002875554,0.0000015066666,0.1768263,0.0002735644,0.0000046898786,0.00008548023,0.001842157,0.0001632455],"about_ca_topic_score_codex":0.030274013,"about_ca_topic_score_gemma":0.046400405,"teacher_disagreement_score":0.1066681,"about_ca_system_score_codex":0.0005561554,"about_ca_system_score_gemma":0.00062451285,"threshold_uncertainty_score":0.999552},"labels":[],"label_agreement":null},{"id":"W7151705596","doi":"","title":"Evaluation of Strong and Weak Musculoskeletal System Components and Pain in Dancers","year":2023,"lang":"lt","type":"dissertation","venue":"Lithuanian University of Health Sciences","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Detection threshold; Low back pain; Infrared heater","score_opus":0.06756093306042348,"score_gpt":0.35092270223146493,"score_spread":0.28336176917104144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7151705596","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99190986,0.0018131582,0.000026357313,0.0002951703,0.0005994645,0.00064667384,0.000121314224,0.000017416556,0.004570568],"genre_scores_gemma":[0.9989134,0.00046960352,0.00017191336,0.000010210632,0.000011861443,3.42564e-7,0.000061726125,0.0000068453346,0.00035410025],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9959055,0.0016456041,0.00042861997,0.0005822212,0.0010230745,0.00041496017],"domain_scores_gemma":[0.9983183,0.00022743548,0.0009158159,0.00017751045,0.00020759275,0.00015332083],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00995102,0.00020500853,0.0006220349,0.0006352103,0.00051030697,0.000022030146,0.0003819795,0.00020017651,0.00004901601],"category_scores_gemma":[0.00009930943,0.0002503524,0.00006646666,0.0006923489,0.0008781793,0.00030905858,0.00008236485,0.00021419635,0.000008432991],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008856574,0.00073083304,0.4865069,0.018151708,0.0004930455,0.00003326167,0.16107826,0.00059301726,0.00024709548,0.011412584,0.00079472386,0.3190729],"study_design_scores_gemma":[0.001333639,0.00093261566,0.7087951,0.0019013948,0.00010273887,0.0000018251014,0.2816931,0.0049288236,0.000001525212,0.000045820252,0.00010046142,0.0001629912],"about_ca_topic_score_codex":0.030757023,"about_ca_topic_score_gemma":0.006936508,"teacher_disagreement_score":0.3189099,"about_ca_system_score_codex":0.00022612663,"about_ca_system_score_gemma":0.0006925559,"threshold_uncertainty_score":0.9999949},"labels":[],"label_agreement":null},{"id":"W7152002106","doi":"10.1353/tsu.2010.a986310","title":"W atching W oman and W ater","year":2010,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Simplicity; Front (military); Dance; Theme (computing); Power (physics)","score_opus":0.0239419223863667,"score_gpt":0.29848877766367526,"score_spread":0.27454685527730854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7152002106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88747466,0.000033421784,0.000012372986,0.00015662324,0.00064273126,0.000037797898,0.000032993907,0.000035499503,0.11157391],"genre_scores_gemma":[0.99709606,0.0000024953708,0.000063016865,0.00021220745,0.0000717758,5.5824546e-7,0.000010710119,0.000007174495,0.0025359709],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9994831,0.00011033239,0.00005489752,0.0001331094,0.000053869833,0.0001647041],"domain_scores_gemma":[0.999596,0.000104783285,0.000018695835,0.00020207236,0.000012111931,0.00006636321],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046180774,0.00006651504,0.000083169725,0.000026778018,0.00007308675,0.000024615445,0.000105899715,0.000060297443,0.0014518568],"category_scores_gemma":[0.000015383986,0.000057844347,0.000017703285,0.000041700656,0.00006104191,0.0000816556,0.00004431824,0.00016828744,0.00055314065],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008605275,0.000055358494,0.95536786,0.000003248639,0.00003383342,0.000010423431,0.0019753883,7.811712e-8,0.0011673928,0.0009388835,0.007261984,0.03309947],"study_design_scores_gemma":[0.00026398923,0.000035711957,0.9903767,0.000002339898,0.000004356113,0.000010529872,0.00007973341,0.0000012502552,0.00006527056,0.00026486302,0.008816277,0.00007897754],"about_ca_topic_score_codex":0.0029310072,"about_ca_topic_score_gemma":0.0016613905,"teacher_disagreement_score":0.10962144,"about_ca_system_score_codex":0.0000023430355,"about_ca_system_score_gemma":0.0000047566364,"threshold_uncertainty_score":0.99946094},"labels":[],"label_agreement":null},{"id":"W7152010297","doi":"10.1353/tsu.2010.a986332","title":"C reating a C ontemporary A rchive : A lonzo K ing L ines B allet at T wenty -F ive","year":2010,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ballet; Limiting; White (mutation); Point (geometry); Quarter (Canadian coin); Modern dance","score_opus":0.035226045896195754,"score_gpt":0.3027253225386842,"score_spread":0.26749927664248846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7152010297","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7780518,0.00009013499,0.000020258225,0.00022748615,0.00077299296,0.00014450241,0.00019449925,0.000092005976,0.22040634],"genre_scores_gemma":[0.9930883,0.0000061527226,0.00021857013,0.0003191597,0.00018239512,0.0000059533895,0.00012244124,0.000023218097,0.006033788],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99847746,0.00044841963,0.00019733795,0.0003382274,0.00016482187,0.0003737201],"domain_scores_gemma":[0.99867713,0.0005158593,0.00012862754,0.0004877673,0.0000507368,0.00013989802],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00089715107,0.00018836017,0.00025596106,0.00009083859,0.00021378776,0.00003583726,0.00032529922,0.00012719852,0.0019409901],"category_scores_gemma":[0.00015458529,0.00017334834,0.000086404965,0.00017005453,0.00012826934,0.00016849954,0.00021458915,0.00038576446,0.0009759918],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00063911325,0.00013365877,0.9491165,0.000011512622,0.00014483514,0.0000657197,0.008588361,0.000001160565,0.001560332,0.00030140727,0.031032244,0.008405116],"study_design_scores_gemma":[0.00089243,0.00014747083,0.98955524,0.000035571396,0.000016538072,0.000033640732,0.00061805,0.000012730986,0.00015878955,0.00027643095,0.007993852,0.00025924703],"about_ca_topic_score_codex":0.0092442855,"about_ca_topic_score_gemma":0.008342847,"teacher_disagreement_score":0.21503654,"about_ca_system_score_codex":0.000026291917,"about_ca_system_score_gemma":0.00004151033,"threshold_uncertainty_score":0.9998019},"labels":[],"label_agreement":null},{"id":"W7155041548","doi":"10.59236/ijea16n22","title":"Dancing on Thin Ice","year":2015,"lang":"","type":"article","venue":"International journal of education and the arts","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Dance; Dance education; Curriculum; Narrative; Teaching method; Face (sociological concept); Concert dance","score_opus":0.051043795652174685,"score_gpt":0.37405734329168494,"score_spread":0.32301354763951023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155041548","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6134808,0.0047679,0.00037743058,0.100434296,0.046285544,0.00015670354,0.000011700882,0.0000061955543,0.2344794],"genre_scores_gemma":[0.9841573,0.00033832432,0.00011535957,0.007588762,0.0019438752,7.674982e-7,0.0000016883594,0.000006457821,0.005847449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867094,0.00019974264,0.00038149735,0.00010775699,0.0005214539,0.00011860361],"domain_scores_gemma":[0.99803674,0.00027322926,0.00063136464,0.0001419119,0.0007218319,0.00019492047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012682254,0.00010989439,0.00016859117,0.00019223924,0.00008387711,0.00018695866,0.00049992395,0.00005547527,0.000373402],"category_scores_gemma":[0.00062697363,0.00007781752,0.000100687925,0.00006961254,0.00017810677,0.00032180027,0.00005896889,0.00031507944,0.0001904265],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007500115,0.002704553,0.003814514,0.00001106486,0.0011578591,0.00004865758,0.1080906,0.00023174184,0.000039628085,0.37611204,0.38380808,0.116481155],"study_design_scores_gemma":[0.013637327,0.0010146082,0.022947306,0.0007822119,0.00021918488,0.0018482608,0.044745523,0.00024183493,0.00022707265,0.07061114,0.84340614,0.00031940706],"about_ca_topic_score_codex":0.0000834717,"about_ca_topic_score_gemma":0.0000047024114,"teacher_disagreement_score":0.45959806,"about_ca_system_score_codex":0.00011577547,"about_ca_system_score_gemma":0.00044636248,"threshold_uncertainty_score":0.408849},"labels":[],"label_agreement":null},{"id":"W7155518309","doi":"10.59236/emro.v27i8a264","title":"Obsessed With Light","year":2025,"lang":"","type":"article","venue":"Educational Media Reviews Online","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Impact","funders":"","keywords":"Performing arts; Dance; Presentational and representational acting; Narrative; Portrait; Presentation (obstetrics); TRACE (psycholinguistics); Visual culture; Sight","score_opus":0.043723392340922526,"score_gpt":0.3734125851950887,"score_spread":0.32968919285416615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155518309","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018870635,0.51928264,0.00016906505,0.34104103,0.019453295,0.0019768511,0.00060560985,0.00004546812,0.0985554],"genre_scores_gemma":[0.13659745,0.33492804,0.03370728,0.06289199,0.015624424,0.00055086723,0.0051796916,0.00015677242,0.4103635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974381,0.00036354447,0.0007556455,0.00062887097,0.00033408866,0.00047977953],"domain_scores_gemma":[0.9974754,0.0007661127,0.0004062375,0.00081695913,0.0002509959,0.00028431133],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048724504,0.0004040101,0.0007945159,0.0002744192,0.00020394754,0.00006307768,0.0007018595,0.0001932117,0.01341748],"category_scores_gemma":[0.0013425379,0.00033497525,0.00019651759,0.0011838751,0.00022214602,0.00019713704,0.00008223884,0.00051927066,0.0032237316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027776332,0.0063806116,0.014581063,0.00092530495,0.00041102988,0.0000075224807,0.0027169208,0.0000010305948,0.00005595955,0.038234692,0.8503707,0.08603742],"study_design_scores_gemma":[0.0010104928,0.000121650504,0.08906018,0.0021863831,0.00031819032,0.000009544082,0.00044610072,0.0000030754104,0.000015591047,0.0011448159,0.9053861,0.00029787407],"about_ca_topic_score_codex":0.00003157562,"about_ca_topic_score_gemma":0.00008969451,"teacher_disagreement_score":0.31180808,"about_ca_system_score_codex":0.00016784333,"about_ca_system_score_gemma":0.0016464539,"threshold_uncertainty_score":0.99991024},"labels":[],"label_agreement":null},{"id":"W7161460562","doi":"","title":"2023-September-26-ETSU hosting 'These Shining Lives' Oct 5-8.pdf","year":2023,"lang":"","type":"article","venue":"Digital Commons - East Tennessee State University (East Tennessee State University)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Performance art; Portrait; State (computer science); Radium; Spanish Civil War","score_opus":0.028581476637618505,"score_gpt":0.22822156972321941,"score_spread":0.1996400930856009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161460562","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63455975,0.00021129852,0.0015950685,0.0016272044,0.0028934914,0.0016994154,0.013002254,0.002512939,0.34189856],"genre_scores_gemma":[0.780926,0.0005629982,0.00007391869,0.00013380442,0.00020474844,0.0000013417558,0.0011279691,0.00033738668,0.21663187],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9857883,0.0013907856,0.0014724986,0.003965231,0.0018957742,0.0054874173],"domain_scores_gemma":[0.98932695,0.0014292974,0.0018905989,0.0028904364,0.0014782003,0.0029844884],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0011297724,0.0028917128,0.0027788943,0.0059915762,0.0039851195,0.0018073122,0.005837332,0.0009147752,0.0038409045],"category_scores_gemma":[0.0004209361,0.0039256983,0.001867859,0.012661638,0.0030833506,0.008839585,0.0058369283,0.003235912,0.030114025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.035158504,0.017002536,0.21924855,0.0049610515,0.022436244,0.21303445,0.1763418,0.011105926,0.001908839,0.021376736,0.17831713,0.09910824],"study_design_scores_gemma":[0.01401423,0.0020602124,0.0357836,0.002125456,0.0015126606,0.00054842257,0.33549464,0.0027141236,0.000069240006,0.00068336574,0.59807396,0.006920065],"about_ca_topic_score_codex":0.0017615177,"about_ca_topic_score_gemma":0.0021270434,"teacher_disagreement_score":0.41975686,"about_ca_system_score_codex":0.0018306058,"about_ca_system_score_gemma":0.0012310073,"threshold_uncertainty_score":0.9996297},"labels":[],"label_agreement":null},{"id":"W7161961203","doi":"10.82308/39923","title":"Dance in Diaspora: The Making and Maintenance of Greek Identity through Dance in Montreal","year":2025,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Diaspora; Immigration; Identity (music); Cultural identity","score_opus":0.025630709856061806,"score_gpt":0.333650258432256,"score_spread":0.3080195485761942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161961203","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78800267,0.0032513344,0.00013616862,0.00022416939,0.0008277344,0.0003490312,0.00005498641,0.000014513914,0.20713942],"genre_scores_gemma":[0.9699827,0.00065022946,0.00014782698,0.00033617995,0.000023839602,0.00001793201,0.000044981578,0.000009559527,0.02878679],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99866694,0.0000926029,0.00036609333,0.00039281277,0.00018290832,0.0002986166],"domain_scores_gemma":[0.9991586,0.00012748332,0.00027634684,0.0003688045,0.000053930526,0.000014806848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027379883,0.00020515402,0.00040887078,0.00012609313,0.000048057453,0.000027351021,0.00046345347,0.0002184173,0.0001514958],"category_scores_gemma":[0.00010239288,0.00017199188,0.00006210911,0.00043398808,0.00008733314,0.00041353496,0.00006471329,0.00041509967,0.000014858481],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0037624184,0.0012632323,0.51838624,0.0020498498,0.0003950637,0.00068355445,0.16905439,0.00011545421,0.00013610045,0.19147345,0.037822057,0.074858196],"study_design_scores_gemma":[0.00077649124,0.0000345465,0.97035646,0.0008182298,0.000021892307,0.0000025785623,0.02179534,0.000019615727,0.000020465615,0.0056393975,0.00034390468,0.0001710532],"about_ca_topic_score_codex":0.022490123,"about_ca_topic_score_gemma":0.19317481,"teacher_disagreement_score":0.45197025,"about_ca_system_score_codex":0.000054723656,"about_ca_system_score_gemma":0.00004756291,"threshold_uncertainty_score":0.9840192},"labels":[],"label_agreement":null},{"id":"W7161963103","doi":"10.82308/42198","title":"Wellbeing and expression with youth dancing Hip Hop in an urban multiethnic neighborhood","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Ethnography; Situated; Expression (computer science); Vocabulary; Participant observation; Exploratory research; Youth culture","score_opus":0.020381051627318552,"score_gpt":0.2851423415719316,"score_spread":0.264761289944613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161963103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92744154,0.0002938938,0.00018274206,0.000010700877,0.00048697685,0.00023016256,0.000007897427,0.00006571815,0.07128036],"genre_scores_gemma":[0.9896377,0.000012151788,0.00028236315,0.00012744516,0.000111740344,0.0000070450665,0.00041805865,0.00003847607,0.009365062],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9986642,0.00011104608,0.0002014227,0.0005096162,0.00018163091,0.0003321081],"domain_scores_gemma":[0.9992408,0.00005309947,0.00017665802,0.00035115817,0.00004098472,0.00013728852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016347622,0.0002771638,0.0003290743,0.00020774693,0.00009342257,0.00005965044,0.00020914277,0.0003570994,0.00023779925],"category_scores_gemma":[0.000020445987,0.00023607617,0.00003384347,0.00011982451,0.000028041695,0.00031264266,0.000023039353,0.00041346325,0.00003190814],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0037940321,0.0008365681,0.65409863,0.00052442634,0.00015531463,0.00008874045,0.29692784,0.000021983189,0.007411945,0.0014194931,0.0026784681,0.032042578],"study_design_scores_gemma":[0.0047462946,0.0013899327,0.7949165,0.0016919775,0.0001557078,0.0000052776404,0.19383974,0.00011256018,0.0016170345,0.000112378184,0.00023825487,0.0011743514],"about_ca_topic_score_codex":0.0007418283,"about_ca_topic_score_gemma":0.0014252674,"teacher_disagreement_score":0.14081787,"about_ca_system_score_codex":0.000030922354,"about_ca_system_score_gemma":0.000027666132,"threshold_uncertainty_score":0.96269065},"labels":[],"label_agreement":null},{"id":"W7161963819","doi":"10.82308/31547","title":"Discipline and devotion: The hybridization of gymnastics and yoga in Montreal women’s communities","year":2025,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; Subculture (biology); Martial arts; Participant observation; Japanese culture; Physical education; Identity (music)","score_opus":0.015278884863445705,"score_gpt":0.2842005853264864,"score_spread":0.2689217004630407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161963819","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9374913,0.00047158825,0.000055367957,0.00012089631,0.0002553161,0.00012364508,0.00007079835,0.000007876441,0.06140323],"genre_scores_gemma":[0.96782494,0.00038545195,0.000021396932,0.000054384516,0.00001541336,0.000017687067,0.00031606868,0.0000039778643,0.031360675],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99953836,0.00006550939,0.00014838556,0.00008104228,0.0000683175,0.00009837684],"domain_scores_gemma":[0.9995519,0.00015545981,0.000086464,0.00014023574,0.000046457793,0.000019480956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000117322554,0.00009495484,0.00016710254,0.000109357854,0.00008115417,0.000021318237,0.00009975581,0.00009381529,0.00032154587],"category_scores_gemma":[0.000022993578,0.000074596785,0.000012552888,0.00009199862,0.00006096009,0.00006066552,0.000039016108,0.00014563694,0.0000017978737],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027441985,0.0010898984,0.19008997,0.0018146042,0.000706157,0.000016349119,0.565602,0.00011819858,0.00002950862,0.096553065,0.024386136,0.11684989],"study_design_scores_gemma":[0.00061872124,0.00009909304,0.8401781,0.0001391781,0.00003883766,0.0000014200483,0.15692458,0.00009415654,0.000017130717,0.0013916515,0.00039813662,0.000099043216],"about_ca_topic_score_codex":0.002206658,"about_ca_topic_score_gemma":0.017559558,"teacher_disagreement_score":0.6500881,"about_ca_system_score_codex":0.000020208034,"about_ca_system_score_gemma":0.000021105105,"threshold_uncertainty_score":0.97986454},"labels":[],"label_agreement":null},{"id":"W7161964363","doi":"10.82308/7964","title":"Development of a KT intervention to promote the use of dance as a therapeutic modality in rehabilitation","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Rehabilitation; Thematic analysis; Intervention (counseling); Knowledge translation; Modality (human–computer interaction); Dance therapy; Psychological intervention; Modalities","score_opus":0.06220458389110109,"score_gpt":0.3622386577573488,"score_spread":0.3000340738662477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161964363","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99441344,0.00003579565,0.0008383286,0.00018019213,0.00027621372,0.0006636913,0.000007467404,0.00001001444,0.0035748715],"genre_scores_gemma":[0.9883702,0.0000015063414,0.0050089704,0.000086783286,0.00000661408,0.000046287107,0.00007915187,0.000009671623,0.006390856],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9988062,0.00016911543,0.00048270132,0.00021621177,0.00020235153,0.0001234466],"domain_scores_gemma":[0.999077,0.00011893135,0.00033122863,0.0003139662,0.00013403462,0.000024813075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005523231,0.00012270015,0.0002460696,0.00014210226,0.000025978517,0.000011248716,0.00021666544,0.00013333425,0.00027387292],"category_scores_gemma":[0.00017837719,0.00009634751,0.0000931713,0.0001999065,0.00002840931,0.0001032405,0.000020702757,0.00012261953,0.000048678507],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0042115557,0.0025142047,0.01069159,0.0016026265,0.00046161038,0.0000010650608,0.27756667,0.00006742453,0.0054600835,0.027990287,0.0011489381,0.66828394],"study_design_scores_gemma":[0.0006701979,0.00057047996,0.9785731,0.0007739334,0.000036628917,3.2617257e-7,0.0077056796,0.000025440075,0.0026729954,0.0013565307,0.0074336105,0.0001810675],"about_ca_topic_score_codex":0.001260529,"about_ca_topic_score_gemma":0.0030411961,"teacher_disagreement_score":0.9678815,"about_ca_system_score_codex":0.000055844535,"about_ca_system_score_gemma":0.000053299587,"threshold_uncertainty_score":0.39289376},"labels":[],"label_agreement":null},{"id":"W7162021582","doi":"10.82308/48958","title":"Post-Secondary circus school graduates perspectives of curriculum","year":2015,"lang":"en","type":"dissertation","venue":"","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Curriculum; The arts; Context (archaeology); Qualitative research; Perception; Curriculum development; Perspective (graphical); Participant observation","score_opus":0.015889377950220857,"score_gpt":0.31465757142717227,"score_spread":0.2987681934769514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162021582","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5210445,0.002916348,0.0000011236172,0.000068917434,0.0010918711,0.00015058217,0.00013816767,0.00004779466,0.47454068],"genre_scores_gemma":[0.8601082,0.00008121139,0.00008921434,0.00008681822,0.00014509815,0.000008462382,0.0007687554,0.000029065399,0.13868317],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99880487,0.00006324365,0.00023940155,0.00036099413,0.0002773063,0.00025416893],"domain_scores_gemma":[0.9985512,0.000030801566,0.00025752504,0.0003482094,0.0006383383,0.00017392426],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012869158,0.00024038705,0.00038845575,0.00024126266,0.00005171441,0.000027479144,0.00036386607,0.0003137827,0.01636429],"category_scores_gemma":[0.00017450658,0.00022761727,0.0001790173,0.00015173426,0.00006377298,0.00020989637,0.00002396417,0.00041536664,0.0016662717],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00091225083,0.0031366977,0.01567552,0.0006817475,0.0021659692,0.00010213049,0.14164773,7.580187e-7,0.00257731,0.037960872,0.75929993,0.035839092],"study_design_scores_gemma":[0.0012807028,0.0007454511,0.20604655,0.00013439837,0.00019537726,0.000013485852,0.78428507,7.585053e-7,0.00047054517,0.0030290645,0.0032016349,0.00059695705],"about_ca_topic_score_codex":0.002090952,"about_ca_topic_score_gemma":0.00022364028,"teacher_disagreement_score":0.7560983,"about_ca_system_score_codex":0.00006457189,"about_ca_system_score_gemma":0.0002928254,"threshold_uncertainty_score":0.99911106},"labels":[],"label_agreement":null},{"id":"W7162096974","doi":"10.7202/1125291ar","title":"Out in the Wild: Shawna Dempsey and Lorri Millan’s Lesbian National Parks and Services","year":2025,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lesbian; Queer; Exhibition; The arts; Creativity; National park","score_opus":0.014426172288330895,"score_gpt":0.26236301974841175,"score_spread":0.24793684746008085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162096974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9119942,0.00054623437,0.000004162455,0.0058761723,0.00028292395,0.0001340492,0.000059148388,0.000009848339,0.08109322],"genre_scores_gemma":[0.9887636,0.000050700673,0.000027818855,0.0043952577,0.00006620741,0.0000069917905,0.000026598265,0.0000042331562,0.0066586155],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993049,0.0000632381,0.00011121995,0.00021002599,0.000057169735,0.000253473],"domain_scores_gemma":[0.99960816,0.00010560725,0.00003618486,0.00014165809,0.000027009975,0.00008139791],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030168568,0.00009012018,0.00012308445,0.000108680506,0.00011919996,0.000041619525,0.00017181624,0.00007219961,0.00010700142],"category_scores_gemma":[0.00003143855,0.00008103543,0.000018919582,0.000098126024,0.00006647394,0.00009218431,0.000042330397,0.00014185978,0.00004625379],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018552004,0.00016999392,0.61810434,0.00031213064,0.0002534444,0.00024747482,0.06842552,0.000021120506,0.00006439303,0.15269175,0.07786792,0.08165639],"study_design_scores_gemma":[0.0005974048,0.00004639802,0.40832472,0.00009054913,0.000020544443,0.000042463722,0.004784545,0.00007911968,0.0000017314969,0.0014311646,0.5844536,0.00012780548],"about_ca_topic_score_codex":0.004510068,"about_ca_topic_score_gemma":0.17265195,"teacher_disagreement_score":0.50658566,"about_ca_system_score_codex":0.000049481838,"about_ca_system_score_gemma":0.000028849061,"threshold_uncertainty_score":0.842445},"labels":[],"label_agreement":null},{"id":"W7163302791","doi":"","title":"Canadian Rhythmic Gymnastics Coaching Method,\\nas Part of JOC’s Sport Coach Overseas Training Program","year":2020,"lang":"ja","type":"article","venue":"Institutional Repositories DataBase (IRDB)","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Coaching; Training (meteorology); Rhythm; Athletes; Work (physics)","score_opus":0.06676227329589268,"score_gpt":0.3280301988210132,"score_spread":0.2612679255251205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163302791","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3596872,0.006148257,0.02909158,0.0122483075,0.060717557,0.0067486456,0.0763251,0.0012447438,0.44778857],"genre_scores_gemma":[0.9647807,0.000117542564,0.026067078,0.001665195,0.003675952,0.00003907318,0.0029606083,0.00005788185,0.000635984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952297,0.0002718891,0.001111285,0.0010966016,0.0011391239,0.001151385],"domain_scores_gemma":[0.99581844,0.00030172674,0.0006450459,0.0008633161,0.00044045885,0.0019309937],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00081015035,0.0006270522,0.00093285437,0.0002678038,0.0011106727,0.00025864033,0.0007853651,0.00042207356,0.00066719216],"category_scores_gemma":[0.0015762848,0.00073600066,0.00033488002,0.00072670495,0.00085331645,0.001232293,0.00032798416,0.001113437,0.00016992379],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0056789936,0.003171143,0.06989437,0.0030835469,0.005760106,0.019729557,0.060486674,0.004056291,0.0036834676,0.6559851,0.12949175,0.03897898],"study_design_scores_gemma":[0.0016746516,0.0006869696,0.004590162,0.0007302393,0.00056698587,0.00071825064,0.006293323,0.0010990468,0.00069322874,0.00004948569,0.9820184,0.0008792167],"about_ca_topic_score_codex":0.09016031,"about_ca_topic_score_gemma":0.00950046,"teacher_disagreement_score":0.85252666,"about_ca_system_score_codex":0.0007721606,"about_ca_system_score_gemma":0.0058957115,"threshold_uncertainty_score":0.99973994},"labels":[],"label_agreement":null},{"id":"W7164899669","doi":"10.1080/17153379.2011.12556579","title":"Butoh: Metamorphic Dance and Global Alchemy.","year":2011,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.042821536535440644,"score_gpt":0.261356713443762,"score_spread":0.21853517690832136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164899669","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040673446,0.0009331276,0.00041723173,0.000087925495,0.0006333974,0.000098088814,0.000058743848,0.00010027323,0.95699775],"genre_scores_gemma":[0.994633,0.000034963046,0.0008695304,0.000032922842,0.00005207764,0.0000051512748,0.000004090203,0.0000082825,0.0043599587],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99908,0.00004574798,0.00011870924,0.0003067625,0.000119419536,0.00032933065],"domain_scores_gemma":[0.9994129,0.000020982534,0.000064767155,0.00032534523,0.000024395578,0.00015160356],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013963284,0.00014108828,0.00017227273,0.000030489906,0.00008737061,0.000020757188,0.00019570172,0.00009480357,0.0023836263],"category_scores_gemma":[0.000021974827,0.00013813388,0.00005570921,0.00015524575,0.00020483416,0.00017344649,0.00006750229,0.00010361798,0.0013623699],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00101178,0.001413074,0.36653036,0.00009687485,0.0010494847,0.00052277785,0.052151985,6.985929e-7,0.00048155265,0.40300635,0.118193686,0.055541404],"study_design_scores_gemma":[0.0034268913,0.0007740613,0.6172535,0.00007014348,0.00029698282,0.00036338487,0.30582654,0.00002506984,0.0008731484,0.014139163,0.05557468,0.0013764137],"about_ca_topic_score_codex":0.00011435773,"about_ca_topic_score_gemma":0.000008329137,"teacher_disagreement_score":0.9539596,"about_ca_system_score_codex":0.000019004165,"about_ca_system_score_gemma":0.000013057673,"threshold_uncertainty_score":0.99941516},"labels":[],"label_agreement":null},{"id":"W7164902127","doi":"10.1080/17153379.2004.12554062","title":"Quand Les Sumos Apprennent À Danser: la fin du modèle Japonais (When the Sumos Learn to Dance: the end of the Japanese model).","year":2004,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Fin; Work (physics)","score_opus":0.03731033584099786,"score_gpt":0.24539662574485333,"score_spread":0.20808628990385547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164902127","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4973503,0.00072780234,0.0012619041,0.013911096,0.00067862764,0.00092311995,0.00022661839,0.0000802134,0.48484033],"genre_scores_gemma":[0.99310553,0.000044439825,0.00010179293,0.00011045527,0.00007560454,0.00004346125,0.000006144303,0.000026320236,0.0064862724],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9980464,0.0002891077,0.00026540266,0.0003700018,0.00042915368,0.00059994735],"domain_scores_gemma":[0.99823844,0.00031227546,0.00015541524,0.001089799,0.000062540654,0.00014151626],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007847723,0.00024691765,0.00025123367,0.000043035947,0.0004652368,0.000063982996,0.0011628184,0.00013942838,0.00039955237],"category_scores_gemma":[0.00013738724,0.00013429413,0.0002040214,0.00025728557,0.0006670294,0.00012175273,0.00024125866,0.00039150016,0.0001924035],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011477668,0.0014552866,0.0143069,0.00010636527,0.0006359275,0.000031139476,0.7178659,0.06638692,0.0030422134,0.06494749,0.12123938,0.008834723],"study_design_scores_gemma":[0.0033885338,0.00043446015,0.02184183,0.00020456128,0.00025896323,0.00008243922,0.9022874,0.0020607102,0.0020170666,0.0074774344,0.059054065,0.00089252455],"about_ca_topic_score_codex":0.0012157718,"about_ca_topic_score_gemma":0.0003606136,"teacher_disagreement_score":0.49575523,"about_ca_system_score_codex":0.000087723354,"about_ca_system_score_gemma":0.00008906013,"threshold_uncertainty_score":0.54763556},"labels":[],"label_agreement":null},{"id":"W7164939197","doi":"10.1080/17153379.2024.12558496","title":"The Dancer’s Voice: Performance and Womanhood in Transnational India.","year":2024,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gender relations; Work (physics); Field (mathematics)","score_opus":0.011621397766280371,"score_gpt":0.2555455792567929,"score_spread":0.2439241814905125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164939197","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19061476,0.002586567,0.000056862656,0.0025535095,0.0012669401,0.00015662791,0.00003955535,0.00007650316,0.80264866],"genre_scores_gemma":[0.9949538,0.0001372669,0.000023133794,0.000013596669,0.000059334336,0.000015080163,0.0000059104586,0.0000080963,0.0047837673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99928975,0.000033992546,0.0001101601,0.00019870236,0.00013682412,0.0002305972],"domain_scores_gemma":[0.99966055,0.00013600825,0.000016688527,0.00013069774,0.00001012439,0.000045918965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002506679,0.00008668674,0.00007555429,0.00007690718,0.00013054482,0.00008306309,0.00013294304,0.00005849979,0.00023829819],"category_scores_gemma":[0.0000075433577,0.000066958375,0.000027434935,0.00021097633,0.00013145125,0.00020088948,0.00001842392,0.00020302282,0.00024813096],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041282535,0.00027317417,0.06074999,0.00023820174,0.00028671196,0.00016424755,0.088390894,0.00002648301,0.00016365603,0.6070358,0.05453551,0.18772252],"study_design_scores_gemma":[0.0011093551,0.0002458827,0.6240535,0.000094830306,0.000027534581,0.00007071437,0.14849025,0.0007757247,0.000074015836,0.0024261638,0.22223805,0.00039398627],"about_ca_topic_score_codex":0.000004139804,"about_ca_topic_score_gemma":0.00001030456,"teacher_disagreement_score":0.80433905,"about_ca_system_score_codex":0.00003485777,"about_ca_system_score_gemma":0.00002774225,"threshold_uncertainty_score":0.31893045},"labels":[],"label_agreement":null},{"id":"W75289562","doi":"10.20361/g2zk53","title":"Learn to Speak Dance: A Guide to Creating, Performing &amp; Promoting Your Moves by A.-M. Williams","year":2012,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Choreography; Visual arts; Contemporary dance; Concert dance; Modern dance; Art","score_opus":0.014882103618167787,"score_gpt":0.3304254441635652,"score_spread":0.3155433405453974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W75289562","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7974871,0.17294051,0.00013476913,0.00282768,0.00043998787,0.001593672,0.00025912732,0.000072368755,0.024244783],"genre_scores_gemma":[0.87038594,0.00863422,0.013494245,0.04894262,0.003230502,0.00015941383,0.00065536774,0.00019568297,0.054302007],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978491,0.00025355213,0.0005009131,0.00034139463,0.00036985672,0.0006852059],"domain_scores_gemma":[0.99833554,0.00007583241,0.00031676303,0.0008556423,0.00012796948,0.0002882328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013535355,0.00031296056,0.00053145265,0.00007238856,0.00020947239,0.00008505929,0.0007967258,0.000116394665,0.00059051515],"category_scores_gemma":[0.00050241314,0.00021395079,0.00019577451,0.000650593,0.00005059084,0.00035483422,0.00022548967,0.00045292047,0.0005356808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001224968,0.00051046343,0.06484336,0.0025659918,0.00036821963,0.0000032537275,0.052641157,0.0000036655645,0.0021737388,0.003439471,0.81538737,0.05794083],"study_design_scores_gemma":[0.00030439562,0.00015775794,0.04983777,0.015410156,0.00012790067,0.00009901678,0.00012257238,3.9457603e-7,0.00044528057,0.000014759199,0.9330975,0.00038252294],"about_ca_topic_score_codex":0.000086051135,"about_ca_topic_score_gemma":0.000002336613,"teacher_disagreement_score":0.16430628,"about_ca_system_score_codex":0.000038556132,"about_ca_system_score_gemma":0.000018810397,"threshold_uncertainty_score":0.87246597},"labels":[],"label_agreement":null},{"id":"W769324724","doi":"10.5860/choice.46-3165","title":"Dancing across borders: the American fascination with exotic dance forms","year":2009,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; History; Art; Visual arts","score_opus":0.06295168055412725,"score_gpt":0.40335055788879554,"score_spread":0.3403988773346683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W769324724","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9721279,0.015422762,0.0021283098,0.004596279,0.00027035657,0.00078034634,0.000048235837,0.00010948135,0.0045163124],"genre_scores_gemma":[0.9780603,0.0057298457,0.0018987363,0.011379766,0.0006094931,0.000019310533,0.00006906457,0.000022629149,0.0022108199],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879116,0.00009189315,0.00025717312,0.00028474967,0.00017440318,0.00040060736],"domain_scores_gemma":[0.9988146,0.00009346623,0.0003671495,0.00056513946,0.000080899335,0.00007874998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040817235,0.00018268349,0.0003742549,0.000027920169,0.00021256831,0.00005045621,0.00040976357,0.000031148415,0.000056095116],"category_scores_gemma":[0.00023541461,0.000106169435,0.00008699927,0.0005442029,0.00014754708,0.0003162722,0.000028069915,0.00024261331,0.00013855734],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007955153,0.00044858118,0.008873653,0.00007045263,0.000042881533,0.000011578842,0.0036126438,0.000012513315,0.00011477805,0.0004946001,0.0060679344,0.98017085],"study_design_scores_gemma":[0.00058682123,0.0005283187,0.46648365,0.0003102823,0.00004564597,0.000019742381,0.0014155437,0.000025352176,0.000011801427,0.00006761914,0.530287,0.00021822874],"about_ca_topic_score_codex":0.00009335706,"about_ca_topic_score_gemma":0.0003862727,"teacher_disagreement_score":0.9799526,"about_ca_system_score_codex":0.000053810396,"about_ca_system_score_gemma":0.000020148647,"threshold_uncertainty_score":0.43294638},"labels":[],"label_agreement":null},{"id":"W827311602","doi":"","title":"Aspiring Ballerinas and Implications for Counselling Practice/Ballerines En Herbe et Implications Pour la Pratique Du Counseling","year":2015,"lang":"fr","type":"article","venue":"Canadian Journal of Counselling and Psychotherapy","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballet; Dance; Psychology; Dream; Ballet dancer; Classical ballet; Visual arts; Psychotherapist; Art","score_opus":0.046973729821663895,"score_gpt":0.3547293807114202,"score_spread":0.3077556508897563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W827311602","genre_codex":"methods","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054916337,0.18610907,0.5989959,0.15452655,0.0018006647,0.0005150448,0.00025856102,0.000023639815,0.002854213],"genre_scores_gemma":[0.10281896,0.8702155,0.014019515,0.008511761,0.0015653883,0.00002882148,0.000014178027,0.00012505827,0.002700838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977308,0.0004855003,0.00065610313,0.00036997627,0.00019289956,0.00056474295],"domain_scores_gemma":[0.9945216,0.0016563891,0.0006640814,0.000297251,0.0016667377,0.0011939399],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.004134872,0.00034388757,0.00046094318,0.0002838004,0.00045705304,0.0005044275,0.00034219577,0.00037295904,0.000061863146],"category_scores_gemma":[0.00006372875,0.00038718586,0.00012967788,0.00022452453,0.00028350015,0.0007105323,5.6914064e-7,0.0005866534,0.000010707654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015093914,0.00065645983,0.0036771272,0.00033997846,0.0021394244,0.000112236085,0.2484659,0.0033656335,0.0008380281,0.39632842,0.19584893,0.14671849],"study_design_scores_gemma":[0.002400426,0.00051123055,0.00062372204,0.00036553014,0.00015045902,0.0020774417,0.001976157,0.00023924379,0.0000060980337,0.07445029,0.91683596,0.00036345894],"about_ca_topic_score_codex":0.0013344131,"about_ca_topic_score_gemma":0.004570758,"teacher_disagreement_score":0.720987,"about_ca_system_score_codex":0.000101682905,"about_ca_system_score_gemma":0.0016134679,"threshold_uncertainty_score":0.999858},"labels":[],"label_agreement":null},{"id":"W838528754","doi":"","title":"The Winders of Wyresdale: Traditional Country Dance Music & Airs","year":2015,"lang":"en","type":"article","venue":"Folk music journal","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dance; Art; Art history; Newspaper; Visual arts; History; Literature; Sociology; Media studies","score_opus":0.11258459287244361,"score_gpt":0.28346185577513117,"score_spread":0.17087726290268757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W838528754","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7666522,0.0020720419,0.00074257696,0.0024227602,0.009332328,0.00014753887,0.000101110476,0.00003171871,0.21849768],"genre_scores_gemma":[0.99587536,0.00002253647,0.00013749552,0.00096104253,0.0009287065,0.0000016400926,0.0000051421816,0.000011509403,0.0020565488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865913,0.00011473672,0.0002576518,0.00012741562,0.0005081518,0.00033289733],"domain_scores_gemma":[0.9990031,0.00014811776,0.00025541638,0.00022841393,0.00014544175,0.00021952191],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006842275,0.00011434218,0.00015524513,0.000060285864,0.0002909813,0.000064326516,0.0004524249,0.000076533324,0.001787315],"category_scores_gemma":[0.000107437416,0.00008677425,0.00010270397,0.00016978852,0.00032979346,0.00026507094,0.00003253305,0.00042151017,0.0001966284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026993925,0.00018122846,0.0026951137,0.0000046022587,0.00017787697,0.00006725659,0.004280429,0.00005631581,0.0000602482,0.014177203,0.97181016,0.0062196064],"study_design_scores_gemma":[0.005162716,0.0009420705,0.17141536,0.000118378,0.0001258151,0.0016776017,0.021900838,0.00005294105,0.0000497413,0.02048537,0.77766615,0.0004030443],"about_ca_topic_score_codex":0.000046568104,"about_ca_topic_score_gemma":0.000039449442,"teacher_disagreement_score":0.22922313,"about_ca_system_score_codex":0.00007988608,"about_ca_system_score_gemma":0.00028324095,"threshold_uncertainty_score":0.9991252},"labels":[],"label_agreement":null},{"id":"W85479170","doi":"10.20361/g21s31","title":"The White Ballets by R. Kupesic","year":2012,"lang":"en","type":"article","venue":"The Deakin Review of Children s Literature","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ballet; White (mutation); Painting; Art; Art history; Visual arts; Dance; Musical; History; Literature","score_opus":0.0082599130521554,"score_gpt":0.27491483907874764,"score_spread":0.26665492602659224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W85479170","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03245843,0.92299604,0.000014341357,0.010221188,0.0007292593,0.000637869,0.00023198186,0.000033827593,0.032677032],"genre_scores_gemma":[0.9086743,0.059054203,0.000097745375,0.021083396,0.000898468,0.000035476056,0.00024802648,0.00004180025,0.009866585],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854046,0.0003755102,0.00027599226,0.00015148263,0.0002547396,0.00040182113],"domain_scores_gemma":[0.9986768,0.00011548096,0.00023839984,0.0008117959,0.00006839875,0.00008912596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009387814,0.0001873523,0.00028282296,0.000018495035,0.00021570302,0.00005662509,0.00081986986,0.000096294774,0.0006787566],"category_scores_gemma":[0.00007598107,0.0000921526,0.00019605726,0.00032211337,0.00014309795,0.00019143782,0.000095781834,0.0003888131,0.00033822077],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030855103,0.00010278509,0.005278174,0.0002497128,0.00016780657,6.825377e-7,0.0013798815,3.1141344e-8,0.000013813829,0.015227604,0.9648083,0.012740367],"study_design_scores_gemma":[0.00024096644,0.000044014585,0.09370197,0.0023306161,0.000112467176,0.00007767034,0.000024055864,7.4262104e-8,0.000026242275,0.00008101874,0.90321285,0.00014805271],"about_ca_topic_score_codex":0.000007950319,"about_ca_topic_score_gemma":3.9672292e-7,"teacher_disagreement_score":0.8762159,"about_ca_system_score_codex":0.000010516484,"about_ca_system_score_gemma":0.0000097646935,"threshold_uncertainty_score":0.7431909},"labels":[],"label_agreement":null}]}